{"meta":{"query_hash":"6d27ce8ba218","filters":{"venue":"Studies in American fiction"},"cohort_total":4,"direct_labels_cover":0,"predictions_cover":4,"exported":4,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/6d27ce8ba218","api":"https://metacan.xera.ac/api/v1/cohort?venue=Studies+in+American+fiction"},"results":[{"id":"W1978439409","doi":"10.1353/saf.2008.0009","title":"Asian Object Lessons: Orientalist Decoration in Realist Aesthetics from William Dean Howells to Sui Sin Far","year":2008,"lang":"en","type":"article","venue":"Studies in American fiction","topic":"Asian American and Pacific Histories","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orientalism; Simplicity; Middle class; Aesthetics; Genius; Politics; Passion; Style (visual arts); Democracy; Literature; Sociology; Philosophy; History; Art; Law; Psychology; Political science","score_opus":0.046723546686134675,"score_gpt":0.3517628475038453,"score_spread":0.30503930081771063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978439409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60641366,0.0015955417,0.002289075,0.007558415,0.004285395,0.0014301324,0.00020383159,0.00041029011,0.37581363],"genre_scores_gemma":[0.99386394,0.0031804345,0.001575072,0.0003231994,0.00024117541,0.000053642187,0.00003394469,0.000020604652,0.00070801144],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979932,0.0003860968,0.00038178026,0.0004398599,0.00039173028,0.00040737423],"domain_scores_gemma":[0.99920505,0.00012101634,0.0002124044,0.0002440233,0.00009784285,0.00011968303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003296665,0.00019650673,0.00040879328,0.0002374203,0.0006430417,0.000026625787,0.00018280628,0.00005794491,0.000025504247],"category_scores_gemma":[0.00042836033,0.00021411519,0.000058873273,0.0017153369,0.0021771132,0.00017782919,0.000043084292,0.00018392873,0.000044069195],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013221755,0.00021807606,0.12073202,0.000007698902,0.000040114657,0.00010250227,0.79375476,0.00013015632,0.000076800396,0.0019562782,0.025420424,0.05742893],"study_design_scores_gemma":[0.00030167509,0.00029520976,0.048008334,0.00007458402,0.000014177684,0.0000037933034,0.6522307,0.000013661298,0.00003733651,0.00036743583,0.29823232,0.0004207874],"about_ca_topic_score_codex":0.046905514,"about_ca_topic_score_gemma":0.11886794,"teacher_disagreement_score":0.38745025,"about_ca_system_score_codex":0.0013461236,"about_ca_system_score_gemma":0.0001794658,"threshold_uncertainty_score":0.95944124},"labels":[],"label_agreement":null},{"id":"W2032602196","doi":"10.1353/saf.2001.0000","title":"The Bureaucratic Origins of The Scarlet Letter","year":2001,"lang":"en","type":"article","venue":"Studies in American fiction","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bureaucracy; Meaning (existential); Power (physics); Sensibility; Law; Sociology; Representation (politics); Media studies; Aesthetics; Political science; Politics; Epistemology; Philosophy","score_opus":0.06611083362428634,"score_gpt":0.3221491924069233,"score_spread":0.256038358782637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032602196","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86871755,0.0021752089,0.000034763558,0.004963056,0.003992844,0.00034439136,0.000010906488,0.000068945745,0.11969232],"genre_scores_gemma":[0.99500746,0.0011135237,0.00000392868,0.00042343998,0.0005136839,0.000049955157,3.1824942e-7,0.000007291339,0.002880391],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927324,0.000071978364,0.00021663525,0.00012540359,0.00015841397,0.00015434643],"domain_scores_gemma":[0.9993435,0.00018070269,0.00014007915,0.0001975762,0.00012984293,0.000008290917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001357293,0.00009995896,0.00017690545,0.00004740002,0.0007590635,0.000026417349,0.00010345868,0.000008130302,0.00003094399],"category_scores_gemma":[0.00007809306,0.00005106495,0.00008051381,0.0001687365,0.0017954714,0.000060792692,0.00006945415,0.00011421228,0.000012570843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029353183,0.00027734332,0.054884154,0.000066930355,0.0011723241,0.000008214368,0.22172804,0.00015514213,0.0004228493,0.21506721,0.43950453,0.06641972],"study_design_scores_gemma":[0.00011960013,0.00007754057,0.0075432956,0.000021047746,0.000024153062,0.0000019088639,0.063202165,0.00001266888,0.00006741669,0.00047823568,0.9283847,0.00006724193],"about_ca_topic_score_codex":0.00088831334,"about_ca_topic_score_gemma":0.003679284,"teacher_disagreement_score":0.4888802,"about_ca_system_score_codex":0.00013203187,"about_ca_system_score_gemma":0.00000814612,"threshold_uncertainty_score":0.6615489},"labels":[],"label_agreement":null},{"id":"W4392957504","doi":"10.1353/saf.0.a923002","title":"(De)composing Gothicism: Disturbing the (eco-) Gothic in Shirley Jackson’s We Have Always Lived in the Castle","year":2024,"lang":"en","type":"article","venue":"Studies in American fiction","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; History; Art history; Literature","score_opus":0.05727867692425097,"score_gpt":0.38629190900749066,"score_spread":0.3290132320832397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392957504","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8095832,0.030831512,0.00027440896,0.08814871,0.0030762102,0.0009719135,0.000009917863,0.00016594495,0.066938214],"genre_scores_gemma":[0.99254584,0.0056396797,0.000060802962,0.00081362686,0.00039045475,0.00009118228,0.000002488143,0.00001026649,0.00044564062],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99786437,0.00081862457,0.0002941247,0.0002881075,0.00034618878,0.00038859996],"domain_scores_gemma":[0.9985148,0.001164414,0.00007733733,0.0001768883,0.000037112248,0.000029489784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002363537,0.00013557804,0.00026128997,0.00022208082,0.00036996996,0.0001752504,0.00025463515,0.00006457561,0.000013778884],"category_scores_gemma":[0.0005110609,0.00008511667,0.00008986993,0.0016285869,0.00078912894,0.00014919824,0.000052975032,0.00074901845,0.000008749],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011492808,0.000041099414,0.015691092,0.000031720872,0.000055100398,0.00006700057,0.9635137,0.00014192563,0.00006187289,0.002296135,0.0025629038,0.015526008],"study_design_scores_gemma":[0.00013766244,0.000054923144,0.011691553,0.00049915165,0.000058734877,0.0000044369203,0.88016224,0.001288886,0.000009989139,0.0016066903,0.104315475,0.00017027972],"about_ca_topic_score_codex":0.012068503,"about_ca_topic_score_gemma":0.044854823,"teacher_disagreement_score":0.1829627,"about_ca_system_score_codex":0.0005553659,"about_ca_system_score_gemma":0.00012032815,"threshold_uncertainty_score":0.99451023},"labels":[],"label_agreement":null},{"id":"W4393225410","doi":"10.1353/saf.2023.a923102","title":"Empires of Extraction: Silver Field Ecologies and Eugenics in Silvia Moreno-Garcia’s Mexican Gothic","year":2023,"lang":"en","type":"article","venue":"Studies in American fiction","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Garcia; Eugenics; Art; Sociology; Humanities; History; Political science; Law","score_opus":0.04904404834540028,"score_gpt":0.4133585164158432,"score_spread":0.36431446807044293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393225410","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9875716,0.0010764644,0.0000077591585,0.0038296275,0.0005597967,0.00012467515,0.0000028800962,0.000057658654,0.0067695305],"genre_scores_gemma":[0.9882767,0.010697696,0.00008963463,0.00017375378,0.00010792537,0.000030709103,0.0000024263506,0.000004212779,0.0006169236],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9990185,0.00016310363,0.00022331672,0.00018918022,0.00019800085,0.00020791116],"domain_scores_gemma":[0.99905276,0.00063868647,0.000117782765,0.00009592489,0.00006481105,0.0000300314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053987134,0.00007991501,0.00026809142,0.00026829663,0.00013066556,0.000011824629,0.00007500409,0.000061358965,0.000019562296],"category_scores_gemma":[0.00107388,0.00007332046,0.000044423858,0.0013454643,0.0006499903,0.00011398262,0.000046858368,0.00017410437,0.000002174361],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071662565,0.000101817284,0.6104156,0.00008793838,0.00021051474,0.000042512245,0.29684553,0.00020006455,0.0005358135,0.0024610532,0.016019704,0.07300782],"study_design_scores_gemma":[0.0003719875,0.00031302692,0.39903843,0.00011358032,0.00008007031,0.0000010146911,0.5533797,0.00022116257,0.0003480966,0.0025031378,0.04336619,0.00026358943],"about_ca_topic_score_codex":0.004231142,"about_ca_topic_score_gemma":0.024010915,"teacher_disagreement_score":0.25653416,"about_ca_system_score_codex":0.00009514133,"about_ca_system_score_gemma":0.0000577667,"threshold_uncertainty_score":0.9937983},"labels":[],"label_agreement":null}]}