{"meta":{"query_hash":"bb909f6a2785","filters":{"venue":"The Poster"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/bb909f6a2785","api":"https://metacan.xera.ac/api/v1/cohort?venue=The+Poster"},"results":[{"id":"W2324015500","doi":"10.1386/post.3.1-2.59_5","title":"On the art of propaganda posters in post-revolutionary Ukraine: A review article","year":2015,"lang":"en","type":"review","venue":"The Poster","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ukrainian; Exhibition; Politics; Political science; Media studies; Art history; Art; Sociology; Law; Philosophy","score_opus":0.09308082968878449,"score_gpt":0.3880002123113883,"score_spread":0.2949193826226038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2324015500","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000083484185,0.9471264,8.23185e-8,0.032426063,0.00030439452,0.0015253894,0.000034802353,0.000011775945,0.018487638],"genre_scores_gemma":[0.00025730068,0.9942662,0.0000025264217,0.00249786,0.00016638111,0.00013806764,0.000015619458,0.000012604913,0.0026434348],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974978,0.0011448775,0.00047102832,0.00019188001,0.00043582785,0.00025860616],"domain_scores_gemma":[0.9984274,0.00065243343,0.0002068976,0.00042632298,0.00022924073,0.000057728612],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027991564,0.00018284096,0.0006644092,0.000058647984,0.00020910364,0.000011221762,0.00048460072,0.000075988995,0.00028653696],"category_scores_gemma":[0.0008844512,0.000086738306,0.0002274067,0.00043841152,0.000414933,0.00006123438,0.00010642612,0.00025457275,0.00047838982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026683141,0.00027694114,0.000025802177,0.011748434,0.00017655922,0.0000036893025,0.043938454,1.0481359e-7,1.7531904e-7,0.009174701,0.74062175,0.19400673],"study_design_scores_gemma":[0.00004251817,0.00004020224,0.00003806308,0.009476295,0.00016292861,0.0000035130174,0.0012573521,7.415312e-8,4.6728125e-8,0.00057054963,0.98830014,0.00010830213],"about_ca_topic_score_codex":0.00042233814,"about_ca_topic_score_gemma":0.00055142486,"teacher_disagreement_score":0.24767843,"about_ca_system_score_codex":0.00012942356,"about_ca_system_score_gemma":0.0005755015,"threshold_uncertainty_score":0.61488926},"labels":[],"label_agreement":null},{"id":"W2912988450","doi":"10.1386/post.5.1.29_1","title":"The mediated arena: Re-image-ining the epideictic in the digital age","year":2017,"lang":"en","type":"article","venue":"The Poster","topic":"Rhetoric and Communication Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Performative utterance; Rhetorical question; Sociology; Media studies; Musical; Rhetoric; Politics; Explication; Entertainment; Aesthetics; Law; Visual arts; Art; Literature; Political science; Linguistics; Philosophy","score_opus":0.09976575476305209,"score_gpt":0.29504228759095097,"score_spread":0.19527653282789886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912988450","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060591493,0.0010089763,0.0000032468622,0.113670915,0.00043259287,0.00027000427,0.0000137154275,0.000031476986,0.8239776],"genre_scores_gemma":[0.98809963,0.00017416691,7.353326e-7,0.0013313148,0.00028886014,0.000047336853,0.0000033472916,0.000008645485,0.010045931],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999237,0.00016422212,0.00017836253,0.00007921528,0.00016290462,0.00017831301],"domain_scores_gemma":[0.9971719,0.0014072721,0.0001406008,0.0012256999,0.000044207954,0.000010346754],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007190304,0.0000959976,0.000097203265,0.000009586617,0.0036709066,0.0016515712,0.0014417686,0.000014315109,0.000057102705],"category_scores_gemma":[0.00031994554,0.000030489728,0.0000594664,0.000015256204,0.00085593306,0.00018995958,0.00035614043,0.00023377777,0.0002249601],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005800522,0.00006752326,0.001406999,0.0000069886464,0.0001661815,0.0000128765005,0.723075,7.721409e-7,0.0000052748255,0.2161423,0.04599745,0.013060681],"study_design_scores_gemma":[0.00020883253,0.000028665074,0.02044564,0.000026085196,0.000026713262,0.0000037881448,0.09447728,0.000028802278,0.0000030576075,0.00665285,0.87799364,0.000104639534],"about_ca_topic_score_codex":0.00019604898,"about_ca_topic_score_gemma":0.0016676112,"teacher_disagreement_score":0.9275082,"about_ca_system_score_codex":0.0000101880405,"about_ca_system_score_gemma":0.000008940351,"threshold_uncertainty_score":0.9993848},"labels":[],"label_agreement":null},{"id":"W4252868366","doi":"10.1386/post.1.1.121_4","title":"Reviews","year":2010,"lang":"en","type":"article","venue":"The Poster","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Queen (butterfly); Art history; Art; Media studies; Sociology; Biology","score_opus":0.03783096477093162,"score_gpt":0.24026117466571176,"score_spread":0.20243020989478014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252868366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4977065,0.0003683173,0.0000014282095,0.014119378,0.0012985213,0.00017714336,0.0000062872177,0.00002223418,0.4863002],"genre_scores_gemma":[0.96857786,0.000023689543,0.000005879884,0.0016340332,0.0005503901,0.000006895812,0.0000010420746,0.0000038645876,0.029196328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997988,0.000014239613,0.000062165695,0.000041195897,0.000026857579,0.000056763252],"domain_scores_gemma":[0.99978065,0.000021012323,0.000020172849,0.00015321809,0.000013468922,0.000011484404],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012510108,0.000036758764,0.000048320187,0.000011045322,0.00014256267,0.000067766625,0.000096698546,0.0000070866777,0.00365763],"category_scores_gemma":[0.000007918038,0.000017341097,0.00003943901,0.000006746665,0.00010673,0.000034919667,0.000020000445,0.00009730599,0.0003321939],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041769704,0.000011982798,0.00009826965,0.0000034837105,0.0000064876203,3.2840046e-7,0.044373903,4.6776014e-9,0.0010234478,0.90291804,0.043835904,0.0077239787],"study_design_scores_gemma":[0.00003300147,0.000008498342,0.0002135244,0.0000027013784,0.0000035436274,0.0000010427689,0.000206205,0.0000013096982,0.000053707765,0.009592496,0.98985136,0.00003262298],"about_ca_topic_score_codex":0.000021276799,"about_ca_topic_score_gemma":0.0014835197,"teacher_disagreement_score":0.9460154,"about_ca_system_score_codex":5.040152e-7,"about_ca_system_score_gemma":0.0000022470595,"threshold_uncertainty_score":0.9972532},"labels":[],"label_agreement":null}]}