{"meta":{"query_hash":"4440fbdd78e5","filters":{"venue":"SMART MOVES JOURNAL IJELLH"},"cohort_total":21,"direct_labels_cover":0,"predictions_cover":21,"exported":21,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/4440fbdd78e5","api":"https://metacan.xera.ac/api/v1/cohort?venue=SMART+MOVES+JOURNAL+IJELLH"},"results":[{"id":"W2941032109","doi":"10.24113/ijellh.v1i1.6","title":"A Journey Down The Lane In Past Memories Rohinton Mistry’s Aspects of Immigration","year":2017,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psyche; Feeling; Immigration; Politics; Faith; History; Sociology; Literature; Religious studies; Media studies; Aesthetics; Law; Psychoanalysis; Psychology; Philosophy; Art; Political science; Theology; Social psychology","score_opus":0.028618054698050545,"score_gpt":0.24944303601748952,"score_spread":0.22082498131943898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941032109","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11004689,0.053798303,0.00067464786,0.52072805,0.0429676,0.000045520253,0.00013565482,0.00013794133,0.27146542],"genre_scores_gemma":[0.59853184,0.033899706,0.00065446453,0.13743408,0.009333313,0.00007099041,0.00011307663,0.00030340155,0.21965918],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984956,0.00071552064,0.000037657366,0.00013641555,0.00026537888,0.000349429],"domain_scores_gemma":[0.998429,0.00034506552,0.00013680328,0.00009921698,0.0002579968,0.00073184364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001957113,0.0007321157,0.00054495526,0.00077590026,0.024400076,0.009648649,0.0012052894,0.0035086314,0.009215171],"category_scores_gemma":[0.0043149134,0.0005810368,0.0004052982,0.00092675514,0.010169259,0.008409534,0.0072255256,0.014777449,0.002275275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043917695,0.000048564965,0.0011557147,0.00012678192,0.000013827292,0.0037325984,0.51700103,0.000035833607,0.00035878833,0.017840913,0.44194353,0.0176985],"study_design_scores_gemma":[0.0000037837406,0.000021889433,0.0012649854,0.0003726575,0.000004838929,0.0016855457,0.3724602,0.00001814177,0.000066170694,0.0010847874,0.6229979,0.000019190878],"about_ca_topic_score_codex":0.038025152,"about_ca_topic_score_gemma":0.09970577,"teacher_disagreement_score":0.038025152,"about_ca_system_score_codex":0.006244247,"about_ca_system_score_gemma":0.0034667875,"threshold_uncertainty_score":0.0756076},"labels":[],"label_agreement":null},{"id":"W2963129401","doi":"10.24113/ijellh.v7i1.6272","title":"Dislocation, Displacement and Immigrant experience in the Short Stories of Shauna Singh Baldwin","year":2019,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Belongingness; Feeling; Immigration; Consciousness; Sociology; Dislocation; Displacement (psychology); Gender studies; Aesthetics; History; Art; Psychoanalysis; Psychology; Social psychology","score_opus":0.028830568221831998,"score_gpt":0.25741735618509753,"score_spread":0.22858678796326554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963129401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8589713,0.009170956,0.0005543291,0.045764722,0.0015892839,0.000073337425,0.000059268696,0.000072949726,0.08374379],"genre_scores_gemma":[0.9737119,0.003880321,0.00026068313,0.0037271087,0.00019888909,0.000046656063,0.000019572915,0.00005693059,0.01809797],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99794286,0.0012818703,0.000049964394,0.00009552442,0.00030338176,0.00032645604],"domain_scores_gemma":[0.9972953,0.0012609463,0.00027576118,0.000093836534,0.00026965875,0.0008044779],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020449522,0.00071154867,0.0006030699,0.00095741067,0.026247611,0.00723846,0.0010806209,0.0017106599,0.0033506623],"category_scores_gemma":[0.004540293,0.0004203041,0.00024105047,0.0012052428,0.016834833,0.004333559,0.007230641,0.005531979,0.00048413026],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014830808,0.000020163186,0.0005679252,0.000039878472,0.0000028150168,0.0012038002,0.9798591,0.000018194496,0.0003153632,0.0070029767,0.008174639,0.0027803937],"study_design_scores_gemma":[0.0000021954456,0.000026585181,0.00070411584,0.00007394053,0.000002778253,0.0007103794,0.942845,0.00002153291,0.00014229704,0.0006635118,0.054794323,0.000013376795],"about_ca_topic_score_codex":0.031175578,"about_ca_topic_score_gemma":0.04835486,"teacher_disagreement_score":0.031175578,"about_ca_system_score_codex":0.0030420115,"about_ca_system_score_gemma":0.004248178,"threshold_uncertainty_score":0.061988235},"labels":[],"label_agreement":null},{"id":"W2991346637","doi":"10.24113/ijellh.v7i11.10093","title":"Evidence of Reading in Reading Michael Ondaatje’s Novel “The English Patient”","year":2019,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Literary Theory and Cultural Hermeneutics","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Happiness; Aesthetics; Psychology; Literature; Art; Social psychology; Law; Political science","score_opus":0.032513467550125595,"score_gpt":0.23152642104276386,"score_spread":0.19901295349263826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991346637","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7454481,0.005161463,0.00046135133,0.033712555,0.00048175498,0.00007498644,0.00037395893,0.000026215392,0.21425964],"genre_scores_gemma":[0.9817405,0.0027153979,0.0002067351,0.0025096852,0.00014926642,0.00003737758,0.00010440301,0.000043750984,0.012492932],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9922869,0.0039747553,0.0003729141,0.00067487074,0.0016733019,0.0010171278],"domain_scores_gemma":[0.96149945,0.026829716,0.004362633,0.0014722728,0.004256739,0.0015790769],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047267783,0.0003182607,0.0005652935,0.0026345644,0.011367785,0.007297774,0.0015414599,0.003136307,0.0111966785],"category_scores_gemma":[0.040938288,0.0005984397,0.00021475276,0.0026919025,0.02376441,0.0055658403,0.006311729,0.006974818,0.0010001408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006257464,0.000072166265,0.0065138307,0.00015766965,0.000009659855,0.0024832634,0.9680797,0.000011728903,0.00017294954,0.013856635,0.0038538182,0.0047259284],"study_design_scores_gemma":[0.000019771329,0.00004537167,0.016470522,0.00059037766,0.000031620442,0.0030454535,0.8880167,0.000021829104,0.00035506333,0.0025232772,0.08884622,0.0000337281],"about_ca_topic_score_codex":0.08028887,"about_ca_topic_score_gemma":0.12455256,"teacher_disagreement_score":0.08028887,"about_ca_system_score_codex":0.006598302,"about_ca_system_score_gemma":0.0077640736,"threshold_uncertainty_score":0.15964311},"labels":[],"label_agreement":null},{"id":"W2998079274","doi":"10.24113/ijellh.v7i12.10208","title":"A Study of Parsi Diaspora in Rohinton Mistry’s Family Matters","year":2019,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Balance (ability); History; Literature; Genealogy; Gender studies; Sociology; Art; Psychology","score_opus":0.02268430825844303,"score_gpt":0.22495993994746463,"score_spread":0.2022756316890216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998079274","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9760526,0.0007460789,0.00009462705,0.00419508,0.000088378845,0.00004709279,0.000035968278,0.0000054252982,0.01873468],"genre_scores_gemma":[0.9908275,0.0008564876,0.000084015555,0.0013974597,0.0000299719,0.000041766838,0.000018703438,0.000011853081,0.0067322464],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773455,0.0011584946,0.00004597873,0.00015504495,0.00021451426,0.0006912709],"domain_scores_gemma":[0.9977996,0.0008515269,0.00025869024,0.000075127165,0.00024143902,0.0007735478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018844231,0.00038749733,0.0005809695,0.0011079246,0.022220667,0.0042434,0.0014581333,0.0016401963,0.0063298605],"category_scores_gemma":[0.0038753524,0.0005779689,0.00019603735,0.0014322611,0.0065012076,0.0033427228,0.0045901383,0.0037410446,0.0005954749],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019691122,0.00006168526,0.0032540483,0.00003542871,0.0000033181334,0.0012503883,0.9877417,0.000006306488,0.00022377801,0.0021173053,0.001957432,0.0033288575],"study_design_scores_gemma":[0.0000015949091,0.000019276486,0.0036821077,0.000024031466,0.000001476674,0.00020441595,0.98893434,0.0000074229215,0.000046005895,0.00007323485,0.007001574,0.0000045151287],"about_ca_topic_score_codex":0.07121116,"about_ca_topic_score_gemma":0.15665114,"teacher_disagreement_score":0.07121116,"about_ca_system_score_codex":0.004790509,"about_ca_system_score_gemma":0.0048642587,"threshold_uncertainty_score":0.14159334},"labels":[],"label_agreement":null},{"id":"W3003541906","doi":"10.24113/ijellh.v8i1.10352","title":"Dalit Culture and Ethos in Rohinton Mistry’s A Fine Balance","year":2020,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethos; Balance (ability); Soul; Style (visual arts); Sociology; History; Character (mathematics); Aesthetics; Literature; Gender studies; Art; Political science; Philosophy; Law; Theology; Psychology","score_opus":0.029830013557829414,"score_gpt":0.22936714609811415,"score_spread":0.19953713254028474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003541906","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5705568,0.0046795867,0.0010030877,0.034063604,0.00061310676,0.000035897057,0.00004813521,0.00005140638,0.38894838],"genre_scores_gemma":[0.98075014,0.00035294407,0.000116364354,0.00091231917,0.000023902969,0.000005671397,0.000003778379,0.000015546631,0.017819304],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990441,0.00037562117,0.00002358417,0.00008277201,0.00016046398,0.00031343286],"domain_scores_gemma":[0.9995364,0.00012578598,0.00007834324,0.000037049947,0.00007093405,0.0001516211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009672854,0.00026108723,0.00020558081,0.00056275603,0.018921943,0.007266585,0.00041620378,0.0011005081,0.0028227994],"category_scores_gemma":[0.0014195525,0.00022802765,0.000099420286,0.00067816005,0.015520404,0.0029035236,0.004048483,0.0030418206,0.00035463882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000561545,0.000036762907,0.0015357878,0.000046552428,0.00000387788,0.0008477924,0.682856,0.00006824913,0.0009148028,0.2937864,0.011377519,0.008470053],"study_design_scores_gemma":[0.000011146551,0.000055204404,0.006223801,0.00014981718,0.0000072953076,0.0008300178,0.47483596,0.00018919486,0.0010972108,0.015005659,0.5015559,0.00003880538],"about_ca_topic_score_codex":0.03909303,"about_ca_topic_score_gemma":0.07065029,"teacher_disagreement_score":0.03909303,"about_ca_system_score_codex":0.0082692085,"about_ca_system_score_gemma":0.0031552897,"threshold_uncertainty_score":0.07773095},"labels":[],"label_agreement":null},{"id":"W3020863746","doi":"","title":"Politics in Rohitan Mistry’s A Fine Balance","year":2020,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Popularity; Balance (ability); History; Democracy; Indian English; Political science; Gender studies; Literature; Sociology; Art; Law; Psychology","score_opus":0.029260191705334636,"score_gpt":0.21886881410507764,"score_spread":0.189608622399743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3020863746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1472079,0.0049521667,0.0011598669,0.061154664,0.0024521328,0.000025885623,0.000037697064,0.000095311516,0.78291446],"genre_scores_gemma":[0.87182873,0.0008188295,0.00032122323,0.004639715,0.00024669545,0.000009284651,0.000008127711,0.0000810128,0.12204632],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893457,0.00034121826,0.000018648556,0.00013894076,0.00025063727,0.00031593302],"domain_scores_gemma":[0.9993612,0.00019501708,0.00007784634,0.000050123617,0.0001287068,0.00018718123],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008936964,0.00021591339,0.00021475992,0.0005140361,0.01592016,0.0071010296,0.00036933183,0.0015535805,0.0040232097],"category_scores_gemma":[0.0017921414,0.00021747827,0.00014557093,0.00053201424,0.00876664,0.0024665266,0.0022012042,0.0035561707,0.0007516899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007536677,0.000040630814,0.0009069393,0.000046083616,0.0000062567915,0.0014169753,0.26626414,0.00006616135,0.0014354347,0.6200875,0.094626874,0.01502758],"study_design_scores_gemma":[0.000007238942,0.000025241656,0.0022563962,0.00007135258,0.0000068061054,0.00063505827,0.073186904,0.00011056184,0.0007560486,0.011122606,0.91180104,0.000020716561],"about_ca_topic_score_codex":0.04238365,"about_ca_topic_score_gemma":0.12077385,"teacher_disagreement_score":0.04238365,"about_ca_system_score_codex":0.0064680106,"about_ca_system_score_gemma":0.003360591,"threshold_uncertainty_score":0.084273875},"labels":[],"label_agreement":null},{"id":"W3033327155","doi":"10.24113/ijellh.v5i12.10161","title":"Multicultural Representation in Margaret Laurence’s This Side Jordan","year":2017,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Multiculturalism; Modernization theory; Colonialism; Cultural identity; Identity (music); Sociology; Colonization; History; Gender studies; Political science; Law; Aesthetics; Social science; Art","score_opus":0.028474772047325646,"score_gpt":0.3026125075376629,"score_spread":0.27413773549033726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033327155","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053514875,0.013531089,0.00042096016,0.4548374,0.0050796717,0.000028900798,0.000029026452,0.00006267579,0.47249535],"genre_scores_gemma":[0.5174593,0.004475723,0.0005612342,0.061477244,0.0009793642,0.00003266928,0.000017521894,0.00012680973,0.41487014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965927,0.0008367081,0.000053026844,0.00024884642,0.0010918389,0.0011769183],"domain_scores_gemma":[0.99684167,0.0004457252,0.00013578043,0.00010106697,0.00073404936,0.0017416414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035343342,0.00029691405,0.00038089138,0.0010025067,0.056773532,0.010505005,0.0012616972,0.00308851,0.011624466],"category_scores_gemma":[0.0036900174,0.00028144606,0.0002208827,0.0010256389,0.016156146,0.0036508695,0.008136495,0.0059638326,0.0009230227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000235254,0.000052704927,0.0016578443,0.0000407043,0.000007161415,0.0014104685,0.281956,0.00005656894,0.00028710387,0.27406213,0.41272664,0.027719162],"study_design_scores_gemma":[0.000001965451,0.00000604814,0.0008267869,0.000059336966,0.0000017132933,0.00025248883,0.07178665,0.000032975106,0.00008262087,0.0030638417,0.9238711,0.000014422019],"about_ca_topic_score_codex":0.6354132,"about_ca_topic_score_gemma":0.84728056,"teacher_disagreement_score":0.36458677,"about_ca_system_score_codex":0.024546104,"about_ca_system_score_gemma":0.033995792,"threshold_uncertainty_score":0.7334678},"labels":[],"label_agreement":null},{"id":"W3034033632","doi":"10.24113/ijellh.v5i5.10157","title":"Cross-Cultural Scenario in Margaret Atwood’s Surfacing and Bharati Mukherjee’s Jasmine","year":2017,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Multiculturalism; Diversity (politics); Folklore; Politics; Cultural diversity; Population; Theme (computing); Colonialism; Ethnic group; Sociology; Political science; Gender studies; Social science; Law; Anthropology","score_opus":0.03025707297755585,"score_gpt":0.3000845236111341,"score_spread":0.2698274506335782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034033632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22624765,0.020199174,0.0008789971,0.28599668,0.008944865,0.00010348561,0.0001002972,0.000116249175,0.45741263],"genre_scores_gemma":[0.68575627,0.009072529,0.0010481827,0.07398464,0.002184915,0.00012565477,0.0000816977,0.0003411806,0.227405],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650735,0.0014349826,0.000082309,0.00033410036,0.0006518697,0.0009894304],"domain_scores_gemma":[0.99623954,0.0010917122,0.00020255307,0.00016166983,0.00045980074,0.0018445649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024054537,0.00084174954,0.0006568087,0.0018848322,0.059189774,0.015094786,0.0021953448,0.008604156,0.012745507],"category_scores_gemma":[0.005027982,0.0006608759,0.0005981284,0.0027297684,0.015804715,0.0062790625,0.012008629,0.013999592,0.0016921262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026092945,0.0000701615,0.0009023895,0.00010835966,0.000013211852,0.010530401,0.76963127,0.000040375482,0.00040560713,0.120984584,0.08967138,0.007616199],"study_design_scores_gemma":[0.0000053010267,0.000026642063,0.0015954686,0.00027236794,0.0000070639358,0.0035191982,0.3644092,0.000043794913,0.000101729835,0.00428934,0.62569857,0.00003127387],"about_ca_topic_score_codex":0.08290345,"about_ca_topic_score_gemma":0.13251008,"teacher_disagreement_score":0.08290345,"about_ca_system_score_codex":0.010714234,"about_ca_system_score_gemma":0.0074674645,"threshold_uncertainty_score":0.16484177},"labels":[],"label_agreement":null},{"id":"W3045661416","doi":"10.24113/ijellh.v8i6.10633","title":"Gender Perspectives in Lee Maracle’s I am Woman","year":2020,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Oppression; Native american; Memoir; Gender studies; Sociology; History; Political science; Ethnology; Art history; Politics; Law","score_opus":0.039332082479418475,"score_gpt":0.26664181255069086,"score_spread":0.2273097300712724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3045661416","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04858243,0.020874213,0.0009307445,0.32610154,0.007501383,0.000056757264,0.00014322491,0.0000993476,0.5957104],"genre_scores_gemma":[0.5813657,0.010369114,0.0008289703,0.0566597,0.0018431103,0.000075627926,0.00004988015,0.0002317974,0.34857604],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99731463,0.0009619384,0.000027573826,0.0001928391,0.00073682703,0.0007661102],"domain_scores_gemma":[0.99791664,0.00054663036,0.00009982543,0.000040044637,0.00065708905,0.0007397707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020670118,0.00056824245,0.00046437656,0.0013869281,0.0372551,0.0076584243,0.0010377547,0.0033892759,0.009557296],"category_scores_gemma":[0.0029999928,0.0003513793,0.00027635833,0.0012103671,0.018246349,0.003578765,0.0029342822,0.0063207224,0.0010632824],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004322154,0.000026762158,0.0010614403,0.00008687874,0.0000046714176,0.0014368307,0.54015243,0.00003625232,0.00063991465,0.1855778,0.25697348,0.01396025],"study_design_scores_gemma":[0.0000026666764,0.000012844987,0.0008943184,0.00015267328,0.0000027032306,0.00031791054,0.18575367,0.000024645455,0.00016736357,0.002493521,0.81015617,0.000021464746],"about_ca_topic_score_codex":0.5909267,"about_ca_topic_score_gemma":0.75147134,"teacher_disagreement_score":0.4090733,"about_ca_system_score_codex":0.02241871,"about_ca_system_score_gemma":0.019921629,"threshold_uncertainty_score":0.8229648},"labels":[],"label_agreement":null},{"id":"W3047359166","doi":"","title":"Victimisation and Survival as a Journey from â€˜Wildernessâ€™ to â€˜Culturedâ€™ in Margaret Atwoodâ€™s Surfacing","year":2019,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wilderness; Civilization; Existentialism; Identity (music); Criticism; Alienation; Environmental ethics; Natural (archaeology); Interpretation (philosophy); Sociology; Colonialism; Gender studies; History; Political science; Aesthetics; Law; Art; Archaeology; Ecology; Philosophy","score_opus":0.021034240775103692,"score_gpt":0.2350239490502557,"score_spread":0.213989708275152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3047359166","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26202112,0.025284363,0.0050800084,0.367453,0.006512001,0.0000931999,0.00007660802,0.00023029215,0.33324945],"genre_scores_gemma":[0.8767686,0.0061429525,0.0011067246,0.026265217,0.00072890916,0.00006315764,0.00002960766,0.00017165177,0.08872326],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970393,0.0015554917,0.000038535152,0.00020208777,0.00043657867,0.00072811113],"domain_scores_gemma":[0.9981376,0.0008222949,0.00017688992,0.00010407145,0.00025995504,0.0004991453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002598135,0.00071358244,0.00054484414,0.0010478093,0.03598317,0.012247037,0.0018907036,0.005948579,0.005677139],"category_scores_gemma":[0.005607169,0.00036844297,0.00042193735,0.0010680814,0.047391824,0.008251895,0.008584227,0.00936372,0.00089003163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016877904,0.000015240908,0.00033287288,0.000039547485,0.0000047214767,0.0014122261,0.8908027,0.000035284356,0.00020935509,0.07215004,0.028443508,0.0065375315],"study_design_scores_gemma":[0.0000031607412,0.00002884979,0.0003942697,0.00016641886,0.000004512294,0.0010221056,0.7137833,0.000031779775,0.00016343585,0.013363469,0.2710168,0.000021821746],"about_ca_topic_score_codex":0.07885528,"about_ca_topic_score_gemma":0.10806001,"teacher_disagreement_score":0.07885528,"about_ca_system_score_codex":0.008373466,"about_ca_system_score_gemma":0.006338702,"threshold_uncertainty_score":0.15679258},"labels":[],"label_agreement":null},{"id":"W3089708330","doi":"10.24113/ijellh.v8i9.10766","title":"Margaret Atwood: A Sound Ecologist","year":2020,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wilderness; Colonialism; Identity (music); Metaphor; Narrative; History; Hegemony; Aesthetics; Uncanny; Psychic; Environmental ethics; Sociology; Literature; Art; Ecology; Archaeology; Law; Political science; Politics; Philosophy","score_opus":0.031993172625447354,"score_gpt":0.2066480675455612,"score_spread":0.17465489492011385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3089708330","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020278137,0.030075222,0.0022667283,0.5710306,0.016221778,0.00006070935,0.0003395629,0.0004146065,0.35931253],"genre_scores_gemma":[0.12920287,0.010161793,0.002867348,0.11868845,0.0022092015,0.0001286486,0.0001545209,0.0004505339,0.73613656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990349,0.00027271736,0.000016259995,0.00014293053,0.0002836258,0.00024949928],"domain_scores_gemma":[0.9988493,0.00021144525,0.000050737424,0.000035905934,0.00022763909,0.0006249812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009621489,0.0005274978,0.00026031744,0.0011907921,0.013534804,0.0059823343,0.001254772,0.0025421665,0.02157061],"category_scores_gemma":[0.0017167184,0.00025547855,0.0002035789,0.00076952286,0.0042286287,0.003513331,0.0027234203,0.0042623472,0.0033272014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035409605,0.00006848971,0.0008645188,0.00011103288,0.000005030836,0.000823336,0.019185659,0.000084251085,0.0008967516,0.05359159,0.8951044,0.029229514],"study_design_scores_gemma":[8.6251833e-7,0.0000033958365,0.00024043213,0.000034650122,8.173179e-7,0.00013464839,0.0057570944,0.000018853592,0.0000457004,0.00078216795,0.9929772,0.000004201585],"about_ca_topic_score_codex":0.06469587,"about_ca_topic_score_gemma":0.18583843,"teacher_disagreement_score":0.06469587,"about_ca_system_score_codex":0.0078906035,"about_ca_system_score_gemma":0.0070784595,"threshold_uncertainty_score":0.12863857},"labels":[],"label_agreement":null},{"id":"W3112931330","doi":"","title":"VASSANJI’S NO NEW LAND: A SAGA OF GLOBAL UPROOTEDNESS","year":2017,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psyche; Alienation; Immigration; Identity (music); Race (biology); Sociology; Aesthetics; History; Gender studies; Criminology; Psychoanalysis; Art; Political science; Law; Psychology","score_opus":0.02505264421787379,"score_gpt":0.30931428092209007,"score_spread":0.2842616367042163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112931330","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27431384,0.012686128,0.0030377335,0.04828567,0.0035739667,0.000039804618,0.00008026373,0.00011921285,0.6578633],"genre_scores_gemma":[0.96284777,0.0021121434,0.0006881677,0.002714948,0.00019655863,0.0000142669305,0.000026015423,0.00005370253,0.03134658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993538,0.00023821759,0.000012536321,0.00006747811,0.000112409434,0.00021554872],"domain_scores_gemma":[0.999551,0.0001822333,0.00003584217,0.0000641278,0.000064446176,0.00010228603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009449701,0.00045155227,0.0002870248,0.0006486214,0.008952919,0.005432423,0.00056112674,0.0009800863,0.0028577214],"category_scores_gemma":[0.0014542207,0.00016533796,0.00023923982,0.00089596084,0.01594487,0.0033900023,0.0040339394,0.0044289646,0.00020130069],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005891387,0.000036852874,0.0022550677,0.00019677963,0.000017289998,0.0011213304,0.21286137,0.00020211753,0.0012474476,0.74009097,0.019606661,0.022305142],"study_design_scores_gemma":[0.0000140206275,0.00012271517,0.0063264403,0.00031036994,0.00003086064,0.0010834782,0.1536919,0.00026550118,0.0007565063,0.04792753,0.7894247,0.000045961086],"about_ca_topic_score_codex":0.0139878085,"about_ca_topic_score_gemma":0.03335796,"teacher_disagreement_score":0.0139878085,"about_ca_system_score_codex":0.0031444002,"about_ca_system_score_gemma":0.0024304227,"threshold_uncertainty_score":0.027812779},"labels":[],"label_agreement":null},{"id":"W3119033439","doi":"10.24113/ijellh.v8i12.10869","title":"Diasporic Consciousness in Jhumpa Lahiri’s The Namesake","year":2020,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Expatriate; History; Immigration; Buddhism; Ethnic group; Colonialism; Judaism; Ethnology; Refugee; Identity (music); Transculturation; Consciousness; Ancient history; Geography; Gender studies; Anthropology; Sociology; Art; Archaeology; Aesthetics","score_opus":0.03528555810720323,"score_gpt":0.21272750541305813,"score_spread":0.17744194730585489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119033439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37285364,0.011826335,0.0019294837,0.021201124,0.0020401676,0.000104261206,0.00006403145,0.000092658716,0.5898883],"genre_scores_gemma":[0.9374146,0.00278718,0.00084359734,0.0029542677,0.00030897188,0.000052233514,0.00002365336,0.000065047214,0.055550363],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99911493,0.00042069235,0.00003684529,0.00008776535,0.00015606896,0.00018376601],"domain_scores_gemma":[0.9991984,0.00042609344,0.000084333,0.000062645566,0.000066171764,0.00016234371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001451728,0.00037296413,0.0003122792,0.0007488011,0.01811387,0.007375402,0.0005407716,0.0012879954,0.0047033206],"category_scores_gemma":[0.00138078,0.0003393521,0.00016015684,0.0011721317,0.013833785,0.0043044104,0.004092411,0.004077844,0.0006467889],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003647228,0.000049007867,0.0009149765,0.00010869885,0.000005152437,0.0013827615,0.7032511,0.000026313126,0.0014027753,0.27302745,0.007587969,0.012207275],"study_design_scores_gemma":[0.000015014614,0.000082158636,0.0045279507,0.0003735306,0.000017886276,0.003099693,0.41772434,0.00015572972,0.00095765287,0.01961029,0.55338377,0.000051978644],"about_ca_topic_score_codex":0.004821112,"about_ca_topic_score_gemma":0.013952129,"teacher_disagreement_score":0.01811387,"about_ca_system_score_codex":0.002594062,"about_ca_system_score_gemma":0.0031913512,"threshold_uncertainty_score":0.018821359},"labels":[],"label_agreement":null},{"id":"W3128097505","doi":"10.24113/ijellh.v9i1.10882","title":"Identify and Self-Search in Margaret Atwood’s The Handmaid’s Tale","year":2021,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Fantasy; Power (physics); Identity (music); Sociology; Literature; History; Aesthetics; Psychoanalysis; Art; Psychology","score_opus":0.027587922102810896,"score_gpt":0.2564812121496409,"score_spread":0.22889329004683004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128097505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064867206,0.005850658,0.004042274,0.062476862,0.0025711,0.0000386689,0.000054382836,0.00012900282,0.8599698],"genre_scores_gemma":[0.7268805,0.0015613525,0.0017725934,0.007955751,0.0005152562,0.00003055572,0.00003249539,0.00015934152,0.26109213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880075,0.0004575946,0.000010458594,0.00012279177,0.00033577843,0.00027259233],"domain_scores_gemma":[0.99934274,0.00027224078,0.00005067122,0.00003890143,0.000113069946,0.00018241857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097145437,0.000512286,0.00020641461,0.0011440973,0.018517718,0.008231453,0.000820272,0.0019513562,0.006249901],"category_scores_gemma":[0.0021840294,0.00018123517,0.00018210475,0.0005502451,0.026549207,0.0032932782,0.0036410552,0.0035260797,0.0009805715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025679781,0.000017759607,0.00031262529,0.000038529295,0.000002771367,0.00053778104,0.22580877,0.00007632155,0.000358035,0.68480927,0.077924676,0.010087703],"study_design_scores_gemma":[0.0000038693165,0.000011524753,0.0003530877,0.000089705616,0.0000030789688,0.00041723097,0.10124153,0.00012599507,0.00038418098,0.02895274,0.8683995,0.00001759448],"about_ca_topic_score_codex":0.110300966,"about_ca_topic_score_gemma":0.21893527,"teacher_disagreement_score":0.110300966,"about_ca_system_score_codex":0.010995194,"about_ca_system_score_gemma":0.0053014266,"threshold_uncertainty_score":0.21931785},"labels":[],"label_agreement":null},{"id":"W3133641822","doi":"10.24113/ijellh.v9i2.10908","title":"History in the Attic: Search for Roots in Ramabai Espinet’s The Swinging Bridge","year":2021,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Diaspora; Grief; Literature; Genealogy; Art; Sociology; Psychology; Gender studies","score_opus":0.07536982107665167,"score_gpt":0.3332524799407282,"score_spread":0.2578826588640765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133641822","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37245423,0.01230423,0.0009312378,0.02377815,0.0011194646,0.000047064066,0.000056078967,0.00009002037,0.58921957],"genre_scores_gemma":[0.948592,0.0025143742,0.00040644853,0.001699355,0.000115731265,0.000021987533,0.000038314145,0.000049222104,0.046562616],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952984,0.0001714511,0.000011055531,0.000049421542,0.00007776035,0.00016046486],"domain_scores_gemma":[0.99958354,0.00015972869,0.000040612187,0.000030264833,0.000058132613,0.00012773447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007826329,0.00046461675,0.0003689964,0.0012729925,0.019837271,0.0074313055,0.0008587046,0.0018956376,0.0087112645],"category_scores_gemma":[0.0015216245,0.00030161167,0.00015866903,0.0015371375,0.01307495,0.0040472047,0.0054024993,0.0044890367,0.0005840665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049646198,0.00004467346,0.0009013394,0.00012326601,0.0000034027048,0.00310561,0.788422,0.000042441,0.0007967298,0.17344715,0.008432468,0.024631418],"study_design_scores_gemma":[0.000008367095,0.000029594106,0.0022976054,0.00036380842,0.000006003996,0.0011336269,0.64114684,0.0000677779,0.00028356936,0.008976108,0.34566996,0.000016832008],"about_ca_topic_score_codex":0.04189419,"about_ca_topic_score_gemma":0.11416902,"teacher_disagreement_score":0.04189419,"about_ca_system_score_codex":0.005482482,"about_ca_system_score_gemma":0.003637706,"threshold_uncertainty_score":0.08330071},"labels":[],"label_agreement":null},{"id":"W3142600633","doi":"10.24113/ijellh.v7i4.8497","title":"Community and the Individual: A Note on Rohinton Mistry's Family Matters","year":2019,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"South Asian Studies and Diaspora","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Belongingness; Injustice; Compassion; Sociology; Feeling; Aesthetics; Family life; Beauty; Alienation; Institution; Affection; Gender studies; Political science; Psychology; Social psychology; Social science; Law; Art","score_opus":0.03293868709814474,"score_gpt":0.23111089895962258,"score_spread":0.19817221186147785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3142600633","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17024495,0.15415291,0.0011200337,0.49216443,0.021386184,0.000091228154,0.000080987775,0.00006716928,0.16069219],"genre_scores_gemma":[0.8344892,0.037173327,0.0005107002,0.06696975,0.0076708263,0.00007904485,0.0000180573,0.000085187596,0.053003915],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778616,0.001319322,0.000047169302,0.00016811719,0.00027299876,0.00040616535],"domain_scores_gemma":[0.9984351,0.00082511577,0.00014523926,0.00005144053,0.00013377033,0.00040941645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016908717,0.00050834205,0.0005427517,0.0009281607,0.023447428,0.006362009,0.0011353208,0.0041391067,0.0019489811],"category_scores_gemma":[0.002535806,0.0002745002,0.00029001234,0.00067510543,0.01333608,0.0048124306,0.004084714,0.0056183445,0.0003244003],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040838997,0.000071402865,0.0008387073,0.0001794489,0.000009393873,0.0049290136,0.6605551,0.000083962404,0.00037782884,0.121594645,0.19345917,0.017860493],"study_design_scores_gemma":[0.0000062840213,0.00005846963,0.0020434442,0.0004366973,0.0000080708205,0.0030822854,0.22349104,0.000069714675,0.00015948477,0.006259391,0.7643587,0.000026445672],"about_ca_topic_score_codex":0.03645104,"about_ca_topic_score_gemma":0.05880402,"teacher_disagreement_score":0.03645104,"about_ca_system_score_codex":0.0076396675,"about_ca_system_score_gemma":0.0046450505,"threshold_uncertainty_score":0.07247776},"labels":[],"label_agreement":null},{"id":"W3153261177","doi":"10.24113/ijellh.v6i10.5100","title":"Diving into the Subconscious of Women and Nature: Margaret Atwood’s Surfacing as an Ecofeminist Novel","year":2018,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Treasure; Harmony (color); Happiness; Viewpoints; Subconscious; Aesthetics; Sociology; Gender studies; Wilderness; Feminism; Ecofeminism; Object (grammar); Alienation; Mythology; Psychoanalysis; History; Psychology; Literature; Environmental ethics; Philosophy; Art; Law; Social psychology; Political science; Visual arts; Ecology","score_opus":0.00792550346705424,"score_gpt":0.21855957392631284,"score_spread":0.2106340704592586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153261177","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41433793,0.01910349,0.0036665269,0.16350372,0.012691208,0.000103643106,0.00013738865,0.00018251105,0.38627362],"genre_scores_gemma":[0.76260424,0.0052819815,0.0012916966,0.013777696,0.0021356423,0.000096434735,0.000051588268,0.00034507626,0.21441564],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983991,0.00095601956,0.000021762731,0.00013479704,0.00026154323,0.00022667038],"domain_scores_gemma":[0.99862075,0.0007109151,0.000097432814,0.00006781044,0.00012658635,0.00037664908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012806735,0.00086158543,0.00044952345,0.0007227032,0.01736309,0.008360387,0.001305945,0.0035113983,0.0042916746],"category_scores_gemma":[0.0023764872,0.00039963517,0.0003167653,0.00053499336,0.011825078,0.0042287856,0.0038614096,0.006314149,0.0008034919],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011633513,0.00009747512,0.00046064038,0.00020022655,0.000012722376,0.004258076,0.73729956,0.00014692008,0.0025500588,0.1277215,0.11471457,0.01242185],"study_design_scores_gemma":[0.0000063926523,0.00007094667,0.00056714757,0.00024203384,0.000007807607,0.0019084946,0.27919152,0.00010424956,0.0008314104,0.0049653267,0.7120814,0.00002317332],"about_ca_topic_score_codex":0.0066337343,"about_ca_topic_score_gemma":0.02107387,"teacher_disagreement_score":0.01736309,"about_ca_system_score_codex":0.0041704364,"about_ca_system_score_gemma":0.0018377021,"threshold_uncertainty_score":0.030258775},"labels":[],"label_agreement":null},{"id":"W3182922235","doi":"10.24113/ijellh.v6i10.5103","title":"Exile of Women in Anita Raw Badami’s Can You Hear the Nightbird Call?","year":2018,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Embarrassment; Politics; Partition (number theory); Romance; Malice; History; Order (exchange); Subject (documents); Gender studies; Sociology; Literature; Art; Law; Psychology; Political science; Social psychology","score_opus":0.015545388933002922,"score_gpt":0.21507689069115524,"score_spread":0.19953150175815232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182922235","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7748558,0.0032564825,0.000713757,0.035177827,0.0017651803,0.000066240136,0.00006205854,0.000071529146,0.18403116],"genre_scores_gemma":[0.9537491,0.0011111248,0.00025400484,0.0037337788,0.00030619145,0.000031624604,0.000015697862,0.0000427114,0.040755723],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988966,0.0005154051,0.000013043399,0.000063893895,0.00013390723,0.00037701338],"domain_scores_gemma":[0.9993948,0.00019968524,0.000096069234,0.000026686648,0.000053092175,0.00022962861],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012668341,0.00079748075,0.0003789295,0.0006104454,0.02559281,0.005947034,0.0007213459,0.0022693877,0.0055169],"category_scores_gemma":[0.001601902,0.00044772538,0.00031521023,0.00040081106,0.011202761,0.0030141724,0.005137108,0.004840887,0.0010291227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081543694,0.00004861179,0.0017747105,0.00006164212,0.000007719742,0.0034124784,0.96043956,0.000026740348,0.0015678607,0.014188819,0.013311929,0.0050782515],"study_design_scores_gemma":[0.0000054016255,0.00005897368,0.0027045077,0.000092151124,0.0000067365827,0.0020998598,0.87951535,0.000044745513,0.0004215081,0.0005838734,0.1144477,0.00001918309],"about_ca_topic_score_codex":0.0076329503,"about_ca_topic_score_gemma":0.02054658,"teacher_disagreement_score":0.02559281,"about_ca_system_score_codex":0.0026399887,"about_ca_system_score_gemma":0.0014915748,"threshold_uncertainty_score":0.019154608},"labels":[],"label_agreement":null},{"id":"W4294811778","doi":"10.24113/ijellh.v10i8.11344","title":"Pathetic Condition of Women in Margret Atwood's \"The Handmaid's Tale\"","year":2022,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Patriarchy; Gender studies; Harassment; Sacrifice; Dominance (genetics); Politics; Sociology; Identity (music); Literature; History; Art; Political science; Aesthetics; Law","score_opus":0.007252654788555268,"score_gpt":0.22430468126883668,"score_spread":0.2170520264802814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294811778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17634805,0.009205558,0.001789244,0.07308236,0.0022389144,0.000058951427,0.00009557671,0.00013299285,0.7370483],"genre_scores_gemma":[0.8562819,0.0018917773,0.0007108106,0.005297703,0.00018649851,0.000021692582,0.000015148498,0.000057989055,0.1355365],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912506,0.00027392514,0.0000064879605,0.00006801118,0.00021115961,0.00031536046],"domain_scores_gemma":[0.99960214,0.00011868891,0.00003206916,0.000014125734,0.000088895074,0.00014410859],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006306971,0.0003783009,0.00020435214,0.0010987154,0.02751354,0.0045575,0.0006897371,0.0018007992,0.004663562],"category_scores_gemma":[0.0014553749,0.00018288883,0.00014194282,0.00062541285,0.022989785,0.0015956144,0.0025113297,0.0028826185,0.0004333379],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004544221,0.000029959028,0.0015748081,0.00005461903,0.0000055049272,0.0029467794,0.45577112,0.000115346746,0.0010742653,0.42052138,0.096926056,0.020934649],"study_design_scores_gemma":[0.0000062918834,0.000024585277,0.0023240251,0.00012766606,0.0000062244135,0.0013985524,0.19396462,0.000095800104,0.00056357385,0.012997156,0.78845656,0.000034946657],"about_ca_topic_score_codex":0.4273484,"about_ca_topic_score_gemma":0.6219953,"teacher_disagreement_score":0.5726516,"about_ca_system_score_codex":0.021400077,"about_ca_system_score_gemma":0.011043767,"threshold_uncertainty_score":0.8497219},"labels":[],"label_agreement":null},{"id":"W4320302911","doi":"10.24113/ijellh.v3i10.955","title":"Cultural Archetypes in the works of Rohinton Mistry","year":2017,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Indian History and Philosophy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Archetype; Collective unconscious; Mythology; Caste; Sociology; Aesthetics; Race (biology); Unconscious mind; History; Closeness; Environmental ethics; Anthropology; Gender studies; Epistemology; Literature; Psychoanalysis; Law; Political science; Psychology; Philosophy; Art","score_opus":0.062060775471523645,"score_gpt":0.2676063320696971,"score_spread":0.20554555659817345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320302911","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47997817,0.012972733,0.0027581975,0.01565473,0.00060089125,0.000084324405,0.000106095125,0.00008424523,0.48776057],"genre_scores_gemma":[0.9689348,0.0014064048,0.0006840468,0.00038188434,0.000053776643,0.000011231859,0.000010078953,0.000028911089,0.028488854],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974094,0.0010713153,0.000058485548,0.00027032613,0.00070695987,0.00048352382],"domain_scores_gemma":[0.99857867,0.00065159844,0.00020777357,0.00016356792,0.0002610313,0.0001373365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018241883,0.00040777773,0.00039496666,0.0020278534,0.021064386,0.0052288314,0.0009025709,0.0011023592,0.0033020459],"category_scores_gemma":[0.0025658256,0.00023802235,0.00017743255,0.0017072138,0.027019557,0.0020447187,0.003230669,0.0026666601,0.00030288618],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060462262,0.000019901465,0.0016143842,0.00012266159,0.0000081567405,0.0013374286,0.67989874,0.0001953569,0.0009863114,0.29000974,0.0077198828,0.018027095],"study_design_scores_gemma":[0.000004560842,0.000037326194,0.008054235,0.0004443441,0.000021371518,0.0014535605,0.23628089,0.00029193368,0.0013218415,0.012502966,0.7395263,0.000060634313],"about_ca_topic_score_codex":0.26077425,"about_ca_topic_score_gemma":0.4705003,"teacher_disagreement_score":0.26077425,"about_ca_system_score_codex":0.022802882,"about_ca_system_score_gemma":0.010424568,"threshold_uncertainty_score":0.5185127},"labels":[],"label_agreement":null},{"id":"W4413877011","doi":"10.24113/smji.v13i8.11586","title":"Tracing the Aspects of Postmillennial Indian Fiction: A Study of Laburnum for My Head by Temsula Ao","year":2025,"lang":"en","type":"article","venue":"SMART MOVES JOURNAL IJELLH","topic":"Indian History and Philosophy","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Head (geology); Tracing; Art; History; Computer science; Biology; Programming language; Paleontology","score_opus":0.02329462644971516,"score_gpt":0.2528858801505796,"score_spread":0.22959125370086444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413877011","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67627233,0.026430873,0.0020162312,0.058897443,0.0045314394,0.00017452493,0.0001246541,0.00014078467,0.23141176],"genre_scores_gemma":[0.95103264,0.0059469445,0.0008700937,0.004430566,0.00082518306,0.00012822315,0.000045508656,0.00013914934,0.036581703],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99831957,0.001070345,0.00003595338,0.00009343463,0.00024285747,0.00023780612],"domain_scores_gemma":[0.99682957,0.002028611,0.00036223323,0.00010975397,0.00038684718,0.0002830796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020802717,0.00055314467,0.00049878855,0.0018695315,0.018692596,0.007639401,0.0016441372,0.0018834745,0.0022545035],"category_scores_gemma":[0.0062363986,0.00030254907,0.00031811054,0.0019344524,0.010620371,0.0036501412,0.0049143634,0.005073077,0.0005528643],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021928188,0.000059351336,0.0008707932,0.00017223053,0.000003874348,0.0011566043,0.9481353,0.000016557238,0.00047593162,0.024466515,0.014182424,0.010438521],"study_design_scores_gemma":[0.000003947001,0.00007291275,0.0045013665,0.00063266704,0.000012306327,0.0009789225,0.6495047,0.000088030545,0.0006165379,0.0015599569,0.34200487,0.000023762046],"about_ca_topic_score_codex":0.007770714,"about_ca_topic_score_gemma":0.020624574,"teacher_disagreement_score":0.018692596,"about_ca_system_score_codex":0.0051295343,"about_ca_system_score_gemma":0.0035957221,"threshold_uncertainty_score":0.037217498},"labels":[],"label_agreement":null}]}