{"meta":{"query_hash":"e7350264d367","filters":{"venue":"Zeitschrift für Anglistik und Amerikanistik"},"cohort_total":16,"direct_labels_cover":0,"predictions_cover":16,"exported":16,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/e7350264d367","api":"https://metacan.xera.ac/api/v1/cohort?venue=Zeitschrift+f%C3%BCr+Anglistik+und+Amerikanistik"},"results":[{"id":"W2014981941","doi":"10.1515/zaa.2011.59.2.135","title":"The North Comes South: Seasonal Nordicity in Montreal in the Short Stories of Monique Proulx and Clark Blaise","year":2011,"lang":"de","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Situated; Field (mathematics); History; Sociology","score_opus":0.020587930748494642,"score_gpt":0.25882638880496883,"score_spread":0.2382384580564742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014981941","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8815736,0.028989328,0.000047383506,0.0007580321,0.0013806905,0.0014613454,0.0009771391,0.000051277522,0.08476118],"genre_scores_gemma":[0.99483645,0.0033555129,0.000057975838,0.00018949008,0.0003436253,0.00006226387,0.000024044068,0.000028929535,0.0011016863],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.996396,0.00080173276,0.0007022307,0.0005565199,0.0007394142,0.0008041054],"domain_scores_gemma":[0.998213,0.00053565943,0.00029661553,0.0005110467,0.00017200178,0.00027166808],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0013644489,0.00037170775,0.0006134823,0.0003019138,0.0015475798,0.00046057836,0.00094085274,0.0002595054,0.000120696735],"category_scores_gemma":[0.0004242388,0.00030734256,0.00018830947,0.0010178154,0.0054206164,0.00028981888,0.000115742674,0.00083103956,0.000029322908],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005006825,0.0005798195,0.5364966,0.00017995146,0.00022125476,0.00035294835,0.35494426,0.000011556143,0.0000075776466,0.0801312,0.005489955,0.021084206],"study_design_scores_gemma":[0.00041259598,0.00020694696,0.64044213,0.000096862364,0.00018566007,0.0000032823855,0.028147751,0.00005404869,0.000004951023,0.00029082815,0.32971698,0.000437972],"about_ca_topic_score_codex":0.7188442,"about_ca_topic_score_gemma":0.98176855,"teacher_disagreement_score":0.3267965,"about_ca_system_score_codex":0.00013875867,"about_ca_system_score_gemma":0.0010461409,"threshold_uncertainty_score":0.9999379},"labels":[],"label_agreement":null},{"id":"W2326464257","doi":"10.1515/zaa-2014-0036","title":"A Dignifying Shame: On Narrative, Repetition, and Distance in Anne Carson’s <i>Nox</i>","year":2014,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Emotions and Moral Behavior","field":"Psychology","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dawson College","funders":"","keywords":"Shame; Narrative; Dignity; Subjectivity; Psychoanalysis; Aesthetics; Feeling; Psychology; Literature; Art; Philosophy; Social psychology; Epistemology; Political science; Law","score_opus":0.017709690046458077,"score_gpt":0.33306657968558273,"score_spread":0.31535688963912467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326464257","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7746762,0.0017526685,0.0038331274,0.00082496466,0.0012585588,0.00069653394,0.00030370694,0.0003137443,0.2163405],"genre_scores_gemma":[0.99400526,0.000044103985,0.00061398075,0.0008838372,0.00021873308,0.0001256684,0.00009893211,0.00006229072,0.0039471695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997591,0.00024288977,0.00047741324,0.0008596298,0.00024130281,0.00058777333],"domain_scores_gemma":[0.9986936,0.00019375725,0.0001850956,0.00061030645,0.00009706217,0.00022016677],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00033851637,0.00039286388,0.00047823842,0.00018629075,0.00030976097,0.0001120595,0.00022400964,0.00017779531,0.00060570304],"category_scores_gemma":[0.00013668808,0.0003698475,0.00009590019,0.00041545116,0.00036997002,0.00016294656,0.000046873472,0.0004423956,0.00014808061],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040218479,0.0011400538,0.043734096,0.000105167645,0.000083337145,0.00033971164,0.011793303,0.000033895645,0.0022565355,0.87936085,0.014219278,0.04653159],"study_design_scores_gemma":[0.004010136,0.001791648,0.22568458,0.00054699875,0.00014605495,0.00009812865,0.007863625,0.00014366973,0.00055811764,0.0010290573,0.75651234,0.0016156478],"about_ca_topic_score_codex":0.00095403794,"about_ca_topic_score_gemma":0.0006852304,"teacher_disagreement_score":0.8783318,"about_ca_system_score_codex":0.000026093901,"about_ca_system_score_gemma":0.00003006056,"threshold_uncertainty_score":0.99987537},"labels":[],"label_agreement":null},{"id":"W2327251551","doi":"10.1515/zaa.2011.59.2.149","title":"From Finding a Voice to Being Heard: Overcoming Current Challenges of Canadian Children’s Literature","year":2011,"lang":"de","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Themes in Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Multiculturalism; Narrative; Adventure; Fantasy; Drama; Media studies; History; Sociology; Diversity (politics); Literature; Art; Pedagogy; Art history; Anthropology","score_opus":0.029035653568776642,"score_gpt":0.268333585337409,"score_spread":0.23929793176863234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327251551","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07499446,0.5797576,0.00034567137,0.0017299906,0.014207872,0.0019470162,0.023064442,0.00042343163,0.30352953],"genre_scores_gemma":[0.98194873,0.006266941,0.0020616427,0.0006110822,0.006933449,0.000044689954,0.00084252347,0.0002176425,0.001073282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99474025,0.00033372143,0.0012865928,0.0014648432,0.00070904463,0.0014655469],"domain_scores_gemma":[0.9959702,0.00030064487,0.00061989384,0.0014412865,0.0005654402,0.0011025228],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044220558,0.0011622472,0.0015162599,0.0021625059,0.0009579346,0.00088069204,0.0012363374,0.0004163396,0.0028623706],"category_scores_gemma":[0.00029893836,0.0011392335,0.00074565684,0.0009693506,0.00053822924,0.00062100554,0.00028108855,0.0013016032,0.000539883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019081794,0.00041558436,0.0010531787,0.00038521492,0.0024864874,0.00016473584,0.29587448,0.000012688566,0.00013765169,0.663991,0.008765226,0.026522951],"study_design_scores_gemma":[0.00055621983,0.0003569971,0.0027933076,0.0031984977,0.001828225,0.000005408315,0.0040447246,0.000042421154,0.0005847858,0.0011830614,0.98394567,0.0014607012],"about_ca_topic_score_codex":0.2338593,"about_ca_topic_score_gemma":0.121102005,"teacher_disagreement_score":0.97518045,"about_ca_system_score_codex":0.00010276268,"about_ca_system_score_gemma":0.00032860803,"threshold_uncertainty_score":0.99910575},"labels":[],"label_agreement":null},{"id":"W2328062071","doi":"10.1515/zaa.2011.59.2.109","title":"‘And I Did Want to Pass’: Reading Canadian Second Generation Holocaust Memoirs as Migration Texts","year":2011,"lang":"de","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memoir; The Holocaust; Immigration; Holocaust survivors; Judaism; Reading (process); Sociology; Transgenerational epigenetics; Alienation; History; Identity (music); Gender studies; Literature; Aesthetics; Art; Political science; Art history; Law","score_opus":0.02232925768312045,"score_gpt":0.2609482561533878,"score_spread":0.23861899847026735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328062071","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26587322,0.014393288,0.0005489607,0.006554003,0.013274353,0.0025321813,0.0024992647,0.00035631296,0.6939684],"genre_scores_gemma":[0.96328074,0.0013477947,0.000533231,0.00262162,0.002309832,0.000056644636,0.00021969268,0.000094124334,0.029536296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960992,0.00031198235,0.0006778302,0.0010782232,0.00059692946,0.0012358784],"domain_scores_gemma":[0.9964852,0.00007940029,0.00029865708,0.00054023345,0.00030804693,0.0022885178],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00067060825,0.00051809,0.00058670674,0.0011685004,0.0035937403,0.001537296,0.00049952924,0.00047481447,0.006489808],"category_scores_gemma":[0.00041883823,0.0006753782,0.00018416495,0.00093135034,0.0012589263,0.0006401555,0.000071892435,0.00048700903,0.0030133952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001642272,0.0002993287,0.0019611754,0.00024592679,0.0006792062,0.0011357253,0.20648588,0.0000229121,0.0046896366,0.3597804,0.3578453,0.06669027],"study_design_scores_gemma":[0.00027213537,0.00029777488,0.0041041076,0.00008931083,0.00031639662,0.000011714596,0.0038349244,0.000075733005,0.00027163274,0.00017729637,0.9896641,0.00088487595],"about_ca_topic_score_codex":0.9746147,"about_ca_topic_score_gemma":0.99794114,"teacher_disagreement_score":0.69740754,"about_ca_system_score_codex":0.0006867714,"about_ca_system_score_gemma":0.0030235683,"threshold_uncertainty_score":0.9995697},"labels":[],"label_agreement":null},{"id":"W2330272453","doi":"10.1515/zaa-2015-0003","title":"The Schooled Voice: Sound and Sense in the Victorian Schoolroom","year":2015,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Historical Education Studies Worldwide","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Meaning (existential); Reading (process); Sound (geography); Linguistics; Sociology; Art; Psychology; Philosophy; Acoustics","score_opus":0.034389144954385026,"score_gpt":0.36995704108921873,"score_spread":0.33556789613483373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330272453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045891456,0.01495194,0.000682672,0.041087806,0.0064213183,0.0015131093,0.000043088476,0.00035288604,0.8890557],"genre_scores_gemma":[0.99289876,0.0003823867,0.0003138519,0.001342897,0.0012971949,0.000058874914,0.000006088256,0.000027718115,0.003672241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966556,0.0008971644,0.0004239544,0.00043597125,0.00088118506,0.00070613186],"domain_scores_gemma":[0.9970807,0.0014727548,0.0001838383,0.0005152523,0.00032873242,0.00041871532],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0026929309,0.00026346996,0.00029975764,0.00008690532,0.0023415585,0.00061541784,0.0005815409,0.0001184544,0.000037029986],"category_scores_gemma":[0.005301247,0.00016978655,0.00007937224,0.0011227715,0.00128659,0.00026719391,0.000091659145,0.0005650915,0.0003245947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013025974,0.000241525,0.011096068,0.0000145243175,0.00009591242,0.000077344564,0.121791,0.0000097573175,0.00002003657,0.775495,0.08520482,0.005823766],"study_design_scores_gemma":[0.00038846926,0.000047186713,0.0043236613,0.0000111453055,0.000038183884,0.000004611784,0.035295438,0.000011204608,0.0000018768078,0.0024375531,0.9572058,0.0002348797],"about_ca_topic_score_codex":0.005357435,"about_ca_topic_score_gemma":0.017302334,"teacher_disagreement_score":0.9470073,"about_ca_system_score_codex":0.00014905576,"about_ca_system_score_gemma":0.00057357096,"threshold_uncertainty_score":0.9989573},"labels":[],"label_agreement":null},{"id":"W2331235293","doi":"10.1515/zaa.2010.58.2.103","title":"Stowe and Brown Revisited: Fiction-Made Characters in Ishmael Reed’s Flight to Canada","year":2010,"lang":"de","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Short Stories in Global Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Narrative; Identity (music); Character (mathematics); The Imaginary; Literature; Variety (cybernetics); Rewriting; History; Art; Aesthetics; Psychoanalysis; Psychology","score_opus":0.006220421285484085,"score_gpt":0.2384670939379886,"score_spread":0.2322466726525045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331235293","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19904952,0.031505924,0.00005557828,0.0063997083,0.049347483,0.003020147,0.013179477,0.000530107,0.69691205],"genre_scores_gemma":[0.97040594,0.00048609875,0.00035057322,0.006088323,0.0063777594,0.00006540785,0.0007245404,0.00016667462,0.015334693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9951653,0.00015085128,0.0011038283,0.001416527,0.0008470618,0.0013164694],"domain_scores_gemma":[0.9968676,0.0003238311,0.0003825552,0.00115078,0.0004157383,0.00085950136],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038542796,0.0010477793,0.0011017033,0.0003671136,0.0010431658,0.0013847254,0.0008417444,0.00046814658,0.0020694463],"category_scores_gemma":[0.0006103292,0.0010401866,0.00017648225,0.0005536269,0.0007573032,0.0004606577,0.00031400003,0.0020026367,0.00009314706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039863688,0.0002741972,0.005931052,0.0004003027,0.0004190656,0.0008189,0.01489883,0.00000861096,0.0013203546,0.76344687,0.20329282,0.008790393],"study_design_scores_gemma":[0.0005144864,0.00022782586,0.0076060523,0.0004010122,0.00024200675,0.000029717801,0.0018307704,0.000030715648,0.00013813957,0.000067421126,0.9876789,0.0012329605],"about_ca_topic_score_codex":0.34242538,"about_ca_topic_score_gemma":0.5641904,"teacher_disagreement_score":0.7843861,"about_ca_system_score_codex":0.00015732493,"about_ca_system_score_gemma":0.0007816061,"threshold_uncertainty_score":0.9996519},"labels":[],"label_agreement":null},{"id":"W2996479294","doi":"10.1515/zaa-2019-0030","title":"Migrant Voices in the Polish Classroom: Canadian Literature on the Tertiary Level of Education","year":2019,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Central European Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Narodowe Centrum Nauki","keywords":"Openness to experience; Reading (process); Multiculturalism; Meaning (existential); Immigration; Sociology; Pedagogy; Perception; Gender studies; Political science; Psychology; Social psychology; Law","score_opus":0.028909639415635725,"score_gpt":0.3112491098803683,"score_spread":0.28233947046473257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996479294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33814248,0.0046263104,0.000005281884,0.016133312,0.0015555472,0.0012027507,0.00056746416,0.000048431404,0.63771844],"genre_scores_gemma":[0.98974675,0.00019858815,0.000053517895,0.0051672584,0.0004010398,0.000020752654,0.00004960289,0.000021786658,0.004340678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762905,0.0006370114,0.00033352993,0.00034451266,0.0004875637,0.0005683281],"domain_scores_gemma":[0.998505,0.00054212747,0.0001643816,0.00048713753,0.00015627552,0.00014508875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007648877,0.00023736966,0.0002466111,0.0001711502,0.00048301124,0.00026433653,0.0008797005,0.00009264212,0.00021672602],"category_scores_gemma":[0.0003932099,0.00014317855,0.00012644884,0.00083411904,0.0004546502,0.00026733318,0.00003606623,0.00041304095,0.00013934716],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005719917,0.00031212092,0.06022202,0.00007978106,0.00008368259,0.000033952572,0.12048664,0.00000987163,0.00015676933,0.73796403,0.06677838,0.013815579],"study_design_scores_gemma":[0.00013267931,0.00005505359,0.1379003,0.00020863871,0.000022213651,0.0000019117433,0.016340373,0.0000064802384,0.000025290497,0.0002443484,0.8448653,0.00019740062],"about_ca_topic_score_codex":0.21294346,"about_ca_topic_score_gemma":0.2520618,"teacher_disagreement_score":0.77808696,"about_ca_system_score_codex":0.000050699226,"about_ca_system_score_gemma":0.00069339504,"threshold_uncertainty_score":0.7922976},"labels":[],"label_agreement":null},{"id":"W3035156136","doi":"10.1515/zaa-2020-0014","title":"Contemporary Art Practice and Indigenous Knowledge","year":2020,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Indigenous Health, Education, and Rights","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Trickster; Craft; Indigenous; Mythology; HERO; Painting; Traditional knowledge; Art; Sociology; Contemporary art; Meaning (existential); Narrative; Anthropology; Character (mathematics); Visual arts; Aesthetics; Art history; History; Literature; Performance art; Philosophy","score_opus":0.02877699781323431,"score_gpt":0.34838359089858695,"score_spread":0.31960659308535266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035156136","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014447472,0.008646816,0.0005732881,0.0025517764,0.0009875469,0.00094689475,0.000060904047,0.0003373545,0.97144794],"genre_scores_gemma":[0.9704777,0.007737949,0.0015258598,0.0024386721,0.0025264935,0.000012369308,0.00009186715,0.00007093579,0.015118164],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971535,0.00061233836,0.00045956642,0.0006049851,0.00043004972,0.00073952106],"domain_scores_gemma":[0.9975468,0.00063384266,0.00029440838,0.0002577839,0.00040997716,0.00085718045],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00084946724,0.0003055521,0.00041353202,0.00009085454,0.005686366,0.00026482096,0.00037585766,0.00023204528,0.00022417758],"category_scores_gemma":[0.0001847279,0.0002772888,0.00008964649,0.0005651728,0.0008400881,0.0006343153,0.000007276293,0.0004131494,0.0009454243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000095929856,0.00031914373,0.0004844939,0.00011864664,0.00008555156,0.00007890954,0.6452833,7.902057e-7,0.000011946475,0.33876404,0.012934432,0.001822821],"study_design_scores_gemma":[0.00032307368,0.00023190129,0.00022380764,0.00002697778,0.000061852224,0.000011397783,0.01970318,0.000008597862,0.0000547505,0.000076126096,0.97890395,0.00037439333],"about_ca_topic_score_codex":0.03726874,"about_ca_topic_score_gemma":0.05168239,"teacher_disagreement_score":0.9659695,"about_ca_system_score_codex":0.00003492496,"about_ca_system_score_gemma":0.0129135735,"threshold_uncertainty_score":0.99996793},"labels":[],"label_agreement":null},{"id":"W3035256660","doi":"10.1515/zaa-2020-0017","title":"First Nations Healing: From Traditional Medicine to Experimental Ethnopharmacology","year":2020,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Biomedical Ethics and Regulation","field":"Medicine","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Traditional knowledge; Indigenous; Appropriation; Traditional medicine; Medicinal plants; Merge (version control); Developing country; Engineering ethics; Medicine; Political science; Economic growth; Biology; Engineering; Computer science","score_opus":0.07841034841277775,"score_gpt":0.3725837642669791,"score_spread":0.2941734158542013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035256660","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09087566,0.008658565,0.05168099,0.75421095,0.0038574978,0.0025592546,0.0014777087,0.0010826163,0.08559677],"genre_scores_gemma":[0.9676366,0.00008931524,0.0038826559,0.024910541,0.0025101227,0.000056460107,0.0006909612,0.00004752046,0.0001758596],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781364,0.00006256773,0.0005134862,0.00059270154,0.0006639112,0.00035366186],"domain_scores_gemma":[0.9980267,0.00043341567,0.00011953165,0.0002094504,0.00016872589,0.0010421235],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013960496,0.00029385492,0.0005208671,0.00015891257,0.000428428,0.000025350433,0.00019229822,0.000255824,0.004223156],"category_scores_gemma":[0.00039973433,0.00024318355,0.00013191707,0.00067957223,0.0009932,0.00007247857,0.00005938863,0.00049820653,0.00023951555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022512663,0.0019853155,0.0005968442,0.0004984619,0.001108456,0.00069104077,0.017973164,0.0004637699,0.39649948,0.43419418,0.13258234,0.011155684],"study_design_scores_gemma":[0.0045855944,0.0023014632,0.0066893236,0.00029410626,0.00038957896,0.00002660864,0.0013457239,0.0050008856,0.014946527,0.00044215127,0.963418,0.0005600317],"about_ca_topic_score_codex":0.0004943405,"about_ca_topic_score_gemma":0.00008096598,"teacher_disagreement_score":0.8767609,"about_ca_system_score_codex":0.000037650716,"about_ca_system_score_gemma":0.00021766195,"threshold_uncertainty_score":0.9966871},"labels":[],"label_agreement":null},{"id":"W3035303501","doi":"10.1515/zaa-2020-0019","title":"The ‘Fast Runner’ Trilogy, Inuit Cultural Memory, and Knowledge (Re-)Production","year":2020,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Museums and Cultural Heritage","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Trilogy; Cultural memory; Representation (politics); Posthuman; Indigenous; Repertoire; Art; Visual arts; Aesthetics; Sociology; History; Literature; Anthropology","score_opus":0.041038525085733336,"score_gpt":0.283035510185892,"score_spread":0.24199698510015868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3035303501","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16646492,0.02133011,0.000047931193,0.016796552,0.0053351237,0.0013939209,0.00050938316,0.0010561893,0.78706586],"genre_scores_gemma":[0.9781143,0.000493631,0.000058202033,0.0010066234,0.003674584,0.00003861577,0.000052052088,0.000051230167,0.016510734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980732,0.000118164586,0.00043525032,0.0006061875,0.00024623057,0.00052096264],"domain_scores_gemma":[0.9988668,0.00010042836,0.00017698009,0.0003059489,0.00025309695,0.00029674356],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019627562,0.00042307767,0.00040095678,0.000032166718,0.0018294723,0.00083070836,0.00036948995,0.000088326975,0.001370025],"category_scores_gemma":[0.00017893927,0.00025804815,0.00016132083,0.0001293905,0.0012989666,0.00043960114,0.00013800862,0.0003985944,0.00034716018],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024073396,0.00012651282,0.000049037582,0.00017150349,0.00022577103,0.00002892755,0.13683243,0.0000070968013,0.0019120154,0.62978584,0.14582895,0.08479117],"study_design_scores_gemma":[0.0003869125,0.00025444062,0.0001572161,0.000033464672,0.000097200886,0.000010374593,0.031355884,0.00013355672,0.0002696222,0.00011703084,0.96675193,0.00043239046],"about_ca_topic_score_codex":0.0006681247,"about_ca_topic_score_gemma":0.0054635587,"teacher_disagreement_score":0.820923,"about_ca_system_score_codex":0.000015858453,"about_ca_system_score_gemma":0.00007111312,"threshold_uncertainty_score":0.9999872},"labels":[],"label_agreement":null},{"id":"W3109637521","doi":"10.1515/zaa-2020-2003","title":"Myth and Intersections of Myth and Gender in Canadian Culture: Margaret Atwood’s Revision of the Odyssey in The Penelopiad","year":2020,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Greek mythology; Literature; Rewriting; History; Sociology; Classics; Art","score_opus":0.0209782584825682,"score_gpt":0.27913689565081706,"score_spread":0.2581586371682489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109637521","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5364688,0.019298889,0.00012949275,0.038723137,0.0011970917,0.0022158916,0.000993868,0.000063327476,0.4009095],"genre_scores_gemma":[0.9970038,0.0008247216,0.000046572008,0.0017416879,0.00008773485,0.000003859168,0.000006183206,0.000009277297,0.00027616415],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987179,0.00026105533,0.00026791941,0.0002351076,0.0002387008,0.00027929555],"domain_scores_gemma":[0.99936694,0.00007747581,0.00011673057,0.00016170359,0.00006196477,0.0002151904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041204816,0.00011344733,0.00022714336,0.00018022287,0.00044690585,0.00011729486,0.00030828654,0.00008683286,0.0000955872],"category_scores_gemma":[0.00034624236,0.00009322679,0.000059165133,0.0006891727,0.0009928996,0.00012720926,0.000044711553,0.00026161663,0.000002762162],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007458052,0.000116309806,0.035253353,0.00044362491,0.000081424594,0.00008347693,0.52891505,0.000030039724,0.00044714057,0.35319743,0.06740039,0.013957218],"study_design_scores_gemma":[0.0002211759,0.00005213272,0.03005086,0.00006198961,0.000035145666,0.0000033615574,0.015886165,0.00002643009,0.00001021476,0.00017842518,0.95333695,0.00013712424],"about_ca_topic_score_codex":0.92060876,"about_ca_topic_score_gemma":0.9889915,"teacher_disagreement_score":0.88593656,"about_ca_system_score_codex":0.000079357436,"about_ca_system_score_gemma":0.00072061893,"threshold_uncertainty_score":0.3801678},"labels":[],"label_agreement":null},{"id":"W4221035198","doi":"10.1515/zaa-2022-2051","title":"Filmic Gold: The Elemental Aesthetics of the Klondike Gold Rush in Bill Morrison’s <i>Dawson City: Frozen Time</i> (2016)","year":2022,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Ecocriticism and Environmental Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gold rush; Hollywood; Movie theater; Anthropocene; Art; Sensibility; Archaeology; Art history; History; Literature; Geology","score_opus":0.009348314147409071,"score_gpt":0.21717292781504693,"score_spread":0.20782461366763785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221035198","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59498453,0.00504515,0.00000851411,0.0044074333,0.002891294,0.001818461,0.009655212,0.00020293333,0.38098645],"genre_scores_gemma":[0.96564925,0.00007179829,0.000054928416,0.0028987876,0.0002997792,0.00011010623,0.00026620014,0.0000729428,0.030576188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974167,0.00027081676,0.00062828546,0.00048145102,0.00060977065,0.00059297215],"domain_scores_gemma":[0.99867857,0.00014234791,0.00028498162,0.0007648763,0.000035592868,0.000093615214],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035427688,0.0004108501,0.0004461911,0.000097801305,0.00072690466,0.00019900246,0.0010188973,0.00006862243,0.0063903322],"category_scores_gemma":[0.000031095693,0.00024616587,0.00028136693,0.00020517923,0.00090660324,0.00019152566,0.00051837374,0.000758671,0.00011728109],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044362174,0.0025098578,0.011479055,0.00020609716,0.00034224466,0.00017679863,0.056608826,0.00084235595,0.004502818,0.4012399,0.5133352,0.008313188],"study_design_scores_gemma":[0.00065439806,0.00027478984,0.001427697,0.000058075835,0.00010824336,0.00001810959,0.0067453478,0.00027637233,0.0003186031,0.00041148145,0.9892883,0.00041862472],"about_ca_topic_score_codex":0.0017850614,"about_ca_topic_score_gemma":0.00066442887,"teacher_disagreement_score":0.475953,"about_ca_system_score_codex":0.000061032602,"about_ca_system_score_gemma":0.00006415951,"threshold_uncertainty_score":0.99999905},"labels":[],"label_agreement":null},{"id":"W4284887350","doi":"10.1515/zaa-2022-2058","title":"A Persistent Borderland: Glasgow, the Anglo-Scottish Border, and the Making of (North) British Identity, 1700–1730","year":2022,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Scottish History and National Identity","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); State (computer science); Resistance (ecology); Political science; Canadian studies; Gender studies; History; Sociology; Media studies; Art; Aesthetics","score_opus":0.016986039204461584,"score_gpt":0.2677311520848071,"score_spread":0.2507451128803455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4284887350","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5496662,0.07683659,0.00043338313,0.0045196894,0.007230485,0.002761603,0.0035921861,0.00048486827,0.35447496],"genre_scores_gemma":[0.9877347,0.00024029276,0.00004444358,0.001704558,0.000490634,0.00012562338,0.000100571546,0.000045019715,0.009514157],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972546,0.00039628235,0.0005696528,0.00046792312,0.00090919,0.00040231663],"domain_scores_gemma":[0.9984869,0.00030367335,0.00043602102,0.00043918495,0.00027378486,0.000060476585],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008751578,0.00028083415,0.0004591187,0.000115982904,0.003505792,0.0007168286,0.0008430064,0.000037291175,0.0033923849],"category_scores_gemma":[0.00020912815,0.00022949502,0.00037681774,0.00025814437,0.0022459805,0.0004971868,0.00048051638,0.0005128493,0.000020891293],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041284045,0.00043391733,0.0036253256,0.00016108205,0.0006769643,0.00011895431,0.02137306,0.00014509144,0.00001084212,0.89701176,0.06303426,0.012995925],"study_design_scores_gemma":[0.0014174805,0.00018688197,0.0064613996,0.00004082148,0.000370508,0.00012817365,0.0060519287,0.0002039064,0.0000022376514,0.0011029317,0.983667,0.00036673454],"about_ca_topic_score_codex":0.008675207,"about_ca_topic_score_gemma":0.044635374,"teacher_disagreement_score":0.9206327,"about_ca_system_score_codex":0.000034823235,"about_ca_system_score_gemma":0.00012623727,"threshold_uncertainty_score":0.9979261},"labels":[],"label_agreement":null},{"id":"W4389205495","doi":"10.1515/zaa-2023-2025","title":"Wotan’s Biopunk: The Grim(m) German God and His English Bloodsport in Sarban’s <i>The Sound of His Horn</i>","year":2023,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Gothic Literature and Media Analysis","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"German; Narrative; Literature; Historiography; French horn; Depiction; History; Philosophy; Barbarian; Art; Ancient history; Sociology; Archaeology","score_opus":0.013428255670244506,"score_gpt":0.3085714591023178,"score_spread":0.2951432034320733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389205495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83401644,0.010050539,0.000102648526,0.008514175,0.0027581775,0.0013405895,0.00034137288,0.00050710305,0.14236894],"genre_scores_gemma":[0.99190646,0.0012865851,0.00006483528,0.0010249611,0.0009085331,0.00006443764,0.000061582316,0.000040120416,0.004642452],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967251,0.0004254608,0.00064127677,0.00056828343,0.000834847,0.000805074],"domain_scores_gemma":[0.9975868,0.0008932703,0.00032396574,0.0006601033,0.0002929306,0.00024297113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020144682,0.00034786435,0.000590256,0.00025474108,0.0007842862,0.00025599333,0.0007834232,0.00025515436,0.00022074614],"category_scores_gemma":[0.0010575526,0.00022716002,0.00024832343,0.0023640203,0.0017079269,0.00025733007,0.00013735848,0.0005948417,0.000044343295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016438216,0.00047898444,0.0924838,0.00024531787,0.0008096404,0.00040004577,0.37518853,0.00003117336,0.0022523147,0.4214727,0.08617735,0.020295747],"study_design_scores_gemma":[0.00048691724,0.00006606261,0.011865704,0.00006910895,0.00034732564,0.0000037846498,0.01577543,0.000045057044,0.00023622367,0.0011589872,0.96954733,0.00039808056],"about_ca_topic_score_codex":0.0073032468,"about_ca_topic_score_gemma":0.010754011,"teacher_disagreement_score":0.88337,"about_ca_system_score_codex":0.00003321539,"about_ca_system_score_gemma":0.00031113147,"threshold_uncertainty_score":0.9993072},"labels":[],"label_agreement":null},{"id":"W4404885013","doi":"10.1515/zaa-2024-2015","title":"The Unredeemable Sin: Inheritance, Gothicism, and the Possibility of Salvation in <i>The House of the Seven Gables</i>","year":2024,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"American and British Literature Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Inheritance (genetic algorithm); Genealogy; History; Genetics; Biology","score_opus":0.008514794163814243,"score_gpt":0.2441585354362738,"score_spread":0.23564374127245957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404885013","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34786177,0.1082343,0.0007775414,0.020968063,0.0028040449,0.0032074184,0.00140674,0.00039364913,0.5143465],"genre_scores_gemma":[0.99489594,0.0004866763,0.000034430177,0.0011756744,0.0002582658,0.000034106044,0.00001056976,0.000030715142,0.0030736208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793935,0.00044222103,0.00060319406,0.00031517044,0.00041822626,0.0002818438],"domain_scores_gemma":[0.99784297,0.0010746785,0.00025666767,0.00061824976,0.00017626963,0.00003119468],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0012187829,0.00022670762,0.00040536956,0.000056569657,0.0006029802,0.000572051,0.0005755055,0.00005984669,0.00007819713],"category_scores_gemma":[0.00023036308,0.00009783375,0.00024501057,0.0005091379,0.0034491469,0.00020420412,0.00008265317,0.0004209914,0.0000052782025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014962356,0.00009519414,0.00038648577,0.00017947008,0.00018445264,0.0000102796575,0.034477748,0.000020164318,0.00013933291,0.94555575,0.010955916,0.007845574],"study_design_scores_gemma":[0.0006421769,0.00012188046,0.002134367,0.00037439488,0.00038017685,0.000015996811,0.019236356,0.0008043357,0.00018053468,0.006439504,0.969388,0.0002822811],"about_ca_topic_score_codex":0.0033419959,"about_ca_topic_score_gemma":0.005017206,"teacher_disagreement_score":0.9584321,"about_ca_system_score_codex":0.00001067889,"about_ca_system_score_gemma":0.00011020958,"threshold_uncertainty_score":0.99926287},"labels":[],"label_agreement":null},{"id":"W4408227656","doi":"10.1515/zaa-2025-2005","title":"“All Things Go to Decay”: Decadence in the Early Journals of Ralph Waldo Emerson","year":2025,"lang":"en","type":"article","venue":"Zeitschrift für Anglistik und Amerikanistik","topic":"Decadence, Literature, and Society","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of King's College","funders":"","keywords":"Decadence; History; Psychology; Art; Literature","score_opus":0.021836413321391943,"score_gpt":0.368365198391963,"score_spread":0.34652878507057105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408227656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24263032,0.009893713,0.003887563,0.017161988,0.0024218042,0.00175286,0.00012228347,0.00023763339,0.7218918],"genre_scores_gemma":[0.9848546,0.00061682926,0.001227917,0.007855931,0.00031512635,0.000043340635,0.0000074738805,0.000023499884,0.0050553144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99586624,0.0006503658,0.0008764068,0.0005828744,0.0011304207,0.0008936764],"domain_scores_gemma":[0.99770015,0.000790403,0.00033105526,0.00053551357,0.00037303398,0.00026981553],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0030766977,0.00034828854,0.0006045554,0.00027611997,0.00075071584,0.0005972528,0.0017494531,0.00033440816,0.00017514579],"category_scores_gemma":[0.0010551123,0.00027114828,0.00031986757,0.002439028,0.0007372431,0.00068744534,0.00011339567,0.0008252839,0.000060504444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011450445,0.00026892265,0.013158804,0.000083869265,0.00013536439,0.00007400888,0.2176324,0.0000193937,0.0013161141,0.7223586,0.03421783,0.0106202345],"study_design_scores_gemma":[0.00056696386,0.00015385138,0.028296875,0.00053979456,0.00013065811,0.000003875366,0.03472351,0.000020872525,0.000719086,0.0028650612,0.9314402,0.00053925376],"about_ca_topic_score_codex":0.007181772,"about_ca_topic_score_gemma":0.0015252676,"teacher_disagreement_score":0.89722234,"about_ca_system_score_codex":0.000056134264,"about_ca_system_score_gemma":0.00048279224,"threshold_uncertainty_score":0.9999741},"labels":[],"label_agreement":null}]}