{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":672,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":672,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"06948edc5edc","filters":{"topic":"Contemporary Literature and Criticism"}},"results":[{"id":"W1531918508","doi":"10.1017/cbo9780511635304","title":"Shock, Memory and the Unconscious in Victorian Fiction","year":2009,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":166,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Psyche; Consciousness; Unconscious mind; Psychoanalysis; Subject (documents); Relevance (law); Materialism; History; Identity (music); Literature; Narrative; Victorian literature; Psychology; Aesthetics; Epistemology; Art history; Art; Philosophy","authors":[{"name":"Jill L. Matus","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01276096415533027,"gpt":0.1717252494516906,"spread":0.1589642852963603,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004219752,0.0002803686,0.000215455,0.0008422522,0.003988851,0.004328326,0.0005206445,0.001585702,0.004734784],"category_scores_gemma":[0.002190434,0.0001764027,0.0001599423,0.0006683337,0.01465703,0.003547742,0.00189166,0.003031492,0.0006819795],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004485522,"about_ca_system_score_gemma":0.00157266,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008461531,"about_ca_topic_score_gemma":0.01398014,"domain_scores_codex":[0.9996117,0.0001591627,0.00001110567,0.00002951385,0.000125149,0.00006346983],"domain_scores_gemma":[0.9993561,0.0004462711,0.00004307244,0.00003949634,0.00007204023,0.00004290869],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002601741,0.00001698623,0.0001305073,0.0001970449,0.000004262255,0.0003476796,0.0700263,0.0001792553,0.0005236662,0.8501835,0.05119595,0.02716889],"study_design_scores_gemma":[0.000005626377,0.00002734686,0.0006489995,0.0003497954,0.000005134853,0.0006775519,0.01067547,0.0002341128,0.0005689698,0.1022338,0.8845557,0.00001736959],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0482428,0.1046348,0.004844838,0.03613963,0.003575113,0.00004614897,0.00006870153,0.0001160673,0.802332],"genre_scores_gemma":[0.6167794,0.02189637,0.001393516,0.005535814,0.001269705,0.00003381919,0.00004951685,0.0001112897,0.3529307],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008461531,"threshold_uncertainty_score":0.03254485,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2009217569","doi":"10.3138/cras.2013.033","title":"The Frame-Breakers: Thomas Pynchon’s Post-human Luddites","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Creatures; Hegemony; Appropriation; Power (physics); Liminality; Politics; Frame (networking); Sociology; Aesthetics; Psychoanalysis; Philosophy; Political science; Epistemology; Law; History; Psychology; Computer science","authors":[{"name":"Riley McDonald","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02340645122699975,"gpt":0.2708611740472982,"spread":0.2474547228202985,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002766352,0.0002891159,0.0003267384,0.001053474,0.01453169,0.007713236,0.0008715255,0.002720803,0.00613339],"category_scores_gemma":[0.002941035,0.0002194971,0.0001333513,0.001076362,0.02392455,0.004342827,0.004515789,0.00563406,0.0004864638],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01362029,"about_ca_system_score_gemma":0.004982553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07479544,"about_ca_topic_score_gemma":0.1529675,"domain_scores_codex":[0.9972079,0.001536905,0.00003497498,0.0003359004,0.00045739,0.000426909],"domain_scores_gemma":[0.9987778,0.0006462078,0.0001363676,0.00008541987,0.0001526033,0.0002015636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003561208,0.00002515909,0.0004974394,0.0000751536,0.000004814563,0.0005648091,0.5910892,0.00005185492,0.0002985413,0.3567513,0.03281484,0.01779123],"study_design_scores_gemma":[0.000006438508,0.00002502337,0.001481199,0.0002628071,0.000004434411,0.0002141356,0.180492,0.00004409238,0.0003950929,0.01112827,0.8059301,0.0000164908],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2827511,0.02178647,0.001757513,0.1278443,0.002414003,0.00005884093,0.00006514892,0.00006873935,0.5632538],"genre_scores_gemma":[0.8933172,0.003900898,0.0003037482,0.006766915,0.0002075585,0.00003280843,0.0000175918,0.00007108919,0.09538202],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07479544,"threshold_uncertainty_score":0.1487201,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W168266934","doi":"","title":"Women's Untold Stories: Breaking Silence, Talking Back, Voicing Complexity","year":2001,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Voice; Silence; Psychology; Art; Linguistics; Aesthetics; Philosophy","authors":[{"name":"Cheryl Van-Daalen Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05909351922923719,"gpt":0.2553544744052002,"spread":0.196260955175963,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007487031,0.001235471,0.0009150046,0.004325124,0.06743073,0.02520893,0.004112325,0.006756241,0.008934163],"category_scores_gemma":[0.03137201,0.0006739525,0.0005196953,0.005619592,0.06651127,0.009049528,0.01062253,0.01032788,0.0009446893],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05066572,"about_ca_system_score_gemma":0.05275472,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.7339975,"about_ca_topic_score_gemma":0.8098759,"domain_scores_codex":[0.9887303,0.005028238,0.0001849123,0.0005655391,0.002765131,0.00272586],"domain_scores_gemma":[0.9833469,0.009145917,0.001218805,0.0009317241,0.002876128,0.002480592],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001912753,0.000007507714,0.0004137208,0.00005919901,0.000004588161,0.0002391705,0.9507316,0.00002220586,0.0001899957,0.03079844,0.01090278,0.006611699],"study_design_scores_gemma":[0.00000540046,0.000007635092,0.001501972,0.0003006474,0.00001252139,0.0001446143,0.8368376,0.00003781495,0.0002407141,0.005012879,0.1558754,0.00002277348],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.271536,0.01854552,0.004264957,0.1722267,0.003640945,0.000161622,0.0004466353,0.0003248582,0.5288529],"genre_scores_gemma":[0.9494831,0.003420113,0.0006332839,0.006774853,0.000344768,0.00006977106,0.00007546885,0.0002850252,0.03891369],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7339975,"threshold_uncertainty_score":0.535138,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W589638357","doi":"","title":"Imagined Nations: Reflections on Media in Canadian Fiction","year":2003,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Media studies; Political science; Art; Sociology","authors":[{"name":"David Williams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04232178527290131,"gpt":0.2590900279908837,"spread":0.2167682427179824,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002233902,0.0008513871,0.000358817,0.003913771,0.04213334,0.01907361,0.002315915,0.004447917,0.01034043],"category_scores_gemma":[0.007002327,0.0003985155,0.0003598714,0.005916835,0.03490589,0.006929602,0.004624485,0.006003471,0.0005755106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.1052357,"about_ca_system_score_gemma":0.04924593,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9554883,"about_ca_topic_score_gemma":0.9769934,"domain_scores_codex":[0.9976961,0.0006669132,0.00003499852,0.0001884697,0.0008175665,0.0005960325],"domain_scores_gemma":[0.997092,0.001671719,0.0001409495,0.000105678,0.000698719,0.0002908899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003979611,0.00001090733,0.0004203549,0.0001335369,0.000005068649,0.000903361,0.4720883,0.0002151536,0.0003248183,0.4275903,0.0848683,0.01340002],"study_design_scores_gemma":[0.000006932455,0.000006442701,0.00151944,0.0003019256,0.000009482548,0.000295662,0.287874,0.0001442637,0.0003852154,0.01063067,0.6987851,0.00004082839],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09129462,0.02125115,0.00120129,0.1162864,0.002316919,0.00005829452,0.0004044432,0.00008615463,0.7671008],"genre_scores_gemma":[0.8688273,0.01169159,0.001039841,0.008386888,0.0005897396,0.00005582347,0.0001324122,0.0001935531,0.1090829],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1052357,"threshold_uncertainty_score":0.7635421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W631021079","doi":"10.2307/25515405","title":"John Banville: Exploring Fictions","year":2001,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"History; Psychoanalysis; Art; Psychology","authors":[{"name":"Dawn Duncan","is_ca":false},{"name":"Derek Hand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2198734905032466,"gpt":0.2811068944294701,"spread":0.06123340392622345,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002994809,0.0008307513,0.0005807022,0.005130681,0.0305506,0.01619489,0.00263959,0.006316672,0.02726188],"category_scores_gemma":[0.006649448,0.0003680864,0.0003846502,0.00492494,0.02509361,0.007837828,0.004780821,0.009150329,0.003540735],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02906268,"about_ca_system_score_gemma":0.0154112,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3707347,"about_ca_topic_score_gemma":0.5414647,"domain_scores_codex":[0.9969124,0.001209697,0.00006258373,0.0002593063,0.0008241812,0.0007318687],"domain_scores_gemma":[0.9974349,0.001154916,0.0001181849,0.0001192342,0.000695247,0.0004775456],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002713437,0.00002524199,0.000190041,0.0001126248,0.0000060358,0.0003338369,0.05885159,0.00005626696,0.0001042341,0.4976574,0.4296765,0.01295903],"study_design_scores_gemma":[0.000003476751,0.000002714284,0.0002338942,0.0001675223,0.000002572255,0.00005268689,0.02222297,0.00002192206,0.00006662896,0.009471402,0.9677443,0.00001001992],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007655014,0.02965321,0.0007054117,0.1104003,0.0096139,0.00004572055,0.00011108,0.00006226005,0.8417531],"genre_scores_gemma":[0.2100595,0.01928355,0.001222417,0.03294832,0.003481077,0.0000965172,0.0001245341,0.0003967771,0.7323872],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3707347,"threshold_uncertainty_score":0.7371536,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W585862836","doi":"10.22230/cjc.2000v25n3a1168","title":"Phantom Communities: The Simulacrum and the Limits of Postmodernism","year":2000,"lang":"en","type":"book","venue":"Canadian Journal of Communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Simulacrum; Postmodernism; Art; Aesthetics; Literature","authors":[{"name":"Scott Durham","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03831683720641995,"gpt":0.232017762651903,"spread":0.193700925445483,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009074136,0.0006627233,0.000583022,0.002125617,0.01487774,0.01574388,0.001909133,0.004806303,0.008443623],"category_scores_gemma":[0.01606581,0.000414544,0.0003047684,0.001540272,0.1137279,0.01919129,0.009587839,0.0066928,0.0008104325],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009928935,"about_ca_system_score_gemma":0.009723621,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01097975,"about_ca_topic_score_gemma":0.01666687,"domain_scores_codex":[0.9934679,0.00439115,0.00009877313,0.0004501646,0.001071559,0.0005205354],"domain_scores_gemma":[0.9896638,0.006627144,0.0004519515,0.001686096,0.001033137,0.000537837],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000005150935,0.000003905291,0.00002767084,0.000008639199,5.949303e-7,0.00002007236,0.01677352,0.0000253267,0.00002430674,0.9795592,0.001411981,0.002139602],"study_design_scores_gemma":[0.00001724358,0.00001244988,0.000129402,0.0001042876,0.000002979556,0.00009561062,0.01611271,0.0002731938,0.0001173424,0.8790284,0.104097,0.000009406915],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.055961,0.007179821,0.0246769,0.06707156,0.001172495,0.00006503955,0.00004906756,0.0001486878,0.8436755],"genre_scores_gemma":[0.9522187,0.0009778836,0.002598406,0.001939665,0.0003814585,0.00007590879,0.00001641192,0.000127903,0.04166375],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01574388,"threshold_uncertainty_score":0.07203984,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2005950716","doi":"10.3366/e2041102209000148","title":"Modernist Fiction and “the accumulation of unrecorded life”","year":2006,"lang":"en","type":"article","venue":"Modernist Cultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Temporality; Modernism (music); Defamiliarization; Representation (politics); Everyday life; Consciousness; Constitution; Art; Aesthetics; Romance; Character (mathematics); Vagrancy; Literature; Politics; Philosophy; Epistemology; Political science","authors":[{"name":"Ella Ophir","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04785370789812404,"gpt":0.269376907005963,"spread":0.2215231991078389,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001879553,0.0004894084,0.0003061765,0.001417546,0.007083042,0.00574884,0.0009010268,0.003032567,0.004845296],"category_scores_gemma":[0.004179576,0.0001687049,0.0002755443,0.001018608,0.06430011,0.004930196,0.00284513,0.004698185,0.0006930563],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006415212,"about_ca_system_score_gemma":0.001998337,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003142352,"about_ca_topic_score_gemma":0.005970395,"domain_scores_codex":[0.9981564,0.001076769,0.00003860276,0.0002107974,0.0003426439,0.0001748634],"domain_scores_gemma":[0.9984367,0.000828456,0.0001459399,0.0003303848,0.0001684067,0.00009004823],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004943197,0.000002476743,0.00003964362,0.0000220118,0.000001471479,0.00004636281,0.01197384,0.00003558952,0.00003864798,0.9772698,0.009024408,0.001540854],"study_design_scores_gemma":[0.000006799537,0.00001540734,0.0002517348,0.0001785099,0.000004279229,0.0002688343,0.00949368,0.0001630403,0.0004058458,0.2920991,0.6971018,0.00001091078],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03084697,0.01830787,0.01004408,0.08882631,0.003890288,0.00002861857,0.000106536,0.0001182562,0.8478311],"genre_scores_gemma":[0.8836338,0.004179479,0.002210543,0.01024281,0.003012089,0.00005914398,0.00006189812,0.0001180491,0.0964822],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007083042,"threshold_uncertainty_score":0.04654586,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3200170162","doi":"10.1093/oso/9780192893321.001.0001","title":"Critical Modesty in Contemporary Fiction","year":2021,"lang":"en","type":"book","venue":"","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Art; History; Literature","authors":[{"name":"Thom Dancer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0706641851664457,"gpt":0.2673100620847333,"spread":0.1966458769182877,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002374844,0.0005837932,0.0003528427,0.001561564,0.007120394,0.007552207,0.001056382,0.001908495,0.006611518],"category_scores_gemma":[0.008226627,0.0001759931,0.0002324241,0.0008637412,0.03853647,0.006172556,0.003211197,0.004657934,0.0009177204],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005911226,"about_ca_system_score_gemma":0.001929183,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001697625,"about_ca_topic_score_gemma":0.001874939,"domain_scores_codex":[0.9978088,0.001442419,0.00003564976,0.0001499459,0.0004336356,0.0001295313],"domain_scores_gemma":[0.9948213,0.003928514,0.0002635502,0.0002979457,0.0005209866,0.0001677579],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008167048,0.000007923244,0.00004493856,0.00006196745,0.00000162998,0.0001475445,0.02267097,0.0001266983,0.00008738861,0.9350867,0.03631909,0.00543701],"study_design_scores_gemma":[0.000005923168,0.00002117891,0.0001402428,0.0003881378,0.000003514073,0.0002443452,0.01096158,0.0003204299,0.000301926,0.1785925,0.8090066,0.00001359451],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01409584,0.009855572,0.007854708,0.05418454,0.004659538,0.00006070261,0.00005033825,0.0001536686,0.9090851],"genre_scores_gemma":[0.8038893,0.006667692,0.002680686,0.00850046,0.004287407,0.0001579565,0.00009538666,0.0002195868,0.1735015],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.007552207,"threshold_uncertainty_score":0.04288918,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2992126717","doi":"","title":"“Local Yearnings”: Re-Placing Nostalgia in Don DeLillo’s _Underworld_","year":2010,"lang":"en","type":"article","venue":"The journal of ecocriticism","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Postmodernism; Ecocriticism; Ideology; Power (physics); Aesthetics; Philosophy; Cultural studies; Literature; Dystopia; Sociology; Epistemology; Art; Politics; Anthropology; Law","authors":[{"name":"Jennifer K. Ladino","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01551219862189014,"gpt":0.2303019313056091,"spread":0.214789732683719,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002578655,0.0003988846,0.0002572572,0.0009002622,0.009534186,0.008225491,0.001188358,0.003094918,0.004027161],"category_scores_gemma":[0.009272038,0.0002242262,0.0002206064,0.0005591129,0.02317033,0.00637799,0.005396253,0.006934986,0.0006451267],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005893275,"about_ca_system_score_gemma":0.002610798,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01313166,"about_ca_topic_score_gemma":0.03325486,"domain_scores_codex":[0.997629,0.001384954,0.00004105348,0.000311304,0.0003844601,0.0002492872],"domain_scores_gemma":[0.9974988,0.001553367,0.0001412703,0.0002539421,0.0003244588,0.0002281038],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003311248,0.00001513457,0.0003235717,0.00005287813,0.000002430532,0.0003404842,0.09454078,0.0001236573,0.0003354833,0.8317876,0.05858694,0.01385793],"study_design_scores_gemma":[0.00000849064,0.00001820041,0.0002444232,0.0001889323,0.000004510205,0.0002478717,0.03831892,0.0002957013,0.0005795555,0.06834391,0.8917217,0.00002782413],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08996758,0.008355195,0.0134814,0.2223147,0.00725378,0.00006182543,0.00009029119,0.0003493354,0.658126],"genre_scores_gemma":[0.8993348,0.001257409,0.00164017,0.01322849,0.0009624563,0.00004757528,0.0000257452,0.0002462282,0.083257],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01313166,"threshold_uncertainty_score":0.04275888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1581983364","doi":"","title":"Ronald D. Cohen, (ed.). Alan Lomax: Selected Writings 1934-1997, with introductory essays by Gage Averill, Mathew Barton, Ronald D. Cohen, Ed Kahn, and Andrew Kaye.New York, London: Routledge, 2003.","year":2005,"lang":"en","type":"article","venue":"MUSICultures","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Classics; History","authors":[{"name":"David Montgomery","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00899498659509593,"gpt":0.191224172905882,"spread":0.1822291863107861,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002523477,0.002312756,0.001365931,0.005852845,0.003047042,0.004416973,0.001981241,0.002444364,0.02504725],"category_scores_gemma":[0.007235329,0.0008586752,0.0004797832,0.006173952,0.003264798,0.006488063,0.001480279,0.003009266,0.01991895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004226728,"about_ca_system_score_gemma":0.005278036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02147847,"about_ca_topic_score_gemma":0.03777109,"domain_scores_codex":[0.9989864,0.0002929044,0.00007754564,0.0001542678,0.00041976,0.00006909158],"domain_scores_gemma":[0.9973072,0.001279747,0.0003301699,0.00008187788,0.0007453214,0.0002557173],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002467896,0.00001033665,0.00009700058,0.0003864878,0.000006998122,0.00005256336,0.0009033346,0.00003951336,0.00004601873,0.005307143,0.9249253,0.0682006],"study_design_scores_gemma":[0.000005983343,0.00000401816,0.0005213562,0.001147497,0.00000506979,0.0001184744,0.0005874314,0.000009685665,0.00004400241,0.003671823,0.9938774,0.000007326249],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0001570144,0.9568297,0.0002432409,0.01662571,0.005144505,0.00000890818,0.0001596144,0.00003327215,0.02079801],"genre_scores_gemma":[0.0057087,0.9208478,0.0005860623,0.004361114,0.006411559,0.00008264089,0.0002611768,0.00007967411,0.06166126],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02504725,"threshold_uncertainty_score":0.08379138,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2499379678","doi":"10.1007/978-1-137-54955-6","title":"Contemporary World Narrative Fiction and the Spaces of Neoliberalism","year":2016,"lang":"en","type":"book","venue":"Palgrave Macmillan UK eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Neoliberalism (international relations); Narrative; Sociology; Aesthetics; Gender studies; Media studies; Political science; Social science; Literature; Art","authors":[{"name":"Michael K. Walonen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0227314716843465,"gpt":0.2202354815906414,"spread":0.1975040099062949,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001806824,0.000481495,0.0003540049,0.002170362,0.01234363,0.01694466,0.0009971547,0.002409097,0.006886285],"category_scores_gemma":[0.0025684,0.0002391814,0.0002066491,0.003268358,0.05439622,0.00806344,0.005755734,0.00422089,0.0006322535],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01029217,"about_ca_system_score_gemma":0.003753234,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009620722,"about_ca_topic_score_gemma":0.01616166,"domain_scores_codex":[0.9983387,0.001035566,0.0000310499,0.0001132144,0.0002638784,0.0002175682],"domain_scores_gemma":[0.9986005,0.000910954,0.00007943842,0.0002011039,0.0001070977,0.000100915],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003749318,0.000003973745,0.00004863562,0.00001913627,8.739854e-7,0.00005136024,0.04924577,0.00003382193,0.00003339004,0.9435441,0.003814982,0.003200126],"study_design_scores_gemma":[0.000005573269,0.000008204443,0.0003364051,0.0002437983,0.000003241114,0.0001521639,0.05685578,0.0001165155,0.0001787595,0.2543559,0.6877363,0.000007349759],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02111365,0.009230968,0.001814441,0.009865007,0.0004691762,0.00001575383,0.00003119095,0.00004018452,0.9574196],"genre_scores_gemma":[0.8567568,0.005948088,0.001055237,0.002281237,0.0004388855,0.0000697564,0.00006111704,0.0001537906,0.1332352],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01694466,"threshold_uncertainty_score":0.07467526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1987573063","doi":"10.1353/jnt.2006.0001","title":"Playing at Birth: Samuel R. Delany's Dhalgren","year":2005,"lang":"en","type":"article","venue":"Journal of Narrative Theory","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Luck; Context (archaeology); Reading (process); History; Quarter (Canadian coin); Literature; Art; Art history; Aesthetics; Law; Philosophy; Political science; Archaeology; Epistemology","authors":[{"name":"Todd Comer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02531287048655946,"gpt":0.2438987153034819,"spread":0.2185858448169224,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002801978,0.0006454717,0.000568906,0.0006815267,0.01479476,0.008374673,0.001493369,0.003206227,0.004818784],"category_scores_gemma":[0.004892815,0.0003208279,0.0001774656,0.0004142055,0.01619791,0.00567309,0.005315724,0.009629732,0.001451999],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007891473,"about_ca_system_score_gemma":0.002884353,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01447021,"about_ca_topic_score_gemma":0.0407715,"domain_scores_codex":[0.9968876,0.002242861,0.00005249902,0.000294575,0.0002682143,0.0002541488],"domain_scores_gemma":[0.9982686,0.001032908,0.0001177817,0.0001023367,0.000213095,0.0002652364],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005422616,0.00005520441,0.0004302119,0.0001888788,0.000006146782,0.001415133,0.3900185,0.00006855594,0.0004675089,0.4911173,0.09731478,0.01886358],"study_design_scores_gemma":[0.000006965817,0.00003255292,0.0002312191,0.0002945207,0.000004473544,0.0006089048,0.1129985,0.00007191959,0.0004736146,0.01950033,0.8657581,0.00001904017],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09821654,0.03788217,0.003096459,0.3073088,0.009833383,0.0001335244,0.00009952958,0.0001391817,0.5432904],"genre_scores_gemma":[0.6635495,0.007839671,0.001340432,0.03884621,0.0009745227,0.0001207883,0.00004057256,0.0001884058,0.2870998],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01479476,"threshold_uncertainty_score":0.05725694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329084825","doi":"10.1080/0950236x.2014.993524","title":"Neoliberalism and the time of the novel","year":2015,"lang":"en","type":"article","venue":"Textual Practice","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Neoliberalism (international relations); Impossibility; Postmodernism; Sociology; Epistemology; Relation (database); Politics; Aesthetics; Philosophy; Social science; Law; Political science","authors":[{"name":"Mathias Nilges","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03915517592370338,"gpt":0.2464155442825526,"spread":0.2072603683588492,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006368607,0.0003700175,0.0004768244,0.001129914,0.01023052,0.01816578,0.001459737,0.003360542,0.008741805],"category_scores_gemma":[0.009338701,0.0003688096,0.0003437678,0.0008796553,0.04282229,0.01948182,0.006261459,0.006357772,0.001469845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00771201,"about_ca_system_score_gemma":0.003159507,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000806122,"about_ca_topic_score_gemma":0.00117297,"domain_scores_codex":[0.9948027,0.003037226,0.0001749236,0.0006089832,0.0008334874,0.0005427044],"domain_scores_gemma":[0.995456,0.00205614,0.0006390935,0.0006418126,0.0004882369,0.0007187049],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002757154,0.00001289047,0.00005747476,0.00003867382,0.000002197318,0.0001500115,0.02539874,0.00004000075,0.00011295,0.9675205,0.003832031,0.002806862],"study_design_scores_gemma":[0.00002596518,0.00003504322,0.0002005825,0.0002901606,0.000004210401,0.0005578041,0.03126897,0.0001464522,0.000487299,0.3422605,0.6247,0.00002299467],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05966333,0.01257664,0.008629452,0.0656168,0.005777435,0.00006738645,0.000117983,0.0001643263,0.8473867],"genre_scores_gemma":[0.9307917,0.002366192,0.001724875,0.003420176,0.001437748,0.00007649008,0.00004465748,0.000189637,0.05994859],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01816578,"threshold_uncertainty_score":0.05595481,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205251505","doi":"10.1353/wlt.2017.0304","title":"Do Not Say We Have Nothing","year":2017,"lang":"en","type":"article","venue":"World Literature Today","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nothing; Ideology; Existentialism; Soul; History; The Void; Magnum opus; Criticism; Literature; Aesthetics; Philosophy; Politics; Law; Art; Political science; Theology; Epistemology","authors":[{"name":"Amy Lantrip","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03257780615148737,"gpt":0.2618835653077148,"spread":0.2293057591562274,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006624819,0.001088915,0.0007835609,0.0008069605,0.008286165,0.01347175,0.0016982,0.005687485,0.06394819],"category_scores_gemma":[0.02805312,0.0004751479,0.0006725179,0.0006578267,0.01942947,0.01334777,0.008043986,0.01785289,0.06398431],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004253571,"about_ca_system_score_gemma":0.006635796,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005068054,"about_ca_topic_score_gemma":0.006802024,"domain_scores_codex":[0.9906176,0.003673652,0.0003172601,0.001514383,0.00296163,0.0009154599],"domain_scores_gemma":[0.9871519,0.003123184,0.0009000148,0.002269041,0.004011699,0.002544233],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000414898,0.00004381569,0.0007061796,0.0002150633,0.0000449253,0.0001930656,0.009130438,0.000053818,0.000324591,0.2217252,0.7325345,0.03498687],"study_design_scores_gemma":[0.000005002519,0.00001167378,0.0001231976,0.0001497958,0.000007805069,0.0001273092,0.002198694,0.00002393598,0.0001095028,0.01634746,0.9808822,0.00001338352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002862155,0.0111547,0.006822119,0.3987241,0.04934016,0.0000962174,0.0002970144,0.0007377015,0.5299658],"genre_scores_gemma":[0.07638685,0.006590274,0.002664164,0.3023836,0.008895083,0.0001754755,0.0003751152,0.0008592543,0.6016701],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06394819,"threshold_uncertainty_score":0.213928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3130071035","doi":"","title":"Subtraction and Contraction: Deleuze, Immanence, andMatter and Memory","year":2007,"lang":"en","type":"article","venue":"Collapse","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Immanence; Contraction (grammar); Subtraction; Philosophy; Arithmetic; Epistemology; Mathematics; Linguistics","authors":[{"name":"Quentin Meillassoux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01316460161623874,"gpt":0.2184285340527838,"spread":0.2052639324365451,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006731828,0.0008069102,0.0007199909,0.001574825,0.006762371,0.01022197,0.002713318,0.003824961,0.007038633],"category_scores_gemma":[0.01220806,0.00030944,0.0005594507,0.001642899,0.09326751,0.01086903,0.00550975,0.00578293,0.0004713408],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004869986,"about_ca_system_score_gemma":0.003693323,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004786516,"about_ca_topic_score_gemma":0.006049681,"domain_scores_codex":[0.9957544,0.002731848,0.000100681,0.0004654667,0.0005529805,0.0003946077],"domain_scores_gemma":[0.9942967,0.003453833,0.000365458,0.001199244,0.0005085559,0.0001762013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001325305,0.000005144241,0.00008643189,0.00001595133,0.000002554307,0.00002815036,0.008921935,0.00005351708,0.00005334963,0.9879922,0.0005641081,0.002263302],"study_design_scores_gemma":[0.00001778435,0.000011847,0.0002730139,0.00007284167,0.000007847611,0.0001099485,0.00724841,0.000210524,0.000263827,0.96446,0.02731096,0.00001306029],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1574177,0.02249345,0.03951771,0.0594238,0.0007586342,0.00005355598,0.00005968549,0.000135311,0.7201402],"genre_scores_gemma":[0.9840593,0.001330662,0.001229935,0.00113297,0.0001880724,0.00002095702,0.0000131892,0.00005849371,0.01196649],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01022197,"threshold_uncertainty_score":0.03560174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2494676768","doi":"10.14361/9783839427101-004","title":"Purging the world of the Whore and the horror. Gothic and apocalyptic portrayals of dementia in Canadian fiction","year":2015,"lang":"en","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Dementia; Literature; History; Art history; Medicine","authors":[{"name":"Marlene Goldman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02844264014211473,"gpt":0.2020627349956264,"spread":0.1736200948535116,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001792941,0.001285034,0.0005374797,0.003503227,0.03724563,0.01196526,0.001616501,0.004507854,0.008527253],"category_scores_gemma":[0.005441977,0.0003904579,0.0003207985,0.003115065,0.04580669,0.002744131,0.00425179,0.008345213,0.000908968],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07710014,"about_ca_system_score_gemma":0.05860921,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9290543,"about_ca_topic_score_gemma":0.9710811,"domain_scores_codex":[0.9981703,0.0005928036,0.00003263472,0.0001033549,0.0004984529,0.0006025117],"domain_scores_gemma":[0.9986947,0.0005132335,0.000076523,0.00005382736,0.0004180429,0.0002436364],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005438917,0.0000188894,0.0002588658,0.0001767519,0.000007344477,0.0007910842,0.4640986,0.0001089017,0.0002969056,0.434229,0.08520475,0.01475456],"study_design_scores_gemma":[0.00001590074,0.0000152542,0.001546055,0.000578295,0.00001964399,0.0006853187,0.1418988,0.00008544271,0.0003152978,0.01401417,0.8407803,0.00004565849],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04313043,0.04566619,0.0009224094,0.07414619,0.005189112,0.00007422391,0.0002351838,0.0001116972,0.8305245],"genre_scores_gemma":[0.7171286,0.01628661,0.0008115438,0.01010118,0.0007846431,0.00005135861,0.00007016421,0.000257671,0.2545082],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07710014,"threshold_uncertainty_score":0.5594032,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2489823708","doi":"10.17351/ests2016.94","title":"Toward Non-innocent Reassemblies","year":2016,"lang":"en","type":"article","venue":"Engaging Science Technology and Society","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Sociology; Psychoanalysis; Criminology; Epistemology; Law; Aesthetics; Political science; Psychology; Philosophy","authors":[{"name":"Michelle Murphy","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.021919828134624,"gpt":0.2381771283683266,"spread":0.2162573002337025,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.01686185,0.0005917755,0.0004855313,0.001193711,0.01258371,0.01038137,0.002366915,0.01009628,0.006102318],"category_scores_gemma":[0.06176699,0.0003199485,0.0004328664,0.0006556132,0.05264476,0.01092139,0.007748703,0.01693919,0.001745423],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003400832,"about_ca_system_score_gemma":0.003574287,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002435047,"about_ca_topic_score_gemma":0.004253468,"domain_scores_codex":[0.9774933,0.01507566,0.0004475168,0.001778496,0.004016041,0.001189044],"domain_scores_gemma":[0.97273,0.01769231,0.001691477,0.002671515,0.004111259,0.001103352],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003117554,0.00001643357,0.0003765587,0.0000756501,0.00000928432,0.0006144166,0.1055044,0.00008277062,0.0005039177,0.8462285,0.03749835,0.009058558],"study_design_scores_gemma":[0.00001289364,0.00002711304,0.0002759282,0.0002816143,0.00001246563,0.0006348915,0.0580975,0.0004186867,0.001328161,0.4132046,0.5256817,0.00002457027],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05510332,0.004075517,0.0323658,0.3469587,0.008846342,0.00008084656,0.00004051311,0.0003855782,0.5521435],"genre_scores_gemma":[0.8822415,0.0009019568,0.003574068,0.04504291,0.002040583,0.00008087413,0.00002470132,0.0003201432,0.06577338],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9874163,"threshold_uncertainty_score":0.08917511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2773926170","doi":"10.1093/ibd/17.supplement1.s6a","title":"A post-hoc analysis","year":2011,"lang":"en","type":"article","venue":"Inflammatory Bowel Diseases","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Robarts Clinical Trials","funders":"","keywords":"Post-hoc analysis; Post hoc; Medicine; Computer science; Internal medicine","authors":[{"name":"William Sandborn","is_ca":false},{"name":"Paul Rutgeerts","is_ca":false},{"name":"Walter Reinisch","is_ca":false},{"name":"Diederik Esser","is_ca":false},{"name":"Y Wang","is_ca":false},{"name":"Yinghua Lang","is_ca":false},{"name":"Colleen Marano","is_ca":false},{"name":"Richard E. Strauss","is_ca":false},{"name":"B.J. Oddens","is_ca":false},{"name":"Brian Feagan","is_ca":true},{"name":"Stephen B. Hanauer","is_ca":false},{"name":"Gary Lichtenstein","is_ca":false},{"name":"Dominique Présent","is_ca":false},{"name":"B E Sands","is_ca":false},{"name":"Jean‐Frédéric Colombel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01977090412098324,"gpt":0.2080378200676874,"spread":0.1882669159467041,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01715524,0.003241684,0.006355887,0.001596369,0.001563643,0.002584359,0.002293839,0.003268701,0.08094872],"category_scores_gemma":[0.05670438,0.0008626464,0.004221956,0.00227095,0.001335921,0.002762121,0.002668574,0.008170445,0.007034028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001749084,"about_ca_system_score_gemma":0.004257513,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002247309,"about_ca_topic_score_gemma":0.002278536,"domain_scores_codex":[0.9700935,0.01299772,0.001935326,0.007868622,0.003436593,0.003668264],"domain_scores_gemma":[0.9665343,0.02376416,0.001648972,0.004531873,0.002730642,0.0007900211],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"observational","study_design_scores_codex":[0.2218635,0.01628755,0.05937728,0.01353036,0.03680918,0.003513923,0.006081174,0.01245202,0.01790182,0.03517574,0.3020917,0.2749157],"study_design_scores_gemma":[0.03138162,0.1428902,0.2244129,0.003236996,0.02550852,0.002348518,0.005948955,0.1136727,0.02655843,0.04704131,0.3760622,0.0009376679],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5530996,0.005101533,0.2103148,0.004900204,0.03709613,0.04532275,0.05858422,0.008927328,0.07665329],"genre_scores_gemma":[0.6372529,0.001208535,0.1508218,0.004946759,0.002321186,0.1054046,0.01293614,0.003689272,0.08141884],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08094872,"threshold_uncertainty_score":0.2708004,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210636548","doi":"10.7312/wall15156","title":"Fate, Time, and Language","year":2010,"lang":"en","type":"book","venue":"Columbia University Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science; Linguistics; Philosophy","authors":[{"name":"David FosterHG Wallace","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01122225354435157,"gpt":0.1676241897707887,"spread":0.1564019362264371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001705623,0.0004308618,0.0002857134,0.001027709,0.00758015,0.0083941,0.0006365181,0.001467265,0.005401118],"category_scores_gemma":[0.003118506,0.0002019717,0.0001993516,0.0008270832,0.0301416,0.008590089,0.003282501,0.003510157,0.0009606534],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006077528,"about_ca_system_score_gemma":0.003847184,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008735538,"about_ca_topic_score_gemma":0.007806362,"domain_scores_codex":[0.9982826,0.0009414614,0.00004198149,0.0001891066,0.000311892,0.0002329276],"domain_scores_gemma":[0.9990042,0.0005190562,0.00009602601,0.00008455246,0.0001685891,0.0001276406],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000009317599,0.000003639889,0.00009219094,0.00001292662,9.703551e-7,0.00005206807,0.01248044,0.00002619056,0.00004723459,0.9732553,0.009397384,0.004622366],"study_design_scores_gemma":[0.00000795562,0.0000132999,0.0001940053,0.0001307908,0.000003020157,0.0001049749,0.0113095,0.00005950316,0.0001685864,0.4365776,0.5514192,0.00001152111],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02732751,0.04051187,0.006286498,0.09673329,0.003338148,0.00002443779,0.00008874392,0.00008672943,0.8256027],"genre_scores_gemma":[0.7848068,0.01302935,0.001998815,0.01295253,0.001775892,0.00005506953,0.00009141527,0.0001534443,0.1851367],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008735538,"threshold_uncertainty_score":0.04409575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2047415034","doi":"10.1353/mos.2015.0006","title":"Queer Exuberance: The Politics of Affect in Jeanette Winterson’s Visceral Fiction","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Queer; Pleasure; Politics; Queer theory; Affect (linguistics); Biopower; Aesthetics; Gender studies; Sociology; Art; Political science; Psychology; Law","authors":[{"name":"Tyler Bradway","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03364911068938403,"gpt":0.2448813870692419,"spread":0.2112322763798578,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001486092,0.0003785226,0.0002427193,0.0007362321,0.007913163,0.006206787,0.0006225434,0.002893765,0.002177213],"category_scores_gemma":[0.003577048,0.000164822,0.0002392081,0.0004999064,0.03132389,0.00345452,0.001926603,0.004812689,0.0002979846],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006971922,"about_ca_system_score_gemma":0.001617331,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02490238,"about_ca_topic_score_gemma":0.04170727,"domain_scores_codex":[0.9987984,0.0007924805,0.00001524803,0.0001053026,0.0001717381,0.0001169214],"domain_scores_gemma":[0.9986657,0.0009805883,0.00008475863,0.00006943794,0.0001188946,0.00008054804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001710224,0.000006040638,0.0001666504,0.0000224471,0.000003773245,0.0002604563,0.06546944,0.0001769645,0.0002088587,0.8988369,0.03126839,0.003563039],"study_design_scores_gemma":[0.00001551281,0.00001850577,0.0007785587,0.0002386345,0.00001114307,0.0005690878,0.04529561,0.0004445869,0.0008837371,0.1973767,0.7543378,0.0000301278],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06938089,0.02020403,0.006457511,0.3226279,0.00346226,0.00003287033,0.00006633691,0.0001028938,0.5776653],"genre_scores_gemma":[0.8983915,0.003196712,0.001064099,0.01708789,0.0009378582,0.00003033452,0.0000146454,0.0001058764,0.07917098],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02490238,"threshold_uncertainty_score":0.05058509,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1993373800","doi":"10.1353/mos.2014.0030","title":"David Foster Wallace and the Ethical Challenge of Posthumanism","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Posthumanism; Normative; Sociology; Environmental ethics; Psychoanalysis; Aesthetics; Philosophy; Epistemology; Psychology","authors":[{"name":"Wilson Kaiser","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02005822281267585,"gpt":0.2238305844276202,"spread":0.2037723616149443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004452789,0.0003445428,0.0002749599,0.001175042,0.009430364,0.006455407,0.0008951566,0.003944483,0.001879955],"category_scores_gemma":[0.00671057,0.0002601703,0.0001550924,0.0007662983,0.03772437,0.004195973,0.003829881,0.005853928,0.0003088315],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005065511,"about_ca_system_score_gemma":0.002419634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004473682,"about_ca_topic_score_gemma":0.006631114,"domain_scores_codex":[0.9951652,0.003540184,0.0000600559,0.0002507362,0.0006820125,0.000301757],"domain_scores_gemma":[0.995923,0.003042307,0.0002187559,0.0002096697,0.0003744056,0.000231684],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008892355,0.000007145746,0.000102158,0.00003112315,0.000002806961,0.00009442696,0.01350921,0.000104229,0.00008061913,0.9660634,0.01661748,0.003378553],"study_design_scores_gemma":[0.00001452147,0.00002281673,0.0002840873,0.0003261529,0.000005424496,0.0003333287,0.01950565,0.0002523289,0.0003566126,0.4825471,0.4963324,0.00001954245],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06610764,0.04007665,0.006211238,0.3438928,0.002951199,0.00003341322,0.00001966781,0.0000459711,0.5406615],"genre_scores_gemma":[0.9350666,0.006063965,0.001403584,0.01705916,0.000907649,0.00004189388,0.000007041064,0.00005174359,0.03939827],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009430364,"threshold_uncertainty_score":0.03675306,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W13913359","doi":"","title":"Zizek and Media Studies: A Reader","year":2014,"lang":"en","type":"article","venue":"New York State journal of medicine","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ideology; Movie theater; Sublime; Art; Hegelianism; Art history; Literature; Philosophy; Aesthetics; Politics; Law; Political science","authors":[{"name":"Matthew Flisfeder","is_ca":false},{"name":"Louis-Paul Willis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07624607571350772,"gpt":0.2785540668947264,"spread":0.2023079911812187,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00102022,0.001352316,0.0006402764,0.003633901,0.004488101,0.009457873,0.00137423,0.003122195,0.03621935],"category_scores_gemma":[0.003510162,0.0004209274,0.0003482068,0.004003528,0.00567491,0.0084653,0.003200952,0.003440742,0.007893657],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005678428,"about_ca_system_score_gemma":0.002578182,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0136814,"about_ca_topic_score_gemma":0.0191622,"domain_scores_codex":[0.9992197,0.0002988549,0.00003344286,0.0000880907,0.0001997781,0.0001601331],"domain_scores_gemma":[0.9986711,0.0007679167,0.0000959247,0.00008151435,0.0002172334,0.0001663372],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002131351,0.000044706,0.0004963218,0.0005866114,0.000005327544,0.0001435771,0.01030474,0.0000375338,0.0002485426,0.1261603,0.8209248,0.04102622],"study_design_scores_gemma":[0.000002273126,0.000002939227,0.0003487156,0.0004252701,0.000001889898,0.00004313799,0.002394725,0.00001298744,0.00002413293,0.004568722,0.9921725,0.000002762355],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001967435,0.5969606,0.0008933535,0.1372962,0.01827823,0.00005412648,0.0002816373,0.0001516608,0.2441167],"genre_scores_gemma":[0.06216728,0.4687297,0.001640757,0.05155021,0.04837388,0.0002609849,0.0003711163,0.0002250697,0.3666809],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03621935,"threshold_uncertainty_score":0.1211658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2136705571","doi":"","title":"A Postmodernist Reading of Tom Stoppard's Arcadia","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Arcadia; Postmodernism; Nothing; Comedy; Literature; Absurdism; Tragedy (event); Deconstruction (building); Philosophy; Narrative; Aesthetics; Metafiction; Skepticism; Art; Epistemology","authors":[{"name":"Noorbakhsh Hooti","is_ca":false},{"name":"Samaneh Shooshtarian","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02024005301724692,"gpt":0.2918125169761741,"spread":0.2715724639589271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001344298,0.0005530432,0.0003063126,0.001612938,0.00825184,0.005198078,0.001147628,0.002558737,0.006537419],"category_scores_gemma":[0.002255972,0.0002693885,0.0002256161,0.001436825,0.01656733,0.004842927,0.002811119,0.004546655,0.0009637259],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007048231,"about_ca_system_score_gemma":0.002279282,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01162578,"about_ca_topic_score_gemma":0.01411001,"domain_scores_codex":[0.9986781,0.0006812721,0.00002995351,0.0001961665,0.0002577082,0.0001566365],"domain_scores_gemma":[0.9990401,0.0005458834,0.00007666204,0.00008398265,0.0001622654,0.00009108368],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003551019,0.00001635005,0.0002159045,0.00006693655,0.000002772559,0.0003152818,0.1029762,0.00006443397,0.0002299153,0.870529,0.020642,0.004905711],"study_design_scores_gemma":[0.00001037852,0.00002702631,0.0008349302,0.0001805749,0.00000530687,0.0006267739,0.03050937,0.000285003,0.0003394609,0.07824949,0.8889139,0.0000179507],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06944005,0.02060011,0.01120748,0.07123762,0.002146546,0.00006321591,0.0002032086,0.000199182,0.8249025],"genre_scores_gemma":[0.8994516,0.00348356,0.002995558,0.008301313,0.0007063852,0.000104027,0.00009206197,0.0001717446,0.08469367],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01162578,"threshold_uncertainty_score":0.05113876,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1997984078","doi":"10.3138/cras.37.1.083","title":"The Triumph of Death: National Security and Imperial Erasures in Don DeLillo's <i>Underworld</i>","year":2007,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Complicity; Cold war; History; Comics; National security; Distressing; Literature; Law; Sociology; Political science; Art; Politics","authors":[{"name":"David Noon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0308019197311567,"gpt":0.2960090994901149,"spread":0.2652071797589582,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006100773,0.0004049599,0.0005227395,0.001845347,0.0182013,0.01117696,0.001309889,0.005289266,0.002991025],"category_scores_gemma":[0.007378946,0.0002447288,0.0002007368,0.001693532,0.04908702,0.005741502,0.004443641,0.007800344,0.0003233104],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01726289,"about_ca_system_score_gemma":0.006143464,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09453523,"about_ca_topic_score_gemma":0.1788643,"domain_scores_codex":[0.9963379,0.002152163,0.00006978175,0.0003805036,0.0006487384,0.0004108516],"domain_scores_gemma":[0.9946414,0.00355816,0.0003833369,0.0002288505,0.0008495184,0.0003386124],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003356242,0.00001569101,0.0006425375,0.0001237255,0.000006628589,0.0004667719,0.232088,0.0000540784,0.0000902662,0.690524,0.0657504,0.01020445],"study_design_scores_gemma":[0.00001207896,0.00001664414,0.001043745,0.000759334,0.00001168181,0.0002924746,0.1533167,0.00007139986,0.0001902778,0.03791015,0.8063475,0.00002803343],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08792926,0.06829277,0.0009260893,0.3628146,0.005126417,0.00001652794,0.00004035291,0.00003370117,0.4748202],"genre_scores_gemma":[0.9196817,0.01343833,0.0001893931,0.03113679,0.001743677,0.00001859987,0.00001283879,0.00005412833,0.03372459],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09453523,"threshold_uncertainty_score":0.1879699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2023587528","doi":"10.3138/md.44.2.214","title":"The Anti-Romantic Comedies of Dorothy L. Sayers","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Romance; Literature; Dream; Chivalry; Plot (graphics); History; Art; Psychoanalysis; Psychology","authors":[{"name":"Martha Greene Eads","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0214646484581942,"gpt":0.2240066270461677,"spread":0.2025419785879735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001895484,0.0005202281,0.0003564026,0.000580043,0.01239729,0.005747532,0.0006428414,0.002445181,0.007598455],"category_scores_gemma":[0.007805113,0.0002848396,0.0002423098,0.0004016944,0.01144805,0.004352117,0.002922138,0.00696496,0.002085152],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002954684,"about_ca_system_score_gemma":0.002012251,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01102892,"about_ca_topic_score_gemma":0.02170757,"domain_scores_codex":[0.9977258,0.001292609,0.00004368445,0.0002645774,0.0004408562,0.0002324354],"domain_scores_gemma":[0.997401,0.001231461,0.0002263818,0.0001392447,0.0005273458,0.0004746151],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005627243,0.00002038317,0.000451693,0.00009544015,0.00000671585,0.0005080997,0.06720468,0.00003396587,0.0003717085,0.1517784,0.7672879,0.01218474],"study_design_scores_gemma":[0.000004340952,0.00001092427,0.0002616428,0.0001142217,0.000001956337,0.0003204529,0.02932185,0.00002162047,0.0001667671,0.004725589,0.9650396,0.00001117974],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02746024,0.03297389,0.001050049,0.6294747,0.01576429,0.00001939757,0.000132798,0.0001312351,0.2929934],"genre_scores_gemma":[0.4682059,0.0131274,0.0006229636,0.196525,0.007429168,0.00007873019,0.00007824664,0.0002811757,0.3136514],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01239729,"threshold_uncertainty_score":0.02541935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2076774907","doi":"10.3138/md.48.4.758","title":"“Seek for Something New”: Mothers, Change, and Creativity in Tony Kushner’s <i>Angels in America, Homebody/Kabul, </i>and <i>Caroline, or Change</i>","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Identity (music); Dialectic; Meaning (existential); Creativity; Subject (documents); Subject matter; Status quo; Psychoanalysis; Literature; Psychology; Sociology; Aesthetics; Art; Social psychology; Philosophy; Epistemology; Political science; Law","authors":[{"name":"Catherine Barnes Stevenson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07962694840941995,"gpt":0.2785513364724431,"spread":0.1989243880630232,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003090431,0.0003919504,0.0002112604,0.0005989416,0.009621641,0.00760402,0.0009084183,0.001877107,0.002588233],"category_scores_gemma":[0.003962921,0.0002013529,0.0001848972,0.000346517,0.03204932,0.003938341,0.004806581,0.003661245,0.0002925458],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005128125,"about_ca_system_score_gemma":0.001647978,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003501916,"about_ca_topic_score_gemma":0.007241969,"domain_scores_codex":[0.9966055,0.002636319,0.00003125913,0.0001413854,0.0002844495,0.0003011221],"domain_scores_gemma":[0.9985061,0.0009570681,0.0001538528,0.0001058181,0.00007286988,0.0002042079],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004831748,0.00003589335,0.0008922698,0.0000478708,0.000006370118,0.0007412157,0.6165137,0.0001091962,0.0003574549,0.3550355,0.01561163,0.01060053],"study_design_scores_gemma":[0.00003296717,0.00005706541,0.00159759,0.0002565289,0.00001419233,0.001039931,0.4937941,0.0002825747,0.001498042,0.05928187,0.4421159,0.00002933181],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.35338,0.009374493,0.00347934,0.09321085,0.001241426,0.00004640785,0.00002241991,0.0001142562,0.5391308],"genre_scores_gemma":[0.9707663,0.0009553071,0.0004849962,0.001935167,0.0001299071,0.0000233125,0.000004759363,0.00004686159,0.02565332],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009621641,"threshold_uncertainty_score":0.03720737,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2943787307","doi":"10.15353/cjds.v8i2.498","title":"Normalizing Disability: Tagging and Disability Identity Construction through Marvel Cinematic Universe Fanfiction","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Scholarship; Identity (music); Reading disability; Disability studies; Psychology; Intellectual disability; Medicalization; Plot (graphics); Sociology; Reading (process); Gender studies; Linguistics; Aesthetics; Political science; Art; Dyslexia; Philosophy; Psychiatry; Law","authors":[{"name":"Adrienne E. Raw","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03918862244769405,"gpt":0.2634722382164475,"spread":0.2242836157687534,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00483727,0.0007374103,0.0004045576,0.004112619,0.01230258,0.009664925,0.001068533,0.001728897,0.005196463],"category_scores_gemma":[0.009282438,0.000199885,0.0002527502,0.001317242,0.02872431,0.007522619,0.006796093,0.002682021,0.0004375131],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006156909,"about_ca_system_score_gemma":0.001963374,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00719514,"about_ca_topic_score_gemma":0.01032969,"domain_scores_codex":[0.996644,0.002316417,0.00005527282,0.0002448359,0.0004046132,0.0003348486],"domain_scores_gemma":[0.9951413,0.003018881,0.0003609055,0.0004753476,0.0005291269,0.0004745912],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002435466,0.00001223895,0.00105826,0.00006745921,0.000002891786,0.0003562028,0.6167378,0.00006339799,0.000439891,0.3626909,0.004631772,0.01391484],"study_design_scores_gemma":[0.00001367479,0.00005232474,0.003481521,0.0007527041,0.0000180243,0.001298955,0.4115795,0.0007032,0.001188225,0.07835387,0.5025173,0.00004073885],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3365172,0.005227872,0.03330651,0.01851153,0.001590399,0.0001118105,0.0001319016,0.0002926432,0.60431],"genre_scores_gemma":[0.9793635,0.0006477856,0.00236096,0.0005608529,0.0001656577,0.00003962801,0.00003428452,0.00009293974,0.01673432],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01230258,"threshold_uncertainty_score":0.04467171,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2030828096","doi":"10.1353/cul.2007.0023","title":"Introduction: Edward Said and After: Toward a New Humanism","year":2007,"lang":"en","type":"article","venue":"Cultural Critique","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Humanism; Ambivalence; Enthusiasm; Civilization; Aesthetics; Dialectic; Reverence; Admiration; Philosophy; Sociology; Religious studies; Environmental ethics; Psychoanalysis; Literature; Epistemology; Law; Theology; Psychology; Art; Political science","authors":[{"name":"Matthew Abraham","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02321805392436055,"gpt":0.2620827926226555,"spread":0.2388647386982949,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001152093,0.0006741812,0.0004193192,0.00118384,0.003246604,0.005820564,0.001055014,0.003349078,0.05807363],"category_scores_gemma":[0.004142072,0.0002295982,0.0003296728,0.001265715,0.002914047,0.006085731,0.002132656,0.007187435,0.01606729],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002893627,"about_ca_system_score_gemma":0.001700097,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009183857,"about_ca_topic_score_gemma":0.01614737,"domain_scores_codex":[0.9993743,0.0002274156,0.00002769625,0.0001071178,0.0002062904,0.00005722233],"domain_scores_gemma":[0.9977347,0.001186054,0.00009082813,0.00008021051,0.0006211281,0.0002870223],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009471622,0.000004964439,0.00005409457,0.0001116977,0.000001401501,0.00002234911,0.0006713748,0.00001932734,0.00003516427,0.02231236,0.9671271,0.0096308],"study_design_scores_gemma":[0.00000294595,0.000004696853,0.0002178725,0.0003505301,0.000001962591,0.00005047657,0.001439499,0.00002434666,0.00004572694,0.008276219,0.9895794,0.000006277608],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"commentary","genre_scores_codex":[0.0009170038,0.1619513,0.001946777,0.568704,0.1197208,0.00005145235,0.0005633443,0.0002052758,0.1459401],"genre_scores_gemma":[0.03542592,0.1111947,0.002185735,0.1729403,0.09857309,0.0001242687,0.0008025545,0.0005304258,0.578223],"genre_candidate":"commentary","genre_consensus":"commentary","teacher_disagreement_score":0.05807363,"threshold_uncertainty_score":0.1942757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1486498297","doi":"","title":"Misrecognizing history. Complicitous Genres in The Remains of the Day","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Complicity; Dramatization; Literature; Narrative; Regret; Theme (computing); Criticism; Aesthetics; Romance; History; Art; Psychoanalysis; Philosophy; Psychology; Law; Computer science","authors":[{"name":"Bo G. Ekelund","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05425453765442406,"gpt":0.2608427716588718,"spread":0.2065882340044477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001427245,0.0004565739,0.0003832673,0.001377006,0.01017417,0.006626444,0.0008455213,0.002192106,0.0013347],"category_scores_gemma":[0.003992779,0.0003060805,0.0003704824,0.001107784,0.02592526,0.004894987,0.006081997,0.002495105,0.0001956014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003869819,"about_ca_system_score_gemma":0.001277452,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004751672,"about_ca_topic_score_gemma":0.01085846,"domain_scores_codex":[0.9980502,0.000990997,0.0001052407,0.0002078368,0.0003535966,0.0002920271],"domain_scores_gemma":[0.9981236,0.0008184899,0.0003674593,0.0002439373,0.0002212981,0.0002252156],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008817435,0.00002146261,0.002559072,0.0001723202,0.00001754122,0.004213571,0.6281917,0.0001199488,0.001217903,0.3436809,0.006853761,0.01286371],"study_design_scores_gemma":[0.000017256,0.00013887,0.009621129,0.0004187909,0.00005961385,0.005518678,0.3797577,0.0004219846,0.001842427,0.06846836,0.5336581,0.00007698437],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5993663,0.01574583,0.008912765,0.0238462,0.003676565,0.00007177785,0.0001163827,0.0001422427,0.3481219],"genre_scores_gemma":[0.9852893,0.0009294102,0.0005979515,0.0007586157,0.0004269285,0.00001480948,0.00002843579,0.00003654568,0.01191801],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01017417,"threshold_uncertainty_score":0.0280776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2126874056","doi":"10.1017/s1060150311000337","title":"SISTER OF THE TYPE: THE FEMINIST COLLECTIVE IN GRANT ALLEN'S<i>THE TYPE-WRITER GIRL</i>","year":2012,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Wonder; Subject (documents); Girl; Paragraph; Sister; Narrative; Literature; History; Art; Sociology; Philosophy; Psychology; Law; Computer science; Political science; Epistemology","authors":[{"name":"Sharon Cameron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01565439484359732,"gpt":0.2166553852440777,"spread":0.2010009904004804,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001533027,0.0004825849,0.0003933083,0.0004579941,0.01291814,0.004848167,0.0008198102,0.001794166,0.01070068],"category_scores_gemma":[0.003035807,0.00036228,0.0001781284,0.0004669197,0.0087304,0.004452721,0.004526433,0.00418083,0.001899848],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003778447,"about_ca_system_score_gemma":0.001733354,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01155744,"about_ca_topic_score_gemma":0.02044839,"domain_scores_codex":[0.9983461,0.0008341377,0.00002395358,0.0002244783,0.000340906,0.0002305014],"domain_scores_gemma":[0.9993252,0.0002151244,0.0000898527,0.00004229455,0.0001323849,0.0001952466],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008468043,0.00003281762,0.0009244708,0.0001312873,0.000005570486,0.001580419,0.4989718,0.00003650486,0.00111387,0.3256402,0.1554893,0.01598914],"study_design_scores_gemma":[0.000006833109,0.00002666155,0.0005362126,0.0001557463,0.000003192742,0.000906076,0.1044717,0.00003602817,0.0003249569,0.006359129,0.8871613,0.00001228669],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1260585,0.009154757,0.005842812,0.07952316,0.007083136,0.00009412,0.0002265098,0.0002013621,0.7718157],"genre_scores_gemma":[0.6912657,0.001824387,0.001102947,0.008292442,0.00109461,0.0001108157,0.00005447758,0.0003024655,0.2959521],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01291814,"threshold_uncertainty_score":0.0357973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321982904","doi":"10.17742/image.tgvc.5-2.7","title":"“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Hollywood; Mirroring; Movie theater; Art; Aesthetics; Media studies; Art history; Sociology; Communication","authors":[{"name":"Thomas Riegler","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05875103246386579,"gpt":0.414087397183256,"spread":0.3553363647193902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002510344,0.0004471952,0.0002212853,0.00114404,0.005804351,0.007355395,0.0008619944,0.001455366,0.005151479],"category_scores_gemma":[0.003927678,0.0002301514,0.000231065,0.0006486724,0.01248712,0.004819307,0.005385125,0.002984755,0.0004759809],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003823267,"about_ca_system_score_gemma":0.000935094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004703488,"about_ca_topic_score_gemma":0.008653258,"domain_scores_codex":[0.9979025,0.001325949,0.00003996555,0.0001457526,0.000362131,0.0002237436],"domain_scores_gemma":[0.9967805,0.002252585,0.0003151186,0.000209122,0.000251956,0.0001907665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000176537,0.00008269912,0.002246951,0.0004462536,0.0000287448,0.001460672,0.727969,0.0001509243,0.002480518,0.190278,0.02022785,0.05445189],"study_design_scores_gemma":[0.00002225697,0.0001493253,0.01051826,0.001410834,0.00005580144,0.001581794,0.2916715,0.0002143818,0.003223152,0.01013516,0.6809607,0.000056848],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5315597,0.01808899,0.002514763,0.01979377,0.002057992,0.00004765469,0.00006651951,0.0000813482,0.4257893],"genre_scores_gemma":[0.9759374,0.004479579,0.0003619953,0.001820187,0.000578963,0.00001928663,0.00002408694,0.00007299958,0.01670556],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007355395,"threshold_uncertainty_score":0.02773988,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2278688730","doi":"","title":"Cyborg Games: Videogame Blasphemy and Disorientation","year":2015,"lang":"en","type":"article","venue":"Loading...","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Blasphemy; Normative; Mainstream; Aesthetics; Reading (process); Key (lock); Sociology; Psychology; Social psychology; Art; Epistemology; Computer science; Linguistics; Political science; Philosophy; Law; Computer security","authors":[{"name":"Elise Vist","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0414260471317968,"gpt":0.2375554839114173,"spread":0.1961294367796205,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002551499,0.0009571056,0.0003322028,0.001873401,0.006577933,0.009175685,0.0009020056,0.00301013,0.003503037],"category_scores_gemma":[0.005381313,0.0002945774,0.0002729477,0.001034321,0.04564202,0.006874854,0.006196252,0.006302405,0.0005008872],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005799284,"about_ca_system_score_gemma":0.001870162,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006535982,"about_ca_topic_score_gemma":0.006896137,"domain_scores_codex":[0.9967302,0.002006585,0.00007924782,0.0003020552,0.0006018709,0.0002801125],"domain_scores_gemma":[0.9980705,0.001130317,0.0002126218,0.0002059659,0.0002106489,0.0001700213],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001356771,0.00000856006,0.0002642979,0.0000407545,0.000002863703,0.000137142,0.06173865,0.00008162534,0.0001360206,0.9261546,0.005032592,0.006389292],"study_design_scores_gemma":[0.00002086881,0.00005517234,0.001579204,0.0007194945,0.00001351502,0.0007836394,0.09817321,0.0004666459,0.0007901569,0.3129632,0.584398,0.00003697263],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.08506022,0.006716571,0.01323286,0.03204623,0.001783855,0.00005183204,0.00002873608,0.0001116749,0.8609679],"genre_scores_gemma":[0.954931,0.002392528,0.001073808,0.004845653,0.0003598719,0.0000654219,0.00002099145,0.000113328,0.03619758],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.009175685,"threshold_uncertainty_score":0.04207689,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W219691581","doi":"10.1177/014833310405300404","title":"<i>Quo Vadis</i>?: Literary Theory beyond Postmodernism","year":2004,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trinity Western University","funders":"","keywords":"Postmodernism; Humanism; Philosophy; Literary theory; Epistemology; Metaphysics; Postmodern music; Literary criticism; Sociology; Literature; Aesthetics; Postmodern theatre; Theology; Art; Linguistics","authors":[{"name":"Jens Zimmermann","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0100818582687612,"gpt":0.2016240773554909,"spread":0.1915422190867297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00608713,0.0005815942,0.0007244656,0.002464232,0.007520166,0.01707413,0.001967537,0.004578289,0.008772083],"category_scores_gemma":[0.00632732,0.0002584294,0.000637351,0.002399189,0.0453814,0.01735879,0.003473561,0.007730109,0.002893036],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006115105,"about_ca_system_score_gemma":0.005114469,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004303231,"about_ca_topic_score_gemma":0.004810428,"domain_scores_codex":[0.9953821,0.003293454,0.0001174866,0.0003451543,0.000597752,0.0002639595],"domain_scores_gemma":[0.9923571,0.004967054,0.0004783564,0.0007664564,0.0009489368,0.0004820422],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009999681,0.00001340867,0.0002115234,0.0001787183,0.000006984485,0.00007013685,0.01250918,0.00006877214,0.00006012048,0.9414735,0.03506501,0.0103327],"study_design_scores_gemma":[0.000007441545,0.00002461472,0.0005014935,0.000963896,0.000005879195,0.0001749018,0.01232835,0.000399999,0.0001396354,0.6589881,0.3264481,0.00001762258],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.009360334,0.1359138,0.01567875,0.4051028,0.01211859,0.0000480936,0.0001081509,0.0001331402,0.4215364],"genre_scores_gemma":[0.6832806,0.06246006,0.01016789,0.07173947,0.02292776,0.0003427312,0.0001856509,0.0003351215,0.1485607],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.01707413,"threshold_uncertainty_score":0.04436845,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1995851405","doi":"10.1353/vcr.2011.0018","title":"Tracing Traumatic Memory in The Woman in White : Psychic Shock, Victorian Science, and the Narrative Strategy of the Shadow- Bildungsroman","year":2011,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Lunatic; Narrative; Psychic; Psychoanalysis; Shadow (psychology); Literature; White (mutation); Power (physics); Art; History; Art history; Psychology; Medicine","authors":[{"name":"Natalie Huffels","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04056721166924974,"gpt":0.2518519281664462,"spread":0.2112847164971965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003169911,0.0005944672,0.0003354355,0.001540269,0.01734261,0.01078085,0.001213998,0.0027075,0.00453283],"category_scores_gemma":[0.005166854,0.0004282584,0.0002311031,0.001002531,0.03406608,0.008198864,0.007861127,0.006247911,0.0004666765],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007780565,"about_ca_system_score_gemma":0.005839297,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03684477,"about_ca_topic_score_gemma":0.09085926,"domain_scores_codex":[0.9984041,0.0009344264,0.00003623208,0.0001302103,0.0002298898,0.0002651206],"domain_scores_gemma":[0.9978108,0.001162409,0.0002534874,0.0001228881,0.0002319714,0.000418494],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002258794,0.00001471562,0.0003480293,0.00009558077,0.000004889688,0.0005919159,0.9098698,0.00002116912,0.0003521477,0.06685136,0.01488707,0.006940637],"study_design_scores_gemma":[0.000006665732,0.00002931572,0.001045235,0.0004688399,0.000009428668,0.0007932688,0.7617754,0.00007488629,0.0005176619,0.01470902,0.2205411,0.00002920669],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4375248,0.03068253,0.007454221,0.1403949,0.004088184,0.0001360574,0.0002025714,0.0001437231,0.3793731],"genre_scores_gemma":[0.9440637,0.005565406,0.0009418373,0.008761869,0.0005208898,0.00006267181,0.00003152055,0.0001275229,0.0399247],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03684477,"threshold_uncertainty_score":0.07326061,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2160752408","doi":"10.1353/vcr.2005.0000","title":"Female Gothic Motifs in Mona Caird's The Wing of Azrael","year":2005,"lang":"en","type":"article","venue":"Victorian review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetics; Literature; Narrative; Context (archaeology); Objectivism; Art; Aesthetics; Philosophy; Feminism; History; Art history; Poetry; Sociology; Gender studies; Epistemology; Archaeology","authors":[{"name":"Agnieszka Žabicka","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02758482489918029,"gpt":0.2485660027769555,"spread":0.2209811778777752,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004052864,0.0003118484,0.0002030083,0.0005968991,0.0105635,0.004322801,0.0005983072,0.0009178442,0.01048617],"category_scores_gemma":[0.0006768145,0.0001275541,0.0001052281,0.0006145109,0.00727293,0.0005815241,0.002184215,0.001797439,0.0007657916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01098243,"about_ca_system_score_gemma":0.002505219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1012777,"about_ca_topic_score_gemma":0.2958529,"domain_scores_codex":[0.9996025,0.0001234769,0.00000463598,0.00004721418,0.00009006846,0.0001320498],"domain_scores_gemma":[0.9998355,0.00003776858,0.00002055007,0.00001314798,0.00003001165,0.00006300381],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002092237,0.0000447959,0.002149536,0.0001786642,0.00001407059,0.002010303,0.2384419,0.0001717779,0.001608119,0.5917358,0.1266088,0.03682704],"study_design_scores_gemma":[0.000009322428,0.00001650389,0.004305941,0.0001007928,0.000004646176,0.0003013939,0.02463822,0.00004593555,0.000534639,0.002744213,0.9672855,0.00001285303],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1537386,0.01058733,0.0004018785,0.02204521,0.001106262,0.00003470691,0.0001456488,0.00007192529,0.8118685],"genre_scores_gemma":[0.7899689,0.001253443,0.000179209,0.001636593,0.0002680954,0.00001662605,0.00003846811,0.00005601583,0.2065827],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1012777,"threshold_uncertainty_score":0.2013764,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2890381232","doi":"10.1093/acrefore/9780190201098.013.415","title":"The Contemporary Anglophone Romance Genre","year":2018,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Literature","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romance; Audience measurement; Literature; Publishing; Tone (literature); History; Art; Advertising; Law; Political science; Business","authors":[{"name":"Hsu‐Ming Teo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06259625253914022,"gpt":0.3159118971513243,"spread":0.253315644612184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001051545,0.0003716502,0.0003145813,0.001354411,0.006845213,0.006457998,0.0006710312,0.0007245071,0.02065175],"category_scores_gemma":[0.001663696,0.0001484177,0.0001141926,0.001875486,0.006589032,0.002660909,0.002190231,0.00175057,0.005061862],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00284125,"about_ca_system_score_gemma":0.000693423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005575866,"about_ca_topic_score_gemma":0.009944711,"domain_scores_codex":[0.9987617,0.000587697,0.0000400082,0.0001437104,0.0002424928,0.0002243894],"domain_scores_gemma":[0.9993315,0.0001944365,0.00009561091,0.00006939304,0.0001466935,0.0001624257],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001071456,0.0001032735,0.003313437,0.0003565463,0.00001020371,0.001843723,0.3089995,0.00006308793,0.001138981,0.4830321,0.1085507,0.09248127],"study_design_scores_gemma":[0.000004604844,0.00001808819,0.003787347,0.0003032395,0.000002707841,0.0008801958,0.05158261,0.00007436712,0.0001583494,0.003005238,0.9401721,0.00001107567],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09677138,0.0150008,0.0004380729,0.004604487,0.0007147869,0.00002482453,0.00008921175,0.00004502246,0.8823113],"genre_scores_gemma":[0.8316362,0.007707512,0.0003450093,0.001800748,0.0008163413,0.00003839171,0.000121272,0.0001461809,0.1573885],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02065175,"threshold_uncertainty_score":0.06908703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1493163541","doi":"","title":"February is the Cruelest Month: Neoliberalism and the Economy of Mourning in Lisa Moore’s February","year":2010,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Acadia University","funders":"","keywords":"Neoliberalism (international relations); Globalization; Political economy; Prosperity; Political science; Financialization; Economy; Sociology; Economics; Law; Market economy","authors":[{"name":"Herb Wyile","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0194418420765765,"gpt":0.2423303540285796,"spread":0.2228885119520031,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001340897,0.0003336415,0.000285702,0.00057427,0.01463294,0.01113981,0.0008920319,0.003065221,0.009628181],"category_scores_gemma":[0.003487096,0.0003641411,0.000227669,0.0006508543,0.01654757,0.004496194,0.004022599,0.004387826,0.001712283],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01217205,"about_ca_system_score_gemma":0.004725619,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05553803,"about_ca_topic_score_gemma":0.1527062,"domain_scores_codex":[0.9990836,0.0004146397,0.00001607794,0.00009137763,0.0001094534,0.0002848294],"domain_scores_gemma":[0.9986154,0.0004549544,0.0002024493,0.00008221924,0.0001157188,0.0005292764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001155161,0.00007175204,0.001104873,0.00008312721,0.000009730235,0.0009226786,0.0514743,0.0002387429,0.0001356407,0.5065305,0.4202697,0.01904362],"study_design_scores_gemma":[0.00001024581,0.00001264031,0.0009955169,0.0001709026,0.000003447538,0.0001137308,0.01468263,0.00009799701,0.00007561839,0.02766552,0.9561471,0.00002463484],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.03813322,0.01609211,0.0008711516,0.5185824,0.00368976,0.00002187409,0.00009593481,0.0001489228,0.4223646],"genre_scores_gemma":[0.6202373,0.006820333,0.000570205,0.0464573,0.002602372,0.00005723163,0.00004466438,0.0002321831,0.3229784],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05553803,"threshold_uncertainty_score":0.1104295,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2187178558","doi":"10.5539/ells.v5n4p8","title":"Kazuo Ishiguro’s The Remains of the Day: A Historiographical Approach","year":2015,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Historiography; Narrative; Objectivity (philosophy); Postmodernism; Literature; History; Narrative history; Aesthetics; Epistemology; Philosophy; Art; Archaeology","authors":[{"name":"Maha Abdel Moneim Emara","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02671993457157069,"gpt":0.2351130044083609,"spread":0.2083930698367902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001513602,0.0004194483,0.000326232,0.001209236,0.005840431,0.004059792,0.0007075193,0.00128692,0.001234],"category_scores_gemma":[0.001379012,0.0002055085,0.0002452189,0.001564357,0.01341524,0.004823817,0.003384859,0.001645515,0.0001901963],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002499779,"about_ca_system_score_gemma":0.001483369,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003440719,"about_ca_topic_score_gemma":0.007032081,"domain_scores_codex":[0.9995133,0.0002487772,0.00002799393,0.00006104158,0.0000563922,0.00009255064],"domain_scores_gemma":[0.9995116,0.0002091521,0.00006678876,0.0000620699,0.00007495538,0.00007533233],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008380559,0.0000207059,0.002484081,0.000420031,0.00001635047,0.001873951,0.501482,0.0002307874,0.002043729,0.457155,0.01030295,0.02388664],"study_design_scores_gemma":[0.000009736052,0.00009445911,0.006233216,0.0004424905,0.00005433219,0.001047646,0.2200388,0.0003623485,0.001595058,0.07941952,0.6906382,0.00006411819],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4388976,0.05260698,0.02836811,0.04530893,0.004457996,0.0001173524,0.000176949,0.0001594454,0.4299067],"genre_scores_gemma":[0.9687003,0.005385544,0.002530266,0.001272209,0.00046797,0.0000340194,0.00003524012,0.00003542545,0.02153905],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005840431,"threshold_uncertainty_score":0.01813722,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W318117341","doi":"","title":"Dickensian Resonances in the Contemporary English Novel","year":2011,"lang":"en","type":"article","venue":"Dickens quarterly","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Phenomenon; Narrative; History; Literature; Criticism; Exhibition; Politics; Literary criticism; Period (music); Art history; Art; Aesthetics; Philosophy","authors":[{"name":"Maria Teresa Chialant","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0820173549943572,"gpt":0.2170940139502311,"spread":0.1350766589558739,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001415217,0.0003646127,0.000258598,0.0009550657,0.009790836,0.008148124,0.0007011336,0.001909285,0.005167373],"category_scores_gemma":[0.002303347,0.0002329685,0.0001558609,0.0007705141,0.01888199,0.003965768,0.003157033,0.002706239,0.0008571555],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009589301,"about_ca_system_score_gemma":0.001725498,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0113078,"about_ca_topic_score_gemma":0.02094947,"domain_scores_codex":[0.998781,0.0006127377,0.00002758284,0.0001617992,0.0002032574,0.0002135717],"domain_scores_gemma":[0.9991772,0.0004382957,0.00008935686,0.00006216207,0.0001190063,0.0001140798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002449555,0.00001921568,0.0002233519,0.00006889222,0.000002987107,0.0003507615,0.1419569,0.00004809149,0.0002761215,0.8281832,0.02356588,0.005280085],"study_design_scores_gemma":[0.000008038806,0.00001375021,0.0004822341,0.0001734481,0.000003582998,0.0003276613,0.04997491,0.00007928489,0.0002287435,0.03667513,0.912019,0.00001424233],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0875537,0.02138963,0.00167327,0.0407729,0.002316895,0.00001903667,0.0001044421,0.00006550558,0.8461046],"genre_scores_gemma":[0.8939672,0.003810075,0.000440931,0.004137983,0.001053484,0.00002640808,0.00003151489,0.0001004577,0.09643204],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0113078,"threshold_uncertainty_score":0.06957555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130213941","doi":"10.3968/j.css.1923669720070304.006","title":"Silence：True Communication","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Silence; Theme (computing); Conversation; Humanities; Key (lock); Art; Sociology; Literature; Communication; Aesthetics; Computer science","authors":[{"name":"Xiao Qi","is_ca":false},{"name":"Wang Zexiang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01664532691255325,"gpt":0.2305480642862416,"spread":0.2139027373736883,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005405975,0.0006355473,0.0005173183,0.00105478,0.01130837,0.00913323,0.001371404,0.003828491,0.007467479],"category_scores_gemma":[0.01493466,0.0003225441,0.0004049207,0.0009995579,0.03912953,0.01094089,0.007282976,0.00601711,0.002187508],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006843933,"about_ca_system_score_gemma":0.003640574,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008236896,"about_ca_topic_score_gemma":0.004948573,"domain_scores_codex":[0.9895803,0.005900913,0.0002368375,0.0009165807,0.002440311,0.0009250387],"domain_scores_gemma":[0.991197,0.005561646,0.0009115215,0.0005922744,0.001187007,0.0005505549],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007552664,0.00001198252,0.0004863963,0.0002681273,0.0000127633,0.0006950455,0.3393598,0.00007404541,0.0007170765,0.6125166,0.01958334,0.0261993],"study_design_scores_gemma":[0.00001856292,0.00006650066,0.0007944303,0.0008875431,0.00002076076,0.00109922,0.119763,0.0001487938,0.001170479,0.1071988,0.768784,0.00004781652],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07699718,0.0411985,0.01810063,0.1717179,0.00807443,0.00008154406,0.0001541575,0.0002577626,0.6834178],"genre_scores_gemma":[0.9319985,0.007129312,0.0009397915,0.01015622,0.001961196,0.00007390763,0.00005179986,0.000126347,0.04756295],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01130837,"threshold_uncertainty_score":0.04965651,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2037890828","doi":"10.1177/001458580604000215","title":"<i>The Mysterious Flame of Queen Loana</i> : A Postmodern Historiographic Illustrated Novel of a Generation","year":2006,"lang":"en","type":"article","venue":"Forum Italicum A Journal of Italian Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Postmodernism; Intertextuality; Literature; Narrative; Queen (butterfly); Politics; Art; Hegemony; History; Law","authors":[{"name":"Rocco Capozzi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02883088773143913,"gpt":0.2351272177639603,"spread":0.2062963300325212,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004589282,0.0002447494,0.0001490818,0.0004030195,0.004896708,0.004238712,0.0004859519,0.0009321469,0.003701361],"category_scores_gemma":[0.001169034,0.0001560752,0.000170055,0.0005205793,0.007933411,0.001609897,0.002018669,0.002402532,0.0005141561],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002394688,"about_ca_system_score_gemma":0.001175718,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01273803,"about_ca_topic_score_gemma":0.02422071,"domain_scores_codex":[0.9997763,0.00009742405,0.000004109689,0.00002457742,0.00004632811,0.00005130358],"domain_scores_gemma":[0.9997556,0.00008817376,0.00004162504,0.00003017752,0.00002805246,0.00005645747],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001035781,0.00002877113,0.002055879,0.0001307998,0.000008679926,0.003349582,0.6583575,0.00009544437,0.001932835,0.22406,0.09562847,0.01424846],"study_design_scores_gemma":[0.000008333594,0.00002888338,0.003199947,0.000148655,0.000008199841,0.001872532,0.1218307,0.0001417256,0.001325512,0.006369572,0.8650446,0.00002139757],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.384241,0.008504692,0.005814871,0.05250372,0.001722417,0.0000646851,0.0001876897,0.0002398126,0.546721],"genre_scores_gemma":[0.9083156,0.001291359,0.0006855396,0.002431963,0.0002797571,0.00002474678,0.00003073406,0.0001279158,0.08681233],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01273803,"threshold_uncertainty_score":0.02532774,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W32685739","doi":"10.1515/9781552385470-012","title":"Eruptions of Postmodernity: The Postcolonial and the Ecological (1993)","year":2013,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Postmodernity; Ecology; Geography; Biology; Art; Literature; Postmodernism","authors":[{"name":"Linda Hutcheon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02612146381571487,"gpt":0.1803698273452595,"spread":0.1542483635295447,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00130027,0.000393935,0.0001703592,0.001478484,0.006744619,0.005387194,0.0006424902,0.001371781,0.00619414],"category_scores_gemma":[0.002998346,0.0001882176,0.0001046094,0.002959764,0.02548158,0.002888287,0.001923077,0.002245351,0.0004775305],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0153803,"about_ca_system_score_gemma":0.00613824,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1181515,"about_ca_topic_score_gemma":0.2869359,"domain_scores_codex":[0.9992859,0.0002627424,0.00001189531,0.00005920368,0.0002347803,0.0001455345],"domain_scores_gemma":[0.998885,0.0005423604,0.0001622906,0.0001179537,0.0002061953,0.00008620143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004000463,0.00002001499,0.001406565,0.00009957108,0.00000380043,0.0003484715,0.1338132,0.0001176379,0.0002060687,0.7996011,0.02378258,0.04056089],"study_design_scores_gemma":[0.00001245642,0.00001682773,0.01268729,0.0004225986,0.000005620835,0.0003132678,0.0349795,0.0001032077,0.0003282983,0.05466781,0.8964497,0.00001346274],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06497402,0.04527644,0.0008668071,0.03591057,0.0006603465,0.0000232586,0.0000939463,0.00003279031,0.8521618],"genre_scores_gemma":[0.8966871,0.01242558,0.0002973935,0.00140868,0.0006256312,0.00002390448,0.00004144054,0.00003770283,0.08845264],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1181515,"threshold_uncertainty_score":0.2349275,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2110746732","doi":"10.5539/ells.v2n2p56","title":"A Reflection of Ian McEwan’s Life in His Fiction","year":2012,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Maturity (psychological); Reflection (computer programming); Class (philosophy); Sociology; Psychoanalysis; Psychology; History; Aesthetics; Developmental psychology; Art; Philosophy; Epistemology; Computer science","authors":[{"name":"Mina Abbasiyannejad","is_ca":false},{"name":"Rosli Talif","is_ca":false},{"name":"Marjan Heidari","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02142864870151654,"gpt":0.2663293866958609,"spread":0.2449007379943444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002214054,0.0006744714,0.0004947128,0.001551267,0.01845067,0.006008894,0.00122672,0.002948518,0.002686311],"category_scores_gemma":[0.008227125,0.0002907399,0.0002447643,0.001079421,0.02051549,0.004657293,0.004184075,0.008335041,0.000607876],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00751398,"about_ca_system_score_gemma":0.003081462,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01626157,"about_ca_topic_score_gemma":0.02762518,"domain_scores_codex":[0.9968377,0.001962486,0.00004056119,0.0002100328,0.0006367557,0.0003125189],"domain_scores_gemma":[0.9960831,0.002513367,0.0002653725,0.000113895,0.0005032442,0.0005209586],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002485549,0.00002944626,0.0004884296,0.0000710419,0.000006596485,0.003067557,0.7971712,0.0001345109,0.0007028653,0.1166231,0.07156346,0.01011689],"study_design_scores_gemma":[0.000002004779,0.00003036016,0.0005271288,0.0002394447,0.000005527229,0.00252637,0.162953,0.0001367896,0.0005185537,0.007229673,0.8258046,0.00002654773],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3026836,0.0289583,0.005422644,0.2541516,0.007882906,0.00007606208,0.0001083283,0.0001814146,0.4005352],"genre_scores_gemma":[0.8597887,0.007546045,0.001923827,0.02165247,0.00169737,0.00005929161,0.00003930779,0.0001452454,0.1071477],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01845067,"threshold_uncertainty_score":0.05451804,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1499279490","doi":"","title":"The Rock Observed: Art and Surveillance in Michael Winter’s This All Happened","year":2010,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Memoir; Art history; Art; Postmodernism; Id, ego and super-ego; History; Literature; Psychoanalysis; Psychology","authors":[{"name":"Christopher J. Armstrong","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0350623830635613,"gpt":0.2568842390861659,"spread":0.2218218560226046,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002055857,0.0004137561,0.0002985052,0.0007722327,0.02045433,0.009914423,0.001286816,0.003126281,0.004715504],"category_scores_gemma":[0.004058836,0.000379888,0.0002320446,0.0008893848,0.02709022,0.004845796,0.003757338,0.005126437,0.0005817774],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01701601,"about_ca_system_score_gemma":0.004561855,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1800299,"about_ca_topic_score_gemma":0.308616,"domain_scores_codex":[0.997241,0.001311158,0.00005444195,0.0003214706,0.0005311582,0.0005407863],"domain_scores_gemma":[0.998539,0.0006930255,0.0002147241,0.0001537941,0.0001644371,0.0002351119],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005158054,0.00003017871,0.001705631,0.00006816578,0.000009974248,0.001057205,0.5506973,0.0001835736,0.0005181059,0.3108893,0.1194647,0.01532427],"study_design_scores_gemma":[0.000006952863,0.00001833022,0.002193096,0.0002718598,0.000008172311,0.0005079325,0.2122687,0.000170186,0.0005890344,0.008744864,0.7751856,0.00003536924],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2145113,0.01098681,0.002108926,0.1469982,0.001906541,0.00004891834,0.0001394896,0.0001676824,0.623132],"genre_scores_gemma":[0.8834273,0.001820406,0.000487006,0.005857821,0.0004074801,0.00003700896,0.00002747278,0.000122932,0.1078126],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8199701,"threshold_uncertainty_score":0.357964,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2513782790","doi":"10.22230/cjc.2016v41n3a3188","title":"Deleuze and Zen: An Interological Adventure","year":2016,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Adventure; Serviceability (structure); Multitude; Involution (esoterism); Epistemology; Sociology; Aesthetics; Philosophy; Art; Engineering; Art history","authors":[{"name":"Peter Zhang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03048355738394867,"gpt":0.2237160783698413,"spread":0.1932325209858926,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004676308,0.00048046,0.0005841375,0.001761501,0.008841845,0.009528789,0.0008519101,0.003790887,0.003999691],"category_scores_gemma":[0.004847583,0.0002594398,0.0004313456,0.001072691,0.05938248,0.01015938,0.006732788,0.005816989,0.0004570507],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006251,"about_ca_system_score_gemma":0.002642546,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005193042,"about_ca_topic_score_gemma":0.007705019,"domain_scores_codex":[0.993462,0.005096287,0.00007780856,0.0004250045,0.0006064977,0.0003324167],"domain_scores_gemma":[0.9957729,0.003235155,0.0001240657,0.0004604915,0.0001954062,0.000212031],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000007551316,0.000003631367,0.00005789025,0.00001100459,0.000001083753,0.00004240053,0.01454406,0.00002556118,0.00004650827,0.9829338,0.0006406776,0.001685793],"study_design_scores_gemma":[0.00001430216,0.00002887926,0.0002409327,0.0002293312,0.000006664888,0.0003265539,0.0257289,0.0003225468,0.0003098264,0.7353594,0.2374126,0.00002013553],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05994332,0.03499747,0.03630919,0.07496345,0.002046376,0.00004595704,0.00005453336,0.00009827347,0.7915414],"genre_scores_gemma":[0.9603553,0.005244156,0.004378553,0.003067074,0.0004957301,0.00004629585,0.00001422825,0.00007424433,0.02632432],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009528789,"threshold_uncertainty_score":0.04535437,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3111632394","doi":"10.1080/00048402.2020.1840602","title":"A Critical Introduction to Fictionalism","year":2020,"lang":"en","type":"article","venue":"Australasian Journal of Philosophy","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Metaphysics; Philosophy; Epistemology","authors":[{"name":"Julianne Chung","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04232082236848308,"gpt":0.2628121185387244,"spread":0.2204912961702413,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003076134,0.0007934652,0.000417135,0.002695744,0.006689511,0.007771655,0.001083197,0.00345071,0.01912019],"category_scores_gemma":[0.01087346,0.0002822912,0.0004138168,0.001598118,0.01710571,0.007342253,0.002457461,0.007679206,0.002907672],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008404604,"about_ca_system_score_gemma":0.003553242,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004495359,"about_ca_topic_score_gemma":0.00357242,"domain_scores_codex":[0.9969956,0.001721765,0.00008694721,0.0002597916,0.0006882044,0.0002477248],"domain_scores_gemma":[0.9932733,0.004749248,0.0002232036,0.0003145197,0.001200276,0.0002394241],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000006419981,0.000006402323,0.00002214047,0.00006701369,0.000001307429,0.00003163897,0.003109038,0.00006344178,0.00004877238,0.901125,0.08698362,0.008535235],"study_design_scores_gemma":[0.000002658289,0.000007492282,0.0000598553,0.0003184296,0.000001100344,0.00004835253,0.001029361,0.00008536402,0.00006646305,0.2334859,0.7648875,0.000007568327],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.002601465,0.07851136,0.01747592,0.1684837,0.02096564,0.00009574898,0.0002689107,0.0001488487,0.7114484],"genre_scores_gemma":[0.3433338,0.07672916,0.02047576,0.06730379,0.061837,0.0006329357,0.0006098091,0.0008587664,0.4282191],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01912019,"threshold_uncertainty_score":0.06396341,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064364214","doi":"10.3138/cras.2013.019","title":"Hire-a-Glyph: Hermetics and Hermeneutics in Percival Everett’s <i>Glyph</i>","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Glyph (data visualization); Trickster; Hermeneutics; Avatar; Literature; HERO; Meaning (existential); Adventure; Philosophy; Art; Art history; Epistemology; Computer science; Artificial intelligence","authors":[{"name":"Michel Feith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02824656526146788,"gpt":0.2597973561807065,"spread":0.2315507909192387,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005052643,0.0002908488,0.0003309109,0.002813351,0.007987292,0.007664377,0.0007582154,0.002193182,0.002333988],"category_scores_gemma":[0.005933718,0.0002050562,0.000136055,0.002554006,0.03801193,0.00432043,0.002819168,0.00336292,0.0002685584],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009777881,"about_ca_system_score_gemma":0.006351094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04086267,"about_ca_topic_score_gemma":0.05668828,"domain_scores_codex":[0.9956761,0.003283445,0.00007095256,0.0002292022,0.0005212851,0.0002189469],"domain_scores_gemma":[0.9958355,0.003133496,0.0002805374,0.000208334,0.0003598824,0.0001821035],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002385253,0.00002328852,0.0006038347,0.0002962136,0.000005651123,0.0004929683,0.3225745,0.00005164103,0.0002531012,0.6392942,0.01673493,0.01964562],"study_design_scores_gemma":[0.00001013044,0.00002321239,0.003527435,0.001504166,0.000008813462,0.0006110986,0.2179129,0.0001278109,0.000536534,0.04119244,0.7345237,0.00002180198],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1767768,0.1524455,0.005875938,0.09449234,0.002929049,0.0001018785,0.00006291457,0.0001113016,0.5672043],"genre_scores_gemma":[0.9539231,0.01760445,0.001104753,0.004485419,0.0006724455,0.00005973209,0.00002039563,0.00006296153,0.02206684],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04086267,"threshold_uncertainty_score":0.08124965,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1977403457","doi":"10.1068/a33189","title":"Having Arrived, Time to Move on: Coupland's Brentwood as an Experiment with Space and Time","year":2001,"lang":"en","type":"article","venue":"Environment and Planning A Economy and Space","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Symbol (formal); Utopia; Sociology; Dystopia; Viewpoints; Aesthetics; Representation (politics); Reading (process); Media studies; History; Politics; Law; Linguistics; Art history; Political science; Visual arts; Art; Philosophy","authors":[{"name":"David Hamers","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009857618181617775,"gpt":0.1874561021153651,"spread":0.1775984839337473,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001875784,0.0005228686,0.0003048521,0.0008862574,0.02560381,0.01099568,0.001323057,0.002542481,0.004193265],"category_scores_gemma":[0.004782783,0.0002880814,0.0001934447,0.001091033,0.03136177,0.005837202,0.004619163,0.006297874,0.000413347],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01930497,"about_ca_system_score_gemma":0.01106149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4183713,"about_ca_topic_score_gemma":0.6237289,"domain_scores_codex":[0.9977019,0.00126201,0.00002894316,0.0002754659,0.0004899451,0.0002418339],"domain_scores_gemma":[0.99821,0.0009187423,0.000092284,0.00007833484,0.0003054673,0.0003952313],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003674243,0.000023036,0.0003967311,0.00005285494,0.000002438323,0.000482926,0.4708312,0.00008400615,0.000342823,0.437893,0.08112296,0.008731393],"study_design_scores_gemma":[0.0000113395,0.00002228851,0.0005312198,0.0001761787,0.000005301473,0.0001758034,0.1898496,0.00009048446,0.0002652657,0.02060572,0.7882351,0.00003168997],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08497293,0.01592905,0.004586825,0.1656975,0.004291809,0.0000652196,0.0001053718,0.0001211269,0.7242302],"genre_scores_gemma":[0.8239997,0.004048195,0.001456457,0.009830499,0.000480168,0.00009074651,0.00003184141,0.000189135,0.1598734],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4183713,"threshold_uncertainty_score":0.8318723,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1550901851","doi":"","title":"Phoenix Has No Coat: Historicity, Eschatology, and Sins of Omission in Eudora Welty's \"A Worn Path\"","year":2001,"lang":"en","type":"article","venue":"International fiction review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Depiction; Eudora; Phoenix; Narrative; Action (physics); History; Courage; Philosophy; Literature; Aesthetics; Art history; Art; Theology","authors":[{"name":"Dean Bethea","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03912169234812785,"gpt":0.2613306590788738,"spread":0.2222089667307459,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001432308,0.000362495,0.0001766862,0.000412589,0.01074645,0.005004471,0.0005215615,0.002148038,0.002970295],"category_scores_gemma":[0.001867964,0.0002511554,0.000100686,0.0003611833,0.02098451,0.003461836,0.003796719,0.005505205,0.0002839703],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003057551,"about_ca_system_score_gemma":0.001358688,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006654918,"about_ca_topic_score_gemma":0.01319307,"domain_scores_codex":[0.9993197,0.0003912744,0.00000727373,0.00008162315,0.00008923939,0.0001109069],"domain_scores_gemma":[0.9994893,0.0002956397,0.00005228986,0.00003495575,0.0000425576,0.00008527407],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009040636,0.00003185041,0.000805644,0.00009344568,0.00000566495,0.001268693,0.3495284,0.000128441,0.0004472937,0.5961801,0.0379764,0.01344367],"study_design_scores_gemma":[0.00001747018,0.00008774099,0.002246652,0.0004928191,0.00001178075,0.001121511,0.1598642,0.0003283596,0.00114345,0.04884181,0.7858111,0.00003306919],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3117428,0.01223129,0.004801427,0.1022893,0.003541287,0.00005317189,0.00007805549,0.00009272006,0.5651699],"genre_scores_gemma":[0.942113,0.001602703,0.0005399776,0.00480795,0.0005221703,0.0000247128,0.00001492252,0.00006329306,0.05031139],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01074645,"threshold_uncertainty_score":0.02218419,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2206841666","doi":"10.1353/mod.2015.0070","title":"Shame, Subjectivity, and Self-Expression in Cora Sandel and Jean Rhys","year":2015,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Shame; Subjectivity; Depiction; Expression (computer science); Literature; Trilogy; Psychoanalysis; Aesthetics; Psychology; Philosophy; Art; Social psychology; Epistemology","authors":[{"name":"Patricia Morán","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05057158277149553,"gpt":0.2402473454243651,"spread":0.1896757626528695,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001617764,0.0004499178,0.0003119739,0.0007106284,0.0085942,0.005061242,0.0006531728,0.002528789,0.001481085],"category_scores_gemma":[0.002721133,0.0001850273,0.000154739,0.0005621532,0.01795537,0.001698711,0.002083509,0.003428869,0.0002482874],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007294427,"about_ca_system_score_gemma":0.005049581,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08116146,"about_ca_topic_score_gemma":0.1175827,"domain_scores_codex":[0.9983404,0.000916544,0.00002019616,0.0001523562,0.0004057489,0.0001648259],"domain_scores_gemma":[0.9985626,0.0008622595,0.0001363424,0.00002803382,0.0001882463,0.0002226226],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006055726,0.00007454425,0.001144868,0.0001866487,0.0000121684,0.002448671,0.7104319,0.0003461219,0.001653931,0.187655,0.07535001,0.0206357],"study_design_scores_gemma":[0.00001027924,0.00005158899,0.00303867,0.0004793585,0.000008317272,0.00169094,0.189841,0.0002716462,0.000765084,0.01968985,0.7840784,0.00007490223],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2708092,0.09879064,0.002638193,0.2429025,0.005311727,0.00009664732,0.00009047041,0.0001564949,0.3792041],"genre_scores_gemma":[0.9092554,0.01165693,0.0009329368,0.009728636,0.001257509,0.00005927791,0.00001720905,0.0001321972,0.06695986],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08116146,"threshold_uncertainty_score":0.1613781,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}