{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":772,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":772,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e2626df466f6","filters":{"topic":"Artistic and Creative Research"}},"results":[{"id":"W1480360520","doi":"10.1515/9780748636303","title":"Practice-led Research, Research-led Practice in the Creative Arts","year":2009,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":538,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The arts; Practice research; Visual arts; Art; Humanities","authors":[{"name":"Hazel Smith","is_ca":false},{"name":"Roger T. Dean","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1634385565501012,"gpt":0.3742082087993323,"spread":0.210769652249231,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.008541136,0.0006985582,0.0008018111,0.001249634,0.006037204,0.01772673,0.00167955,0.004211427,0.008204356],"category_scores_gemma":[0.01583322,0.0007498097,0.0006727676,0.00223694,0.0246128,0.01572604,0.006565341,0.007540305,0.004265694],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005739818,"about_ca_system_score_gemma":0.01127025,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001870867,"about_ca_topic_score_gemma":0.00353287,"domain_scores_codex":[0.9861853,0.009302488,0.0003978167,0.0008016278,0.002725203,0.0005876289],"domain_scores_gemma":[0.9844279,0.01148364,0.0006788354,0.001260869,0.0009839101,0.001164877],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002092219,0.00007390588,0.0003529225,0.0009949013,0.0000140738,0.0001700261,0.04145649,0.000359406,0.0003286934,0.7994792,0.08872209,0.06802737],"study_design_scores_gemma":[0.00001790604,0.00005441302,0.0002775214,0.001341277,0.000007769596,0.0003353384,0.01298782,0.0001960066,0.000177719,0.1124575,0.872128,0.00001878931],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007562889,0.07960109,0.04902736,0.06630453,0.006968459,0.0005397872,0.0000762784,0.0004059812,0.7895136],"genre_scores_gemma":[0.277819,0.07662904,0.06820187,0.03354266,0.003787633,0.001852866,0.0002075344,0.000726903,0.5372324],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9939628,"threshold_uncertainty_score":0.04517037,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158541763","doi":"10.1177/0950017005051280","title":"Constructing an artistic identity","year":2005,"lang":"en","type":"article","venue":"Work Employment and Society","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":284,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Trent University","funders":"","keywords":"Amateur; Identity (music); Mythology; Aesthetics; Perception; Sociology; Repertoire; Visual arts; Psychology; Art; Political science; Literature; Law","authors":[{"name":"Alison L. Bain","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05154552814369002,"gpt":0.3060367730780836,"spread":0.2544912449343936,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005351567,0.0005631673,0.0003210026,0.003448792,0.02232558,0.01455405,0.00176156,0.001247588,0.006806287],"category_scores_gemma":[0.006081014,0.0003086581,0.0003878389,0.001709633,0.03650135,0.003760684,0.009843116,0.001910052,0.0005658495],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02087131,"about_ca_system_score_gemma":0.03107181,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3510056,"about_ca_topic_score_gemma":0.4483669,"domain_scores_codex":[0.9945859,0.001528877,0.0001206094,0.000443101,0.002123942,0.001197568],"domain_scores_gemma":[0.9972786,0.0006403897,0.0002524177,0.0003489036,0.0007891714,0.0006905815],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001735501,0.00002405516,0.005223528,0.00006969293,0.000007587058,0.0004388183,0.6987357,0.0002316698,0.00127918,0.258669,0.002818216,0.03248522],"study_design_scores_gemma":[0.000006013594,0.00003051012,0.01019813,0.0003011143,0.00001422795,0.0004102902,0.7158391,0.0006291005,0.0007101173,0.03795774,0.2338539,0.00004966995],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4139055,0.001531809,0.01322818,0.006698972,0.0003362765,0.0001008864,0.00006296721,0.0000839713,0.5640514],"genre_scores_gemma":[0.9731145,0.0004635196,0.002976859,0.0002493119,0.00002318608,0.00001753313,0.0000288458,0.00002522884,0.02310115],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3510056,"threshold_uncertainty_score":0.697925,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134536590","doi":"10.1177/1077800414563806","title":"Poetic Inquiry, 2007-2012","year":2015,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":64,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Metaphor; Surrender; Selection (genetic algorithm); Literature; Art; Sociology; Philosophy; Computer science; History; Linguistics; Artificial intelligence","authors":[{"name":"Monica Prendergast","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4493470143638676,"gpt":0.4666537067057593,"spread":0.01730669234189169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002638819,0.0003473994,0.0003856735,0.005046367,0.008044827,0.006403205,0.0004833788,0.0009537621,0.006326907],"category_scores_gemma":[0.00868262,0.0002130563,0.0002136293,0.00515286,0.004913718,0.002856453,0.002491887,0.002556409,0.001512641],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008500526,"about_ca_system_score_gemma":0.005928295,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006769299,"about_ca_topic_score_gemma":0.01968742,"domain_scores_codex":[0.998183,0.0005690743,0.00009946401,0.0002529639,0.0006593868,0.0002361222],"domain_scores_gemma":[0.9977556,0.001068029,0.0001473148,0.0001045916,0.0005311619,0.0003932141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002658428,0.0001522079,0.00274889,0.0008822153,0.00001014049,0.001487035,0.4810689,0.0001110575,0.00201589,0.127259,0.2153272,0.1686717],"study_design_scores_gemma":[0.00000681678,0.00001964382,0.004963082,0.0004741161,0.00000254082,0.0003894517,0.05302011,0.00003255604,0.0003582203,0.001779608,0.9389462,0.000007686873],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2147276,0.01864362,0.003499314,0.01877521,0.005036833,0.0005583505,0.002693851,0.0002121429,0.7358531],"genre_scores_gemma":[0.659474,0.01419606,0.004856992,0.00301759,0.001488801,0.001121058,0.003984845,0.0003754268,0.3114852],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008500526,"threshold_uncertainty_score":0.06167597,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079839304","doi":"10.1111/j.1476-8070.2009.01600.x","title":"Creativity: Delusions, Realities, Opportunities and Challenges","year":2009,"lang":"en","type":"article","venue":"International Journal of Art & Design Education","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":48,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Arthritis Society","funders":"","keywords":"Manifesto; Creativity; Curriculum; Legislation; Inclusion (mineral); Accountability; Face (sociological concept); Pedagogy; Political science; Public relations; Sociology; Psychology; Social science; Law","authors":[{"name":"John Steers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2324823844117221,"gpt":0.3591464679369955,"spread":0.1266640835252734,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008119942,0.0003040603,0.0004020252,0.00136385,0.004402447,0.0206586,0.0009652123,0.001921553,0.004063131],"category_scores_gemma":[0.0118361,0.0002182317,0.0003955167,0.0009188452,0.0374907,0.005847915,0.01039064,0.005593664,0.0004298147],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004209125,"about_ca_system_score_gemma":0.004065616,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001101615,"about_ca_topic_score_gemma":0.001394047,"domain_scores_codex":[0.9906878,0.005690929,0.0002519125,0.000433879,0.002145846,0.0007897011],"domain_scores_gemma":[0.9854171,0.009201008,0.001202541,0.0007925375,0.001188918,0.002197899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000793999,0.0001185112,0.007825133,0.0003392117,0.000024765,0.00201767,0.2677137,0.0004439774,0.0008509267,0.6315539,0.01768416,0.07134869],"study_design_scores_gemma":[0.00004017492,0.00007915836,0.005421162,0.0007879191,0.000009242567,0.002762631,0.3924047,0.0007939976,0.0004029339,0.3974836,0.1997516,0.00006283854],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3677297,0.02469464,0.01068068,0.1544134,0.001734256,0.00009471681,0.00006929392,0.0001065888,0.4404767],"genre_scores_gemma":[0.9887525,0.002275509,0.0007046809,0.001707305,0.0002436164,0.0000252393,0.00001075313,0.00001327644,0.006267033],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0206586,"threshold_uncertainty_score":0.04294288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1986342099","doi":"10.1136/bmj.323.7327.1491","title":"Longevity of screenwriters who win an academy award: longitudinal study","year":2001,"lang":"en","type":"article","venue":"BMJ","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":45,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Sunnybrook Hospital; Women's College Hospital","funders":"","keywords":"Longevity; Life expectancy; Demography; Gerontology; Expectancy theory; Confidence interval; Medicine; Psychology; Sociology; Internal medicine; Social psychology; Population","authors":[{"name":"Donald A. Redelmeier","is_ca":true},{"name":"Shubhendu Singh","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.198092789501773,"gpt":0.4108146649136352,"spread":0.2127218754118622,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008880291,0.0001610343,0.0002471356,0.000674861,0.0005441938,0.0007670504,0.0003107388,0.0004843767,0.002350952],"category_scores_gemma":[0.003396185,0.0002506913,0.0003659015,0.0007933798,0.0001474336,0.0007742057,0.0003865505,0.0007002074,0.0004596292],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002551156,"about_ca_system_score_gemma":0.0003638583,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009759487,"about_ca_topic_score_gemma":0.01148072,"domain_scores_codex":[0.9996357,0.00006683298,0.00003940432,0.00008829311,0.00007204486,0.00009757491],"domain_scores_gemma":[0.9980959,0.0002238142,0.00088766,0.0001345509,0.0002257332,0.000432363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00007386286,0.00004834883,0.9989578,0.000004506011,0.00002572128,0.00002770779,0.0001109176,0.000006326209,0.00005101295,0.00001173517,0.0001465377,0.0005355378],"study_design_scores_gemma":[0.000005242696,0.0001047567,0.9992371,0.000007123956,0.00001346883,0.00006113119,0.0003236419,0.00003486111,0.00001724737,0.00001196019,0.0001802516,0.000003311014],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9987931,0.0001163854,0.00004065518,0.00004473102,0.000008421271,0.000007064164,0.0006809306,0.000001643129,0.0003070171],"genre_scores_gemma":[0.9988267,0.00007830867,0.00003304752,0.00003381296,0.000009825307,0.00001331313,0.000616173,0.000001490434,0.0003873222],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009759487,"threshold_uncertainty_score":0.01940536,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1986074787","doi":"10.1017/s1355771803001109","title":"In and out of the sound studio","year":2003,"lang":"en","type":"article","venue":"Organised Sound","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Concordia University","funders":"","keywords":"Studio; Sound (geography); Visual arts; Work (physics); Composition (language); Set (abstract data type); Focus (optics); Computer science; Multimedia; Sociology; Engineering; Acoustics; Art","authors":[{"name":"Andra McCartney","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05005120309945558,"gpt":0.2857303960753633,"spread":0.2356791929759077,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002146877,0.0005996639,0.000555883,0.001671112,0.021215,0.007604879,0.001764808,0.001388036,0.01964936],"category_scores_gemma":[0.004274365,0.0005579495,0.0005573332,0.00151328,0.007439012,0.002106901,0.005603898,0.00227613,0.001813952],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01025167,"about_ca_system_score_gemma":0.02402324,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4604533,"about_ca_topic_score_gemma":0.7669436,"domain_scores_codex":[0.9964756,0.0008816369,0.0000662855,0.0004278784,0.001119018,0.001029567],"domain_scores_gemma":[0.9970735,0.0006151875,0.0001530104,0.0002361616,0.0005589947,0.001363169],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003026734,0.0002172798,0.0143546,0.0002302273,0.00002245805,0.001628028,0.8309475,0.0003151718,0.01207618,0.01892267,0.01605819,0.1049251],"study_design_scores_gemma":[0.00002112137,0.0002662949,0.02935597,0.0001953425,0.00004602863,0.000782879,0.4958832,0.0002777382,0.003184568,0.00197692,0.4678947,0.000115264],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7455859,0.0009178285,0.007854783,0.003691164,0.0005639254,0.000277015,0.0003545713,0.0003287242,0.240426],"genre_scores_gemma":[0.8622333,0.0006931823,0.006020569,0.0005737549,0.00007010454,0.00005957212,0.0001967143,0.0002292479,0.1299236],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4604533,"threshold_uncertainty_score":0.9155463,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2316275275","doi":"10.1177/1532708614562881","title":"Diagrams and Cuts","year":2014,"lang":"en","type":"article","venue":"Culture Studies &#x2194 Critical Methodologies","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Diagrammatic reasoning; Materialism; Epistemology; Process (computing); Sociology; The arts; Computer science; Visual arts; Art; Philosophy","authors":[{"name":"Stephanie Springgay","is_ca":true},{"name":"Zofia Zaliwska","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3104926886608353,"gpt":0.4768542674044755,"spread":0.1663615787436402,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004441756,0.0007941033,0.000430143,0.003589546,0.002848346,0.00921917,0.001457273,0.001963622,0.02618427],"category_scores_gemma":[0.01557253,0.000485178,0.0006626352,0.003028661,0.01029825,0.01408566,0.004213221,0.002553436,0.004131163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002314286,"about_ca_system_score_gemma":0.002246635,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002425387,"about_ca_topic_score_gemma":0.002907749,"domain_scores_codex":[0.9948384,0.002503588,0.000365438,0.000924679,0.001119094,0.000248802],"domain_scores_gemma":[0.9925114,0.004446937,0.0005237087,0.001240065,0.0009647494,0.0003132162],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001228531,0.00000373084,0.0001164998,0.0000740528,0.000003179146,0.00004530916,0.001847065,0.0003078658,0.0001713309,0.9791196,0.003516825,0.01478228],"study_design_scores_gemma":[0.000006529922,0.000009863716,0.00008316564,0.0001044651,0.000006099393,0.0001483599,0.001320247,0.0008593225,0.0004166333,0.690155,0.3068793,0.00001094611],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.008904745,0.004050722,0.7374153,0.005757494,0.001212029,0.0002554531,0.0008774137,0.001631173,0.2398957],"genre_scores_gemma":[0.2702142,0.004629953,0.6344786,0.001985458,0.000530725,0.0007858946,0.001826416,0.001413543,0.08413529],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02618427,"threshold_uncertainty_score":0.08759511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2014750983","doi":"10.1002/pon.998","title":"Audience responses to a research‐based drama about life after breast cancer","year":2005,"lang":"en","type":"article","venue":"Psycho-Oncology","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Drama; Breast cancer; Distress; Isolation (microbiology); Psychology; Survivorship curve; Qualitative research; Social psychology; Aesthetics; Medicine; Psychotherapist; Sociology; Cancer; Art; Literature; Social science; Bioinformatics; Biology","authors":[{"name":"Christina Sinding","is_ca":true},{"name":"Ross E. Gray","is_ca":false},{"name":"Pamela Grassau","is_ca":false},{"name":"Falia Damianakis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1338607618374935,"gpt":0.4592868939097212,"spread":0.3254261320722278,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005222545,0.000785323,0.0004728357,0.0008745607,0.004011781,0.002757609,0.0006481425,0.002432057,0.01090037],"category_scores_gemma":[0.02112449,0.0002389758,0.0004639399,0.000555669,0.003286336,0.001540291,0.006289395,0.002932508,0.001324042],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008865268,"about_ca_system_score_gemma":0.000377533,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003008408,"about_ca_topic_score_gemma":0.0007397457,"domain_scores_codex":[0.9946497,0.004185752,0.0001135211,0.0001815938,0.0004788412,0.0003907018],"domain_scores_gemma":[0.9869614,0.01029727,0.001068201,0.0004045271,0.0003640011,0.0009046191],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0009667668,0.0003265308,0.007393196,0.001337582,0.00007809296,0.003748222,0.8848511,0.0003876204,0.01280611,0.006939832,0.02027275,0.06089216],"study_design_scores_gemma":[0.0000950317,0.001456564,0.01771736,0.0008229,0.00009007105,0.004666763,0.7380469,0.0005131871,0.004745748,0.002708625,0.22899,0.0001467031],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8848783,0.002974921,0.003739424,0.01778067,0.001629036,0.0002883485,0.00028895,0.0002870053,0.08813342],"genre_scores_gemma":[0.9804467,0.001609041,0.001378223,0.002259895,0.0007354738,0.0002283368,0.0001340538,0.00009403538,0.01311425],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01090037,"threshold_uncertainty_score":0.03646541,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W334442783","doi":"10.55016/ojs/jet.v33i2.52566","title":"Research as Poetic Rumination: Twenty-Six Ways of Listening to Light","year":2018,"lang":"en","type":"article","venue":"Journal of educational thought.","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Rumination; Active listening; Poetry; Psychology; Literature; Cognition; Art; Communication","authors":[{"name":"Carl Leggo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1327715022983373,"gpt":0.4146878382917426,"spread":0.2819163359934053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.04900468,0.001121046,0.0008227611,0.004348881,0.02104447,0.02725531,0.001886873,0.004668037,0.003313383],"category_scores_gemma":[0.06216897,0.0008107044,0.0008693836,0.002810113,0.06672473,0.01850468,0.01794196,0.01179991,0.0009205053],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004933812,"about_ca_system_score_gemma":0.00677531,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001573915,"about_ca_topic_score_gemma":0.002993911,"domain_scores_codex":[0.9415991,0.04998022,0.0009760932,0.001427827,0.003886064,0.002130728],"domain_scores_gemma":[0.9222805,0.05444321,0.003728913,0.005781909,0.00636762,0.007397795],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004246212,0.00003975912,0.001049225,0.0001526692,0.00001546467,0.0003204748,0.9186728,0.00002360922,0.0003677688,0.0596607,0.005770078,0.013885],"study_design_scores_gemma":[0.00001664901,0.00005591414,0.0007528007,0.0004531699,0.00001620775,0.0004682473,0.7793049,0.00009200266,0.0002124295,0.02701904,0.1915584,0.00005032712],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3223225,0.04396094,0.04245868,0.1781354,0.01109832,0.0006136463,0.0001311939,0.0007063935,0.4005729],"genre_scores_gemma":[0.9486553,0.007629073,0.007444361,0.01081462,0.001227077,0.0003753462,0.00004131085,0.0002288144,0.02358404],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04900468,"threshold_uncertainty_score":0.2591646,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2891993526","doi":"10.18432/ari29356","title":"Is There a Definition? Ruminating on Poetic Inquiry, Strawberries and the Continued Growth of the Field","year":2018,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Kwantlen Polytechnic University; University of British Columbia","funders":"","keywords":"Conversation; Poetry; Field (mathematics); Qualitative research; Sociology; Process (computing); Focus (optics); Ruminating; Pedagogy; Epistemology; Psychology; Mathematics education; Literature; Social science; Computer science; Art; Philosophy; Mathematics","authors":[{"name":"Adam Vincent","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1246261478167299,"gpt":0.3945489367039503,"spread":0.2699227888872204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.06291752,0.0008619689,0.001464738,0.004957703,0.01478576,0.02169599,0.003216339,0.007621116,0.002685753],"category_scores_gemma":[0.1084702,0.0008263675,0.0007483737,0.006257342,0.1331102,0.04994996,0.01279796,0.02439441,0.0009378386],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009382028,"about_ca_system_score_gemma":0.009477589,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004366325,"about_ca_topic_score_gemma":0.003831473,"domain_scores_codex":[0.9438806,0.04450725,0.001608665,0.002717799,0.006244467,0.001041145],"domain_scores_gemma":[0.8499227,0.1281988,0.005510356,0.00539566,0.007554791,0.003417722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00005368737,0.00003486744,0.0006811369,0.001315021,0.00002071614,0.0003417848,0.217657,0.0001403536,0.0001264023,0.6840831,0.06014801,0.03539791],"study_design_scores_gemma":[0.0000139407,0.00004309629,0.0005082754,0.006480666,0.00001123906,0.0007674711,0.1662617,0.0003289318,0.0001832886,0.303009,0.5223402,0.00005209989],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.01051204,0.1572435,0.007280062,0.7824017,0.01509946,0.00003247571,0.00004185774,0.00006452631,0.0273243],"genre_scores_gemma":[0.4807191,0.2527913,0.01223259,0.2097958,0.03256723,0.0002676778,0.0001009177,0.0004388537,0.01108656],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06291752,"threshold_uncertainty_score":0.3327436,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2772991081","doi":"10.36510/learnland.v2i1.288","title":"Research as Experience and the Experience of Research: Mutual Shaping in the Arts and in Qualitative Inquiry","year":2008,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Interdependence; Parallels; The arts; Embodied cognition; Qualitative research; Process (computing); Sociology; Psychology; Epistemology; Computer science; Visual arts; Social science; Art; Engineering","authors":[{"name":"Liora Bresler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.376300198382557,"gpt":0.4782410929197258,"spread":0.1019408945371688,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.06738868,0.0008450413,0.001283201,0.005171755,0.01872946,0.02824399,0.002734093,0.005259822,0.003620896],"category_scores_gemma":[0.06824338,0.001383074,0.0009073188,0.004256743,0.1303437,0.02658883,0.03452352,0.007543309,0.0004407279],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007650821,"about_ca_system_score_gemma":0.007142542,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002708383,"about_ca_topic_score_gemma":0.002591856,"domain_scores_codex":[0.8577612,0.1282729,0.001710496,0.002825595,0.006111667,0.003318106],"domain_scores_gemma":[0.8732728,0.1086342,0.004842178,0.006005869,0.003066356,0.004178647],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001944101,0.00001409178,0.0003684903,0.00012099,0.000007831308,0.0003361426,0.912551,0.00006876048,0.0002546331,0.08164081,0.0004450596,0.004172766],"study_design_scores_gemma":[0.00002964519,0.0000630947,0.0004752352,0.0006030758,0.00001871852,0.0008348671,0.8422047,0.0002679708,0.0004381545,0.07769941,0.07731097,0.00005406387],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3865467,0.01677196,0.1688447,0.09932908,0.001553831,0.0007701237,0.000175599,0.0003290215,0.325679],"genre_scores_gemma":[0.982131,0.001746982,0.00820999,0.001492552,0.0001296727,0.0003645789,0.00002741224,0.00009438684,0.005803247],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9812706,"threshold_uncertainty_score":0.3563896,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995189610","doi":"10.7202/007957ar","title":"Digital Editing and Montage: The Vanishing Celluloid and Beyond","year":2004,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Indexicality; Digitization; Style (visual arts); Special effects; Computer science; Multimedia; Compositing; Aesthetics; Visual arts; Art; Human–computer interaction; Telecommunications; Epistemology; Philosophy","authors":[{"name":"Martin Lefebvre","is_ca":true},{"name":"Marc Furstenau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02407373370685068,"gpt":0.2365883471238399,"spread":0.2125146134169892,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001238066,0.0004054835,0.000297161,0.001208493,0.003503377,0.01526158,0.000749883,0.001470832,0.007544631],"category_scores_gemma":[0.004078068,0.000165179,0.0003243097,0.001319133,0.02058016,0.01008635,0.003901992,0.002880259,0.000671632],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002182243,"about_ca_system_score_gemma":0.0008562428,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002469423,"about_ca_topic_score_gemma":0.002646437,"domain_scores_codex":[0.9987903,0.0005557101,0.00003042259,0.0001501349,0.0003557214,0.0001175553],"domain_scores_gemma":[0.997372,0.001833447,0.0001592114,0.0004088669,0.0001206888,0.0001057509],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004268147,0.00001646227,0.0004135958,0.0001090939,0.00000625888,0.0001837431,0.023487,0.0001595776,0.001119051,0.9431933,0.002208068,0.02906131],"study_design_scores_gemma":[0.00002659938,0.0001039083,0.002815406,0.0005892731,0.00003544509,0.001276502,0.03138944,0.0009039459,0.003818697,0.3687552,0.5902383,0.00004728146],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0793474,0.02864738,0.02603767,0.01787488,0.0008333169,0.00003835424,0.00007100863,0.0001755423,0.8469745],"genre_scores_gemma":[0.9355536,0.01339411,0.005611354,0.001740752,0.0007048236,0.00004284109,0.00003890969,0.0001739919,0.04273957],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01526158,"threshold_uncertainty_score":0.02523935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1544870409","doi":"10.22230/cjc.2011v36n3a2474","title":"Challenge for Change: Activist Documentary at the National Film Board of Canada.","year":2011,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Media studies; Political science; Documentary film; Sociology","authors":[{"name":"Herbert Pimlott","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1885854575122919,"gpt":0.3061058700020048,"spread":0.1175204124897129,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002894047,0.0005405956,0.0003523251,0.0008353728,0.02752585,0.00898362,0.001921116,0.008567613,0.01776392],"category_scores_gemma":[0.008060337,0.0004377127,0.0002825551,0.0009731441,0.004053266,0.001625455,0.002836747,0.01173672,0.001523033],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0498622,"about_ca_system_score_gemma":0.1059841,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9402581,"about_ca_topic_score_gemma":0.9869224,"domain_scores_codex":[0.9965491,0.0003719712,0.00007621753,0.0003091237,0.001398592,0.001294857],"domain_scores_gemma":[0.9953793,0.0007596815,0.000115433,0.0001090006,0.001715581,0.001920995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003921512,0.00003221586,0.0007127042,0.00007471997,0.00000884738,0.0005838823,0.01130775,0.00009864908,0.0008153376,0.01121271,0.9617642,0.0133498],"study_design_scores_gemma":[0.000005528227,0.000006440885,0.003099072,0.00007054643,0.000005466824,0.00004926156,0.01194975,0.00004966398,0.0002293847,0.0003465067,0.9841726,0.00001571218],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02987024,0.01763468,0.001144774,0.5852928,0.0229216,0.0005972291,0.001891779,0.0002377671,0.3404091],"genre_scores_gemma":[0.2327225,0.004807343,0.001400116,0.07278228,0.001982343,0.0002241663,0.0005858793,0.000247073,0.6852483],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05974185,"threshold_uncertainty_score":0.3617772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2977120344","doi":"10.1177/2056305119847525","title":"Machine Learning in Context, or Learning from LANDR: Artificial Intelligence and the Platformization of Music Mastering","year":2019,"lang":"en","type":"article","venue":"Social Media + Society","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Concordia University; McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Artificial intelligence; Context (archaeology); Computer science; Reciprocal; Machine learning; History","authors":[{"name":"Jonathan Sterne","is_ca":true},{"name":"Elena Razlogova","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1017297378387007,"gpt":0.2811083037385902,"spread":0.1793785658998896,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001422381,0.000496714,0.0003050452,0.001834531,0.001875684,0.007164386,0.0008510298,0.001355536,0.003576158],"category_scores_gemma":[0.004061094,0.0002054421,0.0003760223,0.00167529,0.0197292,0.009104112,0.0026507,0.002134791,0.0004881272],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003384203,"about_ca_system_score_gemma":0.002255218,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01379468,"about_ca_topic_score_gemma":0.02049378,"domain_scores_codex":[0.9987682,0.0006619638,0.00003280121,0.0002592245,0.0001791108,0.00009877412],"domain_scores_gemma":[0.9983634,0.0009567488,0.0001792684,0.0002532626,0.0001216758,0.0001256257],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002883847,0.00002983682,0.004222374,0.0001243851,0.00002280667,0.0002402756,0.01204397,0.001625101,0.0004427017,0.9185377,0.004079227,0.05860285],"study_design_scores_gemma":[0.000007016762,0.00001891451,0.004452338,0.0002401445,0.00001401975,0.0001624725,0.009506885,0.005725763,0.0004080518,0.8828158,0.0966167,0.000031784],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1157681,0.02601924,0.2136785,0.103917,0.001206287,0.00008625037,0.0003897972,0.00063452,0.5383003],"genre_scores_gemma":[0.9501269,0.004453443,0.02650715,0.002423488,0.0004285692,0.00005883565,0.0001201875,0.0001175521,0.01576391],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9981243,"threshold_uncertainty_score":0.02742881,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2332579889","doi":"10.1386/josc.2.1.85_1","title":"The plot point, the darkest moment, and the answered question: three ways of modelling the three-quarter-point","year":2010,"lang":"en","type":"article","venue":"Journal of Screenwriting","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Point (geometry); Plot (graphics); Narrative; Moment (physics); Field (mathematics); Causality (physics); Comprehension; Quarter (Canadian coin); Epistemology; Psychology; History; Mathematics; Linguistics; Statistics; Philosophy; Geometry; Archaeology; Pure mathematics; Physics","authors":[{"name":"P. N. Keating","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06294238888028997,"gpt":0.2681706587076546,"spread":0.2052282698273646,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003957987,0.0007792632,0.0002974666,0.00176832,0.003591218,0.009043633,0.001686567,0.00290442,0.009095556],"category_scores_gemma":[0.01449747,0.0004259325,0.0005416922,0.001259443,0.02784638,0.01192115,0.00371438,0.003696799,0.0009425855],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003469814,"about_ca_system_score_gemma":0.001563455,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00503625,"about_ca_topic_score_gemma":0.005417783,"domain_scores_codex":[0.9962909,0.002731516,0.00009126884,0.0002473635,0.0004422551,0.0001967112],"domain_scores_gemma":[0.9947408,0.003440098,0.0005505944,0.0004494095,0.0005279756,0.000291244],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004907575,0.00001572994,0.0007847105,0.00006442733,0.000003447726,0.000145106,0.0586825,0.0006067365,0.0002445324,0.9313521,0.002248412,0.005803213],"study_design_scores_gemma":[0.00005328634,0.0000885824,0.002048749,0.0004156022,0.00001798701,0.000378396,0.07706326,0.007306581,0.0008776778,0.8056142,0.1060641,0.00007170009],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1266152,0.002461385,0.2803714,0.03383255,0.0008083162,0.0003491678,0.0003312056,0.0005630472,0.5546676],"genre_scores_gemma":[0.9549394,0.0004697456,0.02796319,0.0005895508,0.00009660796,0.0002037495,0.00008820448,0.0001457328,0.01550375],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009095556,"threshold_uncertainty_score":0.03042763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2767205337","doi":"10.1177/1077800417736331","title":"An Aesthetic of Relationality: Embodiment, Imagination, and the Necessity of Playing the Fool in Research-Informed Theater","year":2017,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Public Health Ontario; Toronto Rehabilitation Institute; University of Toronto; University Health Network; Holland Bloorview Kids Rehabilitation Hospital","funders":"","keywords":"Embodied cognition; Aesthetics; Sociology; Focus (optics); Space (punctuation); Epistemology; Psychology; Visual arts; Art; Computer science; Philosophy","authors":[{"name":"Julia Gray","is_ca":true},{"name":"Pia Kontos","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4703976833051363,"gpt":0.5567883629288983,"spread":0.08639067962376207,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0250478,0.001021974,0.0005718452,0.002886019,0.011073,0.02053756,0.002286305,0.003770445,0.0042978],"category_scores_gemma":[0.02740861,0.0007641077,0.0009313888,0.001618725,0.1439648,0.01854049,0.01444441,0.006055602,0.000501867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004971365,"about_ca_system_score_gemma":0.003784794,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002403124,"about_ca_topic_score_gemma":0.002181781,"domain_scores_codex":[0.97336,0.02219466,0.000459077,0.001206016,0.001912527,0.0008676992],"domain_scores_gemma":[0.9788197,0.01471264,0.001202045,0.003716805,0.0007917376,0.000757089],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003866763,0.00001670991,0.0003668721,0.0001326335,0.00000863832,0.0002980437,0.3193346,0.0002734043,0.0007603245,0.6718771,0.0007984502,0.006094575],"study_design_scores_gemma":[0.00005279254,0.0001068186,0.0009884578,0.0007879141,0.00004115481,0.002068646,0.3651591,0.001426675,0.002332239,0.4557561,0.1711921,0.00008810264],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.188095,0.007458046,0.2843528,0.05257159,0.001100638,0.0003584455,0.0001395224,0.0003996815,0.4655242],"genre_scores_gemma":[0.9715854,0.0008875238,0.01990478,0.0008009366,0.00009645439,0.0002153093,0.000020515,0.0001407398,0.006348271],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0250478,"threshold_uncertainty_score":0.132467,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2487813688","doi":"10.1007/1-4020-3814-3","title":"Presenting and Representing Environments","year":2005,"lang":"en","type":"book","venue":"The Geojournal library","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Wilfrid Laurier University","keywords":"Computer science","authors":[{"name":"Graham Humphrys","is_ca":false},{"name":"Michael Williams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03026707696392516,"gpt":0.2316091406458294,"spread":0.2013420636819043,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005133824,0.001304204,0.0004013781,0.001225266,0.003395891,0.0115441,0.001359433,0.001715585,0.04400148],"category_scores_gemma":[0.001140108,0.0005195398,0.0004610588,0.001890558,0.003810409,0.01014894,0.00448084,0.002256091,0.01794866],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001742009,"about_ca_system_score_gemma":0.002031764,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004623414,"about_ca_topic_score_gemma":0.009572469,"domain_scores_codex":[0.9995511,0.0001497544,0.00001589492,0.00006651133,0.0001610334,0.00005573811],"domain_scores_gemma":[0.9997616,0.00005733618,0.00001205562,0.00006566588,0.00005301845,0.00005028574],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001640248,0.00003688292,0.00006866301,0.0001658206,0.000004682176,0.0001538572,0.007529149,0.000700818,0.001205314,0.5592164,0.2714959,0.1594061],"study_design_scores_gemma":[0.000001483957,0.000005334809,0.00004602067,0.00008506464,0.000002749436,0.0001123568,0.001274697,0.0001801677,0.0002196131,0.03723729,0.9608288,0.000006480514],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0009769893,0.005521516,0.02899386,0.001639317,0.001116814,0.00004428961,0.00009859128,0.0009496249,0.9606591],"genre_scores_gemma":[0.0204431,0.007141472,0.01389416,0.0007757264,0.0002973667,0.0001135398,0.0002450274,0.000760242,0.9563294],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04400148,"threshold_uncertainty_score":0.1471996,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1510552574","doi":"10.21832/9781847697110","title":"The creativity market : creative writing in the 21st century","year":2012,"lang":"en","type":"book","venue":"Swinburne Research Bank (Swinburne University of Technology)","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Creativity; Commercialism; Creative writing; Performance art; Art; Art history; Sociology; Literature; Law; Political science","authors":[{"name":"Dominique Hecq","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05292605793183191,"gpt":0.2917342752898905,"spread":0.2388082173580586,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001904612,0.0004916279,0.0004631721,0.001629085,0.006407769,0.02160052,0.001324346,0.0035522,0.01455897],"category_scores_gemma":[0.002914406,0.0004046097,0.0004331659,0.002560511,0.01201215,0.01322936,0.004928729,0.003994178,0.003551189],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002951546,"about_ca_system_score_gemma":0.003571712,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001179999,"about_ca_topic_score_gemma":0.002060381,"domain_scores_codex":[0.9983926,0.0004849375,0.0000628386,0.0001793276,0.0006902343,0.0001900015],"domain_scores_gemma":[0.9974589,0.001849561,0.0001332495,0.0001595256,0.0001548134,0.0002439884],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003244336,0.0000472085,0.0001675626,0.0002971717,0.000005632071,0.0005661618,0.03565538,0.0002358782,0.0004666598,0.7857741,0.08965059,0.08710122],"study_design_scores_gemma":[0.00001134084,0.00002055543,0.0002530309,0.0004267716,0.00000235785,0.0006574749,0.01223972,0.0002375006,0.0003297917,0.08746872,0.8983383,0.00001461735],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01167847,0.03477296,0.006131751,0.01563926,0.002522142,0.00006463603,0.00003988857,0.0001688802,0.928982],"genre_scores_gemma":[0.1837315,0.01957747,0.00481627,0.004302069,0.002058097,0.0001959481,0.0000752217,0.0004245178,0.784819],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02160052,"threshold_uncertainty_score":0.04870462,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1954893136","doi":"10.7577/pp.868","title":"The MFA in Creative Writing: The Uses of a “Useless” Credential","year":2015,"lang":"en","type":"article","venue":"Professions and Professionalism","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Credential; Publicity; Publishing; Identity (music); Variety (cybernetics); Sociology; Field (mathematics); The arts; Public relations; Creative work; Media studies; Computer science; Aesthetics; Political science; Law; Art","authors":[{"name":"Clayton Childress","is_ca":true},{"name":"Alison Gerber","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1993809632734925,"gpt":0.3981085266977726,"spread":0.1987275634242801,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02729749,0.0002302956,0.0003587306,0.003236701,0.0169053,0.01367035,0.001382554,0.002663123,0.004027001],"category_scores_gemma":[0.07857186,0.0003357692,0.0003159287,0.001868924,0.05215286,0.01369907,0.01258878,0.005855404,0.0005393871],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004135036,"about_ca_system_score_gemma":0.006865547,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00245662,"about_ca_topic_score_gemma":0.003316113,"domain_scores_codex":[0.9705409,0.02101712,0.0009881235,0.001425842,0.004310948,0.001716933],"domain_scores_gemma":[0.9254746,0.05171271,0.004256918,0.008670107,0.003018969,0.006866787],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006250276,0.0001148,0.007759805,0.00009107099,0.000005446575,0.000525795,0.2094755,0.00006583463,0.0007601226,0.6956986,0.00487394,0.08056655],"study_design_scores_gemma":[0.00006068049,0.0002481097,0.01676758,0.001252183,0.00002264238,0.002217751,0.2858705,0.001349997,0.001918373,0.3402752,0.349908,0.0001088999],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6609868,0.002455303,0.01260118,0.04890009,0.0006644631,0.00005867265,0.00002690601,0.000111974,0.2741946],"genre_scores_gemma":[0.9948534,0.0001376646,0.0006227871,0.001177609,0.00007937367,0.00001243567,0.000002907377,0.00001581622,0.003097913],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02729749,"threshold_uncertainty_score":0.1443646,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1604359355","doi":"10.22230/cjc.2012v37n1a2531","title":"Practice in the Flesh of Theory: Art, Research, and the Fine Arts PhD","year":2012,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Incarnation; Materialism; The arts; Subject (documents); Flesh; Sociology; Epistemology; Object (grammar); Feminism; Aesthetics; Visual arts; Art; Philosophy; Gender studies; Computer science; Library science","authors":[{"name":"Natalie Loveless","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1847323551298172,"gpt":0.3768342828413415,"spread":0.1921019277115243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.03281889,0.0004220621,0.0006103317,0.002014331,0.0312809,0.01630368,0.001867168,0.006026006,0.007686658],"category_scores_gemma":[0.03030986,0.0003848361,0.0004027378,0.00194519,0.1193868,0.01490312,0.01261779,0.009385862,0.0006575371],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01905266,"about_ca_system_score_gemma":0.0263796,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01747221,"about_ca_topic_score_gemma":0.02739923,"domain_scores_codex":[0.9669429,0.02635866,0.0004565929,0.001542354,0.002946535,0.001752995],"domain_scores_gemma":[0.9478544,0.04087888,0.001449763,0.003708871,0.002308649,0.003799355],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001795236,0.0000846118,0.0005113299,0.0001142093,0.000003502519,0.0003885334,0.5047904,0.000105922,0.0002525269,0.4673034,0.007642739,0.01878481],"study_design_scores_gemma":[0.0000285846,0.00006922353,0.0008072469,0.0008575342,0.000005294713,0.0004062928,0.561402,0.0002134049,0.000336182,0.1509738,0.2848717,0.00002862137],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1251053,0.01291095,0.0156846,0.2790162,0.001749162,0.0002313859,0.0000395652,0.00009937891,0.5651635],"genre_scores_gemma":[0.9644336,0.00180149,0.003914738,0.00709512,0.0003028432,0.0001449104,0.00000877952,0.0000377769,0.02226075],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9687191,"threshold_uncertainty_score":0.173565,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W307951432","doi":"10.2307/j.ctv16p95","title":"On Aboriginal representation in the Gallery","year":2002,"lang":"en","type":"book","venue":"Canadian Museum of History eBooks","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Representation (politics); Art; Computer science; Political science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.06818586756574974,"gpt":0.2586808096530648,"spread":0.1904949420873151,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001251793,0.00043454,0.0002602164,0.001554449,0.01340448,0.006004817,0.0007229329,0.001013221,0.01190861],"category_scores_gemma":[0.001614151,0.0002022195,0.0002477513,0.002366152,0.007349106,0.001832249,0.004566207,0.001597181,0.001591837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009789596,"about_ca_system_score_gemma":0.006096938,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2629184,"about_ca_topic_score_gemma":0.5077924,"domain_scores_codex":[0.9984056,0.0006118203,0.00003031821,0.0001156771,0.0004426316,0.0003938829],"domain_scores_gemma":[0.9995639,0.0001561336,0.00005225198,0.00005389234,0.00009454315,0.00007930308],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003928286,0.00002182096,0.001118413,0.0002522055,0.000008878446,0.001062475,0.5854995,0.0001113267,0.0004699909,0.2163764,0.138584,0.05645575],"study_design_scores_gemma":[0.00000330646,0.00001574703,0.005181087,0.0004858216,0.000008744839,0.000524116,0.0975311,0.00004337487,0.000227647,0.003104737,0.8928623,0.00001209789],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04727199,0.02046791,0.000483558,0.008936197,0.0006245445,0.00003995554,0.00008276762,0.00003464254,0.9220585],"genre_scores_gemma":[0.3651122,0.01561037,0.0007259978,0.001580577,0.0002566947,0.00004494698,0.00008255598,0.00008252095,0.6165041],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7370816,"threshold_uncertainty_score":0.5227761,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3085547609","doi":"10.37514/per-b.2015.0674.2.07","title":"Thinking Creatively About Research Writing","year":2015,"lang":"en","type":"book-chapter","venue":"The WAC Clearinghouse; Parlor Press eBooks","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Memorial University of Newfoundland","funders":"Memorial University of Newfoundland; State University of New York","keywords":"Psychology; Mathematics education; Computer science","authors":[{"name":"Cecile Badenhorst","is_ca":true},{"name":"Cecilia Moloney","is_ca":true},{"name":"Jennifer Dyer","is_ca":true},{"name":"Janna Rosales","is_ca":true},{"name":"M. Murray","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4457021375626906,"gpt":0.384777826618214,"spread":0.06092431094447665,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.08170589,0.002146651,0.001515253,0.005363761,0.01346568,0.05385968,0.005382844,0.00767804,0.007137773],"category_scores_gemma":[0.108418,0.001052686,0.0018814,0.003470219,0.07963502,0.03792202,0.01383762,0.01786325,0.004838737],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005980446,"about_ca_system_score_gemma":0.01239617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006721945,"about_ca_topic_score_gemma":0.000927373,"domain_scores_codex":[0.880953,0.0961436,0.003084324,0.006055524,0.0116588,0.002104793],"domain_scores_gemma":[0.858855,0.1078495,0.006279018,0.01465418,0.008395894,0.003966458],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002081155,0.00003562156,0.0002830187,0.0004475869,0.00004308655,0.000211576,0.1870713,0.0005113577,0.0004580418,0.7583463,0.02556231,0.02700895],"study_design_scores_gemma":[0.00002445997,0.00003939003,0.00008692,0.001054494,0.00001975995,0.0003624028,0.06921611,0.0007122091,0.0004705465,0.6045768,0.3233916,0.00004528709],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.01801671,0.01807147,0.3711014,0.31062,0.01309088,0.0007845139,0.0001743578,0.001449394,0.2666911],"genre_scores_gemma":[0.4987338,0.01697868,0.3013898,0.05680261,0.009792961,0.003401834,0.0004352973,0.002080021,0.1103849],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.08170589,"threshold_uncertainty_score":0.4321072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3015134328","doi":"10.4000/communiquer.5042","title":"Petit récit de l’émergence de la recherche-création médiatique à l’UQAM et quelques propositions pour en guider la pratique","year":2020,"lang":"fr","type":"article","venue":"Communiquer Revue de communication sociale et publique","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Louis-Claude Paquin","is_ca":false},{"name":"Cynthia Noury","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2239362889535665,"gpt":0.4410430026416375,"spread":0.217106713688071,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.01833001,0.0008802455,0.0006289048,0.002814968,0.01447353,0.01913607,0.001870575,0.006345932,0.012715],"category_scores_gemma":[0.0273789,0.000551448,0.000720197,0.003202261,0.0508593,0.01281126,0.007494862,0.009021115,0.001873027],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04005732,"about_ca_system_score_gemma":0.04164201,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2543063,"about_ca_topic_score_gemma":0.2925864,"domain_scores_codex":[0.983445,0.009324154,0.0003977474,0.001889279,0.003572899,0.001370855],"domain_scores_gemma":[0.9659158,0.01883944,0.002336839,0.003552257,0.006595499,0.002760098],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002610474,0.00001503426,0.000661304,0.0001042947,0.000005741313,0.0000754286,0.03760203,0.0001528395,0.0002624119,0.9384594,0.007484465,0.015151],"study_design_scores_gemma":[0.00002279599,0.00005165466,0.003067885,0.0006255203,0.00001332462,0.0001811353,0.02360306,0.0005722574,0.0008440194,0.1177878,0.8531585,0.00007193542],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05281541,0.03181096,0.06184334,0.3641836,0.004530742,0.0002841685,0.0003239255,0.0003083248,0.4838994],"genre_scores_gemma":[0.7389869,0.01436104,0.02062416,0.02307104,0.001976985,0.000428353,0.0001196633,0.0003685655,0.2000633],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9855265,"threshold_uncertainty_score":0.5056521,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2084573009","doi":"10.2307/3185503","title":"\"Entering the Silence\": Voice, Ethnicity, and the Pedagogy of Creative Writing","year":2001,"lang":"en","type":"article","venue":"MELUS Multi-Ethnic Literature of the United States","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Silence; Ethnic group; Creative writing; Sociology; Media studies; Art; Visual arts; Anthropology; Aesthetics","authors":[{"name":"Richard Teleky","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05733003013330749,"gpt":0.340422078092828,"spread":0.2830920479595205,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009021136,0.0003642099,0.0005254669,0.001487808,0.008276508,0.01461878,0.001156472,0.002559708,0.006135713],"category_scores_gemma":[0.02680564,0.0002109681,0.0003057317,0.001421227,0.02172318,0.009984131,0.007598768,0.004295752,0.0009000585],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003164514,"about_ca_system_score_gemma":0.004642792,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004331128,"about_ca_topic_score_gemma":0.006169273,"domain_scores_codex":[0.9883928,0.009440721,0.0002237012,0.000320322,0.001124245,0.0004981764],"domain_scores_gemma":[0.9792142,0.01719947,0.001273721,0.0004598647,0.0007412132,0.001111483],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008039552,0.000120231,0.002060495,0.0002690629,0.00001316214,0.0002887693,0.7591645,0.00009264285,0.0005184225,0.1622537,0.007316904,0.06782184],"study_design_scores_gemma":[0.00007405628,0.0001311388,0.005714064,0.002113066,0.00003528126,0.0003714751,0.7151824,0.0002784856,0.001189296,0.1297642,0.145104,0.00004254037],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3003026,0.03637029,0.006285273,0.1014894,0.001511445,0.00007488079,0.0000290262,0.00009815757,0.5538388],"genre_scores_gemma":[0.9755369,0.006029003,0.0006270582,0.002846064,0.0003277559,0.00008097223,0.000008776716,0.00005020297,0.01449323],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01461878,"threshold_uncertainty_score":0.04770887,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W151147166","doi":"10.55016/ojs/ajer.v48i3.54935","title":"Arts-Based Research as an Unknowable Text","year":2002,"lang":"en","type":"article","venue":"Alberta Journal of Educational Research","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Ontario Arts Council","keywords":"The arts; Psychology; Mathematics education; Educational research; Pedagogy; Developmental psychology; Sociology; Art; Visual arts","authors":[{"name":"Stephanie Springgay","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4746369251418414,"gpt":0.5004736238219392,"spread":0.02583669868009775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.01166443,0.0004514339,0.0007109759,0.003687783,0.006294896,0.0208675,0.002397577,0.005725062,0.01520325],"category_scores_gemma":[0.03129975,0.0004634742,0.00035377,0.002674835,0.04304053,0.02238263,0.005554398,0.007172643,0.00221179],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005256228,"about_ca_system_score_gemma":0.004233583,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001905561,"about_ca_topic_score_gemma":0.002991726,"domain_scores_codex":[0.9916746,0.004658979,0.0004463542,0.00069984,0.002227276,0.0002929457],"domain_scores_gemma":[0.9425367,0.04225196,0.001953921,0.007544118,0.003600727,0.002112523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000006541128,0.000004750338,0.00005825631,0.00005358318,0.000003531643,0.00007740055,0.004699701,0.00006046938,0.0000815538,0.9746575,0.01643021,0.003866606],"study_design_scores_gemma":[0.000009604484,0.00001001419,0.0001250289,0.0002734752,0.000009763579,0.0001546481,0.005069916,0.0003061304,0.0002071387,0.5726294,0.4211908,0.00001415412],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.009382502,0.0189998,0.02315675,0.1926433,0.01919944,0.00004405822,0.000424747,0.0002693278,0.7358801],"genre_scores_gemma":[0.6365694,0.01340781,0.01383899,0.02852984,0.01854934,0.000132431,0.0004183566,0.0006104725,0.2879433],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9937051,"threshold_uncertainty_score":0.06168818,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2956402152","doi":"10.1080/01490400.2019.1627960","title":"Mobilizing the “Multimangle”: Why New Materialist Research Methods in Public Participatory Art Matter","year":2019,"lang":"en","type":"article","venue":"Leisure Sciences","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University; University of Waterloo","funders":"","keywords":"Materialism; Citizen journalism; Sociology; Aesthetics; Political science; Media studies; Environmental ethics; Social science; Epistemology; Art; Philosophy; Law","authors":[{"name":"Shana MacDonald","is_ca":true},{"name":"Brianna I. Wiens","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4720969038031746,"gpt":0.5043924502720687,"spread":0.0322955464688941,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.3510268,0.001725715,0.002278375,0.006830587,0.01283832,0.03017521,0.008602777,0.01014942,0.00978321],"category_scores_gemma":[0.2636889,0.003042646,0.001615471,0.004924237,0.1351839,0.05572726,0.03654932,0.01378892,0.002698857],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01165427,"about_ca_system_score_gemma":0.01119734,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00206483,"about_ca_topic_score_gemma":0.003142225,"domain_scores_codex":[0.5264463,0.43163,0.006106045,0.01612366,0.01690555,0.002788398],"domain_scores_gemma":[0.5591202,0.3691091,0.00830031,0.05164464,0.008486496,0.003339278],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001538589,0.0001126307,0.001192161,0.001403176,0.00007199052,0.0002377513,0.1971434,0.0004351389,0.0005663884,0.766157,0.002680803,0.02984586],"study_design_scores_gemma":[0.0002310207,0.0002295712,0.0006602732,0.003823335,0.00005200701,0.0005144769,0.07496103,0.002027319,0.001226717,0.7737401,0.1424167,0.0001174066],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.06355759,0.03641464,0.6164163,0.1550833,0.003522779,0.003803244,0.0002534583,0.0004832581,0.1204655],"genre_scores_gemma":[0.6783723,0.006327172,0.2759731,0.01316959,0.001365381,0.01561562,0.0001115387,0.0006009197,0.008464338],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3510268,"threshold_uncertainty_score":0.8002995,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4239173614","doi":"10.1162/leon_a_01649","title":"Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke","year":2018,"lang":"en","type":"article","venue":"Leonardo","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"Indigenous; Vision; Digital media; Media studies; Sociology; Visual arts; Augmented reality; History; Art; Anthropology; Computer science; World Wide Web; Ecology; Artificial intelligence","authors":[{"name":"Brittany Myburgh","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02685479172850387,"gpt":0.2444412614707507,"spread":0.2175864697422468,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002266589,0.0006874818,0.0005285151,0.003138311,0.05156708,0.01585511,0.001818327,0.002153827,0.01428298],"category_scores_gemma":[0.00283502,0.0003471689,0.0003082364,0.004471811,0.02204956,0.004795734,0.004635061,0.004058946,0.0007571897],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07613026,"about_ca_system_score_gemma":0.06649906,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9832749,"about_ca_topic_score_gemma":0.9954396,"domain_scores_codex":[0.9974735,0.0005330723,0.00003764904,0.0002019203,0.0009833509,0.0007704297],"domain_scores_gemma":[0.9974577,0.0008108978,0.0001112815,0.0001009179,0.000853547,0.0006657084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005556476,0.00004718689,0.003173457,0.0002816346,0.00001756852,0.001014476,0.7767424,0.0001604846,0.0006043091,0.0755858,0.09481671,0.04750047],"study_design_scores_gemma":[0.000003467188,0.000008807607,0.003094681,0.0003285632,0.0000201101,0.0002143214,0.4784181,0.0000530159,0.0002547202,0.002189518,0.5153732,0.00004155809],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1758374,0.05688909,0.001644333,0.135296,0.002154551,0.0001042013,0.0004594375,0.0001545369,0.6274605],"genre_scores_gemma":[0.7339709,0.02652011,0.001624726,0.008800135,0.000367801,0.00005719501,0.0001341067,0.0001517142,0.2283733],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07613026,"threshold_uncertainty_score":0.5523663,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2143442656","doi":"10.1111/j.1476-8070.2009.01622.x","title":"Artful Language: Academic Writing for the Art Student","year":2009,"lang":"en","type":"article","venue":"International Journal of Art & Design Education","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Academic writing; Perspective (graphical); Task (project management); The arts; Creative writing; Writing process; Process (computing); Visual arts; Mathematics education; Psychology; Sociology; Pedagogy; Art; Computer science; Engineering","authors":[{"name":"Linda Apps","is_ca":true},{"name":"Carolyn Mamchur","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06127476475117774,"gpt":0.4157252905166341,"spread":0.3544505257654563,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075625,0.0007340498,0.0006549846,0.001111527,0.01445918,0.01919698,0.002832679,0.003783288,0.01537962],"category_scores_gemma":[0.02213292,0.0003231258,0.0006439767,0.0009071693,0.008549576,0.005508154,0.012089,0.008143386,0.004927175],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002454409,"about_ca_system_score_gemma":0.005422184,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003336679,"about_ca_topic_score_gemma":0.0008240808,"domain_scores_codex":[0.9924461,0.004215547,0.0002981801,0.0005074691,0.001729537,0.0008031996],"domain_scores_gemma":[0.9761332,0.007355942,0.001955706,0.002232694,0.002317211,0.01000526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002296513,0.002453928,0.004537943,0.0006092048,0.00002227503,0.003368434,0.4974042,0.0004524431,0.006016731,0.1049105,0.1018694,0.2781253],"study_design_scores_gemma":[0.0001048522,0.0008791244,0.002875823,0.000692521,0.00003294609,0.004318174,0.4917693,0.001539478,0.008171963,0.03527813,0.454222,0.000115653],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5202011,0.002453202,0.02826116,0.07375599,0.005184544,0.0004097993,0.0001073466,0.001244174,0.3683828],"genre_scores_gemma":[0.9047123,0.0009344581,0.009601746,0.004496301,0.0007639317,0.0001645671,0.00005732619,0.0002432193,0.07902618],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01919698,"threshold_uncertainty_score":0.05145001,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2132909761","doi":"10.17169/fqs-9.2.413","title":"Mennocostal Musings: Poetic Inquiry and Performance in Narrative Research","year":2008,"lang":"en","type":"article","venue":"Forum: Qualitative Social Research (Freie Universität Berlin)","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Western University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Humanities; Poetry; Art; Philosophy; Literature","authors":[{"name":"Natasha G. Wiebe","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.454634616045101,"gpt":0.4808618497597915,"spread":0.02622723371469049,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008421757,0.0005608666,0.0004246441,0.002017577,0.0186826,0.01375017,0.001220956,0.001499269,0.004914487],"category_scores_gemma":[0.01683139,0.000294276,0.0001843348,0.003003356,0.03931063,0.004661909,0.005412162,0.002129719,0.0003543321],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02375585,"about_ca_system_score_gemma":0.02294529,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2672036,"about_ca_topic_score_gemma":0.4603159,"domain_scores_codex":[0.9918444,0.005887348,0.0001470529,0.0005696168,0.001055553,0.000496064],"domain_scores_gemma":[0.9902866,0.006187576,0.0006206908,0.0007431605,0.0009977282,0.001164162],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003177816,0.00001212404,0.001210196,0.0001134284,0.000004065192,0.0003282772,0.8571828,0.0001117352,0.0003184186,0.1240559,0.003282235,0.01334907],"study_design_scores_gemma":[0.000008767525,0.00002008883,0.002630886,0.0004816532,0.00001111995,0.0003518378,0.6879385,0.0003954556,0.0006914435,0.02081945,0.2866178,0.00003301249],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3987257,0.00802751,0.01625236,0.02271165,0.0008847301,0.0002995365,0.0002503514,0.0001577414,0.5526904],"genre_scores_gemma":[0.9720731,0.001322546,0.004370592,0.000354339,0.00006003544,0.00009355505,0.00004754496,0.0000714504,0.02160673],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2672036,"threshold_uncertainty_score":0.5312967,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386154502","doi":"10.18432/ari29775","title":"Art/Research International: A Transdisciplinary Journal","year":2023,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Engineering ethics; Sociology; Political science; Library science; Engineering; Computer science","authors":[{"name":"Christina Flemming","is_ca":true},{"name":"Ardra L. Cole","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2853218614625929,"gpt":0.4725529989277151,"spread":0.1872311374651222,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003654703,0.001290233,0.001187839,0.005730398,0.004271054,0.02010426,0.0009909978,0.003524199,0.07357891],"category_scores_gemma":[0.00796618,0.0005331493,0.0007220491,0.008590247,0.004343442,0.009177228,0.003346482,0.007694759,0.02868715],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002895949,"about_ca_system_score_gemma":0.007106589,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00246931,"about_ca_topic_score_gemma":0.013697,"domain_scores_codex":[0.9971012,0.0006435955,0.0003626863,0.0003493616,0.001349132,0.0001940311],"domain_scores_gemma":[0.9899333,0.00503685,0.0005641634,0.000724709,0.001943074,0.001797897],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003111208,0.00005436999,0.0002287443,0.0008770897,0.0000153186,0.000124326,0.001662549,0.00006744536,0.0003534431,0.05835575,0.8387888,0.09944093],"study_design_scores_gemma":[0.000001973626,0.000006527139,0.0002405303,0.0003414135,0.000003450534,0.0001556983,0.0006347574,0.00001823385,0.00004797072,0.002494089,0.9960491,0.00000621349],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001016238,0.3785147,0.001801959,0.08295938,0.1025613,0.00005408766,0.0004064686,0.0003136816,0.4323722],"genre_scores_gemma":[0.01427069,0.1802467,0.002794384,0.02173908,0.04534845,0.00008021632,0.0003652585,0.0007428075,0.7344124],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07357891,"threshold_uncertainty_score":0.246146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399192919","doi":"10.1515/9781478092766","title":"Improvisation and Social Aesthetics","year":2017,"lang":"en","type":"book","venue":"","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Improvisation; Aesthetics; Art; Visual arts","authors":[{"name":"Georgina Born","is_ca":false},{"name":"Eric Lewis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07914480885651734,"gpt":0.29855082311817,"spread":0.2194060142616527,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001220038,0.0007368712,0.0004034725,0.001437681,0.007897396,0.01161729,0.0009657333,0.00166107,0.01419844],"category_scores_gemma":[0.002086899,0.0001765706,0.0004148115,0.001183461,0.03281985,0.005231042,0.00688472,0.003993955,0.001851333],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003886027,"about_ca_system_score_gemma":0.001855065,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001655697,"about_ca_topic_score_gemma":0.002919756,"domain_scores_codex":[0.9982257,0.0008090622,0.00002940793,0.0001425845,0.0005703679,0.0002228444],"domain_scores_gemma":[0.999212,0.0004487314,0.00004824593,0.000101751,0.0000902742,0.00009892928],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001015374,0.00001374265,0.00006899978,0.00005293535,0.000002256567,0.00006751739,0.01957061,0.0001233301,0.0001558873,0.9567264,0.00816747,0.01504071],"study_design_scores_gemma":[0.000007923613,0.00001968301,0.0002891718,0.0002446603,0.00000361471,0.0002505482,0.02803157,0.0002587474,0.0003111089,0.4586412,0.5119309,0.00001079896],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009567926,0.006036392,0.002943943,0.005721705,0.0006362875,0.00001756084,0.000009292036,0.00006205987,0.9750048],"genre_scores_gemma":[0.5761525,0.006626429,0.002244459,0.00171281,0.001245719,0.0001106989,0.00004066198,0.0002579861,0.4116087],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01419844,"threshold_uncertainty_score":0.04749858,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W265804220","doi":"10.29173/jjs92s","title":"Educating the Creative Imagination:","year":2005,"lang":"en","type":"article","venue":"Journal of Jungian Scholarly Studies","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Creativity; Curriculum; The arts; Personality; Process (computing); Psychology; Pedagogy; Visual arts; Language arts; Mathematics education; Aesthetics; Art; Psychoanalysis; Social psychology; Computer science","authors":[{"name":"Austin Clarkson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09152756062026376,"gpt":0.3685607428360742,"spread":0.2770331822158104,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006468093,0.0005481481,0.0002103373,0.0005740605,0.003354982,0.003481162,0.001066443,0.002578429,0.008617348],"category_scores_gemma":[0.0008438794,0.0001256561,0.0003258028,0.0006839086,0.003468417,0.002666942,0.003007568,0.002614824,0.002368386],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002434915,"about_ca_system_score_gemma":0.002941074,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003465695,"about_ca_topic_score_gemma":0.009106638,"domain_scores_codex":[0.9993209,0.0003375227,0.00001731396,0.0000475386,0.00009612737,0.0001807204],"domain_scores_gemma":[0.9996252,0.0001181257,0.00003009762,0.00001671625,0.00003847604,0.0001712488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001628566,0.0007186373,0.002256653,0.0008283361,0.000004683697,0.002307357,0.14596,0.0006179033,0.004074678,0.6086571,0.1146902,0.1197217],"study_design_scores_gemma":[0.00002029644,0.0001497006,0.001870386,0.0003467287,0.000003046382,0.001543671,0.03007478,0.0004656359,0.001059976,0.02357085,0.9408765,0.00001829313],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1153404,0.01802512,0.03616009,0.0491305,0.003764594,0.001314457,0.000447652,0.0003627053,0.7754546],"genre_scores_gemma":[0.6610168,0.0107116,0.03748364,0.01880646,0.001033228,0.002711167,0.0004701545,0.0003172865,0.2674498],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008617348,"threshold_uncertainty_score":0.02882791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2041947813","doi":"10.1177/1077800407301181","title":"thinking narrative (on the Vancouver Island ferry)","year":2007,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Narrative; Curriculum; Representation (politics); Sociology; Qualitative research; Literature; Art; Pedagogy; Anthropology; Law","authors":[{"name":"Monica Prendergast","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1918779277707081,"gpt":0.4174697505934525,"spread":0.2255918228227444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000452235,0.0003576326,0.0001522708,0.0008200122,0.01696149,0.005374474,0.0005409992,0.00112591,0.05188608],"category_scores_gemma":[0.001602682,0.0001386499,0.0001514125,0.0009323726,0.003239803,0.001362333,0.001939404,0.001840995,0.004373796],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0107247,"about_ca_system_score_gemma":0.00637392,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6459766,"about_ca_topic_score_gemma":0.8643258,"domain_scores_codex":[0.9996274,0.00009469968,0.000005680198,0.0000550472,0.0001249411,0.00009223385],"domain_scores_gemma":[0.9996341,0.00005513211,0.00001492783,0.00002099215,0.0001148195,0.0001599902],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005302604,0.00002542519,0.000936836,0.00008555378,0.000004984588,0.0011816,0.07100257,0.000125455,0.0005488273,0.09530277,0.7315432,0.0991897],"study_design_scores_gemma":[0.000002059133,0.000005220317,0.0009657681,0.0000885368,0.000001117722,0.0001304404,0.02004822,0.00002504828,0.00006942404,0.001561112,0.977096,0.000007054317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02659602,0.005489517,0.001058121,0.02036003,0.002411511,0.00007761207,0.0005762876,0.0001417535,0.9432892],"genre_scores_gemma":[0.1376428,0.001941047,0.001091395,0.002248631,0.0001377444,0.00004143273,0.0002168999,0.0001112934,0.8565689],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6459766,"threshold_uncertainty_score":0.7122166,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4220905226","doi":"10.26522/ssj.v16i2.2666","title":"Onstage and Behind the Scenes: Autistic Performance and Advocacy","year":2022,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Carleton University","funders":"","keywords":"Autism; Psychology; Narrative; Entertainment; Affordance; Disability studies; Comics; Sociology; Aesthetics; Visual arts; Developmental psychology; Cognitive psychology; Gender studies; Art","authors":[{"name":"Miranda J. Brady","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1051938034553081,"gpt":0.3687647505436596,"spread":0.2635709470883515,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001934471,0.0007503955,0.000393019,0.001764251,0.01052216,0.004858706,0.001127604,0.001389387,0.00244241],"category_scores_gemma":[0.004338471,0.0004886779,0.0005145172,0.0006095405,0.01512346,0.001821899,0.008356486,0.002292522,0.000395163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004932133,"about_ca_system_score_gemma":0.003617247,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08372623,"about_ca_topic_score_gemma":0.1732054,"domain_scores_codex":[0.9961523,0.001573369,0.0001865891,0.0004273565,0.0008393864,0.0008210688],"domain_scores_gemma":[0.9973126,0.0009988897,0.0006178839,0.0001516905,0.00026863,0.0006502022],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003093496,0.00002914577,0.0157174,0.00006700437,0.000006897586,0.003681235,0.9715797,0.00003383297,0.002230911,0.001267317,0.0003931023,0.004962589],"study_design_scores_gemma":[0.000002974691,0.00004619454,0.01780442,0.00009028594,0.000009695635,0.004400368,0.9683315,0.00006111577,0.0004716176,0.0006083625,0.008139691,0.00003379429],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9848935,0.0003351108,0.0004983451,0.0007516872,0.00002509185,0.0000226052,0.0000220355,0.00002471821,0.01342682],"genre_scores_gemma":[0.996757,0.0002046673,0.0004585641,0.0001572967,0.000004194706,0.0000127732,0.00001317376,0.00001290628,0.00237953],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08372623,"threshold_uncertainty_score":0.1664778,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4251319638","doi":"10.7202/1032750ar","title":"Introduction","year":2015,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Section (typography); Discipline; The arts; Sociology; Media studies; Library science; Engineering ethics; Visual arts; Art; Social science; Engineering; Computer science","authors":[{"name":"Natalie Loveless","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05953305183567358,"gpt":0.2376673277079691,"spread":0.1781342758722955,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00199938,0.0008698347,0.0006660967,0.001240983,0.00278242,0.007577514,0.001936693,0.003563786,0.3474423],"category_scores_gemma":[0.00948075,0.0003210433,0.0007433121,0.00103241,0.00109263,0.003651069,0.002586034,0.003995613,0.2265963],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003024273,"about_ca_system_score_gemma":0.005245655,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00516081,"about_ca_topic_score_gemma":0.009073557,"domain_scores_codex":[0.9973798,0.0002669442,0.000151324,0.0005185223,0.001412435,0.0002709719],"domain_scores_gemma":[0.9940494,0.0008804537,0.0002396908,0.0005023113,0.003325535,0.001002564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001219097,0.000009802768,0.00008682257,0.00009233889,0.000001593133,0.00003619835,0.00009495448,0.0000187421,0.00009374938,0.005591653,0.9652269,0.02873496],"study_design_scores_gemma":[0.000001158227,0.00000408296,0.00009139432,0.00006541725,7.879636e-7,0.00003497215,0.00005132226,0.000008443259,0.0000254147,0.0006286189,0.999086,0.000002402712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0008665537,0.01498629,0.003199624,0.1122427,0.295135,0.0002165393,0.002931848,0.001347097,0.5690744],"genre_scores_gemma":[0.005944916,0.01077194,0.002091162,0.0323968,0.05353959,0.0001360607,0.003108072,0.0007402872,0.8912712],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6525577,"threshold_uncertainty_score":0.9307944,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3162977462","doi":"10.1075/pl.20012.bol","title":"Reconsidering poetry’s difficulty and value in English as a second language and English as a foreign languageeducation","year":2021,"lang":"en","type":"article","venue":"Pedagogical Linguistics","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Poetry; Scholarship; Curriculum; Value (mathematics); Inclusion (mineral); Fossilization; Psychology; Sociology; Linguistics; Pedagogy; Mathematics education; Literature; Art; Computer science; Philosophy; Political science; Social science","authors":[{"name":"Anastasia Boldireff","is_ca":true},{"name":"Chris Bober","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1138190840246534,"gpt":0.3435213294078771,"spread":0.2297022453832237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02710275,0.0002766871,0.001097568,0.006179646,0.002758897,0.01385405,0.0009743469,0.001631582,0.002790186],"category_scores_gemma":[0.07173049,0.0003446634,0.0005079124,0.005390268,0.01441869,0.01441095,0.005344919,0.002954903,0.0002496894],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003548885,"about_ca_system_score_gemma":0.006799177,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002461191,"about_ca_topic_score_gemma":0.00546665,"domain_scores_codex":[0.9845132,0.01002402,0.001091799,0.0005051182,0.003499726,0.000366089],"domain_scores_gemma":[0.8738606,0.1096861,0.006915179,0.001597271,0.00641288,0.001528058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000168623,0.0001845361,0.02874473,0.01850159,0.0002856647,0.002286543,0.5755468,0.0001502905,0.001665594,0.111336,0.005064753,0.256065],"study_design_scores_gemma":[0.00004416657,0.0002581436,0.03651823,0.02734224,0.0003068376,0.002394724,0.7647867,0.0002411526,0.001321494,0.04104373,0.1256713,0.00007130974],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5909585,0.2393487,0.007078784,0.05213383,0.002052239,0.000266073,0.0001611496,0.00003215965,0.1079687],"genre_scores_gemma":[0.9589188,0.03588675,0.001821953,0.00166006,0.0002144792,0.00008532898,0.00003778446,0.00001394568,0.001361039],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02710275,"threshold_uncertainty_score":0.1433347,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4296208940","doi":"10.1017/s135577182200036x","title":"Experiencing Sound Installations: A conceptual framework","year":2022,"lang":"en","type":"article","venue":"Organised Sound","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Montréal; McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Sound (geography); Visitor pattern; Taxonomy (biology); Conceptual framework; Documentation; Computer science; Modalities; Sociology; Acoustics; Ecology","authors":[{"name":"Valérian Fraisse","is_ca":true},{"name":"Nicola Giannini","is_ca":true},{"name":"Catherine Guastavino","is_ca":true},{"name":"Guillaume Boutard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06485297098292321,"gpt":0.2951962294914515,"spread":0.2303432585085283,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005898023,0.001325533,0.0007114045,0.007994496,0.01175633,0.01842696,0.003830764,0.004669478,0.007836323],"category_scores_gemma":[0.005903027,0.0007135607,0.001011324,0.008298769,0.04239783,0.01328065,0.005966363,0.003999131,0.001047391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02867217,"about_ca_system_score_gemma":0.02336719,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3432035,"about_ca_topic_score_gemma":0.3154011,"domain_scores_codex":[0.9947444,0.002545361,0.0002562236,0.0005733121,0.001064041,0.0008166643],"domain_scores_gemma":[0.9946582,0.00208775,0.000433614,0.0004210246,0.001408816,0.0009906673],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001956126,0.0000362539,0.002549681,0.0004430526,0.000009979992,0.0005947846,0.209054,0.001280368,0.0005491172,0.7525429,0.00596278,0.02695756],"study_design_scores_gemma":[0.00002828463,0.00005886248,0.007503209,0.002609054,0.00003928554,0.001198306,0.3653206,0.004014138,0.0003342702,0.1830068,0.4357389,0.0001482936],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1164157,0.01832102,0.2733627,0.03912612,0.0007590911,0.001644709,0.001941991,0.0012434,0.5471853],"genre_scores_gemma":[0.8564628,0.007135828,0.1063763,0.001315091,0.0001447759,0.00107825,0.0006938989,0.0002096482,0.02658335],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3432035,"threshold_uncertainty_score":0.6824116,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2794497928","doi":"10.36510/learnland.v10i1.739","title":"The \"Art\" of the Right to the City: Interdisciplinary Teaching and Learning in Pointe-St-Charles","year":2016,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Concordia University","funders":"","keywords":"Novella; Reciprocity (cultural anthropology); Outreach; Sociology; Point (geometry); Visual arts; Pedagogy; Media studies; Art; Social science; Political science; Literature","authors":[{"name":"Kathleen Vaughan","is_ca":true},{"name":"Emanuelle Dufour","is_ca":true},{"name":"Cynthia Imogen Hammond","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0152025443060211,"gpt":0.2697039978825858,"spread":0.2545014535765647,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00185854,0.0002269293,0.000222462,0.0004821286,0.02974186,0.007486091,0.001748481,0.00190911,0.006706947],"category_scores_gemma":[0.0025231,0.0002113269,0.0002003769,0.0006898988,0.02776929,0.002103959,0.008615364,0.003571982,0.0002711849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02056982,"about_ca_system_score_gemma":0.03032044,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4643598,"about_ca_topic_score_gemma":0.8082238,"domain_scores_codex":[0.9980704,0.000891868,0.00001269268,0.0001659696,0.000266515,0.0005925336],"domain_scores_gemma":[0.9981884,0.0004341671,0.00008489768,0.00007322637,0.0001263343,0.001092976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002887489,0.00005666994,0.004204893,0.00004870796,0.00000802138,0.002250659,0.86861,0.0003042032,0.0008786686,0.08816854,0.01267509,0.02276565],"study_design_scores_gemma":[0.000007303961,0.00003612623,0.005628901,0.00006979216,0.000004152834,0.0003710413,0.7794513,0.0001339334,0.0004617745,0.005871132,0.2079385,0.00002605832],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7653364,0.001751564,0.002862469,0.04564983,0.0003602129,0.0001059964,0.00003933134,0.00006051041,0.1838337],"genre_scores_gemma":[0.9725151,0.0003917456,0.0005771813,0.0008758926,0.00003160261,0.00001842258,0.000007941519,0.00002227356,0.02555984],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5356402,"threshold_uncertainty_score":0.9233139,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4380874631","doi":"10.3138/ctr.139.004","title":"Poetry, Remnants and Ruins: Aboriginal Theatre in Canada","year":2009,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Poetry; Beauty; Art; Visual arts; Performance art; Theatre studies; Theatre director; Aesthetics; Literature; Art history; Drama","authors":[{"name":"Floyd Favel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02317161177260092,"gpt":0.2753540346958266,"spread":0.2521824229232257,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002120268,0.0005038492,0.0005277995,0.002358834,0.02561798,0.009241732,0.00166429,0.001377775,0.00684893],"category_scores_gemma":[0.005047318,0.0002998398,0.0002386063,0.007076794,0.0111807,0.001259076,0.00237603,0.002092473,0.0005530909],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.06580925,"about_ca_system_score_gemma":0.1021524,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9827241,"about_ca_topic_score_gemma":0.9935364,"domain_scores_codex":[0.9977089,0.0006477816,0.0000500292,0.0001525533,0.0009221179,0.0005185135],"domain_scores_gemma":[0.997077,0.0006848105,0.000238636,0.000105582,0.001260426,0.0006335428],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001945743,0.000066429,0.004793432,0.001485866,0.00004038952,0.002631192,0.6346492,0.0004928745,0.001072598,0.08265246,0.1554503,0.1164707],"study_design_scores_gemma":[0.000009246699,0.00002895446,0.01078177,0.0007573317,0.00003030043,0.0005412932,0.257978,0.0001365529,0.000393451,0.001012643,0.7282901,0.00004047464],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.317568,0.1364833,0.002003019,0.03990132,0.003956303,0.0002584606,0.0007380148,0.0001303405,0.4989612],"genre_scores_gemma":[0.8483431,0.04123701,0.0008161613,0.001223122,0.000184188,0.00007432236,0.0001643961,0.0000988267,0.107859],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.06580925,"threshold_uncertainty_score":0.4774818,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2131727541","doi":"10.21606/drs.2006.106","title":"Transferability – A Wonder on the Ground of Design Research","year":2006,"lang":"en","type":"article","venue":"Proceedings of DRS","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"Social Sciences and Humanities Research Council of Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Explication; Generalizability theory; Wonder; Transferability; Computer science; Theme (computing); Subject (documents); Architecture; Research design; Common ground; Management science; Data science; Epistemology; Sociology; Engineering; Psychology; World Wide Web; Social science","authors":[{"name":"Rosan Chow","is_ca":false},{"name":"Stan Ruecker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.223170056383226,"gpt":0.3357304576790589,"spread":0.1125604012958329,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.3375372,0.002034135,0.003902637,0.006560612,0.007307567,0.0279427,0.007816488,0.009392772,0.01093454],"category_scores_gemma":[0.3766521,0.002154389,0.003375096,0.003647888,0.09962838,0.07760585,0.02282075,0.015338,0.00173615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01169447,"about_ca_system_score_gemma":0.008824282,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001473914,"about_ca_topic_score_gemma":0.0004834634,"domain_scores_codex":[0.596145,0.333187,0.01024586,0.02306619,0.03325256,0.004103377],"domain_scores_gemma":[0.4503114,0.4149104,0.008916857,0.1080561,0.01497699,0.002828311],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001018415,0.0001436085,0.001045197,0.0006248106,0.0001239876,0.0000710095,0.01585238,0.0009698279,0.0003583311,0.9343982,0.001421238,0.04488967],"study_design_scores_gemma":[0.0001295039,0.0001808441,0.000292365,0.0004364235,0.00003182034,0.0001050055,0.003310604,0.001710168,0.0004545445,0.9813665,0.01194938,0.00003281427],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.0343544,0.008653658,0.7262385,0.1253301,0.001853114,0.001123169,0.000142804,0.001015202,0.101289],"genre_scores_gemma":[0.849871,0.002846322,0.1267911,0.009664049,0.001421987,0.003339357,0.0001366332,0.0007093386,0.005220185],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3375372,"threshold_uncertainty_score":0.8169346,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1907342578","doi":"10.22230/cjc.2012v37n1a2519","title":"Broken Tools and Misfit Toys: Adventures in Applied Media Theory","year":2012,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Adventure; Media theory; Digital media; Sociology; Critical theory; New media; Mode (computer interface); Epistemology; Engineering ethics; Computer science; Media studies; Engineering; World Wide Web; Human–computer interaction; Artificial intelligence; Philosophy","authors":[{"name":"Marcel O’Gorman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06250949070321506,"gpt":0.2642148587597775,"spread":0.2017053680565624,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01640109,0.001083624,0.0008716364,0.004125661,0.006934539,0.01268773,0.002135984,0.0046334,0.006129374],"category_scores_gemma":[0.02502377,0.0008001149,0.0009028608,0.00268373,0.06231343,0.02698299,0.007328323,0.007874449,0.0007491448],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005388065,"about_ca_system_score_gemma":0.001945264,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002730929,"about_ca_topic_score_gemma":0.003654684,"domain_scores_codex":[0.9882357,0.009818153,0.0002407679,0.0006754376,0.0007143525,0.0003155789],"domain_scores_gemma":[0.960268,0.03528656,0.0005809817,0.002486375,0.0008011807,0.0005769527],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001318542,0.00001844293,0.0001701044,0.00006627147,0.000006035631,0.00009679599,0.010461,0.0004191097,0.00005682539,0.9781325,0.001440122,0.009119657],"study_design_scores_gemma":[0.000008601515,0.00001807841,0.00008671638,0.000232374,0.000003808504,0.0001008122,0.003429096,0.001808719,0.0001437831,0.9467127,0.04743924,0.00001619021],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05434494,0.04689711,0.2606829,0.1022228,0.00283257,0.0002313043,0.0001020411,0.0003187869,0.5323675],"genre_scores_gemma":[0.8330609,0.0151673,0.1119534,0.00454849,0.001521859,0.0005154596,0.00005557521,0.0003693786,0.03280747],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01640109,"threshold_uncertainty_score":0.08673823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1990141386","doi":"10.7202/1026194ar","title":"Introduction: As if from nowhere… artists’ thoughts about research-creation","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Risa Horowitz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03315426087336377,"gpt":0.2943119002684307,"spread":0.261157639395067,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.01306684,0.001156656,0.0007767865,0.002572204,0.01045818,0.02694984,0.002216836,0.006211021,0.02024214],"category_scores_gemma":[0.0219543,0.000474792,0.0009924457,0.002857242,0.0274284,0.01813676,0.006639766,0.01790188,0.008322092],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008416454,"about_ca_system_score_gemma":0.00512265,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004307716,"about_ca_topic_score_gemma":0.004481646,"domain_scores_codex":[0.9873612,0.00717813,0.0004175926,0.00158365,0.00271788,0.000741577],"domain_scores_gemma":[0.9818678,0.01303958,0.0005990256,0.001539033,0.001927171,0.001027401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005267655,0.00002243128,0.0002270403,0.0003619855,0.000007161266,0.00009910234,0.05025866,0.00010512,0.0003706503,0.8058487,0.1175284,0.0251181],"study_design_scores_gemma":[0.000005171599,0.00001733088,0.0002389018,0.0005418222,0.000003316639,0.0001774118,0.01158134,0.00008952769,0.0001554211,0.05907566,0.9280954,0.00001881198],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006270666,0.0790913,0.02584692,0.3852821,0.03086155,0.0001342728,0.0003002368,0.000573751,0.4716392],"genre_scores_gemma":[0.2535875,0.07027651,0.02129753,0.1367062,0.02947849,0.0006009302,0.0004250707,0.001519427,0.4861083],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9956923,"threshold_uncertainty_score":0.06910491,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2946917722","doi":"10.15402/esj.v5i2.68329","title":"Engaged Scholarship and the Arts","year":2019,"lang":"en","type":"article","venue":"Engaged Scholar Journal Community-Engaged Research Teaching and Learning","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Visual arts; Metaphor; Scholarship; Storytelling; Witness; Art; Immediacy; Photography; Fine art; The arts; Sociology; Narrative; Aesthetics; Literature; Political science; Linguistics","authors":[{"name":"Kathy Bishop","is_ca":false},{"name":"Catherine Etmanski","is_ca":false},{"name":"M. Beth Page","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1873024973228579,"gpt":0.3781347368591732,"spread":0.1908322395363153,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01026425,0.0005236067,0.0006389837,0.002476953,0.01644268,0.02389188,0.001727044,0.007213857,0.02490359],"category_scores_gemma":[0.01927748,0.0002789432,0.000429443,0.00279001,0.06192664,0.01488204,0.01963524,0.007264167,0.003364357],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00566811,"about_ca_system_score_gemma":0.00883262,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002858765,"about_ca_topic_score_gemma":0.005219348,"domain_scores_codex":[0.9846805,0.01078046,0.000431674,0.001045542,0.001790845,0.001271081],"domain_scores_gemma":[0.9833215,0.0101914,0.0006780101,0.002367195,0.0009032035,0.00253862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006715859,0.00004287066,0.0001562751,0.0000830655,0.000003037981,0.0000615021,0.02256807,0.00003875162,0.00004258079,0.9504908,0.008986732,0.01751957],"study_design_scores_gemma":[0.00001697993,0.00003894465,0.0004078682,0.0006822659,0.000003741763,0.0001674887,0.03548659,0.0001043682,0.0001375275,0.5854387,0.3775045,0.0000109692],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02286928,0.03672577,0.007215669,0.09326183,0.003000861,0.00009031896,0.00005310686,0.0001562041,0.836627],"genre_scores_gemma":[0.7258532,0.01840683,0.003757777,0.01417197,0.004001092,0.0003925721,0.00008220084,0.0002025102,0.2331319],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02490359,"threshold_uncertainty_score":0.08331084,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329308684","doi":"10.1386/jaac.6.1.5_1","title":"Edges of water and land: Transnational performance practices in indigenous/settler collaborations","year":2014,"lang":"en","type":"article","venue":"Journal of Arts & Communities","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Pavilion; Reading (process); Native American studies; Field (mathematics); Sociology; Visual arts; History; Aesthetics; Media studies; Gender studies; Political science; Archaeology; Art; Ecology; Law","authors":[{"name":"Petra Küppers","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0873607927109906,"gpt":0.3083981025105593,"spread":0.2210373097995687,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008215375,0.0004639474,0.0005146269,0.002127802,0.02545219,0.01219979,0.001485861,0.001976372,0.0102271],"category_scores_gemma":[0.01374661,0.0003780095,0.000247924,0.002036656,0.02431107,0.007371996,0.01867837,0.002247741,0.0005040329],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003121205,"about_ca_system_score_gemma":0.004167802,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01562711,"about_ca_topic_score_gemma":0.03216992,"domain_scores_codex":[0.9888075,0.008107953,0.0002085599,0.0006959561,0.0009077506,0.001272308],"domain_scores_gemma":[0.9922094,0.004769497,0.0005625496,0.000627051,0.0005489508,0.001282471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001113626,0.00001140034,0.0009480527,0.00003344285,0.000003314965,0.0004249027,0.9795882,0.00003358184,0.0003746838,0.01148012,0.0004819264,0.006609363],"study_design_scores_gemma":[0.000001481805,0.00001477342,0.0008409416,0.00005060438,0.000003293627,0.0001166414,0.9772223,0.0000549958,0.00009746273,0.002051174,0.01954006,0.000006300554],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7991377,0.000778594,0.005129391,0.005259802,0.000138545,0.00007036737,0.00002447613,0.00006000266,0.189401],"genre_scores_gemma":[0.9936633,0.0001405617,0.0005968242,0.000111391,0.00001299267,0.00001956859,0.000006803114,0.0000248138,0.00542366],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02545219,"threshold_uncertainty_score":0.04344761,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2327125336","doi":"10.1386/eta.6.2.213_1","title":"Research and creation: Socially-engaged art in The City of Richgate Project","year":2010,"lang":"en","type":"article","venue":"International Journal of Education through Art","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of British Columbia; Emily Carr University of Art and Design","funders":"","keywords":"Representation (politics); Census; Criticism; Sociology; Public sphere; Globalization; Social research; Contemporary art; Relation (database); Art criticism; Media studies; Social science; Political science; Aesthetics; Politics; Art; Art history; Performance art; Law","authors":[{"name":"Ruth Beer","is_ca":true},{"name":"Rita L. Irwin","is_ca":true},{"name":"Kit Grauer","is_ca":true},{"name":"Gu Xiong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1714540537704115,"gpt":0.4625598416282605,"spread":0.2911057878578489,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01521381,0.0004706492,0.0007522775,0.001558368,0.0361248,0.01896043,0.00261357,0.003644712,0.01697853],"category_scores_gemma":[0.01176789,0.000729308,0.000608102,0.002049381,0.04279209,0.007214121,0.03508763,0.00443123,0.001428014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01376515,"about_ca_system_score_gemma":0.02810575,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05515876,"about_ca_topic_score_gemma":0.1848103,"domain_scores_codex":[0.9854835,0.01015406,0.0001684794,0.0006399152,0.001665716,0.001888304],"domain_scores_gemma":[0.980101,0.0096935,0.0005643184,0.003358273,0.0007110013,0.005571929],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002629441,0.0003905291,0.002230468,0.0003436779,0.00002711104,0.002784727,0.6180165,0.0006391762,0.001624345,0.2130041,0.09434364,0.06633283],"study_design_scores_gemma":[0.00002943433,0.00004893501,0.001654379,0.0001340098,0.0000101986,0.0003975398,0.2380721,0.0002202356,0.0009029576,0.0146542,0.7438267,0.00004931157],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.352986,0.00253177,0.01614937,0.0600852,0.0009335676,0.001139186,0.0006074585,0.000583917,0.5649836],"genre_scores_gemma":[0.8094398,0.001106672,0.01088441,0.002891402,0.0001053761,0.0007564378,0.0002041744,0.0005756284,0.1740361],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05515876,"threshold_uncertainty_score":0.1096754,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237155427","doi":"10.1353/ctr.2012.0058","title":"Can Research Become Ceremony?: Performance Ethnography and Indigenous Epistemologies","year":2012,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Indigenous; Ethnography; Ceremony; Sociology; Anthropology; Gender studies; History; Ecology; Archaeology; Biology","authors":[{"name":"Virginie Magnat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1530396132507673,"gpt":0.3475427817574491,"spread":0.1945031685066818,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.03344147,0.0007329807,0.0008964681,0.004382432,0.01368946,0.01701444,0.00278738,0.003310353,0.004877079],"category_scores_gemma":[0.03866367,0.0004967632,0.0003563098,0.007986222,0.05379993,0.01892522,0.007318465,0.003381051,0.0003940751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0219769,"about_ca_system_score_gemma":0.02515922,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2770783,"about_ca_topic_score_gemma":0.4026375,"domain_scores_codex":[0.978506,0.0157866,0.000489176,0.0008929697,0.00243667,0.00188854],"domain_scores_gemma":[0.9688111,0.02280106,0.002028578,0.002232917,0.002642233,0.001484069],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004818275,0.00002291049,0.001227236,0.0008449646,0.00001547549,0.0003630097,0.7494031,0.0001316145,0.0002899249,0.1885701,0.01114902,0.04793444],"study_design_scores_gemma":[0.00001014864,0.00002069871,0.002934916,0.002147746,0.0000162927,0.0002389811,0.7770117,0.00009401105,0.0002852335,0.02779611,0.1894062,0.00003802884],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1827381,0.2242374,0.01378529,0.2220067,0.003002656,0.0002620451,0.0003758211,0.0001732339,0.3534187],"genre_scores_gemma":[0.9204996,0.05926611,0.003066496,0.003985429,0.000542923,0.0001492122,0.00008063038,0.00009567427,0.0123139],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9863105,"threshold_uncertainty_score":0.5509311,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2969994471","doi":"10.1111/jade.12250","title":"A Never‐Ending Painting: The Generosity of Time Spent Making and Learning with Others through Artistic Research","year":2019,"lang":"en","type":"article","venue":"International Journal of Art & Design Education","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Studio; Painting; Visual arts; Performative utterance; The arts; Art; Fine art; Studio art; Art school; Visual arts education; Aesthetics","authors":[{"name":"Alison Shields","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09449675180945258,"gpt":0.369893501988655,"spread":0.2753967501792024,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02274547,0.0005066234,0.0005227412,0.002944557,0.01326743,0.01946406,0.002298041,0.00201371,0.006315451],"category_scores_gemma":[0.03003195,0.0006266043,0.000592022,0.001341359,0.03655327,0.009511212,0.01924294,0.003499397,0.0005536854],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003234776,"about_ca_system_score_gemma":0.002965241,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001226687,"about_ca_topic_score_gemma":0.00279782,"domain_scores_codex":[0.9644405,0.02946341,0.0003942164,0.001274266,0.002835504,0.001592126],"domain_scores_gemma":[0.9652173,0.0238322,0.002555493,0.003576911,0.00132913,0.003488972],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005658201,0.0000726637,0.003341741,0.0001210036,0.00002851207,0.0005535068,0.9074263,0.0001280308,0.001282255,0.05286805,0.002116159,0.03200522],"study_design_scores_gemma":[0.00002512497,0.0001469254,0.005617879,0.0005401892,0.00003791352,0.001733121,0.8225869,0.0004486268,0.001071582,0.02380426,0.1439104,0.00007706836],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7748712,0.003189334,0.01721301,0.01102534,0.0003979245,0.00009784924,0.00004803013,0.0001743845,0.1929829],"genre_scores_gemma":[0.991917,0.0004285749,0.002173708,0.0002935638,0.00004855665,0.00004639506,0.00001158481,0.00005447897,0.005026178],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02274547,"threshold_uncertainty_score":0.120291,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2914077051","doi":"10.26443/crae.v45i1.48","title":"Ways of Attending: Art and Poetry / Modes de participation : art et poésie","year":2018,"lang":"fr","type":"article","venue":"The Canadian Review of Art Education / Revue canadienne d’éducation artistique","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Art; The arts; Humanities; Sociology; Art history; Visual arts; Literature","authors":[{"name":"Carl Leggo","is_ca":true},{"name":"Rita L. Irwin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08051656257123564,"gpt":0.3425157076322612,"spread":0.2619991450610256,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00168422,0.0002963719,0.0001838798,0.0009431199,0.004370074,0.006628758,0.0003864911,0.001148794,0.006832595],"category_scores_gemma":[0.002243899,0.0001838918,0.0002184715,0.0007814673,0.01608582,0.004359949,0.004305931,0.002814248,0.0006267527],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001119711,"about_ca_system_score_gemma":0.0007713241,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001660929,"about_ca_topic_score_gemma":0.002280626,"domain_scores_codex":[0.9986125,0.0008800436,0.00003676946,0.0001214196,0.000217604,0.0001316484],"domain_scores_gemma":[0.9989614,0.0004854692,0.0001315218,0.0001273023,0.00007574379,0.0002186164],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006461603,0.00007306512,0.003736723,0.0001964106,0.00001153098,0.001201336,0.6662002,0.000140677,0.003677079,0.2802308,0.009494161,0.03497324],"study_design_scores_gemma":[0.00001570946,0.0001002439,0.01233457,0.0003814593,0.00001399067,0.003504967,0.4405108,0.0003660145,0.001717195,0.02775856,0.5132478,0.00004869825],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4071785,0.005095349,0.01236972,0.01065324,0.0007511856,0.0001015687,0.00006478895,0.0001856377,0.5636],"genre_scores_gemma":[0.9698836,0.000805682,0.0009400437,0.0003225071,0.0001154654,0.00003024649,0.00000905777,0.00003680238,0.02785652],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006832595,"threshold_uncertainty_score":0.02285731,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2917411172","doi":"10.15353/cjds.v8i1.472","title":"Reflections on Access: Disability in Curatorial Practice","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Exhibition; Visual arts; Order (exchange); Sociology; Aesthetics; Art; Work (physics); Engineering","authors":[{"name":"Amanda Cachia","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2221381525130184,"gpt":0.4675833699598143,"spread":0.2454452174467959,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01359434,0.0007372743,0.0006889103,0.002462809,0.03685702,0.01703807,0.002475851,0.007432072,0.00909043],"category_scores_gemma":[0.02666951,0.0004152053,0.0005679812,0.001878531,0.0910635,0.01811046,0.02686488,0.01019868,0.0007238818],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01505766,"about_ca_system_score_gemma":0.008465692,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03321936,"about_ca_topic_score_gemma":0.0299266,"domain_scores_codex":[0.9764485,0.01638226,0.0005049372,0.001397047,0.002295147,0.002972103],"domain_scores_gemma":[0.9805192,0.01359922,0.001021439,0.001171152,0.001484357,0.002204571],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001035791,0.00001390707,0.0002058373,0.0000615399,0.000001997688,0.0005381181,0.8659827,0.00002867521,0.0001405701,0.123853,0.005942127,0.003221263],"study_design_scores_gemma":[0.000007643386,0.00001981252,0.0004281236,0.0004085253,0.000004316862,0.0008708566,0.7125565,0.00005406294,0.0002219735,0.0242079,0.2611939,0.00002639279],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2472202,0.01718643,0.00911524,0.2307913,0.00241543,0.0001247304,0.00008532947,0.0001419909,0.4929194],"genre_scores_gemma":[0.9678899,0.002762387,0.0005888539,0.005951522,0.0002714563,0.00006954807,0.000008669602,0.00005914211,0.02239841],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03685702,"threshold_uncertainty_score":0.1092515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4248751074","doi":"10.5040/9781501328800","title":"Norman McLaren","year":2017,"lang":"en","type":"book","venue":"Bloomsbury Publishing Plc eBooks","topic":"Artistic and Creative Research","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Art","authors":[{"name":"Nichola Dobson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0785734042139806,"gpt":0.2745255472487967,"spread":0.1959521430348161,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006540926,0.0005859886,0.0002773611,0.0008825,0.004118943,0.005680338,0.0008322932,0.001581287,0.1285026],"category_scores_gemma":[0.002384129,0.0003583357,0.0001858818,0.0007689676,0.001628919,0.004594396,0.002557581,0.002671156,0.05190391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003758027,"about_ca_system_score_gemma":0.002953186,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02491353,"about_ca_topic_score_gemma":0.05763002,"domain_scores_codex":[0.9990578,0.0001372006,0.0000315402,0.0002431089,0.0004617926,0.00006856339],"domain_scores_gemma":[0.9991978,0.000152926,0.00004375082,0.00006416918,0.0003653256,0.0001761232],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008619976,0.000008575199,0.00007955311,0.00006259858,9.140713e-7,0.00005950376,0.001100751,0.00002837866,0.0001663722,0.02792297,0.9323632,0.03819841],"study_design_scores_gemma":[4.740946e-7,0.000001650778,0.00006294184,0.00005823744,3.61934e-7,0.00005668588,0.0002254066,0.00001243129,0.00004509048,0.0006001712,0.9989347,0.0000017075],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001437764,0.02547068,0.001784628,0.04038607,0.008224536,0.00003814795,0.000280741,0.0004226919,0.9219548],"genre_scores_gemma":[0.006788019,0.006606275,0.0008931076,0.004622974,0.0005061075,0.00002458362,0.0001128059,0.0002760609,0.9801702],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1285026,"threshold_uncertainty_score":0.429884,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}