{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":317,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":317,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"070d3dd596f4","filters":{"topic":"Comparative Literary Analysis and Criticism"}},"results":[{"id":"W52227147","doi":"","title":"Reading \"Rayuela\" in the Rayuel-O-Matic","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02224845649098446,"gpt":0.2580585502408022,"spread":0.2358100937498177,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001516919,0.0005182885,0.0008928853,0.0003514545,0.0008486824,0.001621729,0.0007051955,0.00009901649,0.00131015],"category_scores_gemma":[0.0001777308,0.0003987314,0.0003901189,0.0002955484,0.0003209825,0.0003978296,0.00007911671,0.0006409507,0.0002916763],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004995882,"about_ca_system_score_gemma":0.0002176865,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005230535,"about_ca_topic_score_gemma":0.007476867,"domain_scores_codex":[0.9961413,0.000857022,0.001004476,0.0005766755,0.0004231191,0.000997461],"domain_scores_gemma":[0.9978659,0.0006294774,0.0002655508,0.0008661359,0.0001452985,0.0002276413],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002118581,0.000222032,0.001483627,0.0002171122,0.0001453349,0.0002300394,0.04063957,0.00005175439,0.00001465147,0.9431119,0.009909379,0.00395341],"study_design_scores_gemma":[0.0004692532,0.0001242731,0.003605995,0.0006679643,0.0003883468,0.00007563212,0.006346982,0.00247851,0.000004840558,0.0001819626,0.9851446,0.0005116939],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9755244,0.009087661,0.00003374912,0.00426006,0.0001442058,0.0006220174,0.00009741728,0.0000361399,0.0101943],"genre_scores_gemma":[0.9928321,0.0006527975,0.0000575088,0.003536007,0.001313722,0.0001055992,0.00002669466,0.00004544951,0.001430173],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9752352,"threshold_uncertainty_score":0.9998465,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1556951738","doi":"","title":"Entremés de los romances","year":2002,"lang":"ca","type":"article","venue":"Cervantes: Bulletin of the Cervantes Society of America","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02311215499506784,"gpt":0.2320348921710568,"spread":0.208922737175989,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003282035,0.0006052887,0.001334232,0.00006268945,0.0007401379,0.0001751656,0.001368391,0.0001431871,0.05017826],"category_scores_gemma":[0.0001061517,0.0004598912,0.002512987,0.0002844531,0.003497185,0.000125683,0.0004390159,0.000533508,0.0002086047],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009486364,"about_ca_system_score_gemma":0.00005311128,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008197812,"about_ca_topic_score_gemma":0.00001543701,"domain_scores_codex":[0.9961756,0.0004208611,0.001315678,0.0005956361,0.0007064535,0.0007857262],"domain_scores_gemma":[0.9964193,0.0007745296,0.001221985,0.0009819196,0.0004452813,0.0001569922],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007280766,0.001605352,0.002280818,0.001414623,0.001469343,0.000003992752,0.07610693,0.0001326011,0.0009623137,0.007682392,0.9028986,0.005370257],"study_design_scores_gemma":[0.0007042491,0.0004077094,0.0006906481,0.001337278,0.0006530266,0.000007762837,0.02618793,0.009977877,0.001440337,0.0009385798,0.9571278,0.0005267715],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1919516,0.2099033,0.001124987,0.18247,0.004171568,0.002480508,0.003132758,0.000339167,0.4044261],"genre_scores_gemma":[0.9207257,0.0096903,0.001698255,0.004836619,0.0007321099,0.00001929463,0.00001595462,0.00007267009,0.06220908],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7287741,"threshold_uncertainty_score":0.9997853,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130334602","doi":"10.7202/003269ar","title":"Traduire Juan Carlos Onetti : entre l'ambiguïté structurelle et l'ambiguïté immédiate","year":2002,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Philosophy; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.0646259819508471,"gpt":0.2598453741745667,"spread":0.1952193922237196,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007508707,0.001052862,0.001693375,0.0004743685,0.002167399,0.002470234,0.000787968,0.000213445,0.06088645],"category_scores_gemma":[0.00005306466,0.000883543,0.002127241,0.000353867,0.001331211,0.002039926,0.00007433243,0.00184488,0.0004252073],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001771254,"about_ca_system_score_gemma":0.00007149205,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003930877,"about_ca_topic_score_gemma":0.0006429516,"domain_scores_codex":[0.9938583,0.001558067,0.001547556,0.0007836496,0.0009230303,0.00132938],"domain_scores_gemma":[0.9973737,0.0002359936,0.0005762331,0.0006316268,0.0004225245,0.0007599458],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001089825,0.001652939,0.000261167,0.0003799487,0.01085416,0.001274075,0.04326952,0.0006968823,0.0005942143,0.6897705,0.1028267,0.1483109],"study_design_scores_gemma":[0.001130048,0.0005040684,0.001512032,0.0002392518,0.006873873,0.001212203,0.00166616,0.001033463,0.0002851548,0.04464832,0.9398617,0.001033735],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1993731,0.7400274,0.0004824747,0.01954047,0.00442318,0.0003396738,0.000527774,0.0000930649,0.03519291],"genre_scores_gemma":[0.6852202,0.07448458,0.0003953997,0.00188458,0.003951824,0.0000199473,0.00004498986,0.0001503224,0.2338482],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8370349,"threshold_uncertainty_score":0.9993615,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2154088877","doi":"10.1525/msem.2005.21.1.251","title":"Octavio Paz: An Intellectual and his Critics","year":2005,"lang":"en","type":"article","venue":"Mexican Studies/Estudios Mexicanos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Humanities; Art; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.08999205228679531,"gpt":0.3235748905446221,"spread":0.2335828382578268,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003525578,0.0004632204,0.0008719304,0.0001941888,0.001159666,0.0002389844,0.0002909438,0.00005513116,0.002011246],"category_scores_gemma":[0.0002673069,0.0003813054,0.0001828262,0.0001379934,0.001262546,0.0005462598,0.0002298965,0.0003224073,0.0001711227],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008999382,"about_ca_system_score_gemma":0.00004423773,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007100825,"about_ca_topic_score_gemma":0.001623291,"domain_scores_codex":[0.9974625,0.0002221982,0.0006624025,0.0006795016,0.0003895155,0.0005838819],"domain_scores_gemma":[0.9981941,0.0005596281,0.0001073457,0.000460863,0.0004146323,0.0002634476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001076498,0.00100231,0.001124784,0.00008722487,0.001414792,0.00005444082,0.3811887,0.00001193959,0.0001910593,0.501269,0.08164045,0.03190766],"study_design_scores_gemma":[0.0006911855,0.0007236146,0.000555856,0.00006739261,0.0004409907,0.00001760335,0.08007449,0.0003522235,0.0003689931,0.002200273,0.9137661,0.0007412739],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.927475,0.01089842,0.0000807857,0.004816424,0.0005912224,0.0004054214,0.00008271608,0.0002506008,0.0553994],"genre_scores_gemma":[0.9853483,0.0007626549,0.0002332495,0.002981748,0.0020833,0.00008604749,0.0000172039,0.00003861841,0.008448826],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8321257,"threshold_uncertainty_score":0.9998639,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W177844027","doi":"10.15581/008.1.27242","title":"Las \"voces\" de \"La saga/fuga de J.B.\" (Aproximación al problema del narrador)","year":2018,"lang":"es","type":"article","venue":"Rilce Revista de Filología Hispánica","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02006612998224451,"gpt":0.2944933930333054,"spread":0.2744272630510609,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001926113,0.0007910238,0.001226138,0.000298857,0.001416469,0.002301655,0.001012248,0.0003842046,0.009067995],"category_scores_gemma":[0.0003651305,0.0007345388,0.0007064373,0.0002414459,0.002319224,0.0004724608,0.0003035162,0.0009204611,0.0006675165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004304947,"about_ca_system_score_gemma":0.0006414981,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000180581,"about_ca_topic_score_gemma":0.00006655637,"domain_scores_codex":[0.9941266,0.001680473,0.001188192,0.001030105,0.0004423798,0.001532302],"domain_scores_gemma":[0.9967621,0.0007459837,0.0005003301,0.001065538,0.0004127857,0.0005132406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000245602,0.0006479957,0.005499662,0.0005582665,0.0005426818,0.0001877721,0.01468013,0.000008580375,0.001228097,0.8638309,0.1091964,0.003373935],"study_design_scores_gemma":[0.0007164889,0.0006664497,0.00391742,0.0008820728,0.0005840864,0.0001619482,0.0007401896,0.002791895,0.0002621875,0.01014108,0.9782341,0.0009020694],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8019733,0.02039972,0.001971938,0.007078108,0.0004623486,0.0009566238,0.0006293704,0.0004004077,0.1661282],"genre_scores_gemma":[0.9801752,0.001070798,0.001748836,0.004141273,0.002280456,0.0001033515,0.00009261973,0.0001057034,0.01028176],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8690377,"threshold_uncertainty_score":0.9998835,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2343971114","doi":"10.1353/book40613","title":"Hugh Garner's Best Stories","year":2015,"lang":"en","type":"book","venue":"University of Ottawa Press eBooks","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Proletariat; Spanish Civil War; Left-wing politics; Conversation; Racism; Feminism; Literature; New Left; History; Political science; Gender studies; Sociology; Art; Law; Politics","retraction":null,"screen_n_in":null,"score":{"opus":0.05948365534818763,"gpt":0.2311469180812381,"spread":0.1716632627330504,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001044638,0.0002645043,0.000568381,0.0001395724,0.000270517,0.00008165276,0.0004537329,0.0001251116,0.001425265],"category_scores_gemma":[0.000004741919,0.0002868086,0.0002673636,0.000003813775,0.0007732541,0.0001518449,0.0001664502,0.0002702979,0.00005247743],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007772289,"about_ca_system_score_gemma":0.0001838355,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001165358,"about_ca_topic_score_gemma":0.00310599,"domain_scores_codex":[0.9989174,0.00006767799,0.0002131095,0.0002927922,0.0003262969,0.0001827063],"domain_scores_gemma":[0.9987456,0.00005628687,0.0002524739,0.000371892,0.0004674509,0.0001062893],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001606766,0.00002760135,0.000001162296,0.00006322784,0.0001866118,0.00002988023,0.02583609,0.000002252065,5.197443e-7,0.6772213,0.2961583,0.0004569694],"study_design_scores_gemma":[0.0002813649,0.0001108175,5.605391e-7,0.0001464972,0.0003940545,0.000001012414,0.002200064,0.00001349642,0.000009922599,0.005117325,0.9914269,0.0002980211],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00007527148,0.0009665177,0.00001953861,0.00002106649,0.0002701714,0.0001321365,0.000357558,0.00004608396,0.9981117],"genre_scores_gemma":[0.006716956,0.00001713404,0.00003250219,0.00002849968,0.0004578352,2.739296e-7,0.0001150757,0.00001992469,0.9926118],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6952686,"threshold_uncertainty_score":0.9999584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W78534088","doi":"","title":"Las grandes tendencias de la novela de la guerra civil en el siglo XXI","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Political science; Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.02237349177415044,"gpt":0.2657768427911332,"spread":0.2434033510169828,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002200979,0.0006921588,0.001077892,0.0003348434,0.0009777973,0.001098283,0.0006486299,0.0003022532,0.002245303],"category_scores_gemma":[0.0004120181,0.0006601304,0.000610564,0.0001985868,0.001024441,0.0003128468,0.0001580387,0.0008332013,0.00008005824],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006690202,"about_ca_system_score_gemma":0.0008491319,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003634135,"about_ca_topic_score_gemma":0.009355451,"domain_scores_codex":[0.9948135,0.002048095,0.0008046409,0.0007255589,0.0003657089,0.001242481],"domain_scores_gemma":[0.9968178,0.001265299,0.0002966725,0.0007326306,0.0002495908,0.0006380396],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008181827,0.0004644313,0.01072342,0.0002882973,0.0006140052,0.001027489,0.06405304,0.000006971522,0.0001826324,0.9130164,0.00821254,0.001329005],"study_design_scores_gemma":[0.0009611465,0.000315341,0.04652165,0.0007075978,0.001301511,0.000354968,0.005302885,0.0005240473,0.00008384146,0.002698437,0.9402175,0.001011096],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9436862,0.007540451,0.0002760998,0.0001562964,0.0001561055,0.0003512448,0.0003041298,0.00009458049,0.04743482],"genre_scores_gemma":[0.9943269,0.001425777,0.0001932966,0.0009235888,0.0008532764,0.00009336343,0.00002503177,0.00009123325,0.002067483],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9320049,"threshold_uncertainty_score":0.9999387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1608896985","doi":"10.7202/014378ar","title":"Berman Antoine, La prueba de lo ajeno; Cultura y traducción en la Alemanía Romántica, Traducción de Rosario García López, ed. ULPGC, Universidad de las Palmas de Gran Canaria, 2003.","year":2005,"lang":"es","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01969018206899876,"gpt":0.2862931201271642,"spread":0.2666029380581654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009908332,0.0008749504,0.0009175868,0.0006325791,0.001310939,0.001346702,0.0005885835,0.0006726408,0.001423023],"category_scores_gemma":[0.0001348281,0.0008936771,0.0005310471,0.000382262,0.000759231,0.001674933,0.00005946829,0.001491518,0.0001070494],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001982489,"about_ca_system_score_gemma":0.0007728482,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004265915,"about_ca_topic_score_gemma":0.001741081,"domain_scores_codex":[0.994488,0.001602937,0.0009714949,0.001012977,0.0004611493,0.001463451],"domain_scores_gemma":[0.9978009,0.000341317,0.0004644671,0.0006412106,0.0002991149,0.0004529572],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001274858,0.00512383,0.0243255,0.0009361464,0.002571123,0.001167087,0.1508293,0.00277703,0.03824318,0.4938762,0.1161821,0.1626936],"study_design_scores_gemma":[0.001816003,0.0005254989,0.06344662,0.0003083896,0.001474876,0.001274296,0.01041234,0.005053473,0.01083362,0.002480139,0.9009882,0.001386579],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9754054,0.001707375,0.001754719,0.007493731,0.0007069755,0.000563074,0.0001995934,0.0005326105,0.01163651],"genre_scores_gemma":[0.9759906,0.003071531,0.0008267231,0.0004121384,0.002890912,0.00006491569,0.0002277544,0.00009496463,0.01642046],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7848061,"threshold_uncertainty_score":0.9999892,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7042414796","doi":"","title":"On the origins of Þórðar saga kakala","year":2021,"lang":"en","type":"dissertation","venue":"UCL Discovery (University College London)","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Scholarship; Extant taxon; Power (physics); Period (music); Politics; Quarter (Canadian coin); Subject (documents); Convention; CLARITY","retraction":null,"screen_n_in":null,"score":{"opus":0.01909954838147097,"gpt":0.2078279347705181,"spread":0.1887283863890471,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001054442,0.0003249413,0.0005977437,0.0002795275,0.0007240481,0.000165034,0.000499369,0.000107116,0.007030296],"category_scores_gemma":[0.00002256943,0.0002701635,0.0006006175,0.000241611,0.0001968146,0.0006342485,0.00006389849,0.0003788975,0.00008840405],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001533258,"about_ca_system_score_gemma":0.0002103786,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005347623,"about_ca_topic_score_gemma":0.00768918,"domain_scores_codex":[0.9984742,0.0002008509,0.0002542709,0.0004142182,0.0004189709,0.0002374916],"domain_scores_gemma":[0.998569,0.0003434392,0.0002591705,0.0005047487,0.0002674937,0.00005614956],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002365101,0.0002102287,0.00001215372,0.00008966152,0.0003521524,0.0001021609,0.01252285,0.000007702954,0.00004794928,0.9628716,0.02348077,0.00006624006],"study_design_scores_gemma":[0.0007565602,0.0002172035,0.000726828,0.0005677255,0.0007570609,0.000001945983,0.1697322,0.0001961346,0.0003143908,0.006742084,0.8193108,0.0006770542],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7285433,0.0003416224,0.00001099086,0.0003945848,0.0007000345,0.0002231442,0.002039997,0.00002280927,0.2677234],"genre_scores_gemma":[0.6040997,0.00005650838,0.000003501909,0.0001411695,0.0001320267,0.000001436536,0.0007636696,0.00001544532,0.3947865],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9561296,"threshold_uncertainty_score":0.9999751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W136150400","doi":"10.1353/mlr.2017.0151","title":"Creativity and Science in Contemporary Argentine Literature: Between Romanticism and Formalism","year":2017,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"Centre of Latin American Studies, University of Cambridge","keywords":"Romanticism; Creativity; Formalism (music); Literature; Philosophy; Epistemology; Art; Psychology; Social psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.0857772027396243,"gpt":0.3414863835543884,"spread":0.2557091808147641,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008377134,0.0001226646,0.0003499976,0.00004849106,0.0006618629,0.0005017177,0.0002848574,0.00001264856,0.0000820306],"category_scores_gemma":[0.00006420584,0.00007099643,0.00004674688,0.00003341553,0.0006508956,0.0007659848,0.0001870862,0.0001291855,0.000003541768],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004843158,"about_ca_system_score_gemma":0.0000144977,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001254915,"about_ca_topic_score_gemma":0.00005896092,"domain_scores_codex":[0.9992144,0.00008184385,0.0002115915,0.0002007231,0.0001364667,0.0001550482],"domain_scores_gemma":[0.9993091,0.00005943125,0.0001166876,0.000421733,0.00004372781,0.00004937557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003055167,0.0001698344,0.01886695,0.005034854,0.0001546478,0.0002403664,0.2940274,1.590655e-7,0.0004754598,0.4470559,0.001337571,0.2326063],"study_design_scores_gemma":[0.003437278,0.0003348012,0.3289276,0.04238482,0.001197966,0.0001551983,0.003600433,0.006298576,0.0004931955,0.1070201,0.5035668,0.002583213],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5812196,0.3959982,0.00002578479,0.001927661,0.00003439932,0.0002465157,0.00002866844,0.00001174012,0.02050747],"genre_scores_gemma":[0.9878302,0.01000805,0.00001140049,0.0004786227,0.0001262922,0.00001085918,0.000008985476,0.000005365638,0.001520215],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5022293,"threshold_uncertainty_score":0.5090581,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2096362467","doi":"10.5944/epos.18.2002.10209","title":"Evolución de un personaje mítico: Casandra, de los textos clásicos a la novela histórica contemporánea.","year":2013,"lang":"es","type":"article","venue":"Epos Revista de filología","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01754466432992085,"gpt":0.2660060459573511,"spread":0.2484613816274302,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006816668,0.0007115806,0.001163534,0.0002493608,0.0008601315,0.003009389,0.0006529553,0.0003160239,0.02635348],"category_scores_gemma":[0.0003040312,0.0006455334,0.0006969782,0.0001568981,0.0007960566,0.0005397114,0.0001801311,0.0008493887,0.001071887],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003816403,"about_ca_system_score_gemma":0.0003435385,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001136068,"about_ca_topic_score_gemma":0.00004867724,"domain_scores_codex":[0.9955057,0.001143428,0.001029269,0.0007880488,0.0003577714,0.001175813],"domain_scores_gemma":[0.9969741,0.000996305,0.0004284167,0.0007628888,0.0003547958,0.0004834631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001352529,0.001171474,0.0208092,0.0007848185,0.0009444532,0.000531509,0.02702125,0.000009963627,0.002436223,0.8019207,0.139885,0.004350203],"study_design_scores_gemma":[0.001115592,0.0004336028,0.0139206,0.000728405,0.0006791691,0.0002812222,0.001950235,0.005192893,0.000147313,0.004254971,0.970293,0.001002978],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.820801,0.02587738,0.001069145,0.005626455,0.0002042293,0.001128257,0.0005420353,0.0001611922,0.1445903],"genre_scores_gemma":[0.9469772,0.0003147301,0.0004800314,0.00248001,0.0009622779,0.0002235119,0.00009045519,0.00008113294,0.04839063],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.830408,"threshold_uncertainty_score":0.9997059,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W64707916","doi":"","title":"Palabras sin aduanas: El escritor y el exilio","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02514418511826991,"gpt":0.2665484630571892,"spread":0.2414042779389192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000690172,0.0009012916,0.001454957,0.0004871014,0.00139454,0.001904952,0.000695252,0.0001933231,0.00468556],"category_scores_gemma":[0.0002111367,0.0008855506,0.0007567499,0.0003917068,0.0005681152,0.0005216208,0.0001679101,0.000636726,0.0005448093],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006362586,"about_ca_system_score_gemma":0.0004994022,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00173031,"about_ca_topic_score_gemma":0.00974677,"domain_scores_codex":[0.9949232,0.0005957726,0.001237888,0.001108909,0.0005788428,0.001555356],"domain_scores_gemma":[0.9967027,0.0003512796,0.0003701119,0.001216651,0.00052296,0.0008363432],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009929603,0.0004087287,0.007122241,0.0002789316,0.0005464514,0.001210571,0.008570512,0.0000100112,0.000090964,0.947392,0.03093858,0.00333168],"study_design_scores_gemma":[0.0007482982,0.0003255243,0.005980693,0.0007463036,0.000857937,0.0001266113,0.003108683,0.0007146869,0.00002172411,0.0003219881,0.9859935,0.001054049],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9665856,0.02229949,0.00009865737,0.001600586,0.0007270678,0.0006255529,0.0004539534,0.0001247481,0.007484293],"genre_scores_gemma":[0.9857845,0.002682725,0.00004229446,0.001950114,0.002992026,0.0001014434,0.00009559798,0.0001108626,0.006240389],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9550549,"threshold_uncertainty_score":0.9999055,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3164356231","doi":"","title":"Lo niño liberado: de la estética novísima al Proyecto Nocilla de Agustín Fernández Mallo","year":2020,"lang":"es","type":"article","venue":"Conicet","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0270665401335899,"gpt":0.28531830757479,"spread":0.2582517674412001,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003830123,0.0004458746,0.0006839451,0.00007915641,0.000515362,0.003011151,0.0004964257,0.0001529406,0.006235003],"category_scores_gemma":[0.0001168739,0.0004195888,0.0004000327,0.0001098153,0.0005673303,0.0003170037,0.0001976937,0.0006341296,0.0005408027],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009344843,"about_ca_system_score_gemma":0.0003114753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009350383,"about_ca_topic_score_gemma":0.00002393401,"domain_scores_codex":[0.9973086,0.0005477995,0.000535632,0.000586864,0.0003033903,0.0007177374],"domain_scores_gemma":[0.9984494,0.0004434293,0.0001489596,0.0003806656,0.0001654323,0.0004120823],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002000361,0.0003675889,0.006063557,0.000318251,0.0005765508,0.0003298154,0.04398662,0.00005861955,0.0009817043,0.8654634,0.0800314,0.001622463],"study_design_scores_gemma":[0.0008935449,0.0003217511,0.002175551,0.000155408,0.0003805537,0.00002406281,0.00197041,0.007603863,0.0002978342,0.002359438,0.9832495,0.0005680888],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7793406,0.005283026,0.0002955991,0.0205815,0.0001984665,0.0003539235,0.0002442326,0.0001811988,0.1935214],"genre_scores_gemma":[0.9761238,0.0001886288,0.0001821738,0.01460301,0.001411111,0.00003438576,0.00004581432,0.0000543308,0.0073568],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9032181,"threshold_uncertainty_score":0.9998256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W33525330","doi":"10.3390/ijerph18031134","title":"El mundo está en todas partes: la subversión fantástica de Jorge Luis Borges y Bernardo Atxaga","year":2004,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.0165887030246486,"gpt":0.248068495339368,"spread":0.2314797923147194,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005888509,0.0004263263,0.0007013878,0.0001947811,0.0007167695,0.0004578849,0.0004187141,0.00009537544,0.001186867],"category_scores_gemma":[0.0002321563,0.0004057749,0.0003650261,0.0001533795,0.000352782,0.0002779377,0.00009226765,0.0003827161,0.0001338477],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006278006,"about_ca_system_score_gemma":0.0004482971,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002069536,"about_ca_topic_score_gemma":0.01754514,"domain_scores_codex":[0.9973819,0.0003404003,0.000537672,0.00053696,0.0003029117,0.0009001991],"domain_scores_gemma":[0.9982095,0.0004178007,0.0001520265,0.000569368,0.000187797,0.0004635104],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000292898,0.0001726712,0.001976922,0.00008365881,0.0002556694,0.0005264843,0.02813356,0.00004698904,0.0000616564,0.9613551,0.006760382,0.0005976268],"study_design_scores_gemma":[0.0007925138,0.0001709905,0.00384876,0.0002583333,0.0004407396,0.0001124189,0.003066384,0.00018431,0.00005402747,0.001467681,0.98902,0.0005837623],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9867412,0.002624449,0.0002378205,0.001587792,0.0001846121,0.000300815,0.0001908821,0.0001146591,0.008017737],"genre_scores_gemma":[0.9958066,0.000410348,0.0001704464,0.001176522,0.0006631139,0.00006475602,0.00004059911,0.00005251675,0.001615098],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9822597,"threshold_uncertainty_score":0.9998394,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W24213144","doi":"10.1093/toxsci/kft256","title":"Un tríptico presuntamente cervantino: la \"Jerusalén\", \"Los habladores\" y el \"Auto de la Virgen de Guadalupe\".","year":2011,"lang":"en","type":"article","venue":"Rivista di filologia e letterature ispaniche","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01881637770365294,"gpt":0.2466286707702653,"spread":0.2278122930666124,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008877497,0.0005410582,0.0006263721,0.0001596341,0.0005458426,0.0009623899,0.0007537365,0.0002912468,0.004499557],"category_scores_gemma":[0.0001361163,0.0004445886,0.0003712432,0.0001356972,0.0006151465,0.0004698109,0.0002061391,0.001068305,0.0001049659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007244895,"about_ca_system_score_gemma":0.00007494632,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001703909,"about_ca_topic_score_gemma":0.00006158212,"domain_scores_codex":[0.9961521,0.001415391,0.0006159541,0.0006610717,0.0003118087,0.0008436557],"domain_scores_gemma":[0.9982403,0.0005311235,0.000234508,0.0007077894,0.0001202445,0.0001660701],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002442618,0.0009755713,0.01849648,0.0001251779,0.0007255628,0.0007008965,0.04439066,0.0000127997,0.01013942,0.8126877,0.1103357,0.001165726],"study_design_scores_gemma":[0.001059058,0.0003756116,0.07518958,0.0001637007,0.0005088607,0.00008878653,0.0008147016,0.0008702492,0.004013438,0.0145057,0.9013455,0.001064819],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7741954,0.001650034,0.00170844,0.002956359,0.0003890835,0.0004325053,0.0002844739,0.0004214679,0.2179622],"genre_scores_gemma":[0.9831201,0.00003331649,0.0008886104,0.008456117,0.0006403051,0.00008023796,0.0001036584,0.00006384491,0.006613763],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.798182,"threshold_uncertainty_score":0.9998006,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2770497975","doi":"10.18192/rceh.v41i2.2150","title":"El tratado médico-culinario como género de ficción en la narrativa hispanoamericana actual: Héctor Abad Faciolince y Mayra Santos-Febres","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities; Criticism; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.02262432145865301,"gpt":0.2856780891600664,"spread":0.2630537677014134,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001097759,0.001163022,0.002002579,0.0003415046,0.004124726,0.004283836,0.001829454,0.0003209994,0.001846892],"category_scores_gemma":[0.000673942,0.001114839,0.0008416854,0.000127666,0.001796412,0.0008504689,0.0003842499,0.001153041,0.0001391678],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0010471,"about_ca_system_score_gemma":0.001262642,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.007540774,"about_ca_topic_score_gemma":0.01955093,"domain_scores_codex":[0.9937549,0.001304679,0.001262928,0.001305037,0.000620059,0.001752437],"domain_scores_gemma":[0.9944968,0.000878478,0.001016647,0.002192212,0.0003986065,0.001017268],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001830479,0.0004723584,0.006486698,0.0004840774,0.001046822,0.001447634,0.05127859,0.00003621242,0.0003610942,0.9052321,0.02631765,0.006653743],"study_design_scores_gemma":[0.0010542,0.0004715029,0.02276227,0.001055107,0.0009349115,0.0001870031,0.006711883,0.001988108,0.00007960454,0.0001648911,0.9631622,0.001428255],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9812548,0.007771797,0.0001986218,0.002890656,0.0003906552,0.0007115746,0.001686478,0.0001131023,0.004982363],"genre_scores_gemma":[0.9903729,0.002163311,0.0001385038,0.001071555,0.001532418,0.0001272454,0.0001140671,0.0001383609,0.004341621],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9368446,"threshold_uncertainty_score":0.9991302,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W41004242","doi":"","title":"\"Algo que no tiene nombre\": \"El Común Olvido\", de Sylvia Molloy","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.016574199966699,"gpt":0.2503073448232249,"spread":0.2337331448565259,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008893469,0.0008860113,0.00145531,0.0003893099,0.001292683,0.00151891,0.0007457078,0.0002174986,0.00418499],"category_scores_gemma":[0.0001941971,0.0008875223,0.0007501052,0.0002394025,0.0005203765,0.0005083011,0.0001882477,0.0007636789,0.00109968],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001276026,"about_ca_system_score_gemma":0.0008021801,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001496611,"about_ca_topic_score_gemma":0.006684194,"domain_scores_codex":[0.9950072,0.0006173881,0.001237708,0.0009754732,0.000492549,0.001669742],"domain_scores_gemma":[0.9965625,0.0003680352,0.0004201658,0.001121802,0.0006158326,0.0009116255],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008138287,0.0004491557,0.001660169,0.0003512488,0.0005935263,0.0003286105,0.01068185,0.0000885123,0.0001276374,0.9401379,0.04065257,0.004847437],"study_design_scores_gemma":[0.0008503328,0.0002962541,0.002852213,0.0007332605,0.0007886761,0.0001006121,0.0008924505,0.005704075,0.00004448599,0.0001139488,0.9865855,0.001038164],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9630265,0.02247907,0.0001137574,0.002505403,0.0004182055,0.0006430004,0.0006167573,0.0001247812,0.0100725],"genre_scores_gemma":[0.9828447,0.001903336,0.0002347663,0.003967708,0.002987379,0.0001013586,0.00008925249,0.0001157793,0.007755756],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.945933,"threshold_uncertainty_score":0.9996781,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2726453274","doi":"10.19053/01218530.n30.2017.6333","title":"Lo que no aprendí: el arte de tejer una ficción de autora (Ejercicio fictocrítico #3)","year":2017,"lang":"es","type":"article","venue":"La Palabra","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01931219639727337,"gpt":0.304262527492995,"spread":0.2849503310957216,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005112863,0.0005289404,0.0007228699,0.0001493418,0.001921061,0.005905692,0.0008763944,0.0002237582,0.008399349],"category_scores_gemma":[0.000135667,0.0004820862,0.0004701835,0.00003788885,0.0006805977,0.000778944,0.000243236,0.0006023109,0.001323465],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009415759,"about_ca_system_score_gemma":0.0001951611,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006642951,"about_ca_topic_score_gemma":0.0001864098,"domain_scores_codex":[0.997233,0.0003945048,0.0005854752,0.0005987218,0.0003354876,0.0008528113],"domain_scores_gemma":[0.9974567,0.0003424186,0.0003437666,0.001310657,0.0002376486,0.0003088605],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007717686,0.0004359386,0.01790456,0.0002435816,0.0003607849,0.0001962487,0.02200629,0.00002894616,0.0004907665,0.9310098,0.02563778,0.001608147],"study_design_scores_gemma":[0.0007358119,0.00014867,0.05521497,0.0006051936,0.000336044,0.00001462515,0.0007063504,0.00496121,0.0002036291,0.009292116,0.9270889,0.0006924578],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5477224,0.001121579,0.0002268866,0.002397855,0.0006570026,0.0002542861,0.0003057437,0.0001282287,0.447186],"genre_scores_gemma":[0.9324603,0.0001745906,0.0001126536,0.0009511036,0.002391044,0.00004541801,0.00004798828,0.00005507299,0.06376181],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9217176,"threshold_uncertainty_score":0.9997631,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2507920003","doi":"10.18192/rceh.v40i1.1598","title":"Consideraciones finales: historia, literatura, identidad narrativa, memoria. Una reflexión desde Argentina","year":2015,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.04685505604435549,"gpt":0.2930078675181755,"spread":0.24615281147382,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001106651,0.001050657,0.001746098,0.0005511482,0.0014067,0.003507954,0.0006627323,0.0002402107,0.001760646],"category_scores_gemma":[0.0005577648,0.001023525,0.0007255833,0.0003708088,0.0006636897,0.0008695421,0.0002103713,0.0007935186,0.0004884438],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001420416,"about_ca_system_score_gemma":0.00123264,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007918389,"about_ca_topic_score_gemma":0.00382537,"domain_scores_codex":[0.9938249,0.001096001,0.001615492,0.001242937,0.0008237386,0.001396942],"domain_scores_gemma":[0.9949548,0.0003919193,0.0007344671,0.001263791,0.001442597,0.001212475],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001718016,0.0002926424,0.001152546,0.0004467396,0.0005829114,0.001032971,0.03314424,0.00001342251,0.00007391303,0.845333,0.1170235,0.0007322526],"study_design_scores_gemma":[0.001183668,0.0004135175,0.0002083661,0.00138023,0.0008573359,0.0002124042,0.008473828,0.0003607747,0.00004440294,0.001337314,0.9843442,0.001183885],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9126775,0.07877208,0.00006468727,0.001554846,0.002232832,0.0007580515,0.0004920887,0.0001356218,0.003312267],"genre_scores_gemma":[0.9831123,0.0007724153,0.0001605517,0.001085339,0.003274154,0.0001183968,0.0001994931,0.0001110255,0.01116626],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8673207,"threshold_uncertainty_score":0.9998933,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2802332724","doi":"10.1515/sem-2016-0175","title":"Borges, Pierre Menard, rhizomaticity, and the simulation of palimpsestic writing","year":2018,"lang":"en","type":"article","venue":"Semiotica","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Sociology; Literature; Art history; History; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02838108976445838,"gpt":0.2772278295235158,"spread":0.2488467397590574,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000319734,0.000083048,0.0002078347,0.00003634726,0.000301783,0.0001069867,0.00008286602,0.0000162691,0.0009361],"category_scores_gemma":[0.0001158441,0.00005151694,0.00005408419,0.00003774349,0.0007688893,0.0001137824,0.00004712442,0.00006454676,0.00001551621],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004146069,"about_ca_system_score_gemma":0.000008153095,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005017026,"about_ca_topic_score_gemma":0.00007831973,"domain_scores_codex":[0.9992544,0.0001140862,0.000273559,0.0001118407,0.0001294024,0.000116697],"domain_scores_gemma":[0.9989568,0.0006318325,0.00008026371,0.0001529427,0.0001498147,0.00002833742],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00003853428,0.00003162458,0.0003642247,0.00004356218,0.00006214481,6.822589e-7,0.03108715,0.00007396602,0.00003630345,0.9666151,0.0003931188,0.001253625],"study_design_scores_gemma":[0.002646458,0.0004699901,0.006635359,0.0005512902,0.0007970863,0.000008353004,0.01479711,0.6830847,0.0005131383,0.2076097,0.08230346,0.0005833525],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8505551,0.0009907117,0.001102388,0.001688635,0.0001736961,0.0002346221,0.00002332164,0.00004378884,0.1451877],"genre_scores_gemma":[0.9984391,0.000008978629,0.0000557461,0.0002841293,0.0004091035,0.00000256507,0.000004649361,0.00000591983,0.0007897781],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7590053,"threshold_uncertainty_score":0.9999772,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2151169119","doi":"10.5944/signa.vol23.2014.11754","title":"La ironía en la obra de Juan Rulfo","year":2014,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bombardier (Canada)","funders":"","keywords":"Irony; Humanities; Narrative; Art; Philosophy; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.006877212590558898,"gpt":0.2630134946650656,"spread":0.2561362820745067,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004231908,0.000770226,0.001235346,0.0001800352,0.0008617168,0.004660596,0.0008035202,0.0006063026,0.005051735],"category_scores_gemma":[0.000604994,0.000761935,0.0008365947,0.000184758,0.001475919,0.0004137313,0.0002305383,0.001418332,0.0004879269],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004115865,"about_ca_system_score_gemma":0.0003176026,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001410052,"about_ca_topic_score_gemma":0.00001749136,"domain_scores_codex":[0.9891626,0.007435031,0.000880987,0.0007836861,0.0005001762,0.001237546],"domain_scores_gemma":[0.992814,0.005400828,0.0003502771,0.0007584309,0.0001723726,0.0005040999],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006157408,0.0004244034,0.00395884,0.000495514,0.000465016,0.0001242412,0.02342058,0.00002420223,0.00184586,0.9479557,0.01530723,0.005916789],"study_design_scores_gemma":[0.0007398138,0.0001664326,0.004654421,0.0007633024,0.0009479013,0.00005823852,0.002765427,0.002437156,0.0001865797,0.01858365,0.9677704,0.0009266757],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3179233,0.006359663,0.002989762,0.002280853,0.0001658367,0.0004610867,0.0003314543,0.0003200371,0.6691679],"genre_scores_gemma":[0.9790469,0.0006433789,0.0004493279,0.001559752,0.001810485,0.00006544607,0.00006627126,0.0001306629,0.01622774],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9524632,"threshold_uncertainty_score":0.9994832,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2596253392","doi":"10.18192/rceh.v40i3.1957","title":"Marginalidad del artista y reivindicación cosmopolita. León de Greiff lee a François Villon","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01771625562661936,"gpt":0.2494263808655589,"spread":0.2317101252389395,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001142055,0.0009414551,0.001514488,0.0005118861,0.001359564,0.001288414,0.0007808668,0.00024322,0.004245605],"category_scores_gemma":[0.0003510984,0.0007525513,0.0008006315,0.0002639966,0.0009392516,0.0005072239,0.0002041446,0.000518945,0.0005357112],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00145976,"about_ca_system_score_gemma":0.0007588738,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001795291,"about_ca_topic_score_gemma":0.007071326,"domain_scores_codex":[0.9940196,0.0008857054,0.001268292,0.001173435,0.0006144117,0.002038518],"domain_scores_gemma":[0.9959874,0.0006610754,0.0005196828,0.001321729,0.0004363466,0.001073778],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001332843,0.0002874413,0.01155504,0.0003379199,0.0006610099,0.0009312138,0.005835246,0.00000171425,0.0004652231,0.9344493,0.04039175,0.004950808],"study_design_scores_gemma":[0.00123966,0.0004457003,0.01337229,0.001513197,0.0009446907,0.0001820922,0.001082252,0.0001914662,0.00009873402,0.001103245,0.9786803,0.001146384],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9771837,0.0127405,0.0006052476,0.003376775,0.0002883264,0.0006286053,0.001336705,0.000126123,0.003714028],"genre_scores_gemma":[0.9844815,0.001432466,0.00008062517,0.001727057,0.001314362,0.0001358535,0.0000424067,0.0001279335,0.01065787],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9382885,"threshold_uncertainty_score":0.9999405,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3041887696","doi":"10.18192/rceh.v43i2.4650","title":"Páramos y La foto del invernadero de Reina María Rodríguez: la formación de un sujeto individual y colectivo","year":2020,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","retraction":null,"screen_n_in":null,"score":{"opus":0.02755336427210612,"gpt":0.2507584014826026,"spread":0.2232050372104965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001268969,0.0008146832,0.0012555,0.0002535688,0.001177908,0.002036174,0.0008394121,0.0002885919,0.001031763],"category_scores_gemma":[0.000456947,0.0008590368,0.0006060487,0.0003806444,0.0005363522,0.0004619957,0.000307942,0.001088793,0.00008704558],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007682712,"about_ca_system_score_gemma":0.001309222,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001531904,"about_ca_topic_score_gemma":0.003097379,"domain_scores_codex":[0.9944901,0.001512505,0.001003543,0.0009050337,0.0005521281,0.001536699],"domain_scores_gemma":[0.9966913,0.0007391394,0.0004036886,0.0006111459,0.0003011706,0.001253502],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001774256,0.0002328944,0.009038451,0.0005968724,0.001047952,0.001476139,0.04373153,0.00007816269,0.0001078232,0.9087086,0.03085984,0.00394426],"study_design_scores_gemma":[0.001319098,0.0004734841,0.007189376,0.0004570736,0.001415158,0.000272782,0.003489382,0.005583277,0.0001361041,0.0004340643,0.978173,0.001057216],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9843335,0.006231728,0.0005658863,0.002573401,0.00009908493,0.0007215318,0.0007674223,0.0001301836,0.004577316],"genre_scores_gemma":[0.9902781,0.000875399,0.0002284853,0.006572462,0.000996954,0.0001656272,0.00008658312,0.0001201615,0.0006762419],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9473131,"threshold_uncertainty_score":0.9998814,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3174735069","doi":"10.7764/tl62173-175","title":"Descifrar el tiempo, el mundo. Presentación de Cronografías. Arte y ficciones de un tiempo sin tiempo, de Graciela Speranza. Barcelona: Anagrama, 2017","year":2018,"lang":"es","type":"article","venue":"Taller de Letras","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Hatch (Canada)","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.02790018713304632,"gpt":0.2983451469132905,"spread":0.2704449597802442,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001054206,0.0009851811,0.001063409,0.0005212834,0.002139542,0.002432251,0.001107417,0.0004371949,0.0111917],"category_scores_gemma":[0.0000764673,0.0009644789,0.0008441122,0.0002841562,0.001632948,0.000975324,0.0002887918,0.001004809,0.0009533588],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003212073,"about_ca_system_score_gemma":0.000387736,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002259776,"about_ca_topic_score_gemma":0.001254366,"domain_scores_codex":[0.9942987,0.0008349366,0.001070775,0.001060739,0.0006675936,0.002067255],"domain_scores_gemma":[0.997049,0.0003921275,0.0003474506,0.001103473,0.0003897803,0.0007181234],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001081872,0.00355236,0.07016231,0.0006568861,0.003190635,0.001043297,0.1833728,0.0002709401,0.012096,0.4916303,0.2265562,0.006386357],"study_design_scores_gemma":[0.001976608,0.0007916198,0.05037161,0.0004129582,0.0007566469,0.0001774511,0.005697107,0.008278032,0.002964305,0.03150954,0.8953469,0.001717234],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8985896,0.005141788,0.001896671,0.003234611,0.0005377143,0.0005134909,0.0002266761,0.0002173812,0.08964212],"genre_scores_gemma":[0.9682955,0.0006618638,0.0009561647,0.002968372,0.003640176,0.00008023295,0.0001637151,0.0001250829,0.02310887],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6687906,"threshold_uncertainty_score":0.9998245,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1511036876","doi":"10.5944/epos.18.2002.10223","title":"Matilda o la historia del lobo bajo la piel de cordero.","year":2013,"lang":"es","type":"article","venue":"Epos Revista de filología","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"University of Oxford; Pennsylvania State University","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01438783236134294,"gpt":0.2502347009671351,"spread":0.2358468686057921,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000548932,0.0004674462,0.0007694865,0.0001644091,0.0005409219,0.002620777,0.0004831665,0.0002230654,0.02345618],"category_scores_gemma":[0.0001504591,0.0004238691,0.0003995627,0.00008914536,0.0005266007,0.0004432676,0.0001394156,0.0005653644,0.001325864],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001760038,"about_ca_system_score_gemma":0.0001528675,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006785016,"about_ca_topic_score_gemma":0.00002588295,"domain_scores_codex":[0.996889,0.0009600978,0.0007473355,0.0004980083,0.0002516633,0.0006539233],"domain_scores_gemma":[0.9979451,0.0006925482,0.0002834888,0.0005894912,0.0002439815,0.0002453943],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000296513,0.0002722842,0.002498377,0.0002713478,0.0002442604,0.00009436769,0.007704407,0.000008765148,0.0002545444,0.7609924,0.224722,0.002907571],"study_design_scores_gemma":[0.0003902653,0.0001496659,0.005261764,0.0002931689,0.0002844097,0.00006942638,0.0007529852,0.00153098,0.00002343066,0.005816632,0.984923,0.0005042676],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5233376,0.01590082,0.001271767,0.002204958,0.0005079644,0.0006475284,0.0002143062,0.0001791217,0.4557359],"genre_scores_gemma":[0.925398,0.0002942255,0.0004918359,0.001191732,0.0009175635,0.0001006512,0.00008074282,0.00005184795,0.07147341],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.760201,"threshold_uncertainty_score":0.9998213,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2955600342","doi":"10.5944/signa.vol28.2019.25129","title":"Naturaleza y función de la literatura en la poética explícita de Carlos Pujol","year":2019,"lang":"es","type":"article","venue":"Signa Revista de la Asociación Española de Semiótica","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Philosophy; Humanities; Poetics; Art; Poetry; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.005054241298186788,"gpt":0.2598687672934198,"spread":0.254814525995233,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003946409,0.001075774,0.001615809,0.0002900618,0.0008141639,0.01022431,0.001105439,0.000959444,0.004522842],"category_scores_gemma":[0.0006919627,0.001035217,0.001150982,0.0003655074,0.001226625,0.0008044622,0.0003265003,0.002476475,0.0003967533],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009380713,"about_ca_system_score_gemma":0.0007501626,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001554562,"about_ca_topic_score_gemma":0.000006931683,"domain_scores_codex":[0.9882798,0.006897757,0.001140314,0.001093196,0.0007617397,0.001827258],"domain_scores_gemma":[0.9910682,0.00639377,0.0004437361,0.001051794,0.0003822241,0.0006602112],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001980909,0.0005395887,0.01569718,0.001035113,0.0009657121,0.000482785,0.04823942,0.00003116376,0.01144076,0.9076686,0.01207076,0.00163085],"study_design_scores_gemma":[0.001287853,0.0002755135,0.007789781,0.001950346,0.001324721,0.0002085989,0.006641583,0.00257948,0.0004434959,0.01165442,0.9642628,0.001581415],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8044543,0.02119401,0.000325959,0.001741986,0.0002316385,0.0008054774,0.0005319121,0.0002823694,0.1704324],"genre_scores_gemma":[0.977225,0.0008439308,0.0006230786,0.002097094,0.001709192,0.0001090842,0.0001377827,0.000177841,0.01707701],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.952192,"threshold_uncertainty_score":0.9998249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2058978959","doi":"10.3200/rqtr.52.2.108-114","title":"Juegos paródicos en<i>La sombra del ´guila y Un asunto de honor</i>de Arturo Pérez-Reverte","year":2005,"lang":"es","type":"article","venue":"Romance Quarterly","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.00771088824110868,"gpt":0.2390208246893193,"spread":0.2313099364482106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005800577,0.0007061757,0.0008838484,0.0002157459,0.0007971731,0.001750204,0.0006912613,0.0002418099,0.002785222],"category_scores_gemma":[0.00001887407,0.000691324,0.0005835707,0.0001200782,0.0003924409,0.00111279,0.00004627445,0.0006441107,0.001076544],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00018246,"about_ca_system_score_gemma":0.0001804428,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001780305,"about_ca_topic_score_gemma":0.0003467862,"domain_scores_codex":[0.9959616,0.0007504975,0.0009280031,0.0008083713,0.0004333823,0.001118131],"domain_scores_gemma":[0.9979716,0.0004157696,0.0002933904,0.0008085517,0.000152102,0.0003585951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001324775,0.00116859,0.001520175,0.0002169196,0.000552623,0.0001750055,0.1121259,0.0001438376,0.001436143,0.8035552,0.02160537,0.05736774],"study_design_scores_gemma":[0.001348052,0.001013612,0.009838772,0.0004174678,0.0005195151,0.00007826067,0.004663129,0.02307873,0.0004438813,0.0133469,0.944084,0.001167667],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9259548,0.005833748,0.003559074,0.005448791,0.0004114596,0.00041733,0.0002245055,0.0002432151,0.05790711],"genre_scores_gemma":[0.9798276,0.0002055104,0.0006857748,0.002797097,0.003019832,0.00009462039,0.00005424992,0.00007580006,0.01323947],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9224786,"threshold_uncertainty_score":0.9997013,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2752529264","doi":"10.18432/r2pg81","title":"The Matter and Imagery of Air in Eduardo Chillida’s The Comb of the Wind XV","year":2017,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Theme (computing); Sculpture; Metaphor; Natural (archaeology); Art; Embodied cognition; Visual arts; Scope (computer science); Art history; Aesthetics; History; Philosophy; Archaeology; Computer science; Epistemology; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.0627518761754363,"gpt":0.3609019170805424,"spread":0.2981500409051061,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00171562,0.00009794166,0.0001676128,0.0001139821,0.002271088,0.0005204582,0.001196301,0.00001831873,0.0009884033],"category_scores_gemma":[0.00004848624,0.00004409726,0.0001812409,0.00003517877,0.002102001,0.0004653371,0.0002661644,0.0006075965,0.00001390676],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001855752,"about_ca_system_score_gemma":0.00006248183,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003920048,"about_ca_topic_score_gemma":0.0008033422,"domain_scores_codex":[0.9982232,0.000323412,0.0004355451,0.0001259268,0.0006677955,0.0002241135],"domain_scores_gemma":[0.9986044,0.0004654152,0.0001841261,0.0003400166,0.0003608688,0.00004519525],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0009968881,0.001165242,0.106172,0.00008556758,0.001066993,0.00007863704,0.3115741,0.0002316935,0.001656552,0.5199428,0.05187012,0.005159465],"study_design_scores_gemma":[0.001051366,0.0001849165,0.7522578,0.0003912245,0.00003893882,0.0001215784,0.02153371,0.001014262,0.0004717391,0.1347608,0.08801097,0.0001626453],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.854322,0.0004395539,0.00001103116,0.08432341,0.0003815732,0.0001400866,0.0000406609,0.00000133099,0.06034041],"genre_scores_gemma":[0.991432,0.0001363246,0.000005072847,0.00009539394,0.000352221,0.000006341362,0.000001701628,0.000006984306,0.00796398],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6460858,"threshold_uncertainty_score":0.9999248,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W96274987","doi":"","title":"\"Los muchachos de antes no usaban gomina\": el discurso de una Buenos Aires histérica","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01781640835469823,"gpt":0.2659349605541383,"spread":0.2481185521994401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008742735,0.000921046,0.001452786,0.0005347389,0.001865758,0.002823106,0.0008637574,0.0002282,0.002950342],"category_scores_gemma":[0.0004990743,0.0009005597,0.0007999275,0.0003507299,0.0008684673,0.0006127924,0.0001918965,0.000812743,0.0002836316],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001882866,"about_ca_system_score_gemma":0.001006849,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.006900463,"about_ca_topic_score_gemma":0.01823065,"domain_scores_codex":[0.9944177,0.000792042,0.001158156,0.001079718,0.000504272,0.002048105],"domain_scores_gemma":[0.9963595,0.0005420158,0.0004665047,0.001096562,0.0005098663,0.00102554],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001764442,0.0006385219,0.01185845,0.0005573296,0.0006524597,0.001713596,0.02120504,0.00002055758,0.0003107007,0.9153541,0.04289367,0.00461918],"study_design_scores_gemma":[0.0008091445,0.0004711456,0.01003761,0.001321074,0.0009680432,0.0003028477,0.00307455,0.003245989,0.00002653444,0.0003121253,0.9782959,0.001135082],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9709136,0.01548061,0.0001982245,0.002124318,0.0002539086,0.0006872691,0.0007445418,0.0001296981,0.009467754],"genre_scores_gemma":[0.9831901,0.003689484,0.000118382,0.001961352,0.002102467,0.0001513737,0.00009223219,0.0001237964,0.008570868],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9354022,"threshold_uncertainty_score":0.9997126,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2810230994","doi":"10.18192/rceh.v42i2.3113","title":"Ángel Ganivet (1865-1898) ante la crítica: El suicidio del escritor como negación de la “muerte del autor”","year":2018,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01832388448719722,"gpt":0.2741721242980024,"spread":0.2558482398108051,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001604251,0.001060956,0.001675954,0.0004667933,0.001932666,0.002339775,0.0009257511,0.000316028,0.001417282],"category_scores_gemma":[0.0003919841,0.001051294,0.0007460339,0.0003455312,0.00210317,0.0005401248,0.0002803802,0.0008027466,0.0003195225],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008555315,"about_ca_system_score_gemma":0.001056556,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004173448,"about_ca_topic_score_gemma":0.00663624,"domain_scores_codex":[0.9933041,0.001814583,0.001263498,0.001201874,0.0005864614,0.001829508],"domain_scores_gemma":[0.9953892,0.001152211,0.0004440206,0.001256644,0.0007579969,0.0009998925],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001556451,0.0005042134,0.00505624,0.000389881,0.0008368211,0.001229292,0.01952209,0.000004353496,0.0004033601,0.9363362,0.03408546,0.001476462],"study_design_scores_gemma":[0.001131526,0.0005765182,0.01444103,0.0009558616,0.001514521,0.0003914767,0.002069028,0.004690452,0.0001030307,0.0005719474,0.9722753,0.001279366],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9768304,0.01028566,0.0003826181,0.0007630689,0.0005222215,0.0005881519,0.0008717653,0.0001751905,0.00958092],"genre_scores_gemma":[0.990647,0.001138045,0.0001994339,0.001950399,0.003148,0.00008373194,0.00006453407,0.0001626042,0.002606299],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9381898,"threshold_uncertainty_score":0.9994956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1968652983","doi":"10.7202/902345ar","title":"Souvenirs vivants de Mario Bertoncini","year":2004,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0423323144025385,"gpt":0.2601797582787671,"spread":0.2178474438762286,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004869412,0.0005574794,0.0008147912,0.0002330882,0.0007738357,0.0007812933,0.0004297282,0.0002038286,0.00428672],"category_scores_gemma":[0.00008891338,0.0005699869,0.0005525694,0.0001470181,0.001017745,0.0008841505,0.00009690254,0.0004231879,0.0002626696],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003180452,"about_ca_system_score_gemma":0.0004412637,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006637263,"about_ca_topic_score_gemma":0.003737015,"domain_scores_codex":[0.9971276,0.0002682967,0.0008636675,0.0006241939,0.000318094,0.0007981827],"domain_scores_gemma":[0.9982739,0.0001826906,0.0002686009,0.0005389911,0.0004137102,0.0003221235],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002518648,0.0003946199,0.0007032694,0.0001779231,0.0002788662,0.0002782696,0.09970322,0.0000218517,0.0001264367,0.8902811,0.004186665,0.00382264],"study_design_scores_gemma":[0.0006465559,0.0001833231,0.0006323963,0.000512398,0.0001698588,0.00004343229,0.004829721,0.00004775894,0.0002641745,0.3380783,0.6540277,0.0005644043],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1801766,0.02097312,0.001208953,0.01065316,0.001826674,0.0004241241,0.0003766183,0.000197577,0.7841631],"genre_scores_gemma":[0.8458714,0.0002621677,0.00006735064,0.002784528,0.002546783,0.0000416866,0.00009824825,0.00006062881,0.1482672],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6656947,"threshold_uncertainty_score":0.9999776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2541502683","doi":"10.18192/rceh.v40i2.1843","title":"“Encajadas las formas”: Avant-garde Material Poetics in Manuel Altolaguirre’s “Poema del agua”","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Poetics; Poetry; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.02051658967452491,"gpt":0.2472661944801447,"spread":0.2267496048056198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009044117,0.0008271475,0.001431204,0.0005066724,0.0006836607,0.001062405,0.0006695695,0.0002163391,0.003455362],"category_scores_gemma":[0.0001811504,0.0006537183,0.000489945,0.0000847872,0.0005307344,0.0005315576,0.0002352269,0.0003589977,0.0004005423],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008218921,"about_ca_system_score_gemma":0.0004190325,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007334956,"about_ca_topic_score_gemma":0.03206764,"domain_scores_codex":[0.9949037,0.000574224,0.0014627,0.0009368005,0.0005170088,0.001605545],"domain_scores_gemma":[0.9974019,0.0002999741,0.0004229663,0.0009768527,0.0003376019,0.0005607092],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001925206,0.000304217,0.004877077,0.0004097579,0.0003005069,0.0008709314,0.01344896,0.000004958976,0.0004308397,0.9578801,0.01701359,0.004266494],"study_design_scores_gemma":[0.001444812,0.0003376932,0.008814484,0.001564452,0.0004531169,0.0001009685,0.001175805,0.0002842383,0.000154185,0.0005100264,0.9841149,0.001045257],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9889568,0.003615877,0.0001088328,0.001272165,0.0008935842,0.000652644,0.001195867,0.00006938972,0.003234802],"genre_scores_gemma":[0.9874368,0.001603571,0.00007852806,0.0007903038,0.0009489763,0.0000994922,0.00005558469,0.00009743137,0.008889257],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9671014,"threshold_uncertainty_score":0.9999746,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4361982063","doi":"10.1344/ridas2022.14.1","title":"Preámbulo. Laura Rubio, académica, colega y amiga","year":2022,"lang":"es","type":"article","venue":"RIDAS Revista Iberoamericana de Aprendizaje y Servicio","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Adidas (Canada)","funders":"","keywords":"Mica; Materials science; Composite material","retraction":null,"screen_n_in":null,"score":{"opus":0.01493181587554575,"gpt":0.2504902610039118,"spread":0.235558445128366,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007386809,0.001025692,0.001699069,0.0005418908,0.002798612,0.002653764,0.001802421,0.000120215,0.0413911],"category_scores_gemma":[0.0000255154,0.001094348,0.0009278944,0.0008130262,0.0006963657,0.0006170586,0.001176694,0.001500012,0.0004890164],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006650696,"about_ca_system_score_gemma":0.0003498439,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002777901,"about_ca_topic_score_gemma":0.0001539525,"domain_scores_codex":[0.99294,0.001470842,0.00151997,0.001379105,0.001169515,0.00152055],"domain_scores_gemma":[0.9964005,0.000356708,0.0008846688,0.001511003,0.0002695952,0.0005775264],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003788866,0.001479503,0.00610046,0.0009037707,0.001767547,0.0004073389,0.03250695,0.001101559,0.0008642027,0.8542172,0.09210159,0.008170953],"study_design_scores_gemma":[0.000685116,0.0006490998,0.002368867,0.0002048792,0.0008431136,0.0000588992,0.01121592,0.002998655,0.0000753321,0.0007672596,0.9788534,0.00127945],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8721715,0.02453421,0.0003497085,0.007253755,0.000827748,0.001458629,0.004646709,0.0004445478,0.08831318],"genre_scores_gemma":[0.9636349,0.000489098,0.0001487193,0.007191655,0.001287424,0.0003847134,0.0008396098,0.0001688036,0.02585509],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8867518,"threshold_uncertainty_score":0.9991507,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3031684955","doi":"10.5944/epos.35.2019.23143","title":"Al borde del misterio: acercamiento a la poesía de Rafael Ballesteros (1969-2010)","year":2020,"lang":"es","type":"article","venue":"Epos Revista de filología","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Nexen (Canada)","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03544607014916153,"gpt":0.2796296571829653,"spread":0.2441835870338038,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000480616,0.0006330392,0.001016537,0.0001256094,0.0006129483,0.003015821,0.0007026663,0.000206716,0.006532165],"category_scores_gemma":[0.0001738384,0.0005939856,0.0006087203,0.0001365695,0.0005279112,0.0003980529,0.0002931751,0.0006800297,0.0005445995],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001295991,"about_ca_system_score_gemma":0.0002049663,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002461734,"about_ca_topic_score_gemma":0.00005146737,"domain_scores_codex":[0.9960885,0.0008998384,0.0009432055,0.0008287029,0.000363577,0.0008761541],"domain_scores_gemma":[0.9980851,0.0003004848,0.0003201662,0.0005772484,0.0001846036,0.0005323566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007548583,0.000882464,0.01502516,0.00140387,0.001244752,0.001168831,0.06360605,0.00006110644,0.009471218,0.5735649,0.3296099,0.003206822],"study_design_scores_gemma":[0.0008146224,0.0004439505,0.005103569,0.0004121152,0.000404363,0.00005905861,0.001591918,0.003157466,0.0001133466,0.0003392501,0.9868709,0.0006894281],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8879109,0.0158,0.002302825,0.01907619,0.0004021064,0.0007872747,0.0009404442,0.000267378,0.07251287],"genre_scores_gemma":[0.9623241,0.0004730834,0.0004138874,0.01590291,0.0009903237,0.00006294157,0.0001649927,0.00007820328,0.01958951],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.657261,"threshold_uncertainty_score":0.9996511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235710463","doi":"10.1353/mdr.0.0164","title":"Lars Norén's Long Journey into Night","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"History","retraction":null,"screen_n_in":null,"score":{"opus":0.02290652771317037,"gpt":0.2560811534098278,"spread":0.2331746256966574,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001213114,0.0001477875,0.0002048377,0.00008680754,0.0004301836,0.000554055,0.0002222112,0.00004135599,0.008326752],"category_scores_gemma":[0.00001281044,0.0001197395,0.0001415068,0.00002897581,0.0001679846,0.0004025392,0.00005300047,0.0003191173,0.0003540245],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009159035,"about_ca_system_score_gemma":0.00001771289,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001166897,"about_ca_topic_score_gemma":0.003599477,"domain_scores_codex":[0.9991199,0.00003691053,0.0002180788,0.0002205042,0.0001836226,0.0002210165],"domain_scores_gemma":[0.9993989,0.00003831657,0.00004973477,0.0002933237,0.0001215084,0.00009818294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002208306,0.0002432578,0.001481163,0.00002474039,0.0001179243,0.00005651681,0.1143328,0.00002100656,0.001522341,0.8518978,0.009964868,0.02031546],"study_design_scores_gemma":[0.000363921,0.00005311218,0.001144351,0.00002160827,0.000066047,0.000008292268,0.0009374456,0.008354364,0.0005430275,0.1089777,0.8791453,0.0003848193],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8710046,0.0002369403,0.001146112,0.001442249,0.0005627996,0.00006740847,0.000008765403,0.00006988246,0.1254612],"genre_scores_gemma":[0.9631167,0.000003095479,0.0001023028,0.0006499165,0.0009023987,0.000009619464,0.00001788351,0.00001602743,0.03518207],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8691804,"threshold_uncertainty_score":0.9925798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W138429723","doi":"","title":"La fidelidad traidora: \"El Embrujo de Shangai\", de Fernando Trueba","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02077430278667671,"gpt":0.2662185486994637,"spread":0.245444245912787,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001321285,0.0007286266,0.001193862,0.0003247151,0.001007111,0.001697086,0.0006203032,0.0002381586,0.002359202],"category_scores_gemma":[0.000218015,0.0007219223,0.0007149122,0.0002001799,0.0004369899,0.0004041633,0.0001157279,0.0007833463,0.0001971511],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001214071,"about_ca_system_score_gemma":0.0009018631,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001496505,"about_ca_topic_score_gemma":0.01383939,"domain_scores_codex":[0.995381,0.0009209829,0.0009899568,0.0007850275,0.0003857092,0.001537321],"domain_scores_gemma":[0.997348,0.0004965837,0.0003210941,0.0007570215,0.0002657118,0.0008115885],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008439051,0.0003465711,0.002333014,0.0002780713,0.0004849173,0.0005682785,0.02637105,0.00007191824,0.0001125235,0.9292622,0.02485055,0.01523659],"study_design_scores_gemma":[0.00106047,0.0001957179,0.00522575,0.0006208508,0.0008562633,0.0002363399,0.00262799,0.003243115,0.00004606344,0.000240994,0.9848033,0.0008431125],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9705333,0.01751568,0.0002114197,0.002001251,0.0001359252,0.0004132636,0.0004896675,0.00009918023,0.008600336],"genre_scores_gemma":[0.9888295,0.001620327,0.00019065,0.00288486,0.002152896,0.0001042198,0.00005133604,0.0001008781,0.004065336],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9599528,"threshold_uncertainty_score":0.9995232,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2001598193","doi":"10.3828/bhs.2011.14","title":"Pen and Brush in Dialogue: Octavio Paz and Antoni Tàpies in their Transatlantic <i>Livre d'Artiste</i>","year":2011,"lang":"en","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Catalan; Art; Poetry; Humanities; Painting; Art history; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.06982743946680436,"gpt":0.2432420723255317,"spread":0.1734146328587273,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002226702,0.0001817561,0.0005500266,0.0001141561,0.0001153934,0.00003185324,0.00009008532,0.00002650691,0.0006167449],"category_scores_gemma":[0.00002512301,0.0001384123,0.00005583475,0.00003958608,0.000537428,0.00006545704,0.00007076787,0.0001070309,0.000006663151],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009343242,"about_ca_system_score_gemma":0.000006839442,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001026257,"about_ca_topic_score_gemma":0.004645646,"domain_scores_codex":[0.9989614,0.0001015462,0.000396138,0.0002503312,0.00008581136,0.0002047388],"domain_scores_gemma":[0.9995627,0.0001607864,0.00007178945,0.0001243108,0.00005143219,0.00002895243],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002296092,0.0005926919,0.03600122,0.0004876806,0.0003431566,0.00007567608,0.7545967,5.534769e-7,0.0001273253,0.1938831,0.009101767,0.004560462],"study_design_scores_gemma":[0.002995398,0.0009515617,0.2189873,0.001031069,0.0002316521,0.00002280235,0.1625464,0.000040299,0.0003531381,0.01606072,0.5958232,0.0009564113],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9610301,0.02681889,0.000001331611,0.001065941,0.00007602101,0.0001497677,0.00002299449,0.00001376948,0.01082119],"genre_scores_gemma":[0.9946311,0.00369852,0.0000323495,0.0002373775,0.00005000984,0.00002318799,0.00000257075,0.000009220523,0.001315739],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5920503,"threshold_uncertainty_score":0.6752924,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W109937783","doi":"","title":"Ernesto Cardenal's Hora o: a Conservative National Epic","year":2011,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"EPIC; Art; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.05146308966898674,"gpt":0.2612310721838166,"spread":0.2097679825148299,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007501913,0.0006099927,0.001025943,0.0002606755,0.0009160899,0.0007014428,0.0004800609,0.0001294729,0.005304131],"category_scores_gemma":[0.0002336747,0.0005959012,0.000519563,0.0002171528,0.0006759067,0.0003585623,0.0001216927,0.0004671183,0.0003359019],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006052464,"about_ca_system_score_gemma":0.0008595954,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001719856,"about_ca_topic_score_gemma":0.004983286,"domain_scores_codex":[0.9963787,0.0005586887,0.0008631006,0.0007609437,0.0005623237,0.0008762566],"domain_scores_gemma":[0.9972253,0.0003042042,0.0003720643,0.000530649,0.001083512,0.0004842443],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007868832,0.0002596515,0.00626044,0.0001825521,0.000753962,0.0003870442,0.02755728,0.000002714717,0.00001209216,0.9420723,0.02201611,0.0004171611],"study_design_scores_gemma":[0.0005417531,0.0003233512,0.01437376,0.0004523127,0.0006510471,0.00007808358,0.002796707,0.0003367346,0.00003038508,0.001021776,0.9786119,0.0007822188],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9644244,0.006241456,0.00004916578,0.0006663623,0.0002886492,0.0005113605,0.0007223659,0.00006725831,0.02702893],"genre_scores_gemma":[0.9927529,0.0003238668,0.0001000364,0.00178776,0.0007846564,0.0001119978,0.00006246933,0.00006075508,0.004015582],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9565958,"threshold_uncertainty_score":0.9996492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W96481501","doi":"","title":"God and Satan: The Ephemeral Other and the Self-consciousness of Jesusa Palancares in Hasta no verte Jes?s m?o","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Theology","retraction":null,"screen_n_in":null,"score":{"opus":0.00976712935868177,"gpt":0.2229016849290198,"spread":0.213134555570338,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007682227,0.0003698554,0.000856896,0.00009363783,0.0006145891,0.0006014245,0.0003033312,0.00006652402,0.001130021],"category_scores_gemma":[0.00005435564,0.0002254938,0.0001682351,0.0001324215,0.001204353,0.0001526747,0.00007826475,0.000320986,0.00001400355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007358028,"about_ca_system_score_gemma":0.000138965,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002799872,"about_ca_topic_score_gemma":0.02150126,"domain_scores_codex":[0.9975619,0.0006398812,0.0006452207,0.0004305312,0.0002216705,0.0005007943],"domain_scores_gemma":[0.9984385,0.0005734487,0.0001728031,0.0005411826,0.0001416007,0.0001324489],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000245519,0.0001142602,0.006374921,0.0002427348,0.0003593925,0.00004739467,0.02753646,0.000004936506,0.000007498109,0.9590391,0.002792474,0.003235314],"study_design_scores_gemma":[0.001929266,0.0001612346,0.01185434,0.0004394072,0.0005054727,0.00003636344,0.003259258,0.001873246,0.000004404934,0.0002273476,0.979342,0.0003676892],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9731968,0.0215116,9.894826e-7,0.002057195,0.00006782402,0.000538678,0.0002481016,0.0000143082,0.002364484],"genre_scores_gemma":[0.9946961,0.00325012,0.000009059986,0.0008620569,0.0002588605,0.00005262807,0.00000633221,0.00002809515,0.0008367762],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9765495,"threshold_uncertainty_score":0.9997831,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W127056581","doi":"","title":"Introducción. Medianeras y mediadoras: mujeres y mediación en las letras hispánicas","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Psychology; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01681738470011206,"gpt":0.2642247309699153,"spread":0.2474073462698032,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003090791,0.001268175,0.002132659,0.0009975586,0.001276007,0.001467676,0.00117397,0.00042546,0.005298062],"category_scores_gemma":[0.001385047,0.001214089,0.0008881203,0.0005439855,0.001196742,0.0005796062,0.000289637,0.001416167,0.0006184785],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001214912,"about_ca_system_score_gemma":0.0007817199,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009491246,"about_ca_topic_score_gemma":0.02423321,"domain_scores_codex":[0.9917441,0.0009433776,0.002137634,0.001580632,0.001163126,0.002431146],"domain_scores_gemma":[0.9931621,0.002301473,0.0006558569,0.001578143,0.0007205782,0.001581868],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001414488,0.0003968421,0.005586572,0.000410782,0.0009202271,0.001641834,0.02129651,0.000007187879,0.0002091895,0.9215859,0.03716881,0.01063472],"study_design_scores_gemma":[0.0009899815,0.0004127029,0.01008142,0.0005591214,0.001176774,0.0001481039,0.004755729,0.0001707971,0.0001406277,0.0003622551,0.979821,0.001381461],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9616544,0.02698331,0.0002382203,0.004123002,0.00182946,0.0009292478,0.0005617126,0.0001881303,0.003492537],"genre_scores_gemma":[0.9836139,0.003460106,0.0001496958,0.002273054,0.008533142,0.00007962081,0.0002131401,0.0001732,0.001504147],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9426522,"threshold_uncertainty_score":0.9995689,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1729937791","doi":"","title":"El mito del Cadejo en obras escogidas de Miguel Ángel Asturiasy Manlio Argueta","year":2005,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Mythology; Conscience; Power (physics); Humanities; Sociology; Deception; Economic Justice; Ethnology; Environmental ethics; Art; Philosophy; Political science; Law; Literature; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.01325931231583237,"gpt":0.2600463302197566,"spread":0.2467870179039242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006128857,0.0006565255,0.0008368322,0.0006108539,0.0009401322,0.001478117,0.0008145979,0.0004017331,0.005710739],"category_scores_gemma":[0.00005523002,0.0007110321,0.000669802,0.0002276074,0.0006380762,0.00120618,0.000253525,0.000837263,0.000815601],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003780521,"about_ca_system_score_gemma":0.0002570163,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001124836,"about_ca_topic_score_gemma":0.001005855,"domain_scores_codex":[0.9962942,0.0009261447,0.0005212912,0.0007566445,0.00046524,0.001036481],"domain_scores_gemma":[0.9977525,0.0007318407,0.0002615555,0.0006287476,0.000179675,0.0004456555],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002001553,0.0006834414,0.004916389,0.0001316588,0.0008499225,0.0004146241,0.07588499,0.0003499922,0.0006475758,0.8725832,0.0366434,0.006694622],"study_design_scores_gemma":[0.001676494,0.0001705322,0.03163787,0.0002182393,0.0008558137,0.0000397541,0.01327443,0.004465119,0.0002811595,0.004491119,0.941917,0.0009724441],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7928991,0.005088464,0.0004529382,0.003464566,0.0003233905,0.0002879967,0.0003348976,0.0001408629,0.1970078],"genre_scores_gemma":[0.9614918,0.0007404989,0.0005477376,0.001513207,0.003036685,0.00001383638,0.000127566,0.00007173277,0.03245698],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9052736,"threshold_uncertainty_score":0.9999624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1770735857","doi":"10.33137/q.i..v34i1.19896","title":"The Novels of Federico De Roberto: from Naturalism to Modernism","year":2013,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Naturalism; Modernism (music); Art; Art history; Philosophy; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.02852704868215334,"gpt":0.2539710092136527,"spread":0.2254439605314993,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009401545,0.0001785771,0.000268085,0.00003726643,0.0005147661,0.0006351834,0.0003622899,0.00003868059,0.01395197],"category_scores_gemma":[0.0000621883,0.0001195467,0.0001419677,0.00003810324,0.0002345532,0.0002061612,0.00006998111,0.0001410715,0.001180044],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002659626,"about_ca_system_score_gemma":0.00002531295,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002796468,"about_ca_topic_score_gemma":0.0005359866,"domain_scores_codex":[0.9987567,0.00008045265,0.0003730825,0.0002336404,0.0002354285,0.0003206727],"domain_scores_gemma":[0.998889,0.0003604866,0.00008757276,0.0003384503,0.0001913964,0.0001330898],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002112722,0.0001234941,0.00008028093,0.00001413657,0.0001718188,0.000004452704,0.03387933,0.00001309302,0.002470469,0.9240149,0.03552191,0.003684994],"study_design_scores_gemma":[0.0001736645,0.00012557,0.001462636,0.00005430479,0.00009308953,0.000002056991,0.007875859,0.007250518,0.001111536,0.09969408,0.8817729,0.0003837538],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5064386,0.00154704,0.008887476,0.0149585,0.0009858314,0.0008055451,0.0004607979,0.0001558206,0.4657604],"genre_scores_gemma":[0.9709203,0.000005775024,0.000512071,0.001266771,0.0003645186,0.00005046738,0.00002424474,0.00001807649,0.0268378],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.846251,"threshold_uncertainty_score":0.9995977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3189914497","doi":"","title":"Los locos de Babel o la ciudad imaginada de La nave de los locos de Cristina Peri Rossi","year":2002,"lang":"es","type":"article","venue":"Escritos. Revista del Centro de Ciencias del Lenguaje","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"LOCOS; Nave; Humanities; Art; Physics; Silicon","retraction":null,"screen_n_in":null,"score":{"opus":0.01827079721498998,"gpt":0.2722994264410658,"spread":0.2540286292260758,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.002292049,0.001279349,0.00147449,0.0004621266,0.001958248,0.006005577,0.001514872,0.0004409725,0.004510327],"category_scores_gemma":[0.0008549675,0.001314632,0.00106809,0.0004641694,0.001804682,0.001035734,0.0003533603,0.001814754,0.0002109663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001763134,"about_ca_system_score_gemma":0.001008651,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009904692,"about_ca_topic_score_gemma":0.000165401,"domain_scores_codex":[0.9904999,0.002479882,0.001511688,0.001414131,0.001000863,0.003093581],"domain_scores_gemma":[0.9953324,0.001037792,0.0005316041,0.001247721,0.0006373969,0.001213113],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003814324,0.005149968,0.05001084,0.0034861,0.0009707798,0.006423519,0.1043478,0.0007925679,0.006809149,0.606468,0.1960687,0.0190911],"study_design_scores_gemma":[0.002134759,0.0002950855,0.008701582,0.001528848,0.00128244,0.0009449346,0.009364265,0.1118006,0.0009206615,0.00259058,0.8583518,0.002084469],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8304094,0.06860177,0.01602396,0.001835957,0.000383317,0.001320657,0.001455037,0.0004254041,0.07954448],"genre_scores_gemma":[0.9810267,0.001861739,0.00179166,0.003574093,0.002195576,0.000144645,0.00009492395,0.0001819863,0.009128648],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6622831,"threshold_uncertainty_score":0.9999958,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1528977065","doi":"","title":"The Wings of the Doves: Love and Desire in Dante and Medieval Culture by Elena Lombardi (review)","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.006283063685034697,"gpt":0.1885438543076381,"spread":0.1822607906226034,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001522767,0.00007429177,0.0001918458,0.000006263895,0.0001377464,0.00001881988,0.0001498186,0.00001706382,0.0001597003],"category_scores_gemma":[0.000005367843,0.00004549015,0.00006279512,0.000009200425,0.0003644903,0.0002186463,0.00002294444,0.0000512014,0.000001276603],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001355908,"about_ca_system_score_gemma":0.000005856904,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001800325,"about_ca_topic_score_gemma":0.01480597,"domain_scores_codex":[0.999492,0.0001104697,0.0001120061,0.0001035658,0.00009987486,0.00008202717],"domain_scores_gemma":[0.9996475,0.00006283848,0.00008193026,0.0001275617,0.00005501304,0.00002513235],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001257214,0.000148794,0.001306034,0.0006438007,0.0002372907,0.000002855192,0.591931,3.699932e-7,0.0005905562,0.2970568,0.0724121,0.03554472],"study_design_scores_gemma":[0.0007326236,0.0004120333,0.005886589,0.0006190871,0.0001894378,0.000001943781,0.09308747,0.0003226151,0.00002700755,0.001684075,0.8968516,0.0001855019],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7545779,0.1177181,0.00009136868,0.002879263,0.0001574148,0.0004471189,0.000091195,0.00001270586,0.1240249],"genre_scores_gemma":[0.9924104,0.00277267,0.000008792636,0.0001093686,0.00002458294,7.259222e-8,0.000002052896,0.000002135419,0.004669968],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8244395,"threshold_uncertainty_score":0.8262081,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W38018103","doi":"10.1098/rspb.2023.1174","title":"Claves de la poesía contemporánea (de Bécquer a Brines)","year":2000,"lang":"en","type":"article","venue":"Estudios humanísticos. Filología","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Canada Research Chairs","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01586328513952669,"gpt":0.2624714565915676,"spread":0.2466081714520409,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004806304,0.0003256511,0.0005087754,0.0001237753,0.0006309511,0.0003955241,0.0003379788,0.00009218165,0.03408919],"category_scores_gemma":[0.00006749886,0.0002849349,0.000251306,0.00006555802,0.0007652065,0.0002788545,0.00005823137,0.0003583637,0.0006793783],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006680444,"about_ca_system_score_gemma":0.00006529049,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003230847,"about_ca_topic_score_gemma":0.0002419861,"domain_scores_codex":[0.9979749,0.0004019077,0.0004481569,0.0004150821,0.000207142,0.0005528198],"domain_scores_gemma":[0.9988744,0.000426695,0.00008441047,0.0003696422,0.00009479112,0.0001501188],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000110676,0.0006632166,0.004370551,0.00004831063,0.0003600506,0.0002773128,0.05259723,0.00005845189,0.0001751016,0.886753,0.05022949,0.004356632],"study_design_scores_gemma":[0.0009557417,0.0002473272,0.02313084,0.00007696138,0.0002122104,0.00005972563,0.002587748,0.0006356667,0.0001121608,0.02204689,0.9493706,0.0005640726],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6636683,0.0009267714,0.00007676634,0.0005489385,0.0001155935,0.0001513598,0.00003690056,0.0001523097,0.3343231],"genre_scores_gemma":[0.9481211,0.00008541308,0.0001143951,0.001941468,0.0009482303,0.00006123969,0.00003037635,0.00003331173,0.04866449],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8991411,"threshold_uncertainty_score":0.9999603,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2777591792","doi":"10.1353/mar.2017.0117","title":"A crumbling infrastructure, and: Clichés are clichés for a reason","year":2017,"lang":"en","type":"article","venue":"˜The œMassachusetts review","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cliché; Poetry; Donkey; Face (sociological concept); History; Literature; Lute; Anecdote; Art history; Art; Philosophy; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.06142915557325148,"gpt":0.3185586465978383,"spread":0.2571294910245869,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000633542,0.0002586712,0.0006455894,0.0000427991,0.001765258,0.0008926316,0.0005358907,0.00004062285,0.0006209995],"category_scores_gemma":[0.0001214635,0.0001615954,0.0002998302,0.00002865926,0.0002989699,0.0004045012,0.000128264,0.0002066646,0.00003568819],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001578279,"about_ca_system_score_gemma":0.00002069974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004612844,"about_ca_topic_score_gemma":0.000608946,"domain_scores_codex":[0.9985635,0.0001303741,0.0004561788,0.0003547336,0.0001900994,0.0003050972],"domain_scores_gemma":[0.9982136,0.0001760518,0.0004535929,0.0008841787,0.0001799686,0.00009255093],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005820582,0.0001245593,0.002877214,0.005160106,0.0005207061,0.00001615602,0.006512868,0.00000155854,0.00001409609,0.4601287,0.2419129,0.2826729],"study_design_scores_gemma":[0.0002535192,0.00004415835,0.002526554,0.001821479,0.0003484102,0.000007359939,0.000206286,0.000252054,0.000001881882,0.008640585,0.9856679,0.0002298558],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.02359223,0.7976126,0.001021089,0.04657174,0.001571389,0.004602636,0.0006935165,0.0002740723,0.1240607],"genre_scores_gemma":[0.9624423,0.0208501,0.0001407593,0.007256986,0.001240893,0.0002836637,0.00004645006,0.00004048276,0.00769842],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.93885,"threshold_uncertainty_score":0.9995343,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7018849542","doi":"","title":"El Castellet italiano: La Escuela de Barcelona, puente latinoamericano para Italia","year":2014,"lang":"es","type":"article","venue":"Dipòsit Digital de la Universitat de Barcelona (Universitat de Barcelona)","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Quarter (Canadian coin); Latin Americans","retraction":null,"screen_n_in":null,"score":{"opus":0.008971335849965664,"gpt":0.2357447335683153,"spread":0.2267733977183496,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.001376062,0.001632406,0.001715241,0.001437827,0.00282541,0.003533121,0.002256785,0.0006178968,0.008182006],"category_scores_gemma":[0.0002118706,0.002020194,0.001659299,0.0008832091,0.002867403,0.0035586,0.001323273,0.001786955,0.0005086981],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002095945,"about_ca_system_score_gemma":0.0008450341,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001067591,"about_ca_topic_score_gemma":0.0001031037,"domain_scores_codex":[0.9905826,0.002550281,0.0008762702,0.001817688,0.001272887,0.002900216],"domain_scores_gemma":[0.9930986,0.002813463,0.0006012931,0.0012738,0.0004766163,0.001736218],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001323532,0.001596571,0.04518517,0.0004984475,0.002574158,0.007117318,0.05808603,0.002606488,0.0008805153,0.8442048,0.03016596,0.00576095],"study_design_scores_gemma":[0.004242758,0.001096332,0.03755739,0.0004232945,0.001712622,0.0007732774,0.06813575,0.02118757,0.00007525425,0.01079627,0.8508915,0.003107988],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5381537,0.0009321285,0.00562127,0.001631969,0.0002115192,0.0004808352,0.001458207,0.0003358148,0.4511746],"genre_scores_gemma":[0.9424821,0.0003329524,0.0007759375,0.001277069,0.0004257918,0.00001533321,0.00078817,0.0002373906,0.05366523],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8334086,"threshold_uncertainty_score":0.9998462,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1022914744","doi":"","title":"Food in Paint and Print: Death and Representation in Ekphrasis Poems by Luis Javier Moreno","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetry; Representation (politics); Art; Literature; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.02810317581741776,"gpt":0.2624630357543377,"spread":0.23435985993692,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006695524,0.0003634574,0.0007422799,0.000326299,0.0002624168,0.0005912033,0.0001057564,0.00008869812,0.000207512],"category_scores_gemma":[0.0001966271,0.0003629125,0.00009780621,0.0001900036,0.0002112479,0.0002335157,0.00005469253,0.0003066445,0.000003818815],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002720313,"about_ca_system_score_gemma":0.00009864719,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001659195,"about_ca_topic_score_gemma":0.01716919,"domain_scores_codex":[0.9973038,0.0006052721,0.000678398,0.0006641172,0.0001831995,0.0005651793],"domain_scores_gemma":[0.9989378,0.0002348817,0.0001538049,0.0003422392,0.00008506717,0.0002462312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002730372,0.0001480466,0.1245484,0.0001644131,0.0001029213,0.0001032892,0.01386143,0.000005563759,0.00003094332,0.8579555,0.0004826505,0.002569512],"study_design_scores_gemma":[0.00199841,0.0006267978,0.1427558,0.000935099,0.0003549874,0.0000700194,0.007774383,0.001088583,0.00007257475,0.001469344,0.8418292,0.001024802],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9732961,0.02464217,0.00002551138,0.0003765144,0.00004920917,0.0004792303,0.0001253213,0.00001082887,0.0009951114],"genre_scores_gemma":[0.9964431,0.002688969,0.00003376461,0.0003454237,0.00006185087,0.00007768948,0.00002550279,0.0000291355,0.0002945671],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8564861,"threshold_uncertainty_score":0.9998823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W14765561","doi":"10.2466/pr0.2003.93.3f.1003","title":"La responsabilidad de la lectura: literatura y holocausto","year":2004,"lang":"en","type":"article","venue":"Er: Revista de filosofía","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01544563170255505,"gpt":0.2719135493881621,"spread":0.2564679176856071,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006712798,0.0002371766,0.0003326815,0.0001249913,0.0003461809,0.001703613,0.0002521326,0.00008805961,0.002142359],"category_scores_gemma":[0.0001674684,0.0001988305,0.0002363222,0.0001143551,0.0004156675,0.0002786977,0.00005172143,0.0004287722,0.0001758476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001306174,"about_ca_system_score_gemma":0.0001135601,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004565992,"about_ca_topic_score_gemma":0.00001515303,"domain_scores_codex":[0.9982196,0.0006174541,0.0003268446,0.0003093006,0.0001725734,0.000354231],"domain_scores_gemma":[0.9988809,0.0004492728,0.0000749236,0.0003700371,0.00009729478,0.0001275857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007694671,0.0001273722,0.0001739242,0.0000551324,0.00006649279,0.0001467542,0.02768385,0.00003522681,0.0003515457,0.9633771,0.006505378,0.001400233],"study_design_scores_gemma":[0.0004008038,0.00009777585,0.000535068,0.000181783,0.00007356491,0.00007141027,0.0006729186,0.00003334344,0.0001866706,0.02967789,0.9677845,0.0002842482],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7975836,0.003739057,0.0004163475,0.001673356,0.00009306081,0.0001725926,0.0000668709,0.0001612238,0.1960939],"genre_scores_gemma":[0.9878305,0.00003086219,0.0003321224,0.001097005,0.0005974369,0.00002949306,0.00003402493,0.00002623278,0.01002237],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9612792,"threshold_uncertainty_score":0.9993327,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W32497452","doi":"10.1080/01612840.2020.1742258","title":"La microficción en la obra de Macedonio Fernández","year":2007,"lang":"en","type":"article","venue":"El Cuento en red: Estudios sobre la Ficción Breve","topic":"Comparative Literary Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.01333690207216864,"gpt":0.2776683829943323,"spread":0.2643314809221637,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002057342,0.0005469973,0.0007138347,0.0002672331,0.0004966169,0.000565073,0.0005934761,0.0002554405,0.002125947],"category_scores_gemma":[0.0001036089,0.0004963769,0.0004542399,0.0001851689,0.0003667936,0.000423618,0.000246547,0.0007765348,0.0004441759],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001759212,"about_ca_system_score_gemma":0.0001032033,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002425289,"about_ca_topic_score_gemma":0.0006085409,"domain_scores_codex":[0.9963709,0.0009642801,0.0007310054,0.0006708464,0.000449635,0.0008133135],"domain_scores_gemma":[0.9972993,0.001517616,0.0001904836,0.0005530986,0.0001855067,0.0002540236],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001780174,0.000784021,0.006233181,0.0001575444,0.0007759447,0.0008196879,0.09918584,0.00003202941,0.001528025,0.8085032,0.06867441,0.0131281],"study_design_scores_gemma":[0.0009539718,0.0001018452,0.01275377,0.0001461766,0.0002300511,0.0001577062,0.008616922,0.00005429466,0.0006801427,0.004519274,0.9711192,0.0006666338],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3662963,0.001744339,0.0007913079,0.001473926,0.0005521952,0.0004302544,0.0001062073,0.0003057579,0.6282998],"genre_scores_gemma":[0.9480919,0.0002527435,0.0003310352,0.0007807177,0.001346537,0.00004834312,0.00005506098,0.00007420935,0.04901943],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9024448,"threshold_uncertainty_score":0.9997488,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}