{"meta":{"query_hash":"f5514588e6e6","filters":{"venue":"Studies in Costume & Performance"},"cohort_total":6,"direct_labels_cover":0,"predictions_cover":6,"exported":6,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/f5514588e6e6","api":"https://metacan.xera.ac/api/v1/cohort?venue=Studies+in+Costume+%26+Performance"},"results":[{"id":"W2900558029","doi":"10.1386/scp.3.2.149_1","title":"RuPaul’s Drag Race: A study in the commodification of white ruling-class femininity and the etiolation of drag","year":2018,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Sexuality, Behavior, and Technology","field":"Psychology","cited_by":17,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"Kansainvälisen Liikkuvuuden ja Yhteistyön Keskus; Aalto-Yliopisto","keywords":"Drag; Gender studies; Commodification; Masculinity; Femininity; Queer; Sociology; Politics; Aesthetics; Ideology; Law; Political science; Art; Mechanics","score_opus":0.0999994547656852,"score_gpt":0.4136469642512758,"score_spread":0.3136475094855906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900558029","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9037699,0.0005620051,0.0012225864,0.0071927444,0.00007625528,0.00002748918,0.000024365494,0.00003634529,0.08708816],"genre_scores_gemma":[0.98899287,0.00016752824,0.00025050825,0.00074526784,0.000022528868,0.000018239823,0.000005653889,0.000025953872,0.009771396],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99688953,0.0020448337,0.000029957118,0.0002658222,0.00030598047,0.00046388074],"domain_scores_gemma":[0.997698,0.001300213,0.00023186885,0.00018988254,0.00019385415,0.00038614837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002943045,0.00045773506,0.00043769288,0.0009324263,0.01598464,0.00504183,0.0012373286,0.0016685177,0.007941021],"category_scores_gemma":[0.0045951456,0.00030983918,0.00021248906,0.00050928927,0.017544158,0.004468185,0.0050872504,0.004190283,0.00063022116],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038199432,0.00007223445,0.0013724866,0.0000459211,0.000003740028,0.00095345714,0.9067977,0.00004369182,0.0016903847,0.07862369,0.003189732,0.0071688523],"study_design_scores_gemma":[0.0000056552726,0.000118484335,0.003859048,0.000102064325,0.000006760843,0.00068682746,0.88880354,0.00017874126,0.0015357746,0.003739139,0.10093267,0.000031228185],"about_ca_topic_score_codex":0.018638212,"about_ca_topic_score_gemma":0.026423981,"teacher_disagreement_score":0.018638212,"about_ca_system_score_codex":0.0038929621,"about_ca_system_score_gemma":0.0017642161,"threshold_uncertainty_score":0.037059486},"labels":[],"label_agreement":null},{"id":"W3192371044","doi":"10.1386/scp_00042_5","title":"Spectral Characters: Genre and Materiality on the Modern Stage, Sarah Balkin (2019)","year":2021,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Materiality (auditing); Stage (stratigraphy); Aesthetics; Literature; Art; History; Paleontology; Geology","score_opus":0.08323326310797775,"score_gpt":0.28846782449054587,"score_spread":0.20523456138256813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3192371044","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004311507,0.93051016,0.00029499127,0.034686808,0.009045994,0.000004772999,0.000051689723,0.000028875462,0.024945557],"genre_scores_gemma":[0.01657374,0.7896894,0.00063535455,0.016352236,0.013559316,0.000033310873,0.0001783995,0.0001177846,0.16286035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995528,0.00016854129,0.000026110423,0.00006677807,0.0001393121,0.000046462945],"domain_scores_gemma":[0.9994012,0.00024051787,0.00005698604,0.00002139609,0.00018023684,0.000099611054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009644636,0.0008209723,0.00049113936,0.0013967887,0.0014309359,0.0048050075,0.0006951271,0.0014986543,0.024130106],"category_scores_gemma":[0.001876056,0.0003836495,0.00021171028,0.00207021,0.002368499,0.007421264,0.0022399076,0.0028839838,0.009453924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032772878,0.000014249763,0.00016814882,0.00058597175,0.000005309525,0.000039882245,0.0013240821,0.000034892735,0.00015387719,0.021526897,0.82792646,0.1481874],"study_design_scores_gemma":[0.0000023930131,0.000008131911,0.00065282884,0.0008720745,0.0000031910322,0.00013199616,0.0010614836,0.000015426123,0.000053620224,0.0039906097,0.99320316,0.0000050356193],"about_ca_topic_score_codex":0.006629616,"about_ca_topic_score_gemma":0.016019171,"teacher_disagreement_score":0.024130106,"about_ca_system_score_codex":0.0019539245,"about_ca_system_score_gemma":0.0017966016,"threshold_uncertainty_score":0.080723226},"labels":[],"label_agreement":null},{"id":"W4250996627","doi":"10.1386/scp.3.2.223_5","title":"Exhibition Review","year":2018,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art; Art history","score_opus":0.15848346231162283,"score_gpt":0.3475964991564665,"score_spread":0.18911303684484368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250996627","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030293842,0.918065,0.00026266163,0.016320141,0.013083004,0.00014220363,0.00165899,0.00010036115,0.05006466],"genre_scores_gemma":[0.0037424534,0.9081276,0.0005009143,0.014824301,0.009045542,0.00034900123,0.0022548756,0.000119175,0.061036106],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987717,0.00031293082,0.00014685724,0.00015134091,0.00043359422,0.00018349067],"domain_scores_gemma":[0.9955455,0.0015337303,0.0005512306,0.00021721164,0.0018120022,0.00034029936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020063242,0.0010399757,0.0011240612,0.0047273147,0.0011320486,0.003827393,0.0017793246,0.0024101336,0.17811431],"category_scores_gemma":[0.010861387,0.00043234328,0.001214653,0.005150905,0.0008778843,0.0027350348,0.0028422016,0.001900816,0.041482136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005390514,0.000023945026,0.00014478082,0.0093028685,0.000053275657,0.00009705563,0.0000944369,0.000052945616,0.00009603785,0.0014059858,0.8270057,0.1616691],"study_design_scores_gemma":[0.000006369674,0.00000889022,0.00022321822,0.0063672294,0.000027204851,0.00008764171,0.00008108108,0.000004060129,0.000021222206,0.0001884647,0.9929803,0.000004320678],"about_ca_topic_score_codex":0.0071188593,"about_ca_topic_score_gemma":0.0116776945,"teacher_disagreement_score":0.17811431,"about_ca_system_score_codex":0.0020276227,"about_ca_system_score_gemma":0.006337892,"threshold_uncertainty_score":0.5958517},"labels":[],"label_agreement":null},{"id":"W4321633971","doi":"10.1386/scp_00080_5","title":"Scenography and Art History: Performance Design and Visual Culture, Astrid Von Rosen and Viveka Kjellmer (eds) (2021)","year":2022,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Scenography; Art; Visual culture; Visual arts; Art history","score_opus":0.060921163023757184,"score_gpt":0.2747883815497769,"score_spread":0.21386721852601973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321633971","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015659531,0.9880518,0.00013586346,0.0020940483,0.00075013004,0.0000025091965,0.000022992119,0.000011632831,0.008774519],"genre_scores_gemma":[0.0042308527,0.9722572,0.0004077447,0.0005811916,0.001090108,0.000010522007,0.000087244356,0.00002441103,0.021310756],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916685,0.0002625511,0.000057989524,0.00009603908,0.0003381214,0.0000783727],"domain_scores_gemma":[0.99893683,0.00053451565,0.00012965499,0.00004285046,0.00024410768,0.000112021],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016399691,0.0013891145,0.0010649231,0.0028379655,0.00096417364,0.006955708,0.0009712929,0.0018874813,0.036805663],"category_scores_gemma":[0.0024388058,0.00063720066,0.0005138098,0.005329404,0.0027146318,0.0063595194,0.0022410664,0.001721472,0.0120838545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039725728,0.000020591775,0.0002951691,0.002953661,0.000019579018,0.00009724487,0.0010591901,0.00019085576,0.00031070464,0.011527033,0.31123182,0.6722544],"study_design_scores_gemma":[0.0000062598533,0.000020812677,0.0019217967,0.0037192204,0.000013749283,0.0004648245,0.0015972853,0.0000543266,0.00011177007,0.004273279,0.9878022,0.000014542787],"about_ca_topic_score_codex":0.017879559,"about_ca_topic_score_gemma":0.0315273,"teacher_disagreement_score":0.036805663,"about_ca_system_score_codex":0.0031511486,"about_ca_system_score_gemma":0.003066965,"threshold_uncertainty_score":0.12312722},"labels":[],"label_agreement":null},{"id":"W4405834647","doi":"10.1386/scp_00122_7","title":"Jumping off a cliff: In conversation with Shawn Kerwin","year":2024,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Cliff; Conversation; Engineering; Linguistics; Geography; Philosophy; Archaeology","score_opus":0.09268613031623832,"score_gpt":0.30489189527731314,"score_spread":0.21220576496107482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405834647","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11655336,0.021036405,0.0056288997,0.60053486,0.02005589,0.0002868437,0.0002165374,0.00038313432,0.23530409],"genre_scores_gemma":[0.582789,0.010763505,0.004581182,0.1613999,0.0018837565,0.00025874435,0.00009594948,0.00065370265,0.23757418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939255,0.0023983272,0.00010535705,0.0006101656,0.0017002014,0.0012605212],"domain_scores_gemma":[0.99242955,0.0017618615,0.00023570521,0.00013962276,0.0022784097,0.0031549071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005149849,0.0009834034,0.00091808726,0.0012176724,0.033944473,0.008322541,0.0024952688,0.0049555697,0.007625008],"category_scores_gemma":[0.0142518645,0.0007050087,0.0005656201,0.00127172,0.013065601,0.0059406045,0.0039936285,0.010730768,0.0015717054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009894449,0.00011424578,0.0022105332,0.00019712717,0.000022073964,0.0032886646,0.3674545,0.00028648632,0.0012866693,0.020160206,0.576719,0.028161509],"study_design_scores_gemma":[0.000009470867,0.000048284626,0.0010575127,0.00023712938,0.000011992626,0.0016803914,0.41505873,0.00020223706,0.000376683,0.0016393658,0.5795682,0.000109938024],"about_ca_topic_score_codex":0.5273833,"about_ca_topic_score_gemma":0.70514685,"teacher_disagreement_score":0.5273833,"about_ca_system_score_codex":0.01992666,"about_ca_system_score_gemma":0.023049926,"threshold_uncertainty_score":0.9508},"labels":[],"label_agreement":null},{"id":"W4405834667","doi":"10.1386/scp_00113_2","title":"Finding common threads: The future of costume pedagogy and practice","year":2024,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pedagogy; Computer science; Sociology","score_opus":0.10251188016637855,"score_gpt":0.3806558927861428,"score_spread":0.2781440126197643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405834667","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017577106,0.27159217,0.041376434,0.4910887,0.050582748,0.000118011136,0.00007102827,0.0006954604,0.12689835],"genre_scores_gemma":[0.35849634,0.32859582,0.0874904,0.061244555,0.051838182,0.0007203313,0.00031418176,0.0015067902,0.10979339],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9901557,0.005518203,0.00046052897,0.0009983188,0.0019294847,0.0009376209],"domain_scores_gemma":[0.9811312,0.012445158,0.0008867927,0.0013460628,0.0014797741,0.002711056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01038579,0.0008562551,0.0009969728,0.0029036975,0.006676912,0.024140446,0.002770187,0.0067075416,0.015041591],"category_scores_gemma":[0.015542992,0.00040572378,0.0009460134,0.002198757,0.020566216,0.028776435,0.012364595,0.0060348464,0.0029487174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045966186,0.00008657923,0.0009266671,0.0015454559,0.0000225231,0.0002475333,0.060041875,0.0001979531,0.00061969465,0.2956239,0.13978803,0.5008539],"study_design_scores_gemma":[0.000004720219,0.000038373513,0.00040855,0.0015143622,0.0000073787755,0.00023189867,0.026795994,0.00014902388,0.0001584665,0.114540935,0.8561282,0.000022199949],"about_ca_topic_score_codex":0.0008670932,"about_ca_topic_score_gemma":0.002075016,"teacher_disagreement_score":0.024140446,"about_ca_system_score_codex":0.004611855,"about_ca_system_score_gemma":0.0078026988,"threshold_uncertainty_score":0.05492598},"labels":[],"label_agreement":null}]}