{"meta":{"query_hash":"649f78dc9458","filters":{"venue":"Volume !"},"cohort_total":123,"direct_labels_cover":0,"predictions_cover":123,"exported":123,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/649f78dc9458","api":"https://metacan.xera.ac/api/v1/cohort?venue=Volume+%21"},"results":[{"id":"W1503858435","doi":"","title":"L'évocation mémorielle des boîtes à chansons au Québec","year":2015,"lang":"fr","type":"article","venue":"Volume !","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04666901187052109,"score_gpt":0.2520714782977366,"score_spread":0.2054024664272155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503858435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66711056,0.008752008,0.002044944,0.05630079,0.0025897892,0.00013187565,0.00090510485,0.00015399017,0.26201084],"genre_scores_gemma":[0.8316477,0.0021103946,0.0004433893,0.0016036045,0.00009695832,0.00002997199,0.000143651,0.000054174066,0.16387017],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991165,0.00022808576,0.000014985836,0.000087084816,0.00020272617,0.00035066291],"domain_scores_gemma":[0.99817204,0.00036895063,0.000118799064,0.000074320866,0.00070779736,0.0005581688],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013125482,0.00038625777,0.00028124114,0.001258761,0.021696305,0.0042712223,0.0011108054,0.0013016181,0.014780949],"category_scores_gemma":[0.0031783974,0.00020593122,0.00016534599,0.0015353806,0.007945128,0.0014123699,0.0024929591,0.0025616153,0.00067463267],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012056154,0.00006295566,0.012975187,0.00032853277,0.000017072263,0.0023450523,0.74938524,0.0003180628,0.0023895525,0.05985429,0.1172107,0.054992776],"study_design_scores_gemma":[0.0000046598693,0.000029500417,0.021913247,0.00023823608,0.000009417012,0.00019227022,0.29859325,0.00013010623,0.00045463842,0.0007014355,0.6776953,0.00003795208],"about_ca_topic_score_codex":0.9741349,"about_ca_topic_score_gemma":0.99181694,"teacher_disagreement_score":0.051733013,"about_ca_system_score_codex":0.051733013,"about_ca_system_score_gemma":0.050346103,"threshold_uncertainty_score":0.37535107},"labels":[],"label_agreement":null},{"id":"W1515102953","doi":"10.4000/volume.539","title":"Metal. Une culture de la transgression sonore","year":2006,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Subversion; Political science; Politics","score_opus":0.08044277169499045,"score_gpt":0.2935112708608013,"score_spread":0.21306849916581086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515102953","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14561024,0.010260782,0.004696046,0.02891025,0.0012550808,0.000033686923,0.00011547057,0.00011808437,0.8090004],"genre_scores_gemma":[0.5481513,0.0027416397,0.0014263539,0.0022887376,0.00022557372,0.000037564565,0.000044261662,0.000093153,0.4449915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987431,0.00049787236,0.00004558202,0.00028484847,0.0002534288,0.00017506882],"domain_scores_gemma":[0.9993175,0.00020014911,0.00014992134,0.000091457616,0.00013538491,0.00010572847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008654247,0.00047173593,0.00018860764,0.00040817558,0.005523947,0.0037761398,0.0005211232,0.0012252348,0.015850151],"category_scores_gemma":[0.0017661361,0.0002570753,0.00015493967,0.000554537,0.0053576874,0.0030125196,0.002416338,0.0017666027,0.003052292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013441202,0.000027987155,0.00345069,0.00021348915,0.000015376145,0.0005232196,0.2480957,0.00010016547,0.0040201047,0.5987455,0.05248233,0.09219114],"study_design_scores_gemma":[0.0000050276635,0.00006401358,0.003232465,0.00014722091,0.0000051047004,0.00036309665,0.024486385,0.00006933576,0.0008745089,0.0066677546,0.9640696,0.00001558207],"about_ca_topic_score_codex":0.015882434,"about_ca_topic_score_gemma":0.03289852,"teacher_disagreement_score":0.015882434,"about_ca_system_score_codex":0.0026215296,"about_ca_system_score_gemma":0.0015035636,"threshold_uncertainty_score":0.053024054},"labels":[],"label_agreement":null},{"id":"W1534408409","doi":"10.4000/volume.1992","title":"Alain-Philippe Durand (ed.), Black, Blanc, Beur : Rap Music and Hip-Hop Culture in the Francophone World","year":2004,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; Art; Art history; Humanities","score_opus":0.0137863252132896,"score_gpt":0.1875364946268715,"score_spread":0.1737501694135819,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534408409","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023521842,0.93246186,0.00033219974,0.034490354,0.0027698565,0.000007676583,0.00015394145,0.00003272496,0.027399197],"genre_scores_gemma":[0.053068414,0.84734905,0.00097472407,0.005561657,0.0034894908,0.000032998298,0.00022067122,0.000067432826,0.0892356],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996245,0.00012257854,0.000018638815,0.000052226605,0.00012403836,0.000058094207],"domain_scores_gemma":[0.99896,0.0005260665,0.0000783142,0.000025116948,0.00020976742,0.00020076692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010622932,0.0009888744,0.00047930542,0.0022468294,0.0036465812,0.0051117428,0.0007898995,0.0019415137,0.01555221],"category_scores_gemma":[0.0014225128,0.00036907627,0.00020496662,0.0034033987,0.0024683857,0.005054468,0.0011383665,0.0014544659,0.004674522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005635245,0.000023790371,0.0026516174,0.0012396489,0.00001893071,0.0002611221,0.0223193,0.00008291328,0.00034165854,0.014018286,0.7008417,0.25814465],"study_design_scores_gemma":[0.0000036699205,0.000011482932,0.007139159,0.0014587728,0.000010198892,0.00047325197,0.015494533,0.000032759934,0.000102513986,0.0020247886,0.97323585,0.000012996972],"about_ca_topic_score_codex":0.14243938,"about_ca_topic_score_gemma":0.31870437,"teacher_disagreement_score":0.14243938,"about_ca_system_score_codex":0.003965531,"about_ca_system_score_gemma":0.0045312596,"threshold_uncertainty_score":0.28322053},"labels":[],"label_agreement":null},{"id":"W1537273595","doi":"10.4000/volume.1211","title":"Bruits. Exposition du Musée d’ethnographie de Neuchâtel","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Exposition (narrative); Art; Literature","score_opus":0.05341614125472379,"score_gpt":0.208675554713987,"score_spread":0.1552594134592632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537273595","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1907418,0.073712274,0.0031415203,0.011783612,0.0020096698,0.000106569714,0.0017606398,0.00017394433,0.71657],"genre_scores_gemma":[0.753765,0.022960661,0.0019033713,0.0017362005,0.00031419707,0.00022416405,0.00070125394,0.00015268914,0.2182424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999678,0.00014770942,0.000011114216,0.000045705947,0.00006135633,0.000056140467],"domain_scores_gemma":[0.9997185,0.00016844789,0.000024794725,0.000021583157,0.000036511112,0.000030187768],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005352086,0.00048189308,0.00020892233,0.0024104442,0.0061830375,0.0032378137,0.00043954115,0.0006552188,0.009412599],"category_scores_gemma":[0.00081564614,0.00023273942,0.00011043739,0.0029134068,0.0060115485,0.0020674889,0.0022020966,0.0008340974,0.0007689632],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015545923,0.00004901941,0.0058410186,0.0007845328,0.000036522753,0.0025596744,0.43607676,0.00096177164,0.0035012425,0.32153285,0.10680514,0.121695966],"study_design_scores_gemma":[0.0000043065397,0.000011529416,0.011072771,0.00079980085,0.000014365803,0.0005330455,0.07600531,0.00014187951,0.0011558641,0.008287563,0.901954,0.000019512036],"about_ca_topic_score_codex":0.18667293,"about_ca_topic_score_gemma":0.36358228,"teacher_disagreement_score":0.18667293,"about_ca_system_score_codex":0.007950554,"about_ca_system_score_gemma":0.0038104008,"threshold_uncertainty_score":0.37117273},"labels":[],"label_agreement":null},{"id":"W1540834616","doi":"10.4000/volume.3125","title":"Keith Negus, Bob Dylan","year":2012,"lang":"sv","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Parks and Wilderness Society; Musée de la Civilisation","funders":"","keywords":"Icon; Art; Art history; Performance art; Visual arts; Literature; Computer science","score_opus":0.024165562724863664,"score_gpt":0.20342458170442015,"score_spread":0.17925901897955648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540834616","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0085215615,0.07462393,0.0019703258,0.49630478,0.021608744,0.000028673878,0.0002716485,0.00022706314,0.3964433],"genre_scores_gemma":[0.12130954,0.026308188,0.0012311953,0.07233558,0.0031676528,0.000057121215,0.0001233558,0.00053756934,0.7749299],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908817,0.00029649294,0.000022112983,0.00016568597,0.00032376038,0.0001037971],"domain_scores_gemma":[0.9989422,0.0003454033,0.000046990925,0.00003930806,0.00031943986,0.0003067044],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007376057,0.00040848873,0.00025917208,0.0007690119,0.007324661,0.004949613,0.00053372135,0.0017078829,0.026195731],"category_scores_gemma":[0.004573934,0.00027219873,0.000100969395,0.00058717374,0.0034040941,0.005356669,0.002194073,0.0038094746,0.011071434],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028436158,0.000007107175,0.00038210314,0.000070033406,0.0000018816952,0.00009483972,0.0064536883,0.0000169308,0.00032124066,0.02974425,0.9436861,0.019193351],"study_design_scores_gemma":[0.000001493927,0.0000035309306,0.0004195238,0.00007045871,7.9473637e-7,0.00012875473,0.0061836964,0.000014856108,0.00017007087,0.002225895,0.99077344,0.000007545514],"about_ca_topic_score_codex":0.013994779,"about_ca_topic_score_gemma":0.04048805,"teacher_disagreement_score":0.026195731,"about_ca_system_score_codex":0.0021714112,"about_ca_system_score_gemma":0.0012641203,"threshold_uncertainty_score":0.08763349},"labels":[],"label_agreement":null},{"id":"W1542355519","doi":"10.4000/volume.456","title":"Les Scènes métal","year":2006,"lang":"fr","type":"article","venue":"Volume !","topic":"Metallurgy and Cultural Artifacts","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.03478280975989177,"score_gpt":0.28706057597757095,"score_spread":0.25227776621767917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542355519","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0127037335,0.02177272,0.006978613,0.01485394,0.02571818,0.000065825596,0.00046679852,0.00054346485,0.9168969],"genre_scores_gemma":[0.059457067,0.009754339,0.002924657,0.002582643,0.0038978267,0.000046681493,0.00045857855,0.00059971045,0.9202786],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9990546,0.00016707351,0.000033561897,0.00018052502,0.00046342437,0.00010080257],"domain_scores_gemma":[0.99953675,0.00011463219,0.000045011413,0.000101058606,0.00014464965,0.00005785784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004064437,0.0006349564,0.00035538373,0.0012286432,0.0026768225,0.0064446544,0.00081986253,0.0013819378,0.09347982],"category_scores_gemma":[0.001283155,0.00030097167,0.0004758999,0.0012356903,0.002614128,0.0040491926,0.002598993,0.0015965088,0.016413845],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014664727,0.00003587322,0.0005167498,0.0005609874,0.000014326953,0.00042698655,0.0042510657,0.00020709397,0.004899133,0.28320232,0.52306265,0.1826762],"study_design_scores_gemma":[0.0000012172927,0.000007552359,0.00014664757,0.00003085604,0.000001357135,0.000109846624,0.000326877,0.000021658794,0.00030338767,0.0024298562,0.9966184,0.0000024083395],"about_ca_topic_score_codex":0.0026382955,"about_ca_topic_score_gemma":0.0062850425,"teacher_disagreement_score":0.09347982,"about_ca_system_score_codex":0.00155688,"about_ca_system_score_gemma":0.0012632825,"threshold_uncertainty_score":0.31272113},"labels":[],"label_agreement":null},{"id":"W1565069625","doi":"10.4000/volume.4300","title":"“Why is it that we can’t let go of the vinyl record?”","year":2015,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Internet privacy; Computer science","score_opus":0.0844356594511744,"score_gpt":0.2174075384035585,"score_spread":0.1329718789523841,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1565069625","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053146365,0.016123358,0.0013544428,0.86763215,0.014473179,0.00001029394,0.00015340801,0.00010777936,0.09483081],"genre_scores_gemma":[0.25201195,0.024145562,0.0024797968,0.3903297,0.011630102,0.000061852974,0.000286593,0.00054107804,0.31851345],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99740076,0.0011433329,0.000087990076,0.00031660407,0.0006224516,0.0004289167],"domain_scores_gemma":[0.9966186,0.0009663874,0.00028849114,0.00031450277,0.0010682732,0.0007437081],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002849094,0.00042378594,0.00029955606,0.0006779704,0.006131937,0.010757574,0.0013189047,0.0042339773,0.0229589],"category_scores_gemma":[0.014069829,0.00023176662,0.00024647338,0.0009864663,0.011671621,0.014823276,0.003079087,0.009220833,0.008287675],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005457993,0.000012457746,0.0011322632,0.00013506394,0.000010774662,0.00013656965,0.008918154,0.000042550448,0.00028195712,0.15161009,0.7956556,0.04201002],"study_design_scores_gemma":[0.000004440645,0.000010184464,0.00079968636,0.0001597235,0.0000027590663,0.00010169959,0.014245519,0.000034260054,0.00015668284,0.010946764,0.97351956,0.000018669249],"about_ca_topic_score_codex":0.027106287,"about_ca_topic_score_gemma":0.039723806,"teacher_disagreement_score":0.027106287,"about_ca_system_score_codex":0.003425125,"about_ca_system_score_gemma":0.0022075651,"threshold_uncertainty_score":0.076805174},"labels":[],"label_agreement":null},{"id":"W1595435717","doi":"10.4000/volume.3145","title":"Russell Reising (ed.), “Speak to Me”: The Legacy of Pink Floyd’s. The Dark Side of the Moon","year":2012,"lang":"en","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Great Rift; Front (military); Art; Far side of the Moon; Art history; Period (music); Media studies; Aesthetics; Sociology; Astronomy; Physics; Meteorology","score_opus":0.024146129419259175,"score_gpt":0.22325753356428776,"score_spread":0.1991114041450286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595435717","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057297613,0.9126777,0.0010692575,0.032773074,0.010053149,0.000012832643,0.00010479898,0.00014004101,0.042596184],"genre_scores_gemma":[0.014802617,0.84068304,0.0021644186,0.010860597,0.006624087,0.000044192933,0.00018731561,0.00025961964,0.124374114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993587,0.00017530326,0.000044445504,0.000088447276,0.00027701884,0.000056146782],"domain_scores_gemma":[0.9992512,0.0003070141,0.00006855894,0.00002521,0.00019082474,0.00015714069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011226828,0.0013140624,0.0005304299,0.0021930388,0.0017591964,0.0045522247,0.0009012028,0.0017746929,0.017981848],"category_scores_gemma":[0.002951177,0.0005813423,0.00023851056,0.0020893668,0.0016011854,0.006905519,0.0016623844,0.002955187,0.0152234305],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023171544,0.000009587367,0.00017031818,0.00032555076,0.0000041795083,0.000107372136,0.0039563496,0.000037870523,0.00012893642,0.0070978026,0.86203,0.12610887],"study_design_scores_gemma":[0.0000023589191,0.0000037091688,0.00040305217,0.0006636217,0.0000033207612,0.0002621505,0.0020119925,0.00001585442,0.00007326055,0.0028843284,0.9936686,0.00000777228],"about_ca_topic_score_codex":0.015239337,"about_ca_topic_score_gemma":0.035390757,"teacher_disagreement_score":0.017981848,"about_ca_system_score_codex":0.0014715323,"about_ca_system_score_gemma":0.0029059942,"threshold_uncertainty_score":0.060155332},"labels":[],"label_agreement":null},{"id":"W1595958374","doi":"10.4000/volume.775","title":"Deux ouvrages de George Plasketes (ed.) : « Like a Version – Cover Songs in Popular Music » &amp; Play It Again: Cover Songs in Popular Music","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Cover (algebra); George (robot); Popular music; Art; Art history; Visual arts; Engineering","score_opus":0.01614487800168817,"score_gpt":0.21134625885006686,"score_spread":0.19520138084837868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595958374","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00358975,0.6101607,0.0026525913,0.16567744,0.05133728,0.00006209773,0.00015618902,0.0001277739,0.16623616],"genre_scores_gemma":[0.037327528,0.44965833,0.0023568813,0.0349523,0.031236285,0.00008443645,0.00023259608,0.00020079988,0.443951],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898547,0.00029431758,0.000056214045,0.00018633944,0.00037529084,0.00010238212],"domain_scores_gemma":[0.9990482,0.0004434642,0.00007513357,0.000028675035,0.0001902957,0.00021418795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011557307,0.0011506709,0.000500441,0.0015936822,0.0032840192,0.0058889156,0.00091210124,0.0027366024,0.021228297],"category_scores_gemma":[0.0019745624,0.00040986371,0.00035968985,0.0016829274,0.0022598074,0.009964783,0.002548984,0.0062675886,0.008330215],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055029213,0.00004594842,0.0006097511,0.00065098103,0.000009880177,0.00032065564,0.01598813,0.00007491842,0.00055886497,0.036332004,0.80044067,0.14491326],"study_design_scores_gemma":[0.000002412365,0.000015679296,0.0010253108,0.00045361373,0.0000036268457,0.00028337585,0.0049359524,0.000034249377,0.00010665633,0.002664097,0.9904653,0.000009821458],"about_ca_topic_score_codex":0.008064559,"about_ca_topic_score_gemma":0.019637728,"teacher_disagreement_score":0.021228297,"about_ca_system_score_codex":0.0019247935,"about_ca_system_score_gemma":0.0021004793,"threshold_uncertainty_score":0.071015656},"labels":[],"label_agreement":null},{"id":"W1599974144","doi":"10.4000/volume.3999","title":"Art, science, technologie","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Nautical Research Society","funders":"","keywords":"Humanities; Sociology; Philosophy","score_opus":0.16866379601364395,"score_gpt":0.294029265554717,"score_spread":0.12536546954107303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1599974144","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050375843,0.13040364,0.006310435,0.026677094,0.0035153052,0.000089954556,0.00029821217,0.00014481155,0.82752293],"genre_scores_gemma":[0.46328935,0.1639786,0.016898712,0.016216483,0.0056386576,0.0005884711,0.0006042417,0.00030589852,0.33247954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99578863,0.0019098864,0.00022438557,0.0007876459,0.0009838424,0.00030563644],"domain_scores_gemma":[0.998131,0.0010662773,0.00012923918,0.00027182928,0.0002481441,0.00015356991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026163505,0.0013183928,0.0011171055,0.002926803,0.0045209555,0.019012343,0.0010135744,0.004765221,0.026754875],"category_scores_gemma":[0.0038601775,0.00033405147,0.0004708473,0.005501366,0.030073036,0.010417733,0.0048662415,0.005343859,0.005733831],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017429253,0.000028581666,0.00050902186,0.00053614296,0.000012228233,0.00014559917,0.0059307404,0.00023884533,0.0002623368,0.9157727,0.023848206,0.052698094],"study_design_scores_gemma":[0.000009175566,0.000025868101,0.001137929,0.0008046029,0.000010577381,0.00040408914,0.0049772896,0.00016298347,0.0001235859,0.24569882,0.7466278,0.000017406785],"about_ca_topic_score_codex":0.01535691,"about_ca_topic_score_gemma":0.011592492,"teacher_disagreement_score":0.026754875,"about_ca_system_score_codex":0.008297674,"about_ca_system_score_gemma":0.0072073857,"threshold_uncertainty_score":0.089504},"labels":[],"label_agreement":null},{"id":"W1618158829","doi":"10.4000/volume.4158","title":"“The last period when the performing arts were at the core of the music industry”: John Mullen’s La Chanson populaire en Grande-Bretagne pendant la Grande Guerre 1914-1918","year":2014,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Period (music); Art; The arts; Core (optical fiber); Visual arts; Humanities; Art history; Engineering; Telecommunications; Aesthetics","score_opus":0.02421733025856999,"score_gpt":0.20645675611713818,"score_spread":0.1822394258585682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1618158829","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15199688,0.094671436,0.00065115845,0.16773462,0.004321642,0.000035418576,0.00015380976,0.000052407093,0.58038265],"genre_scores_gemma":[0.54810095,0.015873576,0.00036939816,0.009706794,0.0010234029,0.00003107841,0.00004366371,0.00011259595,0.42473856],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954706,0.00017816572,0.0000070357796,0.0000629211,0.00009486018,0.00010997879],"domain_scores_gemma":[0.9996518,0.000120519835,0.000042802934,0.000017589555,0.00004506909,0.000122267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000666312,0.00029842753,0.00018221,0.0005671427,0.01061038,0.0040035206,0.00046758444,0.0012102633,0.004751381],"category_scores_gemma":[0.0014038729,0.00022886558,0.00008316031,0.00079618575,0.009097262,0.0025635567,0.002112976,0.0028167753,0.0008160127],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011961137,0.000022262484,0.0020491343,0.00012952389,0.0000068186077,0.001080133,0.42219514,0.00007159705,0.0008920026,0.23560473,0.29643154,0.041397482],"study_design_scores_gemma":[0.0000041672306,0.000014571554,0.0043612253,0.00016523668,0.000002133575,0.00020022051,0.05175178,0.0000147847295,0.0002552842,0.0025263655,0.94069254,0.00001160749],"about_ca_topic_score_codex":0.114086986,"about_ca_topic_score_gemma":0.33112755,"teacher_disagreement_score":0.114086986,"about_ca_system_score_codex":0.0062740245,"about_ca_system_score_gemma":0.0023933027,"threshold_uncertainty_score":0.22684586},"labels":[],"label_agreement":null},{"id":"W1630434638","doi":"10.4000/volume.3139","title":"Fréderic Martel, Mainstream. Enquête sur cette culture qui plaît à tout le monde","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Political and Social Issues","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Mainstream; Art; Philosophy; Theology","score_opus":0.02061474394908616,"score_gpt":0.27464348043612524,"score_spread":0.25402873648703905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1630434638","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004239874,0.16616508,0.000519504,0.7221382,0.029130697,0.000025831438,0.00014239263,0.000088667584,0.077549756],"genre_scores_gemma":[0.089241534,0.07773032,0.0009846403,0.167237,0.009889457,0.00009355073,0.00011636292,0.00023968141,0.65446734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862695,0.00042388946,0.000043586766,0.00021870836,0.00045209166,0.00023475397],"domain_scores_gemma":[0.99858344,0.00049094786,0.00009235755,0.00003961414,0.000381788,0.00041183725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015593768,0.00076781795,0.0003436841,0.0009540888,0.009459017,0.004705488,0.0009803912,0.0052901637,0.014084438],"category_scores_gemma":[0.0033171235,0.00040108588,0.0002490864,0.0009447982,0.003438014,0.0054642013,0.002421893,0.005720529,0.0034853402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027589245,0.000018000977,0.00042473985,0.00009465332,0.0000040988675,0.00020147694,0.012287226,0.000018976718,0.00021953073,0.03265068,0.92154604,0.032506973],"study_design_scores_gemma":[0.00000348633,0.000007790491,0.0008344832,0.000119520395,0.0000018424481,0.000104364226,0.0064807343,0.000018687346,0.0001209934,0.0025832807,0.98971635,0.000008447438],"about_ca_topic_score_codex":0.09509623,"about_ca_topic_score_gemma":0.16374813,"teacher_disagreement_score":0.09509623,"about_ca_system_score_codex":0.005682953,"about_ca_system_score_gemma":0.003574778,"threshold_uncertainty_score":0.18908542},"labels":[],"label_agreement":null},{"id":"W1661564036","doi":"10.4000/volume.4525","title":"L’identité anglaise dans Dr Dee : An English Opera de Damon Albarn","year":2015,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.04442597740993548,"score_gpt":0.24786594297730172,"score_spread":0.20343996556736624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1661564036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78864,0.0023220335,0.0007905137,0.006024942,0.0005639927,0.000043695654,0.00006020817,0.000019223291,0.2015354],"genre_scores_gemma":[0.86605376,0.0010202265,0.00043523393,0.0007670333,0.00013379869,0.000024880857,0.000048148835,0.000047263235,0.1314697],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946994,0.00018909603,0.000013705937,0.00006526825,0.00012052457,0.00014144888],"domain_scores_gemma":[0.9997532,0.00008173126,0.00002806098,0.000011431248,0.000039201852,0.0000863824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008698749,0.0004652601,0.0002600607,0.00061780034,0.006843496,0.0037694029,0.0004719592,0.00076116004,0.0064203255],"category_scores_gemma":[0.0008124936,0.00022462787,0.0001581793,0.00051742065,0.005664996,0.0011373893,0.0029185612,0.0019246122,0.0006847692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021391574,0.000084034975,0.0058166133,0.00020862426,0.000012374869,0.0041071856,0.88746965,0.00010718952,0.00410057,0.057073336,0.015040916,0.025765574],"study_design_scores_gemma":[0.00001428538,0.00008281423,0.024961367,0.0002518088,0.000015659985,0.001360553,0.47185034,0.00015278786,0.00090052956,0.0013667601,0.49900225,0.000040836032],"about_ca_topic_score_codex":0.032051705,"about_ca_topic_score_gemma":0.14071251,"teacher_disagreement_score":0.032051705,"about_ca_system_score_codex":0.0028859,"about_ca_system_score_gemma":0.0013663183,"threshold_uncertainty_score":0.0637303},"labels":[],"label_agreement":null},{"id":"W1695958294","doi":"10.4000/volume.3572","title":"Countercultures: Music, Theory and Scenes","year":2012,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art; Visual arts; Computer science","score_opus":0.023338943370224012,"score_gpt":0.19867892189240427,"score_spread":0.17533997852218025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1695958294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017098863,0.051776536,0.0041035614,0.022024684,0.0020096393,0.000037654074,0.00012589914,0.00007984119,0.9027432],"genre_scores_gemma":[0.8831935,0.035925128,0.002513801,0.004358139,0.0032528257,0.00019327433,0.00018315292,0.00010687842,0.07027332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989446,0.000543434,0.00003453932,0.00014801843,0.00021773117,0.00011176129],"domain_scores_gemma":[0.9987488,0.00086930447,0.00010236869,0.000071662034,0.00008941589,0.00011848088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008333391,0.00064063957,0.00044514055,0.0028247826,0.004252537,0.015338982,0.0012606016,0.002374172,0.029407436],"category_scores_gemma":[0.0021430883,0.00023677858,0.00032808748,0.0030186437,0.02726168,0.0073557743,0.003163843,0.0028240103,0.0015834942],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010365642,0.000017642576,0.00029382206,0.00016121216,0.0000029525177,0.000058127825,0.015357833,0.00007851894,0.000045688146,0.96263826,0.008754006,0.012581393],"study_design_scores_gemma":[0.000013686719,0.000042918524,0.0022467612,0.0016229824,0.000011365261,0.00041004986,0.054723028,0.0003854513,0.0001425494,0.36877173,0.57160217,0.000027185955],"about_ca_topic_score_codex":0.0044971844,"about_ca_topic_score_gemma":0.0037576354,"teacher_disagreement_score":0.029407436,"about_ca_system_score_codex":0.0046924157,"about_ca_system_score_gemma":0.0018312042,"threshold_uncertainty_score":0.098377705},"labels":[],"label_agreement":null},{"id":"W1706634913","doi":"10.4000/volume.701","title":"Reprise et intertextualité musicale","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reprise; Art; Humanities; Art history","score_opus":0.02017586336100347,"score_gpt":0.2908050787274258,"score_spread":0.2706292153664223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1706634913","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11344327,0.00547443,0.009628178,0.011654184,0.0013356352,0.000031906224,0.000053618933,0.00013157095,0.85824716],"genre_scores_gemma":[0.88174963,0.0013211927,0.0007902862,0.0005129452,0.0003024891,0.000026006215,0.000023172113,0.00007705034,0.1151972],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962147,0.0017802363,0.00008264549,0.00039139786,0.0010665711,0.00046439725],"domain_scores_gemma":[0.9979201,0.00096126663,0.0002314337,0.00022958187,0.00045603284,0.00020174574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024572907,0.00069131085,0.00038137136,0.0017414462,0.008472155,0.00842833,0.00096906757,0.0021085045,0.008893776],"category_scores_gemma":[0.004559125,0.00020848177,0.00022523974,0.0012183251,0.027132053,0.0062380247,0.0049178884,0.004087668,0.0016694234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041328596,0.000016855152,0.00034935947,0.000093718576,0.000008063148,0.00049704785,0.25895727,0.00007495556,0.001903993,0.7208036,0.00378278,0.013470961],"study_design_scores_gemma":[0.0000130429935,0.00009513004,0.0019661838,0.00039938002,0.00001579461,0.0008025148,0.11744338,0.00016877255,0.001874478,0.04268565,0.834491,0.000044646888],"about_ca_topic_score_codex":0.011464656,"about_ca_topic_score_gemma":0.01292605,"teacher_disagreement_score":0.011464656,"about_ca_system_score_codex":0.0062192376,"about_ca_system_score_gemma":0.0023782083,"threshold_uncertainty_score":0.045123935},"labels":[],"label_agreement":null},{"id":"W1737957772","doi":"10.4000/volume.4473","title":"Stone Deaf Forever: Discourses of Loudness","year":2015,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Loudness; Popular music; Art; Dance; Electronic dance music; Studio; Visual arts; Literature; History; Media studies; Aesthetics; Sociology; Acoustics","score_opus":0.05302612950227845,"score_gpt":0.23344134495382546,"score_spread":0.180415215451547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1737957772","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15650477,0.014732859,0.004714238,0.07307665,0.0017093495,0.000023818999,0.00004111635,0.000087273314,0.7491099],"genre_scores_gemma":[0.97238684,0.0014759133,0.00036089806,0.0038662716,0.00038710993,0.000015586298,0.000010921222,0.000047469857,0.021448957],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9928139,0.005193617,0.00010298298,0.00035055442,0.0011176043,0.0004214168],"domain_scores_gemma":[0.9935116,0.004792314,0.0004213021,0.0002923224,0.0004915076,0.0004909866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054473216,0.00052582286,0.00033605788,0.0022952852,0.012449249,0.015818859,0.0009721724,0.0038171962,0.0043754703],"category_scores_gemma":[0.011792537,0.00024715156,0.00021290785,0.0014581555,0.04099948,0.01375114,0.007702215,0.0053534377,0.00046206327],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040465136,0.000020827261,0.00043962686,0.00006694881,0.0000046838527,0.00025940125,0.400278,0.000051739553,0.00038059108,0.5849167,0.00512807,0.008412869],"study_design_scores_gemma":[0.000023663852,0.00005479812,0.0011914795,0.00046715443,0.000015746815,0.00034498805,0.5431836,0.00023151044,0.00074481004,0.1461111,0.3075917,0.000039389026],"about_ca_topic_score_codex":0.004759713,"about_ca_topic_score_gemma":0.0039911917,"teacher_disagreement_score":0.015818859,"about_ca_system_score_codex":0.0051371953,"about_ca_system_score_gemma":0.0023258307,"threshold_uncertainty_score":0.03727311},"labels":[],"label_agreement":null},{"id":"W1782025504","doi":"10.4000/volume.72","title":"« The uneasy burden of race »","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Race (biology); Political science; Development economics; Sociology; Gender studies; Economics","score_opus":0.049295906098677046,"score_gpt":0.22105808319580408,"score_spread":0.17176217709712704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1782025504","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02741935,0.015568193,0.00479028,0.21875757,0.0056578023,0.000028410863,0.00012123939,0.00018839574,0.7274687],"genre_scores_gemma":[0.60766757,0.00510479,0.0021808497,0.05925447,0.0022051053,0.000075360054,0.0000547394,0.00023749964,0.3232196],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99477994,0.0029601012,0.00007938658,0.00049662916,0.0010291788,0.00065485004],"domain_scores_gemma":[0.997996,0.0005620562,0.00023822243,0.00040497733,0.0003827099,0.0004160795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033935423,0.00042178715,0.00042891907,0.0006236905,0.013287291,0.010364414,0.001026947,0.0028881854,0.010384894],"category_scores_gemma":[0.0074771866,0.00025532366,0.00035628778,0.0005983733,0.030919673,0.0071704565,0.0061643687,0.006420688,0.0025092927],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032935972,0.000010667586,0.0007055641,0.00005761049,0.0000054694924,0.00013313016,0.04538586,0.000027110018,0.0002371078,0.77912223,0.1440583,0.030224066],"study_design_scores_gemma":[0.0000064335663,0.00001665573,0.00070835516,0.00019535568,0.0000050251288,0.0003206784,0.019271724,0.000051100473,0.00029246038,0.069302425,0.90981334,0.00001645834],"about_ca_topic_score_codex":0.026079651,"about_ca_topic_score_gemma":0.03990441,"teacher_disagreement_score":0.026079651,"about_ca_system_score_codex":0.0031088311,"about_ca_system_score_gemma":0.0044577783,"threshold_uncertainty_score":0.051855683},"labels":[],"label_agreement":null},{"id":"W1825305362","doi":"10.4000/volume.369","title":"La scène punk montréalaise","year":2008,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Punk; Humanities; Art; Spectacle; Art history; Political science; Law","score_opus":0.021301166765962155,"score_gpt":0.2508356816566567,"score_spread":0.22953451489069454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1825305362","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14173521,0.0068636383,0.0019347316,0.021458196,0.0024083173,0.00010118741,0.0012188457,0.00014607106,0.82413375],"genre_scores_gemma":[0.67432845,0.0033239038,0.0012069806,0.0018639073,0.00031138325,0.000057952722,0.00041861655,0.00009651691,0.3183923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922097,0.00017128816,0.000010305634,0.00013481063,0.0002383218,0.0002242093],"domain_scores_gemma":[0.99944264,0.00011829607,0.00004209666,0.000030544128,0.0001911863,0.00017523172],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047869043,0.00038676662,0.00021950838,0.00091300026,0.010205889,0.0048318235,0.00079366827,0.0008496143,0.032550216],"category_scores_gemma":[0.0018533769,0.00017870717,0.00018991668,0.0019022044,0.0036929285,0.0012107805,0.0019848826,0.0017173437,0.0011082244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026797148,0.000086514294,0.018647175,0.00056408864,0.00006395599,0.0029586784,0.1482764,0.00069279876,0.0051374645,0.34760007,0.2973738,0.17833106],"study_design_scores_gemma":[0.000006700084,0.000026256244,0.018900948,0.00008937084,0.0000071348018,0.00019724004,0.02425259,0.00006412093,0.00031893566,0.0011931874,0.9549193,0.000024179575],"about_ca_topic_score_codex":0.8088595,"about_ca_topic_score_gemma":0.95003366,"teacher_disagreement_score":0.19114047,"about_ca_system_score_codex":0.019592969,"about_ca_system_score_gemma":0.016619677,"threshold_uncertainty_score":0.3845322},"labels":[],"label_agreement":null},{"id":"W1874673423","doi":"10.4000/volume.4134","title":"Makis Solomos, De la musique au son. L’émergence du son dans la musique des XXe-XXIe siècles","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.011681013108747277,"score_gpt":0.22165266140239856,"score_spread":0.20997164829365128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1874673423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09729903,0.15110181,0.004641496,0.03346632,0.010564535,0.000062505766,0.00024249167,0.000121165845,0.70250064],"genre_scores_gemma":[0.67957395,0.025246475,0.001776923,0.0031431327,0.0028557577,0.00007129918,0.00012663522,0.0001391775,0.28706673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99970144,0.00012141842,0.0000146923785,0.000061188184,0.000049261744,0.00005209457],"domain_scores_gemma":[0.99973875,0.000100542755,0.0000542193,0.000014472296,0.00003817567,0.000053819225],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030320862,0.0006584269,0.00026965034,0.00091202045,0.0037001092,0.002856636,0.00032117587,0.00075019564,0.0076386738],"category_scores_gemma":[0.0007233846,0.0002116923,0.00021382718,0.0006923332,0.0037136888,0.002325218,0.0016117732,0.0012205569,0.0013659215],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003877559,0.000030319847,0.005506261,0.00089303136,0.000032903725,0.00094006537,0.12880388,0.0001540045,0.004846538,0.6271734,0.09293359,0.13829814],"study_design_scores_gemma":[0.000017603934,0.00007686311,0.012692082,0.00046850616,0.000020097634,0.0007406926,0.03950534,0.0002006922,0.0008714106,0.03584546,0.90953624,0.000025032765],"about_ca_topic_score_codex":0.004943281,"about_ca_topic_score_gemma":0.015431295,"teacher_disagreement_score":0.0076386738,"about_ca_system_score_codex":0.0017403042,"about_ca_system_score_gemma":0.0010103096,"threshold_uncertainty_score":0.025553882},"labels":[],"label_agreement":null},{"id":"W1907374615","doi":"10.4000/volume.3808","title":"Consommer la musique à l’ère du numérique : vers une analyse des environnements sonores","year":2013,"lang":"fr","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.016073344465241463,"score_gpt":0.2237956982760594,"score_spread":0.20772235381081794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1907374615","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8639876,0.0006938796,0.01834953,0.0010330103,0.000049770253,0.00005237236,0.00015204895,0.000060109953,0.11562163],"genre_scores_gemma":[0.9838261,0.00034736452,0.005203404,0.000083182276,0.0000193382,0.00006161794,0.00005403841,0.000040868676,0.010364036],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9971232,0.0015241714,0.00010538831,0.00036514833,0.00069296744,0.00018909117],"domain_scores_gemma":[0.9960855,0.0026201077,0.0004439893,0.00026352852,0.00046455365,0.00012237135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028767379,0.00036628562,0.00039017588,0.001466041,0.002068664,0.008082112,0.0006558569,0.00062887184,0.007453232],"category_scores_gemma":[0.00713711,0.00025847694,0.00033891498,0.0023131634,0.006613341,0.0039392333,0.0024816191,0.0009536871,0.0005634626],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003068023,0.00007372763,0.045637947,0.000659201,0.00007802785,0.00055562775,0.69782096,0.0016686354,0.016182968,0.12620118,0.0008458361,0.109969094],"study_design_scores_gemma":[0.000023793133,0.00031739517,0.21609758,0.0005025498,0.000068646375,0.0005498842,0.62286174,0.0033691511,0.007493074,0.045305263,0.10327746,0.0001333771],"about_ca_topic_score_codex":0.009401686,"about_ca_topic_score_gemma":0.013941446,"teacher_disagreement_score":0.009401686,"about_ca_system_score_codex":0.0019354296,"about_ca_system_score_gemma":0.001387734,"threshold_uncertainty_score":0.024933577},"labels":[],"label_agreement":null},{"id":"W1922570443","doi":"10.4000/volume.3682","title":"Anahid Kassabian, Ubiquituous Listening. Affect, Attention and Distributed Subjectivies","year":2013,"lang":"en","type":"article","venue":"Volume !","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.010961425303468168,"score_gpt":0.2652203233427424,"score_spread":0.25425889803927426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1922570443","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20446348,0.3228527,0.0018760557,0.15734404,0.0035701375,0.00006011238,0.00040693878,0.00006151871,0.30936506],"genre_scores_gemma":[0.8864252,0.08085052,0.0007040886,0.0061038216,0.0011202518,0.00008072777,0.000056088924,0.000017779123,0.024641583],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995425,0.00023690762,0.000021559712,0.000044032215,0.00010132998,0.000053773158],"domain_scores_gemma":[0.9984854,0.0008568834,0.00026058857,0.000058757392,0.00020773377,0.00013073023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012340394,0.0005286751,0.0002803756,0.001579427,0.0042671035,0.004649817,0.00062358205,0.0016480326,0.0077648037],"category_scores_gemma":[0.0020727264,0.0003235907,0.00016506892,0.0021584148,0.0045740227,0.004452136,0.0014629149,0.0018508126,0.00097556086],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024985778,0.00017627317,0.021117076,0.0017483969,0.00006206978,0.0015123108,0.31071463,0.00021913796,0.0019064663,0.47657374,0.06565505,0.1200649],"study_design_scores_gemma":[0.00004953811,0.00020268885,0.14960732,0.002726278,0.00015518996,0.0015538374,0.36661226,0.0004392405,0.00089670194,0.09978931,0.3778594,0.00010817136],"about_ca_topic_score_codex":0.016072389,"about_ca_topic_score_gemma":0.030755835,"teacher_disagreement_score":0.016072389,"about_ca_system_score_codex":0.0019018712,"about_ca_system_score_gemma":0.0018393648,"threshold_uncertainty_score":0.031957686},"labels":[],"label_agreement":null},{"id":"W1924066056","doi":"10.4000/volume.3056","title":"Contre-cultures : Musiques, Théorie et Scènes","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Art","score_opus":0.017719808428943096,"score_gpt":0.23870693193438713,"score_spread":0.22098712350544403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1924066056","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050769728,0.04114041,0.009434232,0.055803515,0.001809682,0.000028408534,0.000055747652,0.00006501737,0.8408933],"genre_scores_gemma":[0.9298349,0.010785547,0.0017170171,0.0037180998,0.0006060162,0.00005479724,0.000033794295,0.00010389461,0.05314592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768925,0.0016305444,0.00004435789,0.00017829408,0.0002638184,0.00019375414],"domain_scores_gemma":[0.9986243,0.00088365516,0.00014447032,0.00013478386,0.00009358348,0.00011912297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019028718,0.0006687097,0.00032304204,0.001639411,0.0067576906,0.009994369,0.00091651623,0.001995287,0.0069409646],"category_scores_gemma":[0.0031143615,0.00024644186,0.00031867847,0.001742622,0.031852797,0.00836066,0.0037728492,0.00418197,0.0007570952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008172472,0.0000046377604,0.00021634855,0.000045008906,0.0000028340196,0.000048902297,0.026948363,0.000053533167,0.00006336296,0.96494627,0.0032066416,0.004455929],"study_design_scores_gemma":[0.0000127587855,0.000027780081,0.001635365,0.00058288383,0.00001328323,0.0003382551,0.10607368,0.00042042445,0.00055158394,0.43986785,0.45045024,0.000025855461],"about_ca_topic_score_codex":0.00822376,"about_ca_topic_score_gemma":0.009202655,"teacher_disagreement_score":0.009994369,"about_ca_system_score_codex":0.0050041405,"about_ca_system_score_gemma":0.0021937087,"threshold_uncertainty_score":0.036307752},"labels":[],"label_agreement":null},{"id":"W1934060973","doi":"10.4000/volume.3689","title":"Marta García Quiñones, Anahid Kassabian et Elena Boschi (eds), Ubiquituous Musics. The Everyday Sounds that we Don’t Always Notice","year":2013,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.028226661781890736,"score_gpt":0.19699500118522442,"score_spread":0.1687683394033337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1934060973","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041221394,0.696,0.0029387444,0.16935548,0.010550894,0.00002307159,0.00018639141,0.00011389848,0.11670942],"genre_scores_gemma":[0.06517155,0.74992925,0.003569701,0.017119693,0.009763767,0.000081075064,0.00024155012,0.00019383608,0.1539296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993326,0.00023923589,0.000022800232,0.00010119467,0.00023273451,0.000071369286],"domain_scores_gemma":[0.999183,0.00042871365,0.00010640313,0.00003782266,0.00014442741,0.00009960802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010718538,0.0010276708,0.0005768479,0.0015734866,0.0039802296,0.0072051203,0.00097445876,0.0023354946,0.015594412],"category_scores_gemma":[0.0017594905,0.00049697584,0.00035782057,0.0022990436,0.0036753176,0.0075689848,0.0021529377,0.00415822,0.005911324],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006193732,0.000048919967,0.0020547295,0.0012674109,0.00003053665,0.0002559996,0.02318392,0.00013892214,0.00048131673,0.12026813,0.6909793,0.16122888],"study_design_scores_gemma":[0.000006176882,0.000015160628,0.0044734967,0.00092118257,0.000015032751,0.0003830353,0.015637232,0.00006888244,0.00017911871,0.018568106,0.95971227,0.000020328142],"about_ca_topic_score_codex":0.015866673,"about_ca_topic_score_gemma":0.04547031,"teacher_disagreement_score":0.015866673,"about_ca_system_score_codex":0.0022031958,"about_ca_system_score_gemma":0.0021747851,"threshold_uncertainty_score":0.052168548},"labels":[],"label_agreement":null},{"id":"W1942449589","doi":"10.4000/volume.2306","title":"Walter Benjamin et le jazz : une introduction","year":2003,"lang":"fr","type":"article","venue":"Volume !","topic":"Walter Benjamin Studies Compilation","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.021305450571888603,"score_gpt":0.22720996743124688,"score_spread":0.2059045168593583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1942449589","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028029783,0.1602842,0.0019974057,0.17213406,0.019965898,0.000054987333,0.0005061728,0.00009788129,0.6421564],"genre_scores_gemma":[0.056395013,0.1114935,0.0020983587,0.04822801,0.023073496,0.00022136608,0.00037621646,0.00031896203,0.7577951],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991111,0.00029392034,0.000036101843,0.0001382854,0.00028035272,0.00014022242],"domain_scores_gemma":[0.99942636,0.00031409872,0.00004670326,0.00003346423,0.000108663844,0.00007076599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009729944,0.00079591415,0.00038081422,0.0015634834,0.0046212175,0.004518117,0.00081781705,0.0034096956,0.03061962],"category_scores_gemma":[0.0023230587,0.00037714522,0.00030009862,0.0018462954,0.0039223596,0.00426276,0.0021781486,0.0043160403,0.009527335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021551003,0.000022708322,0.00023259928,0.0001597024,0.0000029389482,0.00011184113,0.0038711117,0.000042458,0.00019351175,0.398033,0.5694474,0.027861208],"study_design_scores_gemma":[0.000001158659,0.0000025467525,0.00021509404,0.000104958315,7.0057274e-7,0.000044410623,0.00048418806,0.000010751533,0.00002624431,0.010583914,0.9885231,0.0000029991254],"about_ca_topic_score_codex":0.017400302,"about_ca_topic_score_gemma":0.020907994,"teacher_disagreement_score":0.03061962,"about_ca_system_score_codex":0.0038578806,"about_ca_system_score_gemma":0.0019790896,"threshold_uncertainty_score":0.10243285},"labels":[],"label_agreement":null},{"id":"W1945685539","doi":"10.4000/volume.3026","title":"« Make-Believe Ballroom Times » : de l’influence du DJing sur les modes d’interprétation et de composition des musiques populaires anglo-américaines","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.02276591880470058,"score_gpt":0.2520341035955123,"score_spread":0.22926818479081174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1945685539","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7194213,0.0012892971,0.00543628,0.0032474173,0.000113080074,0.000017373586,0.00006906726,0.000025604213,0.27038047],"genre_scores_gemma":[0.99169886,0.00025677047,0.0005484434,0.000093808274,0.000032824173,0.0000057137854,0.000011976729,0.000016465645,0.0073351744],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989053,0.0005745282,0.000025904128,0.00016081502,0.00020126758,0.00013209663],"domain_scores_gemma":[0.99782073,0.0013427214,0.0002617966,0.00018525164,0.00023603403,0.00015345952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018299887,0.0003502908,0.00013820664,0.0007657632,0.0028349862,0.004502847,0.0003875807,0.0005699562,0.00654831],"category_scores_gemma":[0.0046925046,0.00020014988,0.00013982673,0.00076060207,0.007305876,0.0018202143,0.0016934397,0.0013373876,0.00045771454],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003480653,0.000043738997,0.022071583,0.0001874621,0.000028849476,0.00054850685,0.6597858,0.00025639895,0.00963048,0.23219745,0.0020144447,0.07288724],"study_design_scores_gemma":[0.00004541409,0.00019383783,0.18334045,0.00028742332,0.000052884072,0.0009860899,0.55530554,0.0009253052,0.0045177974,0.03175031,0.2224973,0.00009757185],"about_ca_topic_score_codex":0.012034975,"about_ca_topic_score_gemma":0.029388202,"teacher_disagreement_score":0.012034975,"about_ca_system_score_codex":0.0014585839,"about_ca_system_score_gemma":0.00081524014,"threshold_uncertainty_score":0.023929834},"labels":[],"label_agreement":null},{"id":"W1946384231","doi":"10.4000/volume.3129","title":"Kevin Fellezs, Birds of Fire : Jazz, Rock, Funk and the Creation of Fusion","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Jazz; Funk; Musical; Art; Art history; Visual arts; Literature","score_opus":0.014415895862994995,"score_gpt":0.19907404944530074,"score_spread":0.18465815358230575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1946384231","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02198617,0.31853542,0.0022528225,0.45610726,0.00918342,0.000015292559,0.00012184799,0.00008830668,0.19170938],"genre_scores_gemma":[0.58377856,0.11903676,0.0016253606,0.056284912,0.0075523066,0.000050789542,0.000078460966,0.00022704493,0.23136583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957174,0.00022156804,0.000013283171,0.000049840473,0.00009640143,0.00004721403],"domain_scores_gemma":[0.999496,0.00030680213,0.000044734545,0.000020131025,0.000064549284,0.0000678568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063600903,0.00038283842,0.00023500627,0.00059074134,0.005660504,0.0047136396,0.00053767033,0.0022030775,0.006085765],"category_scores_gemma":[0.001573026,0.00023419254,0.00010600368,0.00059664913,0.007011128,0.0066304263,0.0015592381,0.0038376844,0.001582223],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007804166,0.000018848155,0.00092176115,0.00013922864,0.00000994481,0.0003162964,0.048271872,0.00007664717,0.0003691604,0.27786428,0.6431017,0.028832318],"study_design_scores_gemma":[0.000008858665,0.000014706509,0.00217204,0.00030805625,0.000003871574,0.00047944806,0.048434414,0.000065384804,0.0003732927,0.036990423,0.9111287,0.00002083545],"about_ca_topic_score_codex":0.013554968,"about_ca_topic_score_gemma":0.04523568,"teacher_disagreement_score":0.013554968,"about_ca_system_score_codex":0.0016216655,"about_ca_system_score_gemma":0.00073332473,"threshold_uncertainty_score":0.026952147},"labels":[],"label_agreement":null},{"id":"W1953862449","doi":"10.4000/volume.1189","title":"Présentation du texte de Ralph Ellison","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural History and Identity Formation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Blues; Art; Philosophy; Art history","score_opus":0.03427833844776133,"score_gpt":0.20646354640395767,"score_spread":0.17218520795619635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1953862449","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018978817,0.10541202,0.00058691425,0.4421864,0.2876354,0.00009298383,0.00049441325,0.000093682014,0.16160037],"genre_scores_gemma":[0.030727157,0.07011443,0.00057832984,0.19741449,0.14177826,0.0001958603,0.00029951154,0.0002502071,0.5586418],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998995,0.0003298502,0.000038176055,0.00015767603,0.0003621922,0.000117118456],"domain_scores_gemma":[0.99819475,0.0009880896,0.000108200686,0.000045713492,0.00046103893,0.00020229128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011601913,0.001253532,0.0006966182,0.001501722,0.004578697,0.0046377433,0.0010604797,0.003316044,0.020740842],"category_scores_gemma":[0.0047369623,0.0002701441,0.00041900092,0.0011181884,0.003312906,0.0028499002,0.0028409776,0.006242134,0.011312218],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012917851,0.000005276286,0.000021619408,0.00008744653,0.0000016270785,0.00015048061,0.00083889253,0.000014609253,0.000083038874,0.0030526817,0.9899547,0.0057766535],"study_design_scores_gemma":[0.0000015998559,0.000003354227,0.00010688606,0.00016113138,0.000001075713,0.00011739138,0.00057463,0.000008924931,0.000056871067,0.00046544056,0.99849844,0.000004184671],"about_ca_topic_score_codex":0.016451346,"about_ca_topic_score_gemma":0.01844203,"teacher_disagreement_score":0.020740842,"about_ca_system_score_codex":0.0047047697,"about_ca_system_score_gemma":0.0025516853,"threshold_uncertainty_score":0.06938499},"labels":[],"label_agreement":null},{"id":"W1981165975","doi":"10.4000/volume.1041","title":"Sur un air sans paroles, auquel manque la musique","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MaRS","funders":"","keywords":"Reprise; Humanities; Art","score_opus":0.012831443727297547,"score_gpt":0.2058086078991663,"score_spread":0.19297716417186875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981165975","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015861085,0.008410397,0.010893209,0.03860028,0.0044422843,0.000055015204,0.00026941826,0.00021865689,0.92124975],"genre_scores_gemma":[0.33587205,0.004696308,0.0058346223,0.012030468,0.0022969367,0.00013272701,0.00028342856,0.00057745556,0.638276],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967319,0.0012409608,0.00009482188,0.0007078659,0.0008433074,0.00038119496],"domain_scores_gemma":[0.9977277,0.0007643724,0.00019356047,0.00032717467,0.00072667986,0.00026055353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021227915,0.00082742725,0.00050050736,0.0011667251,0.009866947,0.0112434905,0.0010043121,0.0034913174,0.029862618],"category_scores_gemma":[0.0051454636,0.0003807024,0.000410951,0.00091088755,0.017464899,0.010377016,0.005702448,0.007807212,0.0079268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048958653,0.000011532494,0.0003652721,0.00011443353,0.0000090023195,0.00014903965,0.02414065,0.000053427215,0.0007940077,0.927453,0.03159369,0.015267054],"study_design_scores_gemma":[0.000007213823,0.000025314486,0.00064027024,0.00023419096,0.000008037193,0.0001705772,0.0124435425,0.00009635498,0.0005264505,0.048323087,0.9375027,0.000022301469],"about_ca_topic_score_codex":0.01284828,"about_ca_topic_score_gemma":0.027811483,"teacher_disagreement_score":0.029862618,"about_ca_system_score_codex":0.004553093,"about_ca_system_score_gemma":0.004187488,"threshold_uncertainty_score":0.099900365},"labels":[],"label_agreement":null},{"id":"W1998334205","doi":"10.4000/volume.1359","title":"Espaces de solidarités, de divergences et de conflits dans la musique montréalaise émergente","year":2005,"lang":"fr","type":"article","venue":"Volume !","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.009223901185758901,"score_gpt":0.2496764545868117,"score_spread":0.24045255340105282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998334205","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57739866,0.0016912483,0.010933063,0.0033834209,0.00013052033,0.00007358663,0.00035470445,0.000081812796,0.40595293],"genre_scores_gemma":[0.9699365,0.00033059466,0.0013670893,0.00010305843,0.00001524178,0.000022662196,0.00010134355,0.000040902625,0.028082592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99833375,0.00030905395,0.00003732372,0.00031794398,0.00054561795,0.0004562014],"domain_scores_gemma":[0.9987509,0.00030082476,0.00014841573,0.00011425034,0.0003397516,0.0003457057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010732025,0.00045797662,0.00035125017,0.0014144368,0.008831923,0.0071386136,0.00090533704,0.00064306235,0.012171489],"category_scores_gemma":[0.0032039112,0.00026229207,0.00028201847,0.002009909,0.018305432,0.0025412005,0.0045137014,0.0018089466,0.00040168336],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019059527,0.000022852919,0.02113431,0.00021893813,0.000046908815,0.000649887,0.36031297,0.0009198597,0.0052929404,0.55014366,0.004506898,0.056560323],"study_design_scores_gemma":[0.000046858444,0.00010578319,0.16951749,0.00029576046,0.000059141763,0.000557341,0.3433326,0.0017082503,0.0021676684,0.042217802,0.43980587,0.00018552256],"about_ca_topic_score_codex":0.6917654,"about_ca_topic_score_gemma":0.8513335,"teacher_disagreement_score":0.30823457,"about_ca_system_score_codex":0.027048573,"about_ca_system_score_gemma":0.014934544,"threshold_uncertainty_score":0.62009966},"labels":[],"label_agreement":null},{"id":"W2003169415","doi":"10.4000/volume.295","title":"Lettre ouverte sur les musiques « noires », « afro-américaines » et « européennes »","year":2008,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Laboratory for Brain, Music and Sound Research","funders":"","keywords":"Humanities; Art","score_opus":0.05255770583779338,"score_gpt":0.21573366420475273,"score_spread":0.16317595836695936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2003169415","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01268786,0.08335355,0.0038949405,0.13152966,0.050306812,0.000050373274,0.0010605588,0.00016246943,0.7169538],"genre_scores_gemma":[0.1640974,0.029590163,0.0025553226,0.033921294,0.024710776,0.0001547978,0.00077071274,0.00054644427,0.74365306],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915075,0.0003184771,0.000039475945,0.00013661615,0.00026400137,0.000090778514],"domain_scores_gemma":[0.99878424,0.0006732531,0.0001052137,0.000060653947,0.0003057996,0.00007082845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007168439,0.00081053755,0.00031103278,0.001350646,0.0039618937,0.004323957,0.0006399436,0.0020497513,0.01723294],"category_scores_gemma":[0.0023362248,0.00020556748,0.00037825748,0.0012628194,0.003667587,0.0029111926,0.0011961289,0.0033428196,0.004910005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107249674,0.000030439847,0.0007285641,0.00032889744,0.000017722772,0.00017171745,0.016483523,0.000098021526,0.001060155,0.22818153,0.71608096,0.03671114],"study_design_scores_gemma":[0.0000030480476,0.0000064563487,0.0010618328,0.00015533365,0.0000030676852,0.00006982905,0.0015037009,0.000032241256,0.00016511766,0.0052849012,0.99170953,0.0000050447566],"about_ca_topic_score_codex":0.012177561,"about_ca_topic_score_gemma":0.027108582,"teacher_disagreement_score":0.01723294,"about_ca_system_score_codex":0.002512864,"about_ca_system_score_gemma":0.0016202874,"threshold_uncertainty_score":0.05764985},"labels":[],"label_agreement":null},{"id":"W2004558247","doi":"10.4000/volume.1026","title":"D’Annie Laurie à Lady Madonna : un siècle de reprises au Japon","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Asian Culture and Media Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Humanities; Art","score_opus":0.012349754922018555,"score_gpt":0.2736215388162921,"score_spread":0.2612717838942735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004558247","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5313576,0.024390746,0.0012930706,0.09092376,0.0054395236,0.000036612422,0.00011503808,0.00007432944,0.3463693],"genre_scores_gemma":[0.8764511,0.0062108617,0.00046284133,0.0087286085,0.0009293411,0.000027461068,0.000039979288,0.00009330714,0.107056424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989967,0.0005019623,0.000020519268,0.00012163753,0.00017619524,0.00018295113],"domain_scores_gemma":[0.99874264,0.00052815763,0.00015485003,0.00007115697,0.00025842362,0.00024473894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001186158,0.0006069098,0.00021800767,0.00072763563,0.012578622,0.004745711,0.00047524844,0.0018464748,0.00605855],"category_scores_gemma":[0.0027883823,0.0002399656,0.00020211305,0.00064441207,0.006945667,0.004224198,0.0025051748,0.0038129052,0.00092161587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102248334,0.000037200236,0.0036118159,0.00027391926,0.00001894856,0.0022529825,0.8420913,0.00004771165,0.0019215172,0.08140521,0.03874584,0.029491225],"study_design_scores_gemma":[0.000005306074,0.00007323168,0.013067153,0.00043266255,0.000015848082,0.0006663704,0.30130646,0.00006800595,0.00053224945,0.0022161873,0.6815751,0.000041467938],"about_ca_topic_score_codex":0.029122837,"about_ca_topic_score_gemma":0.06543071,"teacher_disagreement_score":0.029122837,"about_ca_system_score_codex":0.0032982405,"about_ca_system_score_gemma":0.0018666728,"threshold_uncertainty_score":0.057906628},"labels":[],"label_agreement":null},{"id":"W2006351374","doi":"10.4000/volume.116","title":"Jeux de couleurs dans le candombe afro-uruguayen","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Diaspora, migration, transnational identity","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute of Particle Physics","funders":"","keywords":"Humanities; Art","score_opus":0.053371046528979275,"score_gpt":0.2767954344764372,"score_spread":0.2234243879474579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2006351374","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9819177,0.0013176168,0.00019440742,0.00061311375,0.000033246157,0.000018667944,0.00002096085,0.0000043872933,0.015879948],"genre_scores_gemma":[0.9836377,0.00049530284,0.00023894107,0.00007704918,0.0000086509135,0.000014125562,0.000016249525,0.0000067373253,0.015505265],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993592,0.00024051694,0.000019910225,0.00007622338,0.00005269909,0.00025154787],"domain_scores_gemma":[0.9996711,0.00009377382,0.00006353222,0.00002165987,0.0000625673,0.00008735632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009770138,0.0002663369,0.00043383098,0.00065706036,0.012132462,0.0020877945,0.00055993075,0.0007886115,0.00538785],"category_scores_gemma":[0.0012336875,0.00029717575,0.00014788979,0.0007748171,0.0039436477,0.0010320137,0.0023542754,0.0011362728,0.00025652198],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012924982,0.00003281946,0.017074812,0.00008814501,0.0000092271675,0.0018444668,0.9341142,0.00005934154,0.0025918046,0.026848214,0.0007812638,0.016426357],"study_design_scores_gemma":[0.000016623175,0.00009513428,0.086300194,0.00026299575,0.000016887981,0.0010878446,0.7915499,0.00022120353,0.0006500337,0.0015079693,0.11825712,0.000034019402],"about_ca_topic_score_codex":0.30380186,"about_ca_topic_score_gemma":0.54082197,"teacher_disagreement_score":0.30380186,"about_ca_system_score_codex":0.00396125,"about_ca_system_score_gemma":0.0016554483,"threshold_uncertainty_score":0.6040671},"labels":[],"label_agreement":null},{"id":"W2009014068","doi":"10.4000/volume.2048","title":"La partition graphique et ses usages dans la scène improvisée","year":2004,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.020515054683126,"score_gpt":0.24478213927590015,"score_spread":0.22426708459277414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009014068","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08375769,0.0038350364,0.5399601,0.006152087,0.0010294591,0.00021010367,0.00086249196,0.0024044197,0.3617887],"genre_scores_gemma":[0.72381914,0.0031205202,0.17329557,0.0009512634,0.00020137707,0.00035076906,0.00081639044,0.0021180161,0.09532695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878544,0.0005966866,0.000038965853,0.00025028148,0.00023513362,0.00009358001],"domain_scores_gemma":[0.99860317,0.00082324713,0.00009272457,0.00022786771,0.00017317219,0.00007979176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076910976,0.0008149449,0.00030095904,0.0015594141,0.0028058232,0.0059746043,0.0008550228,0.0015407417,0.014527453],"category_scores_gemma":[0.0032479572,0.00038784143,0.00046952243,0.002066404,0.007985822,0.0053090313,0.0024310725,0.0020926204,0.0026962133],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108010914,0.000017870827,0.0010229072,0.00030536894,0.00001589916,0.00038962625,0.06317212,0.001128071,0.007960782,0.8533684,0.007920102,0.06459084],"study_design_scores_gemma":[0.000023871638,0.000096776625,0.0033781375,0.00044698128,0.00004073238,0.001594724,0.043315545,0.0065352423,0.0060318485,0.19721939,0.7412131,0.0001035487],"about_ca_topic_score_codex":0.011719904,"about_ca_topic_score_gemma":0.01643062,"teacher_disagreement_score":0.014527453,"about_ca_system_score_codex":0.002306346,"about_ca_system_score_gemma":0.001403139,"threshold_uncertainty_score":0.048599124},"labels":[],"label_agreement":null},{"id":"W2015678861","doi":"10.4000/volume.651","title":"Le critique rock, le fanzine et le magazine : « Ça s’en va et ça revient »","year":2006,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Paul University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.01039362831464974,"score_gpt":0.21752799230576347,"score_spread":0.20713436399111373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015678861","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056323927,0.04847446,0.0026867962,0.17390776,0.0053108693,0.000032980057,0.00013321482,0.00010808527,0.7130219],"genre_scores_gemma":[0.72562295,0.0108905,0.0008105626,0.009070745,0.002565865,0.000034833727,0.000052252937,0.00012882958,0.25082338],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976827,0.00097560475,0.00005210736,0.0002301592,0.00075722,0.00030221936],"domain_scores_gemma":[0.99786335,0.0010361382,0.00027499386,0.00013287211,0.00043600876,0.00025664357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001692069,0.0005683229,0.0002794032,0.0013720257,0.007993898,0.012172245,0.0005578514,0.0032569047,0.013186201],"category_scores_gemma":[0.0049570864,0.00020168645,0.00019891553,0.001428788,0.016958587,0.005373641,0.0021604288,0.0038147601,0.001421753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119685654,0.000020507088,0.002492478,0.00041252267,0.000018234061,0.0004309257,0.10785624,0.00008468994,0.0014777951,0.7033483,0.1340133,0.049725227],"study_design_scores_gemma":[0.000012431326,0.00002819279,0.0033371337,0.0002445064,0.000010334236,0.00029790288,0.037988417,0.00006465023,0.00044820554,0.013774456,0.94377,0.000023775692],"about_ca_topic_score_codex":0.08620559,"about_ca_topic_score_gemma":0.15873672,"teacher_disagreement_score":0.08620559,"about_ca_system_score_codex":0.0073480178,"about_ca_system_score_gemma":0.0059430576,"threshold_uncertainty_score":0.17140764},"labels":[],"label_agreement":null},{"id":"W2029599245","doi":"10.4000/volume.692","title":"Une introduction à la transphonographie","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.07372813229498745,"score_gpt":0.2635982021095677,"score_spread":0.18987006981458024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029599245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012624725,0.07041883,0.13218716,0.03794555,0.015645731,0.00017887754,0.0010063106,0.0004039742,0.72958875],"genre_scores_gemma":[0.3412638,0.13150978,0.081238665,0.018493319,0.03552343,0.0008630185,0.0016397592,0.0015008509,0.3879673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987062,0.0006406068,0.0000900935,0.00021829893,0.00023722557,0.00010740742],"domain_scores_gemma":[0.9980719,0.0013757538,0.00010131299,0.00018371674,0.0001825567,0.00008466196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012447372,0.0008352936,0.00043606394,0.0024084982,0.0030859022,0.006286043,0.0010331224,0.0021369082,0.028150378],"category_scores_gemma":[0.0027042162,0.00035332268,0.00071268063,0.0031841507,0.009878918,0.006279711,0.003043257,0.0051068976,0.004760987],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017930392,0.0000148832305,0.0002795983,0.00023795755,0.0000048914267,0.00016102058,0.006553832,0.00012326676,0.00074504915,0.94453263,0.018626843,0.028702136],"study_design_scores_gemma":[0.0000034631946,0.000022601524,0.0005927459,0.00028778537,0.0000043836203,0.00047101514,0.0017664358,0.00026622938,0.0002710377,0.14902128,0.8472798,0.000013192155],"about_ca_topic_score_codex":0.004051095,"about_ca_topic_score_gemma":0.0042670793,"teacher_disagreement_score":0.028150378,"about_ca_system_score_codex":0.0029570002,"about_ca_system_score_gemma":0.0017494997,"threshold_uncertainty_score":0.09417242},"labels":[],"label_agreement":null},{"id":"W2049863671","doi":"10.4000/volume.3055","title":"Le DIY comme dynamique contre-culturelle ?","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Punk; Art; Political science; Art history","score_opus":0.019813181582510414,"score_gpt":0.22083713717904277,"score_spread":0.20102395559653236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049863671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12635499,0.007431083,0.0060163597,0.08782542,0.0006478558,0.00003797415,0.00009862058,0.000055772623,0.77153194],"genre_scores_gemma":[0.95644414,0.0025916765,0.0006882536,0.0021619808,0.00016447225,0.000044348824,0.000025264331,0.00004161572,0.037838284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9965789,0.0016561332,0.00007508078,0.0005504489,0.00051208946,0.0006274015],"domain_scores_gemma":[0.99854976,0.0005615141,0.00029131692,0.00020435029,0.00017011934,0.00022295392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019628531,0.00034851485,0.00031043345,0.0011855643,0.006017492,0.014480241,0.0013963511,0.0020335363,0.010201406],"category_scores_gemma":[0.0033351409,0.00034068013,0.00025173486,0.002342389,0.034452908,0.010095918,0.004638505,0.0041208165,0.0010695262],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014620059,0.000012681116,0.00086729444,0.000045669807,0.0000040297105,0.00007276623,0.01704918,0.00006958728,0.00007513317,0.97253114,0.0021913282,0.007066517],"study_design_scores_gemma":[0.00004149443,0.000077233046,0.011166759,0.0006255272,0.000021055806,0.00031194752,0.1119771,0.00070838735,0.0004739068,0.39901745,0.4755265,0.000052703333],"about_ca_topic_score_codex":0.02475026,"about_ca_topic_score_gemma":0.021365792,"teacher_disagreement_score":0.02475026,"about_ca_system_score_codex":0.00799865,"about_ca_system_score_gemma":0.0065553216,"threshold_uncertainty_score":0.05803448},"labels":[],"label_agreement":null},{"id":"W2051253325","doi":"10.4000/volume.2493","title":"Techniques électroniques et art musical : son, geste, écriture","year":2002,"lang":"fr","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Musical; Humanities; Visual arts","score_opus":0.02503235719468648,"score_gpt":0.25109914731015737,"score_spread":0.22606679011547087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051253325","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09091228,0.13331279,0.2833973,0.01135673,0.0053038257,0.00009881644,0.00009836757,0.0005565727,0.47496337],"genre_scores_gemma":[0.55439395,0.066729285,0.06999131,0.0014580981,0.0018915497,0.00011621363,0.00006308377,0.00021237094,0.3051442],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964225,0.00010510122,0.000017352513,0.000056879937,0.00014270842,0.00003558434],"domain_scores_gemma":[0.9995809,0.00025887767,0.000025765783,0.000048614867,0.0000632947,0.000022612174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006171245,0.0005414516,0.00033975948,0.0008707743,0.0011084799,0.00367596,0.00054803974,0.0011285864,0.013468339],"category_scores_gemma":[0.001053916,0.00021189344,0.00028820086,0.0006804139,0.00363282,0.0039756596,0.001500272,0.0012195272,0.0016456649],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018341858,0.000057794812,0.00085625495,0.0012259134,0.000044638993,0.00075052236,0.0074047837,0.0012671282,0.055670515,0.62692565,0.006985417,0.2986281],"study_design_scores_gemma":[0.000040382947,0.00034796362,0.0027760142,0.00066555437,0.000054675034,0.0048593096,0.0068423036,0.0025000563,0.02768353,0.18558587,0.76857054,0.00007370757],"about_ca_topic_score_codex":0.000546818,"about_ca_topic_score_gemma":0.0013183326,"teacher_disagreement_score":0.013468339,"about_ca_system_score_codex":0.00055983313,"about_ca_system_score_gemma":0.00034994,"threshold_uncertainty_score":0.045056045},"labels":[],"label_agreement":null},{"id":"W2051383532","doi":"10.4000/volume.4344","title":"Psycherelic Rock","year":2014,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Sound (geography); Rock music; Appeal; Aesthetics; Musical; Collective memory; Popular music; History; Art; Literature; Visual arts; Acoustics; Political science; Law","score_opus":0.018679483443297555,"score_gpt":0.1839940783311343,"score_spread":0.16531459488783673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051383532","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4973232,0.0020161085,0.001430402,0.0030541574,0.00028799038,0.000040910905,0.00004909613,0.000052132233,0.49574593],"genre_scores_gemma":[0.9667276,0.0006910744,0.00019710444,0.00045138274,0.00004994343,0.000012307684,0.000021641692,0.000016403166,0.03183256],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995573,0.000116980715,0.000012008677,0.000046283607,0.00013658612,0.00013084362],"domain_scores_gemma":[0.9997477,0.000057056106,0.00005111448,0.00003715184,0.00004309635,0.000063854844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004614334,0.00028575893,0.00017361216,0.0006823023,0.005083005,0.0031703745,0.0005098782,0.0006996505,0.008774753],"category_scores_gemma":[0.001011193,0.00012143669,0.0001266666,0.00048672955,0.009277927,0.0017199935,0.0038178295,0.0016997027,0.00091145886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025788476,0.00014319699,0.0087012295,0.00066862244,0.00003130946,0.0046096733,0.59579307,0.00013690743,0.011076069,0.26800352,0.0107665,0.09981207],"study_design_scores_gemma":[0.000014895794,0.00032649684,0.059234574,0.0005266493,0.000033919503,0.0048559657,0.43103537,0.00031141026,0.0026455224,0.015293978,0.48566192,0.000059362035],"about_ca_topic_score_codex":0.00721535,"about_ca_topic_score_gemma":0.017250674,"teacher_disagreement_score":0.008774753,"about_ca_system_score_codex":0.001759183,"about_ca_system_score_gemma":0.0011366805,"threshold_uncertainty_score":0.029354513},"labels":[],"label_agreement":null},{"id":"W2083994850","doi":"10.4000/volume.901","title":"Œuvres musicales, reprises et Strange Little Girls","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.022243298600138715,"score_gpt":0.24859716155746825,"score_spread":0.22635386295732954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083994850","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6215478,0.0031604453,0.0040904093,0.008519684,0.00066113734,0.000053396307,0.00020229383,0.00006114407,0.36170357],"genre_scores_gemma":[0.96833223,0.00063027185,0.00045438902,0.00023811846,0.000072799405,0.000029557932,0.000054521533,0.00005968258,0.030128293],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983708,0.0006948728,0.000057426543,0.0002391698,0.00039731667,0.00024039848],"domain_scores_gemma":[0.9988397,0.00049803575,0.00020479577,0.000120471086,0.00014071501,0.00019628544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015014539,0.00052603916,0.00038155136,0.001181403,0.006743661,0.005918642,0.0006424745,0.0009271937,0.009168717],"category_scores_gemma":[0.0034836046,0.00027270292,0.00021634862,0.0014779889,0.014029545,0.004207355,0.0045694835,0.0026506938,0.00079147686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001112365,0.000023127443,0.0037921665,0.00017321993,0.000011391236,0.00080200535,0.75956184,0.00005877302,0.0014951801,0.21253052,0.0028009734,0.018639544],"study_design_scores_gemma":[0.000018930838,0.0000520943,0.013508664,0.00028181658,0.000017638498,0.0005687707,0.6727343,0.00009157328,0.0007984274,0.012051267,0.29984143,0.000035092966],"about_ca_topic_score_codex":0.011816216,"about_ca_topic_score_gemma":0.02257038,"teacher_disagreement_score":0.011816216,"about_ca_system_score_codex":0.0036181563,"about_ca_system_score_gemma":0.0015939593,"threshold_uncertainty_score":0.030672431},"labels":[],"label_agreement":null},{"id":"W2088554638","doi":"10.4000/volume.2039","title":"Deux exemples de presse musicale jeune en France, de 1966 à 1969 : Salut Les Copains et Rock &amp; Folk","year":2004,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":48,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.019601935126641573,"score_gpt":0.23545491198208615,"score_spread":0.21585297685544458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2088554638","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4659393,0.027060233,0.0012844831,0.02291469,0.0037856824,0.00016226569,0.0021644733,0.00032534622,0.4763634],"genre_scores_gemma":[0.7340659,0.005603422,0.0007573469,0.0032017466,0.0019330635,0.00015289326,0.00059645186,0.00018985494,0.25349924],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99859804,0.0002795783,0.000040748033,0.00017998417,0.00039921328,0.00050243817],"domain_scores_gemma":[0.99803394,0.000631806,0.00033407332,0.0000801331,0.0003324296,0.00058759656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077262655,0.0007959988,0.00027363608,0.003836354,0.011831682,0.0059223156,0.00071649184,0.0025074412,0.017344704],"category_scores_gemma":[0.0023301134,0.00037854063,0.00033690638,0.003879159,0.004488519,0.0020743683,0.001901997,0.0027257823,0.0019591146],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00064432796,0.00021294916,0.020154987,0.00080525567,0.0000829569,0.010643697,0.5176618,0.00040160675,0.0042260275,0.16753009,0.20924383,0.06839251],"study_design_scores_gemma":[0.000028466568,0.00008635065,0.054932628,0.00020848915,0.000009275127,0.0008223901,0.052017145,0.000057080066,0.0003990659,0.0006225577,0.89076865,0.000047917256],"about_ca_topic_score_codex":0.13983963,"about_ca_topic_score_gemma":0.31088635,"teacher_disagreement_score":0.13983963,"about_ca_system_score_codex":0.00802673,"about_ca_system_score_gemma":0.0024380588,"threshold_uncertainty_score":0.27805138},"labels":[],"label_agreement":null},{"id":"W2091140060","doi":"10.4000/volume.1094","title":"L’Ontologie du rock de Roger Pouivet","year":2010,"lang":"fr","type":"article","venue":"Volume !","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy; Geology","score_opus":0.031997763400607865,"score_gpt":0.2632984539020663,"score_spread":0.23130069050145843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091140060","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11174008,0.017656224,0.08383448,0.07047132,0.0015360789,0.00007327317,0.000285218,0.0003251406,0.7140782],"genre_scores_gemma":[0.9051907,0.0063264365,0.011624612,0.0015637791,0.0005788334,0.00009438614,0.00010818008,0.00030535064,0.074207745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982566,0.00096541096,0.000044566517,0.00026517044,0.00035420133,0.000113985334],"domain_scores_gemma":[0.99830294,0.0010081078,0.00012229128,0.00020930961,0.00026563785,0.00009161168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018165393,0.0003737992,0.00038236807,0.0015411987,0.0045303064,0.0057726167,0.0006680978,0.001802057,0.0054655722],"category_scores_gemma":[0.005017209,0.0004450209,0.0003539103,0.0018301969,0.017679093,0.009758657,0.0023029866,0.003138099,0.000929718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001850958,0.0000059289737,0.00030690958,0.000039103958,0.0000032514008,0.00011915422,0.01746101,0.00019476551,0.00026907213,0.9695961,0.0052415435,0.0067446386],"study_design_scores_gemma":[0.000018018847,0.000032241118,0.0016109364,0.00019820817,0.000011580389,0.00063805975,0.015412717,0.00092748133,0.00073972973,0.40822574,0.5721412,0.000044126376],"about_ca_topic_score_codex":0.016363958,"about_ca_topic_score_gemma":0.015515078,"teacher_disagreement_score":0.016363958,"about_ca_system_score_codex":0.0020054013,"about_ca_system_score_gemma":0.0016388858,"threshold_uncertainty_score":0.0325374},"labels":[],"label_agreement":null},{"id":"W2091605250","doi":"10.4000/volume.629","title":"Cold Press: Early Punk Fanzines in Canada’s Capital","year":2006,"lang":"en","type":"article","venue":"Volume !","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Punk; Memoir; Politics; Reading (process); Musical; National identity; Media studies; Close reading; Capital (architecture); Sociology; Identity (music); Political science; Gender studies; Aesthetics; Art history; History; Art; Visual arts; Literature; Law","score_opus":0.013926910655602719,"score_gpt":0.24253750092577916,"score_spread":0.22861059027017644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091605250","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48824933,0.016739491,0.00070311205,0.025033258,0.0007294682,0.00007976309,0.0014958297,0.00011501241,0.46685475],"genre_scores_gemma":[0.8231404,0.0031275763,0.00028919047,0.00081675785,0.000046533376,0.000015814197,0.00017866498,0.000059958842,0.17232507],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934167,0.000042260297,0.000008721329,0.0000638333,0.0001821729,0.00036137237],"domain_scores_gemma":[0.9993747,0.000115007555,0.000044018398,0.000023311428,0.00020373361,0.00023930985],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043731922,0.00033104216,0.00024991925,0.0016165022,0.019212574,0.00687434,0.0006943922,0.00076404074,0.017029425],"category_scores_gemma":[0.0012265239,0.0002997612,0.00011898103,0.0029067611,0.0073583266,0.0012267078,0.0022319006,0.0018035045,0.000541687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020933825,0.00004681274,0.028636621,0.00049655524,0.000028918847,0.0032653396,0.46434587,0.00046836163,0.0024713592,0.2180119,0.16312058,0.11889837],"study_design_scores_gemma":[0.000006972332,0.000010314231,0.052092068,0.00016894541,0.0000112373145,0.00020474178,0.09158375,0.00007973007,0.00045202865,0.0012873514,0.8540731,0.000029711971],"about_ca_topic_score_codex":0.98805726,"about_ca_topic_score_gemma":0.9966627,"teacher_disagreement_score":0.0686843,"about_ca_system_score_codex":0.0686843,"about_ca_system_score_gemma":0.058689445,"threshold_uncertainty_score":0.4983418},"labels":[],"label_agreement":null},{"id":"W2116401206","doi":"10.4000/volume.658","title":"Les membres de sound system techno : du militantisme à la professionnalisation","year":2006,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Collège Lionel Groulx","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.10399724497877137,"score_gpt":0.2879714505753946,"score_spread":0.1839742055966232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116401206","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4347573,0.0022404834,0.058227133,0.044500347,0.0007250584,0.00014513369,0.000070840666,0.00025600256,0.45907778],"genre_scores_gemma":[0.90982574,0.00054695114,0.004241273,0.0012343237,0.00013279585,0.00006771238,0.000023381499,0.00017098938,0.08375689],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99169606,0.003730452,0.00021704882,0.0009014914,0.002210678,0.0012442906],"domain_scores_gemma":[0.9928477,0.0026972606,0.00071293337,0.00069200405,0.0013177418,0.0017322083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00736918,0.0005691675,0.00030574686,0.002262697,0.014885219,0.014633805,0.001272876,0.0028981736,0.014054196],"category_scores_gemma":[0.013243208,0.0006144283,0.0003502786,0.0018873089,0.02062652,0.007859276,0.008898152,0.004608089,0.0022774974],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001410923,0.00005995033,0.008820027,0.00010006316,0.000014936756,0.0008195282,0.46530995,0.00033214895,0.0035507036,0.45417768,0.005330405,0.061343506],"study_design_scores_gemma":[0.00003559027,0.0002099753,0.012336774,0.00034563686,0.00002654039,0.00080164423,0.29138482,0.0013855252,0.0025076063,0.113443725,0.57740414,0.000117946656],"about_ca_topic_score_codex":0.010152996,"about_ca_topic_score_gemma":0.012878306,"teacher_disagreement_score":0.014885219,"about_ca_system_score_codex":0.0062412,"about_ca_system_score_gemma":0.005615713,"threshold_uncertainty_score":0.047016025},"labels":[],"label_agreement":null},{"id":"W2135874944","doi":"10.4000/volume.3415","title":"Scream from the Heart: Yoko Ono’s Rock and Roll Revolution","year":2012,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.020621851495860922,"score_gpt":0.19701877920615407,"score_spread":0.17639692771029314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2135874944","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88785934,0.0010764515,0.00033704174,0.0049838666,0.0002888011,0.00001906278,0.00001893488,0.00001295811,0.10540355],"genre_scores_gemma":[0.96961415,0.0005515337,0.00014789896,0.00085100357,0.00006810496,0.0000150026935,0.000015044616,0.000024870204,0.028712375],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995377,0.00017218293,0.000008262606,0.00004131003,0.000055443023,0.00018514067],"domain_scores_gemma":[0.99978715,0.000077518365,0.000037209116,0.000016856062,0.000018296576,0.00006296372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068719394,0.00024718174,0.00021995045,0.0003406831,0.007161435,0.0032533724,0.00029753492,0.0011691783,0.0047953874],"category_scores_gemma":[0.0009195497,0.00015993328,0.00013094411,0.00046785778,0.0048336955,0.0017163656,0.0025546895,0.0024094,0.00041070543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001948866,0.00008773427,0.00795052,0.0000990499,0.0000113740925,0.001813871,0.9082045,0.000046825313,0.0054715453,0.042819522,0.0068568164,0.026443353],"study_design_scores_gemma":[0.000013147367,0.00008802804,0.02518069,0.00010677857,0.000015444622,0.00034525924,0.8214012,0.000113101625,0.0007129724,0.0020666097,0.14992648,0.000030353547],"about_ca_topic_score_codex":0.009432925,"about_ca_topic_score_gemma":0.04350464,"teacher_disagreement_score":0.009432925,"about_ca_system_score_codex":0.0013256625,"about_ca_system_score_gemma":0.00086716306,"threshold_uncertainty_score":0.018756032},"labels":[],"label_agreement":null},{"id":"W2158417028","doi":"10.4000/volume.3770","title":"Auditeurs en exil : le cas des Chiliens à Montréal et leur rapport à deux chansons emblématiques","year":2013,"lang":"fr","type":"article","venue":"Volume !","topic":"Media, Communication, and Education","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Montréal; Université Laval; Musée de la Civilisation","funders":"","keywords":"Art; Political science; Humanities","score_opus":0.04543854750183523,"score_gpt":0.3128972450935189,"score_spread":0.26745869759168367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158417028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9547289,0.0029566402,0.0007007106,0.00449896,0.00025395196,0.000058153495,0.00019742917,0.000045092213,0.036560223],"genre_scores_gemma":[0.96517134,0.00152989,0.00039165403,0.00040129534,0.00004890139,0.00002527509,0.000066475506,0.000031567753,0.03233358],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99755657,0.0005384717,0.000043665957,0.00027220603,0.0006230097,0.0009660173],"domain_scores_gemma":[0.9980818,0.00037204055,0.00019451238,0.00007770125,0.00057166495,0.0007021715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016724396,0.00082088,0.00051538774,0.0013727229,0.0156166,0.0052661123,0.0016273273,0.0015796783,0.010601153],"category_scores_gemma":[0.0035626781,0.00049798045,0.00038381777,0.002370113,0.008118432,0.001675589,0.005253897,0.002666219,0.00069588504],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017110282,0.000059836908,0.037760194,0.00018899787,0.000031505773,0.008756179,0.89342725,0.00031970927,0.0045671677,0.007940677,0.0073349383,0.039442472],"study_design_scores_gemma":[0.000011035293,0.00011157736,0.07583259,0.0001705086,0.000024231904,0.0017873785,0.8004248,0.00016191954,0.00086155336,0.00036159257,0.12014494,0.000107901884],"about_ca_topic_score_codex":0.91368157,"about_ca_topic_score_gemma":0.97098327,"teacher_disagreement_score":0.08631843,"about_ca_system_score_codex":0.026837878,"about_ca_system_score_gemma":0.019090487,"threshold_uncertainty_score":0.19472337},"labels":[],"label_agreement":null},{"id":"W2162901735","doi":"10.4000/volume.4380","title":"« Le train qui siffle ». Nostalgie et modernité dans la chanson country-western au Québec","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.012365787693073567,"score_gpt":0.20112182399137954,"score_spread":0.18875603629830598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162901735","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37591603,0.014584042,0.0016476955,0.018822994,0.0008218106,0.000043274296,0.00047421368,0.00010222313,0.5875878],"genre_scores_gemma":[0.8428936,0.0020905938,0.00032052805,0.0005078714,0.00005572684,0.00001127137,0.00006916176,0.000037830643,0.15401335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996062,0.000082776416,0.000008161515,0.000045809662,0.00010375896,0.00015330456],"domain_scores_gemma":[0.99958974,0.000055750043,0.00003774745,0.000025011459,0.00016101716,0.00013069708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047668032,0.00025942005,0.00013694844,0.0006501439,0.007610625,0.0035448472,0.00045253732,0.0005724846,0.014310868],"category_scores_gemma":[0.0009376907,0.00012585189,0.000112455535,0.0011610719,0.006577428,0.00091462675,0.0010222216,0.0012621093,0.00088373484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020563365,0.000076314245,0.048687715,0.00033846727,0.00003090914,0.0013383449,0.3069318,0.00061339024,0.003911028,0.33132225,0.10197672,0.20456748],"study_design_scores_gemma":[0.000013396172,0.000056597193,0.13577044,0.00032838393,0.000015207991,0.000298239,0.09319962,0.0003344147,0.00049638643,0.0030099622,0.7664221,0.000055265566],"about_ca_topic_score_codex":0.9390598,"about_ca_topic_score_gemma":0.97631955,"teacher_disagreement_score":0.060940206,"about_ca_system_score_codex":0.020117017,"about_ca_system_score_gemma":0.015327944,"threshold_uncertainty_score":0.14595985},"labels":[],"label_agreement":null},{"id":"W2305901345","doi":"10.4000/volume.4848","title":"Le Master The Beatles, Popular Music and Society","year":2016,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Art history; Political science","score_opus":0.05325533484555559,"score_gpt":0.2355105486502514,"score_spread":0.1822552138046958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2305901345","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20402834,0.011030901,0.0006404249,0.080684945,0.0008524451,0.000031936554,0.00012389419,0.00004795712,0.7025591],"genre_scores_gemma":[0.5790448,0.005140817,0.0003635901,0.003250421,0.00059819093,0.000019545732,0.000040113042,0.00003432209,0.41150823],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991768,0.00032216185,0.000012488641,0.000052755444,0.00020883536,0.00022698501],"domain_scores_gemma":[0.9991209,0.00025420956,0.00012179997,0.000041688927,0.00007779186,0.00038354198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008810561,0.00018173926,0.00016935341,0.0006960014,0.0044576237,0.0050031887,0.0002656542,0.000993493,0.03823694],"category_scores_gemma":[0.0018029743,0.00013459714,0.00011740689,0.0006308324,0.004271821,0.001939508,0.0025440871,0.00169267,0.002290343],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100006204,0.00012327479,0.016499687,0.00032027293,0.000009940881,0.0007051574,0.16104501,0.00015150633,0.0014966757,0.4360257,0.20448199,0.17904076],"study_design_scores_gemma":[0.0000057218717,0.00005306798,0.023294358,0.00016708672,0.0000017067656,0.00013447875,0.047152266,0.000052228843,0.00025981176,0.004166025,0.9247025,0.000010793039],"about_ca_topic_score_codex":0.02470704,"about_ca_topic_score_gemma":0.11064652,"teacher_disagreement_score":0.03823694,"about_ca_system_score_codex":0.0037864142,"about_ca_system_score_gemma":0.0028626483,"threshold_uncertainty_score":0.12791532},"labels":[],"label_agreement":null},{"id":"W2308698668","doi":"10.4000/volume.4842","title":"L’histoire, l’endroit et le moment : le déclenchement de la British Invasion","year":2016,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.011690585749019298,"score_gpt":0.2003026114413704,"score_spread":0.1886120256923511,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2308698668","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09591,0.040168937,0.004005942,0.15645523,0.011922415,0.000044960536,0.00023003014,0.00009768397,0.69116485],"genre_scores_gemma":[0.4693321,0.012011807,0.000760716,0.012374287,0.0019220682,0.000038354523,0.000091318434,0.00016667008,0.50330275],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998166,0.00072512956,0.00004721895,0.00026548214,0.00041597482,0.00038021166],"domain_scores_gemma":[0.99891126,0.00043985635,0.000095859155,0.00008941091,0.0002718068,0.00019179338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016514637,0.00038200445,0.00020710954,0.0006277795,0.008577129,0.008729265,0.00073333835,0.002110029,0.0083273435],"category_scores_gemma":[0.0035279167,0.00029988898,0.00021028853,0.00088107,0.012067512,0.003023238,0.0023097324,0.004840425,0.0015112631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014183528,0.000027278507,0.002989149,0.00033961897,0.0000143054,0.0015749064,0.18770023,0.00023217335,0.0018401602,0.60729903,0.16706215,0.030779209],"study_design_scores_gemma":[0.0000030905608,0.000011769627,0.0026063458,0.00025802664,0.000003731592,0.00026272837,0.027955212,0.00006155345,0.00034670357,0.00707012,0.96140337,0.00001726213],"about_ca_topic_score_codex":0.15492111,"about_ca_topic_score_gemma":0.2483058,"teacher_disagreement_score":0.15492111,"about_ca_system_score_codex":0.009753691,"about_ca_system_score_gemma":0.0036339767,"threshold_uncertainty_score":0.30803877},"labels":[],"label_agreement":null},{"id":"W2552288821","doi":"10.4000/volume.5098","title":"Michel Delville, Radiohead OK Computer","year":2016,"lang":"en","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Saint Jerome","funders":"","keywords":"Art","score_opus":0.08883536489512679,"score_gpt":0.2577319902383565,"score_spread":0.16889662534322974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2552288821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059492476,0.027059829,0.015353461,0.07355142,0.019475799,0.0000910023,0.0011787489,0.0060836165,0.8512568],"genre_scores_gemma":[0.015020763,0.0053497534,0.002603994,0.0046975054,0.002273629,0.000039766415,0.00029549003,0.0013556863,0.9683634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954706,0.00008206271,0.00001923313,0.000114347305,0.00016551785,0.000071852875],"domain_scores_gemma":[0.99910456,0.00028087167,0.000046334873,0.00008312144,0.0002677434,0.0002173318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059542945,0.0006345783,0.00027871173,0.0012177437,0.0020708346,0.0049061854,0.0007632465,0.0015091771,0.18045817],"category_scores_gemma":[0.0025496387,0.00034004578,0.0001964507,0.000921391,0.00127087,0.006181063,0.0018145345,0.0017951244,0.09562854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004424124,0.000006335672,0.00020090406,0.000074736694,0.000001603324,0.00010714771,0.0014571691,0.000037992435,0.000716706,0.017389858,0.92679656,0.053166855],"study_design_scores_gemma":[0.0000011033445,0.0000029742387,0.000100288176,0.000017238552,6.393382e-7,0.0000932261,0.00027572346,0.000022017806,0.00011807597,0.00041684054,0.9989483,0.000003662212],"about_ca_topic_score_codex":0.004934741,"about_ca_topic_score_gemma":0.008965647,"teacher_disagreement_score":0.18045817,"about_ca_system_score_codex":0.0013766505,"about_ca_system_score_gemma":0.00073480216,"threshold_uncertainty_score":0.60369277},"labels":[],"label_agreement":null},{"id":"W2553592603","doi":"10.4000/volume.5128","title":"Des ondes radioélectriques","year":2016,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Physics","score_opus":0.021573140711844976,"score_gpt":0.20906480717376458,"score_spread":0.18749166646191961,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2553592603","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07450846,0.014614258,0.019217363,0.029419128,0.005864087,0.00008973653,0.0005904255,0.00036140377,0.8553352],"genre_scores_gemma":[0.3146261,0.008175383,0.0051217997,0.005839608,0.0010112957,0.000090790694,0.00027256255,0.00016840339,0.664694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909186,0.00023114114,0.00004658,0.0001518756,0.00032730072,0.00015130195],"domain_scores_gemma":[0.9990693,0.0003647467,0.000093921895,0.000119507364,0.00022176544,0.00013075853],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073206093,0.00024666567,0.00024738073,0.0006458308,0.002766859,0.0023291737,0.00049844134,0.0012888304,0.029142544],"category_scores_gemma":[0.0022780069,0.0001869766,0.00020969987,0.00074083346,0.0026212777,0.0017302749,0.0014149386,0.002762845,0.0065405634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028620273,0.00016910458,0.008477204,0.0005623605,0.000021512895,0.002070685,0.017882887,0.00048164363,0.011387801,0.4044971,0.16043404,0.39372948],"study_design_scores_gemma":[0.000009701738,0.000058784703,0.0037271876,0.00009561931,0.0000058535456,0.001302717,0.0030879527,0.00007624948,0.0012654612,0.004643411,0.9857092,0.000017894688],"about_ca_topic_score_codex":0.01024091,"about_ca_topic_score_gemma":0.014842452,"teacher_disagreement_score":0.029142544,"about_ca_system_score_codex":0.0017555569,"about_ca_system_score_gemma":0.0020295437,"threshold_uncertainty_score":0.09749144},"labels":[],"label_agreement":null},{"id":"W2555407592","doi":"10.4000/volume.4928","title":"Bérurier Noir. Sociogenèse culturelle et itinéraire personnel","year":2016,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art; Ethnology; Sociology","score_opus":0.01681143449092624,"score_gpt":0.21278309670977258,"score_spread":0.19597166221884635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2555407592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20183149,0.03309311,0.0023860417,0.07211671,0.0019450353,0.00009420639,0.00018421635,0.000084009174,0.68826526],"genre_scores_gemma":[0.5684574,0.009462311,0.0008962966,0.002901226,0.00033487988,0.000070154754,0.000075653814,0.000071118935,0.41773087],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984622,0.00053116767,0.00004274951,0.00022762662,0.00028751744,0.00044878223],"domain_scores_gemma":[0.9988085,0.00024589634,0.00021412635,0.000076196055,0.00021209095,0.00044330794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016109577,0.00042060547,0.00021842193,0.0011239846,0.006976691,0.0044590165,0.00053443096,0.0011948273,0.019043991],"category_scores_gemma":[0.0027819357,0.00021222989,0.000108750486,0.0013038141,0.004317512,0.0031470621,0.002535778,0.001489533,0.003020405],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000114989765,0.00014378231,0.016168302,0.0003580293,0.0000133636895,0.0005446757,0.45739123,0.00018316097,0.001749899,0.24348077,0.07620808,0.20364374],"study_design_scores_gemma":[0.000005215678,0.000062662584,0.037122283,0.00022940635,0.0000050982685,0.00014637367,0.05976276,0.000076971904,0.0002255966,0.004604965,0.89773977,0.000018901097],"about_ca_topic_score_codex":0.07110415,"about_ca_topic_score_gemma":0.11973416,"teacher_disagreement_score":0.07110415,"about_ca_system_score_codex":0.0068293544,"about_ca_system_score_gemma":0.004802295,"threshold_uncertainty_score":0.14138055},"labels":[],"label_agreement":null},{"id":"W2599995781","doi":"10.4000/volume.2651","title":"Bitch et Beurette, quand féminité rime avec liberté","year":2011,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fédération des Maisons D'Hébergement pour Femmes","funders":"","keywords":"Humanities; Art; Appropriation; Philosophy; Linguistics","score_opus":0.07318332009091004,"score_gpt":0.2350407302792727,"score_spread":0.16185741018836264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599995781","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03967935,0.025556946,0.014934681,0.11625547,0.0062015345,0.0000853862,0.00034185668,0.0001326461,0.7968121],"genre_scores_gemma":[0.46010897,0.010982223,0.004598634,0.014324148,0.0015833325,0.00016926626,0.00014553542,0.000294397,0.50779355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99826103,0.0007076816,0.000042972184,0.00031389645,0.0004416277,0.00023286419],"domain_scores_gemma":[0.99892247,0.0005731773,0.0001238658,0.000103003986,0.00016409867,0.00011349863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013311097,0.0005360331,0.00029294327,0.0009853331,0.007140781,0.00866182,0.0008367455,0.00367073,0.02210695],"category_scores_gemma":[0.003917067,0.0002368978,0.0002660453,0.0010403675,0.013238069,0.008912778,0.003974689,0.0047829514,0.0031534082],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003534764,0.000012214175,0.0008024359,0.000089537185,0.000006301383,0.000117317104,0.061012596,0.00004765576,0.00044129117,0.8897863,0.031540304,0.01610869],"study_design_scores_gemma":[0.0000062998038,0.000022458797,0.00274051,0.00033145296,0.000008502696,0.00033531716,0.034137666,0.00012221093,0.00077365787,0.057864558,0.90363306,0.00002434471],"about_ca_topic_score_codex":0.025720483,"about_ca_topic_score_gemma":0.05135221,"teacher_disagreement_score":0.025720483,"about_ca_system_score_codex":0.0042005144,"about_ca_system_score_gemma":0.0027962509,"threshold_uncertainty_score":0.07395512},"labels":[],"label_agreement":null},{"id":"W2605779248","doi":"10.4000/volume.5209","title":"Vybz Kartel : un révolutionnaire conservateur ?","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Conscience; Art; Ethnology; Philosophy; Art history; Sociology","score_opus":0.03459277614187827,"score_gpt":0.28877473056292263,"score_spread":0.25418195442104435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605779248","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.106606096,0.031776223,0.0016398496,0.15960373,0.0017606699,0.000027451879,0.000061806975,0.000072280214,0.69845194],"genre_scores_gemma":[0.7959594,0.008651665,0.0004982767,0.0131769,0.0005406641,0.000033864253,0.00003117268,0.00009349651,0.1810146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934834,0.00022841431,0.000012055215,0.0000954296,0.00012212258,0.00019364114],"domain_scores_gemma":[0.9995896,0.00018709923,0.000051850697,0.00004604331,0.000051324434,0.000074087206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008513859,0.00024250458,0.00017713115,0.0005774455,0.00911987,0.0064319866,0.00047240435,0.0015972978,0.0077316407],"category_scores_gemma":[0.0015839126,0.00013722765,0.000101928665,0.00064650143,0.010349459,0.0034876675,0.0027005034,0.0032448005,0.0006412709],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050536953,0.000017132494,0.001165559,0.00011029572,0.0000064591927,0.00042026662,0.11484068,0.00007575824,0.00073485164,0.7975763,0.052405924,0.032596283],"study_design_scores_gemma":[0.000010873986,0.00001515251,0.002256724,0.00026153977,0.0000070699894,0.00017249867,0.053536277,0.000087834065,0.00042607516,0.028441092,0.91477174,0.000013008638],"about_ca_topic_score_codex":0.07488693,"about_ca_topic_score_gemma":0.15805663,"teacher_disagreement_score":0.07488693,"about_ca_system_score_codex":0.008114233,"about_ca_system_score_gemma":0.00575634,"threshold_uncertainty_score":0.14890206},"labels":[],"label_agreement":null},{"id":"W2606062747","doi":"10.4000/volume.5321","title":"Jamaica: A State of Language, Music and Crisis of Nation","year":2017,"lang":"en","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Lyrics; Colonialism; Battle; State (computer science); Popular music; Creole language; History; Independence (probability theory); Lingua franca; Population; Linguistics; Official language; Sociology; Literature; Art; Ancient history; Demography","score_opus":0.027337649450264644,"score_gpt":0.2967998218939183,"score_spread":0.26946217244365367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606062747","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.861663,0.0062332842,0.0001239724,0.010677956,0.00009238599,0.000011095029,0.00015401903,0.000012999401,0.12103138],"genre_scores_gemma":[0.9863305,0.0027629097,0.000100040386,0.00091445673,0.000060560207,0.000007470813,0.00006515827,0.000004315421,0.009754502],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997899,0.000036281188,0.000007915774,0.000036837988,0.00005021599,0.00007893992],"domain_scores_gemma":[0.999592,0.00010605071,0.00009345056,0.000023294828,0.00007878013,0.00010647685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028582872,0.00009455436,0.00011348667,0.00069202547,0.005114923,0.0031558312,0.00033077685,0.00047350844,0.0022715167],"category_scores_gemma":[0.0008566349,0.00008914891,0.000039240218,0.0014159234,0.004057749,0.0011419756,0.0018186884,0.0010598404,0.00016168773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023278155,0.00013807458,0.21954581,0.0005542369,0.000040297968,0.008259141,0.38248295,0.00031544623,0.006690842,0.1503549,0.02689335,0.20449229],"study_design_scores_gemma":[0.000014371073,0.00006628016,0.45681205,0.00038616307,0.000015253394,0.0014074214,0.21313377,0.0001552435,0.0004886715,0.003817202,0.32366884,0.00003470645],"about_ca_topic_score_codex":0.18606327,"about_ca_topic_score_gemma":0.41888443,"teacher_disagreement_score":0.18606327,"about_ca_system_score_codex":0.0043534134,"about_ca_system_score_gemma":0.004189634,"threshold_uncertainty_score":0.36996055},"labels":[],"label_agreement":null},{"id":"W2606618655","doi":"10.4000/volume.5163","title":"Donna Hope, International Reggae: Current and Future Trends in Jamaican Popular Music","year":2017,"lang":"en","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Current (fluid); Art; History; Media studies; Sociology; Engineering","score_opus":0.031118257859907402,"score_gpt":0.31884843719942835,"score_spread":0.28773017933952094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606618655","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036167053,0.38736704,0.00017187888,0.5262387,0.008739262,0.000012671323,0.00038687946,0.000056996738,0.07340991],"genre_scores_gemma":[0.10241428,0.47333086,0.0009047976,0.08004036,0.01560933,0.00006469023,0.0005636415,0.00015350885,0.32691857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992968,0.00019604425,0.000036455778,0.00008626469,0.00025730242,0.0001271483],"domain_scores_gemma":[0.99829787,0.0005300448,0.00015566584,0.000053197167,0.00043241587,0.00053082104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013430077,0.00041188323,0.0002654056,0.0016513043,0.0056250854,0.007536049,0.0008692109,0.002533888,0.026865415],"category_scores_gemma":[0.0026661148,0.00030065648,0.00019109577,0.003572389,0.003106999,0.007840195,0.0022801473,0.004200973,0.0035473497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003618744,0.000023608596,0.0023393887,0.0003317456,0.0000071137997,0.00011847358,0.008429694,0.000022636776,0.00014414253,0.017010637,0.9145402,0.056996286],"study_design_scores_gemma":[0.0000069727066,0.000005737649,0.004473302,0.00043644677,0.0000040358545,0.00008882303,0.012544908,0.00001944273,0.00007864122,0.0017636667,0.98056614,0.000011907032],"about_ca_topic_score_codex":0.09542104,"about_ca_topic_score_gemma":0.2689187,"teacher_disagreement_score":0.09542104,"about_ca_system_score_codex":0.004205991,"about_ca_system_score_gemma":0.0052488684,"threshold_uncertainty_score":0.18973124},"labels":[],"label_agreement":null},{"id":"W2606661391","doi":"10.4000/volume.5236","title":"Langue, musique et crise de la nation jamaïcaine","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.029639922269705448,"score_gpt":0.33473825527360285,"score_spread":0.3050983330038974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606661391","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62647367,0.011197774,0.001169586,0.026983622,0.00044330122,0.000020809499,0.000090322115,0.000020823256,0.33360004],"genre_scores_gemma":[0.97404647,0.0023721685,0.0002623822,0.0009087204,0.000065708824,0.000009169531,0.000019244382,0.000006870118,0.022309296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994185,0.00027387548,0.000015741323,0.00007312793,0.00010082486,0.000118022544],"domain_scores_gemma":[0.9993327,0.00032567963,0.00009383358,0.000031379102,0.00009126393,0.00012500379],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006788649,0.00011990095,0.00014903929,0.00040676634,0.007516829,0.0031939035,0.00027924872,0.0006600787,0.003403044],"category_scores_gemma":[0.0016827048,0.000083174746,0.0000877906,0.00057786837,0.007910872,0.001398567,0.001918716,0.0021730524,0.00022559459],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049480557,0.00002604609,0.026949042,0.00012278727,0.000013581315,0.0010292614,0.6374843,0.000134439,0.0015516481,0.2750014,0.007377723,0.05026025],"study_design_scores_gemma":[0.000009983126,0.000059865863,0.07597406,0.000419325,0.000010897737,0.00070491387,0.36732778,0.00023248006,0.00037014956,0.010502967,0.54435045,0.00003713188],"about_ca_topic_score_codex":0.18477207,"about_ca_topic_score_gemma":0.3666771,"teacher_disagreement_score":0.18477207,"about_ca_system_score_codex":0.0046166116,"about_ca_system_score_gemma":0.0039045324,"threshold_uncertainty_score":0.36739314},"labels":[],"label_agreement":null},{"id":"W2607580258","doi":"10.4000/volume.5197","title":"Carolyn Cooper, Sound Clash: Jamaican Dancehall Culture at Large","year":2017,"lang":"en","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Lyrics; Sound (geography); Musical; Art; Art history; History; Literature; Acoustics","score_opus":0.028544545678236395,"score_gpt":0.3163376900336928,"score_spread":0.2877931443554564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2607580258","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020638222,0.054682963,0.00033153556,0.66256934,0.011864906,0.000055654633,0.0004456606,0.000082007056,0.24932969],"genre_scores_gemma":[0.22160882,0.045388494,0.00048231022,0.14619882,0.007338593,0.00016151502,0.00025956923,0.00021569814,0.57834613],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9997002,0.00009348527,0.000009368032,0.000037914884,0.000080276,0.00007875268],"domain_scores_gemma":[0.99943167,0.00022916956,0.000042106476,0.000016138885,0.00009836027,0.00018257822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051657256,0.0004253267,0.00020572965,0.00054342794,0.014184509,0.004982163,0.00070707814,0.0025822364,0.012846418],"category_scores_gemma":[0.0012701941,0.00020417667,0.00009650906,0.0012489002,0.0032490583,0.0028816045,0.0015689826,0.0038872822,0.0014432713],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014684076,0.000017572258,0.0011262995,0.00013026808,0.0000028419374,0.00042564553,0.036952637,0.000022790127,0.00021601422,0.016731381,0.9296126,0.014747464],"study_design_scores_gemma":[0.0000048736133,0.0000056485533,0.004403875,0.00023800028,0.0000024850851,0.00014566338,0.079668514,0.000021747572,0.000113167334,0.0011755034,0.9142111,0.0000094481875],"about_ca_topic_score_codex":0.21272194,"about_ca_topic_score_gemma":0.53433317,"teacher_disagreement_score":0.21272194,"about_ca_system_score_codex":0.004225925,"about_ca_system_score_gemma":0.005248562,"threshold_uncertainty_score":0.42296755},"labels":[],"label_agreement":null},{"id":"W2608087923","doi":"10.4000/volume.5173","title":"Kenneth Bilby, Words of our Mouth, Meditations of our Heart: Pioneering Musicians of Ska, Rocksteady, Reggae, and Dancehall","year":2017,"lang":"en","type":"article","venue":"Volume !","topic":"Caribbean history, culture, and politics","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Portrait; Studio; Visual arts; Art; Creativity; Sound (geography); Art history; Performance art; History; Psychology; Acoustics; Social psychology","score_opus":0.0317129179155447,"score_gpt":0.32256774803857413,"score_spread":0.29085483012302943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608087923","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005742583,0.2280097,0.0002595661,0.6661441,0.014052192,0.000018771381,0.000098935256,0.00005318058,0.08562096],"genre_scores_gemma":[0.1473848,0.25827166,0.00135556,0.28140357,0.018072153,0.00010955503,0.000101240505,0.00025047458,0.29305103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995204,0.00024087139,0.000016040636,0.000045865134,0.00012006969,0.000056718363],"domain_scores_gemma":[0.99905485,0.00045304664,0.00007931563,0.000024367584,0.00011529157,0.00027312493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006268797,0.0005047,0.00030588885,0.0007077388,0.008144746,0.004648361,0.0006623066,0.0026947483,0.0108340075],"category_scores_gemma":[0.0020783986,0.00026667357,0.00009637874,0.0007497336,0.0055271913,0.005382145,0.0018178524,0.0056846403,0.0027463199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002455902,0.000022076714,0.0004419288,0.00018739203,0.0000044184176,0.00023441638,0.020881139,0.000012555753,0.00028513768,0.023331951,0.93720657,0.017367695],"study_design_scores_gemma":[0.000008292073,0.000010813511,0.0013913189,0.0003817147,0.0000036444558,0.00031832134,0.031160427,0.000013510599,0.0002088895,0.004100551,0.9623899,0.000012675293],"about_ca_topic_score_codex":0.023237195,"about_ca_topic_score_gemma":0.08746659,"teacher_disagreement_score":0.023237195,"about_ca_system_score_codex":0.0018185689,"about_ca_system_score_gemma":0.0022427442,"threshold_uncertainty_score":0.04620391},"labels":[],"label_agreement":null},{"id":"W265698380","doi":"10.4000/volume.2466","title":"Construction de situations collectives d’invention – homestudio et dispositifs audio en réseau","year":2002,"lang":"fr","type":"article","venue":"Volume !","topic":"Innovative Human-Technology Interaction","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"L'Alliance Boviteq","funders":"","keywords":"Workspace; Computer science; Architecture; Human–computer interaction; Multimedia; Art; Visual arts; Artificial intelligence","score_opus":0.028922253401655447,"score_gpt":0.2812691895586963,"score_spread":0.25234693615704085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W265698380","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53995836,0.0013506078,0.17732225,0.0044060703,0.0004608206,0.00025884327,0.00009007586,0.0007712135,0.27538183],"genre_scores_gemma":[0.9442101,0.0002650131,0.027269505,0.0001023715,0.00006682577,0.00014741298,0.000056987665,0.00009157079,0.027790185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99494874,0.003024049,0.00009252297,0.00058700365,0.0008733244,0.00047434933],"domain_scores_gemma":[0.9968432,0.0013331495,0.00032227745,0.00067854364,0.00022606498,0.00059679133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033417046,0.00063656515,0.0003461,0.0013511298,0.0073512807,0.007387193,0.0010146884,0.0017054693,0.008282702],"category_scores_gemma":[0.0051754345,0.0004938217,0.0008228897,0.00091530633,0.012443042,0.006356561,0.0066043623,0.0017125403,0.0010622932],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019731025,0.00019192297,0.005582689,0.00019852958,0.000041611955,0.0028267687,0.28429395,0.0020651077,0.008242787,0.6147768,0.0056519606,0.07593052],"study_design_scores_gemma":[0.00008969261,0.00030341692,0.005004549,0.00023856726,0.000055382097,0.0034651365,0.23794656,0.0060466463,0.008428244,0.13976416,0.59855103,0.0001065815],"about_ca_topic_score_codex":0.00178278,"about_ca_topic_score_gemma":0.002973227,"teacher_disagreement_score":0.008282702,"about_ca_system_score_codex":0.0020709164,"about_ca_system_score_gemma":0.0011631615,"threshold_uncertainty_score":0.027708352},"labels":[],"label_agreement":null},{"id":"W2727029964","doi":"","title":"Memory Recall in Quebec’s “Boîtes à Chansons”.","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Art; Evocation; Consumption (sociology); Literature; Art history; History; Visual arts; Aesthetics; Archaeology","score_opus":0.009594030523587168,"score_gpt":0.2095867549969762,"score_spread":0.19999272447338903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2727029964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9071782,0.0045249164,0.00039064063,0.008320468,0.00021492068,0.00003364061,0.0007802883,0.000025449875,0.078531556],"genre_scores_gemma":[0.95754504,0.0007036952,0.00010670832,0.00045355858,0.00002864933,0.00000812067,0.00018011383,0.000009349205,0.040964685],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995177,0.00008610596,0.000009216653,0.000083152954,0.0001088472,0.00019495202],"domain_scores_gemma":[0.9992772,0.00012685997,0.00012529451,0.00004911992,0.00028499457,0.00013663004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007456164,0.00027050546,0.00022794136,0.0012312317,0.008777001,0.004769119,0.0011919235,0.0009143784,0.017470038],"category_scores_gemma":[0.0022998543,0.00014903574,0.00015540382,0.0017078943,0.0039203553,0.0017518747,0.0016810963,0.0012152577,0.0005282928],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032877995,0.00012274859,0.07457578,0.00020588226,0.00004080422,0.0018367908,0.7639828,0.00024939232,0.001773661,0.027356977,0.033177022,0.09634943],"study_design_scores_gemma":[0.000013770854,0.000077561774,0.17221823,0.00022716526,0.00002294349,0.0005143938,0.60435605,0.00019046206,0.00067477673,0.0010296169,0.22061768,0.000057310088],"about_ca_topic_score_codex":0.9819057,"about_ca_topic_score_gemma":0.9924448,"teacher_disagreement_score":0.03468648,"about_ca_system_score_codex":0.03468648,"about_ca_system_score_gemma":0.015186495,"threshold_uncertainty_score":0.25166917},"labels":[],"label_agreement":null},{"id":"W2729765728","doi":"10.4000/volume.4858","title":"Sheila, Take a Bow","year":2016,"lang":"en","type":"article","venue":"Volume !","topic":"Gender, Feminism, and Media","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; Musée de la Civilisation","funders":"","keywords":"Media studies; Art history; Sociology; Political science; History; Gender studies","score_opus":0.027185977996357275,"score_gpt":0.2841351774415472,"score_spread":0.2569491994451899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2729765728","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061101085,0.016656812,0.0018281651,0.48224553,0.20726684,0.00015726122,0.00079728995,0.0016233883,0.2833146],"genre_scores_gemma":[0.011355924,0.0038743296,0.00056445936,0.045316175,0.008482719,0.00006360763,0.00018475557,0.0003925698,0.9297656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990613,0.00012653088,0.000024175019,0.00018128136,0.00032996177,0.0002766967],"domain_scores_gemma":[0.99678373,0.00018669508,0.00008302791,0.000124865,0.00073386915,0.0020877954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013998883,0.0008979205,0.00048688153,0.0009670772,0.00928592,0.0072208242,0.0009384159,0.0034608669,0.2333469],"category_scores_gemma":[0.006186897,0.0005042319,0.0005364149,0.00042429508,0.0013685641,0.005854577,0.005054365,0.008539791,0.088054284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025734389,0.000018850318,0.00016219931,0.00003264556,0.0000024126796,0.00012345806,0.00046712466,0.000007847558,0.00019276529,0.0027022522,0.9808266,0.015438191],"study_design_scores_gemma":[0.0000028404681,0.000022760843,0.00023605238,0.000056382807,0.0000018472159,0.00009667598,0.0014756463,0.000010543639,0.00010396766,0.0005368146,0.9974483,0.000008244389],"about_ca_topic_score_codex":0.0055893688,"about_ca_topic_score_gemma":0.016952865,"teacher_disagreement_score":0.2333469,"about_ca_system_score_codex":0.0018141598,"about_ca_system_score_gemma":0.0032713322,"threshold_uncertainty_score":0.78062314},"labels":[],"label_agreement":null},{"id":"W2772683300","doi":"10.4000/volume.394","title":"L’analyse des silences dans les musiques populaires actuelles","year":2008,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art","score_opus":0.30578236707399253,"score_gpt":0.3085474183298266,"score_spread":0.002765051255834039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772683300","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62339413,0.0043113222,0.16808666,0.003196194,0.00031080857,0.0003274866,0.0016536755,0.00028346552,0.19843626],"genre_scores_gemma":[0.9525968,0.0014352557,0.021428596,0.00017567229,0.00009040687,0.00022190565,0.00048197922,0.00013458512,0.023434887],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988869,0.00045305796,0.000052236566,0.0002060027,0.00032352482,0.00007831167],"domain_scores_gemma":[0.99737716,0.0017787825,0.00022323092,0.00017563002,0.00038307384,0.00006206263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018278464,0.00047654315,0.0002912323,0.0022845557,0.0017956141,0.003511887,0.00068170886,0.0007114313,0.008215228],"category_scores_gemma":[0.0063626627,0.00019920876,0.0003116802,0.0030487813,0.0029436396,0.0022760893,0.0015025216,0.0008830068,0.00090895675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039190793,0.000053700882,0.02904218,0.0015455232,0.00012301929,0.0007319022,0.39063835,0.0021619787,0.03604145,0.19508314,0.004196124,0.33999068],"study_design_scores_gemma":[0.000040981617,0.00030060267,0.18410769,0.0012023126,0.00016968606,0.0010618748,0.35708317,0.009182601,0.02519175,0.07454279,0.34691653,0.00019997965],"about_ca_topic_score_codex":0.008824445,"about_ca_topic_score_gemma":0.0141341295,"teacher_disagreement_score":0.008824445,"about_ca_system_score_codex":0.0015903467,"about_ca_system_score_gemma":0.001048204,"threshold_uncertainty_score":0.027482629},"labels":[],"label_agreement":null},{"id":"W2772745996","doi":"10.4000/volume.5407","title":"Bowie : un regard sémiologique sur une œuvre iconographique postmoderne","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Fredericton","funders":"","keywords":"Humanities; Art","score_opus":0.19398935908164644,"score_gpt":0.3015725923612684,"score_spread":0.10758323327962194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2772745996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1261572,0.008788218,0.25648427,0.050894003,0.0013913118,0.00027490302,0.00016546977,0.00042400294,0.55542064],"genre_scores_gemma":[0.8611205,0.003958674,0.038172867,0.0025648808,0.00029009467,0.00039510234,0.000101846934,0.00042905036,0.09296695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993156,0.0050832117,0.000127108,0.00052471296,0.00080207264,0.00030678825],"domain_scores_gemma":[0.9932,0.0047267983,0.0003398033,0.0007112061,0.0006980817,0.00032407453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0072195968,0.00071642315,0.0003573883,0.0021529796,0.0057007154,0.008872878,0.0010771834,0.0020138398,0.008289998],"category_scores_gemma":[0.010193267,0.00038497942,0.00033785444,0.0018495762,0.031418644,0.009510144,0.0058860164,0.0051505896,0.0010947958],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019573556,0.000013127374,0.00038716817,0.00013109852,0.0000033859621,0.00009369234,0.12023565,0.00020028435,0.00082409836,0.85867876,0.0030093654,0.01640382],"study_design_scores_gemma":[0.00001554843,0.000054797278,0.0010701788,0.0005073244,0.000008762958,0.00033122,0.091412805,0.0007384318,0.001660936,0.20418304,0.6999876,0.00002933596],"about_ca_topic_score_codex":0.009971644,"about_ca_topic_score_gemma":0.016532278,"teacher_disagreement_score":0.009971644,"about_ca_system_score_codex":0.008257364,"about_ca_system_score_gemma":0.006215891,"threshold_uncertainty_score":0.05991161},"labels":[],"label_agreement":null},{"id":"W2775367302","doi":"10.4000/volume.5487","title":"Adepte du rock, militant communiste","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Militant; Political science; Politics; Law","score_opus":0.04318730534440898,"score_gpt":0.24418930908785458,"score_spread":0.2010020037434456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775367302","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058772355,0.017728945,0.0025515463,0.135156,0.0060731107,0.000040722338,0.00010684092,0.00016219365,0.77940816],"genre_scores_gemma":[0.39821303,0.0050469427,0.0010091215,0.0055088256,0.001387566,0.000037607293,0.000057661124,0.00017122153,0.58856803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9987752,0.000525835,0.000017236222,0.00013805063,0.0002618944,0.00028170412],"domain_scores_gemma":[0.99919194,0.00023799961,0.00007716443,0.00007610633,0.00013847275,0.00027826623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012692417,0.0003538064,0.00019453786,0.00053932104,0.0076700584,0.005341488,0.00039540778,0.0013300286,0.015522211],"category_scores_gemma":[0.002188092,0.00015322714,0.00014493422,0.0004213995,0.0068793655,0.003019142,0.0036693541,0.003441553,0.0024798478],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010808348,0.00004378844,0.001559598,0.00016263439,0.000007674802,0.00054036843,0.100604646,0.00014394133,0.0011867466,0.58903295,0.24358511,0.06302439],"study_design_scores_gemma":[0.0000032716544,0.000012854911,0.0005489181,0.000051149716,0.0000013994432,0.00011585817,0.011085173,0.000029838098,0.00015404922,0.003693497,0.98429835,0.0000055982164],"about_ca_topic_score_codex":0.022720208,"about_ca_topic_score_gemma":0.04818991,"teacher_disagreement_score":0.022720208,"about_ca_system_score_codex":0.003231695,"about_ca_system_score_gemma":0.0044094687,"threshold_uncertainty_score":0.05192697},"labels":[],"label_agreement":null},{"id":"W2775451902","doi":"10.4000/volume.5437","title":"Du charivari au big data. Les musiques populaires au prisme des sound studies","year":2017,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.2783541589249349,"score_gpt":0.31274664809301395,"score_spread":0.03439248916807902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775451902","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016236357,0.090421,0.06569866,0.641356,0.016491575,0.00044898308,0.012278952,0.0014024066,0.15566608],"genre_scores_gemma":[0.37007236,0.101353556,0.15293905,0.19473477,0.033932585,0.0023632282,0.012662684,0.002863055,0.1290787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9707701,0.016003901,0.0013345861,0.003640497,0.0073410743,0.00090979575],"domain_scores_gemma":[0.89261127,0.059459105,0.0058396985,0.021350464,0.015166177,0.0055734087],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03291462,0.0008449584,0.0010016155,0.007998597,0.0047528264,0.015421821,0.001902638,0.00333016,0.019386075],"category_scores_gemma":[0.09406482,0.00081840873,0.0010662392,0.013729884,0.011266588,0.025873905,0.008934285,0.0077971783,0.0046753054],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017904738,0.00004326955,0.010095283,0.0012746643,0.00016973689,0.00025129184,0.008283514,0.0005068306,0.00087279914,0.56902695,0.24524523,0.16405132],"study_design_scores_gemma":[0.000021634702,0.000029347586,0.0070098583,0.001734767,0.000031774005,0.00022835367,0.0057767476,0.00078560575,0.00047154308,0.16996898,0.81388485,0.00005651158],"about_ca_topic_score_codex":0.012684283,"about_ca_topic_score_gemma":0.014548672,"teacher_disagreement_score":0.03291462,"about_ca_system_score_codex":0.006432404,"about_ca_system_score_gemma":0.010498582,"threshold_uncertainty_score":0.17407125},"labels":[],"label_agreement":null},{"id":"W2800171625","doi":"10.4000/volume.5575","title":"“L’homme au bouquet de fleurs” de Maxime Le Forestier : le clip comme approfondissement de la chanson","year":2018,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Saint Jerome","funders":"","keywords":"Art; Humanities","score_opus":0.19934116129247922,"score_gpt":0.33313046690708686,"score_spread":0.13378930561460764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800171625","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1111997,0.0045402837,0.017913733,0.08263471,0.0065557333,0.00017291933,0.00019971875,0.00037914238,0.7764041],"genre_scores_gemma":[0.6980539,0.0019066221,0.006058062,0.007120603,0.0016152365,0.000103076556,0.000113123155,0.0004300431,0.28459924],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989059,0.000613156,0.0000120379555,0.000106339554,0.00019593317,0.00016667182],"domain_scores_gemma":[0.9987337,0.00051653245,0.000054043747,0.000094696436,0.0002787839,0.0003221926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015249904,0.0005059393,0.00014446028,0.0005368193,0.00845241,0.00645553,0.00061814755,0.0015216266,0.017391253],"category_scores_gemma":[0.0040607294,0.00016844847,0.00019378604,0.00033896975,0.0064207185,0.0038026203,0.0024250192,0.002973508,0.0018110746],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001484619,0.000043647153,0.0013956473,0.00023380872,0.0000137218285,0.0012241008,0.34465966,0.0002193429,0.0038068313,0.31593132,0.26561207,0.0667114],"study_design_scores_gemma":[0.0000056166095,0.000030979187,0.0011761598,0.0001632623,0.000006239633,0.00031561678,0.056526862,0.00020934465,0.0008150708,0.004942134,0.93579125,0.000017513876],"about_ca_topic_score_codex":0.017213244,"about_ca_topic_score_gemma":0.040565163,"teacher_disagreement_score":0.017391253,"about_ca_system_score_codex":0.003116445,"about_ca_system_score_gemma":0.0021019592,"threshold_uncertainty_score":0.058179557},"labels":[],"label_agreement":null},{"id":"W2800389402","doi":"10.4000/volume.5626","title":"Steven Shaviro, Digital Music Videos","year":2018,"lang":"en","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; TRACE (psycholinguistics); Humanities; Art history; Philosophy; Linguistics","score_opus":0.04616769160758417,"score_gpt":0.2172951986329585,"score_spread":0.17112750702537433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800389402","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028890083,0.16983289,0.002215986,0.3809446,0.1097407,0.00010483966,0.0013215067,0.00044239988,0.33250812],"genre_scores_gemma":[0.016916519,0.079566665,0.00117059,0.056266233,0.022818401,0.00008580905,0.00060470466,0.0005054911,0.8220656],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957174,0.00011139834,0.000022309454,0.000059879392,0.00017686859,0.000057888952],"domain_scores_gemma":[0.99891937,0.0005251572,0.00004380174,0.000036739984,0.0002725519,0.00020238505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089654495,0.0005542191,0.00035428567,0.0017726675,0.0040749265,0.006403184,0.00087101996,0.003305296,0.06634084],"category_scores_gemma":[0.003771821,0.00030832013,0.00019369682,0.0015065445,0.0011066883,0.0070093493,0.0021768566,0.0025470064,0.021087173],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009241378,0.000007335212,0.000081918944,0.00006890995,0.0000010626738,0.000029376182,0.00028991624,0.000013377709,0.00006429738,0.0054021436,0.9712711,0.022761315],"study_design_scores_gemma":[0.0000025808654,0.0000032078672,0.00028525133,0.0001479441,0.0000017794141,0.000048082988,0.0010045583,0.000023523136,0.00008622996,0.0013362928,0.99705565,0.0000049109885],"about_ca_topic_score_codex":0.015895646,"about_ca_topic_score_gemma":0.08900044,"teacher_disagreement_score":0.06634084,"about_ca_system_score_codex":0.0012945049,"about_ca_system_score_gemma":0.0012447822,"threshold_uncertainty_score":0.22193217},"labels":[],"label_agreement":null},{"id":"W2801408687","doi":"10.4000/volume.5537","title":"Le clip vidéo et ses contextes : musiques populaires et postmodernité dans les années 1980","year":2018,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","score_opus":0.043995213333668244,"score_gpt":0.2698830083282272,"score_spread":0.22588779499455897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801408687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6162621,0.0060998043,0.0023529457,0.012512351,0.00059221516,0.00010195754,0.0007639578,0.00005744927,0.36125723],"genre_scores_gemma":[0.94285315,0.0031078593,0.00044208186,0.0006364704,0.00030769303,0.00009568873,0.00017341059,0.000044429467,0.052339155],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992061,0.0003771593,0.000019641036,0.00009383574,0.00017894225,0.00012437915],"domain_scores_gemma":[0.9981426,0.0012984432,0.00013746099,0.000056478846,0.00020689053,0.00015807289],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011860438,0.00030433462,0.00017645382,0.001703341,0.00486256,0.0044049197,0.00053166365,0.00087114074,0.010303315],"category_scores_gemma":[0.004367511,0.00014983083,0.00009569875,0.0023772425,0.00704792,0.0027218354,0.0016353879,0.0012680969,0.00060563686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024098366,0.000049320442,0.0052011786,0.00034122457,0.000007342983,0.0011802757,0.70793426,0.00013317612,0.0028011769,0.21087125,0.013574404,0.057665393],"study_design_scores_gemma":[0.000021788683,0.00011105442,0.031740587,0.0006500849,0.000014590848,0.0004874168,0.37481266,0.00021168069,0.002043181,0.0068253735,0.58304155,0.000039999763],"about_ca_topic_score_codex":0.06259909,"about_ca_topic_score_gemma":0.07337986,"teacher_disagreement_score":0.06259909,"about_ca_system_score_codex":0.0064797946,"about_ca_system_score_gemma":0.002691531,"threshold_uncertainty_score":0.12446946},"labels":[],"label_agreement":null},{"id":"W2905122763","doi":"10.4000/volume.5866","title":"Mark Butler, Playing with Something that Runs. Technology, Improvisation, and Composition in DJ and Laptop Performance","year":2018,"lang":"en","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Improvisation; Humanities; Electronic dance music; Laptop; Art history; Dance; Visual arts; Computer science","score_opus":0.009553302012688275,"score_gpt":0.20802870455127678,"score_spread":0.1984754025385885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905122763","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016265636,0.19668071,0.005281263,0.2075214,0.012088517,0.000059025595,0.00020018093,0.00029359802,0.5616097],"genre_scores_gemma":[0.1659056,0.060421407,0.0020958493,0.020325884,0.0039668265,0.00006533795,0.000105148174,0.00030734166,0.74680656],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9995491,0.00014618313,0.000016164995,0.0000949106,0.00014265647,0.000050898052],"domain_scores_gemma":[0.9995908,0.00017148643,0.00002974604,0.00001414299,0.000071139744,0.00012261896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004659591,0.00044558587,0.00020282927,0.00080683746,0.0049515157,0.005326998,0.0006274984,0.0018048348,0.015141732],"category_scores_gemma":[0.001084218,0.00021980789,0.00013450938,0.0006254838,0.0035386123,0.006133355,0.0016714783,0.0026216004,0.0034864065],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009079272,0.0000567418,0.0010723022,0.0003922386,0.000013392386,0.00035679547,0.047063816,0.00008628244,0.0010614112,0.22432168,0.6496429,0.07584166],"study_design_scores_gemma":[0.0000067609953,0.00002339589,0.0012588891,0.00016472349,0.0000059108847,0.0003293724,0.014373757,0.00004586262,0.0004215399,0.012097218,0.9712601,0.000012475119],"about_ca_topic_score_codex":0.013058654,"about_ca_topic_score_gemma":0.040567197,"teacher_disagreement_score":0.015141732,"about_ca_system_score_codex":0.0019534316,"about_ca_system_score_gemma":0.0009896395,"threshold_uncertainty_score":0.050654113},"labels":[],"label_agreement":null},{"id":"W2911084794","doi":"10.4000/volume.6281","title":"Chérie Rivers Ndaliko, Necessary Noise: Music, Film and Charitable Imperialism in the East of Congo","year":2018,"lang":"en","type":"article","venue":"Volume !","topic":"African history and culture studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Foregrounding; Poverty; Politics; Noise (video); Political science; Development economics; Art; Economics; Law; Literature; Image (mathematics)","score_opus":0.020942156665673978,"score_gpt":0.2534549171300911,"score_spread":0.23251276046441713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2911084794","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025770718,0.274717,0.00029892274,0.599341,0.006583125,0.00004124056,0.000114523464,0.000037893296,0.09309559],"genre_scores_gemma":[0.48359492,0.24079765,0.0010060453,0.120031275,0.006304169,0.00013325691,0.00006874828,0.00018861504,0.14787525],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992655,0.00047331568,0.000017039485,0.000047358455,0.00010204152,0.00009468986],"domain_scores_gemma":[0.9987092,0.0008594816,0.0001083367,0.00002518989,0.00010684237,0.00019101903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013845178,0.00045484325,0.00025632052,0.0011026748,0.008416396,0.004813127,0.00061538565,0.00189368,0.00452442],"category_scores_gemma":[0.002199911,0.00025369617,0.00009310295,0.0010187824,0.0051393867,0.0045474796,0.0017265436,0.0038541956,0.0006528725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009933812,0.00004744069,0.0019293595,0.0006977392,0.000017775557,0.0014708734,0.19432354,0.00006967042,0.0010271155,0.10566684,0.662998,0.031652298],"study_design_scores_gemma":[0.000010701255,0.000020286681,0.0037627255,0.000735254,0.0000088415745,0.0007063499,0.097132064,0.000048061112,0.00042783676,0.0048646103,0.8922559,0.00002730085],"about_ca_topic_score_codex":0.056704126,"about_ca_topic_score_gemma":0.1821008,"teacher_disagreement_score":0.056704126,"about_ca_system_score_codex":0.0037964857,"about_ca_system_score_gemma":0.0016609613,"threshold_uncertainty_score":0.112748146},"labels":[],"label_agreement":null},{"id":"W2948166653","doi":"10.4000/volume.6481","title":"Les spécificités culturelles de la production de musique metal. Le cas de l’industrie de la musique live en France","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Industries and Urban Development","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Art; Humanities","score_opus":0.022927170045510196,"score_gpt":0.2873155730293479,"score_spread":0.2643884029838377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948166653","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64399636,0.00242073,0.0047717327,0.009201396,0.0001049004,0.00005329825,0.00021098551,0.000028289838,0.33921233],"genre_scores_gemma":[0.96669,0.0011737461,0.0011354237,0.00035160925,0.000035883073,0.000024319446,0.00006770177,0.000013858467,0.030507486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99813724,0.0006545203,0.000054923905,0.00028329852,0.00051380385,0.00035620286],"domain_scores_gemma":[0.9981806,0.000513408,0.00045719888,0.00017438983,0.00046154868,0.00021291082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001624793,0.00024251455,0.00015374142,0.0010360536,0.0032288623,0.0044972417,0.00045081877,0.00093334756,0.007845405],"category_scores_gemma":[0.0029251531,0.00016750461,0.00021957034,0.0011390327,0.0057722884,0.0016913683,0.0020734663,0.00079865725,0.0005445972],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019339127,0.00015423953,0.122459106,0.00073150324,0.0000689005,0.0011732789,0.18475029,0.0013540499,0.014425551,0.4933,0.007410558,0.17397906],"study_design_scores_gemma":[0.000015351294,0.00027797243,0.33485237,0.00050001027,0.00004728982,0.0007389937,0.16176364,0.0006638381,0.006269528,0.050246898,0.4445418,0.00008231367],"about_ca_topic_score_codex":0.030379115,"about_ca_topic_score_gemma":0.09210213,"teacher_disagreement_score":0.030379115,"about_ca_system_score_codex":0.005051237,"about_ca_system_score_gemma":0.0030899518,"threshold_uncertainty_score":0.0604046},"labels":[],"label_agreement":null},{"id":"W2950540052","doi":"10.4000/volume.6664","title":"Élodie Lesourd, Black metal et art contemporain : pour une migration des symboles","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Humanities; Art","score_opus":0.0466156691546851,"score_gpt":0.2744085125394625,"score_spread":0.22779284338477743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950540052","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1359092,0.11637042,0.0027008108,0.20925727,0.0036975795,0.00003086956,0.00012725058,0.000068355046,0.53183824],"genre_scores_gemma":[0.71307814,0.017551284,0.0010020185,0.009522598,0.0011991939,0.000022777305,0.00003015368,0.00006391344,0.25752997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947625,0.00032597999,0.000008734706,0.000040814804,0.00008557096,0.00006277939],"domain_scores_gemma":[0.9994299,0.00034637732,0.000061859886,0.000024204035,0.00008345054,0.000054277036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008939502,0.00038884504,0.00018090075,0.0007559572,0.0065783067,0.0037201268,0.00033356994,0.0017564202,0.0074396],"category_scores_gemma":[0.0015904913,0.00014009057,0.00008185982,0.0006916543,0.007380794,0.0035273822,0.0011795352,0.0017635614,0.00095501874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001232473,0.000045783436,0.003904475,0.00021699048,0.000011349759,0.00072136376,0.2293269,0.00008374348,0.0007102918,0.5766029,0.1125182,0.0757348],"study_design_scores_gemma":[0.000009867556,0.00003185502,0.0054296134,0.00022495563,0.0000067944184,0.00049513066,0.064451694,0.000073892224,0.0005662151,0.029088002,0.8996068,0.00001515533],"about_ca_topic_score_codex":0.02589993,"about_ca_topic_score_gemma":0.05671437,"teacher_disagreement_score":0.02589993,"about_ca_system_score_codex":0.0023919449,"about_ca_system_score_gemma":0.0016018769,"threshold_uncertainty_score":0.051498353},"labels":[],"label_agreement":null},{"id":"W2952515858","doi":"","title":"Andy R. Brown, Karl Spraklen, Keith Kahn-Harris & Niall W. R. Scott, Global Metal Music and Culture. Current Directions in Metal Studies","year":2019,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.04190981893238263,"score_gpt":0.25738530030318035,"score_spread":0.21547548137079772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952515858","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023030052,0.5873212,0.0011885249,0.31518516,0.008464945,0.000024829355,0.00032185242,0.000070574984,0.08511992],"genre_scores_gemma":[0.05140713,0.5820313,0.002252527,0.03005739,0.0071322597,0.000114623224,0.00035194829,0.00016882314,0.3264839],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987533,0.00036454215,0.00006164563,0.00016115837,0.00051613786,0.00014316467],"domain_scores_gemma":[0.9969741,0.0014325823,0.00029412107,0.00015857535,0.0007846183,0.00035597206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018683572,0.0009960035,0.00058600196,0.0026119805,0.0058432864,0.0072121844,0.0017782374,0.0037391414,0.028524742],"category_scores_gemma":[0.0034165028,0.0005354436,0.00040873027,0.0033798618,0.0050118035,0.009765502,0.0028867126,0.004017755,0.008108033],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054884633,0.000030170386,0.00092643884,0.00050417474,0.000012191578,0.00010392195,0.005880066,0.000044178243,0.0002190034,0.05385727,0.86637163,0.071995996],"study_design_scores_gemma":[0.000010400877,0.00001643632,0.0047335112,0.00074530713,0.00001325867,0.00014321537,0.009714336,0.0000353911,0.00028808773,0.016008629,0.96826595,0.00002533341],"about_ca_topic_score_codex":0.043137815,"about_ca_topic_score_gemma":0.16350836,"teacher_disagreement_score":0.043137815,"about_ca_system_score_codex":0.004495029,"about_ca_system_score_gemma":0.0045130863,"threshold_uncertainty_score":0.09542471},"labels":[],"label_agreement":null},{"id":"W2952873104","doi":"10.4000/volume.6689","title":"Rythme, affordance, enregistrement, ontologie de la performance dans l’EDM : de nouveaux objets d’étude pour la musicologie","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.020857832323328315,"score_gpt":0.24234780286072252,"score_spread":0.22148997053739422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952873104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61865145,0.012925763,0.0326379,0.006101387,0.0002780414,0.00007078965,0.00019162026,0.0000994882,0.3290435],"genre_scores_gemma":[0.96622837,0.002366451,0.0031180442,0.00013028286,0.00010072434,0.000038671154,0.000052951294,0.00005384793,0.027910735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989605,0.00042766664,0.000058706864,0.00020345213,0.0002157106,0.00013404524],"domain_scores_gemma":[0.9989793,0.0005161622,0.00018436857,0.00015575204,0.00006967629,0.00009472298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001717633,0.00031347896,0.00029663113,0.0015568383,0.0020396342,0.005570041,0.00071690365,0.001027497,0.007358331],"category_scores_gemma":[0.0029883261,0.00022431626,0.0003142923,0.0015330849,0.013577653,0.006745002,0.0031169872,0.0013760863,0.0005217932],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092543945,0.000036334513,0.007955697,0.0004328276,0.000014827818,0.00041639118,0.31195292,0.00026521453,0.003929704,0.6062425,0.0014578381,0.06720322],"study_design_scores_gemma":[0.00004187364,0.00018996352,0.09320155,0.0012730855,0.000051471427,0.0020203828,0.30571988,0.0014250011,0.004045406,0.141233,0.45066676,0.00013170177],"about_ca_topic_score_codex":0.006412729,"about_ca_topic_score_gemma":0.009908513,"teacher_disagreement_score":0.007358331,"about_ca_system_score_codex":0.0023476465,"about_ca_system_score_gemma":0.0016081753,"threshold_uncertainty_score":0.024616122},"labels":[],"label_agreement":null},{"id":"W2967959587","doi":"10.4000/volume.6656","title":"Le heavy metal comme cas limite","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Geology","score_opus":0.03459603964576587,"score_gpt":0.20962057520461455,"score_spread":0.17502453555884867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2967959587","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022359502,0.04038347,0.008066996,0.3664114,0.0133781545,0.000059279275,0.0007847004,0.0003524527,0.54820406],"genre_scores_gemma":[0.26226723,0.033987846,0.0068969317,0.090546474,0.010410848,0.00017058855,0.0006233378,0.0007866416,0.5943101],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99390197,0.0012886643,0.00032065064,0.0018115813,0.0019489098,0.0007283086],"domain_scores_gemma":[0.9923326,0.0024117865,0.00066004845,0.0015399012,0.0023397824,0.00071588426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004139081,0.00069290807,0.0009836316,0.0023617607,0.0051168986,0.013649176,0.002545955,0.0065855156,0.060980555],"category_scores_gemma":[0.012467477,0.00042796278,0.00075638853,0.001974055,0.0135166515,0.011869267,0.008549175,0.0052063023,0.016757654],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002076895,0.000048569305,0.002015568,0.0006355551,0.00006164494,0.00042266678,0.004378946,0.0001810571,0.0014514346,0.78160083,0.13282186,0.07617424],"study_design_scores_gemma":[0.000013999155,0.000029624114,0.00052624603,0.00038946982,0.000011543054,0.0003026297,0.002359028,0.000046839563,0.00038047353,0.062852286,0.9330703,0.000017611063],"about_ca_topic_score_codex":0.022547953,"about_ca_topic_score_gemma":0.026833178,"teacher_disagreement_score":0.060980555,"about_ca_system_score_codex":0.006574537,"about_ca_system_score_gemma":0.0050726314,"threshold_uncertainty_score":0.2040003},"labels":[],"label_agreement":null},{"id":"W2989681992","doi":"10.4000/volume.7254","title":"Hacking Jeff Minter’s Virtual Light Machine: Unpacking the Code and Community Behind an Early Software-Based Music Visualizer","year":2019,"lang":"en","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science; Hacker; Code (set theory); Software; Multimedia; Visualization; World Wide Web; Artificial intelligence; Computer security; Programming language","score_opus":0.0203682622805118,"score_gpt":0.24949900733382038,"score_spread":0.22913074505330858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989681992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26466706,0.016894238,0.03566759,0.20936866,0.0042210524,0.0001097141,0.00010282672,0.0011654405,0.4678034],"genre_scores_gemma":[0.74792475,0.009836907,0.012327788,0.023125082,0.0014855637,0.00011866892,0.000060319642,0.0012386558,0.20388232],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9982401,0.00074625766,0.000048469436,0.00025317288,0.00048176438,0.00023025638],"domain_scores_gemma":[0.9959688,0.002361346,0.0002870813,0.0003513015,0.0005083968,0.00052310235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018315772,0.00040114284,0.00021683807,0.001531706,0.007962191,0.008777885,0.0007264363,0.0019100033,0.0059954883],"category_scores_gemma":[0.008050065,0.00040604887,0.00015470406,0.00089058897,0.01237205,0.010373927,0.004646488,0.0040565412,0.001493923],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061756524,0.000080571815,0.0028733644,0.00016329321,0.000008922447,0.00070329657,0.27596042,0.00013320564,0.002501496,0.3765415,0.21558648,0.12538578],"study_design_scores_gemma":[0.0000068733425,0.0000616118,0.0018288143,0.00025150404,0.000006687116,0.0009124537,0.05001446,0.0003591813,0.0017745028,0.024545224,0.92020994,0.000028821294],"about_ca_topic_score_codex":0.004524835,"about_ca_topic_score_gemma":0.008992621,"teacher_disagreement_score":0.008777885,"about_ca_system_score_codex":0.0022519673,"about_ca_system_score_gemma":0.0013812174,"threshold_uncertainty_score":0.020056903},"labels":[],"label_agreement":null},{"id":"W2990439690","doi":"10.4000/volume.7433","title":"François Ribac (ed.), Simon Frith : Une sociologie des musiques populaires","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministry of Labour, Employment and Social Solidarity; Université du Québec à Montréal","funders":"","keywords":"Frith; Humanities; Art; Art history; Philosophy; Linguistics","score_opus":0.045725472751965604,"score_gpt":0.2783126755730416,"score_spread":0.23258720282107603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990439690","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009398304,0.9468274,0.0006654805,0.02417641,0.0047966996,0.000009020409,0.00019467973,0.000046237135,0.022344204],"genre_scores_gemma":[0.034511913,0.83697176,0.0018510405,0.005233498,0.0077694766,0.000051326904,0.00034340157,0.00014152407,0.113126114],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9992963,0.00023049452,0.00004813597,0.00012724177,0.00021641477,0.00008130218],"domain_scores_gemma":[0.99905103,0.00045318276,0.00011532017,0.000037445727,0.00020775752,0.00013535215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013255721,0.0017569762,0.0007360609,0.0035212107,0.003218281,0.00366766,0.0009615197,0.0020623018,0.02232151],"category_scores_gemma":[0.0016747582,0.000544672,0.00044353143,0.005164553,0.0025318998,0.0055023287,0.0010310885,0.002408599,0.009956586],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057006782,0.000020569469,0.0011567933,0.0006493235,0.000022708042,0.0001794925,0.0073054084,0.00016232583,0.0002773033,0.028769877,0.81258315,0.14881591],"study_design_scores_gemma":[0.000002638952,0.000005918291,0.0017966074,0.00043196842,0.0000039710953,0.00018086817,0.0013181242,0.000022524944,0.000075326854,0.0026822705,0.99346924,0.000010491727],"about_ca_topic_score_codex":0.08658254,"about_ca_topic_score_gemma":0.14197026,"teacher_disagreement_score":0.08658254,"about_ca_system_score_codex":0.004903658,"about_ca_system_score_gemma":0.004788259,"threshold_uncertainty_score":0.17215717},"labels":[],"label_agreement":null},{"id":"W2990973753","doi":"10.4000/volume.7211","title":"Musique et hacking : de l’éthique aux pratiques","year":2019,"lang":"fr","type":"article","venue":"Volume !","topic":"Cybernetics and Technology in Society","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Hacker; Humanities; Art; Computer science; Computer security","score_opus":0.013985820363007733,"score_gpt":0.2527536050956616,"score_spread":0.23876778473265384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990973753","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02865569,0.036072914,0.03944027,0.3496885,0.0037613043,0.00008086008,0.000117541036,0.00021816674,0.54196477],"genre_scores_gemma":[0.7900369,0.018985802,0.010339518,0.0384339,0.0048287073,0.0002902404,0.00006662624,0.00034465175,0.13667375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9879689,0.008513399,0.00024516718,0.0010651,0.0015628618,0.00064447493],"domain_scores_gemma":[0.9870344,0.0086272005,0.0010038057,0.0014683229,0.0009841585,0.0008821359],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.008882825,0.0007029886,0.0005738695,0.0019476512,0.008682271,0.013039581,0.0010195062,0.0071811536,0.011650523],"category_scores_gemma":[0.016219702,0.00043278493,0.00036137967,0.001799459,0.077331975,0.014863447,0.0072242087,0.009748571,0.0021314167],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026708418,0.000019292285,0.000649264,0.000098415665,0.00000711871,0.00007906548,0.020153992,0.00017416841,0.00019602048,0.94245076,0.013977093,0.022168115],"study_design_scores_gemma":[0.000022502527,0.000059529375,0.001105383,0.0004678161,0.00000672827,0.0003694499,0.0154361455,0.00054397935,0.00029041353,0.36153015,0.6201274,0.000040530012],"about_ca_topic_score_codex":0.0058543496,"about_ca_topic_score_gemma":0.00484449,"teacher_disagreement_score":0.99131775,"about_ca_system_score_codex":0.005368022,"about_ca_system_score_gemma":0.0046685715,"threshold_uncertainty_score":0.0469774},"labels":[],"label_agreement":null},{"id":"W3038136471","doi":"10.4000/volume.8086","title":"Quelques éléments de flow dans le rap français des débuts (1984-1991)","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.029558700859670637,"score_gpt":0.2346246780680815,"score_spread":0.20506597720841085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038136471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8418883,0.005503616,0.02362475,0.0015528311,0.00022122977,0.000101600206,0.0011965175,0.00016456698,0.12574658],"genre_scores_gemma":[0.9510681,0.0010312542,0.0052744774,0.00008839348,0.000055012628,0.000047720554,0.00042650496,0.00009336141,0.041915137],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.999019,0.0002654099,0.000044425145,0.0002287514,0.0002603817,0.00018203733],"domain_scores_gemma":[0.9981571,0.00093293004,0.00024629553,0.00011107965,0.00042981093,0.00012282575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012521949,0.0003710328,0.00020926085,0.0023589088,0.0027805006,0.0022325537,0.000347551,0.0006827973,0.007646825],"category_scores_gemma":[0.0041174055,0.000238759,0.00020412254,0.002209605,0.0019653395,0.0016563926,0.0008259742,0.0007031478,0.0006252352],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006002043,0.000052042044,0.07377255,0.00059986603,0.00006583545,0.0015173884,0.400949,0.0012493522,0.021971611,0.057732906,0.007041329,0.43444797],"study_design_scores_gemma":[0.000019898733,0.00016692535,0.46521106,0.0004858317,0.00006723487,0.0014591384,0.11094162,0.001672127,0.0058387546,0.004418775,0.4096172,0.00010154186],"about_ca_topic_score_codex":0.13684729,"about_ca_topic_score_gemma":0.28917748,"teacher_disagreement_score":0.13684729,"about_ca_system_score_codex":0.0031751657,"about_ca_system_score_gemma":0.0017192649,"threshold_uncertainty_score":0.27210152},"labels":[],"label_agreement":null},{"id":"W3038707205","doi":"10.4000/volume.7996","title":"La voix de Klokochazia. Typologie vocale, langue et personnages : le musical au service d’une cosmogonie","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.040802025934764376,"score_gpt":0.2460565546998951,"score_spread":0.20525452876513073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038707205","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3026203,0.012268088,0.0033803359,0.0042586294,0.0006097288,0.00009794348,0.000420697,0.00012511748,0.67621917],"genre_scores_gemma":[0.92306256,0.0017640878,0.000511292,0.0003572997,0.00007287442,0.000034450633,0.00011786303,0.00007236844,0.07400727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957484,0.00010081746,0.000020065563,0.00008340551,0.00010179081,0.00011916247],"domain_scores_gemma":[0.99983716,0.000049807655,0.00003101021,0.0000180161,0.000027402533,0.000036616122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037242356,0.00049500697,0.00026015195,0.0009874804,0.0049118763,0.005093399,0.00032565184,0.0006038558,0.008730536],"category_scores_gemma":[0.0005493535,0.00022181892,0.00012025683,0.0014452471,0.005588592,0.0016327718,0.0021988354,0.001707865,0.0012951844],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043974884,0.000060309136,0.010067243,0.0009464873,0.000024524694,0.0013983655,0.26828244,0.00027119825,0.00915808,0.58836406,0.015977604,0.105009876],"study_design_scores_gemma":[0.00003993865,0.000090478454,0.044149794,0.00053614355,0.000029044795,0.0013578468,0.09550062,0.00015335521,0.0011682509,0.011773238,0.845154,0.000047333207],"about_ca_topic_score_codex":0.038185198,"about_ca_topic_score_gemma":0.09111724,"teacher_disagreement_score":0.038185198,"about_ca_system_score_codex":0.0044656424,"about_ca_system_score_gemma":0.0023660937,"threshold_uncertainty_score":0.07592589},"labels":[],"label_agreement":null},{"id":"W3038811761","doi":"10.4000/volume.8121","title":"Le human beatbox entre musique et parole : quelques indices acoustiques et physiologiques","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","score_opus":0.03902080008562053,"score_gpt":0.3059101868957913,"score_spread":0.26688938681017077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038811761","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3032408,0.014684961,0.48049876,0.003089121,0.0017121128,0.00025958673,0.00073215785,0.001806111,0.19397643],"genre_scores_gemma":[0.80217177,0.0036606486,0.12872066,0.0008101406,0.000482123,0.0001662379,0.00021741434,0.00044557246,0.06332542],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9987919,0.0003889065,0.000049804294,0.00036324858,0.0003505211,0.00005575508],"domain_scores_gemma":[0.99833137,0.0009442045,0.00015971281,0.00018600267,0.00026946946,0.000109263805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015145665,0.00065278384,0.00036867821,0.0010360763,0.00075842644,0.0039792373,0.0004416445,0.001088862,0.01557232],"category_scores_gemma":[0.0041661393,0.00032719228,0.00033536355,0.00069752906,0.0036304698,0.0024070344,0.0016057021,0.00077231595,0.0020473532],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000981959,0.00004508533,0.0123710185,0.0012361266,0.000088766305,0.00077119557,0.016799685,0.0012498022,0.3274907,0.108202726,0.0057189157,0.5250441],"study_design_scores_gemma":[0.000097898024,0.0016480827,0.19606225,0.0015087384,0.0002585959,0.008226986,0.024080755,0.014104205,0.13621435,0.053547043,0.5637295,0.00052158657],"about_ca_topic_score_codex":0.0025692254,"about_ca_topic_score_gemma":0.0024810785,"teacher_disagreement_score":0.01557232,"about_ca_system_score_codex":0.00068905513,"about_ca_system_score_gemma":0.000808466,"threshold_uncertainty_score":0.05209458},"labels":[],"label_agreement":null},{"id":"W3039663199","doi":"10.4000/volume.7857","title":"L’analyse spectrale au fondement d’une rhétorique des styles interprétatifs dans la chanson française","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Philosophy; Humanities; Physics","score_opus":0.02736271126764649,"score_gpt":0.24991691281666167,"score_spread":0.22255420154901517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3039663199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5151955,0.007808198,0.05699672,0.016449755,0.00093398173,0.00008392199,0.00038236284,0.00028098913,0.40186855],"genre_scores_gemma":[0.9551798,0.0005646828,0.0031242825,0.00029658581,0.00009638893,0.000025203279,0.000051860152,0.00015443063,0.040506672],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99671954,0.0017879356,0.00009487426,0.0004258158,0.0006719517,0.00029994218],"domain_scores_gemma":[0.995453,0.0023362997,0.00025746704,0.00027471865,0.0014277403,0.0002507212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027603342,0.00076005905,0.00032740072,0.0019262066,0.0049276287,0.006583192,0.00053805177,0.0013474528,0.008153467],"category_scores_gemma":[0.0056464793,0.00030361244,0.00027274867,0.0016303089,0.009846016,0.0028752377,0.0013962872,0.0019975777,0.00095614046],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001322984,0.00002104466,0.008133691,0.00036577633,0.000039328148,0.00080265163,0.5360481,0.00062245195,0.008489539,0.3776223,0.0066539682,0.061068907],"study_design_scores_gemma":[0.000028091934,0.00015956623,0.03149353,0.0005802112,0.00004639884,0.0015346674,0.23281033,0.0031244638,0.0043111225,0.03322081,0.6925524,0.0001384128],"about_ca_topic_score_codex":0.0932001,"about_ca_topic_score_gemma":0.09492147,"teacher_disagreement_score":0.0932001,"about_ca_system_score_codex":0.006807512,"about_ca_system_score_gemma":0.0039402437,"threshold_uncertainty_score":0.18531519},"labels":[],"label_agreement":null},{"id":"W3042609189","doi":"10.4000/volume.8282","title":"Gérard Le Vot, Poétique du rock : oralité, voix et tumultes","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.019753584325916333,"score_gpt":0.20922104363883515,"score_spread":0.1894674593129188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042609189","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12718977,0.07837501,0.003356468,0.036852308,0.0020973503,0.000024551395,0.00015723979,0.000104619096,0.7518427],"genre_scores_gemma":[0.89420503,0.008481055,0.00043769894,0.0012258443,0.00083803415,0.000012616294,0.000036598205,0.00007905642,0.09468407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930084,0.00039031034,0.000013945208,0.00006941527,0.00012839843,0.00009701176],"domain_scores_gemma":[0.99946684,0.00029713335,0.00007573948,0.000033693657,0.000081412276,0.00004514032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009063148,0.00033173405,0.00023539513,0.0009073145,0.003832332,0.005170289,0.00029773414,0.0011891429,0.0073744208],"category_scores_gemma":[0.0018977933,0.00013328523,0.00013871322,0.00075677066,0.006797071,0.0028105085,0.00084520277,0.0013830127,0.0011159095],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092734976,0.000022093474,0.003046365,0.00025013243,0.000011464829,0.00049092656,0.1541125,0.00016340069,0.0011786829,0.7480988,0.03888679,0.05364618],"study_design_scores_gemma":[0.000011982205,0.00008426399,0.011448488,0.000529435,0.00001568385,0.0010097105,0.07775085,0.00019511247,0.0006474579,0.024475312,0.8837979,0.000033814886],"about_ca_topic_score_codex":0.019925743,"about_ca_topic_score_gemma":0.026608326,"teacher_disagreement_score":0.019925743,"about_ca_system_score_codex":0.0024449995,"about_ca_system_score_gemma":0.0011443736,"threshold_uncertainty_score":0.039619505},"labels":[],"label_agreement":null},{"id":"W3046098457","doi":"10.4000/volume.7843","title":"Oublier « The grain of the voice » : étudier la voix dans les chansons","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art","score_opus":0.02456518055693097,"score_gpt":0.20709720550974595,"score_spread":0.18253202495281498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3046098457","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9423543,0.0056099775,0.008986511,0.0027265933,0.0003201287,0.00009078057,0.000108929635,0.000018876131,0.03978396],"genre_scores_gemma":[0.98023444,0.001120728,0.0019128319,0.00042656492,0.00012431198,0.000051863757,0.000035796864,0.000024180496,0.016069226],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992811,0.00025848037,0.000027400174,0.00014881206,0.00019037274,0.00009380108],"domain_scores_gemma":[0.99893874,0.0005992574,0.00012744515,0.000066525245,0.00020008297,0.00006797023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013897258,0.00028863177,0.00022024509,0.0008858939,0.001603112,0.0032760082,0.00038242954,0.0013352336,0.0036737968],"category_scores_gemma":[0.0030949132,0.00016095661,0.00020647621,0.0009132356,0.003958192,0.002320016,0.0012602347,0.0010497906,0.00033406226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007401786,0.00008775185,0.058748413,0.0014074551,0.00010463213,0.0031605917,0.5666184,0.0005388955,0.06334274,0.10811613,0.004100506,0.19303428],"study_design_scores_gemma":[0.00005450975,0.0007181306,0.27958283,0.0010577667,0.00010211459,0.002674933,0.50455326,0.0014166402,0.0101478575,0.017848259,0.1816991,0.00014456167],"about_ca_topic_score_codex":0.007424271,"about_ca_topic_score_gemma":0.011810537,"teacher_disagreement_score":0.007424271,"about_ca_system_score_codex":0.0011746886,"about_ca_system_score_gemma":0.0009911824,"threshold_uncertainty_score":0.014762104},"labels":[],"label_agreement":null},{"id":"W3107472186","doi":"10.4000/volume.7511","title":"José Juan Olvera Gudiño, Economías del rap en el noreste de México. Emprendimientos y resistencias juveniles alrededor de la música popular","year":2019,"lang":"es","type":"article","venue":"Volume !","topic":"Media and Digital Communication","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.01179933870110782,"score_gpt":0.2660876548508169,"score_spread":0.2542883161497091,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107472186","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04821391,0.24304438,0.0010031263,0.47265255,0.011970035,0.00006347442,0.0013189318,0.00018609401,0.22154747],"genre_scores_gemma":[0.28472158,0.17908792,0.0016619388,0.022625012,0.0049591493,0.00013297342,0.0006976621,0.00022475589,0.505889],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99969685,0.00007856024,0.000008410004,0.000046010806,0.00006307648,0.00010704559],"domain_scores_gemma":[0.99952173,0.00015312445,0.000080129124,0.00001608005,0.00013569879,0.00009332118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00069204916,0.00044999868,0.00027073562,0.00095471344,0.0061706263,0.002972537,0.00066090235,0.002103214,0.015306542],"category_scores_gemma":[0.001358782,0.00028480263,0.00015457252,0.0010111714,0.0009825928,0.0026044238,0.0015926493,0.002671443,0.001375777],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002607035,0.00006251748,0.00821746,0.0005877263,0.000028049713,0.0008121199,0.019393824,0.000114343384,0.0006821868,0.057602104,0.8151222,0.09711683],"study_design_scores_gemma":[0.000011034702,0.000016494003,0.011564551,0.00041622316,0.000015951327,0.00018888254,0.01648082,0.00006797534,0.0001769097,0.0014607116,0.9695915,0.000008995756],"about_ca_topic_score_codex":0.10762763,"about_ca_topic_score_gemma":0.21479057,"teacher_disagreement_score":0.10762763,"about_ca_system_score_codex":0.003388271,"about_ca_system_score_gemma":0.0033735042,"threshold_uncertainty_score":0.21400231},"labels":[],"label_agreement":null},{"id":"W3107711957","doi":"10.4000/volume.6769","title":"Florian Heesch &amp; Niall Scott, Heavy metal, gender and sexuality. Interdisciplinary approaches","year":2019,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Réseau Technoscience","funders":"","keywords":"Philosophy; History","score_opus":0.08975302836987774,"score_gpt":0.24701756071631115,"score_spread":0.1572645323464334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107711957","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005132273,0.6726373,0.0010773474,0.2524869,0.0037627516,0.00002196788,0.00016735273,0.000022753078,0.06469135],"genre_scores_gemma":[0.17471194,0.6427994,0.0023809152,0.039369754,0.006453508,0.000114025686,0.00014244065,0.00006579939,0.13396217],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940145,0.0002807861,0.000020323634,0.00008629916,0.00015605924,0.000055070617],"domain_scores_gemma":[0.9979716,0.0015495642,0.000115246774,0.000038469352,0.00019740792,0.00012768948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013812213,0.0006215409,0.00039006912,0.0019290944,0.00428486,0.0035705823,0.001383885,0.0026092527,0.009838506],"category_scores_gemma":[0.002081748,0.0003859407,0.00019715664,0.0017126038,0.005262602,0.006442423,0.0010671793,0.002141877,0.0013121357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010434543,0.00009425601,0.002132902,0.0008111545,0.000018330795,0.00045398352,0.026541052,0.00011086209,0.00026460984,0.2241569,0.5895299,0.15578173],"study_design_scores_gemma":[0.000017723616,0.000027988503,0.007036926,0.0009974352,0.000012560005,0.0003540294,0.022986056,0.00007184064,0.00023952863,0.06407927,0.90415156,0.000025059868],"about_ca_topic_score_codex":0.041760933,"about_ca_topic_score_gemma":0.10016094,"teacher_disagreement_score":0.041760933,"about_ca_system_score_codex":0.0033806781,"about_ca_system_score_gemma":0.0022721642,"threshold_uncertainty_score":0.08303571},"labels":[],"label_agreement":null},{"id":"W3109714167","doi":"10.4000/volume.8817","title":"Marion Carrel, Julienne Flory, Irène Jami, Patricia Osganian, Patrick Simon et Anna Zielinska, « La battle du rap : genre, classe, race », Mouvements, no 96, 2018","year":2020,"lang":"en","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Polymer science; Materials science","score_opus":0.018382383284596508,"score_gpt":0.1996033404508803,"score_spread":0.18122095716628378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109714167","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015030364,0.14016199,0.0040995195,0.43332648,0.010104133,0.00008215424,0.00039628206,0.00014846178,0.39665067],"genre_scores_gemma":[0.27245933,0.13309115,0.005438837,0.06692825,0.00542824,0.00029430212,0.00038853142,0.00079966884,0.51517165],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9979533,0.0007319129,0.000044565168,0.00032840672,0.00069651584,0.00024519447],"domain_scores_gemma":[0.9948205,0.0028059795,0.00043760386,0.00022499089,0.0011261309,0.00058476586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023956343,0.0007779251,0.00049051194,0.0027438202,0.013329537,0.010960094,0.0014320184,0.0038044741,0.027029747],"category_scores_gemma":[0.010127037,0.00041004212,0.00027690482,0.0020103862,0.0076899366,0.009941955,0.0038331172,0.0065936623,0.0051538795],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073701456,0.000036704598,0.002019296,0.00034235863,0.000011738388,0.00026774983,0.055829614,0.000056690504,0.00027489764,0.30653995,0.5724712,0.06207616],"study_design_scores_gemma":[0.0000041207713,0.000009844256,0.0020508377,0.00076009706,0.000005511751,0.00017947344,0.017501032,0.000033541644,0.00023632678,0.012414156,0.96678245,0.000022643719],"about_ca_topic_score_codex":0.05883202,"about_ca_topic_score_gemma":0.13872798,"teacher_disagreement_score":0.05883202,"about_ca_system_score_codex":0.0060102665,"about_ca_system_score_gemma":0.0056400388,"threshold_uncertainty_score":0.11697918},"labels":[],"label_agreement":null},{"id":"W3109941304","doi":"10.4000/volume.8641","title":"Présence et expérience du rap en public : banalité, trouble et disqualification morale","year":2020,"lang":"fr","type":"article","venue":"Volume !","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian University Music Society","funders":"","keywords":"Sociology; Humanities; Political science; Art","score_opus":0.2954138897638995,"score_gpt":0.44951727949112835,"score_spread":0.15410338972722887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109941304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77275795,0.003327602,0.0026755312,0.024808608,0.00028357486,0.000028314718,0.000037627065,0.00006262992,0.19601826],"genre_scores_gemma":[0.9934726,0.00027433634,0.000083758394,0.00025126574,0.000024423294,0.000006656218,0.0000044088492,0.00001307988,0.0058695255],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9820287,0.012993992,0.00028561451,0.00081226823,0.0016081792,0.00227125],"domain_scores_gemma":[0.99118036,0.0042154896,0.0014720907,0.00067167,0.0011667969,0.0012935707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006016132,0.00032532602,0.0005021823,0.0011801184,0.023829997,0.01226455,0.001295275,0.0035003535,0.008106193],"category_scores_gemma":[0.009965615,0.00038422795,0.0002927185,0.0014121978,0.039662264,0.00814708,0.009166655,0.004633136,0.00085277343],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029082406,0.00003832926,0.0036558087,0.000055978744,0.0000065747777,0.0005817716,0.9042387,0.000060997405,0.00036460694,0.08073674,0.0020191467,0.008212307],"study_design_scores_gemma":[0.000005311485,0.000042278112,0.006287791,0.00018714952,0.000007432288,0.0006223317,0.89535046,0.00015793422,0.00018300347,0.0040736455,0.09305024,0.000032407403],"about_ca_topic_score_codex":0.07851402,"about_ca_topic_score_gemma":0.060480677,"teacher_disagreement_score":0.07851402,"about_ca_system_score_codex":0.008625206,"about_ca_system_score_gemma":0.0064311675,"threshold_uncertainty_score":0.15611404},"labels":[],"label_agreement":null},{"id":"W3157365593","doi":"10.4000/volume.9231","title":"Scott Calhoun, U2 and the Religious Impulse: Take Me Higher","year":2021,"lang":"en","type":"article","venue":"Volume !","topic":"Religion and Society Interactions","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Providence University College and Theological Seminary; Musée de la Civilisation","funders":"","keywords":"Capital (architecture); Politics; Impulse (physics); Irish; Political science; Political capital; Visibility; Political economy; Law; Media studies; History; Sociology; Archaeology; Philosophy; Geography; Meteorology","score_opus":0.012171544153291346,"score_gpt":0.293451039256618,"score_spread":0.2812794951033266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157365593","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010761767,0.017603766,0.0001459386,0.8649596,0.02349607,0.000024381763,0.0001111221,0.000048188725,0.08284927],"genre_scores_gemma":[0.17110065,0.016722627,0.0003870008,0.3751754,0.008720719,0.00008366056,0.0001061402,0.00021008638,0.4274937],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992663,0.00034884468,0.000012112916,0.000051209085,0.00014099492,0.00018041782],"domain_scores_gemma":[0.99822336,0.00027014763,0.000059271617,0.00003754642,0.00028833354,0.0011213825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013125796,0.00041965893,0.00037866153,0.0004908405,0.014410611,0.005389031,0.0006346397,0.0030267742,0.032736678],"category_scores_gemma":[0.002319527,0.00023109691,0.00020241602,0.0005342878,0.0034474996,0.005280683,0.002420179,0.0062924954,0.0065536634],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018018669,0.000022851751,0.00046884167,0.000030012603,0.0000026642806,0.00009399386,0.007921356,0.0000049107102,0.00007098298,0.005006401,0.97887796,0.0074819117],"study_design_scores_gemma":[0.00001714204,0.000032131305,0.0029936037,0.00022390542,0.000004956395,0.00013335506,0.07898556,0.000022719587,0.00012582507,0.0032744112,0.9141617,0.000024798148],"about_ca_topic_score_codex":0.046055906,"about_ca_topic_score_gemma":0.19673127,"teacher_disagreement_score":0.046055906,"about_ca_system_score_codex":0.002285346,"about_ca_system_score_gemma":0.0033663758,"threshold_uncertainty_score":0.10951513},"labels":[],"label_agreement":null},{"id":"W3157624819","doi":"10.4000/volume.9086","title":"La trame sonore du film Baby Driver : une esthétique de musicalisation intensifiée","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Art; Humanities","score_opus":0.10342533713510671,"score_gpt":0.27580427335081925,"score_spread":0.17237893621571254,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157624819","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37775114,0.005188947,0.0110986885,0.017066386,0.0014769944,0.00006961461,0.00019188719,0.00012116389,0.5870352],"genre_scores_gemma":[0.8921506,0.0026645795,0.0020176652,0.0008332392,0.0002733505,0.00002922737,0.00005340774,0.00013045766,0.101847515],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999345,0.0002656105,0.00001340396,0.00010370513,0.00017990265,0.00009235855],"domain_scores_gemma":[0.9991559,0.00041277544,0.00008196725,0.00006703601,0.00015860426,0.00012372213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096051715,0.0003648926,0.00018507779,0.00076100306,0.0040681046,0.005249401,0.0004926128,0.0009351198,0.012045192],"category_scores_gemma":[0.0029475947,0.00020912521,0.00016403805,0.00057086116,0.0053060157,0.0031630066,0.002487237,0.0022454476,0.00092109345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028167834,0.000040748222,0.0050977566,0.00042664923,0.000028475182,0.0015582867,0.558589,0.00015508324,0.011004388,0.31677878,0.024323016,0.08171614],"study_design_scores_gemma":[0.000022211021,0.00012859258,0.0126916645,0.00034787963,0.000029497704,0.0014795195,0.1834534,0.00031923517,0.0034335912,0.008622475,0.78942376,0.000048088445],"about_ca_topic_score_codex":0.011393188,"about_ca_topic_score_gemma":0.02806241,"teacher_disagreement_score":0.012045192,"about_ca_system_score_codex":0.0020543574,"about_ca_system_score_gemma":0.001073899,"threshold_uncertainty_score":0.040295243},"labels":[],"label_agreement":null},{"id":"W3159641123","doi":"10.4000/volume.8984","title":"Des instrumentistes sur le devant de la scène. Apprentissage du métier et modalités de travail dans deux scènes de renouveau musical en Grèce","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.015476032400585786,"score_gpt":0.2193666324535553,"score_spread":0.20389060005296952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159641123","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78172886,0.0013286181,0.004488367,0.0030849183,0.00015653753,0.00005121644,0.0000748821,0.00006307587,0.20902362],"genre_scores_gemma":[0.9362944,0.00039326074,0.0010658744,0.00017530571,0.000031644333,0.000028044848,0.000040705472,0.00006406784,0.061906744],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99860746,0.00051705807,0.000022996042,0.0002207798,0.00029471927,0.0003369824],"domain_scores_gemma":[0.999138,0.00026864142,0.00010500494,0.000056249813,0.00017781652,0.00025417825],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016050249,0.00037263002,0.00029939847,0.0013324954,0.009951572,0.0052046403,0.000642259,0.0011542207,0.010855609],"category_scores_gemma":[0.0026337374,0.00027245007,0.0002431473,0.0009536575,0.009506178,0.002235766,0.0034827606,0.002240804,0.0010594684],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015701349,0.000032647196,0.00854208,0.000062329986,0.0000074025284,0.00043910657,0.88417876,0.00013060922,0.004457424,0.06445641,0.0025376996,0.034998465],"study_design_scores_gemma":[0.000014113373,0.00009121082,0.0580849,0.0001805122,0.0000121247795,0.00029104826,0.65700215,0.00036632715,0.0011171267,0.0042470284,0.27854156,0.00005204024],"about_ca_topic_score_codex":0.08309079,"about_ca_topic_score_gemma":0.19272858,"teacher_disagreement_score":0.08309079,"about_ca_system_score_codex":0.0044583324,"about_ca_system_score_gemma":0.002827949,"threshold_uncertainty_score":0.1652143},"labels":[],"label_agreement":null},{"id":"W319099235","doi":"10.4000/volume.4334","title":"L’évocation mémorielle des boîtes à chansons au Québec","year":2014,"lang":"fr","type":"article","venue":"Volume !","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.02802192977250309,"score_gpt":0.30635810555520304,"score_spread":0.2783361757827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W319099235","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86415434,0.0032067015,0.001079407,0.019268837,0.0009072098,0.00007113194,0.00042755957,0.00007968526,0.110805005],"genre_scores_gemma":[0.893141,0.0013932673,0.00036692357,0.0010670588,0.000078288474,0.000023329698,0.00013912404,0.00003989047,0.10375115],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99929535,0.0001976036,0.000013532168,0.000073773124,0.00017833654,0.0002413577],"domain_scores_gemma":[0.9980661,0.00043118646,0.0001916706,0.00008023525,0.00074936374,0.00048142485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011342479,0.00031516096,0.00023227365,0.0010401391,0.012224554,0.003307906,0.0007867917,0.0010582287,0.013940285],"category_scores_gemma":[0.0032138648,0.00017541142,0.00016435023,0.0010318623,0.0050636055,0.0011999204,0.0018628121,0.0020540329,0.0007300823],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019789593,0.00015099402,0.039213087,0.0004247213,0.000024736648,0.0023429228,0.79464304,0.00026541145,0.004358434,0.020207942,0.06432978,0.07384095],"study_design_scores_gemma":[0.0000067269557,0.000077235076,0.07978308,0.0002962203,0.0000145612,0.0002678953,0.45215356,0.00017497878,0.00078920694,0.0005843427,0.46580032,0.000051976058],"about_ca_topic_score_codex":0.9012422,"about_ca_topic_score_gemma":0.9687525,"teacher_disagreement_score":0.0987578,"about_ca_system_score_codex":0.022390835,"about_ca_system_score_gemma":0.01925776,"threshold_uncertainty_score":0.19867879},"labels":[],"label_agreement":null},{"id":"W3214788636","doi":"10.4000/volume.9722","title":"D’Erik Satie aux Smashing Pumpkins : à propos d’un riff de garçon fragile","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.15222843479678777,"score_gpt":0.41527667132109325,"score_spread":0.2630482365243055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214788636","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36591062,0.0028875174,0.011015826,0.009324631,0.00038943108,0.000036255493,0.00012463212,0.00020749876,0.61010355],"genre_scores_gemma":[0.93640864,0.0005555081,0.0020596005,0.0004847825,0.00003620772,0.000017753706,0.000029376792,0.00009377543,0.060314417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939764,0.00024116701,0.000007334721,0.00012291767,0.00011424094,0.00011665612],"domain_scores_gemma":[0.9997131,0.0001220159,0.000030638173,0.000038897375,0.000044727796,0.000050674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000792387,0.0006046005,0.00019846596,0.00084602664,0.0049424176,0.0039155916,0.00068101496,0.0017216229,0.011122554],"category_scores_gemma":[0.0010873916,0.00020583856,0.0002632082,0.00061216706,0.010659332,0.003528577,0.0021541917,0.0019740805,0.0008213714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012747392,0.000018912646,0.0016240762,0.00010739766,0.000015846246,0.0006365739,0.21902917,0.00034329022,0.0022243084,0.75143385,0.0053191083,0.019120036],"study_design_scores_gemma":[0.000042306554,0.00016096311,0.011774791,0.00025580463,0.000055229375,0.0006138154,0.20638229,0.0010835623,0.0023328934,0.08260198,0.69459194,0.00010440321],"about_ca_topic_score_codex":0.02063249,"about_ca_topic_score_gemma":0.038437095,"teacher_disagreement_score":0.02063249,"about_ca_system_score_codex":0.00502938,"about_ca_system_score_gemma":0.001446206,"threshold_uncertainty_score":0.041024804},"labels":[],"label_agreement":null},{"id":"W3214848143","doi":"10.4000/volume.9800","title":"Experts / non experts des musiques populaires : au-delà des frontières","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.1872349615753555,"score_gpt":0.42350985576150696,"score_spread":0.23627489418615147,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214848143","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4028991,0.061704352,0.006565293,0.3267421,0.014096378,0.00019835222,0.00080374075,0.00021266493,0.18677796],"genre_scores_gemma":[0.777803,0.020040799,0.0029363886,0.032848276,0.003507053,0.00023774248,0.00040328433,0.00024485704,0.16197853],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932854,0.0028912327,0.00026499835,0.00095810107,0.0013557198,0.0012446143],"domain_scores_gemma":[0.9794869,0.011088719,0.0010672635,0.0006437279,0.0033308708,0.00438255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009894872,0.0005573998,0.0005948401,0.00291924,0.008204889,0.007096076,0.0008313468,0.0038084812,0.017054899],"category_scores_gemma":[0.022562947,0.00047214347,0.00041564333,0.001958174,0.0060950397,0.008185308,0.0067964853,0.004489531,0.0026925206],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037523414,0.00010680464,0.02328522,0.0013509757,0.000042633634,0.0025723698,0.49776185,0.0002317923,0.0042257644,0.14586323,0.13713354,0.18705061],"study_design_scores_gemma":[0.000019309942,0.00005483491,0.015597273,0.0008410613,0.000015213646,0.0005597167,0.19771731,0.00014242082,0.00048304538,0.009494282,0.77504015,0.00003547952],"about_ca_topic_score_codex":0.012054143,"about_ca_topic_score_gemma":0.025658105,"teacher_disagreement_score":0.017054899,"about_ca_system_score_codex":0.0050259787,"about_ca_system_score_gemma":0.0082303155,"threshold_uncertainty_score":0.05705428},"labels":[],"label_agreement":null},{"id":"W3214975635","doi":"10.4000/volume.9523","title":"Susan Fast &amp; Craig Jennex, Popular Music and the Politics of Hope","year":2021,"lang":"en","type":"article","venue":"Volume !","topic":"Diversity and Impact of Dance","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Popular music; Art; Art history; Sociology; Political science; Literature; Law","score_opus":0.027415879478456483,"score_gpt":0.2676853331942389,"score_spread":0.2402694537157824,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214975635","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013054045,0.21685724,0.00053327915,0.6652924,0.036034454,0.00006311512,0.00016929735,0.00007482993,0.079669915],"genre_scores_gemma":[0.038431328,0.19957793,0.0010256575,0.23045713,0.016779426,0.00021696297,0.00015825985,0.00018935726,0.5131639],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99860483,0.00061364943,0.000058235208,0.00014763107,0.000454294,0.00012140917],"domain_scores_gemma":[0.9978363,0.0012310585,0.00014585181,0.00005202317,0.0004180452,0.00031681272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001763615,0.0008715957,0.0004644372,0.0014354713,0.0074967137,0.007457392,0.0014030788,0.005049514,0.025171826],"category_scores_gemma":[0.004258888,0.00057426764,0.00035882863,0.0012042421,0.0040067486,0.0076157628,0.0023928476,0.0065019,0.006479067],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016550457,0.0000129091195,0.00014487126,0.00021162051,0.0000037470854,0.000078070916,0.0047668233,0.000013897412,0.00005434797,0.012685909,0.9630833,0.018927919],"study_design_scores_gemma":[0.0000072879016,0.000012145964,0.0008848078,0.0004926036,0.0000038080684,0.0001068609,0.009621495,0.00001624335,0.000075992975,0.0043248152,0.98443764,0.000016172264],"about_ca_topic_score_codex":0.050227225,"about_ca_topic_score_gemma":0.13657834,"teacher_disagreement_score":0.050227225,"about_ca_system_score_codex":0.0039043226,"about_ca_system_score_gemma":0.00502195,"threshold_uncertainty_score":0.09986973},"labels":[],"label_agreement":null},{"id":"W3215469428","doi":"10.4000/volume.9758","title":"Les disques des parents","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.044990024678722595,"score_gpt":0.30395352948173554,"score_spread":0.25896350480301294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215469428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71434325,0.015211568,0.0031311472,0.030776978,0.0015432409,0.0000662647,0.00043253344,0.00009057294,0.23440444],"genre_scores_gemma":[0.9263287,0.005375288,0.0004967847,0.0019213606,0.00014767409,0.0000338455,0.00008146026,0.000029661387,0.065585285],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874663,0.0005381586,0.00003181499,0.0001474508,0.00023215504,0.00030380426],"domain_scores_gemma":[0.9985688,0.0003847962,0.00028113226,0.000084657106,0.00039002293,0.00029065253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013566208,0.00041425964,0.00031817635,0.000793843,0.0072320728,0.003107838,0.0004878292,0.000942977,0.011975515],"category_scores_gemma":[0.0048001097,0.00023183622,0.00016909798,0.0010400554,0.0054220576,0.0020245286,0.0027455036,0.001664101,0.0011185064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008937937,0.000026479314,0.031234587,0.00017118725,0.00002625752,0.0056371056,0.7422203,0.00006259067,0.0014250912,0.120845705,0.024594162,0.07366721],"study_design_scores_gemma":[0.000010912149,0.00008691519,0.026384283,0.0003277281,0.000026241321,0.0033775794,0.42952126,0.00006142362,0.0005837339,0.0066417335,0.5329442,0.000033942604],"about_ca_topic_score_codex":0.070087284,"about_ca_topic_score_gemma":0.110152856,"teacher_disagreement_score":0.070087284,"about_ca_system_score_codex":0.004217794,"about_ca_system_score_gemma":0.00470839,"threshold_uncertainty_score":0.13935864},"labels":[],"label_agreement":null},{"id":"W3215474132","doi":"10.4000/volume.9444","title":"Étudier et enseigner les musiques actuelles : les frontières floues d’une expertise en devenir","year":2021,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.17947310516165593,"score_gpt":0.3088187837077202,"score_spread":0.12934567854606427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215474132","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28002805,0.023897585,0.029950248,0.082810394,0.0021958484,0.00012724064,0.00014852335,0.0001623351,0.58067983],"genre_scores_gemma":[0.8713268,0.008575002,0.0050188773,0.0044567864,0.00055455684,0.00007615946,0.000070889844,0.00016664494,0.10975433],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99344105,0.0031706407,0.0001549289,0.0006631462,0.0014492306,0.0011211043],"domain_scores_gemma":[0.99148154,0.0037557168,0.0005495419,0.00048526327,0.0017570154,0.0019709077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008490219,0.0005638269,0.00046841064,0.0021943497,0.015054242,0.012779204,0.0013748766,0.0025899408,0.013358857],"category_scores_gemma":[0.011701587,0.00030972692,0.00038232672,0.0018231092,0.022216119,0.008922745,0.006951678,0.0056849527,0.002090581],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061501334,0.000039998584,0.00447147,0.0002536704,0.000015694097,0.0005154379,0.62050307,0.00022248567,0.0013321568,0.2855733,0.0122587625,0.07475248],"study_design_scores_gemma":[0.0000114501745,0.000058368918,0.009460789,0.00070861826,0.000013944054,0.00044129963,0.35049754,0.00038924807,0.0006458247,0.03160887,0.60610443,0.000059687827],"about_ca_topic_score_codex":0.08905279,"about_ca_topic_score_gemma":0.18132451,"teacher_disagreement_score":0.08905279,"about_ca_system_score_codex":0.012702384,"about_ca_system_score_gemma":0.015642526,"threshold_uncertainty_score":0.17706889},"labels":[],"label_agreement":null},{"id":"W4229867144","doi":"10.4000/volume.164","title":"Géographie, musique et postcolonialisme","year":2008,"lang":"fr","type":"paratext","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.021718050908277404,"score_gpt":0.22572903191664012,"score_spread":0.2040109810083627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229867144","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03361208,0.17800163,0.00092900585,0.22863974,0.008189864,0.000010922108,0.00024171897,0.00008497232,0.55029005],"genre_scores_gemma":[0.6262799,0.07325966,0.0003741314,0.0165034,0.0073758475,0.000035058212,0.00014977777,0.00010269552,0.27591956],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999485,0.00022288859,0.00001055686,0.000052948257,0.000103147155,0.00012531041],"domain_scores_gemma":[0.9995975,0.00018684806,0.000057756548,0.000037729136,0.00007725747,0.00004293421],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052053045,0.00043512238,0.0002800948,0.0015738613,0.0035735064,0.005350577,0.00054275064,0.0014975822,0.010940568],"category_scores_gemma":[0.0010955151,0.00010422148,0.00013904017,0.0031317796,0.014354297,0.0029635488,0.0012427754,0.0016505758,0.0014853185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017769393,0.000010743663,0.0008703172,0.00016770884,0.00000647511,0.00016131616,0.022268003,0.000088555964,0.00016416013,0.804927,0.13990507,0.031412855],"study_design_scores_gemma":[0.0000028935592,0.0000058933656,0.0032077692,0.00018455044,0.0000026338723,0.000070645336,0.009855719,0.00003325393,0.00007212187,0.016112136,0.97044486,0.0000075026446],"about_ca_topic_score_codex":0.13407888,"about_ca_topic_score_gemma":0.19421406,"teacher_disagreement_score":0.13407888,"about_ca_system_score_codex":0.011495898,"about_ca_system_score_gemma":0.0043226536,"threshold_uncertainty_score":0.26659685},"labels":[],"label_agreement":null},{"id":"W4235232716","doi":"10.4000/volume.1662","title":"Présentation","year":2005,"lang":"fr","type":"article","venue":"Volume !","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","score_opus":0.024576744123926138,"score_gpt":0.2771262757053383,"score_spread":0.2525495315814122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235232716","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00072368677,0.0006896609,0.0009789726,0.01204378,0.04877586,0.0004033751,0.0032446198,0.0011317921,0.9320081],"genre_scores_gemma":[0.0011531188,0.00016924833,0.000103529106,0.001176069,0.0027214799,0.000059547147,0.0005396972,0.0001303535,0.9939469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960583,0.000055186778,0.000012716622,0.000086086955,0.00016270617,0.00007751621],"domain_scores_gemma":[0.99877673,0.00013110928,0.000041651165,0.000115104594,0.00039177068,0.00054363656],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007958785,0.0009677754,0.00065028516,0.0011863094,0.0021969406,0.006187076,0.0011432018,0.0022118725,0.8612581],"category_scores_gemma":[0.0025115293,0.000250255,0.00082013017,0.00069188,0.00051259226,0.0019483337,0.0027155264,0.0020867547,0.71123207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049239476,0.000022739403,0.000038050588,0.000033935066,0.0000021990415,0.000027164471,0.000011477266,0.000016654218,0.00012499937,0.0016058527,0.9809022,0.017165562],"study_design_scores_gemma":[0.000023262855,0.000017950772,0.00016270514,0.00003467488,0.0000026633465,0.00002436311,0.000049023573,0.000046195288,0.00014023679,0.0012990871,0.9981963,0.000003642975],"about_ca_topic_score_codex":0.0013857642,"about_ca_topic_score_gemma":0.0035024881,"teacher_disagreement_score":0.13874191,"about_ca_system_score_codex":0.0011529548,"about_ca_system_score_gemma":0.001394506,"threshold_uncertainty_score":0.1978985},"labels":[],"label_agreement":null},{"id":"W4243338190","doi":"10.4000/volume.4190","title":"Souvenirs, souvenirs","year":2014,"lang":"fr","type":"paratext","venue":"Volume !","topic":"Nostalgia and Consumer Behavior","field":"Psychology","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mathematics","score_opus":0.02190136665294232,"score_gpt":0.31575843472114873,"score_spread":0.2938570680682064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243338190","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038151562,0.050684478,0.0068959394,0.19692548,0.08172799,0.00014414435,0.0010868147,0.0007563602,0.62362725],"genre_scores_gemma":[0.16630617,0.016008615,0.0036553391,0.030910468,0.023140568,0.00010098712,0.0004680378,0.0009773177,0.7584325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714524,0.00086128194,0.00009653008,0.00057467306,0.00098574,0.00033646813],"domain_scores_gemma":[0.997106,0.0005712084,0.00040323407,0.0005363735,0.00092056725,0.0004626361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021904681,0.0006586403,0.00048038078,0.00095411425,0.0038650653,0.009381354,0.00096710294,0.0021121688,0.03577923],"category_scores_gemma":[0.011106704,0.00031989362,0.0004990287,0.0008000664,0.005612889,0.008580511,0.003716198,0.0045808214,0.011457061],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012879819,0.00004902578,0.00261052,0.0005149925,0.000033968947,0.00047442046,0.038538918,0.000105983585,0.0027609107,0.31144065,0.55037236,0.09296944],"study_design_scores_gemma":[0.0000028267439,0.000010243476,0.0005322635,0.000079866135,0.0000035361468,0.00021101168,0.0022216747,0.000016471944,0.00016160414,0.0045834146,0.99216616,0.000011004874],"about_ca_topic_score_codex":0.0055288454,"about_ca_topic_score_gemma":0.0129128555,"teacher_disagreement_score":0.03577923,"about_ca_system_score_codex":0.0026866219,"about_ca_system_score_gemma":0.0017856463,"threshold_uncertainty_score":0.11969346},"labels":[],"label_agreement":null},{"id":"W4244716227","doi":"10.4000/volume.686","title":"Introduction","year":2010,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Computer science","score_opus":0.008666532160256351,"score_gpt":0.16911381628758662,"score_spread":0.16044728412733028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244716227","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018520005,0.0045221485,0.0038449971,0.014270776,0.008605414,0.00023697017,0.0047391662,0.00080649264,0.96112204],"genre_scores_gemma":[0.014642345,0.0038159045,0.0029519338,0.0062034186,0.0018398211,0.00022382315,0.00467404,0.00043409655,0.96521455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829787,0.00022504022,0.000090904185,0.0004289884,0.0007091001,0.00024809327],"domain_scores_gemma":[0.9982222,0.00022821696,0.00007913398,0.00024813434,0.0009115273,0.0003108232],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0015239568,0.00079401047,0.0004842468,0.0014515476,0.00278969,0.0063654045,0.0018992035,0.002985607,0.4267337],"category_scores_gemma":[0.0046820045,0.00030993664,0.0006461802,0.0015422087,0.0013824491,0.0038620206,0.0034803785,0.002590716,0.24950857],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078094345,0.000048749218,0.0007053302,0.00034406272,0.0000066740745,0.00018854988,0.0010894233,0.00010283416,0.00048737897,0.08356804,0.7742724,0.13910839],"study_design_scores_gemma":[0.0000023645848,0.000007326961,0.00031128185,0.00010392119,0.000001280639,0.0000676301,0.00021417403,0.000014101514,0.00007202304,0.002555146,0.99664706,0.0000036399927],"about_ca_topic_score_codex":0.0071171345,"about_ca_topic_score_gemma":0.007623497,"teacher_disagreement_score":0.57326627,"about_ca_system_score_codex":0.0031506214,"about_ca_system_score_gemma":0.004448538,"threshold_uncertainty_score":0.8176948},"labels":[],"label_agreement":null},{"id":"W4247905490","doi":"10.4000/volume.8771","title":"Erik Nielson &amp; Andrea L. Dennis, Rap on trial. Race, Lyrics, and Guilt in America","year":2020,"lang":"nl","type":"article","venue":"Volume !","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Medicine","score_opus":0.02954081223617796,"score_gpt":0.2279344227925105,"score_spread":0.19839361055633253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247905490","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011604545,0.27317995,0.0006232774,0.31318495,0.0032626456,0.000037045294,0.0003131905,0.000033175504,0.39776117],"genre_scores_gemma":[0.33087137,0.22405024,0.0011067783,0.05186773,0.002736352,0.00017937213,0.00017186797,0.00013107248,0.38888517],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926466,0.00043986028,0.000027073998,0.00006401462,0.00011996137,0.00008442044],"domain_scores_gemma":[0.998382,0.0011119955,0.0001424933,0.000044214536,0.0001703107,0.00014908437],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010522968,0.00043288496,0.00025995064,0.0010350129,0.008071198,0.0052420306,0.0008476247,0.002688052,0.010079158],"category_scores_gemma":[0.0026203166,0.00033716342,0.00012292458,0.0011601356,0.0055423663,0.0059641777,0.0017816959,0.0031485476,0.002310075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042496842,0.000058993257,0.001718376,0.00033411884,0.000009522727,0.00033195294,0.05452267,0.000059384998,0.00015682883,0.27959535,0.6220624,0.041107874],"study_design_scores_gemma":[0.000009949839,0.000012007945,0.005045453,0.0013012792,0.000007783167,0.00017068889,0.06735523,0.000049570983,0.0002380045,0.042452287,0.8833396,0.000018082741],"about_ca_topic_score_codex":0.047641028,"about_ca_topic_score_gemma":0.15171807,"teacher_disagreement_score":0.047641028,"about_ca_system_score_codex":0.002799031,"about_ca_system_score_gemma":0.0035534461,"threshold_uncertainty_score":0.09472746},"labels":[],"label_agreement":null},{"id":"W4256079528","doi":"10.4000/volume.8862","title":"Bettina Ghio, Sans fautes de frappe. Rap et littérature","year":2020,"lang":"en","type":"article","venue":"Volume !","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association; Musée de la Civilisation","funders":"","keywords":"Philosophy","score_opus":0.025813774701727094,"score_gpt":0.29826608100877194,"score_spread":0.27245230630704487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256079528","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010494412,0.041091926,0.0020050865,0.07045677,0.007946752,0.000090204114,0.0005527949,0.00020740567,0.86715466],"genre_scores_gemma":[0.10268643,0.02110606,0.0023899614,0.01918065,0.0028891976,0.00020331233,0.00039060487,0.0004644415,0.85068935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883264,0.0003249255,0.000026069572,0.00024421167,0.00044827408,0.00012385444],"domain_scores_gemma":[0.9990094,0.0003793699,0.0001195149,0.000105215346,0.00019326629,0.00019311246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095445575,0.00065235567,0.0003006883,0.0013202853,0.005592531,0.0050725546,0.001055373,0.0018180608,0.04420091],"category_scores_gemma":[0.0031024755,0.00027233682,0.00018103587,0.0018714891,0.0046396367,0.0041849455,0.0034619637,0.0030005034,0.013004305],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009057623,0.000035944584,0.0013040347,0.0007084324,0.000013628071,0.0005731406,0.058971718,0.000075878015,0.0012216741,0.25441805,0.55839247,0.1241946],"study_design_scores_gemma":[0.0000017592216,0.0000039880347,0.0006777616,0.0001808058,0.0000021791254,0.00012347903,0.002466103,0.000014063744,0.00007377939,0.0035529293,0.9928994,0.000003663282],"about_ca_topic_score_codex":0.022523168,"about_ca_topic_score_gemma":0.05238198,"teacher_disagreement_score":0.04420091,"about_ca_system_score_codex":0.0037937958,"about_ca_system_score_gemma":0.0034036476,"threshold_uncertainty_score":0.14786673},"labels":[],"label_agreement":null},{"id":"W4294199473","doi":"10.4000/volume.9949","title":"Soft Machine, la « Scène de Canterbury » et le rock progressif italien","year":2022,"lang":"fr","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.012101508794169049,"score_gpt":0.21541213863899056,"score_spread":0.2033106298448215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294199473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18126835,0.0034573027,0.0030562442,0.015895916,0.0008503795,0.00005976051,0.0001529198,0.0000778652,0.7951813],"genre_scores_gemma":[0.72134584,0.0019105021,0.00083973265,0.0011828952,0.000216601,0.000071983035,0.00009267148,0.000112327616,0.2742274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998971,0.00026226544,0.000019636995,0.00016504506,0.000278722,0.00030344594],"domain_scores_gemma":[0.99930394,0.00028544993,0.00007428363,0.00005399061,0.00009293071,0.00018934828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009177576,0.00083501346,0.00024545746,0.0011284675,0.008888129,0.007906353,0.0007423292,0.0010893745,0.024132382],"category_scores_gemma":[0.0016902736,0.0002505969,0.00020593357,0.0013685275,0.016994605,0.0027113676,0.003593379,0.0027239996,0.0018919837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025635134,0.00003394117,0.0036616288,0.0003211542,0.000011773868,0.0015306411,0.35496023,0.00032685685,0.0047714915,0.5171169,0.052517496,0.06449149],"study_design_scores_gemma":[0.00002206623,0.00007470051,0.015618057,0.00050616404,0.000013608191,0.00026335235,0.13452698,0.00022587932,0.0012195756,0.006307727,0.84117115,0.00005071166],"about_ca_topic_score_codex":0.24769829,"about_ca_topic_score_gemma":0.40986192,"teacher_disagreement_score":0.24769829,"about_ca_system_score_codex":0.012363506,"about_ca_system_score_gemma":0.007118695,"threshold_uncertainty_score":0.49251306},"labels":[],"label_agreement":null},{"id":"W4294199684","doi":"10.4000/volume.10005","title":"Entendre le récit dans les sons","year":2022,"lang":"fr","type":"article","venue":"Volume !","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval; Musée de la Civilisation","funders":"","keywords":"Art; Philosophy","score_opus":0.019899481222409948,"score_gpt":0.20620945022083192,"score_spread":0.18630996899842198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294199684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32492304,0.0032432254,0.018612398,0.011699849,0.0022059663,0.00014537074,0.0004892988,0.00033611956,0.6383447],"genre_scores_gemma":[0.6333695,0.0016499204,0.005022039,0.0008711711,0.00025039233,0.00008646497,0.00025884176,0.00047439281,0.35801727],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986407,0.0006155548,0.00004697401,0.00021616825,0.00031718967,0.00016336901],"domain_scores_gemma":[0.9986772,0.00047961372,0.00014612167,0.00013225098,0.0003750468,0.00018977583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012785182,0.0006518218,0.00042549908,0.0008199602,0.0065274024,0.004783376,0.00075495976,0.0011898187,0.02301328],"category_scores_gemma":[0.004280877,0.00031742797,0.00032745724,0.0008478525,0.0041581625,0.0033545406,0.0029067574,0.0020459888,0.004545143],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001674296,0.00005014531,0.008663722,0.00041370987,0.000032754826,0.005729916,0.7020461,0.00018644147,0.005017904,0.18629922,0.024748169,0.066644475],"study_design_scores_gemma":[0.00000815841,0.00008682574,0.0047039413,0.00030925858,0.000030887277,0.002372972,0.22602056,0.0002470008,0.0023077435,0.006125747,0.7577463,0.00004065752],"about_ca_topic_score_codex":0.009942035,"about_ca_topic_score_gemma":0.02583107,"teacher_disagreement_score":0.02301328,"about_ca_system_score_codex":0.002508183,"about_ca_system_score_gemma":0.001942792,"threshold_uncertainty_score":0.07698715},"labels":[],"label_agreement":null},{"id":"W4294199688","doi":"10.4000/volume.10189","title":"Hatfield and the North (1974) : une synthèse en équilibre","year":2022,"lang":"fr","type":"article","venue":"Volume !","topic":"Neuroscience and Music Perception","field":"Neuroscience","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art","score_opus":0.017971938911176946,"score_gpt":0.23802649112650254,"score_spread":0.2200545522153256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294199688","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089634806,0.04960968,0.0044444953,0.019481378,0.0018149402,0.00005231641,0.00016117892,0.000032447893,0.8347688],"genre_scores_gemma":[0.7989837,0.014487688,0.001809077,0.0022781454,0.0005793362,0.000081890335,0.00009659941,0.0000809467,0.18160255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878544,0.00045572818,0.00002678572,0.00021200518,0.0002660858,0.00025394105],"domain_scores_gemma":[0.99924964,0.00036091238,0.00008631798,0.00005468536,0.00012839944,0.000119918855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001136458,0.0006360994,0.00023822646,0.0023289898,0.008939213,0.0049429876,0.00094089727,0.001300509,0.012265075],"category_scores_gemma":[0.0015907411,0.00023287615,0.00014067248,0.0023392409,0.016635591,0.004812753,0.002404543,0.0018921862,0.0007937733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091193324,0.000022084449,0.0037397353,0.0002185583,0.00000935721,0.00044970654,0.28067365,0.0001480595,0.00071579724,0.6073118,0.033404335,0.07321574],"study_design_scores_gemma":[0.000010511793,0.000023780476,0.012674059,0.0005677533,0.000012455414,0.00020401005,0.09693366,0.000088247056,0.00044234382,0.022100845,0.8669238,0.000018548746],"about_ca_topic_score_codex":0.35661903,"about_ca_topic_score_gemma":0.5747544,"teacher_disagreement_score":0.35661903,"about_ca_system_score_codex":0.018017324,"about_ca_system_score_gemma":0.007918068,"threshold_uncertainty_score":0.70908654},"labels":[],"label_agreement":null},{"id":"W4294199840","doi":"10.4000/volume.10367","title":"“Les Feuilles mortes” de Prévert et Kosma. À propos de l’expérience du temps et de l’amour dans la chanson française","year":2022,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.012199257758812069,"score_gpt":0.22669407396314817,"score_spread":0.2144948162043361,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294199840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6481894,0.008439418,0.0040297513,0.023435924,0.0007454159,0.00006310448,0.00009108485,0.00007006646,0.31493592],"genre_scores_gemma":[0.97129685,0.0004832399,0.00023614071,0.00041086104,0.000023686234,0.000013025323,0.000007802946,0.000020238878,0.027508074],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983986,0.000739438,0.00003353826,0.00015482504,0.00028588952,0.00038764384],"domain_scores_gemma":[0.9989604,0.0004589602,0.00015550006,0.00006504153,0.00017171267,0.0001884009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019976213,0.00044232875,0.0002279092,0.0009890468,0.0132257715,0.0049218703,0.0005654055,0.0019167756,0.004756003],"category_scores_gemma":[0.003408479,0.0003250724,0.00020552026,0.0007787232,0.020692391,0.003909624,0.0032095814,0.0032789598,0.0005340585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034872846,0.000009356452,0.0012308658,0.000050109404,0.000004005471,0.0005027047,0.77209085,0.00004414921,0.00090805715,0.21383604,0.0035417203,0.007747338],"study_design_scores_gemma":[0.00000841157,0.000064025335,0.0059771957,0.00024275022,0.000009714287,0.0007162764,0.50223887,0.00011275075,0.00069122773,0.011827452,0.47805282,0.000058419337],"about_ca_topic_score_codex":0.08313912,"about_ca_topic_score_gemma":0.13195902,"teacher_disagreement_score":0.08313912,"about_ca_system_score_codex":0.005393291,"about_ca_system_score_gemma":0.003917344,"threshold_uncertainty_score":0.16531038},"labels":[],"label_agreement":null},{"id":"W4388596031","doi":"10.4000/volume.11688","title":"Le synthétiseur Yamaha DX7 dans la musique sénégalaise","year":2023,"lang":"fr","type":"article","venue":"Volume !","topic":"African Studies and Ethnography","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.018167154501557398,"score_gpt":0.268189610325758,"score_spread":0.2500224558242006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388596031","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81263584,0.0046099997,0.0025608947,0.0027297954,0.00021135955,0.000090721274,0.00014820501,0.000032198204,0.17698108],"genre_scores_gemma":[0.9504722,0.0024170466,0.0023146018,0.00020830303,0.00003367263,0.00009390708,0.00009002759,0.000034533572,0.044335727],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994685,0.0002830192,0.000024028335,0.000071938215,0.00006322629,0.00008921218],"domain_scores_gemma":[0.9995989,0.00023065186,0.00003739319,0.000032924592,0.000052433472,0.000047724378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015162996,0.00042615726,0.00025342783,0.0011002488,0.005081435,0.0024255903,0.00043628822,0.00055621023,0.010886178],"category_scores_gemma":[0.001208003,0.00024532084,0.00012810355,0.0017517187,0.0046770656,0.0016783734,0.002456829,0.0009522508,0.0008340966],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003453748,0.000060031565,0.008672931,0.00079234,0.00002886313,0.0018101542,0.6650926,0.00021290469,0.015426583,0.16689971,0.0036610172,0.13699754],"study_design_scores_gemma":[0.00004253699,0.000307829,0.0432151,0.0007341425,0.000061931874,0.0008249327,0.4620115,0.00020855774,0.006306129,0.009031451,0.47721165,0.000044332573],"about_ca_topic_score_codex":0.019019973,"about_ca_topic_score_gemma":0.066668354,"teacher_disagreement_score":0.019019973,"about_ca_system_score_codex":0.0032836632,"about_ca_system_score_gemma":0.003385554,"threshold_uncertainty_score":0.03781849},"labels":[],"label_agreement":null},{"id":"W4393979309","doi":"10.4000/volume.11969","title":"Donjons &amp; synthétiseurs : le dungeon synth, émergence d’un genre musical sur YouTube et Bandcamp","year":2023,"lang":"fr","type":"article","venue":"Volume !","topic":"Digital Games and Media","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Musical; Art; Humanities; Literature","score_opus":0.038073859482362006,"score_gpt":0.28596286846203495,"score_spread":0.24788900897967295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393979309","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2687609,0.012045485,0.0153978905,0.022346163,0.0032551652,0.00017720327,0.0014909474,0.00039221277,0.67613405],"genre_scores_gemma":[0.6846163,0.0066242353,0.0066338703,0.0016439612,0.00076498854,0.0001847882,0.0010727997,0.00065548136,0.29780358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992694,0.0003025424,0.000022525699,0.00010813243,0.0002274351,0.000069967704],"domain_scores_gemma":[0.999191,0.00039469497,0.000051117742,0.00006658661,0.00015898206,0.00013765012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008803898,0.00046669703,0.00018987105,0.0018896818,0.0034515793,0.005607066,0.00038693423,0.0007907369,0.015544677],"category_scores_gemma":[0.0027363903,0.00016946971,0.000171739,0.0016037617,0.0037989176,0.0038036015,0.0023025945,0.0011749325,0.0016185883],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036177304,0.000037436832,0.0069455956,0.00075899257,0.000029732695,0.002451403,0.26427957,0.00036730318,0.014087881,0.32872707,0.12608531,0.25586796],"study_design_scores_gemma":[0.000011598038,0.00003353697,0.0057057478,0.00032037494,0.000006086029,0.0005406072,0.06240628,0.00035977014,0.0018161834,0.0055652694,0.92320365,0.000030882034],"about_ca_topic_score_codex":0.030664902,"about_ca_topic_score_gemma":0.0778057,"teacher_disagreement_score":0.030664902,"about_ca_system_score_codex":0.0027768023,"about_ca_system_score_gemma":0.0011165002,"threshold_uncertainty_score":0.06097281},"labels":[],"label_agreement":null},{"id":"W4394003013","doi":"10.4000/volume.12024","title":"Le rock progressif (1969-1976) et la scène indie montréalaise (1997-2021) : influence stylistique et filiation artistique","year":2023,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University; Musée de la Civilisation","funders":"","keywords":"Art; Indie film; Humanities; Visual arts","score_opus":0.07481084096659911,"score_gpt":0.32027727060224803,"score_spread":0.2454664296356489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394003013","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5551725,0.0046765697,0.0010035235,0.009031449,0.0002434535,0.00006963089,0.002488339,0.000063489315,0.427251],"genre_scores_gemma":[0.93468654,0.001291522,0.00031512062,0.0002427925,0.00003148827,0.000029497698,0.00039285506,0.000051212777,0.062958926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993461,0.00010672215,0.000010917139,0.00009681874,0.0002008244,0.000238529],"domain_scores_gemma":[0.9990163,0.00023699888,0.00011294519,0.00005712626,0.00027970018,0.0002969733],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008281391,0.00032346885,0.00022096021,0.0023633365,0.008198317,0.0059304084,0.00088097097,0.0005013688,0.021628285],"category_scores_gemma":[0.0021032728,0.0001782978,0.00023963957,0.0036076393,0.0056783906,0.0015734866,0.0019724718,0.0014036548,0.00063432317],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025911583,0.00007362123,0.0889505,0.00039216812,0.00007188097,0.0012866376,0.3762368,0.0009284824,0.0022527613,0.38861176,0.04282683,0.09810946],"study_design_scores_gemma":[0.000012405191,0.000041493047,0.26853153,0.00034107445,0.000030332594,0.00017728898,0.13396151,0.000289904,0.000687038,0.0024672847,0.5934068,0.00005338921],"about_ca_topic_score_codex":0.96241814,"about_ca_topic_score_gemma":0.9865415,"teacher_disagreement_score":0.05261515,"about_ca_system_score_codex":0.05261515,"about_ca_system_score_gemma":0.026910637,"threshold_uncertainty_score":0.38175142},"labels":[],"label_agreement":null},{"id":"W4394003014","doi":"10.4000/volume.11935","title":"La citationalité, la tradition et le problème des origines","year":2023,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Political science","score_opus":0.05092956694316774,"score_gpt":0.30139748934700594,"score_spread":0.2504679224038382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394003014","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18695651,0.048694964,0.010405027,0.039630726,0.0014787735,0.00007649081,0.00049244874,0.00014285759,0.71212214],"genre_scores_gemma":[0.8869842,0.00832172,0.0016984574,0.0012749879,0.0004532525,0.00004418648,0.00011039748,0.000068549576,0.101044126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.996238,0.001155055,0.000109906,0.00060879777,0.0012798005,0.0006085569],"domain_scores_gemma":[0.99392575,0.0022884347,0.0007960938,0.0005236064,0.0020355876,0.00043056603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029120664,0.00047266632,0.0006410797,0.0043003354,0.01292919,0.009055735,0.0013325715,0.0015245222,0.0083034085],"category_scores_gemma":[0.008132171,0.00022344619,0.0002587188,0.0069345287,0.027925067,0.003472088,0.0025668545,0.002918621,0.0007880086],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028514229,0.000009952362,0.004471089,0.00020157227,0.000018030167,0.00017374578,0.05091713,0.00016206042,0.00024444898,0.8990034,0.0065550967,0.03821499],"study_design_scores_gemma":[0.000022919605,0.00005375401,0.037663873,0.0009944693,0.000058756614,0.00042198345,0.033836596,0.00053324783,0.0006030096,0.13821442,0.78749925,0.00009767963],"about_ca_topic_score_codex":0.70540625,"about_ca_topic_score_gemma":0.8065548,"teacher_disagreement_score":0.70540625,"about_ca_system_score_codex":0.04049346,"about_ca_system_score_gemma":0.028346933,"threshold_uncertainty_score":0.5926573},"labels":[],"label_agreement":null},{"id":"W4400573677","doi":"10.4000/12vka","title":"JBZ (Abidjan) et Bogolan (Bamako) : itinéraire biographique de deux “studios live” de légende et de leurs principaux protagonistes","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Service de Recherche et d'EXpertise en Transformation des Produits Forestiers","funders":"Agence Nationale de la Recherche","keywords":"Art; Humanities","score_opus":0.05746628819321082,"score_gpt":0.30299517252729585,"score_spread":0.24552888433408504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400573677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63636446,0.020148385,0.0023153091,0.0051689404,0.00092397246,0.00006553986,0.00023746678,0.00006504341,0.33471093],"genre_scores_gemma":[0.95610607,0.0033040307,0.0007665705,0.00028129373,0.00006713215,0.00003081819,0.00007939121,0.00003067349,0.039334048],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996848,0.000117749856,0.000007964979,0.000042911182,0.00004554796,0.000101084464],"domain_scores_gemma":[0.99980587,0.00006306549,0.000032958647,0.000018206303,0.000019324974,0.000060589366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048420293,0.00048043302,0.00021412403,0.001395838,0.0059590773,0.0038267896,0.00049521273,0.0006679071,0.0055237613],"category_scores_gemma":[0.0007507438,0.00020888667,0.00012467928,0.0018371562,0.005062875,0.001259552,0.002487767,0.0012631484,0.0006276551],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003840665,0.00004202001,0.017027335,0.00069091737,0.000018360124,0.0021262167,0.7344002,0.00019457855,0.0076900856,0.13001269,0.008635974,0.098777525],"study_design_scores_gemma":[0.000016358359,0.000066399625,0.077642225,0.0006336401,0.000024687315,0.0012197284,0.426401,0.000102011945,0.00082289526,0.0040572206,0.48897913,0.00003464353],"about_ca_topic_score_codex":0.040388107,"about_ca_topic_score_gemma":0.13561505,"teacher_disagreement_score":0.040388107,"about_ca_system_score_codex":0.0031090751,"about_ca_system_score_gemma":0.0018228317,"threshold_uncertainty_score":0.08030605},"labels":[],"label_agreement":null},{"id":"W4405176338","doi":"10.4000/12vkc","title":"Du studio à la « scène ». Les lieux du beatmaking à Dakar","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Studio; Political science; Visual arts","score_opus":0.03174637922848246,"score_gpt":0.24174325416223982,"score_spread":0.20999687493375735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405176338","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23735783,0.0048487373,0.005331204,0.007598073,0.001386948,0.00032637047,0.0012370573,0.00025381762,0.74165994],"genre_scores_gemma":[0.66019756,0.0026514602,0.0044199354,0.001211774,0.00012315786,0.00020807574,0.0006194867,0.00021980655,0.3303487],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987037,0.0004546437,0.000050862956,0.00029546983,0.00022265872,0.00027270964],"domain_scores_gemma":[0.999006,0.00025426902,0.00012359107,0.00016095153,0.00017964296,0.00027565655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090488984,0.00064323214,0.0002784477,0.0013835119,0.010442405,0.0069037173,0.0011379106,0.0013134361,0.06659653],"category_scores_gemma":[0.002559512,0.0006501355,0.000370871,0.0023891202,0.00621188,0.0042786472,0.0061769374,0.0026432716,0.008289815],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038540026,0.00010238097,0.013171288,0.0018737923,0.00003773479,0.0031181555,0.5324627,0.00033111701,0.0053018904,0.16861384,0.05499852,0.21960321],"study_design_scores_gemma":[0.000011290905,0.00008979862,0.01924477,0.00045387325,0.000018277482,0.0010897461,0.20490289,0.00006011421,0.00084021786,0.002591317,0.770658,0.000039659284],"about_ca_topic_score_codex":0.03746939,"about_ca_topic_score_gemma":0.12255214,"teacher_disagreement_score":0.06659653,"about_ca_system_score_codex":0.0040347306,"about_ca_system_score_gemma":0.005615817,"threshold_uncertainty_score":0.22278762},"labels":[],"label_agreement":null},{"id":"W4405176344","doi":"10.4000/12vkf","title":"Deux petits drames à propos de la représentation phonographique et de l’objectification musicale","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Diverse Musicological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.03900623739378015,"score_gpt":0.2881570647032486,"score_spread":0.24915082730946844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405176344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4016637,0.005991411,0.034275483,0.023735486,0.0024755402,0.00016484167,0.00034145953,0.00024172063,0.5311104],"genre_scores_gemma":[0.87561804,0.0018379601,0.004859409,0.0007932854,0.00036011808,0.00011586584,0.000095048694,0.00016325747,0.11615701],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985267,0.0007577913,0.00003794239,0.0001826538,0.00027562157,0.00021924752],"domain_scores_gemma":[0.99857664,0.00083695224,0.00012375551,0.00017411246,0.000121073565,0.00016748162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001897051,0.0007546357,0.00027767225,0.001385323,0.0066457703,0.0069629713,0.000828623,0.0016474074,0.011497306],"category_scores_gemma":[0.0034701484,0.00023749415,0.00034927973,0.0016335306,0.013702973,0.003925269,0.0035922625,0.0036729926,0.00094541686],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009925978,0.000049175967,0.0029509156,0.00020686044,0.000012112583,0.0011243112,0.5679933,0.00025934717,0.0043476596,0.38818365,0.008717655,0.026055675],"study_design_scores_gemma":[0.00001600741,0.000064616266,0.008249628,0.00031856634,0.00001700068,0.0010361403,0.36324456,0.0004737828,0.0026437722,0.018269144,0.6056202,0.00004648847],"about_ca_topic_score_codex":0.008861817,"about_ca_topic_score_gemma":0.019263605,"teacher_disagreement_score":0.011497306,"about_ca_system_score_codex":0.0033533387,"about_ca_system_score_gemma":0.0015347952,"threshold_uncertainty_score":0.03846234},"labels":[],"label_agreement":null},{"id":"W4405178434","doi":"10.4000/12vko","title":"Georgina Born (ed.), Music and Digital Media: A Planetary Anthropology","year":2024,"lang":"en","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Anthropology; Art; Media studies; Sociology; History","score_opus":0.015089804223412497,"score_gpt":0.19004473864732851,"score_spread":0.17495493442391602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405178434","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007232847,0.89592427,0.0007117807,0.063804194,0.012872358,0.000010080694,0.00010462773,0.00006497784,0.025784466],"genre_scores_gemma":[0.012276869,0.92790383,0.0015266474,0.0072150487,0.009732799,0.000038864957,0.00010274474,0.000055921257,0.04114738],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995333,0.000151018,0.00002640469,0.000072592375,0.00017605687,0.00004055325],"domain_scores_gemma":[0.9994917,0.0002744619,0.00007951507,0.000019123898,0.00005158078,0.00008359231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007043405,0.0016359525,0.00060388434,0.0025583107,0.0020255877,0.004070178,0.0009081617,0.0027957642,0.008482279],"category_scores_gemma":[0.0012271795,0.00066753174,0.00027100524,0.0031119846,0.002838933,0.0076286863,0.0019593374,0.0037712029,0.007416197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041533298,0.00002081603,0.0004075653,0.00090161705,0.000013178331,0.00022155729,0.0050844657,0.00020028962,0.00025031454,0.057024922,0.77766824,0.15816556],"study_design_scores_gemma":[0.0000036478364,0.0000062262516,0.0005740645,0.00086848176,0.0000050342346,0.00033362754,0.0011502914,0.000036086727,0.000080291145,0.01794897,0.9789822,0.000011064321],"about_ca_topic_score_codex":0.0037757093,"about_ca_topic_score_gemma":0.009229432,"teacher_disagreement_score":0.008482279,"about_ca_system_score_codex":0.0015676841,"about_ca_system_score_gemma":0.0022308636,"threshold_uncertainty_score":0.028376043},"labels":[],"label_agreement":null},{"id":"W4405178467","doi":"10.4000/12vk9","title":"Introduction au dossier sur les 20 ans de la revue Volume !","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Philosophy","score_opus":0.022067163805416366,"score_gpt":0.24995237183995617,"score_spread":0.2278852080345398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405178467","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037698636,0.2480086,0.002304903,0.20090318,0.245985,0.00008804471,0.0036988293,0.0008852668,0.29435626],"genre_scores_gemma":[0.03537767,0.10967268,0.0018475623,0.053001907,0.1017556,0.00025343135,0.0035561873,0.0015136326,0.69302136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650323,0.0006485225,0.00024801146,0.00060554943,0.0016743548,0.00032023038],"domain_scores_gemma":[0.9909581,0.0025890057,0.0007692975,0.00049425894,0.0042986996,0.0008906301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034336369,0.0007869202,0.0007008163,0.0048547816,0.0031479206,0.012088859,0.0015206423,0.0029254423,0.07100076],"category_scores_gemma":[0.012393235,0.00042128246,0.0007862329,0.004325512,0.0026744378,0.007185612,0.0033280996,0.004193376,0.040692877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055858356,0.000013127627,0.00029705543,0.0006054795,0.000007911761,0.00006177222,0.0008882729,0.000068571775,0.00030048852,0.041478217,0.9129796,0.043243688],"study_design_scores_gemma":[0.0000010192073,0.000004844399,0.0002539941,0.00017744028,0.0000011308138,0.000028264041,0.00012166296,0.0000061554942,0.000037992784,0.0005254793,0.9988379,0.000004143974],"about_ca_topic_score_codex":0.010880583,"about_ca_topic_score_gemma":0.013639882,"teacher_disagreement_score":0.07100076,"about_ca_system_score_codex":0.006926535,"about_ca_system_score_gemma":0.0050230487,"threshold_uncertainty_score":0.23752117},"labels":[],"label_agreement":null},{"id":"W4405178678","doi":"10.4000/12vkr","title":"“Bricoler son instrument de musique, construire sa singularité”","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.13756913878359003,"score_gpt":0.29404086881062647,"score_spread":0.15647173002703643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405178678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10641112,0.020321952,0.020757426,0.09120502,0.0034486542,0.000086975255,0.00013731206,0.00028186798,0.75734967],"genre_scores_gemma":[0.702403,0.009682165,0.0069192415,0.0066167926,0.0005418225,0.000089265974,0.00010041929,0.0003925999,0.27325466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720216,0.0017684654,0.000049908693,0.00020174216,0.0005240219,0.00025375234],"domain_scores_gemma":[0.9982799,0.00078909856,0.00016538167,0.00017840919,0.00029070652,0.00029640202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029837934,0.000559304,0.00028389366,0.0008919724,0.0068751415,0.009277489,0.0007359238,0.0021103474,0.013420695],"category_scores_gemma":[0.004879764,0.0003231138,0.00033315682,0.0008625297,0.02064409,0.0061826035,0.00588227,0.0038233136,0.0027986811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001235326,0.000029327328,0.0016483342,0.00033468544,0.00001665894,0.00059212215,0.4195955,0.00010321703,0.0026914144,0.43505242,0.077166304,0.06264643],"study_design_scores_gemma":[0.0000140471575,0.00003664002,0.002766672,0.00038988487,0.000009821658,0.00042867294,0.16936594,0.00012965522,0.0010053315,0.026136883,0.7996845,0.000032007287],"about_ca_topic_score_codex":0.020289917,"about_ca_topic_score_gemma":0.04137654,"teacher_disagreement_score":0.020289917,"about_ca_system_score_codex":0.0044851215,"about_ca_system_score_gemma":0.0038942178,"threshold_uncertainty_score":0.04489672},"labels":[],"label_agreement":null},{"id":"W4405178687","doi":"10.4000/12vl4","title":"Howard Becker, Philip Tagg, Numa Murard. Hommage à trois membres du comité scientifique de Volume ! récemment disparus","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Volume (thermodynamics); Art; Humanities; Physics; Thermodynamics","score_opus":0.12601283819965198,"score_gpt":0.2809713976446959,"score_spread":0.15495855944504394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405178687","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025416347,0.03593334,0.0017975067,0.63122237,0.099347696,0.00004356208,0.00045482296,0.0005606005,0.22809847],"genre_scores_gemma":[0.016760718,0.016362518,0.0006804033,0.055604324,0.014078623,0.000039657778,0.0002567623,0.0008515194,0.89536554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980482,0.00034378597,0.000043722655,0.00024709932,0.0011350592,0.00018218992],"domain_scores_gemma":[0.9948632,0.0011344283,0.00023877315,0.00019492705,0.0019410612,0.0016276324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020495446,0.00041680073,0.0004474406,0.0014480933,0.0049564186,0.008266265,0.0007314574,0.003416542,0.121925786],"category_scores_gemma":[0.009448037,0.00036064006,0.00025376075,0.0012484435,0.0017684621,0.004916934,0.0026498758,0.0047154143,0.062439926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013589169,0.0000066092916,0.000110469104,0.00004742299,0.0000013985007,0.000037846206,0.0004682774,0.000008207092,0.00019689434,0.006306826,0.9807372,0.012065389],"study_design_scores_gemma":[0.0000014783818,0.0000038010353,0.00017017481,0.000040498195,0.000001274017,0.000045891695,0.0005462731,0.000011071295,0.00013744806,0.0009974121,0.99804026,0.0000045622123],"about_ca_topic_score_codex":0.0056298617,"about_ca_topic_score_gemma":0.015134715,"teacher_disagreement_score":0.121925786,"about_ca_system_score_codex":0.0026473298,"about_ca_system_score_gemma":0.0022914088,"threshold_uncertainty_score":0.4078824},"labels":[],"label_agreement":null},{"id":"W4405178697","doi":"10.4000/12vkm","title":"David Hesmondhalgh : l’indie anglophone et le destin de l’alternative musicale, lettre française","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Literature, Musicology, and Cultural Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Indie film; Art; Humanities; Literature","score_opus":0.02245571305455521,"score_gpt":0.28061883826833656,"score_spread":0.2581631252137814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405178697","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00762799,0.24278484,0.0005757365,0.5836181,0.019191163,0.000018891025,0.00012352742,0.000033157186,0.14602646],"genre_scores_gemma":[0.24103533,0.14252923,0.00087890046,0.095222,0.02471262,0.00009986343,0.000114570124,0.00021481141,0.49519277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861956,0.0007553306,0.000036287824,0.00013432588,0.00024364995,0.00021081118],"domain_scores_gemma":[0.9982718,0.0010036752,0.000097421434,0.00005547863,0.00032290927,0.00024864625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021193933,0.0007886213,0.00047342246,0.0016641287,0.010958921,0.0091082305,0.0009958361,0.005259587,0.0138667775],"category_scores_gemma":[0.004708205,0.00027584896,0.0001873896,0.0019139479,0.008361683,0.006280702,0.0024031205,0.0054310677,0.0020944085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038170398,0.000019675477,0.00046511178,0.00012090358,0.000007497984,0.0002240431,0.035763327,0.000031945587,0.00014991779,0.2775071,0.66516745,0.02050486],"study_design_scores_gemma":[0.000006131625,0.000007250116,0.0009918768,0.00029688716,0.0000035892801,0.0001305558,0.024550442,0.000029756106,0.00006500782,0.011941065,0.96196365,0.0000137446505],"about_ca_topic_score_codex":0.11532304,"about_ca_topic_score_gemma":0.22936201,"teacher_disagreement_score":0.11532304,"about_ca_system_score_codex":0.005589845,"about_ca_system_score_gemma":0.004762131,"threshold_uncertainty_score":0.22930354},"labels":[],"label_agreement":null},{"id":"W4405204859","doi":"10.4000/12vl0","title":"Données chiffrées sur la revue Volume ! entre 2002 et 2023","year":2024,"lang":"fr","type":"article","venue":"Volume !","topic":"Social Policies and Family","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Francophone University Association; Musée de la Civilisation","funders":"","keywords":"Humanities; Art","score_opus":0.02402785517596686,"score_gpt":0.27417233188443274,"score_spread":0.2501444767084659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405204859","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027552433,0.5447037,0.0024418174,0.11792191,0.048439637,0.00029769787,0.08421825,0.0005983398,0.17382622],"genre_scores_gemma":[0.16755532,0.5054007,0.005640857,0.04269453,0.038366072,0.00144179,0.06897606,0.0021313236,0.1677933],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.98026913,0.004784462,0.003460342,0.0015702203,0.008980197,0.00093562674],"domain_scores_gemma":[0.8526701,0.08617055,0.012258018,0.0050769155,0.040957414,0.0028670449],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.014728456,0.0008968235,0.0011266216,0.02593337,0.0029816877,0.011510422,0.001195655,0.0023661589,0.036318425],"category_scores_gemma":[0.098671146,0.0008589485,0.0011243942,0.047404397,0.002044634,0.0062877177,0.0030809976,0.0034134667,0.013299919],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006375219,0.000057530826,0.008709468,0.011619786,0.0002208124,0.00066591724,0.0141798975,0.00023605821,0.0010315801,0.018446146,0.76710236,0.1770928],"study_design_scores_gemma":[0.000006323272,0.000015747759,0.0071286494,0.0031753608,0.00003329797,0.00015279527,0.0019901472,0.000012279652,0.00020841998,0.0005363882,0.9867154,0.000025148676],"about_ca_topic_score_codex":0.038281336,"about_ca_topic_score_gemma":0.042610303,"teacher_disagreement_score":0.9740666,"about_ca_system_score_codex":0.008603713,"about_ca_system_score_gemma":0.013140049,"threshold_uncertainty_score":0.121497214},"labels":[],"label_agreement":null},{"id":"W4410782508","doi":"10.4000/140pq","title":"Les critiques et les crochets : le concours de chant amateur au music-hall des années 1930 devant la presse","year":2025,"lang":"fr","type":"article","venue":"Volume !","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Social Sciences and Humanities Research Council; Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Amateur; Political science","score_opus":0.03437347391842808,"score_gpt":0.2700889982630283,"score_spread":0.23571552434460022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410782508","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2608589,0.014113199,0.0038330886,0.044469226,0.002037081,0.00007107324,0.0000772195,0.000108226675,0.674432],"genre_scores_gemma":[0.8509776,0.0018885819,0.00035467948,0.0020865158,0.00036789037,0.00004738228,0.000015794478,0.00007196562,0.14418954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9964199,0.0016978702,0.00003926591,0.00049086113,0.000715552,0.00063647976],"domain_scores_gemma":[0.9985734,0.000586343,0.00014696566,0.00007146656,0.00034767482,0.0002740346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024396274,0.0007099099,0.00031116922,0.0011407395,0.020171126,0.010887209,0.0008407496,0.0030608126,0.012668503],"category_scores_gemma":[0.0043233125,0.00024285237,0.00029247554,0.0011775144,0.02209744,0.0035285403,0.0037276202,0.004994615,0.001296476],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009300892,0.000028689381,0.0018378794,0.00011885137,0.000008666158,0.00072781724,0.40435606,0.000116248855,0.0006744649,0.5500811,0.019504055,0.022453204],"study_design_scores_gemma":[0.00001657028,0.000094513925,0.005167988,0.0002573046,0.000008025414,0.0002793697,0.12245252,0.00012606719,0.0004284856,0.00802876,0.8631097,0.00003073828],"about_ca_topic_score_codex":0.13033369,"about_ca_topic_score_gemma":0.1780076,"teacher_disagreement_score":0.13033369,"about_ca_system_score_codex":0.020616312,"about_ca_system_score_gemma":0.009256343,"threshold_uncertainty_score":0.25915015},"labels":[],"label_agreement":null},{"id":"W7108213044","doi":"10.4000/159m3","title":"« Pomelo sound system » : une médiation matérielle dans la scène rave underground montréalaise","year":2025,"lang":"","type":"article","venue":"Volume !","topic":"Music History and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Sound (geography); Sound system; Sound production; Sound pressure","score_opus":0.009847133274623422,"score_gpt":0.1973984501582467,"score_spread":0.18755131688362328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7108213044","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5423038,0.0014001064,0.14978027,0.0034295525,0.00086545,0.00089052634,0.0010189143,0.0031880816,0.2971233],"genre_scores_gemma":[0.82901746,0.0005459169,0.041172422,0.00047087108,0.00006362658,0.00033402772,0.00042046,0.0004491659,0.127526],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9991672,0.00016078126,0.000019067471,0.00016610791,0.0003150536,0.00017182947],"domain_scores_gemma":[0.9992071,0.0002286878,0.000038586095,0.000107476655,0.00024999277,0.00016814317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009128555,0.0007288053,0.00029011382,0.0007312636,0.0029511547,0.0040451814,0.001221634,0.0011356712,0.026502626],"category_scores_gemma":[0.0025107374,0.00040020514,0.00042667595,0.0005835068,0.0031038518,0.0018894684,0.0033163384,0.001073247,0.0023201925],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012132038,0.00030089502,0.02055198,0.0013805202,0.00012205724,0.0067494446,0.15718019,0.0066517596,0.26503637,0.120867975,0.030905409,0.3890403],"study_design_scores_gemma":[0.0001616563,0.00084166444,0.036422458,0.00062137964,0.00023179152,0.0023275353,0.061349686,0.011774465,0.052175693,0.008671699,0.8250324,0.00038952645],"about_ca_topic_score_codex":0.18222034,"about_ca_topic_score_gemma":0.26972562,"teacher_disagreement_score":0.81777966,"about_ca_system_score_codex":0.0038348015,"about_ca_system_score_gemma":0.0063433535,"threshold_uncertainty_score":0.3623194},"labels":[],"label_agreement":null},{"id":"W7108230407","doi":"10.4000/159m7","title":"P.D. Magnus, A Philosophy of Cover Songs","year":2025,"lang":"","type":"article","venue":"Volume !","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"University of Oxford","keywords":"","score_opus":0.01624395547174664,"score_gpt":0.22413328302230215,"score_spread":0.2078893275505555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7108230407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003052684,0.27439535,0.011452834,0.24303788,0.016589377,0.00003190276,0.00031203695,0.00021257854,0.45091534],"genre_scores_gemma":[0.17328267,0.17752732,0.0080536455,0.06789018,0.030347468,0.00013666411,0.00020899162,0.00042199195,0.5421312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995339,0.00014420805,0.000018717705,0.00008131624,0.00018903041,0.000032959488],"domain_scores_gemma":[0.99935704,0.00039996026,0.00003845115,0.00004671338,0.000109994275,0.000047827634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059693184,0.0004819099,0.00030582584,0.0011559768,0.0037596582,0.0034169983,0.0007505192,0.002506865,0.017511362],"category_scores_gemma":[0.0020561882,0.00038202014,0.0003497924,0.0010517471,0.0055593913,0.00712665,0.001280926,0.0038725166,0.0052068527],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037963247,0.00001339898,0.00019454607,0.00014299662,0.000009903796,0.00010153778,0.0014511439,0.00012653692,0.00023034518,0.4887319,0.47977167,0.029188074],"study_design_scores_gemma":[0.000010055267,0.000013771579,0.0010255908,0.00018263086,0.00000549309,0.00033851826,0.0006530555,0.00017243534,0.00032652775,0.21282823,0.7844294,0.000014211434],"about_ca_topic_score_codex":0.0067626373,"about_ca_topic_score_gemma":0.016020937,"teacher_disagreement_score":0.017511362,"about_ca_system_score_codex":0.0014424984,"about_ca_system_score_gemma":0.0010151389,"threshold_uncertainty_score":0.058581352},"labels":[],"label_agreement":null}]}