{"meta":{"query_hash":"ad2b775e4960","filters":{"venue":"Studies in French Cinema"},"cohort_total":7,"direct_labels_cover":0,"predictions_cover":7,"exported":7,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/ad2b775e4960","api":"https://metacan.xera.ac/api/v1/cohort?venue=Studies+in+French+Cinema"},"results":[{"id":"W1965026344","doi":"10.1386/sfc.11.2.111_1","title":"Processions of trauma in <i>Hiroshima mon amour</i> : Towards an ethics of representation","year":2011,"lang":"en","type":"article","venue":"Studies in French Cinema","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Representation (politics); Art; Art history; Psychology; Political science; Law","score_opus":0.2601439284991489,"score_gpt":0.44599131594377955,"score_spread":0.18584738744463064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965026344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.936164,0.0015144583,0.00012267935,0.00018556885,0.0005617626,0.00030910128,0.000009475313,0.000020701798,0.061112247],"genre_scores_gemma":[0.99823123,0.00017525938,0.0009840853,0.00006243745,0.00005643152,0.000099352386,0.000011353858,0.000012311993,0.00036754354],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99831,0.000311882,0.00064077077,0.00030517625,0.0002319836,0.00020015058],"domain_scores_gemma":[0.9989224,0.00014373678,0.00024523077,0.0004211009,0.0002326602,0.00003489208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007446903,0.00014121829,0.0003938162,0.00022823898,0.000045286837,0.0000023665161,0.00021040479,0.00016015607,0.00015643754],"category_scores_gemma":[0.00035965332,0.00012668864,0.000045894096,0.0005255663,0.00023707337,0.00012318969,0.000048768066,0.00031678166,0.0000034136117],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025758214,0.0022679938,0.36011875,0.00058009056,0.00013185655,0.000033815686,0.5785411,0.000048770864,0.0020091718,0.0061468664,0.0030571702,0.04680681],"study_design_scores_gemma":[0.0017578389,0.00070603983,0.9020579,0.00027624358,0.00003767482,0.0000046385694,0.06899576,0.00006464868,0.014087691,0.011736964,0.00006775058,0.00020687662],"about_ca_topic_score_codex":0.002325502,"about_ca_topic_score_gemma":0.0073018903,"teacher_disagreement_score":0.54193914,"about_ca_system_score_codex":0.000026939371,"about_ca_system_score_gemma":0.000043608932,"threshold_uncertainty_score":0.5166213},"labels":[],"label_agreement":null},{"id":"W2024396718","doi":"10.1386/sfci.5.3.163/1","title":"Contrasting visions in le jeune cinéma: poetics, politics and the rural","year":2005,"lang":"en","type":"article","venue":"Studies in French Cinema","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Movie theater; Vision; Politics; Poetics; Context (archaeology); Parade; Art history; Sociology; Art; Media studies; History; Literature; Political science; Anthropology; Poetry; Law; Archaeology","score_opus":0.04124923540392712,"score_gpt":0.32203586130854867,"score_spread":0.28078662590462156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2024396718","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48413888,0.14769635,0.00002897087,0.079026185,0.0015270889,0.0009393384,0.000011321972,0.000100199504,0.2865317],"genre_scores_gemma":[0.9884169,0.0073016896,0.0002001261,0.00039070085,0.0005930894,0.000035951845,6.335906e-7,0.000007239181,0.0030536691],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99848753,0.00019492513,0.0003539574,0.0001793025,0.00026365338,0.0005206498],"domain_scores_gemma":[0.99869245,0.0009512067,0.000073712275,0.000110767054,0.00011202515,0.0000598366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010187139,0.00014474535,0.0004025495,0.00007859314,0.0009773002,0.00003436595,0.00017628404,0.00006708148,0.000015362206],"category_scores_gemma":[0.0023230594,0.00010648048,0.000051084575,0.00037458676,0.0025254532,0.00009936934,0.00016850207,0.00022489305,0.000005194051],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008343216,0.00010366597,0.03735598,0.000023925151,0.00009055333,0.000011918574,0.28423455,0.000030144387,0.0000044836265,0.6526962,0.020511944,0.0049283127],"study_design_scores_gemma":[0.0081998445,0.00009328152,0.17424648,0.00041170363,0.00006636308,0.0000027244591,0.5556982,0.00041592366,0.000012111265,0.08975915,0.17041875,0.00067544903],"about_ca_topic_score_codex":0.024742583,"about_ca_topic_score_gemma":0.14604881,"teacher_disagreement_score":0.562937,"about_ca_system_score_codex":0.00022080044,"about_ca_system_score_gemma":0.0000756903,"threshold_uncertainty_score":0.98175174},"labels":[],"label_agreement":null},{"id":"W2030354819","doi":"10.1386/sfc.12.2.123_1","title":"L'impact de la télévision sur les études cinématographiques en France: l'exemple de la « révolution télévisuelle » et de l'Institut de Filmologie","year":2012,"lang":"fr","type":"article","venue":"Studies in French Cinema","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.06159694245855617,"score_gpt":0.34544081898132056,"score_spread":0.2838438765227644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030354819","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46491206,0.46935323,0.00012971672,0.0013422911,0.0009957745,0.00026938168,0.00007805224,0.0001460399,0.062773466],"genre_scores_gemma":[0.89358807,0.09153325,0.0009755309,0.00022034398,0.0014525742,0.00015745492,0.000014874785,0.000034873417,0.012023026],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961374,0.0012642777,0.0005428279,0.00039757983,0.0003019447,0.001355998],"domain_scores_gemma":[0.9972865,0.0018292887,0.00019041216,0.00024814307,0.00021730177,0.00022834215],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0020874569,0.00058134797,0.0007656287,0.0001771816,0.0011462679,0.00011881051,0.0003222751,0.00039486517,0.0006467659],"category_scores_gemma":[0.0017720002,0.0004516484,0.00033961792,0.00025920058,0.0023823183,0.00046216536,0.0002870417,0.000773919,0.000022721628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033995922,0.001054681,0.41759163,0.00071356166,0.0005713516,0.00008632388,0.0814501,0.00024779545,0.0003052408,0.15910873,0.33341116,0.0054254285],"study_design_scores_gemma":[0.00056958006,0.00028668117,0.29900703,0.0006529846,0.00013769303,0.00005543706,0.005744949,0.00005228879,0.00006548178,0.0061282874,0.68681514,0.0004844481],"about_ca_topic_score_codex":0.03406536,"about_ca_topic_score_gemma":0.0054908474,"teacher_disagreement_score":0.428676,"about_ca_system_score_codex":0.0014717411,"about_ca_system_score_gemma":0.00022494423,"threshold_uncertainty_score":0.9997935},"labels":[],"label_agreement":null},{"id":"W2144550471","doi":"10.1080/14715880.2014.899745","title":"First sight: how love stories begin (and how some of them end) in today’s French cinema","year":2014,"lang":"en","type":"article","venue":"Studies in French Cinema","topic":"Contemporary art, education, critique","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Movie theater; Narrative; Entertainment; Art; Sight; Literature; Aesthetics; Visual arts","score_opus":0.047759012735665976,"score_gpt":0.31548708540675485,"score_spread":0.2677280726710889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144550471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70130885,0.010648044,0.000047203932,0.2488006,0.002079033,0.00083250616,0.000023975968,0.00006554184,0.036194224],"genre_scores_gemma":[0.97638947,0.0024929494,0.0005507641,0.000089597124,0.0006338177,0.00005298347,0.000003983368,0.000016476977,0.01976995],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770457,0.0005648739,0.00034148686,0.0004680654,0.00044579527,0.00047520845],"domain_scores_gemma":[0.99781847,0.0012332088,0.00021167067,0.00037074345,0.0002635635,0.000102337384],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0021201533,0.00026590322,0.0006190048,0.00023426542,0.00027495372,0.0000584013,0.00035907552,0.00013461417,0.00012523579],"category_scores_gemma":[0.002630144,0.00024817596,0.000065161956,0.0005773334,0.001180398,0.0010128516,0.00014188394,0.0002348315,0.00000837591],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008181528,0.0002425846,0.38244864,0.0003484356,0.00008193315,0.000009937676,0.38133502,0.0000091498605,0.00005837966,0.061965525,0.17262125,0.0008709435],"study_design_scores_gemma":[0.002165812,0.00044781997,0.25420138,0.0010206935,0.000054748227,0.0000043116365,0.29308707,0.000049303133,0.0005355247,0.09388389,0.35350755,0.0010418951],"about_ca_topic_score_codex":0.0061607715,"about_ca_topic_score_gemma":0.12914996,"teacher_disagreement_score":0.27508062,"about_ca_system_score_codex":0.00016407954,"about_ca_system_score_gemma":0.00021183382,"threshold_uncertainty_score":0.999997},"labels":[],"label_agreement":null},{"id":"W2312293853","doi":"10.1386/sfc.11.1.71_1","title":"Negative ethics: The missed event in the French films of Michael Haneke","year":2011,"lang":"en","type":"article","venue":"Studies in French Cinema","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Documentary film; Event (particle physics); History; Art; Art history; Physics; Astrophysics","score_opus":0.16767999607576703,"score_gpt":0.30743676843710777,"score_spread":0.13975677236134074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312293853","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7997275,0.085704245,0.000096136515,0.0128462035,0.002481105,0.0013963046,0.00012906935,0.000027042086,0.09759238],"genre_scores_gemma":[0.9939954,0.0038244352,0.00038847988,0.0007094665,0.00008569182,0.00014391755,0.0000023277687,0.000011396587,0.00083887944],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99833375,0.000085433945,0.0008158008,0.00033479606,0.0000921613,0.0003380683],"domain_scores_gemma":[0.99798083,0.0011090457,0.0003314909,0.00046285687,0.00009218667,0.000023573499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017373567,0.00020819313,0.000619457,0.00019847213,0.00013786068,0.000006787916,0.00047479876,0.00009444846,0.00014530009],"category_scores_gemma":[0.0023617267,0.00013344755,0.000114923954,0.00055359036,0.0005462419,0.000059496182,0.00018196765,0.0004821464,0.000039518753],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022197153,0.00046032478,0.20574231,0.0002979658,0.00041091567,0.000037480717,0.6900119,0.000032310927,0.000022607941,0.04020842,0.062128942,0.0006246183],"study_design_scores_gemma":[0.0020655962,0.00038117528,0.7603488,0.0003421171,0.000037222693,0.000007720474,0.09589756,0.00014690911,0.00044873706,0.12695707,0.0128933145,0.00047380076],"about_ca_topic_score_codex":0.005093233,"about_ca_topic_score_gemma":0.0110384105,"teacher_disagreement_score":0.59411436,"about_ca_system_score_codex":0.000045258814,"about_ca_system_score_gemma":0.000028139393,"threshold_uncertainty_score":0.7699479},"labels":[],"label_agreement":null},{"id":"W2329677738","doi":"10.1386/sfc.11.1.57_1","title":"The ‘ghost image’ of horror and pornography in Michael Haneke's <i>La Pianiste</i> (2001)","year":2011,"lang":"en","type":"article","venue":"Studies in French Cinema","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Pornography; Art; Visual arts; Psychology; Psychoanalysis","score_opus":0.06149506186766177,"score_gpt":0.2589670863267221,"score_spread":0.19747202445906034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329677738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7361607,0.14230841,0.000025343508,0.0013366492,0.0012734064,0.0004906936,0.0000728534,0.0000228342,0.1183091],"genre_scores_gemma":[0.9676972,0.030521128,0.0008112612,0.00008848304,0.00005213318,0.0000824348,0.0000015819849,0.000015328045,0.0007304542],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99858445,0.000028853168,0.0006699478,0.00031695602,0.000040115065,0.00035966377],"domain_scores_gemma":[0.99908066,0.00031515787,0.00023307191,0.0002758858,0.000054034997,0.000041177518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009068677,0.0001804488,0.00057901605,0.00026763265,0.000119068325,0.0000103428565,0.00018041032,0.000057519042,0.000026607404],"category_scores_gemma":[0.00059934467,0.00014830292,0.000072687144,0.0004937077,0.00073801324,0.00008176631,0.00019251034,0.00017992582,0.000014077545],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040878982,0.0002174223,0.91369647,0.00024238699,0.00022416604,0.00004932266,0.030743944,4.297443e-7,0.00006003547,0.027301485,0.025526116,0.0018973732],"study_design_scores_gemma":[0.0024050795,0.0003218791,0.879644,0.00021964703,0.000025653417,0.000016342217,0.020571463,0.000026782023,0.00021339202,0.045361385,0.050700292,0.0004941226],"about_ca_topic_score_codex":0.00092720846,"about_ca_topic_score_gemma":0.004592862,"teacher_disagreement_score":0.2315365,"about_ca_system_score_codex":0.00002633781,"about_ca_system_score_gemma":0.00001071459,"threshold_uncertainty_score":0.6047618},"labels":[],"label_agreement":null},{"id":"W2790129728","doi":"10.1080/14715880.2017.1411576","title":"‘Authoring’ terrorism in Aziz Saâdallah’s <i>Le Temps du terrorisme</i>","year":2018,"lang":"en","type":"article","venue":"Studies in French Cinema","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Film director; Comedy; Witness; Terrorism; Art; Dialectic; Visual arts; Aesthetics; Humanities; Philosophy; Movie theater; Political science; Law; Theology","score_opus":0.06624971061319052,"score_gpt":0.3696162583162146,"score_spread":0.30336654770302407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790129728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.736436,0.0024609312,0.00004627191,0.008460343,0.0035480289,0.00043762277,0.000009537079,0.00010692572,0.24849434],"genre_scores_gemma":[0.9924304,0.0007066959,0.00038323033,0.00053980225,0.0019116416,0.00005548285,0.0000016433676,0.00001688256,0.003954216],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997753,0.00021357271,0.00044563363,0.00041031794,0.00041683338,0.0007606349],"domain_scores_gemma":[0.9991456,0.00016194297,0.00010094724,0.00028652456,0.0001792635,0.00012567615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014896017,0.00020364663,0.0003957172,0.00012390982,0.00057641265,0.000038286358,0.0003877545,0.00015778198,0.000084786996],"category_scores_gemma":[0.00075995305,0.00019653226,0.00009198233,0.00062608474,0.0012285984,0.00015409,0.00022203442,0.00025964156,0.00006120395],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006866708,0.0002692686,0.20477252,0.00007190107,0.00008380814,0.00006328781,0.6470545,0.0000055964856,0.000060249367,0.07316673,0.07228565,0.0021596043],"study_design_scores_gemma":[0.0020527686,0.00022630085,0.073916726,0.00038860543,0.000023448978,0.0000038379776,0.35484055,0.00010878644,0.00012482786,0.037926216,0.5295473,0.0008406966],"about_ca_topic_score_codex":0.011517294,"about_ca_topic_score_gemma":0.060762525,"teacher_disagreement_score":0.4572616,"about_ca_system_score_codex":0.00029381266,"about_ca_system_score_gemma":0.00020150865,"threshold_uncertainty_score":0.9950651},"labels":[],"label_agreement":null}]}