{"meta":{"query_hash":"af7431d2f8a0","filters":{"venue":"Wai-yu yu wai-yu jiaoxue"},"cohort_total":3,"direct_labels_cover":0,"predictions_cover":3,"exported":3,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/af7431d2f8a0","api":"https://metacan.xera.ac/api/v1/cohort?venue=Wai-yu+yu+wai-yu+jiaoxue"},"results":[{"id":"W2361623072","doi":"","title":"Narrative Perspective and Modes of Speech Presentation in Runanry Within the Framework of Narratological-styolistics","year":2011,"lang":"en","type":"article","venue":"Wai-yu yu wai-yu jiaoxue","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Direct speech; Perspective (graphical); Indirect speech; Stylistics; Presentation (obstetrics); Ideology; Literature; Sociology; Linguistics; Art; Philosophy; Politics; Political science; Law; Visual arts","score_opus":0.040370337967166964,"score_gpt":0.27149053445841964,"score_spread":0.23112019649125268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2361623072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5567958,0.0050070407,0.028353,0.006598487,0.0002927925,0.000120060104,0.00020804517,0.00019022217,0.40243465],"genre_scores_gemma":[0.98875076,0.00063085405,0.0015612702,0.00008858167,0.00003704789,0.000027489887,0.000030479385,0.00003161991,0.008842022],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935824,0.00045574547,0.000016100836,0.0000332062,0.00007183163,0.00006486625],"domain_scores_gemma":[0.9993807,0.00030671206,0.000100205274,0.000039557093,0.00009355045,0.000079228834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000688909,0.00043266054,0.00014762885,0.0013570653,0.0030502512,0.0052659055,0.00034629105,0.0004442298,0.0021458513],"category_scores_gemma":[0.0014653152,0.00012416366,0.00011468563,0.00081274414,0.0075729284,0.0023983892,0.001502003,0.00074720796,0.0001826008],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008458476,0.000012367904,0.0030220032,0.00018326324,0.000011678881,0.0022504786,0.6774517,0.00042027942,0.00545401,0.28482231,0.0031009458,0.023186339],"study_design_scores_gemma":[0.000011537115,0.00007470075,0.012929049,0.00032402156,0.000030950745,0.002116179,0.6238894,0.0017203718,0.003710452,0.04204307,0.31309953,0.00005077449],"about_ca_topic_score_codex":0.010011429,"about_ca_topic_score_gemma":0.02453613,"teacher_disagreement_score":0.010011429,"about_ca_system_score_codex":0.0029512476,"about_ca_system_score_gemma":0.0012723809,"threshold_uncertainty_score":0.021412909},"labels":[],"label_agreement":null},{"id":"W2362811368","doi":"","title":"The Polyphony of Margaret Atwood's Alias Grace","year":2009,"lang":"en","type":"article","venue":"Wai-yu yu wai-yu jiaoxue","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polyphony; Narrative; Consciousness; Alias; Literature; Dominance (genetics); Aesthetics; Art; Sociology; History; Philosophy; Epistemology; Computer science","score_opus":0.019716301874425104,"score_gpt":0.22233210310453544,"score_spread":0.20261580123011033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2362811368","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3090768,0.009936014,0.0069942,0.072817415,0.004619059,0.00005607128,0.00015895447,0.00020989134,0.5961317],"genre_scores_gemma":[0.8856448,0.001714631,0.00092944386,0.0026279902,0.0003549684,0.00002003909,0.000025265748,0.00010559541,0.10857729],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995265,0.00017723811,0.000007998845,0.00005199374,0.00013956535,0.00009674436],"domain_scores_gemma":[0.99937135,0.00025486588,0.00006201568,0.000043178476,0.00009426856,0.00017429805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006413378,0.00026700099,0.00015203869,0.00040718514,0.009457333,0.0033537485,0.0003529145,0.00068117335,0.0023768751],"category_scores_gemma":[0.0013649754,0.0001409703,0.00013037847,0.0005037659,0.005638873,0.0013091554,0.0014306259,0.002248214,0.00028703845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017347651,0.000032386968,0.0020480142,0.00019977015,0.000018829962,0.0031260964,0.43320712,0.0001814522,0.0048053665,0.40754494,0.11788233,0.030780174],"study_design_scores_gemma":[0.000005743464,0.0000321057,0.0023157855,0.00009546103,0.00001040515,0.0010350113,0.07943529,0.00019891195,0.0018977787,0.008759145,0.9061857,0.0000286981],"about_ca_topic_score_codex":0.029842373,"about_ca_topic_score_gemma":0.111806154,"teacher_disagreement_score":0.029842373,"about_ca_system_score_codex":0.0029710296,"about_ca_system_score_gemma":0.0023491504,"threshold_uncertainty_score":0.059337378},"labels":[],"label_agreement":null},{"id":"W2382372337","doi":"","title":"Spiritual Wondering Through the Purgatory of Reality——On the Nature of Reality in Atwood's Novels","year":2009,"lang":"en","type":"article","venue":"Wai-yu yu wai-yu jiaoxue","topic":"Utopian, Dystopian, and Speculative Fiction","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Purgatory; Postmodernism; Ideology; Realism; Perspective (graphical); Aesthetics; Literature; China; Philosophy; Sociology; Art; History; Law; Politics; Political science; Visual arts; Archaeology","score_opus":0.06112832553072157,"score_gpt":0.27952682085978003,"score_spread":0.21839849532905847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2382372337","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28659767,0.0071375226,0.0075744926,0.042661037,0.0017775325,0.000045690467,0.000059593935,0.000092422975,0.6540541],"genre_scores_gemma":[0.9710296,0.00061746786,0.00056590023,0.0009934009,0.00014543593,0.000011033671,0.000008736064,0.000030471743,0.026598062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999143,0.00054665614,0.000011584209,0.000053434174,0.00011952359,0.00012581082],"domain_scores_gemma":[0.9991309,0.00046963312,0.00007781735,0.00007948054,0.00009375604,0.000148478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012856673,0.00029620892,0.00018425341,0.0005150906,0.011514053,0.005608294,0.00052746735,0.00079349545,0.0021573748],"category_scores_gemma":[0.0014797259,0.0001387959,0.00017320144,0.00041816416,0.028304553,0.0027379834,0.0024473974,0.0029828076,0.00017346987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046237357,0.000016717388,0.00029277586,0.000057491543,0.000004206566,0.00045927335,0.15993938,0.00014826577,0.0006015316,0.8203828,0.012583814,0.0054675746],"study_design_scores_gemma":[0.000016323964,0.000058727976,0.0015849554,0.00022456575,0.000013639586,0.00078152376,0.172523,0.0005938855,0.0019923972,0.14243646,0.6797244,0.000050169652],"about_ca_topic_score_codex":0.008058354,"about_ca_topic_score_gemma":0.021562278,"teacher_disagreement_score":0.011514053,"about_ca_system_score_codex":0.0038327146,"about_ca_system_score_gemma":0.00198743,"threshold_uncertainty_score":0.027808428},"labels":[],"label_agreement":null}]}