{"meta":{"query_hash":"32b9f7d2f903","filters":{"venue":"Scene Reviews of Early Modern Drama"},"cohort_total":68,"direct_labels_cover":0,"predictions_cover":68,"exported":68,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/32b9f7d2f903","api":"https://metacan.xera.ac/api/v1/cohort?venue=Scene+Reviews+of+Early+Modern+Drama"},"results":[{"id":"W2898626041","doi":"10.18357/scene02201718364","title":"Much Ado with Italian Va-Va-\"Vroom\"","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Philosophy; Epistemology","score_opus":0.04513966324963094,"score_gpt":0.2625446969064035,"score_spread":0.21740503365677255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898626041","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026826623,0.053219043,0.0005088345,0.10740461,0.037168562,0.00003929672,0.00091349543,0.0003348726,0.79772866],"genre_scores_gemma":[0.043107107,0.011914553,0.00052757125,0.02632057,0.008936153,0.00004856237,0.00065107824,0.00075124507,0.9077433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854124,0.00033630402,0.000035147485,0.00013984178,0.0006201357,0.0003273918],"domain_scores_gemma":[0.99873334,0.00023664926,0.00006954921,0.00013724765,0.00051544077,0.00030785453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001175434,0.0006788462,0.00035952718,0.0013744674,0.008125846,0.0085441,0.0009799126,0.0027013689,0.08360378],"category_scores_gemma":[0.0036885291,0.00029421537,0.0003649098,0.0015127949,0.004230352,0.004156917,0.0032547258,0.006101953,0.020568494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003187821,0.000007660568,0.000113441594,0.00009563268,0.0000030664505,0.000035763107,0.0016397078,0.000012998672,0.00012822586,0.016987978,0.9619552,0.018988496],"study_design_scores_gemma":[0.000001306772,0.0000019633142,0.00025490834,0.00006219062,0.0000011030854,0.000019855548,0.00073928275,0.000003624481,0.000028066497,0.00018853246,0.9986965,0.0000026048585],"about_ca_topic_score_codex":0.12072766,"about_ca_topic_score_gemma":0.3510096,"teacher_disagreement_score":0.12072766,"about_ca_system_score_codex":0.0072881808,"about_ca_system_score_gemma":0.0049599498,"threshold_uncertainty_score":0.27968246},"labels":[],"label_agreement":null},{"id":"W2898631422","doi":"10.18357/scene01201718441","title":"A Midsummer Night's Dream at the Stratford Festival","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Art; Art history; Psychology","score_opus":0.07230429086668919,"score_gpt":0.28323756251203774,"score_spread":0.21093327164534856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898631422","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04480766,0.20718057,0.0006249416,0.250046,0.03617668,0.00015370424,0.0026014862,0.00036019593,0.45804876],"genre_scores_gemma":[0.29051203,0.041577294,0.00082623033,0.021882,0.004244542,0.00014006594,0.0012073593,0.000440225,0.6391703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993297,0.00011891541,0.000010672697,0.000042120053,0.00023205852,0.00026650974],"domain_scores_gemma":[0.9991128,0.0000849647,0.000026961521,0.000034881352,0.0002972582,0.0004431314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010462865,0.00044564428,0.0002736533,0.00083811034,0.019103067,0.006428267,0.00096652214,0.0024339294,0.018324409],"category_scores_gemma":[0.001375971,0.00026187004,0.00019806331,0.0010578708,0.0039496236,0.002431402,0.0029939732,0.003630346,0.0024247344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003888959,0.000014300937,0.00033263664,0.00009828521,0.000004436266,0.00013054656,0.012172502,0.000020812424,0.0001577369,0.008073695,0.9649523,0.014003852],"study_design_scores_gemma":[0.0000028651316,0.0000061074093,0.0030687426,0.00015366981,0.0000029034977,0.000038002447,0.013831572,0.0000053938575,0.00008392281,0.0002926287,0.9825074,0.0000068343206],"about_ca_topic_score_codex":0.6331338,"about_ca_topic_score_gemma":0.93423235,"teacher_disagreement_score":0.6331338,"about_ca_system_score_codex":0.017429119,"about_ca_system_score_gemma":0.019477004,"threshold_uncertainty_score":0.73805344},"labels":[],"label_agreement":null},{"id":"W2898645073","doi":"10.18357/scene02201718434","title":"Welcome to Issue 2 of Scene","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science; History","score_opus":0.06889539222514497,"score_gpt":0.265729680864189,"score_spread":0.19683428863904406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898645073","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010929486,0.0037628287,0.0006809169,0.12429136,0.7764197,0.0006236229,0.0015313635,0.0011038794,0.09049334],"genre_scores_gemma":[0.004638084,0.0013677418,0.000544151,0.078783765,0.28252143,0.0005662699,0.0015474715,0.001327428,0.62870365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765766,0.00031296446,0.000090110385,0.00030905678,0.0010071142,0.00062302535],"domain_scores_gemma":[0.9893021,0.0013120672,0.00064632087,0.00040698057,0.0029040135,0.0054285224],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022302172,0.0021441702,0.0016955272,0.0021653126,0.0050873156,0.009338057,0.002206433,0.0120281745,0.35442796],"category_scores_gemma":[0.012256488,0.00085235474,0.0017225344,0.00082447194,0.0009872579,0.0046485835,0.0085405065,0.010688059,0.16359133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027488679,0.000011989438,0.000019825862,0.000025493839,0.0000017100327,0.000033978966,0.000019706575,0.0000046307764,0.000068562855,0.00013997375,0.99743927,0.0022072939],"study_design_scores_gemma":[0.000035611512,0.00004548548,0.0004676777,0.00007312166,0.0000052520663,0.000047314334,0.00021995646,0.00002882742,0.000062824765,0.00039697462,0.99860114,0.000015713607],"about_ca_topic_score_codex":0.0016760717,"about_ca_topic_score_gemma":0.007535456,"teacher_disagreement_score":0.35442796,"about_ca_system_score_codex":0.0016499048,"about_ca_system_score_gemma":0.0020264362,"threshold_uncertainty_score":0.92083013},"labels":[],"label_agreement":null},{"id":"W2898668743","doi":"10.18357/scene02201718359","title":"Emotional Storms: Verdi's Otello at Vancouver Opera","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Opera; Storm; History; Art; Art history; Meteorology; Geography","score_opus":0.048923036673891744,"score_gpt":0.2619844035726377,"score_spread":0.21306136689874594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898668743","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037816685,0.1012329,0.0009953727,0.17049591,0.030501598,0.00008275947,0.0009947625,0.00030578446,0.6575742],"genre_scores_gemma":[0.24165912,0.034818534,0.00071537873,0.014713629,0.004880437,0.000055098604,0.0004894826,0.0005746528,0.7020937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920005,0.00012825563,0.000010273291,0.00006942847,0.00038206347,0.00020990848],"domain_scores_gemma":[0.9992124,0.000120301185,0.000026839905,0.000026011972,0.00027091734,0.0003436304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000841616,0.00051268114,0.00032349356,0.0010157005,0.014086668,0.0074287034,0.0008210227,0.0015009099,0.024367826],"category_scores_gemma":[0.0020457415,0.00026797215,0.00018874329,0.001171645,0.0037784672,0.0013947882,0.003062482,0.004818445,0.0033134413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006313921,0.00001485292,0.0005020136,0.00016993421,0.000008131708,0.00035417196,0.025592327,0.000054420838,0.0003278277,0.008442887,0.93120813,0.033262134],"study_design_scores_gemma":[0.00000494281,0.000008722653,0.0023160444,0.00022498184,0.0000053187446,0.00014507673,0.021568103,0.000016566712,0.00011187879,0.00042599207,0.975162,0.000010344783],"about_ca_topic_score_codex":0.44879,"about_ca_topic_score_gemma":0.8651964,"teacher_disagreement_score":0.55121,"about_ca_system_score_codex":0.012325228,"about_ca_system_score_gemma":0.006455576,"threshold_uncertainty_score":0.89235556},"labels":[],"label_agreement":null},{"id":"W2898699425","doi":"10.18357/scene02201718358","title":"Nothing is Good without Respect","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Production (economics); Aesthetics; Environmental ethics; Philosophy; Epistemology; Economics; Microeconomics","score_opus":0.06348337001005781,"score_gpt":0.29481006918535557,"score_spread":0.23132669917529775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898699425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019630555,0.014859416,0.0010677865,0.42521712,0.04013581,0.000053265892,0.0002281348,0.00025676412,0.51621866],"genre_scores_gemma":[0.059077155,0.0065454794,0.0010268898,0.19909602,0.0066577685,0.000055348435,0.00018893967,0.00046262293,0.7268897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99326384,0.0017417921,0.00018130823,0.0006900444,0.0026440732,0.0014788545],"domain_scores_gemma":[0.99164975,0.0009863738,0.00033112188,0.0009004028,0.003060466,0.0030719256],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043073874,0.0007226762,0.0006864501,0.0006767136,0.015761243,0.01723646,0.0013788891,0.006590293,0.047965724],"category_scores_gemma":[0.0150628835,0.00037605633,0.0004719765,0.0005649132,0.019187964,0.009492722,0.0082421955,0.015606581,0.022895109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014411853,0.000015085122,0.0002079853,0.000056766763,0.0000076022507,0.00009833303,0.0038053445,0.000018969185,0.000112041926,0.071921065,0.9075,0.016242415],"study_design_scores_gemma":[0.0000026720288,0.0000051735387,0.00018842702,0.00011167786,0.000002739156,0.00007352363,0.003174557,0.000006900233,0.000033748132,0.0041394136,0.9922517,0.000009432948],"about_ca_topic_score_codex":0.078526266,"about_ca_topic_score_gemma":0.17119578,"teacher_disagreement_score":0.078526266,"about_ca_system_score_codex":0.007242885,"about_ca_system_score_gemma":0.016182832,"threshold_uncertainty_score":0.16046137},"labels":[],"label_agreement":null},{"id":"W2898699728","doi":"10.18357/scene02201718368","title":"An Intersectional Feminist Two Gentlemen of Verona: The Women Choose the Forest","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Forest Management and Policy","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gender studies; Sociology; Production (economics); History; Economics","score_opus":0.023800563690134273,"score_gpt":0.29162002551378624,"score_spread":0.26781946182365196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898699728","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06277852,0.056480143,0.001143634,0.34400415,0.013858601,0.000066086686,0.00013875296,0.000062877974,0.52146727],"genre_scores_gemma":[0.5947438,0.010882048,0.0004684345,0.04533719,0.0022081714,0.00008586954,0.0000619764,0.00021359388,0.34599894],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800223,0.0008658633,0.000020542366,0.00015050467,0.00036428467,0.0005965327],"domain_scores_gemma":[0.9988944,0.00046369593,0.00004653066,0.000041636056,0.00021412066,0.00033966464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018820578,0.0005684369,0.00041821002,0.00054610183,0.042190816,0.008643994,0.001116145,0.004495995,0.011156043],"category_scores_gemma":[0.003672952,0.00034741883,0.00024109184,0.0006934277,0.017671676,0.0044472096,0.0050651766,0.01080121,0.00080145634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009723214,0.000037035756,0.0011009837,0.0001309811,0.0000090968515,0.001101117,0.37675843,0.0000616731,0.00055506686,0.14542365,0.4507052,0.02401955],"study_design_scores_gemma":[0.0000062463587,0.000010805614,0.0011977487,0.00027086836,0.0000042430156,0.00014258793,0.16486482,0.000022951288,0.0001374578,0.0023848966,0.8309424,0.000014817123],"about_ca_topic_score_codex":0.38020578,"about_ca_topic_score_gemma":0.7312711,"teacher_disagreement_score":0.38020578,"about_ca_system_score_codex":0.013027503,"about_ca_system_score_gemma":0.010709564,"threshold_uncertainty_score":0.7559855},"labels":[],"label_agreement":null},{"id":"W2898708416","doi":"10.18357/scene01201718454","title":"Wooden O's As You Like It: Shakespeare Speaks for Self-Actualization in Northwest Forest","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Production (economics); Forestry; Art; History; Archaeology; Geography; Economics","score_opus":0.049850472443539864,"score_gpt":0.2880772327878927,"score_spread":0.23822676034435286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898708416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06767595,0.123028025,0.0017719205,0.16948672,0.0058925254,0.000020225798,0.00009988507,0.000089821355,0.63193494],"genre_scores_gemma":[0.68468654,0.02286604,0.0006865856,0.00819453,0.0008867851,0.00003125469,0.000050688617,0.00018804999,0.2824095],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928063,0.00043284363,0.000013402535,0.00004798909,0.00014468374,0.000080321006],"domain_scores_gemma":[0.999332,0.00037848623,0.000040871306,0.00004435278,0.00011009195,0.00009422044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017563526,0.0002813648,0.00017114542,0.0004512179,0.013728911,0.005068273,0.0003479538,0.0018339796,0.0054646884],"category_scores_gemma":[0.0026802437,0.00013314803,0.00010371803,0.0004923623,0.00898272,0.0045061167,0.0015878092,0.0032092931,0.00072100153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058284248,0.000030556228,0.001859515,0.00015242874,0.000007693371,0.0005108624,0.31959623,0.000076661665,0.00045022153,0.23150179,0.39133415,0.054421693],"study_design_scores_gemma":[0.0000037960529,0.000010232789,0.0057636653,0.00053138623,0.0000052184087,0.00020481295,0.11342567,0.000037211026,0.00034538418,0.008629101,0.87103236,0.000011133952],"about_ca_topic_score_codex":0.065155886,"about_ca_topic_score_gemma":0.23091672,"teacher_disagreement_score":0.065155886,"about_ca_system_score_codex":0.003061262,"about_ca_system_score_gemma":0.003591066,"threshold_uncertainty_score":0.12955326},"labels":[],"label_agreement":null},{"id":"W2898750215","doi":"10.18357/scene01201718442","title":"Henry the Fourth at the Barbican","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Classics; Management; Economics","score_opus":0.05008589353767337,"score_gpt":0.25824783517085736,"score_spread":0.208161941633184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898750215","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071765534,0.105690435,0.0006370106,0.03031345,0.008887047,0.00003143644,0.00036788004,0.00019318664,0.84670305],"genre_scores_gemma":[0.0654685,0.015290918,0.00045928132,0.0021584688,0.0013088399,0.000019376204,0.00010370619,0.00017883177,0.9150121],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995016,0.00014485078,0.000009151019,0.00006371627,0.0001560713,0.00012463481],"domain_scores_gemma":[0.9997825,0.000051251223,0.000021129523,0.000021045198,0.00004795535,0.000076263816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005343199,0.00040112468,0.00020496448,0.0009810027,0.006157499,0.0041545667,0.00038049414,0.0012150158,0.04104844],"category_scores_gemma":[0.0011434719,0.00021096671,0.00016450405,0.00068048725,0.0027491695,0.0012370246,0.0016992715,0.002012834,0.0069108284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064910855,0.000010369456,0.00026946477,0.00016239764,0.000005680692,0.00017063641,0.00863683,0.000038328024,0.00039640872,0.06687437,0.86798394,0.05538679],"study_design_scores_gemma":[0.0000014336784,0.0000042491374,0.000540098,0.000116243755,0.000001542031,0.00004395945,0.0010819013,0.0000046734403,0.000096128504,0.0006353101,0.9974721,0.000002380374],"about_ca_topic_score_codex":0.056915224,"about_ca_topic_score_gemma":0.20147395,"teacher_disagreement_score":0.056915224,"about_ca_system_score_codex":0.004585492,"about_ca_system_score_gemma":0.0024688155,"threshold_uncertainty_score":0.1373207},"labels":[],"label_agreement":null},{"id":"W2898781140","doi":"10.18357/scene01201718440","title":"Lazarus Theatre's All-Female Henry V at The Union Theatre, London","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Theatre director; Art; Performance art; Art history; Political theatre; History; Visual arts","score_opus":0.04128164990592474,"score_gpt":0.2534453072355652,"score_spread":0.21216365732964043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898781140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051899245,0.25256184,0.0008781123,0.089158505,0.021687377,0.00005441967,0.00036654403,0.00023300067,0.62987036],"genre_scores_gemma":[0.07971466,0.027087854,0.00025782853,0.0070537776,0.0027785227,0.000033674463,0.00013112025,0.00015748436,0.882785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920255,0.00022153606,0.000026274345,0.00008165159,0.000255029,0.00021295833],"domain_scores_gemma":[0.9995359,0.000136045,0.00005052572,0.00002311258,0.0000945259,0.0001599505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010173464,0.0003678714,0.00022203835,0.0005776773,0.0039273556,0.0056179506,0.00053958734,0.0021274893,0.042268343],"category_scores_gemma":[0.002249742,0.00030995643,0.00018694416,0.0005597141,0.0019848987,0.0026935427,0.0022820984,0.0025830702,0.0076653818],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035665915,0.000007390138,0.00013814624,0.000118295786,0.0000025271042,0.00007539724,0.0019218303,0.00002979879,0.00018682756,0.023253983,0.94699484,0.027235258],"study_design_scores_gemma":[0.000003564777,0.000009359355,0.00073499844,0.00016718534,0.0000015316087,0.000060393304,0.0014659978,0.000007990324,0.00007810438,0.00064300507,0.99682343,0.000004526147],"about_ca_topic_score_codex":0.03416612,"about_ca_topic_score_gemma":0.11163075,"teacher_disagreement_score":0.042268343,"about_ca_system_score_codex":0.0037346233,"about_ca_system_score_gemma":0.0032776247,"threshold_uncertainty_score":0.14140165},"labels":[],"label_agreement":null},{"id":"W2898812491","doi":"10.18357/scene01201718450","title":"The Tempest at Shakespeare in the Park","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tempest; Art; History; Literature","score_opus":0.06439415575912057,"score_gpt":0.27910194405515565,"score_spread":0.2147077882960351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898812491","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02737034,0.3345981,0.0006512144,0.048664436,0.019705981,0.000050255687,0.0010866731,0.00025080965,0.5676222],"genre_scores_gemma":[0.23345849,0.052175317,0.00063808006,0.0030483191,0.0029666845,0.000049653903,0.00055710593,0.00030014757,0.7068062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961334,0.00012554674,0.000013812886,0.000047048023,0.00011352428,0.00008665297],"domain_scores_gemma":[0.9996246,0.000083663406,0.000023746536,0.00002626184,0.00009332393,0.00014838557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007944366,0.0003933586,0.00024012467,0.0009674292,0.0077731074,0.0053107343,0.0006054216,0.0013375462,0.0295633],"category_scores_gemma":[0.001190906,0.00027709603,0.00016843114,0.0010700908,0.0024937997,0.002314602,0.0029940344,0.0022205305,0.0036943324],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058572095,0.000018141067,0.00064677285,0.0003151942,0.000009668291,0.0002872799,0.02068489,0.000041701802,0.00028307078,0.020198252,0.9019342,0.055522252],"study_design_scores_gemma":[0.0000024745798,0.000008908321,0.0034196638,0.00031926748,0.0000035358094,0.000083619685,0.008486578,0.0000086576,0.000096001735,0.0005221184,0.9870443,0.000004842576],"about_ca_topic_score_codex":0.04208795,"about_ca_topic_score_gemma":0.25516728,"teacher_disagreement_score":0.04208795,"about_ca_system_score_codex":0.0032501593,"about_ca_system_score_gemma":0.0031500657,"threshold_uncertainty_score":0.098899126},"labels":[],"label_agreement":null},{"id":"W2898842970","doi":"10.18357/scene01201718447","title":"World Premiere of The Book of Will, by Lauren Gunderson","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Sociology","score_opus":0.033954242942720834,"score_gpt":0.2537855012743055,"score_spread":0.21983125833158465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898842970","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00069650356,0.20139255,0.0016625598,0.055668246,0.0670177,0.000046323497,0.0008555635,0.0005189325,0.6721416],"genre_scores_gemma":[0.0050164475,0.035475187,0.0008127893,0.010166729,0.012406643,0.000037419053,0.00042386525,0.0006057625,0.93505514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993418,0.00013575655,0.000021823369,0.00008995589,0.00034533342,0.00006536165],"domain_scores_gemma":[0.9991985,0.00021123193,0.00004935204,0.000055092736,0.00032016973,0.00016573476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007165379,0.00087398785,0.00049097836,0.0015118013,0.0027371112,0.006223967,0.00080611854,0.0013784722,0.08141945],"category_scores_gemma":[0.0034577423,0.00038421774,0.00030367266,0.0013866924,0.001527394,0.0041929795,0.0022159975,0.003017928,0.04112855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004875368,0.0000019958177,0.000013310611,0.000026821202,7.2930806e-7,0.000007499983,0.00009957068,0.000007924416,0.0000212277,0.003642933,0.98729813,0.0088750655],"study_design_scores_gemma":[5.850322e-7,0.0000015635113,0.000058393463,0.00006027466,5.547421e-7,0.000022492384,0.0000984113,0.0000051447714,0.000014720301,0.0005756614,0.9991609,0.000001387307],"about_ca_topic_score_codex":0.011093452,"about_ca_topic_score_gemma":0.040550504,"teacher_disagreement_score":0.08141945,"about_ca_system_score_codex":0.001825201,"about_ca_system_score_gemma":0.0021008614,"threshold_uncertainty_score":0.27237523},"labels":[],"label_agreement":null},{"id":"W2898858024","doi":"10.18357/scene01201718439","title":"The Making of a Prince Among The Pogues: Henry IV, Part 1 by Wooden O/Seattle Shakespeare Company","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Henry IV, Holy Roman Emperor; Art; History; Management; Art history; Performance art; Economics","score_opus":0.04995783012691271,"score_gpt":0.2678692400859473,"score_spread":0.2179114099590346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898858024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004249472,0.41346094,0.0009154935,0.049258105,0.02744824,0.000075281634,0.00030693793,0.00020381625,0.5040818],"genre_scores_gemma":[0.03389395,0.08524584,0.0006305951,0.002677758,0.004028032,0.00004792534,0.00018741531,0.00017707459,0.87311137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971753,0.00007773171,0.000010726777,0.000055219953,0.0000934091,0.00004528701],"domain_scores_gemma":[0.99967194,0.000101197664,0.000036010944,0.000020183055,0.00007256721,0.000098174714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000552869,0.00091354415,0.00020640418,0.0010121516,0.0039072614,0.0038715142,0.00056108396,0.0013683237,0.036942415],"category_scores_gemma":[0.0012870817,0.00037609955,0.00013647914,0.00092497235,0.0018924266,0.0023052262,0.0018510681,0.0021630174,0.007787176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018378398,0.0000100215075,0.00012056635,0.00016687434,0.0000025605304,0.00008470978,0.0029784779,0.000031173186,0.0002548148,0.012586563,0.946674,0.037071902],"study_design_scores_gemma":[0.0000016957414,0.0000067047026,0.0005290507,0.00020843341,0.0000014973401,0.000061397586,0.001518029,0.000008992081,0.00010700008,0.00053025235,0.9970245,0.0000025656236],"about_ca_topic_score_codex":0.023142112,"about_ca_topic_score_gemma":0.06348759,"teacher_disagreement_score":0.036942415,"about_ca_system_score_codex":0.002343489,"about_ca_system_score_gemma":0.0023078136,"threshold_uncertainty_score":0.12358469},"labels":[],"label_agreement":null},{"id":"W2898864720","doi":"10.18357/scene01201718436","title":"Saying it Like \"Indians\": The Wooster Group's Cry Trojans!, Sa(l)vage Ethnography, and the Politics of \"Playing Injun\"","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Anthropology: Ethics, History, Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethnography; Politics; Sociology; Anthropology; Group (periodic table); Political science","score_opus":0.06253707827703679,"score_gpt":0.35240022261425863,"score_spread":0.2898631443372218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898864720","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1338307,0.13601579,0.0007940258,0.1786089,0.010289015,0.00008506488,0.0002268981,0.00014043057,0.5400092],"genre_scores_gemma":[0.80570465,0.054628596,0.00062027905,0.019105969,0.0040104967,0.00013618916,0.00013347136,0.00024759478,0.1154128],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986388,0.000909312,0.000031071442,0.00006854731,0.00014661423,0.00020552793],"domain_scores_gemma":[0.99834275,0.0009832439,0.0001809324,0.00009121561,0.00015169432,0.00025010496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022099675,0.00061659206,0.00028515694,0.0014452313,0.013325481,0.00789941,0.00090712914,0.0023038841,0.0070666624],"category_scores_gemma":[0.003965674,0.00032550565,0.00019040189,0.0017812543,0.013212168,0.0042894664,0.003342454,0.005477108,0.0006327119],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084828695,0.00007406522,0.0017303394,0.00075477635,0.000018072442,0.00053315464,0.6485851,0.00003649992,0.00051298656,0.09806459,0.20135802,0.048247587],"study_design_scores_gemma":[0.00001036397,0.00003486883,0.0060817567,0.0010547619,0.000021165495,0.00018147498,0.48285672,0.00002046918,0.0002680523,0.002748786,0.5067051,0.000016499227],"about_ca_topic_score_codex":0.029375412,"about_ca_topic_score_gemma":0.11758542,"teacher_disagreement_score":0.029375412,"about_ca_system_score_codex":0.0031349862,"about_ca_system_score_gemma":0.004143864,"threshold_uncertainty_score":0.058408856},"labels":[],"label_agreement":null},{"id":"W2898886914","doi":"10.18357/scene02201718367","title":"The Two Nice Guys™ of Verona","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nice; Computer science; Programming language","score_opus":0.0525078048001498,"score_gpt":0.28986883188919843,"score_spread":0.23736102708904863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898886914","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018225888,0.07294303,0.0013335035,0.17965706,0.049481783,0.00009429657,0.00030034463,0.00022705119,0.677737],"genre_scores_gemma":[0.15900205,0.008680603,0.0008386184,0.014519034,0.003800147,0.00007068939,0.00014464793,0.00039270145,0.8125515],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998468,0.00048301977,0.000029173354,0.0001924619,0.00047225287,0.00035504988],"domain_scores_gemma":[0.99873585,0.00018304227,0.00004937503,0.00008744988,0.00040458556,0.00053972914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014982026,0.0007058444,0.00038434134,0.0008322614,0.021185178,0.008786162,0.00092129444,0.0022337916,0.03757615],"category_scores_gemma":[0.0046953075,0.0003957438,0.00032358238,0.0005993011,0.0069114827,0.0041266484,0.005491722,0.006488442,0.005459865],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009942582,0.000023081893,0.0005862452,0.0001491982,0.0000072693524,0.0005552952,0.034071233,0.000033718134,0.0007102689,0.04618189,0.87166435,0.045918085],"study_design_scores_gemma":[0.0000037407817,0.000009605515,0.00099569,0.00017892958,0.000002866221,0.0001141968,0.013324782,0.000011840477,0.00009031539,0.00077746675,0.9844795,0.000010983597],"about_ca_topic_score_codex":0.15385398,"about_ca_topic_score_gemma":0.49425077,"teacher_disagreement_score":0.15385398,"about_ca_system_score_codex":0.00635114,"about_ca_system_score_gemma":0.0060790116,"threshold_uncertainty_score":0.3059169},"labels":[],"label_agreement":null},{"id":"W2898906938","doi":"10.18357/scene01201718448","title":"Murky Macbeth Elicits Standing Ovation at Canada's Stratford Festival","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Aeronautics; Engineering","score_opus":0.05590383662663644,"score_gpt":0.2569764303389231,"score_spread":0.20107259371228664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898906938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048534278,0.023607131,0.0008748806,0.20879473,0.024998927,0.0002000604,0.003949101,0.00050424365,0.6885366],"genre_scores_gemma":[0.25691384,0.0065307356,0.0007103945,0.027576154,0.0020911342,0.000065174645,0.0007995339,0.0005452238,0.7047679],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919933,0.000114402406,0.000008301244,0.000053874588,0.0003079356,0.00031616958],"domain_scores_gemma":[0.9987801,0.00011785158,0.000033090535,0.00002988312,0.00040901534,0.0006301527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007856914,0.00056955795,0.00027251447,0.0009684635,0.019894632,0.0042757634,0.00063155574,0.002047028,0.034691818],"category_scores_gemma":[0.001947402,0.00024395212,0.00021979133,0.0009598741,0.0025138503,0.0014015591,0.0022595515,0.0036599946,0.003191145],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027509901,0.000010477791,0.000666942,0.000036638317,0.0000047335457,0.00016950502,0.00734284,0.000024731218,0.00019808282,0.00501888,0.9801334,0.0063663027],"study_design_scores_gemma":[0.0000036319109,0.000008307218,0.0039706086,0.00008018908,0.0000032301714,0.000041087354,0.011617628,0.00001887575,0.00019759168,0.00025534906,0.9837884,0.000015090708],"about_ca_topic_score_codex":0.7978286,"about_ca_topic_score_gemma":0.9763941,"teacher_disagreement_score":0.20217139,"about_ca_system_score_codex":0.016331179,"about_ca_system_score_gemma":0.014282826,"threshold_uncertainty_score":0.40672398},"labels":[],"label_agreement":null},{"id":"W2898938971","doi":"10.18357/scene02201718373","title":"OPS Fest The Taming of the Shrew","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shrew; Art; Visual arts; Zoology; Biology","score_opus":0.0610275611527682,"score_gpt":0.26779444885859216,"score_spread":0.20676688770582397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898938971","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038776588,0.023365818,0.0022241336,0.092263415,0.017271062,0.000055137698,0.00032032345,0.00025030295,0.8254732],"genre_scores_gemma":[0.48653987,0.0075223693,0.0013205814,0.010722683,0.004116481,0.0000654124,0.00016486383,0.00051966624,0.48902804],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892277,0.00057920924,0.000020513935,0.00007893255,0.00022579936,0.00017280421],"domain_scores_gemma":[0.9991161,0.0002829553,0.00006383484,0.00011239299,0.00014167321,0.00028308024],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023167534,0.00045466752,0.00020313293,0.000510753,0.0069531305,0.0051631806,0.00055280444,0.0015763412,0.022235693],"category_scores_gemma":[0.0034678667,0.00017889828,0.00023191715,0.00041509175,0.009183098,0.004026339,0.0053470945,0.0043789884,0.002525869],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001602524,0.000030025682,0.0006733893,0.00038091186,0.0000149281,0.00053406914,0.08714526,0.00008415813,0.0007589612,0.2723923,0.59770584,0.040119935],"study_design_scores_gemma":[0.000004353713,0.000022070835,0.0006850724,0.00017032695,0.000002634955,0.000103452265,0.016173085,0.0000150434835,0.00018627074,0.0033438876,0.9792891,0.0000048411116],"about_ca_topic_score_codex":0.0075346646,"about_ca_topic_score_gemma":0.02595793,"teacher_disagreement_score":0.022235693,"about_ca_system_score_codex":0.0023422653,"about_ca_system_score_gemma":0.0025581722,"threshold_uncertainty_score":0.07438582},"labels":[],"label_agreement":null},{"id":"W2898940650","doi":"10.18357/scene012018mintonh5","title":"Henry V at the Oregon Shakespeare Festival","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History; Art history; Environmental ethics; Philosophy","score_opus":0.06359045683944506,"score_gpt":0.27811858510161597,"score_spread":0.2145281282621709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898940650","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025747355,0.7395941,0.0003126414,0.016378418,0.0074825566,0.000041348776,0.00029285843,0.00004437959,0.21010639],"genre_scores_gemma":[0.1756297,0.71673834,0.0005345217,0.005826721,0.0044350442,0.000090314934,0.00059854914,0.00017215444,0.09597466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904746,0.00029223278,0.000055352557,0.00007773727,0.0004101077,0.00011696074],"domain_scores_gemma":[0.9986702,0.0007820081,0.00014317161,0.000040934166,0.00026224623,0.00010141975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016598072,0.00040470072,0.00027401178,0.0025069378,0.0025484555,0.003950663,0.00052000576,0.00090125354,0.0062121036],"category_scores_gemma":[0.003480198,0.0001751936,0.00015976028,0.0027806738,0.0026948792,0.0017761295,0.0015829183,0.001651078,0.0009619688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021656697,0.00007230713,0.0027803122,0.011199274,0.00008288866,0.0014697469,0.07288829,0.00016823698,0.0022811575,0.053742602,0.43372968,0.42136896],"study_design_scores_gemma":[0.0000029319742,0.000015204117,0.003604831,0.003254042,0.000012101624,0.00014960174,0.009841901,0.000004660842,0.0002821856,0.00036479358,0.98246056,0.000007107708],"about_ca_topic_score_codex":0.021016032,"about_ca_topic_score_gemma":0.0685449,"teacher_disagreement_score":0.021016032,"about_ca_system_score_codex":0.0033630133,"about_ca_system_score_gemma":0.0044447174,"threshold_uncertainty_score":0.041787386},"labels":[],"label_agreement":null},{"id":"W2898946659","doi":"10.18357/scene01201718438","title":"Bard in the Valley's Taming of the Shrew","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Interdisciplinary Cultural and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shrew; Geography; Art; History; Biology; Zoology","score_opus":0.060944241525974226,"score_gpt":0.35170769521460205,"score_spread":0.2907634536886278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898946659","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09236364,0.076627485,0.0010334803,0.15625452,0.009031441,0.00007149215,0.0012214319,0.00020655652,0.66319],"genre_scores_gemma":[0.55984807,0.017721107,0.0008904641,0.017997565,0.00096000737,0.000042076404,0.00030866524,0.00022454193,0.4020076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993581,0.00016167821,0.00000799537,0.000059534777,0.00019388954,0.00021876476],"domain_scores_gemma":[0.9995509,0.000070714894,0.000026480404,0.00001965872,0.00015094232,0.00018127578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000915145,0.00031577962,0.00025374987,0.00061485334,0.017894981,0.006269264,0.0007629287,0.0016333424,0.013049298],"category_scores_gemma":[0.0013150389,0.00015591813,0.00014900889,0.0007632614,0.0070647714,0.0017793805,0.002809715,0.0035688283,0.0011359563],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008744758,0.000027425956,0.0022374692,0.00025207025,0.000016387254,0.00045056423,0.1312324,0.000084590116,0.00080835354,0.07398486,0.7299793,0.060839243],"study_design_scores_gemma":[0.0000053687986,0.000009388521,0.0057850056,0.00031221577,0.0000070202937,0.000102766055,0.06326884,0.00001993028,0.00015145718,0.0011681352,0.92915815,0.000011658737],"about_ca_topic_score_codex":0.8338865,"about_ca_topic_score_gemma":0.97826034,"teacher_disagreement_score":0.8338865,"about_ca_system_score_codex":0.021179898,"about_ca_system_score_gemma":0.0243397,"threshold_uncertainty_score":0.3341835},"labels":[],"label_agreement":null},{"id":"W2898985210","doi":"10.18357/scene01201718451","title":"Cymbeline at Shakespeare in the Park","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Geography; Art; Psychology","score_opus":0.07487895912645139,"score_gpt":0.28755182966890025,"score_spread":0.21267287054244888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898985210","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060676993,0.37398025,0.000520699,0.09133465,0.018233884,0.000045566587,0.000668113,0.00024517428,0.508904],"genre_scores_gemma":[0.08366259,0.058198374,0.0003342833,0.010252209,0.0036073702,0.00006745895,0.00032798277,0.00031203352,0.8432378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997243,0.00008148126,0.000008769664,0.000034094053,0.000090903945,0.000060335282],"domain_scores_gemma":[0.9996917,0.00008867806,0.000024135084,0.000017124494,0.000099321915,0.00007908995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043655324,0.000592309,0.00023473799,0.0011624265,0.00606527,0.004917027,0.00066908676,0.002144563,0.061759062],"category_scores_gemma":[0.0015430894,0.00025263338,0.00014366765,0.0011840503,0.0014671576,0.0037710739,0.0027207031,0.0024250688,0.009901536],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026801179,0.000009332383,0.00016117617,0.00019766389,0.0000036670249,0.00015268427,0.004903631,0.000013273975,0.00011765895,0.012396357,0.95876545,0.02325231],"study_design_scores_gemma":[0.000003087825,0.0000048076918,0.0010545141,0.00024596,0.0000024507701,0.00006974484,0.0031161362,0.0000053665344,0.000064834305,0.0003277501,0.99510175,0.0000037227924],"about_ca_topic_score_codex":0.045553457,"about_ca_topic_score_gemma":0.17022038,"teacher_disagreement_score":0.061759062,"about_ca_system_score_codex":0.002026491,"about_ca_system_score_gemma":0.002195275,"threshold_uncertainty_score":0.2066046},"labels":[],"label_agreement":null},{"id":"W2899017207","doi":"10.18357/scene02201718374","title":"The Merry Wives of 1960s Windsor, Ontario","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Vietnamese History and Culture Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Windsor; Art; Environmental science","score_opus":0.042259468837541656,"score_gpt":0.3122265062065319,"score_spread":0.26996703736899025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899017207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069086425,0.15817288,0.00028795566,0.098287806,0.0071418723,0.00008767043,0.0045874403,0.00008424495,0.6622637],"genre_scores_gemma":[0.19606349,0.039589267,0.00025005214,0.0035698179,0.00058684894,0.000036441183,0.0007173778,0.0001071358,0.7590796],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996131,0.000050838193,0.000011481617,0.000042850774,0.00013235814,0.00014937732],"domain_scores_gemma":[0.9995832,0.0000431365,0.000039785697,0.000017770575,0.00014164283,0.00017438806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045010593,0.00041940657,0.00019140702,0.0006348049,0.011515062,0.0033255508,0.0005154032,0.000899905,0.036879897],"category_scores_gemma":[0.00087439106,0.0003256146,0.00014610715,0.001526891,0.0024208953,0.0016138447,0.0017090003,0.0015806253,0.0022708867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011339528,0.0000167621,0.005638506,0.00052496034,0.000014186277,0.0006376006,0.10440015,0.000052106367,0.00071838,0.022783155,0.79629177,0.06880905],"study_design_scores_gemma":[0.0000026933728,0.0000046475966,0.009560222,0.00024950638,0.0000027934943,0.000048913895,0.017144155,0.0000034660457,0.000060706425,0.000102951824,0.97281545,0.000004489029],"about_ca_topic_score_codex":0.9247713,"about_ca_topic_score_gemma":0.99189866,"teacher_disagreement_score":0.07522869,"about_ca_system_score_codex":0.021609627,"about_ca_system_score_gemma":0.023412684,"threshold_uncertainty_score":0.15678954},"labels":[],"label_agreement":null},{"id":"W2899030940","doi":"10.18357/scene01201718453","title":"\"A pleasant seat\": Macbeth by Public Theater's Mobile Shakespeare Unit","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Unit (ring theory); Advertising; Art; Aesthetics; Visual arts; Business; Sociology; Psychology","score_opus":0.07673982109831126,"score_gpt":0.2845652690991202,"score_spread":0.20782544800080896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899030940","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012023921,0.31340995,0.0008475377,0.19432305,0.039615743,0.000099678095,0.0005082974,0.00028171486,0.4388902],"genre_scores_gemma":[0.1588139,0.059250128,0.0006193126,0.022421135,0.009353771,0.00012563136,0.00026061776,0.00051208853,0.74864334],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999572,0.00017770757,0.000010438657,0.000044870365,0.00012329241,0.00007163654],"domain_scores_gemma":[0.9995115,0.00014187777,0.00004082426,0.000025600923,0.00014021523,0.00013996565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007595453,0.0006587546,0.00028010202,0.0008838241,0.0067644822,0.004653345,0.00078328984,0.002045179,0.04046828],"category_scores_gemma":[0.0016809425,0.00028923008,0.0001575567,0.0011362025,0.0022140478,0.0034632261,0.0024711075,0.0030195063,0.00586105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022229628,0.000009340533,0.00010193654,0.00016278401,0.0000025470829,0.00008456455,0.00581023,0.000014706499,0.00010408524,0.008234472,0.96817374,0.017279325],"study_design_scores_gemma":[0.0000033079164,0.000009279289,0.0011243881,0.000265,0.000003067912,0.000074584765,0.0053857327,0.000009462026,0.00009988648,0.000342426,0.99267805,0.000004775307],"about_ca_topic_score_codex":0.03468822,"about_ca_topic_score_gemma":0.13665101,"teacher_disagreement_score":0.04046828,"about_ca_system_score_codex":0.0033812886,"about_ca_system_score_gemma":0.0027248855,"threshold_uncertainty_score":0.13537985},"labels":[],"label_agreement":null},{"id":"W2899063727","doi":"10.18357/scene02201718361","title":"A Moveable Match: Troilus and Cressida","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06347983610399507,"score_gpt":0.34625508846445313,"score_spread":0.2827752523604581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899063727","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01763738,0.20399962,0.0020369766,0.34428826,0.013192847,0.000045643537,0.00042904975,0.00012336645,0.41824684],"genre_scores_gemma":[0.5759695,0.06554306,0.0020472633,0.045114588,0.0042955596,0.00008258442,0.00029133869,0.0004837879,0.30617237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875116,0.0005246122,0.000019705209,0.00013708959,0.0003182966,0.00024910303],"domain_scores_gemma":[0.9986828,0.00038452868,0.000103195765,0.00009998757,0.0004526117,0.00027686948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015478338,0.00071278116,0.0004873368,0.001921988,0.016339201,0.011564084,0.0012530718,0.0039276727,0.025924537],"category_scores_gemma":[0.005718962,0.00032889267,0.00023064962,0.0024451984,0.013758163,0.010292963,0.0043464205,0.0049064206,0.002858984],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011328813,0.000026483614,0.0008512852,0.00022323153,0.000012579001,0.00022416584,0.07462602,0.00006882631,0.00012218823,0.3609717,0.5184598,0.044300485],"study_design_scores_gemma":[0.000011741438,0.000007662131,0.0010234729,0.0005497332,0.0000071487952,0.00010210615,0.045289714,0.000032362375,0.00008531295,0.016279245,0.93659556,0.000015878864],"about_ca_topic_score_codex":0.32411492,"about_ca_topic_score_gemma":0.5696881,"teacher_disagreement_score":0.32411492,"about_ca_system_score_codex":0.015541256,"about_ca_system_score_gemma":0.012722372,"threshold_uncertainty_score":0.64445674},"labels":[],"label_agreement":null},{"id":"W2899098094","doi":"10.18357/scene02201718366","title":"\"Do Statues Dream of Puppet Sheep?”","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Art; History; Ancient history; Geography; Visual arts; Psychology","score_opus":0.0434960035465861,"score_gpt":0.3427984204225252,"score_spread":0.29930241687593906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899098094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013942488,0.017302005,0.0013976307,0.24691635,0.008909146,0.000039547238,0.00037341123,0.00021476448,0.7109047],"genre_scores_gemma":[0.21370481,0.007911712,0.0010586167,0.04349217,0.0017693444,0.000055032637,0.00020669907,0.00043234893,0.7313692],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991511,0.0003537654,0.000011275287,0.00007083851,0.00016195686,0.00025098707],"domain_scores_gemma":[0.9993286,0.00016263034,0.000042860975,0.00005043384,0.00017643106,0.00023906617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014622499,0.0006348196,0.00025640606,0.00055269327,0.014171453,0.0060872077,0.00089120015,0.0025020454,0.024185391],"category_scores_gemma":[0.0030899432,0.0002836626,0.00022784767,0.0005283157,0.013410919,0.0047711586,0.0024492422,0.0069992277,0.0062240763],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004921463,0.0000141679475,0.00079544104,0.00006771989,0.0000059473623,0.0001664592,0.043407016,0.000027185948,0.00013268019,0.09410207,0.8449785,0.016253544],"study_design_scores_gemma":[0.0000042983947,0.000008198668,0.0007560109,0.00010483751,0.0000023653836,0.0001062592,0.040455118,0.000018730409,0.00007462314,0.0029234353,0.95553845,0.000007648518],"about_ca_topic_score_codex":0.17498866,"about_ca_topic_score_gemma":0.48085645,"teacher_disagreement_score":0.17498866,"about_ca_system_score_codex":0.0065004807,"about_ca_system_score_gemma":0.0043192483,"threshold_uncertainty_score":0.3479402},"labels":[],"label_agreement":null},{"id":"W2899107821","doi":"10.18357/scene01201718437","title":"Much Ado About Nothing at the Atlanta Shakespeare Tavern","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Atlanta; Nothing; Art; Philosophy; Epistemology; History; Archaeology","score_opus":0.05764838706469952,"score_gpt":0.27476281550466614,"score_spread":0.21711442843996662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899107821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061093643,0.18068886,0.0005263947,0.13583075,0.027314274,0.000031607156,0.0004894058,0.00020407434,0.6488053],"genre_scores_gemma":[0.07701471,0.038834576,0.0005616675,0.021390976,0.004321038,0.000034529967,0.00035893466,0.000417356,0.8570663],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990976,0.0002856889,0.000033649107,0.00007629549,0.0003826029,0.00012419639],"domain_scores_gemma":[0.9992378,0.00019803234,0.00005080132,0.0000754431,0.00028745414,0.00015058323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009522679,0.00043044033,0.00024738355,0.0009089391,0.0056854216,0.007515762,0.0005274349,0.0027569444,0.042047214],"category_scores_gemma":[0.0022648198,0.00027896586,0.00017918766,0.00098443,0.0029092084,0.004050312,0.0023091238,0.0037762367,0.011316042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022973907,0.0000081173475,0.00014654144,0.0001513686,0.0000028112765,0.00007891631,0.004667827,0.000013397061,0.00023988727,0.015799135,0.9494185,0.029450448],"study_design_scores_gemma":[8.0926236e-7,0.000002523328,0.00054198847,0.000115180075,0.0000014020521,0.000030106408,0.0018959413,0.0000035745716,0.000056431272,0.00029694615,0.99705267,0.0000024483654],"about_ca_topic_score_codex":0.028817398,"about_ca_topic_score_gemma":0.14577071,"teacher_disagreement_score":0.042047214,"about_ca_system_score_codex":0.00330654,"about_ca_system_score_gemma":0.0029951518,"threshold_uncertainty_score":0.1406619},"labels":[],"label_agreement":null},{"id":"W2899156658","doi":"10.18357/scene02201718365","title":"Why They Are So Sad in Merchant of Venice","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Production (economics); Art; Archaeology; History; Economics","score_opus":0.06768673877638649,"score_gpt":0.282575540987338,"score_spread":0.21488880221095152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899156658","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07839475,0.07027375,0.00035075142,0.47066575,0.017202372,0.000058288857,0.0004760119,0.00016121638,0.36241713],"genre_scores_gemma":[0.4197208,0.025916463,0.0004151054,0.09969535,0.0042069405,0.0000636257,0.00028418007,0.00056162046,0.449136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886346,0.00037250278,0.000020629228,0.00009118098,0.00024297403,0.00040929887],"domain_scores_gemma":[0.9985997,0.0001917332,0.00011124205,0.000044058488,0.00044428933,0.00060905033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011428734,0.00053108734,0.00041724753,0.0006700267,0.021515554,0.008032952,0.0008931205,0.004180149,0.020254936],"category_scores_gemma":[0.0031210245,0.0003123626,0.00028827094,0.00082227506,0.009259414,0.0036410757,0.0032657774,0.009033379,0.003646947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054282653,0.000019987116,0.0027743052,0.0001617903,0.000016372966,0.0012440796,0.1364815,0.000024421486,0.000271478,0.010862615,0.82902557,0.019063713],"study_design_scores_gemma":[0.0000061187934,0.000020031455,0.007253267,0.00051613915,0.000010707187,0.0008590366,0.25148967,0.000015472615,0.00015004163,0.0006877784,0.7389645,0.000027275972],"about_ca_topic_score_codex":0.30932802,"about_ca_topic_score_gemma":0.6833304,"teacher_disagreement_score":0.30932802,"about_ca_system_score_codex":0.0070943492,"about_ca_system_score_gemma":0.006774844,"threshold_uncertainty_score":0.6150551},"labels":[],"label_agreement":null},{"id":"W2899196265","doi":"10.18357/scene02201718376","title":"Editorial: Is there a (North-)West Coast Shakespeare?","year":2018,"lang":"en","type":"editorial","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"West coast; History; North west; Geography; Oceanography; Archaeology; Geology; Physical geography","score_opus":0.036360572859466304,"score_gpt":0.27433885394374197,"score_spread":0.23797828108427566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899196265","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006515103,0.005765845,0.000050243227,0.05042624,0.93588734,0.000029415954,0.00005754649,0.000037593603,0.0076806513],"genre_scores_gemma":[0.0010070405,0.006709565,0.00007336821,0.024278577,0.92613906,0.000038643087,0.000055063407,0.00006500807,0.041633826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9944929,0.000978695,0.00052705104,0.0005742031,0.0030027856,0.00042428245],"domain_scores_gemma":[0.98368245,0.0062526595,0.0011800888,0.00043852354,0.0061024805,0.0023437233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054423534,0.0023038404,0.0026005902,0.004282401,0.0056095175,0.009405625,0.0031869188,0.011951386,0.040941115],"category_scores_gemma":[0.019629214,0.00077421375,0.0013681053,0.0020647529,0.0036101514,0.0054141413,0.0023703903,0.012672887,0.01853433],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012520893,0.000008399462,0.000013135643,0.00012289839,0.0000037451828,0.00008786252,0.000036150745,0.0000059978065,0.000027651206,0.00028154324,0.996852,0.0025480557],"study_design_scores_gemma":[0.000023661956,0.000011618971,0.00019306886,0.0004835736,0.000016688578,0.00008006081,0.00015663086,0.0000287738,0.000044748565,0.0004478541,0.99850476,0.000008535837],"about_ca_topic_score_codex":0.0032938106,"about_ca_topic_score_gemma":0.010742128,"teacher_disagreement_score":0.040941115,"about_ca_system_score_codex":0.003444886,"about_ca_system_score_gemma":0.0055001015,"threshold_uncertainty_score":0.1369617},"labels":[],"label_agreement":null},{"id":"W2899214717","doi":"10.18357/scene01201718446","title":"Stratford's Breath of Kings Rallies Forces through Redemption","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.07453779166721897,"score_gpt":0.2925934678309929,"score_spread":0.21805567616377391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899214717","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09895726,0.08807574,0.0007988366,0.16170265,0.0069085862,0.000040544288,0.00031560854,0.00019344332,0.64300734],"genre_scores_gemma":[0.68174946,0.012854579,0.00033287433,0.013880479,0.0010192683,0.000021490894,0.000080006146,0.00021742369,0.28984442],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988644,0.00033585558,0.000016333728,0.00007490863,0.00033620902,0.00037229678],"domain_scores_gemma":[0.9992441,0.00025004134,0.000046958976,0.00004757722,0.00020785039,0.00020348349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010084949,0.00037371917,0.00020771785,0.00084526354,0.019108765,0.0063752974,0.0007568114,0.0024302595,0.009188174],"category_scores_gemma":[0.002392482,0.0001719102,0.00012293045,0.0010109339,0.011732139,0.002701925,0.0025899839,0.003990786,0.0008397507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006157911,0.000012282042,0.00083432824,0.00013308878,0.0000069519324,0.00044150086,0.18704332,0.000060375736,0.0004252692,0.11085837,0.6712881,0.028834809],"study_design_scores_gemma":[0.0000026055689,0.000005274937,0.002253651,0.0001613648,0.000003502253,0.00009411796,0.04628749,0.000012935649,0.00021251944,0.001209932,0.9497483,0.000008397351],"about_ca_topic_score_codex":0.5860663,"about_ca_topic_score_gemma":0.89161074,"teacher_disagreement_score":0.5860663,"about_ca_system_score_codex":0.020005545,"about_ca_system_score_gemma":0.013218262,"threshold_uncertainty_score":0.83274287},"labels":[],"label_agreement":null},{"id":"W2899289928","doi":"10.18357/scene01201718449","title":"Canada's Shakespeare in Love Proves Touching and Wonderfully Waggish","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Love story; Art; Literature; Sociology","score_opus":0.03475629271483963,"score_gpt":0.2470468303875153,"score_spread":0.21229053767267567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899289928","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035646465,0.104633614,0.0007890718,0.10248777,0.0069182906,0.000037970087,0.0010285386,0.00019599505,0.7482622],"genre_scores_gemma":[0.3670679,0.030646527,0.00050849695,0.011989393,0.0010418855,0.000024233574,0.00032228662,0.0003430072,0.5880563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987631,0.00017746609,0.00001688833,0.000099109624,0.0005744738,0.00036902478],"domain_scores_gemma":[0.9988319,0.00017711209,0.00004167111,0.000051573483,0.0005174268,0.0003802415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010021018,0.00049568876,0.00034569635,0.0012751938,0.031024603,0.009689969,0.0007668012,0.002031568,0.017797312],"category_scores_gemma":[0.0021449365,0.00023021942,0.00018707236,0.0020244045,0.011427957,0.0023466975,0.0025749148,0.0036637327,0.0019253128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000602389,0.0000125392435,0.0012641791,0.00020731833,0.000012581682,0.00030720505,0.05577295,0.000053984208,0.0003980062,0.064289525,0.837765,0.039856523],"study_design_scores_gemma":[0.0000018931805,0.0000034875688,0.0029663597,0.00014558206,0.0000042414836,0.00007218631,0.017475087,0.000008993782,0.00015343996,0.0006761819,0.9784831,0.000009483958],"about_ca_topic_score_codex":0.9351552,"about_ca_topic_score_gemma":0.9905682,"teacher_disagreement_score":0.06484479,"about_ca_system_score_codex":0.037937652,"about_ca_system_score_gemma":0.046240266,"threshold_uncertainty_score":0.27525824},"labels":[],"label_agreement":null},{"id":"W2899290347","doi":"10.18357/scene01201718444","title":"To Be or Not to Be … a Puppet? Der Bestrafte Brudermord","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Homicide, Infanticide, and Child Abuse","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Puppetry; Computer science; Art; Visual arts","score_opus":0.0762290457213613,"score_gpt":0.36258989374387196,"score_spread":0.28636084802251066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899290347","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008229536,0.31841248,0.0009130152,0.32461512,0.04119493,0.000038087313,0.00027219785,0.0001195344,0.30620515],"genre_scores_gemma":[0.20216745,0.17830737,0.0013393547,0.044359468,0.012614103,0.00009176385,0.00028331674,0.00029050672,0.5605467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923384,0.00042938508,0.000022232261,0.000051468036,0.00014928175,0.00011376508],"domain_scores_gemma":[0.9995504,0.0001891641,0.000045478424,0.000019237668,0.00009754603,0.0000980262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010159885,0.00052182877,0.00020098806,0.00044050565,0.0030625532,0.0043008397,0.0005546091,0.0018879881,0.024429083],"category_scores_gemma":[0.0028000933,0.0002197069,0.00012854027,0.0003393505,0.0028103977,0.004033305,0.0021219654,0.003074316,0.005412103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003732095,0.000014873534,0.00019813607,0.00022205176,0.0000053005456,0.00008016224,0.005480005,0.00002281449,0.0001859134,0.014627303,0.92783445,0.051291764],"study_design_scores_gemma":[0.0000048081206,0.00001474209,0.00095499784,0.00054610934,0.0000036440824,0.00015865543,0.009340736,0.000018190618,0.00014290465,0.0010680556,0.9877407,0.0000064544474],"about_ca_topic_score_codex":0.008276085,"about_ca_topic_score_gemma":0.025231041,"teacher_disagreement_score":0.024429083,"about_ca_system_score_codex":0.001647765,"about_ca_system_score_gemma":0.0011306923,"threshold_uncertainty_score":0.08172345},"labels":[],"label_agreement":null},{"id":"W2899297061","doi":"10.18357/scene01201718443","title":"Theater Emory's All-Male As You Like It","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.06118801705271092,"score_gpt":0.28963802603569916,"score_spread":0.22845000898298823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899297061","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009512274,0.032475326,0.0014172873,0.046731822,0.02328041,0.00007961373,0.0008052635,0.000552628,0.8851453],"genre_scores_gemma":[0.06914504,0.012027019,0.0012060736,0.008569107,0.0036909648,0.00006436678,0.00047989207,0.0006752886,0.9041422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994773,0.00014631811,0.000020504604,0.000051427338,0.0001831352,0.00012133623],"domain_scores_gemma":[0.99955446,0.0000674427,0.000035222627,0.000041418498,0.00016634638,0.00013508539],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000875819,0.0004630099,0.0002247519,0.0004937572,0.00314539,0.005675723,0.00044330678,0.001604866,0.055361364],"category_scores_gemma":[0.0019244135,0.00027253997,0.00025914193,0.00046840846,0.0009860548,0.0032479714,0.0026989216,0.0026458902,0.017256422],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003335003,0.000011956273,0.00014335074,0.000111610694,0.0000028292561,0.00004867385,0.00208421,0.000013424427,0.00046245073,0.0070315334,0.95515066,0.034905955],"study_design_scores_gemma":[0.0000014921081,0.000010233874,0.0011034474,0.00010677354,0.000002436235,0.00007287534,0.0017477984,0.000013394708,0.00015692809,0.00016071663,0.99662006,0.0000037952789],"about_ca_topic_score_codex":0.005762465,"about_ca_topic_score_gemma":0.035366733,"teacher_disagreement_score":0.055361364,"about_ca_system_score_codex":0.0010133001,"about_ca_system_score_gemma":0.0011927497,"threshold_uncertainty_score":0.18520218},"labels":[],"label_agreement":null},{"id":"W2899301100","doi":"10.18357/scene02201718357","title":"Review of Wellington Summer Shakespeare","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Archaeology; History; Art","score_opus":0.08177225571609081,"score_gpt":0.29968971505770386,"score_spread":0.21791745934161305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899301100","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005439154,0.98833805,0.000025039477,0.005306801,0.0030933993,0.0000030229755,0.00004473588,0.0000034830555,0.0031310052],"genre_scores_gemma":[0.002245959,0.97214293,0.00008474701,0.008048153,0.003568789,0.000019943944,0.00014714377,0.000020748292,0.013721614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981931,0.00039825035,0.00022117743,0.00024807264,0.0007674735,0.00017183655],"domain_scores_gemma":[0.9945639,0.0017662249,0.00042090655,0.00017643115,0.0026114092,0.00046116268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031969598,0.00089253904,0.0013616611,0.007003348,0.0019312534,0.0045809015,0.0013200042,0.0022858516,0.017291747],"category_scores_gemma":[0.008246956,0.000645227,0.00037034054,0.008623122,0.0024374118,0.0044599967,0.0022911308,0.003452339,0.0069039557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003597922,0.00000975183,0.000110816516,0.006195553,0.000026057956,0.00008281833,0.0006686014,0.000039999777,0.00009057727,0.00474274,0.8606442,0.12735286],"study_design_scores_gemma":[0.0000025654736,0.0000036816202,0.00047408024,0.004029978,0.000009355143,0.00006954271,0.00019080043,0.0000027338508,0.00002194055,0.00025232224,0.9949373,0.000005760157],"about_ca_topic_score_codex":0.046943218,"about_ca_topic_score_gemma":0.1083349,"teacher_disagreement_score":0.046943218,"about_ca_system_score_codex":0.0058522657,"about_ca_system_score_gemma":0.013485387,"threshold_uncertainty_score":0.09333998},"labels":[],"label_agreement":null},{"id":"W2899339628","doi":"10.18357/scene01201718445","title":"Stratford's Breath of Kings Offers Bold and Bumpy Rebellion","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Ancient history","score_opus":0.05174276622326462,"score_gpt":0.26651746186194974,"score_spread":0.21477469563868512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899339628","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054158118,0.108117685,0.00086888095,0.15855797,0.009519399,0.000043240354,0.00037118598,0.0002704768,0.66809314],"genre_scores_gemma":[0.6139783,0.014744958,0.00044105804,0.013193893,0.0012661514,0.000024091356,0.00009901798,0.00031638754,0.35593614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989654,0.0002508617,0.000014775459,0.00007033506,0.00031321577,0.00038545966],"domain_scores_gemma":[0.9992537,0.00019503498,0.000042424348,0.00004455856,0.00020311921,0.00026119003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008450671,0.00054308336,0.00025491673,0.0010196646,0.02168724,0.007833324,0.0007416886,0.0027030844,0.014039593],"category_scores_gemma":[0.0021851189,0.00020707972,0.0001513851,0.0010431579,0.011328554,0.0028404384,0.0027816722,0.0036877021,0.0012580197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006162991,0.000010301974,0.00073646696,0.00015069888,0.000008643825,0.0004204783,0.09945331,0.00005561106,0.00048557943,0.106483735,0.7672674,0.024866201],"study_design_scores_gemma":[0.0000027805918,0.0000046931727,0.0019321013,0.0001432853,0.0000037390341,0.00008239168,0.030217515,0.000010174999,0.00018498268,0.0011387641,0.9662706,0.000008994197],"about_ca_topic_score_codex":0.6396499,"about_ca_topic_score_gemma":0.92590076,"teacher_disagreement_score":0.6396499,"about_ca_system_score_codex":0.021606093,"about_ca_system_score_gemma":0.016140904,"threshold_uncertainty_score":0.7249445},"labels":[],"label_agreement":null},{"id":"W2899378790","doi":"10.18357/scene02201718370","title":"Movie Stars Make Much Ado in Bard on the Beach’s Newest Adaptation","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adaptation (eye); Stars; Psychology; Astronomy; Physics; Neuroscience","score_opus":0.08897228440996942,"score_gpt":0.2658589127328581,"score_spread":0.1768866283228887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899378790","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047621266,0.061272718,0.00091487507,0.20528427,0.07619419,0.000078521894,0.007419968,0.0007492587,0.64332414],"genre_scores_gemma":[0.04232614,0.027731793,0.0012222761,0.030665714,0.011282407,0.00004962072,0.004363822,0.00085525936,0.881503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989127,0.00009885882,0.000030814637,0.00007835038,0.0006582337,0.00022104997],"domain_scores_gemma":[0.99595416,0.00026845993,0.000100295576,0.0001848388,0.0023375754,0.0011546047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011431435,0.0005406417,0.00044159754,0.0012787385,0.0060151964,0.008028143,0.0006739406,0.002036081,0.086949386],"category_scores_gemma":[0.0047079725,0.00032601933,0.00031574952,0.0017719183,0.002042066,0.002630743,0.0020288485,0.004538645,0.018525997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019585172,0.0000033570598,0.00013481856,0.000042158255,0.0000029832436,0.000015526011,0.00016943066,0.000009932534,0.00006907643,0.0024367797,0.98597777,0.011118477],"study_design_scores_gemma":[0.0000019922368,0.0000023995283,0.0011146028,0.00005149098,0.0000018773178,0.000012832124,0.00032736262,0.0000062049735,0.00003381527,0.00011952675,0.9983236,0.0000041536396],"about_ca_topic_score_codex":0.50756603,"about_ca_topic_score_gemma":0.8577292,"teacher_disagreement_score":0.50756603,"about_ca_system_score_codex":0.009008493,"about_ca_system_score_gemma":0.010092063,"threshold_uncertainty_score":0.990668},"labels":[],"label_agreement":null},{"id":"W2899420162","doi":"10.18357/scene01201718455","title":"\"Exit Ghost\": Hamlet (dir. Austin Pendelton)","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Art; Literature","score_opus":0.07025133543119369,"score_gpt":0.28635761883926575,"score_spread":0.21610628340807206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899420162","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014225459,0.42767504,0.0022110408,0.19355506,0.119928,0.0000739525,0.0009169785,0.00092459266,0.2532928],"genre_scores_gemma":[0.007929672,0.04020207,0.00084396056,0.0162204,0.010672584,0.000047485166,0.0002559087,0.00042067742,0.92340726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995517,0.00014571488,0.000017144268,0.000091155955,0.00014835212,0.000045902976],"domain_scores_gemma":[0.99940145,0.00015341795,0.000048743357,0.000026944914,0.00020637868,0.00016310149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001111439,0.0011642833,0.00051788596,0.0017652519,0.0034197161,0.004482857,0.0007169573,0.0023271258,0.123984255],"category_scores_gemma":[0.0019555478,0.0004299634,0.00021500599,0.001105174,0.0009953594,0.0045267385,0.0026300387,0.0030402597,0.06590406],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008896372,0.000002315904,0.00001617774,0.000034496625,4.2370226e-7,0.000019884945,0.0001552593,0.000004743817,0.000030976054,0.001356591,0.98442566,0.013944604],"study_design_scores_gemma":[0.0000016683424,0.000004194228,0.00014060902,0.000093895826,7.2153466e-7,0.00007032546,0.000406417,0.000009972655,0.00005137614,0.00038411526,0.99883384,0.0000028873142],"about_ca_topic_score_codex":0.00750158,"about_ca_topic_score_gemma":0.020175368,"teacher_disagreement_score":0.123984255,"about_ca_system_score_codex":0.0014053034,"about_ca_system_score_gemma":0.0010522212,"threshold_uncertainty_score":0.41476864},"labels":[],"label_agreement":null},{"id":"W2899434809","doi":"10.18357/scene02201718360","title":"\"Like an old tale still\": The Winter’s Tale and Bard on the Beach","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geography; Art; Oceanography; Geology","score_opus":0.056137991897426374,"score_gpt":0.2770605682262561,"score_spread":0.2209225763288297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899434809","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033336096,0.10664407,0.001568189,0.12523401,0.007692276,0.0000845098,0.0009842376,0.00019059458,0.724266],"genre_scores_gemma":[0.4115827,0.048054688,0.001112852,0.012595621,0.0018107664,0.00009337401,0.00062487676,0.00048709442,0.523638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916637,0.0002359517,0.000012994817,0.00005850337,0.00030182337,0.00022434634],"domain_scores_gemma":[0.9989844,0.00022001569,0.000040808412,0.000044674096,0.00034944672,0.00036065938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011267312,0.0005699755,0.00029575147,0.0010631887,0.017556064,0.009520925,0.0010587167,0.0015217338,0.014182003],"category_scores_gemma":[0.0024772354,0.00023839415,0.0001886222,0.0017355424,0.0097212205,0.0032934162,0.0027518612,0.0036736154,0.0016808802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051696712,0.000022765793,0.0012175824,0.00022297024,0.000013466358,0.00019431922,0.08984386,0.00007789899,0.00021134611,0.054196615,0.803033,0.05091452],"study_design_scores_gemma":[0.0000041782005,0.0000074896625,0.0046660374,0.0004163863,0.000009161311,0.00008973039,0.1004724,0.000027802851,0.00012575743,0.0022863026,0.89188325,0.0000116325755],"about_ca_topic_score_codex":0.74908394,"about_ca_topic_score_gemma":0.9431414,"teacher_disagreement_score":0.74908394,"about_ca_system_score_codex":0.025825819,"about_ca_system_score_gemma":0.022836374,"threshold_uncertainty_score":0.5047875},"labels":[],"label_agreement":null},{"id":"W2899438174","doi":"10.18357/scene01201718452","title":"Bright Spirits: Bard in the Valley's Love's Labor's Lost","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Modern American Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.034336531447337885,"score_gpt":0.2726443663770479,"score_spread":0.23830783492971003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899438174","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029782038,0.17778821,0.0004898654,0.21914867,0.011598393,0.000040670817,0.00080843596,0.0001211851,0.5602226],"genre_scores_gemma":[0.4282111,0.06932428,0.0004998986,0.037324786,0.0026806074,0.00006309008,0.00040962474,0.00026959783,0.46121705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908805,0.00018418321,0.000013611983,0.00005709191,0.00034245383,0.00031472658],"domain_scores_gemma":[0.9991393,0.00014241209,0.000053639018,0.000026528181,0.00026468709,0.00037346766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009765336,0.00034700375,0.0003027707,0.0011312163,0.025241144,0.0110467,0.0010127974,0.002333631,0.016987866],"category_scores_gemma":[0.0018777552,0.00021171068,0.00018528757,0.0022769212,0.009157448,0.0034682094,0.0034398066,0.004645965,0.0015241352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023317323,0.000016512176,0.0008479993,0.00018168704,0.0000056203,0.0001584556,0.06705603,0.000029660727,0.00010546533,0.056100205,0.84204364,0.033431396],"study_design_scores_gemma":[0.0000038493904,0.00000478219,0.0034347582,0.000379954,0.0000046318137,0.000063176914,0.07573509,0.000009678879,0.00005887214,0.001105925,0.9191917,0.0000074673067],"about_ca_topic_score_codex":0.7788076,"about_ca_topic_score_gemma":0.95857626,"teacher_disagreement_score":0.7788076,"about_ca_system_score_codex":0.026369795,"about_ca_system_score_gemma":0.03920377,"threshold_uncertainty_score":0.4449901},"labels":[],"label_agreement":null},{"id":"W2899472218","doi":"10.18357/scene02201718362","title":"Trifling with Cardenio","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Production (economics); Business; Economics","score_opus":0.058193211106577186,"score_gpt":0.26652333889518287,"score_spread":0.20833012778860568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899472218","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014230729,0.08244303,0.0014617381,0.29863617,0.10965713,0.00010020816,0.0010180771,0.00086493406,0.5043957],"genre_scores_gemma":[0.011922593,0.014411467,0.0010127504,0.028582636,0.0143298,0.00008886483,0.00042198112,0.0007595675,0.92847025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887425,0.00024330428,0.00003941003,0.0002248974,0.00047215924,0.00014598682],"domain_scores_gemma":[0.9980311,0.00039544154,0.00010497807,0.00019180833,0.00087583787,0.00040085893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013345922,0.0011047907,0.00048238647,0.002486481,0.007347927,0.008774081,0.0011390304,0.0030235385,0.17013025],"category_scores_gemma":[0.0060367403,0.00041545476,0.00033894632,0.0016706159,0.0028010882,0.007901267,0.004191821,0.006219158,0.06596427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008644239,0.0000036261279,0.00003622611,0.000030495901,8.0160856e-7,0.000019223402,0.00026859195,0.000003891403,0.000024650168,0.00619621,0.9799558,0.01345178],"study_design_scores_gemma":[0.000001568742,0.0000020881591,0.00009975841,0.00007251283,7.495246e-7,0.000026038133,0.00029214867,0.000008044697,0.000028199105,0.0007486959,0.99871707,0.0000032122873],"about_ca_topic_score_codex":0.023738604,"about_ca_topic_score_gemma":0.05309895,"teacher_disagreement_score":0.17013025,"about_ca_system_score_codex":0.0026080033,"about_ca_system_score_gemma":0.0030935497,"threshold_uncertainty_score":0.5691424},"labels":[],"label_agreement":null},{"id":"W2899490250","doi":"10.18357/scene02201718369","title":"Shakespeare, Lord of Love and Changes","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Literature","score_opus":0.050535645026067146,"score_gpt":0.26238462866551837,"score_spread":0.21184898363945123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899490250","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004229145,0.21725163,0.0014038776,0.097246096,0.023235114,0.000047946516,0.00041109938,0.00018800196,0.6559872],"genre_scores_gemma":[0.10484538,0.04339168,0.00074194715,0.014874202,0.0034226552,0.000064023465,0.00018948787,0.0002939407,0.83217674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942577,0.00022018365,0.000023830711,0.00008958989,0.00015252127,0.000088140725],"domain_scores_gemma":[0.9995303,0.00011424729,0.000031067997,0.000050961306,0.00015052034,0.00012295369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009057442,0.00074906554,0.00031890854,0.0007347318,0.009405274,0.005489186,0.0005392979,0.0018715995,0.027174488],"category_scores_gemma":[0.002148017,0.0003594946,0.00019548112,0.0007153687,0.0056250403,0.0046373275,0.0026968226,0.0057751103,0.0083458945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003655014,0.00001088621,0.00023983396,0.00021574282,0.000008023902,0.00024032393,0.026442342,0.000032764336,0.00021428776,0.07966139,0.8598715,0.03302639],"study_design_scores_gemma":[0.0000028601848,0.000005092324,0.0005434851,0.00015321691,0.0000023050231,0.00011699652,0.0057877256,0.000008092307,0.00009412156,0.0023747412,0.9909067,0.0000044956446],"about_ca_topic_score_codex":0.021000233,"about_ca_topic_score_gemma":0.069660425,"teacher_disagreement_score":0.027174488,"about_ca_system_score_codex":0.002657071,"about_ca_system_score_gemma":0.002885925,"threshold_uncertainty_score":0.09090775},"labels":[],"label_agreement":null},{"id":"W2899510311","doi":"10.18357/scene02201718363","title":"Slippery in Seattle: The Winter's Tale","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Economic history","score_opus":0.05407358619433651,"score_gpt":0.2761488928764542,"score_spread":0.22207530668211772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899510311","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031802878,0.12042416,0.0012203596,0.12595832,0.03132164,0.0000537264,0.0003983675,0.0002702712,0.6885502],"genre_scores_gemma":[0.1866285,0.028077751,0.00081656355,0.0115947295,0.004192694,0.00008449225,0.0003477087,0.00048370793,0.76777387],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966824,0.0001536749,0.000011119875,0.000035792404,0.000057289613,0.000073914474],"domain_scores_gemma":[0.9995592,0.0001456386,0.00002795778,0.00003204541,0.00006913067,0.00016596782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087168504,0.00080891023,0.0001957977,0.00090109464,0.008367355,0.005897677,0.0006973991,0.0021316388,0.022904536],"category_scores_gemma":[0.0017893123,0.00031726915,0.00021981962,0.00084528857,0.0028565393,0.003909747,0.0027207355,0.0038525334,0.0034216421],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004035307,0.000020506242,0.00035686305,0.00009621075,0.000005814708,0.00027836105,0.023473997,0.000046932677,0.00023358964,0.018345198,0.92132634,0.03577584],"study_design_scores_gemma":[0.0000034778525,0.000011542339,0.0010261212,0.00035004062,0.0000042782517,0.00011377744,0.02272454,0.00001339217,0.0001365285,0.0014481742,0.9741624,0.000005745006],"about_ca_topic_score_codex":0.020334687,"about_ca_topic_score_gemma":0.090131894,"teacher_disagreement_score":0.022904536,"about_ca_system_score_codex":0.0020524804,"about_ca_system_score_gemma":0.0023184658,"threshold_uncertainty_score":0.07662332},"labels":[],"label_agreement":null},{"id":"W2899514039","doi":"10.18357/scene02201718372","title":"\"Mercutio, thou consortest [a bit too much] with Romeo\"","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Thou; Bit (key); Art; Art history; Computer science; Theology; Philosophy; Computer security","score_opus":0.057033095491476865,"score_gpt":0.26667929010806374,"score_spread":0.20964619461658687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899514039","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004800746,0.14107919,0.0013695584,0.3866459,0.033234358,0.00004387126,0.00037574262,0.00036154015,0.43208906],"genre_scores_gemma":[0.12913346,0.038524985,0.001506168,0.08067467,0.015002309,0.00011580951,0.00033715463,0.0010443777,0.7336611],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991124,0.00040327726,0.00002202861,0.00011596494,0.00021830652,0.00012795936],"domain_scores_gemma":[0.9992778,0.00023403176,0.00009148276,0.00008146802,0.00016715274,0.00014812061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001034729,0.00091897475,0.00037855166,0.00089574704,0.006089297,0.00802374,0.0009615838,0.0030698355,0.02934874],"category_scores_gemma":[0.003470656,0.00029077285,0.00027305936,0.0009305745,0.0056652944,0.006320348,0.0033776446,0.0055632624,0.008349344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024369068,0.000007470049,0.00016304926,0.00015169394,0.00000379124,0.00007452072,0.0095540965,0.000013597815,0.00010356375,0.03842127,0.93430907,0.017173419],"study_design_scores_gemma":[0.0000024485635,0.0000036505276,0.00026643724,0.00015132368,0.0000021244293,0.00005895621,0.0044794907,0.0000068664326,0.000050632098,0.0010396204,0.9939347,0.000003702612],"about_ca_topic_score_codex":0.010839165,"about_ca_topic_score_gemma":0.04728352,"teacher_disagreement_score":0.02934874,"about_ca_system_score_codex":0.0023992015,"about_ca_system_score_gemma":0.0020847982,"threshold_uncertainty_score":0.09818131},"labels":[],"label_agreement":null},{"id":"W2909753067","doi":"10.18357/sremd01201818731","title":"The Merchant of Venice at the Utah Shakespeare Festival","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Notice; Art; Visual arts; Art history; Archaeology; History; Political science; Law","score_opus":0.04951831375502703,"score_gpt":0.2650177758003776,"score_spread":0.2154994620453506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909753067","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018977514,0.035793755,0.00050617114,0.047959507,0.027059667,0.000086319495,0.0014041724,0.00040368488,0.8678092],"genre_scores_gemma":[0.076116085,0.006569711,0.00042594306,0.002246695,0.0032744666,0.00004758236,0.00059598783,0.000335267,0.9103883],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999767,0.000050419887,0.0000042658444,0.000023949413,0.000110818386,0.00004354926],"domain_scores_gemma":[0.99960464,0.00005413412,0.00001693147,0.000023576846,0.00013612794,0.0001646352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062674173,0.0003335658,0.00016956963,0.0005555985,0.0055945865,0.0023064723,0.00045854363,0.0007117402,0.057764355],"category_scores_gemma":[0.00088313007,0.00015857375,0.00010346515,0.00063202454,0.0014079115,0.0012044057,0.0020884254,0.0012644677,0.0072256075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001982107,0.000007443101,0.000182344,0.00004585166,0.000001086756,0.0000819654,0.0017482059,0.000013489108,0.00020860693,0.0037148348,0.9826475,0.011328833],"study_design_scores_gemma":[0.0000012230522,0.0000060073826,0.0015590892,0.00005160862,8.064616e-7,0.000023712259,0.001673936,0.0000063688917,0.0000820249,0.00017037822,0.9964222,0.0000026785142],"about_ca_topic_score_codex":0.043239765,"about_ca_topic_score_gemma":0.2367375,"teacher_disagreement_score":0.057764355,"about_ca_system_score_codex":0.0018484112,"about_ca_system_score_gemma":0.0022111486,"threshold_uncertainty_score":0.193241},"labels":[],"label_agreement":null},{"id":"W2914463388","doi":"10.18357/sremd01201818795","title":"Politics and People at the Bridge Theatre's Julius Caesar","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Bridge (graph theory); Politics; Political theatre; History; Art; Literature; Classics; Political science; Law; Medicine","score_opus":0.03665347787631959,"score_gpt":0.25319601603276426,"score_spread":0.21654253815644467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914463388","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010882956,0.9395593,0.000060973027,0.01945655,0.0062106247,0.000005009536,0.000037362923,0.0000088502065,0.033572976],"genre_scores_gemma":[0.049132604,0.8492998,0.00012099576,0.013472744,0.014702592,0.000034060107,0.000118049495,0.00011460522,0.07300462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826366,0.0008501435,0.00006988689,0.00012538044,0.00051146356,0.00017946957],"domain_scores_gemma":[0.9975677,0.0016340241,0.00017029275,0.00007866252,0.00035266066,0.00019653174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020243311,0.00052647706,0.00059517723,0.0025726587,0.0026929588,0.0067633893,0.0008223993,0.002400406,0.010734586],"category_scores_gemma":[0.0039635724,0.00036265037,0.00022015921,0.0031395003,0.005021033,0.0034261034,0.0030689936,0.0035776088,0.0029261839],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006416625,0.00002409518,0.00018027183,0.002965532,0.000024753394,0.0001528279,0.013047552,0.000108168926,0.00021860894,0.07521816,0.78690904,0.121086694],"study_design_scores_gemma":[0.000002337032,0.000006704241,0.00053570804,0.0016679164,0.0000042984598,0.000064317064,0.0022051318,0.000004807082,0.000035246772,0.00083736994,0.9946321,0.0000040460855],"about_ca_topic_score_codex":0.007384177,"about_ca_topic_score_gemma":0.017087912,"teacher_disagreement_score":0.010734586,"about_ca_system_score_codex":0.0040433337,"about_ca_system_score_gemma":0.003265982,"threshold_uncertainty_score":0.035910785},"labels":[],"label_agreement":null},{"id":"W2923864333","doi":"10.18357/scene02201718356","title":"Depoliticizing Titus in Delhi: The Hungry","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"South Asian Cinema and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"New delhi; Production (economics); Political science; Geography; Economics; Archaeology","score_opus":0.055399074951745626,"score_gpt":0.27348800430076414,"score_spread":0.21808892934901852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2923864333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16162205,0.03181698,0.00069021824,0.07054581,0.009735535,0.000072542774,0.00042023533,0.00032505585,0.7247716],"genre_scores_gemma":[0.7117123,0.013680071,0.0004981778,0.007858651,0.0018441061,0.00004750724,0.00028371863,0.0004165163,0.26365885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947923,0.00015043387,0.000012935126,0.00005253941,0.00008095849,0.00022397167],"domain_scores_gemma":[0.99958426,0.000119551056,0.000044853114,0.000043017,0.000051882223,0.00015650917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069513806,0.00061864324,0.00028957607,0.0006828568,0.0098995585,0.0071333433,0.00087675033,0.0017207584,0.016052132],"category_scores_gemma":[0.0011022121,0.0003106641,0.00023591214,0.0012956816,0.0055273534,0.0030421996,0.005461527,0.0056288214,0.0022379414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020746855,0.00008677309,0.002500686,0.00087858224,0.00003308053,0.00316751,0.41688782,0.000105574596,0.0037815038,0.086470276,0.43753266,0.048348095],"study_design_scores_gemma":[0.000012161585,0.000042329495,0.0077568125,0.00031175266,0.00001981047,0.0007336386,0.14196967,0.000027026828,0.00071416283,0.0014912926,0.8469006,0.000020724794],"about_ca_topic_score_codex":0.01329985,"about_ca_topic_score_gemma":0.058722816,"teacher_disagreement_score":0.016052132,"about_ca_system_score_codex":0.0030314499,"about_ca_system_score_gemma":0.0026131421,"threshold_uncertainty_score":0.05369973},"labels":[],"label_agreement":null},{"id":"W2939130585","doi":"10.18357/sremd01201818877","title":"Intimate Without Intimacy: A Dramatic Reading of Galatea at the BMO Theatre Centre","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Politics; Production (economics); Art; Sociology; Visual arts; Political science; Law; Economics","score_opus":0.025036632798072795,"score_gpt":0.25376673680316447,"score_spread":0.22873010400509167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939130585","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034709502,0.048153415,0.0020476172,0.08405917,0.007831191,0.00007209344,0.00013937651,0.00014428255,0.8228433],"genre_scores_gemma":[0.7130089,0.028081242,0.00094897987,0.014297743,0.0042736526,0.000105150786,0.000113332244,0.00046732614,0.23870371],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984028,0.00097247027,0.000013867417,0.000070069225,0.00028194574,0.00025877016],"domain_scores_gemma":[0.9991841,0.00042479267,0.000041529853,0.000042166113,0.0001295899,0.00017782046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012977646,0.00072796614,0.00027687868,0.0013206946,0.011305457,0.0077529503,0.0008772526,0.0021438713,0.009900302],"category_scores_gemma":[0.0024290022,0.00024351038,0.00021773824,0.0010665358,0.011718081,0.0026852936,0.0035548138,0.0060478,0.0012248853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087810695,0.00003712335,0.00031884358,0.0003587945,0.000012139233,0.0011786008,0.26378256,0.00026368053,0.0007266109,0.22946404,0.47507316,0.028696643],"study_design_scores_gemma":[0.0000034101834,0.0000106042535,0.0005572743,0.00022100477,0.0000021580263,0.00020056558,0.043337807,0.000025094774,0.0001619356,0.0016520896,0.9538207,0.000007347909],"about_ca_topic_score_codex":0.039165255,"about_ca_topic_score_gemma":0.083950855,"teacher_disagreement_score":0.039165255,"about_ca_system_score_codex":0.0082754595,"about_ca_system_score_gemma":0.002316121,"threshold_uncertainty_score":0.0778746},"labels":[],"label_agreement":null},{"id":"W2948353551","doi":"10.18357/sremd01201818752","title":"Utah Shakespeare's Merry Wives Offers Rowdy, Bawdy Shenanigans","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Philippine History and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Windsor; Notice; Art; Advertising; History; Law; Political science; Business","score_opus":0.03302775358773877,"score_gpt":0.29485437221651845,"score_spread":0.26182661862877965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948353551","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003674504,0.014328197,0.00061097235,0.024279086,0.009171126,0.000040507064,0.0014214694,0.0006537964,0.94582033],"genre_scores_gemma":[0.013897785,0.0018714117,0.00022873378,0.00096371537,0.0006734227,0.000014393743,0.00026406153,0.0002089048,0.9818777],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997608,0.000031224707,0.0000049403247,0.000027254393,0.00013462914,0.000041109914],"domain_scores_gemma":[0.99959105,0.000050021816,0.0000172718,0.00002475669,0.00019953675,0.00011730171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038967034,0.0005066183,0.00019627676,0.00080495066,0.0053099585,0.0027806063,0.00037516418,0.0007808956,0.25163415],"category_scores_gemma":[0.001087848,0.00028611443,0.00016884149,0.00082876673,0.000892164,0.0017948895,0.0018314072,0.0012067644,0.03990861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013077825,0.000003678526,0.00010205454,0.000028964329,7.4892324e-7,0.000032467327,0.00051123596,0.000010913705,0.00014571605,0.0032363578,0.9837346,0.012180305],"study_design_scores_gemma":[0.0000010842755,0.0000021994022,0.0004734571,0.000022547752,5.1173953e-7,0.00001051884,0.0003757826,0.000006580275,0.00006459752,0.00012975755,0.99891126,0.0000016881809],"about_ca_topic_score_codex":0.07489521,"about_ca_topic_score_gemma":0.33641258,"teacher_disagreement_score":0.25163415,"about_ca_system_score_codex":0.002104975,"about_ca_system_score_gemma":0.0017689562,"threshold_uncertainty_score":0.8418001},"labels":[],"label_agreement":null},{"id":"W2953711373","doi":"10.18357/sremd01201819052","title":"“It’s My Role and I’ll Cry if I Want To”: An All-Female Hamlet Claims Non-Gender Production Space","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theater, Performance, and Music History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HAMLET (protein complex); Dance; Space (punctuation); Production (economics); State (computer science); Art; Sociology; Gender studies; Visual arts; Literature; Philosophy; Economics; Computer science; Linguistics","score_opus":0.041234108977289616,"score_gpt":0.25383424886055117,"score_spread":0.21260013988326154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953711373","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094300866,0.38602197,0.0018490781,0.060604624,0.0061530345,0.00009189404,0.00044309322,0.000094161034,0.45044136],"genre_scores_gemma":[0.5385462,0.23073485,0.0018753569,0.027917698,0.0019834985,0.00011356464,0.0004018379,0.00025849545,0.19816852],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986725,0.0006500843,0.00005905071,0.00009818475,0.00035485477,0.00016536418],"domain_scores_gemma":[0.99815315,0.001016144,0.00022140726,0.00006216508,0.00041251807,0.00013450613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023873604,0.00032603485,0.00023633064,0.0011255891,0.0047414177,0.004815524,0.00069693,0.001022587,0.010817622],"category_scores_gemma":[0.003634379,0.00018163722,0.0001314652,0.0016582783,0.0034688278,0.0023524181,0.002021401,0.0014465523,0.0015387132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023986824,0.00006743146,0.0042296015,0.00390597,0.000032555767,0.0030444423,0.140456,0.00007044981,0.0020190794,0.065785415,0.33382064,0.44632858],"study_design_scores_gemma":[0.0000040477908,0.000032354867,0.008624061,0.003199467,0.000018257866,0.0008555863,0.07973257,0.000018033596,0.0006271045,0.0008553399,0.90602094,0.000012102611],"about_ca_topic_score_codex":0.024750339,"about_ca_topic_score_gemma":0.106414884,"teacher_disagreement_score":0.024750339,"about_ca_system_score_codex":0.0030525113,"about_ca_system_score_gemma":0.0041676015,"threshold_uncertainty_score":0.049212575},"labels":[],"label_agreement":null},{"id":"W2960615330","doi":"10.18357/sremd01201819086","title":"Theatre of Blood: The RSC Duchess of Malfi","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Chromatin structure remodeling (RSC) complex; Art; Blood loss; Medicine; Surgery; Chemistry","score_opus":0.03870719273445645,"score_gpt":0.24770336119137557,"score_spread":0.20899616845691912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2960615330","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014661638,0.61054933,0.00064646726,0.07382787,0.014637468,0.000038393693,0.0002187049,0.00015276292,0.2852674],"genre_scores_gemma":[0.38079038,0.3015889,0.0010805585,0.017627677,0.013624855,0.00009238175,0.00039183372,0.00028850432,0.28451484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885345,0.0004174717,0.000036612764,0.00007931507,0.00042772564,0.00018545396],"domain_scores_gemma":[0.9991518,0.0004182113,0.000097671116,0.000060719103,0.00019069915,0.00008084412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015802657,0.0007288519,0.00031916462,0.0021166257,0.004079759,0.0048370822,0.0010323923,0.0016946816,0.016795747],"category_scores_gemma":[0.0035498128,0.0001973099,0.00022630292,0.0016305511,0.0055218814,0.0021188497,0.0021374698,0.0031179846,0.0028676945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014662949,0.000027762899,0.0009315864,0.0024093904,0.000028559438,0.0007213789,0.027926944,0.00010313663,0.00085232535,0.116044015,0.53958863,0.3112196],"study_design_scores_gemma":[0.0000019170452,0.000012402774,0.00156447,0.00071679585,0.000004658711,0.00019694833,0.0035543526,0.000010943582,0.00018475154,0.0006302734,0.9931172,0.000005171557],"about_ca_topic_score_codex":0.013532786,"about_ca_topic_score_gemma":0.02868709,"teacher_disagreement_score":0.016795747,"about_ca_system_score_codex":0.005370553,"about_ca_system_score_gemma":0.0033672238,"threshold_uncertainty_score":0.05618739},"labels":[],"label_agreement":null},{"id":"W2982669095","doi":"10.18357/sremd31201918833","title":"Reprising ASL at ACT","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"South Asian Studies and Conflicts","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; History; Art; Philosophy","score_opus":0.046926189588671514,"score_gpt":0.32658099260831985,"score_spread":0.27965480301964835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982669095","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003423162,0.6216647,0.00080773374,0.067823164,0.013994146,0.00003436335,0.00008023056,0.000056173103,0.2921163],"genre_scores_gemma":[0.16289286,0.5279845,0.00097139954,0.08544331,0.0092034275,0.000186757,0.00021676114,0.00027186514,0.21282908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964271,0.0019890317,0.00014308974,0.00022227895,0.0009069305,0.00031153328],"domain_scores_gemma":[0.997439,0.001555409,0.00021680155,0.00013162704,0.00052856933,0.00012863356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031353007,0.0007248458,0.00035508708,0.0015753072,0.0035159565,0.004500458,0.00113861,0.0038062604,0.009647929],"category_scores_gemma":[0.0077979197,0.00019895914,0.0002765231,0.0015571015,0.008291242,0.0038365617,0.0019298182,0.0060053314,0.0032868518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047406593,0.000046802303,0.00018089995,0.0022166874,0.000023601126,0.00029083126,0.017125802,0.00012279261,0.00036491966,0.2076744,0.6088034,0.16310245],"study_design_scores_gemma":[0.0000023255723,0.000009383898,0.0003156291,0.0018432003,0.000006105136,0.00012231729,0.0029842593,0.000011303715,0.0001445189,0.0021687658,0.99238634,0.000005823251],"about_ca_topic_score_codex":0.008552636,"about_ca_topic_score_gemma":0.018482845,"teacher_disagreement_score":0.009647929,"about_ca_system_score_codex":0.0044874963,"about_ca_system_score_gemma":0.005205095,"threshold_uncertainty_score":0.032559216},"labels":[],"label_agreement":null},{"id":"W2982700926","doi":"10.18357/sremd01201819216","title":"Observe a strange event: Timon of Athens, Seattle","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Classical Antiquity Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Event (particle physics); Art; History; Physics; Astrophysics","score_opus":0.06506991329188193,"score_gpt":0.34040341934066926,"score_spread":0.2753335060487873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982700926","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025150003,0.8068428,0.0003818158,0.044397123,0.013797818,0.000028795814,0.000213647,0.00005335005,0.10913469],"genre_scores_gemma":[0.24912384,0.63793236,0.00068076025,0.021491798,0.007848152,0.000076961056,0.00042610115,0.00021929119,0.082200624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992906,0.00037381248,0.000033823213,0.00007199987,0.00015470228,0.00007501846],"domain_scores_gemma":[0.99893063,0.0007031092,0.00011389206,0.000036123907,0.00013562475,0.000080667036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00109788,0.00060783484,0.0002392168,0.0021347813,0.0025895406,0.003652157,0.0005227485,0.0017673917,0.0056598387],"category_scores_gemma":[0.0030756257,0.00024512396,0.00020265067,0.0015990866,0.0028382689,0.0027541968,0.0017636117,0.0024341133,0.0011326558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015312764,0.000036773,0.0015351702,0.008527788,0.00009163538,0.00196795,0.12528205,0.000118870434,0.0015198273,0.04838577,0.56359714,0.2487839],"study_design_scores_gemma":[0.000002372393,0.000010264971,0.0022640168,0.0034847104,0.000015248026,0.00031947123,0.021031987,0.0000060281723,0.0001636543,0.00048404597,0.97221065,0.00000756807],"about_ca_topic_score_codex":0.011558771,"about_ca_topic_score_gemma":0.052047696,"teacher_disagreement_score":0.011558771,"about_ca_system_score_codex":0.0022733395,"about_ca_system_score_gemma":0.002094236,"threshold_uncertainty_score":0.022982955},"labels":[],"label_agreement":null},{"id":"W2983330151","doi":"10.18357/sremd31201919144","title":"So much for Bardolatry! (Drunken) Romeo and Juliet in Shit-faced Shakespeare","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shit; Highbrow; Appropriation; Spectacle; Art; Comedy; Sociology; Bourgeoisie; Performance art; Commodification; Art history; Media studies; Aesthetics; Literature; Law; Political science; Philosophy; Linguistics; Politics","score_opus":0.04284261040743466,"score_gpt":0.26673776661179077,"score_spread":0.22389515620435613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983330151","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029028436,0.5035593,0.00080522837,0.07515672,0.008538472,0.000021585887,0.00007702402,0.00005824045,0.382755],"genre_scores_gemma":[0.5304899,0.16931479,0.0005357773,0.01792028,0.0061340085,0.00004241301,0.00010480825,0.00029720587,0.2751608],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926335,0.0003659125,0.000018107274,0.000060156563,0.00017908328,0.000113408474],"domain_scores_gemma":[0.9996296,0.00018342426,0.000038468275,0.000019226225,0.00008553072,0.000043626536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007010491,0.00037410756,0.0002479368,0.0012269153,0.004002165,0.005664233,0.00034511698,0.0010092139,0.005684047],"category_scores_gemma":[0.0012596534,0.00014077256,0.00013154658,0.0013628016,0.007257368,0.00217137,0.0016530182,0.0022315788,0.001405887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006974507,0.00003177454,0.0009808337,0.0013163293,0.000018937146,0.0008247232,0.14607182,0.00010394097,0.0010565147,0.22262146,0.52443856,0.102465354],"study_design_scores_gemma":[0.0000014149482,0.0000061365436,0.0013228285,0.0005512847,0.000002954348,0.000149631,0.014676621,0.000008443673,0.00015817287,0.0018646776,0.98125285,0.0000048996935],"about_ca_topic_score_codex":0.015546712,"about_ca_topic_score_gemma":0.040453073,"teacher_disagreement_score":0.015546712,"about_ca_system_score_codex":0.0028919121,"about_ca_system_score_gemma":0.00177866,"threshold_uncertainty_score":0.030912459},"labels":[],"label_agreement":null},{"id":"W2985413918","doi":"10.18357/sremd01201819229","title":"All You Can Do Is Love It: As You Like it Meets the Bards of Liverpool","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Art","score_opus":0.03405389535071632,"score_gpt":0.3179378529141881,"score_spread":0.28388395756347173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2985413918","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00086849055,0.9299857,0.00011562195,0.037584364,0.0074604284,0.000010889395,0.000073569456,0.000028643643,0.02387222],"genre_scores_gemma":[0.031094994,0.8644197,0.00039873633,0.017129343,0.008856781,0.00005062428,0.00023274157,0.00015185482,0.07766529],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790937,0.0011137691,0.0001160108,0.00011853945,0.00051273557,0.00022962518],"domain_scores_gemma":[0.9950328,0.002005339,0.00053768745,0.00018203205,0.001658013,0.00058410916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023529609,0.0005987013,0.00073451723,0.0027532931,0.0021332158,0.0059302007,0.0010250683,0.0015483578,0.02334013],"category_scores_gemma":[0.008595289,0.00027786533,0.00034479436,0.0031623302,0.002722312,0.0034397217,0.0022813776,0.0027853136,0.004580136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008742584,0.000008703946,0.00025841736,0.009576429,0.000044724013,0.00018407224,0.006590441,0.000033113654,0.00023801914,0.012206168,0.82355195,0.14722055],"study_design_scores_gemma":[0.0000039445918,0.000013930749,0.00078946445,0.0042768763,0.000019017356,0.00009466064,0.00286174,0.000003966721,0.00005998633,0.00027648135,0.9915916,0.00000827605],"about_ca_topic_score_codex":0.024294645,"about_ca_topic_score_gemma":0.08078418,"teacher_disagreement_score":0.024294645,"about_ca_system_score_codex":0.005054415,"about_ca_system_score_gemma":0.0066692284,"threshold_uncertainty_score":0.078080535},"labels":[],"label_agreement":null},{"id":"W2986770465","doi":"10.18357/sremd31201919022","title":"From Rigid Regency Sicilia to Musical Bohemia: Cincinnati Shakespeare Company's The Winter's Tale","year":2019,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Musical; History; Art history; Literature","score_opus":0.04097506980609615,"score_gpt":0.2637065073721767,"score_spread":0.22273143756608055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986770465","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020509115,0.901058,0.00007058805,0.018340684,0.00799893,0.000011278943,0.00007686075,0.000025737296,0.07036697],"genre_scores_gemma":[0.096802644,0.6688819,0.00028433383,0.021354977,0.0147801675,0.000063803236,0.00032329114,0.00017641032,0.19733253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895537,0.0002856455,0.0000618077,0.00010387569,0.00041497292,0.00017821723],"domain_scores_gemma":[0.9988952,0.00025276878,0.0001298825,0.000053809672,0.0004221635,0.00024612158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016073679,0.0007013662,0.00039781615,0.002322115,0.0044055246,0.008175547,0.0010565016,0.0018445441,0.019939544],"category_scores_gemma":[0.002247875,0.0002846433,0.00016257729,0.0040477295,0.0037394273,0.0025158657,0.0021810825,0.00248776,0.0026702834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057614554,0.000024647892,0.00043669186,0.0016855107,0.000023794217,0.00019119165,0.006928839,0.000083020044,0.00024058047,0.012324029,0.83439636,0.14360781],"study_design_scores_gemma":[0.0000018968033,0.0000066099587,0.0019197748,0.00078658306,0.00000601812,0.00004325994,0.0016450532,0.0000047287476,0.000042287178,0.00018961812,0.99534947,0.000004805193],"about_ca_topic_score_codex":0.07306104,"about_ca_topic_score_gemma":0.17796554,"teacher_disagreement_score":0.07306104,"about_ca_system_score_codex":0.009317699,"about_ca_system_score_gemma":0.005403734,"threshold_uncertainty_score":0.1452716},"labels":[],"label_agreement":null},{"id":"W3000063447","doi":"10.18357/sremd01201819403","title":"The Play's the Thing Wherein We'll Catch the Conscience of the Times","year":2020,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conscience; Philosophy; Aesthetics; Psychoanalysis; Art; Psychology; Epistemology","score_opus":0.0553077979448338,"score_gpt":0.25524622368297767,"score_spread":0.19993842573814385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000063447","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031809695,0.038618598,0.0027227625,0.04831568,0.026741203,0.00012361762,0.0011324122,0.00033363482,0.8788311],"genre_scores_gemma":[0.086040124,0.033651244,0.0026918517,0.015005333,0.01786841,0.0002545508,0.0020380178,0.001195624,0.8412548],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999481,0.00019397296,0.00001441125,0.00004851548,0.00016501865,0.00009711258],"domain_scores_gemma":[0.99961036,0.00012211487,0.000031862437,0.000019742673,0.00012090544,0.00009507705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004136744,0.00067354896,0.00022889896,0.0011651608,0.0030909877,0.0042322567,0.000789551,0.0012912103,0.0757947],"category_scores_gemma":[0.0016832127,0.00020091889,0.0002552037,0.0008801286,0.001805523,0.0024049673,0.002132907,0.003291651,0.017609527],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031853047,0.000015912807,0.0001206089,0.00025594168,0.0000021622632,0.00007648856,0.0025793149,0.000041268147,0.00020864444,0.08969293,0.8822936,0.024681386],"study_design_scores_gemma":[0.0000011386738,0.000007362871,0.00038037344,0.00015605411,8.3532535e-7,0.000053202297,0.00089962,0.000016755987,0.00007080611,0.001320164,0.9970906,0.0000030372655],"about_ca_topic_score_codex":0.008933331,"about_ca_topic_score_gemma":0.021783244,"teacher_disagreement_score":0.0757947,"about_ca_system_score_codex":0.0022055286,"about_ca_system_score_gemma":0.0011579242,"threshold_uncertainty_score":0.25355852},"labels":[],"label_agreement":null},{"id":"W3000450929","doi":"10.18357/sremd31201919395","title":"One-Click Russian Populism in Putinesque The Knight of the Burning Pestle","year":2020,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Knight; Drama; Art; Populism; Visual arts; Political science; Politics; Law; Physics; Astronomy","score_opus":0.07076517594419784,"score_gpt":0.3001915301714301,"score_spread":0.22942635422723223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000450929","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021141805,0.89302224,0.00016158361,0.0071829776,0.001918047,0.0000075182174,0.00008460326,0.000022195056,0.076459],"genre_scores_gemma":[0.36407956,0.59642136,0.0001855981,0.0029558449,0.0016952142,0.000019797659,0.00016880296,0.00006781257,0.034406044],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965596,0.00018316758,0.000013261404,0.000027224285,0.000060491606,0.000059914255],"domain_scores_gemma":[0.99979526,0.00011342362,0.000025923893,0.000007739101,0.000039134768,0.000018464389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060053664,0.00036958646,0.0003270245,0.0010019,0.0014249716,0.0024046723,0.00025030557,0.0007029762,0.004124372],"category_scores_gemma":[0.0007111067,0.000114993774,0.00012996786,0.0012676754,0.0019015074,0.0009790382,0.00080068497,0.0010867531,0.00069788547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003422776,0.000077676195,0.00233304,0.013293951,0.00013972665,0.00092990056,0.11242917,0.00047933412,0.0023762286,0.21731415,0.23386611,0.41641843],"study_design_scores_gemma":[0.0000044922276,0.000031072937,0.006823714,0.003355932,0.000029866684,0.00020684862,0.01371776,0.000033591,0.0003359329,0.001581624,0.97386974,0.00000949714],"about_ca_topic_score_codex":0.011114119,"about_ca_topic_score_gemma":0.025089234,"teacher_disagreement_score":0.011114119,"about_ca_system_score_codex":0.002550015,"about_ca_system_score_gemma":0.0021149174,"threshold_uncertainty_score":0.02209884},"labels":[],"label_agreement":null},{"id":"W3004326571","doi":"10.18357/sremd31201919237","title":"Misrule and Melancholy: Stamford Shakespeare Company's Gender-Bending Twelfth Night","year":2020,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Aura; Art; Sociology; Art history; History; Literature; Psychology","score_opus":0.11597768479999092,"score_gpt":0.27424893046142873,"score_spread":0.1582712456614378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3004326571","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035122804,0.5486636,0.0005796426,0.12115094,0.014544683,0.0000252716,0.00010036988,0.00007949578,0.27973318],"genre_scores_gemma":[0.53456223,0.16423334,0.00038099903,0.027606113,0.006588791,0.00004997629,0.00013183634,0.00026570357,0.26618105],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985442,0.00063251704,0.000040244373,0.0000866996,0.0004700346,0.00022631687],"domain_scores_gemma":[0.9984012,0.0009062542,0.000112956746,0.000077179146,0.0003129511,0.0001894979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013666566,0.00031172595,0.00020270109,0.0015152725,0.005623931,0.005495046,0.00054193725,0.001926565,0.0050405264],"category_scores_gemma":[0.003049993,0.00018459703,0.00011863809,0.0009898791,0.0049489248,0.0022144746,0.0015364527,0.0023405866,0.0009551998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008510174,0.000027705588,0.0007512706,0.0006881303,0.000017600065,0.0010846127,0.09112028,0.00007671793,0.0006905766,0.109106846,0.7010421,0.0953091],"study_design_scores_gemma":[0.0000015634781,0.000006478089,0.00096896134,0.00039978232,0.000002358187,0.00016714718,0.009634469,0.000007951394,0.00015797341,0.0006283215,0.9880193,0.0000055804153],"about_ca_topic_score_codex":0.046747286,"about_ca_topic_score_gemma":0.10949479,"teacher_disagreement_score":0.046747286,"about_ca_system_score_codex":0.0060359393,"about_ca_system_score_gemma":0.0029390487,"threshold_uncertainty_score":0.0929504},"labels":[],"label_agreement":null},{"id":"W3034828863","doi":"10.18357/sremd31201919637","title":"A Youthful Julius Caesar Experiment","year":2020,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Art; History; Art history","score_opus":0.0993013400127734,"score_gpt":0.2761616463021762,"score_spread":0.1768603062894028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034828863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2513892,0.08189575,0.0032890306,0.051597677,0.009892966,0.00068556477,0.001292427,0.00020703516,0.59975046],"genre_scores_gemma":[0.6525941,0.04139216,0.0023595411,0.02592873,0.0030092571,0.0010030861,0.0007186775,0.00052418024,0.27247038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821115,0.0010402777,0.000038109156,0.00015018055,0.00035072546,0.00020970774],"domain_scores_gemma":[0.99696904,0.0015874462,0.00018403339,0.00029307295,0.00061202346,0.00035447086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047070454,0.00024683977,0.00025986068,0.00064637297,0.0024368684,0.0027343417,0.00066524505,0.0009113868,0.0142586855],"category_scores_gemma":[0.0053468,0.00013807991,0.0002442002,0.00062549184,0.0029972428,0.0014286974,0.0028250527,0.0017814857,0.0031383573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002258235,0.0007750821,0.0021716757,0.003155478,0.00014258974,0.00075531536,0.08249373,0.00020231781,0.010234736,0.37278366,0.3764156,0.14861156],"study_design_scores_gemma":[0.000105216706,0.0002680829,0.002953535,0.0005811148,0.000041077434,0.00010339302,0.012490672,0.000037424656,0.0019291056,0.007687042,0.9737845,0.000018866114],"about_ca_topic_score_codex":0.0065817107,"about_ca_topic_score_gemma":0.011937778,"teacher_disagreement_score":0.0142586855,"about_ca_system_score_codex":0.0023713547,"about_ca_system_score_gemma":0.002277025,"threshold_uncertainty_score":0.047700047},"labels":[],"label_agreement":null},{"id":"W3139023708","doi":"10.18357/sremd31201920088","title":"The Tempest and The Merchant of Venice at the Shakespeare Company, Calgary","year":2021,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Mount Royal University","funders":"","keywords":"Tempest; Notice; Art; Cliff; History; Literature; Art history; Law; Political science; Archaeology","score_opus":0.04773192487789788,"score_gpt":0.2585483164493126,"score_spread":0.2108163915714147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3139023708","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00896961,0.18048784,0.00019096844,0.021668818,0.0062521654,0.000040867548,0.0003083356,0.00009691331,0.78198457],"genre_scores_gemma":[0.027316371,0.025990745,0.00014068591,0.0012299408,0.0005562554,0.000009428263,0.00012545209,0.00007059016,0.9445604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969494,0.000059229897,0.000007171019,0.000050069586,0.0001122861,0.000076373224],"domain_scores_gemma":[0.9995641,0.000087839064,0.000023280587,0.000026821586,0.00016474476,0.00013315938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004203748,0.00045016038,0.00023533453,0.0010555428,0.0060528438,0.0046770363,0.00055799173,0.0012806589,0.07174751],"category_scores_gemma":[0.0007109986,0.0003061123,0.000094725925,0.0013813765,0.001882401,0.0013465266,0.0014159422,0.0020613903,0.009436744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003249283,0.000014554187,0.00044020754,0.0001944317,0.0000032761275,0.0002721728,0.0051625906,0.00006268367,0.00044334607,0.014760371,0.91239023,0.06622369],"study_design_scores_gemma":[0.0000012872365,0.000005236054,0.001949453,0.0001561617,0.0000012401542,0.000045615812,0.0028483768,0.0000069016587,0.00008696466,0.00024505696,0.99465126,0.0000025086374],"about_ca_topic_score_codex":0.1889614,"about_ca_topic_score_gemma":0.5486012,"teacher_disagreement_score":0.8110386,"about_ca_system_score_codex":0.00672057,"about_ca_system_score_gemma":0.005269706,"threshold_uncertainty_score":0.375723},"labels":[],"label_agreement":null},{"id":"W4225477282","doi":"10.18357/sremd31201920637","title":"Katie Get Your Gun: Frolicking through the Wild Wild West in Bard on the Beach’s The Taming of the Shrew","year":2022,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Drama; Shrew; Character (mathematics); Comedy; Art; History; Literature; Zoology; Biology","score_opus":0.08031871043330244,"score_gpt":0.2717032949841085,"score_spread":0.19138458455080606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225477282","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06698738,0.013607275,0.0022187456,0.074586496,0.006773562,0.00007696531,0.00020520385,0.0002584217,0.83528584],"genre_scores_gemma":[0.42821547,0.0067689097,0.0014164273,0.0071085095,0.0005710878,0.00002796287,0.00009474686,0.00037669303,0.5554202],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994723,0.000161865,0.000005210968,0.000039994844,0.0001653693,0.00015528077],"domain_scores_gemma":[0.9996667,0.000093397306,0.000015768284,0.000015513398,0.00009234432,0.00011637347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005504589,0.00044252884,0.00018734673,0.0005317453,0.012342086,0.0034631584,0.00070609094,0.001054894,0.013932639],"category_scores_gemma":[0.0014372468,0.00015951613,0.00015536456,0.00048213731,0.0059341597,0.0015777391,0.0015513831,0.0029652892,0.0018388588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053284,0.000030295721,0.000833688,0.00021136303,0.000010916846,0.0008985542,0.22248055,0.00009882532,0.0012981958,0.08817215,0.65588224,0.030029934],"study_design_scores_gemma":[0.0000021873157,0.000012192794,0.0010650335,0.000118723205,0.0000037075304,0.00017985352,0.08882186,0.000033877634,0.0003331288,0.00078599656,0.9086346,0.000008969832],"about_ca_topic_score_codex":0.3729242,"about_ca_topic_score_gemma":0.7939008,"teacher_disagreement_score":0.3729242,"about_ca_system_score_codex":0.008145562,"about_ca_system_score_gemma":0.004893117,"threshold_uncertainty_score":0.74150705},"labels":[],"label_agreement":null},{"id":"W4226106436","doi":"10.18357/sremd31201920639","title":"Little Did We Know!","year":2022,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Social justice; Focus (optics); Taste; Context (archaeology); Aesthetics; Sociology; History; Criminology; Political science; Psychology; Law; Art","score_opus":0.05041030048771619,"score_gpt":0.26358588011021783,"score_spread":0.21317557962250164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226106436","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012622147,0.04101498,0.0013733876,0.71242714,0.09322449,0.000035703706,0.00024485032,0.00039449777,0.15002279],"genre_scores_gemma":[0.02337373,0.028108258,0.0015090836,0.29751146,0.017191008,0.00007366662,0.00039484486,0.00072589604,0.63111204],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975139,0.0007861531,0.00007637722,0.0003740136,0.00087666296,0.00037294632],"domain_scores_gemma":[0.9939512,0.0011338461,0.00026082614,0.0003649245,0.0021786327,0.0021105814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002156128,0.00075421913,0.0005374157,0.0009074161,0.0054756147,0.009987073,0.0013817587,0.004059854,0.09928815],"category_scores_gemma":[0.016041743,0.00038439906,0.0004367006,0.0006436031,0.0035557179,0.012701976,0.005237154,0.011207886,0.06503294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014297491,0.000009181284,0.00014608273,0.00006565641,0.000003289599,0.00005152939,0.00078508,0.000010207847,0.00006854861,0.00765055,0.9690166,0.022178994],"study_design_scores_gemma":[0.000001545377,0.0000052886403,0.00012428188,0.00013059715,0.0000013899278,0.00007471367,0.0016717219,0.000008977717,0.000036465146,0.0011559139,0.99678254,0.0000064372784],"about_ca_topic_score_codex":0.0060637263,"about_ca_topic_score_gemma":0.016191078,"teacher_disagreement_score":0.09928815,"about_ca_system_score_codex":0.0019547078,"about_ca_system_score_gemma":0.002821259,"threshold_uncertainty_score":0.33215195},"labels":[],"label_agreement":null},{"id":"W4226297815","doi":"10.18357/sremd20201202019800","title":"Floating Hearts and Coronets","year":2022,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Zoom; Production (economics); Visual arts; Art; Software; Aesthetics; Media studies; Sociology; Multimedia; Computer science; Engineering; Operating system","score_opus":0.06089916668729891,"score_gpt":0.26041170840706435,"score_spread":0.19951254171976543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226297815","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040582707,0.73718214,0.00079112826,0.021306612,0.013552805,0.000041271673,0.00018477092,0.000068244284,0.22281472],"genre_scores_gemma":[0.102411374,0.72186095,0.0011530458,0.013526897,0.010955397,0.00007825247,0.00048492686,0.0002921343,0.14923708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853563,0.00051150226,0.00010363419,0.00015562143,0.0005279331,0.0001656809],"domain_scores_gemma":[0.9983375,0.0009056245,0.00014190777,0.00009639945,0.00037894686,0.0001396022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013132747,0.000579867,0.0003683355,0.0027453366,0.003473794,0.0050974526,0.0010783981,0.0018952055,0.022002986],"category_scores_gemma":[0.006985285,0.00023599176,0.0002467861,0.00248118,0.0050659264,0.0038388912,0.0020520096,0.0025211193,0.0048603616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051127456,0.000014227862,0.00045544337,0.0022730243,0.000014136917,0.0009306741,0.010439982,0.00017438454,0.00018300193,0.12193431,0.569303,0.29422674],"study_design_scores_gemma":[8.713598e-7,0.0000037933044,0.000231019,0.0013137194,0.0000016773315,0.00033719695,0.0019869108,0.0000047554518,0.000017216842,0.0011383897,0.99496126,0.000003147286],"about_ca_topic_score_codex":0.009776289,"about_ca_topic_score_gemma":0.018575473,"teacher_disagreement_score":0.022002986,"about_ca_system_score_codex":0.0026397665,"about_ca_system_score_gemma":0.003249018,"threshold_uncertainty_score":0.073607326},"labels":[],"label_agreement":null},{"id":"W4226367774","doi":"10.18357/sremd31201920638","title":"A Passion for Love, and for Theatre","year":2022,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Notice; Passion; Performativity; Character (mathematics); Theatrical production; Art; Representation (politics); Creativity; Literature; Aesthetics; Drama; Sociology; Gender studies; Psychology; Social psychology; Law","score_opus":0.07016718470751082,"score_gpt":0.286490514201449,"score_spread":0.21632332949393818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226367774","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068444703,0.01812766,0.0021196892,0.06621848,0.0049049156,0.000022149145,0.00004573244,0.00011437903,0.9016025],"genre_scores_gemma":[0.26168042,0.007705932,0.0011586992,0.012331907,0.0036852679,0.000047749436,0.00005862257,0.0003479764,0.7129834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99828315,0.00086862576,0.000031964388,0.00016997632,0.00043069903,0.00021553558],"domain_scores_gemma":[0.9990701,0.00025795033,0.000081864375,0.0001303136,0.00017934822,0.00028044684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015923178,0.0005202732,0.00029791216,0.00064430153,0.009918234,0.009690761,0.00052817824,0.0020994442,0.01851563],"category_scores_gemma":[0.0029372077,0.00020962549,0.00025172142,0.00039194743,0.015832836,0.0062194443,0.0040538968,0.0054593394,0.004609329],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046087585,0.000019970594,0.00033277785,0.00017133997,0.000009065073,0.00026625884,0.061105218,0.00006166378,0.0007171579,0.50788206,0.3977133,0.031675007],"study_design_scores_gemma":[0.0000018605897,0.0000081840035,0.00020639485,0.00008017812,0.0000011492785,0.00013433596,0.006773932,0.000012851874,0.00009300318,0.0050688414,0.987615,0.00000425499],"about_ca_topic_score_codex":0.006678962,"about_ca_topic_score_gemma":0.015375624,"teacher_disagreement_score":0.01851563,"about_ca_system_score_codex":0.0035729716,"about_ca_system_score_gemma":0.0015593093,"threshold_uncertainty_score":0.06194091},"labels":[],"label_agreement":null},{"id":"W4237673463","doi":"10.18357/scene10201713540","title":"Titus Andronicus, New York Shakespeare Exchange at the HERE Performing Arts Center, January 28 2015","year":2017,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Center (category theory); The arts; Art; Art history; History; Visual arts","score_opus":0.11156833158158114,"score_gpt":0.29699936839293894,"score_spread":0.1854310368113578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237673463","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014367563,0.04425276,0.0004885432,0.10954176,0.03814358,0.000095447496,0.0017902202,0.00031012853,0.79101],"genre_scores_gemma":[0.03845773,0.0049318257,0.00019765983,0.0028307226,0.0019046135,0.000050030023,0.00031812378,0.00019154012,0.9511178],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989796,0.00024307992,0.00004246869,0.000129093,0.00043682777,0.00016889133],"domain_scores_gemma":[0.9980211,0.000578556,0.00007544543,0.0001255105,0.0007504749,0.0004489208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020091226,0.0004949777,0.00036149545,0.002135139,0.012278288,0.006844549,0.0007875748,0.002107331,0.09675004],"category_scores_gemma":[0.0069815717,0.0003109972,0.00018371799,0.0014883754,0.0021969823,0.0037979018,0.0033025164,0.0034617553,0.014486803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048859925,0.000022635399,0.00038715833,0.000070593596,0.0000034131153,0.000079833284,0.0049252748,0.000021038635,0.0001660505,0.021421418,0.9554887,0.017365031],"study_design_scores_gemma":[0.0000032225903,0.00000692763,0.0014428035,0.00013551947,0.00000262232,0.00001618932,0.004027578,0.000012842495,0.00013298843,0.00070067117,0.99351305,0.0000056409763],"about_ca_topic_score_codex":0.043395344,"about_ca_topic_score_gemma":0.18338732,"teacher_disagreement_score":0.09675004,"about_ca_system_score_codex":0.00574639,"about_ca_system_score_gemma":0.0040898095,"threshold_uncertainty_score":0.32366115},"labels":[],"label_agreement":null},{"id":"W4242472422","doi":"10.18357/sremd00200818738","title":"test","year":2000,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Chemistry and Stereochemistry Studies","field":"Chemistry","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Test (biology); Biology; Botany","score_opus":0.02623173326568625,"score_gpt":0.26534151723883037,"score_spread":0.2391097839731441,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242472422","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019625826,0.00038554118,0.08703147,0.005105171,0.0032834504,0.0010803844,0.028160311,0.04054351,0.81478435],"genre_scores_gemma":[0.29633057,0.0003547689,0.048578255,0.0077013876,0.0011307525,0.0020363177,0.057829965,0.021050207,0.5649878],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952626,0.00100949,0.0001974508,0.0009177247,0.0019921828,0.000620566],"domain_scores_gemma":[0.9902929,0.003396757,0.00027089068,0.0026570503,0.0027836782,0.00059866224],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002478546,0.001299597,0.0008480516,0.0013594953,0.0015130866,0.0038418577,0.0027646758,0.0014824782,0.36638856],"category_scores_gemma":[0.022272019,0.00044274572,0.0008652968,0.00080113026,0.0017302708,0.0048766993,0.004019978,0.0023714923,0.16779539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016376072,0.0003885169,0.005505367,0.00044893727,0.00007409553,0.0002679685,0.0004731333,0.0017348536,0.002690997,0.076188646,0.65814763,0.2524423],"study_design_scores_gemma":[0.00044498738,0.00036835868,0.0034083452,0.00020026781,0.000073181,0.00037994073,0.00093055586,0.009506684,0.011078867,0.075625464,0.8978887,0.0000946516],"about_ca_topic_score_codex":0.0037257345,"about_ca_topic_score_gemma":0.0036324093,"teacher_disagreement_score":0.63361144,"about_ca_system_score_codex":0.0012038128,"about_ca_system_score_gemma":0.0024956947,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4242650576","doi":"10.18357/sremd00201513609","title":"“A pleasant seat:” Macbeth, The Public Theater’s Mobile Shakespeare’s Unit, at Highbridge Recreation Center, New York, April 25, 2015","year":2015,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Center (category theory); Recreation; Unit (ring theory); Advertising; Art; Visual arts; Media studies; Sociology; Psychology; Political science; Business; Law; Mathematics education","score_opus":0.1690261420263145,"score_gpt":0.29904253164848116,"score_spread":0.13001638962216666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242650576","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0097981915,0.17947961,0.0005774299,0.33628178,0.06582018,0.00010560512,0.00062098366,0.00030487994,0.40701133],"genre_scores_gemma":[0.050156645,0.032780677,0.00033276944,0.017878322,0.010189837,0.00007769752,0.00022665966,0.00030842767,0.88804907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956363,0.00014724066,0.0000126387085,0.00004758835,0.00012745253,0.00010138509],"domain_scores_gemma":[0.99944586,0.00013181013,0.00003220316,0.0000262834,0.00016682634,0.0001970212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001099892,0.0007294995,0.00032079886,0.0008509953,0.009895606,0.0052600713,0.0010453146,0.0029127197,0.054259725],"category_scores_gemma":[0.00217081,0.00033878803,0.00023567853,0.00094850606,0.0020834338,0.0028701376,0.0024616988,0.0038993096,0.007926635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013824489,0.000007473858,0.000087137385,0.00006048622,0.0000019940355,0.000029800727,0.0017801685,0.000009908111,0.000068972644,0.002439159,0.988705,0.0067961244],"study_design_scores_gemma":[0.0000026086575,0.000006704486,0.00086071633,0.0001783574,0.0000026825862,0.00002116747,0.0036493787,0.000006467953,0.000059001984,0.00016177409,0.995047,0.0000041278126],"about_ca_topic_score_codex":0.023798836,"about_ca_topic_score_gemma":0.1830566,"teacher_disagreement_score":0.054259725,"about_ca_system_score_codex":0.0028131935,"about_ca_system_score_gemma":0.0026559327,"threshold_uncertainty_score":0.18151683},"labels":[],"label_agreement":null},{"id":"W4244047167","doi":"10.18357/scene02201718433","title":"Welcome to Issue 2 of Scene","year":2017,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Diverse Scientific and Economic Studies","field":"Economics, Econometrics and Finance","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Computer science","score_opus":0.08813879500976811,"score_gpt":0.2793100527650057,"score_spread":0.19117125775523758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244047167","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010545374,0.003944172,0.00065825105,0.12720191,0.7767334,0.00061398617,0.001484237,0.0010688443,0.087240614],"genre_scores_gemma":[0.0046078735,0.0014387922,0.00053480203,0.08289534,0.29371816,0.00056321087,0.0015128474,0.0012912849,0.61343765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976411,0.00031767398,0.00009087644,0.00030908408,0.0010193837,0.0006219933],"domain_scores_gemma":[0.9891611,0.001323104,0.00067030836,0.00040723875,0.0029237366,0.0055145165],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022611949,0.0021544562,0.0017015445,0.002180188,0.004986252,0.009387547,0.002225078,0.01218285,0.35023263],"category_scores_gemma":[0.012289025,0.00085657905,0.0017368773,0.00082642416,0.0010059759,0.004619095,0.0085674105,0.010708831,0.16079937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027238653,0.000011953975,0.000019604451,0.000026004122,0.000001749345,0.000033594693,0.000018850702,0.0000046362643,0.00006715611,0.00013876082,0.9974611,0.002189276],"study_design_scores_gemma":[0.000036630954,0.00004616384,0.00046805904,0.00007628236,0.0000053785834,0.00004805575,0.00021435827,0.000028922694,0.00006246056,0.00040721966,0.9985904,0.00001595818],"about_ca_topic_score_codex":0.0016249261,"about_ca_topic_score_gemma":0.007369163,"teacher_disagreement_score":0.35023263,"about_ca_system_score_codex":0.0016648457,"about_ca_system_score_gemma":0.0020193204,"threshold_uncertainty_score":0.9268143},"labels":[],"label_agreement":null},{"id":"W4249047009","doi":"10.18357/sremd02201718003","title":"Depoliticizing Titus in Delhi: The Hungry","year":2017,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Islamic Studies and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"New delhi; Political science; Geography; Archaeology","score_opus":0.07767307518752672,"score_gpt":0.3508644365519748,"score_spread":0.2731913613644481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249047009","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24356446,0.016448792,0.000752419,0.0542707,0.008062529,0.00007020955,0.00031106506,0.00020991747,0.6763098],"genre_scores_gemma":[0.87274086,0.0051820953,0.00028336133,0.004484582,0.0013143194,0.000027414068,0.000118497395,0.00014640766,0.11570236],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999302,0.0002652303,0.000016480943,0.00005076134,0.00008739879,0.00027803556],"domain_scores_gemma":[0.9995859,0.0001700651,0.000054233147,0.00004882573,0.00004101814,0.00009999824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008246047,0.0005047024,0.00037850853,0.00075098925,0.009526588,0.0042092414,0.0009084317,0.0017761843,0.016960058],"category_scores_gemma":[0.0012819427,0.00022298649,0.00021367597,0.001442094,0.0074138246,0.0018545912,0.0034225772,0.005016728,0.0016928416],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039480667,0.00011817127,0.002672378,0.001064513,0.000041921114,0.0032963934,0.48738968,0.00021048916,0.0036486445,0.19494344,0.26495966,0.041259952],"study_design_scores_gemma":[0.000021858934,0.000090328154,0.012872479,0.0004249417,0.000023266271,0.00083718135,0.18360172,0.00007834923,0.0009700644,0.003393402,0.7976467,0.000039644692],"about_ca_topic_score_codex":0.008443396,"about_ca_topic_score_gemma":0.033515234,"teacher_disagreement_score":0.016960058,"about_ca_system_score_codex":0.0036923708,"about_ca_system_score_gemma":0.0017678872,"threshold_uncertainty_score":0.056737006},"labels":[],"label_agreement":null},{"id":"W4252519282","doi":"10.18357/sremd01201713551","title":"Saying It Like Indians: The Wooster Group’s Cry Trojans!, Sa(l)vage Ethnography, and the Politics of “Playing Injun”","year":2017,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appropriation; Cultural appropriation; White (mutation); Politics; Genocide; Elite; Culture of the United States; Art; History; Literature; Sociology; Aesthetics; Law; Political science; Philosophy","score_opus":0.06194117408149835,"score_gpt":0.2873624696827272,"score_spread":0.22542129560122887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252519282","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68009776,0.007841213,0.0012531291,0.03545102,0.0020706183,0.00008417626,0.00011081275,0.0000819624,0.27300933],"genre_scores_gemma":[0.94348764,0.0024072458,0.00036757698,0.00426049,0.00033430848,0.000050917766,0.000046583325,0.00015850336,0.0488868],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756765,0.0016038326,0.00002846279,0.0001793289,0.00019000065,0.00043071125],"domain_scores_gemma":[0.99865913,0.0005887285,0.00010090576,0.00007380368,0.00012400794,0.00045329737],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023243476,0.00065959763,0.00039766793,0.0012860334,0.022483563,0.010488854,0.0009305404,0.0018890736,0.0051750415],"category_scores_gemma":[0.0028833093,0.0005034488,0.00026074247,0.0009447878,0.019850358,0.004663119,0.0045652944,0.0061507355,0.00078958605],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015924134,0.00002295701,0.0007408261,0.00004640297,0.0000028878183,0.0003435584,0.9723426,0.0000097102975,0.00024265006,0.011281435,0.010576249,0.0043746945],"study_design_scores_gemma":[0.0000025132117,0.000015207312,0.0012895401,0.00011282522,0.000004199704,0.00019936867,0.91865206,0.000018052258,0.00010962533,0.0007943149,0.07879149,0.000010882985],"about_ca_topic_score_codex":0.06488944,"about_ca_topic_score_gemma":0.16985762,"teacher_disagreement_score":0.06488944,"about_ca_system_score_codex":0.0040601683,"about_ca_system_score_gemma":0.0032636733,"threshold_uncertainty_score":0.12902349},"labels":[],"label_agreement":null},{"id":"W4252768705","doi":"10.18357/scene01201718435","title":"Editorial","year":2018,"lang":"en","type":"editorial","venue":"Scene Reviews of Early Modern Drama","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Medicine","score_opus":0.04846879254373644,"score_gpt":0.3251503605364202,"score_spread":0.2766815679926838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252768705","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027322278,0.00255854,0.0000546077,0.023101373,0.97005683,0.000028105613,0.00008248686,0.00005734611,0.004033324],"genre_scores_gemma":[0.00041738892,0.0030606552,0.00007717113,0.013903368,0.9548514,0.00003362976,0.0000881395,0.000065134445,0.027503178],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936651,0.0009851911,0.0005524872,0.0007139842,0.0034711168,0.00061223086],"domain_scores_gemma":[0.97908235,0.0047202585,0.0019457777,0.00087987905,0.010241777,0.0031299226],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00584044,0.0035989403,0.0031985918,0.006469531,0.0037331989,0.010688355,0.0037319136,0.012451359,0.06815444],"category_scores_gemma":[0.02805365,0.0010372921,0.002230735,0.0020858264,0.0021295443,0.0045096767,0.0029305108,0.012138698,0.03625986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016656813,0.0000073762835,0.000010631607,0.00008916452,0.000006147659,0.00006112539,0.000007799747,0.000005254797,0.000020790045,0.0001147837,0.99727255,0.0023877313],"study_design_scores_gemma":[0.000044760673,0.00001246991,0.000119997065,0.0003596076,0.00002268566,0.00009120498,0.000040169725,0.00004066654,0.000059861737,0.00040376993,0.99879587,0.0000089637015],"about_ca_topic_score_codex":0.0015188913,"about_ca_topic_score_gemma":0.004867219,"teacher_disagreement_score":0.93184555,"about_ca_system_score_codex":0.0037905732,"about_ca_system_score_gemma":0.0045291884,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null}]}