{"meta":{"query_hash":"08edf865ae26","filters":{"venue":"Transnational Cinemas"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/08edf865ae26","api":"https://metacan.xera.ac/api/v1/cohort?venue=Transnational+Cinemas"},"results":[{"id":"W2023136982","doi":"10.1080/20403526.2014.895622","title":"Unstable and sustainable: the film festival institution and the case of the Franco-Arab Film Festival in the Occupied Palestinian Territories","year":2014,"lang":"en","type":"article","venue":"Transnational Cinemas","topic":"Sport and Mega-Event Impacts","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Temporalities; Movie theater; Rhetoric; Institution; Articulation (sociology); Sustainability; Film festival; Order (exchange); Media studies; Sociology; Political science; Visual arts; Social science; Art; Law; Politics; Business","score_opus":0.013168724160563602,"score_gpt":0.27225108887977695,"score_spread":0.25908236471921336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023136982","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95579714,0.00015185785,0.00013914908,0.035202138,0.00023431865,0.00067854923,0.000018805897,0.000014136717,0.0077639106],"genre_scores_gemma":[0.99886626,0.00001546184,0.000026636626,0.00029209,0.00019178173,0.00003182373,0.0000071455006,0.0000050675267,0.0005637456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9985531,0.00042970732,0.00021817889,0.00014514019,0.00038782696,0.00026603896],"domain_scores_gemma":[0.9985861,0.0009794908,0.00009833082,0.0001600092,0.00012912154,0.000046932],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027865053,0.00011761451,0.00015099267,0.00004145586,0.001127451,0.00008049949,0.00023861228,0.00006971128,0.000027072683],"category_scores_gemma":[0.00079715037,0.00005234643,0.000045179047,0.00041356092,0.0012642512,0.00021953616,0.00002254457,0.00020804354,2.5904458e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092906164,0.00003238544,0.0074332952,0.00002503047,0.000009673,0.000015361287,0.02312025,0.0002010991,0.000009655688,0.9682502,0.00022891251,0.00058123213],"study_design_scores_gemma":[0.0055849594,0.00012805739,0.6612226,0.000084923995,0.00016588786,0.00027162427,0.049795654,0.0014618392,0.000101675294,0.053479593,0.22736153,0.00034164896],"about_ca_topic_score_codex":0.00451955,"about_ca_topic_score_gemma":0.013290418,"teacher_disagreement_score":0.9147706,"about_ca_system_score_codex":0.000028670296,"about_ca_system_score_gemma":0.0002815031,"threshold_uncertainty_score":0.86715555},"labels":[],"label_agreement":null},{"id":"W2078452175","doi":"10.1386/trac.2.2.163_1","title":"Repatriation of overseas Chinese stars in post-1997 Hong Kong cinema: Daniel Wu, a case study","year":2012,"lang":"en","type":"article","venue":"Transnational Cinemas","topic":"Hong Kong and Taiwan Politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Repatriation; Movie theater; Media studies; Stars; Art; Art history; Political science; History; Sociology; Archaeology; Astronomy; Physics","score_opus":0.02571437141047105,"score_gpt":0.33877358681919434,"score_spread":0.3130592154087233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078452175","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99181044,0.000054080934,0.00005879115,0.0017955394,0.0002510167,0.00047894588,0.00006663729,0.00006459782,0.0054199747],"genre_scores_gemma":[0.99908495,0.0000031405036,0.00018216408,0.00005655299,0.00026736732,0.000010043249,0.000028916913,0.000018574334,0.00034828036],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99812883,0.0002760611,0.00041081407,0.00018106746,0.0006524619,0.0003507574],"domain_scores_gemma":[0.99901086,0.00032549212,0.000113907285,0.00015437526,0.00023855659,0.00015678743],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001309489,0.0001334076,0.0002236701,0.0002315827,0.00015564171,0.000018594572,0.000116711286,0.00008545642,0.0001249529],"category_scores_gemma":[0.00035652195,0.00012762085,0.00008885622,0.00057570153,0.00009081779,0.00042142722,0.000011939818,0.00014636904,0.0000026250661],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074498865,0.0013469282,0.61948895,0.000043438096,0.00006995334,0.00020276733,0.10244745,0.0002512933,0.00022764652,0.27545753,0.00015948601,0.00023005175],"study_design_scores_gemma":[0.0035887454,0.0002216065,0.9103566,0.000017433693,0.000107320935,0.00006323719,0.08204148,0.00024818967,0.000031196654,0.0013649542,0.0015843299,0.00037489855],"about_ca_topic_score_codex":0.0045543,"about_ca_topic_score_gemma":0.021618176,"teacher_disagreement_score":0.29086766,"about_ca_system_score_codex":0.00011844886,"about_ca_system_score_gemma":0.00032100658,"threshold_uncertainty_score":0.9962347},"labels":[],"label_agreement":null},{"id":"W2164248744","doi":"10.1080/20403526.2014.941185","title":"An unexpected controversy in Middle-earth: audience encounters with the ‘dark side’ of transnational film production","year":2014,"lang":"en","type":"article","venue":"Transnational Cinemas","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Sociology; Politics; Context (archaeology); Cosmopolitanism; Exceptionalism; Media studies; Aesthetics; Political economy; Political science; Law; History","score_opus":0.011203615281563838,"score_gpt":0.25276616442361616,"score_spread":0.24156254914205233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2164248744","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85535526,0.000047234025,0.005875187,0.12420675,0.00027910288,0.00053125684,0.00002695296,0.000048109392,0.013630143],"genre_scores_gemma":[0.99858624,0.000003739271,0.0003774656,0.00030268903,0.00014261932,0.00002976763,0.000048229598,0.0000063118064,0.0005029688],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9982581,0.00026640177,0.00023183537,0.00024058863,0.0008161251,0.00018690943],"domain_scores_gemma":[0.9989865,0.00034570222,0.00009271659,0.00013488525,0.00037575176,0.00006444586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094223605,0.000102801045,0.00017169431,0.000155042,0.00018447137,0.000028678829,0.00019962768,0.00006767005,0.00012067838],"category_scores_gemma":[0.00012824658,0.00007114234,0.00006322349,0.0007214409,0.00034631047,0.00035997806,0.000001603593,0.00014847651,6.813193e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015447216,0.00015816286,0.0021172862,0.0000213357,0.000053142536,0.0000013395343,0.044373825,0.0050619757,0.008388554,0.93924975,0.00011930669,0.00030083253],"study_design_scores_gemma":[0.015523545,0.0020860992,0.6269029,0.00031786988,0.0010279435,0.00002538378,0.09533532,0.017386204,0.018760076,0.053244233,0.16697717,0.0024132906],"about_ca_topic_score_codex":0.00013243311,"about_ca_topic_score_gemma":0.01654,"teacher_disagreement_score":0.8860055,"about_ca_system_score_codex":0.000035256835,"about_ca_system_score_gemma":0.00022849374,"threshold_uncertainty_score":0.92297083},"labels":[],"label_agreement":null}]}