{"meta":{"query_hash":"5af476d5def1","filters":{"venue":"The Journal of Modern English Drama"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/5af476d5def1","api":"https://metacan.xera.ac/api/v1/cohort?venue=The+Journal+of+Modern+English+Drama"},"results":[{"id":"W2790652442","doi":"10.29163/jmed.2017.12.30.3.161","title":"The Turning Point of Peter Pan - Barrie’s Pantaloon and American Premiere of Peter Pan -","year":2017,"lang":"en","type":"article","venue":"The Journal of Modern English Drama","topic":"Folklore, Mythology, and Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Trickster; Turning point; Hook; Art history; Philosophy; Literature; Period (music); Aesthetics","score_opus":0.015193444384434849,"score_gpt":0.23544868057271182,"score_spread":0.22025523618827697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790652442","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07487018,0.0043021133,0.0017328557,0.02888362,0.0011619854,0.000021177599,0.00003971035,0.00007103935,0.8889173],"genre_scores_gemma":[0.82877725,0.0009001504,0.00043577352,0.0026255196,0.00016133914,0.000021688296,0.00001443039,0.00006431572,0.1669995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993617,0.00024388102,0.000007595896,0.00008398855,0.000117222466,0.00018557064],"domain_scores_gemma":[0.99968386,0.00009594519,0.000024673518,0.00002574191,0.000069196154,0.00010055105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047637417,0.00030020592,0.000120606615,0.00040209273,0.006465128,0.0041714483,0.00034444412,0.0011205733,0.00775225],"category_scores_gemma":[0.0011539056,0.00019116336,0.00008577681,0.00034100655,0.007985954,0.0024414072,0.0021041797,0.00358017,0.0008997781],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111500674,0.000023828075,0.0012278839,0.000058636262,0.0000046092277,0.0005549731,0.14328957,0.000032485328,0.0011576437,0.76312923,0.07463347,0.015776267],"study_design_scores_gemma":[0.0000057430775,0.000019302,0.0022518826,0.00008125199,0.0000040182717,0.0003675896,0.034539934,0.00006192541,0.00036946987,0.0069779498,0.9553058,0.000015039496],"about_ca_topic_score_codex":0.039383218,"about_ca_topic_score_gemma":0.098753236,"teacher_disagreement_score":0.039383218,"about_ca_system_score_codex":0.0035448119,"about_ca_system_score_gemma":0.0014380483,"threshold_uncertainty_score":0.078307986},"labels":[],"label_agreement":null},{"id":"W4318203390","doi":"10.29163/jmed.2022.12.35.3.141","title":"A Dramaturgic Reading of Hook: How to Act?","year":2022,"lang":"en","type":"article","venue":"The Journal of Modern English Drama","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hook; Comics; HERO; Censorship; Art; Reading (process); Literature; Visual arts; Philosophy; Theology; Linguistics; Medicine","score_opus":0.023835201089634692,"score_gpt":0.21849342148903284,"score_spread":0.19465822039939815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318203390","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048615564,0.01045512,0.016090564,0.11951106,0.002352079,0.000043393124,0.00008013669,0.00029270686,0.80255944],"genre_scores_gemma":[0.9416594,0.0014740581,0.00165216,0.007327763,0.00039035807,0.000047324047,0.000026000005,0.00019097801,0.047231946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977252,0.0014775494,0.00005053197,0.00018020469,0.00028529263,0.00028115718],"domain_scores_gemma":[0.9988085,0.00053656887,0.0001153156,0.00018883037,0.00017449072,0.00017637809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001525506,0.0005537188,0.00030018933,0.00076669303,0.0053235684,0.007292698,0.000937562,0.0029995223,0.004411705],"category_scores_gemma":[0.0041622873,0.0001996937,0.00019375,0.0005049199,0.02780339,0.006190666,0.0037607676,0.0053227576,0.0010231024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003419262,0.000011786041,0.00036493837,0.000059541388,0.0000044072185,0.0002572584,0.14649878,0.00007863354,0.00037623403,0.8186193,0.024258431,0.009436521],"study_design_scores_gemma":[0.000012527557,0.00004187609,0.0020188522,0.00041758665,0.0000133998055,0.0007439965,0.15537682,0.0004048238,0.0010974905,0.12275911,0.7170612,0.000052325096],"about_ca_topic_score_codex":0.005672815,"about_ca_topic_score_gemma":0.007071686,"teacher_disagreement_score":0.007292698,"about_ca_system_score_codex":0.0032005676,"about_ca_system_score_gemma":0.0011611821,"threshold_uncertainty_score":0.02322179},"labels":[],"label_agreement":null},{"id":"W4376620398","doi":"10.29163/jmed.2023.4.36.1.123","title":"Staging Korean Haenyeos in Celine Song’s Endlings: Diasporic Subjectivity Torn between Ethnic Lineage and Metatheatrical Satire","year":2023,"lang":"en","type":"article","venue":"The Journal of Modern English Drama","topic":"Psychosocial Factors Impacting Youth","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Subjectivity; Politics; Tribute; History; White (mutation); Immigration; Face (sociological concept); Movie theater; Aesthetics; Art; Literature; Art history; Sociology; Law; Philosophy; Political science","score_opus":0.06415599896709802,"score_gpt":0.3517945290456761,"score_spread":0.2876385300785781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376620398","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84316945,0.0019262889,0.0020972497,0.008253227,0.0015319302,0.00009937245,0.0001125375,0.00005780562,0.14275213],"genre_scores_gemma":[0.96346813,0.0005509077,0.0005968543,0.0010669975,0.00009609325,0.000049738122,0.000067368106,0.00009371314,0.034010056],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990134,0.00044631216,0.00002414727,0.000092493596,0.0000787624,0.00034490007],"domain_scores_gemma":[0.9991353,0.00021070715,0.000071336355,0.000058875372,0.00008990016,0.00043382533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021824494,0.0008362118,0.00029095754,0.00064724096,0.015507177,0.0078707095,0.0010516645,0.0012697303,0.005736202],"category_scores_gemma":[0.00151052,0.0004006571,0.00027675543,0.0004511046,0.01288967,0.005958216,0.008112486,0.0039918916,0.0007610672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011605437,0.000046614216,0.0036796052,0.00008228404,0.000008153659,0.00087431876,0.9437927,0.000041516436,0.0015337362,0.029898565,0.011941533,0.007984824],"study_design_scores_gemma":[0.0000038930916,0.000024637971,0.001777831,0.00007664717,0.0000033685892,0.00016458203,0.9151099,0.0000394222,0.00029512902,0.0008389802,0.08165337,0.000012325772],"about_ca_topic_score_codex":0.011197886,"about_ca_topic_score_gemma":0.061410747,"teacher_disagreement_score":0.015507177,"about_ca_system_score_codex":0.0035277926,"about_ca_system_score_gemma":0.0019097476,"threshold_uncertainty_score":0.025596023},"labels":[],"label_agreement":null}]}