{"meta":{"query_hash":"6979862ef02a","filters":{"venue":"Twentieth Century Literature"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/6979862ef02a","api":"https://metacan.xera.ac/api/v1/cohort?venue=Twentieth+Century+Literature"},"results":[{"id":"W1909364828","doi":"10.1215/0041462x-3112288","title":"<i>Modernist Voyages: Colonial Women Writers in London, 1890–1945</i> by Anna Snaith","year":2015,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Colonialism; Modernism (music); Scholarship; Feminism; Art history; Literature; Art; Aesthetics; Sociology; History; Gender studies; Political science; Law","score_opus":0.015430692196817175,"score_gpt":0.2171309321269022,"score_spread":0.20170023993008504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1909364828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8680609,0.050130755,0.0000020596246,0.006507416,0.00901909,0.0010217107,0.002509466,0.00039253256,0.062356096],"genre_scores_gemma":[0.90139383,0.00065108825,0.00003842301,0.0045346366,0.0013286832,0.00013274084,0.00087449484,0.000051644176,0.09099448],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99746174,0.00016127984,0.00048605338,0.00055923976,0.0004533987,0.00087828754],"domain_scores_gemma":[0.9989312,0.000032995675,0.00015729383,0.0002934105,0.00025667032,0.00032839362],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00027541025,0.000477293,0.00051573856,0.0001263744,0.00036051564,0.0010114365,0.00038582835,0.000173681,0.0004646469],"category_scores_gemma":[0.000033835233,0.00036387114,0.00013766675,0.0002108178,0.00030149866,0.0010425262,0.00015644588,0.0005914749,0.0001217834],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005256197,0.00032754726,0.0013109475,0.00011137296,0.00009190366,0.00011535907,0.39354888,0.000002209933,0.0001377935,0.0053340695,0.5970969,0.0013974009],"study_design_scores_gemma":[0.001561974,0.00031339523,0.00036242913,0.00017377781,0.000017015886,0.000009675343,0.0047923895,0.00001304107,0.00002857268,0.0011025328,0.99113244,0.0004927356],"about_ca_topic_score_codex":0.00014995626,"about_ca_topic_score_gemma":0.00031134445,"teacher_disagreement_score":0.39403555,"about_ca_system_score_codex":0.00022093976,"about_ca_system_score_gemma":0.00005695327,"threshold_uncertainty_score":0.9998813},"labels":[],"label_agreement":null},{"id":"W196365649","doi":"10.1215/0041462x-2011-3003","title":"Elizabeth Bishop’s Poetics of Description by Zachariah Pickard, A Poet’s High Argument: Elizabeth Bishop and Christianity by Laurel Snow Corelle","year":2011,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Icon; Argument (complex analysis); Citation; Art; Christianity; Art history; Literature; History; Poetry; Computer science; Archaeology; World Wide Web","score_opus":0.017757872414489284,"score_gpt":0.20436307362012174,"score_spread":0.18660520120563245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W196365649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70647806,0.22044556,0.001274168,0.0012338486,0.013958528,0.0016643341,0.012812714,0.00057037256,0.04156242],"genre_scores_gemma":[0.9749265,0.0069739907,0.00025869656,0.0006989719,0.00038367772,0.000021469206,0.0019446069,0.00006646105,0.014725651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972027,0.00021883217,0.0007315088,0.0006649735,0.00053479907,0.0006471918],"domain_scores_gemma":[0.9983045,0.000064440355,0.00037304254,0.0005559049,0.00041248268,0.00028964033],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038786512,0.00052900094,0.00067937165,0.00021259485,0.000469045,0.00051146524,0.00038529988,0.00033637983,0.0025324256],"category_scores_gemma":[0.00007324691,0.0004587014,0.00024902783,0.00023608685,0.00046658472,0.00065386447,0.0001460756,0.0006640993,0.000027161344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029312808,0.0016824768,0.0014221239,0.00061914016,0.00063202746,0.000034459055,0.078722216,7.003474e-7,0.0059056864,0.08916115,0.8193545,0.0021724224],"study_design_scores_gemma":[0.0019925958,0.00055002456,0.0008627152,0.0006980831,0.0007792878,0.000013919039,0.0050521707,0.0001566945,0.003521186,0.0054009883,0.9798969,0.0010754227],"about_ca_topic_score_codex":0.0005266185,"about_ca_topic_score_gemma":0.000093950075,"teacher_disagreement_score":0.2684484,"about_ca_system_score_codex":0.000047776906,"about_ca_system_score_gemma":0.00003381236,"threshold_uncertainty_score":0.9997865},"labels":[],"label_agreement":null},{"id":"W7126238550","doi":"10.1215/0041462x-12201829","title":"Stories for a Burning World: Marek Oziewicz on Climate Literacy and Youth Literature","year":2025,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anthropocene; CLARITY; Climate change; Climate justice; Literacy; The arts; Literary criticism; State (computer science); Theme (computing)","score_opus":0.011432012694269965,"score_gpt":0.24659243393098104,"score_spread":0.23516042123671108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126238550","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19440624,0.39115268,0.00011908987,0.008598622,0.042421423,0.005401777,0.03706892,0.0013792986,0.31945196],"genre_scores_gemma":[0.86601776,0.0033442427,0.0010428216,0.008161046,0.0024907556,0.00017766438,0.0069889943,0.00012251147,0.111654215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756294,0.00010431947,0.00049492146,0.00079900323,0.000260858,0.0007779737],"domain_scores_gemma":[0.99888045,0.00016180142,0.00014279738,0.00049858,0.00014848857,0.00016785752],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00024450256,0.00060709624,0.00050423277,0.0005224035,0.0009883385,0.0031967536,0.00027766768,0.00022186535,0.00023235615],"category_scores_gemma":[0.00004426086,0.00049627403,0.00025629153,0.00034228415,0.00022284564,0.0010568526,0.00016341603,0.00084269536,0.000015381824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006491044,0.00023416567,0.00057013513,0.0015388018,0.00014062416,0.00003582778,0.2261302,0.0000023785196,0.00007567749,0.7388111,0.025737997,0.0060740295],"study_design_scores_gemma":[0.0012308791,0.00017928699,0.00044451156,0.003968702,0.00014524216,0.000006098244,0.0036155046,0.000024887215,0.000067118206,0.0048067565,0.9849593,0.00055173313],"about_ca_topic_score_codex":0.000004724781,"about_ca_topic_score_gemma":0.000021617388,"teacher_disagreement_score":0.9592213,"about_ca_system_score_codex":0.00007358454,"about_ca_system_score_gemma":0.00001773255,"threshold_uncertainty_score":0.9997489},"labels":[],"label_agreement":null}]}