{"meta":{"query_hash":"6979862ef02a","filters":{"venue":"Twentieth Century Literature"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/6979862ef02a","api":"https://metacan.xera.ac/api/v1/cohort?venue=Twentieth+Century+Literature"},"results":[{"id":"W1909364828","doi":"10.1215/0041462x-3112288","title":"<i>Modernist Voyages: Colonial Women Writers in London, 1890–1945</i> by Anna Snaith","year":2015,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Postcolonial and Cultural Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Colonialism; Modernism (music); Scholarship; Feminism; Art history; Literature; Art; Aesthetics; Sociology; History; Gender studies; Political science; Law","score_opus":0.015430692196817175,"score_gpt":0.2171309321269022,"score_spread":0.20170023993008504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1909364828","genre_codex":"empirical","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44006968,0.22388999,0.00045573447,0.19823608,0.0060317516,0.00007800609,0.000398752,0.00007920792,0.13076086],"genre_scores_gemma":[0.82584244,0.037003655,0.0003810974,0.013316324,0.0019785806,0.0001083334,0.000090903144,0.0001373732,0.12114128],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988949,0.00046527336,0.000085741674,0.00011841168,0.00024581817,0.00018995393],"domain_scores_gemma":[0.9981468,0.0009192293,0.0003956596,0.0000753626,0.00019291941,0.00027009138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016706461,0.0004665109,0.00033191912,0.0015204058,0.010518744,0.006183181,0.00072732574,0.0023713647,0.0032648118],"category_scores_gemma":[0.002962047,0.0005378767,0.00019224125,0.0019424944,0.012782736,0.0057749846,0.0038062546,0.0030396234,0.00054844527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004609524,0.0000110221645,0.0028041769,0.0002203027,0.000012271665,0.0011391616,0.90572065,0.00003615114,0.00059853273,0.023239408,0.05430067,0.011871549],"study_design_scores_gemma":[0.0000066810576,0.000022424982,0.005407486,0.00042997574,0.000006693998,0.0004701007,0.276436,0.000016935466,0.0005155076,0.0013880966,0.71527517,0.000024789028],"about_ca_topic_score_codex":0.06558178,"about_ca_topic_score_gemma":0.18506813,"teacher_disagreement_score":0.06558178,"about_ca_system_score_codex":0.011902156,"about_ca_system_score_gemma":0.0056682145,"threshold_uncertainty_score":0.13040012},"labels":[],"label_agreement":null},{"id":"W196365649","doi":"10.1215/0041462x-2011-3003","title":"Elizabeth Bishop’s Poetics of Description by Zachariah Pickard, A Poet’s High Argument: Elizabeth Bishop and Christianity by Laurel Snow Corelle","year":2011,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Icon; Argument (complex analysis); Citation; Art; Christianity; Art history; Literature; History; Poetry; Computer science; Archaeology; World Wide Web","score_opus":0.017757872414489284,"score_gpt":0.20436307362012174,"score_spread":0.18660520120563245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W196365649","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052179797,0.6347272,0.0008090628,0.14262477,0.008605841,0.000021302623,0.000055911245,0.000015938745,0.2079221],"genre_scores_gemma":[0.25835404,0.46094185,0.0007962351,0.02603673,0.011514175,0.00007442859,0.00012295684,0.00011290882,0.24204667],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868983,0.0007339536,0.000033787084,0.00009720974,0.00034156407,0.00010362212],"domain_scores_gemma":[0.9988784,0.00063361425,0.00009104584,0.00006483481,0.00020751926,0.00012447503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014002504,0.00042156447,0.00039049718,0.001267557,0.0040625175,0.0046579787,0.0007695566,0.0020774454,0.00794459],"category_scores_gemma":[0.003527667,0.0002903291,0.00020820921,0.002023135,0.011542368,0.0053208265,0.0030487985,0.0041899104,0.0016540792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002766199,0.00001632481,0.00037947975,0.00072260096,0.000013037261,0.0002542852,0.019408539,0.00014032265,0.00012342731,0.36041334,0.572386,0.046115],"study_design_scores_gemma":[0.0000053522913,0.00000541482,0.0007211213,0.0010981226,0.0000042215365,0.00015136652,0.007122777,0.00003712347,0.000055073106,0.018930783,0.9718587,0.000010037232],"about_ca_topic_score_codex":0.020162452,"about_ca_topic_score_gemma":0.02415711,"teacher_disagreement_score":0.020162452,"about_ca_system_score_codex":0.0060144695,"about_ca_system_score_gemma":0.003951774,"threshold_uncertainty_score":0.04363823},"labels":[],"label_agreement":null},{"id":"W7126238550","doi":"10.1215/0041462x-12201829","title":"Stories for a Burning World: Marek Oziewicz on Climate Literacy and Youth Literature","year":2025,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anthropocene; CLARITY; Climate change; Climate justice; Literacy; The arts; Literary criticism; State (computer science); Theme (computing)","score_opus":0.011432012694269965,"score_gpt":0.24659243393098104,"score_spread":0.23516042123671108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126238550","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076024234,0.25532484,0.0013921183,0.4092101,0.016791647,0.00012546581,0.00028547924,0.00020693422,0.24063921],"genre_scores_gemma":[0.7050899,0.13992356,0.0014485618,0.057978675,0.0065830243,0.00037828356,0.00027253496,0.00043391687,0.087891474],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99603623,0.0024271517,0.00013106789,0.00020645531,0.0005830828,0.0006159768],"domain_scores_gemma":[0.9958183,0.002391838,0.0004145809,0.00010094782,0.0004814041,0.0007930686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035096202,0.00059645495,0.00058820524,0.0025855284,0.011505925,0.009899069,0.00097417383,0.002175909,0.005797242],"category_scores_gemma":[0.0094091175,0.00048021757,0.00029902876,0.003478629,0.011205456,0.013873013,0.008644566,0.00635582,0.0013993317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043352953,0.00003886834,0.0010500866,0.0003704363,0.000009424483,0.0017299531,0.5657669,0.000030803385,0.00022973026,0.118590005,0.2899884,0.02215209],"study_design_scores_gemma":[0.0000035712844,0.000010551378,0.0008843323,0.0007677144,0.000003556252,0.00049405236,0.20442007,0.000018385,0.00009246239,0.004325999,0.78896403,0.000015202957],"about_ca_topic_score_codex":0.009058654,"about_ca_topic_score_gemma":0.013950927,"teacher_disagreement_score":0.011505925,"about_ca_system_score_codex":0.005059307,"about_ca_system_score_gemma":0.0028675229,"threshold_uncertainty_score":0.036707997},"labels":[],"label_agreement":null}]}