{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":104,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":104,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"d48b885ca8dc","filters":{"topic":"Arts and Performance Studies"}},"results":[{"id":"W2996396229","doi":"10.22478/ufpb.2177-8841.2019v10n2.49811","title":"PROPOSIÇÕES PARA UM MOVIMENTO MENOR","year":2019,"lang":"pt","type":"article","venue":"MORINGA - Artes do Espetáculo","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Erin Manning","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03162788264030526,"gpt":0.2541837011199349,"spread":0.2225558184796297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009803885,0.001180262,0.0005618422,0.003158315,0.01005831,0.01594879,0.003060799,0.005814984,0.01659266],"category_scores_gemma":[0.01062678,0.0005789282,0.001105612,0.002136984,0.03341785,0.0175161,0.009136573,0.00534113,0.002713667],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007718059,"about_ca_system_score_gemma":0.0105339,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004944025,"about_ca_topic_score_gemma":0.0125281,"domain_scores_codex":[0.9901677,0.005903889,0.0003924543,0.001375582,0.001395413,0.0007649142],"domain_scores_gemma":[0.9894259,0.00577876,0.0007941602,0.001304733,0.00176258,0.0009337899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002684769,0.00003912408,0.0005458798,0.0003963513,0.000009759264,0.0005338648,0.04911881,0.0001229597,0.0003725661,0.930778,0.004163637,0.01389221],"study_design_scores_gemma":[0.00003232151,0.0001012947,0.001610839,0.002203935,0.00004564763,0.001096705,0.1096796,0.0005133684,0.001565281,0.401312,0.4817812,0.00005792405],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04080258,0.02500595,0.05512137,0.1105792,0.003936864,0.0003793453,0.0001661213,0.0002171693,0.7637914],"genre_scores_gemma":[0.8374689,0.01915903,0.04447927,0.01018212,0.0011141,0.00070597,0.0001635464,0.0002329883,0.08649404],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01659266,"threshold_uncertainty_score":0.05599868,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2133654511","doi":"10.22456/1982-8918.10243","title":"A EXPERIÊNCIA DE DISCURSOS NA DANÇA E NA EDUCAÇÃO SOMÁTICA","year":2010,"lang":"pt","type":"article","venue":"Movimento (Porto Alegre)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Sylvie Fortin","is_ca":true},{"name":"Adriane Vieira","is_ca":false},{"name":"Martyne Tremblay","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02244885755348663,"gpt":0.2662293288089636,"spread":0.243780471255477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003338596,0.0003272428,0.000351287,0.001114484,0.005482987,0.00488102,0.0008116226,0.00109825,0.008263767],"category_scores_gemma":[0.008900529,0.0002169348,0.000247998,0.0008701195,0.01145166,0.001874468,0.007829212,0.002174329,0.0005126054],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002455775,"about_ca_system_score_gemma":0.00294817,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005552023,"about_ca_topic_score_gemma":0.0131787,"domain_scores_codex":[0.9959615,0.002424494,0.00007747624,0.0002268362,0.0008040109,0.0005056115],"domain_scores_gemma":[0.9959274,0.00225936,0.000414737,0.0002723837,0.0003287085,0.0007974461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000123214,0.0002623577,0.01119376,0.0001601261,0.00001058645,0.0006864203,0.9315525,0.00006181018,0.002091102,0.01998397,0.001469184,0.032405],"study_design_scores_gemma":[0.00003815209,0.0003105059,0.0241708,0.0002594305,0.00002218744,0.0007753781,0.9136254,0.0001258565,0.001140127,0.007145415,0.05235436,0.00003242076],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9293773,0.0004306521,0.0007638591,0.00256915,0.00007798187,0.00003134395,0.00002312886,0.00001512881,0.06671143],"genre_scores_gemma":[0.9841135,0.0002947331,0.0002586362,0.0001607133,0.00001599098,0.00002533822,0.00000872195,0.000008584402,0.01511382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008263767,"threshold_uncertainty_score":0.02764505,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2951576306","doi":"10.20396/conce.v7i2.8650145","title":"Processo colaborativo e a busca pela horizontalidade das relações entre as funções da cena","year":2018,"lang":"pt","type":"article","venue":"Conceição|Conception","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","authors":[{"name":"Vanessa Corso Bressan","is_ca":false},{"name":"Juliana Gedoz Tieppo","is_ca":false},{"name":"Natália Perosa Soldera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03078439763638072,"gpt":0.2930219753018078,"spread":0.2622375776654271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007005258,0.0008334721,0.0005470813,0.002637001,0.007447774,0.02400793,0.001632234,0.002510342,0.01712758],"category_scores_gemma":[0.01042411,0.0004672538,0.0008293438,0.003451676,0.01997963,0.009077764,0.01285613,0.004313965,0.002437322],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007068636,"about_ca_system_score_gemma":0.01603471,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00905422,"about_ca_topic_score_gemma":0.01769238,"domain_scores_codex":[0.9922808,0.004148605,0.0002952587,0.0009734961,0.001540223,0.00076154],"domain_scores_gemma":[0.9894559,0.005201053,0.001103508,0.001987058,0.001179281,0.001073136],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006934714,0.0000858444,0.00480416,0.0006754069,0.00002080986,0.0006097067,0.1170637,0.0005945545,0.002230892,0.8082923,0.003529931,0.06202339],"study_design_scores_gemma":[0.0000251482,0.0001724642,0.008310933,0.0016566,0.00006157377,0.0009358092,0.1752661,0.001240254,0.003174531,0.2021551,0.6069188,0.00008279455],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1209377,0.007992352,0.1483494,0.01845838,0.001051338,0.0005709733,0.0002291759,0.0004309627,0.7019799],"genre_scores_gemma":[0.8616028,0.004856224,0.05278048,0.001065993,0.0002032394,0.0004724533,0.0001439475,0.0001933302,0.07868145],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02400793,"threshold_uncertainty_score":0.05729747,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224239401","doi":"10.21476/pp.2022.71381","title":"Another Image of Existence","year":2022,"lang":"en","type":"article","venue":"Performance Philosophy","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Subject (documents); Salon; Coronavirus disease 2019 (COVID-19); Ontology; Poetry; Politics; Power (physics); Image (mathematics); Sociology; 2019-20 coronavirus outbreak; Epistemology; Art; Art history; Philosophy; Literature; Computer science; Political science; Law; Artificial intelligence; Library science; Medicine","authors":[{"name":"Denise Ferreira da Silva","is_ca":true},{"name":"Valentina Desideri","is_ca":true},{"name":"Georg Döcker","is_ca":false},{"name":"Eve Katsouraki","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04943687367540345,"gpt":0.2209288828097193,"spread":0.1714920091343158,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003287717,0.0004396434,0.0003743831,0.001392728,0.009481158,0.008072191,0.0007635251,0.003199602,0.008095648],"category_scores_gemma":[0.005808141,0.0002182849,0.0004765329,0.0007712013,0.04169647,0.01046947,0.007701589,0.006362886,0.0008054836],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003546148,"about_ca_system_score_gemma":0.002367268,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003186777,"about_ca_topic_score_gemma":0.004085205,"domain_scores_codex":[0.9960225,0.002380599,0.00007180117,0.0004131194,0.0007267366,0.0003851423],"domain_scores_gemma":[0.9973404,0.001087562,0.0002467535,0.0004065019,0.000397319,0.0005215696],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002301323,0.00001336656,0.000410397,0.00005011775,0.000004169652,0.0001974658,0.2328469,0.00004061497,0.0004984098,0.7464071,0.01321617,0.006292286],"study_design_scores_gemma":[0.00001111242,0.00007289023,0.001138681,0.0002720253,0.000008540391,0.0007858276,0.1857623,0.0002314616,0.0003755467,0.1024411,0.7088697,0.00003078072],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.08754332,0.00347979,0.01299004,0.08468367,0.00278774,0.00004344315,0.0001008055,0.0001677931,0.8082034],"genre_scores_gemma":[0.9409648,0.0007112829,0.001234611,0.004703204,0.0004093981,0.00002927598,0.00003318524,0.0001127247,0.05180142],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.009481158,"threshold_uncertainty_score":0.02708268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2109042261","doi":"10.11606/d.27.2013.tde-06052014-103815","title":"O ator do Teatro de Arena no cinema novo","year":2013,"lang":"pt","type":"dissertation","venue":"","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"WiLAN (Canada)","funders":"","keywords":"Movie theater; Interpretation (philosophy); Context (archaeology); Studio; Style (visual arts); Art; Set (abstract data type); Aesthetics; Visual arts; Sociology; Epistemology; Philosophy; Computer science; History; Linguistics","authors":[{"name":"Vanderlei Bernardino","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01847401636688933,"gpt":0.2476795869667086,"spread":0.2292055705998192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002551595,0.0005316196,0.0004525725,0.001567772,0.004050612,0.006902943,0.0007140869,0.0009130582,0.01085226],"category_scores_gemma":[0.009691386,0.0002691918,0.0004512026,0.001127691,0.008752141,0.0045866,0.003234833,0.002314364,0.001070403],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002938002,"about_ca_system_score_gemma":0.002895301,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009384554,"about_ca_topic_score_gemma":0.01715986,"domain_scores_codex":[0.9973206,0.001226066,0.00006851522,0.0004436128,0.0005677238,0.0003735661],"domain_scores_gemma":[0.9964513,0.001633038,0.0005042317,0.000479757,0.000497554,0.0004341578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002098436,0.0001312539,0.01091548,0.000605183,0.00002552982,0.001215264,0.2108634,0.0004798595,0.008025351,0.578262,0.0125947,0.1766722],"study_design_scores_gemma":[0.00003241531,0.0001816522,0.0203257,0.001122238,0.00004025734,0.001072951,0.1004647,0.0007736098,0.002287379,0.02924094,0.8444135,0.00004466484],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2307402,0.00516503,0.009681721,0.007321887,0.000787676,0.0001177037,0.0001768106,0.0002473251,0.7457617],"genre_scores_gemma":[0.961428,0.002749724,0.002973065,0.0004729383,0.0003359565,0.00004851896,0.00005302556,0.0001233647,0.03181535],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01085226,"threshold_uncertainty_score":0.03630441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3197099974","doi":"10.5539/ass.v17n9p49","title":"A Moment of Self-Reflection: From Trauma to Self-Healing","year":2021,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Subjectivity; Autoethnography; Self-reflection; Sociology; Reflection (computer programming); Psychology; Psychoanalysis; Social psychology; Aesthetics; Epistemology; Art; Philosophy; Gender studies; Computer science","authors":[{"name":"Jantanee Kanto","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03599514003209486,"gpt":0.2854370400285258,"spread":0.249441899996431,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008736154,0.0007089265,0.0008375444,0.001809848,0.00834462,0.0127548,0.001874478,0.003871331,0.004566363],"category_scores_gemma":[0.0182738,0.0007373983,0.001078018,0.001671102,0.03656074,0.01497767,0.0166141,0.007872319,0.0007652876],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003810662,"about_ca_system_score_gemma":0.003519076,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001186109,"about_ca_topic_score_gemma":0.001171403,"domain_scores_codex":[0.9855931,0.01062702,0.0003946391,0.0007990936,0.001418765,0.001167345],"domain_scores_gemma":[0.9895958,0.006094981,0.001468686,0.001154554,0.0007641116,0.0009217811],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008545646,0.00005700695,0.00174257,0.0003958361,0.00003294005,0.002287317,0.8764319,0.0001320348,0.0009288565,0.09593391,0.002405968,0.01956616],"study_design_scores_gemma":[0.00002471366,0.0001853775,0.001708517,0.001458034,0.00003796689,0.00537999,0.8268072,0.0002653019,0.001622945,0.05626313,0.1061595,0.0000872831],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6360694,0.02930895,0.06160049,0.06424827,0.003056901,0.0003800616,0.0001946594,0.0006315802,0.2045097],"genre_scores_gemma":[0.9850273,0.003538632,0.002896386,0.002131687,0.0001408265,0.00007851943,0.00003845242,0.0001095913,0.006038663],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0127548,"threshold_uncertainty_score":0.04620171,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2960502313","doi":"10.1590/1981-7746-sol00223","title":"TRABALHO, EDUCAÇÃO E JUVENTUDES: DIÁLOGO COM O PENSAMENTO SOCIAL DE CHRISTIAN LAVAL E PIERRE DARDOT","year":2019,"lang":"pt","type":"article","venue":"Trabalho Educação e Saúde","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Sociology","authors":[{"name":"Roberto Rafael Dias da Silva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03501003670580195,"gpt":0.2861670098195617,"spread":0.2511569731137597,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002691482,0.000331009,0.0002315265,0.001025851,0.01209637,0.007023123,0.0006921748,0.002082741,0.003500009],"category_scores_gemma":[0.002692158,0.0002225574,0.000128064,0.0009890298,0.0231546,0.002818298,0.003987889,0.003118729,0.0003914224],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.011585,"about_ca_system_score_gemma":0.009125629,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03757649,"about_ca_topic_score_gemma":0.0577334,"domain_scores_codex":[0.9968418,0.002285213,0.00003380861,0.0001843442,0.0003033396,0.0003514093],"domain_scores_gemma":[0.9974725,0.00170922,0.0002067394,0.00007296932,0.0001623591,0.0003762371],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003130515,0.00002458003,0.00137744,0.00006941483,0.000003306847,0.0005817062,0.4315898,0.0002397587,0.0003297913,0.5478529,0.006706763,0.01119335],"study_design_scores_gemma":[0.000008587001,0.00004518738,0.002058499,0.0003266801,0.000006511883,0.0004919829,0.3287826,0.0002956834,0.000765272,0.07852373,0.5886548,0.00004045814],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4090384,0.02869636,0.005145951,0.1367163,0.0007604986,0.00005703805,0.00009758334,0.00007786108,0.4194099],"genre_scores_gemma":[0.9688063,0.002382079,0.0004359445,0.001470225,0.00005880002,0.00001605856,0.000005862675,0.00001338461,0.02681142],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03757649,"threshold_uncertainty_score":0.08405542,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1903118140","doi":"10.20360/g2301s","title":"The Interpretive Movements of Language and Desire: Engagements of Poetry and Place in Qualitative Research","year":2010,"lang":"en","type":"article","venue":"Language and Literacy","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Alienation; Qualitative research; Literacy; Point (geometry); Imperfect; Sociology; Linguistics; Psychology; Aesthetics; Pedagogy; Art; Social science; Political science; Philosophy","authors":[{"name":"David Lewkowich","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03881159120624561,"gpt":0.3933016215036139,"spread":0.3544900302973683,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.1398026,0.001208329,0.00157985,0.006768203,0.02119428,0.02240151,0.003990184,0.005414601,0.002931344],"category_scores_gemma":[0.1628477,0.0017497,0.001027477,0.005422217,0.1507961,0.02551161,0.02025935,0.009148812,0.0003870804],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01031087,"about_ca_system_score_gemma":0.007713262,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005030926,"about_ca_topic_score_gemma":0.00590966,"domain_scores_codex":[0.7662439,0.2177912,0.002471328,0.003214096,0.006906692,0.003372767],"domain_scores_gemma":[0.7246749,0.2544962,0.006932865,0.006848315,0.004141173,0.002906458],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001361113,0.000005958263,0.0001672574,0.0000537934,0.000002930846,0.00009236189,0.9789779,0.00003198758,0.0001860977,0.01952541,0.0001078439,0.0008349618],"study_design_scores_gemma":[0.00001937888,0.00002854234,0.0002862299,0.0003288843,0.000008093779,0.0002703298,0.9634413,0.0002904128,0.0005012085,0.02512948,0.009665891,0.00003038943],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7036591,0.004830771,0.1362444,0.05432371,0.0008817356,0.001127679,0.0003279341,0.0002467601,0.09835785],"genre_scores_gemma":[0.988396,0.0005819497,0.006755008,0.001155474,0.0000697485,0.0007015092,0.00003240923,0.00010478,0.002203162],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1398026,"threshold_uncertainty_score":0.7393554,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2902933707","doi":"10.7202/1053859ar","title":"Unmasked Androids: Staring Faces in Science Fiction Cinema","year":2018,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Staring; Android (operating system); Movie theater; Gaze; Uncanny; Narrative; Art; Motif (music); Uncanny valley; Visual arts; Aesthetics; Media studies; Literature; Sociology; Computer science; Psychology; Psychoanalysis; Communication; Artificial intelligence; Robot","authors":[{"name":"João Vitor Resende Leal","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03819449317610485,"gpt":0.2613785064229709,"spread":0.2231840132468661,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009361343,0.000436945,0.0002068613,0.0007878649,0.004398047,0.004574895,0.0004324385,0.001171156,0.005012572],"category_scores_gemma":[0.00333767,0.0001821588,0.0002147886,0.0002721751,0.007188351,0.00245481,0.004035955,0.001625406,0.0005778623],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001092262,"about_ca_system_score_gemma":0.0003847048,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001626829,"about_ca_topic_score_gemma":0.003996116,"domain_scores_codex":[0.9991308,0.0004567577,0.00001445718,0.00009008643,0.0001760211,0.0001318808],"domain_scores_gemma":[0.9988829,0.000735211,0.00009273065,0.00007932528,0.00007752334,0.0001322411],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002011839,0.00002782549,0.002287516,0.0002491022,0.00001664565,0.002268322,0.7927911,0.0002432642,0.01328143,0.1340719,0.01073693,0.04382481],"study_design_scores_gemma":[0.00002595387,0.0002422698,0.01247597,0.0005137639,0.0000394514,0.004900369,0.3519106,0.001160648,0.009887743,0.0157714,0.6029924,0.00007951289],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.668992,0.002600851,0.007841295,0.006661894,0.0007220153,0.0000502621,0.00007659767,0.0001421457,0.3129129],"genre_scores_gemma":[0.9795737,0.0006003093,0.001364719,0.0002915208,0.0001775533,0.00001355309,0.00002898703,0.00006983246,0.0178799],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005012572,"threshold_uncertainty_score":0.01676869,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071730786","doi":"10.5380/rel.v60i0.2867","title":"MALAZARTE E A ESTÉTICA IRRACIONALISTA","year":2003,"lang":"pt","type":"article","venue":"Revista Letras","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Ideal (ethics); Humanities; Philosophy; Art; Irrational number; Mathematics; Epistemology","authors":[{"name":"André Tezza Consentino","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03959060464153567,"gpt":0.2583558752553453,"spread":0.2187652706138097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001007806,0.0006172121,0.0002250704,0.0005923581,0.005437139,0.004102831,0.0004978615,0.001698248,0.009307752],"category_scores_gemma":[0.00212021,0.0001909757,0.0002778627,0.0005073342,0.01609955,0.002224768,0.002107818,0.002399001,0.001033976],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007664337,"about_ca_system_score_gemma":0.001872949,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01880571,"about_ca_topic_score_gemma":0.03618607,"domain_scores_codex":[0.9985038,0.0007721068,0.00002196494,0.0002140265,0.0002657349,0.0002223697],"domain_scores_gemma":[0.9994326,0.0002431523,0.0001083968,0.00007225997,0.00008849027,0.00005495162],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005278935,0.00001176945,0.0006736999,0.0000579131,0.000008700168,0.0003828087,0.07172618,0.0001000748,0.0005979333,0.8897002,0.02056187,0.01612612],"study_design_scores_gemma":[0.00000847995,0.00003187951,0.001783865,0.00008167997,0.000006492757,0.0002565281,0.009316282,0.0000719213,0.0003796217,0.01523253,0.9728161,0.00001463754],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0771579,0.01326436,0.004763559,0.0425563,0.001310556,0.00004924762,0.0001098378,0.0002060224,0.8605822],"genre_scores_gemma":[0.7844175,0.002398641,0.001018729,0.003072504,0.0003216529,0.00004901091,0.00002655739,0.0000844675,0.208611],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01880571,"threshold_uncertainty_score":0.05560893,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2944557867","doi":"10.9771/r.v1i31.26802","title":"A Danzaterapia de María Fux: tecendo encontros com o campo da educação somática","year":2018,"lang":"pt","type":"article","venue":"Repertório","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Sociology; Philosophy; Art","authors":[{"name":"Déborah Maia Maia de Lima","is_ca":true},{"name":"Caroline Raymond","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03142115965190525,"gpt":0.2681216495185688,"spread":0.2367004898666636,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001745229,0.0004841074,0.0003500251,0.000868527,0.01027461,0.006859522,0.0006417873,0.002139768,0.01402837],"category_scores_gemma":[0.003137589,0.0002565278,0.0002331972,0.0006634893,0.01027308,0.004128322,0.004664383,0.002634898,0.001291159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003774834,"about_ca_system_score_gemma":0.003343023,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008161358,"about_ca_topic_score_gemma":0.01661263,"domain_scores_codex":[0.9987957,0.0006423105,0.00002716387,0.0001842173,0.000184691,0.0001659335],"domain_scores_gemma":[0.9987642,0.0006235968,0.000141734,0.00008058579,0.0001473232,0.0002427081],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007414402,0.00004560516,0.005152501,0.0002229676,0.000008058108,0.001366401,0.8187961,0.00008642833,0.003179409,0.1089481,0.009070452,0.05304984],"study_design_scores_gemma":[0.000009111461,0.0001957755,0.01106532,0.0007734176,0.00001978286,0.002133608,0.4108333,0.0001711213,0.001833909,0.01674977,0.5561639,0.00005099666],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5699282,0.02126559,0.004363274,0.04389721,0.00107769,0.0000687264,0.00007057553,0.0001021712,0.3592265],"genre_scores_gemma":[0.839695,0.005228186,0.00135651,0.001891936,0.0001822351,0.00004564993,0.00001597861,0.00005420697,0.1515303],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01402837,"threshold_uncertainty_score":0.0469296,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1567246556","doi":"10.5216/vis.v11i2.30685","title":"Entre subjetividades e aparatos pedagógicos: o que nos move a aprender?","year":2014,"lang":"pt","type":"article","venue":"Visualidades","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ford Motor Company (Canada)","funders":"","keywords":"Subjectivity; Trespass; Sociology; Subject (documents); Perception; Set (abstract data type); Motion (physics); Humanities; Epistemology; Aesthetics; Art; Philosophy; Political science; Law; Computer science","authors":[{"name":"Raimundo Martins","is_ca":false},{"name":"Irene Tourinho","is_ca":false},{"name":"Alice Fátima Martins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03791031730935802,"gpt":0.2897242679753002,"spread":0.2518139506659421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009189486,0.0006326562,0.0006323237,0.002043933,0.01078022,0.02435344,0.001786382,0.00284322,0.008848769],"category_scores_gemma":[0.01998578,0.0003482032,0.0004455494,0.001527362,0.07958277,0.0240366,0.01613789,0.008059219,0.001213327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005903928,"about_ca_system_score_gemma":0.009544499,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005247847,"about_ca_topic_score_gemma":0.005602516,"domain_scores_codex":[0.9881485,0.007857812,0.0003033869,0.001180241,0.001490483,0.001019584],"domain_scores_gemma":[0.9902202,0.005100443,0.001062116,0.0009721474,0.000988853,0.001656147],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001941852,0.0000596648,0.002158822,0.0001435555,0.000008627427,0.0002755089,0.2824774,0.00005377522,0.0002732472,0.6831933,0.002452871,0.02888368],"study_design_scores_gemma":[0.00001833755,0.00006356308,0.002116325,0.0009987276,0.00001764575,0.0003466306,0.4757034,0.000174044,0.0004997118,0.2818812,0.2381465,0.00003388266],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1890241,0.01783611,0.03236428,0.1061978,0.002944848,0.0002115307,0.00009650885,0.0003247156,0.6510001],"genre_scores_gemma":[0.9646235,0.003204628,0.002315595,0.002520733,0.0003318913,0.00008629281,0.00002856413,0.0001237039,0.02676521],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02435344,"threshold_uncertainty_score":0.04859924,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385720682","doi":"10.11606/issn.2238-3999.v12i1p54-72","title":"Anna Halprin: uma trajetória de desestabilizações rumo a práticas criativas que celebram a diferença","year":2022,"lang":"pt","type":"article","venue":"Revista aSPAs","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy; Sociology","authors":[{"name":"Marcia Berselli","is_ca":false},{"name":"Natália Perosa Soldera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0448606137086314,"gpt":0.2705469601856352,"spread":0.2256863464770038,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002274027,0.0006662551,0.0003169197,0.001264163,0.01216873,0.007054573,0.0009375472,0.002530775,0.006834913],"category_scores_gemma":[0.006195995,0.0002516629,0.0002162166,0.001422275,0.0211044,0.004396037,0.002743031,0.003909862,0.0009955846],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007312252,"about_ca_system_score_gemma":0.005764568,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0546408,"about_ca_topic_score_gemma":0.1147822,"domain_scores_codex":[0.99722,0.001468432,0.00006634407,0.0003422885,0.0006298657,0.000273036],"domain_scores_gemma":[0.9955389,0.003081557,0.0002801098,0.0003040279,0.0004725058,0.0003230243],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005444352,0.00002577316,0.00126131,0.0002931596,0.000007266422,0.0008992777,0.3429574,0.0002023785,0.001343432,0.5087017,0.1161357,0.02811816],"study_design_scores_gemma":[0.000004186938,0.00002302882,0.002280287,0.0005132009,0.000007413655,0.0004790489,0.08070952,0.0001795106,0.0005041201,0.02331303,0.8919637,0.00002297543],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08112128,0.02645182,0.004483054,0.1952199,0.004582157,0.00006680307,0.0001371186,0.0001780878,0.6877598],"genre_scores_gemma":[0.7357631,0.01509693,0.001684614,0.01359846,0.001390501,0.0001153906,0.00004217743,0.0001481531,0.2321607],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0546408,"threshold_uncertainty_score":0.1086455,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3204891540","doi":"10.9771/rr.v1i36.38213","title":"Ecologies of Dramaturgy in Dance Creation: A Conversation","year":2021,"lang":"pt","type":"article","venue":"Repertório","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art; Dance; Visual arts","authors":[{"name":"Haley Baird","is_ca":true},{"name":"Vanessa Montesi","is_ca":false},{"name":"Dana Dugan","is_ca":true},{"name":"Matthew-Robin Nye","is_ca":true},{"name":"Angélique Willkie","is_ca":true},{"name":"Christian Scott","is_ca":true},{"name":"Melina Scialom","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0297993708284252,"gpt":0.2584035843113958,"spread":0.2286042134829706,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001648347,0.0003158407,0.0002903717,0.002108255,0.01367274,0.008927574,0.0009017088,0.002071196,0.009129873],"category_scores_gemma":[0.001912662,0.0002780103,0.0002108016,0.001803925,0.01327592,0.004859068,0.005565268,0.002538062,0.0002857846],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01505313,"about_ca_system_score_gemma":0.005899857,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1374373,"about_ca_topic_score_gemma":0.2804736,"domain_scores_codex":[0.9990393,0.000437322,0.00001875196,0.0001020093,0.00008174802,0.0003209912],"domain_scores_gemma":[0.9990226,0.0005485259,0.00006970577,0.0000322479,0.00008113989,0.0002458935],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009490784,0.0001283102,0.01644525,0.0001554171,0.00001539071,0.001581324,0.8395038,0.0002920315,0.001286484,0.1194758,0.004295521,0.01672577],"study_design_scores_gemma":[0.000008193537,0.00002582853,0.02635265,0.000162382,0.000007908775,0.0001858922,0.8751151,0.0002993428,0.0001974247,0.006308006,0.09132072,0.00001655697],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.707985,0.003237437,0.002591307,0.03707997,0.0003133343,0.0001007546,0.0002881032,0.0000296332,0.2483745],"genre_scores_gemma":[0.9876044,0.001055398,0.0003418163,0.0007712962,0.00005046474,0.000030223,0.00004810968,0.00001894434,0.01007937],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1374373,"threshold_uncertainty_score":0.2732745,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W35580139","doi":"10.1371/journal.pbio.3001610","title":"Folia-de-Reis: representações de uma comunidade de pescadores","year":2006,"lang":"en","type":"article","venue":"Lecturas: Educación física y deportes","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Biotechnology and Biological Sciences Research Council; Canadian Network for Research and Innovation in Machining Technology, Natural Sciences and Engineering Research Council of Canada; Department of Agriculture and Rural Development, Northern Ireland","keywords":"Humanities; Art","authors":[{"name":"Romena Olívia de Souza","is_ca":false},{"name":"Luis dos Anjos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01353492303568022,"gpt":0.2386237122881746,"spread":0.2250887892524944,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001044901,0.0002948896,0.0003043085,0.0008635564,0.002159577,0.001550618,0.0007851304,0.0006098537,0.02740249],"category_scores_gemma":[0.001931308,0.0001194568,0.000168972,0.001413467,0.0006554239,0.0009617048,0.002025597,0.0003476561,0.001821545],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002046694,"about_ca_system_score_gemma":0.001164954,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006261191,"about_ca_topic_score_gemma":0.01409629,"domain_scores_codex":[0.9993559,0.0001535503,0.00002549381,0.0001937584,0.0001357661,0.000135519],"domain_scores_gemma":[0.9994493,0.00008865714,0.00008987457,0.0001146475,0.00008657442,0.0001709242],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.002189163,0.0007576404,0.05839564,0.001020056,0.00007913367,0.003159434,0.02888762,0.0008751347,0.1177798,0.03241522,0.01116235,0.7432788],"study_design_scores_gemma":[0.0001083709,0.001410035,0.1520402,0.0002996656,0.0001143705,0.002212607,0.02554574,0.0011139,0.03319615,0.005020611,0.7788615,0.00007690081],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9148175,0.001836708,0.002415642,0.001690356,0.0001955054,0.0001169815,0.0005657664,0.0001650481,0.07819647],"genre_scores_gemma":[0.9516655,0.0009020435,0.005503165,0.0001261343,0.00005346225,0.00007960179,0.0004946506,0.00005804169,0.04111737],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02740249,"threshold_uncertainty_score":0.09167045,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2736876896","doi":"10.21083/csieci.v11i1-2.3598","title":"Maracatu Rural: Improvisation as a Social and Cultural Practice","year":2017,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Improvisation; Situational ethics; Context (archaeology); Sociology; Aesthetics; Rhyme; Interdependence; Psychology; Social psychology; Art; History; Visual arts; Social science; Literature; Poetry","authors":[{"name":"Stefan Weghuber","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1362000646881624,"gpt":0.4497508725265712,"spread":0.3135508078384088,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001224345,0.0002682764,0.0001768623,0.0009874635,0.008680432,0.005754138,0.0007099623,0.001081462,0.003210132],"category_scores_gemma":[0.002389567,0.00009430053,0.000122395,0.001235614,0.01939993,0.001716951,0.002962191,0.001885019,0.0001704583],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003949657,"about_ca_system_score_gemma":0.002429125,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01045309,"about_ca_topic_score_gemma":0.0301229,"domain_scores_codex":[0.998839,0.0007684484,0.00001675148,0.00008875963,0.0001583945,0.0001287399],"domain_scores_gemma":[0.9988523,0.0007097456,0.0001308592,0.00009183909,0.00006473462,0.0001504597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006504857,0.00007301746,0.001959685,0.0002383759,0.000004549477,0.00159984,0.4717841,0.0001505155,0.002176809,0.4847425,0.003847423,0.03335816],"study_design_scores_gemma":[0.000015268,0.0001182475,0.01013258,0.0005112444,0.000008826588,0.001584918,0.500974,0.0003797286,0.0009062667,0.02372816,0.4616191,0.00002160069],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4024906,0.006227302,0.002925024,0.01440347,0.0003777386,0.00007333804,0.00002682729,0.00004725563,0.5734284],"genre_scores_gemma":[0.9889494,0.0008727804,0.0003103478,0.0001715782,0.00006991478,0.00002268191,0.000005565591,0.00001055988,0.009587086],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01045309,"threshold_uncertainty_score":0.0286569,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2607759500","doi":"10.22409/pragmatizes.v0i11.10437","title":"Carnaval, uma festa democrática? Discussão sobre segregação social e o direito à cidade a partir do universo carnavalesco do Rio de Janeiro.","year":2016,"lang":"pt","type":"article","venue":"PragMATIZES - Revista Latino-Americana de Estudos em Cultura","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","authors":[{"name":"Thaís Cunegatto","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02289488551666981,"gpt":0.2621031138896171,"spread":0.2392082283729473,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001762534,0.0002637332,0.0002666464,0.001024485,0.01132926,0.008402597,0.000769076,0.001021931,0.004192894],"category_scores_gemma":[0.002319816,0.0001794133,0.0002327261,0.001722972,0.01365704,0.003268389,0.004478692,0.001561488,0.000290896],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008195337,"about_ca_system_score_gemma":0.005768443,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07548894,"about_ca_topic_score_gemma":0.2120848,"domain_scores_codex":[0.9985169,0.0008205999,0.00002211037,0.0001669503,0.0001804506,0.0002930038],"domain_scores_gemma":[0.999321,0.0002533392,0.0001160863,0.00008632958,0.00006001105,0.0001632614],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003748787,0.00003379861,0.01407455,0.0001914073,0.00001447847,0.0005444571,0.3575519,0.0001178562,0.0005314923,0.585403,0.01297509,0.02852439],"study_design_scores_gemma":[0.00000836735,0.00003474075,0.03295656,0.0003469938,0.00001861372,0.0003243914,0.3439322,0.0001033823,0.0002010782,0.02009253,0.60196,0.0000210883],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3826159,0.02360985,0.001539133,0.08190437,0.0008172372,0.00005266458,0.0001244165,0.00004326496,0.5092932],"genre_scores_gemma":[0.9715263,0.003803543,0.0002585262,0.001418075,0.00009949901,0.00002734853,0.00002927082,0.00002028486,0.02281711],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07548894,"threshold_uncertainty_score":0.150099,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382242017","doi":"10.11606/t.27.2023.tde-27062023-103424","title":"Abrir um buraco no presente: a aula de teatro como experiência política","year":2023,"lang":"pt","type":"dissertation","venue":"","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Filipe Brancalião Alves de Moraes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02785137208286999,"gpt":0.2997302972654681,"spread":0.2718789251825982,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00357725,0.0002924265,0.0004095364,0.0009230236,0.01477519,0.01360842,0.001095436,0.003346452,0.01807823],"category_scores_gemma":[0.005517368,0.0002172559,0.0004661243,0.001296811,0.02509712,0.01118145,0.00883824,0.006688111,0.001835633],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005937831,"about_ca_system_score_gemma":0.005744378,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005546032,"about_ca_topic_score_gemma":0.01461594,"domain_scores_codex":[0.9955149,0.0026707,0.00007822116,0.0005242343,0.0004855035,0.0007264865],"domain_scores_gemma":[0.9974687,0.001034521,0.000242074,0.0004167025,0.0002772837,0.0005607495],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002785663,0.00003799297,0.0007559103,0.00009075973,0.00000376606,0.0002181196,0.1183493,0.00007750485,0.0004509917,0.858965,0.01017829,0.01084462],"study_design_scores_gemma":[0.00001230331,0.00006221596,0.002934426,0.0003822813,0.0000108825,0.0002823955,0.1433044,0.0001812105,0.0006545149,0.06123237,0.7909092,0.00003385127],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1133747,0.005595927,0.007213428,0.1164062,0.001654503,0.00005350197,0.00006968668,0.00009926489,0.7555328],"genre_scores_gemma":[0.8422632,0.00229679,0.001303587,0.007035046,0.0004171432,0.00006701288,0.00002810433,0.0001399255,0.1464491],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01807823,"threshold_uncertainty_score":0.06047773,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2550571801","doi":"10.22409/contracampo.v35i2.932","title":"No Supermercado do Estilo","year":2016,"lang":"pt","type":"article","venue":"Revista Contracampo","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Extendicare (Canada)","funders":"","keywords":"Humanities; Physics; Art","authors":[{"name":"Ted Polhemus","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0240090177873584,"gpt":0.2427492311103955,"spread":0.2187402133230371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002936134,0.0005975739,0.0005629926,0.004323847,0.005635236,0.007485369,0.0009973191,0.002263543,0.02083371],"category_scores_gemma":[0.01196146,0.0002758114,0.00035708,0.004863756,0.004935355,0.004363501,0.006447177,0.003575738,0.002547152],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003587308,"about_ca_system_score_gemma":0.003669002,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009832994,"about_ca_topic_score_gemma":0.02693572,"domain_scores_codex":[0.9974712,0.0008425176,0.0001288597,0.0003499032,0.0009115054,0.0002959914],"domain_scores_gemma":[0.993197,0.003992687,0.0006980216,0.0006034254,0.0009069463,0.0006019239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001775298,0.00004949147,0.00428705,0.001631122,0.00001782138,0.001479917,0.09948536,0.0001154234,0.001214048,0.2635438,0.4392961,0.1887023],"study_design_scores_gemma":[0.000002346449,0.00001115499,0.002192984,0.0005778132,0.000003678703,0.0002077427,0.006784814,0.00002374374,0.0002077338,0.001717312,0.9882619,0.000008767005],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06253723,0.1262818,0.004283877,0.133449,0.04374624,0.000122022,0.001909007,0.0003958311,0.6272749],"genre_scores_gemma":[0.3911381,0.08110959,0.002980672,0.01681351,0.01947699,0.0002380057,0.001489261,0.0005778237,0.4861762],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02083371,"threshold_uncertainty_score":0.06969565,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2025265025","doi":"10.3138/md.2012-s77","title":"Melodrama, Modernity and the Brazilian Television Mini-Series","year":2012,"lang":"en","type":"article","venue":"Modern Drama","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Modernity; Latin Americans; Democracy; National identity; Literature; Art; History; Sociology; Political science; Law","authors":[{"name":"Niall Brennan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02567095035941839,"gpt":0.2322529425865616,"spread":0.2065819922271432,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001045716,0.0003278655,0.0001324421,0.001035563,0.003442279,0.002915516,0.0004267866,0.0004783852,0.00843419],"category_scores_gemma":[0.003207094,0.0001062132,0.00009054698,0.001082548,0.004040865,0.001705956,0.001852137,0.001144597,0.00032205],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002587621,"about_ca_system_score_gemma":0.0009909038,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01051402,"about_ca_topic_score_gemma":0.02203912,"domain_scores_codex":[0.9996233,0.0001958142,0.00001071017,0.00003757309,0.00007605413,0.00005655988],"domain_scores_gemma":[0.9989645,0.0005392447,0.0001116807,0.0001033529,0.000149345,0.0001318547],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009053387,0.00006203134,0.003832661,0.0003231811,0.00001113057,0.0006776475,0.23282,0.0001444637,0.00419074,0.6583322,0.02324107,0.07627446],"study_design_scores_gemma":[0.00001032624,0.00007770332,0.01444159,0.0006658743,0.00001603144,0.0005218952,0.0807016,0.0003169623,0.001618581,0.01472126,0.8868907,0.00001740864],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2721559,0.007496439,0.001376346,0.01542926,0.0006716023,0.00004018413,0.0001197195,0.0000583924,0.7026522],"genre_scores_gemma":[0.9756778,0.001619838,0.0003113498,0.0003363959,0.0001453015,0.00002181013,0.00003621238,0.00002514993,0.02182615],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01051402,"threshold_uncertainty_score":0.02821511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2953944572","doi":"10.34019/1982-0836.2017.v21.19432","title":"Um rosto para Domingas: hospitalidade e reconhecimento na criação narrativa de uma identidade feminina em Dois Irmãos, de Milton Hatoum","year":2017,"lang":"pt","type":"article","venue":"IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cégep de Lévis","funders":"","keywords":"Philosophy; Humanities; Art","authors":[{"name":"Ângela Maria Salgueiro Marques","is_ca":true},{"name":"Ângela Cristina Salgueiro Marques","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03821128270108701,"gpt":0.2957877304627139,"spread":0.2575764477616269,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002463001,0.0004082106,0.0003394013,0.001085847,0.01103321,0.008176807,0.001084256,0.002557697,0.005649725],"category_scores_gemma":[0.006453983,0.0002661298,0.0002770971,0.001083513,0.02128997,0.01037991,0.007195358,0.004771534,0.0007225265],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004504127,"about_ca_system_score_gemma":0.003710477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008778163,"about_ca_topic_score_gemma":0.01795866,"domain_scores_codex":[0.9975892,0.001645438,0.00005406456,0.0002097692,0.0002489941,0.0002524441],"domain_scores_gemma":[0.9970238,0.0017802,0.0003552985,0.0001860782,0.0002356243,0.0004191877],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004951586,0.00001750026,0.001303817,0.0001235945,0.00000617917,0.0008184646,0.6446556,0.00006807919,0.0003453514,0.3197422,0.0200842,0.01278536],"study_design_scores_gemma":[0.00001151041,0.00004810999,0.002399987,0.000624642,0.00001221437,0.0009738929,0.4633602,0.0001827317,0.00069866,0.04089991,0.4907508,0.00003739934],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2733782,0.02644545,0.00985083,0.1839604,0.002904261,0.0001159676,0.0001507788,0.0001522863,0.5030417],"genre_scores_gemma":[0.9323939,0.00516173,0.00146676,0.004988779,0.0003377386,0.00006722419,0.00002910986,0.00009523035,0.05545951],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01103321,"threshold_uncertainty_score":0.03267992,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120511593","doi":"","title":"A proposal for an Arts curriculum, based on the Pedagogy of Liberation, for young people living on the outskirts of the city center of São Paulo","year":2024,"lang":"pt","type":"dissertation","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Center (category theory); The arts; Architecture; Narrative","authors":[{"name":"Rafael Antônio [UNESP] Ghirardello","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03361295361049911,"gpt":0.2758213469057745,"spread":0.2422083932952754,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006367169,0.0008620088,0.0004645322,0.003447024,0.003278555,0.004286922,0.002842008,0.004449535,0.01794771],"category_scores_gemma":[0.009050533,0.0004085411,0.001313127,0.001566606,0.002229888,0.002755917,0.005851725,0.004221086,0.003776716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005411566,"about_ca_system_score_gemma":0.0565,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01203825,"about_ca_topic_score_gemma":0.02426852,"domain_scores_codex":[0.9964448,0.001229125,0.0002422923,0.0004596221,0.0009900777,0.0006340746],"domain_scores_gemma":[0.9924365,0.00114164,0.0003972604,0.0003757961,0.001419109,0.004229681],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002252126,0.005173991,0.011145,0.006340827,0.00006122446,0.001851954,0.0323378,0.002894848,0.01127107,0.1457218,0.09245244,0.6905239],"study_design_scores_gemma":[0.0003256145,0.001245267,0.04334457,0.005124063,0.00009405248,0.0007325399,0.01967294,0.001242253,0.002393749,0.02830378,0.8974185,0.0001026562],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"methods","genre_scores_codex":[0.1594424,0.008283889,0.1471011,0.2220234,0.0150914,0.04731116,0.002764633,0.002537176,0.3954448],"genre_scores_gemma":[0.2864386,0.006661532,0.4745331,0.01774576,0.001174153,0.02496535,0.002009359,0.0003446873,0.1861275],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.01794771,"threshold_uncertainty_score":0.06004107,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120725689","doi":"","title":"Peter Pan gets on the scene: the playfulness and the pressure between being a child and being an adult","year":2017,"lang":"pt","type":"dissertation","venue":"UNESP Institutional Repository (São Paulo State University)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Intentionality; Order (exchange)","authors":[{"name":"Camila Cuencas Funari Mendes e [UNESP] Silva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01232314884291042,"gpt":0.2049903808344135,"spread":0.1926672319915031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001890973,0.000397379,0.0003293583,0.0007205324,0.00476542,0.005389585,0.0006095939,0.001650717,0.005246802],"category_scores_gemma":[0.004962593,0.0003387121,0.0003182398,0.000476196,0.01498218,0.005488251,0.004788822,0.004677149,0.0009031223],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001482288,"about_ca_system_score_gemma":0.001346588,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008021937,"about_ca_topic_score_gemma":0.01464215,"domain_scores_codex":[0.9973834,0.001901971,0.00004063932,0.0001762193,0.0002633736,0.0002343103],"domain_scores_gemma":[0.9977267,0.001356716,0.000229284,0.00007882451,0.0001534129,0.0004549962],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002036713,0.000073701,0.005874954,0.000754347,0.00003800893,0.00327626,0.740314,0.00007241072,0.001461837,0.1286777,0.06357755,0.0556755],"study_design_scores_gemma":[0.00002898875,0.0001892284,0.01476351,0.001375733,0.00003047114,0.004630923,0.6020115,0.0001281095,0.0006463011,0.03433112,0.3417835,0.00008070352],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.32084,0.117238,0.005181908,0.2597804,0.006371981,0.0001251701,0.0001492128,0.0001181944,0.2901953],"genre_scores_gemma":[0.9075967,0.02727929,0.001564793,0.02166888,0.001113184,0.0001053365,0.00003985136,0.0001141537,0.04051774],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008021937,"threshold_uncertainty_score":0.01755226,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3215511627","doi":"","title":"A festa como patrimônio cultural: o carnaval popular em Campina Grande","year":2021,"lang":"pt","type":"article","venue":"Mouseion Journal of the Classical Association of Canada","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Keila Queiroz e Silva","is_ca":false},{"name":"Pryscilla Laryssa da Silva Lima","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01650939179140384,"gpt":0.2209929999073974,"spread":0.2044836081159936,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007226067,0.0003519926,0.0002370745,0.001628526,0.01032353,0.004291359,0.0009395477,0.000917469,0.01005518],"category_scores_gemma":[0.001230868,0.0001695332,0.0001856889,0.002873241,0.005889709,0.001729786,0.003485918,0.001360883,0.0003279186],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004919204,"about_ca_system_score_gemma":0.002644037,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1102572,"about_ca_topic_score_gemma":0.3873142,"domain_scores_codex":[0.9995436,0.0001338327,0.000007386795,0.00008636034,0.00009274129,0.0001361118],"domain_scores_gemma":[0.9993413,0.0002800525,0.00007582515,0.00005660095,0.00007953093,0.0001666928],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001152819,0.00004715385,0.02695288,0.0004573262,0.00001353468,0.003829496,0.8868,0.0000995585,0.002819713,0.03555785,0.01017724,0.03313004],"study_design_scores_gemma":[0.000004528302,0.00005063052,0.05898991,0.0002821394,0.000008447832,0.0006402279,0.675503,0.00006746215,0.0002518645,0.001165981,0.2630149,0.00002088376],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8612508,0.003456675,0.0004095226,0.00461781,0.0002856933,0.00005416811,0.0003767538,0.00002642409,0.1295222],"genre_scores_gemma":[0.9818079,0.00118736,0.0003326345,0.0002528227,0.00008194522,0.00002836167,0.0001009381,0.00001901648,0.01618909],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1102572,"threshold_uncertainty_score":0.2192309,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120281051","doi":"","title":"Iconografia e processos de criação : imagens da dança na obra pictórica de Edgar Degas","year":2014,"lang":"pt","type":"dissertation","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Iconography; Dance; Painting; Photography; Quarter (Canadian coin); Style (visual arts); Ballet","authors":[{"name":"Raíssa Caroline Brito Costa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02841231262443436,"gpt":0.2564972179179718,"spread":0.2280849052935374,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008887432,0.0005495172,0.000256905,0.001772483,0.003767808,0.007370537,0.0004220598,0.0008590054,0.005850954],"category_scores_gemma":[0.002591379,0.0002032536,0.0002882688,0.001610115,0.009983514,0.003134392,0.00227935,0.002040899,0.0005153455],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002474294,"about_ca_system_score_gemma":0.001312401,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005872177,"about_ca_topic_score_gemma":0.0101012,"domain_scores_codex":[0.9992425,0.0003272929,0.00002305776,0.0001351776,0.0001915457,0.0000803627],"domain_scores_gemma":[0.9995364,0.0002288559,0.00005659861,0.00006738619,0.00005551099,0.000055203],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001208381,0.00002713122,0.002231007,0.0003938948,0.00001415227,0.0006991631,0.54645,0.0003257372,0.006797713,0.3797784,0.006808746,0.05635321],"study_design_scores_gemma":[0.00001698867,0.00008590605,0.01369833,0.0008528269,0.00003269195,0.001926724,0.2251759,0.0007870036,0.004080739,0.02506817,0.7282268,0.00004785265],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2503377,0.009205904,0.01542909,0.004942508,0.0005935964,0.0001153667,0.0001641313,0.0001974659,0.7190142],"genre_scores_gemma":[0.9403978,0.002531287,0.003872539,0.0002240868,0.0001130348,0.00004838772,0.00005310729,0.0001174628,0.05264227],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007370537,"threshold_uncertainty_score":0.01957333,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6912457485","doi":"10.5281/zenodo.4171168","title":"Assistir O Mensageiro do Último Dia (2020) Dublado Filme Online Grátis ytl","year":2020,"lang":"pt","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Film director; Game studies; Movie theater; Wizard of oz","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0696061506648242,"gpt":0.2493892148795847,"spread":0.1797830642147605,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000402998,0.0007681348,0.000307541,0.0008424541,0.00154172,0.003116549,0.0007655559,0.001052965,0.8255802],"category_scores_gemma":[0.00194505,0.0004022583,0.000439503,0.0003761863,0.0002005352,0.002571608,0.00288729,0.001196225,0.6267999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006593962,"about_ca_system_score_gemma":0.0005643376,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003834303,"about_ca_topic_score_gemma":0.02091723,"domain_scores_codex":[0.9997467,0.00002105304,0.000009223188,0.00003624573,0.0001020687,0.00008475083],"domain_scores_gemma":[0.9987532,0.00007631633,0.00003958273,0.00008137479,0.0003628834,0.0006867279],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000784583,0.000042576,0.0003324994,0.00007876974,0.000002434607,0.0001145535,0.0001298604,0.00003053085,0.001052643,0.0006700573,0.9523091,0.04515847],"study_design_scores_gemma":[0.00001548312,0.00003256101,0.001812104,0.00005400801,0.000004139297,0.00009276238,0.0002096692,0.0001011497,0.0005827536,0.0002540629,0.9968339,0.000007517993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002917238,0.0003995888,0.001575257,0.002030646,0.002318153,0.0003765033,0.006582507,0.005985741,0.9778144],"genre_scores_gemma":[0.007130721,0.0003936355,0.00186499,0.0005356005,0.0004014816,0.0001570703,0.002886093,0.001304558,0.9853258],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1744198,"threshold_uncertainty_score":0.2487887,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120751692","doi":"","title":"Apresentação Métis: história & cultura – v. 19, n. 37, jan./jun. 2020","year":2020,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Government (linguistics); Context (archaeology); Perspective (graphical); Identity (music)","authors":[{"name":"Paulo Staudt Moreira","is_ca":false},{"name":"Roberto Radünz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04070014025124402,"gpt":0.2529516318948448,"spread":0.2122514916436008,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003393737,0.0006314375,0.0004396122,0.00319008,0.003692178,0.007980808,0.001259623,0.003108559,0.1030311],"category_scores_gemma":[0.007688411,0.0004763401,0.0003342298,0.005030127,0.002165708,0.004270484,0.003113288,0.00444789,0.04561655],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006659569,"about_ca_system_score_gemma":0.008454608,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05784909,"about_ca_topic_score_gemma":0.0962835,"domain_scores_codex":[0.9966817,0.0006116942,0.0002893396,0.0003194419,0.001710855,0.0003869256],"domain_scores_gemma":[0.9968134,0.0008504528,0.0002961659,0.000284656,0.001347559,0.0004079095],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000024843,0.00002153565,0.0003739781,0.0002278942,0.000002707328,0.0000489047,0.0007527323,0.00002506597,0.0001931225,0.01774071,0.9549316,0.02565699],"study_design_scores_gemma":[0.000003546702,0.000004559779,0.001193484,0.0002355991,0.0000012102,0.00001581461,0.0002744674,0.000006148917,0.00006033872,0.0005960593,0.9976041,0.000004678055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001925803,0.05010583,0.0004496272,0.04345259,0.02762026,0.0002613509,0.004003091,0.0003180423,0.8718634],"genre_scores_gemma":[0.01538704,0.03121804,0.0009533473,0.01483896,0.00855498,0.0004119784,0.002132386,0.0003517298,0.9261515],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1030311,"threshold_uncertainty_score":0.3446735,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1494020403","doi":"","title":"A escola: um obstáculo necessário","year":2010,"lang":"fr","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec","funders":"","keywords":"Humanities; Art; Sociology","authors":[{"name":"Josette Féral","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02306866856204307,"gpt":0.2416953366706603,"spread":0.2186266681086173,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007421365,0.0008609015,0.0008068798,0.00186475,0.01809376,0.02571277,0.002917243,0.009758689,0.02442152],"category_scores_gemma":[0.01815832,0.0004622535,0.0006053725,0.002273035,0.01772311,0.02626346,0.01386261,0.0124259,0.00979355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005170772,"about_ca_system_score_gemma":0.006803013,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01161999,"about_ca_topic_score_gemma":0.02129125,"domain_scores_codex":[0.9895543,0.00547508,0.0003136099,0.00119169,0.002336253,0.001128978],"domain_scores_gemma":[0.9873253,0.003605967,0.0005870304,0.001995342,0.004583115,0.001903129],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002708927,0.00002919577,0.0006021746,0.0001757677,0.000008858663,0.0005277634,0.03745467,0.00006082971,0.0001964945,0.6169474,0.3047893,0.03918049],"study_design_scores_gemma":[0.000002144443,0.000006949657,0.0001524669,0.0003090891,0.000003140802,0.0003003106,0.01582991,0.00003387973,0.0000606646,0.01812724,0.9651614,0.0000128414],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007873556,0.0313053,0.004368892,0.4623874,0.02211175,0.00004708142,0.0001580714,0.0001905362,0.4715575],"genre_scores_gemma":[0.2819686,0.03888789,0.004089935,0.1283327,0.02410748,0.0002148102,0.0002800457,0.001108093,0.5210105],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02571277,"threshold_uncertainty_score":0.08169812,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120694240","doi":"","title":"INOVAÇÃO E HIBRIDISMOS NA OBRA VISAGENS NORDESTINAS","year":2025,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Bride; Quarter (Canadian coin)","authors":[{"name":"Raron de Barros Lima Moura","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02957102090940204,"gpt":0.2547778002110371,"spread":0.2252067793016351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001361884,0.0003717792,0.0004212551,0.002523279,0.00671002,0.00616817,0.0005141054,0.0006008481,0.003577357],"category_scores_gemma":[0.002418673,0.0002597779,0.0002261774,0.004262256,0.005671236,0.00211653,0.003619327,0.001001188,0.0004305897],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005277027,"about_ca_system_score_gemma":0.005854319,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06475034,"about_ca_topic_score_gemma":0.2199921,"domain_scores_codex":[0.9988056,0.0004781057,0.00006612476,0.0001866988,0.00025527,0.0002081537],"domain_scores_gemma":[0.9986921,0.0006036364,0.0002606264,0.0001177768,0.0002157411,0.000110183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006923852,0.00002605153,0.01504091,0.000367807,0.00001369764,0.0008969057,0.9016476,0.0001436378,0.001333004,0.03841398,0.001686032,0.0403611],"study_design_scores_gemma":[0.000005768733,0.0000529819,0.03844913,0.001090048,0.00003789422,0.0004966561,0.6511928,0.00006277419,0.0008588726,0.005238487,0.3024903,0.00002434444],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7958198,0.01196665,0.0009000235,0.002304418,0.0001652125,0.00003854205,0.0002393711,0.0000179682,0.1885481],"genre_scores_gemma":[0.9357924,0.007683444,0.001415084,0.0002259777,0.00003975293,0.00005736226,0.0001171091,0.00002798555,0.05464085],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06475034,"threshold_uncertainty_score":0.1287469,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120574853","doi":"","title":"Imperativo reverso: por uma abordagem sensível-dialógica das imagens publicitárias no ensino das artes visuais","year":2024,"lang":"pt","type":"dissertation","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Object (grammar); Simulacrum; Painting; Historical heritage; Order (exchange)","authors":[{"name":"Letícia Francez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02350418355635448,"gpt":0.2746655432287093,"spread":0.2511613596723548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004613125,0.0004869479,0.0003644427,0.001016283,0.00711215,0.01076278,0.001212789,0.002196808,0.01416611],"category_scores_gemma":[0.007580548,0.0003324296,0.0004487885,0.0008440828,0.01844802,0.008313895,0.0081131,0.003331083,0.001748409],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006540095,"about_ca_system_score_gemma":0.007090941,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03181156,"about_ca_topic_score_gemma":0.04886789,"domain_scores_codex":[0.9945648,0.002893283,0.0001192244,0.0007912054,0.001055783,0.0005756025],"domain_scores_gemma":[0.9959638,0.001452063,0.0004645399,0.0007472905,0.0008581606,0.0005140341],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007884878,0.0001173464,0.01009954,0.0003618672,0.0000290866,0.0008023652,0.5743433,0.0002059274,0.005397967,0.3474059,0.009314166,0.05184362],"study_design_scores_gemma":[0.00002498254,0.0001441546,0.01293288,0.0004560971,0.000052209,0.0006722501,0.3309342,0.000577213,0.002878131,0.05830853,0.5929386,0.00008072126],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2676181,0.001559649,0.03024617,0.03246222,0.0006628162,0.0002083755,0.0002159989,0.0004428891,0.6665839],"genre_scores_gemma":[0.9385952,0.0004451685,0.004030534,0.002123008,0.00006048119,0.00009739165,0.0000506646,0.0001078062,0.05448977],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03181156,"threshold_uncertainty_score":0.06325281,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7042475703","doi":"","title":"O renascer da pós-graduação em poéticas visuais na UNESP, campus de Bauru: contribuição valiosa para os cursos de artes","year":2016,"lang":"en","type":"article","venue":"Americanae (AECID Library)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"The Renaissance; State (computer science); The arts; Poetics; Painting","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02261340045774176,"gpt":0.2438457162255956,"spread":0.2212323157678538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01052423,0.0001858477,0.0003281075,0.001496683,0.009777059,0.007154566,0.001732371,0.001298462,0.006786579],"category_scores_gemma":[0.02013878,0.0002812189,0.0002051749,0.001905698,0.007885479,0.004449298,0.007941363,0.00325306,0.0006778874],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00840782,"about_ca_system_score_gemma":0.03673184,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0591217,"about_ca_topic_score_gemma":0.1550157,"domain_scores_codex":[0.995326,0.002358012,0.0001292048,0.0002911209,0.0009773027,0.0009183089],"domain_scores_gemma":[0.9844994,0.002783076,0.0009051024,0.001005561,0.004303503,0.006503343],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001178185,0.000352239,0.05350098,0.0003995451,0.0000113301,0.0007204755,0.291407,0.0001176431,0.001804525,0.03727091,0.02873625,0.5855613],"study_design_scores_gemma":[0.00001081203,0.0002534607,0.1402455,0.001280924,0.00001258691,0.0004063961,0.4614887,0.0002418821,0.0009862089,0.006103743,0.3889239,0.0000459147],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7431266,0.009704955,0.004204306,0.1277451,0.001662125,0.0003295452,0.0002110566,0.0002214891,0.1127947],"genre_scores_gemma":[0.9734571,0.003359349,0.002377044,0.002141946,0.0001243184,0.00009311442,0.00005062244,0.0000660839,0.0183305],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0591217,"threshold_uncertainty_score":0.1175551,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6991058910","doi":"","title":"Festivals of films, decolonial spaces, and public pedagogy : some preliminary reflections","year":2020,"lang":"en","type":"article","venue":"OAR@UM (University of Malta)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Nucleofection; Gestational period; Pretext; Hyporeflexia; TSG101; Tubulopathy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.06546408874495471,"gpt":0.2529786430301549,"spread":0.1875145542852002,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009463629,0.0008707332,0.0008321436,0.00186609,0.01848421,0.01462224,0.00208872,0.002668488,0.007894856],"category_scores_gemma":[0.01062931,0.0005528877,0.0004883049,0.001973572,0.02014337,0.01068069,0.009979089,0.007201761,0.0004941878],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007424692,"about_ca_system_score_gemma":0.002668915,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0145003,"about_ca_topic_score_gemma":0.03206353,"domain_scores_codex":[0.9927357,0.005240252,0.0001609833,0.0003484429,0.0003909742,0.001123593],"domain_scores_gemma":[0.989566,0.007836767,0.0005047724,0.0004845563,0.0006302988,0.0009776],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001018866,0.0001547417,0.001375775,0.0002995927,0.000009211829,0.0008798149,0.9016551,0.00004815398,0.0005188517,0.08020385,0.004818515,0.009934426],"study_design_scores_gemma":[0.000009592355,0.00005703603,0.001814629,0.0002197857,0.000005929516,0.0001638431,0.8951303,0.00003207695,0.0003491118,0.003319884,0.09888563,0.00001213502],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6709937,0.0133449,0.005051722,0.05781653,0.002462576,0.0003631755,0.0003068541,0.0001289595,0.2495315],"genre_scores_gemma":[0.9717364,0.004432132,0.0006986543,0.001397111,0.0007733364,0.0001518869,0.00006991721,0.0001140806,0.02062646],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01848421,"threshold_uncertainty_score":0.0538702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120759735","doi":"","title":"Modernidade e Carnaval em Porto Alegre no Século XIXModernity and Carnivalat Porto Alegre in Century XIX","year":2009,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Newspaper; Modernity; Capital (architecture); Capital accumulation; Spectacle; Quarter (Canadian coin); Capitalism; Context (archaeology)","authors":[{"name":"Caroline Pereira Leal","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0234033559931348,"gpt":0.2397035862083193,"spread":0.2163002302151845,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004424603,0.0002331508,0.0001906421,0.0009326733,0.005306005,0.003673591,0.0006325361,0.0007180551,0.008151467],"category_scores_gemma":[0.0008736374,0.0001977207,0.0001355067,0.002591267,0.00492966,0.001348141,0.002303579,0.001133845,0.0002520363],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009103308,"about_ca_system_score_gemma":0.003578855,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2101038,"about_ca_topic_score_gemma":0.5193825,"domain_scores_codex":[0.9996089,0.0000596778,0.000009665499,0.00005318226,0.00007854239,0.0001900941],"domain_scores_gemma":[0.9997427,0.0000726181,0.00007252827,0.000028611,0.00002785939,0.00005564814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001286542,0.00004480948,0.03133329,0.0003253165,0.00002771382,0.003637162,0.607803,0.0001945964,0.001864444,0.3025124,0.01128006,0.04084852],"study_design_scores_gemma":[0.000007358299,0.0000350669,0.1809814,0.0002757037,0.00001281267,0.0005880535,0.2067584,0.00004969541,0.0004323774,0.002188934,0.6086383,0.00003184264],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7765498,0.004991502,0.0001224395,0.004803401,0.00009996297,0.00001829208,0.0002067764,0.00001716752,0.2131907],"genre_scores_gemma":[0.950601,0.001407891,0.00007331186,0.000215646,0.00003776083,0.00001216909,0.00006707155,0.00001703804,0.04756805],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2101038,"threshold_uncertainty_score":0.4177616,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7015616257","doi":"","title":"Teatro e educação na obra de Tara Goldstein.","year":2012,"lang":"pt","type":"article","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ethnography; Multiculturalism; Object (grammar); Immigration; Order (exchange)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1012192070494027,"gpt":0.3829449505945903,"spread":0.2817257435451876,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002264899,0.0004542494,0.0002357044,0.0008144485,0.006727583,0.005852083,0.0007517454,0.002399514,0.01139321],"category_scores_gemma":[0.002562206,0.0002291665,0.0002792751,0.0009897542,0.009051898,0.003802973,0.004320934,0.004932101,0.002045477],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005249481,"about_ca_system_score_gemma":0.008311961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01775301,"about_ca_topic_score_gemma":0.0382098,"domain_scores_codex":[0.9977698,0.001128713,0.00008210733,0.0003548693,0.0003125552,0.0003519891],"domain_scores_gemma":[0.9982864,0.0004653306,0.0002454661,0.0001145073,0.0003431486,0.0005451016],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000642876,0.0001625499,0.005458591,0.0005174564,0.00001430577,0.000844204,0.09188819,0.0001969735,0.0009258442,0.4795672,0.2877966,0.1325639],"study_design_scores_gemma":[0.00000742783,0.00003219666,0.002609659,0.0003538416,0.000006685446,0.0002708131,0.01349756,0.00006273059,0.0002507781,0.015237,0.9676588,0.00001253445],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0344556,0.0842067,0.004083218,0.3613589,0.01027066,0.00008572567,0.0001177166,0.0002564361,0.5051651],"genre_scores_gemma":[0.4632132,0.03303794,0.003537519,0.04489832,0.001903441,0.0001110009,0.00007086825,0.0001671166,0.4530607],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01775301,"threshold_uncertainty_score":0.03811413,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2905237342","doi":"10.5965/1414573102152010021","title":"A arte dramática deve doravante mostrar o povo em sua ambiguidade","year":2018,"lang":"pt","type":"article","venue":"Urdimento","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Vanguard College","funders":"","keywords":"Dram; Humanities; Art; Bureaucracy; Political science; Philosophy; Computer science; Law; Politics; Computer hardware","authors":[{"name":"Jacques Rancière","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02964203252532757,"gpt":0.2653782393714577,"spread":0.2357362068461301,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00253759,0.0008115732,0.0003891152,0.001138892,0.008649201,0.01339273,0.001119424,0.001935931,0.01734913],"category_scores_gemma":[0.006285028,0.0002809113,0.0004569926,0.0006895028,0.01970223,0.005489928,0.006576674,0.005128707,0.003341757],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003083144,"about_ca_system_score_gemma":0.001523117,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003223449,"about_ca_topic_score_gemma":0.009525855,"domain_scores_codex":[0.9977193,0.001149589,0.00005967001,0.000299186,0.0004838739,0.000288271],"domain_scores_gemma":[0.997542,0.001081027,0.0001738084,0.000630781,0.0003135065,0.000258829],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002689736,0.00001118219,0.0003319371,0.00007603071,0.000007333375,0.0001979365,0.02662585,0.0001095336,0.0005930911,0.936321,0.02244172,0.01325758],"study_design_scores_gemma":[0.00000620161,0.0000248115,0.0004892938,0.0001652258,0.00001158833,0.000332105,0.01319029,0.0001932127,0.0008107009,0.04424062,0.9405167,0.00001925875],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02075066,0.002708359,0.0100662,0.02062579,0.002760575,0.00003092188,0.0001003593,0.0002628219,0.9426942],"genre_scores_gemma":[0.736461,0.002033031,0.003348764,0.002631898,0.001112987,0.00005917115,0.00007226594,0.0004222527,0.2538587],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01734913,"threshold_uncertainty_score":0.05803859,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W12197629","doi":"","title":"Chewing chewing chewing social space","year":2007,"lang":"en","type":"dissertation","venue":"Bangladesh Medical Research Council Bulletin","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Chewing gum; Dentistry; Medicine; Food science; Biology","authors":[{"name":"Emily Rosamond","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2019937319738373,"gpt":0.3806319665147325,"spread":0.1786382345408951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001379457,0.0002606788,0.0004302672,0.0009401077,0.0004541193,0.0005569299,0.0001785421,0.0002715714,0.008273675],"category_scores_gemma":[0.0008029538,0.0001130219,0.0002340499,0.001147881,0.0003370047,0.0002997692,0.000242938,0.0003105761,0.001353777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001962753,"about_ca_system_score_gemma":0.0001667391,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003860588,"about_ca_topic_score_gemma":0.006812153,"domain_scores_codex":[0.9998368,0.0000213987,0.00001796956,0.0000224439,0.00006332044,0.000038052],"domain_scores_gemma":[0.9996228,0.00003251811,0.000202785,0.00002140275,0.00004047396,0.00007991004],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007116446,0.0005929357,0.8486773,0.0005078334,0.0003244106,0.002366894,0.001646973,0.00004423131,0.007242197,0.0002552205,0.004717592,0.1329127],"study_design_scores_gemma":[0.000007354693,0.0002086685,0.9953649,0.00002708192,0.00001953257,0.001551694,0.0003464956,0.00001445099,0.0001321257,0.00004380768,0.002278421,0.00000547895],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9830693,0.004405438,0.00008894792,0.0002847118,0.00005933267,0.00005205534,0.0010368,0.00003551694,0.01096794],"genre_scores_gemma":[0.9857524,0.004392957,0.0001242311,0.0001834976,0.00005632057,0.0000174383,0.0008049754,0.000005667604,0.008662529],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.008273675,"threshold_uncertainty_score":0.02767813,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120703441","doi":"","title":"To open a whole in the present: drama class as a political experience","year":2023,"lang":"pt","type":"dissertation","venue":"Digital Library of Theses and Dissertations  (Universidade de São Paulo)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Politics; Drama; Class (philosophy); Power (physics); Michel foucault","authors":[{"name":"Filipe Brancalião Alves de Moraes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02950614777470047,"gpt":0.2843598551169066,"spread":0.2548537073422061,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002090992,0.000527713,0.0005827114,0.001146684,0.02201391,0.01519632,0.0009937533,0.003424437,0.02180498],"category_scores_gemma":[0.004531277,0.0002465528,0.0005197781,0.001144054,0.0242754,0.009401174,0.008329833,0.007459139,0.001856829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004800424,"about_ca_system_score_gemma":0.001548617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007020383,"about_ca_topic_score_gemma":0.01179624,"domain_scores_codex":[0.9969374,0.001862256,0.00004271619,0.0002790085,0.0002809419,0.0005977033],"domain_scores_gemma":[0.9981145,0.0008367284,0.0001551327,0.0001670838,0.00008171807,0.0006448531],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005727889,0.00005871126,0.0009510615,0.00005771895,0.000006724269,0.0004241756,0.8794579,0.00005239461,0.0005655578,0.1041585,0.008465741,0.00574423],"study_design_scores_gemma":[0.00001570819,0.00005038774,0.002354724,0.0001387811,0.000007094153,0.0003670738,0.6054764,0.00007388499,0.0003388644,0.007847059,0.3833023,0.00002767159],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4142665,0.003481638,0.002594195,0.02898803,0.001587916,0.00005183862,0.0001488663,0.0001291093,0.5487519],"genre_scores_gemma":[0.942653,0.0006446762,0.0002018977,0.001496891,0.0002018989,0.00002833452,0.00003112259,0.0001200252,0.05462207],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02201391,"threshold_uncertainty_score":0.07294494,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120742750","doi":"","title":"O Ensino da Dança: uma via complementar para a formação contemporânea do ator","year":2022,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Class (philosophy); Work (physics); Qualitative research; Field (mathematics); Vulnerability (computing)","authors":[{"name":"Skelling Desmeules (Universite d’Ottawa – Ottawa, Canadá), Marie-Eve","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05044882006248402,"gpt":0.263177576809866,"spread":0.212728756747382,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009887457,0.000621908,0.0007832865,0.002040803,0.0162657,0.01088077,0.001601511,0.00202585,0.007348087],"category_scores_gemma":[0.01415508,0.0004299851,0.0004290158,0.00197193,0.03389131,0.008056327,0.008890141,0.003812885,0.0005974663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006077778,"about_ca_system_score_gemma":0.006437227,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0144137,"about_ca_topic_score_gemma":0.03658634,"domain_scores_codex":[0.9858912,0.01091111,0.0002244673,0.001077812,0.001139832,0.0007555838],"domain_scores_gemma":[0.9891628,0.007620609,0.0007657157,0.0009142385,0.0007405522,0.0007960465],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002041401,0.00001730801,0.0008527376,0.00009152226,0.000003052147,0.000295247,0.9475939,0.00003091232,0.0004244947,0.04312517,0.0008048872,0.006740337],"study_design_scores_gemma":[0.00001107197,0.00005268002,0.001319833,0.0004564013,0.00001189223,0.0003937034,0.8471051,0.0001497102,0.0004501921,0.008067734,0.1419589,0.00002270799],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6303092,0.002751973,0.02701242,0.01395453,0.0006427069,0.0004862369,0.0003110967,0.000151741,0.32438],"genre_scores_gemma":[0.9754964,0.0005379858,0.003252081,0.0005515857,0.0000655097,0.0001870397,0.00003234225,0.00007072582,0.01980638],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0162657,"threshold_uncertainty_score":0.0522905,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393350275","doi":"","title":"Programas Especializados em Teatro: um caminho para si e para a arte na sociedade","year":2015,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Ottawa; Université Laval","funders":"","keywords":"Art; Humanities; Materials science","authors":[{"name":"Francine Chaîné","is_ca":true},{"name":"Mariette Théberge","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4414050030126697,"gpt":0.5381419966655302,"spread":0.09673699365286048,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00709869,0.0006298507,0.0005485908,0.002318502,0.01198077,0.006727324,0.003124069,0.001786185,0.01369906],"category_scores_gemma":[0.008297191,0.0003637196,0.000746407,0.002360632,0.0104296,0.005331859,0.01258339,0.003365443,0.001237754],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01169298,"about_ca_system_score_gemma":0.03487279,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05251763,"about_ca_topic_score_gemma":0.2300471,"domain_scores_codex":[0.9931474,0.004049151,0.0001596956,0.0005444575,0.0007203023,0.001378924],"domain_scores_gemma":[0.9917935,0.002158963,0.0007338242,0.0008313161,0.0009246522,0.003557683],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001513164,0.001816303,0.02106394,0.002025507,0.00005378534,0.001231322,0.4637737,0.0004189813,0.00300722,0.07706128,0.02875591,0.4006407],"study_design_scores_gemma":[0.00007920178,0.000650782,0.0397576,0.002182544,0.0001000277,0.0005237178,0.2663725,0.0003969875,0.001386032,0.009448773,0.6790336,0.0000683042],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6547292,0.009704914,0.02660866,0.061278,0.001751467,0.001804216,0.0003012805,0.001026538,0.2427957],"genre_scores_gemma":[0.8618821,0.007150126,0.03721834,0.004886933,0.0002804157,0.001299528,0.000261126,0.0002571691,0.08676425],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05251763,"threshold_uncertainty_score":0.1044239,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1175201335","doi":"10.9771/r.v0i13.4016","title":"&lt;b&gt;Warwick Long: articulando Feldenkrais nas artes cênicas &lt;/b&gt; &lt;br&gt; [Melina Scialom]","year":2012,"lang":"pt","type":"article","venue":"Repertório","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"REPERTÓRIO Teatro Dança","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03734418463966786,"gpt":0.2579030266394919,"spread":0.220558841999824,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003287072,0.0004066064,0.0002536243,0.001519082,0.01224455,0.008466452,0.001013279,0.001961403,0.01138818],"category_scores_gemma":[0.004427775,0.0003028316,0.0001549236,0.002140981,0.01419729,0.005904136,0.003276798,0.003001588,0.001291848],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009487309,"about_ca_system_score_gemma":0.008159864,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06849973,"about_ca_topic_score_gemma":0.2486235,"domain_scores_codex":[0.998656,0.0006964647,0.00003869191,0.0001408297,0.0003324763,0.0001354333],"domain_scores_gemma":[0.9978638,0.001151042,0.0001868213,0.0001065991,0.0003254082,0.0003662631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006022308,0.00003766734,0.001420317,0.0004803463,0.000004116313,0.0007639145,0.378032,0.0001046988,0.001083885,0.2747997,0.1781686,0.1650446],"study_design_scores_gemma":[0.000002824506,0.00001409981,0.001531106,0.0007353422,0.000002529049,0.0002398229,0.1167734,0.00003089731,0.0002949934,0.008126249,0.8722336,0.0000151479],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07818372,0.1081665,0.0107439,0.2191534,0.007326378,0.0001778165,0.0001500567,0.0001957956,0.5759023],"genre_scores_gemma":[0.535777,0.06028861,0.006917208,0.01092334,0.0009388266,0.0001914147,0.00006783204,0.0003476391,0.3845482],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06849973,"threshold_uncertainty_score":0.136202,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6998716849","doi":"","title":"Apresentação Métis: história &amp; cultura – v. 19, n. 37, jan./jun. 2020","year":2020,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Government (linguistics); Context (archaeology); Perspective (graphical); Work (physics)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0478490370438347,"gpt":0.2597686675529225,"spread":0.2119196305090879,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001986812,0.0005006169,0.0003065659,0.003180466,0.00299623,0.007273206,0.0008246012,0.001801542,0.08694777],"category_scores_gemma":[0.005305085,0.0002770487,0.0002262632,0.00512914,0.00218705,0.004256907,0.002200169,0.002336263,0.02339803],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004508778,"about_ca_system_score_gemma":0.00489263,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0388459,"about_ca_topic_score_gemma":0.07694912,"domain_scores_codex":[0.9988295,0.0003206506,0.00009119353,0.0001235116,0.0005166386,0.0001184144],"domain_scores_gemma":[0.9986047,0.0004717634,0.000130439,0.0001256049,0.0005076001,0.0001598195],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002659011,0.00001657066,0.0008838268,0.0003381915,0.000004020169,0.00005797892,0.001961727,0.00002535021,0.0001572691,0.03461624,0.9078141,0.05409815],"study_design_scores_gemma":[0.000002042705,0.000003594562,0.0013204,0.0003840851,0.000001456276,0.00002209694,0.0006462035,0.000008477731,0.00005027502,0.0009093314,0.9966492,0.000002725993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.003035083,0.09785212,0.0006545456,0.06901817,0.03337342,0.0000871962,0.002898537,0.0002769562,0.7928039],"genre_scores_gemma":[0.03873845,0.07800774,0.00144838,0.011547,0.01189878,0.0002303992,0.00199998,0.0004518226,0.8556775],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9611541,"threshold_uncertainty_score":0.2908692,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2802903944","doi":"10.26512/vis.v17i1.20567","title":"O pensamento selvagem e a bricolagem da dança contemporânea","year":2018,"lang":"pt","type":"article","venue":"Revista VIS Revista do Programa de Pós-Graduação em Arte","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Encana (Canada); Université du Québec à Montréal","funders":"","keywords":"Philosophy; Humanities; Psychology","authors":[{"name":"Márcia Rodrigues de Almeida","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05203317915558116,"gpt":0.2984828587802333,"spread":0.2464496796246521,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001927673,0.0003501749,0.0003168979,0.001497619,0.008601094,0.007332358,0.0008083924,0.001108934,0.02034654],"category_scores_gemma":[0.004139134,0.0001987811,0.0001827675,0.002068935,0.01985312,0.003697814,0.00619922,0.001995151,0.001084664],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004879266,"about_ca_system_score_gemma":0.004459755,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02625527,"about_ca_topic_score_gemma":0.1061714,"domain_scores_codex":[0.9980097,0.001094687,0.00004141602,0.0002792551,0.0003465351,0.0002283909],"domain_scores_gemma":[0.9985348,0.0006202813,0.0001363531,0.0002334215,0.0002250984,0.0002500753],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000322878,0.00003944817,0.007206956,0.0001323747,0.00001165429,0.0004903087,0.4485521,0.000162403,0.0007058464,0.4694346,0.005958939,0.06727308],"study_design_scores_gemma":[0.000006696783,0.00005983905,0.01344765,0.0005583634,0.00001697238,0.0006035932,0.2982935,0.0002330925,0.0006833035,0.05164845,0.634419,0.00002937786],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2156282,0.003109218,0.004543808,0.008620169,0.0003575133,0.00004656141,0.00007025375,0.00006032629,0.7675641],"genre_scores_gemma":[0.9018268,0.001308349,0.001442836,0.0003773948,0.0000527297,0.00003170734,0.00002693563,0.00003873267,0.09489447],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02625527,"threshold_uncertainty_score":0.068066,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4365151825","doi":"10.4000/artelogie.11661","title":"Revolver a terra, revoltar as narrativas: Uma aproximação à performance Axexê da Negra ou o descanso das mulheres que mereciam serem amadas de Renata Felinto","year":2023,"lang":"pt","type":"article","venue":"Artelogie","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Humanities; Art","authors":[{"name":"Joyce Delfim","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09981377662727905,"gpt":0.3198097669349766,"spread":0.2199959903076975,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002934412,0.0006299942,0.0003071683,0.0008330664,0.01351923,0.009545008,0.0009496509,0.001917226,0.006901697],"category_scores_gemma":[0.003943985,0.0002380271,0.0002976464,0.0008504202,0.02214412,0.004232516,0.007218955,0.003390545,0.001199361],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003633294,"about_ca_system_score_gemma":0.002853571,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007938118,"about_ca_topic_score_gemma":0.02187391,"domain_scores_codex":[0.9976344,0.001589613,0.00004005347,0.0001984826,0.0002466678,0.0002907181],"domain_scores_gemma":[0.998541,0.0006403983,0.0001970271,0.0001255335,0.0001536327,0.0003424616],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006269676,0.00002824736,0.001981409,0.0001942925,0.000009575228,0.0008677435,0.7256927,0.0001394712,0.001369167,0.221276,0.02591839,0.02246034],"study_design_scores_gemma":[0.000009262144,0.0001109503,0.004809225,0.0004172147,0.00001441964,0.0009252316,0.4687636,0.0001717683,0.001110249,0.01693297,0.5067019,0.00003323399],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2730091,0.01199402,0.008036261,0.04450981,0.001839239,0.00007404191,0.0001021145,0.0001301128,0.6603053],"genre_scores_gemma":[0.897193,0.003042876,0.00148694,0.001405116,0.0002899528,0.00004912546,0.00003800957,0.00007369331,0.09642131],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01351923,"threshold_uncertainty_score":0.02636147,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4411275357","doi":"10.70446/ephemera.v8i14.7611","title":"O Teatro de Grupo como experiência coletiva frente aos desafios do neoliberalismo no contexto urbano — uma breve reflexão","year":2025,"lang":"pt","type":"article","venue":"Ephemera.","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Caio Sérgio de Castro Armada Floret Franzolin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03885835814247694,"gpt":0.3234488801484898,"spread":0.2845905220060128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002658613,0.0004949456,0.0004554719,0.00102994,0.006575983,0.01119099,0.001205457,0.002332391,0.007546901],"category_scores_gemma":[0.002484377,0.0002144078,0.0004828865,0.001434014,0.03894603,0.008515247,0.009532192,0.004217822,0.0007743653],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004962514,"about_ca_system_score_gemma":0.004324805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007275014,"about_ca_topic_score_gemma":0.01186256,"domain_scores_codex":[0.9961515,0.002544838,0.00005968424,0.0004091426,0.0003842768,0.0004504455],"domain_scores_gemma":[0.9983052,0.0007048388,0.0001913289,0.000351987,0.0001459198,0.0003006581],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002080714,0.00001330599,0.0008202059,0.00007220301,0.00000471244,0.0001415582,0.05699877,0.0001239143,0.0002146383,0.9326485,0.003254924,0.005686403],"study_design_scores_gemma":[0.00001476471,0.00004585833,0.002683229,0.0003265835,0.0000138212,0.0003362815,0.1260642,0.000331121,0.0005132284,0.3228511,0.5467873,0.00003257321],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.1627279,0.009902397,0.02261217,0.1033417,0.001458337,0.00008694208,0.0001627408,0.0001005573,0.6996074],"genre_scores_gemma":[0.9494565,0.002892689,0.002493406,0.003346417,0.0003628873,0.00007381395,0.00004056634,0.00008125949,0.04125249],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.01119099,"threshold_uncertainty_score":0.03600574,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4311253552","doi":"10.24840/esc.vi63.594","title":"Recensão Gallager, Kathleen, &amp; Kushnir, Andrew (2022). Hope in a collapsing world: Youth, theater and listening as a political alternative. University of Toronto Press. Cenários de esperança no teatro da educação","year":2022,"lang":"pt","type":"article","venue":"Educação Sociedade & Culturas","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Active listening; Humanities; Psychology; Art; Sociology; Art history; Psychotherapist","authors":[{"name":"Eunice Macedo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03575659366979616,"gpt":0.2710829366973312,"spread":0.2353263430275351,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001651558,0.0008639218,0.0004828451,0.002616329,0.004453062,0.00546825,0.001653589,0.003154176,0.05437234],"category_scores_gemma":[0.004336025,0.0007571587,0.0002772355,0.003462352,0.001577011,0.007599591,0.002050577,0.003657694,0.02791339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003615876,"about_ca_system_score_gemma":0.008634184,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1604327,"about_ca_topic_score_gemma":0.3921374,"domain_scores_codex":[0.9992648,0.0001289107,0.00004648275,0.00008661582,0.0003539712,0.0001192359],"domain_scores_gemma":[0.9971277,0.0006277512,0.0002185659,0.00006199163,0.001417444,0.0005464462],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001775927,0.00000828159,0.0004368789,0.0001813752,0.000001570204,0.00005733731,0.003132443,0.000009313729,0.00004109692,0.002320876,0.936938,0.05685523],"study_design_scores_gemma":[0.000005327353,0.000006910986,0.001845103,0.0005797269,0.000006382967,0.00008521003,0.004322241,0.000006078432,0.00006640285,0.0008057985,0.9922638,0.000007020849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002296454,0.5683852,0.0009973532,0.2390708,0.02590955,0.0001194039,0.002439361,0.0002448259,0.160537],"genre_scores_gemma":[0.03347668,0.437759,0.001621514,0.04027721,0.00621622,0.0002145301,0.001032322,0.0003540293,0.4790485],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1604327,"threshold_uncertainty_score":0.3189977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3095850663","doi":"10.26512/museologia.v9i18.34964","title":"Musealização da Performatividade em coleções públicas e privadas","year":2020,"lang":"pt","type":"article","venue":"Museologia & Interdisciplinaridade","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","authors":[{"name":"Emerson Dionísio Gomes de Oliveira","is_ca":false},{"name":"Anna Paula da Silva","is_ca":false},{"name":"Fernanda Werneck Côrtes","is_ca":true},{"name":"Juliana Pereira Sales Caetano","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0826209670728461,"gpt":0.2911505344991121,"spread":0.208529567426266,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002062299,0.0006106942,0.0005623689,0.00270413,0.008668119,0.01090991,0.001333807,0.00258847,0.01482598],"category_scores_gemma":[0.007153592,0.0002649902,0.0004766987,0.003359382,0.01975371,0.006319264,0.006022474,0.003284072,0.001514406],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005902249,"about_ca_system_score_gemma":0.004016927,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009384913,"about_ca_topic_score_gemma":0.01534529,"domain_scores_codex":[0.9968048,0.00148842,0.000145334,0.000362845,0.0008232215,0.0003753716],"domain_scores_gemma":[0.9950476,0.002923607,0.0005095475,0.0006139873,0.000553742,0.0003515896],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009577312,0.00002317865,0.001057095,0.0005368618,0.00001173165,0.0007795164,0.2200665,0.0002934332,0.001046487,0.7028999,0.04537092,0.02781855],"study_design_scores_gemma":[0.000006559337,0.00002096267,0.002935193,0.0006076001,0.000007784252,0.0006808868,0.06179935,0.0001990219,0.0005828062,0.02306546,0.9100684,0.00002610656],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09464619,0.02092785,0.01089289,0.04748407,0.004462671,0.000137861,0.000574986,0.0002981938,0.8205754],"genre_scores_gemma":[0.8056375,0.01149568,0.003129443,0.004700014,0.003169527,0.0002149471,0.0002747538,0.0003499819,0.1710282],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01482598,"threshold_uncertainty_score":0.0495978,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1530615205","doi":"10.21083/csieci.v7i1.1388","title":"Improvisation in the Jeitinho Brasileiro","year":2011,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Improvisation; Utopia; Nonverbal communication; Aesthetics; Sociology; Epistemology; Psychology; Social psychology; Political science; Philosophy; Art; Communication; Law; Visual arts","authors":[{"name":"Fernanda Carlos Borges","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3099569493536644,"gpt":0.3928829376265873,"spread":0.08292598827292297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002791157,0.0003739708,0.0003499447,0.001074884,0.01018057,0.005176988,0.0006830221,0.00173812,0.004739546],"category_scores_gemma":[0.005721115,0.0002222247,0.0001778182,0.001194608,0.01883429,0.002233117,0.003622589,0.002178462,0.0003602219],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005692675,"about_ca_system_score_gemma":0.004850063,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04183188,"about_ca_topic_score_gemma":0.09806983,"domain_scores_codex":[0.9973896,0.001484506,0.0000785912,0.0002303094,0.0005177762,0.0002991739],"domain_scores_gemma":[0.9979327,0.0012085,0.0001863711,0.0001869584,0.0002661107,0.0002193105],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004664471,0.00007468148,0.001550024,0.0002730925,0.000004949519,0.001524343,0.6249686,0.0001492033,0.00194738,0.3351663,0.002873878,0.03142084],"study_design_scores_gemma":[0.00001189816,0.000096619,0.006779764,0.001101004,0.00001236947,0.001111723,0.4808573,0.000368287,0.001445824,0.03248703,0.4756945,0.00003370069],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4560865,0.008064718,0.004043136,0.01372017,0.0004540814,0.0001151295,0.00002699013,0.00003998755,0.5174493],"genre_scores_gemma":[0.981923,0.001257362,0.0005106024,0.0003725994,0.00003140881,0.00001729716,0.000005609506,0.00001621874,0.01586587],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04183188,"threshold_uncertainty_score":0.08317679,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4408921313","doi":"10.15687/rec.v18i1.72923","title":"PASOLINI, PEDAGOGIA PÚBLICA, PRESENÇA SUBJETIVA","year":2025,"lang":"pt","type":"article","venue":"Revista Espaço do Currículo","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Sociology","authors":[{"name":"William F. Pinar","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0391568457999436,"gpt":0.3198635074177534,"spread":0.2807066616178098,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001375065,0.0008406142,0.0002870924,0.001805147,0.009024253,0.01334556,0.0008572295,0.004100973,0.01991528],"category_scores_gemma":[0.003613209,0.0003519482,0.0003767675,0.002489254,0.01462099,0.008203185,0.005039553,0.007745921,0.004204619],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01111915,"about_ca_system_score_gemma":0.007081744,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01894329,"about_ca_topic_score_gemma":0.01955622,"domain_scores_codex":[0.9978115,0.00100261,0.0000387497,0.0003321546,0.0004953438,0.0003197237],"domain_scores_gemma":[0.9983599,0.0009055804,0.0001661216,0.0001308677,0.0001908241,0.0002467587],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002713219,0.00002944699,0.0005626707,0.0002651933,0.000006378934,0.0002963034,0.02544659,0.0001155308,0.0002162308,0.6501516,0.2889104,0.03397266],"study_design_scores_gemma":[0.000003708235,0.000005915861,0.0006236219,0.0002644766,0.000003997783,0.0001284753,0.003578126,0.00003530608,0.0001050127,0.02804162,0.9672027,0.000007022004],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006799936,0.05479974,0.001370766,0.2175599,0.003456839,0.00003808188,0.0001325603,0.0002080526,0.7156341],"genre_scores_gemma":[0.5254182,0.05201722,0.00153562,0.03350349,0.007123566,0.0002806936,0.0002349964,0.0005258189,0.3793604],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01991528,"threshold_uncertainty_score":0.08067548,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7009306635","doi":"","title":"\"Different places, other fires\" (St. John's quadrilles and migration in Natal (Rio Grande do Norte, Brazil))","year":2004,"lang":"fr","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Gender relations; Folklore; The Imaginary","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01503527267890975,"gpt":0.2506896042959492,"spread":0.2356543316170394,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005092439,0.0001564853,0.0001540996,0.0004987051,0.005290274,0.00181081,0.0005354232,0.000477809,0.00621514],"category_scores_gemma":[0.0009097232,0.0001312692,0.0001555315,0.0009550897,0.002501618,0.0008413659,0.001773227,0.0006851002,0.000203406],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004239588,"about_ca_system_score_gemma":0.00410213,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4758443,"about_ca_topic_score_gemma":0.8801734,"domain_scores_codex":[0.9997256,0.00009241576,0.000007525578,0.00003529518,0.00003076792,0.0001084237],"domain_scores_gemma":[0.9997385,0.00004659904,0.0000700077,0.00001311994,0.00003298557,0.00009883445],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001091561,0.00008445478,0.1959215,0.0003718449,0.00003110855,0.003324087,0.6440687,0.0001482861,0.001739737,0.08671544,0.01034527,0.05714036],"study_design_scores_gemma":[0.000008339633,0.00003584088,0.421127,0.0003289471,0.00001774655,0.0005139761,0.4852477,0.000070341,0.0002021955,0.001151422,0.09128062,0.00001595736],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9519705,0.002275683,0.0001437092,0.005351232,0.0001090168,0.00003363831,0.0002005794,0.000004759121,0.03991086],"genre_scores_gemma":[0.9844577,0.001069658,0.00009916082,0.0003115059,0.00001198423,0.00001342181,0.00004947549,0.00000546432,0.01398162],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4758443,"threshold_uncertainty_score":0.9461492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7120828031","doi":"","title":"-","year":2021,"lang":"pt","type":"dissertation","venue":"Digital Library of Theses and Dissertations  (Universidade de São Paulo)","topic":"Arts and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Curitiba; Limiting; Order (exchange)","authors":[{"name":"Roberta Cristina Ninin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01428042170629569,"gpt":0.2185262185738901,"spread":0.2042457968675944,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001624434,0.0005737749,0.0004250785,0.0012506,0.00340165,0.006982001,0.001616942,0.002375816,0.4023625],"category_scores_gemma":[0.007359399,0.0002540987,0.0006676637,0.001612465,0.001242095,0.004752824,0.003951768,0.002277559,0.2180485],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002100226,"about_ca_system_score_gemma":0.003693062,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007215627,"about_ca_topic_score_gemma":0.009177832,"domain_scores_codex":[0.9977909,0.0003589812,0.0001111148,0.0004634877,0.0009086301,0.0003668335],"domain_scores_gemma":[0.9962424,0.0004473722,0.0001704426,0.000682617,0.001924004,0.0005330952],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001766214,0.0001225256,0.004809405,0.0004462987,0.00002277879,0.0004538191,0.004243275,0.0001248231,0.001197576,0.1165358,0.6230485,0.2488185],"study_design_scores_gemma":[0.000005836676,0.00001689469,0.001191923,0.0001089286,0.000004563965,0.0001548172,0.001264758,0.00003296356,0.0001928809,0.003663853,0.9933548,0.000007807469],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005960976,0.001245624,0.004170383,0.01075871,0.004229917,0.0001879989,0.002859456,0.000865994,0.9697208],"genre_scores_gemma":[0.05274435,0.001871559,0.004835614,0.01113419,0.0009201942,0.0002590885,0.004977899,0.0007373309,0.9225198],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5976375,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}