{"meta":{"query_hash":"3c532b2d0dab","filters":{"venue":"VIEW Journal of European Television History and Culture"},"cohort_total":12,"direct_labels_cover":0,"predictions_cover":12,"exported":12,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/3c532b2d0dab","api":"https://metacan.xera.ac/api/v1/cohort?venue=VIEW+Journal+of+European+Television+History+and+Culture"},"results":[{"id":"W2101807385","doi":"10.18146/2213-0969.2015.jethc085","title":"Streaming","year":2015,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Cinema and Media Studies","field":"Economics, Econometrics and Finance","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University; Université de Montréal","funders":"","keywords":"Metaphor; Topos theory; Digital media; Mass media; Sociology; Vocabulary; Epistemology; Multimedia; Computer science; Media studies; Linguistics; Art; Literature; Advertising; Philosophy; World Wide Web","score_opus":0.05426822118179551,"score_gpt":0.22182294994055665,"score_spread":0.16755472875876115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101807385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01750506,0.0029155666,0.047343377,0.0040617725,0.0035534555,0.00050890946,0.013174961,0.005368406,0.9055685],"genre_scores_gemma":[0.22103588,0.0062934537,0.03826321,0.0036086447,0.003309193,0.00067909755,0.024822772,0.0028413888,0.69914633],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988833,0.00014222808,0.00008943911,0.0002697082,0.00045031178,0.00016497565],"domain_scores_gemma":[0.99828964,0.00037670773,0.00018287169,0.00040108516,0.0004973685,0.0002523764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007525112,0.0006791021,0.00042051487,0.0017238279,0.0016326654,0.004720244,0.0012511583,0.0011606341,0.19200833],"category_scores_gemma":[0.004921315,0.00026635313,0.00047794337,0.002664618,0.0007580872,0.0054489234,0.0028045932,0.0013076084,0.06498523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005691653,0.00009070345,0.0027911665,0.000775574,0.000037256727,0.0008051848,0.001934923,0.001056282,0.004882401,0.3577245,0.2676636,0.36166918],"study_design_scores_gemma":[0.000029419884,0.0000543761,0.0016646936,0.00014850599,0.000016625834,0.00058938557,0.00049147423,0.0012770102,0.0016661412,0.034557723,0.95946825,0.000036431193],"about_ca_topic_score_codex":0.0027402577,"about_ca_topic_score_gemma":0.0020632148,"teacher_disagreement_score":0.19200833,"about_ca_system_score_codex":0.0008615625,"about_ca_system_score_gemma":0.0010052798,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2484429530","doi":"10.18146/2213-0969.2012.jethc024","title":"Tele-clubs and European Television History Beyond the Screen","year":2012,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Italian Fascism and Post-war Society","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Television studies; Media studies; Advertising; Political science; Sociology; Business","score_opus":0.024211855346235052,"score_gpt":0.2471639511037932,"score_spread":0.22295209575755814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2484429530","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17208748,0.010772659,0.0006395323,0.007010739,0.00016121283,0.000006328692,0.000044111486,0.000018214983,0.8092597],"genre_scores_gemma":[0.9821401,0.0020077361,0.00008896976,0.00038268775,0.000184771,0.0000054191582,0.000014786931,0.000012443214,0.0151630305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99913317,0.00044995127,0.000016569113,0.00007710694,0.00009148583,0.00023173315],"domain_scores_gemma":[0.99896646,0.00049912784,0.0001672362,0.000092951355,0.00008663697,0.00018759684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010437608,0.00016409735,0.00013963447,0.0017869761,0.0034385794,0.00537835,0.0004383618,0.0010171685,0.009353831],"category_scores_gemma":[0.0020577388,0.000091167145,0.00011846672,0.0019552454,0.010323893,0.004274247,0.0018622059,0.001091293,0.00030910273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009807426,0.00004570657,0.0040492215,0.00006245601,0.000008195134,0.00034635386,0.053725086,0.00016068196,0.00021684836,0.9041112,0.006262842,0.030913282],"study_design_scores_gemma":[0.000032047086,0.00010516135,0.04851036,0.0007401224,0.000017735421,0.00067052036,0.06785275,0.00030389454,0.0005207779,0.07778883,0.803428,0.000029729128],"about_ca_topic_score_codex":0.0065854993,"about_ca_topic_score_gemma":0.011457272,"teacher_disagreement_score":0.009353831,"about_ca_system_score_codex":0.004938049,"about_ca_system_score_gemma":0.00090348255,"threshold_uncertainty_score":0.035828233},"labels":[],"label_agreement":null},{"id":"W2759876715","doi":"10.18146/2213-0969.2017.jethc125","title":"Russia’s STS Television Network","year":2017,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Media Studies and Communication","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Hybridity; Entertainment; State (computer science); Entertainment industry; Media studies; Advertising; Political science; Telecommunications; Business; Sociology; Engineering; Computer science; Law","score_opus":0.04303154566692719,"score_gpt":0.3004898927056974,"score_spread":0.25745834703877024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759876715","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39357287,0.0015635219,0.0016938301,0.0026177447,0.00017993082,0.000019811512,0.0010938656,0.00014717955,0.59911126],"genre_scores_gemma":[0.9682695,0.0008859062,0.00028316968,0.00011883639,0.00006634887,0.000012150651,0.0005293743,0.000018700894,0.029815953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997867,0.00007274732,0.000008553139,0.00003271376,0.000046116114,0.000053206528],"domain_scores_gemma":[0.9997043,0.00007417532,0.000061310624,0.000032066997,0.000058267364,0.00006986358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028078622,0.00006927149,0.00009097192,0.0007099691,0.0009467937,0.0013328589,0.00014967547,0.00030124324,0.012557969],"category_scores_gemma":[0.00085472217,0.000080651,0.00008048274,0.000837892,0.00052778644,0.00070104876,0.001045863,0.000449709,0.002106028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00047786918,0.000097628064,0.07652234,0.00042547984,0.000053002423,0.001969323,0.02291261,0.0031563258,0.009246455,0.48699266,0.06816267,0.32998362],"study_design_scores_gemma":[0.00001850147,0.00010700974,0.16094954,0.00017340531,0.00003648971,0.0010501372,0.00523045,0.0010396404,0.0016160494,0.008294267,0.8214635,0.000021067388],"about_ca_topic_score_codex":0.005650106,"about_ca_topic_score_gemma":0.0036351092,"teacher_disagreement_score":0.012557969,"about_ca_system_score_codex":0.0010094196,"about_ca_system_score_gemma":0.0009368075,"threshold_uncertainty_score":0.042010665},"labels":[],"label_agreement":null},{"id":"W2959359514","doi":"10.18146/2213-0969.2018.jethc151","title":"Maps, Distant Reading and the Internet Movie Database","year":2018,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Digital Humanities and Scholarship","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Big data; The Internet; Reading (process); Data science; Computer science; Analytics; Scale (ratio); World Wide Web; Order (exchange); Circulation (fluid dynamics); Raw data; Production (economics); Cultural analytics; Geography; Cartography; Political science; Engineering; Semantic analytics","score_opus":0.03877087580245349,"score_gpt":0.22078037938170333,"score_spread":0.18200950357924983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959359514","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016848488,0.0028519132,0.0064557944,0.0014083018,0.00030888364,0.0001419873,0.89241165,0.03228114,0.047291785],"genre_scores_gemma":[0.053606413,0.0020324967,0.012643714,0.000215778,0.00018915246,0.00013809357,0.91899586,0.0015963584,0.010582122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991497,0.00011454715,0.000096695905,0.0001830556,0.0003790823,0.000076861674],"domain_scores_gemma":[0.99756324,0.0005463336,0.00021182168,0.0007678938,0.00057064043,0.0003400104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072693423,0.00080422196,0.0007059668,0.008973504,0.00076973037,0.0030491045,0.0011802606,0.0008051167,0.035084113],"category_scores_gemma":[0.00625004,0.00029299967,0.0006110683,0.014489988,0.00038209773,0.004413624,0.0018590743,0.0009391131,0.032460637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005309723,0.0001382113,0.009083507,0.0013672484,0.00017619647,0.0003175984,0.0006176425,0.0023853115,0.00062725553,0.008620172,0.85398215,0.12215363],"study_design_scores_gemma":[0.000095343676,0.000044500495,0.025397766,0.00018462718,0.00006378384,0.0002691197,0.0011400805,0.007742853,0.001497456,0.011389785,0.95206493,0.00010970484],"about_ca_topic_score_codex":0.029604487,"about_ca_topic_score_gemma":0.035452995,"teacher_disagreement_score":0.035084113,"about_ca_system_score_codex":0.0006659288,"about_ca_system_score_gemma":0.0010195033,"threshold_uncertainty_score":0.11736798},"labels":[],"label_agreement":null},{"id":"W2961837636","doi":"10.18146/2213-0969.2018.jethc152","title":"Narratological Approaches to Multimodal Cross-Cultural Comparisons of Global TV Formats","year":2018,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sketch; Annotation; Narrative; Computer science; Comedy; Linguistics; Multimedia; Artificial intelligence; Visual arts; Art","score_opus":0.17305239755192214,"score_gpt":0.3123625460640551,"score_spread":0.13931014851213297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2961837636","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59400785,0.0043976684,0.072561465,0.0032828385,0.00031333277,0.00045755494,0.0007741469,0.00016161978,0.32404348],"genre_scores_gemma":[0.987421,0.00078863924,0.0077134385,0.0001631432,0.000058546895,0.00034874186,0.00012363424,0.00008241755,0.0033004598],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9948238,0.0043151723,0.00010676555,0.0003049498,0.00026373466,0.00018564441],"domain_scores_gemma":[0.991979,0.0062189028,0.0006405182,0.0005772908,0.0004341045,0.0001501529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0048941644,0.0007773986,0.00033069833,0.007316545,0.0046794876,0.0072231046,0.0011638292,0.0008667335,0.007754532],"category_scores_gemma":[0.014445442,0.00028723394,0.00025932782,0.0067089167,0.015017456,0.0055550197,0.005051881,0.0012987878,0.00027383756],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060121503,0.000019483705,0.0027725701,0.0003116898,0.000019082781,0.0004165176,0.89965034,0.00021912272,0.0014587835,0.07676188,0.0005538328,0.017756604],"study_design_scores_gemma":[0.000010864375,0.00006697705,0.015191547,0.000536418,0.000039505874,0.00037192996,0.90682214,0.0005231405,0.0012635071,0.02433029,0.05081654,0.000027235159],"about_ca_topic_score_codex":0.007727245,"about_ca_topic_score_gemma":0.014305038,"teacher_disagreement_score":0.007754532,"about_ca_system_score_codex":0.003998527,"about_ca_system_score_gemma":0.0009935574,"threshold_uncertainty_score":0.029011548},"labels":[],"label_agreement":null},{"id":"W3173206596","doi":"10.18146/view.252","title":"Cartoon Animals vs. Actual Russians","year":2021,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Mainstream; Action (physics); Quality (philosophy); Russian history; Political science; History; Economic history; Law","score_opus":0.049908748221422064,"score_gpt":0.3302580111390218,"score_spread":0.28034926291759976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3173206596","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19046693,0.003269166,0.0041411067,0.004200854,0.0024096929,0.00005506628,0.00076662924,0.00013258684,0.79455787],"genre_scores_gemma":[0.93432313,0.0032589266,0.0017693781,0.00080392417,0.00040938533,0.00004539729,0.0004200041,0.00019183864,0.058777966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99932563,0.00035771934,0.000029730547,0.00008327101,0.00011825696,0.00008532567],"domain_scores_gemma":[0.9985379,0.00079911057,0.00019724587,0.00018330118,0.00016056512,0.00012182355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090954895,0.00024078217,0.0001560883,0.00073062483,0.0011759244,0.0031965647,0.00024892285,0.00043761675,0.04232987],"category_scores_gemma":[0.0042118747,0.00008974564,0.00017082391,0.00079435634,0.0029623385,0.0022178781,0.0010033639,0.0009266359,0.0035434847],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007456562,0.00013419705,0.013468056,0.0010903118,0.00007520618,0.00093532086,0.070010975,0.0005718573,0.004103109,0.7152224,0.060037386,0.13360548],"study_design_scores_gemma":[0.000034535926,0.000346567,0.018191949,0.0007457914,0.00005270702,0.0011866214,0.051348355,0.00060073193,0.001546591,0.02049959,0.90542024,0.000026420283],"about_ca_topic_score_codex":0.001961011,"about_ca_topic_score_gemma":0.002880396,"teacher_disagreement_score":0.04232987,"about_ca_system_score_codex":0.000609445,"about_ca_system_score_gemma":0.0003086575,"threshold_uncertainty_score":0.14160752},"labels":[],"label_agreement":null},{"id":"W4233666013","doi":"10.18146/2213-0969.2016.jethc115","title":"Emergent Principles for Digital Documentary","year":2016,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Digital Storytelling and Education","field":"Health Professions","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Set (abstract data type); Focus (optics); Storytelling; Computer science; Digital storytelling; Data science; Multimedia; Narrative","score_opus":0.0687738921672038,"score_gpt":0.33992570047132586,"score_spread":0.27115180830412206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233666013","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011455082,0.002899261,0.55220693,0.011876416,0.00059447,0.00079080707,0.0001586592,0.00034201457,0.41967642],"genre_scores_gemma":[0.40946865,0.0027556957,0.48811257,0.0019211939,0.00050205603,0.0033078692,0.00021604644,0.00045230053,0.09326358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98939717,0.005334188,0.0007527937,0.0014133032,0.0024966025,0.0006059444],"domain_scores_gemma":[0.9833624,0.009112407,0.0006663964,0.004051751,0.0021332614,0.0006737958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013601815,0.0007946883,0.00052766525,0.0026255022,0.00582879,0.013728131,0.0024635987,0.0035115634,0.012273594],"category_scores_gemma":[0.019333474,0.00079656363,0.001148983,0.0017745976,0.04026082,0.015115033,0.0075393086,0.005505842,0.0031447606],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003349232,0.0000068638265,0.000044752054,0.00004220629,0.0000012465578,0.00002299753,0.002304691,0.00013426237,0.00008955845,0.9925517,0.0005707473,0.0042276997],"study_design_scores_gemma":[0.000020519868,0.000023916191,0.00010127665,0.00017961588,0.000006031939,0.00017224584,0.0019597095,0.0011646193,0.0005826468,0.8369653,0.15880871,0.000015369169],"about_ca_topic_score_codex":0.0016349365,"about_ca_topic_score_gemma":0.0017010827,"teacher_disagreement_score":0.013728131,"about_ca_system_score_codex":0.005582524,"about_ca_system_score_gemma":0.003622534,"threshold_uncertainty_score":0.071934104},"labels":[],"label_agreement":null},{"id":"W4249162346","doi":"10.18146/2213-0969.2012.jethc019","title":"Reading Between the Lines","year":2012,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"European history and politics","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"BC Research (Canada)","funders":"","keywords":"Context (archaeology); Politics; Calais; Historiography; Reading (process); Media studies; Dimension (graph theory); Political science; Corporation; Sociology; History; Law; Computer science","score_opus":0.04901521341592779,"score_gpt":0.2951107531332073,"score_spread":0.2460955397172795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249162346","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012833031,0.0057459516,0.006333507,0.03679561,0.0074991486,0.0000401536,0.00041209365,0.00024963138,0.9300909],"genre_scores_gemma":[0.3142384,0.00512913,0.0039899917,0.016473113,0.0035059697,0.00008700061,0.0005591949,0.0006534078,0.65536386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986985,0.00047618974,0.00004799417,0.00035079313,0.00023110124,0.00019547652],"domain_scores_gemma":[0.9982969,0.0007399616,0.00013748866,0.0002678673,0.00038271872,0.00017511065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009718348,0.00052004517,0.0002908297,0.0010858383,0.0041760146,0.007884133,0.0006153657,0.0023311302,0.049068894],"category_scores_gemma":[0.0050971042,0.00020574125,0.0002565391,0.0012278997,0.0063089007,0.0059595406,0.0027781613,0.0047422326,0.012862681],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000094976494,0.00002360565,0.00067539606,0.00010579096,0.000008696432,0.00023325153,0.027376253,0.00005767734,0.0007393515,0.75488335,0.1591885,0.056613166],"study_design_scores_gemma":[0.00000526904,0.000019425825,0.00041365845,0.0001274421,0.0000029341506,0.000085400214,0.0058159935,0.00002796537,0.00018287175,0.016650854,0.97666115,0.00000703499],"about_ca_topic_score_codex":0.0058715697,"about_ca_topic_score_gemma":0.0075317947,"teacher_disagreement_score":0.049068894,"about_ca_system_score_codex":0.0021596435,"about_ca_system_score_gemma":0.0015480776,"threshold_uncertainty_score":0.16415179},"labels":[],"label_agreement":null},{"id":"W4251090484","doi":"10.18146/2213-0969.2012.jethc009","title":"Digitising Context","year":2012,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Migration, Policy, and Dickens Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"BC Research (Canada)","funders":"","keywords":"The Internet; Schedule; Context (archaeology); Broadcasting (networking); Public broadcasting; Advertising; Multimedia; Telecommunications; World Wide Web; Computer science; Business; History; Computer security","score_opus":0.03906844039622129,"score_gpt":0.28766420556361705,"score_spread":0.24859576516739576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251090484","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0065772515,0.009323768,0.0022016726,0.012312405,0.0027791173,0.00016958124,0.00490618,0.00019883923,0.9615312],"genre_scores_gemma":[0.1543475,0.03511949,0.009002678,0.013796578,0.0030993328,0.00081870076,0.011820165,0.0011242095,0.77087134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959502,0.0012995534,0.00033181053,0.0008956727,0.00095790677,0.00056478084],"domain_scores_gemma":[0.994445,0.0019419465,0.0004831002,0.001220156,0.0012879564,0.000621796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035899559,0.0006373297,0.0004918864,0.006051123,0.0071024247,0.015838232,0.001706759,0.0021935166,0.1888222],"category_scores_gemma":[0.01274021,0.00041996784,0.00030022883,0.01675866,0.005239262,0.008058629,0.008098609,0.003254449,0.038246077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010212729,0.000032890453,0.0014381271,0.0006950049,0.000006729694,0.00077859574,0.03796502,0.00007427361,0.0008668088,0.49624717,0.3300952,0.13169813],"study_design_scores_gemma":[0.0000016543133,0.00000198725,0.00040956834,0.00023239027,0.0000015317271,0.00007716778,0.0032307315,0.0000045689603,0.00008541133,0.002826744,0.99312466,0.0000037559523],"about_ca_topic_score_codex":0.024114449,"about_ca_topic_score_gemma":0.027373152,"teacher_disagreement_score":0.1888222,"about_ca_system_score_codex":0.008438662,"about_ca_system_score_gemma":0.0070056194,"threshold_uncertainty_score":0.63167316},"labels":[],"label_agreement":null},{"id":"W4312178009","doi":"10.18146/view.285","title":"Memes, Satire, and the Legacy of TV Socialism","year":2022,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Humor Studies and Applications","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Politics; Criticism; Phenomenon; Socialism; Media studies; The Internet; Sociology; Literature; Art; History; Political science; Aesthetics; Law; Philosophy; Epistemology","score_opus":0.02411217051231403,"score_gpt":0.27657676434971484,"score_spread":0.25246459383740083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312178009","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61283785,0.0057073915,0.0032543873,0.011862084,0.00033256426,0.000015350266,0.00003725367,0.00005206287,0.36590108],"genre_scores_gemma":[0.99692243,0.00031993646,0.00010879498,0.00019629899,0.0000705514,0.000002004654,0.0000032037883,0.000007625055,0.002369103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981762,0.0012757013,0.000030370415,0.00011347334,0.00019781404,0.00020652887],"domain_scores_gemma":[0.9974911,0.0016404687,0.00029378233,0.00026048726,0.00015091756,0.0001631472],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020291544,0.00021402177,0.00021702214,0.0012377535,0.004427117,0.004727243,0.00046680824,0.0011646381,0.0030230484],"category_scores_gemma":[0.0048555,0.0001308208,0.00011784006,0.00071353687,0.028838584,0.00407216,0.0028698153,0.0015635088,0.00020281806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015999845,0.000040298106,0.003886754,0.00015268454,0.000020439937,0.000649613,0.30773112,0.00023130403,0.0015368357,0.642175,0.0033898691,0.040026117],"study_design_scores_gemma":[0.000065495115,0.0002632789,0.021644896,0.0005657527,0.000031770534,0.0014710504,0.30540305,0.00076872716,0.0030386082,0.26094404,0.4057334,0.00006997578],"about_ca_topic_score_codex":0.0013259276,"about_ca_topic_score_gemma":0.0016886482,"teacher_disagreement_score":0.004727243,"about_ca_system_score_codex":0.00223926,"about_ca_system_score_gemma":0.00057112705,"threshold_uncertainty_score":0.016247034},"labels":[],"label_agreement":null},{"id":"W4312178693","doi":"10.18146/view.287","title":"Satire in Putin's Russia: Cynical Distance as a Tool of State Power","year":2022,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Sociopolitical Dynamics in Russia","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Politics; Reign; State (computer science); Communism; Comedy; Political science; Government (linguistics); Power (physics); Public opinion; Economic history; Law; Political economy; Media studies; Sociology; History; Literature; Art","score_opus":0.013483465509780008,"score_gpt":0.2774784044074396,"score_spread":0.26399493889765957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312178693","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6201101,0.002745487,0.0016572577,0.018295389,0.0004586084,0.000019156527,0.00003771408,0.0000678284,0.3566085],"genre_scores_gemma":[0.9923765,0.00021559608,0.00008473734,0.0008074455,0.000041163952,0.0000062182125,0.000008469222,0.000025116005,0.006434706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99768925,0.0011435879,0.00006510687,0.0002931068,0.00030542855,0.0005036287],"domain_scores_gemma":[0.99887544,0.0004773625,0.00022402022,0.00009800093,0.00006511059,0.0002600418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016450564,0.00032121906,0.00049113727,0.0011790858,0.020001044,0.0124559505,0.00081581867,0.0027970567,0.005078109],"category_scores_gemma":[0.0034493348,0.00026110167,0.0002455237,0.0011000653,0.021233147,0.0061491267,0.011577783,0.0067305723,0.00053798174],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009564787,0.00004780996,0.003843412,0.000063407286,0.000020271791,0.0012328746,0.46823618,0.000096924225,0.0009460434,0.5020295,0.004872885,0.018515147],"study_design_scores_gemma":[0.00006413188,0.0002147648,0.023853637,0.00039416453,0.000043399923,0.0012669257,0.47475052,0.0007273712,0.0018036361,0.11681693,0.37994945,0.00011504184],"about_ca_topic_score_codex":0.008327107,"about_ca_topic_score_gemma":0.014737882,"teacher_disagreement_score":0.020001044,"about_ca_system_score_codex":0.0068714665,"about_ca_system_score_gemma":0.0020177239,"threshold_uncertainty_score":0.049856186},"labels":[],"label_agreement":null},{"id":"W4413033429","doi":"10.18146/view.363","title":"Technonationalism and Telematic Art in Canada: Vera Frenkel’s &lt;em&gt;String Games&lt;/em&gt; (1974)","year":2025,"lang":"en","type":"article","venue":"VIEW Journal of European Television History and Culture","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Telematics; Context (archaeology); String (physics); Media studies; Sociology; Art history; Videoconferencing; Visual arts; Telecommunications; Art; Computer science; History; Archaeology","score_opus":0.020622491359475678,"score_gpt":0.2309092405478673,"score_spread":0.21028674918839163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413033429","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113136314,0.02972424,0.0031071163,0.08702665,0.0016457145,0.000055191624,0.0002350771,0.00009026801,0.7649793],"genre_scores_gemma":[0.87218463,0.008615137,0.0008503009,0.0036667709,0.00016687933,0.000025006382,0.000047749305,0.00008812444,0.11435538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99866724,0.00022549952,0.000018379364,0.00015408118,0.0004254371,0.0005093763],"domain_scores_gemma":[0.99926966,0.00022373686,0.000037559043,0.000033969973,0.00024487043,0.00019013433],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0010029891,0.0005214106,0.0002653254,0.0013675517,0.026194733,0.011019212,0.0011155609,0.0018006355,0.0067372187],"category_scores_gemma":[0.0021818879,0.00031517088,0.00021879087,0.0026146863,0.028233489,0.0025205154,0.0026005793,0.0034142046,0.00041984438],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054336102,0.000028997005,0.001876149,0.0000874166,0.000011675371,0.0005573683,0.15401523,0.0006437597,0.00033755708,0.7024471,0.090493664,0.0494468],"study_design_scores_gemma":[0.000009797905,0.000012976129,0.004814948,0.00022734248,0.000013820924,0.00024060746,0.08448486,0.00040365517,0.0004204585,0.019303594,0.8900128,0.0000551763],"about_ca_topic_score_codex":0.9888143,"about_ca_topic_score_gemma":0.9945257,"teacher_disagreement_score":0.97380525,"about_ca_system_score_codex":0.11024209,"about_ca_system_score_gemma":0.094680294,"threshold_uncertainty_score":0.7998661},"labels":[],"label_agreement":null}]}