{"meta":{"query_hash":"fef2ee4bf2d9","filters":{"venue":"Sillages critiques"},"cohort_total":23,"direct_labels_cover":0,"predictions_cover":23,"exported":23,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/fef2ee4bf2d9","api":"https://metacan.xera.ac/api/v1/cohort?venue=Sillages+critiques"},"results":[{"id":"W1521372381","doi":"10.4000/sillagescritiques.2564","title":"La violence sexuelle dans Mesure pour mesure","year":2013,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Psychology","score_opus":0.023382502036501936,"score_gpt":0.38115473640552094,"score_spread":0.357772234369019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521372381","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11593286,0.06797465,0.0030996453,0.09549053,0.0052410103,0.000085139545,0.0003959966,0.00023948605,0.7115407],"genre_scores_gemma":[0.5030778,0.013782503,0.0013004796,0.013744532,0.0011494941,0.00009796329,0.0002209658,0.00017198826,0.46645424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882585,0.00044187123,0.000028658018,0.00014286356,0.00020380162,0.00035689044],"domain_scores_gemma":[0.99953365,0.00009944884,0.00013042628,0.000048072157,0.00008418642,0.0001041574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007248724,0.00069558603,0.00039700224,0.0007412067,0.0097133005,0.0034619016,0.00064019096,0.0021771218,0.017076543],"category_scores_gemma":[0.0012214815,0.00025283796,0.00033447624,0.00056567724,0.0071723573,0.0019495172,0.002948179,0.0053250124,0.0033403628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011777508,0.000056299214,0.0036155481,0.00043397213,0.000028987399,0.0021341483,0.2820709,0.00011655381,0.0015467225,0.556082,0.10839826,0.045398965],"study_design_scores_gemma":[0.000004151151,0.000028730845,0.0031881388,0.00028461855,0.000007011126,0.0006907961,0.019440087,0.000016994074,0.0002591921,0.00576952,0.97029805,0.000012753881],"about_ca_topic_score_codex":0.023050083,"about_ca_topic_score_gemma":0.050545022,"teacher_disagreement_score":0.023050083,"about_ca_system_score_codex":0.004215416,"about_ca_system_score_gemma":0.0030396697,"threshold_uncertainty_score":0.05712676},"labels":[],"label_agreement":null},{"id":"W1769144840","doi":"10.4000/sillagescritiques.1657","title":"Voiles et caravansérails : l’Orient dans Lolita","year":2010,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Jewish and Middle Eastern Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Art","score_opus":0.02192174906563252,"score_gpt":0.33312781243445555,"score_spread":0.311206063368823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1769144840","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124666266,0.0132531505,0.00401405,0.008532708,0.0011906485,0.00002540983,0.0001382106,0.0001715922,0.84800804],"genre_scores_gemma":[0.9158119,0.0013754164,0.00083021045,0.0007703422,0.00012284215,0.00001876909,0.000043204716,0.00012223657,0.080905125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953175,0.0002298873,0.000011641353,0.00005128452,0.0000734661,0.000101863916],"domain_scores_gemma":[0.99988437,0.000042311847,0.000017837283,0.000010372059,0.000017449078,0.000027682338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042748245,0.00040263086,0.00024648654,0.0005770043,0.0037774749,0.00664043,0.00029099835,0.0008991735,0.004339138],"category_scores_gemma":[0.0007193756,0.00017249226,0.00018155065,0.00041052734,0.006900106,0.0017586749,0.0020542801,0.0019004171,0.0010509088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014838432,0.000046911508,0.0017303315,0.00016401497,0.000012579884,0.0008909357,0.09683143,0.00028634263,0.0010998199,0.85299563,0.016201409,0.02959229],"study_design_scores_gemma":[0.000022563972,0.000033105178,0.0017166879,0.00019476672,0.000011245213,0.0005982303,0.022783527,0.00021718681,0.0006876231,0.025057662,0.94865084,0.000026692825],"about_ca_topic_score_codex":0.010380151,"about_ca_topic_score_gemma":0.018489018,"teacher_disagreement_score":0.010380151,"about_ca_system_score_codex":0.004138289,"about_ca_system_score_gemma":0.0011995615,"threshold_uncertainty_score":0.030025542},"labels":[],"label_agreement":null},{"id":"W2720225283","doi":"10.4000/sillagescritiques.4683","title":"“Depth of field” or “negative forms”: space/syntax from HDR digital photography to hypermedia navigation","year":2016,"lang":"en","type":"article","venue":"Sillages critiques","topic":"3D Surveying and Cultural Heritage","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Georgian College","funders":"","keywords":"Hypermedia; Depth of field; Computer science; Computer graphics (images); Photography; Field (mathematics); Digital photography; Space (punctuation); Syntax; Computer vision; Artificial intelligence; Multimedia; Art; Mathematics; Visual arts","score_opus":0.016935864349675353,"score_gpt":0.24903724433326668,"score_spread":0.23210137998359132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2720225283","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13903753,0.013904569,0.26163635,0.04393232,0.0018008732,0.00010338,0.00026372974,0.0004950215,0.5388262],"genre_scores_gemma":[0.9276986,0.0053151525,0.027536051,0.0021617534,0.00042517282,0.00009378231,0.00008747669,0.00028110866,0.03640083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945396,0.00030641118,0.000021394118,0.00008065136,0.00009315773,0.00004441326],"domain_scores_gemma":[0.99884975,0.0008164347,0.00006848645,0.00012814051,0.00009315151,0.00004411695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095508376,0.0004484387,0.00020481736,0.0009054327,0.0013929867,0.005102536,0.0005270482,0.0011844509,0.008494829],"category_scores_gemma":[0.003394671,0.00023992559,0.00030941702,0.00073091424,0.014042796,0.007599556,0.0028150734,0.0022360447,0.0005355296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024087552,0.000004847772,0.0003835238,0.00011642578,0.0000034255256,0.00009609135,0.017576218,0.00045570233,0.000769944,0.95582837,0.0015187535,0.023222586],"study_design_scores_gemma":[0.000024763265,0.000079142446,0.003689531,0.00051061163,0.00002954045,0.00069627725,0.022962926,0.0030196114,0.0027608208,0.6147314,0.35144317,0.00005220292],"about_ca_topic_score_codex":0.008977165,"about_ca_topic_score_gemma":0.009806544,"teacher_disagreement_score":0.008977165,"about_ca_system_score_codex":0.0022101735,"about_ca_system_score_gemma":0.0010220035,"threshold_uncertainty_score":0.028418005},"labels":[],"label_agreement":null},{"id":"W2734342237","doi":"10.4000/sillagescritiques.4749","title":"The “text of life” in Vito Acconci’s Diary of a Body","year":2016,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.0209469272870937,"score_gpt":0.2700272721091052,"score_spread":0.24908034482201152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734342237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13931903,0.04267993,0.006997286,0.103649944,0.017794851,0.00014653114,0.0013220075,0.00020105593,0.68788946],"genre_scores_gemma":[0.81836486,0.013529159,0.0020480182,0.008007033,0.002637531,0.00023241338,0.00040365805,0.00031035772,0.15446699],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888235,0.00065325096,0.00003615883,0.00010428796,0.000195134,0.0001287109],"domain_scores_gemma":[0.9979183,0.0014408933,0.00014629036,0.00014772653,0.00013535016,0.00021137412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010045636,0.00038595853,0.0002785324,0.0014680247,0.0058377325,0.0061075254,0.000597846,0.0013141881,0.0054004113],"category_scores_gemma":[0.005868954,0.00023868891,0.00014468913,0.0020492012,0.009348698,0.004580978,0.0024531959,0.0036965762,0.0008399956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001037958,0.000027715476,0.0010633972,0.00027592012,0.000005430638,0.00040072828,0.5352447,0.00008751242,0.0007382822,0.25123546,0.18396017,0.02685691],"study_design_scores_gemma":[0.0000035352937,0.00001145396,0.0014579878,0.00033681776,0.0000025458207,0.00016518045,0.056632504,0.000048742713,0.00030237128,0.004078631,0.9369484,0.000011747945],"about_ca_topic_score_codex":0.011971827,"about_ca_topic_score_gemma":0.026670072,"teacher_disagreement_score":0.011971827,"about_ca_system_score_codex":0.003822377,"about_ca_system_score_gemma":0.0015985158,"threshold_uncertainty_score":0.027733386},"labels":[],"label_agreement":null},{"id":"W2907121329","doi":"10.4000/sillagescritiques.6341","title":"Punchdrunk’s Immersive Theatre: From the End to the Edge","year":2018,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Narrative; Flourishing; Wish; Merge (version control); Teleology; Aesthetics; Expansive; Visual arts; History; Media studies; Sociology; Art; Epistemology; Literature; Psychology; Computer science; Philosophy; Social psychology","score_opus":0.024317770526821676,"score_gpt":0.2581978454718566,"score_spread":0.2338800749450349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907121329","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32485956,0.0040418077,0.019539341,0.008256784,0.0009024239,0.000047551202,0.00010671109,0.00035439263,0.6418915],"genre_scores_gemma":[0.94244915,0.0009239468,0.004638543,0.0006805931,0.00007257956,0.000022637332,0.00004593475,0.0001413381,0.05102525],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985642,0.00084571866,0.00001730524,0.00007433135,0.00024935132,0.00024913572],"domain_scores_gemma":[0.9994431,0.00022851265,0.00003071174,0.00006240263,0.00008041172,0.00015479498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000926507,0.0003090273,0.00017365968,0.0003039452,0.0043583782,0.0063502006,0.00051495095,0.001009269,0.008857338],"category_scores_gemma":[0.0014444236,0.00021675084,0.0001704713,0.00032543368,0.0062666642,0.0027347875,0.0042774486,0.002112782,0.0014519811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003470265,0.000099834746,0.0015145466,0.0003704828,0.000016295273,0.0018806829,0.53309023,0.0005468555,0.01196422,0.29474127,0.0520445,0.103384025],"study_design_scores_gemma":[0.000018279532,0.00017107815,0.003146789,0.00030683816,0.000012582534,0.0016323754,0.14959547,0.0005191425,0.0026295804,0.014935058,0.8269701,0.000062731866],"about_ca_topic_score_codex":0.012675196,"about_ca_topic_score_gemma":0.03115993,"teacher_disagreement_score":0.012675196,"about_ca_system_score_codex":0.0016474639,"about_ca_system_score_gemma":0.0011744244,"threshold_uncertainty_score":0.02963078},"labels":[],"label_agreement":null},{"id":"W2915048470","doi":"10.4000/sillagescritiques.7489","title":"“On our way to dig up Dad’s empty coffin”","year":2018,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Safran Electronics (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.053351516552692956,"score_gpt":0.4506829767896603,"score_spread":0.39733146023696736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915048470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03715221,0.015167169,0.013644774,0.3906002,0.013239601,0.00006763295,0.00011873269,0.0002479052,0.5297618],"genre_scores_gemma":[0.6087317,0.0072335834,0.0038739543,0.07198135,0.002394582,0.00010389474,0.00008364594,0.00038557666,0.30521175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9951988,0.0032052526,0.00008079634,0.00036220442,0.0007310826,0.00042194955],"domain_scores_gemma":[0.9973361,0.0009249064,0.00026657124,0.0002718709,0.00062592415,0.00057455146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039773686,0.00067364494,0.00036847917,0.000647484,0.015407797,0.0071106753,0.0011941947,0.0030901455,0.011462392],"category_scores_gemma":[0.008227125,0.00029691603,0.00038023002,0.00045121426,0.030942384,0.008934246,0.0049183243,0.013362696,0.0033921427],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061577535,0.000026742235,0.000771106,0.00012750684,0.000008489232,0.0004201669,0.15052977,0.00005526264,0.0004079102,0.6466912,0.17958447,0.021315739],"study_design_scores_gemma":[0.0000094391735,0.00003329834,0.0005700789,0.00022838119,0.000005231847,0.0005857083,0.08407875,0.00007025749,0.00038757172,0.027402086,0.8866038,0.000025370484],"about_ca_topic_score_codex":0.009893027,"about_ca_topic_score_gemma":0.021625474,"teacher_disagreement_score":0.015407797,"about_ca_system_score_codex":0.0049754595,"about_ca_system_score_gemma":0.0042630737,"threshold_uncertainty_score":0.038345516},"labels":[],"label_agreement":null},{"id":"W2924731354","doi":"10.4000/sillagescritiques.7050","title":"The Duchess of Malfi de John Webster ou le corps dans tous ses états: « Some said he was an hermaphrodite, for he could not abide a woman » (3. 2. 217-218)","year":2019,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.026538290842287256,"score_gpt":0.3046367259689672,"score_spread":0.2780984351266799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924731354","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07239278,0.031166734,0.0030473222,0.0697408,0.003985089,0.00009306592,0.00021670795,0.00015367789,0.81920373],"genre_scores_gemma":[0.44795933,0.0047367727,0.0010104381,0.015300071,0.00067857467,0.00006676114,0.000050874176,0.00007983901,0.5301174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923015,0.00021110893,0.000018480898,0.00013173644,0.000178211,0.0002303171],"domain_scores_gemma":[0.9995314,0.00018419132,0.00007138594,0.000048238016,0.000081562706,0.00008322923],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072840956,0.00076426653,0.00023135508,0.0007256243,0.01191272,0.0040629287,0.000491005,0.003252349,0.012999146],"category_scores_gemma":[0.002159482,0.00030994197,0.00029444663,0.0004324894,0.010500277,0.0031079473,0.00233074,0.0055183913,0.0017965108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007961232,0.000019292713,0.0037642976,0.00014570843,0.000013838215,0.0013675077,0.16785245,0.00005486383,0.0013786737,0.61847657,0.17456894,0.03227825],"study_design_scores_gemma":[0.0000042544234,0.00002857447,0.004385183,0.0002228284,0.0000061736187,0.00069437554,0.03397007,0.00005046525,0.0006339965,0.0070907874,0.9528941,0.000019172909],"about_ca_topic_score_codex":0.07313367,"about_ca_topic_score_gemma":0.2058329,"teacher_disagreement_score":0.07313367,"about_ca_system_score_codex":0.005375099,"about_ca_system_score_gemma":0.0027578087,"threshold_uncertainty_score":0.14541596},"labels":[],"label_agreement":null},{"id":"W2935761472","doi":"10.4000/sillagescritiques.6910","title":"La Duchesse d’Amalfi et la Querelle des femmes","year":2019,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Open Text (Canada)","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03367177217821699,"score_gpt":0.3028030864546768,"score_spread":0.2691313142764598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2935761472","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.235621,0.010829124,0.00414491,0.03162667,0.0008450598,0.00004343149,0.000054258202,0.00004349586,0.716792],"genre_scores_gemma":[0.9186623,0.0015593853,0.0009939625,0.0017028518,0.000092835886,0.00003366027,0.00001300575,0.000020676433,0.07692125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991352,0.00049211475,0.0000144982905,0.00007636184,0.00012037063,0.00016135028],"domain_scores_gemma":[0.99944407,0.00037717033,0.000047672227,0.000041709292,0.000051985142,0.000037397454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009904739,0.00032009286,0.0001800977,0.0006592705,0.0053096055,0.002613003,0.00035614226,0.0015412221,0.004082701],"category_scores_gemma":[0.0020048248,0.00015093079,0.00018353223,0.0006161618,0.011149917,0.0011198289,0.0017544968,0.0022265257,0.00032771676],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045834546,0.000008475968,0.0012502263,0.00009908914,0.000005669381,0.0003715602,0.19775757,0.000057874135,0.00081412995,0.7724752,0.0073597594,0.019754598],"study_design_scores_gemma":[0.000013003989,0.00006013511,0.008653251,0.00039353524,0.000013623723,0.0007552955,0.091387235,0.0001544376,0.0007524904,0.03742907,0.86036307,0.000024847215],"about_ca_topic_score_codex":0.019869916,"about_ca_topic_score_gemma":0.061696243,"teacher_disagreement_score":0.019869916,"about_ca_system_score_codex":0.0030396841,"about_ca_system_score_gemma":0.0014096858,"threshold_uncertainty_score":0.03950852},"labels":[],"label_agreement":null},{"id":"W2941486896","doi":"10.4000/sillagescritiques.6799","title":"Le puits de ténèbres — Rencontre avec Guillaume Séverac-Schmitz, metteur en scène, et Clément Camar-Mercier, traducteur et dramaturge, autour de La Duchesse d’Amalfi (Création, Cratère Scène nationale, Alès, janvier 2019)","year":2019,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.00783385853513042,"score_gpt":0.2916808853261892,"score_spread":0.2838470267910588,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941486896","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025260173,0.09337816,0.002250706,0.33443177,0.024482964,0.000049130103,0.00028246196,0.00018148407,0.51968306],"genre_scores_gemma":[0.25316405,0.010846313,0.0009805231,0.013693887,0.0044082087,0.00007758725,0.00010341094,0.0002865638,0.71643937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983474,0.0006423394,0.00003109454,0.00029601358,0.00042437788,0.00025876195],"domain_scores_gemma":[0.99914455,0.00032814432,0.00007197404,0.00005412835,0.00022293977,0.00017825505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017266965,0.00086740847,0.00035364623,0.0010161259,0.010423029,0.008591092,0.00073916675,0.002871195,0.014410156],"category_scores_gemma":[0.0030003292,0.0003505965,0.000295317,0.0009269578,0.008090255,0.0028671846,0.0030845688,0.006467842,0.0027086472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008699119,0.00001960159,0.0005041191,0.00010586752,0.000010227312,0.0004203273,0.027763465,0.00013743773,0.00032953065,0.40135658,0.54628783,0.02297802],"study_design_scores_gemma":[0.0000035069909,0.0000052742002,0.00049688795,0.00007992524,0.0000014510913,0.000064598884,0.0029627555,0.000025108826,0.00012977429,0.0028478715,0.9933757,0.0000071259888],"about_ca_topic_score_codex":0.074406266,"about_ca_topic_score_gemma":0.09958994,"teacher_disagreement_score":0.074406266,"about_ca_system_score_codex":0.011520555,"about_ca_system_score_gemma":0.004967484,"threshold_uncertainty_score":0.14794636},"labels":[],"label_agreement":null},{"id":"W2995576571","doi":"10.4000/sillagescritiques.8328","title":"What Place Takes Place in Jordan Abel’s The Place of Scraps ?","year":2019,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Totem; Indigenous; Spirituality; Place making; Genocide; History; Genealogy; Sociology; Ethnology; Geography; Archaeology; Political science; Law; Engineering","score_opus":0.008842896740214247,"score_gpt":0.22617896626317469,"score_spread":0.21733606952296045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995576571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37665826,0.011408971,0.0022142369,0.07752008,0.0013843415,0.00002838403,0.000080730446,0.000060057257,0.53064483],"genre_scores_gemma":[0.95614326,0.0019287544,0.000517857,0.00433754,0.00014643371,0.0000074018053,0.000016139455,0.000059158025,0.03684343],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987785,0.00051004166,0.000019097572,0.00008374683,0.000314462,0.00029420663],"domain_scores_gemma":[0.9993073,0.0001944921,0.00009199825,0.00004498177,0.00018517162,0.0001761514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018830424,0.0003663216,0.00026900246,0.0007325784,0.017209325,0.008627918,0.0008117994,0.0019393833,0.0041602817],"category_scores_gemma":[0.0020291894,0.00017183596,0.00016771237,0.00097310747,0.021562207,0.004183138,0.0032322186,0.0031352441,0.00066896976],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006599092,0.000026667012,0.001879953,0.000100105935,0.000006389569,0.0012535488,0.6852946,0.00009613807,0.00070347695,0.27270705,0.019010942,0.018855058],"study_design_scores_gemma":[0.0000054191883,0.00001814158,0.0016834491,0.00022300164,0.0000046688706,0.0004855691,0.61648536,0.00006367076,0.000515303,0.011873549,0.3686127,0.000029155435],"about_ca_topic_score_codex":0.09645598,"about_ca_topic_score_gemma":0.22778933,"teacher_disagreement_score":0.09645598,"about_ca_system_score_codex":0.007756145,"about_ca_system_score_gemma":0.006649312,"threshold_uncertainty_score":0.19178909},"labels":[],"label_agreement":null},{"id":"W3126857237","doi":"10.4000/sillagescritiques.10597","title":"Coda: Pages from an R.D. Book: Time and the Anthropocene","year":2020,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Poetics; Simultaneity; Anthropocene; Coda; Poetry; Literature; Philosophy; History; Art history; Art; Aesthetics; Environmental ethics","score_opus":0.025636954226565527,"score_gpt":0.2537546818632482,"score_spread":0.22811772763668264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126857237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019827061,0.12850602,0.003183765,0.091817945,0.018460378,0.000031963602,0.00047493912,0.0002206172,0.7553216],"genre_scores_gemma":[0.04781611,0.059068106,0.004048044,0.020183915,0.0077003944,0.00012518221,0.0004138156,0.00097093993,0.8596735],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974424,0.000060976025,0.000015914422,0.00004274056,0.00010801092,0.000028064129],"domain_scores_gemma":[0.9992895,0.00036836165,0.000052296906,0.00007997372,0.00012348652,0.00008634572],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004714945,0.00061499956,0.00037643686,0.0013832874,0.003335477,0.005348175,0.000601109,0.0012980457,0.03212817],"category_scores_gemma":[0.0022247436,0.00024658244,0.0003319932,0.0019955472,0.0033427558,0.004070915,0.0017012618,0.003025973,0.0073134946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029344445,0.0000116819465,0.00013123754,0.00018594111,0.000004201035,0.00007761712,0.0027919817,0.000059289676,0.00024518635,0.1295036,0.8271936,0.039766196],"study_design_scores_gemma":[0.0000010759022,0.0000018595898,0.00012626286,0.00011730536,9.728591e-7,0.0000358413,0.0004682766,0.000008300528,0.00004735955,0.004045723,0.9951449,0.0000022260388],"about_ca_topic_score_codex":0.017260158,"about_ca_topic_score_gemma":0.054766,"teacher_disagreement_score":0.03212817,"about_ca_system_score_codex":0.0031258469,"about_ca_system_score_gemma":0.0028638109,"threshold_uncertainty_score":0.10747951},"labels":[],"label_agreement":null},{"id":"W3127927867","doi":"10.4000/sillagescritiques.10312","title":"Robert Duncan’s Big Poetry: Re-visioning the Common","year":2020,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Articulation (sociology); Scope (computer science); Reading (process); Politics; Perspective (graphical); Poetry; Humanities; Sociology; Philosophy; Aesthetics; Epistemology; Art; Political science; Law; Linguistics","score_opus":0.044776898822615534,"score_gpt":0.2726643250478593,"score_spread":0.22788742622524377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127927867","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04602547,0.031670634,0.0347679,0.34627402,0.011807637,0.000051078307,0.00011491195,0.0003138408,0.52897453],"genre_scores_gemma":[0.8442869,0.008916714,0.011213253,0.028044598,0.0042401575,0.00011013497,0.00007011488,0.0006733061,0.102444716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956475,0.0027759967,0.000086655426,0.00044714895,0.0007647522,0.0002779598],"domain_scores_gemma":[0.9945386,0.0035681678,0.00024442308,0.00054767734,0.00053862773,0.00056246587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047569354,0.0005783425,0.00048334268,0.00208985,0.008366897,0.010919232,0.0011256626,0.0024712393,0.0042931587],"category_scores_gemma":[0.009896232,0.00021855859,0.0002971973,0.00169536,0.034397885,0.010896868,0.0049397005,0.0080767395,0.0010155864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026132833,0.000009142037,0.00017361756,0.00005879882,0.0000038040182,0.000161761,0.059984405,0.000096041054,0.00022849624,0.8622558,0.0614083,0.01559365],"study_design_scores_gemma":[0.0000062283734,0.00001507424,0.00020224639,0.00018366757,0.0000036209892,0.00029838158,0.03215088,0.00015616143,0.00025352376,0.22099833,0.74571514,0.000016664066],"about_ca_topic_score_codex":0.0028885892,"about_ca_topic_score_gemma":0.0045809536,"teacher_disagreement_score":0.010919232,"about_ca_system_score_codex":0.0048548984,"about_ca_system_score_gemma":0.0029755305,"threshold_uncertainty_score":0.035224974},"labels":[],"label_agreement":null},{"id":"W3128433408","doi":"10.4000/sillagescritiques.10061","title":"Coda: Reading Duncan Reading Stein","year":2020,"lang":"en","type":"article","venue":"Sillages critiques","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pediatric Oncology Group","funders":"","keywords":"Poetry; Poetics; Reading (process); Coda; Literature; Art; Order (exchange); Philosophy; Linguistics; Art history; Aesthetics","score_opus":0.035468658684874685,"score_gpt":0.23820195299053054,"score_spread":0.20273329430565584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128433408","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14178981,0.0138640655,0.0057306304,0.081691526,0.0023746153,0.000049025024,0.0003090202,0.00032440494,0.7538669],"genre_scores_gemma":[0.7583494,0.0027136782,0.0023341877,0.004887673,0.0002498407,0.00003621218,0.0000910705,0.0002968913,0.23104106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993166,0.0002792186,0.000020104966,0.000121799894,0.00015375628,0.000108483044],"domain_scores_gemma":[0.99923086,0.0003257036,0.00006604039,0.000060855215,0.00023318935,0.00008333612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010115925,0.00032377586,0.00023491937,0.0012435231,0.0056468057,0.0041330517,0.0004046882,0.0010496221,0.008853094],"category_scores_gemma":[0.0039234124,0.00016015883,0.00011644303,0.0008849377,0.0064391056,0.0031025037,0.001925728,0.001983015,0.0010836239],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070285685,0.000025857917,0.0016801424,0.00008098169,0.000008208578,0.0011228241,0.14866538,0.00021213846,0.0012822738,0.56317484,0.22910082,0.05457617],"study_design_scores_gemma":[0.0000070598726,0.00001799967,0.0017087614,0.00020291231,0.000005454406,0.00037004868,0.0680542,0.00013195712,0.0010748967,0.033823304,0.89457905,0.0000244333],"about_ca_topic_score_codex":0.07004429,"about_ca_topic_score_gemma":0.16283858,"teacher_disagreement_score":0.07004429,"about_ca_system_score_codex":0.009060802,"about_ca_system_score_gemma":0.0031635975,"threshold_uncertainty_score":0.13927317},"labels":[],"label_agreement":null},{"id":"W4206220808","doi":"10.4000/sillagescritiques.4141","title":"A Dangerous Difference: Pound, Douglas &amp; Proudhon","year":2003,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NOSM University","funders":"","keywords":"Pound (networking); Economics; Computer science; World Wide Web","score_opus":0.04390430324856291,"score_gpt":0.27586813504142416,"score_spread":0.23196383179286123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206220808","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010634009,0.29207903,0.0022762872,0.47223362,0.012787993,0.000023892133,0.0000725969,0.00005679587,0.20983575],"genre_scores_gemma":[0.4727117,0.13406107,0.0033076461,0.11799725,0.008467942,0.00012924492,0.00010577393,0.00028839445,0.26293087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986625,0.00082117604,0.00002565359,0.000177192,0.00023445691,0.00007913884],"domain_scores_gemma":[0.9988783,0.00065415096,0.000072758274,0.00006266182,0.00022314621,0.00010899304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017759714,0.0007423812,0.00039816374,0.0017346251,0.010471635,0.00984029,0.0008259781,0.004307806,0.004844651],"category_scores_gemma":[0.0044308486,0.00027639393,0.00013193702,0.0028220424,0.015630716,0.010335046,0.0030670261,0.0051453584,0.0013577162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003143494,0.000026312111,0.00034212423,0.00013185649,0.000003294952,0.00015806821,0.03328342,0.00004700582,0.000066762375,0.6628872,0.27255213,0.030470364],"study_design_scores_gemma":[0.000003641874,0.000007648595,0.00026088336,0.00025494333,0.0000014975728,0.00016629473,0.015228662,0.000034994166,0.00006596699,0.05262496,0.9313438,0.0000068132154],"about_ca_topic_score_codex":0.009955952,"about_ca_topic_score_gemma":0.018858925,"teacher_disagreement_score":0.010471635,"about_ca_system_score_codex":0.004323015,"about_ca_system_score_gemma":0.0032324323,"threshold_uncertainty_score":0.03136587},"labels":[],"label_agreement":null},{"id":"W4240299886","doi":"10.4000/sillagescritiques.9858","title":"Robert Duncan’s Legacies: a Centennial Celebration","year":2020,"lang":"en","type":"paratext","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science","score_opus":0.022470510022375684,"score_gpt":0.2638694215026942,"score_spread":0.24139891148031853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240299886","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013279025,0.061574172,0.00065128354,0.25717473,0.103614874,0.000020950914,0.00025504554,0.0001764608,0.56325346],"genre_scores_gemma":[0.14316936,0.020172575,0.00051655626,0.016437523,0.02573342,0.00004463048,0.0001491565,0.00036033214,0.7934165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989575,0.0002646909,0.000023540604,0.0001519137,0.00041946475,0.00018285168],"domain_scores_gemma":[0.9987921,0.0003025323,0.0001182573,0.00009462461,0.00026869008,0.00042378457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001667872,0.0004948546,0.0002736799,0.0010892635,0.0063142264,0.009833245,0.00066565664,0.0023135683,0.024128346],"category_scores_gemma":[0.003953274,0.00017303489,0.0001845453,0.0014455011,0.0044820867,0.0027179155,0.0037559827,0.0042076646,0.006370322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025581285,0.000009339375,0.00016064479,0.000053738597,0.0000017378259,0.00017942357,0.0055479803,0.000011735333,0.0002160294,0.045687523,0.9334252,0.014681056],"study_design_scores_gemma":[6.565165e-7,0.0000020087448,0.00016449306,0.000027152915,3.470666e-7,0.00004716375,0.00079530873,0.0000022733989,0.00004093256,0.00048676116,0.99843115,0.0000017440366],"about_ca_topic_score_codex":0.0064443825,"about_ca_topic_score_gemma":0.018750664,"teacher_disagreement_score":0.024128346,"about_ca_system_score_codex":0.006019757,"about_ca_system_score_gemma":0.001796274,"threshold_uncertainty_score":0.080717385},"labels":[],"label_agreement":null},{"id":"W4251565778","doi":"10.4000/sillagescritiques.9891","title":"Introduction","year":2020,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Wittgensteinian philosophy and applications","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science","score_opus":0.036649194120642735,"score_gpt":0.24916875762943494,"score_spread":0.2125195635087922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251565778","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017563079,0.0041835313,0.004945822,0.021715665,0.0084167505,0.00013618064,0.0039887903,0.0007420261,0.9541149],"genre_scores_gemma":[0.017312903,0.0030203469,0.0030314538,0.008667868,0.0023039847,0.00015984377,0.003411822,0.00046594976,0.9616258],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830604,0.0002923096,0.000084353844,0.00047471697,0.00064077164,0.00020180338],"domain_scores_gemma":[0.9978976,0.00040348302,0.00011873108,0.00037714528,0.00085141405,0.0003516393],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014475962,0.00069127727,0.0005000696,0.0012860365,0.002858428,0.006943296,0.0019760882,0.0029955504,0.42917907],"category_scores_gemma":[0.0061536306,0.00025419204,0.0005352693,0.0014845394,0.0016454379,0.0047478126,0.0037452602,0.0030089053,0.2529208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045196906,0.000031970645,0.000500277,0.000186659,0.000004636269,0.00012620083,0.0013595807,0.00007034029,0.00028009617,0.17278175,0.74223346,0.082379855],"study_design_scores_gemma":[0.0000015132733,0.0000054667253,0.00016065402,0.000063428044,7.714904e-7,0.000049604623,0.00020634188,0.000013908505,0.000039274106,0.0047690794,0.9946871,0.0000029537946],"about_ca_topic_score_codex":0.0044121593,"about_ca_topic_score_gemma":0.0056248456,"teacher_disagreement_score":0.42917907,"about_ca_system_score_codex":0.0026807613,"about_ca_system_score_gemma":0.0028387317,"threshold_uncertainty_score":0.8142068},"labels":[],"label_agreement":null},{"id":"W4312170102","doi":"10.4000/sillagescritiques.12939","title":"Privatized Futures, Climate Control, and Resistance in Recent Scottish Dystopian Fiction","year":2022,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Dystopia; Futures contract; State (computer science); Resistance (ecology); History; Brother; Aesthetics; Sociology; Law; Political science; Art; Computer science","score_opus":0.012445375837501787,"score_gpt":0.23079045705226087,"score_spread":0.21834508121475907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312170102","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2341454,0.018798841,0.0036484112,0.24288987,0.0046409303,0.000029925828,0.00009416548,0.00016500195,0.4955874],"genre_scores_gemma":[0.968825,0.0015485224,0.00029593328,0.008379448,0.0006884232,0.000013519455,0.000014759709,0.000044021006,0.02019036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99581015,0.0022461554,0.00008112386,0.00031225444,0.0008382438,0.0007121652],"domain_scores_gemma":[0.9963961,0.002318152,0.00038813276,0.00024195768,0.00035665365,0.0002989477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052703633,0.00062248117,0.00048015532,0.0016778231,0.016223438,0.00852392,0.0011846353,0.00418853,0.004556773],"category_scores_gemma":[0.007802211,0.00024532128,0.00034883432,0.0015061571,0.06214289,0.004646682,0.005754065,0.0050907345,0.0003591757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045267814,0.00002360681,0.0002525792,0.00008210023,0.00000807543,0.0009686225,0.22127949,0.00025080467,0.00031721478,0.7400126,0.031543158,0.005216424],"study_design_scores_gemma":[0.000028047436,0.000049362563,0.0011997902,0.00029536727,0.000012316503,0.00052994955,0.116264865,0.00033595366,0.0006355975,0.12044347,0.76014984,0.000055366607],"about_ca_topic_score_codex":0.023896229,"about_ca_topic_score_gemma":0.044059955,"teacher_disagreement_score":0.023896229,"about_ca_system_score_codex":0.011469213,"about_ca_system_score_gemma":0.00345073,"threshold_uncertainty_score":0.083215356},"labels":[],"label_agreement":null},{"id":"W4322582061","doi":"10.4000/sillagescritiques.13664","title":"Alt Lit, Illuminati Girl Gang and Porn Carnival: A Decade of Online Poetry Communities (2010-2020)","year":2022,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Social Media and Politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Poetry; Girl; Rhetoric; The Internet; Literature; Media studies; Reading (process); Sociology; Art; History; Political science; Psychology; Linguistics; Law; Philosophy; World Wide Web; Computer science","score_opus":0.031507002747171546,"score_gpt":0.3446653366781897,"score_spread":0.31315833393101816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322582061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45940036,0.1046322,0.002289324,0.096413985,0.0028924828,0.00021764098,0.0006506811,0.0003279127,0.33317548],"genre_scores_gemma":[0.9305555,0.021194382,0.0009046206,0.0032369937,0.001493764,0.00012532144,0.0003084594,0.00018498432,0.04199598],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99725693,0.0009109403,0.0001239202,0.00039488167,0.0009313961,0.0003819829],"domain_scores_gemma":[0.992743,0.0031682963,0.0008481477,0.00045104255,0.0009250738,0.0018643447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007064732,0.0003513428,0.00034634388,0.0059634033,0.009306833,0.014998001,0.001045597,0.00236888,0.0057345135],"category_scores_gemma":[0.011843657,0.00042200432,0.00021490884,0.0046515167,0.01659833,0.017659288,0.009423021,0.003680374,0.0010147024],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021797387,0.0001515969,0.0053014094,0.0007886566,0.000012808707,0.001231274,0.64909434,0.00006671526,0.00096221594,0.13510716,0.043594483,0.1634713],"study_design_scores_gemma":[0.000016719574,0.000067316745,0.007589808,0.00078057335,0.0000050874705,0.0006348256,0.17604122,0.00008646131,0.00074779126,0.007370707,0.80664176,0.00001772487],"about_ca_topic_score_codex":0.008571089,"about_ca_topic_score_gemma":0.018506875,"teacher_disagreement_score":0.014998001,"about_ca_system_score_codex":0.0065103853,"about_ca_system_score_gemma":0.006479159,"threshold_uncertainty_score":0.047236443},"labels":[],"label_agreement":null},{"id":"W4385347027","doi":"10.4000/sillagescritiques.14653","title":"Diegetic Pregnancy in Jesse Greengrass’s Sight (2018), or the Ethics of Building Bodies in(to) Literature","year":2023,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Theological Perspectives and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Curiosity; Metaphor; Theme (computing); Narrative; Sight; Psychoanalysis; Painting; Aesthetics; Psychology; Art; Literature; Visual arts; Philosophy; Social psychology; Computer science","score_opus":0.09358937363458553,"score_gpt":0.44575153893944,"score_spread":0.35216216530485445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385347027","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12599917,0.027201265,0.012200443,0.34332094,0.0064111655,0.00005364134,0.00009417832,0.00019124357,0.4845279],"genre_scores_gemma":[0.9024492,0.0054011922,0.0026330426,0.02598342,0.0009013278,0.00005963237,0.000021975444,0.00020012926,0.06235025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731964,0.0018138727,0.00005548103,0.00025688883,0.0003341502,0.0002198966],"domain_scores_gemma":[0.99763906,0.0015484784,0.00022030396,0.00014502455,0.00017927059,0.00026795437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022556677,0.0003464093,0.00026594868,0.00058858213,0.008884702,0.008165469,0.0007061515,0.0031797346,0.0023775378],"category_scores_gemma":[0.0060230875,0.00017959783,0.00017130721,0.00048909965,0.03443401,0.005458159,0.0042774975,0.004108175,0.00038650603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019581725,0.000012259634,0.0001438243,0.00007018205,0.0000023026998,0.0004329202,0.21666132,0.00005152165,0.00029490856,0.7520646,0.022975765,0.00727085],"study_design_scores_gemma":[0.000008109295,0.000020380427,0.00036329322,0.00039805888,0.000004926526,0.0005885078,0.1545367,0.00008935734,0.00045030293,0.14530548,0.69821525,0.000019559446],"about_ca_topic_score_codex":0.008420177,"about_ca_topic_score_gemma":0.015838923,"teacher_disagreement_score":0.008884702,"about_ca_system_score_codex":0.0039454685,"about_ca_system_score_gemma":0.0038277914,"threshold_uncertainty_score":0.028626502},"labels":[],"label_agreement":null},{"id":"W4389575410","doi":"10.4000/sillagescritiques.14738","title":"The Poetics of Framing, Performing Frames in the Visual Arts","year":2023,"lang":"fr","type":"paratext","venue":"Sillages critiques","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; The arts; Framing (construction); Art; Visual arts; Humanities; Literature; Poetry; History","score_opus":0.2040782021287849,"score_gpt":0.3901882406208781,"score_spread":0.18611003849209318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389575410","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09412081,0.011110164,0.0418821,0.013952195,0.0012286401,0.0000953639,0.00008296271,0.00015351808,0.8373742],"genre_scores_gemma":[0.9752347,0.0017103408,0.005233418,0.00045184096,0.0004599511,0.00010672842,0.000035832934,0.000112406924,0.016654886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9897676,0.008027048,0.0001371956,0.00047834349,0.00069205486,0.00089773873],"domain_scores_gemma":[0.9952259,0.0031985699,0.0004861241,0.0004947081,0.0002748533,0.0003198736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006797284,0.0011093492,0.000424981,0.0049688183,0.011201826,0.019662043,0.001574978,0.0027378271,0.0046750237],"category_scores_gemma":[0.009324259,0.00042926084,0.0006051787,0.0031272809,0.0563828,0.010259796,0.005144983,0.0030491115,0.0006283527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016799633,0.0000057125835,0.00023663246,0.00003863741,0.0000024904834,0.00006883982,0.06456117,0.00009782721,0.00009858037,0.9283788,0.0011592201,0.0053352886],"study_design_scores_gemma":[0.000042587515,0.00006815066,0.0012481759,0.00083274837,0.000032077107,0.00033422912,0.108552665,0.0007150254,0.0007419201,0.61919826,0.26820123,0.00003296751],"about_ca_topic_score_codex":0.008193046,"about_ca_topic_score_gemma":0.0059197135,"teacher_disagreement_score":0.019662043,"about_ca_system_score_codex":0.007050357,"about_ca_system_score_gemma":0.002999632,"threshold_uncertainty_score":0.051154137},"labels":[],"label_agreement":null},{"id":"W4389575412","doi":"10.4000/sillagescritiques.15174","title":"Framing the Land: Canadian Landscapes Revisited in Jin-me Yoon and Lorraine Gilbert’s Photography","year":2023,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Framing (construction); Photography; Geography; Visual arts; Art; Art history; Archaeology","score_opus":0.020760727969279816,"score_gpt":0.25781171240652667,"score_spread":0.23705098443724687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389575412","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26638165,0.020711264,0.0025172571,0.17885098,0.00312833,0.00011407858,0.00033330492,0.00011547109,0.52784765],"genre_scores_gemma":[0.9133366,0.0055858144,0.0015140732,0.009114209,0.00027398014,0.00004072328,0.00006148393,0.00011096338,0.06996222],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782515,0.0006092788,0.00003170257,0.00021771606,0.000535605,0.00078050076],"domain_scores_gemma":[0.99804914,0.0007372678,0.00009870509,0.00009367561,0.00062601425,0.00039515673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026228789,0.0006994188,0.00038399053,0.002635523,0.046795435,0.015359933,0.0020264788,0.0032461795,0.00409292],"category_scores_gemma":[0.0037466467,0.0004672113,0.00035849493,0.0036502713,0.041628327,0.004652678,0.00475425,0.0061692693,0.00020762737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034804834,0.000015049044,0.0013236151,0.000103094506,0.0000064775763,0.0012115842,0.70629215,0.00022225683,0.00046845677,0.22193077,0.052372493,0.0160192],"study_design_scores_gemma":[0.0000062172394,0.000007783632,0.0028494406,0.00021897146,0.000010971396,0.00021152003,0.45338902,0.00012889283,0.00028115726,0.0057797665,0.53706765,0.000048668677],"about_ca_topic_score_codex":0.9834547,"about_ca_topic_score_gemma":0.99452025,"teacher_disagreement_score":0.116246834,"about_ca_system_score_codex":0.116246834,"about_ca_system_score_gemma":0.06624686,"threshold_uncertainty_score":0.84343374},"labels":[],"label_agreement":null},{"id":"W4406137692","doi":"10.4000/13195","title":"Virginia Woolf’s “Modernist Renaissance” in “Anon”: A Singular Counter-History","year":2024,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Literature; Patriarchy; Historiography; Context (archaeology); Narrative; Poetry; History; Art; Art history; Sociology; Gender studies","score_opus":0.0257763886829483,"score_gpt":0.2575666824577343,"score_spread":0.231790293774786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406137692","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08810153,0.027650157,0.0021216737,0.08274754,0.005141772,0.000027269434,0.000038656202,0.00006730365,0.79410416],"genre_scores_gemma":[0.77177054,0.004673468,0.00048030235,0.012036692,0.0010574198,0.00003078501,0.000019488993,0.00008329887,0.20984805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855417,0.00069823273,0.000020853602,0.00020299833,0.0002819495,0.00024176821],"domain_scores_gemma":[0.99893695,0.0005511402,0.0000837785,0.000078624806,0.00022866957,0.0001208649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010758404,0.0003036269,0.00018601547,0.0008865699,0.00980077,0.006699981,0.0006100368,0.0023994856,0.00235004],"category_scores_gemma":[0.003336092,0.00015153819,0.00012986157,0.00056056195,0.014404084,0.0034290613,0.002091557,0.0036405378,0.00034228317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030301575,0.000018232366,0.0005923254,0.000046450295,0.0000047504395,0.00038611633,0.07174322,0.000067030385,0.00022670679,0.83991843,0.073284045,0.013682403],"study_design_scores_gemma":[0.0000029801877,0.000011441726,0.0007954974,0.000112369635,0.0000027199508,0.00019467535,0.010743421,0.000080590056,0.00018692914,0.022712212,0.9651442,0.000012956016],"about_ca_topic_score_codex":0.07492072,"about_ca_topic_score_gemma":0.14307658,"teacher_disagreement_score":0.07492072,"about_ca_system_score_codex":0.011039039,"about_ca_system_score_gemma":0.0037655479,"threshold_uncertainty_score":0.14896923},"labels":[],"label_agreement":null},{"id":"W4415698475","doi":"10.4000/150ru","title":"Ideas in Circulation: The Aesthetics of Transmission in Mina Loy’s “Feminist Manifesto”","year":2025,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Manifesto; Rhetoric; Politics; Transmission (telecommunications); Interpersonal communication; Feminism","score_opus":0.014091008621875876,"score_gpt":0.2847373892150266,"score_spread":0.2706463805931507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415698475","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08597038,0.01938277,0.02531565,0.2291367,0.0042447154,0.00014402992,0.0002866096,0.00033486937,0.6351843],"genre_scores_gemma":[0.9019493,0.0028369993,0.0030613586,0.008697522,0.0022425023,0.00020656594,0.00007337012,0.00033256836,0.08059996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948186,0.0036107316,0.00009759333,0.00037665592,0.0006894946,0.00040684993],"domain_scores_gemma":[0.99478096,0.0039111967,0.0004601741,0.00034357904,0.0002989411,0.00020519781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058205863,0.0005977705,0.00029040605,0.0016718562,0.010684369,0.014233556,0.00078486,0.0028932283,0.0056370846],"category_scores_gemma":[0.010430626,0.00032262685,0.00029416967,0.0013365512,0.035615556,0.012293725,0.0050929952,0.0052217753,0.0006488316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033062337,0.000010636901,0.00025978274,0.000063383224,0.0000028259424,0.0002273827,0.13680173,0.00006768338,0.00030701395,0.84249735,0.012747597,0.0069815735],"study_design_scores_gemma":[0.000032113956,0.000048475038,0.00092812907,0.00037426525,0.000012265518,0.00030824795,0.048017763,0.00037809057,0.0011523949,0.14289276,0.8058126,0.00004285756],"about_ca_topic_score_codex":0.0064643687,"about_ca_topic_score_gemma":0.00686383,"teacher_disagreement_score":0.014233556,"about_ca_system_score_codex":0.009762169,"about_ca_system_score_gemma":0.0039012951,"threshold_uncertainty_score":0.07082981},"labels":[],"label_agreement":null}]}