{"meta":{"query_hash":"f20930f68a30","filters":{"venue":"Sociétés & Représentations"},"cohort_total":38,"direct_labels_cover":0,"predictions_cover":38,"exported":38,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/f20930f68a30","api":"https://metacan.xera.ac/api/v1/cohort?venue=Soci%C3%A9t%C3%A9s+%26+Repr%C3%A9sentations"},"results":[{"id":"W1977757158","doi":"10.3917/sr.037.0079","title":"Les relectures d' Orientalism par Edward W. Said : défense, illustration et nouveaux contextes","year":2014,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Orientalism; Philosophy; Auteur theory; Art; Art history; Theology","score_opus":0.03803868258598543,"score_gpt":0.359461829085037,"score_spread":0.32142314649905157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977757158","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19901066,0.014094356,0.0025650393,0.051688302,0.016111337,0.0011785389,0.0015566128,0.0007730023,0.7130222],"genre_scores_gemma":[0.8991835,0.0004424311,0.0006690164,0.002483066,0.0034180067,0.00006239035,0.00080863526,0.000069059475,0.092863865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974001,0.00052015553,0.00062454544,0.0005774385,0.00035767257,0.00052011164],"domain_scores_gemma":[0.9982297,0.00051055,0.00028415245,0.00042012933,0.00039339162,0.00016212372],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035689,0.00040433215,0.0003832497,0.00011752563,0.0019295367,0.0009075347,0.00018678831,0.00031289135,0.0039189053],"category_scores_gemma":[0.0002497534,0.00040362863,0.00032705953,0.00012552518,0.00073272566,0.00046805677,0.000039645147,0.000694605,0.0001863839],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022179853,0.0001903762,0.00039141506,0.000114396455,0.00013682658,0.000007229786,0.072223924,0.00009551973,0.00042765707,0.8504126,0.05813107,0.017846815],"study_design_scores_gemma":[0.00084937224,0.000197685,0.004851124,0.00027139217,0.00020455563,0.000029787303,0.03018855,0.00016035239,0.00054640736,0.02294303,0.9392162,0.00054157636],"about_ca_topic_score_codex":0.0033392764,"about_ca_topic_score_gemma":0.0018320498,"teacher_disagreement_score":0.8810851,"about_ca_system_score_codex":0.000091640606,"about_ca_system_score_gemma":0.00011443635,"threshold_uncertainty_score":0.9998416},"labels":[],"label_agreement":null},{"id":"W1986611647","doi":"10.3917/sr.033.0105","title":"Jeff Wall : « faux réels » ?","year":2012,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.45734152114797133,"score_gpt":0.479213750507736,"score_spread":0.021872229359764683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986611647","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05745776,0.02849955,0.03484942,0.15083341,0.030711528,0.001054324,0.00011364811,0.0006319037,0.69584846],"genre_scores_gemma":[0.8279578,0.00048480605,0.0058529302,0.00812853,0.001676593,0.000036632315,0.00006422292,0.000035799094,0.1557627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99766004,0.00012911974,0.0004458537,0.00041856334,0.0004088692,0.00093756116],"domain_scores_gemma":[0.99807125,0.00020609584,0.00017783054,0.00065092015,0.00024770468,0.0006462036],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018861558,0.0002972016,0.00026602572,0.00007258333,0.00048557224,0.0012215234,0.00041881448,0.00017452567,0.0012676065],"category_scores_gemma":[0.00014809523,0.00025932034,0.00030312242,0.0006151366,0.00023482954,0.0072860816,0.0002689784,0.00026462006,0.0021306064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004640739,0.00084366614,0.0017559831,0.00005304338,0.00016073915,0.000042531043,0.05237948,0.00008397986,0.0014252546,0.6063803,0.2753431,0.061527267],"study_design_scores_gemma":[0.00081524247,0.00014216252,0.034567006,0.00011454968,0.00013328437,0.00039821785,0.0038085033,0.0013740278,0.0027533278,0.0760441,0.8789049,0.00094469124],"about_ca_topic_score_codex":0.0014045128,"about_ca_topic_score_gemma":0.000056127596,"teacher_disagreement_score":0.7705,"about_ca_system_score_codex":0.00014546684,"about_ca_system_score_gemma":0.00011457822,"threshold_uncertainty_score":0.9999859},"labels":[],"label_agreement":null},{"id":"W2000018919","doi":"10.3917/sr.035.0077","title":"Des archives méconnues pour le patrimoine visuel canadien : les films fixes d'enseignement","year":2013,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.05466569930631806,"score_gpt":0.32825978387430627,"score_spread":0.2735940845679882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000018919","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7910596,0.0117430575,0.00017354214,0.0155097395,0.0019976818,0.00080515153,0.000552621,0.00015956671,0.177999],"genre_scores_gemma":[0.6051654,0.0017592489,0.0019867471,0.00031830187,0.0010644208,0.00017994277,0.00022822742,0.00004355349,0.38925415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99819046,0.00015925805,0.000496358,0.00039585252,0.00019732701,0.0005607592],"domain_scores_gemma":[0.99890256,0.00019984182,0.00017920809,0.00028501535,0.00021847042,0.00021493307],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007480391,0.0003009965,0.00030735988,0.000105469335,0.0029152601,0.0009105059,0.00022650656,0.00009993877,0.034436423],"category_scores_gemma":[0.00006897513,0.00029823597,0.00032256724,0.000074201474,0.0015521301,0.0008584038,0.00010261189,0.00026164332,0.00074394216],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112956395,0.00062912796,0.0018496775,0.0004148632,0.0005276851,0.00004248002,0.32216576,0.00006474886,0.0041077225,0.38157707,0.24544455,0.04316503],"study_design_scores_gemma":[0.0009916986,0.00017670277,0.02252278,0.00028567354,0.00025969284,0.000027290544,0.62254536,0.00030663668,0.000750596,0.13315575,0.21824242,0.00073539146],"about_ca_topic_score_codex":0.3997837,"about_ca_topic_score_gemma":0.13944374,"teacher_disagreement_score":0.3003796,"about_ca_system_score_codex":0.00010690976,"about_ca_system_score_gemma":0.00023718922,"threshold_uncertainty_score":0.99994695},"labels":[],"label_agreement":null},{"id":"W2000530854","doi":"10.3917/sr.031.0241","title":"Des violences urbaines avant la violence urbaine…","year":2011,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.07033029168419029,"score_gpt":0.3341602352736227,"score_spread":0.2638299435894324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000530854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46662286,0.113412805,0.0011696579,0.08123273,0.014008742,0.0010659599,0.0005761415,0.0006346204,0.3212765],"genre_scores_gemma":[0.6044372,0.060736407,0.0022912968,0.0008291215,0.0025127307,0.00019078299,0.00005949098,0.00006226418,0.32888073],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978475,0.00025722937,0.00056600117,0.00048314227,0.0003148323,0.00053127605],"domain_scores_gemma":[0.9985167,0.0002497658,0.00022643564,0.00026837483,0.0005427616,0.00019596305],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020705997,0.0003411225,0.00044128633,0.0000659889,0.006459248,0.00018369211,0.00028985942,0.00015062292,0.012881229],"category_scores_gemma":[0.00015200592,0.0002776341,0.00055627467,0.00016153626,0.0023862976,0.00043886816,0.00010529686,0.0002844097,0.0005898336],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016801361,0.0005329017,0.0036264455,0.00012670677,0.00062507775,0.000050192124,0.6003794,0.000007154155,0.000026957347,0.32764322,0.02819124,0.03877389],"study_design_scores_gemma":[0.00044578186,0.00020659906,0.004870858,0.0004663124,0.0009922805,0.0000133944695,0.20295529,0.0000634751,0.000042571428,0.3577336,0.43135914,0.00085069844],"about_ca_topic_score_codex":0.010135974,"about_ca_topic_score_gemma":0.0024266448,"teacher_disagreement_score":0.4031679,"about_ca_system_score_codex":0.0006057819,"about_ca_system_score_gemma":0.000051186653,"threshold_uncertainty_score":0.9999676},"labels":[],"label_agreement":null},{"id":"W2008891374","doi":"10.3917/sr.037.0029","title":"Situation d'Edward W. Said, critique et théoricien de la littérature","year":2014,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Philosophy; Art; Orientalism; Biography; Art history; Theology","score_opus":0.020898981751812755,"score_gpt":0.37847405638323756,"score_spread":0.3575750746314248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008891374","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064028827,0.01424418,0.0069671543,0.06535132,0.003858799,0.000417013,0.00030783992,0.0002242728,0.9022265],"genre_scores_gemma":[0.8468183,0.0011233161,0.00087127334,0.008460665,0.0035581165,0.0000917807,0.00041181216,0.00006245729,0.13860223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972979,0.001130281,0.00044361196,0.00042324868,0.00027879834,0.00042619838],"domain_scores_gemma":[0.9981514,0.00083538785,0.00013332779,0.00040261357,0.00031441235,0.0001628648],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081553386,0.00029189856,0.00029229058,0.00011447306,0.00084499887,0.0010726779,0.00019166077,0.00033022196,0.0022029043],"category_scores_gemma":[0.0002801956,0.0003087356,0.0002931864,0.00015719543,0.00049679325,0.0007948104,0.0000506617,0.0006951619,0.00016484522],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011121272,0.00020543074,0.00009093802,0.00009610395,0.00006515581,0.000017294438,0.063719645,0.000012324485,0.00024251426,0.86133647,0.066974744,0.007228277],"study_design_scores_gemma":[0.0004927272,0.00008965167,0.0007561115,0.0001563334,0.00014072703,0.000027947499,0.017975412,0.00023704897,0.00011177507,0.18089588,0.79880023,0.00031612435],"about_ca_topic_score_codex":0.00045572262,"about_ca_topic_score_gemma":0.00026282683,"teacher_disagreement_score":0.8404155,"about_ca_system_score_codex":0.000100342135,"about_ca_system_score_gemma":0.00023097954,"threshold_uncertainty_score":0.9999643},"labels":[],"label_agreement":null},{"id":"W2024425432","doi":"10.3917/sr.037.0091","title":"Pourquoi l'orientalisme d'Edward W. Said n'est-il pas un japonisme ?","year":2014,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","score_opus":0.13764549736566237,"score_gpt":0.4657885858320686,"score_spread":0.3281430884664063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024425432","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55264705,0.00139944,0.0019662997,0.30715808,0.020986784,0.0016682846,0.0006028618,0.0006836537,0.112887554],"genre_scores_gemma":[0.7854514,0.00093475636,0.0058628144,0.025466308,0.0053402726,0.00015493805,0.00064289523,0.0001406552,0.17600593],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938883,0.001440085,0.0010738916,0.0010230023,0.0011895819,0.0013851355],"domain_scores_gemma":[0.9962541,0.00092009397,0.00055301253,0.0008538417,0.0006877483,0.0007312175],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00086681347,0.0005775544,0.00057778315,0.00014344446,0.0020526405,0.0004413957,0.0006336382,0.00056554464,0.007006384],"category_scores_gemma":[0.0010882033,0.0006256171,0.0005909872,0.0007136847,0.0023854808,0.0010125615,0.00015674368,0.0005524133,0.0022959362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010943755,0.00051400554,0.011031885,0.00006772057,0.0003233875,0.000012918736,0.20179461,0.00025006937,0.00056015013,0.65924114,0.11639442,0.0097987745],"study_design_scores_gemma":[0.0012266099,0.00008833623,0.02362863,0.00006104806,0.00038777938,0.000023221648,0.1335887,0.00082980836,0.00081498036,0.021779757,0.8166487,0.00092238124],"about_ca_topic_score_codex":0.013488675,"about_ca_topic_score_gemma":0.00355263,"teacher_disagreement_score":0.7002543,"about_ca_system_score_codex":0.0017119906,"about_ca_system_score_gemma":0.001210513,"threshold_uncertainty_score":0.99961954},"labels":[],"label_agreement":null},{"id":"W2050894716","doi":"10.3917/sr.025.0157","title":"Ces lettres démunies de signatures. Représentations et pratiques sociales de l'écriture anonyme fin de siècle","year":2008,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.06458244789234067,"score_gpt":0.3771185941271337,"score_spread":0.31253614623479303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050894716","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47183695,0.03650809,0.0006290525,0.4658605,0.0019607563,0.00059969246,0.0007235947,0.00040750985,0.021473853],"genre_scores_gemma":[0.71619457,0.053164553,0.004123893,0.0073684035,0.004497208,0.00030439498,0.00045828396,0.00009887628,0.2137898],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966095,0.000857976,0.00067345606,0.0005568715,0.0004356207,0.00086657144],"domain_scores_gemma":[0.9977139,0.00091013534,0.00033565675,0.00033154862,0.00044623602,0.00026249466],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029283974,0.00045003823,0.0005987065,0.00011850992,0.012964455,0.0003585248,0.00031905895,0.00038635105,0.0026675262],"category_scores_gemma":[0.0005380673,0.0004288259,0.00077928475,0.00029220994,0.0020669813,0.0005950505,0.00011392274,0.00078502716,0.00007311955],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000146744405,0.0004151954,0.0021382906,0.00011818976,0.0005960211,0.000091813046,0.54430914,0.0004923258,0.00077101623,0.14842066,0.3021411,0.00049155334],"study_design_scores_gemma":[0.0010381943,0.00022541807,0.013949888,0.00023100701,0.0013419745,0.00006170838,0.33994237,0.00020614266,0.00059134857,0.07992348,0.5611132,0.0013753141],"about_ca_topic_score_codex":0.024213566,"about_ca_topic_score_gemma":0.019060666,"teacher_disagreement_score":0.45849207,"about_ca_system_score_codex":0.0022295094,"about_ca_system_score_gemma":0.0007917694,"threshold_uncertainty_score":0.99981636},"labels":[],"label_agreement":null},{"id":"W2070690523","doi":"10.3917/sr.011.0379","title":"Un théâtre de contrebande. Quelques hypothèses sur Vitez et le communisme","year":2001,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05163430566344537,"score_gpt":0.34344297959022957,"score_spread":0.2918086739267842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070690523","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2744415,0.029614508,0.00019815186,0.6272217,0.0016724144,0.0003432085,0.00024070393,0.0002324295,0.06603539],"genre_scores_gemma":[0.6721238,0.044251744,0.00026542804,0.0036196269,0.0009327995,0.00007226168,0.0001610661,0.000042401225,0.27853087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978344,0.00047429343,0.0005224596,0.00034466264,0.00027752045,0.00054665504],"domain_scores_gemma":[0.99830145,0.0005735648,0.00021756942,0.0003494676,0.0003803589,0.00017760285],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024003907,0.00032805806,0.0005345858,0.000057574674,0.0076478478,0.0003866518,0.00025897345,0.00016437151,0.0056035933],"category_scores_gemma":[0.00012540353,0.00029350567,0.00062609394,0.00017378002,0.00076589553,0.00046140148,0.00011090772,0.00042478496,0.00017521318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027083848,0.001210697,0.0034734432,0.0000577703,0.0012981307,0.00007683575,0.2086709,0.000087517095,0.00010428466,0.6341151,0.13802205,0.012856169],"study_design_scores_gemma":[0.00081182,0.00007168556,0.001893181,0.00005353866,0.00044943093,0.000013101415,0.08728071,0.00008527666,0.000023892191,0.03727759,0.8716197,0.00042008108],"about_ca_topic_score_codex":0.06248449,"about_ca_topic_score_gemma":0.015595323,"teacher_disagreement_score":0.73359764,"about_ca_system_score_codex":0.0008960872,"about_ca_system_score_gemma":0.00011323499,"threshold_uncertainty_score":0.9999517},"labels":[],"label_agreement":null},{"id":"W2073726209","doi":"10.3917/sr.026.0197","title":"Gloires et opprobres politiques au musée","year":2008,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.12250939749917292,"score_gpt":0.39815564718879026,"score_spread":0.2756462496896174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073726209","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24765548,0.022141717,0.000098237244,0.61480397,0.0042199376,0.00036990465,0.00037787942,0.00024435564,0.11008852],"genre_scores_gemma":[0.47846264,0.054219276,0.000427863,0.0023969237,0.004141869,0.00011666315,0.00015218742,0.000050069386,0.46003252],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785846,0.00024659434,0.00052856264,0.00042867116,0.0003674995,0.0005702247],"domain_scores_gemma":[0.9987063,0.00023768553,0.00018740444,0.00026114276,0.00040051196,0.00020698555],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012608616,0.000309575,0.0004574705,0.00006613962,0.010625672,0.00015702395,0.00019227581,0.00014369635,0.004778027],"category_scores_gemma":[0.00010898133,0.00026902705,0.0006551929,0.00015250588,0.0014490308,0.00044459882,0.00010070608,0.0003149144,0.00038840444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007690615,0.00024971642,0.00090934604,0.000055745917,0.00043047173,0.000036622256,0.4078378,0.000021043305,0.000013429973,0.37613857,0.21307412,0.001225446],"study_design_scores_gemma":[0.00031601964,0.00008517923,0.0023931193,0.0000505004,0.0002933541,0.000015692705,0.08963429,0.000022097061,0.00001307464,0.023928553,0.882818,0.0004301573],"about_ca_topic_score_codex":0.08714928,"about_ca_topic_score_gemma":0.020255236,"teacher_disagreement_score":0.66974384,"about_ca_system_score_codex":0.001942783,"about_ca_system_score_gemma":0.00017074017,"threshold_uncertainty_score":0.9999762},"labels":[],"label_agreement":null},{"id":"W2075082703","doi":"10.3917/sr.038.0143","title":"Donneuses d'eau. Une profession au cœur du thermalisme français (1840-1914)","year":2014,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art","score_opus":0.03139256647486942,"score_gpt":0.3280106663815342,"score_spread":0.29661809990666477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2075082703","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.409937,0.0051508797,0.00038923265,0.5191514,0.010079022,0.0005505456,0.00017381724,0.00026359147,0.054304503],"genre_scores_gemma":[0.8434826,0.003310828,0.00013764543,0.0013744303,0.0057662935,0.00012930337,0.00013494112,0.00005599464,0.14560798],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971794,0.00041331083,0.0007012493,0.00057137443,0.0004836725,0.00065098045],"domain_scores_gemma":[0.99820256,0.0004107771,0.00030706017,0.0004084126,0.00044273242,0.00022844339],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028291054,0.00041448997,0.00061830645,0.00007188209,0.011850339,0.00024246691,0.00030041666,0.00023562995,0.0065615736],"category_scores_gemma":[0.00017670712,0.00032915318,0.0007085617,0.00027944814,0.00092579785,0.00041957042,0.00014822221,0.00043135445,0.0008526564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020278852,0.0005894662,0.0053187413,0.0001729462,0.0006466475,0.00001008668,0.674237,0.0000742796,0.00014613773,0.18876159,0.11323056,0.016792279],"study_design_scores_gemma":[0.0006933266,0.00012183882,0.004666949,0.000109753484,0.0006652231,0.0000029257217,0.09220136,0.0002161959,0.000021590904,0.012512465,0.8882187,0.00056965003],"about_ca_topic_score_codex":0.073609866,"about_ca_topic_score_gemma":0.024404401,"teacher_disagreement_score":0.7749882,"about_ca_system_score_codex":0.0010298137,"about_ca_system_score_gemma":0.00006321331,"threshold_uncertainty_score":0.9999253},"labels":[],"label_agreement":null},{"id":"W2096393160","doi":"10.3917/sr.016.0131","title":"Cinégénie du gendarme ? La série du Gendarme de Saint-Tropez","year":2003,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.030539188702353632,"score_gpt":0.31857492018120387,"score_spread":0.28803573147885025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096393160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23054065,0.03043943,0.0017643177,0.35824758,0.0089216335,0.0008846284,0.0007804457,0.00041512045,0.3680062],"genre_scores_gemma":[0.5617423,0.028477367,0.0010056756,0.0027522908,0.005031173,0.00018398909,0.00017104628,0.00012229352,0.4005139],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968389,0.00064146187,0.00068845146,0.00058682886,0.00042834922,0.0008159771],"domain_scores_gemma":[0.99824154,0.00036906544,0.0002602039,0.00034404467,0.0004547488,0.0003304171],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045084945,0.0004339166,0.0005810288,0.00007821688,0.009037395,0.000409557,0.00024675383,0.00022358035,0.022431633],"category_scores_gemma":[0.0003406358,0.0003945325,0.00088511145,0.00024564817,0.0010529263,0.00031509032,0.00008674753,0.0004892598,0.0007804076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000997923,0.0004344932,0.0018644052,0.00006518073,0.0009102294,0.0001101763,0.14958546,0.00011503382,0.00007513291,0.5334271,0.31022424,0.00317855],"study_design_scores_gemma":[0.0006084801,0.00006745436,0.0004140677,0.000023446626,0.0006926539,0.000028504153,0.06738121,0.00005939474,0.00002205962,0.017917123,0.91230077,0.0004848351],"about_ca_topic_score_codex":0.0072858436,"about_ca_topic_score_gemma":0.0017840316,"teacher_disagreement_score":0.60207653,"about_ca_system_score_codex":0.0031323049,"about_ca_system_score_gemma":0.00018952107,"threshold_uncertainty_score":0.9999976},"labels":[],"label_agreement":null},{"id":"W2144960758","doi":"10.3917/sr.016.0257","title":"« Que l'on soit toujours citoyen et soldat ». Représentations de la Garde nationale sous la Commune de Paris de 1871","year":2003,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Gouvernement du Québec","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.03328258944311039,"score_gpt":0.37301779336402774,"score_spread":0.33973520392091733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144960758","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23004763,0.009955654,0.0025620284,0.2878431,0.0033783806,0.0009187635,0.0007600338,0.00040877316,0.46412563],"genre_scores_gemma":[0.61011565,0.034371648,0.0040870095,0.0060793124,0.0019438345,0.0005274455,0.00047297566,0.00014462582,0.34225753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99574226,0.0019524203,0.0006507955,0.00048291168,0.00045034778,0.00072125666],"domain_scores_gemma":[0.99672973,0.0019381797,0.00030454856,0.00041727902,0.0003298628,0.00028038974],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00093158643,0.0003826537,0.00049524085,0.00012059577,0.0067540254,0.00053727947,0.0002647523,0.00031985668,0.0031620401],"category_scores_gemma":[0.0006893478,0.00038363136,0.0006858157,0.00020563764,0.0009702961,0.00027156345,0.00007039222,0.000835901,0.00019062315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012754197,0.00066358986,0.0014779784,0.000042857384,0.00066146645,0.000037203463,0.2863431,0.002119336,0.00009868497,0.37791872,0.33007202,0.0005523003],"study_design_scores_gemma":[0.00088163634,0.000074979194,0.0017234999,0.00007723407,0.00065481476,0.000052513024,0.12802464,0.0001985356,0.00006255414,0.070880786,0.7968379,0.0005308757],"about_ca_topic_score_codex":0.013396843,"about_ca_topic_score_gemma":0.0055885036,"teacher_disagreement_score":0.4667659,"about_ca_system_score_codex":0.002794301,"about_ca_system_score_gemma":0.0004409531,"threshold_uncertainty_score":0.99986154},"labels":[],"label_agreement":null},{"id":"W2163274692","doi":"10.3917/sr.020.0175","title":"Perennité du gothique","year":2005,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art; Architecture; Humanities; Sculpture; Art history; Visual arts","score_opus":0.0406888307835536,"score_gpt":0.3406086538183808,"score_spread":0.29991982303482717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163274692","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06465546,0.016666273,0.00014573969,0.815923,0.0035686567,0.00026490443,0.00015920482,0.00015550006,0.09846128],"genre_scores_gemma":[0.24685289,0.020875001,0.0005351866,0.003087389,0.010796121,0.00009313627,0.00009934091,0.00004305779,0.71761787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982814,0.00013438292,0.0004913958,0.00037799592,0.0002812727,0.00043355144],"domain_scores_gemma":[0.9989329,0.00016312451,0.00015840396,0.00023414755,0.0003410957,0.00017031367],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012423782,0.00026718376,0.0003679071,0.000048610418,0.007606707,0.0002490409,0.00017726392,0.00014964215,0.029332167],"category_scores_gemma":[0.000075604534,0.00023680602,0.00060155324,0.00013353373,0.00063524663,0.00038581245,0.00007365115,0.0003352197,0.0020931698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000050523427,0.00033692163,0.00027910707,0.000034343215,0.00045737292,0.000009815217,0.25617456,0.00009292097,0.000021091835,0.3511258,0.36977735,0.021685649],"study_design_scores_gemma":[0.00029558528,0.00004014836,0.000183663,0.000021097772,0.00034567024,0.000004160299,0.04647808,0.00015514495,0.000007567029,0.0071551357,0.9449969,0.00031687907],"about_ca_topic_score_codex":0.0050107683,"about_ca_topic_score_gemma":0.0061043873,"teacher_disagreement_score":0.8128356,"about_ca_system_score_codex":0.0018138842,"about_ca_system_score_gemma":0.000044141074,"threshold_uncertainty_score":0.9986838},"labels":[],"label_agreement":null},{"id":"W2234773719","doi":"10.3917/sr.040.0221","title":"Le commerce de la critique : journalisme musical et corruption au milieu du xix e  siècle","year":2015,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05981906783601375,"score_gpt":0.38676327558282175,"score_spread":0.326944207746808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234773719","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2682416,0.0026086601,0.0011526707,0.6703773,0.0026210838,0.00019917914,0.000121299796,0.000098183846,0.054579996],"genre_scores_gemma":[0.92971265,0.0037211257,0.00038039184,0.0039527784,0.0028716207,0.000056006964,0.00008837215,0.000037129692,0.05917992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99757564,0.0008899597,0.0004671168,0.00029942117,0.00034002654,0.00042780704],"domain_scores_gemma":[0.9983696,0.0004496938,0.00016831294,0.0001920523,0.00047297377,0.00034737482],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00068330124,0.00023258029,0.00038171923,0.00004748801,0.0055940393,0.00034143703,0.00017148186,0.00019361639,0.0010693395],"category_scores_gemma":[0.00033809504,0.00022026045,0.00046417426,0.00013293276,0.001069784,0.00039807538,0.00009116649,0.00053635886,0.00015994621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013531651,0.0004623703,0.0005603143,0.000025363537,0.00021258564,0.000030004105,0.29393408,0.00021540871,0.000030890656,0.51349914,0.18875845,0.0022578652],"study_design_scores_gemma":[0.00073938427,0.000085674554,0.0022455556,0.000039936538,0.00033867828,0.000027937225,0.15881948,0.00040979843,0.0000033696613,0.024452675,0.8125305,0.0003069684],"about_ca_topic_score_codex":0.04657735,"about_ca_topic_score_gemma":0.008841469,"teacher_disagreement_score":0.6664246,"about_ca_system_score_codex":0.0019316527,"about_ca_system_score_gemma":0.00037676515,"threshold_uncertainty_score":0.99984384},"labels":[],"label_agreement":null},{"id":"W2238009719","doi":"10.3917/sr.040.0025","title":"« Maréchaux de la curiosité » et critiques : la diversité des discours sur la peinture à la fin du XVIII e  siècle siècle","year":2015,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Art and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.04045822124371274,"score_gpt":0.36061567170711856,"score_spread":0.3201574504634058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2238009719","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042249937,0.011890391,0.00014417394,0.03145341,0.0013704333,0.00026121925,0.00035357656,0.0002415634,0.9120353],"genre_scores_gemma":[0.9183241,0.003732031,0.0003860782,0.00067336153,0.0011166878,0.000066946224,0.00008171792,0.000058045327,0.07556102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974011,0.0010687344,0.00032706925,0.00039787695,0.00034653101,0.0004586949],"domain_scores_gemma":[0.99786234,0.0011247596,0.00012659968,0.00023522128,0.00038696357,0.00026412052],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00058911066,0.0003477517,0.00036596856,0.000064607215,0.002243499,0.0005032251,0.00023100905,0.00025698083,0.0009881813],"category_scores_gemma":[0.0004309612,0.00032592777,0.00033752024,0.0001141308,0.0025310947,0.00065888296,0.00020584764,0.00055816985,0.00013499238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020286758,0.000417126,0.0019944008,0.000060323593,0.00017257017,0.00009387432,0.23263313,0.000022303479,0.000033300115,0.4638855,0.29894114,0.0017260702],"study_design_scores_gemma":[0.0007192423,0.00008738681,0.006656858,0.000113587856,0.00029436164,0.000037688358,0.11233148,0.000018537474,0.000034366967,0.050878976,0.8284461,0.00038145197],"about_ca_topic_score_codex":0.004365991,"about_ca_topic_score_gemma":0.0023676793,"teacher_disagreement_score":0.8760742,"about_ca_system_score_codex":0.00022945837,"about_ca_system_score_gemma":0.00023668932,"threshold_uncertainty_score":0.9999251},"labels":[],"label_agreement":null},{"id":"W2326569509","doi":"10.3917/sr.032.0025","title":"Le coup médiatique","year":2011,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Parks Canada","funders":"","keywords":"Humanities; Political science; Philosophy; Art","score_opus":0.15154222231183712,"score_gpt":0.4005099647402473,"score_spread":0.2489677424284102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326569509","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006489378,0.021056086,0.0007510061,0.011934566,0.009944639,0.00041277026,0.000051548417,0.00016609521,0.9491939],"genre_scores_gemma":[0.7704325,0.010061464,0.0026589779,0.0015575917,0.0018961095,0.0001371424,0.000022522361,0.000044553413,0.21318915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794215,0.00036494932,0.00038666424,0.00037413632,0.00037040998,0.0005617093],"domain_scores_gemma":[0.99893844,0.00019290036,0.00019203377,0.00024270655,0.00022163083,0.00021226652],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033382128,0.00020363733,0.00029465737,0.000050009214,0.0018690202,0.00006184995,0.00027144427,0.00026555252,0.0063695493],"category_scores_gemma":[0.00020402188,0.00024920434,0.0002987803,0.00062997773,0.0016815315,0.0004221827,0.000074654585,0.0002780939,0.00086332136],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026637247,0.0002476618,0.0010988709,0.000012454632,0.00013434215,0.000009147469,0.15065664,0.0000015622885,0.000012629687,0.7623476,0.07990129,0.0055751586],"study_design_scores_gemma":[0.0005418001,0.00006775281,0.013468328,0.000037014608,0.00013923022,0.0000016874152,0.14408852,0.000018724259,0.00011442671,0.26060498,0.5804487,0.00046888125],"about_ca_topic_score_codex":0.07439094,"about_ca_topic_score_gemma":0.01022593,"teacher_disagreement_score":0.76394314,"about_ca_system_score_codex":0.0002702783,"about_ca_system_score_gemma":0.0007161844,"threshold_uncertainty_score":0.999996},"labels":[],"label_agreement":null},{"id":"W2611026880","doi":"10.3917/sr.043.0121","title":"Paradoxes de « l’archive »","year":2017,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.44974040281562894,"score_gpt":0.5001747329797182,"score_spread":0.050434330164089214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611026880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020575305,0.0032117704,0.054574747,0.10030569,0.008267549,0.00042875667,0.00015987571,0.00018402039,0.8122923],"genre_scores_gemma":[0.82338446,0.0007770363,0.014845467,0.0019858568,0.0010118969,0.000030472529,0.000032014625,0.000024228562,0.15790857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983969,0.000088393645,0.00027448934,0.00043483882,0.00024548944,0.0005599413],"domain_scores_gemma":[0.9979,0.0001675637,0.00027395342,0.0011565974,0.0001452803,0.0003566024],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00013216725,0.00020731766,0.00020617455,0.00003932244,0.0018321606,0.005063742,0.00087475247,0.00010772039,0.00040987477],"category_scores_gemma":[0.0004101995,0.00018580245,0.00024088321,0.00009177694,0.0005764533,0.004393382,0.00041799096,0.00022362328,0.00059831224],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000055628566,0.00021626393,0.0015148828,0.000028667084,0.0001060535,0.00023730639,0.019339798,0.000084475374,0.0011734134,0.7924366,0.12686674,0.057990223],"study_design_scores_gemma":[0.0006851301,0.00010991434,0.098046556,0.00013287034,0.00006898483,0.00030030953,0.0016103594,0.004485242,0.0015616463,0.7420032,0.15049183,0.00050397404],"about_ca_topic_score_codex":0.004220818,"about_ca_topic_score_gemma":0.00038838902,"teacher_disagreement_score":0.8028091,"about_ca_system_score_codex":0.00007837197,"about_ca_system_score_gemma":0.00026997723,"threshold_uncertainty_score":0.9994673},"labels":[],"label_agreement":null},{"id":"W2611907444","doi":"10.3917/sr.043.0113","title":"Je suis celui qui creuse dans la mémoire des choses enfouies","year":2017,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.11480515028780261,"score_gpt":0.4457907004934739,"score_spread":0.33098555020567133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611907444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15612867,0.0049257902,0.00007443086,0.015404372,0.007473988,0.00030351157,0.00012531124,0.00015783202,0.8154061],"genre_scores_gemma":[0.82088083,0.008271856,0.0009447623,0.00015476627,0.0013051045,0.000041511146,0.000015682072,0.00002143483,0.16836406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978195,0.0002252683,0.00035221604,0.00045324897,0.00052755297,0.000622228],"domain_scores_gemma":[0.99811184,0.0004883255,0.00033050575,0.0004580751,0.0003416735,0.00026959702],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00036919443,0.00027234526,0.00034838772,0.000041968928,0.011070064,0.0006274816,0.000687147,0.00023714191,0.0018764443],"category_scores_gemma":[0.0012455349,0.00025187293,0.00037147262,0.00024482483,0.006622844,0.0010811157,0.00030168256,0.00026337232,0.0006977943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002015853,0.00044595439,0.03813244,0.0000897206,0.00041293103,0.00009379488,0.31517604,0.000010108323,0.0004574284,0.55525607,0.053604513,0.03630081],"study_design_scores_gemma":[0.00035046932,0.000044360168,0.069993705,0.00007693186,0.00021662195,0.0000035167516,0.25168008,0.0000029370426,0.00011173212,0.022649366,0.6545058,0.00036446584],"about_ca_topic_score_codex":0.04561037,"about_ca_topic_score_gemma":0.01572059,"teacher_disagreement_score":0.6647521,"about_ca_system_score_codex":0.00064015266,"about_ca_system_score_gemma":0.00015801677,"threshold_uncertainty_score":0.9999933},"labels":[],"label_agreement":null},{"id":"W2730821319","doi":"","title":"Unsigned Letters: Representations and Social Practices of Anonymous Letter Writing at the End of the Century","year":2008,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical and Scientific Studies","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Signature (topology); Sociology; History; Art history","score_opus":0.0931870960811303,"score_gpt":0.39990526599769677,"score_spread":0.3067181699165665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730821319","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7927691,0.01268535,0.00008343838,0.17823838,0.0053510317,0.00069102447,0.00017493937,0.00002098758,0.009985787],"genre_scores_gemma":[0.9723055,0.0011793707,0.00026876183,0.0019142326,0.0011271219,0.00003944146,0.000027977978,0.000019044146,0.023118595],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9976548,0.00042022107,0.0006516787,0.00036532222,0.00059734005,0.00031066764],"domain_scores_gemma":[0.9970785,0.0013174221,0.00089382153,0.00040818084,0.00024684955,0.000055267665],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00038371232,0.00016517664,0.00034461266,0.00005655925,0.0018875137,0.000018190345,0.00016630723,0.000089855836,0.00089769554],"category_scores_gemma":[0.00070484274,0.000110410714,0.00027621913,0.0005130269,0.0032308819,0.0001660382,0.00021252438,0.00027751492,0.000021363388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096889824,0.0006560501,0.06852208,0.00047750017,0.0009041692,0.00006668632,0.2094089,0.00003458932,0.17209499,0.00217797,0.53782487,0.007735282],"study_design_scores_gemma":[0.0050980924,0.00022470401,0.47651207,0.00051059166,0.0036652316,0.00071978953,0.20178404,0.00021225591,0.018797275,0.00095244515,0.29071155,0.0008119344],"about_ca_topic_score_codex":0.00078512984,"about_ca_topic_score_gemma":0.000111680136,"teacher_disagreement_score":0.40799,"about_ca_system_score_codex":0.00014211425,"about_ca_system_score_gemma":0.00013424952,"threshold_uncertainty_score":0.99948174},"labels":[],"label_agreement":null},{"id":"W2767765317","doi":"10.3917/sr.044.0105","title":"Roland Topor, l’homme qui ne riait pas","year":2017,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.1318485505844288,"score_gpt":0.5312494050144854,"score_spread":0.3994008544300566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767765317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13412608,0.007796144,0.0006211783,0.11307097,0.019744335,0.00073704,0.00038097243,0.000083101964,0.7234402],"genre_scores_gemma":[0.66948354,0.0021557247,0.0005981253,0.0019341658,0.0031913002,0.00015157434,0.00020494683,0.00009654842,0.32218406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947309,0.0011438115,0.000950744,0.001336241,0.0005430714,0.001295231],"domain_scores_gemma":[0.9940506,0.0005868804,0.0007612639,0.003758319,0.00033164775,0.00051126705],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014011363,0.0004944431,0.0007961163,0.0002710185,0.0027587328,0.00066926057,0.0014009008,0.0007721141,0.046458058],"category_scores_gemma":[0.00038482432,0.00053043314,0.0007891039,0.00033340266,0.0014255734,0.00051140325,0.00024635118,0.0011849125,0.0075958734],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033341558,0.0021729688,0.21940646,0.00008409931,0.0023399184,0.0005904802,0.0150631415,0.000012556931,0.0012637542,0.032202538,0.59592813,0.13060257],"study_design_scores_gemma":[0.0053884336,0.00028444186,0.33207616,0.000101483834,0.0006810062,0.0002802984,0.010226209,0.00009233696,0.00006269908,0.028614458,0.6213848,0.0008076683],"about_ca_topic_score_codex":0.0022152246,"about_ca_topic_score_gemma":0.00056953187,"teacher_disagreement_score":0.5353575,"about_ca_system_score_codex":0.0001140858,"about_ca_system_score_gemma":0.00017711881,"threshold_uncertainty_score":0.99971473},"labels":[],"label_agreement":null},{"id":"W2796452456","doi":"10.3917/sr.009.0267","title":"Charles Perraton (dir.), Le Corps différé ou la force du regard au cinéma, Montréal, Les Cahiers du Gerse, Université du Québec à Montréal, 1998, 155 p.","year":2000,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014599080734954945,"score_gpt":0.27384138102274047,"score_spread":0.2592423002877855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796452456","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67286074,0.07308563,0.00008168992,0.14707024,0.0021025692,0.00067703804,0.00026451156,0.00028940666,0.103568144],"genre_scores_gemma":[0.658375,0.029746193,0.00014670339,0.0030998355,0.0019345485,0.00006422665,0.00024049965,0.000054208114,0.30633873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99619853,0.0008760753,0.0006227787,0.00087041134,0.0005923488,0.0008398727],"domain_scores_gemma":[0.99795,0.00044740346,0.0003630848,0.00047322002,0.00031951972,0.000446744],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038734352,0.00052826956,0.0006720817,0.00012973708,0.005128186,0.00036469864,0.00055691495,0.00068606134,0.0049320273],"category_scores_gemma":[0.00014180146,0.0005050965,0.000869808,0.0011049763,0.0022833268,0.0010457013,0.00007458068,0.00064084,0.00046443992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014111435,0.00084523374,0.010174692,0.000063447,0.0013383435,0.00034378996,0.27711925,0.0008096484,0.00074678025,0.03653293,0.6109585,0.060926236],"study_design_scores_gemma":[0.0011193515,0.0000762811,0.006415993,0.000049145037,0.00078755163,0.000047420403,0.16288902,0.00041298,0.00003837299,0.0013440016,0.8262304,0.0005894906],"about_ca_topic_score_codex":0.568613,"about_ca_topic_score_gemma":0.50838107,"teacher_disagreement_score":0.21527188,"about_ca_system_score_codex":0.00079019804,"about_ca_system_score_gemma":0.0008759196,"threshold_uncertainty_score":0.99974006},"labels":[],"label_agreement":null},{"id":"W2804968055","doi":"10.3917/sr.045.0067","title":"Représenter ‘V.’ : récit de soi, récit de l’autre, récit d’un « nous »","year":2018,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Healthcare Systems and Practices","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"National Museum of Fine Arts of Quebec; Canadian Linguistic Association","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.12257517281242689,"score_gpt":0.5450628283017926,"score_spread":0.42248765548936573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804968055","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.304457,0.00842525,0.008460182,0.34178212,0.03797297,0.004642131,0.0009719249,0.0009467905,0.29234162],"genre_scores_gemma":[0.81057686,0.0032712382,0.012339663,0.01916703,0.015232077,0.0007835628,0.0002055091,0.00032123874,0.13810284],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9851955,0.0068011405,0.0024896201,0.0015379742,0.00090381026,0.0030719137],"domain_scores_gemma":[0.98979586,0.0039647473,0.0015392782,0.001993147,0.0012804813,0.0014264865],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["research_integrity","insufficient_payload"],"category_scores_codex":[0.0051776045,0.000792308,0.0010708859,0.00036284767,0.0045234626,0.00025861445,0.0007556987,0.0018018885,0.040611558],"category_scores_gemma":[0.0031692062,0.0008634431,0.0006329167,0.0011438043,0.00080678606,0.0011509943,0.00039201364,0.0030119307,0.0100177815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030183935,0.0012278532,0.065664895,0.0020244913,0.0010570132,0.0004188112,0.2804424,0.000022967504,0.0015268953,0.025644789,0.54904455,0.072623506],"study_design_scores_gemma":[0.0028200797,0.0005610418,0.028586661,0.0014356937,0.0005837567,0.0004361583,0.12726505,0.00078731956,0.0005027471,0.031187655,0.8046469,0.0011869427],"about_ca_topic_score_codex":0.03506321,"about_ca_topic_score_gemma":0.0046522412,"teacher_disagreement_score":0.50611985,"about_ca_system_score_codex":0.0014118064,"about_ca_system_score_gemma":0.0037474327,"threshold_uncertainty_score":0.99949396},"labels":[],"label_agreement":null},{"id":"W2945354983","doi":"10.3917/sr.047.0053","title":"L’impossible reconstitution du catharisme : la maison Déodat Roché à Arques","year":2019,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Political science; Art; Philosophy","score_opus":0.039350146607091976,"score_gpt":0.35113977099775373,"score_spread":0.31178962439066177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945354983","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4190637,0.0068000825,0.00009548518,0.01801673,0.012334486,0.00077728654,0.00048250222,0.00025297797,0.5421768],"genre_scores_gemma":[0.6083141,0.004149044,0.00022771156,0.00043494607,0.0018766862,0.000053300842,0.00037371815,0.000034331366,0.3845362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981506,0.00019592904,0.00049577863,0.0004706771,0.00026747215,0.00041954964],"domain_scores_gemma":[0.9988702,0.00016843743,0.00021931816,0.00037579652,0.0002343994,0.00013186567],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022346184,0.00028030347,0.00033192284,0.000099333476,0.0013097596,0.0011863883,0.00021091057,0.00024278591,0.037391134],"category_scores_gemma":[0.00005710393,0.0002929693,0.00033966932,0.00011546968,0.0006643968,0.0016509704,0.000092270704,0.0004333685,0.0052849925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001998074,0.00034142935,0.0029575198,0.0002480667,0.00019852963,0.00003187517,0.07378145,0.00004459533,0.001110929,0.8345221,0.08296562,0.003777877],"study_design_scores_gemma":[0.00069070805,0.00008680159,0.0022063449,0.00021689232,0.00020426493,0.00005377534,0.05546518,0.00012212868,0.00028251056,0.017838292,0.92238766,0.00044546384],"about_ca_topic_score_codex":0.0116581,"about_ca_topic_score_gemma":0.0036560914,"teacher_disagreement_score":0.839422,"about_ca_system_score_codex":0.00018877315,"about_ca_system_score_gemma":0.00013617105,"threshold_uncertainty_score":0.9999904},"labels":[],"label_agreement":null},{"id":"W2974608533","doi":"10.3917/sr.048.0111","title":"Suez imaginaire : le canal, le capital et les métaphores coloniales","year":2019,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Athletic Edge Sports Medicine","funders":"","keywords":"Humanities; Art","score_opus":0.03228273367262002,"score_gpt":0.3932515699292095,"score_spread":0.3609688362565895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974608533","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.524471,0.02406337,0.000053431515,0.13095273,0.005746156,0.00067369285,0.00029703512,0.00016165688,0.31358093],"genre_scores_gemma":[0.8927247,0.0014851306,0.0002475643,0.0004566533,0.00043189005,0.00006234848,0.000052024217,0.000026622545,0.104513094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9977044,0.00058415974,0.00032499453,0.00049357215,0.00039938878,0.00049351837],"domain_scores_gemma":[0.9988685,0.00023555917,0.00021869119,0.0002727571,0.00025352786,0.0001509474],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033217546,0.00025130447,0.0003573765,0.00005535931,0.0022602233,0.00010026227,0.0002793984,0.00018432696,0.0013920228],"category_scores_gemma":[0.00011820379,0.0002744199,0.00029616916,0.00047049037,0.0020555938,0.00057579606,0.00008681665,0.0003555299,0.00029059174],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011948524,0.00027791774,0.014765453,0.000048438025,0.0002453442,0.000016496833,0.23512092,0.00008104061,0.00040903475,0.5536893,0.19388314,0.0014509597],"study_design_scores_gemma":[0.00048668447,0.0000683086,0.012357582,0.000046056874,0.000109449604,0.0000050785034,0.49061337,0.000007725266,0.00005993898,0.011657598,0.48419604,0.00039216812],"about_ca_topic_score_codex":0.09369904,"about_ca_topic_score_gemma":0.063327506,"teacher_disagreement_score":0.5420317,"about_ca_system_score_codex":0.00026424875,"about_ca_system_score_gemma":0.0013316442,"threshold_uncertainty_score":0.9999708},"labels":[],"label_agreement":null},{"id":"W2974783209","doi":"10.3917/sr.048.0127","title":"Tentatives de réinvention d’une géographie sacrée de l’isthme lors de la création du canal de Suez (1855-1870)","year":2019,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Global Maritime and Colonial Histories","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","score_opus":0.016007355521106378,"score_gpt":0.37768625069637785,"score_spread":0.36167889517527146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974783209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.919599,0.0013813605,0.0016140733,0.01623329,0.0024479267,0.000550908,0.00012435847,0.00015153957,0.057897538],"genre_scores_gemma":[0.97768027,0.0020273465,0.0021675085,0.0008493727,0.0007728388,0.00010753491,0.000106911284,0.00003542058,0.016252821],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9962948,0.0014166663,0.0004442737,0.00046257625,0.00047596474,0.00090574444],"domain_scores_gemma":[0.9983236,0.00051196205,0.00030898553,0.0002478246,0.00024990947,0.00035770048],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011850161,0.00026842253,0.00030824545,0.00015916288,0.0013654244,0.00022281676,0.00031411645,0.00040142483,0.001508365],"category_scores_gemma":[0.00033030414,0.00034263023,0.00039345605,0.0013812735,0.0020877605,0.000630172,0.000055495228,0.00038321267,0.0001541057],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009398429,0.00066895597,0.45409128,0.00013700488,0.00035436434,0.000084340856,0.17799506,0.00078455,0.0036244085,0.31290695,0.038814165,0.010444942],"study_design_scores_gemma":[0.0016148773,0.00025724684,0.43767875,0.00018445232,0.0006526245,0.00008090825,0.14789525,0.00061107945,0.00043814274,0.24291755,0.16684423,0.00082487374],"about_ca_topic_score_codex":0.17365967,"about_ca_topic_score_gemma":0.0253144,"teacher_disagreement_score":0.14834528,"about_ca_system_score_codex":0.0019047117,"about_ca_system_score_gemma":0.0015815067,"threshold_uncertainty_score":0.9999347},"labels":[],"label_agreement":null},{"id":"W3033872702","doi":"10.3917/sr.049.0097","title":"Le rock était-il audible à Avignon en 1954 ?","year":2020,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Rock music; Locale (computer software); Popular music; Visual arts; Computer science","score_opus":0.04822282624702968,"score_gpt":0.3299295611758115,"score_spread":0.28170673492878184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033872702","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019195577,0.009074937,0.0006828458,0.8951747,0.0028286602,0.00038591452,0.00036770306,0.00022238078,0.072067305],"genre_scores_gemma":[0.61600065,0.010670498,0.00034110347,0.0055353427,0.0067532407,0.00012047999,0.00026578474,0.00007328374,0.3602396],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978675,0.0002040791,0.0005477732,0.0005248919,0.0003614294,0.0004942812],"domain_scores_gemma":[0.99884117,0.00019394778,0.00019594646,0.00020865665,0.0002642765,0.00029599716],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000973154,0.0003016136,0.0005037985,0.00003484573,0.0071517746,0.00025864935,0.00024565848,0.00015588116,0.008553524],"category_scores_gemma":[0.00013170627,0.000288634,0.00067278376,0.00026471034,0.00027738968,0.00036300888,0.00014336233,0.0004080401,0.0019255814],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012845195,0.00025353723,0.00013075951,0.00011563142,0.0006826447,0.000022930884,0.321967,0.00033192872,0.00013611362,0.29531997,0.37793252,0.0030940978],"study_design_scores_gemma":[0.0004322994,0.00010297589,0.00008805465,0.000021894562,0.0004054447,0.0000012446978,0.10940069,0.0003060213,0.000022534265,0.00649698,0.8823551,0.00036675902],"about_ca_topic_score_codex":0.0089667495,"about_ca_topic_score_gemma":0.0014661088,"teacher_disagreement_score":0.8896393,"about_ca_system_score_codex":0.00070281635,"about_ca_system_score_gemma":0.00012995538,"threshold_uncertainty_score":0.9999566},"labels":[],"label_agreement":null},{"id":"W3174739759","doi":"10.3917/sr.051.0135","title":"Question de doublures : le textile comme stratégie de remédiation de l’image chez Nelly Kaprièlian et Nathalie Léger","year":2021,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec; Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.1097633195393649,"score_gpt":0.4489657446957576,"score_spread":0.3392024251563927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174739759","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1289836,0.030466253,0.014664748,0.22206466,0.005671322,0.00088068814,0.00029355372,0.00042753917,0.59654766],"genre_scores_gemma":[0.9112941,0.010416582,0.011178999,0.004803847,0.002039861,0.00014784593,0.0002419849,0.000060993483,0.059815813],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958427,0.0018814879,0.00047096584,0.00048265318,0.00047071205,0.0008514958],"domain_scores_gemma":[0.9982049,0.00051562453,0.00026308157,0.0002858198,0.00042836228,0.00030220402],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015668242,0.00026965645,0.00035255807,0.00006208773,0.0018515788,0.00040925195,0.00024423524,0.00041538427,0.0016977098],"category_scores_gemma":[0.00092331955,0.0003500418,0.000332421,0.00077100756,0.0008614779,0.0006328218,0.00008855527,0.00054273265,0.00013364638],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012740133,0.0007394472,0.006197531,0.00009176453,0.00029211733,0.000108508015,0.16758247,0.00042885286,0.0056566126,0.64205104,0.16810197,0.008736933],"study_design_scores_gemma":[0.0018609259,0.000102474405,0.091834284,0.00023761013,0.0004678473,0.000032942065,0.23289706,0.0008541348,0.0038762542,0.3793293,0.28741974,0.0010874426],"about_ca_topic_score_codex":0.04629215,"about_ca_topic_score_gemma":0.021746373,"teacher_disagreement_score":0.7823105,"about_ca_system_score_codex":0.0015348393,"about_ca_system_score_gemma":0.0029836188,"threshold_uncertainty_score":0.99989516},"labels":[],"label_agreement":null},{"id":"W3176568159","doi":"10.3917/sr.051.0035","title":"Consolidation du savoir, fragilisation du jugement : revoir des films dans Cinquante ans de cinéma américain","year":2021,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.0555439968218986,"score_gpt":0.3273839847737508,"score_spread":0.2718399879518522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176568159","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5974609,0.007785103,0.008649266,0.3492451,0.003846566,0.0005633595,0.00049966,0.00020521155,0.031744797],"genre_scores_gemma":[0.7449217,0.05949435,0.0025592875,0.0023934715,0.0033973048,0.0002793955,0.0013884204,0.00008154172,0.18548456],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972185,0.0005182818,0.00074939925,0.000566267,0.00040513615,0.0005424369],"domain_scores_gemma":[0.9979158,0.00036741616,0.00030600696,0.00033071905,0.00087862066,0.0002014543],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034074637,0.00033488657,0.00047173875,0.00006729432,0.0083123585,0.0003344785,0.00016497159,0.00016254203,0.008350679],"category_scores_gemma":[0.00055958144,0.00032863222,0.000567337,0.00034766566,0.00092968787,0.00044936565,0.000110753026,0.00029692595,0.00020182946],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001725777,0.0007612015,0.0069804676,0.0002022117,0.0009890465,0.00009649405,0.71209687,0.0007372671,0.0011305005,0.1458674,0.12500107,0.0061202045],"study_design_scores_gemma":[0.00093447143,0.00012644718,0.0061546485,0.0001385708,0.0012525297,0.000023874829,0.5203372,0.0016791776,0.0003383629,0.021099962,0.4472457,0.0006690671],"about_ca_topic_score_codex":0.007922961,"about_ca_topic_score_gemma":0.010224375,"teacher_disagreement_score":0.34685165,"about_ca_system_score_codex":0.0027590264,"about_ca_system_score_gemma":0.00016621327,"threshold_uncertainty_score":0.99991655},"labels":[],"label_agreement":null},{"id":"W3212523094","doi":"10.3917/sr.052.0137","title":"Après la bataille ?","year":2021,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy","score_opus":0.4492347740154377,"score_gpt":0.4591428608576698,"score_spread":0.0099080868422321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212523094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064642695,0.011625232,0.019158483,0.070879936,0.0075756474,0.00019549023,0.000086140826,0.00020173122,0.8838131],"genre_scores_gemma":[0.27191222,0.0014424261,0.013279246,0.0046313307,0.0008611243,0.000026266885,0.00016496154,0.000035749646,0.70764667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812615,0.00020796129,0.00034838222,0.0005499828,0.00032648788,0.00044103534],"domain_scores_gemma":[0.9981678,0.00031396598,0.00010879588,0.0006540719,0.00045786766,0.0002974927],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010963445,0.00021283374,0.00022543783,0.000040087016,0.0003984836,0.0022391032,0.00028471084,0.00015437073,0.0021881268],"category_scores_gemma":[0.00030154167,0.00020170936,0.00026884413,0.0007738803,0.00022830981,0.002861909,0.0003442305,0.00024780308,0.0010105595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019777497,0.00038212558,0.000119236,0.000040814073,0.00011200758,0.00089762657,0.011572164,0.00013823497,0.002049297,0.71571386,0.22009407,0.048878595],"study_design_scores_gemma":[0.0006066876,0.000046640645,0.0036282362,0.00009822821,0.00006243062,0.00094839104,0.004525314,0.0012619399,0.0047964314,0.101110145,0.8824629,0.00045263724],"about_ca_topic_score_codex":0.0005637635,"about_ca_topic_score_gemma":0.00015021913,"teacher_disagreement_score":0.66236883,"about_ca_system_score_codex":0.00007702936,"about_ca_system_score_gemma":0.0004934454,"threshold_uncertainty_score":0.99976724},"labels":[],"label_agreement":null},{"id":"W4210429627","doi":"10.3917/sr.052.0009","title":"Quelle semaine !","year":2021,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Medical Research and Practices","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Geography; Biology; Environmental science","score_opus":0.2033695091437374,"score_gpt":0.627999509033038,"score_spread":0.4246299998893006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210429627","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008682399,0.047541514,0.0035610984,0.48538467,0.012447485,0.0007240813,0.00026073997,0.00011714041,0.44128087],"genre_scores_gemma":[0.037271027,0.04181651,0.008182292,0.01416558,0.004124009,0.00023456842,0.0006183091,0.00007937189,0.8935083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927316,0.004142818,0.0007377588,0.000549487,0.00079865963,0.0010397163],"domain_scores_gemma":[0.99090475,0.0065902947,0.00016778907,0.00069865125,0.00075811055,0.00088043266],"candidate_categories":["metaresearch","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015847939,0.00020566233,0.00035667137,0.00007510069,0.0016116111,0.00007756303,0.00021094336,0.0005155209,0.25004464],"category_scores_gemma":[0.014095761,0.00021548393,0.00023119581,0.0008163129,0.00036942452,0.00047035998,0.0002738045,0.0021737898,0.010630099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035096822,0.0005704933,0.001880465,0.00072663033,0.00027211648,0.0005279699,0.012002601,0.000007774757,0.0014201942,0.05685108,0.86533886,0.060366742],"study_design_scores_gemma":[0.001089216,0.000059599122,0.0019003915,0.0003565502,0.00011960519,0.000030308356,0.06310542,0.00019853062,0.0005160967,0.02942826,0.90297884,0.00021717986],"about_ca_topic_score_codex":0.0012378917,"about_ca_topic_score_gemma":0.00081879273,"teacher_disagreement_score":0.4712191,"about_ca_system_score_codex":0.00020973092,"about_ca_system_score_gemma":0.0034625225,"threshold_uncertainty_score":0.99968815},"labels":[],"label_agreement":null},{"id":"W4212917125","doi":"10.3917/sr.039.0103","title":"This is the end","year":2015,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Health, Medicine and Society","field":"Health Professions","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy","score_opus":0.2037771336769883,"score_gpt":0.5564368325647566,"score_spread":0.3526596988877683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4212917125","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019780213,0.010759246,0.00038987887,0.61127675,0.019736446,0.0016817035,0.00020478379,0.00015005616,0.33602092],"genre_scores_gemma":[0.15445876,0.0069203256,0.0026992108,0.20887406,0.008692111,0.00041978873,0.00016336974,0.00012391455,0.6176485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99361765,0.003074098,0.0009789668,0.00050857896,0.0007947913,0.0010259175],"domain_scores_gemma":[0.994239,0.002927978,0.00036636955,0.0010190862,0.00066722254,0.00078034715],"candidate_categories":["sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0036344482,0.00028476465,0.00042950336,0.000053706503,0.0023178556,0.000042788895,0.00037852125,0.001143329,0.038123213],"category_scores_gemma":[0.0020611843,0.00021803254,0.0003189274,0.00070820755,0.0007761943,0.00030284916,0.00015604103,0.0034624324,0.01060693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005915643,0.00008964602,0.0016446448,0.00010866982,0.00007661848,0.000006968158,0.31053358,0.0000015319421,0.0000067083083,0.008462482,0.6680401,0.011023172],"study_design_scores_gemma":[0.0010612386,0.0000739129,0.0018904001,0.00014149386,0.00015021201,0.000008606183,0.2941423,0.00015014912,0.000011566224,0.008546244,0.6936578,0.00016607597],"about_ca_topic_score_codex":0.008037211,"about_ca_topic_score_gemma":0.0003355031,"teacher_disagreement_score":0.4024027,"about_ca_system_score_codex":0.0005502604,"about_ca_system_score_gemma":0.0043891836,"threshold_uncertainty_score":0.998981},"labels":[],"label_agreement":null},{"id":"W4229443087","doi":"10.3917/sr.053.0057","title":"Bande dessinée québécoise : historiographie d’un champ sous double influence","year":2022,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Humanities; Art","score_opus":0.02698209431262448,"score_gpt":0.3301875848712699,"score_spread":0.30320549055864543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229443087","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4384637,0.06079612,0.00021474584,0.07217737,0.042632654,0.001790003,0.0008515,0.0005613803,0.38251254],"genre_scores_gemma":[0.72784185,0.006046844,0.00037362945,0.0029936437,0.0012742245,0.0006484922,0.00012398187,0.00008486041,0.26061246],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968647,0.00050387176,0.00049471966,0.0005992448,0.0008505924,0.00068688346],"domain_scores_gemma":[0.998444,0.00014394052,0.000329021,0.0004969424,0.00016269727,0.00042338998],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005572666,0.00021759946,0.00029965868,0.00072440185,0.010862224,0.00038453814,0.00054644217,0.00015626165,0.024905505],"category_scores_gemma":[0.000056996283,0.0003627006,0.0004509394,0.00212476,0.0022370208,0.0006286628,0.00014862102,0.0006450721,0.00039492032],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009407895,0.0010488139,0.0028071068,0.0001133562,0.00040652737,0.00032599116,0.40205142,0.0024667338,0.00045773876,0.16809523,0.3471416,0.074991405],"study_design_scores_gemma":[0.000729434,0.000049793536,0.0019042846,0.0000141332175,0.00012174022,0.000019393909,0.042309705,0.000010767956,0.0000065357717,0.014488561,0.93996036,0.00038529906],"about_ca_topic_score_codex":0.81265646,"about_ca_topic_score_gemma":0.6617476,"teacher_disagreement_score":0.59281874,"about_ca_system_score_codex":0.0036978617,"about_ca_system_score_gemma":0.002699268,"threshold_uncertainty_score":0.9998825},"labels":[],"label_agreement":null},{"id":"W4297969098","doi":"10.3917/sr.054.0169","title":"Francis Ponge et l’histoire littéraire de la publicité","year":2022,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Humanities; Art","score_opus":0.025548092735359965,"score_gpt":0.3544263200569193,"score_spread":0.32887822732155936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297969098","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026182379,0.05333283,0.00003463729,0.081219316,0.006736389,0.00032206875,0.0012112919,0.00018187107,0.85434335],"genre_scores_gemma":[0.38157013,0.00073741795,0.00018990466,0.009561423,0.002963281,0.0005209605,0.00043701887,0.00006889143,0.603951],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997692,0.000703642,0.0003676454,0.00039925042,0.00038353514,0.00045390852],"domain_scores_gemma":[0.9989443,0.0002767631,0.00016232775,0.00032404435,0.00018214932,0.00011041028],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043088218,0.00027098163,0.00028647832,0.000093625844,0.0055977916,0.0005907272,0.00024087417,0.00010942202,0.019069357],"category_scores_gemma":[0.00008754623,0.00027831094,0.0003661681,0.00021118704,0.000762671,0.00044825664,0.00021131696,0.00083484227,0.00007914943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009387102,0.00024303017,0.00018028187,0.000039777515,0.00019253859,0.00004035177,0.1905296,0.000019593093,0.00002261034,0.4978502,0.30219808,0.008674544],"study_design_scores_gemma":[0.0004533595,0.000074338794,0.00070311205,0.000020970228,0.00014174113,0.000039281735,0.14219739,0.000013583182,0.0000058346795,0.023187192,0.83289474,0.00026844523],"about_ca_topic_score_codex":0.0016541891,"about_ca_topic_score_gemma":0.00038805543,"teacher_disagreement_score":0.5306967,"about_ca_system_score_codex":0.00027045858,"about_ca_system_score_gemma":0.00017313712,"threshold_uncertainty_score":0.9999669},"labels":[],"label_agreement":null},{"id":"W4388557403","doi":"10.3917/sr.056.0187","title":"Dans le miroir du patrimoine autobiographique","year":2023,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Art","score_opus":0.052563666479310836,"score_gpt":0.3509402522435361,"score_spread":0.29837658576422527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388557403","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73652625,0.0035699056,0.00010971976,0.08449566,0.011357646,0.0007723961,0.0012920332,0.0010613607,0.16081505],"genre_scores_gemma":[0.46900904,0.0061762747,0.00012597865,0.00059930905,0.0031448763,0.00012764253,0.00095492013,0.0000658041,0.5197962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982475,0.00016276026,0.0004603636,0.00040755092,0.00024333378,0.0004784691],"domain_scores_gemma":[0.9990446,0.00013902214,0.00014578064,0.00033560747,0.00019356764,0.00014144467],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00021905129,0.00025127773,0.00027388986,0.00021075914,0.0025969541,0.00058859936,0.00022294081,0.0001610217,0.007441762],"category_scores_gemma":[0.00005911924,0.00027106912,0.00052099297,0.0004695593,0.0008957938,0.00069458934,0.00011402146,0.00030279285,0.0026180744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006415401,0.00025310757,0.0015142297,0.00012852324,0.00021953264,0.00009404069,0.11118113,0.000039369683,0.0013807834,0.6061359,0.27733526,0.0017116786],"study_design_scores_gemma":[0.00063198037,0.00005846357,0.013070941,0.000074940384,0.0001594017,0.00001657507,0.16856644,0.00013684668,0.00019331885,0.026012506,0.79068315,0.00039542577],"about_ca_topic_score_codex":0.033568524,"about_ca_topic_score_gemma":0.0206163,"teacher_disagreement_score":0.5801234,"about_ca_system_score_codex":0.00008811979,"about_ca_system_score_gemma":0.00011409182,"threshold_uncertainty_score":0.99997413},"labels":[],"label_agreement":null},{"id":"W4414356560","doi":"10.4000/14lkm","title":"Renata Borgatti (1894-1964) par Romaine Brooks : renouveler le portrait de musicienne ?","year":2025,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Portrait; The Renaissance; Vernacular; Power (physics)","score_opus":0.030607110637596472,"score_gpt":0.3485554597735046,"score_spread":0.31794834913590814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414356560","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04241633,0.020668728,0.0012259695,0.05173187,0.007259549,0.0005201596,0.0007464994,0.00023854061,0.87519234],"genre_scores_gemma":[0.3698197,0.00026915385,0.0006786265,0.0029988815,0.0013819835,0.00006710932,0.00024302762,0.000036593345,0.6245049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997463,0.00025028616,0.0007571669,0.00060935033,0.0002531134,0.00066709117],"domain_scores_gemma":[0.9984929,0.00028545834,0.00020487607,0.00058000267,0.00022323121,0.00021353517],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002813627,0.00033725798,0.00045192143,0.00022187814,0.002272181,0.00031216253,0.0003305041,0.00019434698,0.011626631],"category_scores_gemma":[0.0001281008,0.00035315537,0.00043190934,0.00037109692,0.0006649731,0.00036340658,0.000108479544,0.00046736182,0.00024997376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002179264,0.00063336495,0.00024696486,0.0001496205,0.00038115116,0.000069091446,0.03621979,0.000041390387,0.00090395904,0.55614775,0.39829654,0.00688859],"study_design_scores_gemma":[0.00060678116,0.0000695382,0.0012672757,0.00016612711,0.00039336528,0.000010381479,0.014675321,0.00010193765,0.00035949654,0.036462564,0.9455192,0.0003680123],"about_ca_topic_score_codex":0.007441397,"about_ca_topic_score_gemma":0.0011666026,"teacher_disagreement_score":0.5472227,"about_ca_system_score_codex":0.00026962569,"about_ca_system_score_gemma":0.00065397046,"threshold_uncertainty_score":0.99989206},"labels":[],"label_agreement":null},{"id":"W4414356905","doi":"10.4000/14lkt","title":"Images diasporiques et identités multiples dans l’œuvre de Lido Pimienta","year":2025,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Video recording; Reel; Carpentry; Corner reflector","score_opus":0.02374832680746627,"score_gpt":0.3692826817490808,"score_spread":0.34553435494161455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414356905","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04570901,0.027564863,0.0014273981,0.039863836,0.009824648,0.0007227936,0.004338304,0.00035954438,0.8701896],"genre_scores_gemma":[0.3662766,0.0041424516,0.0008302608,0.004766536,0.0017883255,0.00011767502,0.0007310479,0.000045980043,0.6213011],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816084,0.0002258903,0.0004616756,0.0004706436,0.000207481,0.0004734651],"domain_scores_gemma":[0.9988935,0.00018230172,0.00015278156,0.0003920331,0.00024890914,0.00013046339],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018755229,0.00033262355,0.00033017868,0.00014023422,0.0011692818,0.0010470568,0.00025767405,0.00019800448,0.0028468296],"category_scores_gemma":[0.00007918753,0.0003247302,0.00047507917,0.00021774779,0.0005983637,0.00062106183,0.00009651938,0.00039418406,0.00010524426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011975455,0.00026646056,0.00083177426,0.0001159016,0.00022245434,0.000030214751,0.11352648,0.000012271613,0.0013255833,0.56255805,0.31923357,0.0018652718],"study_design_scores_gemma":[0.0005520155,0.000038529015,0.0032649161,0.00032294332,0.00032302924,0.000011599926,0.35116497,0.000027220898,0.0012485223,0.024693634,0.6180055,0.00034711414],"about_ca_topic_score_codex":0.002366393,"about_ca_topic_score_gemma":0.0015761927,"teacher_disagreement_score":0.53786445,"about_ca_system_score_codex":0.00017061428,"about_ca_system_score_gemma":0.0002463204,"threshold_uncertainty_score":0.9999899},"labels":[],"label_agreement":null},{"id":"W4417439919","doi":"10.4000/15dhh","title":"À quels patrimoines immatériels culturels Noël appartient-il ?","year":2025,"lang":"fr","type":"article","venue":"Sociétés & Représentations","topic":"Religious Tourism and Spaces","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interculturality; Public space; Alien","score_opus":0.028605405397582405,"score_gpt":0.44085133125956716,"score_spread":0.4122459258619848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417439919","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13365868,0.06522359,0.0029158613,0.13231191,0.028229916,0.0018441068,0.0003279564,0.0005501424,0.6349378],"genre_scores_gemma":[0.46722156,0.04330845,0.0016095049,0.0027224403,0.0021705013,0.00024157681,0.00011188851,0.000048484497,0.48256558],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650043,0.00054373965,0.0007547032,0.0007109982,0.0006046865,0.00088545296],"domain_scores_gemma":[0.99802774,0.00044265535,0.00031880836,0.0005624188,0.00037964972,0.00026871436],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005043334,0.00037200403,0.00049541617,0.00016808056,0.0017976023,0.00036781165,0.0005069614,0.00047358873,0.0012687491],"category_scores_gemma":[0.00032836123,0.00038001285,0.000515145,0.001679289,0.0010988509,0.00060976966,0.00013196148,0.00041152703,0.0008189047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000156302,0.00032082366,0.004342293,0.00010843147,0.00028150438,0.000021864647,0.04308151,0.00015551303,0.00045616028,0.13070534,0.8007984,0.019712506],"study_design_scores_gemma":[0.0006861813,0.000046789835,0.0011119813,0.00018238409,0.00032305595,0.0000029902822,0.07383637,0.000074875876,0.0010314874,0.09655861,0.8256867,0.00045858935],"about_ca_topic_score_codex":0.012421328,"about_ca_topic_score_gemma":0.0014406773,"teacher_disagreement_score":0.33356288,"about_ca_system_score_codex":0.00022946957,"about_ca_system_score_gemma":0.0007421003,"threshold_uncertainty_score":0.99995905},"labels":[],"label_agreement":null},{"id":"W4417439942","doi":"10.4000/15dh7","title":"Refugee Protection, Safeguarding Intangible Cultural Heritage and Human Rights","year":2025,"lang":"","type":"article","venue":"Sociétés & Représentations","topic":"Archaeological Research and Protection","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Refugee; Human rights; Convention; Persecution; Safeguarding; Politics; Context (archaeology); International law","score_opus":0.05700159755836453,"score_gpt":0.413675724953368,"score_spread":0.3566741273950035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417439942","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8983522,0.0029404322,0.006563668,0.007757488,0.0020024895,0.0030164104,0.00014498181,0.00026409165,0.07895824],"genre_scores_gemma":[0.9862048,0.00031085155,0.0012446269,0.00014911612,0.00026575924,0.000071572984,0.0001285595,0.0000059550985,0.011618738],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99702525,0.0005617086,0.00055489346,0.00076830975,0.00041981245,0.0006700508],"domain_scores_gemma":[0.9988019,0.00023865157,0.0001477033,0.0003201582,0.00021005167,0.00028157266],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059862545,0.00029728623,0.0003365128,0.0002616861,0.004690508,0.00031599458,0.00024491758,0.00027350857,0.0056675193],"category_scores_gemma":[0.00025738718,0.0002462109,0.00017957688,0.0009894936,0.00085698144,0.0007135776,0.00012433167,0.0007892625,0.00016491568],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013886769,0.00042478731,0.16612755,0.0015316256,0.0021152757,0.00024186191,0.022822058,0.0012320458,0.022667125,0.11636035,0.02015727,0.6449314],"study_design_scores_gemma":[0.0022286691,0.0012783452,0.28755286,0.00038409137,0.00019805908,0.00006592556,0.01244886,0.0017395731,0.003901496,0.5607841,0.12841818,0.0009998601],"about_ca_topic_score_codex":0.011694535,"about_ca_topic_score_gemma":0.005843662,"teacher_disagreement_score":0.6439315,"about_ca_system_score_codex":0.00005570924,"about_ca_system_score_gemma":0.000104542094,"threshold_uncertainty_score":0.999999},"labels":[],"label_agreement":null}]}