{"meta":{"query_hash":"36242a54a180","filters":{"venue":"Shakespeare"},"cohort_total":15,"direct_labels_cover":0,"predictions_cover":15,"exported":15,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/36242a54a180","api":"https://metacan.xera.ac/api/v1/cohort?venue=Shakespeare"},"results":[{"id":"W1856307750","doi":"10.1080/17450918.2015.1048275","title":"The Bible in Shakespeare","year":2015,"lang":"en","type":"article","venue":"Shakespeare","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"History; Literature; Art","score_opus":0.091552435947913,"score_gpt":0.2291399174548414,"score_spread":0.1375874815069284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1856307750","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012090502,0.09080778,0.0007962494,0.029515825,0.007588093,0.000020546619,0.00020155641,0.00008483904,0.8588947],"genre_scores_gemma":[0.33515096,0.015215309,0.0006226957,0.005619657,0.0030706597,0.00003583891,0.00012606276,0.00016336805,0.63999546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991116,0.0004434414,0.00003183439,0.00008968609,0.00017742696,0.00014603266],"domain_scores_gemma":[0.9994617,0.00025949586,0.000029199133,0.00004696365,0.00011893317,0.00008378894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010394175,0.00049312273,0.0004673287,0.0015113105,0.0097506605,0.0053699776,0.00036238134,0.0021830457,0.015456404],"category_scores_gemma":[0.002314383,0.0002407087,0.00011940964,0.0012500052,0.008928375,0.0021223319,0.0017916783,0.0030405947,0.002852849],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066111934,0.000022618022,0.00023413134,0.00022240971,0.00000840224,0.00017473861,0.021485537,0.00008812978,0.0003027333,0.75180393,0.20078199,0.024809297],"study_design_scores_gemma":[0.0000102364575,0.00001917117,0.0008013163,0.00022071807,0.0000032855764,0.00007469755,0.0031029335,0.000033493066,0.00017241585,0.019827582,0.97572577,0.000008334541],"about_ca_topic_score_codex":0.031698905,"about_ca_topic_score_gemma":0.07559285,"teacher_disagreement_score":0.031698905,"about_ca_system_score_codex":0.0047378014,"about_ca_system_score_gemma":0.003574882,"threshold_uncertainty_score":0.06302881},"labels":[],"label_agreement":null},{"id":"W1994096952","doi":"10.1080/17450918.2012.660277","title":"Presentism, Anachronism and the Case of<i>Titus Andronicus</i>","year":2012,"lang":"en","type":"article","venue":"Shakespeare","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Mary's University","funders":"","keywords":"Anachronism; Presentism; Art; History; Literature; Philosophy; Political science; Epistemology; Law","score_opus":0.0185357686501634,"score_gpt":0.21363095503773136,"score_spread":0.19509518638756795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994096952","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28248715,0.0023964387,0.005025432,0.022439057,0.00070156605,0.000043339533,0.000020390698,0.000084481326,0.6868022],"genre_scores_gemma":[0.97940445,0.00023787192,0.00043665536,0.0006249492,0.000090681206,0.00001529831,0.00000474123,0.00003118035,0.019154137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964833,0.0021208036,0.00006271628,0.0003543632,0.00042847233,0.00055024493],"domain_scores_gemma":[0.9988526,0.00056723325,0.00015744845,0.00012350437,0.000119956974,0.00017931584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030184602,0.0003994194,0.00039385897,0.0011972197,0.028199285,0.008463379,0.0014902061,0.0048075165,0.0059945593],"category_scores_gemma":[0.0026016408,0.00045724353,0.00034688384,0.00076535606,0.044683833,0.0051125796,0.0055923536,0.007559208,0.0007276658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024889267,0.000024340223,0.00022866712,0.000027801887,0.0000032567725,0.0015367387,0.13799483,0.000078482386,0.00023570584,0.85511404,0.0025321343,0.0021990975],"study_design_scores_gemma":[0.0000327497,0.00010223283,0.001514305,0.0003884123,0.000029151224,0.0035063485,0.2229045,0.0012444013,0.000905304,0.23515841,0.534119,0.00009516543],"about_ca_topic_score_codex":0.012241465,"about_ca_topic_score_gemma":0.019001203,"teacher_disagreement_score":0.028199285,"about_ca_system_score_codex":0.007991816,"about_ca_system_score_gemma":0.002900844,"threshold_uncertainty_score":0.057985008},"labels":[],"label_agreement":null},{"id":"W1994196010","doi":"10.1080/17450918.2013.877963","title":"“Something in me dangerous”: <i>Hamlet</i>, melancholy, and the early modern scholar","year":2014,"lang":"en","type":"article","venue":"Shakespeare","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"HAMLET (protein complex); Distrust; Ridiculous; Contemplation; Politics; Irony; Literature; Representation (politics); Aesthetics; Resistance (ecology); Subjectivity; Order (exchange); Philosophy; Art; Law; Epistemology","score_opus":0.026800410280271084,"score_gpt":0.22324857017912753,"score_spread":0.19644815989885644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994196010","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20838886,0.10539681,0.0021424403,0.37024742,0.0060369787,0.000034378565,0.00003774843,0.0000962921,0.30761907],"genre_scores_gemma":[0.90912664,0.011829438,0.0007137327,0.023902662,0.001999899,0.000035037516,0.000010548541,0.000060233368,0.052321844],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980013,0.0015158791,0.000021067432,0.00009102324,0.00016537603,0.00020534777],"domain_scores_gemma":[0.9984829,0.0009286189,0.0001482028,0.00008027779,0.0001296496,0.00023047983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017292894,0.00038194365,0.00026832215,0.0011079747,0.014618829,0.00750485,0.0007278742,0.0034108008,0.0019602382],"category_scores_gemma":[0.0029750525,0.00026389217,0.0001403283,0.0005933806,0.027957618,0.0054743914,0.0038467278,0.0063792164,0.0002881352],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051239593,0.000042876836,0.0009338296,0.00008359382,0.0000068216514,0.00074020657,0.4671242,0.000047176443,0.0002467622,0.43925717,0.07980598,0.01166007],"study_design_scores_gemma":[0.00001243556,0.000061206236,0.0010853256,0.0005296443,0.000009240707,0.0010870441,0.22546485,0.00010698436,0.0004621841,0.046112828,0.7250367,0.000031586053],"about_ca_topic_score_codex":0.008300809,"about_ca_topic_score_gemma":0.0132666025,"teacher_disagreement_score":0.014618829,"about_ca_system_score_codex":0.0051483666,"about_ca_system_score_gemma":0.0020544436,"threshold_uncertainty_score":0.03735417},"labels":[],"label_agreement":null},{"id":"W1999457384","doi":"10.1080/17450911003643084","title":"Cunning, cozening and queens in<i>The Merry Wives of Windsor</i>","year":2010,"lang":"en","type":"article","venue":"Shakespeare","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Windsor; Construct (python library); Representation (politics); Ephemeral key; Literature; Art; History; Aesthetics; Law; Politics; Political science; Computer science; Computer security","score_opus":0.017137053167696464,"score_gpt":0.2403729571101673,"score_spread":0.22323590394247084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999457384","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2050314,0.022956582,0.0022873937,0.025866888,0.0012374971,0.000055760782,0.00009503637,0.00005822124,0.74241126],"genre_scores_gemma":[0.79946554,0.002257046,0.0005172553,0.0013865135,0.00011032139,0.000017674058,0.000019771915,0.000032941232,0.19619294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994506,0.00019890876,0.000012476086,0.000081175735,0.00009068011,0.00016611017],"domain_scores_gemma":[0.99976474,0.000078471145,0.00003542025,0.000017706161,0.00003447208,0.00006928641],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057802536,0.00031090766,0.00016196209,0.00055194786,0.012166026,0.003908182,0.0003725686,0.0011164603,0.006318677],"category_scores_gemma":[0.00101311,0.00020884327,0.00008545872,0.00054006255,0.018578133,0.0024394824,0.0018225566,0.0018010117,0.0003680254],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053740594,0.000020885767,0.0022479256,0.00009484282,0.000006053346,0.000557339,0.36722726,0.000056885696,0.00060892734,0.5474528,0.051606808,0.030066589],"study_design_scores_gemma":[0.0000074961554,0.000020844907,0.0040096166,0.00025170352,0.0000041464236,0.00031073383,0.123607226,0.000042510186,0.00039846878,0.012189837,0.85914075,0.000016680904],"about_ca_topic_score_codex":0.1944378,"about_ca_topic_score_gemma":0.5386185,"teacher_disagreement_score":0.1944378,"about_ca_system_score_codex":0.0050087753,"about_ca_system_score_gemma":0.003331271,"threshold_uncertainty_score":0.38661212},"labels":[],"label_agreement":null},{"id":"W2009232151","doi":"10.1080/17450910903370525","title":"Review of Shakespeare's<i>Hamlet</i>(directed by Michael Grandage) at Wyndham's Theatre in the Donmar West End season, May–August 2009","year":2009,"lang":"en","type":"article","venue":"Shakespeare","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Thompson Rivers University","funders":"","keywords":"Art; Art history; History","score_opus":0.017956267376226815,"score_gpt":0.23747531600331137,"score_spread":0.21951904862708455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009232151","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011959989,0.9805967,0.000040548523,0.0069947774,0.0072406023,0.0000037714417,0.000032672353,0.0000045912957,0.004966749],"genre_scores_gemma":[0.0032858439,0.96706843,0.00008957073,0.0058452454,0.010639826,0.00001930458,0.00011005721,0.000019416322,0.012922342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887925,0.0003251434,0.00013472393,0.00012724301,0.0004259001,0.000107703614],"domain_scores_gemma":[0.9942596,0.0024890017,0.00036664176,0.00013123549,0.002342905,0.0004106453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029309595,0.0007610875,0.0012294849,0.0067289304,0.0020724414,0.0035302222,0.0010377562,0.0026168071,0.014844328],"category_scores_gemma":[0.0066849436,0.00045915993,0.00029136532,0.008759798,0.002552744,0.0027907726,0.002084207,0.0022227343,0.0042863945],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029267845,0.000019428377,0.00012212954,0.006425735,0.000023059561,0.00006920121,0.0010200476,0.00004364641,0.000106072366,0.005172316,0.8053478,0.18162131],"study_design_scores_gemma":[0.000002130956,0.0000065751406,0.0004913112,0.003505936,0.000007689603,0.00006202134,0.00042249507,0.0000032642345,0.00001966784,0.0002335684,0.99524033,0.0000049425685],"about_ca_topic_score_codex":0.018071959,"about_ca_topic_score_gemma":0.049949847,"teacher_disagreement_score":0.018071959,"about_ca_system_score_codex":0.0028914586,"about_ca_system_score_gemma":0.005767206,"threshold_uncertainty_score":0.049659252},"labels":[],"label_agreement":null},{"id":"W2038269973","doi":"10.1080/17450911003790307","title":"Review of Shakespeare's<i>Othello</i>(directed by Barrie Rutter for Northern Broadsides and West Yorkshire Playhouse) at Trafalgar Studios (Studio 1), London, 2 December 2009","year":2010,"lang":"en","type":"article","venue":"Shakespeare","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Rutter; Art; Art history; History; Visual arts; Cartography; Geography","score_opus":0.015043346729458134,"score_gpt":0.23213598696020804,"score_spread":0.2170926402307499,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038269973","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008643538,0.9920363,0.000028997847,0.0025935175,0.0025561498,0.0000033000006,0.000037971608,0.0000036369245,0.002653768],"genre_scores_gemma":[0.0014463342,0.9866479,0.000075558346,0.0027558072,0.003431347,0.000013010931,0.00013350208,0.00001045079,0.005486051],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922895,0.00017505095,0.00012934879,0.00009725582,0.00029462104,0.00007474769],"domain_scores_gemma":[0.99549025,0.0018593095,0.00034565217,0.00011892513,0.0018949255,0.0002909003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022427943,0.0007269107,0.0014692296,0.007701559,0.0012144223,0.0026322673,0.00087555405,0.0015989138,0.012338994],"category_scores_gemma":[0.0050367494,0.00042867832,0.00033654537,0.010760584,0.001621309,0.0023261285,0.0015452647,0.0014415076,0.004255959],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040157087,0.000022853888,0.0002156461,0.0137243215,0.000042914435,0.000080138016,0.0005631925,0.000041910807,0.00017733878,0.0029730806,0.6446326,0.33748588],"study_design_scores_gemma":[0.0000029859775,0.000009344053,0.00094398914,0.005566231,0.000020439362,0.00009232422,0.00019966617,0.000004044565,0.00002915324,0.000203789,0.9929223,0.0000057806465],"about_ca_topic_score_codex":0.0149658285,"about_ca_topic_score_gemma":0.040884983,"teacher_disagreement_score":0.0149658285,"about_ca_system_score_codex":0.0020216163,"about_ca_system_score_gemma":0.005596744,"threshold_uncertainty_score":0.041278064},"labels":[],"label_agreement":null},{"id":"W2038271231","doi":"10.1080/17450918.2013.784849","title":"Seeing places:<i>The Tempest</i>and the baroque spectacle of the Restoration theatre","year":2013,"lang":"en","type":"article","venue":"Shakespeare","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Tempest; Spectacle; Baroque; Art; Visual arts; Aesthetics; Art history; Political science; Law","score_opus":0.008120808757130922,"score_gpt":0.1630768734081172,"score_spread":0.15495606465098627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038271231","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15669379,0.008802178,0.005089635,0.02343604,0.0039130095,0.000022297823,0.00006678871,0.00028373834,0.8016925],"genre_scores_gemma":[0.94069105,0.0008043148,0.0007086852,0.0009804608,0.00050808815,0.000009475747,0.000013169606,0.00009408954,0.056190655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990089,0.00057773676,0.000011323679,0.00007600956,0.00012866363,0.00019734305],"domain_scores_gemma":[0.9995346,0.00015632568,0.000041122963,0.000050689694,0.000071880015,0.00014547509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009864697,0.0004159507,0.00018538866,0.0004672378,0.0074904826,0.008997866,0.00065626024,0.0011428186,0.012573399],"category_scores_gemma":[0.0011623334,0.0001753101,0.00019477971,0.0003666647,0.017278131,0.0030060115,0.003307686,0.0035669687,0.0007278652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015918576,0.00006654367,0.0009431053,0.0001847681,0.000011873846,0.0005754875,0.34793597,0.00027034478,0.0015387395,0.50500804,0.0997382,0.04356774],"study_design_scores_gemma":[0.000017626782,0.00008596053,0.0026884708,0.0003804198,0.000010070358,0.0007684365,0.17604978,0.0002655349,0.0008834804,0.022606676,0.7961933,0.00005032453],"about_ca_topic_score_codex":0.01591609,"about_ca_topic_score_gemma":0.034330208,"teacher_disagreement_score":0.01591609,"about_ca_system_score_codex":0.002985739,"about_ca_system_score_gemma":0.0009815478,"threshold_uncertainty_score":0.042062163},"labels":[],"label_agreement":null},{"id":"W2079869834","doi":"10.1080/17450910903370517","title":"Review of Ben Jonson's<i>Bartholomew Fair</i>(directed by Antoni Cimolino for the Stratford Shakespeare Festival) at the Tom Patterson Theatre, Stratford, Ontario, May–October 2009","year":2009,"lang":"en","type":"article","venue":"Shakespeare","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Performance art; Art history; Humanities","score_opus":0.030687016030221843,"score_gpt":0.25440817420424194,"score_spread":0.2237211581740201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079869834","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007970735,0.9498273,0.000044935216,0.027584009,0.01880453,0.00000485316,0.000038583974,0.0000061116284,0.0036099178],"genre_scores_gemma":[0.0028088877,0.9272541,0.00011333789,0.032394823,0.023791322,0.000027675756,0.00012493246,0.000033095315,0.013451934],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863094,0.00036713073,0.0001475934,0.00017537082,0.0005331038,0.00014579683],"domain_scores_gemma":[0.9925344,0.0029801112,0.00051845174,0.00018794974,0.0031406009,0.0006384611],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031854317,0.0008273933,0.0013605782,0.0060827495,0.002244529,0.0037181263,0.0014365995,0.004161175,0.011414626],"category_scores_gemma":[0.010417405,0.00051554694,0.0003953541,0.0061332826,0.0028416354,0.0032858928,0.0026220756,0.0032551435,0.0051292256],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016832319,0.0000082287415,0.000056301444,0.0021747283,0.000010904066,0.000042575022,0.0002452951,0.000019414014,0.000053183117,0.0017908721,0.92939585,0.066185854],"study_design_scores_gemma":[0.0000023453147,0.0000042352526,0.00030593164,0.0027338148,0.0000068556255,0.000075515694,0.00016395812,0.0000028885274,0.000019169294,0.00022107037,0.99645954,0.0000047433846],"about_ca_topic_score_codex":0.02123011,"about_ca_topic_score_gemma":0.05935936,"teacher_disagreement_score":0.9787699,"about_ca_system_score_codex":0.004362906,"about_ca_system_score_gemma":0.006805646,"threshold_uncertainty_score":0.042213082},"labels":[],"label_agreement":null},{"id":"W2093815052","doi":"10.1080/17450910802295096","title":"The<i>Internet Shakespeare Editions</i>: Scholarly Shakespeare on the Web","year":2008,"lang":"en","type":"article","venue":"Shakespeare","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"The Internet; Variety (cybernetics); Context (archaeology); World Wide Web; Annotation; History; Computer science; Media studies; Sociology","score_opus":0.05838483749167258,"score_gpt":0.22152047767877314,"score_spread":0.16313564018710056,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2093815052","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010979935,0.012958405,0.0036568416,0.012180013,0.005782273,0.00008095879,0.0021616844,0.0015594243,0.9506403],"genre_scores_gemma":[0.07266631,0.016186204,0.0036908532,0.0027706688,0.0032251764,0.00011443041,0.0033878512,0.0016680795,0.89629054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994505,0.000082783416,0.000027652966,0.000042705597,0.00031891643,0.000077440694],"domain_scores_gemma":[0.9989563,0.00025271095,0.000073125906,0.00017134538,0.00026926788,0.00027727592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007782703,0.0003511695,0.00022688106,0.0026815007,0.002806967,0.008632968,0.00046172313,0.0009937221,0.045346186],"category_scores_gemma":[0.0023796887,0.00025197235,0.00017079638,0.004779156,0.0022253245,0.0046154177,0.0026636058,0.0016922494,0.01503438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032714943,0.000042095086,0.0013664059,0.00024794062,0.000006669734,0.0002410208,0.0043745213,0.00005910221,0.0013017985,0.03680305,0.7936284,0.16189633],"study_design_scores_gemma":[0.0000019212848,0.0000041379694,0.0018027808,0.00012982573,0.0000019835552,0.00010307413,0.00069087016,0.000027434491,0.00039567295,0.0012431698,0.99559265,0.0000063739394],"about_ca_topic_score_codex":0.010621328,"about_ca_topic_score_gemma":0.021370031,"teacher_disagreement_score":0.045346186,"about_ca_system_score_codex":0.001382384,"about_ca_system_score_gemma":0.0017522809,"threshold_uncertainty_score":0.15169805},"labels":[],"label_agreement":null},{"id":"W2772347173","doi":"10.1080/17450918.2017.1402814","title":"Apocryphal Thinking, or, Deuterocanonical Shakespeare","year":2017,"lang":"en","type":"article","venue":"Shakespeare","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Apocrypha; Canon; Drama; Literature; History; Art; Philosophy; Classics","score_opus":0.07921119933116,"score_gpt":0.2804522429820579,"score_spread":0.2012410436508979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772347173","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041787144,0.01726687,0.006654775,0.015275578,0.0017314664,0.000023400926,0.00013458882,0.000075555254,0.91705066],"genre_scores_gemma":[0.8894049,0.0065654875,0.0016548102,0.0026105756,0.0007328946,0.000046843266,0.00007745313,0.00006020895,0.09884686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989177,0.00037819167,0.00003132305,0.00023137032,0.00026111517,0.00018033665],"domain_scores_gemma":[0.9993717,0.00022871174,0.00007860632,0.00011873309,0.000111644775,0.00009062834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011076597,0.00042587484,0.000210981,0.0012051677,0.0045019644,0.0048102275,0.00055164227,0.001070568,0.0047906837],"category_scores_gemma":[0.0018459485,0.00012692607,0.00011554655,0.0009855448,0.026124919,0.0036105076,0.0023700476,0.0021870087,0.00076918665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112718735,0.0000039841875,0.00024712848,0.00003528501,0.0000016523869,0.000058480196,0.01600153,0.000028402666,0.0000846215,0.97275394,0.005074083,0.005699757],"study_design_scores_gemma":[0.000009337726,0.00002026452,0.0016289782,0.00024716547,0.0000060365637,0.00024626174,0.018349132,0.00010442734,0.00026781292,0.14639392,0.832712,0.000014698742],"about_ca_topic_score_codex":0.022549171,"about_ca_topic_score_gemma":0.033992637,"teacher_disagreement_score":0.022549171,"about_ca_system_score_codex":0.006200499,"about_ca_system_score_gemma":0.003807378,"threshold_uncertainty_score":0.044987917},"labels":[],"label_agreement":null},{"id":"W4245160619","doi":"10.1080/17450910802501105","title":"Veiling an Indian beauty: Shakespeare and the<i>hijab</i>","year":2008,"lang":"en","type":"article","venue":"Shakespeare","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beauty; Orientalism; Art; Aesthetics; Literature","score_opus":0.03881815362291261,"score_gpt":0.21731925482437522,"score_spread":0.17850110120146262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245160619","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04876268,0.05962339,0.0010840637,0.037457023,0.0064060115,0.000054194825,0.00016001829,0.00018053147,0.8462721],"genre_scores_gemma":[0.73585737,0.015774066,0.0006502839,0.0077751414,0.0019745282,0.000050504404,0.0000730557,0.00031614272,0.23752886],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986766,0.0005917489,0.000032229476,0.00015348208,0.0002627115,0.00028316412],"domain_scores_gemma":[0.99873835,0.00059809414,0.000062093306,0.00006645319,0.00023545463,0.00029944678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019988737,0.0006659137,0.0004450226,0.0014414926,0.019182859,0.007919758,0.00067366514,0.001747207,0.0069028707],"category_scores_gemma":[0.0020057564,0.00043869496,0.00020293219,0.0013275418,0.013297441,0.0025785656,0.0022418322,0.006217131,0.0012638939],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005083527,0.000057285895,0.00058218074,0.00022774903,0.000014144719,0.0006843339,0.62391704,0.00007415488,0.00041512924,0.17533597,0.18104456,0.017596642],"study_design_scores_gemma":[0.000007927924,0.000029041683,0.0019588906,0.0006627672,0.000011788254,0.00030590943,0.14367774,0.00006360763,0.00021720547,0.0033924575,0.84963477,0.00003787677],"about_ca_topic_score_codex":0.12194209,"about_ca_topic_score_gemma":0.27024737,"teacher_disagreement_score":0.12194209,"about_ca_system_score_codex":0.005705247,"about_ca_system_score_gemma":0.003555454,"threshold_uncertainty_score":0.24246466},"labels":[],"label_agreement":null},{"id":"W4283687348","doi":"10.1080/17450918.2022.2089218","title":"Review of Thomas Dekker, John Ford, and William Rowley’s <i>The Witch of Edmonton</i> (Adapted and Directed by Laura Jay Wright for Creation Theatre) Online, 9 March 2022","year":2022,"lang":"en","type":"article","venue":"Shakespeare","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; Witch; Performance art; Art history; Art; History; Environmental ethics; Philosophy","score_opus":0.015026056375461016,"score_gpt":0.24851583030022076,"score_spread":0.23348977392475975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283687348","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005967954,0.94678575,0.00007488433,0.025936948,0.021360558,0.0000116429455,0.00012933782,0.000007457087,0.005633725],"genre_scores_gemma":[0.0009621865,0.942094,0.0001337732,0.030521734,0.013585844,0.000032005537,0.00017502208,0.000017351595,0.012478038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899346,0.00025044943,0.00012423641,0.00011442945,0.00042388818,0.00009364602],"domain_scores_gemma":[0.9938565,0.0027369417,0.00039420702,0.00016851771,0.0023673677,0.0004765004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002570275,0.0008494067,0.0011925504,0.005409999,0.001100254,0.0028829158,0.0012630625,0.0026303201,0.016901042],"category_scores_gemma":[0.009367352,0.00050393323,0.00047573392,0.0056530694,0.0014955798,0.0035723147,0.0017334364,0.003071831,0.007620251],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012786423,0.0000069187804,0.000036993904,0.0034992928,0.00001344464,0.000028003566,0.00010097886,0.000015257848,0.000041501244,0.0013904041,0.94225776,0.05259665],"study_design_scores_gemma":[0.0000035149035,0.0000034954783,0.00023373924,0.0037307227,0.000010208891,0.00006500436,0.00007250335,0.0000020940963,0.000014398904,0.0001964872,0.99566346,0.0000043786918],"about_ca_topic_score_codex":0.017717734,"about_ca_topic_score_gemma":0.050613,"teacher_disagreement_score":0.017717734,"about_ca_system_score_codex":0.0026367125,"about_ca_system_score_gemma":0.0076392596,"threshold_uncertainty_score":0.056539655},"labels":[],"label_agreement":null},{"id":"W4285088451","doi":"10.1080/17450918.2022.2091651","title":"Notes on the Couplet in the Sonnet","year":2022,"lang":"en","type":"article","venue":"Shakespeare","topic":"Colonialism, slavery, and trade","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Sonnet; Couplet; Literature; Reading (process); History; Art; Philosophy; Linguistics","score_opus":0.05693072658707914,"score_gpt":0.3129914400210657,"score_spread":0.25606071343398656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285088451","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049999617,0.00450566,0.0029119123,0.015774997,0.0016728778,0.000012444291,0.000041837422,0.000024481758,0.9250562],"genre_scores_gemma":[0.83767456,0.0020232138,0.0008631675,0.003398514,0.00088367733,0.00001847723,0.00002677271,0.00007143489,0.15504022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992262,0.0005099898,0.000016783359,0.000073042145,0.00009775742,0.00007617938],"domain_scores_gemma":[0.9995085,0.00030409603,0.000029645833,0.00003725551,0.000083685525,0.00003686518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00075374596,0.00026534818,0.00016274943,0.00044049433,0.005498594,0.002159849,0.00038237098,0.00088174065,0.011192524],"category_scores_gemma":[0.001788512,0.00015615737,0.00011656056,0.00049139786,0.012618597,0.0033322845,0.001818433,0.0023870594,0.0007576726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016587983,0.000003795584,0.00022675277,0.000024770221,0.000001545093,0.00035640065,0.039779942,0.000041442185,0.0001524473,0.94335616,0.011452839,0.004587234],"study_design_scores_gemma":[0.0000073941037,0.00003093826,0.0010766626,0.00016330791,0.000004060783,0.0004486079,0.04723396,0.00013103562,0.00037709656,0.07064793,0.87986517,0.000013867421],"about_ca_topic_score_codex":0.016246963,"about_ca_topic_score_gemma":0.04454474,"teacher_disagreement_score":0.016246963,"about_ca_system_score_codex":0.002346778,"about_ca_system_score_gemma":0.0008997529,"threshold_uncertainty_score":0.037442744},"labels":[],"label_agreement":null},{"id":"W4396916399","doi":"10.1080/17450918.2024.2351053","title":"Review of Gareth Armstrong’s <i>Shylock</i> (Directed by Frank Barrie for Gareth Armstrong) at the Workshop Theatre, Leeds, 9 February 2024","year":2024,"lang":"en","type":"article","venue":"Shakespeare","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Performance art","score_opus":0.01644460805841897,"score_gpt":0.3062554078110358,"score_spread":0.2898107997526168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396916399","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000031090396,0.98572063,0.000028306831,0.008489722,0.0041255034,0.0000050993835,0.00004268082,0.0000038971984,0.001553073],"genre_scores_gemma":[0.00077159837,0.97744286,0.000080338774,0.013247963,0.004750245,0.000027820368,0.000104003586,0.000013983265,0.0035611363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983504,0.0005570103,0.00027554133,0.000168936,0.0005254049,0.00012277951],"domain_scores_gemma":[0.99087405,0.004450973,0.00084053364,0.0001913478,0.0030373223,0.0006056955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037295404,0.0008155524,0.0014964417,0.0049710586,0.00089525565,0.0032948956,0.0013748994,0.002357012,0.013488177],"category_scores_gemma":[0.012667526,0.0006269699,0.00055378117,0.0059438436,0.001251573,0.0030514896,0.0017191023,0.002644417,0.005532315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048694437,0.000012137684,0.000070857146,0.011914659,0.000041688632,0.00005042165,0.00024082507,0.000031052947,0.00007936699,0.0017825749,0.88206804,0.10365975],"study_design_scores_gemma":[0.000007818789,0.000013616263,0.0003098477,0.012655633,0.000020419819,0.000110773726,0.00012592692,0.000003737412,0.000024916497,0.00022564719,0.98649454,0.000007048069],"about_ca_topic_score_codex":0.014599395,"about_ca_topic_score_gemma":0.03219927,"teacher_disagreement_score":0.014599395,"about_ca_system_score_codex":0.0033826593,"about_ca_system_score_gemma":0.0064824224,"threshold_uncertainty_score":0.045122445},"labels":[],"label_agreement":null},{"id":"W4401007771","doi":"10.1080/17450918.2024.2377196","title":"Editing Arden: The <i>Dramatis Personae</i> List in <i>As You Like It</i>","year":2024,"lang":"en","type":"article","venue":"Shakespeare","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"Social Sciences and Humanities Research Council of Canada; McGill University","keywords":"History; Media studies; Advertising; World Wide Web; Psychology; Computer science; Internet privacy; Sociology; Business","score_opus":0.020498934418563097,"score_gpt":0.24050594798682232,"score_spread":0.22000701356825922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401007771","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0077056116,0.008083764,0.0043839435,0.055081103,0.107967466,0.000073581956,0.0008637874,0.0010005127,0.81484026],"genre_scores_gemma":[0.102677494,0.0036300065,0.0023888114,0.008227028,0.017409824,0.000055133318,0.00065071194,0.0024257032,0.8625353],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989297,0.00030487851,0.00005179833,0.00015920309,0.00041636432,0.00013815878],"domain_scores_gemma":[0.99814725,0.00060517044,0.00014270224,0.00018291765,0.00070046383,0.00022158083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009629219,0.0006362837,0.00025962517,0.0011089012,0.0051386897,0.007228177,0.0007158864,0.0010694055,0.06787177],"category_scores_gemma":[0.0064930753,0.00021294013,0.00022913239,0.00078323204,0.0026544037,0.0030362355,0.0021415509,0.0032071308,0.02016633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021775944,0.0000066137372,0.00011942213,0.000096957185,0.0000026828418,0.000119667005,0.007133259,0.000023435998,0.0005311906,0.028835984,0.9470162,0.016092794],"study_design_scores_gemma":[0.0000014306153,0.0000034222392,0.0001655924,0.000049192604,0.0000013035557,0.000053952434,0.0014558276,0.000015818026,0.00025265868,0.00050076714,0.9974952,0.0000048648594],"about_ca_topic_score_codex":0.01016036,"about_ca_topic_score_gemma":0.030964525,"teacher_disagreement_score":0.06787177,"about_ca_system_score_codex":0.0021245426,"about_ca_system_score_gemma":0.001819013,"threshold_uncertainty_score":0.2270537},"labels":[],"label_agreement":null}]}