{"meta":{"query_hash":"70c4233c2085","filters":{"venue":"Renaissance Quarterly"},"cohort_total":808,"direct_labels_cover":0,"predictions_cover":808,"exported":808,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/70c4233c2085","api":"https://metacan.xera.ac/api/v1/cohort?venue=Renaissance+Quarterly"},"results":[{"id":"W1035267765","doi":"10.1086/668398","title":": <i>The Writings of an English Sappho</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Classics; Art history; Performance art; History","score_opus":0.017918882756204887,"score_gpt":0.31456424478715844,"score_spread":0.29664536203095354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1035267765","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007019625,0.2697976,0.0031085743,0.20440784,0.06583298,0.000080349484,0.001192483,0.00023203687,0.44832858],"genre_scores_gemma":[0.18399261,0.10289913,0.0037734983,0.050726615,0.029166302,0.00017464494,0.001389857,0.0010013109,0.62687606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992749,0.00030734186,0.000033072592,0.000085053325,0.00023000914,0.000069558926],"domain_scores_gemma":[0.9990503,0.00033799186,0.000085851825,0.000059912116,0.0003352623,0.00013059005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009610164,0.00078667764,0.00034244373,0.0009974807,0.0027303747,0.003769507,0.0004894214,0.00087691034,0.017889818],"category_scores_gemma":[0.0028745926,0.00022127182,0.00018216866,0.0014350516,0.0027529881,0.0036432198,0.0015420589,0.0023124558,0.005636013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019929843,0.000005305623,0.00010869205,0.00018253272,0.0000023300622,0.00010780908,0.005710505,0.000012865133,0.00023877058,0.015818916,0.9504961,0.027296305],"study_design_scores_gemma":[0.0000014626256,0.0000031583825,0.00037025416,0.00020209004,9.258843e-7,0.00012524132,0.0028931585,0.000013101048,0.000119491975,0.001406808,0.99486023,0.000004036933],"about_ca_topic_score_codex":0.009557711,"about_ca_topic_score_gemma":0.015685948,"teacher_disagreement_score":0.017889818,"about_ca_system_score_codex":0.0017367641,"about_ca_system_score_gemma":0.0015393286,"threshold_uncertainty_score":0.059847414},"labels":[],"label_agreement":null},{"id":"W1482290932","doi":"10.1353/ren.2008.0368","title":": <i>Benvenuto Cellini: Sculptor, Goldsmith, Writer</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Append; Index (typography); Art history; Art; Humanities; History; Computer science","score_opus":0.016740105784633242,"score_gpt":0.20211597819961974,"score_spread":0.1853758724149865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1482290932","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000528962,0.90926206,0.00067770504,0.012300435,0.006528474,0.000014999596,0.00031070295,0.0001392152,0.070237525],"genre_scores_gemma":[0.012268935,0.53882164,0.0017391723,0.006924837,0.0066676275,0.000054463515,0.0008650455,0.00034683174,0.43231148],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960786,0.000081979466,0.000023116381,0.000070754475,0.00017428363,0.000041997064],"domain_scores_gemma":[0.99948716,0.00016544906,0.000053364663,0.000044095374,0.00015657026,0.00009328023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005437023,0.0015666777,0.0011762702,0.0026662734,0.0014614452,0.0040880777,0.0010840694,0.0014375665,0.07856219],"category_scores_gemma":[0.0010982727,0.00048470584,0.00033347934,0.0054228916,0.0016579705,0.0038579064,0.0011904751,0.0020890872,0.047408964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027677468,0.0000071262984,0.00013782404,0.0004659918,0.0000052558607,0.000046893834,0.0006294643,0.000028114078,0.00016602872,0.0037046105,0.91205764,0.08272339],"study_design_scores_gemma":[0.000002619964,0.0000034863579,0.00044269068,0.0003796045,0.0000029097737,0.00013754776,0.00028403205,0.00001287984,0.00008063669,0.0009952503,0.99765426,0.000004073805],"about_ca_topic_score_codex":0.02167906,"about_ca_topic_score_gemma":0.05571516,"teacher_disagreement_score":0.07856219,"about_ca_system_score_codex":0.002568998,"about_ca_system_score_gemma":0.0023529374,"threshold_uncertainty_score":0.26281673},"labels":[],"label_agreement":null},{"id":"W1489283583","doi":"10.1353/ren.2007.0050","title":": <i>Reading Vasari</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Index (typography); Reading (process); Art; Art history; History; Philosophy; Computer science","score_opus":0.01575130605877172,"score_gpt":0.2304357041597665,"score_spread":0.21468439810099477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1489283583","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006901499,0.55788314,0.0021315343,0.03725799,0.035322748,0.00004643814,0.0014840881,0.00061806996,0.36456588],"genre_scores_gemma":[0.014713149,0.19864531,0.0016774953,0.014335017,0.011430071,0.0000764575,0.001749106,0.0006658914,0.7567075],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996308,0.00007706122,0.000019235582,0.00009232614,0.00013797112,0.000042615407],"domain_scores_gemma":[0.9992625,0.00014088202,0.00006380986,0.00004468023,0.00040236872,0.00008566859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048364527,0.0013845209,0.00084750727,0.0024171981,0.0014501067,0.0035460533,0.0012460954,0.0012842072,0.16054986],"category_scores_gemma":[0.0021566327,0.00034483362,0.00037432948,0.003504078,0.0011387748,0.004768286,0.0016036838,0.0019401052,0.08233623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007618096,0.0000034338564,0.00004556035,0.00017019082,0.0000025797642,0.000019980964,0.00021880088,0.000017691906,0.00008841155,0.004434844,0.9552999,0.03969105],"study_design_scores_gemma":[0.0000013197179,0.0000037458199,0.00025907444,0.00021643094,0.0000015976449,0.00004525905,0.00016110878,0.000006676232,0.000042964162,0.0011159077,0.9981432,0.0000026998043],"about_ca_topic_score_codex":0.011940282,"about_ca_topic_score_gemma":0.018102352,"teacher_disagreement_score":0.16054986,"about_ca_system_score_codex":0.0015106753,"about_ca_system_score_gemma":0.0013318742,"threshold_uncertainty_score":0.5370928},"labels":[],"label_agreement":null},{"id":"W1492051088","doi":"10.1353/ren.2008.0940","title":": <i>Picturing Machines 1400–1700</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Archaeology and ancient environmental studies","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Append; Index (typography); History; Humanities; Art; Art history; Media studies; Sociology; Computer science; World Wide Web; Programming language","score_opus":0.007350532066233703,"score_gpt":0.19378667204324637,"score_spread":0.18643613997701267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492051088","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054451525,0.0011722335,0.06553879,0.0049272296,0.00877741,0.0002889865,0.022295585,0.0298408,0.86171395],"genre_scores_gemma":[0.08661039,0.0027196794,0.235668,0.0032208897,0.0032566418,0.00075380696,0.038347382,0.017478889,0.6119443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983037,0.000021185619,0.000010258011,0.000027006834,0.00008348199,0.00002769695],"domain_scores_gemma":[0.9993838,0.00011453575,0.00005313622,0.00010634569,0.00027495515,0.00006718944],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030819845,0.0009981313,0.00024402447,0.0022782832,0.00097066246,0.0019461568,0.0006877325,0.0009789473,0.34810263],"category_scores_gemma":[0.0017397362,0.00040794822,0.00033386232,0.002362563,0.0005726642,0.0027620068,0.00092414464,0.0010549458,0.117189586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013289042,0.000014023106,0.00038805412,0.00017796071,0.0000047874432,0.00013726449,0.00024573784,0.00032986313,0.0042204787,0.009094912,0.8911162,0.09413783],"study_design_scores_gemma":[0.000010437823,0.000015493952,0.0019811287,0.00009876514,0.0000048911756,0.00020121454,0.00013830513,0.0006413662,0.0033166097,0.0011989996,0.99237615,0.00001667444],"about_ca_topic_score_codex":0.0060031377,"about_ca_topic_score_gemma":0.00878345,"teacher_disagreement_score":0.34810263,"about_ca_system_score_codex":0.0004996863,"about_ca_system_score_gemma":0.0007159905,"threshold_uncertainty_score":0.9298525},"labels":[],"label_agreement":null},{"id":"W1492415878","doi":"10.1353/ren.2008.0414","title":": <i>The Correspondence of Wolfgang Capito</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Volume (thermodynamics); History; Economic history; Demography; Sociology; Thermodynamics; Computer science; Physics","score_opus":0.007001384008803011,"score_gpt":0.1895088911980465,"score_spread":0.1825075071892435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492415878","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007835001,0.45135206,0.0015689987,0.1309102,0.1249547,0.000048306258,0.0015691043,0.0003428481,0.2884703],"genre_scores_gemma":[0.012435865,0.13501048,0.00083789974,0.028069355,0.038252775,0.00008941987,0.0009779481,0.00065223844,0.783674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993462,0.00016391827,0.00003059027,0.00016946842,0.00020828815,0.00008151727],"domain_scores_gemma":[0.999114,0.00020407127,0.00010613908,0.000045291235,0.00038388147,0.00014670007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005941669,0.0019539245,0.00088120217,0.0019755776,0.0014866812,0.0030206407,0.00087313884,0.0021020533,0.15709601],"category_scores_gemma":[0.002829996,0.00035080512,0.00029202306,0.0027215946,0.00078472536,0.0041927625,0.0019569397,0.0025299848,0.101499945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009315987,0.0000024142973,0.000035468063,0.00008686988,0.0000014075234,0.000021557711,0.00007789164,0.0000072680127,0.000041085525,0.00194422,0.9815367,0.016235832],"study_design_scores_gemma":[0.0000013096538,0.0000020968323,0.00010311551,0.000113202725,9.841161e-7,0.000057660585,0.000097805234,0.0000075888697,0.000041273608,0.00045103396,0.99912125,0.0000026950784],"about_ca_topic_score_codex":0.006042855,"about_ca_topic_score_gemma":0.008650952,"teacher_disagreement_score":0.15709601,"about_ca_system_score_codex":0.0020506177,"about_ca_system_score_gemma":0.0012570723,"threshold_uncertainty_score":0.52553856},"labels":[],"label_agreement":null},{"id":"W1500252536","doi":"10.1353/ren.2007.0382","title":": <i>The Worlds of Renaissance Melancholy: Robert Burton in Context</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"The Renaissance; Index (typography); Context (archaeology); Art history; Art; Humanities; Theology; History; Classics; Philosophy; Archaeology; Computer science; World Wide Web","score_opus":0.018384736022452854,"score_gpt":0.24491764376019784,"score_spread":0.22653290773774498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500252536","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00063542393,0.8665183,0.00040862017,0.09404065,0.008368724,0.000010248207,0.00006163455,0.00002865819,0.02992778],"genre_scores_gemma":[0.062357917,0.7183014,0.0015681544,0.047431946,0.017317913,0.00008975709,0.00017822365,0.0002302768,0.15252438],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993954,0.0003234491,0.000023412214,0.00008488327,0.00011798088,0.000054832046],"domain_scores_gemma":[0.9992894,0.00036813034,0.00007656338,0.000033015815,0.000117364994,0.00011551588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011440074,0.0014890608,0.0007229049,0.0017555936,0.003857855,0.0060334993,0.0012783678,0.0041165235,0.020712813],"category_scores_gemma":[0.001955088,0.00053590414,0.00029395882,0.0028016663,0.0053338422,0.0141600855,0.0031043594,0.004882052,0.005402924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029719627,0.000013526989,0.00021095213,0.00046656322,0.000007927339,0.00011999613,0.007763354,0.000036086694,0.00010169439,0.043007895,0.9156108,0.032631382],"study_design_scores_gemma":[0.0000058404544,0.0000076233114,0.0006391071,0.001102812,0.000006223912,0.000235635,0.005120417,0.000020071922,0.000080552585,0.016328905,0.97643846,0.00001420378],"about_ca_topic_score_codex":0.016342971,"about_ca_topic_score_gemma":0.045303576,"teacher_disagreement_score":0.020712813,"about_ca_system_score_codex":0.003173808,"about_ca_system_score_gemma":0.0020601018,"threshold_uncertainty_score":0.06929129},"labels":[],"label_agreement":null},{"id":"W1502917693","doi":"10.1353/ren.2007.0294","title":": <i>Behind the Scenes at Galileo’s Trial</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Append; Index (typography); Galileo (satellite navigation); Art; History; Humanities; Media studies; Computer science; Geography; Sociology; World Wide Web; Programming language; Remote sensing","score_opus":0.03724320715331216,"score_gpt":0.256608663621247,"score_spread":0.21936545646793484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1502917693","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004505679,0.0035658118,0.0004125102,0.8337655,0.057248414,0.00012353233,0.0017116234,0.00027244206,0.09839455],"genre_scores_gemma":[0.061238687,0.002941227,0.00046782527,0.7217927,0.022169529,0.00038875546,0.0012232588,0.00047899754,0.18929905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879646,0.00034640712,0.000045796656,0.00010762528,0.00022327757,0.0004803416],"domain_scores_gemma":[0.9977081,0.00077201735,0.00016020142,0.0000895777,0.00025468593,0.0010154027],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0026338138,0.0005056657,0.00047975732,0.0005495719,0.005352001,0.0038458325,0.00088602566,0.009128501,0.0733321],"category_scores_gemma":[0.012011197,0.00022553954,0.0005929009,0.0006221688,0.0016366794,0.0026084015,0.002345134,0.011578242,0.014280027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004072918,0.0000070835795,0.00019433718,0.000030267793,0.0000030561018,0.00020846372,0.00035907506,0.000009199044,0.000052819192,0.0015489463,0.99434716,0.003198984],"study_design_scores_gemma":[0.00008076775,0.000079251506,0.005960214,0.0006267027,0.000013441267,0.00060036243,0.003828692,0.00004878117,0.0002830958,0.003948095,0.98448366,0.00004682778],"about_ca_topic_score_codex":0.011661168,"about_ca_topic_score_gemma":0.048892234,"teacher_disagreement_score":0.994648,"about_ca_system_score_codex":0.0028731863,"about_ca_system_score_gemma":0.002704163,"threshold_uncertainty_score":0.24532032},"labels":[],"label_agreement":null},{"id":"W1512417148","doi":"10.1353/ren.2008.0088","title":": <i>L’Emblème littéraire: Théories et pratiques</i>","year":2008,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Art","score_opus":0.01711422668985785,"score_gpt":0.23310649626229146,"score_spread":0.21599226957243362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512417148","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046684854,0.29767302,0.010277454,0.41106683,0.0189605,0.00002378516,0.0009038891,0.0003084893,0.2561176],"genre_scores_gemma":[0.25858378,0.32263848,0.010315033,0.107159615,0.05276328,0.00022599714,0.002563709,0.0010283388,0.24472168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973986,0.0015831399,0.000086088105,0.00023924175,0.00051648356,0.00017639858],"domain_scores_gemma":[0.993937,0.004089996,0.0003751694,0.0004218943,0.00093738374,0.00023858908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035425876,0.000599473,0.00075120584,0.0029474641,0.004642516,0.011005877,0.0010553921,0.0034653186,0.036546737],"category_scores_gemma":[0.010920313,0.00025168541,0.00055164413,0.005024264,0.007297073,0.009108699,0.0021199558,0.0051210076,0.0117695825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000121971625,0.000014048973,0.00044173637,0.00036785292,0.000015784555,0.00008423718,0.0052393023,0.00008465087,0.00010238752,0.4420363,0.51198435,0.039617043],"study_design_scores_gemma":[0.0000027579783,0.000005483425,0.0007089918,0.00072212087,0.000005119983,0.00026382477,0.0026640885,0.00010462846,0.00012990176,0.035602346,0.95977795,0.000012758882],"about_ca_topic_score_codex":0.021748701,"about_ca_topic_score_gemma":0.024544695,"teacher_disagreement_score":0.036546737,"about_ca_system_score_codex":0.0052093556,"about_ca_system_score_gemma":0.0043658256,"threshold_uncertainty_score":0.12226099},"labels":[],"label_agreement":null},{"id":"W1515011501","doi":"10.1353/ren.2008.0290","title":": <i>L’art de la lettre humaniste</i>","year":2006,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Append; Champion; The Renaissance; Honor; Humanities; Art; Index (typography); Art history; History; Computer science","score_opus":0.007028048404430484,"score_gpt":0.22092702088538974,"score_spread":0.21389897248095924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515011501","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005773505,0.8187051,0.0011163875,0.036902204,0.019738445,0.00001879191,0.00041296656,0.00016277404,0.12236598],"genre_scores_gemma":[0.030074961,0.46455145,0.002293033,0.015554305,0.022306528,0.000071474635,0.0008809925,0.00052519864,0.46374196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993236,0.00024762898,0.00003952263,0.000103645565,0.00020834601,0.00007724795],"domain_scores_gemma":[0.9994435,0.00023844559,0.0000661145,0.0000426698,0.00014201377,0.00006723838],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007092495,0.0016854488,0.00069454673,0.0023652045,0.0018319573,0.0045630587,0.001144154,0.0020133033,0.06674888],"category_scores_gemma":[0.0014855101,0.00043421454,0.00040091842,0.0034591833,0.0026802092,0.0065431017,0.0017879937,0.0029576356,0.027502533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017889206,0.0000066471625,0.00009197668,0.0004408181,0.0000048402326,0.00003904266,0.0010932226,0.000027511498,0.00010862678,0.014204883,0.9324364,0.051528137],"study_design_scores_gemma":[0.000002151745,0.0000049849878,0.0004389556,0.00042732983,0.000002373305,0.00013942178,0.0005207318,0.0000129145965,0.00008335464,0.0028550543,0.9955071,0.0000055262467],"about_ca_topic_score_codex":0.018199608,"about_ca_topic_score_gemma":0.034404315,"teacher_disagreement_score":0.06674888,"about_ca_system_score_codex":0.0027130274,"about_ca_system_score_gemma":0.0017379565,"threshold_uncertainty_score":0.2232973},"labels":[],"label_agreement":null},{"id":"W1515559955","doi":"10.1353/ren.0.0197","title":": <i> <i>The Cambridge Companion to Hobbes's</i> Leviathan </i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"LEVIATHAN (cipher); Index (typography); History; Humanities; Media studies; Art; Art history; Theology; Philosophy; Sociology; Mathematics","score_opus":0.044068327765861594,"score_gpt":0.23788055156871646,"score_spread":0.19381222380285487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515559955","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005077806,0.76606375,0.001222263,0.021913586,0.015939495,0.000013874339,0.00041808645,0.00012829519,0.19379282],"genre_scores_gemma":[0.028190589,0.30552533,0.0019283087,0.008943338,0.0152939595,0.000087155684,0.00075064437,0.00055625156,0.63872445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995111,0.00014748925,0.000032501026,0.00008717473,0.00016694482,0.000054810796],"domain_scores_gemma":[0.9994217,0.00025811937,0.00005021177,0.000051226136,0.00012787966,0.00009096904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006179818,0.0011403343,0.0008167408,0.0022279995,0.001665315,0.004357677,0.00079001015,0.001394731,0.08095846],"category_scores_gemma":[0.0017377697,0.0004483233,0.00028589438,0.0029307671,0.00230888,0.0057109194,0.0016646754,0.0023724085,0.036283836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015153417,0.0000063154025,0.000057780297,0.00027367022,0.000004177113,0.000032691638,0.001119649,0.000018177338,0.000102003025,0.021774404,0.93177354,0.04482254],"study_design_scores_gemma":[0.0000015684678,0.0000031124573,0.00025088392,0.0002697798,0.0000013898016,0.0000591174,0.00032883883,0.00000910928,0.00004307536,0.0037126255,0.9953166,0.000003991941],"about_ca_topic_score_codex":0.008831471,"about_ca_topic_score_gemma":0.023049217,"teacher_disagreement_score":0.08095846,"about_ca_system_score_codex":0.0023479303,"about_ca_system_score_gemma":0.0016043283,"threshold_uncertainty_score":0.27083302},"labels":[],"label_agreement":null},{"id":"W1520207242","doi":"10.1353/ren.0.0015","title":": <i>Food in Shakespeare: Early Modern Dietaries and the Plays</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Modernity; Publishing; Index (typography); Art history; History; Media studies; Art; Sociology; Political science; Literature; Law","score_opus":0.01916030363998587,"score_gpt":0.19356290904058235,"score_spread":0.1744026054005965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520207242","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012401555,0.8604427,0.000609829,0.028182829,0.01775211,0.000022586893,0.00040147064,0.000098073324,0.09125021],"genre_scores_gemma":[0.0359442,0.39748406,0.0014359996,0.011677561,0.01038692,0.00006766938,0.0009684021,0.00028390303,0.54175127],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997719,0.00005704133,0.000016261847,0.000037629525,0.00007785019,0.000039374605],"domain_scores_gemma":[0.9997099,0.00010393463,0.000027237416,0.000011696482,0.00008695118,0.000060202732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005181632,0.0015481631,0.0005897799,0.0020256967,0.0024330034,0.003324009,0.0009865185,0.0017815747,0.056799106],"category_scores_gemma":[0.000700674,0.00041590055,0.00025674733,0.0029680722,0.0016986843,0.0059158118,0.0015522682,0.0018284582,0.015555391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029939238,0.00001342296,0.00016864424,0.00058651395,0.000006625156,0.000088792265,0.0032414715,0.000015693824,0.00015708282,0.005584959,0.9391356,0.050971232],"study_design_scores_gemma":[0.0000043485597,0.000010986354,0.0015213231,0.0008577105,0.0000043221485,0.00023626033,0.0028634488,0.000017127652,0.00011081221,0.0017192614,0.9926468,0.000007669785],"about_ca_topic_score_codex":0.024072751,"about_ca_topic_score_gemma":0.08012019,"teacher_disagreement_score":0.056799106,"about_ca_system_score_codex":0.0017637351,"about_ca_system_score_gemma":0.0012589277,"threshold_uncertainty_score":0.19001198},"labels":[],"label_agreement":null},{"id":"W1522185564","doi":"10.1353/ren.2008.0795","title":": <i>Printed Voices: The Renaissance Culture of Dialogue</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Art; Art history; Humanities; Media studies; Sociology; Computer science","score_opus":0.02100368995583131,"score_gpt":0.3088800361953648,"score_spread":0.2878763462395335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522185564","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029315848,0.7984964,0.0016559364,0.0610228,0.008374924,0.000015273628,0.00018114556,0.00019586393,0.12712608],"genre_scores_gemma":[0.16638155,0.58124346,0.0020649477,0.010196897,0.012993881,0.000060488466,0.00045281372,0.00043574962,0.2261702],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998946,0.0005762203,0.000044744695,0.00009913487,0.00024195213,0.00009188846],"domain_scores_gemma":[0.9989675,0.00058120734,0.00010760184,0.00007194139,0.00014930233,0.00012232228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012985665,0.0011656843,0.00048131213,0.001592813,0.0018187248,0.0073399837,0.0009940435,0.0015710442,0.0277471],"category_scores_gemma":[0.0030377773,0.00041485875,0.0002588249,0.003410397,0.0049021454,0.010435938,0.0018849138,0.0020140766,0.00794497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047239806,0.000019703582,0.00037651992,0.00091744505,0.000013820181,0.00017892636,0.029636921,0.000087145716,0.00022409031,0.055504266,0.7711868,0.14180711],"study_design_scores_gemma":[0.000005124118,0.00000921572,0.001043156,0.0007375969,0.0000072309626,0.0002047054,0.008147179,0.00003460672,0.00017234965,0.010188496,0.9794384,0.000011988792],"about_ca_topic_score_codex":0.018766936,"about_ca_topic_score_gemma":0.0269523,"teacher_disagreement_score":0.0277471,"about_ca_system_score_codex":0.00323696,"about_ca_system_score_gemma":0.0024132838,"threshold_uncertainty_score":0.09282327},"labels":[],"label_agreement":null},{"id":"W1523092200","doi":"10.1353/ren.0.0030","title":": <i>Dualisms: The Agons of the Modern World</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); Humanities; Media studies; History; Art; Art history; Sociology; Computer science; World Wide Web","score_opus":0.028436849340600426,"score_gpt":0.2805682027046347,"score_spread":0.25213135336403425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523092200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03393471,0.017993059,0.0032313003,0.30499378,0.0017593267,0.000009332425,0.000119014294,0.00006155431,0.63789797],"genre_scores_gemma":[0.9289638,0.0050754333,0.0010082488,0.020630775,0.0016743613,0.000020339785,0.000049445032,0.000073464085,0.04250411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983619,0.00090055953,0.00003076574,0.00017263934,0.00028626726,0.00024790294],"domain_scores_gemma":[0.998823,0.0004624486,0.00016683973,0.00017147633,0.00020087037,0.00017536958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002300271,0.00022969762,0.00023754693,0.000982458,0.00555028,0.009419736,0.0005084533,0.0021411444,0.009907114],"category_scores_gemma":[0.00348406,0.00015010468,0.0002796945,0.001087272,0.026342336,0.008594866,0.0033203978,0.004929883,0.00090497127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010024507,0.000003990304,0.00020925858,0.000014494233,0.0000019241345,0.000023263308,0.0030660748,0.000021918057,0.00004182877,0.9739266,0.019396512,0.0032841552],"study_design_scores_gemma":[0.00001170867,0.000009251956,0.0014883401,0.00014324402,0.0000064362416,0.0001622262,0.00795437,0.00016923835,0.00016868276,0.683588,0.30628544,0.000013012233],"about_ca_topic_score_codex":0.006647678,"about_ca_topic_score_gemma":0.011766931,"teacher_disagreement_score":0.009907114,"about_ca_system_score_codex":0.004683965,"about_ca_system_score_gemma":0.002574338,"threshold_uncertainty_score":0.03398472},"labels":[],"label_agreement":null},{"id":"W1523829351","doi":"10.1353/ren.2008.0402","title":": <i>Sublimity and Skepticism in Montaigne and Milton</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Index (typography); Skepticism; Art; History; Philosophy; Theology; Computer science; World Wide Web","score_opus":0.006205249748233482,"score_gpt":0.1768875933879066,"score_spread":0.17068234363967313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523829351","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052598555,0.0353308,0.0019279829,0.4799791,0.0016129129,0.000015955788,0.00004689144,0.00006927641,0.4284185],"genre_scores_gemma":[0.94179016,0.00352404,0.00044446933,0.020726731,0.0014119772,0.000023052542,0.000014040654,0.00006235594,0.03200303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966092,0.0024037182,0.000052129682,0.00021729135,0.00049574184,0.00022186693],"domain_scores_gemma":[0.994361,0.0039812154,0.00047979865,0.00024895972,0.0007216647,0.00020742588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051440527,0.00039243908,0.00036926387,0.001426974,0.007399154,0.009734344,0.00094706396,0.0068660793,0.005662383],"category_scores_gemma":[0.011560956,0.00018385853,0.00030580486,0.0013850537,0.017781097,0.0064497213,0.0023215185,0.004497658,0.00051166036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042905132,0.00002039159,0.0007753321,0.00007242579,0.000008461092,0.00019037504,0.06364666,0.000056476212,0.000095177755,0.8681413,0.061648287,0.0053021437],"study_design_scores_gemma":[0.000053715128,0.00002938595,0.007419064,0.00096930005,0.000036449506,0.0005221741,0.073585965,0.0003962659,0.0007586753,0.39634112,0.5198352,0.00005264113],"about_ca_topic_score_codex":0.015078044,"about_ca_topic_score_gemma":0.022427328,"teacher_disagreement_score":0.015078044,"about_ca_system_score_codex":0.008600231,"about_ca_system_score_gemma":0.0025611669,"threshold_uncertainty_score":0.062399387},"labels":[],"label_agreement":null},{"id":"W1523843352","doi":"10.1353/ren.0.0144","title":": <i>English Historical Drama, 1550–1660: Forms Outside the Canon</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Drama; Canon; Index (typography); History; Art history; Classics; Media studies; Art; Sociology; Literature","score_opus":0.02146422002914125,"score_gpt":0.2457288064471071,"score_spread":0.22426458641796584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523843352","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004087711,0.83538,0.00053714245,0.028729185,0.0039160284,0.000016751135,0.0005107975,0.000099981306,0.12672237],"genre_scores_gemma":[0.14996035,0.6255253,0.0011398756,0.0066528567,0.0071354765,0.00010159562,0.0010654732,0.00023491883,0.20818415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997216,0.00012728863,0.000015115128,0.00002967999,0.00005676685,0.000049619994],"domain_scores_gemma":[0.9995875,0.00016653807,0.000056826182,0.00002686353,0.00006480835,0.0000974984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005583179,0.0011825546,0.00035684407,0.0019195371,0.0015902778,0.00550644,0.00088760484,0.0011552008,0.035491884],"category_scores_gemma":[0.0013442272,0.00031593864,0.00022291613,0.0041446844,0.0030255269,0.0070401793,0.0023042995,0.0016649376,0.0064793434],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057554975,0.00001957317,0.00078989787,0.0010137552,0.000014568658,0.00021041535,0.024952758,0.00008489104,0.00017959064,0.03210205,0.84297293,0.097602084],"study_design_scores_gemma":[0.0000031932307,0.0000053449835,0.0025174655,0.0008094753,0.0000062267054,0.0001293987,0.008494608,0.00002401858,0.000083634004,0.0026031565,0.9853162,0.000007189663],"about_ca_topic_score_codex":0.018776005,"about_ca_topic_score_gemma":0.038275607,"teacher_disagreement_score":0.035491884,"about_ca_system_score_codex":0.0029844844,"about_ca_system_score_gemma":0.0019594093,"threshold_uncertainty_score":0.118732154},"labels":[],"label_agreement":null},{"id":"W1524538136","doi":"10.1353/ren.2008.0390","title":": <i>Sonnet Sequences and Social Distinction in Renaissance England</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Financial Crisis of the 21st Century","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Sonnet; The Renaissance; Renaissance literature; History; Classics; Performance art; Media studies; Art history; Art; Sociology; Poetry; Literature","score_opus":0.013928933126156713,"score_gpt":0.20215599328036363,"score_spread":0.18822706015420693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1524538136","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0112464,0.50064796,0.0030581118,0.19799678,0.01696457,0.00003035494,0.00059261423,0.000116957366,0.2693462],"genre_scores_gemma":[0.39403537,0.20881593,0.0027599044,0.016457172,0.016783778,0.00009519966,0.0008984656,0.0003214449,0.3598328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969745,0.0001545946,0.000016859742,0.00004348971,0.000054770637,0.000032882053],"domain_scores_gemma":[0.9995559,0.00022633129,0.00004611818,0.000019885809,0.000102222264,0.000049540664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005250671,0.00057975424,0.00030103337,0.0013378558,0.0016514906,0.0022783906,0.00054399675,0.00097549777,0.02616699],"category_scores_gemma":[0.0013788568,0.00020905583,0.00015840284,0.0021695916,0.0031501767,0.0075444807,0.00095475855,0.0013107037,0.0030781503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035801204,0.000010321745,0.0006304982,0.00021350014,0.000006696303,0.00008653788,0.008812561,0.00009798119,0.00006987277,0.34886864,0.60007226,0.04109533],"study_design_scores_gemma":[0.0000058747237,0.000012574141,0.0026176802,0.00030847898,0.00000373224,0.00015768627,0.0044489675,0.00010179806,0.00010546319,0.05982437,0.93240106,0.000012407529],"about_ca_topic_score_codex":0.020225003,"about_ca_topic_score_gemma":0.052884232,"teacher_disagreement_score":0.02616699,"about_ca_system_score_codex":0.0026249227,"about_ca_system_score_gemma":0.0008764655,"threshold_uncertainty_score":0.08753735},"labels":[],"label_agreement":null},{"id":"W1528811798","doi":"10.1353/ren.2007.0059","title":": <i>Vainglorious Death: A Funerary Fracas in Renaissance Brescia</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Tempe; The Renaissance; Append; Renaissance studies; Classics; Art; Center (category theory); History; Art history; Medicine","score_opus":0.03629501916803489,"score_gpt":0.25717918102882337,"score_spread":0.22088416186078846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1528811798","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070985304,0.82933235,0.00030243333,0.064699166,0.0074396175,0.000010669273,0.000076589284,0.00004531322,0.09099534],"genre_scores_gemma":[0.26076502,0.45416012,0.00068432366,0.015059529,0.010592055,0.00004655606,0.0002181942,0.000104243096,0.25837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996315,0.00016926316,0.000012826923,0.000054557877,0.00006941858,0.00006228222],"domain_scores_gemma":[0.9997658,0.00008766898,0.000035290137,0.000019423047,0.000048229092,0.000043572512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077945855,0.0006807957,0.00036795842,0.0010537204,0.0035616222,0.0039783795,0.0010015296,0.001533696,0.01641473],"category_scores_gemma":[0.0011690891,0.00021263947,0.00024390979,0.0015342379,0.004878324,0.0037784297,0.0024652153,0.0021133933,0.002968137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059045713,0.000026613629,0.0014572307,0.0010247286,0.000025353404,0.0006691656,0.06428911,0.00009301578,0.0003095099,0.08819875,0.7292112,0.11463625],"study_design_scores_gemma":[0.0000024278786,0.000008538557,0.0028128324,0.00060249446,0.0000053922254,0.00042718468,0.010852862,0.00001210409,0.00008817362,0.0031634378,0.98201627,0.000008224963],"about_ca_topic_score_codex":0.019721078,"about_ca_topic_score_gemma":0.052565545,"teacher_disagreement_score":0.019721078,"about_ca_system_score_codex":0.0025094908,"about_ca_system_score_gemma":0.0015121785,"threshold_uncertainty_score":0.054912746},"labels":[],"label_agreement":null},{"id":"W1537191186","doi":"10.1353/ren.2008.0615","title":": <i> <i>A Rhetoric of the</i> Decameron </i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Rhetoric; Index (typography); Media studies; Humanities; Sociology; Art; Theology; Philosophy","score_opus":0.017291322935374834,"score_gpt":0.21554402458039187,"score_spread":0.19825270164501704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537191186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001948357,0.3222053,0.0019806845,0.2729624,0.021608977,0.000022276094,0.0003016965,0.00014555776,0.37882477],"genre_scores_gemma":[0.16722125,0.10549095,0.0023512898,0.089844234,0.028033951,0.000104947954,0.00041683848,0.0007738085,0.6057627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999084,0.00048342702,0.000028067321,0.00010596336,0.0002058976,0.00009257973],"domain_scores_gemma":[0.99928516,0.0003305725,0.00008467115,0.000043768585,0.00016860288,0.00008722205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009910945,0.0007972471,0.00036047387,0.0012673349,0.0043992125,0.005428382,0.00076606026,0.0017834973,0.026044581],"category_scores_gemma":[0.002353682,0.00035035925,0.00023045177,0.0022941914,0.0063621565,0.0070289043,0.0019454364,0.0033118594,0.008227086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014852461,0.0000037083419,0.00009123364,0.000107271124,0.000002334659,0.000034755365,0.00595863,0.000012757234,0.00007006697,0.07773541,0.90369624,0.012272756],"study_design_scores_gemma":[0.0000021369099,0.0000031260433,0.00027237873,0.00019646843,0.0000015676786,0.000057659192,0.0014320638,0.000011096313,0.000066675595,0.005813919,0.99213916,0.0000037819934],"about_ca_topic_score_codex":0.021674318,"about_ca_topic_score_gemma":0.054039814,"teacher_disagreement_score":0.026044581,"about_ca_system_score_codex":0.004432795,"about_ca_system_score_gemma":0.0016752469,"threshold_uncertainty_score":0.087127805},"labels":[],"label_agreement":null},{"id":"W1539945146","doi":"10.1353/ren.2008.0511","title":": <i> <i>Milton’s Cambridge Latin: Performing in the Genres 1625</i> – <i>1632</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Tempe; The Renaissance; Index (typography); Renaissance studies; Center (category theory); Classics; Art; History; Art history; Chemistry; Computer science","score_opus":0.014364138089975949,"score_gpt":0.21086001922874115,"score_spread":0.1964958811387652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539945146","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025854306,0.60386574,0.0004313952,0.034431346,0.0066191247,0.0000149660345,0.00037151162,0.00006937663,0.3516112],"genre_scores_gemma":[0.12064322,0.21818079,0.0009579513,0.008277351,0.007340789,0.000072856565,0.00061118917,0.00027537555,0.64364046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968636,0.00010526205,0.000020137471,0.0000614107,0.000087549226,0.000039269984],"domain_scores_gemma":[0.99969137,0.00009204502,0.000042729094,0.000025449044,0.000068033245,0.00008029558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005021208,0.0008804116,0.00036192389,0.00224569,0.002306119,0.004566441,0.00067367055,0.001329555,0.061021954],"category_scores_gemma":[0.0010925501,0.00029894384,0.00016530926,0.0033684608,0.0031285016,0.0054452526,0.0016134037,0.0016253137,0.01102374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041338346,0.000012764152,0.0004244891,0.0003479944,0.0000057532325,0.00007304355,0.008822372,0.000028143188,0.00027154377,0.057598785,0.86683005,0.065543726],"study_design_scores_gemma":[0.0000022582426,0.0000038883827,0.0018000666,0.00038410883,0.0000018769666,0.00006176359,0.00222144,0.0000058550836,0.00006187266,0.0017844639,0.9936691,0.0000033683896],"about_ca_topic_score_codex":0.03716589,"about_ca_topic_score_gemma":0.08756119,"teacher_disagreement_score":0.061021954,"about_ca_system_score_codex":0.0038560706,"about_ca_system_score_gemma":0.0014301655,"threshold_uncertainty_score":0.20413876},"labels":[],"label_agreement":null},{"id":"W1544663794","doi":"10.1353/ren.2007.0260","title":": <i> <i>The Censorship and Fortuna of Platina’s</i> Lives of the Popes <i>in the Sixteenth Century</i> . Late Medieval and Early Modern Studies 9 </i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Fortuna; Append; Index (typography); Censorship; History; Art; Humanities; Classics; Ancient history; Theology; Philosophy","score_opus":0.0209231594573094,"score_gpt":0.23528611608044686,"score_spread":0.21436295662313745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544663794","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06126184,0.69519603,0.00053019496,0.06255803,0.0031128793,0.000014343975,0.00068484235,0.00005570368,0.17658609],"genre_scores_gemma":[0.75791866,0.15112731,0.0004063754,0.0029331343,0.0016772411,0.000023105136,0.00035171272,0.000079988655,0.085482456],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983585,0.000068043206,0.0000092178025,0.00003028743,0.000028894103,0.000027811764],"domain_scores_gemma":[0.99974877,0.00011006489,0.00005281671,0.000027811144,0.000022512875,0.000038050905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033481282,0.00036543355,0.00020137055,0.00079980155,0.0012218236,0.0022763968,0.0004140486,0.00072440284,0.0048061293],"category_scores_gemma":[0.00075741345,0.00020417062,0.00011160296,0.0013927395,0.002506257,0.0027282774,0.0015178691,0.0009209272,0.00085693906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015864924,0.00003114223,0.0063163093,0.0018584308,0.000041375395,0.00076537667,0.20789745,0.00024367581,0.0010048907,0.23728932,0.4015588,0.14283468],"study_design_scores_gemma":[0.000008804064,0.00001742294,0.013916431,0.0011185834,0.000013198416,0.0006260503,0.021183275,0.00003559001,0.00046170334,0.010089734,0.9525164,0.000012717558],"about_ca_topic_score_codex":0.01051722,"about_ca_topic_score_gemma":0.020052249,"teacher_disagreement_score":0.01051722,"about_ca_system_score_codex":0.0017668054,"about_ca_system_score_gemma":0.0005768363,"threshold_uncertainty_score":0.020911992},"labels":[],"label_agreement":null},{"id":"W1546229084","doi":"10.1353/ren.2007.0341","title":": <i>English Biography in the Seventeenth Century: A Critical Survey</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Index (typography); Biography; History; Media studies; Art history; Sociology; Computer science","score_opus":0.02932949430704095,"score_gpt":0.31931099962665915,"score_spread":0.2899815053196182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546229084","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5962623,0.10468952,0.0005453428,0.069756866,0.0008151982,0.00006205445,0.001885422,0.000027417504,0.22595586],"genre_scores_gemma":[0.9039501,0.045467682,0.00016223901,0.0031122142,0.0004730481,0.000043943426,0.00045377988,0.000025242336,0.04631173],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997117,0.00011635429,0.000021918315,0.00002245164,0.000074727905,0.000052803724],"domain_scores_gemma":[0.9983839,0.00077932404,0.00030947026,0.00003568868,0.00037079494,0.00012098718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095933507,0.00014248103,0.00010546838,0.0025039895,0.0020412896,0.001910845,0.00018657607,0.0004529007,0.012547637],"category_scores_gemma":[0.0045946185,0.00010540173,0.000046311412,0.005528439,0.0019126456,0.0034183513,0.000719667,0.0006100653,0.00084175117],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000537461,0.000031800508,0.036577385,0.0011520655,0.000010392362,0.0004125931,0.70677984,0.000085655105,0.0005058293,0.061219312,0.11829133,0.07488005],"study_design_scores_gemma":[0.0000036941174,0.000029973406,0.1491205,0.0019566256,0.000007688563,0.00031309816,0.2749779,0.00003706605,0.00034071103,0.0025082752,0.5706917,0.0000128214415],"about_ca_topic_score_codex":0.039849337,"about_ca_topic_score_gemma":0.071562394,"teacher_disagreement_score":0.039849337,"about_ca_system_score_codex":0.0021237845,"about_ca_system_score_gemma":0.0018535103,"threshold_uncertainty_score":0.07923478},"labels":[],"label_agreement":null},{"id":"W1548706988","doi":"10.1353/ren.0.0357","title":": <i>Empires of Islam in Renaissance Historical Thought</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval History and Crusades","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Append; Index (typography); The Renaissance; History; Islam; Classics; Theology; Art history; Philosophy; Archaeology; Computer science","score_opus":0.04739046704681398,"score_gpt":0.23167830785374732,"score_spread":0.18428784080693333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548706988","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020920213,0.7735035,0.0008267353,0.08657407,0.0065001817,0.000012806924,0.00018897746,0.00009548157,0.13020626],"genre_scores_gemma":[0.18398407,0.46745515,0.00260849,0.016632045,0.01942985,0.00008193224,0.00039808036,0.00028318062,0.30912718],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996289,0.00022331241,0.000015010777,0.000030134182,0.00006944064,0.000033111963],"domain_scores_gemma":[0.9994873,0.00027720854,0.000055270237,0.000044493594,0.00008441685,0.000051197607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008517518,0.0006266022,0.0003418879,0.0013753494,0.0015207523,0.0033661292,0.00062412635,0.0010173856,0.01935292],"category_scores_gemma":[0.0014093234,0.0002939123,0.00021570495,0.002301913,0.0028796692,0.00726394,0.0012470334,0.0018803558,0.004489405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025950429,0.000011690508,0.00030034562,0.00028246414,0.000007848763,0.00006616217,0.0054603894,0.00008454817,0.00007933224,0.13496742,0.7969807,0.0617332],"study_design_scores_gemma":[0.0000056347067,0.0000064889905,0.001394731,0.0004847125,0.000004661021,0.00011254399,0.0022505845,0.00005220875,0.000078060875,0.02523883,0.9703649,0.000006619676],"about_ca_topic_score_codex":0.009144923,"about_ca_topic_score_gemma":0.022634264,"teacher_disagreement_score":0.01935292,"about_ca_system_score_codex":0.002220765,"about_ca_system_score_gemma":0.0011825683,"threshold_uncertainty_score":0.06474197},"labels":[],"label_agreement":null},{"id":"W1551282533","doi":"10.1353/ren.2008.0944","title":": <i>Jacob Burckhardt’s Social and Political Thought</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philosophical and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); Politics; Media studies; Sociology; Humanities; Art; Political science; Law; Computer science; World Wide Web","score_opus":0.03992591731985111,"score_gpt":0.31549676869119153,"score_spread":0.2755708513713404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551282533","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015155018,0.07832897,0.0014912059,0.8375114,0.014942902,0.000009314799,0.00007249417,0.000030143274,0.06609801],"genre_scores_gemma":[0.2128629,0.11791609,0.004076755,0.34545597,0.033016276,0.000092556074,0.00016994719,0.00029786408,0.28611156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984206,0.0009110592,0.000047185702,0.00017856676,0.00032868583,0.000113932096],"domain_scores_gemma":[0.9980876,0.0012038777,0.00010721321,0.00009342477,0.0003131208,0.00019476817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024485583,0.0006323951,0.000384804,0.0014557954,0.0042152316,0.0046798834,0.00087243196,0.0034117703,0.005475072],"category_scores_gemma":[0.005291986,0.00023777127,0.00029214224,0.0020897544,0.007919791,0.0075432244,0.001675093,0.0055451975,0.0014603289],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000117913605,0.0000067975025,0.0001548436,0.00006446966,0.0000047633357,0.000050727238,0.003284053,0.00006082423,0.000044041284,0.3011133,0.6890686,0.006135802],"study_design_scores_gemma":[0.0000059109966,0.0000042034535,0.0007714343,0.000309768,0.0000049613213,0.000119965436,0.0031666528,0.0001018757,0.0001338056,0.1153105,0.88005644,0.000014608456],"about_ca_topic_score_codex":0.011855232,"about_ca_topic_score_gemma":0.024564251,"teacher_disagreement_score":0.011855232,"about_ca_system_score_codex":0.004228384,"about_ca_system_score_gemma":0.002275246,"threshold_uncertainty_score":0.030679226},"labels":[],"label_agreement":null},{"id":"W1554217368","doi":"10.1353/ren.2008.0207","title":": <i>Utopia, Carnival, and Commonwealth in Renaissance England</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Commonwealth; Utopia; The Renaissance; Index (typography); Media studies; Art; Art history; History; Sociology; Archaeology","score_opus":0.011690512758409764,"score_gpt":0.271778167238272,"score_spread":0.2600876544798622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554217368","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011951033,0.8882111,0.00023077446,0.062144525,0.01034326,0.000013462785,0.00023302338,0.000051284656,0.03757756],"genre_scores_gemma":[0.051832683,0.67240286,0.0005959894,0.019373354,0.015766911,0.00005249343,0.00050019054,0.00016028024,0.23931529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968123,0.00010426849,0.000024627638,0.000043568332,0.000097673204,0.00004861474],"domain_scores_gemma":[0.9994678,0.0002506133,0.000065066495,0.000020967287,0.00011049601,0.000085176325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056040275,0.0009899564,0.00056864554,0.0020003382,0.0017849911,0.003503638,0.00084571436,0.0018222679,0.03414921],"category_scores_gemma":[0.0013137833,0.0003608817,0.00021603715,0.004497154,0.001959053,0.0069532814,0.001826023,0.0017314259,0.006774748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018285511,0.000007580995,0.00042768542,0.0004707655,0.0000049369164,0.00007887459,0.0030505036,0.000024591816,0.000053214513,0.013679436,0.9516598,0.030524334],"study_design_scores_gemma":[0.0000035616426,0.000006559591,0.0023206498,0.00071094953,0.0000040204654,0.00018042592,0.003620796,0.000020374931,0.00005741724,0.0024068905,0.99065924,0.000009072899],"about_ca_topic_score_codex":0.053925447,"about_ca_topic_score_gemma":0.15135778,"teacher_disagreement_score":0.053925447,"about_ca_system_score_codex":0.0027607265,"about_ca_system_score_gemma":0.0016866559,"threshold_uncertainty_score":0.11424047},"labels":[],"label_agreement":null},{"id":"W1555265602","doi":"10.1353/ren.2007.0277","title":": <i>Solon and Thespis: Law and Theater in the English Renaissance</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"The Renaissance; Index (typography); Classics; Media studies; Art; History; Humanities; Art history; Sociology; Computer science","score_opus":0.012342731765103787,"score_gpt":0.2699097062494004,"score_spread":0.2575669744842966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555265602","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011082973,0.81489396,0.0012141367,0.08336339,0.020922787,0.000024443829,0.0003743103,0.00014909155,0.07794953],"genre_scores_gemma":[0.039954133,0.57275766,0.0014686952,0.022928707,0.02019934,0.00007306953,0.0007559106,0.0003177744,0.34154472],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996037,0.0001297986,0.0000277828,0.00005304158,0.000134058,0.000051662824],"domain_scores_gemma":[0.9994704,0.00020976874,0.00006195857,0.000019664169,0.00015081104,0.00008732228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076838996,0.0017073862,0.0005171756,0.0021601378,0.0014729756,0.0037662347,0.0012587658,0.0021215978,0.042109545],"category_scores_gemma":[0.0014994435,0.00039832987,0.00030496198,0.0038763024,0.001938778,0.010470598,0.0019589867,0.0022437377,0.013893401],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016137523,0.0000073661417,0.0001264366,0.00026699933,0.000004332004,0.000041839034,0.0012146719,0.000022877739,0.00007759534,0.007916503,0.9597386,0.03056657],"study_design_scores_gemma":[0.000003859156,0.00000763954,0.00082032796,0.0006538454,0.0000054272205,0.00016660521,0.0023951833,0.000034713827,0.00014281098,0.0032359976,0.9925237,0.000009944199],"about_ca_topic_score_codex":0.019404821,"about_ca_topic_score_gemma":0.053072814,"teacher_disagreement_score":0.042109545,"about_ca_system_score_codex":0.0026355619,"about_ca_system_score_gemma":0.0022324126,"threshold_uncertainty_score":0.14087045},"labels":[],"label_agreement":null},{"id":"W1555382697","doi":"10.1353/ren.2008.0558","title":": <i>Paranoia and Modernity: Cervantes to Rousseau</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Paranoia; Index (typography); Modernity; History; Economic history; Political economy; Political science; Sociology; Law; Psychology; Psychiatry; Computer science","score_opus":0.018543780879952898,"score_gpt":0.21732091359523667,"score_spread":0.19877713271528377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1555382697","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03831794,0.26287416,0.0013559564,0.36345398,0.0045869946,0.000014936644,0.00003768281,0.000045281336,0.32931316],"genre_scores_gemma":[0.8292383,0.06288331,0.00089959276,0.026186388,0.0036312172,0.000038338992,0.000025970545,0.000070841226,0.07702594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99898726,0.00068605406,0.000016142572,0.000111172885,0.000110089866,0.00008923481],"domain_scores_gemma":[0.9993092,0.0004425292,0.00007691164,0.00004221739,0.000060848666,0.000068294445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001546083,0.0003645746,0.0003025488,0.0006099702,0.005769424,0.0040507643,0.00063440984,0.0032165272,0.0047588074],"category_scores_gemma":[0.0034276294,0.00016319715,0.00019808105,0.0007164454,0.01738341,0.0058132643,0.002483649,0.0044985847,0.0006882158],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002764815,0.000008201183,0.0004859351,0.000110028,0.000004502856,0.00019739044,0.07915102,0.000036050635,0.00009978678,0.85713124,0.050399736,0.012348498],"study_design_scores_gemma":[0.000010824526,0.000018078568,0.0016360282,0.00082212116,0.0000086336695,0.00062568707,0.04610273,0.000079304526,0.00016780238,0.12128761,0.8292242,0.000017087936],"about_ca_topic_score_codex":0.020117044,"about_ca_topic_score_gemma":0.036645226,"teacher_disagreement_score":0.020117044,"about_ca_system_score_codex":0.0036425446,"about_ca_system_score_gemma":0.0021392982,"threshold_uncertainty_score":0.039999902},"labels":[],"label_agreement":null},{"id":"W1564925656","doi":"10.1353/ren.2008.0257","title":": <i> <i>Women’s Writing in English: Early Modern England</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Gender Studies in Language","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Media studies; History; Sociology; Computer science","score_opus":0.012872092570478917,"score_gpt":0.25619431091599987,"score_spread":0.24332221834552095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564925656","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002764394,0.8829943,0.00040188874,0.044742007,0.008917632,0.000021454363,0.00066370645,0.000058624748,0.05943601],"genre_scores_gemma":[0.11684072,0.52160466,0.0010064287,0.010778711,0.011510484,0.00009323843,0.001377616,0.00018522721,0.336603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996593,0.00013514608,0.000028639455,0.000039930972,0.00008280386,0.000054144002],"domain_scores_gemma":[0.99934655,0.00027354516,0.00008905339,0.00002957504,0.00016294095,0.00009819182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007977319,0.0007752754,0.00043695146,0.0019857017,0.0015671775,0.0027861306,0.0006725323,0.0011211594,0.040937074],"category_scores_gemma":[0.0014526326,0.00030760784,0.000189659,0.0041917213,0.0017355715,0.005906176,0.0012894542,0.0011394,0.009014369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047592577,0.000013367227,0.00080037257,0.0013498716,0.000008172118,0.00016270677,0.017327862,0.000026235512,0.000248763,0.013367019,0.8832483,0.08339968],"study_design_scores_gemma":[0.0000056716867,0.0000123401005,0.0039258203,0.0009481125,0.0000052223872,0.00021449261,0.0057488605,0.000010008856,0.000111510155,0.0020453748,0.98696494,0.0000076266683],"about_ca_topic_score_codex":0.032166354,"about_ca_topic_score_gemma":0.07267629,"teacher_disagreement_score":0.040937074,"about_ca_system_score_codex":0.0024501698,"about_ca_system_score_gemma":0.0016614042,"threshold_uncertainty_score":0.13694811},"labels":[],"label_agreement":null},{"id":"W1566847898","doi":"10.1353/ren.0.0189","title":": <i>Savonarola's Women: Visions and Reform in Renaissance Italy</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Vision; The Renaissance; Index (typography); Art; Art history; History; Media studies; Theology; Sociology; Philosophy; Computer science","score_opus":0.022065380138067785,"score_gpt":0.2927084453052036,"score_spread":0.2706430651671358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566847898","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034240482,0.66308296,0.00021794045,0.1808222,0.012431023,0.000016975446,0.00018195043,0.00008344832,0.13973953],"genre_scores_gemma":[0.19336726,0.37325668,0.000693913,0.031511407,0.03305754,0.00010188462,0.00038619904,0.0002083015,0.3674168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970007,0.000113209986,0.000010252958,0.00004260885,0.00007499376,0.000058909554],"domain_scores_gemma":[0.9997701,0.000089730485,0.000038267113,0.000011256382,0.00003259454,0.00005812473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006942125,0.00085570785,0.00037059374,0.001272759,0.0018448443,0.0034954853,0.0006832705,0.0017770809,0.017328124],"category_scores_gemma":[0.0009130412,0.00025741916,0.00025048535,0.002452034,0.00279008,0.0039800447,0.0016422692,0.0017190358,0.0042260834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000348728,0.000010793101,0.0004405347,0.00027976048,0.0000035036594,0.000084056795,0.007929137,0.000023718489,0.00007086721,0.025377244,0.9265917,0.039153796],"study_design_scores_gemma":[0.000006596423,0.0000103525035,0.0026565734,0.0003546818,0.0000034246377,0.000110588575,0.0026251264,0.000014045207,0.000044710978,0.0029678643,0.99120015,0.000005859918],"about_ca_topic_score_codex":0.015427528,"about_ca_topic_score_gemma":0.044517342,"teacher_disagreement_score":0.017328124,"about_ca_system_score_codex":0.0025882327,"about_ca_system_score_gemma":0.0017685478,"threshold_uncertainty_score":0.05796832},"labels":[],"label_agreement":null},{"id":"W1569659845","doi":"10.1353/ren.2007.0408","title":": <i>Working Women in English Society, 1300–1620</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Append; Index (typography); History; Media studies; Economic history; Sociology; Computer science","score_opus":0.02429243921542266,"score_gpt":0.21444118592958492,"score_spread":0.19014874671416226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1569659845","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001127004,0.86281586,0.00013740134,0.075643875,0.017720629,0.000027826105,0.001725972,0.000058789225,0.040742606],"genre_scores_gemma":[0.024002451,0.7033507,0.0004291477,0.024921704,0.017589709,0.00018796787,0.0026536821,0.00011139055,0.2267532],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966,0.00007986082,0.00003468346,0.000046858204,0.000096640906,0.000081931605],"domain_scores_gemma":[0.9991008,0.00030060916,0.000114695344,0.000020212618,0.00021463887,0.00024909992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081135856,0.00093578827,0.00057210884,0.0023040783,0.0011337516,0.0015293122,0.00095072633,0.0015463282,0.038155254],"category_scores_gemma":[0.0016282427,0.00039600476,0.00023984803,0.0041189757,0.00081692485,0.004600458,0.0016717798,0.0017808719,0.013564536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016904329,0.000005862445,0.00028784905,0.00032915288,0.000002107172,0.000031458498,0.0010407054,0.000005586286,0.00003547994,0.0012507671,0.96695006,0.030044068],"study_design_scores_gemma":[0.000006969155,0.000013285064,0.009279021,0.0011382103,0.0000044371964,0.00011665002,0.002479982,0.000009643121,0.000051828833,0.0008034644,0.98608565,0.000010867353],"about_ca_topic_score_codex":0.04285872,"about_ca_topic_score_gemma":0.09215536,"teacher_disagreement_score":0.04285872,"about_ca_system_score_codex":0.0020123895,"about_ca_system_score_gemma":0.002054413,"threshold_uncertainty_score":0.12764204},"labels":[],"label_agreement":null},{"id":"W1570313586","doi":"10.1353/ren.2008.0679","title":": <i>Le Cymbalum mundi</i>","year":2005,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Append; The Renaissance; Index (typography); Humanities; Art; Art history; Computer science","score_opus":0.017118026224102953,"score_gpt":0.2287190249892684,"score_spread":0.21160099876516547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570313586","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012799124,0.95712215,0.00016726716,0.014095104,0.003232544,0.000010796239,0.00027282332,0.00004237966,0.023776928],"genre_scores_gemma":[0.059927136,0.7944731,0.0010171805,0.0061614974,0.0047061765,0.00017301015,0.0013303541,0.00023098783,0.13198052],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975795,0.00006159569,0.0000139129625,0.00004133782,0.00005164444,0.00007353467],"domain_scores_gemma":[0.9998393,0.000047145622,0.000030683943,0.000012528401,0.00004593922,0.000024529514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040787048,0.0018134476,0.0007804794,0.0027475986,0.0013807695,0.004475553,0.001199525,0.0014554358,0.029388567],"category_scores_gemma":[0.001087976,0.0004273533,0.00025679555,0.0050612036,0.0014165632,0.0041632084,0.0017530742,0.0016377502,0.0066321376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079319565,0.000011500699,0.00088755955,0.0015244636,0.000017117403,0.00020505997,0.0031303985,0.00007079637,0.0003710107,0.01848039,0.8074075,0.16781493],"study_design_scores_gemma":[0.0000054367533,0.000004372372,0.0027136963,0.0009525352,0.0000069726057,0.0001420318,0.0011866312,0.00002144206,0.0001679975,0.001294079,0.99349844,0.000006446798],"about_ca_topic_score_codex":0.101974845,"about_ca_topic_score_gemma":0.117425404,"teacher_disagreement_score":0.101974845,"about_ca_system_score_codex":0.00474474,"about_ca_system_score_gemma":0.0034801152,"threshold_uncertainty_score":0.20276254},"labels":[],"label_agreement":null},{"id":"W1570854592","doi":"10.1353/ren.2008.0457","title":": <i>Selected Poems of Isabella Andreini</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Index (typography); Poetry; History; Art history; Religious studies; Art; Philosophy; Literature","score_opus":0.012324697012197624,"score_gpt":0.259116080924034,"score_spread":0.24679138391183636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570854592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067443857,0.090080865,0.001643061,0.2693118,0.15780048,0.000117415424,0.0015785672,0.00062206184,0.47210133],"genre_scores_gemma":[0.10149945,0.037063036,0.0015795722,0.04909663,0.097533815,0.00020573399,0.0009874285,0.0011666457,0.71086764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999747,0.00010833825,0.000008941384,0.00003762048,0.00006026126,0.0000377607],"domain_scores_gemma":[0.9993286,0.00029619937,0.000068745816,0.000036833004,0.00012085591,0.00014880496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006520653,0.0011107842,0.00040547654,0.0012468095,0.0033862735,0.002148842,0.0004237264,0.0011058389,0.027887126],"category_scores_gemma":[0.002777143,0.00021755023,0.00025299616,0.0013870306,0.0014691462,0.0021239978,0.0011245908,0.003163384,0.01120926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016452545,0.000004038015,0.000053681164,0.000040058592,0.0000013383691,0.00004795456,0.00080182735,0.000007955727,0.000076405464,0.0031223353,0.9925517,0.0032762215],"study_design_scores_gemma":[0.00000268976,0.0000062127374,0.0008863128,0.00010956777,0.0000016544129,0.00017641444,0.0008560294,0.000016328517,0.00010311136,0.00061936,0.9972162,0.0000060085467],"about_ca_topic_score_codex":0.003539253,"about_ca_topic_score_gemma":0.011621458,"teacher_disagreement_score":0.027887126,"about_ca_system_score_codex":0.0010237454,"about_ca_system_score_gemma":0.00038874813,"threshold_uncertainty_score":0.09329176},"labels":[],"label_agreement":null},{"id":"W1579345032","doi":"10.1353/ren.0.0058","title":": <i>Cultural Translation in Early Modern Europe</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Index (typography); History; Humanities; Theology; Art; Philosophy","score_opus":0.05614435394776369,"score_gpt":0.3159822931443166,"score_spread":0.2598379391965529,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579345032","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021642183,0.8686539,0.003498976,0.04340857,0.015675183,0.000018293254,0.00019569384,0.00015353141,0.066231586],"genre_scores_gemma":[0.08204493,0.7820345,0.0041471394,0.01069265,0.012150351,0.00009182956,0.000545816,0.0004398421,0.10785299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895215,0.0006636864,0.000074330164,0.00007335694,0.00016153933,0.00007483089],"domain_scores_gemma":[0.99851876,0.0009733896,0.000084542975,0.00010579156,0.00021535445,0.000102169586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019369815,0.001360571,0.00078439905,0.0025201498,0.0015345205,0.005507835,0.0010670237,0.00194903,0.019396272],"category_scores_gemma":[0.004026712,0.00041753403,0.00031113598,0.0049790298,0.0042853323,0.008798484,0.0018775745,0.0022816348,0.0067566824],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005113178,0.00002761672,0.00026120953,0.0010610009,0.000017549433,0.00020867285,0.0068682344,0.00011163597,0.00017411525,0.051501498,0.74404335,0.195674],"study_design_scores_gemma":[0.000011860308,0.000015428743,0.0013665311,0.0014997097,0.000007942158,0.00032612958,0.004144638,0.00009422929,0.00030989075,0.027258772,0.9649508,0.0000140200455],"about_ca_topic_score_codex":0.0054302644,"about_ca_topic_score_gemma":0.00837724,"teacher_disagreement_score":0.019396272,"about_ca_system_score_codex":0.0020542655,"about_ca_system_score_gemma":0.002434837,"threshold_uncertainty_score":0.06488699},"labels":[],"label_agreement":null},{"id":"W1589512520","doi":"10.1086/667257","title":"Abortion and the Confessional in Counter-Reformation Italy","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Confessional; Counter-Reformation; Abortion; Bishops; Modernization theory; Morality; Law; Negotiation; Political science; Sociology; History; Politics","score_opus":0.018751721182687874,"score_gpt":0.23137789117816612,"score_spread":0.21262616999547826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589512520","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60609627,0.012517847,0.0012423081,0.078016944,0.0004396135,0.00003885279,0.000016307133,0.000034256875,0.3015976],"genre_scores_gemma":[0.99277425,0.0007763048,0.00010909252,0.002181399,0.00023211294,0.000009728996,0.0000035875862,0.000005271092,0.003908335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99558485,0.003223757,0.000069640344,0.0001724207,0.00035602614,0.0005932524],"domain_scores_gemma":[0.99720675,0.0015727839,0.00059442746,0.0002305583,0.00017196941,0.0002235125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007046912,0.00020085972,0.00020534458,0.0014628863,0.0061995024,0.005774062,0.0004977436,0.0026133521,0.0015789045],"category_scores_gemma":[0.0055253594,0.00016497482,0.00019800986,0.0009028457,0.03429859,0.0022942023,0.0042539667,0.0031196272,0.0001410304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049128106,0.000039078306,0.0055134483,0.00006526833,0.000005257505,0.00035744678,0.48796442,0.000065682696,0.00033015086,0.4890229,0.0028037676,0.013783437],"study_design_scores_gemma":[0.0001013267,0.00019317571,0.055119593,0.00078733533,0.000031481042,0.0010174438,0.27378955,0.00035798023,0.0010002208,0.057328798,0.6101975,0.00007567987],"about_ca_topic_score_codex":0.0057391752,"about_ca_topic_score_gemma":0.0070708124,"teacher_disagreement_score":0.007112116,"about_ca_system_score_codex":0.007112116,"about_ca_system_score_gemma":0.0019749901,"threshold_uncertainty_score":0.051602244},"labels":[],"label_agreement":null},{"id":"W1593154633","doi":"10.1353/ren.0.0279","title":": <i>Caro Vitto: Essays in Memory of Vittore Branca</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.01681897824310373,"score_gpt":0.26346654750238147,"score_spread":0.24664756925927772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593154633","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015209067,0.48946998,0.0005211481,0.3046491,0.10686613,0.00005626279,0.00051752117,0.00015480761,0.09624419],"genre_scores_gemma":[0.0387375,0.23607914,0.00097307214,0.083883815,0.11609727,0.00020492433,0.0008295843,0.00052815484,0.5226665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935585,0.00023489707,0.00003340164,0.000105652696,0.00019187672,0.00007831848],"domain_scores_gemma":[0.9983486,0.00067257957,0.00022775315,0.000081657236,0.00038645437,0.00028291944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012290769,0.0016328737,0.00091190875,0.0021222855,0.0031986984,0.0044011073,0.0011841096,0.0022372971,0.040611055],"category_scores_gemma":[0.00566124,0.00041346703,0.00046711226,0.0031425161,0.0021363033,0.0054234955,0.0022695626,0.0032460128,0.015375661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008119563,0.0000022602521,0.00003305821,0.00007690377,0.0000016919437,0.000027042894,0.00034643468,0.0000049311693,0.000018782619,0.00066447933,0.9935154,0.0053010015],"study_design_scores_gemma":[0.0000027687097,0.0000046166488,0.00047180176,0.0004136734,0.0000027192161,0.00013329633,0.00056431507,0.000011390706,0.000044443233,0.00055958936,0.9977858,0.0000055090104],"about_ca_topic_score_codex":0.00893953,"about_ca_topic_score_gemma":0.019060602,"teacher_disagreement_score":0.040611055,"about_ca_system_score_codex":0.0033123437,"about_ca_system_score_gemma":0.0015019809,"threshold_uncertainty_score":0.13585752},"labels":[],"label_agreement":null},{"id":"W1593458437","doi":"10.1353/ren.0.0129","title":": <i>“Speak it in Welsh”: Wales and the Welsh Language in Shakespeare</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; Welsh; Publishing; History; Index (typography); Media studies; Humanities; Art; Sociology; Literature; Archaeology","score_opus":0.019133176620178945,"score_gpt":0.20880248324456932,"score_spread":0.18966930662439038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593458437","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030887749,0.6579215,0.0008623674,0.050383296,0.03004926,0.0000688443,0.0010140828,0.00015139113,0.25646052],"genre_scores_gemma":[0.03643228,0.2140378,0.00073337974,0.011323489,0.006159252,0.00010679688,0.0014030872,0.00026248564,0.7295415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972504,0.00007657922,0.00001956977,0.000033610915,0.00008561994,0.000059694303],"domain_scores_gemma":[0.99961287,0.000120541124,0.00002943655,0.000017141636,0.00010813792,0.0001119795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000597298,0.0009919604,0.00047759974,0.001572305,0.0018697698,0.0032163297,0.00081679836,0.0013948194,0.07339447],"category_scores_gemma":[0.0009119779,0.0003881603,0.00018408694,0.0037190982,0.0016118169,0.0041655083,0.0018782243,0.0015820821,0.029191894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019918778,0.000006809292,0.0001982689,0.0004930987,0.0000026619377,0.0000829294,0.0030577579,0.000013527116,0.00014210805,0.0035681308,0.9349061,0.057508685],"study_design_scores_gemma":[0.0000026516934,0.00000807676,0.001364432,0.0006272301,0.0000018364975,0.00010266217,0.003053529,0.0000061700534,0.00007828925,0.0006545565,0.9940942,0.000006330532],"about_ca_topic_score_codex":0.050211366,"about_ca_topic_score_gemma":0.13534336,"teacher_disagreement_score":0.07339447,"about_ca_system_score_codex":0.0019371685,"about_ca_system_score_gemma":0.002256886,"threshold_uncertainty_score":0.245529},"labels":[],"label_agreement":null},{"id":"W1595263881","doi":"10.1353/ren.0.0032","title":": <i>The Wreck of Catalonia: Civil War in the Fifteenth Century</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Spain","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Fifteenth; Index (typography); History; Spanish Civil War; Economic history; Ancient history; Archaeology; Computer science","score_opus":0.021361739936525632,"score_gpt":0.20681115831879898,"score_spread":0.18544941838227336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595263881","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3559408,0.09835032,0.0005968994,0.07861206,0.004278888,0.000026512535,0.00084064313,0.000051373154,0.46130252],"genre_scores_gemma":[0.93385476,0.009654257,0.00018882884,0.0045889523,0.00037142573,0.00001228008,0.00026360544,0.000034281347,0.051031634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944633,0.00016200473,0.000024646235,0.00006798122,0.00006864509,0.00023037156],"domain_scores_gemma":[0.99959713,0.00010526942,0.00008486026,0.000038168404,0.000086250715,0.00008834697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016836053,0.0003217468,0.00020639217,0.00060134224,0.0025602083,0.0048167873,0.0006903046,0.0012095061,0.0074087908],"category_scores_gemma":[0.0011488895,0.000119704804,0.00023646677,0.001027087,0.0039522354,0.0015484963,0.0023109831,0.001548733,0.0007687265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000810341,0.00008524047,0.023239704,0.0013294142,0.00007284943,0.0016271672,0.11150159,0.0013246741,0.0012335504,0.57409567,0.20887986,0.07579992],"study_design_scores_gemma":[0.00004628557,0.00006185005,0.06715811,0.0009861866,0.00002389565,0.00039226067,0.06428338,0.000100022895,0.0007715403,0.007686745,0.8584509,0.000038855444],"about_ca_topic_score_codex":0.14390947,"about_ca_topic_score_gemma":0.20265518,"teacher_disagreement_score":0.14390947,"about_ca_system_score_codex":0.010274366,"about_ca_system_score_gemma":0.0043274504,"threshold_uncertainty_score":0.2861436},"labels":[],"label_agreement":null},{"id":"W1599068590","doi":"10.1353/ren.2007.0057","title":": <i>Don Antonio de’ Medici e i suoi tempi</i>","year":2007,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Gloss (optics); Art; Humanities; Materials science; Composite material","score_opus":0.026694933396170305,"score_gpt":0.26373502958112677,"score_spread":0.23704009618495647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1599068590","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00051740604,0.7713823,0.0007270287,0.036907975,0.019268584,0.000024152494,0.0011400958,0.00033741028,0.1696951],"genre_scores_gemma":[0.013056171,0.288997,0.0011677869,0.009123997,0.010856773,0.000068004345,0.0009833788,0.0005667605,0.67518014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996855,0.000074257085,0.000023689576,0.00006702468,0.000099314,0.00005021813],"domain_scores_gemma":[0.99947256,0.00019851307,0.000066779525,0.000040930496,0.0001254162,0.00009580286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057432865,0.0016445561,0.00085249805,0.0027342753,0.0010075062,0.0030660057,0.0007099251,0.0015141894,0.16084127],"category_scores_gemma":[0.0013449629,0.0006001364,0.00035026355,0.0029136604,0.0011594931,0.004500003,0.0014273912,0.002202087,0.09520447],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020365136,0.0000051013976,0.00007769625,0.00023682471,0.0000030445196,0.000023532992,0.00019041891,0.00001792566,0.00008301391,0.0031132281,0.947286,0.04894294],"study_design_scores_gemma":[0.000001872595,0.0000031282877,0.0003373049,0.00020402648,0.0000015346523,0.000073726114,0.00011435749,0.000007729034,0.000037976435,0.0006156359,0.99859947,0.0000032116457],"about_ca_topic_score_codex":0.007130187,"about_ca_topic_score_gemma":0.018313175,"teacher_disagreement_score":0.16084127,"about_ca_system_score_codex":0.0014865927,"about_ca_system_score_gemma":0.0009539397,"threshold_uncertainty_score":0.5380677},"labels":[],"label_agreement":null},{"id":"W1600001458","doi":"10.1353/ren.0.0095","title":": <i>Reading the Qur’ān in Latin Christendom, 1140–1560</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Index (typography); Reading (process); History; Theology; Media studies; Philosophy; Sociology; Computer science; Linguistics; World Wide Web","score_opus":0.035216075539171166,"score_gpt":0.2841787285992275,"score_spread":0.24896265306005633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600001458","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019771324,0.69746023,0.0011123649,0.06423723,0.015729113,0.00002954798,0.00040312976,0.00006797757,0.21898335],"genre_scores_gemma":[0.12779282,0.34172952,0.0030757047,0.028076673,0.023858912,0.0001783006,0.00093802804,0.000426157,0.47392398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994765,0.00025785743,0.00003054749,0.00006399991,0.00012297557,0.00004819633],"domain_scores_gemma":[0.9995178,0.0002521472,0.00005071486,0.000022741215,0.00011143111,0.000045113782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008355747,0.000915227,0.00042953898,0.002134501,0.002925751,0.003395273,0.00084487506,0.0017810117,0.023157315],"category_scores_gemma":[0.0016031907,0.0002538215,0.0002180351,0.0031925922,0.004277555,0.005446219,0.0011812988,0.0018809044,0.0052647614],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041293853,0.00001568989,0.00035772438,0.0004671511,0.0000073562987,0.00012607271,0.011511447,0.000036431065,0.00023234608,0.067679584,0.87163377,0.047891095],"study_design_scores_gemma":[0.000005108729,0.000007689346,0.0014359413,0.000544159,0.0000032015776,0.00012330817,0.0028079157,0.00001571326,0.00013489029,0.007765332,0.98714966,0.000007139262],"about_ca_topic_score_codex":0.029748704,"about_ca_topic_score_gemma":0.06888636,"teacher_disagreement_score":0.029748704,"about_ca_system_score_codex":0.0038792107,"about_ca_system_score_gemma":0.0018075102,"threshold_uncertainty_score":0.07746899},"labels":[],"label_agreement":null},{"id":"W1602782553","doi":"10.1353/ren.0.0361","title":": <i>George Gascoigne</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"George (robot); The Renaissance; Index (typography); Art; Renaissance literature; History; Classics; Art history; Humanities; Computer science","score_opus":0.03528799249590491,"score_gpt":0.21000132198105825,"score_spread":0.17471332948515333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602782553","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006100422,0.64808714,0.00057739683,0.17684686,0.046557017,0.000052214597,0.0010746522,0.00052637473,0.1256682],"genre_scores_gemma":[0.010432489,0.2109837,0.00076443615,0.066134,0.01445036,0.00007568482,0.0007508677,0.0005900363,0.6958185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994036,0.00013079605,0.000029682691,0.00012093728,0.00024262782,0.00007230522],"domain_scores_gemma":[0.99892956,0.00026138636,0.00011918847,0.00005625696,0.00043856338,0.00019495498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008703782,0.0018123,0.0007947857,0.0023125503,0.0016697866,0.0025368012,0.001271769,0.0025693583,0.11449672],"category_scores_gemma":[0.0026670634,0.00044337247,0.00030260158,0.0028051855,0.0010884617,0.005504093,0.0023806193,0.0030625458,0.084214576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039102933,0.0000019810072,0.000030003783,0.00007687872,9.031225e-7,0.000013421542,0.00010070468,0.0000042392753,0.000020388226,0.0006832933,0.9877809,0.011283372],"study_design_scores_gemma":[0.0000014572894,0.0000021177323,0.00022111865,0.00013118499,8.746517e-7,0.000053654974,0.00019484718,0.0000041195603,0.000024961042,0.000331408,0.9990306,0.0000036203312],"about_ca_topic_score_codex":0.023786565,"about_ca_topic_score_gemma":0.048200127,"teacher_disagreement_score":0.11449672,"about_ca_system_score_codex":0.0018502075,"about_ca_system_score_gemma":0.0011544775,"threshold_uncertainty_score":0.3830297},"labels":[],"label_agreement":null},{"id":"W1604953192","doi":"10.1353/ren.2007.0334","title":": <i>A History of Florence 1200–1575</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); History; Publishing; Classics; Humanities; Art; Literature; Computer science; World Wide Web","score_opus":0.02321339981097113,"score_gpt":0.21494797016446784,"score_spread":0.19173457035349672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604953192","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02704213,0.08676924,0.00034318698,0.017540751,0.0082796775,0.000034741504,0.0018569488,0.00017968126,0.8579537],"genre_scores_gemma":[0.24161233,0.014257762,0.000376488,0.0028996652,0.0035046306,0.00004819205,0.00084467075,0.00021643292,0.73623985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998118,0.000042505082,0.0000062896215,0.000028839147,0.00006253165,0.00004791552],"domain_scores_gemma":[0.99983466,0.000045304543,0.000021884412,0.00001772607,0.000030923664,0.000049442788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031940482,0.00035655044,0.00023801715,0.0023021705,0.003498503,0.0021393774,0.00040578534,0.0008435296,0.074528255],"category_scores_gemma":[0.0011464821,0.00013413679,0.00013058103,0.0021057774,0.0021615825,0.0012143569,0.0012232693,0.0010923435,0.008044591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013330032,0.000017305798,0.0018301905,0.00049686054,0.0000118958815,0.0009821256,0.016644618,0.00006055053,0.00052731554,0.075626895,0.823591,0.080077946],"study_design_scores_gemma":[0.0000015965227,0.000005296336,0.0037820719,0.00015336371,0.0000013489442,0.00018006511,0.000838391,0.0000030234016,0.00006808947,0.000375868,0.9945878,0.0000030985195],"about_ca_topic_score_codex":0.030687664,"about_ca_topic_score_gemma":0.14664152,"teacher_disagreement_score":0.074528255,"about_ca_system_score_codex":0.00408666,"about_ca_system_score_gemma":0.0008508972,"threshold_uncertainty_score":0.24932182},"labels":[],"label_agreement":null},{"id":"W1605031044","doi":"10.1353/ren.2008.0835","title":": <i>Love and Death in Renaissance Italy</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Index (typography); The Renaissance; Art history; Art; Content (measure theory); Gerontology; Media studies; Theology; Sociology; Philosophy; Computer science; Medicine; Mathematics; World Wide Web","score_opus":0.01876582482370782,"score_gpt":0.2242889148988437,"score_spread":0.2055230900751359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605031044","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36726472,0.09655787,0.00023941841,0.1532764,0.003916189,0.000019032921,0.00026724953,0.00005062442,0.37840846],"genre_scores_gemma":[0.94963366,0.009746046,0.000047176796,0.0032010071,0.0021557072,0.000008874103,0.00006436998,0.000021112757,0.035122104],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950516,0.0002641867,0.000012894963,0.000044952336,0.00006541874,0.00010741054],"domain_scores_gemma":[0.9996045,0.00014371861,0.00009245146,0.000035723322,0.000036899433,0.00008661223],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012072392,0.00017382584,0.00022870503,0.0007217832,0.0037394061,0.0028392964,0.0003735418,0.00085444207,0.005077331],"category_scores_gemma":[0.0015858994,0.00012410778,0.00014200521,0.0011853527,0.00488977,0.0016883904,0.0018696098,0.0018911147,0.00051554077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016093497,0.00006388511,0.01408751,0.0004348619,0.000026935539,0.0011680643,0.5254867,0.00014727042,0.00032751175,0.18743818,0.2168956,0.053762533],"study_design_scores_gemma":[0.00001806361,0.00006394128,0.122978576,0.00067997637,0.000019520414,0.0013187237,0.0816248,0.00005469475,0.00020619764,0.004698029,0.7883101,0.000027438557],"about_ca_topic_score_codex":0.02776153,"about_ca_topic_score_gemma":0.06733863,"teacher_disagreement_score":0.02776153,"about_ca_system_score_codex":0.003577864,"about_ca_system_score_gemma":0.0010224106,"threshold_uncertainty_score":0.05519986},"labels":[],"label_agreement":null},{"id":"W1605165128","doi":"10.1353/ren.2007.0039","title":": <i>Savonarola e il savonarolismo</i>","year":2007,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Index (typography); Humanities; Computer science; Art; History; World Wide Web","score_opus":0.01710708428000812,"score_gpt":0.22364384155558717,"score_spread":0.20653675727557905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605165128","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021638291,0.05672996,0.00077020196,0.051423833,0.0059306417,0.000012084226,0.00014033739,0.00008901173,0.8632656],"genre_scores_gemma":[0.6310677,0.02100907,0.0008321906,0.008901806,0.005153967,0.00004027401,0.00020587644,0.00020472676,0.33258435],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958664,0.00017432033,0.000013083616,0.00006748972,0.00008732644,0.000071159935],"domain_scores_gemma":[0.9997745,0.000079827325,0.00003590709,0.00002524992,0.000041133146,0.000043463126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062481227,0.0003289792,0.00018825673,0.00057369645,0.0029112715,0.004271928,0.00033685516,0.0012406588,0.013987111],"category_scores_gemma":[0.0011843921,0.000120954894,0.00014329498,0.0008393667,0.0036059734,0.001921353,0.0017888492,0.0016075752,0.002916317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012034259,0.000024952324,0.0018051692,0.00034608116,0.000012154205,0.00034028784,0.027504984,0.000052288975,0.0008598156,0.61505926,0.27816772,0.075707],"study_design_scores_gemma":[0.0000045742127,0.000009632792,0.0018529805,0.00017214457,0.000003270056,0.0001780286,0.003199383,0.000017340615,0.00018773571,0.007129349,0.9872414,0.000004114152],"about_ca_topic_score_codex":0.0074464665,"about_ca_topic_score_gemma":0.014614015,"teacher_disagreement_score":0.013987111,"about_ca_system_score_codex":0.0014977326,"about_ca_system_score_gemma":0.0009591267,"threshold_uncertainty_score":0.046791613},"labels":[],"label_agreement":null},{"id":"W1606024248","doi":"10.1353/ren.2007.0254","title":": <i>The Culture of Cleanliness in Renaissance Italy</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"The Renaissance; Index (typography); Art; Art history; Computer science","score_opus":0.018276004160690383,"score_gpt":0.24442395672531117,"score_spread":0.22614795256462078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606024248","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61916786,0.0127950255,0.0005148163,0.17785986,0.0008900863,0.000016343067,0.000133478,0.00007630359,0.18854626],"genre_scores_gemma":[0.9861879,0.00095291744,0.000104846855,0.002378851,0.00023116574,0.000005663931,0.000017353228,0.00002004762,0.010101359],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988023,0.00064051454,0.000037723545,0.00010450011,0.00022496507,0.00019003598],"domain_scores_gemma":[0.9988619,0.00034570554,0.00036836296,0.00012859711,0.00014892197,0.00014640299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029675656,0.00017745065,0.00018940076,0.00045662987,0.0034773992,0.003634705,0.00048056606,0.0009323584,0.0041999957],"category_scores_gemma":[0.0031159073,0.0001313384,0.00014233899,0.0012449932,0.008176162,0.0015720101,0.0015882236,0.0019129888,0.00035353532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011374873,0.00005721146,0.018882388,0.00038395982,0.000022611379,0.00035988892,0.67611176,0.00015465784,0.0015331833,0.18243581,0.079411164,0.040533658],"study_design_scores_gemma":[0.000022990815,0.00012635726,0.16826719,0.0004027947,0.00002590724,0.00038169653,0.1562441,0.0001280041,0.0008981208,0.0033660217,0.6700713,0.000065554595],"about_ca_topic_score_codex":0.03868798,"about_ca_topic_score_gemma":0.056179035,"teacher_disagreement_score":0.03868798,"about_ca_system_score_codex":0.0050788852,"about_ca_system_score_gemma":0.0020122412,"threshold_uncertainty_score":0.076925576},"labels":[],"label_agreement":null},{"id":"W1606125596","doi":"10.1353/ren.0.0162","title":": <i>Bruegel: The Complete Paintings, Drawings and Prints</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Painting; Index (typography); Art; Art history; Series (stratigraphy); Computer science; Geology; World Wide Web","score_opus":0.02506777200035247,"score_gpt":0.2004066222045038,"score_spread":0.17533885020415135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606125596","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014388104,0.53428894,0.0031961098,0.008677924,0.010356436,0.000056796478,0.00289204,0.0009183822,0.43817452],"genre_scores_gemma":[0.01841619,0.14196017,0.0030570254,0.0017675874,0.002415667,0.0000599051,0.0025460739,0.0011964841,0.8285809],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962723,0.000059324244,0.00002190288,0.000060147257,0.0001859768,0.000045385255],"domain_scores_gemma":[0.99974424,0.00007026957,0.000030194851,0.000028347753,0.00009434871,0.00003255924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032987492,0.0016440793,0.00060558517,0.0029651793,0.0009130081,0.0035427879,0.0010177284,0.0010106936,0.24046212],"category_scores_gemma":[0.0009108711,0.0006231715,0.0003425858,0.0045848694,0.00081076036,0.0046504685,0.001210683,0.001385563,0.11610458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021970876,0.0000075633725,0.000067684414,0.00039929486,0.000005857897,0.000041841173,0.0003255258,0.000050500515,0.0003391119,0.004161657,0.8951838,0.09939526],"study_design_scores_gemma":[0.0000017507125,0.0000033271513,0.00042644455,0.00023978703,0.0000018687084,0.000108451975,0.00013640181,0.000016632046,0.00016371028,0.00066643883,0.9982304,0.000004829766],"about_ca_topic_score_codex":0.012031398,"about_ca_topic_score_gemma":0.030916937,"teacher_disagreement_score":0.24046212,"about_ca_system_score_codex":0.0013073892,"about_ca_system_score_gemma":0.000800849,"threshold_uncertainty_score":0.80442595},"labels":[],"label_agreement":null},{"id":"W1722712739","doi":"10.1353/ren.2008.0625","title":": <i>I Medici in rete: Ricerca e progettualità scientifica a proposito dell’archivio mediceo avant il Principato</i>","year":2005,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","score_opus":0.03124837838807065,"score_gpt":0.2662090869009596,"score_spread":0.23496070851288897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1722712739","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004888566,0.91683227,0.0005773409,0.052604575,0.010475086,0.0000102230615,0.000047139816,0.0000472436,0.018917227],"genre_scores_gemma":[0.018587084,0.85449696,0.0021004789,0.016039012,0.021987963,0.0000518107,0.00013441584,0.00009280952,0.08650944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981864,0.0007403582,0.000111026566,0.00021642091,0.0006093239,0.00013635264],"domain_scores_gemma":[0.9969632,0.001586174,0.00026788827,0.00021465794,0.0006213667,0.00034668396],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0030798304,0.0009306246,0.00086574256,0.0030316317,0.0014200561,0.0074008033,0.0012291763,0.0036866916,0.01610246],"category_scores_gemma":[0.0046578813,0.00047099136,0.0006160981,0.00313693,0.006460545,0.009606566,0.0029030254,0.0054483474,0.008661083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072879026,0.000034633304,0.0006828233,0.002433804,0.000035592388,0.00019476522,0.003962534,0.00010865013,0.00052683696,0.043620083,0.71411246,0.23421493],"study_design_scores_gemma":[0.0000049413,0.000020709587,0.00082524127,0.0012559958,0.000013828318,0.00045196532,0.0012800061,0.00002874364,0.00016257614,0.011578387,0.9843634,0.000014179445],"about_ca_topic_score_codex":0.0043492196,"about_ca_topic_score_gemma":0.00939389,"teacher_disagreement_score":0.9985799,"about_ca_system_score_codex":0.0024774405,"about_ca_system_score_gemma":0.004482308,"threshold_uncertainty_score":0.053868115},"labels":[],"label_agreement":null},{"id":"W1908694392","doi":"10.1353/ren.0.0296","title":": <i> Women Writers and Public Debate in 17 <sup>th</sup> -Century Britain </i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Gray (unit); Index (typography); History; Art history; Media studies; Sociology; Medicine","score_opus":0.028541212200986772,"score_gpt":0.20689124673432885,"score_spread":0.17835003453334208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1908694392","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032457525,0.76320785,0.000222491,0.13450599,0.009468939,0.000013444488,0.00019524519,0.00006116799,0.089079194],"genre_scores_gemma":[0.22193126,0.3502966,0.0006156258,0.027963052,0.020946998,0.00009071942,0.00045662164,0.00023094492,0.37746832],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919564,0.00038946205,0.000037785107,0.00006729624,0.00019741889,0.00011247678],"domain_scores_gemma":[0.9985863,0.00083881017,0.00017854036,0.000048018534,0.00014170888,0.00020672151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011985159,0.00075895997,0.00051906606,0.0015535561,0.0028599047,0.00790409,0.0008331224,0.0028441928,0.027750824],"category_scores_gemma":[0.0024335056,0.00041126,0.00018399498,0.00413344,0.0044448697,0.0077491836,0.0018842447,0.001948595,0.0067066196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046338173,0.000020800517,0.00040413,0.0005975825,0.0000060625393,0.00009831538,0.018018344,0.000036429534,0.000112677226,0.034526978,0.895704,0.05042834],"study_design_scores_gemma":[0.0000130722865,0.000013531384,0.0022310002,0.001414416,0.0000075168114,0.00009654232,0.011593759,0.00003640431,0.00010517354,0.008833632,0.9756471,0.00000792197],"about_ca_topic_score_codex":0.0120582655,"about_ca_topic_score_gemma":0.0268836,"teacher_disagreement_score":0.027750824,"about_ca_system_score_codex":0.004495752,"about_ca_system_score_gemma":0.0035792103,"threshold_uncertainty_score":0.092835724},"labels":[],"label_agreement":null},{"id":"W1963490630","doi":"10.1086/656976","title":": <i> <i>La Grammaire de la république: Langagesde la politique chez Francesco Guicciardini (1483–1540)</i> </i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"The Renaissance; Humanities; Art; Philosophy; Art history","score_opus":0.009594261824206765,"score_gpt":0.2564516231521412,"score_spread":0.24685736132793445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963490630","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010390074,0.7085271,0.0009626399,0.049361713,0.007257423,0.00003015602,0.0003823997,0.00010062547,0.22298795],"genre_scores_gemma":[0.3560033,0.23776379,0.0020825157,0.0078062085,0.011396441,0.0001983635,0.0006757548,0.00039780926,0.38367584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969685,0.00012586833,0.000011936041,0.000051920935,0.000056085493,0.00005735357],"domain_scores_gemma":[0.999782,0.000103016355,0.00003540414,0.000013496939,0.000041505835,0.000024634346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000664002,0.0007847994,0.00044216664,0.001515447,0.0027453678,0.0027016,0.00045118397,0.0013874877,0.013308388],"category_scores_gemma":[0.0008463262,0.00027956575,0.00018539678,0.0021741053,0.0027408493,0.002554974,0.0008628293,0.0019305493,0.002921074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011251471,0.00001910995,0.0012753826,0.00054965634,0.000009431923,0.00029958203,0.027591513,0.00006311937,0.0006794642,0.114461005,0.7617311,0.09320807],"study_design_scores_gemma":[0.000003909007,0.000008247524,0.00402116,0.00034620243,0.0000029024295,0.00019401712,0.0015579303,0.0000132025025,0.00012700482,0.0016539873,0.9920642,0.0000072177663],"about_ca_topic_score_codex":0.057622697,"about_ca_topic_score_gemma":0.08314521,"teacher_disagreement_score":0.057622697,"about_ca_system_score_codex":0.003869119,"about_ca_system_score_gemma":0.001493394,"threshold_uncertainty_score":0.11457461},"labels":[],"label_agreement":null},{"id":"W1964652894","doi":"10.1086/647489","title":": <i>Early Modern Nationalism and Milton's England</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Nationalism; Media studies; History; Humanities; Religious studies; Art; Sociology; Philosophy; Political science; Law; Politics","score_opus":0.013238046819638973,"score_gpt":0.2769939602753459,"score_spread":0.2637559134557069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964652894","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004148594,0.8400287,0.00033753054,0.042286973,0.0044920584,0.00000707633,0.000109370165,0.0000262356,0.10856344],"genre_scores_gemma":[0.19143128,0.47415382,0.00088326243,0.010769025,0.0062289136,0.000054540105,0.00028141923,0.000086511565,0.3161113],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997272,0.000106603526,0.000012321827,0.00004135642,0.000057137917,0.000055435663],"domain_scores_gemma":[0.9997588,0.000110690205,0.000037666196,0.000018849007,0.00003121931,0.000042841002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004740027,0.0005417485,0.00036987106,0.001302576,0.0015823842,0.004009366,0.0006128758,0.0015199005,0.02116779],"category_scores_gemma":[0.00091410667,0.00030490386,0.00014037968,0.0022524334,0.0034524095,0.006398441,0.0014253794,0.0014018994,0.0027787809],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047046044,0.000022329516,0.0008724482,0.00055603986,0.000008322291,0.0001470306,0.011019795,0.000076229604,0.0001302486,0.20791104,0.6783612,0.10084832],"study_design_scores_gemma":[0.0000037211908,0.0000055609207,0.0022987954,0.00062846026,0.0000046157174,0.000086118846,0.0027005298,0.000023467812,0.000071182236,0.019739687,0.97443074,0.0000070443866],"about_ca_topic_score_codex":0.03415068,"about_ca_topic_score_gemma":0.083913,"teacher_disagreement_score":0.03415068,"about_ca_system_score_codex":0.0051245065,"about_ca_system_score_gemma":0.0024197511,"threshold_uncertainty_score":0.0708133},"labels":[],"label_agreement":null},{"id":"W1965099480","doi":"10.1086/652560","title":": <i> Tous les Chemins Mènent à Rome: Arts de Vivre et de Réussir à la Cour Pontificale au XVI <sup>e</sup> Siècle </i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Humanities; Art; History; Media studies; Sociology","score_opus":0.012331404750385824,"score_gpt":0.23884648468964506,"score_spread":0.22651507993925923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965099480","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063771512,0.5726455,0.0003548893,0.060387205,0.0081742555,0.000017580367,0.00031356796,0.000077617944,0.3516522],"genre_scores_gemma":[0.17469697,0.21083242,0.0010361404,0.0065142936,0.0044609234,0.000028449178,0.00033891908,0.00016482097,0.60192704],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99978703,0.000081441314,0.000009287439,0.000025641804,0.00005228783,0.000044328346],"domain_scores_gemma":[0.9998006,0.0000766635,0.000028406374,0.000019968453,0.000032122214,0.000042240412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000353365,0.0005109288,0.00017936953,0.0006351086,0.0014528725,0.0024887093,0.0004916731,0.00094969064,0.023215257],"category_scores_gemma":[0.0006087472,0.0002112747,0.00011580036,0.0014002162,0.003009894,0.0028598881,0.0008570069,0.0014756416,0.0050434084],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004865873,0.000015309002,0.0006267578,0.0005587294,0.0000049325945,0.00015274347,0.010782772,0.000057700516,0.00021564556,0.05116994,0.8609695,0.07539738],"study_design_scores_gemma":[0.0000028590193,0.000006281154,0.0019441072,0.00033983638,0.0000019060186,0.00013518867,0.0036957362,0.000006824816,0.00009029018,0.0014637391,0.99230886,0.000004370749],"about_ca_topic_score_codex":0.029253323,"about_ca_topic_score_gemma":0.09722814,"teacher_disagreement_score":0.029253323,"about_ca_system_score_codex":0.0022746334,"about_ca_system_score_gemma":0.0017365251,"threshold_uncertainty_score":0.077662766},"labels":[],"label_agreement":null},{"id":"W1965168656","doi":"10.2307/1512547","title":": <i>The Conquest of the Soul: Confession, Discipline, and Public Order in Counter-Reformation Milan</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Brill; CONQUEST; Confession (law); Soul; Order (exchange); Counter-Reformation; Theology; History; Classics; Art; Philosophy; Ancient history; Archaeology","score_opus":0.023708402875821512,"score_gpt":0.217446141205316,"score_spread":0.19373773832949448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965168656","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012191494,0.3565208,0.00080587406,0.32200155,0.005076701,0.00002046811,0.00017670698,0.00007398971,0.30313236],"genre_scores_gemma":[0.65156496,0.12428099,0.001055379,0.02677155,0.013604082,0.00008367894,0.00026350378,0.00019505688,0.18218082],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992778,0.00039628893,0.00002021747,0.00006776051,0.00014563034,0.00009224943],"domain_scores_gemma":[0.9994042,0.00031955438,0.000096387936,0.000041110772,0.000062547304,0.00007615647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009326195,0.0004668732,0.00030500704,0.001093409,0.0030119738,0.00644365,0.00087919814,0.002855259,0.009659144],"category_scores_gemma":[0.0019104342,0.00020108542,0.00018743053,0.002111591,0.010544472,0.006776786,0.0019763168,0.002330036,0.0015703173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058612135,0.000017551725,0.000542541,0.0003340656,0.000009735654,0.0001600744,0.023987232,0.000106549785,0.000106692445,0.36382475,0.5851542,0.025697896],"study_design_scores_gemma":[0.000020643834,0.000015810421,0.0044251843,0.00070450647,0.000012833081,0.00025790415,0.014500816,0.00011625759,0.0002975516,0.064092115,0.91553515,0.000021195456],"about_ca_topic_score_codex":0.019071668,"about_ca_topic_score_gemma":0.04024267,"teacher_disagreement_score":0.019071668,"about_ca_system_score_codex":0.0049739275,"about_ca_system_score_gemma":0.0017987835,"threshold_uncertainty_score":0.03792131},"labels":[],"label_agreement":null},{"id":"W1965547174","doi":"10.1086/656951","title":": <i> <i>Pistols! Treason! Murder! The Rise and Fallof a Master Spy</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Intelligence, Security, War Strategy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); History; Art history; Gerontology; Art; Medicine; Computer science","score_opus":0.01740019086535912,"score_gpt":0.2790567436911652,"score_spread":0.2616565528258061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965547174","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009930875,0.19651203,0.0008594629,0.02097967,0.017001575,0.000050201943,0.001665893,0.00065318856,0.7612848],"genre_scores_gemma":[0.0061287433,0.058401886,0.00041277782,0.002917779,0.0029667644,0.00004455514,0.0007253768,0.00025331866,0.9281487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981076,0.000035838737,0.00001221478,0.00003182272,0.000078888435,0.000030504714],"domain_scores_gemma":[0.99969625,0.00007841812,0.000035946625,0.000018811088,0.0000789414,0.00009166607],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031251123,0.0015765197,0.00049618515,0.0013871791,0.0010688489,0.0037811014,0.0007855907,0.0013964954,0.30092],"category_scores_gemma":[0.0008524518,0.00044176725,0.0002647096,0.0021102761,0.0008727147,0.0040808017,0.001625237,0.001694108,0.24260934],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011602027,0.000005415952,0.00007668366,0.00013160148,0.0000013866481,0.000016372487,0.00014388638,0.000016617552,0.00007796282,0.0013297979,0.95086706,0.047321673],"study_design_scores_gemma":[0.0000021493956,0.000008276316,0.000696738,0.00028275026,0.0000012481504,0.000060621976,0.00028513753,0.000016103288,0.00006620355,0.00066759833,0.9979095,0.0000035890437],"about_ca_topic_score_codex":0.0052098576,"about_ca_topic_score_gemma":0.01606176,"teacher_disagreement_score":0.30092,"about_ca_system_score_codex":0.0008996054,"about_ca_system_score_gemma":0.0006429024,"threshold_uncertainty_score":0.99715275},"labels":[],"label_agreement":null},{"id":"W1966231857","doi":"10.1353/ren.2008.0474","title":": <i>Working in the Vineyard of the Lord: Jesuit Confraternities in Early Modern Italy</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"","keywords":"Append; Vineyard; Index (typography); History; Ancient history; Humanities; Art; Archaeology","score_opus":0.021996198138574605,"score_gpt":0.20629940723774473,"score_spread":0.18430320909917014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966231857","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057210987,0.5754745,0.0005959612,0.21810865,0.007530771,0.000021260797,0.00026217118,0.00012411187,0.19216149],"genre_scores_gemma":[0.2640587,0.2734261,0.0012826533,0.037201084,0.0107643455,0.000095911804,0.00038160998,0.00032274157,0.4124668],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945587,0.000251453,0.000020384761,0.0000433685,0.00012794856,0.000100934754],"domain_scores_gemma":[0.99964404,0.00012337857,0.00006295494,0.000027031894,0.00006033216,0.00008233023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084431935,0.0004984335,0.00031088456,0.0011132949,0.0035028362,0.003648945,0.00076948036,0.0017604126,0.013164948],"category_scores_gemma":[0.0013330792,0.0002925963,0.00019405488,0.002297395,0.0049478,0.0046043415,0.002027039,0.0022462553,0.003947343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025526242,0.00000823537,0.000487175,0.00027508568,0.000003783651,0.00014434442,0.023035832,0.000020545855,0.00007927629,0.030574154,0.909647,0.03569916],"study_design_scores_gemma":[0.000004003264,0.000008417013,0.003162378,0.0005822791,0.000004276622,0.0002378259,0.011274429,0.000012525511,0.0000925834,0.004451961,0.9801586,0.000010760628],"about_ca_topic_score_codex":0.042244483,"about_ca_topic_score_gemma":0.1251061,"teacher_disagreement_score":0.042244483,"about_ca_system_score_codex":0.0034755527,"about_ca_system_score_gemma":0.0023109105,"threshold_uncertainty_score":0.08399719},"labels":[],"label_agreement":null},{"id":"W1966372397","doi":"10.1353/ren.0.0298","title":": <i>Between Science and Drawings: Renaissance Architects on Vitruvius's Educational Ideas</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Renaissance; Index (typography); Art; Art history; Humanities; Classics; Computer science","score_opus":0.022176226833374047,"score_gpt":0.28385315732826866,"score_spread":0.2616769304948946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966372397","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044888627,0.2844233,0.0039161276,0.18456362,0.011515953,0.000049576935,0.00014930787,0.00012518986,0.47036827],"genre_scores_gemma":[0.664669,0.04365525,0.0018855017,0.0054144287,0.0024489572,0.00005502584,0.000082410006,0.00024106423,0.28154838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99873537,0.00078280945,0.000035834073,0.00012530768,0.00021324339,0.00010743729],"domain_scores_gemma":[0.999255,0.00048497645,0.000058411104,0.00003224427,0.00009699159,0.000072370756],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018231971,0.00051521463,0.00018427204,0.0012578443,0.004655437,0.0041691395,0.0007664608,0.0017934351,0.009548497],"category_scores_gemma":[0.002467239,0.00026099914,0.00018698051,0.0014672832,0.008399555,0.0053958697,0.0024050553,0.0024892266,0.0011966057],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004372176,0.000016461683,0.0006536644,0.00020267982,0.0000067208002,0.0003423309,0.17413372,0.00012871169,0.00043517532,0.55875576,0.2174322,0.047848925],"study_design_scores_gemma":[0.000005392996,0.0000129916,0.0011538727,0.00026096494,0.0000041971666,0.00019188892,0.018915933,0.00005799809,0.00030828256,0.01646375,0.96261543,0.000009382644],"about_ca_topic_score_codex":0.021109523,"about_ca_topic_score_gemma":0.034272462,"teacher_disagreement_score":0.9953446,"about_ca_system_score_codex":0.0058309897,"about_ca_system_score_gemma":0.0018842571,"threshold_uncertainty_score":0.04230696},"labels":[],"label_agreement":null},{"id":"W1967610341","doi":"10.1086/652550","title":": <i>Encounters with a Radical Erasmus: Erasmus’ Work as a Source of Radical Thought in Early Modern Europe</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Index (typography); Media studies; Early modern Europe; Environmental ethics; Art; History; Art history; Classics; Sociology; Philosophy; The Renaissance","score_opus":0.011446329757008595,"score_gpt":0.2111116285803284,"score_spread":0.1996652988233198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967610341","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0091153905,0.76080465,0.0008416148,0.11793219,0.0059944806,0.00001534273,0.000092798655,0.00004109034,0.10516236],"genre_scores_gemma":[0.4195118,0.38653907,0.0014042653,0.027666783,0.013735499,0.00005797737,0.0001882089,0.00020501592,0.15069142],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990695,0.00055288017,0.000027867942,0.00007426024,0.00014349204,0.00013204175],"domain_scores_gemma":[0.9991171,0.00053049973,0.00010519047,0.00005698695,0.00007707819,0.000113162634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017055145,0.000701544,0.0004822357,0.0018624478,0.004237334,0.0073565054,0.00075884355,0.0028122826,0.008444469],"category_scores_gemma":[0.0018719506,0.00033912653,0.00030048855,0.0032518748,0.011600424,0.009869943,0.003181904,0.0034403442,0.001599929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007980231,0.00002992404,0.00084195525,0.00056719146,0.000022223028,0.0004871711,0.108380646,0.00008163557,0.00030256296,0.3072651,0.5319673,0.04997451],"study_design_scores_gemma":[0.000009022517,0.000020152498,0.0022401835,0.0010278617,0.000008799493,0.0004238285,0.032851934,0.000043250664,0.00018500374,0.034463774,0.92870706,0.000019114863],"about_ca_topic_score_codex":0.011226237,"about_ca_topic_score_gemma":0.029654473,"teacher_disagreement_score":0.011226237,"about_ca_system_score_codex":0.004631668,"about_ca_system_score_gemma":0.001976091,"threshold_uncertainty_score":0.033605278},"labels":[],"label_agreement":null},{"id":"W1968261399","doi":"10.1086/647377","title":": <i>The Gargantuan Polity: On the Individual and the Community in the French Renaissance</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polity; The Renaissance; Index (typography); Media studies; Art history; Art; History; Humanities; Sociology; Political science; Law; Politics","score_opus":0.0436198514274155,"score_gpt":0.24261749114633743,"score_spread":0.19899763971892193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968261399","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014132278,0.8042695,0.00036599173,0.108716354,0.0101163825,0.000013193802,0.00028219467,0.00007967663,0.07474347],"genre_scores_gemma":[0.1095962,0.51434034,0.0008738545,0.033249166,0.02677156,0.00005768435,0.00067163946,0.00026202537,0.31417757],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959964,0.00014319584,0.000016799017,0.000048907674,0.00011044864,0.00008102093],"domain_scores_gemma":[0.999566,0.00018460164,0.00004731134,0.000018039509,0.00011022489,0.0000737962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072525104,0.0012582192,0.00044854172,0.0017065362,0.002743028,0.004023829,0.00082069816,0.0023139492,0.027848672],"category_scores_gemma":[0.0012032848,0.00026806822,0.00031846465,0.0030836056,0.0028925734,0.0066348994,0.0014369251,0.0016741618,0.006742821],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021359641,0.0000061774026,0.00023075652,0.00023628329,0.0000046992823,0.00006264575,0.0028450938,0.000021271093,0.00005727661,0.015891686,0.9493362,0.031286567],"study_design_scores_gemma":[0.0000039452116,0.0000068350455,0.0014540533,0.00041529932,0.0000045344236,0.000104568215,0.0027614566,0.000015464833,0.000075056305,0.0033228288,0.9918277,0.000008192947],"about_ca_topic_score_codex":0.08670554,"about_ca_topic_score_gemma":0.19883154,"teacher_disagreement_score":0.08670554,"about_ca_system_score_codex":0.005461701,"about_ca_system_score_gemma":0.0023784821,"threshold_uncertainty_score":0.17240173},"labels":[],"label_agreement":null},{"id":"W1968865689","doi":"10.1086/652629","title":": <i> <i>Negotiating Shakespeare's Language in</i> Romeo and Juliet: <i>Reading Strategies from Criticism, Editing and the Theatre</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; Publishing; Index (typography); Negotiation; Reading (process); Criticism; Performance art; Media studies; History; Art history; Art; Humanities; Sociology; Literature; Political science; Computer science; Law; Social science; World Wide Web","score_opus":0.008175938995568996,"score_gpt":0.21958506313438972,"score_spread":0.21140912413882074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968865689","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024230573,0.26530987,0.0033780285,0.108777545,0.0036057688,0.0000537706,0.000079627476,0.00012715605,0.5944376],"genre_scores_gemma":[0.73591995,0.054433107,0.0022213361,0.009505997,0.0024036795,0.000090235255,0.000096645475,0.00035427586,0.19497487],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776757,0.001545715,0.000042964788,0.00012768895,0.00034649592,0.00016956999],"domain_scores_gemma":[0.99859244,0.0008672375,0.00013209216,0.00008891155,0.00016140711,0.0001578461],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029121852,0.0006032412,0.0003975438,0.0012730652,0.006062278,0.009359886,0.0010655933,0.0025329117,0.005032163],"category_scores_gemma":[0.0042449255,0.00029138726,0.0002367621,0.0015479575,0.016677836,0.0077225263,0.003309164,0.002748372,0.00131584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006624026,0.000035338682,0.0007849069,0.0004820578,0.000014450738,0.00070442253,0.35765108,0.000115719246,0.0005618088,0.2798971,0.29330707,0.066379875],"study_design_scores_gemma":[0.000009407585,0.000017788117,0.001610026,0.00093061535,0.0000096133535,0.0005292484,0.08265698,0.00005685736,0.00043256467,0.030649722,0.88307226,0.000024906007],"about_ca_topic_score_codex":0.01613163,"about_ca_topic_score_gemma":0.029948879,"teacher_disagreement_score":0.01613163,"about_ca_system_score_codex":0.0043778117,"about_ca_system_score_gemma":0.0029588998,"threshold_uncertainty_score":0.032075465},"labels":[],"label_agreement":null},{"id":"W1972130619","doi":"10.1353/ren.2008.0797","title":": <i>The Cultural World of Eleonora di Toledo: Duchess of Florence and Siena</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Index (typography); Publishing; History; Gerontology; Media studies; Art; Medicine; Sociology","score_opus":0.01923231179000709,"score_gpt":0.23530650418073645,"score_spread":0.21607419239072936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972130619","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06446298,0.09159057,0.00041093558,0.17296594,0.009509863,0.000030240255,0.00056248106,0.00013354477,0.6603336],"genre_scores_gemma":[0.6832686,0.012588256,0.0002699292,0.0123028755,0.0020332662,0.000022726374,0.00017720622,0.00009684501,0.28924024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963987,0.00010472847,0.000008209048,0.000043502838,0.00007902681,0.00012466786],"domain_scores_gemma":[0.9996996,0.00008065742,0.000048133537,0.000023209606,0.000040441075,0.00010807153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059724425,0.0004276832,0.00020779413,0.000590595,0.005722208,0.0035740377,0.00057299365,0.0010649703,0.02344207],"category_scores_gemma":[0.0013928316,0.00012354128,0.00013079985,0.0010991001,0.0036861307,0.0016762927,0.0016738839,0.0017386028,0.0015544951],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094149276,0.000020505058,0.0033229636,0.00029117297,0.000010346396,0.001275108,0.089310214,0.000030197738,0.00040862043,0.06703199,0.78653955,0.051665235],"study_design_scores_gemma":[0.000004976929,0.000009637775,0.008486288,0.00016566754,0.0000032804455,0.00027094423,0.027265904,0.000005298833,0.00010544126,0.0007429113,0.9629312,0.0000084577305],"about_ca_topic_score_codex":0.119898975,"about_ca_topic_score_gemma":0.40704444,"teacher_disagreement_score":0.119898975,"about_ca_system_score_codex":0.0041618566,"about_ca_system_score_gemma":0.0017769684,"threshold_uncertainty_score":0.23840219},"labels":[],"label_agreement":null},{"id":"W1972569381","doi":"10.1353/ren.2008.0741","title":": <i>Exorcism and Its Texts: Subjectivity in Early Modern Literature of England and Spain</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exorcism; Subjectivity; Index (typography); History; Media studies; Sociology; Anthropology; Philosophy","score_opus":0.010392963399371846,"score_gpt":0.20816224759915244,"score_spread":0.1977692841997806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972569381","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047225356,0.8599669,0.00060816266,0.044138227,0.004610992,0.000011128705,0.00023138859,0.000053372256,0.08565724],"genre_scores_gemma":[0.24003221,0.5107418,0.001114364,0.012856734,0.0112152165,0.00008294418,0.0006639114,0.00024554206,0.22304724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946433,0.0002698391,0.000030370336,0.000052705942,0.00012256391,0.00006012621],"domain_scores_gemma":[0.999076,0.0004926697,0.00012257216,0.000055372617,0.00017304347,0.000080344624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011949377,0.0007514367,0.00059567834,0.001666238,0.0015341582,0.0047154925,0.00084135984,0.001163178,0.012742697],"category_scores_gemma":[0.0018357289,0.00020765646,0.00021507242,0.0031496913,0.003789439,0.004321195,0.0016864311,0.001436677,0.00291136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010762819,0.000034580884,0.0015503376,0.0013056035,0.000021891115,0.0003005812,0.032555796,0.00011666552,0.00022183143,0.09585294,0.76471305,0.103219025],"study_design_scores_gemma":[0.000013798964,0.000015702983,0.004085306,0.0015095897,0.000009504143,0.00021587106,0.011088293,0.000036691024,0.00017300296,0.016479155,0.96636194,0.000011136165],"about_ca_topic_score_codex":0.016963651,"about_ca_topic_score_gemma":0.02429844,"teacher_disagreement_score":0.016963651,"about_ca_system_score_codex":0.003862351,"about_ca_system_score_gemma":0.0020003095,"threshold_uncertainty_score":0.042628586},"labels":[],"label_agreement":null},{"id":"W1973720940","doi":"10.1086/647436","title":": <i>Power, Gender, and Ritual in Europe and the Americas: Essays in Memory of Richard C. Trexler</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Power (physics); Index (typography); History; Performance art; Art history; Renaissance studies; Art; Classics; Humanities","score_opus":0.02071398231678261,"score_gpt":0.23177000538030954,"score_spread":0.21105602306352692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973720940","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004017091,0.8125907,0.00049317966,0.12212354,0.008985483,0.000012182519,0.0001214355,0.000026202977,0.051630177],"genre_scores_gemma":[0.2071641,0.54328084,0.0015782374,0.042841636,0.023565592,0.00010989822,0.00032578385,0.00016326198,0.18097056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993794,0.00034562283,0.000028187924,0.00007900977,0.00010821045,0.000059486898],"domain_scores_gemma":[0.99876827,0.00079233275,0.000109515306,0.00005275953,0.00015137359,0.00012577216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001398882,0.0008971483,0.0006733904,0.0010193936,0.0024712356,0.0036123095,0.00093565683,0.0027837113,0.007097356],"category_scores_gemma":[0.0027588368,0.00026122195,0.0003319821,0.0019307854,0.0066788825,0.005317673,0.0018061514,0.0026474558,0.0016277884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049249218,0.00004293508,0.00047226858,0.00060064154,0.000016207894,0.00011227636,0.018158115,0.00007984458,0.00021466232,0.03426529,0.89629865,0.049689844],"study_design_scores_gemma":[0.0000137154475,0.00001948241,0.0033207547,0.0016697509,0.000012263521,0.00018941627,0.014578049,0.0000376915,0.00018931876,0.010347766,0.96960706,0.000014617613],"about_ca_topic_score_codex":0.0119479345,"about_ca_topic_score_gemma":0.021452641,"teacher_disagreement_score":0.0119479345,"about_ca_system_score_codex":0.0021920332,"about_ca_system_score_gemma":0.0017820547,"threshold_uncertainty_score":0.023756742},"labels":[],"label_agreement":null},{"id":"W1973945683","doi":"10.1086/656956","title":": <i> <i>Portraits from the French Renaissance andthe Wars of Religion</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"The Renaissance; Portrait; Index (typography); State (computer science); Art history; History; Art; Classics; Renaissance literature; Environmental ethics; Philosophy","score_opus":0.012305565537288048,"score_gpt":0.2081558655696951,"score_spread":0.19585030003240705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1973945683","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024889943,0.81026447,0.00057288643,0.04174411,0.008364693,0.000015636397,0.0003494533,0.0000886371,0.13611117],"genre_scores_gemma":[0.14147581,0.42568076,0.0014108806,0.024687324,0.016668433,0.0000687345,0.0006436195,0.00039522906,0.38896924],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968493,0.00015220189,0.000010035127,0.000033888162,0.00007519688,0.0000437939],"domain_scores_gemma":[0.999764,0.000100357145,0.000028761031,0.000011856099,0.000057526482,0.000037526268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046910462,0.0014104627,0.00042460384,0.0022081872,0.0033612333,0.0030967556,0.0006673183,0.0015065703,0.021087293],"category_scores_gemma":[0.00074643607,0.00022506759,0.00040992018,0.0027738477,0.0021036672,0.0031254191,0.0008444215,0.0018476538,0.006700409],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040480583,0.00001323045,0.0003103495,0.00036047262,0.000010321451,0.00027344452,0.011576528,0.00007873258,0.00029169238,0.032513957,0.91496086,0.039569996],"study_design_scores_gemma":[0.0000016419995,0.00000454263,0.00073972193,0.0001828132,0.000001978251,0.00019202815,0.0015858709,0.000011334032,0.000049569597,0.002050411,0.9951751,0.0000050386448],"about_ca_topic_score_codex":0.05170536,"about_ca_topic_score_gemma":0.1249233,"teacher_disagreement_score":0.05170536,"about_ca_system_score_codex":0.00389206,"about_ca_system_score_gemma":0.0010459034,"threshold_uncertainty_score":0.10280883},"labels":[],"label_agreement":null},{"id":"W1974058809","doi":"10.1353/ren.2008.0297","title":": <i>The Seventh Window: The King’s Window Donated by Philip II and Mary Tudor to Sint Janskerk in Gouda (1557)</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; Window (computing); Index (typography); Art; History; Humanities; Theology; Philosophy; Computer science; Operating system","score_opus":0.007283310412615268,"score_gpt":0.19273420221402107,"score_spread":0.1854508918014058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974058809","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032703772,0.619905,0.0007793879,0.03175426,0.013622427,0.000026454747,0.00044013376,0.00013544668,0.33006653],"genre_scores_gemma":[0.0544954,0.1484453,0.000875389,0.005439529,0.0030201683,0.00004688335,0.00046049652,0.00032620277,0.7868906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971443,0.0000969718,0.000011773262,0.00004020494,0.0000783992,0.000058198922],"domain_scores_gemma":[0.9998683,0.000039092265,0.000017308139,0.000012927752,0.00003105169,0.000031304335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043722123,0.00078889105,0.00045231284,0.0011062557,0.0023092797,0.0035668332,0.00058823667,0.0013587498,0.05391881],"category_scores_gemma":[0.0007711518,0.00029611742,0.00021340395,0.0018417264,0.0022231003,0.0043443865,0.0019992979,0.0018976523,0.016235923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000306654,0.0000073310443,0.00014793893,0.00025092094,0.0000044325993,0.00012532217,0.0059680403,0.000021641126,0.00016338706,0.02732585,0.91323614,0.052718326],"study_design_scores_gemma":[0.0000014448684,0.0000032740215,0.00034414057,0.0002542538,0.0000016859489,0.00007805729,0.0016376526,0.0000037520592,0.000055577875,0.0011632164,0.9964533,0.0000036621625],"about_ca_topic_score_codex":0.020831216,"about_ca_topic_score_gemma":0.062278375,"teacher_disagreement_score":0.05391881,"about_ca_system_score_codex":0.0021437723,"about_ca_system_score_gemma":0.001820787,"threshold_uncertainty_score":0.18037641},"labels":[],"label_agreement":null},{"id":"W1974182242","doi":"10.1353/ren.0.0120","title":": <i>Flaunting: Style and the Subversive Male Body in Renaissance England</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"The Renaissance; Style (visual arts); Index (typography); Media studies; Art; Art history; History; Humanities; Sociology; Visual arts; Computer science","score_opus":0.017215728634550436,"score_gpt":0.27102566230368413,"score_spread":0.2538099336691337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974182242","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001197792,0.86525995,0.00031780882,0.040790696,0.012171443,0.0000140469965,0.00024693663,0.000057627734,0.07994371],"genre_scores_gemma":[0.049025405,0.55749863,0.0006361835,0.011480007,0.016555391,0.000044796776,0.00046368115,0.00019076899,0.36410522],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996803,0.00009886885,0.00001924459,0.00004353834,0.00011040278,0.000047757494],"domain_scores_gemma":[0.99957496,0.00017356715,0.000048217767,0.000018928467,0.000107032836,0.00007731529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005476338,0.0011805154,0.00063867046,0.0020254664,0.0021052663,0.0034630105,0.00088324316,0.0015587258,0.044640344],"category_scores_gemma":[0.0010130878,0.00041666583,0.0002483854,0.0037524127,0.0028740647,0.0063973586,0.0015786331,0.0018585533,0.011208794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023321407,0.000007084965,0.00031152082,0.00045026085,0.0000052551864,0.00007769237,0.004992239,0.00002657517,0.00008746166,0.01416548,0.9381926,0.041660525],"study_design_scores_gemma":[0.000003627134,0.000008861323,0.0025497586,0.00063688617,0.00000438067,0.00016938976,0.0026580272,0.000011636287,0.00007060381,0.0022028603,0.9916745,0.000009590042],"about_ca_topic_score_codex":0.04774237,"about_ca_topic_score_gemma":0.14613111,"teacher_disagreement_score":0.04774237,"about_ca_system_score_codex":0.002934811,"about_ca_system_score_gemma":0.0014218058,"threshold_uncertainty_score":0.14933681},"labels":[],"label_agreement":null},{"id":"W1974918491","doi":"10.1353/ren.2008.0971","title":": <i>Le Sang embaumé des roses: Sang et passion dans la poésie amoureuse de Pierre de Ronsard</i>","year":2005,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; The Renaissance; Art history","score_opus":0.009802874896151299,"score_gpt":0.24180181170283044,"score_spread":0.23199893680667913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974918491","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066993525,0.7433057,0.0008232701,0.07409508,0.0072814953,0.000021479447,0.00021267615,0.00007830256,0.16748269],"genre_scores_gemma":[0.24712068,0.29077914,0.0015198094,0.012021903,0.006931959,0.000068146,0.00026944478,0.00024274361,0.4410462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999589,0.00019478235,0.000013415752,0.000057260495,0.000087431814,0.00005807121],"domain_scores_gemma":[0.99970585,0.00013461635,0.0000406072,0.000015229152,0.0000568444,0.000046745998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006437043,0.0008736923,0.0003919347,0.0008995008,0.0030174658,0.0029930237,0.0006937337,0.0016220533,0.016738541],"category_scores_gemma":[0.0010267973,0.00028138518,0.00022109236,0.001687554,0.0033388596,0.0041907122,0.001370781,0.0024010444,0.0036000847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009533022,0.000024598863,0.00064002513,0.0007557092,0.000013507982,0.00050316076,0.040119532,0.000058240697,0.00039991294,0.11953396,0.7663983,0.071457684],"study_design_scores_gemma":[0.00000479512,0.000012130652,0.001331369,0.00032544948,0.0000051663847,0.0002573852,0.0059543136,0.000014643124,0.00016609972,0.0037056594,0.9882146,0.0000083206905],"about_ca_topic_score_codex":0.040609207,"about_ca_topic_score_gemma":0.09066377,"teacher_disagreement_score":0.040609207,"about_ca_system_score_codex":0.0026861299,"about_ca_system_score_gemma":0.0018385821,"threshold_uncertainty_score":0.0807457},"labels":[],"label_agreement":null},{"id":"W1975684014","doi":"10.1086/652553","title":": <i>Dialogues of Love</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Management, Economics, and Public Policy","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Humanities; Sierra leone; Art; Media studies; History; Art history; Sociology; Ethnology","score_opus":0.01647049071925372,"score_gpt":0.21864067773856982,"score_spread":0.2021701870193161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975684014","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011704174,0.5786165,0.0006797651,0.27561605,0.01814583,0.000017772729,0.00016547334,0.00010372511,0.12548453],"genre_scores_gemma":[0.096589066,0.32416835,0.0015174855,0.12824796,0.028878657,0.00021529975,0.0003996896,0.00064373645,0.41933984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984263,0.00096275215,0.000037530317,0.00013539725,0.00024390938,0.00019418041],"domain_scores_gemma":[0.9989957,0.00044953023,0.0001090799,0.0000585378,0.000190593,0.00019657126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017481544,0.0011172758,0.0007269055,0.0013125695,0.005156159,0.006167595,0.0010582291,0.0028806895,0.023815604],"category_scores_gemma":[0.0032242218,0.00048599264,0.00034575586,0.0018997072,0.004426289,0.011523966,0.0037025094,0.005700613,0.00935687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019558789,0.000007358388,0.00007462361,0.00017106032,0.0000037181364,0.000047753732,0.007884512,0.000006962743,0.00005352379,0.02176088,0.9513482,0.018621903],"study_design_scores_gemma":[0.0000021579867,0.0000027407727,0.00025661848,0.00028697154,0.0000012896624,0.00009040653,0.0030463128,0.000005922837,0.000031362473,0.0038565728,0.99241525,0.0000044102303],"about_ca_topic_score_codex":0.011178637,"about_ca_topic_score_gemma":0.023221053,"teacher_disagreement_score":0.023815604,"about_ca_system_score_codex":0.0032708566,"about_ca_system_score_gemma":0.0017146025,"threshold_uncertainty_score":0.079671144},"labels":[],"label_agreement":null},{"id":"W1978232123","doi":"10.1086/647460","title":": <i>Witchcraft and Gender in Early Modern Society: Finland and the Wider European Experience</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Legal Studies and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Fredericton; University of New Brunswick","funders":"","keywords":"Publishing; Append; Index (typography); History; Economic history; Media studies; Political science; Sociology; Law","score_opus":0.020121759945418982,"score_gpt":0.2684206290825212,"score_spread":0.2482988691371022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978232123","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008301008,0.85347825,0.00045165868,0.033070557,0.0048501934,0.0000168168,0.00027871062,0.000045366844,0.099507526],"genre_scores_gemma":[0.27480185,0.55302376,0.00067616865,0.009109775,0.007338292,0.00007639139,0.00060691126,0.00008419562,0.15428263],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9996419,0.00013011279,0.000023828818,0.000046638947,0.000079465164,0.000078007055],"domain_scores_gemma":[0.9996259,0.0002106169,0.000057087418,0.0000178772,0.000033432596,0.00005502922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066977926,0.0012365445,0.0006002408,0.0020668418,0.003517893,0.0060726134,0.0009081124,0.0031149965,0.018841501],"category_scores_gemma":[0.0012044929,0.00028229042,0.00029735712,0.0057723434,0.0037763498,0.01070808,0.0026124415,0.001579961,0.0031159755],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010351024,0.000059168884,0.0019973547,0.0021144862,0.000035386693,0.0010787619,0.07563289,0.000219941,0.00036481273,0.11299413,0.6446213,0.1607783],"study_design_scores_gemma":[0.000010565986,0.000037792306,0.0061258464,0.0031122316,0.000019063955,0.00108402,0.037383072,0.00004737343,0.00025141312,0.01927277,0.93262887,0.000027031207],"about_ca_topic_score_codex":0.008980874,"about_ca_topic_score_gemma":0.014787124,"teacher_disagreement_score":0.018841501,"about_ca_system_score_codex":0.0018826858,"about_ca_system_score_gemma":0.0015220759,"threshold_uncertainty_score":0.06303114},"labels":[],"label_agreement":null},{"id":"W1979264360","doi":"10.1353/ren.2008.0371","title":": <i>Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Renaissance; Index (typography); Art; Abundance (ecology); Art history; Biology; Computer science","score_opus":0.013326092563665902,"score_gpt":0.20519675868055154,"score_spread":0.19187066611688564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979264360","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009179912,0.9104394,0.000232015,0.042019956,0.005740609,0.000008308159,0.00040157975,0.000075798765,0.040164277],"genre_scores_gemma":[0.054727826,0.6858851,0.0010528774,0.01965642,0.016768543,0.00005084431,0.0009060717,0.00022510866,0.22072725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999564,0.00012147515,0.000027658032,0.0000615163,0.00015969343,0.00006563701],"domain_scores_gemma":[0.9996214,0.00013875203,0.000046537534,0.000013271889,0.00012713867,0.000052836527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006010612,0.0016156674,0.0006103846,0.0035561656,0.0018626784,0.0036777365,0.0010194372,0.0017851425,0.04205635],"category_scores_gemma":[0.0010111083,0.00035598,0.00030181618,0.0059348796,0.0023198195,0.00529784,0.0009935503,0.0013816218,0.009942139],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022232254,0.000005257117,0.00038840857,0.0003778119,0.000007823122,0.000055604465,0.0017138068,0.000026075137,0.000079708996,0.010701266,0.94279486,0.043827087],"study_design_scores_gemma":[0.0000030560943,0.000005462884,0.002311078,0.00046530596,0.0000048381116,0.00017151902,0.0018982165,0.00001728945,0.00007857537,0.002056078,0.99297816,0.000010459644],"about_ca_topic_score_codex":0.24242088,"about_ca_topic_score_gemma":0.3972568,"teacher_disagreement_score":0.24242088,"about_ca_system_score_codex":0.0058831098,"about_ca_system_score_gemma":0.002528754,"threshold_uncertainty_score":0.48201966},"labels":[],"label_agreement":null},{"id":"W1979520221","doi":"10.1353/ren.2007.0021","title":": <i> Avant le Roman: L’allégorie et l’émergence de la narration française au 16 <sup>ème</sup> siècle </i>","year":2007,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Art; Narrative; Humanities; Index (typography); Literature","score_opus":0.009134081378953891,"score_gpt":0.241718498042777,"score_spread":0.23258441666382312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979520221","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027591737,0.50219786,0.0026635646,0.10394649,0.0056070364,0.00002484232,0.00033094993,0.00008863662,0.35754883],"genre_scores_gemma":[0.6377542,0.11858133,0.0019677537,0.0060693654,0.0029547075,0.00005120443,0.00026761307,0.0002618862,0.23209193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913895,0.0005515301,0.000024394141,0.0000739079,0.00012640117,0.00008481545],"domain_scores_gemma":[0.9993507,0.00032205915,0.000088360415,0.000046047327,0.00010207825,0.00009067157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012621358,0.0006018887,0.0003056431,0.00082499767,0.0033824733,0.0047447425,0.0006498286,0.0019318738,0.014685359],"category_scores_gemma":[0.003118228,0.00031381685,0.00021891938,0.0015133915,0.0059467037,0.006988712,0.0018171316,0.0024034944,0.0028018502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013964235,0.000025105757,0.0014721333,0.0006129514,0.000023960927,0.00066081085,0.17709166,0.0001033074,0.0009676723,0.2619106,0.47559202,0.08140016],"study_design_scores_gemma":[0.0000059483536,0.00001536551,0.002311739,0.0004446109,0.0000052845544,0.00048650787,0.02065581,0.0000328532,0.00033119356,0.00934545,0.9663521,0.000013039395],"about_ca_topic_score_codex":0.026933363,"about_ca_topic_score_gemma":0.048750475,"teacher_disagreement_score":0.026933363,"about_ca_system_score_codex":0.0023524605,"about_ca_system_score_gemma":0.0014280201,"threshold_uncertainty_score":0.053553224},"labels":[],"label_agreement":null},{"id":"W1981423688","doi":"10.1353/ren.2008.0261","title":": <i>The Pope’s Daughter: The Extraordinary Life of Felice della Rovere</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); Art; Art history; Humanities; Daughter; Theology; Philosophy; Law","score_opus":0.018089002535280715,"score_gpt":0.214131092350314,"score_spread":0.1960420898150333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981423688","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003907842,0.6332097,0.00039796968,0.1213129,0.017152023,0.000033147746,0.0005895999,0.0001770469,0.22321981],"genre_scores_gemma":[0.0864784,0.2407073,0.00088132767,0.02903108,0.018853476,0.00006612795,0.00077729515,0.00033281776,0.6228722],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998317,0.000049312628,0.000006668649,0.0000291083,0.000048766804,0.000034504053],"domain_scores_gemma":[0.9998311,0.00004747595,0.000023074095,0.000010149848,0.000041768002,0.000046428217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003048844,0.00090711657,0.000351088,0.0009506869,0.0019632725,0.0026175082,0.0006941312,0.0012757034,0.04088243],"category_scores_gemma":[0.00075139874,0.00021733668,0.0001740675,0.0014409504,0.0011303772,0.0034424707,0.0017138305,0.001631322,0.011674877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001333524,0.0000054339325,0.00014636268,0.00015342451,0.000002532161,0.000097689735,0.0015450838,0.000008992681,0.000063982785,0.0043350244,0.96469724,0.028930966],"study_design_scores_gemma":[0.0000017560212,0.0000048868555,0.0008129686,0.00024571695,0.00000193013,0.00022652315,0.0012645216,0.000006029572,0.00006442163,0.0005299004,0.9968375,0.000003928613],"about_ca_topic_score_codex":0.013708999,"about_ca_topic_score_gemma":0.033646025,"teacher_disagreement_score":0.04088243,"about_ca_system_score_codex":0.0012232279,"about_ca_system_score_gemma":0.00065186096,"threshold_uncertainty_score":0.13676536},"labels":[],"label_agreement":null},{"id":"W1981603524","doi":"10.1086/647488","title":": <i>The Rhetoric of the Conscience in Donne, Herbert and Vaughan</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Index (typography); Conscience; Rhetoric; Media studies; Sociology; History; Art history; Art; Philosophy; Theology; Political science; Law; Computer science; World Wide Web","score_opus":0.01588285534260754,"score_gpt":0.2250654043391257,"score_spread":0.20918254899651817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981603524","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063701114,0.09365431,0.0016797346,0.6770849,0.008854109,0.000017608556,0.00011302502,0.00003457116,0.21219166],"genre_scores_gemma":[0.5843077,0.06016276,0.0023202107,0.1889468,0.011392386,0.0001362291,0.00017559905,0.00025216115,0.15230621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755377,0.0016325815,0.00007288047,0.00015200058,0.0004640628,0.00012476213],"domain_scores_gemma":[0.9954,0.00338307,0.00025124062,0.00015817917,0.0005951702,0.00021233958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031123753,0.0005391607,0.00036393874,0.00155304,0.007134597,0.008546779,0.0010484123,0.0055494853,0.0062419213],"category_scores_gemma":[0.011986455,0.00024621875,0.00029634844,0.002229377,0.013639202,0.0126258945,0.0025352307,0.006179399,0.0013584056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026514343,0.000013388898,0.00030067805,0.00013249714,0.000005453665,0.00008176594,0.024535025,0.000035388297,0.000056632314,0.5810485,0.38576987,0.007994332],"study_design_scores_gemma":[0.0000157461,0.000009500855,0.0013477721,0.0009457987,0.000010073257,0.00024568383,0.025931865,0.00007269073,0.00022846046,0.13572907,0.83544385,0.000019572115],"about_ca_topic_score_codex":0.02023978,"about_ca_topic_score_gemma":0.037700016,"teacher_disagreement_score":0.02023978,"about_ca_system_score_codex":0.005816142,"about_ca_system_score_gemma":0.0043895408,"threshold_uncertainty_score":0.042199314},"labels":[],"label_agreement":null},{"id":"W1983026676","doi":"10.2307/1261559","title":"The 'Opicius' Poems (British Library, Cotton Vespasian B.iv) and the Humanist Anti-Literature in Early Tudor England","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Poetry; Humanism; EPIC; Literature; Reading (process); Performance art; Art; Presentation (obstetrics); History; Classics; Art history; Philosophy; Theology; Linguistics","score_opus":0.011728941269648534,"score_gpt":0.18601825616364887,"score_spread":0.17428931489400032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983026676","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47408628,0.01614511,0.00089961913,0.0041383584,0.0005930139,0.00009817374,0.000398936,0.000046206675,0.50359434],"genre_scores_gemma":[0.8859444,0.0050505516,0.00032234978,0.00023152921,0.00012531417,0.00005728515,0.000102003454,0.000044099674,0.10812237],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997203,0.00008395068,0.000012295564,0.000030549756,0.0000742637,0.00007864948],"domain_scores_gemma":[0.99970204,0.0001331257,0.000058978472,0.000021219052,0.00004057143,0.000044137378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051004614,0.00019672925,0.00015292998,0.0012080214,0.00469293,0.004436966,0.00031282718,0.00037638916,0.0072522443],"category_scores_gemma":[0.0014978083,0.0001247398,0.00006731732,0.001976405,0.0034430218,0.0011124553,0.0017001341,0.00066806475,0.0005425083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025293752,0.000040358627,0.0050796852,0.00066409825,0.000007664556,0.0018644128,0.52752316,0.00008866134,0.0027949635,0.34851933,0.036207583,0.07695724],"study_design_scores_gemma":[0.0000065210397,0.000049565166,0.024210034,0.00029320735,0.000005969565,0.0004732779,0.07199555,0.000032832326,0.00088060705,0.0022099423,0.89982945,0.000013024908],"about_ca_topic_score_codex":0.020051798,"about_ca_topic_score_gemma":0.06420706,"teacher_disagreement_score":0.020051798,"about_ca_system_score_codex":0.0037309155,"about_ca_system_score_gemma":0.0019366808,"threshold_uncertainty_score":0.039870203},"labels":[],"label_agreement":null},{"id":"W1983370028","doi":"10.1353/ren.2008.0155","title":": <i>Le collège de Dormans-Beauvais à la fin du Moyen Âge: Stratégies politiques et parcours individuels à l’Université de Paris (1370–1458)</i>","year":2006,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pontifical Institute of Mediaeval Studies","funders":"","keywords":"Humanities; The Renaissance; Middle Ages; Political science; Art; History; Ancient history; Art history","score_opus":0.015499058571734206,"score_gpt":0.23140889754932698,"score_spread":0.21590983897759278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983370028","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02363389,0.4353948,0.0010027429,0.24660137,0.009629579,0.000054196134,0.00052722293,0.00012722211,0.28302896],"genre_scores_gemma":[0.39538825,0.105271645,0.0009815622,0.016480073,0.0035465441,0.00012506488,0.0002832296,0.00012149595,0.47780216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994561,0.00023722264,0.000014472814,0.00006117539,0.00008767501,0.00014340211],"domain_scores_gemma":[0.9996117,0.0000948741,0.000075437936,0.000012971641,0.00005233692,0.00015277619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010343061,0.0005686686,0.00020887972,0.0008695096,0.003161083,0.0036107807,0.0007251042,0.0020061915,0.026050242],"category_scores_gemma":[0.0011830357,0.00023548357,0.00017979812,0.0017136396,0.0042526093,0.0042661577,0.0021659043,0.0025917683,0.0038170624],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000712604,0.00003291327,0.0014989977,0.0003296297,0.000007795506,0.00016172061,0.035642922,0.00009781817,0.00021871743,0.13434295,0.7578834,0.06971186],"study_design_scores_gemma":[0.000007807222,0.000016594127,0.00601624,0.00030924505,0.0000033122299,0.0000747381,0.010441242,0.00001974213,0.00011122198,0.0032211645,0.97976696,0.000011797562],"about_ca_topic_score_codex":0.09715523,"about_ca_topic_score_gemma":0.13815424,"teacher_disagreement_score":0.09715523,"about_ca_system_score_codex":0.008219133,"about_ca_system_score_gemma":0.0048421226,"threshold_uncertainty_score":0.19317943},"labels":[],"label_agreement":null},{"id":"W1983776100","doi":"10.1353/ren.2007.0326","title":": <i>The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Windsor","funders":"","keywords":"Append; Baroque; Poetry; Index (typography); Transgressive; History; Art; Middle Ages; Art history; Literature; Archaeology; Computer science; Geology; Geomorphology","score_opus":0.0454714375522222,"score_gpt":0.23914830404201465,"score_spread":0.19367686648979243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983776100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016258229,0.37702525,0.0016479958,0.120853014,0.009216372,0.000039985563,0.00026741184,0.00027310452,0.47441855],"genre_scores_gemma":[0.58105165,0.13992271,0.0018336315,0.019579371,0.020421192,0.00013533205,0.00031354514,0.000437453,0.23630507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934906,0.00041154478,0.000017213524,0.000052544594,0.00010507932,0.00006466147],"domain_scores_gemma":[0.9995555,0.00021752053,0.00006867439,0.00003433944,0.0000628254,0.000061165134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011505998,0.0009934892,0.00037100556,0.0012998199,0.0026234565,0.0042657345,0.0006093726,0.0011107498,0.008412361],"category_scores_gemma":[0.0016101504,0.00023960142,0.00026364674,0.0019704753,0.0065531703,0.005065765,0.0013573782,0.0017822168,0.002901146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008797402,0.000022282211,0.0008632899,0.0004321108,0.000010728504,0.0003337169,0.095163345,0.00006333329,0.00031466153,0.10799418,0.7375842,0.057130307],"study_design_scores_gemma":[0.000010859141,0.0000326695,0.0053162505,0.00079852424,0.000010761778,0.00072394725,0.01694469,0.00007465525,0.00011915889,0.011190816,0.9647575,0.000020177025],"about_ca_topic_score_codex":0.009579339,"about_ca_topic_score_gemma":0.022404533,"teacher_disagreement_score":0.009579339,"about_ca_system_score_codex":0.002539096,"about_ca_system_score_gemma":0.00087959575,"threshold_uncertainty_score":0.028142154},"labels":[],"label_agreement":null},{"id":"W1983824360","doi":"10.1086/655286","title":": <i>The Last Knight Errant: Sir Edward Woodville and the Age of Chivalry</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Chivalry; Append; Knight; Index (typography); History; Humanities; Classics; Art; Ancient history; Physics; Computer science","score_opus":0.011881156554151208,"score_gpt":0.19667530817598552,"score_spread":0.18479415162183432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983824360","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00065814075,0.45987698,0.001308878,0.20171958,0.16620724,0.00005292575,0.0011147419,0.00055901,0.16850258],"genre_scores_gemma":[0.0058758627,0.10323545,0.00059632736,0.030248202,0.026956541,0.000034686047,0.0006425839,0.00048199418,0.8319283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991984,0.00014254198,0.000051312807,0.00016246979,0.0003340748,0.000111173475],"domain_scores_gemma":[0.9981627,0.00040088655,0.00020366572,0.00008235865,0.00077009754,0.0003802849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094252615,0.0019783417,0.0011254514,0.0017946486,0.0018497638,0.0045418777,0.0015041219,0.002656313,0.218138],"category_scores_gemma":[0.0046495325,0.00062240637,0.0005438479,0.0018457306,0.0013256908,0.0068385196,0.0026846486,0.003944283,0.17156583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008761284,0.0000014381171,0.00002579226,0.00005790919,9.149828e-7,0.000017239418,0.00004923978,0.000004184132,0.000018931214,0.00047257007,0.9900169,0.009326156],"study_design_scores_gemma":[0.0000012514342,0.0000042551383,0.0001232257,0.00021349867,0.0000015781336,0.00012806042,0.0001878611,0.0000061840483,0.000031997126,0.00030179316,0.99899596,0.0000044193466],"about_ca_topic_score_codex":0.011788281,"about_ca_topic_score_gemma":0.023610022,"teacher_disagreement_score":0.218138,"about_ca_system_score_codex":0.0017092696,"about_ca_system_score_gemma":0.0014411693,"threshold_uncertainty_score":0.7297443},"labels":[],"label_agreement":null},{"id":"W1986063339","doi":"10.1086/655277","title":": <i>Rembrandt's Faith: Church and Temple in the Dutch Golden Age</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Temple; Faith; Index (typography); Art; State (computer science); Theology; Art history; Humanities; History; Philosophy; Ancient history","score_opus":0.030498166750905057,"score_gpt":0.2439248143632021,"score_spread":0.21342664761229704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986063339","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024946358,0.81127197,0.00052703667,0.051979907,0.008502242,0.000026283742,0.00043893047,0.000047101843,0.12471187],"genre_scores_gemma":[0.08520702,0.38016206,0.00094628707,0.011315311,0.0066861296,0.000054036023,0.0007886556,0.00036071197,0.5144798],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997274,0.0000708287,0.000016815864,0.000032510296,0.00010821696,0.00004417164],"domain_scores_gemma":[0.9997749,0.0000866941,0.00003472312,0.00001406856,0.000036286838,0.000053509128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043378945,0.0006290822,0.00034223535,0.0010343381,0.0011882856,0.0031931326,0.0007325791,0.0012143765,0.03374345],"category_scores_gemma":[0.0012539028,0.0002698957,0.00016310473,0.0025169034,0.0016123204,0.004846495,0.0016554128,0.0013116216,0.0074901246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023843899,0.0000120712675,0.00029991337,0.0004624467,0.0000043091536,0.000108868655,0.0046576383,0.000028213628,0.00025542994,0.021577539,0.9172244,0.055345263],"study_design_scores_gemma":[0.000002550757,0.0000027380038,0.00097560405,0.00039797602,0.0000016143966,0.000115166426,0.0019362094,0.000013810016,0.00008083473,0.0017854625,0.9946837,0.000004277409],"about_ca_topic_score_codex":0.04160691,"about_ca_topic_score_gemma":0.1478767,"teacher_disagreement_score":0.04160691,"about_ca_system_score_codex":0.0029487424,"about_ca_system_score_gemma":0.001672013,"threshold_uncertainty_score":0.11288303},"labels":[],"label_agreement":null},{"id":"W1986102727","doi":"10.1353/ren.2008.0609","title":": <i>“Full of all knowledge”: George Herbert’s Country Parson and Early Modern Social Discourse</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Social thought; Index (typography); History; Sociology; Media studies; Classics; Art history; Law; Political science; Politics","score_opus":0.024337111479587416,"score_gpt":0.25717580561099534,"score_spread":0.23283869413140793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986102727","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032899622,0.60239935,0.00059916294,0.22148313,0.0056846864,0.000016473738,0.00008604269,0.00004206989,0.16639912],"genre_scores_gemma":[0.22822088,0.29946056,0.0012317756,0.053111624,0.016020363,0.000063492815,0.00014555648,0.000131941,0.40161377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957997,0.00019861109,0.000012064278,0.00005667551,0.000107936336,0.000044801025],"domain_scores_gemma":[0.99950373,0.0002951439,0.000054573382,0.000025743117,0.00006268713,0.000058166792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007071846,0.0005771434,0.00031599132,0.0015264425,0.0038118565,0.004816093,0.00075572095,0.0029376643,0.012014865],"category_scores_gemma":[0.0013245883,0.00024762755,0.00015355083,0.0023135417,0.009202299,0.0076057506,0.0015922862,0.0026906622,0.0022677947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002367535,0.000015024647,0.00023047284,0.0002402259,0.000006294672,0.00012963763,0.020919722,0.000051420877,0.00013566978,0.21583189,0.72513974,0.037276234],"study_design_scores_gemma":[0.0000036470035,0.0000059247427,0.00072197523,0.00045906685,0.0000049036407,0.00013697435,0.0076562786,0.000026555943,0.00009482147,0.030451661,0.9604294,0.00000881502],"about_ca_topic_score_codex":0.04638834,"about_ca_topic_score_gemma":0.077451415,"teacher_disagreement_score":0.04638834,"about_ca_system_score_codex":0.0039697182,"about_ca_system_score_gemma":0.0021919017,"threshold_uncertainty_score":0.09223664},"labels":[],"label_agreement":null},{"id":"W1986511943","doi":"10.1353/ren.0.0183","title":": <i>Reformation Sources: The Letters of Wolfgang Capito and His Fellow Reformers in Alsace and Switzerland</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Art; Performance art; Art history; Renaissance studies; History; Humanities","score_opus":0.01809978532363727,"score_gpt":0.19487368290888382,"score_spread":0.17677389758524656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986511943","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030057386,0.389114,0.00050848175,0.37206858,0.050452366,0.00006310433,0.0014259994,0.00022731355,0.18313448],"genre_scores_gemma":[0.06193381,0.11931701,0.0007734821,0.045719247,0.031094637,0.00018787388,0.0012728317,0.00053581345,0.7391653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985543,0.00049365795,0.000058632253,0.00012954677,0.0005360151,0.0002277436],"domain_scores_gemma":[0.9973265,0.0009659161,0.00030247556,0.0001223622,0.0008386976,0.00044415722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014232025,0.0014754041,0.0007709861,0.002937389,0.005449562,0.0059584645,0.0012096767,0.00345848,0.07248303],"category_scores_gemma":[0.007194261,0.00033472123,0.0002869282,0.005026315,0.0025200944,0.004971712,0.0031855348,0.0031210005,0.017435588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014695137,0.0000033812514,0.000045485507,0.000085201675,0.0000013388197,0.000034868626,0.0011361447,0.000011070099,0.000025353367,0.0029068694,0.9885181,0.0072175306],"study_design_scores_gemma":[0.0000042474444,0.00000410386,0.0005191873,0.00025938242,0.0000017544402,0.00004677403,0.0017984486,0.000012083824,0.000064248336,0.0007785731,0.99650335,0.00000783359],"about_ca_topic_score_codex":0.024812195,"about_ca_topic_score_gemma":0.04679181,"teacher_disagreement_score":0.07248303,"about_ca_system_score_codex":0.006955685,"about_ca_system_score_gemma":0.0039676824,"threshold_uncertainty_score":0.24247992},"labels":[],"label_agreement":null},{"id":"W1986783835","doi":"10.1353/ren.0.0094","title":": <i>Filippo Cavagni da Lavagna: Editore, tipografo, commerciante a Milano nel Quattrocento</i>","year":2008,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Management, Economics, and Public Policy","field":"Business, Management and Accounting","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Append; Humanities; Index (typography); Art; History","score_opus":0.031192634435500348,"score_gpt":0.23196509282830247,"score_spread":0.2007724583928021,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986783835","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041348566,0.7327742,0.00086856855,0.098404974,0.12215876,0.00002530164,0.0004907618,0.00034410539,0.044519752],"genre_scores_gemma":[0.0108686155,0.41801783,0.001507468,0.030377533,0.1555002,0.000060608254,0.000847963,0.00049624767,0.38232356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989808,0.00015502055,0.000070512244,0.0002315834,0.0004722238,0.00008985858],"domain_scores_gemma":[0.9971426,0.00093802257,0.00030201284,0.00012157526,0.001082791,0.00041289628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001230455,0.0017887214,0.0013691239,0.0042379736,0.0010616401,0.0057201735,0.001562368,0.0023149862,0.062039603],"category_scores_gemma":[0.0034919989,0.00055257423,0.0005160046,0.0045080394,0.0011012927,0.005850576,0.00149626,0.004480483,0.052026104],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009779041,0.0000034188774,0.00009477181,0.00017982096,0.0000036122426,0.00002070219,0.00006119955,0.000020282421,0.000041814266,0.00082739844,0.9738043,0.024932956],"study_design_scores_gemma":[0.00000239969,0.0000034262173,0.00029329784,0.00023298066,0.0000037438845,0.00010297952,0.000075866104,0.00002351886,0.00003429295,0.0004834472,0.9987394,0.0000047001085],"about_ca_topic_score_codex":0.009444628,"about_ca_topic_score_gemma":0.017442975,"teacher_disagreement_score":0.062039603,"about_ca_system_score_codex":0.0022531182,"about_ca_system_score_gemma":0.0025215477,"threshold_uncertainty_score":0.20754313},"labels":[],"label_agreement":null},{"id":"W1986887583","doi":"10.1086/655330","title":": <i>Shakespeare and the Middle Ages</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); History; Media studies; Sociology; Computer science","score_opus":0.02886792878584247,"score_gpt":0.21047375745567995,"score_spread":0.1816058286698375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986887583","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014261049,0.2922127,0.00066395436,0.14800161,0.007864486,0.000014812472,0.0004999589,0.000067212524,0.53641427],"genre_scores_gemma":[0.38687295,0.10405428,0.0005855892,0.014861579,0.004596345,0.000037384558,0.00033989962,0.0001660689,0.48848584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952674,0.00019439998,0.00002112988,0.000059589984,0.00010489593,0.00009336749],"domain_scores_gemma":[0.9994122,0.00024065404,0.000054280423,0.000040901374,0.0001331196,0.0001188419],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008388043,0.0004351817,0.00024232526,0.001254898,0.0055712797,0.005220297,0.00042518994,0.0018947526,0.025195893],"category_scores_gemma":[0.001770926,0.00018249307,0.00015551662,0.0022934603,0.003983142,0.0061683636,0.0014219087,0.001509068,0.004134041],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004629224,0.00001516162,0.0015597125,0.00023082623,0.0000097195325,0.0002096771,0.05444123,0.000023232931,0.00015323168,0.26498833,0.64665747,0.031665143],"study_design_scores_gemma":[0.000002830537,0.000005618709,0.004186557,0.00036664068,0.000003533413,0.00009158306,0.011018067,0.0000067441038,0.00011541917,0.007359671,0.97683537,0.000007944564],"about_ca_topic_score_codex":0.07938939,"about_ca_topic_score_gemma":0.19399804,"teacher_disagreement_score":0.07938939,"about_ca_system_score_codex":0.0030250077,"about_ca_system_score_gemma":0.0025345976,"threshold_uncertainty_score":0.15785462},"labels":[],"label_agreement":null},{"id":"W1989731082","doi":"10.2307/1262314","title":"Marriage, Sexual Pleasure, and Learned Brides in the Wedding Orations of Fifteenth-Century Italy","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Asceticism; Affection; Pleasure; Fifteenth; Humanism; Praise; Politics; Art; Beauty; Nobility; Aesthetics; Literature; History; Philosophy; Classics; Psychology; Law; Theology; Political science; Archaeology","score_opus":0.05893601185971491,"score_gpt":0.2418558368569205,"score_spread":0.1829198249972056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989731082","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8709851,0.013580475,0.0002660386,0.0050382502,0.00012623794,0.000017020633,0.000029934967,0.000012866805,0.10994401],"genre_scores_gemma":[0.99021393,0.0016510654,0.000059858106,0.00025034937,0.00006235808,0.0000055818823,0.00000783409,0.0000026687417,0.0077464776],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957305,0.00018373599,0.000013054099,0.00003507797,0.00004123415,0.0001538418],"domain_scores_gemma":[0.99977237,0.00006220574,0.00006780763,0.000015628184,0.000014013944,0.0000679297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009692323,0.00019926614,0.00022213387,0.00087136275,0.0043518343,0.0029112438,0.00036525278,0.0007789982,0.0024687354],"category_scores_gemma":[0.0011044167,0.00019858558,0.00013274085,0.0008216501,0.012469115,0.0012637597,0.003156931,0.001382596,0.00016163701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019686599,0.00015826352,0.03187934,0.00019459841,0.000021277936,0.0012812887,0.6169796,0.00012998082,0.0005442455,0.31263113,0.0042640865,0.031719267],"study_design_scores_gemma":[0.00009859614,0.00033526443,0.26932666,0.0007235223,0.000048706283,0.0018921507,0.24849229,0.00022538082,0.0006982448,0.026804956,0.45127225,0.00008197631],"about_ca_topic_score_codex":0.012577555,"about_ca_topic_score_gemma":0.03523718,"teacher_disagreement_score":0.012577555,"about_ca_system_score_codex":0.0033133673,"about_ca_system_score_gemma":0.001021674,"threshold_uncertainty_score":0.025008678},"labels":[],"label_agreement":null},{"id":"W1989742726","doi":"10.1353/ren.2008.0845","title":": <i>The Romance Epics of Boiardo, Ariosto, and Tasso: From Public Duty to Private Pleasure</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Pleasure; Index (typography); Romance; Duty; Humanities; Art history; Media studies; Sociology; Literature; Theology; Philosophy; Psychology; Computer science","score_opus":0.025846880349011007,"score_gpt":0.22053434810862155,"score_spread":0.19468746775961054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989742726","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00569226,0.57356745,0.0012108262,0.060618803,0.022305746,0.00002237378,0.00034061473,0.00013170748,0.3361102],"genre_scores_gemma":[0.2568866,0.2035391,0.0026122243,0.017986972,0.013577066,0.00006506955,0.0005591702,0.0004909944,0.50428283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967575,0.000121182085,0.000012016344,0.000046514862,0.000095674965,0.000048824113],"domain_scores_gemma":[0.9998123,0.00005164853,0.000029703184,0.000014787733,0.000053138727,0.000038434893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005699166,0.00069133064,0.0003739724,0.0007282378,0.0022756206,0.002743576,0.0006637043,0.0009557807,0.018743772],"category_scores_gemma":[0.0010610142,0.00031658204,0.00022601936,0.0014683771,0.0030252696,0.0028658803,0.0013708083,0.0020019,0.0036854392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005951654,0.000010766847,0.00032869112,0.00032303037,0.000006667625,0.00011774211,0.010846721,0.00003238078,0.0002038188,0.07030257,0.8809333,0.036834825],"study_design_scores_gemma":[0.000004206076,0.000005514917,0.00096733985,0.000240412,0.0000031002332,0.00014863626,0.0020897249,0.000012239089,0.00008047711,0.002503905,0.99393904,0.0000053252597],"about_ca_topic_score_codex":0.028537132,"about_ca_topic_score_gemma":0.072163016,"teacher_disagreement_score":0.028537132,"about_ca_system_score_codex":0.002462023,"about_ca_system_score_gemma":0.0015232358,"threshold_uncertainty_score":0.062704206},"labels":[],"label_agreement":null},{"id":"W1991306677","doi":"10.1086/652638","title":": <i>The Incarnate Text: Imagining the Book in Reformation England</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Index (typography); Performance art; Media studies; Art history; Art; History; Sociology; Computer science; World Wide Web","score_opus":0.009969418232750526,"score_gpt":0.2168297620036124,"score_spread":0.20686034377086188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991306677","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027098777,0.3361072,0.001946732,0.08895899,0.01605414,0.00004883002,0.0005637903,0.00029376545,0.5533167],"genre_scores_gemma":[0.055583023,0.081051424,0.00138075,0.017409192,0.0076458696,0.00006870548,0.0005129064,0.00046740868,0.8358807],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996753,0.00011471894,0.000013257032,0.00003477149,0.00012493627,0.000037111186],"domain_scores_gemma":[0.99964476,0.00017736308,0.000035312325,0.000021146123,0.00006982678,0.000051588093],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004081519,0.00041624167,0.0003178889,0.0010443068,0.0013977807,0.0043633473,0.0005715444,0.0012697066,0.076491915],"category_scores_gemma":[0.0014874904,0.0001892511,0.00015060345,0.0016546777,0.0021492867,0.0058623175,0.0011898958,0.0019393113,0.017630666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021024607,0.00000725389,0.00008267081,0.00022947675,0.0000018201658,0.00004691124,0.002066859,0.00001758757,0.00013396498,0.03453263,0.9323963,0.030463483],"study_design_scores_gemma":[0.0000019851168,0.0000037535808,0.00026261332,0.00017438302,9.927547e-7,0.00006500645,0.0007620309,0.00001166551,0.00007277947,0.0024263319,0.9962159,0.0000026125392],"about_ca_topic_score_codex":0.0056691426,"about_ca_topic_score_gemma":0.016534945,"teacher_disagreement_score":0.076491915,"about_ca_system_score_codex":0.0019569052,"about_ca_system_score_gemma":0.00089368195,"threshold_uncertainty_score":0.25589097},"labels":[],"label_agreement":null},{"id":"W1991809775","doi":"10.1353/ren.0.0374","title":": <i>Masculinity, Gender and Identity in the English Renaissance Lyric</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Masculinity; BATES; Index (typography); The Renaissance; Identity (music); Content (measure theory); Art; Media studies; History; Sociology; Art history; Gender studies; Computer science; Aesthetics; Engineering; World Wide Web; Mathematics","score_opus":0.046771096315735956,"score_gpt":0.2584058454893865,"score_spread":0.21163474917365055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991809775","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47136107,0.020911593,0.00087163236,0.033747755,0.00105914,0.00002674482,0.0003021122,0.000052299783,0.47166765],"genre_scores_gemma":[0.94487333,0.0012601169,0.00012457465,0.00056426466,0.00023726032,0.000007935422,0.00003800639,0.000026704747,0.052867997],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997378,0.00015411181,0.000009859624,0.00002591751,0.00004440389,0.000027760703],"domain_scores_gemma":[0.9996946,0.00014443096,0.000045068045,0.000013845557,0.0000654249,0.000036736074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000701154,0.00017105127,0.00013155724,0.00032681038,0.001980712,0.0019801625,0.000227874,0.00036487292,0.0078946175],"category_scores_gemma":[0.0010917396,0.00007774149,0.000060196024,0.00042019153,0.0026445603,0.001166184,0.00060924224,0.00071718585,0.000829977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009860806,0.000037602633,0.013668197,0.0002259918,0.00000900631,0.0005974021,0.7033733,0.000056687873,0.0013266078,0.18447115,0.06624887,0.029886605],"study_design_scores_gemma":[0.000012923486,0.000073441995,0.08073177,0.0003896642,0.000015523601,0.00076035375,0.2880396,0.00016661298,0.0011563683,0.005950445,0.62267876,0.000024488894],"about_ca_topic_score_codex":0.02628557,"about_ca_topic_score_gemma":0.05952407,"teacher_disagreement_score":0.02628557,"about_ca_system_score_codex":0.000961506,"about_ca_system_score_gemma":0.0005893321,"threshold_uncertainty_score":0.052265108},"labels":[],"label_agreement":null},{"id":"W1992216877","doi":"10.1353/ren.2008.0595","title":": <i>The Making of Medieval Forgeries: False Documents in Fifteenth-Century England</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fifteenth; Index (typography); History; Art; Classics; Art history; Media studies; Sociology; Computer science","score_opus":0.019108945588078925,"score_gpt":0.2423778727885821,"score_spread":0.22326892720050318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992216877","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017046835,0.8249155,0.0006400707,0.0660286,0.006607661,0.00001094798,0.00045300004,0.000044647244,0.08425278],"genre_scores_gemma":[0.40372562,0.356976,0.001013677,0.011646096,0.0036714613,0.00003684808,0.0006245762,0.0001368982,0.22216871],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952376,0.00015509238,0.0000381648,0.000049446513,0.00017330472,0.000060347633],"domain_scores_gemma":[0.99908864,0.00051388907,0.00013567258,0.0000604454,0.00012695232,0.000074425516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000914357,0.00057521835,0.00033117976,0.0014237183,0.003411662,0.005259517,0.00071849796,0.0012280764,0.011453929],"category_scores_gemma":[0.0022834984,0.0003065276,0.00014952625,0.002931977,0.005807004,0.0064446083,0.0017563801,0.0015589003,0.0022017802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000814024,0.000011703798,0.0014783248,0.0011340191,0.00001565886,0.00056817924,0.12190974,0.000069579364,0.00030108076,0.11379376,0.6883687,0.07226788],"study_design_scores_gemma":[0.0000028176264,0.0000064927613,0.002572755,0.000982539,0.0000060470265,0.00043580696,0.021403028,0.00001064463,0.00021836082,0.003571891,0.97078156,0.000008239907],"about_ca_topic_score_codex":0.029033504,"about_ca_topic_score_gemma":0.08066233,"teacher_disagreement_score":0.029033504,"about_ca_system_score_codex":0.0034270918,"about_ca_system_score_gemma":0.0016530685,"threshold_uncertainty_score":0.057729065},"labels":[],"label_agreement":null},{"id":"W1992850294","doi":"10.1353/ren.2008.0970","title":": <i>Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and Early Modern Europe</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; The Renaissance; Index (typography); Early modern Europe; History; Classics; Art history; Art; Psychoanalysis; Psychology","score_opus":0.014782416893545723,"score_gpt":0.24389804640912455,"score_spread":0.22911562951557882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992850294","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033944845,0.6297761,0.0013883159,0.11055336,0.00462166,0.00001630852,0.00009130571,0.000063900814,0.21954422],"genre_scores_gemma":[0.6873237,0.17569876,0.00085006503,0.0122344885,0.0053053196,0.000044627042,0.000104084575,0.00006473566,0.11837423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996278,0.00020857368,0.000010693438,0.000037484537,0.00006315784,0.000052161373],"domain_scores_gemma":[0.99960405,0.00021138015,0.000048809576,0.000025098123,0.000043771444,0.000066949644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001060938,0.0006446731,0.00027906083,0.0011617888,0.003053716,0.0043386132,0.00063532236,0.0016093586,0.0062789847],"category_scores_gemma":[0.0017008148,0.00019433764,0.00020264427,0.0014272851,0.011238021,0.0073339096,0.0020749883,0.0017406655,0.0006312843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084483436,0.000042360138,0.00113746,0.00037122847,0.000026597532,0.00036650486,0.111398,0.00018644113,0.00023462618,0.4342072,0.38654116,0.06540391],"study_design_scores_gemma":[0.000015543495,0.00003763311,0.006270535,0.0011672714,0.000014699047,0.00051560684,0.07293519,0.00011633023,0.00028207453,0.090853065,0.827768,0.000023932289],"about_ca_topic_score_codex":0.008687731,"about_ca_topic_score_gemma":0.012071139,"teacher_disagreement_score":0.008687731,"about_ca_system_score_codex":0.0021685823,"about_ca_system_score_gemma":0.0010920417,"threshold_uncertainty_score":0.021005332},"labels":[],"label_agreement":null},{"id":"W1993106356","doi":"10.1353/ren.2008.0863","title":": <i>Reading the Early Modern Passions: Essays in the Cultural History of Emotion</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"ROWE; Passions; Reading (process); Index (typography); Media studies; History; Art history; Theology; Sociology; Philosophy; Management","score_opus":0.032823406763346864,"score_gpt":0.23398088126330915,"score_spread":0.2011574744999623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993106356","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00483879,0.6721757,0.0013710015,0.20997733,0.019312438,0.000023203262,0.00015430145,0.000056715246,0.09209047],"genre_scores_gemma":[0.2100691,0.42007416,0.002739806,0.055467974,0.03806739,0.00012331895,0.00032541956,0.0002531651,0.27287963],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963045,0.00020660795,0.000015231257,0.00004355224,0.0000750555,0.00002909803],"domain_scores_gemma":[0.99888486,0.0007500475,0.00007102871,0.00005395932,0.00014104719,0.0000990875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011344694,0.00083039474,0.00039935185,0.0011141627,0.00213158,0.0029388322,0.00077698234,0.001858318,0.011255095],"category_scores_gemma":[0.002615338,0.00020616227,0.0002629223,0.0014914648,0.0064291568,0.0063676815,0.0013928349,0.0028748221,0.0021818485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030208243,0.00002275068,0.00026803697,0.00038401244,0.000009570218,0.000084814405,0.014815509,0.000046186775,0.00015371326,0.035310175,0.908335,0.040540125],"study_design_scores_gemma":[0.00001058913,0.000022710548,0.0024974162,0.0013661144,0.0000107902215,0.00021460075,0.012223572,0.00004359995,0.00028200937,0.026232734,0.9570815,0.000014390468],"about_ca_topic_score_codex":0.005329371,"about_ca_topic_score_gemma":0.011695187,"teacher_disagreement_score":0.011255095,"about_ca_system_score_codex":0.0016820655,"about_ca_system_score_gemma":0.00121904,"threshold_uncertainty_score":0.037652016},"labels":[],"label_agreement":null},{"id":"W1993427774","doi":"10.1086/664087","title":"Hymnic Epic and <i>The Faerie Queene</i> ’s Original Printed Format: Canto-Canticles and Psalmic Arguments","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University; McGill University","funders":"","keywords":"Stanza; Canto; Literature; Poetry; Art; Protestantism; EPIC; Argument (complex analysis); Philosophy; History; Theology","score_opus":0.026084053028194953,"score_gpt":0.28135277520623464,"score_spread":0.2552687221780397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993427774","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07947553,0.0049152514,0.0015206807,0.015594692,0.0015693937,0.000014186161,0.00007906212,0.000049007853,0.89678216],"genre_scores_gemma":[0.8356388,0.0007864707,0.0004564266,0.0010669177,0.0005982663,0.000012421146,0.00003229241,0.00006188655,0.16134647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994634,0.00027473617,0.0000120711675,0.00005570378,0.00011451178,0.00007967321],"domain_scores_gemma":[0.9994043,0.00028864216,0.00005794089,0.00007922678,0.00011179204,0.000058117872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093430316,0.00025933524,0.000109883906,0.0007514811,0.0029373472,0.0036735297,0.0002968736,0.0007296236,0.006091918],"category_scores_gemma":[0.0025671194,0.00012668279,0.000097732736,0.00048711154,0.0076115364,0.0015371456,0.0012052015,0.0017219735,0.0006136523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000731452,0.000013797064,0.0006620576,0.00006033072,0.000004400199,0.00042138484,0.06913097,0.00007212473,0.0005590138,0.87422633,0.04161044,0.013166074],"study_design_scores_gemma":[0.000012133373,0.000031516844,0.0035466796,0.00013644905,0.0000048973684,0.00022410415,0.0102302395,0.00012641856,0.00070251484,0.017659329,0.96731055,0.000015095491],"about_ca_topic_score_codex":0.008306119,"about_ca_topic_score_gemma":0.019306825,"teacher_disagreement_score":0.008306119,"about_ca_system_score_codex":0.004575584,"about_ca_system_score_gemma":0.00085467775,"threshold_uncertainty_score":0.033198297},"labels":[],"label_agreement":null},{"id":"W1993479628","doi":"10.1353/ren.2008.0372","title":": <i>John Knox: Reformation Rhetoric and the Traditions of Scots Prose 1490–1570</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Append; Scots; Gloss (optics); Rhetoric; Index (typography); Art; Humanities; History; Theology; Philosophy; Literature; Chemistry; Computer science","score_opus":0.01225336105992622,"score_gpt":0.19616006563456426,"score_spread":0.18390670457463804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993479628","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003005559,0.61067146,0.0010122878,0.11147611,0.019588375,0.0000527498,0.0005747676,0.00015923577,0.25345945],"genre_scores_gemma":[0.1023707,0.2485585,0.0018987523,0.037071023,0.017956927,0.0001091339,0.0008154477,0.0004974894,0.590722],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995528,0.00015721854,0.00002391215,0.00004130309,0.00015879715,0.00006588198],"domain_scores_gemma":[0.9993703,0.00028331892,0.00007107983,0.000024853334,0.00017290274,0.000077556724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008847805,0.00088572846,0.00036053383,0.002185933,0.002605104,0.0034255546,0.00074809213,0.0016323358,0.03935485],"category_scores_gemma":[0.002077139,0.00031674144,0.00021025604,0.0038489155,0.0024727818,0.0062447973,0.0016308196,0.0016577219,0.010155829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001784135,0.0000064072856,0.00013721819,0.00026724316,0.0000045969496,0.00007816361,0.0046316767,0.000016539212,0.00012945363,0.014660788,0.95226014,0.027789889],"study_design_scores_gemma":[0.000004653672,0.0000050407143,0.0012322158,0.0005693862,0.0000039590605,0.00009856038,0.0021190783,0.000017018983,0.00009489557,0.0026385763,0.9932092,0.0000074795057],"about_ca_topic_score_codex":0.05354892,"about_ca_topic_score_gemma":0.12474764,"teacher_disagreement_score":0.05354892,"about_ca_system_score_codex":0.0034651028,"about_ca_system_score_gemma":0.0018995806,"threshold_uncertainty_score":0.1316551},"labels":[],"label_agreement":null},{"id":"W1994559353","doi":"10.2307/1262026","title":": <i>Homoerotic Space: The Poetics of Loss in Renaissance Literature</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Index (typography); The Renaissance; Art; Renaissance literature; Space (punctuation); Art history; Humanities; Media studies; Sociology; Poetry; Philosophy; Literature; Computer science","score_opus":0.012073430981284427,"score_gpt":0.21795825764076998,"score_spread":0.20588482665948554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994559353","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004957849,0.7084036,0.00203335,0.11723532,0.01274383,0.000026126874,0.00019264739,0.00012162257,0.15428571],"genre_scores_gemma":[0.2891923,0.3778647,0.0021818143,0.029209869,0.025962407,0.00011051192,0.00036058365,0.00033251627,0.27478534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949825,0.00027741733,0.000017345066,0.000045964254,0.000106262865,0.000054652355],"domain_scores_gemma":[0.99946445,0.00026829104,0.00006377487,0.00003111713,0.00011155211,0.000060848895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091225764,0.0009615197,0.0004177713,0.001636892,0.0024865593,0.004919104,0.000993184,0.0019434375,0.014534363],"category_scores_gemma":[0.0016645653,0.00021676261,0.0002548798,0.0027386253,0.005399894,0.0089543285,0.0019816358,0.002255655,0.0037346093],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005232388,0.000021379112,0.00051245955,0.000538025,0.000011493659,0.00016134362,0.023712473,0.00006844605,0.00018545227,0.120640494,0.8030166,0.051079564],"study_design_scores_gemma":[0.0000092186265,0.000022320517,0.0017896596,0.00091503863,0.000010695334,0.0004508219,0.013401286,0.00007325389,0.0002584002,0.028756449,0.9542955,0.000017349103],"about_ca_topic_score_codex":0.010904812,"about_ca_topic_score_gemma":0.020573404,"teacher_disagreement_score":0.014534363,"about_ca_system_score_codex":0.0020037862,"about_ca_system_score_gemma":0.0012908046,"threshold_uncertainty_score":0.04862225},"labels":[],"label_agreement":null},{"id":"W1994572346","doi":"10.1086/681307","title":"The 2014 Josephine Waters Bennett Lecture: “Certain of Death”: Michelangelo’s Late Life and Art","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Courage; Sketch; Quarter (Canadian coin); Period (music); Art history; Performance art; Art; History; Aesthetics; Philosophy; Theology","score_opus":0.03364523939772523,"score_gpt":0.23468353287812804,"score_spread":0.2010382934804028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994572346","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054380936,0.22659427,0.0008250902,0.46664155,0.0512224,0.00001451899,0.00008172219,0.00009119404,0.24909121],"genre_scores_gemma":[0.15514334,0.09176195,0.0009982496,0.038258765,0.037975155,0.000034281406,0.00006299088,0.00027826073,0.675487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994293,0.00025383828,0.000012535642,0.000060022816,0.00013563398,0.00010876442],"domain_scores_gemma":[0.9994442,0.0001568126,0.00003776957,0.000019427338,0.00008413329,0.00025771465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012130574,0.000458902,0.00026727913,0.00066599454,0.00560178,0.00459726,0.0004999006,0.0018178981,0.011311871],"category_scores_gemma":[0.0019850782,0.0002445693,0.00018566658,0.0004786343,0.0047159134,0.0031730146,0.0021039755,0.0052416082,0.0032747719],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022124577,0.000014458544,0.00025444248,0.00006970068,0.0000021020119,0.0001323485,0.007147665,0.00003191708,0.00015897112,0.06988407,0.896149,0.02613314],"study_design_scores_gemma":[0.0000010080072,0.000003509183,0.00019730875,0.00011420225,6.2961794e-7,0.000064764026,0.0012832124,0.000010267172,0.000043809585,0.0019026297,0.996375,0.0000035160433],"about_ca_topic_score_codex":0.013527631,"about_ca_topic_score_gemma":0.052396875,"teacher_disagreement_score":0.013527631,"about_ca_system_score_codex":0.005220428,"about_ca_system_score_gemma":0.0023191033,"threshold_uncertainty_score":0.037877023},"labels":[],"label_agreement":null},{"id":"W1995535393","doi":"10.1353/ren.0.0266","title":": <i>The Renaissance in the Streets, Schools, and Studies: Essays in Honour of Paul F. Grendler</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; The Renaissance; Index (typography); Renaissance literature; Renaissance studies; Classics; Of Reformation; History; Art; Art history; Theology; Philosophy; Archaeology","score_opus":0.04915162992422476,"score_gpt":0.25737665993341013,"score_spread":0.20822503000918538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995535393","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034329463,0.75155133,0.0005247426,0.17072192,0.010680459,0.000015005486,0.00013218795,0.000036912665,0.06290453],"genre_scores_gemma":[0.20223086,0.46648112,0.001728375,0.04363527,0.021507565,0.00009342892,0.00032085532,0.0002197445,0.2637828],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993855,0.00034245028,0.000021199934,0.00006872966,0.00012262334,0.000059502636],"domain_scores_gemma":[0.99919707,0.00045376387,0.0000755568,0.000045999997,0.00014013235,0.00008754109],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012334143,0.0008583729,0.00047852183,0.001124405,0.0024347745,0.0036238316,0.0007890035,0.00236127,0.00858911],"category_scores_gemma":[0.0021888379,0.00026067733,0.00024904986,0.0020932865,0.006963281,0.005098778,0.0015804447,0.0025995441,0.002174428],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019268318,0.000012016433,0.000271756,0.00029325712,0.000006668816,0.00007598604,0.012281615,0.0000487597,0.0001090688,0.03305303,0.9227553,0.031073293],"study_design_scores_gemma":[0.0000054904594,0.0000073203087,0.0015394507,0.00073257915,0.0000049243677,0.000114577175,0.007425869,0.00002126484,0.00009205112,0.0073596113,0.98268867,0.000008202384],"about_ca_topic_score_codex":0.02227543,"about_ca_topic_score_gemma":0.04786716,"teacher_disagreement_score":0.02227543,"about_ca_system_score_codex":0.0039912187,"about_ca_system_score_gemma":0.0022996168,"threshold_uncertainty_score":0.044291496},"labels":[],"label_agreement":null},{"id":"W1996511021","doi":"10.1353/ren.0.0098","title":": <i>Nec spe nec metu. La Gonzaga: Architettura e corte nella Milano di Carlo V</i>","year":2008,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Append; Humanities; Index (typography); Art; Computer science; Programming language","score_opus":0.02133054106691871,"score_gpt":0.2170374111264238,"score_spread":0.1957068700595051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996511021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017113665,0.4677693,0.0016003253,0.028168164,0.009720748,0.000035632274,0.0016946351,0.00048992044,0.48880982],"genre_scores_gemma":[0.016416956,0.11947143,0.0014019705,0.0018800783,0.0026596976,0.000050366358,0.0014454562,0.0006312093,0.85604286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974984,0.00003987796,0.000013301967,0.000053827367,0.00010881093,0.00003425436],"domain_scores_gemma":[0.99975616,0.000054871096,0.000027457103,0.0000293659,0.00008924364,0.000042936845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029117207,0.0011498634,0.00057608634,0.0019213689,0.0012974704,0.0044379854,0.00068020064,0.0013930565,0.1722689],"category_scores_gemma":[0.0006761553,0.00044550138,0.00026495405,0.00402209,0.0010795718,0.0032968144,0.0014134679,0.0019913116,0.08324253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022683505,0.000006166225,0.00018984429,0.00025727606,0.000004662543,0.000052116786,0.00041127205,0.000031311654,0.00028106335,0.008768199,0.9230011,0.066974275],"study_design_scores_gemma":[0.0000017851688,0.0000030600886,0.00078542373,0.00015015692,0.0000023882,0.00007732483,0.0001613381,0.000010822563,0.00006585075,0.0007859936,0.99795234,0.0000034958575],"about_ca_topic_score_codex":0.026956033,"about_ca_topic_score_gemma":0.09813487,"teacher_disagreement_score":0.1722689,"about_ca_system_score_codex":0.0022026594,"about_ca_system_score_gemma":0.0012667171,"threshold_uncertainty_score":0.57629687},"labels":[],"label_agreement":null},{"id":"W1996798843","doi":"10.1086/647439","title":": <i>Friendship, Love, and Trust in Renaissance Florence</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Friendship; Index (typography); The Renaissance; Art; Media studies; Theology; Humanities; Art history; Sociology; Philosophy; Social science; Computer science; World Wide Web","score_opus":0.020495921744858016,"score_gpt":0.23027727997859015,"score_spread":0.20978135823373215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996798843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79994947,0.015450509,0.00008614626,0.056528777,0.000365252,0.000010665674,0.00008310798,0.000021648133,0.12750442],"genre_scores_gemma":[0.9926116,0.0005800022,0.0000105583495,0.0002282563,0.000041413216,0.0000017707634,0.000005442665,0.000002333183,0.006518753],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99912494,0.0004968082,0.000015777663,0.000052569594,0.00012629265,0.00018372545],"domain_scores_gemma":[0.99912435,0.00026328862,0.00013444402,0.00004535775,0.000114521965,0.00031796616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016127526,0.00012804469,0.0002017586,0.00061072997,0.005569011,0.0025619878,0.0004428519,0.0006334194,0.008108094],"category_scores_gemma":[0.0029418308,0.000088941466,0.000077979006,0.00073853735,0.0065146494,0.0016002145,0.0018093521,0.00094414665,0.00025287966],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014902362,0.00008811474,0.038257364,0.0001534266,0.000026453812,0.0010973521,0.6571818,0.00017520918,0.0003967896,0.15278701,0.07942577,0.070261754],"study_design_scores_gemma":[0.00002347921,0.000100414545,0.20282808,0.00035843079,0.000018600438,0.0005992148,0.36137667,0.0001085413,0.00019313187,0.005404726,0.4289375,0.000051106374],"about_ca_topic_score_codex":0.21892306,"about_ca_topic_score_gemma":0.3173903,"teacher_disagreement_score":0.21892306,"about_ca_system_score_codex":0.007677455,"about_ca_system_score_gemma":0.0018179405,"threshold_uncertainty_score":0.43529755},"labels":[],"label_agreement":null},{"id":"W1996800688","doi":"10.1353/ren.2007.0319","title":": <i>Aguecheek's Beef, Belch's Hiccup, and Other Gastronomic Interjections: Literature, Culture, and Food Among the Early Moderns</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); History; Art","score_opus":0.012592856565589757,"score_gpt":0.21510209139431874,"score_spread":0.20250923482872898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996800688","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002654372,0.8462603,0.00025148407,0.07935614,0.009398377,0.000009741244,0.0001336394,0.00003439798,0.06190144],"genre_scores_gemma":[0.14259976,0.550145,0.00073136325,0.031162405,0.012004031,0.000045978337,0.00029357657,0.0001282385,0.2628897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997862,0.00007765785,0.000009049691,0.000036248093,0.000057960708,0.000032915654],"domain_scores_gemma":[0.9996867,0.00015048173,0.000031085838,0.0000128095635,0.00006935167,0.000049519273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004676705,0.0006369976,0.00032373233,0.00097638526,0.0018110401,0.0028923384,0.0007812585,0.0017038188,0.024366667],"category_scores_gemma":[0.0010536044,0.00023107354,0.0001356026,0.002054161,0.0023933493,0.0060539655,0.0013087764,0.0018565552,0.0039009894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003793578,0.000015753609,0.00046814026,0.0004002971,0.000006489676,0.00008027467,0.006685625,0.000017223756,0.0001222871,0.022381997,0.92697537,0.04280868],"study_design_scores_gemma":[0.0000042694796,0.00000933877,0.0022265206,0.0005655484,0.0000043131795,0.00018439739,0.00692971,0.000014638017,0.00008445428,0.0046956474,0.9852732,0.000008055122],"about_ca_topic_score_codex":0.02171009,"about_ca_topic_score_gemma":0.05232187,"teacher_disagreement_score":0.024366667,"about_ca_system_score_codex":0.0015187366,"about_ca_system_score_gemma":0.0010921375,"threshold_uncertainty_score":0.08151466},"labels":[],"label_agreement":null},{"id":"W1998626057","doi":"10.1086/657005","title":": <i> <i>Supernatural Fiction in Early Modern Dramaand Culture</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Drama; Index (typography); History; Art history; Media studies; Art; Sociology; Literature; Computer science","score_opus":0.011540702204050766,"score_gpt":0.22660041039306128,"score_spread":0.21505970818901052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998626057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2899826,0.064990565,0.0017256864,0.077892736,0.0022416282,0.000028210132,0.00012045031,0.000052906864,0.5629652],"genre_scores_gemma":[0.9738937,0.0042607975,0.00018892116,0.00122275,0.0003470235,0.000009821793,0.000018579285,0.00001533498,0.020043138],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994147,0.0004309488,0.00001406738,0.000040652012,0.000054414177,0.000045215253],"domain_scores_gemma":[0.99924195,0.0005294035,0.000078851,0.000039548508,0.000060322043,0.000049930484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011704036,0.0001823254,0.00014014817,0.0008082172,0.0048367213,0.004035455,0.0004300989,0.0010830583,0.0046544583],"category_scores_gemma":[0.0024593708,0.0000899186,0.00009138892,0.001005606,0.012847838,0.003401285,0.0015896268,0.0019115292,0.00037825023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003980071,0.00003217546,0.0013730375,0.00024290843,0.000007266693,0.00034630677,0.44670504,0.00008054024,0.00038534586,0.4894433,0.037454218,0.023890134],"study_design_scores_gemma":[0.000015743182,0.00006778441,0.012703736,0.0010394937,0.000021785116,0.00096641143,0.2853509,0.00015825834,0.0010633735,0.0480947,0.65048903,0.000028865325],"about_ca_topic_score_codex":0.008990534,"about_ca_topic_score_gemma":0.018282896,"teacher_disagreement_score":0.008990534,"about_ca_system_score_codex":0.0021441162,"about_ca_system_score_gemma":0.0012676253,"threshold_uncertainty_score":0.017876387},"labels":[],"label_agreement":null},{"id":"W1998712590","doi":"10.1353/ren.2007.0076","title":"<i>Possessing the Sacred: Monarchy and Identity in Philip II’s Relic Collection at the Escorial</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Monarchy; Cult; Identity (music); Politics; Art; History; Classics; Religious studies; Art history; Ancient history; Philosophy; Law; Political science; Aesthetics","score_opus":0.022641062810807595,"score_gpt":0.2683050679710522,"score_spread":0.2456640051602446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998712590","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5810753,0.0060308394,0.0014021592,0.008059887,0.0002331845,0.000015605754,0.000044112796,0.00004393462,0.40309507],"genre_scores_gemma":[0.9805015,0.00039392427,0.00009570557,0.00026020358,0.00003206484,0.000003607563,0.0000064484707,0.000017607606,0.018688904],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995741,0.00021883023,0.0000095554215,0.00003994532,0.000045748555,0.00011177532],"domain_scores_gemma":[0.9997048,0.00012066699,0.000046250454,0.0000346316,0.00003028326,0.000063327236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009441251,0.00018838081,0.00021646955,0.00042651166,0.004101526,0.005694721,0.00034893127,0.00054415077,0.0021160375],"category_scores_gemma":[0.001099223,0.00012786948,0.00010169886,0.00055677595,0.012298967,0.0016222617,0.0031489732,0.0018714436,0.00017794472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006396835,0.000025240819,0.003928486,0.00008892346,0.000006397844,0.0007913763,0.6029616,0.00006467253,0.0005889206,0.3685672,0.005760458,0.017152721],"study_design_scores_gemma":[0.000026908594,0.000079695754,0.013766537,0.00042640022,0.000016591077,0.001070649,0.43986112,0.00012217538,0.0010983313,0.025295854,0.5182066,0.000029046607],"about_ca_topic_score_codex":0.011918165,"about_ca_topic_score_gemma":0.022659235,"teacher_disagreement_score":0.011918165,"about_ca_system_score_codex":0.0024282963,"about_ca_system_score_gemma":0.0016425678,"threshold_uncertainty_score":0.023697555},"labels":[],"label_agreement":null},{"id":"W1999364194","doi":"10.1353/ren.2008.0052","title":": <i>Metamorfosi e conoscenza: I dialoghi e le commedia di Giovan Battista Gelli.</i>","year":2008,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Art; Humanities","score_opus":0.023235030444813575,"score_gpt":0.2073647410906111,"score_spread":0.18412971064579753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999364194","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040263426,0.105668314,0.0019352873,0.35595113,0.03239642,0.000060745326,0.0009578485,0.00069823954,0.4983056],"genre_scores_gemma":[0.1580361,0.061312173,0.0032574236,0.068830304,0.048316535,0.00026545726,0.0010093072,0.0020733036,0.65689945],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988638,0.0005308885,0.00004021037,0.00020295053,0.00022721838,0.00013490905],"domain_scores_gemma":[0.9987643,0.0005049733,0.000110386645,0.00012503771,0.00024585146,0.0002494715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016087076,0.0011291379,0.0004787872,0.0020868152,0.0035114132,0.006773407,0.0007968579,0.0027499462,0.037755333],"category_scores_gemma":[0.003795548,0.0003304172,0.00029223526,0.0026895364,0.0026780982,0.0064780265,0.0025337348,0.0040427134,0.016040545],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020813919,0.000009409938,0.00033518346,0.0001603365,0.0000034514114,0.00006103105,0.0047480473,0.0000115390085,0.00012100086,0.04087591,0.9359136,0.01773969],"study_design_scores_gemma":[0.0000040430677,0.000004184689,0.0011011228,0.0001888599,0.0000032466276,0.00012535785,0.0012133145,0.000024696626,0.00011719456,0.001988273,0.99522203,0.000007709053],"about_ca_topic_score_codex":0.014245984,"about_ca_topic_score_gemma":0.03473351,"teacher_disagreement_score":0.037755333,"about_ca_system_score_codex":0.0032067986,"about_ca_system_score_gemma":0.0020273062,"threshold_uncertainty_score":0.12630421},"labels":[],"label_agreement":null},{"id":"W2000515581","doi":"10.1086/652641","title":": <i>Ben Jonson and the Politics of Genre</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Index (typography); Politics; History; Humanities; Media studies; Art history; Art; Sociology; Political science; Law","score_opus":0.011682414389292023,"score_gpt":0.2129946511622409,"score_spread":0.20131223677294888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000515581","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013083734,0.7217561,0.0003527839,0.20822057,0.014296773,0.000009772563,0.00007572078,0.00004832912,0.05393149],"genre_scores_gemma":[0.09068328,0.5279773,0.0010780748,0.07643758,0.03101045,0.000059085996,0.00028175506,0.00023624233,0.27223626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990734,0.0004044846,0.000029865625,0.000106472566,0.00027684603,0.00010885455],"domain_scores_gemma":[0.9987985,0.0005540686,0.0001247014,0.000049784583,0.00024461892,0.00022842648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015340464,0.0011793217,0.00067470985,0.0016463514,0.0032860585,0.0068773297,0.0013311906,0.0034661815,0.01774627],"category_scores_gemma":[0.0031854557,0.00042727002,0.00030651444,0.0031552555,0.0060096597,0.01109387,0.0024954444,0.002912987,0.006147923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021946757,0.000010794308,0.00023680899,0.00023598025,0.0000058104442,0.0000684653,0.0026361828,0.000020983463,0.00006808472,0.024335964,0.94562,0.02673892],"study_design_scores_gemma":[0.000005825157,0.0000067774113,0.0007549919,0.00054437516,0.0000053553536,0.00012480335,0.0034940683,0.000021461638,0.000068286354,0.011135282,0.9838275,0.000011304051],"about_ca_topic_score_codex":0.033710178,"about_ca_topic_score_gemma":0.070639156,"teacher_disagreement_score":0.033710178,"about_ca_system_score_codex":0.0036193288,"about_ca_system_score_gemma":0.0029612277,"threshold_uncertainty_score":0.06702793},"labels":[],"label_agreement":null},{"id":"W2002137275","doi":"10.1086/650114","title":": <i>Women's Wealth and Women's Writing in Early Modern England: “Little Legacies” and the Materials of Motherhood</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick; University of Fredericton","funders":"","keywords":"Publishing; Index (typography); History; Early modern Europe; Sociology; Gender studies; Media studies; Art; Classics; Literature","score_opus":0.013251000539443876,"score_gpt":0.2010137070245461,"score_spread":0.18776270648510224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002137275","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01096211,0.8410375,0.00031964583,0.09974157,0.0061304467,0.000018916944,0.00033549892,0.000031625314,0.041422617],"genre_scores_gemma":[0.34609804,0.4696263,0.00072151644,0.016992461,0.010193593,0.000112840695,0.0006083541,0.00009501442,0.15555179],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995358,0.00023957177,0.000033712276,0.000039358885,0.00009677987,0.000054785858],"domain_scores_gemma":[0.9985184,0.00095330353,0.00018082139,0.00004162348,0.00015729044,0.00014861484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010388156,0.0004933625,0.00046373534,0.0018271914,0.0020062411,0.0043112272,0.00061240286,0.0013018649,0.016312161],"category_scores_gemma":[0.0025970729,0.00029504628,0.00014615606,0.0035492512,0.0034945272,0.005920811,0.001753675,0.0011718777,0.0018006972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008829106,0.00003222036,0.002933198,0.0018961146,0.00001904585,0.0004896887,0.09578377,0.000048705093,0.00027452575,0.043290984,0.75597405,0.099169426],"study_design_scores_gemma":[0.000018019624,0.000032143067,0.01883576,0.0036489812,0.000014612901,0.00060681393,0.048317343,0.000038279617,0.00018592809,0.012618976,0.91566396,0.00001918148],"about_ca_topic_score_codex":0.024141561,"about_ca_topic_score_gemma":0.06556977,"teacher_disagreement_score":0.024141561,"about_ca_system_score_codex":0.0025785584,"about_ca_system_score_gemma":0.0017603005,"threshold_uncertainty_score":0.054569602},"labels":[],"label_agreement":null},{"id":"W2003204968","doi":"10.1353/ren.2008.0564","title":": <i>Cultural Politics in Fifteenth-Century England: The Case of Humphrey, Duke of Gloucester</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Brill; Fifteenth; History; Politics; Classics; Art; Law; Political science","score_opus":0.02168531596890938,"score_gpt":0.245732204405623,"score_spread":0.2240468884367136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003204968","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07713894,0.46090138,0.00034957097,0.16516872,0.0021392028,0.000051906387,0.0002720987,0.0000324322,0.29394576],"genre_scores_gemma":[0.7424632,0.053540617,0.00028551446,0.027021097,0.0007925242,0.0000692807,0.00008503049,0.00006411012,0.17567872],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906796,0.00040457153,0.000029274604,0.00008291991,0.00012595816,0.000289236],"domain_scores_gemma":[0.9988914,0.0005167879,0.00013262546,0.000038391947,0.00011563055,0.00030511493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008750223,0.00032023844,0.00033916257,0.0007849857,0.011463765,0.005807571,0.0012200733,0.0035420423,0.01002441],"category_scores_gemma":[0.0016426921,0.0002980724,0.0001347754,0.002067307,0.0143601,0.0046770256,0.0033477112,0.0025735903,0.0011868485],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087203625,0.000031731266,0.0020306325,0.0005794554,0.000010204841,0.0021435036,0.37240008,0.00010889035,0.00026937772,0.2549808,0.3469038,0.020454425],"study_design_scores_gemma":[0.0000095277865,0.000007907946,0.0035175341,0.00064997905,0.000004479706,0.00034608305,0.08349408,0.000016262973,0.00013361676,0.0047186166,0.9070863,0.000015568503],"about_ca_topic_score_codex":0.44828996,"about_ca_topic_score_gemma":0.6597732,"teacher_disagreement_score":0.44828996,"about_ca_system_score_codex":0.01860845,"about_ca_system_score_gemma":0.0079956725,"threshold_uncertainty_score":0.89136124},"labels":[],"label_agreement":null},{"id":"W2003635051","doi":"10.1353/ren.2008.0281","title":": <i> <i>Controversies: Responsio ad epistolam paraeneticam Alberti Pii. Apologia adversus rhapsodias Alberti Pii. Brevissima scholia</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Philosophy; Art; Art history; Classics; Theology; Humanities; The Renaissance","score_opus":0.013222705373000417,"score_gpt":0.21184292071635555,"score_spread":0.19862021534335514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003635051","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003016964,0.33083072,0.001305417,0.2733316,0.02889029,0.00003340338,0.00022796412,0.00014971982,0.36221394],"genre_scores_gemma":[0.15398999,0.13360003,0.0015274158,0.04900881,0.041186806,0.00009204322,0.00034270357,0.0002672172,0.619985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998565,0.0005559655,0.00005506416,0.00019099892,0.0004392705,0.00019370888],"domain_scores_gemma":[0.9984226,0.0006222841,0.00021056409,0.000111959715,0.00042781341,0.0002048704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002199844,0.00089869084,0.00039687078,0.0014945129,0.004183658,0.00908066,0.0011398428,0.003344825,0.04309626],"category_scores_gemma":[0.0052147997,0.00030179086,0.00032289056,0.0026086892,0.00795058,0.008269275,0.0026503834,0.0038227292,0.009663546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021001282,0.000012252138,0.00018999886,0.00020034912,0.000004858546,0.00008770226,0.004350117,0.000019863184,0.00009520863,0.11278052,0.85492986,0.02730819],"study_design_scores_gemma":[0.0000035495127,0.0000049943146,0.00034358795,0.00021546097,0.0000031658178,0.000085063366,0.0019801143,0.000014774201,0.000057630463,0.013100675,0.984185,0.0000060883804],"about_ca_topic_score_codex":0.013449902,"about_ca_topic_score_gemma":0.020704221,"teacher_disagreement_score":0.04309626,"about_ca_system_score_codex":0.00495585,"about_ca_system_score_gemma":0.003483128,"threshold_uncertainty_score":0.14417142},"labels":[],"label_agreement":null},{"id":"W2004309193","doi":"10.1353/ren.2008.0636","title":": <i>Aretino’s Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Human sexuality; Index (typography); Art; Art history; Classics; Sociology; Gender studies","score_opus":0.008419926519365155,"score_gpt":0.21704459639429985,"score_spread":0.2086246698749347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004309193","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00715757,0.5843801,0.0005467479,0.09295826,0.011061256,0.000021596341,0.00019689786,0.0000522554,0.30362535],"genre_scores_gemma":[0.29463357,0.27654862,0.0008288714,0.017529394,0.012048971,0.00006414304,0.00036815513,0.00015138737,0.39782682],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99982077,0.00006946417,0.0000079458805,0.00002207911,0.00004508612,0.000034708562],"domain_scores_gemma":[0.99978274,0.000081185215,0.000030235262,0.000012203621,0.000047592926,0.000046046673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052021816,0.00059988396,0.00025436026,0.0007786512,0.0019915162,0.0032347962,0.00056547235,0.0010593554,0.013579014],"category_scores_gemma":[0.00089998264,0.00018748915,0.00017670133,0.0016552678,0.0029687213,0.0034988585,0.0012641997,0.0016388501,0.0017801728],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006890449,0.000024907855,0.0008703791,0.00049222144,0.00000902712,0.00020895903,0.017514177,0.00005068575,0.0002334528,0.09097058,0.8258484,0.06370836],"study_design_scores_gemma":[0.0000089539335,0.000011056041,0.0024813993,0.00064331485,0.0000050880753,0.00017474106,0.008426576,0.000021252585,0.00011726907,0.008907487,0.97919595,0.0000068776894],"about_ca_topic_score_codex":0.020845406,"about_ca_topic_score_gemma":0.056027707,"teacher_disagreement_score":0.020845406,"about_ca_system_score_codex":0.002195298,"about_ca_system_score_gemma":0.0015593672,"threshold_uncertainty_score":0.04542631},"labels":[],"label_agreement":null},{"id":"W2004724192","doi":"10.1086/652611","title":": <i>Cardinal Wolsey: A Life in Renaissance Europe</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"STELLA (programming language); Index (typography); The Renaissance; Art; Art history; Humanities; Computer science; World Wide Web","score_opus":0.0208320543421184,"score_gpt":0.2279989806987818,"score_spread":0.2071669263566634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004724192","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014935469,0.07182491,0.00052621256,0.7474604,0.025486175,0.000040366933,0.00023030116,0.00007978405,0.13941638],"genre_scores_gemma":[0.28872347,0.046656873,0.00087908725,0.25971574,0.014694125,0.00010124917,0.00023513447,0.00039489873,0.38859946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994286,0.00030696992,0.000016526094,0.00006253296,0.0001067945,0.00007861919],"domain_scores_gemma":[0.99937755,0.00023187607,0.00005216284,0.000024131159,0.000120341734,0.00019400482],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011228021,0.0004167272,0.0003055161,0.0006447241,0.007586836,0.0045552813,0.0005959447,0.0027768908,0.011376453],"category_scores_gemma":[0.0026232095,0.00018533457,0.00015866177,0.0011594915,0.003954083,0.0057365745,0.0025624437,0.0056988266,0.0016471142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003009216,0.000012154112,0.0005584478,0.00011491155,0.0000040040427,0.00035807837,0.029033262,0.00003437852,0.00015084412,0.06706796,0.89532244,0.0073134587],"study_design_scores_gemma":[0.0000043697296,0.000011068291,0.0019441601,0.00034797518,0.0000026833409,0.0003248748,0.030684432,0.00003541384,0.00017600802,0.0058826613,0.9605664,0.000019916884],"about_ca_topic_score_codex":0.02921579,"about_ca_topic_score_gemma":0.07529897,"teacher_disagreement_score":0.02921579,"about_ca_system_score_codex":0.0025077048,"about_ca_system_score_gemma":0.0018588223,"threshold_uncertainty_score":0.05809146},"labels":[],"label_agreement":null},{"id":"W2005182572","doi":"10.1086/657003","title":": <i> <i>Medical Authority and Englishwomen's HerbalTexts, 1550–1650</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Append; Modernity; Publishing; Index (typography); History; Print culture; Art; Art history; Media studies; Sociology; Literature; Political science; Law; Computer science","score_opus":0.0070572994091572475,"score_gpt":0.21394549776289976,"score_spread":0.2068881983537425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005182572","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042296457,0.8504993,0.00013090747,0.02229017,0.004872115,0.000013975892,0.00052728,0.0000258685,0.11741074],"genre_scores_gemma":[0.1487706,0.46850717,0.0006263816,0.0075931316,0.0057132347,0.000045650115,0.00093999866,0.00009407627,0.3677098],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997749,0.000062391744,0.000022748494,0.0000251072,0.00007829134,0.00003657053],"domain_scores_gemma":[0.99964595,0.00013956871,0.000054196902,0.000013593293,0.00009619305,0.0000504978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053328706,0.00043703476,0.0002816611,0.0017945238,0.0014488099,0.0019990848,0.00045260464,0.0006998332,0.023481632],"category_scores_gemma":[0.0010200999,0.00016410595,0.00010938168,0.0035655503,0.0016433086,0.0025415195,0.0008857449,0.00081816944,0.003646498],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065949316,0.000023445178,0.0012773854,0.0012123737,0.000009944379,0.00023698671,0.02742604,0.000039265648,0.00040753157,0.050325952,0.7940561,0.124919],"study_design_scores_gemma":[0.0000028049578,0.0000055568635,0.0046525253,0.00063714007,0.000002453804,0.0000700239,0.002817391,0.0000057712296,0.00004892141,0.00079684943,0.99095696,0.0000035798444],"about_ca_topic_score_codex":0.10380673,"about_ca_topic_score_gemma":0.21908924,"teacher_disagreement_score":0.10380673,"about_ca_system_score_codex":0.0029375874,"about_ca_system_score_gemma":0.0024369657,"threshold_uncertainty_score":0.20640504},"labels":[],"label_agreement":null},{"id":"W2005448962","doi":"10.1353/ren.2007.0055","title":": <i>Children of the Laboring Poor: Expectation and Experience among the Orphans of Early Modern Augsburg</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Brill; Index (typography); History; Classics","score_opus":0.014597220339277758,"score_gpt":0.2767400223564347,"score_spread":0.26214280201715695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005448962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53948665,0.28974378,0.00016371215,0.12397605,0.0021936614,0.00004805702,0.0016724161,0.00004359497,0.042672098],"genre_scores_gemma":[0.8696992,0.09138677,0.00015622443,0.0056852265,0.00069980155,0.00009586179,0.00035686913,0.000028823033,0.03189124],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99975353,0.0000862397,0.000008875583,0.000021995664,0.00003913418,0.000090343274],"domain_scores_gemma":[0.99972516,0.00006718573,0.00008757809,0.00000758159,0.000022427419,0.00008999786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058583607,0.00038848308,0.0002758558,0.0010686889,0.0020969163,0.0013796949,0.0005307913,0.000880942,0.013110927],"category_scores_gemma":[0.0007607268,0.00024786944,0.00011612733,0.0018695464,0.0026908605,0.00244689,0.0017131991,0.00081023056,0.00084168656],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012588268,0.00006864229,0.060816333,0.0012086536,0.000025334872,0.0024195835,0.4886547,0.0000760214,0.0005882952,0.011524557,0.3700934,0.06439852],"study_design_scores_gemma":[0.000011032699,0.00009824133,0.21490951,0.0014965179,0.000017608629,0.0021286986,0.4441229,0.000016822602,0.00010976537,0.0014781586,0.3355774,0.000033253462],"about_ca_topic_score_codex":0.08415377,"about_ca_topic_score_gemma":0.17835578,"teacher_disagreement_score":0.08415377,"about_ca_system_score_codex":0.0013674013,"about_ca_system_score_gemma":0.0012226292,"threshold_uncertainty_score":0.16732788},"labels":[],"label_agreement":null},{"id":"W2006467752","doi":"10.2307/2901535","title":"\"Fast ti'd unto Them in a Golden Chaine\": Typology, Apocalypse, and Woman's Genealogy in Aemilia Lanyer's Salve Deus Rex Judaeorum","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; Okanagan College","funders":"","keywords":"Typology; Inheritance (genetic algorithm); Daughter; Reading (process); Literature; Genealogy; Philosophy; History; Art; Archaeology; Law; Linguistics; Biology","score_opus":0.018007783771240612,"score_gpt":0.21050776455897993,"score_spread":0.19249998078773933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006467752","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4327781,0.0033679574,0.0034796365,0.015544216,0.00037482288,0.000039338436,0.000053568787,0.00007141411,0.54429096],"genre_scores_gemma":[0.97859156,0.0003036536,0.00035681497,0.0003450879,0.000050508257,0.000012710441,0.000007513427,0.00001721879,0.020314898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994966,0.00029513304,0.000009729304,0.000059329563,0.000067713656,0.00007150692],"domain_scores_gemma":[0.999619,0.00021025942,0.000052926476,0.000039139733,0.000034744968,0.000043839023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078406767,0.00016900223,0.00016399927,0.00069985254,0.006099143,0.002987883,0.00037964666,0.0007561673,0.0028165367],"category_scores_gemma":[0.0015989374,0.00010488337,0.00006501112,0.00051082124,0.016079282,0.0018644264,0.0019180614,0.0014372373,0.00030017874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038090417,0.00002513741,0.0018313249,0.000036321457,0.000003870551,0.00068290735,0.3047773,0.00006218437,0.00037169113,0.66902566,0.00649045,0.016655117],"study_design_scores_gemma":[0.000030739546,0.000117696785,0.0059853382,0.00024064186,0.000016834823,0.0018006352,0.2137214,0.00041900796,0.0011693381,0.09626533,0.6802018,0.000031233092],"about_ca_topic_score_codex":0.0049720937,"about_ca_topic_score_gemma":0.011402686,"teacher_disagreement_score":0.006099143,"about_ca_system_score_codex":0.0025639664,"about_ca_system_score_gemma":0.000820437,"threshold_uncertainty_score":0.018602967},"labels":[],"label_agreement":null},{"id":"W2006565291","doi":"10.1353/ren.2007.0302","title":": <i>Secrets of Women: Gender, Generation, and the Origins of Human Dissection</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Index (typography); Dissection (medical); History; Medicine; Anatomy; Computer science","score_opus":0.034402646778477604,"score_gpt":0.3135505102672117,"score_spread":0.2791478634887341,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006565291","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07882594,0.06634782,0.004050685,0.29472765,0.0034506265,0.00003246498,0.00025985547,0.00007642535,0.5522285],"genre_scores_gemma":[0.8587437,0.01646925,0.00090413075,0.011477711,0.0016104406,0.000031292697,0.00006340087,0.00007010745,0.11062993],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993679,0.00041683472,0.000015512163,0.00006112183,0.00007597157,0.000062716994],"domain_scores_gemma":[0.9990651,0.00062007474,0.000116188254,0.000053429907,0.00008186387,0.000063339794],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018550087,0.0002763752,0.00012522188,0.0005841258,0.0036130303,0.004725868,0.00048055506,0.0015111306,0.01110527],"category_scores_gemma":[0.002724077,0.000110636174,0.0001382268,0.0009699497,0.011497398,0.005670567,0.0014173446,0.0018085007,0.0009054939],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027993274,0.000011051527,0.0015234071,0.00009484047,0.0000033965848,0.00014491568,0.09928634,0.000027655879,0.00017069333,0.8100526,0.07240239,0.01625474],"study_design_scores_gemma":[0.000008390695,0.000034539884,0.0054640137,0.00054537784,0.000011396336,0.00051935954,0.09882569,0.00006872327,0.0009374613,0.100326255,0.79324067,0.000018076691],"about_ca_topic_score_codex":0.007300935,"about_ca_topic_score_gemma":0.01597107,"teacher_disagreement_score":0.99638695,"about_ca_system_score_codex":0.0017614848,"about_ca_system_score_gemma":0.0011939649,"threshold_uncertainty_score":0.0371508},"labels":[],"label_agreement":null},{"id":"W2006931468","doi":"10.1353/ren.0.0204","title":": <i> <i>Conscience on Stage: The</i> Comedia <i>as Casuistry in Early Modern Spain</i> </i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Casuistry; Conscience; Index (typography); Humanities; Art; Art history; Media studies; Sociology; Theology; Political science; Philosophy; Law","score_opus":0.02368636094868538,"score_gpt":0.22456621886985859,"score_spread":0.20087985792117322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006931468","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013534571,0.7064529,0.0004553598,0.059429284,0.004087056,0.000011455202,0.00015868136,0.000047225116,0.21582353],"genre_scores_gemma":[0.59663135,0.2156272,0.00068005023,0.0097790845,0.0045543155,0.000041513413,0.0002549897,0.00015116991,0.17228033],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995946,0.00018537347,0.000011522318,0.000045754336,0.000073538016,0.00008916389],"domain_scores_gemma":[0.9996111,0.00016187482,0.000055650413,0.0000273679,0.00006484759,0.00007927658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007548181,0.0005301792,0.00038788543,0.0011892357,0.002091984,0.0056175827,0.0006881557,0.0013065216,0.010058663],"category_scores_gemma":[0.0011413981,0.00015884874,0.00020047513,0.0021859247,0.0050257784,0.003535992,0.0017664816,0.0020026013,0.0016633398],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011738973,0.000048987622,0.0031313114,0.00068876235,0.000015561516,0.00041842493,0.0685912,0.00017248413,0.0002479911,0.21877281,0.5626667,0.14512841],"study_design_scores_gemma":[0.000020622956,0.000022180428,0.010945884,0.0011736976,0.0000079369565,0.00027188897,0.028361628,0.000048865793,0.00011049738,0.03193996,0.9270766,0.000020259477],"about_ca_topic_score_codex":0.047230184,"about_ca_topic_score_gemma":0.082226075,"teacher_disagreement_score":0.047230184,"about_ca_system_score_codex":0.0049835276,"about_ca_system_score_gemma":0.0027437168,"threshold_uncertainty_score":0.093910575},"labels":[],"label_agreement":null},{"id":"W2007545178","doi":"10.1086/656980","title":": <i> <i>Erasmus and Voltaire: Why They Still Matter</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Erasmus+; Index (typography); Media studies; History; Art; Sociology; Art history; Computer science; World Wide Web; The Renaissance","score_opus":0.008620371339010509,"score_gpt":0.26274128330020435,"score_spread":0.25412091196119385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007545178","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048275227,0.052662123,0.0022381668,0.79664016,0.006632177,0.000005735939,0.00014718852,0.000053063264,0.13679385],"genre_scores_gemma":[0.5497257,0.052539125,0.0039249687,0.22994816,0.023276832,0.000050914477,0.0002383067,0.0004719139,0.13982393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986222,0.00075537397,0.00006242664,0.00019147256,0.00024223751,0.00012640207],"domain_scores_gemma":[0.9971937,0.001897284,0.00014212567,0.00013440683,0.0004989571,0.00013348328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022269853,0.00029557955,0.0004029655,0.0006941913,0.002809651,0.005938825,0.00093267515,0.006650478,0.022908745],"category_scores_gemma":[0.013271972,0.00021429702,0.00039582097,0.0010808154,0.007324578,0.0148957595,0.0015342596,0.0058693015,0.0046143136],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022639182,0.000005937397,0.000276413,0.000045846642,0.0000063657435,0.000037407808,0.0008184166,0.000054052754,0.000045262284,0.8105843,0.17992097,0.008182446],"study_design_scores_gemma":[0.000017090753,0.000007804296,0.0013516179,0.00027109458,0.000011179181,0.000114418384,0.0015527626,0.0002742831,0.00021237851,0.66215557,0.334003,0.000028678152],"about_ca_topic_score_codex":0.009371818,"about_ca_topic_score_gemma":0.013065441,"teacher_disagreement_score":0.022908745,"about_ca_system_score_codex":0.0027793255,"about_ca_system_score_gemma":0.0014468073,"threshold_uncertainty_score":0.07663739},"labels":[],"label_agreement":null},{"id":"W2008230928","doi":"10.1086/652574","title":": <i>The Opera of Bartolomeo Scappi (1570): The Art and Craft of a Master Cook</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Craft; Opera; Art; Append; Art history; Humanities; Index (typography); Performance art; Visual arts","score_opus":0.017600309965815884,"score_gpt":0.21516975569792163,"score_spread":0.19756944573210575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008230928","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004902493,0.6737141,0.00065387774,0.025804237,0.012675599,0.000031637253,0.00043812633,0.000093940704,0.28168598],"genre_scores_gemma":[0.119357094,0.28055608,0.0016434243,0.0072915456,0.011755995,0.00010572881,0.00058814604,0.00026734726,0.5784347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998381,0.00004383977,0.0000059930685,0.000029056346,0.00004772724,0.000035286295],"domain_scores_gemma":[0.9998921,0.000035635858,0.000018825865,0.000006479432,0.000020318725,0.00002670054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038215437,0.0008433223,0.00028732323,0.0011951295,0.0017903688,0.0019589935,0.0005261084,0.0009760253,0.024527729],"category_scores_gemma":[0.00052251486,0.00023718165,0.00014787259,0.0014328647,0.0023316017,0.0021599703,0.0012190888,0.00163537,0.009318808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061965206,0.000008800562,0.00028692617,0.00048284748,0.0000042055326,0.00016142892,0.0057526883,0.00003621907,0.00023188352,0.045596,0.8786681,0.0687088],"study_design_scores_gemma":[0.0000021272326,0.0000060454913,0.0011545167,0.00033950643,0.000001828456,0.00017632368,0.000736136,0.0000070341994,0.00008613621,0.0017758677,0.99570954,0.000004839507],"about_ca_topic_score_codex":0.020816924,"about_ca_topic_score_gemma":0.049202245,"teacher_disagreement_score":0.024527729,"about_ca_system_score_codex":0.0019568112,"about_ca_system_score_gemma":0.0014658602,"threshold_uncertainty_score":0.08205342},"labels":[],"label_agreement":null},{"id":"W2008538202","doi":"10.1086/652622","title":": <i>The Imperfect Friend: Emotion and Rhetoric in Sidney, Milton, and Their Contexts</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Linguistics and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Index (typography); Imperfect; Media studies; Sociology; History; Theology; Philosophy; Computer science; Linguistics","score_opus":0.007560203042035335,"score_gpt":0.2121118513869401,"score_spread":0.20455164834490477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008538202","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016796107,0.7320172,0.0011243836,0.1536594,0.018629543,0.000029155639,0.00025351148,0.00009971536,0.0925074],"genre_scores_gemma":[0.14736271,0.49516898,0.0023002557,0.080619484,0.037649367,0.00020315479,0.0006246995,0.0005169964,0.23555437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992957,0.00035979046,0.000041258972,0.00008191526,0.00016630426,0.000055019176],"domain_scores_gemma":[0.99856925,0.0008917349,0.00011784054,0.000039925337,0.0002311035,0.00015018771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009887293,0.0015478816,0.00073942007,0.0024713813,0.0031035878,0.006061057,0.0012677164,0.0034027242,0.022043744],"category_scores_gemma":[0.003103579,0.00048259,0.0003089233,0.005065165,0.0060291113,0.01389436,0.002892186,0.003345027,0.007356436],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026488868,0.000009866547,0.00022672293,0.000511179,0.0000070947094,0.00011072071,0.011379457,0.0000220367,0.00011020778,0.02936633,0.9336737,0.024556208],"study_design_scores_gemma":[0.000007634023,0.0000129138125,0.001276847,0.0014608623,0.000011882181,0.00041463968,0.01453721,0.000039805083,0.00014919243,0.013534187,0.96853715,0.000017723081],"about_ca_topic_score_codex":0.015437918,"about_ca_topic_score_gemma":0.034590125,"teacher_disagreement_score":0.022043744,"about_ca_system_score_codex":0.0027747431,"about_ca_system_score_gemma":0.0017898261,"threshold_uncertainty_score":0.07374364},"labels":[],"label_agreement":null},{"id":"W2008920248","doi":"10.1086/650040","title":": <i>Ars Reminiscendi: Mind and Memory in Renaissance Culture</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Renaissance literature; Art; Art history; Classics","score_opus":0.018602032077259915,"score_gpt":0.31436210435658424,"score_spread":0.2957600722793243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008920248","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005476741,0.95215994,0.00036127746,0.021005439,0.005947044,0.000007717486,0.00011852227,0.000074663636,0.019777745],"genre_scores_gemma":[0.034997404,0.83108383,0.00094545726,0.007187864,0.016128292,0.000054353528,0.00040706017,0.0001412314,0.1090544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996749,0.00013672785,0.000020423051,0.000056103254,0.00007829076,0.00003358107],"domain_scores_gemma":[0.9993217,0.0003544129,0.000044480665,0.000048718925,0.00013467259,0.00009607723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092403375,0.0021644393,0.0010562052,0.0022277187,0.0013268087,0.0037469955,0.0016115153,0.0022322682,0.026993081],"category_scores_gemma":[0.0015415457,0.00049226073,0.00052688044,0.0032466962,0.0026627558,0.007635103,0.0013360998,0.0025194916,0.01009204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036655674,0.000019286494,0.00029268145,0.0008780644,0.000029317995,0.0001184217,0.0032056007,0.000052936466,0.00014103203,0.014794451,0.90088093,0.079550594],"study_design_scores_gemma":[0.000010536256,0.000022489845,0.00209908,0.0009804963,0.000020802843,0.0003563846,0.003158944,0.000049317707,0.0002031923,0.010390635,0.98268926,0.000018773058],"about_ca_topic_score_codex":0.015378202,"about_ca_topic_score_gemma":0.025527839,"teacher_disagreement_score":0.026993081,"about_ca_system_score_codex":0.0021160499,"about_ca_system_score_gemma":0.0015081104,"threshold_uncertainty_score":0.0903008},"labels":[],"label_agreement":null},{"id":"W2009759223","doi":"10.1086/652598","title":": <i>Theorizing the Ideal Sovereign: The Rise of the French Vernacular Royal Biography</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Biography; Sovereignty; Ideal (ethics); Index (typography); Art history; Media studies; History; Art; Humanities; Sociology; Political science; Law; Literature; Politics; Computer science","score_opus":0.009662308189508426,"score_gpt":0.19687108799002592,"score_spread":0.1872087798005175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009759223","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063391523,0.4616653,0.004806434,0.1518965,0.0062497207,0.000013281864,0.00020801104,0.00013055794,0.36869112],"genre_scores_gemma":[0.58807486,0.19449908,0.0038993617,0.020972136,0.01068527,0.000051037838,0.0003520316,0.00033245035,0.18113385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893886,0.00065081485,0.00002710397,0.000100936144,0.00017540516,0.00010682711],"domain_scores_gemma":[0.9993075,0.00036203684,0.00007169242,0.00004284352,0.00015951823,0.000056376335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013392072,0.00067066203,0.00032954078,0.001472142,0.0030126898,0.006805317,0.00069248426,0.0018702834,0.013423991],"category_scores_gemma":[0.0019286207,0.00020628613,0.00030773543,0.0020930495,0.0075912494,0.008413717,0.0011061734,0.0019319886,0.0023223634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018522094,0.000006947919,0.00031398787,0.00019250557,0.000008418904,0.00011605071,0.017558567,0.000140308,0.0001064458,0.62480676,0.32455486,0.032176666],"study_design_scores_gemma":[0.000004274749,0.000008667664,0.0008894562,0.00035931746,0.0000056333183,0.00015994011,0.005830805,0.000116677606,0.000097611795,0.053635128,0.9388786,0.000013824718],"about_ca_topic_score_codex":0.079628535,"about_ca_topic_score_gemma":0.077426754,"teacher_disagreement_score":0.079628535,"about_ca_system_score_codex":0.008979935,"about_ca_system_score_gemma":0.0029400075,"threshold_uncertainty_score":0.15833008},"labels":[],"label_agreement":null},{"id":"W2011551533","doi":"10.1086/655266","title":": <i>Domestic Institutional Interiors in Early Modern Europe</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Publishing; Modernity; Index (typography); Visual culture; History; Art history; Economic history; Art; Political science; Law; Visual arts","score_opus":0.013825030022972216,"score_gpt":0.2188078810266841,"score_spread":0.20498285100371189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011551533","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003951304,0.9100069,0.0008612201,0.0146708265,0.0019226996,0.000006362902,0.000117192445,0.000047113917,0.0684163],"genre_scores_gemma":[0.14483543,0.74745864,0.0016082467,0.00423218,0.003425143,0.00004046879,0.00036052658,0.00011324205,0.09792618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973434,0.000108560795,0.000014275199,0.000036522837,0.00004857172,0.000057665824],"domain_scores_gemma":[0.9997818,0.00008998107,0.00003600927,0.000017532804,0.000037279882,0.00003736495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006127359,0.0008167124,0.0005221745,0.0019616634,0.00095302094,0.0052052974,0.0007049191,0.0013581333,0.012808884],"category_scores_gemma":[0.0006708152,0.0003758617,0.0002584752,0.0039303955,0.002930487,0.0065446417,0.0016269812,0.0011104124,0.0032053129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055697103,0.00004384241,0.0015247789,0.00094739307,0.000027001099,0.00019787319,0.014649039,0.00022239535,0.00016141948,0.14382903,0.59982544,0.23851603],"study_design_scores_gemma":[0.0000049380283,0.000009277135,0.0036937157,0.0012116956,0.000010731277,0.0002699965,0.005978309,0.00004454702,0.00014290342,0.019305727,0.9693179,0.000010255522],"about_ca_topic_score_codex":0.0077932803,"about_ca_topic_score_gemma":0.013630976,"teacher_disagreement_score":0.012808884,"about_ca_system_score_codex":0.0017016957,"about_ca_system_score_gemma":0.0013480778,"threshold_uncertainty_score":0.042850018},"labels":[],"label_agreement":null},{"id":"W2011970499","doi":"10.1353/ren.0.0110","title":": <i>Sexual Hierarchies, Public Status: Men, Sodomy, and Society in Spain’s Golden Age</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Gender and Feminist Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sodomy; Index (typography); Demography; Political science; Sociology; History; Economic history; Media studies; Gender studies; Homosexuality","score_opus":0.0495250519701398,"score_gpt":0.2890745197877986,"score_spread":0.2395494678176588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011970499","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001939979,0.86391973,0.00018166935,0.0677754,0.0063180486,0.000011647963,0.00031678594,0.00003239062,0.05950445],"genre_scores_gemma":[0.094207175,0.7584534,0.00062037754,0.02027663,0.017997816,0.00006316166,0.0006998573,0.000098759854,0.10758272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996494,0.00012890216,0.000015907572,0.000040456944,0.0001085202,0.000056774017],"domain_scores_gemma":[0.99956125,0.0002187041,0.00006193609,0.000016638645,0.000071111994,0.00007030497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007178242,0.0009507091,0.0005384186,0.0017323435,0.0014110631,0.0035582478,0.0009875011,0.0017474922,0.02002462],"category_scores_gemma":[0.0009522471,0.000232347,0.00026474195,0.003669645,0.002326444,0.0046202084,0.0015439418,0.0017516605,0.0039909966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041064297,0.000018586286,0.0013877633,0.0007209797,0.000008820603,0.000093672454,0.005701347,0.000052496096,0.00006685307,0.017920136,0.9140034,0.059984926],"study_design_scores_gemma":[0.000016481164,0.000021219446,0.013262408,0.0023364644,0.000014629812,0.00029851205,0.011374385,0.000062227205,0.0001069922,0.009541542,0.9629434,0.000021820239],"about_ca_topic_score_codex":0.04248638,"about_ca_topic_score_gemma":0.08999375,"teacher_disagreement_score":0.04248638,"about_ca_system_score_codex":0.0030932734,"about_ca_system_score_gemma":0.0024160151,"threshold_uncertainty_score":0.08447814},"labels":[],"label_agreement":null},{"id":"W2012056516","doi":"10.1086/647365","title":": <i>The Commonwealth of Nature: Art and Poetic Community in the Age of Dante</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Commonwealth; Index (typography); Poetry; State (computer science); Art; Art history; Media studies; Humanities; Sociology; History; Archaeology; Literature; Mathematics","score_opus":0.017514661701386432,"score_gpt":0.24236114596666428,"score_spread":0.22484648426527784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012056516","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018983453,0.68954784,0.0005676862,0.07163264,0.022220764,0.000032752312,0.00037267955,0.00012824527,0.21359912],"genre_scores_gemma":[0.056387708,0.33630085,0.0011245628,0.020423906,0.016014706,0.00009635021,0.0006189172,0.00032906202,0.5687039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966145,0.0001058141,0.000020126372,0.00004885341,0.00011007794,0.000053645967],"domain_scores_gemma":[0.9997203,0.000093712,0.000034153727,0.000025082854,0.00006127437,0.00006545922],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053773314,0.000992295,0.00044417137,0.0016202974,0.0025476376,0.0052841776,0.000823802,0.0017090727,0.04388833],"category_scores_gemma":[0.0010541948,0.00025575075,0.00019342957,0.003107918,0.0025568826,0.007464719,0.0034088595,0.002265249,0.012215114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016461685,0.000008481827,0.00022493902,0.00035041638,0.000003843978,0.000061308,0.0032596611,0.000013990812,0.000121966215,0.021012112,0.9266967,0.048230056],"study_design_scores_gemma":[0.0000015387757,0.0000033967697,0.00051253435,0.00035814138,0.0000018363138,0.00014083563,0.0019000367,0.000008082362,0.00007224647,0.0023295805,0.994668,0.0000038431567],"about_ca_topic_score_codex":0.011531987,"about_ca_topic_score_gemma":0.03198299,"teacher_disagreement_score":0.04388833,"about_ca_system_score_codex":0.0016581685,"about_ca_system_score_gemma":0.0015304077,"threshold_uncertainty_score":0.14682108},"labels":[],"label_agreement":null},{"id":"W2012241149","doi":"10.1086/655271","title":": <i>Grace and Grandeur: The Portraiture of Paolo Veronese</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Index (typography); History; Art; Art history; Computer science","score_opus":0.009987336954303715,"score_gpt":0.19827785309610135,"score_spread":0.18829051614179765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012241149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048515677,0.034135062,0.002254313,0.059491754,0.0041897064,0.00005564047,0.0001585612,0.00013164931,0.85106766],"genre_scores_gemma":[0.6674499,0.013995206,0.0013366027,0.0060947887,0.0021530096,0.00007994684,0.000105284445,0.00034198904,0.3084433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999652,0.0001999337,0.000004181594,0.000041552714,0.000054154083,0.000048227186],"domain_scores_gemma":[0.99978596,0.00009621064,0.00002020531,0.000014938483,0.000023147659,0.000059530852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006276073,0.0007015136,0.00019541943,0.0004612074,0.003771658,0.0027642406,0.0004827508,0.000829618,0.0053766547],"category_scores_gemma":[0.0013446561,0.00016409939,0.00017795202,0.00063017255,0.0069479696,0.0017391605,0.0014995572,0.0027851611,0.0009641783],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009401348,0.000017424078,0.001687515,0.0003086534,0.0000099178715,0.0021879675,0.36055365,0.00022826764,0.0012252218,0.37849283,0.2234195,0.03177499],"study_design_scores_gemma":[0.0000043668733,0.000016119917,0.0023572168,0.00025196394,0.0000044960966,0.000634956,0.024141124,0.00008046434,0.0001347438,0.005263852,0.9670984,0.000012312335],"about_ca_topic_score_codex":0.057276655,"about_ca_topic_score_gemma":0.112396434,"teacher_disagreement_score":0.057276655,"about_ca_system_score_codex":0.002032626,"about_ca_system_score_gemma":0.0011289314,"threshold_uncertainty_score":0.113886535},"labels":[],"label_agreement":null},{"id":"W2013454522","doi":"10.1086/650138","title":": <i>In the Anteroom of Divinity: The Reformation of the Angels from Colet to Milton</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Divinity; Index (typography); Theology; History; Religious studies; Philosophy","score_opus":0.017277342681613364,"score_gpt":0.21837583441057634,"score_spread":0.201098491728963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013454522","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056844577,0.46333122,0.0007821297,0.16757335,0.013148288,0.000026107353,0.00020248437,0.00008692713,0.34916493],"genre_scores_gemma":[0.23250182,0.18364148,0.0013296677,0.023975594,0.008533112,0.00006668862,0.00023671215,0.00024754446,0.5494674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999532,0.00020645585,0.000014175916,0.000045073055,0.00012173858,0.00008053283],"domain_scores_gemma":[0.9997292,0.000088388486,0.000045172972,0.00001910314,0.000048553593,0.0000696507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069236313,0.00060438097,0.00023482754,0.0007019928,0.0030026452,0.0041490737,0.0005537437,0.0015371623,0.01824523],"category_scores_gemma":[0.0012326363,0.00020401747,0.0001179418,0.0013356056,0.0053644944,0.005236181,0.0020720342,0.0025606807,0.003360227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033552093,0.000007311044,0.00026007372,0.00020749048,0.0000018194828,0.000103070546,0.019153195,0.000023666988,0.00011106822,0.09398954,0.83895093,0.0471584],"study_design_scores_gemma":[0.00000201677,0.000003990209,0.00051457906,0.00021543285,0.000001163607,0.00008198836,0.0048639653,0.000007127658,0.00006319005,0.002151882,0.99209154,0.000003214575],"about_ca_topic_score_codex":0.0378586,"about_ca_topic_score_gemma":0.10680128,"teacher_disagreement_score":0.0378586,"about_ca_system_score_codex":0.004244591,"about_ca_system_score_gemma":0.0025443402,"threshold_uncertainty_score":0.075276494},"labels":[],"label_agreement":null},{"id":"W2013921823","doi":"10.2307/1261576","title":": <i>Teatro e spettacolo nella Firenze dei Medici: modelli dei luoghi teatrali</i>","year":2002,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.04933398399937784,"score_gpt":0.2336863190615015,"score_spread":0.18435233506212367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013921823","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021167854,0.17184371,0.03163227,0.046980057,0.001656664,0.00006217472,0.0005896813,0.00026719665,0.7258004],"genre_scores_gemma":[0.6593793,0.14630333,0.019778358,0.0023166174,0.0006164072,0.00015919487,0.00062186655,0.0002090989,0.17061588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995536,0.00023351797,0.000016439624,0.00006275372,0.00008353175,0.000050112234],"domain_scores_gemma":[0.999418,0.0003104782,0.00006949549,0.000051610587,0.00007044193,0.00008006108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011929282,0.000575699,0.0003843454,0.0009905428,0.0011165469,0.006300978,0.0009716543,0.0017302246,0.023309233],"category_scores_gemma":[0.0017141805,0.00040444196,0.0005173504,0.0018245243,0.0048296275,0.010312003,0.0015428057,0.0015098706,0.0034456651],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040922092,0.000034324297,0.0014820519,0.00042003047,0.00001869937,0.00012834159,0.0112791,0.0015658501,0.00014740841,0.8466126,0.066728994,0.07154162],"study_design_scores_gemma":[0.000018855048,0.00003683069,0.0037235161,0.0011219537,0.00004620009,0.00036881078,0.010027206,0.0018411668,0.00016770177,0.24314682,0.73946774,0.000033159842],"about_ca_topic_score_codex":0.034349136,"about_ca_topic_score_gemma":0.035801757,"teacher_disagreement_score":0.034349136,"about_ca_system_score_codex":0.0036334223,"about_ca_system_score_gemma":0.0043419553,"threshold_uncertainty_score":0.07797712},"labels":[],"label_agreement":null},{"id":"W2014057895","doi":"10.1086/652617","title":": <i>The Epigrams of Sir John Harington</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Publishing; Index (typography); Media studies; History; Humanities; Art; Sociology; Computer science; World Wide Web; Literature","score_opus":0.011705875073131585,"score_gpt":0.2100140796965365,"score_spread":0.1983082046234049,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014057895","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007368603,0.03539276,0.00091593177,0.49386492,0.3386624,0.00025264788,0.0024593535,0.0005521564,0.12716296],"genre_scores_gemma":[0.0062192664,0.025595319,0.0008372091,0.28140113,0.18745844,0.00041578626,0.0015063528,0.0007518423,0.49581465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901044,0.00035514522,0.00008489736,0.00007312268,0.00039021327,0.00008614167],"domain_scores_gemma":[0.992389,0.0031780878,0.0006068738,0.00024853996,0.0024900555,0.0010874735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018921735,0.0013821668,0.00067696156,0.002446876,0.0015071601,0.0024275698,0.0010667411,0.0029802492,0.10264431],"category_scores_gemma":[0.01262048,0.00034540068,0.00030649776,0.0016401847,0.0009893107,0.003239501,0.001867446,0.003983422,0.067454875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041426883,0.0000011110483,0.000017045062,0.00002854113,2.3592793e-7,0.00001224744,0.00002593703,0.000002097217,0.000019079334,0.00009227786,0.99776566,0.0020317489],"study_design_scores_gemma":[0.0000018278332,0.0000036766671,0.00030406984,0.00015892247,8.6072555e-7,0.00012845044,0.00017001687,0.000008672005,0.00004519914,0.00013614402,0.9990375,0.0000046681766],"about_ca_topic_score_codex":0.004533101,"about_ca_topic_score_gemma":0.012312738,"teacher_disagreement_score":0.10264431,"about_ca_system_score_codex":0.0010512838,"about_ca_system_score_gemma":0.0012098333,"threshold_uncertainty_score":0.34337944},"labels":[],"label_agreement":null},{"id":"W2016871831","doi":"10.1086/650105","title":": <i>Martial Power and Elizabethan Political Culture: Military Men in England and Ireland, 1558–1594</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); History; Politics; Power (physics); Media studies; Political culture; Classics; Humanities; Art; Sociology; Political science; Law","score_opus":0.008599915261349162,"score_gpt":0.21155521786770426,"score_spread":0.2029553026063551,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016871831","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036891222,0.713276,0.00017202912,0.056831658,0.0078024734,0.000040213206,0.0018195413,0.000034305467,0.18313257],"genre_scores_gemma":[0.36940587,0.27268648,0.00037456863,0.007150377,0.0045290813,0.00012316075,0.0014482661,0.00008555849,0.34419662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995478,0.00012368747,0.00003783716,0.000048604634,0.00010920951,0.00013268931],"domain_scores_gemma":[0.9995572,0.00015255646,0.00009422532,0.000015245981,0.000073750874,0.000106994914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007127407,0.00055700366,0.00034296975,0.0016767716,0.0021024125,0.0026529827,0.0009685599,0.0008514906,0.020884752],"category_scores_gemma":[0.0011274478,0.0003312622,0.00015367928,0.0041708066,0.0026440548,0.003381298,0.001969489,0.0012910598,0.003278804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017596522,0.00004543629,0.009653057,0.0016016645,0.000021464304,0.0004783888,0.10384039,0.00008935412,0.00029843135,0.023313297,0.761991,0.098491564],"study_design_scores_gemma":[0.000007833258,0.000017027824,0.033456206,0.0011028264,0.000005969694,0.0001531772,0.03304207,0.00001074954,0.00008925753,0.00050231407,0.9315973,0.000015223954],"about_ca_topic_score_codex":0.19654433,"about_ca_topic_score_gemma":0.43038225,"teacher_disagreement_score":0.19654433,"about_ca_system_score_codex":0.004926539,"about_ca_system_score_gemma":0.0028143094,"threshold_uncertainty_score":0.39080065},"labels":[],"label_agreement":null},{"id":"W2017186394","doi":"10.1353/ren.0.0057","title":": <i> <i>Weltskepsis und Bildkrise: Eustache Le Sueurs</i> Vie de saint Bruno <i>im Licht des französischen Jansenismus</i> </i>","year":2008,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities","score_opus":0.031279377253751524,"score_gpt":0.30065511258968747,"score_spread":0.26937573533593595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017186394","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014794145,0.49068952,0.0005762223,0.08890848,0.007885553,0.000021552614,0.0003208332,0.00006017226,0.3967436],"genre_scores_gemma":[0.3403519,0.12966317,0.0008416008,0.0064335875,0.003288822,0.000034968052,0.00027494694,0.00014340907,0.5189675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996942,0.000104474595,0.000010053017,0.00003340247,0.00007760983,0.00008035587],"domain_scores_gemma":[0.9998522,0.000050845847,0.000023871547,0.0000093127455,0.00002681392,0.000036929137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049592555,0.00038756258,0.00019105148,0.000944795,0.0026190882,0.003320947,0.00048017045,0.0014180641,0.024602523],"category_scores_gemma":[0.0006910138,0.00018359734,0.0001229669,0.001992556,0.00361812,0.002646309,0.001440043,0.0015965201,0.003397111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000854334,0.000018145223,0.00084330037,0.0005340703,0.000008285225,0.00038163736,0.04115451,0.00005830198,0.00069288065,0.18667345,0.6607137,0.1088363],"study_design_scores_gemma":[0.000003730995,0.0000051076822,0.0016909691,0.00024022495,0.0000018285112,0.00016866703,0.005348486,0.000008370062,0.00016857327,0.0037181813,0.98864007,0.0000056538984],"about_ca_topic_score_codex":0.06402357,"about_ca_topic_score_gemma":0.1652371,"teacher_disagreement_score":0.06402357,"about_ca_system_score_codex":0.0045523974,"about_ca_system_score_gemma":0.0023847646,"threshold_uncertainty_score":0.12730181},"labels":[],"label_agreement":null},{"id":"W2017455156","doi":"10.1353/ren.2008.0300","title":": <i>Religion and the Early Modern State: Views from China, Russia, and the West</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"China; History; State (computer science); Index (typography); Early modern Europe; Theology; Art history; Environmental ethics; Classics; Philosophy; Archaeology","score_opus":0.010713520685030967,"score_gpt":0.1998000563463097,"score_spread":0.18908653566127875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017455156","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028055103,0.9443218,0.00027242655,0.023814393,0.003160663,0.0000073063816,0.00017409146,0.000021821357,0.02542196],"genre_scores_gemma":[0.11473792,0.81420565,0.0007142246,0.0051379832,0.005415754,0.000034562338,0.00034992886,0.00005232462,0.059351653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979967,0.00007810766,0.000011342504,0.000023536037,0.000056119192,0.000031240008],"domain_scores_gemma":[0.99968266,0.00017402777,0.00003656047,0.000016434316,0.000036846617,0.000053485317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051769125,0.0009228372,0.00056450523,0.002078831,0.0012497702,0.0027886159,0.00082053477,0.001213789,0.012796739],"category_scores_gemma":[0.00064878893,0.00025512924,0.00020359464,0.004819998,0.0025632726,0.004104016,0.0010938712,0.0013600606,0.0021463556],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007477551,0.000048665475,0.0026917413,0.0014955273,0.00003112945,0.00026250916,0.016637195,0.0002111933,0.00031108662,0.08645813,0.6917657,0.20001222],"study_design_scores_gemma":[0.000013159641,0.000027878707,0.011860723,0.002172246,0.000021148086,0.00026958022,0.0075876852,0.00014583262,0.00023438789,0.02421136,0.95343965,0.00001641622],"about_ca_topic_score_codex":0.027262496,"about_ca_topic_score_gemma":0.06633857,"teacher_disagreement_score":0.027262496,"about_ca_system_score_codex":0.002561436,"about_ca_system_score_gemma":0.0020406535,"threshold_uncertainty_score":0.054207623},"labels":[],"label_agreement":null},{"id":"W2018184285","doi":"10.1353/ren.2008.0209","title":": <i>Ave Papa Ave Papabile: The Sacchetti Family, Their Art Patronage, and Political Aspirations</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Politics; Art; Performance art; Art history; Humanities; Political science; Law","score_opus":0.022259808239034687,"score_gpt":0.280297460438074,"score_spread":0.25803765219903935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018184285","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04382,0.39166117,0.00034214449,0.23168702,0.005075763,0.000024574192,0.00049619697,0.00005213243,0.32684103],"genre_scores_gemma":[0.7014606,0.106997654,0.00033393904,0.005401948,0.0033783882,0.000052696378,0.00022770948,0.000056323526,0.1820908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983597,0.00006252774,0.0000035362739,0.000020090876,0.000038728318,0.000039040075],"domain_scores_gemma":[0.99978167,0.000094305826,0.000034552908,0.000009337746,0.000027230464,0.000053004645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033742646,0.00043375985,0.00015945226,0.0007305838,0.0025245466,0.002195253,0.00047671192,0.0007869457,0.016288513],"category_scores_gemma":[0.00073264196,0.00016032631,0.00009999646,0.0019472648,0.002840348,0.0024451402,0.0011784834,0.0011257918,0.001587745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007858183,0.000030242734,0.0051352032,0.00054055575,0.000012199665,0.0006699267,0.07050761,0.000067570014,0.00039292936,0.088832416,0.7460883,0.08764452],"study_design_scores_gemma":[0.000010308799,0.000020866928,0.019219091,0.00048368328,0.000009185517,0.00037552003,0.028585108,0.000041635765,0.00022336587,0.006884275,0.9441353,0.000011574621],"about_ca_topic_score_codex":0.04048335,"about_ca_topic_score_gemma":0.1091637,"teacher_disagreement_score":0.04048335,"about_ca_system_score_codex":0.0017250839,"about_ca_system_score_gemma":0.0014820336,"threshold_uncertainty_score":0.08049542},"labels":[],"label_agreement":null},{"id":"W2018827671","doi":"10.1086/650023","title":"Arms and Letters: Julius Caesar, the <i>Commentaries</i> of Pope Pius II, and the Politicization of Papal Imagery","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Historiography; Portrait; Humanism; Politics; Fifteenth; The Renaissance; Classics; History; Literature; Art; Art history; Philosophy; Law; Theology; Political science; Archaeology","score_opus":0.008547073093532876,"score_gpt":0.1941358749768109,"score_spread":0.18558880188327803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018827671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14017266,0.029140247,0.0016975335,0.295373,0.013048908,0.000043733413,0.0005038827,0.00022381078,0.5197962],"genre_scores_gemma":[0.8060627,0.0060787722,0.000517,0.017972799,0.008338226,0.00005178912,0.0001485361,0.0003027922,0.16052744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993228,0.00033660172,0.000012852258,0.00010695247,0.00012011947,0.000100722],"domain_scores_gemma":[0.9979213,0.0014017349,0.0002580405,0.00008942611,0.0001972621,0.00013232921],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070636725,0.00046811654,0.00016415822,0.0008081055,0.006699651,0.003425843,0.0005957022,0.0014243401,0.0080743935],"category_scores_gemma":[0.0044024573,0.00018316405,0.00013667643,0.0011929333,0.0055522784,0.0015675885,0.0018816111,0.0035229882,0.001281795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001760647,0.000018924733,0.002935659,0.00036410862,0.000023114539,0.0017278162,0.1494672,0.00020904352,0.0009354781,0.19099128,0.63066393,0.022487365],"study_design_scores_gemma":[0.0000048027277,0.000012426667,0.0031368579,0.00020062109,0.0000070004203,0.00033126576,0.021413486,0.000076941615,0.00052982586,0.0031206857,0.9711485,0.000017548375],"about_ca_topic_score_codex":0.011355701,"about_ca_topic_score_gemma":0.016966658,"teacher_disagreement_score":0.011355701,"about_ca_system_score_codex":0.0024603559,"about_ca_system_score_gemma":0.0010281663,"threshold_uncertainty_score":0.027011573},"labels":[],"label_agreement":null},{"id":"W2020008851","doi":"10.1086/652619","title":": <i>Aux frontières de l'humain: Figures du cannibalisme dans le théâtre anglais de la Renaissance</i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The Renaissance; Art; Champion; Humanities; Honor; Art history; History","score_opus":0.00848438209217576,"score_gpt":0.2263138853368133,"score_spread":0.21782950324463754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020008851","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01856135,0.6473594,0.00079357007,0.056972902,0.004970372,0.000019041623,0.00026737957,0.000056386834,0.2709995],"genre_scores_gemma":[0.44254875,0.25100675,0.0012813932,0.006373713,0.0040376103,0.00005647052,0.00026305384,0.00016458084,0.29426768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967206,0.00016269056,0.000009196871,0.000035068297,0.00007296033,0.00004803784],"domain_scores_gemma":[0.999694,0.00013798733,0.000050114395,0.00001631283,0.000066447676,0.000035111032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007404883,0.00062846765,0.0003123453,0.0012863416,0.0033087065,0.0040428843,0.0005397227,0.0010928577,0.008300794],"category_scores_gemma":[0.00089583197,0.00020975465,0.00014162497,0.0024799576,0.0041737407,0.0036390545,0.0011934867,0.0017516313,0.0015976514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008781932,0.00002416342,0.0012689461,0.00083149585,0.000012946433,0.00033382702,0.12197056,0.00015760888,0.00047561273,0.30919626,0.47488877,0.09075199],"study_design_scores_gemma":[0.0000059665126,0.000014635415,0.004272633,0.00073262374,0.000007974747,0.00026424884,0.022761662,0.00004223407,0.0002481356,0.008697613,0.96294016,0.0000120986715],"about_ca_topic_score_codex":0.06250532,"about_ca_topic_score_gemma":0.11663402,"teacher_disagreement_score":0.06250532,"about_ca_system_score_codex":0.0042978693,"about_ca_system_score_gemma":0.0025727567,"threshold_uncertainty_score":0.124282956},"labels":[],"label_agreement":null},{"id":"W2020313781","doi":"10.1353/ren.2008.0454","title":": <i>The Italian Encounter with Tudor England: A Cultural Politics of Translation</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Append; Index (typography); The Renaissance; History; Renaissance literature; Politics; Media studies; Classics; Art history; Humanities; Art; Sociology; Political science; Law; Computer science","score_opus":0.011028924150341478,"score_gpt":0.2072750474560875,"score_spread":0.196246123305746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020313781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004754436,0.31678537,0.000850194,0.30964467,0.014814462,0.000033816334,0.000493836,0.00017715011,0.3524461],"genre_scores_gemma":[0.16106772,0.14435631,0.0011073574,0.05902482,0.025756618,0.00008747541,0.0007795142,0.0005175171,0.60730267],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999012,0.0005007369,0.000037918646,0.00008757038,0.00019611981,0.0001656291],"domain_scores_gemma":[0.9992617,0.00029150565,0.00010740599,0.00004330437,0.00018826265,0.00010786853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013227082,0.0007405237,0.000352875,0.001458816,0.003697038,0.006221729,0.0008522296,0.001775679,0.0376969],"category_scores_gemma":[0.0024922215,0.00023567764,0.00029672333,0.004593561,0.003881118,0.005720366,0.0021053625,0.0018625975,0.010586955],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024020435,0.000006277062,0.00023746102,0.0002904759,0.000002853459,0.00013151391,0.011829211,0.000008811043,0.00009494334,0.025436006,0.93862385,0.023314584],"study_design_scores_gemma":[0.0000027994502,0.0000045577704,0.0006875475,0.00024179486,0.000002364621,0.00013142174,0.0037487962,0.000009007893,0.00006331661,0.0010764429,0.9940274,0.000004618313],"about_ca_topic_score_codex":0.04429717,"about_ca_topic_score_gemma":0.082190275,"teacher_disagreement_score":0.04429717,"about_ca_system_score_codex":0.005284854,"about_ca_system_score_gemma":0.0022333325,"threshold_uncertainty_score":0.1261087},"labels":[],"label_agreement":null},{"id":"W2020384249","doi":"10.1353/ren.2008.0419","title":": <i>Sins of the Flesh: Responding to Sexual Disease in Early Modern Europe</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Flesh; The Renaissance; Index (typography); Art; Early modern Europe; Art history; History; Classics","score_opus":0.035709866359305814,"score_gpt":0.24751489832700818,"score_spread":0.21180503196770237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020384249","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020971412,0.7464589,0.00025906722,0.2052041,0.010516591,0.000010281604,0.00004038765,0.000020194588,0.035393342],"genre_scores_gemma":[0.13228042,0.68101996,0.0006987483,0.09020907,0.013899848,0.000052486295,0.00010589922,0.00006135521,0.08167219],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993205,0.00039227228,0.000026605408,0.000044198612,0.0001088633,0.00010758351],"domain_scores_gemma":[0.9993197,0.00038828127,0.00007933181,0.000023200453,0.00007648484,0.00011300083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018743675,0.0008614295,0.00049178634,0.0010751387,0.0032649066,0.0043617818,0.0008147462,0.004098598,0.0081910165],"category_scores_gemma":[0.0019750276,0.00023623332,0.00023339696,0.0019614226,0.008778275,0.008044139,0.00245608,0.003378988,0.0017980961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033627697,0.000020451449,0.0006917594,0.00073574996,0.000011622507,0.00026195287,0.05255163,0.000057170524,0.00010607356,0.069168866,0.82425964,0.052101582],"study_design_scores_gemma":[0.000007720837,0.000016063914,0.0020073997,0.0021644053,0.0000075605485,0.0004924353,0.038704496,0.000025689802,0.00012312549,0.01583997,0.94059426,0.00001686048],"about_ca_topic_score_codex":0.012901913,"about_ca_topic_score_gemma":0.025917098,"teacher_disagreement_score":0.012901913,"about_ca_system_score_codex":0.0026619036,"about_ca_system_score_gemma":0.0029757018,"threshold_uncertainty_score":0.027401686},"labels":[],"label_agreement":null},{"id":"W2020740444","doi":"10.1086/656942","title":": <i> <i>Montaigne after Theory / Theory afterMontaigne</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Index (typography); Humanities; Art history; Philosophy; Art; Computer science","score_opus":0.004914768557721588,"score_gpt":0.19166556964049586,"score_spread":0.18675080108277428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020740444","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042235624,0.8545439,0.0014457005,0.03818694,0.010451788,0.000008439306,0.00014012665,0.00019074004,0.09460999],"genre_scores_gemma":[0.037199467,0.44763112,0.0030379675,0.017450128,0.028919796,0.00008177346,0.0006682681,0.0006128865,0.4643986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925834,0.00032567992,0.000029326713,0.000116069066,0.00019537115,0.00007523184],"domain_scores_gemma":[0.9993235,0.00032816647,0.00006388688,0.00006125396,0.00015360244,0.00006970402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081320887,0.0016063735,0.0007702179,0.0029442345,0.0019165138,0.0059207687,0.0010861508,0.0023805401,0.084147364],"category_scores_gemma":[0.0016400028,0.000375088,0.00060534425,0.0039263503,0.0028852404,0.0065323077,0.0015927743,0.0027325763,0.026287738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002899115,0.0000099475155,0.0001575585,0.0004988584,0.000013045208,0.00006578252,0.0009636503,0.000057496603,0.00014496101,0.05191531,0.8673653,0.07877901],"study_design_scores_gemma":[0.000002404257,0.000005207632,0.00032459595,0.00037622292,0.0000032189273,0.000087283195,0.0002695873,0.000020728316,0.0000653286,0.006967526,0.9918727,0.0000051962325],"about_ca_topic_score_codex":0.01623709,"about_ca_topic_score_gemma":0.024271298,"teacher_disagreement_score":0.084147364,"about_ca_system_score_codex":0.0047014435,"about_ca_system_score_gemma":0.0018570406,"threshold_uncertainty_score":0.281501},"labels":[],"label_agreement":null},{"id":"W2022590964","doi":"10.1353/ren.2008.0396","title":": <i>Sacrilege and Redemption in Renaissance Florence: TheCase of Antonio Rinaldeschi</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Append; Index (typography); Renaissance studies; Renaissance literature; Art; Italian Renaissance; Classics; Art history; History; Humanities","score_opus":0.01689885819403793,"score_gpt":0.2208517732372022,"score_spread":0.20395291504316426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022590964","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035997,0.54471964,0.0003527279,0.18538238,0.0038402237,0.000012511521,0.00006653897,0.000041350813,0.22958766],"genre_scores_gemma":[0.80233485,0.06340441,0.00032031728,0.010244113,0.0034063014,0.000025703166,0.00004474114,0.00003771892,0.12018188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906427,0.0005384822,0.000016768738,0.000082154285,0.00013357523,0.00016463568],"domain_scores_gemma":[0.99948126,0.0002738744,0.000070058006,0.00005007861,0.000053135016,0.00007162587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001581442,0.00045103798,0.00036357084,0.0011771035,0.005665517,0.0037477377,0.0010024699,0.0023274778,0.00638616],"category_scores_gemma":[0.0021549596,0.00017708472,0.00017325876,0.0014649377,0.013684038,0.0033848642,0.0019732849,0.0023346671,0.00046493378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008339804,0.000032421925,0.0010658643,0.00028082865,0.000011465935,0.0005819368,0.08760585,0.0001483015,0.00022706538,0.46989542,0.38187763,0.058189735],"study_design_scores_gemma":[0.000009382773,0.000014270747,0.0034562494,0.0003540958,0.00000473587,0.00027002787,0.013487617,0.000027285943,0.00011995412,0.010065447,0.97217554,0.000015314188],"about_ca_topic_score_codex":0.042434163,"about_ca_topic_score_gemma":0.093035206,"teacher_disagreement_score":0.042434163,"about_ca_system_score_codex":0.0075534405,"about_ca_system_score_gemma":0.0020149471,"threshold_uncertainty_score":0.08437431},"labels":[],"label_agreement":null},{"id":"W2024139464","doi":"10.1353/ren.2008.0328","title":": <i>Renaissance Monks: Monastic Humanism in Six Biographical Sketches</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Humanism; The Renaissance; Index (typography); Classics; Art; History; Art history; Theology; Philosophy","score_opus":0.01658020846504559,"score_gpt":0.21459087270580912,"score_spread":0.19801066424076352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024139464","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023688192,0.8368014,0.00092609867,0.037247863,0.012847152,0.000036551213,0.00063251937,0.00011929672,0.10902036],"genre_scores_gemma":[0.0962961,0.47108445,0.0020921763,0.011049541,0.0130463205,0.000112117144,0.0012376533,0.00036253224,0.4047191],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997844,0.00009371391,0.000010797772,0.000025184754,0.00005747638,0.00002844834],"domain_scores_gemma":[0.9998043,0.000081528204,0.000022187663,0.000014668674,0.000043132306,0.00003424584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005254356,0.0012632874,0.00035832374,0.0019475966,0.0015153657,0.0023317102,0.00060923846,0.000758442,0.021003308],"category_scores_gemma":[0.0008927075,0.0002734285,0.0002867887,0.0037073002,0.0022905446,0.0039503006,0.0011602113,0.0021615135,0.005176262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039912527,0.000011981195,0.00020967447,0.000394167,0.000008251849,0.00006801715,0.006061156,0.00007395383,0.00013540352,0.037626248,0.9162893,0.039081797],"study_design_scores_gemma":[0.0000026107007,0.0000052885325,0.00072865543,0.00025460855,0.0000024032697,0.00008463153,0.0011621809,0.00001873414,0.000044380748,0.0029152997,0.9947765,0.000004577241],"about_ca_topic_score_codex":0.026843013,"about_ca_topic_score_gemma":0.046084646,"teacher_disagreement_score":0.026843013,"about_ca_system_score_codex":0.0028906858,"about_ca_system_score_gemma":0.001338961,"threshold_uncertainty_score":0.07026309},"labels":[],"label_agreement":null},{"id":"W2026966187","doi":"10.1086/647411","title":": <i>Animals as Disguised Symbols in Renaissance Art</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Architectural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Brill; Intellectual history; The Renaissance; History of religions; Art; Art history; History; Classics; Archaeology","score_opus":0.01725280823734796,"score_gpt":0.23204333823499815,"score_spread":0.2147905299976502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026966187","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038236124,0.72287536,0.0008779924,0.0849399,0.008239582,0.000013477843,0.00015209104,0.00006713334,0.1790109],"genre_scores_gemma":[0.27760404,0.41573682,0.0015009661,0.024687748,0.016095554,0.00007923665,0.00025623414,0.00022603224,0.26381332],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948514,0.00026796907,0.000015082196,0.000065160406,0.00010892911,0.0000577255],"domain_scores_gemma":[0.99954444,0.00022799529,0.00005115241,0.000033522712,0.000097366166,0.000045582317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077923056,0.00085839984,0.00038803855,0.0013783331,0.002198036,0.004325064,0.0008257059,0.001771645,0.010312451],"category_scores_gemma":[0.001051431,0.00026688696,0.00023331709,0.0020616238,0.0060211415,0.00687505,0.0014766396,0.0023172605,0.0026999845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005057426,0.000022185559,0.00047730224,0.00048804298,0.000013806996,0.00014111772,0.024024492,0.00008310121,0.0002629809,0.22503878,0.6954222,0.053975377],"study_design_scores_gemma":[0.000004673364,0.000010692041,0.0013257839,0.00037815172,0.0000059766166,0.00013819247,0.004767354,0.00002696616,0.0001358936,0.015465241,0.9777323,0.000008842154],"about_ca_topic_score_codex":0.021905953,"about_ca_topic_score_gemma":0.05149472,"teacher_disagreement_score":0.021905953,"about_ca_system_score_codex":0.002626555,"about_ca_system_score_gemma":0.0012415319,"threshold_uncertainty_score":0.04355693},"labels":[],"label_agreement":null},{"id":"W2027312786","doi":"10.1086/650088","title":": <i>Twilight of the Renaissance: The Life of Juan de Valdés</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); The Renaissance; Twilight; Humanities; Media studies; Art; History; Art history; Sociology; Computer science; Physics","score_opus":0.013210388971767843,"score_gpt":0.2146157690485097,"score_spread":0.20140538007674186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027312786","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027774877,0.7738475,0.00033092182,0.06253289,0.0165184,0.000010705263,0.00045142014,0.00009026491,0.14344038],"genre_scores_gemma":[0.10334199,0.32668266,0.00072350434,0.01872486,0.01143691,0.00003635072,0.0007386422,0.00035921813,0.53795594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997216,0.000097290686,0.0000097358015,0.000048868646,0.0000752129,0.00004729673],"domain_scores_gemma":[0.9997223,0.00007424092,0.000030653653,0.000019437915,0.0000944862,0.0000588629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059223507,0.0010020245,0.0004462754,0.00087482727,0.0020298033,0.0037703072,0.00074200355,0.0012822504,0.02336977],"category_scores_gemma":[0.0009436462,0.00022973637,0.00022768133,0.0017022622,0.0018853928,0.0025729255,0.0016127871,0.0021672288,0.0066577713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035589757,0.0000070359165,0.00039906809,0.00030615448,0.0000073008687,0.00015846787,0.005890551,0.000042424686,0.00014917519,0.022220936,0.9203347,0.050448526],"study_design_scores_gemma":[0.0000022033485,0.000003048786,0.0006728783,0.00027114942,0.0000022087197,0.00009238441,0.0018980608,0.0000048084225,0.00004997525,0.0011405022,0.9958597,0.0000031106645],"about_ca_topic_score_codex":0.053920787,"about_ca_topic_score_gemma":0.09958831,"teacher_disagreement_score":0.053920787,"about_ca_system_score_codex":0.004215452,"about_ca_system_score_gemma":0.0019969768,"threshold_uncertainty_score":0.107213855},"labels":[],"label_agreement":null},{"id":"W2027789130","doi":"10.1353/ren.2007.0009","title":": <i>Romance for Sale in Early Modern England: The Rise of Prose Fiction</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Publishing; Index (typography); Romance; Media studies; History; Art history; Art; Advertising; Literature; Sociology; Computer science; Business; World Wide Web","score_opus":0.014821198067527009,"score_gpt":0.22446551718690758,"score_spread":0.20964431911938056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027789130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16960523,0.06201054,0.0009444999,0.07811036,0.0034679952,0.00003435028,0.00054393645,0.00007183999,0.68521124],"genre_scores_gemma":[0.75980383,0.011878316,0.00034775835,0.0033885043,0.0010675074,0.000027146307,0.00014243193,0.00012669682,0.22321776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991665,0.00039677718,0.000034416214,0.000097456024,0.0001831556,0.000121626996],"domain_scores_gemma":[0.9978847,0.001423818,0.00019402454,0.00011229579,0.0002449383,0.00014023848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015121772,0.00026144844,0.00032404298,0.0015063601,0.0069030803,0.0069463043,0.00056117185,0.0017531934,0.028629474],"category_scores_gemma":[0.004983012,0.0002379214,0.00012275239,0.0023580424,0.0087187,0.0066753402,0.0021825284,0.0026175391,0.0028143907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007310352,0.000019665455,0.0012114034,0.0005433274,0.0000059547774,0.0012208347,0.4062919,0.000040785748,0.00026527938,0.42425528,0.13786674,0.028205663],"study_design_scores_gemma":[0.0000070793826,0.00002083886,0.004531715,0.00063427753,0.0000051588113,0.0006483033,0.08305848,0.000037971186,0.00029635782,0.0055358927,0.90521115,0.000012875184],"about_ca_topic_score_codex":0.014835557,"about_ca_topic_score_gemma":0.04546704,"teacher_disagreement_score":0.028629474,"about_ca_system_score_codex":0.0044925585,"about_ca_system_score_gemma":0.0017980174,"threshold_uncertainty_score":0.09577519},"labels":[],"label_agreement":null},{"id":"W2028236563","doi":"10.1086/656983","title":": <i> <i>Faith and Fantasy in the Renaissance:Texts, Images, and Religious Practices</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Append; Faith; Art; Renaissance literature; Fantasy; Art history; Index (typography); History; Theology; Literature; Philosophy","score_opus":0.017308823578125156,"score_gpt":0.24401449083844717,"score_spread":0.226705667260322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028236563","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011229387,0.8336446,0.000675664,0.050817207,0.0029088075,0.000010768789,0.00015368364,0.00006330346,0.10049657],"genre_scores_gemma":[0.5142002,0.356963,0.0012247475,0.0049231476,0.004515318,0.000030343217,0.00023319064,0.00013363894,0.117776394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964035,0.00021290235,0.000011664112,0.000032988348,0.000070305505,0.000031715957],"domain_scores_gemma":[0.99959904,0.00022092463,0.00004267221,0.00004145868,0.000051832198,0.000044120836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008722188,0.0005705596,0.00035164706,0.0010383115,0.001228821,0.003232394,0.00060881965,0.0010114546,0.011349418],"category_scores_gemma":[0.001617439,0.00019679678,0.00015206695,0.0019972438,0.005214105,0.004971792,0.0012006613,0.0014275985,0.0016003859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006591971,0.00003706718,0.0011617171,0.0012677218,0.000025428688,0.00028005178,0.1187943,0.00015912001,0.0005127982,0.27539322,0.4334974,0.16880536],"study_design_scores_gemma":[0.0000096533195,0.000014644352,0.004732546,0.00077204173,0.000009582263,0.00028765877,0.016868122,0.000045178167,0.0002262591,0.016421542,0.9605986,0.000014167204],"about_ca_topic_score_codex":0.018531494,"about_ca_topic_score_gemma":0.03264285,"teacher_disagreement_score":0.018531494,"about_ca_system_score_codex":0.0019703167,"about_ca_system_score_gemma":0.0011850214,"threshold_uncertainty_score":0.037967563},"labels":[],"label_agreement":null},{"id":"W2029165339","doi":"10.1353/ren.2008.0039","title":": <i>The Counts of Laval: Culture, Patronage and Religion in Fifteenth- and Sixteenth-Century France</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"European Political History Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fifteenth; History; Religious studies; Media studies; Classics; Sociology; Philosophy","score_opus":0.010333462681300063,"score_gpt":0.20001841274182938,"score_spread":0.18968495006052932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029165339","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004663055,0.66945463,0.00087090494,0.15458679,0.012383329,0.000024061344,0.0037358908,0.00023703596,0.15404417],"genre_scores_gemma":[0.1441581,0.3378868,0.002378533,0.021268303,0.015308832,0.00012708525,0.0058599743,0.0005654553,0.4724469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999579,0.00012475195,0.000026358497,0.00003953235,0.00016766635,0.00006270303],"domain_scores_gemma":[0.99937505,0.00028060444,0.000086481916,0.000025214713,0.00015166907,0.00008099847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057747937,0.0008197465,0.00037789,0.003177781,0.0015772517,0.0044869934,0.0008313805,0.0013318241,0.041875448],"category_scores_gemma":[0.001292426,0.00033224712,0.00027204983,0.0068441927,0.0015533632,0.005740623,0.0016401082,0.0015881895,0.0073053744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001324539,0.0000054671896,0.0007007743,0.00020207299,0.0000058691817,0.000021674645,0.0023253523,0.000020107998,0.000037414302,0.011213362,0.94558823,0.039866507],"study_design_scores_gemma":[0.0000032473351,0.000004702476,0.005924868,0.0004727227,0.0000046097857,0.000071824965,0.0033356033,0.00002002724,0.000077146055,0.0021091292,0.98796844,0.000007584784],"about_ca_topic_score_codex":0.054178238,"about_ca_topic_score_gemma":0.12664177,"teacher_disagreement_score":0.054178238,"about_ca_system_score_codex":0.002469512,"about_ca_system_score_gemma":0.0017669575,"threshold_uncertainty_score":0.14008737},"labels":[],"label_agreement":null},{"id":"W2029380223","doi":"10.1086/655285","title":": <i>Fencing: A Renaissance Treatise</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; Gloss (optics); Fencing; The Renaissance; Art; Index (typography); Art history; History; Materials science; Computer science; Nanotechnology; Operating system","score_opus":0.01941915937744961,"score_gpt":0.33330255718693874,"score_spread":0.31388339780948915,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029380223","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00096712535,0.52825147,0.0011743639,0.09824288,0.020676479,0.00003300672,0.0004443288,0.00017631719,0.35003406],"genre_scores_gemma":[0.039899692,0.23081212,0.0020621356,0.03473248,0.013762171,0.00012763475,0.00064827886,0.0006661422,0.67728937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826044,0.00041738816,0.000088431676,0.0002179906,0.0007825962,0.0002332521],"domain_scores_gemma":[0.9994235,0.00013607576,0.00006469454,0.00005624786,0.00025372428,0.00006568971],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017172341,0.0012902532,0.0006303702,0.0021497204,0.0033992522,0.00572112,0.0020560883,0.0035302292,0.050565083],"category_scores_gemma":[0.0025243592,0.00032847965,0.0005336778,0.0038858438,0.0036552988,0.006542401,0.002720671,0.0042838124,0.015566949],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000119452125,0.000008492262,0.000093073286,0.00022809906,0.0000031869015,0.000029254206,0.0007302481,0.000036339738,0.0000528676,0.075659215,0.87827903,0.04486829],"study_design_scores_gemma":[8.2061183e-7,0.0000019020409,0.00013714515,0.00020104468,7.984004e-7,0.000026292495,0.00013935164,0.0000058268142,0.00002643044,0.0018226138,0.99763536,0.0000024139258],"about_ca_topic_score_codex":0.04429951,"about_ca_topic_score_gemma":0.06616899,"teacher_disagreement_score":0.050565083,"about_ca_system_score_codex":0.005116214,"about_ca_system_score_gemma":0.0041863983,"threshold_uncertainty_score":0.16915703},"labels":[],"label_agreement":null},{"id":"W2030694510","doi":"10.1353/ren.2008.0939","title":": <i>Catullan Consciousness and the Early Modern Lyric in England: From Wyatt to Donne</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Financial Crisis of the 21st Century","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Publishing; Index (typography); Consciousness; Art history; Performance art; Art; Media studies; Sociology; Literature; Psychology; Computer science; World Wide Web; Neuroscience","score_opus":0.010702513635378568,"score_gpt":0.19954714034312357,"score_spread":0.188844626707745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030694510","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010416065,0.8949414,0.0004549377,0.056103386,0.007060083,0.000014780134,0.00024485134,0.00003755608,0.040101334],"genre_scores_gemma":[0.076982304,0.5732281,0.0012180706,0.024937766,0.011083063,0.00010278878,0.0006327589,0.00027579334,0.31153938],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99964833,0.00012396622,0.00002622337,0.00005633482,0.00009063527,0.000054458465],"domain_scores_gemma":[0.999295,0.00033919723,0.00006755927,0.000028435119,0.00017121673,0.000098675824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000565616,0.0011216,0.0006617857,0.0028017287,0.0030939158,0.004088002,0.0009928775,0.002004219,0.03311282],"category_scores_gemma":[0.0020405506,0.0004930428,0.00020872481,0.0038767513,0.0040119714,0.010085515,0.0022812323,0.0032597696,0.0070140962],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003199711,0.0000085281,0.00025145028,0.00050094904,0.0000055415985,0.00009547336,0.0074383244,0.00002312993,0.00013034859,0.0234251,0.9346502,0.033438887],"study_design_scores_gemma":[0.0000038320886,0.0000052759915,0.001209348,0.0006816945,0.0000026789749,0.00014487738,0.004045816,0.000014246047,0.00008302243,0.0057939966,0.9880046,0.000010563446],"about_ca_topic_score_codex":0.05925693,"about_ca_topic_score_gemma":0.16424003,"teacher_disagreement_score":0.05925693,"about_ca_system_score_codex":0.0049802987,"about_ca_system_score_gemma":0.0020090032,"threshold_uncertainty_score":0.11782408},"labels":[],"label_agreement":null},{"id":"W2031009798","doi":"10.1353/ren.0.0178","title":"“Hac ex consilio meo via progredieris”: Courtly Reading and Secretarial Mediation in Donne's <i>The Courtier's Library</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Depiction; Ignorance; Context (archaeology); Mediation; Literature; Classics; History; Art; Philosophy; Sociology; Linguistics; Epistemology","score_opus":0.01148542070704061,"score_gpt":0.19359177078032896,"score_spread":0.18210635007328835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031009798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058374934,0.012124497,0.002069496,0.0612633,0.0008710092,0.000034572895,0.00003813609,0.000080608086,0.86514354],"genre_scores_gemma":[0.8703134,0.0023601602,0.000588333,0.0042211455,0.00033074044,0.000032572414,0.000015913709,0.000080460035,0.12205725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673945,0.0021125143,0.00006266418,0.0001975879,0.0005205174,0.00036727855],"domain_scores_gemma":[0.9978631,0.0013145776,0.00016213527,0.00018722941,0.00026388527,0.00020916453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036811715,0.00028698376,0.00027072092,0.0008115677,0.018656887,0.010838685,0.00084495515,0.0021650542,0.006785117],"category_scores_gemma":[0.009646176,0.00022890224,0.0001669182,0.0009886299,0.02866318,0.0050664144,0.0054161805,0.0047653387,0.00085087575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018563842,0.000015631622,0.0003692007,0.000052610816,0.0000024794172,0.00044500863,0.282797,0.00005538916,0.00019587245,0.66413975,0.039524242,0.012384219],"study_design_scores_gemma":[0.0000057543557,0.000010784192,0.0007296532,0.00021631274,0.0000049310197,0.00023766553,0.10552497,0.000066502325,0.0006454928,0.025581302,0.86695635,0.000020276786],"about_ca_topic_score_codex":0.077920884,"about_ca_topic_score_gemma":0.12042382,"teacher_disagreement_score":0.077920884,"about_ca_system_score_codex":0.014488784,"about_ca_system_score_gemma":0.0076402025,"threshold_uncertainty_score":0.15493464},"labels":[],"label_agreement":null},{"id":"W2032194161","doi":"10.1353/ren.2007.0344","title":": <i>Savonarola in Francia: Circolazione di un’eredità politico-religiosa nell’Europa del Cinquecento</i>","year":2007,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Spain","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Humanities; Art","score_opus":0.014563297387308306,"score_gpt":0.22804404223895702,"score_spread":0.21348074485164872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032194161","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08597459,0.43516496,0.0004136661,0.16023102,0.0073717167,0.000021696525,0.0017173286,0.000072481045,0.30903253],"genre_scores_gemma":[0.6746833,0.09979073,0.0004752132,0.016361441,0.0035555307,0.00003540365,0.0012028932,0.00012959322,0.203766],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9996933,0.00006784218,0.000012551755,0.000045702636,0.000061522675,0.00011920386],"domain_scores_gemma":[0.99963164,0.000075264965,0.000096728254,0.00002178615,0.00009585778,0.00007872213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057373446,0.0003061698,0.0001811949,0.000876643,0.0017311185,0.003117709,0.0004510031,0.00099013,0.010042385],"category_scores_gemma":[0.0007436838,0.000114685296,0.00016473541,0.0020240075,0.0012721804,0.0014618678,0.0009488323,0.0008899401,0.001461023],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021516476,0.00004316423,0.019840678,0.0008964394,0.000027995664,0.00058278796,0.022972334,0.000099650846,0.0007709169,0.052506324,0.77059907,0.1314455],"study_design_scores_gemma":[0.000009085745,0.000013691081,0.041564256,0.0005327336,0.000006763024,0.0001949033,0.005737734,0.000021645967,0.00015766117,0.0008665959,0.9508845,0.000010350451],"about_ca_topic_score_codex":0.1405589,"about_ca_topic_score_gemma":0.22963639,"teacher_disagreement_score":0.1405589,"about_ca_system_score_codex":0.0031633526,"about_ca_system_score_gemma":0.0032774627,"threshold_uncertainty_score":0.27948153},"labels":[],"label_agreement":null},{"id":"W2035218452","doi":"10.1353/ren.0.0059","title":": <i>A Blessed Shore: England and Bohemia from Chaucer to Shakespeare</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); Shore; Art; History; Humanities; Geology; Oceanography","score_opus":0.020667802439295557,"score_gpt":0.21485487335677675,"score_spread":0.1941870709174812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035218452","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011843202,0.8391036,0.000918662,0.030568738,0.01710733,0.000019591766,0.0009375282,0.00016028022,0.11000003],"genre_scores_gemma":[0.04927992,0.31649336,0.0018658816,0.009797937,0.00859397,0.000055073488,0.0016033897,0.00048272667,0.61182773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996865,0.00006594441,0.000026949923,0.000054492753,0.00012324574,0.000042947082],"domain_scores_gemma":[0.99967706,0.00010031761,0.000034007553,0.00002277075,0.00010488489,0.00006103628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004343389,0.0010398186,0.00061743037,0.0025094217,0.002077566,0.0032654528,0.0009592134,0.0013171874,0.11445909],"category_scores_gemma":[0.0010363992,0.00046559042,0.00024785716,0.003146549,0.0024857752,0.0074230414,0.0018447065,0.001965073,0.02773064],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002896575,0.000005140647,0.00021219756,0.0004917619,0.000006220011,0.0000763944,0.0029935515,0.000029898847,0.00019053856,0.011053659,0.9149896,0.06992215],"study_design_scores_gemma":[0.0000021815624,0.0000048072047,0.0012809485,0.00039061898,0.0000029154892,0.000091255824,0.0011025793,0.000008485961,0.000080718746,0.0019225071,0.99510634,0.000006696949],"about_ca_topic_score_codex":0.05096223,"about_ca_topic_score_gemma":0.148808,"teacher_disagreement_score":0.11445909,"about_ca_system_score_codex":0.0030689922,"about_ca_system_score_gemma":0.0017395241,"threshold_uncertainty_score":0.3829038},"labels":[],"label_agreement":null},{"id":"W2037962188","doi":"10.1353/ren.2008.0423","title":": <i>Controversies: Apologia qua respondet invectivis Lei;Responsio ad annotationes Lei</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Art history; Philosophy; Art; The Renaissance","score_opus":0.017381003882444155,"score_gpt":0.219052701932603,"score_spread":0.20167169805015886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037962188","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021082417,0.19140148,0.0043944833,0.29916146,0.046480477,0.000094578005,0.00057232194,0.00040644282,0.4553805],"genre_scores_gemma":[0.07185042,0.07316132,0.003636541,0.048566896,0.05165734,0.00027255324,0.0007205167,0.0010105502,0.74912393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99687815,0.0016415853,0.00012399936,0.0003076797,0.0008361328,0.00021249942],"domain_scores_gemma":[0.9964858,0.0017253848,0.00037657018,0.00028817495,0.0008836961,0.00024041896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035603142,0.00097598205,0.0005375056,0.0024052076,0.003993788,0.009403133,0.0014287002,0.0035065063,0.062253807],"category_scores_gemma":[0.008827991,0.00043631336,0.00044858534,0.0036132452,0.007651951,0.012104239,0.003303391,0.005528326,0.019965354],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017069962,0.000008203695,0.000068009496,0.00020481444,0.000003602378,0.000040018793,0.0039960616,0.0000138206315,0.00010796566,0.07552339,0.90102863,0.018988458],"study_design_scores_gemma":[0.000002382333,0.0000035023636,0.00013586791,0.00030141283,0.0000018862831,0.000052254018,0.0019364401,0.000014016163,0.000081181206,0.009284741,0.98817945,0.0000069304097],"about_ca_topic_score_codex":0.007854075,"about_ca_topic_score_gemma":0.01290766,"teacher_disagreement_score":0.062253807,"about_ca_system_score_codex":0.004893252,"about_ca_system_score_gemma":0.0029421202,"threshold_uncertainty_score":0.2082597},"labels":[],"label_agreement":null},{"id":"W2041378889","doi":"10.2307/1262011","title":": <i>Paolo Veronese: Piety and Display in an Age of Religious Reform</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Piety; Publishing; Index (typography); History; Sociology; Religious studies; Media studies; Political science; Philosophy; Law; Computer science","score_opus":0.01484847046863275,"score_gpt":0.22263369691382046,"score_spread":0.2077852264451877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041378889","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011305822,0.6950363,0.0005665389,0.095563896,0.014002949,0.00003310178,0.00026335765,0.00010747307,0.19329578],"genre_scores_gemma":[0.03825572,0.31752777,0.0012108231,0.037482176,0.012768014,0.00010209945,0.00037336175,0.0002906907,0.5919894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968934,0.00010329258,0.000012036119,0.000048067082,0.00009684913,0.000050446222],"domain_scores_gemma":[0.9997545,0.00008659813,0.0000336038,0.000016783235,0.00004955859,0.00005898556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044937927,0.0011423749,0.000358914,0.0009516974,0.0024963657,0.003871656,0.0008206958,0.0019074196,0.04192287],"category_scores_gemma":[0.0009876507,0.0003440752,0.00021174843,0.0018011482,0.0020028614,0.0056904918,0.0019673796,0.0026462462,0.012090066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000107055475,0.0000049032597,0.00008593126,0.00014754556,0.0000014113457,0.000041694206,0.0012867686,0.00000998119,0.000043919503,0.008448048,0.9664121,0.02350707],"study_design_scores_gemma":[0.0000025738627,0.0000046188356,0.00071888854,0.00037187475,0.0000012940147,0.00009832213,0.0011591003,0.000009518313,0.000046321737,0.0016509808,0.99593157,0.0000049787213],"about_ca_topic_score_codex":0.022436436,"about_ca_topic_score_gemma":0.072994865,"teacher_disagreement_score":0.04192287,"about_ca_system_score_codex":0.0018340016,"about_ca_system_score_gemma":0.0011367275,"threshold_uncertainty_score":0.14024597},"labels":[],"label_agreement":null},{"id":"W2045430115","doi":"10.1086/656931","title":": <i> <i>Renaissances: The One or the Many?</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Append; Index (typography); History; Media studies; Humanities; Art; Art history; Sociology; Computer science","score_opus":0.027390320842560618,"score_gpt":0.22664635999194616,"score_spread":0.19925603914938553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045430115","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008268369,0.7457412,0.0010980355,0.046879955,0.019393899,0.00002061282,0.0005534512,0.00023634372,0.18524969],"genre_scores_gemma":[0.02900266,0.29355,0.0014081526,0.010337099,0.0124411285,0.000045757002,0.0008076515,0.0005043893,0.6519031],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99966586,0.0001136662,0.000019929996,0.000058984493,0.00010660217,0.00003493699],"domain_scores_gemma":[0.9995826,0.00012846109,0.000040234318,0.00003664662,0.00014724232,0.00006470021],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005891055,0.0011746018,0.0004930407,0.0015623225,0.001403348,0.00375253,0.0008086077,0.0012769824,0.09338477],"category_scores_gemma":[0.0014429181,0.00038790537,0.00028500933,0.0030357433,0.0016185804,0.0071458938,0.0014928373,0.0022459498,0.044139694],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012397318,0.000004329745,0.000086825705,0.00019992997,0.000003287469,0.000021918793,0.0007744682,0.000016855704,0.0000707461,0.012676598,0.94634634,0.039786227],"study_design_scores_gemma":[0.0000014990729,0.0000034816053,0.00029251422,0.00020128457,0.0000015958735,0.00005413627,0.00041973978,0.0000064966594,0.00004555033,0.002178083,0.99679226,0.0000034297077],"about_ca_topic_score_codex":0.01043746,"about_ca_topic_score_gemma":0.024954455,"teacher_disagreement_score":0.09338477,"about_ca_system_score_codex":0.0016018426,"about_ca_system_score_gemma":0.00101256,"threshold_uncertainty_score":0.3124032},"labels":[],"label_agreement":null},{"id":"W2046387653","doi":"10.1353/ren.2008.0165","title":": <i> Decameron <i>and the Philosophy of Storytelling: Author as Midwife and Pimp.</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Socioeconomics of Resources and Conservation","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Storytelling; Index (typography); Columbia university; Art history; Media studies; Sociology; Art; Computer science; Literature; Narrative","score_opus":0.015516608689756595,"score_gpt":0.20192180943121307,"score_spread":0.18640520074145647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046387653","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037706285,0.87281424,0.0015828755,0.047402903,0.009517863,0.000016342532,0.00017748002,0.00012799984,0.06798326],"genre_scores_gemma":[0.020622497,0.6658305,0.0024493993,0.02236953,0.01206494,0.00008741798,0.00039343885,0.0002980421,0.2758843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945563,0.00016334694,0.000039748993,0.00010766951,0.00018298562,0.000050608796],"domain_scores_gemma":[0.99880147,0.0006615378,0.00013023682,0.000039416333,0.00022440411,0.00014285462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006033562,0.001676086,0.0007501249,0.0023955319,0.0014789545,0.0033991477,0.0013217516,0.0025168052,0.047325645],"category_scores_gemma":[0.0022031476,0.00063624786,0.0003022484,0.0041006655,0.0026518751,0.00928656,0.0016794124,0.0036715043,0.022453357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020226786,0.000010517342,0.000119243436,0.00037290418,0.0000047056337,0.00005019788,0.000967907,0.000041059808,0.00005921483,0.015323476,0.92684287,0.056187727],"study_design_scores_gemma":[0.0000048444203,0.000007754995,0.00044007355,0.00073047733,0.000004429269,0.00025508105,0.0006889817,0.000033937195,0.00008955229,0.010951852,0.9867829,0.000010168233],"about_ca_topic_score_codex":0.010634725,"about_ca_topic_score_gemma":0.02299391,"teacher_disagreement_score":0.047325645,"about_ca_system_score_codex":0.0024655836,"about_ca_system_score_gemma":0.0018969371,"threshold_uncertainty_score":0.15832007},"labels":[],"label_agreement":null},{"id":"W2050465040","doi":"10.1353/ren.2007.0377","title":": <i>Textual Conversations in the Renaissance: Ethics, Authors, Technologies</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Publishing; Index (typography); The Renaissance; Media studies; Art history; History; Sociology; Art; Literature; Computer science; World Wide Web","score_opus":0.049842212328780514,"score_gpt":0.2867236715040785,"score_spread":0.23688145917529801,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050465040","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069175395,0.7293691,0.0029592582,0.09137394,0.006524126,0.00003703117,0.00042672345,0.00032344277,0.16206886],"genre_scores_gemma":[0.31134114,0.42378303,0.0041264757,0.017346954,0.009923405,0.00014639668,0.0009779363,0.00047557152,0.23187909],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983808,0.0010630275,0.0000664737,0.00007946343,0.00030536926,0.000104806546],"domain_scores_gemma":[0.9974348,0.0016616492,0.00025820435,0.000111754474,0.00034772512,0.00018586362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024315407,0.0010399979,0.0004983475,0.002255188,0.0027986413,0.007241037,0.0010480463,0.0019166213,0.023422344],"category_scores_gemma":[0.0048273024,0.00042455504,0.0002738433,0.0043106624,0.0070852796,0.01463311,0.0023650043,0.0014595747,0.0065306434],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054168133,0.00002250977,0.0004981679,0.001373234,0.00001610122,0.00029068394,0.06426617,0.000087704146,0.00038017353,0.060984105,0.7267589,0.1452681],"study_design_scores_gemma":[0.000006141351,0.000009200472,0.0014112856,0.0011405709,0.000008411365,0.00024423088,0.020347433,0.000040689116,0.0001956965,0.01248849,0.96409255,0.00001528599],"about_ca_topic_score_codex":0.02355595,"about_ca_topic_score_gemma":0.033875708,"teacher_disagreement_score":0.02355595,"about_ca_system_score_codex":0.0036155547,"about_ca_system_score_gemma":0.0027188333,"threshold_uncertainty_score":0.07835549},"labels":[],"label_agreement":null},{"id":"W2050832706","doi":"10.1353/ren.2008.0110","title":": <i>Civic Christianity in Renaissance Italy: The Hospital of Treviso, 1400-1530.</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"The Renaissance; Christianity; History; Early Christianity; Art; Classics; Art history; Archaeology","score_opus":0.024314961411108962,"score_gpt":0.2146708549561401,"score_spread":0.19035589354503113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050832706","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070217275,0.6371372,0.00017339243,0.14707941,0.012866542,0.000025157104,0.00017751195,0.00006629336,0.19545285],"genre_scores_gemma":[0.30905274,0.18681201,0.00059729384,0.025523275,0.022288881,0.00008033883,0.00032175615,0.00023279559,0.4550909],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999468,0.00022582934,0.000018365283,0.000052860978,0.00010413754,0.0001307551],"domain_scores_gemma":[0.9996152,0.000121568875,0.000068924935,0.000023749684,0.00003519549,0.00013544073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011724572,0.00069705525,0.00036806663,0.001120198,0.0031753923,0.0047677206,0.0009580732,0.0030535138,0.01901603],"category_scores_gemma":[0.0011746046,0.0002964468,0.00022630423,0.0020999128,0.003943668,0.0045090006,0.0028582364,0.0033796725,0.002734058],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058290065,0.00003831406,0.0007620064,0.00036293382,0.000006010785,0.00019623355,0.016275272,0.00005059463,0.0001263997,0.085072726,0.8541091,0.042942084],"study_design_scores_gemma":[0.00000951598,0.000011437605,0.004261711,0.00037918237,0.000003068518,0.00022558376,0.0041700555,0.000016749585,0.00007211176,0.0028686966,0.98797286,0.0000089790465],"about_ca_topic_score_codex":0.01925213,"about_ca_topic_score_gemma":0.07856904,"teacher_disagreement_score":0.01925213,"about_ca_system_score_codex":0.0041165375,"about_ca_system_score_gemma":0.0029750098,"threshold_uncertainty_score":0.063614964},"labels":[],"label_agreement":null},{"id":"W2051461629","doi":"10.1353/ren.2008.0125","title":": <i>Islamic Science and the Making of the European Renaissance</i>","year":2008,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Astronomy and Related Studies","field":"Physics and Astronomy","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"George (robot); The Renaissance; Content (measure theory); Islam; Art; Art history; Media studies; Classics; History; Sociology; Philosophy; Theology; Mathematics","score_opus":0.009907010053151593,"score_gpt":0.21119595092988322,"score_spread":0.20128894087673163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051461629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08748132,0.08718219,0.0011148198,0.17195792,0.0060294676,0.000011690706,0.00011147719,0.00004142617,0.6460697],"genre_scores_gemma":[0.9378222,0.012781063,0.0003146796,0.005305508,0.0018271729,0.0000050479575,0.000028471704,0.000019369558,0.041896448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993542,0.00034953843,0.000023482198,0.000059173184,0.0001239495,0.00008975682],"domain_scores_gemma":[0.9995857,0.00015963492,0.000080078484,0.000046407527,0.000086062304,0.000042213047],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0018278288,0.00019547051,0.00014842478,0.0006411441,0.0026050655,0.00508747,0.00028583469,0.001503857,0.0070822434],"category_scores_gemma":[0.0021312046,0.00006743381,0.0001509361,0.0010502198,0.0066758497,0.0028415814,0.0012496184,0.0017506233,0.000534147],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024959574,0.000011344758,0.00075415365,0.000075222175,0.00000810897,0.00013796041,0.013220171,0.00009283775,0.00012888937,0.9317615,0.03774913,0.01603571],"study_design_scores_gemma":[0.000009267725,0.000019992052,0.008808294,0.0003959414,0.000010039855,0.00030262145,0.010137307,0.00009061785,0.00036903808,0.09110479,0.8887363,0.000015736392],"about_ca_topic_score_codex":0.0064496356,"about_ca_topic_score_gemma":0.010225724,"teacher_disagreement_score":0.9973949,"about_ca_system_score_codex":0.002173616,"about_ca_system_score_gemma":0.0010914312,"threshold_uncertainty_score":0.023692489},"labels":[],"label_agreement":null},{"id":"W2051885407","doi":"10.1086/647402","title":": <i>Modernidad bajo sospecha: Salas Barbadillo y la cultura material del siglo XVII</i>","year":2009,"lang":"es","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Humanities; Garcia; Art","score_opus":0.008751369008089241,"score_gpt":0.22356041190640233,"score_spread":0.2148090428983131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051885407","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015471536,0.6993095,0.0006722208,0.04188855,0.007047041,0.000014581302,0.00046315714,0.00004727668,0.23508604],"genre_scores_gemma":[0.3621931,0.36989123,0.0009729519,0.007295512,0.008089801,0.00005384754,0.00075009256,0.00017417944,0.25057924],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997577,0.00007552483,0.000008297719,0.000029026482,0.00007420835,0.000055142496],"domain_scores_gemma":[0.9997882,0.00005393863,0.000040629682,0.00001547217,0.000071087314,0.000030674157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054880005,0.00049379887,0.00033342402,0.0011537392,0.0016151883,0.003993281,0.0005602225,0.0010361786,0.016154835],"category_scores_gemma":[0.0007151813,0.00017772905,0.00019751808,0.0029760313,0.0027084746,0.0018129185,0.0013839863,0.0017448324,0.0029159233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020382456,0.000048131616,0.002524719,0.0017256119,0.00003124767,0.00035765162,0.028070811,0.00021185708,0.0005642824,0.20548,0.6206667,0.1401152],"study_design_scores_gemma":[0.000007659051,0.000010985848,0.004773972,0.001000717,0.000008421046,0.00008508809,0.00509691,0.000022299777,0.00014553906,0.0051522967,0.98368824,0.000007872231],"about_ca_topic_score_codex":0.043624815,"about_ca_topic_score_gemma":0.07196846,"teacher_disagreement_score":0.043624815,"about_ca_system_score_codex":0.0040034046,"about_ca_system_score_gemma":0.0024980665,"threshold_uncertainty_score":0.086741805},"labels":[],"label_agreement":null},{"id":"W2052182279","doi":"10.1353/ren.0.0067","title":": <i>Writing North America in the Seventeenth Century: English Representations in Print and Manuscript</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Red Deer College; University of Calgary","funders":"","keywords":"Publishing; Index (typography); History; Art history; Media studies; Art; Sociology; Literature; Computer science","score_opus":0.028770562114878183,"score_gpt":0.2980095855842096,"score_spread":0.26923902346933143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052182279","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034590713,0.65586144,0.0017309793,0.12157515,0.024272107,0.000024355366,0.0009588361,0.00031054617,0.19180751],"genre_scores_gemma":[0.09275164,0.30039734,0.0028665885,0.016319947,0.015891349,0.000080276826,0.0012656036,0.000499628,0.5699276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960893,0.0001653372,0.000031580807,0.000041619252,0.00011954591,0.000033033113],"domain_scores_gemma":[0.99896646,0.0005158252,0.0001077611,0.00004758705,0.00025133367,0.00011097195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010140751,0.000738425,0.00027379786,0.0015392092,0.0016338169,0.0039088815,0.0007266163,0.00088294747,0.035772298],"category_scores_gemma":[0.001890377,0.00024192865,0.00013728681,0.0030238202,0.0019749552,0.006217591,0.001133921,0.0011597383,0.010358234],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014584599,0.0000072599873,0.00018377983,0.0002991086,0.0000027330311,0.00006517006,0.005205385,0.000015031384,0.00013924652,0.0056949044,0.93099856,0.05737425],"study_design_scores_gemma":[0.0000022460274,0.0000051554566,0.0012337982,0.0005542102,0.000002740979,0.000109680106,0.0044520893,0.000017929697,0.00017841216,0.0021602188,0.9912781,0.0000054016564],"about_ca_topic_score_codex":0.0154540595,"about_ca_topic_score_gemma":0.04388746,"teacher_disagreement_score":0.035772298,"about_ca_system_score_codex":0.0019509204,"about_ca_system_score_gemma":0.0015350042,"threshold_uncertainty_score":0.11967027},"labels":[],"label_agreement":null},{"id":"W2054887620","doi":"10.1353/ren.2008.0242","title":": <i>Sacred Boundaries: Religious Coexistence and Conflict in Early Modern France</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"European Political History Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Index (typography); History; Humanities; Theology; Environmental ethics; Religious studies; Philosophy","score_opus":0.015807384796285615,"score_gpt":0.21633029711613075,"score_spread":0.20052291231984515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054887620","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005148332,0.6976774,0.0007329477,0.15690762,0.007986908,0.00001596922,0.0004176776,0.0000898414,0.13102336],"genre_scores_gemma":[0.29225823,0.42270324,0.0017392728,0.03568296,0.026198348,0.00007800368,0.00108727,0.00019718488,0.2200555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997086,0.00015543055,0.000008552521,0.000026547346,0.00006483525,0.000036032874],"domain_scores_gemma":[0.9996989,0.0001440912,0.000045636774,0.000012167062,0.000057409892,0.000041832434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050334615,0.0005990914,0.0002496047,0.0017417986,0.001734724,0.0040597385,0.000582335,0.0016407219,0.020126432],"category_scores_gemma":[0.0008097065,0.00016426171,0.00018743589,0.0025313233,0.0024117325,0.0041669286,0.001104474,0.0014368567,0.0029481943],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023856686,0.000013718607,0.00074766146,0.00032241747,0.000010202819,0.000079571146,0.0068096067,0.00006500003,0.00008283256,0.048002537,0.882263,0.06157964],"study_design_scores_gemma":[0.00000590737,0.000014758971,0.0056007043,0.0007731566,0.000008390926,0.00026232778,0.005563599,0.000046321144,0.00009846978,0.01551186,0.97210175,0.000012923743],"about_ca_topic_score_codex":0.02617189,"about_ca_topic_score_gemma":0.05262114,"teacher_disagreement_score":0.02617189,"about_ca_system_score_codex":0.0023475806,"about_ca_system_score_gemma":0.0011671219,"threshold_uncertainty_score":0.067329645},"labels":[],"label_agreement":null},{"id":"W2055392876","doi":"10.1086/655306","title":": <i>Treason in the Northern Quarter: War, Terror, and the Rule of Law in the Dutch Revolt</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Index (typography); History; Rule of law; Law; Theology; Philosophy; Political science; Archaeology; Politics","score_opus":0.013360488992235808,"score_gpt":0.21865118596386146,"score_spread":0.20529069697162566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055392876","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012827067,0.83543825,0.00038612826,0.07004477,0.0075737466,0.0000147938845,0.00027268552,0.00002637252,0.08496045],"genre_scores_gemma":[0.1068265,0.6078037,0.000859887,0.022087367,0.021680433,0.000081586906,0.0007149151,0.00021303126,0.23973264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995764,0.00019657733,0.000024251025,0.0000374815,0.00010255939,0.00006262529],"domain_scores_gemma":[0.99952626,0.00024273398,0.00006946252,0.000022113312,0.0000590457,0.00008036949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074887427,0.0008615281,0.00047608343,0.0012759652,0.0016465945,0.0048883576,0.00091457705,0.0019895204,0.025280066],"category_scores_gemma":[0.0014094033,0.00034299723,0.00027370497,0.0039055545,0.0036333585,0.007363762,0.0016614792,0.0020895915,0.0054152943],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018232042,0.000011392196,0.00020494584,0.00033976225,0.0000053372255,0.00007170433,0.0031505073,0.000049418566,0.000061521176,0.022649078,0.9492598,0.024178302],"study_design_scores_gemma":[0.0000075310163,0.00000798931,0.0018671168,0.00092368445,0.000005042708,0.00016759541,0.005572985,0.000039029343,0.00009563508,0.01106925,0.9802335,0.000010736059],"about_ca_topic_score_codex":0.028368536,"about_ca_topic_score_gemma":0.09326049,"teacher_disagreement_score":0.028368536,"about_ca_system_score_codex":0.004081922,"about_ca_system_score_gemma":0.0021456021,"threshold_uncertainty_score":0.08457023},"labels":[],"label_agreement":null},{"id":"W2055635141","doi":"10.1353/ren.2008.0320","title":": <i>Beyond the Body: The Boundaries of Medicine and English Renaissance Drama</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Drama; The Renaissance; Index (typography); Art; Art history; History; Media studies; Sociology; Literature","score_opus":0.014637823932871982,"score_gpt":0.21939055338115962,"score_spread":0.20475272944828765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055635141","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017096066,0.62976325,0.00093089073,0.22989707,0.017779924,0.000024329038,0.00022043409,0.0001231814,0.11955123],"genre_scores_gemma":[0.10275573,0.38034645,0.0018743164,0.09263372,0.033588823,0.00010315722,0.0003960391,0.0003658893,0.38793582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953735,0.00021684739,0.000024161549,0.000037614347,0.00012054167,0.00006342366],"domain_scores_gemma":[0.99920815,0.0004393923,0.000077573575,0.000032648404,0.00013681932,0.0001054002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007413201,0.00093379506,0.00040986354,0.0015846579,0.0023751254,0.005866242,0.0010446745,0.0023248065,0.03671875],"category_scores_gemma":[0.0020896709,0.00031162938,0.0002712009,0.0022038699,0.004123195,0.0123484805,0.0022310026,0.0031506363,0.009553415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022296146,0.000010942855,0.00015636327,0.00030500354,0.0000044190874,0.00006631796,0.0045780805,0.000013289636,0.000098274315,0.019269412,0.94934434,0.026131248],"study_design_scores_gemma":[0.0000064755513,0.000011142663,0.0010183592,0.0007887855,0.000006371486,0.00018876405,0.006812823,0.000028027,0.00015108226,0.010315678,0.98066074,0.000011783451],"about_ca_topic_score_codex":0.009655441,"about_ca_topic_score_gemma":0.027954012,"teacher_disagreement_score":0.03671875,"about_ca_system_score_codex":0.0020455613,"about_ca_system_score_gemma":0.0013267745,"threshold_uncertainty_score":0.12283647},"labels":[],"label_agreement":null},{"id":"W2056705665","doi":"10.1353/ren.0.0080","title":": <i>Christian Magistrate and Territorial Church: Johannes Brenz and the German Reformation</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Magistrate; The Renaissance; Index (typography); German; Art; Renaissance studies; Of Reformation; Art history; Classics; History; Humanities; Theology; Philosophy; Archaeology","score_opus":0.022353053733205383,"score_gpt":0.22546167132915307,"score_spread":0.20310861759594767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056705665","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018286447,0.8461328,0.00028293298,0.08989326,0.008546981,0.000013472062,0.00020833618,0.00003923562,0.053054314],"genre_scores_gemma":[0.11454765,0.52411145,0.00069535687,0.03101732,0.018884107,0.00007690189,0.0005382359,0.0002404609,0.3098885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971443,0.00011012998,0.0000123841055,0.00004770359,0.000075141674,0.000040120525],"domain_scores_gemma":[0.9997135,0.00014217438,0.00004223854,0.000013221906,0.000048325368,0.00004065889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000566361,0.0011498011,0.0004986043,0.001902638,0.0020596627,0.0031961345,0.0008178249,0.0020538932,0.021612922],"category_scores_gemma":[0.001152488,0.00033192136,0.00019460818,0.003894832,0.0025388591,0.006362527,0.0019990336,0.0019089164,0.0057910588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027927832,0.000011977021,0.0001984527,0.00035347784,0.0000064034557,0.000063054336,0.0033125186,0.000032709504,0.00013197328,0.023771208,0.9492626,0.022827541],"study_design_scores_gemma":[0.000009110448,0.00000911487,0.0015731276,0.0008590914,0.0000073007827,0.00014249302,0.003955742,0.000034610555,0.0001425569,0.006149154,0.9871072,0.000010411912],"about_ca_topic_score_codex":0.017722772,"about_ca_topic_score_gemma":0.053985726,"teacher_disagreement_score":0.021612922,"about_ca_system_score_codex":0.0028357382,"about_ca_system_score_gemma":0.0011751653,"threshold_uncertainty_score":0.0723024},"labels":[],"label_agreement":null},{"id":"W2057673112","doi":"10.1086/652548","title":": <i>The Scribes for Women's Convents in Late Medieval Germany</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); History; Humanities; Media studies; Art; Sociology","score_opus":0.01630724322427051,"score_gpt":0.23584978042846427,"score_spread":0.21954253720419376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057673112","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035656323,0.72196424,0.0006445593,0.083372094,0.029115431,0.000040414714,0.000955206,0.00015261579,0.16018975],"genre_scores_gemma":[0.09947276,0.22447973,0.0007919351,0.0152418045,0.013188456,0.00006678799,0.0006768665,0.0003137934,0.6457678],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997346,0.000086818014,0.000015539359,0.000031792115,0.00008251243,0.000048879585],"domain_scores_gemma":[0.9997837,0.00007404324,0.000040283725,0.000010924794,0.00004073561,0.000050308336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004907093,0.00087460893,0.0002701964,0.0010518187,0.0020407506,0.0020936162,0.00042869407,0.0010336919,0.040807977],"category_scores_gemma":[0.0010392566,0.0002610168,0.00014608528,0.0017843344,0.0014326232,0.0031357985,0.0013042948,0.0013536698,0.01057405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019446057,0.0000053430476,0.000085822285,0.00022633772,0.0000018937229,0.00004129671,0.0025446787,0.000014517164,0.00010241837,0.0093385335,0.96228135,0.025338316],"study_design_scores_gemma":[0.00000256211,0.000004095466,0.0009890025,0.00024975822,0.0000016632059,0.000057539797,0.0012298421,0.00000513642,0.00007346276,0.0007396494,0.99664414,0.0000032365472],"about_ca_topic_score_codex":0.012208029,"about_ca_topic_score_gemma":0.05036564,"teacher_disagreement_score":0.040807977,"about_ca_system_score_codex":0.0020642783,"about_ca_system_score_gemma":0.0014672057,"threshold_uncertainty_score":0.13651633},"labels":[],"label_agreement":null},{"id":"W2058640429","doi":"10.1353/ren.2007.0062","title":": <i>Women Latin Poets: Language, Gender, and Authority, from Antiquity to the Eighteenth Century</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Latin Americans; History; Classics; Law; Political science","score_opus":0.024630788752397378,"score_gpt":0.24632525175141345,"score_spread":0.22169446299901607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058640429","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020110472,0.7487595,0.0005728684,0.083431825,0.01446679,0.000023740678,0.00041587057,0.0001375629,0.15018079],"genre_scores_gemma":[0.06474351,0.42899922,0.0015744149,0.0280787,0.020092012,0.00012044623,0.00091950485,0.00043074074,0.4550415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997435,0.00010336036,0.00001588048,0.00003669113,0.00007187921,0.000028741193],"domain_scores_gemma":[0.9995963,0.00018001259,0.000046934918,0.000016428541,0.00009995856,0.00006036433],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004906663,0.0010542499,0.0004467768,0.0018699408,0.0021192308,0.003819246,0.0008914792,0.0012209715,0.049810648],"category_scores_gemma":[0.0009785924,0.00030026576,0.00021667003,0.0029889585,0.0022525727,0.0066091097,0.0016281495,0.0018102309,0.01128957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035661833,0.000017690054,0.0003735185,0.000651325,0.0000059741046,0.00008418641,0.0067201536,0.000015097465,0.0001702407,0.01562937,0.9202798,0.05601696],"study_design_scores_gemma":[0.000005084387,0.000006700967,0.0009072908,0.00061942945,0.0000033118831,0.00014350314,0.003613,0.000012079398,0.000079081816,0.0028615436,0.99174386,0.000005120786],"about_ca_topic_score_codex":0.008422674,"about_ca_topic_score_gemma":0.02337676,"teacher_disagreement_score":0.049810648,"about_ca_system_score_codex":0.0013966917,"about_ca_system_score_gemma":0.0010651062,"threshold_uncertainty_score":0.16663319},"labels":[],"label_agreement":null},{"id":"W2059347811","doi":"10.1086/656999","title":": <i> <i>The Rose and the Globe — Playhousesof Shakespeare's Bankside, Southwark: Excavations 1988–91</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Globe; Miller; Archaeology; Index (typography); Append; Ancient history; History; Art; Geology; Paleontology; Biology","score_opus":0.009563668854707363,"score_gpt":0.2003287064804521,"score_spread":0.19076503762574473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059347811","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008804174,0.54228044,0.00061701005,0.038626134,0.010894674,0.00009452982,0.0057333247,0.0002168479,0.3927329],"genre_scores_gemma":[0.06595092,0.15247953,0.00088800245,0.0026137943,0.0018406009,0.00009574119,0.0034619768,0.00028251516,0.77238685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997471,0.00004690749,0.000015918124,0.000038273025,0.00010609265,0.000045696946],"domain_scores_gemma":[0.99977165,0.000063838605,0.000042674084,0.000020550468,0.000060828137,0.00004050127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005501112,0.0009201909,0.00038979,0.0018450526,0.0020134202,0.0026450937,0.0010911734,0.000799909,0.11081607],"category_scores_gemma":[0.0008532416,0.0005017524,0.00020281594,0.005309034,0.001413254,0.0030097752,0.0019098759,0.001581327,0.022943182],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025137648,0.0000039695096,0.00030029684,0.00034922894,0.0000034358254,0.00010478197,0.004557105,0.000014145903,0.00016368562,0.002484582,0.94532734,0.046666164],"study_design_scores_gemma":[0.0000016965307,0.0000025895613,0.002309427,0.0002951171,0.000001586888,0.000095275,0.0018943025,0.0000026713626,0.00009185421,0.00019732103,0.9951056,0.0000025423824],"about_ca_topic_score_codex":0.10215124,"about_ca_topic_score_gemma":0.26679146,"teacher_disagreement_score":0.11081607,"about_ca_system_score_codex":0.0024577288,"about_ca_system_score_gemma":0.0021040756,"threshold_uncertainty_score":0.37071663},"labels":[],"label_agreement":null},{"id":"W2060901157","doi":"10.1353/ren.2008.0632","title":": <i>Cultural Intermediaries: Jewish Intellectuals in Early Modern Italy</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Sephardic Jews and Inquisition Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Judaism; Jewish culture; Index (typography); Intermediary; History; Religious studies; Media studies; Art; Theology; Sociology; Philosophy; Archaeology","score_opus":0.03535997700514312,"score_gpt":0.25980330958064435,"score_spread":0.22444333257550123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060901157","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016376128,0.87137944,0.0006105273,0.0391306,0.0025515268,0.0000122458505,0.00014152288,0.0000870997,0.06971084],"genre_scores_gemma":[0.3667701,0.4977428,0.0013900336,0.004817934,0.013366593,0.00005046229,0.0005219322,0.000091037655,0.11524906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998323,0.00006575124,0.0000071492977,0.000016895206,0.000032675307,0.000045215427],"domain_scores_gemma":[0.999783,0.000097168595,0.000038654798,0.0000167297,0.000024425468,0.0000401175],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005818384,0.00076209777,0.00035906114,0.0018059107,0.0012483983,0.0042160186,0.00083163875,0.001456307,0.010035059],"category_scores_gemma":[0.0005352703,0.00029469936,0.00017847677,0.0028737576,0.002579309,0.0044739326,0.0013852965,0.0009239524,0.0024425047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013379958,0.000055239772,0.0064548617,0.0009294079,0.000034507164,0.0006831722,0.048893943,0.00012050273,0.00043971927,0.07208642,0.61200756,0.2581608],"study_design_scores_gemma":[0.000020843909,0.000032009662,0.024058405,0.0016963668,0.00003857113,0.001125409,0.014067084,0.00011898931,0.00030562264,0.019883912,0.9386334,0.000019420027],"about_ca_topic_score_codex":0.009665897,"about_ca_topic_score_gemma":0.022563437,"teacher_disagreement_score":0.010035059,"about_ca_system_score_codex":0.001614797,"about_ca_system_score_gemma":0.0011593562,"threshold_uncertainty_score":0.033570647},"labels":[],"label_agreement":null},{"id":"W2061854306","doi":"10.1086/650086","title":": <i>French Ceremonial Entries in the Sixteenth Century: Event, Image, Text</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Event (particle physics); Art; Art history; History; Humanities; Append","score_opus":0.010822611518822176,"score_gpt":0.22822557777820726,"score_spread":0.2174029662593851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061854306","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006900236,0.78685874,0.00076369283,0.02370653,0.00674124,0.000014179192,0.0013707597,0.00027930315,0.17336537],"genre_scores_gemma":[0.20690158,0.34723985,0.0020342967,0.0032334917,0.007584809,0.00005247439,0.0024016795,0.00039103374,0.4301608],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967957,0.00011072155,0.000018794653,0.000034768986,0.00009595246,0.000060202285],"domain_scores_gemma":[0.99950874,0.0001607013,0.00008769292,0.000032044645,0.00012336127,0.000087506036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071866676,0.0010247437,0.00034765952,0.002276736,0.0020954392,0.005646841,0.00062441017,0.00075656513,0.06279684],"category_scores_gemma":[0.0015870557,0.00026474142,0.00026582598,0.003973568,0.0016095028,0.003711842,0.0009785169,0.00081309385,0.010206516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006033772,0.0000109313205,0.0005096171,0.00059787324,0.000009708443,0.00014292845,0.009166371,0.000052147923,0.00024235375,0.018213155,0.8603647,0.11062982],"study_design_scores_gemma":[0.0000021560036,0.0000047047456,0.0020700733,0.00042289522,0.0000028975064,0.000107672415,0.0023624022,0.000011881667,0.000086284694,0.00063589675,0.994288,0.0000050646354],"about_ca_topic_score_codex":0.067447245,"about_ca_topic_score_gemma":0.12105035,"teacher_disagreement_score":0.067447245,"about_ca_system_score_codex":0.0054519917,"about_ca_system_score_gemma":0.0020245519,"threshold_uncertainty_score":0.21007633},"labels":[],"label_agreement":null},{"id":"W2064829942","doi":"10.1086/652637","title":": <i> A Mirror for Magistrates <i>and the Politics of the English Reformation</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Append; Index (typography); Politics; History; Art history; Classics; Media studies; Sociology; Political science; Law","score_opus":0.013475013697601441,"score_gpt":0.2166148179465567,"score_spread":0.20313980424895528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064829942","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025716312,0.4307124,0.0009942078,0.3733919,0.026395964,0.000023940445,0.00033711296,0.00019757707,0.1653753],"genre_scores_gemma":[0.10047543,0.118027836,0.001376256,0.049004912,0.017885987,0.00007093976,0.0002741619,0.00043572974,0.71244866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997012,0.00013072125,0.000013866104,0.000032493695,0.000077471355,0.000044318458],"domain_scores_gemma":[0.99955875,0.0001689296,0.00006129321,0.000028059725,0.00010758475,0.00007544797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006030282,0.00054223975,0.0002646705,0.0008075524,0.0024635834,0.0032213526,0.00071506033,0.0021832285,0.03837267],"category_scores_gemma":[0.0016897556,0.0002940418,0.00017509024,0.0013145724,0.0018320071,0.008194464,0.0016064699,0.002109521,0.014540977],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013196017,0.0000048391234,0.00006497166,0.000077633005,9.947344e-7,0.000027141981,0.0013538274,0.0000067141273,0.00007184351,0.01838397,0.9635673,0.016427558],"study_design_scores_gemma":[0.0000032294918,0.000005365556,0.00051698735,0.00015954582,0.0000015920898,0.00005533589,0.0014089936,0.0000117047975,0.0000986625,0.0033950969,0.9943388,0.000004751231],"about_ca_topic_score_codex":0.009834981,"about_ca_topic_score_gemma":0.030991044,"teacher_disagreement_score":0.03837267,"about_ca_system_score_codex":0.002021758,"about_ca_system_score_gemma":0.0013919545,"threshold_uncertainty_score":0.12836933},"labels":[],"label_agreement":null},{"id":"W2065114783","doi":"10.1086/650043","title":": <i>Renaissance Medievalisms</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"The Renaissance; Index (typography); Art; Art history; Humanities; Computer science","score_opus":0.02262533251834741,"score_gpt":0.32920588178038196,"score_spread":0.30658054926203454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065114783","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015827644,0.90083027,0.00044695637,0.035994213,0.0043742284,0.000004165805,0.00010831611,0.00005442826,0.0566046],"genre_scores_gemma":[0.1795069,0.65536535,0.0014385731,0.009256881,0.0162617,0.00004264978,0.00036283437,0.00021686775,0.13754834],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99956256,0.0002091259,0.000017210767,0.000060107006,0.000099373305,0.00005167701],"domain_scores_gemma":[0.99967444,0.00014768958,0.00003616894,0.00003443184,0.00006772099,0.00003957785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089531485,0.0011165848,0.00046363904,0.001566084,0.0017966254,0.003423558,0.0008579277,0.0012130338,0.012525927],"category_scores_gemma":[0.0015908639,0.00033000764,0.00022159104,0.0025714196,0.0048190807,0.005593093,0.0013067736,0.0022492956,0.0038354448],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054190492,0.000019383528,0.00038485767,0.0004532129,0.000020625353,0.00009576842,0.01002618,0.00008967076,0.00017199693,0.15524308,0.75209665,0.081344314],"study_design_scores_gemma":[0.0000064610167,0.000007678034,0.0012866857,0.0004041054,0.0000074281847,0.00013091271,0.0018038334,0.00003181419,0.00018536687,0.017869247,0.9782599,0.0000065756813],"about_ca_topic_score_codex":0.013229114,"about_ca_topic_score_gemma":0.02185541,"teacher_disagreement_score":0.013229114,"about_ca_system_score_codex":0.003301396,"about_ca_system_score_gemma":0.0014137648,"threshold_uncertainty_score":0.041903377},"labels":[],"label_agreement":null},{"id":"W2067149369","doi":"10.1353/ren.2008.0923","title":": <i>Essayes in Divinity: Being Several Disquisitions Interwoven with Meditations and Prayers</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Divinity; Index (typography); Media studies; History; Theology; Sociology; Philosophy","score_opus":0.011966949154527189,"score_gpt":0.21618370914251708,"score_spread":0.20421675998798988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067149369","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004464576,0.500974,0.0010009861,0.19403169,0.04629472,0.000045086726,0.00044020606,0.00012649203,0.25262222],"genre_scores_gemma":[0.08982353,0.17561466,0.0012883146,0.038333613,0.04202539,0.00008245485,0.00057948293,0.00034033472,0.6519122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995105,0.00019604075,0.00002165133,0.00006123685,0.00016164842,0.00004883718],"domain_scores_gemma":[0.9988306,0.00056121155,0.0001247418,0.00005572216,0.00019670566,0.00023094697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086300855,0.00093690207,0.0004373678,0.0012477981,0.0032413462,0.0032422459,0.00076640234,0.0013322408,0.026170308],"category_scores_gemma":[0.002873871,0.0002553054,0.00027100858,0.0018009801,0.0039012658,0.0045201187,0.0019774663,0.0025696126,0.0053949254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019571084,0.000012895518,0.0001745034,0.00017005476,0.000004848865,0.000061311854,0.0031188515,0.000014777284,0.00012985578,0.009047814,0.97159135,0.015654068],"study_design_scores_gemma":[0.000004273698,0.000010157388,0.0014299768,0.0005547761,0.0000037717484,0.00016069633,0.003501828,0.000012028319,0.00015377642,0.0027599575,0.99140114,0.000007560656],"about_ca_topic_score_codex":0.009480621,"about_ca_topic_score_gemma":0.029283324,"teacher_disagreement_score":0.026170308,"about_ca_system_score_codex":0.00185633,"about_ca_system_score_gemma":0.0012399824,"threshold_uncertainty_score":0.087548435},"labels":[],"label_agreement":null},{"id":"W2067570191","doi":"10.1086/655241","title":": <i>Hopeless Love: Boiardo, Ariosto, and Narratives of Queer Female Desire</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"African Sexualities and LGBTQ+ Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Index (typography); Narrative; Art; Art history; Media studies; Sociology; Gender studies; Literature; Computer science","score_opus":0.01824267752773075,"score_gpt":0.30190773631337625,"score_spread":0.2836650587856455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067570191","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040444927,0.77598447,0.0004203993,0.14693804,0.0062358277,0.000037237423,0.00018320986,0.000041923056,0.06611435],"genre_scores_gemma":[0.1835194,0.59579545,0.0011428492,0.05984014,0.008926807,0.00019808036,0.0003341787,0.00020730462,0.15003577],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.999283,0.0004058298,0.000026982501,0.00006985638,0.00011691928,0.000097419164],"domain_scores_gemma":[0.99901664,0.00058312446,0.00012076093,0.000029152217,0.00007759659,0.00017270331],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016708855,0.0012234948,0.0006267704,0.0017602787,0.0058950996,0.00646224,0.0014005303,0.0036959457,0.012055438],"category_scores_gemma":[0.0021825107,0.0005202254,0.00024896083,0.0036005087,0.009222314,0.011919373,0.0032695432,0.0046473485,0.0025135824],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066608416,0.000026365691,0.0008008588,0.0010325318,0.000010077622,0.0003579137,0.120844506,0.000040848525,0.0002501946,0.06774544,0.7734145,0.03541027],"study_design_scores_gemma":[0.00001277118,0.0000143238885,0.002727014,0.0019180803,0.0000096576305,0.0007082692,0.08156021,0.00004306194,0.000095393145,0.008475996,0.90441155,0.000023649252],"about_ca_topic_score_codex":0.086185366,"about_ca_topic_score_gemma":0.22467948,"teacher_disagreement_score":0.086185366,"about_ca_system_score_codex":0.0050164494,"about_ca_system_score_gemma":0.003825663,"threshold_uncertainty_score":0.1713674},"labels":[],"label_agreement":null},{"id":"W2067709908","doi":"10.1086/647424","title":": <i>Kardinal Maffeo Barberini und die Entstehung des Römischen Hochbarock</i>","year":2009,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Index (typography); Humanities; Computer science","score_opus":0.01705007486929357,"score_gpt":0.23821232068898276,"score_spread":0.22116224581968918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067709908","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020359708,0.8042199,0.00027023928,0.045447174,0.012637187,0.000021427368,0.00019297638,0.00007359623,0.13510147],"genre_scores_gemma":[0.10145941,0.4502985,0.00081520504,0.016912712,0.01812856,0.00008552589,0.00044944932,0.00023729082,0.41161337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997718,0.00006761639,0.000008501137,0.000045876623,0.00005993057,0.00004634566],"domain_scores_gemma":[0.9998266,0.000056262284,0.00003956523,0.000011221036,0.000034975783,0.000031420037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003466017,0.0010274823,0.00043182413,0.0011734437,0.0018264775,0.0021403823,0.00070791284,0.0014028925,0.026553625],"category_scores_gemma":[0.000550074,0.00024219589,0.00016608772,0.0016034945,0.0018051836,0.0024286567,0.0015326098,0.0014688959,0.008015299],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054360713,0.000011972548,0.00031815356,0.0007423394,0.0000064733076,0.00014422774,0.0031443033,0.000039852323,0.0002011428,0.02404114,0.92111254,0.050183542],"study_design_scores_gemma":[0.0000037533218,0.0000067429,0.0012166101,0.00037851563,0.0000026349555,0.00018750751,0.0009609916,0.000010872494,0.00008346974,0.0014662262,0.99567705,0.000005661481],"about_ca_topic_score_codex":0.019076651,"about_ca_topic_score_gemma":0.038208462,"teacher_disagreement_score":0.026553625,"about_ca_system_score_codex":0.0019795161,"about_ca_system_score_gemma":0.0009441107,"threshold_uncertainty_score":0.08883077},"labels":[],"label_agreement":null},{"id":"W2068390025","doi":"10.1086/650051","title":": <i>The Struggle for Power in Early Modern Europe: Religious Conflict, Dynastic Empires, and International Change</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Index (typography); History; Power (physics); Politics; Economic history; Political economy; Religious studies; Political science; Sociology; Philosophy; Law","score_opus":0.03570713103158457,"score_gpt":0.25968189650720624,"score_spread":0.22397476547562167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068390025","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013463482,0.7942971,0.000603689,0.1190189,0.017390698,0.000013841566,0.00028475115,0.000060396393,0.0669843],"genre_scores_gemma":[0.07719292,0.6684763,0.0014459831,0.04592663,0.033462714,0.000070189046,0.0006889993,0.0001955457,0.17254071],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969065,0.000121498306,0.000016005451,0.000038894643,0.000092430855,0.00004056884],"domain_scores_gemma":[0.9994497,0.0003342111,0.000050739363,0.000025865058,0.000072750685,0.00006667681],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061348215,0.001016323,0.000608171,0.0020348828,0.001666269,0.004983603,0.0009298973,0.0023402816,0.01919383],"category_scores_gemma":[0.0012755516,0.00029862678,0.00027538228,0.004621619,0.003243903,0.008023334,0.0018730413,0.002589059,0.004710963],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021419968,0.000012025349,0.00026919864,0.00033101643,0.0000079588735,0.000050361923,0.00151479,0.000053510947,0.000059502352,0.028233338,0.9314622,0.03798473],"study_design_scores_gemma":[0.0000097921165,0.000011781395,0.0018679815,0.0011272028,0.000008823066,0.00017510564,0.0026148406,0.000065464345,0.00013443791,0.027205946,0.9667617,0.00001687031],"about_ca_topic_score_codex":0.0072971177,"about_ca_topic_score_gemma":0.020562455,"teacher_disagreement_score":0.01919383,"about_ca_system_score_codex":0.0018681359,"about_ca_system_score_gemma":0.001249197,"threshold_uncertainty_score":0.06420976},"labels":[],"label_agreement":null},{"id":"W2068412615","doi":"10.2307/1262365","title":": <i>Theaters of Intention: Drama and the Law in Early Modern England</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Drama; Media studies; History; Art; Sociology; Literature","score_opus":0.014777969023002548,"score_gpt":0.24015551086832043,"score_spread":0.22537754184531789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068412615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17581359,0.023882525,0.0018130466,0.18316646,0.0025024733,0.00004029238,0.00063690793,0.000114670285,0.61203],"genre_scores_gemma":[0.8940077,0.0031684395,0.00025010444,0.0037598044,0.00042204018,0.000023508526,0.000099834426,0.000052375213,0.098216206],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995436,0.00026875307,0.000015573387,0.0000332891,0.00006245708,0.00007630255],"domain_scores_gemma":[0.99911875,0.0004938287,0.00011177502,0.000057468522,0.000094463656,0.00012375317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011788814,0.00019724236,0.00014057217,0.00060076365,0.0045805364,0.004819483,0.0004938977,0.0014190543,0.018149475],"category_scores_gemma":[0.0030187804,0.00016150082,0.00012972047,0.0008670445,0.0074106003,0.0039899545,0.0019859504,0.0023128937,0.0014675781],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006432998,0.000031774904,0.0023628208,0.00032584698,0.000007946999,0.00031138412,0.41023082,0.00008137385,0.0003628557,0.33024848,0.23509975,0.020872613],"study_design_scores_gemma":[0.000015761467,0.00004169399,0.018802494,0.00060154806,0.0000132157,0.00040493996,0.22777906,0.00011970578,0.0005837525,0.01903019,0.73257715,0.000030511395],"about_ca_topic_score_codex":0.035150982,"about_ca_topic_score_gemma":0.090717115,"teacher_disagreement_score":0.035150982,"about_ca_system_score_codex":0.0032531284,"about_ca_system_score_gemma":0.0012903456,"threshold_uncertainty_score":0.069892764},"labels":[],"label_agreement":null},{"id":"W2068582684","doi":"10.1353/ren.2008.0177","title":": <i> <i>Publishing</i> The Prince: <i>History, Reading, and the Birth of Political Criticism</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Political Theory and Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Publishing; Index (typography); Reading (process); Criticism; History; Politics; Media studies; Art history; Art; Sociology; Political science; Literature; Law; Computer science; World Wide Web","score_opus":0.01290861370263277,"score_gpt":0.2626799366730708,"score_spread":0.24977132297043805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068582684","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006797452,0.7550371,0.00077259255,0.04792683,0.014663405,0.000019412288,0.00090559304,0.00025694363,0.17973831],"genre_scores_gemma":[0.020014513,0.3763131,0.0010318072,0.008310543,0.017431976,0.000042058145,0.0011774183,0.0003971906,0.5752814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957174,0.00009962587,0.000031345113,0.000070238086,0.00018448477,0.000042551448],"domain_scores_gemma":[0.99905545,0.00029192457,0.00012343183,0.00008080009,0.00029589795,0.00015250199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005385538,0.001184245,0.0007101109,0.002773548,0.0013741932,0.0050177514,0.00080683245,0.0018131584,0.11849082],"category_scores_gemma":[0.0020400768,0.00048950774,0.0002934022,0.005380427,0.0017222671,0.0062926114,0.0013095601,0.0019449345,0.054479387],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011866175,0.0000041521557,0.0000943554,0.00026244848,0.0000041388885,0.000023091185,0.000372436,0.00001674906,0.00006243277,0.005656947,0.9586278,0.0348636],"study_design_scores_gemma":[0.0000029087491,0.0000048687116,0.00066708226,0.00048143696,0.000004074309,0.00008354396,0.00034300354,0.000015652255,0.00008063213,0.003301974,0.99500966,0.0000051266657],"about_ca_topic_score_codex":0.008644448,"about_ca_topic_score_gemma":0.019964816,"teacher_disagreement_score":0.11849082,"about_ca_system_score_codex":0.0018342964,"about_ca_system_score_gemma":0.0018306272,"threshold_uncertainty_score":0.39639127},"labels":[],"label_agreement":null},{"id":"W2068880550","doi":"10.1353/ren.2008.0586","title":": <i>Wanton Words: Rhetoric and Sexuality in English Renaissance Drama</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Rhetoric; The Renaissance; Index (typography); Human sexuality; Art; Theology; History; Media studies; Sociology; Art history; Literature; Philosophy; Gender studies; Computer science","score_opus":0.015070244829001373,"score_gpt":0.2762671024368738,"score_spread":0.2611968576078724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068880550","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0048667323,0.56255805,0.0012547841,0.14806229,0.015331002,0.00005010322,0.00064160535,0.00025983457,0.26697567],"genre_scores_gemma":[0.1640259,0.2726798,0.0018069998,0.037138887,0.02700201,0.00014458977,0.00081664475,0.0005442694,0.495841],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971527,0.0001271272,0.00001599233,0.000024218036,0.00008176675,0.000035656],"domain_scores_gemma":[0.999451,0.00027565262,0.00005892246,0.0000151814975,0.00012642474,0.00007280429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000528253,0.00096217124,0.00037169733,0.0014872341,0.0021590774,0.0038427466,0.00071958476,0.0013191842,0.039399862],"category_scores_gemma":[0.0016487875,0.0002534498,0.00016235761,0.0024225854,0.0021862702,0.008433425,0.0015921473,0.0017209887,0.007144412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022378725,0.00000918626,0.00020531319,0.0003549189,0.0000046418086,0.00008308839,0.008755319,0.000018949806,0.00016350413,0.0147884935,0.94462144,0.03097277],"study_design_scores_gemma":[0.000005121441,0.000010366742,0.001472107,0.0005794041,0.000007057513,0.00019862462,0.007255413,0.000036235833,0.00019409624,0.003980563,0.9862499,0.000011151171],"about_ca_topic_score_codex":0.012475211,"about_ca_topic_score_gemma":0.039488144,"teacher_disagreement_score":0.039399862,"about_ca_system_score_codex":0.0019000969,"about_ca_system_score_gemma":0.0010428578,"threshold_uncertainty_score":0.13180566},"labels":[],"label_agreement":null},{"id":"W2069294850","doi":"10.1353/ren.2008.0576","title":": <i> <i>Usury and Public Debt in Early Renaissance Florence: Lorenzo Ridolfi on the</i> Monte Comune </i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Usury; Debt; The Renaissance; Index (typography); Humanities; Art; Classics; History; Art history; Economics; Archaeology; Finance","score_opus":0.03629762480666451,"score_gpt":0.22745393542884632,"score_spread":0.1911563106221818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2069294850","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007968422,0.854018,0.00007067104,0.06698563,0.0019874156,0.0000049264563,0.0002440944,0.00003169237,0.06868915],"genre_scores_gemma":[0.44754586,0.37690625,0.00018666137,0.0052472367,0.0073748818,0.00003006139,0.00036816165,0.00006384975,0.16227706],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997607,0.000088695335,0.000006867443,0.000034414985,0.00005360419,0.000055709297],"domain_scores_gemma":[0.9996203,0.0001565057,0.000057073867,0.000025439325,0.000073426796,0.00006719932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056542095,0.00056696247,0.0004089376,0.0020923663,0.0018746369,0.0032281089,0.0008500909,0.0012764947,0.022040332],"category_scores_gemma":[0.0012458283,0.00025143623,0.00015490687,0.0042587183,0.0024788666,0.0026031134,0.00086973654,0.0012176528,0.0014429319],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004004196,0.000019016165,0.0014101203,0.00037759292,0.000009725566,0.00023198091,0.012738738,0.000096354306,0.0000972354,0.07144865,0.8631127,0.050417833],"study_design_scores_gemma":[0.00000880743,0.00000925268,0.009890952,0.0007014769,0.0000076208657,0.00014507372,0.0037229336,0.000023418334,0.000078739635,0.0030502747,0.98235047,0.000010972331],"about_ca_topic_score_codex":0.23082827,"about_ca_topic_score_gemma":0.34462026,"teacher_disagreement_score":0.23082827,"about_ca_system_score_codex":0.00856507,"about_ca_system_score_gemma":0.0022486323,"threshold_uncertainty_score":0.4589694},"labels":[],"label_agreement":null},{"id":"W2070290441","doi":"10.1086/650047","title":": <i> <i>L'introduction au traité de la conformité des merveilles anciennes avec les modernes ou, traité preparatif à l'Apologie pour Herodote</i> </i>","year":2009,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02434662757673859,"score_gpt":0.2598967987880342,"score_spread":0.2355501712112956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070290441","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020174056,0.3880353,0.0040617436,0.08250976,0.06280136,0.00006765826,0.00073675206,0.00032004103,0.45944986],"genre_scores_gemma":[0.037453145,0.18225352,0.002728467,0.019861434,0.042861205,0.00012334065,0.000831776,0.00056534796,0.7133218],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992507,0.00026632604,0.000046964622,0.00010443153,0.00026216128,0.00006938372],"domain_scores_gemma":[0.99896944,0.00048325912,0.00009994647,0.000070576294,0.00027296384,0.00010388636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009253007,0.00104004,0.00050480844,0.0018004057,0.002136286,0.0039751763,0.0008070974,0.0019064078,0.043748874],"category_scores_gemma":[0.0016216355,0.00029983438,0.00043544435,0.0022382447,0.0033492374,0.0040630735,0.0015690648,0.0029474697,0.015672386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020807376,0.000010685327,0.000104721454,0.00032398588,0.0000045624342,0.000086470835,0.0018849582,0.00003741005,0.0002941134,0.03340084,0.9353688,0.028462721],"study_design_scores_gemma":[0.0000011192815,0.0000057688335,0.00030807604,0.00025182276,0.0000013304099,0.00012807417,0.00038295967,0.00001341532,0.00006470607,0.0018957609,0.9969426,0.0000044254048],"about_ca_topic_score_codex":0.009259046,"about_ca_topic_score_gemma":0.014917984,"teacher_disagreement_score":0.043748874,"about_ca_system_score_codex":0.0026991668,"about_ca_system_score_gemma":0.0020225411,"threshold_uncertainty_score":0.14635462},"labels":[],"label_agreement":null},{"id":"W2070599845","doi":"10.1086/656960","title":": <i> <i>The Unwanted Child: The Fate of Foundlings,Orphans, and Juvenile Criminals in Early Modern Germany</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Juvenile; Index (typography); Economic history; History; Demography; Sociology; Biology","score_opus":0.024111033891504444,"score_gpt":0.2462546803865579,"score_spread":0.22214364649505347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070599845","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034163177,0.79365104,0.00015235008,0.11702466,0.0054065804,0.000016574082,0.00044310637,0.000022080185,0.049120516],"genre_scores_gemma":[0.4103413,0.5143879,0.00019651349,0.012191132,0.0040255496,0.000046752404,0.00030592264,0.000038197853,0.058466736],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99963963,0.00015782531,0.000016826145,0.000035719804,0.00006305164,0.0000869478],"domain_scores_gemma":[0.9996903,0.000116821226,0.00008800168,0.000010994467,0.000027413642,0.00006652947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070041604,0.0004523732,0.0002884271,0.0013772564,0.0020601773,0.0021665331,0.0005968952,0.0014936983,0.006413054],"category_scores_gemma":[0.0009666663,0.00024288803,0.00016969869,0.0021503426,0.0042198193,0.004177161,0.0018755068,0.0011150929,0.0010769711],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006380553,0.000037309404,0.0067387316,0.0010405254,0.00002022331,0.0013154151,0.12212058,0.00011602525,0.000193944,0.06519538,0.6974053,0.10575279],"study_design_scores_gemma":[0.000008303477,0.00004470729,0.02517228,0.0038985047,0.000019454468,0.0017131781,0.10825455,0.00003473029,0.00020846043,0.0072353776,0.853373,0.000037415553],"about_ca_topic_score_codex":0.030957794,"about_ca_topic_score_gemma":0.08074113,"teacher_disagreement_score":0.030957794,"about_ca_system_score_codex":0.0021281932,"about_ca_system_score_gemma":0.0016958257,"threshold_uncertainty_score":0.061555207},"labels":[],"label_agreement":null},{"id":"W2073638563","doi":"10.1353/ren.0.0063","title":": <i>Let me behold thy face: Physiognomik und Gesischtslektüren in Shakespeares Tragödien</i>","year":2008,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Classical Philosophy and Thought","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Behold; Art; Index (typography); Face (sociological concept); Humanities; Theology; Art history; Philosophy; Computer science","score_opus":0.043337042239813904,"score_gpt":0.2508719977591075,"score_spread":0.2075349555192936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073638563","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019535276,0.726194,0.001387236,0.07683417,0.01811802,0.0000228997,0.0002962392,0.00018074042,0.17501311],"genre_scores_gemma":[0.04063937,0.21392776,0.0015072317,0.011789283,0.008981601,0.000049371487,0.00046067373,0.00035055284,0.72229415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996736,0.00010664225,0.000014148708,0.00004118473,0.00011801204,0.000046374797],"domain_scores_gemma":[0.9996221,0.00014885888,0.000025840549,0.000021690123,0.00009623048,0.00008520508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005738192,0.00081381743,0.0005442807,0.001383908,0.0021561556,0.003584907,0.00062265736,0.0014952202,0.055251088],"category_scores_gemma":[0.0009762662,0.00034442983,0.000221321,0.0019477329,0.0027443825,0.006516742,0.001673683,0.0022873234,0.021559285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018924706,0.000007929028,0.00013064998,0.00022436887,0.000004678818,0.00005694241,0.0027597987,0.00002175839,0.0001574679,0.012017964,0.9291628,0.055436667],"study_design_scores_gemma":[0.000002944856,0.000009623735,0.0011387046,0.0004312181,0.0000034488728,0.00015830605,0.0022964121,0.00002032749,0.0001239485,0.005438749,0.990368,0.000008332114],"about_ca_topic_score_codex":0.0120348735,"about_ca_topic_score_gemma":0.03976269,"teacher_disagreement_score":0.055251088,"about_ca_system_score_codex":0.0019846568,"about_ca_system_score_gemma":0.0017379433,"threshold_uncertainty_score":0.18483329},"labels":[],"label_agreement":null},{"id":"W2077887102","doi":"10.1353/ren.2008.0146","title":": <i>Nature’s Cruel Stepdames: Murderous Women in the Street Literature of Seventeenth Century England</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"The Renaissance; Index (typography); Renaissance literature; Art; Art history; Performance art; History; Classics; Theology; Philosophy","score_opus":0.00757640190870329,"score_gpt":0.21794693232994486,"score_spread":0.21037053042124157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077887102","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0129850395,0.8479201,0.00018612808,0.072476625,0.005987938,0.00002359408,0.00023415213,0.000029596935,0.060156755],"genre_scores_gemma":[0.25475246,0.52750546,0.0003534322,0.013628059,0.009108927,0.000084092775,0.00042067244,0.00007773581,0.19406916],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99974066,0.00010791807,0.000015456008,0.000026083868,0.000064146516,0.000045695127],"domain_scores_gemma":[0.99938524,0.00031123403,0.00009857647,0.000017880313,0.000091881884,0.00009527335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006302269,0.0005479687,0.00032638194,0.0015694466,0.003231248,0.0034749315,0.00069060136,0.0014200751,0.01279459],"category_scores_gemma":[0.0012109765,0.00025902435,0.00012630272,0.003194854,0.0032701434,0.0051861666,0.0019599334,0.0012722453,0.0017173453],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043225158,0.000022445029,0.0013615299,0.0010693062,0.0000101992255,0.00054984976,0.10282672,0.000041309428,0.00022763737,0.035395,0.81454617,0.043906443],"study_design_scores_gemma":[0.000006391588,0.000016639993,0.0066158962,0.0016752351,0.000008103206,0.00045679187,0.053733487,0.00001664034,0.00015514149,0.002838794,0.9344671,0.000009779889],"about_ca_topic_score_codex":0.034791145,"about_ca_topic_score_gemma":0.1154209,"teacher_disagreement_score":0.034791145,"about_ca_system_score_codex":0.002641683,"about_ca_system_score_gemma":0.0016350144,"threshold_uncertainty_score":0.06917727},"labels":[],"label_agreement":null},{"id":"W2078644405","doi":"10.2307/1512554","title":": <i>Art on the Jesuit Missions in Asia and Latin America 1542-1773</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Latin Americans; History; Classics; Media studies; Humanities; Art history; Art; Sociology; Political science; Law","score_opus":0.0242312606824492,"score_gpt":0.26443972357612455,"score_spread":0.24020846289367537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078644405","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013430417,0.41976485,0.0005634696,0.034113087,0.019972194,0.000034872282,0.00049120735,0.00014586444,0.52357143],"genre_scores_gemma":[0.034872502,0.16138446,0.0007617898,0.013937487,0.0122343935,0.00006738707,0.00042306847,0.0003241484,0.7759949],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997172,0.00009012778,0.000014800786,0.000027902368,0.00010319797,0.000046810277],"domain_scores_gemma":[0.9997725,0.00008546826,0.000025814483,0.000014879092,0.00006253928,0.000038720507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042186558,0.0010279709,0.00032890585,0.0014800323,0.0026349602,0.0032550646,0.0007044097,0.0011618813,0.05085352],"category_scores_gemma":[0.000766019,0.00022257905,0.00027362356,0.0024872227,0.0022710348,0.0026831464,0.0017161334,0.0018397857,0.01274178],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020573782,0.000007842608,0.00016886235,0.00020251311,0.000004470391,0.00006736703,0.0022080396,0.00002698702,0.00014258934,0.012476543,0.9597716,0.024902645],"study_design_scores_gemma":[0.0000016910184,0.0000031785191,0.0006736515,0.0002774626,0.0000018662826,0.00007366625,0.0012149555,0.000006727654,0.000048767975,0.0009446038,0.9967501,0.0000034585778],"about_ca_topic_score_codex":0.043611567,"about_ca_topic_score_gemma":0.13177468,"teacher_disagreement_score":0.05085352,"about_ca_system_score_codex":0.0027075228,"about_ca_system_score_gemma":0.0015055463,"threshold_uncertainty_score":0.17012197},"labels":[],"label_agreement":null},{"id":"W2079405932","doi":"10.1353/ren.2008.0833","title":": <i>Eternal Bonds, True Contracts: Law and Nature in Shakespeare’s Problem Plays</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Index (typography); Philosophy; Law and economics; Art history; Humanities; Law; Sociology; Art; Political science; Computer science","score_opus":0.0075318404115349005,"score_gpt":0.2661200120741974,"score_spread":0.2585881716626625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079405932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015599747,0.027090788,0.007987797,0.42364445,0.0026309353,0.0000256128,0.00021964977,0.00006903004,0.522732],"genre_scores_gemma":[0.6604843,0.011231755,0.0036025739,0.041077077,0.0023559679,0.00008634695,0.00015682542,0.00015994949,0.28084522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998928,0.0006510927,0.000038809638,0.000115606446,0.00016363295,0.000102786915],"domain_scores_gemma":[0.99856913,0.000980651,0.00010013172,0.000079984085,0.00017258628,0.000097477874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002049802,0.00046456765,0.00028489716,0.0008136825,0.006604709,0.006618035,0.000990324,0.005890957,0.012774694],"category_scores_gemma":[0.004090398,0.00024024695,0.00023292746,0.0010815304,0.015133157,0.010470489,0.0017037522,0.0055919318,0.0017083187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009365003,0.0000046248583,0.00014170885,0.00003335279,0.000002331067,0.000059523354,0.011746654,0.00004641532,0.00002401191,0.8983013,0.086915515,0.0027151904],"study_design_scores_gemma":[0.000013651174,0.0000120860495,0.0012068831,0.000267755,0.000006428912,0.00034574384,0.018358247,0.0004085033,0.00022671797,0.48026007,0.49887145,0.000022501767],"about_ca_topic_score_codex":0.022880686,"about_ca_topic_score_gemma":0.040406805,"teacher_disagreement_score":0.022880686,"about_ca_system_score_codex":0.0047570146,"about_ca_system_score_gemma":0.0022120073,"threshold_uncertainty_score":0.045494974},"labels":[],"label_agreement":null},{"id":"W2080834474","doi":"10.1086/647442","title":": <i>Nefarious Crimes, Contested Justice: Illicit Sex and Infanticide in the Republic of Venice, 1557–1789</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Economic Justice; Index (typography); Criminology; Political science; History; Sociology; Law","score_opus":0.04160413859586559,"score_gpt":0.274419060978429,"score_spread":0.2328149223825634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2080834474","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007921603,0.87284654,0.00005717795,0.022194518,0.0037567068,0.000015075227,0.00036154367,0.000014639753,0.09283218],"genre_scores_gemma":[0.28901124,0.5484286,0.0003764593,0.008450213,0.0074975123,0.00007981003,0.0007509298,0.000058066016,0.14534718],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995747,0.00017584754,0.00002151005,0.000038878374,0.00008092563,0.00010803948],"domain_scores_gemma":[0.99974483,0.00009963866,0.000059144175,0.000012033849,0.000031823776,0.000052536037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005185587,0.0005719913,0.00036146078,0.0022603655,0.0024985834,0.0023071144,0.0008714957,0.0012219895,0.009762225],"category_scores_gemma":[0.0009329688,0.0001997994,0.00019522427,0.0031349862,0.0031681468,0.0020034267,0.0017114198,0.0015053134,0.0010681872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060137903,0.00003742247,0.0056431256,0.0008904074,0.000017658083,0.0005651829,0.032628167,0.00016281799,0.00011662385,0.072472796,0.77253234,0.11487336],"study_design_scores_gemma":[0.0000050818626,0.000013230164,0.018124903,0.001956393,0.0000061881397,0.00041355265,0.0137183955,0.000027146481,0.00010435767,0.002682129,0.9629333,0.000015332833],"about_ca_topic_score_codex":0.121426545,"about_ca_topic_score_gemma":0.29100052,"teacher_disagreement_score":0.121426545,"about_ca_system_score_codex":0.0038988465,"about_ca_system_score_gemma":0.0030604359,"threshold_uncertainty_score":0.24143952},"labels":[],"label_agreement":null},{"id":"W2081405810","doi":"10.1086/650035","title":": <i>La chaîne d'or des poètes: Présence de Macrobe dans l'Europe humaniste</i>","year":2009,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"The Renaissance; Humanities; Art; Art history","score_opus":0.016040119620526552,"score_gpt":0.2520512735312785,"score_spread":0.23601115391075195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081405810","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021467756,0.6793567,0.0011825031,0.08354795,0.011709177,0.000020880949,0.00046200558,0.00010453068,0.22146946],"genre_scores_gemma":[0.106587395,0.4605146,0.0020815176,0.015354442,0.013539142,0.00009978544,0.0008144355,0.00031434788,0.40069434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995616,0.00017309457,0.000022161408,0.00006318407,0.00011757926,0.00006229455],"domain_scores_gemma":[0.999493,0.00025924944,0.000057106015,0.000027195769,0.00009709216,0.00006634593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006992479,0.00073971425,0.0003690017,0.0016168277,0.002015043,0.0053428225,0.0006637695,0.0018427741,0.03961876],"category_scores_gemma":[0.0013784958,0.00027191913,0.00023834914,0.0032365401,0.0027847346,0.008267199,0.0019315942,0.0024837127,0.009676634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027166872,0.0000088981615,0.0003284007,0.0004753096,0.000005908558,0.000100076075,0.004722075,0.000027390235,0.0001356212,0.061167564,0.87852633,0.05447511],"study_design_scores_gemma":[0.0000032155235,0.0000070190235,0.001229865,0.0007180417,0.0000037418015,0.00016780398,0.0026861737,0.000017712555,0.00012197537,0.0064663915,0.98857003,0.000007979777],"about_ca_topic_score_codex":0.014788755,"about_ca_topic_score_gemma":0.032802105,"teacher_disagreement_score":0.03961876,"about_ca_system_score_codex":0.002488372,"about_ca_system_score_gemma":0.0019505166,"threshold_uncertainty_score":0.13253796},"labels":[],"label_agreement":null},{"id":"W2081482919","doi":"10.1086/650037","title":": <i>Meglio ignorante che dotto: L'elogio paradossale in prosa nel Cinquecento</i>","year":2009,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Append; Humanities; Index (typography); Art; History; Computer science","score_opus":0.013153574682349194,"score_gpt":0.2293836673405874,"score_spread":0.2162300926582382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081482919","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004232011,0.2887014,0.0004841086,0.390088,0.021119362,0.00001666451,0.00018150567,0.00010587319,0.29507115],"genre_scores_gemma":[0.16834326,0.12344027,0.0007670354,0.07562399,0.034151018,0.000096127944,0.00026780195,0.0004906976,0.59681976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999138,0.00041882458,0.000028690549,0.00012457557,0.00018528491,0.00010453015],"domain_scores_gemma":[0.9990656,0.00045173866,0.000098452976,0.000064378895,0.00022701798,0.00009280831],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011007012,0.00079069217,0.0004094925,0.0012480369,0.004106139,0.0059006796,0.0008878549,0.0033085758,0.020142015],"category_scores_gemma":[0.0026172155,0.0002970007,0.0003145615,0.0018273576,0.005170718,0.008060474,0.0021953261,0.005161513,0.0057059936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023194916,0.000007529855,0.00020740407,0.00017045159,0.000003448616,0.00008364416,0.006389333,0.000017178952,0.00007275396,0.0447782,0.93185014,0.016396783],"study_design_scores_gemma":[0.000004241396,0.000007437977,0.00095923356,0.00032910213,0.0000048743964,0.00015969192,0.0032934027,0.000017688299,0.00008398545,0.0029949532,0.99213725,0.000008136877],"about_ca_topic_score_codex":0.019290455,"about_ca_topic_score_gemma":0.040493213,"teacher_disagreement_score":0.020142015,"about_ca_system_score_codex":0.0033342708,"about_ca_system_score_gemma":0.0019031236,"threshold_uncertainty_score":0.06738174},"labels":[],"label_agreement":null},{"id":"W2082866940","doi":"10.2307/1261851","title":"Placement, Gender, Pedagogy: Virgil's Fourth Georgic in Print","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":35,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Literature; Poetry; Set (abstract data type); The Renaissance; Art; Computer science; Art history; Programming language","score_opus":0.029059003376942935,"score_gpt":0.26266853580425836,"score_spread":0.23360953242731541,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082866940","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26224148,0.00543358,0.0032980067,0.028457109,0.0016266692,0.000036709873,0.000029752868,0.00024156878,0.69863504],"genre_scores_gemma":[0.8727383,0.0006582664,0.00050744787,0.001045891,0.00011572469,0.000014151266,0.000007807354,0.00006933658,0.124843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992429,0.00038050424,0.000011905583,0.00008836368,0.00013005218,0.00014628728],"domain_scores_gemma":[0.9994087,0.00034051953,0.00003830019,0.000049038666,0.00004179123,0.00012167598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010676276,0.0003715935,0.00026379206,0.00097323634,0.008645686,0.0071098027,0.00058855716,0.0014906079,0.0038388225],"category_scores_gemma":[0.002196026,0.0001581983,0.00014006694,0.0005356445,0.017809093,0.0020063901,0.005054221,0.0036324055,0.0004600063],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004023158,0.000035714183,0.0008731587,0.000060606504,0.0000025132344,0.000726833,0.3316464,0.00011564269,0.00052321266,0.62982476,0.012479255,0.023671634],"study_design_scores_gemma":[0.0000159977,0.0001277222,0.0018799132,0.00020640396,0.000009763878,0.00058156956,0.14415479,0.00016560369,0.0016761082,0.03914252,0.81201375,0.000025826552],"about_ca_topic_score_codex":0.010006298,"about_ca_topic_score_gemma":0.027576035,"teacher_disagreement_score":0.010006298,"about_ca_system_score_codex":0.005964477,"about_ca_system_score_gemma":0.0027793362,"threshold_uncertainty_score":0.043275476},"labels":[],"label_agreement":null},{"id":"W2084756411","doi":"10.1353/ren.2008.0224","title":": <i>The Origins of the Grand Tour: The Travels of Robert Montagu, Lord Mandeville, 1649–1654, William Hammond, 1655–1658, Banaster Maynard, 1660–1663</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Index (typography); Classics; Environmental ethics; Philosophy","score_opus":0.008918607378065666,"score_gpt":0.19133560426998533,"score_spread":0.18241699689191967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084756411","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031383862,0.7246773,0.00042954728,0.07008041,0.009542882,0.000015464992,0.00033738773,0.000097152195,0.19168143],"genre_scores_gemma":[0.07304993,0.23464368,0.00093598646,0.010602138,0.006241877,0.00004372881,0.0005611786,0.00031428915,0.6736071],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996556,0.00013583622,0.000010736879,0.000042522483,0.00008347131,0.00007186486],"domain_scores_gemma":[0.99977213,0.00006405964,0.000030721265,0.000012902628,0.000059820326,0.000060387043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042189434,0.0007554694,0.00033748584,0.00081077195,0.0030071607,0.003839674,0.00085660967,0.0014707176,0.04924855],"category_scores_gemma":[0.0007653116,0.00034472055,0.00021641486,0.0015433127,0.0021369308,0.0038175066,0.001613231,0.0021276737,0.011718551],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024528445,0.0000048560373,0.00024274224,0.00027019312,0.000004112063,0.00009151474,0.006003994,0.000019097964,0.000105853855,0.010486672,0.94910336,0.033643145],"study_design_scores_gemma":[0.0000010245388,0.0000020921968,0.00070764247,0.00018824557,0.0000013386715,0.0000753285,0.0023711103,0.000004524126,0.00003049756,0.00044145502,0.9961731,0.0000036363606],"about_ca_topic_score_codex":0.1145705,"about_ca_topic_score_gemma":0.2973345,"teacher_disagreement_score":0.1145705,"about_ca_system_score_codex":0.004112614,"about_ca_system_score_gemma":0.0029817529,"threshold_uncertainty_score":0.22780722},"labels":[],"label_agreement":null},{"id":"W2086580523","doi":"10.1353/ren.2007.0324","title":": <i>An Audience of One: Dorothy Osborne's Letters to Sir William Temple, 1652–1654</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Temple; Art history; Media studies; Humanities; History; Art; Sociology; Ancient history; Computer science","score_opus":0.023233769651419947,"score_gpt":0.31985475670027375,"score_spread":0.2966209870488538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086580523","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012871417,0.24253878,0.00049817003,0.3955414,0.07372215,0.000037341575,0.00043264532,0.00015705971,0.28578538],"genre_scores_gemma":[0.017441254,0.042322543,0.00042537783,0.08381673,0.028392918,0.00005995223,0.00021277199,0.00021551407,0.8271129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916327,0.00024519814,0.00003711695,0.00009621181,0.00029497666,0.0001631323],"domain_scores_gemma":[0.99889815,0.0003804096,0.00012686446,0.00004359112,0.00027051335,0.0002804467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009903235,0.0012608351,0.00045433585,0.0012096,0.005991142,0.005874014,0.0009689942,0.005704836,0.08421509],"category_scores_gemma":[0.003921877,0.0005289771,0.00038029815,0.0012310734,0.002279069,0.005962174,0.002939475,0.005660096,0.029447287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006922366,0.0000017352801,0.00002568691,0.000025064131,6.518363e-7,0.00002769485,0.00028441107,0.0000037128875,0.000027103088,0.0012139159,0.99505097,0.0033321255],"study_design_scores_gemma":[0.0000014145824,0.0000023262235,0.00015351942,0.00008543192,8.845631e-7,0.000043909993,0.00059305946,0.0000032738938,0.000024182265,0.0003675471,0.9987205,0.000004138211],"about_ca_topic_score_codex":0.017626513,"about_ca_topic_score_gemma":0.06257632,"teacher_disagreement_score":0.08421509,"about_ca_system_score_codex":0.0037779016,"about_ca_system_score_gemma":0.0021017753,"threshold_uncertainty_score":0.28172755},"labels":[],"label_agreement":null},{"id":"W2088028200","doi":"10.1086/656949","title":": <i> <i>The Book of Michael of Rhodes: A Fifteenth-CenturyMaritime Manuscript</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Append; Fifteenth; Index (typography); History; Classics","score_opus":0.008967339988250216,"score_gpt":0.21129840519764662,"score_spread":0.2023310652093964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088028200","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033286784,0.5528497,0.0016583708,0.050406165,0.046003543,0.0000524758,0.0011543245,0.00016161865,0.34438515],"genre_scores_gemma":[0.03556531,0.18144636,0.0017547385,0.006178447,0.015183051,0.000046509307,0.00095803733,0.00056185195,0.75830567],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997439,0.000067820634,0.000020353062,0.000056345365,0.00009397671,0.000017532439],"domain_scores_gemma":[0.9996561,0.00010564271,0.00003326016,0.000034042474,0.00012607955,0.000044888176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049434823,0.0008297726,0.00043183524,0.0014034115,0.0014675697,0.0026138967,0.00063737313,0.0007743358,0.049596976],"category_scores_gemma":[0.0015986931,0.00026734234,0.00026146788,0.0016021294,0.0014940795,0.0024767444,0.0012387324,0.0013019671,0.015751533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029025437,0.000008548124,0.00018596763,0.0003725737,0.000006697213,0.0000952008,0.0015884553,0.000040825416,0.00031734505,0.019854655,0.923151,0.05434969],"study_design_scores_gemma":[7.2138073e-7,0.0000024137835,0.00022423003,0.00018546275,0.0000012443852,0.0000667233,0.00023263216,0.000005148501,0.0000712557,0.00054549956,0.9986626,0.000002164397],"about_ca_topic_score_codex":0.018094549,"about_ca_topic_score_gemma":0.04413878,"teacher_disagreement_score":0.049596976,"about_ca_system_score_codex":0.0019768088,"about_ca_system_score_gemma":0.001595878,"threshold_uncertainty_score":0.16591841},"labels":[],"label_agreement":null},{"id":"W2088305701","doi":"10.1086/655249","title":": <i>De la fantaisie chez Ronsard</i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; Index (typography); Humanities; The Renaissance; Art history; Computer science; World Wide Web","score_opus":0.00541715017201654,"score_gpt":0.231486844907314,"score_spread":0.22606969473529745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088305701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20971365,0.08730494,0.0028612218,0.113546185,0.02247871,0.0000756551,0.0010315046,0.0006302299,0.56235784],"genre_scores_gemma":[0.59890854,0.019049512,0.0014274123,0.006436785,0.0036020938,0.00007327029,0.000216869,0.0003030413,0.3699824],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993942,0.00024524567,0.000020504796,0.00008017256,0.00017350084,0.000086413085],"domain_scores_gemma":[0.9996755,0.00012253512,0.000054229935,0.000014334437,0.00005230853,0.000081134785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009766499,0.0010591822,0.00042419138,0.0008243694,0.0048800907,0.002784503,0.00066356134,0.0021972782,0.026965627],"category_scores_gemma":[0.0023596496,0.0003771524,0.00062066,0.0007305225,0.00359349,0.0021469207,0.0011450038,0.0054776147,0.004376837],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005704558,0.00012395857,0.00849725,0.0006992941,0.000092336486,0.014920947,0.16597159,0.000633004,0.005763586,0.31967112,0.3946546,0.088401884],"study_design_scores_gemma":[0.000013734779,0.00006235423,0.008758744,0.00019075173,0.000010539059,0.0063324273,0.022358753,0.00012567811,0.0008499084,0.0013713621,0.9598803,0.00004543138],"about_ca_topic_score_codex":0.10823344,"about_ca_topic_score_gemma":0.10035971,"teacher_disagreement_score":0.10823344,"about_ca_system_score_codex":0.003850993,"about_ca_system_score_gemma":0.001993571,"threshold_uncertainty_score":0.21520692},"labels":[],"label_agreement":null},{"id":"W2088382125","doi":"10.1353/ren.0.0158","title":": <i>Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Index (typography); Early modern Europe; Face (sociological concept); Art history; History; Art; Classics; Humanities; Sociology; Social science","score_opus":0.030616365181229125,"score_gpt":0.21790960565037115,"score_spread":0.18729324046914203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088382125","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023339758,0.8546934,0.00050028134,0.055993855,0.003974257,0.000008833184,0.00012157943,0.00002732053,0.061340693],"genre_scores_gemma":[0.5041937,0.3993454,0.0009428231,0.009085179,0.006467261,0.000027398391,0.00026645098,0.00005998924,0.079611674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997187,0.00011747792,0.000012741427,0.00003682711,0.000052535866,0.00006167362],"domain_scores_gemma":[0.9997588,0.00009753836,0.000045607965,0.00001716333,0.000035387995,0.000045464356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080103485,0.0003301609,0.000303254,0.0011682032,0.0017905232,0.0039859144,0.0005724074,0.0013790755,0.0059744795],"category_scores_gemma":[0.00091475045,0.00016742766,0.00017492705,0.0020033247,0.0044219373,0.005755879,0.0020842368,0.0012825436,0.00066890474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012559177,0.00003662864,0.004049384,0.00085245847,0.000025427098,0.0005125578,0.08285129,0.00013301746,0.00043031826,0.25826275,0.45177147,0.20094912],"study_design_scores_gemma":[0.0000071951245,0.000022297143,0.012786492,0.0012634645,0.0000090999765,0.00052961224,0.02232585,0.000048624675,0.00023388866,0.021023113,0.94173634,0.000013956682],"about_ca_topic_score_codex":0.008552696,"about_ca_topic_score_gemma":0.01353779,"teacher_disagreement_score":0.008552696,"about_ca_system_score_codex":0.0020720628,"about_ca_system_score_gemma":0.0010872346,"threshold_uncertainty_score":0.01998657},"labels":[],"label_agreement":null},{"id":"W2088410742","doi":"10.2307/1262013","title":": <i>Private Collectors in Mantua: 1500-1630</i>","year":2003,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Append; Index (typography); Humanities; History; Art; Computer science","score_opus":0.015356052685088427,"score_gpt":0.21661329147615066,"score_spread":0.20125723879106222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088410742","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01642968,0.30043545,0.0013393248,0.014906952,0.016261784,0.00016700428,0.007390046,0.0018138961,0.64125586],"genre_scores_gemma":[0.031898294,0.01980706,0.00063401944,0.0006721866,0.0011639771,0.00006576892,0.001214974,0.0003035949,0.9442401],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998752,0.00001402683,0.0000071882946,0.000026938924,0.000044321987,0.000032307413],"domain_scores_gemma":[0.99983037,0.000022986816,0.000038212165,0.000014814225,0.00005610037,0.000037451675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000307228,0.000810872,0.0004256857,0.0022480984,0.0020513379,0.0018684488,0.00067565223,0.0007878067,0.17733438],"category_scores_gemma":[0.0006865367,0.00042262248,0.00019460576,0.0042262604,0.0008178872,0.002188038,0.0014071703,0.0009078122,0.055600356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082152386,0.000012982105,0.0009545854,0.00053798733,0.000004179593,0.0002367511,0.003434502,0.000036172518,0.00050310016,0.0073679495,0.8102713,0.17655823],"study_design_scores_gemma":[0.0000023740106,0.000004179496,0.0019337584,0.000089943984,0.0000016572079,0.00006570999,0.0003221113,0.000006866637,0.00010400414,0.00018206198,0.99728465,0.0000027028148],"about_ca_topic_score_codex":0.036897685,"about_ca_topic_score_gemma":0.09413195,"teacher_disagreement_score":0.17733438,"about_ca_system_score_codex":0.0015890789,"about_ca_system_score_gemma":0.001687823,"threshold_uncertainty_score":0.59324265},"labels":[],"label_agreement":null},{"id":"W2088993831","doi":"10.2307/1261633","title":": <i>Discourses of Poverty: Social Reform and the Picaresque Novel in Early Modern Spain</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poverty; Social reform; Media studies; Political science; Sociology; Humanities; Economic history; History; Art; Law; Politics","score_opus":0.014425115116687667,"score_gpt":0.22269361265857499,"score_spread":0.2082684975418873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088993831","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03976939,0.4085084,0.0008345133,0.19857089,0.00579658,0.000022351343,0.0002711045,0.000081307924,0.34614548],"genre_scores_gemma":[0.7495939,0.073300466,0.0006409069,0.014724708,0.0061330637,0.00006440418,0.00022598497,0.00021851351,0.15509811],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933165,0.00040382321,0.000015282101,0.000040589675,0.000110505825,0.00009809807],"domain_scores_gemma":[0.99947554,0.00024445163,0.00009563711,0.000029721114,0.00008163924,0.000073068244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014828235,0.00056024466,0.0003876904,0.0010819805,0.0035616357,0.006694373,0.00079229707,0.0016581749,0.008227814],"category_scores_gemma":[0.001841722,0.00015342013,0.00021737504,0.0020427743,0.005918449,0.0036259175,0.0023398118,0.0020281158,0.0009379006],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021217656,0.000064195534,0.0018504505,0.00076687534,0.000027034275,0.0005397957,0.10514356,0.00027481644,0.00026830047,0.23665719,0.58482045,0.06937511],"study_design_scores_gemma":[0.000024016124,0.000017084834,0.004189343,0.0006969818,0.000011974207,0.00020108609,0.03714543,0.00006445807,0.00023326595,0.019566793,0.9378363,0.000013344582],"about_ca_topic_score_codex":0.021472534,"about_ca_topic_score_gemma":0.034377974,"teacher_disagreement_score":0.021472534,"about_ca_system_score_codex":0.0058665783,"about_ca_system_score_gemma":0.0022830204,"threshold_uncertainty_score":0.042695105},"labels":[],"label_agreement":null},{"id":"W2089224747","doi":"10.1086/652604","title":": <i>Cervantes' Epic Novel: Empire, Religion, and the Dream Life of Heroes in “Persiles.”</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"EPIC; Append; Empire; Dream; Index (typography); History; Art; Art history; Humanities; Ancient history; Literature; Psychology","score_opus":0.009877253646969715,"score_gpt":0.21021317965610126,"score_spread":0.20033592600913155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089224747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009446462,0.3667654,0.00050104107,0.07708513,0.016424352,0.000028566446,0.00052090484,0.00006346925,0.5291648],"genre_scores_gemma":[0.21231706,0.12695922,0.00071469723,0.020579763,0.014645181,0.000071001654,0.000523158,0.00021075066,0.6239792],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997904,0.000086859465,0.0000072524776,0.000028397551,0.000056448673,0.00003061455],"domain_scores_gemma":[0.9997136,0.000134258,0.00004189326,0.0000136946555,0.000049833474,0.000046661822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046338496,0.0008500844,0.0003091767,0.0009080085,0.0030802623,0.003419243,0.0006272984,0.001249566,0.020806229],"category_scores_gemma":[0.0010831124,0.0002160287,0.00018352066,0.0009262481,0.0027385147,0.0024753935,0.0014770419,0.0018565359,0.003391846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070234186,0.000016716449,0.0002645744,0.00035498934,0.0000067838087,0.00029443295,0.0115824,0.000040278057,0.00016168405,0.063017026,0.8985799,0.025611104],"study_design_scores_gemma":[0.0000061096853,0.000008602827,0.0009288865,0.00039076043,0.00000288866,0.00026920778,0.0049430486,0.0000124540375,0.00011007712,0.0027875619,0.99053603,0.0000043969408],"about_ca_topic_score_codex":0.009671403,"about_ca_topic_score_gemma":0.030026313,"teacher_disagreement_score":0.020806229,"about_ca_system_score_codex":0.0029444543,"about_ca_system_score_gemma":0.001221275,"threshold_uncertainty_score":0.06960374},"labels":[],"label_agreement":null},{"id":"W2089361705","doi":"10.1086/647349","title":"Piety, Patriotism, and Empire: Lessons for England, Spain, and the New World in the Works of Richard Hakluyt","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Rivalry; Empire; Piety; Patriotism; Protestantism; History; Classics; Colonialism; Law; Ancient history; Political science; Archaeology; Politics","score_opus":0.021673987498541568,"score_gpt":0.3093251786288724,"score_spread":0.28765119113033083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089361705","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09913451,0.23313263,0.0011258542,0.28764823,0.0061716232,0.000016601876,0.000044948094,0.000042987846,0.37268263],"genre_scores_gemma":[0.8914757,0.033984654,0.0005431158,0.013809682,0.0031763646,0.000021158834,0.000016982302,0.000067366265,0.056905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794513,0.0015128643,0.00003822587,0.000107191154,0.00018251037,0.00021409823],"domain_scores_gemma":[0.9980235,0.0014642102,0.00011403274,0.00009008293,0.00014617483,0.00016199658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032854413,0.00025704099,0.00042097032,0.0010558949,0.0065579335,0.009077417,0.00065094494,0.0023147222,0.002579672],"category_scores_gemma":[0.00424891,0.00017649388,0.00017524122,0.00097402395,0.017299583,0.003330098,0.0020626208,0.003772287,0.00024470294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074257325,0.00004412404,0.001276749,0.00016158631,0.000011409753,0.0008772938,0.16852614,0.0002987579,0.00010551819,0.71896946,0.07832351,0.031331144],"study_design_scores_gemma":[0.000020231742,0.0000140317725,0.0015209746,0.0007241432,0.0000066886287,0.00021190142,0.049632087,0.0001194458,0.00011545451,0.042614866,0.9049962,0.000023948447],"about_ca_topic_score_codex":0.031104168,"about_ca_topic_score_gemma":0.06270561,"teacher_disagreement_score":0.031104168,"about_ca_system_score_codex":0.008859301,"about_ca_system_score_gemma":0.0032735565,"threshold_uncertainty_score":0.06427908},"labels":[],"label_agreement":null},{"id":"W2090721214","doi":"10.1086/656929","title":"Prophets, Saints, and Matriarchs: Portraits of Old Women in Early Modern Italy","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Portrait; Art; History; Ancient history; Art history","score_opus":0.012394755364513973,"score_gpt":0.21495633284290278,"score_spread":0.2025615774783888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090721214","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7106297,0.013352166,0.0010536739,0.0053421687,0.0006031742,0.00004218524,0.00011070324,0.00009600431,0.26877022],"genre_scores_gemma":[0.9477703,0.0024196978,0.00025827493,0.0004272128,0.00033174036,0.000020388221,0.00003381448,0.000050959057,0.0486877],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960953,0.00020611733,0.000008070543,0.00003306957,0.000067700385,0.000075573436],"domain_scores_gemma":[0.9998234,0.000081152444,0.000033881483,0.000013268154,0.000010287536,0.000038094626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075887184,0.00078388647,0.00028573442,0.001740644,0.0043940092,0.00254526,0.000470164,0.000947197,0.0020935016],"category_scores_gemma":[0.0009076007,0.0003215567,0.00018033295,0.0010718957,0.009003292,0.001273027,0.0016111196,0.0016983586,0.0004095423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060672395,0.000013742077,0.0016149892,0.00007571995,0.000005897348,0.0012789702,0.9652385,0.00004869235,0.00071139605,0.020913858,0.003916331,0.0061212936],"study_design_scores_gemma":[0.000018759596,0.000101105274,0.020667879,0.00038817723,0.000023123868,0.0021191686,0.40834436,0.00014952985,0.00053994986,0.0030781527,0.56454074,0.000028979111],"about_ca_topic_score_codex":0.0067337602,"about_ca_topic_score_gemma":0.022556476,"teacher_disagreement_score":0.0067337602,"about_ca_system_score_codex":0.002670987,"about_ca_system_score_gemma":0.000421218,"threshold_uncertainty_score":0.019379497},"labels":[],"label_agreement":null},{"id":"W2095393509","doi":"10.1086/647457","title":": <i>Biblical Humanism and Scholasticism in the Age of Erasmus</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Brill; Erasmus+; Scholasticism; Humanism; Index (typography); Theology; Classics; Philosophy; History; Art history; The Renaissance","score_opus":0.028395053841663513,"score_gpt":0.24486526107554307,"score_spread":0.21647020723387955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095393509","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009880374,0.93356097,0.00037118036,0.024889905,0.0042738593,0.0000059890303,0.00009323472,0.000042182946,0.03577466],"genre_scores_gemma":[0.09208834,0.7624526,0.0011289954,0.008289393,0.01756247,0.000039053575,0.0003022635,0.00012222232,0.118014656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996282,0.0001454088,0.000021525606,0.000041538173,0.00010897298,0.00005431898],"domain_scores_gemma":[0.9994816,0.00027494403,0.000062589264,0.000033940843,0.00008530278,0.000061690655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066365465,0.0008017015,0.00051082775,0.0017160045,0.0011571667,0.004376704,0.0006882656,0.0015795624,0.01525125],"category_scores_gemma":[0.0016688148,0.00025023925,0.00019120419,0.0028987771,0.002832341,0.0063536675,0.0015074299,0.0020836946,0.0043141576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062983294,0.00002828184,0.0004949732,0.0008895221,0.000017677778,0.00010923621,0.0052076667,0.000080542726,0.00017702703,0.090097405,0.7645863,0.13824823],"study_design_scores_gemma":[0.000012443753,0.000015789521,0.002601367,0.001503858,0.000011148053,0.00023760578,0.0028886427,0.00007863209,0.00022192202,0.034616753,0.95779675,0.000015211969],"about_ca_topic_score_codex":0.007490312,"about_ca_topic_score_gemma":0.014525309,"teacher_disagreement_score":0.01525125,"about_ca_system_score_codex":0.0021640214,"about_ca_system_score_gemma":0.0019237796,"threshold_uncertainty_score":0.051020503},"labels":[],"label_agreement":null},{"id":"W2098121778","doi":"10.1353/ren.2007.0089","title":": <i>Reject Aeneas, Accept Pius: Selected Letters of Aeneas Sylvius Piccolomini (Pope Pius II)</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Theology; Philosophy","score_opus":0.01086155321315944,"score_gpt":0.2085148267525416,"score_spread":0.19765327353938217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098121778","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017067362,0.07635077,0.0010637798,0.12206104,0.054307252,0.000094185416,0.0008884917,0.00025854976,0.7279086],"genre_scores_gemma":[0.0741991,0.019352697,0.0010346494,0.02310364,0.012075365,0.000086539796,0.00051441987,0.00031465234,0.86931896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997639,0.000060470975,0.000012408222,0.0000312419,0.000088416666,0.000043510605],"domain_scores_gemma":[0.99975914,0.000063282205,0.000034139746,0.000017762552,0.00006914581,0.000056648278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034685587,0.00079215853,0.00030562212,0.0004948199,0.0018675482,0.0021653653,0.0005069917,0.0010234392,0.05189105],"category_scores_gemma":[0.0008701108,0.00014458073,0.00021258998,0.00044089722,0.0011633708,0.0014006243,0.0011496521,0.0014406053,0.023549013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006398395,0.0000112946345,0.00048592515,0.00016584448,0.000005321411,0.0001861138,0.0015282211,0.00001404781,0.00067196623,0.006974551,0.93969643,0.05019633],"study_design_scores_gemma":[0.0000028595643,0.0000130788685,0.0011191635,0.00006236337,0.0000016079391,0.00008717205,0.000877141,0.000006058636,0.00014411233,0.00040645225,0.9972771,0.0000028648244],"about_ca_topic_score_codex":0.004982785,"about_ca_topic_score_gemma":0.016369238,"teacher_disagreement_score":0.05189105,"about_ca_system_score_codex":0.00048511327,"about_ca_system_score_gemma":0.00044116462,"threshold_uncertainty_score":0.17359287},"labels":[],"label_agreement":null},{"id":"W2141692212","doi":"10.1086/650081","title":": <i>Reclaiming Rome: Cardinals in the Fifteenth Century</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Brill; Fifteenth; Index (typography); History; Classics; Art; Theology; Philosophy","score_opus":0.025729656339120565,"score_gpt":0.239267144861149,"score_spread":0.21353748852202845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2141692212","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039428542,0.6352673,0.000772791,0.08189668,0.029037954,0.000036078054,0.0005714167,0.00017439378,0.24830054],"genre_scores_gemma":[0.13530962,0.20073757,0.0020083012,0.016610876,0.011256041,0.00009130883,0.00079190166,0.00042317584,0.6327712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996563,0.00012271942,0.000024480063,0.000044566397,0.00010435861,0.000047529033],"domain_scores_gemma":[0.9997009,0.0000756692,0.000051004525,0.000028130811,0.000073622396,0.00007069239],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005951846,0.00065710075,0.00032587763,0.001166843,0.002213082,0.0042242543,0.0005972275,0.0009798346,0.02275537],"category_scores_gemma":[0.0010465741,0.00026831368,0.00019492964,0.0021056351,0.0029623965,0.0039761863,0.0014379676,0.0021338155,0.005408698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030819057,0.0000095747255,0.0003082016,0.00033593495,0.0000028312581,0.00006334398,0.0058226297,0.000030095433,0.00009964598,0.049954355,0.8958861,0.047456514],"study_design_scores_gemma":[0.0000027338208,0.000003865201,0.00065196166,0.00031364316,0.0000010810919,0.00005383762,0.0018291032,0.0000067423935,0.000047346482,0.0020604727,0.9950251,0.0000041965723],"about_ca_topic_score_codex":0.027129648,"about_ca_topic_score_gemma":0.072111405,"teacher_disagreement_score":0.027129648,"about_ca_system_score_codex":0.0030315279,"about_ca_system_score_gemma":0.002459358,"threshold_uncertainty_score":0.07612425},"labels":[],"label_agreement":null},{"id":"W2142290510","doi":"10.1353/ren.2008.0046","title":": <i>Pierre Gassendi and the Birth of Early Modern Philosophy</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art history; History; Classics","score_opus":0.02341265324900717,"score_gpt":0.25002276185558453,"score_spread":0.22661010860657735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2142290510","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00526931,0.32288572,0.0011975723,0.5816812,0.012696994,0.000011321886,0.00011397216,0.00008633604,0.076057635],"genre_scores_gemma":[0.35739565,0.28905395,0.0025951066,0.10967004,0.047299657,0.00006323529,0.00016212318,0.00037993785,0.1933803],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924517,0.00042426822,0.00001460227,0.000101918944,0.00016227206,0.000051726067],"domain_scores_gemma":[0.9983376,0.0011182871,0.00011800673,0.000056545723,0.00024120274,0.00012827467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017108113,0.0007388136,0.00042623613,0.00134482,0.003465974,0.0036337192,0.0007004644,0.0025727493,0.005254528],"category_scores_gemma":[0.0028563847,0.00021790294,0.0002201993,0.0021649522,0.007118398,0.0058206078,0.001877218,0.004167196,0.0015734454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005974154,0.000012670988,0.0005999341,0.00033798552,0.000015399803,0.00023448608,0.013803528,0.00022687628,0.00016854049,0.3977325,0.5700905,0.016717853],"study_design_scores_gemma":[0.000009533269,0.00001208292,0.0008880342,0.00038002853,0.0000074477634,0.00026870467,0.004195383,0.000107928936,0.00022735787,0.08035744,0.9135263,0.000019645986],"about_ca_topic_score_codex":0.011713593,"about_ca_topic_score_gemma":0.017555553,"teacher_disagreement_score":0.011713593,"about_ca_system_score_codex":0.0028165637,"about_ca_system_score_gemma":0.0018367699,"threshold_uncertainty_score":0.023290813},"labels":[],"label_agreement":null},{"id":"W218270028","doi":"10.1353/ren.2008.0836","title":": <i>The French Fetish from Chaucer to Shakespeare</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"The Renaissance; Index (typography); Renaissance literature; History; Art; Art history; Classics; Media studies; Sociology","score_opus":0.013743295217986524,"score_gpt":0.21347677486064656,"score_spread":0.19973347964266003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W218270028","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009156587,0.8221384,0.00069619634,0.07070196,0.0162861,0.000015426129,0.0006410206,0.00015953701,0.08844578],"genre_scores_gemma":[0.035734672,0.323259,0.0010269262,0.023515103,0.015129926,0.000046623296,0.0009390241,0.00046257407,0.5998861],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996007,0.00011139212,0.000022988092,0.00006729098,0.00013532554,0.00006231511],"domain_scores_gemma":[0.99953425,0.00015297574,0.00004904698,0.000021773953,0.0001768326,0.0000651257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004189518,0.0016064353,0.0005015449,0.0022599073,0.002695229,0.0033333662,0.000917838,0.0017877913,0.06549921],"category_scores_gemma":[0.0010994577,0.00037815468,0.00029017578,0.003111411,0.0018121412,0.0058947783,0.0013069075,0.0019274188,0.02414281],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015179959,0.0000040388286,0.00007828687,0.00020687046,0.0000029315815,0.000044634762,0.00086275925,0.000010771966,0.00007172334,0.005187166,0.9657666,0.027749116],"study_design_scores_gemma":[0.0000019807785,0.000004665557,0.0005069007,0.000235556,0.0000019420297,0.00010275468,0.00072894775,0.000007910944,0.000091446236,0.0010509129,0.9972625,0.0000044478143],"about_ca_topic_score_codex":0.068199866,"about_ca_topic_score_gemma":0.16300535,"teacher_disagreement_score":0.068199866,"about_ca_system_score_codex":0.003624588,"about_ca_system_score_gemma":0.0015416853,"threshold_uncertainty_score":0.21911669},"labels":[],"label_agreement":null},{"id":"W2194034889","doi":"10.1086/685125","title":"The Curious Case of Ethiopic Chaldean: Fraud, Philology, and Cultural (Mis)Understanding in European Conceptions of Ethiopia","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"African history and culture analysis","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Ethnocentrism; Christianity; Categorization; Semitic languages; Literature; Linguistics; Sociology; Art; Philosophy; Anthropology; Arabic","score_opus":0.08606026632048291,"score_gpt":0.33632690404969984,"score_spread":0.2502666377292169,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194034889","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7447926,0.013336244,0.00729603,0.025256617,0.00044352325,0.000021400654,0.00003353478,0.000021365824,0.20879865],"genre_scores_gemma":[0.9964328,0.00078602147,0.00040436117,0.00044124492,0.000034627254,0.0000047676294,0.0000026310674,0.000006985934,0.0018865388],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985097,0.0010984637,0.000036954476,0.00009238694,0.00008954372,0.00017297987],"domain_scores_gemma":[0.9988292,0.0007486822,0.00013887536,0.000117577285,0.00009276484,0.00007298854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046818955,0.00028233,0.00022535831,0.0015762172,0.0048131295,0.0058748075,0.0005759137,0.0014519361,0.0012604082],"category_scores_gemma":[0.0031004085,0.00015068345,0.000113125585,0.0011461825,0.02214287,0.0045547294,0.0032181907,0.0019801399,0.000106043306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037396487,0.0000122868105,0.0018447187,0.00004540646,0.0000057983516,0.00053751003,0.12984799,0.000109337714,0.00032341693,0.8582885,0.00079380855,0.008153965],"study_design_scores_gemma":[0.00003050747,0.00006357854,0.01537209,0.0010049542,0.0000459174,0.00296003,0.43459058,0.0009091001,0.0027180163,0.27810818,0.26413164,0.00006540353],"about_ca_topic_score_codex":0.0022285096,"about_ca_topic_score_gemma":0.0026485175,"teacher_disagreement_score":0.0058748075,"about_ca_system_score_codex":0.0023836144,"about_ca_system_score_gemma":0.001417917,"threshold_uncertainty_score":0.024760544},"labels":[],"label_agreement":null},{"id":"W221009038","doi":"10.1353/ren.2008.0493","title":": <i>Text/Image Mosaics in French Culture: Emblems and Comic Strips</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Emblem; Publishing; Comics; Index (typography); Comic strip; History; Transition (genetics); Media studies; Art history; Art; Sociology; Literature; Chemistry; Computer science; Archaeology","score_opus":0.011672464777725306,"score_gpt":0.22385562280502297,"score_spread":0.21218315802729767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W221009038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028886108,0.45808324,0.0018462266,0.026674736,0.006169876,0.00005278459,0.002030706,0.0008542008,0.50139964],"genre_scores_gemma":[0.06047947,0.1521437,0.00230957,0.0060490137,0.005303102,0.00007307094,0.002429913,0.00075563835,0.7704565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980956,0.000050917042,0.000011084071,0.000026856433,0.00007184098,0.00002973207],"domain_scores_gemma":[0.9996885,0.000113977825,0.000028385748,0.000019084335,0.00008992421,0.00006011883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031352974,0.0010380341,0.00035939334,0.0025328875,0.001221471,0.004180318,0.00058179104,0.0010538634,0.132925],"category_scores_gemma":[0.00075484434,0.0002298777,0.00026337715,0.0030147473,0.0011856057,0.0035177795,0.0007993079,0.0008520266,0.029293602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017217519,0.000006656607,0.00012864069,0.00030434522,0.0000041503395,0.000064675165,0.0010285929,0.000027096412,0.00021521907,0.006170548,0.9270391,0.06499366],"study_design_scores_gemma":[0.000002792305,0.000008012201,0.002019164,0.00027432817,0.0000030678705,0.00017833535,0.0012310492,0.000023276567,0.00014835606,0.0011810861,0.9949249,0.0000057514726],"about_ca_topic_score_codex":0.03286928,"about_ca_topic_score_gemma":0.071777545,"teacher_disagreement_score":0.132925,"about_ca_system_score_codex":0.0021713276,"about_ca_system_score_gemma":0.00091312645,"threshold_uncertainty_score":0.44467843},"labels":[],"label_agreement":null},{"id":"W2220394187","doi":"10.1353/ren.2008.0590","title":": <i>Children of the Promise: The Confraternity of the Purification and the Socialization of Youths in Florence 1427–1785</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Append; Socialization; Index (typography); History; Environmental ethics; Media studies; Humanities; Art; Sociology; Philosophy; Social science; Computer science","score_opus":0.01429104981453919,"score_gpt":0.19533503269833083,"score_spread":0.18104398288379164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2220394187","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054079294,0.6455692,0.00027563685,0.18038985,0.0039696684,0.00002448545,0.0008106952,0.000050007508,0.11483125],"genre_scores_gemma":[0.83042175,0.090155795,0.0002980131,0.0058793374,0.0045044986,0.000051620205,0.00027419374,0.000057716417,0.06835717],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993531,0.00028322547,0.00001838897,0.00007715768,0.00010295792,0.0001652041],"domain_scores_gemma":[0.99957997,0.00016948832,0.00008863999,0.000019056348,0.00005585349,0.00008700167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009935877,0.00041094134,0.00037153487,0.0017438394,0.0023941146,0.0022603385,0.0006597954,0.0010687573,0.008090236],"category_scores_gemma":[0.0015328659,0.00017686535,0.00014368644,0.0017866172,0.005289685,0.0028335722,0.0016698327,0.0012685064,0.0006587423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011238562,0.000019502035,0.007635924,0.000439123,0.00001823323,0.0006189447,0.08580037,0.00007355171,0.00013350233,0.14208792,0.6878355,0.07522505],"study_design_scores_gemma":[0.000010355542,0.00002069982,0.02854633,0.00059864647,0.000008421261,0.00045939122,0.016978262,0.000016424656,0.00012028431,0.0049499245,0.9482743,0.00001700478],"about_ca_topic_score_codex":0.06472089,"about_ca_topic_score_gemma":0.12080862,"teacher_disagreement_score":0.06472089,"about_ca_system_score_codex":0.0061602946,"about_ca_system_score_gemma":0.0016143234,"threshold_uncertainty_score":0.12868834},"labels":[],"label_agreement":null},{"id":"W223184756","doi":"10.1353/ren.2007.0425","title":": <i>La droite imposition des noms (De recta nominum impositione)</i>","year":2007,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; The Renaissance; Humanities; Champion; Art history; History; Archaeology","score_opus":0.008540706455646507,"score_gpt":0.23896030753648448,"score_spread":0.23041960108083798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W223184756","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003487461,0.52885747,0.004053817,0.049199965,0.024953436,0.00004720809,0.00050225755,0.00014799193,0.3887504],"genre_scores_gemma":[0.12944072,0.24467838,0.0036542818,0.0144703975,0.018532949,0.00014205232,0.00074216706,0.00046440354,0.58787465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999054,0.000375569,0.000053315398,0.00015623293,0.00025693193,0.00010390478],"domain_scores_gemma":[0.99941707,0.0002576784,0.000092718496,0.000053709526,0.00013414538,0.000044721328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007953335,0.0010671559,0.0005775044,0.0016176985,0.0029313874,0.0041624755,0.0010986818,0.0019101604,0.025003303],"category_scores_gemma":[0.0022360745,0.0003963284,0.00041299078,0.0020335857,0.0055766217,0.005998228,0.0021526446,0.003577514,0.008515646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003998629,0.000011377545,0.0003126178,0.0006155392,0.000011567565,0.00016706556,0.0072760615,0.000066012944,0.00025364605,0.19427308,0.73087525,0.06609779],"study_design_scores_gemma":[0.0000022158692,0.000006073274,0.00061311957,0.0003839374,0.0000027539172,0.00019851979,0.0009896358,0.000018839775,0.00018647483,0.008209076,0.9893807,0.000008614165],"about_ca_topic_score_codex":0.02432778,"about_ca_topic_score_gemma":0.03777922,"teacher_disagreement_score":0.025003303,"about_ca_system_score_codex":0.0034824114,"about_ca_system_score_gemma":0.0023835488,"threshold_uncertainty_score":0.08364439},"labels":[],"label_agreement":null},{"id":"W2274873516","doi":"10.1353/ren.2008.0662","title":": <i>Erasmus von Rotterdam: Anwalt eines neuzeitlichen Christentums</i>","year":2005,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Erasmus+; Append; Index (typography); Humanities; Art; Art history; The Renaissance","score_opus":0.019059630079720908,"score_gpt":0.2323716361178928,"score_spread":0.21331200603817188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274873516","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000856032,0.86819285,0.00058434834,0.02521412,0.01895359,0.000028789413,0.0008043311,0.00016224662,0.085203685],"genre_scores_gemma":[0.02268148,0.53851026,0.0009872583,0.0071712392,0.01361186,0.0000787966,0.0014013102,0.00040941505,0.4151484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996381,0.00008034599,0.000030488163,0.00006186982,0.00013533603,0.00005378251],"domain_scores_gemma":[0.99944705,0.00023539373,0.00008174022,0.000028954848,0.00012193725,0.00008498649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000495732,0.0016601321,0.00078387716,0.0029877126,0.0012125404,0.003537851,0.0010316471,0.0019508852,0.15060006],"category_scores_gemma":[0.0015423637,0.000531651,0.00028618073,0.0065153907,0.0010921172,0.006632034,0.0019064903,0.0020224478,0.04439547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019533121,0.0000054906654,0.00006863512,0.0003904306,0.0000039518977,0.000039321665,0.00035452517,0.000019788078,0.000066567554,0.0028582197,0.959117,0.037056502],"study_design_scores_gemma":[0.0000048009965,0.0000071738227,0.0008804032,0.00071147014,0.000004619716,0.00019259515,0.0005488344,0.000020788455,0.0001081338,0.0013848579,0.9961299,0.0000064679316],"about_ca_topic_score_codex":0.0127802035,"about_ca_topic_score_gemma":0.029872483,"teacher_disagreement_score":0.15060006,"about_ca_system_score_codex":0.0017642119,"about_ca_system_score_gemma":0.0012239873,"threshold_uncertainty_score":0.5038074},"labels":[],"label_agreement":null},{"id":"W2276025070","doi":"10.1353/ren.2008.0619","title":": <i>Il Processo a Paolo Orgiano (1605–1607)</i>","year":2005,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Append; Humanities; Index (typography); Art; Gloss (optics); Materials science","score_opus":0.024532548950654993,"score_gpt":0.2422385402397789,"score_spread":0.2177059912891239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276025070","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021616684,0.7379977,0.0011256259,0.019813595,0.008904311,0.000016978103,0.0002525048,0.00007488941,0.2296527],"genre_scores_gemma":[0.069284685,0.49387866,0.002652833,0.0049473373,0.00904396,0.00005200631,0.00070633064,0.0002146559,0.41921952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949574,0.00015918078,0.00002112467,0.0000779378,0.00016690977,0.00007910364],"domain_scores_gemma":[0.999684,0.000096068536,0.000051869047,0.000029083994,0.00007557633,0.000063506996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007934478,0.00079485687,0.00033735653,0.0018696452,0.0013769809,0.005370673,0.0006222753,0.001459852,0.039095163],"category_scores_gemma":[0.0011054366,0.0002958254,0.00028241184,0.0035738035,0.0027216843,0.004739823,0.0016930881,0.0018567975,0.012815175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000381768,0.000018452485,0.00065200974,0.00059773546,0.00000819589,0.00016377513,0.0046372763,0.000075878386,0.0002195681,0.067641124,0.7275322,0.19841556],"study_design_scores_gemma":[0.0000011410305,0.0000037474333,0.0008242051,0.00035853498,0.0000017546305,0.00010508439,0.0007099998,0.000010140491,0.00005630392,0.002326119,0.99559975,0.0000033009885],"about_ca_topic_score_codex":0.01800267,"about_ca_topic_score_gemma":0.033338398,"teacher_disagreement_score":0.039095163,"about_ca_system_score_codex":0.0030194204,"about_ca_system_score_gemma":0.0030705505,"threshold_uncertainty_score":0.13078636},"labels":[],"label_agreement":null},{"id":"W2312245299","doi":"10.1086/658553","title":": <i> <i>Platina, la biblioteca vaticana e I registri di</i> Introitus <i>ed</i> Exitus <i>da una ricerca di Giuseppe Lombardi: Da una ricerca di Giuseppe Lombardi.</i> </i>","year":2010,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Libraries, Manuscripts, and Books","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art; Append; Computer science","score_opus":0.05649770738896624,"score_gpt":0.23541899491932755,"score_spread":0.1789212875303613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312245299","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010389565,0.66487265,0.0012513774,0.038411435,0.012102458,0.000031347405,0.0015879124,0.000361094,0.28034273],"genre_scores_gemma":[0.02637882,0.22636287,0.0015659841,0.0060990965,0.0061377296,0.00007494169,0.0016180729,0.00080169964,0.73096085],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943274,0.000109419925,0.000046580033,0.00015142895,0.00020442509,0.000055346023],"domain_scores_gemma":[0.99953115,0.00012092261,0.00007548713,0.00006437217,0.00013968197,0.00006834141],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045595327,0.00084696145,0.00059634726,0.0022022717,0.0011960189,0.005964387,0.00074320054,0.0016611542,0.07672634],"category_scores_gemma":[0.0015306431,0.00054450927,0.00033177325,0.0074016373,0.001658264,0.0048152497,0.0018967927,0.0023461485,0.045453798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021587653,0.0000056664776,0.00020360602,0.0005824569,0.000008421555,0.000039523602,0.0010350223,0.000039009563,0.00021219623,0.020185579,0.91192794,0.06573895],"study_design_scores_gemma":[0.0000018090367,0.0000022797274,0.000595204,0.00021588676,0.000002615882,0.00006306765,0.00017261325,0.000007779143,0.000052922234,0.0011994499,0.99768376,0.0000026411576],"about_ca_topic_score_codex":0.017973758,"about_ca_topic_score_gemma":0.036687892,"teacher_disagreement_score":0.07672634,"about_ca_system_score_codex":0.003969737,"about_ca_system_score_gemma":0.0026541005,"threshold_uncertainty_score":0.25667518},"labels":[],"label_agreement":null},{"id":"W2312252776","doi":"10.1086/682434","title":"The Business of Prostitution in Early Renaissance Venice","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":46,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Fifteenth; Government (linguistics); The Renaissance; Creditor; Debt; Political science; Law; Economic history; Public administration; History; Business; Classics; Finance; Art history","score_opus":0.03115590342811187,"score_gpt":0.23020521747246406,"score_spread":0.1990493140443522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312252776","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7350985,0.021700034,0.00030329285,0.0039253114,0.00024942993,0.000020711,0.00004435813,0.000017069418,0.2386414],"genre_scores_gemma":[0.9885068,0.0011063925,0.00004862406,0.0000961118,0.000047472324,0.0000027227793,0.000008653355,0.000003421735,0.010179748],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99911207,0.00041843444,0.000026984497,0.00008028066,0.000089257795,0.0002729281],"domain_scores_gemma":[0.9992305,0.0003783491,0.00014388532,0.00006798956,0.000065945766,0.00011331534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014764837,0.00016641125,0.00019201318,0.0014773315,0.0062662433,0.0040817186,0.000525546,0.0008917876,0.005016092],"category_scores_gemma":[0.0015166231,0.00018792246,0.00011051187,0.0013287106,0.01165044,0.0012938842,0.0024532613,0.0023062692,0.00026836435],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004531755,0.000068283975,0.011352789,0.0001227762,0.0000061284854,0.002029949,0.33652896,0.00024117163,0.00033344002,0.6226787,0.0019792789,0.024613148],"study_design_scores_gemma":[0.000019735253,0.0002649174,0.09091283,0.001218734,0.000014078603,0.0021162098,0.17818198,0.00045870553,0.0009987258,0.026105035,0.6996363,0.000072790965],"about_ca_topic_score_codex":0.025092078,"about_ca_topic_score_gemma":0.06652305,"teacher_disagreement_score":0.025092078,"about_ca_system_score_codex":0.005461776,"about_ca_system_score_gemma":0.0029069795,"threshold_uncertainty_score":0.04989201},"labels":[],"label_agreement":null},{"id":"W2312277197","doi":"10.1086/677487","title":": <i> Three Spanish <i>Querelle</i> Texts: <i>Grisel and Mirabella, The Slander Against Women</i> , and <i>The Defense of Ladies Against Slanderers</i> </i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; History; Classics; Art; Critical edition; Art history","score_opus":0.009819776475990406,"score_gpt":0.23890819143491887,"score_spread":0.22908841495892845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312277197","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011665939,0.4024808,0.00080470357,0.21365799,0.02162175,0.00007000082,0.0023723773,0.00017867444,0.3471477],"genre_scores_gemma":[0.22102512,0.10073455,0.0011396259,0.06676131,0.015878068,0.00019256861,0.0031005999,0.00072201225,0.5904462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996117,0.00012828902,0.0000154503,0.00006267388,0.00011773416,0.00006416828],"domain_scores_gemma":[0.99940515,0.00021576753,0.00008102154,0.000029136922,0.00017268877,0.00009631176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073346734,0.0009384378,0.00035374652,0.001531033,0.0032017967,0.003678708,0.00093538803,0.0020740544,0.024377935],"category_scores_gemma":[0.0016941684,0.00021952136,0.0002977299,0.002992806,0.00321835,0.002700574,0.0019073989,0.0027107242,0.0050712717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004103994,0.000015910795,0.0003713733,0.00031794654,0.000005951182,0.00012289875,0.012442005,0.000025834686,0.00027269011,0.016696356,0.95181346,0.017874617],"study_design_scores_gemma":[0.0000072454573,0.0000053585586,0.0012650205,0.00028307512,0.0000027805272,0.00006525074,0.00569779,0.000008681955,0.00012773463,0.0012049229,0.9913257,0.000006344068],"about_ca_topic_score_codex":0.042945612,"about_ca_topic_score_gemma":0.096326225,"teacher_disagreement_score":0.042945612,"about_ca_system_score_codex":0.004667676,"about_ca_system_score_gemma":0.0024106782,"threshold_uncertainty_score":0.08539128},"labels":[],"label_agreement":null},{"id":"W2312286794","doi":"10.1086/671708","title":": <i>To Repair the Ruins: Reading Milton</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"The Renaissance; Reading (process); Classics; History; Art; Theology; Art history; Philosophy","score_opus":0.018273836572541616,"score_gpt":0.27328878903819986,"score_spread":0.25501495246565825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312286794","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014069463,0.81883496,0.0015154782,0.081456594,0.016655669,0.00003593202,0.0001559383,0.0002410806,0.079697385],"genre_scores_gemma":[0.027871313,0.41492537,0.003098669,0.025170293,0.0118827745,0.00015134846,0.00038558207,0.00055001455,0.5159647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999648,0.00013009174,0.000022092416,0.000049064256,0.00010417965,0.00004664221],"domain_scores_gemma":[0.99938893,0.00025235716,0.000051697607,0.00003664815,0.00016209246,0.00010817114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008326227,0.0013139278,0.00071117136,0.0019813653,0.0024329096,0.0045201033,0.0010920756,0.0025315823,0.049566668],"category_scores_gemma":[0.0019263697,0.00062780705,0.00027585606,0.0025785544,0.0031121874,0.010379984,0.0021358135,0.0027515786,0.016232923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000111101035,0.000006822104,0.000074804026,0.00032120955,0.000003227073,0.00005755072,0.0028883866,0.000019064995,0.00010659391,0.0037319902,0.9379899,0.05478931],"study_design_scores_gemma":[0.0000021409892,0.0000048172396,0.0007652125,0.0006863473,0.0000040525433,0.00012307361,0.003008931,0.00002051841,0.00011592587,0.0022818388,0.9929796,0.000007577519],"about_ca_topic_score_codex":0.021755163,"about_ca_topic_score_gemma":0.057384036,"teacher_disagreement_score":0.049566668,"about_ca_system_score_codex":0.0023647265,"about_ca_system_score_gemma":0.0026671106,"threshold_uncertainty_score":0.16581702},"labels":[],"label_agreement":null},{"id":"W2312477704","doi":"10.1086/678881","title":": <i>A Worlde of Wordes</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Humanities; History; Art history","score_opus":0.011740999213107027,"score_gpt":0.2113165203891697,"score_spread":0.19957552117606267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312477704","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033171754,0.5429851,0.007532172,0.18392201,0.03709139,0.000049244343,0.0008157146,0.0005107572,0.22377649],"genre_scores_gemma":[0.15477847,0.25259656,0.014160434,0.05080174,0.034425154,0.00018202988,0.0022988755,0.0026929225,0.48806384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903595,0.00045674178,0.00005680956,0.00013690993,0.00023148708,0.000082034516],"domain_scores_gemma":[0.99919254,0.00027281788,0.00007817659,0.00008720066,0.00026824058,0.00010111305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011391481,0.0011282422,0.0005319729,0.0025113297,0.0029003972,0.007992659,0.0011497282,0.0016619421,0.0362958],"category_scores_gemma":[0.0028780513,0.00047131296,0.00038747853,0.003346393,0.0058770585,0.01752786,0.0028129537,0.003116106,0.015985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003140783,0.0000073150823,0.00025340886,0.00032256288,0.000009460662,0.000093898016,0.006230749,0.000024352725,0.00033671802,0.069092594,0.85771817,0.06587938],"study_design_scores_gemma":[0.0000017462573,0.000003436557,0.0002536023,0.00018288514,0.0000020984864,0.0001425614,0.001674786,0.000014874943,0.00011320616,0.008647966,0.98895687,0.0000059357944],"about_ca_topic_score_codex":0.0104616,"about_ca_topic_score_gemma":0.023434313,"teacher_disagreement_score":0.0362958,"about_ca_system_score_codex":0.0022352608,"about_ca_system_score_gemma":0.001278906,"threshold_uncertainty_score":0.121421576},"labels":[],"label_agreement":null},{"id":"W2312585918","doi":"10.1086/678819","title":": <i>The Renaissance and the Ottoman World</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Publishing; The Renaissance; History; Ottoman empire; Classics; Politics; Byzantine architecture; Art; Art history; Theology; Philosophy; Law; Political science; Literature","score_opus":0.009225393702946835,"score_gpt":0.1931578320755481,"score_spread":0.18393243837260126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312585918","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001584833,0.92978615,0.0003086497,0.027831377,0.0042409054,0.0000066960865,0.00015974633,0.000055736662,0.036025923],"genre_scores_gemma":[0.09797381,0.70181036,0.0010095255,0.005908302,0.004667108,0.000027798895,0.00032735727,0.0002163623,0.18805939],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994074,0.0002016072,0.000029772193,0.000067987785,0.00015605422,0.00013720087],"domain_scores_gemma":[0.9995191,0.00016411558,0.000064323285,0.000042833017,0.00012795143,0.00008164521],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000790966,0.0015599115,0.00054944906,0.001620066,0.0021436266,0.0055350885,0.0010529376,0.0016440825,0.024872947],"category_scores_gemma":[0.0012445516,0.00057597784,0.00037592207,0.0034197646,0.006334736,0.0072415895,0.0016201964,0.0017969357,0.005629192],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006885853,0.000017991484,0.0010106742,0.001307816,0.000031983822,0.00023730661,0.018503683,0.00019014261,0.00030192558,0.078705944,0.77285475,0.12676889],"study_design_scores_gemma":[0.0000033525116,0.0000054815823,0.0013539768,0.00050312484,0.0000104676465,0.00009695362,0.0046546087,0.00002002746,0.00009522928,0.0061161476,0.9871279,0.000012698993],"about_ca_topic_score_codex":0.22376107,"about_ca_topic_score_gemma":0.4451295,"teacher_disagreement_score":0.22376107,"about_ca_system_score_codex":0.008326304,"about_ca_system_score_gemma":0.0065371064,"threshold_uncertainty_score":0.44491732},"labels":[],"label_agreement":null},{"id":"W2312638109","doi":"10.1086/658523","title":": <i>Expositions of the Psalms</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; White (mutation); Art; Index (typography); Art history; Theology; Philosophy; Chemistry; The Renaissance; Computer science","score_opus":0.013385723565900905,"score_gpt":0.20959693738880894,"score_spread":0.19621121382290804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312638109","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019294819,0.36527526,0.0032242346,0.043436985,0.021280458,0.00005299069,0.00046969854,0.0002597021,0.56407124],"genre_scores_gemma":[0.05591092,0.11136958,0.002773079,0.014274473,0.013422677,0.00013287613,0.00046711194,0.00040244058,0.8012468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937904,0.00026873342,0.000023951672,0.00006174865,0.00018176841,0.000084714804],"domain_scores_gemma":[0.9996488,0.00014576517,0.000039125604,0.00003155723,0.00008118812,0.00005362488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070278964,0.0010644824,0.00041325466,0.001988586,0.0024817078,0.0029190027,0.0006807593,0.0011151667,0.0437885],"category_scores_gemma":[0.001466004,0.0002492791,0.0003388019,0.002128988,0.0041624657,0.0028502797,0.0019359196,0.0028057778,0.015571495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023698492,0.000018334567,0.00009480645,0.00029544753,0.0000031948541,0.00007444112,0.003577081,0.000056077137,0.00022025275,0.110459276,0.841227,0.04395037],"study_design_scores_gemma":[9.583405e-7,0.0000046082196,0.00015796238,0.00018024875,5.4754935e-7,0.0000585747,0.00049367675,0.000011713265,0.00005656146,0.0054614083,0.9935713,0.0000025124823],"about_ca_topic_score_codex":0.0050508603,"about_ca_topic_score_gemma":0.013171894,"teacher_disagreement_score":0.0437885,"about_ca_system_score_codex":0.0034299528,"about_ca_system_score_gemma":0.0016863163,"threshold_uncertainty_score":0.14648712},"labels":[],"label_agreement":null},{"id":"W2312706373","doi":"10.1086/665848","title":": <i>Art Without an Author: Vasari's Lives and Michelangelo's Death</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Art history; Performance art; Theology; Art; Philosophy","score_opus":0.0577740079316877,"score_gpt":0.2775129570120782,"score_spread":0.2197389490803905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312706373","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026932,0.05150504,0.0008732063,0.37128535,0.0143074505,0.000016497015,0.0002651345,0.000115005685,0.5347003],"genre_scores_gemma":[0.7436109,0.017698612,0.00040442165,0.035270937,0.0071558543,0.000026972408,0.0001669495,0.00016711277,0.19549817],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993782,0.00034741953,0.000015161134,0.00006160696,0.00010708905,0.0000904722],"domain_scores_gemma":[0.99922657,0.00031415632,0.00011809806,0.000055817447,0.00012518687,0.0001602466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010816806,0.00031417605,0.00016760734,0.00049632706,0.0067821736,0.004218197,0.00062758836,0.0018568796,0.013553222],"category_scores_gemma":[0.0031659428,0.000118921016,0.00016801152,0.0007120825,0.005732923,0.003460201,0.0023196982,0.0027556168,0.0019849185],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029040037,0.000011700183,0.00103631,0.00014169035,0.000007375294,0.0002833164,0.068226725,0.000041705895,0.00018401784,0.3283336,0.58768666,0.01401795],"study_design_scores_gemma":[0.0000038108544,0.0000125999795,0.0030234258,0.00022102047,0.0000055109476,0.0005072505,0.02724776,0.000035495483,0.00021421406,0.012460617,0.9562539,0.000014357402],"about_ca_topic_score_codex":0.010174699,"about_ca_topic_score_gemma":0.03047749,"teacher_disagreement_score":0.013553222,"about_ca_system_score_codex":0.0024509649,"about_ca_system_score_gemma":0.0010309436,"threshold_uncertainty_score":0.04534006},"labels":[],"label_agreement":null},{"id":"W2312726048","doi":"10.1086/677506","title":": <i>Dire Straits: The Perils of Writing the Early Modern English Coastline from Leland to Milton</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Media studies; Sociology","score_opus":0.015606091219466735,"score_gpt":0.27379727012670396,"score_spread":0.25819117890723725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312726048","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010821281,0.58700484,0.0010557318,0.2056565,0.020138074,0.000030122214,0.00071172643,0.00020353342,0.17437823],"genre_scores_gemma":[0.20271279,0.16240402,0.0018838105,0.018190814,0.007916958,0.00007473031,0.00086205197,0.00049552036,0.6054594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996265,0.000164682,0.000025120717,0.00004045239,0.00008863177,0.00005456749],"domain_scores_gemma":[0.99937075,0.0002314119,0.00007196562,0.000030577892,0.00015451416,0.00014080192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070614816,0.0006768884,0.00026593244,0.0011763704,0.0024707443,0.0042410395,0.0007195837,0.001314779,0.032776315],"category_scores_gemma":[0.0013671721,0.00033380886,0.00012277394,0.0017865127,0.0031335126,0.005473403,0.0018954797,0.0017693454,0.005502178],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003433477,0.000006153607,0.00065672514,0.00027478705,0.0000039378806,0.00016770695,0.015406058,0.00002330343,0.00020962728,0.013386802,0.9193704,0.050460145],"study_design_scores_gemma":[0.0000027380513,0.000006567661,0.0025084484,0.00053259684,0.0000020749756,0.00017678476,0.012373745,0.000014968162,0.00013132066,0.0017613494,0.9824806,0.000008800545],"about_ca_topic_score_codex":0.0634264,"about_ca_topic_score_gemma":0.2230802,"teacher_disagreement_score":0.0634264,"about_ca_system_score_codex":0.0028532655,"about_ca_system_score_gemma":0.0021846977,"threshold_uncertainty_score":0.12611443},"labels":[],"label_agreement":null},{"id":"W2312756791","doi":"10.1086/662903","title":": <i>The Poetics of Masculinity in Early Modern Italy and Spain</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; The Renaissance; Masculinity; Art; Renaissance literature; Index (typography); Art history; History; Humanities; Classics; Sociology; Poetry; Literature; Gender studies; Computer science","score_opus":0.03349768871033044,"score_gpt":0.21616361730809536,"score_spread":0.18266592859776493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312756791","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014459016,0.80328417,0.000952503,0.052822802,0.0039407476,0.000009611405,0.00012959607,0.00008773785,0.12431387],"genre_scores_gemma":[0.4282318,0.27997455,0.0015064473,0.017466564,0.011763381,0.00008202199,0.00027481117,0.00023680991,0.26046357],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997031,0.00015085579,0.000008169813,0.00002815111,0.00005497823,0.000054670174],"domain_scores_gemma":[0.99982363,0.00006948279,0.000037122467,0.000013466552,0.00002788209,0.000028445278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085965754,0.000781652,0.00038703164,0.0009447333,0.0010078527,0.0031232547,0.0006714464,0.0010843333,0.005661186],"category_scores_gemma":[0.00074810354,0.0001917009,0.00023006495,0.001490111,0.0032390591,0.0016853237,0.0012097504,0.0010784001,0.0017286218],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025770208,0.000059354963,0.0040530106,0.00085934775,0.000029803597,0.00043069586,0.04113132,0.00025298362,0.00049315917,0.09993138,0.6824397,0.17006154],"study_design_scores_gemma":[0.000020475989,0.000019715299,0.007912539,0.00078983774,0.000011076687,0.00027692167,0.006206281,0.00005589111,0.00018535838,0.0092577655,0.97525215,0.00001190718],"about_ca_topic_score_codex":0.009487631,"about_ca_topic_score_gemma":0.017390862,"teacher_disagreement_score":0.009487631,"about_ca_system_score_codex":0.0018393848,"about_ca_system_score_gemma":0.0011773574,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2312764038","doi":"10.1086/686461","title":": <i>Catalogus Translationum et Commentariorum, Volume X</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Classics; Art; History; Theology; Philosophy; Art history","score_opus":0.029077247805865403,"score_gpt":0.22228740923609347,"score_spread":0.19321016143022807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312764038","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008096042,0.06809698,0.00093763194,0.2159714,0.158093,0.0003268764,0.029456,0.001535442,0.524773],"genre_scores_gemma":[0.006884653,0.034499515,0.00078419235,0.06940326,0.044187695,0.00093447865,0.013891547,0.0026107333,0.82680404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99664104,0.0006021736,0.00044267654,0.0004466204,0.001567291,0.00030012798],"domain_scores_gemma":[0.9865589,0.004486441,0.001463127,0.0011228378,0.0057572247,0.0006114375],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028593917,0.0021395283,0.0020134307,0.005862453,0.004452776,0.010862948,0.003495442,0.005268451,0.36444974],"category_scores_gemma":[0.022590706,0.0007208473,0.0007216439,0.016352694,0.002848483,0.009469965,0.004365266,0.004819792,0.2641408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004944109,0.0000015972198,0.00001898127,0.000089709894,6.1359185e-7,0.000008362993,0.00008100178,0.0000022280044,0.0000168503,0.000720944,0.9969778,0.0020768861],"study_design_scores_gemma":[0.000003286794,0.000002321011,0.00028520863,0.00028839285,0.000001293458,0.00001599042,0.00022399671,0.000007951019,0.00003812961,0.0003149304,0.9988116,0.000007004609],"about_ca_topic_score_codex":0.031607803,"about_ca_topic_score_gemma":0.034299582,"teacher_disagreement_score":0.36444974,"about_ca_system_score_codex":0.008088514,"about_ca_system_score_gemma":0.0066150078,"threshold_uncertainty_score":0.9065353},"labels":[],"label_agreement":null},{"id":"W2312823713","doi":"10.1086/667266","title":": <i>Erasmus in the Footsteps of Paul: A Pauline Theologian</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Theology; Art; Art history; Media studies; History; Sociology; Philosophy; The Renaissance","score_opus":0.03446459463879454,"score_gpt":0.24171344902274158,"score_spread":0.20724885438394705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312823713","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024081352,0.62137705,0.001972951,0.21371484,0.016356003,0.00002432159,0.00016650555,0.00012836413,0.14385189],"genre_scores_gemma":[0.18083403,0.25735095,0.0042618015,0.07258684,0.021290503,0.00009791328,0.00024710703,0.0007305846,0.46260014],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989134,0.0005958827,0.000041574433,0.00011875178,0.00021888921,0.00011150518],"domain_scores_gemma":[0.99922276,0.00040669175,0.00007828573,0.00006227444,0.0001344079,0.00009562531],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015541969,0.00093151216,0.00043654075,0.0011273662,0.0041541858,0.006365374,0.0008005686,0.0031958655,0.015320771],"category_scores_gemma":[0.002450924,0.00040807194,0.00021822208,0.0019906377,0.0076465397,0.011910941,0.002282081,0.0044087297,0.0050917584],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029063016,0.000009974172,0.00015204106,0.00026776086,0.000004819282,0.00008146456,0.013137801,0.00003376884,0.00016917125,0.12541768,0.82845056,0.032245796],"study_design_scores_gemma":[0.000003503326,0.0000051898255,0.0002541135,0.00032750433,0.0000023371083,0.00011658187,0.0042013885,0.000019312025,0.00011777366,0.011690854,0.9832546,0.000006801649],"about_ca_topic_score_codex":0.013454193,"about_ca_topic_score_gemma":0.035744354,"teacher_disagreement_score":0.015320771,"about_ca_system_score_codex":0.004123608,"about_ca_system_score_gemma":0.0032892253,"threshold_uncertainty_score":0.05125308},"labels":[],"label_agreement":null},{"id":"W2312958191","doi":"10.1086/673677","title":": <i>The Renaissance Epic and the Oral Past</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Haven; EPIC; History; The Renaissance; Art; Art history; Literature; Mathematics","score_opus":0.013916661062441268,"score_gpt":0.27387018526752294,"score_spread":0.25995352420508167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312958191","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075080216,0.02909174,0.0033519054,0.058388986,0.0078074583,0.000030937827,0.0012782153,0.0002330732,0.8247375],"genre_scores_gemma":[0.8502029,0.006191849,0.0016413432,0.0038398923,0.0021910316,0.000024195193,0.0006223127,0.00021378763,0.13507262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979883,0.00009912133,0.000009349374,0.000034077217,0.00003662544,0.000022121367],"domain_scores_gemma":[0.9997367,0.00011012603,0.00003581244,0.00003675441,0.00006108598,0.000019512525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005471994,0.00021822729,0.00011517364,0.0007440587,0.0011798386,0.0019476088,0.00024847066,0.0006744,0.01763197],"category_scores_gemma":[0.0014561636,0.00008957311,0.00013236128,0.0011999564,0.0022987395,0.0021578758,0.00079396664,0.0009767527,0.0020325438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001269915,0.000014715791,0.005371014,0.0003824264,0.000021412166,0.00047476185,0.061109293,0.00011316961,0.001937177,0.4904128,0.34803525,0.09200101],"study_design_scores_gemma":[0.0000061953033,0.000021604523,0.025098687,0.0003936514,0.000013534342,0.0010571608,0.011412902,0.00007946363,0.00066436693,0.017470954,0.94376034,0.000021010672],"about_ca_topic_score_codex":0.010239982,"about_ca_topic_score_gemma":0.019348716,"teacher_disagreement_score":0.01763197,"about_ca_system_score_codex":0.00064874656,"about_ca_system_score_gemma":0.00041325937,"threshold_uncertainty_score":0.058984816},"labels":[],"label_agreement":null},{"id":"W2312969550","doi":"10.1086/686399","title":": <i> Franciscan Learning, Preaching and Mission c. 1220–1650: <i>Cum scientia sit donum Dei, armatura ad defendendam sanctam fidem catholicam. . .</i> </i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Brill; Art; Theology; Classics; Philosophy","score_opus":0.016068659441821405,"score_gpt":0.22078653098199533,"score_spread":0.20471787154017393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312969550","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029144795,0.2046434,0.00039708466,0.050962422,0.010063004,0.000047879166,0.00089301326,0.00016099507,0.7299178],"genre_scores_gemma":[0.024879657,0.029214865,0.000326156,0.0051812246,0.0025368386,0.000043958134,0.00027824426,0.00011755241,0.9374215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996536,0.00006537793,0.000015386631,0.00004846545,0.00011920425,0.000098057826],"domain_scores_gemma":[0.99970514,0.00006149719,0.00004217809,0.0000135979635,0.00010261937,0.00007491687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043978108,0.0007824286,0.00025411398,0.0012730998,0.0034113342,0.003400096,0.0005494609,0.0027447348,0.1292688],"category_scores_gemma":[0.0010405236,0.00024600243,0.00013811495,0.0018681651,0.002063252,0.0026002626,0.0015197694,0.0024556243,0.03487048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034983063,0.000008082419,0.00021787586,0.00017093854,0.0000019389556,0.000042354786,0.0011136393,0.000019539386,0.00022395149,0.021413708,0.9359223,0.040830795],"study_design_scores_gemma":[0.0000017008533,0.000004878949,0.0011679365,0.00018138085,0.0000013955218,0.00002683665,0.0005214011,0.0000065109093,0.0001028648,0.00054108066,0.99743843,0.0000055670316],"about_ca_topic_score_codex":0.12052803,"about_ca_topic_score_gemma":0.2940371,"teacher_disagreement_score":0.1292688,"about_ca_system_score_codex":0.0053823134,"about_ca_system_score_gemma":0.0035398419,"threshold_uncertainty_score":0.4324472},"labels":[],"label_agreement":null},{"id":"W2313126046","doi":"10.1086/675101","title":": <i>On the Causes of the Greatness and Magnificence of Cities</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Greatness; Art; Humanities; Art history; History; Literature","score_opus":0.022551594817509315,"score_gpt":0.20451465952469627,"score_spread":0.18196306470718696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313126046","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00070353784,0.719916,0.00069636275,0.19060102,0.026742151,0.00001908102,0.0007074334,0.00012829532,0.060486127],"genre_scores_gemma":[0.047531534,0.5790679,0.001648788,0.07282267,0.03893856,0.000115219154,0.0010535892,0.0005103765,0.2583114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994148,0.00016775685,0.000028379627,0.000078890436,0.00020635487,0.00010387442],"domain_scores_gemma":[0.9991572,0.00033817938,0.000110649446,0.000046706977,0.00023120012,0.00011610293],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000758601,0.0015006599,0.0005935653,0.0026118984,0.0016655123,0.0037773598,0.0015402511,0.0027520051,0.031199344],"category_scores_gemma":[0.0022534227,0.00052107126,0.0004414031,0.0046869405,0.0034240559,0.008371305,0.002615211,0.0030105007,0.01214602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008195567,0.000002465813,0.000112314985,0.00016435949,0.0000032459984,0.000021385235,0.00061962847,0.000015998758,0.000023888713,0.007574028,0.978766,0.012688374],"study_design_scores_gemma":[0.000003592703,0.0000036258639,0.0011952899,0.0005793733,0.000005889058,0.0000814875,0.0011925701,0.000016936072,0.00008071677,0.005962493,0.99086785,0.00001015939],"about_ca_topic_score_codex":0.042435054,"about_ca_topic_score_gemma":0.08962829,"teacher_disagreement_score":0.042435054,"about_ca_system_score_codex":0.0040476085,"about_ca_system_score_gemma":0.0027814738,"threshold_uncertainty_score":0.1043722},"labels":[],"label_agreement":null},{"id":"W2313184770","doi":"10.1086/678879","title":": <i>John Gower and the Limits of the Law</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Multicultural Socio-Legal Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Content (measure theory); Law; History; Law and economics; Art; Art history; Sociology; Political science; Mathematics","score_opus":0.01984888938963204,"score_gpt":0.27983637644399845,"score_spread":0.2599874870543664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313184770","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015259599,0.05530042,0.00020674421,0.8946799,0.004978914,0.00000967164,0.000057573143,0.000023862574,0.04321696],"genre_scores_gemma":[0.096096285,0.08913276,0.0009606032,0.5413155,0.0124589065,0.00007490962,0.000107620355,0.00031107385,0.25954232],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983071,0.0007406476,0.00006693117,0.00022701985,0.0004973417,0.00016098625],"domain_scores_gemma":[0.9951407,0.002953912,0.00029531386,0.00017092645,0.0009230535,0.0005161271],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028934209,0.00064137485,0.00053967786,0.0015141482,0.010753875,0.0065419017,0.0013834784,0.009016295,0.014912021],"category_scores_gemma":[0.0101463515,0.00043768287,0.00029771682,0.0023946783,0.0105060665,0.014045958,0.0042033973,0.00844506,0.0030878286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007170279,0.000008755266,0.00023133995,0.00007641641,0.0000040905156,0.0000950034,0.0057227053,0.000024385794,0.000047839916,0.0764428,0.9130005,0.004338903],"study_design_scores_gemma":[0.000007669947,0.000004379638,0.0009698113,0.00045620775,0.0000054965144,0.00012946334,0.013426324,0.0000388933,0.000116081945,0.038606748,0.9462127,0.000026207203],"about_ca_topic_score_codex":0.07021528,"about_ca_topic_score_gemma":0.17001563,"teacher_disagreement_score":0.07021528,"about_ca_system_score_codex":0.004008503,"about_ca_system_score_gemma":0.0050359913,"threshold_uncertainty_score":0.13961315},"labels":[],"label_agreement":null},{"id":"W2313462830","doi":"10.1086/660421","title":": <i>The Laughter of the Saints: Parodies of Holiness in Late Medieval and Renaissance Spain</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Laughter; The Renaissance; Index (typography); Art; History; Humanities; Classics; Media studies; Theology; Art history; Philosophy; Sociology; Literature","score_opus":0.03087372126872033,"score_gpt":0.21703872491295512,"score_spread":0.18616500364423477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313462830","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036697548,0.61383706,0.00034095926,0.19847491,0.011612763,0.000030907955,0.00048769222,0.00013000543,0.13838817],"genre_scores_gemma":[0.5602983,0.17952068,0.00044572292,0.027849052,0.008801416,0.000088527144,0.00051212596,0.00033243062,0.22215168],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994004,0.00031263602,0.000019643243,0.000049822567,0.00010692345,0.00011062658],"domain_scores_gemma":[0.9991762,0.00036915965,0.00012794924,0.00004622728,0.00012262269,0.00015790373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013926731,0.000533049,0.0004938111,0.0010049313,0.0034438414,0.0036625636,0.00086180307,0.00160367,0.013262881],"category_scores_gemma":[0.0020720717,0.00027390494,0.00022248253,0.0021398081,0.0048643234,0.0032328258,0.0024096016,0.0025161721,0.002527434],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001793181,0.00003464121,0.0020885875,0.00060814177,0.0000140825,0.00047356982,0.1225286,0.000042384727,0.00026292127,0.023350641,0.79229224,0.05812491],"study_design_scores_gemma":[0.000023882107,0.00002550929,0.012946177,0.0010091757,0.000007717591,0.00036895953,0.08588872,0.000021612237,0.00017344629,0.002409213,0.89710635,0.00001930652],"about_ca_topic_score_codex":0.032353446,"about_ca_topic_score_gemma":0.08752063,"teacher_disagreement_score":0.032353446,"about_ca_system_score_codex":0.0034829872,"about_ca_system_score_gemma":0.0019836172,"threshold_uncertainty_score":0.06433028},"labels":[],"label_agreement":null},{"id":"W2313575554","doi":"10.2307/2901904","title":": <i>The Queen's Men and Their Plays</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Queen (butterfly); Globe; Art history; History; Media studies; Art; Sociology; Medicine; Ophthalmology","score_opus":0.01131176065223611,"score_gpt":0.20019679380925587,"score_spread":0.18888503315701977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313575554","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001432397,0.7990421,0.0008100023,0.07178383,0.011532714,0.0000210899,0.00022679595,0.00010526754,0.115045875],"genre_scores_gemma":[0.062228795,0.30607083,0.001050548,0.022331923,0.008184354,0.00006086502,0.0004204926,0.00042436307,0.5992278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933845,0.00024990545,0.00003442125,0.00008591664,0.00021161095,0.00007969692],"domain_scores_gemma":[0.9994733,0.00019869144,0.00007510391,0.00003340391,0.0001248971,0.00009473403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009043377,0.0013069857,0.00045184826,0.0012715262,0.0028999944,0.005452421,0.0010685226,0.002135213,0.043674547],"category_scores_gemma":[0.0016684844,0.0004738622,0.00024580501,0.0021840327,0.0032256027,0.007356227,0.0024315245,0.0027307826,0.0134356795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003425922,0.000009071033,0.00018362273,0.00044496285,0.0000050739663,0.00006469228,0.0068518193,0.000017144592,0.00013815069,0.013473298,0.9367646,0.0420134],"study_design_scores_gemma":[0.0000028762265,0.0000057335983,0.0006731569,0.0004418217,0.0000031407642,0.00010689592,0.0035073047,0.000011446596,0.000081512975,0.0024991652,0.99266183,0.0000049786154],"about_ca_topic_score_codex":0.027100785,"about_ca_topic_score_gemma":0.0800531,"teacher_disagreement_score":0.043674547,"about_ca_system_score_codex":0.0024921042,"about_ca_system_score_gemma":0.001974758,"threshold_uncertainty_score":0.14610595},"labels":[],"label_agreement":null},{"id":"W2313680288","doi":"10.1086/681336","title":": <i>Digitizing Medieval and Early Modern Material Culture</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Classics; Middle Ages; Art history; History; Archaeology","score_opus":0.04680569810433368,"score_gpt":0.22750809343437053,"score_spread":0.18070239533003685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313680288","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052654888,0.81421894,0.010768547,0.036601294,0.008223511,0.000060289818,0.003400354,0.0006589976,0.12080256],"genre_scores_gemma":[0.066459216,0.70064884,0.023134975,0.0073732035,0.0049092574,0.00014411629,0.006612986,0.00078872085,0.18992867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942905,0.00013820254,0.00005113758,0.000074232375,0.00024196712,0.00006541126],"domain_scores_gemma":[0.9985297,0.0006168805,0.00011836974,0.00022163444,0.00038419498,0.00012921488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010926598,0.00078141596,0.00037678046,0.004226116,0.0010685724,0.005381902,0.0012179229,0.0010355933,0.024504818],"category_scores_gemma":[0.0025595047,0.0006031909,0.00032422374,0.00921798,0.0033497598,0.009428403,0.002180906,0.0015891682,0.0059613143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020626276,0.000011371513,0.0010068275,0.0009756617,0.000017270982,0.00007598283,0.0038603588,0.00015892828,0.00057975313,0.018399399,0.6247902,0.35010368],"study_design_scores_gemma":[0.000002032574,0.000004302758,0.0040323283,0.0007565709,0.000010779525,0.00021968418,0.002754208,0.00004676053,0.0007076724,0.0044628577,0.9869937,0.000009216849],"about_ca_topic_score_codex":0.053727765,"about_ca_topic_score_gemma":0.12941115,"teacher_disagreement_score":0.053727765,"about_ca_system_score_codex":0.0033925455,"about_ca_system_score_gemma":0.002867133,"threshold_uncertainty_score":0.10683012},"labels":[],"label_agreement":null},{"id":"W2313694009","doi":"10.1086/683892","title":": <i>The Vices of Learning: Morality and Knowledge at Early Modern Universities</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; The Renaissance; Morality; Classics; History; Art; Political science; Art history; Law","score_opus":0.034066758473413936,"score_gpt":0.2416760365007326,"score_spread":0.20760927802731866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313694009","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014586018,0.49657378,0.00069761317,0.38123974,0.022380618,0.000013972363,0.000255742,0.000121776124,0.09725816],"genre_scores_gemma":[0.107348554,0.37031704,0.0014810122,0.068649426,0.04871102,0.00006876098,0.00053645024,0.00038950637,0.4024982],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99938536,0.00023307108,0.000029928733,0.00006250283,0.00020346299,0.000085710264],"domain_scores_gemma":[0.99892455,0.0004436741,0.00013552359,0.000052002535,0.00025185003,0.00019236673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011566178,0.0007290113,0.00035348494,0.0012565438,0.0020186373,0.0056643058,0.00077511434,0.0029732694,0.032863505],"category_scores_gemma":[0.0022104806,0.00030258545,0.00021680954,0.0023731706,0.0035506815,0.0105066905,0.0022172704,0.0038314387,0.009064871],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001042444,0.000008751677,0.00017207113,0.0001735792,0.0000022332904,0.00001768653,0.0011184432,0.0000138257155,0.000050883675,0.017372245,0.95820624,0.022853676],"study_design_scores_gemma":[0.000004476317,0.000007552824,0.0015369552,0.0006033317,0.0000039783354,0.00008743788,0.0028409902,0.000031242205,0.00011774157,0.010687317,0.9840681,0.000010811319],"about_ca_topic_score_codex":0.011050441,"about_ca_topic_score_gemma":0.028519392,"teacher_disagreement_score":0.032863505,"about_ca_system_score_codex":0.0025385958,"about_ca_system_score_gemma":0.0026900442,"threshold_uncertainty_score":0.10993934},"labels":[],"label_agreement":null},{"id":"W2313993157","doi":"10.1086/686429","title":": <i>Diglossia: The Early Modern Reinvention of Mythological Discourse</i>","year":2016,"lang":"es","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Mythology; Humanities; Art; Literature","score_opus":0.017315327283653856,"score_gpt":0.2489921455266245,"score_spread":0.23167681824297065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313993157","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014845882,0.551648,0.004604987,0.1946173,0.009143134,0.000024005116,0.00020722783,0.00019743197,0.22471198],"genre_scores_gemma":[0.6415271,0.1667374,0.0033576142,0.026555741,0.012611123,0.000093115355,0.00023019251,0.00052364526,0.14836407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805707,0.0012121935,0.000061367406,0.00019318926,0.00029541826,0.00018066668],"domain_scores_gemma":[0.9988324,0.0005972342,0.00015683458,0.00015818061,0.00016921175,0.00008612189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028975564,0.0007050746,0.00043680737,0.001900959,0.003296874,0.007750558,0.0009971828,0.002475424,0.008167767],"category_scores_gemma":[0.004527632,0.00029772246,0.0002598022,0.0024233423,0.023605704,0.01477352,0.0046893233,0.004466353,0.0020805132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041475694,0.0000134237725,0.00029524416,0.00040413288,0.000010050825,0.00016370074,0.053979073,0.00006494944,0.00027131938,0.7366437,0.16466893,0.043443978],"study_design_scores_gemma":[0.000006266465,0.000012321392,0.0009115789,0.00077709643,0.0000059432655,0.00037160132,0.0128653785,0.000062979096,0.0002901786,0.08534932,0.8993286,0.000018629622],"about_ca_topic_score_codex":0.0092513375,"about_ca_topic_score_gemma":0.009449532,"teacher_disagreement_score":0.0092513375,"about_ca_system_score_codex":0.0050528906,"about_ca_system_score_gemma":0.002786719,"threshold_uncertainty_score":0.036661506},"labels":[],"label_agreement":null},{"id":"W2314035905","doi":"10.1086/681316","title":": <i>Neo-Latin and the Humanities: Essays in Honour of Charles E. Fantazzi</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; The Renaissance; Humanities; Art; History; Classics; Art history; Archaeology","score_opus":0.05908451303344226,"score_gpt":0.23490595603530573,"score_spread":0.17582144300186348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314035905","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013061544,0.61391383,0.00049214746,0.26007074,0.021462694,0.000010940923,0.00012603552,0.000036333488,0.102581166],"genre_scores_gemma":[0.0980108,0.4449453,0.0018663589,0.0905686,0.040542603,0.00011187255,0.0003301687,0.00029359636,0.32333076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942005,0.00025859446,0.0000248734,0.00007412947,0.00016674568,0.00005556761],"domain_scores_gemma":[0.9987036,0.0007052789,0.000101760495,0.00006803178,0.00025827775,0.00016307233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015450374,0.00089162996,0.0004915356,0.0013026362,0.0030097666,0.0045426064,0.0009020533,0.0024959596,0.010334204],"category_scores_gemma":[0.003364263,0.0002802401,0.00028831686,0.0022466348,0.006352599,0.0065767705,0.0022158204,0.003159845,0.0032296388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013283112,0.000008184535,0.00015397568,0.00020562862,0.0000036171054,0.00004849738,0.003017368,0.000020643707,0.000068124136,0.027793892,0.95014244,0.018524371],"study_design_scores_gemma":[0.000003314895,0.0000026020894,0.00064751424,0.0005659676,0.0000025814163,0.00007495125,0.0021684906,0.000015041086,0.000054979875,0.00578634,0.9906729,0.0000052972173],"about_ca_topic_score_codex":0.014030409,"about_ca_topic_score_gemma":0.030425262,"teacher_disagreement_score":0.014030409,"about_ca_system_score_codex":0.0041681835,"about_ca_system_score_gemma":0.0024683434,"threshold_uncertainty_score":0.03457135},"labels":[],"label_agreement":null},{"id":"W2314121857","doi":"10.1086/664102","title":": <i>Vision and the Visionary in Raphael</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Index (typography); State (computer science); Art history; Art; Theology; Media studies; History; Sociology; Philosophy; Mathematics; Computer science","score_opus":0.02931941886089252,"score_gpt":0.2109879676570728,"score_spread":0.1816685487961803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314121857","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009795696,0.684855,0.0012037271,0.09858085,0.023932286,0.000026113248,0.0002004567,0.00016394194,0.19005804],"genre_scores_gemma":[0.09115511,0.27558678,0.0026816481,0.055296566,0.020932004,0.00013453506,0.0003251363,0.0007786415,0.5531096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990915,0.00045349295,0.000037921734,0.0001342943,0.00018735856,0.00009546515],"domain_scores_gemma":[0.99927217,0.000392359,0.00007788493,0.00003863243,0.000121651465,0.000097288685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094155053,0.0012160022,0.00050058897,0.0017929904,0.0028671068,0.004805623,0.0010542946,0.0024878853,0.022667421],"category_scores_gemma":[0.00227522,0.0004000295,0.00026100536,0.002295483,0.003712355,0.008241412,0.0022611807,0.003733398,0.009091819],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021277132,0.000008822351,0.000053412045,0.00022242079,0.0000031209554,0.00005970114,0.0024878038,0.000024510484,0.000058909733,0.04895651,0.91568786,0.03241574],"study_design_scores_gemma":[0.000002647747,0.000005673863,0.00018164996,0.00027214512,0.0000017483138,0.0001346005,0.0012411072,0.000015911028,0.00007844809,0.0059393034,0.9921206,0.0000061633095],"about_ca_topic_score_codex":0.012814547,"about_ca_topic_score_gemma":0.022610493,"teacher_disagreement_score":0.022667421,"about_ca_system_score_codex":0.0026710758,"about_ca_system_score_gemma":0.0016832976,"threshold_uncertainty_score":0.07583004},"labels":[],"label_agreement":null},{"id":"W2314313202","doi":"10.1086/671703","title":": <i>English Women Staging Islam, 1696–1707</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Islam; History; Classics; Art; Theology; Art history; Philosophy; Archaeology","score_opus":0.013735603696323219,"score_gpt":0.1980082417339284,"score_spread":0.18427263803760519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314313202","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005468902,0.7672891,0.00014787428,0.072682746,0.015657851,0.000031361233,0.0010659337,0.000052531504,0.13760376],"genre_scores_gemma":[0.100370646,0.3644948,0.0003903981,0.020283839,0.009047622,0.0001275638,0.0012170234,0.00013549565,0.50393254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996822,0.00009222826,0.0000197459,0.000035694015,0.00007353492,0.000096652366],"domain_scores_gemma":[0.99968946,0.00007879676,0.000054437132,0.0000091695665,0.00006686252,0.00010127531],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055924937,0.00063302286,0.00030688636,0.001007511,0.0030542284,0.0028166722,0.0006262294,0.0015216903,0.031493735],"category_scores_gemma":[0.00087934814,0.00026585083,0.00015038863,0.0024415965,0.0017698252,0.004432715,0.0018854234,0.0012298381,0.008394552],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045493598,0.000009298532,0.0007453685,0.00030702926,0.0000025726579,0.00014827946,0.011762251,0.000008119324,0.00009200386,0.007369756,0.94447076,0.03503915],"study_design_scores_gemma":[0.0000033573651,0.0000057684474,0.0029425551,0.00039216614,0.0000017688715,0.00008980257,0.009654198,0.0000019518864,0.000047618207,0.0003424465,0.9865133,0.000005080602],"about_ca_topic_score_codex":0.06790589,"about_ca_topic_score_gemma":0.19572629,"teacher_disagreement_score":0.06790589,"about_ca_system_score_codex":0.002456851,"about_ca_system_score_gemma":0.0025846153,"threshold_uncertainty_score":0.13502127},"labels":[],"label_agreement":null},{"id":"W2314313420","doi":"10.1086/670491","title":": <i>Marriage in Premodern Europe: Italy and Beyond</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; History; Classics; Media studies; Art history; Sociology","score_opus":0.014551973412372852,"score_gpt":0.20157582009108266,"score_spread":0.1870238466787098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314313420","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009922285,0.82742,0.00024868883,0.08623646,0.0065783593,0.000011078421,0.00010408738,0.000031958156,0.06944714],"genre_scores_gemma":[0.2979038,0.5103282,0.0007731071,0.03171923,0.02160208,0.000076535856,0.0003606759,0.00008326639,0.1371532],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997094,0.000122154,0.0000088426905,0.0000357921,0.000046069472,0.00007770492],"domain_scores_gemma":[0.999828,0.000051333,0.00003147367,0.000012296584,0.000020200783,0.000056744746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006800914,0.0005308143,0.00041924027,0.0009244565,0.0017870647,0.0033896675,0.0005865638,0.0013076228,0.008982402],"category_scores_gemma":[0.00077386777,0.0001907897,0.00021531146,0.002019505,0.002475081,0.0033572756,0.0020496303,0.0015965359,0.0014760745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094185125,0.00004250928,0.003097727,0.00062619214,0.000016123937,0.00027903923,0.023038996,0.000086115826,0.00017379128,0.0874828,0.7422206,0.14284194],"study_design_scores_gemma":[0.000009053226,0.000017075516,0.010610334,0.0010207649,0.000008126776,0.00027377473,0.0067732637,0.000033196495,0.000060479033,0.0062756147,0.9749088,0.000009381055],"about_ca_topic_score_codex":0.009795048,"about_ca_topic_score_gemma":0.021719733,"teacher_disagreement_score":0.009795048,"about_ca_system_score_codex":0.0019670827,"about_ca_system_score_gemma":0.0016192117,"threshold_uncertainty_score":0.030049086},"labels":[],"label_agreement":null},{"id":"W2314313941","doi":"10.2307/1261860","title":": <i>Divine Dialectic: Dante's Incarnational Poetry</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Dialectic; Index (typography); Theology; Art history; Art; History; Humanities; Philosophy; Literature","score_opus":0.020847140249749128,"score_gpt":0.21770727212391272,"score_spread":0.1968601318741636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314313941","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019656515,0.6093636,0.001661818,0.067823455,0.013626848,0.000026109781,0.00026524274,0.00021235879,0.3050549],"genre_scores_gemma":[0.05873962,0.19078937,0.0015835423,0.011433774,0.010749091,0.00006691486,0.0003437979,0.00037469078,0.7259192],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967754,0.0001253508,0.000014358765,0.00004209511,0.00009712685,0.00004358554],"domain_scores_gemma":[0.99970883,0.00011216875,0.000026022188,0.000019228317,0.00007578723,0.000057949812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046911713,0.00096754346,0.0004191124,0.0013753178,0.0024449225,0.0044325213,0.00064967124,0.00133611,0.045939013],"category_scores_gemma":[0.0011634778,0.00025923585,0.00017746454,0.0022971414,0.0028899726,0.0062985956,0.0020384223,0.001959802,0.014113765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001937139,0.000010286125,0.00016748105,0.00023831979,0.0000030187643,0.000059414324,0.0050502825,0.000018929983,0.00012479188,0.029770976,0.90979683,0.05474035],"study_design_scores_gemma":[0.0000019144313,0.000004009345,0.00028849713,0.00020558508,0.0000014665959,0.00012292118,0.0014392552,0.000011780166,0.00006691233,0.003972429,0.99388206,0.0000031691798],"about_ca_topic_score_codex":0.011582548,"about_ca_topic_score_gemma":0.03246757,"teacher_disagreement_score":0.045939013,"about_ca_system_score_codex":0.0020721653,"about_ca_system_score_gemma":0.0012480945,"threshold_uncertainty_score":0.15368128},"labels":[],"label_agreement":null},{"id":"W2314543259","doi":"10.1086/679817","title":": <i> Lorenzo di Filippo Strozzi and Niccolò Machiavelli: Patron, Client, and the <i>Pistola fatta per la peste</i> / An Epistle Written Concerning the Plague </i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Plague (disease); Humanities; Art; History; Ancient history","score_opus":0.02049903852890201,"score_gpt":0.2225283955077414,"score_spread":0.2020293569788394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314543259","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015143371,0.5930443,0.0005328978,0.30624017,0.017368197,0.00002992263,0.00015286461,0.0001246371,0.080992736],"genre_scores_gemma":[0.06388158,0.32322565,0.0011119199,0.08850888,0.023168718,0.00015304759,0.00019263753,0.00041833156,0.4993392],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917895,0.00032686317,0.00003292187,0.00009202654,0.00025413415,0.00011510659],"domain_scores_gemma":[0.99906486,0.0004098689,0.0001180919,0.00003126013,0.00019948707,0.00017636566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011937898,0.0011898432,0.00060107437,0.001206242,0.00312791,0.00473188,0.0011167491,0.003320772,0.04225084],"category_scores_gemma":[0.0031535851,0.0006428436,0.0002118801,0.0022194267,0.0032227829,0.0080137905,0.0027846843,0.0042054034,0.011795221],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008002234,0.0000050409612,0.00007269366,0.00009633147,0.0000012117129,0.000053353186,0.0028374768,0.0000055410615,0.000032522894,0.0053944685,0.9813043,0.010189139],"study_design_scores_gemma":[0.0000026564271,0.0000036324707,0.00037865064,0.00020736454,0.0000015835014,0.00018230754,0.00267344,0.000008412709,0.000040645697,0.0009375559,0.99555737,0.0000063057564],"about_ca_topic_score_codex":0.024597319,"about_ca_topic_score_gemma":0.052860197,"teacher_disagreement_score":0.04225084,"about_ca_system_score_codex":0.0035567551,"about_ca_system_score_gemma":0.0030199012,"threshold_uncertainty_score":0.14134318},"labels":[],"label_agreement":null},{"id":"W2314645321","doi":"10.1086/665862","title":": <i>Medicinal Cannibalism in Early Modern English Literature and Culture</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Cannibalism; History; Environmental ethics; Philosophy; Biology; Ecology","score_opus":0.013400774918874923,"score_gpt":0.2668564174973593,"score_spread":0.25345564257848435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314645321","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015692033,0.83601195,0.00045163694,0.078334644,0.029643573,0.000024922725,0.0002700283,0.000114735325,0.053579357],"genre_scores_gemma":[0.04675617,0.5847384,0.0011517144,0.040701747,0.052324552,0.000079871286,0.0007121104,0.00025252445,0.27328292],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9996532,0.00010824795,0.00003076851,0.000042817606,0.0001273296,0.00003773164],"domain_scores_gemma":[0.9989766,0.0005285243,0.000105387524,0.000039088925,0.00024470148,0.00010572062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007435264,0.0008080089,0.0005263998,0.0022666783,0.0011432845,0.0027175236,0.00076997874,0.0012040839,0.027490547],"category_scores_gemma":[0.0016101166,0.00029420108,0.00021805112,0.0032817335,0.001817059,0.0054407096,0.0015602717,0.0014331889,0.008513122],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001656633,0.0000099141835,0.00023001572,0.00072384806,0.000004641325,0.000051744086,0.0019618147,0.00001752231,0.00015604067,0.0050111045,0.94399184,0.047824997],"study_design_scores_gemma":[0.0000039390457,0.000015415253,0.002473526,0.0013705649,0.0000056413623,0.00023833787,0.001972872,0.000033614437,0.00017712188,0.0024357655,0.99126315,0.000010071184],"about_ca_topic_score_codex":0.009440124,"about_ca_topic_score_gemma":0.024477279,"teacher_disagreement_score":0.027490547,"about_ca_system_score_codex":0.0014493446,"about_ca_system_score_gemma":0.0013898045,"threshold_uncertainty_score":0.09196508},"labels":[],"label_agreement":null},{"id":"W2314655466","doi":"10.1086/683972","title":": <i>Shakespeare Performance Studies</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Theology; Philosophy","score_opus":0.12679319244184215,"score_gpt":0.28452803295998275,"score_spread":0.1577348405181406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314655466","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007305148,0.032525446,0.00076878554,0.13325697,0.015057888,0.000039097034,0.00285834,0.00031399715,0.80787444],"genre_scores_gemma":[0.13732621,0.016930249,0.000445102,0.010438748,0.0072407457,0.0000828343,0.0018455187,0.00055555993,0.825135],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99936825,0.00016631697,0.00003847803,0.00007355509,0.00027626718,0.00007719042],"domain_scores_gemma":[0.9986451,0.000463327,0.00008981091,0.0001102363,0.0004839387,0.00020759924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012196905,0.0005376439,0.00028710935,0.001755057,0.004393607,0.005121243,0.00056009594,0.0012967533,0.078652985],"category_scores_gemma":[0.004019245,0.00015598013,0.000137538,0.0039349287,0.00219551,0.003350734,0.0018174293,0.0018295385,0.022362985],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008185774,0.0000050906433,0.0002450796,0.00010714783,0.000001547618,0.000025751553,0.00363597,0.000010073198,0.00006550147,0.011387161,0.9740872,0.010421293],"study_design_scores_gemma":[0.0000015905692,0.0000044659528,0.0034931744,0.00029001702,0.0000017950077,0.00003762225,0.0034163594,0.000009626231,0.00014345291,0.0010003631,0.9915964,0.0000052244054],"about_ca_topic_score_codex":0.04601036,"about_ca_topic_score_gemma":0.10750849,"teacher_disagreement_score":0.078652985,"about_ca_system_score_codex":0.0028018462,"about_ca_system_score_gemma":0.0019394534,"threshold_uncertainty_score":0.2631204},"labels":[],"label_agreement":null},{"id":"W2314656844","doi":"10.1086/668367","title":": <i>The Devil’s Book: Charles I, the Book of Sports and Puritanism in Tudor and Early Stuart England</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Art history; Media studies; Art; Classics; Sociology","score_opus":0.01290981846088634,"score_gpt":0.27454994561373713,"score_spread":0.2616401271528508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314656844","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023745205,0.68154716,0.00052310596,0.0474973,0.01367113,0.00003794162,0.00073297776,0.00016636525,0.2534495],"genre_scores_gemma":[0.023146065,0.13721286,0.00035502174,0.008500474,0.0051757284,0.000048912018,0.00067392556,0.0002120724,0.82467496],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971825,0.000061108505,0.000018651373,0.000035901405,0.00012168058,0.00004433921],"domain_scores_gemma":[0.9996828,0.00009904955,0.000034557066,0.000020609716,0.00007821817,0.00008481947],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036238309,0.0009513348,0.0006154493,0.0015027527,0.002037758,0.0035884548,0.00078268733,0.0012843553,0.07750303],"category_scores_gemma":[0.00115418,0.00038633804,0.00026301754,0.002839874,0.0019476588,0.0042838836,0.0017208633,0.002136398,0.02184998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013984628,0.0000081424405,0.00017328141,0.00020445112,0.0000040850405,0.000049681905,0.0014450519,0.000013169102,0.00007039928,0.005758691,0.9653307,0.026928373],"study_design_scores_gemma":[0.0000015845599,0.0000034291672,0.0005858314,0.00027498772,0.0000017010857,0.0000660972,0.00088188914,0.0000047930725,0.000033522094,0.00073243177,0.9974101,0.0000036201645],"about_ca_topic_score_codex":0.027486932,"about_ca_topic_score_gemma":0.07777954,"teacher_disagreement_score":0.07750303,"about_ca_system_score_codex":0.0020348663,"about_ca_system_score_gemma":0.001886849,"threshold_uncertainty_score":0.25927347},"labels":[],"label_agreement":null},{"id":"W2314705920","doi":"10.1086/668378","title":": <i>In Dialogue with the Other Voice in Sixteenth-Century Italy: Literary and Social Contexts for Women’s Writing</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Early modern Europe; S Voice; Renaissance studies; History; Art; Literature; Classics; Art history","score_opus":0.016128649145514682,"score_gpt":0.22889484814620537,"score_spread":0.2127661990006907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314705920","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06438972,0.35400802,0.0019798547,0.21866308,0.010497088,0.00005982998,0.00019571769,0.0001902081,0.3500166],"genre_scores_gemma":[0.75935465,0.0708782,0.0009998671,0.017573876,0.008073502,0.0001406754,0.00017049733,0.0002499508,0.14255884],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986771,0.0008520112,0.000034544042,0.00010543986,0.00012947587,0.00020137728],"domain_scores_gemma":[0.9990382,0.00053983513,0.0001282394,0.000054279935,0.000074561496,0.00016489929],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002423843,0.00075647497,0.00044046834,0.0013834856,0.0052955616,0.008736245,0.0009091414,0.0027167741,0.0065092104],"category_scores_gemma":[0.0024226047,0.00027315752,0.00039385463,0.0026204002,0.013309891,0.007453937,0.0041567474,0.0021495507,0.0013024502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001647496,0.000043523192,0.0027294392,0.0009446124,0.000025269195,0.0011015564,0.56028926,0.00008077756,0.0006139367,0.11364342,0.25206554,0.06829789],"study_design_scores_gemma":[0.000021814543,0.00002489665,0.006569602,0.001450754,0.000018010418,0.000950781,0.15451911,0.000063341016,0.00040438105,0.009670692,0.826274,0.00003255805],"about_ca_topic_score_codex":0.014832485,"about_ca_topic_score_gemma":0.028672175,"teacher_disagreement_score":0.014832485,"about_ca_system_score_codex":0.0042457157,"about_ca_system_score_gemma":0.0024638495,"threshold_uncertainty_score":0.030804932},"labels":[],"label_agreement":null},{"id":"W2314815717","doi":"10.1086/671632","title":": <i>Brotherhood and Boundaries / Fraternità e barriere</i>","year":2013,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Educational and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.013787199323871487,"score_gpt":0.26603384035424477,"score_spread":0.25224664103037325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314815717","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00375496,0.9079439,0.0009511621,0.040190905,0.003261383,0.000010447891,0.000044246182,0.000021848891,0.043821067],"genre_scores_gemma":[0.14377211,0.8105621,0.0012968841,0.004863738,0.0063602803,0.00004738863,0.00016193213,0.000050553,0.03288504],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915993,0.0005036557,0.000028974178,0.00008377051,0.00014098287,0.00008274009],"domain_scores_gemma":[0.9991173,0.000501057,0.00009749204,0.00004222688,0.000102751896,0.00013907383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013066797,0.0009255004,0.00075322366,0.0013816087,0.0014664584,0.004532763,0.0011034249,0.0018206814,0.008473337],"category_scores_gemma":[0.0019625588,0.0003966164,0.00033981292,0.0023343563,0.004937545,0.008137592,0.0020085156,0.0031877777,0.002432744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012252147,0.00008286952,0.003299362,0.0017633999,0.00005466435,0.00038259072,0.035868894,0.00029501595,0.00026864707,0.26384264,0.49432912,0.19969025],"study_design_scores_gemma":[0.00002941061,0.000057587742,0.010750058,0.0042712563,0.000046439625,0.0011663042,0.019798914,0.00034852617,0.00033731383,0.123886384,0.8392652,0.000042444077],"about_ca_topic_score_codex":0.008096594,"about_ca_topic_score_gemma":0.008691793,"teacher_disagreement_score":0.008473337,"about_ca_system_score_codex":0.0021617326,"about_ca_system_score_gemma":0.0022441116,"threshold_uncertainty_score":0.028346121},"labels":[],"label_agreement":null},{"id":"W2314915110","doi":"10.1086/658513","title":": <i>Modernità dell'Umanesimo</i>","year":2010,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Diverse academic and cultural studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Index (typography); Art; Computer science","score_opus":0.02466386244397721,"score_gpt":0.21570442946877844,"score_spread":0.1910405670248012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314915110","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00069127604,0.7806673,0.0016433077,0.14387216,0.020111041,0.000014701296,0.00030085104,0.00015567438,0.052543625],"genre_scores_gemma":[0.066292986,0.55072457,0.0038726472,0.05506704,0.07942448,0.00019078843,0.0007527665,0.0007406007,0.24293421],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989417,0.0003563028,0.00005290141,0.00022674038,0.00028989144,0.00013250885],"domain_scores_gemma":[0.99898106,0.00046148902,0.00013356269,0.0000827375,0.00024173528,0.000099370256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011402832,0.0013594332,0.00075447577,0.0030815864,0.0016038326,0.004061709,0.0014429024,0.0039292253,0.03417488],"category_scores_gemma":[0.0024764603,0.00046456474,0.0004517156,0.0032484436,0.0032853743,0.009669175,0.0019840733,0.004543605,0.013381815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029203009,0.000013493852,0.00021173178,0.00037236264,0.000008442353,0.000038643746,0.00082867965,0.00003912418,0.00010308084,0.051603135,0.89975464,0.04699748],"study_design_scores_gemma":[0.000007092855,0.000009871864,0.00088839285,0.0005133201,0.000005781643,0.0001321762,0.00026156116,0.000060714043,0.00013851708,0.020553188,0.9774164,0.000012977459],"about_ca_topic_score_codex":0.009779275,"about_ca_topic_score_gemma":0.013262469,"teacher_disagreement_score":0.03417488,"about_ca_system_score_codex":0.0029875648,"about_ca_system_score_gemma":0.0013093575,"threshold_uncertainty_score":0.11432642},"labels":[],"label_agreement":null},{"id":"W2314971718","doi":"10.1086/671593","title":": <i>Controversies: Clarifications Concerning the Censures Published at Paris in the Name of the Theology Faculty There</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Miller; Classics; Theology; Media studies; History; Sociology; Art history; Philosophy; The Renaissance","score_opus":0.03136119972982552,"score_gpt":0.2320690994577889,"score_spread":0.20070789972796338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314971718","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00086443167,0.22541296,0.00042977923,0.6470434,0.05627113,0.000017723762,0.00031534085,0.00013751544,0.06950766],"genre_scores_gemma":[0.09056934,0.14937297,0.0016833583,0.34412244,0.14594083,0.00013910506,0.00077864836,0.0009153317,0.26647794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.992786,0.003044286,0.000397591,0.0008519935,0.0023782637,0.0005419752],"domain_scores_gemma":[0.991336,0.0046988637,0.0011747478,0.0005234727,0.0017772401,0.0004896115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063876817,0.0014390114,0.00092687306,0.0035226266,0.007060736,0.019390281,0.0029936756,0.012560908,0.045099713],"category_scores_gemma":[0.017729172,0.00058521103,0.0006610904,0.0078437785,0.013780109,0.02348197,0.004150865,0.010736864,0.013113377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011389209,0.00000467595,0.000049607876,0.00013274641,0.000004380049,0.000040664607,0.0019618226,0.000016258855,0.000029680128,0.032018375,0.95878845,0.0069419662],"study_design_scores_gemma":[0.000003681982,0.0000032850605,0.00031716828,0.0004148083,0.000003209868,0.00006208221,0.0021597946,0.000010654138,0.0000591323,0.004518342,0.99243176,0.000016068869],"about_ca_topic_score_codex":0.038414754,"about_ca_topic_score_gemma":0.044897676,"teacher_disagreement_score":0.045099713,"about_ca_system_score_codex":0.013531894,"about_ca_system_score_gemma":0.0065718815,"threshold_uncertainty_score":0.15087354},"labels":[],"label_agreement":null},{"id":"W2315008806","doi":"10.1086/679829","title":": <i>The Elizabethan New Year’s Gift Exchanges, 1559–1603</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"History; Economic history; Media studies; Sociology","score_opus":0.023666733239344952,"score_gpt":0.20745997405042768,"score_spread":0.18379324081108273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315008806","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023034594,0.6584532,0.0008947837,0.08646129,0.035998452,0.000022200942,0.00063628185,0.00013162276,0.21509871],"genre_scores_gemma":[0.04005657,0.21976006,0.0008406722,0.011656589,0.008718446,0.000055339515,0.00051969587,0.00020923391,0.71818346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963236,0.00010861869,0.000026105603,0.000049530234,0.00012560778,0.00005775207],"domain_scores_gemma":[0.9996209,0.00011621321,0.00005723628,0.000020766667,0.000077924524,0.00010694174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077774096,0.00061928213,0.00028580907,0.0010855037,0.0018539442,0.004086123,0.0005978152,0.0013735527,0.048786074],"category_scores_gemma":[0.0019497464,0.00026648675,0.00018793716,0.0019529401,0.0013879185,0.006657765,0.0018156051,0.0016321563,0.0121409],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023624707,0.0000062785475,0.00019644298,0.00013116233,0.0000020445996,0.000048478723,0.001076982,0.00001807445,0.000038129197,0.016905045,0.9406761,0.040877633],"study_design_scores_gemma":[6.7965004e-7,0.0000010488747,0.00029664242,0.000093090835,4.999195e-7,0.000031104777,0.00034709738,0.0000037729376,0.000016957223,0.00074804045,0.9984591,0.0000021044768],"about_ca_topic_score_codex":0.021588398,"about_ca_topic_score_gemma":0.05361921,"teacher_disagreement_score":0.048786074,"about_ca_system_score_codex":0.0027551465,"about_ca_system_score_gemma":0.002426958,"threshold_uncertainty_score":0.16320568},"labels":[],"label_agreement":null},{"id":"W2315077409","doi":"10.1086/662891","title":": <i>Intellectual Curiosity and the Scientific Revolution: A Global Perspective</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Psychological and Educational Research Studies","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Index (typography); Perspective (graphical); Curiosity; Media studies; Art history; Humanities; History; Art; Sociology; Psychology; Visual arts; Computer science","score_opus":0.09004960377267567,"score_gpt":0.3644378936648514,"score_spread":0.27438828989217573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315077409","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046337026,0.8206945,0.0009260431,0.101648,0.014776091,0.000012502279,0.00018593349,0.00010442862,0.06118915],"genre_scores_gemma":[0.04259082,0.6946529,0.0019393124,0.054873586,0.047451455,0.00009646359,0.0005911642,0.00037984597,0.1574244],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990306,0.00034341245,0.00005927052,0.00014016138,0.00031465865,0.00011188108],"domain_scores_gemma":[0.9979317,0.0012759923,0.00019240733,0.00009740598,0.00028014972,0.00022241914],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012416627,0.0015216947,0.0009350597,0.0031526797,0.0016678728,0.007463204,0.0014026125,0.0032469954,0.03130859],"category_scores_gemma":[0.0029242798,0.00033822906,0.0004535327,0.004530487,0.005410314,0.013032237,0.0025398496,0.0041560642,0.013837596],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023568422,0.000011921363,0.00015983834,0.0007458196,0.0000120270715,0.000056359033,0.0013292865,0.00004933602,0.00008650322,0.03901483,0.9003376,0.058172956],"study_design_scores_gemma":[0.0000071199684,0.0000133245285,0.0008715926,0.0010966465,0.000008055411,0.00019733199,0.0010819333,0.000040429375,0.00012615752,0.03530904,0.9612345,0.000013935622],"about_ca_topic_score_codex":0.004027917,"about_ca_topic_score_gemma":0.0090622585,"teacher_disagreement_score":0.99833214,"about_ca_system_score_codex":0.0027525602,"about_ca_system_score_gemma":0.0021216846,"threshold_uncertainty_score":0.1047377},"labels":[],"label_agreement":null},{"id":"W2315128710","doi":"10.1086/669374","title":": <i>The Anglo-Florentine Renaissance: Art for the Early Tudors</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Haven; Italian Renaissance; Art; Art history; The Renaissance; Center (category theory); History; Classics","score_opus":0.02154619366729915,"score_gpt":0.232523312980264,"score_spread":0.21097711931296484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315128710","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021884101,0.900714,0.00031485435,0.026097255,0.00350585,0.0000065210534,0.000067484536,0.000034902238,0.06707071],"genre_scores_gemma":[0.11266431,0.52806747,0.000850301,0.0067913854,0.005380996,0.00004258716,0.0002459849,0.00015005011,0.3458069],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995141,0.0002072088,0.000016805912,0.000060467104,0.00010963273,0.00009184677],"domain_scores_gemma":[0.99962175,0.00014490233,0.00003609509,0.000030240168,0.00008602414,0.00008098047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010130358,0.001042458,0.00042822456,0.00149383,0.0027531532,0.00571865,0.0008684617,0.0018381805,0.031835604],"category_scores_gemma":[0.0011379876,0.00039561366,0.0002963815,0.0027591742,0.004285011,0.0058245054,0.0017411794,0.0020960614,0.0063365046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003417818,0.000018465144,0.00071449496,0.0005407205,0.00001403304,0.0001803182,0.0178874,0.00006652713,0.00015654623,0.04694305,0.81556946,0.117874935],"study_design_scores_gemma":[0.00000197982,0.000004416368,0.0012550923,0.00049097417,0.000003864012,0.00012784079,0.0050179614,0.000012141347,0.000053926742,0.0022815366,0.99074453,0.0000057442644],"about_ca_topic_score_codex":0.08564944,"about_ca_topic_score_gemma":0.18260671,"teacher_disagreement_score":0.08564944,"about_ca_system_score_codex":0.0047898316,"about_ca_system_score_gemma":0.0030009956,"threshold_uncertainty_score":0.1703018},"labels":[],"label_agreement":null},{"id":"W2315223916","doi":"10.2307/2901560","title":": <i>Education in Early Tudor England: Magdalen College Oxford and Its School, 1480-1540</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; History; Classics; Media studies; Theology; Humanities; Art; Sociology; Art history; Philosophy","score_opus":0.013419858696586092,"score_gpt":0.22359661483148918,"score_spread":0.21017675613490308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315223916","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045611965,0.6684689,0.00029304606,0.07822692,0.014657294,0.00006596703,0.0043047452,0.0002236033,0.22919826],"genre_scores_gemma":[0.03230645,0.10992238,0.00026379258,0.0050838985,0.0024901498,0.00007991537,0.0013885496,0.00013719681,0.84832764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924123,0.00009636257,0.00007312834,0.000103240855,0.00018854681,0.00029752782],"domain_scores_gemma":[0.99914205,0.000076694734,0.00009912974,0.000030411777,0.00014835637,0.000503276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008942637,0.0009052339,0.0005342255,0.0021063667,0.002540032,0.005253494,0.0012453491,0.0028056602,0.2185612],"category_scores_gemma":[0.0014348631,0.00059222657,0.00021034406,0.0061540683,0.0014857216,0.004810812,0.0031344187,0.00223461,0.03732914],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040220435,0.000016178095,0.00070913706,0.0005845016,0.000003013022,0.00010557465,0.0021759027,0.000020281894,0.000110174195,0.0037133032,0.9352282,0.057293504],"study_design_scores_gemma":[0.0000026380155,0.000004219237,0.0028820331,0.00022967921,0.0000010298863,0.000031083968,0.0011543088,0.0000023363787,0.000025053509,0.00010983301,0.9955545,0.0000033496294],"about_ca_topic_score_codex":0.17771183,"about_ca_topic_score_gemma":0.3998907,"teacher_disagreement_score":0.2185612,"about_ca_system_score_codex":0.007812514,"about_ca_system_score_gemma":0.0065095406,"threshold_uncertainty_score":0.73116004},"labels":[],"label_agreement":null},{"id":"W2315337840","doi":"10.2307/2901893","title":": <i>Kulturtransfer in der frühen Neuzeit: die Vorworte der Lyoner Drucke des 16. Jahrhunderts</i>","year":2000,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.021845917098996047,"score_gpt":0.2892720792686268,"score_spread":0.2674261621696308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315337840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17551741,0.067873806,0.00065041735,0.2300545,0.0049020215,0.000049680348,0.001699105,0.00023297474,0.51902014],"genre_scores_gemma":[0.7718436,0.018993411,0.00032031024,0.00597151,0.0012458942,0.000057652265,0.0005485441,0.0001616463,0.20085736],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953663,0.0001507707,0.000018333716,0.00004115239,0.000086075,0.000167062],"domain_scores_gemma":[0.99933344,0.00025825782,0.00013744686,0.000025969364,0.00008728335,0.0001574939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093298085,0.0002463465,0.00015066421,0.0011337752,0.0035442677,0.004281476,0.00043831774,0.0013135368,0.02573636],"category_scores_gemma":[0.0029863408,0.00009325632,0.00011500354,0.0019918252,0.0027031451,0.0029546365,0.0021832525,0.0013706355,0.00308605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014988073,0.000030727067,0.00665759,0.00033121274,0.000013192478,0.0006707477,0.19740288,0.00008788223,0.000494106,0.20327212,0.514888,0.07600162],"study_design_scores_gemma":[0.000008398004,0.000020389049,0.031421255,0.0003027433,0.000006370296,0.00017681425,0.049565382,0.000029167608,0.0004339111,0.002706884,0.9153116,0.000017132645],"about_ca_topic_score_codex":0.07947173,"about_ca_topic_score_gemma":0.16553824,"teacher_disagreement_score":0.07947173,"about_ca_system_score_codex":0.0056421123,"about_ca_system_score_gemma":0.002323198,"threshold_uncertainty_score":0.15801829},"labels":[],"label_agreement":null},{"id":"W2315634650","doi":"10.1086/678866","title":": <i>The World Beyond Europe in the Romance Epics of Boiardo and Ariosto</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Art; Media studies; History; Sociology; Literature","score_opus":0.009190569886561696,"score_gpt":0.21280381600591577,"score_spread":0.20361324611935408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315634650","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034184213,0.9480067,0.00015465963,0.025035083,0.00927864,0.0000025978559,0.000034007437,0.000009463655,0.017137008],"genre_scores_gemma":[0.031949636,0.8714502,0.00042854037,0.027662516,0.023514802,0.000024315052,0.00019709727,0.00010403317,0.044668917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927837,0.00032852803,0.00004295891,0.00009656616,0.00017645973,0.00007717163],"domain_scores_gemma":[0.99924207,0.00039220054,0.0001012437,0.000032810014,0.00014902695,0.000082696475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001278375,0.00089792395,0.0008311349,0.0017032414,0.0017312403,0.00377621,0.0009567432,0.0021991166,0.009360788],"category_scores_gemma":[0.0021928821,0.00033268356,0.0003313816,0.0029487833,0.0043656183,0.0072129937,0.0021349164,0.0034699733,0.0033669232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055270855,0.000012627089,0.00039241547,0.001970063,0.000018382681,0.00020651428,0.0046299994,0.000048426835,0.000108621934,0.059330013,0.82339925,0.109828435],"study_design_scores_gemma":[0.0000028142254,0.0000046509713,0.0006767562,0.0012885127,0.0000040741847,0.00022082475,0.0009816474,0.000006882236,0.000042612948,0.0023238086,0.99444157,0.000005665602],"about_ca_topic_score_codex":0.008673948,"about_ca_topic_score_gemma":0.019210162,"teacher_disagreement_score":0.009360788,"about_ca_system_score_codex":0.0022043095,"about_ca_system_score_gemma":0.001785683,"threshold_uncertainty_score":0.03131497},"labels":[],"label_agreement":null},{"id":"W2315659443","doi":"10.1086/676233","title":": <i>“And touching our society”: Fashioning Jesuit Identity in Elizabethan England</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Classics; History; Art; Aesthetics","score_opus":0.018671848041387187,"score_gpt":0.24667359885903645,"score_spread":0.22800175081764926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315659443","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15538383,0.23572272,0.0012621416,0.26378053,0.005188414,0.000056839228,0.00013767353,0.000059126003,0.33840877],"genre_scores_gemma":[0.81277037,0.03889298,0.0006228371,0.016492732,0.00086329173,0.000059491555,0.00005775872,0.00006949546,0.130171],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993562,0.00041664465,0.00001565483,0.0000385228,0.000088497516,0.000084491316],"domain_scores_gemma":[0.9996075,0.00020236963,0.000044103963,0.000017902003,0.000043721946,0.00008447059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011989076,0.0003139422,0.00022806678,0.00059536874,0.006489505,0.0044272975,0.0006323399,0.001467866,0.004885809],"category_scores_gemma":[0.0012025549,0.00017762094,0.0000892898,0.00087121205,0.009371636,0.0046348674,0.0024996924,0.0018516892,0.0006507703],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042502357,0.000033707693,0.0014823121,0.00033892752,0.000005135647,0.00067640754,0.71914214,0.000026737604,0.00054339855,0.1279233,0.12174211,0.028043361],"study_design_scores_gemma":[0.000005112591,0.00003052872,0.004857508,0.0008354175,0.0000065579134,0.00056637713,0.43635643,0.00004031417,0.00050585,0.0077781333,0.54900163,0.000015983986],"about_ca_topic_score_codex":0.03601359,"about_ca_topic_score_gemma":0.1036978,"teacher_disagreement_score":0.03601359,"about_ca_system_score_codex":0.0027359726,"about_ca_system_score_gemma":0.0022088522,"threshold_uncertainty_score":0.07160795},"labels":[],"label_agreement":null},{"id":"W2315679691","doi":"10.1086/677448","title":": <i>A Companion to Early Modern Naples</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Brill; History; Classics; Art; Theology; Philosophy","score_opus":0.02170773987080502,"score_gpt":0.30405238116568617,"score_spread":0.2823446412948811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315679691","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002900681,0.020749578,0.0030415973,0.13745059,0.13927874,0.00018449021,0.010166354,0.0022416362,0.6839863],"genre_scores_gemma":[0.0100698415,0.004700713,0.0013679,0.0075834016,0.017748542,0.00010958207,0.0024055645,0.0012046448,0.95480984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976844,0.00005947062,0.000011300301,0.000044600307,0.000076432974,0.00003972717],"domain_scores_gemma":[0.9988355,0.00033111172,0.0000757466,0.000100244055,0.00035778334,0.00029957874],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063178,0.0008787597,0.00040935393,0.0020766873,0.0036679334,0.0035058933,0.0011489962,0.0017256794,0.33005482],"category_scores_gemma":[0.0024784082,0.00031242633,0.00028225195,0.002281738,0.0011225396,0.003436142,0.0028827705,0.0029839424,0.11568474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007586009,0.000002958394,0.000038891492,0.000030986397,5.7902633e-7,0.000029748471,0.0003031544,0.000004113266,0.00006059741,0.0012257,0.9928423,0.005453437],"study_design_scores_gemma":[0.0000012677135,0.0000017406128,0.0004035274,0.000037386762,3.1800317e-7,0.000029960083,0.00026419305,0.0000050399885,0.000034801567,0.00018988649,0.99902976,0.0000022043357],"about_ca_topic_score_codex":0.016820915,"about_ca_topic_score_gemma":0.051326476,"teacher_disagreement_score":0.33005482,"about_ca_system_score_codex":0.002050279,"about_ca_system_score_gemma":0.0009811125,"threshold_uncertainty_score":0.9555955},"labels":[],"label_agreement":null},{"id":"W2315776989","doi":"10.2307/1262156","title":"Competing Visions of the State and Social Welfare: The Medici Dukes, the Bigallo Magistrates, and Local Hospitals in Sixteenth-Century Tuscany","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Vision; Welfare state; State (computer science); Poor relief; Welfare; Social Welfare; History; Economic history; Art; Sociology; Political science; Law; Anthropology","score_opus":0.012999058114717207,"score_gpt":0.2083500338845912,"score_spread":0.19535097576987398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315776989","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7820424,0.008249204,0.00026718425,0.08004123,0.00020687944,0.000012376538,0.00004499958,0.000009038907,0.12912676],"genre_scores_gemma":[0.99210054,0.00064502953,0.000026707265,0.0008814117,0.000048596674,0.000005646252,0.00000618926,0.0000024574842,0.0062834667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9980034,0.0008495147,0.000018833327,0.00007610865,0.00013364226,0.000918547],"domain_scores_gemma":[0.99900454,0.00026568843,0.00012796556,0.000022427954,0.000053159838,0.0005262428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014796265,0.00021340538,0.00022804351,0.0012068035,0.01527412,0.011854567,0.0006877037,0.0025715565,0.005140348],"category_scores_gemma":[0.0019673908,0.00022419865,0.00013887337,0.0016660563,0.03003376,0.003083497,0.0065405783,0.0029337408,0.00016750909],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001407478,0.000056869252,0.012576586,0.00003988238,0.000010650033,0.0011636758,0.21281633,0.00040024944,0.00015698976,0.7501605,0.012154928,0.0103225],"study_design_scores_gemma":[0.0000707451,0.00008339563,0.057757575,0.00055236364,0.000022924813,0.00049386325,0.5300556,0.00042694225,0.00017967878,0.086474724,0.32379273,0.00008942848],"about_ca_topic_score_codex":0.19706227,"about_ca_topic_score_gemma":0.3790576,"teacher_disagreement_score":0.19706227,"about_ca_system_score_codex":0.035026357,"about_ca_system_score_gemma":0.0071883104,"threshold_uncertainty_score":0.39183044},"labels":[],"label_agreement":null},{"id":"W2315886270","doi":"10.1086/664148","title":": <i>John de Vere, Thirteenth Earl of Oxford (1442–1513): “The Foremost Man of the Kingdom.”</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Append; Index (typography); Kingdom; History; Theology; Philosophy; Geology","score_opus":0.04874748111868931,"score_gpt":0.2212352002875069,"score_spread":0.17248771916881758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315886270","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001287224,0.6875548,0.0008674893,0.030981032,0.029578693,0.000059628608,0.0023992169,0.0003402213,0.24693173],"genre_scores_gemma":[0.015163899,0.18064919,0.00070693885,0.0075844997,0.005421953,0.000054327473,0.0015799013,0.00029602562,0.7885433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947685,0.00010275771,0.00004595249,0.000088916146,0.00020122512,0.00008427705],"domain_scores_gemma":[0.9993723,0.00016214265,0.00010602649,0.000040368963,0.00020511534,0.00011397829],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074006966,0.0018804908,0.0006941649,0.0025559417,0.0015480763,0.004392207,0.0010123864,0.0018464194,0.21365236],"category_scores_gemma":[0.0018533769,0.0005975956,0.00040011702,0.0050543146,0.0011216385,0.005829536,0.0020972118,0.0016785878,0.09639351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018016503,0.0000047934786,0.00011522345,0.00029251608,0.0000045021416,0.0000662083,0.00050232996,0.000013206497,0.00008555561,0.0018598676,0.9626712,0.03436657],"study_design_scores_gemma":[0.0000023533478,0.0000039359666,0.0005741875,0.00033208265,0.0000022359382,0.0000861759,0.00039302916,0.0000049325677,0.000044065288,0.00035741323,0.9981949,0.000004711809],"about_ca_topic_score_codex":0.029081034,"about_ca_topic_score_gemma":0.08194956,"teacher_disagreement_score":0.21365236,"about_ca_system_score_codex":0.002043708,"about_ca_system_score_gemma":0.0011422456,"threshold_uncertainty_score":0.71473837},"labels":[],"label_agreement":null},{"id":"W2315987832","doi":"10.1086/677456","title":": <i>Fatal Rivalry: Flodden 1513; Henry VIII, James IV and the Battle for Renaissance Britain</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"George (robot); Battle; Rivalry; The Renaissance; Art; Art history; History; Theology; Philosophy; Ancient history; Economics","score_opus":0.013270720203122957,"score_gpt":0.2085494065298669,"score_spread":0.19527868632674394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315987832","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008743008,0.8110756,0.00030937363,0.05174069,0.009272601,0.000016525775,0.00017500443,0.000052030944,0.12648384],"genre_scores_gemma":[0.028906172,0.28679642,0.0004538472,0.011881644,0.004640006,0.000034508714,0.00022562397,0.00013629407,0.66692555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999585,0.00011574891,0.0000194295,0.000056932247,0.00014113313,0.000081816856],"domain_scores_gemma":[0.9995346,0.00014213905,0.00007090734,0.000015193456,0.000120829536,0.00011635133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006172633,0.001176854,0.00046599976,0.0014124983,0.002978276,0.0038174938,0.0010394506,0.0029085793,0.05856472],"category_scores_gemma":[0.0013256043,0.0005764117,0.00021808481,0.002892587,0.0031010231,0.0047135907,0.0017521799,0.00229776,0.014811827],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010369269,0.0000039922343,0.00009810608,0.00016614722,0.0000022530908,0.000056746907,0.00168659,0.000013307905,0.000040695282,0.00743565,0.9717345,0.018751614],"study_design_scores_gemma":[0.0000013467429,0.000002709344,0.00038401323,0.0002719811,0.0000015553084,0.00006313743,0.0013140342,0.000005921974,0.000028158014,0.0009988887,0.9969242,0.000004117631],"about_ca_topic_score_codex":0.1446847,"about_ca_topic_score_gemma":0.34679615,"teacher_disagreement_score":0.1446847,"about_ca_system_score_codex":0.005082995,"about_ca_system_score_gemma":0.0031628998,"threshold_uncertainty_score":0.2876851},"labels":[],"label_agreement":null},{"id":"W2315998486","doi":"10.1086/660433","title":": <i>Henri III de France en mascarades imaginaires: Mœurs, humeurs et comportements d'un roi de la Renaissance</i>","year":2011,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; The Renaissance; Humanities; Art history","score_opus":0.01537020066173926,"score_gpt":0.24539877132295151,"score_spread":0.23002857066121227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315998486","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005678215,0.6844753,0.00050150516,0.074970655,0.004374233,0.000022786668,0.0002397994,0.00008816673,0.22964934],"genre_scores_gemma":[0.14447367,0.16040607,0.0007764515,0.011856477,0.0023397473,0.000043695865,0.00021467061,0.00020094178,0.6796883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994436,0.00017384584,0.000012214475,0.00006631987,0.00016250687,0.00014145122],"domain_scores_gemma":[0.99963903,0.00009332741,0.000042089592,0.000017366512,0.00011341368,0.000094732764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000836415,0.00084586215,0.00043545515,0.0010984752,0.004572788,0.004885626,0.00078255386,0.0019521622,0.026559986],"category_scores_gemma":[0.0010095134,0.00030896132,0.00023394659,0.002370121,0.0047589336,0.0031902457,0.0016188371,0.0021358267,0.0047627203],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037252354,0.0000085610745,0.0007788735,0.0002997776,0.000009148291,0.00017448218,0.020322733,0.00007327527,0.00026618727,0.054019645,0.87178355,0.052226506],"study_design_scores_gemma":[0.0000025471106,0.0000050756116,0.003044149,0.00032374865,0.0000024272201,0.0000869097,0.0048513603,0.00001579652,0.000082047496,0.0013991894,0.99017847,0.000008349193],"about_ca_topic_score_codex":0.6579245,"about_ca_topic_score_gemma":0.818923,"teacher_disagreement_score":0.6579245,"about_ca_system_score_codex":0.01786636,"about_ca_system_score_gemma":0.011917964,"threshold_uncertainty_score":0.68818015},"labels":[],"label_agreement":null},{"id":"W2316053010","doi":"10.1086/661846","title":": <i>The Cambridge Companion to Machiavelli</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); History; Media studies; Humanities; Theology; Art; Philosophy; Sociology; Computer science","score_opus":0.05313917302628898,"score_gpt":0.22784815817928974,"score_spread":0.17470898515300076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316053010","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004310893,0.817428,0.002095446,0.03386902,0.009222675,0.000018432891,0.0004817931,0.00022936659,0.13622427],"genre_scores_gemma":[0.022592403,0.4042598,0.0045715356,0.009681287,0.010488462,0.00011066334,0.0007604537,0.0009023724,0.546633],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992316,0.00017652265,0.00006384288,0.00017728182,0.0002761472,0.00007469231],"domain_scores_gemma":[0.9993839,0.00021122661,0.00007584125,0.0000723427,0.00016151469,0.000095019255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090251974,0.0013646445,0.0013631625,0.002238197,0.0017028457,0.005111673,0.0012700248,0.0017079829,0.06599739],"category_scores_gemma":[0.002370405,0.0007304877,0.00048473678,0.0028602676,0.0024354672,0.007714153,0.0021715197,0.0035654523,0.035073254],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025485098,0.000010717819,0.00012261707,0.00046302684,0.000006988286,0.00004061581,0.0014404397,0.00003245078,0.00013219283,0.034070715,0.8612312,0.10242365],"study_design_scores_gemma":[0.0000012291359,0.000002729757,0.0002433483,0.00020888497,0.0000013722218,0.000058551595,0.00020008694,0.000012098636,0.000031779047,0.0032516276,0.9959841,0.0000041028557],"about_ca_topic_score_codex":0.010682494,"about_ca_topic_score_gemma":0.023054125,"teacher_disagreement_score":0.06599739,"about_ca_system_score_codex":0.003046824,"about_ca_system_score_gemma":0.002231478,"threshold_uncertainty_score":0.2207833},"labels":[],"label_agreement":null},{"id":"W2316059160","doi":"10.1086/685232","title":": <i>Complete Poems</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Poetry; Early modern Europe; Art; Art history; History; Classics; Literature","score_opus":0.09476163130216551,"score_gpt":0.351731679573568,"score_spread":0.25697004827140246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316059160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001820317,0.30703375,0.0030752686,0.037324876,0.03175754,0.0000782379,0.0016968829,0.0009289204,0.6162842],"genre_scores_gemma":[0.045843367,0.07776144,0.0031426663,0.01006499,0.01577128,0.00017235325,0.0017881962,0.0012912774,0.8441644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995474,0.00017057701,0.00002022663,0.000058824884,0.00014666509,0.000056220728],"domain_scores_gemma":[0.9994861,0.00012804619,0.000051263843,0.000058393085,0.00018655251,0.00008960923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000605196,0.0013709657,0.00051368395,0.0015163566,0.0019179033,0.0044679493,0.00072762836,0.0010456677,0.08665754],"category_scores_gemma":[0.0021406095,0.00035495506,0.0003679321,0.0021293042,0.0018311066,0.005488262,0.00212345,0.0020310036,0.049582347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018203962,0.000007886861,0.00004920543,0.00013483118,0.000002385348,0.000031680916,0.0005787773,0.000015253208,0.00011824951,0.008710662,0.9510565,0.039276354],"study_design_scores_gemma":[0.0000018043646,0.0000044256103,0.00021478673,0.00013151893,0.0000011121862,0.00006013835,0.0003064198,0.00000912367,0.00006093719,0.0018297379,0.9973768,0.0000031528182],"about_ca_topic_score_codex":0.0031221982,"about_ca_topic_score_gemma":0.007553072,"teacher_disagreement_score":0.08665754,"about_ca_system_score_codex":0.0011964479,"about_ca_system_score_gemma":0.00095018855,"threshold_uncertainty_score":0.28989834},"labels":[],"label_agreement":null},{"id":"W2316077273","doi":"10.1086/678868","title":": <i>Partenia, a Pastoral Play: A Bilingual Edition</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; History; Classics; Early modern Europe; Art; Art history","score_opus":0.018986066520550383,"score_gpt":0.22113545584552485,"score_spread":0.20214938932497448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316077273","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031300166,0.6308961,0.001132451,0.040744275,0.020019459,0.000047511567,0.00086081045,0.00020602981,0.30296332],"genre_scores_gemma":[0.055521645,0.18122005,0.0014656223,0.008769493,0.0066834697,0.000107211104,0.00097082066,0.00056032016,0.7447014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964213,0.00011889611,0.000018288218,0.000054567092,0.00011198854,0.000054166674],"domain_scores_gemma":[0.99968815,0.00009605712,0.000027336098,0.000015577187,0.00007646176,0.00009646435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006234561,0.0012603988,0.00060767273,0.0013797232,0.0032224352,0.0048756073,0.0007951743,0.001148599,0.06275442],"category_scores_gemma":[0.00079466944,0.0003822797,0.0002068218,0.0025670826,0.0017884065,0.0043196194,0.0018744014,0.002149205,0.015054835],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006348725,0.0000246952,0.00015072605,0.00048066024,0.0000032210655,0.000098052944,0.0053587244,0.000024958865,0.00027188868,0.011944229,0.9314347,0.050144803],"study_design_scores_gemma":[0.000002703025,0.0000059260565,0.0004412494,0.00028034256,0.0000014298437,0.00012254129,0.0024872837,0.000011270943,0.0000671891,0.0005611029,0.99601537,0.0000036409933],"about_ca_topic_score_codex":0.023314016,"about_ca_topic_score_gemma":0.06723025,"teacher_disagreement_score":0.06275442,"about_ca_system_score_codex":0.0029256984,"about_ca_system_score_gemma":0.0033408408,"threshold_uncertainty_score":0.20993447},"labels":[],"label_agreement":null},{"id":"W2316144011","doi":"10.1086/671671","title":": <i>Exhortations to Women and to Others If They Please</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Early modern Europe; Media studies; Art; History; Library science; Classics; Art history; Sociology; Computer science","score_opus":0.015376075838926865,"score_gpt":0.22007934358152836,"score_spread":0.2047032677426015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316144011","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021581412,0.52091897,0.0013433035,0.2122159,0.032424048,0.00004496198,0.0005606754,0.00043912666,0.22989494],"genre_scores_gemma":[0.05181146,0.1780002,0.0013196424,0.036929026,0.016007293,0.00009528546,0.00044156684,0.0005154246,0.7148801],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992543,0.0003283729,0.00003059358,0.00009173869,0.00018040549,0.00011466189],"domain_scores_gemma":[0.9992536,0.00026017544,0.00009676353,0.000050829847,0.00016241061,0.00017631824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093005056,0.0011958851,0.0004900591,0.000814499,0.0025242872,0.0037418173,0.001084931,0.0021896763,0.05758189],"category_scores_gemma":[0.0016710199,0.00040185743,0.00031680547,0.0013179177,0.0028110086,0.0061603966,0.002350445,0.0027297905,0.027462795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014162722,0.000004985262,0.000091316324,0.00014986025,0.000002021236,0.000039436312,0.0025619518,0.0000060472576,0.00009072587,0.0048571257,0.9661452,0.026037142],"study_design_scores_gemma":[0.0000022011016,0.0000058994087,0.00054322585,0.00023703856,0.000001681777,0.00010676649,0.0026143927,0.000008342461,0.00010687029,0.0007740275,0.9955948,0.000004764619],"about_ca_topic_score_codex":0.016243031,"about_ca_topic_score_gemma":0.042461865,"teacher_disagreement_score":0.05758189,"about_ca_system_score_codex":0.0023174589,"about_ca_system_score_gemma":0.001661681,"threshold_uncertainty_score":0.19263059},"labels":[],"label_agreement":null},{"id":"W2316292540","doi":"10.1086/675134","title":": <i>Structures of Feeling in Seventeenth-Century Cultural Expression</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; History; Media studies; Art history; Sociology; Psychology","score_opus":0.013814665674448945,"score_gpt":0.2191458303036862,"score_spread":0.20533116462923726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316292540","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005742871,0.753528,0.0018210523,0.06622338,0.005840211,0.000021839753,0.0001396423,0.000103421626,0.16657965],"genre_scores_gemma":[0.344152,0.4035131,0.0023090097,0.01542962,0.0078172665,0.00017173369,0.00033047996,0.00023674447,0.22604007],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9996214,0.00019495032,0.000016303124,0.000037363337,0.000070007045,0.000059981186],"domain_scores_gemma":[0.9996418,0.0001613799,0.000044793673,0.000025881676,0.00007069576,0.000055520337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083849655,0.00087887904,0.00035774996,0.0011226695,0.0024407986,0.0066059395,0.0008147543,0.0013526723,0.015947586],"category_scores_gemma":[0.0010183569,0.0002890823,0.0002587373,0.001940177,0.008514422,0.0093309395,0.0022416243,0.0019984525,0.0034110814],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009545367,0.000036144225,0.0008570463,0.0009610068,0.000017559354,0.00022719019,0.06393462,0.00010570213,0.00042002738,0.21371824,0.55856556,0.16106147],"study_design_scores_gemma":[0.000013981372,0.00002112939,0.0036708482,0.0017750048,0.000011871518,0.00039792055,0.038737494,0.000067745976,0.0003367649,0.05015868,0.904783,0.000025476702],"about_ca_topic_score_codex":0.012239453,"about_ca_topic_score_gemma":0.018527227,"teacher_disagreement_score":0.015947586,"about_ca_system_score_codex":0.0035320157,"about_ca_system_score_gemma":0.0018622075,"threshold_uncertainty_score":0.05334997},"labels":[],"label_agreement":null},{"id":"W2316428986","doi":"10.1086/675158","title":": <i>Creating Communities in Restoration England: Parish and Congregation in Oliver Heywood’s Halifax</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brill; History; Religious studies; Theology; Classics; Philosophy","score_opus":0.023405186071619462,"score_gpt":0.22281925617474874,"score_spread":0.19941407010312928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316428986","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009716234,0.6003699,0.00068175414,0.24338688,0.011637925,0.000054477034,0.0002496249,0.00014370949,0.13375948],"genre_scores_gemma":[0.22066346,0.19394034,0.0017648393,0.025214635,0.0051365946,0.00013194716,0.0003102273,0.00029453947,0.55254346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995889,0.0002024977,0.000011875272,0.000035576635,0.00008026706,0.000080799226],"domain_scores_gemma":[0.9993938,0.0002358884,0.00006058352,0.000024665938,0.000059366357,0.00022566617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011088264,0.00053311174,0.00030859685,0.0007395067,0.0042950544,0.0039086533,0.00079579017,0.0019029505,0.033918455],"category_scores_gemma":[0.0010333788,0.00031083298,0.00014639499,0.001280554,0.0047816373,0.0047213105,0.0025163349,0.0020954988,0.00391833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033251832,0.000014437059,0.0003244266,0.00040439432,0.0000037352668,0.0002518335,0.023040162,0.000039295865,0.00014336129,0.018737743,0.90633625,0.050671056],"study_design_scores_gemma":[0.000004093048,0.0000070474707,0.0013845984,0.0003104395,0.0000015013849,0.00010917143,0.013439308,0.000009489343,0.00006410767,0.0011540999,0.9835101,0.0000059883423],"about_ca_topic_score_codex":0.08038496,"about_ca_topic_score_gemma":0.2669417,"teacher_disagreement_score":0.08038496,"about_ca_system_score_codex":0.00558687,"about_ca_system_score_gemma":0.0033705956,"threshold_uncertainty_score":0.15983415},"labels":[],"label_agreement":null},{"id":"W2316471642","doi":"10.2307/1262241","title":": <i>Martin Luther, German Saviour: German Evangelical Factions and the Interpretation of Luther, 1917-1933</i>","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Interpretation (philosophy); Martin luther; Art history; Media studies; History; Religious studies; Art; Theology; Sociology; Philosophy; Archaeology","score_opus":0.01916649795268217,"score_gpt":0.2617722999326668,"score_spread":0.24260580197998466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316471642","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016264574,0.86707723,0.00027414397,0.0736746,0.008725069,0.00001901746,0.0004711989,0.000061106235,0.048071217],"genre_scores_gemma":[0.0754826,0.61428684,0.00074650615,0.026913323,0.017070044,0.000104290004,0.0011833039,0.00024624026,0.26396695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999577,0.00015206328,0.000019821511,0.000048095564,0.00013291535,0.00007025266],"domain_scores_gemma":[0.9994411,0.00026167542,0.0000961937,0.000018988794,0.00010158558,0.000080398524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078201486,0.0012245027,0.00052676373,0.0027878536,0.0023030676,0.0031509404,0.001165782,0.0026441829,0.03180102],"category_scores_gemma":[0.0014611433,0.0004311072,0.0002675843,0.006125837,0.0024008171,0.00679153,0.0019811399,0.0023214887,0.007927453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021734988,0.0000077317845,0.00025688706,0.00028803505,0.000006533026,0.000045474346,0.0031492068,0.000018016292,0.00006340507,0.00910267,0.9717621,0.015278181],"study_design_scores_gemma":[0.000009270726,0.000006857796,0.0029852556,0.0009847573,0.0000081057115,0.00012719508,0.004151093,0.000019622272,0.00010446768,0.0028467858,0.9887446,0.000012069417],"about_ca_topic_score_codex":0.048560984,"about_ca_topic_score_gemma":0.15974888,"teacher_disagreement_score":0.048560984,"about_ca_system_score_codex":0.0036230695,"about_ca_system_score_gemma":0.0021396799,"threshold_uncertainty_score":0.10638499},"labels":[],"label_agreement":null},{"id":"W2316894068","doi":"10.1086/686361","title":": <i>The Mapping of Power in Renaissance Italy: Painted Cartographic Cycles in Social and Intellectual Context</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Renaissance; Context (archaeology); Power (physics); Art history; History; Cartography; Art; Humanities; Geography; Archaeology","score_opus":0.03005455231875974,"score_gpt":0.23747576735158024,"score_spread":0.20742121503282052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316894068","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016885238,0.23060177,0.010658748,0.3758215,0.02138768,0.00006272056,0.0009496565,0.00060892745,0.34302384],"genre_scores_gemma":[0.5590921,0.13209894,0.018660406,0.03336624,0.025458502,0.0002254009,0.0013526357,0.0011273436,0.22861844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951327,0.00025617125,0.000013430608,0.00005195731,0.00011479896,0.000050387913],"domain_scores_gemma":[0.9995567,0.00021074696,0.000055878932,0.000051142895,0.00008589952,0.000039573606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008672597,0.00064938253,0.00025771558,0.0022154355,0.0022871874,0.006656699,0.00081997266,0.001359854,0.013263063],"category_scores_gemma":[0.0020073433,0.0002824245,0.00036291895,0.005397487,0.007827531,0.0077362186,0.0022568721,0.001691383,0.0020757003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027894936,0.00000750543,0.0011178734,0.0002881858,0.00000902841,0.00013482031,0.01868401,0.00023377938,0.00015502944,0.22481702,0.6714893,0.08303562],"study_design_scores_gemma":[0.0000043153786,0.0000057588204,0.0029840078,0.0002967586,0.0000051045436,0.00023176959,0.007067805,0.00011471513,0.00012681844,0.042689368,0.94646007,0.000013528628],"about_ca_topic_score_codex":0.013320133,"about_ca_topic_score_gemma":0.035866793,"teacher_disagreement_score":0.013320133,"about_ca_system_score_codex":0.0023563516,"about_ca_system_score_gemma":0.001384254,"threshold_uncertainty_score":0.0443694},"labels":[],"label_agreement":null},{"id":"W2316963261","doi":"10.1086/671686","title":": <i>The Devonshire Manuscript: A Women’s Book of Courtly Poetry</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; The Renaissance; Early modern Europe; History; Art; Classics; Art history; Literature","score_opus":0.015129496178756268,"score_gpt":0.20228568797517366,"score_spread":0.18715619179641738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2316963261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021138773,0.3884548,0.0018095821,0.111530036,0.063425235,0.00009699125,0.0026718501,0.00038093782,0.42951664],"genre_scores_gemma":[0.02666045,0.06922928,0.0010370823,0.013397179,0.013714549,0.000059537677,0.0012162011,0.0006935774,0.87399215],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951553,0.00009935101,0.000026120308,0.00007012959,0.00024282583,0.000046050263],"domain_scores_gemma":[0.999019,0.00033808363,0.000084966945,0.000052992662,0.00036023394,0.0001447353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005918937,0.001002436,0.000488422,0.0012392452,0.003119129,0.0045779604,0.00087333313,0.0012223421,0.09287283],"category_scores_gemma":[0.0027462011,0.00036940572,0.00023936486,0.0021775516,0.0021754764,0.0039879386,0.0014098275,0.0017514369,0.025719717],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070919687,0.0000015612542,0.000028190232,0.00007770852,0.0000011215433,0.000033474047,0.00064340135,0.0000062381537,0.00006815615,0.0021981746,0.9862903,0.010644565],"study_design_scores_gemma":[0.0000013304955,0.000002677559,0.00023546998,0.00016548544,0.0000010387248,0.00008585418,0.00074017147,0.0000061607907,0.00006615369,0.00043223277,0.9982597,0.0000035898925],"about_ca_topic_score_codex":0.041560654,"about_ca_topic_score_gemma":0.11259645,"teacher_disagreement_score":0.09287283,"about_ca_system_score_codex":0.0035115469,"about_ca_system_score_gemma":0.0029349462,"threshold_uncertainty_score":0.31069058},"labels":[],"label_agreement":null},{"id":"W2317245478","doi":"10.1086/677463","title":": <i>Prose: Major Writings on Liberty, Politics, Religion, and Education</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Politics; History; Environmental ethics; Theology; Religious studies; Philosophy; Political science; Law","score_opus":0.0077914448713941875,"score_gpt":0.273543336633419,"score_spread":0.26575189176202485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317245478","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007890348,0.48931456,0.0023737417,0.12967885,0.06890123,0.00008976332,0.002310397,0.00041469067,0.30612776],"genre_scores_gemma":[0.018470805,0.22231285,0.0024088759,0.03585001,0.045930196,0.00022403346,0.0025020582,0.0010418314,0.6712594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993699,0.00016953354,0.00004149284,0.0000819641,0.0002767803,0.000060375416],"domain_scores_gemma":[0.9985067,0.0006421185,0.00014717363,0.000052643092,0.0004587675,0.00019256539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001035773,0.0021481232,0.0007685364,0.0025077204,0.0019205229,0.004536379,0.0009776475,0.0014643274,0.0905123],"category_scores_gemma":[0.0031919535,0.00036841276,0.0004215759,0.0036579275,0.0015411165,0.004862895,0.0018418037,0.0029321848,0.038908917],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000077497025,0.0000036021836,0.000021800364,0.00012194057,0.000001444038,0.0000111657455,0.00013345454,0.000006858729,0.000028848059,0.0023275574,0.98083556,0.016500117],"study_design_scores_gemma":[0.0000016707482,0.0000035877088,0.00018183322,0.00026939154,0.000001275412,0.000044501885,0.00021203609,0.000009932127,0.000060231087,0.0012500172,0.9979627,0.0000029299567],"about_ca_topic_score_codex":0.003732334,"about_ca_topic_score_gemma":0.0071531273,"teacher_disagreement_score":0.0905123,"about_ca_system_score_codex":0.0017417422,"about_ca_system_score_gemma":0.0019543234,"threshold_uncertainty_score":0.3027938},"labels":[],"label_agreement":null},{"id":"W2317442875","doi":"10.1086/667354","title":": <i>“Lords of Wine and Oile”: Community and Conviviality in the Poetry of Robert Herrick</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Poetry; History; Art; Theology; Art history; Classics; Philosophy; Literature","score_opus":0.02205616140506197,"score_gpt":0.30200142898834176,"score_spread":0.2799452675832798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317442875","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027444768,0.69556993,0.0010902645,0.14085904,0.029727641,0.000031008134,0.00017636853,0.00012376267,0.12967752],"genre_scores_gemma":[0.11510293,0.42190534,0.0022896759,0.033729535,0.028503891,0.000106500585,0.00050627306,0.00043633164,0.3974195],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931157,0.00034424858,0.000026380336,0.00006448287,0.00018547164,0.00006790681],"domain_scores_gemma":[0.999383,0.0002673439,0.000066203305,0.00003098625,0.00010991796,0.0001424964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011831237,0.0010980577,0.00053099723,0.0010161366,0.0023012091,0.0043074074,0.00094297837,0.0017557875,0.013888952],"category_scores_gemma":[0.0023431156,0.00031782163,0.00027552122,0.0019540389,0.004052555,0.005683535,0.0016165507,0.003092425,0.006174379],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023691746,0.000008015223,0.00011489235,0.0001925939,0.0000045238917,0.00006940743,0.0037245986,0.0000243137,0.000084866704,0.01203001,0.9559967,0.027726507],"study_design_scores_gemma":[0.0000043883233,0.0000076121573,0.0007426092,0.0004874467,0.0000030735312,0.00023519421,0.005401693,0.000028871873,0.00012573478,0.0041635036,0.9887898,0.000010099658],"about_ca_topic_score_codex":0.017963037,"about_ca_topic_score_gemma":0.04000354,"teacher_disagreement_score":0.017963037,"about_ca_system_score_codex":0.0026735566,"about_ca_system_score_gemma":0.0023832915,"threshold_uncertainty_score":0.04646319},"labels":[],"label_agreement":null},{"id":"W2317486927","doi":"10.1086/665888","title":": <i>The Martial Ethic in Early Modern Germany: Civic Duty and the Right of Arms</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Martial Arts: Techniques, Psychology, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Duty; History; Civic culture; Martial law; Economic history; Political science; Law; Democracy; Politics","score_opus":0.014327244065076364,"score_gpt":0.30881533674068035,"score_spread":0.294488092675604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317486927","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023542743,0.72271085,0.000642385,0.19610974,0.021187212,0.000016082913,0.00036593233,0.00006500077,0.056548562],"genre_scores_gemma":[0.13083343,0.5313267,0.0013601343,0.048574507,0.03143453,0.00008241616,0.00085816026,0.00015715191,0.25537306],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981076,0.000059908336,0.000010066296,0.00003007231,0.00005468164,0.00003459285],"domain_scores_gemma":[0.99980515,0.00008337844,0.000035759807,0.0000071104355,0.000027199334,0.00004149286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044047335,0.0010362793,0.00032114005,0.0011493575,0.0010171216,0.0026590317,0.0006900487,0.002008767,0.019995727],"category_scores_gemma":[0.0009152309,0.00030361535,0.0002175772,0.0015699742,0.0017254757,0.005679279,0.0015079216,0.0019813483,0.005763866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001993075,0.000011870487,0.0003119597,0.00028001837,0.0000049873847,0.000042040083,0.0010103924,0.000050065253,0.00008284506,0.016554726,0.93245834,0.049172815],"study_design_scores_gemma":[0.0000063731213,0.000012488918,0.0036523337,0.0010243824,0.000005915776,0.00025206053,0.0019335581,0.00008667664,0.00017265281,0.014113213,0.978724,0.0000164152],"about_ca_topic_score_codex":0.009214488,"about_ca_topic_score_gemma":0.02051309,"teacher_disagreement_score":0.019995727,"about_ca_system_score_codex":0.0014558316,"about_ca_system_score_gemma":0.0010491912,"threshold_uncertainty_score":0.066892326},"labels":[],"label_agreement":null},{"id":"W2317543732","doi":"10.1086/685167","title":": <i>Portraits of the Queen Mother: Polemics, Panegyrics, Letters; Catherine de Medicis and Others</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Portrait; The Renaissance; Art; Art history; Early modern Europe; Humanities; Classics","score_opus":0.022711486945325408,"score_gpt":0.2884268266831174,"score_spread":0.265715339737792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317543732","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009545742,0.45205405,0.0008859506,0.18579122,0.009944446,0.000024152347,0.00025573536,0.00007394827,0.34142473],"genre_scores_gemma":[0.28518093,0.14867172,0.0009922975,0.03461493,0.0073729693,0.000067045454,0.00019082644,0.00016464587,0.5227446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996512,0.00019555648,0.000009724361,0.000028697923,0.00006864985,0.000046157384],"domain_scores_gemma":[0.99983084,0.00006733832,0.000029048486,0.000008997291,0.000027186805,0.000036526115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048694768,0.0005475403,0.00022214952,0.0005768261,0.0034528621,0.0032663406,0.0004864979,0.0015445292,0.011002653],"category_scores_gemma":[0.0007425301,0.00018847028,0.0001654616,0.0011181905,0.0039197,0.0025674577,0.0011667418,0.0018969264,0.0027938066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031203257,0.000007511456,0.00031104457,0.00016119385,0.0000033745475,0.0003527768,0.0387553,0.00003337589,0.00026861782,0.04643181,0.89398557,0.019658228],"study_design_scores_gemma":[0.0000026750815,0.000004392775,0.0009643478,0.00014863351,0.0000017197235,0.00018772701,0.011751384,0.0000101352625,0.00008261552,0.0018885823,0.98495376,0.0000039843167],"about_ca_topic_score_codex":0.031198017,"about_ca_topic_score_gemma":0.085181095,"teacher_disagreement_score":0.031198017,"about_ca_system_score_codex":0.0033255115,"about_ca_system_score_gemma":0.0018577777,"threshold_uncertainty_score":0.06203288},"labels":[],"label_agreement":null},{"id":"W2317552766","doi":"10.1086/658602","title":": <i>Il collezionismo d'arte a Venezia: Il Seicento</i>","year":2010,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Art History and Market Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; Index (typography); Humanities; Art; History; Computer science","score_opus":0.011825646319966136,"score_gpt":0.21597216421409138,"score_spread":0.20414651789412525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317552766","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002004523,0.84849066,0.0010139284,0.015831387,0.007865892,0.000010468265,0.00016739787,0.000062991225,0.124552846],"genre_scores_gemma":[0.07936534,0.4694453,0.0020502247,0.0034591008,0.008787228,0.000043438493,0.00052053365,0.00023812606,0.43609086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996927,0.00007091559,0.000011207931,0.00006154617,0.00010727804,0.00005648451],"domain_scores_gemma":[0.9996811,0.00013975595,0.00003600901,0.000026672054,0.000063130065,0.000053343218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045750974,0.00090025325,0.0005281234,0.001939051,0.0014946181,0.0062778876,0.0007192296,0.0015966515,0.044859283],"category_scores_gemma":[0.0010189381,0.0003928319,0.000296479,0.0033561175,0.0023985433,0.0050993776,0.0015062733,0.0025852975,0.0101601295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063274616,0.000024720111,0.0009463965,0.0010650042,0.000014420971,0.00017747481,0.004355734,0.00014281324,0.0005917683,0.08495588,0.64916575,0.25849685],"study_design_scores_gemma":[0.0000025452734,0.0000078727735,0.001505091,0.00056930556,0.0000050295016,0.00018976282,0.0011534987,0.000035349745,0.00008999248,0.007382202,0.9890531,0.0000063647226],"about_ca_topic_score_codex":0.015820974,"about_ca_topic_score_gemma":0.048144996,"teacher_disagreement_score":0.044859283,"about_ca_system_score_codex":0.0025222015,"about_ca_system_score_gemma":0.002028196,"threshold_uncertainty_score":0.1500693},"labels":[],"label_agreement":null},{"id":"W2317720906","doi":"10.1086/673674","title":": <i>The Devil in Society in Premodern Europe</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Classics; History; Art history; Art","score_opus":0.013602134415071968,"score_gpt":0.19908464444538126,"score_spread":0.1854825100303093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317720906","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066300873,0.8744225,0.00032813376,0.068659045,0.005044669,0.000008667801,0.00007062309,0.000018919405,0.04481733],"genre_scores_gemma":[0.20728433,0.64201796,0.0008598996,0.016550988,0.009127647,0.000044980643,0.00019243633,0.00008214799,0.123839594],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99965644,0.00016325219,0.000013785977,0.000036482015,0.000075224714,0.000054854274],"domain_scores_gemma":[0.9997229,0.000121385485,0.000038049555,0.000019539331,0.00004079179,0.00005741078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068596716,0.00071239716,0.0004958324,0.0010892339,0.0020046856,0.0039468557,0.00061936915,0.0016129437,0.0072090267],"category_scores_gemma":[0.0010069141,0.00022759842,0.0002131457,0.0017967032,0.0042899125,0.004839968,0.0021067434,0.0016237228,0.0015427617],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006241407,0.000038935003,0.002238755,0.0010802903,0.00002514602,0.00042338358,0.042297013,0.000109352426,0.0002819926,0.1359163,0.6495685,0.16795787],"study_design_scores_gemma":[0.0000063187636,0.000017844297,0.0042624515,0.0016407877,0.000011613475,0.0003845624,0.014428244,0.000040909195,0.00016777296,0.016592212,0.9624355,0.000011706146],"about_ca_topic_score_codex":0.011590149,"about_ca_topic_score_gemma":0.028697591,"teacher_disagreement_score":0.011590149,"about_ca_system_score_codex":0.0015733308,"about_ca_system_score_gemma":0.001702781,"threshold_uncertainty_score":0.024116635},"labels":[],"label_agreement":null},{"id":"W2317731102","doi":"10.1086/675147","title":": <i>The Unfolding of Words: Commentary in the Age of Erasmus</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Art; Media studies; History; Art history; Sociology","score_opus":0.01738531194778756,"score_gpt":0.21209100707713924,"score_spread":0.19470569512935168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317731102","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032690493,0.051571604,0.00013791691,0.8390148,0.10184946,0.000012458191,0.00013702216,0.000035256373,0.006914578],"genre_scores_gemma":[0.016345685,0.033219036,0.00035010476,0.804782,0.10474999,0.00012154125,0.00015575103,0.00025505616,0.040020805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956559,0.002328188,0.00021924207,0.0004815641,0.00093057856,0.0003845685],"domain_scores_gemma":[0.9868874,0.00816972,0.0007957843,0.00023101312,0.0028815558,0.0010346133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004295387,0.0015431958,0.0010729955,0.002254302,0.010605816,0.0062622954,0.002728882,0.015384796,0.01540024],"category_scores_gemma":[0.022923544,0.0005155612,0.00071652967,0.00375414,0.009395128,0.0105036665,0.0045318143,0.015504353,0.0065349853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000091876545,0.0000010466221,0.000018581126,0.00009582049,0.0000018289641,0.000054085787,0.0015798619,0.000004956339,0.000029414683,0.0010432767,0.99573165,0.0014302034],"study_design_scores_gemma":[0.000005064341,0.0000052686228,0.00027813247,0.0007882868,0.000004972316,0.0001470254,0.0075214435,0.000015880107,0.000073568495,0.0014397936,0.9897026,0.000018052444],"about_ca_topic_score_codex":0.072872356,"about_ca_topic_score_gemma":0.1501841,"teacher_disagreement_score":0.072872356,"about_ca_system_score_codex":0.010591545,"about_ca_system_score_gemma":0.0073594693,"threshold_uncertainty_score":0.14489633},"labels":[],"label_agreement":null},{"id":"W2317802002","doi":"10.1086/675210","title":": <i>Shakespeare’s Sense of Character: On the Page and From the Stage</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Drama; Publishing; Character (mathematics); Performance art; History; Art history; Art; Literature","score_opus":0.02372328643318638,"score_gpt":0.19072852760264936,"score_spread":0.16700524116946297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317802002","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013950857,0.8422059,0.001611439,0.050410736,0.01271229,0.000017990604,0.0001994772,0.000090900074,0.09135621],"genre_scores_gemma":[0.08217343,0.54149854,0.002416307,0.011827623,0.008965013,0.000099947814,0.0007598703,0.00039631553,0.35186297],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993851,0.00024284486,0.000037318798,0.000084790976,0.00018412767,0.00006580607],"domain_scores_gemma":[0.99928766,0.00034606372,0.000051556828,0.000048223592,0.00016696162,0.00009945983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009367008,0.0014439478,0.000686667,0.0015820294,0.0025065646,0.0051493216,0.0009826673,0.001993918,0.022747897],"category_scores_gemma":[0.0018820605,0.00057077385,0.0002827826,0.0024391261,0.0038937572,0.010201593,0.0019227217,0.003101812,0.0088383565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027278054,0.0000098623705,0.0001855495,0.00043581976,0.000008302493,0.00008245024,0.005697173,0.000032292533,0.00015680246,0.018577183,0.89892054,0.075866744],"study_design_scores_gemma":[0.000003808905,0.000009764718,0.0011674557,0.0007874398,0.0000058610576,0.00024260774,0.004780776,0.000039733783,0.00017988699,0.008109095,0.98465955,0.000013969755],"about_ca_topic_score_codex":0.02109341,"about_ca_topic_score_gemma":0.039519202,"teacher_disagreement_score":0.022747897,"about_ca_system_score_codex":0.002548046,"about_ca_system_score_gemma":0.0020233816,"threshold_uncertainty_score":0.076099336},"labels":[],"label_agreement":null},{"id":"W2317832112","doi":"10.1086/675182","title":": <i>Epistolary Community in Print, 1580–1664</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Publishing; History; Media studies; Art history; Art; Sociology; Literature","score_opus":0.024915810620773714,"score_gpt":0.20863349997954042,"score_spread":0.1837176893587667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317832112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008868117,0.062449727,0.00044247005,0.009723012,0.034568567,0.00007030552,0.0026842833,0.0005923942,0.8885825],"genre_scores_gemma":[0.0034577046,0.009213962,0.00018804224,0.0012170254,0.0037743459,0.00004098942,0.00069374783,0.00046014282,0.98095405],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995402,0.000060235816,0.000021457185,0.00006387947,0.0002352496,0.00007906771],"domain_scores_gemma":[0.99914443,0.00012916836,0.00006452498,0.000049131715,0.00038322157,0.00022958072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005255886,0.0010923955,0.00070466346,0.0023885588,0.002701956,0.0069729257,0.0008177621,0.0012820605,0.48915014],"category_scores_gemma":[0.0018657696,0.00040627437,0.00033617794,0.00331389,0.00091875583,0.0033604952,0.0022428455,0.0022220183,0.2551506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013925165,0.0000036258025,0.000033393586,0.000074985604,0.0000011518144,0.000028321721,0.00011871639,0.0000053072317,0.00007055864,0.0009734896,0.97889084,0.019785704],"study_design_scores_gemma":[0.0000017535043,0.0000031874918,0.0002570957,0.000075129494,6.29652e-7,0.000030636056,0.00011881314,0.0000027093924,0.00002141501,0.00015699152,0.99932945,0.000002240406],"about_ca_topic_score_codex":0.011974962,"about_ca_topic_score_gemma":0.02813043,"teacher_disagreement_score":0.48915014,"about_ca_system_score_codex":0.0017782156,"about_ca_system_score_gemma":0.0015661228,"threshold_uncertainty_score":0.72866535},"labels":[],"label_agreement":null},{"id":"W2317915001","doi":"10.1086/677454","title":": <i>The Business of War: Military Enterprise and Military Revolution in Early Modern Europe</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Early modern Europe; Classics; History; Political science","score_opus":0.01151824925208971,"score_gpt":0.188487865513675,"score_spread":0.17696961626158528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317915001","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005510223,0.85771614,0.0007199466,0.095745906,0.013671036,0.000009609715,0.00037814802,0.00008438725,0.031123893],"genre_scores_gemma":[0.022605784,0.77906245,0.001256505,0.027434293,0.035515916,0.000041029158,0.0010152984,0.00025820918,0.13281047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946195,0.00015325904,0.000038170594,0.00008202944,0.00019146569,0.00007320926],"domain_scores_gemma":[0.99894196,0.0005235703,0.00015231375,0.000039193357,0.00020250662,0.00014044571],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008077426,0.0015102725,0.0007323024,0.0032498164,0.0010631005,0.0049456647,0.0011084345,0.00282604,0.034173414],"category_scores_gemma":[0.0020299975,0.00045461595,0.0003711428,0.0060932892,0.0021010274,0.012401934,0.001951982,0.0031538038,0.015535689],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013350971,0.000007032677,0.00023363928,0.00026898363,0.0000049691116,0.000024140696,0.0003323559,0.000029189305,0.00003168469,0.008074871,0.956161,0.0348187],"study_design_scores_gemma":[0.000004592666,0.0000073478413,0.0014630023,0.00086998945,0.0000059202816,0.00015331351,0.0007904365,0.000053243628,0.000106240215,0.010628876,0.98590404,0.000013135671],"about_ca_topic_score_codex":0.00814061,"about_ca_topic_score_gemma":0.017328678,"teacher_disagreement_score":0.034173414,"about_ca_system_score_codex":0.001954224,"about_ca_system_score_gemma":0.0015560612,"threshold_uncertainty_score":0.11432141},"labels":[],"label_agreement":null},{"id":"W2317929155","doi":"10.2307/2901465","title":": <i>Petrarchan Love and the Continental Renaissance</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Haven; The Renaissance; History; Art history; Media studies; Art; Sociology; Mathematics","score_opus":0.008898277512043883,"score_gpt":0.1926119758091332,"score_spread":0.1837136982970893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317929155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06913121,0.079624705,0.00024247366,0.2150806,0.001464783,0.000008157963,0.00014466114,0.000031673848,0.6342717],"genre_scores_gemma":[0.81766367,0.025163122,0.000121308156,0.010620128,0.0012459435,0.000012387623,0.000068444984,0.00004659324,0.14505844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970907,0.00014744756,0.000005197723,0.000030453188,0.000041322357,0.00006641522],"domain_scores_gemma":[0.99973303,0.000098123994,0.000041123123,0.000022800365,0.000036800637,0.000068057234],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006324014,0.00019188122,0.00013944527,0.00044990412,0.0049083484,0.004700721,0.00034392287,0.0011207802,0.012721984],"category_scores_gemma":[0.0011580719,0.000085248575,0.00010956812,0.0013566194,0.006438618,0.0027043433,0.0021591615,0.0018899712,0.00090195413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059568334,0.000018587501,0.005021898,0.00017722562,0.000012052216,0.0004041278,0.10580606,0.000090821246,0.00025247212,0.6931843,0.16746,0.027512865],"study_design_scores_gemma":[0.000006384109,0.000011682716,0.0088689495,0.00028039963,0.0000067547285,0.00021518185,0.055532057,0.000027738395,0.00015335823,0.020858876,0.9140269,0.000011754968],"about_ca_topic_score_codex":0.044965733,"about_ca_topic_score_gemma":0.121768184,"teacher_disagreement_score":0.044965733,"about_ca_system_score_codex":0.003084689,"about_ca_system_score_gemma":0.0017677465,"threshold_uncertainty_score":0.08940804},"labels":[],"label_agreement":null},{"id":"W2317962115","doi":"10.1086/658620","title":": <i>Renaissance Food from Rabelais to Shakespeare: Culinary Readings and Culinary Histories</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; The Renaissance; Publishing; Index (typography); Art; History; Art history; Media studies; Sociology; Literature; Computer science","score_opus":0.010783414685661873,"score_gpt":0.20504564036667486,"score_spread":0.19426222568101298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317962115","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001453401,0.91439617,0.0002963098,0.015620737,0.0063370867,0.000008485924,0.00016738342,0.00007330594,0.061647095],"genre_scores_gemma":[0.06889352,0.5620346,0.00096533983,0.0072276513,0.0048191813,0.00003351545,0.00050790963,0.00024108145,0.35527724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997218,0.00010285879,0.000015806854,0.00004600287,0.00007864338,0.00003483717],"domain_scores_gemma":[0.99962497,0.00013216923,0.000028521436,0.000026299396,0.00013118397,0.00005691824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000539312,0.0011021203,0.00059026043,0.0016527332,0.0018457605,0.0030053242,0.00082619546,0.0010803008,0.050823376],"category_scores_gemma":[0.0009654532,0.0003044214,0.00021657275,0.003122149,0.001854849,0.003983494,0.0013190762,0.0017092451,0.012529365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036875066,0.000015249253,0.00032721745,0.0011664266,0.000013664923,0.00021957385,0.010289963,0.000040036248,0.00029560647,0.0123793315,0.8546804,0.12053563],"study_design_scores_gemma":[0.0000017725529,0.000008201003,0.0014710242,0.0006311842,0.000003183966,0.00020019509,0.0031950397,0.000010673674,0.00009789415,0.0012409585,0.9931344,0.0000055349856],"about_ca_topic_score_codex":0.032909133,"about_ca_topic_score_gemma":0.07129309,"teacher_disagreement_score":0.050823376,"about_ca_system_score_codex":0.0026346869,"about_ca_system_score_gemma":0.0014981754,"threshold_uncertainty_score":0.17002112},"labels":[],"label_agreement":null},{"id":"W2318024051","doi":"10.1086/682552","title":": <i>The Adventures of Brusanus, Prince of Hungaria</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Central European and Russian historical studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; The Renaissance; Art; Art history; Humanities","score_opus":0.027459373500885197,"score_gpt":0.2850276836622702,"score_spread":0.25756831016138504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318024051","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009746236,0.7085081,0.00030342993,0.14121555,0.018346798,0.000016107828,0.00042371365,0.000075609314,0.12136451],"genre_scores_gemma":[0.33431852,0.26367623,0.00090713677,0.030778762,0.017892666,0.00006126494,0.00069022516,0.00018638221,0.3514887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997476,0.000110485635,0.000007813365,0.000021929096,0.00004023562,0.00007189848],"domain_scores_gemma":[0.9998392,0.00003728359,0.000037825168,0.000009523235,0.000028032286,0.00004818491],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032357895,0.00060922425,0.00024675083,0.0005810429,0.0022933763,0.0024342695,0.00048071996,0.001476883,0.023381783],"category_scores_gemma":[0.0006489132,0.00028034192,0.00015847973,0.0015723498,0.002207416,0.0035418118,0.0018323924,0.001695817,0.004563184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056061246,0.000011016345,0.0006009179,0.00025718324,0.0000065702543,0.000106046515,0.0037183645,0.000023746768,0.00009097972,0.009965066,0.9520121,0.033151954],"study_design_scores_gemma":[0.0000043746695,0.0000074783884,0.0037571583,0.0003011545,0.0000034213945,0.0001447606,0.0035023086,0.00001206064,0.000093076116,0.0011739607,0.9909945,0.0000057287516],"about_ca_topic_score_codex":0.017259413,"about_ca_topic_score_gemma":0.042617593,"teacher_disagreement_score":0.023381783,"about_ca_system_score_codex":0.0016959873,"about_ca_system_score_gemma":0.0012090752,"threshold_uncertainty_score":0.07821983},"labels":[],"label_agreement":null},{"id":"W2318164088","doi":"10.1086/679876","title":": <i>Sins of the Fathers: Moral Economies in Early Modern Spain</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Economic history; Demography; Economy; Sociology; Economics","score_opus":0.01806937436317457,"score_gpt":0.25802547827156985,"score_spread":0.23995610390839528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318164088","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006897316,0.67636627,0.00059365627,0.22909892,0.0063891667,0.000008137959,0.00034137547,0.0000544727,0.08025069],"genre_scores_gemma":[0.3493358,0.43919584,0.0010028045,0.03193003,0.014996431,0.000058940506,0.0006554025,0.00023304576,0.16259168],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995245,0.00024606744,0.000014755868,0.000042079595,0.00009357231,0.00007913496],"domain_scores_gemma":[0.9993529,0.00028718694,0.00010324747,0.000035158217,0.00013732741,0.000084119194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001200089,0.00060226914,0.00037933898,0.0011662007,0.0014786855,0.004116969,0.00075581926,0.0018744146,0.011769936],"category_scores_gemma":[0.0017231388,0.00026829552,0.00024367643,0.002567702,0.0032207768,0.004953332,0.0016794892,0.0028683094,0.0023050166],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052738025,0.000025604066,0.0017889885,0.00036867868,0.000014083303,0.00010943665,0.008428325,0.00016121884,0.0000722057,0.07219631,0.8566092,0.06017328],"study_design_scores_gemma":[0.000021386977,0.000013487002,0.010583536,0.0013405306,0.000010975107,0.00015686348,0.011375797,0.00011380467,0.00017357444,0.048830014,0.92735636,0.000023671826],"about_ca_topic_score_codex":0.026490672,"about_ca_topic_score_gemma":0.04526006,"teacher_disagreement_score":0.026490672,"about_ca_system_score_codex":0.003683692,"about_ca_system_score_gemma":0.0023222398,"threshold_uncertainty_score":0.052672923},"labels":[],"label_agreement":null},{"id":"W2318233669","doi":"10.1086/673652","title":": <i> Spinoza on Philosophy, Religion, and Politics: The <i>Theologico-Political Treatise</i> </i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Politics; Philosophy; Classics; Theology; History; Law; Political science","score_opus":0.025420014245973146,"score_gpt":0.2323604838384626,"score_spread":0.20694046959248946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318233669","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006315621,0.10551798,0.0032082624,0.21366735,0.011514782,0.0000144902015,0.00044482856,0.000082074264,0.6592345],"genre_scores_gemma":[0.39845458,0.06053754,0.0027307777,0.063503236,0.00936831,0.00010106611,0.00047303297,0.00032021772,0.46451128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99954045,0.00018456155,0.000021229465,0.000058508198,0.00013088109,0.00006445711],"domain_scores_gemma":[0.99963844,0.00016150685,0.000043209293,0.000032106807,0.00007306371,0.00005160725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007711587,0.0003617273,0.00021212024,0.000694885,0.0035780186,0.005238374,0.00035869473,0.0015985614,0.01579624],"category_scores_gemma":[0.0014126389,0.0001197387,0.00021010694,0.0016956531,0.0056813825,0.003675574,0.0012084916,0.0036853992,0.002826783],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013658932,0.0000072832217,0.00024760616,0.0000823794,0.0000032925593,0.000026428203,0.0026513417,0.000024441206,0.00007792106,0.73809516,0.24708194,0.011688526],"study_design_scores_gemma":[0.0000063302264,0.000004837296,0.0011995424,0.00030118582,0.00000583565,0.00005668399,0.002097278,0.000027185035,0.0001436319,0.07071831,0.9254314,0.000007800299],"about_ca_topic_score_codex":0.020151533,"about_ca_topic_score_gemma":0.048778832,"teacher_disagreement_score":0.020151533,"about_ca_system_score_codex":0.0030495971,"about_ca_system_score_gemma":0.0031456908,"threshold_uncertainty_score":0.05284369},"labels":[],"label_agreement":null},{"id":"W2318480711","doi":"10.1086/670423","title":": <i>Parody and Festivity in Early Modern Art: Essays on Comedy as Social Vision</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Publishing; Comedy; Art history; Performance art; History; Art; Media studies; Sociology; Literature","score_opus":0.016881116280671946,"score_gpt":0.2374069465926321,"score_spread":0.22052583031196016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318480711","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027166281,0.74438715,0.0006506714,0.10407746,0.015938248,0.000021141006,0.00008658954,0.000042316926,0.13207981],"genre_scores_gemma":[0.19550924,0.38850054,0.0014003634,0.041424125,0.0331054,0.00013767654,0.00023996219,0.00021213134,0.3394706],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929106,0.00040654623,0.000028699846,0.00006938944,0.00013720556,0.000067054934],"domain_scores_gemma":[0.99885285,0.0007318956,0.00007813183,0.0000533629,0.0001466146,0.00013717377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013599881,0.00083981315,0.0005503747,0.0016119466,0.003745353,0.004671521,0.0009317757,0.0029607548,0.013630186],"category_scores_gemma":[0.002179912,0.0002778354,0.00030880905,0.0020207816,0.006685519,0.007787518,0.0023131324,0.0030223143,0.002957882],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040674488,0.000028369897,0.0002573231,0.0005205922,0.000007599404,0.000110758694,0.013273001,0.00003520752,0.00013270791,0.078358635,0.86726755,0.03996748],"study_design_scores_gemma":[0.000007999779,0.000014109969,0.0014837623,0.0014980353,0.000006166077,0.00020455707,0.011750422,0.000032538603,0.00014870381,0.014604405,0.97023743,0.000011863579],"about_ca_topic_score_codex":0.008578094,"about_ca_topic_score_gemma":0.01973954,"teacher_disagreement_score":0.013630186,"about_ca_system_score_codex":0.0028671953,"about_ca_system_score_gemma":0.0016730895,"threshold_uncertainty_score":0.045597494},"labels":[],"label_agreement":null},{"id":"W2318651275","doi":"10.1086/670497","title":": <i>Katherine Austen’s Book M: British Library, Additional Manuscript 4454</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Tempe; Renaissance studies; The Renaissance; Center (category theory); Art; Art history; History; Classics; Theology; Humanities; Philosophy; Medicine","score_opus":0.009903498920345455,"score_gpt":0.17088435331352989,"score_spread":0.16098085439318444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318651275","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005309411,0.060467023,0.0008694365,0.034020253,0.02521386,0.00023269388,0.0102655655,0.0014905004,0.8669097],"genre_scores_gemma":[0.0019121504,0.013621831,0.00041368246,0.0036439989,0.0020628157,0.0000808559,0.002180651,0.00058382435,0.97550017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992995,0.00009004666,0.000050408715,0.00010069823,0.0003985705,0.00006072339],"domain_scores_gemma":[0.9968659,0.000665072,0.00025817845,0.00016888295,0.00158205,0.00045975542],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008923792,0.0010322649,0.00093997474,0.0048036235,0.0022671958,0.0056215264,0.0014873078,0.0021400466,0.6333663],"category_scores_gemma":[0.005650028,0.0006724941,0.00043462036,0.008130598,0.00095383293,0.0060231537,0.0019887423,0.0017081626,0.50250924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047727312,0.000002191088,0.000014776443,0.00008447421,5.1523034e-7,0.000011610137,0.000032105567,0.0000042671168,0.0000262865,0.00028591565,0.9900575,0.009475517],"study_design_scores_gemma":[0.000001456997,0.0000024713122,0.00025654,0.00017159568,7.884624e-7,0.00003093325,0.000108363565,0.0000044917806,0.00002619434,0.00017887562,0.9992142,0.000004034174],"about_ca_topic_score_codex":0.028993279,"about_ca_topic_score_gemma":0.06800607,"teacher_disagreement_score":0.6333663,"about_ca_system_score_codex":0.00318814,"about_ca_system_score_gemma":0.0025987679,"threshold_uncertainty_score":0.5229585},"labels":[],"label_agreement":null},{"id":"W2318834458","doi":"10.1086/658584","title":": <i>Defending Copernicus and Galileo: Critical Reasoning in the Two Affairs</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Copernicus; Galileo (satellite navigation); Index (typography); Philosophy; Classics; Humanities; History; Geography; Physics; Computer science; Astrobiology; Geodesy","score_opus":0.01694409443749966,"score_gpt":0.31857706024581894,"score_spread":0.3016329658083193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318834458","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045457057,0.66181946,0.0024479518,0.2638342,0.027168602,0.000041789328,0.00019314219,0.00014736087,0.043892916],"genre_scores_gemma":[0.051506683,0.57942253,0.0067268466,0.13458818,0.09091353,0.00038516754,0.0006350821,0.0006920821,0.13512991],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981969,0.0009224598,0.000088606525,0.0001998953,0.00049330015,0.00009874334],"domain_scores_gemma":[0.9949469,0.0036736543,0.00033051474,0.0001641698,0.00054423884,0.000340467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029082668,0.0018020099,0.0010525279,0.003715418,0.0028139278,0.00637235,0.0026712168,0.0052457196,0.021167383],"category_scores_gemma":[0.00739468,0.0005596141,0.00057986315,0.0054377764,0.010454031,0.013706382,0.003492057,0.006832343,0.00648331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019590745,0.000007178476,0.00008580396,0.0003734797,0.0000079679385,0.00005852823,0.0013795713,0.000041015413,0.000050513852,0.027225314,0.9513453,0.019405654],"study_design_scores_gemma":[0.00001728364,0.000012972048,0.0012154079,0.0024300371,0.000008858249,0.0002455818,0.0028199262,0.0001425483,0.00021730237,0.062392034,0.93045735,0.00004067449],"about_ca_topic_score_codex":0.01873049,"about_ca_topic_score_gemma":0.024015639,"teacher_disagreement_score":0.021167383,"about_ca_system_score_codex":0.0061299787,"about_ca_system_score_gemma":0.0037783957,"threshold_uncertainty_score":0.07081193},"labels":[],"label_agreement":null},{"id":"W2318861056","doi":"10.1086/679786","title":": <i>Plutarchi Chaeronensis: Vita Dionis et Comparatio et de Bruto ac Dione iudicium Guarino Veronensi interprete</i>","year":2014,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Padé approximant; Art; Mathematics","score_opus":0.017016565244568335,"score_gpt":0.2573772183015304,"score_spread":0.24036065305696203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318861056","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007104461,0.62957835,0.0014899266,0.05744159,0.007054426,0.000021433008,0.00017524963,0.0000748109,0.2970598],"genre_scores_gemma":[0.28091484,0.29145366,0.0023238289,0.01231256,0.0093063535,0.00010001662,0.00033930718,0.00029708433,0.4029523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931407,0.00032024676,0.000020181238,0.00009709524,0.00016897124,0.000079484795],"domain_scores_gemma":[0.99959236,0.0002166406,0.000045400422,0.00003677252,0.000073348114,0.00003539638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008351559,0.00074489805,0.00037188624,0.0018862627,0.0026429899,0.005807769,0.0007470463,0.0015227137,0.014478832],"category_scores_gemma":[0.001296063,0.00022073028,0.00021482013,0.0036133272,0.0067966077,0.005857908,0.0023660148,0.0025689858,0.0027026255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006738932,0.000022290391,0.0008853569,0.00093098026,0.00001544474,0.00027729216,0.04033748,0.000086410444,0.0005749283,0.39776716,0.45571518,0.103320025],"study_design_scores_gemma":[0.0000031288785,0.000007732579,0.0014088369,0.0004017056,0.0000036951394,0.00014541078,0.006317128,0.000021960112,0.00018544304,0.011232147,0.98026675,0.0000061445244],"about_ca_topic_score_codex":0.017953401,"about_ca_topic_score_gemma":0.043151114,"teacher_disagreement_score":0.017953401,"about_ca_system_score_codex":0.0039481134,"about_ca_system_score_gemma":0.0023558426,"threshold_uncertainty_score":0.048436522},"labels":[],"label_agreement":null},{"id":"W2319091308","doi":"10.1086/681328","title":": <i>Pourtraits divers de Jean de Tournes: Edition critique et fac-similé du tirage de 1556</i>","year":2015,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Art; The Renaissance; Humanities; Art history","score_opus":0.020019109651933875,"score_gpt":0.25584289450908143,"score_spread":0.23582378485714756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319091308","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008056348,0.47652242,0.0010642161,0.107933335,0.024181241,0.000021762855,0.00033231406,0.0001188729,0.38176948],"genre_scores_gemma":[0.20647039,0.13054925,0.0012169426,0.025597049,0.011832264,0.00011178411,0.00042219885,0.00043102884,0.62336916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861634,0.00051972433,0.000052483643,0.00016290095,0.00045860047,0.00018996726],"domain_scores_gemma":[0.99925524,0.0003265563,0.000075846096,0.00003006675,0.00022873744,0.00008351812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014331527,0.000939417,0.00043263953,0.0016059445,0.0045862948,0.0058466587,0.00070112094,0.0025593366,0.01918142],"category_scores_gemma":[0.0030843797,0.0002878387,0.00033297166,0.0020492696,0.005090727,0.0057508005,0.0021323175,0.0033515063,0.0034244335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006264252,0.0000104776245,0.00052119594,0.00031557045,0.000007716247,0.00017923069,0.023139494,0.00005052388,0.00016816496,0.13987425,0.797665,0.038005844],"study_design_scores_gemma":[0.0000022962997,0.000004219286,0.00055586174,0.00030804644,0.0000016270861,0.000072252136,0.0031150004,0.000007841015,0.000054355536,0.0020921642,0.9937809,0.0000054371167],"about_ca_topic_score_codex":0.059039872,"about_ca_topic_score_gemma":0.08354603,"teacher_disagreement_score":0.059039872,"about_ca_system_score_codex":0.006033788,"about_ca_system_score_gemma":0.004268206,"threshold_uncertainty_score":0.11739242},"labels":[],"label_agreement":null},{"id":"W2319343569","doi":"10.1086/665865","title":": <i> <i>An Early Modern Dialogue with Islam: Antonio de Sosa's</i> Topography of Algiers <i>(1612)</i> </i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Garcia; Portuguese; Islam; Humanities; Art; History; Theology; Philosophy; Linguistics","score_opus":0.014217824144732006,"score_gpt":0.2717004244951735,"score_spread":0.2574826003504415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319343569","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036927994,0.49703848,0.0010005367,0.15367763,0.010051701,0.000027674801,0.00021519321,0.000047110192,0.3010137],"genre_scores_gemma":[0.7420824,0.10174141,0.0011423794,0.013972731,0.005054349,0.000035435984,0.00012753154,0.00010482157,0.13573894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994698,0.00029072762,0.000015381218,0.00004755059,0.00008750329,0.00008906472],"domain_scores_gemma":[0.9997707,0.00007879264,0.000043576885,0.000015088635,0.000052129442,0.000039701048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010582579,0.00059934275,0.00021751809,0.0008264301,0.0047286293,0.00457391,0.00062269444,0.0016055523,0.006045593],"category_scores_gemma":[0.0010067348,0.00024249718,0.00018592823,0.0015568341,0.006231575,0.004981544,0.0017633211,0.001951749,0.00096675986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012524647,0.00005061631,0.0024255465,0.00052810094,0.000016179303,0.00095502514,0.23524433,0.00013312952,0.00092856726,0.33213875,0.3475748,0.07987968],"study_design_scores_gemma":[0.0000057322864,0.000009741597,0.0018963076,0.00025795316,0.0000034684288,0.00027408186,0.027973551,0.000017678234,0.00017782912,0.00804604,0.9613284,0.000009276943],"about_ca_topic_score_codex":0.02664513,"about_ca_topic_score_gemma":0.04689249,"teacher_disagreement_score":0.02664513,"about_ca_system_score_codex":0.0036867145,"about_ca_system_score_gemma":0.001935214,"threshold_uncertainty_score":0.052980065},"labels":[],"label_agreement":null},{"id":"W2319625952","doi":"10.1086/664091","title":": <i>Collected Works of Erasmus</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Waterloo","funders":"","keywords":"Erasmus+; Index (typography); Humanities; Volume (thermodynamics); Media studies; Art; Art history; Environmental ethics; Sociology; Philosophy; The Renaissance; Physics; Computer science","score_opus":0.03723118382297953,"score_gpt":0.19741166932268384,"score_spread":0.16018048549970432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319625952","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00065294467,0.89987963,0.0004802999,0.015501116,0.009272118,0.0000089783025,0.00043169502,0.000059757556,0.07371339],"genre_scores_gemma":[0.029595774,0.7092925,0.0014417198,0.008758671,0.012242464,0.00005199766,0.0008810764,0.00041143363,0.23732436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907076,0.00034340302,0.00006831821,0.00011445948,0.00029713882,0.00010583844],"domain_scores_gemma":[0.9990048,0.00047810437,0.000098770484,0.000094223,0.00024696966,0.000077143144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013173762,0.001546231,0.0009434197,0.0048845923,0.002758677,0.00451641,0.0009071541,0.00133023,0.04261803],"category_scores_gemma":[0.002935856,0.0005905984,0.000431085,0.007157788,0.0033198504,0.006314083,0.0020431955,0.00218436,0.014624594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003454779,0.000007910131,0.00016849015,0.00088583556,0.000011537338,0.000070588074,0.0041632038,0.000028173403,0.0000789647,0.021117948,0.8888196,0.084613286],"study_design_scores_gemma":[0.0000011303737,0.0000021406645,0.00032404182,0.00058306,0.0000028499448,0.00006702828,0.0005619793,0.000002665048,0.000042972577,0.0015410206,0.99686784,0.0000032895894],"about_ca_topic_score_codex":0.017050663,"about_ca_topic_score_gemma":0.03958529,"teacher_disagreement_score":0.04261803,"about_ca_system_score_codex":0.0038251088,"about_ca_system_score_gemma":0.0031043666,"threshold_uncertainty_score":0.14257151},"labels":[],"label_agreement":null},{"id":"W2319877571","doi":"10.1086/676269","title":": <i>Staging the Superstitions of Early Modern Europe</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Drama; Publishing; History; Performance art; Art history; Media studies; Art; Sociology; Literature","score_opus":0.0238031876296239,"score_gpt":0.2155568357165591,"score_spread":0.19175364808693518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319877571","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002562135,0.8419013,0.0012822819,0.0630744,0.013091749,0.000013981727,0.00016536101,0.000108626504,0.07780012],"genre_scores_gemma":[0.0855139,0.6207746,0.0023204947,0.013613027,0.013430896,0.000048596234,0.00048579436,0.00025237098,0.26356032],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960726,0.00016037968,0.00001922651,0.000037969472,0.00011218185,0.000063070824],"domain_scores_gemma":[0.9995764,0.00017836833,0.000052007894,0.00002756634,0.000096428725,0.00006937808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007031862,0.00080750976,0.00041228667,0.0013220551,0.0012712482,0.0044847513,0.00071954774,0.0016376028,0.022902071],"category_scores_gemma":[0.0012874446,0.00026773644,0.00022194712,0.002057913,0.0027073517,0.007707341,0.0018310769,0.0019892352,0.0066708904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033611323,0.000016579175,0.00041179924,0.0004854731,0.000008181997,0.00006194243,0.0036574,0.00005614603,0.0001721925,0.024137575,0.837597,0.1333621],"study_design_scores_gemma":[0.0000034294214,0.000011225494,0.0013661282,0.000847797,0.0000061120486,0.0001432142,0.0036711975,0.000036917467,0.00022986093,0.009251394,0.9844237,0.0000090174435],"about_ca_topic_score_codex":0.007432343,"about_ca_topic_score_gemma":0.014951095,"teacher_disagreement_score":0.022902071,"about_ca_system_score_codex":0.0013459835,"about_ca_system_score_gemma":0.0017221294,"threshold_uncertainty_score":0.076615036},"labels":[],"label_agreement":null},{"id":"W2319995036","doi":"10.1086/671704","title":": <i>Women as Translators in Early Modern England</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Media studies; History; Gerontology; Art; Sociology; Medicine","score_opus":0.015868041603478954,"score_gpt":0.2778879629021993,"score_spread":0.26201992129872037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319995036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5945982,0.028297497,0.0004664575,0.1774163,0.0031555626,0.000054324857,0.00059394917,0.000078852325,0.19533883],"genre_scores_gemma":[0.8917707,0.0035340833,0.00010363837,0.004946725,0.0005072699,0.00004257912,0.00007452458,0.00007010209,0.098950356],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971961,0.0017607606,0.00009587068,0.0002159445,0.00022000211,0.00051129534],"domain_scores_gemma":[0.9938647,0.003511409,0.00087845896,0.0001860213,0.000689111,0.0008703046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049716504,0.00023854354,0.0002644145,0.00097199925,0.005827182,0.0045664934,0.0006004691,0.0016531424,0.026196022],"category_scores_gemma":[0.012154783,0.00027252227,0.0001156815,0.002073486,0.0054490888,0.005841132,0.0026802118,0.001523473,0.0025149505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010918976,0.000015219794,0.0052428604,0.00026581297,0.0000033391484,0.0006546533,0.9095791,0.000011518563,0.00035034918,0.021486597,0.050488476,0.011792872],"study_design_scores_gemma":[0.000025177604,0.000064748965,0.023281697,0.0006206154,0.000010691453,0.0003811672,0.61588365,0.000035378955,0.00040726576,0.0018624972,0.35740054,0.00002662066],"about_ca_topic_score_codex":0.031655345,"about_ca_topic_score_gemma":0.07271095,"teacher_disagreement_score":0.031655345,"about_ca_system_score_codex":0.003992688,"about_ca_system_score_gemma":0.0036760685,"threshold_uncertainty_score":0.087634444},"labels":[],"label_agreement":null},{"id":"W2320031484","doi":"10.1086/676159","title":": <i>Opera omnia Desiderii Erasmi Roterodami: Ordinis sexti tomus quartus. Novum Testamentum ab Erasmo Recognitum, IV, Epistolae Apostolicae (secunda pars) et Apocalypsis Iohannis</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Theology and Canon Law Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Brill; Erasmus+; Opera; Art; Theology; Humanities; Philosophy; Classics; Art history; The Renaissance","score_opus":0.01794932541963808,"score_gpt":0.22896438718251236,"score_spread":0.21101506176287427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320031484","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028565258,0.47191876,0.001476674,0.06499251,0.024098974,0.00004186294,0.00037659836,0.000155594,0.4340825],"genre_scores_gemma":[0.040233728,0.13061601,0.0020397932,0.009415892,0.008094337,0.000072387105,0.00042363149,0.0003158058,0.8087884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995665,0.00009347687,0.000025724508,0.00006156135,0.00017980768,0.000072953044],"domain_scores_gemma":[0.99966145,0.000106963926,0.000044301694,0.000024625411,0.00009909344,0.0000634394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061777205,0.0006879007,0.00036170884,0.00092774024,0.0015141439,0.0036446308,0.00080733467,0.0013487552,0.038594488],"category_scores_gemma":[0.0011150048,0.00032443154,0.00021804843,0.0015693672,0.0030640443,0.0035498717,0.0017003833,0.0024056952,0.013227863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020207077,0.000011016728,0.0002803021,0.00023490017,0.0000035596759,0.00007418438,0.0017551366,0.00002289517,0.0002508819,0.03079799,0.89566886,0.07088016],"study_design_scores_gemma":[0.0000017153016,0.0000042250667,0.00074106257,0.00014050778,0.0000016041962,0.0000872793,0.0008292806,0.000009699983,0.000073162264,0.0021470296,0.995961,0.0000033833594],"about_ca_topic_score_codex":0.021640684,"about_ca_topic_score_gemma":0.05951249,"teacher_disagreement_score":0.038594488,"about_ca_system_score_codex":0.002278862,"about_ca_system_score_gemma":0.0021665844,"threshold_uncertainty_score":0.12911141},"labels":[],"label_agreement":null},{"id":"W2320034221","doi":"10.2307/1262351","title":": <i>The Unfinished Mechanics of Giuseppe Moletti: An Edition and English Translation of His Dialogue on Mechanics, 1576</i>","year":2002,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Mechanics and Biomechanics Studies","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Studio; Art history; Art","score_opus":0.018980961840913867,"score_gpt":0.2080504177568818,"score_spread":0.18906945591596794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320034221","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020334427,0.66324025,0.0038105624,0.07623186,0.048852216,0.0000520328,0.0007963297,0.00045470742,0.20452861],"genre_scores_gemma":[0.036844064,0.23463696,0.0044881874,0.023172695,0.030273894,0.0001737233,0.0010007569,0.0010752333,0.6683345],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992086,0.00020774727,0.000044852855,0.00013710544,0.00033056922,0.000071060815],"domain_scores_gemma":[0.9993198,0.0003311633,0.00007465331,0.000052031246,0.00014469674,0.00007756907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008565958,0.0020161949,0.00077968294,0.0021749288,0.0018416484,0.003635911,0.0009888465,0.0019756209,0.030878134],"category_scores_gemma":[0.0024214515,0.00048205504,0.00040760497,0.0023579,0.003403434,0.0034944057,0.0015942794,0.0030299805,0.015921894],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022219954,0.000008894583,0.00006779473,0.00029584594,0.000003898279,0.00007323741,0.0014834015,0.000048923986,0.00020739096,0.018656876,0.9493938,0.029737743],"study_design_scores_gemma":[0.0000016560844,0.0000041204944,0.00026797512,0.00013967365,0.0000010996176,0.000096978845,0.00018785073,0.000013944585,0.000053368312,0.0017472832,0.99748236,0.000003601054],"about_ca_topic_score_codex":0.0107962275,"about_ca_topic_score_gemma":0.017817378,"teacher_disagreement_score":0.030878134,"about_ca_system_score_codex":0.0030690548,"about_ca_system_score_gemma":0.0024915282,"threshold_uncertainty_score":0.10329765},"labels":[],"label_agreement":null},{"id":"W2320047554","doi":"10.1086/660476","title":": <i>Fathers and Sons in Shakespeare: The Debt Never Promised</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Debt; History; Media studies; Humanities; Art; Sociology; Economics; Computer science","score_opus":0.03166789223566117,"score_gpt":0.27289672120544195,"score_spread":0.2412288289697808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320047554","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021013666,0.6198956,0.00054087816,0.13676596,0.020102521,0.000021603992,0.0008020341,0.00010405996,0.21966602],"genre_scores_gemma":[0.065994464,0.20951204,0.0006818187,0.023930639,0.009485658,0.00005941886,0.00089184125,0.0002652807,0.689179],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999564,0.00014827981,0.000023175515,0.000062684754,0.00013225233,0.000069630434],"domain_scores_gemma":[0.99957484,0.00015833232,0.00004596243,0.000019241736,0.00011225795,0.00008931259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055848423,0.00082437176,0.00038590297,0.0011524387,0.0036034745,0.0037072755,0.00066044147,0.0022336429,0.04128648],"category_scores_gemma":[0.0016294825,0.00040967838,0.00016954957,0.0021346046,0.002059844,0.0056912038,0.0016540557,0.00234148,0.011226005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008671855,0.0000034135326,0.00014376438,0.00012475858,0.0000016064143,0.000045404777,0.0019161162,0.0000066880266,0.000028416864,0.011085385,0.9712875,0.0153482035],"study_design_scores_gemma":[0.0000024150104,0.0000032376809,0.0008471067,0.00032652507,0.0000014819748,0.00008034032,0.002210672,0.000006713655,0.00004935266,0.0017688818,0.99469876,0.0000045834263],"about_ca_topic_score_codex":0.05061541,"about_ca_topic_score_gemma":0.15892714,"teacher_disagreement_score":0.05061541,"about_ca_system_score_codex":0.003043461,"about_ca_system_score_gemma":0.0026513806,"threshold_uncertainty_score":0.13811702},"labels":[],"label_agreement":null},{"id":"W2320047813","doi":"10.1086/665894","title":": <i>Representations of Elizabeth I in Early Modern Culture</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Content (measure theory); Performance art; Art history; Art; History; Media studies; Sociology; Mathematics","score_opus":0.025892326679119775,"score_gpt":0.2516105857274156,"score_spread":0.22571825904829584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320047813","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21358094,0.007246415,0.00186105,0.045099307,0.001434862,0.000017159558,0.00026200523,0.00010092035,0.73039746],"genre_scores_gemma":[0.9044401,0.0025628875,0.00037100958,0.0022928019,0.00018797655,0.000021803988,0.00005854715,0.000109383924,0.08995549],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996505,0.00022082204,0.000007988043,0.000026213726,0.000043366108,0.000051157884],"domain_scores_gemma":[0.99955004,0.00024083075,0.00005853242,0.000037966936,0.000041602398,0.00007100169],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000790778,0.00027206252,0.000115631636,0.0005190668,0.0060648792,0.0038498647,0.0004056028,0.0012074088,0.015544305],"category_scores_gemma":[0.0016097733,0.00014481723,0.000115055096,0.0009546971,0.0063793375,0.003766512,0.0019666334,0.002071767,0.0015205056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060833852,0.000012613877,0.00096794224,0.00009276081,0.0000048311867,0.00042947222,0.7667464,0.000097367534,0.0006678601,0.16114321,0.05904665,0.010730061],"study_design_scores_gemma":[0.0000043958744,0.000020699248,0.0048826686,0.00033221254,0.000009613164,0.00065894367,0.47165313,0.00011115476,0.0007555764,0.010410088,0.5111353,0.000026187918],"about_ca_topic_score_codex":0.018878741,"about_ca_topic_score_gemma":0.04363357,"teacher_disagreement_score":0.018878741,"about_ca_system_score_codex":0.00199247,"about_ca_system_score_gemma":0.00081759033,"threshold_uncertainty_score":0.05200082},"labels":[],"label_agreement":null},{"id":"W2320440497","doi":"10.1086/670459","title":": <i>Letters to Francesco Datini</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; History","score_opus":0.014956110495511822,"score_gpt":0.298926078463157,"score_spread":0.2839699679676452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320440497","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00082770793,0.085000485,0.00044231172,0.5511296,0.2043091,0.00006579927,0.0014053494,0.00071805564,0.1561016],"genre_scores_gemma":[0.007210346,0.022723462,0.0003005378,0.13456832,0.062240258,0.0000988327,0.0006613566,0.0003808629,0.771816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939895,0.000100110425,0.000031466974,0.00014567844,0.00021982654,0.000103953935],"domain_scores_gemma":[0.998095,0.00043160006,0.00020481918,0.00006805921,0.0008067739,0.00039382424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007437408,0.0015482,0.0009145322,0.001399627,0.0025020263,0.0027930946,0.0008668198,0.0033232144,0.14997813],"category_scores_gemma":[0.004420978,0.00046612034,0.00040323028,0.0011310504,0.0007956552,0.0031214042,0.0015416889,0.0039349156,0.119459316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005744556,0.0000014530594,0.000021132708,0.000016871072,3.8592233e-7,0.000010094623,0.000021863709,0.0000021610294,0.000016860326,0.00017279667,0.99727243,0.002458163],"study_design_scores_gemma":[0.000002316579,0.0000050872695,0.0003301031,0.0000672119,0.0000010839751,0.000069060334,0.00015898538,0.0000128626025,0.00004467792,0.00020861017,0.99909365,0.000006207723],"about_ca_topic_score_codex":0.00880107,"about_ca_topic_score_gemma":0.016154138,"teacher_disagreement_score":0.14997813,"about_ca_system_score_codex":0.0019466431,"about_ca_system_score_gemma":0.001011104,"threshold_uncertainty_score":0.50172687},"labels":[],"label_agreement":null},{"id":"W2320501914","doi":"10.1086/668308","title":": <i>A History of Renaissance Rhetoric, 1380–1620</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"The Renaissance; Rhetoric; Content (measure theory); History; Classics; Art; Art history; Media studies; Theology; Philosophy; Sociology; Mathematics","score_opus":0.039282608657729014,"score_gpt":0.3092934271987229,"score_spread":0.27001081854099385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320501914","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061438408,0.1421579,0.0013020466,0.11198939,0.0053392663,0.000022102453,0.0003595292,0.00010028564,0.6772911],"genre_scores_gemma":[0.87329763,0.018016603,0.00060287584,0.0058407853,0.0037404918,0.000025463556,0.0001137617,0.000111604764,0.09825075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986657,0.000769152,0.000051132498,0.000119626326,0.00028546056,0.00010885061],"domain_scores_gemma":[0.9986596,0.0008927563,0.00013359818,0.000059299215,0.00017917967,0.00007556905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025012267,0.00033852732,0.00022839296,0.0015335907,0.0030295583,0.00388225,0.00044427766,0.0015788685,0.009812174],"category_scores_gemma":[0.005592319,0.00013583827,0.00015938233,0.0023670078,0.006690842,0.0036238749,0.0015165118,0.0023576613,0.0010595073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006510332,0.000021112804,0.0012880584,0.00027776393,0.0000105393065,0.00025164144,0.10682586,0.00008389388,0.00032770346,0.7617668,0.088539794,0.040541854],"study_design_scores_gemma":[0.0000082118095,0.000018352692,0.006111698,0.00030327422,0.000004620733,0.00015329431,0.0061901547,0.00003296759,0.00024170276,0.011453082,0.97547114,0.000011354982],"about_ca_topic_score_codex":0.015558555,"about_ca_topic_score_gemma":0.037538327,"teacher_disagreement_score":0.015558555,"about_ca_system_score_codex":0.0049297004,"about_ca_system_score_gemma":0.0015790181,"threshold_uncertainty_score":0.035767674},"labels":[],"label_agreement":null},{"id":"W2320525644","doi":"10.1086/675187","title":": <i>Letters Familiar and Formal</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Performance art; Renaissance studies; Art history; Art; History; Classics","score_opus":0.011579970121044005,"score_gpt":0.2670308113052876,"score_spread":0.2554508411842436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320525644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009968162,0.20107606,0.0017380248,0.24580236,0.16801126,0.00007758419,0.0019020217,0.0014647379,0.37893108],"genre_scores_gemma":[0.012450276,0.04170316,0.0008916473,0.047199115,0.03935224,0.00011191183,0.0010634569,0.0009180284,0.8563102],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990007,0.00029115926,0.000081503706,0.00019155153,0.00032063155,0.000114488255],"domain_scores_gemma":[0.99825734,0.0005660182,0.00021099957,0.00013292278,0.0005864711,0.0002462289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009791505,0.0017659335,0.0009085554,0.0016142657,0.0021135402,0.0058354773,0.0013480586,0.0031766407,0.25348264],"category_scores_gemma":[0.004621823,0.00053803227,0.0004677757,0.002165279,0.0017568968,0.0067900666,0.0020981838,0.003435801,0.16598247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009493976,0.0000030416832,0.000022800445,0.00006305505,8.382908e-7,0.000013067734,0.00009007909,0.000004394542,0.00002928425,0.0011661148,0.9899276,0.008670244],"study_design_scores_gemma":[0.0000023688192,0.00000441142,0.00014790831,0.00010025698,7.150714e-7,0.000041741503,0.00021400418,0.000008234595,0.000040154893,0.00062784133,0.998809,0.0000035155417],"about_ca_topic_score_codex":0.006558313,"about_ca_topic_score_gemma":0.012813256,"teacher_disagreement_score":0.25348264,"about_ca_system_score_codex":0.0019391958,"about_ca_system_score_gemma":0.0012601293,"threshold_uncertainty_score":0.8479839},"labels":[],"label_agreement":null},{"id":"W2320600875","doi":"10.1086/661818","title":": <i>Lelia's Kiss: Imagining Gender, Sex,and Marriage in Italian Renaissance Comedy</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"KISS (TNC); Comedy; Index (typography); The Renaissance; Art; Art history; Media studies; Humanities; History; Sociology; Literature; Computer science","score_opus":0.06955922669919834,"score_gpt":0.23723083209880177,"score_spread":0.16767160539960344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320600875","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011188276,0.63477254,0.0005622413,0.10532041,0.0075187786,0.000027087106,0.00014346157,0.00008391191,0.24038325],"genre_scores_gemma":[0.39776558,0.3282848,0.001275397,0.025196834,0.01840037,0.00012271017,0.00026490516,0.00019398645,0.22849534],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997043,0.00016104775,0.000007105922,0.000032027816,0.000048311376,0.00004722849],"domain_scores_gemma":[0.99976355,0.00012645379,0.00002600126,0.000012488113,0.000028274186,0.000043259774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007467694,0.0010488869,0.00043650102,0.0012562316,0.0025698987,0.0035226317,0.0006502325,0.0017346168,0.009242788],"category_scores_gemma":[0.00077183254,0.00026448688,0.00032642833,0.0013944296,0.004925466,0.0049208337,0.0014201028,0.0015891622,0.0018277246],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093595285,0.000021970953,0.0012838198,0.00069881097,0.000011538142,0.00048375476,0.08666541,0.00008009661,0.00031636647,0.118097946,0.7349575,0.057289194],"study_design_scores_gemma":[0.000009951568,0.000029504396,0.0050684214,0.0009063504,0.000010249669,0.0005400768,0.02457468,0.000054506152,0.000104986626,0.008867182,0.9598168,0.000017298122],"about_ca_topic_score_codex":0.028179197,"about_ca_topic_score_gemma":0.094525196,"teacher_disagreement_score":0.028179197,"about_ca_system_score_codex":0.003320041,"about_ca_system_score_gemma":0.0011720479,"threshold_uncertainty_score":0.056030333},"labels":[],"label_agreement":null},{"id":"W2320606803","doi":"10.1086/686382","title":": <i>A Constellation of Courts: The Courts and Households of Habsburg Europe, 1555–1665</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Constellation; Art; Sociology; Political science; Humanities; Physics","score_opus":0.020425095901501687,"score_gpt":0.28188154457057923,"score_spread":0.2614564486690775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320606803","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04612125,0.78524286,0.00071802223,0.0650739,0.003000799,0.000010415268,0.0007868297,0.0000303747,0.09901561],"genre_scores_gemma":[0.71458745,0.22605325,0.0012537176,0.0043073967,0.00308702,0.000037476544,0.0008778391,0.00005185048,0.04974394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996094,0.00015319078,0.00001986375,0.000046776095,0.00006718788,0.000103592785],"domain_scores_gemma":[0.9998481,0.000051030136,0.000045901354,0.0000074401623,0.000019994097,0.000027510114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056043133,0.00048492788,0.0002971508,0.0020960593,0.0017064689,0.0037735861,0.0005971259,0.0012088899,0.013656251],"category_scores_gemma":[0.0007015437,0.00026170732,0.0001836432,0.004810894,0.0042245067,0.004423119,0.0019413873,0.00095790066,0.0010436773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001397433,0.000036034802,0.008849765,0.0006058461,0.00005055619,0.00041726962,0.04731517,0.00043046448,0.0002637541,0.2827762,0.46459746,0.19451775],"study_design_scores_gemma":[0.000012385853,0.000019164987,0.046699,0.0012902584,0.000019648756,0.00032884345,0.026126605,0.0000716162,0.00014075311,0.020894049,0.90437585,0.000021794081],"about_ca_topic_score_codex":0.05604115,"about_ca_topic_score_gemma":0.09260786,"teacher_disagreement_score":0.05604115,"about_ca_system_score_codex":0.0041430336,"about_ca_system_score_gemma":0.0017753004,"threshold_uncertainty_score":0.11142993},"labels":[],"label_agreement":null},{"id":"W2320694392","doi":"10.1086/670493","title":": <i>Aspects du lyrisme conjugal à la Renaissance</i>","year":2013,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"The Renaissance; Art; Humanities; Art history","score_opus":0.007776218164592672,"score_gpt":0.20161556221731927,"score_spread":0.1938393440527266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320694392","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093744916,0.9457894,0.00027286008,0.015826797,0.00417112,0.00000566558,0.000048511392,0.000040134026,0.032908037],"genre_scores_gemma":[0.042577937,0.82322603,0.00061496714,0.0026970962,0.00694434,0.000024317273,0.00017167354,0.00010692684,0.12363673],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929166,0.0003746205,0.000032741405,0.000072344505,0.00014560766,0.00008303566],"domain_scores_gemma":[0.9993217,0.0003055204,0.00007707208,0.00004644662,0.00013089477,0.00011838502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010257731,0.0012884468,0.00068318425,0.0017745881,0.0020357622,0.0068046534,0.0012157081,0.0021570576,0.036376372],"category_scores_gemma":[0.0017019112,0.00046262477,0.00038692224,0.002886235,0.003303994,0.008074715,0.002211256,0.0025328707,0.014873777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007960898,0.0000402176,0.00078802306,0.0014370914,0.000018781782,0.00031416828,0.011682106,0.00009883086,0.00023325995,0.0424229,0.7406129,0.2022721],"study_design_scores_gemma":[0.0000041246244,0.000011741806,0.0010612762,0.000731975,0.0000048944516,0.00023633175,0.0038703533,0.000022071345,0.000118902855,0.0031552322,0.9907742,0.000008816845],"about_ca_topic_score_codex":0.015794713,"about_ca_topic_score_gemma":0.02572482,"teacher_disagreement_score":0.036376372,"about_ca_system_score_codex":0.003012524,"about_ca_system_score_gemma":0.0026270747,"threshold_uncertainty_score":0.12169111},"labels":[],"label_agreement":null},{"id":"W2320696268","doi":"10.1086/679859","title":": <i>Learning and Literacy in Female Hands, 1520–1698</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Publishing; Literacy; Performance art; Media studies; History; Sociology; Art; Art history; Political science; Law; Literature","score_opus":0.012216999468011554,"score_gpt":0.2356997302417968,"score_spread":0.22348273077378525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320696268","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007510706,0.61551386,0.0003404848,0.07576098,0.016342051,0.000038395185,0.0009538551,0.000093341034,0.28344628],"genre_scores_gemma":[0.18110442,0.27775222,0.0006706721,0.017076727,0.012466384,0.00013012778,0.001054088,0.00015355395,0.50959176],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999652,0.000091632304,0.00002558119,0.0000465158,0.00010076642,0.00008338842],"domain_scores_gemma":[0.99964094,0.00014362164,0.00004102662,0.00001367629,0.00007567303,0.00008509673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064496504,0.0007988491,0.00027494467,0.0014389504,0.0018179457,0.002715692,0.0008197594,0.0017434591,0.023505967],"category_scores_gemma":[0.0012654237,0.00024024787,0.00017582871,0.0021674011,0.0021520138,0.0043609473,0.0018096019,0.0016936854,0.0052216537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008245265,0.000024129953,0.0013283638,0.00050445984,0.000005581838,0.00026422442,0.017127557,0.000024176528,0.0002778179,0.013722412,0.8420946,0.12454417],"study_design_scores_gemma":[0.0000065853405,0.000020484626,0.008779801,0.00071166526,0.0000048621064,0.00029344537,0.008333054,0.000008283272,0.00017370666,0.00097796,0.9806794,0.000010791253],"about_ca_topic_score_codex":0.06163688,"about_ca_topic_score_gemma":0.14359398,"teacher_disagreement_score":0.06163688,"about_ca_system_score_codex":0.0021066833,"about_ca_system_score_gemma":0.0016325474,"threshold_uncertainty_score":0.12255621},"labels":[],"label_agreement":null},{"id":"W2320772189","doi":"10.1086/679896","title":": <i>Shakespeare and the French Borders of English</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Media studies; History; Art; Art history; Sociology","score_opus":0.007071705148825651,"score_gpt":0.24345683835445675,"score_spread":0.2363851332056311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320772189","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013637496,0.1345819,0.0017654147,0.2137669,0.006360416,0.00002124473,0.0006612339,0.0001780349,0.6290274],"genre_scores_gemma":[0.5797061,0.040795784,0.0011658106,0.024377901,0.0042769876,0.00004776455,0.000365951,0.0004038647,0.34885994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999315,0.00037977457,0.000022035554,0.00006481566,0.00012787736,0.00009054493],"domain_scores_gemma":[0.9991509,0.00032020514,0.000086244036,0.000047494177,0.0002727313,0.00012241243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009110151,0.0004736035,0.00018586584,0.0012705377,0.004995188,0.005416332,0.00048826606,0.0015695818,0.025359605],"category_scores_gemma":[0.0027730984,0.00015172253,0.00014328842,0.0019018875,0.004941923,0.004857927,0.0013114973,0.0017983888,0.0041608447],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004577675,0.00000862626,0.000955782,0.0002644154,0.000008649531,0.00027632978,0.051193807,0.000034821926,0.0002818581,0.21157986,0.70896244,0.026387624],"study_design_scores_gemma":[0.0000031819372,0.000006286222,0.0030419892,0.00035964244,0.0000050474423,0.00017582385,0.017111452,0.000024003513,0.00023014877,0.0063913236,0.97263867,0.000012426617],"about_ca_topic_score_codex":0.08468182,"about_ca_topic_score_gemma":0.1626363,"teacher_disagreement_score":0.08468182,"about_ca_system_score_codex":0.0040345564,"about_ca_system_score_gemma":0.0026195827,"threshold_uncertainty_score":0.16837782},"labels":[],"label_agreement":null},{"id":"W2320787273","doi":"10.1086/676272","title":": <i>Early Modern Women’s Writing and the Rhetoric of Modesty</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Rhetoric; History; Classics; Sociology; Media studies; Theology; Philosophy","score_opus":0.013656298860852269,"score_gpt":0.20436000438847723,"score_spread":0.19070370552762497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320787273","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038590594,0.5639397,0.0008765973,0.263373,0.014246017,0.000020451045,0.00013964283,0.00007754583,0.15346804],"genre_scores_gemma":[0.28266513,0.29231203,0.0015455462,0.053281497,0.03203505,0.00011522816,0.00031371947,0.00031107658,0.3374207],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992854,0.0003890393,0.0000239801,0.00007288288,0.0001568689,0.000071869705],"domain_scores_gemma":[0.9990928,0.0005597888,0.000097325224,0.000043966258,0.00012743832,0.00007875228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010633016,0.00068719627,0.00032908397,0.0014214247,0.0027014883,0.0045166505,0.0007737855,0.002006455,0.011992019],"category_scores_gemma":[0.0024524105,0.00029391822,0.00018789755,0.0023575816,0.00541024,0.009319927,0.0017892759,0.0028188855,0.0029366547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038194852,0.000021128917,0.00032246276,0.00042248893,0.0000070454744,0.000109683606,0.017863998,0.00003577366,0.00016184576,0.09471576,0.84028256,0.04601905],"study_design_scores_gemma":[0.0000066551224,0.0000115530465,0.0010673743,0.00073092163,0.000004990397,0.00016225415,0.007339955,0.00004184278,0.00020149669,0.017280532,0.97314316,0.000009307344],"about_ca_topic_score_codex":0.008279326,"about_ca_topic_score_gemma":0.016509632,"teacher_disagreement_score":0.011992019,"about_ca_system_score_codex":0.001913314,"about_ca_system_score_gemma":0.0015397773,"threshold_uncertainty_score":0.040117264},"labels":[],"label_agreement":null},{"id":"W2320843993","doi":"10.1086/658535","title":": <i>Beasts and Beauties: Animals, Gender, and Domestication in the Italian Renaissance</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Domestication; Art; Art history; Humanities; Media studies; Sociology; Biology; Computer science; Ecology","score_opus":0.024864571374271515,"score_gpt":0.23972954010719721,"score_spread":0.2148649687329257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320843993","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002264588,0.84972864,0.00031531538,0.059539784,0.008252991,0.000016304428,0.0002909127,0.00007600967,0.07951546],"genre_scores_gemma":[0.12309145,0.5609075,0.0011125944,0.017108936,0.0336187,0.00007711205,0.00071011204,0.00021752018,0.26315615],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99970907,0.00010830945,0.00001351847,0.000034332435,0.00008619747,0.000048600934],"domain_scores_gemma":[0.99970585,0.00012392038,0.00004462032,0.000021025511,0.00006210534,0.00004253521],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062402256,0.0011282198,0.0005155017,0.0014695143,0.0011560307,0.0026568524,0.00072800677,0.0012615708,0.021195434],"category_scores_gemma":[0.0008424521,0.00026436083,0.00027112282,0.003106054,0.0022451559,0.0036647583,0.001053518,0.0012472834,0.0059873243],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040051753,0.00001208714,0.0005956368,0.0006442437,0.000008007387,0.00007615318,0.0059167463,0.000034892608,0.00013866824,0.019814337,0.91869324,0.054025974],"study_design_scores_gemma":[0.000005056686,0.000012928141,0.004500267,0.00056652597,0.000007494739,0.00021103724,0.0023237132,0.000022295875,0.00008664272,0.0023497888,0.9899046,0.00000951649],"about_ca_topic_score_codex":0.023198701,"about_ca_topic_score_gemma":0.06883965,"teacher_disagreement_score":0.023198701,"about_ca_system_score_codex":0.0025090016,"about_ca_system_score_gemma":0.0011157751,"threshold_uncertainty_score":0.070905805},"labels":[],"label_agreement":null},{"id":"W2320952770","doi":"10.1086/673587","title":"Review Essay: Digital Humanities Projects","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Digital humanities; Humanities; Sociology; Art","score_opus":0.051629467569222647,"score_gpt":0.23863841861412882,"score_spread":0.18700895104490617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320952770","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006895999,0.44734585,0.00035745552,0.34880796,0.10880014,0.00005633842,0.0003002142,0.000042246742,0.09360026],"genre_scores_gemma":[0.021472631,0.5860958,0.0006436373,0.14991792,0.103235155,0.00019357241,0.00060070766,0.00017159266,0.13766895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99722785,0.00083174853,0.00015526754,0.00029194684,0.0012973491,0.00019584295],"domain_scores_gemma":[0.9810066,0.009532132,0.0011524205,0.00085271604,0.0058067557,0.0016493759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045862184,0.00065907545,0.00074933824,0.0050831395,0.0021799246,0.0057016374,0.0012929512,0.006053894,0.030220771],"category_scores_gemma":[0.02718134,0.00032643016,0.00042355695,0.006928152,0.002791504,0.006285332,0.002657665,0.004620792,0.012297404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005691855,0.0000038213816,0.000032423097,0.0005018852,0.0000051436487,0.000032933876,0.000108307286,0.000014875439,0.000042753287,0.005311531,0.9739941,0.01994643],"study_design_scores_gemma":[0.000003545286,0.0000033846493,0.00022138344,0.0014491188,0.0000048733323,0.00004438572,0.00023609177,0.000008859949,0.000027353517,0.0011098335,0.99688715,0.0000040025893],"about_ca_topic_score_codex":0.0044921422,"about_ca_topic_score_gemma":0.011432779,"teacher_disagreement_score":0.030220771,"about_ca_system_score_codex":0.0047891564,"about_ca_system_score_gemma":0.0061073694,"threshold_uncertainty_score":0.1010986},"labels":[],"label_agreement":null},{"id":"W2320980855","doi":"10.1086/671642","title":": <i>Rituals of Prosecution: The Roman Inquisition and the Prosecution of Philo-Protestants in Sixteenth-Century Italy</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Classics; Ancient history","score_opus":0.012781535045540743,"score_gpt":0.20457129360191695,"score_spread":0.1917897585563762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320980855","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04989261,0.6849976,0.00063824584,0.10903837,0.0045151133,0.00003668657,0.00018888943,0.00006161283,0.15063092],"genre_scores_gemma":[0.6835176,0.19129263,0.0008227345,0.0093643945,0.0062730326,0.000087607914,0.00022349732,0.000112849026,0.10830577],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9989072,0.0006850309,0.000046553898,0.000050572005,0.00016432544,0.00014630775],"domain_scores_gemma":[0.9988036,0.0005890758,0.00032089066,0.00007507336,0.00008038081,0.00013092475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017496912,0.00052181206,0.0003306753,0.0013318342,0.0038683838,0.00426654,0.0011033692,0.0020672951,0.005530292],"category_scores_gemma":[0.0030030836,0.0004188516,0.00022450325,0.0025273857,0.009680135,0.004305136,0.0033753675,0.0023284382,0.0011781192],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012513595,0.00006722503,0.004741665,0.001025186,0.00003016864,0.0008354049,0.2584618,0.00015364283,0.0002798862,0.11253213,0.533342,0.08840572],"study_design_scores_gemma":[0.00001626036,0.000037820388,0.016230961,0.002234396,0.000014222656,0.0010644672,0.07697618,0.00007061003,0.00028073648,0.00720248,0.8958446,0.000027380662],"about_ca_topic_score_codex":0.009777235,"about_ca_topic_score_gemma":0.031090142,"teacher_disagreement_score":0.009777235,"about_ca_system_score_codex":0.0031810347,"about_ca_system_score_gemma":0.0017579074,"threshold_uncertainty_score":0.02308017},"labels":[],"label_agreement":null},{"id":"W2321108390","doi":"10.1086/669351","title":": <i>Apólogo de la ociosidad y el trabajo, de Luis Mexía, glosado y moralizado por Francisco Cervantes de Salazar</i>","year":2012,"lang":"es","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.01042677952370021,"score_gpt":0.26080286758140714,"score_spread":0.25037608805770695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321108390","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008185759,0.6427942,0.001030101,0.08776664,0.012298214,0.000027982998,0.0003800144,0.00014765952,0.24736951],"genre_scores_gemma":[0.16354014,0.25433975,0.0015000766,0.018253582,0.010069713,0.0001303749,0.00049965415,0.00039997732,0.55126673],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995976,0.00014844793,0.000012559487,0.000051060575,0.000104350394,0.000085953674],"domain_scores_gemma":[0.9996264,0.000104758125,0.000063639745,0.00002481193,0.00012510006,0.000055209865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000692132,0.0009249918,0.0003962234,0.0012418636,0.0023386623,0.003781649,0.0009790069,0.0015913789,0.021085618],"category_scores_gemma":[0.0014007738,0.0002154016,0.0002914223,0.0019409142,0.0025591846,0.002556975,0.0018700297,0.0022265648,0.0045917034],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005805801,0.000019109764,0.0007823478,0.00081338506,0.000012048091,0.0003359472,0.014830144,0.00007048776,0.00045295924,0.050243,0.8474262,0.08495645],"study_design_scores_gemma":[0.0000039054976,0.0000058917462,0.0021085916,0.000500207,0.00000457475,0.00014232418,0.0045348294,0.000017819091,0.00011819766,0.0022105398,0.99034774,0.0000053133253],"about_ca_topic_score_codex":0.040209748,"about_ca_topic_score_gemma":0.07178522,"teacher_disagreement_score":0.040209748,"about_ca_system_score_codex":0.0045231576,"about_ca_system_score_gemma":0.003767058,"threshold_uncertainty_score":0.079951406},"labels":[],"label_agreement":null},{"id":"W2321358358","doi":"10.1086/658616","title":": <i>The Natural Philosophy of Margaret Cavendish: Reason and Fancy during the Scientific Revolution</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Natural philosophy; History; Scientific revolution; Index (typography); Politics; Art history; Environmental ethics; Philosophy of science; Natural (archaeology); Classics; Media studies; Philosophy; Sociology; Law; Political science; Epistemology; Archaeology","score_opus":0.008534597910670603,"score_gpt":0.2441103784491956,"score_spread":0.235575780538525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321358358","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019404702,0.52973604,0.0006781338,0.37997946,0.022573784,0.000030156023,0.00012657438,0.000071688104,0.064863555],"genre_scores_gemma":[0.11856343,0.32061887,0.001997043,0.14714654,0.045694765,0.00016136873,0.00027338543,0.00036315844,0.3651815],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99931586,0.00029102174,0.00002674589,0.00010348427,0.00019483536,0.00006792751],"domain_scores_gemma":[0.998654,0.0008321615,0.00011853484,0.00004687019,0.00017016924,0.0001781825],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016721005,0.00091685733,0.0005215051,0.0015744278,0.0039871563,0.0038896867,0.0013679152,0.0035459474,0.016085515],"category_scores_gemma":[0.0029750695,0.00044137807,0.00033951778,0.0024965983,0.0062255007,0.009772546,0.0023098423,0.0039715962,0.0031534336],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016738017,0.000008365589,0.00013608008,0.00020400493,0.000003915566,0.00006156642,0.0035223605,0.000019420586,0.000048218797,0.020376898,0.96075153,0.0148509275],"study_design_scores_gemma":[0.000007916936,0.000009713882,0.0011728951,0.00060392567,0.0000051168254,0.00022498655,0.0036478317,0.000044033404,0.00012395301,0.011036991,0.9831055,0.000017169328],"about_ca_topic_score_codex":0.02948498,"about_ca_topic_score_gemma":0.07608071,"teacher_disagreement_score":0.99601287,"about_ca_system_score_codex":0.004178284,"about_ca_system_score_gemma":0.0027305551,"threshold_uncertainty_score":0.05862671},"labels":[],"label_agreement":null},{"id":"W2321370017","doi":"10.1086/658567","title":": <i>The Correspondence of Wolfgang Capito</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Volume (thermodynamics); History; Thermodynamics; Computer science","score_opus":0.010053008289479057,"score_gpt":0.2130236909687382,"score_spread":0.20297068267925913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321370017","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00073292106,0.34912616,0.0025739975,0.13198538,0.19598784,0.000064265085,0.0014351095,0.00048012714,0.31761426],"genre_scores_gemma":[0.011761232,0.102710515,0.0010570664,0.033587027,0.05470942,0.00012897885,0.00089684344,0.0009027037,0.7942461],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903524,0.00022977246,0.0000465882,0.0002450559,0.0003426229,0.00010070847],"domain_scores_gemma":[0.9987244,0.00033495674,0.0001457022,0.00007237787,0.00048970635,0.00023280813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000745561,0.001987032,0.00096843677,0.0021856294,0.001843183,0.004035177,0.00092573144,0.002600849,0.16095683],"category_scores_gemma":[0.0042873714,0.0004129778,0.0003347672,0.0027897498,0.0009818156,0.005348408,0.0024551738,0.0029462313,0.11725608],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010363435,0.0000026436173,0.000032043386,0.00007530501,0.0000013096218,0.000021377848,0.000080897036,0.000009066508,0.00004546108,0.0021651958,0.9820916,0.0154647],"study_design_scores_gemma":[0.000001062931,0.0000021606752,0.00008627611,0.00010422657,8.6785013e-7,0.00006634085,0.00008398684,0.000009827294,0.00004091845,0.0004276971,0.9991736,0.00000305603],"about_ca_topic_score_codex":0.004618323,"about_ca_topic_score_gemma":0.006730945,"teacher_disagreement_score":0.16095683,"about_ca_system_score_codex":0.0019501054,"about_ca_system_score_gemma":0.0013320455,"threshold_uncertainty_score":0.53845423},"labels":[],"label_agreement":null},{"id":"W2321412958","doi":"10.1086/678792","title":": <i>Le prince en représentation: Histoire des décors du palais ducal de Mantoue au XVIe siècle</i>","year":2014,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Humanities; Art","score_opus":0.011363644581705797,"score_gpt":0.21869353941019032,"score_spread":0.20732989482848452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321412958","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06746524,0.071661316,0.0024137776,0.03355459,0.009886145,0.000043930286,0.0009538353,0.00014952038,0.8138717],"genre_scores_gemma":[0.45155346,0.017137175,0.0017009174,0.0027258275,0.0018696428,0.00004037296,0.00032764534,0.0002694948,0.5243754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998035,0.00008413111,0.000007144505,0.000027170408,0.000043215357,0.000034814842],"domain_scores_gemma":[0.9999075,0.000028589579,0.000017037219,0.000010061953,0.00002192723,0.000014923481],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045658788,0.00038331846,0.00013989808,0.0006857475,0.0032203067,0.0023866382,0.00028119798,0.0006927833,0.019213459],"category_scores_gemma":[0.0008421177,0.00012719625,0.00013693747,0.0014013468,0.002112407,0.0013851462,0.0010806333,0.0014031216,0.0027112812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021251924,0.000029606974,0.004625991,0.0005695495,0.000017527222,0.0007997372,0.1410376,0.00019196878,0.0020575426,0.27839738,0.46240354,0.10965696],"study_design_scores_gemma":[0.0000021360509,0.000007693154,0.0055893576,0.00023360313,0.0000027175922,0.00029157707,0.014091682,0.000016207325,0.00044011226,0.0013292021,0.97799015,0.0000054697766],"about_ca_topic_score_codex":0.022736328,"about_ca_topic_score_gemma":0.059692066,"teacher_disagreement_score":0.022736328,"about_ca_system_score_codex":0.0017006213,"about_ca_system_score_gemma":0.0008184076,"threshold_uncertainty_score":0.06427544},"labels":[],"label_agreement":null},{"id":"W2321547506","doi":"10.1086/685253","title":": <i>Magical Transformations on the Early Modern English Stage</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Drama; Publishing; History; Stage (stratigraphy); Performance art; Media studies; Art history; Art; Sociology; Literature","score_opus":0.04408687772666338,"score_gpt":0.2765610669381614,"score_spread":0.23247418921149804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321547506","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023283338,0.3723049,0.0017839283,0.15912968,0.00800214,0.000025956682,0.0003714145,0.00020270442,0.4348959],"genre_scores_gemma":[0.6178812,0.10282217,0.0015502799,0.013339315,0.009708993,0.0000814486,0.00023274928,0.0003109603,0.254073],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947625,0.00030320938,0.000012184648,0.000034993183,0.00007848831,0.000094908035],"domain_scores_gemma":[0.99959725,0.0001273754,0.00005174439,0.000035991015,0.000110986235,0.0000766895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006802139,0.0005577658,0.00018191784,0.00088391884,0.0024906467,0.0032148242,0.00068522256,0.0009264466,0.023113849],"category_scores_gemma":[0.0013742835,0.00016299452,0.00014378333,0.0013699587,0.006317267,0.0052384217,0.0016860394,0.0020053496,0.0027861916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078964484,0.00002726099,0.00064721087,0.00039244318,0.000009875414,0.000269793,0.04180864,0.00008748035,0.00035084365,0.26231486,0.6059721,0.0880406],"study_design_scores_gemma":[0.0000064089472,0.000014908128,0.003184143,0.00035690903,0.0000053755525,0.00014626788,0.012783988,0.00005839948,0.000356629,0.022261634,0.9608103,0.000014961083],"about_ca_topic_score_codex":0.01964804,"about_ca_topic_score_gemma":0.034212198,"teacher_disagreement_score":0.023113849,"about_ca_system_score_codex":0.0028711585,"about_ca_system_score_gemma":0.0015127597,"threshold_uncertainty_score":0.0773235},"labels":[],"label_agreement":null},{"id":"W2321561158","doi":"10.1086/658537","title":": <i> <i>The Art of Meditation and the French Renaissance Love Lyric: The Poetics of Introspection in Maurice Scève's</i> Délie, object de plus haulte vertu <i>(1544)</i> </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Introspection; Meditation; The Renaissance; Art; Object (grammar); Art history; Index (typography); Philosophy; Humanities; Literature; Theology; Poetry; Epistemology","score_opus":0.0056794010483877675,"score_gpt":0.2121888966558063,"score_spread":0.20650949560741855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321561158","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007076576,0.7755532,0.0006948924,0.07841164,0.0054708966,0.000015025149,0.00010025477,0.000073033654,0.1326044],"genre_scores_gemma":[0.43659195,0.20247793,0.0013659223,0.019499239,0.013250108,0.0000684931,0.00014879585,0.00022168062,0.3263759],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99939895,0.00037854677,0.000013215528,0.00005107648,0.000096780925,0.00006142273],"domain_scores_gemma":[0.99960834,0.00020658883,0.000044302637,0.000017341503,0.00007742117,0.000046020337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008813374,0.0009315557,0.0003387903,0.0011518351,0.0031145834,0.0037287134,0.00059853186,0.0017509485,0.00925522],"category_scores_gemma":[0.0013866851,0.00021019971,0.00026322703,0.001074513,0.004942955,0.00372162,0.0010010779,0.0017982818,0.0018873258],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008516747,0.000028666509,0.00091872335,0.0006065167,0.000024938716,0.0004316355,0.08777735,0.000093932926,0.0006747017,0.15069634,0.67953265,0.07912932],"study_design_scores_gemma":[0.000007795078,0.000016129196,0.0021617012,0.0003406441,0.0000054508173,0.0002809908,0.010155967,0.000032770058,0.00018735185,0.005260354,0.9815399,0.000010931101],"about_ca_topic_score_codex":0.055597477,"about_ca_topic_score_gemma":0.11649107,"teacher_disagreement_score":0.055597477,"about_ca_system_score_codex":0.003841529,"about_ca_system_score_gemma":0.0015787279,"threshold_uncertainty_score":0.11054772},"labels":[],"label_agreement":null},{"id":"W2321577239","doi":"10.1086/676195","title":": <i>Marsilius of Padua at the Intersection of Ancient and Medieval Traditions of Political Thought</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intersection (aeronautics); Politics; Classics; History; Ancient history; Geography; Cartography; Political science; Law","score_opus":0.017743747829777164,"score_gpt":0.21419731948422085,"score_spread":0.1964535716544437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321577239","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023714352,0.6996436,0.0006282198,0.065751195,0.011536211,0.000020896869,0.00025197558,0.00017963284,0.19827391],"genre_scores_gemma":[0.5202671,0.2145991,0.0011527179,0.0074323313,0.009260763,0.0000681106,0.00025016605,0.00015099198,0.24681866],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999895,0.000041319207,0.000004065043,0.000019163972,0.000016849152,0.000023651419],"domain_scores_gemma":[0.99992144,0.00003573444,0.000015392543,0.0000051995216,0.0000061251953,0.000016107988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018752045,0.00060078455,0.00022594375,0.0009808303,0.0021340114,0.002135343,0.00047260703,0.0006967929,0.015842358],"category_scores_gemma":[0.00039232895,0.000234266,0.0001595356,0.0012791911,0.0022037243,0.0027275756,0.0016395897,0.0011729057,0.0022461645],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022856685,0.000027506172,0.0015811571,0.001377089,0.000021470403,0.000651099,0.028178653,0.00014547781,0.0009268958,0.11087615,0.69092643,0.1650596],"study_design_scores_gemma":[0.0000061393534,0.000019994344,0.007747124,0.00038763243,0.000008953415,0.000675215,0.0075379857,0.000027445434,0.00036731004,0.0034752616,0.9797371,0.000009855315],"about_ca_topic_score_codex":0.0064672264,"about_ca_topic_score_gemma":0.014257955,"teacher_disagreement_score":0.015842358,"about_ca_system_score_codex":0.001110451,"about_ca_system_score_gemma":0.0007288293,"threshold_uncertainty_score":0.052997947},"labels":[],"label_agreement":null},{"id":"W2321715949","doi":"10.1086/679835","title":": <i>London: The Selden Map and the Making of a Global City, 1549–1689</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"History","score_opus":0.014617041584173296,"score_gpt":0.21823350513881823,"score_spread":0.20361646355464494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321715949","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016989497,0.15155186,0.0007011975,0.09180765,0.006701244,0.000027439508,0.013544703,0.00018438653,0.7184921],"genre_scores_gemma":[0.2589349,0.07468535,0.0009801245,0.0043584458,0.001781701,0.00006379802,0.004791546,0.00046193757,0.6539422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985194,0.000037226862,0.000012744414,0.000021077996,0.000046400677,0.000030646668],"domain_scores_gemma":[0.99977726,0.00006398536,0.000039049104,0.000016325987,0.00005695971,0.000046330537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025597055,0.00043914432,0.00016921299,0.0016411461,0.0025936747,0.0042448365,0.00045484412,0.0011212421,0.05964246],"category_scores_gemma":[0.0010626845,0.00022903126,0.00011254993,0.007945076,0.0022885066,0.004132343,0.0013394877,0.0011357171,0.010496201],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026214559,0.0000032954713,0.0013436698,0.00033610733,0.0000057924876,0.00025422676,0.029500442,0.000049296847,0.00012866862,0.037666474,0.9025014,0.028184472],"study_design_scores_gemma":[0.0000012506466,0.0000012262545,0.004179634,0.00014677884,0.0000013445814,0.00006409603,0.009287948,0.0000024806318,0.00003236803,0.0006303814,0.98564863,0.0000038570197],"about_ca_topic_score_codex":0.25188068,"about_ca_topic_score_gemma":0.65133053,"teacher_disagreement_score":0.25188068,"about_ca_system_score_codex":0.004740111,"about_ca_system_score_gemma":0.0025683308,"threshold_uncertainty_score":0.5008291},"labels":[],"label_agreement":null},{"id":"W2321774280","doi":"10.1086/671635","title":": <i>Reforming Printing: Syon Abbey’s Defence of Orthodoxy, 1525–1534</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Orthodoxy; History; Theology; Philosophy","score_opus":0.018323332897976732,"score_gpt":0.19739313405260805,"score_spread":0.17906980115463134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321774280","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016587933,0.41097546,0.00035882578,0.1075521,0.033343587,0.000025706695,0.00079283264,0.00014996564,0.44514263],"genre_scores_gemma":[0.025538657,0.055570394,0.00038033148,0.009847649,0.0048142574,0.00003015154,0.00034200322,0.00019781246,0.90327877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993235,0.00012442522,0.000037204594,0.00009377053,0.00031435734,0.00010677848],"domain_scores_gemma":[0.99942964,0.00015423396,0.00006499555,0.000047148333,0.00022363677,0.0000802646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007225954,0.0008272601,0.00043897878,0.0012196964,0.0028894148,0.0050817584,0.00079238776,0.0027068597,0.124682754],"category_scores_gemma":[0.0019939563,0.00043138594,0.00025430208,0.002265667,0.0021288341,0.0032833263,0.0013702263,0.0028095748,0.032605678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015887277,0.0000032256373,0.00006239168,0.00011022078,0.0000017016146,0.000048722144,0.00075369014,0.000011814565,0.00008614773,0.011205746,0.96985894,0.017841512],"study_design_scores_gemma":[0.0000015772415,0.0000018563723,0.00037076353,0.00010700717,9.613801e-7,0.000029856135,0.00031581928,0.0000037973023,0.000040290197,0.00054285635,0.9985826,0.0000025517475],"about_ca_topic_score_codex":0.061815526,"about_ca_topic_score_gemma":0.14540763,"teacher_disagreement_score":0.124682754,"about_ca_system_score_codex":0.0051114373,"about_ca_system_score_gemma":0.002866807,"threshold_uncertainty_score":0.41710538},"labels":[],"label_agreement":null},{"id":"W2321975628","doi":"10.1086/661823","title":": <i>Disreputable Bodies: Magic, Medicine, andGender in Renaissance Natural Philosophy</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); The Renaissance; Natural philosophy; Index (typography); Renaissance literature; Art; Art history; Classics; Philosophy; Physics; Epistemology","score_opus":0.062409060315253805,"score_gpt":0.2460224505296059,"score_spread":0.18361339021435208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2321975628","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022796642,0.7376631,0.0011158021,0.118436866,0.011936433,0.000013130758,0.00010052691,0.00009204963,0.12836254],"genre_scores_gemma":[0.20437394,0.439221,0.0020372444,0.03361887,0.028127303,0.00006975955,0.00024721294,0.0002738458,0.29203093],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99935716,0.0003316972,0.000026554015,0.00006981255,0.00015893953,0.00005581974],"domain_scores_gemma":[0.9992405,0.0004533664,0.00007158226,0.000048232352,0.00011538043,0.000070852286],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012940266,0.0007418791,0.00045847392,0.0012406228,0.0025584775,0.0041066227,0.0006814081,0.0016701579,0.012046314],"category_scores_gemma":[0.001707218,0.00022996408,0.000228144,0.002114885,0.008762054,0.009755492,0.0017568325,0.0027853055,0.003218284],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002953089,0.000013409254,0.00022954187,0.0004792948,0.0000065960785,0.000067123045,0.014648835,0.000051455212,0.00012812277,0.24429366,0.6903571,0.04969535],"study_design_scores_gemma":[0.000005194855,0.000011873169,0.0009704638,0.0005468936,0.000005453452,0.00017675481,0.0045012617,0.000042363703,0.00013752595,0.036096163,0.9574948,0.000011251523],"about_ca_topic_score_codex":0.011978749,"about_ca_topic_score_gemma":0.025734898,"teacher_disagreement_score":0.99744153,"about_ca_system_score_codex":0.0033791019,"about_ca_system_score_gemma":0.0023796503,"threshold_uncertainty_score":0.04029894},"labels":[],"label_agreement":null},{"id":"W2322053863","doi":"10.1086/660466","title":": <i>De uiris illustribus / On Famous Men</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Middle Ages; Append; Period (music); History; Index (typography); Art; Classics; Theology; Ancient history; Philosophy","score_opus":0.03650119357482282,"score_gpt":0.21057310482919406,"score_spread":0.17407191125437124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322053863","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00090243743,0.75747395,0.00039095615,0.01906255,0.015317163,0.000019920259,0.0010307347,0.00020380065,0.2055985],"genre_scores_gemma":[0.02737921,0.27420372,0.00079833245,0.006616279,0.010564382,0.000063788524,0.0014561339,0.00043254867,0.6784856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996879,0.00008208241,0.000019116655,0.00005621742,0.000107607164,0.000047136506],"domain_scores_gemma":[0.9996489,0.000110941495,0.000046414534,0.000025816265,0.00010962128,0.000058273807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036772713,0.0011418359,0.00052107224,0.0023217958,0.001333831,0.0028107853,0.00071358215,0.000906206,0.08995475],"category_scores_gemma":[0.0010602545,0.00035057278,0.00019935278,0.003153173,0.0009919599,0.003249446,0.001210171,0.0014244093,0.041122165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015709344,0.000004426674,0.00008455444,0.00027219747,0.0000024181568,0.00003288792,0.0007339481,0.000007940015,0.00009765301,0.005195887,0.9465677,0.046984725],"study_design_scores_gemma":[0.0000013178541,0.000002577019,0.0004666768,0.00019174007,0.0000011927116,0.00004897213,0.00031565625,0.000005034234,0.0000731894,0.00038643565,0.998505,0.0000022175875],"about_ca_topic_score_codex":0.017505324,"about_ca_topic_score_gemma":0.04265465,"teacher_disagreement_score":0.08995475,"about_ca_system_score_codex":0.0017100697,"about_ca_system_score_gemma":0.001009083,"threshold_uncertainty_score":0.3009286},"labels":[],"label_agreement":null},{"id":"W2322240210","doi":"10.1086/675141","title":": <i>Punishment and Penance: Two Phases in the History of the Bishop’s Tribunal of Novara</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tribunal; History; Punishment (psychology); Media studies; Art; Sociology; Political science; Law; Psychology","score_opus":0.02647038476907497,"score_gpt":0.21861445623087247,"score_spread":0.19214407146179752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322240210","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013198192,0.47311687,0.00090409274,0.1650391,0.016404647,0.000056660476,0.000316967,0.000057150366,0.33090642],"genre_scores_gemma":[0.36008075,0.124416985,0.0012070655,0.021728037,0.00719244,0.00010941946,0.00043665018,0.000274399,0.48455426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845743,0.0007845984,0.00006940082,0.000112991875,0.00033240416,0.00024315335],"domain_scores_gemma":[0.99916196,0.00035132916,0.00012959322,0.00005489882,0.0001227253,0.00017949648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012362401,0.00065809255,0.00037700756,0.0010352427,0.006118929,0.005172006,0.0015019508,0.0024880322,0.01616871],"category_scores_gemma":[0.0032401385,0.0004675,0.0002219158,0.0016928198,0.009894499,0.0065545766,0.004698584,0.004601473,0.0024829155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013545995,0.000037310576,0.0010254394,0.00065082626,0.000015292908,0.000557134,0.051270716,0.00010057642,0.00026557938,0.095546424,0.77888334,0.07151183],"study_design_scores_gemma":[0.00000762533,0.000015169249,0.0031718144,0.00085177517,0.000003982804,0.00028990197,0.016119003,0.000026157724,0.00022448554,0.0053089075,0.9739578,0.000023466131],"about_ca_topic_score_codex":0.047133878,"about_ca_topic_score_gemma":0.14627053,"teacher_disagreement_score":0.047133878,"about_ca_system_score_codex":0.006008139,"about_ca_system_score_gemma":0.0029674356,"threshold_uncertainty_score":0.093719006},"labels":[],"label_agreement":null},{"id":"W2322577774","doi":"10.1086/681415","title":": <i>Sir Thomas Elyot as Lexicographer</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Lexicography; Theology; Art; Philosophy; Linguistics","score_opus":0.03591398551175234,"score_gpt":0.24552960049585146,"score_spread":0.2096156149840991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322577774","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013844927,0.04254815,0.0014024382,0.7835171,0.05418986,0.000031649517,0.00081211026,0.00074498163,0.115369156],"genre_scores_gemma":[0.046593115,0.03073341,0.002570964,0.23746228,0.05012009,0.00010395372,0.001095052,0.0018581757,0.6294629],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984127,0.0006398472,0.000086267246,0.00025632835,0.00047805253,0.0001267385],"domain_scores_gemma":[0.996469,0.0014462135,0.00028324503,0.00016317784,0.0012429298,0.00039548796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019479601,0.0007885664,0.0007561341,0.002788836,0.0039425856,0.00562226,0.0006481264,0.0028876157,0.07681788],"category_scores_gemma":[0.008918816,0.00029370812,0.0002573686,0.0028836192,0.0023404874,0.0054299687,0.0019130381,0.0042539327,0.0458084],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006394948,9.489726e-7,0.00007075097,0.0000411503,0.0000010126067,0.00003029176,0.0004706035,0.0000034235175,0.000054651573,0.0022265944,0.993046,0.0040482585],"study_design_scores_gemma":[0.0000016063274,0.0000014307328,0.0002527795,0.00012067977,0.0000013910026,0.00013101776,0.0011147836,0.000013366729,0.00010029905,0.0006367794,0.9976199,0.000005847678],"about_ca_topic_score_codex":0.010647598,"about_ca_topic_score_gemma":0.02466526,"teacher_disagreement_score":0.07681788,"about_ca_system_score_codex":0.0029635755,"about_ca_system_score_gemma":0.0016275652,"threshold_uncertainty_score":0.25698137},"labels":[],"label_agreement":null},{"id":"W2322581807","doi":"10.1086/662887","title":": <i>Defending Hypatia: Ramus, Savile, and the Renaissance Rediscovery of Mathematical History</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Append; Index (typography); The Renaissance; History; Art history; Classics; Computer science","score_opus":0.043739431150207474,"score_gpt":0.24799004463399565,"score_spread":0.20425061348378817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322581807","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021940635,0.5948537,0.0018421293,0.3110028,0.021885633,0.000021523736,0.0001399143,0.00012213801,0.06793808],"genre_scores_gemma":[0.1793735,0.41914338,0.004494136,0.11253685,0.061135996,0.0001361566,0.00026772154,0.0005784795,0.22233374],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990451,0.00051061925,0.000034766806,0.000111098234,0.00021186643,0.000086602646],"domain_scores_gemma":[0.9985043,0.00087347307,0.00016153282,0.00008064576,0.00023945651,0.000140651],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015540548,0.0009254016,0.0007111602,0.0018930986,0.0029619262,0.0045123473,0.0015362836,0.0030748786,0.012751141],"category_scores_gemma":[0.0039722924,0.00041671135,0.0004163246,0.0021993993,0.009205877,0.010655074,0.0025540094,0.0051791626,0.0044940556],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035391262,0.000014223296,0.000240757,0.00028994845,0.000009911901,0.00008010723,0.004310815,0.00005128242,0.0001251647,0.113597274,0.85847026,0.02277488],"study_design_scores_gemma":[0.000009838213,0.00001808848,0.0011381215,0.00073451054,0.000007490281,0.00022606581,0.003662626,0.000112832524,0.0002788241,0.068341546,0.92544305,0.000027058846],"about_ca_topic_score_codex":0.012452702,"about_ca_topic_score_gemma":0.024288123,"teacher_disagreement_score":0.012751141,"about_ca_system_score_codex":0.0030520367,"about_ca_system_score_gemma":0.001813205,"threshold_uncertainty_score":0.04265678},"labels":[],"label_agreement":null},{"id":"W2322638345","doi":"10.1086/679862","title":": <i>Memoirs (1630–1680): Sophia of Hanover</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; The Renaissance; Art; Classics; History; Art history","score_opus":0.013853662000416354,"score_gpt":0.2957122238121745,"score_spread":0.2818585618117581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322638345","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031183718,0.491096,0.0006537276,0.08796013,0.042246263,0.00004772578,0.0022409514,0.00016023399,0.34441125],"genre_scores_gemma":[0.25993252,0.090423316,0.0007020692,0.015229183,0.009056683,0.00009666058,0.000974858,0.00022207787,0.62336266],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997683,0.00007605762,0.000010391477,0.00003408824,0.000046396268,0.0000647838],"domain_scores_gemma":[0.9998565,0.000026293046,0.000026731002,0.0000067479004,0.000033387027,0.000050352606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005921481,0.0006366325,0.00025013,0.00063255546,0.0027401964,0.0019526622,0.00052873534,0.0009634344,0.025832003],"category_scores_gemma":[0.00063672714,0.00023643115,0.0002043882,0.0009485626,0.0017831493,0.0017577258,0.0012316058,0.0011226935,0.0034410036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065983455,0.0000074690333,0.00083678495,0.00033914167,0.000008600659,0.00034705244,0.022343917,0.00002466412,0.0003920294,0.011267816,0.93018425,0.034182336],"study_design_scores_gemma":[0.0000021870526,0.000006312689,0.0024776561,0.0001491857,0.0000024209226,0.000087300614,0.004107881,0.0000025726952,0.000101654055,0.00021801035,0.9928402,0.0000045409924],"about_ca_topic_score_codex":0.07653183,"about_ca_topic_score_gemma":0.15408474,"teacher_disagreement_score":0.07653183,"about_ca_system_score_codex":0.0036324176,"about_ca_system_score_gemma":0.0018965201,"threshold_uncertainty_score":0.15217274},"labels":[],"label_agreement":null},{"id":"W2322706132","doi":"10.1086/682556","title":": <i>Thomas Browne</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Legal principles and applications","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"History; Theology; Philosophy","score_opus":0.05983394968148842,"score_gpt":0.33162072634653983,"score_spread":0.2717867766650514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322706132","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00064278714,0.030100208,0.002445803,0.48970982,0.07338075,0.00011584118,0.0014460023,0.0016008992,0.40055788],"genre_scores_gemma":[0.005714793,0.010856134,0.0007942165,0.07760358,0.0095475465,0.0000791113,0.00044999865,0.0011575337,0.89379716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844164,0.00036477472,0.00007033507,0.00028249715,0.0006946931,0.00014596911],"domain_scores_gemma":[0.9949622,0.0014235161,0.0002455299,0.00020265387,0.0022965213,0.000869632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022084792,0.0009874104,0.0008664288,0.0016700736,0.003999651,0.0042449962,0.0011821565,0.0029506064,0.19478048],"category_scores_gemma":[0.013682199,0.00038938795,0.00036562243,0.0013425574,0.0013039421,0.004970811,0.00248331,0.0049466267,0.17893274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017552325,0.00000120667,0.000017415043,0.000016260496,4.0183934e-7,0.0000069154044,0.000068632464,0.0000025533611,0.000020961525,0.0010557366,0.99633276,0.0024752866],"study_design_scores_gemma":[0.0000011531212,0.0000018310435,0.00012349282,0.00005853065,0.0000010182355,0.000043843953,0.00027016926,0.000010727724,0.00006841628,0.0005493797,0.9988661,0.000005416285],"about_ca_topic_score_codex":0.015206163,"about_ca_topic_score_gemma":0.028651966,"teacher_disagreement_score":0.19478048,"about_ca_system_score_codex":0.002507279,"about_ca_system_score_gemma":0.002029841,"threshold_uncertainty_score":0.6516056},"labels":[],"label_agreement":null},{"id":"W2322753517","doi":"10.1086/686359","title":": <i>Masters and Students: Jesuit Mission Ethnography in Seventeenth-Century New France</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Queen (butterfly); Ethnography; Media studies; Art history; Art; History; Sociology; Archaeology","score_opus":0.018276096897711758,"score_gpt":0.30912822406205664,"score_spread":0.2908521271643449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322753517","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95607567,0.0020721827,0.0003817892,0.013087472,0.00017183118,0.000028509692,0.00018781994,0.000022829472,0.027971802],"genre_scores_gemma":[0.9823507,0.0010853809,0.00015554615,0.0008957455,0.0000758815,0.000032973257,0.00006409906,0.000019132149,0.015320542],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995484,0.00029589038,0.000014688799,0.000028707289,0.000046685447,0.00006563736],"domain_scores_gemma":[0.9991202,0.0005184758,0.000093125556,0.00002521807,0.00007929011,0.00016363055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016819639,0.00017767295,0.0001765183,0.0010435992,0.0048249755,0.0028470303,0.0004471735,0.0006913817,0.0054931855],"category_scores_gemma":[0.0025775922,0.0001224558,0.00009532469,0.0011363843,0.0031979564,0.0019086319,0.0017483075,0.0010303044,0.00028274485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012149083,0.000015797257,0.004080986,0.00003389282,0.0000021204394,0.0001354543,0.97697806,0.000019683383,0.00019117302,0.005005818,0.007295532,0.006229324],"study_design_scores_gemma":[0.0000014480698,0.000020616946,0.014498421,0.00010771584,0.0000029551552,0.00012755427,0.9310569,0.000032286935,0.00027775022,0.00056775333,0.05329931,0.0000072500775],"about_ca_topic_score_codex":0.08932451,"about_ca_topic_score_gemma":0.23052002,"teacher_disagreement_score":0.91067547,"about_ca_system_score_codex":0.0032712375,"about_ca_system_score_gemma":0.002132843,"threshold_uncertainty_score":0.17760915},"labels":[],"label_agreement":null},{"id":"W2322834434","doi":"10.1086/661819","title":": <i>“My Muse will have a story to paint”:Selected Prose of Ludovico Ariosto</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Index (typography); Art history; Humanities; Computer science","score_opus":0.04163578173742535,"score_gpt":0.2235395593656207,"score_spread":0.18190377762819535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322834434","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026789824,0.36527157,0.0009805391,0.04034214,0.025332121,0.00005892735,0.00073049817,0.00027918554,0.564326],"genre_scores_gemma":[0.11913736,0.12945858,0.0014502158,0.017984854,0.023049697,0.0002366988,0.00089331326,0.0010046343,0.70678467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955267,0.00018803087,0.000018313702,0.00006338206,0.00012412977,0.000053445936],"domain_scores_gemma":[0.9996728,0.0001458866,0.0000391576,0.000022572774,0.00006782377,0.000051817144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081402756,0.0015953174,0.0004989882,0.001562641,0.0028285081,0.003790332,0.0007078501,0.00095900614,0.02333572],"category_scores_gemma":[0.0012074509,0.00029523647,0.0002737326,0.001730419,0.0028941776,0.0028773819,0.0015776767,0.0020275407,0.010970597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031236537,0.00000706336,0.000060518567,0.00023241944,0.000004523888,0.00008956355,0.003136005,0.000032554166,0.0001449109,0.020899279,0.95753795,0.017823974],"study_design_scores_gemma":[0.0000019370787,0.0000040698837,0.00031033586,0.00015746384,0.0000016311634,0.000080896585,0.0006021083,0.000006873089,0.000067642315,0.0005737103,0.9981894,0.000004011791],"about_ca_topic_score_codex":0.0073456597,"about_ca_topic_score_gemma":0.018231753,"teacher_disagreement_score":0.02333572,"about_ca_system_score_codex":0.002896383,"about_ca_system_score_gemma":0.0010121115,"threshold_uncertainty_score":0.07806575},"labels":[],"label_agreement":null},{"id":"W2322964039","doi":"10.1086/686378","title":": <i>Cuckoldry, Impotence and Adultery in Europe (15th–17th Century)</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Modernity; Adultery; Publishing; Visual culture; History; Art history; Art; Theology; Philosophy; Literature; Political science; Law; Visual arts","score_opus":0.011612920166166135,"score_gpt":0.18831695725687533,"score_spread":0.1767040370907092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322964039","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051653646,0.94362515,0.00012614195,0.011459573,0.0031495003,0.000004394095,0.00008663766,0.00000892047,0.036374297],"genre_scores_gemma":[0.18889003,0.72026217,0.00040964078,0.0055978047,0.005834262,0.000024056231,0.00022310943,0.000044808236,0.07871422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996784,0.00010507686,0.00002100982,0.000054248503,0.000073874486,0.00006750093],"domain_scores_gemma":[0.999592,0.00015500476,0.0000688692,0.000021173017,0.00008998003,0.00007300349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000712093,0.00076018943,0.0004419096,0.0016957918,0.0020890725,0.003496055,0.00083071133,0.0016493408,0.009393332],"category_scores_gemma":[0.000721062,0.0002355579,0.00022456876,0.0034105808,0.0048542465,0.0030542794,0.0016555027,0.0012646146,0.0013802206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011225481,0.000051525036,0.0051511866,0.0016839484,0.000048878104,0.000599576,0.043789767,0.00013726964,0.000291794,0.10675213,0.66052294,0.18085875],"study_design_scores_gemma":[0.000008257717,0.000023152403,0.018378137,0.0026358247,0.000015066334,0.000586393,0.013910872,0.000027117741,0.0001890128,0.00483685,0.959368,0.0000213711],"about_ca_topic_score_codex":0.052361783,"about_ca_topic_score_gemma":0.119353734,"teacher_disagreement_score":0.052361783,"about_ca_system_score_codex":0.002913566,"about_ca_system_score_gemma":0.0014894323,"threshold_uncertainty_score":0.104113996},"labels":[],"label_agreement":null},{"id":"W2323054292","doi":"10.1086/676242","title":": <i>A Heinrich Schütz Reader: Letters and Documents in Translation</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"History; Classics; Art history","score_opus":0.019239557684673548,"score_gpt":0.3002932014698163,"score_spread":0.28105364378514275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323054292","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011001533,0.45144546,0.0033277832,0.23728035,0.10168437,0.00011365388,0.0006960364,0.0010568082,0.20329529],"genre_scores_gemma":[0.0130577525,0.13886791,0.0021161113,0.040940274,0.039644536,0.00010469982,0.0009831011,0.00062064163,0.7636649],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987974,0.0003530577,0.00008033081,0.00016228847,0.00049602956,0.00011084773],"domain_scores_gemma":[0.99767166,0.00104104,0.0001927237,0.00010790559,0.00066661456,0.00032006882],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014067147,0.0015199424,0.0008188893,0.0027369864,0.0021432524,0.007043991,0.0012756992,0.003149549,0.14085066],"category_scores_gemma":[0.0051046303,0.0005028673,0.00039314808,0.0031954388,0.0019003764,0.0077524185,0.0027152502,0.0027011724,0.115885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000108090235,0.000004232866,0.000026472982,0.00012205732,0.0000016119311,0.000025985295,0.00021808491,0.000010300093,0.00007698308,0.0015997028,0.97264814,0.02525562],"study_design_scores_gemma":[0.0000023141642,0.0000050188432,0.00018861936,0.00022057391,0.0000012444493,0.00009085235,0.00041812292,0.000016539698,0.000072042225,0.0012399565,0.99774003,0.0000047366157],"about_ca_topic_score_codex":0.0040724035,"about_ca_topic_score_gemma":0.0074610496,"teacher_disagreement_score":0.14085066,"about_ca_system_score_codex":0.0020022735,"about_ca_system_score_gemma":0.0019706956,"threshold_uncertainty_score":0.47119242},"labels":[],"label_agreement":null},{"id":"W2323114047","doi":"10.1086/679844","title":": <i>Instruments of the Divinity: Providence and Praxis in the Foundation of the Society of Jesus</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Divinity; Foundation (evidence); Praxis; Theology; Classics; History; Religious studies; Philosophy; Law; Political science; Archaeology","score_opus":0.018785693554323624,"score_gpt":0.21843076628516472,"score_spread":0.1996450727308411,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323114047","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017098445,0.77937984,0.0007189448,0.111895025,0.0090331035,0.000014325903,0.00013089762,0.000068476926,0.097049505],"genre_scores_gemma":[0.13709216,0.376718,0.0018891193,0.02782609,0.013820712,0.0000771564,0.0003050854,0.00037613662,0.4418955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994273,0.0002607859,0.000025755342,0.000059776663,0.00015700406,0.00006941241],"domain_scores_gemma":[0.9993703,0.00035928635,0.00006392553,0.000039144892,0.00008085492,0.00008639248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008501399,0.0008018559,0.0004215279,0.0011604449,0.0021803218,0.0043211393,0.0009020736,0.0025296586,0.018756239],"category_scores_gemma":[0.001966175,0.00034754255,0.00020393853,0.0018801212,0.0046835537,0.007596183,0.00211278,0.0030357072,0.004885086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004041173,0.000019120505,0.00021150478,0.00037524992,0.000006429027,0.00010140825,0.0067217816,0.000051546802,0.00020653318,0.06134811,0.87936646,0.051551424],"study_design_scores_gemma":[0.000006438852,0.000010213713,0.00088209077,0.0008750423,0.000004095653,0.00019388682,0.0048958077,0.000038907237,0.00017725784,0.01647093,0.9764355,0.000009919571],"about_ca_topic_score_codex":0.014793967,"about_ca_topic_score_gemma":0.040614687,"teacher_disagreement_score":0.018756239,"about_ca_system_score_codex":0.0026557397,"about_ca_system_score_gemma":0.0019235718,"threshold_uncertainty_score":0.06274587},"labels":[],"label_agreement":null},{"id":"W2323219010","doi":"10.1086/681416","title":": <i>Poison’s Dark Works in Renaissance England</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"The Renaissance; Content (measure theory); History; Theology; Art; Art history; Philosophy","score_opus":0.04017754337825007,"score_gpt":0.2409522644807812,"score_spread":0.2007747211025311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323219010","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59496194,0.031166622,0.0003155279,0.18753748,0.0022812579,0.000041946547,0.0013798053,0.00007011607,0.18224534],"genre_scores_gemma":[0.8922539,0.0044927546,0.00009587157,0.0041178167,0.000364558,0.000014778939,0.00016420137,0.00005663618,0.09843954],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99958104,0.00015490082,0.000016887692,0.000038384616,0.0000700932,0.00013868175],"domain_scores_gemma":[0.9992199,0.0003075413,0.00014376309,0.00005801307,0.00009282583,0.00017793594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009359863,0.00012646457,0.0002360172,0.0005702453,0.007583992,0.0029813063,0.00046072426,0.0015376682,0.026529213],"category_scores_gemma":[0.002012311,0.00023473172,0.000116287796,0.0014194248,0.006014928,0.002701221,0.0021435767,0.0019427837,0.001225798],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001537062,0.000037369668,0.008226265,0.0006237498,0.000012350846,0.002075402,0.6166009,0.000106641935,0.0005790608,0.12834004,0.2200014,0.023243146],"study_design_scores_gemma":[0.000012819014,0.000029873225,0.057524122,0.0003875953,0.000006828863,0.0004993898,0.22738744,0.000027612201,0.00020928461,0.0023889944,0.71150196,0.000024152378],"about_ca_topic_score_codex":0.29028875,"about_ca_topic_score_gemma":0.5919316,"teacher_disagreement_score":0.29028875,"about_ca_system_score_codex":0.0072347433,"about_ca_system_score_gemma":0.0037830523,"threshold_uncertainty_score":0.57719815},"labels":[],"label_agreement":null},{"id":"W2323386341","doi":"10.1086/685136","title":": <i>Dancing around the Well: The Circulation of Commonplaces in Renaissance Humanism</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Brill; Humanism; The Renaissance; Circulation (fluid dynamics); Intellectual history; Classics; History; Philosophy; Theology; Art history; Engineering","score_opus":0.05063455802557655,"score_gpt":0.24718930617248844,"score_spread":0.19655474814691187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323386341","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008257337,0.4675121,0.0010196216,0.33929235,0.0100826705,0.000018335746,0.00017468522,0.00012718234,0.17351572],"genre_scores_gemma":[0.43246156,0.2032912,0.0013759728,0.046375524,0.015990758,0.0000851912,0.00021443775,0.00038711232,0.29981825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922645,0.000428156,0.000020845364,0.0000672749,0.00015793381,0.00009926129],"domain_scores_gemma":[0.99898046,0.0005311424,0.00012855107,0.00008674955,0.00014039715,0.00013270535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012693264,0.00052749674,0.00032690636,0.0013653499,0.0040322943,0.00678944,0.0008298288,0.0023440577,0.0155630475],"category_scores_gemma":[0.0025946777,0.00028291636,0.00021290581,0.0026981414,0.010914047,0.013110137,0.0025100363,0.0030209078,0.002291812],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037851132,0.000017270577,0.00047203337,0.00025395947,0.000007676434,0.00014029322,0.029047776,0.000046520934,0.0001513644,0.1817799,0.7439374,0.044107974],"study_design_scores_gemma":[0.000006829759,0.000012278205,0.0016351657,0.000561861,0.0000059372956,0.00013236533,0.017833399,0.000029586367,0.00017304109,0.030610507,0.94898415,0.000014874492],"about_ca_topic_score_codex":0.023573717,"about_ca_topic_score_gemma":0.060798716,"teacher_disagreement_score":0.023573717,"about_ca_system_score_codex":0.003531885,"about_ca_system_score_gemma":0.0024632358,"threshold_uncertainty_score":0.052063584},"labels":[],"label_agreement":null},{"id":"W2323387968","doi":"10.1086/678846","title":": <i>The Christian Religion, as Professed by a Daughter of the Church of England</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Daughter; Classics; History; Theology; Political science; Art history; Law; Philosophy","score_opus":0.008983498302599875,"score_gpt":0.21203971853688616,"score_spread":0.2030562202342863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323387968","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031381212,0.76925826,0.00035796297,0.13489544,0.023277264,0.000018838953,0.0003875735,0.00006304049,0.06860356],"genre_scores_gemma":[0.11185673,0.41789386,0.0009026716,0.044279687,0.026403228,0.000076802346,0.00071110774,0.0002800403,0.39759594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995995,0.00016665559,0.000020155472,0.00004952171,0.00011724846,0.0000469639],"domain_scores_gemma":[0.99945897,0.00019592316,0.000073733005,0.000026370919,0.00012850267,0.00011640012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006352536,0.0008366988,0.00044081442,0.000985204,0.0018179623,0.004063002,0.00089021696,0.0018292625,0.022570211],"category_scores_gemma":[0.0017017841,0.00028327748,0.00014371562,0.0021880204,0.0024306295,0.0056260033,0.001998673,0.002325113,0.0067264517],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026052787,0.0000075505786,0.00037642094,0.0003546389,0.000003932955,0.0000922486,0.005813493,0.000012806832,0.00014316509,0.007684133,0.95829576,0.027189754],"study_design_scores_gemma":[0.000003753862,0.000008100521,0.0015218114,0.00061538623,0.00000331765,0.00024375001,0.006855401,0.000014644498,0.00011017564,0.0009825834,0.98963344,0.000007590238],"about_ca_topic_score_codex":0.024559792,"about_ca_topic_score_gemma":0.08089547,"teacher_disagreement_score":0.024559792,"about_ca_system_score_codex":0.0023234808,"about_ca_system_score_gemma":0.0016569304,"threshold_uncertainty_score":0.0755049},"labels":[],"label_agreement":null},{"id":"W2323471433","doi":"10.1086/660424","title":": <i>The Persistence of Presence: Emblem and Ritual in Baroque Spain</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Emblem; Baroque; Index (typography); Art; Art history; Humanities; Visual arts","score_opus":0.033773811801873804,"score_gpt":0.19865259251143488,"score_spread":0.16487878070956108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323471433","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053331433,0.82599777,0.00035441486,0.067359254,0.011543113,0.000013756613,0.00045879107,0.00006691066,0.08887276],"genre_scores_gemma":[0.25005776,0.5289318,0.0010085836,0.019252425,0.022744114,0.00008249219,0.0013066508,0.00034615106,0.17627004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996805,0.00012917987,0.000015087864,0.000038186583,0.00008376845,0.00005327755],"domain_scores_gemma":[0.99959606,0.0001179761,0.000079514044,0.000021598858,0.00010777062,0.00007714759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064275257,0.00076369493,0.0005424212,0.0012429944,0.0017220433,0.0049910354,0.0009941099,0.0012765,0.024845941],"category_scores_gemma":[0.0009864199,0.00023033866,0.00024057267,0.0030559113,0.0028881922,0.003319098,0.0018642099,0.0019044455,0.0043698754],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056418536,0.000026672249,0.0023102884,0.0011641774,0.000015327718,0.00012690274,0.009511032,0.00006830304,0.00014326087,0.014083264,0.8620804,0.11041393],"study_design_scores_gemma":[0.000009625674,0.000018854189,0.014267495,0.002003853,0.000010471654,0.00027600094,0.012113009,0.00002708543,0.00007769374,0.003186955,0.967992,0.0000170527],"about_ca_topic_score_codex":0.039487626,"about_ca_topic_score_gemma":0.07055814,"teacher_disagreement_score":0.039487626,"about_ca_system_score_codex":0.0025349353,"about_ca_system_score_gemma":0.0018386733,"threshold_uncertainty_score":0.0831179},"labels":[],"label_agreement":null},{"id":"W2323483341","doi":"10.1086/658534","title":": <i>Love in the Mirror</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Art; Media studies; Art history; Sociology; Computer science; World Wide Web","score_opus":0.01984339509561302,"score_gpt":0.3294744126905627,"score_spread":0.3096310175949497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323483341","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006259666,0.79074574,0.00047570397,0.10502086,0.02626645,0.000019885303,0.00023336921,0.00012765802,0.076484345],"genre_scores_gemma":[0.034342475,0.53913397,0.0010602062,0.04963539,0.029326469,0.00009595229,0.0004380309,0.00044391846,0.34552357],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995826,0.00016457113,0.000020006733,0.0000668939,0.00010799593,0.00005792979],"domain_scores_gemma":[0.9996203,0.00012625445,0.000045023076,0.00002399651,0.000098483695,0.0000859176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005805356,0.0014571513,0.0006310308,0.0017383338,0.0018424726,0.0034140411,0.0010738509,0.0020031626,0.04398327],"category_scores_gemma":[0.0011844086,0.0004289894,0.00034992228,0.0019681137,0.0019653994,0.0059923665,0.0019583222,0.0033338827,0.022007331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011126734,0.0000041969097,0.00008904482,0.0002068209,0.0000032354405,0.000037146,0.0011178392,0.000008808243,0.000047352678,0.004716818,0.96857774,0.025179952],"study_design_scores_gemma":[0.0000033802705,0.0000068683307,0.00067784084,0.0004805688,0.0000033921222,0.00025237148,0.0011539796,0.000011546074,0.00006784484,0.0021533142,0.9951827,0.000006154313],"about_ca_topic_score_codex":0.013024424,"about_ca_topic_score_gemma":0.031758726,"teacher_disagreement_score":0.04398327,"about_ca_system_score_codex":0.002117214,"about_ca_system_score_gemma":0.0010081346,"threshold_uncertainty_score":0.14713871},"labels":[],"label_agreement":null},{"id":"W2323520928","doi":"10.1086/677522","title":": <i>Shakespeare’s Theatre and the Effects of Performance</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Stern; Art; Art history; Performance art; Humanities; History; Ancient history","score_opus":0.0063093360507273655,"score_gpt":0.18129408155654014,"score_spread":0.17498474550581278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323520928","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022261522,0.8302456,0.001612671,0.032469828,0.009287337,0.00001892214,0.0001405507,0.00009866331,0.123900354],"genre_scores_gemma":[0.13202883,0.46292785,0.001594173,0.008200772,0.009334442,0.0000865027,0.00038195658,0.0003305606,0.38511494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991565,0.00040267475,0.00003724328,0.000071318136,0.00024272031,0.000089559],"domain_scores_gemma":[0.99907994,0.00043022618,0.000087462155,0.00006505837,0.00020249038,0.00013485872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011923868,0.0013612075,0.0006482228,0.0014842913,0.002546316,0.007142921,0.0010403031,0.0021526138,0.027280813],"category_scores_gemma":[0.002505114,0.0005096622,0.0003482437,0.0024935838,0.0048941784,0.008230324,0.002195629,0.0025502695,0.008840086],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007729811,0.00002845361,0.00034559684,0.0007221613,0.000015341771,0.00012871517,0.009013434,0.00010851999,0.0002349571,0.032002367,0.8567848,0.1005383],"study_design_scores_gemma":[0.0000071476325,0.000017091425,0.0017601547,0.0011211256,0.000010449204,0.00025782152,0.0056821387,0.000050009305,0.00021080843,0.010614838,0.9802514,0.000016922682],"about_ca_topic_score_codex":0.024224916,"about_ca_topic_score_gemma":0.03921218,"teacher_disagreement_score":0.027280813,"about_ca_system_score_codex":0.0027895574,"about_ca_system_score_gemma":0.0030040615,"threshold_uncertainty_score":0.09126341},"labels":[],"label_agreement":null},{"id":"W2323621276","doi":"10.1086/675137","title":": <i>Order and Disorder: The Poor Clares between Foundation and Reform</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Brill; Foundation (evidence); Order (exchange); Content (measure theory); History; Theology; Classics; Philosophy; Economics; Archaeology; Mathematics; Finance","score_opus":0.013141134522703808,"score_gpt":0.2083824996906664,"score_spread":0.19524136516796262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323621276","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02819707,0.0108988425,0.0011672473,0.62507313,0.0020506138,0.000013742219,0.00048010735,0.0000735306,0.3320457],"genre_scores_gemma":[0.8636641,0.006067138,0.00069427694,0.054252934,0.0017531151,0.00003072677,0.00017885209,0.00012271499,0.07323599],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905413,0.00048415211,0.000029151226,0.00010462129,0.00014081919,0.00018718903],"domain_scores_gemma":[0.998166,0.0010067536,0.000219322,0.00017341296,0.00023414087,0.00020034963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019909958,0.00019598333,0.00017903686,0.0009002168,0.004882407,0.00711731,0.0004907886,0.0024162014,0.014159706],"category_scores_gemma":[0.0055613476,0.00011693339,0.00017770345,0.0014398174,0.012942476,0.0076411315,0.0022292582,0.0036480993,0.0013413547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027568592,0.000005936482,0.0011828633,0.00007455427,0.0000046429986,0.000073629075,0.026635773,0.000043409887,0.000108886255,0.7564606,0.20435062,0.011031503],"study_design_scores_gemma":[0.000008196846,0.000016209908,0.0075540617,0.00052146293,0.0000110141045,0.00023925403,0.053831927,0.0001203831,0.00051764696,0.16226968,0.7748864,0.000023778786],"about_ca_topic_score_codex":0.026044834,"about_ca_topic_score_gemma":0.05538213,"teacher_disagreement_score":0.026044834,"about_ca_system_score_codex":0.0038108497,"about_ca_system_score_gemma":0.0030441426,"threshold_uncertainty_score":0.051786482},"labels":[],"label_agreement":null},{"id":"W2323631861","doi":"10.1086/668379","title":": <i> <i>Kissing the Wild Woman: Concepts of Art, Beauty, and the Italian Prose Romance in Giulia Bigolina’s</i> Urania </i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Beauty; Art; Art history; History; Literature; Aesthetics","score_opus":0.011942266459317986,"score_gpt":0.2797009781558173,"score_spread":0.2677587116964993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323631861","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02640206,0.43876448,0.00056839007,0.13816161,0.0054768454,0.000023814677,0.000091342015,0.00005499094,0.39045644],"genre_scores_gemma":[0.7043568,0.093621634,0.0006987234,0.016590402,0.005765092,0.00008227416,0.000089116336,0.00017327428,0.17862272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935144,0.0004246131,0.000010613247,0.00004593455,0.00007271683,0.00009468662],"domain_scores_gemma":[0.9996867,0.00016211758,0.000048689708,0.000019585936,0.000026289861,0.0000564832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010289875,0.0010941238,0.0003577411,0.0010152758,0.0042937943,0.0041165743,0.0006255038,0.0017697671,0.005423331],"category_scores_gemma":[0.0010330796,0.0003091304,0.00023755281,0.0014015303,0.008207438,0.0047533475,0.0015569533,0.0020475276,0.0013324895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010315668,0.000035823126,0.0010936941,0.00040880195,0.0000113222695,0.0004736059,0.15581077,0.00009089075,0.00026849838,0.29116455,0.51083076,0.039708182],"study_design_scores_gemma":[0.000012322117,0.000020533425,0.003435324,0.00051305816,0.0000074524046,0.0005657805,0.029276237,0.00004697369,0.00013575683,0.013654418,0.9523154,0.000016723337],"about_ca_topic_score_codex":0.013022549,"about_ca_topic_score_gemma":0.045675017,"teacher_disagreement_score":0.013022549,"about_ca_system_score_codex":0.0028129593,"about_ca_system_score_gemma":0.001048233,"threshold_uncertainty_score":0.02589351},"labels":[],"label_agreement":null},{"id":"W2323719953","doi":"10.1086/682540","title":": <i>Spectacular Performances: Essays on Theatre, Imagery, Books, and Selves in Early Modern England</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Performance art; Art history; Content (measure theory); Media studies; Visual arts; Art; Sociology","score_opus":0.02779617039453597,"score_gpt":0.2253035059806579,"score_spread":0.19750733558612193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323719953","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16409394,0.069359906,0.000846538,0.13230632,0.0054512103,0.0000269242,0.00030844074,0.00004898847,0.6275577],"genre_scores_gemma":[0.7744357,0.012459514,0.00020046358,0.0037806197,0.0016115621,0.000026096464,0.00008425962,0.00007445153,0.20732734],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939895,0.00036979502,0.000015657859,0.000044594417,0.00009415004,0.00007693842],"domain_scores_gemma":[0.99832493,0.0011001814,0.0001238373,0.00006639149,0.00015022948,0.00023436583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012964328,0.00042794953,0.0002517363,0.0007466598,0.006926958,0.00458046,0.00049702986,0.0014536068,0.016906565],"category_scores_gemma":[0.0039238483,0.0001631864,0.00012063307,0.0011553669,0.010328732,0.0036500217,0.0023439408,0.0026992552,0.0012567843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007640055,0.000038821814,0.0015946237,0.00036727882,0.0000098879045,0.00042047366,0.52467847,0.00008686544,0.0004115831,0.13975787,0.31265444,0.019903295],"study_design_scores_gemma":[0.00000791965,0.000025373227,0.008075559,0.0008248385,0.000006650817,0.00023750046,0.28285754,0.000035803456,0.0003464058,0.0047514094,0.7028172,0.0000137897],"about_ca_topic_score_codex":0.018609645,"about_ca_topic_score_gemma":0.067455225,"teacher_disagreement_score":0.018609645,"about_ca_system_score_codex":0.0036168501,"about_ca_system_score_gemma":0.0010379732,"threshold_uncertainty_score":0.056558073},"labels":[],"label_agreement":null},{"id":"W2323740410","doi":"10.1086/665873","title":": <i>The Chronicle of Le Murate</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Series (stratigraphy); Art; Art history; Media studies; Sociology; Geology","score_opus":0.008176185155210978,"score_gpt":0.23096805962407238,"score_spread":0.2227918744688614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323740410","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00095434685,0.62400705,0.0005506356,0.17175053,0.05839478,0.000030130892,0.00080777804,0.00017496067,0.14332972],"genre_scores_gemma":[0.042540144,0.3280302,0.0008367812,0.050903194,0.064234726,0.000175658,0.0013902552,0.0006213539,0.51126766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999373,0.00020729318,0.00003674139,0.00010197817,0.00018323975,0.00009778697],"domain_scores_gemma":[0.9988432,0.0003678947,0.00015982165,0.00005926285,0.00032329382,0.0002465725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007455518,0.0011318582,0.0006583086,0.0019448022,0.0024194033,0.003957354,0.001044358,0.0026018869,0.053083763],"category_scores_gemma":[0.002197944,0.0003335283,0.00021164023,0.0028667743,0.0022296123,0.0060464414,0.0023962827,0.0029580307,0.021360116],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007722598,0.0000028227394,0.00006818943,0.00012052961,8.6556287e-7,0.00002568182,0.00056193466,0.0000055788855,0.000026643942,0.005238787,0.98448783,0.009453479],"study_design_scores_gemma":[0.0000013455193,0.0000028435788,0.00028272872,0.00021619051,6.724534e-7,0.00006823938,0.00040374053,0.000005528563,0.0000226766,0.0005094932,0.9984836,0.0000030590559],"about_ca_topic_score_codex":0.027782595,"about_ca_topic_score_gemma":0.061081786,"teacher_disagreement_score":0.053083763,"about_ca_system_score_codex":0.0033954147,"about_ca_system_score_gemma":0.0022679877,"threshold_uncertainty_score":0.17758286},"labels":[],"label_agreement":null},{"id":"W2323873960","doi":"10.1086/664171","title":": <i>What Else Is Pastoral? Renaissance Literature and the Environment</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Index (typography); The Renaissance; Content (measure theory); Art; Art history; History; Theology; Media studies; Sociology; Philosophy; Computer science; World Wide Web; Mathematics","score_opus":0.026049231224264644,"score_gpt":0.20070930246755575,"score_spread":0.1746600712432911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323873960","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05803354,0.12811804,0.0009219898,0.4044252,0.0033119665,0.000010827855,0.00017403201,0.00003774934,0.40496668],"genre_scores_gemma":[0.89616644,0.03497691,0.00037004479,0.011729404,0.0015090585,0.000011094522,0.000057170117,0.00003342816,0.055146508],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991702,0.0005931313,0.000013889555,0.000053486714,0.00006762044,0.00010168859],"domain_scores_gemma":[0.99944395,0.00025509475,0.00007344311,0.00006504646,0.00008563653,0.0000767892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017386755,0.00016105163,0.00019864923,0.00053698535,0.004236002,0.0052073817,0.00042240517,0.001378635,0.011927862],"category_scores_gemma":[0.0020099336,0.00008590295,0.00013609303,0.0014296698,0.010705837,0.004466077,0.0013718087,0.0017785982,0.00091232033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002604696,0.0000145998065,0.0013050268,0.00025333551,0.0000074228233,0.00015200529,0.040881854,0.000052950047,0.0001395664,0.87504685,0.062687345,0.019432979],"study_design_scores_gemma":[0.0000053443973,0.000020528474,0.0060270294,0.0010156296,0.000008701343,0.00022075832,0.055543143,0.000052386313,0.00021895597,0.060970977,0.87590134,0.0000152265575],"about_ca_topic_score_codex":0.0098092565,"about_ca_topic_score_gemma":0.026296385,"teacher_disagreement_score":0.011927862,"about_ca_system_score_codex":0.002818293,"about_ca_system_score_gemma":0.0015518714,"threshold_uncertainty_score":0.039902687},"labels":[],"label_agreement":null},{"id":"W2323884758","doi":"10.1086/662897","title":": <i>Saints’ Lives and Bible Stories for the Stage</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Append; The Renaissance; Index (typography); History; Art; Art history; Computer science","score_opus":0.08419845899701642,"score_gpt":0.33403275295847135,"score_spread":0.24983429396145493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323884758","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008780871,0.5150527,0.00071776274,0.10234238,0.01607088,0.00002707007,0.001107393,0.00020172299,0.3556993],"genre_scores_gemma":[0.32223758,0.19718009,0.0014758101,0.015632184,0.016457567,0.00007888868,0.001668655,0.0003884289,0.44488072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967325,0.00015760351,0.000013055508,0.000030785563,0.000083100414,0.000042207485],"domain_scores_gemma":[0.9994585,0.00021704895,0.0000794962,0.00004132126,0.00010307912,0.00010064674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004687738,0.00063417776,0.0002550874,0.0012967002,0.0022239191,0.0041630645,0.00056311715,0.00092957675,0.021143181],"category_scores_gemma":[0.0017907575,0.00023817424,0.00015065329,0.002258423,0.002368747,0.003685012,0.0015544232,0.0015093969,0.0049443883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024873278,0.0000074661893,0.00027242932,0.00025859915,0.0000051014335,0.000070844,0.013795617,0.00001650491,0.000126302,0.03109028,0.9226857,0.031646308],"study_design_scores_gemma":[0.0000027790031,0.000006391424,0.0021641941,0.0003186313,0.0000032306061,0.00011018967,0.0045274096,0.000015007082,0.00011104882,0.0023345416,0.99040157,0.0000049550063],"about_ca_topic_score_codex":0.014463021,"about_ca_topic_score_gemma":0.039428793,"teacher_disagreement_score":0.021143181,"about_ca_system_score_codex":0.002657492,"about_ca_system_score_gemma":0.0010336929,"threshold_uncertainty_score":0.070730925},"labels":[],"label_agreement":null},{"id":"W2324127429","doi":"10.1086/658559","title":": <i>Vérité et fiction dans les entrées solennelles à la Renaissance et à l’Âge classique</i>","year":2010,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; The Renaissance; Humanities; Art history","score_opus":0.01832980139403284,"score_gpt":0.24875044273157457,"score_spread":0.23042064133754173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324127429","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055801705,0.7730348,0.0006470238,0.07092148,0.012742616,0.000020078116,0.00035960422,0.00009173651,0.13660248],"genre_scores_gemma":[0.15142559,0.31630883,0.0014396494,0.013585273,0.0072910166,0.00006469793,0.0005946128,0.0003328202,0.50895745],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99911684,0.0002580714,0.000027675547,0.0000924216,0.00036241245,0.00014261491],"domain_scores_gemma":[0.9990062,0.00041930363,0.000090291585,0.00005826861,0.00032439426,0.00010150691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013474226,0.0010357472,0.000599429,0.0021742668,0.006547101,0.0052727913,0.0013194123,0.001781495,0.014742286],"category_scores_gemma":[0.002446371,0.00037335296,0.00028623885,0.0047084126,0.008359205,0.0045943563,0.0018127208,0.0026651693,0.0031227681],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030207892,0.0000089489495,0.0004442537,0.00043678173,0.000009427435,0.00020929355,0.02303077,0.000070758506,0.00021018164,0.04853906,0.86913866,0.057871576],"study_design_scores_gemma":[0.0000023068667,0.000003112635,0.0021410852,0.0005494676,0.0000037375637,0.00010618658,0.0053961105,0.000021681146,0.00009259849,0.0020927258,0.9895829,0.000008110015],"about_ca_topic_score_codex":0.6017145,"about_ca_topic_score_gemma":0.8167621,"teacher_disagreement_score":0.6017145,"about_ca_system_score_codex":0.02225016,"about_ca_system_score_gemma":0.014867979,"threshold_uncertainty_score":0.80126214},"labels":[],"label_agreement":null},{"id":"W2324243801","doi":"10.1086/685184","title":": <i>England’s Fortress: New Perspectives on Thomas, 3rd Lord Fairfax</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Tyndale University","funders":"","keywords":"Fortress (chess); Publishing; History; Law and economics; Art; Sociology; Ancient history; Literature","score_opus":0.0530525671692608,"score_gpt":0.2520673940605082,"score_spread":0.19901482689124741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324243801","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006106289,0.06438437,0.00026086753,0.7986419,0.01515983,0.000014284651,0.00016652253,0.00004315862,0.1152228],"genre_scores_gemma":[0.18971819,0.02193138,0.0003432363,0.26999804,0.0069981446,0.000042527416,0.00009469112,0.00015722642,0.5107166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863017,0.00051448966,0.00004932877,0.00010782206,0.00033978053,0.0003584795],"domain_scores_gemma":[0.9981869,0.0008503627,0.00012333793,0.00006812386,0.00034067454,0.0004305516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025308465,0.00044783507,0.00038691692,0.000592473,0.013645613,0.006906752,0.0010118792,0.006866411,0.028488252],"category_scores_gemma":[0.0053245807,0.00034372148,0.00031874317,0.0011314965,0.0071460195,0.00660161,0.0029989162,0.007168658,0.0036399344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018744617,0.0000045482875,0.00021904074,0.00006067166,0.0000021702588,0.00024662667,0.010972994,0.0000113737515,0.000063576255,0.034269236,0.94943804,0.004692919],"study_design_scores_gemma":[0.000004067231,0.0000052804176,0.0012968951,0.00022293862,0.000002814912,0.00012633651,0.015918367,0.000009385233,0.00007136754,0.002519299,0.9798086,0.000014629199],"about_ca_topic_score_codex":0.18751389,"about_ca_topic_score_gemma":0.50578463,"teacher_disagreement_score":0.18751389,"about_ca_system_score_codex":0.008902006,"about_ca_system_score_gemma":0.0062198155,"threshold_uncertainty_score":0.37284487},"labels":[],"label_agreement":null},{"id":"W2324470114","doi":"10.2307/1262344","title":": <i>Dans les miroirs de l'écriture: la réflexivité chez les femmes écrivains d'Ancien Régime</i>","year":2002,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03238382707457075,"score_gpt":0.24171041090725454,"score_spread":0.2093265838326838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324470114","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020870125,0.7143658,0.0016508392,0.11516026,0.0059128073,0.00002699035,0.00018204027,0.00006472573,0.14176638],"genre_scores_gemma":[0.40131184,0.28864065,0.0024730067,0.014785448,0.0031513174,0.00013506158,0.00020631368,0.00015523307,0.28914112],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889225,0.00063184684,0.000032065953,0.0000924441,0.00019244877,0.00015902186],"domain_scores_gemma":[0.9994168,0.0002906953,0.00009641104,0.000020554538,0.00010450459,0.000071055496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014637295,0.0005989927,0.00032403617,0.0008387359,0.003507263,0.0040375753,0.0008314284,0.00222361,0.01901443],"category_scores_gemma":[0.002268156,0.00029790422,0.00026066863,0.0013800944,0.0049180537,0.0044562994,0.00189256,0.002518496,0.0034168423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009420064,0.00004283618,0.0023633407,0.0010488096,0.000019330882,0.00069166464,0.23164111,0.000055282297,0.00095884554,0.07689276,0.49837968,0.18781222],"study_design_scores_gemma":[0.00000572149,0.000021686888,0.004240939,0.0011668957,0.0000059662952,0.00038405161,0.042747516,0.000018811068,0.00030848794,0.004883144,0.94620353,0.000013265794],"about_ca_topic_score_codex":0.03402975,"about_ca_topic_score_gemma":0.05830494,"teacher_disagreement_score":0.03402975,"about_ca_system_score_codex":0.0022687614,"about_ca_system_score_gemma":0.003124645,"threshold_uncertainty_score":0.06766337},"labels":[],"label_agreement":null},{"id":"W2324474183","doi":"10.2307/1512555","title":": <i>Tough Love: Amazon Encounters in the English Renaissance</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"The Renaissance; History; Theology; Art history; Media studies; Art; Religious studies; Classics; Sociology; Philosophy","score_opus":0.027513427298420264,"score_gpt":0.28987503497525424,"score_spread":0.262361607676834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324474183","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00961088,0.73184276,0.00020113288,0.16383785,0.0050324528,0.000021674714,0.00020916085,0.00004252125,0.08920155],"genre_scores_gemma":[0.24479385,0.4336757,0.0006923554,0.027649414,0.008315395,0.00005685508,0.00028138963,0.00017009815,0.28436503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996525,0.00015783006,0.000018738468,0.000037740858,0.00007570379,0.000057515455],"domain_scores_gemma":[0.9995834,0.000165397,0.000050128503,0.000014191091,0.000058331927,0.00012845139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076188217,0.000533144,0.00026525735,0.0007436114,0.0025616738,0.0035946697,0.00057931873,0.0012299371,0.022422796],"category_scores_gemma":[0.0012228696,0.00028171696,0.00012976996,0.0018870886,0.0023215108,0.006145141,0.0014559771,0.0017073009,0.0031885142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035442183,0.000022626087,0.0012837716,0.0006525399,0.000009199347,0.000409652,0.061824117,0.000018356255,0.00026953954,0.024690999,0.8589227,0.051861055],"study_design_scores_gemma":[0.0000051176658,0.000008870965,0.004986101,0.00031636283,0.000004237914,0.0002543793,0.025806753,0.000010741098,0.00007015787,0.0014372073,0.96709275,0.000007242522],"about_ca_topic_score_codex":0.048560012,"about_ca_topic_score_gemma":0.18268214,"teacher_disagreement_score":0.048560012,"about_ca_system_score_codex":0.0020562743,"about_ca_system_score_gemma":0.0015908957,"threshold_uncertainty_score":0.096554756},"labels":[],"label_agreement":null},{"id":"W2324475511","doi":"10.1086/662902","title":": <i>Celinda, A Tragedy</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Tragedy (event); Art; Art history; Literature; Computer science","score_opus":0.06463563031652102,"score_gpt":0.308903313894909,"score_spread":0.24426768357838796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324475511","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012293202,0.8456791,0.00035937122,0.083194375,0.018114345,0.000009403595,0.00021261824,0.00009190164,0.051109586],"genre_scores_gemma":[0.098378785,0.49058786,0.0015333383,0.044783607,0.031289402,0.00008816653,0.0009172569,0.00040949765,0.33201203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996526,0.00009959935,0.000015284824,0.00007727471,0.00008943095,0.00006583485],"domain_scores_gemma":[0.9997008,0.00009981953,0.00005597099,0.000020040208,0.00007110537,0.000052222822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046288897,0.0013992931,0.0006000755,0.0017650302,0.001794539,0.0051246625,0.0011768092,0.0021733937,0.0305812],"category_scores_gemma":[0.001073472,0.00034749287,0.00025054484,0.0034277872,0.0019606086,0.00572941,0.0018943723,0.002859347,0.011425171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033796612,0.00001035592,0.00037167163,0.00041658728,0.00000814503,0.00006822951,0.0022421977,0.000025572892,0.00013723584,0.016213706,0.91988665,0.060585897],"study_design_scores_gemma":[0.0000032054506,0.000005217101,0.0008546687,0.0003945614,0.0000027890633,0.00014529984,0.00112153,0.000015384094,0.000074546915,0.001941276,0.9954365,0.0000050224644],"about_ca_topic_score_codex":0.013262527,"about_ca_topic_score_gemma":0.024326028,"teacher_disagreement_score":0.0305812,"about_ca_system_score_codex":0.002849342,"about_ca_system_score_gemma":0.001481039,"threshold_uncertainty_score":0.10230434},"labels":[],"label_agreement":null},{"id":"W2324717163","doi":"10.1086/678812","title":": <i>Pregnancy and Birth in Early Modern France: Treatises by Caring Physicians and Surgeons (1581–1625)</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Early modern Europe; Medicine; History; Classics; Art history","score_opus":0.020182465199947347,"score_gpt":0.22425288576429103,"score_spread":0.20407042056434369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324717163","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001952598,0.94743913,0.00009665024,0.026742361,0.0045963186,0.0000043458963,0.000038963513,0.0000109364855,0.019118799],"genre_scores_gemma":[0.14135404,0.7447484,0.0005855226,0.018251779,0.01893065,0.000056105255,0.00011994647,0.000044785687,0.07590871],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9988777,0.00053116755,0.000068838366,0.00009758808,0.0002408389,0.00018386016],"domain_scores_gemma":[0.99944097,0.00024100319,0.00012862247,0.000017906634,0.00008398655,0.000087440545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015846813,0.0009922216,0.00047629335,0.00246674,0.0032810378,0.0026547054,0.00076146,0.0030328382,0.0058454922],"category_scores_gemma":[0.0016695474,0.00030298266,0.00039778493,0.002334688,0.0061944746,0.0023460768,0.002077394,0.0023349195,0.0010715363],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009403458,0.00003346705,0.0018107481,0.001146731,0.000026456595,0.00096073956,0.06106926,0.00019401754,0.00020228942,0.13198002,0.68456066,0.117921606],"study_design_scores_gemma":[0.000007173985,0.00002199768,0.004257318,0.001379794,0.000005933777,0.00064027286,0.007031465,0.000019983327,0.00008302748,0.003671485,0.98286384,0.000017555718],"about_ca_topic_score_codex":0.061446678,"about_ca_topic_score_gemma":0.0785928,"teacher_disagreement_score":0.061446678,"about_ca_system_score_codex":0.008325619,"about_ca_system_score_gemma":0.0057404353,"threshold_uncertainty_score":0.12217802},"labels":[],"label_agreement":null},{"id":"W2324721348","doi":"10.1086/676191","title":": <i>From Kant to Croce: Modern Philosophy in Italy, 1800–1950</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art history; Media studies; History; Art; Classics; Sociology","score_opus":0.024388099311492724,"score_gpt":0.23412847215781576,"score_spread":0.20974037284632305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324721348","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001051304,0.92116535,0.0006737618,0.027409539,0.0048122522,0.0000065435947,0.00009251533,0.00006075595,0.044727843],"genre_scores_gemma":[0.069159016,0.7664666,0.0020060865,0.011783579,0.020845631,0.000075983044,0.00037456848,0.00024940437,0.12903912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994092,0.00022215782,0.00003138614,0.00007499404,0.0001689828,0.00009335117],"domain_scores_gemma":[0.99949205,0.00024071828,0.000076283846,0.000039552448,0.0000822067,0.00006919132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010125653,0.0012705468,0.0006777143,0.002837366,0.0015596397,0.004963429,0.0010394804,0.0020376677,0.01668529],"category_scores_gemma":[0.001690441,0.00055361673,0.00041981417,0.0048444625,0.005033818,0.0076132757,0.0017579476,0.0029061837,0.005571066],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005523217,0.000021653044,0.00063517684,0.0006104616,0.000013016052,0.00008139977,0.004746825,0.00010654627,0.00009659706,0.048829734,0.8465352,0.09826806],"study_design_scores_gemma":[0.0000081848375,0.000009133294,0.0029446555,0.0009673111,0.000009220092,0.00017012325,0.0011385321,0.000043679305,0.00010912701,0.013888558,0.9806996,0.000011880454],"about_ca_topic_score_codex":0.01677605,"about_ca_topic_score_gemma":0.028080521,"teacher_disagreement_score":0.01677605,"about_ca_system_score_codex":0.005634784,"about_ca_system_score_gemma":0.0036632998,"threshold_uncertainty_score":0.055817842},"labels":[],"label_agreement":null},{"id":"W2324805503","doi":"10.2307/1262316","title":"Reading Jerome in the Renaissance: Erasmus' Reception of the \"Adversus Jovinianum\"","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Erasmus+; The Renaissance; Virginity test; SAINT; Exegesis; Reading (process); Renaissance literature; Criticism; Literature; Classics; Art; Philosophy; Art history; Psychoanalysis; Psychology; Linguistics","score_opus":0.037748082103171675,"score_gpt":0.2285915626544205,"score_spread":0.1908434805512488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324805503","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21691243,0.101238124,0.0037423929,0.2510443,0.03121413,0.000041323183,0.000082541796,0.00026295573,0.39546177],"genre_scores_gemma":[0.89692736,0.0083892215,0.0006323747,0.0074432655,0.0070057237,0.000013021339,0.000013358843,0.00017093253,0.079404786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890065,0.00071037596,0.000019773845,0.00007874479,0.0001983849,0.00009204979],"domain_scores_gemma":[0.99843043,0.0010768351,0.00013412253,0.00006700561,0.00016141801,0.00013021514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019990401,0.0003663017,0.00027247058,0.00087264145,0.0048642238,0.0038104008,0.00044710826,0.0012700314,0.0026029488],"category_scores_gemma":[0.0067256135,0.00016214952,0.00010843476,0.0005896945,0.008335632,0.0020615023,0.0017331913,0.0037135335,0.00034747165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014234098,0.000029213536,0.000785517,0.0002689354,0.000014524776,0.0010181174,0.2752061,0.00017537476,0.0012582021,0.5038423,0.18474832,0.032511048],"study_design_scores_gemma":[0.0000069446264,0.000029343028,0.0011176785,0.00016038964,0.000006270711,0.0002691172,0.01753391,0.00010821934,0.0007312819,0.0072465255,0.9727773,0.000013061234],"about_ca_topic_score_codex":0.004549935,"about_ca_topic_score_gemma":0.012646621,"teacher_disagreement_score":0.0048642238,"about_ca_system_score_codex":0.003003893,"about_ca_system_score_gemma":0.0012289148,"threshold_uncertainty_score":0.021794915},"labels":[],"label_agreement":null},{"id":"W2324822426","doi":"10.1086/671669","title":": <i> Corps et interprétation (XVI <sup>e</sup> –XVIII <sup>e</sup> siècles) </i>","year":2013,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Physics; Content (measure theory); Philosophy; Mathematics","score_opus":0.020698419789781788,"score_gpt":0.2949051171424251,"score_spread":0.27420669735264336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324822426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0055238865,0.08445272,0.006057971,0.054205384,0.0413679,0.00007583014,0.00275472,0.00080802606,0.8047536],"genre_scores_gemma":[0.19133633,0.047672722,0.006032225,0.00654735,0.032694727,0.00022023263,0.002060337,0.0019795946,0.7114566],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9991522,0.0003761135,0.000044413784,0.00010712285,0.00024161027,0.000078650985],"domain_scores_gemma":[0.99896777,0.00054946414,0.00008659751,0.00008827602,0.00021894582,0.00008896313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012366929,0.0008450694,0.0004923942,0.0024827407,0.0021606332,0.0062082047,0.0006011927,0.0020302972,0.10376791],"category_scores_gemma":[0.003817314,0.00030645277,0.00042537562,0.0027948243,0.0033626598,0.0034411063,0.0014298515,0.0031250697,0.023842018],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009185919,0.000010477306,0.0004542915,0.0003732071,0.000010984962,0.00013178038,0.0031759334,0.000076114884,0.00042138365,0.20958652,0.73042643,0.055241037],"study_design_scores_gemma":[0.0000074578106,0.0000082442175,0.0020943093,0.0002529584,0.0000032748358,0.00016659505,0.0008557541,0.00004492847,0.0003272454,0.005591743,0.99063814,0.000009448574],"about_ca_topic_score_codex":0.016346367,"about_ca_topic_score_gemma":0.01819365,"teacher_disagreement_score":0.10376791,"about_ca_system_score_codex":0.0029459961,"about_ca_system_score_gemma":0.0011651897,"threshold_uncertainty_score":0.34713823},"labels":[],"label_agreement":null},{"id":"W2324875244","doi":"10.1086/668384","title":": <i>Cervantes, Literature, and the Discourse of Politics</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Media studies; History; Sociology; Political science; Law","score_opus":0.011798653815778576,"score_gpt":0.22895572849285525,"score_spread":0.21715707467707668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324875244","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011140181,0.83446777,0.0007681492,0.0730519,0.0075184065,0.000014777937,0.0001177064,0.00006043062,0.082886815],"genre_scores_gemma":[0.10858639,0.6167469,0.0022052822,0.038138255,0.029889675,0.00012864187,0.0004694435,0.00047452757,0.20336083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990984,0.0004748978,0.00003310718,0.00011758969,0.00020097136,0.000075093005],"domain_scores_gemma":[0.9981527,0.0011786998,0.00016765464,0.00008402578,0.00027857762,0.0001383996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012335347,0.0013904878,0.000610038,0.0034945686,0.0029138085,0.008460682,0.0012666121,0.0030713943,0.02143239],"category_scores_gemma":[0.0037066012,0.0004950921,0.00030405505,0.005178573,0.0055978084,0.009650964,0.0028729364,0.0036668552,0.0063147205],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050839928,0.000017359054,0.00043291072,0.0008993246,0.0000131998,0.00014596454,0.01484507,0.000053299707,0.00018161633,0.114171624,0.80664974,0.062539],"study_design_scores_gemma":[0.000008054803,0.00000678388,0.0006945086,0.0013580156,0.000008266314,0.00021521954,0.00644342,0.0000423143,0.00013025396,0.020947134,0.97013634,0.000009741027],"about_ca_topic_score_codex":0.018203752,"about_ca_topic_score_gemma":0.029202392,"teacher_disagreement_score":0.02143239,"about_ca_system_score_codex":0.0037991721,"about_ca_system_score_gemma":0.0023467757,"threshold_uncertainty_score":0.07169855},"labels":[],"label_agreement":null},{"id":"W2325151843","doi":"10.1086/679812","title":": <i>Nothing Natural Is Shameful: Sodomy and Science in Late Medieval Europe</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bishop's University","funders":"","keywords":"Sodomy; Nothing; Middle Ages; History; Natural (archaeology); Ancient history; Sociology; Philosophy; Archaeology; Gender studies; Homosexuality","score_opus":0.014034297121775717,"score_gpt":0.27376350195575844,"score_spread":0.2597292048339827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325151843","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017437162,0.7893834,0.00026529684,0.15379697,0.018324098,0.0000107654305,0.00009880652,0.000055888282,0.03632113],"genre_scores_gemma":[0.054612864,0.6545574,0.0010063669,0.05189211,0.02716547,0.000056173954,0.00028194004,0.00015670597,0.21027099],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99970156,0.00010136863,0.000019199335,0.000037805756,0.00009871899,0.0000413526],"domain_scores_gemma":[0.999438,0.00024378055,0.00005556813,0.000023094188,0.000108508015,0.0001310909],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011387169,0.00078853336,0.00055828376,0.0013835944,0.002028917,0.004325183,0.0008649234,0.0026823438,0.024469133],"category_scores_gemma":[0.0014751506,0.00038591088,0.000286546,0.0023062155,0.0030862908,0.010578621,0.002181043,0.0026601474,0.0060863714],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002282291,0.000015955751,0.00034469028,0.00046224752,0.00000780303,0.00007173782,0.0050038174,0.000020253885,0.000116377036,0.010872046,0.93028325,0.05277896],"study_design_scores_gemma":[0.0000048681763,0.000013465561,0.0023028676,0.001070983,0.0000074655222,0.00030384073,0.0067943837,0.000023802548,0.00013303765,0.004635305,0.98469627,0.000013755287],"about_ca_topic_score_codex":0.008497335,"about_ca_topic_score_gemma":0.02383723,"teacher_disagreement_score":0.99797106,"about_ca_system_score_codex":0.0014532503,"about_ca_system_score_gemma":0.0014410397,"threshold_uncertainty_score":0.08185744},"labels":[],"label_agreement":null},{"id":"W2325153990","doi":"10.1086/673601","title":": <i>Gifts in Return: Essays in Honour of Charles Dempsey</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; The Renaissance; Renaissance studies; History; Classics; Theology; Art; Media studies; Art history; Sociology; Philosophy; Archaeology","score_opus":0.02028460984178778,"score_gpt":0.2728831584208184,"score_spread":0.25259854857903064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325153990","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020180058,0.5787858,0.000607081,0.29874095,0.040167145,0.000027561371,0.00029797497,0.000090614056,0.0792649],"genre_scores_gemma":[0.09531567,0.31607643,0.0013060039,0.05536718,0.040708296,0.00013759708,0.00056892843,0.00034568203,0.4901742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999345,0.0002916827,0.00003472415,0.000062488994,0.00019337346,0.00007274959],"domain_scores_gemma":[0.99869233,0.0005748167,0.00011363644,0.00005580953,0.00031843578,0.000244969],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001618716,0.0011121257,0.00058345776,0.0014684729,0.0028355483,0.0035013552,0.0007835141,0.0019105425,0.018867776],"category_scores_gemma":[0.004640804,0.00028348496,0.00031668105,0.0024448342,0.0038755052,0.006460499,0.0020598224,0.0028433304,0.005979715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000111013405,0.0000052730984,0.000045722187,0.000091840855,0.000001934889,0.000032181175,0.00096373167,0.000013552381,0.000027369275,0.0040849815,0.98272336,0.011999092],"study_design_scores_gemma":[0.000004493881,0.000005754332,0.0007796761,0.0005793699,0.0000027201172,0.00010270927,0.0026341174,0.000017214377,0.00006096168,0.003395508,0.99241006,0.000007467632],"about_ca_topic_score_codex":0.010969034,"about_ca_topic_score_gemma":0.020102762,"teacher_disagreement_score":0.018867776,"about_ca_system_score_codex":0.0034169059,"about_ca_system_score_gemma":0.002170749,"threshold_uncertainty_score":0.063118935},"labels":[],"label_agreement":null},{"id":"W2325259733","doi":"10.1086/664133","title":": <i> <i>Libertas philosophandi: Teologia e filosofia nella</i> Lettera alla granduchessa Cristina di Lorena <i>di Galileo Galilei</i> </i>","year":2011,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Galileo (satellite navigation); Art; Humanities; Philosophy; Index (typography); Geography","score_opus":0.03917225782496191,"score_gpt":0.223250981555167,"score_spread":0.1840787237302051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325259733","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020503853,0.54790586,0.0009801652,0.18094555,0.02159507,0.000022528977,0.0005457843,0.00014028967,0.24581435],"genre_scores_gemma":[0.08063342,0.190172,0.001550845,0.0379001,0.019674579,0.00012257956,0.0007303505,0.00039642135,0.6688196],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992661,0.00028799984,0.000034904475,0.00010475383,0.00019935206,0.00010678996],"domain_scores_gemma":[0.99930847,0.00029650037,0.00008501977,0.000071182614,0.000150241,0.00008856522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010079483,0.0007222673,0.00046025327,0.0013475368,0.0019448373,0.005913547,0.0007016791,0.002982219,0.03310453],"category_scores_gemma":[0.0024351047,0.0003030283,0.00026348289,0.0029248332,0.0037301022,0.0056955013,0.0020789022,0.0043455022,0.013687335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020586418,0.000008256204,0.00017638036,0.00021125554,0.0000043199366,0.000045578938,0.0022524728,0.000016093521,0.000121222714,0.04421152,0.9256239,0.02730861],"study_design_scores_gemma":[0.0000033013528,0.000003990152,0.00058957975,0.00027648653,0.0000022468228,0.00006409475,0.00079122,0.000009176593,0.00006901289,0.0041897646,0.99399614,0.0000049734167],"about_ca_topic_score_codex":0.010167387,"about_ca_topic_score_gemma":0.018983884,"teacher_disagreement_score":0.03310453,"about_ca_system_score_codex":0.0030339744,"about_ca_system_score_gemma":0.002275152,"threshold_uncertainty_score":0.11074573},"labels":[],"label_agreement":null},{"id":"W2325276451","doi":"10.1086/670426","title":": <i>Creating Magnificence in Renaissance Florence</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance literature; Art; Classics; Renaissance studies; Performance art; Art history; History","score_opus":0.02169316823939198,"score_gpt":0.22228659504387782,"score_spread":0.20059342680448583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325276451","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011349333,0.5206237,0.0008619171,0.2313309,0.013296816,0.000027379574,0.00010060551,0.00020447292,0.22220488],"genre_scores_gemma":[0.48301023,0.11152749,0.0011814322,0.019778812,0.012122446,0.000060606162,0.00016667339,0.00027071155,0.37188154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992524,0.00037549098,0.0000150252845,0.000067238165,0.00018052787,0.00010932289],"domain_scores_gemma":[0.99960107,0.00016973568,0.00003397243,0.000033035973,0.0000779594,0.00008429741],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014183708,0.00055124913,0.00028743775,0.0010842987,0.0031339938,0.0030671384,0.00083302276,0.0015690185,0.01715305],"category_scores_gemma":[0.0017768728,0.00017267032,0.00014793577,0.0012470963,0.0046040816,0.0047085155,0.001936644,0.0017407748,0.001709569],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031798852,0.000017226195,0.000383803,0.00029743213,0.000006897325,0.00017900942,0.019046,0.00005727501,0.00021821907,0.094297886,0.8080771,0.07738733],"study_design_scores_gemma":[0.000003965095,0.000008681734,0.001426213,0.00015486573,0.0000027760027,0.000102013444,0.0038632248,0.000013735365,0.00016095626,0.0030646736,0.9911918,0.0000071153963],"about_ca_topic_score_codex":0.027725207,"about_ca_topic_score_gemma":0.05777657,"teacher_disagreement_score":0.027725207,"about_ca_system_score_codex":0.0042892625,"about_ca_system_score_gemma":0.0014465523,"threshold_uncertainty_score":0.057382703},"labels":[],"label_agreement":null},{"id":"W2325447177","doi":"10.1086/661854","title":": <i>Réconcilier les Français: HenriIV et la fin des troubles de religion (1589–1598)</i>","year":2011,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.03692131224254305,"score_gpt":0.23733538481439,"score_spread":0.20041407257184696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325447177","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010339802,0.6477025,0.00043039618,0.12324756,0.011858453,0.000039921677,0.00056239375,0.000056361438,0.20576267],"genre_scores_gemma":[0.25203958,0.1790199,0.0011579623,0.01661193,0.004420694,0.00006197922,0.0005866605,0.00019072091,0.54591054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999252,0.000218204,0.000025021374,0.00006029924,0.0002349354,0.00020955797],"domain_scores_gemma":[0.99957126,0.00008198405,0.000051922034,0.000025852965,0.00015840033,0.0001105338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011215408,0.0005599009,0.00028711345,0.0012548909,0.0061097345,0.0036645513,0.0009521773,0.0018769464,0.015563792],"category_scores_gemma":[0.0013957263,0.00026840862,0.00015730511,0.0033196753,0.0048490483,0.0027381566,0.0017381476,0.0021200085,0.002587636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004067972,0.000014698398,0.0014991325,0.00030799725,0.000011743053,0.00022092927,0.021947952,0.000047920632,0.00028806477,0.034013096,0.8709035,0.0707042],"study_design_scores_gemma":[0.0000037447346,0.0000050170715,0.0047459323,0.00033018342,0.000002882766,0.00009446445,0.0050311736,0.00000965794,0.00009078832,0.0011239685,0.9885527,0.000009429681],"about_ca_topic_score_codex":0.73745227,"about_ca_topic_score_gemma":0.9013684,"teacher_disagreement_score":0.73745227,"about_ca_system_score_codex":0.018530518,"about_ca_system_score_gemma":0.012595341,"threshold_uncertainty_score":0.5281879},"labels":[],"label_agreement":null},{"id":"W2325568283","doi":"10.2307/1261563","title":"From Cicero to Tasso: Humanism and the Education of the Novarese Parish Clergy (1565-1663)","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Humanism; Cicero; Rhetoric; Classics; Poetry; Reading (process); Religious studies; History; Sociology; Law; Literature; Political science; Philosophy; Theology; Art","score_opus":0.023306220045298563,"score_gpt":0.22124723131820068,"score_spread":0.19794101127290212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325568283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7752675,0.0066923043,0.000077513054,0.0051539904,0.00022900003,0.000030296651,0.00006421225,0.000010456321,0.21247469],"genre_scores_gemma":[0.9565969,0.000889553,0.00005235752,0.00034873822,0.00005668297,0.000007265639,0.000022315722,0.0000050479844,0.042021032],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995709,0.0001090605,0.00000808318,0.000050050054,0.000063338266,0.00019849758],"domain_scores_gemma":[0.99971026,0.000069641945,0.000056916368,0.000015496951,0.000041369527,0.00010628449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006504414,0.0001707127,0.00016319373,0.0008501573,0.007399301,0.0019372727,0.00031158602,0.0005983847,0.0035177425],"category_scores_gemma":[0.0009658433,0.00009782513,0.00008635171,0.0008734842,0.0058460934,0.00063217245,0.0015369275,0.0014025457,0.00028000187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001175985,0.000070222544,0.022278994,0.00022717199,0.000010335999,0.0034553923,0.8383775,0.00020434221,0.0006464841,0.06760447,0.017173145,0.0498343],"study_design_scores_gemma":[0.000016115902,0.00009343697,0.26531595,0.00026177496,0.000006221659,0.0006696941,0.124310255,0.000044792487,0.00032012892,0.0015873843,0.60735005,0.00002421005],"about_ca_topic_score_codex":0.19570611,"about_ca_topic_score_gemma":0.5210404,"teacher_disagreement_score":0.19570611,"about_ca_system_score_codex":0.009289338,"about_ca_system_score_gemma":0.0035264299,"threshold_uncertainty_score":0.389134},"labels":[],"label_agreement":null},{"id":"W2325627398","doi":"10.1086/669348","title":": <i>Genealogy of the Pagan Gods: Volume 1, Books 1–4</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"The Renaissance; Volume (thermodynamics); History; Classics; Art; Theology; Art history; Philosophy","score_opus":0.0198795028030678,"score_gpt":0.22828618500963646,"score_spread":0.20840668220656866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325627398","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025196816,0.832932,0.0015997356,0.03756406,0.009170896,0.00002391493,0.00076329557,0.00029082756,0.11513564],"genre_scores_gemma":[0.13823827,0.41745052,0.0054023494,0.016622853,0.02139234,0.0001689061,0.0023696923,0.0007102639,0.39764482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997726,0.00008085447,0.000013607469,0.00004766089,0.00005705301,0.000028171382],"domain_scores_gemma":[0.9996846,0.00015810117,0.000049917886,0.000033291635,0.000047344623,0.00002676944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035277847,0.0009617534,0.00039325794,0.0024408903,0.0011510815,0.0038228962,0.00075939915,0.001027612,0.02826268],"category_scores_gemma":[0.0012763262,0.00043113393,0.00023907654,0.0031279798,0.0022188902,0.0040134676,0.0010223069,0.0017922302,0.008274501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031522533,0.000009374778,0.00043841466,0.0005365978,0.000010416077,0.00007288705,0.0032018258,0.00007356765,0.0002167838,0.03463892,0.8474227,0.113346964],"study_design_scores_gemma":[0.0000033261394,0.0000075416906,0.0013863662,0.0004712319,0.0000049722375,0.0001571307,0.0007117228,0.00003504004,0.00011030787,0.009885978,0.98722005,0.000006264445],"about_ca_topic_score_codex":0.005158441,"about_ca_topic_score_gemma":0.009951356,"teacher_disagreement_score":0.02826268,"about_ca_system_score_codex":0.0017272688,"about_ca_system_score_gemma":0.0012167107,"threshold_uncertainty_score":0.09454805},"labels":[],"label_agreement":null},{"id":"W2325808679","doi":"10.1086/678804","title":": <i>The Painted Closet of Lady Anne Bacon Drury</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kellogg's (Canada)","funders":"","keywords":"Closet; Publishing; Art; Art history; Media studies; History; Sociology; Literature; Archaeology","score_opus":0.009601350135705924,"score_gpt":0.19779310163936428,"score_spread":0.18819175150365836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2325808679","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024652963,0.017652815,0.0013982493,0.41688722,0.14324474,0.000109990055,0.0010366247,0.0011050899,0.41609997],"genre_scores_gemma":[0.012291921,0.0047263904,0.00050705025,0.072223656,0.0130180875,0.000069484966,0.0002946178,0.00092590624,0.89594287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906546,0.00023907021,0.000033371784,0.00014238188,0.00038444277,0.0001352581],"domain_scores_gemma":[0.9974195,0.00055714353,0.00016056755,0.00011779805,0.0010013813,0.0007436533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001318268,0.00083936914,0.00066092855,0.0009676426,0.007293022,0.005320423,0.00097209046,0.002652763,0.18686987],"category_scores_gemma":[0.009089288,0.00042848528,0.00034093423,0.001046809,0.0015780982,0.0050480315,0.0036987998,0.00601855,0.10149896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004310083,0.000001851595,0.000036282545,0.000015186026,4.7350431e-7,0.000034354507,0.0003799772,0.0000018349252,0.000052621504,0.0007482809,0.9966239,0.002101119],"study_design_scores_gemma":[0.0000011676076,0.0000031955658,0.00023706586,0.000067497946,8.182735e-7,0.00011887079,0.0016578569,0.0000073133137,0.00007177353,0.00021070923,0.997618,0.0000058280193],"about_ca_topic_score_codex":0.011366933,"about_ca_topic_score_gemma":0.03287303,"teacher_disagreement_score":0.18686987,"about_ca_system_score_codex":0.0014310626,"about_ca_system_score_gemma":0.0011824471,"threshold_uncertainty_score":0.625142},"labels":[],"label_agreement":null},{"id":"W2326134309","doi":"10.2307/2901561","title":": <i>Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renaissance literature; Body politic; Criticism; The Renaissance; Media studies; Performance art; Art history; State (computer science); Poetry; History; Classics; Art; Sociology; Politics; Literature; Political science; Law","score_opus":0.014349227434900719,"score_gpt":0.21609509403020558,"score_spread":0.20174586659530486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326134309","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021669164,0.579956,0.0013510727,0.2954093,0.0042940713,0.000020353746,0.00013974891,0.000043636188,0.097116776],"genre_scores_gemma":[0.6691276,0.15784311,0.00079543766,0.025128411,0.0053096456,0.00008157041,0.00013891775,0.000085627114,0.1414897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984769,0.0010258938,0.000048740825,0.00010793822,0.00016738777,0.00017324674],"domain_scores_gemma":[0.99862504,0.0008388059,0.00022512236,0.0000414122,0.00012720784,0.00014240015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021825605,0.0006575164,0.0004053351,0.002003198,0.0043420726,0.0068248184,0.0006742487,0.003421525,0.010164197],"category_scores_gemma":[0.0030355828,0.00032625874,0.00021288553,0.0030082662,0.015023065,0.009758796,0.0033804625,0.0024884262,0.0014381798],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007059572,0.00002725848,0.0017034886,0.0007269307,0.000011040006,0.00038607806,0.2363957,0.00007421661,0.00016806705,0.40952864,0.3109228,0.039985098],"study_design_scores_gemma":[0.000013770392,0.00002067291,0.005191512,0.0012305488,0.000009174668,0.00039229597,0.083935514,0.00006066587,0.00017043037,0.037696913,0.8712591,0.000019355135],"about_ca_topic_score_codex":0.025211738,"about_ca_topic_score_gemma":0.039019827,"teacher_disagreement_score":0.025211738,"about_ca_system_score_codex":0.006644744,"about_ca_system_score_gemma":0.0025969616,"threshold_uncertainty_score":0.05013001},"labels":[],"label_agreement":null},{"id":"W2326228606","doi":"10.1086/673703","title":": <i>Technically Alive: Shakespeare’s Sonnets</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sonnet; History; Media studies; Art; Sociology; Literature; Poetry","score_opus":0.019367246254516163,"score_gpt":0.21633620650610227,"score_spread":0.1969689602515861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326228606","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008392782,0.01887572,0.0017512114,0.08421783,0.018319577,0.000037667305,0.0005208362,0.0003278898,0.8675565],"genre_scores_gemma":[0.12469491,0.0066084727,0.0005907886,0.011683752,0.0033838989,0.000037567403,0.0003344459,0.00061144464,0.8520548],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956423,0.00016685962,0.000017305943,0.000058152007,0.00014007559,0.00005330205],"domain_scores_gemma":[0.9996247,0.00013523112,0.00002717278,0.00003296286,0.00011066893,0.000069165275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007601778,0.0004410517,0.00020800564,0.00087215693,0.004514149,0.0043053464,0.00040215618,0.0014641316,0.040759087],"category_scores_gemma":[0.0021019583,0.00018123139,0.00013410303,0.0010840105,0.0034441343,0.0033363362,0.0015496941,0.0027004108,0.01088144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019174615,0.0000060271077,0.00032794068,0.00009701329,0.0000028890042,0.00013733094,0.015609346,0.000017718457,0.00022620463,0.06276317,0.9039936,0.016799543],"study_design_scores_gemma":[0.0000010819265,0.000003476902,0.0007555443,0.00009982357,0.0000013297102,0.000097567616,0.0040571475,0.000011017258,0.00014373937,0.0015906468,0.9932334,0.0000052586847],"about_ca_topic_score_codex":0.025860524,"about_ca_topic_score_gemma":0.08979549,"teacher_disagreement_score":0.040759087,"about_ca_system_score_codex":0.002420779,"about_ca_system_score_gemma":0.0010999852,"threshold_uncertainty_score":0.13635272},"labels":[],"label_agreement":null},{"id":"W2326470632","doi":"10.1086/665886","title":": <i>Demons of Urban Reform: Early European Witch Trials and Criminal Justice, 1430–1530</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick; University of Fredericton","funders":"","keywords":"Witch; MAGIC (telescope); Criminology; Criminal justice; Economic Justice; History; Political science; Law; Sociology","score_opus":0.051167716312152445,"score_gpt":0.27649369524530754,"score_spread":0.2253259789331551,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326470632","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012136634,0.5572626,0.00080592604,0.16793709,0.004836845,0.000027948407,0.00022700764,0.000040829455,0.2567251],"genre_scores_gemma":[0.45522434,0.24244767,0.0010440703,0.028322581,0.0059365015,0.00010952511,0.00023216801,0.00014903824,0.26653415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990133,0.0005247409,0.000043206328,0.000083752304,0.00017487303,0.00016013146],"domain_scores_gemma":[0.9993691,0.00035188993,0.00008841219,0.00003162874,0.00007355768,0.00008545332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016138393,0.00055642263,0.0003039113,0.0015909335,0.003733811,0.006310718,0.0007219469,0.003203086,0.0107673975],"category_scores_gemma":[0.0024895,0.00028949766,0.00022195643,0.0029625865,0.011003291,0.008967104,0.0026977025,0.0022749493,0.0016732527],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004808536,0.000023668026,0.0005395137,0.00023182384,0.0000066104417,0.00015336816,0.02078773,0.00011761769,0.00009338781,0.4239177,0.50660664,0.047473893],"study_design_scores_gemma":[0.000008378906,0.000011264819,0.0028372467,0.0006157134,0.0000038594994,0.00010603234,0.01274327,0.000035261644,0.00022094761,0.03277542,0.95062935,0.00001316019],"about_ca_topic_score_codex":0.022919223,"about_ca_topic_score_gemma":0.05517001,"teacher_disagreement_score":0.022919223,"about_ca_system_score_codex":0.0063491114,"about_ca_system_score_gemma":0.003164703,"threshold_uncertainty_score":0.046066284},"labels":[],"label_agreement":null},{"id":"W2326498948","doi":"10.1086/660422","title":": <i>Subject Stages: Marriage, Theatre, and the Law in Early Modern Spain</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Romance; History; Index (typography); Media studies; Subject (documents); Art; Art history; Sociology; Library science; Literature","score_opus":0.02198294475139622,"score_gpt":0.26071126424640645,"score_spread":0.23872831949501022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326498948","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050000018,0.66450506,0.0006633627,0.04806394,0.008671946,0.000029806974,0.00066880375,0.00008501036,0.27231207],"genre_scores_gemma":[0.19095016,0.3442011,0.00087048754,0.00978075,0.015468897,0.00010817865,0.0010868163,0.00026554562,0.43726814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959534,0.00016870847,0.000015610625,0.000045224897,0.00010375268,0.00007130852],"domain_scores_gemma":[0.99960214,0.00014389792,0.000072171584,0.000025298492,0.00009048979,0.000066082255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007664363,0.0006131279,0.0004348329,0.0018411014,0.0014467941,0.0044013956,0.00075646274,0.0012715814,0.034404613],"category_scores_gemma":[0.0010174705,0.00017935723,0.00023854147,0.0043532294,0.00229117,0.0031334755,0.0017048758,0.0014059787,0.006068878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005516212,0.000028450433,0.001032482,0.00059943367,0.0000071035856,0.0000746214,0.0073078326,0.000070482754,0.00010943694,0.059841134,0.85246825,0.07840559],"study_design_scores_gemma":[0.000009195356,0.000010316909,0.004005591,0.0006952888,0.000003751433,0.00008025861,0.003721748,0.00002173733,0.00006619318,0.005934775,0.9854446,0.000006507612],"about_ca_topic_score_codex":0.02901705,"about_ca_topic_score_gemma":0.03964776,"teacher_disagreement_score":0.034404613,"about_ca_system_score_codex":0.0044028102,"about_ca_system_score_gemma":0.0023130707,"threshold_uncertainty_score":0.1150949},"labels":[],"label_agreement":null},{"id":"W2326546803","doi":"10.1086/670447","title":": <i>The Case of Galileo: A Closed Question?</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"George (robot); Galileo (satellite navigation); Art; Theology; Philosophy; Art history; Geography","score_opus":0.016359640304735353,"score_gpt":0.23940721759463168,"score_spread":0.22304757728989633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326546803","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007333697,0.016899405,0.0014732741,0.75080943,0.0075062923,0.000012732894,0.000091827686,0.000037448368,0.21583597],"genre_scores_gemma":[0.5090224,0.014493811,0.0014754384,0.3769118,0.018894874,0.00008650878,0.00014727165,0.00020642317,0.07876155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985518,0.0006735466,0.00004599875,0.00021978393,0.000158939,0.0003500442],"domain_scores_gemma":[0.99847597,0.00094364805,0.00010497129,0.00010532698,0.00017803184,0.0001920562],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0027361899,0.00038896888,0.0004805136,0.00077435793,0.006989527,0.0068343077,0.0015289984,0.0144479545,0.020349277],"category_scores_gemma":[0.008851529,0.00019921502,0.0004609494,0.0010433601,0.018231897,0.014894969,0.004178982,0.009313739,0.003308771],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002517599,0.000007566646,0.00047360308,0.000090677095,0.000006494602,0.0012491954,0.010322737,0.000045807737,0.00007340357,0.7783159,0.20152852,0.007860831],"study_design_scores_gemma":[0.000010440521,0.000007896598,0.0006810302,0.0007332232,0.0000071177387,0.0032230362,0.026724879,0.000102294034,0.00012045702,0.2227749,0.74558187,0.000032885175],"about_ca_topic_score_codex":0.012426792,"about_ca_topic_score_gemma":0.0113377385,"teacher_disagreement_score":0.99301046,"about_ca_system_score_codex":0.0036466988,"about_ca_system_score_gemma":0.0016722908,"threshold_uncertainty_score":0.06807506},"labels":[],"label_agreement":null},{"id":"W2326967965","doi":"10.1086/675092","title":"Reimagining Religious Identity: The Moor in Dutch and English Pamphlets, 1550–1620","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Fredericton; University of New Brunswick","funders":"","keywords":"Toleration; Protestantism; Religious identity; Vernacular; Religious studies; Conscience; Pariah group; Identity (music); History; Law; Sociology; Political science; Literature; Art; Politics; Philosophy; Aesthetics","score_opus":0.013017068164677938,"score_gpt":0.27454470037081075,"score_spread":0.2615276322061328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326967965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85163444,0.0045179455,0.00038849298,0.011435985,0.000853102,0.000045904384,0.00024804508,0.0000144703345,0.1308616],"genre_scores_gemma":[0.9651923,0.0013302064,0.0001482301,0.0011196552,0.00014621047,0.000022220618,0.00011236355,0.000041748262,0.03188704],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99867177,0.00060350756,0.0000661719,0.00012554755,0.00025235384,0.00028059742],"domain_scores_gemma":[0.99883586,0.00041450642,0.00022227275,0.000032554086,0.00022423301,0.00027054836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018945138,0.00023201092,0.0002734603,0.0009612477,0.006235784,0.004024649,0.00040514214,0.00091380056,0.005044153],"category_scores_gemma":[0.003363579,0.0002112757,0.000080129634,0.0010777208,0.004463421,0.0027140083,0.002528184,0.002067,0.0006022109],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049931394,0.000021508595,0.0032836404,0.000079593374,0.0000029678558,0.00074554526,0.9712198,0.000009551118,0.0010421165,0.010192815,0.0046164617,0.008735968],"study_design_scores_gemma":[0.000010875458,0.00003183066,0.022990208,0.00020672784,0.000003101673,0.00039085696,0.5966042,0.00004265445,0.00044535197,0.00055852166,0.37869397,0.000021699361],"about_ca_topic_score_codex":0.05826801,"about_ca_topic_score_gemma":0.14003687,"teacher_disagreement_score":0.05826801,"about_ca_system_score_codex":0.004747736,"about_ca_system_score_gemma":0.0021337494,"threshold_uncertainty_score":0.11585772},"labels":[],"label_agreement":null},{"id":"W2327046177","doi":"10.1086/686440","title":": <i>The Contracts of Fiction: Cognition, Culture, Community</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Cognition; Content (measure theory); History; Media studies; Sociology; Psychology; Mathematics; Psychiatry","score_opus":0.01972560581150904,"score_gpt":0.28413934746617775,"score_spread":0.2644137416546687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327046177","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019270252,0.016416147,0.0043516243,0.4213995,0.003824958,0.000035823145,0.0006976177,0.00016586932,0.5338382],"genre_scores_gemma":[0.83508956,0.010418445,0.0023690264,0.034652818,0.0049160332,0.000070960894,0.000645718,0.0001749045,0.11166255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993129,0.00037340965,0.00002212306,0.00007159434,0.00016297307,0.000056952154],"domain_scores_gemma":[0.99751556,0.0015879098,0.00021440952,0.00018101744,0.00033195384,0.00016917636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011563028,0.0002573495,0.00019144446,0.00090736814,0.0030020785,0.00670919,0.0005173829,0.0031338243,0.021759877],"category_scores_gemma":[0.008007936,0.00010680656,0.00019595084,0.0016829226,0.0071394993,0.0074032946,0.0015512309,0.002426667,0.002390044],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000234086,0.000009224873,0.0008721438,0.00019792955,0.000008915076,0.000073655094,0.02414239,0.00008074893,0.00015502397,0.5481837,0.3986119,0.027640965],"study_design_scores_gemma":[0.000008476089,0.000016303846,0.004975682,0.0006886374,0.000014043486,0.0005492595,0.021801192,0.00027486752,0.0004437087,0.1585215,0.8126837,0.00002267471],"about_ca_topic_score_codex":0.0097544,"about_ca_topic_score_gemma":0.01166234,"teacher_disagreement_score":0.021759877,"about_ca_system_score_codex":0.0023891951,"about_ca_system_score_gemma":0.0018324562,"threshold_uncertainty_score":0.07279402},"labels":[],"label_agreement":null},{"id":"W2327138473","doi":"10.1086/685147","title":": <i>Emblems of Death in the Early Modern Period</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Emblem; The Renaissance; Period (music); History; Art; Art history; Visual arts; Aesthetics","score_opus":0.04193583265102299,"score_gpt":0.23373552666307856,"score_spread":0.19179969401205557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327138473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53640527,0.019084893,0.00040835876,0.07985919,0.0012597712,0.000012111137,0.00027248138,0.000028481662,0.36266944],"genre_scores_gemma":[0.9860902,0.0015498771,0.000035964134,0.0011774146,0.00024057023,0.0000037064963,0.000033656288,0.000008961971,0.010859629],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963355,0.00017484414,0.000013204319,0.000029234441,0.000034189743,0.000114985356],"domain_scores_gemma":[0.9994875,0.00015084023,0.00013914127,0.000030854375,0.000061887295,0.00012978785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090614555,0.00013399233,0.00013699324,0.00055589067,0.0056067524,0.002426965,0.00037518382,0.00097193767,0.00618043],"category_scores_gemma":[0.001581604,0.00011372142,0.000078652556,0.000679623,0.010710221,0.002251575,0.0016988484,0.0017986234,0.0004336468],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019362017,0.000042966818,0.010107714,0.0002778805,0.000012528896,0.0013896053,0.48862877,0.00015981292,0.00026708326,0.382653,0.09081938,0.025447696],"study_design_scores_gemma":[0.000018389615,0.00007020671,0.08499462,0.0009122361,0.000011400244,0.0015718525,0.4178521,0.000065369924,0.00027626992,0.021454211,0.47273985,0.000033535343],"about_ca_topic_score_codex":0.014389137,"about_ca_topic_score_gemma":0.049754564,"teacher_disagreement_score":0.014389137,"about_ca_system_score_codex":0.0033206032,"about_ca_system_score_gemma":0.00097085955,"threshold_uncertainty_score":0.028610766},"labels":[],"label_agreement":null},{"id":"W2327196097","doi":"10.1086/673645","title":": <i>Radical Religion in Cromwell’s England: A Concise History from the English Civil War to the End of the Commonwealth</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Algoma University","funders":"","keywords":"Commonwealth; Spanish Civil War; History; Classics; Theology; Law; Political science; Philosophy; Archaeology","score_opus":0.016768319152968364,"score_gpt":0.1967767649250342,"score_spread":0.18000844577206584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327196097","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026458395,0.9246975,0.00021331018,0.02589399,0.0107855825,0.000030106823,0.00026908237,0.000023259494,0.035441343],"genre_scores_gemma":[0.07744129,0.6050745,0.000792499,0.018388102,0.009536603,0.00011570276,0.00076019595,0.00013477795,0.2877563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996387,0.00013781428,0.000028725139,0.000032305536,0.00010350941,0.000058967817],"domain_scores_gemma":[0.9994754,0.00024090121,0.00008709459,0.000022207076,0.00009158065,0.000082812636],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006447192,0.0005793726,0.00036320725,0.0023759254,0.0018003116,0.0027445157,0.0006706189,0.0012997054,0.020757638],"category_scores_gemma":[0.0010593341,0.00033447336,0.00014004063,0.0037132825,0.0023436418,0.0033898123,0.0018185073,0.0016316591,0.0033458585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005767481,0.000022405358,0.00039900426,0.0016068298,0.000007470194,0.000330774,0.010861738,0.000052152376,0.00033129446,0.019915214,0.87904024,0.08737514],"study_design_scores_gemma":[0.00000305956,0.000008319825,0.0013739009,0.0011235969,0.0000017262001,0.00012602584,0.0020825993,0.0000055086266,0.0000694984,0.0005608523,0.99464005,0.0000050258554],"about_ca_topic_score_codex":0.04125334,"about_ca_topic_score_gemma":0.13805106,"teacher_disagreement_score":0.04125334,"about_ca_system_score_codex":0.0033990908,"about_ca_system_score_gemma":0.0025720971,"threshold_uncertainty_score":0.08202642},"labels":[],"label_agreement":null},{"id":"W2327281556","doi":"10.1086/658531","title":": <i>Writing Gender in Women's Letter Collections of the Italian Renaissance</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); Art; Art history; Media studies; Sociology; Computer science","score_opus":0.017475079492106943,"score_gpt":0.28933842400766185,"score_spread":0.27186334451555494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327281556","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008954635,0.24930367,0.0008333398,0.1667194,0.037925962,0.00007325631,0.0012039922,0.00033283336,0.53465295],"genre_scores_gemma":[0.18013841,0.10072627,0.0015571755,0.020330364,0.03645901,0.00014997025,0.0013023686,0.0005747829,0.6587617],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990578,0.0004248581,0.00005444727,0.00006927203,0.00029320674,0.000100389225],"domain_scores_gemma":[0.99892455,0.0004344276,0.00016584598,0.000052280848,0.00025678816,0.00016609591],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014902969,0.0007781227,0.0003482915,0.0020430097,0.0035646444,0.004630318,0.00079655345,0.0011011484,0.03138263],"category_scores_gemma":[0.003061399,0.0002494667,0.00022014536,0.0034637083,0.0027944432,0.0034448483,0.0015665994,0.0011432007,0.00851768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023281606,0.0000058743653,0.00026589612,0.00021776317,0.000002311267,0.00007082875,0.009595563,0.000010714743,0.00008890237,0.0073901215,0.951074,0.0312548],"study_design_scores_gemma":[0.0000026047053,0.0000065582276,0.001789616,0.0002659541,0.0000019225333,0.00009286867,0.0040300186,0.0000057159664,0.00007782464,0.0006176033,0.9931045,0.0000046792943],"about_ca_topic_score_codex":0.030248096,"about_ca_topic_score_gemma":0.07091461,"teacher_disagreement_score":0.03138263,"about_ca_system_score_codex":0.0043076794,"about_ca_system_score_gemma":0.0025990473,"threshold_uncertainty_score":0.1049853},"labels":[],"label_agreement":null},{"id":"W2327284761","doi":"10.1086/683928","title":": <i>Christopher Columbus’s Naming in the Diarios of the Four Voyages (1492–1504): A Discourse of Negotiation</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Negotiation; Media studies; Humanities; Art; History; Sociology; Social science","score_opus":0.03460436407309722,"score_gpt":0.23152494515209388,"score_spread":0.19692058107899665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327284761","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023041189,0.101578474,0.0011518726,0.39203736,0.00873452,0.000036399266,0.0001985854,0.00006838115,0.4731532],"genre_scores_gemma":[0.65296626,0.017274888,0.00080951734,0.040041544,0.002312263,0.00014936212,0.00011149642,0.00022655426,0.28610823],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983145,0.0010328257,0.000030874467,0.0001284764,0.00024552876,0.0002478907],"domain_scores_gemma":[0.99909437,0.00052885833,0.00009431805,0.00003506535,0.00009912643,0.00014835778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022485703,0.00070504367,0.00038768543,0.0008735625,0.017238455,0.009960733,0.0012077809,0.005374592,0.010411753],"category_scores_gemma":[0.003955396,0.00045305263,0.00023893073,0.002177301,0.01851244,0.010565872,0.004612052,0.0065022917,0.0012096196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051461808,0.00001536214,0.0006047017,0.00012280018,0.0000041804587,0.00043011748,0.21228243,0.00006173497,0.00019499952,0.36267507,0.4137732,0.009783946],"study_design_scores_gemma":[0.000009589369,0.000004690654,0.00092138705,0.00025246185,0.00000222715,0.00013550451,0.075931445,0.00003279966,0.0000880789,0.012675732,0.909927,0.000019068719],"about_ca_topic_score_codex":0.1495701,"about_ca_topic_score_gemma":0.26371342,"teacher_disagreement_score":0.1495701,"about_ca_system_score_codex":0.014217567,"about_ca_system_score_gemma":0.005475116,"threshold_uncertainty_score":0.29739904},"labels":[],"label_agreement":null},{"id":"W2327613820","doi":"10.1086/667314","title":": <i>Don Quixote among the Saracens: A Clash of Civilizations and Literary Genres</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"History; Art; Art history; Classics","score_opus":0.015439367562291025,"score_gpt":0.21212921947579477,"score_spread":0.19668985191350374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327613820","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0086425515,0.566929,0.00045101272,0.14923382,0.01776466,0.00003081025,0.0004233508,0.00015624339,0.2563686],"genre_scores_gemma":[0.13809016,0.1725883,0.0006782573,0.02845121,0.014497961,0.00006695056,0.00077802566,0.0003847727,0.6444644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975985,0.00007240975,0.000011085761,0.000045940174,0.000077384175,0.000033341486],"domain_scores_gemma":[0.9995339,0.0001880424,0.000044457196,0.000025078703,0.0001278073,0.00008075533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005520983,0.00060767325,0.00043793453,0.0012323704,0.002271826,0.0046091345,0.00061416987,0.0011283574,0.043284383],"category_scores_gemma":[0.0012664993,0.00021929188,0.0001830682,0.0020347948,0.0019733836,0.004349525,0.0017571301,0.0013656841,0.0069577307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028499084,0.000009194254,0.00075303204,0.0002766353,0.000004386657,0.00013925614,0.008504625,0.000010925685,0.00018977324,0.009654895,0.93144816,0.048980594],"study_design_scores_gemma":[0.0000035785374,0.000005303894,0.0016244199,0.00034554562,0.0000025002764,0.00015631253,0.0054384586,0.0000069598323,0.00006308662,0.001002771,0.9913475,0.000003633682],"about_ca_topic_score_codex":0.024937512,"about_ca_topic_score_gemma":0.06434808,"teacher_disagreement_score":0.043284383,"about_ca_system_score_codex":0.0023779292,"about_ca_system_score_gemma":0.001594533,"threshold_uncertainty_score":0.14480072},"labels":[],"label_agreement":null},{"id":"W2327766748","doi":"10.1086/677442","title":": <i>Bâtir au féminin?: Traditions et stratégies en Europe et dans l’Empire ottoman</i>","year":2014,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Ottoman empire; Art; Humanities; Empire; History; Ancient history; Political science; Law","score_opus":0.015576604418433395,"score_gpt":0.27566528362533915,"score_spread":0.26008867920690576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327766748","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0078989025,0.8883826,0.00040058556,0.055599205,0.002441589,0.000009073797,0.000106747204,0.000035847235,0.04512538],"genre_scores_gemma":[0.23109233,0.61225015,0.0012587085,0.006154285,0.0020821155,0.000032697146,0.00020917246,0.00015461995,0.14676592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993524,0.00024750768,0.000029456145,0.00006575022,0.00013795389,0.00016701368],"domain_scores_gemma":[0.9993993,0.00025688254,0.000071494025,0.00004246996,0.00010263563,0.00012723061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011881471,0.0009815299,0.00046074204,0.0013432686,0.002651329,0.0054981066,0.00085851364,0.00183472,0.0096384715],"category_scores_gemma":[0.0011220734,0.0004249644,0.00025152613,0.0031436232,0.00960263,0.006200375,0.0019581153,0.0017463081,0.0019146376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000113614515,0.000034483663,0.0038632618,0.0015502472,0.00004789213,0.0004265907,0.08629448,0.0003002467,0.0005021305,0.10698054,0.5512924,0.24859412],"study_design_scores_gemma":[0.000005512107,0.0000111805275,0.006228117,0.0012335335,0.00001542901,0.00016576,0.03471508,0.000047182024,0.0002027205,0.009053106,0.94830346,0.000018949864],"about_ca_topic_score_codex":0.19460793,"about_ca_topic_score_gemma":0.36483485,"teacher_disagreement_score":0.19460793,"about_ca_system_score_codex":0.009460558,"about_ca_system_score_gemma":0.008152361,"threshold_uncertainty_score":0.3869503},"labels":[],"label_agreement":null},{"id":"W2327877098","doi":"10.1086/682446","title":": <i>Kommentar zu “Priscianus vapulans” (Der geschlagene Priscian) und “Iulius redivivus” (Julius Caesars Rückkehr ins Erdenleben)</i>","year":2015,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Stuttgart; Art; Humanities; Art history","score_opus":0.04399262912927049,"score_gpt":0.25650019396530555,"score_spread":0.21250756483603506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327877098","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031060109,0.23229091,0.0015326471,0.041041132,0.0139006935,0.00007789523,0.00036014867,0.00018728626,0.6795492],"genre_scores_gemma":[0.33578447,0.08194031,0.001465575,0.012912302,0.0064063002,0.00012300254,0.0005380154,0.00028794762,0.56054217],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979955,0.000069089154,0.0000087388,0.00004312543,0.000047546408,0.000032004056],"domain_scores_gemma":[0.9998977,0.00003821048,0.000018317456,0.000011567525,0.000020281337,0.000013874572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042790466,0.00056741765,0.00023389663,0.0006657613,0.0016095616,0.0016765967,0.0005444558,0.0011228813,0.020093868],"category_scores_gemma":[0.0005508964,0.00012208993,0.00019808595,0.000929846,0.0027273512,0.0017210036,0.001956476,0.0014520454,0.005644962],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015666196,0.00005676085,0.0016056572,0.001254777,0.000026093725,0.00077274337,0.04007009,0.00014533979,0.0048382604,0.13943681,0.5561483,0.25548854],"study_design_scores_gemma":[0.0000044591166,0.000022704013,0.0020865863,0.0002885454,0.0000043733444,0.00031215564,0.0041894796,0.000017717637,0.0006127296,0.002106852,0.9903486,0.0000058455553],"about_ca_topic_score_codex":0.008447097,"about_ca_topic_score_gemma":0.01429243,"teacher_disagreement_score":0.020093868,"about_ca_system_score_codex":0.0010017806,"about_ca_system_score_gemma":0.0006507976,"threshold_uncertainty_score":0.06722063},"labels":[],"label_agreement":null},{"id":"W2327892937","doi":"10.1086/668306","title":": <i>Petrus Martyr Vermigli, Kommentar Zur Nikomachischen Ethik Des Aristoteles</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Brill; Martyr; Philosophy; Theology; Classics; Art","score_opus":0.034798784927262336,"score_gpt":0.23142180946407917,"score_spread":0.19662302453681685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327892937","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016214487,0.74428153,0.00095021346,0.131807,0.023252308,0.000043612403,0.00065742864,0.00020972939,0.09717672],"genre_scores_gemma":[0.053533785,0.4216505,0.001990088,0.04890781,0.032575425,0.00024589757,0.0011384005,0.00072792557,0.4392303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993211,0.00016974559,0.00003136874,0.00016096728,0.00024546174,0.00007149988],"domain_scores_gemma":[0.9994362,0.00025536024,0.00010546377,0.000023964467,0.00011455814,0.000064449836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086889166,0.0015759509,0.00073200726,0.0018793241,0.0024750754,0.003477059,0.0012936218,0.0027987463,0.041393127],"category_scores_gemma":[0.002068914,0.0004809918,0.00025042208,0.00328106,0.0019210422,0.0066229147,0.0028049266,0.0037490502,0.021520047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020236039,0.000007570719,0.00011196638,0.0004348315,0.000005128617,0.00005062637,0.0018633739,0.000018784083,0.00011005403,0.007911893,0.9615247,0.027940828],"study_design_scores_gemma":[0.000004585431,0.0000057857083,0.00078628917,0.0006106758,0.0000033315998,0.00015029035,0.0012029053,0.000024163162,0.000108579894,0.001793577,0.99530077,0.000009100027],"about_ca_topic_score_codex":0.015354645,"about_ca_topic_score_gemma":0.02764888,"teacher_disagreement_score":0.041393127,"about_ca_system_score_codex":0.0022011288,"about_ca_system_score_gemma":0.0016785741,"threshold_uncertainty_score":0.13847381},"labels":[],"label_agreement":null},{"id":"W2327972092","doi":"10.1086/683904","title":": <i>Law, Medicine, and Engineering in the Cult of the Saints in Counter-Reformation Rome: The Hagiographical Works of Antonio Gallonio, 1556–1605</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Counter-Reformation; Brill; Cult; Classics; History; Art; Theology; Philosophy; Ancient history","score_opus":0.018980472386509413,"score_gpt":0.21566865292010198,"score_spread":0.19668818053359258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327972092","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01564981,0.44951847,0.0005101521,0.21243805,0.0082844915,0.000020999778,0.00018494413,0.000058910788,0.31333417],"genre_scores_gemma":[0.5946984,0.11659936,0.001336869,0.030557305,0.015918322,0.00006468842,0.00017576826,0.0001393448,0.24050985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995443,0.00023520054,0.000016563385,0.0000446809,0.00008545731,0.000073772084],"domain_scores_gemma":[0.99970764,0.00014817248,0.0000581912,0.000021431757,0.00002457873,0.00004005014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007656588,0.0005457443,0.00021094158,0.0014379409,0.0027125492,0.0037264358,0.0005309886,0.0018719675,0.005830265],"category_scores_gemma":[0.00096684176,0.00019612654,0.00020354727,0.0016389529,0.01122601,0.0025663578,0.0016568042,0.002029792,0.001149513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053974887,0.000027847236,0.001051062,0.0004097792,0.0000074042587,0.00020197901,0.05241848,0.0000854469,0.00018678277,0.34996834,0.56272185,0.03286713],"study_design_scores_gemma":[0.000008163542,0.00000945797,0.002901905,0.00051208015,0.0000036501299,0.00016988447,0.0097959675,0.000026545778,0.000134102,0.010501798,0.9759285,0.000008093395],"about_ca_topic_score_codex":0.01558102,"about_ca_topic_score_gemma":0.035086438,"teacher_disagreement_score":0.01558102,"about_ca_system_score_codex":0.0038820785,"about_ca_system_score_gemma":0.0016778063,"threshold_uncertainty_score":0.030980647},"labels":[],"label_agreement":null},{"id":"W2328016901","doi":"10.1086/677510","title":": <i>Marlowe’s Literary Scepticism: Politic Religion and Post-Reformation Polemic</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Skepticism; Body politic; Art; History; Philosophy; Theology; Political science; Law","score_opus":0.009576967736765425,"score_gpt":0.20572210550926318,"score_spread":0.19614513777249776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328016901","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002906103,0.4522254,0.0013288769,0.37500882,0.033626743,0.00004482266,0.00015158366,0.00014508975,0.1345625],"genre_scores_gemma":[0.15051103,0.21605788,0.0019094541,0.094657645,0.05279106,0.00017353168,0.0003665543,0.0005905656,0.48294222],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892896,0.0004593241,0.000047088324,0.000124313,0.00035471073,0.000085574524],"domain_scores_gemma":[0.9981141,0.0010320352,0.00015003196,0.00007860209,0.00043298944,0.00019229243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013915634,0.0009118558,0.0005410443,0.0019357934,0.004113778,0.0058252066,0.0011279786,0.002519494,0.013829309],"category_scores_gemma":[0.005282411,0.00033109926,0.00026212685,0.0021832003,0.0070437333,0.007565797,0.0026440208,0.0039716945,0.0049783634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018521332,0.000008087567,0.00012874279,0.000156741,0.0000041000344,0.00009476029,0.004770576,0.000016118185,0.00009932403,0.018857425,0.95657116,0.01927447],"study_design_scores_gemma":[0.000004168174,0.00000881205,0.0008145323,0.00062449346,0.0000035851501,0.00036757902,0.005584332,0.00003498917,0.00013694428,0.0062804627,0.98612726,0.000012808295],"about_ca_topic_score_codex":0.012360471,"about_ca_topic_score_gemma":0.025509454,"teacher_disagreement_score":0.013829309,"about_ca_system_score_codex":0.0027321854,"about_ca_system_score_gemma":0.0018896484,"threshold_uncertainty_score":0.046263695},"labels":[],"label_agreement":null},{"id":"W2328039108","doi":"10.1086/679795","title":": <i> Hodie nullus — cras maximus: <i>Berühmtwerden und Berühmtsein im frühen 16. Jahrhundert am Beispiel des Erasmus von Rotterdam</i> </i>","year":2014,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Erasmus+; Humanities; Art; Art history","score_opus":0.020509001007644617,"score_gpt":0.2984048517593278,"score_spread":0.27789585075168316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328039108","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030050804,0.6935764,0.0005617531,0.12714888,0.036172114,0.000037525373,0.0009852956,0.00018333783,0.13832964],"genre_scores_gemma":[0.07492116,0.22695577,0.0008959832,0.028237319,0.016961766,0.00011019981,0.0010747329,0.00058597,0.65025723],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995697,0.00011834192,0.000024919438,0.00008726153,0.00012840725,0.00007137615],"domain_scores_gemma":[0.9995875,0.00013141958,0.000065052256,0.000019403922,0.00009592807,0.000100781726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000604476,0.0009259259,0.00047543948,0.0016303725,0.0013894372,0.002721313,0.0006145261,0.00165997,0.05592844],"category_scores_gemma":[0.0016956629,0.0003303413,0.00016975486,0.0025934193,0.001461503,0.0039302944,0.0019235746,0.0019123919,0.018814476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000241336,0.000004585125,0.00014056782,0.00018758854,0.000003394791,0.000039628976,0.0010893169,0.0000139924405,0.000098497156,0.0058669574,0.96587557,0.026655668],"study_design_scores_gemma":[0.0000026692783,0.000004170489,0.0007973516,0.00018970955,0.0000013823003,0.00006841839,0.0005658393,0.000006635839,0.000062268984,0.00050047424,0.9977963,0.000004823837],"about_ca_topic_score_codex":0.026084496,"about_ca_topic_score_gemma":0.040053014,"teacher_disagreement_score":0.05592844,"about_ca_system_score_codex":0.002757806,"about_ca_system_score_gemma":0.00128759,"threshold_uncertainty_score":0.18709928},"labels":[],"label_agreement":null},{"id":"W2328119186","doi":"10.1086/664172","title":": <i>Sex and Satiric Tragedy in Early Modern England: Penetrating Wit</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Okanagan University College; University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Append; Drama; Tragedy (event); Index (typography); Publishing; History; Performance art; Art; Art history; Literature","score_opus":0.028513957338575466,"score_gpt":0.2238301765332248,"score_spread":0.1953162191946493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328119186","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013030395,0.875726,0.00018165978,0.057521835,0.003466056,0.000011438049,0.0002401525,0.000022336279,0.04980009],"genre_scores_gemma":[0.4398795,0.40097594,0.00031740562,0.010003297,0.0046644947,0.000049862036,0.00033322815,0.00006362731,0.14371264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975365,0.00010992296,0.000014291875,0.000028891423,0.000044294033,0.000048839374],"domain_scores_gemma":[0.9995858,0.00021296364,0.0000706972,0.000018042241,0.000059451315,0.000053114934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005854487,0.0004649785,0.00038213684,0.0013167465,0.0019463338,0.0030882838,0.0005403146,0.0014184592,0.022310989],"category_scores_gemma":[0.001229851,0.0002873079,0.00012823542,0.002619969,0.0036745123,0.006582091,0.0017918976,0.0013952147,0.0022660356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012268857,0.000037415328,0.002786828,0.002238616,0.000020573043,0.0006173547,0.16769467,0.000071660856,0.00044114064,0.09339395,0.6277433,0.10483175],"study_design_scores_gemma":[0.0000150850965,0.000044360102,0.019882575,0.0028714389,0.000016108403,0.00062285224,0.07867469,0.00003335953,0.00018245162,0.008853444,0.8887804,0.000023403058],"about_ca_topic_score_codex":0.035946563,"about_ca_topic_score_gemma":0.09181161,"teacher_disagreement_score":0.035946563,"about_ca_system_score_codex":0.0022867064,"about_ca_system_score_gemma":0.001163996,"threshold_uncertainty_score":0.07463771},"labels":[],"label_agreement":null},{"id":"W2328192189","doi":"10.1086/662919","title":": <i>Black Robes and Buckskin: A Selection from the Jesuit Relations</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Selection (genetic algorithm); History; Theology; Art history; Media studies; Classics; Philosophy; Sociology; Artificial intelligence; Computer science","score_opus":0.026510894685198957,"score_gpt":0.259235661927667,"score_spread":0.23272476724246804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328192189","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011541999,0.78486574,0.00092908106,0.08459967,0.027232569,0.000049053375,0.000455903,0.00012906612,0.100584745],"genre_scores_gemma":[0.017551845,0.42747647,0.0015645562,0.038338795,0.020515718,0.00012491757,0.00088210055,0.0004643084,0.4930813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992894,0.00020887742,0.000041478896,0.00008378519,0.00029221995,0.00008421538],"domain_scores_gemma":[0.99926716,0.0002461308,0.000054654152,0.00002952073,0.00020182089,0.00020073177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008418823,0.0018928392,0.00077835924,0.0034638843,0.003664962,0.0046254285,0.001218856,0.002052709,0.028415304],"category_scores_gemma":[0.0017408396,0.00054343336,0.00036622994,0.005065078,0.0022111884,0.007387606,0.0024443993,0.0028997601,0.015975673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011310571,0.000005309202,0.000081627935,0.00012960061,0.00000247536,0.00004507278,0.0008018316,0.000010842595,0.00005087469,0.003020221,0.97179675,0.02404413],"study_design_scores_gemma":[0.0000016293545,0.0000035097125,0.00041469172,0.00029258712,0.0000019440918,0.0001010299,0.0011455718,0.000007735044,0.000052835236,0.0012180055,0.99675447,0.000005993183],"about_ca_topic_score_codex":0.026736066,"about_ca_topic_score_gemma":0.10375193,"teacher_disagreement_score":0.028415304,"about_ca_system_score_codex":0.0025957255,"about_ca_system_score_gemma":0.003024936,"threshold_uncertainty_score":0.09505862},"labels":[],"label_agreement":null},{"id":"W2328224555","doi":"10.1086/673690","title":": <i>Writers in Conflict in Sixteenth-Century France: Essays in Honour of Malcolm Quainton</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"European Political History Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"Honour; History; Classics; Media studies; Art history; Sociology; Archaeology","score_opus":0.01483576659015138,"score_gpt":0.21842538315996535,"score_spread":0.20358961656981397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328224555","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012485885,0.74420786,0.00046840098,0.19083259,0.011231667,0.0000141625505,0.00018371073,0.000046547528,0.040529236],"genre_scores_gemma":[0.45304996,0.32363892,0.0013015945,0.035692275,0.025391556,0.00013023202,0.00041522566,0.00025207727,0.16012819],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985935,0.0009265513,0.000051929506,0.000093274444,0.00021522232,0.00011948315],"domain_scores_gemma":[0.99746335,0.0016081883,0.00024770532,0.00005449315,0.0003154951,0.00031085243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002714052,0.0010047656,0.0005755361,0.0021865654,0.005290997,0.00532668,0.0008881349,0.0027814012,0.008255603],"category_scores_gemma":[0.0042874548,0.00028589353,0.00028141067,0.003486854,0.0046495697,0.004963601,0.0023170027,0.0019272603,0.0012912387],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009234976,0.000033044176,0.0016086397,0.00070825283,0.000031382424,0.0003613664,0.077771306,0.00011490472,0.00023944247,0.030166583,0.83841443,0.050458312],"study_design_scores_gemma":[0.000012768728,0.000015118031,0.0042331107,0.0014630802,0.000010134464,0.0002996871,0.0332442,0.00004373659,0.00018282399,0.004467921,0.9560115,0.000015893787],"about_ca_topic_score_codex":0.019239616,"about_ca_topic_score_gemma":0.031026818,"teacher_disagreement_score":0.019239616,"about_ca_system_score_codex":0.0044051185,"about_ca_system_score_gemma":0.0025912025,"threshold_uncertainty_score":0.038255215},"labels":[],"label_agreement":null},{"id":"W2328252167","doi":"10.1086/686352","title":": <i>Peter Paul Rubens (1577–1640) and His Landscapes: Ideas on Nature and Art</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Flemish; Painting; Van Dyke beard; Art; Art history; History; Archaeology","score_opus":0.008166284415699098,"score_gpt":0.20144404245809525,"score_spread":0.19327775804239614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328252167","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006932717,0.87744355,0.00038425613,0.05445825,0.010615471,0.000010866742,0.00012534921,0.00004073927,0.05622821],"genre_scores_gemma":[0.035339788,0.51737124,0.0011153874,0.025311016,0.011938314,0.00005469653,0.00023335929,0.000313848,0.40832236],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947447,0.0001624668,0.000028404935,0.000096760086,0.00018281987,0.000055239023],"domain_scores_gemma":[0.9995783,0.00019558251,0.000054593223,0.000019904357,0.00007691826,0.000074649346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090263586,0.0012258406,0.0005977537,0.0017650931,0.0025846828,0.0035025831,0.00092350354,0.00219539,0.037722494],"category_scores_gemma":[0.0016227275,0.00050882826,0.0002469045,0.002683667,0.0030575404,0.008034385,0.0024636595,0.003375812,0.012314802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002054528,0.0000067685014,0.000121984915,0.00031679735,0.0000046481086,0.00009755946,0.003403139,0.000025683976,0.00012758735,0.020312885,0.9362111,0.039351292],"study_design_scores_gemma":[0.0000016246042,0.0000026980888,0.0003178798,0.0002909364,0.0000013899912,0.00012949052,0.0011536012,0.0000061062874,0.00004861868,0.0017161345,0.9963272,0.00000424769],"about_ca_topic_score_codex":0.01651564,"about_ca_topic_score_gemma":0.04547998,"teacher_disagreement_score":0.037722494,"about_ca_system_score_codex":0.0023824049,"about_ca_system_score_gemma":0.0015271752,"threshold_uncertainty_score":0.12619436},"labels":[],"label_agreement":null},{"id":"W2328262727","doi":"10.1086/660427","title":": <i>Complete Poems: A Bilingual Edition</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Finch; Poetry; Art; Gloss (optics); Performance art; Art history; History; Classics; Humanities; Literature; Chemistry; Biology","score_opus":0.0659280502062839,"score_gpt":0.2221782040652898,"score_spread":0.1562501538590059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328262727","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004359542,0.34505126,0.0035105336,0.018590355,0.016454646,0.00009959795,0.004396492,0.0008363023,0.60670125],"genre_scores_gemma":[0.04941675,0.12229766,0.005003222,0.0037223997,0.0060749045,0.00017588832,0.0051086736,0.0013436408,0.8068568],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997148,0.00008099472,0.000021887594,0.000037990652,0.00011134821,0.00003300402],"domain_scores_gemma":[0.9995727,0.000112633126,0.00003433204,0.000032971082,0.0001645306,0.00008284393],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005550232,0.0010695414,0.0005622981,0.0019658715,0.0018841928,0.0034594515,0.00051985186,0.0006693396,0.09483758],"category_scores_gemma":[0.0012963322,0.00033726086,0.00020664363,0.0027634888,0.0010886306,0.0036751935,0.0014300811,0.0013003548,0.029507486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003861698,0.000016797896,0.00007577737,0.00026353577,0.0000021025774,0.000057480007,0.0015269002,0.000023244344,0.00031662648,0.0066813664,0.91613114,0.07486639],"study_design_scores_gemma":[0.0000035364317,0.000006300891,0.0003624732,0.00017613398,9.914352e-7,0.000085258405,0.0005270079,0.000011983119,0.00008913574,0.00079025154,0.9979438,0.0000031269228],"about_ca_topic_score_codex":0.008048618,"about_ca_topic_score_gemma":0.020864792,"teacher_disagreement_score":0.09483758,"about_ca_system_score_codex":0.0013828448,"about_ca_system_score_gemma":0.0021841698,"threshold_uncertainty_score":0.3172633},"labels":[],"label_agreement":null},{"id":"W2328382036","doi":"10.1086/681377","title":": <i>The Life and Writings of Luisa De Carvajal y Mendoza</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Humanities; Art; History; Classics; Art history","score_opus":0.03285679983534606,"score_gpt":0.3188043641074697,"score_spread":0.28594756427212364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328382036","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031990907,0.7664153,0.00058201764,0.11931106,0.014775311,0.000011137506,0.00032319545,0.00008348128,0.095299415],"genre_scores_gemma":[0.28410602,0.3839952,0.0015980514,0.022365177,0.016660348,0.00008053878,0.00051412685,0.00038594668,0.29029465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992987,0.00034330893,0.000023161367,0.000097246375,0.00015611523,0.00008148169],"domain_scores_gemma":[0.999204,0.00034181698,0.00013813586,0.00004760608,0.00016327063,0.000105085004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012362477,0.00096398214,0.00047255366,0.0010537545,0.002861074,0.004469668,0.0008002265,0.0014958056,0.008419361],"category_scores_gemma":[0.0036630193,0.00033974572,0.0002584466,0.0016465026,0.0038431992,0.0029780667,0.0011769201,0.0022652142,0.002679288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008344994,0.000011230718,0.00056933373,0.0003952615,0.00001604188,0.00025111344,0.01655029,0.00009115983,0.00026387585,0.048710424,0.8736411,0.05941673],"study_design_scores_gemma":[0.0000027740837,0.0000029922253,0.0008617918,0.0003341708,0.0000024908688,0.00010717039,0.0024473465,0.000011814262,0.00008376388,0.0015504317,0.9945891,0.000006080133],"about_ca_topic_score_codex":0.068708286,"about_ca_topic_score_gemma":0.11407075,"teacher_disagreement_score":0.068708286,"about_ca_system_score_codex":0.0057671242,"about_ca_system_score_gemma":0.0031845868,"threshold_uncertainty_score":0.13661677},"labels":[],"label_agreement":null},{"id":"W2328447307","doi":"10.2307/2901903","title":": <i>The Trial of Nicholas Throckmorton</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polity; The Renaissance; History; Classics; Art; Humanities; Art history; Political science; Law; Politics","score_opus":0.0221697981528599,"score_gpt":0.22231600193373086,"score_spread":0.20014620378087095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328447307","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045145093,0.7191464,0.0006894391,0.20387347,0.035431005,0.00001643832,0.00016542785,0.000066126755,0.04016025],"genre_scores_gemma":[0.021974146,0.5302738,0.0015202003,0.07278353,0.026097003,0.000062133004,0.00030427994,0.00035920288,0.34662575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998552,0.000519166,0.000068786525,0.0002246611,0.0004942261,0.0001410591],"domain_scores_gemma":[0.99838245,0.00052398414,0.00016614769,0.000077376084,0.0005272766,0.00032275813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015187878,0.0011773261,0.000727281,0.0017511701,0.002579574,0.005136747,0.0012917977,0.003123635,0.032826435],"category_scores_gemma":[0.004472151,0.0005314453,0.00031633346,0.0023634252,0.0037864826,0.009966166,0.0020553244,0.0048164744,0.012945472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001549333,0.000004022358,0.000067354595,0.00012987855,0.0000025531601,0.000021989654,0.0004144765,0.000014083178,0.000020671794,0.0075892275,0.97150326,0.020216959],"study_design_scores_gemma":[0.0000020053938,0.0000026237785,0.00015272347,0.0003009451,0.0000017911447,0.000058034002,0.00047893147,0.000009666027,0.00004028475,0.0025354181,0.996412,0.0000055830847],"about_ca_topic_score_codex":0.06777182,"about_ca_topic_score_gemma":0.11390554,"teacher_disagreement_score":0.06777182,"about_ca_system_score_codex":0.0045987004,"about_ca_system_score_gemma":0.0046515036,"threshold_uncertainty_score":0.13475472},"labels":[],"label_agreement":null},{"id":"W2328472483","doi":"10.1086/685132","title":": <i>Writings on the Sober Life: The Art and Grace of Living Long</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Urban Planning and Landscape Design","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.019546894313930422,"score_gpt":0.21240315868292825,"score_spread":0.19285626436899783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328472483","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012782775,0.4434997,0.0026602403,0.23645183,0.084919274,0.00004520813,0.00047233643,0.0002743924,0.23039882],"genre_scores_gemma":[0.055270895,0.16481456,0.0030416166,0.084304035,0.040380806,0.0001531963,0.0005946034,0.0008754093,0.6505649],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990772,0.00038671313,0.000045766385,0.0001055451,0.00029118045,0.000093552015],"domain_scores_gemma":[0.99868554,0.0005416647,0.00009402346,0.000068700254,0.00039505967,0.00021499617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013485079,0.0016347077,0.0006297811,0.0010769628,0.0040593627,0.004841753,0.0012557582,0.0022664291,0.025562037],"category_scores_gemma":[0.0031882478,0.00040091883,0.0005266357,0.0015141626,0.0050795167,0.0047867754,0.002137849,0.0043811323,0.010016261],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007705319,0.000003606674,0.000034354478,0.00007632173,0.0000017016896,0.000021835951,0.0009436267,0.000012045108,0.000024523419,0.007274071,0.9809575,0.010642708],"study_design_scores_gemma":[0.0000013559503,0.0000035951543,0.00017346542,0.00021439538,0.0000014636117,0.00005897256,0.0011876129,0.000008188821,0.000041604595,0.0020546035,0.9962509,0.0000037849582],"about_ca_topic_score_codex":0.014441037,"about_ca_topic_score_gemma":0.031913213,"teacher_disagreement_score":0.025562037,"about_ca_system_score_codex":0.0028301051,"about_ca_system_score_gemma":0.002099676,"threshold_uncertainty_score":0.08551359},"labels":[],"label_agreement":null},{"id":"W2328584805","doi":"10.1086/671668","title":": <i>The Emblematics of the Self: Ekphrasis and Identity in Renaissance Imitations of Greek Romance</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Categorization, perception, and language","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; The Renaissance; Identity (music); Art; Art history; History; Media studies; Sociology; Literature; Aesthetics","score_opus":0.011197946191529366,"score_gpt":0.2887198206742147,"score_spread":0.27752187448268534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328584805","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013054108,0.66453314,0.003172495,0.145257,0.018095788,0.000044795444,0.0003030435,0.00015401322,0.15538563],"genre_scores_gemma":[0.38927895,0.29087222,0.0030788812,0.024513477,0.01724438,0.00012959391,0.0006657979,0.0003379697,0.27387878],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971074,0.0001447757,0.000017391396,0.000039938095,0.000059809925,0.000027268654],"domain_scores_gemma":[0.9995962,0.00023650295,0.000037134552,0.000026307567,0.000064645705,0.00003917962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007657048,0.0007179093,0.00037809127,0.0009676883,0.0011549602,0.0030513578,0.0007096603,0.0017670365,0.0145372655],"category_scores_gemma":[0.0018356459,0.000224377,0.00022356382,0.001644978,0.003814503,0.007250713,0.0017682458,0.0020179045,0.003700677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006546001,0.000030091178,0.0014539721,0.0006386048,0.000018665498,0.00033078037,0.030597145,0.00010185842,0.00038125124,0.085871205,0.7782427,0.10226831],"study_design_scores_gemma":[0.000010811082,0.00002800894,0.005236498,0.001139858,0.000010217216,0.00096959295,0.021350302,0.00014297664,0.0004203768,0.0333488,0.93731517,0.000027399019],"about_ca_topic_score_codex":0.008174631,"about_ca_topic_score_gemma":0.01591872,"teacher_disagreement_score":0.0145372655,"about_ca_system_score_codex":0.0013949755,"about_ca_system_score_gemma":0.00093443267,"threshold_uncertainty_score":0.048632026},"labels":[],"label_agreement":null},{"id":"W2328605966","doi":"10.1086/673697","title":": <i>Pain and Compassion in Early Modern English Literature and Culture</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Compassion; The Renaissance; Renaissance literature; Art; Classics; History; Art history; Theology; Philosophy","score_opus":0.009117997448024391,"score_gpt":0.2369871058596892,"score_spread":0.22786910841166483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328605966","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013269178,0.8405464,0.00048460733,0.104308374,0.024365205,0.000024470204,0.0001597238,0.0000784828,0.028705807],"genre_scores_gemma":[0.057446018,0.6914924,0.001327731,0.05220292,0.044947784,0.00012517773,0.00048295374,0.00027737115,0.15169765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995221,0.00021226212,0.00003459118,0.000049731883,0.00012650453,0.000054790806],"domain_scores_gemma":[0.99861777,0.0008109692,0.0001115163,0.000040361112,0.0002663737,0.00015295693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011009979,0.0012017305,0.0006626447,0.002166565,0.001388514,0.003376574,0.0011301786,0.0019604017,0.023298444],"category_scores_gemma":[0.0023613113,0.00040466757,0.00030837423,0.0028479875,0.002613858,0.007917357,0.0019815662,0.0024003398,0.0079431925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027713806,0.00001790659,0.00033328083,0.0010209784,0.0000084049525,0.000087180124,0.004454263,0.000024454992,0.00017541526,0.005811277,0.9352743,0.052764904],"study_design_scores_gemma":[0.000010576335,0.000036731723,0.0045827758,0.0032197852,0.000015095011,0.0006784449,0.01037855,0.00008263377,0.0002971542,0.0067109605,0.9739612,0.000026113077],"about_ca_topic_score_codex":0.010392085,"about_ca_topic_score_gemma":0.021666732,"teacher_disagreement_score":0.023298444,"about_ca_system_score_codex":0.0013760882,"about_ca_system_score_gemma":0.001552263,"threshold_uncertainty_score":0.07794106},"labels":[],"label_agreement":null},{"id":"W2328869034","doi":"10.1086/675163","title":": <i> Discours lettré et transformations sociopolitiques au début du XVI <sup>e</sup> siècle </i>","year":2013,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège de Maisonneuve; Université de Montréal","funders":"","keywords":"The Renaissance; Humanities; Art; Philosophy; Art history","score_opus":0.019244398703128877,"score_gpt":0.3019026485795958,"score_spread":0.2826582498764669,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328869034","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005126033,0.68580306,0.0010589755,0.123916216,0.029328931,0.00003055877,0.0013414116,0.00018748012,0.15320733],"genre_scores_gemma":[0.11525876,0.30326518,0.0018432959,0.01304721,0.021153556,0.00014361984,0.0022366086,0.00053319323,0.5425186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992404,0.00025936496,0.0000444801,0.00008353742,0.00027429714,0.00009794002],"domain_scores_gemma":[0.99901724,0.00045843946,0.00014114648,0.00006057074,0.00022697603,0.00009566502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009631559,0.0008248959,0.00047286705,0.0013880149,0.0013791755,0.0036771372,0.0009004347,0.0022638836,0.049922053],"category_scores_gemma":[0.002648758,0.00034045955,0.00028346118,0.0030734683,0.0018324999,0.003940669,0.0017356508,0.002882177,0.014525985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000500061,0.000011392802,0.0005234468,0.00033053797,0.0000060215784,0.00006167837,0.0017358967,0.000064279746,0.00015813412,0.03210896,0.89545745,0.069492094],"study_design_scores_gemma":[0.000004248811,0.0000070048836,0.0019573413,0.00037949355,0.000002379068,0.00009148545,0.00054690836,0.000019554558,0.000114331306,0.0022320554,0.99463886,0.0000063356797],"about_ca_topic_score_codex":0.025985615,"about_ca_topic_score_gemma":0.030387279,"teacher_disagreement_score":0.049922053,"about_ca_system_score_codex":0.002502305,"about_ca_system_score_gemma":0.0016873756,"threshold_uncertainty_score":0.1670059},"labels":[],"label_agreement":null},{"id":"W2328869504","doi":"10.1086/664113","title":": <i>The Poetry of Place: Lyric, Landscape, and Ideology in Renaissance France</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Poetry; Ideology; Index (typography); Art; History; Art history; Media studies; Sociology; Literature; Political science; Law; Politics; Computer science","score_opus":0.01666452263701958,"score_gpt":0.199688485219938,"score_spread":0.18302396258291842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328869504","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034095107,0.73959106,0.0011870346,0.1121649,0.014434044,0.00002579124,0.00049745076,0.00019879517,0.12849143],"genre_scores_gemma":[0.2000136,0.37398675,0.0022689053,0.023588553,0.031020572,0.00011014798,0.0009930863,0.0006021411,0.3674162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999539,0.00022545285,0.00001917799,0.00004370878,0.00012377996,0.000048882423],"domain_scores_gemma":[0.9994823,0.00024080432,0.00005046036,0.000024848108,0.00013056993,0.00007090485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008730486,0.0010622952,0.0005281996,0.0019771745,0.0021525924,0.00396442,0.00078625383,0.0013334557,0.019513007],"category_scores_gemma":[0.0015519409,0.0002212056,0.00028496125,0.0028911286,0.0026788064,0.0054625273,0.0012770662,0.001890879,0.0057875267],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002324155,0.000008195452,0.00023401606,0.0002471259,0.000006038379,0.000065612556,0.00591485,0.000042565418,0.00009596228,0.019296987,0.94121385,0.032851547],"study_design_scores_gemma":[0.0000049151267,0.000010606301,0.0019643866,0.00036386907,0.0000043810696,0.00019792882,0.0039364086,0.000039088285,0.00010558137,0.003275639,0.9900866,0.000010664092],"about_ca_topic_score_codex":0.033877067,"about_ca_topic_score_gemma":0.063721605,"teacher_disagreement_score":0.033877067,"about_ca_system_score_codex":0.0029757568,"about_ca_system_score_gemma":0.0015481071,"threshold_uncertainty_score":0.067359805},"labels":[],"label_agreement":null},{"id":"W2328922236","doi":"10.1086/686449","title":": <i>Christopher Marlowe at 450</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Publishing; History; Media studies; Art; Sociology; Literature","score_opus":0.014963069928478356,"score_gpt":0.1998012759440205,"score_spread":0.18483820601554216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328922236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009547763,0.022225345,0.0021229163,0.14597668,0.046923883,0.00016986812,0.00262856,0.0035614478,0.77543646],"genre_scores_gemma":[0.0037574687,0.0038555248,0.00043692839,0.014378362,0.0027141261,0.000060620925,0.00039630593,0.0007459699,0.9736546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940014,0.0001237288,0.000020063551,0.00014211042,0.00022415651,0.000089963454],"domain_scores_gemma":[0.9976781,0.00045755174,0.00012220473,0.000101282094,0.0010715108,0.00056936283],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009923691,0.0011600013,0.0006743814,0.0015717011,0.0037757324,0.003493946,0.001139216,0.0024235616,0.5197596],"category_scores_gemma":[0.005800552,0.00038903154,0.00029657653,0.001346268,0.00067307346,0.0042958376,0.0033885546,0.0025034987,0.38996357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034046882,0.0000020452837,0.000028223718,0.000019538797,3.5499866e-7,0.000017188075,0.000055154374,0.0000025116283,0.00003180701,0.00037930772,0.99509466,0.004365843],"study_design_scores_gemma":[0.0000016034965,0.000002003505,0.00016373994,0.000063072795,8.164078e-7,0.000054554872,0.0002684568,0.000010321735,0.00006476921,0.00024057497,0.99912566,0.0000044315443],"about_ca_topic_score_codex":0.009045343,"about_ca_topic_score_gemma":0.026095966,"teacher_disagreement_score":0.5197596,"about_ca_system_score_codex":0.0014704108,"about_ca_system_score_gemma":0.00092890026,"threshold_uncertainty_score":0.68500465},"labels":[],"label_agreement":null},{"id":"W2328998249","doi":"10.1086/670430","title":": <i>Raffaels Sixtinische Madonna: Eine Vision im Dialog</i>","year":2013,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Dialog box; Art; Art history; Computer science; World Wide Web","score_opus":0.010628559959663027,"score_gpt":0.21375011047158254,"score_spread":0.20312155051191952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328998249","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056440574,0.047021396,0.002836054,0.47532856,0.02526086,0.00004062487,0.0006568244,0.0007459529,0.44246566],"genre_scores_gemma":[0.17903435,0.02991263,0.0032267263,0.093230754,0.011308278,0.0001332962,0.0007568882,0.0014450727,0.680952],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991848,0.0004093021,0.0000263905,0.00010751732,0.00015397753,0.00011793881],"domain_scores_gemma":[0.9991062,0.00034161427,0.00007736008,0.000055749868,0.00014990423,0.00026903336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017449106,0.0005631147,0.00036625768,0.00088270305,0.0044981237,0.004841946,0.00061299093,0.0030023884,0.057699792],"category_scores_gemma":[0.0037188593,0.00025641388,0.00022711135,0.0008722055,0.002525271,0.006491408,0.0031530363,0.004536644,0.020542132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023574436,0.000008173731,0.00021196688,0.0000895322,0.0000020830778,0.00014156186,0.0071535516,0.000019873183,0.00019883885,0.027754227,0.948824,0.015572533],"study_design_scores_gemma":[0.0000020011366,0.000002796803,0.00034673943,0.000108341854,9.3721115e-7,0.00014388651,0.004727701,0.000022475464,0.00008552902,0.0015063541,0.9930468,0.0000064133],"about_ca_topic_score_codex":0.008710393,"about_ca_topic_score_gemma":0.022838306,"teacher_disagreement_score":0.057699792,"about_ca_system_score_codex":0.002179989,"about_ca_system_score_gemma":0.0015986573,"threshold_uncertainty_score":0.19302505},"labels":[],"label_agreement":null},{"id":"W2329010550","doi":"10.1086/685203","title":": <i>Jesuit Accounts of the Colonial Americas: Intercultural Transfers, Intellectual Disputes, and Textualities</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Sociology; Anthropology; Humanities; History; Art; Archaeology","score_opus":0.044850749592731935,"score_gpt":0.23959978606602797,"score_spread":0.19474903647329603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329010550","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03759734,0.42429528,0.0007461716,0.21745674,0.0036134222,0.000014639384,0.00033992028,0.000105780186,0.3158307],"genre_scores_gemma":[0.72927254,0.121512,0.00072863983,0.01633578,0.0040731505,0.000038093527,0.00022653822,0.00016922329,0.12764403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951816,0.00024027708,0.000017878172,0.00003800173,0.00011133183,0.00007445858],"domain_scores_gemma":[0.9991678,0.00044267153,0.00013033043,0.000058761227,0.00010101109,0.00009950672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074411725,0.0004896445,0.000255556,0.0014208996,0.00814925,0.005268369,0.00081878045,0.001482004,0.007535724],"category_scores_gemma":[0.0020458652,0.00023707902,0.0001238359,0.0030446548,0.010665198,0.005730711,0.0022444213,0.0021523999,0.00075288705],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000506995,0.000021771919,0.0013664078,0.0004015571,0.00001288381,0.0004834951,0.19573142,0.00006849222,0.00026011906,0.27474612,0.4916515,0.035205502],"study_design_scores_gemma":[0.000004862478,0.0000059586214,0.0044837114,0.0008550779,0.000008911726,0.00032171773,0.08699162,0.000055823733,0.0002541906,0.020982612,0.88602084,0.000014674468],"about_ca_topic_score_codex":0.09988877,"about_ca_topic_score_gemma":0.24771711,"teacher_disagreement_score":0.09988877,"about_ca_system_score_codex":0.004880461,"about_ca_system_score_gemma":0.0025721998,"threshold_uncertainty_score":0.19861472},"labels":[],"label_agreement":null},{"id":"W2329085590","doi":"10.1086/665910","title":": <i>Shakespeare and Religion: Early Modern and Postmodern Perspectives</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Postmodernism; Theology; Art history; Media studies; Art; Philosophy; Sociology; Literature","score_opus":0.015680962313541977,"score_gpt":0.2093227397729974,"score_spread":0.19364177745945543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329085590","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001020461,0.93411857,0.00066380214,0.02838253,0.0057132076,0.000008031616,0.0000926128,0.000046433383,0.029954314],"genre_scores_gemma":[0.040959984,0.75937057,0.0014182768,0.0083047375,0.009780647,0.00003877279,0.00034341158,0.00016240569,0.17962125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944,0.00023289409,0.000031330943,0.000055032633,0.00019134412,0.00004939976],"domain_scores_gemma":[0.99865377,0.00079833524,0.00010849817,0.00006548293,0.00023270576,0.00014116836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010233476,0.0011660024,0.0006776768,0.0022104103,0.0016736455,0.0045068287,0.0010616448,0.0020018495,0.032314677],"category_scores_gemma":[0.0017202719,0.000565236,0.00023218441,0.0041310266,0.0031066476,0.009575842,0.0016266691,0.002279916,0.01079249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046785863,0.000023475699,0.00047472602,0.00085646176,0.000013311685,0.000115888484,0.005943597,0.00006125992,0.00018473681,0.018574148,0.8623477,0.11135796],"study_design_scores_gemma":[0.0000044517433,0.0000115467465,0.0015746721,0.0012272274,0.0000065181716,0.00023752938,0.003229289,0.000039391678,0.00012416266,0.0065942802,0.9869401,0.00001072576],"about_ca_topic_score_codex":0.016499538,"about_ca_topic_score_gemma":0.041009143,"teacher_disagreement_score":0.032314677,"about_ca_system_score_codex":0.0022707193,"about_ca_system_score_gemma":0.0022539983,"threshold_uncertainty_score":0.108103395},"labels":[],"label_agreement":null},{"id":"W2329110206","doi":"10.1086/685233","title":": <i> Castiglione’s Allegory: Veiled Policy in <i>The Book of the Courtier</i> </i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Allegory; Publishing; Content (measure theory); History; Political science; Media studies; Art history; Sociology; Law; Mathematics","score_opus":0.04265220864014193,"score_gpt":0.2477036571003475,"score_spread":0.20505144846020557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329110206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024230673,0.031466678,0.0013764238,0.16772515,0.0089971395,0.000019630777,0.00023874891,0.00013394273,0.7876192],"genre_scores_gemma":[0.15219674,0.014023759,0.0013803456,0.06695958,0.00556074,0.00008310358,0.00018094007,0.0005194576,0.7590954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990336,0.00028982272,0.000021572054,0.00015169855,0.0003262812,0.00017701123],"domain_scores_gemma":[0.99936146,0.00025763334,0.0000399029,0.000083028404,0.00018798611,0.000069959475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010886405,0.00041583928,0.00026729237,0.0008590054,0.006364101,0.005560931,0.00074572477,0.0038735855,0.021446165],"category_scores_gemma":[0.00437106,0.00024340428,0.0002672697,0.001266603,0.0063203783,0.0039353194,0.0016335337,0.0070820223,0.0039949524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012520367,0.000004475605,0.000097649936,0.00003198734,0.0000015909603,0.000034244465,0.0019825217,0.000026666796,0.00006217755,0.5102305,0.47950092,0.008014735],"study_design_scores_gemma":[0.0000022324982,0.0000017358233,0.00026349069,0.000117428615,0.0000011229239,0.000026048092,0.00047197085,0.000015158793,0.00007782586,0.011670473,0.98734623,0.0000061578676],"about_ca_topic_score_codex":0.09922679,"about_ca_topic_score_gemma":0.19942184,"teacher_disagreement_score":0.09922679,"about_ca_system_score_codex":0.0058967792,"about_ca_system_score_gemma":0.003551674,"threshold_uncertainty_score":0.19729841},"labels":[],"label_agreement":null},{"id":"W2329250205","doi":"10.2307/1261897","title":": <i>Decentring the Renaissance: Canada and Europe in Multidisciplinary Perspective, 1500-1700</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Okanagan University College; Okanagan College","funders":"","keywords":"The Renaissance; Index (typography); Multidisciplinary approach; Perspective (graphical); Media studies; History; Humanities; Art history; Sociology; Art; Social science; Visual arts","score_opus":0.008991164830001659,"score_gpt":0.23421736060335197,"score_spread":0.22522619577335032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329250205","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025231212,0.89892673,0.0002844356,0.028879963,0.0035156475,0.000011047747,0.0002935939,0.00003049258,0.065535],"genre_scores_gemma":[0.08477718,0.7847124,0.00080430193,0.006957478,0.002024394,0.000028107748,0.0005508237,0.000094820694,0.12005064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897975,0.00014656417,0.000028401491,0.00007772052,0.0005128708,0.0002547444],"domain_scores_gemma":[0.99903536,0.00015794879,0.00005371001,0.000021182183,0.0004196251,0.0003122475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011903946,0.0017376,0.0007775075,0.004429604,0.009112617,0.009537298,0.0019296104,0.0025620295,0.014975883],"category_scores_gemma":[0.0019098178,0.000375686,0.00033395877,0.012338971,0.009752259,0.0056592617,0.0019482455,0.0024337776,0.0020016017],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036062982,0.000018035214,0.0016075112,0.0007532493,0.00002211502,0.00027108646,0.030330243,0.00023584969,0.00011723339,0.06987386,0.7824607,0.114273936],"study_design_scores_gemma":[0.000003270517,0.000003965029,0.0055769924,0.0009796323,0.000010917913,0.0001299191,0.016462402,0.00004439121,0.00007499999,0.0058042174,0.97088873,0.000020529995],"about_ca_topic_score_codex":0.9719081,"about_ca_topic_score_gemma":0.98910147,"teacher_disagreement_score":0.07986785,"about_ca_system_score_codex":0.07986785,"about_ca_system_score_gemma":0.09819806,"threshold_uncertainty_score":0.57948446},"labels":[],"label_agreement":null},{"id":"W2329390276","doi":"10.1086/660480","title":": <i>Feminisms and Early Modern Texts Essays for Phillis Rackin</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Index (typography); History; Computer science; World Wide Web","score_opus":0.05558335188232302,"score_gpt":0.2883226967226583,"score_spread":0.2327393448403353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329390276","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022745121,0.13074219,0.0014932967,0.51182556,0.014916383,0.00002786539,0.00040801635,0.0000893942,0.31775212],"genre_scores_gemma":[0.4789173,0.058415245,0.0014217895,0.03792312,0.017918712,0.00011995931,0.0002992479,0.00032484447,0.40465984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959046,0.0002511743,0.000009274824,0.00005242373,0.00006675288,0.00002995315],"domain_scores_gemma":[0.9985177,0.0010258887,0.000115909614,0.00004599249,0.00019488686,0.00009961948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010850312,0.0005145528,0.00020471371,0.0011204284,0.0052638324,0.0028250485,0.00051883236,0.0015357878,0.011140331],"category_scores_gemma":[0.0023550706,0.00016026225,0.00014346861,0.0014052243,0.0057762414,0.004420617,0.001109017,0.0029493875,0.0013270646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032578006,0.00002072129,0.00044821916,0.00018093774,0.0000056790145,0.00020206656,0.04377908,0.00005664662,0.0004061761,0.21225576,0.73102754,0.011584666],"study_design_scores_gemma":[0.000005189813,0.000007752461,0.002069116,0.00046526396,0.000004244585,0.00015110348,0.022506671,0.000044869797,0.00036320716,0.010710399,0.9636616,0.000010428526],"about_ca_topic_score_codex":0.013060645,"about_ca_topic_score_gemma":0.03573775,"teacher_disagreement_score":0.013060645,"about_ca_system_score_codex":0.0031696365,"about_ca_system_score_gemma":0.0010382368,"threshold_uncertainty_score":0.037268043},"labels":[],"label_agreement":null},{"id":"W2329483770","doi":"10.1086/669434","title":": <i> <i>“Entre Deux Airs”: Style simple et</i> ethos <i>poétique chez Clément Marot et Joachim du Bellay (1515–1560)</i> </i>","year":2012,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Ethos; Style (visual arts); Art history; Philosophy; Literature; Linguistics","score_opus":0.01848736094633884,"score_gpt":0.25060419305232745,"score_spread":0.2321168321059886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329483770","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012105656,0.49205312,0.0009358802,0.054411188,0.016510352,0.000055149176,0.001173316,0.000187601,0.4225677],"genre_scores_gemma":[0.11690774,0.062800504,0.0008240426,0.00424539,0.0028501656,0.00004462973,0.0006191632,0.0004360027,0.81127226],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941695,0.00016066019,0.000024321938,0.00009797348,0.00020862634,0.000091568916],"domain_scores_gemma":[0.9995227,0.00010643596,0.000049098548,0.000034876433,0.00020055573,0.00008644365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095141225,0.0006921897,0.0004158276,0.0013253872,0.0040650745,0.004089992,0.0006795721,0.0010934445,0.03110201],"category_scores_gemma":[0.0012544522,0.00033939478,0.00020384968,0.002544385,0.0037145636,0.0023891588,0.0012211971,0.002087847,0.00678431],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051300776,0.000010603084,0.0006676458,0.00030356308,0.000008067477,0.00015648323,0.019191507,0.000042186755,0.0006356629,0.024798514,0.9023064,0.051828],"study_design_scores_gemma":[0.0000017182377,0.0000033773097,0.0025655844,0.00015158986,0.0000015806789,0.00007280571,0.0016867534,0.000005920968,0.00008208209,0.00025790287,0.9951657,0.000004994878],"about_ca_topic_score_codex":0.5458081,"about_ca_topic_score_gemma":0.7416952,"teacher_disagreement_score":0.5458081,"about_ca_system_score_codex":0.014643399,"about_ca_system_score_gemma":0.0058595305,"threshold_uncertainty_score":0.9137335},"labels":[],"label_agreement":null},{"id":"W2329738993","doi":"10.1086/683921","title":": <i>L’Honnête Femme: The Respectable Woman in Society and the New Collection of Letters and Responses by Contemporary Women</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Art history; Humanities","score_opus":0.030551921633314282,"score_gpt":0.22651025935454533,"score_spread":0.19595833772123106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329738993","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004215552,0.44399026,0.000682507,0.40586627,0.020583207,0.00004133592,0.00029355852,0.00010933793,0.124218024],"genre_scores_gemma":[0.15168433,0.25294107,0.0012778684,0.08533881,0.02709039,0.00016692051,0.00045083245,0.00029153936,0.48075822],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986059,0.0007490661,0.000042397012,0.00011920316,0.0002913291,0.00019217942],"domain_scores_gemma":[0.99900776,0.00040606,0.00013669446,0.00004205359,0.00016195541,0.00024543365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015184596,0.00085108826,0.00040823728,0.0013401022,0.004392191,0.0064278278,0.0011783706,0.0032167993,0.022507291],"category_scores_gemma":[0.0027027915,0.00036273786,0.0002147155,0.0026194807,0.0065927883,0.010508044,0.0027123748,0.002814439,0.0063284454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002599676,0.000009764901,0.00029892754,0.00025088893,0.0000029995783,0.00007291465,0.014969143,0.000017606702,0.00010982717,0.016183019,0.9414691,0.02658988],"study_design_scores_gemma":[0.000003364753,0.0000063740395,0.0011419881,0.00037290822,0.0000020302753,0.00013092789,0.013941436,0.000012540036,0.000074970616,0.0020667778,0.98223704,0.000009669713],"about_ca_topic_score_codex":0.047169004,"about_ca_topic_score_gemma":0.110881254,"teacher_disagreement_score":0.047169004,"about_ca_system_score_codex":0.0045396513,"about_ca_system_score_gemma":0.004544582,"threshold_uncertainty_score":0.09378886},"labels":[],"label_agreement":null},{"id":"W2329799076","doi":"10.1086/660478","title":": <i>Narcissism and Suicide in Shakespeare and his Contemporaries</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Psychiatry and Medical Practices","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Index (typography); Narcissism; Content (measure theory); Media studies; Psychology; Art; History; Sociology; Psychoanalysis; Computer science; World Wide Web; Mathematics","score_opus":0.06293733891338864,"score_gpt":0.3080384068204142,"score_spread":0.24510106790702557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329799076","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44372103,0.15298963,0.00051540614,0.24080235,0.005006032,0.000021817797,0.00009129011,0.000027567288,0.15682486],"genre_scores_gemma":[0.945867,0.023268433,0.0000937277,0.0076029617,0.0011037604,0.000010488594,0.000028648652,0.000015378335,0.022009665],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931,0.0004028782,0.000032187083,0.000055713455,0.0001053425,0.00009386688],"domain_scores_gemma":[0.99890697,0.0005994761,0.00016064086,0.00004486301,0.00012596237,0.0001621126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016944532,0.00025142496,0.0002708265,0.0008415005,0.00750712,0.0024852573,0.0004414736,0.0017598273,0.0022836437],"category_scores_gemma":[0.00427793,0.000150572,0.00011078429,0.00091775577,0.014492181,0.002359582,0.0016578615,0.0039363997,0.00034785236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052018793,0.00003799611,0.006833234,0.00019835992,0.000021651802,0.0021461663,0.74944234,0.000063604995,0.00015780778,0.15798303,0.06423962,0.01882412],"study_design_scores_gemma":[0.00003186654,0.000107986685,0.051874977,0.002043859,0.000035165533,0.009848897,0.47581375,0.00015963148,0.0005601381,0.04374185,0.4157033,0.000078564306],"about_ca_topic_score_codex":0.05449087,"about_ca_topic_score_gemma":0.08382069,"teacher_disagreement_score":0.05449087,"about_ca_system_score_codex":0.0026385002,"about_ca_system_score_gemma":0.0029091572,"threshold_uncertainty_score":0.10834736},"labels":[],"label_agreement":null},{"id":"W2329822093","doi":"10.1086/668316","title":": <i>The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco, Caravaggio</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Haven; Art; Art history; Mathematics; Combinatorics","score_opus":0.025847534344022816,"score_gpt":0.25219873478366717,"score_spread":0.22635120043964435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329822093","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007209507,0.90146667,0.00028197828,0.045555852,0.008659775,0.000010163873,0.000084141546,0.00005096332,0.043169387],"genre_scores_gemma":[0.063282415,0.6358217,0.0017609112,0.037884828,0.027065223,0.00009524989,0.00041754163,0.0003134549,0.2333586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995921,0.00015187905,0.00001935664,0.000055814176,0.00011492731,0.00006603284],"domain_scores_gemma":[0.999542,0.00020209272,0.00006946958,0.000025962649,0.00009074654,0.00006971182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000754926,0.0012679386,0.000633865,0.001797344,0.0023238698,0.005227165,0.0010810415,0.0028202126,0.02607539],"category_scores_gemma":[0.0013957038,0.00047597112,0.000316249,0.0034003367,0.0036581724,0.008074375,0.002222766,0.0031830298,0.008565219],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018240919,0.000010986396,0.000257113,0.0004538121,0.0000074331574,0.000059460697,0.003938322,0.000021852142,0.00009571568,0.01569048,0.9301375,0.0493091],"study_design_scores_gemma":[0.000004061535,0.0000074173136,0.0012220643,0.00095891056,0.000006808587,0.00023575917,0.0032054363,0.00001770654,0.00007873766,0.0043357764,0.98991895,0.000008403458],"about_ca_topic_score_codex":0.016718416,"about_ca_topic_score_gemma":0.05259931,"teacher_disagreement_score":0.02607539,"about_ca_system_score_codex":0.0022550551,"about_ca_system_score_gemma":0.002140193,"threshold_uncertainty_score":0.08723086},"labels":[],"label_agreement":null},{"id":"W2329844329","doi":"10.1086/683934","title":": <i>Poems, Emblems, and the Unfortunate Florinda</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Emblem; The Renaissance; Poetry; Alice (programming language); Early modern Europe; Art; Art history; History; Classics; Literature","score_opus":0.061142221250961276,"score_gpt":0.33031995920584917,"score_spread":0.26917773795488786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329844329","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014654105,0.56511295,0.00042626885,0.136912,0.01195965,0.000014789318,0.00035482045,0.000166701,0.27039862],"genre_scores_gemma":[0.455603,0.09065883,0.0007245127,0.011865223,0.007783395,0.000035980578,0.00040478806,0.00018061468,0.43274367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997632,0.000084008265,0.0000057290654,0.000033858578,0.000052304833,0.000060934224],"domain_scores_gemma":[0.9997346,0.000065212844,0.00004114468,0.000021011041,0.000050143826,0.00008788815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005192076,0.0006736995,0.00025000554,0.0007382776,0.0035754642,0.0041079586,0.00061427575,0.0010709068,0.020569544],"category_scores_gemma":[0.0014393568,0.00017857447,0.00016113088,0.0010705945,0.0039172564,0.0028905855,0.0014763514,0.0013936231,0.0036584593],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000438136,0.00000976881,0.000637427,0.00012747501,0.0000048139304,0.00020897118,0.009631592,0.000024814888,0.0001644776,0.03132101,0.9145066,0.04331924],"study_design_scores_gemma":[0.0000027106405,0.0000059334475,0.001970094,0.00016883286,0.000002232295,0.00017908213,0.0042358143,0.0000093804765,0.000061516934,0.0014674639,0.991892,0.00000507889],"about_ca_topic_score_codex":0.039894506,"about_ca_topic_score_gemma":0.09725227,"teacher_disagreement_score":0.039894506,"about_ca_system_score_codex":0.0031411767,"about_ca_system_score_gemma":0.0013150566,"threshold_uncertainty_score":0.0793246},"labels":[],"label_agreement":null},{"id":"W2329892796","doi":"10.2307/1262113","title":": <i>Italy, the Enduring Culture</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"White (mutation); The Renaissance; Art history; History; Environmental ethics; Art; Philosophy; Chemistry","score_opus":0.04615170211293161,"score_gpt":0.2108230514270676,"score_spread":0.16467134931413596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329892796","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013474032,0.7473381,0.0006269136,0.073788986,0.0079910215,0.000014588296,0.00019383657,0.00011978927,0.16857934],"genre_scores_gemma":[0.090633415,0.45596433,0.002283774,0.03276163,0.019519854,0.00011255536,0.00059795496,0.0004080009,0.3977185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957436,0.00015795686,0.000018539615,0.0000611922,0.000108019965,0.000079777325],"domain_scores_gemma":[0.9997403,0.00007248211,0.000050799204,0.000021548562,0.000048866765,0.000066025874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006492757,0.0013762356,0.000359629,0.0016852323,0.0016352324,0.005488785,0.000922239,0.0019339472,0.026170002],"category_scores_gemma":[0.0012287755,0.00038146207,0.0002774135,0.0028886676,0.0034534729,0.007199566,0.0020845581,0.002203915,0.008908414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023240776,0.0000083839395,0.00037285435,0.0002655186,0.000004150854,0.000073228504,0.003199144,0.000020360436,0.00007808951,0.036680408,0.9163304,0.04294425],"study_design_scores_gemma":[0.0000033095978,0.0000060570424,0.001596992,0.00037694475,0.0000035196904,0.00016713515,0.0014634732,0.0000122197725,0.00004443778,0.0053821974,0.99093854,0.0000050863378],"about_ca_topic_score_codex":0.014101695,"about_ca_topic_score_gemma":0.03540743,"teacher_disagreement_score":0.026170002,"about_ca_system_score_codex":0.002632614,"about_ca_system_score_gemma":0.002015279,"threshold_uncertainty_score":0.08754742},"labels":[],"label_agreement":null},{"id":"W2329972133","doi":"10.1086/670449","title":": <i>Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Ceremony; Context (archaeology); Publishing; History; Classics; Art history; Art; Literature; Archaeology","score_opus":0.014437824923622495,"score_gpt":0.23238817714408386,"score_spread":0.21795035222046136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329972133","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018793747,0.67298734,0.0005440506,0.21863179,0.021038616,0.00006363274,0.00012886558,0.000060031256,0.06775201],"genre_scores_gemma":[0.4596571,0.2874848,0.0013704143,0.060031336,0.031732008,0.00016763736,0.00023229452,0.00019857979,0.15912582],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9989278,0.0006105731,0.000051908264,0.000083497594,0.00022956531,0.00009659591],"domain_scores_gemma":[0.9986319,0.0008136588,0.00022390112,0.00003370757,0.00012651486,0.00017025865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016119613,0.0008170214,0.00042451438,0.001361197,0.0036070785,0.0023431312,0.0008165715,0.0015716912,0.0060003754],"category_scores_gemma":[0.002930827,0.000256278,0.00016454404,0.0020224364,0.0063328007,0.0031249586,0.0021616914,0.0021899212,0.0012558468],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008008391,0.00003160728,0.00084661774,0.0012855997,0.000022462797,0.00057212514,0.14058764,0.000059973667,0.00065337995,0.027194727,0.77930933,0.049356513],"study_design_scores_gemma":[0.000009986772,0.00003225796,0.006166791,0.001262451,0.000009971773,0.0007675303,0.044334594,0.00005145971,0.0004405049,0.0044235787,0.9424764,0.000024518573],"about_ca_topic_score_codex":0.022064194,"about_ca_topic_score_gemma":0.04032827,"teacher_disagreement_score":0.022064194,"about_ca_system_score_codex":0.0027970355,"about_ca_system_score_gemma":0.0019879113,"threshold_uncertainty_score":0.04387158},"labels":[],"label_agreement":null},{"id":"W2330122555","doi":"10.1086/658624","title":": <i>Documents of Performance in Early Modern England</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Stern; Index (typography); Media studies; History; Art; Art history; Sociology; Computer science; World Wide Web; Ancient history","score_opus":0.010546040823236319,"score_gpt":0.19925212537428394,"score_spread":0.18870608455104762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330122555","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07459725,0.02309032,0.0007885552,0.041145086,0.0065692384,0.00022150627,0.13096267,0.00053011725,0.72209525],"genre_scores_gemma":[0.15558106,0.0077095404,0.0005207129,0.0013207486,0.00082122657,0.00016408313,0.01948078,0.0003446519,0.8140573],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.999226,0.000100686884,0.000085475156,0.000051341787,0.00030949156,0.00022702258],"domain_scores_gemma":[0.9969699,0.000834069,0.00046157435,0.00023088239,0.00093404786,0.00056958245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011875045,0.00028632235,0.00025861227,0.0028265775,0.0036202418,0.0036510502,0.000659246,0.0009863432,0.15062617],"category_scores_gemma":[0.006562247,0.0002640452,0.00010937918,0.010188486,0.0017102023,0.00222034,0.0019790942,0.0012722295,0.018399008],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010228021,0.000024087254,0.0021198706,0.00090715766,0.0000045022566,0.00020740849,0.024711741,0.000043416843,0.0005085628,0.018345915,0.92095107,0.03207407],"study_design_scores_gemma":[0.0000045554607,0.000011773649,0.031975053,0.0002727471,0.0000018251748,0.00006532448,0.010308109,0.000008026413,0.0002345827,0.00021920507,0.9568895,0.0000094717225],"about_ca_topic_score_codex":0.22603531,"about_ca_topic_score_gemma":0.37779737,"teacher_disagreement_score":0.22603531,"about_ca_system_score_codex":0.0061090044,"about_ca_system_score_gemma":0.0067901732,"threshold_uncertainty_score":0.5038947},"labels":[],"label_agreement":null},{"id":"W2330140056","doi":"10.1086/678838","title":": <i>Erasmus of Rotterdam: Advocate of a New Christianity</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Christianity; History; Theology; Art history; Archaeology; Philosophy","score_opus":0.022029358946542295,"score_gpt":0.22311480678874748,"score_spread":0.2010854478422052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330140056","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061906374,0.65646154,0.00042950068,0.22601973,0.042752717,0.00003026721,0.00031008746,0.000181818,0.07319534],"genre_scores_gemma":[0.0345208,0.35409814,0.0015321864,0.080582365,0.03683756,0.00010947939,0.0005468596,0.0008299816,0.49094263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916255,0.0002744024,0.00004920599,0.00010296411,0.00029557457,0.00011523453],"domain_scores_gemma":[0.99864215,0.0004636116,0.00019321477,0.000056623958,0.00034896206,0.0002954708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012928039,0.0011806941,0.00059713813,0.0014566663,0.0021347997,0.004518958,0.0010774153,0.0031279114,0.07501945],"category_scores_gemma":[0.0034618077,0.00051152945,0.0002530883,0.0022094788,0.0019121707,0.007304351,0.002700593,0.0036174415,0.026739286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008282694,0.0000023093883,0.00003772552,0.00012773776,0.0000012463005,0.00002463928,0.0004037889,0.00000509989,0.00003789572,0.0020900778,0.98731834,0.009942754],"study_design_scores_gemma":[0.0000031230304,0.0000033787146,0.00032350922,0.00035810334,0.0000015816036,0.000098478886,0.0007529928,0.000009765368,0.000053291307,0.00069358334,0.99769634,0.0000058184414],"about_ca_topic_score_codex":0.012827776,"about_ca_topic_score_gemma":0.035537172,"teacher_disagreement_score":0.07501945,"about_ca_system_score_codex":0.00255711,"about_ca_system_score_gemma":0.0024110922,"threshold_uncertainty_score":0.25096506},"labels":[],"label_agreement":null},{"id":"W2330155305","doi":"10.1086/665843","title":": <i>Sujet caduc, noble sujet: La poésie de la Renaissance et le choix de ses “arguments.”</i>","year":2012,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"The Renaissance; Humanities; Art; Philosophy; Art history","score_opus":0.012347212669550993,"score_gpt":0.2600808528381884,"score_spread":0.2477336401686374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330155305","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016000356,0.68093055,0.00042065306,0.16453256,0.015844516,0.000017412038,0.00045197082,0.00009527111,0.13610692],"genre_scores_gemma":[0.0890719,0.3636731,0.0011210127,0.041576806,0.015722344,0.00010505996,0.0010650005,0.00042501715,0.4872398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991491,0.0003095923,0.000048462804,0.000102520826,0.00024370963,0.0001466536],"domain_scores_gemma":[0.99896514,0.00048966816,0.00012058853,0.000048342365,0.00022957455,0.00014663639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011605185,0.0010079157,0.0005206964,0.0020000935,0.0030766067,0.006030629,0.001141974,0.0046850303,0.04509726],"category_scores_gemma":[0.0026921034,0.00041003546,0.00029451595,0.0043255896,0.003491254,0.0094575025,0.0021149183,0.0036044952,0.010290074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018159426,0.0000060667203,0.00016200455,0.00020645802,0.000003633226,0.00005940204,0.002464896,0.000012574888,0.00006386768,0.013630889,0.96255875,0.020813277],"study_design_scores_gemma":[0.000004745524,0.000005164765,0.0010331495,0.00059403456,0.0000032035434,0.000104284416,0.0028804603,0.000013557188,0.000099867015,0.002431564,0.9928197,0.00001022757],"about_ca_topic_score_codex":0.051481124,"about_ca_topic_score_gemma":0.112600654,"teacher_disagreement_score":0.051481124,"about_ca_system_score_codex":0.0043705706,"about_ca_system_score_gemma":0.00341781,"threshold_uncertainty_score":0.15086538},"labels":[],"label_agreement":null},{"id":"W2330273119","doi":"10.1086/679815","title":": <i>Congiurare all’antica: Stefano Porcari, Niccolò V, Roma 1453: Con l’edizione delle fonti</i>","year":2014,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; History; Art","score_opus":0.01612861867498208,"score_gpt":0.21424055320193924,"score_spread":0.19811193452695716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330273119","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012174363,0.7749937,0.00032933973,0.10600486,0.023615854,0.000017678127,0.00017783075,0.0001005546,0.09354276],"genre_scores_gemma":[0.058227133,0.39492086,0.0011723215,0.033702396,0.036817286,0.00010377485,0.0005217811,0.0005389813,0.47399542],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951315,0.00019807597,0.000023397473,0.0000774819,0.00012896732,0.00005905225],"domain_scores_gemma":[0.99964726,0.00013157092,0.00006255106,0.00002713918,0.00007546459,0.000056032244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00067942025,0.001142756,0.00052449486,0.001457741,0.0018071341,0.004570945,0.0008691032,0.002479573,0.03264341],"category_scores_gemma":[0.0010703666,0.0004158724,0.00028745364,0.0021499044,0.0026490667,0.0051213377,0.002230494,0.0029702517,0.01701831],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001696282,0.000009043215,0.00020086233,0.00029345587,0.000004897262,0.00006677782,0.0019399456,0.000018394541,0.00008666105,0.007817524,0.95627743,0.033268165],"study_design_scores_gemma":[0.0000028466811,0.000004349733,0.0007391818,0.0003958057,0.0000025851762,0.00014762656,0.0011669717,0.000010119539,0.000060167968,0.0009949198,0.9964701,0.000005358423],"about_ca_topic_score_codex":0.010527129,"about_ca_topic_score_gemma":0.02245418,"teacher_disagreement_score":0.03264341,"about_ca_system_score_codex":0.0019089291,"about_ca_system_score_gemma":0.0012655931,"threshold_uncertainty_score":0.1092031},"labels":[],"label_agreement":null},{"id":"W2330527829","doi":"10.1086/658562","title":": <i>Sport and Culture in Early Modern Europe / Le Sport dans la Civilisation de l'Europe Pré-Moderne</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Early modern Europe; Humanities; History; Civilization; Append; The Renaissance; Index (typography); Art; Art history; Anthropology; Classics; Sociology; Archaeology","score_opus":0.011652908066580783,"score_gpt":0.2563522481449593,"score_spread":0.24469934007837854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330527829","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007255807,0.8938714,0.00036969426,0.04079089,0.0023124034,0.000004645884,0.00006892062,0.000016372518,0.055309795],"genre_scores_gemma":[0.28243965,0.6105366,0.0007924915,0.007876614,0.0053104786,0.000034576005,0.00013528598,0.000046821726,0.092827484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963593,0.00018136417,0.000016439833,0.000039119728,0.00005846738,0.00006864259],"domain_scores_gemma":[0.99971753,0.00012100838,0.000039246614,0.000013959448,0.000052805844,0.00005549167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082228833,0.00070053554,0.00043546822,0.0015988713,0.0016285039,0.0034509923,0.0005949745,0.0016160659,0.009731306],"category_scores_gemma":[0.0008082842,0.00021182558,0.00023859789,0.002919752,0.004900313,0.005133013,0.0013129683,0.0012571716,0.0015276197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000968415,0.00007094772,0.0035883032,0.0012647323,0.000043342265,0.00030905695,0.047050145,0.00023871927,0.00030632247,0.23679473,0.53284866,0.17738822],"study_design_scores_gemma":[0.000011313946,0.00002797746,0.013801393,0.0021722612,0.00001704555,0.00022607746,0.022138296,0.000058227903,0.00017180116,0.033921134,0.9274372,0.000017407954],"about_ca_topic_score_codex":0.017860703,"about_ca_topic_score_gemma":0.039710764,"teacher_disagreement_score":0.017860703,"about_ca_system_score_codex":0.0023558673,"about_ca_system_score_gemma":0.001991486,"threshold_uncertainty_score":0.03551352},"labels":[],"label_agreement":null},{"id":"W2330927795","doi":"10.1086/667272","title":": <i>The Renaissance Conscience. Renaissance Studies</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"The Renaissance; Conscience; Content (measure theory); Classics; History; Art history; Philosophy; Epistemology; Mathematics","score_opus":0.06607764890221404,"score_gpt":0.29052852770656035,"score_spread":0.2244508788043463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330927795","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015247214,0.18415314,0.0004174188,0.44198012,0.004875408,0.000007818049,0.0001278224,0.000037659145,0.35315332],"genre_scores_gemma":[0.7432996,0.08814967,0.00039485015,0.03587068,0.007881865,0.00003064432,0.00011180487,0.00007470824,0.12418623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991903,0.0005157922,0.00002322822,0.00007528987,0.00011889803,0.00007660296],"domain_scores_gemma":[0.99894625,0.0006113223,0.00012927827,0.00007628073,0.00013111664,0.00010578418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014895671,0.00031897362,0.000179008,0.00061926176,0.002890194,0.0050313966,0.0005448215,0.0024742808,0.016579784],"category_scores_gemma":[0.0028524622,0.00012404544,0.00018087971,0.0018796374,0.0077795535,0.0060370206,0.0014865537,0.0031323319,0.0017283938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014932434,0.000012234883,0.0012775135,0.00019370807,0.0000048814254,0.00013348409,0.025798608,0.000030198971,0.00009170625,0.71856654,0.23269454,0.021181736],"study_design_scores_gemma":[0.0000055243236,0.000014801179,0.0074033155,0.00070969044,0.000005839179,0.00022090352,0.018499477,0.000036172245,0.00013161146,0.041152157,0.9318094,0.000011126009],"about_ca_topic_score_codex":0.0256796,"about_ca_topic_score_gemma":0.04538076,"teacher_disagreement_score":0.0256796,"about_ca_system_score_codex":0.0024435914,"about_ca_system_score_gemma":0.0016748066,"threshold_uncertainty_score":0.055464864},"labels":[],"label_agreement":null},{"id":"W2331061497","doi":"10.1086/686407","title":": <i>The Reception of Erasmus in the Early Modern Period</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Brill; Erasmus+; Period (music); History; Classics; Art; Art history; The Renaissance; Aesthetics","score_opus":0.020840726186686795,"score_gpt":0.30103833873250957,"score_spread":0.28019761254582276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331061497","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011656188,0.735431,0.0007354116,0.12585847,0.012270298,0.000009538112,0.0000745067,0.00003180008,0.11393273],"genre_scores_gemma":[0.5541709,0.33528164,0.00075806474,0.019692542,0.027479142,0.0000418415,0.00011594962,0.000116950774,0.062342916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990096,0.0006574832,0.000027606467,0.000078793055,0.00010743912,0.00011898927],"domain_scores_gemma":[0.99904066,0.0006000414,0.00012471688,0.000041930347,0.00010728795,0.00008538111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017910566,0.0005900141,0.0004488379,0.001409812,0.0028175039,0.0067108083,0.00071646314,0.002307165,0.006249972],"category_scores_gemma":[0.0025592537,0.0002473182,0.00024098152,0.0026191142,0.011319473,0.009239562,0.0023318355,0.002908578,0.0012281869],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001268814,0.000029090275,0.0010326216,0.00061263255,0.000020877102,0.00035955815,0.055155415,0.00010554671,0.00018808772,0.579897,0.29069173,0.07178056],"study_design_scores_gemma":[0.000009619025,0.000025264475,0.0031292145,0.0013698551,0.000010136547,0.0003562959,0.015814215,0.00005067732,0.00020554011,0.0571016,0.9219057,0.000021850301],"about_ca_topic_score_codex":0.0051625147,"about_ca_topic_score_gemma":0.0092568165,"teacher_disagreement_score":0.0067108083,"about_ca_system_score_codex":0.0032356803,"about_ca_system_score_gemma":0.0017008058,"threshold_uncertainty_score":0.02347666},"labels":[],"label_agreement":null},{"id":"W2331131838","doi":"10.1086/667262","title":": <i>Writing History in Renaissance Italy: Leonardo Bruni and the Uses of the Past</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The Renaissance; Classics; History; Art history; Art","score_opus":0.031783300290978186,"score_gpt":0.21759143483505028,"score_spread":0.18580813454407208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331131838","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009296436,0.86973464,0.00030398753,0.09166465,0.005761124,0.0000079537895,0.00006924315,0.000048970785,0.031479683],"genre_scores_gemma":[0.08577659,0.690367,0.0015156413,0.02866214,0.022741709,0.00008729718,0.00029596427,0.00025102586,0.17030267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994523,0.000274349,0.000021191327,0.00007200403,0.000116340525,0.00006390237],"domain_scores_gemma":[0.9992353,0.00042718826,0.00008782533,0.00003793081,0.00011421584,0.00009763634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013734272,0.0013616859,0.00067849044,0.00235706,0.0022032945,0.0045316294,0.0011948034,0.0023916604,0.011743694],"category_scores_gemma":[0.0019732427,0.00051903294,0.00028779067,0.004452254,0.0038101496,0.008110247,0.001726311,0.0028268357,0.0041465587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025730882,0.000012569565,0.00037815634,0.00046473416,0.000007225063,0.00008019998,0.0090410635,0.00004015431,0.00008375951,0.025952188,0.9002572,0.063656904],"study_design_scores_gemma":[0.000005487285,0.000005559989,0.0011902244,0.000723181,0.0000049691107,0.00012774006,0.0025013522,0.000024752704,0.0000810619,0.006099903,0.9892278,0.000008022963],"about_ca_topic_score_codex":0.021035887,"about_ca_topic_score_gemma":0.049419522,"teacher_disagreement_score":0.021035887,"about_ca_system_score_codex":0.0035369985,"about_ca_system_score_gemma":0.0021038884,"threshold_uncertainty_score":0.041826904},"labels":[],"label_agreement":null},{"id":"W2331172319","doi":"10.1086/685213","title":": <i>Religious Space in Reformation England: Contesting the Past</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Space (punctuation); History; Sociology; Philosophy","score_opus":0.03716948098945056,"score_gpt":0.2346975503221929,"score_spread":0.19752806933274233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331172319","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011667205,0.41614154,0.00018885366,0.44261596,0.010150478,0.000019779663,0.00017913364,0.000037458038,0.11899958],"genre_scores_gemma":[0.42145863,0.18597825,0.0005543464,0.08512739,0.012415623,0.00010149941,0.00030464627,0.0001224813,0.29393724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994356,0.0002727011,0.000019447061,0.00003647604,0.000113738795,0.000122010184],"domain_scores_gemma":[0.9992316,0.0003088072,0.00011600775,0.000028194212,0.00011495052,0.00020045928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009831599,0.00022568667,0.0002842788,0.0006615669,0.004299159,0.006097819,0.0007135406,0.0026374576,0.026731271],"category_scores_gemma":[0.0017431531,0.00022761406,0.00013500101,0.0014354296,0.0065604937,0.009144992,0.0031498682,0.0031536417,0.0022733752],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000430367,0.000016137363,0.00079457025,0.0005087396,0.000003351176,0.0002333858,0.033082213,0.000024045863,0.00012260718,0.07898695,0.8505981,0.03558683],"study_design_scores_gemma":[0.0000064074384,0.000010953522,0.004343809,0.00075834495,0.0000031484528,0.00018196859,0.04052781,0.000018498258,0.0000592139,0.0043767295,0.9497027,0.000010582129],"about_ca_topic_score_codex":0.053185195,"about_ca_topic_score_gemma":0.14185485,"teacher_disagreement_score":0.053185195,"about_ca_system_score_codex":0.0050521526,"about_ca_system_score_gemma":0.0029706669,"threshold_uncertainty_score":0.10575122},"labels":[],"label_agreement":null},{"id":"W2331349434","doi":"10.1086/667353","title":": <i>George Herbert’s Travels: International Print and Cultural Legacies</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"University of North Carolina at Greensboro","keywords":"George (robot); History; Art history; Media studies; Sociology","score_opus":0.02228911607674612,"score_gpt":0.23955645113253993,"score_spread":0.21726733505579382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331349434","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009342781,0.864839,0.00039793534,0.049418304,0.016279072,0.00001644098,0.0002036105,0.00013087301,0.06778052],"genre_scores_gemma":[0.02054528,0.54648036,0.0006346338,0.012726494,0.01309486,0.000032257096,0.00044937,0.00022680654,0.40580994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996636,0.00010016349,0.0000183614,0.00005105236,0.00012057713,0.000046235757],"domain_scores_gemma":[0.9992373,0.00031350154,0.00007233601,0.000039213846,0.00016389838,0.0001738373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059677544,0.0013898199,0.0005769099,0.0021882174,0.0016438962,0.005306471,0.0009229378,0.0019922403,0.05439819],"category_scores_gemma":[0.0017000231,0.00044114736,0.00032489334,0.0038378905,0.0016951236,0.008440721,0.0019606769,0.0023077652,0.019952118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012147568,0.0000069795074,0.00011626025,0.00028220934,0.0000039752904,0.000041191488,0.0009665071,0.000022778688,0.000043987082,0.003489684,0.9566493,0.038365036],"study_design_scores_gemma":[0.0000020959326,0.0000036011613,0.0004870931,0.0004569506,0.0000034423365,0.00014005075,0.0017004854,0.000014448672,0.000049519018,0.001116778,0.99601966,0.0000058808455],"about_ca_topic_score_codex":0.021330973,"about_ca_topic_score_gemma":0.037531745,"teacher_disagreement_score":0.05439819,"about_ca_system_score_codex":0.001933278,"about_ca_system_score_gemma":0.0020312113,"threshold_uncertainty_score":0.18198007},"labels":[],"label_agreement":null},{"id":"W2331557306","doi":"10.1086/671613","title":": <i>Visions of the Courtly Body: The Patronage of George Villiers, First Duke of Buckingham, and the Triumph of Painting at the Stuart Court</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Buckingham; Vision; George (robot); Painting; Art; Art history; Philosophy; Theology","score_opus":0.006871964284604001,"score_gpt":0.17500908477530058,"score_spread":0.16813712049069657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331557306","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041696415,0.50810546,0.0004990362,0.119042695,0.015541442,0.000022468863,0.0002623405,0.00010546668,0.35225144],"genre_scores_gemma":[0.17046185,0.20657323,0.00068363146,0.019997722,0.010170767,0.000054893808,0.00036397358,0.00033057656,0.5913634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943644,0.00019587316,0.00002223119,0.00007449611,0.0001683538,0.00010260402],"domain_scores_gemma":[0.9995925,0.00016673373,0.000047249425,0.00002081132,0.00005705279,0.00011565092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005872779,0.0009548217,0.0003229669,0.001226066,0.004245057,0.0060657444,0.00096072035,0.002469378,0.03867605],"category_scores_gemma":[0.0011379437,0.00038634305,0.00018045129,0.0019567115,0.0053197616,0.0068807956,0.0025534302,0.0027249204,0.0070183156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020351219,0.000008266604,0.00015881025,0.00018606627,0.0000033022784,0.00012278836,0.010345153,0.000018534698,0.000114384646,0.028933385,0.94063085,0.019458108],"study_design_scores_gemma":[0.00000273167,0.000006127027,0.0011218924,0.0004227582,0.000003116335,0.00023282846,0.012399537,0.00001359225,0.00015847554,0.0032093334,0.982421,0.000008535448],"about_ca_topic_score_codex":0.059499603,"about_ca_topic_score_gemma":0.12879787,"teacher_disagreement_score":0.059499603,"about_ca_system_score_codex":0.0039074095,"about_ca_system_score_gemma":0.0018790246,"threshold_uncertainty_score":0.12938428},"labels":[],"label_agreement":null},{"id":"W2331789165","doi":"10.1086/658527","title":": <i> <i>Virgil the Blind Guide: Marking the Way through the</i> Divine Comedy </i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Comedy; Index (typography); Art; Art history; Literature; Computer science; Botany; Biology; World Wide Web","score_opus":0.030307836317215297,"score_gpt":0.3213492154819726,"score_spread":0.2910413791647573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331789165","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00063418923,0.5491894,0.003374658,0.13235895,0.03641129,0.00010106755,0.0012746981,0.0010168644,0.2756388],"genre_scores_gemma":[0.0072880904,0.12185474,0.0026028403,0.022638986,0.0051430142,0.000086102984,0.00053651666,0.00062430854,0.8392255],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944633,0.00018644317,0.000032188953,0.00006172813,0.00022232375,0.000051002968],"domain_scores_gemma":[0.99889094,0.00038720376,0.000077363904,0.000049596263,0.00041675437,0.00017817107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010422982,0.0013571699,0.0007495018,0.0019969426,0.0028854897,0.0037615076,0.0018270871,0.0029627357,0.14094417],"category_scores_gemma":[0.0024139672,0.0006442257,0.0003655475,0.0021880663,0.0024330448,0.0073424475,0.0021530727,0.003060389,0.073878996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004064231,0.0000020772516,0.00002187387,0.000091502654,8.27949e-7,0.000012499458,0.00034356437,0.0000067862657,0.000026145863,0.0018440131,0.9813433,0.016303355],"study_design_scores_gemma":[0.0000013036642,0.0000022713311,0.00010206098,0.00014146729,6.8114076e-7,0.000039813505,0.00041478992,0.0000052154473,0.000021237776,0.0006156374,0.9986519,0.000003639948],"about_ca_topic_score_codex":0.048739705,"about_ca_topic_score_gemma":0.10970602,"teacher_disagreement_score":0.14094417,"about_ca_system_score_codex":0.0030069437,"about_ca_system_score_gemma":0.0033919574,"threshold_uncertainty_score":0.47150522},"labels":[],"label_agreement":null},{"id":"W2332010912","doi":"10.1086/676251","title":": <i>Objects of Culture in the Literature of Imperial Spain</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Humanities; Art; Sociology","score_opus":0.0077693599143148755,"score_gpt":0.20311856066955675,"score_spread":0.19534920075524187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332010912","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026215238,0.8956182,0.00046013232,0.030487875,0.0033848803,0.00000541399,0.00008331948,0.000046642923,0.06729196],"genre_scores_gemma":[0.10892437,0.76060766,0.0011546579,0.006862361,0.008114675,0.00004506588,0.000371304,0.00026632214,0.11365355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993931,0.0003120154,0.000030944575,0.00004483248,0.00013923101,0.00007974978],"domain_scores_gemma":[0.99909604,0.00044464157,0.000109614055,0.00006724316,0.00017233055,0.00011012549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012745867,0.0011042908,0.0008517048,0.002010167,0.0016141874,0.008928498,0.0011012973,0.0017676996,0.012076025],"category_scores_gemma":[0.0017240004,0.0003843027,0.0003271299,0.0040619215,0.004123571,0.0068799844,0.0022118883,0.002242978,0.003922464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010275935,0.000038428992,0.0015494234,0.0017718045,0.00003214594,0.0003002941,0.029128259,0.00020150797,0.00027505623,0.075787015,0.69361323,0.19720007],"study_design_scores_gemma":[0.000009744678,0.000008329566,0.0026377437,0.0020296248,0.00001595417,0.0002451255,0.012607888,0.000051951076,0.00014332146,0.014719115,0.96751976,0.000011482497],"about_ca_topic_score_codex":0.019044613,"about_ca_topic_score_gemma":0.027000526,"teacher_disagreement_score":0.019044613,"about_ca_system_score_codex":0.0047364566,"about_ca_system_score_gemma":0.0030172463,"threshold_uncertainty_score":0.0403983},"labels":[],"label_agreement":null},{"id":"W2332055500","doi":"10.1086/683937","title":": <i>Singing Jeremiah: Music and Meaning in Holy Week</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Singing; Meaning (existential); Art; Theology; History; Art history; Psychology; Philosophy; Acoustics; Physics","score_opus":0.0636609314206051,"score_gpt":0.23606923208065517,"score_spread":0.17240830066005008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332055500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08869467,0.06301326,0.0010265703,0.14492594,0.021764344,0.00009505113,0.0010320926,0.00021864584,0.6792293],"genre_scores_gemma":[0.63456815,0.024397701,0.0007896886,0.014578632,0.0073993257,0.00008547535,0.00047168494,0.00034757386,0.31736177],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996803,0.00015455154,0.000010600006,0.00002816357,0.00006755986,0.0000588152],"domain_scores_gemma":[0.9996573,0.00013567849,0.00003699229,0.000021140722,0.000044023876,0.00010500452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007892212,0.00034511482,0.000193857,0.00074640306,0.003842858,0.0033957022,0.0003913741,0.0009841354,0.02017104],"category_scores_gemma":[0.0018136806,0.00014699843,0.00015446203,0.001151257,0.0031205972,0.0024269682,0.0017885861,0.002085214,0.0028672009],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001752035,0.00004153019,0.0039881645,0.00063890277,0.000021212454,0.00046700597,0.11093036,0.00006887015,0.0012550771,0.062390924,0.75465715,0.06536563],"study_design_scores_gemma":[0.00000857409,0.000043796117,0.026869306,0.00055599015,0.000010133626,0.00036722026,0.07722808,0.00004232835,0.0004242166,0.0027740158,0.89165,0.00002629661],"about_ca_topic_score_codex":0.012385697,"about_ca_topic_score_gemma":0.052395467,"teacher_disagreement_score":0.02017104,"about_ca_system_score_codex":0.0010784422,"about_ca_system_score_gemma":0.0007927189,"threshold_uncertainty_score":0.067478895},"labels":[],"label_agreement":null},{"id":"W2332117905","doi":"10.1086/683955","title":": <i>Die Anfänge der deutschen Fremdwörterlexikographie: Metalexikographische Untersuchungen zu Simon Roths Ein Teutscher Dictionarius (1571)</i>","year":2015,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.03518674811855901,"score_gpt":0.24767851168950264,"score_spread":0.21249176357094363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332117905","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006905556,0.43296313,0.0015738428,0.14729525,0.013334789,0.000025077941,0.002395163,0.00017597576,0.39533123],"genre_scores_gemma":[0.14440684,0.19124457,0.0024222261,0.021818686,0.008357665,0.00007788528,0.0029046913,0.0006508263,0.6281166],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99950194,0.00017572343,0.000040738698,0.00007729622,0.00014024437,0.000064056505],"domain_scores_gemma":[0.99943966,0.0002767735,0.00007420662,0.000028577131,0.00013419037,0.000046608573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069054373,0.00066340074,0.00040480262,0.002640231,0.002296194,0.0048010005,0.00038402274,0.0013027255,0.043380223],"category_scores_gemma":[0.0017360614,0.00036922726,0.0001853063,0.0050738784,0.0031322201,0.006290283,0.0015618562,0.0018912911,0.01431448],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004222625,0.00000569981,0.00031292043,0.00019825531,0.0000037980908,0.00005796632,0.0042426107,0.00002984061,0.00015056184,0.0630576,0.89299095,0.03890755],"study_design_scores_gemma":[0.0000024612755,0.000003778423,0.0012184302,0.00029681207,0.0000018634897,0.00010986551,0.0022734443,0.000015100422,0.00009965338,0.0053441664,0.990628,0.0000065239738],"about_ca_topic_score_codex":0.026353115,"about_ca_topic_score_gemma":0.045379188,"teacher_disagreement_score":0.043380223,"about_ca_system_score_codex":0.0032114568,"about_ca_system_score_gemma":0.001851364,"threshold_uncertainty_score":0.14512134},"labels":[],"label_agreement":null},{"id":"W2332140173","doi":"10.2307/2901455","title":"Embodying Dislocation: A Mirror for Magistrates and Property Relations","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Property (philosophy); Dislocation; Psychoanalysis; Psychology; Sociology; Criminology; Philosophy; Epistemology; Condensed matter physics; Physics","score_opus":0.02398034204013416,"score_gpt":0.2964136441281783,"score_spread":0.2724333020880441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332140173","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7749492,0.0017081689,0.0099763265,0.025599785,0.00031290084,0.000014139382,0.000016615866,0.000101963196,0.18732087],"genre_scores_gemma":[0.994131,0.000108505985,0.00025497144,0.00029976122,0.000022632441,0.0000022606996,0.0000020282664,0.000014738899,0.005164049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703884,0.0016563666,0.00006880462,0.00027338395,0.0004470591,0.0005155659],"domain_scores_gemma":[0.9983152,0.0005026346,0.00040309445,0.00040261747,0.00021755311,0.00015888439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004199391,0.00031073016,0.00032957975,0.0009159131,0.011338882,0.0066965898,0.0007858483,0.0023013384,0.0021954316],"category_scores_gemma":[0.004689183,0.00030440572,0.0002581053,0.0006433222,0.048096914,0.007104571,0.008215146,0.003627032,0.00028612782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035315945,0.000011902553,0.0020507441,0.000013334448,0.0000065000045,0.00050249515,0.33058223,0.000061811705,0.0006018345,0.6555102,0.0014881227,0.009135579],"study_design_scores_gemma":[0.000029403413,0.00013695082,0.006761669,0.00015078146,0.00004102644,0.0019324928,0.42571792,0.00053855905,0.003292158,0.2894584,0.27183622,0.00010439158],"about_ca_topic_score_codex":0.011448375,"about_ca_topic_score_gemma":0.012388457,"teacher_disagreement_score":0.011448375,"about_ca_system_score_codex":0.0032477921,"about_ca_system_score_gemma":0.0020100551,"threshold_uncertainty_score":0.023564517},"labels":[],"label_agreement":null},{"id":"W2332148258","doi":"10.1086/658574","title":": <i>Machiavelli's God</i>","year":2010,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); Art; Theology; Philosophy; Computer science; World Wide Web","score_opus":0.01676876616282988,"score_gpt":0.2208939341269822,"score_spread":0.2041251679641523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332148258","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02619617,0.019456198,0.0022983619,0.08305156,0.0031839588,0.000028424125,0.00018116242,0.00014487315,0.8654593],"genre_scores_gemma":[0.706049,0.006094709,0.0023883288,0.00928832,0.00090857677,0.00004472291,0.00009973269,0.00015924855,0.27496734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965525,0.0001192306,0.000012045745,0.00006941599,0.00008489166,0.00005918932],"domain_scores_gemma":[0.9998363,0.000039993385,0.000037153786,0.000027215985,0.000034834316,0.000024494726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006148835,0.0002118288,0.00019369386,0.00035909284,0.003775071,0.0026437605,0.00035300304,0.0010089811,0.006339072],"category_scores_gemma":[0.0011944511,0.00012566661,0.00014325591,0.0004587174,0.005582302,0.0019974436,0.0012314868,0.0027755839,0.0011828048],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034062607,0.000007491044,0.00047001243,0.0000939063,0.0000042784977,0.000101992184,0.029787844,0.000035793506,0.0003350517,0.86903167,0.077456154,0.022641657],"study_design_scores_gemma":[0.0000061197743,0.00002180921,0.0023805033,0.00015112816,0.0000068874615,0.0002445799,0.0068688695,0.00006265196,0.0003352837,0.039446384,0.950464,0.000011828594],"about_ca_topic_score_codex":0.01503373,"about_ca_topic_score_gemma":0.04016305,"teacher_disagreement_score":0.01503373,"about_ca_system_score_codex":0.0023767168,"about_ca_system_score_gemma":0.0012469176,"threshold_uncertainty_score":0.029892445},"labels":[],"label_agreement":null},{"id":"W2332156196","doi":"10.1086/682553","title":": <i>John Donne and Religious Authority in a Reformed Church</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Content (measure theory); History; Law; Art; Political science; Mathematics","score_opus":0.02856716694037658,"score_gpt":0.3063630066179625,"score_spread":0.2777958396775859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332156196","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022696743,0.013508613,0.00021763115,0.7488968,0.0018101174,0.000019442534,0.00009432856,0.000013818663,0.21274246],"genre_scores_gemma":[0.6024626,0.008059064,0.0004004848,0.18603836,0.0021619129,0.00005231495,0.000048792714,0.00006361859,0.2007128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982924,0.0009276767,0.000048019327,0.00015024793,0.00027169386,0.00030990737],"domain_scores_gemma":[0.9979673,0.0009836524,0.00017272423,0.000092657574,0.00028614808,0.00049745414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029983318,0.00019516321,0.00026434948,0.00053915323,0.017813481,0.005905437,0.00097400666,0.006685529,0.009678472],"category_scores_gemma":[0.006956456,0.00021117301,0.00021757699,0.0007839922,0.01365751,0.0053149574,0.0037950792,0.006777653,0.0008647619],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002630285,0.000027281754,0.0012825382,0.00006506771,0.000007267864,0.00025996153,0.021737685,0.00009946007,0.00014045434,0.618804,0.35304955,0.0045004645],"study_design_scores_gemma":[0.000038907056,0.000016870492,0.0062078615,0.000507561,0.000017385795,0.00024493306,0.037616566,0.00018843966,0.00036241038,0.0673604,0.88738,0.000058703823],"about_ca_topic_score_codex":0.13076304,"about_ca_topic_score_gemma":0.3456753,"teacher_disagreement_score":0.13076304,"about_ca_system_score_codex":0.008508792,"about_ca_system_score_gemma":0.007822126,"threshold_uncertainty_score":0.26000386},"labels":[],"label_agreement":null},{"id":"W2332157463","doi":"10.2307/1261672","title":": <i>Hugo Grotius: De imperio summarum potestatum circa sacra</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Brill; History; Index (typography); Classics; Harm; Theology; Humanities; Art; Philosophy; Law; Political science","score_opus":0.023208702060337677,"score_gpt":0.22979691890259885,"score_spread":0.20658821684226117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332157463","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001864972,0.75987196,0.0010382211,0.096947454,0.016335975,0.000019455954,0.0005098773,0.00011323947,0.123298846],"genre_scores_gemma":[0.12053901,0.35554305,0.0028340498,0.050427932,0.028952263,0.000102353864,0.0009388709,0.00067852275,0.439984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996325,0.000115664254,0.000014068192,0.00006399305,0.0001163554,0.00005746063],"domain_scores_gemma":[0.9997613,0.000089974936,0.000047314767,0.000014340507,0.000047277957,0.00003979575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004346699,0.00093007897,0.0003226585,0.0013405955,0.0018953624,0.0031330853,0.0008027866,0.0018706797,0.030319495],"category_scores_gemma":[0.001234758,0.00029145787,0.00016333896,0.0026725752,0.0024675746,0.0050716135,0.0016857248,0.0020491984,0.008400461],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022661716,0.000004738435,0.00014807456,0.00019127436,0.000004392893,0.00006392869,0.0021792252,0.000020180001,0.00012577584,0.02931945,0.9401653,0.027755015],"study_design_scores_gemma":[0.0000031377263,0.0000039472243,0.0007902508,0.00027795378,0.0000023879602,0.00010432306,0.0009788102,0.000010404272,0.00011045538,0.0053334786,0.9923781,0.0000067705437],"about_ca_topic_score_codex":0.027493605,"about_ca_topic_score_gemma":0.06278177,"teacher_disagreement_score":0.030319495,"about_ca_system_score_codex":0.0019292855,"about_ca_system_score_gemma":0.0012850233,"threshold_uncertainty_score":0.10142875},"labels":[],"label_agreement":null},{"id":"W2332427417","doi":"10.2307/1262179","title":": <i>Charles d'Orléans in England (1415-1440)</i>","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"History; Poetry; Theology; Art; Philosophy; Literature","score_opus":0.025365079411740175,"score_gpt":0.22772845127078206,"score_spread":0.20236337185904188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332427417","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00051621,0.92043227,0.00018059585,0.0074988194,0.005896442,0.000010581582,0.00017837647,0.000036530473,0.06525026],"genre_scores_gemma":[0.011526076,0.41530907,0.00049234857,0.004651999,0.0029990782,0.00003521256,0.00044380242,0.00009824206,0.5644442],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995704,0.00010159891,0.00002909409,0.00007972811,0.00014691343,0.0000722713],"domain_scores_gemma":[0.9996649,0.00008616497,0.000042998407,0.000018498004,0.00009725121,0.00009019254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006536816,0.0011553977,0.0006833477,0.0023229525,0.001341176,0.004194041,0.00068035105,0.0017897895,0.121211305],"category_scores_gemma":[0.0010045585,0.00037048495,0.00030763895,0.0037544183,0.0015440851,0.004644019,0.002259054,0.0019654208,0.040791277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003938313,0.000010289244,0.0002233418,0.0007754529,0.0000070791966,0.0001152505,0.0015706965,0.00004396775,0.00019724871,0.009011756,0.8757853,0.112220205],"study_design_scores_gemma":[9.3222445e-7,0.0000025080592,0.00042167262,0.0004377252,0.0000011528178,0.000067809524,0.00032577824,0.0000030920223,0.000028809676,0.00039562848,0.998312,0.0000029230991],"about_ca_topic_score_codex":0.036099296,"about_ca_topic_score_gemma":0.08062805,"teacher_disagreement_score":0.121211305,"about_ca_system_score_codex":0.003897569,"about_ca_system_score_gemma":0.0024776678,"threshold_uncertainty_score":0.4054922},"labels":[],"label_agreement":null},{"id":"W2332571762","doi":"10.1086/669458","title":": <i>Magical Imaginations: Instrumental Aesthetics in the English Renaissance</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"The Renaissance; Art; Art history; Content (measure theory); Media studies; Visual arts; Sociology","score_opus":0.02311336097633603,"score_gpt":0.29172421169946006,"score_spread":0.268610850723124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332571762","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1446995,0.026621081,0.004813448,0.06699311,0.0016577393,0.00003346937,0.00008545676,0.00014045782,0.75495577],"genre_scores_gemma":[0.92449504,0.0021468343,0.0007297875,0.0014922014,0.00029899037,0.000011538131,0.000013069304,0.00006276563,0.070749864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992079,0.00052939,0.000015968002,0.000054278546,0.000113811824,0.00007872396],"domain_scores_gemma":[0.9995461,0.0002224448,0.000051885738,0.000051670737,0.00007284171,0.000055144184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016569945,0.0003083951,0.00017131619,0.0004911199,0.0046179374,0.0040784013,0.00047205773,0.0009005616,0.008046242],"category_scores_gemma":[0.0019068024,0.0001355823,0.00018916812,0.0004817744,0.018387772,0.0035218063,0.0016962579,0.0022123335,0.00060050865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004209272,0.000012822028,0.0004960868,0.00018316742,0.0000054839943,0.00030807208,0.32712582,0.00007532569,0.00061887846,0.63592565,0.023272399,0.011934168],"study_design_scores_gemma":[0.000015159707,0.00005313796,0.0068228543,0.00035095762,0.00001827168,0.0009710506,0.19421998,0.00029641762,0.0011062209,0.068301626,0.7278021,0.000042189004],"about_ca_topic_score_codex":0.021480767,"about_ca_topic_score_gemma":0.037544545,"teacher_disagreement_score":0.021480767,"about_ca_system_score_codex":0.002816924,"about_ca_system_score_gemma":0.0010236792,"threshold_uncertainty_score":0.042711496},"labels":[],"label_agreement":null},{"id":"W2332626023","doi":"10.1086/678798","title":": <i>The Sensuous in the Counter-Reformation Church</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Theology; History; Art; Art history; Philosophy","score_opus":0.015549643322183893,"score_gpt":0.2171186273446606,"score_spread":0.2015689840224767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332626023","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020620184,0.009811343,0.0014667459,0.51273793,0.020056691,0.00005234299,0.0005411045,0.00016980134,0.43454394],"genre_scores_gemma":[0.4649707,0.004327217,0.0011263413,0.093037374,0.0056360774,0.00008251486,0.00029943787,0.00038268729,0.4301377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934787,0.00030309815,0.00001637638,0.000068473506,0.00014508508,0.00011916257],"domain_scores_gemma":[0.99939346,0.0002097966,0.000076915254,0.00006239673,0.00013025015,0.0001271719],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011473885,0.00019542634,0.00015812501,0.00038258903,0.0046352106,0.0042464556,0.000458555,0.0021447274,0.024529932],"category_scores_gemma":[0.0033134257,0.00010876761,0.00016029832,0.00062201853,0.0051819715,0.0035115134,0.002335677,0.0041489066,0.003420179],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003131939,0.000010660745,0.0005940891,0.00011167959,0.0000030234492,0.00012092949,0.030253604,0.00001948099,0.0004259126,0.2644799,0.69106185,0.012887551],"study_design_scores_gemma":[0.000004420224,0.0000096907615,0.0024141858,0.00022631286,0.0000030310155,0.00018386214,0.018050661,0.000037151534,0.00036309802,0.00831671,0.970379,0.0000119603665],"about_ca_topic_score_codex":0.012618899,"about_ca_topic_score_gemma":0.03326849,"teacher_disagreement_score":0.024529932,"about_ca_system_score_codex":0.0019182395,"about_ca_system_score_gemma":0.00145933,"threshold_uncertainty_score":0.082060814},"labels":[],"label_agreement":null},{"id":"W2332903347","doi":"10.1086/682512","title":": <i>Machaut and the Medieval Apprenticeship Tradition: Truth, Fiction and Poetic Craft</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Craft; Apprenticeship; Poetry; Art; Literature; Art history; History; Visual arts; Archaeology","score_opus":0.032396652206520674,"score_gpt":0.21612967504260328,"score_spread":0.18373302283608262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332903347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07072301,0.11283642,0.0030733377,0.22064422,0.007465235,0.000024717618,0.00021978465,0.00019522753,0.5848181],"genre_scores_gemma":[0.85482717,0.013302824,0.0010927228,0.010617973,0.0035027068,0.000024058765,0.000084339794,0.00010013172,0.11644805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99968123,0.0001698586,0.000009552527,0.000040980216,0.000063725165,0.00003470292],"domain_scores_gemma":[0.99961746,0.0002366614,0.000048228554,0.000026413109,0.000037970512,0.00003315171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006276551,0.00025890386,0.00013872143,0.00051489525,0.002661076,0.00364192,0.00034701911,0.0012645237,0.0044190856],"category_scores_gemma":[0.0017546581,0.000087689274,0.00010816667,0.0005978779,0.006177657,0.0033214963,0.0011827789,0.002053254,0.00092645944],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008401804,0.000015286907,0.0013127613,0.00019133573,0.0000079332385,0.00021048255,0.05841333,0.00006720411,0.00042010102,0.7893218,0.123658225,0.026297601],"study_design_scores_gemma":[0.000011428926,0.000032535074,0.0068024504,0.00047876372,0.000012798764,0.00082043355,0.030091317,0.0002826277,0.0010596847,0.07323375,0.88715494,0.000019312403],"about_ca_topic_score_codex":0.0054999706,"about_ca_topic_score_gemma":0.012982791,"teacher_disagreement_score":0.0054999706,"about_ca_system_score_codex":0.0011902414,"about_ca_system_score_gemma":0.0006007467,"threshold_uncertainty_score":0.014783323},"labels":[],"label_agreement":null},{"id":"W2333240270","doi":"10.1086/679823","title":": <i>One Foot in the Palace: The Habsburg Court of Brussels and the Politics of Access in the Reign of Albert and Isabella, 1598–1621</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Reign; Politics; Foot (prosody); Art; History; Ancient history; Law; Political science; Literature","score_opus":0.030186773108952857,"score_gpt":0.31535632289444665,"score_spread":0.2851695497854938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333240270","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013511859,0.6143291,0.00020670838,0.16122389,0.013397216,0.000015823729,0.0005774211,0.00003252406,0.19670545],"genre_scores_gemma":[0.47657812,0.16856591,0.00045210082,0.019719187,0.011785857,0.00007244133,0.00073158205,0.00025007938,0.32184473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993837,0.00023260573,0.000025552918,0.00008886005,0.000113827504,0.0001555173],"domain_scores_gemma":[0.9995615,0.00021317264,0.00007132555,0.000020871492,0.000047053436,0.00008603963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006308228,0.00072194554,0.0003947782,0.0013692707,0.0046368763,0.0062290947,0.0009450008,0.0030990178,0.02951616],"category_scores_gemma":[0.0014577425,0.0004077515,0.00019943455,0.0037501492,0.0054049594,0.00627288,0.0025804488,0.0034160207,0.0032222897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009361293,0.000028250668,0.00096118066,0.0004074734,0.0000152528,0.00028433668,0.029485792,0.000085702755,0.0001965771,0.08150572,0.85356766,0.033368353],"study_design_scores_gemma":[0.000011995489,0.000009061651,0.005014421,0.00072083675,0.000005702535,0.00012081717,0.015775379,0.000011597303,0.000093480725,0.0044824197,0.97374016,0.000014186944],"about_ca_topic_score_codex":0.092244655,"about_ca_topic_score_gemma":0.2045401,"teacher_disagreement_score":0.092244655,"about_ca_system_score_codex":0.0061192713,"about_ca_system_score_gemma":0.0025161349,"threshold_uncertainty_score":0.18341547},"labels":[],"label_agreement":null},{"id":"W2333361481","doi":"10.1086/660393","title":": <i>Armour and Masculinity in the Italian Renaissance</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gloss (optics); The Renaissance; Masculinity; Index (typography); Armour; Art; Art history; Media studies; Sociology; Gender studies; Materials science; Composite material; Computer science","score_opus":0.09784153764890204,"score_gpt":0.2558178337321049,"score_spread":0.1579762960832029,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333361481","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018937114,0.8569455,0.00014634604,0.048558824,0.008997166,0.000011588826,0.00011620993,0.00004588184,0.08328475],"genre_scores_gemma":[0.12890191,0.5524201,0.00052298856,0.017314848,0.047721665,0.000066038876,0.000322042,0.00018207489,0.25254843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995517,0.00018261181,0.00001637313,0.00005766893,0.0001112707,0.00008035882],"domain_scores_gemma":[0.99971646,0.00012980866,0.000041982206,0.000020835228,0.00005169537,0.00003916252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007682212,0.0014293907,0.0006277792,0.0018683572,0.0014967218,0.0030637123,0.00076914084,0.0013243305,0.016360175],"category_scores_gemma":[0.0009840591,0.00031309872,0.00031241082,0.002890965,0.0036175393,0.0031204282,0.0012291324,0.001337994,0.0042320276],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046418358,0.000015424219,0.0005502734,0.00060064753,0.000009398839,0.000115544055,0.007289622,0.000059110782,0.00012948825,0.04474585,0.8856495,0.0607888],"study_design_scores_gemma":[0.0000047946837,0.0000123958,0.003257788,0.000601204,0.0000058680625,0.00015294725,0.0017447887,0.000025336967,0.00005532825,0.0036686065,0.9904597,0.000011258876],"about_ca_topic_score_codex":0.031661104,"about_ca_topic_score_gemma":0.07256121,"teacher_disagreement_score":0.031661104,"about_ca_system_score_codex":0.0033192271,"about_ca_system_score_gemma":0.0012839064,"threshold_uncertainty_score":0.06295359},"labels":[],"label_agreement":null},{"id":"W2333423342","doi":"10.1086/678827","title":": <i>Les Voyages de l’écrit: Culture écrite et expansion européenne à l’époque moderne; essais sur la Compagnie Hollandaise des Indes Orientales</i>","year":2014,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Champion; Humanities; History; Archaeology","score_opus":0.019558535206365364,"score_gpt":0.2582409688730988,"score_spread":0.23868243366673342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333423342","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010226018,0.5974571,0.00071044196,0.076633036,0.0059782295,0.000015418156,0.00030350342,0.00007135412,0.3086049],"genre_scores_gemma":[0.24201584,0.31334284,0.0014702169,0.009269783,0.0074878116,0.000064304186,0.0004658513,0.00028215486,0.42560118],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99948645,0.00021014494,0.000025678526,0.00007205273,0.0001344262,0.0000711619],"domain_scores_gemma":[0.9995066,0.00019949533,0.0000958755,0.000034450033,0.00009999917,0.000063567764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008560063,0.00062311743,0.00032425715,0.0012124123,0.0021157437,0.006366351,0.0007215624,0.0017857375,0.025461787],"category_scores_gemma":[0.0012706969,0.00024632583,0.00020444841,0.0039340076,0.0037149645,0.005685082,0.0022119053,0.0019121215,0.004318974],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005703033,0.000026226435,0.001747504,0.00097095134,0.000015550346,0.00029134456,0.032799795,0.000080085534,0.00046200943,0.13235252,0.69518244,0.13601449],"study_design_scores_gemma":[0.0000026340285,0.000005557175,0.0025934915,0.0005268927,0.000004673166,0.00013942312,0.0075674765,0.000013387141,0.000097800956,0.002531282,0.9865109,0.000006424005],"about_ca_topic_score_codex":0.03455295,"about_ca_topic_score_gemma":0.055394433,"teacher_disagreement_score":0.03455295,"about_ca_system_score_codex":0.002759729,"about_ca_system_score_gemma":0.0021111548,"threshold_uncertainty_score":0.0851782},"labels":[],"label_agreement":null},{"id":"W2333446893","doi":"10.1086/681396","title":": <i>The Oxford Edition of the Sermons of John Donne. Volume 3: Sermons Preached at the Court of Charles I</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"History; Classics; Theology; Philosophy","score_opus":0.02995435730114034,"score_gpt":0.22205218532450027,"score_spread":0.19209782802335992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333446893","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008656648,0.70755064,0.0006719553,0.04199491,0.033238694,0.00003921154,0.0010444262,0.00015090438,0.2144436],"genre_scores_gemma":[0.019195614,0.22556585,0.0009981337,0.011291644,0.016916223,0.00007976172,0.0011605234,0.0003809202,0.72441137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998833,0.00030034894,0.00008789828,0.000121051875,0.0005474852,0.00011020354],"domain_scores_gemma":[0.9985429,0.0004504572,0.00022532463,0.00014355146,0.0004114841,0.00022623068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013985849,0.0014941237,0.00079954247,0.0024043613,0.002410536,0.004790873,0.00088529947,0.0018581924,0.076140694],"category_scores_gemma":[0.0044389963,0.0006903938,0.0003778747,0.0029633853,0.0028590914,0.0056754593,0.0024831353,0.0037093952,0.028548397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020666932,0.000006361793,0.000080167956,0.00020332137,0.0000024544518,0.000025811894,0.0005656667,0.000015493068,0.00005295898,0.0070406254,0.9702536,0.021732755],"study_design_scores_gemma":[0.0000012607004,0.000002226225,0.0002224909,0.00030314707,8.124067e-7,0.000029747014,0.0002513784,0.000003076544,0.000026482332,0.0008919493,0.99826413,0.0000033454446],"about_ca_topic_score_codex":0.022914896,"about_ca_topic_score_gemma":0.053346254,"teacher_disagreement_score":0.076140694,"about_ca_system_score_codex":0.0037635774,"about_ca_system_score_gemma":0.005183815,"threshold_uncertainty_score":0.25471604},"labels":[],"label_agreement":null},{"id":"W2333704064","doi":"10.2307/1261973","title":"George Herbert's Sacramental Puritanism","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Divinity; Ceremony; Poetics; Ideology; Drama; Polity; Aesthetics; Poetry; TRACE (psycholinguistics); Literature; Philosophy; Religious studies; Art; Theology; Law; Politics; Political science","score_opus":0.02345852519453774,"score_gpt":0.227881298443558,"score_spread":0.20442277324902025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333704064","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15208977,0.019407652,0.002105056,0.10117619,0.00092112785,0.000024949537,0.000047250094,0.000105367246,0.72412264],"genre_scores_gemma":[0.88530505,0.002920782,0.0005222111,0.0050425692,0.00034868764,0.000009934664,0.000007766206,0.000024122626,0.10581875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997315,0.00011692692,0.0000040660916,0.000030567495,0.00007642075,0.0000405115],"domain_scores_gemma":[0.9997745,0.000120713514,0.000025170099,0.000021207965,0.000023451203,0.00003496869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004118143,0.00011513521,0.000094808245,0.00037128312,0.0028884714,0.0020148915,0.00021211721,0.0007487087,0.0018064652],"category_scores_gemma":[0.001137495,0.00008147829,0.000046193556,0.0002711342,0.011115165,0.0011169129,0.0012195766,0.0015466397,0.00019408969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020221592,0.000011774887,0.00038808316,0.000022968543,0.0000023028454,0.00019547109,0.013952913,0.00011436805,0.0002923882,0.93822783,0.033656366,0.013115238],"study_design_scores_gemma":[0.000009452555,0.000024020554,0.0021957026,0.00011184566,0.0000054316047,0.00041876355,0.005705608,0.00022260417,0.00068861764,0.1801398,0.8104643,0.000013804109],"about_ca_topic_score_codex":0.006583273,"about_ca_topic_score_gemma":0.014548611,"teacher_disagreement_score":0.006583273,"about_ca_system_score_codex":0.0017923529,"about_ca_system_score_gemma":0.000742717,"threshold_uncertainty_score":0.013089895},"labels":[],"label_agreement":null},{"id":"W2333783828","doi":"10.1086/685183","title":": <i>Heralds and Heraldry in Shakespeare’s England</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Heraldry; Art; Art history; History; Ancient history","score_opus":0.045566737352321515,"score_gpt":0.23948214003293583,"score_spread":0.1939154026806143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333783828","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07068742,0.12455923,0.0011537148,0.17846915,0.011673695,0.00003208107,0.0003056712,0.00010796069,0.61301106],"genre_scores_gemma":[0.5813465,0.01341572,0.00025476018,0.010260626,0.0014473161,0.000023045654,0.00008251936,0.00018314006,0.39298636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990239,0.00054005836,0.00003136168,0.00008871478,0.0002071694,0.00010872799],"domain_scores_gemma":[0.9992681,0.00038789707,0.00006184392,0.000054073284,0.0001220591,0.00010595136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012273074,0.0002960618,0.00027373107,0.0007167233,0.008447069,0.0041434667,0.00043621505,0.0017725511,0.013110965],"category_scores_gemma":[0.0033537564,0.00020953799,0.00011670882,0.0014076084,0.008477548,0.0031388288,0.002093941,0.002735105,0.0021812515],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072750605,0.0000138059195,0.0014425742,0.0003019774,0.000008562822,0.0006285115,0.22748737,0.000056818226,0.00036395495,0.18677902,0.5569351,0.025909636],"study_design_scores_gemma":[0.0000034791638,0.0000061071705,0.0033833233,0.00027181476,0.0000031523305,0.00023847312,0.03820841,0.000016188727,0.0002313094,0.0038019835,0.95382583,0.000010011896],"about_ca_topic_score_codex":0.058323614,"about_ca_topic_score_gemma":0.1798359,"teacher_disagreement_score":0.058323614,"about_ca_system_score_codex":0.0042260718,"about_ca_system_score_gemma":0.001984416,"threshold_uncertainty_score":0.11596829},"labels":[],"label_agreement":null},{"id":"W2333796494","doi":"10.2307/2901564","title":": <i>Women Waging Law in Elizabethan England</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"History; Media studies; Classics; Sociology","score_opus":0.020659683862757336,"score_gpt":0.27453331777104856,"score_spread":0.2538736339082912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333796494","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006943868,0.67031556,0.00038652515,0.18477145,0.0074565173,0.000029247294,0.00013601237,0.000044298802,0.12991656],"genre_scores_gemma":[0.14086471,0.24411957,0.0005525152,0.050794214,0.004948808,0.00011514473,0.00017394562,0.0001423154,0.55828875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928397,0.0003193286,0.000034256624,0.000074280506,0.00014945677,0.0001386326],"domain_scores_gemma":[0.99955946,0.00021204668,0.00007333451,0.000016725178,0.000052162934,0.000086264336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010126686,0.0006217091,0.00027343424,0.00090986316,0.0041523753,0.0042001493,0.0008690171,0.0032051606,0.023655444],"category_scores_gemma":[0.0018788243,0.00037209367,0.00015483126,0.0016151399,0.004205266,0.008477432,0.0025123858,0.0021565414,0.0037349444],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024314522,0.000016276477,0.0005391211,0.00053294265,0.0000044580497,0.0003528633,0.07240571,0.000015513211,0.00022411693,0.059183028,0.81948763,0.047214005],"study_design_scores_gemma":[0.0000023313555,0.0000066808757,0.0012232357,0.0005470184,0.0000021784156,0.00016645438,0.020064652,0.0000054178563,0.000074579155,0.0028326702,0.97506875,0.0000060432303],"about_ca_topic_score_codex":0.042011227,"about_ca_topic_score_gemma":0.1219251,"teacher_disagreement_score":0.042011227,"about_ca_system_score_codex":0.0035675026,"about_ca_system_score_gemma":0.002113334,"threshold_uncertainty_score":0.083533406},"labels":[],"label_agreement":null},{"id":"W2333797052","doi":"10.1086/665855","title":": <i>Rethinking the Baroque</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Publishing; Baroque; Media studies; History; Art; Art history; Sociology; Literature","score_opus":0.04118666259582778,"score_gpt":0.23432084640403905,"score_spread":0.19313418380821126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333797052","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020208597,0.012515579,0.002457266,0.5369242,0.023811093,0.00002540709,0.00025356864,0.00021466715,0.4035896],"genre_scores_gemma":[0.61884564,0.0070208465,0.0023162754,0.12033316,0.013675582,0.000050382172,0.00025983228,0.00062769564,0.23687059],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976623,0.0010016428,0.00007039407,0.00019690438,0.000685486,0.00038323307],"domain_scores_gemma":[0.9973309,0.0009770053,0.00019607943,0.0003133197,0.0008198089,0.0003630287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006272618,0.00041339904,0.00027694047,0.0009000555,0.00783092,0.010418078,0.0012257752,0.0038121373,0.017797252],"category_scores_gemma":[0.010590751,0.00020065029,0.00023947716,0.0013416326,0.015202299,0.009016325,0.003402412,0.0064414795,0.0030092446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033875844,0.000012914202,0.00085280533,0.000108548666,0.000006905233,0.0000915242,0.028265715,0.000044104378,0.00031843022,0.4198416,0.52490866,0.025514903],"study_design_scores_gemma":[0.0000067801525,0.00001330237,0.0020643068,0.00020655929,0.000007574238,0.00005686462,0.011430358,0.000056376324,0.00035759303,0.026022699,0.95975864,0.000018942286],"about_ca_topic_score_codex":0.058902252,"about_ca_topic_score_gemma":0.13602844,"teacher_disagreement_score":0.058902252,"about_ca_system_score_codex":0.0069529195,"about_ca_system_score_gemma":0.004822352,"threshold_uncertainty_score":0.117118835},"labels":[],"label_agreement":null},{"id":"W2333961190","doi":"10.1086/685230","title":": <i>Boccaccio’s Fabliaux: Medieval Short Stories and the Function of Reversal</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Art; History; Humanities","score_opus":0.027907322678309667,"score_gpt":0.2296728678921075,"score_spread":0.20176554521379783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333961190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.078069426,0.038264167,0.0017772553,0.20903563,0.0067132777,0.000036324425,0.0004107824,0.00023107902,0.66546196],"genre_scores_gemma":[0.8738475,0.0070448015,0.00048109872,0.0077933976,0.0018289431,0.000032088483,0.00013166129,0.00016333091,0.10867731],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961674,0.00022500598,0.0000066280363,0.00004080396,0.00004915991,0.000061576015],"domain_scores_gemma":[0.9994481,0.00032312796,0.000054921562,0.000045126388,0.000057607052,0.000070985516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009856725,0.0004432605,0.0001820027,0.00077430526,0.0063249706,0.0035840045,0.0005345415,0.0016365639,0.009241352],"category_scores_gemma":[0.0035782552,0.00013152137,0.00012879215,0.0007506447,0.007207174,0.0030554293,0.0013439109,0.003007477,0.0010182512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001539556,0.000015336187,0.00093125465,0.0001630541,0.00000794183,0.0004972151,0.17377493,0.000088367866,0.0004133395,0.51088715,0.29089668,0.022170736],"study_design_scores_gemma":[0.000011554198,0.000017520664,0.0032431681,0.00025530215,0.0000055061078,0.00035956776,0.040277824,0.00006397831,0.0003857588,0.011437894,0.9439284,0.000013469068],"about_ca_topic_score_codex":0.038802788,"about_ca_topic_score_gemma":0.07032017,"teacher_disagreement_score":0.038802788,"about_ca_system_score_codex":0.003769138,"about_ca_system_score_gemma":0.0008351806,"threshold_uncertainty_score":0.07715386},"labels":[],"label_agreement":null},{"id":"W2334055106","doi":"10.1086/669358","title":": <i>Medicean and Savonarolan Florence: The Interplay of Politics, Humanism, and Religion</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanism; Religious studies; Politics; Sociology; Art history; Theology; History; Political science; Philosophy; Law","score_opus":0.016322062670616092,"score_gpt":0.23991670672170148,"score_spread":0.2235946440510854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334055106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09486134,0.052299056,0.0003419927,0.37937725,0.0056769964,0.000021606937,0.0002753453,0.00006506014,0.46708128],"genre_scores_gemma":[0.85524344,0.0085251285,0.00019152749,0.016324338,0.0023141447,0.00002543305,0.00012827927,0.000042971657,0.117204756],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997174,0.00013796767,0.0000067428773,0.00003197288,0.00005111522,0.000054680862],"domain_scores_gemma":[0.9997565,0.00011645165,0.000036411482,0.000013409735,0.000024171088,0.000053008316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051302364,0.00019236372,0.00011634924,0.0005519415,0.0038737215,0.003573552,0.00036143736,0.0013811911,0.013416757],"category_scores_gemma":[0.0012546906,0.000077610086,0.00008863143,0.00079470425,0.004340234,0.0021724054,0.0016577684,0.0012610963,0.00077984936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009788132,0.000023822164,0.0038958774,0.0003314737,0.000008216868,0.00048796023,0.09251059,0.000057324833,0.00055487826,0.42611584,0.43871787,0.037198257],"study_design_scores_gemma":[0.000010717005,0.000019871932,0.017297637,0.00032243994,0.000005440658,0.00043102735,0.046073165,0.0000479571,0.00029142416,0.011118748,0.9243675,0.000013999022],"about_ca_topic_score_codex":0.024710586,"about_ca_topic_score_gemma":0.07463069,"teacher_disagreement_score":0.024710586,"about_ca_system_score_codex":0.0022294035,"about_ca_system_score_gemma":0.0013789397,"threshold_uncertainty_score":0.04913354},"labels":[],"label_agreement":null},{"id":"W2334203184","doi":"10.1086/677459","title":": <i>The Memory of the People: Custom and Popular Senses of the Past in Early Modern England</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"History; Art history; Performance art; Media studies; Art; Sociology","score_opus":0.006759557522691523,"score_gpt":0.1800210610175513,"score_spread":0.17326150349485978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334203184","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013428314,0.83696467,0.0003949137,0.09640059,0.010898835,0.00001121309,0.00025154077,0.00007432043,0.053661164],"genre_scores_gemma":[0.07559241,0.6099569,0.0009076364,0.029377202,0.020182483,0.00006960267,0.0006076342,0.0002890059,0.26301715],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958986,0.00014395094,0.000026983915,0.000046680972,0.00012454113,0.000068057554],"domain_scores_gemma":[0.99901617,0.0005097171,0.00010962798,0.00005970508,0.00018040344,0.00012431365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000893486,0.0008790721,0.00055520947,0.0017307979,0.0018037517,0.005675298,0.0010253887,0.0021148168,0.039631546],"category_scores_gemma":[0.0021074412,0.00039935453,0.0002346722,0.0034641195,0.0033371276,0.013918096,0.002497545,0.002428674,0.008785751],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002653542,0.000009713269,0.00034266352,0.00053415715,0.000005839708,0.000068462155,0.006303479,0.000017342281,0.000089091,0.011889505,0.9302334,0.050479833],"study_design_scores_gemma":[0.0000043935756,0.000007448073,0.0015054881,0.0009994999,0.000006137536,0.00017812072,0.0075063184,0.000014160876,0.00009910263,0.003954618,0.9857141,0.000010613595],"about_ca_topic_score_codex":0.017521152,"about_ca_topic_score_gemma":0.04796101,"teacher_disagreement_score":0.039631546,"about_ca_system_score_codex":0.0024295026,"about_ca_system_score_gemma":0.0016922043,"threshold_uncertainty_score":0.13258076},"labels":[],"label_agreement":null},{"id":"W2334288382","doi":"10.1086/670414","title":": <i>The Correspondence of Erasmus: Letters 2082 to 2203, 1529</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Classics; Art; Theology; Art history; Philosophy; The Renaissance","score_opus":0.012065528258300283,"score_gpt":0.20707254510449644,"score_spread":0.19500701684619615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334288382","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030164074,0.11942655,0.0004205056,0.25630176,0.07484579,0.000054906515,0.001482064,0.00027747545,0.5441745],"genre_scores_gemma":[0.026219554,0.013034949,0.0002521175,0.05626264,0.010025218,0.00006006543,0.00040564535,0.00021624827,0.89352363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990451,0.00018765563,0.000054472024,0.00014238832,0.00033195622,0.00023850902],"domain_scores_gemma":[0.9993325,0.000189902,0.000084514046,0.000035091707,0.00023502829,0.00012297297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078929943,0.0007756146,0.00044257144,0.001047225,0.0050992114,0.005266937,0.0007240967,0.004456989,0.120379545],"category_scores_gemma":[0.004167311,0.00037720165,0.00028869038,0.0019542547,0.0015652895,0.0034501904,0.0019761447,0.0035216294,0.04350595],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000106918915,0.0000018923621,0.00006408048,0.000036453333,7.668354e-7,0.00003648286,0.00035883128,0.000002431542,0.000039864663,0.0038750863,0.99031407,0.0052592163],"study_design_scores_gemma":[0.0000016133724,0.0000025087015,0.00033636845,0.00006789971,6.4289395e-7,0.000034561053,0.00043883207,0.0000031682791,0.00004224634,0.00047289435,0.9985964,0.000002890622],"about_ca_topic_score_codex":0.024112469,"about_ca_topic_score_gemma":0.055005286,"teacher_disagreement_score":0.120379545,"about_ca_system_score_codex":0.003559105,"about_ca_system_score_gemma":0.0025615166,"threshold_uncertainty_score":0.40270966},"labels":[],"label_agreement":null},{"id":"W2334495927","doi":"10.1086/664095","title":": <i>Between Scylla and Charybdis: Learned Letter Writers Navigating the Reefs of Religious and Political Controversy in Early Modern Europe</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Brill; Politics; Intellectual history; History; Index (typography); Classics; Law; Economic history; Political science","score_opus":0.03719692701370388,"score_gpt":0.23730476051403887,"score_spread":0.20010783350033498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334495927","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02793789,0.53428787,0.0006231781,0.23236682,0.015485057,0.000039918803,0.00020882493,0.00011024585,0.18894018],"genre_scores_gemma":[0.45511806,0.1465195,0.0011262973,0.027910296,0.010691628,0.00011023528,0.0002824635,0.00020237778,0.35803914],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99917287,0.00036248498,0.000033670676,0.00007846209,0.00020650668,0.00014589613],"domain_scores_gemma":[0.9984383,0.0008674022,0.00023621412,0.000050980398,0.00015306938,0.00025398692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011019448,0.00051480497,0.00037766295,0.001491929,0.00571469,0.008246914,0.00075626455,0.0029131505,0.014851553],"category_scores_gemma":[0.003061031,0.0002397561,0.00015348144,0.0030843737,0.005931792,0.0069293524,0.0026812241,0.002109196,0.0030860428],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001042147,0.000034644127,0.0010872068,0.0005201272,0.000008692252,0.00039165845,0.049307324,0.000035168217,0.00021457051,0.038557213,0.8229209,0.08681825],"study_design_scores_gemma":[0.000013804638,0.000015069834,0.0042885668,0.0009512101,0.0000049773394,0.00030186528,0.04590335,0.0000254562,0.00019338491,0.006299921,0.94198793,0.000014448246],"about_ca_topic_score_codex":0.011751393,"about_ca_topic_score_gemma":0.021815442,"teacher_disagreement_score":0.014851553,"about_ca_system_score_codex":0.0034176267,"about_ca_system_score_gemma":0.0036314253,"threshold_uncertainty_score":0.049683332},"labels":[],"label_agreement":null},{"id":"W2334826964","doi":"10.1086/683860","title":": <i>On Married Love. Eridanus</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"The Renaissance; History; Classics; Theology; Art; Art history; Philosophy","score_opus":0.045976401031172995,"score_gpt":0.3325436202876912,"score_spread":0.2865672192565182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334826964","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02088021,0.02672041,0.00041413264,0.20767051,0.042655747,0.000090186346,0.00305534,0.00027267027,0.69824076],"genre_scores_gemma":[0.11858441,0.018542232,0.00027275507,0.064207695,0.00871835,0.00012499187,0.0009792345,0.0003283716,0.7882419],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983144,0.00006403797,0.000007753138,0.000020389174,0.000034682325,0.000041680356],"domain_scores_gemma":[0.99969864,0.000098094046,0.000033471653,0.000010561111,0.000057271143,0.00010196578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004108276,0.0003813939,0.00037979797,0.0004939328,0.0041332655,0.0014197519,0.000380646,0.0010392432,0.08848578],"category_scores_gemma":[0.0011655987,0.00018178172,0.00013046179,0.0008923728,0.0005601656,0.0017634655,0.0017290876,0.001884588,0.022318045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022566479,0.000009223609,0.000760018,0.00010739049,0.0000022997838,0.00027384443,0.007342466,0.0000052859596,0.000107443455,0.005211392,0.96959585,0.016562322],"study_design_scores_gemma":[0.0000035462006,0.000007509978,0.004460925,0.00019019135,0.000001816744,0.00026580493,0.0114296265,0.000010104969,0.00007928944,0.00033491192,0.9832103,0.0000059971057],"about_ca_topic_score_codex":0.013339832,"about_ca_topic_score_gemma":0.05314891,"teacher_disagreement_score":0.08848578,"about_ca_system_score_codex":0.0006439163,"about_ca_system_score_gemma":0.0005218173,"threshold_uncertainty_score":0.29601443},"labels":[],"label_agreement":null},{"id":"W2334891069","doi":"10.1086/669423","title":": <i>The Perfect Genre: Drama and Painting in Renaissance Italy</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Renaissance; Drama; Publishing; Painting; Art; Art history; Performance art; Media studies; History; Visual arts; Sociology; Literature","score_opus":0.022553581420660253,"score_gpt":0.23136671339059287,"score_spread":0.20881313196993262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334891069","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104807965,0.0449961,0.00064926787,0.0593805,0.004742455,0.00003259011,0.0009242771,0.00016295273,0.7843039],"genre_scores_gemma":[0.82510763,0.008722813,0.00034192269,0.002816908,0.0038616692,0.000024823365,0.00037751952,0.00016579925,0.15858093],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996408,0.00016431286,0.000011460056,0.000045602454,0.000073282165,0.00006448879],"domain_scores_gemma":[0.999701,0.00012449062,0.000043608434,0.000046222056,0.000036711022,0.000048026177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010585287,0.00028094448,0.00020138496,0.0010138795,0.0018215005,0.0031668535,0.00042166736,0.0007636215,0.026491243],"category_scores_gemma":[0.0016223043,0.000114667586,0.00022537872,0.0018362541,0.0022164667,0.0016850565,0.0012451523,0.0010285607,0.001862041],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016022459,0.00004779239,0.008078926,0.0009147916,0.000031002415,0.00044994635,0.12312918,0.00017356325,0.00087427156,0.1524032,0.6365107,0.07722634],"study_design_scores_gemma":[0.00001103538,0.00002882601,0.04834249,0.00037632798,0.000016045944,0.00051573676,0.018960936,0.000057075995,0.00030394306,0.0018500854,0.9295228,0.00001463281],"about_ca_topic_score_codex":0.021521894,"about_ca_topic_score_gemma":0.06195202,"teacher_disagreement_score":0.026491243,"about_ca_system_score_codex":0.0019928727,"about_ca_system_score_gemma":0.0006338415,"threshold_uncertainty_score":0.08862209},"labels":[],"label_agreement":null},{"id":"W2335014056","doi":"10.1086/685248","title":": <i> Ovid in English, 1480–1625, Part 1: <i>Metamorphoses</i> </i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; History; Art history; Art","score_opus":0.04325937256780382,"score_gpt":0.2217034000432877,"score_spread":0.17844402747548388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335014056","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028731078,0.6378678,0.0005613091,0.020006733,0.033202,0.00003462699,0.0025754091,0.00013075433,0.3027483],"genre_scores_gemma":[0.052981418,0.19573966,0.0009515916,0.008757949,0.014988867,0.00014650133,0.003245758,0.0006374333,0.7225509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948645,0.00012975578,0.000058373287,0.000083611645,0.00017948697,0.00006234211],"domain_scores_gemma":[0.9994229,0.0001924873,0.000085876876,0.000031578486,0.0001742808,0.000092808834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073540915,0.0008039422,0.0005622515,0.0022518847,0.0017798356,0.0039756405,0.0007077415,0.0011161249,0.09252511],"category_scores_gemma":[0.0015034347,0.00039658142,0.00023193771,0.0031030923,0.0018301131,0.004246119,0.0018091534,0.0016333775,0.028301967],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048615682,0.0000085532265,0.00026899631,0.000647172,0.0000032591106,0.00011456725,0.0025891014,0.000015776126,0.00025432016,0.0077237384,0.9415908,0.046735138],"study_design_scores_gemma":[0.0000022395739,0.0000051220513,0.0014803074,0.0005540134,0.0000010396843,0.000080579,0.000931841,0.000004817264,0.000053219712,0.00031237374,0.99657166,0.0000027210249],"about_ca_topic_score_codex":0.021859024,"about_ca_topic_score_gemma":0.04069745,"teacher_disagreement_score":0.09252511,"about_ca_system_score_codex":0.0023774654,"about_ca_system_score_gemma":0.0016029242,"threshold_uncertainty_score":0.30952734},"labels":[],"label_agreement":null},{"id":"W2335040698","doi":"10.1086/671696","title":": <i>Shakespeare and I</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"History; Art; Theology; Philosophy","score_opus":0.017603127010324706,"score_gpt":0.2020808962098243,"score_spread":0.1844777691994996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335040698","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032360805,0.049131785,0.0016122471,0.24710286,0.035491366,0.00007311073,0.0017916386,0.0006306134,0.6609303],"genre_scores_gemma":[0.06538013,0.024116289,0.00097264536,0.035412177,0.008565759,0.000104843726,0.001180622,0.00090895477,0.8633585],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991928,0.00021906113,0.000047335412,0.00009790406,0.0003610041,0.00008192714],"domain_scores_gemma":[0.9985468,0.0003613657,0.00012730696,0.00010960479,0.0006498463,0.00020518118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011868723,0.00058468524,0.00036607758,0.0016227415,0.0040515047,0.006038475,0.0006764956,0.0024232352,0.13171059],"category_scores_gemma":[0.00468304,0.00025407402,0.00020601781,0.0029901168,0.0026597234,0.005393275,0.0024309752,0.0030682408,0.05117773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008804095,0.0000032665373,0.00015395503,0.00008194452,0.0000017388235,0.000025538255,0.001568344,0.000004087625,0.00008341591,0.006440315,0.98016894,0.011459738],"study_design_scores_gemma":[0.0000018737037,0.000002335505,0.0014755528,0.00021969335,0.0000019221877,0.000060656293,0.0015174773,0.000007317058,0.00011933122,0.0009775204,0.99560946,0.0000069754105],"about_ca_topic_score_codex":0.034446307,"about_ca_topic_score_gemma":0.0845228,"teacher_disagreement_score":0.13171059,"about_ca_system_score_codex":0.0023421138,"about_ca_system_score_gemma":0.0020555768,"threshold_uncertainty_score":0.44061583},"labels":[],"label_agreement":null},{"id":"W2335224270","doi":"10.1086/667301","title":": <i>Galileo’s Muse: Renaissance Mathematics and the Arts</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Galileo (satellite navigation); The Renaissance; The arts; Art history; Art; History; Media studies; Sociology; Visual arts; Geography; Geodesy","score_opus":0.03170194071131013,"score_gpt":0.2429145938992548,"score_spread":0.21121265318794466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335224270","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008819321,0.12348601,0.00079820084,0.2272067,0.022964442,0.000039027895,0.0022402606,0.00038060843,0.6140654],"genre_scores_gemma":[0.31424707,0.054429132,0.0019791822,0.0562006,0.029434437,0.000109496184,0.001588751,0.001017794,0.5409936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955255,0.0002016411,0.000014191383,0.00004759708,0.00011458153,0.00006943865],"domain_scores_gemma":[0.9995579,0.00020129845,0.000049320006,0.00004668972,0.000054617733,0.00009012811],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089839887,0.00052691286,0.00028071797,0.0016349512,0.0032205335,0.0047832695,0.0006261891,0.0019113254,0.03931684],"category_scores_gemma":[0.0026229601,0.0001594775,0.00022637931,0.0022173433,0.004551903,0.002914561,0.0027388795,0.002840444,0.005366808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003501817,0.0000059822983,0.0004585248,0.00024675898,0.000008396292,0.0001633736,0.008062952,0.000033338718,0.00019431813,0.11625586,0.85610515,0.018430458],"study_design_scores_gemma":[0.000003791836,0.0000032456435,0.0017158454,0.00015254605,0.000002292474,0.00010558629,0.0018622911,0.0000065440236,0.00009570655,0.0023835064,0.9936621,0.000006613268],"about_ca_topic_score_codex":0.028104203,"about_ca_topic_score_gemma":0.060487524,"teacher_disagreement_score":0.03931684,"about_ca_system_score_codex":0.0039644614,"about_ca_system_score_gemma":0.001547987,"threshold_uncertainty_score":0.1315279},"labels":[],"label_agreement":null},{"id":"W2335491211","doi":"10.1086/660416","title":": <i>The True Medicine</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Center (category theory); Index (typography); Humanities; Early modern Europe; Art history; Classics; Computer science; Chemistry","score_opus":0.05380091503477569,"score_gpt":0.2266030390909875,"score_spread":0.17280212405621181,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335491211","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032968106,0.63537675,0.00067722076,0.2000983,0.08122798,0.000027398108,0.00040988528,0.0002456008,0.08160713],"genre_scores_gemma":[0.013134988,0.33169404,0.0013938786,0.1200225,0.058517605,0.000114766226,0.0005585155,0.000619909,0.47394386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991597,0.00024202443,0.00004417907,0.00014806188,0.0003170408,0.00008895916],"domain_scores_gemma":[0.9989171,0.00033850592,0.000120280325,0.00006156655,0.00036338458,0.0001991842],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011005324,0.001623845,0.00073428766,0.0015128303,0.0017790943,0.0043068286,0.0011137335,0.0025616991,0.06659592],"category_scores_gemma":[0.002867595,0.0004437482,0.0003874617,0.0015356818,0.0020517313,0.007144744,0.0025523894,0.004253056,0.043435246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007690626,0.0000027559465,0.00003507645,0.00014494054,0.0000015854712,0.000011513485,0.00020312243,0.00000516339,0.000033601464,0.0021575768,0.9828498,0.014547217],"study_design_scores_gemma":[0.00000192865,0.0000032399475,0.0001849732,0.00026933957,0.0000015023809,0.00006701209,0.00030592587,0.0000076106503,0.0000413262,0.00079462264,0.99831843,0.0000041449953],"about_ca_topic_score_codex":0.011120471,"about_ca_topic_score_gemma":0.0236945,"teacher_disagreement_score":0.06659592,"about_ca_system_score_codex":0.0021333678,"about_ca_system_score_gemma":0.0017475545,"threshold_uncertainty_score":0.22278553},"labels":[],"label_agreement":null},{"id":"W2335518312","doi":"10.1086/662896","title":": <i>Enchanted Eloquence: Fairy Tales by Seventeenth-Century French Women Writers</i>","year":2011,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; The Renaissance; Index (typography); Art; History; Art history; Classics; Literature; Computer science","score_opus":0.018611282524135197,"score_gpt":0.21760898580712632,"score_spread":0.19899770328299113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335518312","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021890806,0.68207896,0.0010013182,0.1197594,0.008280674,0.000023398768,0.00023260772,0.00013328422,0.16659947],"genre_scores_gemma":[0.5481276,0.15561225,0.000692261,0.013824421,0.0063285716,0.000053136922,0.0001672845,0.00015282485,0.27504164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993161,0.00032538365,0.000015132979,0.00006223478,0.00014466392,0.00013658157],"domain_scores_gemma":[0.99918586,0.00045022546,0.00007278158,0.00002846373,0.00015764043,0.00010513783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016363568,0.0008830101,0.000326149,0.0016052144,0.00689973,0.0062766466,0.00064521434,0.0016484022,0.012263908],"category_scores_gemma":[0.0019773892,0.00019069748,0.00019814698,0.0021116554,0.0068984427,0.005967203,0.0015768042,0.0014758053,0.0013002366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007863991,0.00002712513,0.0011548168,0.0005390188,0.000019640695,0.000596523,0.17041364,0.000072944254,0.0003287874,0.06793806,0.6672493,0.091581404],"study_design_scores_gemma":[0.0000057536467,0.000015082398,0.0032268835,0.0005456907,0.000008911805,0.00025999342,0.04820471,0.000023731745,0.00025105398,0.00445442,0.9429892,0.000014522568],"about_ca_topic_score_codex":0.13438109,"about_ca_topic_score_gemma":0.26057547,"teacher_disagreement_score":0.13438109,"about_ca_system_score_codex":0.008414363,"about_ca_system_score_gemma":0.0039120223,"threshold_uncertainty_score":0.2671978},"labels":[],"label_agreement":null},{"id":"W2335554695","doi":"10.1086/685235","title":": <i>Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Comics; Scala; Art; Art history; Media studies; Humanities; History; Sociology; Literature; Computer science; Programming language","score_opus":0.05563168937856878,"score_gpt":0.3163306406026891,"score_spread":0.26069895122412035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335554695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022057416,0.0035553733,0.0010631398,0.108997054,0.0028229002,0.00002213807,0.00021931557,0.00011051947,0.86115205],"genre_scores_gemma":[0.60943186,0.00332734,0.00085477286,0.01841788,0.0015850487,0.000035011042,0.00018021376,0.00024315996,0.36592466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990307,0.0005476525,0.000013854319,0.000092936585,0.00012499605,0.00018989536],"domain_scores_gemma":[0.9990594,0.00036894987,0.00008523203,0.00008713301,0.000110024135,0.00028919132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012885941,0.0005895458,0.0002484631,0.00074789824,0.012735976,0.00782381,0.0006364599,0.004471994,0.044102464],"category_scores_gemma":[0.0034933067,0.00023111324,0.00024640805,0.0012466866,0.0074780993,0.0077092126,0.002728507,0.004296141,0.0066762576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058598354,0.00002203663,0.0010363288,0.00008993632,0.0000061846144,0.0009888445,0.07869206,0.00008735661,0.00020168301,0.43725365,0.4707757,0.010787626],"study_design_scores_gemma":[0.000004906111,0.000009835442,0.00087921816,0.00009933825,0.0000019563554,0.00027741375,0.02602439,0.00005849303,0.000118173484,0.009770457,0.96274424,0.000011617058],"about_ca_topic_score_codex":0.03020657,"about_ca_topic_score_gemma":0.09410475,"teacher_disagreement_score":0.044102464,"about_ca_system_score_codex":0.0044214777,"about_ca_system_score_gemma":0.0009780662,"threshold_uncertainty_score":0.14753741},"labels":[],"label_agreement":null},{"id":"W2335625519","doi":"10.1086/675208","title":": <i>The Unheard Prayer: Religious Toleration in Shakespeare’s Drama</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Toleration; Prayer; Drama; Brill; The arts; Art; Religious studies; Theology; Literature; Philosophy; Classics; Visual arts; Law; Political science; Politics","score_opus":0.010555519683101016,"score_gpt":0.2719679206080668,"score_spread":0.26141240092496576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335625519","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031231116,0.4547697,0.0011330766,0.21938421,0.025572604,0.00004887861,0.0006075224,0.00027982818,0.2950811],"genre_scores_gemma":[0.12013575,0.16899788,0.0012033755,0.05035119,0.019983301,0.00012395463,0.00078019203,0.0005563124,0.637868],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947387,0.00020104459,0.000024370363,0.00004882822,0.00017075667,0.000081153245],"domain_scores_gemma":[0.99941814,0.0002746873,0.00005979692,0.000025819363,0.000104267696,0.00011731095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006843996,0.0009491501,0.00032054543,0.0014422759,0.0034535304,0.005186467,0.001006471,0.002538672,0.040434066],"category_scores_gemma":[0.0018638445,0.0003624233,0.00023730741,0.0019517851,0.0028585694,0.0073012332,0.0025881825,0.0028927305,0.012211497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011184416,0.0000057702873,0.00007916472,0.00014174548,0.000002428389,0.0000436794,0.0027437543,0.000009338399,0.00006704106,0.0057888357,0.975935,0.015172218],"study_design_scores_gemma":[0.0000036031556,0.000005414231,0.0007754408,0.00036435522,0.0000025057257,0.00012389051,0.004565562,0.0000139068925,0.00011306725,0.0015929658,0.99243236,0.0000069978682],"about_ca_topic_score_codex":0.018352684,"about_ca_topic_score_gemma":0.05876172,"teacher_disagreement_score":0.040434066,"about_ca_system_score_codex":0.0024659634,"about_ca_system_score_gemma":0.0013479687,"threshold_uncertainty_score":0.13526541},"labels":[],"label_agreement":null},{"id":"W2335721437","doi":"10.1086/673609","title":": <i>Paolo Veronese: A Master and His Workshop in Renaissance Venice</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Renaissance; Scala; History; Art history; Performance art; Art; Computer science; Operating system","score_opus":0.036184544780945876,"score_gpt":0.2283240264370807,"score_spread":0.19213948165613481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335721437","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010799303,0.8173638,0.0009750716,0.082779445,0.027045175,0.000034545577,0.00016255977,0.00013604351,0.07042339],"genre_scores_gemma":[0.025899906,0.44523546,0.0014908719,0.016875649,0.018414544,0.00007805716,0.0004350821,0.0004030811,0.49116743],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993274,0.000282384,0.000021794209,0.000114866416,0.00016608764,0.00008746772],"domain_scores_gemma":[0.9992447,0.00024988558,0.000053461885,0.000039826653,0.00015932956,0.0002527733],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014901778,0.0016032617,0.0009018024,0.0014714818,0.002066341,0.0045308997,0.0011961397,0.0017070108,0.051831428],"category_scores_gemma":[0.0017787556,0.00046958288,0.00041031424,0.0025314183,0.0022456998,0.0063654184,0.0028487148,0.0031464235,0.017541768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002106435,0.000009489305,0.00014374156,0.00030659983,0.0000046577907,0.00007655711,0.0019807064,0.00003886984,0.000098003504,0.004738259,0.9452677,0.047314372],"study_design_scores_gemma":[0.0000017632634,0.0000046961245,0.000348917,0.00031351243,0.0000016226958,0.000104503786,0.0011393516,0.000010701706,0.00004330052,0.00064843404,0.99737823,0.0000049057935],"about_ca_topic_score_codex":0.019024717,"about_ca_topic_score_gemma":0.04465455,"teacher_disagreement_score":0.051831428,"about_ca_system_score_codex":0.0023895872,"about_ca_system_score_gemma":0.0026752506,"threshold_uncertainty_score":0.17339337},"labels":[],"label_agreement":null},{"id":"W2346213279","doi":"10.1086/686448","title":": <i> A Concordance to the Rhymes of <i>The Faerie Queene:</i> With Two Studies of Spenser’s Rhymes </i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Concordance; History; Art; Humanities; Medicine","score_opus":0.03467729661878453,"score_gpt":0.3452845409045116,"score_spread":0.31060724428572706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2346213279","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107419215,0.18556455,0.005636338,0.11405872,0.009844925,0.000061730236,0.00024784222,0.000101402664,0.5770653],"genre_scores_gemma":[0.87256867,0.01541113,0.0012093233,0.0067672664,0.0026437219,0.00005236832,0.00012130529,0.00014972864,0.10107652],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826175,0.001194737,0.00005285592,0.00016059267,0.0001921656,0.00013794494],"domain_scores_gemma":[0.99848795,0.0010211355,0.00015806123,0.00010789413,0.00013585883,0.000089124995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021854297,0.00058117165,0.00034223095,0.000985826,0.004624388,0.004735106,0.00078863365,0.0018790577,0.006618596],"category_scores_gemma":[0.006301948,0.0002716947,0.00028746185,0.0015732641,0.014503,0.0075116474,0.0030141182,0.003427372,0.0011387093],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023338415,0.000031204185,0.0016279864,0.0004439048,0.000020001939,0.00056702754,0.57023066,0.000058435475,0.0012825704,0.24930234,0.122933224,0.053269267],"study_design_scores_gemma":[0.000020791036,0.000047891932,0.006138328,0.00074084214,0.000013469997,0.0008672757,0.13496397,0.00007001474,0.0014885797,0.022868749,0.8327345,0.00004553049],"about_ca_topic_score_codex":0.018434186,"about_ca_topic_score_gemma":0.029898612,"teacher_disagreement_score":0.018434186,"about_ca_system_score_codex":0.0022555015,"about_ca_system_score_gemma":0.0013590417,"threshold_uncertainty_score":0.036653817},"labels":[],"label_agreement":null},{"id":"W2350935339","doi":"10.1353/ren.2008.0536","title":": <i>Pierre Gassendi’s Philosophy and Science: Atomism for Empiricists</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Brill; Atomism; Intellectual history; Empiricism; Index (typography); Philosophy; Classics; Theology; History; Epistemology","score_opus":0.020444763707220363,"score_gpt":0.23947028134978265,"score_spread":0.21902551764256228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2350935339","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048048433,0.7543472,0.0022473603,0.136883,0.02438265,0.00002197988,0.00044208855,0.00015983621,0.0810354],"genre_scores_gemma":[0.03391738,0.5657393,0.0041668294,0.05035856,0.042895462,0.00008183319,0.0009187395,0.00054492155,0.301377],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993749,0.00017491632,0.000029831335,0.00012179853,0.00024922506,0.00004933854],"domain_scores_gemma":[0.9991353,0.00049079425,0.00006447433,0.00004409978,0.00019718628,0.00006817409],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00080748316,0.0015307661,0.0006591439,0.0027764987,0.0015785589,0.0030974373,0.0011546144,0.0023383885,0.035323843],"category_scores_gemma":[0.0023008522,0.0005218487,0.00047665674,0.004607562,0.003238257,0.008945595,0.0017024996,0.0034704118,0.01568826],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013915846,0.0000060140014,0.00006673035,0.00023973022,0.0000054964457,0.00003471506,0.0003534074,0.000038191996,0.000069963884,0.021339564,0.9522988,0.025533471],"study_design_scores_gemma":[0.000004760949,0.000004784476,0.00033609747,0.00030147875,0.0000032717342,0.00015344053,0.00023030395,0.000040017316,0.00011322025,0.01900925,0.9797941,0.000009243116],"about_ca_topic_score_codex":0.010182471,"about_ca_topic_score_gemma":0.019824544,"teacher_disagreement_score":0.99842143,"about_ca_system_score_codex":0.002869529,"about_ca_system_score_gemma":0.0016005749,"threshold_uncertainty_score":0.11816996},"labels":[],"label_agreement":null},{"id":"W241051801","doi":"10.1353/ren.2008.0912","title":": <i>Pietro Bembo: Lover, Linguist, Cardinal</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Art history; History; Art; Computer science; World Wide Web","score_opus":0.018079272401423936,"score_gpt":0.3059210533622124,"score_spread":0.2878417809607885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W241051801","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00094431755,0.6961352,0.000866957,0.03932319,0.016910963,0.00004521318,0.0017481468,0.0004356005,0.2435904],"genre_scores_gemma":[0.010861012,0.13543142,0.00090985675,0.007380306,0.0044345525,0.00005035387,0.0011365815,0.00036502702,0.83943105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998461,0.00002956844,0.000009622574,0.000037008733,0.000052574436,0.000025121923],"domain_scores_gemma":[0.9997459,0.00005332063,0.000036458703,0.00001515399,0.000084410356,0.000064763444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029180624,0.0014946801,0.0007362668,0.0020384192,0.0016626194,0.0024212706,0.0010219008,0.0010546062,0.23330764],"category_scores_gemma":[0.000745045,0.000694153,0.00023421373,0.0037771356,0.00090011215,0.004549881,0.0014008158,0.0017436725,0.104247116],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000134144175,0.0000030194833,0.00009492305,0.00014199513,0.0000024169253,0.000026603415,0.00025349995,0.000008412697,0.00009092161,0.0014911114,0.9658825,0.03199123],"study_design_scores_gemma":[0.0000017934924,0.0000028057068,0.0007412073,0.00019997304,0.0000017719638,0.00010477084,0.00028885703,0.000009418464,0.00004118983,0.00035195475,0.998252,0.0000043055293],"about_ca_topic_score_codex":0.043444816,"about_ca_topic_score_gemma":0.13050921,"teacher_disagreement_score":0.23330764,"about_ca_system_score_codex":0.0016260436,"about_ca_system_score_gemma":0.0008715899,"threshold_uncertainty_score":0.7804918},"labels":[],"label_agreement":null},{"id":"W2460998441","doi":"10.2307/1261853","title":"Voices Unfettered: Recent Writings on and by Early Modern Englishwomen","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistic Variation and Morphology","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"History; Aesthetics; Literature; Political science; Philosophy; Art","score_opus":0.017786803458502313,"score_gpt":0.28062708037586914,"score_spread":0.26284027691736683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460998441","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74851376,0.07029111,0.0006036228,0.09637388,0.0045830267,0.000016420174,0.00034376307,0.000021852191,0.07925258],"genre_scores_gemma":[0.9656523,0.013742215,0.00018272418,0.0036887422,0.0016669505,0.000011483439,0.00009199548,0.00005802934,0.014905628],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973717,0.0014794013,0.00016497343,0.00027259716,0.00040589034,0.00030536132],"domain_scores_gemma":[0.992766,0.004742103,0.0009855512,0.00023144635,0.00067154586,0.0006033043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051848236,0.00035569115,0.00040124208,0.001676651,0.006297832,0.0043996847,0.0006016326,0.00160378,0.00502145],"category_scores_gemma":[0.011562399,0.00031933933,0.0001411329,0.0028234813,0.0076049403,0.0035608674,0.002709866,0.0030153634,0.00048703773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004158506,0.000005274261,0.0015530476,0.00013619814,0.000010011452,0.000784287,0.96081966,0.000011541357,0.00040530032,0.009779347,0.010269713,0.016183998],"study_design_scores_gemma":[0.0000053998106,0.000024194087,0.012144669,0.00070361124,0.00001183762,0.0008402873,0.7275564,0.00003307085,0.00031326278,0.0016352268,0.25670636,0.0000256323],"about_ca_topic_score_codex":0.013708343,"about_ca_topic_score_gemma":0.039404083,"teacher_disagreement_score":0.013708343,"about_ca_system_score_codex":0.0023075524,"about_ca_system_score_gemma":0.0015657664,"threshold_uncertainty_score":0.027420342},"labels":[],"label_agreement":null},{"id":"W2462930825","doi":"10.1353/ren.2008.0020","title":": <i>Pic de la Mirandole: Un itinéraire philosophique.</i>","year":2008,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01783856087669633,"score_gpt":0.22190079367321677,"score_spread":0.20406223279652044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2462930825","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004378667,0.15053287,0.005143755,0.118184865,0.010224136,0.00002816884,0.00037371533,0.00033361517,0.7108002],"genre_scores_gemma":[0.24021818,0.070213124,0.004852391,0.027001724,0.011879698,0.00016640585,0.00038494318,0.00076979236,0.64451385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944943,0.0002517004,0.000021311102,0.0000895634,0.00012591688,0.000062040526],"domain_scores_gemma":[0.9996686,0.0001479436,0.000036886035,0.00003380382,0.00006407159,0.000048640748],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090508984,0.0006684083,0.00030680562,0.0011441174,0.0034339502,0.004841473,0.00060340675,0.0025609354,0.021368539],"category_scores_gemma":[0.0020774256,0.0002442414,0.0003324077,0.0013716096,0.004615895,0.006206422,0.00175082,0.004686251,0.0054041776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050609888,0.000010558467,0.0001988391,0.00013505227,0.0000066253215,0.00008572909,0.0050819553,0.0000570126,0.00016862822,0.667256,0.3108109,0.016138045],"study_design_scores_gemma":[0.0000066974785,0.000006274968,0.0008265756,0.00023295189,0.0000036557192,0.00011229432,0.0014235685,0.000062711064,0.00022905222,0.022445006,0.9746416,0.00000954488],"about_ca_topic_score_codex":0.014802858,"about_ca_topic_score_gemma":0.021590343,"teacher_disagreement_score":0.021368539,"about_ca_system_score_codex":0.0030909611,"about_ca_system_score_gemma":0.0012285466,"threshold_uncertainty_score":0.071484864},"labels":[],"label_agreement":null},{"id":"W2463245851","doi":"10.1353/ren.2008.0099","title":": <i>The Progresses, Pageants, and Entertainment of Queen Elizabeth I</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Queen (butterfly); Knight; Entertainment; Art history; Art; Media studies; History; Performance art; Sociology; Visual arts","score_opus":0.015410364643956386,"score_gpt":0.20347481962666847,"score_spread":0.18806445498271207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2463245851","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004527677,0.53601444,0.00078158977,0.053109676,0.014201501,0.000021608827,0.00018862775,0.000097476426,0.39105743],"genre_scores_gemma":[0.035488963,0.19957747,0.0008186589,0.005960373,0.0026219205,0.00002385814,0.00018012788,0.0001614228,0.7551672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954754,0.00018951514,0.00002224085,0.000038609258,0.00014677492,0.0000551884],"domain_scores_gemma":[0.9995419,0.000194843,0.00005080525,0.00003604735,0.000072776274,0.00010373428],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065082306,0.00056491024,0.00030620978,0.0006190095,0.0017682977,0.0063353484,0.0006660647,0.0012259217,0.06084996],"category_scores_gemma":[0.0011368884,0.00032331102,0.00014995832,0.0015843674,0.0023734989,0.004690908,0.0017409796,0.0015182622,0.014221964],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025970116,0.00000879367,0.00025293595,0.00043012868,0.0000032920925,0.00010710389,0.010647792,0.00002666515,0.00015997763,0.019475129,0.90670735,0.062154848],"study_design_scores_gemma":[9.08094e-7,0.000002799216,0.0004876459,0.00025029943,0.0000015371107,0.00008025213,0.004360933,0.000006055805,0.000051172883,0.00058945175,0.99416614,0.0000027973185],"about_ca_topic_score_codex":0.033394642,"about_ca_topic_score_gemma":0.084911786,"teacher_disagreement_score":0.06084996,"about_ca_system_score_codex":0.0019094815,"about_ca_system_score_gemma":0.0025009317,"threshold_uncertainty_score":0.20356339},"labels":[],"label_agreement":null},{"id":"W2473375007","doi":"10.1353/ren.2008.0021","title":": <i>Giorgio Vasari: Storico e critico.</i>","year":2008,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Art; Humanities","score_opus":0.026951760381708847,"score_gpt":0.22518479617039355,"score_spread":0.1982330357886847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2473375007","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011581057,0.5988835,0.0007076529,0.2462989,0.03153148,0.000025631116,0.0003496594,0.00022612693,0.12081898],"genre_scores_gemma":[0.06732423,0.3139669,0.0013817148,0.09229941,0.053352382,0.00015879047,0.0006106824,0.0010600559,0.46984583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873203,0.00046658618,0.00007696551,0.00021857207,0.0003779249,0.00012794932],"domain_scores_gemma":[0.99896455,0.00040000648,0.0001805158,0.000070363785,0.00026524818,0.000119302735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011394037,0.001210721,0.0006541378,0.0022474632,0.0025946135,0.005632107,0.001372929,0.0039212904,0.03859098],"category_scores_gemma":[0.004389308,0.0005146789,0.00029241113,0.0047987862,0.002856837,0.007009877,0.00286456,0.005016521,0.02092675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015986774,0.0000061639325,0.00016822835,0.00020953393,0.000003931996,0.0000438636,0.0016619527,0.000015698657,0.000073355506,0.014799415,0.96537924,0.017622566],"study_design_scores_gemma":[0.000002907109,0.000003215692,0.00055150775,0.0002904255,0.0000023199343,0.00008953506,0.0007081206,0.000015360063,0.00006654607,0.0017816102,0.99648213,0.000006311825],"about_ca_topic_score_codex":0.0117669925,"about_ca_topic_score_gemma":0.022264766,"teacher_disagreement_score":0.03859098,"about_ca_system_score_codex":0.0031560173,"about_ca_system_score_gemma":0.0018465029,"threshold_uncertainty_score":0.12909967},"labels":[],"label_agreement":null},{"id":"W2477018562","doi":"10.2307/1261700","title":": <i>Dramatic Difference: Gender, Class, and Genre in the Early Modern Closet Drama</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Closet; Drama; Index (typography); Art history; Performance art; History; Art; Media studies; Sociology; Literature; Archaeology; Computer science","score_opus":0.033327362477862416,"score_gpt":0.23125962235502712,"score_spread":0.1979322598771647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2477018562","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004243932,0.6397376,0.00093415315,0.08431226,0.019245595,0.000042294305,0.0010245242,0.00019365804,0.25026596],"genre_scores_gemma":[0.17345153,0.35172302,0.0016827811,0.029045342,0.035102893,0.0001525611,0.0019425588,0.0004083253,0.4064909],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997111,0.000115518684,0.000016022654,0.000039138788,0.00008170202,0.000036537316],"domain_scores_gemma":[0.99961156,0.00020865502,0.000043728254,0.00001625282,0.00006512366,0.00005469322],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004941871,0.0008990116,0.00044430414,0.001391107,0.0014229903,0.003470186,0.00078105705,0.0012520608,0.053729814],"category_scores_gemma":[0.001232884,0.00023035555,0.0002304085,0.0023799401,0.0018167953,0.00574854,0.0016882722,0.0017756138,0.009006876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000416265,0.000014731123,0.0003374486,0.00037452727,0.000007713829,0.00004521096,0.0025276358,0.00001759918,0.00012578053,0.009254865,0.9463165,0.04093655],"study_design_scores_gemma":[0.000011622748,0.000025134483,0.0056810873,0.0013003014,0.000016544545,0.00037475408,0.006181323,0.00004546998,0.00022832006,0.006405297,0.9797148,0.000015466221],"about_ca_topic_score_codex":0.008142835,"about_ca_topic_score_gemma":0.021166695,"teacher_disagreement_score":0.053729814,"about_ca_system_score_codex":0.0012279734,"about_ca_system_score_gemma":0.0006441689,"threshold_uncertainty_score":0.17974412},"labels":[],"label_agreement":null},{"id":"W2477649987","doi":"10.2307/3176804","title":": <i>The Tessera of Antilia. Utopian Brotherhoods and Secret Societies in the Early Seventeenth Century</i>","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; History; Art; Classics; Ancient history","score_opus":0.01752411085191384,"score_gpt":0.21435391658469302,"score_spread":0.1968298057327792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2477649987","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085627113,0.8543915,0.00052904175,0.06468227,0.01220536,0.000007797902,0.0003145049,0.00006822984,0.06694495],"genre_scores_gemma":[0.057731103,0.6845482,0.0014819901,0.014543769,0.016715359,0.000045596556,0.0006882416,0.00022230645,0.22402346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997135,0.000085268555,0.00001813415,0.00003986176,0.00009133179,0.000051958308],"domain_scores_gemma":[0.99947983,0.00025050182,0.000065738845,0.000019102237,0.00010973902,0.00007504799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051241345,0.001111782,0.00048624523,0.002131298,0.0016231401,0.0033597944,0.00081242126,0.0019981775,0.027750755],"category_scores_gemma":[0.000982007,0.00037947207,0.00026274737,0.0034019558,0.0020152798,0.0062668133,0.0013005784,0.0023414185,0.010077505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028990857,0.000010385218,0.00027955783,0.0003117887,0.0000049481287,0.00005459768,0.0016818801,0.000031543914,0.000062803745,0.028471613,0.9204829,0.04857903],"study_design_scores_gemma":[0.0000041135377,0.000005209077,0.0010496615,0.0004085621,0.0000033819358,0.00011512758,0.0011692742,0.000022304925,0.000075635544,0.007506907,0.9896332,0.0000067257183],"about_ca_topic_score_codex":0.013592331,"about_ca_topic_score_gemma":0.041134633,"teacher_disagreement_score":0.027750755,"about_ca_system_score_codex":0.0027320373,"about_ca_system_score_gemma":0.001458493,"threshold_uncertainty_score":0.092835546},"labels":[],"label_agreement":null},{"id":"W2478824605","doi":"10.2307/1262009","title":": <i>Raphael's Stanza della Segnatura: Meaning and Invention</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Stanza; Index (typography); Meaning (existential); Art; Humanities; Theology; Art history; Philosophy; Poetry; Literature","score_opus":0.019370456241600553,"score_gpt":0.20921947494981205,"score_spread":0.1898490187082115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478824605","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009637127,0.7409574,0.0029652608,0.055157624,0.014506098,0.00002466262,0.00034293614,0.00025369352,0.18482865],"genre_scores_gemma":[0.06778944,0.4589876,0.005726603,0.019827925,0.020386463,0.00012539832,0.00068498566,0.0008709799,0.42560056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993818,0.00022885301,0.000036170906,0.00011939332,0.00017567046,0.00005804544],"domain_scores_gemma":[0.9994885,0.00026368164,0.000055243432,0.000048739512,0.00009690671,0.000046939163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007572626,0.0016519073,0.00059416244,0.0021616018,0.0018388613,0.0050103865,0.0010945721,0.0019232002,0.035839807],"category_scores_gemma":[0.0017074993,0.0004708769,0.0004757804,0.0033083211,0.0041140965,0.0095458105,0.0019801399,0.0031903638,0.013347203],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027426535,0.000011282631,0.0001489416,0.00038248283,0.0000095176965,0.00006270792,0.0026607097,0.000042943968,0.00014984372,0.06646594,0.8594224,0.07061577],"study_design_scores_gemma":[0.0000030119566,0.0000060141288,0.00034966695,0.00031764188,0.00000414837,0.00012324238,0.00063078525,0.00001834609,0.00011646942,0.01430024,0.9841234,0.000006958936],"about_ca_topic_score_codex":0.007781033,"about_ca_topic_score_gemma":0.016726939,"teacher_disagreement_score":0.035839807,"about_ca_system_score_codex":0.0022645085,"about_ca_system_score_gemma":0.0015905389,"threshold_uncertainty_score":0.119896054},"labels":[],"label_agreement":null},{"id":"W2482139158","doi":"10.2307/1262094","title":": <i>Exiled from Light: Divine Law, Morality, and Violence in Milton's \"Samson Agonistes\"</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Morality; Index (typography); History; Humanities; Art; Law; Political science","score_opus":0.014978983855903936,"score_gpt":0.2779061595065322,"score_spread":0.26292717565062823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2482139158","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002344808,0.4830696,0.0003619958,0.33389544,0.01896094,0.000020914746,0.0004385311,0.00006346893,0.1608443],"genre_scores_gemma":[0.09924709,0.30927017,0.0007853833,0.07102452,0.023511523,0.00008937011,0.00057502044,0.00018284154,0.4953141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996107,0.00015052456,0.000017167204,0.000030090732,0.0001262777,0.00006525478],"domain_scores_gemma":[0.999549,0.00019932844,0.000046147954,0.000014539833,0.00007735045,0.000113632326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005505038,0.00078391854,0.00037240755,0.0013219619,0.0033086324,0.0042349948,0.0008287493,0.0026565858,0.032149743],"category_scores_gemma":[0.001373178,0.00036107816,0.00020125501,0.002206259,0.0033718164,0.006587219,0.0019000075,0.00294355,0.0059561036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008503626,0.00000513338,0.00013975035,0.00010066081,0.0000015552573,0.00003603384,0.0023237846,0.000008657297,0.000034403576,0.012279217,0.97353023,0.011532117],"study_design_scores_gemma":[0.0000040769078,0.0000052504633,0.0014653549,0.0004990395,0.0000030230801,0.00009568208,0.006650878,0.000011929496,0.00006882579,0.005491304,0.98569703,0.0000075988046],"about_ca_topic_score_codex":0.037943244,"about_ca_topic_score_gemma":0.13918735,"teacher_disagreement_score":0.037943244,"about_ca_system_score_codex":0.0032581757,"about_ca_system_score_gemma":0.0024025834,"threshold_uncertainty_score":0.107551575},"labels":[],"label_agreement":null},{"id":"W2482339135","doi":"10.2307/1261702","title":": <i>Colonial Women: Race and Culture in Stuart Drama</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Index (typography); Race (biology); Drama; Media studies; History; Colonialism; Art history; Sociology; Art; Gender studies; Literature; Computer science; Archaeology; World Wide Web","score_opus":0.008421424918726206,"score_gpt":0.2679917394183295,"score_spread":0.25957031449960327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2482339135","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18237704,0.022644874,0.00032417563,0.23013265,0.0027385694,0.00003587403,0.00039156078,0.000058027512,0.5612973],"genre_scores_gemma":[0.8559171,0.007223891,0.00012806275,0.013529059,0.0010725431,0.000038351725,0.000097367134,0.000103043014,0.121890604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994523,0.0003026581,0.0000145881895,0.000032248572,0.00008240618,0.00011576997],"domain_scores_gemma":[0.9992322,0.00034721772,0.00011000486,0.000026743064,0.00008780831,0.0001961737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008044944,0.00030189962,0.00019422927,0.00051836524,0.008026218,0.0054414244,0.00040777732,0.0011126216,0.016070647],"category_scores_gemma":[0.0028663683,0.00014901398,0.00011289465,0.0011929311,0.0048130406,0.003583376,0.0018658626,0.001775919,0.0015364191],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007657068,0.0000391868,0.006495991,0.00024830297,0.000011772948,0.0003431859,0.45542517,0.00003171834,0.00027355636,0.05868492,0.4574225,0.020947238],"study_design_scores_gemma":[0.000008842817,0.000028943175,0.024387293,0.00059079134,0.00001969622,0.0005366141,0.4591929,0.00004995365,0.00057794625,0.0037178842,0.51085925,0.000029829824],"about_ca_topic_score_codex":0.069296576,"about_ca_topic_score_gemma":0.15438353,"teacher_disagreement_score":0.069296576,"about_ca_system_score_codex":0.0021332866,"about_ca_system_score_gemma":0.0014735297,"threshold_uncertainty_score":0.13778645},"labels":[],"label_agreement":null},{"id":"W2483576400","doi":"10.2307/1262145","title":": <i>Drama, Play, and Game: English Festive Culture in the Medieval and Early Modern Period</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Drama; Period (music); History; Art; Media studies; Classics; Literature; Sociology","score_opus":0.01680892125962305,"score_gpt":0.22007671232688153,"score_spread":0.20326779106725848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483576400","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053675333,0.8530645,0.00079620234,0.054954756,0.008119111,0.000026468719,0.0004651736,0.00012304855,0.07708314],"genre_scores_gemma":[0.16333997,0.5700431,0.0019392314,0.014137522,0.019177888,0.000119276134,0.0012255624,0.00027597343,0.2297415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978167,0.0000793703,0.00002029307,0.000025476402,0.00005849927,0.000034671273],"domain_scores_gemma":[0.99946195,0.00026080935,0.00006069672,0.000020517864,0.00007451328,0.000121567624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006167952,0.001124384,0.00039382855,0.0018324412,0.0014906037,0.004492797,0.0010080631,0.0013441393,0.026974732],"category_scores_gemma":[0.0011209714,0.00031048764,0.0001776169,0.0033659567,0.0018332282,0.0076109427,0.0017658662,0.0015498608,0.0052274726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098396755,0.00003793341,0.0015743397,0.0010039047,0.000017109116,0.0002008297,0.013117546,0.000054061962,0.00041660052,0.01868553,0.8703208,0.09447298],"study_design_scores_gemma":[0.000013429573,0.00003340105,0.010491015,0.001600541,0.000018840448,0.0004982013,0.01676697,0.00006382047,0.00034261696,0.0050157583,0.96513855,0.000016907292],"about_ca_topic_score_codex":0.016358731,"about_ca_topic_score_gemma":0.040233634,"teacher_disagreement_score":0.026974732,"about_ca_system_score_codex":0.0014119899,"about_ca_system_score_gemma":0.0010496336,"threshold_uncertainty_score":0.090239465},"labels":[],"label_agreement":null},{"id":"W2484203867","doi":"10.2307/2901521","title":": <i>In Praise of Scribes: Manuscripts and Their Makers in Seventeenth-Century England</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Praise; History; Classics; Media studies; Art; Sociology; Literature","score_opus":0.012082037894482058,"score_gpt":0.2027868116253028,"score_spread":0.19070477373082073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484203867","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3221788,0.031636406,0.0010337029,0.11093646,0.0041167163,0.000053948686,0.0001968887,0.00007376161,0.5297733],"genre_scores_gemma":[0.85249716,0.0034706064,0.00017066866,0.0032266679,0.00057661964,0.00002361819,0.000029979214,0.000076445474,0.13992822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99774075,0.001257584,0.000094735275,0.00016986257,0.00046153934,0.00027560876],"domain_scores_gemma":[0.9958585,0.002225483,0.00060077594,0.00017543435,0.0006843843,0.0004553666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029529838,0.00026950586,0.0002732815,0.00079618575,0.016482277,0.011185302,0.0007362699,0.0022911166,0.016707022],"category_scores_gemma":[0.0128098605,0.00035162427,0.000111763344,0.0013065416,0.011314913,0.0067103026,0.0042775422,0.004603861,0.0022544875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005114864,0.0000123655,0.0010653934,0.00012230515,0.0000035470177,0.00046568745,0.90210223,0.000017395843,0.00028437015,0.046547517,0.041344494,0.0079835355],"study_design_scores_gemma":[0.000008725603,0.000024161694,0.005115841,0.00033762486,0.000005687927,0.00036018525,0.45998204,0.000015496818,0.0003358522,0.002863424,0.5309355,0.000015417247],"about_ca_topic_score_codex":0.01726464,"about_ca_topic_score_gemma":0.06132326,"teacher_disagreement_score":0.01726464,"about_ca_system_score_codex":0.004149348,"about_ca_system_score_gemma":0.0026678334,"threshold_uncertainty_score":0.05589062},"labels":[],"label_agreement":null},{"id":"W2485362105","doi":"10.2307/1261865","title":": <i>Cosmopoiesis. The Renaissance Experiment</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Media studies; Humanities; Art history; Sociology","score_opus":0.017644061296294394,"score_gpt":0.22361744686877713,"score_spread":0.20597338557248274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485362105","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009988317,0.7567503,0.00076430733,0.0521,0.005474978,0.000017147555,0.00076816377,0.00019672138,0.1829296],"genre_scores_gemma":[0.105350725,0.49747714,0.0028920402,0.015883114,0.011832456,0.00015152896,0.0013268491,0.0006954416,0.3643907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935585,0.0002780039,0.000026904321,0.00008616833,0.00018429145,0.000068785856],"domain_scores_gemma":[0.99953485,0.00022608363,0.000056691228,0.000044321772,0.000081075734,0.00005705217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091346184,0.0010475522,0.0004567796,0.0020661552,0.0018125095,0.0035185516,0.0008659018,0.0019798712,0.06318921],"category_scores_gemma":[0.0015634581,0.0004244049,0.00027223842,0.0054521416,0.0034045517,0.0063190334,0.0016352214,0.0023648513,0.013045657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003162664,0.00000907568,0.0002670195,0.00042412095,0.000006220349,0.000037754075,0.0019252201,0.00003164167,0.0000769242,0.08668129,0.8620479,0.048461277],"study_design_scores_gemma":[0.00000789934,0.000006717766,0.0013209699,0.00035820468,0.0000036645067,0.000053444743,0.0006162589,0.000016595042,0.00009350211,0.008173285,0.9893421,0.0000073683896],"about_ca_topic_score_codex":0.03663639,"about_ca_topic_score_gemma":0.09248208,"teacher_disagreement_score":0.06318921,"about_ca_system_score_codex":0.004499456,"about_ca_system_score_gemma":0.0016745189,"threshold_uncertainty_score":0.21138895},"labels":[],"label_agreement":null},{"id":"W2486589595","doi":"10.2307/1261703","title":": <i>Collected Writings</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Economic Theory and Institutions","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); History; Media studies; Art history; Gerontology; Sociology; Medicine; Computer science; World Wide Web","score_opus":0.021108631385679925,"score_gpt":0.20701805762803918,"score_spread":0.18590942624235926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2486589595","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016069483,0.042123053,0.003254598,0.20974414,0.16046219,0.0007336673,0.083376236,0.0019517385,0.4967474],"genre_scores_gemma":[0.008755626,0.022455629,0.0033069646,0.033224568,0.025535386,0.000997183,0.030845394,0.0033095342,0.8715697],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99668604,0.000786926,0.0002906085,0.00040496778,0.001617328,0.00021409581],"domain_scores_gemma":[0.9760315,0.0039357836,0.0014023714,0.0013471011,0.015990205,0.0012929691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037990964,0.0011158404,0.00087235594,0.0062051164,0.0031797255,0.004005666,0.0013453376,0.0009630609,0.23049185],"category_scores_gemma":[0.035277687,0.00056316814,0.0005204592,0.0061449083,0.0012058767,0.00407493,0.003013406,0.0031660497,0.1985557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022815943,8.365571e-7,0.000015059543,0.00004942531,5.2994125e-7,0.000006194161,0.00012323665,0.0000012193339,0.000013853749,0.00027691093,0.9950654,0.0044451],"study_design_scores_gemma":[0.0000010963654,0.0000014577826,0.00023567313,0.00021271809,8.3764996e-7,0.000025262643,0.0003426876,0.000002912432,0.0000340102,0.00024254023,0.9988971,0.0000036426547],"about_ca_topic_score_codex":0.012166679,"about_ca_topic_score_gemma":0.02048412,"teacher_disagreement_score":0.23049185,"about_ca_system_score_codex":0.0033261725,"about_ca_system_score_gemma":0.0038647675,"threshold_uncertainty_score":0.77107203},"labels":[],"label_agreement":null},{"id":"W2489415544","doi":"10.2307/1261949","title":": <i>A Bishop's Tale: Mathias Hovius among His Flock in Seventeenth-Century Flanders</i>","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Haven; Flock; History; Art history; Art; Geology; Mathematics; Combinatorics; Paleontology","score_opus":0.017221036552089144,"score_gpt":0.2899256591168701,"score_spread":0.272704622564781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2489415544","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010070985,0.4525825,0.0008434707,0.24236658,0.022714516,0.000040349983,0.0003617496,0.00011483158,0.27090502],"genre_scores_gemma":[0.12679549,0.11353906,0.000715272,0.022414455,0.010206983,0.000054224183,0.0003036588,0.00022561887,0.7257452],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9998217,0.000056992565,0.0000064993737,0.000029320001,0.000046856174,0.00003861138],"domain_scores_gemma":[0.99978524,0.00008294463,0.00002176497,0.000007138708,0.000037178965,0.00006570822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039773126,0.00083565107,0.00023902958,0.0010189314,0.004808258,0.0029186,0.0007696871,0.0015497863,0.028975256],"category_scores_gemma":[0.0011197419,0.00028129772,0.00017915212,0.001281286,0.0030742108,0.005256594,0.0022824307,0.001999792,0.0045533525],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027616772,0.000007714835,0.00026448653,0.0001429774,0.0000046514106,0.00012965483,0.012369074,0.000027504435,0.00013947378,0.012718239,0.95047414,0.023694433],"study_design_scores_gemma":[0.0000033092138,0.0000076062825,0.001154816,0.00033206452,0.0000039648803,0.00013727846,0.012941963,0.00001460478,0.000111236695,0.0022935658,0.9829928,0.000006814425],"about_ca_topic_score_codex":0.057224106,"about_ca_topic_score_gemma":0.13538973,"teacher_disagreement_score":0.057224106,"about_ca_system_score_codex":0.0030415356,"about_ca_system_score_gemma":0.0013979045,"threshold_uncertainty_score":0.11378205},"labels":[],"label_agreement":null},{"id":"W2489806569","doi":"10.2307/1261622","title":": <i>The Figino, or on the Purpose of Painting: Art Theory in the Late Renaissance</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Painting; Art; Humanities; Index (typography); Art history; Computer science","score_opus":0.0409194350894505,"score_gpt":0.24209581649935122,"score_spread":0.2011763814099007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2489806569","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017553457,0.812415,0.0008246394,0.052120853,0.008701592,0.000009822812,0.0001342232,0.000063971034,0.12397466],"genre_scores_gemma":[0.16605072,0.4992904,0.00220089,0.018757945,0.02419358,0.000049096576,0.0003867808,0.0003326233,0.28873795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964166,0.00016848907,0.000012714628,0.0000685597,0.000070152695,0.00003835869],"domain_scores_gemma":[0.9997049,0.00014028997,0.00003376664,0.000029117546,0.00005824184,0.000033695356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006249019,0.0010014876,0.0004272647,0.0014657701,0.001453914,0.004067253,0.00075556146,0.0017887377,0.024278875],"category_scores_gemma":[0.00100487,0.00023347285,0.00029168386,0.0029415763,0.004958945,0.006082594,0.0011635736,0.0019901774,0.005302918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036088644,0.000013031757,0.00045712627,0.000562195,0.000012030013,0.000087149194,0.00836365,0.00005852851,0.00017060559,0.15833943,0.7758607,0.05603938],"study_design_scores_gemma":[0.0000033226806,0.000007458499,0.00091431517,0.00037815754,0.000004676771,0.00013242627,0.0019306673,0.000015721067,0.0000727491,0.011255294,0.9852797,0.0000056617487],"about_ca_topic_score_codex":0.015121124,"about_ca_topic_score_gemma":0.035194837,"teacher_disagreement_score":0.024278875,"about_ca_system_score_codex":0.002476809,"about_ca_system_score_gemma":0.0011108504,"threshold_uncertainty_score":0.081220925},"labels":[],"label_agreement":null},{"id":"W2493772486","doi":"10.2307/1261675","title":": <i>Humphrey, Duke of Gloucester (1390-1447) and the Italian Humanists</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Humanism; Intellectual history; Classics; History; Art; Theology; Art history; Philosophy","score_opus":0.017616224415560634,"score_gpt":0.2095414548160672,"score_spread":0.19192523040050657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2493772486","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005965885,0.86587507,0.00013555797,0.04636012,0.009461505,0.000020767366,0.0007474694,0.000077012795,0.07672597],"genre_scores_gemma":[0.016714375,0.27135673,0.00034933857,0.020087017,0.0084036095,0.000074372016,0.00068243244,0.00017880999,0.6821534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960464,0.000074489246,0.000027784365,0.00007643313,0.00013578203,0.00008098417],"domain_scores_gemma":[0.99942744,0.00014177468,0.00011359002,0.000024152165,0.00013796607,0.0001551949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005215888,0.0015254173,0.00082052965,0.0025239415,0.0032758568,0.0033768197,0.0010625133,0.003223932,0.09081384],"category_scores_gemma":[0.0011440095,0.0006032239,0.00025212302,0.0058990633,0.0022071442,0.004198847,0.002212586,0.0022727437,0.0374868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013578264,0.000003241364,0.00010392064,0.00019567709,0.0000019464096,0.000049257782,0.0006218465,0.0000077921595,0.000036217203,0.0026348038,0.9819372,0.014394487],"study_design_scores_gemma":[0.0000023183886,0.000002056305,0.00080617465,0.00033554863,0.0000013881834,0.00006711971,0.00047977333,0.0000026137016,0.000027756705,0.00042777372,0.99784315,0.0000043862233],"about_ca_topic_score_codex":0.11381925,"about_ca_topic_score_gemma":0.33322996,"teacher_disagreement_score":0.11381925,"about_ca_system_score_codex":0.006536292,"about_ca_system_score_gemma":0.0027919302,"threshold_uncertainty_score":0.30380255},"labels":[],"label_agreement":null},{"id":"W2494263067","doi":"10.2307/1261886","title":": <i>War and Competition between States</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"European Political History Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"State (computer science); History; Competition (biology); Index (typography); Classics; Art history","score_opus":0.02158114356083976,"score_gpt":0.22085428584169298,"score_spread":0.19927314228085322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2494263067","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016179084,0.8728158,0.0009400634,0.04572587,0.0040029716,0.0000074397412,0.000261385,0.00004190108,0.0745866],"genre_scores_gemma":[0.11648168,0.77338296,0.0014029151,0.012277882,0.008651326,0.00006046541,0.0006148265,0.00010560631,0.08702239],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996351,0.00015586187,0.0000118472235,0.00004527684,0.00007807075,0.000073916824],"domain_scores_gemma":[0.9996829,0.00017029811,0.000044345466,0.000014379122,0.000043662116,0.00004451075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005406373,0.0012615704,0.00049626036,0.0016628981,0.0013894526,0.0050060214,0.0012802333,0.0023127054,0.01934101],"category_scores_gemma":[0.0010090902,0.00041565683,0.00027582294,0.0041555297,0.0030547758,0.009786057,0.0015238668,0.0019961998,0.0052035395],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041719653,0.000019781533,0.00051553186,0.00053480326,0.000021049222,0.00010304681,0.0026699228,0.00028635116,0.000058388312,0.13733949,0.8052588,0.05315128],"study_design_scores_gemma":[0.000011409396,0.000012480633,0.0023943398,0.0013398048,0.000015713722,0.00023218314,0.0031915032,0.00023105858,0.0001566168,0.09651402,0.8958847,0.000016302143],"about_ca_topic_score_codex":0.016347917,"about_ca_topic_score_gemma":0.028350398,"teacher_disagreement_score":0.01934101,"about_ca_system_score_codex":0.0027856417,"about_ca_system_score_gemma":0.0020536801,"threshold_uncertainty_score":0.06470215},"labels":[],"label_agreement":null},{"id":"W2494506577","doi":"10.2307/2901886","title":": <i>The Rule, the Bible, and the Council: The Library of the Benedictine Abbey at Praglia</i>","year":2000,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"The arts; Fine art; History; Art; Art history; Classics; Library science; Visual arts; Computer science","score_opus":0.009456966265721376,"score_gpt":0.16394773421682893,"score_spread":0.15449076795110755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2494506577","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032405236,0.48275635,0.00086258183,0.09008223,0.011570008,0.00003629174,0.00081267906,0.0004116378,0.41022772],"genre_scores_gemma":[0.07050964,0.09377712,0.0014391444,0.014166103,0.008467703,0.00004890298,0.00086513476,0.00045862052,0.8102677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996635,0.00007187749,0.000016298742,0.00007028494,0.000118091564,0.000059969243],"domain_scores_gemma":[0.9998258,0.00003835654,0.000034888108,0.000019937937,0.000032810713,0.000048286474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035670956,0.00058326323,0.00026812343,0.0013926823,0.001831388,0.0053962916,0.0006833496,0.0013481992,0.07422549],"category_scores_gemma":[0.00091126433,0.00034424206,0.00017998938,0.0030876612,0.0016534005,0.004550559,0.002226943,0.0017531969,0.028479999],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020250587,0.000006715128,0.00020964816,0.00024295178,0.0000029344394,0.00006168467,0.0014487156,0.00001565465,0.0001408549,0.012823714,0.9302328,0.054794077],"study_design_scores_gemma":[0.0000019854185,0.0000040156347,0.0008303907,0.00014902766,0.0000014118364,0.00008847416,0.0004307283,0.0000041441363,0.000044410623,0.00092122715,0.9975216,0.000002572819],"about_ca_topic_score_codex":0.01307391,"about_ca_topic_score_gemma":0.044262744,"teacher_disagreement_score":0.07422549,"about_ca_system_score_codex":0.002032444,"about_ca_system_score_gemma":0.0010784746,"threshold_uncertainty_score":0.24830896},"labels":[],"label_agreement":null},{"id":"W2496511557","doi":"10.2307/1261888","title":": <i>Early Modern Catholicism: Essays in Honour of John W. O'Malley, S. J.</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Index (typography); Media studies; Theology; History; Sociology; Philosophy; Archaeology; Computer science","score_opus":0.02200490753954651,"score_gpt":0.2242061973824681,"score_spread":0.2022012898429216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496511557","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004184897,0.8105312,0.00043054245,0.10954388,0.010544097,0.00001511065,0.00014155514,0.000026429123,0.06458231],"genre_scores_gemma":[0.1424103,0.5129329,0.0012965474,0.026598971,0.018807491,0.000054040684,0.00035139383,0.00015935511,0.297389],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996742,0.00014750108,0.000013941042,0.000030811498,0.00009954547,0.000034069624],"domain_scores_gemma":[0.9993967,0.00026384785,0.000063990294,0.000036700232,0.00013408139,0.00010470249],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009541875,0.00072825473,0.00035524755,0.0010760644,0.0021126592,0.002508337,0.0005671035,0.001449883,0.011500134],"category_scores_gemma":[0.0016684049,0.00027617527,0.00018109629,0.0022118853,0.0036116813,0.003238699,0.001310129,0.0021115437,0.0020403352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002552168,0.000016592725,0.00037570702,0.00032683252,0.0000069281,0.00007166605,0.006320645,0.000033066557,0.00012780131,0.015387046,0.9399919,0.037316304],"study_design_scores_gemma":[0.000008771032,0.0000073166775,0.0023506384,0.00070653687,0.0000061583523,0.0001048463,0.0040654605,0.0000199793,0.00009431458,0.005127262,0.9875021,0.000006629429],"about_ca_topic_score_codex":0.021364447,"about_ca_topic_score_gemma":0.06462865,"teacher_disagreement_score":0.021364447,"about_ca_system_score_codex":0.0027602043,"about_ca_system_score_gemma":0.0021030696,"threshold_uncertainty_score":0.04248017},"labels":[],"label_agreement":null},{"id":"W2496675518","doi":"10.2307/1262080","title":": <i>Masks and Masking in Medieval and Early Tudor England</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Drama; Publishing; Index (typography); History; Art; Art history; Masking (illustration); Media studies; Literature; Sociology","score_opus":0.015403770329727107,"score_gpt":0.2046692721141036,"score_spread":0.18926550178437648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496675518","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024698392,0.7095243,0.0007172066,0.033830706,0.004603565,0.000022208604,0.0005226923,0.0000911725,0.22598974],"genre_scores_gemma":[0.38030112,0.16288587,0.0006194494,0.0040024347,0.0027126702,0.000046296962,0.0004429383,0.00011853773,0.44887072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976736,0.0000769764,0.000016267823,0.000025052095,0.00005155595,0.00006284519],"domain_scores_gemma":[0.9998634,0.000059206042,0.000022935852,0.000010365186,0.000021476859,0.000022722752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033942476,0.0005708076,0.00026696306,0.00085850374,0.0026854798,0.0028861773,0.0005851056,0.00096664473,0.03342486],"category_scores_gemma":[0.00088834565,0.0002940362,0.00013891574,0.0014403146,0.0028029429,0.0030822353,0.0016102102,0.0008660462,0.0038727298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023323698,0.000023485194,0.0016329209,0.0008945305,0.000017202401,0.00043549767,0.084116556,0.00007819183,0.00084250665,0.10267861,0.68951833,0.119528905],"study_design_scores_gemma":[0.0000053712333,0.000019129919,0.0057153506,0.00052046974,0.00000776707,0.00031365047,0.019397298,0.000019421315,0.0003505216,0.0024677226,0.97117436,0.000008944243],"about_ca_topic_score_codex":0.04249933,"about_ca_topic_score_gemma":0.10542915,"teacher_disagreement_score":0.04249933,"about_ca_system_score_codex":0.0019890063,"about_ca_system_score_gemma":0.000672142,"threshold_uncertainty_score":0.1118173},"labels":[],"label_agreement":null},{"id":"W249954123","doi":"10.1353/ren.2008.0747","title":": <i>The Culture of Profession in Late Renaissance Italy</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; George (robot); Index (typography); Media studies; History; Art; Art history; Humanities; Sociology; Computer science","score_opus":0.015635751225305104,"score_gpt":0.2441810998844804,"score_spread":0.22854534865917528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W249954123","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008971645,0.57550377,0.00063187943,0.21091019,0.019187463,0.000020956393,0.00036355612,0.00013502485,0.18427557],"genre_scores_gemma":[0.31048515,0.27734715,0.0011342892,0.035693273,0.023623178,0.00006724631,0.0006663851,0.00026291638,0.3507204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960464,0.00014160278,0.000016055164,0.000038503065,0.00011830566,0.000080847356],"domain_scores_gemma":[0.9997124,0.00007405872,0.00005322836,0.000017602604,0.00008176737,0.000060932292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008544641,0.0006522988,0.00023721559,0.001005459,0.0014581812,0.0029684291,0.0006382421,0.0010288042,0.014101404],"category_scores_gemma":[0.0011538008,0.00018752563,0.00017023075,0.0021952123,0.0023186964,0.0031440193,0.0011873484,0.0014208732,0.0041140025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022531478,0.000014083268,0.0011221395,0.00035041157,0.0000044651083,0.00010406186,0.015980504,0.000025401574,0.00015028458,0.028357534,0.88843983,0.065428816],"study_design_scores_gemma":[0.0000031690688,0.000009430715,0.0055357246,0.00029390267,0.0000029477735,0.0001327708,0.0037371577,0.000012799587,0.00007859893,0.0018651952,0.98832184,0.000006421212],"about_ca_topic_score_codex":0.04794107,"about_ca_topic_score_gemma":0.08627853,"teacher_disagreement_score":0.04794107,"about_ca_system_score_codex":0.0027280932,"about_ca_system_score_gemma":0.0020619466,"threshold_uncertainty_score":0.09532404},"labels":[],"label_agreement":null},{"id":"W2499935587","doi":"10.2307/1261666","title":": <i>God's Two Books: Copernican Cosmology and Biblical Interpretation in Early Modern Science</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Evolution and Science Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Copernican principle; Interpretation (philosophy); Index (typography); History; Classics; Philosophy; Theology; Epistemology; Linguistics","score_opus":0.02524430429323939,"score_gpt":0.27533454329750984,"score_spread":0.25009023900427046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2499935587","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007164117,0.8105439,0.00078343286,0.041548822,0.008119832,0.000018474615,0.00063615246,0.000111976704,0.13752103],"genre_scores_gemma":[0.038362376,0.5612012,0.0026439845,0.018023694,0.017016623,0.00009371749,0.0013912313,0.0003882049,0.3608789],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99959165,0.00009123162,0.000028705274,0.000047941623,0.0002005493,0.00003986914],"domain_scores_gemma":[0.99915254,0.00038552732,0.000096060234,0.000050067483,0.00019899853,0.00011678333],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00051814265,0.001145192,0.00061072153,0.003036914,0.001586715,0.0043401704,0.0009853565,0.0015573684,0.055413052],"category_scores_gemma":[0.0018961636,0.00048452523,0.0002648558,0.0070156776,0.0030406003,0.006606537,0.001399971,0.0028201337,0.010321979],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015678586,0.0000087602,0.00019020848,0.0003987123,0.000005620876,0.00004141897,0.0014102596,0.000022288843,0.00006902994,0.017003931,0.9380815,0.04275261],"study_design_scores_gemma":[0.0000051667425,0.0000034207937,0.001161245,0.00090176944,0.0000044724407,0.000119283235,0.000976768,0.000021781672,0.000060327995,0.006245791,0.9904918,0.000008118502],"about_ca_topic_score_codex":0.019335708,"about_ca_topic_score_gemma":0.06377862,"teacher_disagreement_score":0.99841326,"about_ca_system_score_codex":0.0031184144,"about_ca_system_score_gemma":0.0035109927,"threshold_uncertainty_score":0.18537515},"labels":[],"label_agreement":null},{"id":"W2500157429","doi":"10.2307/1262301","title":": <i>Body Narratives: Writing the Nation and Fashioning the Subject in Early Modern England</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); Narrative; Subject (documents); History; Media studies; Art history; Humanities; Art; Sociology; Literature; Library science; Computer science","score_opus":0.025333446652247082,"score_gpt":0.22886071017893792,"score_spread":0.20352726352669084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2500157429","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013532065,0.56037587,0.003542557,0.09686154,0.008400172,0.00005482964,0.00045707801,0.00015628885,0.3166196],"genre_scores_gemma":[0.2741454,0.27718464,0.002884923,0.0133618,0.0050503695,0.00015300253,0.0006395554,0.00030696098,0.42627338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996295,0.00018958218,0.000021124315,0.0000299131,0.000086992455,0.000042924406],"domain_scores_gemma":[0.99931085,0.0003962831,0.000093721435,0.000027345492,0.00007768684,0.000094086994],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009977829,0.0006489253,0.00024787133,0.0012934038,0.0025331585,0.0049073356,0.0005671132,0.001261512,0.017564299],"category_scores_gemma":[0.0018359665,0.0002474595,0.000121764504,0.0021847507,0.005141789,0.008784359,0.0024398072,0.0014908499,0.0038464025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005037926,0.000028115523,0.00057867204,0.0010395629,0.0000067961873,0.00034697002,0.10649185,0.00005154348,0.00047636183,0.08038106,0.7245916,0.08595705],"study_design_scores_gemma":[0.000006811708,0.000013032256,0.0020957391,0.0014768383,0.000005839129,0.00044237595,0.04667113,0.00003758105,0.00038556798,0.014074784,0.93478125,0.000008988789],"about_ca_topic_score_codex":0.010519459,"about_ca_topic_score_gemma":0.027208028,"teacher_disagreement_score":0.017564299,"about_ca_system_score_codex":0.0018827602,"about_ca_system_score_gemma":0.0016565905,"threshold_uncertainty_score":0.058758438},"labels":[],"label_agreement":null},{"id":"W2500256600","doi":"10.2307/1262089","title":": <i>Spenser's Supreme Fiction: Platonic Natural Philosophy and \"The Faerie Queene\"</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Natural philosophy; Supreme court; Art history; History; Art; Philosophy; Law; Political science; Computer science; Epistemology","score_opus":0.012747388896235456,"score_gpt":0.20550150957518354,"score_spread":0.1927541206789481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2500256600","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015981657,0.5383158,0.0023764346,0.24245077,0.035605084,0.000024855939,0.00031722742,0.00014603966,0.17916565],"genre_scores_gemma":[0.112555936,0.26608694,0.0032186527,0.08378349,0.04902282,0.00009406608,0.0005737472,0.00050935295,0.48415494],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994838,0.00021262637,0.00002479361,0.00007349033,0.00015654479,0.000048687903],"domain_scores_gemma":[0.9992735,0.000482607,0.0000561707,0.000029851528,0.00010287837,0.000054904893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008033407,0.0009562821,0.00044691353,0.0016070245,0.0029941394,0.0036907326,0.00085429434,0.0029950151,0.018480044],"category_scores_gemma":[0.0024620688,0.00031475618,0.000295557,0.00230819,0.005578012,0.008211627,0.0015560181,0.0034930946,0.0047981124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125038,0.0000045119577,0.00006248991,0.000106149804,0.000003082821,0.00004311189,0.0014569134,0.00002408353,0.000041126157,0.048298933,0.93587774,0.014069419],"study_design_scores_gemma":[0.000003750506,0.000004727841,0.00049166154,0.0002774143,0.00000284849,0.00013747941,0.0008919944,0.000036885605,0.00010631046,0.02554665,0.9724926,0.000007742084],"about_ca_topic_score_codex":0.016123595,"about_ca_topic_score_gemma":0.045711573,"teacher_disagreement_score":0.018480044,"about_ca_system_score_codex":0.0034697158,"about_ca_system_score_gemma":0.00164353,"threshold_uncertainty_score":0.061821878},"labels":[],"label_agreement":null},{"id":"W2501668358","doi":"10.2307/1262041","title":": <i>Holy Scripture Speaks: The Production and Reception of Erasmus' \"Paraphrases on the New Testament\"</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Theology; New Testament; Art; Classics; Media studies; Philosophy; Art history; Sociology","score_opus":0.030434812169100375,"score_gpt":0.21928123114721082,"score_spread":0.18884641897811044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2501668358","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03465212,0.29784304,0.0031218794,0.10367625,0.013096391,0.00005955004,0.0005244223,0.00029753178,0.5467289],"genre_scores_gemma":[0.5804141,0.08140856,0.0021438457,0.0071288324,0.005920485,0.00009499277,0.00046727306,0.0004944682,0.32192746],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909484,0.0005794474,0.000032785974,0.000048572743,0.00015588079,0.00008846349],"domain_scores_gemma":[0.9990902,0.00055336376,0.00009845878,0.00006131832,0.00008008811,0.00011657598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00139601,0.000616311,0.00028371587,0.0011395757,0.0028310928,0.004926707,0.00072155625,0.0011893671,0.013868213],"category_scores_gemma":[0.0029354626,0.00023296985,0.000121380544,0.0017417745,0.0076848506,0.0046954723,0.002161028,0.0020267805,0.0023128903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009270159,0.000022254133,0.0006120967,0.0004699383,0.000011903966,0.0006531068,0.15108106,0.00006742719,0.00070272066,0.15036978,0.57900923,0.116907805],"study_design_scores_gemma":[0.000008803728,0.000014813108,0.0031303414,0.00059920445,0.000006084501,0.00031646003,0.029828666,0.000047393893,0.0005526746,0.011540241,0.95394087,0.000014461615],"about_ca_topic_score_codex":0.009433411,"about_ca_topic_score_gemma":0.030106412,"teacher_disagreement_score":0.013868213,"about_ca_system_score_codex":0.0018945769,"about_ca_system_score_gemma":0.0015567014,"threshold_uncertainty_score":0.04639381},"labels":[],"label_agreement":null},{"id":"W2502988318","doi":"10.2307/1261882","title":": <i>Les Lettres romaines de Du Bellay: Les \"Regrets\" et la tradition épistolaire</i>","year":2003,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Index (typography); Computer science","score_opus":0.030311922549910057,"score_gpt":0.30558833822758286,"score_spread":0.2752764156776728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2502988318","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023736993,0.7280484,0.0008019808,0.14446601,0.020665854,0.000017171873,0.0002393842,0.000066133325,0.103321336],"genre_scores_gemma":[0.13197368,0.35109007,0.0010739346,0.04019013,0.026639713,0.000080926926,0.0004063272,0.0002766108,0.4482686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993352,0.00029689822,0.00002283267,0.000077368575,0.00017666019,0.00009088026],"domain_scores_gemma":[0.9994448,0.00023787444,0.000095002564,0.000025993295,0.000113212816,0.00008315816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008888888,0.0008923366,0.00048255158,0.0009478642,0.0039033939,0.0038053547,0.00095540326,0.0023937514,0.024943635],"category_scores_gemma":[0.0024835875,0.0003175224,0.0002891639,0.001838177,0.0035586806,0.0059237755,0.0019462848,0.003633129,0.006374386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004537631,0.0000092077635,0.00023758915,0.00023268045,0.000006349726,0.00008604893,0.004763017,0.000028886458,0.00005960344,0.033241738,0.93336326,0.027926162],"study_design_scores_gemma":[0.000006421658,0.000011415834,0.0014675902,0.0004418561,0.0000042860443,0.00025494257,0.003713777,0.000023173185,0.00008210712,0.0062238383,0.98775905,0.000011530028],"about_ca_topic_score_codex":0.024508074,"about_ca_topic_score_gemma":0.060286038,"teacher_disagreement_score":0.024943635,"about_ca_system_score_codex":0.002715347,"about_ca_system_score_gemma":0.0015535865,"threshold_uncertainty_score":0.083444715},"labels":[],"label_agreement":null},{"id":"W2504141534","doi":"10.2307/1261986","title":": <i>Les Étoiles de Némésis: La rhétorique de la mémoire dans la poésie d'Ange Politien (1454-1494)</i>","year":2003,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"The Renaissance; Humanities; Art; Art history","score_opus":0.013808840726082659,"score_gpt":0.24698763058178302,"score_spread":0.23317878985570037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504141534","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073407744,0.47274178,0.0035886914,0.10629994,0.009500364,0.000037251077,0.00022666404,0.00009450781,0.4001701],"genre_scores_gemma":[0.41330433,0.19558834,0.004170556,0.022933867,0.012025683,0.00020681546,0.00029905973,0.0003152591,0.35115615],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991441,0.0005393816,0.000027291482,0.00007838991,0.00014308555,0.000067844165],"domain_scores_gemma":[0.9994417,0.00037043667,0.000054540025,0.000020844884,0.00007820318,0.000034312907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015983818,0.00067546166,0.00030389597,0.0015081414,0.0036475724,0.004845534,0.0005588572,0.0019766027,0.009026343],"category_scores_gemma":[0.0021624453,0.00022503818,0.00024258577,0.001981817,0.007986982,0.0076537216,0.0019903735,0.0029286472,0.0020967796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006558534,0.000022420518,0.00053932954,0.00052710564,0.000011697777,0.00017617049,0.05085328,0.000072602306,0.00033240046,0.49181908,0.40245596,0.053124472],"study_design_scores_gemma":[0.000009197538,0.000018336865,0.001590092,0.00071200205,0.000008118611,0.0002036503,0.009611877,0.000062503124,0.00039398245,0.0382578,0.9491208,0.00001151078],"about_ca_topic_score_codex":0.008289317,"about_ca_topic_score_gemma":0.01620009,"teacher_disagreement_score":0.009026343,"about_ca_system_score_codex":0.0027553693,"about_ca_system_score_gemma":0.0018384219,"threshold_uncertainty_score":0.03019613},"labels":[],"label_agreement":null},{"id":"W2504674093","doi":"10.2307/3176809","title":": <i>Shakespeare and Domestic Loss: Forms of Deprivation, Mourning, and Recuperation</i>","year":2001,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"The Renaissance; Renaissance literature; Performance art; History; Art; Classics; Art history; Theology; Media studies; Sociology; Philosophy","score_opus":0.01767676700976019,"score_gpt":0.23387806396072594,"score_spread":0.21620129695096574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504674093","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026667968,0.83998686,0.00061567983,0.07163139,0.0076785805,0.000017833117,0.00010086639,0.000061030834,0.077240944],"genre_scores_gemma":[0.1724464,0.5334794,0.0009501816,0.022567138,0.012800292,0.00009149557,0.00030992928,0.00020159417,0.2571536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950624,0.0002038549,0.00002897261,0.00005720674,0.00014532107,0.000058363978],"domain_scores_gemma":[0.99941385,0.00026098714,0.0000695164,0.000038215232,0.00012039157,0.00009704568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007772767,0.0010655086,0.000535142,0.0015786872,0.002986402,0.004545887,0.0011440046,0.0025899925,0.018425066],"category_scores_gemma":[0.0017438037,0.00032903912,0.0002446915,0.0025900987,0.0054907273,0.008076434,0.0021840867,0.0022926717,0.0056370925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037526344,0.000019860609,0.00058608357,0.000544379,0.000011301393,0.00015846819,0.014645449,0.000038202674,0.00012781857,0.032703042,0.90455455,0.046573434],"study_design_scores_gemma":[0.000006786757,0.000018895842,0.0033847636,0.0011775225,0.000009823454,0.0004288972,0.013305363,0.000039585047,0.00018573365,0.013516459,0.9679079,0.000018287285],"about_ca_topic_score_codex":0.02088265,"about_ca_topic_score_gemma":0.04652746,"teacher_disagreement_score":0.02088265,"about_ca_system_score_codex":0.002361134,"about_ca_system_score_gemma":0.0020089927,"threshold_uncertainty_score":0.061637998},"labels":[],"label_agreement":null},{"id":"W2505961520","doi":"10.2307/1262059","title":": <i>The Composition of Kepler's \"Astronomia nova\"</i>","year":2003,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Environmental and Cultural Studies in Latin America and Beyond","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Index (typography); History; Computer science","score_opus":0.006689555626824178,"score_gpt":0.2100729800899049,"score_spread":0.20338342446308072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2505961520","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028074767,0.027491977,0.0025198588,0.054018196,0.009954997,0.000043058524,0.00094542524,0.00022578335,0.8767261],"genre_scores_gemma":[0.4992333,0.023289256,0.0035890208,0.011125094,0.0054372284,0.00008081876,0.0011805034,0.00075277046,0.45531207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9997123,0.000094229064,0.000019695939,0.00005270188,0.000077004246,0.000044096683],"domain_scores_gemma":[0.99951243,0.00013971853,0.000084919775,0.00006267393,0.0001219707,0.00007815257],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000696676,0.00025875753,0.0001309696,0.0015230284,0.0020218713,0.0033329038,0.00030854333,0.0005997287,0.013959655],"category_scores_gemma":[0.0024732442,0.000114070164,0.0001060692,0.0020901305,0.002638977,0.0021732862,0.0012839786,0.0017741363,0.0023888098],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014826971,0.000016237651,0.006649714,0.00037438597,0.000013622061,0.00021903799,0.01545788,0.00008976613,0.0012021106,0.5150345,0.3527801,0.10801437],"study_design_scores_gemma":[0.0000029373732,0.000004957317,0.0069919373,0.00011084427,0.0000029015716,0.0001231337,0.0012761091,0.000012560655,0.00021344938,0.0051239575,0.98613095,0.0000062469803],"about_ca_topic_score_codex":0.016003627,"about_ca_topic_score_gemma":0.032081623,"teacher_disagreement_score":0.99797815,"about_ca_system_score_codex":0.0021184776,"about_ca_system_score_gemma":0.0011191837,"threshold_uncertainty_score":0.046699643},"labels":[],"label_agreement":null},{"id":"W2506707817","doi":"10.2307/1262111","title":": <i>Humanism and Education in Medieval and Renaissance Italy: Tradition and Innovation in Latin Schools from the Twelfth to the Fifteenth Century</i>","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Fifteenth; Humanism; The Renaissance; Classics; Italian Renaissance; History; Theology; Art; Art history; Philosophy","score_opus":0.030115478630602502,"score_gpt":0.23160795579459492,"score_spread":0.20149247716399243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2506707817","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016916657,0.7259205,0.0005622747,0.1342496,0.004379848,0.000015957534,0.00025372556,0.00006020525,0.117641315],"genre_scores_gemma":[0.43122783,0.37228364,0.0016946865,0.023229431,0.01369536,0.00008909931,0.0006203816,0.00012588766,0.15703365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998448,0.00005899449,0.000006332043,0.00002183123,0.00003592184,0.00003221478],"domain_scores_gemma":[0.9997329,0.00012870017,0.00004525856,0.000013592507,0.00003102029,0.000048555907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051083195,0.0004145251,0.00022724173,0.0012548019,0.0013314596,0.0037030848,0.0006153208,0.0010031994,0.009201385],"category_scores_gemma":[0.0006457372,0.0001443438,0.00017551279,0.002707084,0.003376874,0.004025647,0.0012733041,0.0013503695,0.0011142174],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001654693,0.000071509545,0.0070949974,0.0009963306,0.000028843739,0.0002701894,0.04907445,0.00020050605,0.0004230653,0.15119858,0.6103694,0.18010665],"study_design_scores_gemma":[0.000024526147,0.00002889677,0.021063268,0.0010697655,0.000015185763,0.0002449561,0.011169949,0.000061677194,0.0002186857,0.018067434,0.9480185,0.0000171564],"about_ca_topic_score_codex":0.018163554,"about_ca_topic_score_gemma":0.042457912,"teacher_disagreement_score":0.018163554,"about_ca_system_score_codex":0.0025919261,"about_ca_system_score_gemma":0.0018243002,"threshold_uncertainty_score":0.036115706},"labels":[],"label_agreement":null},{"id":"W2507307037","doi":"10.1086/598438","title":": <i>Dictionaries in Early Modern Europe: Lexicography and the Making of Heritage</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Lexicography; Index (typography); History; Classics; Media studies; Art history; Philosophy; Sociology; Linguistics; Computer science","score_opus":0.013422640506847163,"score_gpt":0.21920599146397127,"score_spread":0.2057833509571241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2507307037","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021211696,0.8076573,0.002708878,0.036896233,0.015832625,0.000037169786,0.0026493312,0.00043608266,0.13166122],"genre_scores_gemma":[0.049820606,0.53645647,0.009686356,0.015916353,0.013512447,0.00010367473,0.007551188,0.0010227461,0.3659302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995435,0.00010758567,0.0000689528,0.000057675934,0.00017944725,0.00004277483],"domain_scores_gemma":[0.99886274,0.0004812791,0.00012193711,0.0000729313,0.00034938584,0.0001118001],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006980374,0.0007263269,0.000650557,0.0034984283,0.0012635142,0.005418485,0.00072081125,0.0011611793,0.055369556],"category_scores_gemma":[0.0022147167,0.00044140118,0.00020835061,0.007715485,0.001503721,0.008188534,0.0016583699,0.0015252903,0.02115472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002533571,0.000009467534,0.000274501,0.0007274114,0.000007916066,0.000047374888,0.0010890542,0.000026409041,0.00020618924,0.010437903,0.8728581,0.11429043],"study_design_scores_gemma":[0.000004645229,0.0000060062157,0.0016364828,0.0010918899,0.0000049172545,0.00015345363,0.00080446823,0.000019456207,0.00016348393,0.003963445,0.9921451,0.000006606592],"about_ca_topic_score_codex":0.0069920258,"about_ca_topic_score_gemma":0.015088543,"teacher_disagreement_score":0.9987365,"about_ca_system_score_codex":0.0012487818,"about_ca_system_score_gemma":0.0017491258,"threshold_uncertainty_score":0.1852296},"labels":[],"label_agreement":null},{"id":"W2507557268","doi":"10.1086/687652","title":": <i>Expelling the Plague: The Health Office and the Implementation of Quarantine in Dubrovnik, 1377–1533</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Medicine Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plague (disease); Queen (butterfly); Quarantine; History; Medicine; Ancient history; Biology","score_opus":0.017741612898930368,"score_gpt":0.2617134066561481,"score_spread":0.24397179375721775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2507557268","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015348371,0.64691067,0.00023244636,0.23280793,0.006472879,0.000023640527,0.00015270482,0.000022354518,0.098028965],"genre_scores_gemma":[0.5057806,0.25739688,0.00051649223,0.06390864,0.006003532,0.00007639629,0.00020236582,0.00013750362,0.16597752],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9984549,0.00072152965,0.00010659547,0.00013403567,0.00021078627,0.00037206573],"domain_scores_gemma":[0.99900717,0.00047717078,0.000180084,0.00004271516,0.00009590612,0.00019701927],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016610001,0.00047140865,0.0004048491,0.0007759453,0.006312351,0.005901295,0.0013889994,0.003747745,0.012294867],"category_scores_gemma":[0.0023444523,0.00053489394,0.0002537622,0.0018643696,0.011803211,0.0043269023,0.0046403063,0.0052015428,0.0013817389],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000153761,0.000084267165,0.004644265,0.0017009755,0.000032726242,0.0011177856,0.15488401,0.00023434708,0.00084825646,0.24757594,0.5380467,0.050676923],"study_design_scores_gemma":[0.000010367911,0.00001863812,0.012072742,0.0005681743,0.0000062244226,0.00018397237,0.04411269,0.000014424982,0.0001724023,0.00251876,0.94029886,0.000022710416],"about_ca_topic_score_codex":0.18531275,"about_ca_topic_score_gemma":0.25055212,"teacher_disagreement_score":0.9936876,"about_ca_system_score_codex":0.011630006,"about_ca_system_score_gemma":0.011718634,"threshold_uncertainty_score":0.36846823},"labels":[],"label_agreement":null},{"id":"W2508374681","doi":"10.1086/599967","title":": <i>Drama and Religion in English Provincial Society, 1485–1660</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Drama; Index (typography); White (mutation); History; Media studies; Theology; Art; Sociology; Philosophy; Chemistry; Literature","score_opus":0.012296774661004496,"score_gpt":0.21380755489858924,"score_spread":0.20151078023758476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2508374681","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010026601,0.6319687,0.00039261475,0.056653593,0.009751472,0.000037771057,0.0012809673,0.0000799396,0.28980842],"genre_scores_gemma":[0.23602699,0.19552565,0.000777088,0.008836004,0.0074566524,0.0000773585,0.0013801598,0.00015989222,0.54976016],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998197,0.00005882862,0.000011235201,0.000013946756,0.00005796287,0.000038416416],"domain_scores_gemma":[0.999764,0.00008098991,0.000030410314,0.000011037282,0.00005638784,0.000057154848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037531997,0.00038451486,0.00017280951,0.00096614746,0.0015673917,0.001984027,0.0004217228,0.00057362235,0.021326026],"category_scores_gemma":[0.0010605373,0.00012426279,0.00010349002,0.0019999736,0.0011606965,0.002175934,0.0011125501,0.00083776785,0.0029118473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040371746,0.000014355261,0.0007734226,0.0003781525,0.00000439378,0.000089850706,0.010871787,0.000027969865,0.00021924434,0.016618159,0.91731197,0.05365033],"study_design_scores_gemma":[0.0000030110332,0.0000050381386,0.0057344823,0.00027688776,0.0000020826765,0.000068646055,0.0029393116,0.000013992653,0.00007386303,0.0004772994,0.9904019,0.0000033324554],"about_ca_topic_score_codex":0.08050653,"about_ca_topic_score_gemma":0.22141917,"teacher_disagreement_score":0.08050653,"about_ca_system_score_codex":0.0028374444,"about_ca_system_score_gemma":0.0018207228,"threshold_uncertainty_score":0.16007584},"labels":[],"label_agreement":null},{"id":"W2509491383","doi":"10.1086/599953","title":": <i>Writing Lives: Biography and Textuality, Identity and Representation in Early Modern England</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Textuality; Biography; Index (typography); History; Identity (music); Representation (politics); Media studies; Art history; Art; Sociology; Literature; Law; Politics; Political science","score_opus":0.025993760365923664,"score_gpt":0.3127581402849857,"score_spread":0.28676437991906206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2509491383","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017078217,0.8564586,0.0011472414,0.065149836,0.0028404344,0.000025789517,0.00033441547,0.00013065236,0.05683465],"genre_scores_gemma":[0.33674717,0.50684714,0.0017551548,0.007818108,0.004746838,0.00011860041,0.000839564,0.00018170245,0.14094575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993861,0.00037547233,0.000038567516,0.000042454903,0.00010594385,0.000051427396],"domain_scores_gemma":[0.9982103,0.0010248314,0.00022729179,0.00009011216,0.00022282776,0.00022463284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010346994,0.00064779725,0.00039225616,0.0018622776,0.0015591661,0.0060573756,0.00075517205,0.0012952941,0.019553823],"category_scores_gemma":[0.0030159887,0.00030953743,0.00014450795,0.0035950113,0.004390341,0.009767397,0.0021398622,0.0012914385,0.0039590797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079924466,0.00004575193,0.0031926981,0.00267594,0.000026303309,0.0004943877,0.15584035,0.00010939267,0.0005570767,0.030506166,0.55141294,0.255059],"study_design_scores_gemma":[0.0000087622875,0.000034922727,0.012199081,0.0027471972,0.000012932481,0.000812725,0.0743833,0.00006528396,0.000356549,0.009829843,0.8995237,0.000025684112],"about_ca_topic_score_codex":0.011981983,"about_ca_topic_score_gemma":0.018083995,"teacher_disagreement_score":0.019553823,"about_ca_system_score_codex":0.0023006902,"about_ca_system_score_gemma":0.00179648,"threshold_uncertainty_score":0.06541401},"labels":[],"label_agreement":null},{"id":"W2510063756","doi":"10.1086/687731","title":": <i>Taking Exception to the Law: Materializing Injustice in Early Modern English Literature</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Injustice; History; Law; Political science","score_opus":0.022407097707792072,"score_gpt":0.23049143058475616,"score_spread":0.2080843328769641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510063756","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01605057,0.4844468,0.0022660287,0.3395428,0.0075182635,0.000025679743,0.00010608499,0.00008128801,0.14996244],"genre_scores_gemma":[0.51037,0.332708,0.0017345751,0.04806715,0.016118454,0.0000904802,0.00022708582,0.00014676808,0.09053759],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916315,0.00048275533,0.00003578131,0.000059115173,0.00016171712,0.00009754367],"domain_scores_gemma":[0.99846965,0.0008477922,0.00019743714,0.00011834423,0.0002233591,0.00014326468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017372294,0.00044753123,0.00032281023,0.001442425,0.0034345442,0.0069490615,0.00090614776,0.0025335792,0.006606362],"category_scores_gemma":[0.0027953337,0.0001901042,0.0002023923,0.0023491469,0.02020231,0.01301012,0.0031198112,0.0030638594,0.0011934408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034589568,0.000032889904,0.0018135924,0.00071590784,0.000015219098,0.00030475637,0.07097373,0.00012614892,0.00024744959,0.4075405,0.44905558,0.06913961],"study_design_scores_gemma":[0.000008218418,0.00002140892,0.00557974,0.0028694277,0.000019172903,0.00049727864,0.073840946,0.00010985755,0.0004177462,0.14951286,0.7670955,0.000027872555],"about_ca_topic_score_codex":0.017814282,"about_ca_topic_score_gemma":0.036261324,"teacher_disagreement_score":0.017814282,"about_ca_system_score_codex":0.0035682535,"about_ca_system_score_gemma":0.0040039048,"threshold_uncertainty_score":0.035421193},"labels":[],"label_agreement":null},{"id":"W2510201478","doi":"10.1086/598399","title":": <i>Fairy-Tale Science: Monstrous Generation in the Tales of Straparola and Basile</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Art; Art history; Media studies; Sociology; Computer science","score_opus":0.021411761558836572,"score_gpt":0.24973867132284577,"score_spread":0.2283269097640092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510201478","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003437171,0.70799583,0.00068696693,0.09702097,0.023419373,0.000024146852,0.00021673056,0.00015689456,0.16704187],"genre_scores_gemma":[0.21110591,0.3084214,0.0017668268,0.026395282,0.023551736,0.00012235902,0.00052654097,0.00037067092,0.42773923],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996468,0.00014671142,0.000008563989,0.00003771675,0.000085406915,0.000074784286],"domain_scores_gemma":[0.99956554,0.0001899269,0.000037167956,0.000017001063,0.00007682036,0.00011343347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083388283,0.0011168008,0.00045090448,0.0018045993,0.004422918,0.0043906015,0.0008389405,0.0017808719,0.0277179],"category_scores_gemma":[0.001507933,0.00029346038,0.00019872443,0.0020161825,0.004094005,0.005709696,0.002161686,0.0026143692,0.0056459224],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043849635,0.000009712174,0.00018186664,0.00025543125,0.000004978284,0.00009539455,0.0068734437,0.000026450325,0.0000948177,0.034085408,0.91026133,0.048067257],"study_design_scores_gemma":[0.0000055647884,0.00001249651,0.0012141825,0.00041976277,0.000004065482,0.00016006963,0.007058418,0.000020268677,0.000097435426,0.00552364,0.9854742,0.0000099767785],"about_ca_topic_score_codex":0.021047901,"about_ca_topic_score_gemma":0.05956922,"teacher_disagreement_score":0.0277179,"about_ca_system_score_codex":0.0031585416,"about_ca_system_score_gemma":0.0018931483,"threshold_uncertainty_score":0.092725575},"labels":[],"label_agreement":null},{"id":"W2510299784","doi":"10.1086/687688","title":": <i>Friendship and Sociability in Premodern Europe: Contexts, Concepts, and Expressions</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Friendship; The Renaissance; Art; Art history; Sociology; Social science","score_opus":0.021119434696373774,"score_gpt":0.24708176450790026,"score_spread":0.22596232981152647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510299784","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09401692,0.7065669,0.0007563035,0.054956768,0.0018330276,0.000011422836,0.00017008564,0.0000293479,0.1416592],"genre_scores_gemma":[0.8391356,0.12448389,0.00042235423,0.003667744,0.0014647566,0.00002174928,0.000093243805,0.000022963013,0.030687694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99976975,0.00011805176,0.000008547791,0.000030427283,0.000029032311,0.000044177134],"domain_scores_gemma":[0.99979705,0.00009587638,0.000036806297,0.0000113307115,0.000021660553,0.000037229933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054065225,0.00038926527,0.00025751736,0.00080024643,0.001522404,0.0028068041,0.00032306914,0.00076451706,0.002836692],"category_scores_gemma":[0.00064211304,0.00013886039,0.00011841251,0.0018075617,0.004333135,0.0035127986,0.0014829003,0.0009295669,0.0003778241],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013666817,0.000064792905,0.0149356425,0.00086607115,0.000050991348,0.0005625202,0.2188497,0.00018880237,0.0005932118,0.39614028,0.205971,0.16164032],"study_design_scores_gemma":[0.00001515155,0.000056071993,0.086288296,0.0019680222,0.00004103962,0.00077698694,0.091938995,0.00017257806,0.00048030657,0.031502984,0.78673506,0.00002451726],"about_ca_topic_score_codex":0.013141762,"about_ca_topic_score_gemma":0.026553705,"teacher_disagreement_score":0.013141762,"about_ca_system_score_codex":0.0013229393,"about_ca_system_score_gemma":0.00079019496,"threshold_uncertainty_score":0.026130497},"labels":[],"label_agreement":null},{"id":"W2510408519","doi":"10.1086/598470","title":": <i>Refiguring the Sacred Feminine: The Poems of John Donne, Aemilia Lanyer, and John Milton</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Poetry; Index (typography); Art; Theology; Art history; History; Philosophy; Literature","score_opus":0.021047561806676895,"score_gpt":0.2351149339731463,"score_spread":0.21406737216646943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510408519","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057978756,0.49506664,0.0023317244,0.13894176,0.012218207,0.000034401266,0.00014160154,0.00010799056,0.3453598],"genre_scores_gemma":[0.23984127,0.16474967,0.0036390421,0.028285112,0.009605734,0.00015046129,0.00020290347,0.00046332722,0.55306244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999097,0.0005104254,0.000025802281,0.000079635196,0.00022220516,0.000064899476],"domain_scores_gemma":[0.99922884,0.0004338535,0.00007742773,0.000051440104,0.000112849055,0.00009564468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015589121,0.0007739172,0.00037949582,0.0010071923,0.00505407,0.0052380217,0.0008703873,0.0018029149,0.009769934],"category_scores_gemma":[0.003304586,0.00025828453,0.00022896903,0.0011797117,0.010650164,0.0059379106,0.0024411008,0.0037468956,0.0024174408],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005021417,0.000019250772,0.00023476679,0.00037191456,0.000008859524,0.00021092338,0.041681875,0.00005299431,0.00036442245,0.12243328,0.7894798,0.04509166],"study_design_scores_gemma":[0.0000028994107,0.000005669434,0.0002467748,0.00026056013,0.0000023214072,0.00018190255,0.007996304,0.00001191306,0.00015933237,0.006716171,0.9844103,0.00000590828],"about_ca_topic_score_codex":0.010915627,"about_ca_topic_score_gemma":0.025649397,"teacher_disagreement_score":0.010915627,"about_ca_system_score_codex":0.0037553422,"about_ca_system_score_gemma":0.0018603322,"threshold_uncertainty_score":0.03268373},"labels":[],"label_agreement":null},{"id":"W2510471845","doi":"10.1086/687619","title":": <i>The Correspondence of Erasmus: Letters 2204 to 2356, August 1529–July 1530</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Art; Humanities; Art history; The Renaissance","score_opus":0.017285180673952714,"score_gpt":0.2220108838886541,"score_spread":0.20472570321470138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510471845","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002084078,0.07078955,0.00036737463,0.28736213,0.09603463,0.000065631226,0.0011945772,0.0002566017,0.54184544],"genre_scores_gemma":[0.0136436,0.008415621,0.00020958786,0.041164935,0.010177916,0.000053197586,0.000262758,0.00018582874,0.92588663],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989691,0.00018842859,0.00005358479,0.00015221418,0.0003634986,0.00027327813],"domain_scores_gemma":[0.99899,0.00027813012,0.00010454776,0.000044718505,0.00034200182,0.0002405251],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008776564,0.00081342744,0.0005133115,0.0010889481,0.0053932294,0.0045615775,0.00076098816,0.004691772,0.17144819],"category_scores_gemma":[0.0051146243,0.00039877283,0.0003185682,0.0015129073,0.0013834692,0.0030408201,0.0021491344,0.0039957114,0.072311215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012454976,0.0000023626749,0.00004990493,0.000026604566,7.715492e-7,0.00002962869,0.0001519893,0.0000034508103,0.000044891505,0.002644659,0.99265903,0.0043742624],"study_design_scores_gemma":[0.0000016425768,0.0000028662869,0.0003215945,0.0000648215,5.899352e-7,0.000025943009,0.00029923805,0.0000052497526,0.000044927954,0.00042196712,0.9988078,0.000003459767],"about_ca_topic_score_codex":0.017469145,"about_ca_topic_score_gemma":0.042018067,"teacher_disagreement_score":0.17144819,"about_ca_system_score_codex":0.0031202768,"about_ca_system_score_gemma":0.002949902,"threshold_uncertainty_score":0.5735513},"labels":[],"label_agreement":null},{"id":"W2510694345","doi":"10.1086/599965","title":": <i>From Performance to Print in Shakespeare's England</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); History; Media studies; Economic history; Art history; Sociology","score_opus":0.020860083817216747,"score_gpt":0.23060195721925725,"score_spread":0.2097418734020405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510694345","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024567635,0.7584192,0.0009615325,0.04317233,0.008625623,0.000020004894,0.0002918095,0.00013403429,0.1859187],"genre_scores_gemma":[0.06953864,0.24368897,0.00097458984,0.006342222,0.0047041136,0.000051886822,0.00047805006,0.0002900986,0.67393154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932337,0.00023267067,0.00004543992,0.00007590974,0.0002358333,0.00008675715],"domain_scores_gemma":[0.99933404,0.00028072778,0.00005379636,0.00005079856,0.00018215066,0.00009836098],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008473663,0.0007863352,0.00054859667,0.0013750689,0.0021446378,0.005251107,0.0007402358,0.0014554135,0.066641346],"category_scores_gemma":[0.0019314776,0.00034416857,0.00020177609,0.0027882273,0.0031803844,0.0063485103,0.0018631828,0.0015294024,0.01752786],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025734867,0.000008373921,0.00021628843,0.0005609742,0.000004594919,0.00009276271,0.0051441547,0.00002604356,0.00010504357,0.010453701,0.895787,0.08757536],"study_design_scores_gemma":[0.0000025258191,0.0000064667565,0.0011356421,0.0005184884,0.0000027603335,0.00011275627,0.003184961,0.000011634236,0.000089696325,0.0027159262,0.99221283,0.0000063418292],"about_ca_topic_score_codex":0.03497021,"about_ca_topic_score_gemma":0.090555884,"teacher_disagreement_score":0.066641346,"about_ca_system_score_codex":0.0024958337,"about_ca_system_score_gemma":0.0020356246,"threshold_uncertainty_score":0.22293752},"labels":[],"label_agreement":null},{"id":"W2511107054","doi":"10.1086/687661","title":": <i>Parlour Games and the Public Life of Women in Renaissance Italy</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"George (robot); The Renaissance; History; Media studies; Art; Classics; Art history; Sociology","score_opus":0.021477809831620454,"score_gpt":0.20193277285799793,"score_spread":0.18045496302637748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2511107054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7532345,0.0061134677,0.00012272918,0.17032652,0.0005573568,0.000013785231,0.0003903166,0.000016483962,0.069224775],"genre_scores_gemma":[0.9909189,0.000928026,0.00001791619,0.0016072054,0.0002028428,0.000006600296,0.00004829817,0.000007818963,0.006262423],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99946696,0.0002671487,0.000009608254,0.00003793628,0.00004258876,0.0001758175],"domain_scores_gemma":[0.998782,0.0003908394,0.0002969875,0.000032831143,0.00007020288,0.00042714147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001460032,0.00014175913,0.00019152332,0.00061204744,0.0021141085,0.0028352852,0.00041869289,0.0010569501,0.010257075],"category_scores_gemma":[0.0032373737,0.00009722251,0.00014816898,0.00085620536,0.002806413,0.0022204965,0.0013509793,0.0013865128,0.00061001995],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003394789,0.00024710267,0.13621615,0.00022433743,0.00005715293,0.0007343661,0.48361054,0.00024790788,0.00027087008,0.12835437,0.20603676,0.043660995],"study_design_scores_gemma":[0.000031018397,0.000107172535,0.43041918,0.00039626306,0.000027868984,0.00023042684,0.34004954,0.00032796795,0.00018208222,0.007875598,0.22030757,0.000045440032],"about_ca_topic_score_codex":0.058017287,"about_ca_topic_score_gemma":0.1142801,"teacher_disagreement_score":0.058017287,"about_ca_system_score_codex":0.0038922338,"about_ca_system_score_gemma":0.001282601,"threshold_uncertainty_score":0.11535919},"labels":[],"label_agreement":null},{"id":"W2511426275","doi":"10.1086/598401","title":": <i>Galileo's Inquisition Trial Revisited</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Index (typography); Galileo (satellite navigation); Psychology; Computer science; Geography; World Wide Web; Geodesy","score_opus":0.018927338978275747,"score_gpt":0.23461935084716837,"score_spread":0.2156920118688926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2511426275","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01665852,0.01142277,0.00053321174,0.74712706,0.011709717,0.000030720563,0.00017243566,0.000067572,0.21227795],"genre_scores_gemma":[0.25820425,0.0038181387,0.0004957062,0.5066809,0.0066742525,0.00011238064,0.00010489233,0.00025849754,0.223651],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974769,0.0009394608,0.000070583366,0.00030939913,0.00046453223,0.0007390344],"domain_scores_gemma":[0.99760747,0.0013305052,0.00017930492,0.00018284243,0.00031778478,0.00038208696],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0058455584,0.00041196178,0.0004935083,0.0008154747,0.013940063,0.010143934,0.0019071021,0.014220286,0.015310235],"category_scores_gemma":[0.013472242,0.00028270978,0.00060156925,0.0011936852,0.013911365,0.006200707,0.0059241317,0.019688226,0.0019695556],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064340544,0.000013193824,0.0007006011,0.000110634996,0.000013781471,0.00055899157,0.010617477,0.00005383359,0.00021213182,0.37484053,0.6036983,0.009116231],"study_design_scores_gemma":[0.000025959225,0.000010896141,0.0017641014,0.0002990638,0.00001314965,0.00017081047,0.010410264,0.0000452016,0.0003367227,0.020034457,0.96685636,0.000032960754],"about_ca_topic_score_codex":0.035262864,"about_ca_topic_score_gemma":0.08302709,"teacher_disagreement_score":0.98605996,"about_ca_system_score_codex":0.008146799,"about_ca_system_score_gemma":0.005912759,"threshold_uncertainty_score":0.07011521},"labels":[],"label_agreement":null},{"id":"W2511923959","doi":"10.1086/598386","title":": <i>Florence in the Time of the Medici: Public Celebrations, Politics, and Literature in the Fifteenth and Sixteenth Centuries</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fifteenth; Politics; The Renaissance; Index (typography); Classics; History; Art; Renaissance studies; Humanities; Art history; Political science; Law","score_opus":0.015298314911712844,"score_gpt":0.21797696660758625,"score_spread":0.2026786516958734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2511923959","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009425767,0.71321005,0.00014712957,0.14768934,0.0077383,0.000008484157,0.00016039849,0.000036058955,0.1215845],"genre_scores_gemma":[0.5007736,0.23641747,0.0004220414,0.021481752,0.013794486,0.000050448456,0.0002088109,0.00009609942,0.22675528],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994166,0.00027315554,0.000019909108,0.000072718314,0.00010909058,0.00010848831],"domain_scores_gemma":[0.99941254,0.00027068416,0.00009469793,0.000037154903,0.00006515741,0.00011978865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011554153,0.00046705373,0.00036071433,0.0013841933,0.0035518222,0.004871759,0.00069664116,0.0017046105,0.014894102],"category_scores_gemma":[0.0021008423,0.00021592306,0.00019422501,0.002259184,0.006251983,0.0051848013,0.0020903551,0.0015470571,0.001756778],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006695328,0.000012160721,0.0009699137,0.00045555807,0.000008139181,0.00022606843,0.050446067,0.000032992553,0.00013052841,0.1388528,0.76325804,0.04554075],"study_design_scores_gemma":[0.0000039516594,0.0000069325215,0.00208019,0.00056443387,0.000002931766,0.0001490663,0.0112794805,0.0000069707608,0.000058413687,0.003750439,0.982091,0.000006078237],"about_ca_topic_score_codex":0.019468691,"about_ca_topic_score_gemma":0.043790717,"teacher_disagreement_score":0.019468691,"about_ca_system_score_codex":0.004943778,"about_ca_system_score_gemma":0.002049329,"threshold_uncertainty_score":0.049825728},"labels":[],"label_agreement":null},{"id":"W2512502755","doi":"10.1086/598387","title":": <i>Florence and Beyond: Culture, Society and Politics in Renaissance Italy: Essays in Honour of John M. Najemy</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; The Renaissance; Politics; Classics; Index (typography); Renaissance literature; History; Renaissance studies; Art history; Media studies; Sociology; Political science; Law; Archaeology","score_opus":0.018412309586207275,"score_gpt":0.23724624755731152,"score_spread":0.21883393797110426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512502755","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053476808,0.6120649,0.00041642514,0.2642443,0.00991753,0.000010331164,0.00010669286,0.000046893827,0.107845195],"genre_scores_gemma":[0.30989438,0.33525822,0.0011182335,0.04434433,0.037505552,0.000096501,0.00027720947,0.00018883233,0.27131674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994948,0.00026068636,0.000012670469,0.000067133486,0.00009459344,0.00007015449],"domain_scores_gemma":[0.9995376,0.00021812425,0.000053187236,0.000037429,0.00007166359,0.00008207305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010963907,0.0008614078,0.00047490225,0.0012000438,0.0022426238,0.0035218853,0.0008072732,0.0019263614,0.01061712],"category_scores_gemma":[0.0019138831,0.0002431714,0.00033952604,0.0022492914,0.0054561896,0.004264574,0.0018376741,0.0021509584,0.0019535748],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018751049,0.000012329049,0.00063810556,0.00026788356,0.0000071242043,0.00010258244,0.01140448,0.00004841125,0.000109906265,0.032294977,0.9202398,0.034855478],"study_design_scores_gemma":[0.000004915616,0.0000061499554,0.003199455,0.0004876461,0.000005652511,0.00011965676,0.004200029,0.000018586794,0.0000677531,0.004175795,0.9877067,0.000007670358],"about_ca_topic_score_codex":0.014971672,"about_ca_topic_score_gemma":0.03343727,"teacher_disagreement_score":0.014971672,"about_ca_system_score_codex":0.0034146463,"about_ca_system_score_gemma":0.0019467052,"threshold_uncertainty_score":0.035517752},"labels":[],"label_agreement":null},{"id":"W2512739082","doi":"10.1086/598376","title":": <i>The First Voyage around the World 1519–1522: An Account of Magellan's Expedition</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Index (typography); History","score_opus":0.019473223794691973,"score_gpt":0.23674280685291102,"score_spread":0.21726958305821906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512739082","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010324211,0.58630407,0.0005927427,0.03560216,0.028754678,0.000034827917,0.00081815146,0.00017871294,0.33739048],"genre_scores_gemma":[0.22033218,0.12757954,0.0011420217,0.008524269,0.011603196,0.000084524196,0.00080859807,0.0004422309,0.6294835],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997787,0.000051172203,0.000007835703,0.000036303347,0.00006726653,0.00005874537],"domain_scores_gemma":[0.9998983,0.000027552613,0.00001952711,0.000009762767,0.00001759245,0.000027203425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003608557,0.00075965025,0.00031376778,0.001536994,0.0036112624,0.0026893406,0.0007867729,0.0012888365,0.017721552],"category_scores_gemma":[0.00064580096,0.00022645162,0.0002739577,0.0028732903,0.0020805418,0.002276517,0.002024313,0.0016753123,0.0034070327],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065782886,0.000008376023,0.000560924,0.00043727655,0.000010459332,0.000323115,0.009599712,0.000105388564,0.00024131117,0.03136159,0.9137164,0.04356961],"study_design_scores_gemma":[0.0000011013725,0.000002009822,0.0010775382,0.000103087164,0.000001313848,0.0000689779,0.00069907727,0.000004523955,0.000031053674,0.00038725435,0.99762136,0.0000027447313],"about_ca_topic_score_codex":0.070604935,"about_ca_topic_score_gemma":0.22397494,"teacher_disagreement_score":0.070604935,"about_ca_system_score_codex":0.0047602803,"about_ca_system_score_gemma":0.0021597575,"threshold_uncertainty_score":0.1403879},"labels":[],"label_agreement":null},{"id":"W2513418930","doi":"10.1086/598395","title":": <i>Boccaccio's Naked Muse: Eros, Culture, and the Mythopoeic Imagination</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Index (typography); Art history; Computer science","score_opus":0.010662938908651064,"score_gpt":0.232889637986892,"score_spread":0.22222669907824094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513418930","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012108667,0.7970357,0.0007105221,0.05304836,0.011949328,0.000022631353,0.00022529121,0.00012243919,0.13567488],"genre_scores_gemma":[0.08244136,0.48069993,0.0020520003,0.023196215,0.024946677,0.00013560773,0.0005961467,0.00062086835,0.38531125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963176,0.00012361497,0.000016508975,0.0000553334,0.00012411746,0.000048593425],"domain_scores_gemma":[0.999428,0.00025964624,0.000051472878,0.000037670896,0.00011451504,0.00010868423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007023796,0.0011170864,0.00059205777,0.0022326037,0.0028558278,0.005568552,0.001039832,0.0019039279,0.031292442],"category_scores_gemma":[0.0016676744,0.00042537172,0.00024622746,0.0031436488,0.004306618,0.006420679,0.0022913108,0.0025634055,0.008836223],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022337028,0.000006223021,0.0001530647,0.00038448145,0.0000053070125,0.00007406195,0.0043731118,0.00002086417,0.00014524098,0.025594682,0.93987554,0.029345147],"study_design_scores_gemma":[0.000003695892,0.000005329876,0.0008762956,0.00055537815,0.000004107555,0.00022227598,0.0020238548,0.000014972304,0.00007261629,0.0033026405,0.9929097,0.000009128754],"about_ca_topic_score_codex":0.032978047,"about_ca_topic_score_gemma":0.07933314,"teacher_disagreement_score":0.032978047,"about_ca_system_score_codex":0.0030041516,"about_ca_system_score_gemma":0.0019945141,"threshold_uncertainty_score":0.10468364},"labels":[],"label_agreement":null},{"id":"W2513592923","doi":"10.1086/598385","title":": <i>Heirs, Kin, and Creditors in Renaissance Florence</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Append; Index (typography); The Renaissance; History; Art history; Computer science","score_opus":0.02054108212052856,"score_gpt":0.21413946926404287,"score_spread":0.1935983871435143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513592923","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017785884,0.8452712,0.00017886778,0.0747482,0.014324128,0.000009919634,0.0005127481,0.00008654968,0.06308984],"genre_scores_gemma":[0.096591026,0.5113136,0.00039589647,0.012342928,0.021516748,0.000038033486,0.0010131043,0.00017233018,0.35661638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967957,0.00009003727,0.00001625433,0.000060046892,0.00009413114,0.000059979644],"domain_scores_gemma":[0.9996172,0.00012738026,0.000043742893,0.000018294357,0.00010303514,0.000090226],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005923601,0.00087053084,0.00069913827,0.002319633,0.0017431048,0.0028324826,0.0008614936,0.0012320634,0.062322747],"category_scores_gemma":[0.0014168635,0.00030036597,0.00018129947,0.0042137387,0.0015650004,0.004738948,0.0012210272,0.0013671995,0.00948075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015587075,0.0000041435305,0.00035539933,0.00017155835,0.000002798385,0.000037808695,0.0012882715,0.000015818921,0.00001988115,0.008064969,0.9615242,0.028499547],"study_design_scores_gemma":[0.000003353972,0.000005267689,0.0029199612,0.00035260085,0.0000026492407,0.00011661636,0.0014657241,0.000009973132,0.000026611278,0.0014886718,0.993601,0.000007511434],"about_ca_topic_score_codex":0.0764613,"about_ca_topic_score_gemma":0.15761706,"teacher_disagreement_score":0.0764613,"about_ca_system_score_codex":0.0036064307,"about_ca_system_score_gemma":0.0012994071,"threshold_uncertainty_score":0.20849037},"labels":[],"label_agreement":null},{"id":"W2513815788","doi":"10.1086/599883","title":": <i>Memoirs</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Append; Memoir; Index (typography); History; Humanities; Art; Art history; Classics","score_opus":0.01834382914944172,"score_gpt":0.326673933082806,"score_spread":0.3083301039333643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513815788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018538748,0.15082842,0.002459643,0.12658797,0.2324426,0.00013168243,0.0025278484,0.00048111792,0.4826868],"genre_scores_gemma":[0.03054798,0.061373815,0.0015337103,0.04674539,0.052313875,0.00034158377,0.0016553006,0.0010159183,0.8044725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988656,0.0004951412,0.00004792837,0.00015284833,0.00032812718,0.00011029914],"domain_scores_gemma":[0.9986985,0.0004632877,0.00010915908,0.00011046035,0.00046664107,0.00015189545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013134648,0.0018187966,0.0006547968,0.002263342,0.0038281514,0.0049670953,0.0014922873,0.0017898789,0.060222466],"category_scores_gemma":[0.0049690376,0.0003658004,0.0005834959,0.00211973,0.002518496,0.004561989,0.002739072,0.004096926,0.03234851],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012974795,0.0000054119605,0.00002895713,0.00011476756,0.0000021109388,0.00003464687,0.0010934514,0.000009131208,0.000073812516,0.0060809124,0.984683,0.007860892],"study_design_scores_gemma":[0.0000010548565,0.0000025642905,0.00006457415,0.00011845354,7.1188555e-7,0.00004906203,0.00054520776,0.000004551935,0.00005295191,0.00053802686,0.9986203,0.0000026005569],"about_ca_topic_score_codex":0.0054885065,"about_ca_topic_score_gemma":0.007906626,"teacher_disagreement_score":0.060222466,"about_ca_system_score_codex":0.0027516873,"about_ca_system_score_gemma":0.0012812378,"threshold_uncertainty_score":0.20146418},"labels":[],"label_agreement":null},{"id":"W2513922241","doi":"10.1086/599934","title":": <i> <i>A Critical Edition of Robert Barnes's</i> A Supplication Vnto the Most Gracyous Prince Kynge Henry The.VIIJ. <i>1534</i> </i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Gloss (optics); Critical edition; History; Index (typography); Humanities; Media studies; Classics; Art; Sociology; Chemistry; Computer science","score_opus":0.012346244305667615,"score_gpt":0.31090218212265297,"score_spread":0.29855593781698536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2513922241","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001033671,0.5701975,0.0008096318,0.14709195,0.06910773,0.000044580014,0.00049020577,0.00011856924,0.21110612],"genre_scores_gemma":[0.025580285,0.19622968,0.0011155348,0.033568945,0.03274966,0.000075169264,0.0006469348,0.00030068195,0.70973307],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992086,0.00026143846,0.000037996702,0.00007916217,0.0003380559,0.000074745956],"domain_scores_gemma":[0.9987728,0.0004374854,0.00012649965,0.000061013936,0.00047829747,0.00012390951],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009566676,0.0010481677,0.00045285083,0.0017106232,0.002206364,0.0037163817,0.00088164443,0.001718793,0.037458718],"category_scores_gemma":[0.0031785876,0.0002862178,0.00028541588,0.0019260242,0.0028195933,0.0037621346,0.0015045474,0.0026861709,0.01396039],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006946405,0.000002112568,0.000030282257,0.00009414467,0.0000010808562,0.000022183453,0.00048364868,0.0000077425,0.000028747929,0.004549141,0.98391706,0.010857005],"study_design_scores_gemma":[0.0000010585389,0.0000020065863,0.00017075785,0.00022682271,9.382224e-7,0.000038604914,0.00041628547,0.000003359,0.00002559086,0.0011186773,0.997993,0.000002913372],"about_ca_topic_score_codex":0.024676902,"about_ca_topic_score_gemma":0.05175004,"teacher_disagreement_score":0.037458718,"about_ca_system_score_codex":0.0050752,"about_ca_system_score_gemma":0.0038160707,"threshold_uncertainty_score":0.12531191},"labels":[],"label_agreement":null},{"id":"W2514240940","doi":"10.1086/599875","title":": <i>Grenzen und Entgrenzungen des Renaissancedialogs</i>","year":2009,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Stuttgart; Humanities; Art; Philosophy","score_opus":0.027471225951522665,"score_gpt":0.2500027723487052,"score_spread":0.22253154639718256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514240940","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002454355,0.83132017,0.0013127603,0.022095168,0.009273062,0.000018356192,0.00023663252,0.000108620065,0.13318095],"genre_scores_gemma":[0.11720847,0.4995028,0.002863759,0.006043067,0.008781813,0.00007208386,0.0007941375,0.00042529136,0.3643085],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99919826,0.00035806466,0.000047388658,0.000106952,0.0002153502,0.000073938296],"domain_scores_gemma":[0.99936587,0.00027076705,0.000074834614,0.000063007385,0.00014755053,0.00007795934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013662116,0.001110969,0.00061052275,0.0023441669,0.0016026993,0.0057426863,0.00093852374,0.0014082749,0.027590968],"category_scores_gemma":[0.0021626614,0.00031641667,0.00027501862,0.003941494,0.003983231,0.0077971485,0.0019933926,0.0023670944,0.010156634],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006133989,0.000018498302,0.00055797846,0.0008582286,0.000013455183,0.00019243163,0.0131950565,0.000095462914,0.00028871294,0.17250851,0.63389486,0.17831545],"study_design_scores_gemma":[0.0000026042437,0.0000056939884,0.0005336216,0.00045343972,0.0000025394033,0.00014125003,0.0018125268,0.000015190457,0.0001046806,0.0087656425,0.9881572,0.0000056249573],"about_ca_topic_score_codex":0.010111456,"about_ca_topic_score_gemma":0.016175736,"teacher_disagreement_score":0.027590968,"about_ca_system_score_codex":0.003070244,"about_ca_system_score_gemma":0.0022502933,"threshold_uncertainty_score":0.09230095},"labels":[],"label_agreement":null},{"id":"W2514355749","doi":"10.1086/598466","title":": <i>Unhistorical Shakespeare: Queer Theory in Shakespearean Literature and Film</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Queer; Index (typography); Art history; Art; Media studies; Sociology; Gender studies; Computer science","score_opus":0.013382019505513954,"score_gpt":0.2185906141249207,"score_spread":0.20520859461940674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514355749","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009950751,0.8276947,0.0010081152,0.04995003,0.007824805,0.000016034011,0.00029905653,0.00011618965,0.11209596],"genre_scores_gemma":[0.07421854,0.5196592,0.001562046,0.01419545,0.015670536,0.00008160203,0.00056593044,0.00042592644,0.37362075],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995148,0.00016770085,0.000026369375,0.000058557383,0.0001757245,0.000056813486],"domain_scores_gemma":[0.9993117,0.00035305994,0.00006720291,0.000040729,0.00015144715,0.00007595273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007589336,0.0010138995,0.0004854746,0.0018130642,0.0024815588,0.0045515075,0.0009584717,0.0018996685,0.043620758],"category_scores_gemma":[0.0018142038,0.00040414406,0.00022098339,0.0031314,0.0033047132,0.009664264,0.0015302021,0.0025435754,0.010419591],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023087461,0.000011195115,0.00013821402,0.00034544294,0.0000050732147,0.000048634836,0.003283547,0.000023592063,0.0000880297,0.025552105,0.91909677,0.05138442],"study_design_scores_gemma":[0.000004892391,0.0000074155532,0.0010742234,0.00062708877,0.000005571696,0.000118436656,0.0021991087,0.000032133394,0.000162209,0.010649211,0.9851104,0.000009477141],"about_ca_topic_score_codex":0.0205405,"about_ca_topic_score_gemma":0.05416994,"teacher_disagreement_score":0.043620758,"about_ca_system_score_codex":0.0028211342,"about_ca_system_score_gemma":0.0019502661,"threshold_uncertainty_score":0.145926},"labels":[],"label_agreement":null},{"id":"W2514380755","doi":"10.1086/598447","title":": <i>Eradicating the Devil's Minions: Anabaptists and Witches in Reformation Europe, 1525–1600</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anabaptists; Index (typography); History; Theology; Economic history; Philosophy","score_opus":0.020965520858048457,"score_gpt":0.226368742117464,"score_spread":0.20540322125941554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514380755","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010385202,0.7485912,0.00037691827,0.079223365,0.0038473979,0.000025389738,0.00017539733,0.0000370253,0.15733811],"genre_scores_gemma":[0.35151064,0.3217395,0.0014587484,0.020486813,0.0054607918,0.000097191885,0.00033486256,0.00012161646,0.29878983],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970835,0.000120712655,0.000015491867,0.000027531172,0.00006706188,0.000060736413],"domain_scores_gemma":[0.9998073,0.0000824323,0.000037553385,0.000012183476,0.00002355636,0.000036988524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007053582,0.0004152865,0.00022974405,0.00084275595,0.0027325281,0.0029707993,0.00050605077,0.0018618372,0.007851587],"category_scores_gemma":[0.0009004158,0.00018591934,0.00014639135,0.0017639282,0.004507984,0.0042440225,0.0016531352,0.0020340541,0.0013157618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000636539,0.000037006605,0.0010161267,0.0005515775,0.000010289504,0.0002246872,0.04288905,0.000066332264,0.00037296978,0.20493391,0.67313534,0.07669909],"study_design_scores_gemma":[0.000005971673,0.00001302706,0.0034832645,0.00049498695,0.0000039013107,0.00010754143,0.0072777146,0.000016989403,0.00017023925,0.00612921,0.98228973,0.0000073456335],"about_ca_topic_score_codex":0.024374135,"about_ca_topic_score_gemma":0.07823983,"teacher_disagreement_score":0.024374135,"about_ca_system_score_codex":0.0024443401,"about_ca_system_score_gemma":0.0017952629,"threshold_uncertainty_score":0.048464537},"labels":[],"label_agreement":null},{"id":"W2514408106","doi":"10.1353/ren.2008.0283","title":": <i>England’s Internal Colonies: Class, Capital, and the Literature of Early Modern English Colonialism</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Colonialism; Capital (architecture); Index (typography); Cultural capital; Art history; Classics; Media studies; Economic history; Ancient history; Sociology; Archaeology; Social science","score_opus":0.008494952408091687,"score_gpt":0.18778568108899454,"score_spread":0.17929072868090284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514408106","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011567239,0.9387877,0.00020686157,0.03850523,0.0042389175,0.0000081991075,0.00039541753,0.000028954206,0.016672],"genre_scores_gemma":[0.06343381,0.77639395,0.0007187968,0.010575518,0.01059391,0.000044759,0.00094943045,0.00012181142,0.13716802],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9997608,0.00007515949,0.000024779154,0.000038391154,0.000068956746,0.000031894655],"domain_scores_gemma":[0.99917275,0.00042761557,0.00011962305,0.00003076786,0.00015296023,0.00009636516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004905985,0.0009534322,0.00060507486,0.0024108915,0.0010361939,0.0031309356,0.0008386153,0.0010877004,0.024184123],"category_scores_gemma":[0.0013506821,0.0004366883,0.0001994861,0.0052494183,0.0015471854,0.00616115,0.0012357027,0.0015635912,0.0048514074],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029946417,0.000008530822,0.00064260996,0.0005604294,0.00000772547,0.00007299454,0.002247568,0.000024928635,0.000055235858,0.010790806,0.9494969,0.036062256],"study_design_scores_gemma":[0.000008677666,0.00001245692,0.0067163715,0.0014968461,0.000010458324,0.00022946495,0.002924289,0.000037054506,0.0001312524,0.006413438,0.9820065,0.000013161132],"about_ca_topic_score_codex":0.03647463,"about_ca_topic_score_gemma":0.09412903,"teacher_disagreement_score":0.03647463,"about_ca_system_score_codex":0.0023880703,"about_ca_system_score_gemma":0.0012236487,"threshold_uncertainty_score":0.08090401},"labels":[],"label_agreement":null},{"id":"W2514719810","doi":"10.1086/599946","title":": <i>Theology and Science in the Thought of Francis Bacon</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Publishing; Index (typography); Media studies; Theology; Sociology; Religious studies; Art; Philosophy; Computer science; Literature; World Wide Web","score_opus":0.017209259657182667,"score_gpt":0.23852399686455295,"score_spread":0.22131473720737027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514719810","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003015505,0.25536457,0.0012607876,0.50028145,0.019902281,0.000015123802,0.00009570349,0.000057085992,0.22000764],"genre_scores_gemma":[0.2755416,0.12946586,0.002384099,0.13258088,0.031411927,0.000088086366,0.00011903897,0.0003223934,0.42808613],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991543,0.00049914134,0.000031592463,0.00007607778,0.00017860462,0.000060215832],"domain_scores_gemma":[0.99884206,0.00068611855,0.000076874,0.0000543437,0.0002323819,0.00010814258],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001226442,0.00042492978,0.00031358594,0.000943079,0.0046787257,0.0049679084,0.0005167077,0.0029063397,0.014456845],"category_scores_gemma":[0.0037205454,0.00017825412,0.0001335753,0.0013875155,0.008045531,0.0066529824,0.0012979981,0.00378631,0.0026853816],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002446223,0.000007108026,0.00020139983,0.00013058416,0.0000028699665,0.000070677364,0.007230015,0.000029137846,0.00012604914,0.29481375,0.6802645,0.017099483],"study_design_scores_gemma":[0.0000053643676,0.00000513321,0.0007017749,0.0005281836,0.0000032515813,0.00009905384,0.0048727626,0.000054451484,0.0001233313,0.041856915,0.95173895,0.000010935318],"about_ca_topic_score_codex":0.031661786,"about_ca_topic_score_gemma":0.071560286,"teacher_disagreement_score":0.9953213,"about_ca_system_score_codex":0.0036609173,"about_ca_system_score_gemma":0.0027646956,"threshold_uncertainty_score":0.06295496},"labels":[],"label_agreement":null},{"id":"W2514826213","doi":"10.1086/598471","title":": <i>Milton and the Spiritual Reader: Reading and Religion in Seventeenth-Century England</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University","funders":"","keywords":"Index (typography); Reading (process); History; Art history; Art; Literature; Philosophy; Linguistics","score_opus":0.013183120183036898,"score_gpt":0.2186356264294989,"score_spread":0.205452506246462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514826213","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001102079,0.8593039,0.00038076504,0.08512975,0.015336734,0.000024002184,0.00014401201,0.000073554416,0.038505226],"genre_scores_gemma":[0.043041542,0.6165542,0.0010495827,0.048693657,0.026783498,0.00013373951,0.0005091114,0.00021567394,0.26301897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995363,0.00015129897,0.0000376748,0.00006025867,0.00015836321,0.000056228997],"domain_scores_gemma":[0.9986853,0.0006984673,0.00014234669,0.000042942014,0.00022675417,0.00020415243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000953628,0.0011741198,0.0008060349,0.0026323425,0.0023519616,0.004840708,0.0013645178,0.0026305153,0.03397284],"category_scores_gemma":[0.0025677104,0.0004199042,0.00025326668,0.0045445603,0.0030970913,0.011388107,0.0030579271,0.002966127,0.009679614],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024847908,0.000011710565,0.00020337805,0.0005624712,0.0000051137276,0.00008501538,0.004476144,0.000017997096,0.00010340724,0.00701065,0.953725,0.033774365],"study_design_scores_gemma":[0.0000072639145,0.000014728468,0.0019369839,0.0018841538,0.000007770127,0.00031308128,0.0059616324,0.000027752429,0.00013574267,0.0041895867,0.9855057,0.000015596099],"about_ca_topic_score_codex":0.012587474,"about_ca_topic_score_gemma":0.040499315,"teacher_disagreement_score":0.03397284,"about_ca_system_score_codex":0.0025728277,"about_ca_system_score_gemma":0.0023111545,"threshold_uncertainty_score":0.11365044},"labels":[],"label_agreement":null},{"id":"W2514955596","doi":"10.1086/687665","title":": <i>Frontiere aperte: Musulmani, ebrei e cristiani nella Repubblica di Venezia</i>","year":2016,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art","score_opus":0.014565665640103607,"score_gpt":0.2524633288869186,"score_spread":0.23789766324681497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514955596","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007746322,0.12665533,0.0009172476,0.42541358,0.059304178,0.00007561745,0.0019386307,0.00046787385,0.37748125],"genre_scores_gemma":[0.22823644,0.081232235,0.00206174,0.05966675,0.056460235,0.00028580875,0.0022153228,0.0013119072,0.5685296],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994924,0.0001697054,0.000025683088,0.00008891262,0.00011590641,0.00010726832],"domain_scores_gemma":[0.99895346,0.00044494608,0.000128597,0.00007173293,0.00022962179,0.00017166726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010585523,0.0007578553,0.00042742683,0.0018309496,0.00278019,0.0048211827,0.00071907847,0.0024174682,0.059970662],"category_scores_gemma":[0.0040844237,0.00027832802,0.00023180089,0.0030932128,0.0014293132,0.003668254,0.0015470057,0.002495296,0.014256829],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014630615,0.00000887544,0.0007997684,0.00017604564,0.0000037568327,0.000048200036,0.0021973192,0.00000799273,0.00008082348,0.009703398,0.97250587,0.0144532425],"study_design_scores_gemma":[0.0000070735236,0.0000064144347,0.0061120586,0.0004240716,0.000005918966,0.00016062506,0.0017275189,0.000025108642,0.0001337084,0.0014359584,0.98995155,0.000009988081],"about_ca_topic_score_codex":0.03502223,"about_ca_topic_score_gemma":0.09455246,"teacher_disagreement_score":0.059970662,"about_ca_system_score_codex":0.0023359826,"about_ca_system_score_gemma":0.0017594477,"threshold_uncertainty_score":0.20062184},"labels":[],"label_agreement":null},{"id":"W2514991391","doi":"10.1086/598435","title":": <i>Confabulations: Cologne Life and Humanism in Hermann Schotten's</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Humanism; Art; Art history; Theology; Philosophy","score_opus":0.02034761785123294,"score_gpt":0.22480576498993685,"score_spread":0.20445814713870392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514991391","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016679945,0.6973957,0.00053031003,0.15757471,0.027278362,0.000035636738,0.00026159853,0.00009002688,0.11516563],"genre_scores_gemma":[0.12855053,0.3226429,0.0011336767,0.05353089,0.027587006,0.0003002336,0.00047304627,0.00048057907,0.46530113],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868387,0.000624063,0.000045500055,0.0001213521,0.00035349795,0.00017181879],"domain_scores_gemma":[0.9987154,0.0006353853,0.0001384219,0.000063022795,0.00024067188,0.00020715955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012998099,0.0015090139,0.00059840863,0.0019755089,0.0038849672,0.0056207962,0.001407445,0.0030590321,0.027419131],"category_scores_gemma":[0.0038558068,0.00042652283,0.00026028443,0.0028012095,0.006580071,0.006762724,0.0031613638,0.0036838674,0.0060457108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012413369,0.000004929576,0.000064692744,0.00010075136,0.0000024157287,0.000044635846,0.0015969749,0.000014911805,0.000023830748,0.014482864,0.97293144,0.010720137],"study_design_scores_gemma":[0.000005317586,0.0000047324643,0.0007354786,0.0005947621,0.0000026790215,0.00013829643,0.0029529755,0.00003035247,0.00010649594,0.005155439,0.9902575,0.000016010941],"about_ca_topic_score_codex":0.042302396,"about_ca_topic_score_gemma":0.08779438,"teacher_disagreement_score":0.042302396,"about_ca_system_score_codex":0.0064927437,"about_ca_system_score_gemma":0.0028439509,"threshold_uncertainty_score":0.091726124},"labels":[],"label_agreement":null},{"id":"W2515100138","doi":"10.1086/687681","title":": <i> <i>Historiae Britannicae Defensio /</i> A Defence of the British History </i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Period (music); Middle Ages; History; Classics; Ancient history; Art","score_opus":0.016803385344190677,"score_gpt":0.1806361379639897,"score_spread":0.16383275261979902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515100138","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016038407,0.7406657,0.00023517231,0.08881374,0.018428115,0.00001194717,0.00047333274,0.000085157284,0.14968315],"genre_scores_gemma":[0.103859045,0.32091823,0.00086773146,0.022799322,0.015301538,0.00007016413,0.0008340536,0.0003859916,0.53496397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993748,0.00017468474,0.000030528423,0.00007762782,0.00025305082,0.00008932854],"domain_scores_gemma":[0.9992131,0.00020035467,0.000098909484,0.000055400284,0.00028510403,0.00014709459],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077826355,0.00095573964,0.0004114294,0.0022507461,0.0027531872,0.0070946007,0.00093806913,0.0018724815,0.048537977],"category_scores_gemma":[0.0016903268,0.0004607139,0.00019771142,0.0045750886,0.0041357707,0.0035973897,0.0014692652,0.0028226506,0.011885961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025825217,0.000008405436,0.00028108596,0.00034921378,0.0000069822877,0.000044540044,0.002229475,0.000028557624,0.0001805309,0.02802243,0.9416199,0.027202986],"study_design_scores_gemma":[0.0000017495491,0.0000020405691,0.0013778093,0.0003018174,0.0000026648834,0.000047034042,0.0010148851,0.000009929242,0.000068133595,0.0014625514,0.99570423,0.0000072286944],"about_ca_topic_score_codex":0.118146375,"about_ca_topic_score_gemma":0.22757111,"teacher_disagreement_score":0.118146375,"about_ca_system_score_codex":0.008604591,"about_ca_system_score_gemma":0.0049568773,"threshold_uncertainty_score":0.23491734},"labels":[],"label_agreement":null},{"id":"W2515581209","doi":"10.2307/1261565","title":"The State of the Shakespeare Industry","year":2002,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"State (computer science); History; Business; Art; Computer science; Programming language","score_opus":0.032363780235861624,"score_gpt":0.21888408111851074,"score_spread":0.18652030088264912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515581209","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05150951,0.043186262,0.0006632402,0.032300774,0.00067728315,0.000012552427,0.00028531457,0.00008535699,0.8712797],"genre_scores_gemma":[0.666834,0.017824823,0.00035827156,0.0015115663,0.00030192806,0.000017705976,0.00014666756,0.000098867575,0.31290612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975955,0.0005728022,0.000101198784,0.00029649952,0.0009726917,0.00046138148],"domain_scores_gemma":[0.9973449,0.00083137193,0.00024634288,0.00028004,0.0009089912,0.0003884568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022852784,0.0001955708,0.00028901838,0.0029540143,0.0075287516,0.011534569,0.0005250005,0.0011601119,0.044244863],"category_scores_gemma":[0.0051492313,0.00023545191,0.00013304752,0.0046207635,0.007504126,0.0047145057,0.0024126067,0.0016411289,0.006025406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079396785,0.000029221568,0.006532874,0.0004594647,0.00001787763,0.00037248246,0.054045275,0.000106279906,0.0005515896,0.62374324,0.1250098,0.18905261],"study_design_scores_gemma":[0.0000041990493,0.00001738203,0.015665805,0.0006469446,0.000004417346,0.00015580952,0.017420135,0.00007905061,0.0002714696,0.014881989,0.9508347,0.000018057464],"about_ca_topic_score_codex":0.068744995,"about_ca_topic_score_gemma":0.13523714,"teacher_disagreement_score":0.068744995,"about_ca_system_score_codex":0.0061874366,"about_ca_system_score_gemma":0.008313745,"threshold_uncertainty_score":0.14801377},"labels":[],"label_agreement":null},{"id":"W2515710485","doi":"10.1086/599868","title":": <i> Classica et Beneventana: Essays Presented to Virginia Brown on the Occasion of Her 65 <sup>th</sup> Birthday </i>","year":2009,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pontifical Institute of Mediaeval Studies","funders":"","keywords":"Humanities; Index (typography); Gerontology; Art; Medicine","score_opus":0.018284708791423875,"score_gpt":0.23928920772579232,"score_spread":0.22100449893436844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515710485","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007671026,0.6319717,0.0005137033,0.07667931,0.032275807,0.000024409772,0.00034854503,0.00008440093,0.25043112],"genre_scores_gemma":[0.09841784,0.19966288,0.0005655211,0.009200747,0.010020063,0.00008313268,0.0003512556,0.00020414636,0.68149436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960643,0.00012868743,0.000012171113,0.0000556759,0.00013701778,0.00006000472],"domain_scores_gemma":[0.99940836,0.0001872072,0.000048275106,0.000028533426,0.0001751684,0.00015251513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006809683,0.0008507497,0.00046763575,0.0013841842,0.004731168,0.0040253466,0.0007802474,0.0013056216,0.022743365],"category_scores_gemma":[0.0019472917,0.00030470654,0.00020713975,0.0018205062,0.0027433047,0.002573687,0.0023303905,0.0020521942,0.0062091816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032345735,0.00001329179,0.00019985765,0.00022471478,0.000004843915,0.00015902738,0.007146077,0.000032712756,0.0002818665,0.019308211,0.94051844,0.03207858],"study_design_scores_gemma":[0.0000014775403,0.0000031662762,0.00061915047,0.00025875636,0.0000018453251,0.000076092445,0.0018844965,0.0000053265844,0.00009828396,0.0014462039,0.99560094,0.0000043160276],"about_ca_topic_score_codex":0.028333548,"about_ca_topic_score_gemma":0.060636453,"teacher_disagreement_score":0.028333548,"about_ca_system_score_codex":0.004942427,"about_ca_system_score_gemma":0.0026425426,"threshold_uncertainty_score":0.07608414},"labels":[],"label_agreement":null},{"id":"W2515714007","doi":"10.1086/687633","title":": <i>Art and Observance in Renaissance Venice: The Dominicans and Their Artists (1391–ca. 1545)</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pontifical Institute of Mediaeval Studies","funders":"","keywords":"The Renaissance; Art; Art history; Humanities","score_opus":0.01657871160189266,"score_gpt":0.20936240041977255,"score_spread":0.19278368881787988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515714007","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010014615,0.7870299,0.000089232686,0.021309052,0.0026702774,0.000013487934,0.0001503627,0.000031074465,0.17869198],"genre_scores_gemma":[0.4495267,0.2446783,0.00039707526,0.0043968833,0.005143493,0.000048928177,0.00023936245,0.00016025348,0.29540896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995523,0.0001969244,0.000014229462,0.000046119112,0.00007204229,0.00011840094],"domain_scores_gemma":[0.9997981,0.000075421936,0.00003959698,0.000018214116,0.00002704261,0.000041649644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076932885,0.0007571147,0.00037328855,0.0013899084,0.0037333444,0.0033184623,0.0005920251,0.0009767063,0.021234252],"category_scores_gemma":[0.0007382284,0.00021527718,0.00019015007,0.0022625034,0.004717254,0.0024088454,0.0023632061,0.0015067217,0.0019348863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010922061,0.000037434107,0.0024347415,0.001188502,0.000023599494,0.0005324927,0.10545407,0.000110443056,0.00031478176,0.08437541,0.65520597,0.1502133],"study_design_scores_gemma":[0.000004715685,0.000008132719,0.0073810704,0.00071182154,0.0000034845043,0.00018536957,0.013489738,0.000006801151,0.00008134065,0.0010850339,0.97703516,0.0000072630583],"about_ca_topic_score_codex":0.096451625,"about_ca_topic_score_gemma":0.25787455,"teacher_disagreement_score":0.096451625,"about_ca_system_score_codex":0.003694032,"about_ca_system_score_gemma":0.0016711408,"threshold_uncertainty_score":0.19178045},"labels":[],"label_agreement":null},{"id":"W2515950929","doi":"10.1086/687660","title":": <i>Medici Women: The Making of a Dynasty in Grand Ducal Tuscany</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art; Humanities; Classics; Art history; History","score_opus":0.021999626447789074,"score_gpt":0.2955850477311857,"score_spread":0.27358542128339663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515950929","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07888198,0.5024256,0.00015704968,0.17832476,0.0074060117,0.000022756049,0.0002548067,0.000056127174,0.23247081],"genre_scores_gemma":[0.74072486,0.06040365,0.00015249586,0.007050632,0.0034209029,0.000044378576,0.00014874895,0.000050535153,0.1880039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996151,0.00013736986,0.000005510727,0.00003423942,0.000037012356,0.0001707663],"domain_scores_gemma":[0.99984324,0.00006507257,0.000021896043,0.0000064672995,0.000011711392,0.00005162964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049158616,0.0006713501,0.000339322,0.0009406181,0.0067820065,0.0041870866,0.00060445786,0.0017973678,0.009796402],"category_scores_gemma":[0.0005912044,0.00022703514,0.00014220957,0.0021062254,0.008498762,0.0019538975,0.0021760643,0.0016629852,0.00068432785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020065931,0.000026396061,0.003883457,0.00065882254,0.000022843822,0.001605848,0.23850007,0.00010144239,0.00067798066,0.16770828,0.5235136,0.06310055],"study_design_scores_gemma":[0.000017011826,0.000025383033,0.016882177,0.00075976027,0.00002057122,0.0005657685,0.08729173,0.000026717864,0.0002865945,0.005151565,0.88895625,0.000016468517],"about_ca_topic_score_codex":0.11369224,"about_ca_topic_score_gemma":0.25596854,"teacher_disagreement_score":0.11369224,"about_ca_system_score_codex":0.009199368,"about_ca_system_score_gemma":0.004530952,"threshold_uncertainty_score":0.22606093},"labels":[],"label_agreement":null},{"id":"W2516068237","doi":"10.1086/687734","title":": <i>Hamlet After Q1: An Uncanny History of the Shakespearean Text</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"HAMLET (protein complex); Uncanny; Content (measure theory); History; Art; Art history; Literature","score_opus":0.022680297347934697,"score_gpt":0.20397600790767004,"score_spread":0.18129571055973534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516068237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016440772,0.0072093564,0.0037248638,0.3535234,0.05358484,0.00014224307,0.0017755924,0.0004844395,0.5631145],"genre_scores_gemma":[0.25087327,0.0039264536,0.0012934629,0.08264475,0.014674716,0.000164306,0.0010514014,0.0017147223,0.6436569],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987375,0.00047158723,0.000046720274,0.00013957427,0.00045519444,0.00014946282],"domain_scores_gemma":[0.9958401,0.0019771417,0.00025878497,0.00017379834,0.0014203052,0.00032995857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002469385,0.0003929892,0.00023300695,0.001288199,0.007021882,0.00448543,0.0007002312,0.0026558645,0.06282509],"category_scores_gemma":[0.011995901,0.00018579159,0.00022850667,0.0018235329,0.0053083966,0.004865314,0.0022504388,0.004723047,0.016450992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047717607,0.0000075459043,0.0004270877,0.0001299636,0.000002253413,0.000225169,0.023342006,0.000015205311,0.00029546468,0.04927874,0.91629136,0.009937571],"study_design_scores_gemma":[0.000004447205,0.000012096035,0.0017429482,0.00027980687,0.0000022202114,0.00019610627,0.009570423,0.000020924226,0.000329186,0.003559443,0.98426926,0.000013088378],"about_ca_topic_score_codex":0.02107534,"about_ca_topic_score_gemma":0.037834242,"teacher_disagreement_score":0.06282509,"about_ca_system_score_codex":0.0039771646,"about_ca_system_score_gemma":0.002724055,"threshold_uncertainty_score":0.21017087},"labels":[],"label_agreement":null},{"id":"W2516647354","doi":"10.1086/598416","title":": <i>Il Riposo</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Append; Index (typography); Humanities; History; Art; Media studies; Art history; Sociology; Computer science; World Wide Web","score_opus":0.026267271498581966,"score_gpt":0.2336467129813149,"score_spread":0.20737944148273293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516647354","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009799663,0.5095095,0.0021457665,0.097258784,0.05147548,0.000072731214,0.00172124,0.00086223596,0.3359744],"genre_scores_gemma":[0.011683437,0.16162851,0.0016357447,0.02405895,0.024179006,0.00011618907,0.0014339631,0.0011391733,0.774125],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934083,0.00015972371,0.000030443423,0.00016529663,0.00022967994,0.00007397149],"domain_scores_gemma":[0.99929726,0.0001966846,0.00006587676,0.000059601483,0.00028298472,0.00009753053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006745777,0.0013764749,0.00069217914,0.002230925,0.001362518,0.0037474956,0.00087769027,0.0017257073,0.17163959],"category_scores_gemma":[0.0018485404,0.00043947183,0.0004205217,0.0022520968,0.0010639754,0.0062393015,0.0021045895,0.0027845479,0.14467262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010258102,0.0000048498464,0.00006396461,0.0001741935,0.0000019688061,0.00001676047,0.00018627293,0.000008422729,0.00008994728,0.0025892986,0.9622349,0.034619033],"study_design_scores_gemma":[0.0000010943173,0.000002737614,0.00019528328,0.0001169211,0.0000010940513,0.00005617666,0.0000942838,0.000006331119,0.000048419417,0.00041456835,0.99906033,0.0000027129365],"about_ca_topic_score_codex":0.0054200813,"about_ca_topic_score_gemma":0.009231285,"teacher_disagreement_score":0.17163959,"about_ca_system_score_codex":0.0013752857,"about_ca_system_score_gemma":0.0009663974,"threshold_uncertainty_score":0.57419163},"labels":[],"label_agreement":null},{"id":"W2516983377","doi":"10.1086/687648","title":": <i>Margaret Cavendish: Gender, Science and Politics</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Politics; Content (measure theory); Media studies; Political science; Sociology; Law; Mathematics","score_opus":0.03338110054472619,"score_gpt":0.29458700922847214,"score_spread":0.26120590868374594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2516983377","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046246953,0.03707043,0.00024598045,0.9212199,0.02477119,0.00002415509,0.00019955185,0.00006857293,0.015937876],"genre_scores_gemma":[0.016208628,0.04798239,0.00067622634,0.73647386,0.03782916,0.00015945408,0.00028540424,0.000493229,0.15989168],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9984395,0.00063199183,0.00008364156,0.0002093117,0.0004817336,0.00015387911],"domain_scores_gemma":[0.9929207,0.0037161692,0.00044028554,0.00017444123,0.0014662908,0.0012820453],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0032916493,0.0013179109,0.0010997253,0.0020693943,0.007488299,0.006869449,0.0024399932,0.008874597,0.03307105],"category_scores_gemma":[0.015253083,0.00080649817,0.00051547226,0.0035639533,0.0036566034,0.014006326,0.0047894586,0.011399768,0.013376389],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004387849,0.0000021623086,0.00008167113,0.00004935935,0.0000020714797,0.00003972123,0.0011792477,0.000005086073,0.000028546738,0.002077701,0.99478227,0.0017477869],"study_design_scores_gemma":[0.0000068437334,0.000005569692,0.0013386403,0.0005692369,0.000005498795,0.00021273081,0.007303273,0.00003390332,0.00013558743,0.0042208764,0.9861357,0.000032153584],"about_ca_topic_score_codex":0.043697406,"about_ca_topic_score_gemma":0.11068516,"teacher_disagreement_score":0.9925117,"about_ca_system_score_codex":0.004128479,"about_ca_system_score_gemma":0.0040709013,"threshold_uncertainty_score":0.11063367},"labels":[],"label_agreement":null},{"id":"W2517328517","doi":"10.1086/687649","title":": <i>The Newton Papers: The Strange and True Odyssey of Isaac Newton’s Manuscripts</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of King's College","funders":"","keywords":"History; Art history; Classics","score_opus":0.02188053218284895,"score_gpt":0.20910765794326394,"score_spread":0.187227125760415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517328517","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00095136143,0.05040732,0.00197384,0.46592453,0.33371544,0.000030886138,0.00047987027,0.0004354192,0.14608136],"genre_scores_gemma":[0.028319089,0.029879544,0.0023997915,0.097050264,0.16795269,0.00006832188,0.00032912407,0.0018285272,0.67217267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960639,0.0011529911,0.00018223582,0.00039569038,0.0019567707,0.0002484503],"domain_scores_gemma":[0.99074847,0.0030412213,0.00072540744,0.0006040832,0.0029089234,0.001971885],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0046114977,0.0008144835,0.0006028584,0.001971206,0.007229176,0.013514955,0.0012040959,0.0029499317,0.05806349],"category_scores_gemma":[0.026191793,0.0004896526,0.00049195066,0.002198874,0.0049037556,0.007349701,0.0022589776,0.006937291,0.03216189],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006288698,0.0000014583023,0.000031507636,0.000036866102,0.0000019054905,0.000018682209,0.00026901445,0.000007344958,0.000030400572,0.0068690367,0.98889333,0.0038342546],"study_design_scores_gemma":[9.522007e-7,0.0000020885232,0.00009904258,0.000061980034,9.537894e-7,0.000039601753,0.00024225931,0.000006220485,0.000036389647,0.0011463055,0.99835974,0.0000043933514],"about_ca_topic_score_codex":0.005213093,"about_ca_topic_score_gemma":0.015696038,"teacher_disagreement_score":0.99277085,"about_ca_system_score_codex":0.004364667,"about_ca_system_score_gemma":0.003763908,"threshold_uncertainty_score":0.1942417},"labels":[],"label_agreement":null},{"id":"W2517356247","doi":"10.1086/598404","title":": <i>La vie de Michel de Marillac (1560–1632): Garde des sceaux de France sous Louis XIII</i>","year":2009,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Spain","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012236080620086225,"score_gpt":0.23494755778928275,"score_spread":0.22271147716919654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517356247","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002516258,0.85949326,0.00025729806,0.020151105,0.0069340947,0.000008354889,0.00030119845,0.000054475266,0.1102839],"genre_scores_gemma":[0.12533195,0.39726168,0.001053339,0.009253534,0.008461715,0.000052738975,0.0005855294,0.00027873678,0.45772076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996093,0.00010966649,0.000016955562,0.000077041776,0.00011604075,0.00007103854],"domain_scores_gemma":[0.9997849,0.00005518103,0.00004807521,0.000014083641,0.00005415524,0.00004376375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006480758,0.0009959153,0.00046672835,0.0019662122,0.002084718,0.0036045993,0.00069558766,0.001599727,0.028072096],"category_scores_gemma":[0.000915312,0.0002976839,0.00024907052,0.0031770335,0.0017705559,0.0026285457,0.0015661303,0.0019968525,0.007824772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010156728,0.00001919245,0.0012126052,0.000743041,0.000015706799,0.0002787027,0.007837097,0.00010142992,0.000363309,0.036813922,0.84158415,0.11092932],"study_design_scores_gemma":[0.0000030386943,0.0000048895517,0.0015081592,0.00032783477,0.000001878013,0.000103054634,0.00060114224,0.0000057243315,0.000076340875,0.00090727315,0.99645567,0.0000049896807],"about_ca_topic_score_codex":0.052509148,"about_ca_topic_score_gemma":0.11106426,"teacher_disagreement_score":0.052509148,"about_ca_system_score_codex":0.005051999,"about_ca_system_score_gemma":0.0024122922,"threshold_uncertainty_score":0.10440707},"labels":[],"label_agreement":null},{"id":"W2517681046","doi":"10.1086/599914","title":": <i>Acculturation and Its Discontents: The Italian Jewish Experience between Exclusion and Inclusion</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Acculturation; Judaism; Religious studies; Sociology; Index (typography); Humanities; Media studies; Theology; Anthropology; Art; Philosophy; Ethnic group","score_opus":0.03712865396428748,"score_gpt":0.2935074099898984,"score_spread":0.2563787560256109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517681046","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044564668,0.7170309,0.0003209045,0.13987476,0.0058359993,0.000018385814,0.00016345766,0.000055045064,0.09213599],"genre_scores_gemma":[0.5691374,0.33558106,0.00051472144,0.0131656425,0.013371814,0.00006968389,0.0003415273,0.00007314254,0.06774501],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958986,0.00020523631,0.000014158091,0.000025461244,0.00006673209,0.000098589975],"domain_scores_gemma":[0.9996093,0.00017611241,0.00007332984,0.000022383903,0.000037328766,0.00008160548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009194336,0.0007990976,0.0002858178,0.0010926843,0.002213082,0.0038970748,0.0007899586,0.0015422791,0.0052222502],"category_scores_gemma":[0.0011427439,0.00024073811,0.00026508063,0.002454564,0.0049983533,0.0032752499,0.0013734205,0.0010654081,0.001131876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019795985,0.00007640217,0.009618638,0.0009299403,0.000031960953,0.00080275914,0.1280793,0.00010284115,0.00033918896,0.059351664,0.6754234,0.12504603],"study_design_scores_gemma":[0.000022639368,0.00007055274,0.0531283,0.0019166574,0.000035696976,0.0012828014,0.052085634,0.00011249388,0.00022456323,0.013687718,0.87738776,0.000045077166],"about_ca_topic_score_codex":0.047590334,"about_ca_topic_score_gemma":0.10273326,"teacher_disagreement_score":0.047590334,"about_ca_system_score_codex":0.0031335081,"about_ca_system_score_gemma":0.002135583,"threshold_uncertainty_score":0.094626665},"labels":[],"label_agreement":null},{"id":"W2518290774","doi":"10.1086/599955","title":": <i>Remembering the Early Modern Voyage: English Narratives in the Age of European Expansion</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Index (typography); Narrative; History; Early modern Europe; Art history; Art; Classics; Literature","score_opus":0.019467046297648564,"score_gpt":0.2603039126958146,"score_spread":0.24083686639816604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518290774","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02669931,0.5825515,0.0014783669,0.22934206,0.0087544955,0.00003615609,0.0005952556,0.00013278706,0.15041009],"genre_scores_gemma":[0.4955462,0.25807562,0.001405895,0.04375413,0.0086549865,0.00013053908,0.00052261737,0.00036126052,0.19154873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956673,0.00026592266,0.000019157975,0.00003547164,0.00006222244,0.00005050603],"domain_scores_gemma":[0.99923456,0.00040277056,0.000107897904,0.000031741296,0.00008974967,0.00013329956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011622964,0.0007876337,0.00029568662,0.0009344189,0.0034326203,0.0049650497,0.00089440466,0.0018380571,0.011197427],"category_scores_gemma":[0.0025193682,0.00021789172,0.00017407945,0.0020037023,0.0052059935,0.014646798,0.002409705,0.0020273032,0.0020672479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053079693,0.00001567494,0.0011003431,0.000607074,0.000010027091,0.0006763561,0.3139596,0.000049788585,0.00026115708,0.046107218,0.59479004,0.042369682],"study_design_scores_gemma":[0.0000042673387,0.000012133374,0.0026137952,0.0009020552,0.000005404328,0.00041420743,0.113254815,0.000025358593,0.0002055613,0.0055129644,0.87703407,0.000015363965],"about_ca_topic_score_codex":0.015065602,"about_ca_topic_score_gemma":0.026383707,"teacher_disagreement_score":0.015065602,"about_ca_system_score_codex":0.0021883463,"about_ca_system_score_gemma":0.0012089458,"threshold_uncertainty_score":0.037459075},"labels":[],"label_agreement":null},{"id":"W2518858329","doi":"10.1086/689075","title":": <i> Pieter Bruegel the Elder: <i>Fall of the Rebel Angels:</i> Art, Knowledge and Politics on the Eve of the Dutch Revolt </i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Fall of man; Politics; Art; Ancient history; History; Visual arts; Political science; Law","score_opus":0.021611307495023793,"score_gpt":0.21348389429659156,"score_spread":0.19187258680156777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518858329","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010786836,0.09699084,0.0009565115,0.6142499,0.038351588,0.00005152336,0.00091349805,0.0001714341,0.23752792],"genre_scores_gemma":[0.0995025,0.03462799,0.00055536284,0.097190596,0.009945573,0.000046019864,0.00031445452,0.0005505097,0.75726694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954563,0.00017565754,0.000015263466,0.0000725258,0.00012666154,0.00006424627],"domain_scores_gemma":[0.99932444,0.00023162087,0.00007921811,0.00002361787,0.00017071568,0.00017046058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007417667,0.0005357231,0.00037191832,0.0006166865,0.004634168,0.003060286,0.00049046683,0.0018767751,0.040557805],"category_scores_gemma":[0.003406934,0.00024834395,0.00016067906,0.0010383644,0.0017452195,0.0036991213,0.0020432908,0.003819803,0.01099882],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001258853,0.0000052933237,0.00022079921,0.000054906308,0.0000018801995,0.00010781808,0.005403198,0.000012796932,0.00010325247,0.009085525,0.9797253,0.005266632],"study_design_scores_gemma":[0.0000022080612,0.0000033537617,0.00058405,0.00012922754,0.0000013817722,0.00017180336,0.0069999904,0.00001373391,0.00009770034,0.00075858657,0.9912305,0.0000074316113],"about_ca_topic_score_codex":0.022867236,"about_ca_topic_score_gemma":0.07604631,"teacher_disagreement_score":0.040557805,"about_ca_system_score_codex":0.002012379,"about_ca_system_score_gemma":0.0012249717,"threshold_uncertainty_score":0.13567936},"labels":[],"label_agreement":null},{"id":"W2518865157","doi":"10.1086/689058","title":": <i>Daum’s Boys: Schools and the Republic of Letters in Early Modern Germany</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Classics; Media studies; Sociology","score_opus":0.016693163624930424,"score_gpt":0.21003908554151435,"score_spread":0.19334592191658392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518865157","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009142356,0.7185965,0.00019238544,0.19125551,0.012987553,0.000013371041,0.00038508416,0.00006258403,0.06736469],"genre_scores_gemma":[0.35366237,0.29449254,0.0004526038,0.027751187,0.023477344,0.000060206356,0.0005452773,0.00014819205,0.2994103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997422,0.00009998974,0.00001163336,0.000031495383,0.000051851097,0.00006276287],"domain_scores_gemma":[0.9996729,0.00014009884,0.00006948755,0.000013190061,0.000032015876,0.00007227465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005622365,0.0006329203,0.000273331,0.0013327999,0.0016837585,0.0034965184,0.0007080781,0.0021937692,0.02245612],"category_scores_gemma":[0.0008995445,0.0003036463,0.00017174635,0.0023228917,0.002258307,0.006398705,0.001598289,0.0014057552,0.0028960193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049849714,0.0000135019045,0.00060654856,0.0003319942,0.0000069586745,0.00012515101,0.0064857313,0.000042432566,0.00010358328,0.030271303,0.92290974,0.03905322],"study_design_scores_gemma":[0.000008903085,0.000014661944,0.0063075004,0.0006089637,0.000006765015,0.00018737442,0.009523252,0.000031643805,0.00014181838,0.0031228086,0.9800352,0.000011200759],"about_ca_topic_score_codex":0.017342202,"about_ca_topic_score_gemma":0.054490283,"teacher_disagreement_score":0.02245612,"about_ca_system_score_codex":0.0026480274,"about_ca_system_score_gemma":0.0011440526,"threshold_uncertainty_score":0.07512319},"labels":[],"label_agreement":null},{"id":"W2518878544","doi":"10.1086/689037","title":"Torture and Translation in the Multilingual Courtrooms of Early Modern France","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Linguistics and Language Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Torture; Mediation; Context (archaeology); Linguistics; Set (abstract data type); Dimension (graph theory); Sociology; Political science; Law; History; Philosophy; Human rights; Computer science","score_opus":0.023190389631505746,"score_gpt":0.2440886214772286,"score_spread":0.22089823184572285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2518878544","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68556935,0.008453581,0.0020094342,0.018801047,0.0002655575,0.000022174332,0.0000684191,0.000074966454,0.2847355],"genre_scores_gemma":[0.9880415,0.00047253972,0.00019921064,0.00053884345,0.00007631883,0.0000037689638,0.000010944043,0.0000166594,0.010640188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996644,0.0019793091,0.00008729618,0.00030617687,0.0003896875,0.00059352804],"domain_scores_gemma":[0.9980294,0.0011629938,0.00025305114,0.00011768521,0.000260365,0.00017650577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026217713,0.0002499674,0.0002230541,0.0013825531,0.013418316,0.007413119,0.00055778597,0.001572781,0.0082984315],"category_scores_gemma":[0.0043120296,0.00023080932,0.00021269562,0.00097536057,0.012633541,0.0030825092,0.0039055713,0.0021734124,0.00053749635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007379406,0.00005862741,0.003603762,0.00006912043,0.000013016683,0.0035048032,0.36410195,0.000382526,0.0010253927,0.58810204,0.006354524,0.0327105],"study_design_scores_gemma":[0.000051612406,0.00016454075,0.028486319,0.000436988,0.00002765452,0.0019081108,0.21779008,0.0007448648,0.0020040243,0.04695047,0.70130855,0.00012681361],"about_ca_topic_score_codex":0.09095668,"about_ca_topic_score_gemma":0.13049991,"teacher_disagreement_score":0.09095668,"about_ca_system_score_codex":0.011513352,"about_ca_system_score_gemma":0.0037009935,"threshold_uncertainty_score":0.1808545},"labels":[],"label_agreement":null},{"id":"W2519027137","doi":"10.1086/689056","title":": <i>After Civic Humanism: Learning and Politics in Renaissance Italy</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Humanism; Politics; Classics; Art history; Art; History; Environmental ethics; Theology; Philosophy; Political science; Law","score_opus":0.017839110474199782,"score_gpt":0.23154684040966797,"score_spread":0.2137077299354682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519027137","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068392027,0.45301327,0.00040895568,0.36360356,0.009130314,0.000009777058,0.00011991201,0.000070341266,0.16680467],"genre_scores_gemma":[0.40027803,0.18131515,0.0007051251,0.057823546,0.03383429,0.00006775074,0.00029039072,0.00022879575,0.3254569],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994479,0.00026846578,0.000010729602,0.00005768505,0.000092779024,0.00012240783],"domain_scores_gemma":[0.99957794,0.00016960732,0.000057429173,0.00004212786,0.000059266127,0.00009364694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001245756,0.0005118069,0.00039589754,0.0009365987,0.0027095515,0.0059865382,0.0007969133,0.0026470693,0.01353031],"category_scores_gemma":[0.0013948692,0.00019039008,0.00034160152,0.0024449553,0.0075455057,0.0062193116,0.0018167504,0.0029020193,0.0031230813],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003467097,0.000022239376,0.0010056742,0.00022114455,0.000008847664,0.00010308283,0.011511172,0.00008575552,0.00009557746,0.12682727,0.81351995,0.04656468],"study_design_scores_gemma":[0.0000056653225,0.000008931472,0.005323464,0.00042194437,0.0000052345017,0.00008962654,0.0042554624,0.00003427435,0.00009268764,0.013202264,0.9765514,0.000008903526],"about_ca_topic_score_codex":0.021866225,"about_ca_topic_score_gemma":0.041055113,"teacher_disagreement_score":0.021866225,"about_ca_system_score_codex":0.004695162,"about_ca_system_score_gemma":0.0023529206,"threshold_uncertainty_score":0.04526341},"labels":[],"label_agreement":null},{"id":"W2519058395","doi":"10.1086/689068","title":": <i>La Cappella Sistina</i>","year":2016,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.013183533131072376,"score_gpt":0.2107686115421421,"score_spread":0.19758507841106973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519058395","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003205,0.0060708052,0.0007910965,0.040845044,0.02172285,0.00010388275,0.0060763685,0.0014980695,0.91968703],"genre_scores_gemma":[0.052957296,0.0048158355,0.0010595352,0.009096093,0.009086096,0.00019500208,0.0041305437,0.001883374,0.91677624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968255,0.00007444285,0.000017841934,0.000053446765,0.00010701853,0.000064677435],"domain_scores_gemma":[0.99944764,0.0001450008,0.00007341496,0.00006262941,0.0001920084,0.000079326615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005423628,0.00058178685,0.00031743737,0.0011010111,0.0015815655,0.0033551892,0.00050907256,0.0010533123,0.20976178],"category_scores_gemma":[0.0019318672,0.00022194628,0.00024019908,0.0015316949,0.00081471127,0.0016828392,0.0013431425,0.0018804794,0.093145214],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019831128,0.0000042106053,0.00018027516,0.00012636156,0.0000015177186,0.000051629017,0.00066202274,0.00000778299,0.00016748329,0.0055618095,0.98017853,0.013038501],"study_design_scores_gemma":[0.0000034481131,0.0000047756216,0.0010660138,0.00009237575,0.0000013021565,0.000051758492,0.00033619258,0.0000096044,0.00013926458,0.00015895521,0.99813277,0.0000036714744],"about_ca_topic_score_codex":0.010394184,"about_ca_topic_score_gemma":0.018953992,"teacher_disagreement_score":0.20976178,"about_ca_system_score_codex":0.0015292226,"about_ca_system_score_gemma":0.00096490287,"threshold_uncertainty_score":0.7017231},"labels":[],"label_agreement":null},{"id":"W2519478746","doi":"10.1086/689126","title":": <i>The Church and the Languages of Italy before the Council of Trent</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Linguistics and language evolution","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philology; Romance languages; Classics; Romance; History; Art; Literature; Political science; Linguistics; Philosophy; Law; Feminism","score_opus":0.015478623101327393,"score_gpt":0.21557332619355962,"score_spread":0.20009470309223223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519478746","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010664035,0.56669444,0.00054102927,0.21018636,0.00978851,0.000010038843,0.00020973921,0.000064438915,0.20184131],"genre_scores_gemma":[0.503769,0.18236943,0.0012218151,0.033781283,0.018303744,0.000037322316,0.00045998322,0.00027548018,0.259782],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962854,0.00015727921,0.00000899137,0.00004999174,0.00007917944,0.00007605177],"domain_scores_gemma":[0.9997726,0.000068240486,0.000041523534,0.000022210055,0.000038389044,0.000057143236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045306777,0.0004229163,0.0002396599,0.0009286396,0.0021798334,0.0042340537,0.00074601546,0.001690248,0.014111611],"category_scores_gemma":[0.0008544441,0.00020952539,0.0001659462,0.0024871258,0.0063971896,0.0060883565,0.0016630683,0.0019050863,0.0023754225],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005982163,0.000015272602,0.0014345818,0.00032008183,0.0000088422485,0.00020898588,0.018343167,0.000065536624,0.0001797303,0.17267266,0.7450876,0.061603703],"study_design_scores_gemma":[0.0000051280535,0.000005292515,0.0045895935,0.0004237325,0.0000048881625,0.00021020777,0.0072584576,0.000024494293,0.00006242108,0.009463312,0.977945,0.0000073596707],"about_ca_topic_score_codex":0.05013879,"about_ca_topic_score_gemma":0.12252153,"teacher_disagreement_score":0.05013879,"about_ca_system_score_codex":0.0036205878,"about_ca_system_score_gemma":0.0020978623,"threshold_uncertainty_score":0.099693894},"labels":[],"label_agreement":null},{"id":"W2519841384","doi":"10.1086/689150","title":": <i>Tales and Trials of Love, Concerning Venus’s Punishment of Those Who Scorn True Love and Denounce Cupid’s Sovereignty: A Bilingual Edition and Study</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Punishment (psychology); Sovereignty; The Renaissance; Art; Classics; Literature; Philosophy; Art history; Psychology; Law; Political science","score_opus":0.06207315378687086,"score_gpt":0.28337205135123816,"score_spread":0.2212988975643673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519841384","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04371604,0.17642753,0.0009010494,0.07348121,0.0047013764,0.000043698492,0.0003387836,0.00005275731,0.70033747],"genre_scores_gemma":[0.5630709,0.07589209,0.0006225897,0.011845258,0.003419988,0.00007907886,0.0003791281,0.0001454738,0.34454545],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956137,0.00018772917,0.00001559483,0.000040015308,0.00011380943,0.00008148857],"domain_scores_gemma":[0.999433,0.00027244043,0.000066313914,0.000032731674,0.000081206206,0.0001141756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079663197,0.00041731537,0.00025825252,0.0011531359,0.0056299954,0.0058320817,0.00066086464,0.0013510933,0.009443829],"category_scores_gemma":[0.0013763156,0.00014505589,0.00015278757,0.0019803783,0.009485986,0.0049443976,0.002225174,0.0017681296,0.0012435184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007845856,0.000058411977,0.0012885788,0.0004576454,0.000009461811,0.000362267,0.1523979,0.000067323526,0.0004061712,0.24082488,0.54794127,0.056107625],"study_design_scores_gemma":[0.000009682625,0.000023480774,0.0042019836,0.0006511527,0.0000044093326,0.00031034864,0.096732765,0.000036730864,0.00031908555,0.007930924,0.8897662,0.000013235966],"about_ca_topic_score_codex":0.037981812,"about_ca_topic_score_gemma":0.08934234,"teacher_disagreement_score":0.037981812,"about_ca_system_score_codex":0.004392614,"about_ca_system_score_gemma":0.003918922,"threshold_uncertainty_score":0.07552147},"labels":[],"label_agreement":null},{"id":"W2520025665","doi":"10.1086/689143","title":": <i>The Culture of Translation in Early Modern England and France, 1500–1660</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Rowan; History; Media studies; Classics; Art history; Sociology; Biology","score_opus":0.011306403043469117,"score_gpt":0.24495304373330573,"score_spread":0.23364664068983662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520025665","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034007818,0.7030486,0.00071571016,0.14483365,0.0048112343,0.000024199511,0.0006637404,0.00012955604,0.111765385],"genre_scores_gemma":[0.64536345,0.19601814,0.0011653122,0.014533574,0.0063476623,0.00012436429,0.0007456636,0.00025232634,0.13544948],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985703,0.0008198897,0.00008341727,0.00010774097,0.00023564637,0.00018292782],"domain_scores_gemma":[0.99845624,0.0006456598,0.0003127425,0.000073147596,0.00032077142,0.0001914327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020982497,0.00067884586,0.0003395113,0.0023809308,0.003027383,0.0066729314,0.00088023674,0.0019023183,0.012256967],"category_scores_gemma":[0.003937845,0.00028138785,0.00022161682,0.005247917,0.007331393,0.0082402,0.0019670276,0.0017336477,0.0025727823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001404806,0.000039028986,0.004638064,0.0012542738,0.000036821217,0.0007707673,0.22424279,0.00015690435,0.00045023163,0.12968285,0.49544692,0.14314088],"study_design_scores_gemma":[0.000010020453,0.00002978258,0.020361345,0.0011557171,0.000010212876,0.0003563074,0.03647151,0.00004525309,0.0002865249,0.0052634096,0.9359811,0.000028821978],"about_ca_topic_score_codex":0.070749745,"about_ca_topic_score_gemma":0.07578292,"teacher_disagreement_score":0.070749745,"about_ca_system_score_codex":0.007719049,"about_ca_system_score_gemma":0.005006043,"threshold_uncertainty_score":0.1406759},"labels":[],"label_agreement":null},{"id":"W2520254677","doi":"10.1086/689064","title":": <i> Faith, Gender and the Senses in Italian Renaissance and Baroque Art: Interpreting the <i>Noli me tangere</i> and Doubting Thomas </i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Vanier College","funders":"","keywords":"Baroque; Modernity; Faith; The Renaissance; Art; Art history; Visual culture; Philosophy; Theology; Visual arts","score_opus":0.015176088343025945,"score_gpt":0.2064414938277303,"score_spread":0.19126540548470436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520254677","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06705347,0.28526103,0.00083452166,0.14693724,0.003692829,0.000020179687,0.00013367418,0.000052050673,0.496015],"genre_scores_gemma":[0.9019074,0.037712224,0.00042499256,0.0074960687,0.0029130278,0.00002939154,0.0000649467,0.00006519256,0.049386777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934417,0.0004266709,0.000013882981,0.000045184566,0.00008414541,0.00008596254],"domain_scores_gemma":[0.99926585,0.0004604502,0.000092653645,0.000036513346,0.000077483266,0.00006711862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019437049,0.00080219633,0.00037178007,0.0013739393,0.004426789,0.0069515593,0.0009385532,0.0023796253,0.0061317394],"category_scores_gemma":[0.0020396963,0.0003369308,0.00029033213,0.0020463578,0.015273128,0.006305855,0.0020729692,0.002444075,0.0008084957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010005924,0.00004905192,0.003233433,0.00034792113,0.000014724083,0.00049703574,0.37256306,0.00009130163,0.00028356822,0.4227811,0.16470379,0.035334982],"study_design_scores_gemma":[0.000038821665,0.0000616693,0.02269013,0.0018807438,0.00004193078,0.00090415875,0.22644566,0.00016905648,0.00030185684,0.08248765,0.66492647,0.000051842424],"about_ca_topic_score_codex":0.037422616,"about_ca_topic_score_gemma":0.090265155,"teacher_disagreement_score":0.037422616,"about_ca_system_score_codex":0.0038051559,"about_ca_system_score_gemma":0.0015110557,"threshold_uncertainty_score":0.074409604},"labels":[],"label_agreement":null},{"id":"W2520438411","doi":"10.1086/689060","title":": <i>Worlds Within: Opening the Medieval Shrine Madonna</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"State (computer science); History; Art; Archaeology; Art history; Computer science","score_opus":0.02732876707006374,"score_gpt":0.2312023167788284,"score_spread":0.20387354970876467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520438411","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07719084,0.029750763,0.0010846484,0.06622154,0.008530761,0.000061553386,0.00064370513,0.00023511119,0.8162811],"genre_scores_gemma":[0.5451852,0.006452099,0.0007842871,0.0054638176,0.0017667636,0.00004650083,0.00020602933,0.00026336827,0.4398319],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9998274,0.00006782942,0.000003856933,0.000024439158,0.000033752065,0.000042812164],"domain_scores_gemma":[0.9998684,0.000035671157,0.000015988433,0.000012383416,0.000017046532,0.000050489383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043785773,0.00025855383,0.00014613655,0.0003520939,0.005560834,0.0025471335,0.00030445913,0.00069554755,0.018822474],"category_scores_gemma":[0.0008254152,0.00010973626,0.000102981954,0.0003659382,0.0026978871,0.0016249283,0.002190931,0.0018669697,0.002028582],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019202018,0.000032198725,0.002132228,0.00049550814,0.000013292301,0.0010393364,0.20335507,0.000091128626,0.0023081591,0.2646295,0.4688204,0.05689118],"study_design_scores_gemma":[0.0000025189622,0.000011065574,0.0026974068,0.00014572532,0.0000029705773,0.00020260167,0.015663305,0.000014831711,0.00036819125,0.0016857063,0.9791976,0.000008056021],"about_ca_topic_score_codex":0.017487643,"about_ca_topic_score_gemma":0.082341835,"teacher_disagreement_score":0.018822474,"about_ca_system_score_codex":0.0018241864,"about_ca_system_score_gemma":0.00064462185,"threshold_uncertainty_score":0.06296742},"labels":[],"label_agreement":null},{"id":"W2520708817","doi":"10.1086/689105","title":": <i>Pisa nel Medioevo: Potenza sul mare e motore di cultura</i>","year":2016,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities; History","score_opus":0.015062580251710344,"score_gpt":0.21026621160576642,"score_spread":0.19520363135405608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520708817","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011523009,0.042618632,0.00046515957,0.15594395,0.021035202,0.00005102125,0.0014165468,0.0002592739,0.76668715],"genre_scores_gemma":[0.20471492,0.02095492,0.00086394616,0.016226716,0.012103034,0.00010659347,0.00085321796,0.00049100094,0.7436856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997613,0.0000712521,0.000010309318,0.00004130769,0.000054153657,0.00006168738],"domain_scores_gemma":[0.9997458,0.000079229816,0.00004136366,0.000022861619,0.00004456244,0.00006619962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036754468,0.00038486582,0.00017658983,0.0006097569,0.002475339,0.0031991133,0.000332892,0.0013344352,0.0441229],"category_scores_gemma":[0.001168231,0.00018635223,0.00016242094,0.0011245153,0.0014604597,0.0018888112,0.0013565097,0.0021548162,0.00916465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030397337,0.000009141972,0.0009349384,0.00023772329,0.000002705513,0.00017076156,0.00752589,0.00001573964,0.0002427921,0.030798009,0.94018215,0.019849733],"study_design_scores_gemma":[0.00000336407,0.0000057560437,0.0052549643,0.00013713617,0.0000015026267,0.0001017905,0.0022241687,0.0000070351816,0.0000932577,0.00039433944,0.99177223,0.0000044039657],"about_ca_topic_score_codex":0.018373922,"about_ca_topic_score_gemma":0.07255927,"teacher_disagreement_score":0.0441229,"about_ca_system_score_codex":0.0016667808,"about_ca_system_score_gemma":0.0011263073,"threshold_uncertainty_score":0.14760584},"labels":[],"label_agreement":null},{"id":"W2521002239","doi":"10.1086/689155","title":": <i>Grief and Women Writers in the English Renaissance</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Grief; The Renaissance; History; Classics; Art history; Media studies; Sociology; Psychology; Psychiatry","score_opus":0.013017118482675612,"score_gpt":0.19883247982404417,"score_spread":0.18581536134136856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521002239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46112958,0.09546087,0.0003763236,0.24210657,0.0038988742,0.000031828175,0.00019919644,0.000060915783,0.19673584],"genre_scores_gemma":[0.95135784,0.009326121,0.00008326307,0.004499852,0.0007631033,0.000013455739,0.00002074585,0.00003200415,0.033903576],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990238,0.0006501797,0.000025979894,0.000060795508,0.000110182234,0.00012908946],"domain_scores_gemma":[0.9985298,0.0008693306,0.00019652456,0.00004384449,0.00015027836,0.00021027081],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024631277,0.00027449132,0.00022500579,0.0006567646,0.00757608,0.004354676,0.000499218,0.0012187028,0.0072170924],"category_scores_gemma":[0.0033064333,0.00015071391,0.00010389869,0.0009705011,0.008554011,0.003741039,0.0017326609,0.0021246437,0.00058808614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034515706,0.00002194615,0.0023154768,0.00018324172,0.000004310287,0.0004168522,0.9108695,0.000017763705,0.00016779768,0.047246743,0.030659234,0.008062586],"study_design_scores_gemma":[0.000009356191,0.00003526161,0.013483644,0.0005948247,0.0000107644855,0.00052105956,0.7010029,0.000029594305,0.0003664119,0.0032655604,0.28066573,0.000014950995],"about_ca_topic_score_codex":0.036078725,"about_ca_topic_score_gemma":0.085429914,"teacher_disagreement_score":0.036078725,"about_ca_system_score_codex":0.0030422055,"about_ca_system_score_gemma":0.0024781027,"threshold_uncertainty_score":0.07173747},"labels":[],"label_agreement":null},{"id":"W2557423061","doi":"10.1086/690373","title":": <i>Representing Imperial Rivalry in the Early Modern Mediterranean</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rivalry; History; Art history; Art; Media studies; Sociology","score_opus":0.02970427042800101,"score_gpt":0.3014979640321401,"score_spread":0.2717936936041391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557423061","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071609127,0.7851678,0.00080526475,0.08467201,0.01199146,0.00001690974,0.000120676355,0.000052381765,0.11001257],"genre_scores_gemma":[0.3526314,0.47959512,0.0015753617,0.019805789,0.03620222,0.00007253972,0.00029471953,0.00012867314,0.10969421],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996244,0.00021323648,0.000013585173,0.00004099344,0.00005195754,0.00005586492],"domain_scores_gemma":[0.9995054,0.00023983583,0.000065493914,0.00003423345,0.000074303556,0.00008063713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009795747,0.000985427,0.0006267862,0.0019379412,0.002224154,0.006862991,0.000996801,0.002118132,0.0111849485],"category_scores_gemma":[0.0014383395,0.0002665188,0.00037891377,0.003815873,0.0070763114,0.009030706,0.002257552,0.002020196,0.0011857976],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007102739,0.00003695925,0.0012808625,0.0007428938,0.000029152643,0.00024690802,0.029136315,0.00016378099,0.0002207627,0.1627068,0.71246266,0.092901856],"study_design_scores_gemma":[0.000009417713,0.000021921536,0.004607233,0.0012510734,0.000016717504,0.0003228743,0.022712976,0.00011371349,0.00015365305,0.060713623,0.91006047,0.00001637539],"about_ca_topic_score_codex":0.014698447,"about_ca_topic_score_gemma":0.032450505,"teacher_disagreement_score":0.014698447,"about_ca_system_score_codex":0.004600532,"about_ca_system_score_gemma":0.0021128624,"threshold_uncertainty_score":0.03741741},"labels":[],"label_agreement":null},{"id":"W2557540430","doi":"10.1086/690380","title":": <i>King John (Mis)Remembered: The Dunmow Chronicle, the Lord Admiral’s Men, and the Formation of Cultural Memory</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Performance art; Content (measure theory); Psychology; Art history; Art; Media studies; Sociology; Mathematics","score_opus":0.02033548249891303,"score_gpt":0.21589386486544038,"score_spread":0.19555838236652734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557540430","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13395585,0.07222351,0.00048225434,0.40726346,0.008221049,0.000028790171,0.00041349916,0.000054423068,0.3773572],"genre_scores_gemma":[0.751225,0.023824098,0.00025664154,0.018819451,0.0017209186,0.000026011498,0.00013381575,0.000084861815,0.20390922],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996456,0.00016157686,0.000013780069,0.000029660023,0.000066813125,0.00008254467],"domain_scores_gemma":[0.99905485,0.000377697,0.00012782248,0.000038667225,0.00018304311,0.00021799291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009235286,0.00023602167,0.00018784952,0.0006034833,0.012160143,0.0068660663,0.000461581,0.0016650013,0.0124523565],"category_scores_gemma":[0.0029297932,0.00018871897,0.00009273046,0.0013636838,0.007697311,0.004964482,0.0018184165,0.002724134,0.0010880034],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004385079,0.000014507226,0.0038086423,0.00027777036,0.000008444456,0.0006849707,0.42044505,0.000035331268,0.000283342,0.06435999,0.48866972,0.021368377],"study_design_scores_gemma":[0.0000037589468,0.000011536597,0.008651323,0.0004544879,0.000007660204,0.00041486704,0.3134143,0.000016157634,0.0002876365,0.001920286,0.6747982,0.000019769466],"about_ca_topic_score_codex":0.27704903,"about_ca_topic_score_gemma":0.62793684,"teacher_disagreement_score":0.27704903,"about_ca_system_score_codex":0.0055739065,"about_ca_system_score_gemma":0.0039543556,"threshold_uncertainty_score":0.55087286},"labels":[],"label_agreement":null},{"id":"W2557660409","doi":"10.1086/690402","title":": <i>The Reformation of Suffering: Pastoral Theology and Lay Piety in Late Medieval and Early Modern Germany</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Piety; Theology; History; Pastoral theology; Classics; Religious studies; Philosophy","score_opus":0.014877047241184141,"score_gpt":0.21475295395942995,"score_spread":0.19987590671824582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557660409","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013354506,0.77105576,0.00043058515,0.16010708,0.0062590376,0.000010464861,0.00013809133,0.000030364681,0.048614092],"genre_scores_gemma":[0.50890976,0.36290467,0.00072996557,0.020497315,0.014724723,0.00004333236,0.000248609,0.00006616211,0.091875434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981195,0.00009087473,0.000007691492,0.00001988199,0.00003623289,0.00003334841],"domain_scores_gemma":[0.9997609,0.00012649193,0.000043199627,0.000013024938,0.000022268565,0.000034183468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063683634,0.00052296626,0.00026273986,0.00083384704,0.0014454218,0.002517466,0.0003924634,0.0011894278,0.0068814796],"category_scores_gemma":[0.00092762004,0.00016108112,0.00015567656,0.001494811,0.0041012065,0.005150436,0.0013510404,0.0013125665,0.00089925877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010267385,0.00003565651,0.0015235413,0.0006265503,0.000022566976,0.00015759586,0.022178518,0.00016560238,0.00031132228,0.1736981,0.71127445,0.089903496],"study_design_scores_gemma":[0.000016331089,0.00003974422,0.01476556,0.0013916838,0.000023790346,0.00043708913,0.021380858,0.00016140266,0.0004761165,0.04950804,0.9117687,0.00003065416],"about_ca_topic_score_codex":0.006475032,"about_ca_topic_score_gemma":0.017251223,"teacher_disagreement_score":0.0068814796,"about_ca_system_score_codex":0.0017271364,"about_ca_system_score_gemma":0.00075786794,"threshold_uncertainty_score":0.023020804},"labels":[],"label_agreement":null},{"id":"W2557960556","doi":"10.1086/690346","title":": <i>Gothic Wonder: Art, Artifice and the Decorated Style 1290–1350</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Haven; Wonder; Style (visual arts); Art; Art history; Safe haven; Content (measure theory); Visual arts; Philosophy; Economics; Epistemology; Mathematics","score_opus":0.010958846613867748,"score_gpt":0.1874884456504621,"score_spread":0.17652959903659435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557960556","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017782558,0.020591907,0.0005621268,0.03196748,0.005033868,0.00001300415,0.0003466262,0.000099639125,0.92360276],"genre_scores_gemma":[0.53918004,0.011844882,0.00076907437,0.007362354,0.0046588145,0.000030893832,0.00033111122,0.00033053005,0.43549234],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983215,0.00007018895,0.0000071133945,0.000021842658,0.000043595857,0.000025027688],"domain_scores_gemma":[0.9998692,0.00005205072,0.000018766534,0.000016391516,0.000019661906,0.000023969638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032980635,0.0002942653,0.000112053596,0.0006823673,0.0022181335,0.0030106383,0.00021366314,0.0006749208,0.017578052],"category_scores_gemma":[0.00069482374,0.000094316805,0.000115859126,0.00103799,0.0035673568,0.0015876421,0.00110268,0.001313463,0.002602882],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088122906,0.000019178835,0.0017937873,0.00033924112,0.000008295669,0.00035405473,0.053856067,0.00006684808,0.00053184415,0.25663826,0.625615,0.06068937],"study_design_scores_gemma":[0.0000033415943,0.000009173112,0.0057689,0.00020612132,0.0000030938015,0.0003536786,0.008792438,0.000016097747,0.00018115235,0.0031608692,0.9814982,0.0000069749426],"about_ca_topic_score_codex":0.0075221886,"about_ca_topic_score_gemma":0.030259967,"teacher_disagreement_score":0.017578052,"about_ca_system_score_codex":0.001100798,"about_ca_system_score_gemma":0.00041925604,"threshold_uncertainty_score":0.058804512},"labels":[],"label_agreement":null},{"id":"W2558318053","doi":"10.1086/690395","title":": <i>The Senses in Early Modern England, 1558–1660</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"","keywords":"Watson; History; Art history; Psychoanalysis; Sociology; Art; Psychology; Computer science; Artificial intelligence","score_opus":0.012228653576684309,"score_gpt":0.19857706812115705,"score_spread":0.18634841454447273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558318053","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5874844,0.060825657,0.0005697942,0.029388422,0.00087680743,0.00002534872,0.0024554995,0.000039730898,0.3183342],"genre_scores_gemma":[0.9254606,0.00628852,0.00014421922,0.0010920891,0.00016549203,0.000022166229,0.0002546457,0.000029174525,0.0665432],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997346,0.000090045236,0.000021023028,0.00004174812,0.000035487137,0.00007712275],"domain_scores_gemma":[0.9995969,0.00014594954,0.00009565848,0.00001787905,0.00008087889,0.000062692074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005895455,0.000153911,0.00016020205,0.0009821604,0.0023978848,0.0022990918,0.0003097591,0.00051921356,0.0152751785],"category_scores_gemma":[0.0013876957,0.00015883177,0.00008369397,0.0017133655,0.0034243735,0.003466061,0.0018713546,0.0011955382,0.0013469214],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015752026,0.000021065669,0.015581783,0.0005441526,0.000013104356,0.0005519566,0.81125265,0.000051264687,0.0006799384,0.09560113,0.037235912,0.038309474],"study_design_scores_gemma":[0.000016356975,0.000037274327,0.11410301,0.00083099114,0.000012137355,0.00037640854,0.2597603,0.000016120071,0.00027716454,0.0035713448,0.620975,0.000023879125],"about_ca_topic_score_codex":0.16876417,"about_ca_topic_score_gemma":0.40034813,"teacher_disagreement_score":0.16876417,"about_ca_system_score_codex":0.0043598083,"about_ca_system_score_gemma":0.0015371302,"threshold_uncertainty_score":0.33556372},"labels":[],"label_agreement":null},{"id":"W2558504334","doi":"10.1086/690401","title":": <i>Margaret Van Noort: Spiritual Writings of Sister Margaret of the Mother of God (1635–1643)</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sister; Renaissance studies; The Renaissance; Classics; Art; Tempe; Early modern Europe; Theology; Center (category theory); History; Religious studies; Art history; Philosophy; Sociology; Anthropology; Medicine; Chemistry","score_opus":0.019143008486058603,"score_gpt":0.2150616342475794,"score_spread":0.1959186257615208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558504334","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010362693,0.7094162,0.00042057355,0.11724673,0.024513043,0.000028677492,0.00038244386,0.00005888202,0.13757084],"genre_scores_gemma":[0.26128727,0.26186857,0.0010268298,0.038560145,0.01561477,0.00011252491,0.000612376,0.0003397754,0.42057765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996325,0.00015698043,0.000017948247,0.000048460683,0.0001029118,0.000041065963],"domain_scores_gemma":[0.9996642,0.00011417512,0.00006198844,0.0000124450235,0.00007352049,0.0000737061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006627318,0.00061874825,0.00033826163,0.00093237485,0.003705038,0.0018533787,0.0007144116,0.0013747357,0.013889148],"category_scores_gemma":[0.001510761,0.00024908618,0.0001590905,0.0014267993,0.002487663,0.0030236752,0.0018799807,0.0022853578,0.0030233688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037301565,0.000009340692,0.00042372203,0.0003454516,0.000006817822,0.00034759918,0.037852447,0.00002249346,0.0002695173,0.016395586,0.9173216,0.026968153],"study_design_scores_gemma":[0.0000037514737,0.0000060995244,0.0017420562,0.00051950495,0.0000031212385,0.00027621855,0.0116176475,0.000009467097,0.00015595427,0.0008659559,0.98479295,0.0000072393455],"about_ca_topic_score_codex":0.04581104,"about_ca_topic_score_gemma":0.120758414,"teacher_disagreement_score":0.04581104,"about_ca_system_score_codex":0.0028748168,"about_ca_system_score_gemma":0.0018284606,"threshold_uncertainty_score":0.09108877},"labels":[],"label_agreement":null},{"id":"W2558642102","doi":"10.1086/690322","title":": <i>Andreae Alciati Contra Vitam Monasticam Epistula / Andrea Alciato’s Letter against Monastic Life</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.018975284387373448,"score_gpt":0.20937933581220924,"score_spread":0.1904040514248358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558642102","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010345473,0.34993652,0.00070843793,0.3872231,0.10491151,0.000039058992,0.00046352038,0.00023539441,0.15544799],"genre_scores_gemma":[0.01922557,0.08680031,0.0007615492,0.106890716,0.036794078,0.000088067995,0.00048272312,0.00048568816,0.7484714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903715,0.0003339626,0.000050496506,0.00014512699,0.00031699287,0.00011627623],"domain_scores_gemma":[0.99895203,0.00044260506,0.00013457693,0.000044152872,0.00026708975,0.00015952064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001122678,0.0012496492,0.00064491463,0.00082142884,0.0025474594,0.003853465,0.0009034924,0.0036063367,0.06652944],"category_scores_gemma":[0.0039535463,0.00036993544,0.00038669363,0.0012546268,0.0016251055,0.0045453585,0.0021782853,0.0043505332,0.037378978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000119017395,0.0000024827184,0.0000262874,0.000046413537,0.0000012741704,0.000021324597,0.0001346904,0.0000058603896,0.00003322528,0.0014736532,0.99102473,0.007218075],"study_design_scores_gemma":[0.0000030441554,0.0000033915408,0.00030887162,0.0001476682,0.0000011688625,0.00009619286,0.0003779655,0.000013553697,0.000059037742,0.00063108077,0.99835217,0.000005961793],"about_ca_topic_score_codex":0.008816199,"about_ca_topic_score_gemma":0.016656196,"teacher_disagreement_score":0.06652944,"about_ca_system_score_codex":0.00184063,"about_ca_system_score_gemma":0.0014373179,"threshold_uncertainty_score":0.22256315},"labels":[],"label_agreement":null},{"id":"W2558840120","doi":"10.1086/690426","title":": <i>Tragedy and Trauma in the Plays of Christopher Marlowe</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Medicine Hat College","funders":"","keywords":"Tragedy (event); Drama; Literature; History; Performance art; Art; Art history","score_opus":0.022178430814006438,"score_gpt":0.2183868874376662,"score_spread":0.19620845662365977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2558840120","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040628195,0.047163647,0.0009531078,0.50404793,0.012187924,0.00003698216,0.00015112231,0.00009001852,0.394741],"genre_scores_gemma":[0.61746246,0.021034993,0.0006776354,0.073321365,0.0048369966,0.00009038258,0.000076919794,0.00035025657,0.28214893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988971,0.0006037802,0.000019735135,0.00009895046,0.00024013761,0.00014026955],"domain_scores_gemma":[0.9983918,0.00088581967,0.00014711924,0.000053579977,0.0002680627,0.0002535869],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015233757,0.00059431395,0.000335213,0.0007813374,0.015224511,0.0055826246,0.00084563653,0.0031295354,0.0076899836],"category_scores_gemma":[0.005984186,0.00024574666,0.0001765676,0.00095252704,0.011182486,0.004807911,0.003080841,0.0069003734,0.0013955362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004519731,0.00001235145,0.00054720993,0.00016971516,0.00000935865,0.0008106972,0.14530425,0.000081748774,0.00026858025,0.09711121,0.7455205,0.010119205],"study_design_scores_gemma":[0.0000043131354,0.000013313918,0.0020095292,0.0006740955,0.000007890749,0.0011755511,0.114307664,0.000060024642,0.0003325605,0.007331677,0.8740568,0.00002653527],"about_ca_topic_score_codex":0.044835724,"about_ca_topic_score_gemma":0.13124344,"teacher_disagreement_score":0.044835724,"about_ca_system_score_codex":0.004409475,"about_ca_system_score_gemma":0.00270108,"threshold_uncertainty_score":0.089149475},"labels":[],"label_agreement":null},{"id":"W2559253497","doi":"10.1086/690428","title":": <i>Reading Humility in Early Modern England</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Humility; Reading (process); History; Religious studies; Media studies; Art history; Theology; Sociology; Political science; Philosophy; Law","score_opus":0.025436200947660144,"score_gpt":0.21423109687242617,"score_spread":0.18879489592476603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559253497","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5067561,0.03040116,0.0007589519,0.16012277,0.0027237819,0.000030900304,0.0022024668,0.00010671932,0.29689705],"genre_scores_gemma":[0.88668036,0.003945462,0.00012448666,0.0041705044,0.0005072697,0.0000150248015,0.0002179363,0.000059072845,0.10427977],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996018,0.00016616937,0.000019093894,0.000048325313,0.000071328024,0.00009334521],"domain_scores_gemma":[0.9988238,0.00060113735,0.00015421002,0.000049115526,0.00020908835,0.00016257796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076380814,0.00012540577,0.00020924488,0.0008785759,0.0027719974,0.0021743877,0.00024434298,0.00091070356,0.027371932],"category_scores_gemma":[0.0029752534,0.00012894563,0.00007894245,0.0012798663,0.0035365985,0.0030173569,0.0013072093,0.0013246515,0.0020380954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089334244,0.000024239223,0.011744809,0.00043977305,0.000008271666,0.00079052255,0.68018466,0.00004769494,0.00053715945,0.058793563,0.20285268,0.04448737],"study_design_scores_gemma":[0.000010696037,0.00005182642,0.12033231,0.0007411084,0.0000077327295,0.000640869,0.1858871,0.000036099747,0.00043400849,0.0060349344,0.6857929,0.000030427283],"about_ca_topic_score_codex":0.08958279,"about_ca_topic_score_gemma":0.22314338,"teacher_disagreement_score":0.08958279,"about_ca_system_score_codex":0.0038855835,"about_ca_system_score_gemma":0.0011914916,"threshold_uncertainty_score":0.17812276},"labels":[],"label_agreement":null},{"id":"W2559364658","doi":"10.1086/690375","title":": <i>Louis XI</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"History; Art; Humanities","score_opus":0.019085748713419726,"score_gpt":0.20790870863440866,"score_spread":0.18882295992098894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559364658","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016446983,0.0059538092,0.00084942975,0.02450333,0.011865025,0.00012496478,0.007931318,0.0017273414,0.9454001],"genre_scores_gemma":[0.003463555,0.0014157308,0.00015337943,0.0017382976,0.00044125717,0.00003409314,0.000945137,0.00034460743,0.99146396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997539,0.00003440067,0.000011636003,0.00006498973,0.000079820806,0.000055186323],"domain_scores_gemma":[0.9995369,0.000056023815,0.000043130225,0.00003409,0.0002381422,0.000091748974],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003944363,0.00086481374,0.00052960264,0.0010313592,0.0026699037,0.003038504,0.0005202978,0.0012128806,0.5884354],"category_scores_gemma":[0.001275848,0.00026673486,0.00025552043,0.0015491717,0.0005147809,0.0014508968,0.0015308959,0.0021821859,0.42153004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016084514,0.000004763451,0.00017191506,0.00005033897,0.0000017491549,0.000046436566,0.00008936911,0.00001232751,0.00017517008,0.002323089,0.9869175,0.010191369],"study_design_scores_gemma":[0.0000014277883,0.0000020877355,0.0005076019,0.00004879693,7.107756e-7,0.000019897965,0.00011668971,0.000009707469,0.00016027418,0.00015656561,0.9989735,0.0000028335392],"about_ca_topic_score_codex":0.034641612,"about_ca_topic_score_gemma":0.0808616,"teacher_disagreement_score":0.5884354,"about_ca_system_score_codex":0.002186914,"about_ca_system_score_gemma":0.001266559,"threshold_uncertainty_score":0.5870469},"labels":[],"label_agreement":null},{"id":"W258567491","doi":"10.1353/ren.2008.0151","title":"Drawing Christ’s Blood: Michelangelo, Vittoria Colonna, and the Aesthetics of Reform","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; Poetry; Art history; White (mutation); Relation (database); Literature; Chemistry; Computer science","score_opus":0.011837075000992578,"score_gpt":0.20456458444129225,"score_spread":0.19272750944029968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W258567491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26036394,0.013585367,0.005573371,0.07021809,0.0011963934,0.000043453336,0.000034732282,0.00014459851,0.64884],"genre_scores_gemma":[0.97456056,0.0007097577,0.00069065177,0.0008975768,0.00009262235,0.000014153822,0.00000457181,0.00003573676,0.022994427],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893004,0.0007461328,0.0000071428126,0.00007225097,0.00010719478,0.00013725819],"domain_scores_gemma":[0.9994742,0.00027341917,0.000068925474,0.00004740699,0.000048822323,0.000087199456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001095584,0.00025549094,0.00013226905,0.0006121866,0.0055462606,0.0037834065,0.00040796513,0.0010062616,0.002876389],"category_scores_gemma":[0.002616765,0.0001236431,0.00009785471,0.00045979588,0.020753166,0.0018465654,0.0020184538,0.0019530468,0.00019197748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006253644,0.000013949176,0.0004945861,0.00006901159,0.000004852621,0.00038409146,0.23669507,0.00022667555,0.0006105206,0.7243585,0.02049496,0.0165853],"study_design_scores_gemma":[0.000023248884,0.000047221827,0.0013332111,0.0001525552,0.000009061957,0.00047748853,0.08977924,0.00032832695,0.0007968384,0.04549088,0.8615295,0.000032387095],"about_ca_topic_score_codex":0.015615853,"about_ca_topic_score_gemma":0.034541003,"teacher_disagreement_score":0.015615853,"about_ca_system_score_codex":0.0046829022,"about_ca_system_score_gemma":0.0017079578,"threshold_uncertainty_score":0.033976972},"labels":[],"label_agreement":null},{"id":"W2591930335","doi":"10.1086/691953","title":": <i>Shakespeare and Ecology</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Content (measure theory); Media studies; Art history; Ecology; History; Sociology; Biology; Mathematics","score_opus":0.025018628285740963,"score_gpt":0.22905052700766385,"score_spread":0.20403189872192287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591930335","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025452306,0.14395489,0.0018795287,0.19414245,0.014757958,0.000019359566,0.00071535516,0.00019696672,0.6417882],"genre_scores_gemma":[0.11150097,0.08705834,0.0016061148,0.030318685,0.008643439,0.000061700775,0.0006680877,0.0005596703,0.7595829],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99956816,0.00016465198,0.00002065946,0.000050346058,0.00014686842,0.000049346385],"domain_scores_gemma":[0.99948126,0.00020267973,0.000041989068,0.000043931497,0.00014797019,0.00008225436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006848308,0.00056361675,0.00026563293,0.0015439418,0.0037970322,0.0053495215,0.0004926966,0.0018369919,0.047455687],"category_scores_gemma":[0.0019170283,0.0002057424,0.00015443449,0.0028844953,0.003724551,0.0054974128,0.0016685582,0.0021834935,0.014939048],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001008439,0.000004559579,0.00027544695,0.00015109638,0.0000034608208,0.00005016611,0.0034633388,0.0000140533875,0.000100734855,0.06941603,0.90523285,0.021278113],"study_design_scores_gemma":[0.0000012058374,0.0000016198733,0.0009051202,0.00023128741,0.0000014281242,0.000048532194,0.0015892416,0.0000065573663,0.000063972206,0.0043732724,0.99277425,0.0000033961207],"about_ca_topic_score_codex":0.027734915,"about_ca_topic_score_gemma":0.09184102,"teacher_disagreement_score":0.047455687,"about_ca_system_score_codex":0.0024322083,"about_ca_system_score_gemma":0.0021971632,"threshold_uncertainty_score":0.15875512},"labels":[],"label_agreement":null},{"id":"W2591997949","doi":"10.1086/691938","title":": <i>Selected Drama and Verse</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Cultural Studies of Poland","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; The Renaissance; Renaissance studies; History; Classics; Art; Art history; Literature","score_opus":0.02213763837612933,"score_gpt":0.22100892189683619,"score_spread":0.19887128352070685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591997949","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035439748,0.3530739,0.0019812696,0.024895927,0.020759737,0.00008592854,0.0031618685,0.0005278983,0.59196943],"genre_scores_gemma":[0.054529645,0.121821545,0.0016031415,0.005148946,0.009581702,0.00017379067,0.0036350808,0.00090986886,0.8025964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969137,0.00011335593,0.000018794211,0.00004135115,0.000080464146,0.000054670316],"domain_scores_gemma":[0.9997242,0.00006413646,0.000037861053,0.000028601464,0.000081509315,0.00006363474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003908195,0.00147561,0.0004907353,0.0018401359,0.0018060645,0.0041518607,0.0006757707,0.0007489524,0.087908246],"category_scores_gemma":[0.0012571472,0.00035164857,0.00035386594,0.0032320067,0.0011721886,0.0035102589,0.0022055358,0.0014606453,0.039969597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029025601,0.000008030961,0.00010485578,0.000244884,0.000005170626,0.00005519739,0.0011881333,0.000025287263,0.00032579366,0.005027213,0.95101625,0.0419702],"study_design_scores_gemma":[0.0000014476198,0.0000035180333,0.00062977464,0.00020648718,0.0000020704028,0.000057232286,0.0008190762,0.000009235202,0.00013248833,0.0004298993,0.9977055,0.0000031832226],"about_ca_topic_score_codex":0.00846687,"about_ca_topic_score_gemma":0.018831082,"teacher_disagreement_score":0.087908246,"about_ca_system_score_codex":0.0017474265,"about_ca_system_score_gemma":0.0009244468,"threshold_uncertainty_score":0.29408234},"labels":[],"label_agreement":null},{"id":"W2592062866","doi":"10.1086/691945","title":": <i>Autour du “Dictionarie of the French and English Tongues” de Randle Cotgrave (1611)</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Champion; Art; Honor; Art history; History; Archaeology; Computer science","score_opus":0.011243099536779728,"score_gpt":0.20822069211143984,"score_spread":0.1969775925746601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592062866","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025029124,0.6143577,0.0029611741,0.069065504,0.030786809,0.00005106549,0.003238592,0.00035843722,0.27667782],"genre_scores_gemma":[0.046078276,0.21018693,0.004480877,0.014585147,0.0111003565,0.0001341793,0.0043532243,0.001331004,0.70775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987741,0.00036266336,0.00008063987,0.00016976337,0.0004930815,0.00011978133],"domain_scores_gemma":[0.9985055,0.00053269614,0.00015387798,0.0001051333,0.0005622828,0.00014048211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010933502,0.001045107,0.0007551329,0.0028876993,0.0020956865,0.0055955523,0.0007915866,0.0015358676,0.07843381],"category_scores_gemma":[0.003244091,0.00047290468,0.00025949697,0.0051643495,0.002002671,0.0057867966,0.0018444809,0.002261974,0.04005644],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031682877,0.0000045562833,0.00019668641,0.00019192141,0.0000034522798,0.000045145207,0.00079807837,0.000020051471,0.00014877907,0.009970873,0.92009246,0.06849638],"study_design_scores_gemma":[0.0000025959323,0.0000032986727,0.00080985687,0.0003091531,0.0000010688061,0.00010523634,0.0003827732,0.000012996483,0.0001439177,0.0010376206,0.9971848,0.0000065509284],"about_ca_topic_score_codex":0.04925503,"about_ca_topic_score_gemma":0.06815809,"teacher_disagreement_score":0.07843381,"about_ca_system_score_codex":0.0038780204,"about_ca_system_score_gemma":0.003046909,"threshold_uncertainty_score":0.26238722},"labels":[],"label_agreement":null},{"id":"W2592370887","doi":"10.1086/691948","title":": <i>The Civic Cycles: Artisan Drama and Identity in Premodern England</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Drama; Identity (music); History; Media studies; Art; Art history; Classics; Sociology; Literature","score_opus":0.019912755732311774,"score_gpt":0.2629985379871621,"score_spread":0.24308578225485034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592370887","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017566018,0.5236662,0.00037477855,0.24207647,0.010320789,0.00002500439,0.00046436544,0.00008260539,0.20542377],"genre_scores_gemma":[0.37140998,0.15901075,0.0005455502,0.029887727,0.008098377,0.00007774378,0.00047943598,0.00018835971,0.43030202],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997409,0.00010567668,0.000010069079,0.000027277438,0.00005697926,0.000059164136],"domain_scores_gemma":[0.99964225,0.00014966028,0.000049847553,0.000018319519,0.000055878914,0.00008409261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005203161,0.00041543736,0.00026764072,0.0006404772,0.003246272,0.0047185104,0.000518772,0.0011263834,0.022163294],"category_scores_gemma":[0.0010821471,0.00023194501,0.000116475785,0.0014914584,0.0029033525,0.005032846,0.002077988,0.0016121968,0.0027170067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034330787,0.000015388478,0.0009368345,0.00028305806,0.000004699267,0.0001284452,0.027946865,0.000021530379,0.00010508858,0.02626731,0.9142018,0.030054709],"study_design_scores_gemma":[0.0000039364977,0.000009148424,0.0045012524,0.00045554998,0.0000039589054,0.00012167088,0.020436438,0.000014920834,0.00009949599,0.0027500335,0.97159684,0.0000067650817],"about_ca_topic_score_codex":0.038790233,"about_ca_topic_score_gemma":0.13570508,"teacher_disagreement_score":0.038790233,"about_ca_system_score_codex":0.0026442797,"about_ca_system_score_gemma":0.0012796834,"threshold_uncertainty_score":0.07712889},"labels":[],"label_agreement":null},{"id":"W259248882","doi":"10.1353/ren.2008.0287","title":": <i>The Early Modern Corpse and Shakespeare’s Theatre</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Index (typography); Art; Media studies; Sociology; Computer science; World Wide Web","score_opus":0.010127806694336418,"score_gpt":0.18738483815801318,"score_spread":0.17725703146367677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W259248882","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023476426,0.029661788,0.001972399,0.056525595,0.007034184,0.000027232374,0.0003397557,0.00008971642,0.8808729],"genre_scores_gemma":[0.4937644,0.011952103,0.00092274597,0.008520708,0.002365459,0.000034488487,0.00023519677,0.00017211106,0.48203272],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957913,0.00016519577,0.000017262175,0.000056804794,0.00010696604,0.00007455756],"domain_scores_gemma":[0.9996681,0.00011932871,0.00004525511,0.00003312324,0.00007777392,0.000056372377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007070178,0.00039731915,0.00013784798,0.0006329767,0.0050479546,0.0038488698,0.00039531055,0.0013862302,0.021479916],"category_scores_gemma":[0.0015539016,0.00017689823,0.00014747225,0.0011273806,0.0053431317,0.003337394,0.0015664375,0.0022524386,0.003196376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000593146,0.000014641629,0.00085646147,0.00027092494,0.0000067559113,0.0003489023,0.07609851,0.000049541435,0.0004898236,0.43070605,0.4633201,0.027778888],"study_design_scores_gemma":[0.0000032583757,0.000013145802,0.001899349,0.00022800494,0.0000032611424,0.00030379053,0.01575125,0.000020173155,0.00034846467,0.005744879,0.97567636,0.000008117537],"about_ca_topic_score_codex":0.026909115,"about_ca_topic_score_gemma":0.072070144,"teacher_disagreement_score":0.026909115,"about_ca_system_score_codex":0.00204203,"about_ca_system_score_gemma":0.001138449,"threshold_uncertainty_score":0.07185745},"labels":[],"label_agreement":null},{"id":"W2592739526","doi":"10.1086/691839","title":": <i>The “Commentaries” of Pope Pius II (1458–1464) and the Crisis of the Fifteenth-Century Papacy</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fifteenth; History; Ancient history; Economic history; Theology; Philosophy","score_opus":0.01583575816128272,"score_gpt":0.22192762673685312,"score_spread":0.2060918685755704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592739526","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029048533,0.11405518,0.00027465247,0.7472304,0.051674645,0.000049390317,0.0014883801,0.00007002128,0.08225254],"genre_scores_gemma":[0.08957446,0.049301278,0.00048190673,0.40799987,0.07799027,0.00035764262,0.00109936,0.0006362625,0.372559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987206,0.00042847093,0.00006458082,0.0002104988,0.00038686206,0.00018902167],"domain_scores_gemma":[0.99582446,0.0022659863,0.0005125526,0.00013276534,0.0008990763,0.00036504347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002049493,0.001206473,0.00047358585,0.0013908307,0.006874027,0.0045311195,0.0016141897,0.007727103,0.021989455],"category_scores_gemma":[0.009542908,0.00045319286,0.00031302738,0.0028646772,0.006116305,0.006760175,0.003669302,0.008186675,0.0059518367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019217692,0.000002743371,0.00014628342,0.00010554108,0.0000018585534,0.00004803399,0.0020206354,0.000011927553,0.00003441541,0.004687332,0.99119943,0.0017224954],"study_design_scores_gemma":[0.0000072633848,0.0000037939406,0.0016665781,0.00035481414,0.000002738859,0.000041942403,0.003701037,0.000014327785,0.00010719248,0.0013350437,0.992747,0.000018398046],"about_ca_topic_score_codex":0.062594846,"about_ca_topic_score_gemma":0.116506696,"teacher_disagreement_score":0.062594846,"about_ca_system_score_codex":0.0048269173,"about_ca_system_score_gemma":0.0034141208,"threshold_uncertainty_score":0.124460995},"labels":[],"label_agreement":null},{"id":"W2592949400","doi":"10.1086/691937","title":": <i>Challenges to Traditional Authority: Plays by French Women Authors, 1650–1700</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pascal (unit); The Renaissance; Renaissance studies; Art; Art history; Classics; History","score_opus":0.07193508062320644,"score_gpt":0.26016607547010234,"score_spread":0.1882309948468959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592949400","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082890324,0.59658825,0.0006238649,0.09268475,0.003574712,0.00001991944,0.00035163725,0.00010245893,0.22316407],"genre_scores_gemma":[0.8396175,0.057822242,0.00040016862,0.0063410955,0.0025479482,0.000042587653,0.00012406113,0.00010388496,0.093000524],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838734,0.00087363773,0.00004401099,0.00013974051,0.00023796246,0.0003173706],"domain_scores_gemma":[0.9989792,0.0005017891,0.00016990029,0.000023245693,0.00019807061,0.00012780011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023099654,0.00076790206,0.00032111432,0.0021886637,0.0084311245,0.008218609,0.0006907459,0.0022196209,0.007795072],"category_scores_gemma":[0.0024569456,0.00023254797,0.00025602325,0.0025534893,0.009429517,0.005291321,0.0014425005,0.0014574898,0.0012649026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020150414,0.000033589113,0.0041900794,0.0005188877,0.000031761494,0.0010259427,0.5566853,0.000101738326,0.0005631262,0.12319279,0.23099856,0.08245669],"study_design_scores_gemma":[0.0000067082124,0.00002891784,0.006934725,0.0006308391,0.000010927335,0.00047621725,0.09931376,0.000021251788,0.00029489395,0.0022935313,0.8899649,0.000023323679],"about_ca_topic_score_codex":0.18869343,"about_ca_topic_score_gemma":0.2819842,"teacher_disagreement_score":0.18869343,"about_ca_system_score_codex":0.014988804,"about_ca_system_score_gemma":0.005447203,"threshold_uncertainty_score":0.37519026},"labels":[],"label_agreement":null},{"id":"W2593221376","doi":"10.1086/691946","title":": <i>Knights in Arms: Prose Romance, Masculinity, and Eastern Mediterranean Trade in Early Modern England, 1565–1655</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Göran; Masculinity; Romance; History; Mediterranean climate; Media studies; Art; Humanities; Gender studies; Sociology; Literature; Archaeology","score_opus":0.03529832744782846,"score_gpt":0.24676398954516857,"score_spread":0.2114656620973401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593221376","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016831217,0.86591446,0.0001532086,0.046322256,0.0042982493,0.000009535386,0.0004512466,0.000023528799,0.065996274],"genre_scores_gemma":[0.3826345,0.39323992,0.0004725667,0.008614509,0.009646127,0.00004545863,0.000748136,0.00008457792,0.20451416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998223,0.00007508545,0.000011661306,0.000022121445,0.000034660618,0.00003408751],"domain_scores_gemma":[0.9997658,0.000104649305,0.000047093225,0.000010381744,0.000034335855,0.00003772304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005017419,0.0004449041,0.00032782424,0.00095746625,0.0013970215,0.0016091733,0.0004067214,0.0006669028,0.011585508],"category_scores_gemma":[0.00067643216,0.00016850037,0.000107264226,0.0021266767,0.0023203858,0.0023083976,0.0012492423,0.000963989,0.0017696477],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014120775,0.00002419949,0.00561664,0.00080527575,0.000021088981,0.00031309464,0.047860257,0.000106923144,0.0002240311,0.046237435,0.8216211,0.07702874],"study_design_scores_gemma":[0.00000937532,0.00002155463,0.030071527,0.0009149721,0.000009425667,0.0002551167,0.019796344,0.000024023693,0.00012398878,0.0031170256,0.945643,0.000013758752],"about_ca_topic_score_codex":0.040016938,"about_ca_topic_score_gemma":0.12768345,"teacher_disagreement_score":0.040016938,"about_ca_system_score_codex":0.0019177062,"about_ca_system_score_gemma":0.0012237792,"threshold_uncertainty_score":0.07956803},"labels":[],"label_agreement":null},{"id":"W2593315328","doi":"10.1086/691914","title":": <i>Writings of Resistance</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; SAINT; Art; Resistance (ecology); Classics; Early modern Europe; Tempe; Art history; Humanities; Medicine","score_opus":0.031144685013081867,"score_gpt":0.24643704212264528,"score_spread":0.2152923571095634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593315328","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036039157,0.495603,0.0013066708,0.23124096,0.036212664,0.000027570699,0.000479549,0.00010322171,0.23142232],"genre_scores_gemma":[0.19262753,0.21602333,0.001880078,0.05985689,0.034945633,0.0001390247,0.00077593164,0.000546134,0.49320546],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849546,0.0007812686,0.000059183716,0.00015747278,0.00036718734,0.00013941166],"domain_scores_gemma":[0.9985777,0.00054902444,0.0002056028,0.00011982198,0.0003755375,0.00017223656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015647694,0.0011989465,0.00046429955,0.0014674454,0.0040830933,0.005150282,0.0010448014,0.0019839269,0.017030494],"category_scores_gemma":[0.0051073483,0.00034085233,0.00035155672,0.0019203073,0.0071959025,0.0054229656,0.0019281235,0.00405092,0.0050976677],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020105563,0.00000887757,0.00011161956,0.00019533877,0.0000061261394,0.00006601803,0.009486121,0.000024810179,0.00012166442,0.039951243,0.931462,0.018546034],"study_design_scores_gemma":[0.0000024111866,0.000004701205,0.00038196146,0.00040413393,0.0000021563912,0.00008781311,0.0033260784,0.000010281575,0.0000909991,0.0031270206,0.99255764,0.0000047850754],"about_ca_topic_score_codex":0.012031756,"about_ca_topic_score_gemma":0.017528303,"teacher_disagreement_score":0.017030494,"about_ca_system_score_codex":0.0035588243,"about_ca_system_score_gemma":0.00241755,"threshold_uncertainty_score":0.056972742},"labels":[],"label_agreement":null},{"id":"W2593452440","doi":"10.1086/691878","title":": <i>Merchant Writers: Florentine Memoirs from the Middle Ages and Renaissance</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; The Renaissance; Art; Art history; Classics","score_opus":0.08404721217257612,"score_gpt":0.2504479202617932,"score_spread":0.1664007080892171,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2593452440","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009777233,0.71114004,0.0002799671,0.13865732,0.011524487,0.000012045007,0.00038709017,0.000054211658,0.12816761],"genre_scores_gemma":[0.3265549,0.28097534,0.0005895963,0.02558098,0.022401249,0.000070635484,0.00031218343,0.00027261174,0.34324256],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994997,0.00020063567,0.000022399898,0.00007963667,0.00011299553,0.00008467713],"domain_scores_gemma":[0.99936694,0.00027946365,0.00010498664,0.000032840504,0.000102420425,0.00011341136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011937204,0.0012432301,0.0003948552,0.0020532247,0.0059762043,0.0047701555,0.00087263604,0.002335446,0.015951866],"category_scores_gemma":[0.0018928347,0.00038211266,0.00024686096,0.0038997927,0.005790927,0.0057502845,0.0017392277,0.0022037348,0.0031637256],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008652403,0.000015412907,0.000966421,0.0005364722,0.000009617944,0.00037048152,0.08748086,0.000032633354,0.00023416964,0.0526192,0.8282704,0.029377831],"study_design_scores_gemma":[0.000003142469,0.0000060079974,0.0019019729,0.00046627256,0.0000032446192,0.00014656465,0.011908772,0.000004064912,0.00009630533,0.0012860914,0.98417073,0.0000067569326],"about_ca_topic_score_codex":0.04518414,"about_ca_topic_score_gemma":0.099776156,"teacher_disagreement_score":0.04518414,"about_ca_system_score_codex":0.0042811893,"about_ca_system_score_gemma":0.0018229401,"threshold_uncertainty_score":0.08984226},"labels":[],"label_agreement":null},{"id":"W2594400342","doi":"10.1086/691846","title":": <i>Italian Academies and Their Networks, 1525–1700: From Local to Global</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Economic history; Political economy; Humanities; Art; Sociology","score_opus":0.025547655575267777,"score_gpt":0.24885280159697806,"score_spread":0.22330514602171028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594400342","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003804548,0.3826532,0.00029998677,0.30197382,0.011451406,0.000017555698,0.0023293602,0.00016067666,0.29730937],"genre_scores_gemma":[0.22864957,0.22957699,0.0011605731,0.062159058,0.03149689,0.00015339095,0.0035076165,0.00040794438,0.4428879],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9994962,0.0001416586,0.000020563151,0.0000668403,0.000129151,0.00014543856],"domain_scores_gemma":[0.9995307,0.00010872743,0.00010479406,0.000026738608,0.00009206911,0.0001370083],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000769128,0.0007373063,0.00022363056,0.001834328,0.0025823002,0.0066985306,0.0007104567,0.002049128,0.03174375],"category_scores_gemma":[0.0015828484,0.000315027,0.00023675553,0.006099776,0.0029571224,0.008355874,0.0017956028,0.0020946397,0.008925098],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013052957,0.0000042901956,0.0006955114,0.00013402107,0.000003135899,0.000029099056,0.00224631,0.000015764133,0.000024714875,0.02851851,0.95195115,0.016364383],"study_design_scores_gemma":[0.000002788838,0.0000029178425,0.0055133123,0.00025037394,0.0000029007015,0.000043182034,0.0012715216,0.000008598455,0.00002341126,0.0022510332,0.99062485,0.000005241808],"about_ca_topic_score_codex":0.06722984,"about_ca_topic_score_gemma":0.17011356,"teacher_disagreement_score":0.9974177,"about_ca_system_score_codex":0.0064071803,"about_ca_system_score_gemma":0.0042658616,"threshold_uncertainty_score":0.133677},"labels":[],"label_agreement":null},{"id":"W2594866701","doi":"10.1086/691838","title":": <i>Christine de Pizan in Bruges: “Le Livre de la Cité des Dames” as “Het Bouc van de Stede der Vrauwen.”</i>","year":2017,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.021674236908708996,"score_gpt":0.2747707273787056,"score_spread":0.2530964904699966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594866701","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027320674,0.28705725,0.00059890084,0.28828025,0.043992914,0.000048473277,0.0005621908,0.00019633569,0.37653163],"genre_scores_gemma":[0.05081206,0.12216534,0.0006377239,0.07387058,0.01621857,0.00013884898,0.00063622673,0.0007316461,0.734789],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992205,0.00025851277,0.000036278376,0.00011515673,0.00024631448,0.00012311066],"domain_scores_gemma":[0.9991084,0.0004539162,0.00009873344,0.000030825733,0.00017009526,0.00013799545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086993753,0.0010434794,0.00050111074,0.0014038533,0.004097325,0.005622294,0.0010000551,0.0038669398,0.0687882],"category_scores_gemma":[0.0034445783,0.0004492784,0.00023163385,0.0024006355,0.0030744472,0.008598301,0.0037718478,0.004489923,0.024044609],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001149269,0.0000034717714,0.00008575448,0.00011596849,0.0000014618271,0.000053128282,0.0027849008,0.000009004144,0.000046639732,0.0059494106,0.982464,0.008474802],"study_design_scores_gemma":[0.000002065026,0.0000024728183,0.000606672,0.00035435174,0.0000012092978,0.00008649413,0.0038477432,0.0000075634907,0.00006743168,0.00075737084,0.99425876,0.000007723037],"about_ca_topic_score_codex":0.036007885,"about_ca_topic_score_gemma":0.1028174,"teacher_disagreement_score":0.0687882,"about_ca_system_score_codex":0.0029339585,"about_ca_system_score_gemma":0.0023194829,"threshold_uncertainty_score":0.23011947},"labels":[],"label_agreement":null},{"id":"W2621467440","doi":"10.1086/693254","title":": <i>Kämpfen um Sold: Eine Alltags- und Sozialgeschichte schweizerischer Söldner in der Frühen Neuzeit</i>","year":2017,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities; Political science","score_opus":0.032129415125495504,"score_gpt":0.3473724773570413,"score_spread":0.3152430622315458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621467440","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13033395,0.05703449,0.00092509744,0.21367696,0.0072277864,0.00005107838,0.0043792734,0.00024738302,0.58612394],"genre_scores_gemma":[0.6515846,0.028285902,0.0006811458,0.009092308,0.0020731518,0.00006110292,0.0013362592,0.0002986365,0.30658686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994585,0.00016230407,0.000024831645,0.000047467405,0.000106480904,0.00020043463],"domain_scores_gemma":[0.99938846,0.00020751654,0.00013373165,0.000029360252,0.00009474171,0.0001462044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010113332,0.00028527985,0.00016580337,0.0010741256,0.003542729,0.0047458373,0.000300155,0.0012332451,0.060699888],"category_scores_gemma":[0.002166673,0.0001648509,0.00015600942,0.0026846766,0.0021046936,0.0037971747,0.002204042,0.0017856378,0.007299605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011728313,0.00002818153,0.0064566485,0.0003424521,0.000011469773,0.00054882705,0.064623155,0.000063496365,0.0004923491,0.110710695,0.74125135,0.07535406],"study_design_scores_gemma":[0.0000046997043,0.000020117664,0.01856137,0.00033748907,0.0000048729576,0.00031318396,0.03374098,0.000024679375,0.00030748136,0.0018698252,0.944795,0.000020331427],"about_ca_topic_score_codex":0.027875528,"about_ca_topic_score_gemma":0.08101156,"teacher_disagreement_score":0.060699888,"about_ca_system_score_codex":0.0030340913,"about_ca_system_score_gemma":0.001677569,"threshold_uncertainty_score":0.20306134},"labels":[],"label_agreement":null},{"id":"W2621706881","doi":"10.1086/693238","title":": <i>Rituals of Politics and Culture in Early Modern Europe: Essays in Honour of Edward Muir</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Politics; Renaissance studies; The Renaissance; History; Classics; Performance art; Early modern Europe; Art history; Political science; Law; Archaeology","score_opus":0.025009200446704176,"score_gpt":0.2471565139788949,"score_spread":0.22214731353219072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621706881","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008335112,0.7884297,0.0006000582,0.11648673,0.0074810917,0.000007054645,0.00008700494,0.000024131337,0.078549065],"genre_scores_gemma":[0.39433247,0.36231726,0.0013885187,0.03773076,0.013683666,0.000059845497,0.00016070504,0.00014066987,0.19018607],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931824,0.0004159904,0.000025238442,0.000053558648,0.000099360295,0.00008766391],"domain_scores_gemma":[0.9992762,0.0004140794,0.00008413415,0.000044177985,0.000098206445,0.00008329365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015225433,0.00067729264,0.0004334222,0.0009120812,0.0032208674,0.0040909187,0.00068953895,0.002500142,0.004561727],"category_scores_gemma":[0.0022069686,0.00024899121,0.00025274878,0.0018254659,0.007914833,0.005069463,0.0019071338,0.0026163766,0.0011264596],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006444916,0.000043924112,0.0008967961,0.0005095192,0.000024106332,0.00017303275,0.046393435,0.00013587663,0.00032165693,0.12199105,0.7605551,0.06889113],"study_design_scores_gemma":[0.000006693681,0.000012672707,0.003803299,0.0013117102,0.000008861185,0.00016961666,0.024155848,0.00004133924,0.00020442007,0.013489171,0.9567811,0.000015239928],"about_ca_topic_score_codex":0.010157972,"about_ca_topic_score_gemma":0.018193256,"teacher_disagreement_score":0.010157972,"about_ca_system_score_codex":0.0021842655,"about_ca_system_score_gemma":0.0014541218,"threshold_uncertainty_score":0.02019769},"labels":[],"label_agreement":null},{"id":"W2621724520","doi":"10.1086/693209","title":": <i>Jan Gossart and the Invention of Netherlandish Antiquity</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Bass (fish); Art; Art history; History; Classics; Biology; Fishery","score_opus":0.028771083200110403,"score_gpt":0.24676067051917966,"score_spread":0.21798958731906926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621724520","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064139357,0.078495644,0.00046635928,0.7306802,0.029809892,0.000019243558,0.00016190312,0.00006165748,0.15389113],"genre_scores_gemma":[0.1977882,0.045389995,0.0010416213,0.27766597,0.02086512,0.00006073727,0.00015686578,0.00038289756,0.4566486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990314,0.00046637567,0.000026253065,0.00013721806,0.00022452064,0.00011424919],"domain_scores_gemma":[0.9988036,0.0005597519,0.00013608919,0.0000629124,0.00024210829,0.00019559164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016458351,0.00047023367,0.00034516124,0.00067570695,0.0074550165,0.0039965217,0.00063098903,0.0029089055,0.011673063],"category_scores_gemma":[0.0044617117,0.00018161522,0.00019227424,0.00087100995,0.006160695,0.0058036107,0.0032171998,0.005439801,0.0024926092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000362069,0.000009563253,0.0004314856,0.00013338083,0.0000063715324,0.00019553692,0.014029323,0.000025697413,0.0001356209,0.15614896,0.82086474,0.007983131],"study_design_scores_gemma":[0.00000331759,0.0000044277986,0.0005826357,0.00015580286,0.0000023248786,0.00013724086,0.0055862344,0.000014513181,0.00012747658,0.0070536523,0.9863225,0.000009896932],"about_ca_topic_score_codex":0.013934538,"about_ca_topic_score_gemma":0.04684621,"teacher_disagreement_score":0.013934538,"about_ca_system_score_codex":0.0022590861,"about_ca_system_score_gemma":0.0017756247,"threshold_uncertainty_score":0.03905028},"labels":[],"label_agreement":null},{"id":"W2621904789","doi":"10.1086/693260","title":": <i>Bathsua Makin and Mary More with a Reply to More by Robert Whitehall: Educating English Daughters: Late Seventeenth-Century Debates</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Performance art; History; Art history; Classics; Art","score_opus":0.012250520099558897,"score_gpt":0.2359411159799741,"score_spread":0.2236905958804152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621904789","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020925066,0.017761335,0.000050926727,0.95843816,0.019620901,0.000008393632,0.000059931543,0.0000146834955,0.0038364383],"genre_scores_gemma":[0.004885865,0.012171819,0.0001902508,0.9250093,0.017118564,0.000058026537,0.00007134303,0.0001051259,0.040389758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970306,0.0011057797,0.00022598913,0.0005709523,0.0007802341,0.00028644307],"domain_scores_gemma":[0.9919193,0.0037855643,0.00070702075,0.00020508555,0.0020389613,0.0013441178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038252193,0.001348341,0.001284967,0.001073903,0.009537808,0.006208773,0.0033207638,0.01966845,0.025597401],"category_scores_gemma":[0.015822476,0.0008975938,0.00078577816,0.0021020432,0.0053217453,0.012124554,0.0045306464,0.021431085,0.010062561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007209666,0.000002649373,0.000052725747,0.000038313716,0.0000019319189,0.000031172545,0.00068135594,0.0000030639414,0.000026352955,0.0010062113,0.9969111,0.0012378492],"study_design_scores_gemma":[0.000012369944,0.000010189434,0.000982603,0.00044707922,0.000008197292,0.00013225054,0.006466995,0.000019804662,0.00013526081,0.0014571311,0.99028814,0.00003989846],"about_ca_topic_score_codex":0.03596799,"about_ca_topic_score_gemma":0.08559514,"teacher_disagreement_score":0.03596799,"about_ca_system_score_codex":0.004570093,"about_ca_system_score_gemma":0.005403416,"threshold_uncertainty_score":0.08563179},"labels":[],"label_agreement":null},{"id":"W2621905507","doi":"10.1086/693297","title":": <i>Adapted Brains and Imaginary Worlds: Cognitive Science and the Literature of the Renaissance</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Queen (butterfly); The Renaissance; Art history; Art; Media studies; History; Sociology; Psychoanalysis; Psychology","score_opus":0.011684696708709485,"score_gpt":0.2345323107078349,"score_spread":0.22284761399912542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621905507","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003525676,0.5973031,0.0013864362,0.26611006,0.016956504,0.000014409684,0.00016183879,0.00011824366,0.11442382],"genre_scores_gemma":[0.22883108,0.4630549,0.0028025627,0.05975382,0.050048698,0.00009267788,0.00044939126,0.00033670114,0.19463022],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995165,0.00024401929,0.000018958543,0.000060541686,0.00011181589,0.000048243233],"domain_scores_gemma":[0.9987858,0.0007276191,0.00008145711,0.000084151754,0.00020657222,0.00011443207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011515378,0.0009951612,0.0003825854,0.0015265661,0.0024347594,0.005879873,0.0011859766,0.0028415353,0.012140236],"category_scores_gemma":[0.0026574237,0.00025860485,0.00031526163,0.0025363632,0.010123161,0.011435215,0.0021205915,0.0034394749,0.00249459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025322273,0.000013174915,0.00043109572,0.00038251816,0.000013293005,0.00011658916,0.0120231435,0.000081932754,0.00014279572,0.11915104,0.82245994,0.04515913],"study_design_scores_gemma":[0.000008301547,0.0000114545055,0.0024476326,0.0007399724,0.0000130488,0.0003454931,0.0105037615,0.000075339565,0.00017445852,0.061415717,0.92424345,0.000021460944],"about_ca_topic_score_codex":0.018683854,"about_ca_topic_score_gemma":0.04307753,"teacher_disagreement_score":0.018683854,"about_ca_system_score_codex":0.0027757685,"about_ca_system_score_gemma":0.0022218716,"threshold_uncertainty_score":0.040613174},"labels":[],"label_agreement":null},{"id":"W2622104218","doi":"10.1086/693205","title":": <i>The Flemish Merchant of Venice: Daniel Nijs and the Sale of the Gonzaga Art Collection</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Flemish; Haven; Art history; History; Art; Archaeology; Mathematics","score_opus":0.017147186704787237,"score_gpt":0.30225988039771906,"score_spread":0.2851126936929318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622104218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011561635,0.0342274,0.0007942718,0.091175556,0.01743946,0.000058136302,0.0014563816,0.0003593628,0.84292775],"genre_scores_gemma":[0.048959322,0.0052625802,0.0002928159,0.0051570334,0.0016232335,0.000017572405,0.00037855958,0.0005007632,0.9378081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996201,0.00007731214,0.000013555168,0.00007183264,0.000124318,0.0000929236],"domain_scores_gemma":[0.9995035,0.00015711504,0.000055393666,0.00003399413,0.00013461952,0.000115402545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000587274,0.0006047013,0.00035684387,0.0010700934,0.005894351,0.003382116,0.0005698495,0.0015677029,0.11025776],"category_scores_gemma":[0.0031076209,0.00028549833,0.00023523471,0.001347905,0.0018042792,0.0027011337,0.0019969512,0.0029939318,0.020360876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002568262,0.000006062726,0.00047542612,0.00007374214,0.000003747825,0.00027066964,0.0038796545,0.00002483426,0.00020312278,0.016984774,0.9667523,0.011300074],"study_design_scores_gemma":[0.0000013726911,0.0000032728874,0.0013561039,0.00010202085,0.0000014567003,0.0001231508,0.0023739228,0.000009513366,0.00013988752,0.0003691027,0.99551266,0.0000073862716],"about_ca_topic_score_codex":0.0769823,"about_ca_topic_score_gemma":0.27457333,"teacher_disagreement_score":0.11025776,"about_ca_system_score_codex":0.0023681733,"about_ca_system_score_gemma":0.0014799181,"threshold_uncertainty_score":0.36884898},"labels":[],"label_agreement":null},{"id":"W2623019835","doi":"10.1086/693302","title":": <i>The Absence of America: The London Stage, 1576–1642</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Stage (stratigraphy); Classics; Media studies; Sociology; Biology","score_opus":0.026711401743414763,"score_gpt":0.3379485746447837,"score_spread":0.31123717290136893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623019835","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14709936,0.034413356,0.0003395879,0.14910205,0.004753921,0.00006198585,0.014901851,0.000101787315,0.649226],"genre_scores_gemma":[0.4383605,0.0069836867,0.00017026652,0.007402995,0.0009206311,0.00008157659,0.0023511103,0.00018275782,0.5435464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997563,0.00004733321,0.000025704721,0.00003326514,0.000049481365,0.00008793785],"domain_scores_gemma":[0.9994974,0.0001552774,0.00013785828,0.000023870905,0.00008715251,0.00009848482],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004143343,0.00019151765,0.00017784923,0.0006861365,0.002407805,0.0025553992,0.00040371568,0.0013968187,0.05103923],"category_scores_gemma":[0.0016199735,0.00015103848,0.0001212984,0.0022197561,0.0017471237,0.0024617442,0.0015318657,0.0016847221,0.0062637795],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018827371,0.000019430492,0.014802494,0.00085591123,0.000020026815,0.0011953029,0.106851056,0.00006170182,0.000871752,0.10044632,0.7452094,0.029478382],"study_design_scores_gemma":[0.000007600222,0.000007678592,0.037736252,0.00019872308,0.0000033679498,0.0001402465,0.02134725,0.000005948196,0.0001743584,0.00053333223,0.9398356,0.000009747782],"about_ca_topic_score_codex":0.20302388,"about_ca_topic_score_gemma":0.57989764,"teacher_disagreement_score":0.20302388,"about_ca_system_score_codex":0.0051021413,"about_ca_system_score_gemma":0.0026971637,"threshold_uncertainty_score":0.40368432},"labels":[],"label_agreement":null},{"id":"W2623266841","doi":"10.1086/693239","title":": <i>Letters to Her Sons, 1447–1470</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Classics; Art; History; Early modern Europe; Literature; Art history","score_opus":0.0393768871726507,"score_gpt":0.26230656336346575,"score_spread":0.22292967619081505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623266841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001943882,0.070209645,0.0004977806,0.16255534,0.103764735,0.000076161814,0.002143912,0.0005936779,0.65821487],"genre_scores_gemma":[0.003957593,0.0058509344,0.0001302833,0.011479874,0.005169956,0.000038104503,0.0003457979,0.00019974378,0.97282773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999592,0.00009080908,0.000021191156,0.000056309622,0.00014999227,0.00008970013],"domain_scores_gemma":[0.9992914,0.00012644916,0.00005569563,0.000026961765,0.00028018226,0.00021918245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057141914,0.0010465238,0.00049614493,0.0006943012,0.003355414,0.0026849539,0.0008396431,0.0027380344,0.29445067],"category_scores_gemma":[0.0023174314,0.00041692512,0.00028239837,0.0008351735,0.00067886006,0.0023745312,0.0019555776,0.0030084047,0.19580293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010408303,0.0000025068466,0.0000392145,0.0000129478585,4.4825168e-7,0.00005606231,0.0000684202,0.0000037226087,0.00003811297,0.00027705214,0.9946333,0.0048577404],"study_design_scores_gemma":[0.0000022194781,0.0000047604403,0.00030797685,0.000051685063,8.44375e-7,0.00010467269,0.00040196074,0.000008242178,0.000043383865,0.00016494941,0.9989054,0.000003928665],"about_ca_topic_score_codex":0.010216458,"about_ca_topic_score_gemma":0.040641006,"teacher_disagreement_score":0.29445067,"about_ca_system_score_codex":0.0017014456,"about_ca_system_score_gemma":0.0012480316,"threshold_uncertainty_score":0.9850356},"labels":[],"label_agreement":null},{"id":"W2623282838","doi":"10.1086/693247","title":": <i>Mother Juana de la Cruz, 1481–1534: Visionary Sermons</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Tempe; Art; Center (category theory); Classics; Humanities; Theology; History; Art history; Philosophy; Medicine","score_opus":0.01830937881404314,"score_gpt":0.26894241428518273,"score_spread":0.2506330354711396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623282838","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015098736,0.60634094,0.0004307768,0.12554458,0.014614756,0.00003138355,0.0006317857,0.00007639966,0.23723063],"genre_scores_gemma":[0.25180283,0.25029922,0.00061381096,0.017945928,0.006691692,0.00010800024,0.0005847451,0.00024982227,0.47170392],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997427,0.000104905484,0.000008030425,0.0000382537,0.000052238756,0.0000539862],"domain_scores_gemma":[0.9997657,0.000079114216,0.00004496037,0.000011774539,0.000053022304,0.000045479326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006980042,0.0005820215,0.00025303717,0.0006346439,0.0032539063,0.0024877812,0.0006763816,0.0013694031,0.014336571],"category_scores_gemma":[0.0010733482,0.00025405706,0.00015289905,0.0012513133,0.0021460832,0.0021225016,0.0013542043,0.0021182457,0.002559042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005641654,0.000010048711,0.0011226244,0.0002945926,0.0000067137616,0.00029059043,0.03231697,0.000027236205,0.00020826349,0.022654157,0.91591007,0.027102198],"study_design_scores_gemma":[0.0000036668494,0.000004274387,0.0025659269,0.00031478034,0.000004448726,0.00015404078,0.011999838,0.0000069825014,0.000112803595,0.0004102367,0.98441803,0.000005119198],"about_ca_topic_score_codex":0.098927334,"about_ca_topic_score_gemma":0.21163797,"teacher_disagreement_score":0.098927334,"about_ca_system_score_codex":0.0039621047,"about_ca_system_score_gemma":0.0028290988,"threshold_uncertainty_score":0.19670302},"labels":[],"label_agreement":null},{"id":"W2623357321","doi":"10.1086/693227","title":": <i>Les mots de la guerre dans l’Europe de la Renaissance</i>","year":2017,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"The Renaissance; Art; Humanism; Humanities; Art history; Philosophy; Theology","score_opus":0.027471600814906145,"score_gpt":0.35164653642693905,"score_spread":0.3241749356120329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623357321","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001628227,0.8715755,0.00036737302,0.07879541,0.0105656525,0.0000053359254,0.00010874729,0.000028059994,0.03692577],"genre_scores_gemma":[0.10248394,0.7052852,0.0012737061,0.020391852,0.023577625,0.000038391565,0.00040422723,0.00017273266,0.14637226],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995109,0.00022708971,0.000019625228,0.00006725363,0.00009672726,0.00007833393],"domain_scores_gemma":[0.99952114,0.00025224665,0.000058927322,0.000024875677,0.00007780314,0.000064998516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008217996,0.0012097688,0.000554648,0.0013913077,0.0019470063,0.004749465,0.000861588,0.0028729679,0.016495004],"category_scores_gemma":[0.001563854,0.00033141702,0.00037078917,0.0028750612,0.003567545,0.007862023,0.0017200763,0.0026025278,0.0048628557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053783846,0.000015268984,0.00090957154,0.00053857506,0.000015190582,0.000115590796,0.004497972,0.000087597524,0.00013565442,0.05344386,0.8596488,0.08053807],"study_design_scores_gemma":[0.0000047277567,0.000008787729,0.002969153,0.0009209497,0.0000074512805,0.00014651622,0.0033986184,0.000043920423,0.00014162564,0.009242751,0.98310465,0.000010859928],"about_ca_topic_score_codex":0.027597673,"about_ca_topic_score_gemma":0.05541135,"teacher_disagreement_score":0.027597673,"about_ca_system_score_codex":0.0024783693,"about_ca_system_score_gemma":0.0018376943,"threshold_uncertainty_score":0.055181324},"labels":[],"label_agreement":null},{"id":"W2623455627","doi":"10.1086/693270","title":": <i>Paraphrase on Luke 1–10</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Erasmus+; Paraphrase; Art; Theology; Media studies; Art history; Sociology; Philosophy; Computer science; Artificial intelligence; The Renaissance","score_opus":0.043765495081264476,"score_gpt":0.2611467183769802,"score_spread":0.21738122329571574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623455627","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041245804,0.0033310829,0.0077867103,0.062257808,0.03991341,0.00024156117,0.011432773,0.0020269153,0.86888504],"genre_scores_gemma":[0.07744308,0.0024267812,0.006022131,0.044089172,0.010621278,0.00050060696,0.0083924,0.005381175,0.84512335],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995353,0.00012642564,0.000033350785,0.00006379522,0.00017026355,0.000070849],"domain_scores_gemma":[0.99860865,0.00063670514,0.00007014458,0.00008259607,0.00052127213,0.00008068897],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048940186,0.00083601027,0.0004735477,0.0018120921,0.0033677598,0.0024927207,0.0008375555,0.0022264353,0.15201558],"category_scores_gemma":[0.0053317756,0.00022200575,0.00038245085,0.0016326436,0.0013438188,0.0028812166,0.0016923823,0.003912024,0.0793599],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033057393,0.000007867755,0.00006803908,0.00008588208,0.0000020858452,0.00013255341,0.001292245,0.000021984164,0.00030359955,0.009770671,0.9839288,0.0043532266],"study_design_scores_gemma":[0.0000033530587,0.000005273713,0.00047404523,0.00013683231,0.000001509442,0.00015151259,0.0008933981,0.000049590333,0.00033490063,0.0011330543,0.9968065,0.000010192558],"about_ca_topic_score_codex":0.023311688,"about_ca_topic_score_gemma":0.057403438,"teacher_disagreement_score":0.15201558,"about_ca_system_score_codex":0.0025728522,"about_ca_system_score_gemma":0.000978008,"threshold_uncertainty_score":0.5085428},"labels":[],"label_agreement":null},{"id":"W2623524789","doi":"10.1086/693252","title":": <i>Letters from the Queen of Navarre with an “Ample Declaration.”</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); The Renaissance; Renaissance studies; Declaration; Tempe; Early modern Europe; Art; Art history; History; Classics; Performance art; Humanities; Law; Political science","score_opus":0.038828131651146056,"score_gpt":0.32092542397595075,"score_spread":0.2820972923248047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623524789","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027277141,0.22433873,0.00062714354,0.32348254,0.07713147,0.00010506074,0.0067548053,0.0008526151,0.36397994],"genre_scores_gemma":[0.012389276,0.022736505,0.00040517823,0.025715785,0.008196375,0.00008211231,0.0013555454,0.00048285496,0.92863643],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993092,0.00014429832,0.000035380952,0.00010461728,0.00026528377,0.00014120457],"domain_scores_gemma":[0.99875903,0.00023188334,0.00014332097,0.00006813113,0.0005550758,0.00024250394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069548987,0.0013604072,0.0006667169,0.0009858495,0.003833645,0.0036028002,0.0012639047,0.002446863,0.23139732],"category_scores_gemma":[0.0028925226,0.0004884283,0.00034961873,0.0017982279,0.0011546501,0.0022451228,0.0022062242,0.0025957243,0.092933886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012769185,0.0000013712047,0.00003599611,0.000039051727,8.153357e-7,0.000025198638,0.00012592017,0.0000051561824,0.000039135462,0.0004305441,0.9951271,0.0041571422],"study_design_scores_gemma":[0.0000018787756,0.0000020083562,0.00037209698,0.00006831875,6.299908e-7,0.00001957927,0.0003243331,0.0000033437645,0.000037014663,0.00011016161,0.9990569,0.0000038091296],"about_ca_topic_score_codex":0.10549224,"about_ca_topic_score_gemma":0.23258893,"teacher_disagreement_score":0.23139732,"about_ca_system_score_codex":0.0035586115,"about_ca_system_score_gemma":0.0026110103,"threshold_uncertainty_score":0.77410114},"labels":[],"label_agreement":null},{"id":"W2624357838","doi":"10.1086/693292","title":": <i>Dante’s Lyric Poetry: Poems of Youth and of the “Vita Nuova.”</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Art history; Performance art; Humanities; Literature","score_opus":0.031071112735165204,"score_gpt":0.22993915826779882,"score_spread":0.1988680455326336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624357838","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064486354,0.582571,0.00087293313,0.054809324,0.010399707,0.00003112386,0.0004349812,0.00014805532,0.34428418],"genre_scores_gemma":[0.19083889,0.17275131,0.0013076238,0.012688462,0.01212207,0.00011950745,0.00069909904,0.00045559581,0.6090175],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996543,0.0001670874,0.000012374177,0.00004066277,0.00007140391,0.000054176733],"domain_scores_gemma":[0.99977,0.00007180321,0.000026997657,0.00001654969,0.00006315947,0.000051421546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005040012,0.0010118614,0.00042405108,0.0011863438,0.0025053346,0.004484734,0.00068068085,0.0010779373,0.017957537],"category_scores_gemma":[0.0012682924,0.00020697826,0.00020930295,0.0015493812,0.0027976725,0.003995594,0.0021527316,0.0017938799,0.0063071456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042174757,0.000017171695,0.0004976175,0.00030631144,0.000005064367,0.00013618464,0.014846096,0.0000297434,0.00021906188,0.041704666,0.880916,0.061279897],"study_design_scores_gemma":[0.0000024453898,0.0000046312853,0.00065100106,0.0002288452,0.0000013896414,0.000120945144,0.0035076633,0.0000130338285,0.00009165718,0.0022381365,0.9931369,0.0000032827454],"about_ca_topic_score_codex":0.012596206,"about_ca_topic_score_gemma":0.027975455,"teacher_disagreement_score":0.017957537,"about_ca_system_score_codex":0.0021028926,"about_ca_system_score_gemma":0.0013415777,"threshold_uncertainty_score":0.06007397},"labels":[],"label_agreement":null},{"id":"W2624488113","doi":"10.1086/693231","title":": <i>Les cinq sens entre Moyen Âge et Renaissance: Enjeux épistémologiques et esthétiques</i>","year":2017,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Vanier College","funders":"","keywords":"The Renaissance; Art; Humanities; Philosophy; Art history","score_opus":0.05524468089446947,"score_gpt":0.3210843976758553,"score_spread":0.2658397167813858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624488113","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009494869,0.8105562,0.0010895714,0.0955336,0.010838678,0.000008098162,0.00020272512,0.00004419977,0.07223209],"genre_scores_gemma":[0.4606063,0.41768742,0.0016621739,0.020557733,0.011257814,0.00005625282,0.0005114953,0.000168593,0.08749227],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985611,0.0007930838,0.0000474218,0.00016243229,0.00023260074,0.00020338241],"domain_scores_gemma":[0.99889356,0.00058908894,0.0001436198,0.00006148401,0.00019361376,0.00011868602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025333504,0.0008212727,0.00063920143,0.0018115634,0.0031999405,0.009618383,0.0008988977,0.002378342,0.010353577],"category_scores_gemma":[0.002663166,0.00032086522,0.0003262939,0.004968736,0.011413184,0.011630363,0.0031350115,0.0033499396,0.0018101172],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012944755,0.000029182904,0.0025285825,0.0010859628,0.000031192933,0.00023195359,0.07732579,0.00017567449,0.00024086806,0.4875403,0.31402978,0.116651274],"study_design_scores_gemma":[0.000009618257,0.000019138879,0.0072519793,0.001988336,0.000014548419,0.00040148926,0.039712887,0.000041778447,0.00018404584,0.046909954,0.9034316,0.000034679175],"about_ca_topic_score_codex":0.060050093,"about_ca_topic_score_gemma":0.05532332,"teacher_disagreement_score":0.060050093,"about_ca_system_score_codex":0.005955285,"about_ca_system_score_gemma":0.005272036,"threshold_uncertainty_score":0.11940116},"labels":[],"label_agreement":null},{"id":"W2624573218","doi":"10.1086/693280","title":": <i>The Oxford Edition of the Sermons of John Donne Volume V: Sermons Preached at Lincoln’s Inn, 1620–1623</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"KATRIN; Volume (thermodynamics); Theology; History; Classics; Philosophy; Physics; Nuclear physics; Thermodynamics; Neutrino","score_opus":0.022024220187127384,"score_gpt":0.22755156488419356,"score_spread":0.20552734469706618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624573218","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019238312,0.6179689,0.000672242,0.050779022,0.07211014,0.000050491188,0.0015295873,0.00020518925,0.25476065],"genre_scores_gemma":[0.030857308,0.19499873,0.00074456324,0.011386789,0.030069781,0.00011945332,0.0014959653,0.00050374237,0.7298235],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990884,0.00026530586,0.00006559233,0.00010416751,0.00036179728,0.00011468265],"domain_scores_gemma":[0.9986608,0.0005121761,0.0002012258,0.0001063022,0.0003146592,0.00020487687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014618308,0.0012945591,0.00066047953,0.0022230197,0.002675294,0.0052153612,0.00075545884,0.0016269619,0.070057906],"category_scores_gemma":[0.0048210253,0.0005270434,0.00032660947,0.0027127708,0.0027746272,0.0056889867,0.0024075555,0.0031321445,0.026092015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029408495,0.0000055058927,0.00010617893,0.00022116191,0.000002176372,0.00003393459,0.0011001945,0.000015837952,0.00005980893,0.009114881,0.9715664,0.01774451],"study_design_scores_gemma":[0.0000014041839,0.0000032440619,0.00028242424,0.0003103522,6.59222e-7,0.000027901611,0.000425712,0.0000025718623,0.00003335509,0.00055822043,0.9983505,0.0000036579097],"about_ca_topic_score_codex":0.019424537,"about_ca_topic_score_gemma":0.038439773,"teacher_disagreement_score":0.070057906,"about_ca_system_score_codex":0.0036511682,"about_ca_system_score_gemma":0.004457717,"threshold_uncertainty_score":0.23436701},"labels":[],"label_agreement":null},{"id":"W2624602727","doi":"10.1086/693282","title":": <i>Sacred Signs in Reformation Scotland: Interpreting Worship, 1488–1590</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Worship; History; Theology; Philosophy","score_opus":0.029244470945833656,"score_gpt":0.24603268936169845,"score_spread":0.2167882184158648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624602727","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33489522,0.019338708,0.00084810675,0.093931176,0.002122045,0.000032205222,0.00072585174,0.0000771709,0.54802954],"genre_scores_gemma":[0.93895423,0.0031849795,0.00024803865,0.0021317408,0.00026682526,0.000016790425,0.00012775998,0.00005855015,0.055011023],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956185,0.00017067321,0.00001834873,0.000028617498,0.000082556886,0.0001378769],"domain_scores_gemma":[0.9992393,0.00036104035,0.000108527835,0.000035347384,0.00014204868,0.00011380368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010844541,0.00021944854,0.00018099547,0.0008198579,0.007927734,0.0038587751,0.0006237012,0.0011089916,0.011469371],"category_scores_gemma":[0.0032214706,0.00016403882,0.000080387326,0.0022227005,0.0085786,0.0035039596,0.0021110987,0.0019901444,0.00103547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007468651,0.000017978176,0.0033249182,0.00016423695,0.0000047581807,0.00067232427,0.72894317,0.000034516896,0.0003005504,0.11911557,0.11779943,0.029547896],"study_design_scores_gemma":[0.000007295269,0.000020541713,0.028352743,0.0003135671,0.000007804149,0.00031461386,0.34076598,0.000024993555,0.00026427206,0.0032804115,0.6266301,0.000017609562],"about_ca_topic_score_codex":0.24963409,"about_ca_topic_score_gemma":0.58958197,"teacher_disagreement_score":0.24963409,"about_ca_system_score_codex":0.006586895,"about_ca_system_score_gemma":0.0033437363,"threshold_uncertainty_score":0.4963621},"labels":[],"label_agreement":null},{"id":"W2756608898","doi":"10.1086/695231","title":": <i>Basel 1516: Erasmus’ Edition of the New Testament</i>","year":2017,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Erasmus+; Theology; Philosophy; Art; Art history; The Renaissance","score_opus":0.026222841972714465,"score_gpt":0.24191021454324038,"score_spread":0.21568737257052592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2756608898","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018978042,0.60129416,0.000974297,0.02613864,0.03663158,0.00003384389,0.004040381,0.00042540816,0.32856387],"genre_scores_gemma":[0.040913146,0.18476366,0.0016588856,0.0060059717,0.009131845,0.00016673718,0.0050193476,0.0012604621,0.75108],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892163,0.00018754874,0.000100244666,0.00014236367,0.000497785,0.00015045164],"domain_scores_gemma":[0.9991429,0.00021977084,0.00017667084,0.00009479126,0.0002640489,0.00010188529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010604671,0.0016566277,0.00091409363,0.003334114,0.0011876045,0.006326499,0.00094673503,0.001967325,0.12493572],"category_scores_gemma":[0.002794601,0.00047362692,0.00035967183,0.006712912,0.001981109,0.006210541,0.0022333984,0.002811431,0.057815026],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005514494,0.000011895601,0.00018155908,0.00036624438,0.000005151844,0.00005521983,0.00043448943,0.00007288002,0.0001806692,0.015254341,0.9178322,0.06555026],"study_design_scores_gemma":[0.0000023863577,0.000003860018,0.0006307565,0.00035385357,0.0000012919826,0.000058827856,0.00016093989,0.000013327359,0.00006767074,0.0015202995,0.99718046,0.0000064146557],"about_ca_topic_score_codex":0.010160518,"about_ca_topic_score_gemma":0.016749194,"teacher_disagreement_score":0.12493572,"about_ca_system_score_codex":0.0026418413,"about_ca_system_score_gemma":0.0027477657,"threshold_uncertainty_score":0.41795158},"labels":[],"label_agreement":null},{"id":"W2757609516","doi":"10.1086/695194","title":": <i>Habitual Offenders: A True Tale of Nuns, Prostitutes, and Murderers in Seventeenth-Century Italy</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Criminology; Content (measure theory); Psychology; Media studies; Sociology; History","score_opus":0.018987292641251166,"score_gpt":0.29445401564041734,"score_spread":0.2754667229991662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757609516","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8315104,0.009254127,0.00033431977,0.10179783,0.00094171206,0.000026400541,0.00020923512,0.00002392193,0.05590201],"genre_scores_gemma":[0.9672391,0.003533543,0.00009986335,0.007572938,0.0004161858,0.000023032466,0.000053880973,0.00001640025,0.021045147],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99958736,0.00014770236,0.000011734508,0.000040385818,0.000038017053,0.00017492815],"domain_scores_gemma":[0.9995034,0.00016466327,0.00011759775,0.000027447335,0.000039432594,0.00014746518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089813274,0.00023474068,0.0001461891,0.0007928427,0.009342212,0.0026210297,0.0007753489,0.0016491887,0.004298453],"category_scores_gemma":[0.0016223475,0.00020176666,0.00012011781,0.0007660234,0.010004078,0.0030716383,0.0028433532,0.0022385186,0.00031497894],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003189159,0.000027963533,0.02896639,0.000083346065,0.00000612659,0.0008352598,0.88554746,0.000023299477,0.00024051042,0.025116034,0.042175703,0.016946085],"study_design_scores_gemma":[0.0000038560397,0.000024213896,0.07261269,0.0002903651,0.000007812477,0.00086540304,0.82287425,0.000040282648,0.00016500424,0.0027580187,0.10033963,0.000018434106],"about_ca_topic_score_codex":0.095148176,"about_ca_topic_score_gemma":0.3379352,"teacher_disagreement_score":0.095148176,"about_ca_system_score_codex":0.0022489233,"about_ca_system_score_gemma":0.00212098,"threshold_uncertainty_score":0.18918872},"labels":[],"label_agreement":null},{"id":"W2757727628","doi":"10.1086/695157","title":": <i>The Mughal “Padshah”: A Jesuit Treatise on Emperor Jahangir’s Court and Household</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Brill; Emperor; History; Law; Art; Classics; Ancient history; Political science","score_opus":0.03017703908431021,"score_gpt":0.2928851820269296,"score_spread":0.2627081429426194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757727628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035695855,0.029376734,0.00092710304,0.16095237,0.005891303,0.00004084633,0.00031454384,0.000075004624,0.76672614],"genre_scores_gemma":[0.51562953,0.0095542185,0.00067758205,0.058529444,0.0021549808,0.00006414108,0.0001235662,0.00012031236,0.4131462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995283,0.00019815906,0.00001600946,0.000042771935,0.00011510808,0.00009976511],"domain_scores_gemma":[0.9997917,0.00009947546,0.00002312663,0.000013459843,0.000039243234,0.000033068565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008140594,0.00029887172,0.00016942399,0.00037804403,0.009590755,0.0032752824,0.0005455101,0.002899304,0.009248156],"category_scores_gemma":[0.0015961515,0.00017062873,0.00015741299,0.0008337978,0.0041463324,0.0025032035,0.0014204268,0.0044146944,0.0013799223],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040922554,0.000019642179,0.00080718583,0.00012921404,0.000006588417,0.0006584987,0.06357376,0.000057986446,0.00048698732,0.3728656,0.5457172,0.01563641],"study_design_scores_gemma":[0.000004785982,0.000015233323,0.0037918778,0.0002858195,0.0000064678366,0.0003069939,0.034586504,0.000051109273,0.00051279593,0.009707933,0.95071286,0.000017610837],"about_ca_topic_score_codex":0.041718327,"about_ca_topic_score_gemma":0.13943474,"teacher_disagreement_score":0.041718327,"about_ca_system_score_codex":0.0027044164,"about_ca_system_score_gemma":0.0018630399,"threshold_uncertainty_score":0.08295101},"labels":[],"label_agreement":null},{"id":"W2757863091","doi":"10.1086/695263","title":": <i>Women Playwrights of Early Modern Spain</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Humanities; Art; Tempe; History; Art history; Medicine","score_opus":0.024819653614832442,"score_gpt":0.2313831874003045,"score_spread":0.20656353378547207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757863091","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033555035,0.6932358,0.00035839572,0.074637786,0.003754782,0.000011632503,0.00028184536,0.000058662034,0.19410601],"genre_scores_gemma":[0.5442398,0.17198052,0.00034764025,0.0096639935,0.003109534,0.00004883556,0.00023029718,0.00017321818,0.27020606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949765,0.00021445584,0.000010585836,0.000047715628,0.00007973842,0.00014982313],"domain_scores_gemma":[0.99975914,0.000075865675,0.0000502464,0.0000135556575,0.000048655358,0.000052573774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008354636,0.0006305036,0.00034328314,0.0009473477,0.0031855877,0.0051690894,0.0008286459,0.0012030486,0.013495838],"category_scores_gemma":[0.0008582805,0.00024130478,0.00017143303,0.0018004605,0.005653431,0.00237194,0.00212913,0.0014391403,0.0015108091],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000255027,0.0000515538,0.0035263018,0.0007115812,0.000027098682,0.0006096681,0.15546048,0.0001124978,0.000414428,0.07127957,0.63998425,0.12756746],"study_design_scores_gemma":[0.000011325817,0.000011969281,0.0068347696,0.0008161061,0.000007845539,0.00017442254,0.059603352,0.000013885404,0.00014492718,0.002457396,0.9299149,0.0000091965385],"about_ca_topic_score_codex":0.07115132,"about_ca_topic_score_gemma":0.16646405,"teacher_disagreement_score":0.07115132,"about_ca_system_score_codex":0.0068043987,"about_ca_system_score_gemma":0.002873535,"threshold_uncertainty_score":0.14147437},"labels":[],"label_agreement":null},{"id":"W2757907697","doi":"10.1086/695217","title":": <i>Manuscript Circulation and the Invention of Politics in Early Stuart England</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Medicine Hat College","funders":"","keywords":"History; Circulation (fluid dynamics); Politics; Classics; Media studies; Political science; Law; Sociology; Engineering","score_opus":0.034708892859916594,"score_gpt":0.23943084791563113,"score_spread":0.20472195505571453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757907697","genre_codex":"editorial","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015874144,0.17130525,0.00064596225,0.27857774,0.41947034,0.000063976215,0.0010413289,0.00033831623,0.12696964],"genre_scores_gemma":[0.04321211,0.07922591,0.0007496782,0.029208545,0.34365153,0.000115883144,0.0007821133,0.001095991,0.5019582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772245,0.00066644605,0.00020341191,0.00026702392,0.0009462018,0.00019455177],"domain_scores_gemma":[0.9852319,0.0058079995,0.0009571399,0.00075693795,0.005918543,0.0013274575],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.004806768,0.0007503508,0.00081784435,0.0030468425,0.0035347573,0.009985083,0.001196787,0.0022005048,0.091948815],"category_scores_gemma":[0.022199789,0.00034504934,0.00048791917,0.002977384,0.0042044334,0.0065922444,0.0024982162,0.002194542,0.024134312],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001205537,0.0000027667018,0.0000927516,0.00014023022,0.0000029120538,0.000024963563,0.00038126452,0.000006637859,0.00004390988,0.0042581162,0.98800176,0.007032623],"study_design_scores_gemma":[0.000004392073,0.000010726476,0.0007767415,0.0005314482,0.0000060379316,0.00006877923,0.00070895994,0.00001548812,0.00013019929,0.0015217486,0.9962148,0.000010588333],"about_ca_topic_score_codex":0.005633368,"about_ca_topic_score_gemma":0.015865033,"teacher_disagreement_score":0.99646527,"about_ca_system_score_codex":0.0040701665,"about_ca_system_score_gemma":0.0040246355,"threshold_uncertainty_score":0.30759943},"labels":[],"label_agreement":null},{"id":"W2758491711","doi":"10.1086/695270","title":": <i>Second Death: Theatricalities of the Soul in Shakespeare’s Drama</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Royal Military College of Canada","funders":"","keywords":"Soul; Drama; Theology; Performance studies; Performance art; History; Art history; Classics; Art; Philosophy; Literature","score_opus":0.03451983175803417,"score_gpt":0.2499411322034639,"score_spread":0.21542130044542973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758491711","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024877062,0.28812483,0.002417935,0.18698257,0.025814341,0.000064785156,0.0003805932,0.00026826645,0.4710696],"genre_scores_gemma":[0.5022365,0.05355832,0.0012607271,0.022238666,0.0074766483,0.000101757054,0.00033616245,0.00037247175,0.41241884],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927896,0.00037792744,0.000015818714,0.000050698676,0.00015048264,0.00012611123],"domain_scores_gemma":[0.9993837,0.00025370863,0.000049628157,0.000036791218,0.000104031395,0.00017214048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013839903,0.00091072137,0.000393873,0.0009193943,0.0058075325,0.006279833,0.0007270711,0.0015858435,0.014919126],"category_scores_gemma":[0.002166873,0.00028013403,0.0002917008,0.0010450886,0.007545088,0.0059456327,0.0036843487,0.0034667957,0.0028855063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007117971,0.000015828466,0.0003320174,0.0002989355,0.000010600443,0.00031845487,0.0632654,0.00004359793,0.0003954642,0.04504278,0.8662403,0.023965482],"study_design_scores_gemma":[0.000009011315,0.000025163554,0.001768749,0.00064843486,0.000005997949,0.0005786472,0.049022164,0.000041532257,0.0003871155,0.0058172112,0.9416741,0.000021858805],"about_ca_topic_score_codex":0.01870212,"about_ca_topic_score_gemma":0.040731773,"teacher_disagreement_score":0.01870212,"about_ca_system_score_codex":0.0025874428,"about_ca_system_score_gemma":0.0015725571,"threshold_uncertainty_score":0.049909472},"labels":[],"label_agreement":null},{"id":"W2759226668","doi":"10.1086/695244","title":": <i>The Oxford Handbook of Hobbes</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Media studies; Law and economics; Sociology","score_opus":0.03852248572778839,"score_gpt":0.26198041555885676,"score_spread":0.22345792983106838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759226668","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012533624,0.3406328,0.015151543,0.018820917,0.011250086,0.00003245002,0.0014029336,0.00040522302,0.6110507],"genre_scores_gemma":[0.059540514,0.28510797,0.01843882,0.008976008,0.009730498,0.00021627588,0.0021202348,0.0014631775,0.61440647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995365,0.00018143507,0.000052192387,0.000057252353,0.00014111512,0.000031550706],"domain_scores_gemma":[0.99923885,0.00043013273,0.000045675588,0.00009149072,0.00011470802,0.00007921864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006876581,0.0008243619,0.0004973855,0.0024105338,0.0012880764,0.0035980358,0.0005792674,0.0009848775,0.057338264],"category_scores_gemma":[0.0021967816,0.0004265147,0.00026133851,0.003926606,0.002659856,0.0045670155,0.0010655075,0.0022718473,0.025491646],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027621636,0.000016325872,0.00013428635,0.0006143761,0.0000071618397,0.000046617228,0.0023996653,0.00009552636,0.00026655293,0.18217497,0.6829932,0.13122377],"study_design_scores_gemma":[0.0000012495474,0.0000034222467,0.0003054103,0.00027497794,0.0000013933382,0.00006123773,0.0003798948,0.0000175917,0.00006694855,0.016599867,0.98228365,0.0000045051693],"about_ca_topic_score_codex":0.003413585,"about_ca_topic_score_gemma":0.0113954535,"teacher_disagreement_score":0.057338264,"about_ca_system_score_codex":0.001277901,"about_ca_system_score_gemma":0.0012911083,"threshold_uncertainty_score":0.19181561},"labels":[],"label_agreement":null},{"id":"W2759351680","doi":"10.1086/695225","title":": <i>Mendicant Cultures in the Medieval and Early Modern World: Word, Deed, and Image</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval History and Crusades","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Deed; History; Humanities; Art; Art history; Classics; Law; Political science","score_opus":0.024924197651527882,"score_gpt":0.26271034511032043,"score_spread":0.23778614745879256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759351680","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003769054,0.90477717,0.00015822853,0.019892124,0.003706866,0.0000037970738,0.000139989,0.00005151229,0.06750127],"genre_scores_gemma":[0.16067833,0.6350084,0.00084818614,0.0043901503,0.006733002,0.000023431197,0.00041419905,0.00012649331,0.19177787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986434,0.000036881476,0.0000068601757,0.000023007338,0.000041901334,0.000026853193],"domain_scores_gemma":[0.9998528,0.00005949527,0.00002460559,0.000010460866,0.000024502886,0.000028093205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025513823,0.00088913064,0.00038191522,0.0011237105,0.0015016841,0.004259298,0.00045088085,0.0010332558,0.025483856],"category_scores_gemma":[0.0006833138,0.00022952596,0.00010916327,0.0024876203,0.0019785827,0.0037599693,0.0012557433,0.0009326884,0.0039867414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010340829,0.00001972385,0.0014846637,0.00096673105,0.000017639908,0.00029189533,0.009614572,0.000052808176,0.000447544,0.039772738,0.67326814,0.27396023],"study_design_scores_gemma":[0.0000039907018,0.000009047432,0.004817143,0.00091140455,0.000008799817,0.00036115586,0.00639883,0.000021481761,0.0002084246,0.003934357,0.983316,0.000009352235],"about_ca_topic_score_codex":0.019893024,"about_ca_topic_score_gemma":0.05069599,"teacher_disagreement_score":0.025483856,"about_ca_system_score_codex":0.0013844321,"about_ca_system_score_gemma":0.0008580135,"threshold_uncertainty_score":0.08525199},"labels":[],"label_agreement":null},{"id":"W2759464711","doi":"10.1086/695260","title":": <i>The Epic of Juan Latino: Dilemmas of Race and Religion in Renaissance Spain</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; EPIC; The Renaissance; Race (biology); History; Art; Humanities; Media studies; Art history; Sociology; Gender studies; Literature","score_opus":0.015934058232283305,"score_gpt":0.232241223711479,"score_spread":0.2163071654791957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759464711","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059137824,0.40491027,0.00029318637,0.44657612,0.016395636,0.000009249269,0.00014424713,0.000043298947,0.1257142],"genre_scores_gemma":[0.28974092,0.25119245,0.0007346344,0.13953839,0.033056285,0.00006741876,0.0002882765,0.00036522505,0.28501645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958175,0.00023413489,0.00001087235,0.000039707895,0.00006945499,0.0000641159],"domain_scores_gemma":[0.9994838,0.00020599925,0.0000619509,0.000027787526,0.000131575,0.00008889413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012250784,0.0005139158,0.00038687617,0.0005706479,0.004077689,0.005641462,0.0007200928,0.0019841366,0.010144566],"category_scores_gemma":[0.0014482863,0.0002362554,0.00023376466,0.0013893335,0.0060725496,0.0047440045,0.0023519448,0.002974047,0.0019692099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003280905,0.000010225652,0.0010098433,0.00016455668,0.0000064227843,0.00013772007,0.013472566,0.000036642843,0.00006997735,0.039877716,0.9246302,0.020551318],"study_design_scores_gemma":[0.000007841178,0.0000055261617,0.0024359063,0.00058299286,0.000006034971,0.00012441605,0.016356528,0.000015671001,0.000058870726,0.007179074,0.9732171,0.000010065506],"about_ca_topic_score_codex":0.062365085,"about_ca_topic_score_gemma":0.13227357,"teacher_disagreement_score":0.062365085,"about_ca_system_score_codex":0.003593447,"about_ca_system_score_gemma":0.003089141,"threshold_uncertainty_score":0.124004185},"labels":[],"label_agreement":null},{"id":"W276797922","doi":"10.1353/ren.2008.0164","title":": <i>Stratigrafie Decameroniane</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Maritime and Coastal Archaeology","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Index (typography); Political science; Computer science; World Wide Web","score_opus":0.00895970243361604,"score_gpt":0.1884055655324961,"score_spread":0.17944586309888005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W276797922","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.102409266,0.010800374,0.0025096044,0.0031484172,0.0028162382,0.00016639433,0.026397156,0.00058655936,0.85116595],"genre_scores_gemma":[0.49305674,0.0060583274,0.005588679,0.0007859814,0.000605272,0.00017003584,0.01982676,0.00072577863,0.47318244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998579,0.000019174742,0.000012949421,0.00003193093,0.000035880883,0.000042122825],"domain_scores_gemma":[0.99979955,0.00003365265,0.000050426628,0.000023134973,0.00006403246,0.000029242225],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000130695,0.00034964338,0.0001859527,0.0022799217,0.00077660265,0.0010680803,0.00038169234,0.0002135717,0.061913956],"category_scores_gemma":[0.0005740547,0.00014364574,0.00012871185,0.0041027786,0.0005480554,0.0006388227,0.0007969646,0.0005482686,0.011174722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003961655,0.000036355803,0.0375191,0.0012972424,0.000051029318,0.0010343405,0.011729291,0.00044156887,0.0076149055,0.072241634,0.45838553,0.40925288],"study_design_scores_gemma":[0.0000055268047,0.0000131107545,0.047251802,0.0001060406,0.0000047132858,0.0002585475,0.0011658972,0.00003273083,0.0005265832,0.00061132,0.95001817,0.000005565755],"about_ca_topic_score_codex":0.05708182,"about_ca_topic_score_gemma":0.16468598,"teacher_disagreement_score":0.061913956,"about_ca_system_score_codex":0.0014062332,"about_ca_system_score_gemma":0.0010457236,"threshold_uncertainty_score":0.2071228},"labels":[],"label_agreement":null},{"id":"W2771115727","doi":"10.1086/696481","title":": <i>St. Anne in Renaissance Music: Devotion and Politics</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"The Renaissance; Art; Performance art; Art history; History; Classics","score_opus":0.03598665282376444,"score_gpt":0.2482643380025606,"score_spread":0.21227768517879614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771115727","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054824367,0.061579354,0.0004632718,0.25735626,0.024332233,0.00005703182,0.0011150369,0.00017728943,0.6000953],"genre_scores_gemma":[0.4011382,0.01859257,0.00037537143,0.018358136,0.008049193,0.000048828762,0.00046367373,0.00019794791,0.5527761],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997347,0.000112995374,0.000010321459,0.000028586275,0.000065889006,0.00004742174],"domain_scores_gemma":[0.99963593,0.00015784656,0.00003887471,0.000023054174,0.00006745797,0.00007685993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007838263,0.0002619587,0.00015011354,0.000518015,0.0026543655,0.00245267,0.00033126757,0.0012061604,0.03222627],"category_scores_gemma":[0.002039871,0.00010076578,0.00011994954,0.0009845162,0.0015354129,0.001666369,0.0013371559,0.001808912,0.00437856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007499543,0.000019873003,0.0024872087,0.00032141167,0.000009349844,0.00028056384,0.03338607,0.00004835917,0.0007616917,0.082590386,0.84189314,0.03812698],"study_design_scores_gemma":[0.0000051684233,0.000017769822,0.013293411,0.00025221432,0.0000035629298,0.00017950837,0.012149723,0.000016973554,0.00026428682,0.0012850343,0.9725223,0.000010032645],"about_ca_topic_score_codex":0.022284206,"about_ca_topic_score_gemma":0.080235645,"teacher_disagreement_score":0.03222627,"about_ca_system_score_codex":0.0013154265,"about_ca_system_score_gemma":0.0009915578,"threshold_uncertainty_score":0.10780758},"labels":[],"label_agreement":null},{"id":"W2771286148","doi":"10.1086/696486","title":": <i>The Poetics of Ruins in Renaissance Literature</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nipissing University","funders":"","keywords":"Poetics; The Renaissance; Art; The arts; Content (measure theory); Art history; Literature; Performance art; Visual arts; Poetry; Mathematics","score_opus":0.029986032765124175,"score_gpt":0.2610998325748672,"score_spread":0.231113799809743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771286148","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06689505,0.09270533,0.0029465873,0.21205394,0.0059756036,0.000020014886,0.00021375329,0.00017498087,0.6190147],"genre_scores_gemma":[0.9043778,0.015069038,0.00060037524,0.0057295086,0.0026737584,0.000021200647,0.00005956948,0.00010079829,0.07136792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991385,0.0006375161,0.000016812255,0.000057174348,0.00009010696,0.00005982707],"domain_scores_gemma":[0.99907315,0.00058662746,0.00008764007,0.000074358024,0.00012545029,0.00005278499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019174645,0.00029368515,0.00018287769,0.00077092025,0.0032848557,0.0043128673,0.0004785565,0.0013661927,0.008359461],"category_scores_gemma":[0.0033817415,0.000101945385,0.00016129922,0.0013616326,0.009002029,0.0050894544,0.0012229687,0.001999513,0.0012814874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003401347,0.000010534559,0.0007378,0.00014453098,0.0000053062,0.00011776817,0.07063985,0.000081267586,0.00017077074,0.81730294,0.09610549,0.014649737],"study_design_scores_gemma":[0.000008591183,0.000025936051,0.004808851,0.00061015156,0.0000131513625,0.0004183632,0.044597644,0.00017555145,0.00055522093,0.06613336,0.8826332,0.000019830619],"about_ca_topic_score_codex":0.008226732,"about_ca_topic_score_gemma":0.014727223,"teacher_disagreement_score":0.008359461,"about_ca_system_score_codex":0.0016736885,"about_ca_system_score_gemma":0.0010527225,"threshold_uncertainty_score":0.027965188},"labels":[],"label_agreement":null},{"id":"W2772334660","doi":"10.1086/696497","title":": <i>The Boke of the Cyte of Ladyes</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Tempe; The Renaissance; Renaissance studies; Center (category theory); Art; Classics; History; Art history; Medicine; Chemistry","score_opus":0.023796037453868202,"score_gpt":0.2344967200011882,"score_spread":0.21070068254732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772334660","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024407152,0.7078385,0.0003552746,0.10559165,0.025176,0.000015464408,0.000723129,0.00013398353,0.15772527],"genre_scores_gemma":[0.07092024,0.23334067,0.0010668804,0.019130778,0.012876493,0.000059742044,0.00082867837,0.0004348986,0.66134167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997459,0.000059856877,0.000009217676,0.000044390657,0.00009168392,0.00004898696],"domain_scores_gemma":[0.99976856,0.00004242015,0.000032080196,0.000016669195,0.00007682359,0.000063378466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037032657,0.0009733123,0.0005214454,0.0010286528,0.003286027,0.0041283085,0.0008501055,0.0014367944,0.061391406],"category_scores_gemma":[0.0008477394,0.00041196,0.00021807151,0.0018738653,0.0024722056,0.0038983817,0.002081658,0.0026867457,0.013456326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033380777,0.000006107571,0.0002625834,0.00020626534,0.0000034872114,0.000052803443,0.0010609947,0.000014889648,0.00010204128,0.00700934,0.9584111,0.032837067],"study_design_scores_gemma":[0.0000020532345,0.0000033354122,0.0011201127,0.00027174776,0.0000021194278,0.000053545944,0.0012382648,0.000005772085,0.000067644985,0.00064557913,0.99658597,0.000003872671],"about_ca_topic_score_codex":0.07271066,"about_ca_topic_score_gemma":0.22275728,"teacher_disagreement_score":0.07271066,"about_ca_system_score_codex":0.0034506514,"about_ca_system_score_gemma":0.002309517,"threshold_uncertainty_score":0.20537472},"labels":[],"label_agreement":null},{"id":"W2772486569","doi":"10.1086/696437","title":": <i>Rom: Vom Mittelalter zur Renaissance 1378–1484</i>","year":2017,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art; History","score_opus":0.024110116446049913,"score_gpt":0.24443661024711485,"score_spread":0.22032649380106495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772486569","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009679814,0.015251245,0.00021582184,0.015668083,0.0033557732,0.000029134615,0.0038039207,0.00025244115,0.9517437],"genre_scores_gemma":[0.104862474,0.007099719,0.00040122267,0.0017406669,0.0022629749,0.00007884026,0.0015175765,0.00040858416,0.881628],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99990594,0.000019995901,0.0000054772313,0.000013631899,0.0000328986,0.0000219935],"domain_scores_gemma":[0.999894,0.000038387043,0.0000194953,0.000010261834,0.000018853876,0.000018956047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025154604,0.0003111894,0.00013543785,0.00081965234,0.001028663,0.0017070035,0.00028719148,0.00073180004,0.13986383],"category_scores_gemma":[0.0007258907,0.00008845664,0.000088473265,0.0014591862,0.00079682795,0.0009184639,0.0008494382,0.0006832113,0.030794272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068243484,0.000012056138,0.0009785697,0.00030736977,0.0000039348147,0.00020129967,0.0033257077,0.000042095107,0.00034615447,0.030334402,0.9067199,0.057660386],"study_design_scores_gemma":[0.0000030488886,0.0000041658623,0.0053860396,0.00014262692,8.6093286e-7,0.00007431288,0.0006262202,0.000006223886,0.000115998555,0.00036708062,0.9932706,0.0000028910292],"about_ca_topic_score_codex":0.012223701,"about_ca_topic_score_gemma":0.041820318,"teacher_disagreement_score":0.13986383,"about_ca_system_score_codex":0.0013097117,"about_ca_system_score_gemma":0.0004703166,"threshold_uncertainty_score":0.46789116},"labels":[],"label_agreement":null},{"id":"W2772510616","doi":"10.1086/696390","title":": <i>“A Pearl of Powerful Learning”: The University of Cracow in the Fifteenth Century</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Geopolitical and Social Dynamics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Fifteenth; Pearl; The Renaissance; Art; Classics; Middle Ages; History; Theology; Ancient history; Art history; Archaeology; Philosophy","score_opus":0.012158091732216825,"score_gpt":0.2610385487620734,"score_spread":0.24888045702985656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772510616","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017987292,0.5733851,0.0006724369,0.26671565,0.010878959,0.000025518895,0.00042562734,0.00008822346,0.12982127],"genre_scores_gemma":[0.46183503,0.27821538,0.0009818509,0.026361132,0.006991253,0.0000806479,0.00044640971,0.00021473499,0.22487354],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99943155,0.00016677589,0.00002468904,0.00007845763,0.00011278188,0.00018575501],"domain_scores_gemma":[0.9996835,0.00009079254,0.00005346053,0.00001868282,0.000055344608,0.00009828658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079992117,0.0007884913,0.00031778315,0.0014845274,0.005588756,0.008828395,0.0006806666,0.0021062163,0.010210587],"category_scores_gemma":[0.0011399714,0.0003991804,0.00021879168,0.0037330517,0.0070913336,0.0069385003,0.0032983113,0.0027412535,0.0015165725],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098446704,0.000020544909,0.0014386701,0.0005506706,0.00001041965,0.0002718465,0.026537389,0.00010634977,0.00018413554,0.22661927,0.6840609,0.060101382],"study_design_scores_gemma":[0.0000047462395,0.000007243048,0.004050926,0.00053809956,0.0000047727112,0.00013617269,0.012485736,0.000020937596,0.00017911891,0.0060129385,0.9765406,0.000018696599],"about_ca_topic_score_codex":0.146055,"about_ca_topic_score_gemma":0.27510342,"teacher_disagreement_score":0.146055,"about_ca_system_score_codex":0.010097624,"about_ca_system_score_gemma":0.007534297,"threshold_uncertainty_score":0.29040968},"labels":[],"label_agreement":null},{"id":"W2772718730","doi":"10.1086/696472","title":": <i>Controversies: “Apologia de ‘In principio erat sermo,’” “Apologia de loco ‘Omnes quidem,’” “De esu carnium,” “De delectu ciborum scholia,” “Responsio ad collationes.”</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Philosophy; Humanities; Art; Art history; The Renaissance","score_opus":0.025370403508406907,"score_gpt":0.27066378483139836,"score_spread":0.24529338132299144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772718730","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005739087,0.13609758,0.0017304001,0.5866063,0.008812862,0.000017776309,0.00010083765,0.00005088126,0.2608442],"genre_scores_gemma":[0.50313306,0.06797034,0.0025135798,0.20798661,0.027568815,0.00009351675,0.00017803843,0.00025686895,0.19029911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9965933,0.0017859685,0.00011034458,0.0003948357,0.00075877603,0.00035666573],"domain_scores_gemma":[0.99689925,0.0016003745,0.00043217692,0.00024886837,0.0006040766,0.0002152417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040259277,0.0004818761,0.00033333153,0.0012334831,0.005664746,0.009673323,0.0012277535,0.004974869,0.014473989],"category_scores_gemma":[0.00856635,0.00020598677,0.00030706928,0.0020624883,0.027516324,0.011425624,0.0037199925,0.006849753,0.0023545576],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001650353,0.00000836052,0.00015960794,0.00016815054,0.000006006772,0.0000650443,0.011656559,0.000023897128,0.00009394462,0.6890088,0.28468758,0.014105554],"study_design_scores_gemma":[0.000009142874,0.000006527198,0.00068256294,0.0006073522,0.000005482766,0.00012807555,0.0092172455,0.000039339495,0.00014363178,0.10488233,0.8842665,0.000011852075],"about_ca_topic_score_codex":0.013151177,"about_ca_topic_score_gemma":0.020240474,"teacher_disagreement_score":0.014473989,"about_ca_system_score_codex":0.007127567,"about_ca_system_score_gemma":0.0050758524,"threshold_uncertainty_score":0.05171436},"labels":[],"label_agreement":null},{"id":"W2772907571","doi":"10.1086/696399","title":": <i>Richard “Dutch” Thomson, c. 1569–1613: The Life and Letters of a Renaissance Scholar</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Brill; The Renaissance; Classics; History; Theology; Philosophy; Art history","score_opus":0.03361965911438939,"score_gpt":0.24898942166089919,"score_spread":0.2153697625465098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772907571","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00056962436,0.481274,0.00039157865,0.38051277,0.057337165,0.00005253486,0.0004869693,0.00011959883,0.07925569],"genre_scores_gemma":[0.018032914,0.1952118,0.0008025535,0.22945939,0.045214664,0.00019943499,0.00057828694,0.000494585,0.5100064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787056,0.0007038785,0.00014943794,0.00023567422,0.0008039565,0.00023654653],"domain_scores_gemma":[0.99690765,0.0011335583,0.00048409382,0.000081746635,0.00095494743,0.00043797007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020096018,0.0014754772,0.0008336624,0.0022736941,0.004512221,0.006763764,0.0019373087,0.006677529,0.054467645],"category_scores_gemma":[0.009009983,0.0006342276,0.00044189254,0.003603098,0.0032720182,0.009303027,0.0036932689,0.00510128,0.035688397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066184934,0.0000016894718,0.00003425912,0.00006910546,0.0000012444762,0.00002551699,0.0004777547,0.0000041835733,0.0000212523,0.0017631383,0.9932795,0.0043157255],"study_design_scores_gemma":[0.0000029125792,0.0000017976921,0.00023353293,0.00023836253,0.000001336622,0.000064567794,0.0008730071,0.000005965457,0.000030976982,0.0006744429,0.997867,0.000006165372],"about_ca_topic_score_codex":0.0540189,"about_ca_topic_score_gemma":0.10115507,"teacher_disagreement_score":0.054467645,"about_ca_system_score_codex":0.0054082954,"about_ca_system_score_gemma":0.0043779593,"threshold_uncertainty_score":0.18221241},"labels":[],"label_agreement":null},{"id":"W2773965687","doi":"10.1086/696429","title":": <i>Imagining Early Modern Histories</i>","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"History; Art history; Content (measure theory); Media studies; Art; Sociology; Mathematics","score_opus":0.029456104046331182,"score_gpt":0.3158419997468262,"score_spread":0.286385895700495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773965687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0563872,0.0880922,0.0072187255,0.18568394,0.002983125,0.00001652017,0.00011825743,0.00008060635,0.6594195],"genre_scores_gemma":[0.9066095,0.023477715,0.0016423143,0.0080420505,0.0014551929,0.00002295251,0.000049304184,0.00006218182,0.058638826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954635,0.0003302574,0.0000071785876,0.000030562504,0.000039842358,0.000045900542],"domain_scores_gemma":[0.9994923,0.00031060612,0.00004428668,0.000047123503,0.000047431768,0.000058255282],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001069244,0.00029386804,0.00014652863,0.00086585974,0.0030941307,0.0060787867,0.00048942957,0.0018119238,0.0074756546],"category_scores_gemma":[0.0016065784,0.00013334904,0.0001654575,0.000989633,0.018177409,0.008531163,0.0014810418,0.0028480226,0.0006808894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017991582,0.000005836106,0.00036261044,0.00006508974,0.0000025291133,0.00008767089,0.03449219,0.00010592014,0.00017524339,0.9352914,0.019846218,0.009547325],"study_design_scores_gemma":[0.0000052143387,0.000015072081,0.0014741482,0.00042729915,0.0000059545187,0.00023168972,0.0466967,0.00017505986,0.00032747496,0.44726646,0.50336343,0.000011495513],"about_ca_topic_score_codex":0.0072022323,"about_ca_topic_score_gemma":0.017677959,"teacher_disagreement_score":0.0074756546,"about_ca_system_score_codex":0.0037039854,"about_ca_system_score_gemma":0.0014743339,"threshold_uncertainty_score":0.026874423},"labels":[],"label_agreement":null},{"id":"W2775690125","doi":"10.1086/695347","title":"Litigating for Liberty: Enslaved Morisco Children in Sixteenth-Century Valladolid","year":2017,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Hispanic-African Historical Relations","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Monarchy; Law; Politics; Spanish Civil War; Deportation; History; Action (physics); Sociology; Political science","score_opus":0.029006223080684693,"score_gpt":0.260402062411119,"score_spread":0.23139583933043434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775690125","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9743235,0.001963977,0.0000502944,0.004074206,0.00008027767,0.00003352522,0.00003270778,0.000004515613,0.019436922],"genre_scores_gemma":[0.9863775,0.0014218334,0.000059271286,0.0009989591,0.000025567762,0.000022510814,0.000022817252,0.000007603253,0.011063987],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987375,0.00029267615,0.000028059085,0.00007630757,0.00008854112,0.00077680516],"domain_scores_gemma":[0.99944955,0.00013381662,0.00011620725,0.000025000223,0.000052123083,0.00022338373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013684579,0.00049688277,0.0005043107,0.00082036114,0.021947578,0.0054092417,0.001209842,0.0024323945,0.0049216747],"category_scores_gemma":[0.0014992523,0.0005272097,0.0003667855,0.00070816255,0.014179063,0.0020699953,0.0075948564,0.005682522,0.0004848722],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004631442,0.000092620685,0.012543217,0.00004769532,0.000008600224,0.005692902,0.96129334,0.00003548616,0.0004362471,0.012365392,0.0025242209,0.00491404],"study_design_scores_gemma":[0.000010266619,0.00004366033,0.014094198,0.0002046421,0.000009674092,0.0010982503,0.9476215,0.000012748398,0.00016058744,0.0005338798,0.03619176,0.000018845116],"about_ca_topic_score_codex":0.20253392,"about_ca_topic_score_gemma":0.45456934,"teacher_disagreement_score":0.20253392,"about_ca_system_score_codex":0.011340812,"about_ca_system_score_gemma":0.005835616,"threshold_uncertainty_score":0.40271002},"labels":[],"label_agreement":null},{"id":"W2789803834","doi":"10.1086/697836","title":": <i>Imagining the Parish in Late Medieval England</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"State (computer science); History; Psychological intervention; Media studies; Art; Art history; Sociology; Psychology; Computer science","score_opus":0.01909572011665056,"score_gpt":0.22933575888789942,"score_spread":0.21024003877124886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2789803834","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21401605,0.07875517,0.0011316291,0.12442323,0.0031199993,0.00002653969,0.00022769623,0.00007330359,0.57822645],"genre_scores_gemma":[0.87837803,0.007815596,0.00017300616,0.0034664285,0.00043658057,0.000013314747,0.000030507188,0.000041052066,0.10964546],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959916,0.00022548383,0.000008298319,0.00004132692,0.000036458598,0.000089273046],"domain_scores_gemma":[0.9996636,0.00014951726,0.000041240204,0.000017798617,0.00003894971,0.00008885307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069997227,0.0002677612,0.00016932355,0.0005363574,0.009286412,0.006044229,0.0004713779,0.0016978679,0.013845408],"category_scores_gemma":[0.0012550929,0.00021922478,0.000109050496,0.0007491044,0.013230932,0.005318334,0.0021879163,0.0028444957,0.0011909594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011307871,0.0000137641855,0.00093095214,0.00021510122,0.0000057159195,0.0009576756,0.57007897,0.00009362198,0.00035582425,0.35756457,0.0598757,0.00979505],"study_design_scores_gemma":[0.000011774788,0.000031750904,0.004609687,0.0004127547,0.000008346423,0.00046999077,0.27638665,0.000040923263,0.00029836746,0.012737049,0.70497316,0.000019553294],"about_ca_topic_score_codex":0.116603255,"about_ca_topic_score_gemma":0.3038891,"teacher_disagreement_score":0.116603255,"about_ca_system_score_codex":0.008144284,"about_ca_system_score_gemma":0.002105627,"threshold_uncertainty_score":0.23184907},"labels":[],"label_agreement":null},{"id":"W2790192297","doi":"10.1086/697862","title":": <i>The Pleasant Nights</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Art; Classics; Tempe; Early modern Europe; History; Art history; Medicine","score_opus":0.01852227037533093,"score_gpt":0.3275669440341784,"score_spread":0.30904467365884747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790192297","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014261721,0.7184693,0.0006140922,0.14090784,0.042121775,0.000019398472,0.00043797324,0.00018720051,0.0958162],"genre_scores_gemma":[0.049001284,0.34009606,0.0013125358,0.053123415,0.030052671,0.000090714864,0.00068483467,0.0005639994,0.52507454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999501,0.00017966494,0.000019462175,0.00008152228,0.00013668255,0.00008172139],"domain_scores_gemma":[0.9995565,0.000086433305,0.000048718106,0.000034771998,0.00013471115,0.00013877914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072119536,0.0014051254,0.000540626,0.000954187,0.0025151572,0.0049425727,0.0009762215,0.001851639,0.04153592],"category_scores_gemma":[0.0016044016,0.00045510675,0.000390465,0.0016876005,0.0025795703,0.0059104976,0.002273028,0.0032180639,0.023753133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013460432,0.000005579888,0.00013424273,0.0001548702,0.0000031956208,0.000029940436,0.0012303238,0.000008994543,0.000049885813,0.003598219,0.9639571,0.03081424],"study_design_scores_gemma":[0.0000015655853,0.0000042453607,0.00060064835,0.00022178533,0.000002231193,0.000081701764,0.0015716896,0.0000073543506,0.000050446823,0.0010230164,0.99643075,0.0000044089234],"about_ca_topic_score_codex":0.017233342,"about_ca_topic_score_gemma":0.045575812,"teacher_disagreement_score":0.04153592,"about_ca_system_score_codex":0.0017251011,"about_ca_system_score_gemma":0.0019278233,"threshold_uncertainty_score":0.13895148},"labels":[],"label_agreement":null},{"id":"W2791303439","doi":"10.1086/697787","title":": <i>Success and Suppression: Arabic Sciences and Philosophy in the Renaissance</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"The Renaissance; Arabic; Classics; Theology; Art; History; Philosophy; Art history; Linguistics","score_opus":0.04200315310273557,"score_gpt":0.2676550441794829,"score_spread":0.22565189107674732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791303439","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053728726,0.61756057,0.0005302916,0.23894538,0.018626232,0.000017777684,0.00014870203,0.00009751754,0.11870072],"genre_scores_gemma":[0.3548996,0.29537338,0.0017211204,0.043263577,0.04910891,0.00009950319,0.0003096987,0.00040369606,0.25482062],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99915373,0.0004871074,0.00003410535,0.00006219833,0.00017087773,0.00009200965],"domain_scores_gemma":[0.9987024,0.0006354998,0.00013356302,0.00006148661,0.00027598176,0.0001910662],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016427602,0.0010107418,0.00050266506,0.0014033093,0.0045001055,0.006862936,0.0006911913,0.0018115453,0.020774292],"category_scores_gemma":[0.0033202781,0.00024379032,0.00025996898,0.0023234994,0.0059963185,0.009470448,0.0026229012,0.0026105721,0.0050594723],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069319605,0.000024333423,0.00066993607,0.0004173122,0.0000100044135,0.00014612424,0.022750175,0.00005087691,0.00015653373,0.10600432,0.8171821,0.052519027],"study_design_scores_gemma":[0.000009404261,0.00001414345,0.0019501013,0.0006041527,0.0000065978716,0.00019560233,0.009871141,0.000052304902,0.00015018805,0.015308315,0.9718239,0.000014092691],"about_ca_topic_score_codex":0.013057388,"about_ca_topic_score_gemma":0.022181658,"teacher_disagreement_score":0.9954999,"about_ca_system_score_codex":0.00357415,"about_ca_system_score_gemma":0.0023515173,"threshold_uncertainty_score":0.06949699},"labels":[],"label_agreement":null},{"id":"W2791318927","doi":"10.1086/697782","title":": <i>Building for England: John Cosin’s Architecture in Renaissance Durham and Cambridge</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Architecture; Classics; History; Art; Art history; Archaeology","score_opus":0.013178036654779466,"score_gpt":0.22971715857714178,"score_spread":0.21653912192236233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791318927","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006781719,0.45215347,0.00058287516,0.09975734,0.00756812,0.000022614235,0.00018208526,0.000072522176,0.4328792],"genre_scores_gemma":[0.22684075,0.075622685,0.00065048086,0.010705849,0.0018853799,0.000048282986,0.00012982907,0.00018198327,0.6839347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994735,0.00018176774,0.000011557326,0.000069542366,0.00012490618,0.00013880627],"domain_scores_gemma":[0.999764,0.00005856104,0.000018384322,0.000018345827,0.000059084763,0.00008156287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052105286,0.0010076411,0.00031134134,0.0009918384,0.008097498,0.0046448894,0.00084579695,0.0018145785,0.025816925],"category_scores_gemma":[0.0007360332,0.0004058536,0.00018574466,0.0016768778,0.006537955,0.003743736,0.0022435137,0.0018522305,0.003446718],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025239295,0.000008819218,0.00031896014,0.00015682701,0.0000037702048,0.0002375651,0.021866325,0.00006329824,0.00010824609,0.11750926,0.8330419,0.026659772],"study_design_scores_gemma":[0.000001846648,0.000002192167,0.00064313377,0.00008270623,0.0000012424749,0.000052148043,0.0065245447,0.000006089242,0.00004157279,0.0015905832,0.99104965,0.0000042285637],"about_ca_topic_score_codex":0.2972522,"about_ca_topic_score_gemma":0.6496048,"teacher_disagreement_score":0.2972522,"about_ca_system_score_codex":0.012180528,"about_ca_system_score_gemma":0.003924857,"threshold_uncertainty_score":0.591044},"labels":[],"label_agreement":null},{"id":"W2791382264","doi":"10.1086/697788","title":": <i>John Buridan, “Quaestiones super octo libros Physicorum Aristotelis (secundum ultimam lecturam): Libri III–IV.”</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Brill; History of science; Classics; Middle Ages; Art; Philosophy; Theology","score_opus":0.021075434514867597,"score_gpt":0.2313270056734323,"score_spread":0.21025157115856472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791382264","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001014503,0.5534508,0.0019080653,0.24771556,0.0445214,0.00006214358,0.0010711143,0.00024565303,0.1500107],"genre_scores_gemma":[0.020021815,0.22793014,0.0028834534,0.0992578,0.021836482,0.00013668818,0.0010310417,0.0006702817,0.62623227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987924,0.00034751467,0.00007542228,0.00018753823,0.0005058247,0.0000913077],"domain_scores_gemma":[0.9985091,0.00061759446,0.00016987234,0.0000612125,0.00051539583,0.00012682498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010733502,0.0016525601,0.0005246791,0.0023045242,0.0030967838,0.0038994204,0.0016412461,0.0028516313,0.053519927],"category_scores_gemma":[0.0042798603,0.0005528764,0.00041815423,0.003201295,0.0029246593,0.010135606,0.0022803359,0.0040198066,0.032793492],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009501551,0.0000040105533,0.00007232037,0.00015478276,0.000002084942,0.00001719874,0.0007179252,0.000008186929,0.00005641003,0.005707209,0.981904,0.011346352],"study_design_scores_gemma":[0.0000026370192,0.0000022750917,0.00042765043,0.00025366768,0.0000018987995,0.00006116487,0.0007053289,0.000014051213,0.000090755064,0.0023476281,0.99608636,0.000006750196],"about_ca_topic_score_codex":0.034624647,"about_ca_topic_score_gemma":0.100921474,"teacher_disagreement_score":0.053519927,"about_ca_system_score_codex":0.003501696,"about_ca_system_score_gemma":0.002956982,"threshold_uncertainty_score":0.17904204},"labels":[],"label_agreement":null},{"id":"W2792526139","doi":"10.1086/697811","title":": <i>Autobiography and Letters of a Spanish Nun</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Women Writers","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Vela; Biography; Art; Renaissance studies; tar (computing); Art history; History; Classics","score_opus":0.012880820425127537,"score_gpt":0.20279687803696633,"score_spread":0.1899160576118388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792526139","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039098933,0.27804258,0.0007202287,0.1589619,0.029750578,0.000029751696,0.00092952553,0.00016817165,0.49229833],"genre_scores_gemma":[0.40789294,0.057900533,0.00053763116,0.031001579,0.009052868,0.000052911273,0.0004406221,0.00036126428,0.4927596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999713,0.00013029664,0.0000067379683,0.000044235414,0.000065749606,0.00003987432],"domain_scores_gemma":[0.99965703,0.00011869022,0.00005002669,0.000025096437,0.00010166171,0.000047527847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034638157,0.0006132132,0.00024105691,0.0007185843,0.0040359916,0.0022448248,0.00059650274,0.0010571817,0.012609065],"category_scores_gemma":[0.0012952776,0.0001433398,0.00012692389,0.00092571246,0.003154807,0.0018101851,0.0010471791,0.0019797743,0.0026220507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056145433,0.000016186332,0.0007550343,0.00018521909,0.0000071045683,0.0005977395,0.055522084,0.00003863614,0.00044806802,0.025574991,0.89350957,0.0232893],"study_design_scores_gemma":[0.0000031902116,0.000006365779,0.002111382,0.00027458157,0.0000027988558,0.000372112,0.02758856,0.00002193892,0.00025506463,0.0011387138,0.9682179,0.0000074504587],"about_ca_topic_score_codex":0.06907821,"about_ca_topic_score_gemma":0.12796023,"teacher_disagreement_score":0.06907821,"about_ca_system_score_codex":0.0027538654,"about_ca_system_score_gemma":0.0017760686,"threshold_uncertainty_score":0.13735223},"labels":[],"label_agreement":null},{"id":"W2793752649","doi":"10.1086/697852","title":": <i>Religious War and Religious Peace in Early Modern Europe</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"History; Politics; Brake; Religious studies; Economic history; Media studies; Theology; Political science; Sociology; Law; Philosophy; Engineering","score_opus":0.016580592345948362,"score_gpt":0.22243209198100153,"score_spread":0.20585149963505317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793752649","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004351671,0.849805,0.00009726758,0.10610766,0.0072092228,0.0000046661903,0.00009767286,0.000010903258,0.032315917],"genre_scores_gemma":[0.24969862,0.6403448,0.0002917138,0.030201027,0.03170547,0.000032741962,0.0003421357,0.000054245043,0.04732924],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9996612,0.0001710211,0.00001344495,0.00003871291,0.00005741233,0.000058102658],"domain_scores_gemma":[0.9992361,0.00043468788,0.000106445936,0.000026090725,0.0000873228,0.00010931893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075171207,0.0005662188,0.0004491371,0.0016100139,0.0020255223,0.0037508977,0.0009116112,0.0025066552,0.0090528205],"category_scores_gemma":[0.0014951178,0.0002471148,0.00022075976,0.004036103,0.0034811294,0.006904362,0.0019205249,0.0023899795,0.0011810771],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084368294,0.00006595395,0.0028941743,0.00070335047,0.000032253807,0.00020687873,0.00995779,0.00013190934,0.00009273558,0.11278064,0.81885725,0.054192685],"study_design_scores_gemma":[0.000032930995,0.000050476883,0.031706106,0.0033303248,0.000037428188,0.0004900076,0.018046197,0.000114176146,0.00018882938,0.048458856,0.89750993,0.000034736517],"about_ca_topic_score_codex":0.012387949,"about_ca_topic_score_gemma":0.02826067,"teacher_disagreement_score":0.012387949,"about_ca_system_score_codex":0.0017296532,"about_ca_system_score_gemma":0.0012564893,"threshold_uncertainty_score":0.030284703},"labels":[],"label_agreement":null},{"id":"W2793845419","doi":"10.1086/697830","title":": <i>Anna Trapnel’s Report and Plea; or, A Narrative of Her Journey from London into Cornwall</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plea; Renaissance studies; Narrative; The Renaissance; Classics; History; Early modern Europe; Art; Tempe; Art history; Literature; Law; Political science; Medicine","score_opus":0.033576168238933356,"score_gpt":0.2630148339659767,"score_spread":0.22943866572704333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793845419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005137418,0.22550096,0.0007258894,0.32633272,0.024428738,0.000087491615,0.0021256388,0.00028057428,0.41538057],"genre_scores_gemma":[0.03972862,0.042554222,0.00039518104,0.031521678,0.0031723648,0.0001465805,0.00062418496,0.00048530352,0.88137186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926335,0.00021155774,0.000023675893,0.00009737183,0.00024979422,0.00015417185],"domain_scores_gemma":[0.99915814,0.00029631387,0.00012589987,0.000044058583,0.00019172758,0.00018380849],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078152877,0.0009543456,0.00038262625,0.0011611449,0.005933094,0.004697445,0.0012485791,0.002791467,0.06798867],"category_scores_gemma":[0.0032397183,0.00041153355,0.00024247872,0.0025090792,0.0027173092,0.005879856,0.0032093008,0.003250535,0.021464124],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006391351,0.000002067237,0.00007276352,0.000048526177,7.775143e-7,0.00006593941,0.0021916833,0.0000047422077,0.000041167255,0.0030173897,0.9917778,0.0027707748],"study_design_scores_gemma":[8.8765023e-7,0.0000014699166,0.00032875044,0.00011390636,6.9609104e-7,0.00009592362,0.0042232624,0.000003511314,0.000044179535,0.00018947342,0.99499303,0.00000479017],"about_ca_topic_score_codex":0.055538684,"about_ca_topic_score_gemma":0.16239575,"teacher_disagreement_score":0.06798867,"about_ca_system_score_codex":0.00382211,"about_ca_system_score_gemma":0.002564913,"threshold_uncertainty_score":0.22744477},"labels":[],"label_agreement":null},{"id":"W2793882324","doi":"10.1086/696889","title":"Framing the Early Modern French Best Seller: American Settings for François de Belleforest’s Tragic Histories","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Destiny (ISS module); Manifest destiny; Framing (construction); History; Variety (cybernetics); Literature; Art; Political science; Law; Archaeology; Engineering","score_opus":0.018799721198169844,"score_gpt":0.23562065206122157,"score_spread":0.21682093086305174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793882324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3848216,0.026004288,0.0021185386,0.07113001,0.0012539794,0.000015531119,0.000091994494,0.00011615306,0.5144479],"genre_scores_gemma":[0.9711519,0.002106174,0.00024664548,0.0023008643,0.0002106402,0.0000068591876,0.000013745607,0.000047325866,0.023915919],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847764,0.0008653604,0.000016435277,0.00012337962,0.00015176632,0.0003654289],"domain_scores_gemma":[0.99874026,0.0006261228,0.00010069736,0.00005772882,0.00024152378,0.00023359914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029762776,0.000573437,0.0002852396,0.00163606,0.02108295,0.009563789,0.0006264261,0.002752585,0.0047407136],"category_scores_gemma":[0.002540474,0.00024428708,0.00017539301,0.0013601376,0.017274303,0.003969618,0.0022350578,0.0031935498,0.000379273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059017468,0.000028910303,0.00202839,0.00004084054,0.000010489628,0.0013303579,0.6245693,0.00012566305,0.00033696083,0.3204729,0.036905907,0.014091304],"study_design_scores_gemma":[0.000004725052,0.000015285825,0.0023799557,0.00012959218,0.000007648028,0.0006841175,0.15730676,0.0001014236,0.0001877801,0.0054393136,0.8337184,0.000025024048],"about_ca_topic_score_codex":0.24554905,"about_ca_topic_score_gemma":0.3315451,"teacher_disagreement_score":0.24554905,"about_ca_system_score_codex":0.02071515,"about_ca_system_score_gemma":0.0036285543,"threshold_uncertainty_score":0.4882396},"labels":[],"label_agreement":null},{"id":"W2794229401","doi":"10.1086/697790","title":": <i>Cognitive Confusions: Dreams, Delusions and Illusions in Early Modern Culture</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Illusion; Psychology; Art; History; Art history; Cognitive psychology","score_opus":0.0185223888894226,"score_gpt":0.23718172918343747,"score_spread":0.21865934029401488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794229401","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29644048,0.106591806,0.0027211267,0.40231705,0.0049360082,0.00006783155,0.0008377847,0.00019032856,0.18589766],"genre_scores_gemma":[0.9519733,0.016174808,0.0004022638,0.017569194,0.0013524087,0.000060812614,0.00017291319,0.000034777306,0.012259599],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999749,0.00015006261,0.000011685053,0.00002576589,0.000037323196,0.000026143805],"domain_scores_gemma":[0.99882656,0.00067689404,0.00018689492,0.000069278525,0.00013486594,0.000105366074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010524247,0.00024428172,0.00016631496,0.0006880777,0.0019041272,0.0044849683,0.00043722082,0.0016554247,0.0069887326],"category_scores_gemma":[0.0042927056,0.00013288105,0.00019105001,0.0008741549,0.0072991415,0.0052104974,0.0015566302,0.0026302827,0.00065662374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014001454,0.00007545823,0.027737714,0.0008500207,0.000049695424,0.0012532205,0.51303065,0.00015809688,0.001160365,0.12229636,0.25138706,0.08186141],"study_design_scores_gemma":[0.00003968848,0.000101274934,0.103935346,0.002668821,0.000049289065,0.005105836,0.5680409,0.00028047184,0.0008357908,0.09666938,0.22216122,0.0001119474],"about_ca_topic_score_codex":0.010141013,"about_ca_topic_score_gemma":0.013983185,"teacher_disagreement_score":0.010141013,"about_ca_system_score_codex":0.0009575334,"about_ca_system_score_gemma":0.0009836522,"threshold_uncertainty_score":0.023379624},"labels":[],"label_agreement":null},{"id":"W2798445999","doi":"10.1353/ren.0.0382","title":": <i>Patronage and Humanist Literature in the Age of the Jagiellons: Court and Career in the Writings of Rudolf Agricola Junior, Valentin Eck, and Leonard Cox</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanism; Append; Index (typography); History; Classics; Art; Art history; Media studies; Humanities; Theology; Sociology; Philosophy","score_opus":0.025696788136470042,"score_gpt":0.2116841463908662,"score_spread":0.18598735825439616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2798445999","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005025727,0.6912324,0.00022165656,0.21105632,0.013493482,0.000013555933,0.000098037905,0.000028486369,0.07883028],"genre_scores_gemma":[0.3457717,0.35267767,0.0008530892,0.039194755,0.04117934,0.00007349255,0.00021313466,0.00015172671,0.21988507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993705,0.00036084076,0.00002177049,0.000060708073,0.000113657334,0.000072454684],"domain_scores_gemma":[0.9986236,0.00085445266,0.00017151455,0.00004591528,0.00012514822,0.0001793387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00142795,0.00060982525,0.00040001288,0.0016316226,0.0044364077,0.004552713,0.00070888834,0.0021422573,0.007098646],"category_scores_gemma":[0.002448301,0.0002653732,0.00016900612,0.002361528,0.0058138077,0.0043579647,0.0016925613,0.002810439,0.001286265],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033786793,0.000013893008,0.0004334913,0.00026070006,0.000005568479,0.00017195009,0.024718134,0.000031670603,0.00009207477,0.06873608,0.88170207,0.023800686],"study_design_scores_gemma":[0.0000065907884,0.0000078268,0.0020888203,0.00073303864,0.0000039638426,0.00020329414,0.011803846,0.000020750796,0.00007194289,0.006474781,0.97857565,0.000009473355],"about_ca_topic_score_codex":0.023039235,"about_ca_topic_score_gemma":0.060810942,"teacher_disagreement_score":0.023039235,"about_ca_system_score_codex":0.004188023,"about_ca_system_score_gemma":0.0021929187,"threshold_uncertainty_score":0.045810223},"labels":[],"label_agreement":null},{"id":"W2807778597","doi":"10.1086/699069","title":": <i>Teachers, Students, and Schools of Greek in the Renaissance</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; The Renaissance; Classics; Art; Humanities; Theology; Religious studies; Philosophy; Art history","score_opus":0.03572027935691639,"score_gpt":0.27886667105231594,"score_spread":0.24314639169539953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807778597","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045929933,0.9126349,0.00017041338,0.04364922,0.00470231,0.0000066380676,0.00005383605,0.000028568726,0.034161154],"genre_scores_gemma":[0.26206633,0.5999631,0.0006670046,0.01356033,0.009116641,0.000044757748,0.00018840049,0.00010479509,0.11428858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992741,0.00044641903,0.000035789246,0.00006750176,0.00010632773,0.00006993495],"domain_scores_gemma":[0.99942315,0.0002746879,0.00008333983,0.000049767383,0.0000750539,0.000094014504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010995609,0.0008305091,0.00046363173,0.0012435806,0.0015487574,0.0046163443,0.0009745581,0.002250454,0.00896977],"category_scores_gemma":[0.001753367,0.00029442107,0.00022985884,0.002960186,0.005195245,0.007402828,0.0024617314,0.0018499153,0.0018985792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007170075,0.00005172327,0.0023712255,0.0014257485,0.00003187338,0.0005314974,0.08788479,0.00015841468,0.00019811904,0.12526527,0.5948319,0.1871778],"study_design_scores_gemma":[0.000010119143,0.000016275519,0.0030361398,0.0011925767,0.0000092259825,0.00025609907,0.024026927,0.000021955246,0.000094090574,0.014964049,0.95636123,0.000011301409],"about_ca_topic_score_codex":0.010823884,"about_ca_topic_score_gemma":0.018889807,"teacher_disagreement_score":0.010823884,"about_ca_system_score_codex":0.0028669569,"about_ca_system_score_gemma":0.0021047746,"threshold_uncertainty_score":0.030006945},"labels":[],"label_agreement":null},{"id":"W2807779285","doi":"10.1086/699124","title":": <i>Histoires de mariage: Le mariage dans la fiction narrative française (1515–1559)</i>","year":2018,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Art; The Renaissance; Art history","score_opus":0.008147944570226256,"score_gpt":0.21297954924183102,"score_spread":0.20483160467160477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807779285","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16508411,0.07257894,0.0018031335,0.079979636,0.0073621823,0.000047766734,0.0010773031,0.00019241073,0.6718746],"genre_scores_gemma":[0.69515604,0.0056394716,0.00051509973,0.0029625553,0.00083069794,0.00003432621,0.00017672175,0.00017329786,0.29451182],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955827,0.00020239362,0.0000130007575,0.000059104103,0.000082158855,0.00008496757],"domain_scores_gemma":[0.999566,0.00021821324,0.00005303381,0.0000214296,0.000071950584,0.00006936585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009397168,0.00045296567,0.00019389528,0.0007440045,0.0073313206,0.0027842938,0.0004378984,0.0014708198,0.014271612],"category_scores_gemma":[0.0025029215,0.00015594398,0.00017859848,0.0010595961,0.004327315,0.0018233149,0.0012244326,0.0019000482,0.0021306076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001281912,0.000021986929,0.003357849,0.0003141675,0.000017331926,0.0011848848,0.40301326,0.0001287273,0.0014441696,0.22156212,0.33423248,0.034594882],"study_design_scores_gemma":[0.0000027150004,0.000010571243,0.0059228605,0.00016748004,0.000003501613,0.00034037547,0.022689795,0.00001852113,0.00032299102,0.0008547337,0.9696545,0.0000121147095],"about_ca_topic_score_codex":0.15115578,"about_ca_topic_score_gemma":0.33039144,"teacher_disagreement_score":0.15115578,"about_ca_system_score_codex":0.0062960507,"about_ca_system_score_gemma":0.0021397166,"threshold_uncertainty_score":0.3005519},"labels":[],"label_agreement":null},{"id":"W2807822940","doi":"10.1086/698138","title":"Exorcism and Religious Politics in Fifteenth-Century Florence","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Exorcism; Schism; Orthodoxy; Fifteenth; Politics; Demonology; Art; History; Religious studies; Ancient history; Literature; Philosophy; Law; Political science; Archaeology","score_opus":0.02219121811330185,"score_gpt":0.24020580686481144,"score_spread":0.21801458875150959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807822940","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86956567,0.004677907,0.00012014008,0.006416478,0.00011334417,0.000010397509,0.000017256463,0.000009923777,0.11906901],"genre_scores_gemma":[0.99368554,0.00019716068,0.000017397684,0.00013723139,0.00002068027,0.0000018269384,0.000002236837,0.0000015879833,0.005936179],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941754,0.00024903848,0.000012659417,0.000059998245,0.0000798148,0.00018103083],"domain_scores_gemma":[0.99942756,0.00026215846,0.00011440201,0.000027532444,0.00005131743,0.000117115545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011880542,0.00015690649,0.00017522,0.00088606495,0.007713656,0.002651908,0.00043468602,0.0008904485,0.0045348527],"category_scores_gemma":[0.0019423364,0.00011453589,0.00006337438,0.00045014606,0.014373484,0.0009487125,0.0021883743,0.001430722,0.000179202],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001103301,0.00006160328,0.013094074,0.00009703319,0.0000075008725,0.0033010545,0.6422219,0.00010825,0.0010159303,0.31285504,0.0043457993,0.022781426],"study_design_scores_gemma":[0.000044901284,0.00016999387,0.103971735,0.00042750355,0.000008889026,0.001661514,0.24661525,0.000100621925,0.00081437564,0.015026882,0.6311075,0.00005078127],"about_ca_topic_score_codex":0.04260225,"about_ca_topic_score_gemma":0.088869296,"teacher_disagreement_score":0.04260225,"about_ca_system_score_codex":0.008845574,"about_ca_system_score_gemma":0.0014552431,"threshold_uncertainty_score":0.08470851},"labels":[],"label_agreement":null},{"id":"W2807835577","doi":"10.1086/699036","title":": <i>The Correspondence of Erasmus: Letters 2357 to 2471, August 1530–March 1531</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; History; Art history; The Renaissance","score_opus":0.022136375971565706,"score_gpt":0.24568963798967428,"score_spread":0.22355326201810857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807835577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019082119,0.06370124,0.00034017148,0.19284488,0.07718999,0.00006509837,0.0016134722,0.0002679004,0.66206896],"genre_scores_gemma":[0.0105273,0.0067537567,0.00017072164,0.024469888,0.006927788,0.000058687925,0.000319184,0.00021898569,0.9505537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990429,0.00018449678,0.00004426812,0.00011756252,0.00037333867,0.00023737596],"domain_scores_gemma":[0.99897647,0.00030504516,0.00009762948,0.000048631922,0.0003723325,0.00019981439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089884584,0.00075799867,0.0005003743,0.0013167848,0.0057786214,0.004728259,0.00078247924,0.00412428,0.15943652],"category_scores_gemma":[0.0047396226,0.00039736685,0.0002997246,0.0019189097,0.0015887212,0.0027994611,0.0021234995,0.0040496485,0.06821537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008503396,0.000001630783,0.000032861062,0.000023326174,5.220315e-7,0.00002512922,0.00018596636,0.000002950844,0.000029507724,0.002735491,0.99377406,0.0031800459],"study_design_scores_gemma":[0.0000012694496,0.000002181307,0.00029463397,0.00007244096,4.4641376e-7,0.000018535418,0.00035229788,0.00000351068,0.000038889586,0.00039711513,0.99881554,0.0000031530997],"about_ca_topic_score_codex":0.025919758,"about_ca_topic_score_gemma":0.06764224,"teacher_disagreement_score":0.15943652,"about_ca_system_score_codex":0.0039381464,"about_ca_system_score_gemma":0.0031895968,"threshold_uncertainty_score":0.53336835},"labels":[],"label_agreement":null},{"id":"W2807846636","doi":"10.1086/699076","title":": <i>This Happened in My Presence: Moriscos, Old Christians, and the Spanish Inquisition in the Town of Deza, 1569–1611</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"History; Media studies; Sociology","score_opus":0.012204859100638378,"score_gpt":0.2205268460386716,"score_spread":0.20832198693803322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807846636","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047606938,0.45875216,0.00031129282,0.23658237,0.01274,0.000024947269,0.00034438184,0.00004640698,0.2435916],"genre_scores_gemma":[0.5251132,0.18577713,0.0004821083,0.025841713,0.009593719,0.00007352182,0.0003557859,0.00018131899,0.2525816],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99955016,0.0002284029,0.000009927057,0.00004565994,0.00006153012,0.00010438366],"domain_scores_gemma":[0.9995889,0.00012519119,0.000066391534,0.00001796488,0.00006631396,0.00013523518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010090475,0.0005686737,0.00032444144,0.00074455456,0.0066557815,0.0057363925,0.00082251645,0.001712653,0.010342331],"category_scores_gemma":[0.0012754229,0.00023878587,0.00020762539,0.0013830866,0.0070405295,0.0045572147,0.0031769264,0.003304944,0.0018982053],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093349336,0.00002759975,0.003992839,0.00048216025,0.000019469899,0.0011474438,0.20358224,0.000047207268,0.00031076456,0.0504171,0.69472516,0.04515466],"study_design_scores_gemma":[0.0000084559615,0.000008671229,0.005826157,0.0006758998,0.000007897397,0.0004146681,0.1260772,0.000009601746,0.00010694074,0.0019505116,0.8649019,0.000012130362],"about_ca_topic_score_codex":0.064826705,"about_ca_topic_score_gemma":0.16807403,"teacher_disagreement_score":0.064826705,"about_ca_system_score_codex":0.0041180016,"about_ca_system_score_gemma":0.0026198593,"threshold_uncertainty_score":0.12889874},"labels":[],"label_agreement":null},{"id":"W2807936918","doi":"10.1086/699035","title":": <i>Annotations on Galatians and Ephesians</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Theology; Media studies; Sociology; Art; Philosophy; Art history","score_opus":0.023753554549469202,"score_gpt":0.23258826338540775,"score_spread":0.20883470883593855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807936918","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007518242,0.2765654,0.0028743746,0.07709553,0.05070859,0.000056541492,0.0076454985,0.00055043044,0.5769855],"genre_scores_gemma":[0.15935126,0.121278614,0.004298533,0.016968928,0.025009533,0.0001728381,0.010260868,0.0022533669,0.6604061],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994116,0.00022945975,0.00003678502,0.000068805166,0.00019194509,0.000061378596],"domain_scores_gemma":[0.9989942,0.00047246343,0.00010695667,0.00010117419,0.00023240667,0.00009272956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010062462,0.00073587016,0.0005013482,0.0041338326,0.0027819208,0.0033658063,0.0006804632,0.0011777041,0.05597273],"category_scores_gemma":[0.0027278503,0.00025789966,0.00020806733,0.006898495,0.0032423506,0.00460714,0.0025468862,0.0018759317,0.010921117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041553394,0.000006956651,0.0002267805,0.00044953724,0.0000034793127,0.000077824836,0.00935236,0.000029601386,0.0002232265,0.02608022,0.92703193,0.036476646],"study_design_scores_gemma":[0.0000014276924,0.000001374513,0.0007565685,0.0004465038,0.0000011630859,0.000045317593,0.0016584164,0.0000061204482,0.00007257611,0.0014810272,0.9955265,0.0000030781623],"about_ca_topic_score_codex":0.010917291,"about_ca_topic_score_gemma":0.029527174,"teacher_disagreement_score":0.05597273,"about_ca_system_score_codex":0.002309384,"about_ca_system_score_gemma":0.0013018202,"threshold_uncertainty_score":0.1872474},"labels":[],"label_agreement":null},{"id":"W2808264040","doi":"10.1086/699138","title":": <i>The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"","keywords":"Race (biology); Human sexuality; History; Sociology; Gender studies","score_opus":0.03134361393024432,"score_gpt":0.2529369005494432,"score_spread":0.22159328661919886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808264040","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00084698846,0.8555448,0.0018262421,0.027117442,0.008704189,0.000017979939,0.00034900176,0.0001677225,0.1054257],"genre_scores_gemma":[0.044380397,0.53709245,0.0028312593,0.010458892,0.010181316,0.00010976543,0.0008056996,0.0005496653,0.39359057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989347,0.0003283743,0.00009894173,0.00011966585,0.000420919,0.00009740425],"domain_scores_gemma":[0.9985176,0.00066766416,0.00013156518,0.00011431104,0.00039723222,0.00017175543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013116578,0.0012441558,0.0007930714,0.0024287296,0.002052286,0.0052681165,0.0010195,0.0019713081,0.040297724],"category_scores_gemma":[0.0032212897,0.00054460013,0.00034519445,0.0037109125,0.003515916,0.0072308327,0.0021170154,0.0028587228,0.015384327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002856331,0.000015931373,0.00030994698,0.00088873616,0.000011957313,0.00009271067,0.0051761298,0.000039540897,0.00013512421,0.029783804,0.84445125,0.11906623],"study_design_scores_gemma":[0.0000016507689,0.0000051637603,0.00067773473,0.000693954,0.000003434846,0.000110284935,0.0012359351,0.000008312585,0.000057641493,0.0040344694,0.9931645,0.000006923463],"about_ca_topic_score_codex":0.014515294,"about_ca_topic_score_gemma":0.031272024,"teacher_disagreement_score":0.040297724,"about_ca_system_score_codex":0.0019153102,"about_ca_system_score_gemma":0.0038027072,"threshold_uncertainty_score":0.13480932},"labels":[],"label_agreement":null},{"id":"W2808354280","doi":"10.1086/699057","title":": <i>Crusade Propaganda in Word and Image in Early Modern Italy: Niccolò Guidalotto’s “Panorama of Constantinople” (1662)</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panorama; The Renaissance; Art; Early modern Europe; Classics; History; Art history; Humanities; Literature; Visual arts","score_opus":0.016771113257438203,"score_gpt":0.28540702963401643,"score_spread":0.26863591637657824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808354280","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040215682,0.2791905,0.00066296384,0.27810568,0.004832578,0.000017269253,0.00008006413,0.000039166247,0.3968561],"genre_scores_gemma":[0.8204975,0.043916535,0.0005248584,0.021842746,0.0052853576,0.000058618283,0.00005063767,0.00006921759,0.107754625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999466,0.000336519,0.00000925644,0.000051647185,0.00006475303,0.00007184492],"domain_scores_gemma":[0.9996094,0.00021981516,0.00006207507,0.00002338478,0.000042941272,0.000042412183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008160053,0.0005136044,0.00018892388,0.0008867718,0.0033958426,0.003295265,0.00048222212,0.002692522,0.0024736843],"category_scores_gemma":[0.0012250172,0.00016302777,0.00014219912,0.0011049806,0.013011578,0.0036592865,0.0015579715,0.0025861189,0.0005561003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062940984,0.000025571755,0.0016675604,0.00021834909,0.000006409672,0.0003410797,0.1812596,0.00006946181,0.00023870882,0.44119114,0.34905767,0.025861563],"study_design_scores_gemma":[0.0000143817115,0.000018912699,0.008165429,0.0005989269,0.000006706966,0.0003048974,0.027037196,0.000052048847,0.00022966693,0.018872835,0.9446797,0.00001931677],"about_ca_topic_score_codex":0.019916847,"about_ca_topic_score_gemma":0.04062779,"teacher_disagreement_score":0.019916847,"about_ca_system_score_codex":0.0038563379,"about_ca_system_score_gemma":0.0013913594,"threshold_uncertainty_score":0.039601803},"labels":[],"label_agreement":null},{"id":"W2808410523","doi":"10.1086/699123","title":": <i>The Book of the Mutability of Fortune</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Renaissance studies; Tempe; Early modern Europe; Classics; Art; History; Art history; Medicine","score_opus":0.00982426477323958,"score_gpt":0.21004130299667917,"score_spread":0.2002170382234396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808410523","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026135908,0.53281474,0.0019836512,0.09558,0.017765384,0.000012376756,0.00040711506,0.00018392652,0.3486392],"genre_scores_gemma":[0.13405094,0.19408691,0.0022356587,0.03326118,0.018317213,0.000060703904,0.0006046725,0.0005206379,0.6168621],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963605,0.0001264051,0.00001478899,0.00005944262,0.00011052389,0.00005278855],"domain_scores_gemma":[0.99964535,0.00013476348,0.000040423263,0.00003868137,0.00008787133,0.000053010106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041999668,0.00078049017,0.00032303526,0.00092114747,0.0021837074,0.0044388934,0.00081578025,0.0015306876,0.016411105],"category_scores_gemma":[0.0014123229,0.00028832204,0.00030802164,0.001416686,0.0049204766,0.0057886406,0.0010684625,0.0027005917,0.0050294828],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021732183,0.000006982692,0.00021308198,0.00014210057,0.000007120589,0.000071147144,0.0027825274,0.00005466623,0.00011234051,0.11488796,0.84772074,0.033979632],"study_design_scores_gemma":[0.0000022052218,0.000004477397,0.00045046987,0.00024762974,0.0000034984753,0.00013375907,0.0009313519,0.000024013216,0.00011977171,0.017123342,0.9809534,0.000006245003],"about_ca_topic_score_codex":0.010578332,"about_ca_topic_score_gemma":0.02290188,"teacher_disagreement_score":0.016411105,"about_ca_system_score_codex":0.0026060294,"about_ca_system_score_gemma":0.0021273457,"threshold_uncertainty_score":0.054900587},"labels":[],"label_agreement":null},{"id":"W2808523955","doi":"10.1086/699099","title":": <i>Cultures of Communication: Theologies of Media in Early Modern Europe and Beyond</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Art; Sociology","score_opus":0.026551135139609185,"score_gpt":0.24682644495328904,"score_spread":0.22027530981367985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808523955","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006194448,0.7922073,0.0020163278,0.08609388,0.0065501393,0.000012552803,0.00011895535,0.00006831187,0.10673812],"genre_scores_gemma":[0.31490132,0.5508578,0.0023107596,0.019554319,0.01174512,0.00008246326,0.00022063009,0.00015985416,0.10016769],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886715,0.0006074028,0.000044205408,0.00008429965,0.00020173223,0.00019523545],"domain_scores_gemma":[0.99874854,0.00062867004,0.00014565278,0.000073049785,0.00023426903,0.00016976664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017262215,0.001106164,0.0005369073,0.002723766,0.0031003247,0.010270027,0.0009697796,0.0029986508,0.007943399],"category_scores_gemma":[0.0026456069,0.00037190752,0.00029936136,0.0049741417,0.011088687,0.016574234,0.0030056501,0.0028263787,0.0021015722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067368266,0.000030770872,0.0013641333,0.0007000006,0.000025866342,0.00022940176,0.04953288,0.00014040244,0.00021612665,0.35626942,0.4752516,0.116171986],"study_design_scores_gemma":[0.000007708324,0.000016527783,0.0031851912,0.0020966372,0.000017162165,0.00033029984,0.032076553,0.00008628581,0.0002975536,0.07282208,0.8890401,0.000023898037],"about_ca_topic_score_codex":0.016445668,"about_ca_topic_score_gemma":0.019198261,"teacher_disagreement_score":0.016445668,"about_ca_system_score_codex":0.004854514,"about_ca_system_score_gemma":0.0041118404,"threshold_uncertainty_score":0.035222113},"labels":[],"label_agreement":null},{"id":"W2808588217","doi":"10.1086/699037","title":": <i>L’invention de la vie privée et le modèle d’Horace</i>","year":2018,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Humanities; Art; Line (geometry); Mathematics","score_opus":0.036780527381749716,"score_gpt":0.29984184212458775,"score_spread":0.26306131474283806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808588217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024440577,0.021418521,0.014368086,0.14547183,0.0025057134,0.000020845338,0.00012852837,0.00012940764,0.79151654],"genre_scores_gemma":[0.85264844,0.009400911,0.00373546,0.0055907085,0.001110853,0.000041019863,0.00006243137,0.00017159012,0.12723848],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866664,0.0007892839,0.000026820566,0.0001553426,0.00022161982,0.00014024695],"domain_scores_gemma":[0.99882954,0.0006364863,0.00011213862,0.0001798486,0.0001536592,0.00008839623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019974322,0.00029925804,0.00020245387,0.0005840461,0.0033074878,0.006663046,0.00072609505,0.0026740374,0.0147874225],"category_scores_gemma":[0.0040683905,0.00021305609,0.00036552275,0.0010740019,0.013365878,0.007903731,0.0018956881,0.0036226253,0.0018281927],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060596703,0.0000031389525,0.000118077245,0.000020071015,0.0000015941911,0.000022487198,0.002976988,0.00006352373,0.000047669957,0.9844363,0.008124677,0.004179355],"study_design_scores_gemma":[0.000008338502,0.000015959959,0.0014866194,0.00019908811,0.0000054833126,0.00016449169,0.004293061,0.0004181689,0.00031395484,0.22774677,0.7653276,0.000020432284],"about_ca_topic_score_codex":0.021232896,"about_ca_topic_score_gemma":0.02499741,"teacher_disagreement_score":0.021232896,"about_ca_system_score_codex":0.0048532975,"about_ca_system_score_gemma":0.0025388992,"threshold_uncertainty_score":0.049468875},"labels":[],"label_agreement":null},{"id":"W2808590764","doi":"10.1086/699118","title":": <i>Selected Letters</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tempe; Renaissance studies; The Renaissance; History; Classics; Early modern Europe; Art; Art history; Chemistry","score_opus":0.01174735877715272,"score_gpt":0.21033059775469834,"score_spread":0.19858323897754562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808590764","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044943762,0.054105878,0.0007657626,0.14625734,0.29551914,0.00023535444,0.0053821662,0.0013310994,0.4959538],"genre_scores_gemma":[0.0021331457,0.013344269,0.00024202948,0.031023175,0.039216947,0.000119128534,0.0015864403,0.0004433504,0.9118915],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924785,0.00011135683,0.000054443604,0.00014211956,0.0003484741,0.000095827825],"domain_scores_gemma":[0.99712914,0.0004784067,0.00019135336,0.00010563466,0.001633287,0.00046218818],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007149323,0.0017764905,0.0011540266,0.0019147013,0.0021546707,0.003801228,0.0015105961,0.002879302,0.4368855],"category_scores_gemma":[0.0046878546,0.00054490514,0.0006253029,0.0019634117,0.0006871239,0.0033135533,0.0020397895,0.0030102648,0.40953895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029178907,0.0000016416018,0.000011863598,0.000020134368,3.061502e-7,0.0000059812623,0.000008023974,0.0000022070267,0.0000133356,0.00007114039,0.99673945,0.0031229453],"study_design_scores_gemma":[0.0000024119104,0.000004803322,0.00022984255,0.00009493736,8.346134e-7,0.000028652925,0.00007929674,0.000008909584,0.000036367484,0.00015956008,0.99934953,0.0000048241086],"about_ca_topic_score_codex":0.009056787,"about_ca_topic_score_gemma":0.016988693,"teacher_disagreement_score":0.4368855,"about_ca_system_score_codex":0.0021776739,"about_ca_system_score_gemma":0.00131373,"threshold_uncertainty_score":0.8032145},"labels":[],"label_agreement":null},{"id":"W2808654364","doi":"10.1086/699059","title":": <i>Buying Baroque: Italian Seventeenth-Century Paintings Come to America</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Baroque; Painting; State (computer science); Art history; Art; Performance art; History","score_opus":0.02001093389009507,"score_gpt":0.24362373217867853,"score_spread":0.22361279828858346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808654364","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045868326,0.3218537,0.00041082103,0.124534495,0.030467073,0.000035810397,0.0008342846,0.00021610009,0.51706094],"genre_scores_gemma":[0.08460718,0.13735713,0.00087100954,0.031758867,0.025343198,0.000090697686,0.0010408844,0.0005356683,0.71839535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995889,0.000106041276,0.000015995827,0.000055926474,0.00015493749,0.00007826208],"domain_scores_gemma":[0.999696,0.00008841818,0.000048662496,0.00002583179,0.00008394593,0.000057206034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081384764,0.0010276904,0.0003587655,0.0019123537,0.0045481967,0.0062811216,0.0008571097,0.0018001007,0.05981161],"category_scores_gemma":[0.0013164788,0.00048559584,0.0004122305,0.0037955984,0.0035861048,0.006806391,0.0021019322,0.0027582678,0.013705944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014493606,0.0000054556567,0.00027717196,0.00014771652,0.0000040561135,0.00006628436,0.00332015,0.0000084749445,0.00008269079,0.008798654,0.96693057,0.020344276],"study_design_scores_gemma":[0.0000024745405,0.0000034523955,0.0020658318,0.00033774113,0.0000030286685,0.00017117185,0.0028582455,0.000006139424,0.000080804835,0.0008701421,0.9935953,0.000005738673],"about_ca_topic_score_codex":0.044499334,"about_ca_topic_score_gemma":0.1492979,"teacher_disagreement_score":0.05981161,"about_ca_system_score_codex":0.0037077374,"about_ca_system_score_gemma":0.0019393361,"threshold_uncertainty_score":0.20008975},"labels":[],"label_agreement":null},{"id":"W281825281","doi":"10.1353/ren.2008.0360","title":": <i>Lorenzo de’Medici: Collector and Antiquarian</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Append; Index (typography); Humanities; Art; Volume (thermodynamics); Physics; Computer science; Thermodynamics","score_opus":0.006886468884723561,"score_gpt":0.18321556832563554,"score_spread":0.176329099440912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W281825281","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001212159,0.78850764,0.00065873505,0.06560337,0.02117758,0.000026923683,0.0006608864,0.00020295102,0.12194987],"genre_scores_gemma":[0.04884396,0.28131709,0.0012600573,0.018239267,0.02234417,0.0000820105,0.0009526287,0.000404379,0.6265565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996724,0.000088040644,0.00001918902,0.00006264194,0.00010604447,0.000051629828],"domain_scores_gemma":[0.99944824,0.00014144811,0.000088245404,0.0000347446,0.0002251827,0.000062046194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059048046,0.0013174552,0.0005165888,0.0027105827,0.002081655,0.0031649033,0.00088174065,0.0015368843,0.06508065],"category_scores_gemma":[0.0013807879,0.0004392423,0.00025515282,0.0036568898,0.0013563365,0.0040470744,0.0013243095,0.0018690208,0.025930144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021108392,0.0000035971686,0.00014566083,0.00019066906,0.0000032816345,0.00002263395,0.0007668945,0.000011083906,0.000093336515,0.00658058,0.9609359,0.031225175],"study_design_scores_gemma":[0.0000017867084,0.0000027366752,0.0005591071,0.00016559027,0.0000017866727,0.000057069068,0.00028524443,0.00000533019,0.00005017693,0.00050454156,0.99836355,0.0000030187375],"about_ca_topic_score_codex":0.029983003,"about_ca_topic_score_gemma":0.06476832,"teacher_disagreement_score":0.06508065,"about_ca_system_score_codex":0.0033913816,"about_ca_system_score_gemma":0.001608174,"threshold_uncertainty_score":0.21771646},"labels":[],"label_agreement":null},{"id":"W2889762909","doi":"10.1086/700459","title":": <i>Before Copernicus: The Cultures and Contexts of Scientific Learning in the Fifteenth Century</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fifteenth; Queen (butterfly); Copernicus; Art history; History; Art; Media studies; Humanities; Classics; Sociology","score_opus":0.01647708223083955,"score_gpt":0.24568016501612913,"score_spread":0.22920308278528959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889762909","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001843719,0.7347442,0.0008383366,0.15576737,0.015998855,0.000016204622,0.0003074125,0.000075939366,0.09040804],"genre_scores_gemma":[0.10154613,0.6440124,0.0024718328,0.04129199,0.01400743,0.00013014095,0.00063557003,0.00042724187,0.19547734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894303,0.00033579775,0.000076161705,0.00013521755,0.0003558274,0.0001539109],"domain_scores_gemma":[0.997528,0.0011094726,0.00032033116,0.00018499006,0.0004075034,0.00044960924],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001431002,0.00077255996,0.00058796786,0.0014002436,0.002454815,0.00850143,0.0011341728,0.0023793594,0.030853653],"category_scores_gemma":[0.0033974503,0.00040998406,0.00031764776,0.0052207126,0.008338353,0.010674827,0.0027229516,0.0042818193,0.005852443],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045948742,0.000015447355,0.0007425174,0.0011365295,0.000012084997,0.00014662025,0.010228888,0.00012373974,0.00022430898,0.070218295,0.8168613,0.1002444],"study_design_scores_gemma":[0.000004350152,0.000005636617,0.0020151401,0.0023119764,0.0000034757165,0.000102554826,0.0035448659,0.00002062359,0.00014068287,0.008480771,0.98335636,0.000013575097],"about_ca_topic_score_codex":0.039729472,"about_ca_topic_score_gemma":0.061370157,"teacher_disagreement_score":0.9975452,"about_ca_system_score_codex":0.007676517,"about_ca_system_score_gemma":0.011362904,"threshold_uncertainty_score":0.103215754},"labels":[],"label_agreement":null},{"id":"W2889928331","doi":"10.1086/699602","title":"Plague and Violence in Early Modern Italy","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Yersinia bacterium, plague, ectoparasites research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Plague (disease); Nobility; Homicide; Context (archaeology); Criminology; Poverty; Geography; History; Outbreak; Politics; Political science; Vagrancy; Rural area; Socioeconomics; Sociology; Ancient history; Law; Archaeology; Poison control; Suicide prevention","score_opus":0.009967966110164594,"score_gpt":0.27069557248676757,"score_spread":0.26072760637660297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889928331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98577905,0.004505905,0.00003922975,0.0003195398,0.000012388556,0.000006026913,0.000025390691,0.0000012805474,0.009311239],"genre_scores_gemma":[0.9944917,0.0032792692,0.000046427213,0.00008834046,0.000044857534,0.0000053508606,0.00003570438,0.0000010304659,0.0020073492],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9997106,0.000120548764,0.000011287478,0.000025818572,0.00002920125,0.00010241364],"domain_scores_gemma":[0.9998258,0.000027977347,0.00009811691,0.000008265522,0.00001217729,0.000027734937],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042300738,0.00013740272,0.00015811084,0.0014527114,0.0011294268,0.0013120858,0.00015366507,0.00044424232,0.0013882774],"category_scores_gemma":[0.00060100394,0.00013951816,0.00011462122,0.0013334119,0.0023856575,0.00039982304,0.0010633128,0.00038600617,0.00014181713],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040234264,0.00022243577,0.848648,0.00018136336,0.00004125874,0.00326246,0.07817039,0.00028019203,0.0048248414,0.010835838,0.0017247484,0.051406015],"study_design_scores_gemma":[0.0000013210788,0.000034102348,0.9899221,0.00001895012,0.0000023538,0.00041115438,0.0041086115,0.000014418169,0.000058938633,0.00021710462,0.0052076993,0.0000032262105],"about_ca_topic_score_codex":0.012646454,"about_ca_topic_score_gemma":0.035533372,"teacher_disagreement_score":0.012646454,"about_ca_system_score_codex":0.0017566384,"about_ca_system_score_gemma":0.00037551392,"threshold_uncertainty_score":0.02514571},"labels":[],"label_agreement":null},{"id":"W2889995692","doi":"10.1086/700476","title":": <i>Italian Renaissance Diplomacy: A Sourcebook</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Diplomacy; Classics; Art; History; Humanities; Art history; Political science; Law; Politics","score_opus":0.031197727178921896,"score_gpt":0.24904797817792138,"score_spread":0.2178502509989995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889995692","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027043184,0.36625856,0.0009873545,0.018302387,0.01569815,0.00006421637,0.007282577,0.0006553488,0.5880471],"genre_scores_gemma":[0.021213597,0.1402904,0.0015272475,0.0027019123,0.0068037254,0.00012276231,0.0077204616,0.00070693257,0.8189129],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981445,0.000027999691,0.000011959188,0.000024983892,0.00008729712,0.00003348409],"domain_scores_gemma":[0.99971396,0.0000743192,0.00003438421,0.000025209245,0.00010804628,0.000043938373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036449745,0.0011963146,0.000532278,0.0028852017,0.0007508211,0.0030119508,0.00063284853,0.00059262296,0.116960354],"category_scores_gemma":[0.0008820241,0.0003208236,0.00026402003,0.0058363494,0.0005542437,0.0023460458,0.0009953324,0.0012207627,0.04672474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011683247,0.000006200986,0.00011427869,0.0001333936,0.0000014991881,0.000016408168,0.00019182848,0.000022948476,0.000052902666,0.0030207303,0.955114,0.041314118],"study_design_scores_gemma":[0.0000016979375,0.000002251801,0.00087462075,0.00014847262,9.610919e-7,0.000032380245,0.00008660224,0.000007631489,0.000029698176,0.00025246653,0.9985613,0.0000018363318],"about_ca_topic_score_codex":0.018900614,"about_ca_topic_score_gemma":0.03363269,"teacher_disagreement_score":0.116960354,"about_ca_system_score_codex":0.002118641,"about_ca_system_score_gemma":0.0018359238,"threshold_uncertainty_score":0.39127135},"labels":[],"label_agreement":null},{"id":"W2890001785","doi":"10.1086/700443","title":": <i>Machiavelli’s Politics</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Politics; Content (measure theory); Political science; Media studies; Art history; Sociology; Art; Law; Mathematics","score_opus":0.029493631802350866,"score_gpt":0.24253191070350852,"score_spread":0.21303827890115765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890001785","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009274821,0.017550007,0.0016611218,0.13138774,0.0017636942,0.000015680616,0.00020366684,0.000089092624,0.8380542],"genre_scores_gemma":[0.61453867,0.008367948,0.0021190583,0.017695963,0.0017943861,0.00006208694,0.0001522546,0.00018506612,0.3550845],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965024,0.00011374381,0.00001147136,0.00007561177,0.0000848549,0.000064144566],"domain_scores_gemma":[0.99977344,0.000093584174,0.000035099125,0.00003237173,0.000036735157,0.000028892411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006304937,0.00017886792,0.00015042834,0.00046917392,0.002662471,0.0035910506,0.0003855601,0.0014683036,0.010933222],"category_scores_gemma":[0.0016140798,0.00012468356,0.00016304922,0.0006742384,0.0038051067,0.002506158,0.0010370703,0.0027435382,0.001579218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010426952,0.000004129467,0.0002562766,0.000037495614,0.000001851215,0.00003340885,0.0056691575,0.00002449055,0.000094040566,0.9136318,0.070525356,0.009711564],"study_design_scores_gemma":[0.000004314409,0.0000069557,0.0028192436,0.000121607874,0.000003587104,0.000088056215,0.0018448267,0.00007398266,0.00017462604,0.059817128,0.93503773,0.000007827786],"about_ca_topic_score_codex":0.017533394,"about_ca_topic_score_gemma":0.035218645,"teacher_disagreement_score":0.017533394,"about_ca_system_score_codex":0.0032514604,"about_ca_system_score_gemma":0.0012120716,"threshold_uncertainty_score":0.036575258},"labels":[],"label_agreement":null},{"id":"W2890926552","doi":"10.1086/700532","title":": <i>“Celestina” and the Human Condition in Early Modern Spain and Italy</i>","year":2018,"lang":"es","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"History; Art","score_opus":0.011800930459379985,"score_gpt":0.2362547846850998,"score_spread":0.2244538542257198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890926552","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3941244,0.14747885,0.00029465012,0.053367235,0.001223169,0.000012638743,0.00030599677,0.000036370864,0.40315673],"genre_scores_gemma":[0.9707873,0.009628242,0.000096659474,0.0010186471,0.00047947923,0.000006559381,0.0000848302,0.000012705376,0.017885588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9996697,0.00012876654,0.000014101573,0.000035548917,0.000045699988,0.00010628565],"domain_scores_gemma":[0.99964154,0.00013102572,0.00009187022,0.000031979445,0.00004744704,0.00005614907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010427287,0.0002072162,0.00023498162,0.0016093272,0.0016043725,0.0039290497,0.00042549663,0.0009767616,0.008443814],"category_scores_gemma":[0.0014636626,0.00007982275,0.00018966226,0.0021555268,0.005856001,0.0010981284,0.0018963126,0.00094937265,0.00052351266],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004475188,0.0001536964,0.047334127,0.0009360786,0.000047212758,0.0017296346,0.1789569,0.0003755504,0.00066479814,0.56521267,0.083162,0.12097982],"study_design_scores_gemma":[0.00008142145,0.00008194032,0.24878669,0.0021861007,0.00005691885,0.0009010209,0.092298314,0.000100679,0.00033622785,0.027551202,0.6275769,0.000042595784],"about_ca_topic_score_codex":0.051985856,"about_ca_topic_score_gemma":0.08870703,"teacher_disagreement_score":0.051985856,"about_ca_system_score_codex":0.004306524,"about_ca_system_score_gemma":0.0019848882,"threshold_uncertainty_score":0.103366554},"labels":[],"label_agreement":null},{"id":"W2890954366","doi":"10.1086/700467","title":": <i>History and Its Objects: Antiquarianism and Material Culture since 1500</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Miller; History; Content (measure theory); Art; Art history; Geology","score_opus":0.014314832783721535,"score_gpt":0.20217020451996912,"score_spread":0.18785537173624758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890954366","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06301397,0.099704444,0.00094374456,0.19228852,0.0016277654,0.000012637046,0.0007491645,0.000084764004,0.64157504],"genre_scores_gemma":[0.8700044,0.028626624,0.00056227675,0.010842148,0.0018012093,0.000033914446,0.00041882528,0.00010422184,0.0876063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996997,0.00012687137,0.000011918434,0.00004486437,0.00005970594,0.000056995283],"domain_scores_gemma":[0.99948186,0.0002150394,0.00011676492,0.00004992414,0.000082393446,0.000054011758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096880394,0.00017802142,0.00012780329,0.00077377376,0.0022801037,0.0053639296,0.00035476714,0.0009823706,0.014751931],"category_scores_gemma":[0.0017254682,0.000076827346,0.00012933339,0.0023349437,0.0047400794,0.003895874,0.0013653707,0.0015418042,0.00093997474],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054830987,0.00001541365,0.0055742436,0.00031059457,0.000010726344,0.00012344918,0.04812289,0.00005673679,0.00036797166,0.79547906,0.10127418,0.048609916],"study_design_scores_gemma":[0.000005611947,0.000013832888,0.016982088,0.00059326034,0.000008650004,0.00011344941,0.012703298,0.000023516648,0.00024579198,0.026026694,0.9432722,0.000011654648],"about_ca_topic_score_codex":0.032209594,"about_ca_topic_score_gemma":0.05689558,"teacher_disagreement_score":0.032209594,"about_ca_system_score_codex":0.0044526705,"about_ca_system_score_gemma":0.002132068,"threshold_uncertainty_score":0.06404424},"labels":[],"label_agreement":null},{"id":"W2891326631","doi":"10.1086/700500","title":": <i>Sin and Salvation in Early Modern France: Three Women’s Stories</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renaissance studies; The Renaissance; Art; Early modern Europe; Art history; Performance art; Theology; History; Classics; Philosophy","score_opus":0.015189582723980688,"score_gpt":0.2128461956754135,"score_spread":0.1976566129514328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2891326631","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19936529,0.35687956,0.0012608187,0.28397447,0.0042161834,0.000033240092,0.00017590281,0.00008539982,0.15400921],"genre_scores_gemma":[0.9117208,0.037063453,0.00024328275,0.012261618,0.0014780781,0.000041046922,0.000042952684,0.000062292886,0.037086446],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986393,0.0009962511,0.000015947275,0.000049048977,0.00010666884,0.00019282768],"domain_scores_gemma":[0.9992488,0.0004227695,0.00011381454,0.00003334714,0.00007249921,0.00010871575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018864629,0.00076835224,0.00032508574,0.000834702,0.009765331,0.0040954575,0.0006801021,0.0027932646,0.0029217727],"category_scores_gemma":[0.0019622413,0.000219937,0.0003229977,0.0012445723,0.014062894,0.004389345,0.00247846,0.0030281285,0.0003474233],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070063834,0.000027099326,0.0013098058,0.00017298663,0.000021618453,0.00067922217,0.82075584,0.00008683636,0.00023453153,0.06448848,0.0925104,0.019643143],"study_design_scores_gemma":[0.00001048279,0.00004380874,0.005639011,0.00056172546,0.000017963524,0.00062607415,0.3630432,0.000044601016,0.00038372743,0.0068602976,0.62273693,0.00003220534],"about_ca_topic_score_codex":0.05933374,"about_ca_topic_score_gemma":0.09435511,"teacher_disagreement_score":0.05933374,"about_ca_system_score_codex":0.005365334,"about_ca_system_score_gemma":0.002245735,"threshold_uncertainty_score":0.117976785},"labels":[],"label_agreement":null},{"id":"W2904071186","doi":"10.1086/700858","title":"Race and Labor in Sixteenth-Century Seville through the Prism of Accounting Books ( <i>Hijuelas</i> ) from the Reales Alcázares","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of Medieval Iberia","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Ledger; Race (biology); Yield (engineering); Database transaction; Accounting; Prism; History; Economic history; Economics; Sociology; Gender studies; Computer science","score_opus":0.018419968942647368,"score_gpt":0.23521439779008696,"score_spread":0.2167944288474396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904071186","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76437783,0.017874803,0.0002174353,0.005321083,0.000083753905,0.000007635496,0.00010179682,0.00001232895,0.21200337],"genre_scores_gemma":[0.97620517,0.0020988286,0.00014318377,0.00027025826,0.000028020053,0.000009576836,0.000047814687,0.000010458912,0.021186672],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9997526,0.00007691458,0.000009012955,0.000032562682,0.000034955985,0.00009395235],"domain_scores_gemma":[0.999882,0.000035688554,0.0000336169,0.000010389419,0.000018002378,0.000020352458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061982713,0.00017646224,0.00018904117,0.0010163167,0.002809091,0.0024688188,0.00050948735,0.00036444564,0.0045075454],"category_scores_gemma":[0.0005338256,0.00011196505,0.000112183916,0.0012514067,0.0047421944,0.001623348,0.0027696749,0.0010904435,0.00019989716],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020792801,0.000090846166,0.03054536,0.00020580988,0.000021837019,0.0009107418,0.4747924,0.00019017799,0.0014854901,0.4178665,0.0062065213,0.06747644],"study_design_scores_gemma":[0.000025765727,0.00010972936,0.20366344,0.0007828774,0.000016907668,0.0006181107,0.18416977,0.00012729982,0.00058998563,0.02039041,0.58946186,0.000043888125],"about_ca_topic_score_codex":0.06391151,"about_ca_topic_score_gemma":0.14594176,"teacher_disagreement_score":0.06391151,"about_ca_system_score_codex":0.004976028,"about_ca_system_score_gemma":0.0015315709,"threshold_uncertainty_score":0.12707901},"labels":[],"label_agreement":null},{"id":"W2908712934","doi":"10.1086/702104","title":": <i> Crime, châtiment et grâce dans les monastères au Moyen Âge (XII <sup>e</sup> –XV <sup>e</sup> siècle) </i>","year":2018,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European History and Architecture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"Physics; Humanities; Art","score_opus":0.023045900330309968,"score_gpt":0.24204622612279805,"score_spread":0.21900032579248807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908712934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18501735,0.1755459,0.0007206744,0.12779452,0.0069406424,0.000037635993,0.0025414496,0.00016520322,0.50123674],"genre_scores_gemma":[0.7173041,0.025065063,0.00027533862,0.002680676,0.0016522774,0.000026580117,0.00035539982,0.00010475341,0.25253582],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997552,0.00010083931,0.000008079521,0.000024738214,0.000042924723,0.00006815416],"domain_scores_gemma":[0.9998362,0.00006739516,0.000023414188,0.000011192971,0.00002270368,0.00003920742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004982829,0.0002948444,0.00016940331,0.00068219757,0.004189125,0.0023480398,0.00035518303,0.0008992716,0.01553087],"category_scores_gemma":[0.0010377992,0.00014579736,0.000117064585,0.0017298952,0.003633113,0.0012462931,0.0010852421,0.0013732212,0.0016820271],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015623795,0.000025320154,0.010321356,0.00048016026,0.000023607914,0.0006795948,0.15951614,0.00016034929,0.00039481238,0.23565425,0.5334301,0.059158035],"study_design_scores_gemma":[0.000007034013,0.00001585472,0.058460157,0.0004068741,0.000009414514,0.00034355957,0.049998544,0.000034584144,0.00037522035,0.002602688,0.88773006,0.000016066946],"about_ca_topic_score_codex":0.27704155,"about_ca_topic_score_gemma":0.5147346,"teacher_disagreement_score":0.27704155,"about_ca_system_score_codex":0.0039270925,"about_ca_system_score_gemma":0.0023142132,"threshold_uncertainty_score":0.550858},"labels":[],"label_agreement":null},{"id":"W2909103286","doi":"10.1086/702060","title":": <i>The Jewish Ghetto and the Visual Imagination of Early Modern Venice</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Judaism; Content (measure theory); Art history; Art; History; Theology; Philosophy; Mathematics","score_opus":0.009614987840631946,"score_gpt":0.29428756474962153,"score_spread":0.28467257690898956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909103286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32285702,0.024485467,0.001609273,0.065790676,0.0011315558,0.000008410208,0.00006692512,0.000056555753,0.58399415],"genre_scores_gemma":[0.9849171,0.0010333955,0.0001537492,0.001256023,0.00016252555,0.0000018943914,0.000008030149,0.000012561977,0.012454757],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9997714,0.00014694312,0.0000034279262,0.000022437636,0.000020764011,0.000034991168],"domain_scores_gemma":[0.9998344,0.0000759771,0.00002294788,0.000016129045,0.000024885847,0.000025523419],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006221253,0.00017536977,0.00009070478,0.00035500093,0.0033155978,0.0041980874,0.00027820413,0.001311461,0.00555693],"category_scores_gemma":[0.00074397435,0.00007335991,0.00010691906,0.00041824393,0.015522582,0.0026939553,0.0008998202,0.0011224347,0.00037798137],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088587316,0.000015858734,0.0028708628,0.000100016405,0.000008950423,0.00035371352,0.33539844,0.00008018973,0.000907758,0.60064447,0.040632486,0.018898696],"study_design_scores_gemma":[0.000027814996,0.00006649367,0.014189355,0.000514434,0.000021559314,0.0014722393,0.34708184,0.0003248575,0.0008796821,0.12948717,0.50589687,0.00003765993],"about_ca_topic_score_codex":0.02411541,"about_ca_topic_score_gemma":0.04967824,"teacher_disagreement_score":0.02411541,"about_ca_system_score_codex":0.0013344664,"about_ca_system_score_gemma":0.0006956026,"threshold_uncertainty_score":0.04795009},"labels":[],"label_agreement":null},{"id":"W2909377461","doi":"10.1086/679874","title":": <i>The Spanish Arcadia: Sheep Herding, Pastoral Discourse, and Ethnicity in Early Modern Spain</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arcadia; Herding; Garcia; Ethnic group; Humanities; History; Media studies; Geography; Art; Anthropology; Sociology; Art history; Archaeology","score_opus":0.012835010428954293,"score_gpt":0.22478746583451667,"score_spread":0.21195245540556237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909377461","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010878708,0.8499086,0.0002406835,0.07963433,0.003344228,0.0000068738173,0.00022607837,0.000042317373,0.055718113],"genre_scores_gemma":[0.3590636,0.5202007,0.000681547,0.013333176,0.007975965,0.00004471692,0.0004781792,0.0001443148,0.098077804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997181,0.00013924866,0.000013060328,0.000030844076,0.00006357848,0.000035146186],"domain_scores_gemma":[0.9994462,0.00027331946,0.00008114411,0.000026232727,0.00010342663,0.00006961758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010516329,0.00048446213,0.0004221733,0.0011209986,0.0014205166,0.003943771,0.0006835789,0.0011509253,0.008630696],"category_scores_gemma":[0.0010237235,0.00021254276,0.00018367,0.0035166212,0.0027148265,0.0033683972,0.0012804071,0.0013477947,0.0015967314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011600541,0.00003484453,0.005517779,0.0012684346,0.000024600758,0.0003110866,0.05973701,0.00010680032,0.00036829684,0.028578667,0.77858746,0.12534906],"study_design_scores_gemma":[0.00001154792,0.000020061087,0.019254373,0.0020236764,0.000020260833,0.0004156145,0.049080607,0.000043424985,0.00014694266,0.0050182356,0.923947,0.00001827703],"about_ca_topic_score_codex":0.047678538,"about_ca_topic_score_gemma":0.08911359,"teacher_disagreement_score":0.047678538,"about_ca_system_score_codex":0.002416913,"about_ca_system_score_gemma":0.0016905947,"threshold_uncertainty_score":0.09480202},"labels":[],"label_agreement":null},{"id":"W2909449320","doi":"10.1086/702149","title":": <i>Shakespeare and the Politics of Commoners: Digesting the New Social History</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Politics; Media studies; Sociology; Political science; Law","score_opus":0.039744328904843675,"score_gpt":0.21929155671437026,"score_spread":0.1795472278095266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909449320","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015221279,0.11025495,0.0028016132,0.56312096,0.01201737,0.00001954806,0.00051905133,0.000110019275,0.29593524],"genre_scores_gemma":[0.43073115,0.0716198,0.0024890034,0.055602916,0.014927505,0.000058804602,0.0005578946,0.00050692563,0.42350587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928313,0.0003699702,0.000024844958,0.00007143256,0.00016149209,0.000089110275],"domain_scores_gemma":[0.998381,0.000986793,0.00013301332,0.00012235148,0.00020831135,0.00016847363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017260391,0.00040257847,0.00027145026,0.0020859307,0.0054890793,0.007550184,0.0005254471,0.0028909235,0.01679255],"category_scores_gemma":[0.0051316153,0.00019898781,0.00022555802,0.0035335282,0.008556547,0.013017771,0.0021187367,0.0030545099,0.0024386295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022392807,0.0000049784408,0.00039860798,0.00010697406,0.000004932096,0.00008530765,0.030945856,0.000042353488,0.00010300936,0.38562727,0.5675275,0.015130845],"study_design_scores_gemma":[0.0000031180298,0.000003286995,0.0012204682,0.00033787117,0.0000035281228,0.00009659022,0.0155110825,0.000038141246,0.00013287603,0.062681966,0.91995895,0.000012110766],"about_ca_topic_score_codex":0.027394012,"about_ca_topic_score_gemma":0.09350299,"teacher_disagreement_score":0.027394012,"about_ca_system_score_codex":0.004198871,"about_ca_system_score_gemma":0.0031477937,"threshold_uncertainty_score":0.056176722},"labels":[],"label_agreement":null},{"id":"W2909889424","doi":"10.1086/702102","title":": <i>The English Province of the Franciscans (1224–c.1350)</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Brill; Art; History; Theology; Humanities; Classics; Philosophy","score_opus":0.008103907070629853,"score_gpt":0.18894189792011534,"score_spread":0.18083799084948549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909889424","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01647959,0.007557599,0.00045757217,0.0111536,0.002717936,0.000047831363,0.0012977081,0.00013963216,0.9601486],"genre_scores_gemma":[0.1454567,0.0026602258,0.0004362963,0.0030374099,0.0006798734,0.00006063784,0.00057753397,0.00019975111,0.84689164],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985826,0.000022138469,0.0000067331016,0.000020286072,0.000033439796,0.00005911423],"domain_scores_gemma":[0.9999143,0.000018380424,0.000017565137,0.0000040634627,0.000030575335,0.0000150532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001688167,0.00029313547,0.00014705928,0.00049141917,0.00338332,0.0011464052,0.00024893828,0.0007940741,0.06674541],"category_scores_gemma":[0.00053794996,0.00012295472,0.00007037785,0.00089288526,0.0010543836,0.00088276906,0.00059667614,0.0012029479,0.012398413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015236273,0.000015985324,0.0016268095,0.00046294945,0.000004853191,0.0007001587,0.015472077,0.000049850467,0.0016125018,0.14199318,0.7672116,0.070697695],"study_design_scores_gemma":[0.0000032273522,0.0000067345763,0.0042404262,0.00010854998,0.0000016662267,0.000088100496,0.0019716937,0.0000069100142,0.0002834961,0.0003092071,0.9929733,0.000006709402],"about_ca_topic_score_codex":0.22255819,"about_ca_topic_score_gemma":0.457704,"teacher_disagreement_score":0.22255819,"about_ca_system_score_codex":0.0025679718,"about_ca_system_score_gemma":0.0017973284,"threshold_uncertainty_score":0.4425255},"labels":[],"label_agreement":null},{"id":"W2910322773","doi":"10.1086/702132","title":": <i>Memoires de Hollande</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Champion; Honor; Art; Humanities; Political science; Computer science; Law; Operating system","score_opus":0.02274431936707913,"score_gpt":0.23687902161413923,"score_spread":0.2141347022470601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910322773","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011109919,0.13703226,0.003804674,0.08937,0.032840304,0.00003624533,0.0023299642,0.0003075592,0.7231691],"genre_scores_gemma":[0.16451323,0.07007463,0.0024561884,0.00930811,0.010260113,0.00009351066,0.0011309397,0.0014107333,0.7407526],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936956,0.00027518446,0.000029760819,0.00008308436,0.00018597604,0.000056467547],"domain_scores_gemma":[0.99934536,0.00033004678,0.00006194515,0.00006137605,0.0001412731,0.00005995073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082006917,0.00048363375,0.00034003478,0.0016656861,0.002714908,0.0033858004,0.00058572774,0.0011939047,0.03728832],"category_scores_gemma":[0.0032822108,0.0002026582,0.00032881994,0.0023389882,0.0031347645,0.0026157906,0.0013403351,0.0024218317,0.008717094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004996349,0.000011438836,0.00041180514,0.0003492083,0.000015459322,0.00023763187,0.015060636,0.00007441153,0.00073706004,0.16378553,0.7980027,0.021264078],"study_design_scores_gemma":[0.0000018980014,0.00000160356,0.0007020825,0.00013516872,0.0000020241266,0.000074102805,0.001398278,0.000011724184,0.00015168612,0.0018503392,0.99566674,0.000004286727],"about_ca_topic_score_codex":0.04139087,"about_ca_topic_score_gemma":0.08589156,"teacher_disagreement_score":0.04139087,"about_ca_system_score_codex":0.0035910322,"about_ca_system_score_gemma":0.001340443,"threshold_uncertainty_score":0.12474179},"labels":[],"label_agreement":null},{"id":"W2910348925","doi":"10.1086/702148","title":": <i>Playwriting Playgoers in Shakespeare’s Theater</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Performance art; History; Art history; Media studies; Art; Sociology","score_opus":0.022257148857938364,"score_gpt":0.23742797582812963,"score_spread":0.21517082697019127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910348925","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19400218,0.009087273,0.0012626955,0.044240598,0.0056712674,0.00007627835,0.0014098805,0.0002650656,0.7439848],"genre_scores_gemma":[0.53676397,0.0025631064,0.00034932836,0.0022965656,0.00053230743,0.000042969004,0.00039535537,0.00029839572,0.45675805],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995672,0.00016256976,0.000015245057,0.000058844733,0.000072981624,0.00012321024],"domain_scores_gemma":[0.99953115,0.0001680592,0.000036712103,0.000022001279,0.00007579436,0.00016627906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007630883,0.0004413291,0.00021891521,0.0007597187,0.00996307,0.0035089632,0.0004888032,0.0012652345,0.0345618],"category_scores_gemma":[0.0018620073,0.00021749383,0.0001276699,0.0009792186,0.0033530917,0.0024892301,0.0022027316,0.0022510728,0.0047883177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015536221,0.000041865205,0.0018954908,0.00028791817,0.000007809498,0.00088455545,0.50671506,0.0000490119,0.000798588,0.03306661,0.4293593,0.026738433],"study_design_scores_gemma":[0.0000069555235,0.000029978351,0.009908441,0.0003734932,0.000005470069,0.00037732263,0.26282552,0.000026528945,0.00060342386,0.000758291,0.7250693,0.000015230995],"about_ca_topic_score_codex":0.06994395,"about_ca_topic_score_gemma":0.26462677,"teacher_disagreement_score":0.06994395,"about_ca_system_score_codex":0.002374016,"about_ca_system_score_gemma":0.0013072541,"threshold_uncertainty_score":0.13907367},"labels":[],"label_agreement":null},{"id":"W2911013351","doi":"10.1086/702151","title":": <i>Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation</i>","year":2018,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Medicine Hat College","funders":"","keywords":"Interpretation (philosophy); Reading (process); Content (measure theory); Media studies; Art; Sociology; Philosophy; Linguistics; Mathematics","score_opus":0.023059508788494398,"score_gpt":0.23943316547781401,"score_spread":0.21637365668931963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911013351","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033525072,0.07655854,0.002815394,0.14564389,0.0045591006,0.000024743245,0.00024995633,0.0001461485,0.7364771],"genre_scores_gemma":[0.670183,0.024428563,0.0007947791,0.012304745,0.0039631627,0.00004796428,0.00016153032,0.00028460356,0.2878317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993292,0.00036204088,0.000021718186,0.00007228556,0.00015058725,0.000064269],"domain_scores_gemma":[0.99904007,0.0005874574,0.00007335374,0.0000631928,0.00015968936,0.00007621219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013067344,0.0003830748,0.00024133953,0.0011862235,0.005597105,0.0064266683,0.0006040665,0.0023532296,0.012850675],"category_scores_gemma":[0.0029235985,0.00017584012,0.00017168134,0.001912116,0.012216277,0.0072695673,0.0017569354,0.0035400938,0.0021884702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004340357,0.000017360078,0.0013225486,0.00026938826,0.000009323959,0.00027009993,0.18299092,0.00007015427,0.0003293161,0.42087814,0.365009,0.028790295],"study_design_scores_gemma":[0.0000065837066,0.0000142592235,0.0055882097,0.00074419734,0.000011042165,0.00034882606,0.052327927,0.00007191537,0.00043876315,0.03409964,0.9063272,0.000021522945],"about_ca_topic_score_codex":0.02489085,"about_ca_topic_score_gemma":0.04839243,"teacher_disagreement_score":0.02489085,"about_ca_system_score_codex":0.002957364,"about_ca_system_score_gemma":0.0016064513,"threshold_uncertainty_score":0.049491942},"labels":[],"label_agreement":null},{"id":"W2920923698","doi":"10.1017/rqx.2018.91","title":": <i>Ritratto di Gaffurio</i>","year":2019,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Art; History","score_opus":0.04358021681484529,"score_gpt":0.22385682755732395,"score_spread":0.18027661074247864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2920923698","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023927456,0.036565956,0.0020425336,0.27350992,0.13446854,0.00020576839,0.0031910744,0.0018295513,0.54579395],"genre_scores_gemma":[0.017898917,0.014338031,0.0011294396,0.051093318,0.033818126,0.00023940115,0.0013124276,0.0020188824,0.8781515],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928325,0.00019386226,0.000029993445,0.00016049859,0.0002445461,0.00008780668],"domain_scores_gemma":[0.99748456,0.00071456237,0.00017662757,0.00014664419,0.00090942153,0.00056815357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001339179,0.00096082053,0.0007777013,0.0021788129,0.0029852109,0.0040218667,0.0009762653,0.0016727621,0.2350808],"category_scores_gemma":[0.005712983,0.000290805,0.00030730036,0.0017955551,0.0009476104,0.0031254606,0.0027019521,0.0029258318,0.155501],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070694878,0.0000038399717,0.00008509448,0.000058370573,9.4251385e-7,0.000018422868,0.0002636334,0.0000029303483,0.00006565604,0.0008981758,0.9918411,0.006754701],"study_design_scores_gemma":[0.0000021982485,0.0000035156065,0.00052178843,0.000083282364,0.0000012762127,0.000071627226,0.00041516536,0.000011114147,0.00007690264,0.00017312421,0.998635,0.0000051268103],"about_ca_topic_score_codex":0.005943196,"about_ca_topic_score_gemma":0.014875229,"teacher_disagreement_score":0.2350808,"about_ca_system_score_codex":0.0014818283,"about_ca_system_score_gemma":0.000960137,"threshold_uncertainty_score":0.78642356},"labels":[],"label_agreement":null},{"id":"W2921051866","doi":"10.1017/rqx.2018.115","title":": <i>The Shakespearean Forest</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Content (measure theory); Art; Action (physics); Media studies; History; Art history; Sociology; Mathematics; Physics","score_opus":0.00969794297319782,"score_gpt":0.19140653213109884,"score_spread":0.18170858915790103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921051866","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036371176,0.03389203,0.0010149502,0.053452455,0.01137922,0.000019693212,0.0008684832,0.00023630765,0.8954997],"genre_scores_gemma":[0.06515659,0.014892269,0.00059420895,0.0075565227,0.0020213926,0.000028949395,0.0005345601,0.00045622714,0.9087593],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963236,0.00009358695,0.000017218472,0.000049713086,0.00014699345,0.00006012944],"domain_scores_gemma":[0.9996189,0.000107748936,0.000029651028,0.00004099892,0.00013976179,0.000062831845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055982935,0.00036480476,0.00017948415,0.0007386819,0.00397354,0.0042072814,0.00037619795,0.0010329841,0.09728589],"category_scores_gemma":[0.0015711467,0.0001652664,0.00013878745,0.0016809024,0.002426115,0.0033425002,0.0012278571,0.0016157327,0.02528002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017411729,0.0000046195837,0.0002361096,0.0001229079,0.0000019006651,0.00006383967,0.0036176892,0.000009048364,0.00015117254,0.04209492,0.9285606,0.025119832],"study_design_scores_gemma":[9.681663e-7,0.0000022070367,0.0008075839,0.00012246193,9.778892e-7,0.000048132086,0.0011045082,0.0000045206225,0.000103808175,0.0009193036,0.9968828,0.000002749776],"about_ca_topic_score_codex":0.05537199,"about_ca_topic_score_gemma":0.14815204,"teacher_disagreement_score":0.09728589,"about_ca_system_score_codex":0.0021188406,"about_ca_system_score_gemma":0.0016851849,"threshold_uncertainty_score":0.32545376},"labels":[],"label_agreement":null},{"id":"W2921224781","doi":"10.1017/rqx.2018.10","title":": <i>Othea's Letter to Hector</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Tempe; Renaissance studies; Early modern Europe; Art; Classics; Art history; History; Humanities; Medicine","score_opus":0.016820324441718014,"score_gpt":0.2175610557803691,"score_spread":0.20074073133865108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921224781","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022055549,0.04953372,0.00045582137,0.4447554,0.074402474,0.00009152596,0.0020055987,0.000714303,0.42583555],"genre_scores_gemma":[0.007967944,0.006268484,0.0001582708,0.10451345,0.010752474,0.000052350297,0.00035623737,0.00025293967,0.8696777],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935454,0.00008602813,0.00002270584,0.000100710015,0.00024289533,0.00019306775],"domain_scores_gemma":[0.99910766,0.00016462037,0.000086069,0.000040014922,0.00039361956,0.00020798003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005560078,0.0006910583,0.00052566576,0.0007691709,0.0051443386,0.0034918396,0.00081706344,0.0050262385,0.22149675],"category_scores_gemma":[0.00374623,0.00039416566,0.0003536762,0.0010147623,0.0011277158,0.0029136438,0.0018496043,0.003163118,0.08372981],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006386559,0.0000010376403,0.000030893767,0.000010112432,3.952243e-7,0.000015516713,0.000047818274,0.0000011604885,0.000022007998,0.00030493672,0.9969913,0.0025685509],"study_design_scores_gemma":[0.000001753784,0.000002646446,0.00051091897,0.000045133605,8.0248304e-7,0.000030690837,0.0003765107,0.00000479803,0.000031561867,0.00011331481,0.9988771,0.0000046924793],"about_ca_topic_score_codex":0.054879263,"about_ca_topic_score_gemma":0.1136588,"teacher_disagreement_score":0.22149675,"about_ca_system_score_codex":0.0020248755,"about_ca_system_score_gemma":0.0017249681,"threshold_uncertainty_score":0.74098045},"labels":[],"label_agreement":null},{"id":"W2921479422","doi":"10.1017/rqx.2018.16","title":": <i>Plusieurs advis et conseils traduits d'italien en français par Antoine de Laval</i>","year":2019,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; The Renaissance; Art history","score_opus":0.0065951003934432316,"score_gpt":0.224487815779463,"score_spread":0.21789271538601976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921479422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046316874,0.33069852,0.001525372,0.19307382,0.077040404,0.0000898938,0.0040204762,0.00083582057,0.388084],"genre_scores_gemma":[0.015328768,0.03055131,0.00052281434,0.006917066,0.005529823,0.000039741903,0.00089519925,0.00048689157,0.93972844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988426,0.000223352,0.0000535231,0.00024217593,0.0003597563,0.00027851082],"domain_scores_gemma":[0.9978727,0.00028961324,0.00020743649,0.00008920286,0.0008153246,0.0007256794],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014849678,0.0010523304,0.0006469178,0.0013041277,0.0023572596,0.004491047,0.0010167719,0.0020993603,0.30732548],"category_scores_gemma":[0.0023552913,0.00040508364,0.00039721045,0.0022966517,0.0010735686,0.004096572,0.0024730524,0.0021273294,0.13877773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022701788,0.000008589126,0.00030863375,0.000112575246,0.0000024881788,0.000030657367,0.00032073742,0.000013362325,0.00013990216,0.0017153019,0.9639208,0.033404347],"study_design_scores_gemma":[0.0000022392594,0.0000031569227,0.0008299742,0.00008326244,8.706635e-7,0.00003157114,0.00024342728,0.000008914624,0.000049931197,0.000111734866,0.9986313,0.0000035461549],"about_ca_topic_score_codex":0.050007436,"about_ca_topic_score_gemma":0.08416059,"teacher_disagreement_score":0.30732548,"about_ca_system_score_codex":0.0037446609,"about_ca_system_score_gemma":0.004159486,"threshold_uncertainty_score":0.9880161},"labels":[],"label_agreement":null},{"id":"W2921543591","doi":"10.1017/rqx.2018.19","title":": <i>Per la valorizzazione del patrimonio culturale della Campania: Il contributo degli studi medio- e neo-Latini</i>","year":2019,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Ancient Mediterranean Archaeology and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art","score_opus":0.015011677297911924,"score_gpt":0.2218108076498726,"score_spread":0.20679913035196068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921543591","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0049773455,0.75558674,0.00053857034,0.107086495,0.034338813,0.000019494026,0.00012068967,0.000058054065,0.097273804],"genre_scores_gemma":[0.14969961,0.5383426,0.0020610453,0.038480412,0.09033804,0.00010910635,0.0002977957,0.00034320675,0.18032818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900526,0.00042877335,0.000033078526,0.00018309287,0.00024318934,0.00010664466],"domain_scores_gemma":[0.9990879,0.00044796165,0.0001001442,0.00008522471,0.00018757995,0.00009111557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012924691,0.00089889986,0.0006449804,0.002224498,0.0021174517,0.0075022504,0.0010590637,0.002167855,0.011987879],"category_scores_gemma":[0.0024339512,0.0002699065,0.00038665952,0.0030293711,0.007022109,0.004808235,0.0030641013,0.003424549,0.002646002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006784973,0.00002920157,0.0019551516,0.0021130352,0.000036787165,0.00026585202,0.017180964,0.00008919368,0.00054777996,0.091763616,0.7299737,0.15597683],"study_design_scores_gemma":[0.000005705282,0.000011314907,0.0024710493,0.0008873016,0.000009132556,0.000201845,0.0039363047,0.00003281892,0.00012011396,0.008855614,0.98345816,0.000010607457],"about_ca_topic_score_codex":0.009840685,"about_ca_topic_score_gemma":0.018996507,"teacher_disagreement_score":0.011987879,"about_ca_system_score_codex":0.0026755242,"about_ca_system_score_gemma":0.0027451369,"threshold_uncertainty_score":0.040103376},"labels":[],"label_agreement":null},{"id":"W2921853504","doi":"10.1017/rqx.2018.9","title":": <i>Genealogy of the Pagan Gods, Volume 2: Books VI–X</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Eurasian Exchange Networks","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"The Renaissance; Volume (thermodynamics); Classics; Art; History; Art history; Physics","score_opus":0.011010476289790294,"score_gpt":0.25415619375265563,"score_spread":0.24314571746286534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921853504","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00415952,0.64232963,0.0023373803,0.033287685,0.010519471,0.000030030593,0.0015100109,0.00044461136,0.3053817],"genre_scores_gemma":[0.12963496,0.22614959,0.0046557887,0.00993829,0.0117761195,0.00012363968,0.0027037691,0.0007707167,0.61424726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983966,0.000054090437,0.000007804641,0.00003711559,0.00004125557,0.000020058462],"domain_scores_gemma":[0.9998041,0.0000858063,0.000030980926,0.000023917155,0.000031513588,0.000023800068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026423985,0.00078364485,0.00039435053,0.0018064994,0.0009888338,0.0033884596,0.0005674901,0.0008026838,0.03904044],"category_scores_gemma":[0.0012128357,0.00035733002,0.00018832656,0.0023567472,0.0016270183,0.003498353,0.0009822788,0.0014264338,0.012248456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003287369,0.000008459553,0.0005376589,0.00035667702,0.000009872033,0.000056213357,0.0022179787,0.00010118868,0.00018995508,0.039443936,0.8458995,0.11114558],"study_design_scores_gemma":[0.0000030318026,0.0000074494374,0.0017551691,0.00032543376,0.000003725388,0.00015022117,0.0005048643,0.00004461005,0.00007970345,0.013484778,0.98363596,0.00000509208],"about_ca_topic_score_codex":0.004021733,"about_ca_topic_score_gemma":0.007400246,"teacher_disagreement_score":0.03904044,"about_ca_system_score_codex":0.0014743865,"about_ca_system_score_gemma":0.0010296357,"threshold_uncertainty_score":0.13060331},"labels":[],"label_agreement":null},{"id":"W2921949509","doi":"10.1017/rqx.2018.103","title":": <i>Reveries of Community: French Epic in the Age of Henri IV, 1572–1616</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"EPIC; History; Art history; Classics; Art; Literature","score_opus":0.03279897735751742,"score_gpt":0.24165824045556128,"score_spread":0.20885926309804387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921949509","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058947774,0.62703145,0.0003230451,0.19365965,0.016463067,0.000017065599,0.00031250188,0.000098554476,0.1561999],"genre_scores_gemma":[0.2592001,0.17781278,0.0006971846,0.058075055,0.02765228,0.0000821225,0.0004633799,0.0004055536,0.47561148],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933213,0.00032077185,0.000016418782,0.000063810905,0.00012460536,0.00014220637],"domain_scores_gemma":[0.9995659,0.00018163463,0.000050764673,0.000017992721,0.00010988472,0.00007389521],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001053197,0.000877855,0.00035168996,0.0013774977,0.0053984243,0.0040660016,0.0006022158,0.0026521953,0.02019414],"category_scores_gemma":[0.0015795263,0.00023281577,0.00026440242,0.0015105509,0.0036382645,0.004051166,0.0017208502,0.0022822344,0.0034462302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000467782,0.000007356181,0.00047902952,0.00020080707,0.0000059378417,0.00018229945,0.016170887,0.000023589624,0.000086014246,0.03760963,0.9191244,0.026063247],"study_design_scores_gemma":[0.0000032538858,0.000007162923,0.002008334,0.00029085233,0.0000023004823,0.00013958868,0.005273008,0.000008921427,0.000061725856,0.0019437107,0.9902532,0.000007837263],"about_ca_topic_score_codex":0.10392807,"about_ca_topic_score_gemma":0.203153,"teacher_disagreement_score":0.10392807,"about_ca_system_score_codex":0.007030419,"about_ca_system_score_gemma":0.0021695772,"threshold_uncertainty_score":0.20664626},"labels":[],"label_agreement":null},{"id":"W2922115534","doi":"10.1017/rqx.2018.120","title":": <i>“Pamphilia to Amphilanthus” in Manuscript and Print</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Renaissance studies; Tempe; The Renaissance; Art; Classics; Early modern Europe; Art history; Performance art; History","score_opus":0.00938949401653361,"score_gpt":0.20168037425992794,"score_spread":0.19229088024339433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922115534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011506003,0.17771791,0.0013685599,0.2507582,0.27401125,0.00008574742,0.0015535259,0.0006882753,0.2926659],"genre_scores_gemma":[0.022724569,0.07656403,0.0011476431,0.056678437,0.09546198,0.0001586843,0.0011311141,0.0010675614,0.745066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926025,0.00021850817,0.000047345966,0.0001378014,0.0002586456,0.00007748934],"domain_scores_gemma":[0.9980122,0.00071580097,0.0002056216,0.00010326474,0.0007317865,0.00023136966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010627791,0.0012012074,0.00051055447,0.0016696762,0.0027495723,0.004349742,0.001081925,0.001792539,0.12835066],"category_scores_gemma":[0.005546168,0.00032805654,0.00032910312,0.0019699682,0.0024734547,0.005442315,0.0021552069,0.0027785287,0.063381456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005496895,0.0000020408947,0.00002446941,0.00006328562,8.5673304e-7,0.000012723287,0.00013060553,0.0000031140917,0.00003222842,0.001390126,0.99168736,0.0066476646],"study_design_scores_gemma":[0.0000019260378,0.000004268332,0.00038863235,0.00023457823,0.0000013791904,0.000044920238,0.00041189557,0.000009801675,0.00008974649,0.00081787235,0.9979907,0.0000042680226],"about_ca_topic_score_codex":0.00642598,"about_ca_topic_score_gemma":0.014699745,"teacher_disagreement_score":0.12835066,"about_ca_system_score_codex":0.001917406,"about_ca_system_score_gemma":0.0016283534,"threshold_uncertainty_score":0.4293757},"labels":[],"label_agreement":null},{"id":"W2922116749","doi":"10.1017/rqx.2018.94","title":": <i>Affect Theory and Early Modern Texts: Politics, Ecologies, and Form</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Criticism; Affect (linguistics); Politics; Literary theory; Literary criticism; Affect theory; Sociology; History; Philosophy; Epistemology; Literature; Art; Political science; Law","score_opus":0.014331366871488338,"score_gpt":0.2258738561598132,"score_spread":0.21154248928832486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922116749","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004729967,0.5743522,0.004314357,0.21154536,0.013422026,0.000024931745,0.00034672563,0.00015609903,0.19110832],"genre_scores_gemma":[0.3760704,0.32947743,0.004070199,0.043056082,0.032391198,0.00015413531,0.00074928015,0.0004151676,0.21361604],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99930716,0.00035916996,0.000027606397,0.00009317231,0.00016523905,0.00004761218],"domain_scores_gemma":[0.9990319,0.00061715516,0.00009074591,0.000051041363,0.00014436414,0.0000647717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010463713,0.0007809306,0.00042897023,0.0016535146,0.0016969078,0.006908472,0.0008560626,0.0019613814,0.015438736],"category_scores_gemma":[0.0027648308,0.0002471049,0.00026817867,0.0029178953,0.0073323515,0.010120285,0.0018720645,0.0026224146,0.0040393667],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003680038,0.000019589543,0.0007733073,0.0006154126,0.000018233952,0.0001001856,0.013698136,0.000104295126,0.00019186121,0.2978427,0.60441184,0.08218763],"study_design_scores_gemma":[0.000007339354,0.0000125794595,0.0029320146,0.001162648,0.000013809536,0.00023288779,0.006032098,0.00013985418,0.00017686088,0.120136075,0.8691401,0.000013724382],"about_ca_topic_score_codex":0.004614257,"about_ca_topic_score_gemma":0.006859788,"teacher_disagreement_score":0.015438736,"about_ca_system_score_codex":0.002138433,"about_ca_system_score_gemma":0.0011896403,"threshold_uncertainty_score":0.051647723},"labels":[],"label_agreement":null},{"id":"W2922339075","doi":"10.1017/rqx.2018.40","title":": <i>Emblems and the Natural World</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brandon University","funders":"","keywords":"Brill; Emblem; Natural (archaeology); Art history; History; Art; Theology; Classics; Philosophy; Archaeology","score_opus":0.011215390580492578,"score_gpt":0.20811345914033821,"score_spread":0.19689806855984562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922339075","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016344868,0.8770546,0.00033959124,0.05775323,0.0060946387,0.0000048466804,0.00004962863,0.000025499214,0.057043537],"genre_scores_gemma":[0.1527879,0.7059828,0.00087756244,0.017492125,0.015409701,0.000041502382,0.00022188402,0.00010894887,0.10707753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933064,0.00040239524,0.000020638934,0.00005909667,0.00010351216,0.000083788495],"domain_scores_gemma":[0.99936694,0.00030102264,0.00007082004,0.00004059653,0.00010118608,0.000119598495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009851876,0.0013115573,0.0007084304,0.0018545081,0.0030740045,0.007146788,0.0012419429,0.002255963,0.016840074],"category_scores_gemma":[0.0015845508,0.00037720127,0.00030418322,0.003423817,0.009246842,0.01027007,0.0032206576,0.0026583804,0.0036950398],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044675777,0.000034682053,0.00065521605,0.00067364005,0.000017715194,0.00019486668,0.016072731,0.000089413654,0.00011017216,0.14763635,0.75704414,0.07742643],"study_design_scores_gemma":[0.000005274103,0.000014571991,0.0019122735,0.0014606956,0.000010125887,0.0002698382,0.013768711,0.000042534637,0.000092919436,0.039359655,0.94304895,0.000014444354],"about_ca_topic_score_codex":0.018012831,"about_ca_topic_score_gemma":0.03910676,"teacher_disagreement_score":0.018012831,"about_ca_system_score_codex":0.00283928,"about_ca_system_score_gemma":0.0021052724,"threshold_uncertainty_score":0.056335628},"labels":[],"label_agreement":null},{"id":"W2975080315","doi":"10.1017/rqx.2019.260","title":": <i>I Marmi: Edizione critica e commento</i>","year":2019,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.011116773226076451,"score_gpt":0.21450524142344218,"score_spread":0.20338846819736572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2975080315","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024056749,0.028309628,0.00008701343,0.9273565,0.029498741,0.000008815452,0.00009967372,0.00003620154,0.0143628605],"genre_scores_gemma":[0.014175447,0.01325109,0.0003877595,0.86944646,0.042776633,0.00011672351,0.00014199853,0.00026663987,0.059437186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905608,0.0035999077,0.00053515506,0.0015222826,0.0027192272,0.0010625406],"domain_scores_gemma":[0.989679,0.005339283,0.0011413986,0.0006118481,0.0024521372,0.0007763124],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008428163,0.0014618789,0.0014192774,0.0019054388,0.008476751,0.012400387,0.004647979,0.028025959,0.018893957],"category_scores_gemma":[0.034732804,0.0008770943,0.001117831,0.0036622658,0.011656334,0.014610081,0.006476759,0.031550575,0.010995531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009053538,0.0000030654624,0.00006025941,0.000057863042,0.0000022600543,0.000026365435,0.0005984515,0.000008178215,0.000021571359,0.009376089,0.9878902,0.0019466238],"study_design_scores_gemma":[0.0000067014603,0.0000045820875,0.0004032514,0.00043023287,0.000004762241,0.00007632386,0.0013821165,0.000030577725,0.00008277809,0.0034659444,0.9940849,0.000027848184],"about_ca_topic_score_codex":0.026063409,"about_ca_topic_score_gemma":0.03787198,"teacher_disagreement_score":0.028025959,"about_ca_system_score_codex":0.009146677,"about_ca_system_score_gemma":0.006572025,"threshold_uncertainty_score":0.06636411},"labels":[],"label_agreement":null},{"id":"W2976190017","doi":"10.1017/rqx.2019.309","title":": <i>Anglo-Italian Cultural Relations in the Later Middle Ages</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Middle Ages; Art; History; Ancient history","score_opus":0.038715870935317656,"score_gpt":0.2359432937856635,"score_spread":0.19722742285034583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2976190017","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7570967,0.015207924,0.00009107905,0.025749728,0.00022275788,0.000013062973,0.0005353166,0.000019906729,0.20106359],"genre_scores_gemma":[0.9767776,0.002974363,0.000036963927,0.00076664996,0.00011989946,0.000011139706,0.00010192081,0.00000842956,0.019202989],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996525,0.000104923434,0.000008790872,0.000025522573,0.000039141498,0.00016910135],"domain_scores_gemma":[0.99955493,0.000094536445,0.000098493314,0.0000262538,0.00006016298,0.00016554348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011211861,0.00017848816,0.00014143575,0.0010175814,0.002026576,0.002718475,0.0003172407,0.00063674717,0.013520423],"category_scores_gemma":[0.001252307,0.00011133265,0.00013285203,0.0018096329,0.0018976488,0.0015875862,0.0009597528,0.0005782452,0.0011609663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028709872,0.00013328965,0.14506824,0.0003115781,0.000029300383,0.00081702543,0.5759004,0.00009022959,0.00086724793,0.13301097,0.079673804,0.06381081],"study_design_scores_gemma":[0.000012324825,0.00005844869,0.6730472,0.00043190084,0.000023385643,0.00027752036,0.11903412,0.0000420901,0.00018625261,0.002189557,0.20467605,0.00002114067],"about_ca_topic_score_codex":0.2147297,"about_ca_topic_score_gemma":0.36505783,"teacher_disagreement_score":0.2147297,"about_ca_system_score_codex":0.0037158292,"about_ca_system_score_gemma":0.0018167262,"threshold_uncertainty_score":0.42695963},"labels":[],"label_agreement":null},{"id":"W2976260455","doi":"10.1017/rqx.2019.331","title":": <i>Representing Heresy in Early Modern France</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heresy; The Renaissance; Renaissance studies; Early modern Europe; Art; Classics; History; Theology; Art history; Philosophy","score_opus":0.013662562460453626,"score_gpt":0.2076934755993873,"score_spread":0.19403091313893367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2976260455","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018985156,0.48625186,0.0008188223,0.27990282,0.007482055,0.000014880728,0.00018305259,0.0001218045,0.20623952],"genre_scores_gemma":[0.63770753,0.13578159,0.000804871,0.029585825,0.0073871966,0.0000593649,0.00021393724,0.00020000852,0.18825953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988275,0.0008257987,0.000013840939,0.00006755124,0.000084988256,0.0001803331],"domain_scores_gemma":[0.99955827,0.00018281532,0.000059966707,0.000024966344,0.00008153481,0.000092489856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015897463,0.00070328347,0.0003628859,0.0014904353,0.0063848137,0.00708704,0.0009358855,0.0030518628,0.013064863],"category_scores_gemma":[0.0014130359,0.00018627514,0.00032107302,0.0026973176,0.008855826,0.0074005267,0.0022145873,0.0023073799,0.001654829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004944001,0.000027791893,0.00062343996,0.00025033992,0.000016491123,0.00025546033,0.08948392,0.00010123091,0.00016082177,0.26990384,0.60037434,0.038752917],"study_design_scores_gemma":[0.0000061757983,0.000013767781,0.0023736472,0.00051548757,0.0000075840494,0.00014020682,0.037685677,0.00003207525,0.000115894385,0.009481916,0.9496129,0.0000147603505],"about_ca_topic_score_codex":0.070448115,"about_ca_topic_score_gemma":0.10682735,"teacher_disagreement_score":0.070448115,"about_ca_system_score_codex":0.009637879,"about_ca_system_score_gemma":0.003169713,"threshold_uncertainty_score":0.1400761},"labels":[],"label_agreement":null},{"id":"W2976637098","doi":"10.1017/rqx.2019.347","title":": <i>The Ship of Virtuous Ladies</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renaissance studies; The Renaissance; Tempe; Early modern Europe; Classics; Art; History; Art history; Medicine","score_opus":0.012200494659212005,"score_gpt":0.198252619621706,"score_spread":0.18605212496249401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2976637098","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022595949,0.70749086,0.0008731855,0.16483082,0.013805258,0.0000127931335,0.00021403769,0.00010026437,0.11041314],"genre_scores_gemma":[0.13763596,0.40488568,0.002394178,0.048180886,0.017883576,0.00009388624,0.00045533193,0.0003604795,0.38810995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994886,0.00019284483,0.000016982449,0.000075312855,0.0001326764,0.000093412375],"domain_scores_gemma":[0.9996245,0.00012396066,0.00004604966,0.000030215315,0.00009115547,0.00008414935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008443596,0.00093733246,0.0003644443,0.0010999616,0.003119482,0.0063256454,0.00085092883,0.0019336931,0.018463578],"category_scores_gemma":[0.0014462122,0.0004127692,0.00022800351,0.0019276666,0.0051342086,0.00846508,0.0022886677,0.0026515988,0.0060875798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016201218,0.000008158839,0.00025354984,0.00017142549,0.0000050063836,0.00005894724,0.004255903,0.000023081762,0.00006607484,0.03807755,0.9139373,0.043126814],"study_design_scores_gemma":[0.0000023059645,0.000005818901,0.0006787769,0.00031837064,0.000003237823,0.00010355803,0.0033722003,0.000019184263,0.00008019403,0.008006532,0.9874033,0.000006525984],"about_ca_topic_score_codex":0.02339501,"about_ca_topic_score_gemma":0.050329994,"teacher_disagreement_score":0.02339501,"about_ca_system_score_codex":0.0023770244,"about_ca_system_score_gemma":0.0030818575,"threshold_uncertainty_score":0.061766863},"labels":[],"label_agreement":null},{"id":"W2977234994","doi":"10.1017/rqx.2019.303","title":": <i>Midwife to the Queen of France: “Diverse Observations.”</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); The Renaissance; Bourgeoisie; Renaissance studies; Early modern Europe; History; Art; Tempe; Art history; Classics; Political science; Medicine; Law; Politics","score_opus":0.02307834285383361,"score_gpt":0.21191942896838953,"score_spread":0.1888410861145559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2977234994","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002487215,0.5219115,0.00042048434,0.39019164,0.022018718,0.000025073747,0.00039497155,0.00007256997,0.062477835],"genre_scores_gemma":[0.12255742,0.41375187,0.0014601453,0.17632851,0.02264888,0.00021717274,0.00069967826,0.00034270997,0.26199362],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981918,0.0010458848,0.000062877385,0.0001481124,0.00034060737,0.00021081354],"domain_scores_gemma":[0.99904984,0.00037125958,0.00012294194,0.00003614207,0.00021228204,0.0002075523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019450178,0.0011701683,0.00036272127,0.0014294725,0.006565985,0.003939439,0.0014021965,0.004221832,0.015308079],"category_scores_gemma":[0.0033951197,0.00045423448,0.00029943645,0.0029456906,0.006067757,0.006328547,0.0029638023,0.0049240664,0.004693037],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019926752,0.000005883499,0.00021732834,0.00015386246,0.0000029293963,0.000095971416,0.013655087,0.000015303513,0.00004861475,0.008483061,0.9583918,0.018910166],"study_design_scores_gemma":[0.0000023366579,0.000005310852,0.001224198,0.00060338015,0.0000015767387,0.000111912705,0.018573767,0.000007807564,0.000056249635,0.001023532,0.9783821,0.000007759234],"about_ca_topic_score_codex":0.122478254,"about_ca_topic_score_gemma":0.2654453,"teacher_disagreement_score":0.122478254,"about_ca_system_score_codex":0.0065317787,"about_ca_system_score_gemma":0.004951753,"threshold_uncertainty_score":0.24353069},"labels":[],"label_agreement":null},{"id":"W2978264869","doi":"10.1086/687728","title":": <i>The Dynamics of Inheritance on the Shakespearean Stage</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Inheritance (genetic algorithm); Stage (stratigraphy); Content (measure theory); Dynamics (music); Media studies; Art; History; Sociology; Biology; Mathematics; Genetics; Pedagogy","score_opus":0.027235039115029457,"score_gpt":0.2253738346299719,"score_spread":0.19813879551494246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2978264869","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07929995,0.009950343,0.0031709294,0.0520314,0.00073386723,0.000016695843,0.00008668917,0.00007387799,0.8546362],"genre_scores_gemma":[0.9220623,0.0015819994,0.0004646676,0.0019694176,0.00027216843,0.000013653386,0.000022829428,0.00008059283,0.07353242],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988294,0.0005750974,0.000031615637,0.00011138559,0.00026489887,0.00018746793],"domain_scores_gemma":[0.99878424,0.0005293291,0.00011505608,0.00016720951,0.00026959865,0.00013467051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022280526,0.00015562982,0.00017350938,0.0007634109,0.006016985,0.006715571,0.00047007974,0.0013466213,0.009825569],"category_scores_gemma":[0.0037693263,0.00011473156,0.00015598116,0.0011688994,0.018569011,0.0046458775,0.0024996817,0.0024858308,0.0012075503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021945112,0.0000066444836,0.0010216628,0.000033902368,0.0000028629506,0.000082840044,0.0533105,0.000049725248,0.0001614297,0.9101343,0.022201547,0.012972584],"study_design_scores_gemma":[0.000012710071,0.000021290642,0.009215685,0.00038959787,0.000009135638,0.00029041676,0.034662742,0.00018669691,0.0006897441,0.2182337,0.7362599,0.000028350332],"about_ca_topic_score_codex":0.032100648,"about_ca_topic_score_gemma":0.04455439,"teacher_disagreement_score":0.032100648,"about_ca_system_score_codex":0.004550812,"about_ca_system_score_gemma":0.0026159051,"threshold_uncertainty_score":0.063827574},"labels":[],"label_agreement":null},{"id":"W2978434952","doi":"10.1086/671643","title":": <i>Journeys of a Mystic Soul in Poetry and Prose</i>","year":2013,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soul; Mysticism; Poetry; The Renaissance; Art; Art history; Performance art; Humanities; Theology; Philosophy; Literature","score_opus":0.014959468540599291,"score_gpt":0.20505366808990502,"score_spread":0.19009419954930573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2978434952","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045217606,0.7199938,0.001585852,0.12118161,0.011035798,0.000022341384,0.00019420152,0.00014875171,0.14131592],"genre_scores_gemma":[0.32256514,0.3906347,0.004175031,0.027252397,0.019714784,0.00012933223,0.00046249243,0.0005300374,0.23453613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946123,0.00027558184,0.000015226036,0.00006111017,0.0001195148,0.00006730983],"domain_scores_gemma":[0.9993461,0.00028400272,0.000065636654,0.000051583793,0.00013776934,0.00011497817],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009598314,0.0007412481,0.00038660868,0.0011392143,0.0025828984,0.005715977,0.00060230907,0.001312122,0.009037097],"category_scores_gemma":[0.0019607572,0.00023398073,0.00020031158,0.0018802349,0.006299252,0.007110338,0.0021843913,0.0023701477,0.0026850535],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045581946,0.000012306345,0.00039157012,0.00039158133,0.000008219917,0.00014344795,0.01909921,0.000046471043,0.00022640954,0.06619923,0.843959,0.069477],"study_design_scores_gemma":[0.0000037904683,0.0000075783673,0.0014077681,0.0004962262,0.000003305532,0.0003036435,0.009065042,0.000034896646,0.00013237262,0.01025495,0.97828,0.00001051784],"about_ca_topic_score_codex":0.017010823,"about_ca_topic_score_gemma":0.03690777,"teacher_disagreement_score":0.017010823,"about_ca_system_score_codex":0.0029840628,"about_ca_system_score_gemma":0.0022584016,"threshold_uncertainty_score":0.03382361},"labels":[],"label_agreement":null},{"id":"W2978455356","doi":"10.1086/687695","title":": <i>Collaboration, Conflict, and Continuity in the Reformation: Essays in Honour of James M. Estes on His Eightieth Birthday</i>","year":2016,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Honour; The Renaissance; Renaissance studies; Classics; History; Of Reformation; Humanities; Art; Art history; Theology; Philosophy; Archaeology","score_opus":0.018283668802361958,"score_gpt":0.23154413916610406,"score_spread":0.2132604703637421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2978455356","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064764135,0.39758343,0.00071686064,0.50499326,0.015544623,0.00002587168,0.000077641285,0.000025455885,0.0745564],"genre_scores_gemma":[0.39251804,0.24902675,0.0017653777,0.10215501,0.03012015,0.00018863974,0.00019283826,0.00015283638,0.22388038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981902,0.0011188766,0.000051540646,0.00014101606,0.0002946099,0.00020368784],"domain_scores_gemma":[0.9975177,0.0014236304,0.0002240706,0.00007946323,0.00029762456,0.00045754187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003403164,0.00065544544,0.00050620147,0.0009012857,0.006262488,0.005847987,0.0010480828,0.003526068,0.004876114],"category_scores_gemma":[0.0054647946,0.0002993371,0.00030881996,0.0018770234,0.012937201,0.008416153,0.0037868265,0.005241862,0.0012452565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033404987,0.00003112063,0.00037223173,0.00023004223,0.000008353388,0.00014662674,0.033787914,0.000064448526,0.00008086632,0.059814483,0.88861406,0.016816486],"study_design_scores_gemma":[0.000017429795,0.000020308546,0.0023160353,0.0011279251,0.000008491341,0.00017942025,0.03908062,0.00005736109,0.00012584365,0.022472633,0.93457294,0.00002102984],"about_ca_topic_score_codex":0.0145363435,"about_ca_topic_score_gemma":0.026032338,"teacher_disagreement_score":0.0145363435,"about_ca_system_score_codex":0.0045077056,"about_ca_system_score_gemma":0.0039037995,"threshold_uncertainty_score":0.032705843},"labels":[],"label_agreement":null},{"id":"W3000989892","doi":"10.1017/rqx.2019.442","title":": <i>Reformation in der Region: Personen und Erinnerungsorte</i>","year":2019,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Stuttgart; Art; Humanities","score_opus":0.020214799153614255,"score_gpt":0.23098245237160717,"score_spread":0.2107676532179929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000989892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032408386,0.074349105,0.0010536218,0.32280278,0.0071340883,0.000039234365,0.0007879072,0.00012130344,0.5613037],"genre_scores_gemma":[0.6823196,0.03129724,0.000747094,0.0236828,0.0031755564,0.000062207946,0.00041457947,0.00013722702,0.25816375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994879,0.0002713391,0.000017357,0.000045810702,0.00008329056,0.00009430508],"domain_scores_gemma":[0.9995666,0.0001876965,0.000068883215,0.000031112653,0.00006418307,0.00008150431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008990968,0.00016788102,0.00014737835,0.00041176428,0.0025325033,0.0039991005,0.00035940824,0.0015662101,0.020149536],"category_scores_gemma":[0.0018264035,0.00008111904,0.000116032366,0.0013652958,0.0035024981,0.002806102,0.0018040532,0.0017641616,0.00216505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038484555,0.000017299626,0.0015444044,0.0003614336,0.0000065501176,0.00014919904,0.052248005,0.00005290198,0.00034714272,0.37334052,0.5401829,0.031711247],"study_design_scores_gemma":[0.0000042892652,0.000011152288,0.007954066,0.00044050734,0.000004910549,0.00017491211,0.022572976,0.000028835613,0.00026825775,0.009174336,0.9593548,0.000011052528],"about_ca_topic_score_codex":0.023302015,"about_ca_topic_score_gemma":0.04359731,"teacher_disagreement_score":0.023302015,"about_ca_system_score_codex":0.0021187488,"about_ca_system_score_gemma":0.0023389515,"threshold_uncertainty_score":0.06740689},"labels":[],"label_agreement":null},{"id":"W3001090651","doi":"10.1017/rqx.2019.435","title":": <i>In Pursuit of Civility: Manners and Civilization in Early Modern England</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Civility; Stern; Civilization; History; Theology; Classics; Religious studies; Philosophy; Ancient history; Law; Political science; Archaeology; Politics","score_opus":0.014775245984109817,"score_gpt":0.20206706852789286,"score_spread":0.18729182254378304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001090651","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068738055,0.8050036,0.00043650207,0.14043577,0.0070050727,0.0000076027914,0.00036840508,0.000027074107,0.039842233],"genre_scores_gemma":[0.27778238,0.4807244,0.0011141475,0.023927145,0.015342046,0.000049684764,0.00083908316,0.00013097434,0.20009014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971503,0.00012277157,0.000017901553,0.00003828125,0.00005188357,0.00005415151],"domain_scores_gemma":[0.99951386,0.00021572516,0.00007237405,0.000027008895,0.00009740665,0.00007361059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006857452,0.000463563,0.00043750848,0.001342234,0.0013230854,0.0034446288,0.0004899335,0.0013512643,0.017833047],"category_scores_gemma":[0.0012313044,0.0002927562,0.00021082055,0.0026507266,0.0039203297,0.0059735873,0.00158136,0.001624489,0.0032349837],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046923244,0.000018077002,0.0031218925,0.0006280045,0.000013684331,0.00016882505,0.021091511,0.000056729506,0.00014165742,0.074330255,0.82359475,0.07678769],"study_design_scores_gemma":[0.000006754686,0.000016954742,0.015087463,0.0011696536,0.000010571314,0.0003200596,0.014178552,0.000031148727,0.00011455573,0.017664943,0.95138305,0.000016317816],"about_ca_topic_score_codex":0.028069532,"about_ca_topic_score_gemma":0.069433436,"teacher_disagreement_score":0.028069532,"about_ca_system_score_codex":0.0023891747,"about_ca_system_score_gemma":0.0012950962,"threshold_uncertainty_score":0.059657514},"labels":[],"label_agreement":null},{"id":"W3001117502","doi":"10.1017/rqx.2019.407","title":": <i>The Henri IV Series</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Miller; Art history; Art; Philosophy; Humanities","score_opus":0.00918935657423095,"score_gpt":0.19345346668461808,"score_spread":0.18426411011038712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001117502","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012059138,0.4739152,0.0014753405,0.038150858,0.04269718,0.00005156727,0.0013030553,0.00040832243,0.44079256],"genre_scores_gemma":[0.015267601,0.07991567,0.0008224264,0.0044849785,0.011273934,0.000074265,0.00085027464,0.00051645,0.8867945],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99943584,0.00012509814,0.000026163747,0.000098585326,0.00022387759,0.00009038643],"domain_scores_gemma":[0.9995161,0.00009674954,0.00006835649,0.000051577124,0.00017231327,0.000094815194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071198173,0.0013841637,0.000604074,0.0023153564,0.0015701312,0.0044554197,0.0011146776,0.0011799982,0.12640755],"category_scores_gemma":[0.0016200915,0.00039102987,0.00035318095,0.0028184578,0.001359575,0.0040224018,0.002239717,0.0018477909,0.055974584],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015373893,0.000005336648,0.000071336995,0.00015851788,0.000002398006,0.00001785983,0.0002534701,0.00003378573,0.00008124757,0.009606929,0.9339464,0.05580742],"study_design_scores_gemma":[8.208554e-7,0.000002723761,0.00019156343,0.00016029614,9.415203e-7,0.00002288357,0.00013940124,0.000007969396,0.000052061638,0.0011775555,0.9982418,0.000002116886],"about_ca_topic_score_codex":0.012303348,"about_ca_topic_score_gemma":0.016012076,"teacher_disagreement_score":0.12640755,"about_ca_system_score_codex":0.0030781075,"about_ca_system_score_gemma":0.0024786582,"threshold_uncertainty_score":0.4228754},"labels":[],"label_agreement":null},{"id":"W3001195129","doi":"10.1017/rqx.2019.471","title":": <i>“Poems and Fancies” with “The Animal Parliament.”</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tempe; Parliament; Poetry; The Renaissance; Art; Art history; Center (category theory); History; Classics; Literature; Law; Political science; Medicine; Chemistry; Politics","score_opus":0.01666736193468861,"score_gpt":0.20544682243244883,"score_spread":0.18877946049776023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001195129","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036111092,0.23368974,0.0014399373,0.14440916,0.031646825,0.000054681666,0.00068782986,0.0004383903,0.58402234],"genre_scores_gemma":[0.077669054,0.0445976,0.0012167366,0.025503742,0.018089816,0.000094343806,0.0005618704,0.0005711792,0.8316957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923074,0.00032632134,0.00002462701,0.00009032893,0.00023060097,0.00009734303],"domain_scores_gemma":[0.9994943,0.00013735236,0.000081313105,0.000042833628,0.00013527733,0.000108948196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008702646,0.001277048,0.00033129187,0.0011508107,0.0033818253,0.0050193327,0.0008581897,0.0018057224,0.05880365],"category_scores_gemma":[0.0023911123,0.00028076346,0.00029589617,0.0018742541,0.004572154,0.005988187,0.0024071306,0.002702776,0.022705194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015693266,0.000007676685,0.00011604892,0.000076534714,0.0000019996592,0.000030324805,0.0025751158,0.000008245672,0.0000804655,0.0115944715,0.96682924,0.018664066],"study_design_scores_gemma":[0.0000021781136,0.0000045622946,0.000663461,0.00016393856,0.0000014494567,0.00007663528,0.0020315344,0.000012270547,0.000090152236,0.0012611373,0.99568814,0.000004484954],"about_ca_topic_score_codex":0.012440915,"about_ca_topic_score_gemma":0.028324453,"teacher_disagreement_score":0.05880365,"about_ca_system_score_codex":0.0022450096,"about_ca_system_score_gemma":0.0013311362,"threshold_uncertainty_score":0.1967178},"labels":[],"label_agreement":null},{"id":"W3001218679","doi":"10.1017/rqx.2019.432","title":": <i>Johann Froben, Printer of Basel: A Biographical Profile and Catalogue of His Editions</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Brill; History; Classics; Word (group theory); Art; Linguistics; Philosophy","score_opus":0.010092813984570128,"score_gpt":0.19173873880350373,"score_spread":0.1816459248189336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001218679","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002064804,0.3356543,0.0017662906,0.051109523,0.051248383,0.0001194638,0.01099197,0.002123245,0.54492205],"genre_scores_gemma":[0.0068799467,0.05190032,0.0007722514,0.004742765,0.0041730083,0.00005400006,0.0030687456,0.0015112237,0.92689764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907696,0.00009792979,0.000065639004,0.0001462065,0.0004915326,0.000121773],"domain_scores_gemma":[0.9988417,0.00025948975,0.00014753913,0.000092354574,0.0004907209,0.00016829085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077167107,0.001355421,0.0008989958,0.004810241,0.0015120943,0.006639525,0.0008805471,0.001397267,0.24512772],"category_scores_gemma":[0.0035955545,0.0006275429,0.00032756088,0.007784115,0.00085722696,0.0078200605,0.0025414603,0.002135641,0.2141747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010027935,0.0000024324647,0.000059498514,0.00011408369,0.0000015414956,0.000024726458,0.00020325341,0.000008896882,0.00009459539,0.0009570329,0.98084885,0.017675105],"study_design_scores_gemma":[9.250677e-7,0.0000012557007,0.00018442841,0.00011874356,8.3285437e-7,0.00005223369,0.00014767364,0.000004504258,0.00005567814,0.00016610332,0.99926347,0.0000041227413],"about_ca_topic_score_codex":0.008801279,"about_ca_topic_score_gemma":0.017164556,"teacher_disagreement_score":0.24512772,"about_ca_system_score_codex":0.0014276318,"about_ca_system_score_gemma":0.0016077062,"threshold_uncertainty_score":0.8200339},"labels":[],"label_agreement":null},{"id":"W3001298653","doi":"10.1017/rqx.2019.463","title":": <i>Margherita Costa: “The Buffoons, A Ridiculous Comedy”: A Bilingual Edition</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ridiculous; The Renaissance; Art; Comedy; Performance art; Classics; History; Art history; Literature","score_opus":0.009468795756514388,"score_gpt":0.205453810114933,"score_spread":0.1959850143584186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001298653","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029164338,0.63452613,0.00090209406,0.16241582,0.025473814,0.00003069816,0.00066709873,0.00015403454,0.17291386],"genre_scores_gemma":[0.05769286,0.313788,0.0014913947,0.037229557,0.018387504,0.000078382625,0.0007792347,0.0004900171,0.5700632],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996592,0.0001012011,0.0000139459125,0.00005392077,0.00013123512,0.000040506176],"domain_scores_gemma":[0.9995415,0.0001479976,0.00004079855,0.000016205315,0.00015838111,0.00009520723],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006757468,0.0009778584,0.00039377355,0.0013999902,0.002715901,0.0035008457,0.0008563889,0.0013936602,0.03126363],"category_scores_gemma":[0.001080921,0.0003164366,0.00018493774,0.0022900444,0.0018213954,0.0038434016,0.0016921253,0.0021101094,0.009565157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016012646,0.0000072320995,0.00014656977,0.000213777,0.0000022540687,0.000047980222,0.0037393244,0.000011372168,0.00011519872,0.007688955,0.96855843,0.019452922],"study_design_scores_gemma":[0.0000031946654,0.0000030419092,0.00070666405,0.00029469703,0.0000022685347,0.000090457695,0.002627311,0.000012421877,0.00010722793,0.0007647939,0.9953832,0.000004723625],"about_ca_topic_score_codex":0.040133707,"about_ca_topic_score_gemma":0.12617925,"teacher_disagreement_score":0.040133707,"about_ca_system_score_codex":0.0034154349,"about_ca_system_score_gemma":0.0037082094,"threshold_uncertainty_score":0.1045872},"labels":[],"label_agreement":null},{"id":"W3001632993","doi":"10.1017/rqx.2019.441","title":": <i>“Women's Speaking Justified” and Other Pamphlets</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fell; Renaissance studies; The Renaissance; History; Classics; Early modern Europe; Tempe; Art; Art history; Geography; Medicine; Cartography","score_opus":0.024158310292346264,"score_gpt":0.21840238882952137,"score_spread":0.1942440785371751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001632993","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002119423,0.036687482,0.0014911118,0.19895694,0.097537234,0.00050677767,0.0051973346,0.0017839263,0.6557197],"genre_scores_gemma":[0.014887555,0.010654357,0.00086384,0.06236717,0.019962266,0.0006823,0.001835658,0.0005389352,0.888208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954396,0.00018649554,0.000018630273,0.00004855691,0.00011888352,0.0000834736],"domain_scores_gemma":[0.9988366,0.00046294447,0.00011352654,0.000038599315,0.00029726102,0.00025110407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008992631,0.0012588815,0.00046632922,0.0011019954,0.0024902285,0.0022610903,0.0010527059,0.0026757405,0.26202923],"category_scores_gemma":[0.0027733,0.00031939356,0.0003442644,0.0013522608,0.0013529602,0.0039893556,0.0018531748,0.0023099906,0.12926911],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070529395,0.0000038609637,0.0000116968995,0.000028457656,1.9966821e-7,0.000010330288,0.00015842434,0.000002257766,0.000035340956,0.000254288,0.99527365,0.004214422],"study_design_scores_gemma":[0.000006691162,0.000014383361,0.0006698361,0.00027677804,9.2290543e-7,0.000064199485,0.0014098714,0.000017904684,0.00009101304,0.0004975002,0.99694294,0.00000802702],"about_ca_topic_score_codex":0.0060733557,"about_ca_topic_score_gemma":0.014439076,"teacher_disagreement_score":0.26202923,"about_ca_system_score_codex":0.0014095374,"about_ca_system_score_gemma":0.001495968,"threshold_uncertainty_score":0.8765751},"labels":[],"label_agreement":null},{"id":"W3001968852","doi":"10.1017/rqx.2019.427","title":": <i>Florentine Patricians and Their Networks: Structures behind the Cultural Success and the Political Representation of the Medici Court (1600–1660)</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Representation (politics); Politics; History; Classics; Humanities; Political science; Law; Art","score_opus":0.01526409585747611,"score_gpt":0.2344397285214945,"score_spread":0.2191756326640184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001968852","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015278875,0.50672984,0.00021322607,0.2056614,0.007962803,0.000018660061,0.00086350215,0.00006963549,0.2632021],"genre_scores_gemma":[0.3544522,0.15334097,0.00042164733,0.015342431,0.014780614,0.00005584322,0.0007878371,0.00017699096,0.4606414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968326,0.00008545183,0.000008915875,0.00006843752,0.00007974958,0.000074146024],"domain_scores_gemma":[0.99961394,0.00014792987,0.0000839127,0.000015120608,0.00006468163,0.00007447061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004632269,0.00050555967,0.00021930569,0.0015372407,0.003076582,0.0031958504,0.00059068174,0.001715187,0.02669041],"category_scores_gemma":[0.0012946695,0.00023900384,0.00012181084,0.0025209289,0.0025867093,0.0032366647,0.0012843766,0.0016555404,0.004159776],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027008986,0.0000065661256,0.0011257131,0.00016475099,0.000004817019,0.00016356356,0.0121060535,0.000018913335,0.0000701394,0.026279176,0.91915596,0.040877245],"study_design_scores_gemma":[0.000003470822,0.000006187899,0.008490959,0.00027217553,0.000002167687,0.00017633343,0.0038230657,0.000008622739,0.000055130582,0.00096952735,0.9861854,0.0000070740984],"about_ca_topic_score_codex":0.08310383,"about_ca_topic_score_gemma":0.17891118,"teacher_disagreement_score":0.08310383,"about_ca_system_score_codex":0.0033267096,"about_ca_system_score_gemma":0.0010731248,"threshold_uncertainty_score":0.16524023},"labels":[],"label_agreement":null},{"id":"W3002391348","doi":"10.1017/rqx.2019.385","title":": <i>Prolegomena to the Adages</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; History; Classics; Art history; Theology; Philosophy","score_opus":0.01552037919238241,"score_gpt":0.2115135133909683,"score_spread":0.19599313419858588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002391348","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039415415,0.46430606,0.0016745849,0.16521335,0.015388607,0.000019247986,0.00023513607,0.00010414804,0.34911728],"genre_scores_gemma":[0.28692153,0.16115406,0.0030976988,0.04913613,0.018718235,0.00011257216,0.000365925,0.00043633048,0.48005748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991642,0.0004533971,0.000027423475,0.0000886491,0.00013905026,0.00012735362],"domain_scores_gemma":[0.999559,0.00016003352,0.00005976145,0.00006346522,0.000096703516,0.000060947343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010847754,0.00064671837,0.0003371146,0.0010063258,0.0031733827,0.0052700755,0.00067509804,0.0018178438,0.019080983],"category_scores_gemma":[0.0019854864,0.00025459658,0.00023252472,0.0013792996,0.009677265,0.0071683796,0.0021837333,0.0035179898,0.004915075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038945305,0.000018903147,0.00023446398,0.00020949487,0.0000053523427,0.00004861803,0.00882821,0.000029089793,0.00010853959,0.40487108,0.546125,0.039482355],"study_design_scores_gemma":[0.000003354973,0.0000045774023,0.00033024236,0.0002523339,0.0000020769073,0.000048137146,0.0020237863,0.000011941306,0.00006534214,0.023553649,0.97370106,0.0000035069697],"about_ca_topic_score_codex":0.010967049,"about_ca_topic_score_gemma":0.020552648,"teacher_disagreement_score":0.019080983,"about_ca_system_score_codex":0.0034639584,"about_ca_system_score_gemma":0.0022878163,"threshold_uncertainty_score":0.06383228},"labels":[],"label_agreement":null},{"id":"W3002444451","doi":"10.1017/rqx.2019.401","title":": <i>Exporting Caravaggio: The Crucifixion of Saint Andrew</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"SAINT; Art history; Art; Performance art; History","score_opus":0.014980389952402147,"score_gpt":0.20626471937529478,"score_spread":0.19128432942289264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002444451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13361625,0.0034479292,0.0005134375,0.052375894,0.003053161,0.000050019975,0.0016738496,0.0002046222,0.8050648],"genre_scores_gemma":[0.36020848,0.0027956052,0.00055563357,0.0050095087,0.00063129823,0.000042361957,0.0007235019,0.00039928374,0.6296343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985325,0.000028696199,0.000004451143,0.00002445861,0.000045813336,0.000043400687],"domain_scores_gemma":[0.99984694,0.000039769788,0.000027077636,0.000014031116,0.00003558175,0.000036579204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029667918,0.00023082561,0.0001134142,0.00038911038,0.0051375246,0.0022523175,0.00032344513,0.00089374493,0.042386696],"category_scores_gemma":[0.0010401995,0.00010658558,0.0001030289,0.001084883,0.0018081933,0.0011689684,0.0017122795,0.0020645652,0.0033673262],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119031654,0.000015799773,0.0053462824,0.00037579844,0.0000074407135,0.002264446,0.17917092,0.000049565722,0.0017741731,0.12637132,0.6456722,0.038833115],"study_design_scores_gemma":[0.0000017446519,0.0000068180343,0.005790288,0.000065551234,0.0000018530343,0.00022792994,0.0164457,0.000008854144,0.0002870419,0.00044512626,0.97671354,0.000005427528],"about_ca_topic_score_codex":0.12086632,"about_ca_topic_score_gemma":0.31150097,"teacher_disagreement_score":0.12086632,"about_ca_system_score_codex":0.0023266443,"about_ca_system_score_gemma":0.0016695665,"threshold_uncertainty_score":0.24032563},"labels":[],"label_agreement":null},{"id":"W3002873390","doi":"10.1017/rqx.2019.380","title":"Ornament and Systems of Ordering in the Sixteenth-Century Netherlands","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Curiosity; Vernacular; Pleasure; Context (archaeology); Enlightenment; Conviction; Object (grammar); Subject (documents); Aesthetics; Subject matter; Set (abstract data type); History; Art; Epistemology; Literature; Sociology; Philosophy; Psychology; Political science; Law; Social psychology; Linguistics; Computer science","score_opus":0.018295339717463298,"score_gpt":0.23425242001750182,"score_spread":0.21595708030003852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002873390","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3382238,0.0025434913,0.0044019166,0.0017242583,0.000088594046,0.000024385678,0.00013391979,0.000022858532,0.65283686],"genre_scores_gemma":[0.9489103,0.00067764317,0.0015805241,0.00005095014,0.000013490713,0.000019000476,0.00006020353,0.00003378123,0.0486542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912184,0.00029674394,0.00005389497,0.00015084646,0.00016949985,0.00020708422],"domain_scores_gemma":[0.99957186,0.000103573686,0.000098820805,0.000070355345,0.00009212086,0.00006329279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008085847,0.0001678458,0.00022874799,0.00093359617,0.0025863748,0.0065819947,0.0006654854,0.00049321813,0.0069492455],"category_scores_gemma":[0.0018949177,0.00027675147,0.00017430384,0.0014589778,0.009402613,0.003749738,0.0025692254,0.0008078368,0.00052641885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028091821,0.000017416129,0.0017121028,0.000028646866,0.000006544884,0.00013461139,0.019910133,0.0007916094,0.00030985475,0.9657934,0.00095990824,0.010307764],"study_design_scores_gemma":[0.000055850283,0.000032394706,0.009559027,0.00014866175,0.000014903148,0.00031361394,0.021993995,0.0023588268,0.0008100067,0.51388395,0.45076972,0.000059062495],"about_ca_topic_score_codex":0.10361008,"about_ca_topic_score_gemma":0.16220006,"teacher_disagreement_score":0.10361008,"about_ca_system_score_codex":0.015425436,"about_ca_system_score_gemma":0.0032460869,"threshold_uncertainty_score":0.20601404},"labels":[],"label_agreement":null},{"id":"W3010860860","doi":"10.1017/rqx.2019.540","title":": <i>In the Sultan's Realm: Two Venetian Ambassadorial Reports on the Early Modern Ottoman Empire</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Realm; Early modern Europe; Ottoman empire; Classics; Art; Empire; Of Reformation; History; Ancient history; Art history; Philosophy; Theology; Archaeology; Law; Political science; Politics","score_opus":0.04592517499853502,"score_gpt":0.2535393535537656,"score_spread":0.2076141785552306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3010860860","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2761182,0.3724215,0.00072393654,0.109344505,0.008692937,0.00006227827,0.001192417,0.00008474361,0.23135959],"genre_scores_gemma":[0.91107035,0.038999476,0.00048262952,0.0044747577,0.001956882,0.000046035675,0.00046938926,0.000064781365,0.042435635],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996748,0.00011332476,0.000019936144,0.000028988776,0.000076406286,0.00008657495],"domain_scores_gemma":[0.9995956,0.00013804207,0.00009094426,0.00003967627,0.00009685787,0.00003887537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007361633,0.0005828408,0.00018568693,0.001489304,0.0035276988,0.0028405075,0.00072403945,0.00086458965,0.0047158506],"category_scores_gemma":[0.0012616424,0.00017231358,0.00015090662,0.0035901808,0.0065352237,0.002410513,0.0016856446,0.0012905797,0.00046969613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003087848,0.000046017354,0.011935761,0.0013778296,0.00004433252,0.002164323,0.420494,0.00008190996,0.0021878753,0.14404957,0.30585176,0.11145785],"study_design_scores_gemma":[0.00002145749,0.000041213843,0.049739607,0.0010098539,0.000040361923,0.00060728367,0.15234785,0.000040544866,0.0015608647,0.003912049,0.79064023,0.00003873004],"about_ca_topic_score_codex":0.11221215,"about_ca_topic_score_gemma":0.29315877,"teacher_disagreement_score":0.11221215,"about_ca_system_score_codex":0.0047737723,"about_ca_system_score_gemma":0.002803869,"threshold_uncertainty_score":0.223118},"labels":[],"label_agreement":null},{"id":"W3011866632","doi":"10.1017/rqx.2019.528","title":": <i>Making Mathematical Culture: University and Print in the Circle of Lefèvre d’Étaples</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"History; Art history","score_opus":0.052608464934784605,"score_gpt":0.23877790601898796,"score_spread":0.18616944108420336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011866632","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002201896,0.3485463,0.0008933141,0.38753137,0.019495992,0.00001193616,0.00014677046,0.00014716254,0.24102531],"genre_scores_gemma":[0.19377606,0.15873635,0.0017229804,0.0722096,0.033676285,0.00007861245,0.00023705255,0.00066460815,0.53889847],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99855095,0.00071599963,0.00005337125,0.00015953463,0.0003694131,0.00015084211],"domain_scores_gemma":[0.9983063,0.00089168246,0.0001783933,0.00012511776,0.00026727855,0.00023127612],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001651239,0.0007324824,0.00038128227,0.0011733901,0.004794655,0.010386068,0.0007381833,0.0035029557,0.039815545],"category_scores_gemma":[0.0052978303,0.00034527655,0.00026272883,0.0018764203,0.0074468185,0.015581147,0.0028854143,0.0037172947,0.010426546],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019935793,0.00001195229,0.00019163374,0.00013652397,0.0000032833648,0.00004222461,0.0045413487,0.00002392747,0.00005445272,0.13252711,0.83203304,0.030414527],"study_design_scores_gemma":[0.0000033854603,0.0000051752827,0.0005711524,0.00024703285,0.0000018991763,0.00007121239,0.0028152668,0.000015804771,0.000085144115,0.013156177,0.9830208,0.0000068600407],"about_ca_topic_score_codex":0.011138571,"about_ca_topic_score_gemma":0.021590872,"teacher_disagreement_score":0.99520534,"about_ca_system_score_codex":0.0035662672,"about_ca_system_score_gemma":0.002543584,"threshold_uncertainty_score":0.1331963},"labels":[],"label_agreement":null},{"id":"W3011905801","doi":"10.1017/rqx.2019.525","title":": <i>Caring for the Living Soul: Emotions, Medicine and Penance in the Late Medieval Mediterranean</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Vanier College","funders":"","keywords":"Brill; Soul; Mediterranean climate; Classics; History; Ancient history; Art; Philosophy; Theology; Archaeology","score_opus":0.07775310030430686,"score_gpt":0.2710093044480015,"score_spread":0.1932562041436946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011905801","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016070448,0.9020283,0.00013071406,0.060678367,0.010291636,0.00000880813,0.000063102285,0.000027810069,0.02516421],"genre_scores_gemma":[0.09345892,0.723043,0.00068093714,0.041506425,0.025741588,0.00007244447,0.00022648001,0.00011384882,0.115156405],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9996816,0.0001358628,0.0000150376745,0.000041516072,0.00006978621,0.00005616364],"domain_scores_gemma":[0.9996412,0.00013478618,0.000041199066,0.000010886485,0.000079929036,0.00009197854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009979516,0.0010544754,0.00057251524,0.001007382,0.001997607,0.0035885691,0.0006983092,0.0020864953,0.016053231],"category_scores_gemma":[0.0011553003,0.00027017583,0.00023602573,0.0015101301,0.0029914377,0.0051914956,0.0022666836,0.0028005193,0.0038690877],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064220076,0.000029306853,0.000796717,0.0010749061,0.000014347348,0.00015204697,0.012363512,0.000033107826,0.00019362514,0.014460414,0.86458623,0.10623165],"study_design_scores_gemma":[0.00001333897,0.000034337038,0.006582044,0.0021113057,0.000012950984,0.0005651826,0.01582871,0.00003848178,0.00013696124,0.006972451,0.9676848,0.000019408662],"about_ca_topic_score_codex":0.010215262,"about_ca_topic_score_gemma":0.023286995,"teacher_disagreement_score":0.016053231,"about_ca_system_score_codex":0.0021836369,"about_ca_system_score_gemma":0.0015594297,"threshold_uncertainty_score":0.053703427},"labels":[],"label_agreement":null},{"id":"W3012547897","doi":"10.1017/rqx.2019.569","title":": <i>The Correspondence and Unpublished Papers of Robert Persons, SJ, Volume 1: 1574–1588</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Classics; History; Volume (thermodynamics); Philosophy","score_opus":0.011543877558077498,"score_gpt":0.18783910109677096,"score_spread":0.17629522353869345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012547897","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014285388,0.13643375,0.0006961132,0.16370927,0.12950404,0.0001148639,0.0043747295,0.00037569008,0.563363],"genre_scores_gemma":[0.008934843,0.04182123,0.00041955715,0.0105570145,0.022788467,0.00007696115,0.0016416664,0.0003378114,0.91342235],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987998,0.0002632455,0.00006836198,0.0002143018,0.00054372376,0.0001105408],"domain_scores_gemma":[0.9975516,0.0005455993,0.00029015634,0.00016665678,0.0012193773,0.00022662642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012902552,0.0009231156,0.0005982897,0.0028501102,0.002284011,0.0040391,0.0010030752,0.0021341953,0.2532217],"category_scores_gemma":[0.0050024814,0.00033703714,0.00030327914,0.0033546058,0.0010661026,0.0037135722,0.0014332319,0.001893833,0.13044775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007742523,0.0000032164899,0.00004833875,0.000060575177,9.84374e-7,0.000019820236,0.00009247744,0.0000032545663,0.000044879725,0.0015333818,0.98812616,0.010059214],"study_design_scores_gemma":[0.0000011735025,0.0000020392542,0.00019969416,0.000067950874,9.562342e-7,0.000034458888,0.00015680454,0.0000034384386,0.00005722752,0.00017005524,0.99930406,0.0000022157735],"about_ca_topic_score_codex":0.008739694,"about_ca_topic_score_gemma":0.011403042,"teacher_disagreement_score":0.2532217,"about_ca_system_score_codex":0.0023149676,"about_ca_system_score_gemma":0.0020953484,"threshold_uncertainty_score":0.8471109},"labels":[],"label_agreement":null},{"id":"W3040921289","doi":"10.1017/rqx.2020.112","title":": <i>Religion around John Donne</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Religious, and Philosophical Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"State (computer science); Religious studies; Theology; History; Philosophy","score_opus":0.04060005638427297,"score_gpt":0.22101421094452814,"score_spread":0.18041415456025517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3040921289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002814666,0.060383927,0.0005228926,0.4011106,0.07280914,0.00004361893,0.0005001975,0.0002424994,0.46157244],"genre_scores_gemma":[0.023483183,0.013967968,0.00024667074,0.049575202,0.007873311,0.00003390751,0.00012493858,0.00029090344,0.9044039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964154,0.00010225627,0.000012525505,0.00004891136,0.00013863777,0.000056190638],"domain_scores_gemma":[0.9992028,0.0001639651,0.000054094504,0.00003999508,0.00021976285,0.00031944978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085226045,0.0004125574,0.00025787065,0.0005683963,0.0054826457,0.0032350973,0.0004926426,0.0014030728,0.07404462],"category_scores_gemma":[0.0030603497,0.00020674571,0.00017260415,0.00075812044,0.0018082975,0.0032947736,0.002460919,0.0032889943,0.022398347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057077737,0.0000030876522,0.000084602325,0.000037479596,8.953145e-7,0.000041739797,0.0011485342,0.0000035961075,0.00007204195,0.0041825105,0.9894469,0.0049730022],"study_design_scores_gemma":[5.142828e-7,0.0000012074917,0.00023246462,0.000047844267,4.2405463e-7,0.000040529038,0.00096586905,0.0000014802936,0.000033000757,0.00016562511,0.9985089,0.0000021715787],"about_ca_topic_score_codex":0.0319697,"about_ca_topic_score_gemma":0.0996634,"teacher_disagreement_score":0.07404462,"about_ca_system_score_codex":0.0022141605,"about_ca_system_score_gemma":0.0016633424,"threshold_uncertainty_score":0.24770391},"labels":[],"label_agreement":null},{"id":"W3041466538","doi":"10.1017/rqx.2020.63","title":": <i>A Not-So-New World: Empire and Environment in French Colonial North America</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Empire; Colonialism; History; Environmental ethics; Economic history; Ancient history; Archaeology; Philosophy","score_opus":0.019765321311694048,"score_gpt":0.20501018665454296,"score_spread":0.1852448653428489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041466538","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038829995,0.7422092,0.00029797739,0.20197777,0.0069584395,0.0000059803083,0.00023673757,0.00005211277,0.044378776],"genre_scores_gemma":[0.22232132,0.59874773,0.0009366542,0.03897006,0.022486906,0.00004418241,0.00066922675,0.00017177695,0.115652114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999708,0.00013146977,0.00001085526,0.00003558013,0.00006422216,0.000049866994],"domain_scores_gemma":[0.9994386,0.00023548222,0.00006447175,0.000023565375,0.0001458929,0.0000919685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072276336,0.00069383386,0.00036132213,0.0013305157,0.0028264471,0.005683996,0.0007086604,0.0017866273,0.016558371],"category_scores_gemma":[0.00088276906,0.00022332501,0.00022562836,0.0035389506,0.00357452,0.006196025,0.0011145157,0.0015089521,0.0020670374],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001843114,0.000011535871,0.0014473253,0.0003558899,0.000009239704,0.00015476551,0.008683425,0.00006288207,0.000119615295,0.02544034,0.91463673,0.04905983],"study_design_scores_gemma":[0.0000029431426,0.000008780327,0.0068299696,0.0009887167,0.000010518903,0.00022181374,0.012903711,0.000046915018,0.00007892699,0.0057093506,0.97318447,0.000013795423],"about_ca_topic_score_codex":0.17383707,"about_ca_topic_score_gemma":0.34546274,"teacher_disagreement_score":0.82616293,"about_ca_system_score_codex":0.0057589114,"about_ca_system_score_gemma":0.0032804266,"threshold_uncertainty_score":0.34565043},"labels":[],"label_agreement":null},{"id":"W3041719627","doi":"10.1017/rqx.2020.51","title":": <i>Renaissance Mass Murder: Civilians and Soldiers during the Italian Wars</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Yersinia bacterium, plague, ectoparasites research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"The Renaissance; History; Classics; Art history","score_opus":0.009622521685261315,"score_gpt":0.23481314890542443,"score_spread":0.22519062722016311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041719627","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09395363,0.13754782,0.000640746,0.5431038,0.045337982,0.00012499983,0.006327785,0.00023908122,0.17272416],"genre_scores_gemma":[0.5386077,0.09386407,0.0007126449,0.046942342,0.043814015,0.00014940235,0.005333192,0.00016539794,0.27041134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970216,0.00009220706,0.000020631944,0.00003933234,0.00006456512,0.00008101332],"domain_scores_gemma":[0.99929166,0.0001820653,0.00016970691,0.000035432127,0.00014151406,0.00017954649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011157396,0.00046945305,0.00020674494,0.0011845981,0.002246528,0.0024167786,0.00045928164,0.0025612984,0.024618011],"category_scores_gemma":[0.0027230226,0.0001467907,0.00018037559,0.0013416673,0.0013937319,0.00128667,0.0012025979,0.0011886372,0.003365781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000966963,0.000022185177,0.018200116,0.00055420276,0.000017829589,0.00074322516,0.013978113,0.000042254564,0.00041557735,0.004306118,0.9204267,0.041197],"study_design_scores_gemma":[0.000009751972,0.00007307224,0.18959253,0.0007280878,0.000015793457,0.0011172103,0.017622532,0.00003021402,0.00019265397,0.00088694255,0.78970927,0.000021838665],"about_ca_topic_score_codex":0.043757103,"about_ca_topic_score_gemma":0.109197,"teacher_disagreement_score":0.043757103,"about_ca_system_score_codex":0.0018146624,"about_ca_system_score_gemma":0.0012370227,"threshold_uncertainty_score":0.08700484},"labels":[],"label_agreement":null},{"id":"W3041890671","doi":"10.1017/rqx.2020.113","title":": <i>The Works of Henry Vaughan</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity Western University","funders":"","keywords":"History; Law and economics; Gerontology; Sociology; Medicine","score_opus":0.02735121305428884,"score_gpt":0.2195231871204042,"score_spread":0.19217197406611536,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041890671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018073702,0.07490118,0.0016759946,0.32371265,0.06275215,0.00005770131,0.00095302594,0.00073572993,0.53340423],"genre_scores_gemma":[0.025661621,0.023906328,0.0008718313,0.03402158,0.008162876,0.000041652722,0.00027523615,0.00052133953,0.90653753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858826,0.00037861647,0.000038322,0.00016539283,0.00067055813,0.0001587759],"domain_scores_gemma":[0.9976307,0.0005818384,0.0001655418,0.00017760246,0.0009580162,0.00048614162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024223193,0.0009989095,0.00042004333,0.0013751592,0.0048272815,0.005909004,0.0010113202,0.002168478,0.077445075],"category_scores_gemma":[0.008653692,0.00032926034,0.00028677972,0.0016004445,0.003880873,0.004728228,0.002908737,0.0031153918,0.04089193],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004440397,0.0000017314512,0.000056175333,0.00003300854,7.9889537e-7,0.000018610914,0.0004978164,0.000004575469,0.000032613087,0.0039339154,0.98696357,0.0084527405],"study_design_scores_gemma":[8.8997365e-7,0.0000015695917,0.00019314486,0.00006005931,6.619535e-7,0.00003234514,0.00040827048,0.0000038684434,0.00003444738,0.000426639,0.998835,0.0000030712013],"about_ca_topic_score_codex":0.03425519,"about_ca_topic_score_gemma":0.074335605,"teacher_disagreement_score":0.077445075,"about_ca_system_score_codex":0.0032246723,"about_ca_system_score_gemma":0.00313896,"threshold_uncertainty_score":0.25907958},"labels":[],"label_agreement":null},{"id":"W3042015920","doi":"10.1017/rqx.2020.47","title":": <i>Il Vangelo e l'Anticristo: Bernardino Ochino tra francescanesimo ed eresia (1487–1547)</i>","year":2020,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.030241219681277923,"score_gpt":0.23227331202031107,"score_spread":0.20203209233903313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042015920","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012657187,0.6917893,0.00037145524,0.075994305,0.035859395,0.000022218162,0.0003927883,0.00016940813,0.19413546],"genre_scores_gemma":[0.032813944,0.2100989,0.0008338527,0.012315619,0.031387072,0.000089026464,0.00051747245,0.00047828883,0.7114658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952054,0.0001298075,0.00001906243,0.00009731333,0.00015453614,0.00007869777],"domain_scores_gemma":[0.99956983,0.0001222621,0.00006787832,0.000026894944,0.00013105769,0.00008197103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007008394,0.0013755255,0.0005708413,0.0019566547,0.0022212183,0.004119676,0.0006556526,0.0020470521,0.08219918],"category_scores_gemma":[0.0013637961,0.00041073712,0.00021547472,0.0022929725,0.0017997005,0.004337447,0.0018410927,0.0025321625,0.038413458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001884498,0.0000054876755,0.00016140463,0.00014262476,0.0000019414513,0.0000318503,0.00069871644,0.000009444301,0.00006427063,0.0059751994,0.9643374,0.028552778],"study_design_scores_gemma":[0.00000180446,0.000004327841,0.0008425978,0.0002207662,0.0000010879584,0.00007174013,0.00037102422,0.0000061997007,0.00003513241,0.0006270332,0.99781394,0.000004279436],"about_ca_topic_score_codex":0.014447473,"about_ca_topic_score_gemma":0.038466625,"teacher_disagreement_score":0.08219918,"about_ca_system_score_codex":0.002292941,"about_ca_system_score_gemma":0.0013730375,"threshold_uncertainty_score":0.27498364},"labels":[],"label_agreement":null},{"id":"W3042137878","doi":"10.1017/rqx.2020.68","title":": <i>God and Government: Martin Luther's Political Thought</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Politics; Government (linguistics); Political science; Media studies; Theology; Law; Philosophy; Sociology","score_opus":0.019984349585149504,"score_gpt":0.2021366699107131,"score_spread":0.1821523203255636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042137878","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028728775,0.41002518,0.0003650231,0.49152526,0.0056580137,0.0000059129984,0.00006791689,0.000047896636,0.08943191],"genre_scores_gemma":[0.3568258,0.18968949,0.0007313696,0.098348096,0.012092849,0.000050962277,0.00008484626,0.00019740699,0.3419792],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929,0.00037554596,0.000012519918,0.00006404659,0.00014049317,0.000117477604],"domain_scores_gemma":[0.99949276,0.00024936977,0.00007219508,0.00002805493,0.00006196788,0.00009562178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012298515,0.0005706566,0.00031423479,0.00087293884,0.0039817574,0.003703322,0.0006210349,0.0028511537,0.009450278],"category_scores_gemma":[0.0019622487,0.00034626515,0.00023195872,0.0016130973,0.009273172,0.004555958,0.0012997636,0.0031214724,0.0019390233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015410269,0.0000090677095,0.00015596079,0.00009644479,0.0000028460497,0.0000463831,0.0063371384,0.000055537606,0.00004147256,0.23978685,0.7403,0.01315297],"study_design_scores_gemma":[0.000004857246,0.000004918951,0.0007585193,0.0002952411,0.0000028921133,0.000060416,0.002410836,0.00003489861,0.00004822672,0.021552047,0.97482014,0.0000069486787],"about_ca_topic_score_codex":0.036321353,"about_ca_topic_score_gemma":0.08510064,"teacher_disagreement_score":0.036321353,"about_ca_system_score_codex":0.006744166,"about_ca_system_score_gemma":0.0038533788,"threshold_uncertainty_score":0.07221985},"labels":[],"label_agreement":null},{"id":"W3042182439","doi":"10.1017/rqx.2020.45","title":": <i>La scuola pubblica a Sansepolcro tra Basso Medioevo e Primo Rinascimento (secoli XIV–XV)</i>","year":2020,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Humanities","score_opus":0.03774302799764319,"score_gpt":0.24496521817827874,"score_spread":0.20722219018063553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042182439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0049287877,0.37900332,0.000873292,0.0360349,0.018612295,0.00005430163,0.00075519807,0.00021365457,0.55952424],"genre_scores_gemma":[0.05996359,0.15840161,0.0011929679,0.0069526006,0.008361366,0.000095451534,0.0009342942,0.00034590918,0.7637523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999566,0.000101798745,0.000018002336,0.000064284104,0.00016382914,0.00008604642],"domain_scores_gemma":[0.99962056,0.00010542983,0.00006252661,0.0000312432,0.00011079889,0.000069366724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005858729,0.00070693996,0.00030701337,0.0012163555,0.001996384,0.004344834,0.00050933566,0.0012064283,0.05350051],"category_scores_gemma":[0.0009817965,0.00025805857,0.00022879358,0.002442133,0.0021065702,0.0030445883,0.0016734415,0.0019407489,0.017190583],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035016918,0.000011932543,0.00054399134,0.00032894142,0.0000053576337,0.000083846426,0.001665016,0.00003632855,0.00026983098,0.040410597,0.863991,0.0926181],"study_design_scores_gemma":[0.0000026300472,0.000006962903,0.0017578973,0.0002905744,0.0000016085805,0.00007356975,0.00061877543,0.00001135335,0.00009821229,0.0016234504,0.9955108,0.000004245084],"about_ca_topic_score_codex":0.02019881,"about_ca_topic_score_gemma":0.0512706,"teacher_disagreement_score":0.05350051,"about_ca_system_score_codex":0.0020077932,"about_ca_system_score_gemma":0.0026950238,"threshold_uncertainty_score":0.17897701},"labels":[],"label_agreement":null},{"id":"W3042216798","doi":"10.1017/rqx.2020.76","title":": <i>“Teutsche Liedlein” des 16. Jahrhunderts</i>","year":2020,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"Historical, Literary, and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"History; Philosophy; Theology","score_opus":0.04641839871040245,"score_gpt":0.22587028482865482,"score_spread":0.17945188611825236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042216798","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017037217,0.80411273,0.00065708446,0.030011,0.02691391,0.00002253825,0.0017492916,0.00017378607,0.1346559],"genre_scores_gemma":[0.03406019,0.3722967,0.0009924902,0.0048077498,0.006937,0.00009599918,0.002669965,0.00051163766,0.5776282],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995377,0.0001000872,0.000029320927,0.000067195746,0.00016255502,0.00010313754],"domain_scores_gemma":[0.9996766,0.00010076928,0.000057451492,0.000018983656,0.00008590457,0.00006026443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006636704,0.0014663475,0.00070074183,0.0020159818,0.0016786068,0.004313635,0.00086261437,0.0014612568,0.11302193],"category_scores_gemma":[0.0013839646,0.00050379225,0.0003063494,0.004716003,0.0017676945,0.0056454465,0.0017620107,0.0019168804,0.04051718],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031914795,0.000007750607,0.00015012162,0.00029938933,0.0000049088862,0.00005223741,0.00097267027,0.000033390996,0.00007883049,0.008304629,0.92686117,0.063202895],"study_design_scores_gemma":[0.0000019867264,0.0000035414087,0.0008140473,0.0004174127,0.0000018994466,0.000047589987,0.0007591475,0.0000072365547,0.00006199386,0.0011659049,0.99671376,0.000005578356],"about_ca_topic_score_codex":0.05532093,"about_ca_topic_score_gemma":0.112318106,"teacher_disagreement_score":0.11302193,"about_ca_system_score_codex":0.0032199856,"about_ca_system_score_gemma":0.003013826,"threshold_uncertainty_score":0.37809604},"labels":[],"label_agreement":null},{"id":"W305346200","doi":"10.1353/ren.2008.0221","title":": <i>Drugs and Theater in Early Modern England</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Index (typography); Media studies; History; Art; Law and economics; Sociology; Computer science; World Wide Web","score_opus":0.008622618397056563,"score_gpt":0.2473790276439048,"score_spread":0.23875640924684824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W305346200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6306887,0.061339986,0.00019610932,0.1516099,0.0012701488,0.000028156823,0.0015784065,0.000018926883,0.15326965],"genre_scores_gemma":[0.9202398,0.012294037,0.00008112617,0.0039789914,0.00039456398,0.0000140402435,0.0001472773,0.000012098415,0.06283802],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973494,0.00010549972,0.00001749035,0.000022902177,0.000027222699,0.000091957176],"domain_scores_gemma":[0.99937975,0.00026079736,0.00016365825,0.000017516013,0.00006398536,0.00011429415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047297054,0.00008769931,0.00015842519,0.0005838199,0.0027165045,0.0021829128,0.00028758057,0.001079593,0.021483904],"category_scores_gemma":[0.0012014586,0.00017650634,0.00007544666,0.001190339,0.0028888409,0.0022478888,0.0011732174,0.001279391,0.00092659047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033192016,0.00012514982,0.033747997,0.0014945918,0.000019153238,0.002772509,0.5082648,0.0001429425,0.0011711463,0.19984393,0.19036181,0.061724108],"study_design_scores_gemma":[0.000024529078,0.00007690809,0.15456031,0.00069888216,0.000009789933,0.0010167327,0.17432825,0.000059665523,0.00032402715,0.0030915686,0.66577715,0.00003215498],"about_ca_topic_score_codex":0.16029857,"about_ca_topic_score_gemma":0.43971208,"teacher_disagreement_score":0.16029857,"about_ca_system_score_codex":0.0052861855,"about_ca_system_score_gemma":0.002673413,"threshold_uncertainty_score":0.31873107},"labels":[],"label_agreement":null},{"id":"W308297800","doi":"10.1353/ren.2008.0896","title":": <i>Enchanted Ground: Reimagining John Dryden</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Center (category theory); Art history; Art; Media studies; History; Sociology","score_opus":0.02385359122820494,"score_gpt":0.23223112091673673,"score_spread":0.2083775296885318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W308297800","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035059792,0.7462273,0.0011588541,0.13275787,0.019175258,0.00001636396,0.00010017719,0.000066923014,0.09699123],"genre_scores_gemma":[0.083267584,0.4193628,0.0024876788,0.025430528,0.012154982,0.000044022825,0.00018316745,0.00032150905,0.45674768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943286,0.00021170583,0.000023439321,0.000086098,0.00015298852,0.00009287209],"domain_scores_gemma":[0.99953353,0.00015651557,0.000051987663,0.000037211597,0.00009212436,0.00012874937],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000994278,0.00067797396,0.0005458135,0.0012016967,0.0038570028,0.0069735134,0.0009503754,0.0018469276,0.025167221],"category_scores_gemma":[0.0015513011,0.00032881615,0.00019142017,0.0017367591,0.0068444293,0.010166299,0.0032484776,0.0035573211,0.0041768197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046846435,0.000017631697,0.00025325574,0.0003726534,0.000005084965,0.00014500154,0.01585935,0.000043756434,0.00021435625,0.081560776,0.7904573,0.1110239],"study_design_scores_gemma":[0.00000130485,0.0000029028902,0.0001387433,0.00019266953,0.0000013989321,0.000052938867,0.0027333729,0.0000054508464,0.000052654483,0.0035598583,0.9932555,0.0000030399608],"about_ca_topic_score_codex":0.02506311,"about_ca_topic_score_gemma":0.06924415,"teacher_disagreement_score":0.025167221,"about_ca_system_score_codex":0.0041218973,"about_ca_system_score_gemma":0.0041192924,"threshold_uncertainty_score":0.08419275},"labels":[],"label_agreement":null},{"id":"W3089398230","doi":"10.1017/rqx.2020.149","title":": <i>The Routledge History of the Renaissance</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"The Renaissance; History; Media studies; Art history; Sociology","score_opus":0.04484968867099157,"score_gpt":0.20752543726217454,"score_spread":0.16267574859118297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3089398230","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002549902,0.1868352,0.0011852409,0.20964015,0.013946092,0.00002632162,0.0013918342,0.00025287693,0.5841724],"genre_scores_gemma":[0.15970635,0.17106248,0.0016984305,0.027592612,0.008011704,0.000117739604,0.0007032481,0.0010013585,0.63010603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986858,0.000675194,0.000060947088,0.00013182663,0.00031941757,0.00012683314],"domain_scores_gemma":[0.99834025,0.00082596514,0.00018719769,0.00024344871,0.00024758355,0.00015552422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016269812,0.0005769408,0.00047291932,0.0015203159,0.0038199103,0.010101281,0.00080710894,0.0040974785,0.07628707],"category_scores_gemma":[0.0054073744,0.00033351907,0.00023580485,0.006024675,0.010120996,0.01178265,0.0024417683,0.003892988,0.0183687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023201059,0.000006137745,0.00018346471,0.00055377145,0.0000055657697,0.0001456568,0.020231511,0.00004105403,0.00013940538,0.34358194,0.594595,0.04049325],"study_design_scores_gemma":[8.1513883e-7,0.0000013508384,0.00018382372,0.00029733483,9.0330184e-7,0.000024076488,0.002011288,0.0000036640884,0.00003654009,0.004519959,0.9929172,0.0000031608054],"about_ca_topic_score_codex":0.039965194,"about_ca_topic_score_gemma":0.08068583,"teacher_disagreement_score":0.07628707,"about_ca_system_score_codex":0.008386252,"about_ca_system_score_gemma":0.005492665,"threshold_uncertainty_score":0.25520563},"labels":[],"label_agreement":null},{"id":"W3089957640","doi":"10.1017/rqx.2020.156","title":": <i>La Farmacia Granducale di Firenze</i>","year":2020,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art","score_opus":0.03853519377980768,"score_gpt":0.24917454526561528,"score_spread":0.2106393514858076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3089957640","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002690711,0.032450963,0.000904827,0.13532744,0.046385825,0.00017311532,0.0036819652,0.00092746085,0.7774576],"genre_scores_gemma":[0.015973788,0.010621375,0.00094075047,0.013986402,0.009295452,0.00012878489,0.0012815472,0.0005683234,0.9472036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993857,0.000106520274,0.000024427734,0.00011821682,0.0002222382,0.00014290752],"domain_scores_gemma":[0.9991359,0.00017952998,0.00008837141,0.00008020376,0.000291342,0.00022463195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014410574,0.0007249743,0.00047929384,0.001691742,0.002397082,0.003675684,0.0007735198,0.0019022359,0.2381563],"category_scores_gemma":[0.0028755371,0.0002188935,0.0003554779,0.0018399557,0.0010783719,0.0019629428,0.0016501334,0.002423566,0.09519755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020444942,0.000007219748,0.00023577192,0.00010678815,0.0000018188695,0.000043819375,0.00026004034,0.000006370852,0.00021847573,0.004649632,0.9686763,0.025773225],"study_design_scores_gemma":[0.0000027995475,0.0000052226574,0.0015216183,0.00008045415,9.679637e-7,0.00005042549,0.000120859404,0.0000043202813,0.00008406392,0.00018598001,0.99794036,0.0000029323119],"about_ca_topic_score_codex":0.02913813,"about_ca_topic_score_gemma":0.056338917,"teacher_disagreement_score":0.2381563,"about_ca_system_score_codex":0.0026169466,"about_ca_system_score_gemma":0.0024752237,"threshold_uncertainty_score":0.7967122},"labels":[],"label_agreement":null},{"id":"W3090428155","doi":"10.1017/rqx.2020.207","title":": <i>Religious Conversion in Early Modern English Drama</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Drama; Content (measure theory); History; Media studies; Art; Theology; Sociology; Literature; Philosophy; Mathematics","score_opus":0.020405647812209545,"score_gpt":0.20659839015738043,"score_spread":0.1861927423451709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3090428155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3224732,0.008036779,0.0005805382,0.031898938,0.0011264093,0.000036296562,0.0004347601,0.000058761496,0.63535434],"genre_scores_gemma":[0.9597967,0.0010866708,0.0000988356,0.0011281667,0.00018346736,0.000013086093,0.00008472081,0.000029555851,0.037578773],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968016,0.00020381979,0.000007207167,0.0000202061,0.000038197028,0.000050422866],"domain_scores_gemma":[0.9995017,0.0002502566,0.000072681796,0.000029583778,0.0000590071,0.000086741355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006219492,0.0001062501,0.000076912074,0.00041843334,0.0026926743,0.0028929682,0.00030832484,0.0005656373,0.016877947],"category_scores_gemma":[0.0018826276,0.00007467328,0.000077,0.0006089479,0.0031477727,0.0021941669,0.0013419087,0.001362873,0.0009482666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022059811,0.00010575518,0.006559044,0.00035646657,0.000014313868,0.0005555997,0.61831176,0.000084949126,0.0010215603,0.18805338,0.14084928,0.043867283],"study_design_scores_gemma":[0.000018998651,0.000058334415,0.062230147,0.0006938068,0.000014666969,0.00048403128,0.42729163,0.00013771701,0.000703197,0.0065509197,0.50179344,0.000023072378],"about_ca_topic_score_codex":0.013785741,"about_ca_topic_score_gemma":0.033936486,"teacher_disagreement_score":0.016877947,"about_ca_system_score_codex":0.001562327,"about_ca_system_score_gemma":0.0005622665,"threshold_uncertainty_score":0.056462348},"labels":[],"label_agreement":null},{"id":"W3090990799","doi":"10.1017/rqx.2020.200","title":": <i>Women's Household Drama: “Loves Victorie,” “A Pastorall,” and “The concealed Fansyes.”</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Drama; Renaissance studies; Art; Early modern Europe; Performance art; Tempe; Classics; History; Art history; Literature; Medicine","score_opus":0.024333752573582283,"score_gpt":0.18931673842617563,"score_spread":0.16498298585259336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3090990799","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017551644,0.19591999,0.0012145499,0.09884666,0.0071035465,0.000038792365,0.0007201362,0.00022391696,0.6783807],"genre_scores_gemma":[0.41608998,0.075933136,0.0009325954,0.014984514,0.0044610514,0.000061523366,0.0005207682,0.00036500138,0.48665142],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994956,0.0002495744,0.000012893093,0.000046919093,0.00010567574,0.000089348956],"domain_scores_gemma":[0.9997427,0.0000822696,0.000043805747,0.000022904276,0.000049382543,0.000058904592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065309904,0.00077638583,0.00022130283,0.0007933873,0.0034907828,0.005217623,0.0007216746,0.0012285566,0.023788054],"category_scores_gemma":[0.0011635625,0.00019212818,0.00023488127,0.0015043584,0.0050656814,0.004534504,0.0021075958,0.0016731643,0.0048399293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004830491,0.000020373729,0.0009772766,0.00039315777,0.000013316982,0.00021223069,0.068155356,0.000054317923,0.00036510915,0.08122874,0.7975004,0.051031392],"study_design_scores_gemma":[0.000003201421,0.000007989921,0.0025208702,0.00033374436,0.0000050513577,0.00016059133,0.028239932,0.000021307615,0.00024527474,0.0019752842,0.9664797,0.00000698864],"about_ca_topic_score_codex":0.037165176,"about_ca_topic_score_gemma":0.08085837,"teacher_disagreement_score":0.037165176,"about_ca_system_score_codex":0.002830257,"about_ca_system_score_gemma":0.0016867089,"threshold_uncertainty_score":0.079578996},"labels":[],"label_agreement":null},{"id":"W3091156515","doi":"10.1017/rqx.2020.151","title":": <i>A Europe of Courts, a Europe of Factions: Political Groups at Early Modern Centres of Power (1550–1700)</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Brill; Politics; Power (physics); Early modern Europe; Political science; Economic history; History; Sociology; Law; Ancient history; Classics","score_opus":0.028639276540759297,"score_gpt":0.2229109370073159,"score_spread":0.1942716604665566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091156515","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006700924,0.74547726,0.0006474088,0.10405634,0.009800355,0.000015464073,0.00036015295,0.000046524936,0.13289559],"genre_scores_gemma":[0.26449594,0.43433413,0.0021373085,0.023688272,0.016564853,0.000060965012,0.0010464111,0.00025837412,0.25741377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934095,0.00019673955,0.000024504056,0.000079075624,0.0002049947,0.0001536526],"domain_scores_gemma":[0.9995185,0.00015563621,0.0001134569,0.000023708331,0.00007050978,0.0001181685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011121326,0.00047010285,0.00030265123,0.00200927,0.002093966,0.007985327,0.00070921134,0.0026406995,0.016102761],"category_scores_gemma":[0.0012076003,0.00024874444,0.00021662976,0.0036945918,0.005101781,0.007966915,0.0025669655,0.0023166058,0.0032635226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004939246,0.000017325623,0.0012862289,0.00043974724,0.000010517044,0.00015274179,0.01163382,0.000055509074,0.00017495657,0.18663128,0.6938246,0.105723865],"study_design_scores_gemma":[0.0000037814511,0.000007409988,0.0048116404,0.00076813565,0.0000034908464,0.00013825177,0.006030164,0.000016614586,0.000095832904,0.010591709,0.97752327,0.000009619142],"about_ca_topic_score_codex":0.021274809,"about_ca_topic_score_gemma":0.04629532,"teacher_disagreement_score":0.021274809,"about_ca_system_score_codex":0.004133479,"about_ca_system_score_gemma":0.0035783364,"threshold_uncertainty_score":0.05386913},"labels":[],"label_agreement":null},{"id":"W3091304891","doi":"10.1017/rqx.2020.136","title":": <i>Antiquities in Motion: From Excavation Sites to Renaissance Collections</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"The Renaissance; Excavation; Archaeology; Art; History; Art history","score_opus":0.04167295124699945,"score_gpt":0.2491496542515841,"score_spread":0.20747670300458465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091304891","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0835673,0.04264503,0.006593954,0.2119716,0.030416531,0.00030430724,0.04982299,0.0020707047,0.5726076],"genre_scores_gemma":[0.42918032,0.03360315,0.016029418,0.022502225,0.006264349,0.0003436109,0.029642217,0.0031285817,0.45930618],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99946684,0.00014519648,0.000068938105,0.00008920267,0.0001592606,0.00007046721],"domain_scores_gemma":[0.99818146,0.0006140723,0.00033763784,0.00021666271,0.0004827787,0.00016752872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016672751,0.00027656023,0.0001646558,0.002362208,0.0029526735,0.0041389004,0.000781981,0.0011100289,0.078261405],"category_scores_gemma":[0.007349638,0.00027534156,0.00015079758,0.006778558,0.0015260442,0.0045763026,0.002369414,0.001243956,0.009874627],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000620491,0.000011377588,0.006224035,0.0006962951,0.000008699555,0.00023054187,0.027702598,0.00003942452,0.0007763304,0.011845627,0.8731529,0.079250164],"study_design_scores_gemma":[0.0000029888151,0.000007812566,0.022904469,0.00036556539,0.0000038895305,0.00017183516,0.0105132535,0.000010807766,0.00026384732,0.0006727471,0.9650707,0.000011987078],"about_ca_topic_score_codex":0.06451947,"about_ca_topic_score_gemma":0.2704282,"teacher_disagreement_score":0.078261405,"about_ca_system_score_codex":0.0015124932,"about_ca_system_score_gemma":0.0019067017,"threshold_uncertainty_score":0.26181048},"labels":[],"label_agreement":null},{"id":"W3091466253","doi":"10.1017/rqx.2020.129","title":": <i>Renaissance Encyclopaedism: Studies in Curiosity and Ambition</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Curiosity; Renaissance studies; Renaissance literature; Art; Classics; Art history; Psychology","score_opus":0.0771978992796815,"score_gpt":0.27971221080403585,"score_spread":0.20251431152435434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091466253","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009912598,0.8788005,0.00017497395,0.04721125,0.009212845,0.0000072118164,0.0001829259,0.00008910531,0.06332992],"genre_scores_gemma":[0.09502421,0.6602641,0.0006269478,0.013069778,0.018490275,0.0000652716,0.0006355097,0.00033227762,0.2114917],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99894196,0.0004492223,0.00005067897,0.00008452334,0.00032547096,0.00014815349],"domain_scores_gemma":[0.9983369,0.0007935786,0.00015697385,0.00013208872,0.0003037364,0.0002767393],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0014062981,0.0014354666,0.00086312415,0.0028113094,0.0025885578,0.007951979,0.0013067195,0.0021462762,0.035091076],"category_scores_gemma":[0.0034825967,0.00040076274,0.00033781803,0.00664105,0.0054309703,0.009008829,0.0024402265,0.0032297368,0.01072809],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018706414,0.000016317845,0.0002521631,0.0005323174,0.0000069543103,0.00006258575,0.004958189,0.000027751292,0.00006397395,0.026726045,0.9291536,0.03818134],"study_design_scores_gemma":[0.0000035913022,0.000006352112,0.0015247454,0.0007492402,0.000003943345,0.00009949479,0.003294683,0.0000137450525,0.000060353723,0.004463538,0.9897714,0.000008864128],"about_ca_topic_score_codex":0.024703657,"about_ca_topic_score_gemma":0.051495202,"teacher_disagreement_score":0.99741143,"about_ca_system_score_codex":0.0061508785,"about_ca_system_score_gemma":0.00437183,"threshold_uncertainty_score":0.11739135},"labels":[],"label_agreement":null},{"id":"W3120775986","doi":"10.1086/681407","title":": <i>The Poems and Letters of Tullia d’Aragona and Others</i>","year":2015,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Poetry; Art; Performance art; History; Art history; Literature","score_opus":0.02806570288262331,"score_gpt":0.2106726125684771,"score_spread":0.1826069096858538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3120775986","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006869481,0.530881,0.0012222994,0.09192276,0.022097783,0.00003488189,0.0005465742,0.00021221305,0.346213],"genre_scores_gemma":[0.2455882,0.15059121,0.002377765,0.022395866,0.010614419,0.00014312977,0.00070239767,0.0005199173,0.56706715],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975497,0.00010135471,0.000008738526,0.000034005927,0.0000555315,0.000045437308],"domain_scores_gemma":[0.9997776,0.00008179065,0.000038458493,0.000016381202,0.000049793107,0.000035861205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003924196,0.0006469252,0.00024066902,0.00058007817,0.0016333992,0.002909965,0.0005484238,0.0009604214,0.011384678],"category_scores_gemma":[0.001320308,0.00019861928,0.00020090837,0.001103497,0.0019112708,0.0020787062,0.0010910888,0.0013507709,0.004247101],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060366456,0.000009177852,0.00030813666,0.00028761485,0.0000058814094,0.00014344082,0.005949152,0.00003441184,0.00027088885,0.02857247,0.90025324,0.06410524],"study_design_scores_gemma":[0.000002700784,0.0000026470411,0.00048698476,0.00014723607,0.0000014384358,0.000097748314,0.0013697734,0.0000074684203,0.000048469148,0.00094029866,0.9968918,0.0000034657066],"about_ca_topic_score_codex":0.018105695,"about_ca_topic_score_gemma":0.03907138,"teacher_disagreement_score":0.018105695,"about_ca_system_score_codex":0.0016820529,"about_ca_system_score_gemma":0.0011203053,"threshold_uncertainty_score":0.03808552},"labels":[],"label_agreement":null},{"id":"W3121537793","doi":"10.1017/rqx.2020.248","title":": <i>The Invention of the Emblem Book and the Transmission of Knowledge, ca. 1510–1610</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Brill; Emblem; Intellectual history; Art history; Art; History of religions; History; Literature; Classics; Theology; Philosophy","score_opus":0.012637744467023617,"score_gpt":0.1983190343087754,"score_spread":0.18568128984175178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3121537793","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009791313,0.56762004,0.00063057215,0.050881464,0.013645617,0.000023511413,0.00048510262,0.00012753313,0.365607],"genre_scores_gemma":[0.035731204,0.15197553,0.0010574113,0.009952857,0.0096353125,0.00007774105,0.00057724904,0.00027935088,0.79071337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915385,0.00024096292,0.000045259014,0.00013552666,0.00030752452,0.00011689213],"domain_scores_gemma":[0.9991829,0.00036479565,0.000107138294,0.000048473772,0.00017592382,0.000120858684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010935424,0.0009321061,0.00043986997,0.002052915,0.002910819,0.0072508096,0.00086454186,0.0028581887,0.053729296],"category_scores_gemma":[0.0020904457,0.00048321945,0.00030239252,0.003187258,0.0051915767,0.007867028,0.002163314,0.002830642,0.015003046],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028708728,0.000008355632,0.00013378233,0.0002386582,0.0000035755265,0.00007123533,0.0019632697,0.000020954236,0.00007705381,0.048354547,0.9101656,0.03893417],"study_design_scores_gemma":[0.0000021657079,0.0000025617248,0.00065974786,0.00019597569,0.0000011660978,0.000048281006,0.0004130391,0.000005766498,0.00004950011,0.0021812157,0.99643636,0.000004212476],"about_ca_topic_score_codex":0.036766622,"about_ca_topic_score_gemma":0.08180533,"teacher_disagreement_score":0.053729296,"about_ca_system_score_codex":0.005798891,"about_ca_system_score_gemma":0.0035007163,"threshold_uncertainty_score":0.1797424},"labels":[],"label_agreement":null},{"id":"W3123310992","doi":"10.1017/rqx.2020.273","title":": <i>Apostles of Empire: The Jesuits and New France</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Empire; Apostles; Decolonization; History; Ancient history; Economic history; Political science; Theology; Law; Philosophy; Politics","score_opus":0.04009022263936319,"score_gpt":0.22041757184347183,"score_spread":0.18032734920410864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123310992","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050497223,0.60988915,0.00025549755,0.28541017,0.011685533,0.000010889793,0.0002813255,0.000052998086,0.08736471],"genre_scores_gemma":[0.26927772,0.31643456,0.0008722599,0.06476789,0.024152216,0.000067619316,0.00054218917,0.0003084308,0.32357714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944884,0.0002726454,0.000019437899,0.000049879847,0.00011919541,0.00009001701],"domain_scores_gemma":[0.99928194,0.00032489002,0.00009962158,0.000034229153,0.0001336998,0.00012575826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091752235,0.00077326037,0.00038679485,0.0014256191,0.003994816,0.0044054007,0.00090756215,0.0025249368,0.015867356],"category_scores_gemma":[0.0018274803,0.00029647618,0.00022481212,0.0023123897,0.0048594438,0.0068955133,0.0016953577,0.002674753,0.0022903515],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027376234,0.000017590368,0.00043757382,0.00019075701,0.000007344123,0.00014526982,0.014580046,0.00002751973,0.00006727893,0.036631722,0.9228676,0.024999902],"study_design_scores_gemma":[0.000005795093,0.000007677434,0.0024524143,0.00050532765,0.0000053647805,0.00012434277,0.010755737,0.000018949857,0.00007819967,0.0054187067,0.9806184,0.00000917052],"about_ca_topic_score_codex":0.06387358,"about_ca_topic_score_gemma":0.16773231,"teacher_disagreement_score":0.9361264,"about_ca_system_score_codex":0.00426225,"about_ca_system_score_gemma":0.0028240024,"threshold_uncertainty_score":0.12700361},"labels":[],"label_agreement":null},{"id":"W3123605168","doi":"10.1017/rqx.2020.288","title":": <i>The Sacred and the Sinister: Studies in Medieval Religion and Magic</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"MAGIC (telescope); State (computer science); History; Theology; Art history; Environmental ethics; Classics; Philosophy; Mathematics; Physics","score_opus":0.03734953833658321,"score_gpt":0.25194748579745674,"score_spread":0.21459794746087352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123605168","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045335278,0.21564786,0.00047198043,0.4235725,0.0071053724,0.000024182189,0.00045897567,0.000050096576,0.30733368],"genre_scores_gemma":[0.71678525,0.12068438,0.00054907263,0.0393819,0.0101581225,0.00006780084,0.00034358483,0.00008388159,0.11194603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973565,0.00016740902,0.000010175511,0.000020898913,0.000040067236,0.000025878851],"domain_scores_gemma":[0.9991136,0.0006138254,0.00007598332,0.000034786703,0.000063204985,0.00009856378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00085743977,0.0002669086,0.00017834679,0.0008851349,0.0032535256,0.004054332,0.00040823824,0.0013886165,0.012427448],"category_scores_gemma":[0.0018923834,0.00009594144,0.000089637186,0.0023352746,0.004795927,0.0051513473,0.0013180489,0.0017941394,0.0014585936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064012725,0.00003325602,0.003277083,0.0007373376,0.000010834214,0.0002664773,0.11983078,0.000047219208,0.00038334363,0.31201068,0.51822394,0.045114964],"study_design_scores_gemma":[0.000012637394,0.000036705627,0.01686451,0.0023944061,0.000013702763,0.00051884,0.12047808,0.00006396174,0.0004243077,0.026518399,0.8326591,0.000015266985],"about_ca_topic_score_codex":0.008471847,"about_ca_topic_score_gemma":0.02838426,"teacher_disagreement_score":0.012427448,"about_ca_system_score_codex":0.0011507055,"about_ca_system_score_gemma":0.00090067874,"threshold_uncertainty_score":0.04157394},"labels":[],"label_agreement":null},{"id":"W3123646488","doi":"10.1017/rqx.2020.277","title":": <i>The Huguenot Experience of Persecution and Exile: Three Women's Stories</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Persecution; The Renaissance; Renaissance studies; Art; Performance art; Early modern Europe; History; Art history; Tempe; Theology; Classics; Law; Philosophy; Politics; Medicine; Political science","score_opus":0.023936540814114053,"score_gpt":0.2147870671572474,"score_spread":0.19085052634313335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123646488","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32556763,0.1867492,0.0012066532,0.13536249,0.008534995,0.00007722307,0.00031298216,0.000101500176,0.34208733],"genre_scores_gemma":[0.8959097,0.020182395,0.00020512406,0.01235364,0.0010050687,0.00006938009,0.000063206615,0.00007839491,0.07013302],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99914,0.0004507934,0.000011519473,0.000053629134,0.00011064755,0.00023337993],"domain_scores_gemma":[0.999468,0.00027106187,0.00007665247,0.000014255059,0.000030388468,0.00013964558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008567753,0.00074178295,0.00035881373,0.0005427426,0.012074114,0.005028574,0.0008296734,0.0033064256,0.0062149744],"category_scores_gemma":[0.0014772818,0.0003120367,0.00024606974,0.0012040851,0.012388771,0.003649713,0.0039179507,0.002818347,0.0006255571],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085470456,0.000023425651,0.0015109607,0.00012605324,0.0000079205765,0.0021189698,0.87974447,0.000027823638,0.00031662264,0.03128977,0.06882422,0.015924217],"study_design_scores_gemma":[0.000006613621,0.00003554585,0.0041514845,0.0003666671,0.000007513801,0.0010046641,0.53144205,0.000016244583,0.00032313532,0.0017031282,0.4609186,0.00002434994],"about_ca_topic_score_codex":0.071269594,"about_ca_topic_score_gemma":0.14482558,"teacher_disagreement_score":0.071269594,"about_ca_system_score_codex":0.0039318595,"about_ca_system_score_gemma":0.0018468888,"threshold_uncertainty_score":0.1417095},"labels":[],"label_agreement":null},{"id":"W3124687702","doi":"10.1017/rqx.2020.280","title":": <i>Prayer and Performance in Early Modern English Literature: Gesture, Word, and Devotion</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Prayer; History; Performance art; Content (measure theory); Gesture; Theology; Media studies; Art; Classics; Art history; Sociology; Linguistics; Philosophy; Mathematics","score_opus":0.0178288694457457,"score_gpt":0.19713461399952625,"score_spread":0.17930574455378057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3124687702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12218778,0.094174676,0.001565841,0.20561452,0.0034012843,0.000031976375,0.0003252771,0.00007193867,0.57262653],"genre_scores_gemma":[0.9159317,0.01644747,0.00043071245,0.005669935,0.001692446,0.000025116013,0.00010684148,0.00003930194,0.05965662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997013,0.00018835429,0.000014629306,0.000025413063,0.000040948533,0.000029286375],"domain_scores_gemma":[0.99910945,0.00060392264,0.00009536841,0.000033864686,0.000089836896,0.00006751999],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079579704,0.00019887285,0.000113522605,0.0007403102,0.0022171247,0.003915071,0.0003856941,0.0010043593,0.007936669],"category_scores_gemma":[0.0024628171,0.00008327872,0.000072961826,0.001248544,0.005490842,0.004106876,0.0010927977,0.0014742209,0.00085316517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009686802,0.000044046097,0.0048068487,0.00063349126,0.00001287423,0.00045619658,0.32822907,0.00009400149,0.0008536214,0.381832,0.2071517,0.07578921],"study_design_scores_gemma":[0.000015942958,0.000066634064,0.045306265,0.0021637217,0.00002450921,0.0011044402,0.26312754,0.00024480306,0.0010676346,0.040390253,0.64645153,0.00003669803],"about_ca_topic_score_codex":0.009533709,"about_ca_topic_score_gemma":0.020590821,"teacher_disagreement_score":0.009533709,"about_ca_system_score_codex":0.000928104,"about_ca_system_score_gemma":0.0010541937,"threshold_uncertainty_score":0.02655077},"labels":[],"label_agreement":null},{"id":"W3125275430","doi":"10.1017/rqx.2020.260","title":": <i>The Art and Language of Power in Renaissance Florence: Essays for Alison Brown</i>","year":2020,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Art history; Power (physics); History; Performance art; Art; Classics; Media studies; Sociology","score_opus":0.017932260509950004,"score_gpt":0.22771625440828544,"score_spread":0.20978399389833544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125275430","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061352216,0.4543127,0.00036249074,0.36507243,0.009468471,0.000013132056,0.00011850215,0.000046174082,0.1644709],"genre_scores_gemma":[0.35207862,0.1307807,0.0006737295,0.042751674,0.013618176,0.00010290626,0.00021690744,0.0001711442,0.45960608],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989016,0.000512102,0.000023542787,0.0001239138,0.00023503788,0.00020378035],"domain_scores_gemma":[0.99921083,0.00035418943,0.000056151704,0.000046517667,0.00019167698,0.0001406688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017908078,0.00086295675,0.00057350105,0.0014820145,0.0067257406,0.0050559575,0.0011310381,0.0026238207,0.01847758],"category_scores_gemma":[0.0031643843,0.00026933942,0.0003084489,0.0024565859,0.0127753,0.00597895,0.0022253732,0.002418209,0.0019240141],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019392546,0.00000926906,0.00026234225,0.00013333546,0.000004166854,0.000085403975,0.012541037,0.00003953605,0.000069979644,0.06334482,0.9005881,0.022902604],"study_design_scores_gemma":[0.0000048644033,0.0000045051315,0.0014219694,0.00028923698,0.0000027932424,0.000057045843,0.00748309,0.000013057257,0.000044639615,0.004315687,0.9863551,0.000008044235],"about_ca_topic_score_codex":0.11763859,"about_ca_topic_score_gemma":0.2033514,"teacher_disagreement_score":0.11763859,"about_ca_system_score_codex":0.01143776,"about_ca_system_score_gemma":0.0037286582,"threshold_uncertainty_score":0.2339077},"labels":[],"label_agreement":null},{"id":"W3125481736","doi":"10.1017/rqx.2020.223","title":": <i>Opera Omnia Desiderii Erasmi Roterodami, Ordinis Septimi Tomus Secundus: In Evangelium Lucae Paraphrasis</i>","year":2020,"lang":"la","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Opera; Brill; Erasmus+; Art; Theology; The Renaissance; Art history; Philosophy; Classics","score_opus":0.039278170643658995,"score_gpt":0.2366233217040965,"score_spread":0.1973451510604375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3125481736","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003932958,0.58399814,0.00070184533,0.15476331,0.014487118,0.00001822055,0.00026307008,0.00008883684,0.2417465],"genre_scores_gemma":[0.12454632,0.229576,0.0017427059,0.037826013,0.014267563,0.00007674761,0.00037493743,0.00035240914,0.59123737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995066,0.00018228796,0.000020493435,0.00006464928,0.00013120797,0.00009483175],"domain_scores_gemma":[0.9997328,0.00008757241,0.000048617803,0.000018375598,0.00005829281,0.000054364264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063496584,0.0006070012,0.00031182196,0.00093456806,0.0021371362,0.003717263,0.0006153774,0.0015223338,0.029391548],"category_scores_gemma":[0.0011691226,0.00022600277,0.00018108974,0.0017129113,0.0037945653,0.0054515833,0.0025580307,0.0024251058,0.008224184],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002752489,0.000010437112,0.00035019178,0.00025405976,0.0000036675117,0.00006187717,0.004046256,0.000010488639,0.00012421896,0.046399213,0.9047092,0.044002745],"study_design_scores_gemma":[0.0000027702522,0.0000040172195,0.0009450308,0.00025710254,0.0000024421781,0.000092827235,0.002087469,0.000008012544,0.000082468694,0.0028919433,0.9936219,0.0000041105245],"about_ca_topic_score_codex":0.015040947,"about_ca_topic_score_gemma":0.0518323,"teacher_disagreement_score":0.029391548,"about_ca_system_score_codex":0.0023022252,"about_ca_system_score_gemma":0.0019650531,"threshold_uncertainty_score":0.09832454},"labels":[],"label_agreement":null},{"id":"W3139864843","doi":"10.1017/rqx.2020.355","title":": <i>Writing Southern Italy before the Renaissance: Trecento Historians of the Mezzogiorno</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"The Renaissance; Classics; History; Art; Art history","score_opus":0.020029148658380926,"score_gpt":0.22041725609883578,"score_spread":0.20038810744045485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139864843","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028038572,0.3749245,0.0003037563,0.5480329,0.022473678,0.000008300407,0.000098969016,0.000064422784,0.051289663],"genre_scores_gemma":[0.19091308,0.28761303,0.0014207411,0.1836713,0.057297938,0.00011269544,0.00046613615,0.00043399283,0.27807108],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992501,0.00039875688,0.000023482418,0.000086517226,0.00013856657,0.000102569924],"domain_scores_gemma":[0.99921024,0.0003237564,0.000109885645,0.000034399673,0.00015322746,0.00016844513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024092807,0.0010479355,0.00044863945,0.0011291923,0.0044382466,0.0056530344,0.0008803898,0.0025760625,0.010201705],"category_scores_gemma":[0.0027498754,0.00040664538,0.0002906088,0.001807918,0.007118462,0.0075896434,0.0023029824,0.0044356305,0.003008049],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003005532,0.000009222429,0.0006498168,0.00021497328,0.0000056946246,0.00015138045,0.020735178,0.00002998681,0.00008916417,0.029811034,0.92145675,0.026816646],"study_design_scores_gemma":[0.000005198754,0.0000056947274,0.0014908736,0.0004985241,0.0000035824687,0.000091850496,0.0057871714,0.000010114811,0.000045778346,0.0044043944,0.98765045,0.0000063903462],"about_ca_topic_score_codex":0.043623153,"about_ca_topic_score_gemma":0.10698938,"teacher_disagreement_score":0.043623153,"about_ca_system_score_codex":0.004639097,"about_ca_system_score_gemma":0.0051333,"threshold_uncertainty_score":0.08673847},"labels":[],"label_agreement":null},{"id":"W3143977234","doi":"10.1353/ren.2007.0056","title":": <i> <i>Antonio Gardano</i> , <i>Venetian Music Printer 1538-1569: A Descriptive Bibliography and Historical Study</i> </i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Append; Index (typography); History; Humanities; Media studies; Art; Art history; Sociology; Computer science","score_opus":0.027281295156105848,"score_gpt":0.22061892901469946,"score_spread":0.1933376338585936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3143977234","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011699006,0.85199517,0.0004010002,0.025378322,0.015260679,0.00001869394,0.00072258624,0.0000993422,0.10495436],"genre_scores_gemma":[0.024878515,0.4135716,0.0006198538,0.010485247,0.012748131,0.000070561226,0.0010612123,0.00022894208,0.536336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996842,0.00007055241,0.000017240824,0.00007494116,0.00011531075,0.000037724996],"domain_scores_gemma":[0.99958557,0.00014757819,0.00006584745,0.000021024023,0.00012744221,0.000052433523],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.0004963247,0.001206561,0.00052036025,0.0031364497,0.0018532146,0.0032390053,0.0009188766,0.0012119926,0.06463313],"category_scores_gemma":[0.0015141633,0.00041746718,0.00022818468,0.0063991053,0.001237579,0.0047092284,0.0016199141,0.0017310173,0.028687846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019100647,0.0000062934223,0.0002826765,0.00041435982,0.0000034507052,0.00006902003,0.0012654747,0.000021258846,0.00013387924,0.0036786979,0.9574218,0.036683932],"study_design_scores_gemma":[0.0000020298435,0.0000035010391,0.00071377313,0.00045774845,0.0000019443469,0.00010939245,0.00066808215,0.000004939145,0.00005074207,0.00051144074,0.9974728,0.0000035928074],"about_ca_topic_score_codex":0.016929667,"about_ca_topic_score_gemma":0.042896908,"teacher_disagreement_score":0.99686354,"about_ca_system_score_codex":0.0020014788,"about_ca_system_score_gemma":0.0011672003,"threshold_uncertainty_score":0.21621937},"labels":[],"label_agreement":null},{"id":"W3145081071","doi":"10.1017/rqx.2020.363","title":": <i>Life in a Time of Pestilence: The Great Castilian Plague of 1596–1601</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Yersinia bacterium, plague, ectoparasites research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Plague (disease); Content (measure theory); History; Ancient history; Mathematics","score_opus":0.011186673151101428,"score_gpt":0.2620966514721863,"score_spread":0.25090997832108486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3145081071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01513362,0.0961375,0.0019966227,0.24532956,0.10787205,0.000104849954,0.004535745,0.0010826603,0.5278074],"genre_scores_gemma":[0.07959883,0.04548552,0.0020959622,0.034286678,0.024225581,0.00006350936,0.004168348,0.00044495356,0.80963063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987555,0.00002515738,0.0000107472215,0.000018946948,0.000048121725,0.000021490807],"domain_scores_gemma":[0.99976605,0.000051377912,0.000030424473,0.000016598768,0.00006825422,0.000067337685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054633536,0.00036336848,0.00015124313,0.00072658726,0.00089382706,0.0018183931,0.00036190596,0.00119473,0.028576484],"category_scores_gemma":[0.00085930584,0.000095724856,0.00009300871,0.00053752784,0.0008692179,0.0008980408,0.00058813824,0.0012102097,0.009050401],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059006656,0.000009021512,0.0007959459,0.00023996469,0.000004644301,0.00014584982,0.00051910605,0.000022084088,0.0011527915,0.0044500274,0.9498726,0.04272904],"study_design_scores_gemma":[0.0000020909001,0.000013178499,0.005280356,0.000114478935,0.000002111858,0.0001481264,0.00029014054,0.000009858837,0.000271822,0.00034128924,0.9935221,0.000004339583],"about_ca_topic_score_codex":0.013254864,"about_ca_topic_score_gemma":0.044808827,"teacher_disagreement_score":0.028576484,"about_ca_system_score_codex":0.0012754884,"about_ca_system_score_gemma":0.00053896155,"threshold_uncertainty_score":0.09559792},"labels":[],"label_agreement":null},{"id":"W3151436698","doi":"10.1017/rqx.2020.364","title":": <i>Exceptional Crime in Early Modern Spain: Taxonomic and Intellectual Perspectives</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Brill; History; Classics; Art; Humanities","score_opus":0.022365570112703802,"score_gpt":0.2753258633167558,"score_spread":0.252960293204052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3151436698","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019975828,0.82673657,0.0003998347,0.0847365,0.0073120836,0.000011002325,0.0006966976,0.000049515587,0.060081944],"genre_scores_gemma":[0.427348,0.50064963,0.00097135536,0.012897511,0.014373237,0.000057838246,0.0021615233,0.000093062525,0.041447833],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963665,0.00014511634,0.000027695756,0.000045838762,0.000072576346,0.000072136165],"domain_scores_gemma":[0.9991203,0.00032375875,0.0002583254,0.00003790316,0.00018679483,0.0000729067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011837864,0.00049314834,0.00038841754,0.0031530485,0.0010708051,0.0035509162,0.0008548631,0.0012620961,0.010062058],"category_scores_gemma":[0.0016675815,0.00014177387,0.00021320708,0.005430411,0.0029234805,0.0031731774,0.0016199605,0.0011868299,0.0013065067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089370515,0.000036163747,0.012490336,0.001615373,0.000034131495,0.0004431853,0.015140489,0.00028429436,0.00012210038,0.04387029,0.6703739,0.25550035],"study_design_scores_gemma":[0.0000148847275,0.000030587475,0.085120596,0.005138886,0.0000207738,0.0014682653,0.026872173,0.00012358392,0.00015014704,0.014591315,0.8664391,0.000029790319],"about_ca_topic_score_codex":0.03056637,"about_ca_topic_score_gemma":0.039080895,"teacher_disagreement_score":0.03056637,"about_ca_system_score_codex":0.0023251935,"about_ca_system_score_gemma":0.0016331691,"threshold_uncertainty_score":0.06077689},"labels":[],"label_agreement":null},{"id":"W317035520","doi":"10.1353/ren.2008.0453","title":": <i>Les Spectateurs de la vie: Généalogie du regard moraliste</i>","year":2006,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01790647179747447,"score_gpt":0.2423328714230808,"score_spread":0.22442639962560634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W317035520","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009060614,0.48118943,0.0044312016,0.123441644,0.006856846,0.000029124854,0.0010000572,0.00012911738,0.37386203],"genre_scores_gemma":[0.3704074,0.1808086,0.002777555,0.013650479,0.006902131,0.000097739445,0.001166698,0.0006053688,0.42358398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995394,0.00024548374,0.000013997123,0.00006641282,0.00008541451,0.00004936266],"domain_scores_gemma":[0.9994809,0.00027461338,0.00007124027,0.000030082232,0.00009202362,0.000051234983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060266163,0.0006629409,0.00026801176,0.0018267576,0.002092919,0.003978531,0.00056431454,0.0011234436,0.021458473],"category_scores_gemma":[0.0017254658,0.0002648101,0.00017573955,0.003168085,0.0045327973,0.007731202,0.0014984417,0.0020361498,0.004820549],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000446203,0.000013230932,0.0011493732,0.00032555,0.000009906364,0.00009187275,0.025821555,0.00006619499,0.00015525405,0.21197651,0.69459486,0.06575106],"study_design_scores_gemma":[0.000004095411,0.000009600717,0.0022928724,0.0004787012,0.0000043715495,0.00021030748,0.006003079,0.00004644705,0.00012110967,0.02153867,0.9692796,0.000011048776],"about_ca_topic_score_codex":0.021804156,"about_ca_topic_score_gemma":0.04865839,"teacher_disagreement_score":0.021804156,"about_ca_system_score_codex":0.0019881234,"about_ca_system_score_gemma":0.0010245787,"threshold_uncertainty_score":0.07178575},"labels":[],"label_agreement":null},{"id":"W3173380888","doi":"10.1017/rqx.2021.91","title":": <i>Contagion and the Shakespearean Stage</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Yersinia bacterium, plague, ectoparasites research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Stage (stratigraphy); Art history; History; Art; Geology; Paleontology","score_opus":0.008578451569444812,"score_gpt":0.2568819565313387,"score_spread":0.2483035049618939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3173380888","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00097656035,0.85718495,0.00036263952,0.08513977,0.01304162,0.000010112032,0.00008371525,0.000047219295,0.043153517],"genre_scores_gemma":[0.09473202,0.59796405,0.0014063913,0.03719707,0.024004709,0.00007968318,0.00038153678,0.0002414165,0.24399313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857426,0.00055584346,0.000070772505,0.00013636646,0.00041441052,0.00024830826],"domain_scores_gemma":[0.9987244,0.00050760584,0.00015194851,0.00008941226,0.00031937842,0.00020717703],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016970694,0.0012449648,0.0008259136,0.0017768837,0.0037983868,0.007782491,0.0012023213,0.004093896,0.028318942],"category_scores_gemma":[0.003912147,0.0004795744,0.00042483883,0.0021635971,0.008327241,0.011717772,0.003400398,0.0037664692,0.008165496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038615966,0.000012785864,0.00025538827,0.0005593236,0.000012694279,0.00015902381,0.007184032,0.000039927047,0.00014098352,0.05181709,0.8770397,0.062740535],"study_design_scores_gemma":[0.0000033896192,0.000008849787,0.00052717066,0.0006264386,0.000005439041,0.00017010968,0.0026611243,0.000019314253,0.000076086675,0.014146325,0.9817461,0.000009658172],"about_ca_topic_score_codex":0.03295984,"about_ca_topic_score_gemma":0.045789015,"teacher_disagreement_score":0.03295984,"about_ca_system_score_codex":0.004849486,"about_ca_system_score_gemma":0.00474969,"threshold_uncertainty_score":0.09473628},"labels":[],"label_agreement":null},{"id":"W3174050862","doi":"10.1017/rqx.2021.6","title":": <i>The Correspondence of Erasmus: Letters 2635 to 2802, April 1532–April 1533</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Miller; Theology; Art; Classics; Philosophy; Art history; Geology","score_opus":0.019647189521119948,"score_gpt":0.22980491975021688,"score_spread":0.21015773022909695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174050862","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020535316,0.076612376,0.0003902454,0.33320042,0.095208846,0.000065451204,0.0009553252,0.00021818919,0.49129555],"genre_scores_gemma":[0.013486693,0.008724159,0.00021204304,0.05287182,0.009880691,0.000052262516,0.00022585344,0.0001621053,0.91438437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895215,0.00020292435,0.000049758255,0.00015949541,0.0003798487,0.00025571464],"domain_scores_gemma":[0.99897385,0.00028794855,0.00009603224,0.00004479769,0.00037406269,0.00022341478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009672878,0.00078260456,0.00046987121,0.0010677024,0.0059580575,0.0044470644,0.0007502164,0.0051626223,0.15836093],"category_scores_gemma":[0.004679363,0.00041999307,0.0003293156,0.0014951854,0.0015570794,0.0030401829,0.0021081816,0.0046572136,0.059905156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010532795,0.0000023951666,0.000047443235,0.000024960802,7.1922256e-7,0.000030614072,0.00014005088,0.0000028631803,0.000043599473,0.0022835485,0.9935994,0.0038138784],"study_design_scores_gemma":[0.0000019172562,0.000003223794,0.00036709706,0.00007054328,6.9621757e-7,0.000029014313,0.00033815112,0.000005495868,0.000050240542,0.00048392132,0.99864596,0.000003789042],"about_ca_topic_score_codex":0.018332422,"about_ca_topic_score_gemma":0.040504653,"teacher_disagreement_score":0.15836093,"about_ca_system_score_codex":0.0033620957,"about_ca_system_score_gemma":0.0030886068,"threshold_uncertainty_score":0.5297701},"labels":[],"label_agreement":null},{"id":"W3175398735","doi":"10.1017/rqx.2021.68","title":": <i>Martyr Hermenegild</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Martyr; The Renaissance; Art; Classics; Theology; Art history; Philosophy","score_opus":0.013569394130900556,"score_gpt":0.2072915009765102,"score_spread":0.19372210684560964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175398735","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00073443237,0.6033904,0.00076409493,0.20321466,0.06362763,0.00002769021,0.00068064535,0.0003549536,0.12720549],"genre_scores_gemma":[0.023131998,0.21874192,0.0013643644,0.06718944,0.029427491,0.00009153145,0.00073919643,0.00067604607,0.658638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992442,0.00016163712,0.000032569784,0.00017777845,0.00029416647,0.00008970159],"domain_scores_gemma":[0.9993204,0.00017010506,0.000092396804,0.000037335172,0.0002619214,0.00011783092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091683987,0.0017397568,0.0007328804,0.0016769742,0.0028210133,0.0038574077,0.000981876,0.0025699744,0.06377854],"category_scores_gemma":[0.0028817467,0.00055532565,0.00034382485,0.0018622846,0.0016055494,0.0061744815,0.0026435028,0.003528416,0.042737808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008208574,0.0000032907035,0.000036054334,0.00009653233,0.0000013475982,0.000018764862,0.0002618591,0.0000066798775,0.000033923377,0.0019307083,0.9820093,0.015593448],"study_design_scores_gemma":[0.0000012549376,0.000002285652,0.00018435977,0.00015498539,0.000001111565,0.000058345275,0.00030043354,0.000008575189,0.00003971213,0.00049367733,0.9987515,0.000003833914],"about_ca_topic_score_codex":0.018701114,"about_ca_topic_score_gemma":0.029053943,"teacher_disagreement_score":0.06377854,"about_ca_system_score_codex":0.0021428494,"about_ca_system_score_gemma":0.0018100414,"threshold_uncertainty_score":0.21336049},"labels":[],"label_agreement":null},{"id":"W3176301539","doi":"10.1017/rqx.2021.56","title":": <i>Interreligious Encounters in Polemics between Christians, Jews, and Muslims in Iberia and Beyond</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Brill; Garcia; Humanities; Theology; Art; Philosophy; Religious studies; History","score_opus":0.01265749422125119,"score_gpt":0.27981814574169966,"score_spread":0.2671606515204485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176301539","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.073495395,0.7814314,0.00038928926,0.04793866,0.005477947,0.000015665571,0.00008418706,0.00002520888,0.09114223],"genre_scores_gemma":[0.7393692,0.20404726,0.00066415785,0.007628727,0.004947308,0.000053460793,0.00015462181,0.00007150891,0.043063704],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991328,0.0005891696,0.000022169104,0.00006787447,0.00006810075,0.000119939374],"domain_scores_gemma":[0.9996517,0.00015363397,0.000080101185,0.000015593709,0.00003780509,0.000061183746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019875765,0.0007455666,0.0005253517,0.0015259107,0.005283273,0.004791898,0.00079185213,0.0017287608,0.00810482],"category_scores_gemma":[0.0012244368,0.0002401984,0.00017287245,0.0023583532,0.0064904215,0.004741137,0.0034864547,0.0020088179,0.001030355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003166894,0.000099373545,0.00723021,0.00095792755,0.000041690077,0.0012787627,0.50898623,0.00013190768,0.00092875544,0.102706805,0.17651334,0.20080835],"study_design_scores_gemma":[0.000015433741,0.000044507644,0.024897406,0.0028352852,0.000018407616,0.0010304799,0.35782778,0.000059743776,0.0002846666,0.011595808,0.601353,0.000037485563],"about_ca_topic_score_codex":0.017673025,"about_ca_topic_score_gemma":0.028462233,"teacher_disagreement_score":0.017673025,"about_ca_system_score_codex":0.0030985668,"about_ca_system_score_gemma":0.0014106003,"threshold_uncertainty_score":0.035140276},"labels":[],"label_agreement":null},{"id":"W3176820417","doi":"10.1017/rqx.2021.28","title":": <i>Justice Blindfolded: The Historical Course of an Image</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; History; Theology; Philosophy","score_opus":0.03207561877525892,"score_gpt":0.2532617783423226,"score_spread":0.2211861595670637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176820417","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008594337,0.42939177,0.0005936049,0.3901822,0.014190475,0.000016899558,0.00017303074,0.00004101229,0.1568166],"genre_scores_gemma":[0.50491947,0.18219934,0.0009605506,0.08435451,0.015797226,0.000077701785,0.00018095209,0.00027262096,0.2112376],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989453,0.00054599333,0.000023923658,0.00010415647,0.00018572537,0.0001948235],"domain_scores_gemma":[0.9992737,0.00027748995,0.000112615235,0.000049726637,0.00013095452,0.00015559008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013686175,0.0005612923,0.0002861215,0.0012619159,0.0069207936,0.0064560464,0.00077890535,0.0031919945,0.011108852],"category_scores_gemma":[0.003091684,0.00025961924,0.00018578043,0.0019183333,0.01602938,0.010688623,0.0036495691,0.004479117,0.0017732016],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022107883,0.000015819542,0.00047817783,0.00016947331,0.0000042867323,0.00012343047,0.040381696,0.000019424513,0.00005242913,0.17379573,0.75392705,0.031010378],"study_design_scores_gemma":[0.0000041869203,0.000008847066,0.0016558913,0.0007884105,0.000004205629,0.00025498727,0.027716247,0.00001731154,0.00011065558,0.021214858,0.9482104,0.000013943431],"about_ca_topic_score_codex":0.038366262,"about_ca_topic_score_gemma":0.08057677,"teacher_disagreement_score":0.038366262,"about_ca_system_score_codex":0.0042368793,"about_ca_system_score_gemma":0.0031374358,"threshold_uncertainty_score":0.0762859},"labels":[],"label_agreement":null},{"id":"W318708953","doi":"10.1353/ren.2008.0062","title":": <i>The Faust Myth: Religion and the Rise of Representation</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"FAUST; Mythology; Representation (politics); Content (measure theory); History; Media studies; Sociology; Art history; Political science; Classics; Law; Politics","score_opus":0.026895755601308358,"score_gpt":0.24911651189704792,"score_spread":0.22222075629573956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W318708953","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012212043,0.032341972,0.000649674,0.7878525,0.01206325,0.000013837112,0.00021975055,0.00006403349,0.15458295],"genre_scores_gemma":[0.58020484,0.03517479,0.0009168195,0.13062672,0.01284579,0.000055210723,0.00027154476,0.0002406286,0.23966368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994246,0.0003215032,0.000014212387,0.00005190803,0.00011501659,0.00007288358],"domain_scores_gemma":[0.9991903,0.00032171333,0.00010514812,0.000055732762,0.0001473029,0.00017980946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011683339,0.00019818381,0.00015163474,0.00042756213,0.003744383,0.0051732743,0.00045497855,0.0020150545,0.0153901],"category_scores_gemma":[0.0028275964,0.00009180995,0.0001394623,0.0009850519,0.004868972,0.0050090724,0.001965201,0.0035688353,0.0022833168],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002294038,0.000009907021,0.0010211908,0.00011315798,0.0000046579903,0.00009123047,0.024641756,0.00002224043,0.00018199842,0.15567006,0.79878527,0.01943568],"study_design_scores_gemma":[0.000004933007,0.00001692444,0.0050835847,0.00044323516,0.000004938448,0.0003306531,0.035241757,0.0000475494,0.00025545212,0.016146896,0.94240725,0.000016799093],"about_ca_topic_score_codex":0.014615539,"about_ca_topic_score_gemma":0.032489933,"teacher_disagreement_score":0.0153901,"about_ca_system_score_codex":0.0019075033,"about_ca_system_score_gemma":0.001752869,"threshold_uncertainty_score":0.051485002},"labels":[],"label_agreement":null},{"id":"W3194983702","doi":"10.1017/rqx.2019.229","title":": <i>Imprimerie et pouvoir: Politique, livre et langue à Toulouse de 1475 à 1617</i>","year":2019,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; The Renaissance; Art history","score_opus":0.009642004654909305,"score_gpt":0.2504770383812339,"score_spread":0.24083503372632462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194983702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04746073,0.17526767,0.0018624899,0.0743056,0.012176185,0.00008597384,0.009194718,0.00094010617,0.67870647],"genre_scores_gemma":[0.32120717,0.035529125,0.0014497872,0.0030421917,0.0035249707,0.00018547934,0.0031414398,0.00055470096,0.6313652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950194,0.00017862587,0.000028683215,0.000069120775,0.00012391804,0.00009762794],"domain_scores_gemma":[0.99946386,0.00024918187,0.00007012523,0.000038127335,0.000079217294,0.000099475474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011264359,0.0005586053,0.00047170935,0.0018950027,0.0028909745,0.0036172557,0.0007308783,0.0014699552,0.07195933],"category_scores_gemma":[0.0028260776,0.00023229647,0.00030288676,0.0047079236,0.0016005094,0.001743451,0.0014695016,0.0024769162,0.009631136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011250449,0.00003353638,0.0031786873,0.0007689544,0.000022758883,0.00048527075,0.023669519,0.0001460734,0.00046935302,0.10077917,0.77651703,0.09381702],"study_design_scores_gemma":[0.000008145622,0.000015454623,0.021762464,0.0002387215,0.0000031923362,0.0002294843,0.0026440525,0.000018849043,0.00017620613,0.0009084967,0.9739821,0.000012923305],"about_ca_topic_score_codex":0.18984854,"about_ca_topic_score_gemma":0.19743033,"teacher_disagreement_score":0.18984854,"about_ca_system_score_codex":0.006160064,"about_ca_system_score_gemma":0.0039137956,"threshold_uncertainty_score":0.377487},"labels":[],"label_agreement":null},{"id":"W3202255070","doi":"10.1017/rqx.2021.182","title":": <i>Cervantes’ “Persiles” and the Travails of Romance</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honor; Romance; Art; Art history; Humanities; Literature","score_opus":0.009354655125131313,"score_gpt":0.18807708943984744,"score_spread":0.17872243431471613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3202255070","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064924504,0.7513835,0.0003290785,0.077755645,0.003516322,0.000007538203,0.00006085706,0.000021307025,0.1604333],"genre_scores_gemma":[0.37887412,0.427199,0.00054584135,0.017899968,0.009186808,0.00004905896,0.00014054052,0.00012370078,0.16598098],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923277,0.00043538053,0.000020170013,0.00009070921,0.000119497396,0.000101589205],"domain_scores_gemma":[0.9994504,0.0002967286,0.00008972061,0.000033605433,0.00006494014,0.00006461224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096978573,0.0009523187,0.0003876152,0.0013907189,0.003577478,0.005846506,0.0007592526,0.002376632,0.012006988],"category_scores_gemma":[0.0024871058,0.00031150016,0.00020906102,0.0019320217,0.010230339,0.0072250227,0.002977707,0.002885988,0.002165797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006771158,0.00002096661,0.0009718714,0.00062813994,0.000011041349,0.00031531497,0.082460456,0.00005384905,0.0001568636,0.451041,0.39706278,0.067209974],"study_design_scores_gemma":[0.0000066594175,0.000007881978,0.0014145765,0.001249955,0.0000054614306,0.0002979134,0.026090711,0.000019984647,0.00010672235,0.023235885,0.9475551,0.000009201687],"about_ca_topic_score_codex":0.017732237,"about_ca_topic_score_gemma":0.028786013,"teacher_disagreement_score":0.017732237,"about_ca_system_score_codex":0.0032888143,"about_ca_system_score_gemma":0.00220204,"threshold_uncertainty_score":0.04016739},"labels":[],"label_agreement":null},{"id":"W3204748048","doi":"10.1017/rqx.2021.101","title":"Philip Sidney's Travels in the Holy Roman Empire","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Empire; Roman Empire; Identity (music); Ancient history; History; Classics; Art; Art history; Aesthetics","score_opus":0.03674402168947834,"score_gpt":0.2469591584182025,"score_spread":0.21021513672872416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204748048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1668842,0.091569774,0.00093467545,0.09509297,0.0030935125,0.000021585593,0.00009317531,0.0000875382,0.6422225],"genre_scores_gemma":[0.8200472,0.019680338,0.000388862,0.005984036,0.0004452491,0.000009082535,0.000018215022,0.0000657376,0.1533613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964535,0.00017662405,0.000005636074,0.000037276182,0.000054152744,0.00008097882],"domain_scores_gemma":[0.9997563,0.000075691074,0.000026854721,0.000012490022,0.000033453285,0.000095292824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042272563,0.0003077469,0.00013791083,0.0003472286,0.0068772705,0.0029182935,0.00024571174,0.0006546049,0.0038739957],"category_scores_gemma":[0.0009770595,0.00012983767,0.00006626159,0.00053816126,0.007074077,0.001423538,0.0019751873,0.0026824318,0.0005724748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007997196,0.00002866563,0.0023366995,0.00018431785,0.000010746466,0.0027245362,0.27127275,0.00025914016,0.0006209662,0.34010297,0.29245597,0.08992328],"study_design_scores_gemma":[0.00000239533,0.000019750525,0.0020284455,0.00014020943,0.0000017332138,0.0004681258,0.027908105,0.000017637421,0.00018434734,0.0030306475,0.9661899,0.000008791986],"about_ca_topic_score_codex":0.04520935,"about_ca_topic_score_gemma":0.09715782,"teacher_disagreement_score":0.04520935,"about_ca_system_score_codex":0.00416572,"about_ca_system_score_gemma":0.0025446778,"threshold_uncertainty_score":0.08989239},"labels":[],"label_agreement":null},{"id":"W324611385","doi":"10.1353/ren.2008.0332","title":": <i>The World in Venice: Print, the City, and Early Modern Identity</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Index (typography); Media studies; Identity (music); Print culture; Art history; History; Art; Sociology; Aesthetics; Computer science","score_opus":0.017365933747678287,"score_gpt":0.23614228541305243,"score_spread":0.21877635166537415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324611385","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026103375,0.7285732,0.0007326383,0.07190299,0.012652373,0.000020127878,0.0004414613,0.0001259146,0.18294097],"genre_scores_gemma":[0.12840594,0.4625823,0.0010617563,0.020897234,0.014840668,0.00005542385,0.00081025244,0.000253489,0.3710929],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972075,0.00008869272,0.000012463877,0.00003196573,0.000093851486,0.000052171494],"domain_scores_gemma":[0.9996106,0.00014162147,0.00004137688,0.000026141533,0.000078794445,0.0001015752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051683554,0.0009426048,0.00039140863,0.0017572975,0.0016325107,0.004539617,0.0008887432,0.0016290069,0.038664475],"category_scores_gemma":[0.00092776807,0.00025597445,0.00020467429,0.0036320637,0.0028871065,0.0075665307,0.0017840611,0.001696156,0.008458963],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021563945,0.000013169738,0.00037729344,0.0004108802,0.000005646452,0.000079604775,0.00395278,0.00001884216,0.00008794646,0.022489632,0.91815585,0.054386802],"study_design_scores_gemma":[0.0000041698618,0.000010745342,0.0019824088,0.00069520733,0.0000068662184,0.0002005287,0.0043239957,0.00001706268,0.0001267555,0.0057701757,0.98685396,0.000008288577],"about_ca_topic_score_codex":0.025326878,"about_ca_topic_score_gemma":0.06984486,"teacher_disagreement_score":0.038664475,"about_ca_system_score_codex":0.0016540957,"about_ca_system_score_gemma":0.0018216834,"threshold_uncertainty_score":0.1293456},"labels":[],"label_agreement":null},{"id":"W335836422","doi":"10.1353/ren.2008.0849","title":": <i>Percorsi anticartesiani nelle lettere a Pierre-DanielHuet</i>","year":2005,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Append; Humanities; Art; Index (typography)","score_opus":0.01938198111780406,"score_gpt":0.2283193803168817,"score_spread":0.20893739919907764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W335836422","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021482822,0.24487574,0.0016618371,0.22776704,0.043440305,0.000058226167,0.0010239757,0.00040978458,0.47861487],"genre_scores_gemma":[0.024802465,0.050307877,0.00089732424,0.027719207,0.016421096,0.00007611923,0.0005262277,0.00057209,0.87867755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909854,0.00026817212,0.000045931854,0.00016694085,0.0003181918,0.00010217675],"domain_scores_gemma":[0.9985108,0.0006384933,0.00015411127,0.000074417876,0.00047726172,0.00014482095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089628284,0.0008830901,0.0005339091,0.0011387944,0.0028761318,0.004064401,0.0008425665,0.002559909,0.087159306],"category_scores_gemma":[0.003956657,0.00036055123,0.00029069526,0.001550717,0.0017062324,0.004393477,0.0017572012,0.003572659,0.04357138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013182198,0.000003956689,0.00007379506,0.000072444585,0.0000014594946,0.000031982483,0.0004535153,0.00000751759,0.00007802582,0.0054073534,0.9818417,0.012015064],"study_design_scores_gemma":[0.000001754968,0.000003332727,0.00034604367,0.00009913196,0.0000011229191,0.00007372717,0.00037298814,0.000009464954,0.000083182014,0.00070201367,0.99830246,0.000004790754],"about_ca_topic_score_codex":0.015231217,"about_ca_topic_score_gemma":0.031476717,"teacher_disagreement_score":0.087159306,"about_ca_system_score_codex":0.0022123114,"about_ca_system_score_gemma":0.001555593,"threshold_uncertainty_score":0.29157692},"labels":[],"label_agreement":null},{"id":"W337688896","doi":"10.1353/ren.2007.0450","title":": <i>Word vs Image: Cognitive Hunger in Shakespeare’s England</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Media Influence and Health","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Index (typography); History; Art history; Computer science","score_opus":0.025662806132530292,"score_gpt":0.2804595281085378,"score_spread":0.2547967219760075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W337688896","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016958821,0.8765593,0.0004288939,0.057368383,0.006150668,0.000011022204,0.00021036546,0.000046823614,0.057528727],"genre_scores_gemma":[0.115622915,0.6394287,0.00088654587,0.022279186,0.011504859,0.000078546414,0.00054926483,0.00022713044,0.20942295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958557,0.00016588658,0.000029718434,0.000053798765,0.000099056815,0.00006605192],"domain_scores_gemma":[0.9992061,0.0004898026,0.000051467097,0.000024709754,0.0001148619,0.0001130794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006865227,0.0010816623,0.0008044319,0.002424845,0.0023255886,0.005506362,0.0010671898,0.0027750717,0.032154936],"category_scores_gemma":[0.001492666,0.00047636853,0.0002782683,0.003266055,0.005652268,0.010684665,0.0021450918,0.0025132762,0.0073654843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005136961,0.000017251157,0.0005081112,0.00090240734,0.000014833384,0.00018817445,0.013834948,0.000027074531,0.0001230414,0.03425714,0.8836989,0.0663768],"study_design_scores_gemma":[0.000012325634,0.000021850406,0.004841841,0.00229085,0.000013973873,0.00042100914,0.016603298,0.000034366207,0.00019317197,0.023874037,0.951671,0.000022115733],"about_ca_topic_score_codex":0.030280786,"about_ca_topic_score_gemma":0.06437239,"teacher_disagreement_score":0.032154936,"about_ca_system_score_codex":0.0031401988,"about_ca_system_score_gemma":0.0016258385,"threshold_uncertainty_score":0.10756904},"labels":[],"label_agreement":null},{"id":"W337781546","doi":"10.1353/ren.2007.0093","title":": <i> <i>The Tragedy of the Late Gaspard de Coligny</i> and <i>The Guisiade</i> </i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tragedy (event); The Renaissance; Art; Humanities; Art history; Philosophy; Literature","score_opus":0.0076689586102747336,"score_gpt":0.2488226535778824,"score_spread":0.2411536949676077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W337781546","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003665774,0.7704769,0.0006159856,0.13644192,0.01336803,0.000012021208,0.00015594321,0.00007277113,0.075190626],"genre_scores_gemma":[0.28054053,0.29247162,0.001531655,0.050091434,0.016676161,0.000081002014,0.00038830886,0.0004152559,0.35780406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994099,0.0002879707,0.000016680067,0.0000870008,0.00011480022,0.000083607316],"domain_scores_gemma":[0.99957186,0.00020337135,0.000055997676,0.000020326499,0.00010026802,0.000048221114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007720532,0.0013068252,0.00039480944,0.0014671875,0.0039722603,0.004021712,0.0010841582,0.002924541,0.014459827],"category_scores_gemma":[0.0018097407,0.00032452683,0.00022341084,0.0025685716,0.005075535,0.0057295538,0.0017464877,0.0024144675,0.0026249292],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005666313,0.000007651413,0.00030727623,0.00037009575,0.00000808235,0.00019795304,0.018309446,0.000032639695,0.00017499959,0.053275473,0.89267427,0.034585405],"study_design_scores_gemma":[0.0000040189916,0.0000072456473,0.0010186923,0.000399798,0.000004032729,0.00023531182,0.004816248,0.000013534443,0.00015547186,0.004791513,0.9885449,0.000009191198],"about_ca_topic_score_codex":0.079534456,"about_ca_topic_score_gemma":0.13954945,"teacher_disagreement_score":0.079534456,"about_ca_system_score_codex":0.0049143983,"about_ca_system_score_gemma":0.0021368728,"threshold_uncertainty_score":0.15814304},"labels":[],"label_agreement":null},{"id":"W344419496","doi":"10.1353/ren.2008.0826","title":": <i>A Guide to Righteous Living and Other Works</i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Index (typography); History; Classics; Renaissance literature; Art; Art history; Computer science","score_opus":0.019954066340604894,"score_gpt":0.24979757700897476,"score_spread":0.22984351066836986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W344419496","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012142524,0.49870104,0.0069230245,0.05781729,0.010767033,0.00018028074,0.0023785634,0.0010909967,0.4209276],"genre_scores_gemma":[0.010899994,0.19295292,0.009016528,0.012143644,0.002287883,0.00026412116,0.0018895433,0.00091152574,0.7696338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951327,0.00016172875,0.000041068786,0.000055876557,0.00017607266,0.000051966632],"domain_scores_gemma":[0.99942493,0.00025144758,0.000036176818,0.000037075402,0.00017751087,0.00007288193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069141237,0.0013477376,0.00069156726,0.0024903694,0.0018782949,0.0025487016,0.0011139435,0.0018265089,0.09245657],"category_scores_gemma":[0.0012574992,0.0006745938,0.00036279717,0.0024489288,0.001665346,0.0061690384,0.001702986,0.0025980733,0.06629502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006164844,0.000015675305,0.000052946252,0.0001853023,0.0000013499955,0.000037045476,0.0013714092,0.00001676952,0.00009067703,0.0055713984,0.9143645,0.078286596],"study_design_scores_gemma":[0.00000111379,0.0000034662921,0.00016669658,0.00019652449,5.451441e-7,0.00009916377,0.00043472278,0.000008748548,0.0000299834,0.0015463709,0.9975091,0.0000034850264],"about_ca_topic_score_codex":0.010320308,"about_ca_topic_score_gemma":0.03762241,"teacher_disagreement_score":0.09245657,"about_ca_system_score_codex":0.0012218853,"about_ca_system_score_gemma":0.0016924032,"threshold_uncertainty_score":0.3092981},"labels":[],"label_agreement":null},{"id":"W350428033","doi":"10.1353/ren.2007.0456","title":": <i>Performing Early Modern Trauma from Shakespeare to Milton</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Literature, Magical Realism, García Márquez","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Publishing; Index (typography); Media studies; History; Humanities; Art; Sociology; Literature","score_opus":0.023405992974288622,"score_gpt":0.24365775226037328,"score_spread":0.22025175928608465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W350428033","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014305474,0.6033121,0.0019129445,0.06866621,0.034194034,0.000051714112,0.00038156242,0.00036658402,0.28968436],"genre_scores_gemma":[0.029911667,0.23353577,0.001961109,0.01643804,0.010442095,0.00009109403,0.00046521687,0.0004157644,0.7067393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995747,0.0001360473,0.000028865985,0.000057789617,0.00013497892,0.00006761737],"domain_scores_gemma":[0.99954695,0.00012395933,0.000053580716,0.000025915899,0.00015548337,0.00009405009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007407255,0.0013513209,0.00035346925,0.0020722463,0.0033393595,0.0039419737,0.000924062,0.0016747796,0.0865415],"category_scores_gemma":[0.0013515186,0.0003756505,0.00022959731,0.0018475173,0.002422409,0.005346661,0.0028160533,0.002306042,0.024545649],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000109451785,0.0000053885337,0.000050192873,0.0002766865,0.0000019989723,0.000042487376,0.0014186312,0.000009622567,0.00008481498,0.0067947498,0.94748354,0.04382089],"study_design_scores_gemma":[0.0000015757745,0.0000055243013,0.0003546565,0.00049440924,0.0000021171993,0.00015346006,0.0012780968,0.0000048609763,0.0001142467,0.0013522082,0.99623436,0.000004517807],"about_ca_topic_score_codex":0.012152235,"about_ca_topic_score_gemma":0.035171833,"teacher_disagreement_score":0.0865415,"about_ca_system_score_codex":0.0019347112,"about_ca_system_score_gemma":0.0017088109,"threshold_uncertainty_score":0.2895102},"labels":[],"label_agreement":null},{"id":"W4205768316","doi":"10.1017/rqx.2021.230","title":": <i>Old Thiess, a Livonian Werewolf: A Classic Case in Comparative Perspective</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Perspective (graphical); Content (measure theory); History; Operations research; Library science; Computer science; Artificial intelligence; Engineering; Mathematics","score_opus":0.0350868231153298,"score_gpt":0.2764411575149052,"score_spread":0.24135433439957543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205768316","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0908525,0.016382828,0.002271306,0.058428913,0.002058512,0.00005888258,0.00010185549,0.00004707548,0.82979816],"genre_scores_gemma":[0.78358585,0.005637007,0.0010263857,0.009154761,0.0006055523,0.000093941366,0.000050765506,0.000060961152,0.19978477],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99927944,0.00042478944,0.00001416978,0.00009547783,0.00007250849,0.00011362801],"domain_scores_gemma":[0.99954563,0.00029854747,0.000039320366,0.000021066957,0.000037654536,0.000057765563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012661832,0.00034887638,0.00026221407,0.0011364309,0.012109886,0.004240856,0.00069134746,0.0039320965,0.0072472543],"category_scores_gemma":[0.002050444,0.00020241468,0.00020514925,0.0015855356,0.01769776,0.0051676454,0.0019651167,0.0040667374,0.0007191265],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029250057,0.00001000453,0.00037115067,0.00008609097,0.0000030820838,0.0017475297,0.24070485,0.000052610303,0.00014367454,0.71539444,0.03713128,0.0043260828],"study_design_scores_gemma":[0.000012891191,0.00004658928,0.0022937767,0.0006368631,0.000015071674,0.002056844,0.23741655,0.0001512526,0.00039701603,0.03894133,0.7180044,0.000027363936],"about_ca_topic_score_codex":0.044317834,"about_ca_topic_score_gemma":0.09377273,"teacher_disagreement_score":0.044317834,"about_ca_system_score_codex":0.004526633,"about_ca_system_score_gemma":0.0014899437,"threshold_uncertainty_score":0.088119745},"labels":[],"label_agreement":null},{"id":"W4206132049","doi":"10.1017/rqx.2021.226","title":": <i>Foreign Devils and Philosophers: Cultural Encounters between the Chinese, the Dutch, and Other Europeans, 1590–1800</i>","year":2021,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Chinese history and philosophy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Brill; History; Ancient history; Theology; Classics; Philosophy","score_opus":0.027721746408959937,"score_gpt":0.28807055568704154,"score_spread":0.2603488092780816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206132049","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017425928,0.7933381,0.00026052992,0.078387275,0.0056431987,0.00002295583,0.00035497037,0.000034582266,0.104532406],"genre_scores_gemma":[0.23088701,0.5255559,0.0006721651,0.011346009,0.0056566414,0.00007669454,0.00070418644,0.00009175949,0.22500962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997155,0.00008957186,0.000016539416,0.000031629508,0.00009152589,0.000055163524],"domain_scores_gemma":[0.99975425,0.000080756115,0.00003902486,0.000011824998,0.00004553531,0.00006866119],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065515755,0.0005919035,0.0003128612,0.0013228423,0.002045105,0.0026620557,0.0006408173,0.0013221275,0.010082454],"category_scores_gemma":[0.00084566517,0.00017643599,0.00020903032,0.0035157523,0.003979956,0.004291212,0.0017809472,0.0012574968,0.0014263245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065715685,0.00003791327,0.0044212043,0.0010275937,0.000023069144,0.000698898,0.08298781,0.000075219985,0.00041451323,0.097643584,0.69719625,0.115408234],"study_design_scores_gemma":[0.0000074138193,0.000015697718,0.01199247,0.0010029405,0.000010925047,0.00024959331,0.029074455,0.00004792543,0.00019052542,0.007491767,0.9499007,0.000015642201],"about_ca_topic_score_codex":0.07925327,"about_ca_topic_score_gemma":0.15124716,"teacher_disagreement_score":0.07925327,"about_ca_system_score_codex":0.0037837569,"about_ca_system_score_gemma":0.0044958307,"threshold_uncertainty_score":0.15758389},"labels":[],"label_agreement":null},{"id":"W4210976603","doi":"10.1353/ren.0.0288","title":": <i>Commentaries</i>","year":2008,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"The Renaissance; Index (typography); History; Art; Classics; Media studies; Art history; Sociology; Computer science","score_opus":0.0393731643350764,"score_gpt":0.31203751327501134,"score_spread":0.27266434893993496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210976603","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040826845,0.0007551916,0.0003777422,0.87448305,0.09624614,0.00014822974,0.0024267712,0.0005079927,0.024646666],"genre_scores_gemma":[0.0046730046,0.0010066066,0.00037825014,0.9103354,0.030158492,0.0004219055,0.0007732678,0.00045826443,0.051794775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9841897,0.0021302218,0.0019008951,0.002015615,0.008303929,0.0014596981],"domain_scores_gemma":[0.9281294,0.024678594,0.0057760524,0.0036553794,0.034984767,0.0027757988],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011649727,0.0021408184,0.0014157143,0.0032166434,0.007599879,0.0060718474,0.0061203646,0.023195915,0.096871436],"category_scores_gemma":[0.11713746,0.0010502737,0.0022556356,0.004260878,0.004955208,0.0075600776,0.0044283275,0.022680333,0.06177299],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009427421,0.0000033649017,0.000071004804,0.000039660128,0.0000020576726,0.00003103956,0.00013449926,0.000010081375,0.000046870126,0.00069668645,0.99847347,0.00048184666],"study_design_scores_gemma":[0.000027254317,0.000016984046,0.0018298967,0.00039949565,0.00001517724,0.00008983522,0.0010494147,0.000084468644,0.00046003138,0.001732433,0.9942082,0.00008671041],"about_ca_topic_score_codex":0.07423509,"about_ca_topic_score_gemma":0.059106853,"teacher_disagreement_score":0.096871436,"about_ca_system_score_codex":0.012453564,"about_ca_system_score_gemma":0.007910771,"threshold_uncertainty_score":0.32406723},"labels":[],"label_agreement":null},{"id":"W4220776571","doi":"10.1017/rqx.2022.29","title":": <i>The Domestic Herbal: Plants for the Home in the Seventeenth Century</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Ethnobotanical and Medicinal Plants Studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Action (physics); Content (measure theory); History; Art; Mathematics; Physics","score_opus":0.021520190078114426,"score_gpt":0.25789592956757557,"score_spread":0.23637573948946114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220776571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036931343,0.41938233,0.0009953345,0.031249022,0.007157334,0.00002915289,0.0002895775,0.000097685675,0.5038682],"genre_scores_gemma":[0.21915299,0.15366128,0.0012264273,0.008645019,0.0031801881,0.00002637771,0.00019241606,0.00007371128,0.61384153],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999224,0.000022120515,0.0000035656874,0.000012875285,0.000025370295,0.000013621584],"domain_scores_gemma":[0.9999331,0.000027906508,0.000010478241,0.000004213413,0.000012810668,0.000011565904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001708829,0.0002706897,0.00011203565,0.00048827467,0.0012470708,0.0015071249,0.00019966858,0.00052924687,0.01250768],"category_scores_gemma":[0.00021085632,0.00007804239,0.0000778948,0.0007987832,0.001984059,0.0017207494,0.00067896326,0.0006789642,0.0016890148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099331104,0.000073681294,0.0022119423,0.0019411889,0.000013146132,0.0008932514,0.0741417,0.00010029087,0.0023304198,0.17641254,0.51797885,0.22380376],"study_design_scores_gemma":[0.0000020427783,0.000019325746,0.0021907245,0.00025405144,0.0000022365973,0.0002891285,0.005206601,0.000007388331,0.00015319735,0.0014806724,0.99039185,0.0000028550724],"about_ca_topic_score_codex":0.003950903,"about_ca_topic_score_gemma":0.015341423,"teacher_disagreement_score":0.01250768,"about_ca_system_score_codex":0.0010187061,"about_ca_system_score_gemma":0.0005045396,"threshold_uncertainty_score":0.04184234},"labels":[],"label_agreement":null},{"id":"W4225738705","doi":"10.1017/rqx.2022.94","title":": <i>The Lives of Girls and Women from the Islamic World in Early Modern British Literature and Culture</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Islam; History; Media studies; Gender studies; Sociology; Archaeology","score_opus":0.015809639325865838,"score_gpt":0.2133574667579455,"score_spread":0.19754782743207966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225738705","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03747303,0.7941069,0.00013876,0.079961866,0.005641383,0.000018862802,0.00029346807,0.000031300347,0.0823344],"genre_scores_gemma":[0.44980457,0.3887194,0.00024887134,0.014850473,0.004373011,0.000051100837,0.00035331375,0.000091564645,0.14150764],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99938726,0.00028330187,0.00002155361,0.000035378118,0.00013987554,0.00013264055],"domain_scores_gemma":[0.9994398,0.00024612425,0.00007033049,0.000020883128,0.00007452747,0.00014829519],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000724717,0.0005318938,0.00044970535,0.0005534798,0.0041464684,0.0040516877,0.00067655236,0.0013100703,0.01084785],"category_scores_gemma":[0.0010518008,0.00030795322,0.0001423246,0.002178588,0.0057732025,0.0030727831,0.0014871852,0.0017028571,0.0016320887],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012996682,0.000050925115,0.005369677,0.001317979,0.000021765087,0.0005730067,0.25554168,0.000047272853,0.0005049916,0.020759324,0.6068613,0.1088221],"study_design_scores_gemma":[0.00000899538,0.000056002962,0.038264617,0.0019161827,0.000017377422,0.0007253199,0.18685903,0.000016801321,0.00016501726,0.0033704077,0.76856697,0.000033349745],"about_ca_topic_score_codex":0.17829314,"about_ca_topic_score_gemma":0.42342713,"teacher_disagreement_score":0.17829314,"about_ca_system_score_codex":0.0027561174,"about_ca_system_score_gemma":0.0025606307,"threshold_uncertainty_score":0.35451072},"labels":[],"label_agreement":null},{"id":"W4225825046","doi":"10.1017/rqx.2022.56","title":": <i>Reformation and the Practice of Toleration: Dutch Religious History in the Early Modern Era</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Toleration; Brill; History; Early modern Europe; Classics; Church history; Theology; Philosophy; Law; Political science; Politics","score_opus":0.01597872356025978,"score_gpt":0.2132587363868606,"score_spread":0.19728001282660082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225825046","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0067350124,0.6722359,0.0006672153,0.15811509,0.0049426276,0.000025232388,0.00068268814,0.000032735326,0.15656352],"genre_scores_gemma":[0.28586507,0.38774884,0.0010705607,0.018937996,0.008134902,0.00007037305,0.0012905443,0.00026196268,0.2966198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995092,0.00022527421,0.000024414077,0.000034021177,0.000140873,0.00006617961],"domain_scores_gemma":[0.999595,0.000173287,0.00007998032,0.000019431289,0.00007908901,0.000053214644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006806276,0.00030629183,0.00023760945,0.00072890293,0.00132113,0.0037977574,0.0006535844,0.0012389495,0.023346996],"category_scores_gemma":[0.0018288053,0.00016041851,0.00012341177,0.0035641952,0.0031754603,0.006499178,0.0014593294,0.0011535814,0.003437594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043466232,0.000026476278,0.0008071691,0.0008378563,0.0000071180207,0.00012084102,0.01595654,0.00007370678,0.00024134014,0.09253481,0.81857055,0.070779964],"study_design_scores_gemma":[0.0000057606717,0.0000049782293,0.0022604847,0.0004253014,0.0000023257046,0.00010263766,0.0061788405,0.000040209972,0.000086664804,0.0072764307,0.98361015,0.000006257738],"about_ca_topic_score_codex":0.06113222,"about_ca_topic_score_gemma":0.122586474,"teacher_disagreement_score":0.06113222,"about_ca_system_score_codex":0.0038528482,"about_ca_system_score_gemma":0.0021768163,"threshold_uncertainty_score":0.121552765},"labels":[],"label_agreement":null},{"id":"W4225972453","doi":"10.1017/rqx.2022.45","title":": <i>Publishing for the Popes: The Roman Curia and the Use of Printing (1527–1555)</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Publishing; History; Art; Theology; Classics; Philosophy; Literature","score_opus":0.04727977417757179,"score_gpt":0.22068561964183372,"score_spread":0.17340584546426194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225972453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00087504584,0.18415946,0.00038316578,0.010521665,0.0120081,0.000050894752,0.0034805322,0.0005129581,0.7880083],"genre_scores_gemma":[0.0075773317,0.053994037,0.0005289336,0.0017248633,0.0025769796,0.000046506422,0.0018357538,0.00075592485,0.9309597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927336,0.000088655914,0.00006038294,0.00012195339,0.00034897475,0.00010662436],"domain_scores_gemma":[0.99944764,0.00008235198,0.000081429665,0.00006729659,0.00021035735,0.00011092022],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00079105457,0.0010823502,0.0008084247,0.0022083067,0.0013897445,0.007837925,0.0007198701,0.0015267594,0.36875984],"category_scores_gemma":[0.0018178576,0.00048110393,0.00038647102,0.0053955624,0.0009402318,0.0046882397,0.0020808517,0.0016553852,0.26407546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002024713,0.0000057777715,0.00009760094,0.00032672787,0.0000031868624,0.000035730827,0.00018936429,0.000012309725,0.00014951175,0.006683816,0.92376244,0.06871329],"study_design_scores_gemma":[0.0000014712311,0.0000027033234,0.00038372885,0.00015325502,9.3345e-7,0.000038402683,0.00007136678,0.000003623865,0.000059776135,0.00019731722,0.99908495,0.0000024921428],"about_ca_topic_score_codex":0.0072058816,"about_ca_topic_score_gemma":0.011973926,"teacher_disagreement_score":0.36875984,"about_ca_system_score_codex":0.0019306357,"about_ca_system_score_gemma":0.00220467,"threshold_uncertainty_score":0.90038747},"labels":[],"label_agreement":null},{"id":"W4226278430","doi":"10.1017/rqx.2022.73","title":": <i>La strega di Dio: Profezia politica, storia e riforma in Caterina da Racconigi</i>","year":2022,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pontifical Institute of Mediaeval Studies","funders":"","keywords":"Humanities; Art","score_opus":0.015789452746352104,"score_gpt":0.2751923324797833,"score_spread":0.2594028797334312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226278430","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0046433727,0.4055843,0.00033924353,0.2481032,0.022567216,0.000037357007,0.0013841724,0.00018115899,0.31715998],"genre_scores_gemma":[0.079581454,0.12275548,0.00053729187,0.024407433,0.013020022,0.00009274637,0.0015615199,0.0002640146,0.7577801],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943644,0.000148698,0.000018668463,0.00007961615,0.00014537552,0.0001711125],"domain_scores_gemma":[0.99957925,0.00009932324,0.000075479744,0.000024692805,0.0000993256,0.00012197909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007823771,0.000826471,0.00030630585,0.0010541973,0.0019354047,0.0042999843,0.00060539704,0.0022210514,0.060641307],"category_scores_gemma":[0.0010402957,0.0003157164,0.00024157227,0.0026830977,0.0016902399,0.0035255991,0.0018723488,0.002188899,0.015578417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025620518,0.000006107197,0.00032793276,0.00017288071,0.000002058,0.000030548304,0.0005496831,0.00001405999,0.00008908375,0.0058575133,0.9736179,0.019306662],"study_design_scores_gemma":[0.0000041009257,0.000009924018,0.0037408161,0.00027232504,0.0000021032472,0.00006846084,0.000876812,0.000011307253,0.00006379767,0.0008050112,0.9941379,0.0000073971623],"about_ca_topic_score_codex":0.03682785,"about_ca_topic_score_gemma":0.09482691,"teacher_disagreement_score":0.060641307,"about_ca_system_score_codex":0.0041184574,"about_ca_system_score_gemma":0.0028899505,"threshold_uncertainty_score":0.20286536},"labels":[],"label_agreement":null},{"id":"W4230290025","doi":"10.1086/669357","title":": <i>Writing History in Renaissance Italy: Leonardo Bruni and the Uses of the Past</i>","year":2012,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The Renaissance; Classics; History; Art; Art history","score_opus":0.031783300290978186,"score_gpt":0.21759143483505028,"score_spread":0.18580813454407208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230290025","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093490625,0.86997676,0.0003080337,0.09152304,0.005657843,0.000007949791,0.00007157228,0.000049876577,0.031470027],"genre_scores_gemma":[0.08618857,0.6879989,0.0015338764,0.028845515,0.022284316,0.00008838191,0.00030054263,0.00025353907,0.17250632],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994592,0.0002693983,0.000021017117,0.00007133744,0.00011511439,0.00006404937],"domain_scores_gemma":[0.99924374,0.00042278366,0.00008745063,0.000037506597,0.00011225393,0.000096340125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013558109,0.0013790985,0.0006774434,0.0023645149,0.0022138793,0.004481348,0.0012184893,0.002437965,0.011808006],"category_scores_gemma":[0.0019507498,0.0005229525,0.00029270933,0.0044638026,0.003796228,0.008150314,0.0017187323,0.0028359,0.0041839783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026128939,0.000012533239,0.0003771561,0.000463779,0.0000072668245,0.00008114846,0.00908292,0.000040067753,0.00008377655,0.026105803,0.8996214,0.064097956],"study_design_scores_gemma":[0.0000056413714,0.000005570779,0.0012272305,0.0007240923,0.000005105905,0.00012932521,0.0025179912,0.000025292422,0.00008421373,0.0062510525,0.9890164,0.000008163603],"about_ca_topic_score_codex":0.021708054,"about_ca_topic_score_gemma":0.0508363,"teacher_disagreement_score":0.021708054,"about_ca_system_score_codex":0.0035566739,"about_ca_system_score_gemma":0.0021240888,"threshold_uncertainty_score":0.04316336},"labels":[],"label_agreement":null},{"id":"W4235370903","doi":"10.1353/ren.2008.0815","title":": <i> Epistle to Marguerite de Navarre <i>and</i> Preface to a Sermon by John Calvin </i>","year":2005,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Sermon; Index (typography); History; Art; Early modern Europe; Performance art; Humanities; Theology; Classics; Art history; Philosophy","score_opus":0.010013686618622841,"score_gpt":0.30607974431140467,"score_spread":0.2960660576927818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235370903","genre_codex":"editorial","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017721052,0.25187695,0.0016902629,0.17609109,0.33469734,0.00014102877,0.0015759672,0.0004932924,0.23166198],"genre_scores_gemma":[0.01508434,0.04292885,0.00086501543,0.019648058,0.063806914,0.00010382062,0.00067062414,0.0006296874,0.8562626],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950814,0.00010285377,0.000018293267,0.000110695175,0.0001689565,0.00009100659],"domain_scores_gemma":[0.99890125,0.00016759743,0.00009906305,0.000044727716,0.0004553334,0.00033204016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009718141,0.001816356,0.0010582044,0.0013488644,0.0027465182,0.0029746778,0.0011862111,0.0017672889,0.13066038],"category_scores_gemma":[0.002410669,0.00048610108,0.0008570044,0.0010193173,0.001427241,0.0022413095,0.0023426365,0.003864913,0.066007],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022144131,0.0000042337438,0.0000360846,0.000053222524,0.0000027824474,0.00003348789,0.00009236424,0.000012262282,0.000117158874,0.0011370056,0.9918333,0.006655983],"study_design_scores_gemma":[0.0000030132528,0.0000069442794,0.0002784952,0.00006995571,0.0000016243549,0.000068793495,0.00013941429,0.0000075286903,0.00005432897,0.00039794407,0.9989666,0.0000052803402],"about_ca_topic_score_codex":0.017899573,"about_ca_topic_score_gemma":0.03509147,"teacher_disagreement_score":0.13066038,"about_ca_system_score_codex":0.003551733,"about_ca_system_score_gemma":0.0017106257,"threshold_uncertainty_score":0.43710256},"labels":[],"label_agreement":null},{"id":"W4235874140","doi":"10.1017/rqx.2019.126","title":": <i>“The Wealth of Wives”: A Fifteenth-Century Marriage Manual</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fifteenth; Renaissance studies; The Renaissance; Early modern Europe; Classics; Art; History; Tempe; Renaissance literature; Art history","score_opus":0.010709448513063324,"score_gpt":0.22243675154301992,"score_spread":0.2117273030299566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235874140","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006578994,0.55005586,0.0034260384,0.059446916,0.017692624,0.00017026589,0.0020190487,0.00027461274,0.36033562],"genre_scores_gemma":[0.11179767,0.25734076,0.0052469797,0.024286319,0.006873248,0.00050145225,0.0028580567,0.00033576935,0.59075975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992017,0.00027221584,0.00007838792,0.000081315426,0.0002774213,0.00008901604],"domain_scores_gemma":[0.99943393,0.00015964935,0.00005477913,0.00003572022,0.0002261572,0.00008978127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014971715,0.0008447736,0.000267716,0.0016838666,0.003241699,0.0022448206,0.0010140699,0.0013757809,0.022885565],"category_scores_gemma":[0.0015421946,0.00042438612,0.00024965062,0.0023346327,0.0034773664,0.0036660384,0.0021534069,0.0017739445,0.0076633575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021378002,0.000021450356,0.0006688601,0.00024640458,0.000004134162,0.00006723933,0.009445114,0.000053604803,0.0001637086,0.057790644,0.8489432,0.0825743],"study_design_scores_gemma":[0.0000016858094,0.0000073384745,0.0012388107,0.00028026509,0.0000011626721,0.00007154277,0.002288105,0.000012287042,0.000045430745,0.0018720278,0.9941764,0.000004969852],"about_ca_topic_score_codex":0.038579013,"about_ca_topic_score_gemma":0.08284838,"teacher_disagreement_score":0.038579013,"about_ca_system_score_codex":0.0033384045,"about_ca_system_score_gemma":0.004046384,"threshold_uncertainty_score":0.07670891},"labels":[],"label_agreement":null},{"id":"W4237209335","doi":"10.1017/rqx.2019.212","title":": <i>Witness, Warning, and Prophecy: Quaker Women's Writing, 1655–1700</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Renaissance; Witness; Renaissance studies; Early modern Europe; History; Classics; Tempe; Middle Ages; Art; Art history; Ancient history; Medicine; Law; Political science","score_opus":0.010992570459803203,"score_gpt":0.2038482988599422,"score_spread":0.192855728400139,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237209335","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01850642,0.68611956,0.0005248496,0.11679895,0.011358713,0.000023544097,0.00030180244,0.000034059245,0.16633213],"genre_scores_gemma":[0.5667851,0.16821231,0.0006548236,0.015903892,0.008914748,0.000055669552,0.0002514852,0.0000939151,0.23912804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938965,0.00028045147,0.000028096265,0.000065743014,0.00013564994,0.000100379475],"domain_scores_gemma":[0.99949574,0.00027990996,0.000071547714,0.000016152053,0.00007461507,0.0000620904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013282615,0.00050997175,0.00023915908,0.0011073849,0.005195442,0.0031319151,0.0005465246,0.0019006359,0.008184464],"category_scores_gemma":[0.00225845,0.00020212193,0.00011651099,0.001744012,0.0072303633,0.004214655,0.0015847553,0.001774801,0.0008601221],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008791735,0.000021542157,0.0009857382,0.0005273673,0.000009647802,0.0003391681,0.23882236,0.000051801882,0.00036079128,0.18635578,0.51223975,0.060198218],"study_design_scores_gemma":[0.0000063098437,0.000014705018,0.0026619732,0.0007464712,0.000004969482,0.0001154465,0.03930183,0.00001595396,0.00018553436,0.0041714394,0.9527659,0.000009512],"about_ca_topic_score_codex":0.105674185,"about_ca_topic_score_gemma":0.18057033,"teacher_disagreement_score":0.105674185,"about_ca_system_score_codex":0.005575617,"about_ca_system_score_gemma":0.0048541618,"threshold_uncertainty_score":0.21011817},"labels":[],"label_agreement":null},{"id":"W4238873371","doi":"10.1017/rqx.2019.232","title":": <i>Cultural Reformations: Medieval and Renaissance in Literary History</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"The Renaissance; History; Classics; Renaissance literature; Cultural history; Art history; Art; Economic history","score_opus":0.022739123931239166,"score_gpt":0.22035374763237384,"score_spread":0.19761462370113467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238873371","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003242717,0.80093944,0.0004064568,0.115808,0.0125547955,0.000010226243,0.00010375427,0.00005700385,0.06687762],"genre_scores_gemma":[0.25920156,0.49057236,0.0013957196,0.032569803,0.05757223,0.00007351808,0.0004253612,0.00022998109,0.15795948],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928147,0.00040993196,0.000028392138,0.000060573646,0.00015676332,0.000062908824],"domain_scores_gemma":[0.9987373,0.0007338276,0.00012840827,0.00008421767,0.0001867761,0.00012944576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013436512,0.00068965426,0.0004705283,0.001457621,0.002195791,0.006030383,0.00082003523,0.001836226,0.014612841],"category_scores_gemma":[0.0026097142,0.00021759089,0.00023396176,0.003150849,0.0056787436,0.008628925,0.0022590808,0.0026302838,0.0024931522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006554297,0.00002880033,0.0007576791,0.0007464986,0.000019823667,0.00012562587,0.017825384,0.000068195644,0.00017492149,0.132349,0.7666391,0.08119947],"study_design_scores_gemma":[0.000009449668,0.000016068112,0.0031631303,0.0011408809,0.0000113819,0.00023244321,0.0077119917,0.000053893888,0.00017253577,0.020678587,0.9667976,0.000011940602],"about_ca_topic_score_codex":0.0063002044,"about_ca_topic_score_gemma":0.013867326,"teacher_disagreement_score":0.014612841,"about_ca_system_score_codex":0.0023752428,"about_ca_system_score_gemma":0.0015866425,"threshold_uncertainty_score":0.04888487},"labels":[],"label_agreement":null},{"id":"W4239770504","doi":"10.1353/ren.2008.0208","title":": <i> <i>Adages III iv 1 to IV ii 100</i> . Vol. 35 of <i>Collected Works of Erasmus</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; Art; History; Humanities; Classics; Art history; The Renaissance","score_opus":0.013205018090941198,"score_gpt":0.21576650566866856,"score_spread":0.20256148757772735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239770504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021685539,0.3931715,0.0013548855,0.019140469,0.027092943,0.000103491926,0.0020964674,0.0005212859,0.55435044],"genre_scores_gemma":[0.017700486,0.080749646,0.00079503417,0.004401219,0.006034028,0.00007883271,0.0012377332,0.0003760321,0.88862705],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99932706,0.00013289617,0.000049361686,0.00009025781,0.00029266687,0.000107789725],"domain_scores_gemma":[0.9994199,0.00014544882,0.000089868336,0.00006781476,0.00020008431,0.00007690695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076629716,0.0017486154,0.00064883253,0.002750405,0.0016635662,0.0036407574,0.00075742067,0.0012611438,0.14932549],"category_scores_gemma":[0.001953931,0.00044281138,0.0004889952,0.0034238216,0.0017611344,0.0029197969,0.0018310664,0.0017340314,0.06261602],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021991344,0.000009913164,0.0001182255,0.0002872073,0.000004878143,0.000030238187,0.0005949501,0.000020585772,0.00012607995,0.008571764,0.93898094,0.051233243],"study_design_scores_gemma":[0.0000011092231,0.000004403868,0.00032713756,0.00013639191,0.0000011288764,0.000031546602,0.00011088943,0.000002877891,0.000038109123,0.00062837766,0.9987159,0.0000022188601],"about_ca_topic_score_codex":0.014841524,"about_ca_topic_score_gemma":0.026872791,"teacher_disagreement_score":0.14932549,"about_ca_system_score_codex":0.0030814647,"about_ca_system_score_gemma":0.0018614872,"threshold_uncertainty_score":0.49954355},"labels":[],"label_agreement":null},{"id":"W4241403765","doi":"10.1353/ren.2008.0279","title":": <i>Narrative Worlds: Essays on the Nouvelle in Fifteenth- and Sixteenth-Century France</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Fifteenth; Tempe; Renaissance studies; Narrative; The Renaissance; Classics; Romance; Storytelling; Art; History; Art history; Literature","score_opus":0.008460281519661408,"score_gpt":0.18632706623749,"score_spread":0.1778667847178286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241403765","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20860617,0.064670905,0.0019686543,0.11818312,0.0029064082,0.000022758779,0.00023278265,0.00007126937,0.60333794],"genre_scores_gemma":[0.8982058,0.007761847,0.00039915947,0.0045494917,0.00068103697,0.000024623017,0.00006887498,0.00005115533,0.08825806],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999033,0.0006650767,0.000017507196,0.00007417189,0.00010150459,0.000108827626],"domain_scores_gemma":[0.99895847,0.0006476649,0.00010734094,0.00003272565,0.00010708727,0.00014674707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019070384,0.0004493009,0.00020116637,0.0010915202,0.008090825,0.0061124107,0.00053277996,0.0018843568,0.0071971775],"category_scores_gemma":[0.0031065457,0.00012442381,0.0002515194,0.0010708363,0.010593869,0.0042580445,0.0021142373,0.0022167147,0.00050461316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056867288,0.000031465985,0.0016683259,0.00013124326,0.000013351787,0.00051004166,0.47398138,0.00013037228,0.00023420752,0.42445803,0.08405254,0.0147322435],"study_design_scores_gemma":[0.000009957934,0.000022058808,0.004715066,0.0006883091,0.000008654985,0.00028245157,0.17943446,0.000060283433,0.0002632206,0.014837829,0.79966086,0.000016826152],"about_ca_topic_score_codex":0.028076537,"about_ca_topic_score_gemma":0.059071362,"teacher_disagreement_score":0.028076537,"about_ca_system_score_codex":0.0063785883,"about_ca_system_score_gemma":0.0019233348,"threshold_uncertainty_score":0.055826187},"labels":[],"label_agreement":null},{"id":"W4246172930","doi":"10.1353/ren.2008.0421","title":": <i> Contribution à l’étude du paracelsismeen France au XVI <sup>e</sup> siècle (1560–1580): De lanaissance du mouvement aux années de maturité: Le Demosterionde Roche Le Baillif (1578) </i>","year":2006,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Humanities; Art; The Renaissance; Champion; Art history; History; Archaeology","score_opus":0.006529425915295594,"score_gpt":0.2005678550390909,"score_spread":0.1940384291237953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246172930","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032709595,0.51980305,0.0011467125,0.14721715,0.01592675,0.00004065508,0.0015429809,0.00012920873,0.2814839],"genre_scores_gemma":[0.29452336,0.14428407,0.0015238251,0.013474553,0.008022485,0.00008484377,0.0011395674,0.00026402497,0.5366833],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9987533,0.00040927634,0.000027518015,0.00016361946,0.00041404352,0.00023223564],"domain_scores_gemma":[0.9989705,0.0002988986,0.000108324435,0.00004043209,0.00037044392,0.00021134753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016040793,0.00075008697,0.00041041343,0.0017687203,0.0033534279,0.0035228492,0.00073694455,0.0014831603,0.031764988],"category_scores_gemma":[0.0018934618,0.00021356964,0.00034083024,0.002630908,0.0017987243,0.0025743968,0.002053817,0.0024673361,0.004584088],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010381962,0.000039719846,0.0049849795,0.0008473304,0.000031191303,0.00056547904,0.033539537,0.00014402892,0.000762267,0.073126145,0.72268176,0.1631738],"study_design_scores_gemma":[0.0000026093123,0.0000122655,0.0038939666,0.00020134498,0.0000033066722,0.00011161057,0.0019154625,0.000010257851,0.000110382454,0.00059128937,0.9931416,0.0000059345466],"about_ca_topic_score_codex":0.080754675,"about_ca_topic_score_gemma":0.13735999,"teacher_disagreement_score":0.080754675,"about_ca_system_score_codex":0.0091569675,"about_ca_system_score_gemma":0.006847026,"threshold_uncertainty_score":0.16056925},"labels":[],"label_agreement":null},{"id":"W4251592934","doi":"10.1017/rqx.2019.227","title":": <i>The Prison of Love: Romance, Translation, and the Book in the Sixteenth Century</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Prison; Performance art; Art; Print culture; Art history; Media studies; History; Literature; Sociology","score_opus":0.01220755410253332,"score_gpt":0.213809109556001,"score_spread":0.20160155545346767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251592934","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003785453,0.67513293,0.0005870908,0.10437411,0.025686722,0.000019243447,0.00029293503,0.00010378236,0.19001772],"genre_scores_gemma":[0.16857865,0.28781343,0.0009847921,0.030068444,0.024060471,0.00009275065,0.00069058023,0.00045109566,0.48725984],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992754,0.00034082108,0.000039524795,0.000060863495,0.00019374264,0.000089686255],"domain_scores_gemma":[0.9992755,0.00029601422,0.00010073182,0.0000533022,0.00015998477,0.000114476825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009860956,0.00069367053,0.00040239008,0.0010871182,0.0026311872,0.0052707056,0.0006844765,0.0014001449,0.021217814],"category_scores_gemma":[0.0024268758,0.00025261097,0.00024734746,0.0025095157,0.0054200604,0.0062431637,0.0018434119,0.0026555262,0.005489204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032868644,0.000011347275,0.0003170014,0.000458131,0.0000059036543,0.00012760403,0.013001184,0.000027994396,0.00011739885,0.06365754,0.88649267,0.03575037],"study_design_scores_gemma":[0.0000037189,0.0000072710172,0.00065159524,0.0006450823,0.0000017976635,0.0001997727,0.004889815,0.000011248585,0.00007857344,0.004217654,0.98928726,0.0000061602304],"about_ca_topic_score_codex":0.00854861,"about_ca_topic_score_gemma":0.01726134,"teacher_disagreement_score":0.021217814,"about_ca_system_score_codex":0.0028592043,"about_ca_system_score_gemma":0.002242326,"threshold_uncertainty_score":0.07098067},"labels":[],"label_agreement":null},{"id":"W4255360639","doi":"10.1086/676249","title":": <i>The Pleasant Nights: Volume 1</i>","year":2014,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Volume (thermodynamics); Art; History; Art history; Media studies; Humanities; Sociology; Physics","score_opus":0.014515865157044838,"score_gpt":0.20364884097982497,"score_spread":0.18913297582278013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255360639","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00091020844,0.6160647,0.0012486712,0.041206997,0.043461844,0.00007568551,0.0013418893,0.00072689727,0.29496315],"genre_scores_gemma":[0.008381619,0.1695247,0.0008481183,0.0068058013,0.018775728,0.00007159572,0.0012627192,0.0008926106,0.79343706],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920803,0.00015587705,0.00004526125,0.00012541482,0.0003639628,0.00010140026],"domain_scores_gemma":[0.9989176,0.00023854659,0.0001302091,0.00010684245,0.00038079303,0.00022607377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007833619,0.0018195707,0.0009815978,0.0030198768,0.0016820127,0.0077981264,0.0012781413,0.001886084,0.20313312],"category_scores_gemma":[0.002120955,0.0005968067,0.00064094283,0.0051737186,0.0016339615,0.006180664,0.0028750997,0.0030257169,0.11790027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011771512,0.000006343711,0.00007323586,0.00023949626,0.000002666792,0.000019713703,0.000261313,0.000012957272,0.00006949105,0.0018356042,0.96809477,0.029372685],"study_design_scores_gemma":[9.3132513e-7,0.0000036342387,0.00026988753,0.00021687067,0.0000014165438,0.00006205075,0.00021849968,0.0000058483197,0.000033637236,0.00047529183,0.998708,0.0000039484407],"about_ca_topic_score_codex":0.010940181,"about_ca_topic_score_gemma":0.022644814,"teacher_disagreement_score":0.20313312,"about_ca_system_score_codex":0.0026196411,"about_ca_system_score_gemma":0.0026020873,"threshold_uncertainty_score":0.679548},"labels":[],"label_agreement":null},{"id":"W4256683469","doi":"10.1017/rqx.2019.167","title":": <i>Murder in Renaissance Italy</i>","year":2019,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Yersinia bacterium, plague, ectoparasites research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"The Renaissance; History; Classics; Art; Art history","score_opus":0.007096433908664314,"score_gpt":0.258800974009112,"score_spread":0.2517045401004477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256683469","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82863766,0.038153995,0.00022134415,0.084353596,0.0037445042,0.00008162093,0.003964703,0.00009168079,0.040750917],"genre_scores_gemma":[0.95710224,0.010785893,0.00012257806,0.0043432675,0.002774742,0.000039671817,0.0015466294,0.000026412212,0.023258623],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9997204,0.000075097625,0.000017710074,0.000036223213,0.00003854625,0.000111958114],"domain_scores_gemma":[0.9995372,0.000058847236,0.00018116097,0.000018166676,0.00006424279,0.0001404545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005520549,0.00021204868,0.00017297681,0.0013228726,0.0011192114,0.00089495705,0.00054952136,0.0015803756,0.011755724],"category_scores_gemma":[0.0012655135,0.00012661057,0.00016448113,0.001281521,0.0010557872,0.0005718365,0.001164439,0.0010209194,0.00079502433],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044291007,0.00020129049,0.4214242,0.00095172087,0.00009076426,0.0082415,0.052684274,0.00022001177,0.0010232484,0.0047576735,0.41866076,0.0913017],"study_design_scores_gemma":[0.000011333933,0.000096478,0.88514215,0.00023139433,0.000013938171,0.002047425,0.013768637,0.000041491465,0.00009072756,0.00019970814,0.09834417,0.000012559515],"about_ca_topic_score_codex":0.12675962,"about_ca_topic_score_gemma":0.22513922,"teacher_disagreement_score":0.12675962,"about_ca_system_score_codex":0.0025202527,"about_ca_system_score_gemma":0.0012921478,"threshold_uncertainty_score":0.2520436},"labels":[],"label_agreement":null},{"id":"W4285111632","doi":"10.1017/rqx.2022.209","title":": <i>Shakespeare's Domestic Tragedies: Violence in the Early Modern Home</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Media studies; History; Sociology","score_opus":0.02314117106697915,"score_gpt":0.2161667249628109,"score_spread":0.19302555389583173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285111632","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036819324,0.10829997,0.0013848272,0.5149676,0.011231432,0.00002683526,0.0009469458,0.000085799395,0.3262372],"genre_scores_gemma":[0.62687176,0.08052819,0.0006982533,0.058964986,0.008147643,0.0000626172,0.00059279316,0.00022956202,0.22390428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999546,0.000232772,0.000014674243,0.000056223966,0.00007090836,0.00007945322],"domain_scores_gemma":[0.9993579,0.00031473505,0.00008185929,0.00003923552,0.00010098696,0.00010525184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088680186,0.00042957705,0.00025134924,0.0009963504,0.005908542,0.004750772,0.00056958233,0.002916331,0.011486775],"category_scores_gemma":[0.0022068762,0.00019563123,0.00017218415,0.001835825,0.00701922,0.006016169,0.001998463,0.0036386289,0.0016311939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020121628,0.000009857319,0.0014322605,0.00016838976,0.0000074300233,0.00036799966,0.07653701,0.00004819513,0.000058706042,0.1806882,0.72406906,0.016592782],"study_design_scores_gemma":[0.000004980445,0.000013252339,0.008818373,0.0011040558,0.000009679358,0.0010050931,0.0703003,0.000070891685,0.00020340632,0.03017092,0.88827085,0.000028147662],"about_ca_topic_score_codex":0.050737616,"about_ca_topic_score_gemma":0.102852724,"teacher_disagreement_score":0.050737616,"about_ca_system_score_codex":0.003000258,"about_ca_system_score_gemma":0.0019398282,"threshold_uncertainty_score":0.10088462},"labels":[],"label_agreement":null},{"id":"W4285161540","doi":"10.1017/rqx.2022.197","title":": <i>Port-Royal et la littérature (Tome III): De Cassien à Pascal</i>","year":2022,"lang":"fr","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Champion; Art; Humanities; History; Archaeology","score_opus":0.012824102821088633,"score_gpt":0.27224245895454546,"score_spread":0.2594183561334568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285161540","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008842932,0.34670275,0.0021746403,0.12188806,0.05699911,0.00005269648,0.0015503069,0.0005378394,0.46125168],"genre_scores_gemma":[0.124677725,0.08436323,0.0020684542,0.013072677,0.01817193,0.000114743874,0.00073729164,0.0013823112,0.7554116],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919266,0.0002629721,0.00003876509,0.0001362152,0.00029336294,0.00007606314],"domain_scores_gemma":[0.9991811,0.00038838375,0.000088627094,0.00006561825,0.0001826479,0.000093711584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010887681,0.00063620426,0.00036199894,0.0015573981,0.0027873246,0.0034611777,0.00058977597,0.001827555,0.067972586],"category_scores_gemma":[0.0041717873,0.00029183042,0.00031853843,0.002112996,0.001843168,0.0023688292,0.001381591,0.002696216,0.015716657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040802657,0.00001450682,0.00030825246,0.0003489938,0.00001039742,0.0002115598,0.0024608455,0.00004546494,0.00039695317,0.05656119,0.8948214,0.044779662],"study_design_scores_gemma":[0.0000019138258,0.0000029027035,0.0006301022,0.00012572885,0.0000014920591,0.00016419274,0.00022818829,0.000012122635,0.00015379139,0.000589173,0.9980854,0.0000049611426],"about_ca_topic_score_codex":0.05298748,"about_ca_topic_score_gemma":0.057471745,"teacher_disagreement_score":0.067972586,"about_ca_system_score_codex":0.0034519862,"about_ca_system_score_gemma":0.0023993738,"threshold_uncertainty_score":0.22739094},"labels":[],"label_agreement":null},{"id":"W4285204803","doi":"10.1017/rqx.2022.207","title":": <i>Typographies of Performance in Early Modern England</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Media studies; History; Art; Sociology","score_opus":0.014780783954194875,"score_gpt":0.19068740517296304,"score_spread":0.17590662121876816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285204803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47548792,0.009844941,0.0018130846,0.010037844,0.00030607957,0.00009824407,0.007842672,0.00015547131,0.4944138],"genre_scores_gemma":[0.9183742,0.003659839,0.00038080738,0.00024917538,0.000062274186,0.00011633852,0.0012802272,0.00013566785,0.07574141],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990508,0.00037629384,0.000087912005,0.000084163,0.00019864118,0.00020222913],"domain_scores_gemma":[0.9965082,0.002069989,0.00038519362,0.0002311788,0.00059451774,0.00021080187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013231579,0.00030731532,0.00026211934,0.006156317,0.0045479247,0.0037779107,0.00070255896,0.00059380574,0.036611665],"category_scores_gemma":[0.0052653938,0.00019901834,0.00012727875,0.017233213,0.0061059976,0.0038480016,0.0025260432,0.0006468842,0.0021982756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059657817,0.0000126083005,0.0087411655,0.0004659852,0.000007028655,0.00035741512,0.85120624,0.00011042108,0.0002951287,0.07085312,0.046409216,0.021481948],"study_design_scores_gemma":[0.0000061882065,0.000017161536,0.06590402,0.0010454642,0.000008251261,0.00021892624,0.6493606,0.000063181375,0.0002660355,0.0033253978,0.27976653,0.000018270675],"about_ca_topic_score_codex":0.20201284,"about_ca_topic_score_gemma":0.2897003,"teacher_disagreement_score":0.20201284,"about_ca_system_score_codex":0.00733593,"about_ca_system_score_gemma":0.002420833,"threshold_uncertainty_score":0.40167397},"labels":[],"label_agreement":null},{"id":"W4285240912","doi":"10.1017/rqx.2022.204","title":": <i>Poems and Meditations</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History; Art; Art history; Literature","score_opus":0.022715871808028264,"score_gpt":0.21534594984192168,"score_spread":0.19263007803389343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285240912","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035333259,0.7484083,0.00066536275,0.028813656,0.01907943,0.000021198506,0.00040128705,0.00014122375,0.19893609],"genre_scores_gemma":[0.16081758,0.3951609,0.0018685288,0.011483656,0.021654215,0.000082361934,0.0009861989,0.00037815486,0.40756845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956125,0.00022838518,0.000018973826,0.000043366046,0.00009427118,0.00005373818],"domain_scores_gemma":[0.9995567,0.00016156418,0.000061067876,0.000040406034,0.00009277187,0.00008739923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057854486,0.0009538234,0.00036481518,0.0013258732,0.0018789825,0.0037999917,0.000561338,0.0008285081,0.027224187],"category_scores_gemma":[0.0020264226,0.0002667669,0.00022549868,0.0022513813,0.0027758847,0.0041697156,0.0016633889,0.0015289051,0.008262618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007391368,0.000026263659,0.00033251374,0.0005669108,0.00001220889,0.00010284158,0.008988962,0.00003803379,0.00037271928,0.032433894,0.8466751,0.11037672],"study_design_scores_gemma":[0.0000039849233,0.0000116976835,0.0015920302,0.0004718595,0.0000037564278,0.00014524201,0.0028118559,0.000011579045,0.00011814365,0.002420871,0.9924039,0.000005120638],"about_ca_topic_score_codex":0.0058920826,"about_ca_topic_score_gemma":0.012521504,"teacher_disagreement_score":0.027224187,"about_ca_system_score_codex":0.000999385,"about_ca_system_score_gemma":0.0008285235,"threshold_uncertainty_score":0.09107399},"labels":[],"label_agreement":null},{"id":"W4285258499","doi":"10.1017/rqx.2022.190","title":": <i>Pan-Protestant Heroism in Early Modern Europe</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Protestantism; History; Religious studies; Economic history; Philosophy","score_opus":0.024618805885984706,"score_gpt":0.21782896401874846,"score_spread":0.19321015813276377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285258499","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8180584,0.013791844,0.00016252809,0.019838344,0.00026705122,0.0000061179835,0.00007425206,0.000011076167,0.14779039],"genre_scores_gemma":[0.99254733,0.0009408618,0.00001955351,0.0004142904,0.000037142865,0.0000016265735,0.0000111933105,0.000002554887,0.0060253553],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977607,0.00010512973,0.0000058498576,0.000018797382,0.000016091784,0.00007814359],"domain_scores_gemma":[0.99984396,0.000046583293,0.00003591167,0.000010028839,0.000016940257,0.00004665785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000667491,0.000079993966,0.00010085835,0.0004277356,0.0022239983,0.0023457522,0.00016655587,0.00065833755,0.0035910695],"category_scores_gemma":[0.000639143,0.000050561903,0.00004823995,0.00079030794,0.0030992976,0.0012949833,0.0012197149,0.0007061186,0.00015097614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022041028,0.00010983686,0.024555508,0.00027197006,0.000021866728,0.0012581507,0.24069284,0.0002739653,0.00078321924,0.6406496,0.039816428,0.05134617],"study_design_scores_gemma":[0.000033597244,0.00011587307,0.27558652,0.0008783602,0.000020274458,0.0012554685,0.22670385,0.00024165782,0.0008735426,0.03310125,0.46116242,0.000027204635],"about_ca_topic_score_codex":0.009683541,"about_ca_topic_score_gemma":0.023024948,"teacher_disagreement_score":0.009683541,"about_ca_system_score_codex":0.0015631634,"about_ca_system_score_gemma":0.00091358286,"threshold_uncertainty_score":0.019254386},"labels":[],"label_agreement":null},{"id":"W4285281921","doi":"10.1017/rqx.2022.115","title":": <i>Il trattato “De interpretatione recta” di Leonardo Bruni</i>","year":2022,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; History","score_opus":0.02205860351841238,"score_gpt":0.24114632474616704,"score_spread":0.21908772122775466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285281921","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00089266844,0.39973795,0.002175768,0.35203215,0.04164748,0.000027521019,0.00031391333,0.00015099444,0.20302157],"genre_scores_gemma":[0.04787875,0.21763143,0.004409612,0.0968045,0.040639486,0.00017957336,0.00076530763,0.001006775,0.59068453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971155,0.0013864185,0.00009987941,0.0004233424,0.00070058845,0.00027426518],"domain_scores_gemma":[0.99835604,0.0006742293,0.00019901652,0.00016618973,0.00041984874,0.00018463262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027218019,0.0013127183,0.0008450671,0.0017030776,0.0033341201,0.007887166,0.0012920796,0.0036808776,0.03294995],"category_scores_gemma":[0.0047295317,0.00057844666,0.00046525564,0.0027856166,0.0059037376,0.011095754,0.0037889243,0.007593452,0.018614879],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026165399,0.000005373829,0.00013983501,0.0002315555,0.000003838968,0.00003821014,0.001905089,0.000018051172,0.000108281005,0.06469295,0.9038043,0.029026346],"study_design_scores_gemma":[0.0000016113836,0.0000020772982,0.00021205028,0.00024343656,0.0000013342006,0.00006304933,0.00056789495,0.000013404124,0.000052403695,0.004566166,0.9942713,0.000005314055],"about_ca_topic_score_codex":0.015938355,"about_ca_topic_score_gemma":0.027559297,"teacher_disagreement_score":0.03294995,"about_ca_system_score_codex":0.004323877,"about_ca_system_score_gemma":0.003881828,"threshold_uncertainty_score":0.1102286},"labels":[],"label_agreement":null},{"id":"W4285298256","doi":"10.1017/rqx.2022.173","title":": <i>Mapping an Atlantic World, circa 1500</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"History; Content (measure theory); Gerontology; Art; Art history; Environmental ethics; Medicine; Philosophy","score_opus":0.02658247763363669,"score_gpt":0.21684371863137655,"score_spread":0.19026124099773986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285298256","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14969583,0.022184363,0.005733328,0.055368103,0.005748132,0.00011617725,0.09634176,0.001313909,0.6634984],"genre_scores_gemma":[0.6592273,0.023598606,0.028799465,0.005881259,0.0018014708,0.00019895833,0.06328209,0.0014846417,0.21572627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99994683,0.000006558363,0.0000036742872,0.00001057115,0.000024929908,0.000007426888],"domain_scores_gemma":[0.9998229,0.000022897202,0.000026290207,0.00001307396,0.00008795453,0.00002678277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002568041,0.00014862689,0.0000908749,0.0011599631,0.00072331046,0.0023088283,0.0002847345,0.00042606427,0.017652407],"category_scores_gemma":[0.0008354524,0.00008903813,0.00010051214,0.0041246517,0.00047365628,0.0012980032,0.0004923689,0.00041866358,0.0028245503],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052847325,0.000012655459,0.02452076,0.0007100018,0.000027625014,0.00030995207,0.0066967504,0.0003786582,0.002432742,0.015013111,0.75333744,0.19650747],"study_design_scores_gemma":[0.000004929421,0.000008600662,0.102206804,0.0003387554,0.000018408951,0.0001565997,0.0064072036,0.00014519614,0.0006448385,0.001833151,0.8882218,0.00001381046],"about_ca_topic_score_codex":0.2436633,"about_ca_topic_score_gemma":0.5859588,"teacher_disagreement_score":0.2436633,"about_ca_system_score_codex":0.0011712427,"about_ca_system_score_gemma":0.0018553487,"threshold_uncertainty_score":0.48449004},"labels":[],"label_agreement":null},{"id":"W4312358335","doi":"10.1017/rqx.2022.305","title":": <i>Iberian Chivalric Romance: Translations and Cultural Transmission in Early Modern England</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; History; Media studies; Humanities; Classics; Art; Sociology; Literature","score_opus":0.014360683315213433,"score_gpt":0.2580051000247117,"score_spread":0.2436444167094983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312358335","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014805558,0.893404,0.00016370021,0.026881676,0.0021549398,0.0000069681982,0.00017523186,0.000027021935,0.062380977],"genre_scores_gemma":[0.464728,0.43420842,0.00061676017,0.005007317,0.004089321,0.00005242461,0.0005123386,0.00013170863,0.090653725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996113,0.00022656759,0.000017226092,0.00003619178,0.000049775517,0.000058843234],"domain_scores_gemma":[0.9997038,0.00011641021,0.00004427578,0.00002362384,0.00007849383,0.000033276086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008234262,0.00067693193,0.00041974074,0.0011892403,0.0020909668,0.004153156,0.00055470853,0.00076209335,0.00978341],"category_scores_gemma":[0.0012041046,0.00023628738,0.00012809501,0.003382116,0.0041048247,0.003294991,0.0013262604,0.0012777646,0.0020481378],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024115697,0.000048266458,0.0048099733,0.0018269549,0.000045819867,0.00069726777,0.13320942,0.0001755348,0.00048564665,0.12146631,0.5186668,0.21832676],"study_design_scores_gemma":[0.000014775805,0.00002161672,0.02028911,0.0017411839,0.000016309532,0.00043135462,0.031922333,0.0000549652,0.00027298782,0.0052143713,0.9400019,0.000018967588],"about_ca_topic_score_codex":0.06413817,"about_ca_topic_score_gemma":0.089610174,"teacher_disagreement_score":0.06413817,"about_ca_system_score_codex":0.004019106,"about_ca_system_score_gemma":0.0020587447,"threshold_uncertainty_score":0.12752968},"labels":[],"label_agreement":null},{"id":"W4312358391","doi":"10.1017/rqx.2022.217","title":": <i>Amorous Hope, A Pastoral Play: A Bilingual Edition</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Psychology","score_opus":0.017358290279076906,"score_gpt":0.21273720664800308,"score_spread":0.19537891636892618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312358391","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002511916,0.6826619,0.0008449116,0.061648905,0.023411116,0.00003794573,0.0005931371,0.0001429211,0.22814733],"genre_scores_gemma":[0.05965213,0.2886867,0.0018325604,0.018261869,0.0112806335,0.00014723274,0.0008768441,0.0005362479,0.61872584],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947053,0.00022659337,0.000026808182,0.00005774448,0.00014286826,0.00007551222],"domain_scores_gemma":[0.9995436,0.0001332152,0.000032187912,0.000018797438,0.000115734845,0.00015642477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094887574,0.0013498527,0.0006282146,0.0014427375,0.0041537657,0.005583639,0.0009353279,0.0016293654,0.039853863],"category_scores_gemma":[0.00092565734,0.0004179687,0.0002444378,0.002420657,0.002910542,0.0051335436,0.0024026062,0.0026115295,0.012130137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053865162,0.00002924278,0.0001763034,0.0004467336,0.0000033870897,0.00010313425,0.0063663786,0.000017889462,0.00016610225,0.011840119,0.9351232,0.04567356],"study_design_scores_gemma":[0.000003993201,0.0000065593217,0.00043129682,0.00039131547,0.0000019734553,0.000139692,0.0046098824,0.000012263651,0.000067805646,0.00076482474,0.9935649,0.000005556863],"about_ca_topic_score_codex":0.034798063,"about_ca_topic_score_gemma":0.1028683,"teacher_disagreement_score":0.039853863,"about_ca_system_score_codex":0.0036632386,"about_ca_system_score_gemma":0.0056829937,"threshold_uncertainty_score":0.1333245},"labels":[],"label_agreement":null},{"id":"W4312475409","doi":"10.1017/rqx.2022.226","title":": <i>The Republic of Venice: “De magistratibus et republica Venetorum.”</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021915367890407617,"score_gpt":0.24860738401455454,"score_spread":0.2266920161241469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312475409","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018904814,0.740419,0.00021309659,0.04182428,0.016525276,0.000016008755,0.00086224155,0.00007849395,0.19817115],"genre_scores_gemma":[0.067831665,0.25432003,0.00082291715,0.020618245,0.00756926,0.00007110519,0.0021911582,0.0003704575,0.64620507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962974,0.00008381797,0.000012569764,0.00005427469,0.00009844894,0.000121199395],"domain_scores_gemma":[0.999835,0.000032647087,0.000030946714,0.000012328186,0.000037507183,0.000051422587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040494176,0.00092398934,0.0004268462,0.0014743255,0.0018759632,0.005069624,0.00094791665,0.0015871729,0.051822804],"category_scores_gemma":[0.0007148733,0.00033276412,0.00030824784,0.0032973285,0.0017967664,0.00364825,0.0018760248,0.002376554,0.01331663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003342619,0.000008006708,0.00046111314,0.00043081056,0.000005306079,0.000057706384,0.0014176802,0.000035907367,0.00012839452,0.015986897,0.92662925,0.054805476],"study_design_scores_gemma":[0.0000016312946,0.0000024441058,0.0013168696,0.00035786175,0.0000016187079,0.000058268262,0.00073726336,0.000006210618,0.00005404244,0.00067569007,0.9967847,0.000003385738],"about_ca_topic_score_codex":0.073060945,"about_ca_topic_score_gemma":0.19351444,"teacher_disagreement_score":0.073060945,"about_ca_system_score_codex":0.003876083,"about_ca_system_score_gemma":0.0043123043,"threshold_uncertainty_score":0.17336458},"labels":[],"label_agreement":null},{"id":"W4312631251","doi":"10.1017/rqx.2022.218","title":": <i>Dialogues, Volume 2: Actius</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"The Renaissance; Volume (thermodynamics); Art; Art history; Classics; Humanities; History; Physics; Thermodynamics","score_opus":0.0367569009678312,"score_gpt":0.21672700530004335,"score_spread":0.17997010433221217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312631251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002395276,0.3019138,0.0049013603,0.058527842,0.034565784,0.00006847221,0.0014190268,0.000980553,0.59522784],"genre_scores_gemma":[0.06986991,0.08382892,0.0041041,0.016316874,0.018474063,0.00029782884,0.0020714647,0.002410314,0.8026264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997698,0.0012749139,0.000095784286,0.00024022846,0.00050349557,0.0001876197],"domain_scores_gemma":[0.99838924,0.00075374433,0.00016578558,0.00016904571,0.00028399445,0.00023820883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019626962,0.0014897012,0.00076557527,0.0026638107,0.0039323596,0.011136161,0.0010545407,0.002624627,0.08843414],"category_scores_gemma":[0.0052457373,0.00053016027,0.00057469826,0.0037612717,0.0045481427,0.009970664,0.0039323694,0.0040360396,0.045248955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004826857,0.000014998322,0.000121154866,0.0004339101,0.000005137885,0.000049713275,0.0039272457,0.000040242685,0.00021145873,0.04033842,0.91317517,0.041634265],"study_design_scores_gemma":[0.0000021108076,0.0000032342991,0.00026079966,0.00026737014,0.000001525617,0.00007505824,0.00091617636,0.000019446907,0.00007812038,0.002454934,0.99591583,0.000005327009],"about_ca_topic_score_codex":0.005805969,"about_ca_topic_score_gemma":0.008101237,"teacher_disagreement_score":0.08843414,"about_ca_system_score_codex":0.0033528446,"about_ca_system_score_gemma":0.0032560502,"threshold_uncertainty_score":0.29584163},"labels":[],"label_agreement":null},{"id":"W4312730692","doi":"10.1017/rqx.2022.275","title":": <i>Supernatural Encounters: Demons and the Restless Dead in Medieval England, c. 1050–1450</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"History; Medieval history; Classics; Art; Religious studies; Theology; Philosophy","score_opus":0.013245521381082854,"score_gpt":0.20915665199601857,"score_spread":0.19591113061493573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312730692","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034067596,0.8582951,0.00011085129,0.055176225,0.010783479,0.00001894506,0.00032747976,0.000027314703,0.071853876],"genre_scores_gemma":[0.1506845,0.43746918,0.00043997465,0.03186811,0.016480075,0.00017801947,0.00065491546,0.00016351914,0.36206168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942267,0.0002107183,0.000041706964,0.00007873547,0.000130898,0.00011524803],"domain_scores_gemma":[0.9990808,0.0004362082,0.00014162499,0.00003362464,0.00013967925,0.00016809211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010946165,0.001179684,0.0005176239,0.001483226,0.0058967574,0.0035061,0.0011012485,0.0037096152,0.0212874],"category_scores_gemma":[0.0019122954,0.00054533436,0.00023432299,0.0026435868,0.0069212783,0.0059807273,0.0032537624,0.0038128835,0.0040560733],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007964767,0.000017116416,0.0006133451,0.0010626427,0.000009684167,0.00039031266,0.050755974,0.000044127042,0.00020328737,0.03287392,0.88715905,0.026790831],"study_design_scores_gemma":[0.000006502325,0.000012392574,0.004969966,0.0011035235,0.000005759027,0.00026392206,0.011756199,0.000007228648,0.00007437274,0.0015423418,0.9802423,0.000015565263],"about_ca_topic_score_codex":0.13297936,"about_ca_topic_score_gemma":0.32222718,"teacher_disagreement_score":0.13297936,"about_ca_system_score_codex":0.0064070895,"about_ca_system_score_gemma":0.0030470786,"threshold_uncertainty_score":0.26441067},"labels":[],"label_agreement":null},{"id":"W4313007958","doi":"10.1017/rqx.2022.298","title":": <i>The Written World: Space, Literature, and the Chorological Imagination in Early Modern France</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Space (punctuation); Art history; Philosophy; Humanities; Art; Linguistics","score_opus":0.007712450906593401,"score_gpt":0.19900307990613952,"score_spread":0.19129062899954613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313007958","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19507606,0.07375778,0.0025070258,0.1503685,0.001732197,0.000017466711,0.0003188484,0.0001515211,0.57607055],"genre_scores_gemma":[0.9504416,0.005624352,0.0002999736,0.0021330328,0.00061484694,0.000010015801,0.00006215908,0.000048340065,0.040765624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990594,0.00070887903,0.0000169725,0.00006922248,0.00007439275,0.000071103],"domain_scores_gemma":[0.9991972,0.00048720918,0.00011342346,0.00004080216,0.00009339004,0.00006804749],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013087036,0.00027611287,0.00011917599,0.0012295305,0.0034670199,0.0072759707,0.00036534353,0.0014981618,0.00892768],"category_scores_gemma":[0.0020514305,0.00009568936,0.00017077262,0.0016306333,0.009976366,0.0044711553,0.0012492947,0.0012996973,0.00067687256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050862935,0.000017871076,0.0020371121,0.00016885748,0.000009373893,0.00032525448,0.23766883,0.00019309967,0.00028298673,0.6717687,0.062033862,0.025443101],"study_design_scores_gemma":[0.000010201951,0.000041442647,0.01108874,0.00056514994,0.000015393105,0.00050600176,0.16715641,0.00019549263,0.00050022785,0.051410984,0.76847607,0.000033788972],"about_ca_topic_score_codex":0.05704437,"about_ca_topic_score_gemma":0.054277603,"teacher_disagreement_score":0.05704437,"about_ca_system_score_codex":0.0037294042,"about_ca_system_score_gemma":0.0016685867,"threshold_uncertainty_score":0.11342466},"labels":[],"label_agreement":null},{"id":"W4313043914","doi":"10.1017/rqx.2022.260","title":": <i>Social Mobility in Medieval Italy (1100–1500)</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Eurasian Exchange Networks","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"History","score_opus":0.02707845647395659,"score_gpt":0.316726192993829,"score_spread":0.2896477365198724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313043914","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9059947,0.00632263,0.00011871539,0.016311698,0.0005754989,0.000020722593,0.0082390355,0.0000417322,0.06237523],"genre_scores_gemma":[0.9728463,0.002444457,0.00014443535,0.0007305391,0.0004566631,0.000038234673,0.0033321348,0.000028636969,0.019978449],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999316,0.000010772432,0.000004398305,0.000013361451,0.0000074654617,0.000032388336],"domain_scores_gemma":[0.99981743,0.000029682269,0.00006274736,0.000010549771,0.000020233752,0.00005942807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026076235,0.00011976863,0.00009829201,0.00090988615,0.000807462,0.00094919855,0.0002931,0.00045563525,0.008218014],"category_scores_gemma":[0.0005921309,0.00006645004,0.00009147141,0.0019992325,0.000546927,0.0008220251,0.00083740946,0.0004917303,0.00087345834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005745779,0.00011299972,0.33254698,0.00074488414,0.00007436133,0.00089252146,0.14419204,0.00026872777,0.001165511,0.034331743,0.36605966,0.11903604],"study_design_scores_gemma":[0.000005258039,0.000013880754,0.91309196,0.000116791554,0.000007708611,0.00016000611,0.0071742577,0.000027735348,0.00005958193,0.00024015846,0.07909726,0.000005370787],"about_ca_topic_score_codex":0.080260955,"about_ca_topic_score_gemma":0.1555726,"teacher_disagreement_score":0.080260955,"about_ca_system_score_codex":0.0009794282,"about_ca_system_score_gemma":0.00060014473,"threshold_uncertainty_score":0.15958756},"labels":[],"label_agreement":null},{"id":"W4313064487","doi":"10.1017/rqx.2022.249","title":": <i>Cities of Strangers: Making Lives in Medieval Europe</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History","score_opus":0.024870785120198656,"score_gpt":0.22985371838928217,"score_spread":0.2049829332690835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313064487","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45069173,0.04993561,0.0006877551,0.1967528,0.00373311,0.00002208009,0.0012555255,0.00009006945,0.29683137],"genre_scores_gemma":[0.96209663,0.010277102,0.00014457165,0.004833485,0.00052001857,0.0000119086,0.00018988765,0.00004701152,0.021879457],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999671,0.00018520227,0.00000940211,0.00003701838,0.000032159885,0.000065176246],"domain_scores_gemma":[0.99955875,0.00015594409,0.00006791874,0.000027693652,0.000042225358,0.00014754567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092727406,0.00021703311,0.00017487185,0.00064794824,0.0072819144,0.006425198,0.00048404376,0.0013440524,0.009258211],"category_scores_gemma":[0.0012787057,0.00016609357,0.00013228723,0.0017368103,0.00649835,0.0056943507,0.0027248142,0.0018913839,0.0006432866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108233624,0.000025096944,0.011953428,0.0003021779,0.000035839555,0.00048052662,0.61303186,0.00012244679,0.00023348094,0.14175625,0.20113271,0.030817974],"study_design_scores_gemma":[0.000007789374,0.000021502065,0.040119346,0.0005007561,0.000021576816,0.0003335572,0.5512772,0.000049878265,0.00029069814,0.006148481,0.40120596,0.000023183782],"about_ca_topic_score_codex":0.04129661,"about_ca_topic_score_gemma":0.102561355,"teacher_disagreement_score":0.04129661,"about_ca_system_score_codex":0.0021910572,"about_ca_system_score_gemma":0.0011344645,"threshold_uncertainty_score":0.08211243},"labels":[],"label_agreement":null},{"id":"W4320148685","doi":"10.1017/rqx.2022.360","title":": <i>A Cultural History of Memory in the Early Modern Age</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Cultural history; History; Cultural memory; Anthropology; Sociology; Economic history","score_opus":0.02802039254787386,"score_gpt":0.2080637602630029,"score_spread":0.18004336771512905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320148685","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11905055,0.13109739,0.0009327318,0.077678144,0.001830554,0.000018181818,0.00025520072,0.000061465435,0.6690757],"genre_scores_gemma":[0.94339776,0.017452033,0.00030734565,0.002669592,0.0012457605,0.000011837636,0.00005617415,0.000024192572,0.03483538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975306,0.000106020365,0.000011142242,0.000028958772,0.00003642164,0.000064375476],"domain_scores_gemma":[0.99964094,0.00014028004,0.00007160507,0.00004099209,0.0000472114,0.000058938604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005291215,0.00017714771,0.00011507286,0.0010814484,0.0023282643,0.0039522583,0.00036376083,0.0008147609,0.00856264],"category_scores_gemma":[0.0008780462,0.00010012881,0.000095374984,0.00141713,0.009626385,0.002868776,0.00097002776,0.0011176207,0.00070725166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012293493,0.000052471998,0.0055544362,0.0006432962,0.00001417277,0.0008896035,0.148712,0.00012508994,0.0004191849,0.61738986,0.10451377,0.12156323],"study_design_scores_gemma":[0.0000152085795,0.000049492257,0.03080606,0.0010747287,0.000010983746,0.001470054,0.040220562,0.000046509016,0.00039662418,0.028927421,0.89696044,0.000022012717],"about_ca_topic_score_codex":0.009656071,"about_ca_topic_score_gemma":0.026494117,"teacher_disagreement_score":0.009656071,"about_ca_system_score_codex":0.0027043112,"about_ca_system_score_gemma":0.0010478497,"threshold_uncertainty_score":0.02864492},"labels":[],"label_agreement":null},{"id":"W4320148903","doi":"10.1017/rqx.2022.423","title":": <i>Reading the Early Modern English Diary</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Reading (process); Content (measure theory); Action (physics); History; Linguistics; Philosophy; Mathematics; Physics; Quantum mechanics","score_opus":0.013283019703249155,"score_gpt":0.2437905740480891,"score_spread":0.23050755434483994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320148903","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048922736,0.0072463294,0.0038892857,0.15635088,0.02319671,0.00029676646,0.01963137,0.0013546546,0.73911124],"genre_scores_gemma":[0.22160503,0.005916542,0.0026782597,0.027813599,0.0051240134,0.0005248383,0.00629356,0.0015695683,0.72847456],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9997099,0.00011182259,0.000014108098,0.000031268828,0.00008425725,0.000048716385],"domain_scores_gemma":[0.9991604,0.00019210888,0.00006609105,0.000068047964,0.00036065464,0.00015264374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007817146,0.00032550565,0.00019610822,0.0006935245,0.002723024,0.0030095964,0.00047897227,0.0008936453,0.069214754],"category_scores_gemma":[0.0046890364,0.00016759026,0.00013140967,0.002174156,0.0011611123,0.0041113133,0.0014581139,0.0022806332,0.031530328],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028964141,0.000011710945,0.00058037107,0.00015326386,0.0000018599088,0.000061509425,0.030944744,0.0000091154325,0.0005033969,0.004167519,0.94665414,0.01688345],"study_design_scores_gemma":[0.0000026895796,0.000009558148,0.003556306,0.00017506335,0.000001843929,0.00005310475,0.016986797,0.000014861424,0.00034408318,0.00038358945,0.9784606,0.000011535168],"about_ca_topic_score_codex":0.0102536,"about_ca_topic_score_gemma":0.02562405,"teacher_disagreement_score":0.069214754,"about_ca_system_score_codex":0.0010637287,"about_ca_system_score_gemma":0.00090391986,"threshold_uncertainty_score":0.23154646},"labels":[],"label_agreement":null},{"id":"W4320148940","doi":"10.1017/rqx.2022.389","title":": <i>England's Islands in a Sea of Troubles</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Island Studies and Pacific Affairs","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Content (measure theory); History; Action (physics); Media studies; Sociology; Physics; Mathematics","score_opus":0.014023075728196012,"score_gpt":0.26403843531351834,"score_spread":0.25001535958532234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320148940","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.097319156,0.03306217,0.00038937322,0.36437878,0.008969936,0.000037975224,0.0023344844,0.00017021767,0.49333784],"genre_scores_gemma":[0.45927858,0.014238026,0.00040489432,0.03043212,0.0015590369,0.0000492977,0.00080284424,0.00016828705,0.49306694],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.999874,0.000041910567,0.00000675909,0.000011886229,0.000020817499,0.000044525757],"domain_scores_gemma":[0.9997571,0.00004870196,0.000032450047,0.000015818421,0.000054420987,0.000091489645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025097278,0.00016714181,0.00014686477,0.00029181986,0.003940433,0.0032808038,0.00035318278,0.0015050898,0.038023997],"category_scores_gemma":[0.0009967345,0.00014165441,0.00008405469,0.00079482736,0.0017666322,0.0029423202,0.0016599149,0.0016202034,0.0032549223],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038262606,0.0000057487937,0.0034627584,0.0003309766,0.0000073254387,0.0011615369,0.06009799,0.00004103178,0.00028498544,0.02062497,0.8999869,0.013957492],"study_design_scores_gemma":[0.000003633255,0.000008710191,0.017994054,0.00036482475,0.0000046304717,0.00035875855,0.0933678,0.00001425618,0.000089711204,0.0011213387,0.8866622,0.000010106389],"about_ca_topic_score_codex":0.19971223,"about_ca_topic_score_gemma":0.5190419,"teacher_disagreement_score":0.19971223,"about_ca_system_score_codex":0.0021820373,"about_ca_system_score_gemma":0.002097032,"threshold_uncertainty_score":0.39709955},"labels":[],"label_agreement":null},{"id":"W4320148955","doi":"10.1017/rqx.2022.375","title":": <i>Women's Labour and the History of the Book in Early Modern England</i>","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Content (measure theory); History; Action (physics); Media studies; Art; Art history; Sociology; Mathematics; Physics","score_opus":0.009498888765040738,"score_gpt":0.21661538687068077,"score_spread":0.20711649810564003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320148955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032661073,0.21180661,0.0005837293,0.11129102,0.004745668,0.00002188578,0.00021688124,0.000051184805,0.63862205],"genre_scores_gemma":[0.35768723,0.0386778,0.00023601648,0.0067012203,0.0017489123,0.00003464488,0.000068389534,0.00006730737,0.59477854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99930227,0.00035051466,0.00001803573,0.00004029694,0.00011225987,0.00017666836],"domain_scores_gemma":[0.9992428,0.0004271346,0.000086713015,0.000034849145,0.00010529434,0.00010319053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001008089,0.00028871984,0.00028578183,0.000878671,0.0052911127,0.005100752,0.000495145,0.0011862348,0.017533345],"category_scores_gemma":[0.0018291614,0.00020715002,0.00014500928,0.002189371,0.00954183,0.0030679111,0.0013145261,0.001960311,0.00208848],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006508721,0.000020780873,0.0018193402,0.00042766304,0.0000056499557,0.0003823389,0.13131845,0.000081793194,0.00012552351,0.47142127,0.36124066,0.033091515],"study_design_scores_gemma":[0.0000062032686,0.000014634326,0.002956562,0.00046918335,0.0000028464517,0.00015909752,0.027515253,0.00001794426,0.000071415765,0.010117499,0.9586601,0.000009229165],"about_ca_topic_score_codex":0.09704318,"about_ca_topic_score_gemma":0.23174708,"teacher_disagreement_score":0.09704318,"about_ca_system_score_codex":0.009729124,"about_ca_system_score_gemma":0.004885371,"threshold_uncertainty_score":0.19295669},"labels":[],"label_agreement":null},{"id":"W4320148968","doi":"10.1017/rqx.2022.329","title":"Slavery and White Womanhood in Early Modern England","year":2022,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"White (mutation); Constitution; Race (biology); Gender studies; History; Sociology; Literature; Art; Law; Political science","score_opus":0.011282404416137426,"score_gpt":0.18977753924217713,"score_spread":0.1784951348260397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320148968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82936335,0.0123954695,0.0005317462,0.011539275,0.00044277124,0.000019017281,0.000040615683,0.000008696697,0.14565909],"genre_scores_gemma":[0.9377024,0.0024880734,0.00008979193,0.0010481955,0.00011763575,0.000016286058,0.000012441428,0.000012765531,0.058512393],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998868,0.0005654679,0.000035478668,0.000117394295,0.00014418662,0.00026949428],"domain_scores_gemma":[0.99909854,0.0004951996,0.00017922014,0.000033371583,0.000069196874,0.0001244373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012750833,0.00023324502,0.00031432795,0.00096886355,0.008785746,0.0036330253,0.0003689023,0.0011376586,0.0063468856],"category_scores_gemma":[0.0020442682,0.00028484905,0.000085820175,0.0009471506,0.014115405,0.0029419272,0.0040707313,0.0018902034,0.00037185874],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024048999,0.000029061326,0.0024787814,0.00006524123,0.0000024461272,0.0011301463,0.8358157,0.000018045637,0.00034149666,0.15248801,0.0015575447,0.006049448],"study_design_scores_gemma":[0.000026262609,0.00010839263,0.024653435,0.00046483797,0.000008683446,0.0009741523,0.4159581,0.00006589863,0.00043494385,0.017175864,0.5400932,0.000036190697],"about_ca_topic_score_codex":0.06694624,"about_ca_topic_score_gemma":0.16941097,"teacher_disagreement_score":0.06694624,"about_ca_system_score_codex":0.005496774,"about_ca_system_score_gemma":0.0029958214,"threshold_uncertainty_score":0.13311315},"labels":[],"label_agreement":null},{"id":"W4366185426","doi":"10.1017/rqx.2022.445","title":"Katherine Parr's Giftbooks, Henry VIII's Marginalia, and the Display of Royal Power and Piety","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Piety; Marginalia; Power (physics); Character (mathematics); Loyalty; Politics; Art; Henry IV, Holy Roman Emperor; Queen (butterfly); Literature; Performance art; Humanities; Art history; Religious studies; Philosophy; Law; Theology; Political science","score_opus":0.010589960428492352,"score_gpt":0.20553494591264984,"score_spread":0.19494498548415748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366185426","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28741613,0.019520093,0.0018185467,0.0352093,0.00083768665,0.000032314332,0.00009646331,0.00014191052,0.6549277],"genre_scores_gemma":[0.9267986,0.002572228,0.00043082272,0.0011087058,0.0001774243,0.000021909864,0.0000138379355,0.000043852066,0.06883259],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999382,0.00033513794,0.000011089479,0.00005175792,0.00010851105,0.00011142532],"domain_scores_gemma":[0.99935526,0.00037021146,0.000090984155,0.00005127292,0.000038816237,0.000093436625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007435091,0.00026333044,0.00017789892,0.00050271174,0.0063741505,0.0039498787,0.00044741674,0.0007817854,0.004897554],"category_scores_gemma":[0.0018444967,0.00014755089,0.00007695786,0.00047621183,0.015170223,0.0029488448,0.0027864699,0.0019689184,0.0005013592],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008496638,0.000026103198,0.001072622,0.0001664629,0.0000040451814,0.0010528849,0.39122874,0.00004897034,0.0008753856,0.53186584,0.04512509,0.028448977],"study_design_scores_gemma":[0.0000091808415,0.000042698244,0.0026395842,0.00014391854,0.0000043597956,0.0009141057,0.08406721,0.000034885335,0.00047327575,0.0146528715,0.8970022,0.00001559425],"about_ca_topic_score_codex":0.010581028,"about_ca_topic_score_gemma":0.02447986,"teacher_disagreement_score":0.010581028,"about_ca_system_score_codex":0.0028001866,"about_ca_system_score_gemma":0.0015428293,"threshold_uncertainty_score":0.02103883},"labels":[],"label_agreement":null},{"id":"W4366186251","doi":"10.1017/rqx.2023.114","title":": <i>Paintings on Stone: Science and the Sacred 1530–1800</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Painting; Art; Art history","score_opus":0.017085215967775357,"score_gpt":0.2264792375280799,"score_spread":0.20939402156030457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366186251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023310669,0.040647563,0.0005434579,0.029753283,0.0041959183,0.000017879027,0.00072821253,0.000072044924,0.900731],"genre_scores_gemma":[0.43770638,0.02550426,0.00087541435,0.004780311,0.003387738,0.000037327678,0.00057251856,0.0002219361,0.5269141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998319,0.000044280358,0.000007283721,0.00002790102,0.00006162705,0.000026949398],"domain_scores_gemma":[0.9998691,0.000049455106,0.000017192486,0.000016393455,0.00002759825,0.000020226078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004797141,0.00025566053,0.00013831434,0.0008901928,0.002838126,0.0028097376,0.00026811782,0.0007524288,0.024878968],"category_scores_gemma":[0.0008716983,0.00008753664,0.00014048225,0.0020802775,0.003601539,0.0019592533,0.0011363481,0.0014590167,0.0026549438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005349059,0.000015298965,0.0015085634,0.000274511,0.00000914004,0.00019259521,0.05504253,0.000071137874,0.0006048343,0.43091917,0.46067777,0.050630905],"study_design_scores_gemma":[0.0000018166371,0.0000053646077,0.0037314226,0.00010722024,0.0000021377716,0.00010196643,0.004384493,0.000006205363,0.00015057667,0.0032896118,0.98821545,0.0000037128875],"about_ca_topic_score_codex":0.027022207,"about_ca_topic_score_gemma":0.090925306,"teacher_disagreement_score":0.027022207,"about_ca_system_score_codex":0.0021570667,"about_ca_system_score_gemma":0.0009473753,"threshold_uncertainty_score":0.08322847},"labels":[],"label_agreement":null},{"id":"W4366186919","doi":"10.1017/rqx.2023.102","title":": <i>Gabriele Zerbi: Über die Kautelen der Ärzte / “De cautelis medicorum” (ca. 1495): Edition und Übersetzung</i>","year":2023,"lang":"de","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Stuttgart; Philosophy; Humanities; Art","score_opus":0.024293449525662657,"score_gpt":0.2612685075116898,"score_spread":0.23697505798602714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366186919","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001458857,0.2029565,0.0011751078,0.26488936,0.13937964,0.00010782731,0.0022104937,0.0006674683,0.3871547],"genre_scores_gemma":[0.012940976,0.07369052,0.0010062399,0.045179214,0.02887578,0.00010274585,0.0010752906,0.0007479173,0.8363814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878246,0.00026564635,0.000097243515,0.00012942027,0.0005933879,0.00013184466],"domain_scores_gemma":[0.99755764,0.0011036922,0.0002441969,0.000100486475,0.0006609768,0.000333032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015181387,0.00093794044,0.0004913318,0.0027407412,0.0023401526,0.0053580864,0.00085695094,0.0023939677,0.103223026],"category_scores_gemma":[0.005904919,0.00036779584,0.00030113154,0.0027647757,0.0018663885,0.004487754,0.0018470567,0.003831191,0.06200164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073804244,0.0000025127924,0.00003997418,0.00009298912,9.490205e-7,0.000016157297,0.00031545447,0.0000052986506,0.000080929305,0.003144901,0.98653746,0.009756028],"study_design_scores_gemma":[0.0000017750752,0.0000030510037,0.00040088978,0.00019751058,9.4323354e-7,0.00005527956,0.00029109968,0.0000070939996,0.0000790755,0.0004804634,0.99847823,0.0000046010214],"about_ca_topic_score_codex":0.012948392,"about_ca_topic_score_gemma":0.029079195,"teacher_disagreement_score":0.103223026,"about_ca_system_score_codex":0.0024805486,"about_ca_system_score_gemma":0.0027925926,"threshold_uncertainty_score":0.3453154},"labels":[],"label_agreement":null},{"id":"W4366186947","doi":"10.1017/rqx.2023.164","title":": <i>Inspiration and Authority in the Middle Ages: Prophets and Their Critics from Scholasticism to Humanism</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Linguistic Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Scholasticism; Humanism; History; Middle Ages; Classics; Theology; Philosophy; Ancient history","score_opus":0.07681061600014782,"score_gpt":0.3102216990425878,"score_spread":0.23341108304243996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366186947","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14556937,0.042006,0.0014985572,0.24432972,0.0024662148,0.000019039382,0.00006797295,0.00006256661,0.5639807],"genre_scores_gemma":[0.9731164,0.0030452183,0.00020006618,0.004571362,0.0005687605,0.000008849561,0.000009378304,0.000029406434,0.018450605],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751663,0.0017826247,0.00004880697,0.00012423519,0.00028183658,0.00024597583],"domain_scores_gemma":[0.99785006,0.0013811238,0.00024083054,0.000115867246,0.00021796727,0.00019416885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043868534,0.00030353575,0.00024351802,0.00088767306,0.00827872,0.0069320174,0.0005419871,0.002691613,0.0044171116],"category_scores_gemma":[0.006559245,0.00015200606,0.00017504818,0.0011973007,0.029007427,0.0063036326,0.0026253911,0.0048638987,0.0004850557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035018405,0.000012235773,0.0007416102,0.000055733803,0.000004012795,0.0001653054,0.25061053,0.000029095025,0.00007628406,0.723867,0.018573463,0.005829687],"study_design_scores_gemma":[0.000050626288,0.00004681371,0.004659202,0.0007320163,0.000017874434,0.00051327184,0.18163668,0.00020383987,0.00063734775,0.22648588,0.58498573,0.000030713774],"about_ca_topic_score_codex":0.009878829,"about_ca_topic_score_gemma":0.01597966,"teacher_disagreement_score":0.009878829,"about_ca_system_score_codex":0.0034700525,"about_ca_system_score_gemma":0.0022986378,"threshold_uncertainty_score":0.025177062},"labels":[],"label_agreement":null},{"id":"W4366188149","doi":"10.1017/rqx.2023.191","title":": <i>Practical Cues and Social Spectacle in the Chester Plays</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Spectacle; Content (measure theory); Art history; Art; Media studies; Political science; Sociology; Law; Mathematics","score_opus":0.050013600464928455,"score_gpt":0.26626428189778184,"score_spread":0.2162506814328534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366188149","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05547831,0.00441244,0.0014784278,0.04399164,0.0030081994,0.000034480556,0.00035634902,0.00015502474,0.89108515],"genre_scores_gemma":[0.7973453,0.0019090921,0.0009257859,0.0051969443,0.0015600044,0.000044197997,0.00020133883,0.00025086573,0.19256648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962664,0.00018490746,0.000008951432,0.000039521496,0.00008147587,0.00005849316],"domain_scores_gemma":[0.9994585,0.0002846915,0.000062415435,0.000027638898,0.00006543964,0.00010139841],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056249835,0.00037305942,0.00015356649,0.000643774,0.0049275863,0.005677413,0.00045953732,0.001715756,0.04302893],"category_scores_gemma":[0.002783551,0.00016171379,0.00016604037,0.0006994308,0.0057230787,0.0041024904,0.002631192,0.0023422642,0.0036198911],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002928271,0.000046055236,0.001970302,0.00046533396,0.00001539735,0.0007953485,0.2991097,0.00016367044,0.0031979252,0.19908789,0.4566765,0.038179025],"study_design_scores_gemma":[0.000016576374,0.00007850332,0.011434094,0.0007211269,0.000013992745,0.00078594295,0.20208426,0.00018651695,0.0009949564,0.008575697,0.775068,0.000040409734],"about_ca_topic_score_codex":0.013495267,"about_ca_topic_score_gemma":0.03791405,"teacher_disagreement_score":0.04302893,"about_ca_system_score_codex":0.0011441627,"about_ca_system_score_gemma":0.0007393235,"threshold_uncertainty_score":0.14394605},"labels":[],"label_agreement":null},{"id":"W4366188701","doi":"10.1017/rqx.2023.126","title":": <i>A Companion to Death, Burial, and Remembrance in Late Medieval and Early Modern Europe, c. 1300–1700</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pontifical Institute of Mediaeval Studies","funders":"","keywords":"Brill; History; Art; Classics; Theology; Philosophy","score_opus":0.02830066494687357,"score_gpt":0.23437473401576175,"score_spread":0.2060740690688882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366188701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043897845,0.29579988,0.0014956399,0.21623084,0.06528384,0.00005845032,0.004764707,0.00020885275,0.37226],"genre_scores_gemma":[0.4162592,0.084037915,0.0011419221,0.017984714,0.03119326,0.00010096739,0.0026196728,0.00034556986,0.44631684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997198,0.00010134225,0.00002313293,0.00004708257,0.000059773458,0.000048869446],"domain_scores_gemma":[0.99921393,0.0003512305,0.00014091763,0.00004015394,0.00012815313,0.00012562037],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096532947,0.00034954472,0.00017502048,0.0013332678,0.002780838,0.0024547344,0.0005302267,0.0016430872,0.012323511],"category_scores_gemma":[0.0024860248,0.00016253404,0.000109436245,0.0023073358,0.002135715,0.002894962,0.0018546237,0.0019513199,0.002222971],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008696846,0.000018301102,0.0018889084,0.00034184294,0.000006803053,0.0002470359,0.038889773,0.00003591639,0.0002988385,0.078626916,0.8326923,0.046866365],"study_design_scores_gemma":[0.0000024160456,0.000010420098,0.009980305,0.00031859646,0.0000020915954,0.00019210865,0.0043164454,0.000009074669,0.00014370473,0.001187895,0.98383003,0.000006907214],"about_ca_topic_score_codex":0.018204754,"about_ca_topic_score_gemma":0.050501514,"teacher_disagreement_score":0.018204754,"about_ca_system_score_codex":0.0015381572,"about_ca_system_score_gemma":0.0013371093,"threshold_uncertainty_score":0.04122621},"labels":[],"label_agreement":null},{"id":"W4366188706","doi":"10.1017/rqx.2023.169","title":": <i>The Stigmata in Medieval and Early Modern Europe</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Stigmata; History; Media studies; Classics; Art; Art history; Sociology; Archaeology","score_opus":0.027600511544561834,"score_gpt":0.23409593654191688,"score_spread":0.20649542499735504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366188706","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44304675,0.12889594,0.0005771145,0.09897116,0.0019256074,0.0000091585625,0.00021636536,0.00002322478,0.32633466],"genre_scores_gemma":[0.976389,0.008170655,0.00006770269,0.0020368202,0.00035949648,0.000003801195,0.000027920194,0.0000073525375,0.012937167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997787,0.00009952085,0.000008348958,0.000023337983,0.000035596833,0.000054528453],"domain_scores_gemma":[0.9998004,0.00008866748,0.000042154283,0.000018939058,0.000022135879,0.000027703622],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064344576,0.00010680941,0.000103500184,0.00049144635,0.002053392,0.002411947,0.00019479994,0.0008174197,0.004663858],"category_scores_gemma":[0.0009511608,0.000060288865,0.00007702585,0.0010886171,0.0054508722,0.00208114,0.0015933242,0.00095139013,0.00025195457],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098303644,0.000026789125,0.006914728,0.00032645452,0.000017105973,0.00026966244,0.15629797,0.00014668657,0.00064094196,0.7475175,0.04359873,0.044145104],"study_design_scores_gemma":[0.000018580871,0.000048443304,0.08750543,0.0015674338,0.000020799886,0.00082516624,0.1007891,0.00011057197,0.0008545494,0.07072263,0.73750526,0.000032092867],"about_ca_topic_score_codex":0.008144962,"about_ca_topic_score_gemma":0.0141167445,"teacher_disagreement_score":0.008144962,"about_ca_system_score_codex":0.0010953931,"about_ca_system_score_gemma":0.00069128786,"threshold_uncertainty_score":0.016195118},"labels":[],"label_agreement":null},{"id":"W4366188885","doi":"10.1017/rqx.2023.161","title":": <i>Electing the Pope in Early Modern Italy, 1450–1700</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"History; Economic history","score_opus":0.03324087716401448,"score_gpt":0.23894517491227452,"score_spread":0.20570429774826005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366188885","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66678137,0.01659624,0.00026033513,0.04761591,0.0015184528,0.000036699614,0.0014675966,0.000049657552,0.2656738],"genre_scores_gemma":[0.94449514,0.0019202986,0.00015099523,0.0015715333,0.0005818068,0.000026664646,0.00041246173,0.000028162352,0.050813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977165,0.00005182286,0.000007866549,0.000027620097,0.00002573698,0.000115305316],"domain_scores_gemma":[0.9997929,0.000037841743,0.000058759648,0.000011780364,0.000027856382,0.0000708949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064503634,0.00013464746,0.00010706914,0.00071986526,0.0019301847,0.0014601008,0.00032534308,0.00072096067,0.0052960967],"category_scores_gemma":[0.0009913689,0.00011490093,0.000090087495,0.0010029036,0.0018056845,0.0009301295,0.001245151,0.0009641658,0.0008270004],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005092041,0.00011529665,0.10581659,0.00075189385,0.000033063454,0.0012336826,0.22211061,0.0002664146,0.0013441244,0.18436037,0.37130386,0.112154886],"study_design_scores_gemma":[0.000017063725,0.000047235113,0.42801416,0.00019629208,0.0000091248385,0.0003148805,0.015796296,0.000034504992,0.00026674726,0.0012545644,0.5540323,0.000016888554],"about_ca_topic_score_codex":0.034092724,"about_ca_topic_score_gemma":0.10256425,"teacher_disagreement_score":0.034092724,"about_ca_system_score_codex":0.001705423,"about_ca_system_score_gemma":0.0011097081,"threshold_uncertainty_score":0.06778854},"labels":[],"label_agreement":null},{"id":"W4385234688","doi":"10.1017/rqx.2023.205","title":": <i>Francisco de Osuna's “Norte de los estados” in Modernized Spanish: A Practical Guide to Conjugal Life in Sixteenth-Century Europe</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Humanities; History; Art","score_opus":0.03454871971431447,"score_gpt":0.3053055432736481,"score_spread":0.27075682355933367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385234688","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013644859,0.33938605,0.0025076892,0.15897486,0.009130334,0.000060993232,0.0007305667,0.00018221994,0.47538254],"genre_scores_gemma":[0.27675906,0.16432951,0.004435824,0.028778661,0.0037302638,0.0001369545,0.0006026625,0.00037611,0.52085096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997385,0.0001416339,0.0000107870865,0.00002844763,0.000042887063,0.000037677466],"domain_scores_gemma":[0.9996804,0.0001574945,0.000028745575,0.000012603724,0.00006497547,0.00005587444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087172684,0.0006738937,0.00027190457,0.0013005412,0.0041895844,0.0037599516,0.00071831077,0.001603583,0.010046833],"category_scores_gemma":[0.001130078,0.00016913394,0.00017128223,0.0015186418,0.0034651437,0.0045595905,0.0013162883,0.0022329171,0.0015955179],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029294682,0.000026750706,0.0014608428,0.00021456406,0.000004582376,0.00028585727,0.050650813,0.000071984025,0.00015138075,0.17962009,0.70690376,0.060580146],"study_design_scores_gemma":[0.0000033301667,0.000003887175,0.0015673796,0.00033024166,0.0000017834911,0.00010476737,0.012132413,0.000019290657,0.000057697147,0.005489407,0.9802849,0.0000048854117],"about_ca_topic_score_codex":0.075845025,"about_ca_topic_score_gemma":0.18824664,"teacher_disagreement_score":0.075845025,"about_ca_system_score_codex":0.0034388802,"about_ca_system_score_gemma":0.003101019,"threshold_uncertainty_score":0.15080714},"labels":[],"label_agreement":null},{"id":"W4385243949","doi":"10.1017/rqx.2023.229","title":": <i>The Black Death: A New History of the Great Mortality in Europe, 1347–1500</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Yersinia bacterium, plague, ectoparasites research","field":"Biochemistry, Genetics and Molecular Biology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; University of Ottawa","funders":"","keywords":"History","score_opus":0.032619892021407505,"score_gpt":0.2864415714916831,"score_spread":0.25382167947027556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385243949","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0093502,0.2598969,0.00093751296,0.5160925,0.11909221,0.000040217583,0.0027772572,0.0002639032,0.091549285],"genre_scores_gemma":[0.13973412,0.19691053,0.0015648609,0.21135397,0.16061646,0.00011511478,0.0029101844,0.00040436847,0.28639042],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975055,0.0000657169,0.000024463186,0.000042628722,0.00007019694,0.000046489695],"domain_scores_gemma":[0.9993241,0.00020454131,0.00013706871,0.000032352396,0.0001477205,0.00015415414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009891565,0.0004706402,0.00028784142,0.0013358275,0.0014117588,0.00282215,0.0004785928,0.0024773593,0.022159852],"category_scores_gemma":[0.0021042237,0.00013358373,0.0002014804,0.0019235562,0.0017788464,0.0022930151,0.0013150959,0.002642246,0.004446243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056072247,0.000008224871,0.0022025446,0.00032191307,0.000013299972,0.00021249232,0.0017454472,0.000024454557,0.00021047547,0.007091699,0.9399009,0.048212454],"study_design_scores_gemma":[0.0000037062082,0.000012953541,0.011055919,0.00030193015,0.000005096576,0.00034361938,0.0010457864,0.000010020093,0.000060165185,0.0010909308,0.9860596,0.00001024135],"about_ca_topic_score_codex":0.011136481,"about_ca_topic_score_gemma":0.02805375,"teacher_disagreement_score":0.022159852,"about_ca_system_score_codex":0.0010381573,"about_ca_system_score_gemma":0.00110955,"threshold_uncertainty_score":0.074132085},"labels":[],"label_agreement":null},{"id":"W4388702275","doi":"10.1017/rqx.2023.462","title":": <i>Armies and Political Change in Britain, 1660–1750</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Military History and Strategy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"History; Politics; Economic history; Classics; Political science; Law","score_opus":0.04766391401116028,"score_gpt":0.33017503040718976,"score_spread":0.2825111163960295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388702275","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7907195,0.03138936,0.00017491188,0.025680391,0.0004506178,0.00001319805,0.0022340904,0.00002417312,0.14931366],"genre_scores_gemma":[0.9618347,0.0035319102,0.00010482138,0.00063867896,0.00011948965,0.000009428465,0.000465977,0.000009229222,0.03328584],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997662,0.000057659137,0.000015342555,0.000022060374,0.000048566413,0.000090201334],"domain_scores_gemma":[0.99972254,0.00006902747,0.00010622804,0.000008613326,0.0000423776,0.000051233004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043053186,0.00011926763,0.000117996926,0.0010691187,0.0010623311,0.0011359433,0.00023074728,0.00054079556,0.010258445],"category_scores_gemma":[0.001105783,0.000117111595,0.00009372766,0.003240037,0.0012800992,0.00074561464,0.0007956541,0.0005907718,0.0008235909],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005171727,0.0001125218,0.21242939,0.0011920143,0.00018337595,0.0008669314,0.15524168,0.0015273992,0.0021274386,0.16750519,0.21373633,0.24456052],"study_design_scores_gemma":[0.000010908291,0.000033644345,0.77822906,0.00018434518,0.000011087894,0.00006301016,0.007345679,0.00007787233,0.00010017704,0.0014818901,0.21244864,0.000013630672],"about_ca_topic_score_codex":0.18465956,"about_ca_topic_score_gemma":0.4924182,"teacher_disagreement_score":0.18465956,"about_ca_system_score_codex":0.0036773453,"about_ca_system_score_gemma":0.001219648,"threshold_uncertainty_score":0.36716938},"labels":[],"label_agreement":null},{"id":"W4388703310","doi":"10.1017/rqx.2023.473","title":": <i>Cartografia, arte e potere tra Riforma e Controriforma: Il Palazzo Farnese a Caprarola</i>","year":2023,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.022770427444626783,"score_gpt":0.23719215788060372,"score_spread":0.21442173043597693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388703310","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0056120446,0.06589224,0.0047974074,0.12330828,0.016044335,0.00009548958,0.009185049,0.0012783605,0.7737867],"genre_scores_gemma":[0.17062664,0.07550725,0.014240733,0.0148016075,0.010100983,0.00026240014,0.008383031,0.0021504809,0.70392674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994874,0.00020764518,0.000024315883,0.000055673674,0.00017784613,0.000047004785],"domain_scores_gemma":[0.99911565,0.00036690244,0.00009308287,0.00010586258,0.00024237199,0.00007609638],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010310049,0.00043265292,0.0002682367,0.0028260264,0.0024057752,0.005598671,0.00049923256,0.0011693215,0.08886282],"category_scores_gemma":[0.0027929896,0.00021766144,0.00020784188,0.006716958,0.0023147364,0.004242371,0.0012678498,0.0015516018,0.017184913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001221793,0.0000038887956,0.00079847564,0.00029128068,0.0000032945288,0.00005876828,0.0046130065,0.000053465006,0.00014470589,0.04678607,0.88797325,0.059261516],"study_design_scores_gemma":[6.6240943e-7,0.0000016011968,0.0013135442,0.00018928148,9.316417e-7,0.000038695973,0.0009080755,0.000012371384,0.000024948735,0.0012312346,0.996276,0.0000026826563],"about_ca_topic_score_codex":0.05613488,"about_ca_topic_score_gemma":0.13654724,"teacher_disagreement_score":0.08886282,"about_ca_system_score_codex":0.0030026413,"about_ca_system_score_gemma":0.0027980967,"threshold_uncertainty_score":0.29727578},"labels":[],"label_agreement":null},{"id":"W4388708428","doi":"10.1017/rqx.2023.487","title":": <i>Comparative Essays on the Poetry and Prose of John Donne and George Herbert: Combined Lights</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"George (robot); Poetry; Art history; Art; Humanities; History; Literature","score_opus":0.03267724248254968,"score_gpt":0.2461569754278238,"score_spread":0.21347973294527411,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388708428","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012992488,0.05962183,0.0027127059,0.13837317,0.0059195,0.000023324315,0.00038617564,0.00008375052,0.7798871],"genre_scores_gemma":[0.32199025,0.01894264,0.0016595392,0.01474846,0.0029323392,0.0000790943,0.00021144802,0.0002931211,0.63914317],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913186,0.00043170783,0.000026112122,0.00008591043,0.00027758925,0.000046850513],"domain_scores_gemma":[0.9981445,0.0012085917,0.00010723128,0.00006359093,0.00035394292,0.00012214646],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013946315,0.0005350587,0.0002903717,0.0013065845,0.005783697,0.004062776,0.0005716005,0.0016177393,0.019203924],"category_scores_gemma":[0.0068145185,0.00018362535,0.0001727917,0.001987482,0.0074977246,0.004328766,0.0016657448,0.0026807282,0.002658937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046953533,0.000013225501,0.0003307637,0.00019427894,0.000006902634,0.00015189475,0.03477846,0.000055634835,0.0004154423,0.30250084,0.64632034,0.015185166],"study_design_scores_gemma":[0.0000035674611,0.0000053890226,0.0012936683,0.00029913159,0.000004319074,0.00013802774,0.015346358,0.000027960616,0.00035351954,0.008883654,0.9736347,0.0000096408385],"about_ca_topic_score_codex":0.022556946,"about_ca_topic_score_gemma":0.070991956,"teacher_disagreement_score":0.022556946,"about_ca_system_score_codex":0.0051534832,"about_ca_system_score_gemma":0.0013454906,"threshold_uncertainty_score":0.064243555},"labels":[],"label_agreement":null},{"id":"W4388708437","doi":"10.1017/rqx.2023.459","title":": <i>Anatomy of a Duel in Jacobean England: Gentry Honour, Violence and the Law</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval and Early Modern Justice","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Gentry; Honour; History; Performance art; Law; Classics; Political science; Art history","score_opus":0.013625227673062373,"score_gpt":0.28876687160379194,"score_spread":0.2751416439307296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388708437","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07960311,0.02873216,0.0013787844,0.06434099,0.0016598161,0.000030593754,0.00008617831,0.000055935587,0.8241124],"genre_scores_gemma":[0.7678164,0.004314066,0.0004164844,0.004783251,0.00027316174,0.000016841675,0.000024006918,0.00004355303,0.22231226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996731,0.00015999778,0.0000055788073,0.000025300336,0.000036281657,0.000099765195],"domain_scores_gemma":[0.9998299,0.00006013834,0.000021377033,0.000009861971,0.000021408781,0.00005732194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040553958,0.00016518384,0.00013874206,0.00041221082,0.007679402,0.003752926,0.0004930872,0.0022712196,0.012419943],"category_scores_gemma":[0.00089045404,0.00014841983,0.00012637199,0.00041218803,0.014887324,0.0022501808,0.0023623619,0.0021205049,0.0009635799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019945734,0.000010893906,0.0008449479,0.00008438266,0.000003539217,0.001121493,0.15691395,0.00007701019,0.00024957326,0.7696308,0.058383197,0.012660211],"study_design_scores_gemma":[0.000008080827,0.000018264845,0.006243194,0.00046132208,0.0000057618204,0.0010231301,0.09401377,0.000101675025,0.00021954099,0.048794534,0.8490935,0.00001720111],"about_ca_topic_score_codex":0.122770876,"about_ca_topic_score_gemma":0.30911508,"teacher_disagreement_score":0.122770876,"about_ca_system_score_codex":0.006146155,"about_ca_system_score_gemma":0.0032039054,"threshold_uncertainty_score":0.24411255},"labels":[],"label_agreement":null},{"id":"W4388708484","doi":"10.1017/rqx.2023.415","title":": <i>Before Enlightenment: Play and Illusion in Renaissance Humanism</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Enlightenment; The Renaissance; Humanism; Illusion; Intellectual history; Philosophy; Art history; Classics; Religious studies; Art; Literature; Theology; History; Psychology","score_opus":0.025375517860429183,"score_gpt":0.23678138724659362,"score_spread":0.21140586938616443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388708484","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12628277,0.035700466,0.0022189133,0.17122282,0.0021933056,0.000018221193,0.00012255614,0.000090494876,0.66215056],"genre_scores_gemma":[0.9476076,0.0037869771,0.00022886928,0.0027103901,0.0003434094,0.000008877746,0.000020876689,0.00003664525,0.045256373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906653,0.0006506904,0.0000136672315,0.000062341715,0.00008347957,0.00012327025],"domain_scores_gemma":[0.9993793,0.0003248275,0.00007357092,0.000050005256,0.00007851492,0.0000937629],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018825002,0.00022772129,0.00014270838,0.0004910394,0.004251808,0.0058829784,0.0004166885,0.0014294725,0.01181729],"category_scores_gemma":[0.0020570885,0.00010671159,0.00016368025,0.00070470746,0.017845789,0.0053740637,0.0018904372,0.0023625225,0.0010834484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000388286,0.000012091948,0.0010425303,0.000065023436,0.000004297756,0.000116380375,0.12327442,0.000060090868,0.00014967938,0.8304223,0.032995854,0.011818482],"study_design_scores_gemma":[0.000014407582,0.000046247867,0.0084469495,0.00043221551,0.000013579781,0.0003896766,0.13420627,0.00023539929,0.00060348056,0.12700713,0.7285728,0.00003183657],"about_ca_topic_score_codex":0.023329845,"about_ca_topic_score_gemma":0.03611574,"teacher_disagreement_score":0.023329845,"about_ca_system_score_codex":0.0034199143,"about_ca_system_score_gemma":0.001578658,"threshold_uncertainty_score":0.04638809},"labels":[],"label_agreement":null},{"id":"W4388708834","doi":"10.1017/rqx.2023.445","title":": <i>On the Life of Galileo: Viviani's Historical Account and Other Early Biographies</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Galileo (satellite navigation); History; Art history; Geography","score_opus":0.03756722194963597,"score_gpt":0.2283298496004468,"score_spread":0.19076262765081084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388708834","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028656589,0.1593314,0.0021393455,0.07629945,0.004156701,0.000018872024,0.00026435082,0.0001157275,0.72901756],"genre_scores_gemma":[0.75018615,0.036730926,0.0011723501,0.010594342,0.00341665,0.00004324668,0.00014842623,0.00015930996,0.19754857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997271,0.00014727231,0.0000041617127,0.000037200705,0.000038003513,0.00004628281],"domain_scores_gemma":[0.9998522,0.000088057066,0.000018810613,0.000011724661,0.000012090891,0.000017162478],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005524126,0.00047372535,0.0002031401,0.0011721238,0.0025831882,0.0021121397,0.00039502422,0.0011470092,0.0060076606],"category_scores_gemma":[0.0008957069,0.000119710625,0.00015131757,0.001898348,0.0076486305,0.002064958,0.0016130682,0.0026261501,0.00076324027],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045187855,0.000007544896,0.00059680035,0.00018878041,0.0000056627778,0.00025803762,0.046149682,0.0002149135,0.0003461537,0.77838826,0.1437754,0.030023573],"study_design_scores_gemma":[0.000003862093,0.000013199586,0.0018396967,0.00030918466,0.0000040377963,0.00024270822,0.004122113,0.000069831396,0.0001975712,0.026535628,0.9666521,0.000009998046],"about_ca_topic_score_codex":0.0070278626,"about_ca_topic_score_gemma":0.012490311,"teacher_disagreement_score":0.9974168,"about_ca_system_score_codex":0.0037865543,"about_ca_system_score_gemma":0.0006921191,"threshold_uncertainty_score":0.02747345},"labels":[],"label_agreement":null},{"id":"W4388708916","doi":"10.1017/rqx.2023.430","title":": <i>Early Modern Universities: Networks of Higher Learning</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Brill; PARRY; Media studies; History; Theology; Classics; Sociology; Philosophy; Computer science; Artificial intelligence","score_opus":0.021479439971167014,"score_gpt":0.22847617953781557,"score_spread":0.20699673956664855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388708916","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010671151,0.013751475,0.003042538,0.3178004,0.0044442695,0.000026042539,0.0012891132,0.00035104965,0.64862406],"genre_scores_gemma":[0.52071047,0.01934708,0.0026421053,0.035372943,0.00482992,0.00009847142,0.0011253894,0.00036439343,0.41550928],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962986,0.00014619301,0.000011962375,0.000050518804,0.000097000404,0.00006443965],"domain_scores_gemma":[0.9990213,0.00037052052,0.00013372919,0.00007198012,0.00017138774,0.0002310501],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009293748,0.00016709178,0.00010923481,0.00089103635,0.0025224413,0.009907666,0.00039612915,0.0024516468,0.056861814],"category_scores_gemma":[0.0030456379,0.0001504107,0.00010887366,0.0028012227,0.0034439089,0.009636146,0.0018643094,0.0020519267,0.00868875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001607651,0.0000042534175,0.0008318191,0.0001112745,0.0000025334543,0.00004365529,0.0062613348,0.000054491684,0.00013073297,0.42156556,0.5452985,0.025679851],"study_design_scores_gemma":[0.000003198153,0.0000051761904,0.0029896074,0.00021081649,0.0000029072478,0.00007615218,0.0033736315,0.00006956566,0.00012365884,0.023910865,0.9692248,0.000009591719],"about_ca_topic_score_codex":0.011696868,"about_ca_topic_score_gemma":0.026243607,"teacher_disagreement_score":0.99747753,"about_ca_system_score_codex":0.0037068229,"about_ca_system_score_gemma":0.0022756692,"threshold_uncertainty_score":0.19022173},"labels":[],"label_agreement":null},{"id":"W4391153059","doi":"10.1017/rqx.2023.618","title":": <i>Middle English Medical Recipes and Literary Play, 1375–1500</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; University of Ottawa","funders":"","keywords":"History; Classics; Media studies; Sociology","score_opus":0.023941465115855733,"score_gpt":0.22025243342774922,"score_spread":0.19631096831189349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391153059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044600423,0.0094230855,0.00030741992,0.021191217,0.012121235,0.00010966132,0.0036489496,0.000483025,0.9482554],"genre_scores_gemma":[0.02017547,0.0023687964,0.00039885682,0.0049762744,0.002092004,0.00009568639,0.0011206664,0.00044139853,0.9683308],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998042,0.000038622376,0.00001970474,0.000023861137,0.00008102615,0.000032655982],"domain_scores_gemma":[0.9994419,0.00017873033,0.00004393672,0.000027929424,0.00014461661,0.00016280319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061278936,0.0005113171,0.00025007752,0.0014152748,0.002831855,0.0024969128,0.0004868119,0.0010001704,0.26862386],"category_scores_gemma":[0.0017566319,0.00016045522,0.00014116253,0.0015574648,0.0009612138,0.0017992244,0.0013788661,0.0010958804,0.07387335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030817126,0.0000125860915,0.00015739826,0.00013578468,0.0000015226376,0.000067919704,0.0015674629,0.000009532063,0.00030481332,0.005783505,0.9719239,0.02000475],"study_design_scores_gemma":[0.0000028159666,0.000007017404,0.0025426305,0.00009326481,6.9480325e-7,0.000042672997,0.00085974333,0.000008293203,0.00010543996,0.00016933346,0.9961649,0.0000032553612],"about_ca_topic_score_codex":0.018027453,"about_ca_topic_score_gemma":0.07944545,"teacher_disagreement_score":0.26862386,"about_ca_system_score_codex":0.0015180671,"about_ca_system_score_gemma":0.0010835197,"threshold_uncertainty_score":0.89863634},"labels":[],"label_agreement":null},{"id":"W4391153090","doi":"10.1017/rqx.2023.570","title":": <i>A Dissimulated Trade: Northern European Timber Merchants in Seville (1574–1598)</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; History; Ancient history; Art; Humanities; Classics","score_opus":0.03581173985966622,"score_gpt":0.2368096127346892,"score_spread":0.20099787287502296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391153090","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68870634,0.015933834,0.00028564202,0.02279783,0.0017754362,0.000017581302,0.004290232,0.00006531418,0.26612777],"genre_scores_gemma":[0.84884924,0.0028815106,0.0003135189,0.0020494678,0.00029047628,0.000019705234,0.0021242932,0.000110346286,0.14336142],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998697,0.000026264821,0.0000058693,0.000023344026,0.00002194303,0.000052891402],"domain_scores_gemma":[0.9998908,0.000026385987,0.000031703006,0.0000069782013,0.000023542336,0.000020505146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044846477,0.00017431514,0.00013972611,0.00059522974,0.0019129761,0.0013115348,0.0004513156,0.00054071104,0.014750364],"category_scores_gemma":[0.00039320093,0.00009501043,0.000103002574,0.0013866752,0.000963579,0.0009441857,0.0013356927,0.0007671312,0.0014822135],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010168947,0.00007582157,0.09813759,0.0009984239,0.00005892906,0.005477006,0.17597644,0.00039763498,0.0049822554,0.054520074,0.49963257,0.15872636],"study_design_scores_gemma":[0.000014529215,0.000031837273,0.23989087,0.0003368292,0.000007889008,0.0008761641,0.06258439,0.000044844386,0.00056003686,0.0008976468,0.6947346,0.00002044825],"about_ca_topic_score_codex":0.11406028,"about_ca_topic_score_gemma":0.38724193,"teacher_disagreement_score":0.11406028,"about_ca_system_score_codex":0.0017163107,"about_ca_system_score_gemma":0.0009673334,"threshold_uncertainty_score":0.22679275},"labels":[],"label_agreement":null},{"id":"W4391153096","doi":"10.1017/rqx.2023.577","title":": <i>Una Chiesa a giudizio: I tribunali vescovili nella Toscana del Trecento</i>","year":2023,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Medieval and Early Modern Justice","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities","score_opus":0.03430979043983467,"score_gpt":0.30668171499164765,"score_spread":0.27237192455181297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391153096","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031176422,0.053122196,0.0008000808,0.25600046,0.013861536,0.00008063954,0.0014835355,0.0003390952,0.643136],"genre_scores_gemma":[0.3862519,0.014576826,0.0008270903,0.018225733,0.007988118,0.00013946944,0.00074238563,0.0004454955,0.5708029],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994568,0.00014088333,0.000019163943,0.00008789047,0.000098070224,0.00019722451],"domain_scores_gemma":[0.99960274,0.00013262879,0.000047315516,0.00004016443,0.000058393332,0.000118771866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007094807,0.00042119029,0.0003341059,0.00086435856,0.004405838,0.0051644742,0.0004632783,0.0020418193,0.038208228],"category_scores_gemma":[0.0015185385,0.00019017635,0.00019847484,0.001917542,0.0030913916,0.0020812748,0.0023472994,0.0028003384,0.007495022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008514212,0.000024784646,0.0042663603,0.0004165957,0.000010468121,0.0004314686,0.023000551,0.000022745318,0.0008305975,0.20477106,0.7231628,0.04297745],"study_design_scores_gemma":[0.000008878563,0.000011184363,0.0083864005,0.00019523712,0.00000541053,0.00019397271,0.0029841072,0.000017826906,0.00022801774,0.0035173784,0.98444146,0.000010059357],"about_ca_topic_score_codex":0.029369527,"about_ca_topic_score_gemma":0.07993249,"teacher_disagreement_score":0.038208228,"about_ca_system_score_codex":0.002879999,"about_ca_system_score_gemma":0.0023530314,"threshold_uncertainty_score":0.12781924},"labels":[],"label_agreement":null},{"id":"W4395077941","doi":"10.1017/rqx.2024.14","title":"Plenty of Fish in the Sea: The Satires of Juvenal in a Late Fifteenth-Century Analysis of Spanish Court Education","year":2024,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Fifteenth; Fish <Actinopterygii>; Ancient history; History; Literature; Art; Fishery; Biology","score_opus":0.014365062671986888,"score_gpt":0.2493472956305163,"score_spread":0.2349822329585294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395077941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5824018,0.0030965626,0.00064782123,0.0063103097,0.00012219539,0.000009753155,0.000029113686,0.000015793175,0.40736666],"genre_scores_gemma":[0.9815993,0.00039082475,0.00008169849,0.00031750652,0.00002974561,0.0000036566148,0.000008857388,0.000011482574,0.017556908],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995437,0.0001954674,0.0000075937737,0.000038994993,0.000063795575,0.00015044646],"domain_scores_gemma":[0.9995447,0.00017660962,0.00005272748,0.00002417076,0.00011087229,0.00009094475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096356246,0.00015742154,0.00016476211,0.0005853488,0.005380641,0.0040109716,0.00041248242,0.00075012306,0.0032848152],"category_scores_gemma":[0.0012960358,0.000103127095,0.00010575167,0.00049990753,0.014255716,0.0015658314,0.0021689443,0.001514692,0.00023659173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007480211,0.00003116652,0.0066597103,0.00006790407,0.000005584903,0.0013640237,0.6312839,0.00012399416,0.00043511414,0.33805293,0.0046397704,0.017261162],"study_design_scores_gemma":[0.000022736713,0.000055859302,0.03132778,0.00032669643,0.000012494541,0.0004171706,0.54819036,0.00019784815,0.00050419435,0.022843724,0.3960702,0.000030990388],"about_ca_topic_score_codex":0.059259955,"about_ca_topic_score_gemma":0.11566882,"teacher_disagreement_score":0.059259955,"about_ca_system_score_codex":0.009095701,"about_ca_system_score_gemma":0.0030425524,"threshold_uncertainty_score":0.11783004},"labels":[],"label_agreement":null},{"id":"W4395094329","doi":"10.1017/rqx.2024.36","title":": <i>Marsilio Ficino: On the Christian Religion</i>","year":2024,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"History; Theology; Philosophy","score_opus":0.030952102894132544,"score_gpt":0.23606838088029208,"score_spread":0.20511627798615953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395094329","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005107833,0.08636727,0.00068575057,0.61149156,0.059154145,0.0000433777,0.0008984335,0.00020443767,0.23604715],"genre_scores_gemma":[0.14229321,0.06293533,0.0011976443,0.17014389,0.07639252,0.00012645657,0.00095115346,0.0008788598,0.54508096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965954,0.00015330163,0.000011674274,0.000050797906,0.00008045307,0.00004427741],"domain_scores_gemma":[0.99913305,0.00046445653,0.00006684717,0.000042315267,0.00015607492,0.00013731567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007720882,0.0005453858,0.00036548666,0.0012023872,0.003407279,0.0028052656,0.00052266504,0.0021505663,0.03077786],"category_scores_gemma":[0.0033828025,0.0001772572,0.00021036132,0.0014405978,0.0018449235,0.0030569956,0.0016584252,0.003263127,0.006903982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014151112,0.0000029964463,0.00019337915,0.000077198776,0.0000021111905,0.000057790825,0.0017273857,0.000012762391,0.00008978954,0.011462495,0.98088354,0.0054764017],"study_design_scores_gemma":[0.0000043385207,0.000007485526,0.002543651,0.00037867608,0.0000032759838,0.00016239444,0.0032717458,0.00003148454,0.00016717814,0.0019299076,0.99148834,0.0000115004705],"about_ca_topic_score_codex":0.015109001,"about_ca_topic_score_gemma":0.040956818,"teacher_disagreement_score":0.03077786,"about_ca_system_score_codex":0.0017573937,"about_ca_system_score_gemma":0.0007769031,"threshold_uncertainty_score":0.102962255},"labels":[],"label_agreement":null},{"id":"W4404215015","doi":"10.1017/rqx.2024.104","title":"Hunted to Extinction: Finding Lost Species in the World of Bernard Palissy (1510–89)","year":2024,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Diverse Historical and Scientific Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Extinction (optical mineralogy); History; Geography; Genealogy; Ethnology; Demography; Biology; Sociology; Paleontology","score_opus":0.06438293168773285,"score_gpt":0.26406669807933186,"score_spread":0.19968376639159902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404215015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.422513,0.1498915,0.0012730728,0.22392629,0.004181488,0.000029312143,0.00015575367,0.000068264206,0.19796133],"genre_scores_gemma":[0.86933696,0.028981032,0.0005255622,0.016616877,0.0020885125,0.00002431559,0.000063769054,0.00009561437,0.082267314],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993222,0.00029225627,0.0000116697665,0.00015369132,0.000094084106,0.00012615554],"domain_scores_gemma":[0.9994098,0.00027463288,0.00008669186,0.000020945787,0.00006960966,0.0001383464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014628809,0.00046444786,0.0004383685,0.0009541611,0.011776543,0.0036235289,0.000718827,0.0023595137,0.003092472],"category_scores_gemma":[0.0022620847,0.00028876966,0.00013095586,0.000804174,0.013239576,0.005031516,0.0030252119,0.005892264,0.00057136937],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009835681,0.000043046344,0.0034567576,0.00010936703,0.000010515913,0.0027137056,0.7675599,0.000077011726,0.00050479756,0.09822847,0.09072447,0.036473624],"study_design_scores_gemma":[0.0000061060196,0.00004826274,0.005365103,0.00022102732,0.0000036449512,0.0018088279,0.08027655,0.00004168483,0.00019607293,0.0064769206,0.90553266,0.000023123614],"about_ca_topic_score_codex":0.03535737,"about_ca_topic_score_gemma":0.04775058,"teacher_disagreement_score":0.03535737,"about_ca_system_score_codex":0.0042726137,"about_ca_system_score_gemma":0.0015661332,"threshold_uncertainty_score":0.07030308},"labels":[],"label_agreement":null},{"id":"W4408153215","doi":"10.1017/rqx.2024.115","title":": <i>The Making of the Modern Corporation: The Casa Di San Giorgio and Its Legacy (1446–1720)</i>","year":2024,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Corporation; History; Political science; Law","score_opus":0.03359347987669876,"score_gpt":0.23041782841914418,"score_spread":0.19682434854244543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408153215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016387837,0.12349977,0.0010732942,0.26479813,0.011315933,0.000023789551,0.00074814545,0.00018070724,0.5819725],"genre_scores_gemma":[0.34686238,0.056982756,0.0016724918,0.019211356,0.015956502,0.00006268986,0.0006151354,0.00042025233,0.5582164],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938226,0.00016061738,0.000018444269,0.00016893652,0.00015119562,0.000118468204],"domain_scores_gemma":[0.9995746,0.00010728061,0.00010028131,0.000045867706,0.0000757918,0.000096091106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010083873,0.0005396712,0.00023405926,0.0013304029,0.0024223041,0.0064419806,0.0004949994,0.0022838644,0.014798047],"category_scores_gemma":[0.0020434172,0.00024792852,0.00022435134,0.0027456277,0.004768698,0.0034531052,0.0012894161,0.0040734136,0.003969343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039948947,0.000009918431,0.0015281552,0.00015523443,0.0000076125184,0.00014824586,0.006175933,0.0000733936,0.00013902153,0.5148956,0.44793412,0.028892763],"study_design_scores_gemma":[0.0000026926223,0.0000030652157,0.003206534,0.00009487911,0.0000018474664,0.000073004114,0.00034274635,0.000015634918,0.000041118696,0.005951939,0.99026126,0.000005279496],"about_ca_topic_score_codex":0.045393568,"about_ca_topic_score_gemma":0.100738436,"teacher_disagreement_score":0.045393568,"about_ca_system_score_codex":0.0059937355,"about_ca_system_score_gemma":0.0029098284,"threshold_uncertainty_score":0.09025866},"labels":[],"label_agreement":null},{"id":"W4410070333","doi":"10.1017/rqx.2024.433","title":"Magdalena, “Deaf and Mute,” Makes Her Roman Will (1590)","year":2024,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Linguistics; History; Psychology; Philosophy","score_opus":0.017776398507429424,"score_gpt":0.22701907555632342,"score_spread":0.209242677048894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410070333","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35323894,0.010777283,0.002198608,0.04720857,0.0017749288,0.00005813072,0.00006890605,0.00008508574,0.5845896],"genre_scores_gemma":[0.94642335,0.0010482729,0.0005036509,0.0025592814,0.0000796526,0.000017615057,0.0000051679085,0.000009290257,0.049353745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995136,0.000232997,0.000010597591,0.000056300054,0.00007444013,0.000111998495],"domain_scores_gemma":[0.9998012,0.000081204686,0.000029786794,0.000020609838,0.000027101096,0.000040181985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073397707,0.0003006304,0.00016148559,0.00037176837,0.00732395,0.0019033651,0.00035386696,0.0014459444,0.003948003],"category_scores_gemma":[0.0019247716,0.00015958444,0.00012509715,0.0001234958,0.010497993,0.0014837169,0.0026489862,0.0022459808,0.00064198393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011595647,0.000048196118,0.004542892,0.00013243163,0.000011783156,0.0029611667,0.2772803,0.00007229908,0.002695088,0.6151154,0.03162044,0.065404095],"study_design_scores_gemma":[0.000011674618,0.00011439638,0.0075867954,0.00036611728,0.000014447567,0.0029608647,0.084149934,0.00008402632,0.0016916052,0.018687887,0.8842938,0.000038469097],"about_ca_topic_score_codex":0.010785584,"about_ca_topic_score_gemma":0.026017744,"teacher_disagreement_score":0.010785584,"about_ca_system_score_codex":0.0014352417,"about_ca_system_score_gemma":0.0015068041,"threshold_uncertainty_score":0.021445572},"labels":[],"label_agreement":null},{"id":"W4411428432","doi":"10.1017/rqx.2024.228","title":": <i>Handling “Occult Qualities” in the Scientific Revolution: Disciplines and New Approaches to Natural Philosophy, from John Dee to Isaac Newton</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Brill; Natural philosophy; Occult; Classics; Philosophy; Natural (archaeology); Art history; History; Epistemology; Medicine; Archaeology; Alternative medicine","score_opus":0.13242648355096306,"score_gpt":0.2769766669719431,"score_spread":0.14455018342098006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411428432","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008461562,0.20867923,0.0017387846,0.6751163,0.03274566,0.000013578601,0.00011095111,0.000106505744,0.0806429],"genre_scores_gemma":[0.09599256,0.19685574,0.005704258,0.2680906,0.100285366,0.0001242048,0.00025491952,0.0007961819,0.33189616],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99848586,0.0007988689,0.00006433048,0.00014805379,0.0004057573,0.00009724005],"domain_scores_gemma":[0.9964211,0.0025468534,0.00017078001,0.00013337476,0.00047693175,0.00025094108],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0028016798,0.00074998627,0.00046142505,0.0015339932,0.005740882,0.006188469,0.0010856754,0.004566751,0.014058504],"category_scores_gemma":[0.0069734408,0.00036077865,0.00033429803,0.0020247493,0.012873227,0.01253173,0.0024248094,0.007937082,0.0035599186],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009784501,0.000004537095,0.00007693634,0.00011191534,0.0000037867621,0.000037134472,0.0032395315,0.000020160685,0.000056413795,0.08925415,0.898852,0.008333682],"study_design_scores_gemma":[0.000004207146,0.000003950989,0.00037741972,0.00027125995,0.0000032225944,0.000093098024,0.002439808,0.000031719715,0.00008884662,0.041904066,0.95477194,0.000010473697],"about_ca_topic_score_codex":0.016726108,"about_ca_topic_score_gemma":0.047765955,"teacher_disagreement_score":0.9942591,"about_ca_system_score_codex":0.0044927676,"about_ca_system_score_gemma":0.0035714218,"threshold_uncertainty_score":0.04703039},"labels":[],"label_agreement":null},{"id":"W4411428485","doi":"10.1017/rqx.2024.263","title":": <i>The Religious Innatism Debate in Early Modern Britain: Intellectual Change Beyond Locke</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Law and economics; Sociology; Economic history","score_opus":0.020459172101863442,"score_gpt":0.23285809482945113,"score_spread":0.2123989227275877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411428485","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062661074,0.036131047,0.00056364207,0.6343515,0.0037761396,0.000011200597,0.000110997964,0.00002742437,0.26236695],"genre_scores_gemma":[0.8440164,0.006174301,0.00020189206,0.050172523,0.0022483766,0.000014782102,0.000056644196,0.000040136114,0.09707495],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992047,0.00044694415,0.00002146185,0.000059138834,0.00014944364,0.00011836112],"domain_scores_gemma":[0.9988223,0.0006863354,0.00010851037,0.00006600828,0.00015222348,0.00016466739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016286334,0.000096523785,0.00014242071,0.00043329867,0.0037604943,0.005057025,0.00046819707,0.0033751284,0.010687912],"category_scores_gemma":[0.0035891763,0.000084312465,0.000092065406,0.0011354181,0.009782449,0.0033957055,0.0017192513,0.003094191,0.000995039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006936585,0.000018219702,0.0012797308,0.00021377641,0.00000488599,0.00027389894,0.054421943,0.00006557739,0.00039897958,0.6430031,0.2761754,0.024075104],"study_design_scores_gemma":[0.000023392422,0.000021816031,0.015491662,0.0006742944,0.0000059032322,0.00023612582,0.037989773,0.00013265228,0.0003531576,0.06296314,0.8820838,0.000024243838],"about_ca_topic_score_codex":0.031441133,"about_ca_topic_score_gemma":0.052720938,"teacher_disagreement_score":0.031441133,"about_ca_system_score_codex":0.0040937443,"about_ca_system_score_gemma":0.0021594162,"threshold_uncertainty_score":0.06251621},"labels":[],"label_agreement":null},{"id":"W4411428807","doi":"10.1017/rqx.2024.275","title":": <i>Empire of Eloquence: The Classical Rhetorical Tradition in Colonial Latin America and the Iberian World</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Rhetorical question; Empire; Colonialism; History; Classics; Theology; Ancient history; Art; Philosophy; Literature; Archaeology","score_opus":0.01468196638582882,"score_gpt":0.23109813844218582,"score_spread":0.216416172056357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411428807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048534814,0.08525457,0.0017682475,0.1620301,0.0028073196,0.000014948542,0.0001519895,0.000108382774,0.69932956],"genre_scores_gemma":[0.90094984,0.016764157,0.0011195506,0.01433611,0.002656332,0.00003760297,0.00007924842,0.00022060043,0.06383655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890554,0.0007114028,0.00003404476,0.000107066786,0.00012835793,0.00011359872],"domain_scores_gemma":[0.9986778,0.00075807073,0.00019002099,0.000094251656,0.00020178671,0.000078124845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031035184,0.000372912,0.00031545645,0.0015729384,0.0051344596,0.008778814,0.0005445124,0.001523943,0.007485741],"category_scores_gemma":[0.0043497914,0.00015509059,0.00015496301,0.0023210072,0.0150224585,0.0048475666,0.0023390092,0.0030357216,0.000835874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009771662,0.00002045273,0.0017592591,0.0003224426,0.000011792579,0.00024073789,0.12898895,0.000059912054,0.0003160034,0.7662088,0.066057965,0.035915915],"study_design_scores_gemma":[0.000021159634,0.000018262539,0.008425391,0.0013868968,0.000023646693,0.00035284882,0.07097003,0.00011935857,0.00051796436,0.042953312,0.8751878,0.00002334211],"about_ca_topic_score_codex":0.026270501,"about_ca_topic_score_gemma":0.025622021,"teacher_disagreement_score":0.026270501,"about_ca_system_score_codex":0.0069123697,"about_ca_system_score_gemma":0.0027566222,"threshold_uncertainty_score":0.052235186},"labels":[],"label_agreement":null},{"id":"W4411428810","doi":"10.1017/rqx.2024.170","title":": <i>Revolts and Political Violence in Early Modern Imagery</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Brill; History; Art; Classics","score_opus":0.011078861669406545,"score_gpt":0.22332159936804052,"score_spread":0.21224273769863397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411428810","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6225846,0.010880798,0.0005614408,0.02181877,0.00017901463,0.0000135762,0.00016950139,0.000013766789,0.34377855],"genre_scores_gemma":[0.99506783,0.00073507626,0.000042820633,0.00016134838,0.00004826756,0.0000028872232,0.000017054668,0.00000370366,0.003920906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968314,0.00019855356,0.000009406187,0.00003086474,0.000027286838,0.000050768936],"domain_scores_gemma":[0.99925536,0.00040636602,0.00018520614,0.000043380234,0.000051340994,0.000058268033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008551229,0.000109880544,0.000086139116,0.00069072936,0.002123718,0.0028921089,0.0003046897,0.0005435179,0.0077884253],"category_scores_gemma":[0.002250576,0.0000817609,0.00006723584,0.0011883407,0.009707321,0.0019886012,0.0011918913,0.0011207568,0.00027792892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007280543,0.000032969056,0.015443094,0.0001360161,0.000010195061,0.00027797633,0.3477244,0.00012607225,0.0001907907,0.6034275,0.012641357,0.019916903],"study_design_scores_gemma":[0.000021828142,0.000068095535,0.17579979,0.0010880193,0.0000292153,0.00093930215,0.410137,0.00039109887,0.000732609,0.07764141,0.33312353,0.000028105165],"about_ca_topic_score_codex":0.015554247,"about_ca_topic_score_gemma":0.025735645,"teacher_disagreement_score":0.015554247,"about_ca_system_score_codex":0.0023968313,"about_ca_system_score_gemma":0.0006849954,"threshold_uncertainty_score":0.03092742},"labels":[],"label_agreement":null},{"id":"W4412819002","doi":"10.1017/rqx.2024.383","title":": <i>Picturing Divinity in John Donne’s Writings</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Divinity; Stirling engine; The Renaissance; Art; Philosophy; Theology; Art history; Classics; Literature; Physics; Thermodynamics","score_opus":0.014589115420985253,"score_gpt":0.22198207604335818,"score_spread":0.20739296062237292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819002","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022853337,0.031632405,0.0015996784,0.10003423,0.008399604,0.00002760907,0.0002420633,0.0001132041,0.83509785],"genre_scores_gemma":[0.44356906,0.013380041,0.0017285724,0.012672602,0.001985168,0.00004181743,0.00011360308,0.00034558048,0.5261635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933666,0.0003640949,0.000022684462,0.000059139085,0.00015488865,0.00006261004],"domain_scores_gemma":[0.99901915,0.00050590246,0.00008512755,0.000043290474,0.0002014088,0.00014516329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008533453,0.00035223053,0.00017596087,0.00094878394,0.008914282,0.004472601,0.00035158536,0.0010643764,0.011040179],"category_scores_gemma":[0.0030836556,0.00019772782,0.00011399079,0.0010922592,0.009876222,0.0032477488,0.0014964716,0.0028788052,0.001827388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031356813,0.000011597553,0.0007225189,0.00018785581,0.0000054154684,0.00042056185,0.1894153,0.00009837455,0.00053735764,0.1924802,0.59684724,0.019242242],"study_design_scores_gemma":[0.0000013398612,0.0000031838624,0.00089708,0.00021217008,0.0000016564277,0.00023618234,0.03105722,0.000017619948,0.00019109508,0.0024650886,0.9649088,0.000008602425],"about_ca_topic_score_codex":0.10379468,"about_ca_topic_score_gemma":0.35337725,"teacher_disagreement_score":0.10379468,"about_ca_system_score_codex":0.004686162,"about_ca_system_score_gemma":0.0022090855,"threshold_uncertainty_score":0.20638108},"labels":[],"label_agreement":null},{"id":"W4412819014","doi":"10.1017/rqx.2024.370","title":": <i>Philosophy in the Renaissance: An Anthology</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"The Renaissance; Environmental ethics; History; Art history; Theology; Classics; Philosophy","score_opus":0.032676855041582416,"score_gpt":0.27487472634314636,"score_spread":0.24219787130156395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819014","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007806815,0.168669,0.0044504637,0.3056552,0.07560372,0.000103986684,0.0004044653,0.00024199061,0.4370643],"genre_scores_gemma":[0.21422122,0.0778154,0.0067914324,0.047775228,0.057835385,0.00024205275,0.000361189,0.00058620947,0.59437186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922085,0.00049606804,0.00002735612,0.000061072395,0.00014846644,0.00004613122],"domain_scores_gemma":[0.99898964,0.00066950754,0.000051576757,0.000035893,0.00013509032,0.00011831837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021478503,0.0006104445,0.0004261305,0.0010159904,0.0029727858,0.0035048625,0.0006945825,0.001481113,0.01714225],"category_scores_gemma":[0.0029152427,0.00016741488,0.00033287803,0.001210487,0.0048311083,0.0028456699,0.0013817396,0.005198689,0.0028993657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023585528,0.000015709324,0.000106066924,0.0002868528,0.000005078691,0.00011396545,0.010267599,0.000073266805,0.00024338564,0.14927888,0.823161,0.016424736],"study_design_scores_gemma":[0.0000027628084,0.000008628365,0.00036257398,0.00028323245,0.000001534364,0.00006288471,0.0018820605,0.000029743413,0.00007467302,0.005537936,0.99174994,0.0000039676797],"about_ca_topic_score_codex":0.0032559682,"about_ca_topic_score_gemma":0.007637666,"teacher_disagreement_score":0.01714225,"about_ca_system_score_codex":0.0035171108,"about_ca_system_score_gemma":0.0020634562,"threshold_uncertainty_score":0.057346523},"labels":[],"label_agreement":null},{"id":"W4412819019","doi":"10.1017/rqx.2024.343","title":": <i>A Sudden Frenzy: Improvisation, Orality, and Power in Renaissance Italy</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Improvisation; Orality; The Renaissance; Power (physics); History; Art; Media studies; Art history; Sociology; Visual arts; Literacy; Pedagogy","score_opus":0.016701818957811455,"score_gpt":0.24528179933092567,"score_spread":0.22857998037311422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819019","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22980857,0.040680606,0.0005515133,0.23303905,0.0039853696,0.00001949105,0.00020640233,0.00009371395,0.49161524],"genre_scores_gemma":[0.95150596,0.0048258407,0.00010700455,0.0032953764,0.0020843127,0.0000110977435,0.000042887725,0.00004274497,0.038084775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994209,0.00032229006,0.000012432245,0.00005857763,0.00010135147,0.000084521125],"domain_scores_gemma":[0.99920243,0.00043786064,0.0001176652,0.000058477257,0.00009194756,0.00009163041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001749956,0.00022889873,0.00016836563,0.00077163766,0.0028851344,0.0045983903,0.0004162248,0.0012323104,0.008848342],"category_scores_gemma":[0.0029487943,0.0001268618,0.00017504685,0.00092098815,0.008660714,0.0030295744,0.0018490137,0.0017016132,0.00091087975],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012545484,0.000038986786,0.011243668,0.00037909707,0.00001605416,0.00073172804,0.460216,0.00012359551,0.00052009063,0.23394664,0.23699309,0.055665635],"study_design_scores_gemma":[0.000020355239,0.00006657863,0.06565159,0.00067779823,0.000022670563,0.000969638,0.16859452,0.00011911423,0.00046929275,0.013442207,0.7499228,0.00004342107],"about_ca_topic_score_codex":0.018428884,"about_ca_topic_score_gemma":0.036897633,"teacher_disagreement_score":0.018428884,"about_ca_system_score_codex":0.0022238777,"about_ca_system_score_gemma":0.0010381932,"threshold_uncertainty_score":0.036643267},"labels":[],"label_agreement":null},{"id":"W4412819068","doi":"10.1017/rqx.2024.369","title":": <i>Love Magic and Control in Premodern Iberian Literature</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"MAGIC (telescope); Latin Americans; History; Anthropology; Classics; Philosophy; Sociology; Linguistics; Physics","score_opus":0.005572179045319923,"score_gpt":0.2059494619279533,"score_spread":0.20037728288263337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819068","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21728387,0.100809194,0.0004045588,0.051243577,0.0013282569,0.000014324224,0.000164753,0.000035586054,0.62871593],"genre_scores_gemma":[0.9391009,0.014173874,0.00016255912,0.002821778,0.0005876347,0.000010337435,0.000058517435,0.000026525815,0.043057866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999772,0.00012030889,0.00000694528,0.000025914986,0.000029572822,0.00004527367],"domain_scores_gemma":[0.99975353,0.000094639756,0.000052800442,0.000020005422,0.000049999897,0.000029011526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097356463,0.00023022908,0.00020450437,0.0009066742,0.0037254272,0.0042632963,0.00030295347,0.00061887765,0.0073619634],"category_scores_gemma":[0.0010371073,0.00006919517,0.00008048014,0.0014667468,0.0047715683,0.0018836249,0.0011939922,0.0010351524,0.00059952046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019907838,0.000051516738,0.005656928,0.00049188867,0.000016549617,0.00049220363,0.32378393,0.00010897713,0.00058022916,0.49221236,0.08339592,0.09301045],"study_design_scores_gemma":[0.000020431133,0.000032237454,0.033787586,0.0016538034,0.000020101013,0.0005837446,0.20167404,0.00007992684,0.00047976396,0.01740187,0.74424964,0.00001693219],"about_ca_topic_score_codex":0.028673239,"about_ca_topic_score_gemma":0.04304184,"teacher_disagreement_score":0.028673239,"about_ca_system_score_codex":0.0037119016,"about_ca_system_score_gemma":0.001374684,"threshold_uncertainty_score":0.057012677},"labels":[],"label_agreement":null},{"id":"W4412819087","doi":"10.1017/rqx.2024.291","title":": <i>The Faithful Virgins</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Series (stratigraphy); History; Media studies; Sociology; Biology; Paleontology","score_opus":0.009685774412778576,"score_gpt":0.21215412791179833,"score_spread":0.20246835349901976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819087","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017001882,0.0052726115,0.0007821849,0.06615564,0.006635934,0.00005064893,0.00095070555,0.00017002368,0.90298045],"genre_scores_gemma":[0.16153944,0.0032751372,0.0004113876,0.012904894,0.0009818607,0.000035211626,0.0003383546,0.00024707217,0.82026666],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963105,0.00011411461,0.000009559029,0.00004931703,0.00010834077,0.00008760242],"domain_scores_gemma":[0.99963367,0.00009528068,0.000049650473,0.000047808764,0.00009742167,0.000076025404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058055494,0.0002728743,0.0001311618,0.0004533689,0.0037301977,0.0031067184,0.0003181627,0.0010945059,0.045428894],"category_scores_gemma":[0.0019611975,0.00014259519,0.00013840775,0.0008762171,0.0024894467,0.002000875,0.0017836806,0.0022017257,0.009513607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003009968,0.000011621107,0.0014100281,0.00015671326,0.000003982188,0.00027341914,0.036635518,0.000020204923,0.0005381496,0.17003056,0.7558888,0.03500088],"study_design_scores_gemma":[0.0000010317026,0.0000039200586,0.001108718,0.00009244534,0.0000013786116,0.00013455439,0.007186018,0.000006195248,0.00019515604,0.0014600484,0.9898059,0.000004606561],"about_ca_topic_score_codex":0.022653827,"about_ca_topic_score_gemma":0.05439884,"teacher_disagreement_score":0.045428894,"about_ca_system_score_codex":0.0012707822,"about_ca_system_score_gemma":0.0012771216,"threshold_uncertainty_score":0.1519748},"labels":[],"label_agreement":null},{"id":"W4412819120","doi":"10.1017/rqx.2024.356","title":": <i>Historical Truth in Fifteenth-Century Italy: Versimilitude and Factuality in the Humanist Debate</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Fifteenth; Humanism; Classics; Philosophy; Art history; History; Environmental ethics; Theology","score_opus":0.025724430427495292,"score_gpt":0.2465047727436666,"score_spread":0.22078034231617133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412819120","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07029597,0.038191333,0.0013104327,0.1322138,0.0015674712,0.000008732448,0.00012925053,0.00004166153,0.7562414],"genre_scores_gemma":[0.9594745,0.0049559223,0.0002613315,0.0041995114,0.0015084483,0.00001092796,0.000045328234,0.000030915242,0.029513163],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990889,0.0005740795,0.000026735099,0.000095381176,0.0001003799,0.00011463001],"domain_scores_gemma":[0.99867153,0.00090009865,0.00015130294,0.00011214793,0.00009243029,0.000072562856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002871426,0.00018543462,0.00016785173,0.0009743738,0.0034830885,0.008080779,0.000430185,0.0018821985,0.0055839433],"category_scores_gemma":[0.0035721976,0.00011668545,0.00018889036,0.0013357754,0.019943243,0.005794599,0.0017575141,0.002146272,0.0005537033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023859096,0.000005540086,0.00070091186,0.000053029114,0.0000030910655,0.00009761782,0.051716797,0.000053910502,0.000055824432,0.92124134,0.018532233,0.0075159334],"study_design_scores_gemma":[0.00001896453,0.000022405022,0.012230157,0.0009892741,0.000015975464,0.00038968155,0.04954823,0.00021915493,0.00037378012,0.19342662,0.7427416,0.00002423589],"about_ca_topic_score_codex":0.0097859595,"about_ca_topic_score_gemma":0.013856016,"teacher_disagreement_score":0.0097859595,"about_ca_system_score_codex":0.0041102595,"about_ca_system_score_gemma":0.0014470401,"threshold_uncertainty_score":0.02982217},"labels":[],"label_agreement":null},{"id":"W4414672610","doi":"10.1017/rqx.2024.426","title":": <i>Potere e sentimento: Strategie matrimoniali nel Rinascimento italiano</i>","year":2025,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Natural (archaeology); Context (archaeology); Interpretation (philosophy)","score_opus":0.015548602872210233,"score_gpt":0.24597208470783766,"score_spread":0.23042348183562741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414672610","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041400168,0.014840034,0.0017100397,0.19707315,0.0018460039,0.0000404161,0.00018453182,0.00007681765,0.7428288],"genre_scores_gemma":[0.8758214,0.010802255,0.0017064345,0.010389636,0.0018874921,0.000056233846,0.00012737839,0.00016242858,0.099046744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986872,0.0007810745,0.000026016456,0.00013292297,0.00020457263,0.00016824686],"domain_scores_gemma":[0.99894255,0.00046538567,0.0001966191,0.00006391853,0.00017478946,0.00015669744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026300251,0.0003003047,0.00014596163,0.00065572007,0.0021323743,0.006594965,0.00043623312,0.0014547851,0.009285381],"category_scores_gemma":[0.004056418,0.00013900398,0.00014374084,0.0017198217,0.0038470018,0.0027925887,0.00081827934,0.0018886538,0.002534346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008462808,0.0000358505,0.0060285837,0.0003228584,0.000018883311,0.00024050508,0.03474826,0.00028516428,0.00062492397,0.5469198,0.34815612,0.062534355],"study_design_scores_gemma":[0.000011708476,0.000035896166,0.016735183,0.0004771358,0.000019855323,0.00017951148,0.012690859,0.00035140073,0.00056973414,0.013264211,0.9556433,0.000021234195],"about_ca_topic_score_codex":0.017437289,"about_ca_topic_score_gemma":0.025213737,"teacher_disagreement_score":0.017437289,"about_ca_system_score_codex":0.004108569,"about_ca_system_score_gemma":0.0031063298,"threshold_uncertainty_score":0.034671545},"labels":[],"label_agreement":null},{"id":"W4414672615","doi":"10.1017/rqx.2025.12","title":": <i>Sufis and Their Lodges in the Ottoman Ḥijāz: Ḥasan b. ʿAlī al-ʿUjaymī’s (d. 1113/1702) Khabāyā al-Zawāyā “Secrets of the Lodges” &amp; Risāla Fī Ṭuruq al-Ṣūfiyya “Treatise on Sufi Orders</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Sufism; Islam; Ottoman empire; Volume (thermodynamics)","score_opus":0.013671064546042402,"score_gpt":0.2802709646006505,"score_spread":0.2665999000546081,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414672615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066894665,0.09541499,0.0002446946,0.1418781,0.012898373,0.00004750067,0.00094667624,0.00011814244,0.68155694],"genre_scores_gemma":[0.32816753,0.01671365,0.00021299015,0.008296828,0.0015006989,0.000023594224,0.00023123303,0.00008048893,0.644773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986124,0.000027753067,0.000005027178,0.000015039903,0.000030781343,0.000060223618],"domain_scores_gemma":[0.9998921,0.000031395077,0.000015567308,0.0000056473127,0.000022572474,0.000032655553],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036071037,0.0003921896,0.00013266923,0.00045513603,0.0054219915,0.0026059018,0.0003057926,0.0013335306,0.02693608],"category_scores_gemma":[0.000499933,0.00016364655,0.000110823064,0.0010228076,0.0028646665,0.0016161727,0.0011981108,0.0018186173,0.003506713],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007669916,0.000029361427,0.0022431652,0.00025678863,0.000009158363,0.0004496786,0.041127536,0.000051255854,0.0006721548,0.09109105,0.8325553,0.031437837],"study_design_scores_gemma":[0.0000042829142,0.000007797657,0.00550407,0.0001150713,0.0000034666798,0.00007468648,0.009456246,0.000008168042,0.00018168602,0.000834703,0.98380303,0.000006746676],"about_ca_topic_score_codex":0.1303817,"about_ca_topic_score_gemma":0.3921598,"teacher_disagreement_score":0.1303817,"about_ca_system_score_codex":0.004323559,"about_ca_system_score_gemma":0.0023907651,"threshold_uncertainty_score":0.25924557},"labels":[],"label_agreement":null},{"id":"W4415245021","doi":"10.1353/ren.2007.0230","title":": <i>Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Performance art; Volume (thermodynamics); George (robot); Work (physics)","score_opus":0.01297599012016217,"score_gpt":0.20626893032892946,"score_spread":0.19329294020876728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415245021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025882784,0.047630064,0.0012005984,0.21465048,0.00716528,0.000026673912,0.00023605904,0.00010015675,0.70310795],"genre_scores_gemma":[0.4641911,0.017542914,0.00081711827,0.02967492,0.0028283931,0.00004637407,0.00010556657,0.00036139297,0.48443213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995988,0.00018491148,0.0000052359337,0.00005101649,0.00008129702,0.00007882434],"domain_scores_gemma":[0.9997305,0.000133775,0.00002427066,0.000014659844,0.000030763586,0.0000660008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069196214,0.00045159983,0.00023075695,0.0005546226,0.012077799,0.0048135794,0.0006742923,0.0023157056,0.015605132],"category_scores_gemma":[0.0016344407,0.00027345197,0.00013842121,0.0008581443,0.0081810085,0.003965203,0.0022340138,0.0051053762,0.0028466051],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005475031,0.0000120355035,0.0005493533,0.000105186635,0.000005463089,0.00056436745,0.13906582,0.000059625796,0.0002908831,0.26789552,0.5796397,0.0117573785],"study_design_scores_gemma":[0.0000055500464,0.000004815112,0.00080946076,0.00018696845,0.0000041747016,0.00035452272,0.05013313,0.000034896893,0.00020471546,0.0051620374,0.94309103,0.000008783429],"about_ca_topic_score_codex":0.05100114,"about_ca_topic_score_gemma":0.14414008,"teacher_disagreement_score":0.05100114,"about_ca_system_score_codex":0.003247925,"about_ca_system_score_gemma":0.0011639716,"threshold_uncertainty_score":0.10140854},"labels":[],"label_agreement":null},{"id":"W4415245031","doi":"10.1353/ren.2007.0135","title":": <i>L’eremita e il sinodo: Paolo Giustiniani e l’offesiva medicea contro Girolamo Savonarola (1516–1517)</i>","year":2007,"lang":"it","type":"article","venue":"Renaissance Quarterly","topic":"History of Medicine Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Volume (thermodynamics); Section (typography)","score_opus":0.020633588419737718,"score_gpt":0.24086142744501676,"score_spread":0.22022783902527904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415245031","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036077797,0.14305545,0.0006364673,0.6003012,0.0390406,0.00002110018,0.000113181304,0.00012717527,0.21309702],"genre_scores_gemma":[0.1336895,0.102380514,0.001462909,0.15601186,0.067926265,0.00010240708,0.00017395378,0.0005100158,0.53774256],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893254,0.00052292715,0.000034973178,0.0001379188,0.0002400241,0.0001315403],"domain_scores_gemma":[0.9985897,0.0007729977,0.00013686849,0.00006826812,0.00022945457,0.00020258315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016101664,0.0005780934,0.0003316692,0.00078675785,0.0033816162,0.004987158,0.0006436359,0.0029182755,0.028414275],"category_scores_gemma":[0.003946554,0.00024895108,0.00018615741,0.0010481082,0.0036005736,0.004944604,0.0018484831,0.005026379,0.009930904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023795787,0.000014385986,0.0005298217,0.00020357974,0.000004729454,0.000118920165,0.0070085167,0.000017140475,0.00022092639,0.05615635,0.9139919,0.021709954],"study_design_scores_gemma":[0.0000027634858,0.000006966703,0.0009070217,0.0001543104,0.000001920849,0.00019043875,0.0015006433,0.000012779764,0.00008576431,0.0022044107,0.9949273,0.000005727457],"about_ca_topic_score_codex":0.0096411295,"about_ca_topic_score_gemma":0.019401431,"teacher_disagreement_score":0.028414275,"about_ca_system_score_codex":0.0018990772,"about_ca_system_score_gemma":0.0018719514,"threshold_uncertainty_score":0.09505522},"labels":[],"label_agreement":null},{"id":"W4415245042","doi":"10.1353/ren.2007.0206","title":": <i> <i>The Peaceable and Prosperous Regiment of Blessed Queene Elisabeth: A Facsimile from Holinshed’s</i> Chronicles <i>(1587)</i> </i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Facsimile; Performance art; Volume (thermodynamics); Print culture","score_opus":0.015402297979203897,"score_gpt":0.21928720730189516,"score_spread":0.20388490932269127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415245042","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023802416,0.091000475,0.00047686085,0.11414455,0.033369713,0.00015754142,0.0030988897,0.00011735173,0.73383224],"genre_scores_gemma":[0.057504497,0.016517688,0.00034456086,0.00799327,0.0040119346,0.00009270449,0.0006709714,0.00021526028,0.9126491],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99982953,0.00004047118,0.000007402379,0.00001618036,0.000057610298,0.00004886125],"domain_scores_gemma":[0.9997509,0.00006946263,0.000029604647,0.000014961868,0.00005111401,0.00008400307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045006754,0.0003253831,0.00023124392,0.000691272,0.003724774,0.0018562397,0.0002715173,0.0007948989,0.057059765],"category_scores_gemma":[0.0008668648,0.00015697487,0.00008930462,0.0011485897,0.0012567448,0.0015631261,0.0013988308,0.0023536852,0.0075349538],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030638952,0.0000114026525,0.00031544638,0.00019535547,0.0000015747437,0.000114326125,0.006187864,0.000013849798,0.00019080531,0.013394458,0.965808,0.013736352],"study_design_scores_gemma":[0.000002062989,0.0000037110722,0.001295152,0.00007690544,3.8747632e-7,0.000037117752,0.0013380542,0.0000026644107,0.00004725187,0.00022674452,0.996968,0.000001930403],"about_ca_topic_score_codex":0.03681938,"about_ca_topic_score_gemma":0.15327062,"teacher_disagreement_score":0.057059765,"about_ca_system_score_codex":0.0021272737,"about_ca_system_score_gemma":0.0017202909,"threshold_uncertainty_score":0.19088393},"labels":[],"label_agreement":null},{"id":"W4415246487","doi":"10.1353/ren.2007.0138","title":"“No quyckar merchaundyce than lybrary bokes”: John Bale’s Commodification of Manuscript Culture","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Commodification; Embodied cognition; Ideal (ethics); Identity (music); English culture; Literary criticism","score_opus":0.030965881886834624,"score_gpt":0.2445849670192485,"score_spread":0.21361908513241387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415246487","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2551284,0.025344267,0.0022873378,0.08545998,0.0019145627,0.000023001046,0.000052932108,0.00006142861,0.6297281],"genre_scores_gemma":[0.9451828,0.0021912712,0.00034612272,0.0034701596,0.0003362863,0.0000100965335,0.000009469776,0.000057023746,0.04839665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821234,0.0011246981,0.000044348486,0.00013494505,0.00027505224,0.00020864612],"domain_scores_gemma":[0.9983405,0.00076813414,0.00014452157,0.00016446196,0.00035414952,0.0002282845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028423665,0.00030169304,0.0002510745,0.000736158,0.009208952,0.008664531,0.00052003155,0.0011684118,0.0036978843],"category_scores_gemma":[0.004438866,0.00019853485,0.000113079965,0.0006981842,0.021820419,0.0051645795,0.0026164216,0.0025105546,0.0004911375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000631828,0.00002436123,0.00089538464,0.00007608178,0.000008099169,0.0005844845,0.4449998,0.00004853466,0.00053371413,0.49841303,0.03815376,0.016199542],"study_design_scores_gemma":[0.000013221398,0.0000425737,0.002736285,0.0002913502,0.000009240108,0.00037670814,0.13981418,0.00012579166,0.0008134676,0.026230548,0.8295211,0.000025463267],"about_ca_topic_score_codex":0.025642147,"about_ca_topic_score_gemma":0.06830888,"teacher_disagreement_score":0.025642147,"about_ca_system_score_codex":0.0048662904,"about_ca_system_score_gemma":0.002235781,"threshold_uncertainty_score":0.050985813},"labels":[],"label_agreement":null},{"id":"W4415479864","doi":"10.2307/1262482","title":": <i>Literature, Letters and the Canonical in Early Modern Scotland</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Non canonical; Volume (thermodynamics); Canonical form","score_opus":0.012837790266385544,"score_gpt":0.20458398085436263,"score_spread":0.1917461905879771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415479864","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27211538,0.027273318,0.0005816117,0.13998358,0.0029271084,0.000022193562,0.00036431785,0.00008578912,0.55664676],"genre_scores_gemma":[0.9228839,0.003327993,0.00014328666,0.0035764847,0.0007590316,0.000009171364,0.00006065009,0.000020440373,0.06921899],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999042,0.00035532782,0.000039205133,0.00006343069,0.00021776049,0.00028232622],"domain_scores_gemma":[0.9988121,0.00040871653,0.000261313,0.00005801534,0.00026649618,0.00019341415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014053736,0.00020465144,0.00017612605,0.0016640011,0.007916244,0.006753819,0.00057045324,0.0013111138,0.013201915],"category_scores_gemma":[0.0038891751,0.00014919996,0.00013313927,0.003982391,0.010154732,0.0031761292,0.002120879,0.001073109,0.0013878775],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008724263,0.000038699658,0.005685656,0.00022781936,0.0000055488404,0.0010659796,0.15139115,0.0000803208,0.00023255454,0.6496829,0.15163499,0.03986713],"study_design_scores_gemma":[0.000020320967,0.00006534632,0.027997866,0.00034137885,0.00001362187,0.00066348707,0.09206126,0.00006940409,0.00024699597,0.024516761,0.85397166,0.000031829797],"about_ca_topic_score_codex":0.110276684,"about_ca_topic_score_gemma":0.2066826,"teacher_disagreement_score":0.110276684,"about_ca_system_score_codex":0.0075158756,"about_ca_system_score_gemma":0.0045713964,"threshold_uncertainty_score":0.21926963},"labels":[],"label_agreement":null},{"id":"W4415479932","doi":"10.2307/1262469","title":": <i>The Guitar and Its Music: From the Renaissance to the Classical Era</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Guitar; The Renaissance; Volume (thermodynamics); Performance art","score_opus":0.02700241699573134,"score_gpt":0.22702886821876536,"score_spread":0.20002645122303403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415479932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03470557,0.20518889,0.0029687923,0.17494166,0.018330203,0.000035189205,0.0006628473,0.00025671654,0.5629101],"genre_scores_gemma":[0.5249369,0.057866234,0.0019636138,0.021439314,0.011696678,0.000040733183,0.00059811556,0.00029190606,0.38116643],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9996592,0.0001369384,0.000012943305,0.000055516324,0.00009343545,0.000041955027],"domain_scores_gemma":[0.9997589,0.00009049432,0.000026841988,0.000027265103,0.00006128767,0.000035311168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074069266,0.0003732072,0.00015938537,0.0009986274,0.0025083523,0.004281978,0.0005297377,0.0012999591,0.021686137],"category_scores_gemma":[0.0016448027,0.00009918678,0.00017423854,0.0018617335,0.003859528,0.0031951016,0.001362444,0.001843341,0.0030438849],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001235324,0.000018811623,0.0026850312,0.0006090541,0.000020579977,0.00045344618,0.04831271,0.0000895996,0.0009658557,0.32972482,0.5067431,0.110253446],"study_design_scores_gemma":[0.0000057078296,0.000021629745,0.0061037694,0.00030576705,0.000008108184,0.0005295297,0.008952447,0.000036491303,0.0003279998,0.013075406,0.9706195,0.000013611637],"about_ca_topic_score_codex":0.024299856,"about_ca_topic_score_gemma":0.058880754,"teacher_disagreement_score":0.024299856,"about_ca_system_score_codex":0.0016853486,"about_ca_system_score_gemma":0.001043907,"threshold_uncertainty_score":0.072547376},"labels":[],"label_agreement":null},{"id":"W4415479938","doi":"10.2307/4143800","title":": <i>Elizabethan Literature and the Law of Fraudulent Conveyance: Sidney, Spenser, and Shakespeare</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Publishing; Volume (thermodynamics); Project commissioning; Common law","score_opus":0.011497479795937368,"score_gpt":0.2046339562041926,"score_spread":0.19313647640825524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415479938","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021208331,0.07142891,0.003351435,0.43302163,0.0027969913,0.000035722653,0.00015452266,0.000057601686,0.46794498],"genre_scores_gemma":[0.8083295,0.023367887,0.0013007822,0.04173594,0.0025954444,0.000065831126,0.000056999917,0.00010027991,0.122447304],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9975051,0.001507992,0.00010760182,0.0002016586,0.00048709527,0.0001905509],"domain_scores_gemma":[0.99374264,0.004172977,0.0005838182,0.00032437005,0.0010021254,0.00017416108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032763318,0.00050015893,0.00027144043,0.0012103837,0.009353808,0.011523293,0.0012828435,0.009292288,0.009134679],"category_scores_gemma":[0.013073473,0.00034291288,0.00020411905,0.0021874625,0.021097876,0.011239086,0.0024381704,0.0059153545,0.0014385956],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001584515,0.0000067678216,0.0002603434,0.000086355256,0.000004997804,0.0001254875,0.02487955,0.00003652612,0.00005721637,0.8774605,0.09281379,0.004252623],"study_design_scores_gemma":[0.00002293042,0.000020247955,0.002193619,0.001572705,0.000027022244,0.00046392274,0.04531057,0.00021292338,0.00064759015,0.25015268,0.6993228,0.000052989904],"about_ca_topic_score_codex":0.032594707,"about_ca_topic_score_gemma":0.050021086,"teacher_disagreement_score":0.032594707,"about_ca_system_score_codex":0.006002435,"about_ca_system_score_gemma":0.0047069737,"threshold_uncertainty_score":0.06480998},"labels":[],"label_agreement":null},{"id":"W4415479945","doi":"10.2307/4143801","title":": <i>Favorite Sons: The Politics and Poetics of the Sidney Family</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Poetics; Politics; Volume (thermodynamics); Performance art","score_opus":0.04021415775067243,"score_gpt":0.24351186055941113,"score_spread":0.2032977028087387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415479945","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060910143,0.016079862,0.00062643184,0.17333765,0.0038824496,0.000014158276,0.00012604125,0.000067297435,0.744956],"genre_scores_gemma":[0.6629725,0.0040576537,0.00029209576,0.008253359,0.00060705945,0.000015000797,0.00003203911,0.000084602805,0.32368568],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994579,0.0003035698,0.000010243156,0.000036018828,0.0000859669,0.00010619648],"domain_scores_gemma":[0.9995214,0.0001549186,0.000053140444,0.000017205955,0.0000860805,0.00016733243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006848116,0.0003518882,0.00013542028,0.00033995116,0.009398369,0.0036164774,0.00035997506,0.000884102,0.017626537],"category_scores_gemma":[0.0017536368,0.000112754904,0.00009949483,0.00051710755,0.008875989,0.0020337135,0.0014406404,0.0017355309,0.0016623788],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058611684,0.000026936712,0.0028128983,0.00011728638,0.000007145786,0.0011107873,0.13817503,0.000036735702,0.00038120788,0.39349186,0.439528,0.024253508],"study_design_scores_gemma":[0.0000067743485,0.000019899757,0.0019529859,0.00015526653,0.000006065229,0.0008796335,0.12857528,0.000029904084,0.00048639654,0.0075203674,0.8603549,0.000012497946],"about_ca_topic_score_codex":0.054430306,"about_ca_topic_score_gemma":0.1641914,"teacher_disagreement_score":0.054430306,"about_ca_system_score_codex":0.0033257294,"about_ca_system_score_gemma":0.0024787027,"threshold_uncertainty_score":0.108226955},"labels":[],"label_agreement":null},{"id":"W4415480027","doi":"10.2307/1262432","title":": <i>The Forgotten Writings of the Mennonite Martyrs</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Agriculture and Farm Safety","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Brill","score_opus":0.006599025120118282,"score_gpt":0.18739440374274957,"score_spread":0.1807953786226313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480027","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036209304,0.017624587,0.0016688477,0.43545857,0.09167238,0.00006765366,0.0009326029,0.00039205843,0.4159739],"genre_scores_gemma":[0.13512199,0.004298618,0.0008502775,0.0351168,0.0089107,0.00003758956,0.00024904477,0.00033822862,0.8150767],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988759,0.00031759948,0.000035393077,0.00014266484,0.0004757339,0.00015269547],"domain_scores_gemma":[0.9979857,0.00046811166,0.00030477112,0.000093300216,0.00061990775,0.00052809395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017050763,0.0006876561,0.000276979,0.0004739582,0.0070167044,0.003363037,0.00051213655,0.0013507401,0.025810296],"category_scores_gemma":[0.005753805,0.0001873864,0.00019052756,0.00050660624,0.0031994267,0.001715267,0.001872783,0.0038190812,0.0078101964],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042205695,0.000011837935,0.0009209007,0.00011233138,0.0000044435797,0.0002783489,0.023811042,0.000021477741,0.00074310723,0.010718618,0.9476019,0.015733905],"study_design_scores_gemma":[0.000001646773,0.0000094257075,0.0013849747,0.00010243738,0.000001263974,0.00022889316,0.009606326,0.000011644546,0.00023249771,0.00051641255,0.9878968,0.0000077111],"about_ca_topic_score_codex":0.015975403,"about_ca_topic_score_gemma":0.061081816,"teacher_disagreement_score":0.025810296,"about_ca_system_score_codex":0.0019544463,"about_ca_system_score_gemma":0.0015216976,"threshold_uncertainty_score":0.08634406},"labels":[],"label_agreement":null},{"id":"W4415480037","doi":"10.2307/1261842","title":": <i>Debating Gender in Early Modern England, 1500-1700</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Early modern Europe; Early modern period; Gender history; Cultural issues","score_opus":0.033783164148970514,"score_gpt":0.28811134936180033,"score_spread":0.2543281852128298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81843793,0.04997383,0.00030654838,0.037581112,0.0009944551,0.000023995732,0.0012619707,0.000021395965,0.09139873],"genre_scores_gemma":[0.9424554,0.006520289,0.00012350439,0.0022708895,0.00036198113,0.000035524175,0.00020080685,0.000021464137,0.04801012],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997764,0.00006354134,0.000015546415,0.000035132616,0.000043640597,0.00006580584],"domain_scores_gemma":[0.99915624,0.00036839422,0.00019121081,0.000023518647,0.00014318721,0.00011757002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012560658,0.00016269933,0.0001855257,0.0011471201,0.003124189,0.0020276748,0.00040203656,0.000981593,0.0073507796],"category_scores_gemma":[0.0025070452,0.00015791558,0.00007924702,0.002137061,0.003248161,0.0034332662,0.0013192275,0.0011912896,0.00047088027],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001526851,0.00003308881,0.026686225,0.00034913092,0.000009581567,0.0004954446,0.831668,0.000038761373,0.0006965887,0.059319165,0.04469826,0.035852965],"study_design_scores_gemma":[0.000013377495,0.000082134946,0.2940819,0.0007646271,0.000015419666,0.00045665723,0.25368392,0.0000257885,0.00066429167,0.0033675246,0.44681564,0.000028639504],"about_ca_topic_score_codex":0.1861732,"about_ca_topic_score_gemma":0.48975214,"teacher_disagreement_score":0.1861732,"about_ca_system_score_codex":0.0060186274,"about_ca_system_score_gemma":0.0023535923,"threshold_uncertainty_score":0.37017912},"labels":[],"label_agreement":null},{"id":"W4415480083","doi":"10.2307/1261834","title":": <i>Speech and Performance in Shakespeare's Sonnets and Plays</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sonnet; Volume (thermodynamics); Poetry","score_opus":0.02090465213581295,"score_gpt":0.2161006765131751,"score_spread":0.19519602437736217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57438576,0.018736996,0.00069088995,0.017860861,0.0012010454,0.000013106049,0.001179374,0.0000686086,0.38586336],"genre_scores_gemma":[0.948393,0.0019866999,0.00008705755,0.00043702396,0.00024292887,0.000008775395,0.00025668734,0.000045366894,0.048542526],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997094,0.000151926,0.000015971887,0.000031350148,0.000049245038,0.000042100626],"domain_scores_gemma":[0.99921775,0.00052020646,0.0000713119,0.000025394182,0.00009518002,0.000070056696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074816303,0.00026562053,0.0001339871,0.00071369164,0.0018729407,0.0023050255,0.0002739073,0.00066860835,0.011186425],"category_scores_gemma":[0.0026638792,0.00011390875,0.000066650326,0.00096741033,0.0022978373,0.002050204,0.00087161985,0.000864317,0.0013367274],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034378792,0.000059440346,0.016959323,0.00035794388,0.00003678082,0.00087149045,0.6916132,0.00016616253,0.0017222738,0.07023058,0.14869268,0.06894643],"study_design_scores_gemma":[0.000016760618,0.0001284327,0.28413975,0.0007973728,0.000037384463,0.0008775377,0.40373784,0.00018631542,0.0018055779,0.008487828,0.2997337,0.000051504187],"about_ca_topic_score_codex":0.051091433,"about_ca_topic_score_gemma":0.117277525,"teacher_disagreement_score":0.051091433,"about_ca_system_score_codex":0.0010252461,"about_ca_system_score_gemma":0.00048550116,"threshold_uncertainty_score":0.10158807},"labels":[],"label_agreement":null},{"id":"W4415480087","doi":"10.2307/1261826","title":": <i>The Age of Elizabeth in the Age of Johnson</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Age groups","score_opus":0.024811513056590514,"score_gpt":0.3147792842459224,"score_spread":0.28996777118933187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480087","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013324069,0.025932882,0.0004981955,0.31740287,0.014911093,0.000018177447,0.00032814697,0.00009790089,0.62748665],"genre_scores_gemma":[0.24870364,0.012208348,0.00035779388,0.057262123,0.0038871751,0.00002516661,0.0001454234,0.00021853863,0.67719173],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99963224,0.00012425611,0.000012464152,0.00004899727,0.000079047844,0.00010292856],"domain_scores_gemma":[0.9996389,0.00011324928,0.000056159206,0.000018300336,0.00006506672,0.000108354434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005728304,0.00023921154,0.00013463579,0.0003275587,0.00466592,0.004379192,0.00031603232,0.0018163838,0.028130334],"category_scores_gemma":[0.0018352694,0.00013655801,0.00011205755,0.00068990106,0.0023635714,0.0039040018,0.0015478454,0.00251482,0.0056972653],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021436255,0.0000070061465,0.00066008826,0.00008012844,0.0000021689816,0.00017255152,0.019874562,0.000012410056,0.00018280237,0.10640319,0.86297464,0.00960912],"study_design_scores_gemma":[0.0000011394287,0.0000033369606,0.0015649959,0.00008388379,0.0000018110655,0.000114901064,0.009818379,0.0000048306965,0.00012079069,0.0019571583,0.986324,0.0000047910744],"about_ca_topic_score_codex":0.020132255,"about_ca_topic_score_gemma":0.08280609,"teacher_disagreement_score":0.028130334,"about_ca_system_score_codex":0.001711762,"about_ca_system_score_gemma":0.001300955,"threshold_uncertainty_score":0.0941053},"labels":[],"label_agreement":null},{"id":"W4415480098","doi":"10.2307/1261822","title":": <i>Publishing and Medicine in Early Modern England</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Medical History and Innovations","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Publishing; Modern medicine; Volume (thermodynamics); Alternative medicine","score_opus":0.03116288022076144,"score_gpt":0.23500763582398762,"score_spread":0.20384475560322618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480098","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011048796,0.17409393,0.00036391054,0.50106066,0.015426962,0.000029465158,0.000601029,0.00013749467,0.2972378],"genre_scores_gemma":[0.3008159,0.07584136,0.00082196394,0.062466513,0.019329384,0.00007400745,0.00046637424,0.00016892704,0.5400155],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9991086,0.0002898185,0.000079309764,0.00007244433,0.00027696823,0.00017286539],"domain_scores_gemma":[0.99836105,0.000713855,0.0002542845,0.00009306137,0.00024216446,0.00033548835],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0014770707,0.00019945395,0.00022247001,0.0014754414,0.003360176,0.0071931337,0.0004645563,0.002711841,0.043066934],"category_scores_gemma":[0.0038275768,0.00018761649,0.0001239843,0.003578243,0.004583986,0.006124043,0.0018611443,0.0023146262,0.0065574744],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029688104,0.0000125206025,0.0013939977,0.00043238822,0.0000043412147,0.00025670903,0.01676724,0.000027918875,0.00022857667,0.14729673,0.79443437,0.03911551],"study_design_scores_gemma":[0.000004486794,0.00000860139,0.0049885656,0.00029671486,0.00000237428,0.00020388694,0.0036623257,0.000009318688,0.000087259294,0.004652192,0.98607594,0.000008326106],"about_ca_topic_score_codex":0.02902522,"about_ca_topic_score_gemma":0.07170386,"teacher_disagreement_score":0.99663985,"about_ca_system_score_codex":0.0048203636,"about_ca_system_score_gemma":0.004323598,"threshold_uncertainty_score":0.14407331},"labels":[],"label_agreement":null},{"id":"W4415480122","doi":"10.2307/1262377","title":": <i>Aristotle's \"Ethics\" in the Italian Renaissance (ca. 1300-1650): The Universities and the Problem of Moral Education</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Brill; Italian Renaissance; The Renaissance; Italian studies","score_opus":0.0230833881015778,"score_gpt":0.23986315193226157,"score_spread":0.21677976383068376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480122","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026297202,0.07827777,0.0019810072,0.23439455,0.003976865,0.000026490923,0.00024482387,0.00009678673,0.6547046],"genre_scores_gemma":[0.72299874,0.016889367,0.0012497354,0.022815371,0.005820912,0.00004413347,0.00013175946,0.000100539655,0.2299494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99945825,0.00026635645,0.000015720287,0.000050755385,0.0001226421,0.00008630563],"domain_scores_gemma":[0.9996364,0.00017183462,0.000055397755,0.00002988026,0.00006777152,0.00003867346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011022105,0.00033734864,0.00014606968,0.0008221893,0.0028725977,0.0029516446,0.00043547238,0.00235778,0.004293415],"category_scores_gemma":[0.001768335,0.000121521145,0.00018347116,0.0010996206,0.007314894,0.0026644038,0.0008510047,0.002362607,0.00078631047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027190124,0.0000084390285,0.000527346,0.00008648837,0.000003076592,0.00007360845,0.01456465,0.00008425627,0.000087550514,0.8368651,0.13657938,0.011092837],"study_design_scores_gemma":[0.000012073715,0.000020116382,0.008964547,0.00031473816,0.000008904518,0.00019380833,0.0033639083,0.00011581325,0.00024656713,0.08927219,0.8974672,0.00002019369],"about_ca_topic_score_codex":0.04424197,"about_ca_topic_score_gemma":0.10275074,"teacher_disagreement_score":0.04424197,"about_ca_system_score_codex":0.0057188123,"about_ca_system_score_gemma":0.0024134468,"threshold_uncertainty_score":0.087968886},"labels":[],"label_agreement":null},{"id":"W4415480174","doi":"10.2307/1261779","title":": <i>Isaac Abravanel on Miracles, Creation, Prophecy, and Evil: The Tension between Medieval Jewish Philosophy and Biblical Commentary</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Jewish philosophy; Judaism; Medieval philosophy; Middle Ages; Biblical studies; Jewish literature","score_opus":0.031173100439806173,"score_gpt":0.25147519511771693,"score_spread":0.22030209467791076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480174","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030358187,0.12255049,0.0007300143,0.78936315,0.021885186,0.000016558211,0.00015738652,0.00007460294,0.06218679],"genre_scores_gemma":[0.19950816,0.09768421,0.0018716978,0.46239743,0.069394134,0.00010632913,0.00028475127,0.00048136062,0.16827197],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982481,0.0010292435,0.000060574977,0.00017130378,0.00037906584,0.00011178929],"domain_scores_gemma":[0.9950264,0.0032914374,0.00026662892,0.00013198964,0.0009946353,0.00028893538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027110053,0.0007289262,0.00056386983,0.0017524277,0.009550505,0.005749499,0.001304693,0.005282143,0.0072188],"category_scores_gemma":[0.008623261,0.00030167922,0.00026548203,0.0022166513,0.008632707,0.007242172,0.0023373254,0.0072352127,0.0024106177],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026892094,0.000005534297,0.00015854667,0.00013129048,0.0000080605305,0.00007883257,0.009379069,0.000025100062,0.00008117775,0.055504374,0.9291982,0.0054030316],"study_design_scores_gemma":[0.000015030074,0.000011681356,0.0015984264,0.00090938114,0.000015433632,0.0002406209,0.019707566,0.00008482032,0.00040411198,0.03069537,0.9462763,0.00004129648],"about_ca_topic_score_codex":0.018921804,"about_ca_topic_score_gemma":0.059699602,"teacher_disagreement_score":0.018921804,"about_ca_system_score_codex":0.002859219,"about_ca_system_score_gemma":0.0021143116,"threshold_uncertainty_score":0.037623286},"labels":[],"label_agreement":null},{"id":"W4415480177","doi":"10.2307/1261789","title":": <i>Erasmus in the Twentieth Century: Interpretations 1920-2000</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Education and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Erasmus+; Interpretation (philosophy); Volume (thermodynamics)","score_opus":0.016551219004748093,"score_gpt":0.30727747785062215,"score_spread":0.29072625884587405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480177","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22517863,0.08738265,0.001378483,0.02917267,0.0010055932,0.00002064865,0.0005386713,0.000057764348,0.65526485],"genre_scores_gemma":[0.9550561,0.009371342,0.00027370182,0.00068141957,0.00037156057,0.000013677758,0.00012637264,0.000036237594,0.03406954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999739,0.00010573515,0.000013824627,0.00004182849,0.00003786512,0.00006165512],"domain_scores_gemma":[0.9996785,0.00015609608,0.000073545096,0.000020795213,0.000045585475,0.000025434207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007490698,0.0003380914,0.00014162943,0.0018265836,0.0021576479,0.0032703234,0.00040932486,0.00089266285,0.0052953055],"category_scores_gemma":[0.0016205474,0.00009276956,0.00012219486,0.002873845,0.005792673,0.0032858911,0.0010645275,0.0011393023,0.00037514468],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007596456,0.000011425353,0.0024644448,0.00016779221,0.0000065063577,0.00023713299,0.1373776,0.00014180479,0.00022127671,0.81598103,0.015351982,0.027963031],"study_design_scores_gemma":[0.000024526014,0.00003224363,0.035179507,0.0012296225,0.000021102076,0.0003949313,0.049358033,0.00020237495,0.00063625805,0.06032128,0.85257715,0.000022985652],"about_ca_topic_score_codex":0.037662227,"about_ca_topic_score_gemma":0.07671705,"teacher_disagreement_score":0.037662227,"about_ca_system_score_codex":0.0061982716,"about_ca_system_score_gemma":0.0014224572,"threshold_uncertainty_score":0.074886024},"labels":[],"label_agreement":null},{"id":"W4415480213","doi":"10.2307/1261737","title":": <i>I devoti della carità: Le confraternite del Divino Amore nell'Italia del primo Cinquecento</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Work (physics); Volume (thermodynamics); Context (archaeology)","score_opus":0.027639880102442116,"score_gpt":0.22656505444646896,"score_spread":0.19892517434402684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480213","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010057369,0.027519261,0.0014006278,0.20315753,0.015042968,0.000035403304,0.000595195,0.0001973732,0.7419943],"genre_scores_gemma":[0.19674882,0.012996608,0.00129339,0.019153101,0.0075837392,0.000088189205,0.00033276452,0.00062227855,0.76118106],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99939656,0.00022287949,0.000021620657,0.00009786055,0.00016003134,0.00010114759],"domain_scores_gemma":[0.9992964,0.00024899858,0.000089352114,0.00006933385,0.00015625863,0.0001395424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008681415,0.00040844554,0.00021004985,0.00070707104,0.0029437854,0.0052591804,0.00045948217,0.0014870855,0.031413544],"category_scores_gemma":[0.0027390355,0.0002253783,0.00015363107,0.0011895502,0.0029159233,0.0038543215,0.0019824584,0.0034975256,0.010835153],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030443844,0.000008800892,0.0007629238,0.00013370467,0.0000029543996,0.00013277352,0.014112806,0.000016622898,0.00032231017,0.14735194,0.80988413,0.027240677],"study_design_scores_gemma":[0.000002674516,0.0000042509505,0.0015937045,0.00013313936,0.0000014657165,0.00009752359,0.0019942578,0.00001615501,0.00017064744,0.0023037894,0.9936765,0.0000057548054],"about_ca_topic_score_codex":0.0128272865,"about_ca_topic_score_gemma":0.037891608,"teacher_disagreement_score":0.031413544,"about_ca_system_score_codex":0.002123251,"about_ca_system_score_gemma":0.0013442893,"threshold_uncertainty_score":0.10508883},"labels":[],"label_agreement":null},{"id":"W4415480221","doi":"10.2307/1261729","title":": <i>Apocalypse in Rome: Cola di Rienzo and the Politics of the New Age</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Cola (plant); Politics; Volume (thermodynamics)","score_opus":0.010175158955194346,"score_gpt":0.25512460998384356,"score_spread":0.2449494510286492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480221","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019829571,0.07134397,0.00013178398,0.49087104,0.005836488,0.000013808464,0.00010518635,0.000035085148,0.41183305],"genre_scores_gemma":[0.64129376,0.025482967,0.00024916357,0.051547103,0.008050489,0.00004806875,0.000091648784,0.000110378656,0.27312645],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995499,0.00016617692,0.00000916077,0.00005281477,0.00006661662,0.0001552699],"domain_scores_gemma":[0.9995235,0.00017288358,0.00009029821,0.000029911354,0.000043484295,0.00013984591],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082880823,0.0003422918,0.00018393077,0.00060213485,0.0057846187,0.00412306,0.00043609156,0.0024482533,0.010914675],"category_scores_gemma":[0.0014206487,0.00013957963,0.0002021649,0.0011190306,0.0061588497,0.0025164927,0.0014102195,0.0026773838,0.0011877624],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053297306,0.000025816484,0.001506941,0.00020174055,0.0000052169507,0.0003749775,0.023138747,0.000047408215,0.00012332681,0.3715384,0.5877092,0.015275048],"study_design_scores_gemma":[0.000010902593,0.000008636447,0.0061080107,0.00018257512,0.0000036928486,0.00016369316,0.006974529,0.00001830173,0.00006593931,0.009659256,0.97679406,0.000010329497],"about_ca_topic_score_codex":0.04122947,"about_ca_topic_score_gemma":0.14447692,"teacher_disagreement_score":0.04122947,"about_ca_system_score_codex":0.0058646323,"about_ca_system_score_gemma":0.0035468559,"threshold_uncertainty_score":0.08197904},"labels":[],"label_agreement":null},{"id":"W4415480260","doi":"10.2307/1262434","title":": <i>The Literary Culture of the Reformation: Grammar and Grace</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Grammar; Literary criticism; Literary science; Volume (thermodynamics)","score_opus":0.01104478794589868,"score_gpt":0.2021874965513898,"score_spread":0.1911427086054911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031159893,0.026408054,0.0021585363,0.31576452,0.005552106,0.000030547333,0.0003698387,0.00017603772,0.6183804],"genre_scores_gemma":[0.76129246,0.007843751,0.00092724885,0.018928437,0.0041696327,0.000033447686,0.00021760477,0.00031784864,0.20626958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992563,0.00041592415,0.000022871573,0.00007103534,0.00016728678,0.00006657109],"domain_scores_gemma":[0.99911207,0.0004380898,0.00012346708,0.00008462791,0.00013448251,0.000107178836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010976498,0.00026405402,0.00017915537,0.00073681504,0.0029510427,0.005594706,0.00040252568,0.0013807926,0.011559838],"category_scores_gemma":[0.0032934255,0.00009256119,0.00012812873,0.0013237579,0.0075209844,0.0036917077,0.0016452756,0.0021367325,0.0018571174],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004084096,0.000012455575,0.0009551506,0.00019848008,0.000006182915,0.00015594547,0.085865855,0.000056848574,0.00051848294,0.5408372,0.34872198,0.022630505],"study_design_scores_gemma":[0.0000064117758,0.000015113187,0.0036037415,0.0003280579,0.000007245027,0.0003720078,0.02902031,0.00008005976,0.00056493573,0.032708548,0.93327874,0.000014684738],"about_ca_topic_score_codex":0.009169444,"about_ca_topic_score_gemma":0.016561275,"teacher_disagreement_score":0.011559838,"about_ca_system_score_codex":0.0020924092,"about_ca_system_score_gemma":0.0014016185,"threshold_uncertainty_score":0.038671553},"labels":[],"label_agreement":null},{"id":"W4415480261","doi":"10.2307/1262423","title":": <i>Jan Gossaert: Die niederländische Kunst zu Beginn der Neuzeit</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Influence and Diplomacy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Volume (thermodynamics); Sculpture; Painting","score_opus":0.022004929499210395,"score_gpt":0.3139164694232759,"score_spread":0.2919115399240655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480261","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029290891,0.10607465,0.0006384145,0.7664085,0.07022594,0.000055321954,0.001091365,0.00020072021,0.052376058],"genre_scores_gemma":[0.057520784,0.11813461,0.0014434004,0.38824156,0.06320706,0.00015913346,0.0012506697,0.00091720157,0.36912555],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993722,0.000220267,0.00004352953,0.00010219734,0.0001831788,0.00007865532],"domain_scores_gemma":[0.99835676,0.000653729,0.00021998024,0.00004334362,0.00037059322,0.00035560768],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011802011,0.0011045082,0.0006120481,0.0016433399,0.0033197256,0.0036576614,0.0010115592,0.0034860256,0.032766156],"category_scores_gemma":[0.006108333,0.00036968198,0.00032422095,0.002757587,0.0013908665,0.006870532,0.0026609178,0.0052477657,0.011222618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015557154,0.000003856009,0.00026149504,0.0000978426,0.000004083191,0.00009484343,0.0013191275,0.000013204003,0.00006709494,0.0031864457,0.9906283,0.0043082144],"study_design_scores_gemma":[0.0000074568134,0.0000077438535,0.0022842071,0.00041812524,0.0000068407726,0.00023998995,0.0044133947,0.000031996955,0.00020930599,0.00198463,0.9903696,0.000026717324],"about_ca_topic_score_codex":0.020516599,"about_ca_topic_score_gemma":0.053262457,"teacher_disagreement_score":0.032766156,"about_ca_system_score_codex":0.0014871405,"about_ca_system_score_gemma":0.0013066273,"threshold_uncertainty_score":0.10961372},"labels":[],"label_agreement":null},{"id":"W4415480333","doi":"10.2307/4143681","title":": <i>Shakespeare and the Force of Modern Performance</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Volume (thermodynamics); Fifth force","score_opus":0.012233055728532746,"score_gpt":0.18739307213610207,"score_spread":0.1751600164075693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00852003,0.18013643,0.00134244,0.21775174,0.008338132,0.0000126609475,0.00016676365,0.00006769698,0.5836642],"genre_scores_gemma":[0.36761302,0.06842828,0.0009568561,0.020789457,0.006108186,0.000034364002,0.00016776333,0.00022673626,0.5356754],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99934965,0.00029370832,0.000022708546,0.00007482897,0.00016497808,0.00009404346],"domain_scores_gemma":[0.99933016,0.00027868265,0.00006227032,0.000053541415,0.00017361388,0.00010171185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010232248,0.00057596003,0.0002338313,0.0012122252,0.0065714796,0.0058304146,0.0005283009,0.0022596053,0.019607557],"category_scores_gemma":[0.0024443343,0.00019140045,0.00014876867,0.001842391,0.008409995,0.0068014865,0.0017842158,0.0024743432,0.0033832688],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024371215,0.000008372709,0.00050551625,0.0001551026,0.0000052594933,0.00011062011,0.027382521,0.000031322194,0.00010923494,0.35080904,0.60180014,0.019058576],"study_design_scores_gemma":[0.000003983561,0.00000697565,0.0016693741,0.00040133868,0.000004562713,0.00014787486,0.012355802,0.000022306887,0.00013894803,0.020208122,0.9650312,0.000009499505],"about_ca_topic_score_codex":0.045367654,"about_ca_topic_score_gemma":0.1240598,"teacher_disagreement_score":0.045367654,"about_ca_system_score_codex":0.0032965357,"about_ca_system_score_gemma":0.0026722625,"threshold_uncertainty_score":0.09020716},"labels":[],"label_agreement":null},{"id":"W4415480366","doi":"10.2307/4143667","title":": <i>Comedy, Youth, Manhood in Early Modern England</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Gender Roles and Identity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Natural (archaeology)","score_opus":0.02321346534702363,"score_gpt":0.2669102118337357,"score_spread":0.24369674648671208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84767324,0.03772563,0.00011428476,0.07632047,0.0011866346,0.000023168897,0.0006012573,0.000012278839,0.036343098],"genre_scores_gemma":[0.96858144,0.009911955,0.00004177134,0.0023811276,0.00024667394,0.00002554052,0.00008478504,0.0000069239763,0.018719794],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999571,0.00020971624,0.000025092793,0.000034129906,0.000055835197,0.00010410042],"domain_scores_gemma":[0.99913484,0.00033956568,0.0001627066,0.000017404996,0.00007247456,0.0002731231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013983866,0.0001281985,0.0002506246,0.0007806646,0.0036608884,0.0024316495,0.000376111,0.0007784357,0.008867431],"category_scores_gemma":[0.0019933917,0.0001676203,0.00008919798,0.001475955,0.0029171628,0.0027262191,0.0017672393,0.0009919669,0.0004223502],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003947785,0.000033081884,0.03930143,0.0003398783,0.0000065878794,0.00076900993,0.8852548,0.000018343855,0.0001437335,0.014785557,0.045558926,0.013749177],"study_design_scores_gemma":[0.000006637203,0.000045395565,0.11515218,0.00047886363,0.00000884857,0.00045339536,0.7966837,0.000013952333,0.000067771434,0.00072923274,0.08634799,0.000011965164],"about_ca_topic_score_codex":0.24130294,"about_ca_topic_score_gemma":0.46884382,"teacher_disagreement_score":0.24130294,"about_ca_system_score_codex":0.0033390836,"about_ca_system_score_gemma":0.0028477693,"threshold_uncertainty_score":0.47979677},"labels":[],"label_agreement":null},{"id":"W4415480386","doi":"10.2307/4143746","title":": <i>Le Visage changeant de Montaigne/The Changing Face of Montaigne</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Face (sociological concept); Champion; The Renaissance; Face-to-face","score_opus":0.01112442832240759,"score_gpt":0.2050827608734804,"score_spread":0.1939583325510728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480386","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02585414,0.07951983,0.0010517143,0.4999616,0.008213632,0.00001457992,0.0001401984,0.0001464026,0.3850979],"genre_scores_gemma":[0.58583647,0.013928037,0.0010887778,0.040226918,0.005603025,0.000029954397,0.000088357054,0.00030205358,0.35289645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986247,0.0005987925,0.000020224768,0.00018647227,0.0003266258,0.00024322308],"domain_scores_gemma":[0.9994211,0.00019691131,0.000081172024,0.000041016854,0.00013316218,0.0001266907],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016209902,0.00043599904,0.00028976277,0.0009721733,0.008735564,0.0075280494,0.0006061222,0.004320138,0.016167687],"category_scores_gemma":[0.0023931433,0.00015951764,0.00035659887,0.0013554578,0.00849268,0.0031668611,0.0019762574,0.004707472,0.0015290449],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075549324,0.000011849083,0.0013555386,0.00017981687,0.000013591209,0.00074377056,0.039932948,0.000084464664,0.0007113021,0.49640682,0.43407616,0.026408153],"study_design_scores_gemma":[0.0000036358003,0.000007253375,0.003335436,0.00015818528,0.000004449402,0.0003020515,0.00886834,0.000028249196,0.0002051281,0.0060315146,0.9810435,0.000012177204],"about_ca_topic_score_codex":0.14121456,"about_ca_topic_score_gemma":0.21285594,"teacher_disagreement_score":0.14121456,"about_ca_system_score_codex":0.011635033,"about_ca_system_score_gemma":0.0038153327,"threshold_uncertainty_score":0.2807852},"labels":[],"label_agreement":null},{"id":"W4415480403","doi":"10.2307/4143664","title":": <i>The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Discretion; Anonymity; Volume (thermodynamics)","score_opus":0.014113283178646322,"score_gpt":0.2347568368644642,"score_spread":0.22064355368581787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480403","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4155738,0.030662388,0.0010046579,0.20051157,0.002713838,0.00004531387,0.0006277642,0.00009583044,0.3487649],"genre_scores_gemma":[0.7991316,0.0024495304,0.00012575003,0.004196278,0.0002511177,0.000018870682,0.000052204243,0.000055741566,0.19371898],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99944943,0.00029162748,0.00001935936,0.000042949796,0.0000719411,0.00012474913],"domain_scores_gemma":[0.99932754,0.00029540242,0.00010198715,0.000046311197,0.00007936452,0.00014940886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011126318,0.00013839561,0.00014074211,0.000293207,0.007058637,0.0038516019,0.0003991433,0.0011118762,0.01978405],"category_scores_gemma":[0.0021553924,0.0001300157,0.00007608739,0.0009439268,0.005573399,0.0023161464,0.0020095932,0.0012955071,0.0011954027],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079769256,0.000018060935,0.003821579,0.00014663728,0.0000054387247,0.00069096684,0.5710315,0.000051802057,0.00033857021,0.2128103,0.19641717,0.014588174],"study_design_scores_gemma":[0.0000063726216,0.000014858162,0.011384032,0.00015733307,0.0000047992867,0.00023916755,0.17682905,0.000036190362,0.00034095356,0.0035566618,0.8074028,0.000027790487],"about_ca_topic_score_codex":0.16868916,"about_ca_topic_score_gemma":0.4264412,"teacher_disagreement_score":0.16868916,"about_ca_system_score_codex":0.00425651,"about_ca_system_score_gemma":0.002350275,"threshold_uncertainty_score":0.3354146},"labels":[],"label_agreement":null},{"id":"W4415480404","doi":"10.2307/4143663","title":": <i>Didactic Literature in England 1500-1800: Expertise Constructed</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Classical Studies and Philology","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Publishing; New england; Volume (thermodynamics); Project commissioning","score_opus":0.01754765167884078,"score_gpt":0.22751782150373978,"score_spread":0.209970169824899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65237355,0.023899395,0.00037629335,0.026769089,0.0003527217,0.000043599575,0.0040439395,0.00005902309,0.29208234],"genre_scores_gemma":[0.91267246,0.0039318046,0.00026289836,0.0006272271,0.00010822614,0.000024334202,0.00083339476,0.00002693792,0.08151283],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9997348,0.00006858382,0.000024824207,0.000039991155,0.000062637315,0.00006907929],"domain_scores_gemma":[0.9983565,0.00060234923,0.0003513395,0.000052595682,0.0003508461,0.00028632468],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005998874,0.00011883272,0.0001553681,0.003188681,0.0024077273,0.0028308614,0.0003813399,0.0005426878,0.03349675],"category_scores_gemma":[0.0037961972,0.00012879755,0.000055686283,0.006960216,0.0024426964,0.0029223145,0.001242199,0.0006255461,0.0018151366],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020309801,0.000055959543,0.036130168,0.0010333494,0.000011589875,0.000986776,0.5699805,0.00013000863,0.0010800736,0.12772498,0.15656936,0.10609427],"study_design_scores_gemma":[0.000011836635,0.0000411284,0.3385682,0.0009791956,0.0000099190465,0.00041481212,0.1625335,0.000042407744,0.00043023698,0.0032359252,0.49371797,0.000014816057],"about_ca_topic_score_codex":0.1508023,"about_ca_topic_score_gemma":0.37206405,"teacher_disagreement_score":0.9975923,"about_ca_system_score_codex":0.009369711,"about_ca_system_score_gemma":0.0032990607,"threshold_uncertainty_score":0.2998491},"labels":[],"label_agreement":null},{"id":"W4415480458","doi":"10.2307/4143628","title":": <i>Penser la nuit (XVe-XVIIe siècle)</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Champion; Pascal (unit); Rationalization (economics); Volume (thermodynamics)","score_opus":0.01897678822582825,"score_gpt":0.22251393264021221,"score_spread":0.20353714441438397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016337287,0.00601207,0.0015613668,0.011809105,0.018900903,0.00010629167,0.0027983878,0.0019089944,0.95526916],"genre_scores_gemma":[0.010886864,0.002369501,0.0011144193,0.0025572143,0.0025081467,0.00007708186,0.00096966117,0.0015284999,0.97798866],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99963045,0.00007649877,0.000017614057,0.000051416624,0.00015663228,0.00006740333],"domain_scores_gemma":[0.9994566,0.00014889457,0.0000491383,0.000051210092,0.00019903878,0.0000951631],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006629359,0.00089173275,0.0005069248,0.001674613,0.0025729367,0.004347483,0.0005462361,0.0012278588,0.36794767],"category_scores_gemma":[0.002487062,0.00027300234,0.00042517672,0.001488673,0.0008554103,0.0021161241,0.0020403438,0.0028455697,0.21667206],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027299517,0.000005713853,0.0001258324,0.00006222221,0.0000019564723,0.0000461365,0.0005945787,0.000012946652,0.00021987899,0.007046677,0.9701282,0.021728713],"study_design_scores_gemma":[0.0000019835745,0.0000032353446,0.00039095982,0.000053108757,8.073573e-7,0.000030067948,0.0001827027,0.0000078583535,0.00013617965,0.00023443656,0.9989549,0.0000037840489],"about_ca_topic_score_codex":0.009814543,"about_ca_topic_score_gemma":0.030233698,"teacher_disagreement_score":0.36794767,"about_ca_system_score_codex":0.0011236522,"about_ca_system_score_gemma":0.00070706464,"threshold_uncertainty_score":0.90154594},"labels":[],"label_agreement":null},{"id":"W4415480462","doi":"10.2307/4143625","title":": <i>The Work of Heiko A. Oberman: Papers from the Symposium on His Seventieth Birthday</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Medicine","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Brill; Work (physics); Volume (thermodynamics); Performance art","score_opus":0.014399645523530052,"score_gpt":0.2087143507758147,"score_spread":0.19431470525228467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480462","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024629887,0.1517387,0.0014308722,0.51523125,0.23625639,0.000044948345,0.00047320506,0.00012084175,0.09224086],"genre_scores_gemma":[0.05044421,0.13634107,0.001562265,0.05411416,0.10471235,0.000092576236,0.00050301256,0.00070353074,0.6515268],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868876,0.00050906965,0.000048507318,0.00021146149,0.00039623363,0.00014611262],"domain_scores_gemma":[0.99691725,0.0009001256,0.00018466076,0.000108211534,0.0007712005,0.0011185259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030636336,0.00096571544,0.0004976018,0.001343916,0.005381813,0.005441863,0.00083182263,0.0018946985,0.037573546],"category_scores_gemma":[0.006718934,0.00034671853,0.00040606878,0.001466013,0.0020396672,0.0041330927,0.0024149627,0.0049756267,0.017989427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017520488,0.0000053754425,0.000083194696,0.0001022565,0.00000356154,0.000038199058,0.0012007471,0.000015857904,0.000104757535,0.0049219476,0.9852115,0.008295102],"study_design_scores_gemma":[0.000002173168,0.0000059191602,0.0004146137,0.0001780858,0.0000039607767,0.00007813534,0.0014359485,0.000009492986,0.0001426598,0.001104838,0.9966158,0.0000083862915],"about_ca_topic_score_codex":0.00528064,"about_ca_topic_score_gemma":0.019729914,"teacher_disagreement_score":0.037573546,"about_ca_system_score_codex":0.0029662228,"about_ca_system_score_gemma":0.0026289758,"threshold_uncertainty_score":0.12569606},"labels":[],"label_agreement":null},{"id":"W4415480479","doi":"10.2307/4143614","title":": <i>Erfurter Juristen im Spätmittelalter: Dir Karrieremuster und Tätigkeitsfelder einer gelehrten Elite des 14. und 15. Jahrhunderts</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Historical Legal Studies and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Elite; Brill; Politics; Context (archaeology)","score_opus":0.01810523604888591,"score_gpt":0.2943631396967762,"score_spread":0.27625790364789027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049210604,0.076179355,0.0014927018,0.3843875,0.007431913,0.000052920142,0.0007660602,0.00021088244,0.48026806],"genre_scores_gemma":[0.42761183,0.014417516,0.0007463801,0.028619764,0.0021564376,0.00006826284,0.00025727434,0.00023045189,0.5258921],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880433,0.00043505357,0.00003783787,0.00011653984,0.00035227108,0.00025384367],"domain_scores_gemma":[0.99914,0.00037385846,0.00014730098,0.000036614532,0.00016690194,0.00013528885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017943317,0.00030233484,0.00019901512,0.0008232445,0.006386989,0.0042058453,0.0004936709,0.0028556038,0.018830927],"category_scores_gemma":[0.0046806536,0.00020792216,0.00011038885,0.0015504985,0.0036189368,0.0032837666,0.0021980675,0.002909275,0.0038263097],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025874997,0.000019280926,0.0020118249,0.00011303243,0.000004868811,0.00028892595,0.06455085,0.000028690218,0.00033850066,0.17643046,0.728117,0.028070766],"study_design_scores_gemma":[0.000003825492,0.000010543541,0.004647849,0.00014189247,0.0000030449526,0.00014394932,0.009615246,0.00001617624,0.00021832595,0.0035938034,0.9815932,0.000012170857],"about_ca_topic_score_codex":0.03712702,"about_ca_topic_score_gemma":0.110944904,"teacher_disagreement_score":0.03712702,"about_ca_system_score_codex":0.0035938655,"about_ca_system_score_gemma":0.0025246462,"threshold_uncertainty_score":0.07382184},"labels":[],"label_agreement":null},{"id":"W4415480504","doi":"10.2307/4143619","title":": <i>Michael Servetus: Intellectual Giant, Humanist, and Martyr</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Volume (thermodynamics); Performance art; Intellectual history","score_opus":0.019776422240070184,"score_gpt":0.2093688997668553,"score_spread":0.18959247752678512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480504","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045239287,0.05758674,0.0010404488,0.5727613,0.079858154,0.00010404989,0.0012685994,0.00084066443,0.28201613],"genre_scores_gemma":[0.038100384,0.017855933,0.0007480002,0.07728445,0.020932965,0.000082656785,0.0005672805,0.00060864637,0.8438197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947244,0.0001466489,0.000020183377,0.00010224385,0.00016781148,0.00009081676],"domain_scores_gemma":[0.9987192,0.00024162953,0.00014534312,0.000035248155,0.000382057,0.00047656058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008721523,0.0011302965,0.00049303035,0.0016509725,0.006989295,0.0032241372,0.00096740155,0.0027479972,0.06972841],"category_scores_gemma":[0.0032690135,0.0003202876,0.00022893847,0.0017763401,0.0012576741,0.003795593,0.0023988308,0.003595753,0.027376339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006582398,0.0000027695003,0.00015108807,0.000032391916,0.0000011020767,0.000066886925,0.001077674,0.0000034872942,0.00005303569,0.0023447813,0.9925539,0.003706353],"study_design_scores_gemma":[0.0000028221784,0.000004424013,0.0009437886,0.0001155725,0.0000022509016,0.00025168282,0.0030971973,0.000020974177,0.000176724,0.00042562388,0.99495006,0.000008901096],"about_ca_topic_score_codex":0.034940507,"about_ca_topic_score_gemma":0.10735042,"teacher_disagreement_score":0.06972841,"about_ca_system_score_codex":0.00265299,"about_ca_system_score_gemma":0.0017071709,"threshold_uncertainty_score":0.23326474},"labels":[],"label_agreement":null},{"id":"W4415480505","doi":"10.2307/4143606","title":": <i>Sensuous Worship: Jesuits and the Art of the Early Catholic Reformation in Germany</i>","year":2004,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Counter-Reformation; Of Reformation; Early modern Europe; English Reformation","score_opus":0.013625562561110173,"score_gpt":0.2039639148596366,"score_spread":0.19033835229852644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415480505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63873464,0.0468424,0.00085172884,0.09207809,0.0017748034,0.000022610997,0.00020006622,0.000057530724,0.21943817],"genre_scores_gemma":[0.97242314,0.0019511958,0.000083365216,0.0012977873,0.00009781626,0.0000029852781,0.00001582977,0.000012182494,0.024115661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999723,0.00014412162,0.000007172232,0.000020225165,0.000039271763,0.000066127446],"domain_scores_gemma":[0.9998809,0.000047868773,0.000025539923,0.000009529584,0.000009450952,0.000026756727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060888985,0.0001559486,0.00008508257,0.00037593604,0.0030817152,0.001844825,0.00027582608,0.0008612178,0.0030795655],"category_scores_gemma":[0.0007222173,0.00008595187,0.000055765944,0.0005097329,0.006015362,0.0013960068,0.0015641557,0.0009057205,0.00025476195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012650424,0.000044504253,0.004195194,0.0002872023,0.000018299414,0.00094609114,0.29649198,0.00028636568,0.0009354747,0.5105934,0.14148538,0.04458969],"study_design_scores_gemma":[0.000016439131,0.000058324258,0.029863657,0.0003944319,0.00002683979,0.0008660906,0.17414087,0.00024988884,0.0015159248,0.023332436,0.76950604,0.000029108125],"about_ca_topic_score_codex":0.020364452,"about_ca_topic_score_gemma":0.07732279,"teacher_disagreement_score":0.020364452,"about_ca_system_score_codex":0.0022641476,"about_ca_system_score_gemma":0.00095492916,"threshold_uncertainty_score":0.04049188},"labels":[],"label_agreement":null},{"id":"W610029360","doi":"10.1353/ren.2008.0473","title":": <i>The Courtesan’s Arts: Cross-Cultural Perspectives</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Append; Index (typography); The arts; History; Media studies; Humanities; Art history; Sociology; Art; Visual arts","score_opus":0.02285510638556847,"score_gpt":0.2692249322065074,"score_spread":0.24636982582093891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W610029360","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010219462,0.8538873,0.00049474725,0.046916727,0.0076630143,0.000007898622,0.00019029909,0.00003275506,0.089785226],"genre_scores_gemma":[0.071377344,0.6838622,0.0012251773,0.01608253,0.014398595,0.000041439267,0.00047618747,0.00016243636,0.21237417],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933714,0.00027555763,0.000033165845,0.00009204022,0.00019262944,0.000069471374],"domain_scores_gemma":[0.99895966,0.00059542526,0.00007621994,0.00004901542,0.00020630517,0.00011336287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010883455,0.0012446411,0.0005537244,0.0027284059,0.0031309372,0.006884495,0.0010733616,0.0020853402,0.0468806],"category_scores_gemma":[0.0019203705,0.00033528046,0.00029559448,0.005503553,0.0037925886,0.008559912,0.0017952851,0.0023651223,0.007360103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021513388,0.000013435236,0.00026845396,0.0005480324,0.000009899947,0.00009531412,0.0055754487,0.000040014613,0.00008580337,0.039562542,0.88849664,0.06528272],"study_design_scores_gemma":[0.00000295684,0.0000048592237,0.0009528722,0.0008261267,0.000004968706,0.00017315376,0.003300024,0.000018596265,0.000067776826,0.007046687,0.9875947,0.000007252385],"about_ca_topic_score_codex":0.045796387,"about_ca_topic_score_gemma":0.07766113,"teacher_disagreement_score":0.0468806,"about_ca_system_score_codex":0.0031480824,"about_ca_system_score_gemma":0.0024960309,"threshold_uncertainty_score":0.15683126},"labels":[],"label_agreement":null},{"id":"W639602760","doi":"10.1353/ren.2008.0539","title":": <i>Adages IV iii 1 to V ii 51</i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Erasmus+; History; Classics; Art history","score_opus":0.014459185865591936,"score_gpt":0.21504987720181695,"score_spread":0.200590691336225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W639602760","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007818293,0.093662195,0.0016214006,0.053086407,0.08785783,0.00019723,0.00079190644,0.00066696084,0.76133424],"genre_scores_gemma":[0.0071540973,0.019612955,0.00078964507,0.02134892,0.011765368,0.00022813058,0.0004437759,0.00044265282,0.9382144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986319,0.00029781664,0.00009060755,0.00022003542,0.00050572073,0.00025391363],"domain_scores_gemma":[0.99894506,0.00021373961,0.00015975125,0.000094601826,0.00040786245,0.0001789088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015844746,0.0014845338,0.0006866349,0.0017582397,0.002755845,0.005197959,0.0013619602,0.0037441398,0.16025758],"category_scores_gemma":[0.0033358876,0.00048168434,0.0005492849,0.0014445205,0.0024503516,0.0050456896,0.0027898534,0.004112823,0.12850587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013378554,0.0000063654484,0.000052136103,0.0000881735,0.0000012530235,0.000014490796,0.00024289849,0.000008340137,0.000057698508,0.010387614,0.9722425,0.016885124],"study_design_scores_gemma":[8.6999825e-7,0.000003980338,0.00011988996,0.000075005475,5.2059966e-7,0.000018292047,0.000086028085,0.000003770097,0.000021957849,0.00067679875,0.99899083,0.0000020284222],"about_ca_topic_score_codex":0.011944592,"about_ca_topic_score_gemma":0.014463864,"teacher_disagreement_score":0.16025758,"about_ca_system_score_codex":0.0025278486,"about_ca_system_score_gemma":0.0019048578,"threshold_uncertainty_score":0.53611505},"labels":[],"label_agreement":null},{"id":"W644093517","doi":"10.1353/ren.2007.0328","title":": <i>Playing Spaces in Early Women's Drama</i>","year":2007,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Drama; Index (typography); Media studies; Art; Theology; Sociology; Computer science; Literature; Philosophy; World Wide Web","score_opus":0.012033109776454868,"score_gpt":0.27940745869602496,"score_spread":0.26737434891957007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W644093517","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16056204,0.011861926,0.0010231043,0.053262834,0.0017925038,0.000049022157,0.00027232934,0.00012281566,0.7710534],"genre_scores_gemma":[0.9011777,0.0025534679,0.00036275465,0.0027387736,0.00025227622,0.00004605759,0.00007893548,0.00011560164,0.092674546],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986671,0.0008700358,0.000021093916,0.00004604427,0.00014830437,0.000247383],"domain_scores_gemma":[0.9991806,0.0003382362,0.00009206883,0.000037137597,0.000099898796,0.00025193667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012197137,0.00030102505,0.00019631999,0.00065533497,0.008669516,0.0064535453,0.0006667525,0.0011665968,0.01793022],"category_scores_gemma":[0.0026712029,0.00019240427,0.00017569966,0.0010185034,0.005810936,0.0040922863,0.0031973182,0.0024117231,0.001953043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018407842,0.00009122524,0.004293831,0.00038673662,0.000014464824,0.00045286852,0.61100596,0.00008552004,0.00080702594,0.09843849,0.2339576,0.050282124],"study_design_scores_gemma":[0.000011574912,0.00005109307,0.013462674,0.00069522,0.000012802366,0.0003304814,0.52111536,0.000055911027,0.00052074867,0.0048808223,0.4588405,0.000022876182],"about_ca_topic_score_codex":0.034303635,"about_ca_topic_score_gemma":0.094374865,"teacher_disagreement_score":0.034303635,"about_ca_system_score_codex":0.0035975848,"about_ca_system_score_gemma":0.002062983,"threshold_uncertainty_score":0.06820792},"labels":[],"label_agreement":null},{"id":"W652373546","doi":"10.1353/ren.2008.0516","title":": <i> <i>The Sidneys of Penshurst and the Monarchy, 1500</i> – <i>1700</i> </i>","year":2006,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Index (typography); Publishing; Monarchy; History; Economic history; Media studies; Demography; Political science; Sociology; Law; Politics","score_opus":0.006620874594121487,"score_gpt":0.18067056876166218,"score_spread":0.17404969416754068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W652373546","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001433814,0.89700687,0.0002823231,0.029292652,0.0081650885,0.000014048161,0.00072131184,0.000087271575,0.06299676],"genre_scores_gemma":[0.06693237,0.44171932,0.0007872626,0.012075015,0.008901232,0.000049472535,0.001401371,0.0002051943,0.46792874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978226,0.000053417087,0.000016696997,0.00002951255,0.00007514297,0.00004299246],"domain_scores_gemma":[0.9997067,0.0000859742,0.000048300342,0.000016670389,0.00008098356,0.00006128194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052417774,0.0013327561,0.00035778817,0.0012915677,0.0014978623,0.002937814,0.0009044912,0.0014975338,0.04125733],"category_scores_gemma":[0.001059204,0.00041149196,0.00027018742,0.0035493607,0.0013383502,0.004896666,0.0012659916,0.001294876,0.011321288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034952343,0.000008107963,0.00031348845,0.00036017355,0.000006922369,0.00008218255,0.0016050884,0.000019757115,0.00010354081,0.0066782543,0.94610596,0.044681545],"study_design_scores_gemma":[0.000006895739,0.0000090265285,0.002633664,0.00041785423,0.000006150857,0.000097594224,0.0015421658,0.000010556534,0.00011745658,0.0019961107,0.99315566,0.0000069057946],"about_ca_topic_score_codex":0.0634465,"about_ca_topic_score_gemma":0.18268603,"teacher_disagreement_score":0.0634465,"about_ca_system_score_codex":0.0023308164,"about_ca_system_score_gemma":0.0016854296,"threshold_uncertainty_score":0.1380195},"labels":[],"label_agreement":null},{"id":"W7117959186","doi":"10.1017/rqx.2025.10215","title":": <i>Aztec Latin: Renaissance Learning and Nahuatl Traditions in Early Colonial Mexico</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Latin American history and culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Nahuatl; Colonialism; The Renaissance; Civilization","score_opus":0.012575122013808043,"score_gpt":0.22613088307653836,"score_spread":0.21355576106273033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117959186","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7861759,0.018448463,0.00018161739,0.03844838,0.00022777838,0.00001428729,0.00027657306,0.00002179919,0.15620527],"genre_scores_gemma":[0.9771263,0.005119069,0.000110362875,0.000648343,0.00009201038,0.000013474139,0.00007661918,0.000010866185,0.01680292],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99988294,0.000050021867,0.000004242854,0.00001767458,0.000011336355,0.00003374673],"domain_scores_gemma":[0.99976593,0.000096047916,0.000063724365,0.000013523637,0.000025604777,0.000035145382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048235495,0.00009633464,0.000103642495,0.00043627303,0.0037902475,0.0025972393,0.0002600064,0.0003773824,0.008986889],"category_scores_gemma":[0.00083825376,0.00005995861,0.000058159785,0.0010223128,0.0028682004,0.00122719,0.0014141412,0.00084114465,0.00021310626],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019707011,0.00010906332,0.074957386,0.0006197761,0.000028134695,0.00087832095,0.5922754,0.0001456656,0.00096731377,0.18433897,0.04979908,0.095683865],"study_design_scores_gemma":[0.000018784913,0.00005110351,0.21069038,0.00094567606,0.000037824302,0.00030873445,0.3397993,0.00005888764,0.00056213274,0.003885656,0.44362602,0.000015444726],"about_ca_topic_score_codex":0.14249593,"about_ca_topic_score_gemma":0.31376788,"teacher_disagreement_score":0.14249593,"about_ca_system_score_codex":0.0032150063,"about_ca_system_score_gemma":0.0018469442,"threshold_uncertainty_score":0.283333},"labels":[],"label_agreement":null},{"id":"W7118007188","doi":"10.1017/rqx.2025.10257","title":": <i>Machiavelli’s Broken World</i>","year":2025,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Natural (archaeology); Work (physics)","score_opus":0.01862513501302501,"score_gpt":0.24326152783379973,"score_spread":0.22463639282077472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7118007188","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024898633,0.022110345,0.0019506976,0.16398065,0.0028831847,0.00002294331,0.00023363151,0.000097462165,0.78382254],"genre_scores_gemma":[0.7841078,0.008783004,0.0014180939,0.01568333,0.001128063,0.00004949858,0.00014925654,0.00017842131,0.18850261],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995659,0.00015874987,0.000012447407,0.00008521175,0.000084541454,0.000093254035],"domain_scores_gemma":[0.99975115,0.00007806172,0.000048578466,0.000041968575,0.00003512664,0.00004506935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007799805,0.00020567297,0.00018598302,0.00053240126,0.0048634624,0.0048620873,0.00048886216,0.0015249911,0.008604663],"category_scores_gemma":[0.0016146094,0.00014773615,0.0001813375,0.00075218535,0.009256716,0.003924117,0.0018642987,0.0035873745,0.0012482896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016484506,0.0000039422293,0.00029613322,0.000043628945,0.0000021928963,0.00008158792,0.025376938,0.000032357413,0.000082587365,0.89616644,0.06699929,0.010898331],"study_design_scores_gemma":[0.0000048656098,0.000012550673,0.0029373316,0.00016731105,0.0000045981956,0.00024359382,0.011770782,0.000088525645,0.0001555537,0.089496315,0.89510596,0.000012664923],"about_ca_topic_score_codex":0.025667721,"about_ca_topic_score_gemma":0.05059974,"teacher_disagreement_score":0.025667721,"about_ca_system_score_codex":0.0038198903,"about_ca_system_score_gemma":0.001426186,"threshold_uncertainty_score":0.051036656},"labels":[],"label_agreement":null}]}