{"meta":{"query_hash":"b7a4d98a55cb","filters":{"venue":"The Modern Language Review"},"cohort_total":171,"direct_labels_cover":0,"predictions_cover":171,"exported":171,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/b7a4d98a55cb","api":"https://metacan.xera.ac/api/v1/cohort?venue=The+Modern+Language+Review"},"results":[{"id":"W136150400","doi":"10.1353/mlr.2017.0151","title":"Creativity and Science in Contemporary Argentine Literature: Between Romanticism and Formalism","year":2017,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"Centre of Latin American Studies, University of Cambridge","keywords":"Romanticism; Creativity; Formalism (music); Literature; Philosophy; Epistemology; Art; Psychology; Social psychology","score_opus":0.0857772027396243,"score_gpt":0.34148638355438843,"score_spread":0.2557091808147641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W136150400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58121955,0.3959982,0.000025784793,0.0019276611,0.000034399316,0.00024651573,0.000028668437,0.000011740123,0.020507473],"genre_scores_gemma":[0.9878302,0.010008054,0.000011400488,0.00047862274,0.00012629222,0.000010859184,0.000008985476,0.000005365638,0.0015202147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921435,0.00008184385,0.00021159145,0.0002007231,0.0001364667,0.0001550482],"domain_scores_gemma":[0.99930906,0.00005943125,0.00011668765,0.00042173304,0.00004372781,0.000049375565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008377134,0.00012266457,0.00034999757,0.000048491063,0.0006618629,0.0005017177,0.00028485744,0.000012648562,0.0000820306],"category_scores_gemma":[0.000064205844,0.00007099643,0.000046746878,0.000033415534,0.0006508956,0.0007659848,0.00018708617,0.00012918547,0.000003541768],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030551666,0.00016983438,0.018866947,0.005034854,0.00015464777,0.00024036641,0.29402745,1.5906551e-7,0.00047545982,0.44705588,0.0013375714,0.23260629],"study_design_scores_gemma":[0.0034372783,0.00033480115,0.32892758,0.042384822,0.001197966,0.00015519834,0.0036004332,0.0062985765,0.00049319555,0.10702012,0.5035668,0.0025832127],"about_ca_topic_score_codex":0.0001254915,"about_ca_topic_score_gemma":0.000058960915,"teacher_disagreement_score":0.5022293,"about_ca_system_score_codex":0.0000048431584,"about_ca_system_score_gemma":0.000014497696,"threshold_uncertainty_score":0.5090581},"labels":[],"label_agreement":null},{"id":"W1493707639","doi":"","title":"Review of The Book Unbound: Editing and Reading Medieval Manuscripts and Texts, ed. by Siân Echard and Stephen Partridge (Toronto: University of Toronto Press, 2004)","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Art; History; Classics; Media studies; Sociology; Philosophy; Linguistics","score_opus":0.017538342821578592,"score_gpt":0.21850910469351664,"score_spread":0.20097076187193805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493707639","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002716818,0.9452505,0.0000018810648,0.00025458593,0.00006014795,0.0004571016,0.00016604521,0.000015539721,0.05107737],"genre_scores_gemma":[0.028034449,0.95878357,0.000008643879,0.0009154045,0.00020051996,0.0000034073885,0.000023225888,0.000017515355,0.012013246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904114,0.00013755875,0.0002822039,0.00017716417,0.0001911243,0.00017078752],"domain_scores_gemma":[0.9992814,0.000077391116,0.00024434543,0.00029244664,0.000062476814,0.000041922114],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005378586,0.00016225078,0.00041526026,0.0000026804735,0.00023689667,0.00007968729,0.0002090429,0.000026961821,0.0004371784],"category_scores_gemma":[0.000035818517,0.0001002901,0.00007730896,0.0000063413413,0.00032950865,0.00051642954,0.00017129681,0.00009243351,8.2489277e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004061511,0.00012947126,0.000069591246,0.07976835,0.00022145762,0.000015883894,0.023312941,1.6222769e-7,0.00013576621,0.051597744,0.677515,0.16719307],"study_design_scores_gemma":[0.00019690978,0.000038408234,0.000058969817,0.019749308,0.00029673026,0.0000127755275,0.0011730952,0.000011132534,0.00001693137,0.00038132997,0.97790235,0.00016206728],"about_ca_topic_score_codex":0.0075770933,"about_ca_topic_score_gemma":0.004474528,"teacher_disagreement_score":0.30038738,"about_ca_system_score_codex":0.000039344435,"about_ca_system_score_gemma":0.000013927016,"threshold_uncertainty_score":0.99903154},"labels":[],"label_agreement":null},{"id":"W1991768404","doi":"10.2307/3736642","title":"Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women","year":2000,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Class (philosophy); Gender studies; Working class; Genealogy; Sociology; History; Art; Political science; Computer science; Politics; Law; Artificial intelligence","score_opus":0.04674781818502757,"score_gpt":0.2625728037314057,"score_spread":0.2158249855463781,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991768404","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2960167,0.5996861,0.000001075572,0.002601774,0.00009604381,0.0007075857,0.000032916043,0.00003465634,0.100823194],"genre_scores_gemma":[0.9112258,0.07463936,0.0000093761,0.0071476577,0.0003842243,0.000078277226,0.000009894556,0.000009561503,0.006495836],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931294,0.000080508515,0.00015869728,0.00013565946,0.00011547374,0.00019673815],"domain_scores_gemma":[0.9997657,0.000026846807,0.000035330726,0.00013599143,0.000010713669,0.000025424006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002382451,0.00012680885,0.0001901505,0.000008258351,0.00025030354,0.00011442203,0.00014402687,0.00001516255,0.00068379496],"category_scores_gemma":[0.0000060131547,0.000053593285,0.000031155905,0.000032006377,0.00008664857,0.0000881273,0.00004263427,0.000107789005,0.000017224895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011276368,0.000032113814,0.000056460136,0.00042189946,0.00005859341,0.0000108404165,0.92544353,2.2431941e-7,0.000028072363,0.013119589,0.00065337605,0.060164034],"study_design_scores_gemma":[0.00016084473,0.000017636155,0.00053524,0.00025012577,0.000036438825,0.0000141321825,0.0021171987,0.000013472596,4.826661e-7,0.001603587,0.9951468,0.00010404588],"about_ca_topic_score_codex":0.000033994864,"about_ca_topic_score_gemma":0.00015690654,"teacher_disagreement_score":0.9944934,"about_ca_system_score_codex":0.000013491341,"about_ca_system_score_gemma":0.0000026607045,"threshold_uncertainty_score":0.74870753},"labels":[],"label_agreement":null},{"id":"W1995889816","doi":"10.2307/3737593","title":"Teaching Literature and Medicine","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Empathy and Medical Education","field":"Medicine","cited_by":48,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine; Traditional medicine; History; Psychology","score_opus":0.028320640835063263,"score_gpt":0.34458748269792994,"score_spread":0.3162668418628667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1995889816","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024201015,0.91221595,0.000050179493,0.049313605,0.00004828311,0.00020829658,8.90502e-7,0.000034596524,0.013927191],"genre_scores_gemma":[0.4834009,0.46311632,0.00022745575,0.03471285,0.0008751488,0.00002833018,0.00002770121,0.000019210021,0.017592058],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994415,0.00005816054,0.00013661577,0.00011228888,0.00014810663,0.000103302555],"domain_scores_gemma":[0.9995263,0.00006124137,0.000037168196,0.0002583276,0.000017177948,0.000099780504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003983008,0.00008134288,0.00022367484,0.0000181738,0.00006182936,0.000004779942,0.000054066277,0.000033354896,0.00073243905],"category_scores_gemma":[0.000435519,0.000038125887,0.000033952558,0.00006816419,0.000058954643,0.000032435662,0.000016201655,0.00030677067,0.000021138638],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025881789,0.000036326444,0.0000063224866,0.0036042524,0.00001527617,0.00003994872,0.09931285,1.1501688e-8,0.0003065257,0.00021717268,0.006692689,0.88976604],"study_design_scores_gemma":[0.0040903087,0.00069820444,0.0012176989,0.25994778,0.003155357,0.008495123,0.011102762,0.006685216,0.00013112306,0.0070514255,0.69657576,0.0008492682],"about_ca_topic_score_codex":0.000023054536,"about_ca_topic_score_gemma":8.0762834e-7,"teacher_disagreement_score":0.8889168,"about_ca_system_score_codex":0.000010344709,"about_ca_system_score_gemma":0.000005771845,"threshold_uncertainty_score":0.8019694},"labels":[],"label_agreement":null},{"id":"W1998393045","doi":"10.2307/3735510","title":"Discovering the Subject in Renaissance England","year":2000,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":53,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The Renaissance; Subject (documents); History; Art; Classics; Art history; Library science; Computer science","score_opus":0.017285364323932684,"score_gpt":0.23410979432686474,"score_spread":0.21682443000293206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998393045","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05031267,0.867897,0.0000107530195,0.0015776329,0.00009241444,0.00034452687,0.000018830504,0.000048848204,0.07969737],"genre_scores_gemma":[0.9163075,0.04554653,0.00000784292,0.0028409031,0.00064071687,0.00005768027,0.000016494227,0.000029546498,0.034552775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990366,0.0002014762,0.00023286873,0.00017170924,0.00016317567,0.00019416165],"domain_scores_gemma":[0.99921215,0.000081610575,0.00006460648,0.00060550857,0.000014989233,0.00002112982],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005182635,0.00014477238,0.00027497113,0.00002459265,0.00020520044,0.00010552278,0.00039564463,0.000017252973,0.0038035105],"category_scores_gemma":[0.00002844204,0.000068186135,0.00013778177,0.000073803116,0.00013673757,0.00013225275,0.000026577498,0.00020423044,0.00014895044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004141602,0.00009309709,0.000054498767,0.0017609362,0.00018341794,0.00009777639,0.56155324,0.00010916509,0.00009295943,0.011387878,0.011778238,0.41284737],"study_design_scores_gemma":[0.0001487171,0.000008656778,0.000036379155,0.001276997,0.000120094395,0.000009523896,0.00032799033,0.00026019383,0.0000075425824,0.00061485794,0.9970269,0.00016211194],"about_ca_topic_score_codex":0.0006395063,"about_ca_topic_score_gemma":0.0032361702,"teacher_disagreement_score":0.9852487,"about_ca_system_score_codex":0.00003685924,"about_ca_system_score_gemma":0.000012503204,"threshold_uncertainty_score":0.99710715},"labels":[],"label_agreement":null},{"id":"W2045065091","doi":"10.2307/20468096","title":"Overturning 'Dr. Faustus': Rereading Thomas Mann's Novel in Light of 'Observations of a Non-Political Man'","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Politics; Literature; Art; Philosophy; Political science; Law","score_opus":0.05598196910956856,"score_gpt":0.33331943541544756,"score_spread":0.277337466305879,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045065091","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6756067,0.15514386,0.0021606996,0.01637084,0.0003002944,0.0022299364,0.00011531817,0.000103290884,0.14796904],"genre_scores_gemma":[0.982052,0.011292509,0.0010024962,0.0014089759,0.00012261946,0.000022489216,0.000010873154,0.000018393532,0.004069592],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986577,0.00016369682,0.0003720276,0.00014620955,0.0003413012,0.00031904574],"domain_scores_gemma":[0.9991855,0.00019980854,0.00015795694,0.00031769898,0.000072548246,0.000066498535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009190098,0.00010786657,0.0003703253,0.0000307445,0.00017874758,0.0000073640404,0.00035478454,0.00007147185,0.000047928417],"category_scores_gemma":[0.00032620566,0.00007814191,0.00017173859,0.00038865482,0.00021491914,0.00012478892,0.000066724606,0.00015949721,0.000008617001],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031224554,0.0007223969,0.009919178,0.008168997,0.00021483586,0.00012186375,0.6944145,0.000029520168,0.02801507,0.23373063,0.013992779,0.01063904],"study_design_scores_gemma":[0.008431785,0.0006855426,0.19029167,0.10452744,0.0025569354,0.00041008033,0.16308756,0.009663363,0.011374107,0.017428717,0.48557568,0.0059671127],"about_ca_topic_score_codex":0.001590636,"about_ca_topic_score_gemma":0.00020285865,"teacher_disagreement_score":0.5313269,"about_ca_system_score_codex":0.00005757387,"about_ca_system_score_gemma":0.000121654215,"threshold_uncertainty_score":0.31865343},"labels":[],"label_agreement":null},{"id":"W2058526358","doi":"10.2307/20466900","title":"'A new and exceedingly brilliant star': L. M. Montgomery, \"Anne of Green Gables,\" and Mary Miles Minter","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Media, Gender, and Advertising","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Star (game theory); Art; History; Mathematics","score_opus":0.018955792888870674,"score_gpt":0.2896958143690473,"score_spread":0.2707400214801766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2058526358","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19346143,0.79637665,0.00028756732,0.0022047516,0.00006114931,0.00033703493,0.00000982285,0.000024711864,0.007236889],"genre_scores_gemma":[0.5695561,0.40310517,0.0013720475,0.0016058881,0.0010601103,0.00001168254,0.000012985308,0.000041571748,0.02323441],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899924,0.00012176286,0.00023620408,0.00017558663,0.00023984467,0.00022738222],"domain_scores_gemma":[0.9995179,0.000090771835,0.00010602642,0.0001631885,0.00002736846,0.000094753035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059573934,0.000115072384,0.00030397828,0.000025800337,0.00012716316,0.000028187224,0.00015576134,0.000039364753,0.000120859346],"category_scores_gemma":[0.00005469414,0.0000771527,0.00005840869,0.000103202525,0.00016066179,0.00009772779,0.00006252253,0.00007027342,0.0000038888334],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001917517,0.000039743805,0.0014219075,0.0032834555,0.000067751746,0.000051208874,0.061535586,0.0000015900202,0.0028766198,0.0013814302,0.024001226,0.9053203],"study_design_scores_gemma":[0.0056215716,0.0005586259,0.069673054,0.06473041,0.003419506,0.00057387765,0.06981489,0.0025446846,0.002483514,0.104141325,0.6714784,0.0049601244],"about_ca_topic_score_codex":0.02002558,"about_ca_topic_score_gemma":0.0025490194,"teacher_disagreement_score":0.90036017,"about_ca_system_score_codex":0.000016953089,"about_ca_system_score_gemma":0.00004955054,"threshold_uncertainty_score":0.98650014},"labels":[],"label_agreement":null},{"id":"W2077761484","doi":"10.2307/3737482","title":"Theory/Theatre: An Introduction","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":84,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Art; History","score_opus":0.025314362893898296,"score_gpt":0.2683408573738783,"score_spread":0.24302649447998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077761484","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030378206,0.6899981,0.00017854966,0.021395566,0.0008167507,0.00067062886,0.000018899522,0.0002997159,0.25624362],"genre_scores_gemma":[0.74651915,0.19174166,0.00002737398,0.0066547287,0.010563932,0.000092602386,0.000054262317,0.000050990562,0.04429532],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932235,0.00012298464,0.000147689,0.00013614945,0.00010460261,0.00016621701],"domain_scores_gemma":[0.9994603,0.000026841542,0.00004645259,0.0004123764,0.000028983988,0.00002508586],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004842643,0.00011751139,0.00018871279,0.000017987335,0.00031804963,0.000046475452,0.00017812739,0.000011565973,0.0043679583],"category_scores_gemma":[0.000008574873,0.000060825867,0.000074238524,0.00003259146,0.00012270319,0.00018347235,0.000029557968,0.00009926198,0.000281996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020264864,0.000040265855,0.0000083136765,0.00030935343,0.00004919574,0.0000058917794,0.052886043,0.0000022105055,0.000030384346,0.06535949,0.0099042775,0.8713843],"study_design_scores_gemma":[0.000065539745,0.000044004973,0.000009109111,0.00017371147,0.000106828,0.000032491138,0.0020538121,0.000037408216,0.000010837542,0.006565621,0.9907808,0.00011988584],"about_ca_topic_score_codex":0.00006402459,"about_ca_topic_score_gemma":0.00029249446,"teacher_disagreement_score":0.98087645,"about_ca_system_score_codex":0.000010755732,"about_ca_system_score_gemma":0.000006444248,"threshold_uncertainty_score":0.99654216},"labels":[],"label_agreement":null},{"id":"W2089039426","doi":"10.2307/3737868","title":"Quebec National Cinema","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; National cinema; Art; Art history","score_opus":0.04646240705598823,"score_gpt":0.2496477219744566,"score_spread":0.20318531491846836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089039426","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002208029,0.70533913,0.000011593817,0.0021446715,0.0001237473,0.000121911195,0.0000047742674,0.000033367167,0.292],"genre_scores_gemma":[0.19761425,0.051532,0.00004532873,0.011654794,0.0009014383,0.0001165711,0.000018507048,0.000019945173,0.7380972],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994999,0.000048428505,0.00011320874,0.00008033681,0.00016212478,0.000095968084],"domain_scores_gemma":[0.9997638,0.000028531584,0.00003595853,0.00009067442,0.00006249752,0.00001856138],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013985734,0.000077649136,0.00013613535,0.0000053937456,0.00021711894,0.000023675773,0.000093736344,0.000007402709,0.0051038563],"category_scores_gemma":[0.000076435485,0.000035774912,0.00007595823,0.000022045962,0.0000728983,0.00004409339,0.000011746563,0.00005759226,0.00033120488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.036606e-7,0.00003420495,7.271087e-7,0.0004667112,0.00004073731,0.0000044822627,0.017231585,7.236655e-7,0.000020336456,0.65156734,0.2826097,0.04802264],"study_design_scores_gemma":[0.00003661202,0.0000053110534,0.000005112284,0.0001803908,0.000024039022,0.0000036300075,0.00021635697,0.0000040728755,0.0000034166972,0.0026943162,0.99675834,0.00006841148],"about_ca_topic_score_codex":0.0008506543,"about_ca_topic_score_gemma":0.003570388,"teacher_disagreement_score":0.71414864,"about_ca_system_score_codex":0.000035304452,"about_ca_system_score_gemma":0.000013360427,"threshold_uncertainty_score":0.9958056},"labels":[],"label_agreement":null},{"id":"W2330993248","doi":"10.2307/3736657","title":"Focus on Quebec: Five Essays on Quebec Culture and Society","year":2000,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Sociology; Political science; Environmental ethics; Social science; Philosophy","score_opus":0.00943481657541824,"score_gpt":0.25822549268845785,"score_spread":0.24879067611303962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330993248","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009143047,0.53899187,0.00001020088,0.017093401,0.00012293975,0.0008272959,0.000053462034,0.00011330257,0.4336445],"genre_scores_gemma":[0.03574598,0.35426107,0.00002658198,0.012832773,0.00051147206,0.000037968937,0.0000105077725,0.000022684311,0.596551],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991067,0.00018418756,0.000106338026,0.00017442409,0.00023576927,0.00019256567],"domain_scores_gemma":[0.99956065,0.000048236565,0.00004363739,0.00023799008,0.000016190792,0.00009330866],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036379692,0.0000929114,0.00018550239,0.000019044177,0.00067988364,0.00014886045,0.00020988985,0.00006654803,0.0017145241],"category_scores_gemma":[0.000036684294,0.00007084815,0.00013764614,0.00011640517,0.00029629053,0.000081084516,0.000012061622,0.00018449278,0.00034587525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004175682,0.000022786666,4.78776e-7,0.00019742023,0.000019676052,0.000014539129,0.10927503,0.0000022012982,0.00000610965,0.011662239,0.12603173,0.7527636],"study_design_scores_gemma":[0.00009071012,0.000015007869,0.000046739762,0.0008448241,0.000054648466,0.000001839102,0.0013968883,0.000011458074,0.000001391315,0.0011676998,0.9962341,0.00013468452],"about_ca_topic_score_codex":0.8083914,"about_ca_topic_score_gemma":0.9506963,"teacher_disagreement_score":0.87020236,"about_ca_system_score_codex":0.00038235396,"about_ca_system_score_gemma":0.000186384,"threshold_uncertainty_score":0.999198},"labels":[],"label_agreement":null},{"id":"W2331925333","doi":"10.2307/20467813","title":"John Halifax, Gentleman","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.0576463126415596,"score_gpt":0.2623261812096919,"score_spread":0.2046798685681323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331925333","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025438447,0.7479137,0.00006673736,0.0016711559,0.00044082172,0.0003979193,0.000035467303,0.00011997563,0.22391579],"genre_scores_gemma":[0.67378455,0.10032214,0.000056580837,0.012374238,0.0017680754,0.00007610323,0.00008412908,0.00004209798,0.21149208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999356,0.00007698288,0.00015637188,0.00010602436,0.00019704356,0.00010760888],"domain_scores_gemma":[0.99957377,0.00003495287,0.00006343593,0.000251283,0.000047257872,0.000029307914],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002379827,0.00008157164,0.00015141527,0.000021448417,0.00039984743,0.000020509478,0.00021204776,0.000011701921,0.0057531535],"category_scores_gemma":[0.000037452566,0.000051707037,0.00010791526,0.0000259418,0.0001494668,0.00011558948,0.000030192628,0.00008678794,0.0010110585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012874309,0.00019818959,0.000036240017,0.0019697822,0.00015962597,0.00041548416,0.09018821,0.000004034751,0.0001278014,0.203209,0.65570676,0.04797197],"study_design_scores_gemma":[0.000073508505,0.000008217898,0.00008159665,0.00031519457,0.000053456846,0.000062055275,0.0000739195,0.0000262031,0.0000137701145,0.0013369097,0.997843,0.00011213521],"about_ca_topic_score_codex":0.00026483022,"about_ca_topic_score_gemma":0.0003705611,"teacher_disagreement_score":0.6483461,"about_ca_system_score_codex":0.00002167321,"about_ca_system_score_gemma":0.000020128871,"threshold_uncertainty_score":0.99976677},"labels":[],"label_agreement":null},{"id":"W2769023107","doi":"10.1353/mlr.2008.0387","title":"White Civility: The Literary Project of English Canada by Daniel Coleman","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Civility; White (mutation); Sociology; Political science; Law; Politics","score_opus":0.013578702618974262,"score_gpt":0.2419451354557279,"score_spread":0.22836643283675365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2769023107","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013102087,0.859119,0.000011011413,0.004215297,0.0003236994,0.0010515259,0.0002013082,0.000040021565,0.12193602],"genre_scores_gemma":[0.46747658,0.33850712,0.000033836313,0.015345834,0.0011741044,0.00016423783,0.00006717129,0.000052227955,0.1771789],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987971,0.00035644596,0.00018827738,0.00011907732,0.00035174866,0.00018733193],"domain_scores_gemma":[0.99929464,0.00008312013,0.00010143883,0.0003725853,0.00009308622,0.00005513263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006401511,0.00007018028,0.00020069347,0.00002572896,0.0006419167,0.0000369167,0.00045779467,0.000026466078,0.0002529937],"category_scores_gemma":[0.00029877247,0.000049507325,0.00007938877,0.00025814035,0.00040427767,0.000077893266,0.000035381858,0.0001322889,0.0000038339012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018610492,0.000015047566,0.00006584319,0.00044400606,0.000019064366,0.000018607623,0.14376247,2.5160082e-7,0.0000043384603,0.00023588889,0.8413869,0.014045731],"study_design_scores_gemma":[0.000034267097,0.0000040367504,0.00006898954,0.00028068112,0.00003137697,0.000002353441,0.0009508695,0.0000040052914,0.0000014304946,0.000044370143,0.9985105,0.00006714219],"about_ca_topic_score_codex":0.97501695,"about_ca_topic_score_gemma":0.9965606,"teacher_disagreement_score":0.52061194,"about_ca_system_score_codex":0.0002598018,"about_ca_system_score_gemma":0.0018514994,"threshold_uncertainty_score":0.4937169},"labels":[],"label_agreement":null},{"id":"W2955457570","doi":"","title":"Pierre Berthiaume, Matières incandescentes : problématiques matérialistes des Lumières françaises (1650-1780). Montréal, Les Presses de l’Université de Montréal, 2014","year":2016,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013939185509181619,"score_gpt":0.21072368766916702,"score_spread":0.1967845021599854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955457570","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032780297,0.8775903,0.0002471752,0.08620344,0.000101498386,0.00054656225,0.00019082263,0.00012786497,0.0022120597],"genre_scores_gemma":[0.024855971,0.90959466,0.00022753948,0.0004979649,0.0005953942,0.00009223991,0.000021215776,0.00005158443,0.06406342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99731386,0.0006070602,0.00059774175,0.00039317226,0.00036571955,0.0007224478],"domain_scores_gemma":[0.998251,0.00046111818,0.00037629547,0.000484827,0.00022837614,0.00019838421],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004967401,0.0005262206,0.00093578314,0.000042248997,0.004849973,0.00018755528,0.00060517277,0.00014423148,0.0061271284],"category_scores_gemma":[0.00025631057,0.00026612662,0.0005897314,0.00008667844,0.0010900378,0.0003275593,0.00034570458,0.0002147453,0.00017317897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005912044,0.0002531291,0.00066300365,0.0082838265,0.001002395,0.00008630541,0.16749965,0.000016509075,0.0007228709,0.005017374,0.50245744,0.31393838],"study_design_scores_gemma":[0.00038055185,0.00010341073,0.00036200893,0.010841808,0.0018693467,0.000034971392,0.0039753276,0.00012062316,0.00017387861,0.0038479685,0.9776637,0.0006263862],"about_ca_topic_score_codex":0.10667353,"about_ca_topic_score_gemma":0.07350656,"teacher_disagreement_score":0.4752063,"about_ca_system_score_codex":0.0014843618,"about_ca_system_score_gemma":0.00003947195,"threshold_uncertainty_score":0.9999791},"labels":[],"label_agreement":null},{"id":"W3088163230","doi":"10.2307/3738931","title":"The Legacy of Benedetto Croce: Contemporary Critical Views","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Political theory and Gramsci","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; University of Cambridge","keywords":"History; Art","score_opus":0.07680681328044688,"score_gpt":0.4204830308929867,"score_spread":0.34367621761253986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088163230","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005805035,0.8014856,0.0007301587,0.043622013,0.00016644102,0.00068441656,0.000012966506,0.000061866405,0.14743152],"genre_scores_gemma":[0.9742893,0.020619296,0.00005595083,0.0037763605,0.00019788045,0.000027734051,0.0000014823502,0.000009996346,0.0010220064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99829143,0.0006281134,0.00031196437,0.00013127437,0.00031189073,0.00032533577],"domain_scores_gemma":[0.9985503,0.00078838854,0.00007120213,0.0004142822,0.000061492756,0.00011431872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025441411,0.00010142194,0.00027303657,0.000008228172,0.00054894533,0.00005967235,0.0005942383,0.000045039316,0.00010084877],"category_scores_gemma":[0.0017503479,0.00005041469,0.00017768236,0.0001628943,0.0010075906,0.00015974014,0.00006534236,0.00016325965,0.0000860596],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006685344,0.000037193284,0.0000014459339,0.0003067875,0.000012698801,0.000012262833,0.005253921,5.2093816e-7,0.000052888357,0.95693874,0.0004292476,0.036947604],"study_design_scores_gemma":[0.00020528129,0.00004175465,0.00003326235,0.0022958813,0.00008611718,0.000011937399,0.002583554,0.0000056505446,0.0003145775,0.6825372,0.31168184,0.00020292774],"about_ca_topic_score_codex":0.0006316289,"about_ca_topic_score_gemma":0.00013706792,"teacher_disagreement_score":0.9684843,"about_ca_system_score_codex":0.000033907607,"about_ca_system_score_gemma":0.00018785178,"threshold_uncertainty_score":0.42220992},"labels":[],"label_agreement":null},{"id":"W4210253880","doi":"10.1353/mlr.2006.0146","title":"The Growth of 'A la recherche du temps perdu': A Chronological Examination of Proust's Manuscripts from 1909 to 1914 by Anthony R. Pugh","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Architecture; Art history; Abandonment (legal); Philosophy; Visual arts","score_opus":0.07983569794378505,"score_gpt":0.2839843956485449,"score_spread":0.20414869770475985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210253880","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061941907,0.6994173,0.00086205103,0.0056805825,0.00014772802,0.0012373294,0.0002912126,0.00008376416,0.23033811],"genre_scores_gemma":[0.98491734,0.0073138755,0.0001720151,0.00088023156,0.00031220034,0.00007308102,0.00006040821,0.000017364951,0.006253465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981118,0.0010287423,0.00033999412,0.00016597353,0.0001905949,0.000162897],"domain_scores_gemma":[0.99848825,0.00094558607,0.00009964367,0.00033136,0.000108412845,0.000026777214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015649372,0.0001386012,0.00030481705,0.000016042548,0.00011296382,0.00006307525,0.00034372887,0.00007203771,0.00033870013],"category_scores_gemma":[0.00043193204,0.00006655681,0.00011032315,0.000055734432,0.00029510068,0.00007301478,0.000060804996,0.00022913562,0.000019659374],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003372893,0.0003137134,0.0000056521512,0.0015631829,0.00007359872,0.000015648335,0.030644484,4.1656844e-7,0.006489627,0.7746927,0.022817606,0.1633496],"study_design_scores_gemma":[0.0005308977,0.00033103803,0.00037818553,0.0050308625,0.00046373587,0.000019910158,0.0027994122,0.0001532548,0.0045165326,0.18308504,0.8021223,0.00056882424],"about_ca_topic_score_codex":0.0005589235,"about_ca_topic_score_gemma":0.0001175406,"teacher_disagreement_score":0.9229754,"about_ca_system_score_codex":0.000025004072,"about_ca_system_score_gemma":0.000014137278,"threshold_uncertainty_score":0.3708529},"labels":[],"label_agreement":null},{"id":"W4210264426","doi":"10.1353/mlr.2006.0022","title":"The Book Unbound: Editing and Reading Medieval Manuscripts and Texts by Siân Echard, Stephen Partridge","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Nothing; Glory; Literature; Subject (documents); Compendium; History; Ideology; Classics; Art; Sociology; Art history; Philosophy; Politics; Law; Library science; Computer science; Epistemology","score_opus":0.012707907934062802,"score_gpt":0.2201261971759243,"score_spread":0.2074182892418615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210264426","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022624505,0.9367329,0.000011258415,0.0025804657,0.000305679,0.00039738906,0.000054332973,0.000051272604,0.057604272],"genre_scores_gemma":[0.21418652,0.34176478,0.00006765761,0.024567923,0.0113486145,0.00024050349,0.000311201,0.00017748035,0.40733534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988569,0.00015216305,0.00028410208,0.00021121696,0.00022871418,0.000266922],"domain_scores_gemma":[0.9993083,0.00018040313,0.00013261291,0.00028310466,0.000037450194,0.000058117115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007692154,0.00018442312,0.0002815662,0.000018312885,0.0007860297,0.00025561574,0.0001643651,0.00003249868,0.00017029264],"category_scores_gemma":[0.000046039557,0.00009546402,0.000058950503,0.000017636492,0.00030002894,0.00015469968,0.00006747962,0.00021554885,0.000025232326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018564067,0.000027669055,0.000006323553,0.0021797991,0.00006827813,0.00004084682,0.03574304,8.657625e-8,0.00036126754,0.050546996,0.8076924,0.103314735],"study_design_scores_gemma":[0.00012005213,0.000018910263,0.0000049973364,0.000860842,0.00011255984,0.000022224318,0.0003526523,0.00003658061,0.000019292434,0.0011917399,0.99713004,0.00013011831],"about_ca_topic_score_codex":0.00015897329,"about_ca_topic_score_gemma":0.00024574355,"teacher_disagreement_score":0.5949681,"about_ca_system_score_codex":0.000024264102,"about_ca_system_score_gemma":0.0000134083775,"threshold_uncertainty_score":0.6045584},"labels":[],"label_agreement":null},{"id":"W4210270767","doi":"10.1353/mlr.2009.0344","title":"The Victorians and Germany by John R. Davis","year":2009,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Argument (complex analysis); Scholarship; Philosophy; Fyodor; Literature; Allegory; Romance; Epistemology; Categorization; Art; Law","score_opus":0.008130889993645944,"score_gpt":0.2437527251318746,"score_spread":0.23562183513822865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210270767","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009584155,0.93621063,0.00005330295,0.0094570285,0.00012265082,0.0002382551,0.000029139734,0.000058262685,0.052872322],"genre_scores_gemma":[0.5790969,0.30510822,0.00004209214,0.02694117,0.0020163395,0.000044966797,0.000049657683,0.00004807093,0.086652555],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924415,0.00010565157,0.00019343525,0.0001350357,0.00014827077,0.00017345064],"domain_scores_gemma":[0.9992597,0.000094469506,0.00007989551,0.0005020944,0.000031470267,0.000032382053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036198835,0.00013027817,0.00020939935,0.000011299419,0.00039697715,0.00023633591,0.00031368504,0.000018160072,0.00035645888],"category_scores_gemma":[0.000028801865,0.000058010242,0.000101315185,0.000036796362,0.00012246484,0.00009160992,0.00003432918,0.00014247016,0.000046086574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008493661,0.000042451375,0.0000012797282,0.0003482294,0.00017900091,0.000014692799,0.086695425,2.9318193e-7,0.0002981155,0.13758965,0.16947739,0.60534495],"study_design_scores_gemma":[0.00004396704,0.000014506947,0.0000037433958,0.00028229124,0.00016318247,0.0000066453986,0.00019522397,0.000038583064,0.00000834583,0.0031967834,0.9959511,0.000095599135],"about_ca_topic_score_codex":0.00002481546,"about_ca_topic_score_gemma":0.000050469556,"teacher_disagreement_score":0.8264737,"about_ca_system_score_codex":0.0000111586705,"about_ca_system_score_gemma":0.000005561466,"threshold_uncertainty_score":0.39029747},"labels":[],"label_agreement":null},{"id":"W4210271572","doi":"10.1353/mlr.2016.0034","title":"Monuments intellectuels de la Nouvelle-France et du Québec ancien: aux origines d'une tradition culturelle","year":2016,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013704942569619467,"score_gpt":0.2737425821520132,"score_spread":0.26003763958239373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210271572","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008332532,0.8671318,0.0018081875,0.09862238,0.0005313769,0.0004226062,0.0000690573,0.00005481601,0.023027226],"genre_scores_gemma":[0.0694225,0.5847995,0.00005740132,0.0062259757,0.0006173851,0.000055993274,0.000005071364,0.000030821462,0.33878535],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980412,0.00081381004,0.0002582742,0.0002488041,0.00028547714,0.0003524034],"domain_scores_gemma":[0.9989873,0.00032767368,0.0001472955,0.00031266472,0.000056298417,0.00016873477],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012085802,0.00017273909,0.0003101078,0.0000542702,0.0006347834,0.00012588841,0.00045797622,0.0001097316,0.002949446],"category_scores_gemma":[0.0003644877,0.00012166169,0.00021168163,0.00038429486,0.0010566905,0.0002748138,0.000035223118,0.00018518882,0.00091272336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007081869,0.00012487646,0.000023422637,0.001152027,0.00006680654,0.00006725917,0.095122755,0.00000521698,0.00044037806,0.01044052,0.3408582,0.5516915],"study_design_scores_gemma":[0.00016053778,0.000016340677,0.000042745156,0.0027580233,0.000117948315,0.00003397243,0.00038454446,0.00004675121,0.000014392771,0.0011267634,0.99510956,0.00018843307],"about_ca_topic_score_codex":0.7568856,"about_ca_topic_score_gemma":0.6970785,"teacher_disagreement_score":0.65425134,"about_ca_system_score_codex":0.0010695643,"about_ca_system_score_gemma":0.0019973707,"threshold_uncertainty_score":0.9998652},"labels":[],"label_agreement":null},{"id":"W4210310883","doi":"10.1353/mlr.2003.0177","title":"Poésie et mythe dans l’œuvre de Patrick Modiano: le fardeau du nomade by Paul Gellings","year":2003,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Art; Mythology; Art history; Craft; Repetition (rhetorical device); Literature; Philosophy; History; Humanities; Visual arts","score_opus":0.009268859596604688,"score_gpt":0.22250355845053768,"score_spread":0.21323469885393298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210310883","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015517162,0.8159943,0.0015083825,0.014052007,0.00044938023,0.00050563185,0.0004157489,0.000063080086,0.16545974],"genre_scores_gemma":[0.05315499,0.6203748,0.0004016919,0.02564914,0.001267296,0.000089060835,0.00027836618,0.00013936634,0.2986453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973952,0.0008206089,0.00049613474,0.0003770297,0.00025915675,0.00065186305],"domain_scores_gemma":[0.99859315,0.00019378179,0.00021818571,0.00075460586,0.00007676545,0.0001634913],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010824439,0.00044726834,0.0005835096,0.000034453267,0.0004978293,0.0003280671,0.00049270096,0.00016208435,0.001760687],"category_scores_gemma":[0.00009230654,0.00030669398,0.00038672565,0.00011297628,0.00027601977,0.00022636005,0.000051823958,0.00050749374,0.00036376834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000838326,0.00037927498,0.000019154322,0.006239745,0.00023432396,0.00027521094,0.14007974,0.0000241867,0.00034705742,0.32273424,0.48411152,0.04554717],"study_design_scores_gemma":[0.00022851334,0.00004829007,0.000002550095,0.0024747404,0.00033729136,0.00020130553,0.0011275836,0.00028887566,0.00010508409,0.0044156928,0.9903587,0.00041137598],"about_ca_topic_score_codex":0.001783638,"about_ca_topic_score_gemma":0.00021477877,"teacher_disagreement_score":0.50624716,"about_ca_system_score_codex":0.000086468564,"about_ca_system_score_gemma":0.0001931506,"threshold_uncertainty_score":0.9999385},"labels":[],"label_agreement":null},{"id":"W4210352643","doi":"10.1353/mlr.2010.0290","title":"The Geographic Imagination of Modernity: Geography, Literature, and Philosophy in German Romanticism by Chenxi Tang","year":2010,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Romanticism; German; Narrative; Literature; Art history; Philosophy; Chapel; Art; History; Epistemology; Linguistics","score_opus":0.0036792260142853583,"score_gpt":0.2411845257777086,"score_spread":0.23750529976342324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210352643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7501559,0.24296878,0.00003074653,0.005367905,0.000040415667,0.0004230506,0.000011286766,0.000017825054,0.0009840622],"genre_scores_gemma":[0.897144,0.10168618,0.000052660223,0.0009894014,0.00001801421,0.00005200964,0.000010691681,0.000008373095,0.000038678765],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99896955,0.00013349915,0.00026944547,0.00021781646,0.00019756849,0.0002121281],"domain_scores_gemma":[0.9992901,0.00017560522,0.0001276255,0.00034823405,0.000020034191,0.00003840759],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083475886,0.00014365354,0.00022540717,0.000036246343,0.00023036874,0.000031020747,0.0002990881,0.000056229535,0.000043317046],"category_scores_gemma":[0.000082610764,0.00007976823,0.000088218054,0.0004132302,0.00063651585,0.00012682204,0.00015092653,0.00030467653,0.0000057791917],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026335374,0.00029828292,0.7213547,0.0012177206,0.00013877217,0.000017429611,0.004725892,0.0000054178176,0.0070680557,0.0051426427,0.0014105891,0.25859416],"study_design_scores_gemma":[0.00046030755,0.000053493583,0.84294635,0.00074011146,0.00014343305,0.00002696106,0.00002660019,0.001706884,0.0000837462,0.14313231,0.010310838,0.00036898366],"about_ca_topic_score_codex":0.00040287912,"about_ca_topic_score_gemma":0.0010280341,"teacher_disagreement_score":0.25822517,"about_ca_system_score_codex":0.0000056997296,"about_ca_system_score_gemma":0.0000026298521,"threshold_uncertainty_score":0.3252854},"labels":[],"label_agreement":null},{"id":"W4210388895","doi":"10.1353/mlr.2007.0078","title":"The Text in the Community: Essays on Medieval Works, Manuscripts, Authors, and Readers by Jill Mann, Maura Nolan","year":2007,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irish; Poetry; Reign; History; Art; Legend; Art history; Wonder; Welsh; Literature; Classics; Archaeology; Philosophy","score_opus":0.035148030551080324,"score_gpt":0.3334540893456256,"score_spread":0.29830605879454525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210388895","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026967097,0.8378578,0.000055050194,0.04087422,0.00017707856,0.0010159434,0.000014229113,0.00005888041,0.092979714],"genre_scores_gemma":[0.5586413,0.43031275,0.00002678027,0.008791573,0.00022747279,0.00004085037,0.000014998915,0.00001864741,0.0019256303],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.997097,0.0015476705,0.00026686097,0.00014520048,0.00047010314,0.0004731618],"domain_scores_gemma":[0.9982324,0.0011301757,0.000098550845,0.00045044135,0.00003079477,0.000057620582],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.009053323,0.00015326898,0.00025461797,0.000019794581,0.0016440566,0.00015581564,0.00080432993,0.00007003669,0.000018977325],"category_scores_gemma":[0.000503788,0.0000736697,0.00006898346,0.00025821282,0.000576288,0.00008129246,0.00011106426,0.00068259926,0.000020728576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021608772,0.000062854255,0.00013586704,0.00024693584,0.000036063055,0.000047312013,0.09945214,1.5945476e-7,0.0000083577115,0.000748268,0.24906366,0.65017676],"study_design_scores_gemma":[0.0006448975,0.00012350242,0.0053148284,0.007450091,0.00024111193,0.00005997218,0.3216372,0.000023241244,0.000010816362,0.006264335,0.6575784,0.0006515653],"about_ca_topic_score_codex":0.005334506,"about_ca_topic_score_gemma":0.011752493,"teacher_disagreement_score":0.6495252,"about_ca_system_score_codex":0.000055718596,"about_ca_system_score_gemma":0.000020452584,"threshold_uncertainty_score":0.99965566},"labels":[],"label_agreement":null},{"id":"W4210400146","doi":"10.1353/mlr.2003.0036","title":"Jacobean Revenge Tragedy and the Politics of Virtue by Eileen Allman","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Purgatory; Tragedy (event); Literature; Drama; Art; Politics; Character (mathematics); Meaning (existential); Comedy; Paradise; Art history; Virtue; History; Philosophy; Law; Theology","score_opus":0.009783790914313674,"score_gpt":0.2897043700780978,"score_spread":0.2799205791637841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210400146","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007202253,0.94994944,0.00024651183,0.010009091,0.00005596845,0.0005435081,0.000016841866,0.000017810447,0.031958543],"genre_scores_gemma":[0.78774136,0.19448355,0.00007542437,0.0053661717,0.00012804927,0.000026349055,0.000007850033,0.000012650271,0.012158604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981343,0.0010970616,0.0002130398,0.000115960705,0.00026164946,0.00017797133],"domain_scores_gemma":[0.99916214,0.00030154386,0.00010837818,0.00032077773,0.00003862061,0.000068561065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025063718,0.000089378016,0.00031297497,0.000013291766,0.00021379253,0.00002445718,0.0002479622,0.00004561539,0.0001039811],"category_scores_gemma":[0.00056815345,0.000043336753,0.00012518174,0.00018225178,0.00034273282,0.00004996131,0.000017812785,0.00015840189,0.0000053296517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010816564,0.00011320041,0.0000864984,0.0019079992,0.00038937555,0.000018628694,0.34423387,6.6426463e-7,0.00062909815,0.5380861,0.023079192,0.091444544],"study_design_scores_gemma":[0.0007587897,0.000027294413,0.000020714902,0.0015363976,0.0012832873,0.000011867215,0.008039001,0.000034592696,0.00026165255,0.022900773,0.9648391,0.0002864996],"about_ca_topic_score_codex":0.0006251616,"about_ca_topic_score_gemma":0.00018346518,"teacher_disagreement_score":0.94175994,"about_ca_system_score_codex":0.000013619836,"about_ca_system_score_gemma":0.000053207797,"threshold_uncertainty_score":0.17672215},"labels":[],"label_agreement":null},{"id":"W4210433655","doi":"10.1353/mlr.2019.0008","title":"Der Erd-Erzähler: Peter Handkes Prosa der Orte, Räume und Landschaften by Alexander Honold","year":2019,"lang":"de","type":"article","venue":"The Modern Language Review","topic":"Ecology, Conservation, and Geographical Studies","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Art; Intertextuality; Narrative; Art history; Romance; Philosophy; Literature; Poetry","score_opus":0.007374449663584783,"score_gpt":0.24655418471884233,"score_spread":0.23917973505525755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210433655","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0931029,0.8932279,0.00020806114,0.007412067,0.00031402017,0.0018398279,0.0000766792,0.00007360483,0.003744963],"genre_scores_gemma":[0.4205227,0.5147258,0.00019136975,0.027099134,0.00036721159,0.000311627,0.00014375479,0.0001038044,0.0365346],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99719703,0.00035593772,0.0005582767,0.00069865165,0.0004631796,0.0007269309],"domain_scores_gemma":[0.99840736,0.00024691035,0.00025587287,0.0008963319,0.00003502326,0.00015850768],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00086582586,0.0004713322,0.0007719849,0.000030468125,0.00034798696,0.00008973023,0.00065190776,0.00018223187,0.0067401025],"category_scores_gemma":[0.00008232965,0.00028873511,0.00029920242,0.00036797096,0.00039959265,0.00021218501,0.00043235932,0.00040055867,0.00491328],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001231427,0.00089153025,0.57760626,0.0076140095,0.00331309,0.00009846875,0.008992957,0.00007434999,0.002494087,0.00016840464,0.26433867,0.13428503],"study_design_scores_gemma":[0.0018440923,0.00031240235,0.22251172,0.003649461,0.003174693,0.00004008647,0.00021365465,0.0015459851,0.00014810024,0.0011559047,0.7636762,0.0017276817],"about_ca_topic_score_codex":0.00047924224,"about_ca_topic_score_gemma":0.0006191729,"teacher_disagreement_score":0.49933755,"about_ca_system_score_codex":0.00007124119,"about_ca_system_score_gemma":0.00002506014,"threshold_uncertainty_score":0.9999565},"labels":[],"label_agreement":null},{"id":"W4210436321","doi":"10.1353/mlr.2009.0210","title":"Stalinist Cinema and the Production of History: Museum of the Revolution by Evgeny Dobrenko, Sarah Young","year":2009,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Memory, Trauma, and Commemoration","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Prerogative; Context (archaeology); Alienation; Thriving; Art history; Institution; Art; Aesthetics; History; Sociology; Media studies; Political science; Social science; Law; Politics; Archaeology","score_opus":0.02724417242480091,"score_gpt":0.2970505900294268,"score_spread":0.26980641760462587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210436321","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07862413,0.89653045,0.0004847539,0.014067783,0.00079561095,0.0016179109,0.000016579337,0.000032496788,0.007830295],"genre_scores_gemma":[0.9787562,0.016681822,0.000022128646,0.00088999944,0.00013321431,0.000032132673,0.00001133175,0.000011620541,0.0034615668],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849015,0.0006419182,0.0003709439,0.00018663911,0.0001904656,0.00011986034],"domain_scores_gemma":[0.9986185,0.000052525396,0.00036865563,0.0008883597,0.00005410087,0.000017851115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011812658,0.00012267826,0.00031811872,0.0000166618,0.000079849364,0.0000044446874,0.00027177943,0.000044701115,0.00011299656],"category_scores_gemma":[0.0001291062,0.000058010217,0.00011037722,0.00012024091,0.00020685673,0.000043155404,0.00002398994,0.00014719376,0.0000057479597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006996748,0.00066802,0.00019228352,0.0040919515,0.00031030003,0.000004611404,0.079123996,0.00001663683,0.042250343,0.016028743,0.36836472,0.48824874],"study_design_scores_gemma":[0.029867625,0.003831793,0.14636262,0.051153496,0.017069416,0.0035364456,0.027154,0.0068017226,0.021840923,0.044198595,0.64196897,0.006214426],"about_ca_topic_score_codex":0.00026081258,"about_ca_topic_score_gemma":0.00005435769,"teacher_disagreement_score":0.90013206,"about_ca_system_score_codex":0.00004327505,"about_ca_system_score_gemma":0.000024020139,"threshold_uncertainty_score":0.2365588},"labels":[],"label_agreement":null},{"id":"W4210442373","doi":"10.1353/mlr.2020.0196","title":"Great Plains Literature by Linda Pratt","year":2020,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"American Environmental and Regional History","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Trilogy; Narrative; History; Settlement (finance); Art history; Sociology; Literature; Art; Gender studies; Computer science","score_opus":0.008327946573912703,"score_gpt":0.2133175202810801,"score_spread":0.2049895737071674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210442373","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017738927,0.9258173,0.0010626634,0.026822459,0.00005977357,0.0007833789,0.00008401636,0.00010917088,0.02752233],"genre_scores_gemma":[0.49941862,0.2548413,0.0007827912,0.20601831,0.00046362096,0.00013351021,0.00025347015,0.0001212822,0.03796708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991257,0.00008561443,0.00013201426,0.0002444371,0.00024813152,0.0001641014],"domain_scores_gemma":[0.9995455,0.000019292986,0.000070616974,0.00024164164,0.0000010622365,0.0001218622],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000085450534,0.00014538113,0.00018656158,0.0000028810937,0.000098891775,0.000006688877,0.00031971783,0.000031318596,0.0025130648],"category_scores_gemma":[0.000012642586,0.000081522194,0.00009696391,0.0001387457,0.00048881746,0.00007557164,0.00015946777,0.00018538546,0.0014884612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025463067,0.00010086519,0.00018889537,0.0007155752,0.0000415903,0.00017088518,0.021120623,0.00011279523,0.013318857,0.000022311688,0.69604063,0.2681415],"study_design_scores_gemma":[0.00011654097,0.000056559635,0.00012750144,0.00040517238,0.000051651074,0.00004924856,0.00013701023,0.00034074314,0.00010802199,0.000035761193,0.9983399,0.00023188887],"about_ca_topic_score_codex":0.000031423726,"about_ca_topic_score_gemma":0.0000026502748,"teacher_disagreement_score":0.670976,"about_ca_system_score_codex":0.00007134522,"about_ca_system_score_gemma":0.000003713418,"threshold_uncertainty_score":0.999289},"labels":[],"label_agreement":null},{"id":"W4210470572","doi":"10.1353/mlr.2008.0271","title":"Jeux pragmatiques dans les 'Contes et Nouvelles' de Guy de Maupassant by Floriane Place-Verghnes","year":2008,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Modernity; Style (visual arts); Poetry; Politics; Humanities; Literature; Art; Sociology; Philosophy; Epistemology; Law; Political science","score_opus":0.020905485694392604,"score_gpt":0.26327326214650093,"score_spread":0.24236777645210833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210470572","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012554815,0.9249117,0.00093756174,0.012912598,0.0003972,0.00051334227,0.00055093353,0.00011145365,0.04711044],"genre_scores_gemma":[0.038511526,0.74243414,0.0005090238,0.008539068,0.00172549,0.00009896553,0.00020252661,0.00008509713,0.20789415],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975136,0.0008161378,0.00050778245,0.0003046895,0.0002634939,0.0005943324],"domain_scores_gemma":[0.9985916,0.0003593768,0.00022240392,0.0006013445,0.00008397191,0.00014128334],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008405432,0.00043773706,0.000619884,0.000035920504,0.0005842358,0.00018508056,0.0005078729,0.00016282918,0.0020664537],"category_scores_gemma":[0.00012447585,0.00029020236,0.00029659388,0.00006757038,0.00043951234,0.0002667973,0.00009298884,0.0005697773,0.00012328001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021699483,0.0002147777,0.000057457484,0.006663505,0.00022588146,0.00034395597,0.37392417,0.000013007076,0.0005098086,0.053037345,0.54238206,0.022606317],"study_design_scores_gemma":[0.00021262953,0.00007856859,0.00002287106,0.0076422137,0.0002839058,0.0004412093,0.0023402357,0.0005488767,0.0003018709,0.0007866276,0.986932,0.00040901682],"about_ca_topic_score_codex":0.0034419983,"about_ca_topic_score_gemma":0.0015393293,"teacher_disagreement_score":0.4445499,"about_ca_system_score_codex":0.00010720186,"about_ca_system_score_gemma":0.0002101572,"threshold_uncertainty_score":0.999955},"labels":[],"label_agreement":null},{"id":"W4210491917","doi":"10.1353/mlr.2016.0009","title":"Almanacs in Francophone Canada: Adaptation and Survival","year":2016,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Lexicography and Language Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Adaptation (eye); History; Psychology; Archaeology; Neuroscience","score_opus":0.026500831843204425,"score_gpt":0.22373891383670624,"score_spread":0.19723808199350182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210491917","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06324241,0.91067386,0.00010268363,0.0059832553,0.00034582813,0.00038810066,0.000048405534,0.00003830089,0.019177133],"genre_scores_gemma":[0.9400784,0.056137446,0.000007868922,0.0015549861,0.00022578772,0.000030594914,0.0000029551275,0.00001097836,0.0019510183],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993734,0.00008125468,0.00015434908,0.00011779129,0.00012896804,0.00014428004],"domain_scores_gemma":[0.9996335,0.00010860354,0.000049551174,0.0001630237,0.000023019591,0.000022336999],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022898635,0.0000988949,0.00019386414,0.000020329164,0.000101193116,0.000012466614,0.0000917776,0.0000103098455,0.0004795255],"category_scores_gemma":[0.00004069398,0.00004511124,0.000034496716,0.00004117255,0.0001019848,0.000066256005,0.000030892003,0.00005418815,0.000008072911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000153847,0.000028814686,0.00015922794,0.0012156322,0.0000917237,0.00008502986,0.14250661,7.555584e-7,0.000071220646,0.012109021,0.006897628,0.83681893],"study_design_scores_gemma":[0.0024112177,0.000112887195,0.0077484027,0.015031421,0.0002563751,0.000031954227,0.054288294,0.00019394788,0.000078252975,0.005821273,0.912689,0.001336999],"about_ca_topic_score_codex":0.23452356,"about_ca_topic_score_gemma":0.88895714,"teacher_disagreement_score":0.90579134,"about_ca_system_score_codex":0.000020073963,"about_ca_system_score_gemma":0.000036933798,"threshold_uncertainty_score":0.7705738},"labels":[],"label_agreement":null},{"id":"W4210497696","doi":"10.1353/mlr.2018.0195","title":"Vital Subjects: Race and Biopolitics in Italy, 1860–1920","year":2018,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; University of Cambridge; Harvard University; University of Oxford; York University; University of Minnesota","keywords":"Biopower; Race (biology); Gender studies; History; Sociology; Political science; Law; Politics","score_opus":0.018559343392232027,"score_gpt":0.31998904249125504,"score_spread":0.301429699099023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210497696","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36786902,0.53666025,0.00014714699,0.01052387,0.0003621411,0.0011530352,0.00004872724,0.00012745651,0.08310837],"genre_scores_gemma":[0.9369854,0.05396886,0.00014120097,0.0038862966,0.000490161,0.000014633874,0.000006799309,0.000017795264,0.0044888947],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883,0.0002666989,0.00017468343,0.00017314758,0.00022128661,0.0003341762],"domain_scores_gemma":[0.99942684,0.00011305103,0.000059601985,0.00027408634,0.000042994616,0.00008339551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011939642,0.00010849665,0.00022616911,0.000017686507,0.00026341254,0.000054315035,0.00027830733,0.00006263471,0.0001552413],"category_scores_gemma":[0.00023452779,0.000074815485,0.000073545016,0.00024837622,0.0005498932,0.00012887848,0.000078862715,0.00012224652,0.00015096593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020254249,0.00016622145,0.0021599072,0.0025856616,0.00009273974,0.00010990826,0.7060277,2.5868107e-7,0.0006028421,0.04328011,0.020040568,0.22491382],"study_design_scores_gemma":[0.0023576068,0.0004162662,0.0045042844,0.012457023,0.00070535025,0.00014862593,0.09854529,0.00055871333,0.0010679002,0.037393335,0.83893144,0.0029141353],"about_ca_topic_score_codex":0.0016096347,"about_ca_topic_score_gemma":0.0012535658,"teacher_disagreement_score":0.81889087,"about_ca_system_score_codex":0.00004872229,"about_ca_system_score_gemma":0.00007600328,"threshold_uncertainty_score":0.3050887},"labels":[],"label_agreement":null},{"id":"W4210519348","doi":"10.1353/mlr.2009.0306","title":"Some Versions of Empson by Matthew Bevis","year":2009,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Complicity; Philosophy; Poetry; Acknowledgement; Literature; Economic Justice; Pleasure; Sympathy; Proposition; Art history; Psychoanalysis; Art; Epistemology; Law; Psychology","score_opus":0.015606136415766688,"score_gpt":0.32675054177475027,"score_spread":0.3111444053589836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210519348","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010733095,0.941289,0.000023124921,0.01719471,0.000052276308,0.00031939973,0.000021044316,0.00004270579,0.030324657],"genre_scores_gemma":[0.36646536,0.62312794,0.000054607503,0.005538116,0.00020559969,0.000008075409,0.0000068535587,0.000006641326,0.0045868014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922603,0.00013776145,0.00014103219,0.00009212267,0.00022138732,0.00018168411],"domain_scores_gemma":[0.9996326,0.000056059424,0.000069898524,0.00017323522,0.00002982463,0.00003839199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046904458,0.00006575725,0.00022301155,0.000009552919,0.00022044477,0.000012117144,0.00025815843,0.00002527479,0.00013939543],"category_scores_gemma":[0.00011677288,0.00004394886,0.000097876546,0.00012437488,0.000108544424,0.00007536315,0.000026954154,0.00006553879,0.000052958196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002973922,0.00006825041,0.000014313345,0.00036782044,0.000026470436,0.000009116954,0.01414966,2.1118971e-7,0.00043746294,0.0007420717,0.5976909,0.38649076],"study_design_scores_gemma":[0.0006504756,0.00019982604,0.0010404254,0.010371579,0.0006391569,0.000015398173,0.008925902,0.000026357797,0.00063186605,0.009912994,0.9667911,0.0007949527],"about_ca_topic_score_codex":0.0005477154,"about_ca_topic_score_gemma":0.000018955127,"teacher_disagreement_score":0.3856958,"about_ca_system_score_codex":0.000018840756,"about_ca_system_score_gemma":0.000024707455,"threshold_uncertainty_score":0.17921825},"labels":[],"label_agreement":null},{"id":"W4210523574","doi":"10.1353/mlr.2010.0140","title":"Nerval et l’opéra-comique: le dossier des Monténégrins by Michel Brix, Jean-Claude Yon","year":2010,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pleasure; Art; Art history; Subversion; Humanities; Painting; Philosophy; Psychology","score_opus":0.02132630585211872,"score_gpt":0.27140163637830905,"score_spread":0.25007533052619035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210523574","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013394657,0.91461897,0.00032103842,0.01767731,0.0006160121,0.0004009189,0.0002967132,0.000090176065,0.0525842],"genre_scores_gemma":[0.047376644,0.28588706,0.0003271462,0.013371335,0.0021920286,0.00007897813,0.00017301475,0.00010853202,0.6504853],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99776846,0.000495557,0.0005545873,0.00039380058,0.00026010122,0.0005275216],"domain_scores_gemma":[0.99849576,0.00025725988,0.00021050601,0.0007500357,0.00008630376,0.00020016679],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00077771774,0.000412451,0.0006857565,0.000036304053,0.00073155016,0.00026309871,0.00060973,0.00013436466,0.0063126083],"category_scores_gemma":[0.00012340401,0.0002689205,0.00048402208,0.000118543,0.00067979115,0.00044908572,0.00009557464,0.00089022005,0.00054326595],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004526181,0.0010294629,0.000024847777,0.009245757,0.00045238837,0.00021760007,0.076440096,0.000007561439,0.008956398,0.08768544,0.33974454,0.47615066],"study_design_scores_gemma":[0.00019638664,0.000046134486,0.000011875492,0.0018541407,0.00037733815,0.000048391474,0.0002274386,0.00019813732,0.00016406318,0.002056608,0.99443007,0.0003894016],"about_ca_topic_score_codex":0.017692897,"about_ca_topic_score_gemma":0.0044457084,"teacher_disagreement_score":0.65468556,"about_ca_system_score_codex":0.000054171276,"about_ca_system_score_gemma":0.000085329346,"threshold_uncertainty_score":0.9999763},"labels":[],"label_agreement":null},{"id":"W4210527984","doi":"10.1353/mlr.2008.0037","title":"The Thriller and Northern Ireland since 1969: Utterly Resigned Terror by Aaron Kelly","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cliché; Irish; Sensationalism; Ideology; History; Fantasy; Tone (literature); Northern ireland; Art history; Literature; Art; Sociology; Media studies; Law; Philosophy; Political science; Politics; Ethnology","score_opus":0.014828793506770903,"score_gpt":0.28140650076645796,"score_spread":0.26657770725968705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210527984","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070771106,0.8838197,0.00005048116,0.016453547,0.000081190876,0.0006116521,0.000011345262,0.00005903629,0.028141918],"genre_scores_gemma":[0.4943442,0.48397085,0.000028554356,0.0026236926,0.00024129411,0.00004643532,0.000004919139,0.000020070749,0.018719977],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.998682,0.00033554755,0.00018914013,0.00018580392,0.00029018687,0.00031730943],"domain_scores_gemma":[0.9993684,0.00018914146,0.000091102906,0.0002580968,0.00003414934,0.00005908928],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00063113816,0.00012631704,0.0002340877,0.000006801062,0.0015457957,0.000054641616,0.00032452992,0.000039616225,0.000027019847],"category_scores_gemma":[0.00013097467,0.00006659322,0.000070581176,0.00010682144,0.0005326475,0.00007940685,0.00006228242,0.00012074839,0.00003907092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003416451,0.000059995244,0.0019489374,0.00042212164,0.00010921707,0.0001251731,0.08961167,3.8587007e-7,0.00032881275,0.00008766107,0.31546527,0.5918066],"study_design_scores_gemma":[0.00057357905,0.00010973482,0.0032864674,0.001869399,0.00018364386,0.00010534071,0.006368743,0.000028153117,0.000039442322,0.0005989242,0.98622113,0.0006154333],"about_ca_topic_score_codex":0.00091620954,"about_ca_topic_score_gemma":0.0012156642,"teacher_disagreement_score":0.67075586,"about_ca_system_score_codex":0.000019609715,"about_ca_system_score_gemma":0.000041675903,"threshold_uncertainty_score":0.9997541},"labels":[],"label_agreement":null},{"id":"W4210543963","doi":"10.1353/mlr.2008.0291","title":"The Novel as Investigation: Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi by JoAnn Cannon","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Opera; Period (music); Art; Sicilian; History; Creativity; Humanities; Literature; Art history; Aesthetics; Political science; Law; Linguistics; Philosophy","score_opus":0.030643290563446102,"score_gpt":0.2465104228332239,"score_spread":0.2158671322697778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210543963","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043980096,0.8802676,0.000015207979,0.012875373,0.00022016963,0.00050793285,0.00007749989,0.00006727293,0.061988834],"genre_scores_gemma":[0.40722275,0.5420673,0.000036428453,0.010077501,0.0011740996,0.00011961153,0.00004747419,0.000045590295,0.039209235],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911344,0.000061772815,0.0002220125,0.00016417849,0.0002032576,0.00023533795],"domain_scores_gemma":[0.9993927,0.000095339485,0.00009628497,0.00031699907,0.000050291757,0.000048407797],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00039741962,0.00017296967,0.00025347163,0.000014501684,0.0015670959,0.00008116598,0.00022820062,0.000020029718,0.00024879034],"category_scores_gemma":[0.00002949839,0.00008533442,0.00006805738,0.000044930104,0.0006721616,0.00013385373,0.00008064305,0.0001467556,0.00006552685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045529614,0.00008043401,0.00026192164,0.0018584544,0.0004225229,0.000037471797,0.4591631,0.000011248208,0.00026507597,0.030599324,0.20780908,0.29944584],"study_design_scores_gemma":[0.00019627991,0.00005149265,0.00009796224,0.00071812514,0.00009765831,0.00009091753,0.002585975,0.00015487424,0.000029171299,0.0006936772,0.99504435,0.00023953957],"about_ca_topic_score_codex":0.0007817092,"about_ca_topic_score_gemma":0.0011387657,"teacher_disagreement_score":0.78723526,"about_ca_system_score_codex":0.000014722686,"about_ca_system_score_gemma":0.00004574589,"threshold_uncertainty_score":0.99973273},"labels":[],"label_agreement":null},{"id":"W4210557537","doi":"10.1353/mlr.2006.0304","title":"The Cambridge Companion to Montaigne by Ullrich Langer","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Subject (documents); Politics; Classics; History; Media studies; Humanities; Political science; Sociology; Philosophy; Law; Library science; Computer science","score_opus":0.01650913600252853,"score_gpt":0.2656084908383092,"score_spread":0.24909935483578063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210557537","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008002111,0.6518813,0.00020534395,0.008380296,0.00020253389,0.0005101112,0.000113880174,0.00007565872,0.3306288],"genre_scores_gemma":[0.8806157,0.016680272,0.000018420693,0.005271146,0.0025835913,0.00007949543,0.00014488692,0.000041680665,0.09456478],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991824,0.00007054977,0.00021415902,0.00013301717,0.00019783,0.00020205032],"domain_scores_gemma":[0.99934727,0.000073242736,0.00007257427,0.00040672635,0.000063337386,0.00003683964],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033728385,0.00012275032,0.00021076438,0.000013851653,0.00038581606,0.00016965129,0.00027789458,0.000011822281,0.0003538626],"category_scores_gemma":[0.00002744715,0.000056781835,0.000117841984,0.000040956213,0.0000593503,0.00002448002,0.000051755527,0.00007715094,0.0003383719],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000051182083,0.00007132869,0.000016761762,0.00023178152,0.00008363016,0.000015935133,0.0035644493,0.000013874666,0.00014604339,0.1796373,0.78875285,0.027460905],"study_design_scores_gemma":[0.00005400791,0.000009925123,0.000017889968,0.00019274907,0.00018513936,0.0000019216188,0.00035868367,0.0002834937,0.000019296589,0.00063404895,0.99811685,0.00012601976],"about_ca_topic_score_codex":0.0043675127,"about_ca_topic_score_gemma":0.0017037353,"teacher_disagreement_score":0.8726136,"about_ca_system_score_codex":0.000018477307,"about_ca_system_score_gemma":0.000009687734,"threshold_uncertainty_score":0.6602402},"labels":[],"label_agreement":null},{"id":"W4210591576","doi":"10.1353/mlr.2007.0277","title":"Political Change and Human Emancipation in the Works of Heinrich von Kleist by Elystan Griffiths","year":2007,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Antithesis; Emancipation; Meaning (existential); Poetry; Interpretation (philosophy); Narrative; Politics; Subject (documents); Scholarship; Philosophy; Relation (database); Literature; Character (mathematics); Epistemology; Art; Law; Political science; Linguistics","score_opus":0.03795969628613742,"score_gpt":0.2977852623305137,"score_spread":0.2598255660443763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210591576","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.099892534,0.8319739,0.000034490324,0.0041567897,0.00007552546,0.0008871843,0.000034308185,0.000028123168,0.062917165],"genre_scores_gemma":[0.9939088,0.0023072371,0.0000031044817,0.0027900166,0.00033387748,0.000033191613,0.000029917826,0.000007842125,0.0005859607],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921227,0.00009103382,0.00023427364,0.00010811335,0.00014941242,0.00020488206],"domain_scores_gemma":[0.9996129,0.000056028723,0.00007333991,0.00019768854,0.000038348506,0.000021644497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006000836,0.00011406632,0.00022564629,0.000019226098,0.00015427612,0.000047509926,0.00013611963,0.000026053502,0.000058413854],"category_scores_gemma":[0.000014862519,0.00005285167,0.00005085278,0.000047232123,0.00013401556,0.00008088116,0.000028239097,0.00015216616,0.0000033796907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010790196,0.000110681605,0.00010698207,0.0019578626,0.000043350832,0.000017974879,0.3268975,1.6129738e-8,0.0001395802,0.63238555,0.0059642363,0.032365467],"study_design_scores_gemma":[0.0015878963,0.00051256944,0.014324372,0.01950662,0.0010713913,0.00009616776,0.103221655,0.000028264363,0.0001778007,0.029480066,0.8285881,0.0014050817],"about_ca_topic_score_codex":0.00016054751,"about_ca_topic_score_gemma":0.0012904309,"teacher_disagreement_score":0.8940163,"about_ca_system_score_codex":0.000010230361,"about_ca_system_score_gemma":0.0000021941087,"threshold_uncertainty_score":0.21552286},"labels":[],"label_agreement":null},{"id":"W4210608693","doi":"10.1353/mlr.2006.0272","title":"Twentieth-Century Autobiography by Barbara Prys-Williams","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; Epiphany; Skepticism; Philosophy; Extension (predicate logic); Jargon; Biography; History; Art; Epistemology; Linguistics; Computer science","score_opus":0.00816944336582288,"score_gpt":0.27725973739705273,"score_spread":0.26909029403122986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210608693","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0045924443,0.8784549,0.00010562605,0.0037560035,0.00020863225,0.0005542994,0.000029974566,0.00014326566,0.11215486],"genre_scores_gemma":[0.16772705,0.8120219,0.00013631789,0.0045685973,0.0006912773,0.00010957339,0.000058412737,0.00003136421,0.014655487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850833,0.00026336554,0.00023276104,0.00021232667,0.00037475175,0.00040843684],"domain_scores_gemma":[0.9994709,0.00006228593,0.00009766009,0.00026486214,0.000049137692,0.00005515146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074067264,0.00014180692,0.00028338953,0.000022106924,0.00052145246,0.00007238819,0.00038796646,0.000052950847,0.00024523816],"category_scores_gemma":[0.00005683394,0.00009707928,0.00022444288,0.000365859,0.0002798492,0.00010245102,0.00006269052,0.00013616851,0.00010090505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014176898,0.00005964314,0.00021387341,0.0003208836,0.00003140417,0.000013361568,0.0019097747,2.4741158e-7,0.00009084821,0.00027136278,0.90027356,0.09681364],"study_design_scores_gemma":[0.00012063114,0.0000103711045,0.00032182148,0.0007998833,0.000107628126,0.000003549807,0.00054841855,0.0000053829713,0.000017389531,0.0005516928,0.9972964,0.0002168648],"about_ca_topic_score_codex":0.0039628968,"about_ca_topic_score_gemma":0.0002007292,"teacher_disagreement_score":0.16313462,"about_ca_system_score_codex":0.000030835305,"about_ca_system_score_gemma":0.000031459032,"threshold_uncertainty_score":0.59907407},"labels":[],"label_agreement":null},{"id":"W4210628259","doi":"10.1353/mlr.2008.0013","title":"Theatre of Estrangement: Theatre, Practice, Ideology by Silvija Jestrovic","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Modernism (music); Narrative; Musical; Art; Literature; Ideology; Art history; Humanities; Politics","score_opus":0.023008778307003028,"score_gpt":0.25733507307685705,"score_spread":0.234326294769854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210628259","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022294825,0.6289222,0.00021618034,0.014051416,0.00018387375,0.00071629504,0.00008126245,0.00008867218,0.33344528],"genre_scores_gemma":[0.8951265,0.078570664,0.00007433342,0.016967827,0.0003926471,0.00006754016,0.00006469726,0.000028403862,0.008707393],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878097,0.0002884734,0.00034325098,0.00019209221,0.000174836,0.00022036258],"domain_scores_gemma":[0.9989656,0.00027635487,0.00020291127,0.00044773554,0.00006357514,0.00004378177],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003353547,0.00016360971,0.00046125235,0.000030247578,0.00022954798,0.000010447516,0.00031266912,0.00004190751,0.004280066],"category_scores_gemma":[0.00004693638,0.00009077254,0.00021892118,0.000060919403,0.00047147044,0.00011241467,0.000057866717,0.00018497488,0.00017381264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019930495,0.0015633757,0.000110248,0.0043198965,0.002060639,0.00034776842,0.099860355,0.000025147488,0.0012550029,0.0986502,0.23720984,0.55439824],"study_design_scores_gemma":[0.00030754646,0.00015922348,0.000016179769,0.0004138304,0.001159442,0.00009142485,0.00089581526,0.00009002781,0.000074982854,0.001682004,0.99487805,0.00023145392],"about_ca_topic_score_codex":0.0005480266,"about_ca_topic_score_gemma":0.00022468265,"teacher_disagreement_score":0.87283164,"about_ca_system_score_codex":0.0000100923935,"about_ca_system_score_gemma":0.000026604559,"threshold_uncertainty_score":0.99663013},"labels":[],"label_agreement":null},{"id":"W4210630868","doi":"10.1353/mlr.2020.0074","title":"Heroine of the Harlem Renaissance and Beyond: Gwendolyn Bennett's Selected Writings by Belinda Wheeler Louis J. Parascandola","year":2020,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"American Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Praise; Depiction; History; Literature; Value (mathematics); Art history; Performance art; Art","score_opus":0.010533134507291831,"score_gpt":0.21141547428836427,"score_spread":0.20088233978107245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210630868","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019454028,0.9461091,0.000029927522,0.017783215,0.00005051564,0.0006255641,0.00022432997,0.00006800131,0.0156553],"genre_scores_gemma":[0.93299377,0.024310082,0.000048747665,0.03478719,0.0006225008,0.00004358604,0.00007383478,0.00004760391,0.0070726695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898046,0.00014067651,0.00028298757,0.00021355048,0.00019177435,0.00019052134],"domain_scores_gemma":[0.99929374,0.00004876943,0.00021783386,0.00028787792,0.00009238311,0.000059401667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013458841,0.00018960422,0.00039917455,0.000005904212,0.00019333341,0.00008132059,0.00031525467,0.000029801691,0.0006605163],"category_scores_gemma":[0.00006609999,0.00009202511,0.000105253384,0.00011435639,0.00025615288,0.00009509331,0.000075668395,0.00027508388,0.0000103867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053945252,0.0000741145,0.00006622298,0.0035653543,0.00023147336,0.000011865111,0.23052034,0.0000013297309,0.008434698,0.007084102,0.681657,0.06829955],"study_design_scores_gemma":[0.00037907547,0.00008666646,0.00003553977,0.00164422,0.00026772314,0.000020181726,0.0017226184,0.00007595442,0.00054368994,0.00015843105,0.9947861,0.00027979378],"about_ca_topic_score_codex":0.000082049686,"about_ca_topic_score_gemma":0.00004602093,"teacher_disagreement_score":0.92179906,"about_ca_system_score_codex":0.0000064470223,"about_ca_system_score_gemma":0.000019144134,"threshold_uncertainty_score":0.72321904},"labels":[],"label_agreement":null},{"id":"W4210662551","doi":"10.1353/mlr.2019.0023","title":"Caribbean Winter by Paul Morand Mary Gallagher","year":2019,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parallels; Narrative; Poetry; Literature; Theme (computing); Audience measurement; Interpretation (philosophy); Power (physics); History; Art; Philosophy; Linguistics; Law","score_opus":0.007800370866069847,"score_gpt":0.21477020790576248,"score_spread":0.20696983703969263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210662551","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028185884,0.69015837,0.000014003422,0.0041286224,0.00033398307,0.00062036596,0.00020944489,0.00013572226,0.2762136],"genre_scores_gemma":[0.67849374,0.006847181,0.000013800199,0.011295657,0.00063861883,0.000024659877,0.00014380614,0.000048867136,0.3024937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992294,0.00008740106,0.00017494604,0.00017299628,0.0001440244,0.0001912446],"domain_scores_gemma":[0.9994312,0.000037751794,0.000056962712,0.0004082973,0.000030419606,0.000035393758],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002265386,0.00015033744,0.00025644279,0.000012131873,0.00008578075,0.00012581627,0.00022783272,0.00002895795,0.0061656036],"category_scores_gemma":[0.000007042078,0.00008260066,0.0001234189,0.000019575831,0.000052627358,0.00007763477,0.000036530873,0.00020287654,0.0006218849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003294317,0.00011378293,0.00007110006,0.007364033,0.00022606802,0.00006474609,0.10306534,0.0000012974282,0.0013348587,0.012251812,0.7101466,0.16532739],"study_design_scores_gemma":[0.00015712302,0.000019709494,0.000011770053,0.0018972586,0.00006168086,0.0000145504055,0.00050867855,0.000025656514,0.000015721396,0.00014900668,0.99697536,0.00016345603],"about_ca_topic_score_codex":0.000072249364,"about_ca_topic_score_gemma":0.000030972944,"teacher_disagreement_score":0.6833112,"about_ca_system_score_codex":0.000010035208,"about_ca_system_score_gemma":0.000007956663,"threshold_uncertainty_score":0.9947429},"labels":[],"label_agreement":null},{"id":"W4210667582","doi":"10.1353/mlr.2009.0057","title":"Ãmilie Du ChÃ¢telet: Ã©clairages et documents nouveaux by Ulla Kölving, Olivier Courcelle","year":2009,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Humanities; Art; Art history; Classics; Philosophy; History","score_opus":0.010913668892244236,"score_gpt":0.260160408016931,"score_spread":0.24924673912468678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210667582","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012337537,0.8336661,0.0001067313,0.025424596,0.00038874996,0.00042290887,0.0001698078,0.00006784244,0.1385195],"genre_scores_gemma":[0.041351017,0.46522254,0.000029620493,0.025906483,0.0011696678,0.000023169921,0.000121284436,0.00004382329,0.4661324],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974726,0.00054072595,0.0006146355,0.00041154426,0.0004158125,0.0005446736],"domain_scores_gemma":[0.9986816,0.00014724837,0.00025132822,0.0006668662,0.00007449337,0.00017846978],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006482655,0.0004565089,0.00077142986,0.000042107396,0.00068901805,0.00023318359,0.00058437843,0.00009251143,0.016681233],"category_scores_gemma":[0.000054076223,0.0002954477,0.00038214264,0.00010630817,0.00024399826,0.00033476204,0.000082923376,0.0004459739,0.0011205546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013775111,0.00048715522,0.0000030223298,0.0022495384,0.00018259349,0.00014640404,0.03886396,0.000007299005,0.000119252385,0.017974196,0.75647783,0.183475],"study_design_scores_gemma":[0.00020551561,0.00013435513,0.000004659985,0.0033751884,0.00046063392,0.000033951546,0.00021915224,0.00018940936,0.000015320324,0.0010261685,0.99394095,0.00039468773],"about_ca_topic_score_codex":0.0011125058,"about_ca_topic_score_gemma":0.0001042403,"teacher_disagreement_score":0.36844358,"about_ca_system_score_codex":0.00010840155,"about_ca_system_score_gemma":0.000046962712,"threshold_uncertainty_score":0.99994975},"labels":[],"label_agreement":null},{"id":"W4210671970","doi":"10.1353/mlr.2008.0101","title":"Actividad teatral en la regiÃ³n de Madrid segÃºn los protocolos de Juan GarcÃa de Albertos, 1634-1660: Estudio y documentos by Charles Davis, J. E. Varey","year":2008,"lang":"es","type":"article","venue":"The Modern Language Review","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Praise; Parallels; Dialogic; Humanities; Philosophy; Wonder; Relation (database); Adventure; Literature; Narrative; Art; Spanish literature; Criticism; Reading (process); Art history; Epistemology; Linguistics","score_opus":0.012931854761092538,"score_gpt":0.2762202549662057,"score_spread":0.2632884002051132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210671970","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20420286,0.73386914,0.0007586416,0.007920032,0.000198238,0.023903968,0.0011818736,0.0006237174,0.02734155],"genre_scores_gemma":[0.6577634,0.2562425,0.00065960095,0.008461354,0.003012479,0.00884793,0.00032718698,0.00053661055,0.064148925],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940801,0.002070474,0.0008020443,0.0008702939,0.000702771,0.00147429],"domain_scores_gemma":[0.9970056,0.00046603192,0.0005259765,0.0015092498,0.00012469561,0.00036849387],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016024557,0.0009734353,0.0012806336,0.00009382516,0.0009003555,0.0009941891,0.0013700083,0.00036518896,0.0011725408],"category_scores_gemma":[0.00021086558,0.00070453074,0.0005816948,0.00012113558,0.00053761306,0.00061906845,0.00035153946,0.0014684325,0.00019725006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049950136,0.0030050904,0.0031781204,0.03602581,0.0026426814,0.00271735,0.60604376,0.000027667122,0.010978553,0.023240045,0.24245064,0.06919076],"study_design_scores_gemma":[0.0014363546,0.0003497914,0.00084100035,0.019316286,0.001366862,0.0017229369,0.0011937236,0.0004945306,0.0012864723,0.0010930224,0.96922004,0.0016789996],"about_ca_topic_score_codex":0.001245652,"about_ca_topic_score_gemma":0.00026016464,"teacher_disagreement_score":0.7267694,"about_ca_system_score_codex":0.00046952724,"about_ca_system_score_gemma":0.0005095097,"threshold_uncertainty_score":0.99974054},"labels":[],"label_agreement":null},{"id":"W4210683173","doi":"10.1353/mlr.2010.0214","title":"The Age of Projects by Maximillian E. Novak","year":2010,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Irish and British Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sorrow; Power (physics); Grief; Character (mathematics); Depiction; Gender studies; Sociology; Battlefield; Interregnum; History; Psychology; Aesthetics; Literature; Social psychology; Political science; Law; Art; Politics","score_opus":0.021565298342764487,"score_gpt":0.3199693324567765,"score_spread":0.298404034114012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210683173","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027283968,0.7559453,0.00004008432,0.015338646,0.0003645968,0.0011651595,0.000024896595,0.00006633717,0.199771],"genre_scores_gemma":[0.5259044,0.45533112,0.00013850849,0.0029390461,0.00043471114,0.00009651252,0.000010726097,0.00002218988,0.015122742],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991019,0.00014709566,0.00015995846,0.00010068132,0.000259398,0.00023100272],"domain_scores_gemma":[0.9994206,0.00013591908,0.00008372523,0.00028056416,0.000051812465,0.000027394262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011914378,0.000073056486,0.00018060369,0.000005585926,0.0004900872,0.000034178323,0.00045247498,0.00003242455,0.000061989915],"category_scores_gemma":[0.00041365848,0.00003681453,0.00008419354,0.00014669946,0.0004247275,0.000038716626,0.000060554834,0.00016577994,0.00002689024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034621792,0.000039115497,0.000067041365,0.0005347818,0.00004347836,0.000019618714,0.019252835,2.5952806e-8,0.0023822435,0.00082039734,0.32824147,0.6485955],"study_design_scores_gemma":[0.00008692406,0.000013912787,0.0001715278,0.0005701114,0.000060264323,0.000005621885,0.0019207087,0.0000032088042,0.0001792312,0.00062901335,0.99623,0.00012948162],"about_ca_topic_score_codex":0.0014923405,"about_ca_topic_score_gemma":0.0018737295,"teacher_disagreement_score":0.66798854,"about_ca_system_score_codex":0.000008094329,"about_ca_system_score_gemma":0.000044911147,"threshold_uncertainty_score":0.37694043},"labels":[],"label_agreement":null},{"id":"W4210691909","doi":"10.1353/mlr.2008.0143","title":"The Neo-Primitivist Turn: Critical Reflections on Alterity, Culture, and Modernity by Victor Li","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Art, Politics, and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Argument (complex analysis); Postmodernism; Philosophy; Exhibition; Art history; Alterity; Art; Aesthetics; Epistemology","score_opus":0.09492599942314958,"score_gpt":0.35047154739688857,"score_spread":0.25554554797373896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210691909","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0085005835,0.5653938,0.0017970556,0.021315029,0.00073821854,0.0014188765,0.0006116531,0.0003980595,0.3998267],"genre_scores_gemma":[0.7849391,0.1268053,0.000037295664,0.014794586,0.001139021,0.000105949104,0.000044323235,0.00005724027,0.072077185],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986362,0.00022822015,0.0002699679,0.0002489943,0.00024855245,0.00036808098],"domain_scores_gemma":[0.9989891,0.00024393023,0.00006809788,0.0004960455,0.00008415053,0.00011864121],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00026913686,0.00022850935,0.00029662036,0.00001528071,0.0018766075,0.00014974907,0.00026491462,0.000041429783,0.00016804348],"category_scores_gemma":[0.00015059813,0.00011946498,0.000130871,0.0000049350324,0.0009072352,0.00011812721,0.000097416174,0.00034726664,0.000085247026],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057503203,0.00050290447,0.00000879263,0.0018429109,0.00023757746,0.00009470456,0.46927002,0.0000027465926,0.00039385978,0.2240641,0.26384088,0.039684005],"study_design_scores_gemma":[0.0001373509,0.0000883256,0.000014902296,0.00043762187,0.00011470814,0.00010637847,0.0006035374,0.00033599485,0.000055603694,0.009631995,0.9882264,0.00024715916],"about_ca_topic_score_codex":0.00035991662,"about_ca_topic_score_gemma":0.0012587616,"teacher_disagreement_score":0.77643853,"about_ca_system_score_codex":0.000037002188,"about_ca_system_score_gemma":0.00003246769,"threshold_uncertainty_score":0.9994228},"labels":[],"label_agreement":null},{"id":"W4210725237","doi":"10.1353/mlr.2015.0089","title":"PLACELESSNESS IN BAUDELAIRE'S ‘LES SEPT VIEILLARDS AND ‘LES PETITES VIEILLES","year":2015,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Art; Humanities","score_opus":0.03485171464232915,"score_gpt":0.318322030264251,"score_spread":0.2834703156219218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210725237","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07755426,0.88449144,0.000045551777,0.0035847693,0.00007542416,0.00032811557,0.000007426562,0.000057228368,0.03385581],"genre_scores_gemma":[0.6592352,0.33049658,0.00013407791,0.0008378753,0.0002503172,0.00007566942,0.000004982593,0.000020896254,0.008944426],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986206,0.00046666875,0.00020816676,0.00018285208,0.00029148074,0.00023019001],"domain_scores_gemma":[0.9994315,0.00017711183,0.00006385816,0.00017516466,0.000052250878,0.000100143945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011092714,0.0001304424,0.0003427429,0.00002795608,0.00028991236,0.000029361197,0.00024130197,0.00004934431,0.000075476244],"category_scores_gemma":[0.00022396255,0.00007836794,0.000059181057,0.00022773253,0.00024368889,0.00009933457,0.00009456417,0.00013065882,0.000024670233],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011204834,0.00005615242,0.0023139836,0.0010712972,0.000027475091,0.000047601043,0.25878575,0.0000036531064,0.000013326016,0.0053327866,0.0044186893,0.7279181],"study_design_scores_gemma":[0.00016448848,0.000017376246,0.00030230058,0.0015645998,0.000036911602,0.0000044366693,0.009430746,0.000046734418,0.0000025570682,0.0008190339,0.98740643,0.00020441225],"about_ca_topic_score_codex":0.002152067,"about_ca_topic_score_gemma":0.0030098567,"teacher_disagreement_score":0.9829877,"about_ca_system_score_codex":0.000084337145,"about_ca_system_score_gemma":0.00005981455,"threshold_uncertainty_score":0.32532957},"labels":[],"label_agreement":null},{"id":"W4210748594","doi":"10.1353/mlr.2015.0410","title":"Conversations with Kenelm: Essays on the Theology of the ‘Commedia","year":2015,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Biblical Studies and Interpretation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universitatea Sapientia; University of Toronto; Università per Stranieri di Perugia; American Philosophical Society","keywords":"Philosophy; Literature; Art; Theology","score_opus":0.061365097953073676,"score_gpt":0.26155826861850695,"score_spread":0.20019317066543327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210748594","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014664189,0.21809368,0.000322818,0.12846434,0.00042891232,0.0013725996,0.000051682455,0.000051943472,0.63654983],"genre_scores_gemma":[0.9750313,0.003586082,0.000004217851,0.019435247,0.0001294787,0.00004746044,0.000003270128,0.000008639082,0.0017542596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994026,0.00017385841,0.00012630223,0.00006689848,0.00014381808,0.00008651356],"domain_scores_gemma":[0.9992873,0.00020477427,0.00009857567,0.00031425414,0.000078734,0.00001636892],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032663357,0.000073594856,0.0001438142,0.000009042109,0.0001521097,0.00001814766,0.00026872812,0.000011424005,0.0006060548],"category_scores_gemma":[0.00009656265,0.000022299211,0.00006352913,0.00004979073,0.00033790414,0.000028866581,0.00005774035,0.00010688256,0.0000436326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001851051,0.000041699554,0.000025652049,0.00017565796,0.00009921691,6.589066e-7,0.08149636,0.000008206195,0.0000043632604,0.8344445,0.06627407,0.017411115],"study_design_scores_gemma":[0.00061025674,0.00039587155,0.00022747277,0.0029262507,0.000537789,0.0000138061605,0.015526395,0.0018835914,0.00008911641,0.054506388,0.9229715,0.0003115927],"about_ca_topic_score_codex":0.00019760751,"about_ca_topic_score_gemma":0.00037624568,"teacher_disagreement_score":0.96036714,"about_ca_system_score_codex":0.000010675186,"about_ca_system_score_gemma":0.000015182696,"threshold_uncertainty_score":0.6635875},"labels":[],"label_agreement":null},{"id":"W4210765636","doi":"10.1353/mlr.2008.0151","title":"Gospels and Grit: Work and Labour in Carlyle, Conrad, and Orwell by Rob Breton","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Joseph Conrad and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bourgeoisie; Diaspora; History; Enlightenment; Theme (computing); Art history; Colonialism; Art; Literature; Sociology; Media studies; Theology; Gender studies; Law; Politics; Philosophy; Political science; Archaeology","score_opus":0.012578881111436466,"score_gpt":0.21075065192443146,"score_spread":0.198171770812995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210765636","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44032502,0.5571764,0.0000015944735,0.0010877842,0.000027304397,0.00020201436,0.00003703473,0.000016252028,0.0011265827],"genre_scores_gemma":[0.8439094,0.14696434,0.00001093352,0.002752271,0.00013189203,0.0000109333505,0.00001414535,0.000017444818,0.0061886255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927706,0.0000928735,0.00017573702,0.00019196917,0.00008905532,0.00017331622],"domain_scores_gemma":[0.9996315,0.00006343726,0.000050581188,0.00018068378,0.000019580833,0.00005419683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020788562,0.00015504986,0.00031312584,0.000020460491,0.00013608621,0.00009472708,0.00008291727,0.000038187274,0.00022950402],"category_scores_gemma":[0.000016324919,0.00009467217,0.000027966766,0.0000385463,0.00019148062,0.00011910874,0.000051503324,0.00019683142,0.0000065846452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041871514,0.00009624334,0.0020221581,0.0048041604,0.00009761881,0.00030123146,0.78694427,5.3008256e-7,0.00023336223,0.034444876,0.011758349,0.15925534],"study_design_scores_gemma":[0.00038723744,0.000031771677,0.0009250981,0.0016756739,0.000048179907,0.00010247078,0.00040437968,0.000022154401,0.0000035407336,0.0006632278,0.9954927,0.00024358091],"about_ca_topic_score_codex":0.00021868158,"about_ca_topic_score_gemma":0.00017971496,"teacher_disagreement_score":0.9837343,"about_ca_system_score_codex":0.000006744657,"about_ca_system_score_gemma":0.000008353062,"threshold_uncertainty_score":0.3860619},"labels":[],"label_agreement":null},{"id":"W4210782274","doi":"10.1353/mlr.2003.0305","title":"Quebec National Cinema by Bill Marshall","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Politics; National identity; Media studies; Sociology; Art history; History; Law; Political science","score_opus":0.016888450974713504,"score_gpt":0.2801133006887207,"score_spread":0.26322484971400717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210782274","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054391,0.6680962,0.0000816776,0.009786244,0.00014684202,0.00035102983,0.00003295101,0.000046317575,0.32091483],"genre_scores_gemma":[0.06659248,0.22043084,0.00012726162,0.021620952,0.0004383397,0.00008354311,0.00003958046,0.00003824621,0.69062877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999074,0.00024762683,0.00011192402,0.00010412722,0.00030860255,0.00015375548],"domain_scores_gemma":[0.9996403,0.000051801788,0.00004981146,0.00014215165,0.000045366087,0.00007060324],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008591312,0.000052622232,0.00011640519,0.000039541763,0.0003899801,0.000082263476,0.00019990386,0.000030198682,0.003169459],"category_scores_gemma":[0.00031928526,0.00003945092,0.00007301661,0.00015820407,0.00016808246,0.00007577671,0.000009047379,0.00007803934,0.00035410194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.6121844e-7,0.000031143765,0.000004652611,0.00028813977,0.000020013862,0.000011666855,0.011334699,9.070921e-7,0.000069921625,0.060245614,0.84042305,0.08756933],"study_design_scores_gemma":[0.000036096284,0.0000015118906,0.000011938122,0.00014752433,0.000016664992,0.0000024107715,0.00015980322,0.0000021874991,0.0000011484605,0.0012627312,0.9982922,0.0000657917],"about_ca_topic_score_codex":0.5624228,"about_ca_topic_score_gemma":0.8580354,"teacher_disagreement_score":0.44766536,"about_ca_system_score_codex":0.00035560693,"about_ca_system_score_gemma":0.00049299037,"threshold_uncertainty_score":0.99774176},"labels":[],"label_agreement":null},{"id":"W4210816717","doi":"10.1353/mlr.2008.0489","title":"The Letters of Stephen Leacock by David Staines, Barbara Nimmo, Stephen Leacock","year":2008,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Veblen good; Politics; Medal; Classics; History; Art history; Schools of economic thought; Law; Political science; Economics; Neoclassical economics","score_opus":0.012609352783225,"score_gpt":0.24865752280387737,"score_spread":0.23604817002065237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210816717","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03183465,0.93367565,0.00016662372,0.013558183,0.00026263625,0.0009869837,0.00008611214,0.00007626904,0.019352896],"genre_scores_gemma":[0.16587728,0.6861742,0.000081446444,0.010436844,0.00080800353,0.00012807088,0.000050400045,0.00009244903,0.13635126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802125,0.00050671975,0.00034510717,0.00020382903,0.0005375418,0.00038553553],"domain_scores_gemma":[0.9988501,0.0001839257,0.00020455594,0.00057820464,0.0000596992,0.00012351859],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010552324,0.0001384061,0.00033550186,0.00004815666,0.0014199737,0.00008394654,0.0008546069,0.00005193636,0.00038837365],"category_scores_gemma":[0.00018727212,0.000100151374,0.00019859284,0.0002685412,0.00093916856,0.00014469374,0.0000701095,0.0002125223,0.00012621688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014876563,0.000052012427,0.000049936843,0.0007178795,0.00010262652,0.00004738155,0.05947812,0.0000074013324,0.0012813993,0.0014976504,0.8412998,0.09545097],"study_design_scores_gemma":[0.00011256167,0.000011181246,0.000082875624,0.0003032428,0.00008072806,0.000006977969,0.0010071461,0.000009291789,0.000007694928,0.000106204985,0.9981169,0.00015520277],"about_ca_topic_score_codex":0.1139841,"about_ca_topic_score_gemma":0.10739629,"teacher_disagreement_score":0.2475014,"about_ca_system_score_codex":0.00029837745,"about_ca_system_score_gemma":0.00034280177,"threshold_uncertainty_score":0.99988},"labels":[],"label_agreement":null},{"id":"W4298907056","doi":"10.1353/mlr.2010.0017","title":"The Gargantuan Polity: On the Individual and the Community in the French Renaissance by Michael Randall","year":2010,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"European Political History Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polity; Reign; Context (archaeology); Rigour; Art history; Sociology; Law; Classics; Art; History; Politics; Philosophy; Political science; Epistemology","score_opus":0.04152516511429594,"score_gpt":0.2579843090235689,"score_spread":0.21645914390927296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298907056","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23006731,0.46855405,0.000011419406,0.09801283,0.00023402619,0.0019331593,0.00027390808,0.000074295116,0.20083901],"genre_scores_gemma":[0.96245575,0.00785287,0.000001765527,0.02470966,0.00023508741,0.000061846,0.0000143287625,0.000021734313,0.004646957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956401,0.003298876,0.00031806302,0.00013997004,0.00031145784,0.00029152445],"domain_scores_gemma":[0.995364,0.0030100027,0.00014056162,0.0014124064,0.000036327732,0.000036717196],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0061550164,0.00019283051,0.00029941488,0.000015542995,0.0019452738,0.00022784603,0.0015864365,0.00002589646,0.00027873117],"category_scores_gemma":[0.00060332933,0.0000579981,0.00014846522,0.00006475018,0.0022754266,0.000058814472,0.00018492043,0.0013495691,0.00006403139],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002751537,0.00010250518,0.00000866584,0.00021816246,0.00012721748,0.000006285619,0.20059352,3.0647814e-7,0.000027463035,0.7357613,0.04985044,0.013276625],"study_design_scores_gemma":[0.00048099385,0.000033923545,0.00018032551,0.00043710848,0.00037281367,0.000016758882,0.0055470024,0.00010738807,0.000008460131,0.020036763,0.97258055,0.00019789368],"about_ca_topic_score_codex":0.0025210653,"about_ca_topic_score_gemma":0.007580745,"teacher_disagreement_score":0.92273015,"about_ca_system_score_codex":0.0000130750705,"about_ca_system_score_gemma":0.00001655083,"threshold_uncertainty_score":0.99935406},"labels":[],"label_agreement":null},{"id":"W4300002699","doi":"10.1353/mlr.2022.0144","title":"Love Enamored and Driven Mad by Lucrezia Marinella","year":2022,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Art; Poetry; Arcadia; Mythology; Early modern Europe; Literature; Art history; Romanticism; Classics; History; Humanities","score_opus":0.019336213511141426,"score_gpt":0.23393328225950585,"score_spread":0.21459706874836443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300002699","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022781061,0.87626123,0.00003305103,0.004531889,0.00013855481,0.00053556636,0.000113751754,0.000061985265,0.095542915],"genre_scores_gemma":[0.78502667,0.1091456,0.000018603898,0.0058391416,0.000322485,0.00012192376,0.00005829641,0.000049465827,0.09941783],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990962,0.00011072983,0.00018018139,0.00019843156,0.00020739165,0.00020702346],"domain_scores_gemma":[0.99950856,0.000044876466,0.00008357825,0.00030982602,0.000019858468,0.000033288874],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022770489,0.0001495256,0.00029248206,0.000017024098,0.00040268988,0.00006533133,0.00023127095,0.000009073498,0.0037667998],"category_scores_gemma":[0.00001154618,0.000093707335,0.000083242456,0.000027522174,0.0001563606,0.00006659224,0.00030254663,0.00017198014,0.0001324459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043887172,0.00013577378,0.00012365899,0.002397555,0.00037766236,0.00008869473,0.22562641,0.000019158562,0.00048488964,0.0122279655,0.4371857,0.32128865],"study_design_scores_gemma":[0.0002198502,0.000059378795,0.00003364515,0.0002867589,0.00014491806,0.000028545577,0.003831928,0.00050756865,0.000009923581,0.001470481,0.9931497,0.0002572813],"about_ca_topic_score_codex":0.0003115814,"about_ca_topic_score_gemma":0.00008935105,"teacher_disagreement_score":0.76711565,"about_ca_system_score_codex":0.000019136874,"about_ca_system_score_gemma":0.000008964704,"threshold_uncertainty_score":0.99714386},"labels":[],"label_agreement":null},{"id":"W4300003167","doi":"10.1353/mlr.2022.0129","title":"Gifts and Graces: Prayer, Poetry, and Polemic from Lancelot Andrewes to John Bunyan by David Gay","year":2022,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical Studies of British Isles","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prayer; Poetry; Theme (computing); Literature; History; Philosophy; Contemplation; Religious studies; Classics; Art history; Art; Theology","score_opus":0.019538202430724357,"score_gpt":0.24000492089460262,"score_spread":0.22046671846387828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300003167","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06107216,0.926282,0.000014485848,0.005274227,0.00013103988,0.0004344617,0.00050035195,0.00006752643,0.006223779],"genre_scores_gemma":[0.77678275,0.19397362,0.00012189932,0.015148183,0.0005706917,0.00029784595,0.000115266776,0.000072250936,0.012917477],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893796,0.00013072169,0.00020680917,0.00027804635,0.0002273134,0.00021915678],"domain_scores_gemma":[0.99945295,0.00011413311,0.00008144533,0.00025037912,0.000019648702,0.00008142272],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002365158,0.00015790053,0.00036664555,0.000019381858,0.00065992604,0.000079377016,0.00024370172,0.0000133938165,0.00091761316],"category_scores_gemma":[0.00005654649,0.0001157243,0.000045383582,0.00004062558,0.00013201634,0.00006625081,0.00034505452,0.00017524521,0.000024974142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038158283,0.00012758399,0.000111353176,0.0010890714,0.00016540322,0.00006988823,0.1421947,9.0391416e-7,0.00048501816,0.0018375581,0.37894803,0.4749323],"study_design_scores_gemma":[0.00015426792,0.000079744845,0.000050176655,0.00038108657,0.00007441024,0.00001331288,0.0013402482,0.000010792666,0.000005411576,0.00042401633,0.99727154,0.00019497545],"about_ca_topic_score_codex":0.004075448,"about_ca_topic_score_gemma":0.0011899429,"teacher_disagreement_score":0.7323083,"about_ca_system_score_codex":0.000050980925,"about_ca_system_score_gemma":0.000008490292,"threshold_uncertainty_score":0.9999957},"labels":[],"label_agreement":null},{"id":"W4300003213","doi":"10.1353/mlr.2022.0148","title":"Dostoevsky at 200: The Novel in Modernity ed. by Katherine Bowers and Kate Holland","year":2022,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Russian Literature and Bakhtin Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Honour; Plot (graphics); Narrative; Literature; Temporality; Semiotics; Philosophy; History; Art history; Art; Epistemology; Archaeology","score_opus":0.01070682318436188,"score_gpt":0.28933323609842976,"score_spread":0.27862641291406787,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300003213","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075051844,0.8896353,0.000029915393,0.017404651,0.000090822854,0.00071249984,0.00009036532,0.000034567285,0.016949989],"genre_scores_gemma":[0.69487816,0.27619258,0.000039400693,0.00820852,0.00018943341,0.00022772807,0.000023131048,0.00002774946,0.020213338],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986537,0.00038150832,0.00017940004,0.00019560535,0.00032089237,0.00026887716],"domain_scores_gemma":[0.9994476,0.0001321335,0.000091214286,0.00027486045,0.000013274818,0.000040959687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014896013,0.00012670114,0.00024861438,0.000014393181,0.00093406584,0.00004583392,0.00035110817,0.00002305896,0.00028085767],"category_scores_gemma":[0.00006534594,0.00006735468,0.0000639861,0.00021586192,0.00019726886,0.000057542977,0.0002876324,0.00024516086,0.00000989693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001690608,0.00041233987,0.0030067824,0.0013995671,0.0002968059,0.00012770924,0.47554976,0.000081374834,0.0024921028,0.005234817,0.3306293,0.18060037],"study_design_scores_gemma":[0.0003521083,0.000026472597,0.0004438208,0.00027606814,0.00006936238,0.000021806465,0.0039948295,0.00011410626,0.0000061692926,0.00047054072,0.9939927,0.00023203282],"about_ca_topic_score_codex":0.0011041265,"about_ca_topic_score_gemma":0.00081875303,"teacher_disagreement_score":0.6633634,"about_ca_system_score_codex":0.000057633617,"about_ca_system_score_gemma":0.000028968583,"threshold_uncertainty_score":0.7184174},"labels":[],"label_agreement":null},{"id":"W4301903687","doi":"10.1353/mlr.2013.0171","title":"Dominion and Agency: Copyright and the Structuring of the Canadian Book Trade, 1867–1918","year":2013,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dominion; Structuring; Agency (philosophy); Law and economics; Political science; Law; Philosophy; Sociology; Epistemology","score_opus":0.00835027284490932,"score_gpt":0.2282702279446752,"score_spread":0.21991995509976586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301903687","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04367869,0.8942666,0.0000033181625,0.02833937,0.000167633,0.0013077575,0.000019972265,0.000011779029,0.032204892],"genre_scores_gemma":[0.8969188,0.09511231,0.000008414018,0.0032964854,0.000100880636,0.000026227595,8.490936e-7,0.0000085334805,0.0045275064],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991361,0.00033389934,0.00012773921,0.00009073994,0.00015557559,0.00015594743],"domain_scores_gemma":[0.9995157,0.000071410206,0.00007553848,0.00022721734,0.00001378628,0.000096311654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068200007,0.000059579754,0.00015898913,0.000031536118,0.0009883732,0.000121594625,0.00026298914,0.000034239994,0.000582303],"category_scores_gemma":[0.000073572766,0.000031598684,0.000057153014,0.00008917385,0.000987561,0.000093898445,0.000028634746,0.0001128627,0.000008361616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005792606,0.000008437843,0.00008935511,0.0014424431,0.00008423437,0.0000092694245,0.32443464,0.0000013367212,0.000089333655,0.044018805,0.054983992,0.5748324],"study_design_scores_gemma":[0.0003648458,0.000005922963,0.007082673,0.00092953007,0.00017877943,0.000017397993,0.0009127636,0.00008071397,0.000008726608,0.010080339,0.980157,0.0001812868],"about_ca_topic_score_codex":0.91311496,"about_ca_topic_score_gemma":0.97929996,"teacher_disagreement_score":0.92517304,"about_ca_system_score_codex":0.00011408336,"about_ca_system_score_gemma":0.00028389698,"threshold_uncertainty_score":0.76018673},"labels":[],"label_agreement":null},{"id":"W4316259222","doi":"10.1353/mlr.2023.0029","title":"Nikolai Gogol: Performing Hybrid Identity by Yuliya Ilchuk","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Discourse Analysis and Cultural Communication","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Identity (music); Literature; Politics; Russian literature; History; Order (exchange); Art; Linguistics; Aesthetics; Philosophy; Political science; Law","score_opus":0.033940098030101735,"score_gpt":0.39270279475108794,"score_spread":0.3587626967209862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316259222","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16801314,0.7117605,0.0002654645,0.029836182,0.00012684095,0.0008229627,0.000024058678,0.00038695263,0.0887639],"genre_scores_gemma":[0.7108519,0.27506843,0.000012006638,0.0011402913,0.00010367376,0.00003506025,0.00007373132,0.000009909106,0.012705016],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870145,0.00035981764,0.00018975364,0.00013604893,0.0003878654,0.00022508543],"domain_scores_gemma":[0.9992702,0.0000548452,0.00010448416,0.00047015958,0.00004688632,0.000053452757],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001852077,0.00008735542,0.00019815394,0.000016750682,0.0006378027,0.0001139402,0.00073824613,0.000020637275,0.00044429698],"category_scores_gemma":[0.0001503415,0.000053905453,0.0001591885,0.00044607607,0.00009476985,0.00037475917,0.00012063707,0.00012714727,0.0007236753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002575889,0.00006025383,0.000088075256,0.0005585675,0.00012759384,0.0000129703885,0.03300075,0.000008759758,0.0014847714,0.011891255,0.10400893,0.8487555],"study_design_scores_gemma":[0.00023859873,0.000025182739,0.000326878,0.0032059904,0.0009025377,0.00000866097,0.024734236,0.002663416,0.00025067924,0.010320214,0.9565458,0.00077775243],"about_ca_topic_score_codex":0.0015158913,"about_ca_topic_score_gemma":0.0008236735,"teacher_disagreement_score":0.8525369,"about_ca_system_score_codex":0.000040590818,"about_ca_system_score_gemma":0.000029793915,"threshold_uncertainty_score":0.9301624},"labels":[],"label_agreement":null},{"id":"W4362719954","doi":"10.1353/mlr.2023.0062","title":"Vladimir Nabokov et la traduction ed. by Julie Loison-Charles and Stanislav Shvabrin","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Scholarship; Slavic languages; Translation studies; Classics; History; Humanities; Linguistics; Art history; Art; Philosophy; Political science; Law","score_opus":0.03676183200626302,"score_gpt":0.31356877997897475,"score_spread":0.2768069479727117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362719954","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009411317,0.92455864,0.00011214975,0.015479824,0.00016342664,0.00045271096,0.00015845991,0.00023133282,0.04943217],"genre_scores_gemma":[0.12594724,0.86642575,0.000021501894,0.0020854496,0.00021408279,0.00005034854,0.000051011983,0.000028807925,0.0051758047],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919313,0.00019114996,0.00017547594,0.00015485265,0.00014442856,0.00014094282],"domain_scores_gemma":[0.99947333,0.00022417959,0.00008526978,0.00016930686,0.000020679814,0.000027256789],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005942277,0.00012463584,0.00021001106,0.000019540328,0.00024911156,0.00013177175,0.00009196434,0.000019377723,0.00048313185],"category_scores_gemma":[0.000014666401,0.000077651675,0.000060855098,0.00004423728,0.00010158293,0.00020161913,0.000028473689,0.00013016451,0.00015405043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014537739,0.00003243962,0.0000072772277,0.0015711344,0.00011991333,0.000013053212,0.05652611,0.0000028427196,0.00013644467,0.018215245,0.10699919,0.8163618],"study_design_scores_gemma":[0.00010252662,0.00001479462,0.00002022452,0.0003334853,0.0000889149,0.0000093119,0.0016224004,0.000056787667,0.000007935518,0.00048796655,0.9971463,0.00010935105],"about_ca_topic_score_codex":0.00014780884,"about_ca_topic_score_gemma":0.00021172762,"teacher_disagreement_score":0.8901471,"about_ca_system_score_codex":0.0000039595657,"about_ca_system_score_gemma":0.00000859723,"threshold_uncertainty_score":0.5289955},"labels":[],"label_agreement":null},{"id":"W4362719958","doi":"10.1353/mlr.2023.0048","title":"Liturgical Song and Practice in Dante's 'Commedia' by Helena Phillips-Robins","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Liturgy; Purgatory; Poetry; Literature; Art; Classics; History; Art history; Theology; Philosophy","score_opus":0.04344762052693148,"score_gpt":0.3098475795029011,"score_spread":0.26639995897596963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362719958","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021539686,0.9220131,0.000021585372,0.02555715,0.00014766926,0.0005421099,0.00005202312,0.00015675125,0.029969914],"genre_scores_gemma":[0.37738067,0.6115582,0.000013314884,0.0046576406,0.00039921646,0.00010142344,0.000042677766,0.000034675842,0.005812182],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988477,0.00019403058,0.0002478236,0.00022007102,0.00019317957,0.00029716804],"domain_scores_gemma":[0.9990565,0.00050594285,0.00008208732,0.00028009916,0.000031781885,0.000043572174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007716258,0.00016691026,0.0003572864,0.000037247402,0.00021252783,0.00009423587,0.00018334898,0.000026776526,0.00015387817],"category_scores_gemma":[0.000246433,0.00009734663,0.000069159374,0.00006669762,0.00020322428,0.00023716445,0.00013484093,0.00021397589,0.00021977483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067917856,0.00017677857,0.000042352032,0.0031305237,0.0002201747,0.0003064392,0.37674022,0.000005409207,0.0002552321,0.00984968,0.18559058,0.4236147],"study_design_scores_gemma":[0.0003264433,0.000049833452,0.00005524308,0.0022411828,0.000110231966,0.00004154567,0.0067891297,0.00033150782,0.000008484096,0.0012595203,0.9885042,0.00028271793],"about_ca_topic_score_codex":0.0003040548,"about_ca_topic_score_gemma":0.00033928483,"teacher_disagreement_score":0.8029136,"about_ca_system_score_codex":0.000012659433,"about_ca_system_score_gemma":0.000010145613,"threshold_uncertainty_score":0.39696804},"labels":[],"label_agreement":null},{"id":"W4362720014","doi":"10.1353/mlr.2023.0050","title":"The 'Decameron' Sixth Day in Perspective ed. by David Lummus","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Context (archaeology); Perspective (graphical); Parallels; Rhetorical question; Storytelling; History; Literature; Art; Narrative; Visual arts","score_opus":0.025969665479951574,"score_gpt":0.291293104350569,"score_spread":0.26532343887061743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362720014","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008414898,0.92839247,0.000016984359,0.010455798,0.00021249954,0.00059745816,0.000038643204,0.00013917801,0.05173205],"genre_scores_gemma":[0.3747918,0.5856076,0.0000021326962,0.0017667965,0.00044305183,0.00022211588,0.000021369338,0.000044761175,0.03710038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870163,0.00019028308,0.0002510109,0.00023349602,0.00024305076,0.00038053727],"domain_scores_gemma":[0.9990745,0.00024692356,0.00008732014,0.00050381187,0.000057351906,0.000030059493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080787204,0.00018782381,0.00032874677,0.000028416245,0.0005709604,0.00013517609,0.00043392574,0.000021064892,0.00023221891],"category_scores_gemma":[0.000108931155,0.00009090141,0.0001301575,0.00010290877,0.00031076372,0.00011450341,0.00013758756,0.00022444292,0.00072654645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014362292,0.000049476617,0.000025867055,0.00045289542,0.00016493871,0.000041438638,0.24931882,0.000008249171,0.00007401183,0.024906423,0.5538211,0.1711224],"study_design_scores_gemma":[0.00026945485,0.000049293583,0.0001606643,0.0017715371,0.00011134998,0.0000047651924,0.033658937,0.00036081485,0.000018749817,0.0060468013,0.95717007,0.0003775739],"about_ca_topic_score_codex":0.0010836858,"about_ca_topic_score_gemma":0.0012646662,"teacher_disagreement_score":0.40334895,"about_ca_system_score_codex":0.000048384532,"about_ca_system_score_gemma":0.000019487,"threshold_uncertainty_score":0.93385273},"labels":[],"label_agreement":null},{"id":"W4379617284","doi":"10.1353/mlr.2002.0090","title":"(review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Expansive; Poetry; Art history; Grossman; Art; Order (exchange); Philosophy; Humanities; Literature; Physics","score_opus":0.038615133930029924,"score_gpt":0.24295691446544446,"score_spread":0.20434178053541452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617284","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018014138,0.75941765,0.000005320824,0.003812858,0.00012440032,0.00022718532,0.00001262551,0.000046339057,0.23633558],"genre_scores_gemma":[0.0037340047,0.8659542,0.000011844744,0.060881685,0.0006258342,0.000036123394,0.000016598118,0.000015022023,0.06872465],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934417,0.0000825762,0.00019024899,0.00011357057,0.00011459228,0.00015484485],"domain_scores_gemma":[0.99940085,0.000037843547,0.00006051874,0.00043725237,0.000030173505,0.000033368153],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020469425,0.00012006742,0.00023864469,0.00001120525,0.00011037038,0.000037838534,0.0002468353,0.000013742117,0.02570038],"category_scores_gemma":[0.00002997318,0.00006130036,0.00013553638,0.000034404362,0.00006351471,0.000077862496,0.000027646947,0.00014415514,0.0017624132],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.963377e-7,0.000017664284,1.8066783e-7,0.0051174923,0.000016387652,0.000010056871,0.0081506,2.8061027e-8,0.0000037544266,0.008226287,0.7797233,0.19873407],"study_design_scores_gemma":[0.00003200187,0.000008836656,3.8179115e-7,0.009073008,0.00008412516,0.00001608748,0.000023355524,0.000037346526,0.0000017277496,0.00028024297,0.99034715,0.00009574126],"about_ca_topic_score_codex":0.000024061457,"about_ca_topic_score_gemma":0.000025403408,"teacher_disagreement_score":0.21062388,"about_ca_system_score_codex":0.0000065062477,"about_ca_system_score_gemma":0.0000028207803,"threshold_uncertainty_score":0.99901485},"labels":[],"label_agreement":null},{"id":"W4379617308","doi":"10.1353/mlr.2002.a828485","title":"The Last Canadian Poet: An Essay on Al Purdy by Sam Solecki (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watson; Poetry; Canadian literature; History; Art history; Literature; Art; Classics; Computer science","score_opus":0.01826510165027949,"score_gpt":0.25228387861949786,"score_spread":0.23401877696921836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617308","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006267487,0.7722448,0.0000016049596,0.008436613,0.0004341248,0.0005262053,0.00024779624,0.000052426756,0.21799372],"genre_scores_gemma":[0.03351765,0.77550614,0.000014443646,0.14297214,0.0014007855,0.00021085369,0.00026607545,0.00010068099,0.046011224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984324,0.00024629952,0.00029682784,0.00025980896,0.00031415123,0.00045052334],"domain_scores_gemma":[0.99856055,0.00010604134,0.00010169848,0.0009865243,0.00007293218,0.00017224274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004997081,0.0002625407,0.00034136634,0.000018032213,0.00073676294,0.00017461764,0.00075362984,0.000039351682,0.004030825],"category_scores_gemma":[0.00012412963,0.0001318481,0.0001428216,0.000068640344,0.000193897,0.000121011195,0.000047753045,0.00034348897,0.00030921664],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017093661,0.000027736198,9.3996886e-7,0.00049658463,0.000036403526,0.000021320511,0.009520954,2.7014718e-7,0.000002518799,0.02948633,0.81467897,0.14572628],"study_design_scores_gemma":[0.000046362682,0.000040022423,0.0000011117634,0.0026423705,0.00007681242,0.000016995657,0.00020410084,0.000050157316,0.0000016737315,0.00015717314,0.9965777,0.00018555464],"about_ca_topic_score_codex":0.0038182794,"about_ca_topic_score_gemma":0.0450398,"teacher_disagreement_score":0.18189871,"about_ca_system_score_codex":0.00013012445,"about_ca_system_score_gemma":0.000039751572,"threshold_uncertainty_score":0.99687964},"labels":[],"label_agreement":null},{"id":"W4379617346","doi":"10.1353/mlr.2002.a828295","title":"Poetry and the Sense of Panic: Critical Essays on Elizabeth Bishop and John Ashbery by Lionel Kelly (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watson; Art; Art history; Poetry; Order (exchange); Performance art; Literature; Romance; Philosophy; History","score_opus":0.024352324115260702,"score_gpt":0.26187942465333125,"score_spread":0.23752710053807055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617346","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002447378,0.95948035,0.000031141393,0.008287226,0.00004067963,0.00030821603,0.000061672894,0.00002195226,0.029321397],"genre_scores_gemma":[0.31858787,0.6670003,0.0000062156187,0.011477784,0.000114874405,0.000019440195,0.0000067808437,0.000017089602,0.0027696332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846095,0.0004382773,0.0004092155,0.0002204405,0.00025790907,0.00021319896],"domain_scores_gemma":[0.99870884,0.0005844118,0.00010298779,0.0004719534,0.00006576196,0.00006605004],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009277161,0.00020000982,0.0006389454,0.000024146802,0.00023628208,0.000057840065,0.00016759039,0.00003372313,0.0015244031],"category_scores_gemma":[0.00030672978,0.000095825795,0.00017918987,0.00005720948,0.00064989325,0.00008025488,0.00007676165,0.0002263844,0.00004498152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005114721,0.0005126741,0.00000732478,0.027750101,0.00045209262,0.000095729294,0.024652619,8.4276746e-7,0.00020797957,0.4310883,0.24263223,0.27254897],"study_design_scores_gemma":[0.0032166212,0.00047816715,0.000046773443,0.07312973,0.0090831695,0.0005370254,0.005209601,0.00998279,0.00017091623,0.021947758,0.8741474,0.0020500103],"about_ca_topic_score_codex":0.0000636729,"about_ca_topic_score_gemma":0.000016642272,"teacher_disagreement_score":0.6315152,"about_ca_system_score_codex":0.000006114316,"about_ca_system_score_gemma":0.0000047087733,"threshold_uncertainty_score":0.99938834},"labels":[],"label_agreement":null},{"id":"W4379617413","doi":"10.1353/mlr.2002.a828047","title":"The Cinema of Jean Cocteau: Essays on His Films and Their Coctelian Sources by C. D. E. Tolton (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Eroticism; Human sexuality; Psychoanalytic theory; Literature; Reading (process); Art; Movie theater; Enlightenment; Psychoanalysis; Art history; Philosophy; Sociology; Gender studies; Psychology; Epistemology","score_opus":0.022304901378034904,"score_gpt":0.22437855987438005,"score_spread":0.20207365849634515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617413","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018361531,0.9391076,0.0000059417553,0.0065707588,0.00009708238,0.00047414695,0.00008958862,0.000038560782,0.051780168],"genre_scores_gemma":[0.06999638,0.8758312,0.0000036493009,0.0076204427,0.0001383584,0.000058410908,0.000019966139,0.000032521984,0.04629908],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886835,0.00019926357,0.00036488916,0.00018454564,0.00017492798,0.00020799995],"domain_scores_gemma":[0.99881876,0.0003537892,0.0001671185,0.000556625,0.0000526527,0.00005105313],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048830314,0.00021643534,0.00046673714,0.000017442311,0.00041829294,0.000033824606,0.00033056497,0.00002441703,0.0045188577],"category_scores_gemma":[0.00010407042,0.00009914424,0.00015128122,0.000037184695,0.00036386546,0.000054579297,0.000046748733,0.00016988444,0.00006934315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007849144,0.00010239853,8.9684033e-7,0.0065381937,0.00006795277,0.0000068254903,0.03032764,6.3046906e-7,0.0001525423,0.015701806,0.6925946,0.2544987],"study_design_scores_gemma":[0.00012738074,0.00007325492,7.8797837e-7,0.0065596886,0.0001358596,0.000010901392,0.0011814429,0.00017536133,0.000056155575,0.00030288295,0.9912146,0.00016168646],"about_ca_topic_score_codex":0.000089087865,"about_ca_topic_score_gemma":0.00014465569,"teacher_disagreement_score":0.29862002,"about_ca_system_score_codex":0.000010263909,"about_ca_system_score_gemma":0.0000046550467,"threshold_uncertainty_score":0.9963911},"labels":[],"label_agreement":null},{"id":"W4379617432","doi":"10.1353/mlr.2004.a827453","title":"Mon cher grand fou …: lettres à Marcel Carbotte 1974–79 by Gabrielle Roy (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; History; Humanities; Psychoanalysis; Psychology","score_opus":0.10546133821642054,"score_gpt":0.30664351928005606,"score_spread":0.20118218106363553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617432","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005275161,0.89434665,0.0037708455,0.06847436,0.00038521262,0.0011544679,0.000052635656,0.00010298391,0.031185325],"genre_scores_gemma":[0.004042228,0.8651964,0.0003020442,0.03516409,0.00028888456,0.000045664914,0.000039101164,0.00004510714,0.09487646],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99706477,0.0002699485,0.0006630826,0.00063794013,0.00058459264,0.000779678],"domain_scores_gemma":[0.99776524,0.00009075397,0.00029613666,0.0013895845,0.00012053974,0.00033776741],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006035139,0.0005647653,0.0009193042,0.00002436326,0.00021324705,0.00043635143,0.0012255644,0.00011110846,0.0003569111],"category_scores_gemma":[0.00014871811,0.0003208679,0.00048995303,0.00050757226,0.00021665618,0.0010898889,0.00046261688,0.00040433698,0.0006625509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069056896,0.00026186605,0.0000011792063,0.013188371,0.00013562637,0.00046053424,0.0037300317,0.00006148842,0.0010736684,0.003938732,0.41508853,0.5620531],"study_design_scores_gemma":[0.0007350861,0.00014542251,0.000026549695,0.05219486,0.000510272,0.00071186334,0.000023705383,0.00091663527,0.0008125177,0.005248739,0.9377017,0.00097265386],"about_ca_topic_score_codex":0.0032204262,"about_ca_topic_score_gemma":0.00015767147,"teacher_disagreement_score":0.5610804,"about_ca_system_score_codex":0.00012710996,"about_ca_system_score_gemma":0.00011170977,"threshold_uncertainty_score":0.99992436},"labels":[],"label_agreement":null},{"id":"W4379617542","doi":"10.1353/mlr.2006.0091","title":"Tremblay: ‘Les Belles-sœurs’ and A toi, pour toujours, ta Marie-Lou’ by Michael Cardy (review)","year":2006,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Criticism; Poetry; Theme (computing); Argument (complex analysis); Literature; Art; History; Philosophy; Art history; Computer science","score_opus":0.016383086004242903,"score_gpt":0.27976775212691507,"score_spread":0.2633846661226722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617542","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029402885,0.8995873,0.000044002987,0.08646454,0.00023439199,0.0008145584,0.00021456367,0.000047227742,0.00965317],"genre_scores_gemma":[0.006134228,0.8627751,0.000087550434,0.02356132,0.0009552815,0.0000584149,0.00018363693,0.000028627132,0.10621586],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964953,0.0012392263,0.0006111874,0.0005485174,0.0004617532,0.0006439972],"domain_scores_gemma":[0.99859643,0.00021652316,0.00035740403,0.0005198068,0.00013413082,0.00017570694],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001157116,0.00046004757,0.0011180538,0.000025931777,0.000652242,0.000110598165,0.0006161209,0.00022708306,0.0015431077],"category_scores_gemma":[0.00013894132,0.0002788396,0.00054570514,0.0006141586,0.0005688189,0.00019935713,0.00015810036,0.0004211823,0.00015020983],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040765217,0.000111932415,0.000057498204,0.0038493825,0.00019145146,0.00004629237,0.0031494778,7.7047207e-7,0.00015146068,0.0030683982,0.42227155,0.5670977],"study_design_scores_gemma":[0.00020169576,0.000032304364,0.00006620864,0.008256707,0.0023218426,0.00005213345,0.00096468034,0.00013180629,0.000010211299,0.0017915217,0.9856896,0.0004813044],"about_ca_topic_score_codex":0.010390455,"about_ca_topic_score_gemma":0.005776489,"teacher_disagreement_score":0.5666164,"about_ca_system_score_codex":0.000115917435,"about_ca_system_score_gemma":0.0000840482,"threshold_uncertainty_score":0.9999664},"labels":[],"label_agreement":null},{"id":"W4379617574","doi":"10.1353/mlr.2001.0236","title":"(review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; Theme (computing); Prerogative; Honour; Context (archaeology); History; State (computer science); Rhetoric; Art; Humanities; Law; Politics; Political science; Philosophy; Art history; Theology","score_opus":0.04681753640949722,"score_gpt":0.27984588690287926,"score_spread":0.23302835049338205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617574","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007446756,0.84138453,0.000032419233,0.0036821708,0.00007341016,0.00017135075,0.000005186046,0.00004950082,0.154527],"genre_scores_gemma":[0.0039962367,0.8670404,0.0000082724655,0.038665425,0.00051808864,0.000033192726,0.000017423165,0.000011482369,0.08970947],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934584,0.000095775176,0.00020165334,0.00011094385,0.00011040024,0.0001354033],"domain_scores_gemma":[0.99951017,0.000038939394,0.000057651276,0.00032607443,0.00002825198,0.000038885595],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022663166,0.00010220031,0.00025678592,0.000011164629,0.00014898187,0.000018641686,0.00023114595,0.000008394832,0.013798264],"category_scores_gemma":[0.000030631654,0.000050320596,0.0001606871,0.000047483543,0.00005891467,0.00008450507,0.000027297023,0.000094077586,0.0009967258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027628516,0.00005688534,0.0000016083668,0.0059988033,0.000047964237,0.00005686948,0.010841539,2.3306845e-7,0.000009307938,0.011507762,0.47331768,0.49815857],"study_design_scores_gemma":[0.000024008561,0.000008413197,6.974155e-7,0.004355939,0.00011873831,0.00001807486,0.000030858235,0.000017085795,4.963295e-7,0.0004332873,0.9949092,0.000083167215],"about_ca_topic_score_codex":0.00012817864,"about_ca_topic_score_gemma":0.00004085223,"teacher_disagreement_score":0.52159154,"about_ca_system_score_codex":0.000011843488,"about_ca_system_score_gemma":0.0000070102933,"threshold_uncertainty_score":0.99978113},"labels":[],"label_agreement":null},{"id":"W4379617628","doi":"10.1353/mlr.2006.0079","title":"Literary Culture and Female Authorship in Canada 1760-2000 by Faye Hammill Carol Shields, Narrative Hunger, and the Possibilities of Fiction by Edward Eden , Dee Goertz (review)","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Criticism; Argument (complex analysis); Literary criticism; Art history; Sociology; History; Literature; Art; Medicine","score_opus":0.005179183838565017,"score_gpt":0.21163897947213378,"score_spread":0.20645979563356875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617628","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016318582,0.9635381,0.0000019719218,0.0014076154,0.00015888976,0.0008783494,0.00059260346,0.00001775034,0.017086154],"genre_scores_gemma":[0.70354855,0.26461598,0.000026587359,0.0058215833,0.00035803302,0.00016901059,0.00039605575,0.00003513907,0.025029084],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837697,0.00041973835,0.00046069265,0.00025875997,0.00025729736,0.00022656666],"domain_scores_gemma":[0.9991762,0.00015624639,0.00017839084,0.0003695623,0.00007652917,0.000043047683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004934844,0.00025721523,0.000578031,0.000014935648,0.00019770004,0.00006800756,0.00023511828,0.00005670658,0.00024527084],"category_scores_gemma":[0.000076984325,0.00013400763,0.00007871742,0.00007568538,0.00030686404,0.00015393681,0.00006953591,0.0003249952,5.900939e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007902084,0.00004320189,0.00021368288,0.008582989,0.00010381525,0.0000145005315,0.36020926,9.445239e-7,0.000036605572,0.013933813,0.59536994,0.02141225],"study_design_scores_gemma":[0.0005731301,0.000059834172,0.000100402394,0.010481193,0.00028868456,0.000039223316,0.01333653,0.000049874205,0.000037054444,0.0033376266,0.97120565,0.00049077213],"about_ca_topic_score_codex":0.19556665,"about_ca_topic_score_gemma":0.22459644,"teacher_disagreement_score":0.6989221,"about_ca_system_score_codex":0.00012786151,"about_ca_system_score_gemma":0.00009924882,"threshold_uncertainty_score":0.80979013},"labels":[],"label_agreement":null},{"id":"W4379617658","doi":"10.1353/mlr.2004.a826911","title":"Of Philosophers and Kings: Political Philosophy in Shakespeare's 'Macbeth' and 'King Lear' by Leon Harold Craig (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Literature; Power (physics); Scrutiny; Unrest; History; Humanism; Reading (process); Philosophy; Classics; Art; Theology; Law","score_opus":0.022956055400186096,"score_gpt":0.3189832822186045,"score_spread":0.2960272268184184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617658","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005627172,0.92136276,0.000010815711,0.056153364,0.000025076668,0.000538687,0.000015365304,0.000027789209,0.016238974],"genre_scores_gemma":[0.4398825,0.54957193,0.000078160854,0.010180289,0.00012190344,0.000017751829,0.000005529076,0.000012839953,0.0001290918],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986228,0.00025414227,0.0002757322,0.00022510956,0.0003134775,0.00030875168],"domain_scores_gemma":[0.99947643,0.00008090689,0.00010569739,0.00019664844,0.000034197692,0.00010611686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010316565,0.00014413879,0.00041409055,0.0000045648267,0.00015977318,0.00002000469,0.00023768628,0.00008989543,0.00007982675],"category_scores_gemma":[0.00020137988,0.000096662065,0.00009950307,0.00019695166,0.0004867474,0.00012278106,0.000065617336,0.0002537918,0.0000047877375],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022112066,0.00033227802,0.00049692305,0.031370077,0.00016783123,0.000062374245,0.10351226,0.00000455772,0.0015167793,0.742518,0.004678533,0.11531825],"study_design_scores_gemma":[0.003538475,0.00031214822,0.0005557662,0.15292978,0.0013316002,0.00011538361,0.015181929,0.000045201177,0.0003033943,0.5189004,0.30447972,0.002306214],"about_ca_topic_score_codex":0.00053992344,"about_ca_topic_score_gemma":0.0001241098,"teacher_disagreement_score":0.43425533,"about_ca_system_score_codex":0.000058540656,"about_ca_system_score_gemma":0.000046042984,"threshold_uncertainty_score":0.39417645},"labels":[],"label_agreement":null},{"id":"W4379617714","doi":"10.1353/mlr.2004.a827003","title":"Heine’s Aristophanes Complex and the Ambivalence of Deutschland : Ein Wintermärchen","year":2004,"lang":"de","type":"article","venue":"The Modern Language Review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ambivalence; Art; Philosophy; Humanities; Psychoanalysis; Psychology","score_opus":0.02167681397351428,"score_gpt":0.25690987403348786,"score_spread":0.23523306005997358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617714","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004325607,0.9753966,0.000033017,0.00811238,0.00017631019,0.0007158279,0.00008490126,0.000021692587,0.011133674],"genre_scores_gemma":[0.74528193,0.24638875,0.00002244865,0.0036655678,0.00071435404,0.000034506884,0.000028393353,0.000021078595,0.00384296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985927,0.00023903229,0.0004529084,0.00023518698,0.0002337522,0.00024642493],"domain_scores_gemma":[0.99895906,0.00011757768,0.0002586404,0.0005209726,0.000103375794,0.00004035709],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052193884,0.0003004183,0.00073763035,0.000017966819,0.00042124538,0.00012998548,0.00040257128,0.00004034046,0.00031627444],"category_scores_gemma":[0.000049341637,0.0001291391,0.00023839554,0.00005091819,0.0011892042,0.00007816575,0.00018076166,0.00027354187,0.000058236717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017853509,0.0001569343,0.000009820859,0.017201163,0.0011794576,0.00007329082,0.7691974,0.0000061717374,0.00023545288,0.1705345,0.00921852,0.03200872],"study_design_scores_gemma":[0.005023171,0.00028812772,0.0004853036,0.03503972,0.0056830337,0.00018812521,0.015903614,0.00010598122,0.00012121851,0.035388246,0.9006509,0.0011225253],"about_ca_topic_score_codex":0.00032253817,"about_ca_topic_score_gemma":0.0002154698,"teacher_disagreement_score":0.8914324,"about_ca_system_score_codex":0.000012871929,"about_ca_system_score_gemma":0.000021417092,"threshold_uncertainty_score":0.52661395},"labels":[],"label_agreement":null},{"id":"W4379617783","doi":"10.1353/mlr.2003.a827172","title":"Saints, Sinners, Saviors: Strong Black Women in African American Literature by Trudier Harris (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Interpretation (philosophy); Public sphere; Narrative; Argument (complex analysis); Literature; History; Aesthetics; Sociology; Art; Philosophy; Law; Political science","score_opus":0.011714875808501543,"score_gpt":0.2956329028991592,"score_spread":0.28391802709065767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617783","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040997555,0.94241685,0.000018810944,0.002091266,0.000098830125,0.0008159423,0.00011325531,0.00005168686,0.05029361],"genre_scores_gemma":[0.106022425,0.8654676,0.000076597134,0.010126795,0.00023399781,0.00010118754,0.000056823512,0.00004337845,0.01787121],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969772,0.001225343,0.00036234557,0.00030306628,0.00039358487,0.00073847844],"domain_scores_gemma":[0.9988713,0.00010039651,0.00020464383,0.00051935256,0.0000642592,0.00024003764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017868958,0.00024293133,0.00064465177,0.000034164434,0.0001771745,0.000045908186,0.00044591795,0.000063630745,0.0005926468],"category_scores_gemma":[0.00051470456,0.00016839015,0.00018681661,0.00067870173,0.000481971,0.0001023612,0.000026417074,0.000373246,0.00008340884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010764002,0.0001986334,0.00015384154,0.004850931,0.0001003858,0.00008536204,0.40240484,0.000002609665,0.00006799044,0.008836415,0.43654326,0.146745],"study_design_scores_gemma":[0.00010661806,0.000019658713,0.00001862051,0.0031864971,0.000077091005,0.000003877226,0.008469925,0.000002232914,0.0000029834218,0.00024074344,0.9876129,0.00025882552],"about_ca_topic_score_codex":0.0012980705,"about_ca_topic_score_gemma":0.00063184655,"teacher_disagreement_score":0.5510697,"about_ca_system_score_codex":0.00069430744,"about_ca_system_score_gemma":0.0001359893,"threshold_uncertainty_score":0.6866751},"labels":[],"label_agreement":null},{"id":"W4379617849","doi":"10.1353/mlr.2002.0354","title":"(review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; French; Spectacle; Subject (documents); CONQUEST; History; Sociology; Humanities; Media studies; Political science; Library science; Art; Law; Ancient history","score_opus":0.030783193258428973,"score_gpt":0.28388665586579936,"score_spread":0.2531034626073704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617849","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015234505,0.82430243,0.000010351602,0.012323722,0.00006862468,0.00025166105,0.0000035286,0.00003392559,0.16299054],"genre_scores_gemma":[0.00065346377,0.9372498,0.000010172559,0.019244198,0.00014100022,0.000019346091,0.0000012230473,0.000006057641,0.042674787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999246,0.0001953258,0.00012017742,0.00009256699,0.0001794397,0.00016648522],"domain_scores_gemma":[0.9995385,0.00003221267,0.00005040373,0.00028155177,0.000020419004,0.00007694771],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005795881,0.00005008645,0.00015843418,0.000028004615,0.0004241554,0.00003959677,0.00030875055,0.000019756262,0.011449214],"category_scores_gemma":[0.00017315728,0.000041106807,0.00010693009,0.00018555483,0.00018521656,0.000061950945,0.000018138955,0.00009098706,0.0020748223],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.2926084e-8,0.0000066059833,2.527895e-7,0.0011634855,0.000004364805,0.000008243411,0.0039340914,3.490306e-8,0.0000017019133,0.000798905,0.596199,0.39788327],"study_design_scores_gemma":[0.000016781329,0.0000016187093,0.0000025751929,0.0029433211,0.00004898182,0.0000033837027,0.000046439392,0.0000062693325,8.296955e-8,0.00010838119,0.9967628,0.000059334812],"about_ca_topic_score_codex":0.051240798,"about_ca_topic_score_gemma":0.15138325,"teacher_disagreement_score":0.40056384,"about_ca_system_score_codex":0.00013562733,"about_ca_system_score_gemma":0.000047123103,"threshold_uncertainty_score":0.99870217},"labels":[],"label_agreement":null},{"id":"W4379617882","doi":"10.1353/mlr.2005.0018","title":"Codex and Context: Reading Old French Verse Narrative in Manuscript by Keith Busby (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Section (typography); Creole language; History; Variation (astronomy); Linguistics; Humanities; Narrative; Art; Literature; Philosophy; Computer science","score_opus":0.01707011815506854,"score_gpt":0.2352072002182851,"score_spread":0.21813708206321655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617882","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017927408,0.9487816,0.000007998356,0.002198769,0.00012179889,0.0005050906,0.000039716837,0.000034164517,0.046518084],"genre_scores_gemma":[0.05853952,0.7654791,0.00004547423,0.052463207,0.00063767924,0.00006757943,0.0000886059,0.0000510613,0.12262782],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988302,0.00023423243,0.00033458284,0.00023283783,0.00016415396,0.00020398272],"domain_scores_gemma":[0.99939674,0.000050441293,0.00012168503,0.00032663962,0.000041501462,0.00006301623],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056541245,0.00019519753,0.00043777598,0.000032425116,0.0001444439,0.00004006935,0.00019877419,0.000021735152,0.0018312144],"category_scores_gemma":[0.00005286002,0.00012110013,0.00007548171,0.000035693403,0.00015573786,0.00015961536,0.000042823147,0.00026485886,0.00013661454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070631427,0.0000479101,0.000001951717,0.0038811802,0.000033501772,0.00005189699,0.27633718,1.6991224e-7,0.000080208,0.004871777,0.5422041,0.1724831],"study_design_scores_gemma":[0.00018636668,0.000024908812,0.0000034401785,0.00987816,0.00007811601,0.000015473674,0.0012597134,0.000040946565,0.0000048716724,0.000035012214,0.9883071,0.00016587811],"about_ca_topic_score_codex":0.00021978705,"about_ca_topic_score_gemma":0.0007635872,"teacher_disagreement_score":0.44610304,"about_ca_system_score_codex":0.000043628443,"about_ca_system_score_gemma":0.000014178062,"threshold_uncertainty_score":0.99908125},"labels":[],"label_agreement":null},{"id":"W4379617903","doi":"10.1353/mlr.2004.a826924","title":"Spenser's Supreme Fiction: Platonic Philosophy and 'The Faerie Queene' by Jon A. Quitsland (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Cultural and Social Studies in Latin America","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Compromise; Intertextuality; Literature; Politics; Parochialism; Representation (politics); Philosophy; History; Art; Law; Political science","score_opus":0.023458301122056192,"score_gpt":0.2536403601833204,"score_spread":0.23018205906126424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617903","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007160813,0.8867461,0.000012467339,0.023856608,0.00013224219,0.00070233224,0.000031652977,0.00005206503,0.08775042],"genre_scores_gemma":[0.08003037,0.90278465,0.000009511106,0.013030238,0.00068540726,0.00009327891,0.000029172814,0.000018960776,0.0033184048],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899083,0.00013121754,0.00028996478,0.00018458189,0.00020612564,0.00019730322],"domain_scores_gemma":[0.9994203,0.00008088364,0.00014175591,0.00027325354,0.000044814788,0.000039007064],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032783984,0.00019842989,0.00048463335,0.0000052476776,0.0006656521,0.00005322116,0.00022611849,0.000021726224,0.0011292067],"category_scores_gemma":[0.00005253125,0.00008885509,0.00017187437,0.000047482477,0.0006711965,0.000081379825,0.000106108535,0.00018295312,0.000075826385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008430329,0.00014495813,0.000007841827,0.011656662,0.0006756304,0.0000314255,0.14177151,0.0000053349004,0.000025171588,0.32828432,0.2564676,0.26084524],"study_design_scores_gemma":[0.0007091961,0.000047639514,0.0000054365323,0.005509807,0.00037823242,0.000029090166,0.00085963815,0.000007567867,0.0000033379226,0.009391418,0.9827667,0.000291931],"about_ca_topic_score_codex":0.00077625614,"about_ca_topic_score_gemma":0.00023956248,"teacher_disagreement_score":0.7262991,"about_ca_system_score_codex":0.000036234494,"about_ca_system_score_gemma":0.000012583922,"threshold_uncertainty_score":0.9997839},"labels":[],"label_agreement":null},{"id":"W4379617905","doi":"10.1353/mlr.2005.0172","title":"Shifting Ground: Reinventing Landscape in Modern American Poetry by Bonnie Costello (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Costello syndrome; Common ground; Literature; Aesthetics; Art; Sociology; Chemistry; Communication","score_opus":0.016834420780840208,"score_gpt":0.26845150297164766,"score_spread":0.2516170821908075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617905","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027727302,0.93226194,0.00009015455,0.00488155,0.00004290606,0.0003946247,0.000026120828,0.00007765629,0.034497753],"genre_scores_gemma":[0.7211241,0.25932357,0.00003935287,0.015145072,0.00047396895,0.000053100932,0.000066374174,0.00004267415,0.0037317807],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791884,0.00028519265,0.00067159004,0.00033658824,0.00032644867,0.00046135826],"domain_scores_gemma":[0.9989079,0.00011906129,0.00028201568,0.00056657544,0.00004506971,0.00007935659],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011221837,0.00027477843,0.00076042785,0.00005307664,0.00022938529,0.00009862756,0.0004631817,0.0000259104,0.0015728776],"category_scores_gemma":[0.000100152116,0.00018356573,0.00028699968,0.00014861717,0.00015084975,0.00022376684,0.00010137264,0.00034862853,0.0001699113],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058972028,0.00015461598,0.00006646394,0.004515121,0.00008881393,0.00003825105,0.016855692,0.000014478497,0.00012568057,0.0025321948,0.016354507,0.9592483],"study_design_scores_gemma":[0.0010280783,0.00014223454,0.00010904371,0.05400533,0.0019312047,0.00010262445,0.009834694,0.028486189,0.000077204364,0.0022459272,0.8998327,0.0022047425],"about_ca_topic_score_codex":0.0006179629,"about_ca_topic_score_gemma":0.00083936926,"teacher_disagreement_score":0.9570435,"about_ca_system_score_codex":0.000046653677,"about_ca_system_score_gemma":0.00001795322,"threshold_uncertainty_score":0.9993398},"labels":[],"label_agreement":null},{"id":"W4379618206","doi":"10.1353/mlr.2004.a827049","title":"Broken Time, Fragmented Space: A Cultural Map for Postwar Italy by Anna Maria Torriglia (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Merge (version control); Irrational number; Reading (process); Aesthetics; Literature; Sociology; History; Genealogy; Epistemology; Humanities; Philosophy; Linguistics; Art; Politics; Mathematics; Political science; Computer science; Law","score_opus":0.011979848185082744,"score_gpt":0.30603058469306316,"score_spread":0.2940507365079804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379618206","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011176859,0.9608074,0.00035710764,0.027813444,0.00023212952,0.0027617437,0.0003008397,0.0001506055,0.0064590382],"genre_scores_gemma":[0.0076292325,0.8912842,0.0015967333,0.04044358,0.0008408885,0.0004375805,0.0007286478,0.000100876656,0.056938246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811345,0.0002707907,0.0003377472,0.0003130897,0.00044652986,0.00051838334],"domain_scores_gemma":[0.99896675,0.00008505157,0.00018642347,0.000469763,0.00013544018,0.00015653997],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013345978,0.00025041145,0.00049927103,0.000010941911,0.0004759831,0.000063484425,0.00064717524,0.00010376644,0.000653607],"category_scores_gemma":[0.00025693706,0.00016174326,0.00043240213,0.00024543575,0.00018978806,0.00022447215,0.0000768579,0.00017227107,0.0007010643],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010598577,0.00007694212,0.0000057253,0.004059852,0.00010522479,0.000009258782,0.0174815,0.0000010050933,0.0004941092,0.0012227776,0.9580685,0.01846451],"study_design_scores_gemma":[0.00054394704,0.000063138155,0.000013102171,0.007667208,0.00041232642,0.000008493316,0.0011803714,0.000025953677,0.000064780885,0.00090051675,0.988636,0.00048411626],"about_ca_topic_score_codex":0.0011358155,"about_ca_topic_score_gemma":0.00007897719,"teacher_disagreement_score":0.06952319,"about_ca_system_score_codex":0.00014488718,"about_ca_system_score_gemma":0.00013251825,"threshold_uncertainty_score":0.90109974},"labels":[],"label_agreement":null},{"id":"W4379621967","doi":"10.1353/mlr.2005.a826851","title":"The Wondrous Art: William Blake and Writing by John B. Pierce (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Moravian Church and William Blake","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Argument (complex analysis); Publishing; Dominance (genetics); Literature; Phrase; History; Art history; Classics; Art; Linguistics; Philosophy","score_opus":0.01364656097106796,"score_gpt":0.24652034901238967,"score_spread":0.23287378804132172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379621967","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006620799,0.93695503,0.00004477067,0.013835824,0.000070221045,0.00068516936,0.00006752937,0.00007591856,0.047603443],"genre_scores_gemma":[0.011473231,0.9208851,0.00003606083,0.020922946,0.000790246,0.00009603813,0.000042431046,0.00004170226,0.045712255],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984493,0.0001763022,0.0004451709,0.0002514006,0.0002721687,0.00040561316],"domain_scores_gemma":[0.9989056,0.00018106721,0.0001674301,0.00059267815,0.000052189847,0.00010100629],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00090955186,0.00025024865,0.00040503038,0.000012932437,0.00063159806,0.00016488104,0.0004058907,0.000027207248,0.0012093945],"category_scores_gemma":[0.00007108315,0.0001258766,0.00014697398,0.000043623295,0.00029143615,0.00014872005,0.00009283479,0.00027139386,0.0005895523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023606135,0.000021464646,0.0000023870625,0.0018966047,0.000035772537,0.0000079299,0.0031113478,2.479587e-7,0.000014647368,0.0030538277,0.39286602,0.5989874],"study_design_scores_gemma":[0.000102931925,0.00001979713,0.000006203239,0.0046812855,0.00012205547,0.000043546363,0.00014992773,0.00006728069,0.000005408078,0.00025268702,0.9943564,0.00019247158],"about_ca_topic_score_codex":0.000019276999,"about_ca_topic_score_gemma":0.0003972138,"teacher_disagreement_score":0.6014904,"about_ca_system_score_codex":0.000019881129,"about_ca_system_score_gemma":0.000018860901,"threshold_uncertainty_score":0.99970365},"labels":[],"label_agreement":null},{"id":"W4379621991","doi":"10.1353/mlr.2005.0273","title":"Border Crossings: Thomas King's Cultural Inversions by Arnold E. Davidson , Priscilla L. Walton , Jennifer Andrews (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pound (networking); Marginalia; Politics; Enlightenment; Literature; Gentry; Philosophy; Faith; History; Classics; Art history; Art; Law; Theology; Political science","score_opus":0.023855163087321392,"score_gpt":0.30957290451032043,"score_spread":0.28571774142299905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379621991","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032614889,0.92087513,0.000042596126,0.012552434,0.000097712174,0.0005039805,0.00007293067,0.000101106656,0.062492605],"genre_scores_gemma":[0.07245296,0.7494552,0.000073716605,0.03919413,0.0009608716,0.00008215278,0.00021541011,0.00005689446,0.13750866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980995,0.00021148175,0.00054259173,0.0003517286,0.00037802497,0.00041663763],"domain_scores_gemma":[0.9988464,0.00006551137,0.00020709466,0.0006473007,0.000120198936,0.00011345824],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006534327,0.00031736583,0.00064874836,0.000029628092,0.00063549395,0.00021652825,0.0004908622,0.00005072716,0.005836407],"category_scores_gemma":[0.00011174211,0.00017558856,0.00038517092,0.00010105149,0.00026731464,0.000356191,0.00011592278,0.0003077911,0.00048314757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056470353,0.00014780833,0.0000049388195,0.0032701078,0.00014199968,0.00001514007,0.020916829,0.0000030958106,0.00037692316,0.0037407407,0.7982671,0.17310962],"study_design_scores_gemma":[0.00016548253,0.000015274065,0.0000028439974,0.0055660764,0.0004925136,0.000017004924,0.00049797527,0.00028854245,0.00005028935,0.000101033096,0.99251115,0.0002918013],"about_ca_topic_score_codex":0.00020244134,"about_ca_topic_score_gemma":0.00023697132,"teacher_disagreement_score":0.19424403,"about_ca_system_score_codex":0.000050695515,"about_ca_system_score_gemma":0.00002730076,"threshold_uncertainty_score":0.99507236},"labels":[],"label_agreement":null},{"id":"W4379621993","doi":"10.1353/mlr.2005.a826952","title":"Ursula Gaillard (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"European Cultural and National Identity","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Order (exchange); Period (music); Classics; History; Art history; Humanities; Literature; Art; Media studies; Sociology; Law; Political science; Aesthetics","score_opus":0.027427456304834796,"score_gpt":0.35931806040261993,"score_spread":0.33189060409778515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379621993","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008785627,0.8833236,0.00001872703,0.02921293,0.000046854602,0.00036378237,0.0000037767413,0.00005795391,0.0860938],"genre_scores_gemma":[0.01296659,0.94402856,0.000089871,0.018352231,0.00049999455,0.000012301845,0.000008084618,0.0000071749864,0.024035217],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882203,0.0003656498,0.00017484592,0.00011602712,0.0003630812,0.00015836617],"domain_scores_gemma":[0.9995386,0.00005285847,0.000076785705,0.00019872637,0.00007545023,0.000057561618],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0013118,0.00007559858,0.0001661896,0.0000075476905,0.00024175488,0.000020873105,0.00037662964,0.000016195878,0.0013205974],"category_scores_gemma":[0.0003550523,0.00004199531,0.00012445395,0.00017512674,0.000076108336,0.0001287703,0.000047856836,0.00009429436,0.0016330013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016221229,0.00004641433,0.000017583383,0.0021170345,0.000033894794,0.000015297055,0.0042954274,0.000002729599,0.00012652291,0.015353557,0.22062846,0.7573615],"study_design_scores_gemma":[0.00003376864,0.0000024934768,0.00009172731,0.0024826336,0.00006240036,0.000004793634,0.000040635303,0.0000118354355,0.000007442263,0.00024237168,0.996932,0.00008789265],"about_ca_topic_score_codex":0.00017047576,"about_ca_topic_score_gemma":0.00031544597,"teacher_disagreement_score":0.7763035,"about_ca_system_score_codex":0.000042621436,"about_ca_system_score_gemma":0.000033635642,"threshold_uncertainty_score":0.9995923},"labels":[],"label_agreement":null},{"id":"W4379622078","doi":"10.1353/mlr.2005.0169","title":"Civil Wars: American Novelists and Manners, 1880-1940 by Susan Goodman (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Consecration; Art history; Estate; Law; Archaeology; Political science","score_opus":0.007029584246309345,"score_gpt":0.2367514154464672,"score_spread":0.22972183120015785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622078","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011613785,0.9475622,0.00004082235,0.009951127,0.00002816783,0.00034401566,0.000108584536,0.000075480384,0.0407282],"genre_scores_gemma":[0.0793594,0.85517234,0.00009209188,0.042230982,0.00057331665,0.000050515016,0.00016380554,0.000042404306,0.022315161],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986133,0.00015534266,0.0003702496,0.0003147224,0.00024046274,0.00030592747],"domain_scores_gemma":[0.9990686,0.00005251928,0.00022749454,0.00049195683,0.000057154477,0.00010224776],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003201372,0.00025558373,0.00067210774,0.000031042837,0.00020492366,0.000113098686,0.0003188581,0.000017269242,0.0023857423],"category_scores_gemma":[0.000023601699,0.00016255156,0.00021039617,0.00011528775,0.00049610616,0.0001627724,0.00007728709,0.0002013462,0.00013231036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024875676,0.000049588067,0.0000032691944,0.0016097038,0.00010610833,0.000014949321,0.0052868878,1.508754e-7,0.000023331215,0.0011170799,0.38826737,0.6035191],"study_design_scores_gemma":[0.00009071236,0.000030587744,0.0000055573946,0.0036798057,0.00041102697,0.000046649617,0.00042922082,0.000060280774,0.0000039414304,0.0000401684,0.9949352,0.00026684432],"about_ca_topic_score_codex":0.0006732078,"about_ca_topic_score_gemma":0.0009240704,"teacher_disagreement_score":0.6066678,"about_ca_system_score_codex":0.000026929256,"about_ca_system_score_gemma":0.000014849467,"threshold_uncertainty_score":0.9985262},"labels":[],"label_agreement":null},{"id":"W4379622096","doi":"10.1353/mlr.2005.0025","title":"Mothers and Daughters in Post-Revolutionary Mexican Literature by Teresa M. Hurley (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Latin American and Latino Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Comics; Feminism; Comedy; Sociology; Literature; Contextualization; Ideal (ethics); Gender studies; Psychoanalysis; Art; Art history; Humanities; Philosophy; Psychology; Interpretation (philosophy)","score_opus":0.008177880668402695,"score_gpt":0.3035416970261593,"score_spread":0.2953638163577566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622096","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011886334,0.9372186,0.000022917951,0.04409974,0.00001892221,0.00051546167,0.000021468188,0.000037441667,0.0168768],"genre_scores_gemma":[0.03902933,0.9356396,0.00030928457,0.022646522,0.00008829828,0.00003842185,0.000013692136,0.000010458451,0.0022243673],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987183,0.00039892152,0.00022041718,0.00019847396,0.00021820983,0.00024563723],"domain_scores_gemma":[0.9994571,0.00009638451,0.00009870446,0.00024781833,0.000033726927,0.00006622059],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006743935,0.00013630354,0.00031972473,0.000020568134,0.00017266624,0.000017075363,0.0002772329,0.00003252957,0.00020026491],"category_scores_gemma":[0.0001627927,0.00008352723,0.000073581155,0.00028385967,0.00022743834,0.00014803969,0.00006826365,0.0001569572,0.000017163567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033173578,0.000041186846,0.000113039896,0.0013838363,0.00003967322,0.000009849914,0.04072098,5.139725e-7,0.00009976165,0.000840972,0.07917503,0.8775718],"study_design_scores_gemma":[0.00033665297,0.000042677955,0.0012704668,0.019161062,0.00014746354,0.00002239494,0.0028865268,0.00016057871,0.0000058337755,0.00043610815,0.97495866,0.0005715673],"about_ca_topic_score_codex":0.00057038956,"about_ca_topic_score_gemma":0.0003929756,"teacher_disagreement_score":0.89578366,"about_ca_system_score_codex":0.000056206845,"about_ca_system_score_gemma":0.00004037553,"threshold_uncertainty_score":0.34061417},"labels":[],"label_agreement":null},{"id":"W4379622114","doi":"10.1353/mlr.2005.a826985","title":"Andrew Oliver (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Style (visual arts); Centennial; Mulligan; Art history; Literature; Humanities; History","score_opus":0.032117088816556005,"score_gpt":0.2659851619321911,"score_spread":0.23386807311563512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622114","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010130562,0.8854285,0.000023178121,0.0052327234,0.000054544886,0.00020431468,0.000012093771,0.000049809096,0.10889352],"genre_scores_gemma":[0.009893079,0.81052893,0.000041455518,0.049276933,0.0013256574,0.000039972256,0.000027414873,0.000018248547,0.1288483],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921775,0.00010223782,0.0002576658,0.0001271615,0.00014643546,0.00014877615],"domain_scores_gemma":[0.99948204,0.00003948529,0.00007524486,0.00031887923,0.000037876795,0.000046482637],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025533015,0.000119522374,0.000294914,0.00001300006,0.00015600066,0.00002165431,0.0002400004,0.000011207156,0.017043216],"category_scores_gemma":[0.000029299323,0.00006061089,0.00015551063,0.000041176056,0.00006846024,0.00013382522,0.000033343626,0.00011382829,0.0015712645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019206602,0.000052983654,4.9058855e-7,0.0044357744,0.000045503246,0.000013898971,0.013527172,5.875907e-7,0.000009958819,0.009169491,0.36830994,0.6044323],"study_design_scores_gemma":[0.000036412635,0.000008343921,8.1192286e-7,0.0034456342,0.00015950817,0.000008499614,0.000023244245,0.000039314345,0.0000029090377,0.00012300353,0.99605143,0.00010090931],"about_ca_topic_score_codex":0.000074079115,"about_ca_topic_score_gemma":0.000055377957,"teacher_disagreement_score":0.62774146,"about_ca_system_score_codex":0.000019096586,"about_ca_system_score_gemma":0.000010303813,"threshold_uncertainty_score":0.9992061},"labels":[],"label_agreement":null},{"id":"W4379622141","doi":"10.1353/mlr.2003.a827801","title":"(review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Dialectic; Literature; Art; Subject (documents); Humanities; Reading (process); Philosophy; Theology; Linguistics","score_opus":0.02906991322717531,"score_gpt":0.2478407284876672,"score_spread":0.21877081526049189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622141","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013014661,0.6275589,0.000009431643,0.00048664774,0.00016174278,0.00020387438,0.0000042100282,0.000030897387,0.3715313],"genre_scores_gemma":[0.001349195,0.8251276,0.000025028146,0.07559059,0.0004146006,0.000030135261,0.000014590324,0.000028564387,0.097419694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991531,0.00024488333,0.00020354256,0.00012612614,0.00012713323,0.00014524058],"domain_scores_gemma":[0.99937576,0.00003310207,0.00007144156,0.00043757682,0.000039439798,0.00004270119],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005883079,0.00011840176,0.0002447213,0.000012308475,0.00013457688,0.000022192113,0.00019946313,0.000008852106,0.008855727],"category_scores_gemma":[0.00010069383,0.000062731015,0.00012818088,0.000024626952,0.00008715222,0.000052842603,0.00001552213,0.00014472436,0.0012475553],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011468493,0.000027375212,1.1319144e-7,0.011061271,0.000027361695,0.000028726718,0.01834383,4.804895e-8,0.000019084135,0.1061987,0.79577297,0.06851935],"study_design_scores_gemma":[0.00003809575,0.000008869495,2.2521424e-7,0.0072180764,0.00009918599,0.000016789183,0.0000500026,0.0000011408811,0.00000224952,0.00024109863,0.9922319,0.00009236879],"about_ca_topic_score_codex":0.000007707325,"about_ca_topic_score_gemma":0.00001577244,"teacher_disagreement_score":0.2741116,"about_ca_system_score_codex":0.000011812344,"about_ca_system_score_gemma":0.000018075734,"threshold_uncertainty_score":0.9995301},"labels":[],"label_agreement":null},{"id":"W4379622150","doi":"10.1353/mlr.2005.a826922","title":"A Short History of French Literature by Sarah Kay , Terence Cave , Malcolm Bowie (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Criticism; Order (exchange); Art; Art history; Philosophy; Psychoanalysis; Literature; Psychology","score_opus":0.02273225249837647,"score_gpt":0.2968126260514254,"score_spread":0.27408037355304893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622150","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093953736,0.9689082,0.000018830397,0.003965654,0.00011871361,0.00056571513,0.000043447242,0.000041042356,0.025398863],"genre_scores_gemma":[0.06090048,0.83858865,0.00015469006,0.03771447,0.00049750734,0.00008270227,0.00011650905,0.000016520336,0.06192844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979796,0.0005220943,0.0004378398,0.0003059005,0.0004283711,0.00032621523],"domain_scores_gemma":[0.99896514,0.00006946228,0.00019316284,0.0004985514,0.00016530945,0.0001083875],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009273695,0.00021839766,0.0006269978,0.000026372374,0.0001239765,0.000027031569,0.0006832399,0.00011990184,0.0010833725],"category_scores_gemma":[0.00015130933,0.00012409502,0.00035888882,0.00039376505,0.00024671885,0.0002108971,0.000060473256,0.0003011671,0.000061268336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002608494,0.00008698795,0.000030671978,0.0029408347,0.00011109317,0.000015678068,0.02496322,5.437044e-7,0.00078629656,0.00051704055,0.6716181,0.29892695],"study_design_scores_gemma":[0.000057194906,0.000015718631,0.000060834245,0.0062202956,0.00043822912,0.000009007913,0.00012136163,0.000020644238,0.0000156428,0.00012319858,0.99269557,0.00022229216],"about_ca_topic_score_codex":0.00033161358,"about_ca_topic_score_gemma":0.00044704275,"teacher_disagreement_score":0.3210775,"about_ca_system_score_codex":0.00020240576,"about_ca_system_score_gemma":0.00009712608,"threshold_uncertainty_score":0.99982977},"labels":[],"label_agreement":null},{"id":"W4379622181","doi":"10.1353/mlr.2004.a826507","title":"Registre-Journal du règne de Henri III by Pierre de L’Estoile (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Section (typography); Art history; Duty; Critical edition; Art; Classics; History; Philosophy; Theology","score_opus":0.008834132467150228,"score_gpt":0.2454474231721291,"score_spread":0.23661329070497886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622181","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031479463,0.9209092,0.000378924,0.04482716,0.00041848602,0.0005315608,0.000119004035,0.000049118164,0.03245174],"genre_scores_gemma":[0.0030531744,0.89483994,0.00010252204,0.027099764,0.0026190777,0.000049274022,0.000071517934,0.00005189073,0.07211285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977221,0.00036286752,0.0006029816,0.00028906492,0.00033098986,0.0006920047],"domain_scores_gemma":[0.9985341,0.000043008156,0.00040119316,0.00066088914,0.00012777123,0.00023305717],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001056101,0.00043799353,0.0007675421,0.00001889578,0.0007192742,0.0002778339,0.00068623375,0.00013379182,0.0036334682],"category_scores_gemma":[0.00009127302,0.00026527312,0.0005224443,0.00009945312,0.00032430116,0.00028138608,0.00006659403,0.0009551419,0.00021903412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009180428,0.00014806598,0.0000014715496,0.012797871,0.00013245575,0.0003872471,0.027479162,0.000008380886,0.00008307698,0.014864338,0.8304464,0.11364236],"study_design_scores_gemma":[0.00036322942,0.00005910841,0.000002405934,0.06584875,0.0006665593,0.0021049157,0.0004863939,0.000009565217,0.000023862067,0.002786651,0.9273206,0.0003279727],"about_ca_topic_score_codex":0.00035781914,"about_ca_topic_score_gemma":0.00010712203,"teacher_disagreement_score":0.11331438,"about_ca_system_score_codex":0.00020999732,"about_ca_system_score_gemma":0.00018380306,"threshold_uncertainty_score":0.99998},"labels":[],"label_agreement":null},{"id":"W4379622182","doi":"10.1353/mlr.2005.0104","title":"The History of the Holy War: Ambroise's 'Estoire de la Guerre Sainte' by Marianne Ailes , Malcolm Barber (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presumption; Faith; Context (archaeology); Poetry; History; Face (sociological concept); Order (exchange); Law; Theology; Art; Literature; Sociology; Philosophy; Political science; Archaeology","score_opus":0.010104997341815919,"score_gpt":0.2249030467748573,"score_spread":0.2147980494330414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622182","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018666332,0.84188086,0.0000061088895,0.0040876525,0.00037618735,0.0005133718,0.00004481534,0.00003211371,0.1528722],"genre_scores_gemma":[0.017918583,0.625075,0.00002747536,0.027123174,0.00096685765,0.00014754543,0.00003090421,0.000060346687,0.32865015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998124,0.00067707786,0.00042476688,0.00018936703,0.00030992925,0.0002748388],"domain_scores_gemma":[0.9984482,0.0002715106,0.00026630517,0.00088088517,0.000072107156,0.000060992326],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001350479,0.000230367,0.00042060536,0.000016077287,0.00032688913,0.000025254296,0.0007539548,0.000051992905,0.001973843],"category_scores_gemma":[0.00015404742,0.00010122934,0.00034199792,0.000034462162,0.00072842336,0.00008623384,0.00009747684,0.00040128012,0.00009136996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071200984,0.000036870297,7.1930907e-7,0.0021240993,0.000043267122,0.000004041383,0.015863156,3.2386166e-7,0.00019481136,0.010158594,0.8602661,0.111300886],"study_design_scores_gemma":[0.00009347904,0.000013614391,0.000010206594,0.0045422926,0.00025592576,0.000020092033,0.00019005741,0.00001826854,0.0000063108027,0.00017957027,0.9945327,0.00013747286],"about_ca_topic_score_codex":0.00016534515,"about_ca_topic_score_gemma":0.00028737602,"teacher_disagreement_score":0.21680592,"about_ca_system_score_codex":0.00024127097,"about_ca_system_score_gemma":0.00012624744,"threshold_uncertainty_score":0.9989385},"labels":[],"label_agreement":null},{"id":"W4379622274","doi":"10.1353/mlr.2004.a827712","title":"Lorca, Buñuel, Dalí: Art and Theory ed. by Manuel Delgado Morales, Alice J. Poust (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Libraries, Manuscripts, and Books","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Newspaper; Opus; Art history; Alice (programming language); History; Humanities; Art; Classics; Sociology; Media studies","score_opus":0.08007257380928343,"score_gpt":0.2297117481350838,"score_spread":0.14963917432580037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622274","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026939818,0.91207063,0.00025580224,0.0038261525,0.0001478161,0.00077271106,0.00009389688,0.00012690332,0.08243668],"genre_scores_gemma":[0.006560044,0.8774215,0.000069961294,0.05500806,0.00048801885,0.000102460865,0.00015047505,0.00007346262,0.06012602],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843514,0.00019854866,0.00041411535,0.00033501297,0.00025690685,0.0003603031],"domain_scores_gemma":[0.99889606,0.00007745176,0.00017573698,0.00069835247,0.000049807888,0.00010257396],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00065238256,0.00033048593,0.00058150396,0.000026006082,0.00030692673,0.0001711356,0.0004639789,0.0000444023,0.0019893227],"category_scores_gemma":[0.000046391655,0.00020055006,0.00016458353,0.00003426402,0.00043263205,0.00037665566,0.00015145191,0.0002470423,0.00046725638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014967031,0.000092969865,0.0000012341767,0.01088237,0.00011842677,0.000054169286,0.008641077,7.374675e-7,0.000042949825,0.2366719,0.6700912,0.073387995],"study_design_scores_gemma":[0.00024560653,0.00003498672,0.000001926268,0.006533861,0.00033111576,0.00005303203,0.00043126618,0.0000075108937,0.000022958659,0.012678057,0.979329,0.00033066797],"about_ca_topic_score_codex":0.00025603815,"about_ca_topic_score_gemma":0.00010522989,"teacher_disagreement_score":0.3092378,"about_ca_system_score_codex":0.000028592756,"about_ca_system_score_gemma":0.00004501321,"threshold_uncertainty_score":0.998923},"labels":[],"label_agreement":null},{"id":"W4379622311","doi":"10.1353/mlr.2005.a826758","title":"Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England by Pamela Allen Brown (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scrutiny; Drama; Context (archaeology); Reading (process); History; Protestantism; Religious studies; Literature; Sociology; Classics; Aesthetics; Art; Theology; Law; Philosophy; Political science","score_opus":0.011652255072367062,"score_gpt":0.2253814541241538,"score_spread":0.21372919905178675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622311","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.110837616,0.87180614,0.00009593738,0.0058069346,0.00003487044,0.001133749,0.00008218271,0.00004164821,0.01016089],"genre_scores_gemma":[0.64246327,0.3449216,0.000024590716,0.009215142,0.00019366416,0.00013974994,0.00002877366,0.000024335875,0.0029888763],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983219,0.0003350711,0.00054615934,0.00020518767,0.00029587594,0.00029578732],"domain_scores_gemma":[0.9990741,0.000077682,0.00023357137,0.0004850791,0.00006100845,0.00006855701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010524752,0.00024771004,0.00063052354,0.000027930133,0.00015235326,0.00008788741,0.0003846728,0.0000497924,0.0006246032],"category_scores_gemma":[0.00005396991,0.0001141012,0.00014131416,0.000041971507,0.0002849473,0.00026068973,0.00009157218,0.0003386972,0.000062058294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005489592,0.00010134228,0.000033869335,0.0051129004,0.00010266144,0.0000049102728,0.71183836,0.0000025106167,0.000040257954,0.000803639,0.010464908,0.27143976],"study_design_scores_gemma":[0.0048919204,0.00016054325,0.0003393749,0.017073296,0.00044119853,0.00007051453,0.0049222144,0.0051778164,0.000035524085,0.003974975,0.9619242,0.0009884211],"about_ca_topic_score_codex":0.00059809355,"about_ca_topic_score_gemma":0.00085318094,"teacher_disagreement_score":0.9514593,"about_ca_system_score_codex":0.00003619122,"about_ca_system_score_gemma":0.000018166527,"threshold_uncertainty_score":0.68389666},"labels":[],"label_agreement":null},{"id":"W4379622325","doi":"10.1353/mlr.2004.a826997","title":"The \"Myth of Gentillet\" Reconsidered: An Aspect of Elizabethan Machiavellianism","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Quarter (Canadian coin); Literature; Variety (cybernetics); Face (sociological concept); Philosophy; History; Machiavellianism; Art; Psychoanalysis; Psychology; Linguistics; Archaeology; Personality; Computer science","score_opus":0.04420727079056625,"score_gpt":0.2797096757562249,"score_spread":0.23550240496565866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622325","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.063260265,0.9001523,0.00021624647,0.0040832893,0.00024117944,0.00070337066,0.000054172866,0.000053501448,0.031235673],"genre_scores_gemma":[0.8385154,0.15773429,0.0000849336,0.0013012832,0.00023618259,0.000027409891,0.000006879219,0.000031076688,0.0020625538],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887556,0.00010958249,0.00041410004,0.00015945228,0.0002259615,0.00021536538],"domain_scores_gemma":[0.99890924,0.000075380114,0.00026236076,0.00062927004,0.00009263864,0.000031143252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005175817,0.0001594013,0.00041562459,0.000020677182,0.000305698,0.000037734386,0.00036935354,0.000021161151,0.0002276767],"category_scores_gemma":[0.000037811235,0.000077005236,0.00018797051,0.000035423916,0.0004350809,0.000097494434,0.000064617605,0.00012154259,0.00003955013],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053553456,0.00029164122,0.000029121835,0.004627223,0.0006496172,0.000030991265,0.24520777,0.00008111518,0.0011440461,0.22368976,0.0069222273,0.51727295],"study_design_scores_gemma":[0.002976081,0.0017071088,0.000614438,0.02443437,0.002507551,0.0001745677,0.042772446,0.0004739922,0.0109272385,0.3492502,0.561922,0.002239992],"about_ca_topic_score_codex":0.00066270155,"about_ca_topic_score_gemma":0.0007618186,"teacher_disagreement_score":0.77525514,"about_ca_system_score_codex":0.000012629908,"about_ca_system_score_gemma":0.00003522494,"threshold_uncertainty_score":0.31401822},"labels":[],"label_agreement":null},{"id":"W4379622389","doi":"10.1353/mlr.2004.a826947","title":"Thomas Hardy, Monism, and the Carnival Tradition: The One and Many in 'The Dynasts' by G. Glen Wickens (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renunciation; Allegory; Parallels; Feminist theology; Nothing; Philosophy; Allusion; Symbol (formal); Argument (complex analysis); Feminism; Literature; Theology; Religious studies; Art; Sociology; Gender studies; Epistemology","score_opus":0.022407360764935557,"score_gpt":0.24530658303416267,"score_spread":0.22289922226922712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622389","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005518449,0.9267606,0.000056791272,0.05613454,0.000030807725,0.0007583458,0.000047372236,0.000017714005,0.010675361],"genre_scores_gemma":[0.51586914,0.46933115,0.000005076943,0.013447656,0.00019653182,0.00010787936,0.000020120111,0.000014070499,0.0010083925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984797,0.0005204979,0.00032583234,0.00019610596,0.00026971076,0.00020812603],"domain_scores_gemma":[0.99913424,0.0001847266,0.00010333481,0.0005193048,0.000025298428,0.000033118573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014897618,0.00019135493,0.00045883728,0.000013569545,0.00048496557,0.00013168609,0.00040794545,0.000022916493,0.00022345316],"category_scores_gemma":[0.000042432883,0.00007220657,0.00016465673,0.00006344786,0.00067839556,0.00009870322,0.000057362802,0.0002927848,0.00001984898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003078272,0.00023148082,0.0000044357494,0.005443255,0.00035059245,0.00005962693,0.14066294,0.000004894843,0.000032689688,0.7454912,0.019205704,0.08848237],"study_design_scores_gemma":[0.0034030634,0.00016834144,0.00036679357,0.021526808,0.005338302,0.00054137345,0.023567209,0.0007189233,0.00002245316,0.07631564,0.8669732,0.001057899],"about_ca_topic_score_codex":0.00048170995,"about_ca_topic_score_gemma":0.0003981899,"teacher_disagreement_score":0.8477675,"about_ca_system_score_codex":0.00001614476,"about_ca_system_score_gemma":0.000015783357,"threshold_uncertainty_score":0.37300122},"labels":[],"label_agreement":null},{"id":"W4379622425","doi":"10.1353/mlr.2004.a827749","title":"With a Pen in Her Hand: Women and Writing in Italy in the Nineteenth Century and beyond by Verina R. Jones , Anna Laura Lepschy (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Acquiescence; Hegemony; Aristocracy (class); Morality; Gender studies; Value (mathematics); Improvisation; Power (physics); Sociology; Solidarity; Politeness; Psychology; Law; Political science; Art; Politics","score_opus":0.008062138362377198,"score_gpt":0.22125253283715063,"score_spread":0.21319039447477342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622425","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21715756,0.77611905,3.4742132e-7,0.0020495665,0.00001024021,0.0005052356,0.00001935378,0.0000068008953,0.0041318196],"genre_scores_gemma":[0.78973293,0.1991602,0.000011481351,0.009982732,0.00009085503,0.00014038099,0.00003770651,0.000020605485,0.00082312524],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990933,0.00012301514,0.00023884643,0.00018085919,0.00013116979,0.00023283005],"domain_scores_gemma":[0.99967813,0.000026177,0.000065243636,0.00018819852,0.000015867667,0.00002640305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004897585,0.00017320264,0.00033814125,0.000026426773,0.00008407825,0.00013144143,0.0001491175,0.000026013062,0.00010044092],"category_scores_gemma":[0.000011386957,0.000081949336,0.000027389951,0.00008613247,0.00010836526,0.00019173686,0.00003220396,0.00024138174,0.000004034262],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005935708,0.00022997045,0.00036545045,0.014707055,0.000056107543,0.00039973255,0.88703835,0.0000018390447,0.00009849456,0.01003072,0.009072994,0.077939905],"study_design_scores_gemma":[0.0050723394,0.00060474605,0.0027663049,0.104814716,0.00025323514,0.0005867223,0.107079476,0.000028023547,0.000017646222,0.0046330118,0.7723979,0.0017458822],"about_ca_topic_score_codex":0.00013966773,"about_ca_topic_score_gemma":0.0009655742,"teacher_disagreement_score":0.7799589,"about_ca_system_score_codex":0.000022722177,"about_ca_system_score_gemma":0.000011759663,"threshold_uncertainty_score":0.3341797},"labels":[],"label_agreement":null},{"id":"W4379622457","doi":"10.1353/mlr.2005.a826442","title":"A Biographical and Critical Study of Russian Writer Eduard Limonov by Andrei Rogachevskii (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"American Jewish Fiction Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Slavic languages; Literature; History; Neologism; Judaism; Art; Art history; Classics; Philosophy; Linguistics","score_opus":0.016810921351519178,"score_gpt":0.2861675709095935,"score_spread":0.2693566495580743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622457","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010305451,0.9705454,0.0000761749,0.011069044,0.000027097238,0.0006199729,0.00004326138,0.000055188968,0.0072583747],"genre_scores_gemma":[0.7653754,0.227366,0.00005472699,0.006069536,0.0001722005,0.000060966348,0.0000127898975,0.000022234603,0.00086615974],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860376,0.00025715114,0.00046067947,0.00023836234,0.00025098948,0.00018905626],"domain_scores_gemma":[0.9991793,0.00009424972,0.00012659733,0.00046353508,0.000051296265,0.00008503403],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042181363,0.00018166061,0.00060540467,0.00004890759,0.00013041665,0.000039937328,0.00022139146,0.000021726153,0.0022536532],"category_scores_gemma":[0.000066050576,0.000109357185,0.00019156981,0.00012807289,0.00038244363,0.00010707136,0.00007103985,0.00017797652,0.000042094638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002156978,0.0020310455,0.00025635457,0.007322981,0.00079839287,0.000027587803,0.04780771,6.874418e-7,0.000058664402,0.012503374,0.09717965,0.831992],"study_design_scores_gemma":[0.0010337568,0.00079862465,0.00020035525,0.010265148,0.00550646,0.000078410565,0.013175379,0.001113848,0.000016645525,0.00025542983,0.9665456,0.0010103573],"about_ca_topic_score_codex":0.00013922379,"about_ca_topic_score_gemma":0.00018166819,"teacher_disagreement_score":0.86936593,"about_ca_system_score_codex":0.0000109085395,"about_ca_system_score_gemma":0.0000094345505,"threshold_uncertainty_score":0.9986584},"labels":[],"label_agreement":null},{"id":"W4379622736","doi":"10.1353/mlr.2003.a827616","title":"Broken Time, Fragmented Space: A Cultural Map for Postwar Italy by Anna Maria Torriglia (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Irrational number; Merge (version control); Reading (process); Aesthetics; Sociology; Literature; History; Genealogy; Humanities; Epistemology; Philosophy; Linguistics; Art; Politics; Political science; Mathematics; Computer science; Law","score_opus":0.012913927130650482,"score_gpt":0.30539512918222766,"score_spread":0.2924812020515772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622736","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00059728365,0.96810776,0.00023990037,0.00986428,0.00025448733,0.0025893552,0.00022834612,0.00011496209,0.018003605],"genre_scores_gemma":[0.004850221,0.83762294,0.0013593312,0.031849433,0.0004559997,0.0004209847,0.00045497363,0.000093976414,0.12289214],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977939,0.00060075434,0.00033876687,0.00031318425,0.00042466773,0.00052870245],"domain_scores_gemma":[0.9988967,0.00013483297,0.00018751816,0.00048380755,0.00014085254,0.00015627104],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018963938,0.00025046465,0.0005055771,0.000010475422,0.00047515077,0.00006188746,0.00053466397,0.00010289716,0.0014099632],"category_scores_gemma":[0.00049004785,0.00016202114,0.00041694386,0.00025277716,0.00016899343,0.00019613921,0.000045992794,0.00016685744,0.0006181695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043156197,0.000040059967,0.000008514094,0.0023344099,0.000064626234,0.0000038684866,0.007174348,1.2296117e-7,0.00023278945,0.0012016813,0.9800758,0.0088594975],"study_design_scores_gemma":[0.00022500823,0.00003016446,0.00000522875,0.0028977392,0.0002565149,0.0000053651206,0.0008240005,0.000024927807,0.000040202398,0.00030233877,0.9950856,0.0003029101],"about_ca_topic_score_codex":0.0003968571,"about_ca_topic_score_gemma":0.00003811112,"teacher_disagreement_score":0.13048483,"about_ca_system_score_codex":0.00009093826,"about_ca_system_score_gemma":0.00010942769,"threshold_uncertainty_score":0.9995029},"labels":[],"label_agreement":null},{"id":"W4379622760","doi":"10.1353/mlr.2002.a828080","title":"Homo Narrans: The Poetics and Anthropology of Oral Literature by John D. Niles (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Folklore; Poetics; Orality; Oral poetry; Poetry; Oral tradition; Tribute; Literature; History; Art; Folkloristics; Appropriation; Anthropology; Art history; Sociology; Literacy; Philosophy","score_opus":0.03735681217525835,"score_gpt":0.2637099015772212,"score_spread":0.22635308940196283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622760","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020575465,0.9619354,0.000004313269,0.0065618283,0.00008519942,0.00037937963,0.00015147174,0.000023992854,0.028800873],"genre_scores_gemma":[0.10360519,0.87407583,0.000006177129,0.007826572,0.00010785534,0.000022302873,0.000029079025,0.000020197776,0.014306806],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990321,0.00016808523,0.00030174907,0.00014313204,0.00016263113,0.00019229292],"domain_scores_gemma":[0.9992787,0.000087426895,0.00012449542,0.00040672818,0.000069571666,0.000033033775],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034306146,0.00017428567,0.00040041484,0.000014579915,0.00024277762,0.00012818396,0.00034161453,0.000029077333,0.004004597],"category_scores_gemma":[0.000051542112,0.00008162812,0.00012953325,0.00003987594,0.0006489061,0.00016464748,0.00006677328,0.00021248915,0.000030260066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006680385,0.00015386315,0.0000038823155,0.014764096,0.00014357257,0.000033040393,0.13031061,1.3996492e-7,0.000025248642,0.073016815,0.30604506,0.475497],"study_design_scores_gemma":[0.00009286487,0.000064112726,0.0000018239097,0.0064241155,0.00015260674,0.000048603986,0.001244642,0.000022277944,0.000005714294,0.0011086364,0.9906899,0.00014470506],"about_ca_topic_score_codex":0.000051552637,"about_ca_topic_score_gemma":0.000110585024,"teacher_disagreement_score":0.6846448,"about_ca_system_score_codex":0.000006178388,"about_ca_system_score_gemma":0.000004594008,"threshold_uncertainty_score":0.99690586},"labels":[],"label_agreement":null},{"id":"W4379622765","doi":"10.1353/mlr.2005.a826588","title":"The Reinvention of Ignazio Silone by Elizabeth Leake (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Element (criminal law); Idealization; Context (archaeology); Manifesto; Politics; Liberalism; Philosophy; Ideal (ethics); Faith; Sociology; Political science; Epistemology; Religious studies; History; Law; Theology","score_opus":0.016134470031777055,"score_gpt":0.3137626213033474,"score_spread":0.2976281512715704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622765","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00075445446,0.9647305,0.00016429966,0.018849187,0.00008050264,0.0007249531,0.000022596272,0.00003980874,0.014633699],"genre_scores_gemma":[0.016124932,0.9654921,0.00007062541,0.0057109264,0.00019876655,0.00003316057,0.000021735772,0.0000141150795,0.012333616],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981179,0.00063154195,0.0003577559,0.0001507406,0.00045773035,0.000284303],"domain_scores_gemma":[0.998981,0.00015929196,0.00023214422,0.0004887554,0.000077405566,0.00006141349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032384463,0.000119238764,0.0002942379,0.0000056610784,0.0004535804,0.000020704778,0.0005899775,0.00005136969,0.00032884008],"category_scores_gemma":[0.00025372097,0.000064951164,0.0002701171,0.00023624676,0.00027615917,0.000098778626,0.000054074033,0.00015236257,0.00018511133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022985455,0.000036400477,0.000005228281,0.0017849898,0.00003919238,0.0000010054569,0.008727814,6.74562e-7,0.00022053033,0.002239399,0.31404343,0.672899],"study_design_scores_gemma":[0.00009229622,0.000014919335,0.000008852584,0.0041558845,0.0001701553,0.0000020438258,0.00080620544,0.000036651323,0.00010585511,0.00039666632,0.9940715,0.00013901496],"about_ca_topic_score_codex":0.0003656908,"about_ca_topic_score_gemma":0.00031356607,"teacher_disagreement_score":0.680028,"about_ca_system_score_codex":0.000043442353,"about_ca_system_score_gemma":0.000067248526,"threshold_uncertainty_score":0.36005682},"labels":[],"label_agreement":null},{"id":"W4379622785","doi":"10.1353/mlr.2005.0137","title":"Masters of Two Arts: Re-Creation of European Literatures in Italian Cinema by Carlo Testa (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Space (punctuation); Style (visual arts); The arts; Imprisonment; Art; Literature; Aesthetics; History; Visual arts; Art history; Sociology; Linguistics; Philosophy","score_opus":0.016550769296841333,"score_gpt":0.32123055166810943,"score_spread":0.3046797823712681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622785","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0068826694,0.9325312,0.00002657315,0.004896376,0.000039239236,0.000676184,0.00006276366,0.000022032751,0.054863013],"genre_scores_gemma":[0.45456123,0.53391314,0.00046030892,0.0059960685,0.0002307261,0.000018131232,0.000074402604,0.0000308209,0.0047151935],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823684,0.0006821375,0.00043192023,0.00015464713,0.0003001017,0.00019433242],"domain_scores_gemma":[0.9991857,0.000087601074,0.00024260557,0.00037211608,0.000062536084,0.00004944169],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019513688,0.00012152459,0.0003656461,0.000020343823,0.00005826912,0.000013506546,0.00036835426,0.000029722694,0.00021707868],"category_scores_gemma":[0.00018837479,0.00008345287,0.00014970354,0.00030984823,0.00014834799,0.00012777132,0.000040770454,0.00011172195,0.000022444441],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010515963,0.00019763538,0.00045485693,0.012121842,0.00006723236,0.000017026998,0.189598,0.000013685595,0.0016208304,0.0013440974,0.1349615,0.65959275],"study_design_scores_gemma":[0.0014937897,0.00017707043,0.001109036,0.10371913,0.0007802169,0.000016806645,0.010764474,0.00027037566,0.000713303,0.0004165749,0.8793654,0.0011738127],"about_ca_topic_score_codex":0.0006523478,"about_ca_topic_score_gemma":0.00040899764,"teacher_disagreement_score":0.7444039,"about_ca_system_score_codex":0.00003362412,"about_ca_system_score_gemma":0.00003573846,"threshold_uncertainty_score":0.3403109},"labels":[],"label_agreement":null},{"id":"W4379622860","doi":"10.1353/mlr.2004.a827586","title":"The Legacy of Benedetto Croce: Contemporary Critical Views by Jack D'Amico , Dain A. Trafton , Massimo Verdicchio (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Classics; Politics; History; Index (typography); Humanities; Literature; Sociology; Art history; Art; Law; Political science","score_opus":0.029850843562610762,"score_gpt":0.34358947869385226,"score_spread":0.3137386351312415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622860","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014312593,0.93466365,0.00028245195,0.038009867,0.00017435694,0.0011983596,0.000074150455,0.000057604906,0.024108287],"genre_scores_gemma":[0.22040409,0.7654167,0.00013063205,0.011571811,0.00023300528,0.00008652359,0.000042090283,0.000038187613,0.0020769704],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99700314,0.00090883044,0.00065357715,0.00029811365,0.0006619493,0.00047438996],"domain_scores_gemma":[0.9983079,0.00046030266,0.0002332945,0.0007374724,0.000108213324,0.00015285326],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034395698,0.0002488741,0.0006327395,0.000010896293,0.0007136837,0.000077452685,0.0010346046,0.0001052846,0.00019448719],"category_scores_gemma":[0.0006825701,0.00014060982,0.00046209092,0.00033309654,0.0008022448,0.00028884746,0.000100786485,0.0003218629,0.00012499584],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040628172,0.00045906566,0.000033531705,0.017791856,0.00025183323,0.00006775271,0.06538191,0.0000033937429,0.0009050859,0.036853768,0.5941113,0.28409988],"study_design_scores_gemma":[0.0005296448,0.00007921053,0.00004262804,0.014954886,0.00035879613,0.00001692568,0.0047323117,0.000016368038,0.0002761411,0.0039163474,0.97452855,0.000548205],"about_ca_topic_score_codex":0.0006486562,"about_ca_topic_score_gemma":0.00019572141,"teacher_disagreement_score":0.38041723,"about_ca_system_score_codex":0.000090900525,"about_ca_system_score_gemma":0.00033442478,"threshold_uncertainty_score":0.5733902},"labels":[],"label_agreement":null},{"id":"W4379623031","doi":"10.1353/mlr.2005.a826610","title":"Eco's Chaosmos: From the Middle Ages to Postmodernity by Cristina Farronato (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernity; Power (physics); Interpretation (philosophy); Argument (complex analysis); Sociology; Hegemony; Simulacrum; Media studies; Literature; Postmodernism; Philosophy; Aesthetics; Art; Humanities; Law; Political science; Politics","score_opus":0.02564362551937543,"score_gpt":0.24432046806597232,"score_spread":0.2186768425465969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623031","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015127549,0.9391902,0.000020871115,0.036679685,0.00012164152,0.00086825265,0.0005809011,0.0000817551,0.02094393],"genre_scores_gemma":[0.086982936,0.3078499,0.00014604452,0.4723688,0.0048269513,0.0004267632,0.001179971,0.00013422813,0.12608439],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854475,0.00022535751,0.0003419044,0.0002941256,0.00028588105,0.00030796896],"domain_scores_gemma":[0.998846,0.00008322434,0.00012315094,0.0007755834,0.00008662216,0.00008545435],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00038620806,0.00029428353,0.00043533227,0.000008345047,0.00038263533,0.00014862025,0.00071307877,0.000040536397,0.005061102],"category_scores_gemma":[0.00007537081,0.0001358978,0.00023111349,0.000052363666,0.000086882144,0.00015511531,0.00007044853,0.0003137573,0.0011131683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004423072,0.000047856094,8.0958074e-7,0.0009705869,0.000052485324,0.0000068539325,0.05616819,3.7604747e-7,0.000060878458,0.002454709,0.86582416,0.074408695],"study_design_scores_gemma":[0.00006919015,0.0000180596,0.000007914238,0.005387715,0.00019992644,0.000009030697,0.0005588628,0.000010130299,0.000027798504,0.00035724117,0.9931264,0.00022772269],"about_ca_topic_score_codex":0.00031837221,"about_ca_topic_score_gemma":0.00066524756,"teacher_disagreement_score":0.6313403,"about_ca_system_score_codex":0.000028369555,"about_ca_system_score_gemma":0.00001459255,"threshold_uncertainty_score":0.9996646},"labels":[],"label_agreement":null},{"id":"W4379623140","doi":"10.1353/mlr.2005.a826976","title":"Unlocking the Wordhord: Anglo-Saxon Studies in Memory of Edward B. Irving, Jr. by Mark C. Amodio (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paragraph; Classics; Section (typography); Glossary; Watson; History; Literature; Biography; Style (visual arts); Variety (cybernetics); Art history; Philosophy; Art; Linguistics; Law; Computer science","score_opus":0.042209610219305166,"score_gpt":0.29513493208125496,"score_spread":0.2529253218619498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623140","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00083405577,0.9385929,0.0000046635264,0.0026993665,0.00021513338,0.00068639254,0.000021240408,0.000031861444,0.0569144],"genre_scores_gemma":[0.039428752,0.9217705,0.000032752556,0.014248327,0.0008647519,0.00012587779,0.000022977852,0.0000368552,0.023469219],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983212,0.0003638718,0.0005447653,0.00021050432,0.00030786576,0.00025182482],"domain_scores_gemma":[0.99883133,0.00018446766,0.0002525166,0.00061471737,0.000082791346,0.000034179804],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014387912,0.00022764421,0.00066743675,0.000039372622,0.0001694943,0.00001959214,0.0004695674,0.00002921297,0.0010500338],"category_scores_gemma":[0.00013879847,0.00011396883,0.00019807632,0.00007796521,0.0003027695,0.00011377553,0.0001003549,0.00030330045,0.00007235085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013118868,0.000091761365,0.0000033623958,0.017487481,0.00014149713,0.000015656244,0.11603207,0.0000024931844,0.000065042754,0.0033885678,0.5355819,0.32717705],"study_design_scores_gemma":[0.000112248854,0.00001903788,0.0000024471967,0.015814941,0.00020388006,0.0000060824727,0.0012303098,0.00002269786,0.000017011553,0.000108548236,0.98230463,0.00015814479],"about_ca_topic_score_codex":0.00010112227,"about_ca_topic_score_gemma":0.00072309293,"teacher_disagreement_score":0.44672275,"about_ca_system_score_codex":0.000067896406,"about_ca_system_score_gemma":0.000026472295,"threshold_uncertainty_score":0.99986315},"labels":[],"label_agreement":null},{"id":"W4379623159","doi":"10.1353/mlr.2002.a828325","title":"Bolder Flights: Essays on the Canadian Long Poem ed. by Frank M. Tierney, Angela Robbeson, and: Dominant Impressions : Essays on the Canadian Short Story ed. by Gerald Lynch, Angela Arnold Robbeson (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Townsend; Literature; Psychoanalysis; Admiration; Art history; History; Art; Philosophy; Psychology","score_opus":0.01617885584104685,"score_gpt":0.24546844245579236,"score_spread":0.22928958661474552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623159","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00069708616,0.8710502,0.0000065032664,0.06343734,0.00030781422,0.0019131148,0.00049516826,0.000048596925,0.06204422],"genre_scores_gemma":[0.08769975,0.8544932,0.000004701283,0.036383845,0.00040549182,0.00033690588,0.00006575186,0.00008588764,0.020524459],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954155,0.0014434181,0.00047192094,0.00062428374,0.0008628785,0.0011820156],"domain_scores_gemma":[0.9969041,0.0004397835,0.00020875751,0.0012773165,0.00010289889,0.0010671711],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028280313,0.000465662,0.0006809162,0.00021142756,0.0054473868,0.00041299572,0.001409981,0.00028022774,0.004407927],"category_scores_gemma":[0.00043752664,0.0002929294,0.00031139774,0.00046016782,0.00084810314,0.00020275576,0.00007226887,0.0011680315,0.00037790972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016834886,0.00003214036,0.000011016214,0.00024675994,0.000047975685,0.000060649356,0.0037024347,0.0000011450717,0.00001080601,0.001568839,0.95651907,0.03779748],"study_design_scores_gemma":[0.00009637486,0.000027932454,0.000052650725,0.0039789914,0.00023723737,0.00001447781,0.00037707944,0.000067621535,0.0000050475323,0.000060516773,0.99463654,0.00044553148],"about_ca_topic_score_codex":0.97046304,"about_ca_topic_score_gemma":0.9977709,"teacher_disagreement_score":0.087002665,"about_ca_system_score_codex":0.0022258223,"about_ca_system_score_gemma":0.0010045974,"threshold_uncertainty_score":0.99995226},"labels":[],"label_agreement":null},{"id":"W4379623320","doi":"10.1353/mlr.2002.a828529","title":"The Alchemy of Laughter: Comedy in English Fiction by Glen Cavaliero (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Comedy; Laughter; Nothing; Comics; Literature; Art; Tribute; Alchemy; Joke; Art history; History; Philosophy","score_opus":0.015718903391219143,"score_gpt":0.23852718189529637,"score_spread":0.22280827850407722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623320","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039650063,0.9535005,0.000009917901,0.001711091,0.00012307774,0.0004106122,0.000052032407,0.00003563127,0.04376065],"genre_scores_gemma":[0.06517967,0.91320485,0.000011618104,0.0035659717,0.00031634202,0.00008456455,0.000047022568,0.000025941848,0.017564034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986881,0.00025871577,0.0004684735,0.00015712155,0.00023413694,0.00019347398],"domain_scores_gemma":[0.99885887,0.00016057809,0.00020579674,0.000666831,0.00008283312,0.000025083493],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007106282,0.00015841454,0.00043110378,0.000024301276,0.00012925128,0.000042695083,0.0004673452,0.000026147509,0.0020975666],"category_scores_gemma":[0.00012368993,0.0000794701,0.00020627162,0.000102805345,0.00015026066,0.00010305217,0.000056344383,0.00020517399,0.000041712978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005340855,0.00013744016,0.000007469104,0.0058249882,0.000205559,0.0000054008983,0.08462317,0.0000014558944,0.000066499735,0.0064816945,0.68956804,0.21307296],"study_design_scores_gemma":[0.000091937174,0.000012417273,9.913932e-7,0.0042264233,0.00022537792,0.0000024282408,0.00038161458,0.00013425028,0.000032929278,0.00016008718,0.99461937,0.00011215391],"about_ca_topic_score_codex":0.00008171625,"about_ca_topic_score_gemma":0.00014128743,"teacher_disagreement_score":0.3050514,"about_ca_system_score_codex":0.000027132293,"about_ca_system_score_gemma":0.0000040223517,"threshold_uncertainty_score":0.99881464},"labels":[],"label_agreement":null},{"id":"W4379623345","doi":"10.1353/mlr.2002.a828281","title":"Relating to Queer Theory: Rereading Sexual Self-Definition with Irigaray, Kristeva, Wittig and Cixous by Sarah Cooper (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Queer theory; Human sexuality; Scholarship; Sociology; Psychoanalysis; Gender studies; Psychology; Law","score_opus":0.03158935571006151,"score_gpt":0.23192932365611804,"score_spread":0.20033996794605652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623345","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004954822,0.894529,0.00012346727,0.0018741229,0.000054242784,0.00076718687,0.00003275859,0.00014609564,0.097518325],"genre_scores_gemma":[0.33096913,0.45343864,0.00048747298,0.07402486,0.0010106552,0.00051535387,0.00010845328,0.00026266783,0.13918278],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986618,0.00026953823,0.00031637406,0.00028829803,0.00021224281,0.00025171577],"domain_scores_gemma":[0.9991754,0.0001441815,0.00011477551,0.00041105077,0.00006760974,0.00008698204],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000672819,0.00023928143,0.00044218867,0.000026200822,0.0003977741,0.00005407667,0.00016448894,0.000030498004,0.0023080984],"category_scores_gemma":[0.00008101185,0.00014397613,0.00005417877,0.000057073026,0.00013013752,0.00013870042,0.000041750747,0.00022725,0.00028120808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004379126,0.00024474692,0.000011369668,0.022182334,0.00027658057,0.00015264981,0.17834325,0.0000022607837,0.0003320031,0.10191574,0.51252484,0.18397044],"study_design_scores_gemma":[0.00040980036,0.00026923223,0.0000036106742,0.01944956,0.0009628402,0.00023575524,0.0023986318,0.00014236032,0.000009902804,0.0007455413,0.9747011,0.00067164446],"about_ca_topic_score_codex":0.000073327035,"about_ca_topic_score_gemma":0.00008057352,"teacher_disagreement_score":0.4621763,"about_ca_system_score_codex":0.00003817759,"about_ca_system_score_gemma":0.00000867585,"threshold_uncertainty_score":0.99860394},"labels":[],"label_agreement":null},{"id":"W4379623353","doi":"10.1353/mlr.2004.a826939","title":"In the Shadow of the Mammoth: Italo Svevo and the Emergence of Modernism by Giuliana Minghelli (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mammoth; Shadow (psychology); Wright; History; Witness; Modernism (music); Art history; Art; Literature; Philosophy; Archaeology","score_opus":0.009181136089390878,"score_gpt":0.22624236508856224,"score_spread":0.21706122899917135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623353","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013354805,0.9716087,0.000017493197,0.013510135,0.00008187029,0.0009087829,0.00008070925,0.0000061696032,0.012450676],"genre_scores_gemma":[0.6464834,0.30651549,0.000022730817,0.03223297,0.0002726323,0.00012520637,0.000025638701,0.00003466612,0.01428723],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998738,0.0002730891,0.00039725483,0.00014973075,0.0002771684,0.0001647645],"domain_scores_gemma":[0.9990076,0.000063693,0.0002254685,0.00063651067,0.000050292456,0.000016479726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007273644,0.00017901689,0.00040494004,0.00000903264,0.00014661677,0.000029230532,0.0007079033,0.00003055326,0.00043335976],"category_scores_gemma":[0.000048520484,0.000059465674,0.00021705656,0.00008447989,0.000429671,0.0001012536,0.000054474815,0.00023508647,0.000010846081],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027891001,0.00018243813,0.0000047344124,0.015520595,0.00015731437,0.000013279477,0.40337792,0.0000087740755,0.00037938604,0.29376873,0.2675576,0.019001357],"study_design_scores_gemma":[0.0019279739,0.00011703943,0.0000507637,0.05044125,0.0015646348,0.0001505402,0.015431195,0.00012791011,0.0004788949,0.066204816,0.8626712,0.00083378],"about_ca_topic_score_codex":0.000370338,"about_ca_topic_score_gemma":0.0003503741,"teacher_disagreement_score":0.6650932,"about_ca_system_score_codex":0.000005749381,"about_ca_system_score_gemma":0.000017644403,"threshold_uncertainty_score":0.47449854},"labels":[],"label_agreement":null},{"id":"W4379623407","doi":"10.1353/mlr.2003.a827336","title":"Thomas Hardy, Monism, and the Carnival Tradition: The One and Many in 'The Dynasts' by G. Glen Wickens (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renunciation; Allegory; Parallels; Feminist theology; Philosophy; Nothing; Feminism; Literature; Allusion; Argument (complex analysis); Symbol (formal); Creed; Religious studies; Theology; Sociology; Gender studies; Art; Epistemology","score_opus":0.02419416378709494,"score_gpt":0.24473057046179075,"score_spread":0.22053640667469582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623407","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033026028,0.94516647,0.000041517807,0.024051765,0.000034438322,0.0007387703,0.000038464932,0.00001437478,0.026611581],"genre_scores_gemma":[0.4693561,0.51525223,0.0000051440434,0.0127852885,0.00013365933,0.000120893266,0.00001550963,0.00001531229,0.0023158966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797046,0.0010370502,0.00032657606,0.0001961229,0.00025812254,0.00021167898],"domain_scores_gemma":[0.9990298,0.00027415238,0.00010389497,0.00053280883,0.000026274165,0.000033072665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002017376,0.00019138021,0.00046388974,0.000013070611,0.00048424033,0.00012876221,0.00034557437,0.000022749955,0.00043344588],"category_scores_gemma":[0.000074423224,0.00007231084,0.0001590451,0.000065343396,0.0006133015,0.000087839435,0.000036744477,0.00028475127,0.000017795866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016763554,0.0001557276,0.0000073839633,0.003976355,0.00027211706,0.00003318312,0.07722527,9.327439e-7,0.00002025302,0.8243186,0.03836433,0.05560908],"study_design_scores_gemma":[0.00094524253,0.000053025902,0.000098409815,0.0055073067,0.002111701,0.00021674087,0.010285698,0.00041519597,0.000008877426,0.017608551,0.96232843,0.00042081389],"about_ca_topic_score_codex":0.00019267888,"about_ca_topic_score_gemma":0.00021074092,"teacher_disagreement_score":0.9239641,"about_ca_system_score_codex":0.000010739314,"about_ca_system_score_gemma":0.000013318133,"threshold_uncertainty_score":0.47459283},"labels":[],"label_agreement":null},{"id":"W4379623435","doi":"10.1353/mlr.2001.a828405","title":"Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe by Paul Whitfield White Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood by Patrick Cheney Between Nations: Shakespeare, Spenser, Marvell, and the Question of Britain by David J. Baker (review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Criticism; White (mutation); Art; Art history; Renaissance literature; Sonnet; Human sexuality; Literature; Protestantism; Theology; History; The Renaissance; Philosophy; Sociology; Gender studies","score_opus":0.01866130412944199,"score_gpt":0.27751730895448457,"score_spread":0.25885600482504256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623435","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012927437,0.95825344,0.00031387352,0.027367372,0.00025612334,0.0013999484,0.0006057293,0.00007132916,0.010439438],"genre_scores_gemma":[0.102050945,0.7025314,0.00010871092,0.027015641,0.001070157,0.00023045304,0.0015300956,0.00019351144,0.1652691],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960179,0.0011557692,0.001006173,0.0006383003,0.0007902234,0.00039163954],"domain_scores_gemma":[0.9974227,0.0006805189,0.0005069112,0.0009174536,0.00029663404,0.00017581487],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0022839212,0.00051341346,0.0011057454,0.00009580004,0.0003812691,0.00015935955,0.0005260943,0.00015572354,0.0036338523],"category_scores_gemma":[0.0005060472,0.0003291433,0.00022364885,0.00016496565,0.000596979,0.0004106705,0.0001388459,0.0005626549,0.00003286177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009719221,0.00017573449,0.00009576659,0.0040791617,0.00019778326,0.000015091018,0.009061092,1.3636581e-7,0.000029850124,0.002309061,0.96242815,0.021510996],"study_design_scores_gemma":[0.0010515713,0.00010864762,0.0000388846,0.0064970544,0.00124477,0.000034020537,0.00057298277,0.00011773194,0.0000050903964,0.0006876105,0.98912257,0.0005190671],"about_ca_topic_score_codex":0.0011563344,"about_ca_topic_score_gemma":0.0005140899,"teacher_disagreement_score":0.25572205,"about_ca_system_score_codex":0.00024365564,"about_ca_system_score_gemma":0.00008392181,"threshold_uncertainty_score":0.9999161},"labels":[],"label_agreement":null},{"id":"W4379623444","doi":"10.1353/mlr.2005.a826859","title":"Literary Silences in Pascal, Rousseau, and Beckett by Elisabeth Loevlie (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stress (linguistics); Literature; Poetry; Silence; Art; Philosophy; Art history; History; Linguistics; Aesthetics","score_opus":0.02486480881504073,"score_gpt":0.2727753600316064,"score_spread":0.2479105512165657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623444","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0155168455,0.95932734,0.000010584613,0.009810919,0.00006378881,0.0006165747,0.0000439668,0.0000644517,0.014545552],"genre_scores_gemma":[0.07732692,0.8848008,0.000051119736,0.028090486,0.0004587609,0.0001142874,0.000052562686,0.000034346922,0.009070718],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985615,0.00018612467,0.00041756852,0.00029050672,0.00022860835,0.00031571637],"domain_scores_gemma":[0.99925673,0.000112307636,0.00011452234,0.00041516277,0.000030064437,0.00007124033],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006057895,0.00024737182,0.0005007493,0.000032840348,0.00013864117,0.00008220882,0.00032901033,0.00003652849,0.0020884373],"category_scores_gemma":[0.00004294589,0.00014749292,0.00011605195,0.000042733274,0.00018290861,0.00026267782,0.00008888297,0.0002380099,0.000175816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000424495,0.00007862464,0.00001778898,0.0045514405,0.000027229815,0.000013999667,0.034310516,2.739004e-7,0.000038291208,0.001544937,0.09456432,0.8648483],"study_design_scores_gemma":[0.00023767125,0.000030990264,0.000029685481,0.012015986,0.00013656255,0.000021826601,0.00041879303,0.00021604188,0.000026425947,0.0014702872,0.98504597,0.0003497766],"about_ca_topic_score_codex":0.00016820994,"about_ca_topic_score_gemma":0.0005328487,"teacher_disagreement_score":0.89048165,"about_ca_system_score_codex":0.000021875116,"about_ca_system_score_gemma":0.000020616042,"threshold_uncertainty_score":0.99882376},"labels":[],"label_agreement":null},{"id":"W4379623504","doi":"10.1353/mlr.2005.a826656","title":"Paul Morand et la Roumanie by Gavin Bowd (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Surprise; Diction; Theme (computing); Art; Literature; Power (physics); Sentence; Miracle; Syntax; Philosophy; Art history; Linguistics; Theology; Sociology","score_opus":0.011788419882885886,"score_gpt":0.2706477138501179,"score_spread":0.258859293967232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623504","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017245248,0.8368434,0.000020170632,0.0075888657,0.0000683542,0.00036232264,0.00009710319,0.000064165884,0.1547832],"genre_scores_gemma":[0.01949826,0.84167117,0.00006334103,0.065222144,0.0006611627,0.00008056207,0.00021750906,0.000043164797,0.07254271],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988089,0.0002785879,0.00030502828,0.00018891603,0.00020001474,0.00021854513],"domain_scores_gemma":[0.99921584,0.000096012125,0.000107879285,0.00048671692,0.000039426264,0.0000541517],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067910296,0.0002117631,0.00039088726,0.000015542135,0.00011985654,0.00010402765,0.00031729895,0.000033509514,0.004747055],"category_scores_gemma":[0.000031603766,0.00011821686,0.00017222554,0.000036512094,0.000086188506,0.00017962609,0.000046451394,0.00027354612,0.0004912487],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019744334,0.00005041227,4.5627127e-7,0.0034651835,0.000040442916,0.000015455576,0.007414397,3.0182986e-7,0.000026978467,0.009461982,0.8262604,0.153262],"study_design_scores_gemma":[0.000109193104,0.0000142122535,0.0000012261089,0.0064115925,0.00016639949,0.00002583018,0.00003772145,0.000023845816,0.000010447567,0.0003929564,0.9926335,0.00017304836],"about_ca_topic_score_codex":0.000055878565,"about_ca_topic_score_gemma":0.00013775812,"teacher_disagreement_score":0.1663731,"about_ca_system_score_codex":0.000011695904,"about_ca_system_score_gemma":0.000017464752,"threshold_uncertainty_score":0.9961627},"labels":[],"label_agreement":null},{"id":"W4379623553","doi":"10.1353/mlr.2004.a826845","title":"Le riviste di italianistica nel mondo: Atti del Convegno internazionale. Napoli 23-25 Novembre 2000 by Marco Santoro (review)","year":2004,"lang":"it","type":"article","venue":"The Modern Language Review","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Politics; The Renaissance; Art; Art history; Political science; Law","score_opus":0.014197352847334133,"score_gpt":0.2678345511749067,"score_spread":0.25363719832757253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623553","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023561435,0.9259211,0.050289083,0.011394069,0.00081425876,0.0017034343,0.00038092703,0.00016251423,0.009099002],"genre_scores_gemma":[0.09421426,0.8318709,0.0011254787,0.059954368,0.0012290796,0.00023041395,0.0002722537,0.0001419128,0.010961317],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949698,0.0004424784,0.0013214543,0.0011659799,0.0010139171,0.0010863593],"domain_scores_gemma":[0.9959767,0.0003366683,0.0007169213,0.0022830619,0.00034517806,0.00034150505],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012080602,0.0008647548,0.0015277361,0.0000551484,0.0005450536,0.00020522827,0.002589197,0.00014747711,0.00082002],"category_scores_gemma":[0.0007096221,0.0006318091,0.00067747076,0.00052575814,0.0003547989,0.00024720433,0.001248208,0.00059236726,0.0013549044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080869286,0.0019477477,0.00002864858,0.05809974,0.0019238135,0.002819285,0.023843458,0.00007006751,0.00094770984,0.05200989,0.32745904,0.5307697],"study_design_scores_gemma":[0.0054830243,0.0008808373,0.0003669948,0.21548733,0.0038863423,0.0019442905,0.0009353308,0.013113265,0.00035404845,0.005762995,0.7468679,0.004917617],"about_ca_topic_score_codex":0.0034170218,"about_ca_topic_score_gemma":0.00007536469,"teacher_disagreement_score":0.5258521,"about_ca_system_score_codex":0.0004338144,"about_ca_system_score_gemma":0.0005258128,"threshold_uncertainty_score":0.99961334},"labels":[],"label_agreement":null},{"id":"W4379623646","doi":"10.1353/mlr.2003.a827501","title":"Francophone Literatures: A Literary and Linguistic Companion by Malcolm Offord , Nicki Hitchcott , Sam Haigh , Rosemary Chapman (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Context (archaeology); History; Style (visual arts); Literature; Section (typography); Poetry; Linguistics; Classics; Sociology; Philosophy; Art; Archaeology; Computer science","score_opus":0.012736748614059337,"score_gpt":0.2977922440659938,"score_spread":0.2850554954519345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623646","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00242411,0.97479975,0.00007564121,0.0018096445,0.0003771446,0.0010438017,0.000038384278,0.00009366984,0.019337824],"genre_scores_gemma":[0.10916209,0.8753405,0.00019425586,0.008972222,0.0005170393,0.000059560814,0.000043911205,0.000024782365,0.005685598],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767905,0.0006680637,0.0004368396,0.00035578056,0.00042548313,0.00043475555],"domain_scores_gemma":[0.9988641,0.0002854774,0.00019635126,0.00035305004,0.00014722816,0.0001537498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013252043,0.00028542185,0.0006940973,0.000016512404,0.0007862227,0.0000758974,0.00033193716,0.00009180229,0.00023344666],"category_scores_gemma":[0.0017037776,0.00017463886,0.00017712257,0.00032135283,0.00029236308,0.00007581113,0.000082704944,0.00030135293,0.000048938262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025685775,0.00037137294,0.0005399663,0.027204482,0.00047591727,0.00020216231,0.36292005,5.198541e-7,0.00021468927,0.02970027,0.24025409,0.3380908],"study_design_scores_gemma":[0.00027765715,0.000035428213,0.00012307258,0.014025611,0.000214209,0.00001737297,0.00092222623,0.000018373687,0.000007630736,0.0042880964,0.97961986,0.00045044403],"about_ca_topic_score_codex":0.0004508171,"about_ca_topic_score_gemma":0.00006841984,"teacher_disagreement_score":0.7393658,"about_ca_system_score_codex":0.000062765605,"about_ca_system_score_gemma":0.00006455402,"threshold_uncertainty_score":0.7121566},"labels":[],"label_agreement":null},{"id":"W4379623660","doi":"10.1353/mlr.2003.a827530","title":"HIV Stories: The Archeology of AIDS Writing in France, 1985-1988 (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dissent; Injustice; Politics; Relation (database); Humanities; History; Literature; Philosophy; Art; Law; Political science","score_opus":0.017151478626175054,"score_gpt":0.2511494589280038,"score_spread":0.23399798030182872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623660","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011251686,0.9170905,0.000019695988,0.0012053212,0.00010666981,0.000377904,0.00005638123,0.000015934595,0.08000247],"genre_scores_gemma":[0.41610956,0.50491226,0.00007076849,0.028070921,0.00079398067,0.00017756243,0.000057647812,0.00004534732,0.049761944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885875,0.00030502144,0.00035610076,0.00014439895,0.0001404226,0.00019531648],"domain_scores_gemma":[0.99929005,0.00011321969,0.000134268,0.00039001307,0.00004938983,0.000023061551],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007058517,0.00014637326,0.00042918278,0.00001659603,0.000109247616,0.000020607806,0.00026701856,0.0000261736,0.0011384911],"category_scores_gemma":[0.00009627511,0.000067462075,0.00017155851,0.000096233096,0.00019827677,0.000053947984,0.000028237573,0.00027746143,0.000024943398],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005182233,0.0000972631,0.00007558469,0.01173149,0.0000874821,0.00003199617,0.12564665,0.0000017877924,0.000114519135,0.74716043,0.046075594,0.068972],"study_design_scores_gemma":[0.00014413815,0.000022557262,0.000010525126,0.0068267277,0.000103763945,0.000015875188,0.0054607033,0.000004884863,0.00001554714,0.0012845657,0.9859759,0.00013478308],"about_ca_topic_score_codex":0.000033404547,"about_ca_topic_score_gemma":0.000053333963,"teacher_disagreement_score":0.93990034,"about_ca_system_score_codex":0.000009324877,"about_ca_system_score_gemma":0.000020763466,"threshold_uncertainty_score":0.9997746},"labels":[],"label_agreement":null},{"id":"W4379623670","doi":"10.1353/mlr.2005.a826403","title":"Proust and Emotion: The Importance of Affect in 'A la recherche du temps perdu' by Inge Crosman Wimmers (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Faith; Humanities; Romance; Immediacy; Subversion; Philosophy; Art; Psychoanalysis; Theology; Psychology; Epistemology","score_opus":0.11912871241645497,"score_gpt":0.3309007756447197,"score_spread":0.21177206322826475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623670","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011208322,0.9604066,0.000011836217,0.0056539825,0.000017864051,0.00052473985,0.000014731591,0.00001696804,0.02214496],"genre_scores_gemma":[0.27996784,0.6996934,0.000055387605,0.008534779,0.00030638822,0.00013047409,0.000022554223,0.000023523868,0.011265657],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986348,0.0006831507,0.00030340784,0.00014077888,0.00011904243,0.00011877878],"domain_scores_gemma":[0.99924356,0.00031077172,0.00013070548,0.00026491442,0.000024515502,0.000025539508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016436666,0.0001252108,0.00033379928,0.000013726552,0.00010689723,0.000020789836,0.00019886688,0.000029363644,0.0006754761],"category_scores_gemma":[0.00015078782,0.000059408565,0.00009617375,0.00007121273,0.00016321884,0.000113752474,0.00003628469,0.00024750453,0.000014145277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020073294,0.0002859868,0.00034295593,0.018538438,0.00011729579,0.000025341109,0.16470079,0.0000020595007,0.0001612836,0.012715829,0.09391848,0.7091715],"study_design_scores_gemma":[0.00009838606,0.000026055575,0.000041334853,0.004653676,0.00012536961,0.000016137426,0.00043916857,0.00007897964,0.000008511544,0.00018461187,0.99420226,0.0001255215],"about_ca_topic_score_codex":0.0001428722,"about_ca_topic_score_gemma":0.00023894178,"teacher_disagreement_score":0.90028375,"about_ca_system_score_codex":0.000034158413,"about_ca_system_score_gemma":0.000014314446,"threshold_uncertainty_score":0.73959893},"labels":[],"label_agreement":null},{"id":"W4379623673","doi":"10.1353/mlr.2004.a826907","title":"Histoire et littérature au siècle de Montaigne: mélanges offerts à Claude-Gilbert Dubois ed. by Françoise Argo-Dutard (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art history; Section (typography); Duty; History; Art; Classics; Philosophy; Theology","score_opus":0.008418500913575492,"score_gpt":0.24342407787503606,"score_spread":0.23500557696146057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623673","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039716734,0.88120264,0.00007140877,0.081841856,0.0006011409,0.0012856552,0.000535441,0.0001200444,0.033944655],"genre_scores_gemma":[0.0048549697,0.8487325,0.000073921,0.06236419,0.0013285474,0.00017538668,0.00039082914,0.0001112796,0.081968404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659467,0.0005673782,0.0007313284,0.00063837075,0.00053189637,0.000936367],"domain_scores_gemma":[0.99787533,0.00008319791,0.0003919143,0.0012104156,0.00016023169,0.00027892628],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007540406,0.00082228734,0.0012843003,0.000032326556,0.0008895075,0.0002291298,0.0008106407,0.00032100113,0.0017903206],"category_scores_gemma":[0.00009073406,0.0005144299,0.000733707,0.00018685435,0.0005248136,0.00040876417,0.00012561017,0.0011827076,0.00037023704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038246537,0.00027736853,0.0000020522555,0.02553383,0.0002207439,0.00023533417,0.030931827,0.000011485721,0.00020593267,0.018673291,0.82538927,0.09848063],"study_design_scores_gemma":[0.00039676775,0.00010836074,0.000016998025,0.06442786,0.0008719819,0.00018914464,0.0003977252,0.0000071432905,0.000065995126,0.0011621276,0.9317149,0.000641008],"about_ca_topic_score_codex":0.0024059177,"about_ca_topic_score_gemma":0.0015152114,"teacher_disagreement_score":0.10632563,"about_ca_system_score_codex":0.0003723292,"about_ca_system_score_gemma":0.00021673618,"threshold_uncertainty_score":0.9997307},"labels":[],"label_agreement":null},{"id":"W4379623740","doi":"10.1353/mlr.2004.a826837","title":"Saints, Sinners, Saviors: Strong Black Women in African American Literature by Trudier Harris (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Interpretation (philosophy); Public sphere; Narrative; Literature; Argument (complex analysis); History; Aesthetics; Sociology; Art; Philosophy; Law; Political science","score_opus":0.010852266381060379,"score_gpt":0.2962721291524471,"score_spread":0.2854198627713867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623740","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007862488,0.965356,0.000028883287,0.006083847,0.000093794704,0.000903063,0.00015424233,0.000070014234,0.019447666],"genre_scores_gemma":[0.14581299,0.83441097,0.00008126158,0.0116048055,0.00038667553,0.00009521194,0.00008175097,0.00004212983,0.007484212],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997637,0.00056057493,0.00036135394,0.00030304154,0.00041356828,0.0007244784],"domain_scores_gemma":[0.99892586,0.000063859836,0.00020346258,0.0005045258,0.00006182353,0.00024043578],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012654728,0.00024288105,0.00063675345,0.000035657675,0.00017747928,0.00004707197,0.00053793134,0.00006415868,0.00027844895],"category_scores_gemma":[0.000272982,0.00016810674,0.00019363819,0.0006592617,0.00054014166,0.000116865674,0.000043743028,0.00038513535,0.00009438805],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001718542,0.00024912594,0.00006884124,0.0055197505,0.00010704831,0.00013288208,0.61996704,0.00001357633,0.00009405968,0.005940945,0.16941726,0.19847229],"study_design_scores_gemma":[0.00022888204,0.000036631965,0.000041410367,0.007473632,0.000110842,0.000005491952,0.010883281,0.0000020955508,0.000004299713,0.0006345423,0.9802089,0.00037004205],"about_ca_topic_score_codex":0.0036405837,"about_ca_topic_score_gemma":0.0012918328,"teacher_disagreement_score":0.81079155,"about_ca_system_score_codex":0.0010967914,"about_ca_system_score_gemma":0.00016414201,"threshold_uncertainty_score":0.6855194},"labels":[],"label_agreement":null},{"id":"W4379623782","doi":"10.1353/mlr.2004.a826897","title":"American Literature and the Culture of Reprinting, 1834-1853 by Meredith L. McGill (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Publishing; Finkelstein's test; Club; History; Art history; Sociology; Art; Literature; Aesthetics","score_opus":0.0047516117619703984,"score_gpt":0.2242972653214692,"score_spread":0.21954565355949882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623782","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00050337875,0.96975327,0.000026164926,0.004620072,0.000032326603,0.00045503958,0.0001676206,0.000034554425,0.024407605],"genre_scores_gemma":[0.07789518,0.892979,0.00008654552,0.023201985,0.00023269109,0.000048795842,0.00007722995,0.000023145782,0.005455402],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876255,0.00020944113,0.00037154654,0.00024872334,0.0002293102,0.00017844526],"domain_scores_gemma":[0.99886304,0.000056714103,0.0003755664,0.0005384417,0.00012028614,0.00004596784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004962054,0.00020250394,0.0007067303,0.000017678172,0.00021504908,0.00006367235,0.00033070674,0.00002018804,0.00025251135],"category_scores_gemma":[0.00011807277,0.000090451686,0.00027837965,0.00016880255,0.00085379323,0.00009161023,0.00008102892,0.00027895186,0.000012484791],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042267304,0.00014913554,0.0000030824492,0.011539129,0.0007233035,0.00005845245,0.17451733,0.0000018094995,0.0001400573,0.04036727,0.17826618,0.59419197],"study_design_scores_gemma":[0.0005359557,0.000056239744,0.000004004464,0.020538107,0.0010058547,0.00010079583,0.002619458,0.00001279174,0.000037170605,0.0014358056,0.9733468,0.00030697038],"about_ca_topic_score_codex":0.00069433585,"about_ca_topic_score_gemma":0.00006487659,"teacher_disagreement_score":0.79508066,"about_ca_system_score_codex":0.00001218077,"about_ca_system_score_gemma":0.000010571153,"threshold_uncertainty_score":0.36885124},"labels":[],"label_agreement":null},{"id":"W4379623806","doi":"10.1353/mlr.2003.a827320","title":"The Female Sublime from Milton to Swinburne: Bearing Blindness by Catherine Maxwell (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sublime; Narrative; Opposition (politics); Argument (complex analysis); Blindness; Modernity; Literature; Art history; Philosophy; History; Art; Law; Epistemology; Politics; Political science","score_opus":0.02473664235760006,"score_gpt":0.2558408687636121,"score_spread":0.23110422640601205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623806","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010767167,0.96187943,0.000005084,0.0056375754,0.00020303861,0.0007609848,0.00009436285,0.000052010593,0.020600349],"genre_scores_gemma":[0.08738104,0.77323145,0.000029813495,0.023151712,0.00055765355,0.0003242708,0.00015792776,0.000052548643,0.115113586],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987503,0.00018423829,0.00032543126,0.0002291424,0.00020491781,0.00030593842],"domain_scores_gemma":[0.9991855,0.0001070816,0.000101562575,0.00047427282,0.0000637447,0.00006785963],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044132804,0.00022911161,0.0004118042,0.0000079345655,0.0005797094,0.00012261304,0.0004368538,0.000018451217,0.0013405004],"category_scores_gemma":[0.0000626205,0.000101359255,0.00016116905,0.00006704493,0.00009316119,0.00011637805,0.00010067828,0.00015323475,0.00027356515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005234544,0.00030251243,0.00003342541,0.0061201802,0.00065776636,0.00005149409,0.16497992,0.000002749865,0.0010574838,0.015464906,0.37668788,0.43458933],"study_design_scores_gemma":[0.000078354686,0.000028790275,0.00000809186,0.0023055128,0.00012710723,0.0000041881253,0.0005561236,0.000004391709,0.00007679861,0.00026438275,0.9963647,0.00018154652],"about_ca_topic_score_codex":0.000499334,"about_ca_topic_score_gemma":0.00032845925,"teacher_disagreement_score":0.6196768,"about_ca_system_score_codex":0.00002134742,"about_ca_system_score_gemma":0.0000110863,"threshold_uncertainty_score":0.9995724},"labels":[],"label_agreement":null},{"id":"W4379623832","doi":"10.1353/mlr.2004.a827707","title":"Balzac: La Littérature réfléchie. Discours et autoreprésentations by Françoise van Rossum-Guyon (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Cult; Context (archaeology); SAINT; Indoctrination; Literature; Fyodor; Argument (complex analysis); Philosophy; Art; History; Aesthetics; Art history; Theology; Law","score_opus":0.008926225130434,"score_gpt":0.28401590239220886,"score_spread":0.27508967726177486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623832","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008998124,0.84409875,0.00022960115,0.09179193,0.00081068696,0.0010369926,0.0012661295,0.00010378573,0.060572166],"genre_scores_gemma":[0.0021907764,0.8609208,0.00010114485,0.032437418,0.0011835403,0.00011637224,0.00078225986,0.00008001459,0.102187656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710405,0.0007042963,0.00070072786,0.00049253745,0.00044938872,0.00054900435],"domain_scores_gemma":[0.9981278,0.00018161828,0.00031569815,0.001078527,0.00010807581,0.00018824324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008770613,0.00057895755,0.0008323754,0.000041674277,0.000489157,0.00036140825,0.0006013732,0.00018133657,0.004330674],"category_scores_gemma":[0.00009814898,0.00037175714,0.0005651809,0.00021716859,0.000482744,0.00044980284,0.000102149446,0.0010596173,0.0008216315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007145926,0.00041073578,0.000001972051,0.024833472,0.00025365083,0.00016476777,0.04142713,0.000022861257,0.00006148072,0.24048151,0.5942038,0.09813147],"study_design_scores_gemma":[0.00031269563,0.00005083767,0.000008171688,0.049617864,0.0008874837,0.00010731549,0.00039939498,0.000013111918,0.000014942953,0.006387361,0.9417423,0.00045853917],"about_ca_topic_score_codex":0.00070217747,"about_ca_topic_score_gemma":0.00034216573,"teacher_disagreement_score":0.34753847,"about_ca_system_score_codex":0.00007809828,"about_ca_system_score_gemma":0.0001625594,"threshold_uncertainty_score":0.99995637},"labels":[],"label_agreement":null},{"id":"W4379623918","doi":"10.1353/mlr.2001.a828527","title":"The Exemplary Sidney and the Elizabethan Sonneteer by Lisa M. Klein (review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sonnet; Legend; Poetics; STELLA (programming language); Art; Literature; Art history; Vernacular; Marginalia; Arcadia; Poetry; Veneration; Novella; Politics; Philosophy; Classics; Theology; Law","score_opus":0.010603557888571813,"score_gpt":0.22599993529321843,"score_spread":0.21539637740464662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623918","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020457756,0.9553627,0.000029979534,0.017998628,0.00013692275,0.000768592,0.000041685515,0.00005477892,0.025402173],"genre_scores_gemma":[0.0042531257,0.9009031,0.00000783466,0.03300813,0.00048643365,0.00014657159,0.000052912976,0.000040047464,0.06110184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979357,0.00067285454,0.00043884717,0.00027303156,0.0003448582,0.00033468357],"domain_scores_gemma":[0.9982141,0.00036047032,0.00022440664,0.0010502563,0.000077170414,0.00007358016],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001812175,0.00028602206,0.00057414256,0.000019446315,0.00085003907,0.00018617933,0.00070981216,0.00003654075,0.0017311735],"category_scores_gemma":[0.00017318084,0.000112547976,0.00030906266,0.00008459494,0.0006061306,0.00013060114,0.0001234013,0.0003204306,0.00014055868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021955178,0.00003307835,0.0000019478096,0.0018966827,0.00028340297,0.000016794982,0.0286179,2.765155e-7,0.00002319807,0.009227639,0.8443122,0.11556495],"study_design_scores_gemma":[0.00021875688,0.000012690029,8.5066563e-7,0.0023125075,0.0006980161,0.00002642669,0.0003520395,0.00011333319,0.000002638288,0.000720143,0.99536073,0.00018188711],"about_ca_topic_score_codex":0.00031158517,"about_ca_topic_score_gemma":0.00042167754,"teacher_disagreement_score":0.15104854,"about_ca_system_score_codex":0.00003142918,"about_ca_system_score_gemma":0.000021492997,"threshold_uncertainty_score":0.9991814},"labels":[],"label_agreement":null},{"id":"W4379623924","doi":"10.1353/mlr.2005.a826804","title":"Italo Calvino and the Compass of Literature by Eugenio Bolongaro (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Politics; Ideology; Power (physics); Scrutiny; Literature; Tone (literature); History; Philosophy; Pathos; Stupidity; Art history; Classics; Sociology; Humanities; Art; Law; Political science; Theology","score_opus":0.006420527595549963,"score_gpt":0.22114719624650855,"score_spread":0.2147266686509586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623924","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004774249,0.9634291,0.0000043301893,0.012890999,0.000060024748,0.00058692653,0.0001707901,0.000024274676,0.022356125],"genre_scores_gemma":[0.15900908,0.7236795,0.000036136404,0.06139194,0.0011613389,0.000108734,0.0002786455,0.000042976728,0.05429168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895144,0.0002212847,0.0003112703,0.00015964458,0.00018538925,0.00017094637],"domain_scores_gemma":[0.99922603,0.00006465816,0.00014851167,0.00044129085,0.00008248862,0.000036997353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004490451,0.00019753275,0.00048820316,0.000009861423,0.00016187098,0.000088510846,0.000315386,0.00003655412,0.00071115117],"category_scores_gemma":[0.000032671596,0.000080521015,0.00019547019,0.00005176073,0.0002869509,0.00013501715,0.000047618636,0.0002663808,0.000040266114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015846452,0.000041374147,6.190636e-7,0.0068198047,0.00009782145,0.0000063446296,0.05932488,1.6114387e-7,0.00003545139,0.0656746,0.8155742,0.052408844],"study_design_scores_gemma":[0.00025343793,0.000012921485,0.0000016509531,0.008073917,0.00023735188,0.000036042788,0.00023993281,0.00002365067,0.00001817976,0.0004420804,0.99053025,0.00013060088],"about_ca_topic_score_codex":0.000016301645,"about_ca_topic_score_gemma":0.000023843315,"teacher_disagreement_score":0.23974964,"about_ca_system_score_codex":0.0000072880534,"about_ca_system_score_gemma":0.000008310829,"threshold_uncertainty_score":0.77866066},"labels":[],"label_agreement":null},{"id":"W4379623968","doi":"10.1353/mlr.2005.a826674","title":"Conversations with Lotman: Cultural Semiotics in Language, Literature, and Cognition by Edna Andrews (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Gender Studies in Language","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Emancipation; Subjectivity; Politics; Writ; Sociology; Art; Aesthetics; Art history; History; Philosophy; Epistemology; Law","score_opus":0.015242087936435732,"score_gpt":0.33032336407099794,"score_spread":0.3150812761345622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623968","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0096047325,0.96925193,0.0000759714,0.007697914,0.000038678223,0.0010483746,0.000046516405,0.00006317333,0.012172737],"genre_scores_gemma":[0.22227104,0.7671627,0.00043181735,0.0076201763,0.00018004655,0.00007040605,0.00010474517,0.00001919326,0.0021398817],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985314,0.00031528797,0.0002672844,0.0002540486,0.00032138114,0.00031062606],"domain_scores_gemma":[0.99928975,0.00012303893,0.00012855389,0.00029510024,0.00008584171,0.00007768855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007652122,0.00018812923,0.00036316793,0.000026907373,0.00022575552,0.000051648567,0.00025215032,0.00005734445,0.0001492453],"category_scores_gemma":[0.00022490096,0.00011485938,0.000052182204,0.00038943088,0.00025967864,0.00021860818,0.0000667816,0.00024881173,0.00003537563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002428551,0.00027388326,0.00030078532,0.009330386,0.0002092425,0.00013866663,0.5443802,0.0000053451217,0.00039693064,0.0015205016,0.109873846,0.33354592],"study_design_scores_gemma":[0.0056453254,0.0004199471,0.0010648735,0.13509852,0.0029784702,0.0005124354,0.11569991,0.0006512088,0.0007018984,0.0016922702,0.73144555,0.0040896074],"about_ca_topic_score_codex":0.00027936767,"about_ca_topic_score_gemma":0.0019005991,"teacher_disagreement_score":0.6215717,"about_ca_system_score_codex":0.00007222429,"about_ca_system_score_gemma":0.00003442693,"threshold_uncertainty_score":0.46838295},"labels":[],"label_agreement":null},{"id":"W4379623975","doi":"10.1353/mlr.2003.a827506","title":"Roland Le Huenen (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Norm (philosophy); Theme (computing); Ideal (ethics); Epistemology; Generalization; Sociology; Philosophy; Aesthetics; Computer science","score_opus":0.026417298828454935,"score_gpt":0.23989690551588772,"score_spread":0.21347960668743277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623975","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006448368,0.93539095,0.000018693618,0.03028832,0.00006026182,0.0002337164,0.000004841914,0.00002719133,0.03333118],"genre_scores_gemma":[0.011136313,0.9325645,0.000013826017,0.009161705,0.00017717182,0.00005099068,0.000008753411,0.000012630598,0.0468741],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916095,0.00015278193,0.00022397414,0.00013828602,0.00015196325,0.00017205608],"domain_scores_gemma":[0.9995258,0.000044206405,0.0000793331,0.0002585118,0.000050423732,0.000041756954],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031729866,0.00013018367,0.00039889503,0.000006161465,0.0010231853,0.000022308368,0.00017964894,0.000013660813,0.0028706454],"category_scores_gemma":[0.0000875338,0.000061658204,0.00026202612,0.00004655257,0.00007767423,0.000049466635,0.000027090471,0.00010116601,0.00031219138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031824413,0.00016733207,0.0000102342965,0.01085246,0.00055218325,0.000032133026,0.11273898,0.0000024240335,0.00003322812,0.09571103,0.60365736,0.17623945],"study_design_scores_gemma":[0.00005228035,0.000007762649,8.8159186e-7,0.0010970534,0.00024661448,0.0000029604914,0.0003394817,0.000004841466,0.0000011439647,0.0008833974,0.9972427,0.000120871846],"about_ca_topic_score_codex":0.00040695086,"about_ca_topic_score_gemma":0.000534937,"teacher_disagreement_score":0.39358535,"about_ca_system_score_codex":0.00009406605,"about_ca_system_score_gemma":0.000011043667,"threshold_uncertainty_score":0.99804085},"labels":[],"label_agreement":null},{"id":"W4379623976","doi":"10.1353/mlr.2004.a827031","title":"Itinéraires du XIXe siècle ed. by Roland Le Huenen, Stéphane Vachon (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Theme (computing); Norm (philosophy); Ideal (ethics); Generalization; Epistemology; Philosophy; Sociology; Humanities; Computer science; Economics","score_opus":0.01790836855073399,"score_gpt":0.27311739050573947,"score_spread":0.2552090219550055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623976","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004968241,0.85826063,0.0000428039,0.10230309,0.0005104096,0.000699215,0.00005979231,0.000060847047,0.037566397],"genre_scores_gemma":[0.010441223,0.95838124,0.000038018286,0.009902614,0.0006015552,0.00005545144,0.000024639825,0.000020691803,0.020534549],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977276,0.00041126536,0.00042543886,0.00037197216,0.00051569263,0.00054806675],"domain_scores_gemma":[0.9990269,0.000114539915,0.00023453734,0.00032678695,0.00010664377,0.00019058956],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007815508,0.00031878226,0.00075028936,0.000009544239,0.0010054421,0.000042532487,0.0006255632,0.00008748339,0.001153661],"category_scores_gemma":[0.00030831623,0.00019774729,0.00036495118,0.000369001,0.0005442958,0.00023121976,0.00017922031,0.00025116463,0.0014718549],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000065302843,0.00030147182,0.000009310268,0.0072349296,0.0001622448,0.00005259565,0.006779181,0.0000073666633,0.00010230274,0.008520736,0.61101353,0.36580983],"study_design_scores_gemma":[0.00026142065,0.000042917374,0.000024594243,0.009831776,0.00040150166,0.000012373091,0.00037858746,0.0000032525786,0.000012804407,0.0006527189,0.9880679,0.0003101241],"about_ca_topic_score_codex":0.019123398,"about_ca_topic_score_gemma":0.0009669594,"teacher_disagreement_score":0.37705442,"about_ca_system_score_codex":0.00026485542,"about_ca_system_score_gemma":0.000088261855,"threshold_uncertainty_score":0.99975944},"labels":[],"label_agreement":null},{"id":"W4379624014","doi":"10.1353/mlr.2006.0113","title":"‘Das furchtbar-schöne Gorgonenhaupt des Klassischen’: Deutsche Antikenbilder (1755–1875) by Lorella Bosco (review)","year":2006,"lang":"de","type":"article","venue":"The Modern Language Review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; German; Literature; Philosophy; Art; Art history; Humanities; Linguistics","score_opus":0.011903715511978585,"score_gpt":0.2588400582401191,"score_spread":0.2469363427281405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624014","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001109733,0.9439647,0.00007836704,0.003565961,0.0005692433,0.001652866,0.0003746922,0.00016464411,0.048519764],"genre_scores_gemma":[0.030099459,0.90484667,0.000093483926,0.009564122,0.0023545092,0.0001973257,0.0005527958,0.00014597879,0.052145652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950674,0.0008450282,0.0013404414,0.00086714677,0.0007458543,0.001134115],"domain_scores_gemma":[0.997288,0.00022024094,0.00060892553,0.001366317,0.0003375722,0.00017893067],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012469728,0.0011307247,0.0018573799,0.000054971828,0.0012642475,0.00040238115,0.0008664804,0.00019267296,0.0039534084],"category_scores_gemma":[0.00016410416,0.00065602007,0.0009246777,0.00026791584,0.00092012255,0.00030018386,0.00026024212,0.00091412925,0.0023313868],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000147580195,0.00034698282,0.00002500917,0.029829832,0.00074717385,0.00009725294,0.013579687,7.740189e-7,0.00032958013,0.014719145,0.9190922,0.021217639],"study_design_scores_gemma":[0.0003528981,0.000076165874,0.00004437701,0.029764846,0.0031625757,0.00004367188,0.0005004992,0.0000056981135,0.00016276754,0.0009954205,0.9640091,0.00088196696],"about_ca_topic_score_codex":0.0002922812,"about_ca_topic_score_gemma":0.00020711689,"teacher_disagreement_score":0.044916946,"about_ca_system_score_codex":0.000074805524,"about_ca_system_score_gemma":0.000080000085,"threshold_uncertainty_score":0.9995891},"labels":[],"label_agreement":null},{"id":"W4379624027","doi":"10.1353/mlr.2003.a827405","title":"Federico Fellini: Contemporary Perspectives by Frank Burke , Marguerite R. Waller (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Assertion; Filmography; Art; Spectacle; Art history; Performance art; Semiotics; Viola; Literature; History; Sociology; Psychoanalysis; Movie theater; Philosophy; Psychology; Law; Political science; Epistemology","score_opus":0.024111470137008977,"score_gpt":0.30845326460751743,"score_spread":0.28434179447050845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624027","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042651716,0.8714416,0.00022878763,0.008110475,0.00014608637,0.0010803059,0.000034912646,0.00009685087,0.11843447],"genre_scores_gemma":[0.035996996,0.9320259,0.00013850999,0.013356822,0.00015228822,0.00007290285,0.000028224917,0.000034283265,0.018194094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970613,0.0012439357,0.00037690802,0.00036385268,0.00051986845,0.0004341401],"domain_scores_gemma":[0.9987851,0.00017934108,0.00019074725,0.000579825,0.00010681867,0.00015821718],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024858562,0.0002539778,0.00055851066,0.000012422078,0.0005891705,0.000059671693,0.0005639681,0.0000997838,0.0018755352],"category_scores_gemma":[0.00040537512,0.00017202042,0.00038831838,0.00034283285,0.00032539264,0.00018416133,0.000044872235,0.00028833802,0.0004334367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004602079,0.00012482803,0.000043943674,0.0028553691,0.00011980988,0.000027382737,0.05925505,1.5449851e-7,0.00006861409,0.0034098364,0.90408975,0.03000066],"study_design_scores_gemma":[0.00016225268,0.000017805633,0.0000131609495,0.0029776685,0.00009350933,0.0000067155147,0.009214774,0.0000047369226,0.000010755947,0.00026437728,0.98692214,0.00031212793],"about_ca_topic_score_codex":0.00060811517,"about_ca_topic_score_gemma":0.000031444662,"teacher_disagreement_score":0.10024037,"about_ca_system_score_codex":0.000072067,"about_ca_system_score_gemma":0.00019190607,"threshold_uncertainty_score":0.9990369},"labels":[],"label_agreement":null},{"id":"W4379624070","doi":"10.1353/mlr.2004.a827577","title":"Écriture et pouvoir à Taube des temps modernes by Joël Blanchard, Jean-Claude Mühlethaler (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Reformation and Early Modern Christianity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Humanities; Art history; Art; History; Philosophy; Classics; Literature; Law","score_opus":0.02581141415273436,"score_gpt":0.27825440843457805,"score_spread":0.2524429942818437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624070","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010228672,0.9158282,0.0027254247,0.052165646,0.00047569332,0.0014859373,0.00080593326,0.00018322271,0.02530703],"genre_scores_gemma":[0.0112306215,0.90299606,0.00016158068,0.031191666,0.00066243095,0.0001268699,0.00033603076,0.000110983696,0.053183742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99614054,0.0007050959,0.0010518306,0.0005465364,0.00070499675,0.00085101434],"domain_scores_gemma":[0.9976492,0.00014906903,0.00047292045,0.0011877948,0.00025966277,0.00028136172],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015308028,0.0007729833,0.001190796,0.00005603214,0.00082070584,0.000296625,0.000873313,0.00019699,0.0057292134],"category_scores_gemma":[0.00023805568,0.00049605226,0.0006306141,0.00013545627,0.00076225155,0.00077982224,0.00019857711,0.00094654213,0.002382197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038674345,0.0008749387,0.000005093994,0.11696705,0.0006214484,0.00022070017,0.098072425,0.0003629653,0.00018311843,0.0522686,0.3738468,0.35653818],"study_design_scores_gemma":[0.00059170515,0.000072565934,0.000007177788,0.05725588,0.0006495229,0.0002202575,0.00085391966,0.00040365942,0.000060433606,0.0061855554,0.9329311,0.0007682291],"about_ca_topic_score_codex":0.0031274313,"about_ca_topic_score_gemma":0.0011103083,"teacher_disagreement_score":0.5590843,"about_ca_system_score_codex":0.00022136429,"about_ca_system_score_gemma":0.00016814734,"threshold_uncertainty_score":0.9997491},"labels":[],"label_agreement":null},{"id":"W4379624073","doi":"10.1353/mlr.2001.a825527","title":"The Heterotextual Body of the Mora Morilla (review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Iberian Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Legend; Mythology; Subject (documents); Narrative; History; Theme (computing); Art history; Art; Classics; Literature","score_opus":0.034150614831023246,"score_gpt":0.27799077324375654,"score_spread":0.2438401584127333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624073","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023640518,0.95336324,0.00000822731,0.009579922,0.00033856163,0.0009483946,0.000017552822,0.00003095772,0.033349093],"genre_scores_gemma":[0.052801076,0.9180246,0.0000043676046,0.0067218756,0.00060330034,0.000104772735,0.0000025865802,0.000028087898,0.02170936],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985054,0.00032308904,0.00041640838,0.00014958617,0.00035524086,0.00025025403],"domain_scores_gemma":[0.99849445,0.00019520476,0.00024135962,0.00094243285,0.00009595119,0.000030617706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008282344,0.00018575763,0.00044094748,0.000007812981,0.00044796866,0.000031487612,0.0006972136,0.000015334123,0.00091738004],"category_scores_gemma":[0.00023300784,0.00006706026,0.0002717552,0.000060986335,0.00038329454,0.00004719753,0.00021810268,0.0001654153,0.00014754827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003348277,0.00014251085,0.000023770552,0.018351058,0.0007451267,0.00004532511,0.06424251,0.0000029861535,0.00028470662,0.040912844,0.34814078,0.52707493],"study_design_scores_gemma":[0.00009692503,0.0000235723,0.0000357104,0.0075579123,0.000305484,0.000024410025,0.0007064624,0.00003602369,0.000021861939,0.0006322516,0.9904143,0.00014506884],"about_ca_topic_score_codex":0.000114023125,"about_ca_topic_score_gemma":0.0002506724,"teacher_disagreement_score":0.64227355,"about_ca_system_score_codex":0.000021348964,"about_ca_system_score_gemma":0.000018932042,"threshold_uncertainty_score":0.9999959},"labels":[],"label_agreement":null},{"id":"W4379624089","doi":"10.1353/mlr.2001.a825629","title":"Mary Howard (review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ambivalence; Biography; Subject (documents); Autonomy; Art; Art history; Sociology; Gender studies; Psychoanalysis; Political science; Psychology; Law","score_opus":0.04898048142741303,"score_gpt":0.3939789312016012,"score_spread":0.3449984497741882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624089","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007334219,0.8884955,0.00018458933,0.035497703,0.00014159775,0.00051356765,0.000001061655,0.000056068933,0.07437651],"genre_scores_gemma":[0.012835673,0.9694141,0.00014436587,0.010503104,0.00031032058,0.00007237954,0.000019715631,0.00000856531,0.0066917506],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858683,0.0006533009,0.00019536175,0.000110032954,0.00026227147,0.00019219534],"domain_scores_gemma":[0.9989292,0.00014111116,0.000100259356,0.0006958772,0.000057530335,0.00007600228],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020643077,0.000078431665,0.00019631698,0.000012953703,0.00027537878,0.000015063444,0.00062847673,0.000022341954,0.0014732882],"category_scores_gemma":[0.00045540306,0.000051330484,0.00008740453,0.00025399518,0.000094309944,0.000091545924,0.000042386444,0.000115324714,0.00045994803],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.901748e-7,0.000035917346,0.000083717205,0.0016624467,0.000011753862,0.000002465468,0.025909033,1.756625e-7,0.000007121667,0.000900817,0.075259514,0.89612603],"study_design_scores_gemma":[0.000038882303,0.0000038684934,0.00024710636,0.005574565,0.000099290475,0.000008645867,0.0010344685,0.000014168932,0.000001412634,0.0016053424,0.9912519,0.0001203844],"about_ca_topic_score_codex":0.0009969183,"about_ca_topic_score_gemma":0.00047058708,"teacher_disagreement_score":0.9159924,"about_ca_system_score_codex":0.00004742531,"about_ca_system_score_gemma":0.00012640755,"threshold_uncertainty_score":0.9994395},"labels":[],"label_agreement":null},{"id":"W4379624114","doi":"10.1353/mlr.2004.a826813","title":"Mother Tongues and Other Reflections on the Italian Language by Giulio Lepschy (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Linguistic Studies and Language Acquisition","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hebrew; First language; Vitality; History; Style (visual arts); Variety (cybernetics); Criticism; Literature; Sociology; Classics; Linguistics; Art; Philosophy; Theology","score_opus":0.027440472520927937,"score_gpt":0.31897949064721426,"score_spread":0.2915390181262863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624114","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00071604794,0.9493393,0.011392858,0.020863358,0.0001342078,0.00079216354,0.000022636668,0.00014605334,0.0165934],"genre_scores_gemma":[0.14879847,0.4560145,0.0030397624,0.38526383,0.0010160145,0.00049054576,0.000023449284,0.00012444587,0.0052289623],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867815,0.00018066294,0.00025573163,0.00033646618,0.00027853422,0.00027044953],"domain_scores_gemma":[0.9986408,0.00014331655,0.00012548089,0.0009933427,0.000039417562,0.000057650203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006352557,0.00022279535,0.000304791,0.000022734115,0.00027397723,0.000066226305,0.00067845546,0.000033715052,0.00021134022],"category_scores_gemma":[0.00022242559,0.00010943269,0.00012024976,0.00028359517,0.00008360904,0.000067764064,0.00017340187,0.00018403196,0.00013568313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018299568,0.0005076009,0.000016320473,0.006765241,0.0006257416,0.0003013793,0.08410147,0.000026896892,0.003027271,0.1414533,0.21329227,0.54986423],"study_design_scores_gemma":[0.0020454845,0.000691903,0.0001919514,0.057139926,0.0011013029,0.00089354836,0.0044340985,0.0009214492,0.0029513806,0.019122705,0.90772754,0.00277871],"about_ca_topic_score_codex":0.00042066432,"about_ca_topic_score_gemma":0.000045729736,"teacher_disagreement_score":0.6944353,"about_ca_system_score_codex":0.00004260049,"about_ca_system_score_gemma":0.000018794788,"threshold_uncertainty_score":0.44625354},"labels":[],"label_agreement":null},{"id":"W4379624119","doi":"10.1353/mlr.2003.a827278","title":"Of Philosophers and Kings: Political Philosophy in Shakespeare's 'Macbeth' and 'King Lear' by Leon Harold Craig (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Law in Society and Culture","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Literature; Power (physics); Scrutiny; History; Unrest; Reading (process); Philosophy; Classics; Art; Law; Theology","score_opus":0.024789794642424524,"score_gpt":0.3183246827611528,"score_spread":0.29353488811872824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624119","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031432174,0.9319207,0.000007494853,0.021610605,0.00002766326,0.0005121442,0.00001195523,0.000021728161,0.04274448],"genre_scores_gemma":[0.3840737,0.60590243,0.000078589954,0.009506789,0.00007983428,0.000020037549,0.000004140606,0.0000140553075,0.00032040075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834275,0.0005416007,0.00027663235,0.00022526691,0.0002990079,0.00031471328],"domain_scores_gemma":[0.9994248,0.00012523223,0.00010628398,0.00020221766,0.00003550393,0.00010593924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014399615,0.00014416719,0.000419056,0.000004380033,0.0001595082,0.000019526107,0.00019826318,0.00008918051,0.00016563552],"category_scores_gemma":[0.00037175286,0.0000968193,0.00009609613,0.00020260904,0.00043598408,0.0001080251,0.00004030477,0.00024621357,0.000004248408],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112273065,0.00021300955,0.00086222094,0.022091012,0.00012585068,0.00003245253,0.05294487,7.3865743e-7,0.0008846689,0.8446671,0.009734151,0.068432726],"study_design_scores_gemma":[0.0015674289,0.00015854675,0.00023787517,0.062257715,0.0008688836,0.00007637969,0.011049521,0.00004454819,0.00019753585,0.19065715,0.7313713,0.00151313],"about_ca_topic_score_codex":0.00019887173,"about_ca_topic_score_gemma":0.00006212783,"teacher_disagreement_score":0.7216371,"about_ca_system_score_codex":0.00003761027,"about_ca_system_score_gemma":0.000038378865,"threshold_uncertainty_score":0.39481765},"labels":[],"label_agreement":null},{"id":"W4379624228","doi":"10.1353/mlr.2003.a827460","title":"Theatrum Mundi: Studies in Honour of Ronald W. Tobin by Claire L. Carlin , Kathleen Wine (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Politics; Poetry; Protestantism; Memoir; Period (music); Spirituality; Classics; Art history; History; Art; Religious studies; Philosophy; Literature; Law; Political science; Archaeology","score_opus":0.04074476134841765,"score_gpt":0.30829201143456547,"score_spread":0.2675472500861478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624228","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018037824,0.9741145,0.0000024814517,0.0023965433,0.00010900794,0.0006152819,0.000051854528,0.000022620134,0.020883938],"genre_scores_gemma":[0.11700536,0.86190295,0.000022143036,0.0067332378,0.0002646212,0.00010923803,0.00005470629,0.000030966563,0.013876757],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859846,0.00032176913,0.000446008,0.00020430172,0.00019792822,0.00023156064],"domain_scores_gemma":[0.9992467,0.000057121266,0.00016839035,0.00042423233,0.000072387185,0.000031152253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063048804,0.00023148936,0.00071223074,0.000020041,0.00011046916,0.000019491406,0.000271421,0.00003640343,0.0006747302],"category_scores_gemma":[0.000075215525,0.00011926416,0.00019118101,0.00008210769,0.00016284503,0.000111464076,0.000032277527,0.00027331457,0.000033129014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001569371,0.00022789047,0.000025222096,0.027456073,0.00034934503,0.000063225045,0.13494302,0.0000034954471,0.0003636553,0.038532414,0.7450873,0.052932654],"study_design_scores_gemma":[0.00021476408,0.000042483975,0.0000043475957,0.026952729,0.00019511586,0.000022593302,0.002255133,0.0000025731104,0.00009130959,0.000976579,0.96901244,0.00022994865],"about_ca_topic_score_codex":0.00008665613,"about_ca_topic_score_gemma":0.00027186587,"teacher_disagreement_score":0.22392513,"about_ca_system_score_codex":0.000024346322,"about_ca_system_score_gemma":0.000020541303,"threshold_uncertainty_score":0.7387823},"labels":[],"label_agreement":null},{"id":"W4379624352","doi":"10.1353/mlr.2004.a826882","title":"The Century of Women: Representation of Women in Eighteenth-Century Italian Public Discourse by Rebecca Messbarger (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Literature; Humanism; Context (archaeology); Poetry; Tone (literature); Representation (politics); Lyrics; Argument (complex analysis); Style (visual arts); Art; History; Faith; Classics; Philosophy; Law; Theology; Political science; Politics","score_opus":0.016778853570243744,"score_gpt":0.2645766427044822,"score_spread":0.24779778913423847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624352","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019969024,0.9662392,0.0000027812716,0.002872935,0.00022104906,0.00071171974,0.00006200302,0.000016273978,0.009905002],"genre_scores_gemma":[0.23651715,0.7594224,0.0000045922247,0.0017772543,0.00013554728,0.00017935551,0.00008063832,0.000022356964,0.0018606738],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799556,0.00031414206,0.00063716184,0.00020154582,0.0003804478,0.00047111884],"domain_scores_gemma":[0.998682,0.00008969746,0.00037235097,0.0006648067,0.00008678272,0.00010434497],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015536598,0.00017937008,0.00059754506,0.00004598012,0.00013189075,0.000031817148,0.00042265703,0.000030935615,0.0010637842],"category_scores_gemma":[0.00016601586,0.000092193106,0.00016631537,0.00011921941,0.0003101987,0.00019499972,0.000058289508,0.00019630518,0.000021041158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008739212,0.0007656893,0.000023157545,0.024848716,0.0003338587,0.000031336327,0.5982212,0.0000015706186,0.00062015955,0.12240341,0.08503177,0.16763176],"study_design_scores_gemma":[0.00030975783,0.00004838561,0.000012619245,0.0052264794,0.0000715678,0.0000033535468,0.007134744,0.0000020306304,0.00003314453,0.00060004473,0.98639727,0.0001605969],"about_ca_topic_score_codex":0.00013753449,"about_ca_topic_score_gemma":0.000102040714,"teacher_disagreement_score":0.9013655,"about_ca_system_score_codex":0.0003226792,"about_ca_system_score_gemma":0.00008850755,"threshold_uncertainty_score":0.9998494},"labels":[],"label_agreement":null},{"id":"W4379624363","doi":"10.1353/mlr.2002.a828287","title":"The Montreal Forties: Modernist Poetry in Transition by Brian Trehearne (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Philosophy; Sympathy; Ambivalence; History; Art; Psychoanalysis; Psychology","score_opus":0.02087444341100878,"score_gpt":0.24210401961077077,"score_spread":0.221229576199762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624363","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093479356,0.94237936,0.0001158675,0.014161566,0.00004910495,0.00045895096,0.000059634862,0.00004140087,0.041799303],"genre_scores_gemma":[0.2786194,0.700913,0.000002454159,0.0074411007,0.00018089257,0.00009825258,0.000041028296,0.000023773173,0.012680096],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846244,0.0002300962,0.00049507426,0.00021626003,0.00026926672,0.00032684367],"domain_scores_gemma":[0.99917686,0.00010143717,0.00011027238,0.0005223171,0.000035268695,0.000053861415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061081786,0.00020438286,0.00045663695,0.000021636435,0.00039891558,0.00009500226,0.00036060606,0.000029331162,0.0023283258],"category_scores_gemma":[0.000038189573,0.000107167696,0.00028071995,0.000070615475,0.00018464736,0.00013729723,0.000023513618,0.00023157043,0.00015126322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012134824,0.00026975927,0.000001147917,0.005045126,0.00015289038,0.000048985145,0.041729342,0.000013061984,0.00004663429,0.008672397,0.16612017,0.77788836],"study_design_scores_gemma":[0.000679334,0.000091344344,0.000020306314,0.015202067,0.0010589684,0.000052030922,0.003488273,0.019637983,0.000017084116,0.0048458176,0.9541527,0.00075410586],"about_ca_topic_score_codex":0.0010556267,"about_ca_topic_score_gemma":0.002990815,"teacher_disagreement_score":0.78803253,"about_ca_system_score_codex":0.00003401691,"about_ca_system_score_gemma":0.000006702883,"threshold_uncertainty_score":0.9985837},"labels":[],"label_agreement":null},{"id":"W4379624382","doi":"10.1353/mlr.2005.a826744","title":"The Sounds of Contemporary French: Articulation and Diversity by Aidan Coveney (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Phonetics and Phonology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Articulation (sociology); French; History; Diversity (politics); Humanities; Linguistics; Anthropology; Art; Sociology; Philosophy; Political science; Law","score_opus":0.039735560129628825,"score_gpt":0.346438840544947,"score_spread":0.3067032804153182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624382","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043466613,0.94553417,0.00008685599,0.005151189,0.00003829335,0.0004512032,0.00002067245,0.000011168253,0.005239839],"genre_scores_gemma":[0.7026129,0.29393107,0.000010451618,0.0017621107,0.000029295075,0.000020524587,0.000014429581,0.0000066415305,0.0016126069],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989255,0.00039016778,0.00023030025,0.00014291823,0.00014784648,0.00016324878],"domain_scores_gemma":[0.9991014,0.00021920561,0.00012294018,0.00047351525,0.000038366594,0.000044589524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010484211,0.000091062364,0.00024480044,0.000010544088,0.00017590243,0.0000065881027,0.0002809003,0.00003942675,0.00026584917],"category_scores_gemma":[0.00006380908,0.000049422157,0.00006732572,0.00008701257,0.00018034065,0.000029398114,0.00019775999,0.00016094977,0.000065953034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041258714,0.00017814299,0.0039284746,0.0025151419,0.0003149434,0.000013905393,0.011811424,0.0000014730982,0.0012269325,0.00077206705,0.38840464,0.5907916],"study_design_scores_gemma":[0.0033991465,0.0005406926,0.14516988,0.012463507,0.0011499423,0.00031104477,0.00053043483,0.0016151663,0.00070161466,0.008983788,0.82387567,0.0012591329],"about_ca_topic_score_codex":0.00027473207,"about_ca_topic_score_gemma":0.000037849422,"teacher_disagreement_score":0.65914625,"about_ca_system_score_codex":0.000010853573,"about_ca_system_score_gemma":0.00001725842,"threshold_uncertainty_score":0.2910862},"labels":[],"label_agreement":null},{"id":"W4379624415","doi":"10.1353/mlr.2005.0107","title":"Hermes' Lyre: Italian Poetic Self-Commentary from Dante to Tommaso Campanella by Sherry Roush (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Philosophy; Metaphor; Variety (cybernetics); Literature; Verb; Subject (documents); Linguistics; Grammar; Art; Humanities; Artificial intelligence; Computer science","score_opus":0.008451778861297986,"score_gpt":0.23404750188046952,"score_spread":0.22559572301917152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624415","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0076945056,0.94054055,0.000045504425,0.03493405,0.00021285372,0.0015327411,0.00048926217,0.00027861405,0.014271941],"genre_scores_gemma":[0.062421054,0.44773778,0.00095504004,0.44070247,0.0034165352,0.0003594713,0.0009304121,0.0002803083,0.04319693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975229,0.00033553713,0.00062562345,0.00052367925,0.0004604434,0.000531806],"domain_scores_gemma":[0.99818456,0.00010664885,0.00019153983,0.0012354245,0.00007710171,0.00020470399],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004806404,0.00048175742,0.0007904542,0.000032022304,0.00025588056,0.0002164563,0.0009272776,0.000065851746,0.00638344],"category_scores_gemma":[0.00003460815,0.0003184052,0.000292223,0.000084955944,0.000079827594,0.00030212296,0.00021031481,0.0004263456,0.0014908053],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008655669,0.00016975628,0.00000867113,0.0026776304,0.00018496763,0.000046970297,0.06223233,0.0000020458247,0.00024695625,0.00033003584,0.84991014,0.084181845],"study_design_scores_gemma":[0.00018956045,0.00004010127,0.000009396933,0.009695394,0.0004005623,0.000020260906,0.0003962916,0.0000865258,0.000033110253,0.00013350157,0.9885284,0.00046692876],"about_ca_topic_score_codex":0.00081445335,"about_ca_topic_score_gemma":0.0006718669,"teacher_disagreement_score":0.49280274,"about_ca_system_score_codex":0.0001220746,"about_ca_system_score_gemma":0.0000261272,"threshold_uncertainty_score":0.9999268},"labels":[],"label_agreement":null},{"id":"W4379624430","doi":"10.1353/mlr.2005.a826496","title":"Benedetto Croce and Italian Fascism by Fabio Fernando Rizi (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Literature; History; Art history","score_opus":0.011595014512485579,"score_gpt":0.29766879423055526,"score_spread":0.2860737797180697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624430","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041594775,0.94585073,0.00007171789,0.030600226,0.000082893705,0.0008380866,0.000060306196,0.00008695528,0.018249618],"genre_scores_gemma":[0.040345736,0.9188849,0.00018492006,0.02414302,0.00035466778,0.000049501796,0.000028522434,0.000028164162,0.0159806],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981548,0.00034289205,0.0003194685,0.0003018248,0.0004479726,0.00043301072],"domain_scores_gemma":[0.9990734,0.0000969128,0.00014702958,0.00044881564,0.00005569641,0.00017816496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015928983,0.00021380727,0.00043106478,0.000011017743,0.0005135399,0.00006830966,0.0005557786,0.00008434779,0.00057599886],"category_scores_gemma":[0.00017289876,0.00014274713,0.00020597356,0.00022072847,0.00026694022,0.00022662521,0.00009934511,0.00019246475,0.00030533315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029951434,0.000050764167,0.00003209515,0.0028015387,0.00005089797,0.0000105914505,0.0260988,2.0261213e-7,0.00014548092,0.0010935027,0.36303702,0.6066761],"study_design_scores_gemma":[0.0001737153,0.000014333242,0.00003370742,0.0036801014,0.00017514467,0.000015608914,0.00072049175,0.000016682901,0.000040115,0.00024243152,0.9945831,0.0003045957],"about_ca_topic_score_codex":0.0005825269,"about_ca_topic_score_gemma":0.00028397847,"teacher_disagreement_score":0.6315461,"about_ca_system_score_codex":0.00006099535,"about_ca_system_score_gemma":0.00006310336,"threshold_uncertainty_score":0.63067836},"labels":[],"label_agreement":null},{"id":"W4379624498","doi":"10.1353/mlr.2005.a826473","title":"The Poems of Andrew Marvell by Nigel Smith , Andrew Marvell (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetorical question; Scholarship; Poetry; Orthodoxy; Literature; Theme (computing); Piety; Rhetoric; History; Power (physics); Sociology; Aesthetics; Philosophy; Art; Religious studies; Law; Theology","score_opus":0.023147169420010112,"score_gpt":0.2587490182316584,"score_spread":0.2356018488116483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624498","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001047026,0.96000636,0.000026609354,0.0025253051,0.00015434338,0.00057581346,0.00009234121,0.000033730154,0.03553845],"genre_scores_gemma":[0.0119364215,0.89936775,0.000021835054,0.005563313,0.00041996207,0.00004734651,0.00003977067,0.000026306812,0.082577296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984986,0.00024958354,0.00047860955,0.00018913222,0.000369352,0.00021468113],"domain_scores_gemma":[0.99885404,0.0001908557,0.0002797649,0.0005034654,0.0001212299,0.000050630686],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012523874,0.00017949725,0.00040180446,0.000021341708,0.00036826596,0.000045841174,0.000542566,0.00002858,0.002941583],"category_scores_gemma":[0.00010530308,0.00009665802,0.00022308115,0.00006198099,0.0002492718,0.00018934655,0.0000709827,0.00018886513,0.00033081375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000127497315,0.000106696316,0.000006470551,0.0048149563,0.000096405915,0.000005243487,0.003171635,9.287564e-7,0.00006260461,0.009780669,0.7355064,0.2464352],"study_design_scores_gemma":[0.00012834338,0.000017914821,0.000017325498,0.002879286,0.00016453081,0.000013716597,0.00006027522,0.00003342093,0.000049517275,0.00034844258,0.9961404,0.00014679373],"about_ca_topic_score_codex":0.0001414134,"about_ca_topic_score_gemma":0.00050250365,"teacher_disagreement_score":0.260634,"about_ca_system_score_codex":0.000041331532,"about_ca_system_score_gemma":0.000044232987,"threshold_uncertainty_score":0.99796987},"labels":[],"label_agreement":null},{"id":"W4379624522","doi":"10.1353/mlr.2001.a825538","title":"(review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Marxism and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernity; Enlightenment; Ideology; Exposition (narrative); State (computer science); Sociology; Aesthetics; Philosophy; Art history; Humanities; Art; Media studies; Political science; Literature; Postmodernism; Epistemology; Law; Politics; Computer science","score_opus":0.037496893467159294,"score_gpt":0.2845048154877415,"score_spread":0.2470079220205822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624522","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006252493,0.69558024,0.0000512103,0.004343686,0.000066393695,0.00023444337,0.000005454254,0.000051287912,0.29960474],"genre_scores_gemma":[0.0107003385,0.90342546,0.0000072941643,0.060173865,0.00045276433,0.00004988433,0.000010733437,0.00001670352,0.025162973],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992441,0.0001332628,0.00019654045,0.000119352386,0.000120348326,0.000186392],"domain_scores_gemma":[0.9993775,0.000073040486,0.00003701224,0.00043326922,0.000033380813,0.00004579368],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00049871404,0.00011211856,0.00025320146,0.000008382404,0.00012605845,0.000024351544,0.0002796963,0.000010916601,0.021694815],"category_scores_gemma":[0.00007762109,0.000058586036,0.0001371979,0.000027957494,0.00012662166,0.000060520764,0.000048130547,0.000109472945,0.0012422833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028830045,0.00003866751,4.1698732e-7,0.008193504,0.000022007918,0.000039555573,0.0026512174,4.036647e-8,0.000006730617,0.30471095,0.10440476,0.5799293],"study_design_scores_gemma":[0.00003882078,0.000008360145,5.8195644e-7,0.006899251,0.00010346404,0.000028676555,0.00010369835,0.000012799353,0.0000011831877,0.009506511,0.98319584,0.00010081501],"about_ca_topic_score_codex":0.00003391763,"about_ca_topic_score_gemma":0.000023012957,"teacher_disagreement_score":0.8787911,"about_ca_system_score_codex":0.000006694202,"about_ca_system_score_gemma":0.000007281397,"threshold_uncertainty_score":0.9995354},"labels":[],"label_agreement":null},{"id":"W4379624549","doi":"10.1353/mlr.2003.a827254","title":"‘La España Moderna’ and ‘Regeneración’: A Cultural Review in Restoration Spain, 1889–1914 by Rhian Davies (review)","year":2003,"lang":"es","type":"review","venue":"The Modern Language Review","topic":"Spanish Philosophy and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; Art; History; Art history","score_opus":0.0319534378198179,"score_gpt":0.307447143396302,"score_spread":0.2754937055764841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624549","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011175422,0.9749134,0.000007701014,0.005157423,0.00028018965,0.0058441116,0.0007045478,0.00008658115,0.012994879],"genre_scores_gemma":[0.00006634585,0.9683567,0.000031152285,0.021984227,0.00074069895,0.0009706034,0.0016602871,0.00017817636,0.0060117934],"study_design_codex":"systematic_review","study_design_gemma":"not_applicable","domain_scores_codex":[0.9898211,0.004834052,0.0024282425,0.0012652948,0.00082731794,0.0008240026],"domain_scores_gemma":[0.99574804,0.0003715207,0.0015509865,0.0018004269,0.00028029337,0.00024875012],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0036278758,0.0017208746,0.0050489195,0.00013338518,0.0005465704,0.00060559134,0.0011178185,0.00045158438,0.0010938268],"category_scores_gemma":[0.00046146245,0.001028413,0.001135606,0.00038770022,0.0005197044,0.00064401544,0.00024372518,0.0020311896,0.00026509736],"study_design_candidate":"systematic_review","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005036219,0.00010273631,6.7622307e-7,0.5226525,0.00018854903,0.000088019435,0.0032674833,1.8796514e-7,0.0000019519077,0.00918065,0.054462858,0.41004932],"study_design_scores_gemma":[0.00013713399,0.00003483451,4.069783e-7,0.4234604,0.0020209046,0.00023353814,0.000056774792,0.000009211818,1.7377376e-7,0.00017806345,0.5731625,0.0007060485],"about_ca_topic_score_codex":0.0001822765,"about_ca_topic_score_gemma":0.000121957564,"teacher_disagreement_score":0.51869965,"about_ca_system_score_codex":0.00019502421,"about_ca_system_score_gemma":0.00020035154,"threshold_uncertainty_score":0.99981934},"labels":[],"label_agreement":null},{"id":"W4379624552","doi":"10.1353/mlr.2004.a827615","title":"Odysseys Home: Mapping African-Canadian Literature by George Elliott Clarke (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vampire; Pleasure; Context (archaeology); Cliché; Criticism; Sociology; Metaphor; Aesthetics; Appeal; Literature; Highbrow; Art; History; Media studies; Psychology; Political science; Law; Philosophy; Linguistics","score_opus":0.010350705593490722,"score_gpt":0.2746613144510881,"score_spread":0.2643106088575974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624552","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001650432,0.91450787,0.00019162899,0.05370882,0.00014645321,0.0007174933,0.000053444383,0.00006045238,0.030448806],"genre_scores_gemma":[0.029036114,0.92334956,0.0001486797,0.03891286,0.00038998172,0.00007387821,0.00013663361,0.00002618547,0.007926099],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.997551,0.00053501735,0.00037597775,0.00034599943,0.00053990004,0.0006520643],"domain_scores_gemma":[0.99853224,0.00009532354,0.00015762667,0.0006585919,0.00012871307,0.00042752112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020719003,0.00024726475,0.0005773376,0.00009385959,0.00044527728,0.00011949279,0.0007529192,0.0001545343,0.0007103283],"category_scores_gemma":[0.00038106705,0.00015994986,0.00033937686,0.0014156138,0.000141043,0.0002028581,0.00003982785,0.00050854805,0.00025560215],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005095628,0.00012979968,0.000025613392,0.013538137,0.00044392908,0.0005202094,0.22873175,0.000002050226,0.0005647125,0.008470136,0.36940745,0.37816113],"study_design_scores_gemma":[0.000098187185,0.0000069000084,0.0000062060913,0.012846268,0.00024957117,0.000010560604,0.0007285382,0.0000021140077,0.0000091130605,0.0012915442,0.9845062,0.00024483103],"about_ca_topic_score_codex":0.015146508,"about_ca_topic_score_gemma":0.01841336,"teacher_disagreement_score":0.6150987,"about_ca_system_score_codex":0.00020756677,"about_ca_system_score_gemma":0.00042372252,"threshold_uncertainty_score":0.999498},"labels":[],"label_agreement":null},{"id":"W4379624573","doi":"10.1353/mlr.2005.a826917","title":"Scott MacKenzie (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; CLARITY; Identity (music); History; National identity; Index (typography); Glossary; Media studies; Art history; Literature; Sociology; Gender studies; Art; Aesthetics; Philosophy; Law; Political science; Linguistics; Politics","score_opus":0.017752120269605716,"score_gpt":0.2955738301223698,"score_spread":0.2778217098527641,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624573","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008021623,0.8899863,0.000022184013,0.023651985,0.00007567157,0.0003786674,0.000010867384,0.000048331087,0.08574578],"genre_scores_gemma":[0.0014529716,0.94921446,0.00005369797,0.022828983,0.00040747455,0.000026169655,0.000006412963,0.000010130471,0.025999721],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989846,0.00022038836,0.00017464685,0.00012554703,0.0002713257,0.00022351588],"domain_scores_gemma":[0.99940634,0.000036644844,0.00007235521,0.00034779817,0.000030588002,0.00010628397],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009908775,0.00007072301,0.0002099989,0.000038429655,0.00046100555,0.000054495853,0.00041339447,0.00002812659,0.0052188663],"category_scores_gemma":[0.00017223849,0.000059083573,0.00013812949,0.00019824911,0.00022703844,0.00010745226,0.000028964194,0.00012319807,0.001698679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.602522e-7,0.000010118306,5.6729886e-7,0.0012518342,0.000007806558,0.000008099461,0.003687142,2.9411908e-7,0.000004741624,0.0018617327,0.35886785,0.63429946],"study_design_scores_gemma":[0.0000280695,0.0000018864087,0.0000069247176,0.0030161613,0.000069993475,0.0000040785712,0.000056574343,0.0000044971525,6.74367e-7,0.00012140401,0.9966064,0.0000833063],"about_ca_topic_score_codex":0.067959316,"about_ca_topic_score_gemma":0.4675162,"teacher_disagreement_score":0.6377386,"about_ca_system_score_codex":0.00027100585,"about_ca_system_score_gemma":0.00024218562,"threshold_uncertainty_score":0.99907863},"labels":[],"label_agreement":null},{"id":"W4379624595","doi":"10.1353/mlr.2001.a825618","title":"Quincas Borba, Gregory Rabassa (review)","year":2001,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pity; Index (typography); Presentation (obstetrics); Scholarship; Citation; Repetition (rhetorical device); Queen (butterfly); History; Literature; Classics; Art; Philosophy; Law; Computer science; Linguistics; Library science; Political science","score_opus":0.03782493098669595,"score_gpt":0.29370110749925676,"score_spread":0.25587617651256084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624595","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00076330453,0.798892,0.00008993051,0.004938998,0.00007469562,0.00032713532,0.000012777734,0.000054267806,0.19484688],"genre_scores_gemma":[0.0893572,0.80668867,0.00001252615,0.033770528,0.00072961417,0.00010188718,0.00006126756,0.000027546197,0.06925074],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986285,0.0002847749,0.00039288864,0.0002169453,0.00023762057,0.00023924808],"domain_scores_gemma":[0.9990443,0.00008555264,0.000116307914,0.0006153426,0.000080623955,0.00005789358],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056681223,0.00020305192,0.0005361847,0.000026315949,0.00023667581,0.00006317098,0.0003656547,0.000014274634,0.017973715],"category_scores_gemma":[0.00003393062,0.000113729024,0.00033122953,0.000076852724,0.0001286733,0.00017859989,0.00006545866,0.00017213228,0.0006953305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013515073,0.00021869065,0.000012362633,0.008775951,0.00028883296,0.00024796787,0.027206093,0.000001775935,0.00005128642,0.1278228,0.2443211,0.59103966],"study_design_scores_gemma":[0.00007787359,0.000018159495,0.000008269281,0.0066875964,0.00034154556,0.000038682254,0.0002515214,0.00014800305,0.0000040863993,0.0011870082,0.99104923,0.00018799705],"about_ca_topic_score_codex":0.00008630807,"about_ca_topic_score_gemma":0.00014441134,"teacher_disagreement_score":0.7467282,"about_ca_system_score_codex":0.000014472451,"about_ca_system_score_gemma":0.000014994128,"threshold_uncertainty_score":0.982924},"labels":[],"label_agreement":null},{"id":"W4379624617","doi":"10.1353/mlr.2005.a827010","title":"Straddling Borders: Literature and Identity in Subcarpathian Rus' by Elaine Rusinko (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Style (visual arts); Classics; History; Nationality; Slavic languages; Sociology; Art history; Media studies; Literature; Art; Aesthetics; Immigration; Archaeology","score_opus":0.01223255521513856,"score_gpt":0.34742092099872823,"score_spread":0.3351883657835897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624617","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011712138,0.9686396,0.000067063585,0.010330339,0.000038598206,0.0004957954,0.000013105859,0.000043138065,0.008660229],"genre_scores_gemma":[0.10449625,0.88860387,0.00009334876,0.0053058285,0.00014569267,0.000007914208,0.000022273247,0.000016044145,0.0013088174],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983969,0.0005677802,0.00029445946,0.00017943206,0.00028193535,0.00027950085],"domain_scores_gemma":[0.999335,0.000043635264,0.00010824851,0.00040962134,0.000024072171,0.00007943183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021490187,0.00014743595,0.0003063024,0.000025536294,0.00023993693,0.000084564985,0.0005375446,0.00005038022,0.00008376217],"category_scores_gemma":[0.000114034774,0.000085577056,0.00008011631,0.00033465363,0.00012607095,0.0004287645,0.00012294411,0.00035182678,0.000043773565],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036506374,0.000078653284,0.00009253328,0.0042861793,0.000019971387,0.00004859709,0.047041122,7.547167e-7,0.000077244295,0.0015684661,0.002104014,0.94467884],"study_design_scores_gemma":[0.0007411439,0.00004747163,0.00054667605,0.08195323,0.00023460013,0.00007236699,0.0028565372,0.00023195667,0.000017008497,0.0017681213,0.9106378,0.00089310843],"about_ca_topic_score_codex":0.00044697878,"about_ca_topic_score_gemma":0.0020370854,"teacher_disagreement_score":0.9437857,"about_ca_system_score_codex":0.000038588747,"about_ca_system_score_gemma":0.00003245401,"threshold_uncertainty_score":0.3489731},"labels":[],"label_agreement":null},{"id":"W4379624752","doi":"10.1353/mlr.2005.a826720","title":"L'Imaginaire du corps amoureux by Marie-Pierre Andron (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Criticism; Art; Philosophy; Order (exchange); Humanities; Art history; Psychoanalysis; Literature; Psychology","score_opus":0.01062986815240426,"score_gpt":0.23927489338321328,"score_spread":0.228645025230809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624752","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009002622,0.881869,0.00006343709,0.01721462,0.000118884134,0.00042964332,0.00006822321,0.0000787563,0.10006738],"genre_scores_gemma":[0.03631956,0.83814174,0.000044090353,0.07210342,0.0014236826,0.0001054301,0.00015565632,0.000047905887,0.05165849],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987221,0.00019031695,0.0003264125,0.00023154498,0.00022884978,0.00030079077],"domain_scores_gemma":[0.99910665,0.00010082719,0.00008226396,0.0005490281,0.0000729806,0.00008822556],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00050553284,0.00024038013,0.00044287363,0.000014605573,0.00020522918,0.00009044159,0.00040090978,0.000032672415,0.00952734],"category_scores_gemma":[0.000104001934,0.00013703389,0.00020221084,0.000042113228,0.00023804208,0.00020317615,0.00006730019,0.00028365038,0.0006882166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030069791,0.000057045076,6.1877176e-7,0.0034077447,0.000026290323,0.000022986957,0.002363214,1.3425809e-7,0.000018310071,0.03542334,0.58204305,0.37663424],"study_design_scores_gemma":[0.00010321692,0.000022255137,9.023942e-7,0.0061008846,0.00018779983,0.00003656974,0.000052009702,0.00006777843,0.000011649908,0.0019796852,0.9912304,0.00020682793],"about_ca_topic_score_codex":0.000029786885,"about_ca_topic_score_gemma":0.000039616265,"teacher_disagreement_score":0.40918735,"about_ca_system_score_codex":0.000025189624,"about_ca_system_score_gemma":0.000016554646,"threshold_uncertainty_score":0.99137807},"labels":[],"label_agreement":null},{"id":"W4379624762","doi":"10.1353/mlr.2003.a827371","title":"Ovid and the Renaissance Body by Goran V. Stanivukovic (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Empathy and Medical Education","field":"Medicine","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ingenuity; Plague (disease); History; State (computer science); Classics; Art; Ancient history; Philosophy","score_opus":0.011809060564799396,"score_gpt":0.3077510279021257,"score_spread":0.2959419673373263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624762","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031180591,0.96691674,0.0001923409,0.022453962,0.000059985592,0.0011790097,0.0000040726845,0.000028088221,0.006047719],"genre_scores_gemma":[0.08293802,0.8761155,0.00005570164,0.038368408,0.00006940848,0.000098518714,0.000018865852,0.000016418662,0.0023191504],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987652,0.0003597045,0.00026870007,0.00017916219,0.0002459182,0.0001813368],"domain_scores_gemma":[0.9990218,0.00015665642,0.00010426065,0.0005636861,0.000037881095,0.00011566044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016389246,0.00013526676,0.0004428759,0.000007812319,0.000083384984,0.000006197952,0.0001229889,0.000032893528,0.0003989394],"category_scores_gemma":[0.0011766092,0.000058981237,0.00009544324,0.0001448774,0.00018964795,0.00003263642,0.00001828066,0.00024748783,0.000047718797],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009811031,0.000308723,0.00003346623,0.048841756,0.00019343587,0.000052945237,0.021731013,9.5029314e-8,0.0010503214,0.0039653345,0.42557538,0.49814942],"study_design_scores_gemma":[0.0025409563,0.00010995974,0.000118964155,0.047096904,0.0017464698,0.00060865143,0.0013391318,0.000078836354,0.00040187084,0.0012702236,0.94437796,0.00031009762],"about_ca_topic_score_codex":0.0000317609,"about_ca_topic_score_gemma":0.0000024985975,"teacher_disagreement_score":0.5188026,"about_ca_system_score_codex":0.000021218086,"about_ca_system_score_gemma":0.00007345212,"threshold_uncertainty_score":0.43681067},"labels":[],"label_agreement":null},{"id":"W4379624838","doi":"10.1353/mlr.2005.a826642","title":"(review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Style (visual arts); Centennial; Art history; Humanities; Literature; Philosophy; History","score_opus":0.037624529672989265,"score_gpt":0.27610599469244906,"score_spread":0.2384814650194598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624838","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000397694,0.87267864,0.000022340713,0.0076226955,0.000050288665,0.00016960887,0.000007669208,0.000049917668,0.11935905],"genre_scores_gemma":[0.0067244605,0.8147084,0.000038317467,0.07709664,0.0012728153,0.000043816126,0.000020962154,0.00001540448,0.100079186],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993602,0.0000853533,0.00021115143,0.00010707555,0.000108466375,0.00012774025],"domain_scores_gemma":[0.99953264,0.000035923986,0.000058158417,0.0003103028,0.000025469806,0.00003751449],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023102114,0.00010044323,0.00024641285,0.000010394321,0.0001363201,0.000017646793,0.00022805118,0.000008221877,0.012952408],"category_scores_gemma":[0.000025937368,0.000049613827,0.0001595946,0.000031906835,0.00005560503,0.000105265615,0.0000272162,0.00009689773,0.0015447066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.985507e-7,0.000033674358,1.6306537e-7,0.0035669676,0.000025005776,0.000005217855,0.008506414,4.0912465e-7,0.000006239812,0.008077527,0.40391892,0.57585853],"study_design_scores_gemma":[0.00002369163,0.0000063063944,2.8163004e-7,0.0037570267,0.0001142119,0.000006070644,0.000020717027,0.000037877853,0.000001852673,0.0001615754,0.9957886,0.00008180532],"about_ca_topic_score_codex":0.00005887752,"about_ca_topic_score_gemma":0.000051643055,"teacher_disagreement_score":0.59186965,"about_ca_system_score_codex":0.000015937192,"about_ca_system_score_gemma":0.000007540999,"threshold_uncertainty_score":0.9992327},"labels":[],"label_agreement":null},{"id":"W4379624881","doi":"10.1353/mlr.2004.a827115","title":"Homoerotic Space: The Poetics of Loss in Renaissance Literature by Stephen Guy-Bray (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Literature; Subject (documents); Philosophy; Argument (complex analysis); Art history; History; Art; Poetry; Computer science","score_opus":0.011248851042955256,"score_gpt":0.24334705132998286,"score_spread":0.2320982002870276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624881","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011249055,0.97521484,0.000029383331,0.01278643,0.00010270453,0.000948508,0.000096007956,0.000030159155,0.0096670715],"genre_scores_gemma":[0.19480892,0.7847157,0.00006109359,0.011222632,0.0004311026,0.00012493953,0.00009912886,0.000047345995,0.008489145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985062,0.00020208035,0.00045547917,0.0002451139,0.00030503655,0.00028612177],"domain_scores_gemma":[0.9987437,0.00005026048,0.00023989324,0.00082188507,0.000102072125,0.000042155756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048453998,0.0002793518,0.000569081,0.000020665053,0.0001377843,0.000086622866,0.00063348986,0.000060477953,0.0003583215],"category_scores_gemma":[0.00006125392,0.00012535945,0.00021318154,0.00019993726,0.00027744242,0.000163727,0.000059539485,0.0004661491,0.000044469954],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004205663,0.00043020115,0.000028081504,0.05623732,0.00023957252,0.00022788021,0.2978333,0.000043677523,0.0008781411,0.14434148,0.45230746,0.04739085],"study_design_scores_gemma":[0.00034094736,0.00004634903,0.000015393083,0.06563521,0.00018843872,0.00004823142,0.00045932338,0.00000455535,0.00014257987,0.0032853768,0.9295374,0.00029617525],"about_ca_topic_score_codex":0.000043286975,"about_ca_topic_score_gemma":0.000118408105,"teacher_disagreement_score":0.47722995,"about_ca_system_score_codex":0.00002528794,"about_ca_system_score_gemma":0.000027773034,"threshold_uncertainty_score":0.511201},"labels":[],"label_agreement":null},{"id":"W4379624898","doi":"10.1353/mlr.2004.a827094","title":"A Companion to Anglo-Saxon Literature ed. by Phillip Pulsiano, Elaine Treharne, and: Satan Unbound: The Devil in Old English Narrative Literature by Peter Dendle (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Poetry; Classics; State (computer science); Sociology; History; Art; Literature","score_opus":0.007923472686059918,"score_gpt":0.2303467781443174,"score_spread":0.22242330545825748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624898","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037511154,0.9814501,0.000008794371,0.0050805886,0.00027852567,0.0015369806,0.0005166397,0.000064458414,0.007312789],"genre_scores_gemma":[0.10422711,0.8088407,0.0000699052,0.06833042,0.001654193,0.00041970215,0.0016667853,0.000107975255,0.014683198],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977246,0.00043584933,0.00054240576,0.0004939472,0.00037242135,0.00043077316],"domain_scores_gemma":[0.9986724,0.00010176896,0.0001912633,0.00070643495,0.00017545294,0.00015267545],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007763351,0.00047628343,0.00075483863,0.00007271936,0.00036847466,0.00034508857,0.0005085514,0.000099305056,0.0004688474],"category_scores_gemma":[0.00012777066,0.00025220378,0.0001994225,0.00024887454,0.00017723866,0.00033330466,0.00009357675,0.0007999386,0.000047600242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038034887,0.00015588048,0.0000023497375,0.006348576,0.00007054866,0.00006979066,0.5339538,7.576217e-7,0.00024088577,0.0065177637,0.43474603,0.017855609],"study_design_scores_gemma":[0.00039074474,0.00009355519,0.000006329371,0.0261287,0.00012620828,0.000036980782,0.0009129209,0.0000036521242,0.000014257887,0.00022982639,0.9717018,0.00035502762],"about_ca_topic_score_codex":0.000093279115,"about_ca_topic_score_gemma":0.0005357959,"teacher_disagreement_score":0.5369558,"about_ca_system_score_codex":0.00012093845,"about_ca_system_score_gemma":0.000032103457,"threshold_uncertainty_score":0.999993},"labels":[],"label_agreement":null},{"id":"W4379624910","doi":"10.1353/mlr.2005.a826455","title":"Albert Schirrmeister (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Originality; Narrative; Romance; Literature; Quarter (Canadian coin); Classics; Honour; History; Philosophy; Art; Sociology; Social science","score_opus":0.022808138654192265,"score_gpt":0.2552047493074703,"score_spread":0.23239661065327802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624910","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000028898306,0.6942964,0.000007131254,0.0078437785,0.00013699432,0.00029415087,0.000009149872,0.000039063612,0.29734442],"genre_scores_gemma":[0.0045175394,0.59224874,0.00007088333,0.14081426,0.002471222,0.00008751273,0.00005165447,0.00003805399,0.25970012],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999082,0.00010496917,0.0002740415,0.00015809303,0.0001934101,0.00018748378],"domain_scores_gemma":[0.9992654,0.000040717296,0.00008832863,0.0005089783,0.000043216158,0.000053374013],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040182561,0.00015330661,0.0003240082,0.000017668848,0.00015146771,0.00003252662,0.0002899446,0.000018040451,0.0129016675],"category_scores_gemma":[0.00003549897,0.00008209501,0.000178254,0.000022519973,0.00009896549,0.00012013602,0.000039542712,0.00018563397,0.0021353294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029460914,0.000034904657,1.6291946e-7,0.006724243,0.000032626926,0.000008656729,0.019160133,9.1711975e-8,0.000016016873,0.018945511,0.6426724,0.31240225],"study_design_scores_gemma":[0.000056744768,0.000009585187,6.9010144e-7,0.00635083,0.00013700654,0.000015051145,0.000027484484,0.0000133629255,0.0000028623674,0.0000890264,0.9931753,0.00012204136],"about_ca_topic_score_codex":0.000029391624,"about_ca_topic_score_gemma":0.0002482049,"teacher_disagreement_score":0.35050288,"about_ca_system_score_codex":0.000025241932,"about_ca_system_score_gemma":0.000018710281,"threshold_uncertainty_score":0.9986416},"labels":[],"label_agreement":null},{"id":"W4379624921","doi":"10.1353/mlr.2005.0231","title":"Alan Howe (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Medieval Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Plural; Glossary; History; Reading (process); Humanities; Ambivalence; Linguistics; Philosophy; Literature; Art; Psychology; Psychoanalysis","score_opus":0.023565470995035066,"score_gpt":0.2546615676947165,"score_spread":0.23109609669968142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624921","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037834256,0.76759857,0.0000072393564,0.0068134,0.00013116622,0.00030282766,0.000014088686,0.000053965883,0.22504093],"genre_scores_gemma":[0.007052255,0.79945314,0.0000500408,0.08637208,0.002323336,0.00007019161,0.000055313118,0.000030847885,0.104592815],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915135,0.00010228836,0.0002368906,0.00014229788,0.00019082602,0.0001763297],"domain_scores_gemma":[0.9993196,0.000034599503,0.00008555264,0.00046730594,0.000040901938,0.000052032243],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004286718,0.00014050507,0.00031090414,0.00001694493,0.0001429082,0.000027345637,0.00027778812,0.000016676262,0.01001341],"category_scores_gemma":[0.00003342952,0.00007556008,0.00015606679,0.000023064376,0.0000870581,0.00009189813,0.00003182382,0.00017234014,0.0013822103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019548074,0.000029315363,1.8279849e-7,0.006185265,0.000027153337,0.0000114820305,0.022164287,9.961808e-8,0.000018824117,0.015850246,0.61004716,0.34566405],"study_design_scores_gemma":[0.000047478192,0.000009736154,8.004512e-7,0.005344451,0.00012682188,0.000012413952,0.000042378375,0.000012021417,0.0000027480453,0.00009603365,0.9941935,0.00011164309],"about_ca_topic_score_codex":0.000022224533,"about_ca_topic_score_gemma":0.0001888012,"teacher_disagreement_score":0.38414633,"about_ca_system_score_codex":0.000023303399,"about_ca_system_score_gemma":0.000017798162,"threshold_uncertainty_score":0.9993953},"labels":[],"label_agreement":null},{"id":"W4379624939","doi":"10.1353/mlr.2006.0100","title":"The Serpent's Part: Narrating the Self in Canadian Literature by David Lucking (review)","year":2006,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertextuality; Literature; Power (physics); Reading (process); Existentialism; Philosophy; History; Art history; Epistemology; Art; Linguistics","score_opus":0.005695798167683048,"score_gpt":0.22712721439379915,"score_spread":0.22143141622611612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624939","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002871085,0.90754807,5.4939267e-7,0.010007561,0.00042645494,0.00088994316,0.00014604635,0.000044036075,0.080650255],"genre_scores_gemma":[0.19127224,0.7097885,0.00003913656,0.058074616,0.003842446,0.0006072751,0.00061484484,0.0001306729,0.03563026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980548,0.00038495913,0.00046195285,0.00024956994,0.0002962153,0.00055250386],"domain_scores_gemma":[0.9986758,0.00016935605,0.00016142776,0.0008346828,0.00009100992,0.00006771132],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013209855,0.00027310013,0.0003337959,0.000018473047,0.0009956274,0.0004129904,0.00082072313,0.000051627412,0.00036892013],"category_scores_gemma":[0.00012744428,0.00011844862,0.00014841833,0.00018062111,0.00013742906,0.00012678688,0.00008198664,0.00055768015,0.000024619196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000387122,0.00003125838,0.000055256583,0.00341508,0.000064652304,0.00008586147,0.0654979,0.00000400196,0.000007856888,0.084592946,0.8033959,0.04284538],"study_design_scores_gemma":[0.00004212661,0.000005997428,0.000008713085,0.008777794,0.0000549804,0.000025379777,0.00038158213,0.00004900575,0.0000013509322,0.0005071536,0.9899819,0.00016405238],"about_ca_topic_score_codex":0.02274586,"about_ca_topic_score_gemma":0.21508764,"teacher_disagreement_score":0.19775954,"about_ca_system_score_codex":0.00015746936,"about_ca_system_score_gemma":0.00009244017,"threshold_uncertainty_score":0.9837618},"labels":[],"label_agreement":null},{"id":"W4379624990","doi":"10.1353/mlr.2003.a827724","title":"‘Blüthenstaub‘: Rezeption und Wirkung des Werkes von Novalis ed. by Herbert Uerlings, and: Novalis: Das Werk und seine Editoren ed. by Gabriele Rommel (review)","year":2003,"lang":"de","type":"article","venue":"The Modern Language Review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Philosophy; Ideal (ethics); Subject (documents); Sensibility; Poetry; Style (visual arts); Literature; Art history; Humanities; Art; Epistemology","score_opus":0.0127818056575853,"score_gpt":0.2820522150688574,"score_spread":0.2692704094112721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624990","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066016533,0.98230755,0.000074489304,0.0028442557,0.0014290115,0.0013860947,0.0006411734,0.00011697015,0.01054028],"genre_scores_gemma":[0.002564966,0.96865404,0.00008299578,0.0083265165,0.0033315334,0.000113682996,0.000829408,0.00011965796,0.015977193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960098,0.0007021431,0.0010488407,0.00079483504,0.00061680464,0.00082756253],"domain_scores_gemma":[0.9977419,0.00016336932,0.0005703254,0.00095630175,0.00037263992,0.00019546802],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013499084,0.0009460939,0.0014954351,0.000046193963,0.0010653213,0.0004161241,0.00048166007,0.00019658319,0.0011850174],"category_scores_gemma":[0.00022079321,0.00059908244,0.0004298765,0.00019175504,0.00065226393,0.00042840734,0.0001565611,0.0006877723,0.0002457266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016125608,0.00015805845,0.0000049849805,0.012686475,0.00087367144,0.000021911756,0.014535705,3.166244e-7,0.00026340663,0.0024326092,0.94124085,0.027765876],"study_design_scores_gemma":[0.0003961578,0.000121254234,0.000002486385,0.024218746,0.0034352506,0.000026557358,0.00089858455,0.000011385174,0.000093342576,0.00039556864,0.9696404,0.000760281],"about_ca_topic_score_codex":0.00044338213,"about_ca_topic_score_gemma":0.00011523028,"teacher_disagreement_score":0.028399525,"about_ca_system_score_codex":0.00009529109,"about_ca_system_score_gemma":0.000056017005,"threshold_uncertainty_score":0.999728},"labels":[],"label_agreement":null},{"id":"W4379625097","doi":"10.1353/mlr.2004.a826688","title":"The Woman and the Hour: Harriet Martineau and Victorian Ideologies by Caroline Roberts (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Ideology; Metaphor; Literature; Meaning (existential); Philosophy; Aesthetics; History; Psychoanalysis; Sociology; Art; Epistemology; Politics; Law; Psychology; Theology","score_opus":0.006537707857009184,"score_gpt":0.2203248699668429,"score_spread":0.2137871621098337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379625097","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00097471767,0.9270541,0.000012825542,0.059907984,0.000114350376,0.0006663156,0.00002418874,0.00004453962,0.01120094],"genre_scores_gemma":[0.27612966,0.69078225,0.000007454733,0.02656919,0.0004439586,0.00012721737,0.000025969252,0.000023152397,0.0058911573],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989189,0.00022465496,0.0003098509,0.00018000502,0.00015142959,0.00021519717],"domain_scores_gemma":[0.99911565,0.0002205728,0.000104153696,0.00046791817,0.000046130594,0.000045578035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008292816,0.00019945148,0.00038311403,0.000007857792,0.0005210183,0.00018353322,0.00027638077,0.00002361074,0.000101358826],"category_scores_gemma":[0.000115556606,0.00007541348,0.00010131816,0.000029960313,0.00051834004,0.00011945416,0.00011435601,0.00019964647,0.000009212348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009309838,0.00006019,0.0000119146835,0.0068321293,0.00028842103,0.00007511467,0.11134192,3.6755372e-7,0.00003780706,0.5495385,0.16177125,0.16994928],"study_design_scores_gemma":[0.00040797895,0.00002358839,0.0000072134294,0.0028496974,0.0001881831,0.000040945775,0.0004092139,0.000008199694,0.0000056427775,0.0075906683,0.9883318,0.0001368741],"about_ca_topic_score_codex":0.0001664649,"about_ca_topic_score_gemma":0.0008227362,"teacher_disagreement_score":0.82656056,"about_ca_system_score_codex":0.000008395596,"about_ca_system_score_gemma":0.000016617467,"threshold_uncertainty_score":0.4007304},"labels":[],"label_agreement":null},{"id":"W4379743203","doi":"10.1353/mlr.2002.0056","title":"(review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"German Literature and Culture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Literature; Romanticism; Admiration; Originality; Identity (music); Psyche; Philosophy; Art; Aesthetics; Psychology; Epistemology","score_opus":0.036149158975911734,"score_gpt":0.24685275061547135,"score_spread":0.21070359163955962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379743203","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014516032,0.7493707,0.0000020155298,0.005928314,0.000084892534,0.0002415938,0.000008435162,0.000046630004,0.2443029],"genre_scores_gemma":[0.007412057,0.87909466,0.0000064109704,0.053055823,0.0005705825,0.00005916837,0.000010738925,0.000013033862,0.05977752],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937046,0.00006525418,0.00017723908,0.000117722804,0.00011496485,0.00015437728],"domain_scores_gemma":[0.99951845,0.00001938474,0.000059826158,0.00033224252,0.00004549967,0.00002457207],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015097244,0.00013205582,0.0002675805,0.0000072285657,0.0001891609,0.000032977383,0.0002049485,0.000010474261,0.00991963],"category_scores_gemma":[0.000023633813,0.00006185695,0.0001446064,0.000030144463,0.0000769794,0.00006663878,0.000037464004,0.00012054039,0.0013370685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.4236607e-7,0.000017649745,1.2559379e-7,0.0045464323,0.000035464338,0.000008054809,0.027893962,1.7354834e-8,0.0000043078403,0.008975383,0.86946434,0.089054],"study_design_scores_gemma":[0.000033165168,0.000007702307,7.5539674e-7,0.006823225,0.0001335852,0.000013883924,0.00015674064,0.000006627338,9.885315e-7,0.00026529474,0.9924598,0.00009828355],"about_ca_topic_score_codex":0.0000074402415,"about_ca_topic_score_gemma":0.000027067303,"teacher_disagreement_score":0.18452537,"about_ca_system_score_codex":0.0000053104914,"about_ca_system_score_gemma":0.0000014837268,"threshold_uncertainty_score":0.9994405},"labels":[],"label_agreement":null},{"id":"W4379743848","doi":"10.1353/mlr.2003.a827255","title":"American Literature and the Culture of Reprinting, 1834-1853 by Meredith L. McGill (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Finkelstein's test; Publishing; Club; History; Sociology; Art history; Law; Art; Political science; Aesthetics","score_opus":0.005197732651247567,"score_gpt":0.2236085799651144,"score_spread":0.21841084731386684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379743848","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026221026,0.9329897,0.00001710059,0.001568449,0.000034579196,0.00041659834,0.00012397638,0.000025834444,0.064561516],"genre_scores_gemma":[0.05588862,0.9109469,0.0000797192,0.019716827,0.00013715679,0.00005108161,0.000052308493,0.000023488774,0.013103888],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985112,0.00046723543,0.00037272414,0.0002487956,0.00021805895,0.0001820151],"domain_scores_gemma":[0.99880654,0.00009054366,0.00037771976,0.0005546374,0.00012469044,0.00004589022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007076229,0.00020255697,0.00071565964,0.00001691548,0.0002146667,0.00006208284,0.00027298467,0.00002001795,0.0005495796],"category_scores_gemma":[0.00022564974,0.00009061177,0.00026914323,0.0001732578,0.000760022,0.00007995654,0.000048359336,0.0002701739,0.000011000068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024081835,0.00010897308,0.000006494718,0.009348316,0.0006241636,0.00003419865,0.10094626,3.0981067e-7,0.000092180046,0.05604571,0.42725894,0.40551037],"study_design_scores_gemma":[0.00019840375,0.000024044553,0.0000014345551,0.0069778594,0.0005613972,0.000057192487,0.0016435926,0.000011029942,0.00002066377,0.0004340394,0.9898981,0.00017222716],"about_ca_topic_score_codex":0.00024206519,"about_ca_topic_score_gemma":0.00003131504,"teacher_disagreement_score":0.5626392,"about_ca_system_score_codex":0.0000076519,"about_ca_system_score_gemma":0.000008750507,"threshold_uncertainty_score":0.60175115},"labels":[],"label_agreement":null},{"id":"W4379744957","doi":"10.1353/mlr.2002.a827879","title":"The Art of Compromise: The Life and Work of Leonid Leonov by Boris Thomson , Leonid Leonov (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Evocation; Compromise; Art; Reading (process); Literature; Art history; History; Philosophy; Sociology; Linguistics; Social science","score_opus":0.023634879914089572,"score_gpt":0.2812630059146747,"score_spread":0.2576281260005851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379744957","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003372662,0.95270246,0.000060863054,0.017556252,0.00008870656,0.00095122337,0.000015107858,0.000030038345,0.025222713],"genre_scores_gemma":[0.108753495,0.8822841,0.000029175875,0.0017118949,0.00009003457,0.000022786204,0.0000042040933,0.000021241545,0.0070830374],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729604,0.0011327596,0.0005761728,0.00018669154,0.0004743878,0.0003339508],"domain_scores_gemma":[0.99792415,0.00040275473,0.00046012175,0.0010464626,0.000072316645,0.0000941938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029850227,0.00020392309,0.0005434528,0.000013020671,0.0006344033,0.000039447666,0.0013286093,0.000048693186,0.00019495522],"category_scores_gemma":[0.0002772012,0.00008188224,0.00020316223,0.00031286216,0.00089023437,0.00009449362,0.000228926,0.00032901354,0.000075354095],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014445215,0.00011278168,0.00018447917,0.0033339597,0.00013026671,0.0000036321617,0.014507472,0.0000015887055,0.00008506676,0.001053775,0.06303879,0.91753376],"study_design_scores_gemma":[0.00029688844,0.00006490455,0.00028614208,0.009283581,0.0003222552,0.000009570114,0.0018191645,0.00008290343,0.000040287963,0.00018913663,0.9873135,0.0002916552],"about_ca_topic_score_codex":0.00024070244,"about_ca_topic_score_gemma":0.00015492998,"teacher_disagreement_score":0.92427474,"about_ca_system_score_codex":0.000016385451,"about_ca_system_score_gemma":0.00003430096,"threshold_uncertainty_score":0.48793814},"labels":[],"label_agreement":null},{"id":"W4379745016","doi":"10.1353/mlr.2004.a827019","title":"Theatrum Mundi: Studies in Honour of Ronald W. Tobin by Claire L. Carlin , Kathleen Wine (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; Politics; Poetry; Memoir; Protestantism; Period (music); Spirituality; Classics; Art; Art history; History; Religious studies; Literature; Philosophy; Law; Political science","score_opus":0.03700268198005874,"score_gpt":0.30918899922989473,"score_spread":0.272186317249836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379745016","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00332817,0.9817984,0.000003636876,0.0067936913,0.00009714379,0.00064244145,0.000067116955,0.00002906833,0.007240297],"genre_scores_gemma":[0.15970927,0.82627034,0.000023459354,0.007736068,0.0004423117,0.000102069534,0.00007930909,0.00002988516,0.005607307],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877286,0.00014317181,0.00044457937,0.00020421734,0.00020824934,0.00022694645],"domain_scores_gemma":[0.9992843,0.000035728397,0.00016739753,0.00041172013,0.000069628935,0.00003120591],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044096497,0.00023143631,0.00070322404,0.00002094934,0.00011066635,0.000020000425,0.00032950696,0.000036715803,0.00030858142],"category_scores_gemma":[0.000039053088,0.00011905502,0.00019822405,0.000079766,0.00018319927,0.00012784798,0.00005436864,0.00028231103,0.000037648013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039825758,0.00045035462,0.000017150776,0.048996575,0.00058371044,0.00015627359,0.33632478,0.000030023348,0.00079634157,0.03996772,0.45903558,0.113601655],"study_design_scores_gemma":[0.0006571402,0.000112325666,0.000013783837,0.0894019,0.00039442928,0.00004495566,0.004054298,0.0000033480858,0.00018512197,0.0036848716,0.9009856,0.00046221263],"about_ca_topic_score_codex":0.0002519723,"about_ca_topic_score_gemma":0.0005689703,"teacher_disagreement_score":0.44195005,"about_ca_system_score_codex":0.000039034956,"about_ca_system_score_gemma":0.000024925856,"threshold_uncertainty_score":0.48549226},"labels":[],"label_agreement":null},{"id":"W4379746094","doi":"10.1353/mlr.2004.a827087","title":"Cité des hommes, cité de Dieu: travaux sur la littérature de la Renaissance en l’honneur de Daniel Ménager (review)","year":2004,"lang":"fr","type":"article","venue":"The Modern Language Review","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Humanities; Art; Literature; Dialectic; Philosophy; Theology","score_opus":0.012401455603014014,"score_gpt":0.24997687983989594,"score_spread":0.23757542423688194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379746094","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010392917,0.85587794,0.00027025942,0.004015329,0.00023862971,0.0005999373,0.00012456723,0.00011055085,0.1377235],"genre_scores_gemma":[0.0035051897,0.85085636,0.00037407244,0.018969994,0.0018409714,0.00005944437,0.000038356666,0.00012841698,0.12422722],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99518424,0.0025717176,0.00061150326,0.00047077806,0.00033190296,0.00082988245],"domain_scores_gemma":[0.9978703,0.0005207074,0.00027412796,0.0009387398,0.00010767605,0.0002884489],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0032099206,0.0005765525,0.0008923589,0.000052269774,0.0004855372,0.00021319461,0.0008400694,0.00021362022,0.00089813455],"category_scores_gemma":[0.0005679721,0.00040966528,0.0005034487,0.00015215753,0.0008680742,0.00024162438,0.00012397571,0.0013390026,0.00016712431],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055081364,0.00049402186,0.000007943805,0.078046195,0.00031278364,0.0029452895,0.15302981,0.000028051081,0.0007859729,0.09741109,0.3637803,0.30310348],"study_design_scores_gemma":[0.0003862083,0.00006369595,0.000081145285,0.057042554,0.00077345024,0.000770075,0.0002549093,0.00001862032,0.000030975378,0.0018131026,0.9383028,0.0004624367],"about_ca_topic_score_codex":0.00040060704,"about_ca_topic_score_gemma":0.00021712619,"teacher_disagreement_score":0.57452255,"about_ca_system_score_codex":0.000295329,"about_ca_system_score_gemma":0.00035568204,"threshold_uncertainty_score":0.9998355},"labels":[],"label_agreement":null},{"id":"W4380590294","doi":"10.1353/mlr.2005.0237","title":"European Literary Careers: The Author from Antiquity to the Renaissance ed. by Patrick Cheney and Frederick A. de Armas (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Feeling; Assertion; Context (archaeology); Relation (database); Biography; Postmodernism; Literature; Psychoanalysis; History; Sociology; Philosophy; Psychology; Epistemology; Art","score_opus":0.016706331133325928,"score_gpt":0.2637022822314306,"score_spread":0.24699595109810468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380590294","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015816656,0.9585552,0.00023421002,0.029204128,0.00007528987,0.0006236816,0.00022671129,0.00006919464,0.009429921],"genre_scores_gemma":[0.13190289,0.7624338,0.00033274165,0.09108514,0.0026464753,0.00010098651,0.00014191662,0.00008471359,0.011271304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978221,0.0008812679,0.00040721806,0.00032057636,0.0002618321,0.00030699125],"domain_scores_gemma":[0.9983114,0.0001989935,0.00018940795,0.0011477232,0.00006410089,0.00008835097],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014342284,0.000272625,0.00042928345,0.000018534203,0.00041766284,0.00024052076,0.0009617232,0.000023700657,0.0009807072],"category_scores_gemma":[0.00014483559,0.00011880315,0.00021380317,0.000116639996,0.00016608815,0.00015716847,0.00026213852,0.000341331,0.00018567],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043293935,0.00002495294,0.000005554958,0.00068272924,0.0001228466,0.000009419162,0.05646642,0.000001977898,0.000053924166,0.0005569466,0.65223694,0.28983393],"study_design_scores_gemma":[0.0000581297,0.000012354882,0.00001969218,0.0030187643,0.00049738254,0.000010761798,0.00031323222,0.00010118193,0.00001801868,0.00016780234,0.9955956,0.0001870827],"about_ca_topic_score_codex":0.0002055503,"about_ca_topic_score_gemma":0.00014825091,"teacher_disagreement_score":0.34335864,"about_ca_system_score_codex":0.000031288935,"about_ca_system_score_gemma":0.000016179465,"threshold_uncertainty_score":0.9999325},"labels":[],"label_agreement":null},{"id":"W4383343492","doi":"10.1353/mlr.2023.a901113","title":"The Male Body and Social Masculinity in Premodern Europe ed. by Jacqueline Murray (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical Gender and Feminism Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Masculinity; Liminality; Sociology; Gender studies; Context (archaeology); History; Anthropology; Archaeology","score_opus":0.028239391256543712,"score_gpt":0.3335872497232019,"score_spread":0.3053478584666582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383343492","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034466546,0.95146745,0.00005021796,0.013778608,0.00010784013,0.0007074028,0.000016712382,0.00007772538,0.033449378],"genre_scores_gemma":[0.023416018,0.9646775,0.000008494565,0.0025716566,0.0001814107,0.00007556699,0.000010518935,0.000015466969,0.009043347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790466,0.00079669995,0.00032044298,0.00023363825,0.0003679187,0.00037663657],"domain_scores_gemma":[0.99924314,0.00030499592,0.00009352978,0.00025161784,0.0000505475,0.000056146077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00295439,0.00014511813,0.00037414645,0.000013518472,0.00087802316,0.000025856856,0.00041824073,0.000043090513,0.000088773806],"category_scores_gemma":[0.000493566,0.00008042694,0.00010372333,0.00043285993,0.0002686175,0.000049380185,0.00015985461,0.00022542872,0.00017802972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006632674,0.0000484384,0.00006683914,0.0024048202,0.000044806544,0.000027634002,0.086714685,2.5965772e-7,0.000056307268,0.000407347,0.540672,0.36955026],"study_design_scores_gemma":[0.00013541491,0.00001272988,0.0002052238,0.0010226064,0.00010493562,0.000003288018,0.002714829,0.000065133005,0.0000012464828,0.00038945302,0.9951412,0.000203948],"about_ca_topic_score_codex":0.00043772318,"about_ca_topic_score_gemma":0.00019580209,"teacher_disagreement_score":0.4544692,"about_ca_system_score_codex":0.000047390087,"about_ca_system_score_gemma":0.00005920986,"threshold_uncertainty_score":0.6753133},"labels":[],"label_agreement":null},{"id":"W4383374969","doi":"10.1353/mlr.2023.a901141","title":"Feeding Fascism: The Politics of Women’s Food Work by Diana Garvin (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Scholarship; Sociology; Obedience; Power (physics); Gender studies; Law; Political science; Aesthetics; Art","score_opus":0.023253397018743037,"score_gpt":0.29818096320052423,"score_spread":0.2749275661817812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383374969","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022994045,0.9489127,0.000031189873,0.0203606,0.00021437785,0.0009914439,0.00008096669,0.00011979475,0.0062949117],"genre_scores_gemma":[0.17834742,0.79999626,0.00002181009,0.011447244,0.000318563,0.00015296042,0.000025464142,0.000034629742,0.009655647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976997,0.0005380606,0.00035066914,0.00018949505,0.0005635198,0.0006585969],"domain_scores_gemma":[0.9986781,0.00037977786,0.00018489698,0.00056226243,0.000063203785,0.00013179398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040725125,0.00015943943,0.00043116033,0.000016873933,0.0005158674,0.000031866828,0.00090614543,0.000062119856,0.0002267487],"category_scores_gemma":[0.00057584833,0.000090171474,0.00026517364,0.0009447697,0.00031332593,0.000075406344,0.0001399618,0.00020372903,0.00017705432],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002129294,0.0000423153,0.00008740626,0.0066195303,0.00015646206,0.000007099764,0.210151,0.0000010745011,0.00005174407,0.00665327,0.65633506,0.11989289],"study_design_scores_gemma":[0.0002168948,0.00006182938,0.00021729727,0.014463061,0.00037614818,0.0000043187306,0.028503748,0.000023708464,0.000043449916,0.003400778,0.9521466,0.00054219575],"about_ca_topic_score_codex":0.0003564174,"about_ca_topic_score_gemma":0.000059554073,"teacher_disagreement_score":0.2958115,"about_ca_system_score_codex":0.0001433648,"about_ca_system_score_gemma":0.00011032991,"threshold_uncertainty_score":0.3967687},"labels":[],"label_agreement":null},{"id":"W4383374979","doi":"10.1353/mlr.2023.a901137","title":"Selected Philosophical, Scientific, and Autobiographical Writings by Marie-Geneviève-Charlotte Thiroux d’Arconville (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Literature; History; Art; Philosophy; Classics","score_opus":0.022856134378832202,"score_gpt":0.29316917553985516,"score_spread":0.27031304116102295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383374979","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027956895,0.9336901,0.000018279507,0.056665864,0.00013716666,0.0007630798,0.00006049266,0.00031470275,0.005554646],"genre_scores_gemma":[0.016754447,0.96636444,0.00003460695,0.006591196,0.00019850752,0.000119982324,0.000072154515,0.000022373937,0.009842267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976073,0.00053990656,0.00037279862,0.00044188145,0.000551901,0.00048621473],"domain_scores_gemma":[0.9988817,0.0003461215,0.00011244625,0.00035896798,0.00012356183,0.00017721247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021085222,0.00020796033,0.0005157847,0.0000475677,0.0012224114,0.000077269906,0.00044960063,0.00007212848,0.00023860038],"category_scores_gemma":[0.00086068327,0.00012993906,0.00016569372,0.0015640619,0.0007836269,0.00012568856,0.00019215999,0.00027658956,0.00015679176],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008500578,0.000120522134,0.00011066007,0.007006558,0.00014910706,0.000065561224,0.0202503,1.0457589e-7,0.00076951867,0.010183228,0.67826796,0.283068],"study_design_scores_gemma":[0.0000780399,0.000017289412,0.000039762523,0.0020806573,0.00011100957,0.0000032469434,0.00007969113,0.00003754542,0.0000037391026,0.0013068329,0.9960342,0.00020796864],"about_ca_topic_score_codex":0.00041473817,"about_ca_topic_score_gemma":0.00004539982,"teacher_disagreement_score":0.31776628,"about_ca_system_score_codex":0.000039697774,"about_ca_system_score_gemma":0.0000542931,"threshold_uncertainty_score":0.9401924},"labels":[],"label_agreement":null},{"id":"W4383375000","doi":"10.1353/mlr.2023.a901156","title":"The Akunin Project: The Mysteries and Histories of Russia’s Bestselling Author ed. by Elena V. Baraban and Stephen M. Norris (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Sociopolitical Dynamics in Russia","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Art history; History; Publishing; Ninth; Popularity; Art; Classics; Literature; Law; Political science; Physics","score_opus":0.02278613618194981,"score_gpt":0.3596530893978206,"score_spread":0.3368669532158708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383375000","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005623961,0.9641468,0.000060094608,0.024972558,0.00013433592,0.0012754505,0.000045391007,0.00008332511,0.0036581014],"genre_scores_gemma":[0.049645502,0.94459206,0.000055046807,0.0009833685,0.000108116525,0.00015188925,0.0000095757,0.00002684457,0.004427615],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770594,0.0008789479,0.00037985473,0.00022131094,0.00042633785,0.0003876114],"domain_scores_gemma":[0.99807113,0.0011365452,0.00019051121,0.00047672229,0.00005514941,0.00006992002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003320131,0.00017044922,0.00039768696,0.0000155317,0.0008654737,0.00006460733,0.00055710063,0.0000619144,0.000021720261],"category_scores_gemma":[0.0009291427,0.00008022471,0.000091136906,0.00031549737,0.0013507252,0.00008466726,0.00017169188,0.00023632777,0.000009382431],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018040691,0.00004864282,0.0003001382,0.015346866,0.0002337448,0.000016171065,0.19114643,7.232963e-7,0.00011027552,0.3232434,0.12925778,0.34027776],"study_design_scores_gemma":[0.00021904052,0.00007694655,0.00035989587,0.010081997,0.0007688155,0.00001893616,0.0282202,0.00082690513,0.000013922493,0.01794219,0.9408541,0.00061710185],"about_ca_topic_score_codex":0.0010719652,"about_ca_topic_score_gemma":0.00027914604,"teacher_disagreement_score":0.8115963,"about_ca_system_score_codex":0.00006398067,"about_ca_system_score_gemma":0.00010466862,"threshold_uncertainty_score":0.66566116},"labels":[],"label_agreement":null},{"id":"W4387303333","doi":"10.1353/mlr.2023.a907874","title":"Chekhov's Children: Context and Text in Late Imperial Russia by Nadya L. Peterson (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Scholarship; Memoir; Literature; Miller; History; Art; Sociology; Law; Political science","score_opus":0.010317942917659242,"score_gpt":0.24566180124387677,"score_spread":0.23534385832621751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387303333","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036782518,0.9542741,0.0000026884104,0.0034836805,0.000110826186,0.00061360776,0.00011939063,0.000092561444,0.0045206016],"genre_scores_gemma":[0.34381112,0.63452154,0.0000063841394,0.010312513,0.0004277103,0.000095121206,0.00022009671,0.00004657227,0.01055893],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868006,0.00020691761,0.00037639448,0.00027291037,0.00018416373,0.00027958344],"domain_scores_gemma":[0.99924695,0.00007635804,0.00012848794,0.00047575042,0.000022588309,0.00004983526],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006446074,0.0002277338,0.00057218043,0.0000541968,0.0001231775,0.00008905494,0.0003060987,0.000033873326,0.0018614848],"category_scores_gemma":[0.00006158474,0.00013602455,0.00016627446,0.00013640993,0.00013612612,0.00013014204,0.0001037199,0.0002192692,0.0002525726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021734078,0.000060085815,0.000025255824,0.0069159847,0.00031476992,0.000058650763,0.1206886,0.000001125231,0.00029550545,0.006057927,0.22956753,0.6359928],"study_design_scores_gemma":[0.00083354913,0.00006987826,0.00012150781,0.022625634,0.00085530966,0.000039209575,0.0006959183,0.0004445196,0.000040237035,0.0017466346,0.9716979,0.0008296574],"about_ca_topic_score_codex":0.00023790669,"about_ca_topic_score_gemma":0.00020184627,"teacher_disagreement_score":0.7421304,"about_ca_system_score_codex":0.000020485571,"about_ca_system_score_gemma":0.0000113484275,"threshold_uncertainty_score":0.999051},"labels":[],"label_agreement":null},{"id":"W4387306775","doi":"10.1353/mlr.2023.a907869","title":"The Gastronomical Arts in Spain: Food and Etiquette ed. by Frederick A. de Armas and James Mandrell (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Culinary Culture and Tourism","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Etiquette; The arts; Humanities; Art; Classics; Art history; History; Visual arts; Law; Political science","score_opus":0.014221343590908864,"score_gpt":0.24054350345350928,"score_spread":0.2263221598626004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387306775","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23370945,0.7346893,0.000002102886,0.031009413,0.000011995256,0.00034065027,0.000010879638,0.00002672409,0.0001994639],"genre_scores_gemma":[0.06900541,0.92663676,0.000013764895,0.0036335941,0.00011127034,0.000048204834,0.000029973246,0.0000017019244,0.0005193052],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991596,0.00017013402,0.00017076622,0.00017808824,0.000081524624,0.00023992542],"domain_scores_gemma":[0.9996172,0.00018228503,0.000054306307,0.00007971741,0.0000073458295,0.000059108013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065892097,0.000120314406,0.00021898367,0.0000026028206,0.00012936843,0.000031037795,0.00016780251,0.000033418422,0.00004439401],"category_scores_gemma":[0.00004038054,0.000033403558,0.00006067012,0.00011754782,0.00006380035,0.000034541066,0.00010559084,0.00014332832,0.000023189601],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008623855,0.000029036153,0.00026813906,0.0007097536,0.000025784417,0.000030124824,0.0004222008,6.3808886e-7,0.003978109,0.000086519496,0.25099522,0.7434459],"study_design_scores_gemma":[0.00024059128,0.00021827375,0.010614397,0.004553791,0.00012257579,0.00017643372,0.00049326854,0.00026186596,0.00013611313,0.001178808,0.981611,0.00039285986],"about_ca_topic_score_codex":0.00006859597,"about_ca_topic_score_gemma":0.00014078931,"teacher_disagreement_score":0.74305296,"about_ca_system_score_codex":0.000008303545,"about_ca_system_score_gemma":0.000003338274,"threshold_uncertainty_score":0.13621576},"labels":[],"label_agreement":null},{"id":"W4387309134","doi":"10.1353/mlr.2023.a907875","title":"Blood of Others: Stalin's Crimean Atrocity and the Poetics of Solidarity by Rory Finnin (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Eastern European Communism and Reforms","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Solidarity; Poetics; Annexation; Context (archaeology); Politics; Russian literature; History; Law; Literature; Political science; Art; Poetry; Archaeology","score_opus":0.022994303187177757,"score_gpt":0.31668265016178776,"score_spread":0.29368834697461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387309134","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024861539,0.9587231,0.000056387926,0.0045301323,0.000033296903,0.00066121214,0.000045684166,0.000040645427,0.011047968],"genre_scores_gemma":[0.13851607,0.8582624,0.000024804005,0.0011668316,0.000035027526,0.000006598346,0.0000073713813,0.000014206732,0.0019666692],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803615,0.0010261291,0.00033217488,0.00010850775,0.000312349,0.00018472204],"domain_scores_gemma":[0.99891025,0.00021091755,0.00024775867,0.00053742813,0.000052184765,0.000041474068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035692637,0.00010527015,0.00041146652,0.000012802244,0.0001829992,0.000010329613,0.00064027274,0.000026068436,0.000062881205],"category_scores_gemma":[0.00025374087,0.000047835572,0.00014702651,0.00021684563,0.0007426733,0.00004671902,0.00022285266,0.00015649942,0.00001593358],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006991809,0.00039287997,0.00028834012,0.056082677,0.00065228273,0.00003598674,0.19778328,0.000004733757,0.0016441976,0.01717715,0.022154063,0.7037145],"study_design_scores_gemma":[0.01141446,0.000792866,0.0022498977,0.17448583,0.0112902615,0.00011298868,0.06327967,0.0013385747,0.003561744,0.037134655,0.69070673,0.0036323054],"about_ca_topic_score_codex":0.0009633105,"about_ca_topic_score_gemma":0.00013446687,"teacher_disagreement_score":0.7000822,"about_ca_system_score_codex":0.0000063182283,"about_ca_system_score_gemma":0.00003983174,"threshold_uncertainty_score":0.27364105},"labels":[],"label_agreement":null},{"id":"W4387309281","doi":"10.1353/mlr.2023.a907867","title":"Five Plays for the Archangel Raphael by Giovan Maria Cecchi (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Art; The Renaissance; Comedy; Literature; Classics; Art history","score_opus":0.0585126336077297,"score_gpt":0.2979097696858836,"score_spread":0.2393971360781539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387309281","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027014746,0.9744682,0.0002312575,0.015871262,0.00022724622,0.0017756069,0.00025804946,0.00014019593,0.0067580673],"genre_scores_gemma":[0.0067650024,0.949353,0.000012224828,0.011312187,0.00065485097,0.00096650125,0.000114307724,0.00004942213,0.030772517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986604,0.00010759304,0.0003139162,0.00025621874,0.0002563176,0.00040555923],"domain_scores_gemma":[0.9987141,0.0004102132,0.00013973162,0.00062386,0.000071908435,0.00004017053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088459987,0.00024446734,0.00050192047,0.00002583236,0.00066529744,0.000060912396,0.00054874807,0.000022970147,0.0005134022],"category_scores_gemma":[0.000101803795,0.000114426155,0.0003377701,0.00008832969,0.00023782303,0.000093466515,0.00015017722,0.00016025611,0.00043518108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008481844,0.000015430145,9.371181e-7,0.004776488,0.00019419762,0.000005118219,0.023835102,0.0000021109997,0.000020433381,0.0026032468,0.80467534,0.16386312],"study_design_scores_gemma":[0.00019476001,0.00003718497,0.000013991968,0.005011954,0.00043039944,0.0000053995727,0.0011899901,0.0005870334,0.000007930404,0.0018368763,0.99044406,0.00024039115],"about_ca_topic_score_codex":0.0002933817,"about_ca_topic_score_gemma":0.00032958144,"teacher_disagreement_score":0.18576875,"about_ca_system_score_codex":0.000013280059,"about_ca_system_score_gemma":0.000015297783,"threshold_uncertainty_score":0.5621394},"labels":[],"label_agreement":null},{"id":"W4387309588","doi":"10.1353/mlr.2023.a907864","title":"Zola's Painters by Robert Lethbridge (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Salon; Art; Art history; Criticism; Humanities; Literature; History","score_opus":0.015645012135761725,"score_gpt":0.2564195818779245,"score_spread":0.2407745697421628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387309588","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001394998,0.9410778,0.000021695078,0.012228937,0.00018887538,0.00050538563,0.000068854715,0.00019876787,0.045570172],"genre_scores_gemma":[0.008775821,0.80847836,0.0000055675855,0.05302227,0.00065437384,0.00015645126,0.00039232557,0.000046926103,0.1284679],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887973,0.00014990703,0.00026656032,0.00021373824,0.00021246403,0.00027762636],"domain_scores_gemma":[0.9992749,0.000042313088,0.00009544127,0.0004933444,0.000042926185,0.000051084735],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004969912,0.00020191145,0.00037951706,0.000016066988,0.00017906893,0.00008030178,0.00038103643,0.000027570437,0.002183072],"category_scores_gemma":[0.00004536393,0.000103806145,0.0002328551,0.000099358855,0.00009032818,0.00011604273,0.000057397865,0.00022286481,0.0011673247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010911319,0.00000887455,2.776571e-7,0.0034466337,0.000030046642,0.000016080354,0.008483082,1.4129405e-7,0.00008058185,0.0017084556,0.90483797,0.081386745],"study_design_scores_gemma":[0.00005451844,0.00001170627,0.0000013271141,0.010340657,0.00009750275,0.000009593236,0.00019703724,0.000027965863,0.000014446978,0.00018317802,0.9889024,0.00015967959],"about_ca_topic_score_codex":0.00004871197,"about_ca_topic_score_gemma":0.000039773804,"teacher_disagreement_score":0.13259944,"about_ca_system_score_codex":0.000012480469,"about_ca_system_score_gemma":0.000009209688,"threshold_uncertainty_score":0.99961036},"labels":[],"label_agreement":null},{"id":"W4387309970","doi":"10.1353/mlr.2023.a907866","title":"Selected Letters: A Bilingual Edition, 1523–1546 by Vittoria Colonna (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sonnet; Poetry; Classics; Art; Literature; History; Art history","score_opus":0.02768970828920287,"score_gpt":0.2723832165020774,"score_spread":0.24469350821287456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387309970","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008540616,0.97332865,0.000048463753,0.012199981,0.0005867951,0.00093908416,0.00015616094,0.00044777483,0.0037524463],"genre_scores_gemma":[0.034714136,0.9318648,0.000012270325,0.020081878,0.0027825676,0.00035438102,0.0004699633,0.0000820808,0.00963795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983054,0.00018244865,0.00041124233,0.00031096078,0.0003650525,0.00042490673],"domain_scores_gemma":[0.9989921,0.00013987855,0.00016233884,0.00049352064,0.0001558512,0.000056303856],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00062369916,0.00026924783,0.0005714588,0.00004101908,0.00043824394,0.00007258759,0.00036511358,0.000029421582,0.0011118556],"category_scores_gemma":[0.00020339774,0.00016408763,0.00018116826,0.00024060292,0.00019974365,0.00015640835,0.000097010576,0.00021581582,0.0013820011],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042913075,0.000026681008,0.0000030828212,0.0041851318,0.00010568484,0.000021042757,0.011296756,6.992508e-7,0.00057621975,0.00037358416,0.9684757,0.014931134],"study_design_scores_gemma":[0.0002182117,0.000049500024,0.000028478846,0.011686569,0.00034309347,0.000010839909,0.00045974602,0.00008617733,0.000069233385,0.00034710136,0.9862972,0.00040384274],"about_ca_topic_score_codex":0.00016902079,"about_ca_topic_score_gemma":0.00015532423,"teacher_disagreement_score":0.041463908,"about_ca_system_score_codex":0.000029809873,"about_ca_system_score_gemma":0.000040612675,"threshold_uncertainty_score":0.9998013},"labels":[],"label_agreement":null},{"id":"W4387322360","doi":"10.1353/mlr.2023.a907868","title":"Idealizing Women in the Italian Renaissance ed. by Elena Brizio and Marco Piana (review)","year":2023,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance and Early Modern Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Idealization; The Renaissance; Renaissance literature; Painting; Oppression; Art; Art history; Sociology; Early modern Europe; Classics; Ideal (ethics); History; Humanities; Philosophy; Law; Political science; Epistemology","score_opus":0.02852651331728328,"score_gpt":0.27368802601183206,"score_spread":0.24516151269454878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387322360","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010597867,0.9638086,0.0000055771984,0.008900988,0.00005902596,0.00071564893,0.000036384314,0.00008341754,0.015792508],"genre_scores_gemma":[0.10849788,0.87711763,0.0000028575844,0.008980054,0.00018740838,0.00030097575,0.000023973138,0.00002902837,0.0048601823],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828434,0.00025011876,0.00036367477,0.00027816565,0.00028761866,0.00053609343],"domain_scores_gemma":[0.99912304,0.00014747777,0.0001237431,0.0005266327,0.000028881019,0.000050240236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016779938,0.0002321496,0.0005406347,0.000034917153,0.00033715504,0.00009621822,0.00044120575,0.000022018181,0.00028323664],"category_scores_gemma":[0.000094487536,0.00012018819,0.00009896204,0.000143405,0.00023590324,0.000158164,0.00012015302,0.00021525905,0.00023361757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056173185,0.000023802686,0.000042584303,0.007581097,0.00006755208,0.00005055023,0.06539948,5.3447485e-7,0.000039240716,0.0020609205,0.7857713,0.1389573],"study_design_scores_gemma":[0.00020611793,0.00004202832,0.00024321383,0.013433255,0.000095550444,0.000020993455,0.00544763,0.00007931803,0.0000031046911,0.0019345756,0.97814286,0.00035137022],"about_ca_topic_score_codex":0.0004335691,"about_ca_topic_score_gemma":0.00031415027,"teacher_disagreement_score":0.19237153,"about_ca_system_score_codex":0.000028528228,"about_ca_system_score_gemma":0.000013777038,"threshold_uncertainty_score":0.4901132},"labels":[],"label_agreement":null},{"id":"W4390614991","doi":"10.1353/mlr.2024.a916735","title":"Lost and Found Voices: Four Gay Male Writers in Exile by Luc Beaudoin (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Soviet and Russian History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; History; Subject (documents); Gender studies; Human sexuality; Sociology; Literature; Art","score_opus":0.028450540979271535,"score_gpt":0.33128082702117834,"score_spread":0.3028302860419068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390614991","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008554717,0.9395771,0.000032798158,0.0067765536,0.00017697796,0.00080608675,0.0000147767805,0.000051113977,0.051709093],"genre_scores_gemma":[0.011123276,0.9624805,0.000049560433,0.0045073065,0.00018034421,0.00007234421,0.000010085611,0.000022833105,0.021553792],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985505,0.00038071212,0.0002586881,0.00026101086,0.0002737457,0.0002753954],"domain_scores_gemma":[0.99940884,0.00015971159,0.00005726281,0.00027616607,0.000012284054,0.00008573273],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016022687,0.00014430516,0.00033160753,0.00003467106,0.00013720081,0.0000478415,0.00029575237,0.000053508706,0.0014163856],"category_scores_gemma":[0.00009526034,0.00009390014,0.00011167592,0.00029210982,0.00019269201,0.00014876091,0.00005124538,0.00020177024,0.00041216667],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004928952,0.000044750817,0.00007348779,0.024076322,0.000048686223,0.00027618906,0.030204946,2.5253814e-7,0.000097708034,0.0018856756,0.42794535,0.5153417],"study_design_scores_gemma":[0.00007066004,0.000010044713,0.000038462476,0.018557422,0.000102279126,0.000023368622,0.0004316633,0.000055153607,0.0000010932864,0.00031588617,0.98020846,0.00018548073],"about_ca_topic_score_codex":0.0007779387,"about_ca_topic_score_gemma":0.0008854912,"teacher_disagreement_score":0.55226314,"about_ca_system_score_codex":0.0001030736,"about_ca_system_score_gemma":0.00008581913,"threshold_uncertainty_score":0.99949646},"labels":[],"label_agreement":null},{"id":"W4393349441","doi":"10.1353/mlr.2024.a923561","title":"Biopolitics, Geopolitics, Life: Settler States and Indigenous Presence ed. by René Dietrich and Kerstin Knopf (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Race, Genetics, and Society","field":"Biochemistry, Genetics and Molecular Biology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biopower; Indigenous; Geopolitics; Sociology; Anthropology; History; Gerontology; Gender studies; Political science; Medicine; Biology; Politics; Ecology; Law","score_opus":0.005780492075369748,"score_gpt":0.26769463048085823,"score_spread":0.2619141384054885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393349441","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07050082,0.9270299,0.0002855505,0.0010752323,0.00009264967,0.0005428966,0.00021639078,0.000027469425,0.00022907478],"genre_scores_gemma":[0.04049908,0.95187134,0.0001166099,0.004675211,0.00021514995,0.00003512859,0.00021555493,0.00003834147,0.0023336047],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985387,0.00016096383,0.00029797337,0.00044760603,0.0001669187,0.00038785068],"domain_scores_gemma":[0.99909806,0.00007248167,0.00006636247,0.00052863726,0.000060468377,0.0001739761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056071614,0.00024072557,0.00032819528,0.000015715492,0.00013034836,0.00005559077,0.00022875948,0.00010170155,0.00002864882],"category_scores_gemma":[0.00026722412,0.00016725567,0.00010122431,0.00008933414,0.0002769081,0.0000058192145,0.00021104496,0.00017456462,0.000016989196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014278558,0.00012363361,0.00035868722,0.04895368,0.00064604933,0.00004702229,0.005786969,0.000004938747,0.011304219,0.0004007119,0.81467575,0.117684044],"study_design_scores_gemma":[0.00061283907,0.0004934139,0.00024657787,0.014564155,0.0013566068,0.00030674675,0.0014447551,0.0013467391,0.0064618443,0.0028707446,0.96863645,0.0016591091],"about_ca_topic_score_codex":0.00009116181,"about_ca_topic_score_gemma":0.000006992998,"teacher_disagreement_score":0.15396069,"about_ca_system_score_codex":0.000014847791,"about_ca_system_score_gemma":0.000082699866,"threshold_uncertainty_score":0.68204886},"labels":[],"label_agreement":null},{"id":"W4393349456","doi":"10.1353/mlr.2024.a923556","title":"The Family Novel in Russia and England, 1800–1880 by Anna A. Berman (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Soviet and Russian History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Genealogy; Sociology; Art; Art history","score_opus":0.015817770913870415,"score_gpt":0.314453330898702,"score_spread":0.29863555998483154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393349456","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011645594,0.96025366,0.000021503254,0.01114068,0.00020644677,0.0005876678,0.000014322649,0.00005823719,0.026552929],"genre_scores_gemma":[0.026189394,0.9647963,0.000013223926,0.003835277,0.00019022214,0.00006541679,0.000007294303,0.000017668248,0.0048852204],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986633,0.00031840222,0.00025293566,0.00021436138,0.0002736131,0.00027736934],"domain_scores_gemma":[0.99932504,0.00023418124,0.000053839598,0.00030358092,0.0000122696,0.0000711179],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021360558,0.00013670005,0.0002689874,0.000018877727,0.0003370596,0.00005592056,0.00037440608,0.00004942904,0.000058601985],"category_scores_gemma":[0.00011981044,0.00006804378,0.00009744465,0.0002647647,0.0002441998,0.0000860558,0.000056090543,0.0002518527,0.00008921623],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032905205,0.000025343068,0.000015147755,0.0035827276,0.00003147695,0.00004303105,0.019291237,7.8547366e-8,0.00012110962,0.009094674,0.12330173,0.8444902],"study_design_scores_gemma":[0.000072420225,0.0000056483723,0.00009050587,0.0055304253,0.00006138797,0.0000070655515,0.00024105885,0.00007363529,8.138319e-7,0.00021937376,0.9935821,0.000115540046],"about_ca_topic_score_codex":0.0008131845,"about_ca_topic_score_gemma":0.00065209984,"teacher_disagreement_score":0.8702804,"about_ca_system_score_codex":0.00006473545,"about_ca_system_score_gemma":0.000096436386,"threshold_uncertainty_score":0.2774745},"labels":[],"label_agreement":null},{"id":"W4400414930","doi":"10.1353/mlr.2024.a930822","title":"Shakespeare’s Tutor: The Influence of Thomas Kyd by Darren Freebury-Jones (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Shakespeare, Adaptation, and Literary Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"TUTOR; Art; Performance art; Art history; Philosophy; Psychology; Mathematics education","score_opus":0.020650401926611342,"score_gpt":0.2703190348944265,"score_spread":0.24966863296781516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400414930","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043669296,0.9692266,0.000037099886,0.0043197344,0.00022868624,0.0006954184,0.00023991475,0.00011883896,0.020766804],"genre_scores_gemma":[0.22108406,0.72487867,0.000033676402,0.013280217,0.00092781696,0.0002004662,0.00015814108,0.00008478183,0.039352182],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983365,0.00027138,0.00052125135,0.00025852147,0.00037046082,0.00024190069],"domain_scores_gemma":[0.99873817,0.00029888505,0.00010907518,0.0006957031,0.00011153204,0.00004661158],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008023589,0.00023558283,0.00042759257,0.00002945459,0.00020501748,0.00013699869,0.00060720585,0.000026702859,0.0020890436],"category_scores_gemma":[0.000116770425,0.00011657196,0.00023701058,0.00010267271,0.00030964252,0.0002841387,0.0000660026,0.00022964651,0.0001992578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009748081,0.00009550833,0.0000062981753,0.04195726,0.00030282003,0.00006393342,0.19251171,0.000014779472,0.00036834186,0.12901506,0.438313,0.19734153],"study_design_scores_gemma":[0.00005432471,0.000025216614,0.000021226864,0.01710172,0.00031105903,0.000024277715,0.0007238125,0.00013420788,0.00001689565,0.0015064263,0.97989166,0.00018915081],"about_ca_topic_score_codex":0.00031037122,"about_ca_topic_score_gemma":0.00010491905,"teacher_disagreement_score":0.54157865,"about_ca_system_score_codex":0.000017174278,"about_ca_system_score_gemma":0.000056278874,"threshold_uncertainty_score":0.99882317},"labels":[],"label_agreement":null},{"id":"W4400414991","doi":"10.1353/mlr.2024.a930829","title":"The ‘Decameron’ Eighth Day in Perspective ed. by William Robins (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Environmental ethics; Art; Philosophy; Visual arts","score_opus":0.009036305446658163,"score_gpt":0.26501472249619373,"score_spread":0.25597841704953556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400414991","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000040234114,0.91532165,0.000013693516,0.010077846,0.00025866556,0.00062971766,0.000053727268,0.00006965985,0.07353481],"genre_scores_gemma":[0.010543717,0.94265944,0.0000029531775,0.006772959,0.0005631435,0.00015013656,0.000041054413,0.000030965115,0.039235648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987451,0.00022643244,0.000280743,0.00026994242,0.0002094369,0.00026836497],"domain_scores_gemma":[0.99925566,0.00011064976,0.00006232495,0.0004814482,0.000053689015,0.000036226156],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005824996,0.00022464176,0.0003443033,0.000014790089,0.00024271298,0.00024097775,0.00042102585,0.00003169609,0.0010501127],"category_scores_gemma":[0.00004298017,0.000091552596,0.0002059161,0.0001012342,0.00016264651,0.0001716845,0.000047430687,0.00041816037,0.0003132148],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016499581,0.000018754106,2.3032908e-7,0.0021007985,0.000055286735,0.00002564631,0.035341743,2.0653546e-7,0.000024281913,0.057470124,0.850272,0.054689296],"study_design_scores_gemma":[0.00003943721,0.000015412781,0.0000011453737,0.015510694,0.00010839275,0.000009563117,0.0010847376,0.000019465933,0.000007998191,0.0013232387,0.98173046,0.0001494755],"about_ca_topic_score_codex":0.00007936069,"about_ca_topic_score_gemma":0.00023821782,"teacher_disagreement_score":0.13145846,"about_ca_system_score_codex":0.00005671209,"about_ca_system_score_gemma":0.000027892793,"threshold_uncertainty_score":0.9998631},"labels":[],"label_agreement":null},{"id":"W4400415008","doi":"10.1353/mlr.2024.a930824","title":"Crusoe’s Books: Readers in the Empire of Print, 1800–1918 by Bill Bell (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Literature: history, themes, analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Empire; Art; History; Ancient history","score_opus":0.029745539198555063,"score_gpt":0.27203486271467203,"score_spread":0.24228932351611698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400415008","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003090034,0.96921617,0.000021527743,0.005942878,0.00012930346,0.00070279837,0.000084773,0.000060227736,0.0235333],"genre_scores_gemma":[0.061576683,0.8716665,0.000029781224,0.024025379,0.00050747604,0.00021925886,0.00013272728,0.000087502296,0.041754723],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981132,0.0004279334,0.0005664766,0.00029907402,0.00034996032,0.0002433401],"domain_scores_gemma":[0.9986683,0.0001620196,0.00015541547,0.0009270515,0.00005329245,0.000033907083],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012873178,0.00025133276,0.000599084,0.00007050057,0.00011275772,0.00007638091,0.00070530956,0.000037719296,0.0015928819],"category_scores_gemma":[0.00006319343,0.00011037437,0.00038374323,0.00015223617,0.00023856938,0.00013335727,0.00006354414,0.0003464293,0.00013161244],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061913174,0.000118874064,0.0000022880515,0.031175474,0.00032841417,0.00007452095,0.26298746,9.66948e-7,0.00014455247,0.00992812,0.5922676,0.102965534],"study_design_scores_gemma":[0.00005306299,0.000018018194,0.0000010488902,0.014196855,0.00054627686,0.000010568714,0.0012259799,0.000073826726,0.000011805184,0.0006677679,0.9830207,0.00017405346],"about_ca_topic_score_codex":0.0006343253,"about_ca_topic_score_gemma":0.00048520957,"teacher_disagreement_score":0.39075315,"about_ca_system_score_codex":0.00005549002,"about_ca_system_score_gemma":0.000041711282,"threshold_uncertainty_score":0.9993198},"labels":[],"label_agreement":null},{"id":"W4400415149","doi":"10.1353/mlr.2024.a930817","title":"Plays in Scots by Michel Tremblay (review)","year":2024,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scots; Scots pine; Michel foucault; Art; Literature; Political science; Law; Pinus <genus>; Biology; Botany","score_opus":0.02194689168814512,"score_gpt":0.2774716559293721,"score_spread":0.255524764241227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400415149","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00083549164,0.9646054,0.000012669391,0.002586745,0.00024886982,0.00034979312,0.00004837939,0.000061667124,0.031250987],"genre_scores_gemma":[0.027661992,0.8965574,0.000008500392,0.01287104,0.00039880292,0.000101686535,0.00009520726,0.000031830325,0.062273577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991188,0.000120773715,0.0002546216,0.00017731597,0.00019435574,0.00013410932],"domain_scores_gemma":[0.9995997,0.00008719722,0.000041065356,0.00022121225,0.000023777848,0.000027054595],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00063221925,0.00011739059,0.000243152,0.000039130988,0.00008284924,0.00005020629,0.00023450505,0.000017824863,0.004026003],"category_scores_gemma":[0.000054034746,0.00007502072,0.0001229432,0.00007209354,0.00006990175,0.00016733969,0.000030881405,0.0001717867,0.0008804719],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020000787,0.000040738196,0.0000012472383,0.0111602135,0.000031717413,0.000053621716,0.0051694126,3.986285e-7,0.00011269459,0.012211232,0.91571397,0.055502765],"study_design_scores_gemma":[0.000048954083,0.000006742834,0.0000045162988,0.01555525,0.000090126945,0.0000122393985,0.000038015372,0.000095217874,0.000014619602,0.00071557745,0.98329246,0.00012628747],"about_ca_topic_score_codex":0.00027238915,"about_ca_topic_score_gemma":0.0008132089,"teacher_disagreement_score":0.06804804,"about_ca_system_score_codex":0.000054800585,"about_ca_system_score_gemma":0.000029331526,"threshold_uncertainty_score":0.9998975},"labels":[],"label_agreement":null}]}