{"meta":{"query_hash":"d38a369a9fce","filters":{"venue":"Technoetic Arts"},"cohort_total":22,"direct_labels_cover":0,"predictions_cover":22,"exported":22,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/d38a369a9fce","api":"https://metacan.xera.ac/api/v1/cohort?venue=Technoetic+Arts"},"results":[{"id":"W2000404349","doi":"10.1386/tear.8.2.173_1","title":"The world as wide web: following codes to access knowledge-lands","year":2010,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Interactive and Immersive Displays","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Margin (machine learning); Computer science; World Wide Web","score_opus":0.014605366783095562,"score_gpt":0.32624755102068814,"score_spread":0.3116421842375926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000404349","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59617275,0.000120559824,0.052018892,0.015962142,0.004841113,0.0006331502,0.0000024347223,0.00035644375,0.3298925],"genre_scores_gemma":[0.99166256,0.000002188937,0.001219628,0.0010234305,0.000091303584,0.00004977402,6.878669e-7,0.000011698785,0.005938698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989463,0.000016923655,0.00016191506,0.00031769334,0.00019655561,0.00036061247],"domain_scores_gemma":[0.9986887,0.0003434029,0.000050274426,0.0007186287,0.000098752214,0.000100242025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027818503,0.00014568472,0.00012903784,0.00016885193,0.0004384778,0.00037682406,0.0018082337,0.000045894565,0.00003520419],"category_scores_gemma":[0.00025559356,0.000103097635,0.00009963735,0.00056770816,0.000065485016,0.00042545085,0.00069066643,0.00031105796,0.00089901563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039637747,0.00024479002,0.00946363,0.000016542994,0.0001273884,0.00011779027,0.0023438802,0.0000074832337,0.32738194,0.42487073,0.1907651,0.044621088],"study_design_scores_gemma":[0.00031090525,0.00010777166,0.006476171,0.00008883377,0.000018588564,0.000021988306,0.00015293137,0.0022012177,0.28966266,0.012760687,0.6877708,0.00042745334],"about_ca_topic_score_codex":0.000016600441,"about_ca_topic_score_gemma":0.0006001836,"teacher_disagreement_score":0.4970057,"about_ca_system_score_codex":0.000024684978,"about_ca_system_score_gemma":0.00006902536,"threshold_uncertainty_score":0.9998789},"labels":[],"label_agreement":null},{"id":"W2056352589","doi":"10.1386/tear.3.3.135/1","title":"Hallucinating Ted Serios: the impossibility of failed performativity","year":2005,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Cultural Studies and Postmodernism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Hallucinating; The Imaginary; Impossibility; Psychic; Interpretation (philosophy); Undoing; Verisimilitude; Psychoanalysis; Philosophy; Epistemology; Aesthetics; Art; Psychology; Computer science; Artificial intelligence; Linguistics; Law","score_opus":0.034959764232626166,"score_gpt":0.3324098281199153,"score_spread":0.2974500638872892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056352589","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95189726,0.00015961827,0.00008232976,0.011601073,0.000053285192,0.00029083432,0.0000032745395,0.000120546516,0.03579175],"genre_scores_gemma":[0.99869835,0.00003855564,0.0004862712,0.00009505286,0.00012417113,0.000012234349,5.6531746e-7,0.0000034460536,0.0005413794],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915045,0.00005235488,0.00019624138,0.00011559379,0.00026809186,0.00021724273],"domain_scores_gemma":[0.9994793,0.000099741876,0.000108292385,0.00019414493,0.00008445698,0.000034048113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078857574,0.000076764205,0.00012872156,0.000013176045,0.00087303773,0.00002600333,0.00022198858,0.000058829213,0.00017194502],"category_scores_gemma":[0.0002572891,0.00004682171,0.000059597853,0.00015821222,0.0003880314,0.0001355841,0.00009470301,0.00013036517,0.000024403811],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031534775,0.00027226753,0.032511424,0.00007930953,0.00007069371,0.000001817711,0.26183063,0.000083205276,0.003075935,0.04278381,0.004776499,0.65448284],"study_design_scores_gemma":[0.0011943456,0.00027607445,0.22802624,0.00020777993,0.0001110242,0.000006449705,0.11209081,0.006561573,0.011700091,0.018139824,0.6207133,0.00097249716],"about_ca_topic_score_codex":0.0010982134,"about_ca_topic_score_gemma":0.0050038267,"teacher_disagreement_score":0.6535104,"about_ca_system_score_codex":0.00006419981,"about_ca_system_score_gemma":0.000029352865,"threshold_uncertainty_score":0.67147887},"labels":[],"label_agreement":null},{"id":"W2056907044","doi":"10.1386/tear.5.1.3_1","title":"Touching light: A new framework for immersion in artistic environments","year":2007,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Kierkegaardian Philosophy and Influence","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Immersion (mathematics); Human–computer interaction; Consciousness; Storytelling; Computer science; Multimedia; Psychology; Narrative; Art; Mathematics","score_opus":0.031549999371473104,"score_gpt":0.25610214444026436,"score_spread":0.22455214506879126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056907044","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37639305,0.0015756662,0.28248897,0.012503024,0.0029144855,0.003088878,0.0000553877,0.00060744816,0.3203731],"genre_scores_gemma":[0.9928473,0.000006301961,0.004322712,0.00059179415,0.00059410254,0.000016063104,0.000004164278,0.000020312867,0.0015972353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990106,0.000004680431,0.00027167532,0.00022811326,0.0001464214,0.0003385075],"domain_scores_gemma":[0.99950546,0.00009404127,0.00007074232,0.00023798068,0.0000054622788,0.00008633538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020861157,0.00013722337,0.00015239514,0.0001501703,0.0001943344,0.000048270776,0.00015628399,0.000088005094,0.0002663217],"category_scores_gemma":[0.00007390651,0.00013108105,0.000061706596,0.000047412144,0.00009939192,0.00015621136,0.000039073086,0.00018894995,0.00021556241],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039841583,0.00006486327,0.00012983466,0.000017772667,0.000008308987,0.000017253491,0.006193193,0.0000036873664,0.00062490173,0.9665087,0.0015818162,0.02480985],"study_design_scores_gemma":[0.00034105955,0.0001261032,0.0002606389,0.00020159715,0.000016889295,0.0000030287604,0.0011806153,0.00003511654,0.0029805638,0.5845923,0.41000053,0.00026159285],"about_ca_topic_score_codex":0.000023313185,"about_ca_topic_score_gemma":0.000028010922,"teacher_disagreement_score":0.61645424,"about_ca_system_score_codex":0.000054047538,"about_ca_system_score_gemma":0.0000130296185,"threshold_uncertainty_score":0.53453296},"labels":[],"label_agreement":null},{"id":"W2061270501","doi":"10.1386/tear.3.3.155/1","title":"Electric flesh - the electromagnetic medium","year":2005,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Language and cultural evolution","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary; Alberta University of the Arts","funders":"","keywords":"Morphing; Object (grammar); Computer science; Einstein; Human–computer interaction; Living systems; Dynamics (music); Cognitive science; Sociology; Artificial intelligence; Psychology; Physics","score_opus":0.009807354154391696,"score_gpt":0.2691846185396044,"score_spread":0.2593772643852127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061270501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62304413,0.0037871208,0.00019435034,0.07432216,0.0002327019,0.0006954234,7.8963734e-7,0.0010226971,0.2967006],"genre_scores_gemma":[0.99093837,0.00013122334,0.00023133631,0.0006521287,0.00070657994,0.000026826923,0.0000011323515,0.0000061312326,0.007306272],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990597,0.000041056082,0.0001063734,0.00012955579,0.0003167584,0.00034657668],"domain_scores_gemma":[0.99966127,0.00003648706,0.00003785671,0.00017178114,0.000040453924,0.000052180694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030383936,0.00007246347,0.00006747975,0.000034763736,0.00055713253,0.00004150439,0.00028583244,0.00007879012,0.0005442981],"category_scores_gemma":[0.00012958351,0.000045675,0.000041607786,0.00042850946,0.00014156889,0.000101536934,0.000021973632,0.00014552489,0.00043734844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017221058,0.00017940009,0.00025773322,0.000009490583,0.00003095854,0.000017848786,0.03110595,0.000006998594,0.06976226,0.32738063,0.17844345,0.39278805],"study_design_scores_gemma":[0.00020077886,0.00011182158,0.0015138286,0.000012045719,0.000041420237,0.000015202278,0.0032515263,0.00012795489,0.008664971,0.013686328,0.9721248,0.00024931098],"about_ca_topic_score_codex":0.0003026022,"about_ca_topic_score_gemma":0.0016239672,"teacher_disagreement_score":0.7936814,"about_ca_system_score_codex":0.00009772269,"about_ca_system_score_gemma":0.000072486844,"threshold_uncertainty_score":0.59596825},"labels":[],"label_agreement":null},{"id":"W2079021473","doi":"10.1386/tear.8.1.11/1","title":"The symbiogenic experience: towards a framework for understanding humanmachine coupling in the interactive arts","year":2010,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Embodied and Extended Cognition","field":"Neuroscience","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"The arts; Embodied cognition; Consciousness; Context (archaeology); Epistemology; Conceptual framework; Representation (politics); Cognitive science; Sociology; Aesthetics; Competition (biology); Psychology; Visual arts; Art; Social science; Ecology; History; Political science","score_opus":0.09959067336874684,"score_gpt":0.3622331526399316,"score_spread":0.2626424792711848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079021473","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.887536,0.00007973174,0.06279584,0.008650418,0.0020436188,0.0021886595,0.000018266315,0.0004690537,0.03621845],"genre_scores_gemma":[0.9982925,0.000019983347,0.00060201314,0.0006035159,0.00013479842,0.0003036805,0.0000013057635,0.00001747002,0.000024708823],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99881023,0.00001787351,0.00021545155,0.00032783844,0.00026788513,0.00036070985],"domain_scores_gemma":[0.998342,0.0011175559,0.00009657113,0.00038639098,0.000023905659,0.000033615197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047225645,0.00014408637,0.00011125796,0.000084476684,0.0008189909,0.00016244673,0.00048255455,0.0001066733,0.000020438318],"category_scores_gemma":[0.0015650835,0.00008777982,0.000070692964,0.0002772594,0.00031946992,0.00013213145,0.00007585599,0.000656931,0.000014767618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039130653,0.00004949139,0.000029140027,0.0000058814953,0.0000020541052,0.000008043683,0.0038143215,0.0000065101494,0.018691074,0.9750077,0.000070925926,0.002275692],"study_design_scores_gemma":[0.00019395708,0.000066536864,0.000034678364,0.000059791164,0.000008580092,0.000029935136,0.006950852,0.0039400705,0.040361833,0.9473521,0.00086523994,0.00013642857],"about_ca_topic_score_codex":0.000007991486,"about_ca_topic_score_gemma":0.00006905306,"teacher_disagreement_score":0.11075655,"about_ca_system_score_codex":0.00005749419,"about_ca_system_score_gemma":0.000025115678,"threshold_uncertainty_score":0.62990993},"labels":[],"label_agreement":null},{"id":"W2160371358","doi":"10.1386/tear.1.1.77/0","title":"Social dimensions of wearable computers: an overview","year":2003,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Wearable computer; Field (mathematics); Computer science; Wearable technology; Human–computer interaction; Subject (documents); Data science; World Wide Web","score_opus":0.07718410290058852,"score_gpt":0.3398408046354268,"score_spread":0.2626567017348383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160371358","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3697976,0.0005793429,0.6098645,0.0028026926,0.001081177,0.00063378084,0.0000025900313,0.0021121146,0.0131262345],"genre_scores_gemma":[0.9503489,0.000013377099,0.049261414,0.00021409501,0.000019152412,0.0000131634315,8.161331e-7,0.000009506999,0.00011954546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989651,0.000048073096,0.0002623923,0.00029669332,0.00019532934,0.00023242857],"domain_scores_gemma":[0.99907357,0.00003558878,0.00015389449,0.000555549,0.00015599532,0.000025423691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002588799,0.00012479685,0.00019259071,0.00024046477,0.00019009253,0.000027839476,0.00052782893,0.00012282653,0.000030746487],"category_scores_gemma":[0.000048894508,0.00011134222,0.00004591655,0.00064042705,0.00016499712,0.00039641932,0.0001467055,0.00021726843,0.00006939812],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.2195825e-7,0.00013505518,0.000075899305,0.000011410833,0.000011809142,0.000007094173,0.00034765116,0.0000051684924,0.008216561,0.98085606,0.0017582565,0.008574119],"study_design_scores_gemma":[0.0010363443,0.0006798728,0.0017350746,0.0003059203,0.000032137967,0.00023681826,0.0003839576,0.010545874,0.33645633,0.5480399,0.09969527,0.0008524963],"about_ca_topic_score_codex":0.000007386795,"about_ca_topic_score_gemma":0.0000043338637,"teacher_disagreement_score":0.5805513,"about_ca_system_score_codex":0.00004704221,"about_ca_system_score_gemma":0.000039140385,"threshold_uncertainty_score":0.45404038},"labels":[],"label_agreement":null},{"id":"W2313607396","doi":"10.1386/tear.9.2-3.197_1","title":"Re/think Re/design","year":2012,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Education Methods and Practices","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Engineering ethics; Psychology; Engineering; History; Archaeology","score_opus":0.23950245186932312,"score_gpt":0.48092421344072006,"score_spread":0.24142176157139694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313607396","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02034287,0.0020745446,0.042158578,0.06565041,0.0025587967,0.0006507741,0.0000013601439,0.00087281555,0.8656899],"genre_scores_gemma":[0.84561163,0.00012406553,0.14646831,0.0006331493,0.00080763333,0.000020764162,5.2642844e-7,0.000010009262,0.006323932],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988932,0.0002931574,0.00012519585,0.0001127582,0.00026486436,0.00031080705],"domain_scores_gemma":[0.9988299,0.0006591252,0.00009504294,0.00023722446,0.00004497072,0.00013372266],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0039141383,0.00006575168,0.00008312764,0.000057363442,0.00046466617,0.000055058375,0.0001956373,0.0001043157,0.001517881],"category_scores_gemma":[0.0014970732,0.00006121805,0.000028475837,0.00025404044,0.00016230361,0.0003970726,0.000024115809,0.00014225864,0.00049035857],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014520484,0.00030659552,0.009353386,0.000018470833,0.000021974358,0.00000270727,0.1475865,0.000002176019,0.000577679,0.43015346,0.18958358,0.22237897],"study_design_scores_gemma":[0.00004257207,0.000017517392,0.0005495476,0.000011232137,0.000016249835,6.041028e-7,0.021824634,0.0000038156745,0.00095815916,0.03419397,0.94225913,0.00012259124],"about_ca_topic_score_codex":0.00028009055,"about_ca_topic_score_gemma":0.000089685556,"teacher_disagreement_score":0.85936594,"about_ca_system_score_codex":0.00004094039,"about_ca_system_score_gemma":0.000086816304,"threshold_uncertainty_score":0.9993949},"labels":[],"label_agreement":null},{"id":"W2315711001","doi":"10.1386/tear.10.1.125_1","title":"How biotechnology and society co-constitute each other","year":2012,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Biotechnology and Related Fields","field":"Medicine","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Video Pool Media Arts Centre","funders":"","keywords":"Biopower; Politics; Context (archaeology); The arts; Sociology; Political science; Social science; Environmental ethics; Biotechnology; Political economy; Law; Biology","score_opus":0.017079487483490318,"score_gpt":0.2628684588637223,"score_spread":0.24578897138023198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315711001","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6841434,0.008384351,0.0132443635,0.26027536,0.0005839137,0.0009669609,0.00001073733,0.0031991904,0.029191693],"genre_scores_gemma":[0.9905702,0.00055920694,0.0055208695,0.0014758108,0.00010249113,0.000015710357,0.0000033144604,0.000019430649,0.0017329815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991883,0.0000054473758,0.00011900087,0.00021009122,0.00009407114,0.00038306028],"domain_scores_gemma":[0.99944186,0.000018084695,0.000048563386,0.00038254142,0.000016792355,0.000092152775],"candidate_categories":["research_integrity"],"consensus_categories":[],"category_scores_codex":[0.00015037367,0.00015458079,0.0002345546,0.00011359874,0.00014463133,0.000008844569,0.00008229368,0.0037718085,0.00004972692],"category_scores_gemma":[0.000044448236,0.00012097726,0.00007032507,0.00018239015,0.001028133,0.00006956907,0.0000691817,0.0016709537,0.000067342036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007967553,0.00072884146,0.042358093,0.00027754306,0.00072233606,0.000081063416,0.0011798438,9.161405e-8,0.28864747,0.51139283,0.05102145,0.10351075],"study_design_scores_gemma":[0.0011293162,0.00018283159,0.0020610879,0.00009638899,0.00018818212,0.0013687192,0.0006283176,0.00004250954,0.3152991,0.0010910346,0.677623,0.00028957275],"about_ca_topic_score_codex":0.0000045954766,"about_ca_topic_score_gemma":5.0403156e-7,"teacher_disagreement_score":0.6266015,"about_ca_system_score_codex":0.000021289377,"about_ca_system_score_gemma":0.000020079715,"threshold_uncertainty_score":0.9975215},"labels":[],"label_agreement":null},{"id":"W2324837300","doi":"10.1386/tear.8.3.283_1","title":"Circumvention anxieties: Contemporary economies of dis/belief","year":2011,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Digital Media and Philosophy","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Counterfeit; Trope (literature); Empiricism; Politics; Sociology; Aesthetics; History; Epistemology; Positive economics; Literature; Law; Economics; Political science; Philosophy; Art","score_opus":0.07019646694132879,"score_gpt":0.2202095802778492,"score_spread":0.1500131133365204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324837300","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24163227,0.0005596664,0.054358143,0.0009324131,0.0009987383,0.00044954015,0.000010738331,0.000782929,0.70027554],"genre_scores_gemma":[0.99600816,0.0000067715378,0.0036985702,0.00007142701,0.000031215695,0.000015819136,0.0000015472691,0.0000064559954,0.00016002092],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993188,0.000007899288,0.00023076507,0.00020021202,0.00011551507,0.00012680638],"domain_scores_gemma":[0.99929404,0.000025652744,0.00010841957,0.00048507258,0.000033249325,0.000053585612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001025985,0.00009428828,0.00014873278,0.00011026379,0.000029910756,0.00002270804,0.00050543394,0.000051468796,0.000022502769],"category_scores_gemma":[0.000021651867,0.00008896089,0.00006401804,0.00013539192,0.00013112738,0.00045020593,0.00015225023,0.00005586493,0.00008168477],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008509153,0.0002406477,0.0041660173,0.00005128874,0.00002311384,0.000014612117,0.0021264392,4.918415e-7,0.000456488,0.9486061,0.0016648117,0.042641513],"study_design_scores_gemma":[0.00032119016,0.00036434113,0.0043092123,0.00010260367,0.0000061327346,0.000014786772,0.00010915971,0.00027115864,0.036709506,0.94757175,0.009944011,0.00027616552],"about_ca_topic_score_codex":0.000012573555,"about_ca_topic_score_gemma":8.447784e-7,"teacher_disagreement_score":0.75437593,"about_ca_system_score_codex":0.000009748318,"about_ca_system_score_gemma":0.000033935514,"threshold_uncertainty_score":0.362772},"labels":[],"label_agreement":null},{"id":"W2333638467","doi":"10.1386/tear.11.3.277_1","title":"What is a digital persona?","year":2013,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Technology Use by Older Adults","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Persona; Computer science; Human–computer interaction","score_opus":0.015949930822151206,"score_gpt":0.2703033360604348,"score_spread":0.2543534052382836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333638467","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8587694,0.0005112508,0.00019962527,0.0759277,0.0005571244,0.00086467137,0.0000043508135,0.0027959864,0.060369905],"genre_scores_gemma":[0.98971856,0.00012064865,0.000500372,0.00071058265,0.000090503694,0.00008070829,0.0000011792862,0.000016635968,0.008760795],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987762,0.000010615479,0.00014222918,0.000285188,0.00033924042,0.00044653754],"domain_scores_gemma":[0.99934137,0.000047107547,0.000051723142,0.0003653796,0.000084035244,0.00011037289],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011389511,0.00012178578,0.00012929163,0.00012219607,0.0003323139,0.00041526833,0.0004449164,0.0002281327,0.0010657647],"category_scores_gemma":[0.00014345827,0.00011885518,0.000060396018,0.00032901793,0.00069143926,0.0013299562,0.00011054717,0.00017760892,0.0038641547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032995406,0.0002006172,0.0077851578,0.000017443052,0.000041707233,0.000029641926,0.058310974,1.551958e-7,0.00048681974,0.05910158,0.16342694,0.71059567],"study_design_scores_gemma":[0.00042713518,0.00008530415,0.002409802,0.00014808631,0.000017935858,0.00001567379,0.08502578,0.00006076702,0.0019117305,0.13992824,0.7693729,0.00059667893],"about_ca_topic_score_codex":0.00040651462,"about_ca_topic_score_gemma":0.00015095584,"teacher_disagreement_score":0.70999897,"about_ca_system_score_codex":0.00007002684,"about_ca_system_score_gemma":0.000055740205,"threshold_uncertainty_score":0.9998474},"labels":[],"label_agreement":null},{"id":"W2335121572","doi":"10.1386/tear.11.2.131_1","title":"‘Alien Qualities’: Hanne Darboven – constructing time","year":2013,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Temporality; Infinity; Function (biology); Sociology; Computer science; Epistemology; World Wide Web; Mathematics; Philosophy; Biology","score_opus":0.03891645823556308,"score_gpt":0.2394775226646189,"score_spread":0.20056106442905583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335121572","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1638076,0.00010823043,0.00018482204,0.0018926194,0.0005070763,0.00046403348,0.000055583667,0.0009039894,0.832076],"genre_scores_gemma":[0.8886994,0.0000034097318,0.0005268444,0.0008849473,0.00079297554,0.00005359456,0.00001906719,0.00003928621,0.10898043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998666,0.000022334916,0.00033394058,0.00025647634,0.00022098677,0.0005002508],"domain_scores_gemma":[0.9991856,0.00007998235,0.00011118225,0.00039297977,0.00011280768,0.000117412244],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014248467,0.00020327061,0.000251145,0.00010711652,0.0003785341,0.00020873215,0.00022857114,0.00007664698,0.0077412836],"category_scores_gemma":[0.00006312835,0.00018631059,0.00008008856,0.0000035092362,0.00076806115,0.00027557166,0.000112032765,0.00016573722,0.003827347],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003875553,0.00009078974,0.000102308935,0.000064341846,0.00006105984,0.000011406574,0.09970109,0.0000020771192,0.00072533515,0.8010892,0.08786681,0.010281678],"study_design_scores_gemma":[0.00037355887,0.000096875345,0.000026086836,0.0000818108,0.0000391618,0.000026612335,0.015727147,0.0006102561,0.0016365986,0.13912486,0.841725,0.0005320363],"about_ca_topic_score_codex":0.0011480108,"about_ca_topic_score_gemma":0.00030733025,"teacher_disagreement_score":0.7538582,"about_ca_system_score_codex":0.00004008145,"about_ca_system_score_gemma":0.00003723084,"threshold_uncertainty_score":0.9969483},"labels":[],"label_agreement":null},{"id":"W2403063960","doi":"10.1386/tear.14.1-2.113_1","title":"Soft matter: Responsive architectural operations","year":2016,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Plant and Biological Electrophysiology Studies","field":"Agricultural and Biological Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Dynamism; Computer science; Architectural engineering; Architectural pattern; Space (punctuation); Architectural design; Soft materials; Through-the-lens metering; Architecture; Systems engineering; Engineering; Lens (geology); Nanotechnology; Materials science; Epistemology; Programming language; Visual arts; Art","score_opus":0.015204756450928347,"score_gpt":0.20854579645729335,"score_spread":0.193341040006365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2403063960","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9811152,0.0000675692,0.000028509774,0.017708935,0.0000418685,0.00012122558,0.00003524849,0.00017625219,0.0007051427],"genre_scores_gemma":[0.99762887,0.000024796624,0.00010908168,0.00074738363,0.00013370963,0.000028647597,0.000010425234,4.6159937e-7,0.0013165994],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.9992766,0.000029913826,0.00011886329,0.00022878275,0.00007280522,0.0002730482],"domain_scores_gemma":[0.99962837,0.00022844112,0.000021520467,0.000048517806,0.00003142904,0.00004171803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000059276696,0.000112702684,0.00013283151,0.000010328868,0.00023960714,0.0000114945415,0.00017746644,0.000077846875,0.00048529718],"category_scores_gemma":[0.00008493629,0.000026032112,0.000053946285,0.00011780748,0.00019719519,0.000033514887,0.00009275043,0.00006684934,0.0006047138],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029498542,0.000016560018,0.0014304852,4.2449133e-7,0.00000666116,0.0000042159454,0.0000070702663,2.5901622e-7,0.93395823,0.00042793207,0.0018835707,0.062235076],"study_design_scores_gemma":[0.00044997004,0.0017738056,0.7362916,0.00008950842,0.000032930693,0.00019322832,0.0001475601,0.000023746656,0.14938274,0.026533015,0.08416841,0.0009135163],"about_ca_topic_score_codex":0.000020016274,"about_ca_topic_score_gemma":0.00017784859,"teacher_disagreement_score":0.7845755,"about_ca_system_score_codex":0.000011772602,"about_ca_system_score_gemma":0.00000290412,"threshold_uncertainty_score":0.77725744},"labels":[],"label_agreement":null},{"id":"W2553484414","doi":"10.1386/tear.14.3.275_1","title":"Senses to cultivate the collective consciousness: Physical theatre, an experimental approach to product design education","year":2016,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Art Education and Development","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Assumption University","funders":"","keywords":"Consciousness; Intellect; Perception; Product (mathematics); Aesthetics; Collective unconscious; Object (grammar); Context (archaeology); Field (mathematics); The arts; Action (physics); Social consciousness; Sociology; Psychology; Epistemology; Visual arts; Art; Linguistics; Philosophy; History; Psychoanalysis; Mathematics","score_opus":0.050760265391677745,"score_gpt":0.2868370964461281,"score_spread":0.23607683105445035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2553484414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81493825,0.00006189419,0.0037534388,0.012159279,0.0010189104,0.0035009962,0.000012522938,0.0005444886,0.16401023],"genre_scores_gemma":[0.97536755,5.480452e-7,0.0025068156,0.0010651343,0.00056612556,0.0008365606,0.0000024034734,0.000021625065,0.019633226],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904966,0.000053962205,0.00014272517,0.00034065804,0.0001947441,0.00021826992],"domain_scores_gemma":[0.99931437,0.00005993387,0.0000401672,0.00034230607,0.00012706534,0.00011617118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014357668,0.00016053305,0.00012968756,0.00010377598,0.00055934896,0.000092633716,0.00018783282,0.000017274904,0.00014564379],"category_scores_gemma":[0.000040387953,0.00008577936,0.000029240722,0.00009512599,0.00020910556,0.00009436928,0.000061262115,0.000048264745,0.000379514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011067685,0.0030035092,0.0000826452,0.000010280609,0.00003694427,6.264756e-7,0.5550741,0.000013305042,0.01694307,0.16333376,0.21463344,0.046757635],"study_design_scores_gemma":[0.0005375616,0.0006980846,0.00050606154,0.00014812285,0.000036823734,0.000022885717,0.16156544,0.00005358657,0.27472964,0.018515043,0.54222715,0.0009596333],"about_ca_topic_score_codex":0.000022711929,"about_ca_topic_score_gemma":0.0000117239815,"teacher_disagreement_score":0.39350867,"about_ca_system_score_codex":0.0001633225,"about_ca_system_score_gemma":0.0002747286,"threshold_uncertainty_score":0.48780113},"labels":[],"label_agreement":null},{"id":"W2773175808","doi":"10.1386/tear.15.1.53_1","title":"Capricious creatures: Animal behaviour as a model for robotic art","year":2017,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Robotic Path Planning Algorithms","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Creatures; Instinct; Counterpoint; Robot; Human–computer interaction; Cognitive science; Computer science; Aesthetics; Artificial intelligence; Art; Psychology; Natural (archaeology); History; Biology; Ecology","score_opus":0.039664634937828236,"score_gpt":0.31163772458913014,"score_spread":0.2719730896513019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773175808","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009701586,0.000064461274,0.98340344,0.0024527232,0.00031003114,0.00051446335,0.0000039550164,0.000706522,0.0028428128],"genre_scores_gemma":[0.6054454,0.0000024832484,0.3910731,0.00015971065,0.00006603577,0.00008986668,0.0000027892386,0.000021718442,0.0031389345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99820256,0.000009746954,0.00025016323,0.00061577366,0.00035897453,0.00056280027],"domain_scores_gemma":[0.9974592,0.00006478205,0.00021886229,0.001996691,0.000102209655,0.00015827306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028573742,0.00024982673,0.00029487006,0.00013239289,0.0007349044,0.00038886853,0.002187053,0.00018546398,0.0000032150485],"category_scores_gemma":[0.00024680144,0.00023980241,0.00011238195,0.00007889126,0.00014579737,0.00036822693,0.00047406295,0.00023497628,0.00020404856],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001554274,0.0017791026,0.0082141245,0.0002920514,0.0002551812,0.002146371,0.009794267,0.1763204,0.009839253,0.5992033,0.14138491,0.0506156],"study_design_scores_gemma":[0.00041970005,0.00020060677,0.0016765725,0.00006716542,0.00003196872,0.00013737947,0.000016608705,0.9804418,0.0010924758,0.015262681,0.00032442558,0.00032858457],"about_ca_topic_score_codex":0.000034506622,"about_ca_topic_score_gemma":0.0000048456795,"teacher_disagreement_score":0.80412143,"about_ca_system_score_codex":0.00006182081,"about_ca_system_score_gemma":0.00012541271,"threshold_uncertainty_score":0.97788584},"labels":[],"label_agreement":null},{"id":"W2783712781","doi":"10.1386/tear.13.1-2.45_1","title":"The sensitive knowledge of dance","year":2015,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Dance; Gesture; Point (geometry); Epistemology; Process (computing); Perception; Psychology; Body of knowledge; Aesthetics; Cognitive science; Computer science; Sociology; Artificial intelligence; Visual arts; Philosophy; Art; Mathematics","score_opus":0.060444978914788235,"score_gpt":0.3348808179086174,"score_spread":0.2744358389938292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2783712781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40505895,0.0008551868,0.00067435985,0.0010830039,0.0007859946,0.00016888569,0.0000100230045,0.00012968747,0.5912339],"genre_scores_gemma":[0.9920471,0.000006054474,0.00015620713,0.000057946265,0.000046709923,0.0000028291552,5.6832806e-7,0.0000051551856,0.0076774536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995339,0.00002441172,0.00009280766,0.00010265323,0.00008268831,0.00016356348],"domain_scores_gemma":[0.999393,0.000083581835,0.00005883301,0.0003234743,0.00008696334,0.00005416815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024276605,0.000060445876,0.000089465124,0.00002860371,0.0000689013,0.0000067379938,0.00018748903,0.000050801125,0.000025923657],"category_scores_gemma":[0.00010304057,0.000045071618,0.000028609236,0.00012521811,0.00027065058,0.000037900274,0.000073433774,0.00008792535,0.00073608226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002776134,0.0005405116,0.0033225236,0.000019205097,0.00014646839,0.000045781835,0.027927779,0.000003811975,0.0011688721,0.33463252,0.49289668,0.13901824],"study_design_scores_gemma":[0.0019914273,0.0008212786,0.028260421,0.0001194784,0.00006903257,0.00008503742,0.025715332,0.00007807246,0.01900773,0.022087613,0.9013271,0.00043750234],"about_ca_topic_score_codex":0.000029717641,"about_ca_topic_score_gemma":0.000012219823,"teacher_disagreement_score":0.58698815,"about_ca_system_score_codex":0.000018890056,"about_ca_system_score_gemma":0.00002510064,"threshold_uncertainty_score":0.9461094},"labels":[],"label_agreement":null},{"id":"W2941682117","doi":"10.1386/tear.16.3.277_1","title":"Transcending taboos and transgressions or merely ploughing towards?","year":2018,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Foucault, Power, and Ethics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Mirroring; Presentation (obstetrics); Variety (cybernetics); Point (geometry); Subject (documents); Sociology; Raw data; Epistemology; Nagging; Psychology; Aesthetics; Computer science; Social psychology; Artificial intelligence; Communication; Art; Philosophy; Medicine","score_opus":0.11532448527994826,"score_gpt":0.41849367226855794,"score_spread":0.3031691869886097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941682117","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59640527,0.0012974167,0.0084565915,0.05895727,0.0024141227,0.001180969,0.000028181801,0.0022200316,0.32904017],"genre_scores_gemma":[0.99511963,0.0003356809,0.0017397284,0.00029696824,0.0003707835,0.000013160971,6.9275256e-7,0.00001776333,0.0021055674],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987456,0.000047303325,0.00017863195,0.00025350266,0.00036243742,0.00041248056],"domain_scores_gemma":[0.99945295,0.000105600164,0.000045488636,0.00017346906,0.00006293119,0.00015955484],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004401338,0.00012426874,0.00015897631,0.00008898083,0.0012163487,0.000074662894,0.00022707555,0.00021622013,0.00048389423],"category_scores_gemma":[0.00026520807,0.00010030951,0.000044104963,0.00027343188,0.0011753842,0.00017956029,0.000024543691,0.000261095,0.00005783842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012819971,0.00016723986,0.00040735313,0.00010627999,0.000058912992,0.00006364317,0.5444654,8.669507e-7,0.006678329,0.21032988,0.0071786274,0.23041524],"study_design_scores_gemma":[0.00058231014,0.00020856263,0.0005957445,0.00043514147,0.00008898556,0.000014804795,0.034893386,0.00010697168,0.0054025548,0.022646798,0.9345093,0.0005154923],"about_ca_topic_score_codex":0.00054371293,"about_ca_topic_score_gemma":0.0027025389,"teacher_disagreement_score":0.9273306,"about_ca_system_score_codex":0.000030096786,"about_ca_system_score_gemma":0.00014690918,"threshold_uncertainty_score":0.9355294},"labels":[],"label_agreement":null},{"id":"W2942468135","doi":"10.1386/tear.16.3.247_1","title":"A kerosene summer dress","year":2018,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Visual Culture and Art Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Appropriation; Geologist; Sociology; Art history; Art; Epistemology; History; Philosophy; Archaeology","score_opus":0.06065152940051288,"score_gpt":0.28364415868982384,"score_spread":0.22299262928931096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942468135","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3085704,0.00010355111,0.00011581856,0.00094192405,0.0007791519,0.00018490768,0.000010680113,0.00065557455,0.688638],"genre_scores_gemma":[0.96733767,0.0000027814237,0.00006852399,0.0009041733,0.0017842595,0.000014783841,0.000004220373,0.000018800198,0.029864762],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993124,0.000010167453,0.000135174,0.00017459835,0.00013423437,0.00023345364],"domain_scores_gemma":[0.9995614,0.000014771569,0.00003789831,0.00025007853,0.0000854166,0.00005040331],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010454758,0.00011943824,0.00011781103,0.0000572538,0.00041198294,0.00008832958,0.00016221247,0.00004174602,0.004783561],"category_scores_gemma":[0.000017869776,0.00009103014,0.000049970196,0.000032654392,0.0006619694,0.0001068063,0.0000642261,0.000088427645,0.0028467628],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008660933,0.00005922766,0.000022976556,0.000007892278,0.000013625042,0.0000060378275,0.015583186,3.170134e-8,0.0013316174,0.9097275,0.06899585,0.004243373],"study_design_scores_gemma":[0.00014501564,0.00013909809,0.000020688525,0.000030865605,0.00001465206,0.000004221341,0.0020616,0.000011390822,0.009494848,0.028267449,0.95964056,0.00016961042],"about_ca_topic_score_codex":0.00002487672,"about_ca_topic_score_gemma":0.00026975406,"teacher_disagreement_score":0.8906447,"about_ca_system_score_codex":0.000009282791,"about_ca_system_score_gemma":0.00000839451,"threshold_uncertainty_score":0.99792963},"labels":[],"label_agreement":null},{"id":"W3183875540","doi":"10.1386/tear_00024_1","title":"The similarity of characteristics between cybernetics and interactivity: How to identify interactive systems/artworks using cybernetic thinking","year":2020,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Art, Technology, and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Cybernetics; Interactivity; Conversation; Computer science; Cognitive science; Human–computer interaction; Artificial intelligence; Multimedia; Psychology; Communication","score_opus":0.052867522963076695,"score_gpt":0.2805561836713477,"score_spread":0.227688660708271,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183875540","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9785038,0.00057796534,0.0042131897,0.011245292,0.0007366625,0.0009642892,0.0001353888,0.00046086696,0.0031625116],"genre_scores_gemma":[0.9984737,0.000040222818,0.00024692938,0.00026217158,0.00062470965,0.00001767671,0.000008603079,0.00003382967,0.00029212493],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986205,0.000058057314,0.0003769045,0.00034125874,0.0002771733,0.0003260689],"domain_scores_gemma":[0.9987662,0.00025965215,0.00032772496,0.0003419612,0.00019014973,0.00011430303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024546531,0.00025516795,0.0004294735,0.00007606809,0.0005610561,0.0004338287,0.00040945338,0.00015851643,0.000021143936],"category_scores_gemma":[0.00033886317,0.00019359631,0.00007173482,0.00007558858,0.0005421457,0.00020565742,0.00044361624,0.00058168,0.000010785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035689565,0.00040498038,0.020959813,0.0011832803,0.0016288089,0.00016359948,0.44562346,0.00008761913,0.0128565,0.3954022,0.039471414,0.081861444],"study_design_scores_gemma":[0.0009423969,0.0010929514,0.0073565342,0.0018735076,0.0010494511,0.000068671296,0.10847303,0.008793578,0.0050443453,0.020451427,0.8430758,0.0017783218],"about_ca_topic_score_codex":0.000089400404,"about_ca_topic_score_gemma":0.0001650727,"teacher_disagreement_score":0.80360436,"about_ca_system_score_codex":0.00004570601,"about_ca_system_score_gemma":0.000019237988,"threshold_uncertainty_score":0.78946286},"labels":[],"label_agreement":null},{"id":"W4296499966","doi":"10.1386/tear_00071_1","title":"What happened to the subject? Mediated anticipation in neural painting","year":2021,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Aesthetic Perception and Analysis","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Painting; Existentialism; Anticipation (artificial intelligence); Phenomenology (philosophy); Computer science; Natural (archaeology); The arts; Gesture; Cognitive science; Mediation; Subject (documents); Aesthetics; Realization (probability); Visual arts; Psychology; Artificial intelligence; Art; Sociology; Epistemology; History; Philosophy; Mathematics","score_opus":0.04894454385276926,"score_gpt":0.3061425874563493,"score_spread":0.25719804360358006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296499966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97395813,0.000029492772,0.00074780226,0.024476716,0.00013581362,0.00012864801,7.986489e-7,0.00012950337,0.0003931013],"genre_scores_gemma":[0.99498355,0.000051873198,0.000096573975,0.0044147717,0.00002671763,0.000021647129,0.0000030411836,0.000010085102,0.00039175528],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9988958,0.0001037287,0.00021032916,0.00030127208,0.00025439987,0.00023445564],"domain_scores_gemma":[0.99949086,0.00006377683,0.00004665569,0.00031734956,0.00003061831,0.0000507197],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029136482,0.000092037895,0.000120649594,0.00011903316,0.00013139179,0.00012468972,0.0001890916,0.000044624798,0.00021316102],"category_scores_gemma":[0.0009836394,0.000070163806,0.000048548438,0.0010128566,0.00006138608,0.00015441366,0.00009929951,0.00013595389,0.00028864678],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015303336,0.00019143253,0.004367847,0.000012283512,0.0000019948282,0.00026882484,0.0052845124,0.00089556194,0.8109259,0.0015101967,0.00064976147,0.17587638],"study_design_scores_gemma":[0.0015950592,0.00020060707,0.059411082,0.0005083292,0.00008484452,0.0002981671,0.016119234,0.3744447,0.5091145,0.0030553443,0.033861645,0.0013065016],"about_ca_topic_score_codex":0.000015818905,"about_ca_topic_score_gemma":0.00022830014,"teacher_disagreement_score":0.3735491,"about_ca_system_score_codex":0.000025434108,"about_ca_system_score_gemma":0.000020771973,"threshold_uncertainty_score":0.37100667},"labels":[],"label_agreement":null},{"id":"W4296499970","doi":"10.1386/tear_00065_1","title":"Nest-works","year":2021,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Nest (protein structural motif); Nest box; Fledge; Session (web analytics); Visual arts; Architectural engineering; Ecology; Computer science; Art; Engineering; Biology; World Wide Web","score_opus":0.020073130803537696,"score_gpt":0.2715542383177916,"score_spread":0.2514811075142539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296499970","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08057324,0.00016821743,0.87976587,0.010653498,0.0009348681,0.00012885376,4.0900804e-7,0.0020660078,0.025709063],"genre_scores_gemma":[0.9451217,0.0000066200514,0.052960664,0.00075816485,0.00005678088,0.000024349183,0.0000018525637,0.0000093356175,0.0010605049],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9990525,0.00001526484,0.00017980787,0.00035071542,0.00016574097,0.00023594323],"domain_scores_gemma":[0.99884135,0.000037884038,0.00006919046,0.0008294427,0.00019819706,0.00002391628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000117004005,0.0001096669,0.0001159152,0.00016160752,0.00012815945,0.000094662595,0.0005487007,0.00013767397,0.0000966322],"category_scores_gemma":[0.00011384557,0.000113606904,0.00003677432,0.0008102067,0.00008853646,0.00037698093,0.00036651382,0.00032442927,0.00050936517],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.511098e-7,0.00007658336,0.00022552424,0.0000060287643,0.000013347236,0.0002688065,0.00016875175,0.0000054242228,0.017760105,0.8681703,0.006836387,0.10646779],"study_design_scores_gemma":[0.0004541155,0.000094576266,0.0020225572,0.00017336107,0.000011167213,0.0010354271,0.00025172587,0.007531924,0.6074707,0.24987878,0.13051471,0.0005609681],"about_ca_topic_score_codex":0.0000020748405,"about_ca_topic_score_gemma":0.0000061727305,"teacher_disagreement_score":0.8645485,"about_ca_system_score_codex":0.000055961675,"about_ca_system_score_gemma":0.00005043688,"threshold_uncertainty_score":0.65470284},"labels":[],"label_agreement":null},{"id":"W4391184190","doi":"10.1386/tear_00110_1","title":"Re-enacting/mediating/activating: Towards a collaborative feminist approach to research-creation","year":2023,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Feminism, Gender, and Social Issues","field":"Social Sciences","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Sociology","score_opus":0.16765428901065466,"score_gpt":0.4603798557939377,"score_spread":0.29272556678328304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391184190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18040854,0.000046378213,0.0001652747,0.0068764444,0.00031076,0.0011232881,0.000019907226,0.0012008215,0.8098486],"genre_scores_gemma":[0.9855717,0.00006937619,0.003453128,0.00018766537,0.00082982524,0.00030347783,0.000026467162,0.00003752437,0.00952085],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9966364,0.00030464825,0.00031528284,0.00051777915,0.0013945291,0.00083137315],"domain_scores_gemma":[0.998226,0.0005909923,0.00012382539,0.0003395513,0.00044519082,0.00027444822],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003948037,0.00017570112,0.00027606325,0.00041867155,0.0022163827,0.00024310072,0.0004793094,0.00027340502,0.000054480286],"category_scores_gemma":[0.0059319483,0.00018372481,0.000060519058,0.0042725992,0.0007892315,0.00014201367,0.00019861216,0.00041044966,0.00031563724],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025721369,0.0001386648,0.00084515946,0.000037849757,0.000025046427,0.00001183311,0.86493224,0.000013614347,0.0006432264,0.06531154,0.04685733,0.021157779],"study_design_scores_gemma":[0.00014651252,0.00010367889,0.00035562203,0.00004094396,0.000007339966,2.4639812e-7,0.7963566,0.00010142618,0.0018215363,0.0077039497,0.19311655,0.00024556275],"about_ca_topic_score_codex":0.002022649,"about_ca_topic_score_gemma":0.00043064557,"teacher_disagreement_score":0.80516315,"about_ca_system_score_codex":0.00038630783,"about_ca_system_score_gemma":0.000623606,"threshold_uncertainty_score":0.9990826},"labels":[],"label_agreement":null},{"id":"W4399397710","doi":"10.1386/tear_00126_1","title":"Nalo Hopkinson’s Midnight Robber: Blending technology and fantasy in a dystopian narrative","year":2024,"lang":"en","type":"article","venue":"Technoetic Arts","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Midnight; Dystopia; Fantasy; Narrative; Art; Literature; Astronomy; Physics","score_opus":0.016504049744954615,"score_gpt":0.2401674465018981,"score_spread":0.2236633967569435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399397710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9057425,0.00052231376,0.00032517864,0.00556345,0.00088898663,0.0004662819,0.000021692367,0.00095397205,0.085515596],"genre_scores_gemma":[0.8856724,0.000083634295,0.00020874129,0.000069597445,0.00028166582,0.00006425957,0.000008600841,0.00003054308,0.11358059],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987044,0.000024000476,0.00030426253,0.00045521292,0.00016302323,0.00034913272],"domain_scores_gemma":[0.9995908,0.00004203075,0.000048509846,0.00022492498,0.00004125787,0.000052457144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015229064,0.00023779877,0.000269994,0.001218144,0.000360059,0.00019318899,0.00013649811,0.00015061966,0.0006800756],"category_scores_gemma":[0.0000245581,0.00020932782,0.00005842685,0.000303715,0.0004865364,0.00026525883,0.00007226411,0.00037847878,0.00009344053],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061851615,0.000030408091,0.00028063628,0.00006788413,0.000025143714,0.00011124029,0.02713622,0.0000011745776,0.0003658106,0.9650124,0.00036802172,0.0065948935],"study_design_scores_gemma":[0.00026913334,0.00012332885,0.00029534564,0.00039813106,0.00002459974,0.00006268775,0.0029013332,0.00071800285,0.0006909688,0.03459451,0.95961285,0.00030913806],"about_ca_topic_score_codex":0.00009770791,"about_ca_topic_score_gemma":0.0023067575,"teacher_disagreement_score":0.9592448,"about_ca_system_score_codex":0.0001311166,"about_ca_system_score_gemma":0.00003603952,"threshold_uncertainty_score":0.85361403},"labels":[],"label_agreement":null}]}