{"meta":{"query_hash":"0229b44325c5","filters":{"venue":"The Journal of Fandom Studies"},"cohort_total":22,"direct_labels_cover":0,"predictions_cover":22,"exported":22,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/0229b44325c5","api":"https://metacan.xera.ac/api/v1/cohort?venue=The+Journal+of+Fandom+Studies"},"results":[{"id":"W2318674629","doi":"10.1386/jfs.1.2.201_1","title":"‘I’m not a lawyer but …’: Fan disclaimers and claims against copyright law","year":2013,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Lakehead University","funders":"","keywords":"Law; Position (finance); Copyright law; Articulation (sociology); Grassroots; Space (punctuation); Political science; Consumption (sociology); Sociology; Intellectual property; Business; Computer science","score_opus":0.034146146768157075,"score_gpt":0.31273014659959636,"score_spread":0.2785839998314393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318674629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7520263,0.005603771,0.000008895799,0.013804104,0.00065487623,0.0002350078,0.000003603647,0.000013425488,0.22765],"genre_scores_gemma":[0.97999555,0.011381843,0.000039451686,0.0011380876,0.00035491094,0.0000034786217,1.2902622e-7,0.00000641663,0.0070801512],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989495,0.0001326938,0.00026121867,0.000062193314,0.00036224176,0.00023210225],"domain_scores_gemma":[0.9988705,0.00050673465,0.00020211101,0.00007605275,0.00021836365,0.00012623207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008045592,0.000100180034,0.00029054028,0.000028475524,0.00032595958,0.000103674865,0.0001969637,0.00003143127,0.00002551223],"category_scores_gemma":[0.00016267544,0.00004955574,0.00008277443,0.000077386576,0.0011742328,0.0003868767,0.00006999006,0.00014438998,0.000018652527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00090845197,0.00030316814,0.002935621,0.000096669384,0.0027551122,0.00007401299,0.46631405,0.000020163789,0.0044966172,0.08824498,0.10327585,0.33057532],"study_design_scores_gemma":[0.0034307914,0.00035719294,0.003515917,0.00024306796,0.00029040905,0.000024728684,0.22020353,0.000005826093,0.0009949263,0.011200348,0.7593714,0.00036186475],"about_ca_topic_score_codex":0.00021926453,"about_ca_topic_score_gemma":0.00073407963,"teacher_disagreement_score":0.65609556,"about_ca_system_score_codex":0.00003529255,"about_ca_system_score_gemma":0.000043332046,"threshold_uncertainty_score":0.43265095},"labels":[],"label_agreement":null},{"id":"W2395414926","doi":"10.1386/jfs.4.1.105_1","title":"Making global audiences for a Hollywood ‘blockbuster’ feature film: Marketability, playability and The Hobbit: An Unexpected Journey (2012)","year":2016,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Marketing and Social Media","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Hollywood; Disappointment; Fantasy; Advertising; Film genre; Anticipation (artificial intelligence); Feature film; Visual arts; Art; Psychology; Computer science; Movie theater; Literature; Social psychology; Art history","score_opus":0.07679420073238709,"score_gpt":0.3937595102634716,"score_spread":0.31696530953108454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2395414926","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9413621,0.008133947,0.00013644349,0.04243047,0.0010998197,0.0006041495,0.000036080237,0.00002935257,0.0061676344],"genre_scores_gemma":[0.9957641,0.002622748,0.00016766341,0.00017240178,0.00078502204,0.000013950815,1.2714916e-7,0.000006643946,0.0004673827],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9965556,0.001855489,0.00044028266,0.00016049936,0.00059168413,0.00039640453],"domain_scores_gemma":[0.99041414,0.008023823,0.00056582666,0.00018499719,0.0006920833,0.00011912505],"candidate_categories":["metaresearch","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.010478937,0.00017569766,0.000544138,0.000030363013,0.0015046517,0.00016191484,0.0005456797,0.00008259847,0.000013632828],"category_scores_gemma":[0.01593829,0.00006829125,0.00020001194,0.00023600964,0.0027600708,0.00050433486,0.00014179145,0.0001774744,9.099072e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.038416915,0.000667062,0.12935571,0.00027660627,0.0034731403,0.000023376624,0.45182443,0.000013456521,0.00016969704,0.02337825,0.069512375,0.282889],"study_design_scores_gemma":[0.026299248,0.0015858364,0.1509237,0.0015258578,0.0015797976,0.00013746823,0.49637017,0.000028513019,0.000045961417,0.26942816,0.05110521,0.000970061],"about_ca_topic_score_codex":0.000044893128,"about_ca_topic_score_gemma":0.0017489849,"teacher_disagreement_score":0.28191894,"about_ca_system_score_codex":0.0001340548,"about_ca_system_score_gemma":0.00017545802,"threshold_uncertainty_score":0.99995387},"labels":[],"label_agreement":null},{"id":"W2517133738","doi":"10.1386/jfs.4.2.209_1","title":"Recut and re-tuned: Fan-produced parody trailers","year":2016,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Radio, Podcasts, and Digital Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Trailer; Fandom; Narrative; Musical; Art; Sound (geography); Sound design; Visual arts; Psychology; Computer science; Literature; Acoustics","score_opus":0.10201553644636785,"score_gpt":0.3729225404433116,"score_spread":0.27090700399694373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517133738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94780105,0.012469633,0.00001414705,0.025555216,0.0010864431,0.00013652272,0.0000032153926,0.000015232717,0.01291853],"genre_scores_gemma":[0.9749583,0.02238577,0.000031802756,0.00015696949,0.0008808091,0.0000017090986,2.912466e-8,0.0000059505614,0.001578682],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9987168,0.0002590575,0.00030695167,0.000087551634,0.00039311795,0.00023653661],"domain_scores_gemma":[0.9979832,0.0013451877,0.00025887627,0.00010833579,0.00019402007,0.0001103916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020737876,0.000100882455,0.00031954728,0.000054071446,0.00043648158,0.00003858563,0.00021603209,0.000032276694,0.000018659563],"category_scores_gemma":[0.0027745285,0.000043788194,0.00007944837,0.00010927606,0.0008126506,0.0003243205,0.00003710456,0.00009329779,0.000007711298],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021108806,0.0001414852,0.012654439,0.00004541561,0.0014178145,0.00007272061,0.33694652,0.000001755497,0.010613259,0.0033292791,0.13539085,0.4972756],"study_design_scores_gemma":[0.01691141,0.002274141,0.046677206,0.0014942866,0.001054635,0.0002400947,0.51616555,8.478139e-7,0.008965491,0.062278457,0.34276095,0.0011769197],"about_ca_topic_score_codex":0.00003614873,"about_ca_topic_score_gemma":0.00028488642,"teacher_disagreement_score":0.49609867,"about_ca_system_score_codex":0.000050516002,"about_ca_system_score_gemma":0.00007443871,"threshold_uncertainty_score":0.33571076},"labels":[],"label_agreement":null},{"id":"W2742025043","doi":"10.1386/jfs.5.1.63_1","title":"‘Welcome to the jungle’: Content creators and fan entitlement in the furry fandom","year":2017,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Media Influence and Health","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Fandom; Entitlement (fair division); Jungle; Content (measure theory); Sociology; Advertising; Media studies; Computer science; Business; History; Mathematics","score_opus":0.27366214503892805,"score_gpt":0.37188401968059104,"score_spread":0.09822187464166299,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2742025043","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94542867,0.007919397,0.0000042307815,0.04067802,0.0012936698,0.0003954157,0.0000068007134,0.0000029456048,0.0042708237],"genre_scores_gemma":[0.99093384,0.005134551,0.0000050798362,0.0021785726,0.001087221,0.00001089167,1.2187267e-7,0.0000052031437,0.00064453715],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.998826,0.00018315077,0.00039857393,0.00006356487,0.00033008584,0.000198585],"domain_scores_gemma":[0.99855244,0.0005873618,0.00035772796,0.00029442602,0.00016349439,0.000044535132],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0026711675,0.00011548403,0.00031305908,0.00005336597,0.0015192424,0.00021251469,0.0005364462,0.000012523468,0.000054841672],"category_scores_gemma":[0.00038628615,0.000039883107,0.000071023554,0.0000146315015,0.00041569836,0.00014461341,0.00012811579,0.00022902714,0.000014605692],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007337551,0.00011197272,0.022576114,0.00008104948,0.000569496,0.00003385405,0.88582134,0.0000071271306,0.000046956044,0.030774217,0.053649154,0.0055949423],"study_design_scores_gemma":[0.0052611446,0.00079179864,0.11520865,0.0004247591,0.00030452805,0.000039542727,0.43894666,0.0000033479303,0.000054779684,0.0033538851,0.43540564,0.00020524651],"about_ca_topic_score_codex":0.0004540868,"about_ca_topic_score_gemma":0.005016419,"teacher_disagreement_score":0.44687468,"about_ca_system_score_codex":0.000025993491,"about_ca_system_score_gemma":0.000028934946,"threshold_uncertainty_score":0.99978065},"labels":[],"label_agreement":null},{"id":"W2914700494","doi":"10.1386/jfs.6.3.319_1","title":"Found in translation: Rethinking the relationship between fan translation groups and licensed distributors of anime and manga","year":2018,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Japanese History and Culture","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Anime; Transformative learning; Advertising; Translation (biology); Service (business); Sociology; Media studies; Business; Marketing; Computer science; Artificial intelligence","score_opus":0.157463211647622,"score_gpt":0.36074928555133573,"score_spread":0.20328607390371373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914700494","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9835797,0.011416105,0.000085368054,0.0040172394,0.00009288341,0.00012701785,0.0000022872198,0.0000037796742,0.0006756427],"genre_scores_gemma":[0.9991595,0.00043262177,0.000049347178,0.00002010142,0.00029281012,7.519261e-7,3.4312288e-7,0.0000026300186,0.000041865034],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99886894,0.00049706356,0.00027618316,0.000048967227,0.00022251264,0.000086323176],"domain_scores_gemma":[0.9978463,0.0017261176,0.00022233727,0.0000487631,0.00013397523,0.000022481407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025380182,0.00006184322,0.00018469564,0.000033411907,0.0008290142,0.000017115424,0.000093636234,0.0000501087,0.0000028540824],"category_scores_gemma":[0.0003251007,0.000033095377,0.000031578777,0.00021260342,0.000793457,0.0001943303,0.000007995294,0.00018393659,2.2833515e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023231938,0.00001008435,0.12662065,0.000023993854,0.00008574565,8.6958454e-7,0.86717343,0.00000245016,0.00011343179,0.0031242294,0.000103009486,0.0025097786],"study_design_scores_gemma":[0.0019144847,0.00021813992,0.8401668,0.00023585533,0.00031573605,0.000010684778,0.11229712,0.000005143775,0.00003779762,0.04093839,0.0037425046,0.00011731032],"about_ca_topic_score_codex":0.000062830586,"about_ca_topic_score_gemma":0.0020636988,"teacher_disagreement_score":0.7548763,"about_ca_system_score_codex":0.00002654029,"about_ca_system_score_gemma":0.000025050693,"threshold_uncertainty_score":0.6376191},"labels":[],"label_agreement":null},{"id":"W3043340927","doi":"10.1386/jfs_00007_1","title":"Theorizing comic cons","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Calgary; Carleton University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Comics; Fandom; Media studies; Convention; Sociology; Attendance; Prestige; Popular culture; Media event; Hollywood; History; Political science; Literature; Art; Social science; Law; Art history","score_opus":0.10415152759793292,"score_gpt":0.36996014327863314,"score_spread":0.26580861568070024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043340927","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5412153,0.026910603,0.00018345736,0.12700164,0.0015506423,0.00021609597,0.000004019824,0.000031666637,0.30288658],"genre_scores_gemma":[0.9908418,0.006489326,0.000034499626,0.0011560826,0.00059407053,3.182917e-7,2.2620856e-8,0.000002784241,0.0008811146],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993637,0.0001249498,0.00016362108,0.000026346726,0.00020966424,0.000111676614],"domain_scores_gemma":[0.99893284,0.00069281366,0.0001504091,0.000031096748,0.00012074322,0.00007210336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008643764,0.000043527572,0.00017975844,0.0000111478075,0.00013942755,0.00002532098,0.00018560827,0.000011294271,0.000013217605],"category_scores_gemma":[0.0012592777,0.0000224043,0.00006851314,0.000082814724,0.00036584472,0.00009921097,0.000041485644,0.000101646365,0.000010722165],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006590667,0.000046190606,0.0017563133,0.000026272328,0.0008877209,0.000039333525,0.79084474,0.000040149538,0.00082467956,0.04403021,0.07173961,0.08910571],"study_design_scores_gemma":[0.0012665155,0.00019441442,0.00035877485,0.00006364864,0.00013511568,0.000007915628,0.24565265,0.000002598493,0.00015622885,0.004557166,0.74752206,0.000082943094],"about_ca_topic_score_codex":0.0000063638536,"about_ca_topic_score_gemma":0.000029748317,"teacher_disagreement_score":0.67578244,"about_ca_system_score_codex":0.000016614238,"about_ca_system_score_gemma":0.000060363887,"threshold_uncertainty_score":0.1507564},"labels":[],"label_agreement":null},{"id":"W3043356506","doi":"10.1386/jfs_00009_1","title":"Productive leisure in post-Fordist fandom","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Fandom; Fordism; Amateur; Sociology; Liminality; Consumption (sociology); Capitalism; Tourism; Mainstream; Media studies; Aesthetics; Political science; Politics; Social science; Law; Economy; Economics","score_opus":0.05555695073984118,"score_gpt":0.34103400515028076,"score_spread":0.2854770544104396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043356506","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86384124,0.013867556,0.000018147233,0.07247963,0.0007115299,0.00033280003,0.0000054799534,0.000013481783,0.048730165],"genre_scores_gemma":[0.9937526,0.003719282,0.000029304048,0.00040682603,0.0007798526,0.0000018100966,1.3755627e-7,0.0000048415923,0.0013053403],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989853,0.00017709013,0.0002626725,0.00006341747,0.0003359579,0.00017557797],"domain_scores_gemma":[0.99898976,0.00036836936,0.00020034035,0.000051711093,0.00031014995,0.000079674035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011543558,0.000076923134,0.00031933328,0.000029802102,0.0001088602,0.000030025789,0.00023318118,0.000020188321,0.000009725469],"category_scores_gemma":[0.0024438468,0.000041444888,0.00008740836,0.00021383053,0.00035124552,0.00022688608,0.00005939127,0.00018194776,0.0000067378483],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002932084,0.0001294753,0.008625235,0.00004451511,0.00067619025,0.00007717524,0.85424566,0.00009453544,0.00046724093,0.0023274566,0.016176827,0.11420359],"study_design_scores_gemma":[0.005614831,0.0007983625,0.016486682,0.00016721823,0.00020324826,0.000017978617,0.5611575,0.0000026508942,0.00035458157,0.002298213,0.4126501,0.00024862157],"about_ca_topic_score_codex":0.00004247521,"about_ca_topic_score_gemma":0.00046986557,"teacher_disagreement_score":0.3964733,"about_ca_system_score_codex":0.000040813182,"about_ca_system_score_gemma":0.0001231199,"threshold_uncertainty_score":0.29256895},"labels":[],"label_agreement":null},{"id":"W3107564342","doi":"10.1386/jfs_00013_1","title":"‘Get out of my fandom, newbie’: A cross-fandom study of elitism and gatekeeping in fans","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; Bishop's University","funders":"","keywords":"Elitism; Fandom; Gatekeeping; Context (archaeology); Sociology; Psychology; Social psychology; Advertising; Media studies; Political science; History","score_opus":0.07911630762447369,"score_gpt":0.38362115000213987,"score_spread":0.3045048423776662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107564342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9847827,0.0072026793,0.000025050103,0.0015669517,0.00029122352,0.00036396872,0.000006213334,0.000005888904,0.0057553505],"genre_scores_gemma":[0.99328876,0.0060980176,0.000031360833,0.00012288523,0.00021332067,0.0000031724205,1.0259248e-7,0.000007624198,0.00023478756],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99800223,0.0003306173,0.0007837755,0.00010445657,0.00054427737,0.00023466808],"domain_scores_gemma":[0.99784946,0.0010436942,0.00060869934,0.00008827393,0.00029743352,0.000112424284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019787294,0.00012815742,0.0007961297,0.0000736047,0.000111086774,0.00004040359,0.0002847043,0.000036261623,0.000005909023],"category_scores_gemma":[0.0019008797,0.000080554266,0.00011294828,0.00022438607,0.00062731706,0.00025685935,0.00014361381,0.00019788422,7.6516477e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002188962,0.0002981181,0.050180145,0.00010260868,0.0006508858,0.000038332244,0.9230432,0.00013032265,0.00053855666,0.00031970994,0.00041218198,0.022096971],"study_design_scores_gemma":[0.03549124,0.0026460066,0.078411676,0.000682082,0.00044967828,0.000009117567,0.86648667,0.000018980776,0.00043267946,0.0020453136,0.012996051,0.00033048636],"about_ca_topic_score_codex":0.00025454402,"about_ca_topic_score_gemma":0.0013389147,"teacher_disagreement_score":0.056556515,"about_ca_system_score_codex":0.000026244326,"about_ca_system_score_gemma":0.000092345246,"threshold_uncertainty_score":0.32849076},"labels":[],"label_agreement":null},{"id":"W3193884150","doi":"10.1386/jfs_00023_1","title":"‘I want to delete this tweet so much, but…’: Jameela Jamil as a celebrity feminist educator","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Skepticism; Sociology; Queer; Shame; Media studies; Context (archaeology); Solidarity; Gender studies; Psychology; Social psychology; Epistemology; Political science; Law; Politics","score_opus":0.0750358015504317,"score_gpt":0.36340791483466656,"score_spread":0.28837211328423484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3193884150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8958363,0.009664107,0.000031885946,0.07599904,0.0016321458,0.00031798633,0.000013402538,0.000031000574,0.016474158],"genre_scores_gemma":[0.97756135,0.010587978,0.00018847299,0.008233029,0.0021558192,0.0000068458417,2.2609983e-7,0.00001414773,0.0012521235],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976023,0.00045168298,0.00051956053,0.00015675923,0.0008187122,0.00045099517],"domain_scores_gemma":[0.99768263,0.0009121451,0.00037115684,0.00015376754,0.00040291162,0.00047737727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022243413,0.00019120758,0.00057698565,0.00005852169,0.0010890575,0.000080204314,0.00062430656,0.00006571546,0.00008824233],"category_scores_gemma":[0.003124639,0.000119463424,0.00021322655,0.00030922794,0.00056366547,0.00011500328,0.00016958173,0.0003923192,0.00012732424],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052784506,0.00007532158,0.0009361776,0.000027856977,0.00039889535,0.000044508204,0.8066441,0.0000029783819,0.001056326,0.0005037372,0.1853868,0.00439549],"study_design_scores_gemma":[0.0012425747,0.00047091994,0.00048184537,0.00007440199,0.00025600486,0.00003250676,0.64042455,8.665776e-7,0.0014285514,0.0011520684,0.3542364,0.00019932614],"about_ca_topic_score_codex":0.00054977194,"about_ca_topic_score_gemma":0.00029116552,"teacher_disagreement_score":0.16884959,"about_ca_system_score_codex":0.00010550999,"about_ca_system_score_gemma":0.00080457906,"threshold_uncertainty_score":0.837626},"labels":[],"label_agreement":null},{"id":"W3194045365","doi":"10.1386/jfs_00020_2","title":"Introduction to ‘Politics and Pleasures of Fandom as Celebrity Counterpublics’","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Fandom; Politics; Sociology; Media studies; Political science; Law","score_opus":0.04470839776930396,"score_gpt":0.34474160579555857,"score_spread":0.3000332080262546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194045365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58605194,0.024925295,0.0002236724,0.376956,0.0012528059,0.00041495403,0.000010154711,0.00002198929,0.010143191],"genre_scores_gemma":[0.98501486,0.010806925,0.000112059875,0.0010196769,0.0027689305,0.0000017565842,1.14294416e-7,0.0000043894584,0.00027129956],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987522,0.00021364054,0.00031829815,0.00007464142,0.0004671215,0.0001741136],"domain_scores_gemma":[0.99851334,0.00037624474,0.0002592189,0.00005911493,0.000663331,0.00012877797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012982582,0.000090703434,0.0004009898,0.00003575715,0.00042973994,0.00002403814,0.00017425207,0.000028574337,0.000010791945],"category_scores_gemma":[0.004548789,0.000051895135,0.000067335415,0.00017904262,0.00051221455,0.0001287297,0.00011461031,0.00015565705,0.0000033789347],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008008686,0.000045962857,0.0019477671,0.000070713926,0.0008551635,0.000005690249,0.6879498,0.000013657114,0.00078591035,0.0069077304,0.29617345,0.0044433083],"study_design_scores_gemma":[0.0019781895,0.0006720737,0.001997712,0.0000740334,0.0004031499,0.000018464973,0.4850145,0.0000011516119,0.0012186657,0.0032272032,0.5052466,0.00014826705],"about_ca_topic_score_codex":0.00013382212,"about_ca_topic_score_gemma":0.00029869576,"teacher_disagreement_score":0.3989629,"about_ca_system_score_codex":0.00003735815,"about_ca_system_score_gemma":0.000096197,"threshold_uncertainty_score":0.5445654},"labels":[],"label_agreement":null},{"id":"W3195409856","doi":"10.1386/jfs_00022_1","title":"Life Is But a Story: Female pleasure and agency in Beyoncé’s autobiographical film","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Pleasure; Narrative; Persona; Portrait; Dream; Agency (philosophy); Hollywood; Movie theater; Art; Aesthetics; Superstar; Media studies; Sociology; Visual arts; Psychology; Literature; Art history; Humanities","score_opus":0.09317733197565391,"score_gpt":0.25435281933467174,"score_spread":0.16117548735901782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195409856","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92675376,0.04977884,0.0000053413787,0.017716309,0.00045767362,0.00013297275,0.00001994996,0.000014617713,0.0051205372],"genre_scores_gemma":[0.9920792,0.001554296,0.000010510524,0.004429266,0.00070905715,0.000002329791,2.2821199e-7,0.000007052364,0.0012080752],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991658,0.00016650083,0.00027065462,0.0000779515,0.00019555686,0.00012356711],"domain_scores_gemma":[0.99938726,0.00013646722,0.00018072264,0.0000652243,0.00012765019,0.00010267483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046680187,0.00012086445,0.00035856845,0.000049050283,0.00044371045,0.000028499187,0.00013983545,0.000029888984,0.00050085236],"category_scores_gemma":[0.00027509042,0.00006501927,0.00010942863,0.000051329775,0.00038869173,0.000116738345,0.000043908098,0.00039233893,0.0000067296096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003617291,0.0000340377,0.0005762076,0.00006118005,0.00029914253,0.000026272555,0.70405805,0.000005071117,0.00007426343,0.0019928042,0.29217115,0.0003400813],"study_design_scores_gemma":[0.0027580548,0.0005200482,0.0024562713,0.00014893115,0.00029167882,0.000024062681,0.16010922,0.000020733236,0.00001664661,0.0010097169,0.832423,0.0002216474],"about_ca_topic_score_codex":0.000016459224,"about_ca_topic_score_gemma":0.00029059572,"teacher_disagreement_score":0.5439488,"about_ca_system_score_codex":0.000012858714,"about_ca_system_score_gemma":0.000044307246,"threshold_uncertainty_score":0.54839826},"labels":[],"label_agreement":null},{"id":"W3195989371","doi":"10.1386/jfs_00027_1","title":"Corporate fandom: Re-creating media fans as a public","year":2020,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Fandom; Mainstream; Situated; Publics; Media studies; Transformative learning; Power (physics); Sociology; Media consumption; Consumption (sociology); Political science; Public relations; Advertising; Politics; Social science; Business; Law","score_opus":0.20547445919689383,"score_gpt":0.3572042200526129,"score_spread":0.15172976085571904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3195989371","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55243057,0.018565807,0.00012892693,0.08330029,0.0014021568,0.0003576615,0.000008066649,0.00006141046,0.34374508],"genre_scores_gemma":[0.9863227,0.009203395,0.0000968168,0.0013215127,0.0012501072,0.000002305634,3.607383e-7,0.0000094063635,0.001793418],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983029,0.00029082887,0.00041279418,0.0000799669,0.0006300401,0.00028350696],"domain_scores_gemma":[0.99711525,0.001454598,0.00067918975,0.000076275166,0.0004269825,0.00024772726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018604082,0.00011659532,0.00041916815,0.00004095605,0.00030119243,0.00011608193,0.0003861654,0.000033435364,0.000053284944],"category_scores_gemma":[0.007981167,0.00006474827,0.0001391213,0.00032943636,0.00051860174,0.00034739941,0.000098784876,0.00022371688,0.000031025513],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011067113,0.000081222446,0.00370654,0.000038173657,0.0011023774,0.00012783306,0.8505289,0.000026537009,0.0002901654,0.011523498,0.03824841,0.09321963],"study_design_scores_gemma":[0.004693408,0.0005564562,0.0008231207,0.00017783951,0.00033005985,0.000027751004,0.48595512,0.000013243588,0.00017949083,0.007978093,0.4989875,0.00027792784],"about_ca_topic_score_codex":0.000040918672,"about_ca_topic_score_gemma":0.00035274687,"teacher_disagreement_score":0.46073908,"about_ca_system_score_codex":0.000040868388,"about_ca_system_score_gemma":0.00022347277,"threshold_uncertainty_score":0.9554779},"labels":[],"label_agreement":null},{"id":"W4206047847","doi":"10.1386/jfs_00029_1","title":"‘Does anybody have that fic…?’: The fannish reclamation of the circulating library","year":2021,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Sexuality, Behavior, and Technology","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Copying; Pleasure; Reading (process); Taste; Queer; Ephemera; Function (biology); World Wide Web; Media studies; History; Art; Sociology; Visual arts; Computer science; Law; Political science; Psychology; Gender studies","score_opus":0.08733243135061715,"score_gpt":0.36670981361485183,"score_spread":0.2793773822642347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206047847","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9688308,0.01008,0.000034797366,0.016087767,0.002075465,0.00015808531,0.0000072098323,0.00002089097,0.0027049663],"genre_scores_gemma":[0.9958414,0.0008283435,0.000043992983,0.00039771653,0.0002634329,0.000006186894,6.684479e-7,0.000014203171,0.0026040548],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99812734,0.00079338945,0.0005203156,0.0001039374,0.00027414568,0.00018088247],"domain_scores_gemma":[0.9970745,0.0014775236,0.0007485197,0.0004940182,0.00018885365,0.000016606162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095806754,0.00012986295,0.00037734513,0.000048073725,0.00035227224,0.000023605855,0.00049789576,0.00008479071,0.000113404574],"category_scores_gemma":[0.0004543574,0.00004552282,0.00017921986,0.00020270843,0.0004326426,0.000118965916,0.0002453687,0.00043402152,0.0000026109838],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00084365235,0.0006605285,0.6755952,0.00011798165,0.00448696,0.0001617542,0.19608706,0.000078961486,0.015005397,0.015977899,0.046988405,0.04399618],"study_design_scores_gemma":[0.0042934357,0.00031863243,0.51071453,0.0003770869,0.0012921647,0.00096738635,0.4041511,0.000016559074,0.03639034,0.022944855,0.018216303,0.00031757358],"about_ca_topic_score_codex":0.000024023177,"about_ca_topic_score_gemma":0.00003659714,"teacher_disagreement_score":0.20806405,"about_ca_system_score_codex":0.000016764614,"about_ca_system_score_gemma":0.000039376075,"threshold_uncertainty_score":0.2709429},"labels":[],"label_agreement":null},{"id":"W4240474060","doi":"10.1386/jfs.3.2.171_1","title":"Fannies and fanzines: Mail art and fan clubs in the 1970s","year":2015,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; Mainstream; Entertainment; Fandom; Media studies; Visual arts; Queer; Advertising; Sociology; The Internet; Art; Political science; World Wide Web; Gender studies; Computer science; Law","score_opus":0.17224702818307033,"score_gpt":0.32085794426670067,"score_spread":0.14861091608363033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240474060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8954151,0.04522092,0.000030921066,0.012240294,0.0006241721,0.00021739371,0.000014179631,0.0000120889135,0.046224874],"genre_scores_gemma":[0.9878415,0.005040647,0.000014915621,0.0010274851,0.00069255097,0.0000028674804,3.1047912e-7,0.0000072973903,0.0053724614],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912,0.00015493535,0.0002933117,0.000056202058,0.00020811072,0.00016746705],"domain_scores_gemma":[0.99910444,0.00042820134,0.00015325984,0.00009626123,0.00017271195,0.000045126413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011616506,0.00011933348,0.00028868983,0.000061515086,0.00030229555,0.00008717309,0.00013840698,0.000016208809,0.0000073348183],"category_scores_gemma":[0.00017994954,0.000052116487,0.00004013502,0.0000034274572,0.0007599626,0.00017426045,0.000074185795,0.00017087665,0.0000044664566],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018201383,0.000033143715,0.0011875713,0.00002530198,0.00018103866,0.000014418132,0.92361873,0.0000040581613,0.000006084359,0.009877479,0.064199865,0.00067026296],"study_design_scores_gemma":[0.00266087,0.00042468728,0.0022077055,0.00010330836,0.00019780433,0.0001716064,0.468663,0.000014455125,0.000019719651,0.041509304,0.4838741,0.00015341036],"about_ca_topic_score_codex":0.00010883875,"about_ca_topic_score_gemma":0.003990036,"teacher_disagreement_score":0.45495576,"about_ca_system_score_codex":0.000013835878,"about_ca_system_score_gemma":0.000023772953,"threshold_uncertainty_score":0.2800114},"labels":[],"label_agreement":null},{"id":"W4285369641","doi":"10.1386/jfs_00043_1","title":"Wagner the gardener: Media as nature and the building of a cult","year":2021,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Cult; Fandom; TRACE (psycholinguistics); Mediation; Sociology; Consumption (sociology); Aesthetics; Art; History; Media studies; Philosophy; Social science; Linguistics; Ancient history","score_opus":0.02653610004132083,"score_gpt":0.27622705575764267,"score_spread":0.24969095571632183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285369641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8585915,0.08260856,0.0000057574116,0.04602612,0.0007681747,0.00007681053,0.000003743159,0.0000035744401,0.011915733],"genre_scores_gemma":[0.98766357,0.007383642,0.000013102942,0.0021785297,0.00086201925,0.0000020105304,1.5134428e-7,0.0000036812303,0.0018933215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990347,0.00032677638,0.0002797079,0.00005062486,0.0002110507,0.000097144424],"domain_scores_gemma":[0.996781,0.0023844785,0.00026107085,0.000118780896,0.00043690493,0.000017750173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011370801,0.00008609008,0.0003721661,0.000025144707,0.00059365167,0.000035873327,0.00018678501,0.000031043954,0.00029879218],"category_scores_gemma":[0.000876377,0.000026275697,0.00017936839,0.000043899017,0.0012652383,0.000044592856,0.00012942038,0.00038553885,0.000001472237],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017861915,0.000086344204,0.00009302439,0.00004883227,0.0057238005,0.000040760322,0.36991873,0.000048816462,0.00054495904,0.54805815,0.070762254,0.0028881151],"study_design_scores_gemma":[0.011504952,0.00025752612,0.0012365986,0.00032324437,0.0072014644,0.0003974556,0.3312667,0.00005215981,0.0023450705,0.16684696,0.4782731,0.00029476633],"about_ca_topic_score_codex":0.000022422037,"about_ca_topic_score_gemma":0.0007059737,"teacher_disagreement_score":0.40751085,"about_ca_system_score_codex":0.0000055173164,"about_ca_system_score_gemma":0.000024227045,"threshold_uncertainty_score":0.46618232},"labels":[],"label_agreement":null},{"id":"W4285370795","doi":"10.1386/jfs_00041_1","title":"‘My whole world shifted’: Identity and transformation in becoming-a-fan narratives","year":2021,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Narrative; Fandom; Identity (music); Sociology; Object (grammar); Transition (genetics); Media studies; Aesthetics; Art; Computer science; Literature; Artificial intelligence","score_opus":0.0821820724112253,"score_gpt":0.29897770408526264,"score_spread":0.21679563167403734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285370795","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.960276,0.019151427,0.000028651111,0.0035958681,0.00049234397,0.00006659267,0.00000474171,0.0000049046175,0.016379474],"genre_scores_gemma":[0.9945186,0.000527063,0.000018728686,0.00028709378,0.00028796098,0.000001641579,6.582061e-7,0.0000033132796,0.0043549696],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999345,0.00013875225,0.00027070477,0.000039783397,0.00012979815,0.000075985285],"domain_scores_gemma":[0.999567,0.00009428265,0.00013328946,0.000045933193,0.00014152072,0.000018005367],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005066582,0.00007261428,0.00021827925,0.00005455338,0.0004040543,0.00005572491,0.00006619101,0.000010743541,0.00025971694],"category_scores_gemma":[0.000038256974,0.000041079453,0.000051022314,0.000046306268,0.0001985133,0.00052762125,0.00001684753,0.0001737487,0.0000027152862],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010891286,0.00003880311,0.00011064111,0.00004303588,0.00013766433,0.000012857181,0.962527,0.0000044165363,0.00026135833,0.02595872,0.010200125,0.0005965131],"study_design_scores_gemma":[0.0020701915,0.000079676414,0.0016942541,0.00026233174,0.0001042116,0.000036766814,0.6363177,0.0000027481608,0.00022866824,0.019875037,0.33920088,0.00012753929],"about_ca_topic_score_codex":0.0000092204555,"about_ca_topic_score_gemma":0.018696742,"teacher_disagreement_score":0.32900077,"about_ca_system_score_codex":0.000022735925,"about_ca_system_score_gemma":0.000018635767,"threshold_uncertainty_score":0.99920946},"labels":[],"label_agreement":null},{"id":"W4318658240","doi":"10.1386/jfs_00048_1","title":"Vaporwar and military contents fandom","year":2022,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Digital Games and Media","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Fandom; Citizen journalism; Media studies; Participatory culture; Sociology; Advertising; Political science; Law","score_opus":0.05198080233311408,"score_gpt":0.3305233628783709,"score_spread":0.27854256054525683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318658240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8929697,0.079604216,0.000005518072,0.005543449,0.0011164304,0.00015585315,0.000007415734,0.000007809186,0.020589607],"genre_scores_gemma":[0.97643,0.016712764,0.000017876673,0.00039045163,0.00020756712,0.0000033315944,1.2509102e-7,0.000003681939,0.006234215],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892277,0.00025220396,0.00021277246,0.00004432851,0.00042040335,0.0001475487],"domain_scores_gemma":[0.9990944,0.00053497026,0.000134785,0.000052706546,0.00011976752,0.000063362095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016292377,0.000059121354,0.00023002141,0.00003436804,0.0004484471,0.000011318827,0.00018569354,0.000009003183,0.000025702117],"category_scores_gemma":[0.0004974579,0.000034018063,0.000070001995,0.00008875627,0.00036551768,0.000117291995,0.00014414355,0.00014648182,0.000001115332],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032769763,0.0002847858,0.009589279,0.000040443752,0.0018456033,0.00016877257,0.6587708,0.000104038205,0.00029540286,0.0031651726,0.1035473,0.21891145],"study_design_scores_gemma":[0.0032066992,0.00038821707,0.0026461403,0.000028614582,0.00014606223,0.00005161583,0.35403347,0.000002007773,0.000017852804,0.0027476607,0.6366359,0.00009578449],"about_ca_topic_score_codex":0.00008852994,"about_ca_topic_score_gemma":0.00013493163,"teacher_disagreement_score":0.53308856,"about_ca_system_score_codex":0.000045071098,"about_ca_system_score_gemma":0.00004326524,"threshold_uncertainty_score":0.34491378},"labels":[],"label_agreement":null},{"id":"W4386711726","doi":"10.1386/jfs_00073_5","title":"Ms. Marvel’s America: No Normal, Jessica Baldanzi and Hussein Rashid (eds) (2020)","year":2023,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art; History; Ancient history","score_opus":0.03295508911078071,"score_gpt":0.26712194150412133,"score_spread":0.23416685239334062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386711726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9277658,0.033264253,0.00001117438,0.01985787,0.0018473418,0.00021652636,0.00003182994,0.00005048791,0.016954733],"genre_scores_gemma":[0.91516435,0.07268334,0.000030458079,0.0004894222,0.0014545048,0.000005745127,0.0000011507907,0.00001794433,0.010153099],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897224,0.0001284894,0.0003834735,0.000084267274,0.00022499457,0.00020652455],"domain_scores_gemma":[0.9985297,0.00068233913,0.00031332957,0.000120383724,0.00030345455,0.000050835282],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068668905,0.00015452594,0.00042489514,0.00011785651,0.000683148,0.000100479265,0.00019515154,0.000021901542,0.00021625072],"category_scores_gemma":[0.00018280966,0.000081430655,0.00011985819,0.00010754548,0.00064688845,0.00017221262,0.00015278134,0.00029514174,0.000038025213],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008751541,0.00008265715,0.00065652694,0.000092718554,0.0017533253,0.000081130536,0.17040536,0.000019451212,0.00049005356,0.010071209,0.8051085,0.010363899],"study_design_scores_gemma":[0.0024398228,0.00062504516,0.0034031272,0.00016652717,0.00027145635,0.00005358222,0.068685696,0.00006799603,0.00005456355,0.0072419876,0.9167085,0.00028168352],"about_ca_topic_score_codex":0.00003521189,"about_ca_topic_score_gemma":0.00017961678,"teacher_disagreement_score":0.111600004,"about_ca_system_score_codex":0.000010259425,"about_ca_system_score_gemma":0.000023917515,"threshold_uncertainty_score":0.5254291},"labels":[],"label_agreement":null},{"id":"W4390281752","doi":"10.1386/jfs_00079_1","title":"A community of death: Death metal fandom and terror management theory","year":2023,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Crime, Deviance, and Social Control","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Fandom; Terror management theory; Mainstream; Lyrics; Normative; Existentialism; Politics; Sociology; Media studies; Gender studies; Psychology; Criminology; Literature; Social psychology; Law; Political science; Art","score_opus":0.11788450711609832,"score_gpt":0.3996165962920157,"score_spread":0.28173208917591736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390281752","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96921635,0.011493119,0.00011713078,0.0019856347,0.0003702668,0.000296028,0.0000057285843,0.000023341652,0.016492423],"genre_scores_gemma":[0.9854848,0.012931071,0.000038215934,0.000093637,0.00015916169,0.0000047657777,1.8163449e-7,0.000006101874,0.0012820957],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997336,0.0016539118,0.00035436384,0.00004937141,0.000395169,0.00021119407],"domain_scores_gemma":[0.9977406,0.0015646428,0.00030947395,0.00012494267,0.00020851969,0.000051797713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007894738,0.00010262191,0.00047571823,0.00009309506,0.0012155509,0.00002357169,0.00032627585,0.00003137582,0.000007965836],"category_scores_gemma":[0.00064806466,0.000060615126,0.00015297392,0.00021082834,0.000506793,0.00011657424,0.00015185586,0.00023594285,0.0000029448497],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0026004484,0.00020685772,0.008269631,0.00017497096,0.0051823705,0.00005372765,0.87190056,0.00002103724,0.00030114347,0.07981717,0.004513449,0.026958656],"study_design_scores_gemma":[0.0057985266,0.000294567,0.034892093,0.0001932023,0.0013276996,0.000007909622,0.8610543,0.0000055101996,0.00007694584,0.08752086,0.0086392695,0.00018911308],"about_ca_topic_score_codex":0.0003024559,"about_ca_topic_score_gemma":0.00057734206,"teacher_disagreement_score":0.026769543,"about_ca_system_score_codex":0.000040652307,"about_ca_system_score_gemma":0.000035954934,"threshold_uncertainty_score":0.9349158},"labels":[],"label_agreement":null},{"id":"W4399398267","doi":"10.1386/jfs_00089_1","title":"Fandom identification and in-person activities as mediators of the association between cosplay and psychological well-being","year":2024,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo; Bishop's University; Trent University","funders":"","keywords":"Fandom; Association (psychology); Identification (biology); Psychology; Psychological well-being; Social psychology; Psychoanalysis; Clinical psychology; Sociology; Psychotherapist; Media studies; Biology","score_opus":0.04908694604670062,"score_gpt":0.3720691691938972,"score_spread":0.3229822231471966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399398267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9852683,0.009419161,0.000025048892,0.003183453,0.0006286759,0.000109701396,0.0000011330021,0.0000051252287,0.001359415],"genre_scores_gemma":[0.9879287,0.011418821,0.000007608435,0.000035218123,0.00029477122,0.0000012087982,8.772392e-8,0.0000032316568,0.00031039317],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9986685,0.0004744416,0.00026732078,0.00007022085,0.00039964958,0.00011989389],"domain_scores_gemma":[0.9973954,0.0022010878,0.00026860085,0.000044542285,0.00006117112,0.000029174731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031977927,0.00006506017,0.00023015981,0.00006339779,0.00032104395,0.000051298663,0.00010657679,0.00004741383,0.0000035032833],"category_scores_gemma":[0.0011090195,0.000033475808,0.00004985274,0.0001662277,0.00027543886,0.00018201269,0.000028133773,0.00019643876,5.653634e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023389213,0.000040691957,0.29491308,0.00010662358,0.0007119888,0.0000066483663,0.68168414,0.000009979071,0.0034535131,0.0014824782,0.0015065979,0.015850386],"study_design_scores_gemma":[0.002946968,0.00018875516,0.5719869,0.0008885086,0.0008024046,0.00002031698,0.39231828,0.000020467107,0.00426456,0.024465922,0.0018676472,0.00022926772],"about_ca_topic_score_codex":0.00005697417,"about_ca_topic_score_gemma":0.0001204892,"teacher_disagreement_score":0.28936583,"about_ca_system_score_codex":0.00008494524,"about_ca_system_score_gemma":0.000035480538,"threshold_uncertainty_score":0.2469243},"labels":[],"label_agreement":null},{"id":"W4399398270","doi":"10.1386/jfs_00090_1","title":"‘We know Charlie’: A case of epistolary education and brave space in The Perks of Being a Wallflower fanfiction","year":2024,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Space (punctuation); Art; Art history; Philosophy","score_opus":0.014468439122299045,"score_gpt":0.27281029584542954,"score_spread":0.2583418567231305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399398270","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7899088,0.20085765,0.000028921308,0.004323695,0.00030648438,0.000089319044,0.0000071568948,0.000003339833,0.0044746017],"genre_scores_gemma":[0.9828871,0.015853502,0.000020728128,0.00009112936,0.00030822286,0.0000018652024,4.3034981e-7,0.0000045199536,0.000832494],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993189,0.00014004752,0.00030294046,0.0000503197,0.00012277422,0.00006503254],"domain_scores_gemma":[0.9991839,0.00035515658,0.000185882,0.00006818327,0.0001955203,0.00001137416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006239998,0.00007346321,0.00026307057,0.00013302085,0.00012915877,0.00005393195,0.000067949484,0.000012751152,0.000029178933],"category_scores_gemma":[0.00006296237,0.0000361382,0.000097584,0.000080314574,0.0002830561,0.00014519836,0.00002081816,0.00017263676,4.18584e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014534571,0.0001203087,0.00012990247,0.00023440545,0.00072667893,0.00013765348,0.93838024,0.0000061574756,0.00020275547,0.015025909,0.0074639767,0.037426688],"study_design_scores_gemma":[0.0007056986,0.00046653135,0.0004023761,0.00229192,0.001287697,0.0027928692,0.9292641,0.0001391683,0.00010368777,0.0050908467,0.057297703,0.00015735214],"about_ca_topic_score_codex":0.00027140687,"about_ca_topic_score_gemma":0.0004413911,"teacher_disagreement_score":0.1929783,"about_ca_system_score_codex":0.000016073904,"about_ca_system_score_gemma":0.000034546618,"threshold_uncertainty_score":0.1473673},"labels":[],"label_agreement":null},{"id":"W4416742570","doi":"10.1386/jfs_00120_5","title":"Everything I Need I Get from You: How Fangirls Created the Internet as We Know It, Kaitlyn Tiffany (2022)","year":2025,"lang":"en","type":"article","venue":"The Journal of Fandom Studies","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Internet; Internet research; Internet appliance","score_opus":0.026682930282007543,"score_gpt":0.267891749642862,"score_spread":0.24120881936085445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416742570","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7072816,0.13737035,0.00007770714,0.13318126,0.002714802,0.0003215661,0.000044519027,0.00007845409,0.018929759],"genre_scores_gemma":[0.93391955,0.027314533,0.000028455775,0.001339856,0.0005269706,0.0000066520934,0.0000012490134,0.0000141023165,0.03684861],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998833,0.00016547508,0.000403471,0.0001143057,0.00025604773,0.00022771962],"domain_scores_gemma":[0.9978147,0.0011351773,0.00037820058,0.00027195664,0.0003750225,0.000024956189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006776173,0.00020750481,0.00046500703,0.00008193651,0.0006063255,0.00018434685,0.0006133875,0.0000725961,0.000265616],"category_scores_gemma":[0.00033886987,0.000099029574,0.0002517607,0.00008722679,0.0008197472,0.00011080957,0.0003171057,0.0006300205,0.000017172024],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033056585,0.00009367494,0.00058629375,0.000027452565,0.005496653,0.000025885727,0.26702574,0.000007840934,0.0003326586,0.045703977,0.67026305,0.010106234],"study_design_scores_gemma":[0.0019933407,0.00019218748,0.00036635704,0.00054249546,0.0007929452,0.000022179112,0.19719496,0.00006942069,0.00087137305,0.03839021,0.75937,0.00019448187],"about_ca_topic_score_codex":0.00033055514,"about_ca_topic_score_gemma":0.00050418737,"teacher_disagreement_score":0.22663797,"about_ca_system_score_codex":0.000060137183,"about_ca_system_score_gemma":0.000043942968,"threshold_uncertainty_score":0.46634272},"labels":[],"label_agreement":null}]}