{"meta":{"query_hash":"bf939f59370e","filters":{"venue":"Romanticism on the Net"},"cohort_total":218,"direct_labels_cover":0,"predictions_cover":218,"exported":218,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/bf939f59370e","api":"https://metacan.xera.ac/api/v1/cohort?venue=Romanticism+on+the+Net"},"results":[{"id":"W1483364137","doi":"10.7202/005947ar","title":"Steven E. Jones, Satire and Romanticism. London: Macmillan, 2000. ISBN: 0-333-92992-6. Price: £45.00 (US$39.95).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Humor Studies and Applications","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Art history; Art; Humanities; History; Media studies; Sociology","score_opus":0.015927342514189785,"score_gpt":0.27317233084640563,"score_spread":0.2572449883322159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483364137","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7104269,0.0039147804,0.000021060196,0.014760523,0.00042304743,0.0010150026,0.00010047683,0.00020300534,0.26913518],"genre_scores_gemma":[0.97296435,0.0015420232,0.0001325729,0.00378026,0.0004793918,0.0002001702,0.000031001757,0.00008275054,0.020787466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972256,0.0002239989,0.0005736561,0.000771261,0.000385137,0.00082037546],"domain_scores_gemma":[0.9979315,0.00040441533,0.00018662745,0.0012475706,0.000035155008,0.00019477466],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000411829,0.00046562866,0.0005552886,0.00007877142,0.000708264,0.00010729099,0.0006050762,0.00021212858,0.012843551],"category_scores_gemma":[0.000027125272,0.0003400115,0.00015129398,0.0004051712,0.00028794637,0.000022536175,0.00013528253,0.00046163925,0.0040352223],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035522805,0.00062447164,0.00500471,0.000067634755,0.0007437119,0.0002542231,0.007816499,0.00004101971,0.00071599364,0.31998828,0.6206857,0.043702524],"study_design_scores_gemma":[0.0013477498,0.00036393903,0.1378382,0.00007950154,0.00013893732,0.00016429264,0.0008547482,0.0003094929,0.00007488708,0.0042619635,0.85394263,0.00062365667],"about_ca_topic_score_codex":0.0005624596,"about_ca_topic_score_gemma":0.00007575972,"teacher_disagreement_score":0.3157263,"about_ca_system_score_codex":0.000053292897,"about_ca_system_score_gemma":0.00003177623,"threshold_uncertainty_score":0.99990517},"labels":[],"label_agreement":null},{"id":"W1485224252","doi":"","title":"Romantic Couplings. Romanticism on the Net, no. 18, 2000","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; History; Literature; Art","score_opus":0.02243176715603668,"score_gpt":0.2058225881056844,"score_spread":0.18339082094964773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485224252","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41917303,0.0013299319,0.00000900461,0.0073496276,0.0020577968,0.0008907837,0.00009171747,0.00039522778,0.5687029],"genre_scores_gemma":[0.7874105,0.00014622402,0.000020610583,0.010773622,0.0022594642,0.000054324355,0.00004650391,0.000115318624,0.19917344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99631315,0.00026533776,0.0007438027,0.00077074516,0.0009873243,0.0009196273],"domain_scores_gemma":[0.99683636,0.00072969677,0.00029179323,0.0018026337,0.00018022735,0.00015928429],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008143729,0.0006983902,0.00068788027,0.00022803975,0.001775373,0.00083772687,0.001413416,0.00017961404,0.055861536],"category_scores_gemma":[0.00011976997,0.00039744918,0.00051046745,0.00022188177,0.000722787,0.00024370367,0.000080597354,0.00087814743,0.011988218],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022047723,0.00047625086,0.000019987252,0.00003080805,0.0004880922,0.000086610846,0.020753762,0.00026469587,0.00019710597,0.27608022,0.7002536,0.0011283824],"study_design_scores_gemma":[0.0005272794,0.0003713958,0.00022001067,0.00022006125,0.00039609498,0.0000118469125,0.0005203016,0.0062539894,0.00017859381,0.004659255,0.9859749,0.00066623534],"about_ca_topic_score_codex":0.0005060883,"about_ca_topic_score_gemma":0.00023986952,"teacher_disagreement_score":0.36952943,"about_ca_system_score_codex":0.00013957884,"about_ca_system_score_gemma":0.00007211195,"threshold_uncertainty_score":0.9998477},"labels":[],"label_agreement":null},{"id":"W1494187528","doi":"10.7202/005963ar","title":"Maureen N. McLane, Romanticism and the Human Sciences: Poetry, Population, and the Discourse of the Species. Cambridge: Cambridge University Press, 2000. ISBN: 0-521-77348-2. Price: £35.00 (US$54.95).","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Evolution and Science Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Romanticism; Poetry; Population; Art history; Art; Literature; Humanities; Sociology; Demography","score_opus":0.025341639931972183,"score_gpt":0.23435125366873433,"score_spread":0.20900961373676213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494187528","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8872565,0.0006634331,0.000017757071,0.023583075,0.0006033953,0.0007714856,0.000044375753,0.000034406024,0.087025546],"genre_scores_gemma":[0.9436715,0.00040641785,0.000006637971,0.00088225433,0.0003541082,0.0000052053797,0.000008400442,0.000011900644,0.054653533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9978605,0.00045977873,0.00034587545,0.0003610679,0.00060368096,0.00036911544],"domain_scores_gemma":[0.99845594,0.0004255009,0.00034721717,0.00060695637,0.000096700576,0.000067680434],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0014703362,0.00023183846,0.00029412122,0.000071764334,0.0030547567,0.00036643038,0.0008796603,0.00005781274,0.00017491078],"category_scores_gemma":[0.00011445543,0.00010225331,0.00011351644,0.00023283131,0.005330353,0.00031740734,0.00020514746,0.00029125312,0.000009469241],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006228841,0.0000655656,0.0040057087,0.0000108003005,0.000025096899,0.0000014622883,0.006781458,0.00003127188,0.000025322892,0.9356106,0.05333764,0.000042773725],"study_design_scores_gemma":[0.0038510663,0.00016977877,0.7159151,0.00022567117,0.00032001376,0.0000620688,0.022800686,0.008131606,0.000060939725,0.0038611023,0.24403408,0.00056788744],"about_ca_topic_score_codex":0.0073487936,"about_ca_topic_score_gemma":0.00080308336,"teacher_disagreement_score":0.9317495,"about_ca_system_score_codex":0.000049076512,"about_ca_system_score_gemma":0.00008364035,"threshold_uncertainty_score":0.9992614},"labels":[],"label_agreement":null},{"id":"W1494333446","doi":"","title":"The Transatlantic Poetess. Romanticism on the Net, no. 29-30, 2003","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; History; Art history","score_opus":0.01929585702438638,"score_gpt":0.19716381205911662,"score_spread":0.17786795503473024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1494333446","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12931716,0.0054152245,0.00010528879,0.020348663,0.0076371245,0.0021534592,0.00012801046,0.00044335806,0.8344517],"genre_scores_gemma":[0.90414584,0.00025531242,0.000017417196,0.008314838,0.0013134141,0.00007978056,0.00002136266,0.00011006838,0.08574195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962202,0.00075016374,0.0006556424,0.00059291476,0.0008711734,0.00090993254],"domain_scores_gemma":[0.99632347,0.0012719904,0.00029884218,0.0016964233,0.00028293784,0.00012633749],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013367987,0.00060982857,0.0005378642,0.00014511486,0.0027464358,0.000915932,0.0012703814,0.00014698664,0.0058005326],"category_scores_gemma":[0.0004191567,0.00028517607,0.0004081212,0.0002624455,0.00081634684,0.00015121247,0.00004120294,0.0008732796,0.0027924292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005151529,0.00016603763,0.000012445567,0.000014701395,0.0003030118,0.000021195276,0.009676307,0.000028172679,0.00010607469,0.6543431,0.33502966,0.0002477679],"study_design_scores_gemma":[0.00043014836,0.00026776807,0.000099934136,0.000121446195,0.00035354687,0.00000842927,0.0011757336,0.0009164388,0.00029176378,0.007680088,0.98818225,0.00047244426],"about_ca_topic_score_codex":0.00021701178,"about_ca_topic_score_gemma":0.00035939,"teacher_disagreement_score":0.7748287,"about_ca_system_score_codex":0.00008309207,"about_ca_system_score_gemma":0.00007774888,"threshold_uncertainty_score":0.99996006},"labels":[],"label_agreement":null},{"id":"W1496219005","doi":"10.7202/016144ar","title":"Kevin Binfield, ed. Writings of the Luddites. Baltimore: Johns Hopkins UP, 2004. ISBN: 0-8018-7612-5. Price: US$49.95.","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Romanticism; History; Art history; Political science; Law","score_opus":0.017336879930472088,"score_gpt":0.26617268572958463,"score_spread":0.24883580579911255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496219005","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57015705,0.0005121565,0.00010696616,0.0073250053,0.0014482709,0.00061639596,0.000023176435,0.0001175253,0.41969344],"genre_scores_gemma":[0.9869325,0.001973126,0.000078249075,0.002612341,0.00066638074,0.0000037562872,0.0000044247563,0.000040775576,0.0076884083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725956,0.00039352526,0.0005092774,0.0002753208,0.0008314371,0.00073085504],"domain_scores_gemma":[0.99778146,0.00062403013,0.00036458008,0.00097147824,0.0001094932,0.00014895032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002640871,0.0002494171,0.00029024686,0.00011653338,0.0010410988,0.00011479942,0.0018048757,0.00017911567,0.00056326453],"category_scores_gemma":[0.00036842926,0.00013080708,0.00023372755,0.0007615549,0.0007093863,0.00015687027,0.0003582187,0.000612679,0.0003337313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042174812,0.0017060355,0.039644837,0.00025856192,0.0004803644,0.0001553862,0.08492015,0.000112385555,0.0046008443,0.31161153,0.4683992,0.08768895],"study_design_scores_gemma":[0.0006692058,0.00020543739,0.040264864,0.00037355025,0.00006455836,0.000012561528,0.0052159396,0.000103488775,0.0029589862,0.0010454832,0.9486333,0.00045261582],"about_ca_topic_score_codex":0.0027062248,"about_ca_topic_score_gemma":0.0010023417,"teacher_disagreement_score":0.48023412,"about_ca_system_score_codex":0.000057631314,"about_ca_system_score_gemma":0.00011766744,"threshold_uncertainty_score":0.80073965},"labels":[],"label_agreement":null},{"id":"W1498506688","doi":"","title":"Romanticism and Sexuality. Romanticism on the Net, no. 23, 2001","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Human sexuality; Art; Literature; Sociology; Gender studies","score_opus":0.04802537205749699,"score_gpt":0.300996223016881,"score_spread":0.252970850959384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498506688","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7691827,0.00028865418,0.000053209664,0.026914857,0.00204349,0.000992584,0.0000167709,0.00020967502,0.20029809],"genre_scores_gemma":[0.9525791,0.001509309,0.0000672902,0.009220952,0.0016478522,0.000050884028,0.000013458885,0.00006167614,0.03484947],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99499995,0.0008882362,0.0005757761,0.00075184694,0.0013421457,0.0014420267],"domain_scores_gemma":[0.99594516,0.00214363,0.00027625714,0.0010736658,0.0001367983,0.00042449756],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0031566764,0.0005089386,0.00054123293,0.00014335901,0.0017757863,0.0003407937,0.0011545067,0.00033153436,0.0010420544],"category_scores_gemma":[0.0011291367,0.0003154903,0.0001856065,0.0005419555,0.0008978245,0.00017976391,0.00018711036,0.0007042045,0.0017587333],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028773217,0.00106785,0.0037210283,0.000044913264,0.00030359806,0.00033929147,0.07868603,0.000032093412,0.0018316533,0.29493365,0.61204815,0.0067040147],"study_design_scores_gemma":[0.0017319297,0.00092325156,0.03832899,0.00027969596,0.00030167805,0.00006816996,0.0341083,0.0010150777,0.0006305637,0.026829295,0.8944524,0.001330679],"about_ca_topic_score_codex":0.0012846232,"about_ca_topic_score_gemma":0.0008346911,"teacher_disagreement_score":0.2824042,"about_ca_system_score_codex":0.00007766221,"about_ca_system_score_gemma":0.00017433235,"threshold_uncertainty_score":0.9999297},"labels":[],"label_agreement":null},{"id":"W1499842326","doi":"10.7202/006004ar","title":"Sarah M. Zimmerman, Romanticism, Lyricism, and History. New York: State University of New York Press, 1999. ISBN 0791441105. Price: US$19.95.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Lyricism; State (computer science); Art history; History; Humanities; Art; Literature; Mathematics; Algorithm; Poetry","score_opus":0.04964176481946713,"score_gpt":0.21304108510665462,"score_spread":0.16339932028718748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499842326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61883366,0.08031668,0.0010358021,0.008917233,0.0027866676,0.0015598489,0.00020648498,0.0005557229,0.28578794],"genre_scores_gemma":[0.799534,0.0027390474,0.000089336936,0.0014630555,0.00069449854,0.0000018775833,0.000033986224,0.00006658535,0.1953776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997343,0.0001878472,0.0005579068,0.00060493965,0.0005990767,0.00070721336],"domain_scores_gemma":[0.99802226,0.00027523818,0.00040688552,0.0008217075,0.000086249354,0.00038766873],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004013177,0.0004778923,0.0007210237,0.00016617628,0.00057721866,0.00015058117,0.0007597011,0.0001305583,0.0054570483],"category_scores_gemma":[0.000043798103,0.0003896538,0.0002880248,0.00014652335,0.0005613952,0.00028056905,0.00017375906,0.00036694537,0.00015798636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019822142,0.0002322898,0.00020106722,0.000053978863,0.0002836852,0.00007432759,0.016809966,0.00008929199,0.00015095109,0.116904505,0.86301666,0.0019850335],"study_design_scores_gemma":[0.0010025956,0.00023595896,0.0018476791,0.00013533368,0.00043072164,0.000020008372,0.0017497641,0.00123269,0.000072941046,0.0036734566,0.98911285,0.00048601624],"about_ca_topic_score_codex":0.026313093,"about_ca_topic_score_gemma":0.0018498194,"teacher_disagreement_score":0.18070038,"about_ca_system_score_codex":0.00012021764,"about_ca_system_score_gemma":0.00016680273,"threshold_uncertainty_score":0.9998555},"labels":[],"label_agreement":null},{"id":"W1504516247","doi":"","title":"After Romantic Ideology. Romanticism on the Net, no. 17, 2000","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Ideology; Romance; Literature; History; Political science; Art; Aesthetics; Law; Politics","score_opus":0.019250995927026143,"score_gpt":0.20697117525314687,"score_spread":0.18772017932612073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504516247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60671914,0.0004572269,0.0000061705296,0.008459241,0.0012637151,0.0006726228,0.00007698261,0.00021570876,0.3821292],"genre_scores_gemma":[0.7887471,0.00008304147,0.000022067992,0.020634027,0.0018521721,0.00011179729,0.000037706992,0.00008192719,0.18843019],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965595,0.00041312468,0.0007154393,0.00067493663,0.00069459097,0.00094241137],"domain_scores_gemma":[0.9971344,0.0011802623,0.00015073284,0.0012402969,0.00014619785,0.00014812785],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00060366606,0.00061437796,0.0005110525,0.00017489887,0.0012035839,0.0006118075,0.00089932064,0.00015881004,0.08212646],"category_scores_gemma":[0.00010310607,0.0003565766,0.00031924623,0.00011534074,0.00079323625,0.00033908957,0.000060323968,0.0006494759,0.010958372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066050416,0.000594977,0.00014104691,0.00003958726,0.00026980918,0.0002654349,0.05497138,0.0001129671,0.00006828065,0.5854017,0.3548457,0.0026286081],"study_design_scores_gemma":[0.00076529046,0.00068632903,0.008138258,0.00027751684,0.00017948067,0.00003532003,0.0012043318,0.0017843595,0.00008440294,0.01936939,0.9667658,0.0007094974],"about_ca_topic_score_codex":0.0003761053,"about_ca_topic_score_gemma":0.00033322437,"teacher_disagreement_score":0.6119201,"about_ca_system_score_codex":0.00004956516,"about_ca_system_score_gemma":0.00006624649,"threshold_uncertainty_score":0.9998886},"labels":[],"label_agreement":null},{"id":"W1513252086","doi":"10.7202/011675ar","title":"Marcus Wood. Blind Memory: Visual Representations of Slavery in England and America, 1780-1865. New York: Routledge, 2000. ISBN: 041592698X. Price: US$32.95.","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; History; Art history; Economic history","score_opus":0.027831150359612762,"score_gpt":0.31217889946623056,"score_spread":0.2843477491066178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513252086","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97410554,0.0010683398,0.000028117916,0.009479859,0.0003238833,0.00058948004,0.000017455342,0.000051127132,0.014336202],"genre_scores_gemma":[0.99305964,0.00075004855,0.00017134623,0.0005821309,0.0008502371,0.000017112978,0.00000861582,0.000022295473,0.004538552],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977596,0.00039407128,0.00042528615,0.00039194067,0.00052911584,0.0004999958],"domain_scores_gemma":[0.99844265,0.0007703691,0.0002206383,0.00033998242,0.00004424843,0.00018210558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065887044,0.00021032122,0.00036836456,0.00016348712,0.00034851927,0.00011660773,0.00036320416,0.00015294515,0.00042215263],"category_scores_gemma":[0.00027419056,0.0001734968,0.0000965296,0.00069797965,0.00038851035,0.0001936182,0.000077284305,0.00029126066,0.00007046938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001634853,0.0028411965,0.05762003,0.000101751735,0.00052943174,0.00016112982,0.6691096,0.0017123852,0.0020232252,0.013900942,0.11931818,0.13104732],"study_design_scores_gemma":[0.008140884,0.0007616081,0.23083277,0.0002386725,0.00028338152,0.00002011529,0.010192204,0.0035442836,0.0018347545,0.004316536,0.7387174,0.0011174183],"about_ca_topic_score_codex":0.0078826705,"about_ca_topic_score_gemma":0.0063948967,"teacher_disagreement_score":0.65891737,"about_ca_system_score_codex":0.00009246165,"about_ca_system_score_gemma":0.00031165508,"threshold_uncertainty_score":0.9987239},"labels":[],"label_agreement":null},{"id":"W1534071881","doi":"10.7202/005948ar","title":"Anne Mellor, Mothers of the Nation: Women's Political Writing in England, 1780-1830. Bloomington: Indiana University Press, 2000. ISBN: 0253337135. Price: US$39.95.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Romanticism; History; Media studies; New england; Economic history; Political science; Sociology; Art history; Law","score_opus":0.01762886999927969,"score_gpt":0.23606716553955673,"score_spread":0.21843829554027705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534071881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68787664,0.00040749842,0.000004876877,0.0043441104,0.00024879267,0.0003798426,0.000023495846,0.000041411302,0.30667332],"genre_scores_gemma":[0.989713,0.0002930458,0.000021430948,0.0005607074,0.00022307636,0.0000049260398,8.797188e-7,0.000010665834,0.00917227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979625,0.00042727098,0.00026067012,0.0002510197,0.00050881284,0.0005897483],"domain_scores_gemma":[0.99893546,0.00054534967,0.000096994605,0.00025648193,0.000047194528,0.000118516204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083407044,0.0001489582,0.00025569648,0.000048581012,0.00067609973,0.000030229652,0.0005521928,0.00013002609,0.00048391757],"category_scores_gemma":[0.0001781835,0.00010612595,0.00009008789,0.0005107047,0.00045957998,0.00009189724,0.000064099346,0.00028099347,0.000022500231],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003598125,0.0009832795,0.019898156,0.0000840309,0.00026515414,0.00008653249,0.7250424,0.00019454498,0.00015822661,0.22381578,0.020762952,0.00834911],"study_design_scores_gemma":[0.001819231,0.00021916973,0.03785972,0.00013140436,0.00007695348,0.000003165245,0.080757074,0.00027194223,0.0002680973,0.00360625,0.87444687,0.00054010365],"about_ca_topic_score_codex":0.0015231341,"about_ca_topic_score_gemma":0.00012322348,"teacher_disagreement_score":0.85368395,"about_ca_system_score_codex":0.00036698283,"about_ca_system_score_gemma":0.00012612717,"threshold_uncertainty_score":0.5298558},"labels":[],"label_agreement":null},{"id":"W1539969147","doi":"10.7202/015829ar","title":"Debbie Lee. Romantic Liars: Obscure Women who became Impostors and Challenged an Empire. New York and Basingstoke: Palgrave Macmillan, 2006. ISBN: 0312294581. Price: $75.","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Work-Family Balance Challenges","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Empire; Romanticism; Romance; History; Economic history; Art history; Art; Ancient history; Literature","score_opus":0.0290895455557271,"score_gpt":0.278833768083956,"score_spread":0.2497442225282289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539969147","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96727675,0.011801693,0.00003305963,0.0060418127,0.0007132783,0.00085567735,0.000016294729,0.00028143963,0.012980012],"genre_scores_gemma":[0.9877486,0.008063876,0.00030664503,0.0013821041,0.0012054963,0.000018125304,0.000008062321,0.00008467171,0.001182407],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9956123,0.0005137456,0.00058521936,0.00091312255,0.0008908179,0.0014847895],"domain_scores_gemma":[0.99715406,0.0008406074,0.00035048655,0.0007595154,0.000092289214,0.00080305926],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0033893422,0.00054455566,0.0006895801,0.00021930519,0.0009732759,0.00029291725,0.000780486,0.00049772375,0.00018173871],"category_scores_gemma":[0.00027889464,0.00043428794,0.00010898732,0.00051254896,0.0007776381,0.00013274795,0.00017525136,0.00065728393,0.0000595874],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001091884,0.0005136901,0.19249828,0.0003015045,0.00092791644,0.0004006297,0.55990523,0.0000140615675,0.0018778648,0.07696032,0.05958156,0.10592705],"study_design_scores_gemma":[0.001985358,0.0010808933,0.84392077,0.00049499975,0.00013418602,0.0000395247,0.060823012,0.00008301248,0.000119566495,0.020445285,0.0695264,0.0013469764],"about_ca_topic_score_codex":0.0013273443,"about_ca_topic_score_gemma":0.003854065,"teacher_disagreement_score":0.6514225,"about_ca_system_score_codex":0.00020786912,"about_ca_system_score_gemma":0.00018188068,"threshold_uncertainty_score":0.9998109},"labels":[],"label_agreement":null},{"id":"W1544435341","doi":"","title":"Robert Southey. Romanticism on the Net, no. 32-33, 2003-2004","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Art; History; Literature","score_opus":0.029670408758506836,"score_gpt":0.22963509008886557,"score_spread":0.19996468133035872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544435341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44141513,0.00092759554,0.0001385069,0.0119556915,0.0042084334,0.0011843011,0.00015504891,0.00045324475,0.53956205],"genre_scores_gemma":[0.9550835,0.00006345047,0.000013641701,0.0068732426,0.001756716,0.00007371186,0.000009023877,0.00006213412,0.03606457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978439,0.00012850156,0.0004155792,0.00047282528,0.0005479052,0.0005912616],"domain_scores_gemma":[0.9982836,0.0003851858,0.00018120134,0.00080096483,0.00027185224,0.00007720085],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00041127656,0.00044294784,0.00039008312,0.00012525213,0.0017970974,0.0003327359,0.0004884262,0.00008780023,0.0022316962],"category_scores_gemma":[0.00020393892,0.00023525265,0.00023437462,0.00013145158,0.00057249056,0.00012214667,0.00012288614,0.00050606503,0.00738681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018826207,0.00031400853,0.000016011843,0.000012281287,0.00025232075,0.000029211178,0.025229925,0.00018882108,0.00015772355,0.7407938,0.23251978,0.00029782398],"study_design_scores_gemma":[0.001067675,0.00095558417,0.0012098086,0.0002027636,0.00016551412,0.000013843949,0.0065517793,0.0001640201,0.0011613966,0.026950631,0.9609445,0.0006125059],"about_ca_topic_score_codex":0.0007207107,"about_ca_topic_score_gemma":0.0003868719,"teacher_disagreement_score":0.7284247,"about_ca_system_score_codex":0.00006965769,"about_ca_system_score_gemma":0.000045953533,"threshold_uncertainty_score":0.9995024},"labels":[],"label_agreement":null},{"id":"W1548779497","doi":"","title":"Romantic Labor / Romantic Leisure. Romanticism on the Net :, no. 27, 2002","year":2002,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; Art; Psychology; Literature","score_opus":0.03362138942641583,"score_gpt":0.21071645965524793,"score_spread":0.1770950702288321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548779497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38644633,0.002090906,0.000037524886,0.038034406,0.0057724793,0.0018393099,0.00025884932,0.00062481285,0.5648954],"genre_scores_gemma":[0.83814925,0.00018720968,0.000026263242,0.013700233,0.0027841914,0.00010035555,0.000032878597,0.00016183693,0.1448578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467456,0.0005292479,0.0009893266,0.0010243222,0.0013064304,0.001476138],"domain_scores_gemma":[0.99561375,0.0013702884,0.00035268397,0.002114592,0.00029880027,0.00024986235],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007928846,0.0010175608,0.0009013927,0.0002643192,0.0019260437,0.0015473191,0.0016622416,0.00027261177,0.031552196],"category_scores_gemma":[0.00026582764,0.0005837469,0.0004988839,0.00024032322,0.000814055,0.00036775717,0.00019523728,0.0013101096,0.019873895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073989366,0.00049626955,0.000031209882,0.000045613426,0.0001704302,0.0001420955,0.0071463534,0.00001634977,0.00023231834,0.52686286,0.46448255,0.0002999901],"study_design_scores_gemma":[0.0010401093,0.0009834849,0.0008962625,0.0005766817,0.00034978316,0.0000544646,0.00086578116,0.008168615,0.0004173116,0.010504118,0.9749833,0.0011600998],"about_ca_topic_score_codex":0.00015859488,"about_ca_topic_score_gemma":0.00017775552,"teacher_disagreement_score":0.51635873,"about_ca_system_score_codex":0.000058998314,"about_ca_system_score_gemma":0.000031239542,"threshold_uncertainty_score":0.9996614},"labels":[],"label_agreement":null},{"id":"W1549905388","doi":"10.7202/016143ar","title":"Andrew M. Stauffer. Anger, Revolution, and Romanticism. Cambridge: Cambridge University Press, 2005. ISBN: 0-521-84675-7. Price: £45/US$80.","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Anger; Spectacle; Romance; History; Humanities; Art history; Art; Media studies; Political science; Sociology; Literature; Psychology; Law; Social psychology","score_opus":0.012006259631070746,"score_gpt":0.24203269702616506,"score_spread":0.23002643739509432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549905388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7544936,0.0042796126,0.0008810313,0.005591615,0.0010815971,0.0010538611,0.00010501461,0.00034473054,0.23216896],"genre_scores_gemma":[0.9054229,0.0050335955,0.00031723603,0.0016694238,0.0008287355,0.0000041806825,0.0000172349,0.000049367438,0.08665731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966403,0.00047829974,0.0003557308,0.0006375488,0.0008297454,0.0010583712],"domain_scores_gemma":[0.997977,0.00053279306,0.00032816932,0.0005956581,0.00015045385,0.00041591574],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0022893252,0.0003401246,0.00044309223,0.00009858881,0.0021459444,0.000108540284,0.00066039665,0.00026109238,0.00008630471],"category_scores_gemma":[0.00021955224,0.0003009818,0.00017854189,0.00053592905,0.001644376,0.0003399064,0.0001354679,0.00050795457,0.00006956186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013429244,0.00021688436,0.0031955405,0.00003555153,0.00009834982,0.000093567854,0.004795304,0.000006502594,0.00064428657,0.08858764,0.90126675,0.0009253313],"study_design_scores_gemma":[0.0005937997,0.00012787116,0.06203827,0.000065466236,0.00011565512,0.000009266396,0.006234454,0.00011081754,0.00016838906,0.000036716072,0.9300383,0.00046099824],"about_ca_topic_score_codex":0.0054686093,"about_ca_topic_score_gemma":0.00040549078,"teacher_disagreement_score":0.15092935,"about_ca_system_score_codex":0.00042531567,"about_ca_system_score_gemma":0.00024369109,"threshold_uncertainty_score":0.9999442},"labels":[],"label_agreement":null},{"id":"W1553531840","doi":"","title":"Romanticism and Science Fictions. Romanticism on the Net, no. 21, 2001","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Literature; Art; Art history","score_opus":0.0275906864409755,"score_gpt":0.28022179712633655,"score_spread":0.25263111068536104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553531840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49722573,0.00011482969,0.000025748523,0.01569874,0.0013295308,0.00056698296,0.000008136116,0.00012704087,0.48490328],"genre_scores_gemma":[0.9339957,0.000934416,0.0000661911,0.004811526,0.0007154049,0.00003552847,0.0000029438518,0.000033056895,0.05940519],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99626076,0.00020541383,0.00037815704,0.00063131115,0.0013404628,0.001183886],"domain_scores_gemma":[0.99738556,0.0011038728,0.00018180828,0.0007968344,0.00016682631,0.00036509335],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022692028,0.00033355664,0.00031987237,0.00018482385,0.001604175,0.0007538349,0.0012074969,0.00014025175,0.0006487287],"category_scores_gemma":[0.001435867,0.00019878669,0.00013320133,0.0010343473,0.0021809267,0.0004163886,0.00020522349,0.00043391567,0.0009983158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014785456,0.0007134882,0.0014075261,0.000015028133,0.00009563239,0.00015248779,0.011934805,0.0000754969,0.0015785181,0.731777,0.2063731,0.045729022],"study_design_scores_gemma":[0.000450042,0.00041424762,0.019108806,0.0001887479,0.000067723035,0.00002875166,0.002745126,0.0015928393,0.00027778905,0.007054898,0.967584,0.0004870163],"about_ca_topic_score_codex":0.0005034577,"about_ca_topic_score_gemma":0.00030900937,"teacher_disagreement_score":0.7612109,"about_ca_system_score_codex":0.00009194575,"about_ca_system_score_gemma":0.00021430974,"threshold_uncertainty_score":0.9997795},"labels":[],"label_agreement":null},{"id":"W1554639692","doi":"10.7202/008703ar","title":"“A Green Thought in a Green Shade”. James C. McKusick. Green Writing: Romanticism and Ecology. St. Martin’s: New York, 2000. ISBN: 0-312-23448-1. Price: US$59:95.","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Green house; Ecology; Art history; Humanities; History; Art; Biology; Horticulture","score_opus":0.01934278609799449,"score_gpt":0.20663638609439736,"score_spread":0.18729359999640285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554639692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8735226,0.005345235,0.0000073444944,0.017622726,0.000800292,0.001262512,0.0002430184,0.00021201043,0.10098427],"genre_scores_gemma":[0.89493763,0.00028901355,0.00023879205,0.01076069,0.0012422424,0.000069511865,0.00009695337,0.0001426446,0.09222255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961612,0.00039755492,0.0008954941,0.0008880604,0.00050577987,0.001151914],"domain_scores_gemma":[0.9981673,0.0004535329,0.00027300537,0.00077944685,0.000034611723,0.00029211948],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00073281245,0.0007109125,0.0007780463,0.00022781618,0.0006545481,0.0004285537,0.00060842437,0.00030249517,0.0047963485],"category_scores_gemma":[0.000069466936,0.0005389456,0.00019698015,0.00019147752,0.0005611762,0.00045114002,0.00021306887,0.00087440194,0.0004210657],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002893919,0.001021587,0.024540829,0.0003544591,0.0003184212,0.00072681095,0.05060926,0.000027266879,0.00034907283,0.65202564,0.26535946,0.0043778177],"study_design_scores_gemma":[0.0023173476,0.00066605286,0.027171455,0.00048142785,0.00021623966,0.0001584622,0.0049830736,0.00057969557,0.00016854046,0.028726803,0.9332446,0.0012863234],"about_ca_topic_score_codex":0.0026735312,"about_ca_topic_score_gemma":0.0031230978,"teacher_disagreement_score":0.6678851,"about_ca_system_score_codex":0.00010066861,"about_ca_system_score_gemma":0.00006707927,"threshold_uncertainty_score":0.9997062},"labels":[],"label_agreement":null},{"id":"W1554783203","doi":"10.7202/005996ar","title":"Chloe Chard, Pleasure and Guilt on the Grand Tour: Travel Writing and Imaginative Topography 1600-1830. Manchester University Press, 1999. ISBN 0719048052. Price: £16.99.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pleasure; Art; Art history; Humanities; Psychology; Neuroscience","score_opus":0.020385720949663816,"score_gpt":0.1998025308690852,"score_spread":0.17941680991942138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554783203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.744613,0.0032719297,0.000023596791,0.017157337,0.00031681207,0.0008137293,0.000274531,0.00014804362,0.23338103],"genre_scores_gemma":[0.9855181,0.00047212225,0.000016978396,0.0016194689,0.0005259067,0.0000061152623,0.000014760641,0.000028823166,0.011797714],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985659,0.00017589777,0.00019386043,0.00039527667,0.0002823234,0.00038672317],"domain_scores_gemma":[0.99887335,0.00039852742,0.00012374297,0.00043617163,0.00008504135,0.000083174484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039534006,0.00030896172,0.00026410804,0.00009193374,0.0010643129,0.00048372813,0.00035676878,0.000086788044,0.00021501983],"category_scores_gemma":[0.000049559338,0.00018888884,0.0001000996,0.000081793354,0.00059829414,0.00019219778,0.00009565732,0.0005274221,0.000007973463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004114715,0.00023986792,0.000940233,0.000120794895,0.00027401734,0.00014736125,0.057005033,0.0000027321473,0.00013377435,0.7784186,0.15952332,0.0027827907],"study_design_scores_gemma":[0.001370055,0.00036608413,0.018492779,0.00063738367,0.000174329,0.00007529601,0.017834386,0.00017949294,0.00021283083,0.004539523,0.9555141,0.0006037805],"about_ca_topic_score_codex":0.00014162103,"about_ca_topic_score_gemma":0.00007388269,"teacher_disagreement_score":0.79599077,"about_ca_system_score_codex":0.000017791834,"about_ca_system_score_gemma":0.0000098821865,"threshold_uncertainty_score":0.8185942},"labels":[],"label_agreement":null},{"id":"W1557624625","doi":"10.7202/013161ar","title":"D. A. Miller, Jane Austen, or The Secret of Style. Princeton: Princeton University Press, 2003. ISBN 0-691-09075-0. Price: US$29.95.","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miller; Romanticism; Style (visual arts); Art history; Publishing; History; Art; Humanities; Media studies; Sociology; Literature; Geology","score_opus":0.024488066074044655,"score_gpt":0.20828255368729395,"score_spread":0.1837944876132493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1557624625","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5727348,0.0016290304,0.00010128672,0.004430837,0.0016726666,0.0019895951,0.0005013525,0.00028867877,0.4166518],"genre_scores_gemma":[0.73983264,0.00043379935,0.00010124439,0.0008135769,0.0010355198,0.00001102637,0.00009546623,0.000049864757,0.25762686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997796,0.0002812901,0.00047352666,0.000397851,0.00055754994,0.0004937672],"domain_scores_gemma":[0.99810183,0.00039959565,0.00029259594,0.00077203807,0.00035893757,0.000074990734],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004291469,0.00033879135,0.00038150098,0.00008122195,0.00077874376,0.00020223018,0.0007664419,0.0001018998,0.0023770435],"category_scores_gemma":[0.000076223674,0.00018177222,0.00012565174,0.00020511667,0.0006099319,0.00031408653,0.00012047163,0.0003311908,0.0000774672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035683575,0.0003377561,0.00017757843,0.00010219044,0.000121106495,0.0000615197,0.012322489,0.00013921657,0.000082818566,0.8187563,0.1671975,0.00034474087],"study_design_scores_gemma":[0.0007673843,0.00024688666,0.0042412668,0.00012537152,0.0001144886,0.000011484797,0.00293305,0.00094437506,0.00032565638,0.00063614274,0.989353,0.00030089635],"about_ca_topic_score_codex":0.0014924523,"about_ca_topic_score_gemma":0.0005529019,"teacher_disagreement_score":0.8221555,"about_ca_system_score_codex":0.000054830096,"about_ca_system_score_gemma":0.00011978848,"threshold_uncertainty_score":0.9985349},"labels":[],"label_agreement":null},{"id":"W1559314826","doi":"","title":"Opera and Nineteenth-Century Literature. Romanticism on the Net :, no. 34-35, 2004","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Opera; Literature; Art; History","score_opus":0.017598005483236742,"score_gpt":0.2051631606033649,"score_spread":0.18756515512012817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1559314826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8672394,0.0015634295,0.000011662278,0.028388701,0.0015942662,0.00061790197,0.00006885143,0.00012641835,0.10038935],"genre_scores_gemma":[0.96476394,0.0003395871,0.000018756478,0.024213167,0.00140533,0.000037935148,0.000038413877,0.000034004133,0.009148885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981254,0.00018676945,0.0003527902,0.00046459204,0.0003541824,0.000516281],"domain_scores_gemma":[0.99855024,0.00047053501,0.00012932668,0.0006402723,0.00009494934,0.000114666145],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039236882,0.00038374242,0.00039289158,0.00011602642,0.0010784382,0.0005136,0.00049332774,0.00015509626,0.0042679766],"category_scores_gemma":[0.00011988177,0.00019084231,0.00020249106,0.00012577629,0.0005384399,0.00013783624,0.00012728556,0.0006778652,0.0009377965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010882921,0.00032840655,0.000016296855,0.000017663533,0.00022904825,0.000063994594,0.009004159,0.000098186756,0.00026661585,0.90033215,0.08904738,0.0004872672],"study_design_scores_gemma":[0.0017505784,0.001146229,0.0019036707,0.0005934208,0.00047459785,0.000027985869,0.0012600466,0.0008034147,0.0004847363,0.028824942,0.961911,0.0008193708],"about_ca_topic_score_codex":0.00019605552,"about_ca_topic_score_gemma":0.0002459219,"teacher_disagreement_score":0.87286365,"about_ca_system_score_codex":0.000032980264,"about_ca_system_score_gemma":0.000026396794,"threshold_uncertainty_score":0.9998401},"labels":[],"label_agreement":null},{"id":"W1560610857","doi":"10.7202/007713ar","title":"Recent Criticism of the Poetess: A Review Essay","year":2003,"lang":"en","type":"review","venue":"Romanticism on the Net","topic":"Linguistic, Cultural, and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; History; Literature; Art","score_opus":0.09346495480387751,"score_gpt":0.3800730336322221,"score_spread":0.2866080788283446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560610857","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000010488366,0.87885916,3.4793717e-7,0.0029760734,0.0016333335,0.0013904059,0.00005007534,0.000028985465,0.11506059],"genre_scores_gemma":[0.000009310169,0.9852225,0.000024649135,0.0032546879,0.0004451799,0.00009207729,0.000008399043,0.000028441656,0.010914708],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956852,0.0019690453,0.0007936459,0.0003602891,0.0007320411,0.00045975222],"domain_scores_gemma":[0.99713564,0.0012141413,0.00056554977,0.00077123346,0.00023949795,0.00007393819],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016913449,0.0004016397,0.0015263159,0.000030497617,0.0011036317,0.000090701215,0.001206477,0.00019600158,0.00061944587],"category_scores_gemma":[0.002916725,0.000176283,0.00067671406,0.00066806824,0.00068060827,0.000041065156,0.00013256994,0.0005014761,0.00010811257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022086897,0.00014611626,0.0000022013942,0.022003716,0.00037661192,0.000012553393,0.0070475545,8.036189e-8,4.1079183e-8,0.2270585,0.2046105,0.5387399],"study_design_scores_gemma":[0.00003847852,0.000021541584,0.0000013580272,0.055406485,0.00080536405,0.0000030727638,0.00014838547,1.6729422e-7,2.074855e-7,0.0014300717,0.94192934,0.00021552351],"about_ca_topic_score_codex":0.00008897224,"about_ca_topic_score_gemma":0.00003918973,"teacher_disagreement_score":0.7373189,"about_ca_system_score_codex":0.0001026465,"about_ca_system_score_gemma":0.00045044432,"threshold_uncertainty_score":0.8488354},"labels":[],"label_agreement":null},{"id":"W1561776560","doi":"","title":"Queer Romanticism. Romanticism on the Net, no. 36-37, 2004-2005","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Queer; Art; Literature; History; Sociology; Gender studies","score_opus":0.01822544774548752,"score_gpt":0.20818059921310872,"score_spread":0.1899551514676212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1561776560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24252617,0.0051449616,0.00010758507,0.057499334,0.006240826,0.002217634,0.00025700734,0.0009818557,0.6850246],"genre_scores_gemma":[0.8068992,0.00014286053,0.00008985662,0.018652564,0.005415304,0.00008867542,0.00005785592,0.00017994802,0.16847372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947455,0.0004992673,0.0010339658,0.0009946879,0.0013448755,0.0013817165],"domain_scores_gemma":[0.9956181,0.0009796789,0.0005143153,0.0023519401,0.0002830844,0.0002528676],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012696538,0.00096191966,0.0009060477,0.00035260184,0.0018531532,0.0009651802,0.0018113162,0.0002715243,0.015719948],"category_scores_gemma":[0.00024954652,0.00056174304,0.000714824,0.00023486969,0.0008316482,0.00044018246,0.00019158202,0.001192957,0.010213861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015523494,0.00041012722,0.0000147334,0.000020762836,0.00043880558,0.00004484427,0.011303123,0.00022177956,0.00033280742,0.32797274,0.6584394,0.0006456444],"study_design_scores_gemma":[0.0006769543,0.00030914933,0.00021316063,0.00021637593,0.00047284542,0.000014843967,0.000677924,0.0042675184,0.0006043434,0.0036705309,0.9880282,0.0008481382],"about_ca_topic_score_codex":0.00042288375,"about_ca_topic_score_gemma":0.0011346815,"teacher_disagreement_score":0.564373,"about_ca_system_score_codex":0.0002453745,"about_ca_system_score_gemma":0.00008797889,"threshold_uncertainty_score":0.9996834},"labels":[],"label_agreement":null},{"id":"W1571522396","doi":"10.7202/012468ar","title":"Helen Braithwaite. Romanticism, Publishing and Dissent: Joseph Johnson and the Cause of Liberty. Basingstoke: Palgrave, 2003. ISBN 0333983944. Price: £50/US$90.","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Political Economy and Marxism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Dissent; Publishing; Art history; History; Art; Humanities; Political science; Media studies; Economic history; Law; Sociology; Politics","score_opus":0.015530566060034957,"score_gpt":0.25203012656138185,"score_spread":0.2364995605013469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571522396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7995685,0.0015802259,0.0000882472,0.09285672,0.00036296068,0.0009097429,0.000035125002,0.00010360471,0.10449489],"genre_scores_gemma":[0.990103,0.0014661438,0.00021029045,0.0055054184,0.00046848383,0.000022938944,0.0000053758795,0.000029840323,0.0021885002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971803,0.0005359123,0.00051977043,0.00043703872,0.000510094,0.00081691484],"domain_scores_gemma":[0.9973412,0.0014861558,0.00028142525,0.0004613202,0.0001250636,0.0003047926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022003972,0.00028899615,0.0004773697,0.000119769895,0.00088940887,0.0007193497,0.0006327919,0.00022862658,0.0002002282],"category_scores_gemma":[0.001743637,0.00017911478,0.00009691834,0.00044511558,0.0016647741,0.00062436936,0.00023334286,0.00047863423,0.00003083859],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107339256,0.00008186613,0.0006986066,0.000030369973,0.00009068035,0.0000071637387,0.007830342,0.0000046437553,0.000082051876,0.973344,0.011528652,0.006194257],"study_design_scores_gemma":[0.0039327,0.00023435791,0.07790711,0.00041476975,0.00038917267,0.000044821023,0.003650651,0.0036320027,0.0010798624,0.07190286,0.8358412,0.00097051176],"about_ca_topic_score_codex":0.00361546,"about_ca_topic_score_gemma":0.0012632686,"teacher_disagreement_score":0.90144116,"about_ca_system_score_codex":0.000056821245,"about_ca_system_score_gemma":0.00013261974,"threshold_uncertainty_score":0.7304089},"labels":[],"label_agreement":null},{"id":"W1575275230","doi":"10.7202/005922ar","title":"John Rieder, Wordsworth's Counterrevolutionary Turn: Community, Virtue, and Vision in the 1790s. Newark: University of Delaware Press, London: Associated University Presses, 1997. ISBN: 0-87413-610-5. Price: US$41.50.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Virtue; Romanticism; Romance; History; Art history; Media studies; Art; Political science; Sociology; Law; Literature","score_opus":0.01384211781118876,"score_gpt":0.2507677055841104,"score_spread":0.2369255877729216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575275230","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72237384,0.0014634889,0.00012356897,0.0072715026,0.0001671447,0.0007515331,0.0005708591,0.00008698373,0.26719105],"genre_scores_gemma":[0.99441373,0.0019188905,0.00003546647,0.00056636665,0.000049785183,4.9738264e-7,0.00007243705,0.000007073219,0.002935743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971136,0.001644167,0.00017853458,0.00019343317,0.000532372,0.0003378799],"domain_scores_gemma":[0.9981502,0.0011290725,0.00017259519,0.00036189816,0.00009293359,0.00009328228],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009813257,0.00016531194,0.00024028902,0.00004831727,0.0016829008,0.000047524907,0.00082185,0.00013545863,0.00040892407],"category_scores_gemma":[0.00009505165,0.0001340556,0.0000794021,0.00037081985,0.001730513,0.00025086355,0.00014754536,0.000521576,0.000012992809],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007440703,0.0013383011,0.017148852,0.00005408454,0.00021399577,0.00014642328,0.011425965,0.0009333238,0.000017448365,0.8762818,0.089898504,0.0017972336],"study_design_scores_gemma":[0.0006403866,0.00018296315,0.08560871,0.00018424015,0.00008364874,0.000007270292,0.005561953,0.00028528634,0.0000022821212,0.0013039213,0.9059122,0.00022709256],"about_ca_topic_score_codex":0.05526463,"about_ca_topic_score_gemma":0.009545022,"teacher_disagreement_score":0.8749779,"about_ca_system_score_codex":0.00017570888,"about_ca_system_score_gemma":0.0004167464,"threshold_uncertainty_score":0.9996168},"labels":[],"label_agreement":null},{"id":"W1575654148","doi":"10.7202/005969ar","title":"Kim Wheatley, Shelley and His Readers: Beyond Paranoid Politics. Columbia, Missouri: University of Missouri Press, 1999. ISBN: 0826212212. Price: US$34.95. (£29.50).","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Science Education and Perceptions","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Politics; Columbia university; History; Art history; Media studies; Art; Political science; Sociology; Law","score_opus":0.03572213753461378,"score_gpt":0.2794215601497451,"score_spread":0.24369942261513133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575654148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9117031,0.0010401147,0.000067289606,0.010843857,0.00076373894,0.00045849566,0.00008448098,0.00007210514,0.0749668],"genre_scores_gemma":[0.9280412,0.0008226207,0.00032416204,0.0017321082,0.0003390191,0.0000057875545,0.00003157881,0.000028996436,0.06867448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808943,0.0002740152,0.00027677894,0.00048971735,0.0003286505,0.00054138334],"domain_scores_gemma":[0.99834496,0.0003572261,0.0001724434,0.00078356254,0.00008959954,0.0002522041],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041763514,0.00019958199,0.0002874487,0.000093038296,0.0004886749,0.0000832849,0.0005493741,0.00020009166,0.009837497],"category_scores_gemma":[0.000064363056,0.00020155087,0.000103123544,0.00029303145,0.0005960022,0.00011335888,0.0000696143,0.00030187744,0.00042516392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120979,0.00080503226,0.020765616,0.000028341145,0.00010955566,0.000033686076,0.025523683,0.000017637249,0.00087083096,0.00907802,0.94190603,0.0007405938],"study_design_scores_gemma":[0.0011436827,0.00034192498,0.22495608,0.0000712199,0.00013626381,0.00009579253,0.013770285,0.00020985161,0.00006737994,0.0019968296,0.75681937,0.00039130077],"about_ca_topic_score_codex":0.016732141,"about_ca_topic_score_gemma":0.0007821132,"teacher_disagreement_score":0.20419046,"about_ca_system_score_codex":0.00005711443,"about_ca_system_score_gemma":0.000075527714,"threshold_uncertainty_score":0.99106765},"labels":[],"label_agreement":null},{"id":"W1589048383","doi":"10.7202/005920ar","title":"Seamus Perry, Coleridge and the Uses of Division. Oxford, Clarendon Press, 1999. ISBN: 0-19-818397-6. Price: £45 (US$72).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; History; Romance; Division (mathematics); Philosophy; Art history; Art; Literature; Mathematics","score_opus":0.023306158202660653,"score_gpt":0.221112918380649,"score_spread":0.19780676017798834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589048383","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87397826,0.0045739384,0.0000053078825,0.0019593942,0.0005447206,0.0005486542,0.00013730249,0.00006610442,0.1181863],"genre_scores_gemma":[0.97207975,0.001115535,0.000008655025,0.0011885922,0.00032030113,0.000029263378,0.000017874845,0.000019377821,0.025220664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858975,0.00020888106,0.00030287565,0.0002331555,0.00043506807,0.0002302748],"domain_scores_gemma":[0.9988289,0.0005415405,0.00014825842,0.00035097514,0.00007362763,0.00005672706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005552382,0.00017841115,0.00025898992,0.000055105895,0.0008471617,0.0001744875,0.0003710186,0.0000580116,0.0046792366],"category_scores_gemma":[0.00008445263,0.000103426086,0.000114725466,0.00005169964,0.00076180784,0.00020953594,0.00007620812,0.00021688963,0.00006127519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046855496,0.00027658202,0.0004628059,0.000066335706,0.00014436389,0.0000110598,0.010710367,0.00009223102,0.000041491672,0.6897099,0.29583344,0.0021828986],"study_design_scores_gemma":[0.00104093,0.00013516417,0.010284178,0.000066690984,0.00008183264,0.0000070335805,0.0002897753,0.0004294098,0.00013552523,0.0050728684,0.98227835,0.00017822256],"about_ca_topic_score_codex":0.0014513687,"about_ca_topic_score_gemma":0.00043016652,"teacher_disagreement_score":0.68644494,"about_ca_system_score_codex":0.000021516495,"about_ca_system_score_gemma":0.000027846454,"threshold_uncertainty_score":0.9962306},"labels":[],"label_agreement":null},{"id":"W1602395316","doi":"10.7202/005921ar","title":"Tilottama Rajan and Julia M. Wright, eds., Romanticism, History, and the Possibilities of Genre. Cambridge: Cambridge University Press, 1998. ISBN: 0521581923. Price: £40 (US$64.95).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Wright; Romance; Art history; History; Art; Humanities; Literature","score_opus":0.010526948478989303,"score_gpt":0.17351302783757278,"score_spread":0.16298607935858347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602395316","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8345645,0.022453347,0.0000071230693,0.0014759968,0.0007012389,0.0008088683,0.00027753517,0.00014057232,0.13957079],"genre_scores_gemma":[0.6245372,0.0018848703,0.000030147507,0.0010015984,0.0004875625,0.000008105558,0.000038521088,0.000056032153,0.37195596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997289,0.00047840507,0.00054742146,0.00063217914,0.00053886604,0.0005141016],"domain_scores_gemma":[0.9978513,0.00048763514,0.00035323895,0.0010505915,0.00011222272,0.00014500353],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006885254,0.00049705594,0.000762718,0.00015506845,0.0008494729,0.00025501088,0.0006909709,0.00014621526,0.0008526377],"category_scores_gemma":[0.000039549333,0.00031533017,0.0002659779,0.000098864766,0.0024750547,0.00045756777,0.00014329301,0.00046333426,0.000059602058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011457303,0.00023912889,0.00007807593,0.0001845417,0.0005572357,0.000045860073,0.03406163,0.000008993762,0.00012236691,0.54058015,0.42220533,0.0007709595],"study_design_scores_gemma":[0.0015757703,0.00021796477,0.0012164401,0.00010529936,0.00060300616,0.000018829625,0.0014255932,0.0010351624,0.00008457625,0.00019512523,0.9930793,0.00044294266],"about_ca_topic_score_codex":0.0038014296,"about_ca_topic_score_gemma":0.00022450596,"teacher_disagreement_score":0.570874,"about_ca_system_score_codex":0.0001651671,"about_ca_system_score_gemma":0.000078385994,"threshold_uncertainty_score":0.9999299},"labels":[],"label_agreement":null},{"id":"W1604712569","doi":"10.7202/007211ar","title":"Betty T. Bennett. Mary Wollstonecraft Shelley: An Introduction. Baltimore: Johns Hopkins UP, 1998. ISBN 080185976X. Price: US$16.95.","year":2002,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Science Education and Perceptions","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Romanticism; Art history; Gerontology; Art; Humanities; Medicine","score_opus":0.040943770073041105,"score_gpt":0.3035522522377942,"score_spread":0.2626084821647531,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1604712569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8149172,0.00022770562,0.00026390576,0.08101475,0.011608706,0.0007658251,0.000062223495,0.00035362042,0.09078606],"genre_scores_gemma":[0.94488114,0.0006753557,0.00041619394,0.01104197,0.0042805336,0.00013649084,0.000116970274,0.0000760644,0.038375273],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99692327,0.0004134642,0.00048636246,0.0008850598,0.00051847723,0.00077337364],"domain_scores_gemma":[0.9975054,0.00026617965,0.00019090343,0.0016654155,0.00006420738,0.00030784146],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007307743,0.0003623355,0.00031201608,0.00038141265,0.00078769284,0.00016510246,0.0009057665,0.00023088799,0.083288826],"category_scores_gemma":[0.00010101053,0.0002796502,0.00016239987,0.0012511634,0.00039298483,0.0002862127,0.0000789578,0.0006210275,0.011477567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035160607,0.00082626974,0.0011954578,0.0000045914458,0.00005388227,0.0000059782724,0.0074758832,0.000052015504,0.0004087477,0.014595372,0.9675866,0.0077600363],"study_design_scores_gemma":[0.00054194574,0.0003425116,0.09293161,0.000013879764,0.00006190471,0.00010264705,0.0020297493,0.001285161,0.00007495265,0.0005236191,0.901651,0.00044101715],"about_ca_topic_score_codex":0.0006580478,"about_ca_topic_score_gemma":0.00018542937,"teacher_disagreement_score":0.12996395,"about_ca_system_score_codex":0.0001292185,"about_ca_system_score_gemma":0.000043766624,"threshold_uncertainty_score":0.99996555},"labels":[],"label_agreement":null},{"id":"W1606401774","doi":"10.7202/005915ar","title":"J. Douglas Kneale, Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge. Montreal &amp; Kingston: McGill-Queen's University Press, 1999. ISBN: 0773518045. Price: US$49.95 / Liverpool University Press, 1999. ISBN: 0853235449. Price: £27.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romanticism; Classicism; Queen (butterfly); Romance; Humanities; Art; Art history; History; Literature","score_opus":0.011846221000884534,"score_gpt":0.1938691774878749,"score_spread":0.18202295648699038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606401774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8158049,0.0015366432,0.00001671953,0.002018167,0.00052266085,0.0013237434,0.00092170737,0.00022764759,0.1776278],"genre_scores_gemma":[0.92410845,0.0074104397,0.000052803793,0.00043464918,0.00025369445,0.0000050602875,0.00007914012,0.000053897962,0.06760188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964084,0.0005096415,0.0006462965,0.00086052204,0.000718022,0.0008571105],"domain_scores_gemma":[0.99766755,0.00049465103,0.00043783992,0.0009771801,0.00015441967,0.00026835795],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043481097,0.0006358745,0.0009397514,0.00027193603,0.0010275722,0.00017911295,0.0009315922,0.00028059317,0.0014920498],"category_scores_gemma":[0.000042422842,0.00055894896,0.00034901148,0.0003423765,0.0008885646,0.00072614645,0.0003581629,0.0007467707,0.000100696205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003848974,0.0036305094,0.0024431555,0.0007740297,0.0017331803,0.0017014975,0.019806098,0.0014879258,0.0002245652,0.5381399,0.42375475,0.0024554064],"study_design_scores_gemma":[0.0018155355,0.00023760177,0.013496615,0.00046984863,0.00058913254,0.000015756581,0.001779517,0.0018449649,0.00006721412,0.00029380718,0.9786858,0.0007041819],"about_ca_topic_score_codex":0.013515034,"about_ca_topic_score_gemma":0.0008929148,"teacher_disagreement_score":0.55493104,"about_ca_system_score_codex":0.00018055424,"about_ca_system_score_gemma":0.0000728739,"threshold_uncertainty_score":0.9996862},"labels":[],"label_agreement":null},{"id":"W1646892165","doi":"","title":"Romantic Spectacle. Romanticism on the Net :, no. 46, 2007","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Romanticism; Romance; Art; Literature; Political science; Law","score_opus":0.03150780390909391,"score_gpt":0.22998608368275655,"score_spread":0.19847827977366264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1646892165","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4852614,0.0003316325,0.00010177338,0.00587231,0.0041273017,0.00090217544,0.000064198284,0.00031611268,0.5030231],"genre_scores_gemma":[0.9285694,0.00005152991,0.000053375268,0.012277842,0.004756406,0.000027790782,0.000047460624,0.0001142952,0.054101918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960179,0.00026515734,0.0008527228,0.0006784664,0.0010209309,0.0011648413],"domain_scores_gemma":[0.99582124,0.0021846562,0.00026821345,0.0012745234,0.00025006625,0.0002012773],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013679531,0.00064118503,0.0005133256,0.00027465404,0.0016106216,0.00075956195,0.0010587183,0.00015000347,0.0124376835],"category_scores_gemma":[0.00031527,0.0003794556,0.00032979634,0.00018598425,0.0006587017,0.0003289552,0.00009845233,0.0007499049,0.0063612806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016916542,0.00030134994,0.00006216093,0.000023125654,0.00011637919,0.00012984023,0.015826054,0.0000154283,0.00016461521,0.8092731,0.1733726,0.00054618885],"study_design_scores_gemma":[0.0010044517,0.0009292652,0.009735164,0.00036610826,0.00019005229,0.000040702944,0.0061532063,0.0014355836,0.0007060131,0.025124885,0.95336974,0.0009448277],"about_ca_topic_score_codex":0.00039334802,"about_ca_topic_score_gemma":0.00034978063,"teacher_disagreement_score":0.7841482,"about_ca_system_score_codex":0.00006942788,"about_ca_system_score_gemma":0.00005339795,"threshold_uncertainty_score":0.9998657},"labels":[],"label_agreement":null},{"id":"W1812746406","doi":"10.7202/005927ar","title":"Betty T. Bennett and Stuart Curran, eds., Shelley: Poet and Legislator of the World. Baltimore and London: The Johns Hopkins University Press, 1996. ISBN: 0801851769. Price: US$17.95 (£15).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Curran; Legislator; Scholarship; Art history; History; Romanticism; Media studies; Humanities; Art; Sociology; Political science; Law","score_opus":0.010343470371667992,"score_gpt":0.19231544336482698,"score_spread":0.18197197299315898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1812746406","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8647673,0.00948243,7.230323e-7,0.00547731,0.00023936358,0.0006163928,0.00021417065,0.00004979166,0.11915251],"genre_scores_gemma":[0.97775525,0.012198048,0.00001080571,0.0011398308,0.00034877934,0.0000050441795,0.000005355156,0.000020701722,0.008516192],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876606,0.00017010025,0.00020063159,0.0003064476,0.0002488947,0.00030784105],"domain_scores_gemma":[0.99895203,0.0003792759,0.0001269046,0.00044035172,0.000041600168,0.00005980964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024655755,0.00026523205,0.00029092038,0.00007659077,0.0012215421,0.00015197367,0.00032544872,0.000053063643,0.000763874],"category_scores_gemma":[0.000015650912,0.00013398452,0.00010591656,0.00015529535,0.0014352223,0.00016244384,0.0001846539,0.00031376784,0.0000032438818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007006537,0.0005699544,0.011919858,0.00028724046,0.0013482099,0.000057649926,0.16808781,0.000031152824,0.00004274913,0.3417334,0.45335197,0.021869363],"study_design_scores_gemma":[0.0005939031,0.0001376777,0.024320098,0.00011115187,0.00018957142,0.0000070439337,0.0025462362,0.00011751808,0.0000409026,0.00024675266,0.97148716,0.00020195574],"about_ca_topic_score_codex":0.001947724,"about_ca_topic_score_gemma":0.004834573,"teacher_disagreement_score":0.51813525,"about_ca_system_score_codex":0.0000075930116,"about_ca_system_score_gemma":0.000016121268,"threshold_uncertainty_score":0.9395238},"labels":[],"label_agreement":null},{"id":"W1852677427","doi":"10.7202/005938ar","title":"Mary Anne Perkins, Nation and Word: 1770-1850: Religious and Metaphysical Language in European National Consciousness. Aldershot: Ashgate Publishing Limited, 1999. ISBN: 185928-286-5. Price: US$94.95.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Central European national history","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Publishing; Consciousness; Romanticism; Scholarship; Metaphysics; History; National consciousness; Media studies; Sociology; Religious studies; Art history; Art; Theology; Political science; Literature; Philosophy; Law; Politics","score_opus":0.017508194230360232,"score_gpt":0.24447611795581925,"score_spread":0.22696792372545901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1852677427","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8405219,0.0040214485,0.0000038450135,0.010966135,0.00020912492,0.00034580746,0.00003638727,0.00012406676,0.14377129],"genre_scores_gemma":[0.9921492,0.0015281291,0.00009034888,0.0027353272,0.0004041147,0.0000063596754,0.000061859784,0.000036361635,0.0029883257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99701875,0.0008783654,0.00032203004,0.0004452649,0.000941264,0.00039430097],"domain_scores_gemma":[0.9988302,0.0006131935,0.00013713162,0.00017356586,0.00009914033,0.00014678684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019915754,0.0002023493,0.00021428055,0.00023742708,0.0005126235,0.00040935984,0.0003604097,0.00007612635,0.00026921948],"category_scores_gemma":[0.00057112443,0.00017751537,0.00006083385,0.00061134715,0.00046262192,0.00066698,0.00007467273,0.0004189051,0.00009661617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000598696,0.0010287338,0.0044595776,0.00009441313,0.00027079397,0.0010550288,0.09759232,0.0010931641,0.0018719188,0.15240279,0.5990639,0.14046867],"study_design_scores_gemma":[0.0022738464,0.00015179723,0.20747478,0.00022888524,0.00008513079,0.00006401197,0.0030690902,0.0036562951,0.000044072123,0.004334158,0.77769274,0.0009252045],"about_ca_topic_score_codex":0.00092925277,"about_ca_topic_score_gemma":0.00063425855,"teacher_disagreement_score":0.20301521,"about_ca_system_score_codex":0.00019292164,"about_ca_system_score_gemma":0.000101712816,"threshold_uncertainty_score":0.7238866},"labels":[],"label_agreement":null},{"id":"W1890920470","doi":"","title":"Romanticism on the Net 1996-2006: Celebrating Ten Years of Online Publishing. Romanticism on the Net :, no. 41-42, 2006","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Publishing; Art; Art history; Literature","score_opus":0.030761604912277744,"score_gpt":0.2143365343178669,"score_spread":0.18357492940558914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1890920470","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6718313,0.00021967418,0.000003252002,0.008513774,0.0012959442,0.000873552,0.0006706636,0.00019086675,0.31640095],"genre_scores_gemma":[0.9460566,0.000029742234,0.000032200038,0.009422473,0.0029164357,0.00005410024,0.0002757836,0.00016093963,0.04105174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9945385,0.00049782236,0.0012858235,0.0008073134,0.0016095361,0.0012610456],"domain_scores_gemma":[0.994147,0.0028498794,0.0008010137,0.0017414427,0.0003198523,0.00014080688],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018337409,0.000829771,0.000824057,0.00029120396,0.0015543443,0.0040499335,0.0022882188,0.00025086943,0.0027631922],"category_scores_gemma":[0.00072384096,0.00046757984,0.00050829136,0.00026074232,0.0009258,0.0010349678,0.00037488688,0.001562017,0.0006524613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012553562,0.0007105302,0.00012642852,0.000031396292,0.00013429024,0.000054737993,0.0032285866,0.00017289122,0.00010833893,0.70043194,0.29372957,0.0011457427],"study_design_scores_gemma":[0.0023857243,0.0029545384,0.025448587,0.0018060986,0.00046081914,0.00003889713,0.010724887,0.0050071264,0.0008582097,0.08512991,0.8628716,0.0023135876],"about_ca_topic_score_codex":0.0031417694,"about_ca_topic_score_gemma":0.0029515356,"teacher_disagreement_score":0.615302,"about_ca_system_score_codex":0.00008476471,"about_ca_system_score_gemma":0.00008956449,"threshold_uncertainty_score":0.9997776},"labels":[],"label_agreement":null},{"id":"W1890950656","doi":"10.7202/014007ar","title":"Marc Redfield. The Politics of Aesthetics: Nationalism, Gender, Romanticism. Stanford, CA: Stanford University Press, 2003. ISBN 0804744602. Price: US$55.00 (cloth). ISBN 0804747504. Price: US$24.95 (paper).","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Nationalism; Politics; Art history; Humanities; Art; History; Media studies; Political science; Sociology; Law","score_opus":0.02326974308433212,"score_gpt":0.21164985097125077,"score_spread":0.18838010788691867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1890950656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46621802,0.0058353604,0.00028693018,0.0058037145,0.0034966446,0.0021356032,0.0018624248,0.00032728232,0.51403403],"genre_scores_gemma":[0.80087227,0.001121538,0.0003088605,0.002488135,0.0014135316,0.00002289147,0.00030159156,0.00011134833,0.19335985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99627614,0.00033277052,0.0007811214,0.00052070525,0.0013894766,0.0006997812],"domain_scores_gemma":[0.99687296,0.0005369297,0.00061905733,0.00088769075,0.00095741637,0.00012596285],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00085184554,0.00046857793,0.00048207433,0.00020580857,0.0016779656,0.00026523802,0.001176152,0.00021003216,0.0035136077],"category_scores_gemma":[0.00018957975,0.00035636034,0.00025800784,0.0003257749,0.0009407577,0.0006057827,0.00021474797,0.000579013,0.00016398383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080079546,0.0002544057,0.00021133972,0.000052554456,0.00009927302,0.000023008977,0.00122485,0.0001470008,0.000041508454,0.6515886,0.3462547,0.00002264417],"study_design_scores_gemma":[0.00081466994,0.00014165454,0.004317965,0.00007158934,0.00018910144,0.00001860253,0.0010764824,0.000710178,0.00022468527,0.012655929,0.97932076,0.00045839467],"about_ca_topic_score_codex":0.005328296,"about_ca_topic_score_gemma":0.0013982505,"teacher_disagreement_score":0.6389327,"about_ca_system_score_codex":0.00029521532,"about_ca_system_score_gemma":0.0003482909,"threshold_uncertainty_score":0.99988884},"labels":[],"label_agreement":null},{"id":"W1898224843","doi":"10.7202/005997ar","title":"William Wordsworth, Last Poems, 1821-1850. Ed. Jared Curtis, Apryl Lea Denny-Ferris and Jillian Heydt Stevenson. Ithaca, New York: Cornell University Press 1999. ISBN: 0801436257. Price: US$105.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Romanticism; Art history; Art; History; Literature","score_opus":0.038818441556215125,"score_gpt":0.2104688238506417,"score_spread":0.17165038229442658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1898224843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8881688,0.00984278,0.0005883649,0.0031789348,0.0014210361,0.0010647096,0.00032686637,0.00041268815,0.09499578],"genre_scores_gemma":[0.91454095,0.002349471,0.00006641012,0.001155995,0.0010003165,0.0000053879808,0.00007215089,0.00006690398,0.0807424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703443,0.00029259175,0.0005200916,0.0007731086,0.00047481482,0.0009049528],"domain_scores_gemma":[0.99803144,0.0003014366,0.00029481834,0.0008516119,0.00012451498,0.00039620654],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004098491,0.0005640473,0.0006843223,0.00016305181,0.0011355724,0.00052143936,0.00074956194,0.00019510223,0.0022516814],"category_scores_gemma":[0.000052115927,0.00044862815,0.0002717817,0.0002121941,0.0004941207,0.00039432096,0.00021590396,0.000594456,0.00025529042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052366615,0.0008288156,0.0055858768,0.00011671828,0.00096848496,0.0004624086,0.012763785,0.00034970153,0.00018975965,0.1752949,0.7940825,0.00883337],"study_design_scores_gemma":[0.0010168852,0.00024422925,0.006774689,0.00019039644,0.00046440156,0.000038850325,0.003377422,0.0012527703,0.000118450414,0.0012052248,0.9846196,0.0006970516],"about_ca_topic_score_codex":0.002838546,"about_ca_topic_score_gemma":0.0015798947,"teacher_disagreement_score":0.19053712,"about_ca_system_score_codex":0.00008203293,"about_ca_system_score_gemma":0.00006688626,"threshold_uncertainty_score":0.99979657},"labels":[],"label_agreement":null},{"id":"W1923227021","doi":"10.7202/011144ar","title":"“Figuring out the Theater”: Emily Allen. Theater Figures: The Production of the Nineteenth-Century British Novel. Columbus: Ohio State University Press, 2003. ISBN: 0814251102. Price: US$22.95.","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Romanticism; Figuring; Art history; Queer; State (computer science); History; Art; Media studies; Sociology; Gender studies; Computer science","score_opus":0.012705460203960616,"score_gpt":0.22181741938078098,"score_spread":0.20911195917682035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1923227021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9015428,0.003711524,0.000022615943,0.020145247,0.002543158,0.0025966163,0.00013976535,0.00014299707,0.069155276],"genre_scores_gemma":[0.9718523,0.011485471,0.000020120635,0.00088583725,0.0005301182,0.000021110176,0.0000045552424,0.000028953842,0.015171533],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718356,0.0004981641,0.00033102647,0.00044156122,0.0008694966,0.0006762077],"domain_scores_gemma":[0.99848616,0.00021623565,0.00028508352,0.00065632456,0.00029200586,0.00006419301],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011550529,0.0002467107,0.00028279854,0.000023857803,0.002640318,0.00025925238,0.0013613299,0.00011673682,0.00006680314],"category_scores_gemma":[0.0003868118,0.00013970543,0.00016723177,0.00041871687,0.0012577733,0.00023706703,0.00029603107,0.00048226214,0.000022323804],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003016364,0.0008998422,0.0028839472,0.00013122818,0.00072594377,0.00005715035,0.071571976,0.0019443713,0.0015511236,0.008076806,0.9089599,0.0028960572],"study_design_scores_gemma":[0.0012138946,0.00018585767,0.08020741,0.0009905151,0.0002640752,0.0000337998,0.01733271,0.000042720552,0.0024466682,0.00065016205,0.8960477,0.0005845029],"about_ca_topic_score_codex":0.009064106,"about_ca_topic_score_gemma":0.0032664093,"teacher_disagreement_score":0.07732346,"about_ca_system_score_codex":0.00015207205,"about_ca_system_score_gemma":0.00019232533,"threshold_uncertainty_score":0.9986581},"labels":[],"label_agreement":null},{"id":"W1963968721","doi":"10.7202/007720ar","title":"Politics, Poetics and Propriety: Reviewing Amelia Opie","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"African studies and sociopolitical issues","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Poetics; Political radicalism; Politics; Poetry; Sensibility; Literature; Ambivalence; History; Art; Psychoanalysis; Psychology; Law; Political science","score_opus":0.03703672876038199,"score_gpt":0.31370253180850827,"score_spread":0.27666580304812627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1963968721","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72747,0.0036356607,0.0001259927,0.094579645,0.00045535367,0.0006824119,0.0000112294665,0.00015278593,0.17288695],"genre_scores_gemma":[0.99312365,0.001697332,0.0002495536,0.0028003019,0.00042187775,0.00000763746,6.1960145e-7,0.000011187638,0.0016878296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987961,0.00010281014,0.00016227951,0.0001710591,0.00031885455,0.00044888596],"domain_scores_gemma":[0.99933416,0.00022512843,0.00006185057,0.00017961099,0.00006768677,0.00013155887],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045391062,0.000110303146,0.00020113468,0.000015830445,0.0010419827,0.000081185615,0.00018535233,0.000065349974,0.000050128903],"category_scores_gemma":[0.0006930704,0.00007216695,0.00004909233,0.00012514288,0.0008415411,0.000043757304,0.00007863601,0.00015698066,0.00007112018],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.490086e-7,0.00002325844,0.00018013356,0.000009483182,0.000015124007,0.00000610456,0.015778119,8.443747e-7,0.000003960628,0.9824011,0.0012113951,0.00036955444],"study_design_scores_gemma":[0.00040483568,0.0002258401,0.0036147835,0.0003186341,0.00010879403,0.000002879387,0.05265798,0.000013724965,0.00010971225,0.46395826,0.47816753,0.0004170026],"about_ca_topic_score_codex":0.0017463837,"about_ca_topic_score_gemma":0.00007540557,"teacher_disagreement_score":0.5184428,"about_ca_system_score_codex":0.00007757824,"about_ca_system_score_gemma":0.00006290896,"threshold_uncertainty_score":0.8014193},"labels":[],"label_agreement":null},{"id":"W1965381631","doi":"10.7202/011134ar","title":"Romantic Labouring-Class Pastoral as Eco-Queer Camp","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Poetry; Romance; Mainstream; Gender studies; Queer theory; Aesthetics; Sociology; Literature; History; Art; Law; Political science","score_opus":0.01974539215761766,"score_gpt":0.2103705204419422,"score_spread":0.19062512828432454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965381631","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87713563,0.0000939642,0.0000034393272,0.0046963454,0.0008596231,0.00017781812,0.000012438722,0.00011418493,0.11690655],"genre_scores_gemma":[0.92315644,0.000013632503,0.000009311581,0.0022004263,0.0013271988,0.000010847028,0.000016519689,0.000016225731,0.0732494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990279,0.000052317726,0.00023379036,0.00016089638,0.00026605584,0.0002590507],"domain_scores_gemma":[0.9994795,0.000043801887,0.00010492032,0.00026049814,0.00005650414,0.00005482443],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017122773,0.0001659712,0.00015021228,0.0000703068,0.0007028506,0.00025388584,0.0002458174,0.000044634508,0.007759151],"category_scores_gemma":[0.000025270308,0.00010855475,0.00011006103,0.00003438871,0.0001442731,0.00050687656,0.00003848529,0.00019523133,0.009152712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003334731,0.000098576274,0.000020825591,0.00001876101,0.000039957762,0.0000068529625,0.026408222,0.000076186756,0.00019092417,0.7595823,0.21239455,0.0011295391],"study_design_scores_gemma":[0.00022743683,0.000110353096,0.00053562527,0.000041533807,0.000032515258,0.000008986112,0.0009347399,0.00052592123,0.00041797556,0.0021041548,0.99486214,0.00019864128],"about_ca_topic_score_codex":0.00025011174,"about_ca_topic_score_gemma":0.0012214077,"teacher_disagreement_score":0.78246754,"about_ca_system_score_codex":0.00008027082,"about_ca_system_score_gemma":0.0000148767485,"threshold_uncertainty_score":0.9931479},"labels":[],"label_agreement":null},{"id":"W1965516675","doi":"10.7202/009434ar","title":"Lucy, Lucia, and Locke","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Opera; Art; Art history; Philosophy","score_opus":0.024334444058360986,"score_gpt":0.19744393023355936,"score_spread":0.17310948617519836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965516675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8811136,0.00010785052,0.000023490718,0.010613024,0.00027312915,0.00009280419,0.0000058041182,0.0000447841,0.10772551],"genre_scores_gemma":[0.98613644,0.000014331491,0.000011307981,0.007700273,0.0003901261,0.0000067916267,0.0000029123353,0.000007135701,0.005730661],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947864,0.000026633736,0.0001038883,0.00014062332,0.0000933743,0.0001568245],"domain_scores_gemma":[0.9996546,0.00008828568,0.000034488297,0.00016590222,0.00001841212,0.000038344864],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010764747,0.00009207869,0.00012780407,0.000038010112,0.0003723885,0.000073639305,0.000111989866,0.000033522723,0.0029992124],"category_scores_gemma":[0.000020836456,0.000052721465,0.000053287145,0.000024842999,0.00026617578,0.000039938895,0.00003752074,0.00011949911,0.0003456433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010544694,0.000060677507,0.0000118286425,0.0000036239255,0.00004518348,0.000009587071,0.0051728035,0.000009468694,0.000062913045,0.9832361,0.01040771,0.00096961175],"study_design_scores_gemma":[0.0009131335,0.0003975283,0.0024228531,0.000065263805,0.0002567505,0.000011284845,0.0017797324,0.00020926422,0.0007800631,0.2693662,0.7234058,0.000392123],"about_ca_topic_score_codex":0.00018298514,"about_ca_topic_score_gemma":0.00066335825,"teacher_disagreement_score":0.7138698,"about_ca_system_score_codex":0.0000074678833,"about_ca_system_score_gemma":0.000008622366,"threshold_uncertainty_score":0.99791217},"labels":[],"label_agreement":null},{"id":"W1965817465","doi":"10.7202/005700ar","title":"The Sublime Turn Away from Empire: Wordsworth's Encounter with Colonial Slavery, 1802","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Empire; Literature; Colonialism; Romance; Context (archaeology); Imprisonment; Sonnet; Poetry; Argument (complex analysis); Contradiction; Romanticism; Philosophy; History; Art; Aesthetics; Sociology; Ancient history; Criminology; Epistemology","score_opus":0.012453991406660026,"score_gpt":0.1935948771143513,"score_spread":0.18114088570769127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965817465","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84725904,0.00046673452,0.0000072308612,0.0043101124,0.0012435281,0.00028012836,0.00011968771,0.000113975846,0.14619957],"genre_scores_gemma":[0.9630339,0.000015566697,0.000019426461,0.002123526,0.0009622879,0.000022214905,0.00002137872,0.000034713834,0.033766963],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986215,0.00016484357,0.00021751007,0.00026881605,0.0003330445,0.00039426985],"domain_scores_gemma":[0.99876636,0.0005306358,0.0001069332,0.00047254757,0.0000709104,0.000052591706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029152964,0.00024273171,0.00019292338,0.00003325859,0.0010812941,0.0009896113,0.00033353,0.00006909209,0.0010965619],"category_scores_gemma":[0.000041066447,0.00011182425,0.000086425745,0.00005679575,0.00032585117,0.00009795889,0.000021772868,0.00042153578,0.00021396257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023086126,0.00012041062,0.00064297405,0.000006442476,0.00017543284,0.00005778279,0.029391937,0.000006111794,0.00005475148,0.8582535,0.11023538,0.0008244667],"study_design_scores_gemma":[0.00047119238,0.00020478074,0.0019792877,0.000098588636,0.000049645743,0.000009468921,0.0013757924,0.000039348462,0.00020901505,0.0042437133,0.9910875,0.00023169117],"about_ca_topic_score_codex":0.00027695522,"about_ca_topic_score_gemma":0.0018576372,"teacher_disagreement_score":0.8808521,"about_ca_system_score_codex":0.000018169592,"about_ca_system_score_gemma":0.000045823537,"threshold_uncertainty_score":0.9998166},"labels":[],"label_agreement":null},{"id":"W1966188958","doi":"10.7202/007206ar","title":"James Hogg and The Unfathomable Hell","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Theme (computing); Lunatic; Opium; Art; Identity (music); Confusion; Romance; Subject (documents); Philosophy; Memoir; Art history; History; Psychoanalysis; Aesthetics; Psychology","score_opus":0.013103757106659548,"score_gpt":0.18143248050113372,"score_spread":0.1683287233944742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966188958","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07923293,0.004783543,0.000018123874,0.0082837595,0.0008457014,0.00034250613,0.000016030026,0.00006585427,0.9064115],"genre_scores_gemma":[0.9288077,0.00008329529,0.00001728072,0.0066597336,0.00028339727,0.000020220115,0.000002527411,0.000014691668,0.06411119],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914414,0.00015871094,0.00014657476,0.00015761853,0.00015666864,0.00023631968],"domain_scores_gemma":[0.9991843,0.0004000175,0.0000398901,0.00030764795,0.000033701483,0.000034411816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038225664,0.0001433872,0.0001614569,0.000029031542,0.0005256839,0.00039543046,0.00016500443,0.000032399035,0.0012126778],"category_scores_gemma":[0.00006953041,0.00006457608,0.00006378935,0.00003001131,0.00049348775,0.00008211457,0.000021767877,0.00018428467,0.00014375977],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014639278,0.000021998336,0.0000031682146,0.000006018461,0.000018843162,0.000005307117,0.009084011,9.544485e-7,0.00001892897,0.9404247,0.050226502,0.00017496123],"study_design_scores_gemma":[0.00054448476,0.000063687934,0.000020345717,0.000035716606,0.0000405785,0.000010899371,0.0016616519,0.000096510295,0.00037653543,0.10918661,0.88784826,0.000114721064],"about_ca_topic_score_codex":0.000061223946,"about_ca_topic_score_gemma":0.000039455987,"teacher_disagreement_score":0.84957474,"about_ca_system_score_codex":0.000004403658,"about_ca_system_score_gemma":0.000009771008,"threshold_uncertainty_score":0.99970037},"labels":[],"label_agreement":null},{"id":"W1967640434","doi":"10.7202/007723ar","title":"Phillis Wheatley and the Sentimental Tradition","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Seventeenth-Century Political and Philosophical Thought","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sentimentality; Poetry; Manifesto; Sensibility; Literature; Romance; Oppression; Politics; Enlightenment; Aesthetics; Art; Philosophy; Law; Epistemology","score_opus":0.032026646230292784,"score_gpt":0.21023121430428104,"score_spread":0.17820456807398827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967640434","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5833058,0.0004203377,0.000020329839,0.15989223,0.0010541008,0.0005952396,0.00011664726,0.00010104415,0.2544943],"genre_scores_gemma":[0.9910174,0.00004713625,0.0000053174062,0.0068704155,0.0010695806,0.000015850597,0.000015980759,0.000012143714,0.00094620214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992046,0.000081677055,0.00015730153,0.00015085177,0.00020315178,0.00020244977],"domain_scores_gemma":[0.99948525,0.0002228035,0.000035477646,0.00018237151,0.000013287871,0.000060818096],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001658566,0.00013170231,0.00013932375,0.000021079411,0.00047403533,0.0001463355,0.00014295819,0.00002806332,0.0010547675],"category_scores_gemma":[0.000018280492,0.000060334736,0.00009355342,0.000022418815,0.00070424186,0.00007019858,0.000031123946,0.00017345847,0.00022742573],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005778282,0.000086177104,0.0000016591775,0.000004411244,0.00003109205,0.0000037681336,0.0024717173,0.0000029912114,0.000013033776,0.9955138,0.0016866054,0.00012698575],"study_design_scores_gemma":[0.0015681732,0.00011587599,0.00015591456,0.000053591186,0.00006252253,0.000014273442,0.00048952043,0.000089435955,0.0003093739,0.9081984,0.088807784,0.00013514746],"about_ca_topic_score_codex":0.000114266615,"about_ca_topic_score_gemma":0.000014675327,"teacher_disagreement_score":0.4077116,"about_ca_system_score_codex":0.000015884521,"about_ca_system_score_gemma":0.0000057799693,"threshold_uncertainty_score":0.9998584},"labels":[],"label_agreement":null},{"id":"W1968021859","doi":"10.7202/007725ar","title":"Inventing the “Poétesse”: New Approaches to French Women Romantic Poets","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Poetry; Romance; Literature; Terminology; Opposition (politics); Art; History; Philosophy; Linguistics; Politics; Political science; Law","score_opus":0.0989452972761605,"score_gpt":0.21342468323301605,"score_spread":0.11447938595685556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968021859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6593458,0.0010427987,0.000046568734,0.072218835,0.0012138032,0.000847689,0.000015100511,0.00019976283,0.2650696],"genre_scores_gemma":[0.96351486,0.0000070132187,0.000042291445,0.006146684,0.0015424719,0.000058277208,0.0000054860766,0.000024139554,0.028658802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986759,0.000055679466,0.00023412707,0.00027385596,0.0002928426,0.00046759963],"domain_scores_gemma":[0.9992864,0.00010195827,0.00008161975,0.00041535406,0.000026455413,0.00008822815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027980874,0.00024861263,0.00022989315,0.000048543,0.0009904671,0.00052680296,0.00047574082,0.000034299184,0.00052348216],"category_scores_gemma":[0.0000508236,0.00011504763,0.00010040608,0.000104203325,0.00014139038,0.00011490948,0.00012807125,0.00026630893,0.0005238416],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008691344,0.00006045364,0.000016473765,0.000013429343,0.00010445374,0.000006430818,0.22317046,0.00003738056,0.000028435585,0.7174965,0.05851974,0.00053753436],"study_design_scores_gemma":[0.00062831613,0.00032083082,0.0014730913,0.00026849523,0.00009516986,0.00001091564,0.021016754,0.000019898263,0.00048014027,0.17534786,0.79983264,0.000505903],"about_ca_topic_score_codex":0.00038026963,"about_ca_topic_score_gemma":0.0007051372,"teacher_disagreement_score":0.74131286,"about_ca_system_score_codex":0.000036637368,"about_ca_system_score_gemma":0.000030203399,"threshold_uncertainty_score":0.76179725},"labels":[],"label_agreement":null},{"id":"W1968760221","doi":"10.7202/013591ar","title":"Byron—In-Between Sade, Lautréamont, and Foucault: Situating the Canon of “Evil” in the Nineteenth Century","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"French Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Literature; Order (exchange); Philosophy; Representation (politics); Art; Law; Politics","score_opus":0.014841254637396585,"score_gpt":0.19801581887062866,"score_spread":0.18317456423323208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968760221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.923296,0.0052714655,0.000003185117,0.00530796,0.00016873896,0.000408238,0.000043243454,0.000015549194,0.06548567],"genre_scores_gemma":[0.99722576,0.00008629446,0.0000075527664,0.000858021,0.00044493514,0.000019054842,0.000016169415,0.000013396686,0.0013288009],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987677,0.00018353102,0.00033964968,0.00017185337,0.00025195055,0.00028536053],"domain_scores_gemma":[0.9989222,0.0006422554,0.00009585243,0.00029833012,0.000025258438,0.000016089216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004370218,0.0001659184,0.00021664822,0.00006693076,0.00021421986,0.00015619617,0.0003160106,0.00004678319,0.0001487018],"category_scores_gemma":[0.000023858409,0.00007713298,0.00005636579,0.00008160906,0.00022467966,0.00008196472,0.000029455232,0.00031243172,0.000006886318],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027713297,0.00019562613,0.0037664592,0.00006261038,0.00003486344,0.00003796521,0.06527102,0.00004049697,0.00018503824,0.9017229,0.019770587,0.008884712],"study_design_scores_gemma":[0.0029210115,0.0009117801,0.21646188,0.0013370969,0.0003219164,0.000028651568,0.027082546,0.0016727905,0.0013358702,0.11864652,0.6281518,0.0011281818],"about_ca_topic_score_codex":0.0020014958,"about_ca_topic_score_gemma":0.004448839,"teacher_disagreement_score":0.7830764,"about_ca_system_score_codex":0.00001246929,"about_ca_system_score_gemma":0.000013114727,"threshold_uncertainty_score":0.31453916},"labels":[],"label_agreement":null},{"id":"W1969368771","doi":"10.7202/008697ar","title":"Framing the Frame: Embedded Narratives, Enabling Texts, and Frankenstein","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Metaphor; Narrative network; Framing (construction); Narrative criticism; Narrative inquiry; Rhetorical question; Artifact (error); Literature; Linguistics; Computer science; Art; History; Philosophy; Artificial intelligence","score_opus":0.017625919030378703,"score_gpt":0.2751497636386178,"score_spread":0.2575238446082391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1969368771","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9704294,0.0025067306,0.0013633545,0.0028480382,0.00057273504,0.00039409357,0.000007875889,0.00008430063,0.021793444],"genre_scores_gemma":[0.9944867,0.00004488704,0.00015901506,0.0037486535,0.00032060538,0.000039013623,0.000008018921,0.00002846755,0.0011646274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998672,0.00023686071,0.00021656089,0.00031682628,0.00022384529,0.0003338833],"domain_scores_gemma":[0.9990092,0.0003254784,0.000103110346,0.00047875723,0.000031779236,0.000051683117],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004611522,0.0001944185,0.00018873283,0.0000618498,0.00041125453,0.000095876734,0.00025012082,0.00013864307,0.0007428751],"category_scores_gemma":[0.000083802806,0.0001049298,0.00007023674,0.00019210634,0.00017328434,0.00006126915,0.00004324419,0.00043642742,0.00033929],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035033928,0.0005999439,0.00021971962,0.000043246437,0.0006170297,0.00027131746,0.2624527,0.00006771067,0.021076158,0.6680178,0.008398226,0.037885826],"study_design_scores_gemma":[0.010648823,0.001986349,0.0567116,0.0010147479,0.00064621057,0.0005920805,0.25185442,0.00035315249,0.025572388,0.58281434,0.065459765,0.002346108],"about_ca_topic_score_codex":0.0001352084,"about_ca_topic_score_gemma":0.000031890522,"teacher_disagreement_score":0.08520343,"about_ca_system_score_codex":0.000014388726,"about_ca_system_score_gemma":0.000017735865,"threshold_uncertainty_score":0.81339616},"labels":[],"label_agreement":null},{"id":"W1970789696","doi":"10.7202/007719ar","title":"“The soul that dreams it shares the power it feels so well”: The Politics of Sympathy in the Abolitionist Verse of Williams and Yearsley","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Poetry; Literature; Power (physics); Politics; Aesthetics; Rhetorical question; Philosophy; Sociology; Art; Psychology; Law; Social psychology","score_opus":0.01780225598097277,"score_gpt":0.2171489826467462,"score_spread":0.19934672666577344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970789696","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84346765,0.00534151,0.000006814961,0.055625092,0.0009280582,0.0010222283,0.00037344077,0.000039761268,0.09319543],"genre_scores_gemma":[0.98896,0.000259686,0.0000032535556,0.004240735,0.0002426017,0.00002001268,0.000013603071,0.000024498533,0.0062355655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830043,0.0002629209,0.00037940693,0.00020681709,0.00051579444,0.0003346078],"domain_scores_gemma":[0.99801916,0.0006963022,0.0002549071,0.00090993225,0.000086620574,0.000033094933],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000849478,0.0002206111,0.00026772695,0.00006381976,0.0012487805,0.0004128209,0.0008647223,0.00006630826,0.0003641291],"category_scores_gemma":[0.00006385299,0.00008677583,0.00019336643,0.00009546753,0.0016990496,0.0001053025,0.00008353448,0.00033469178,0.000047116388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030765066,0.00012153289,0.000063613734,0.000018427108,0.00014209088,0.0000055451737,0.14698926,0.000054277658,0.000037876136,0.8246167,0.027858878,0.00006104277],"study_design_scores_gemma":[0.0005487712,0.0001864093,0.0013506118,0.00020110556,0.000282132,0.00000981119,0.07146109,0.00008548386,0.00039460693,0.036931638,0.8883128,0.00023552064],"about_ca_topic_score_codex":0.0011872047,"about_ca_topic_score_gemma":0.0014432218,"teacher_disagreement_score":0.86045396,"about_ca_system_score_codex":0.000043213386,"about_ca_system_score_gemma":0.00005378272,"threshold_uncertainty_score":0.9604736},"labels":[],"label_agreement":null},{"id":"W1971347983","doi":"10.7202/006010ar","title":"Temples and Mysteries in Romantic Infidel Writing","year":2009,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Religious Studies and Spiritual Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Materialism; Literature; Style (visual arts); Philosophy; Period (music); Poetry; Parallels; Mythology; Knight; Romanticism; Art; History; Aesthetics; Theology","score_opus":0.03805695040307696,"score_gpt":0.24722774753882648,"score_spread":0.20917079713574951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1971347983","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8749699,0.0007121279,0.0000016871562,0.012801629,0.00012097978,0.00016320085,0.0000034984434,0.000044542376,0.11118242],"genre_scores_gemma":[0.9954563,0.00036464643,0.00001755778,0.0028400917,0.0002373801,0.0000063664775,0.0000013762914,0.000009361608,0.0010669185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990988,0.00005641129,0.0002654428,0.00017705586,0.0001478513,0.00025443855],"domain_scores_gemma":[0.99934363,0.00034777072,0.00008871633,0.00016926322,0.000024387977,0.000026208669],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028174644,0.00014668773,0.00020841368,0.00006609016,0.0004840279,0.0003373224,0.00013092018,0.000027140404,0.00010670645],"category_scores_gemma":[0.00007950254,0.00009158245,0.000035963916,0.000032138596,0.00016105745,0.00017231521,0.000044232496,0.00015835807,0.000046320692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059891063,0.0000814867,0.0005903837,0.000024527122,0.000028614228,0.00003423099,0.028548181,0.000008125184,0.0000974272,0.95144176,0.015050896,0.0040344503],"study_design_scores_gemma":[0.0020937473,0.0026185228,0.061326563,0.0011481147,0.00016006271,0.00007047653,0.088712364,0.0024077646,0.0002943185,0.18878403,0.65088403,0.0014999851],"about_ca_topic_score_codex":0.00045588004,"about_ca_topic_score_gemma":0.00083218404,"teacher_disagreement_score":0.76265776,"about_ca_system_score_codex":0.0000084292205,"about_ca_system_score_gemma":0.000005846734,"threshold_uncertainty_score":0.37346238},"labels":[],"label_agreement":null},{"id":"W1972092556","doi":"10.7202/016134ar","title":"The Ideology of the Unspectacular: Theatricality and Charles Lamb’s Essayistic Figure","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Literature; Spectacle; Romance; Ideology; Art; Ambivalence; Comedy; Aesthetics; Philosophy; Politics; Psychoanalysis; Psychology; Law","score_opus":0.016975754874320455,"score_gpt":0.2251328958738088,"score_spread":0.20815714099948834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972092556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86969143,0.0020107706,0.000013073604,0.011055752,0.00069380604,0.00030652175,0.000026393942,0.000032878575,0.11616937],"genre_scores_gemma":[0.995661,0.00027758337,0.0000018878394,0.00068588485,0.00038983993,0.000005855128,9.5179405e-7,0.000008950688,0.0029680145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913365,0.00008933252,0.0002213993,0.00012466327,0.0001770229,0.00025394768],"domain_scores_gemma":[0.9986534,0.0008305096,0.000101217505,0.00034968415,0.000044257995,0.000020936015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063031196,0.00013042947,0.00017246029,0.000022214483,0.0010946724,0.00004852277,0.000291968,0.00003506514,0.00016672177],"category_scores_gemma":[0.000053693224,0.000048799902,0.00008387645,0.000043636715,0.00089891884,0.000029279669,0.00009690048,0.0001890854,0.000019680416],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007084422,0.00003680451,0.0031754368,0.000019249055,0.000090092886,0.0000022457557,0.010263524,0.000002474858,0.000049244813,0.97500455,0.008545893,0.002739651],"study_design_scores_gemma":[0.0006279156,0.0003999493,0.15099385,0.00011415009,0.00025477808,0.000015203775,0.0105536645,0.00018152891,0.0014197164,0.094133794,0.74094164,0.00036377844],"about_ca_topic_score_codex":0.00017359658,"about_ca_topic_score_gemma":0.0011648363,"teacher_disagreement_score":0.88087076,"about_ca_system_score_codex":0.0000083295245,"about_ca_system_score_gemma":0.0000100622365,"threshold_uncertainty_score":0.8419446},"labels":[],"label_agreement":null},{"id":"W1977003588","doi":"10.7202/005697ar","title":"\"Enjoyments, of a [. . .] more exquisite nature\": Wordsworth and Commodity Culture","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Consumerism; Poetry; Commodity; Ideology; Ambivalence; Ballad; Romance; Literature; Aesthetics; Consumption (sociology); Sociology; History; Art; Law; Politics; Political science; Psychology; Psychoanalysis; Economics","score_opus":0.0163519487670288,"score_gpt":0.22520270642787663,"score_spread":0.20885075766084782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977003588","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9126626,0.0022006924,5.214117e-7,0.0020614893,0.00034636792,0.00021576519,0.0001048949,0.00003225854,0.0823754],"genre_scores_gemma":[0.9870267,0.00009266467,0.00001815339,0.0022957243,0.0001220879,0.000008519232,0.000012222851,0.0000069214593,0.010417029],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931586,0.000060027447,0.00015277229,0.00014411559,0.00015966513,0.00016756322],"domain_scores_gemma":[0.99961704,0.00006038186,0.00007846897,0.00016309944,0.00004893725,0.000032067186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009771552,0.00014847594,0.00019616036,0.000019761665,0.000359021,0.000068199595,0.000121837016,0.00004928152,0.00032081228],"category_scores_gemma":[0.0000269014,0.00007474711,0.000058625777,0.000034421304,0.00025472045,0.000089329296,0.000041249543,0.00021667074,0.000013371411],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040927156,0.00009026788,0.00058154616,0.000022928545,0.00009941744,0.000005919152,0.03651154,8.3758675e-7,0.0000795383,0.9187865,0.043499805,0.00028073078],"study_design_scores_gemma":[0.00036038537,0.00022777071,0.005384016,0.00010113967,0.000054755827,0.000006078937,0.0031580115,0.0000144876085,0.00056282885,0.01083885,0.97908866,0.00020302179],"about_ca_topic_score_codex":0.0000274747,"about_ca_topic_score_gemma":0.00007045219,"teacher_disagreement_score":0.93558884,"about_ca_system_score_codex":0.0000055806945,"about_ca_system_score_gemma":0.00000456403,"threshold_uncertainty_score":0.35126695},"labels":[],"label_agreement":null},{"id":"W1977246195","doi":"10.7202/015816ar","title":"Romanticism on Ice: Coleridge, Hogg and the Eighteenth-Century Missions to Greenland","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Narrative; Romance; Context (archaeology); Arctic; Literature; History; The arctic; Art; Geology; Archaeology; Oceanography","score_opus":0.01521369006043002,"score_gpt":0.22625132755728167,"score_spread":0.21103763749685164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977246195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7899565,0.0010230102,0.000028372146,0.015460083,0.0011697239,0.0007775205,0.000094668096,0.00014397955,0.19134612],"genre_scores_gemma":[0.97642624,0.00011588181,0.00003136882,0.008329105,0.0011567282,0.000015443868,0.000014116517,0.000035774025,0.013875362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837565,0.00012683438,0.0003154799,0.00033243673,0.0003751516,0.00047446927],"domain_scores_gemma":[0.9983167,0.00088638277,0.000096326374,0.00048356815,0.000057605575,0.00015942992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007619477,0.00028369814,0.00028307756,0.00011278958,0.0010838278,0.00043058977,0.00034587752,0.000085528714,0.00043759364],"category_scores_gemma":[0.000084219166,0.00013889265,0.00010864359,0.00008424006,0.00033954234,0.00005737442,0.00007412878,0.00045278348,0.00019630988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004319537,0.00013034535,0.000040889394,0.000017740358,0.00005943353,0.00004197,0.015838236,0.0000051250604,0.00012483724,0.89252174,0.08835072,0.0024369939],"study_design_scores_gemma":[0.0013661354,0.00030122645,0.010147444,0.00033699695,0.00007588353,0.000018786763,0.002377527,0.000119285105,0.00015835928,0.0014023009,0.9833858,0.0003102567],"about_ca_topic_score_codex":0.00010743227,"about_ca_topic_score_gemma":0.00007806939,"teacher_disagreement_score":0.8950351,"about_ca_system_score_codex":0.000014217991,"about_ca_system_score_gemma":0.000013073083,"threshold_uncertainty_score":0.83360374},"labels":[],"label_agreement":null},{"id":"W1977486751","doi":"10.7202/013154ar","title":"Telepathos: Medium Cool Romanticism","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; Literature; Poetry; Orality; Value (mathematics); Art; Aesthetics; Philosophy; Art history; History; Sociology; Computer science","score_opus":0.02762338006100538,"score_gpt":0.20720191952802233,"score_spread":0.17957853946701696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977486751","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45754293,0.00012361379,0.0000068962913,0.0015438899,0.00094831956,0.0002480103,0.00004698355,0.00018424616,0.5393551],"genre_scores_gemma":[0.91892093,0.000007457132,0.000010933465,0.0022023325,0.0017784297,0.000028126131,0.000036822945,0.00004892377,0.07696602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816793,0.000074964555,0.00039902775,0.00031490793,0.00050732685,0.0005358262],"domain_scores_gemma":[0.99888325,0.00030261907,0.00013076607,0.000524736,0.00008937981,0.00006926147],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036076695,0.0003048486,0.0002844269,0.00010547123,0.0007541867,0.0010613985,0.0005687418,0.00006620714,0.0048498446],"category_scores_gemma":[0.000047146466,0.00019546456,0.00017375502,0.000049901326,0.00040759076,0.00035589436,0.00008954254,0.00031934943,0.0014273113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028617667,0.00013887465,0.00004268676,0.000010118797,0.000022072785,0.000046292636,0.0020385042,0.0000046720593,0.000050422223,0.8778715,0.11944657,0.00029967367],"study_design_scores_gemma":[0.00042723957,0.00028609743,0.0022311811,0.00009903618,0.00005811714,0.000015404077,0.0019682602,0.00014505102,0.00053854106,0.061389953,0.93236643,0.00047471395],"about_ca_topic_score_codex":0.00042602664,"about_ca_topic_score_gemma":0.00075370603,"teacher_disagreement_score":0.81648153,"about_ca_system_score_codex":0.000028489447,"about_ca_system_score_gemma":0.000024637438,"threshold_uncertainty_score":0.9999756},"labels":[],"label_agreement":null},{"id":"W1981470535","doi":"10.7202/016132ar","title":"Horrid Scenes and Marvellous Sights: The Citizen-Soldier and Sir Robert Ker Porter’s Spectacle of War","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"World Wars: History, Literature, and Impact","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Militarism; Spanish Civil War; Articulation (sociology); Period (music); History; State (computer science); Aesthetics; Sight; World War II; Media studies; Sociology; Visual arts; Art; Law; Political science; Politics","score_opus":0.011397598715203886,"score_gpt":0.25198502981213433,"score_spread":0.24058743109693045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981470535","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9327477,0.003535978,0.000019125157,0.0027900878,0.00047342794,0.0003209524,0.000011865779,0.000036664158,0.060064156],"genre_scores_gemma":[0.9931894,0.0004560641,0.000048214624,0.000967841,0.00038326415,0.000002086824,0.0000021504115,0.000016932365,0.0049340385],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864906,0.0001547738,0.0002377204,0.00022553759,0.0003514935,0.0003813897],"domain_scores_gemma":[0.9989992,0.0004131367,0.00012649753,0.00028553742,0.00005654208,0.000119093806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010733834,0.00016269933,0.00021757669,0.000068578236,0.0005068948,0.00007910206,0.00025358106,0.000088146415,0.00016167584],"category_scores_gemma":[0.00011352341,0.00009046377,0.00005915066,0.00023217313,0.00064619177,0.000120149605,0.000042208332,0.00018020744,0.000009911537],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007492938,0.0007146645,0.025154972,0.00012110252,0.0004385602,0.0002478743,0.40002686,0.000011061674,0.009340774,0.24201313,0.27878165,0.04240006],"study_design_scores_gemma":[0.0011166699,0.00061311445,0.21923,0.00026419465,0.00016958537,0.000040314182,0.009320828,0.00011044663,0.0034813273,0.01406688,0.7508521,0.00073453394],"about_ca_topic_score_codex":0.000779607,"about_ca_topic_score_gemma":0.0007510268,"teacher_disagreement_score":0.47207046,"about_ca_system_score_codex":0.000040418254,"about_ca_system_score_gemma":0.000045991987,"threshold_uncertainty_score":0.3898676},"labels":[],"label_agreement":null},{"id":"W1982699521","doi":"10.7202/005957ar","title":"John Wilson Conference (University of Glasgow)—A Report","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Political and Economic history of UK and US","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Archaeology; Library science; Media studies; Sociology; Computer science","score_opus":0.027637527600173382,"score_gpt":0.2346237485420261,"score_spread":0.20698622094185273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982699521","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53960246,0.000010211137,0.000009415342,0.0026592806,0.000078156714,0.000036275917,0.0000026206799,0.000014435062,0.45758715],"genre_scores_gemma":[0.938799,0.000065298365,0.000019784646,0.00022210495,0.00006524908,1.594852e-7,0.000001044945,0.0000019699096,0.060825363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999475,0.000056056524,0.00008402655,0.000106573665,0.000103843064,0.0001745163],"domain_scores_gemma":[0.9996487,0.00007534199,0.00004147919,0.00014560272,0.000015238589,0.000073669056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002882119,0.000044962297,0.00010311152,0.000013729664,0.0003414508,0.00000951893,0.00020389633,0.000043935444,0.00885515],"category_scores_gemma":[0.000028744118,0.000037044323,0.000050722974,0.00004281345,0.00034137777,0.000052436884,0.000009428065,0.00006313613,0.00046265466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006986764,0.00012644143,0.00048384882,0.000006568079,0.00002958598,0.00011042033,0.013715543,0.000012262166,0.00008190288,0.92157483,0.04445864,0.019330101],"study_design_scores_gemma":[0.000110831956,0.00004050351,0.0051702857,0.000017319715,0.0000124882545,0.0000035131434,0.0010287894,0.00013540928,0.000024245426,0.011968357,0.9814077,0.00008053889],"about_ca_topic_score_codex":0.003607388,"about_ca_topic_score_gemma":0.00053406745,"teacher_disagreement_score":0.9369491,"about_ca_system_score_codex":0.000026940485,"about_ca_system_score_gemma":0.00006402266,"threshold_uncertainty_score":0.9920509},"labels":[],"label_agreement":null},{"id":"W1982870314","doi":"10.7202/014002ar","title":"Coitus Interruptus: Sex, Bram Stoker, and Dracula","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Dracula; Human sexuality; Context (archaeology); Psychosexual development; Closet; Sadomasochism; Biography; Pornography; Fantasy; Psychology; Sociology; Literature; Psychoanalysis; History; Art; Gender studies","score_opus":0.01104677486867751,"score_gpt":0.26378443950046054,"score_spread":0.25273766463178304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982870314","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8182255,0.0006487443,0.00011019219,0.013724554,0.0003758589,0.0002274449,0.0000061068563,0.00008737558,0.16659424],"genre_scores_gemma":[0.98315346,0.00006760092,0.00004727454,0.0019205195,0.00046689782,0.000006665968,0.000006895859,0.000007724692,0.014322936],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894446,0.00017684339,0.00013802983,0.00017589986,0.00030818637,0.00025654957],"domain_scores_gemma":[0.999387,0.00028032117,0.000056320114,0.00017911065,0.000028725326,0.0000684863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005113111,0.00009822372,0.00014970743,0.000054647768,0.0003542522,0.00015898074,0.0001864762,0.00008675465,0.00017433842],"category_scores_gemma":[0.000070695656,0.00006372389,0.00006456637,0.00019221721,0.00023154286,0.000082457016,0.000030154619,0.00016576106,0.000054990658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030562405,0.0002247877,0.0042505725,0.00001542615,0.00013783273,0.00008134913,0.054736696,0.000016796434,0.001111939,0.81318605,0.114557885,0.011650104],"study_design_scores_gemma":[0.00037496164,0.00008108853,0.0048803138,0.000068358306,0.00014353538,0.000004801961,0.0047945846,0.0003417653,0.0006177924,0.025986066,0.962436,0.0002707081],"about_ca_topic_score_codex":0.0021879743,"about_ca_topic_score_gemma":0.0012048343,"teacher_disagreement_score":0.84787816,"about_ca_system_score_codex":0.0000200619,"about_ca_system_score_gemma":0.000033083605,"threshold_uncertainty_score":0.3307577},"labels":[],"label_agreement":null},{"id":"W1982978008","doi":"10.7202/012458ar","title":"After Keats: The Return of Joseph Severn to England in 1838","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wife; Painting; Character (mathematics); Fresco; Art history; History; Art; Key (lock); New england; Genealogy; Classics; Cartography; Geography; Philosophy; Law; Theology; Political science; Computer science","score_opus":0.011448060076860441,"score_gpt":0.18833947825121317,"score_spread":0.17689141817435272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1982978008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74953496,0.0005185664,0.0000024274566,0.005166023,0.00038636918,0.00022243707,0.000016749338,0.000022346618,0.24413009],"genre_scores_gemma":[0.98307616,0.000008927367,0.0000047402054,0.0009990816,0.00055521476,0.000025336696,0.0000016311677,0.000008278587,0.015320632],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932873,0.00004629774,0.00017760356,0.0001129909,0.00016940144,0.00016499794],"domain_scores_gemma":[0.9996235,0.000106456544,0.00003820092,0.00018286296,0.000033233882,0.000015788391],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014180172,0.00010518272,0.00015030307,0.000028310527,0.00019134284,0.000033188735,0.0001598438,0.000021279075,0.0005632964],"category_scores_gemma":[0.000020361244,0.000046819376,0.000056568373,0.00004841791,0.000118639415,0.000028841201,0.00004182688,0.00011161482,0.00013565402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002533808,0.00030345385,0.0017175911,0.000030457586,0.00006785395,0.000030660416,0.2858727,0.000021582015,0.0002921587,0.38004375,0.32957998,0.0017864278],"study_design_scores_gemma":[0.00016604895,0.000086928005,0.004384063,0.000036776284,0.00001542809,6.0125683e-7,0.0013047818,0.000010332625,0.00008277691,0.0054505,0.9883684,0.00009339262],"about_ca_topic_score_codex":0.00039973872,"about_ca_topic_score_gemma":0.008739608,"teacher_disagreement_score":0.6587884,"about_ca_system_score_codex":0.000017103392,"about_ca_system_score_gemma":0.000004292566,"threshold_uncertainty_score":0.61677},"labels":[],"label_agreement":null},{"id":"W1983328950","doi":"10.7202/011669ar","title":"“[O]ur American kinsman”: British Nationalism and Book Reviews of American Literature in the 1840s","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nationalism; Rhetoric; The Imaginary; History; American literature; Media studies; Political science; Literature; Sociology; Gender studies; Law; Art; Linguistics; Philosophy","score_opus":0.014973236078279618,"score_gpt":0.29327924124146354,"score_spread":0.27830600516318393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983328950","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5620626,0.008152361,0.000057288456,0.09567731,0.00019486192,0.0010759815,0.0001383768,0.000047384885,0.3325938],"genre_scores_gemma":[0.97507185,0.004029858,0.00023857052,0.018509334,0.00034553462,0.000019243129,0.00000790316,0.0000056626345,0.0017720552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985084,0.00049696735,0.0002445518,0.00015506908,0.00035969395,0.0002353072],"domain_scores_gemma":[0.9989325,0.0005829357,0.00020046074,0.00017622899,0.000054565673,0.000053299424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077068247,0.00009803038,0.00023675343,0.000044880533,0.00028439084,0.000095428455,0.0003265508,0.000026798338,0.0001026165],"category_scores_gemma":[0.0002957421,0.00006631398,0.00006272899,0.00045549968,0.0021130363,0.000104641775,0.000024597426,0.00019387246,0.000015116192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053309363,0.000050405237,0.0005756493,0.000004709456,0.0000075534986,0.000005819059,0.0037732597,0.0000057699517,0.000009272138,0.96495277,0.020243173,0.010366286],"study_design_scores_gemma":[0.000072551324,0.000051829134,0.010647322,0.00008228645,0.000011473288,0.000009946956,0.0008478878,0.000015249406,0.000004569642,0.0009319802,0.9872317,0.00009320323],"about_ca_topic_score_codex":0.0054258765,"about_ca_topic_score_gemma":0.003061794,"teacher_disagreement_score":0.9669885,"about_ca_system_score_codex":0.000035605528,"about_ca_system_score_gemma":0.00013904135,"threshold_uncertainty_score":0.8202339},"labels":[],"label_agreement":null},{"id":"W1983794080","doi":"10.7202/014000ar","title":"“that damned old business of the war in the members”: The Discourse of (In)Temperance in Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Novella; Allegory; Literature; Subject (documents); Psychoanalysis; Sociology; History; Art; Psychology","score_opus":0.03815108440212815,"score_gpt":0.2494137622014717,"score_spread":0.21126267779934355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983794080","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98011327,0.003528819,5.6542257e-7,0.013155826,0.00029066094,0.000649786,0.000032408232,0.000005125742,0.0022235618],"genre_scores_gemma":[0.9971375,0.0007987357,0.0000014545153,0.00032585146,0.0002030489,0.000032697924,0.000001399832,0.000013066454,0.001486272],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984645,0.0003618088,0.00040088006,0.0002193958,0.00030994043,0.00024346421],"domain_scores_gemma":[0.99881786,0.0004050765,0.0002192199,0.00047940045,0.00006533552,0.000013085527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000999002,0.00016865977,0.00032159718,0.000038340146,0.00041475522,0.000019932037,0.00035792674,0.000048472117,0.000044250068],"category_scores_gemma":[0.000038981052,0.00006581607,0.000088778084,0.0002069908,0.00082477723,0.000053971165,0.00004957671,0.00025442388,7.2946415e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020198233,0.0011059068,0.010154349,0.0005674686,0.00008914755,0.00004379452,0.88440925,0.0006113288,0.0002777326,0.092044815,0.0096904505,0.0008037649],"study_design_scores_gemma":[0.0028724452,0.00041887778,0.34445903,0.0007118316,0.0002884779,0.00008426424,0.56672955,0.0007612924,0.0009991255,0.0083405655,0.07363174,0.0007027987],"about_ca_topic_score_codex":0.033096246,"about_ca_topic_score_gemma":0.074597545,"teacher_disagreement_score":0.33430466,"about_ca_system_score_codex":0.000046725432,"about_ca_system_score_gemma":0.000024336654,"threshold_uncertainty_score":0.9733425},"labels":[],"label_agreement":null},{"id":"W1984477417","doi":"10.7202/016135ar","title":"Sympathy in Translation: Paul et Virginie on the London Stage1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Opera; Comics; Art; Colonialism; Creole language; Media studies; Sociology; History; Aesthetics; Humanities; Literature; Philosophy; Psychology; Linguistics","score_opus":0.04944858867066725,"score_gpt":0.25103884209266236,"score_spread":0.2015902534219951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984477417","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66766614,0.00039818932,0.000043289445,0.01554539,0.00045722307,0.00025194327,0.0000233499,0.000060578004,0.3155539],"genre_scores_gemma":[0.9852196,0.000020893627,0.00000469498,0.0054816836,0.00034874753,0.0000066140615,0.0000104529445,0.00001202486,0.008895305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990477,0.00013476236,0.00022984903,0.00015169269,0.00022860638,0.00020738677],"domain_scores_gemma":[0.9988409,0.00081735116,0.000052989497,0.00024082516,0.000015403102,0.00003252099],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006155776,0.00013098177,0.00013768852,0.00007356167,0.00026975755,0.000089567664,0.0001992786,0.000033503708,0.0016227359],"category_scores_gemma":[0.0000195515,0.0000641283,0.000085094995,0.00007422819,0.000094564944,0.000089799796,0.000010262413,0.00026271865,0.00021692399],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098712255,0.00018479097,0.000046357323,0.000007107001,0.000022956063,0.000048910184,0.034315016,0.00003870293,0.000070259346,0.94557023,0.016830333,0.0027666357],"study_design_scores_gemma":[0.00021378418,0.00020596736,0.00076542253,0.000053960986,0.000017101216,0.0000010439688,0.0010990807,0.00021175832,0.00018800933,0.0057341657,0.99137455,0.00013513204],"about_ca_topic_score_codex":0.00013303048,"about_ca_topic_score_gemma":0.0004649448,"teacher_disagreement_score":0.9745442,"about_ca_system_score_codex":0.000020487598,"about_ca_system_score_gemma":0.000008215799,"threshold_uncertainty_score":0.99928993},"labels":[],"label_agreement":null},{"id":"W1985739496","doi":"10.7202/013155ar","title":"Romanticism’s Scattered Leaves","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital and Traditional Archives Management","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Trope (literature); Romance; History; Focus (optics); Reproduction; Index (typography); Aesthetics; Literature; Art; Art history; Computer science","score_opus":0.022899198721692403,"score_gpt":0.18470058001502568,"score_spread":0.16180138129333327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1985739496","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23948877,0.000016171,0.000024489294,0.006990534,0.00035645312,0.00017862665,0.0000421243,0.00010184641,0.752801],"genre_scores_gemma":[0.9460064,0.0000035523672,0.000018234346,0.002288374,0.0007521498,0.000020159006,0.000045290082,0.000020189773,0.05084563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99895775,0.000031127107,0.00021225521,0.00021416455,0.00030804425,0.00027664783],"domain_scores_gemma":[0.9994704,0.00015167579,0.00006794063,0.00025813145,0.000018763792,0.000033071286],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009349534,0.00017248995,0.00014621853,0.000078433484,0.00037684457,0.00040291992,0.00032930018,0.000009713199,0.00096229033],"category_scores_gemma":[0.000005721426,0.00010660285,0.00011607153,0.000030554307,0.0002838994,0.00015286474,0.00006778592,0.000098927,0.0016432904],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016410513,0.0001682319,0.00001543025,0.000009756989,0.000030476156,0.0000148274175,0.00041829958,0.000027065837,0.000024439703,0.897885,0.100364484,0.0010255295],"study_design_scores_gemma":[0.00029936084,0.00023023451,0.026205199,0.000078207275,0.000045655663,0.0000049295863,0.00027450293,0.00028799387,0.0002561987,0.52659285,0.4454219,0.00030298132],"about_ca_topic_score_codex":0.00013015905,"about_ca_topic_score_gemma":0.00006949611,"teacher_disagreement_score":0.70651764,"about_ca_system_score_codex":0.000009687023,"about_ca_system_score_gemma":0.00000601992,"threshold_uncertainty_score":0.99995095},"labels":[],"label_agreement":null},{"id":"W1986275256","doi":"10.7202/016140ar","title":"“Happy Copulation”: Blake, visual enthusiasm and gallery culture","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Enthusiasm; Vision; Romance; Power (physics); Aesthetics; Politics; Literature; Visual culture; History; Art; Sociology; Visual arts; Psychology; Law; Anthropology; Political science","score_opus":0.021391557109977602,"score_gpt":0.23859847731578643,"score_spread":0.21720692020580884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986275256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80471575,0.0002118174,0.0001418542,0.0014678902,0.00059764035,0.00031684208,0.000022688402,0.000112745285,0.1924128],"genre_scores_gemma":[0.97669214,0.0000364587,0.000040302843,0.0019466789,0.000981977,0.00000308376,0.000021078975,0.000019100162,0.02025917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990008,0.00003286422,0.00021544768,0.00020183419,0.00024428987,0.0003047546],"domain_scores_gemma":[0.9994616,0.00014407984,0.00007562225,0.00018406282,0.000043307577,0.000091364636],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028274115,0.00017170765,0.00015372635,0.00006015413,0.00044128252,0.00018610411,0.00013000736,0.000058451074,0.0019975798],"category_scores_gemma":[0.00003336692,0.000104695944,0.000058024543,0.00003505,0.00021104485,0.000094932366,0.000035989073,0.00018263723,0.00023120968],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009045449,0.00014311106,0.00067431596,0.000021279784,0.00006595912,0.000041316653,0.03339769,0.0000034217537,0.00022446158,0.8168507,0.14589743,0.0025898162],"study_design_scores_gemma":[0.00046293187,0.00031251297,0.01975744,0.000095512594,0.00004023551,0.000013732637,0.0026399642,0.00025218233,0.00033446142,0.005626685,0.9701239,0.00034046374],"about_ca_topic_score_codex":0.0000492679,"about_ca_topic_score_gemma":0.00060360134,"teacher_disagreement_score":0.82422644,"about_ca_system_score_codex":0.000011046632,"about_ca_system_score_gemma":0.000008982815,"threshold_uncertainty_score":0.9989147},"labels":[],"label_agreement":null},{"id":"W1990142277","doi":"10.7202/013592ar","title":"Improvisational Aesthetics: Byron, the Shelley Circle, and Tommaso Sgricci","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":60,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Poetry; Improvisation; Literature; Art; Embodied cognition; Musical; Performing arts; Jazz; Pilgrimage; History; Lyricism; Art history; Philosophy; Visual arts","score_opus":0.012286333172579465,"score_gpt":0.2015670272867773,"score_spread":0.18928069411419784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990142277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62495315,0.0032758617,0.000014468204,0.031548742,0.001192265,0.00048602134,0.00006508823,0.0001296304,0.33833474],"genre_scores_gemma":[0.98671114,0.000049488615,0.000017629573,0.0030004098,0.0011937199,0.000024283161,0.00001580855,0.000017603585,0.008969925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999079,0.00008240646,0.00019613463,0.00021813225,0.00018111432,0.00024321844],"domain_scores_gemma":[0.99931157,0.00025534764,0.00007309273,0.00028040714,0.000058487873,0.000021105447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026785117,0.00016448916,0.00015494962,0.00004135082,0.00088862696,0.0002574242,0.00021639401,0.000043298623,0.00031426994],"category_scores_gemma":[0.00002391666,0.00008524247,0.00006326646,0.000031035415,0.0006375913,0.00006240907,0.00006496246,0.00020066477,0.00009113335],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017388142,0.000044264227,0.00011409867,0.0000069258085,0.000027363332,0.000004629666,0.008607564,0.000004630562,0.000043397686,0.88163054,0.10844477,0.0010544095],"study_design_scores_gemma":[0.00037229617,0.00022474729,0.018810814,0.00003096064,0.00006789654,0.000022739618,0.0026979449,0.00012692624,0.00006826142,0.0681793,0.9091482,0.0002498937],"about_ca_topic_score_codex":0.00017984997,"about_ca_topic_score_gemma":0.00027305784,"teacher_disagreement_score":0.81345123,"about_ca_system_score_codex":0.000008623143,"about_ca_system_score_gemma":0.000010108031,"threshold_uncertainty_score":0.683469},"labels":[],"label_agreement":null},{"id":"W1990682809","doi":"10.7202/006564ar","title":"Labor, Leisure, and the Yeoman in Coleridge's and Wordsworth's 1790s Writings","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Virtue; Civic virtue; Politics; Character (mathematics); Democracy; Value (mathematics); Literature; Philosophy; Law; Art; Epistemology; Political science","score_opus":0.01139406498607284,"score_gpt":0.19032494090939078,"score_spread":0.17893087592331794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990682809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9060752,0.003185637,0.0000029500568,0.0035367217,0.00023912184,0.00032694664,0.000020608712,0.000043000076,0.08656982],"genre_scores_gemma":[0.98547196,0.00012451339,0.000016305981,0.0023940715,0.00018759456,0.000025523063,0.0000049916744,0.000024003173,0.011751029],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876577,0.00026484983,0.0002527433,0.00026084486,0.00019985995,0.0002559316],"domain_scores_gemma":[0.99911207,0.00035739184,0.00010319774,0.00033775598,0.000044548247,0.00004502598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007559658,0.00019462728,0.0003039606,0.00010182946,0.00044991274,0.00033454152,0.00017865836,0.00005055416,0.00043600856],"category_scores_gemma":[0.0000915935,0.000109790715,0.000052584022,0.00009501919,0.000649162,0.00010885904,0.000037188725,0.00026703172,0.000021926006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053272746,0.000043607088,0.0012464724,0.00001751835,0.00006219864,0.000013310173,0.025943846,0.0000023690466,0.000021657559,0.95779765,0.014444843,0.00035325318],"study_design_scores_gemma":[0.0019363922,0.000095978394,0.005384903,0.000117425036,0.00016773696,0.000011689131,0.0053287353,0.00033347786,0.00006864424,0.016300453,0.9698719,0.00038269462],"about_ca_topic_score_codex":0.00031305736,"about_ca_topic_score_gemma":0.001373288,"teacher_disagreement_score":0.95542705,"about_ca_system_score_codex":0.000018828785,"about_ca_system_score_gemma":0.000015436295,"threshold_uncertainty_score":0.47739878},"labels":[],"label_agreement":null},{"id":"W1992578955","doi":"10.7202/011136ar","title":"Reification and the Dandy: Beppo, Byron, and other Queer Things","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Reification (Marxism); Queer; Literature; Dandy; Poetry; Art; Philosophy; History; Sociology; Gender studies; Politics; Law","score_opus":0.025289385256326027,"score_gpt":0.21633990473275092,"score_spread":0.19105051947642487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1992578955","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6348668,0.0031571547,0.0001521173,0.05487649,0.000463362,0.00079323055,0.00003739281,0.000162913,0.30549055],"genre_scores_gemma":[0.97018224,0.00006721984,0.000044855,0.012310867,0.00066208217,0.000018595718,0.000004993885,0.000019998151,0.016689172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999202,0.00011240817,0.00018853703,0.00017893841,0.00016217484,0.00015594825],"domain_scores_gemma":[0.999266,0.00035640344,0.00006424614,0.00024102764,0.000038929284,0.000033383025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004525666,0.00012852896,0.00012824853,0.000037690323,0.0005819727,0.00034459945,0.00013215745,0.000031915304,0.00053968595],"category_scores_gemma":[0.000040741656,0.000066565706,0.00003339181,0.000020415575,0.0004524224,0.00024191846,0.000021201122,0.00012727264,0.00006459073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004324314,0.000017679195,0.000035075005,0.0000061787714,0.000019002107,5.1783763e-7,0.08835043,0.0000021124479,0.000016406195,0.8993384,0.010084659,0.002086241],"study_design_scores_gemma":[0.0007947825,0.0000516427,0.0012087824,0.00004452446,0.000053817508,0.000008510824,0.003895577,0.0018929746,0.000075865275,0.028013544,0.96380776,0.0001522339],"about_ca_topic_score_codex":0.0002030105,"about_ca_topic_score_gemma":0.00012911434,"teacher_disagreement_score":0.9537231,"about_ca_system_score_codex":0.000007010308,"about_ca_system_score_gemma":0.0000074508453,"threshold_uncertainty_score":0.5909183},"labels":[],"label_agreement":null},{"id":"W1994635408","doi":"10.7202/009435ar","title":"Gothic Opera in Britain and France: Genre, Nationalism, and Trans-Cultural Angst","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Ideology; Literature; Politics; Aristocracy (class); Injustice; Carnivalesque; Art; Nationalism; Bourgeoisie; History; Law; Political science","score_opus":0.017778652749560774,"score_gpt":0.23547715433875735,"score_spread":0.21769850158919657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994635408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9669167,0.0042600976,0.0000024956278,0.010672387,0.00021666614,0.00017677838,0.00003465327,0.0000273283,0.017692896],"genre_scores_gemma":[0.99412054,0.00026510426,0.000034433542,0.0032009515,0.00027662248,0.000016130396,0.000010020902,0.000010096258,0.0020660765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932456,0.000045569566,0.00014567973,0.00019699377,0.00011137757,0.00017580032],"domain_scores_gemma":[0.99973583,0.00007900112,0.000026234224,0.00009339746,0.00004001195,0.000025507528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018854918,0.00013623662,0.00016718701,0.00005432647,0.0003654299,0.00017356208,0.000089720554,0.00004842768,0.00008645226],"category_scores_gemma":[0.000026980166,0.0000831918,0.00002830628,0.00003526883,0.0004919792,0.00013305947,0.00002122573,0.00019129209,0.000008828214],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022925678,0.000044444943,0.00041806616,0.000026571912,0.000027491249,0.00002311499,0.10357913,0.000010156399,0.000098855155,0.8934639,0.0018853645,0.00039996495],"study_design_scores_gemma":[0.0058574197,0.00089093193,0.2561099,0.00066109287,0.000119560675,0.00012922916,0.03561781,0.00015757978,0.00023345962,0.111629985,0.5874092,0.0011838394],"about_ca_topic_score_codex":0.00016479987,"about_ca_topic_score_gemma":0.0005676074,"teacher_disagreement_score":0.78183395,"about_ca_system_score_codex":0.000009112929,"about_ca_system_score_gemma":0.0000072197117,"threshold_uncertainty_score":0.3392463},"labels":[],"label_agreement":null},{"id":"W1998499037","doi":"10.7202/014004ar","title":"Becoming-Other: (Dis)Embodiments of Race in Anne Rice’s Tale of the Body Thief","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Vampire; Human sexuality; Gender studies; Ethnic group; Race (biology); White (mutation); Identity (music); Popularity; Sociology; Undoing; Aesthetics; Art; History; Psychoanalysis; Psychology; Literature; Social psychology; Anthropology","score_opus":0.010048841568042956,"score_gpt":0.2653107695276139,"score_spread":0.2552619279595709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998499037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95105064,0.0003077987,0.0000074254826,0.004466286,0.00023027252,0.00022923874,0.0000100089765,0.000009335335,0.043689024],"genre_scores_gemma":[0.99403226,0.000020377154,0.000024891227,0.0005184895,0.00011489657,0.00000598314,0.0000018924837,0.000006967462,0.0052742264],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99865663,0.00028757597,0.00027127736,0.0001353725,0.00043357204,0.00021554457],"domain_scores_gemma":[0.99910957,0.00030879586,0.00020264387,0.00031131122,0.000041621883,0.00002605677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083047664,0.000088834786,0.00021744579,0.000067334986,0.0001348831,0.00001949904,0.00042703163,0.000085967484,0.00013294807],"category_scores_gemma":[0.00012700274,0.000050060782,0.00012112125,0.0004971818,0.00022571997,0.00006076962,0.000036950998,0.00014833048,0.0000103444845],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001662985,0.0024416156,0.118202806,0.00012414482,0.00036859003,0.000021298232,0.14373495,0.00045346346,0.066549264,0.5820309,0.084922895,0.0009837974],"study_design_scores_gemma":[0.0046907524,0.0005290335,0.45147693,0.0014147874,0.00093726575,0.0000037928437,0.0263478,0.0017018103,0.15371564,0.11879292,0.23913142,0.0012578288],"about_ca_topic_score_codex":0.0066103265,"about_ca_topic_score_gemma":0.0019387082,"teacher_disagreement_score":0.46323797,"about_ca_system_score_codex":0.00002453706,"about_ca_system_score_gemma":0.000054610948,"threshold_uncertainty_score":0.999288},"labels":[],"label_agreement":null},{"id":"W1998568515","doi":"10.7202/007204ar","title":"Textual Revision and the Historicity of the Self: Some Factual Inaccuracies in The Prelude","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Historicity (philosophy); Narrative; Appropriation; Subject (documents); Literature; Philosophy; Transcendence (philosophy); Romance; Epistemology; Self; Reading (process); History; Politics; Art; Linguistics; Law","score_opus":0.019663615215723164,"score_gpt":0.21315792152818078,"score_spread":0.19349430631245762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998568515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8579062,0.0030644417,0.000010296009,0.0127855325,0.00052180793,0.0009708865,0.000033049084,0.000033905562,0.12467386],"genre_scores_gemma":[0.9937011,0.00009873926,0.0000046540945,0.003722732,0.00017727604,0.000016090884,0.0000015319717,0.00001041243,0.0022674897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984407,0.0005760235,0.00027901403,0.00016293721,0.00033798284,0.00020336805],"domain_scores_gemma":[0.9984318,0.0009086683,0.000116702904,0.00048799638,0.000038523456,0.000016332579],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008723068,0.00016502546,0.0002163428,0.00003168924,0.000560399,0.0001857559,0.00045639,0.000048133774,0.0001307435],"category_scores_gemma":[0.00018013718,0.00005721349,0.00009813026,0.000049441365,0.0005361851,0.00011462633,0.000056454475,0.00035337434,0.000010402103],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029786272,0.00006704438,0.000018232966,0.0000188444,0.000013595181,0.0000014478561,0.07454726,0.000002053774,0.000016897397,0.91732943,0.0077394145,0.00021596967],"study_design_scores_gemma":[0.0010504122,0.00018234488,0.0017274203,0.00018391473,0.00012489593,0.000018746863,0.013880668,0.00023122053,0.00026956332,0.064144336,0.9179522,0.00023430002],"about_ca_topic_score_codex":0.00010547456,"about_ca_topic_score_gemma":0.000090688474,"teacher_disagreement_score":0.91021276,"about_ca_system_score_codex":0.000018835372,"about_ca_system_score_gemma":0.000021813466,"threshold_uncertainty_score":0.43101928},"labels":[],"label_agreement":null},{"id":"W1998851161","doi":"10.7202/011138ar","title":"The Sexuality of Authorship in The Monk","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Romance; Ideal (ethics); Human sexuality; Imitation; Identity (music); Originality; Literature; Aesthetics; Art; History; Sociology; Gender studies; Philosophy; Anthropology; Psychology; Epistemology","score_opus":0.042943603154192336,"score_gpt":0.248928315443956,"score_spread":0.20598471228976367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998851161","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5094284,0.0016641432,0.000001756138,0.027279565,0.00079371425,0.00036048976,0.000021484131,0.00002854931,0.46042195],"genre_scores_gemma":[0.9812159,0.000017343878,0.0000037781606,0.0027481064,0.0007843986,0.000012531315,0.0000030434421,0.000007132594,0.015207778],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895996,0.00028861137,0.00022153517,0.00009900991,0.00025661054,0.0001742598],"domain_scores_gemma":[0.9988443,0.00063298584,0.00008134918,0.00039687695,0.000026067604,0.00001836913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012922308,0.00009210889,0.00011273223,0.000028675086,0.00037032424,0.000090431335,0.0004147376,0.000033563058,0.00038449166],"category_scores_gemma":[0.00006712441,0.00003633645,0.00005522969,0.000032666758,0.00027269,0.000047295103,0.00001991384,0.00027578982,0.0000833539],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026144364,0.0000571538,0.000013693288,0.00000681945,0.0000085054935,0.0000014571078,0.08735144,0.0000027806059,0.00002226449,0.845249,0.06602896,0.0012317777],"study_design_scores_gemma":[0.000094185154,0.0000637222,0.0009014644,0.00001963273,0.000012786521,9.371873e-7,0.0020400786,0.00008963987,0.00005426278,0.009522554,0.9871421,0.000058649475],"about_ca_topic_score_codex":0.00010036599,"about_ca_topic_score_gemma":0.0013433694,"teacher_disagreement_score":0.92111313,"about_ca_system_score_codex":0.000013296009,"about_ca_system_score_gemma":0.000014099418,"threshold_uncertainty_score":0.42099142},"labels":[],"label_agreement":null},{"id":"W1999182887","doi":"10.7202/016136ar","title":"Images of Virtue: Reading, Reformation and the Visualization of Culture in Rousseau’s La Nouvelle Héloïse","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Rousseau and Enlightenment Thought","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Passions; Spectacle; Interpretation (philosophy); Passion; Philosophy; Symbol (formal); Virtue; Reading (process); Happiness; Literature; Aesthetics; Identity (music); Art; Epistemology; Psychology; Law; Linguistics; Social psychology","score_opus":0.00992786588914629,"score_gpt":0.2354851887994102,"score_spread":0.2255573229102639,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999182887","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78841716,0.0003620732,0.0004079836,0.0008114182,0.00016595655,0.00036915205,0.000012030696,0.000026402126,0.2094278],"genre_scores_gemma":[0.996145,0.00022138903,0.000019913221,0.00017025648,0.000075132586,0.000003806771,0.000009168451,0.000008655346,0.0033466748],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925935,0.00009241411,0.0002821831,0.00007948078,0.00017966174,0.00010688222],"domain_scores_gemma":[0.9994753,0.00016320817,0.0001610493,0.00014850785,0.00003814087,0.000013818726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008315998,0.00008772772,0.0001526809,0.0000671587,0.0001169841,0.0000377427,0.00011589868,0.000040007064,0.000060233153],"category_scores_gemma":[0.000037832197,0.00004152776,0.00003506503,0.000057494282,0.00024438533,0.00012561817,0.000029072839,0.000079800426,0.0000051891566],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019178545,0.00007277609,0.00015599858,0.000043547014,0.000020807853,0.0000017064732,0.08143271,0.00002364271,0.0009142718,0.9092044,0.0072872564,0.0006510971],"study_design_scores_gemma":[0.015759999,0.0020521318,0.046371438,0.0022756283,0.0005427966,0.00004772033,0.20227817,0.012607529,0.16539913,0.10121578,0.44978762,0.0016620576],"about_ca_topic_score_codex":0.00016331201,"about_ca_topic_score_gemma":0.00009293344,"teacher_disagreement_score":0.80798864,"about_ca_system_score_codex":0.000010472014,"about_ca_system_score_gemma":0.0000052437726,"threshold_uncertainty_score":0.16934529},"labels":[],"label_agreement":null},{"id":"W1999902118","doi":"10.7202/011671ar","title":"“Sleep No More” Again: Melville's Rewriting of Book X of Wordsworth's Prelude1","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Idealism; Romance; Poetry; Faith; Spanish Civil War; Narrative; Literature; Battle; Ideal (ethics); Welsh; Aesthetics; Romanticism; History; Philosophy; Art; Theology; Ancient history","score_opus":0.013239232610526628,"score_gpt":0.20564894027909522,"score_spread":0.1924097076685686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999902118","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2788607,0.007425494,0.000030883064,0.0038777033,0.0007899002,0.00057615567,0.00010629053,0.0001534798,0.7081794],"genre_scores_gemma":[0.96896374,0.00006290029,0.00015052328,0.0020689806,0.0009955381,0.000012294179,0.000017846845,0.000040013267,0.027688187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831057,0.000102081176,0.00058191177,0.00026464494,0.0004496214,0.00029117567],"domain_scores_gemma":[0.9984217,0.00024645508,0.00039839113,0.00067387894,0.00020674773,0.000052820556],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003926028,0.00022882824,0.00044855196,0.00017733302,0.000222944,0.000059701357,0.00045372514,0.00007114884,0.004034245],"category_scores_gemma":[0.00009853078,0.00016065019,0.00026797052,0.00008114795,0.00037652673,0.00018406601,0.00006689555,0.00023365565,0.00013502761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025609223,0.0006805602,0.00013005693,0.00025358278,0.0009626415,0.000020564994,0.12160812,0.00063398445,0.0025398866,0.5687747,0.29785022,0.006289602],"study_design_scores_gemma":[0.00046620742,0.00017955601,0.000115335075,0.0002743683,0.0002573375,0.000002132769,0.0012433928,0.002949113,0.0030622086,0.00082374696,0.9902991,0.00032752124],"about_ca_topic_score_codex":0.00010922003,"about_ca_topic_score_gemma":0.0001511977,"teacher_disagreement_score":0.69244885,"about_ca_system_score_codex":0.000042756383,"about_ca_system_score_gemma":0.000018906227,"threshold_uncertainty_score":0.9968762},"labels":[],"label_agreement":null},{"id":"W2001007111","doi":"10.7202/015823ar","title":"Constructing Treason, Narrating Truth: The 1794 Treason Trial of Thomas Holcroft and the Fate of English Jacobinism","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parliament; Law; Politics; Political radicalism; Constitution; Literature; Jacobin; Dignity; Suspect; History; Political science; Sociology; Art","score_opus":0.024540520158962492,"score_gpt":0.23058332146509408,"score_spread":0.2060428013061316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001007111","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8997605,0.00030487188,0.0000085689235,0.0003414174,0.0018744152,0.000391888,0.000026057844,0.000023773608,0.09726852],"genre_scores_gemma":[0.9969803,0.000015849946,0.000017338289,0.0001208165,0.0010670399,0.000008164069,0.0000043776995,0.000012741744,0.0017733378],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99855006,0.00028602444,0.00046454123,0.00016208875,0.00035528923,0.00018202444],"domain_scores_gemma":[0.99553293,0.0035173974,0.0004507351,0.00026714598,0.00020446886,0.000027310542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023650704,0.00014507446,0.00028628885,0.00006391022,0.0006528529,0.000090451824,0.00027737705,0.000049880502,0.00018606088],"category_scores_gemma":[0.0012989853,0.00007188823,0.00014077837,0.00006645755,0.0012421897,0.00011836776,0.000046724308,0.00021447755,0.0000028733255],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00283983,0.00006657562,0.00015060742,0.000015309808,0.00009025265,0.0000020527054,0.041685916,0.0000025059876,0.00006995099,0.9508725,0.0024613652,0.0017431382],"study_design_scores_gemma":[0.18622313,0.0039786627,0.015242638,0.0017299366,0.0021135823,0.00009568009,0.3224646,0.0019065735,0.03338527,0.18323861,0.24720627,0.002415057],"about_ca_topic_score_codex":0.00028101582,"about_ca_topic_score_gemma":0.00048594322,"teacher_disagreement_score":0.7676339,"about_ca_system_score_codex":0.000017274013,"about_ca_system_score_gemma":0.000026293186,"threshold_uncertainty_score":0.50212824},"labels":[],"label_agreement":null},{"id":"W2001575505","doi":"10.7202/015820ar","title":"Effusive Elegies or Catty Critic: Letitia Elizabeth Landon On Felicia Hemans","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Depiction; Public sphere; Literature; Law; Political science; Politics","score_opus":0.03943282587469246,"score_gpt":0.27041907607946825,"score_spread":0.23098625020477578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001575505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6325394,0.00024920615,0.00016962485,0.00630254,0.0009968737,0.00036773345,0.00008100142,0.00020335999,0.35909027],"genre_scores_gemma":[0.973072,0.00005747248,0.000014352292,0.0075589395,0.0013870953,0.0000152159155,0.000025218447,0.000039822564,0.017829893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799895,0.000107146385,0.00040925085,0.00035959488,0.0004957934,0.0006292482],"domain_scores_gemma":[0.99821603,0.0008984291,0.00010534527,0.0005428062,0.00012787689,0.0001095074],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065709656,0.00032153173,0.0003991096,0.0001603865,0.0007825921,0.00029041682,0.00041383534,0.000084724794,0.0039769914],"category_scores_gemma":[0.0001618123,0.00018535083,0.0002085275,0.0000968392,0.00032733966,0.000115146846,0.000054987122,0.00035313756,0.00091221253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023128139,0.00031163695,0.000046639685,0.000033214874,0.00013424501,0.00015809936,0.0075404067,0.000019862828,0.00024158377,0.93607956,0.054283626,0.000919861],"study_design_scores_gemma":[0.0015261676,0.0015855626,0.0035624802,0.00054682186,0.000526059,0.000032542215,0.016347839,0.0004834028,0.0092952475,0.019693904,0.9452562,0.0011438134],"about_ca_topic_score_codex":0.00043080864,"about_ca_topic_score_gemma":0.0022009215,"teacher_disagreement_score":0.91638565,"about_ca_system_score_codex":0.000039516173,"about_ca_system_score_gemma":0.000026023725,"threshold_uncertainty_score":0.9998657},"labels":[],"label_agreement":null},{"id":"W2001773545","doi":"10.7202/016139ar","title":"“Isn’t She Painted Con Amore?” Fraser’s Magazine and the Spectacle of Female Genius1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honour; Spectacle; Chivalry; Romance; Rhetoric; Literature; Consciousness; History; Art; Sociology; Law; Psychology; Philosophy; Political science","score_opus":0.022127935265488348,"score_gpt":0.2225480732556703,"score_spread":0.20042013799018196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001773545","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8925942,0.00042977807,0.000036856527,0.0008982683,0.00041516928,0.00023111937,0.0000175166,0.00002855842,0.10534854],"genre_scores_gemma":[0.98554426,0.000028995964,0.0000124592825,0.0009563891,0.00032897282,0.0000037590803,0.000007049948,0.000010657253,0.013107457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914765,0.000087249704,0.00023273348,0.00013433716,0.0002446051,0.00015341122],"domain_scores_gemma":[0.99899834,0.00056563533,0.00011646647,0.000215296,0.000073076786,0.000031154843],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009906746,0.00010348799,0.00016420684,0.00006310136,0.00038469495,0.000056322657,0.00019072475,0.000029697383,0.0026204125],"category_scores_gemma":[0.00010937054,0.00005857761,0.00007122798,0.000042853917,0.00068310444,0.000079351375,0.00004113598,0.00013877818,0.00012702151],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026654894,0.00007888642,0.00037202524,0.000015963298,0.000053313557,0.000009970099,0.006243534,0.0000033097976,0.00024378623,0.9592046,0.0331329,0.0003751253],"study_design_scores_gemma":[0.0061564343,0.0005678468,0.11316423,0.00022256523,0.00033691784,0.000019753666,0.009588196,0.0013605927,0.00775201,0.052481283,0.80765253,0.0006976566],"about_ca_topic_score_codex":0.00030216834,"about_ca_topic_score_gemma":0.0021295468,"teacher_disagreement_score":0.9067234,"about_ca_system_score_codex":0.000017492872,"about_ca_system_score_gemma":0.000010383594,"threshold_uncertainty_score":0.9982913},"labels":[],"label_agreement":null},{"id":"W2002529679","doi":"10.7202/005940ar","title":"The Anna Letitia Barbauld Web Page: 1773 meets 2000","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Romanticism; Scholarship; Art; Art history; Humanities; World Wide Web; Computer science; Political science","score_opus":0.016078575810622435,"score_gpt":0.2072158693226091,"score_spread":0.19113729351198666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2002529679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26681188,0.0037611923,2.6100136e-7,0.015112224,0.0006052945,0.00026904658,0.000053777352,0.00014728188,0.7132391],"genre_scores_gemma":[0.9314881,0.00067720714,0.0000029933115,0.0039033222,0.00088295975,0.000030414554,0.0000051255342,0.000022939425,0.062986925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987864,0.00011961185,0.00020909679,0.00021069586,0.00026756714,0.0004066283],"domain_scores_gemma":[0.9991103,0.00030775604,0.000053637457,0.00044839527,0.000035536646,0.000044421162],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028059754,0.00021033282,0.00016614834,0.00003904106,0.0017292039,0.000325538,0.00039450053,0.00004043505,0.01444699],"category_scores_gemma":[0.000022969456,0.00010081585,0.00016321127,0.000061808445,0.0005374113,0.00008397619,0.000037297992,0.00024480862,0.0009964588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000093145456,0.00012472912,0.000026032782,0.000011994399,0.00023149932,0.00004772499,0.043489363,0.000006488937,0.000062720435,0.4260687,0.51672494,0.013112695],"study_design_scores_gemma":[0.00021096309,0.000111585105,0.00036204932,0.000040455863,0.00004171657,0.000003176846,0.0021776992,0.00008046958,0.00006346607,0.0026751165,0.99405766,0.00017565615],"about_ca_topic_score_codex":0.00020123161,"about_ca_topic_score_gemma":0.0008665941,"teacher_disagreement_score":0.66467625,"about_ca_system_score_codex":0.000009924385,"about_ca_system_score_gemma":0.000019180547,"threshold_uncertainty_score":0.99978137},"labels":[],"label_agreement":null},{"id":"W2004307713","doi":"10.7202/009438ar","title":"Occult Charm and Social Ills: Vernon Lee’s “A Wicked Voice” and George Du Maurier’s Castrated Texts","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Pleasure; George (robot); Speculation; Ideal (ethics); Occult; Aesthetics; Art; Literature; Psychoanalysis; Art history; History; Philosophy; Psychology","score_opus":0.023276306004219382,"score_gpt":0.20551030877360013,"score_spread":0.18223400276938076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004307713","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9755027,0.00008457657,0.000004977725,0.010629979,0.00021319234,0.00015440385,0.00003573707,0.000050331255,0.013324059],"genre_scores_gemma":[0.99265677,0.000029358058,0.0000052789774,0.0038541479,0.0006147027,0.000009599368,0.000020643492,0.000013817953,0.0027957107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910706,0.00006293048,0.00017949546,0.00024789997,0.00014228381,0.00026033094],"domain_scores_gemma":[0.9996079,0.00008940747,0.00007936973,0.000122044294,0.000044330372,0.000056899127],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016723758,0.0001793446,0.00024214639,0.000053950014,0.0008301461,0.00013063167,0.00011375277,0.00008637726,0.0011598397],"category_scores_gemma":[0.000019288314,0.00011632543,0.0000635972,0.000038429156,0.00068163924,0.00008900002,0.000057104193,0.0001977891,0.00012477368],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014249733,0.00027099744,0.000107819316,0.000039073097,0.00029775983,0.00007777485,0.055803154,0.00000664367,0.0008728397,0.92620206,0.014474476,0.0017049159],"study_design_scores_gemma":[0.0069732736,0.0014144405,0.035412747,0.00020435854,0.0016008822,0.000095570285,0.014755442,0.00112486,0.0015410489,0.08100256,0.85412306,0.0017517781],"about_ca_topic_score_codex":0.00046890532,"about_ca_topic_score_gemma":0.0016478037,"teacher_disagreement_score":0.84519947,"about_ca_system_score_codex":0.000015437447,"about_ca_system_score_gemma":0.000019818714,"threshold_uncertainty_score":0.99975324},"labels":[],"label_agreement":null},{"id":"W2004468765","doi":"10.7202/007207ar","title":"Goethe, Romanticism and the Anglo-American Critical Tradition","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Context (archaeology); Romance; Ideology; Literature; Classicism; Subject (documents); German; Philosophy; Aesthetics; Epistemology; History; Art; Law; Politics; Archaeology","score_opus":0.017605373070159976,"score_gpt":0.22347190108879877,"score_spread":0.2058665280186388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004468765","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2589425,0.0020971117,0.00004244471,0.03916732,0.001262084,0.00059184583,0.000048046335,0.00014241492,0.6977062],"genre_scores_gemma":[0.99061894,0.00004933868,0.000023511373,0.0056482484,0.00047211733,0.00003468419,0.0000047458343,0.000017368664,0.003131037],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881804,0.00026627022,0.00019918407,0.00021898435,0.00022055474,0.00027696625],"domain_scores_gemma":[0.99894905,0.0006119973,0.000063487045,0.0002722307,0.000056945242,0.000046304904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035873643,0.00020629072,0.00026430943,0.00003228321,0.0009343166,0.00032091315,0.00015646902,0.000029496334,0.00040748098],"category_scores_gemma":[0.00016248961,0.0000932772,0.00010187767,0.000056352186,0.0017634016,0.00009421431,0.000021696758,0.0002582618,0.00009114913],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002978041,0.00004287419,0.000006422841,0.000007590572,0.000046863574,0.000006746735,0.022717148,2.665063e-7,0.000016680739,0.9466848,0.030212406,0.00022843343],"study_design_scores_gemma":[0.0010789051,0.00033758322,0.0013766944,0.00008976187,0.00025024623,0.000053818567,0.019671235,0.00008285792,0.00015706969,0.19901174,0.77748877,0.00040129782],"about_ca_topic_score_codex":0.0000354778,"about_ca_topic_score_gemma":0.000049359798,"teacher_disagreement_score":0.74767303,"about_ca_system_score_codex":0.000006842832,"about_ca_system_score_gemma":0.000007783043,"threshold_uncertainty_score":0.7186102},"labels":[],"label_agreement":null},{"id":"W2006125071","doi":"10.7202/007210ar","title":"'Full-grown lambs': Immaturity and 'To Autumn' *","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Praise; Maturity (psychological); Orthodoxy; Poetry; Literature; History; Ode; Power (physics); Philosophy; Art; Law; Political science; Archaeology; Physics","score_opus":0.047903476986567106,"score_gpt":0.2653246648272405,"score_spread":0.21742118784067338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006125071","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74882716,0.00020802647,0.0000015525549,0.009754135,0.0002994063,0.00022691522,0.000011952471,0.000032948094,0.24063788],"genre_scores_gemma":[0.96945727,0.00004272294,0.0000112908065,0.00086685875,0.00023881863,0.000019970665,0.000001864643,0.000010909843,0.029350324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915224,0.00005708297,0.00012862936,0.00019149558,0.0001877806,0.00028279153],"domain_scores_gemma":[0.99957836,0.00008998289,0.000024585443,0.00018990594,0.000044972363,0.00007221804],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022078221,0.0001300162,0.00014729085,0.000029758567,0.0008240475,0.00022086101,0.00015181756,0.000022702556,0.0027863916],"category_scores_gemma":[0.000048273,0.00006808488,0.000054652304,0.00003526386,0.00016362217,0.00006328638,0.00013860188,0.00016584739,0.00042194067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009418744,0.00005509224,0.000027775728,0.00001154126,0.00004135704,0.000008268048,0.013639619,8.966222e-7,0.00020823878,0.78852516,0.19684573,0.0005421593],"study_design_scores_gemma":[0.00018156056,0.00079099485,0.0013624824,0.000043135053,0.00001324845,0.000009803246,0.004517038,0.000060424605,0.0002075679,0.008409764,0.98422617,0.00017780685],"about_ca_topic_score_codex":0.00009594702,"about_ca_topic_score_gemma":0.00043721206,"teacher_disagreement_score":0.78738046,"about_ca_system_score_codex":0.000015411943,"about_ca_system_score_gemma":0.0000051519755,"threshold_uncertainty_score":0.9981252},"labels":[],"label_agreement":null},{"id":"W2006723578","doi":"10.7202/008700ar","title":"Metaphor, Transfer, and Translation in Plato’s Ion: The Postmodern Platonism of Percy Bysshe Shelley’s A Defence Poetry","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Language, Metaphor, and Cognition","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"SOCRATES; Meaning (existential); Poetry; Metaphor; Philosophy; Literature; Postmodernism; Epistemology; Art; Linguistics","score_opus":0.026987179836358365,"score_gpt":0.26647666096854505,"score_spread":0.23948948113218668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006723578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98503065,0.003634657,0.0013217025,0.0020861735,0.0002654221,0.0005259229,0.000025285886,0.00003355089,0.0070766425],"genre_scores_gemma":[0.99851155,0.00026160193,0.00006932493,0.0009190901,0.000060492366,0.000037555117,0.0000124210255,0.000024976365,0.0001029654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998509,0.00022783868,0.00036047932,0.0003268631,0.0002852458,0.00029057913],"domain_scores_gemma":[0.99909824,0.00036782445,0.000057678764,0.00040437863,0.000026510088,0.00004538743],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053464505,0.00020910574,0.00027116857,0.000111439906,0.00013414441,0.000029714878,0.000262575,0.0001629261,0.0003017908],"category_scores_gemma":[0.000021632215,0.00012434262,0.00011607814,0.00025441742,0.00017060051,0.00008660162,0.000013489697,0.0003488442,0.000051790197],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002899623,0.0021086314,0.0015489269,0.00018381925,0.00080473546,0.00028350207,0.4029905,0.0007242598,0.051880978,0.48280865,0.00060377317,0.053162612],"study_design_scores_gemma":[0.038156983,0.0049876114,0.33060214,0.0018841935,0.002612328,0.0017213911,0.07760596,0.0035998062,0.11907738,0.40995052,0.006105686,0.0036959965],"about_ca_topic_score_codex":0.00042497116,"about_ca_topic_score_gemma":0.00019859069,"teacher_disagreement_score":0.32905322,"about_ca_system_score_codex":0.000015893655,"about_ca_system_score_gemma":0.00002653607,"threshold_uncertainty_score":0.50705445},"labels":[],"label_agreement":null},{"id":"W2007263683","doi":"10.7202/012459ar","title":"“The Standard of Revolt”: Revolution and National Independence in Moore’s Lalla Rookh","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Irish and British Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Irish; Independence (probability theory); Romance; Witness; History; Narrative; Literature; Resistance (ecology); Allegory; Law; Art; Philosophy; Political science","score_opus":0.011976341179988324,"score_gpt":0.26754300455567237,"score_spread":0.25556666337568407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2007263683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8312478,0.0017403958,0.000024349827,0.011580288,0.000207066,0.00029715375,0.000020104744,0.00002122173,0.15486158],"genre_scores_gemma":[0.997967,0.00055278814,0.000035848345,0.00009492692,0.00012241672,0.0000074932873,0.0000010223348,0.0000030393378,0.0012154611],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99888575,0.00012884455,0.00016480863,0.00010619729,0.00053792074,0.00017650264],"domain_scores_gemma":[0.9994056,0.00033134388,0.00007396854,0.00006709596,0.00010703587,0.000014959002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013012761,0.00005331434,0.00009833118,0.000029463794,0.00046865598,0.000035905294,0.00014210821,0.00004842026,0.000014286868],"category_scores_gemma":[0.000368227,0.000035720142,0.000022001555,0.00015258626,0.00032962437,0.000058866364,0.000034136203,0.00010239329,0.000004755042],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013627988,0.000080038524,0.02920159,0.000018127988,0.000021702415,0.00001006863,0.0024698172,0.000060359303,0.00017774108,0.5084788,0.45548338,0.003862064],"study_design_scores_gemma":[0.0008116463,0.00021813667,0.71607447,0.00026298582,0.000019702919,0.000005032329,0.0033821228,0.00029036542,0.00035515425,0.18087175,0.09743224,0.00027636762],"about_ca_topic_score_codex":0.0026911055,"about_ca_topic_score_gemma":0.008134638,"teacher_disagreement_score":0.6868729,"about_ca_system_score_codex":0.00005812737,"about_ca_system_score_gemma":0.00006952596,"threshold_uncertainty_score":0.45393187},"labels":[],"label_agreement":null},{"id":"W2009757388","doi":"10.7202/011135ar","title":"“Prey to some cureless disquiet”: Polidori’s Queer Vampyre at the Margins of Romanticism","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rhetoric; Queer; Literature; Romanticism; Relation (database); Romance; History; Art; Philosophy; Sociology; Gender studies","score_opus":0.01415100733865584,"score_gpt":0.28000614718905487,"score_spread":0.26585513985039905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009757388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86402553,0.0005146981,0.00007115782,0.10711811,0.0007466279,0.0005802201,0.000034607994,0.00006356784,0.026845492],"genre_scores_gemma":[0.9668281,0.00017679005,0.000067312474,0.007120885,0.001261853,0.00003118141,0.000008322958,0.000024350442,0.024481174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99735016,0.00038376913,0.00037206226,0.00033809038,0.0009444958,0.00061140914],"domain_scores_gemma":[0.9981465,0.00063563755,0.00016733614,0.0007360644,0.00010493571,0.00020954238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011575432,0.00022580329,0.0003719842,0.000117638214,0.0006883878,0.00010607705,0.0008925638,0.00016765507,0.0007395018],"category_scores_gemma":[0.00029731047,0.0001245354,0.0002661697,0.00057676976,0.00033482848,0.000163046,0.00015639092,0.0003101195,0.00046359032],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010423862,0.00029201608,0.0018101779,0.00002601045,0.00033451713,0.000019181387,0.13223593,0.0003326106,0.0028611934,0.6552058,0.20401476,0.0027635465],"study_design_scores_gemma":[0.00049763755,0.00014708059,0.009365797,0.00016276128,0.00036328332,0.000003663633,0.0058548683,0.00026861925,0.005772895,0.006734093,0.97034806,0.00048123565],"about_ca_topic_score_codex":0.0011438014,"about_ca_topic_score_gemma":0.004542622,"teacher_disagreement_score":0.7663333,"about_ca_system_score_codex":0.00011295059,"about_ca_system_score_gemma":0.00010472415,"threshold_uncertainty_score":0.8097026},"labels":[],"label_agreement":null},{"id":"W2010415963","doi":"10.7202/007714ar","title":"“Under the subtle wreath”: Louise Bogan, Felicia Hemans, and Petrarchan Poetics1","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature; Modernism (music); MAGIC (telescope); Art history; Philosophy; Physics; Astronomy","score_opus":0.026516792226090203,"score_gpt":0.22023296617836044,"score_spread":0.19371617395227023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010415963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89263433,0.0008869461,0.00010207454,0.03104495,0.0003526843,0.0002658164,0.00003599888,0.000086475586,0.07459074],"genre_scores_gemma":[0.98740995,0.00014697015,0.000010237591,0.0047742124,0.00056451524,0.000014355187,0.000009153718,0.000027215552,0.007043384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99872077,0.000081358834,0.00024278283,0.00026391214,0.00031339604,0.00037778608],"domain_scores_gemma":[0.99910456,0.000210355,0.0000687467,0.00048465483,0.000051422558,0.000080248334],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033188442,0.00022471552,0.00023192022,0.00006850839,0.00094736373,0.000341113,0.0003460946,0.00004880982,0.0010808732],"category_scores_gemma":[0.000026619206,0.000118363234,0.00013170768,0.000064082386,0.00052575953,0.00009087957,0.00007727263,0.0002693807,0.00026084026],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014222483,0.00010645512,0.000013219248,0.00000893347,0.0000716619,0.000016019148,0.008002424,0.00004271738,0.00013904956,0.9874925,0.003862544,0.00023022805],"study_design_scores_gemma":[0.0019188228,0.00081133755,0.0056523685,0.00031766563,0.00079487584,0.00008045166,0.037576757,0.0008529104,0.0033442513,0.5195085,0.42797834,0.0011637517],"about_ca_topic_score_codex":0.00046058695,"about_ca_topic_score_gemma":0.000893798,"teacher_disagreement_score":0.46798405,"about_ca_system_score_codex":0.000022042777,"about_ca_system_score_gemma":0.000022046357,"threshold_uncertainty_score":0.9998323},"labels":[],"label_agreement":null},{"id":"W2011383385","doi":"10.7202/013593ar","title":"“To engraft ourselves on foreign stocks”: Byron’s Poetics of Acculturation","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":54,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Romance; Rhetorical question; Sociology; Acculturation; Aesthetics; Literature; Context (archaeology); Poetry; History; Art; Anthropology; Ethnic group; Archaeology","score_opus":0.019209186766926078,"score_gpt":0.21953345505152722,"score_spread":0.20032426828460115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011383385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9727433,0.000029648892,0.0000062731765,0.008152042,0.00012313189,0.00031642226,0.000027434813,0.000042502583,0.018559266],"genre_scores_gemma":[0.9952415,0.0000067800083,0.00004816431,0.00064602797,0.00043681776,0.000013409066,0.000052672516,0.0000013782449,0.0035532028],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99905664,0.00006149901,0.00019907583,0.00020426961,0.00026887117,0.00020966512],"domain_scores_gemma":[0.9995342,0.00018135564,0.00009377444,0.00009503157,0.000049251452,0.000046392626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013754511,0.00014891206,0.00015512083,0.000011584592,0.00018250215,0.00004161287,0.00025327495,0.00008258089,0.00019068542],"category_scores_gemma":[0.000030992112,0.000043326458,0.000099687866,0.00020264254,0.000034123652,0.00004571231,0.000033992663,0.00011054848,0.00011465813],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021774627,0.00075932627,0.0014818836,0.0000088249335,0.000042255557,0.000018407622,0.0005223497,0.00058936403,0.55080837,0.106310874,0.32983002,0.009410573],"study_design_scores_gemma":[0.0006106213,0.0052631465,0.53856874,0.00020026314,0.00010982289,0.00002022009,0.0016629657,0.0002919626,0.17665689,0.032867923,0.24286923,0.00087824836],"about_ca_topic_score_codex":0.00020424285,"about_ca_topic_score_gemma":0.00022560559,"teacher_disagreement_score":0.53708684,"about_ca_system_score_codex":0.000012291941,"about_ca_system_score_gemma":0.0000028658342,"threshold_uncertainty_score":0.20878716},"labels":[],"label_agreement":null},{"id":"W2014025992","doi":"10.7202/015821ar","title":"Letters to Lord Byron","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Conversation; Classics; Independence (probability theory); Ancient history; Philosophy; Mathematics","score_opus":0.02121647098069218,"score_gpt":0.2850285357439875,"score_spread":0.26381206476329533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014025992","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8235141,0.00003376061,0.00021244642,0.02657325,0.0006480186,0.00017876514,0.0000013572202,0.0000727037,0.14876556],"genre_scores_gemma":[0.97787225,0.000003757055,0.000041522635,0.014874244,0.0005212604,0.0000033013278,8.3451147e-7,0.0000061690353,0.006676657],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991573,0.0000693091,0.00009044871,0.0001309028,0.00027485492,0.00027715397],"domain_scores_gemma":[0.99959713,0.000089033696,0.000028913473,0.00017074455,0.0000150195,0.00009915031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007679947,0.0000706279,0.000072442795,0.00003089996,0.00050202163,0.000026875208,0.0002963052,0.00004455279,0.00038507703],"category_scores_gemma":[0.00009464387,0.000048354676,0.00004346486,0.0001938994,0.000100335696,0.000047240286,0.000019083065,0.00011302592,0.00064382085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006670502,0.00008754792,0.00016189563,0.0000033057077,0.000018130184,0.000039320774,0.06360994,0.000033071374,0.02547873,0.32785818,0.5775085,0.0051346477],"study_design_scores_gemma":[0.00006469151,0.000036905534,0.0028820997,0.00001311099,0.000006528072,5.66541e-7,0.0012252993,0.0000012567017,0.00078067166,0.00092218927,0.99396634,0.00010033165],"about_ca_topic_score_codex":0.0001807786,"about_ca_topic_score_gemma":0.0007165712,"teacher_disagreement_score":0.41645783,"about_ca_system_score_codex":0.00005813514,"about_ca_system_score_gemma":0.000014705968,"threshold_uncertainty_score":0.82752293},"labels":[],"label_agreement":null},{"id":"W2015038629","doi":"10.7202/006012ar","title":"Not \"Forsworn with Pink Ribbons\": Hannah More, Thomas De Quincey, and the Literature of Power","year":2009,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Multicultural Socio-Legal Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Ballad; Power (physics); Literature; Philosophy; Covert; Sect; Nationalism; Politics; Religious studies; Art; Theology; Law; Poetry","score_opus":0.012852562534627451,"score_gpt":0.2735440782376118,"score_spread":0.2606915157029843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015038629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8524019,0.0013150873,0.000018025474,0.1222679,0.00010598514,0.00060770044,0.000013137178,0.00006048941,0.023209786],"genre_scores_gemma":[0.9937847,0.00030060182,0.00019731354,0.0034874398,0.000121198726,0.000010960105,0.0000012202338,0.000007276345,0.002089265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9986008,0.0002731436,0.00016021097,0.00018303473,0.00043917669,0.0003436455],"domain_scores_gemma":[0.9990487,0.00045622376,0.00012249521,0.00021547446,0.000091249014,0.00006582762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074370595,0.00016087714,0.00024930734,0.000020611687,0.0008011006,0.0001319812,0.00033545267,0.00009214241,0.000023125405],"category_scores_gemma":[0.0002726185,0.000067385976,0.000075907636,0.0002611021,0.0010450896,0.00010407428,0.000047118177,0.00024354953,0.0000052058695],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008023763,0.00016115788,0.001647426,0.00002004777,0.00019202604,0.000027989789,0.35915905,0.000034395038,0.00055149995,0.60735685,0.027911097,0.0021360978],"study_design_scores_gemma":[0.0077265436,0.0016056634,0.6363932,0.0017833726,0.00056118553,0.000041127907,0.07569982,0.0006019956,0.0042297496,0.057260837,0.21239567,0.001700839],"about_ca_topic_score_codex":0.00064894854,"about_ca_topic_score_gemma":0.00025672122,"teacher_disagreement_score":0.6347458,"about_ca_system_score_codex":0.000036472433,"about_ca_system_score_gemma":0.000029456269,"threshold_uncertainty_score":0.6161499},"labels":[],"label_agreement":null},{"id":"W2016274102","doi":"10.7202/005699ar","title":"Form in Coleridge, and in Perception and Art More Generally","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perception; Relation (database); Orderliness; Formality; Aesthetics; Beauty; Epistemology; Philosophy; Psychology; Linguistics; Computer science; Social psychology","score_opus":0.022515123459481007,"score_gpt":0.2566830133692264,"score_spread":0.23416788990974538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016274102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99396294,0.000008354458,0.00003822747,0.0018176021,0.000021460513,0.00010757275,0.0000013740492,0.000011265302,0.0040311874],"genre_scores_gemma":[0.99550104,0.00021532284,0.0000528383,0.0030021644,0.000007720022,0.00000840202,7.780246e-7,0.0000065632644,0.001205189],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9992838,0.00009947083,0.0001317313,0.00021231991,0.00012163348,0.00015108053],"domain_scores_gemma":[0.9997767,0.000028993301,0.000027323073,0.00012694208,0.00000415499,0.00003584769],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002031025,0.00008560967,0.00010992045,0.00009428221,0.00006331902,0.000036398167,0.000063563966,0.000037944938,0.00017183018],"category_scores_gemma":[0.000073563606,0.00006007618,0.000018985516,0.00018033232,0.00009535414,0.00005828328,0.000018058732,0.00010581799,0.000041730214],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014864557,0.00061807595,0.04151046,0.000032124182,0.0000044431276,0.0001569059,0.011229733,0.0007015913,0.8845077,0.03664516,0.0065679224,0.01787722],"study_design_scores_gemma":[0.0019351242,0.00024043268,0.9195983,0.00011048754,0.000024699022,0.00016101182,0.0016235746,0.053160314,0.0044474634,0.0050133895,0.013154075,0.00053113303],"about_ca_topic_score_codex":0.000012469722,"about_ca_topic_score_gemma":0.000064432024,"teacher_disagreement_score":0.88006026,"about_ca_system_score_codex":0.000016155629,"about_ca_system_score_gemma":0.000006862028,"threshold_uncertainty_score":0.24498355},"labels":[],"label_agreement":null},{"id":"W2016875753","doi":"10.7202/006562ar","title":"Lambs to the Slaughter: Leisure and Laboring-Class Poetry","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Oppression; Realm; Literature; Representation (politics); Space (punctuation); Class (philosophy); History; Gender studies; Sociology; Aesthetics; Art; Politics; Philosophy; Law; Archaeology; Linguistics","score_opus":0.021046262987743872,"score_gpt":0.26706868928861044,"score_spread":0.24602242630086657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016875753","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8694494,0.00021971403,0.000039600407,0.011941996,0.000839976,0.00020868659,0.000021294696,0.000035817473,0.11724356],"genre_scores_gemma":[0.98136646,0.000017659528,0.0000341736,0.0051125353,0.000108522174,0.000005610657,0.0000010961894,0.000012242938,0.01334171],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990892,0.00015927969,0.00009485373,0.00020435083,0.00015906597,0.00029329484],"domain_scores_gemma":[0.9991971,0.00019432446,0.000040439438,0.00047486156,0.00001843752,0.000074792704],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033206076,0.00012493189,0.00012888704,0.000035803936,0.00022122494,0.00006316651,0.00030496303,0.00006794721,0.0007685902],"category_scores_gemma":[0.000070087815,0.0000723899,0.000036827914,0.00016728547,0.000065857996,0.000047988742,0.000051282124,0.00020671336,0.0013253593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017166743,0.00018534418,0.013801775,0.0000087936205,0.00013741934,0.000050011735,0.005396467,0.000013355213,0.00029826877,0.5003294,0.47661257,0.002994935],"study_design_scores_gemma":[0.00051988504,0.00042649315,0.13641551,0.000034352346,0.00003907429,0.00003284879,0.00097386364,0.000011326582,0.00050566794,0.0012981014,0.8595507,0.00019214865],"about_ca_topic_score_codex":0.00004920721,"about_ca_topic_score_gemma":0.000017057877,"teacher_disagreement_score":0.49903128,"about_ca_system_score_codex":0.000010320255,"about_ca_system_score_gemma":0.000009422925,"threshold_uncertainty_score":0.99945223},"labels":[],"label_agreement":null},{"id":"W2017509603","doi":"10.7202/009263ar","title":"Southey the Epic-Headed","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Narrative; Romance; Virtue; Poetry; History; Chivalry; CONTEST; Skepticism; EPIC; Art; Philosophy; Theology","score_opus":0.08039638631220387,"score_gpt":0.26607933181332855,"score_spread":0.18568294550112469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017509603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5930459,0.00031645416,0.000003366305,0.097323805,0.0005451004,0.00036327363,0.00001625132,0.000062924024,0.30832297],"genre_scores_gemma":[0.974969,0.00002838341,0.0000019379872,0.0014498865,0.00075057056,0.000023887324,0.0000029351934,0.000011100141,0.022762293],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915344,0.00004288892,0.00013779629,0.000143435,0.00024113004,0.00028133992],"domain_scores_gemma":[0.999498,0.00011620839,0.000036121473,0.00027696477,0.00004226783,0.000030431636],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019719765,0.00011970428,0.00011279631,0.000016162914,0.0014031472,0.00021016656,0.00038567215,0.000019100557,0.0023779734],"category_scores_gemma":[0.000025227513,0.000045198736,0.00011067407,0.00003034626,0.0003446011,0.00004942339,0.0001682029,0.00022255992,0.001335742],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036308295,0.000060510847,0.0000068533836,0.000004830508,0.00005966998,0.0000065464874,0.05631568,0.00002584028,0.000068500485,0.8652181,0.07785932,0.00033785403],"study_design_scores_gemma":[0.00064886844,0.00068676233,0.0012919315,0.00011526998,0.000040121347,0.000011496699,0.050036907,0.00010267143,0.0005415343,0.104671076,0.8415558,0.00029756862],"about_ca_topic_score_codex":0.00031480493,"about_ca_topic_score_gemma":0.00056945696,"teacher_disagreement_score":0.7636965,"about_ca_system_score_codex":0.00002394119,"about_ca_system_score_gemma":0.000007974989,"threshold_uncertainty_score":0.9998969},"labels":[],"label_agreement":null},{"id":"W2017769688","doi":"10.7202/005979ar","title":"'Yet in its depth what treasures': Shelley's Transforming Intellect and the Paradoxical Example of Coleridge","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intellect; Romanticism; Philosophy; Literature; Art; Epistemology","score_opus":0.04766905221497218,"score_gpt":0.2736968503935897,"score_spread":0.2260277981786175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017769688","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.948467,0.003065105,0.000032964945,0.007163764,0.00021296316,0.0004011865,0.000001967947,0.00001934198,0.04063567],"genre_scores_gemma":[0.99368775,0.0039559035,0.0000065358154,0.00044876547,0.000068120775,0.000017956429,6.0190195e-7,0.0000055167147,0.0018088234],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872744,0.00037828268,0.00021666285,0.00015458003,0.00027470966,0.00024833373],"domain_scores_gemma":[0.998326,0.0014436699,0.00004447467,0.00011806179,0.000020073676,0.000047745358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009477598,0.00010077861,0.00024155245,0.00004103568,0.00038602916,0.000048291357,0.00021727142,0.00005278178,0.00009961744],"category_scores_gemma":[0.0002164983,0.00005252048,0.00006436868,0.00032006626,0.00042095422,0.0001474065,0.00002370112,0.00014829509,0.000011270564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013675059,0.0004096056,0.004097864,0.000029849745,0.000108004904,0.00004593892,0.51446724,0.000023643111,0.00026464154,0.40248132,0.007186411,0.06951801],"study_design_scores_gemma":[0.0020017612,0.0002927383,0.013319623,0.00025858113,0.000056087592,0.00000690211,0.012701133,0.0007012868,0.0003851136,0.0073844367,0.962586,0.00030638036],"about_ca_topic_score_codex":0.0022682045,"about_ca_topic_score_gemma":0.0022808723,"teacher_disagreement_score":0.9553996,"about_ca_system_score_codex":0.000029393052,"about_ca_system_score_gemma":0.000023360626,"threshold_uncertainty_score":0.34288615},"labels":[],"label_agreement":null},{"id":"W2018550191","doi":"10.7202/016138ar","title":"Conscripting Imagination: The National “Duty” of William Blake’s Art","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Spectacle; Exhibition; Rhetoric; Aesthetics; Politics; Rhetorical question; Visual culture; Art; Originality; Sociology; Visual arts; Literature; Law; Political science; Philosophy; Creativity","score_opus":0.03867212536397612,"score_gpt":0.24988154575030347,"score_spread":0.21120942038632734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018550191","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11606546,0.00019387732,0.00022282991,0.013943248,0.0010466801,0.00040651805,0.000056622677,0.00007652443,0.8679882],"genre_scores_gemma":[0.9762857,0.000008443453,0.000041019855,0.003674878,0.0008919409,0.000006711053,0.000014593428,0.0000143634325,0.019062353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998771,0.000048861883,0.00029933953,0.00014354344,0.00048995507,0.00024728203],"domain_scores_gemma":[0.99893755,0.000471469,0.00015602962,0.00019257491,0.00020424517,0.000038116134],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000973995,0.00012992344,0.00013262143,0.00006675882,0.00040235836,0.00010928281,0.0002858476,0.000027417567,0.002081292],"category_scores_gemma":[0.00012631537,0.00007081335,0.00008587677,0.00005785167,0.00047341996,0.000100869904,0.000032379226,0.00017739365,0.00032381323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018655297,0.0000544583,0.00011638411,0.000007869062,0.00003269073,0.0000031906984,0.0040792744,0.000007162993,0.00022191262,0.7952908,0.199554,0.00061355875],"study_design_scores_gemma":[0.00026255203,0.000085696396,0.0033463917,0.000054119115,0.00002186287,0.00000715023,0.0010795485,0.00021671416,0.0010566221,0.020347897,0.97338533,0.00013614053],"about_ca_topic_score_codex":0.000017471746,"about_ca_topic_score_gemma":0.00017709544,"teacher_disagreement_score":0.86022025,"about_ca_system_score_codex":0.000019007115,"about_ca_system_score_gemma":0.000030519048,"threshold_uncertainty_score":0.9988309},"labels":[],"label_agreement":null},{"id":"W2019179463","doi":"10.7202/011133ar","title":"The Horrors of Catholicism: Religion and Sexuality in Gothic Fiction","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Human sexuality; Trope (literature); Context (archaeology); Literature; Relation (database); Identity (music); History; Art; Aesthetics; Sociology; Gender studies; Archaeology","score_opus":0.01982398270414703,"score_gpt":0.24707199262489982,"score_spread":0.22724800992075278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2019179463","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94491124,0.0020277356,0.0000018433811,0.010634638,0.00037914686,0.00017538274,0.000009389884,0.000026708318,0.041833926],"genre_scores_gemma":[0.99562144,0.0005508619,0.000009684226,0.00093298766,0.0003461902,0.000012319321,0.0000027015392,0.000008446319,0.0025153598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992007,0.00013079644,0.00023335853,0.00014892625,0.000116517505,0.00016970988],"domain_scores_gemma":[0.9993443,0.0002847665,0.00008686956,0.00023322062,0.000035803547,0.000015079303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057940296,0.00011195943,0.00015715677,0.000050280996,0.00038763645,0.00006430655,0.00012653934,0.000045353543,0.000019768064],"category_scores_gemma":[0.00006802889,0.000057473204,0.000034964633,0.000038440565,0.00043054952,0.000059712234,0.0000396675,0.00019763254,0.000011195038],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007907529,0.00007227123,0.00046042248,0.000016999222,0.000024764673,0.0000024112844,0.10173154,0.000011281025,0.00009963077,0.85389185,0.041662436,0.0019473049],"study_design_scores_gemma":[0.0004198304,0.0002937239,0.02120041,0.000090614085,0.000040362695,0.00000974762,0.0069397963,0.00026522463,0.00025022862,0.012266173,0.95802456,0.00019932915],"about_ca_topic_score_codex":0.00028672037,"about_ca_topic_score_gemma":0.0022742786,"teacher_disagreement_score":0.9163621,"about_ca_system_score_codex":0.000011403934,"about_ca_system_score_gemma":0.0000059578983,"threshold_uncertainty_score":0.29814252},"labels":[],"label_agreement":null},{"id":"W2020856111","doi":"10.7202/005913ar","title":"Tim Fulford, Romanticism and Masculinity: Gender, Politics, and Poetics in the Writings of Burke, Coleridge, Cobbett, Wordsworth, De Quincey, and Hazlitt. London: Macmillan; New York: St. Martin's, 1999. ISBN: 0-333-68325-0; 0-312-22039-1. UK £47.50 (US $72.00).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Poetics; Masculinity; Romance; Politics; Art; Humanities; Art history; Poetry; Literature; Sociology; Gender studies; Law; Political science","score_opus":0.021471424721366237,"score_gpt":0.21430001833944187,"score_spread":0.19282859361807564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020856111","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.951845,0.01817918,0.00001953205,0.0039485893,0.00023414285,0.0007251226,0.00027738098,0.00008003644,0.024691025],"genre_scores_gemma":[0.98517776,0.0023673086,0.0002864539,0.0043073106,0.0006984739,0.000022189553,0.000088018656,0.00007807654,0.0069744117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99643445,0.0004018299,0.0009137698,0.00067482266,0.0006256177,0.00094950147],"domain_scores_gemma":[0.9978402,0.0005773792,0.00033809862,0.00089312653,0.00009657987,0.0002545825],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011322433,0.0005919634,0.0008575786,0.00027692868,0.00073196704,0.00056382536,0.00056351564,0.00022283701,0.0012808322],"category_scores_gemma":[0.000087897555,0.00042288352,0.00018803189,0.00020992644,0.0012074964,0.0001263386,0.00016467436,0.00064722885,0.00002113575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008451542,0.00068899133,0.020704312,0.0007676066,0.0012814781,0.00042825157,0.17121321,0.00008187478,0.00022762387,0.54920477,0.24553922,0.009017504],"study_design_scores_gemma":[0.0038499977,0.00077319506,0.020942064,0.00059823174,0.0012080962,0.00029417363,0.009994185,0.002433597,0.00010416721,0.050096814,0.90825737,0.0014481222],"about_ca_topic_score_codex":0.0048824386,"about_ca_topic_score_gemma":0.0021383096,"teacher_disagreement_score":0.6627181,"about_ca_system_score_codex":0.00006300576,"about_ca_system_score_gemma":0.00008972468,"threshold_uncertainty_score":0.9998223},"labels":[],"label_agreement":null},{"id":"W2024957932","doi":"10.7202/006009ar","title":"Mopping Up Spilt Religion: The Problem of Enthusiasm1","year":2009,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"American Constitutional Law and Politics","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Enthusiasm; Fanaticism; Romance; Criticism; Romanticism; Aesthetics; Literature; History; Quickening; Philosophy; Psychoanalysis; Law; Psychology; Political science; Art; Politics; Social psychology","score_opus":0.024141384952295092,"score_gpt":0.29226855691951104,"score_spread":0.2681271719672159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024957932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.096616186,0.00016561331,0.00016864529,0.05148511,0.0002266597,0.00030718205,0.000006652737,0.000046167836,0.8509778],"genre_scores_gemma":[0.9918107,0.00009312274,0.00013016474,0.004320779,0.00025324125,0.0000031418265,0.0000010873642,0.0000029802857,0.003384781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902976,0.00013752776,0.00016075792,0.000099009965,0.00034132172,0.00023164596],"domain_scores_gemma":[0.9992921,0.0003205966,0.00010064996,0.00019181157,0.00004945965,0.000045429028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045102052,0.00007296325,0.000106124084,0.000019490426,0.00052753516,0.00002978835,0.0003396919,0.000038800903,0.0000948235],"category_scores_gemma":[0.00006749589,0.000040530485,0.0000659967,0.00017278822,0.0006397977,0.000039814975,0.000018844727,0.000114878276,0.00004373161],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056229355,0.00001836914,0.000031524207,0.00000116996,0.0000067715405,0.0000013213139,0.0019229277,0.000030578165,0.00007178821,0.9867442,0.010358025,0.00080770586],"study_design_scores_gemma":[0.00011980319,0.00013050564,0.0013804354,0.00007780206,0.000031741703,0.0000037196155,0.0013024694,0.000044331493,0.0003194795,0.047158465,0.9492997,0.00013154828],"about_ca_topic_score_codex":0.0008884656,"about_ca_topic_score_gemma":0.000053143394,"teacher_disagreement_score":0.93958575,"about_ca_system_score_codex":0.000025154764,"about_ca_system_score_gemma":0.00024369122,"threshold_uncertainty_score":0.4057427},"labels":[],"label_agreement":null},{"id":"W2026128898","doi":"10.7202/007209ar","title":"\"The Sorrows of Yamba,\" by Eaglesfield Smith and Hannah More: Authorship, Ideology, and the Fractures of Antislavery Discourse","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Reactionary; Ideology; Literature; Philosophy; Tone (literature); Homeland; Art; History; Law; Politics","score_opus":0.011142678888873037,"score_gpt":0.23358265509919302,"score_spread":0.22243997621031997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026128898","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96389014,0.008957774,0.0000016724745,0.017242135,0.0002714816,0.0002577504,0.00005525422,0.000010919544,0.009312888],"genre_scores_gemma":[0.99120796,0.00048485814,0.0000037719751,0.0010431153,0.00006426617,0.0000111104355,0.0000020272269,0.000006894551,0.007175985],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991397,0.00018609356,0.00022815481,0.00013194059,0.00013247278,0.00018163808],"domain_scores_gemma":[0.9988832,0.0007183174,0.00015333199,0.00018432591,0.00003616937,0.00002466956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034991626,0.00014592517,0.00025458052,0.000015119171,0.0005930676,0.00007176999,0.00015973249,0.000042804553,0.00007280811],"category_scores_gemma":[0.00012285972,0.00005407075,0.00006334796,0.000023513468,0.0020398577,0.000072983414,0.00005477736,0.00016064581,0.0000018109971],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018059771,0.000051221803,0.00059239694,0.00002646609,0.00016194259,0.0000024664646,0.04240611,0.0000011303564,0.00016494808,0.9046152,0.050992534,0.0008049915],"study_design_scores_gemma":[0.003959614,0.0014735177,0.029947378,0.00047220016,0.0006906377,0.000041894302,0.043398228,0.0002311013,0.009393291,0.24794322,0.6615911,0.000857823],"about_ca_topic_score_codex":0.00018297216,"about_ca_topic_score_gemma":0.00013619645,"teacher_disagreement_score":0.65667194,"about_ca_system_score_codex":0.0000017060994,"about_ca_system_score_gemma":0.00000831052,"threshold_uncertainty_score":0.75159407},"labels":[],"label_agreement":null},{"id":"W2026758071","doi":"10.7202/015826ar","title":"Re-imagining Olympus: Keats and the Mythology of the Individual Consciousness1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Divinity; Mythology; Literature; Poetry; Consciousness; Apprehension; Art; Identity (music); Meaning (existential); Philosophy; Aesthetics; History; Theology; Epistemology","score_opus":0.021661676785491926,"score_gpt":0.22130217675642694,"score_spread":0.19964049997093503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026758071","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8987067,0.0015013107,0.000005675001,0.0127524575,0.00096199027,0.00029398318,0.000030904914,0.000032701893,0.08571431],"genre_scores_gemma":[0.99240315,0.000019339968,0.000007055092,0.0056385472,0.0003753646,0.000004085379,0.0000028475529,0.0000126379,0.0015369984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902457,0.00017111661,0.00022649589,0.00014550715,0.0002027275,0.0002296084],"domain_scores_gemma":[0.99859947,0.0008532021,0.00013547197,0.0003456946,0.000043193126,0.000022983208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009926317,0.00013367858,0.00019509705,0.000041321546,0.00046717134,0.00013780153,0.00036574554,0.000051857365,0.00024351542],"category_scores_gemma":[0.000076321856,0.0000535945,0.00007654573,0.000045408047,0.0013405284,0.000052011,0.00011265805,0.00029152053,0.000011322845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007397993,0.000024680237,0.0002603415,0.00000880619,0.000057075384,0.000006835666,0.26694414,0.0000012517883,0.000038710707,0.72859967,0.0028434428,0.0011410471],"study_design_scores_gemma":[0.0024019033,0.00016485898,0.009555582,0.00021661777,0.00022514963,0.000049912385,0.04215984,0.00012669613,0.00033821576,0.03889361,0.90556705,0.00030057732],"about_ca_topic_score_codex":0.000059838763,"about_ca_topic_score_gemma":0.0002670119,"teacher_disagreement_score":0.9027236,"about_ca_system_score_codex":0.0000040351615,"about_ca_system_score_gemma":0.000015788355,"threshold_uncertainty_score":0.49392328},"labels":[],"label_agreement":null},{"id":"W2029523596","doi":"10.7202/007715ar","title":"The Poetics of Expiration: Felicia Hemans","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Political Theology and Sovereignty","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Praise; Literature; Dramaturgy; Art; Romance; Romanticism","score_opus":0.031134912304212926,"score_gpt":0.3053129962338848,"score_spread":0.27417808392967186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029523596","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43191484,0.00010275386,0.00036370687,0.020756058,0.0003645798,0.00019936971,0.0000042664096,0.00003684688,0.54625756],"genre_scores_gemma":[0.9970043,0.00007519291,0.000028499746,0.0014438118,0.00018428439,0.0000044841645,4.7106587e-7,0.0000039531924,0.001255045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991112,0.0001833941,0.00014093524,0.0000812178,0.0002323113,0.0002509452],"domain_scores_gemma":[0.9989267,0.0007151957,0.00005291252,0.00022448668,0.000035401885,0.000045314107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006742532,0.00005876589,0.0000877234,0.000011089009,0.00073775765,0.00002284254,0.00032715529,0.00007428711,0.00010369936],"category_scores_gemma":[0.00040629684,0.000032034153,0.00005400275,0.000100390396,0.00077300944,0.000031024996,0.000026643665,0.000114527844,0.00009114765],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007741952,0.000026063637,0.00002121345,7.421982e-7,0.000008787476,0.0000012814145,0.0013438754,0.00002311854,0.000017222452,0.9981787,0.0001817639,0.00018947985],"study_design_scores_gemma":[0.00012355032,0.000059645205,0.0015899775,0.000012722271,0.000010533947,6.2702276e-7,0.0013188203,0.000012390462,0.0014911542,0.98497385,0.010356514,0.00005023017],"about_ca_topic_score_codex":0.0001599485,"about_ca_topic_score_gemma":0.000085807944,"teacher_disagreement_score":0.5650894,"about_ca_system_score_codex":0.000026019541,"about_ca_system_score_gemma":0.00007534914,"threshold_uncertainty_score":0.567431},"labels":[],"label_agreement":null},{"id":"W2030204015","doi":"10.7202/012464ar","title":"Groundless Metaphors and Living Maps in the Writing of Mary Shelley","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Science Education and Perceptions","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialogic; Romance; Idealism; Skepticism; Metaphor; Relation (database); Allegory; Literal and figurative language; Philosophy; Literature; Epistemology; Aesthetics; Art; Linguistics","score_opus":0.035477135596397945,"score_gpt":0.3079396523354283,"score_spread":0.2724625167390304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030204015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9275091,0.00012838694,0.000020556105,0.002849333,0.00027307306,0.000119593875,0.000003341524,0.000008868509,0.06908769],"genre_scores_gemma":[0.99780345,0.000010885877,0.000054198477,0.00087062817,0.000105178275,0.000016584823,0.0000023891462,0.0000052493224,0.0011314407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99916136,0.00024054864,0.00017672812,0.00013694719,0.00013124896,0.00015314578],"domain_scores_gemma":[0.9988763,0.0007967097,0.000054775766,0.000247042,0.000011428276,0.000013779404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009560474,0.0000647463,0.0000855897,0.00008119008,0.00012172986,0.000036574736,0.0002264923,0.000035099685,0.0008425246],"category_scores_gemma":[0.00003293664,0.000038015336,0.000028774146,0.00024564125,0.00011979766,0.000037719696,0.00002034334,0.00012514826,0.00006296178],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029660632,0.0011096018,0.12611994,0.0000256478,0.000040705534,0.000013688136,0.08537154,0.000071011345,0.0041131796,0.67747325,0.098095395,0.007536377],"study_design_scores_gemma":[0.00008506051,0.00003251495,0.97558314,0.00003732463,0.000013273754,0.000018158851,0.019195244,0.00008663219,0.000014874187,0.003536704,0.0013340478,0.00006302055],"about_ca_topic_score_codex":0.0007922436,"about_ca_topic_score_gemma":0.00016841946,"teacher_disagreement_score":0.8494632,"about_ca_system_score_codex":0.0000060279554,"about_ca_system_score_gemma":0.000008675247,"threshold_uncertainty_score":0.9225053},"labels":[],"label_agreement":null},{"id":"W2030364233","doi":"10.7202/013156ar","title":"Growing Intimate With Monsters: Shelley Jackson’s Patchwork Girl and the Gothic Nature of Hypertext","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Subjectivity; Girl; Materiality (auditing); Art; Literature; Faith; Transcendence (philosophy); Hypertext; Formative assessment; Aesthetics; Art history; Philosophy; Sociology; Psychology; Computer science; Epistemology","score_opus":0.004946305275985135,"score_gpt":0.22032115701856814,"score_spread":0.215374851742583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030364233","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93326145,0.0017651669,0.000068103924,0.028528014,0.00026066933,0.00034997665,0.0000046906257,0.000039807535,0.03572212],"genre_scores_gemma":[0.99566215,0.00014642108,0.0001140863,0.00221492,0.00024393009,0.00001069295,0.0000031348707,0.000011402819,0.0015932617],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858195,0.00032320575,0.00019194798,0.00019512301,0.00044527499,0.00026252022],"domain_scores_gemma":[0.99873364,0.0007540714,0.00012397746,0.00028226734,0.0000609421,0.000045087992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000990067,0.00013536951,0.0002648335,0.000054485394,0.0004230395,0.0001171192,0.0003032137,0.0001657476,0.000053314674],"category_scores_gemma":[0.000116087824,0.000061535815,0.00009004034,0.0003890502,0.00064447074,0.00012873819,0.00003624143,0.00041591428,0.000009547223],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004204541,0.00018854038,0.007572982,0.000060551676,0.00039617956,0.00004445612,0.068487965,0.00012374613,0.0007596289,0.896936,0.021527706,0.0034817916],"study_design_scores_gemma":[0.019641874,0.0012220622,0.059484776,0.0051749023,0.0055559054,0.00009033636,0.14039378,0.009193334,0.009391109,0.2784944,0.4677153,0.0036422475],"about_ca_topic_score_codex":0.0015300699,"about_ca_topic_score_gemma":0.00062393467,"teacher_disagreement_score":0.61844164,"about_ca_system_score_codex":0.00001419859,"about_ca_system_score_gemma":0.000043321983,"threshold_uncertainty_score":0.32537207},"labels":[],"label_agreement":null},{"id":"W2030564500","doi":"10.7202/005937ar","title":"Mary Robinson and Your Brilliant Career","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Medical History and Innovations","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art","score_opus":0.04958615854824067,"score_gpt":0.21439845458662757,"score_spread":0.1648122960383869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030564500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48758182,0.0002596503,0.000003942477,0.008558317,0.00041467114,0.0001294487,0.000026856533,0.0000563035,0.50296897],"genre_scores_gemma":[0.88181025,0.000056309294,0.000008589488,0.0091999,0.0005226288,0.000007823914,0.000014638251,0.000011366149,0.10836851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994718,0.000029619336,0.00012376765,0.00011210508,0.0001303856,0.00013235914],"domain_scores_gemma":[0.9997074,0.000053163352,0.0000227886,0.00016069686,0.000017953378,0.0000380036],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011929762,0.00007959773,0.00008923395,0.000027244394,0.00037276375,0.00004793684,0.000096592856,0.000025572966,0.02231797],"category_scores_gemma":[0.000012784315,0.000048932936,0.000025336187,0.00002408298,0.00020404621,0.00007988553,0.00001078181,0.000120511955,0.0004740602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015183432,0.000039222276,0.0000088218785,0.0000071490335,0.0000146645825,0.000008027628,0.0066571254,0.0000024144406,0.000026113741,0.632237,0.35014677,0.01083747],"study_design_scores_gemma":[0.00010728671,0.000068368856,0.0005071718,0.000027195729,0.000011589661,0.0000033900383,0.00025048965,0.00013716481,0.000020273252,0.002316232,0.99647355,0.00007731192],"about_ca_topic_score_codex":0.000087780594,"about_ca_topic_score_gemma":0.000036699777,"teacher_disagreement_score":0.6463267,"about_ca_system_score_codex":0.000008894458,"about_ca_system_score_gemma":0.000008746159,"threshold_uncertainty_score":0.97857577},"labels":[],"label_agreement":null},{"id":"W2030933778","doi":"10.7202/006008ar","title":"Emily Brontë and the Enthusiastic Tradition","year":2009,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Enthusiasm; Romance; Literature; Poetry; Heresy; Mysticism; Philosophy; Doctrine; Poetics; Style (visual arts); History; Art; Theology","score_opus":0.023144844822865177,"score_gpt":0.2301155319626552,"score_spread":0.20697068713979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030933778","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8630463,0.0013887618,0.00023535649,0.06604265,0.00067193323,0.0005058107,0.000004594061,0.000064308304,0.06804031],"genre_scores_gemma":[0.99203205,0.00005386155,0.00002025147,0.0036175668,0.00015032037,0.0000052587607,0.0000017674682,0.0000031364268,0.0041157836],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99939513,0.00004043806,0.00011037355,0.00012929573,0.00020285312,0.00012191356],"domain_scores_gemma":[0.99950117,0.00023546435,0.000028145918,0.00017692092,0.000016269212,0.000042003387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002453035,0.00007469744,0.00015126407,0.000021633756,0.0002293585,0.000015995865,0.00006293181,0.000022817268,0.00006126414],"category_scores_gemma":[0.00013929843,0.000030862295,0.000048399477,0.00009446398,0.00018021846,0.000013869436,0.0000088407405,0.00011078376,0.000060917166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011887448,0.0005207055,0.00015464913,0.00003449963,0.00014620146,0.000086485335,0.018644437,0.000008088576,0.005192711,0.31210557,0.6182213,0.043696642],"study_design_scores_gemma":[0.0153183695,0.0036010125,0.63827586,0.0006424894,0.0013573522,0.0004281631,0.00257793,0.010035055,0.0024774694,0.072967954,0.25151783,0.00080049795],"about_ca_topic_score_codex":0.000009154692,"about_ca_topic_score_gemma":0.0000013006106,"teacher_disagreement_score":0.6381212,"about_ca_system_score_codex":0.000018753106,"about_ca_system_score_gemma":0.000007678407,"threshold_uncertainty_score":0.17640634},"labels":[],"label_agreement":null},{"id":"W2031763754","doi":"10.7202/016129ar","title":"The Virtual Infernal: Philippe de Loutherbourg, William Beckford and the Spectacle of the Sublime","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":25,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Sublime; Romance; Art history; Movie theater; Art; Entertainment; Literature; Romanticism; History; Visual arts; Law","score_opus":0.014752165593873826,"score_gpt":0.20614312879402982,"score_spread":0.191390963200156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031763754","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96249205,0.003096669,0.00009065857,0.0153298825,0.00054526934,0.00031637182,0.000019989242,0.000013777174,0.018095326],"genre_scores_gemma":[0.9946335,0.0011247465,0.0000075706052,0.0010224385,0.0002197141,0.000008469297,4.4299424e-7,0.000017106857,0.0029659856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99898887,0.00003849292,0.00039749945,0.0001678116,0.00007890012,0.000328449],"domain_scores_gemma":[0.9980742,0.0011098883,0.0002775473,0.00047865004,0.000020870957,0.000038845392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019568978,0.00013544847,0.00026832832,0.000040959916,0.0004905063,0.00005517748,0.00045481225,0.000049400347,0.000047275673],"category_scores_gemma":[0.00046999988,0.000059153776,0.00013292592,0.00018545565,0.0005423679,0.000035729478,0.00015326745,0.0002204151,0.000044376728],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019157703,0.000060131963,0.034724634,0.000007917005,0.00016535207,0.0000020635741,0.0059073786,0.0000189954,0.000058444406,0.95032436,0.0053856527,0.0031534855],"study_design_scores_gemma":[0.0027302462,0.00026643166,0.6135938,0.00007627498,0.00007404773,0.000022043509,0.0035823048,0.0009153347,0.0013080502,0.1619315,0.2151629,0.00033703854],"about_ca_topic_score_codex":0.00024257637,"about_ca_topic_score_gemma":0.00041781165,"teacher_disagreement_score":0.78839284,"about_ca_system_score_codex":0.00002596702,"about_ca_system_score_gemma":0.000013896164,"threshold_uncertainty_score":0.3772627},"labels":[],"label_agreement":null},{"id":"W2033132236","doi":"10.7202/015819ar","title":"“A sick man’s dream”: Jephthah, Judges, and Blake’s Visions of the Daughters of Albion","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Sacrifice; Appropriation; Virginity test; Vision; Narrative; Fantasy; Poetry; History; Invocation; Close reading; Art; Gender studies; Philosophy; Sociology","score_opus":0.01864797657472831,"score_gpt":0.2090636231131091,"score_spread":0.1904156465383808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033132236","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94023716,0.00015544785,0.000014366549,0.0022566228,0.00037013862,0.00027020945,0.00005324026,0.00001801041,0.056624778],"genre_scores_gemma":[0.99399954,0.000030571966,0.000021782313,0.00069214497,0.00019646456,0.0000022288637,0.0000068080044,0.000015835667,0.005034629],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989899,0.000046380494,0.0003020265,0.00015923902,0.0002652799,0.00023720993],"domain_scores_gemma":[0.99906486,0.00022616389,0.00017253065,0.00043398453,0.00004939099,0.000053041058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003643561,0.00014321455,0.00020363183,0.00006281054,0.00022831239,0.00003516323,0.00029115236,0.000045073757,0.00077237445],"category_scores_gemma":[0.000032481392,0.00007475108,0.00010065977,0.000050383962,0.00049014774,0.000054859207,0.00008664721,0.00014263044,0.00002486435],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013768928,0.0003022635,0.002853098,0.000082459854,0.00012807721,0.000011394277,0.022712193,0.000007906093,0.0031690365,0.8767997,0.09046863,0.0033275285],"study_design_scores_gemma":[0.001897823,0.0012033796,0.14884835,0.00069314626,0.0003074074,0.000029129265,0.0099383425,0.0002721685,0.027577337,0.027251476,0.78123826,0.0007431701],"about_ca_topic_score_codex":0.00017895969,"about_ca_topic_score_gemma":0.0006826589,"teacher_disagreement_score":0.8495482,"about_ca_system_score_codex":0.000008963212,"about_ca_system_score_gemma":0.000013993109,"threshold_uncertainty_score":0.84569585},"labels":[],"label_agreement":null},{"id":"W2033202935","doi":"10.7202/015827ar","title":"Wherewith They Weave a Paradise: Keats and the Luscious Poem","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Paradise; Literature; Space (punctuation); Aesthetics; Art history; Philosophy; Linguistics","score_opus":0.013596119095446559,"score_gpt":0.2000562883961902,"score_spread":0.18646016930074363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033202935","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3940296,0.009276726,0.0001427255,0.014077268,0.0015558433,0.0010886829,0.00005987299,0.0002688202,0.5795005],"genre_scores_gemma":[0.96242684,0.00007345217,0.000013903243,0.003475675,0.0007737947,0.000012585038,0.000006431105,0.000031546435,0.033185795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986127,0.0001523019,0.00027214523,0.00027163845,0.00033283548,0.0003583614],"domain_scores_gemma":[0.9986214,0.00050973013,0.00014313428,0.00059864175,0.000054630877,0.000072459865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093821547,0.00023801324,0.00029904142,0.00009423141,0.0007863227,0.00033022944,0.00038283406,0.00005767403,0.000713874],"category_scores_gemma":[0.000045377754,0.000110659654,0.00014598772,0.000052026913,0.0006164725,0.00009508459,0.000057491274,0.00028734477,0.00014795472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002587166,0.00007088978,0.00004775894,0.00001076891,0.00024259176,0.000030249736,0.106830105,0.000003911478,0.000032284952,0.8410605,0.050016843,0.0013953737],"study_design_scores_gemma":[0.0020314073,0.00020562728,0.0009634446,0.000115933915,0.0005612768,0.000031396925,0.006744978,0.0007451939,0.00011653777,0.05163796,0.93630964,0.0005365926],"about_ca_topic_score_codex":0.0004409993,"about_ca_topic_score_gemma":0.0023652834,"teacher_disagreement_score":0.8862928,"about_ca_system_score_codex":0.00003658823,"about_ca_system_score_gemma":0.00001522591,"threshold_uncertainty_score":0.78164196},"labels":[],"label_agreement":null},{"id":"W2033547965","doi":"10.7202/009440ar","title":"Opera and the Great Reform Act: Silver Fork Fiction, 1822-1842","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Opera; Mores; Italian opera; Art; Trope (literature); History; Art history; Literature; Political science; Law","score_opus":0.01570699240451892,"score_gpt":0.1906345348595957,"score_spread":0.17492754245507677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033547965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6005405,0.00034719848,0.000005908821,0.003746932,0.001327752,0.0003793559,0.000013218873,0.00009346723,0.39354566],"genre_scores_gemma":[0.971596,0.00015247834,0.000006558243,0.003177465,0.0008251421,0.000040214705,0.0000062107974,0.000021635231,0.02417432],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991846,0.000030665586,0.00019920144,0.00017033327,0.00017356542,0.00024165212],"domain_scores_gemma":[0.99944407,0.000052015617,0.00006406436,0.00036452,0.000033142896,0.000042195585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002778143,0.00016698282,0.00017738188,0.00004636253,0.0010498861,0.00014185855,0.00022077413,0.000042889624,0.00091157947],"category_scores_gemma":[0.000008477575,0.000077151366,0.00007561195,0.000026879079,0.00055210385,0.00016487317,0.00004285341,0.00018889403,0.00022801792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001884855,0.000053687312,0.000014322733,0.000017855466,0.00004767246,0.0000052508944,0.073093385,0.00002608911,0.000041947846,0.8864997,0.037642505,0.0023691072],"study_design_scores_gemma":[0.00150303,0.00013058813,0.00041834914,0.00006533554,0.00005398018,0.000015330541,0.0021803011,0.00006470619,0.00013856885,0.004480145,0.9907842,0.00016544908],"about_ca_topic_score_codex":0.0007754469,"about_ca_topic_score_gemma":0.0005362771,"teacher_disagreement_score":0.9531417,"about_ca_system_score_codex":0.000078336896,"about_ca_system_score_gemma":0.000023364777,"threshold_uncertainty_score":0.9981156},"labels":[],"label_agreement":null},{"id":"W2035026921","doi":"10.7202/011670ar","title":"Beatrice Cenci in Hawthorne, Melville and her Atlantic-Rim Contexts","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Literature; Ideology; History; Narrative; Theme (computing); Art; Politics; Law","score_opus":0.011758446512711691,"score_gpt":0.2669131339379651,"score_spread":0.25515468742525343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035026921","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8987158,0.001073342,0.000017575197,0.024282577,0.00018552704,0.0002474648,0.0000024358042,0.000037980175,0.07543729],"genre_scores_gemma":[0.9915173,0.00034074616,0.00012705443,0.0026831569,0.00031993928,0.000007965785,0.0000028573545,0.000008051419,0.0049929507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874496,0.0002237105,0.00017924176,0.00020823383,0.00032432834,0.00031950304],"domain_scores_gemma":[0.9991823,0.00043187814,0.00005681248,0.00019434931,0.000034945966,0.000099752186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008022139,0.00010893123,0.00019244032,0.00009367579,0.00023307136,0.000091920294,0.00021460453,0.000110781,0.00027108198],"category_scores_gemma":[0.00024076633,0.00007205921,0.00005546559,0.0003630846,0.00013924805,0.00011573556,0.000029509656,0.00020800279,0.00009820554],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013699799,0.00055174343,0.058591854,0.00003622771,0.00021519428,0.00012786865,0.19447416,0.00006436918,0.0011630313,0.60262966,0.10666172,0.03534715],"study_design_scores_gemma":[0.00096231897,0.00009569762,0.033332936,0.00013011498,0.00014749193,0.0000053791564,0.005843023,0.0006092081,0.00044735125,0.0042753457,0.95372707,0.00042409598],"about_ca_topic_score_codex":0.0021126084,"about_ca_topic_score_gemma":0.006911262,"teacher_disagreement_score":0.8470653,"about_ca_system_score_codex":0.00003559484,"about_ca_system_score_gemma":0.00004796849,"threshold_uncertainty_score":0.38566464},"labels":[],"label_agreement":null},{"id":"W2038154569","doi":"10.7202/007724ar","title":"Lucretia Davidson in Europe: Female Elegy, Literary Transmission and the Figure of the Romantic Poetess","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elegy; Literature; Poetry; Criticism; Art; Beauty; Identity (music); Art history; Aesthetics","score_opus":0.012869338197726695,"score_gpt":0.20400835089146147,"score_spread":0.19113901269373476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038154569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95952564,0.001879194,0.00001947948,0.0116674565,0.00016644663,0.00034157466,0.000017268718,0.000021182708,0.026361741],"genre_scores_gemma":[0.99503666,0.00016672588,0.0000067841765,0.001328377,0.0001302539,0.000010640842,0.000004966033,0.000019555157,0.003296031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998573,0.00028749308,0.00036578314,0.0002248066,0.00029365713,0.00025522852],"domain_scores_gemma":[0.9990714,0.00026262185,0.00011302119,0.00046614386,0.000049516868,0.000037303653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005119498,0.000194833,0.00030596706,0.00006153077,0.000397738,0.00015007282,0.0004870591,0.000048289454,0.00042027386],"category_scores_gemma":[0.000055689758,0.00008236293,0.00014228204,0.00017371276,0.0006097754,0.000114873925,0.00007002838,0.0003219864,0.00002424967],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014563407,0.00018917513,0.00020278986,0.00006736386,0.0000637105,0.000018652589,0.04120906,0.00009261154,0.00061380287,0.95486945,0.0008682118,0.0016595204],"study_design_scores_gemma":[0.019291058,0.0015031076,0.08363874,0.0077383392,0.0020387094,0.000118717726,0.017024698,0.011155332,0.019228088,0.3878772,0.44794682,0.0024391974],"about_ca_topic_score_codex":0.0002109116,"about_ca_topic_score_gemma":0.000100099904,"teacher_disagreement_score":0.5669923,"about_ca_system_score_codex":0.000009862311,"about_ca_system_score_gemma":0.000025808655,"threshold_uncertainty_score":0.4601704},"labels":[],"label_agreement":null},{"id":"W2038218215","doi":"10.7202/015822ar","title":"The “silver net of civilization”: Aesthetic Imperialism in Mary Shelley’s The Last Man","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Civilization; Bourgeoisie; Christianity; Politics; Philosophy; Western culture; Aesthetics; Literature; Cultural imperialism; Sociology; Religious studies; History; Art; Law; Political science","score_opus":0.012292608798114902,"score_gpt":0.21117518617788547,"score_spread":0.19888257737977058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038218215","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87130255,0.0009934426,0.000009344438,0.005551273,0.001025516,0.00040244614,0.000030700823,0.00005351851,0.120631196],"genre_scores_gemma":[0.9877811,0.00007190393,0.0000044471194,0.0014836874,0.0004788924,0.000008455968,0.00001183538,0.00002303735,0.010136639],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882156,0.00013677923,0.00033311878,0.00015397658,0.00024798868,0.0003065611],"domain_scores_gemma":[0.9990263,0.00041321595,0.000111059715,0.00037407636,0.000047832094,0.000027529368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008876638,0.00015652658,0.0001496501,0.000056721623,0.00054063177,0.00022464464,0.00038311025,0.000057688085,0.00037473228],"category_scores_gemma":[0.000033274384,0.00007062209,0.000080734135,0.00008194492,0.00035821312,0.000051556406,0.00004574092,0.00027680548,0.000038716764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007032152,0.000075268326,0.00016400077,0.000016436234,0.00001893011,0.000011342753,0.02653427,0.00003082832,0.00012826841,0.93729454,0.033309214,0.0023465715],"study_design_scores_gemma":[0.0005312485,0.00014967486,0.010262737,0.00026495647,0.000032525564,0.000018752724,0.007138578,0.00029729062,0.00023834562,0.0075960793,0.97324526,0.00022453461],"about_ca_topic_score_codex":0.00014764031,"about_ca_topic_score_gemma":0.0020735364,"teacher_disagreement_score":0.93993604,"about_ca_system_score_codex":0.0000124249655,"about_ca_system_score_gemma":0.000015951191,"threshold_uncertainty_score":0.4158157},"labels":[],"label_agreement":null},{"id":"W2038374425","doi":"10.7202/012457ar","title":"Coleridge and Column Inches","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"License; Context (archaeology); Morning; House of Commons; Law; History; Sociology; Political science; Aesthetics; Philosophy; Politics; Archaeology","score_opus":0.01867300157551992,"score_gpt":0.18111928244972628,"score_spread":0.16244628087420634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038374425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81219673,0.0001688262,0.0000022025079,0.000907224,0.00033130936,0.00009243568,0.000015839312,0.00003613559,0.18624932],"genre_scores_gemma":[0.96507096,0.0000059369054,0.000006066157,0.0006817664,0.00043038485,0.000007561955,0.0000075600624,0.0000061368505,0.033783626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995652,0.000030129873,0.00009344389,0.000095077645,0.00012804467,0.00008813346],"domain_scores_gemma":[0.9997041,0.00012316511,0.00003798179,0.00009251039,0.00002739116,0.0000148570525],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013406001,0.000061353865,0.000070057344,0.00003431105,0.00040744417,0.00011876604,0.000083006766,0.000017697566,0.0011152856],"category_scores_gemma":[0.000015771273,0.000045096705,0.000023894434,0.000017141845,0.00019627683,0.000078550496,0.000019892906,0.00006167256,0.00016170368],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000764222,0.0000360138,0.00017784296,0.0000033597646,0.0000062351332,0.0000031667314,0.00054778566,0.0000020087402,0.00005769844,0.81001526,0.18906257,0.00008038667],"study_design_scores_gemma":[0.00019104927,0.000058684098,0.02347192,0.000017431159,0.000018528019,0.0000030275032,0.0001657015,0.000116636664,0.00022836537,0.030296898,0.94531333,0.00011842116],"about_ca_topic_score_codex":0.0005544288,"about_ca_topic_score_gemma":0.0015459079,"teacher_disagreement_score":0.7797184,"about_ca_system_score_codex":0.000011955742,"about_ca_system_score_gemma":0.000007531503,"threshold_uncertainty_score":0.9997978},"labels":[],"label_agreement":null},{"id":"W2038886273","doi":"10.7202/013998ar","title":"Frankenstein’s Singular Events: Inductive Reasoning, Narrative Technique, and Generic Classification","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Narrative; Ambiguity; Rhetorical question; Inductive reasoning; Character (mathematics); Epistemology; Philosophy; Rhetorical device; Literature; Relation (database); Cognitive science; Linguistics; Computer science; Psychology; Art; Mathematics","score_opus":0.02217716848154144,"score_gpt":0.2225123930503116,"score_spread":0.20033522456877015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038886273","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95944214,0.00028236062,0.00020588188,0.0023194468,0.00022645706,0.0005064257,0.000012891251,0.00007062723,0.03693378],"genre_scores_gemma":[0.9962756,0.000022908285,0.00014737542,0.0002515425,0.0003123946,0.00006888459,0.000011514997,0.000018408915,0.0028913775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991281,0.00010769889,0.00019318973,0.00024084473,0.00016058564,0.0001695846],"domain_scores_gemma":[0.99944156,0.00008769236,0.00014141481,0.00022867972,0.000075287884,0.000025354986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002059955,0.00016505078,0.00016047482,0.00009822582,0.00061261735,0.0001088366,0.00012769659,0.000051598046,0.00025060796],"category_scores_gemma":[0.000023501849,0.000109748085,0.00005245476,0.000067111556,0.00028030702,0.00010038439,0.000030963314,0.00017611956,0.000010642472],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022065055,0.00008324821,0.00017014223,0.0000046136265,0.000034817927,0.0000026295681,0.019355005,0.0000018804312,0.0026448937,0.97004044,0.006915792,0.0007244994],"study_design_scores_gemma":[0.001350037,0.0010329834,0.046891,0.00043989863,0.00016327816,0.00002766928,0.04649277,0.0027226578,0.0050491523,0.573966,0.32055405,0.0013105056],"about_ca_topic_score_codex":0.0003119589,"about_ca_topic_score_gemma":0.00019710402,"teacher_disagreement_score":0.3960744,"about_ca_system_score_codex":0.000020553174,"about_ca_system_score_gemma":0.0000141089595,"threshold_uncertainty_score":0.47118196},"labels":[],"label_agreement":null},{"id":"W2039755124","doi":"10.7202/009261ar","title":"Southey, Macaulay and the Idea of a Picturesque History","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Australian History and Society","field":"Social Sciences","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Romance; Counterpoint; Romanticism; CONTEST; Cultural history; History; Literature; Sensibility; History of literature; Art history; Art; Sociology; Philosophy; Economic history","score_opus":0.02463189801643704,"score_gpt":0.2518093957967767,"score_spread":0.22717749778033966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039755124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9387516,0.000621673,0.000090194335,0.011348211,0.0005292848,0.00042761723,0.0000060166803,0.000050073995,0.048175342],"genre_scores_gemma":[0.9936469,0.0000608014,0.000030737236,0.001493251,0.00011680973,0.00000657021,4.1681355e-7,0.0000064691017,0.004638045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999094,0.00023924466,0.00013288092,0.00011665859,0.00024928272,0.00016793626],"domain_scores_gemma":[0.99939734,0.00023768398,0.00009860162,0.00020323378,0.000019913236,0.000043235566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009216662,0.00007905528,0.00013574025,0.000014172038,0.0003886192,0.0000113614,0.00026639114,0.000082503015,0.00016675447],"category_scores_gemma":[0.000119676646,0.00004314324,0.000095286654,0.00005964834,0.0013303822,0.000034977285,0.00002357501,0.00017671648,0.00002091787],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034940527,0.000022336177,0.00011553173,0.000005398893,0.000020735311,0.0000027521708,0.12093668,0.000037335267,0.00006283733,0.8663724,0.012357446,0.00003162988],"study_design_scores_gemma":[0.004367717,0.00021720045,0.014457947,0.00017961493,0.00019497318,0.000008879369,0.040623747,0.000037247293,0.0005231961,0.19335945,0.7454181,0.0006119634],"about_ca_topic_score_codex":0.0021544902,"about_ca_topic_score_gemma":0.00020007086,"teacher_disagreement_score":0.7330606,"about_ca_system_score_codex":0.00012783706,"about_ca_system_score_gemma":0.0000933406,"threshold_uncertainty_score":0.49018487},"labels":[],"label_agreement":null},{"id":"W2040105964","doi":"10.7202/005998ar","title":"Blessed Bane: Christianity and Colonial Disease in Southey's Tale of Paraguay","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Christianity; Colonialism; History; Ancient history; Archaeology","score_opus":0.018523478750966327,"score_gpt":0.2760369606653287,"score_spread":0.25751348191436235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040105964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9922538,0.0002570721,0.0000049061478,0.004304451,0.00017722913,0.00028835854,0.000020130312,0.000024676869,0.0026694145],"genre_scores_gemma":[0.9990566,0.00023469861,0.000006675248,0.00020600119,0.00014764546,0.0000107019205,0.0000025297586,0.000007733818,0.00032743975],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99888235,0.00023351159,0.0001703509,0.00017595742,0.00027314664,0.00026467242],"domain_scores_gemma":[0.9992903,0.0003219329,0.000076133794,0.00018270855,0.00001949485,0.00010945814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050154596,0.00009751823,0.00016972028,0.000050089548,0.00024763262,0.00004102651,0.0002122096,0.00006229939,0.00012798826],"category_scores_gemma":[0.00019063253,0.00007585567,0.00004696059,0.00021633957,0.00035608007,0.000051338804,0.00003136711,0.00011661806,0.000019311201],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032310393,0.003031951,0.48589763,0.00016595187,0.00017724236,0.0012386261,0.27281797,0.00047320806,0.0013899473,0.21625637,0.011324709,0.003995362],"study_design_scores_gemma":[0.001599939,0.0001961968,0.94395995,0.00012594204,0.000087358945,0.0000030011652,0.0016852373,0.0006699171,0.00026932856,0.018076748,0.032971065,0.0003553369],"about_ca_topic_score_codex":0.006180372,"about_ca_topic_score_gemma":0.006385492,"teacher_disagreement_score":0.45806232,"about_ca_system_score_codex":0.000024454119,"about_ca_system_score_gemma":0.00010506285,"threshold_uncertainty_score":0.93429154},"labels":[],"label_agreement":null},{"id":"W2041470575","doi":"10.7202/009436ar","title":"Ravishment Twice Weekly: De Quincey's Opera Pleasures","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Irish and British Studies","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Invocation; Opera; Explication; Literature; Nationalism; Musical; Opium; Tragedy (event); Subject (documents); Philosophy; Aesthetics; History; Art; Politics; Epistemology; Law; Theology","score_opus":0.021705935631504466,"score_gpt":0.2904462141468309,"score_spread":0.26874027851532645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041470575","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7782249,0.00050564785,0.0000472246,0.044267803,0.00040963234,0.00030902936,0.0000059816275,0.000115586336,0.17611423],"genre_scores_gemma":[0.99269164,0.00034120958,0.00012040555,0.0037213769,0.00044965988,0.000020805475,0.0000011925518,0.000010328773,0.0026434078],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986411,0.00014584357,0.00013271546,0.00018276094,0.00043500282,0.00046260233],"domain_scores_gemma":[0.9995118,0.00014205677,0.00004387839,0.00017165982,0.000045889665,0.00008473821],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074063404,0.000109002634,0.00014278614,0.000027029644,0.00094339834,0.00013320975,0.00037187387,0.00006098958,0.00014554767],"category_scores_gemma":[0.00022247653,0.00008012401,0.0000672318,0.00015663923,0.0002681971,0.00007552282,0.00005622658,0.0001501867,0.00022167459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009526815,0.00048741355,0.002263777,0.000018564477,0.0001541932,0.00015995775,0.050393347,0.00028487586,0.001143498,0.11375345,0.8235881,0.0076576],"study_design_scores_gemma":[0.0027849467,0.0009938217,0.117901385,0.00058456854,0.00017104544,0.000026920272,0.047792416,0.000037165166,0.005383753,0.04251352,0.78058314,0.0012273446],"about_ca_topic_score_codex":0.0071999175,"about_ca_topic_score_gemma":0.0008236871,"teacher_disagreement_score":0.21446675,"about_ca_system_score_codex":0.00012640796,"about_ca_system_score_gemma":0.00013021493,"threshold_uncertainty_score":0.9994112},"labels":[],"label_agreement":null},{"id":"W2043159714","doi":"10.7202/014003ar","title":"Objectifying Anxieties: Scientific Ideologies in Bram Stoker’s Dracula and The Lair of the White Worm","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Physiognomy; Sexology; Ideology; Dracula; Instinct; White (mutation); Human sexuality; Population; Psychoanalysis; Literature; History; Art history; Art; Sociology; Politics; Anthropology; Psychology; Gender studies; Law","score_opus":0.019747693575981464,"score_gpt":0.23051282944385368,"score_spread":0.2107651358678722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043159714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9702498,0.0013373467,0.000012370833,0.012610322,0.00074082596,0.00044333862,0.0000042858874,0.000028170185,0.014573548],"genre_scores_gemma":[0.9813402,0.000026941903,0.000036378962,0.0003544564,0.000061907886,0.00001609724,0.0000012657505,0.0000073143055,0.018155383],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99866986,0.00012931514,0.00028751124,0.00025031407,0.00041948233,0.0002434912],"domain_scores_gemma":[0.9989495,0.0004024061,0.000109781555,0.00046044783,0.00005656402,0.000021271228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010666555,0.0001274938,0.00028780347,0.00007953886,0.0005137147,0.000050949715,0.00024645778,0.000048172085,0.000034239205],"category_scores_gemma":[0.00027406783,0.00004952124,0.000100344834,0.00057308865,0.0015771331,0.00003423445,0.00016193606,0.00023704073,0.000012407022],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001623087,0.0012202358,0.28420448,0.00048294588,0.00031345937,0.000074019365,0.08317104,0.000825585,0.015668571,0.14510772,0.45631135,0.010997532],"study_design_scores_gemma":[0.004198161,0.00020819236,0.8828363,0.0006653981,0.00024205563,0.000055722183,0.008014208,0.0024541195,0.004291591,0.019081661,0.07758502,0.00036758554],"about_ca_topic_score_codex":0.00021457401,"about_ca_topic_score_gemma":0.0002912193,"teacher_disagreement_score":0.5986318,"about_ca_system_score_codex":0.000041166524,"about_ca_system_score_gemma":0.000032218188,"threshold_uncertainty_score":0.58110124},"labels":[],"label_agreement":null},{"id":"W2043713692","doi":"10.7202/007722ar","title":"Reviving Lydia Huntley Sigourney","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethos; Rhetoric; Subject (documents); Literature; Poetry; Art; Philosophy; Theology","score_opus":0.033389124436637475,"score_gpt":0.22141628346841324,"score_spread":0.18802715903177578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043713692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52322555,0.0004423777,0.00013266454,0.013588729,0.0007717582,0.00022257084,0.000021672078,0.00015417316,0.4614405],"genre_scores_gemma":[0.98699564,0.000043550215,0.00002352689,0.003741505,0.0008101971,0.000009673516,0.000005934502,0.000021392452,0.008348556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988806,0.00005458198,0.00027643022,0.00020925871,0.00026305596,0.00031604114],"domain_scores_gemma":[0.9992828,0.00012634008,0.000083563784,0.00039371802,0.000047246478,0.00006633952],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035228633,0.00016889126,0.00021755073,0.00006723436,0.00057122734,0.00026820265,0.00031736612,0.00003624313,0.004156454],"category_scores_gemma":[0.00009230879,0.00010534393,0.00016568384,0.000054797754,0.00016690877,0.00012333039,0.000043972457,0.00020563908,0.0012224133],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057438447,0.000079598445,0.000011080197,0.000008353113,0.000049175174,0.000018327215,0.00515167,0.00007297903,0.00017444362,0.9846696,0.009357089,0.00040191016],"study_design_scores_gemma":[0.0008267829,0.00030588606,0.0009608026,0.0005089217,0.0003087809,0.000017598892,0.0052696997,0.00032244637,0.0024714365,0.16013743,0.82814896,0.0007212347],"about_ca_topic_score_codex":0.0001895281,"about_ca_topic_score_gemma":0.00018589797,"teacher_disagreement_score":0.8245322,"about_ca_system_score_codex":0.000028156375,"about_ca_system_score_gemma":0.000020267464,"threshold_uncertainty_score":0.99955523},"labels":[],"label_agreement":null},{"id":"W2044925830","doi":"10.7202/015828ar","title":"The Silent Woman in the “Criminal Conversation” Trial and her Displaced Defences: “A Letter Always Reaches its Destination”","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Religion, Gender, and Enlightenment","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wife; Spouse; Pseudonym; Conversation; Law; Enlightenment; Compensation (psychology); Action (physics); Legal process; Perspective (graphical); History; Sociology; Art; Political science; Psychology; Psychoanalysis; Philosophy; Theology; Visual arts","score_opus":0.05481878093573115,"score_gpt":0.255225910714353,"score_spread":0.20040712977862188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044925830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96835077,0.00032867136,0.000032087395,0.012573396,0.00062410475,0.00058374397,0.000002847722,0.000021092827,0.017483275],"genre_scores_gemma":[0.9936333,0.00013244823,0.000009939703,0.0040527713,0.00061916205,0.000041476622,0.0000057969223,0.000010996801,0.0014941399],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987389,0.00016326385,0.00027939913,0.00018086919,0.00036265817,0.00027490934],"domain_scores_gemma":[0.9987539,0.0008478164,0.00010119762,0.00023514262,0.000031356536,0.00003059592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012979871,0.0001509466,0.00011301539,0.000044864388,0.0006775393,0.00027896636,0.00026417896,0.000037344675,0.00008956886],"category_scores_gemma":[0.000054955955,0.00006660755,0.00005309715,0.00003627878,0.00023384938,0.00007970231,0.000027788481,0.0001586776,0.00004482124],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016574116,0.00017871197,0.000160886,0.000019608287,0.00005140194,0.000017232811,0.45708358,0.000015853764,0.00007746929,0.44205317,0.09753827,0.0011464055],"study_design_scores_gemma":[0.012396591,0.0012663642,0.013898418,0.00017266558,0.0002551594,0.00002424199,0.36895564,0.0014017448,0.00086194836,0.022122335,0.5779422,0.0007027183],"about_ca_topic_score_codex":0.00019191527,"about_ca_topic_score_gemma":0.00021129558,"teacher_disagreement_score":0.4804039,"about_ca_system_score_codex":0.00003274806,"about_ca_system_score_gemma":0.00001418286,"threshold_uncertainty_score":0.5211153},"labels":[],"label_agreement":null},{"id":"W2050461832","doi":"10.7202/005892ar","title":"'The Eucharist of Hell'; or, Eating People is Right: Romantic Representations of Cannibalism","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Eucharist; Cannibalism; Romance; Art; Psychology; Literature; Philosophy; Theology; Geology; Paleontology","score_opus":0.020095751320260525,"score_gpt":0.25567153826112127,"score_spread":0.23557578694086073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050461832","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7349462,0.00094811135,0.000002532644,0.004197022,0.000567135,0.00033031995,0.00013173872,0.000043998625,0.25883296],"genre_scores_gemma":[0.95500183,0.00021560692,0.000023773951,0.00051769294,0.00026706365,0.00001591461,0.000010423269,0.000017586473,0.04393013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875057,0.00012113986,0.0004292396,0.0002112043,0.00023666663,0.00025121061],"domain_scores_gemma":[0.9986478,0.0005431948,0.00018827477,0.0004925329,0.00010125371,0.000026907608],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027568926,0.00016550413,0.00029536898,0.000054311036,0.00096645264,0.000093268354,0.0003579456,0.000046120487,0.003695012],"category_scores_gemma":[0.000078339144,0.00008254801,0.00012370238,0.00009861469,0.0006111801,0.0000701653,0.00004338428,0.00017699158,0.00005862297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017222096,0.00016173616,0.00038382167,0.00007669183,0.00027059997,0.000016244907,0.22779398,0.000018585188,0.00018009759,0.6613898,0.1080542,0.001482034],"study_design_scores_gemma":[0.0013905766,0.0012055729,0.024981199,0.00061763515,0.0004893097,0.000058081463,0.042621035,0.0009834182,0.0026769498,0.03115239,0.89307696,0.0007468991],"about_ca_topic_score_codex":0.0010595176,"about_ca_topic_score_gemma":0.0017193313,"teacher_disagreement_score":0.78502274,"about_ca_system_score_codex":0.0000072610455,"about_ca_system_score_gemma":0.000018352624,"threshold_uncertainty_score":0.99721575},"labels":[],"label_agreement":null},{"id":"W2051780207","doi":"10.7202/009257ar","title":"Southey’s “German Sublimity” and Coleridge’s “Dutch Attempt”","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballad; Sublime; Romanticism; German; Literature; Narrative; Art; Criticism; History; Poetry","score_opus":0.020333710586893847,"score_gpt":0.21681740524070467,"score_spread":0.19648369465381083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051780207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84398454,0.00073610403,0.000003472438,0.0138031915,0.00059493387,0.00026908785,0.000042000454,0.00011331121,0.14045335],"genre_scores_gemma":[0.9826934,0.000027590275,0.000009195808,0.0042373016,0.00069588516,0.000018497205,0.000012085127,0.000017960701,0.012288109],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912065,0.000035525096,0.00017066076,0.00022220452,0.0001863496,0.00026463592],"domain_scores_gemma":[0.9995274,0.000052650634,0.000061869105,0.00025416043,0.0000538041,0.00005014448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013277848,0.0002000003,0.00019451306,0.000041228683,0.0006624993,0.0003141931,0.00016830616,0.000042719952,0.00029235994],"category_scores_gemma":[0.000013987214,0.00011358168,0.000071627204,0.000033775807,0.00026535123,0.00010512723,0.000060684244,0.00019673059,0.00030143445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018027518,0.000056131048,0.00004413947,0.00001687746,0.00006323148,0.00001333572,0.08598239,0.000002219777,0.00008294274,0.8629544,0.050675225,0.00009112465],"study_design_scores_gemma":[0.00092026114,0.00029705372,0.004430281,0.00016232378,0.00010739121,0.000022027923,0.009842753,0.000008918604,0.00040045835,0.04069067,0.9426333,0.00048455808],"about_ca_topic_score_codex":0.00006555851,"about_ca_topic_score_gemma":0.0003133586,"teacher_disagreement_score":0.89195806,"about_ca_system_score_codex":0.000011431484,"about_ca_system_score_gemma":0.000010292534,"threshold_uncertainty_score":0.5095476},"labels":[],"label_agreement":null},{"id":"W2052119881","doi":"10.7202/016133ar","title":"Drama Boxiana: Spectacle and Theatricality in Pierce Egan’s Pugilistic Writing","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Appeal; Drama; Narrative; Aesthetics; Style (visual arts); Literature; Theme (computing); Art; Slang; History; Visual arts; Linguistics; Philosophy","score_opus":0.02858053489793594,"score_gpt":0.3046318847312805,"score_spread":0.27605134983334456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052119881","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90860337,0.00018800318,0.00010611805,0.0027898212,0.00017280043,0.00023071954,0.0000020492025,0.00005549672,0.08785165],"genre_scores_gemma":[0.99690086,0.00011802665,0.000073537914,0.0010638181,0.0003337076,0.000002714638,0.0000011195895,0.000010527104,0.0014956892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9984575,0.00014481093,0.0002576697,0.0002621514,0.0003855242,0.00049235707],"domain_scores_gemma":[0.998871,0.0007004632,0.0000673975,0.0002171518,0.000026600741,0.00011734649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032040593,0.000113055474,0.0001750842,0.000044072327,0.00055941474,0.00009226986,0.00022153748,0.00012012866,0.0001487142],"category_scores_gemma":[0.00031812667,0.00008724745,0.000063630796,0.00035374737,0.00030455473,0.00006916995,0.00004314225,0.00026094663,0.000016769765],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008748547,0.00034977778,0.112104125,0.000030280777,0.00004096579,0.0001771615,0.19906236,0.000016486832,0.00021231693,0.6705629,0.005640505,0.011715585],"study_design_scores_gemma":[0.0006926833,0.000087753826,0.76352435,0.00006639919,0.000041229323,0.000007084682,0.18240139,0.0004177613,0.00016411614,0.03144122,0.020703498,0.000452494],"about_ca_topic_score_codex":0.0037774,"about_ca_topic_score_gemma":0.002410568,"teacher_disagreement_score":0.65142024,"about_ca_system_score_codex":0.000115050585,"about_ca_system_score_gemma":0.00005714792,"threshold_uncertainty_score":0.57103235},"labels":[],"label_agreement":null},{"id":"W2052378666","doi":"10.7202/008599ar","title":"Religion and Romantic (Re)Vision — A Special Issue of Romanticism on the Net","year":2002,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Media, Religion, Digital Communication","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; Art; Aesthetics; Literature; History","score_opus":0.036952178261462895,"score_gpt":0.23418580949719417,"score_spread":0.1972336312357313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2052378666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43644688,0.0005950438,0.000004604586,0.012117044,0.0007102435,0.00066983484,0.00001960985,0.000083580155,0.5493532],"genre_scores_gemma":[0.9885125,0.0012098122,0.0000151375525,0.0024310823,0.0016667856,0.000023125553,0.000017520873,0.000049174876,0.0060748598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977849,0.00027033116,0.00057615765,0.0003584355,0.00063129526,0.00037888918],"domain_scores_gemma":[0.99706393,0.0011819071,0.00032957303,0.0012473005,0.000093764786,0.0000835341],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005236788,0.00033846576,0.00038743124,0.00016332901,0.00069322484,0.00037387986,0.00075989583,0.00010498011,0.0021041092],"category_scores_gemma":[0.00024449374,0.00019666206,0.00014108149,0.000121119214,0.00068132044,0.00019652085,0.00019607683,0.00039501017,0.00069908943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006444437,0.00024879593,0.000024105071,0.000027878385,0.00004417068,0.0000075260264,0.010033338,0.000011975025,0.00013343804,0.6334745,0.35360554,0.0023242447],"study_design_scores_gemma":[0.0016991687,0.002950576,0.0025184515,0.00127548,0.0002866588,0.000033961394,0.001060956,0.011123671,0.002006769,0.22819929,0.747766,0.001078994],"about_ca_topic_score_codex":0.00020309897,"about_ca_topic_score_gemma":0.00020654785,"teacher_disagreement_score":0.5520656,"about_ca_system_score_codex":0.000028243336,"about_ca_system_score_gemma":0.000012381315,"threshold_uncertainty_score":0.9988081},"labels":[],"label_agreement":null},{"id":"W2055578583","doi":"10.7202/007208ar","title":"\"That Eternal Language,\" or Why Coleridge was Right about Imaging and Meaning","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Argument (complex analysis); Philosophy; Syllogism; Natural (archaeology); Epistemology; Dimension (graph theory); Linguistics; Aesthetics; History; Mathematics","score_opus":0.02877149581211608,"score_gpt":0.271627585066416,"score_spread":0.2428560892542999,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055578583","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97130316,0.000053617947,0.00062751095,0.0018369474,0.00013111948,0.00010581529,0.0000049405185,0.00007145274,0.025865404],"genre_scores_gemma":[0.98765874,0.000070378,0.00008611449,0.008843609,0.0000371792,0.000005155536,6.540951e-7,0.000016907217,0.0032812539],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99882674,0.00019951777,0.00014087064,0.00029902,0.0002752119,0.00025865436],"domain_scores_gemma":[0.9994717,0.00010065565,0.000073964395,0.00026610628,0.000009261227,0.00007831596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023431475,0.00014520562,0.00015472966,0.0000670119,0.0002969144,0.0001423898,0.00019914164,0.000027608952,0.0015094699],"category_scores_gemma":[0.00015597799,0.00008438659,0.00006132058,0.00015848271,0.00013677594,0.00008526187,0.00003744045,0.0001563182,0.00015062331],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021597306,0.0004366465,0.0063646394,0.00004978179,0.000036843023,0.0018402584,0.015628187,0.00018351978,0.75439906,0.16329429,0.03866577,0.018885026],"study_design_scores_gemma":[0.005348089,0.0005887968,0.019411048,0.00086450134,0.0004978467,0.0033743642,0.0076735173,0.07746606,0.5271982,0.0092564635,0.34553424,0.0027868485],"about_ca_topic_score_codex":0.000027713451,"about_ca_topic_score_gemma":0.000011996764,"teacher_disagreement_score":0.30686846,"about_ca_system_score_codex":0.000014659293,"about_ca_system_score_gemma":0.000011435355,"threshold_uncertainty_score":0.9994033},"labels":[],"label_agreement":null},{"id":"W2055626068","doi":"10.7202/013997ar","title":"The Gothic as Camp: Queer Aesthetics in The Monk","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Reading (process); Ascription; Queer theory; Aesthetics; Style (visual arts); Art; Literature; History; Sociology; Gender studies; Philosophy; Linguistics","score_opus":0.010122109128688703,"score_gpt":0.2651726509402223,"score_spread":0.2550505418115336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055626068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61962146,0.0010722992,0.000024606936,0.16924997,0.0005784269,0.00049540005,0.0000028046586,0.00004879291,0.20890623],"genre_scores_gemma":[0.98369527,0.00022051198,0.00001034183,0.0048585795,0.00040761454,0.000025305824,0.0000025905767,0.000008896465,0.01077092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979353,0.0006808949,0.00020196369,0.0001587719,0.0006474683,0.0003756327],"domain_scores_gemma":[0.9983694,0.0010379148,0.00007824227,0.00043473748,0.00004385569,0.00003584961],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002159265,0.000113805756,0.00012470024,0.000041573356,0.00082954916,0.00027132055,0.00072457,0.00011391839,0.000073020965],"category_scores_gemma":[0.00026687834,0.000047938844,0.000105811814,0.0004948511,0.00033211432,0.000051388517,0.000017835058,0.00038308842,0.0002117942],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011342308,0.00006875233,0.0008957519,0.0000016924515,0.000017508315,0.000030390062,0.0389333,0.00003584941,0.00005836683,0.90796274,0.05074477,0.001239553],"study_design_scores_gemma":[0.0001534115,0.000046842233,0.003635291,0.000029535751,0.000057818823,0.0000034569475,0.008203475,0.00012029049,0.0001111201,0.099024884,0.8884785,0.0001353419],"about_ca_topic_score_codex":0.005733911,"about_ca_topic_score_gemma":0.009274585,"teacher_disagreement_score":0.83773375,"about_ca_system_score_codex":0.000031442243,"about_ca_system_score_gemma":0.00008555659,"threshold_uncertainty_score":0.86679965},"labels":[],"label_agreement":null},{"id":"W2056192923","doi":"10.7202/009259ar","title":"Poetic Hells and Pacific Edens","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Context (archaeology); Politics; Public sphere; Literature; Orientalism; History; Power (physics); Argument (complex analysis); Empire; Law; Art; Political science; Ancient history","score_opus":0.01704484423391534,"score_gpt":0.24724125771454555,"score_spread":0.23019641348063022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056192923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6535242,0.00041431637,0.000019298084,0.02786386,0.00051973667,0.0002419563,0.0000045520637,0.00009282838,0.3173192],"genre_scores_gemma":[0.9889559,0.000091934206,0.00001701803,0.00087317335,0.00020194905,0.0000037619989,8.1057385e-7,0.000005144494,0.009850271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993538,0.000076207856,0.00006979921,0.00013001273,0.00018690962,0.00018323766],"domain_scores_gemma":[0.99970496,0.000047623318,0.000029637795,0.00013954614,0.000012708522,0.000065503096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024656253,0.000070683556,0.00007851385,0.000017131695,0.0006082378,0.000043307853,0.0001522707,0.000056766832,0.00026078062],"category_scores_gemma":[0.00004630523,0.00004671639,0.00003133018,0.00008795057,0.00025009358,0.000048757123,0.000015718264,0.0001104629,0.00027002805],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001644318,0.00010964922,0.00007483306,0.0000071577024,0.000018585444,0.000027209304,0.087862425,0.000031296004,0.0019245031,0.8799817,0.02892777,0.0010184193],"study_design_scores_gemma":[0.00032346058,0.00010113076,0.0017021274,0.00005176015,0.000025014275,0.0000063220778,0.008851032,0.0000044688395,0.0003460464,0.0726532,0.9157406,0.00019484504],"about_ca_topic_score_codex":0.00009852552,"about_ca_topic_score_gemma":0.00013732348,"teacher_disagreement_score":0.8868128,"about_ca_system_score_codex":0.000034161327,"about_ca_system_score_gemma":0.000033844757,"threshold_uncertainty_score":0.4678135},"labels":[],"label_agreement":null},{"id":"W2056915480","doi":"10.7202/009255ar","title":"Robert Southey, Writing and Romanticism","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Australian Indigenous Culture and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; History; Art; Literature; Art history","score_opus":0.021095239854108487,"score_gpt":0.2641759520116959,"score_spread":0.24308071215758742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056915480","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57621455,0.0005976173,0.00005681155,0.0025937948,0.00039880976,0.00033582936,0.000004020929,0.00011039717,0.4196882],"genre_scores_gemma":[0.98095196,0.00006334578,0.00013984003,0.0010546808,0.00019512611,0.0000075199478,0.0000011248352,0.000016299871,0.017570078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857754,0.00025932514,0.00018112641,0.00022895265,0.00030872758,0.000444322],"domain_scores_gemma":[0.9993701,0.00018660071,0.0000844897,0.00021768529,0.000031389853,0.00010972175],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00087474595,0.0001355027,0.00015677932,0.000045623347,0.0016539843,0.00010623918,0.00021981957,0.0001155996,0.00037442133],"category_scores_gemma":[0.00014571518,0.00009850921,0.000062606436,0.000113700604,0.00044610462,0.00008153934,0.000016793589,0.00021202813,0.00023865692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049470536,0.000047776088,0.0007015256,0.000006159057,0.000023755729,0.000021173777,0.07015071,0.0000029383884,0.00018560342,0.9132757,0.015217793,0.00036191198],"study_design_scores_gemma":[0.00036896724,0.00012245761,0.0035590725,0.00009701175,0.00008198134,0.000017692917,0.027302047,0.000012453052,0.0004526847,0.026093898,0.9413962,0.00049556437],"about_ca_topic_score_codex":0.00092442625,"about_ca_topic_score_gemma":0.00068829773,"teacher_disagreement_score":0.9261784,"about_ca_system_score_codex":0.000044116565,"about_ca_system_score_gemma":0.00007116544,"threshold_uncertainty_score":0.9996457},"labels":[],"label_agreement":null},{"id":"W2057009253","doi":"10.7202/015815ar","title":"William Blake and the Music of the Songs","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Musical; Poetry; Melody; Art; The arts; Literature; Context (archaeology); Popular music; Music; Visual arts; Painting; Music education; History","score_opus":0.01921994145222674,"score_gpt":0.193689382278218,"score_spread":0.17446944082599125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057009253","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87512344,0.00026172423,0.000021182115,0.0056129117,0.000671827,0.0004436852,0.000021645532,0.000029179584,0.11781439],"genre_scores_gemma":[0.9866021,0.00002266706,0.0000061613987,0.002577807,0.00049539556,0.000005745555,0.0000014204434,0.000014724436,0.01027393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990206,0.00007837357,0.00023360488,0.0001390942,0.0002672256,0.00026113438],"domain_scores_gemma":[0.99889195,0.00045764158,0.00012899622,0.000444149,0.0000396469,0.000037626334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074958714,0.00013915966,0.00017582368,0.00002852875,0.00048663674,0.00009349458,0.00037685715,0.00003368461,0.00090081926],"category_scores_gemma":[0.000057349254,0.000052816606,0.00011160626,0.00004863591,0.0011337044,0.000045939527,0.00008302294,0.00019659821,0.000046777826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008885718,0.00004297187,0.0001587688,0.000013439248,0.000045690784,0.0000030010992,0.020870373,0.0000019568774,0.00006299644,0.930297,0.046398975,0.0020159464],"study_design_scores_gemma":[0.0014572229,0.00015597514,0.013846737,0.00013555866,0.00011149357,0.000011339237,0.004853985,0.0001534913,0.001115142,0.043421436,0.9345009,0.00023674747],"about_ca_topic_score_codex":0.00011669543,"about_ca_topic_score_gemma":0.0014500889,"teacher_disagreement_score":0.8881019,"about_ca_system_score_codex":0.000005574323,"about_ca_system_score_gemma":0.000012758548,"threshold_uncertainty_score":0.98633397},"labels":[],"label_agreement":null},{"id":"W2058560333","doi":"10.7202/015825ar","title":"Countering ‘the poverty of thought in novels’: radical authorship and The Royal Captives by Ann Yearsley","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Politics; Gossip; Reading (process); Poverty; History; Publication; Publishing; Classics; Media studies; Literature; Law; Sociology; Political science; Art","score_opus":0.014621277934612497,"score_gpt":0.20996456283159257,"score_spread":0.19534328489698008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058560333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8959567,0.0053983233,0.00016074849,0.007152431,0.00097445544,0.00055048836,0.00010291728,0.000055663735,0.08964829],"genre_scores_gemma":[0.9869351,0.000020779444,0.000011732382,0.0016888882,0.00035180608,0.0000052125224,0.000005339092,0.000017949666,0.010963203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879944,0.0001921435,0.00029116523,0.00018223222,0.00028942665,0.00024556307],"domain_scores_gemma":[0.99887806,0.0006073592,0.00012648219,0.00032047217,0.00003109911,0.00003653965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014807167,0.0001546052,0.000254142,0.000067073466,0.0002574142,0.000121788915,0.00033768296,0.00006092103,0.00032434607],"category_scores_gemma":[0.000085711385,0.000070992384,0.0000949074,0.00006416035,0.00086603913,0.00006298634,0.000056119043,0.00033180465,0.000012600036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058146386,0.00016248398,0.0001993559,0.000030746298,0.00022424913,0.0000132020705,0.16676083,0.000028363109,0.0003335633,0.72024286,0.11078134,0.00064151577],"study_design_scores_gemma":[0.0017370492,0.00013737455,0.0022578933,0.00016683801,0.00020401299,0.0000064864935,0.005336347,0.0040603145,0.0004565119,0.007142139,0.9781407,0.0003543228],"about_ca_topic_score_codex":0.00056813116,"about_ca_topic_score_gemma":0.0007752751,"teacher_disagreement_score":0.86735934,"about_ca_system_score_codex":0.00003189578,"about_ca_system_score_gemma":0.000011749151,"threshold_uncertainty_score":0.35513622},"labels":[],"label_agreement":null},{"id":"W2059590932","doi":"10.7202/013153ar","title":"From Text to Work: Digital Tools and the Emergence of the Social Text","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Section (typography); Character (mathematics); Work (physics); Poetry; Digital humanities; Test (biology); Sociology; Literature; Epistemology; Computer science; Philosophy; Art; World Wide Web; Engineering; Mathematics","score_opus":0.03518682068056767,"score_gpt":0.21967831264952917,"score_spread":0.1844914919689615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059590932","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71726435,0.00008829214,0.000002021465,0.0040242374,0.00031579458,0.00023613812,0.00018971387,0.000018436154,0.27786103],"genre_scores_gemma":[0.97479844,0.0000023999655,0.0000014531586,0.0010909556,0.0008204939,0.00001346312,0.000008990817,0.000015613241,0.02324818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999029,0.000056150417,0.0002508161,0.00015903483,0.0002871061,0.00021790642],"domain_scores_gemma":[0.99914956,0.00040346035,0.00009950982,0.00028176137,0.000043389013,0.000022328572],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001752233,0.00014932807,0.00018278163,0.000020692634,0.00069861946,0.0010658251,0.00048772778,0.000029670942,0.0011474182],"category_scores_gemma":[0.000056528803,0.00006623441,0.0001278493,0.000050528954,0.00062248966,0.0002535063,0.00017271869,0.00015738903,0.000098953446],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008282287,0.00004634932,0.00011970382,0.000003147447,0.00002718361,9.686349e-7,0.016164597,0.0000044577328,0.0000087296985,0.9149547,0.064921476,0.003665856],"study_design_scores_gemma":[0.0012724493,0.00017253477,0.041736145,0.00021307162,0.00011864679,0.0000022259424,0.02871121,0.000043597345,0.00022340081,0.28762722,0.6392963,0.00058319996],"about_ca_topic_score_codex":0.00032336847,"about_ca_topic_score_gemma":0.0002815351,"teacher_disagreement_score":0.6273275,"about_ca_system_score_codex":0.0000062059366,"about_ca_system_score_gemma":0.000009797615,"threshold_uncertainty_score":0.99997115},"labels":[],"label_agreement":null},{"id":"W2060520909","doi":"10.7202/011667ar","title":"Textual Surveillance, Social Codes, and Sublime Voices: The Tyranny of Narrative in Caleb Williams and Wieland","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Injustice; Narrative; Politics; Oppression; Power (physics); Literature; Ideology; Sociology; Aesthetics; Art; History; Law; Political science","score_opus":0.011698267356139718,"score_gpt":0.2705934193794584,"score_spread":0.2588951520233187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060520909","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97161126,0.0006665233,0.000005174708,0.018623818,0.00005100276,0.00017959978,0.000017433053,0.000009244122,0.008835917],"genre_scores_gemma":[0.997306,0.00032308244,0.00001255435,0.00079446466,0.00026317275,0.000006134214,0.0000043558375,0.0000046330365,0.0012856247],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988327,0.0003637522,0.00017304435,0.00015240445,0.00027264602,0.0002054723],"domain_scores_gemma":[0.99908507,0.00063537457,0.00008997928,0.00010223986,0.000043122705,0.000044225148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011045838,0.00009360196,0.00021492914,0.000049821425,0.0003581749,0.000064447006,0.0001583809,0.000095709205,0.000046594065],"category_scores_gemma":[0.00014447603,0.000050778035,0.000036560672,0.00029183037,0.0005701533,0.00008807723,0.000025161362,0.00018621596,0.000002422283],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015284117,0.00018054881,0.05170438,0.000026810325,0.00022602719,0.000011597738,0.7727434,0.000014976547,0.0005907823,0.14488402,0.020401768,0.0090628555],"study_design_scores_gemma":[0.003069478,0.00039584024,0.35849646,0.00021296927,0.00022951362,0.000007713728,0.19877034,0.0013827643,0.00035084356,0.00873518,0.42753902,0.0008098702],"about_ca_topic_score_codex":0.0011914509,"about_ca_topic_score_gemma":0.018121984,"teacher_disagreement_score":0.57397306,"about_ca_system_score_codex":0.000014355291,"about_ca_system_score_gemma":0.000049695012,"threshold_uncertainty_score":0.9997947},"labels":[],"label_agreement":null},{"id":"W2060939655","doi":"10.7202/011137ar","title":"Some of my Best Friends are Romanticists: Shelley and the Queer Project in Romanticism","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Sports, Gender, and Society","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Queer; Politics; Identity (music); Literature; Power (physics); Human sexuality; Alibi; Romance; Curiosity; Sociology; History; Art; Aesthetics; Gender studies; Psychology; Law; Political science","score_opus":0.027397033485387433,"score_gpt":0.29004771343842434,"score_spread":0.2626506799530369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060939655","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95459676,0.001601291,0.000014626629,0.013158187,0.0003815829,0.0009537883,0.000011873896,0.00006327211,0.02921864],"genre_scores_gemma":[0.99150884,0.00189755,0.00009999904,0.0016260142,0.0006136841,0.00004085261,0.0000027033675,0.000029647037,0.004180713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99714214,0.00045214186,0.0005545153,0.00042671672,0.00079215725,0.00063230394],"domain_scores_gemma":[0.99827313,0.0007020879,0.00030929054,0.000555076,0.00007446642,0.0000859536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025750094,0.00027104164,0.00051959575,0.0001201136,0.0006451744,0.000112919646,0.00066199934,0.00021424312,0.00013191649],"category_scores_gemma":[0.00025479068,0.0001643005,0.00019927732,0.00050085835,0.0014270878,0.00022637688,0.00012311766,0.00040534374,0.000034485485],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018192256,0.00047289956,0.009621151,0.000042685067,0.00014500142,0.000031656236,0.23981383,0.00006974342,0.00009813457,0.7361694,0.012147338,0.0012062199],"study_design_scores_gemma":[0.011692666,0.0006159942,0.13128634,0.001095265,0.0007251625,0.00003929963,0.6053626,0.0062879194,0.0012489654,0.053357515,0.18607907,0.002209195],"about_ca_topic_score_codex":0.004964739,"about_ca_topic_score_gemma":0.0027686395,"teacher_disagreement_score":0.6828119,"about_ca_system_score_codex":0.000085746644,"about_ca_system_score_gemma":0.00016572697,"threshold_uncertainty_score":0.7505234},"labels":[],"label_agreement":null},{"id":"W2060967954","doi":"10.7202/009437ar","title":"Angels and Ingenues in Tennyson’s The Princess and Gilbert and Sullivan’s Princess Ida","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Femininity; Seriousness; Poetry; Power (physics); Masculinity; Literature; Gender studies; Emptiness; Conservatism; Sociology; Aesthetics; Philosophy; Art; Law","score_opus":0.016924005217858185,"score_gpt":0.2029125038735725,"score_spread":0.1859884986557143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2060967954","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98328286,0.004780104,0.000004072557,0.0034559167,0.00021125108,0.00025090692,0.00001538204,0.00002908449,0.00797039],"genre_scores_gemma":[0.9947877,0.00041462886,0.000025173013,0.0010874565,0.00024187358,0.000018246667,0.0000034775076,0.000019480294,0.003401996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900866,0.00008636031,0.00020439556,0.0002852314,0.00018449138,0.00023089274],"domain_scores_gemma":[0.9993541,0.00017661495,0.00009440509,0.00029515143,0.000029066046,0.00005065371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034153202,0.00018993641,0.00023365855,0.00009849865,0.00041753365,0.00035465357,0.00021758238,0.00005043904,0.000060149654],"category_scores_gemma":[0.00003682984,0.00010411219,0.000032936547,0.000058023288,0.0005240276,0.00017152919,0.00009808788,0.00022310037,0.000006203308],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010564712,0.00019674622,0.0045817303,0.00015222069,0.00021506888,0.00005549395,0.2587428,0.0000345191,0.00028255198,0.72912186,0.0024822014,0.0040291846],"study_design_scores_gemma":[0.0023993503,0.00035962378,0.06424911,0.00074888434,0.00038623458,0.000047027486,0.0097882515,0.00049481244,0.00059114554,0.07726761,0.84258646,0.0010814632],"about_ca_topic_score_codex":0.0006989494,"about_ca_topic_score_gemma":0.0039233756,"teacher_disagreement_score":0.8401043,"about_ca_system_score_codex":0.00003443513,"about_ca_system_score_gemma":0.000015786138,"threshold_uncertainty_score":0.42455718},"labels":[],"label_agreement":null},{"id":"W2062488228","doi":"10.7202/016137ar","title":"Two Masquerades and their Spec(tac)ular Effects in Mary Robinson’s Walsingham","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Imaginary; Spectacle; Aesthetics; Humiliation; Sociology; Innocence; Art; Psychoanalysis; Psychology; Law; Social psychology; Political science","score_opus":0.010699924216289756,"score_gpt":0.2025014461580678,"score_spread":0.19180152194177805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2062488228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9240584,0.004205905,0.00006204533,0.0010351113,0.0007270578,0.000386755,0.000012873477,0.00010241423,0.06940943],"genre_scores_gemma":[0.9904607,0.00004467186,0.00006222323,0.0020363163,0.0007021739,0.000008826263,0.000013091227,0.000040759605,0.0066312687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998594,0.0001540508,0.00030595713,0.00033231426,0.00020681707,0.00040687356],"domain_scores_gemma":[0.99883604,0.00050406065,0.00010784598,0.00044777122,0.000031635598,0.000072669856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007446321,0.00028718985,0.00036288664,0.00026938537,0.00031988506,0.00023618377,0.0002693837,0.00006787663,0.0004386303],"category_scores_gemma":[0.000042071628,0.00017930637,0.00011923392,0.000089893096,0.0002453512,0.00015550555,0.000062030784,0.00032503935,0.000070614005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018697615,0.00039816645,0.00092889625,0.0001476844,0.00031490394,0.00031362905,0.10999903,0.00003153048,0.004117373,0.8534269,0.025259724,0.004875221],"study_design_scores_gemma":[0.0025250323,0.00053548825,0.0092872,0.000733457,0.00027972448,0.00004280115,0.0060006627,0.0015155767,0.0069333953,0.051794756,0.9190205,0.0013314537],"about_ca_topic_score_codex":0.00038803412,"about_ca_topic_score_gemma":0.0015962959,"teacher_disagreement_score":0.89376074,"about_ca_system_score_codex":0.000084427964,"about_ca_system_score_gemma":0.000011927791,"threshold_uncertainty_score":0.7311902},"labels":[],"label_agreement":null},{"id":"W2065805269","doi":"10.7202/012462ar","title":"Jerusalem and “the Jew:” Biopolitics Between Blake and Spinoza","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Judaism; Politics; Reading (process); Context (archaeology); Literature; Poetry; Romance; Identity (music); Philosophy; History; Aesthetics; Art; Law; Theology; Linguistics; Political science","score_opus":0.01630026140777111,"score_gpt":0.18843207982286844,"score_spread":0.17213181841509734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065805269","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90462357,0.00054440007,0.00001069406,0.0067385253,0.00018328514,0.00023386259,0.00009606635,0.000060209593,0.08750941],"genre_scores_gemma":[0.98571724,0.000055654527,0.000016576312,0.0010622288,0.0014046201,0.0000092006685,0.000016737482,0.000020037569,0.011697722],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990424,0.000057608275,0.00021897779,0.00019107283,0.00017856984,0.00031140298],"domain_scores_gemma":[0.9992348,0.00033831268,0.00007385531,0.0002670554,0.000025439303,0.00006054663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024056109,0.00017684499,0.0002209154,0.000045252797,0.0005452841,0.00030841143,0.00016513537,0.00004259953,0.00041613248],"category_scores_gemma":[0.000020239511,0.0000916426,0.000051852843,0.000023227689,0.0010483415,0.00005910625,0.000062653875,0.00016664373,0.00006685478],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016795619,0.000017954815,0.0009166784,0.000015900656,0.000026844204,0.0000055056107,0.0015368235,4.688988e-7,0.00000747758,0.9840696,0.012657737,0.0007282187],"study_design_scores_gemma":[0.0015779423,0.00015359723,0.01460358,0.000085115884,0.0001428599,0.000011435751,0.00094075943,0.00021913109,0.000191635,0.17263,0.80910605,0.00033788392],"about_ca_topic_score_codex":0.00039576084,"about_ca_topic_score_gemma":0.00029863295,"teacher_disagreement_score":0.8114396,"about_ca_system_score_codex":0.000006233394,"about_ca_system_score_gemma":0.00000970601,"threshold_uncertainty_score":0.45563588},"labels":[],"label_agreement":null},{"id":"W2066525698","doi":"10.7202/014001ar","title":"Much Ado about Handwriting: Countersigning with the Other Hand in Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Psychiatry and Medical Practices","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Psychoanalytic theory; Premise; Psychoanalysis; Psychology; Literature; Philosophy; Linguistics; Art","score_opus":0.020098123345718515,"score_gpt":0.28368765034632565,"score_spread":0.2635895270006071,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066525698","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95320946,0.0019194284,0.00016468,0.013795271,0.00025775353,0.0004123735,0.000014374251,0.000016352127,0.030210285],"genre_scores_gemma":[0.99552286,0.000012144406,0.000017092249,0.0014571588,0.0002384566,0.000022517279,0.000001068465,0.00002067673,0.0027080101],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985283,0.00044522263,0.0002650287,0.00024408742,0.00022409142,0.0002932431],"domain_scores_gemma":[0.99801123,0.0013918994,0.00019814153,0.00032746166,0.000024421772,0.000046855268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000987062,0.00016131064,0.00021056944,0.000042708754,0.00030723313,0.00004388436,0.00023359313,0.00009665921,0.00027609515],"category_scores_gemma":[0.000050102037,0.000071592825,0.000045809786,0.00018056667,0.00044796732,0.00005574476,0.00002027045,0.00048275574,0.000024235313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007943261,0.0048163016,0.019804766,0.00038940724,0.0012512761,0.0054708035,0.100874305,0.00026171625,0.0066509475,0.30428115,0.53083867,0.017417397],"study_design_scores_gemma":[0.010838241,0.0024616236,0.04787754,0.000851452,0.0009539056,0.002343522,0.040831782,0.0012085171,0.0008930534,0.0044033686,0.8862857,0.0010512968],"about_ca_topic_score_codex":0.0028132868,"about_ca_topic_score_gemma":0.0016588318,"teacher_disagreement_score":0.35544702,"about_ca_system_score_codex":0.000019092104,"about_ca_system_score_gemma":0.000018771809,"threshold_uncertainty_score":0.4252867},"labels":[],"label_agreement":null},{"id":"W2067522936","doi":"10.7202/009439ar","title":"Jane Eyre: Now and Forever; or, the Strange Afterlife of Gothic","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spectacle; Musical; Opera; Art; Literature; Kitsch; Romance; Bourgeoisie; History; Art history; Law","score_opus":0.03828441449919523,"score_gpt":0.22806044301154213,"score_spread":0.1897760285123469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067522936","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9604611,0.0006782456,0.000050424595,0.009213911,0.00044553215,0.00042000125,0.00008620661,0.0000508195,0.02859379],"genre_scores_gemma":[0.9882811,0.00009509875,0.000036451667,0.0023707654,0.0003909279,0.000013676365,0.000008449889,0.00001972133,0.008783863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908525,0.00006416018,0.00024859514,0.00016014307,0.00023649167,0.0002053667],"domain_scores_gemma":[0.9992249,0.00030729023,0.00007514232,0.00029625982,0.000056100722,0.000040309205],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024489328,0.00015238665,0.0001773699,0.000045357967,0.0003248316,0.00013901446,0.00022036038,0.000037753456,0.001120783],"category_scores_gemma":[0.000034358432,0.00006791386,0.000063958905,0.00004155123,0.00038897494,0.00014529747,0.000022878214,0.00014551921,0.000056630895],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119107804,0.00011049676,0.0000810207,0.000064235035,0.000061026065,0.000017803917,0.074683174,0.000017428645,0.00006009164,0.91887254,0.004692838,0.0012202604],"study_design_scores_gemma":[0.0032421532,0.0017509458,0.02368014,0.0007709511,0.00031841747,0.0000712333,0.023794314,0.0003933026,0.0010434898,0.17896679,0.7651832,0.00078504294],"about_ca_topic_score_codex":0.00018072808,"about_ca_topic_score_gemma":0.0012806591,"teacher_disagreement_score":0.76049036,"about_ca_system_score_codex":0.000009679777,"about_ca_system_score_gemma":0.000031319763,"threshold_uncertainty_score":0.99979234},"labels":[],"label_agreement":null},{"id":"W2068901727","doi":"10.7202/013594ar","title":"The Harold of a New Age: Childe Harold I and II and Byron’s Rejection of Canonical Knowledge","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pilgrimage; Georgian; Trustworthiness; Philosophy; Epistemology; History; Literature; Sociology; Psychology; Art; Theology; Linguistics; Social psychology","score_opus":0.017780080159585345,"score_gpt":0.2011097685457997,"score_spread":0.18332968838621436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068901727","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7780674,0.012589672,0.000003482504,0.0021211973,0.0009549204,0.0003178599,0.000032778345,0.00004474435,0.20586793],"genre_scores_gemma":[0.9885194,0.00019841059,0.000007949765,0.00009281561,0.0006275525,0.000005682059,0.000003144122,0.000014795343,0.010530286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925137,0.000051354546,0.00024811816,0.00016094833,0.00013752152,0.00015071729],"domain_scores_gemma":[0.99941975,0.000125341,0.00013473933,0.00024291108,0.000036551515,0.00004070749],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001801212,0.00013084276,0.00020911814,0.00009612148,0.00066853163,0.00003831794,0.0001384795,0.000044690234,0.00003817182],"category_scores_gemma":[0.000014469701,0.00008054812,0.00008576337,0.00004544888,0.000609763,0.00005060012,0.000040910672,0.00013728831,0.0000031920304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009924229,0.00016467925,0.00016279356,0.00002693918,0.000056042863,0.000001654661,0.012456705,0.0000011750608,0.0007747403,0.83135515,0.15422545,0.00067544926],"study_design_scores_gemma":[0.00061284873,0.0005210982,0.008149406,0.0000649377,0.000114845796,0.000003344979,0.00021741644,0.000035257286,0.00030113632,0.025953151,0.9638616,0.00016496444],"about_ca_topic_score_codex":0.0026529143,"about_ca_topic_score_gemma":0.006106414,"teacher_disagreement_score":0.8096361,"about_ca_system_score_codex":0.000018697807,"about_ca_system_score_gemma":0.00003434088,"threshold_uncertainty_score":0.5141873},"labels":[],"label_agreement":null},{"id":"W2070312863","doi":"10.7202/015824ar","title":"Creative Shipwrecks: Coleridge’s The Rime of the Ancient Mariner and Byron’s Don Juan","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; Literature; Passion; Poetry; Philosophy; Hard rime; George (robot); Dialectic; Statement (logic); Aesthetic theory; Art; History; Art history; Epistemology; Aesthetics","score_opus":0.016312693199306873,"score_gpt":0.2087322094687918,"score_spread":0.19241951626948495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070312863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8005767,0.00026931392,0.000006024161,0.0030614203,0.00039052987,0.00026033283,0.00004546764,0.00002579996,0.1953644],"genre_scores_gemma":[0.9696753,0.000009524187,0.000008581534,0.0019684143,0.00036902277,0.0000058547953,0.0000035021724,0.000013230837,0.027946593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911964,0.000092071015,0.00019034557,0.00014969474,0.00022231175,0.00022595425],"domain_scores_gemma":[0.99917406,0.00030547346,0.00010838753,0.00032507034,0.00005620428,0.000030806303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005671242,0.00013749239,0.00013663735,0.000027462145,0.00048099353,0.00013609599,0.00026158497,0.00004030699,0.0003472294],"category_scores_gemma":[0.00004215611,0.000055741544,0.00007028413,0.00004933012,0.0004307771,0.000038460454,0.00007185969,0.00025456477,0.000010188768],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008693598,0.00009990613,0.00061920984,0.0000221591,0.000057654048,0.000004028755,0.051258866,0.000007850206,0.00051176664,0.9042246,0.041526336,0.0015806966],"study_design_scores_gemma":[0.00048684885,0.00025616688,0.13567843,0.00026416744,0.00008894099,0.000011555882,0.012172638,0.00013938476,0.0029654393,0.0037281998,0.8439677,0.00024053823],"about_ca_topic_score_codex":0.00038745572,"about_ca_topic_score_gemma":0.00043701637,"teacher_disagreement_score":0.9004964,"about_ca_system_score_codex":0.000012068777,"about_ca_system_score_gemma":0.000013395907,"threshold_uncertainty_score":0.38019183},"labels":[],"label_agreement":null},{"id":"W2074266586","doi":"10.7202/011141ar","title":"“Extraordinary Female Affection”: The Ladies of Llangollen and the Endurance of Queer Community","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Evelyn Waugh and Hans Urs von Balthasar Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Romance; Subjectivity; Flourishing; Affection; Romanticism; Gender studies; Novella; Indeterminacy (philosophy); Sociology; Aesthetics; Psychoanalysis; History; Literature; Art; Psychology; Philosophy; Social psychology","score_opus":0.037364076583653816,"score_gpt":0.23443209746233237,"score_spread":0.19706802087867856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074266586","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.899743,0.0025374792,0.000004470267,0.013938318,0.00016914758,0.00031035114,0.00003270483,0.000021279353,0.083243236],"genre_scores_gemma":[0.99282396,0.000497504,0.000008564014,0.0006662784,0.0002085649,0.00002033324,0.0000011370588,0.0000093521785,0.005764307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990711,0.0003474385,0.00021000944,0.00007543785,0.00015172614,0.00014425756],"domain_scores_gemma":[0.9982175,0.0012133527,0.00014283194,0.0003548293,0.000057791083,0.000013694536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070517644,0.00012178874,0.0002487916,0.000028849841,0.00094786426,0.000032789812,0.00027983435,0.000023626131,0.00018652593],"category_scores_gemma":[0.00005733199,0.000050340066,0.00008468636,0.000032802236,0.0014007174,0.000049278795,0.00009037273,0.00024048486,0.000013926734],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021931232,0.00013942715,0.0005543729,0.00007678727,0.00022452789,5.095552e-7,0.16657959,0.00001687776,0.00012718703,0.8055826,0.024638692,0.0018401092],"study_design_scores_gemma":[0.0056388984,0.0013535265,0.112084866,0.0007728296,0.00063728413,0.000037919788,0.17697966,0.00075916055,0.0049979934,0.040570714,0.65535545,0.0008116952],"about_ca_topic_score_codex":0.0009929257,"about_ca_topic_score_gemma":0.0025727993,"teacher_disagreement_score":0.7650119,"about_ca_system_score_codex":0.0000058917603,"about_ca_system_score_gemma":0.000007971847,"threshold_uncertainty_score":0.72903013},"labels":[],"label_agreement":null},{"id":"W2074388645","doi":"10.7202/005698ar","title":"The Romance of Motherhood: Generation and the Literary Text","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Patriarchy; Idealization; Metaphor; Inheritance (genetic algorithm); Literature; Rewriting; Narrative; Art; History; Sociology; Gender studies; Philosophy; Linguistics; Computer science","score_opus":0.015773698627517544,"score_gpt":0.1878206621175211,"score_spread":0.17204696349000356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074388645","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62429225,0.038485896,0.00013583606,0.013768779,0.002058132,0.0011360769,0.00005247421,0.000101433696,0.31996915],"genre_scores_gemma":[0.97680986,0.00019751932,0.00002028053,0.0016264668,0.00038073826,0.000021001515,0.0000042983497,0.000018840232,0.020920973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886805,0.00032714303,0.00025579805,0.00016671601,0.00021870955,0.00016359743],"domain_scores_gemma":[0.9988327,0.00040192655,0.00016274516,0.00052164495,0.000058997015,0.000021966945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063993206,0.00014505984,0.00018528978,0.00003877291,0.0007942845,0.0002686853,0.0002645925,0.00003348012,0.0003744704],"category_scores_gemma":[0.00007461287,0.00006082282,0.00010196216,0.00005184726,0.0006284003,0.000097031516,0.000021487795,0.00014870986,0.000027849286],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003159781,0.000026847405,0.000011814417,0.0000058874552,0.000090826834,8.23503e-7,0.028519977,0.000009248066,0.00016149401,0.9482563,0.021838365,0.0010468148],"study_design_scores_gemma":[0.0007389947,0.00009091526,0.000120567245,0.000044559947,0.00015894265,0.0000053514345,0.0011913754,0.0033018172,0.0007480015,0.04606005,0.94734573,0.00019371687],"about_ca_topic_score_codex":0.00004886724,"about_ca_topic_score_gemma":0.00016243836,"teacher_disagreement_score":0.92550737,"about_ca_system_score_codex":0.000012945913,"about_ca_system_score_gemma":0.000013899453,"threshold_uncertainty_score":0.61090744},"labels":[],"label_agreement":null},{"id":"W2075338117","doi":"10.7202/013589ar","title":"Byron and Shelley: Radical Incompatibles","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Judgement; Poetry; Politics; Philosophy; Literature; Art; Epistemology; Law; Political science","score_opus":0.026085425905705954,"score_gpt":0.20763505163819257,"score_spread":0.18154962573248662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075338117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5631668,0.0019155303,0.00007957203,0.008785172,0.00025242736,0.00015632703,0.000007268672,0.00009889911,0.42553803],"genre_scores_gemma":[0.986083,0.00013883699,0.000028126677,0.0005826843,0.0002462576,0.000010273822,0.000003036282,0.0000076080996,0.012900213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995066,0.000049033308,0.00012707875,0.00009003884,0.000117144155,0.00011014191],"domain_scores_gemma":[0.99950427,0.00020264451,0.000041853717,0.0002176542,0.000018219731,0.000015371379],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000107441025,0.000084028434,0.00011034641,0.000025048563,0.0005054136,0.00008871477,0.0001487665,0.000016570037,0.0005251935],"category_scores_gemma":[0.0000065285485,0.000049244594,0.000026439428,0.000017500646,0.0002948583,0.000036846664,0.000049135062,0.0000859396,0.00010271931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007595767,0.0000477173,0.0001379235,0.0000031017885,0.000015142246,8.2300835e-7,0.0031760007,0.0000033461515,0.0000116557485,0.9083329,0.08714389,0.0011199309],"study_design_scores_gemma":[0.00022877278,0.00007656203,0.0029206856,0.00002766757,0.000021801541,0.0000019018308,0.0018877905,0.0004145489,0.000078298755,0.027846873,0.96635914,0.0001359339],"about_ca_topic_score_codex":0.0003344131,"about_ca_topic_score_gemma":0.00013897932,"teacher_disagreement_score":0.880486,"about_ca_system_score_codex":0.0000066093025,"about_ca_system_score_gemma":0.0000043743007,"threshold_uncertainty_score":0.5750501},"labels":[],"label_agreement":null},{"id":"W2075448058","doi":"10.7202/006013ar","title":"'Sewing in the Next World': Mary Hays as Dissenting Autodidact in the 1780s*","year":2009,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Religion, Gender, and Enlightenment","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dissenting opinion; Denunciation; Nonconformist; Dissent; Enlightenment; Civilization; Sociology; Religious studies; Aesthetics; History; Philosophy; Law; Theology; Political science","score_opus":0.06301680823335967,"score_gpt":0.2632261053232394,"score_spread":0.20020929708987975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075448058","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7147913,0.00044489861,0.0000017125528,0.014188785,0.00025978344,0.00030973877,0.0000014799776,0.000030182353,0.26997212],"genre_scores_gemma":[0.9855731,0.00013323149,0.000006538661,0.010525572,0.0005187615,0.00001942596,0.0000075650505,0.00001413237,0.0032016495],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9983574,0.00025785452,0.00033142327,0.00022702098,0.0004092607,0.0004169963],"domain_scores_gemma":[0.9990027,0.0003967897,0.000088780056,0.00047618677,0.000011587119,0.00002393718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097104354,0.00020574353,0.00018319995,0.00012440163,0.0005005145,0.00052717613,0.0006354017,0.000034095327,0.00032335724],"category_scores_gemma":[0.000030011179,0.00009342377,0.00010947844,0.00013467428,0.00008728893,0.00014063886,0.000032472548,0.00035785008,0.00017396634],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036477315,0.00026238052,0.00025610699,0.000010475155,0.000019277568,0.00009630628,0.5052679,0.00008630211,0.00011702926,0.43654802,0.05402463,0.0032750664],"study_design_scores_gemma":[0.0009817561,0.0004028918,0.06829812,0.00046258257,0.00008269021,0.000044928594,0.43561777,0.0019728485,0.00018554769,0.113086276,0.37818077,0.00068381627],"about_ca_topic_score_codex":0.0005631029,"about_ca_topic_score_gemma":0.00018082622,"teacher_disagreement_score":0.32415614,"about_ca_system_score_codex":0.00003298149,"about_ca_system_score_gemma":0.000017409673,"threshold_uncertainty_score":0.50835717},"labels":[],"label_agreement":null},{"id":"W2075793590","doi":"10.7202/011139ar","title":"“The Success of Gentleness”: Homosocial Desire and the Homosexual Personality in the Novels of William Godwin","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Affection; Masculinity; Friendship; Rivalry; Psychology; HERO; Personality; Beauty; Romance; Argument (complex analysis); Psychoanalysis; Aesthetics; Social psychology; Sociology; Gender studies; Literature; Philosophy; Art","score_opus":0.019262521789576343,"score_gpt":0.2380864240789057,"score_spread":0.21882390228932935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075793590","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94558597,0.0019571586,0.0000034768748,0.0054253475,0.0005470983,0.00048792813,0.0001608999,0.00001241065,0.045819692],"genre_scores_gemma":[0.9973373,0.00006429699,0.000009449424,0.0009167569,0.00071562215,0.000021600526,0.000005530879,0.000011094146,0.0009183546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985221,0.00034160324,0.00033509592,0.00015566223,0.00041596507,0.00022956695],"domain_scores_gemma":[0.9982249,0.0010818427,0.00017893765,0.0004139016,0.000083286286,0.000017093718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011729251,0.0001613794,0.00024236627,0.000020228328,0.0006091993,0.00015684131,0.0006909385,0.00005937434,0.00011682874],"category_scores_gemma":[0.00010534003,0.00006442362,0.00008935785,0.00008692584,0.0016004863,0.000095346106,0.00009101115,0.000268632,0.0000022551017],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001659216,0.00008329811,0.0005782479,0.000017944401,0.000049132563,0.0000015152741,0.059213784,0.0000056258887,0.0000120083405,0.9348401,0.0036827961,0.0013496205],"study_design_scores_gemma":[0.0023167992,0.00030578527,0.03125226,0.00018549274,0.00022737189,0.000019758898,0.03010501,0.00046170215,0.0004598793,0.036916893,0.89730537,0.000443679],"about_ca_topic_score_codex":0.00025584426,"about_ca_topic_score_gemma":0.0010986739,"teacher_disagreement_score":0.89792323,"about_ca_system_score_codex":0.000023266974,"about_ca_system_score_gemma":0.000028729304,"threshold_uncertainty_score":0.5897059},"labels":[],"label_agreement":null},{"id":"W2076261165","doi":"10.7202/007721ar","title":"“Formed with Curious Skill”: Blessington’s negotiation of the “poetess” in Flowers of Loveliness","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Irish and British Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Negotiation; Literature; Order (exchange); Stock (firearms); Computer science; History; Art; Sociology; Business","score_opus":0.009714473904512064,"score_gpt":0.2511934066607613,"score_spread":0.2414789327562492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076261165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9810995,0.00011773167,0.000038726008,0.0041301046,0.0002015143,0.00025405677,0.0000044673284,0.0000114266495,0.014142486],"genre_scores_gemma":[0.9993928,0.00007821946,0.00005828145,0.0002507496,0.00006364177,0.0000050943913,7.845e-7,0.0000063922116,0.00014404593],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9990263,0.000079271194,0.00020203607,0.00010663393,0.00038207692,0.00020366634],"domain_scores_gemma":[0.99945897,0.00013651256,0.00015656116,0.0001527647,0.00007658083,0.000018605377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036125944,0.000078957746,0.00016814999,0.000038544014,0.00020313864,0.000017912545,0.00026827902,0.000048583588,0.00001280399],"category_scores_gemma":[0.00019528889,0.000043584267,0.00004626331,0.0003882448,0.00039229693,0.0000751383,0.000033046425,0.00009703745,0.0000031893987],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010811713,0.004148391,0.17181346,0.0005486111,0.0006026293,0.00008533322,0.52824503,0.022268504,0.005820423,0.17947537,0.051398333,0.03451272],"study_design_scores_gemma":[0.005900588,0.0006655901,0.87738675,0.003292377,0.00019586287,0.000008577599,0.05206222,0.00030412152,0.02283751,0.03333015,0.0031986963,0.00081755046],"about_ca_topic_score_codex":0.0030490991,"about_ca_topic_score_gemma":0.0028177667,"teacher_disagreement_score":0.7055733,"about_ca_system_score_codex":0.000048265316,"about_ca_system_score_gemma":0.00013820376,"threshold_uncertainty_score":0.4609346},"labels":[],"label_agreement":null},{"id":"W2077801213","doi":"10.7202/006561ar","title":"Byron, Blake, and Heaven","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Heaven; Afterlife; Literature; Philosophy; Innocence; Romance; Poetry; Art; Law","score_opus":0.026399458849726908,"score_gpt":0.1928139619006702,"score_spread":0.1664145030509433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077801213","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51557994,0.00041733225,0.000059816735,0.003379647,0.00057659607,0.0002814337,0.000025856294,0.00009954209,0.47957987],"genre_scores_gemma":[0.9672004,0.000031746687,0.000026179368,0.0020265433,0.00020479487,0.000008319758,0.0000026253565,0.000015802958,0.0304836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930936,0.000058665617,0.000121995065,0.00015302583,0.0001321884,0.00022473666],"domain_scores_gemma":[0.9995559,0.00009817039,0.000036655532,0.00022761805,0.000019327856,0.00006236455],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017540347,0.000120294324,0.00012011824,0.000031348034,0.00030619255,0.00014298185,0.000103714905,0.000025710919,0.003909671],"category_scores_gemma":[0.000028112809,0.00007308164,0.00003825037,0.000018875495,0.0001806677,0.000052310137,0.000011150778,0.00011411753,0.00036146713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007842109,0.00003648347,0.00006909681,0.0000063850634,0.000018510556,0.0000082351,0.0032108172,0.0000014161503,0.000031506584,0.9217195,0.07420879,0.00068144914],"study_design_scores_gemma":[0.00022382452,0.00013384088,0.00028319194,0.000025443569,0.00001564531,0.000007096934,0.00051652605,0.000038769685,0.0006012932,0.01876771,0.97924477,0.00014188082],"about_ca_topic_score_codex":0.000028739576,"about_ca_topic_score_gemma":0.00010082938,"teacher_disagreement_score":0.905036,"about_ca_system_score_codex":0.000005360505,"about_ca_system_score_gemma":0.000010522738,"threshold_uncertainty_score":0.9970009},"labels":[],"label_agreement":null},{"id":"W2079445479","doi":"10.7202/007712ar","title":"Introduction: The Poetess Tradition","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.027978252771579983,"score_gpt":0.2091774517792724,"score_spread":0.18119919900769244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079445479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26699424,0.00035710196,0.00013009094,0.085228644,0.0027705692,0.0003237279,0.000024011662,0.00012529637,0.6440463],"genre_scores_gemma":[0.9804235,0.000013525341,0.0000040176415,0.002403151,0.0021786056,0.000018276376,0.0000075290413,0.000011629638,0.014939739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907845,0.00017883738,0.00017255584,0.00016924135,0.00021122431,0.00018967112],"domain_scores_gemma":[0.999326,0.00016109762,0.00005448508,0.00038878113,0.000041287516,0.00002834475],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042663678,0.00012045549,0.00012319781,0.000034983994,0.0008211481,0.00022053384,0.00020041292,0.000024075502,0.009883927],"category_scores_gemma":[0.00006708028,0.000058982932,0.00011098655,0.00005817654,0.00023280158,0.0000951219,0.000008253747,0.00018151356,0.00054634793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037797342,0.000047075227,0.0000017959795,0.0000020162324,0.00003294285,0.0000017651013,0.0020027256,0.0000148262825,0.000042730266,0.8887528,0.108896814,0.0002007357],"study_design_scores_gemma":[0.00011079432,0.000073221076,0.0001270585,0.000009853737,0.000088196706,0.000010730407,0.0036075974,0.00018235798,0.0007739821,0.055832066,0.93906045,0.00012371122],"about_ca_topic_score_codex":0.0000200888,"about_ca_topic_score_gemma":0.000026647,"teacher_disagreement_score":0.83292073,"about_ca_system_score_codex":0.000012382273,"about_ca_system_score_gemma":0.000010105138,"threshold_uncertainty_score":0.99102116},"labels":[],"label_agreement":null},{"id":"W2081420267","doi":"10.7202/013588ar","title":"Lord Byron’s Feminist Canon: Notes toward Its Construction","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Ambivalence; Narrative; Drama; Power (physics); Literature; Canon; History; Character (mathematics); Art; Art history; Psychoanalysis; Psychology","score_opus":0.024165454681650447,"score_gpt":0.20380661782479392,"score_spread":0.1796411631431435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2081420267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31425327,0.0029256425,0.00009039316,0.008744539,0.0043099415,0.00054755644,0.00024557966,0.00041638367,0.6684667],"genre_scores_gemma":[0.9760492,0.000011352364,0.00005002653,0.0013278333,0.0017378146,0.000015893507,0.00004654268,0.00003114458,0.020730184],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987335,0.00007785684,0.00030318488,0.00028594825,0.0003071699,0.000292322],"domain_scores_gemma":[0.99915606,0.00016825438,0.0001618713,0.0003840427,0.00008478252,0.00004496279],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017019678,0.00023100036,0.00026168456,0.00011632993,0.0005309831,0.00031504594,0.00028052746,0.000071138034,0.0028975126],"category_scores_gemma":[0.000034496432,0.00016042117,0.00015649645,0.00006671612,0.00033608696,0.00011222487,0.000032991193,0.00020843103,0.00047713314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003510676,0.00008202502,0.00010953969,0.00002298727,0.000087956236,0.000016853217,0.008940964,0.000026387252,0.00040550713,0.8839281,0.10559603,0.00074854796],"study_design_scores_gemma":[0.00029434822,0.00010281735,0.00014426686,0.000052228716,0.0001824482,0.000014375394,0.00086039,0.0002749277,0.0019383947,0.00903755,0.98675346,0.00034479293],"about_ca_topic_score_codex":0.00068276556,"about_ca_topic_score_gemma":0.0010604048,"teacher_disagreement_score":0.88115746,"about_ca_system_score_codex":0.00007858436,"about_ca_system_score_gemma":0.00003304908,"threshold_uncertainty_score":0.998014},"labels":[],"label_agreement":null},{"id":"W2082273105","doi":"10.7202/008698ar","title":"Medicalizing the Romantic Libido: Sexual Pleasure, Luxury, and the Public Sphere","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pleasure; Human sexuality; Normative; Romance; Public sphere; Sociology; Immorality; Sexual desire; Gender studies; Virtue; Aesthetics; Libido; Private sphere; Psychology; Social psychology; Morality; Psychoanalysis; Political science; Law; Art; Politics","score_opus":0.06894788006223232,"score_gpt":0.2391247573905591,"score_spread":0.1701768773283268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082273105","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43947488,0.018971447,0.00007827671,0.46007496,0.0045460416,0.0014868412,0.000019844416,0.00032073716,0.07502698],"genre_scores_gemma":[0.98144925,0.001065785,0.000007323361,0.005982699,0.0022762045,0.000049148486,0.0000034381212,0.000029119032,0.009137049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810535,0.0002530997,0.0002935654,0.00035340854,0.00055483804,0.00043975766],"domain_scores_gemma":[0.9987538,0.00044315477,0.00012517809,0.0005046734,0.000077640325,0.00009557356],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012207819,0.00022216812,0.0002876433,0.00002263934,0.003194135,0.0002584084,0.00040067584,0.00006522035,0.0003967115],"category_scores_gemma":[0.00024532765,0.00009321801,0.000099732744,0.000096855925,0.0015543858,0.00008198302,0.00010409496,0.00043894578,0.00010931857],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036376612,0.00009629632,0.00003017464,0.000044874683,0.00013683146,0.0000050795534,0.09947302,0.0000041260137,0.000003970957,0.8274324,0.0702336,0.0025032642],"study_design_scores_gemma":[0.0009007605,0.00017136797,0.00037066356,0.000030521383,0.00008412096,0.000018909855,0.045479927,0.000059078968,0.0000055990845,0.018484833,0.9341924,0.00020182658],"about_ca_topic_score_codex":0.0011639013,"about_ca_topic_score_gemma":0.0022193736,"teacher_disagreement_score":0.8639588,"about_ca_system_score_codex":0.000077929,"about_ca_system_score_gemma":0.000061345505,"threshold_uncertainty_score":0.99810356},"labels":[],"label_agreement":null},{"id":"W2083004187","doi":"10.7202/012461ar","title":"Metropolitan Wordsworth: Allegory as Affirmation and Critique in The Prelude","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Allegory; Capitalism; Ideology; Historicism; Politics; Marxist philosophy; Aesthetics; Literature; Manifesto; Bourgeoisie; Pathos; Philosophy; Sociology; Art; Law","score_opus":0.013052720388558418,"score_gpt":0.22774293059406545,"score_spread":0.21469021020550702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083004187","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4704284,0.00078650744,0.000034689518,0.013871829,0.00019351127,0.00032406463,0.000014705261,0.000044767883,0.51430154],"genre_scores_gemma":[0.9868561,0.000021858756,0.000012006312,0.006800735,0.00047066508,0.000037038702,0.000020152524,0.000014158545,0.0057672984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989846,0.00018349577,0.00021553857,0.00016352203,0.00022323916,0.00022964222],"domain_scores_gemma":[0.99928325,0.00036378263,0.00004292562,0.00025964918,0.000029869734,0.00002051806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033959222,0.00014530074,0.00013204057,0.00007207236,0.0003074446,0.00039210377,0.00019958863,0.00004603087,0.00053300965],"category_scores_gemma":[0.00003266636,0.000079911566,0.000046586425,0.000035500467,0.00017713755,0.00013972177,0.00002155371,0.00023347196,0.000060151222],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013173728,0.000070394715,0.000036407353,0.000011485837,0.0000062894783,0.000016548489,0.011558114,0.00000230593,0.000016516598,0.95031536,0.03783491,0.00011847681],"study_design_scores_gemma":[0.00046857636,0.00023669378,0.00407135,0.00013282162,0.00005468745,0.000026526468,0.014870595,0.00051676534,0.0001403949,0.43123585,0.54791945,0.00032631686],"about_ca_topic_score_codex":0.00092577003,"about_ca_topic_score_gemma":0.0015987502,"teacher_disagreement_score":0.51907957,"about_ca_system_score_codex":0.000014896426,"about_ca_system_score_gemma":0.000009815541,"threshold_uncertainty_score":0.5836082},"labels":[],"label_agreement":null},{"id":"W2083334175","doi":"10.7202/007716ar","title":"“When Life Becomes Art” -- on Hemans's “Image in Lava”","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feeling; Uncanny; Poetry; Art; Literature; Romance; Philosophy; Aesthetics","score_opus":0.04559901709948682,"score_gpt":0.2447893933883003,"score_spread":0.19919037628881348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083334175","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30827332,0.00042274155,0.000027917848,0.054595277,0.000462645,0.00030487924,0.000011838829,0.00012798145,0.6357734],"genre_scores_gemma":[0.9791276,0.00016216631,0.000038954153,0.0045701577,0.0002161251,0.000034229848,0.0000051669313,0.000016029475,0.015829585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919397,0.000057723875,0.0002143846,0.00014749866,0.00018937154,0.0001970371],"domain_scores_gemma":[0.99917346,0.00021999958,0.000068643145,0.00047577746,0.000028504075,0.00003360381],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018234762,0.00014183311,0.00019282821,0.00006752232,0.0003245452,0.00010281265,0.00033889874,0.000026351741,0.00089138106],"category_scores_gemma":[0.00004978019,0.00008955483,0.00006381671,0.00003379378,0.00016957316,0.000074711425,0.00007554912,0.00019278351,0.0016668082],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002199269,0.00017008725,0.000044578628,0.0000050944564,0.00003144132,0.0000047258955,0.023956353,0.000027397442,0.000007575896,0.895284,0.08020695,0.00023980436],"study_design_scores_gemma":[0.00091569964,0.00026080332,0.0032434128,0.00014451187,0.000022138467,0.000001228409,0.008140314,0.000041981093,0.00015121858,0.075359166,0.91142315,0.00029635438],"about_ca_topic_score_codex":0.00018073282,"about_ca_topic_score_gemma":0.0004454929,"teacher_disagreement_score":0.8312162,"about_ca_system_score_codex":0.000032709937,"about_ca_system_score_gemma":0.00001781989,"threshold_uncertainty_score":0.9991105},"labels":[],"label_agreement":null},{"id":"W2083852772","doi":"10.7202/011142ar","title":"Effeminacy, Masculinity, and Homosocial Bonds: The (Un)Intentional Queering of John Keats","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Masculinity; Biography; Affection; Subject (documents); Object (grammar); Literature; Relation (database); Icon; History; Art; Philosophy; Sociology; Gender studies; Psychology; Social psychology","score_opus":0.014877743207161433,"score_gpt":0.20702881684855765,"score_spread":0.19215107364139622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083852772","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87401974,0.003497507,0.00004936237,0.010343652,0.00069216656,0.00035983615,0.00007860795,0.000086912725,0.1108722],"genre_scores_gemma":[0.98978347,0.00006042828,0.000051021234,0.00088507094,0.0010411358,0.000012021096,0.000011740436,0.000019339768,0.008135795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894524,0.00010301246,0.00026119017,0.00018259084,0.00031382445,0.00019413429],"domain_scores_gemma":[0.9991974,0.00024164644,0.00013896881,0.0003091019,0.00007720412,0.000035660312],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004266084,0.00016077046,0.00023038442,0.00007728537,0.00053290796,0.00014224224,0.00030077668,0.000048841608,0.0015141561],"category_scores_gemma":[0.00004803629,0.00009253239,0.00015783176,0.000051354687,0.0004011092,0.0001091129,0.00008033493,0.00022021975,0.000055351284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006579574,0.00020398924,0.00012022421,0.00004363097,0.00045881697,0.0000067985943,0.06759977,0.000039791103,0.00041455103,0.86807245,0.058361802,0.0046123997],"study_design_scores_gemma":[0.001065959,0.00027875442,0.0030425526,0.00022418122,0.0007409976,0.00002056381,0.005882661,0.0025008628,0.0010106754,0.021196535,0.96346796,0.00056828506],"about_ca_topic_score_codex":0.00010994669,"about_ca_topic_score_gemma":0.00029524168,"teacher_disagreement_score":0.9051062,"about_ca_system_score_codex":0.000025774016,"about_ca_system_score_gemma":0.000014870242,"threshold_uncertainty_score":0.9993986},"labels":[],"label_agreement":null},{"id":"W2083935051","doi":"10.7202/007205ar","title":"\"Dark and dangerous designs\": Tales of Oppression, Dispossession, and Repossession, 1770-1800","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Oppression; Politics; Persecution; Appeal; Literature; Public sphere; Aesthetics; History; Sociology; Philosophy; Art; Law; Political science","score_opus":0.02929390013888266,"score_gpt":0.22723433058695047,"score_spread":0.1979404304480678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083935051","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9571263,0.0074576945,0.00015547423,0.0005924656,0.00058808737,0.00034795376,0.000039684983,0.0000760012,0.03361629],"genre_scores_gemma":[0.99210155,0.00019533298,0.00020099101,0.00041013592,0.00014200411,0.000014560361,0.000011245685,0.00003220483,0.0068919575],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984155,0.0002781732,0.00040492462,0.00035979945,0.00030090546,0.00024064785],"domain_scores_gemma":[0.99859405,0.0003728167,0.00027430512,0.0005396105,0.00012269527,0.00009650001],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047415707,0.0002491638,0.0003706263,0.00012726562,0.0006344174,0.00019470499,0.00019757652,0.000082356724,0.00044900863],"category_scores_gemma":[0.00022671655,0.00014515547,0.00007759313,0.00007642005,0.000585691,0.00018536771,0.000058140715,0.00018896838,0.000008298557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017078315,0.00042992498,0.0016112443,0.00022387576,0.00030244642,0.00007055217,0.065060586,0.00001166705,0.010539168,0.7576764,0.16043268,0.003470641],"study_design_scores_gemma":[0.0018125604,0.00068600435,0.0035817465,0.0016121293,0.0008399511,0.00012196475,0.012595462,0.00035335292,0.011511707,0.04850455,0.9170155,0.0013651081],"about_ca_topic_score_codex":0.000075509124,"about_ca_topic_score_gemma":0.000053631484,"teacher_disagreement_score":0.7565828,"about_ca_system_score_codex":0.000015853662,"about_ca_system_score_gemma":0.000028917739,"threshold_uncertainty_score":0.5919268},"labels":[],"label_agreement":null},{"id":"W2084728797","doi":"10.7202/016130ar","title":"Between the Virtual and the Actual: Robert Barker's Panorama of London and the Multiplication of the Real in late eighteenth-century London1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Panorama; Enlightenment; Object (grammar); Representation (politics); Order (exchange); Period (music); History; Painting; Politics; Art history; Event (particle physics); Art; Aesthetics; Literature; Visual arts; Philosophy; Epistemology; Law","score_opus":0.010780418797192867,"score_gpt":0.2068200023041099,"score_spread":0.19603958350691703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084728797","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9736745,0.0020096311,0.000005867487,0.0062444303,0.0002093865,0.0007021731,0.00001521025,0.000013221977,0.017125623],"genre_scores_gemma":[0.9972216,0.0012472657,0.0000019186166,0.00035611726,0.0002188127,0.000016593476,0.000002679354,0.000010757883,0.0009242421],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987717,0.00025666878,0.00036208128,0.00015434815,0.0002649404,0.00019022006],"domain_scores_gemma":[0.9978284,0.0015291052,0.00021203025,0.00035228638,0.000057372887,0.000020754622],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010525181,0.00015807145,0.00029223147,0.0000244809,0.00067677227,0.00004570285,0.00033776162,0.000044767705,0.000032740994],"category_scores_gemma":[0.00009546138,0.00004813523,0.000098636265,0.00007751058,0.0017690067,0.000048829777,0.00015152598,0.00024567582,0.0000042984675],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008825609,0.00009887568,0.0026099442,0.000021920989,0.00019993428,7.4269803e-7,0.16416754,0.000008161242,0.00018271203,0.8199858,0.0043474445,0.007494337],"study_design_scores_gemma":[0.011058396,0.0005053203,0.32585636,0.00036775696,0.000882648,0.0000033692334,0.027254548,0.00090721395,0.0014347199,0.019260632,0.61182344,0.0006456131],"about_ca_topic_score_codex":0.00084021286,"about_ca_topic_score_gemma":0.0012681745,"teacher_disagreement_score":0.80072516,"about_ca_system_score_codex":0.000015050013,"about_ca_system_score_gemma":0.00000767199,"threshold_uncertainty_score":0.6517979},"labels":[],"label_agreement":null},{"id":"W2084857692","doi":"10.7202/006011ar","title":"Healing the Spirit: William Blake and Magnetic Religion","year":2009,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mysticism; Spiritualism; Heaven; Opposition (politics); Charisma; Religious studies; Narrative; Art history; Art; Literature; Philosophy; History; Theology; Law; Medicine; Political science","score_opus":0.018904345869924736,"score_gpt":0.2123127757206527,"score_spread":0.19340842985072798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084857692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76093096,0.0037130448,0.000030016818,0.07326902,0.0008058324,0.0007777801,0.000031318126,0.00019605098,0.16024597],"genre_scores_gemma":[0.97865784,0.00023823288,0.000018514205,0.0115512,0.00081021275,0.0000070259175,0.0000056572812,0.000015152122,0.008696151],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989793,0.00006603457,0.00020983808,0.0002104717,0.00022210294,0.00031225453],"domain_scores_gemma":[0.9993185,0.00014832828,0.00006596185,0.00037299638,0.000029024828,0.000065208806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025280745,0.00017585655,0.00015564861,0.00004129933,0.000649119,0.00029571907,0.00023962182,0.00003775428,0.0005831096],"category_scores_gemma":[0.000028669569,0.000089205874,0.0000646096,0.000038263424,0.00023965952,0.00006557836,0.000027050915,0.00021521862,0.0001746881],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042256805,0.000071605435,0.000054816224,0.000011233801,0.000015000477,0.00001964915,0.007998109,0.000011675922,0.0001269948,0.77703583,0.20334865,0.011264204],"study_design_scores_gemma":[0.00029899518,0.00067782466,0.0041753603,0.00009826389,0.000037993257,0.000015137352,0.0004047212,0.00038347987,0.00010931624,0.043030474,0.9505578,0.00021060432],"about_ca_topic_score_codex":0.00006276485,"about_ca_topic_score_gemma":0.00024053857,"teacher_disagreement_score":0.7472092,"about_ca_system_score_codex":0.000007852245,"about_ca_system_score_gemma":0.00001066154,"threshold_uncertainty_score":0.6384641},"labels":[],"label_agreement":null},{"id":"W2085000767","doi":"10.7202/005930ar","title":"The Norton Critical Edition of Coleridge's Poetry and Prose","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Poetry; Romanticism; Literature; Scholarship; Critical edition; Philosophy; Art; History; Political science; Law","score_opus":0.012275246039224587,"score_gpt":0.2123722348079446,"score_spread":0.20009698876872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085000767","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8090618,0.0021746452,0.000009805668,0.008186399,0.0010813277,0.00040503635,0.00011990651,0.00008393625,0.17887715],"genre_scores_gemma":[0.9819715,0.000072917646,0.000008192107,0.00088522956,0.00075662683,0.00001427346,0.000010665789,0.000014390082,0.016266225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991406,0.000088076966,0.00020859683,0.00015258718,0.00023249528,0.00017762795],"domain_scores_gemma":[0.99919385,0.00034562137,0.000049891823,0.00030855136,0.00006547768,0.000036590787],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023306604,0.00011757023,0.00015454229,0.00003784291,0.0005823727,0.00016702837,0.000172887,0.00004021826,0.0021262108],"category_scores_gemma":[0.00005705734,0.00006396911,0.000070460235,0.000037937632,0.00063566887,0.00009953676,0.000017918595,0.00015315745,0.00007607292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014460062,0.00018598167,0.00004000359,0.000044011824,0.00010301065,0.0000071927698,0.019448174,0.0000053999797,0.00021707293,0.80277944,0.1723118,0.0047133286],"study_design_scores_gemma":[0.0002462753,0.00024441112,0.0008305291,0.00008527641,0.00016338291,0.0000058646483,0.00096080516,0.00063024333,0.00046252192,0.010469961,0.98570883,0.00019187518],"about_ca_topic_score_codex":0.00006309867,"about_ca_topic_score_gemma":0.000101798694,"teacher_disagreement_score":0.81339705,"about_ca_system_score_codex":0.000014993925,"about_ca_system_score_gemma":0.0000112558055,"threshold_uncertainty_score":0.998786},"labels":[],"label_agreement":null},{"id":"W2085357962","doi":"10.7202/013151ar","title":"Blake’s Virtual Designs and Reconstruction of The Song of Los","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Printmaking; Reading (process); Visual arts; Art; Painting; Literature; Contrast (vision); Computer science; Computer graphics (images); History; Linguistics; Artificial intelligence; Philosophy","score_opus":0.022616926281124893,"score_gpt":0.19160013835794812,"score_spread":0.16898321207682324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085357962","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9665455,0.00005872992,0.00003354276,0.00044893933,0.00027726896,0.00015544143,0.000038986604,0.000011326437,0.03243022],"genre_scores_gemma":[0.99652267,0.000007713083,0.000019260404,0.00009304394,0.00021785608,0.000002810985,0.0000018139425,0.000007931372,0.0031269046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99939954,0.00005743647,0.00019717956,0.00009369319,0.00013841513,0.00011376033],"domain_scores_gemma":[0.9995188,0.00010728465,0.0001322894,0.0001923772,0.000034475368,0.000014780799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001322682,0.00008400189,0.0001284363,0.00003161413,0.00015526173,0.000028547396,0.0001228337,0.000027177333,0.00044372078],"category_scores_gemma":[0.000015174122,0.00004434496,0.000056960016,0.000026204383,0.00043295047,0.00004698709,0.000024235816,0.000079716934,0.0000067718984],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003956073,0.0000615301,0.0010256831,0.000020840032,0.000027725438,8.8945995e-7,0.0020925186,0.000023407281,0.0021696368,0.98104674,0.010324033,0.0031674337],"study_design_scores_gemma":[0.0050995117,0.0044038794,0.17684007,0.0022985025,0.0007653254,0.00015308174,0.017292362,0.0047450685,0.17541385,0.3791291,0.2320429,0.0018163436],"about_ca_topic_score_codex":0.00017827739,"about_ca_topic_score_gemma":0.00046584467,"teacher_disagreement_score":0.6019176,"about_ca_system_score_codex":0.0000045032834,"about_ca_system_score_gemma":0.000013294488,"threshold_uncertainty_score":0.48584312},"labels":[],"label_agreement":null},{"id":"W2085962258","doi":"10.7202/013590ar","title":"“Mightier than death, untamable by fate”: Felicia Hemans’s Byronic Heroines and the Sorority of the Domestic Affections","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Irish and British Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Femininity; Humanity; Art; History; Gender studies; Philosophy; Sociology; Theology","score_opus":0.007970153310895995,"score_gpt":0.25269439783763487,"score_spread":0.24472424452673888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085962258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9450952,0.0022590973,0.00002135136,0.012390023,0.00038020662,0.00052174856,0.000019206538,0.000042136457,0.039271045],"genre_scores_gemma":[0.9934352,0.00050078006,0.000009030638,0.00029296143,0.00022178928,0.000028117232,0.0000014515127,0.000009721855,0.005500932],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99858946,0.00038065098,0.00018333028,0.00017471665,0.00034001068,0.0003318108],"domain_scores_gemma":[0.9988637,0.0007034248,0.00011234915,0.0002442464,0.00004857089,0.000027682367],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007076205,0.0001318624,0.00021842832,0.000019282195,0.0016934691,0.00008639089,0.00033532953,0.00006585236,0.00003192582],"category_scores_gemma":[0.0001536296,0.00006362424,0.000106273954,0.0002569519,0.0009606003,0.00006495095,0.00008681139,0.00017293353,0.000012363423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107031665,0.0004110624,0.031152265,0.000046753416,0.00021732385,0.0000071017075,0.008246727,0.00008241003,0.00064351415,0.17259966,0.7853396,0.0011465542],"study_design_scores_gemma":[0.0053464635,0.00040835718,0.6419002,0.0005204922,0.0009079808,0.000049606002,0.013647842,0.00045172553,0.00406143,0.15678473,0.17478836,0.0011328434],"about_ca_topic_score_codex":0.020977188,"about_ca_topic_score_gemma":0.005474614,"teacher_disagreement_score":0.61074793,"about_ca_system_score_codex":0.00003158935,"about_ca_system_score_gemma":0.00003918829,"threshold_uncertainty_score":0.9996062},"labels":[],"label_agreement":null},{"id":"W2086869548","doi":"10.7202/011672ar","title":"Finding Herself Alone: Emily Dickinson, Victorian Women Novelists, and the Female Subject","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Pragmatism in Philosophy and Education","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Poetry; Romance; Literature; Romanticism; Subject (documents); Conversation; Opposition (politics); Art; History; Philosophy","score_opus":0.0231254014998684,"score_gpt":0.22891402010350842,"score_spread":0.20578861860364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086869548","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8954434,0.00038362434,0.000007651021,0.031973664,0.0010660696,0.00030591685,0.000016391608,0.00006932998,0.070733994],"genre_scores_gemma":[0.99015343,0.00008491584,0.000018446837,0.0051384363,0.0022582756,0.00005735159,0.0000070619158,0.000020462801,0.002261599],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998976,0.000113485665,0.00021899497,0.0001891633,0.00020411174,0.00029826356],"domain_scores_gemma":[0.999048,0.0004395914,0.00011080568,0.00032075122,0.000027928583,0.00005294238],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063719327,0.00016453078,0.00018222828,0.000050773342,0.0008497983,0.0002981941,0.00026132222,0.00004265311,0.0006909904],"category_scores_gemma":[0.00007222938,0.00009052749,0.000049719813,0.000046341484,0.00033609863,0.00017451964,0.000048071302,0.00020898052,0.00017695074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079138365,0.00006650211,0.000049940765,0.000013470877,0.000050485207,0.0000013091428,0.1656287,0.000010310934,0.00002759872,0.8166918,0.016395925,0.0009848009],"study_design_scores_gemma":[0.0011641997,0.00009326266,0.0018522495,0.00007598899,0.000049238708,0.000007990802,0.0071258405,0.00050789875,0.00015293535,0.04436998,0.9443276,0.00027281913],"about_ca_topic_score_codex":0.000108115244,"about_ca_topic_score_gemma":0.00009111116,"teacher_disagreement_score":0.92793167,"about_ca_system_score_codex":0.000050485225,"about_ca_system_score_gemma":0.00001770397,"threshold_uncertainty_score":0.7565861},"labels":[],"label_agreement":null},{"id":"W2087077762","doi":"10.7202/012463ar","title":"“Instruction a Torment”? Jane Austen’s Early Writing and Conflicting Versions of Female Education in Romantic-Era “Conservative” British Women’s Novels","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Narrative; Bourgeoisie; Subjectivity; Ideology; Hegemony; Opposition (politics); Literature; Skepticism; Gender studies; History; Romanticism; Sociology; Art; Politics; Philosophy; Political science; Law","score_opus":0.02757131264270838,"score_gpt":0.24768143201840845,"score_spread":0.22011011937570008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087077762","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98597884,0.00050803646,0.0000027168785,0.001248687,0.0006262405,0.00030676913,0.000014026267,0.000032564487,0.011282111],"genre_scores_gemma":[0.99290895,0.00016720542,0.000041296084,0.00032009484,0.0005527609,0.00004474395,0.0000070588662,0.000014380406,0.0059434846],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99879736,0.000074277465,0.00036234935,0.0002781175,0.00020373211,0.00028415237],"domain_scores_gemma":[0.999389,0.00011879299,0.00018235556,0.00014987084,0.000115079136,0.000044900513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035377158,0.00013025387,0.00024071394,0.00007091093,0.00072961237,0.00008784205,0.00008163593,0.000049320322,0.00016866426],"category_scores_gemma":[0.000057967092,0.00012065321,0.000045141303,0.00008428425,0.00022591003,0.00013764536,0.000032457916,0.00017777599,0.000006281227],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017529882,0.0018474599,0.05586531,0.00076230353,0.00019160197,0.000014077038,0.5477991,0.000035801182,0.0011732618,0.35503978,0.015921144,0.02117485],"study_design_scores_gemma":[0.002160816,0.00089163106,0.51319546,0.0007385942,0.00008292398,0.000041403942,0.31441942,0.00021020879,0.00025598356,0.004954565,0.16229089,0.00075809914],"about_ca_topic_score_codex":0.014381141,"about_ca_topic_score_gemma":0.002666819,"teacher_disagreement_score":0.45733017,"about_ca_system_score_codex":0.00021198609,"about_ca_system_score_gemma":0.000066798464,"threshold_uncertainty_score":0.9921822},"labels":[],"label_agreement":null},{"id":"W2087252403","doi":"10.7202/005934ar","title":"James Hogg in 2000 and Beyond","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"History of Science and Natural History","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.014812271038447124,"score_gpt":0.19282394306001058,"score_spread":0.17801167202156346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087252403","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69865155,0.0010284688,3.271106e-8,0.0017859004,0.00017940094,0.000066919776,0.0000035164069,0.000019814694,0.29826438],"genre_scores_gemma":[0.90119666,0.00009785237,0.0000063392167,0.0030041214,0.00013483994,0.0000037428965,0.0000010862948,0.00000589229,0.09554949],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999433,0.000027831315,0.000102876285,0.00014168753,0.00013325509,0.00016135944],"domain_scores_gemma":[0.99975115,0.00006112442,0.000020115354,0.00012838174,0.0000076015986,0.00003162066],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015394685,0.00008270682,0.000096696596,0.000067782596,0.00030224634,0.000038805505,0.000144441,0.000024395913,0.008914127],"category_scores_gemma":[0.0000058875567,0.00005217705,0.000024745428,0.00003092551,0.00043650065,0.00012791263,0.000008182769,0.0001324197,0.0005825405],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009439262,0.00014927141,0.00006857205,0.000012780013,0.000012440115,0.00005069883,0.16288152,0.000011792209,0.0002501207,0.1821734,0.5150545,0.13924046],"study_design_scores_gemma":[0.00012942487,0.000074700234,0.00058249745,0.000017982307,0.000004158473,0.0000022403735,0.0008145686,0.000077392586,0.000030979125,0.0024556401,0.99571013,0.00010030451],"about_ca_topic_score_codex":0.00019253437,"about_ca_topic_score_gemma":0.0003722724,"teacher_disagreement_score":0.48065558,"about_ca_system_score_codex":0.000029651635,"about_ca_system_score_gemma":0.000014874768,"threshold_uncertainty_score":0.9919919},"labels":[],"label_agreement":null},{"id":"W2087481690","doi":"10.7202/007718ar","title":"“Thou shalt bid thy fair hands rove”: L. E. L.’s Wooing of Sex, Pain, Death and the Editor","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cultural Studies and Postmodernism","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Passions; Thou; Poetry; Genius; Literature; Feeling; Soul; Order (exchange); Reading (process); Philosophy; History; Art; Theology; Linguistics; Epistemology","score_opus":0.021567748122769428,"score_gpt":0.26449622671496376,"score_spread":0.24292847859219432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087481690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8909643,0.0017827925,0.0002155433,0.06234382,0.0022416755,0.00085157185,0.00001568425,0.00009943798,0.041485153],"genre_scores_gemma":[0.9940806,0.0007269773,0.00003436843,0.0016067656,0.0023286825,0.000012672878,0.00000125872,0.000008970758,0.0011997262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875855,0.0002433016,0.00017492483,0.00016880111,0.0003690394,0.00028540433],"domain_scores_gemma":[0.9988486,0.0007752771,0.000103745726,0.00017199937,0.000046612742,0.00005376845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014492339,0.00012576029,0.00021374572,0.000015146862,0.001031042,0.000084102976,0.0002780724,0.000070544105,0.00004281521],"category_scores_gemma":[0.00033763898,0.00006010091,0.00008963457,0.00011084783,0.00041386814,0.000062364605,0.00009012687,0.00015534546,0.000012050448],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032604582,0.00020712713,0.0026788306,0.00005236131,0.00032020587,0.000014349244,0.23253426,0.0002516434,0.00041097763,0.6451489,0.09523438,0.022820948],"study_design_scores_gemma":[0.006694321,0.0009901392,0.013419422,0.0004980343,0.0002600275,0.000008029875,0.050491698,0.00092127704,0.0012656678,0.13016172,0.79434675,0.0009429084],"about_ca_topic_score_codex":0.0038816517,"about_ca_topic_score_gemma":0.0012389246,"teacher_disagreement_score":0.69911236,"about_ca_system_score_codex":0.000030190762,"about_ca_system_score_gemma":0.000031337237,"threshold_uncertainty_score":0.7930045},"labels":[],"label_agreement":null},{"id":"W2088317809","doi":"10.7202/015818ar","title":"Burke’s “Revolutionary Book”: Conservative Politics and Revolutionary Aesthetics in the Reflections","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Aesthetics; Narrative; Value (mathematics); Literature; Articulation (sociology); Style (visual arts); Tragedy (event); Romance; Philosophy; History; Art; Law","score_opus":0.03460634682427368,"score_gpt":0.32433244255088856,"score_spread":0.2897260957266149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088317809","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36165246,0.008897909,0.00022055524,0.20010665,0.0007409097,0.001214765,0.000039701295,0.00015286864,0.42697418],"genre_scores_gemma":[0.9736544,0.002848252,0.00027745735,0.015425193,0.00034842192,0.00001796288,0.0000067099895,0.000009978401,0.007411623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856204,0.00035921903,0.00018478541,0.00016173534,0.00037667836,0.0003555586],"domain_scores_gemma":[0.9988432,0.0007662207,0.00006651253,0.00019898215,0.000068967245,0.000056116714],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0015577296,0.00010478732,0.0001014802,0.000013680897,0.0015236961,0.000022480659,0.00027813922,0.00014393164,0.000069318485],"category_scores_gemma":[0.0001891569,0.00006407871,0.000059196587,0.00037529817,0.000899031,0.0000983245,0.000032907497,0.00035696977,0.000024628918],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008542538,0.00007444947,0.0009662172,0.000002798523,0.0000099562685,0.00000919903,0.030768227,0.000005443971,0.000024301042,0.8450211,0.12305833,0.000051434345],"study_design_scores_gemma":[0.0001763381,0.00007824545,0.035375092,0.000048818463,0.000024582372,0.000023102166,0.042962655,0.000042428037,0.000013845636,0.11717363,0.8039325,0.00014879533],"about_ca_topic_score_codex":0.00066623086,"about_ca_topic_score_gemma":0.0009273858,"teacher_disagreement_score":0.72784746,"about_ca_system_score_codex":0.00010438979,"about_ca_system_score_gemma":0.000088662084,"threshold_uncertainty_score":0.9997762},"labels":[],"label_agreement":null},{"id":"W2088781409","doi":"10.7202/013157ar","title":"Techno-Prosthetic Romantic Futurism","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Cyberspace; Argument (complex analysis); Scholarship; Criticism; Reading (process); Interpretation (philosophy); Romance; Field (mathematics); Aesthetics; Sociology; Epistemology; Literature; Media studies; Art; Computer science; Philosophy; The Internet; Law; Political science; Linguistics; World Wide Web","score_opus":0.021330436141404268,"score_gpt":0.19187603077935858,"score_spread":0.17054559463795432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088781409","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47594985,0.00012779744,0.0000032790524,0.0018335044,0.0004839923,0.00022186279,0.00001897417,0.00020379212,0.5211569],"genre_scores_gemma":[0.9187795,0.0000045491684,0.000012705604,0.001167758,0.00097088015,0.00002731545,0.000017975333,0.000040347753,0.078978986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860144,0.000040110066,0.00029586276,0.00026451098,0.00036463805,0.00043341264],"domain_scores_gemma":[0.9991713,0.0001284522,0.000097094664,0.00050755125,0.00005418035,0.000041425992],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023468661,0.00025051882,0.00020863737,0.00010464471,0.0007270671,0.00093547365,0.0004869227,0.00005744141,0.002829352],"category_scores_gemma":[0.000017860548,0.00015762252,0.00014544811,0.00004932894,0.00036772588,0.00024572102,0.00007191595,0.00028890852,0.0012564781],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011576874,0.00010509768,0.000016923412,0.000008600359,0.0000127377725,0.000023830115,0.0010041803,0.0000028858708,0.000049486476,0.9630838,0.034840956,0.0008399274],"study_design_scores_gemma":[0.00030152593,0.00025290344,0.00096581,0.00008283356,0.000040467952,0.000017619708,0.0013661196,0.00016739516,0.0003421536,0.22106181,0.7750121,0.00038930663],"about_ca_topic_score_codex":0.0002829001,"about_ca_topic_score_gemma":0.0003794496,"teacher_disagreement_score":0.742022,"about_ca_system_score_codex":0.000024853676,"about_ca_system_score_gemma":0.000012745108,"threshold_uncertainty_score":0.99952114},"labels":[],"label_agreement":null},{"id":"W2088960453","doi":"10.7202/013996ar","title":"Faulty towers: Reform, Radicalism and the Gothic Castle, 1760-1800","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trope (literature); Political radicalism; Period (music); History; Politics; Aristocracy (class); Reactionary; Literature; Mythology; Art; Law; Art history; Aesthetics; Political science","score_opus":0.013739303036568904,"score_gpt":0.19463838974973438,"score_spread":0.18089908671316549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088960453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23854552,0.009806153,0.00007182103,0.036244087,0.0019234642,0.0009069485,0.00015042238,0.00030328013,0.7120483],"genre_scores_gemma":[0.93879086,0.00007307431,0.000018304545,0.0042146062,0.0012394254,0.000021952943,0.000028023931,0.000032041462,0.055581726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850225,0.00019283245,0.00032909756,0.0002846751,0.00037217682,0.00031895508],"domain_scores_gemma":[0.99886554,0.00025630437,0.000151691,0.00061415136,0.00006074263,0.000051573126],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060135755,0.00024282266,0.00032309548,0.00009007107,0.00081105996,0.00040438012,0.00039612647,0.000082943516,0.0014070966],"category_scores_gemma":[0.00004277401,0.00011544872,0.00017618739,0.000070817805,0.001048877,0.00013224581,0.000063865446,0.000358944,0.00013344157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007129037,0.000050491417,0.000008188418,0.0000108332315,0.00009164256,0.00001473958,0.01456576,0.000006076184,0.000020985211,0.86883676,0.1159549,0.00036831127],"study_design_scores_gemma":[0.0008781594,0.000056987985,0.0001218801,0.000045903602,0.00019812783,0.0000143914685,0.001401633,0.00092767976,0.000041100746,0.023852054,0.97222674,0.00023536832],"about_ca_topic_score_codex":0.003310798,"about_ca_topic_score_gemma":0.0014046222,"teacher_disagreement_score":0.8562718,"about_ca_system_score_codex":0.00007072023,"about_ca_system_score_gemma":0.00001743661,"threshold_uncertainty_score":0.99950576},"labels":[],"label_agreement":null},{"id":"W2090189731","doi":"10.7202/013152ar","title":"Digital Romanticism in the Age of Neo-Luddism: the Romantic Circles Experiment","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Russian Literature and Bakhtin Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; Context (archaeology); Subculture (biology); Literature; Boom; History; Sociology; Aesthetics; Art; Engineering; Archaeology","score_opus":0.016257175375332413,"score_gpt":0.2662333416198878,"score_spread":0.2499761662445554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090189731","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6689872,0.0012533298,0.00002034412,0.01863359,0.00036558858,0.0006982016,0.000013694204,0.00004751814,0.30998054],"genre_scores_gemma":[0.99658376,0.000061807994,0.000019755065,0.001055616,0.00047628165,0.000043922937,0.000009343586,0.000016813694,0.0017327289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756086,0.00041042868,0.00044018714,0.00027907058,0.0007932053,0.00051623385],"domain_scores_gemma":[0.9982054,0.0010052663,0.00017141017,0.0005603061,0.00003114196,0.00002643559],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010038575,0.00022746492,0.000307333,0.00007483524,0.0007631649,0.0003812684,0.0010188011,0.00009423847,0.000048302914],"category_scores_gemma":[0.00012153475,0.00010589131,0.00017407202,0.0005232467,0.0008172727,0.00014414742,0.000098692886,0.000276769,0.000051715237],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004723241,0.0005536635,0.0031853972,0.000017172986,0.00007324086,0.00013793634,0.052712005,0.000025171643,0.0010382695,0.89744747,0.042510334,0.0022520998],"study_design_scores_gemma":[0.0013749285,0.00051246956,0.33648968,0.00052338804,0.00018512883,0.000026087002,0.06729235,0.00009951042,0.0018238404,0.09816177,0.49251238,0.0009984731],"about_ca_topic_score_codex":0.0009809989,"about_ca_topic_score_gemma":0.00047557757,"teacher_disagreement_score":0.7992857,"about_ca_system_score_codex":0.000030098234,"about_ca_system_score_gemma":0.000038019072,"threshold_uncertainty_score":0.5869724},"labels":[],"label_agreement":null},{"id":"W2092376220","doi":"10.7202/008696ar","title":"From Relics to Remains: Wordsworth’s “The Thorn” and the Emergence of Secular History","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philosophy, History, and Historiography","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballad; Poetry; Narrative; Literature; Reading (process); History; Focus (optics); History of literature; Mode (computer interface); Art; Philosophy","score_opus":0.023757025752439095,"score_gpt":0.19384273332469593,"score_spread":0.17008570757225683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2092376220","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64956623,0.030520627,0.00014076923,0.033438,0.008415249,0.0015221343,0.00010738117,0.00017054137,0.27611908],"genre_scores_gemma":[0.99353373,0.00030869214,0.000044041823,0.0033023353,0.0009923754,0.00003344584,0.0000041552325,0.000026538712,0.001754703],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988122,0.00012293906,0.0002908445,0.00024586075,0.00032907756,0.00019906991],"domain_scores_gemma":[0.99885,0.00017763257,0.00015085167,0.00070035865,0.0000634048,0.000057771333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004165048,0.00018547977,0.00025378857,0.00009491385,0.00055095105,0.00003034912,0.0004943361,0.00004277746,0.00042420803],"category_scores_gemma":[0.000057117122,0.00009568039,0.00017607765,0.0000691598,0.0010540325,0.00005334045,0.00006069402,0.00022565007,0.00005788384],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117530115,0.000055678014,0.000010025595,0.000009312307,0.00006272537,0.000004107278,0.10842017,0.000020926424,0.0001365775,0.7899491,0.10108277,0.00013108445],"study_design_scores_gemma":[0.00050272484,0.00012521191,0.00033995596,0.00008228148,0.0001220569,0.0000015259685,0.0022128706,0.000016328984,0.000035330522,0.07031314,0.9260627,0.00018585692],"about_ca_topic_score_codex":0.0021777602,"about_ca_topic_score_gemma":0.0018706756,"teacher_disagreement_score":0.82497996,"about_ca_system_score_codex":0.000065763576,"about_ca_system_score_gemma":0.000041642128,"threshold_uncertainty_score":0.46447808},"labels":[],"label_agreement":null},{"id":"W2098669928","doi":"10.7202/015817ar","title":"Cultivating a “Dissenting Frame of Mind”: Radical Education, the Rhetoric of Inquiry, and Anna Barbauld’s Poetry1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dissenting opinion; Political radicalism; Rhetoric; Power (physics); Poetry; Aesthetics; Idealism; Sociology; Epistemology; Frame (networking); Philosophy; Literature; Law; Political science; Politics; Art; Linguistics","score_opus":0.05025819994587412,"score_gpt":0.2909690669404222,"score_spread":0.24071086699454808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098669928","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9402305,0.0014492576,0.000075192955,0.0022553962,0.00037948936,0.00016866183,0.0000025012193,0.000012474967,0.055426538],"genre_scores_gemma":[0.9973161,0.00008126138,0.00008166277,0.0002763157,0.00031264615,0.0000070017704,0.000002060521,0.000009245081,0.0019137142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909,0.00007550098,0.00036737387,0.000108293585,0.00021001337,0.00014881582],"domain_scores_gemma":[0.9985069,0.00073247723,0.00026149896,0.000345342,0.00012880623,0.000024970443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006019401,0.00010381274,0.00017897337,0.000052962252,0.0004341259,0.000035145615,0.00026932883,0.00003170846,0.0001241244],"category_scores_gemma":[0.00017510756,0.00005672379,0.000052868672,0.00007957017,0.0005487178,0.00005024711,0.00009878112,0.00015526499,0.0000055424134],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028801483,0.00022646875,0.0023283653,0.00003572981,0.000100876954,3.349522e-7,0.16475658,0.0000012740547,0.0005794438,0.80667716,0.016550498,0.0087144375],"study_design_scores_gemma":[0.0008535201,0.00040999227,0.08037952,0.0008074093,0.0002175725,0.000014844093,0.34007964,0.00036860842,0.005545589,0.015147839,0.5555794,0.000596055],"about_ca_topic_score_codex":0.00012564914,"about_ca_topic_score_gemma":0.000031994077,"teacher_disagreement_score":0.79152936,"about_ca_system_score_codex":0.000010074727,"about_ca_system_score_gemma":0.000026399724,"threshold_uncertainty_score":0.33389893},"labels":[],"label_agreement":null},{"id":"W2099600403","doi":"","title":"Lord Byron’s Canons. Romanticism on the Net :, no. 43, 2006","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; History; Art; Literature; Art history","score_opus":0.022404087229629326,"score_gpt":0.20541571354260682,"score_spread":0.1830116263129775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2099600403","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46308318,0.00048028538,0.000032002157,0.010399775,0.0024718756,0.0007855676,0.00023452376,0.0002703888,0.5222424],"genre_scores_gemma":[0.8865437,0.000029967634,0.000025369425,0.008991024,0.0030562286,0.00006325462,0.00010336975,0.000083813386,0.101103306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970471,0.00028245075,0.00062502926,0.000531818,0.0007228321,0.00079072115],"domain_scores_gemma":[0.99749005,0.0010445633,0.0002012677,0.00096954615,0.00019550542,0.00009907895],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005344231,0.00051427836,0.0004055212,0.00016362304,0.0013430277,0.00073226023,0.0007669422,0.00011269394,0.0070969914],"category_scores_gemma":[0.00010631326,0.00030121143,0.00024323729,0.00011539776,0.0005101429,0.00025973,0.000066697125,0.00048680126,0.003075606],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005583825,0.00018922283,0.000049118997,0.000012042648,0.000044013406,0.000031419317,0.0055090166,0.00006255496,0.000078931735,0.61636585,0.37739027,0.0002116913],"study_design_scores_gemma":[0.00067526434,0.00042543357,0.0036785016,0.00017644724,0.000115495124,0.000012847691,0.0016178373,0.001297285,0.00039141506,0.027254613,0.9637529,0.0006019246],"about_ca_topic_score_codex":0.003352519,"about_ca_topic_score_gemma":0.0019929784,"teacher_disagreement_score":0.58911127,"about_ca_system_score_codex":0.00005577274,"about_ca_system_score_gemma":0.00006367517,"threshold_uncertainty_score":0.9999571},"labels":[],"label_agreement":null},{"id":"W2100997225","doi":"10.7202/009258ar","title":"“Was it for this [. . .]?”: The Poetic Histories of Southey and Wordsworth","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Romanticism; Literature; Romance; Manifesto; Feminization (sociology); History; Art; Philosophy; Sociology; Law; Political science; Gender studies","score_opus":0.023993822151293535,"score_gpt":0.20973069497523367,"score_spread":0.18573687282394014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2100997225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61335665,0.015124852,0.00052917073,0.093523376,0.005054534,0.0029577652,0.00057628413,0.0003399619,0.26853737],"genre_scores_gemma":[0.9684554,0.00002542756,0.000057077,0.0014810442,0.00037614026,0.000030254696,0.000009771355,0.000026386619,0.0295385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904567,0.000053320844,0.00026432777,0.0002033521,0.00022362656,0.00020968461],"domain_scores_gemma":[0.9989534,0.00028427472,0.00017099916,0.00046727678,0.00009011437,0.000033915505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032157623,0.0001762864,0.00025583617,0.000075351985,0.0005618691,0.00011414709,0.00031413083,0.00004435476,0.00046449993],"category_scores_gemma":[0.00008189292,0.000093300354,0.00015762601,0.000047775215,0.00053168077,0.00007302447,0.00003695787,0.00014570708,0.000021678821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050554925,0.000053951746,0.0000137256975,0.000031777075,0.00012456482,0.0000017068443,0.15768105,0.00001879415,0.000040372903,0.81757355,0.024267726,0.00014223754],"study_design_scores_gemma":[0.0004820914,0.00020328951,0.00005470249,0.00007765832,0.00033346878,0.0000028027673,0.0057327426,0.000069467154,0.0001888693,0.036794085,0.9558442,0.00021661968],"about_ca_topic_score_codex":0.0002347126,"about_ca_topic_score_gemma":0.0007883584,"teacher_disagreement_score":0.9315765,"about_ca_system_score_codex":0.000046191337,"about_ca_system_score_gemma":0.000030992876,"threshold_uncertainty_score":0.5085949},"labels":[],"label_agreement":null},{"id":"W2101729537","doi":"","title":"Transatlantic Romanticism. Romanticism on the Net, no. 38-39, 2005","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Art; History; Literature","score_opus":0.0194948814307011,"score_gpt":0.20196058227966665,"score_spread":0.18246570084896555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101729537","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3928464,0.002939219,0.00016728799,0.06316223,0.0050248406,0.0023295924,0.00023980491,0.0009410109,0.5323496],"genre_scores_gemma":[0.8888324,0.0001895333,0.00007243864,0.012983112,0.0047454126,0.0000819459,0.00006330583,0.00017410544,0.09285773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946657,0.0005227454,0.0010771557,0.0009983376,0.0013200451,0.0014160494],"domain_scores_gemma":[0.99582064,0.0011073822,0.00044955162,0.002149785,0.00021981337,0.0002528176],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012445389,0.0009810404,0.00096683094,0.00041934763,0.0018699677,0.0009086329,0.0018560755,0.00025893693,0.015320009],"category_scores_gemma":[0.00016999517,0.00057093496,0.00078874873,0.00024253431,0.0008569397,0.00040197006,0.00011050231,0.0011952514,0.009186676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022854401,0.00079443835,0.00001655062,0.000049855276,0.0007092124,0.00008308135,0.024853613,0.00026555787,0.00087004656,0.4271681,0.5439111,0.0010498706],"study_design_scores_gemma":[0.0008670578,0.0003753164,0.00018587928,0.00028458048,0.0006256007,0.00002204348,0.00081300625,0.0063291634,0.00079099694,0.0028593102,0.9859148,0.0009321917],"about_ca_topic_score_codex":0.00030936033,"about_ca_topic_score_gemma":0.0008244943,"teacher_disagreement_score":0.495986,"about_ca_system_score_codex":0.00017629415,"about_ca_system_score_gemma":0.00007852825,"threshold_uncertainty_score":0.9996742},"labels":[],"label_agreement":null},{"id":"W2104817171","doi":"10.7202/005988ar","title":"Romanticism, Materialism, and the Origins of Modern Pornography","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Sexuality, Behavior, and Technology","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Materialism; Pornography; Literature; History; Art; Political science; Philosophy; Epistemology; Law","score_opus":0.0302083518018246,"score_gpt":0.30333738579017616,"score_spread":0.27312903398835153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2104817171","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9815628,0.00043393124,0.00011380771,0.0035179362,0.0010778295,0.00047849084,0.000022334347,0.00014662382,0.0126462765],"genre_scores_gemma":[0.99689716,0.000098058474,0.000036032623,0.001053829,0.00012530138,0.000055378394,0.0000074838063,0.00003670192,0.0016900712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9982279,0.0003084125,0.00042827538,0.00036919268,0.00023962349,0.00042662374],"domain_scores_gemma":[0.99827987,0.00034063886,0.00021140222,0.0010789474,0.000039923594,0.00004921206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064681424,0.0002468822,0.00043281942,0.00017284238,0.00017386538,0.000040878018,0.00059330626,0.0002201522,0.000555547],"category_scores_gemma":[0.000030787898,0.00013714744,0.00011854956,0.00031765492,0.000902726,0.00003841947,0.00011330037,0.00026307852,0.00007885703],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004737265,0.0002712804,0.0054676905,0.0000069145167,0.00014295755,0.00005350675,0.0032421807,0.0000010748397,0.0021162643,0.9822987,0.002177722,0.0037480067],"study_design_scores_gemma":[0.018343424,0.0020812883,0.30142725,0.0001942126,0.0014402831,0.0013243594,0.006014387,0.00085830706,0.009531255,0.40922228,0.24781746,0.0017454938],"about_ca_topic_score_codex":0.0010013441,"about_ca_topic_score_gemma":0.00004767186,"teacher_disagreement_score":0.57307637,"about_ca_system_score_codex":0.0000134434495,"about_ca_system_score_gemma":0.000009770232,"threshold_uncertainty_score":0.608285},"labels":[],"label_agreement":null},{"id":"W2109708864","doi":"10.7202/009256ar","title":"“The Renovating Fury”: Southey, Republicanism and Sensationalism","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Crime, Deviance, and Social Control","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chivalry; Political radicalism; Sensationalism; Politics; Romanticism; Literature; Poetry; Historicism; State (computer science); History; Aesthetics; Art; Law; Political science","score_opus":0.024216686029846748,"score_gpt":0.287670921143304,"score_spread":0.2634542351134573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109708864","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7872706,0.0003560015,0.00015522295,0.104395635,0.0007322808,0.0005553577,0.000009437171,0.00015474527,0.10637074],"genre_scores_gemma":[0.9943776,0.000090455374,0.00006488244,0.0023709727,0.00064538204,0.000014247512,0.0000017362545,0.00001151365,0.0024231721],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986357,0.00019076667,0.00020395384,0.00019328471,0.0004413545,0.00033492135],"domain_scores_gemma":[0.9988414,0.0006462209,0.00012214127,0.00022644806,0.00009342816,0.000070340495],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0016696482,0.000101489815,0.00012293659,0.000026092954,0.0026731547,0.0003026863,0.00026566512,0.00007877138,0.00003535831],"category_scores_gemma":[0.0008038932,0.00006404777,0.000058090616,0.00020838185,0.00043048954,0.00008188032,0.00003573019,0.00018906624,0.000042216234],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070419946,0.000011570618,0.00005991901,0.0000011672544,0.000016249633,0.000002622322,0.020364648,0.0000041870217,0.000099565426,0.9761948,0.0014311014,0.0018071136],"study_design_scores_gemma":[0.001177141,0.00010552935,0.010882518,0.00007872026,0.000055540877,0.000005764746,0.038003776,0.00012331147,0.000113434624,0.6309677,0.3180372,0.00044936908],"about_ca_topic_score_codex":0.001619444,"about_ca_topic_score_gemma":0.0012170264,"teacher_disagreement_score":0.34522715,"about_ca_system_score_codex":0.000056519522,"about_ca_system_score_gemma":0.00013382154,"threshold_uncertainty_score":0.9986252},"labels":[],"label_agreement":null},{"id":"W2109736061","doi":"10.7202/016131ar","title":"Radicalism, Visual Culture, and Spectacle in the 1790s","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political radicalism; Spectacle; Distrust; Politeness; Visual culture; Comics; Ambivalence; Movement (music); History; Media studies; Literature; Aesthetics; Sociology; Art; Law; Political science; Psychoanalysis; Psychology; Visual arts; Politics","score_opus":0.020995280088820407,"score_gpt":0.24247106600914833,"score_spread":0.22147578592032793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109736061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3139444,0.001078277,0.000010755425,0.0056828097,0.00047517844,0.00026289158,0.0000041352073,0.000050332634,0.67849123],"genre_scores_gemma":[0.98892397,0.000043583397,0.0000056360327,0.0029888065,0.00074890786,0.000005653722,0.0000021008545,0.0000068444133,0.007274515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992701,0.00004552834,0.0001454411,0.00012771574,0.00019797606,0.00021326492],"domain_scores_gemma":[0.99966115,0.00015506068,0.000031133957,0.000108317705,0.000016404063,0.000027922775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036375527,0.000110896064,0.00012326388,0.000025742627,0.00051648647,0.00008088404,0.000151461,0.000027026354,0.0002821792],"category_scores_gemma":[0.00003237827,0.00004705021,0.000041564177,0.000048551126,0.00026474157,0.00004120031,0.000028533048,0.00018991086,0.00010451336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001967568,0.00009070366,0.00006437164,0.000003740397,0.000013844858,0.000020779828,0.10241508,1.2275244e-7,0.000036539474,0.8135297,0.08313775,0.0006677419],"study_design_scores_gemma":[0.0001600173,0.00012870204,0.0020926204,0.000013424927,0.000014196282,0.0000037807438,0.0096221715,0.0000118181615,0.000033430995,0.005833508,0.9819909,0.000095469804],"about_ca_topic_score_codex":0.00008456633,"about_ca_topic_score_gemma":0.0010062307,"teacher_disagreement_score":0.8988531,"about_ca_system_score_codex":0.000013909759,"about_ca_system_score_gemma":0.0000027903768,"threshold_uncertainty_score":0.39724484},"labels":[],"label_agreement":null},{"id":"W2109999498","doi":"10.7202/009264ar","title":"Ian Balfour. The Rhetoric of Romantic Prophecy. Stanford: Stanford University Press, 2002. ISBN: 0-8047-4506-4. Price: US$27.95.","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Rhetoric; Romance; Romanticism; History; Art; Literature; Philosophy; Art history; Theology","score_opus":0.034379032886076896,"score_gpt":0.21255415159308347,"score_spread":0.17817511870700659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109999498","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07813511,0.0044349604,0.00018442894,0.0037153652,0.0013329786,0.001248038,0.00009755894,0.00016749772,0.91068405],"genre_scores_gemma":[0.90606225,0.0019311632,0.00006183163,0.00030878684,0.00015272968,0.000011580046,0.000005473486,0.000031459836,0.09143475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799263,0.00035706838,0.00041647803,0.00027320665,0.00052842335,0.00043221592],"domain_scores_gemma":[0.99776363,0.00039278247,0.00038058776,0.0011609402,0.00023578422,0.00006625503],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005835171,0.00030326957,0.0003837296,0.00005965482,0.0012096242,0.00012343569,0.001001966,0.00007219274,0.0014309898],"category_scores_gemma":[0.000096228025,0.00017836755,0.00017244449,0.00018167071,0.0005836818,0.00020371069,0.00019321842,0.00035730464,0.00013517133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054686727,0.00016048909,0.000115550414,0.000032185704,0.00017457863,0.000004641124,0.008345432,0.000022419827,0.000013305729,0.8474812,0.14339857,0.00019698012],"study_design_scores_gemma":[0.0004244023,0.00019626801,0.00076327985,0.00006127358,0.000115309995,0.0000035950986,0.008168117,0.00019963567,0.00008372141,0.0014148094,0.9883227,0.0002469105],"about_ca_topic_score_codex":0.00021657224,"about_ca_topic_score_gemma":0.000110662724,"teacher_disagreement_score":0.84606636,"about_ca_system_score_codex":0.000075774544,"about_ca_system_score_gemma":0.00008387989,"threshold_uncertainty_score":0.99948186},"labels":[],"label_agreement":null},{"id":"W2133165511","doi":"10.7202/009262ar","title":"The Maiden on the Battlefield: War and Estrangement in Southey’s Joan Of Arc1","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"American Sports and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Context (archaeology); Poetry; Literature; Undoing; History; Politics; Battlefield; Luck; Wonder; Miracle; Aesthetics; Psychoanalysis; Art; Philosophy; Psychology; Law; Political science; Theology; Epistemology; Ancient history","score_opus":0.013918918819789856,"score_gpt":0.19957637380806623,"score_spread":0.18565745498827638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133165511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91610724,0.00032535533,0.0000014622088,0.018165696,0.00018796766,0.00026817457,0.000019192896,0.000013000684,0.064911895],"genre_scores_gemma":[0.9934423,0.000087951936,0.0000043939485,0.0020883242,0.00016337041,0.000011543429,0.0000020076495,0.000010835958,0.004189286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999304,0.0000421047,0.0001802826,0.00012405054,0.00017517974,0.0001744011],"domain_scores_gemma":[0.9993583,0.00022437633,0.0000858296,0.00029536823,0.00001575343,0.00002036115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002772714,0.000115980714,0.00012582834,0.00002882219,0.00028038796,0.000085502565,0.00021037227,0.00002390721,0.00072312134],"category_scores_gemma":[0.000016788692,0.00004559679,0.000048716014,0.000027973903,0.0003616388,0.00002771687,0.000030213867,0.00020575721,0.000023945442],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039915627,0.000051469524,0.000088510365,0.0000058647065,0.000020757452,0.000006125684,0.035349477,0.000028897763,0.000015306849,0.95621127,0.007371571,0.0008108639],"study_design_scores_gemma":[0.0011567316,0.0011188105,0.014719073,0.0006165396,0.00008294073,0.000008691475,0.07498656,0.00008969027,0.0003949949,0.050018206,0.85632926,0.00047846933],"about_ca_topic_score_codex":0.0002830731,"about_ca_topic_score_gemma":0.00038224328,"teacher_disagreement_score":0.906193,"about_ca_system_score_codex":0.000009233794,"about_ca_system_score_gemma":0.000012654882,"threshold_uncertainty_score":0.7917672},"labels":[],"label_agreement":null},{"id":"W2136606400","doi":"10.7202/007717ar","title":"Laughing at Love: L.E.L. and the Embellishment of Eros","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Eroticism; Indulgence; Poetry; Literature; Witness; Sensibility; Reading (process); Art; Stanza; Philosophy; Psychology; Human sexuality; Theology; Sociology; Gender studies; Linguistics","score_opus":0.01669337535654256,"score_gpt":0.2070454000572631,"score_spread":0.19035202470072055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136606400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8812043,0.000664084,0.000023447115,0.012432492,0.00020661145,0.00020066641,0.000014287037,0.000017108914,0.105237],"genre_scores_gemma":[0.9898047,0.00008838505,0.0000065569425,0.0014461015,0.00017904358,0.0000045738357,0.0000022635336,0.000009417066,0.008458978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991927,0.00006347223,0.00021750046,0.000133826,0.00022334034,0.00016912565],"domain_scores_gemma":[0.99934274,0.00023242195,0.0000886569,0.0002774569,0.000030717707,0.000027979111],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003842188,0.000114419294,0.00020500936,0.000028535023,0.00032503513,0.00010004712,0.00019325281,0.000023476696,0.0009870451],"category_scores_gemma":[0.00003232383,0.00005421566,0.000103109756,0.000028102355,0.0005326181,0.000056246146,0.000078221376,0.00011214271,0.000120572884],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044696102,0.000052959032,0.000011309475,0.000011351742,0.00007030671,0.0000045051024,0.017125113,0.000096433505,0.00012471942,0.9793569,0.0029321352,0.0001695976],"study_design_scores_gemma":[0.009862237,0.0007354672,0.0023888869,0.00082526304,0.0014038631,0.000060586375,0.030629715,0.0023192158,0.01803225,0.5413731,0.39121395,0.0011554682],"about_ca_topic_score_codex":0.00024764994,"about_ca_topic_score_gemma":0.0002647652,"teacher_disagreement_score":0.43798378,"about_ca_system_score_codex":0.000016904545,"about_ca_system_score_gemma":0.000007241702,"threshold_uncertainty_score":0.9999262},"labels":[],"label_agreement":null},{"id":"W2143816749","doi":"10.7202/013150ar","title":"Crafting Editorial Settlements1","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Compromise; History; Human settlement; Institutionalisation; Consolidation (business); Normalization (sociology); Sociology; Political science; Law; Archaeology; Social science","score_opus":0.014871336857784814,"score_gpt":0.1968606683870742,"score_spread":0.18198933152928937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143816749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26362357,0.000070850925,0.000036568512,0.007152069,0.056417525,0.0004426837,0.00013150032,0.00025115308,0.67187405],"genre_scores_gemma":[0.86490005,0.000001833467,0.000019789293,0.0009265636,0.111140415,0.000014179727,0.000037115824,0.000021688393,0.02293838],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999015,0.000040232233,0.0001905446,0.00015655716,0.00031130927,0.00028637983],"domain_scores_gemma":[0.99951315,0.00012276159,0.00006462171,0.00022904924,0.00003877683,0.00003166129],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020135564,0.000130687,0.000113852846,0.000036306603,0.00042796612,0.00022086679,0.00020067718,0.00003318974,0.003425306],"category_scores_gemma":[0.000021426606,0.00008157249,0.000068269386,0.000022335511,0.0001068336,0.000068876434,0.000032057666,0.00015087398,0.00084817834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000092124965,0.0000364539,0.000060516406,0.0000028125173,0.000009246251,0.0000035869693,0.0006327773,0.000004941183,0.000068186615,0.30623817,0.6927991,0.00013500395],"study_design_scores_gemma":[0.0002439667,0.00007253036,0.00028082146,0.000021428787,0.000013791151,5.951214e-7,0.00018478499,0.000053554948,0.00022836383,0.012469494,0.9863096,0.000121087476],"about_ca_topic_score_codex":0.00026607135,"about_ca_topic_score_gemma":0.00023215519,"teacher_disagreement_score":0.6489357,"about_ca_system_score_codex":0.0000130516055,"about_ca_system_score_gemma":0.000011974642,"threshold_uncertainty_score":0.9999298},"labels":[],"label_agreement":null},{"id":"W2144651166","doi":"10.7202/011140ar","title":"Darsie Latimer’s “Little Solidity,” or the Case for Homosexuality in Scott’s Redgauntlet","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Passions; Litany; Sodomy; Literature; Psychoanalysis; Philosophy; Homosexuality; History; Psychology; Art; Theology","score_opus":0.07073840397127519,"score_gpt":0.29467838990720596,"score_spread":0.22393998593593079,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144651166","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7356686,0.0020521246,0.000040681996,0.09489987,0.0032340628,0.0024977385,0.0007966722,0.0002076211,0.16060264],"genre_scores_gemma":[0.9745818,0.000029540684,0.00010072395,0.0048679905,0.0017985458,0.000097183336,0.000019495037,0.000026248325,0.018478513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986531,0.00018489016,0.00033085226,0.00029528423,0.00013052828,0.00040532384],"domain_scores_gemma":[0.99839264,0.00088973256,0.000102727354,0.0005152093,0.0000647795,0.00003488472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008620276,0.00021955855,0.00028797172,0.00006199125,0.0008715906,0.0001948639,0.0003334496,0.00006769059,0.000785487],"category_scores_gemma":[0.00020009182,0.00009472011,0.00009807416,0.000059567195,0.0005243468,0.000116975476,0.00009085412,0.00028725414,0.00009954325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022806729,0.00022418874,0.00003894229,0.00004519795,0.0000897391,0.00018209669,0.09681813,0.000022398164,0.000015889489,0.4802859,0.41938052,0.0026689419],"study_design_scores_gemma":[0.0006746883,0.00028863334,0.0003875239,0.00005121038,0.000062728635,0.00010855885,0.011181912,0.00045476493,0.0000738105,0.009927086,0.97654605,0.00024300998],"about_ca_topic_score_codex":0.00026587557,"about_ca_topic_score_gemma":0.009217591,"teacher_disagreement_score":0.55716556,"about_ca_system_score_codex":0.000028739634,"about_ca_system_score_gemma":0.000025378575,"threshold_uncertainty_score":0.8600532},"labels":[],"label_agreement":null},{"id":"W2147508242","doi":"10.7202/011143ar","title":"The Emancipation of the Flesh: The Legacy of Romanticism in the Homosexual Rights Movement","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"European history and politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Emancipation; Romanticism; Flesh; German; Religious studies; Bourgeoisie; Rhetoric; Reform movement; Romance; Gender studies; Movement (music); Literature; Philosophy; Art; History; Sociology; Political science; Law; Theology; Politics; Aesthetics","score_opus":0.02526737855639357,"score_gpt":0.28252047875081876,"score_spread":0.2572531001944252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2147508242","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87364155,0.0002453828,0.000010128643,0.016283885,0.00057854777,0.0006585157,0.00000823996,0.0000143044135,0.10855943],"genre_scores_gemma":[0.9942535,0.000052834457,0.000009816956,0.001982053,0.00039019206,0.000015171563,0.0000010654782,0.000010564494,0.0032847598],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967887,0.0014851413,0.0004387048,0.0001549452,0.0007809937,0.00035156411],"domain_scores_gemma":[0.9973722,0.0014240597,0.00031029023,0.00080151507,0.00006358941,0.00002835596],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002912415,0.00014044272,0.00015667822,0.00003069378,0.0014769852,0.00007592152,0.0015240671,0.000056577497,0.00005475482],"category_scores_gemma":[0.00022382877,0.000051604435,0.00011699883,0.00030806684,0.00091482693,0.00011083688,0.00008745891,0.00030753243,0.0000391715],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019190318,0.00013238982,0.00020677762,0.0000053065305,0.00001976366,0.0000012444236,0.04753327,0.00017847514,0.00009965453,0.9419624,0.009086978,0.00075452565],"study_design_scores_gemma":[0.00062109315,0.0002477752,0.052546617,0.00014586495,0.00013020985,0.0000025983268,0.016550887,0.0007034496,0.0022751149,0.058421053,0.8680609,0.00029444415],"about_ca_topic_score_codex":0.0013371377,"about_ca_topic_score_gemma":0.0074809943,"teacher_disagreement_score":0.88354135,"about_ca_system_score_codex":0.000064058,"about_ca_system_score_gemma":0.000084586725,"threshold_uncertainty_score":0.999823},"labels":[],"label_agreement":null},{"id":"W2148378148","doi":"10.7202/006563ar","title":"\"Rest before Labour\": The Pre-Text/s of Blake's The Four Zoas","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Dream; Narrative; Literature; Rest (music); Alienation; Romance; History; Art; Psychology; Law","score_opus":0.023544860754412724,"score_gpt":0.2104097083821651,"score_spread":0.18686484762775238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148378148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8433366,0.00026023554,0.000019011126,0.011057107,0.0007520028,0.0006204032,0.00008564543,0.000055555884,0.14381346],"genre_scores_gemma":[0.96684355,0.000023935005,0.000009333895,0.002405501,0.00055146706,0.000028357686,0.0000047605695,0.000028331217,0.030104768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985507,0.00022222017,0.00029093263,0.00019312913,0.0003737019,0.00036933244],"domain_scores_gemma":[0.9985445,0.0003830457,0.00016786554,0.0007755345,0.00007784934,0.00005119126],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055425946,0.00021217347,0.00020994784,0.000034659275,0.0007441986,0.00020285463,0.00065040484,0.000047489495,0.0034293649],"category_scores_gemma":[0.00012272058,0.00008458333,0.00015290856,0.000070961985,0.000603093,0.00007351897,0.000053887637,0.0002873381,0.00025373336],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019790676,0.000068352114,0.0002241953,0.000014035118,0.000064596636,0.000006006209,0.011231475,0.000018220413,0.000032182987,0.94632196,0.04128386,0.0007153218],"study_design_scores_gemma":[0.00029797055,0.0002721674,0.010360138,0.0000640083,0.00006302504,0.000011961622,0.0017747174,0.00010006847,0.0004962872,0.04853942,0.937856,0.00016422257],"about_ca_topic_score_codex":0.00018001517,"about_ca_topic_score_gemma":0.0013427723,"teacher_disagreement_score":0.89778256,"about_ca_system_score_codex":0.000009650519,"about_ca_system_score_gemma":0.000039569553,"threshold_uncertainty_score":0.99748164},"labels":[],"label_agreement":null},{"id":"W2148517102","doi":"10.7202/012460ar","title":"Death and the Castrated: The Complex Psyches of Valperga","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Studies on Reproduction, Gender, Health, and Societal Changes","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literal and figurative language; HERO; Representation (politics); Psychoanalysis; Literal (mathematical logic); Literature; Philosophy; Art; Psychology; Linguistics; Law; Political science; Politics","score_opus":0.0928647945835679,"score_gpt":0.2540783376454759,"score_spread":0.161213543061908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148517102","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7381511,0.0046935873,0.000014096793,0.052801523,0.0010001672,0.00068993296,0.00003097975,0.00006521141,0.20255344],"genre_scores_gemma":[0.989423,0.00033864548,0.0000063569064,0.00097593496,0.000811392,0.000017241764,0.0000027970857,0.000009777617,0.008414897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991482,0.00013124601,0.00019759874,0.00015886976,0.00019391257,0.00017017618],"domain_scores_gemma":[0.99929184,0.0002754126,0.00009527655,0.00026264729,0.000056987737,0.000017847979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036370862,0.00011514296,0.00018440983,0.000012789068,0.0012400155,0.000048930717,0.00016216486,0.000024563957,0.00017783305],"category_scores_gemma":[0.000017532602,0.000046107336,0.00007475432,0.000039130555,0.00081548485,0.000020664342,0.000025845486,0.00012979603,0.0000145310105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035312318,0.00005694833,0.00006799417,0.00002018001,0.000043652617,4.5865127e-7,0.028838988,0.000006557041,0.00001722268,0.90786844,0.06280851,0.0002357185],"study_design_scores_gemma":[0.0007657615,0.0002324212,0.014086097,0.000022726808,0.00011321308,0.0000077113245,0.02981412,0.00021538256,0.00005517204,0.046438716,0.9080483,0.00020038211],"about_ca_topic_score_codex":0.0031739166,"about_ca_topic_score_gemma":0.00085820677,"teacher_disagreement_score":0.86142975,"about_ca_system_score_codex":0.000018577253,"about_ca_system_score_gemma":0.000010255732,"threshold_uncertainty_score":0.95373213},"labels":[],"label_agreement":null},{"id":"W2154139924","doi":"10.7202/009260ar","title":"Thalaba the Destroyer: Southey’s Nationalist “Romance”","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Politics and Conflicts in Afghanistan, Pakistan, and Middle East","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political radicalism; Politics; Superstition; Nationalism; Poetry; Narrative; Literature; Islam; Feudalism; History; Religious studies; Aesthetics; Philosophy; Political science; Art; Law; Theology","score_opus":0.032639345138551955,"score_gpt":0.2900497868691612,"score_spread":0.2574104417306093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154139924","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05539591,0.00030066996,0.00034892204,0.0056623514,0.0009185792,0.00040442267,0.000058355097,0.000110930654,0.9367999],"genre_scores_gemma":[0.9157415,0.000071392235,0.000049266517,0.0031612648,0.0006278382,0.000023515908,0.000005136428,0.000015806738,0.0803043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983511,0.00014644259,0.00020106189,0.00021654894,0.00061388966,0.00047093342],"domain_scores_gemma":[0.99908835,0.00024683197,0.00010317641,0.00038307245,0.000076803684,0.000101778656],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007899802,0.00015145769,0.00012595601,0.000031643813,0.0016824751,0.00024168067,0.0007145402,0.000077224126,0.00018145356],"category_scores_gemma":[0.00016391606,0.00008729091,0.00011237903,0.00018249787,0.0006087416,0.00006336212,0.00004496809,0.00020740466,0.00026180877],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007235816,0.000046609428,0.000049361028,0.000001950206,0.000019383446,0.000005509706,0.0021654223,0.000035291607,0.000028428723,0.9973505,0.00018379536,0.00010652088],"study_design_scores_gemma":[0.00030581962,0.000052252388,0.0014711524,0.00004898401,0.000027617543,0.000004661742,0.002328938,0.000027782664,0.00016377843,0.13409829,0.86128664,0.00018405898],"about_ca_topic_score_codex":0.0015431676,"about_ca_topic_score_gemma":0.0011315115,"teacher_disagreement_score":0.8632522,"about_ca_system_score_codex":0.00009988973,"about_ca_system_score_gemma":0.00023376383,"threshold_uncertainty_score":0.9996172},"labels":[],"label_agreement":null},{"id":"W2155660807","doi":"10.7202/011676ar","title":"Jane Stabler. Byron, Poetics and History. Cambridge: Cambridge UP, 2002. ISBN: 0521812410. Price: US$70.00.","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Poetics; Romanticism; History; Art history; Humanities; Philosophy; Art; Literature; Poetry","score_opus":0.02122189403948234,"score_gpt":0.24832834916415164,"score_spread":0.22710645512466932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2155660807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5187806,0.014001513,0.00005135195,0.020933302,0.0025205228,0.0008764066,0.00006964846,0.0003174738,0.44244918],"genre_scores_gemma":[0.71887326,0.0010168557,0.00007357074,0.0041253604,0.0011598882,0.000023418894,0.0000132368605,0.000040254905,0.27467418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974584,0.0003265198,0.0003416598,0.00047597202,0.00069240393,0.0007050314],"domain_scores_gemma":[0.99871206,0.00015757637,0.00020555516,0.0005264878,0.00011651845,0.00028177453],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008913632,0.0003148527,0.00034078813,0.00007350046,0.0009852585,0.00008819936,0.0005830652,0.0002380242,0.0018063744],"category_scores_gemma":[0.00021630074,0.00024635415,0.000103655075,0.00025471076,0.00061981584,0.0002964171,0.00008665263,0.0004949094,0.0005465591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038841787,0.00012754221,0.00012209444,0.000015819614,0.000031755066,0.000017155318,0.009071106,0.000016636412,0.0010471358,0.06303012,0.92572737,0.0007544509],"study_design_scores_gemma":[0.0003892813,0.00009538231,0.0029484616,0.00003846696,0.000054378426,0.0000116732335,0.00082821277,0.000119350385,0.00017279612,0.00007239773,0.9949245,0.00034511846],"about_ca_topic_score_codex":0.00084558886,"about_ca_topic_score_gemma":0.00041660818,"teacher_disagreement_score":0.20009264,"about_ca_system_score_codex":0.000539507,"about_ca_system_score_gemma":0.00023664432,"threshold_uncertainty_score":0.99999887},"labels":[],"label_agreement":null},{"id":"W2160050308","doi":"10.7202/013999ar","title":"Domesticity and the Female Demon in Charlotte Dacre’s Zofloya and Emily Brontë’s Wuthering Heights","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Demon; Femininity; Sensibility; Realm; Literature; Masculinity; Art; History; Aesthetics; Gender studies; Sociology","score_opus":0.008335088981369474,"score_gpt":0.23872639353318087,"score_spread":0.2303913045518114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160050308","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97654384,0.0012637503,0.000026531556,0.0079091275,0.00012346798,0.0002501557,0.000002331402,0.000023750408,0.013857034],"genre_scores_gemma":[0.9963041,0.00032190108,0.000036914123,0.00092717045,0.0002805249,0.000013857548,0.0000017759812,0.000007859766,0.0021059178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99875796,0.0003141716,0.00017622112,0.00020570634,0.00026525458,0.0002806622],"domain_scores_gemma":[0.9990254,0.000650986,0.000066152876,0.00018196492,0.00001981325,0.000055687186],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011209189,0.0001163046,0.00021311277,0.000050823128,0.0004089227,0.00013928128,0.00018244523,0.00008654179,0.00003062833],"category_scores_gemma":[0.00014596168,0.00006137358,0.000044623364,0.0002156613,0.0003993161,0.000080702484,0.000041584663,0.00020515574,0.000007730121],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024927186,0.00018494559,0.04762272,0.000046922367,0.00013911974,0.000100457044,0.13425626,0.000077636214,0.0010635607,0.80691856,0.005188169,0.004152386],"study_design_scores_gemma":[0.008886181,0.0002770042,0.55354005,0.00083667005,0.0008287661,0.000030597326,0.020442134,0.00829747,0.0011409352,0.22518007,0.17891376,0.0016263649],"about_ca_topic_score_codex":0.006580928,"about_ca_topic_score_gemma":0.0067897085,"teacher_disagreement_score":0.5817385,"about_ca_system_score_codex":0.000020483727,"about_ca_system_score_gemma":0.000025353567,"threshold_uncertainty_score":0.9948438},"labels":[],"label_agreement":null},{"id":"W2161989018","doi":"10.7202/005931ar","title":"Editing Felicia Hemans for the Twenty-First Century","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Romanticism; Art; Humanities; History; Art history; Political science; Law","score_opus":0.03707724556002785,"score_gpt":0.2251111325007841,"score_spread":0.18803388694075623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2161989018","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27026063,0.0004945213,0.000008204163,0.010040054,0.0018782225,0.00082869636,0.00014999128,0.00016157879,0.7161781],"genre_scores_gemma":[0.94102526,0.00007226957,0.00000440738,0.0043111043,0.0030913947,0.00006770329,0.000019315628,0.000035497287,0.051373024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988859,0.000028080114,0.00023615647,0.00019621872,0.0002532201,0.0004004012],"domain_scores_gemma":[0.99880815,0.00066460314,0.000069423804,0.00036769788,0.000046963236,0.000043169854],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031906966,0.00018976817,0.00015614284,0.000029528563,0.001761775,0.00097405084,0.00048967754,0.000034060813,0.008201396],"category_scores_gemma":[0.00003959515,0.00010008604,0.00017373354,0.000025212335,0.00022404097,0.0002241163,0.000035475216,0.00020360267,0.00045178217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004154572,0.00007569913,0.000009599201,0.000016025624,0.000052347325,0.0000032373619,0.011857025,0.000030082956,0.0000015627015,0.86950946,0.10940921,0.008994204],"study_design_scores_gemma":[0.00020709341,0.00012067441,0.00013953415,0.000062942265,0.000040219315,0.000002431955,0.0043245084,0.00031705995,0.00002134109,0.010001579,0.9846121,0.00015048007],"about_ca_topic_score_codex":0.00010013434,"about_ca_topic_score_gemma":0.0005730489,"teacher_disagreement_score":0.87520295,"about_ca_system_score_codex":0.000018992196,"about_ca_system_score_gemma":0.000008724845,"threshold_uncertainty_score":0.99953777},"labels":[],"label_agreement":null},{"id":"W2163404964","doi":"10.7202/008699ar","title":"“Shelley Himself in Petticoats”: Joanna Baillie’s Orra and Non-violent Masculinity as Remorse in The Cenci","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gender Roles and Identity Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Masculinity; Femininity; Drama; Politics; Subject (documents); Remorse; Psychoanalysis; Gender studies; Sociology; Literature; Aesthetics; Psychology; Philosophy; Art; Law; Social psychology; Political science","score_opus":0.025022455137160903,"score_gpt":0.28496851644535465,"score_spread":0.25994606130819375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163404964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9347124,0.0002630022,0.0000075304156,0.051235653,0.00022193477,0.00045884057,0.0000021678663,0.000017737808,0.013080732],"genre_scores_gemma":[0.9958547,0.0017389714,0.000031185988,0.0018249211,0.00013095948,0.00001894475,0.0000011184179,0.0000088199085,0.00039039893],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9982538,0.0002987385,0.00025233824,0.00027402397,0.00049275515,0.00042834063],"domain_scores_gemma":[0.99940497,0.0001410627,0.000068363755,0.0002975957,0.000030505522,0.00005749996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016552702,0.0001530871,0.00021460059,0.000082286555,0.0005602178,0.00013197279,0.00044975715,0.00007999932,0.0000322811],"category_scores_gemma":[0.00027084997,0.00009399524,0.00006693984,0.000348319,0.00015311674,0.00009919493,0.00010958256,0.0003125813,0.00015667272],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016978421,0.001779093,0.06475583,0.00009213058,0.00013427202,0.0004221737,0.7518859,0.00089576264,0.00024680543,0.1392338,0.035540998,0.004843482],"study_design_scores_gemma":[0.001825458,0.00027818888,0.65671784,0.0002635212,0.00005702278,0.000009992606,0.25363067,0.00011439991,0.00010714341,0.07144037,0.015077828,0.00047757762],"about_ca_topic_score_codex":0.015376089,"about_ca_topic_score_gemma":0.027176192,"teacher_disagreement_score":0.591962,"about_ca_system_score_codex":0.00007942609,"about_ca_system_score_gemma":0.00008416913,"threshold_uncertainty_score":0.9911806},"labels":[],"label_agreement":null},{"id":"W2166857827","doi":"10.7202/005918ar","title":"Paul Magnuson, Reading Public Romanticism. Princeton: Princeton University Press, 1998. ISBN: 0-691-05794-X. Price: $47.50.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Political Theory and Influence","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Reading (process); Romance; History; Media studies; Art history; Literature; Philosophy; Art; Sociology; Linguistics","score_opus":0.02675128351760536,"score_gpt":0.26050228002086756,"score_spread":0.2337509965032622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2166857827","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41826063,0.00013483726,0.000078948964,0.0096869385,0.00033817432,0.00066736893,0.000038800812,0.0003688122,0.5704255],"genre_scores_gemma":[0.9519705,0.0008112479,0.0001550866,0.0019567823,0.000504348,0.00000865083,0.000008767948,0.000032741387,0.04455187],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995623,0.0009916889,0.00041495223,0.0006729186,0.0008938579,0.001403619],"domain_scores_gemma":[0.99751514,0.0008642267,0.00018485611,0.0008808303,0.00007413891,0.00048081874],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0019163901,0.00036251708,0.0004209269,0.00010063173,0.0017708493,0.00033235928,0.0016659363,0.000290298,0.0018909542],"category_scores_gemma":[0.00042637342,0.00029329487,0.00019363059,0.000609766,0.0011172444,0.00083448476,0.00019601044,0.0006230095,0.0009675552],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013408247,0.00019992837,0.000286579,0.00002064436,0.00004929177,0.00008169947,0.0016530828,0.00002912289,0.00012943821,0.9859077,0.00834755,0.0031609023],"study_design_scores_gemma":[0.0003823482,0.00017213591,0.0037454579,0.000121455465,0.00005328406,0.000010168536,0.00059699814,0.0002767074,0.00045178525,0.018335627,0.975407,0.00044702107],"about_ca_topic_score_codex":0.00082373456,"about_ca_topic_score_gemma":0.000045133424,"teacher_disagreement_score":0.96757203,"about_ca_system_score_codex":0.00025737472,"about_ca_system_score_gemma":0.00020153931,"threshold_uncertainty_score":0.9999519},"labels":[],"label_agreement":null},{"id":"W2171723983","doi":"","title":"New Texts and Textual Scholarship in British Literature, 1780-1830. Romanticism on the Net, no. 19, 2000","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Scholarship; Literature; History; Art; Political science; Law","score_opus":0.015490276033024473,"score_gpt":0.20638165369041062,"score_spread":0.19089137765738615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171723983","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7594723,0.013968567,0.0000038403105,0.005403067,0.00094573514,0.0009748105,0.00020306227,0.00022889239,0.21879974],"genre_scores_gemma":[0.83860403,0.0004916968,0.00004152696,0.009852531,0.0016712865,0.000029746725,0.00006979948,0.00008228895,0.14915708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968131,0.0004346832,0.0006052728,0.00073345506,0.0006763224,0.0007371279],"domain_scores_gemma":[0.9979478,0.0005609952,0.00016995386,0.0009972715,0.00010395152,0.00022003702],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00078973756,0.00051437697,0.00056098105,0.00026271853,0.00095391955,0.002166044,0.0008693033,0.00021965317,0.011830026],"category_scores_gemma":[0.00018540406,0.0003616645,0.00024019205,0.00029297217,0.00038763904,0.00045069898,0.00007858717,0.0011828851,0.0011957032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036801316,0.0005423204,0.0003191049,0.000065112115,0.0003719649,0.00049854576,0.05039995,0.00005771569,0.00012770909,0.21739432,0.7013609,0.02849436],"study_design_scores_gemma":[0.001071932,0.00034171966,0.0044486653,0.0008739116,0.00016285897,0.00006321701,0.00046978748,0.00038069356,0.000043371667,0.012846515,0.97856945,0.0007279076],"about_ca_topic_score_codex":0.0016864405,"about_ca_topic_score_gemma":0.0039568907,"teacher_disagreement_score":0.27720854,"about_ca_system_score_codex":0.00011072502,"about_ca_system_score_gemma":0.000087344415,"threshold_uncertainty_score":0.99988353},"labels":[],"label_agreement":null},{"id":"W2247145669","doi":"","title":"Jennifer Ford,. Cambridge: Cambridge University Press, 1998. ISBN: 0-521-58316-0. £37.50 (US$64.95).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Legal case studies and regulations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"History; Media studies; Art history; Sociology","score_opus":0.015448672072425996,"score_gpt":0.23870947139977292,"score_spread":0.2232607993273469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2247145669","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49953187,0.00058163964,0.00001933254,0.013212528,0.0005407148,0.0005787432,0.000121895406,0.00017473432,0.48523855],"genre_scores_gemma":[0.825749,0.0015516825,0.000038604532,0.0008128063,0.0005950049,0.000005112108,0.000016912245,0.000020363006,0.17121056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980747,0.00025885453,0.00019825614,0.0003559796,0.0005230259,0.00058918406],"domain_scores_gemma":[0.99903464,0.00023378222,0.000085380845,0.00044056555,0.000048960865,0.00015665269],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00041385423,0.00021206294,0.0002443087,0.000031505362,0.0020912683,0.000111267385,0.0004930613,0.00013794332,0.00038178687],"category_scores_gemma":[0.000040353516,0.000157022,0.00017994351,0.0003328702,0.0005696501,0.00021691101,0.000096367636,0.00026122807,0.00035925454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009230851,0.00015557134,0.0004030345,0.000010449647,0.000108745524,0.000073707495,0.0020040208,0.00017084167,0.000043697906,0.2638545,0.7312439,0.0018392066],"study_design_scores_gemma":[0.0003448392,0.00007018169,0.012628905,0.000026272812,0.00007718926,0.0000039211027,0.0010773097,0.00037025625,0.000039713545,0.00006931833,0.985058,0.00023408399],"about_ca_topic_score_codex":0.012638929,"about_ca_topic_score_gemma":0.00082292693,"teacher_disagreement_score":0.32621711,"about_ca_system_score_codex":0.00011704539,"about_ca_system_score_gemma":0.00009453474,"threshold_uncertainty_score":0.99920785},"labels":[],"label_agreement":null},{"id":"W2249400228","doi":"","title":"Harriet Kramer Linkin and Stephen C. Behrendt, eds.. Lexington, KY: University Press of Kentucky, 1999. ISBN: 0-8131-2107-8. Price: $34.95.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Pragmatism in Philosophy and Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Economic history; Psychology","score_opus":0.021965829529592005,"score_gpt":0.2063265764198795,"score_spread":0.1843607468902875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2249400228","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6469597,0.0016239231,0.000011300726,0.004981963,0.0006898576,0.00051425624,0.00017153574,0.0001162419,0.34493122],"genre_scores_gemma":[0.97810346,0.001079169,0.0000559023,0.0005274508,0.00053384487,0.0000045862325,0.00003581469,0.000023153118,0.019636597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884486,0.00013673201,0.0002476856,0.00026537807,0.0002477144,0.0002576268],"domain_scores_gemma":[0.99911416,0.00019175577,0.00015998993,0.00040931924,0.00005042136,0.00007437721],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024533068,0.00019532007,0.00023356333,0.000057256355,0.00045300246,0.00011376387,0.0003458045,0.00008198435,0.0025995923],"category_scores_gemma":[0.000017642633,0.00015341079,0.00007253785,0.00005338244,0.00035484674,0.00027474412,0.0000674948,0.00024107867,0.00007272296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019742938,0.00032175423,0.00007625624,0.000079620055,0.00015979503,0.000007638922,0.025135487,0.000025049969,0.000069767266,0.84745914,0.11793875,0.00852929],"study_design_scores_gemma":[0.0005493572,0.00025475252,0.0015893414,0.0001818342,0.00016454606,0.000005552014,0.0012788301,0.00037418058,0.00042706393,0.024805045,0.9700544,0.00031510144],"about_ca_topic_score_codex":0.00073861005,"about_ca_topic_score_gemma":0.000035396246,"teacher_disagreement_score":0.85211563,"about_ca_system_score_codex":0.000024470522,"about_ca_system_score_gemma":0.000030515397,"threshold_uncertainty_score":0.9983122},"labels":[],"label_agreement":null},{"id":"W2252513551","doi":"","title":"Nora Crook, gen. ed.. 4 vols. London: Pickering & Chatto, 2002. ISBN: 1851967168. Price: £350.00 /US$595.","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"New Zealand Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.017533630894870852,"score_gpt":0.19600611429888296,"score_spread":0.17847248340401212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2252513551","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7437965,0.0082823355,0.0003314806,0.004648089,0.0013819623,0.00047183197,0.00011221577,0.00012683705,0.2408487],"genre_scores_gemma":[0.9725528,0.0018025186,0.00008008167,0.0015031898,0.0013303976,0.000053828568,0.000018935983,0.00006445736,0.022593793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997796,0.000025738978,0.00078156457,0.0005870121,0.00007514591,0.00073453586],"domain_scores_gemma":[0.9987899,0.00013581793,0.00042226992,0.00053302257,0.000027136279,0.00009184879],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005548962,0.00035251654,0.0006884486,0.00012868589,0.0006673706,0.0002096234,0.00048357775,0.00017500174,0.0020626518],"category_scores_gemma":[0.000041905892,0.00032067858,0.00024728087,0.0001992769,0.00015057459,0.000203684,0.00015250308,0.00031137528,0.0056740376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006556138,0.0003035063,0.076466344,0.000052500294,0.00027359763,0.000033812863,0.0012716207,0.0006004889,0.000035252335,0.5192141,0.4007804,0.0009028064],"study_design_scores_gemma":[0.0009669408,0.00012651838,0.13327876,0.000039066355,0.000022027842,0.000006274902,0.00016192965,0.0014034015,0.00010254605,0.02854599,0.83464044,0.00070609746],"about_ca_topic_score_codex":0.001454796,"about_ca_topic_score_gemma":0.00013065326,"teacher_disagreement_score":0.49066812,"about_ca_system_score_codex":0.00015451865,"about_ca_system_score_gemma":0.000020334403,"threshold_uncertainty_score":0.99992454},"labels":[],"label_agreement":null},{"id":"W2253262907","doi":"","title":"Frances Wilson, ed.,. London and New York: Macmillan and St. Martin's Press, 1999. ISBN: 0-333-68383-8 and 0-312-21220-8. Price: £42.50 (US$55.00). Jane Stabler, ed.,. London and New York: Longman: 1998. ISBN: 0-582-30393-1. Price: £13.99 (US$32.60).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"New Zealand Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Sociology","score_opus":0.02526571038487206,"score_gpt":0.2097930669787459,"score_spread":0.18452735659387381,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253262907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.776513,0.1990653,0.00005648395,0.004719708,0.0005794445,0.001031951,0.00031174553,0.00012253044,0.01759987],"genre_scores_gemma":[0.81963223,0.15612572,0.00034778405,0.0022671013,0.0014897636,0.000057423695,0.00007200584,0.0001562884,0.01985167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99572694,0.000092566814,0.0012207759,0.0014543737,0.00019691822,0.0013084001],"domain_scores_gemma":[0.99757314,0.0003693533,0.00070507015,0.0007191573,0.000024808081,0.0006084969],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00087989407,0.0008674253,0.0015418658,0.00019576408,0.0010415752,0.0007034978,0.0004961552,0.00044020766,0.001047011],"category_scores_gemma":[0.00006449586,0.0007782938,0.00016055537,0.0002810466,0.0005169504,0.0003682666,0.00032738646,0.0006155347,0.00025537144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012192297,0.00034882085,0.17890975,0.000522565,0.0012689655,0.0000893921,0.00871241,0.00020289044,0.000023440189,0.026596682,0.72812474,0.053981148],"study_design_scores_gemma":[0.003796113,0.00046819757,0.10481651,0.00018167596,0.00012892544,0.000066969355,0.0004600301,0.0014196525,0.000034111465,0.018045792,0.8693377,0.0012443691],"about_ca_topic_score_codex":0.013208401,"about_ca_topic_score_gemma":0.00072431244,"teacher_disagreement_score":0.14121294,"about_ca_system_score_codex":0.00009099605,"about_ca_system_score_gemma":0.00006967362,"threshold_uncertainty_score":0.9998662},"labels":[],"label_agreement":null},{"id":"W2253499900","doi":"","title":"Michael Gamer,. Cambridge University Press, 2000. ISBN: 0 521 77328 8 (hardback). Price: £35.00 (US$59.95).","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philosophical Ethics and Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Media studies; History; Art history; Art; Sociology","score_opus":0.02905748946410807,"score_gpt":0.2158816386835496,"score_spread":0.18682414921944152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2253499900","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21176028,0.0010362213,0.000027847876,0.017031075,0.00087947026,0.00041027844,0.00017433148,0.00020176328,0.76847875],"genre_scores_gemma":[0.93165183,0.0015250107,0.000009999889,0.004745982,0.0011507466,0.000004442636,0.000026216896,0.00004583967,0.060839925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980805,0.0002418769,0.0002806134,0.0004292614,0.00042837247,0.0005394034],"domain_scores_gemma":[0.9984442,0.0004275481,0.000170229,0.0006732628,0.00012231214,0.00016242436],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052024657,0.00032000913,0.0003465041,0.00007099793,0.0007506939,0.00019331253,0.00070080877,0.00015595781,0.0018384854],"category_scores_gemma":[0.00006855828,0.00023679748,0.00020594627,0.00008494883,0.0006596713,0.00020622382,0.00019007522,0.0007256064,0.0006750701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014680302,0.00019350999,0.000015172136,0.000020192916,0.00008952289,0.00011053861,0.001796016,0.000013116392,0.00009586187,0.94126296,0.05603832,0.00021795742],"study_design_scores_gemma":[0.00053336076,0.00016067439,0.00025437097,0.00008782754,0.00006907679,0.00001338257,0.0004334796,0.0005282792,0.00012337437,0.03207839,0.96536005,0.000357733],"about_ca_topic_score_codex":0.000741786,"about_ca_topic_score_gemma":0.00006900078,"teacher_disagreement_score":0.9093217,"about_ca_system_score_codex":0.00006497635,"about_ca_system_score_gemma":0.000073982425,"threshold_uncertainty_score":0.999074},"labels":[],"label_agreement":null},{"id":"W2270855246","doi":"","title":"“Figuring out the Theater”: Emily Allen.. Columbus: Ohio State University Press, 2003. ISBN: 0814251102. Price: US$22.95.","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Figuring; State (computer science); History; Art history; Media studies; Art; Sociology; Computer science; Astronomy; Physics; Programming language","score_opus":0.019739446741770236,"score_gpt":0.2041870348329196,"score_spread":0.18444758809114936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270855246","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4197956,0.0016693906,0.000009452897,0.0059422287,0.0009426573,0.0007049686,0.00015765359,0.00021215035,0.5705659],"genre_scores_gemma":[0.83403355,0.0027690723,0.000013848902,0.0017284199,0.0011441123,0.000009852855,0.000009702333,0.000035696645,0.16025573],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849933,0.00012915814,0.00024360245,0.00028594318,0.00031590866,0.0005260441],"domain_scores_gemma":[0.99900794,0.00015061062,0.00013335639,0.0005314648,0.00011820739,0.0000583943],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003468136,0.00028225084,0.00026727113,0.000039708935,0.0015236315,0.00023516582,0.0006125784,0.000050361992,0.0010916169],"category_scores_gemma":[0.000013955351,0.00016459239,0.00010231987,0.000053139236,0.00037027444,0.000284953,0.00017558504,0.00036006255,0.00051821116],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003304931,0.00026828828,0.00046851154,0.00006943285,0.0005659983,0.000030801526,0.12164572,0.00056029164,0.000084980355,0.114299186,0.75677586,0.0049004396],"study_design_scores_gemma":[0.00037757604,0.00012640582,0.0013506693,0.00007054903,0.000075930104,0.0000025823383,0.00287803,0.00047663398,0.00024944515,0.0001891242,0.99395066,0.00025239916],"about_ca_topic_score_codex":0.00044550654,"about_ca_topic_score_gemma":0.0017703152,"teacher_disagreement_score":0.41423795,"about_ca_system_score_codex":0.000054613916,"about_ca_system_score_gemma":0.000036653964,"threshold_uncertainty_score":0.99982154},"labels":[],"label_agreement":null},{"id":"W2274863633","doi":"","title":"William Wordsworth,. Ed. Jared Curtis, Apryl Lea Denny-Ferris and Jillian Heydt Stevenson. Ithaca, New York: Cornell University Press 1999. ISBN: 0801436257. Price: US$105.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philosophical Ethics and Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Art; History","score_opus":0.049458479788077284,"score_gpt":0.21247464113303274,"score_spread":0.16301616134495545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2274863633","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72338974,0.008576227,0.00047207405,0.014820231,0.0021211035,0.0014931728,0.00029093478,0.0004982121,0.24833828],"genre_scores_gemma":[0.9711888,0.002220674,0.000045546654,0.0021596297,0.0010349241,0.000003868014,0.00002672717,0.00005963982,0.023260226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770725,0.0002862345,0.00035986232,0.000604461,0.00038637032,0.00065580325],"domain_scores_gemma":[0.99812436,0.00050993176,0.00023309977,0.00069607055,0.00009373582,0.0003428121],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005370983,0.00042964524,0.00046305868,0.00009817069,0.000876726,0.00030178722,0.0006512492,0.00023186562,0.0011885359],"category_scores_gemma":[0.000071838265,0.00032936336,0.00017284446,0.000111375855,0.0006707482,0.00023377701,0.00022970789,0.00085059146,0.0001693738],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003608603,0.00023934568,0.00035430407,0.0000471744,0.00019940877,0.00013618135,0.005967678,0.000066603454,0.00004318287,0.94027734,0.049446035,0.00286187],"study_design_scores_gemma":[0.0009738078,0.00026400035,0.0015843681,0.0001898708,0.00015269361,0.000022203389,0.000798392,0.0007873998,0.00006658857,0.12380248,0.8707969,0.00056124764],"about_ca_topic_score_codex":0.0014961654,"about_ca_topic_score_gemma":0.00038429664,"teacher_disagreement_score":0.82135093,"about_ca_system_score_codex":0.00005863515,"about_ca_system_score_gemma":0.00007090762,"threshold_uncertainty_score":0.99991584},"labels":[],"label_agreement":null},{"id":"W2312187828","doi":"10.7202/005935ar","title":"Ashton Nichols, The Revolutionary 'I': Wordsworth and the Politics of Self-Representation. London: Macmillan; New York: St. Martin's Press, 1998. ISBN: 0-333-71889-5. Price: £42.50 (US$55). Yu Liu, Poetics and Politics: The Revolutions of Wordsworth. New York: Peter Lang, 1999. ISBN: 0-82014-4168-6. Price: £30 (US$39.95).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Politics; Romanticism; Representation (politics); Scholarship; History; Art history; Media studies; Sociology; Art; Poetry; Literature; Political science; Law","score_opus":0.020748189562708536,"score_gpt":0.23372399136740413,"score_spread":0.21297580180469558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312187828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5600163,0.20627418,0.000243741,0.07077975,0.0014639086,0.0053453767,0.0016748358,0.00046079507,0.1537411],"genre_scores_gemma":[0.9260765,0.009516051,0.0002223524,0.0033092217,0.002381842,0.000062244486,0.00010826653,0.00009557581,0.05822798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953671,0.00075268326,0.0012497837,0.0006428899,0.0010157105,0.0009718061],"domain_scores_gemma":[0.9957937,0.0014469568,0.00065588,0.0016466305,0.00017351435,0.00028333176],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010137246,0.000614666,0.00084188074,0.00014985025,0.0016786612,0.0003290316,0.0010891175,0.00019956524,0.0022433912],"category_scores_gemma":[0.0001600147,0.00032645103,0.0004204315,0.00036324337,0.0018279705,0.00017730829,0.00030278653,0.0007929519,0.00007709689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001867584,0.00023820631,0.0014774095,0.00012574274,0.00075790024,0.000009946904,0.014201483,0.00024112625,0.000015450074,0.54771084,0.43449008,0.0005450446],"study_design_scores_gemma":[0.0020249023,0.00022864729,0.011529461,0.00035434583,0.0015779195,0.000087207714,0.0036761733,0.0030856251,0.000049950664,0.039686147,0.937093,0.00060657854],"about_ca_topic_score_codex":0.0055923215,"about_ca_topic_score_gemma":0.00048100346,"teacher_disagreement_score":0.5080247,"about_ca_system_score_codex":0.00006542852,"about_ca_system_score_gemma":0.0002313838,"threshold_uncertainty_score":0.99991876},"labels":[],"label_agreement":null},{"id":"W2312966692","doi":"10.7202/005945ar","title":"Feminisms and Romanticisms:. Elizabeth Fay, A Feminist Introduction to Romanticism. Oxford: Blackwells, 1998. ISBN: 0-631-19895-4. Price: £17.70 (US$24.95). Judith Pascoe, ed., Mary Robinson: Selected Poems. Peterborough: Broadview Press, 2000. ISBN: 1-55111-201-9. Price: US$15.95 (£8.95).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Poetry; Art history; History; Art; Literature","score_opus":0.013775772710406814,"score_gpt":0.21266278900556754,"score_spread":0.19888701629516073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312966692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8751447,0.022210602,0.00007343452,0.00983708,0.0056067617,0.005293615,0.0006023841,0.0013121865,0.07991922],"genre_scores_gemma":[0.69378537,0.05421775,0.001039798,0.016390476,0.017234588,0.0007421804,0.0023638504,0.0007071461,0.21351883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932702,0.0004818698,0.0017524151,0.0015901084,0.0013152611,0.001590099],"domain_scores_gemma":[0.9966282,0.0002455456,0.00082360965,0.001499469,0.00030793724,0.0004952255],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009673312,0.0013267404,0.0013775699,0.0002448919,0.0024668325,0.0014382179,0.0011593363,0.00043165425,0.007037532],"category_scores_gemma":[0.00012592216,0.001047852,0.00040992405,0.00062330713,0.000725119,0.0016723358,0.0003167515,0.0011795011,0.0020036718],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005747881,0.0006799737,0.000053898377,0.00038234243,0.0003109936,0.000049403756,0.017861908,0.0002144449,0.00058743113,0.009063244,0.9677216,0.0025000137],"study_design_scores_gemma":[0.001333781,0.001159847,0.0017209866,0.0005272493,0.00049335306,0.00018244628,0.0009482761,0.0012548486,0.00046885753,0.0005416625,0.98992807,0.0014406245],"about_ca_topic_score_codex":0.0010530858,"about_ca_topic_score_gemma":0.0006345107,"teacher_disagreement_score":0.18135934,"about_ca_system_score_codex":0.00034989358,"about_ca_system_score_gemma":0.00015986484,"threshold_uncertainty_score":0.9999484},"labels":[],"label_agreement":null},{"id":"W2318951929","doi":"10.7202/005953ar","title":"The Complete Poetry of Percy Bysshe Shelley, Volume One. Eds. Donald H. Reiman and Neil Fraistat. Baltimore and London: The Johns Hopkins University Press, 2000. ISBN: 0-8018-6119-5. Price: US$75.00 (£58.00).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Volume (thermodynamics); Art; Art history; Physics; Literature; Thermodynamics","score_opus":0.014492368337883099,"score_gpt":0.18719521211647822,"score_spread":0.17270284377859513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318951929","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6184318,0.00820032,0.0000069550733,0.024294114,0.00038331922,0.0009360174,0.0011427788,0.00015535823,0.34644935],"genre_scores_gemma":[0.9289823,0.011321101,0.00003687537,0.0017144347,0.00064892496,0.0000047052927,0.00005136501,0.00004728489,0.05719301],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808145,0.00029104622,0.00033913634,0.0004101115,0.00040035901,0.00047791176],"domain_scores_gemma":[0.99839306,0.00057261065,0.00017684312,0.00065179984,0.00009734835,0.00010834317],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044961504,0.00034094267,0.0003669022,0.000078560406,0.0018659538,0.0005477857,0.00059311726,0.00012193989,0.0015850544],"category_scores_gemma":[0.000027798396,0.00019470704,0.00013007678,0.00012291747,0.0011892406,0.00018257243,0.00013328259,0.00069240475,0.000034139375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011198523,0.0004819311,0.00068236515,0.0002646657,0.00056207995,0.00008513674,0.053831372,0.000060995273,0.00014375684,0.3709873,0.5608811,0.010899452],"study_design_scores_gemma":[0.0006319134,0.00022922343,0.012563681,0.00016975607,0.000091841044,0.000022844286,0.0015360707,0.0007270762,0.000012286753,0.00033628452,0.98342,0.00025898908],"about_ca_topic_score_codex":0.002397883,"about_ca_topic_score_gemma":0.00036768313,"teacher_disagreement_score":0.42253894,"about_ca_system_score_codex":0.000025452826,"about_ca_system_score_gemma":0.000048043283,"threshold_uncertainty_score":0.99943346},"labels":[],"label_agreement":null},{"id":"W259740201","doi":"","title":"Helen Braithwaite.Basingstoke: Palgrave, 2003. ISBN 0333983944. Price: £50/US$90.","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"New Zealand Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02340873783635732,"score_gpt":0.20999450905362693,"score_spread":0.1865857712172696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W259740201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7130419,0.0034272925,0.00026783967,0.021312106,0.0010685488,0.000551245,0.00014997662,0.0001445771,0.26003653],"genre_scores_gemma":[0.97871095,0.0013214409,0.00024641622,0.005715056,0.0008541903,0.000037378857,0.00001428893,0.000049702194,0.013050554],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981255,0.000029458912,0.00065047684,0.0004918202,0.00006573677,0.0006370301],"domain_scores_gemma":[0.99891764,0.0001156295,0.00036393778,0.00045397668,0.00003618025,0.000112622256],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00060052535,0.0002931272,0.0005679179,0.00012951093,0.0005148463,0.0001332329,0.00045389426,0.00015095687,0.0011905072],"category_scores_gemma":[0.00012871939,0.00025262596,0.00015997027,0.0003092801,0.0001372594,0.00011217852,0.00010977888,0.00029045055,0.005822665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051242674,0.00014981575,0.019445244,0.000020030073,0.00024840358,0.0000058093287,0.0018441216,0.00013398404,0.000021980584,0.7958746,0.17845285,0.0037519564],"study_design_scores_gemma":[0.00075194077,0.00010666857,0.07240169,0.00002595738,0.000016991471,0.0000052886307,0.00017621167,0.0016185169,0.000090082096,0.02891112,0.8954019,0.0004936196],"about_ca_topic_score_codex":0.00039216405,"about_ca_topic_score_gemma":0.0000794336,"teacher_disagreement_score":0.7669634,"about_ca_system_score_codex":0.00014788768,"about_ca_system_score_gemma":0.0000246307,"threshold_uncertainty_score":0.9999926},"labels":[],"label_agreement":null},{"id":"W2915347924","doi":"","title":"Daniel Tyler, ed. Dickens’s Style . New York: Cambridge University Press, 2013. ISBN: 9781107028432. Price: US $85.50","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Style (visual arts); Art history; Media studies; Sociology; Archaeology","score_opus":0.030875606290890194,"score_gpt":0.2669089696718965,"score_spread":0.23603336338100628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915347924","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27607724,0.0016438871,0.0003452571,0.021982849,0.0017331509,0.0010361498,0.00009806967,0.00040588676,0.6966775],"genre_scores_gemma":[0.74155384,0.002219438,0.00016517485,0.0015106518,0.002535405,0.000003531401,0.000010556018,0.00002717887,0.25197423],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788094,0.00030419673,0.00021534518,0.00038926696,0.00056163117,0.0006486323],"domain_scores_gemma":[0.99867475,0.00025599496,0.00018137197,0.0005127046,0.00013968803,0.0002354624],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00052505784,0.00023853098,0.00026828327,0.00007426284,0.0018775817,0.00013312457,0.0006893883,0.00015497106,0.00029578633],"category_scores_gemma":[0.00021347628,0.0001871584,0.00011664864,0.00032134823,0.0008738762,0.0001995251,0.00016876006,0.00019484943,0.0005722867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047838967,0.00006323851,0.0005388334,0.0000047831045,0.000045844256,0.0000038454486,0.013616144,0.00000260931,0.000043245727,0.11795528,0.8675752,0.0001030751],"study_design_scores_gemma":[0.00037605833,0.00017995777,0.0101707885,0.00003351311,0.0000670328,0.0000014522795,0.0046150377,0.00009682558,0.00011569896,0.0002916636,0.98379403,0.00025795863],"about_ca_topic_score_codex":0.05225691,"about_ca_topic_score_gemma":0.008673268,"teacher_disagreement_score":0.46547657,"about_ca_system_score_codex":0.00011150202,"about_ca_system_score_gemma":0.00025689267,"threshold_uncertainty_score":0.99942183},"labels":[],"label_agreement":null},{"id":"W2917163835","doi":"","title":"Karen Dieleman. Religious Imaginaries: The Liturgical and Poetic Practices of Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter . Athens, OH : Ohio University Press, 2012. ISBN: 9780821420171. Price: US$59.95/£40","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Mormonism, Religion, and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Browning; Art; History; Religious studies; Art history; Media studies; Theology; Sociology; Literature; Philosophy; Horticulture; Biology","score_opus":0.018661009854332965,"score_gpt":0.22386509362715754,"score_spread":0.20520408377282456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917163835","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8527269,0.038009644,0.000046979385,0.007902955,0.00072735135,0.0012799207,0.00012883556,0.00019671826,0.098980695],"genre_scores_gemma":[0.9751691,0.0086313095,0.00008532424,0.00079790264,0.0007751378,0.000010354044,0.000014269012,0.000045454213,0.014471114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815124,0.00023591235,0.00034319458,0.0004755817,0.00037088184,0.00042316836],"domain_scores_gemma":[0.9979648,0.0004929575,0.0006201039,0.0005949813,0.00020883739,0.000118348304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005049305,0.00033307425,0.00038768747,0.00006834801,0.0012827008,0.00028752672,0.0004196501,0.00011941919,0.00018409347],"category_scores_gemma":[0.00012463609,0.00020341217,0.00009067167,0.000051454284,0.002322236,0.00035716066,0.00022202589,0.0004064174,0.000029581626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008892866,0.00026650637,0.00070443365,0.00029142774,0.00025456373,0.00006934311,0.11446525,0.0000023928853,0.00023617473,0.24391869,0.6384104,0.00049152],"study_design_scores_gemma":[0.00053477153,0.0005262162,0.002715885,0.00016821455,0.0002426738,0.00005147509,0.00135153,0.00023974871,0.000074064104,0.0016578853,0.9921392,0.0002983277],"about_ca_topic_score_codex":0.0012975894,"about_ca_topic_score_gemma":0.0002858807,"teacher_disagreement_score":0.3537288,"about_ca_system_score_codex":0.000034839526,"about_ca_system_score_gemma":0.00006877174,"threshold_uncertainty_score":0.9865627},"labels":[],"label_agreement":null},{"id":"W2917498901","doi":"","title":"The Collected Letters of Robert Southey . General Editors: Lynda Pratt, Tim Fulford, and Ian Packer","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Medicine; Gerontology","score_opus":0.007059765686259905,"score_gpt":0.21823009128213114,"score_spread":0.21117032559587123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917498901","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.941987,0.00021210649,0.000014622242,0.027558206,0.003532595,0.0003515695,0.00003392181,0.000039554885,0.026270458],"genre_scores_gemma":[0.9526232,0.00011904989,0.00005739337,0.0025778185,0.0075868224,0.000016421309,0.000004315743,0.00002451606,0.036990497],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989623,0.00018238783,0.00014707474,0.00014196619,0.00029451237,0.00027178216],"domain_scores_gemma":[0.999379,0.00015524357,0.00009526715,0.00022410005,0.000060022317,0.00008638312],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004915661,0.00007765172,0.00011027702,0.000088037035,0.0018969364,0.00023289357,0.00027775817,0.00006418759,0.00020234214],"category_scores_gemma":[0.00015941379,0.00005666567,0.00004985804,0.00019576415,0.001849972,0.00006352554,0.000031718177,0.000106034255,0.0000727798],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024044271,0.000015224652,0.00011587506,0.0000027764347,0.00003325829,0.000002430432,0.018415064,0.0000010370643,0.0005655638,0.020906938,0.95956236,0.00035540946],"study_design_scores_gemma":[0.0001515038,0.00006878905,0.0029017357,0.000019198222,0.0000269806,8.7586704e-7,0.0010712219,0.000052838575,0.00006278902,0.00084623223,0.9946982,0.00009959341],"about_ca_topic_score_codex":0.07546345,"about_ca_topic_score_gemma":0.4088587,"teacher_disagreement_score":0.33339524,"about_ca_system_score_codex":0.00009878791,"about_ca_system_score_gemma":0.00019644666,"threshold_uncertainty_score":0.99940246},"labels":[],"label_agreement":null},{"id":"W2922046879","doi":"","title":"\"Byron’s Poetics of Acculturation\"","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Acculturation; Literature; History; Art; Archaeology; Poetry; Immigration","score_opus":0.018762771734006905,"score_gpt":0.2581534335035747,"score_spread":0.23939066176956783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922046879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6616245,0.00015058552,0.00009005216,0.0067667053,0.0003692443,0.00019060202,0.000007921627,0.00005719687,0.33074316],"genre_scores_gemma":[0.9828007,0.000011874653,0.00003512981,0.00029266332,0.00020515143,0.0000036914466,0.000003372683,0.0000035294852,0.01664387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993465,0.000093002636,0.00011616562,0.00008161328,0.00024005151,0.00012267886],"domain_scores_gemma":[0.9996664,0.000061534854,0.00007145447,0.00013294439,0.000046474976,0.000021201866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021298272,0.000056702116,0.00007725742,0.000013938711,0.000342785,0.000018719233,0.00020634201,0.000055295754,0.0004732506],"category_scores_gemma":[0.000051899384,0.00003574371,0.000046574696,0.00012216774,0.00016716337,0.000055408123,0.000007883591,0.000073788986,0.00006599765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011805284,0.00012267673,0.00013096322,0.0000047726658,0.000010278603,0.0000025493598,0.012232693,0.000096044125,0.005908709,0.87662005,0.104393534,0.0004659311],"study_design_scores_gemma":[0.00021039421,0.000071234426,0.007259133,0.00003212327,0.000032679192,0.000001062858,0.0029355125,0.000045579538,0.0045705102,0.029480485,0.9551806,0.00018071792],"about_ca_topic_score_codex":0.00040464578,"about_ca_topic_score_gemma":0.00057908904,"teacher_disagreement_score":0.85078704,"about_ca_system_score_codex":0.00002610883,"about_ca_system_score_gemma":0.000029773493,"threshold_uncertainty_score":0.51817626},"labels":[],"label_agreement":null},{"id":"W2930386467","doi":"","title":"Romantic London: A Research Project Exploring Life and Culture in London in the Late Eighteenth and Early Nineteenth Centuries . Edited by Matthew Sangster","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Diverse Historical and Scientific Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; History; Media studies; Art; Sociology; Literature","score_opus":0.12196898840292346,"score_gpt":0.2743987367004911,"score_spread":0.1524297482975676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2930386467","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9819041,0.0026221452,2.9138238e-7,0.0029251876,0.0006173427,0.0004947618,0.000019662588,0.000024415775,0.011392106],"genre_scores_gemma":[0.98514307,0.0007718004,0.000004481871,0.00039887975,0.00043755135,0.00006676184,0.0000040874816,0.000013267202,0.013160078],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983074,0.00025179502,0.00023366458,0.00031078464,0.0004780116,0.0004183627],"domain_scores_gemma":[0.99933535,0.0002664088,0.000054091037,0.0002304464,0.000069588576,0.000044134336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079604954,0.0001805782,0.00023015529,0.00018963624,0.0007086156,0.00043933373,0.00027899162,0.000041019513,0.00011941927],"category_scores_gemma":[0.00008293147,0.0000896912,0.000032879492,0.00021587969,0.00092529086,0.00021407635,0.00016720445,0.00032475922,0.000055376266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017981444,0.00020902131,0.003515279,0.00006278051,0.000045093057,0.000033794815,0.35114276,2.0814561e-7,0.00011918388,0.035223767,0.6089174,0.00055087276],"study_design_scores_gemma":[0.0009022645,0.00063594646,0.016199905,0.00026767325,0.000027164851,0.0000027466078,0.021860816,0.000091096554,0.00008192994,0.0017184407,0.95792574,0.00028630914],"about_ca_topic_score_codex":0.0012178405,"about_ca_topic_score_gemma":0.000734762,"teacher_disagreement_score":0.3490083,"about_ca_system_score_codex":0.000024927298,"about_ca_system_score_gemma":0.000012108201,"threshold_uncertainty_score":0.54501694},"labels":[],"label_agreement":null},{"id":"W2942118287","doi":"","title":"Introduction – Evolution and Literature: The Two Darwins","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Evolution and Science Education","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Geology","score_opus":0.020225664434067068,"score_gpt":0.24057349040525983,"score_spread":0.22034782597119276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942118287","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8232688,0.00029234972,0.00020763972,0.10900942,0.005661507,0.0003014062,0.000007985781,0.000088134024,0.061162807],"genre_scores_gemma":[0.9820525,0.000010324958,0.000012957769,0.0011145378,0.0063845445,0.0000075770204,0.000004783201,0.0000048840725,0.0104079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999387,0.00008002701,0.00009614455,0.0001531415,0.00015043862,0.00013320305],"domain_scores_gemma":[0.99954146,0.000059993676,0.00004809649,0.00023812779,0.000088613626,0.000023684986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039497003,0.0000731611,0.000049981445,0.000045224795,0.0009893674,0.00030012612,0.00013282894,0.000016826161,0.0010558057],"category_scores_gemma":[0.00006893649,0.000035727637,0.00002157444,0.000079319354,0.00054327346,0.00017149674,0.000020867146,0.00011147707,0.00027663933],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006564279,0.000017441957,0.000021458352,0.0000011209528,0.0000036322745,1.084655e-7,0.018547028,0.0000010770592,0.00019705555,0.83952194,0.14120409,0.0004784534],"study_design_scores_gemma":[0.00019508753,0.00023432472,0.008067786,0.00003534777,0.00002546578,0.000019940426,0.0065405965,0.0029240602,0.0002602166,0.04929596,0.9322433,0.00015790493],"about_ca_topic_score_codex":0.000062335006,"about_ca_topic_score_gemma":0.00020870572,"teacher_disagreement_score":0.7910392,"about_ca_system_score_codex":0.000022098737,"about_ca_system_score_gemma":0.000016022163,"threshold_uncertainty_score":0.99985737},"labels":[],"label_agreement":null},{"id":"W2949521831","doi":"","title":"Haewon Hwang. London’s Underground Spaces . Edinburgh: Edinburgh University Press, 2013. ISBN: 9780748676071. Price: US$120/£70","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Urbanization and City Planning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Art history; Sociology","score_opus":0.024829137994935215,"score_gpt":0.25495481062185,"score_spread":0.23012567262691477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949521831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3652856,0.00043238146,0.0015459626,0.041518256,0.0031729126,0.0009152231,0.00003762281,0.00058073376,0.5865113],"genre_scores_gemma":[0.8662042,0.00052759337,0.00010589242,0.0014653858,0.001630964,0.0000023662528,0.0000136883855,0.000022493079,0.13002738],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977706,0.00025395316,0.0002011973,0.0004130095,0.0007624958,0.0005987555],"domain_scores_gemma":[0.9985976,0.00037782616,0.00020962399,0.00040486408,0.00020854076,0.00020151392],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00082847325,0.00022865736,0.00023795743,0.000104149134,0.0016667666,0.0003216863,0.0007821603,0.00022310643,0.003234258],"category_scores_gemma":[0.00021595541,0.00018977934,0.00009241968,0.0005650238,0.00066939776,0.0004294621,0.00015033063,0.00029618494,0.00015457587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059303624,0.000104476385,0.0023829506,0.0000038531366,0.000058985523,0.000020473186,0.0063141766,0.000035250385,0.000118909105,0.07708795,0.9136571,0.00015652615],"study_design_scores_gemma":[0.00035239052,0.0001339776,0.0020525458,0.00006201413,0.00005893302,0.0000025018555,0.0035749732,0.00076839543,0.0002592343,0.0013506128,0.99109685,0.0002875789],"about_ca_topic_score_codex":0.0038615675,"about_ca_topic_score_gemma":0.0009602913,"teacher_disagreement_score":0.5009186,"about_ca_system_score_codex":0.00016478349,"about_ca_system_score_gemma":0.00016157878,"threshold_uncertainty_score":0.99963295},"labels":[],"label_agreement":null},{"id":"W2950276636","doi":"","title":"Jane Jordan and Andrew King, eds. Ouida and Victorian Popular Culture . Farnham, Surrey and Burlington, VT: Ashgate Press, 2013. ISBN: 9871409405894. Price: US$104/£60","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Art history; Sociology","score_opus":0.01577012110762672,"score_gpt":0.2630504271546398,"score_spread":0.24728030604701307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950276636","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9419342,0.013829988,0.000020054684,0.003535249,0.0023994637,0.0009232019,0.000108472756,0.00017011579,0.03707923],"genre_scores_gemma":[0.9776373,0.0061779865,0.0001333309,0.0012801123,0.0023977137,0.000012048188,0.000022987117,0.000043581498,0.012294931],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771875,0.00029420282,0.0003113981,0.0005359675,0.0004842258,0.0006554484],"domain_scores_gemma":[0.99879044,0.0001016626,0.00019861847,0.00038806078,0.00016532735,0.0003559114],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00075907086,0.0003434254,0.00039301024,0.000057958383,0.0014684624,0.00037191054,0.00032161138,0.00032426583,0.00007845423],"category_scores_gemma":[0.00018858747,0.0002500321,0.00006779625,0.00017549061,0.001038148,0.00021960794,0.00011770789,0.00038777507,0.000024936806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002060665,0.0002490609,0.007313957,0.00022123932,0.0003041213,0.00007785146,0.23941945,0.000004070442,0.0015174021,0.4679861,0.28089294,0.001807749],"study_design_scores_gemma":[0.00045785384,0.00020038975,0.0032837798,0.00009350882,0.0001160155,0.000016365335,0.0013189983,0.000057813373,0.00019817945,0.0030627323,0.9908136,0.00038072318],"about_ca_topic_score_codex":0.00469403,"about_ca_topic_score_gemma":0.004051763,"teacher_disagreement_score":0.7099207,"about_ca_system_score_codex":0.000060130977,"about_ca_system_score_gemma":0.000063041756,"threshold_uncertainty_score":0.9999952},"labels":[],"label_agreement":null},{"id":"W2950428490","doi":"","title":"David Bolt, Julia Miele Rodas and Elizabeth J. Donaldson, eds. The Madwoman and the Blindman: Jane Eyre, Discourse, Disability . Columbus: Ohio State UP, 2012. ISBN: 9780814292976. Price: US$49.95","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); Sociology; Art history; History; Mathematics; Algorithm","score_opus":0.0184395527946288,"score_gpt":0.24571983095345187,"score_spread":0.22728027815882307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950428490","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9334194,0.006776163,0.000028517632,0.024366746,0.0015435518,0.0015675032,0.00031014023,0.00012821892,0.03185973],"genre_scores_gemma":[0.95489967,0.0010532491,0.000028201317,0.004762301,0.001956691,0.000079737656,0.00005548954,0.00006754173,0.037097145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967644,0.00058914727,0.0006473163,0.0006595831,0.000632535,0.00070698565],"domain_scores_gemma":[0.9970937,0.0012234155,0.00026362872,0.0010344,0.00021830885,0.00016659789],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015020765,0.0004894437,0.00050907105,0.000051623738,0.0022143726,0.0011978411,0.0006734522,0.000099456964,0.0016430393],"category_scores_gemma":[0.00013573687,0.00025247713,0.00014655975,0.00013468254,0.0049330187,0.0005790621,0.00020022101,0.00051182264,0.00015695066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010130377,0.00050186674,0.0019010525,0.00016054593,0.00037518717,0.000016763217,0.17993474,0.000008314638,0.00005573954,0.52388793,0.2880666,0.0040782113],"study_design_scores_gemma":[0.00247751,0.0005017202,0.030248452,0.00017192031,0.00029780378,0.00003290856,0.008793209,0.0015779696,0.00009118947,0.038210392,0.9169674,0.00062954763],"about_ca_topic_score_codex":0.0010347241,"about_ca_topic_score_gemma":0.0032136845,"teacher_disagreement_score":0.62890077,"about_ca_system_score_codex":0.000030493471,"about_ca_system_score_gemma":0.000055936067,"threshold_uncertainty_score":0.9999927},"labels":[],"label_agreement":null},{"id":"W2952084007","doi":"","title":"Albert D. Pionke. The Ritual Culture of Victorian Professionals: Competing for Ceremonial Status, 1838-1877 . Farnham, Surrey: Ashgate, 2013. ISBN: 9781409470465. Price: US$104.95/£60","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Australian History and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Sociology; Economic history; Art history","score_opus":0.028250718902556822,"score_gpt":0.3196225538709797,"score_spread":0.2913718349684229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952084007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94403166,0.00043451475,0.00015638197,0.016224714,0.005946824,0.0028946237,0.000224581,0.00020004636,0.029886682],"genre_scores_gemma":[0.97768265,0.00012925513,0.00033886416,0.0011199921,0.0025783572,0.000050761693,0.00003220467,0.000036732,0.018031178],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996654,0.00078683713,0.00049734354,0.0004243866,0.0008193245,0.00081814843],"domain_scores_gemma":[0.9974616,0.0010502127,0.00046476157,0.0004825659,0.00036024483,0.0001806063],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0020534967,0.00029632603,0.0003952199,0.00003110014,0.002864559,0.000097448625,0.0008790365,0.00036038997,0.00067449734],"category_scores_gemma":[0.0005004612,0.00017856047,0.00026908994,0.000380697,0.0011998101,0.00021323028,0.00011267083,0.0005123859,0.00012236564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021903787,0.00052638404,0.0040010777,0.000072383154,0.00019212275,0.0000037272475,0.26891857,0.000012501828,0.0010423901,0.09037106,0.63441205,0.00022869676],"study_design_scores_gemma":[0.00058061315,0.00025136632,0.004524906,0.0001553625,0.000068663,0.0000012496916,0.024790706,0.00009972015,0.00033391296,0.0011658841,0.9677139,0.00031370283],"about_ca_topic_score_codex":0.0013379606,"about_ca_topic_score_gemma":0.0009917734,"teacher_disagreement_score":0.33330187,"about_ca_system_score_codex":0.000161197,"about_ca_system_score_gemma":0.0003299935,"threshold_uncertainty_score":0.9984336},"labels":[],"label_agreement":null},{"id":"W2952486732","doi":"","title":"Rebecca Mead. My Life in Middlemarch . New York: Crown Publishers, 2014. ISBN: 9780307984760. Price: US$25","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Race, History, and American Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Crown (dentistry); History; Art history; Art; Media studies; Gerontology; Sociology; Medicine; Dentistry","score_opus":0.03635421250610111,"score_gpt":0.2831915271835551,"score_spread":0.246837314677454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952486732","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3583346,0.002038755,0.0001731153,0.052205656,0.0029668254,0.0011354177,0.000011608133,0.00032501717,0.582809],"genre_scores_gemma":[0.9065412,0.0002793145,0.0006918718,0.010598375,0.0031695005,0.00003068442,0.0000078551075,0.00005990286,0.078621246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964664,0.00058179366,0.00043822336,0.0005848379,0.0009775752,0.0009511681],"domain_scores_gemma":[0.99794304,0.00052400125,0.00027466146,0.00072700036,0.00012192977,0.00040937247],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0022156723,0.00027545428,0.00041624502,0.00012304552,0.0011497313,0.0003872482,0.001249301,0.0002534884,0.0026968077],"category_scores_gemma":[0.0008168323,0.00021798963,0.00019590794,0.0010152932,0.0017507911,0.000457812,0.00011058826,0.00052531273,0.0010729067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003886785,0.000103267266,0.0023470563,0.0000067918863,0.000029593848,0.000004848427,0.030394807,0.0000024185385,0.00010154428,0.009413507,0.95612705,0.0014302722],"study_design_scores_gemma":[0.00045566368,0.00016479808,0.012087692,0.00006344881,0.000024143616,0.0000010503796,0.01054682,0.0000786717,0.00003980048,0.0011181665,0.97507584,0.00034391624],"about_ca_topic_score_codex":0.016492493,"about_ca_topic_score_gemma":0.002579216,"teacher_disagreement_score":0.5482066,"about_ca_system_score_codex":0.00030179098,"about_ca_system_score_gemma":0.0008990762,"threshold_uncertainty_score":0.9997049},"labels":[],"label_agreement":null},{"id":"W2952863390","doi":"","title":"Jan-Melissa Schramm. Atonement and Self-Sacrifice in Nineteenth-Century Narrative . Cambridge: Cambridge University Press, 2012. ISBN: 978110721266. Price: US$99/£55","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atonement; Sacrifice; History; Narrative; Media studies; Theology; Sociology; Art; Literature; Philosophy; Archaeology","score_opus":0.009134729578455833,"score_gpt":0.24351554973895578,"score_spread":0.23438082016049994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952863390","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86040187,0.0021309732,0.000046848643,0.00918994,0.0009831304,0.0009738885,0.00004955866,0.00013850717,0.12608531],"genre_scores_gemma":[0.97348773,0.0028577468,0.00014583164,0.0010791721,0.00058010174,0.000008434773,0.000020267302,0.000018538547,0.021802187],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972705,0.00064900186,0.0002771297,0.00052097754,0.00065342756,0.0006289484],"domain_scores_gemma":[0.9986189,0.00031906491,0.00019239566,0.00043316625,0.00019596808,0.00024051561],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010849292,0.00026622068,0.0003471031,0.00015172297,0.000847594,0.0001672625,0.0005048387,0.00021752785,0.0001726918],"category_scores_gemma":[0.00017045756,0.00020876617,0.00009776413,0.00066332845,0.0005165077,0.0003903694,0.00013278947,0.00043719073,0.00007545083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025916842,0.0007270904,0.0035422076,0.000059603273,0.0004296541,0.00016785605,0.121402994,0.0000074591785,0.0005710482,0.23935957,0.63282573,0.0006476055],"study_design_scores_gemma":[0.0007774137,0.00015605579,0.0069952845,0.00010967606,0.0001753833,0.0000028711258,0.01793933,0.00031917292,0.0003955341,0.000030698917,0.9727438,0.0003547916],"about_ca_topic_score_codex":0.003734645,"about_ca_topic_score_gemma":0.0007884249,"teacher_disagreement_score":0.33991805,"about_ca_system_score_codex":0.00014212346,"about_ca_system_score_gemma":0.00018850001,"threshold_uncertainty_score":0.8513237},"labels":[],"label_agreement":null},{"id":"W2953185160","doi":"10.7202/005950ar","title":"Robert Mighall, A Geography of Victorian Gothic Fiction: Mapping History's Nightmares. Oxford: Oxford University Press, 1999. ISBN: 0-19-818472-7 (Hardback). Price: £45.00 (US$74.00).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Art history; History; Media studies; Art; Sociology","score_opus":0.01060915300384536,"score_gpt":0.2144473370257229,"score_spread":0.20383818402187756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953185160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14129266,0.006778652,0.00019653591,0.01098878,0.0026218859,0.0011591206,0.000084819156,0.0003780463,0.8364995],"genre_scores_gemma":[0.90978336,0.011959816,0.00041418543,0.0028490005,0.0016064239,0.000022317414,0.00009176619,0.000062546234,0.07321056],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968063,0.00060348236,0.00042948322,0.00054679223,0.00094986724,0.00066403474],"domain_scores_gemma":[0.99814326,0.0003690225,0.0003061163,0.000712594,0.00015587217,0.00031315238],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009868984,0.00032511697,0.000505914,0.0002788594,0.0007437158,0.0000842826,0.00095759926,0.00040350456,0.0034441822],"category_scores_gemma":[0.00010223868,0.00026742692,0.0004580262,0.0008278495,0.0004840727,0.00037437113,0.00007092055,0.00057928707,0.000024567113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000600004,0.0009969051,0.0152074015,0.00025992442,0.0016311374,0.00022968734,0.09385084,0.0002924138,0.00039036712,0.15113178,0.7324586,0.0029509503],"study_design_scores_gemma":[0.00043868623,0.00008469771,0.00313693,0.000115606235,0.00017474465,0.0000023557302,0.000993588,0.00013706394,0.00003606149,0.00027357702,0.9943059,0.00030075316],"about_ca_topic_score_codex":0.0041563325,"about_ca_topic_score_gemma":0.00048725,"teacher_disagreement_score":0.76849073,"about_ca_system_score_codex":0.00037058906,"about_ca_system_score_gemma":0.0002781285,"threshold_uncertainty_score":0.99997777},"labels":[],"label_agreement":null},{"id":"W2954194735","doi":"","title":"Teresa Michals. Books for Children, Books for Adults: Age and the Novel from Defoe to James . New York: Cambridge University Press, 2014. ISBN: 9781107048546. Price: US$95/£60","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Gerontology; Art history; Classics; Medicine; Sociology","score_opus":0.017383888638729042,"score_gpt":0.20769782634188924,"score_spread":0.19031393770316019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2954194735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8462395,0.010543388,0.007824175,0.02067608,0.003074544,0.0114804525,0.01101172,0.0005707918,0.08857937],"genre_scores_gemma":[0.8365071,0.0001407803,0.0021981185,0.010400042,0.005885832,0.00007143449,0.00028421177,0.00012617031,0.14438634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983957,0.00008378866,0.0003022176,0.00053736864,0.00022386001,0.00045706567],"domain_scores_gemma":[0.99803835,0.0006969078,0.00021754939,0.0007849373,0.00013747477,0.00012477343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030850805,0.00035310682,0.00044995142,0.00007995108,0.0008940613,0.00047149992,0.00077717716,0.000109699096,0.0001325678],"category_scores_gemma":[0.00007947212,0.00021445248,0.00026312843,0.00004067097,0.00055200636,0.00015426161,0.00020128024,0.00020607129,0.000034044413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010558306,0.000057140333,0.000013773712,0.000016433218,0.00043478978,0.0000019257427,0.019089013,0.0000021676617,0.000079462145,0.3174096,0.661399,0.00044085155],"study_design_scores_gemma":[0.0029461866,0.00033585654,0.0005226176,0.00017167997,0.00058982783,0.000002973226,0.0016949737,0.0004640968,0.0004695274,0.0017667796,0.9906592,0.00037629058],"about_ca_topic_score_codex":0.0036283098,"about_ca_topic_score_gemma":0.0008994068,"teacher_disagreement_score":0.32926017,"about_ca_system_score_codex":0.00003267663,"about_ca_system_score_gemma":0.000033680513,"threshold_uncertainty_score":0.87451184},"labels":[],"label_agreement":null},{"id":"W2954764693","doi":"","title":"Christine Huguet and Simon J. James, eds. George Gissing and the Woman Question: Convention and Dissent . Farnham, UK, and Burlington, USA: Ashgate, 2013. ISBN: 9781409466581. Price: US$109.95/£60","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Convention; Dissent; History; Law and economics; Media studies; Economic history; Art history; Sociology; Political science; Law; Politics","score_opus":0.013248782345980772,"score_gpt":0.22557183819240662,"score_spread":0.21232305584642586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2954764693","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9397377,0.019906247,0.000021529158,0.01140462,0.0005582256,0.000598413,0.000014148491,0.000079424695,0.027679693],"genre_scores_gemma":[0.98193866,0.00308391,0.000022865797,0.00091590796,0.0010177635,0.000022182807,0.000009486758,0.000021349962,0.012967861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986688,0.00013053208,0.00030351916,0.00036741028,0.00023049412,0.0002992473],"domain_scores_gemma":[0.9992337,0.00019654029,0.00016446218,0.00020913231,0.00009848567,0.00009765121],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00049422734,0.00028810944,0.0003573814,0.0000389474,0.0025457677,0.00032320496,0.00010839203,0.000071500166,0.000262577],"category_scores_gemma":[0.00006733691,0.0001534021,0.00004498864,0.000051451934,0.0018242147,0.00013329234,0.00023978729,0.00022618874,0.00002144298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006440356,0.00022093566,0.00337502,0.0002593688,0.00035336168,0.000026324571,0.097646974,0.000001088259,0.00028351843,0.6023693,0.28820372,0.006616321],"study_design_scores_gemma":[0.0012265936,0.00047523263,0.00817724,0.00023015564,0.00017793235,0.000021134232,0.0029045923,0.0007080788,0.000051381965,0.006591797,0.9790671,0.00036878273],"about_ca_topic_score_codex":0.0010614771,"about_ca_topic_score_gemma":0.0015639432,"teacher_disagreement_score":0.6908634,"about_ca_system_score_codex":0.000018065984,"about_ca_system_score_gemma":0.000007553191,"threshold_uncertainty_score":0.9987528},"labels":[],"label_agreement":null},{"id":"W2955616969","doi":"","title":"Julia Thomas. Shakespeare’s Shrine: The Bard’s Birthplace and the Invention of Stratford-upon-Avon . Philadelphia: University of Pennsylvania Press, 2012. ISBN: 9780812244236. Price: US$34.95/£23","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history; Art","score_opus":0.022850902020656712,"score_gpt":0.20202204783840752,"score_spread":0.17917114581775082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955616969","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.364027,0.010632975,0.000077316196,0.034281842,0.0020169264,0.0023571153,0.00023912844,0.00019006159,0.58617765],"genre_scores_gemma":[0.981609,0.00071149564,0.000012258237,0.00024898065,0.0005017073,0.0000039087126,0.000006875935,0.000015940319,0.016889876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987127,0.00018471015,0.0002738637,0.00023538485,0.00034490495,0.00024844139],"domain_scores_gemma":[0.99886155,0.00023309521,0.00026986393,0.0004000349,0.00019189235,0.000043545086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005018386,0.00021563652,0.00033587593,0.000026121368,0.001074829,0.000060799703,0.00046542054,0.00006384421,0.00077922246],"category_scores_gemma":[0.000049716866,0.000102750724,0.00015228249,0.00007869061,0.0015694975,0.00017117424,0.00018452817,0.00024075294,0.00006128336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045591005,0.00013214622,0.000052800253,0.00006415749,0.00020328864,0.0000025766262,0.03863107,0.0000038314547,0.00020277027,0.63953096,0.32055295,0.00016751362],"study_design_scores_gemma":[0.00089156436,0.000342216,0.0011994202,0.00008578708,0.00020052219,0.0000026742323,0.00647314,0.00024390405,0.00019359661,0.006444395,0.98374915,0.00017365695],"about_ca_topic_score_codex":0.00053480087,"about_ca_topic_score_gemma":0.0021281731,"teacher_disagreement_score":0.66319615,"about_ca_system_score_codex":0.000022303133,"about_ca_system_score_gemma":0.000021912698,"threshold_uncertainty_score":0.85319394},"labels":[],"label_agreement":null},{"id":"W2955803827","doi":"","title":"Anna Kornbluh. Realizing Capital: Financial and Psychic Economies in Victorian Form . New York: Fordham University Press, 2014. ISBN: 9780823254972. Price: US$45","year":2018,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Economic Theory and Institutions","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychic; Capital (architecture); Economics; Economic history; History; Art history; Monetary economics; Ancient history; Medicine","score_opus":0.026425678662589207,"score_gpt":0.20482426336597048,"score_spread":0.17839858470338127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955803827","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84554714,0.00080012105,0.00034871374,0.0017536392,0.0011658586,0.00039035067,0.00018243806,0.000055019293,0.1497567],"genre_scores_gemma":[0.99383897,0.0006215129,0.0001732335,0.00057002285,0.0005878681,0.0000048646743,0.000011964308,0.000022820897,0.0041687707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854743,0.00003159772,0.00046659415,0.0004984574,0.000024010147,0.00043188306],"domain_scores_gemma":[0.9989774,0.0001037626,0.0002819162,0.00049882714,0.00001524886,0.00012282113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060228293,0.00022908456,0.00039270864,0.00020065116,0.00040953816,0.00010279293,0.00041529417,0.0001836475,0.0003284834],"category_scores_gemma":[0.00007908579,0.00023471097,0.00009283239,0.00014209241,0.00025675166,0.0004808733,0.00011419151,0.0002532652,0.0004026794],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086360444,0.000054711665,0.0051690806,0.000011632043,0.000027370452,0.000003571696,0.0013871123,0.00003087341,0.0000051267766,0.9703541,0.02267902,0.00019103389],"study_design_scores_gemma":[0.0010495658,0.00023885557,0.05287292,0.00005682977,0.000012490527,0.000009199191,0.00025526108,0.0009373023,0.00007571686,0.15450957,0.78957736,0.00040494144],"about_ca_topic_score_codex":0.0011126177,"about_ca_topic_score_gemma":0.0010658969,"teacher_disagreement_score":0.81584454,"about_ca_system_score_codex":0.00013520806,"about_ca_system_score_gemma":0.0000675943,"threshold_uncertainty_score":0.9571236},"labels":[],"label_agreement":null},{"id":"W2982914669","doi":"","title":"Toward a Poetics of Disappearance: The Vanishing Commons in Clare’s “The Lament of Swordy Well”","year":2019,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lament; Poetics; Commons; Art; Literature; History; Political science; Poetry; Law","score_opus":0.03150483492098848,"score_gpt":0.21338485851597702,"score_spread":0.18188002359498853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982914669","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8583992,0.0013864596,0.000007520047,0.013736354,0.0007776532,0.0006005186,0.00003312914,0.000020201216,0.12503895],"genre_scores_gemma":[0.9973981,0.00009464209,0.000006780152,0.00054426293,0.000110870664,0.000013435774,0.0000013392527,0.000014091094,0.0018164852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988785,0.00012506133,0.00032733442,0.00012703406,0.00032845003,0.00021363098],"domain_scores_gemma":[0.9988858,0.00051447615,0.00015378188,0.00038895482,0.000040655952,0.000016302556],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040777033,0.000116019575,0.00026717805,0.000021985546,0.00021120887,0.000046340403,0.0005434795,0.000029667233,0.00040809813],"category_scores_gemma":[0.00005419602,0.000059168317,0.00009871202,0.00005558331,0.00040247035,0.000039178973,0.00014134301,0.00025225268,0.00008060192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008521365,0.00042684012,0.0016765317,0.00012314467,0.00014825798,0.000008552065,0.10904884,0.00020136595,0.00013763664,0.80753946,0.078289576,0.0023145939],"study_design_scores_gemma":[0.0008966473,0.0005532528,0.013835311,0.00069774827,0.0000858553,0.0000033509796,0.026413132,0.0005283767,0.0003254968,0.0115450565,0.94479054,0.00032522692],"about_ca_topic_score_codex":0.0011487005,"about_ca_topic_score_gemma":0.0016577877,"teacher_disagreement_score":0.866501,"about_ca_system_score_codex":0.000039516224,"about_ca_system_score_gemma":0.000010541929,"threshold_uncertainty_score":0.44683886},"labels":[],"label_agreement":null},{"id":"W3119799247","doi":"","title":"British Museum’s Online Collection of Political and Personal Caricatures","year":2020,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; History; Media studies; Art; Political science; Sociology; Law","score_opus":0.0535985217501565,"score_gpt":0.23086764423474118,"score_spread":0.17726912248458468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119799247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92247343,0.00015561607,0.0000011822024,0.008203159,0.00012739803,0.00010959778,0.00012994034,0.000038328013,0.06876137],"genre_scores_gemma":[0.9918316,0.000011474509,0.000005785774,0.00477642,0.00041894827,0.0000026474504,0.000016199008,0.000012048698,0.0029248807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935216,0.000030525203,0.00014169319,0.00013246763,0.00017000682,0.00017315536],"domain_scores_gemma":[0.99966073,0.00011510321,0.000039191644,0.00006549498,0.000044434462,0.00007507136],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000052757627,0.00008606699,0.0001421927,0.000022138005,0.00017395869,0.00024086674,0.00010504944,0.00002873004,0.0014357277],"category_scores_gemma":[0.00006100446,0.00006705939,0.000055231634,0.00002515488,0.00025423948,0.00012705188,0.000039419483,0.00016403243,0.0000077171935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003214581,0.00007208041,0.00008463781,0.000022603183,0.000026347665,0.000008797459,0.0071946955,2.7247685e-7,0.0000220123,0.96729314,0.024909383,0.00033386445],"study_design_scores_gemma":[0.0024678153,0.004351416,0.077110514,0.00051555864,0.0003218926,0.00013079161,0.062605,0.003919158,0.00051023916,0.05113653,0.79563284,0.0012982439],"about_ca_topic_score_codex":0.0006061587,"about_ca_topic_score_gemma":0.00058234413,"teacher_disagreement_score":0.91615665,"about_ca_system_score_codex":0.000008487116,"about_ca_system_score_gemma":0.000013302173,"threshold_uncertainty_score":0.9994771},"labels":[],"label_agreement":null},{"id":"W3200353743","doi":"","title":"Digital Review of Adam Matthew’s Romanticism: Life, Literature, and Landscape","year":2021,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Art history; History; Art; Literature","score_opus":0.016603482929153666,"score_gpt":0.22421927444873258,"score_spread":0.2076157915195789,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3200353743","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.074156374,0.32257435,0.0000051536526,0.018143505,0.0013943234,0.00048071382,0.0004466521,0.00011869638,0.5826802],"genre_scores_gemma":[0.94436985,0.02052137,0.00004852734,0.013844933,0.00085009617,0.000022873493,0.00013595204,0.00004344409,0.020162944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987109,0.000096446696,0.00037764566,0.0003169044,0.0002330955,0.0002650441],"domain_scores_gemma":[0.99886614,0.0002822021,0.00014065755,0.000448559,0.00019800027,0.00006445713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023594966,0.00024917297,0.00050175923,0.000065098124,0.00025404122,0.0003280335,0.00020752448,0.000060765444,0.00081530714],"category_scores_gemma":[0.0002806304,0.0001481331,0.00014461717,0.00010402279,0.0003271022,0.00016562585,0.0001335143,0.00024774426,0.000057081746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004899644,0.0001674118,0.00018635204,0.002204761,0.00025526196,0.00013385572,0.01412762,2.6128143e-7,0.000032855234,0.6694745,0.31175894,0.0016092259],"study_design_scores_gemma":[0.0005051361,0.00028423892,0.0017305581,0.008397681,0.00021266764,0.0001045873,0.001995565,0.000023724948,0.000114147086,0.007922298,0.97830814,0.00040125425],"about_ca_topic_score_codex":0.0000033950641,"about_ca_topic_score_gemma":0.000013006349,"teacher_disagreement_score":0.8702135,"about_ca_system_score_codex":0.0000035108992,"about_ca_system_score_gemma":0.000024857462,"threshold_uncertainty_score":0.8927041},"labels":[],"label_agreement":null},{"id":"W39099407","doi":"","title":"Jonathan Bate,. Cambridge, MA: Harvard University Press, 2000. ISBN: 0674001680. Price: US$31.50.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Free Will and Agency","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Economic history; Media studies; Sociology","score_opus":0.022763111457839207,"score_gpt":0.21344399008500298,"score_spread":0.19068087862716376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W39099407","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77530015,0.00008427355,0.00011694975,0.0031736735,0.00080739235,0.0004961499,0.00008932196,0.0002519107,0.21968019],"genre_scores_gemma":[0.8667804,0.0008671102,0.000045142046,0.0031614539,0.00025855552,0.000004572725,0.00000683694,0.000036947717,0.128839],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977385,0.0002361456,0.00024077724,0.00062393653,0.00051155814,0.0006490755],"domain_scores_gemma":[0.99856985,0.00031364223,0.00015164666,0.0007606761,0.000036653717,0.00016750986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025098093,0.00029870038,0.00026227365,0.0000867061,0.0005012608,0.00009995039,0.0010377667,0.00012150083,0.00042105044],"category_scores_gemma":[0.00017273863,0.00021892638,0.00014338187,0.00045121298,0.00021500181,0.00027447185,0.00023770526,0.0003872109,0.0014898464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057089527,0.0009464903,0.0014129595,0.00005234229,0.0000510439,0.0022165184,0.00048001978,0.0003496749,0.09754631,0.094638236,0.79968566,0.002049829],"study_design_scores_gemma":[0.0005860665,0.0002104452,0.01588505,0.00005120664,0.000030172012,0.000086744316,0.000037358728,0.0016436982,0.016552621,0.0002480248,0.96430004,0.00036859675],"about_ca_topic_score_codex":0.00024657743,"about_ca_topic_score_gemma":0.0000089700825,"teacher_disagreement_score":0.16461433,"about_ca_system_score_codex":0.00008398855,"about_ca_system_score_gemma":0.00006580999,"threshold_uncertainty_score":0.9992876},"labels":[],"label_agreement":null},{"id":"W808868636","doi":"","title":"Charles I. Armstrong.. New York: Palgrave Macmillan, 2003. ISBN: 1403904758. Price: US$85.00.","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"New Zealand Economic and Social Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Media studies; Economic history; Art history; Law and economics; Sociology","score_opus":0.03654114031826226,"score_gpt":0.21752543028847893,"score_spread":0.18098428997021668,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W808868636","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5112868,0.022042807,0.00055857527,0.03553888,0.0022388126,0.0010725633,0.00031682907,0.0002397587,0.42670497],"genre_scores_gemma":[0.9814175,0.0027354346,0.00023639448,0.0028338525,0.0014636492,0.000025495077,0.000018548333,0.00004652698,0.0112226335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998126,0.000022376746,0.0006427067,0.00048958283,0.000064623855,0.000654714],"domain_scores_gemma":[0.9988906,0.00007888559,0.0003751051,0.0004759794,0.000025356923,0.00015408169],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004329983,0.00030764443,0.00060050644,0.00010120153,0.00038049556,0.00011297093,0.0004682136,0.00015412988,0.0022146443],"category_scores_gemma":[0.000086006854,0.00026084195,0.00016818389,0.0002511046,0.00012393053,0.000037700505,0.0001028371,0.00026474305,0.005421845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040906034,0.000046148678,0.016611768,0.000011264275,0.00024712487,0.0000044552557,0.0019166151,0.00015651967,0.0000060937896,0.73967934,0.23673368,0.0045461166],"study_design_scores_gemma":[0.0012183236,0.00015070736,0.06645925,0.000032908523,0.000025112668,0.0000059055087,0.0004916445,0.0015546343,0.00009964286,0.09733574,0.8319332,0.0006929357],"about_ca_topic_score_codex":0.00064863404,"about_ca_topic_score_gemma":0.00011915871,"teacher_disagreement_score":0.6423436,"about_ca_system_score_codex":0.00012478598,"about_ca_system_score_gemma":0.00003347628,"threshold_uncertainty_score":0.9999844},"labels":[],"label_agreement":null},{"id":"W815993051","doi":"","title":"Paul Giles.. Philadelphia: University of Pennsylvania Press, 2001. ISBN: 0-8122-3603-3. Price: £38.50 (US$55.00).","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Legal case studies and regulations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Economic history; Media studies; Sociology","score_opus":0.024741555806724033,"score_gpt":0.25705282734438495,"score_spread":0.2323112715376609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W815993051","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31807932,0.002397652,0.00017475328,0.14215617,0.0008463347,0.0013232086,0.00017398107,0.00025833643,0.53459024],"genre_scores_gemma":[0.98232806,0.0011442652,0.00021329464,0.00030832813,0.00059001055,0.0000017134744,0.000006624124,0.000014029964,0.01539367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844116,0.00015212163,0.0002013976,0.00026311877,0.0004969531,0.00044526535],"domain_scores_gemma":[0.9990224,0.00022209827,0.0001781247,0.00035063282,0.00011222513,0.00011451387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046272567,0.00015833645,0.00024128096,0.000044184348,0.0012377446,0.0000393983,0.00048499877,0.00013323892,0.0014694923],"category_scores_gemma":[0.00006125176,0.00012001073,0.00014072642,0.00027740307,0.000589905,0.0001769131,0.00013932084,0.0002125672,0.00018814721],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007970835,0.0004207738,0.00026479797,0.000022230122,0.00014107357,0.00002689653,0.013771285,0.0005434595,0.00030047793,0.15067494,0.8328773,0.0008770839],"study_design_scores_gemma":[0.0003617031,0.00006218901,0.0051636603,0.00003264269,0.00006213468,0.000002394104,0.0026362778,0.00054606394,0.000066934335,0.0010810033,0.9897995,0.00018552202],"about_ca_topic_score_codex":0.002789147,"about_ca_topic_score_gemma":0.002475739,"teacher_disagreement_score":0.6642487,"about_ca_system_score_codex":0.00008767015,"about_ca_system_score_gemma":0.00006892948,"threshold_uncertainty_score":0.9994433},"labels":[],"label_agreement":null},{"id":"W909782696","doi":"","title":"Kathleen Lundeen,. Selinsgrove, PA: Susquehanna University Press, 2000. ISBN: 1575910411. Price: US$37.50.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Legal Cases and Commentary","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Economic history; Media studies; Sociology","score_opus":0.017391242524628252,"score_gpt":0.23278400990398126,"score_spread":0.215392767379353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W909782696","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8888063,0.0009390109,0.00016576418,0.030522056,0.00040023506,0.00087760726,0.00004834053,0.00022315212,0.07801755],"genre_scores_gemma":[0.96004236,0.0013950301,0.00015673284,0.010876077,0.000553558,0.0000052098485,0.00007413485,0.000048730435,0.026848191],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823374,0.00013390173,0.00025822132,0.0004035242,0.0004558515,0.00051476975],"domain_scores_gemma":[0.9986253,0.0001930266,0.00012377082,0.00076724833,0.000069033886,0.00022165876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027060666,0.0002898052,0.00037024703,0.000060370254,0.00029732898,0.000046285262,0.00036545735,0.00013300577,0.0008328686],"category_scores_gemma":[0.00003557395,0.00020772892,0.00020398348,0.00026229458,0.00010736213,0.00014499873,0.0001779882,0.00048473998,0.00022156273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038274992,0.0018657873,0.015659805,0.00014592378,0.0006622216,0.003374111,0.0010425474,0.00008968525,0.002622261,0.025770163,0.9419466,0.0029933415],"study_design_scores_gemma":[0.0020054656,0.0008031098,0.03344213,0.00013138096,0.0003193908,0.00021944236,0.0002654003,0.0011840834,0.00054130435,0.00015983327,0.96061873,0.0003097254],"about_ca_topic_score_codex":0.0012462586,"about_ca_topic_score_gemma":0.000029558638,"teacher_disagreement_score":0.071236044,"about_ca_system_score_codex":0.00018255075,"about_ca_system_score_gemma":0.00009183944,"threshold_uncertainty_score":0.9119327},"labels":[],"label_agreement":null},{"id":"W970903317","doi":"10.7202/011668ar","title":"Margaret Fuller’s Summer on the Lakes, in 1843 and the Condition of America1","year":2005,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Materialism; Beauty; Faith; Civilization; Bourgeoisie; Counterculture; Capitalism; Aesthetics; Consumerism; Livelihood; Immorality; History; Environmental ethics; Sociology; Political science; Law; Art; Philosophy; Politics; Art history; Archaeology; Morality; Theology","score_opus":0.019731625043030578,"score_gpt":0.21829749707915364,"score_spread":0.19856587203612305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W970903317","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86945695,0.0003431816,0.0000012166522,0.029867668,0.00012750342,0.00027427153,0.00007265718,0.000023819814,0.09983274],"genre_scores_gemma":[0.989782,0.00004031339,0.000003078437,0.0051968475,0.00032625027,0.00001553614,0.000012222141,0.000010921905,0.004612844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992287,0.00016874779,0.00017695021,0.00011952655,0.00015580353,0.00015023761],"domain_scores_gemma":[0.99903756,0.0006083523,0.000085482214,0.00023264444,0.00002091213,0.00001502509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003649589,0.00011356933,0.00015163615,0.000037124115,0.00022085731,0.00011172089,0.00016178933,0.000031206913,0.0008318793],"category_scores_gemma":[0.000037365757,0.00004731413,0.00004893219,0.00003588623,0.0004495966,0.00003839428,0.000018910448,0.0002558458,0.00004467278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009529107,0.000051679934,0.00004076657,0.0000069040307,0.000020239262,0.0000017496405,0.016246812,0.000012659079,0.000040782557,0.94711757,0.035129648,0.0012359078],"study_design_scores_gemma":[0.0015521697,0.00022498137,0.006001465,0.00031557673,0.000047056317,0.0000066654443,0.007592624,0.0008831168,0.00039370902,0.008896537,0.97386307,0.0002230369],"about_ca_topic_score_codex":0.00012035138,"about_ca_topic_score_gemma":0.00031740437,"teacher_disagreement_score":0.9387334,"about_ca_system_score_codex":0.0000064329342,"about_ca_system_score_gemma":0.000005904505,"threshold_uncertainty_score":0.9108495},"labels":[],"label_agreement":null}]}