{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":578,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":578,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"08c0fbc8ae78","filters":{"topic":"Crafts, Textile, and Design"}},"results":[{"id":"W3136166860","doi":"10.1007/978-3-662-53120-4_300754","title":"World Class Manufacturing","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":500,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Class (philosophy); World class; Computer science; Business; Manufacturing engineering; Engineering; Artificial intelligence","authors":[{"name":"Sami Chatti","is_ca":false},{"name":"Luc Laperrière","is_ca":true},{"name":"Gunther Reinhart","is_ca":false},{"name":"Tullio Tolio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04922477808693056,"gpt":0.2097170528089601,"spread":0.1604922747220295,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001772322,0.0008119576,0.000257129,0.001239141,0.002086457,0.00504225,0.0005876762,0.0008527873,0.1917804],"category_scores_gemma":[0.0003130853,0.0002449712,0.0002133022,0.00174082,0.0007868538,0.002064644,0.001326398,0.001469671,0.0805361],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001547588,"about_ca_system_score_gemma":0.00129174,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00702602,"about_ca_topic_score_gemma":0.0315774,"domain_scores_codex":[0.9998243,0.00001708235,0.00000476586,0.00004849296,0.00006433949,0.00004099046],"domain_scores_gemma":[0.9999334,0.00001041592,0.000004973894,0.00001802655,0.00001884486,0.00001432384],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002421873,0.0000531283,0.0002885433,0.0001220062,0.000002744251,0.0001062814,0.000983295,0.0001187159,0.0005467905,0.2266734,0.447154,0.3239267],"study_design_scores_gemma":[6.758053e-7,0.000004544464,0.0002350509,0.00004598959,5.528228e-7,0.00003573212,0.0001344256,0.00002034784,0.00008141653,0.003550066,0.9958901,0.000001208826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0003631019,0.002062377,0.0003033434,0.0002706966,0.0002266782,0.00001060246,0.00009073281,0.0000485025,0.996624],"genre_scores_gemma":[0.003177401,0.001185418,0.0001980046,0.000119996,0.00003669605,0.000009903148,0.00007479722,0.00002346671,0.9951743],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1917804,"threshold_uncertainty_score":0.6415694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4220823346","doi":"10.3390/textiles2010010","title":"A Review on Textile Recycling Practices and Challenges","year":2022,"lang":"en","type":"review","venue":"Textiles","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":358,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"Natural Sciences and Engineering Research Council of Canada; University of Manitoba","keywords":"Reuse; Textile; Waste management; Textile industry; Municipal solid waste; Business; Engineering; Environmental science","authors":[{"name":"Jeanger P. Juanga-Labayen","is_ca":false},{"name":"Ildefonso V. Labayen","is_ca":false},{"name":"Qiuyan Yuan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4959259394832549,"gpt":0.3920548672112622,"spread":0.1038710722719927,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001437714,0.00102347,0.001670246,0.006670988,0.0005526147,0.00182797,0.001160205,0.001207709,0.007052093],"category_scores_gemma":[0.002670423,0.0004865475,0.001524349,0.007094443,0.0005039001,0.001981691,0.000837457,0.001185741,0.001626333],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001049942,"about_ca_system_score_gemma":0.003514217,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002897716,"about_ca_topic_score_gemma":0.005902924,"domain_scores_codex":[0.9992661,0.0001517777,0.0001830652,0.0001071391,0.0002411238,0.00005081774],"domain_scores_gemma":[0.9983588,0.0009152638,0.0002601962,0.00004658268,0.0003595464,0.00005966756],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007165819,0.00008764928,0.0003114663,0.2122492,0.0002826801,0.0003387741,0.0002848925,0.0004189041,0.001550124,0.005177884,0.04032518,0.7389016],"study_design_scores_gemma":[0.000006696499,0.00007910948,0.0008814202,0.03391426,0.0003302361,0.0007594293,0.0001475844,0.00004110546,0.000305491,0.0008134712,0.9627014,0.00001970367],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001306941,0.9982096,0.0000835967,0.0002242153,0.0001196958,0.000009893513,0.00004875464,0.000005837941,0.001167816],"genre_scores_gemma":[0.0005814768,0.9987179,0.0001477082,0.000144771,0.00005868057,0.000008170734,0.0000499991,0.000001373344,0.0002898895],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.007052093,"threshold_uncertainty_score":0.02359158,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1583077160","doi":"10.3998/dcbooks.9380304.0001.001","title":"Digital Rubbish","year":2011,"lang":"en","type":"book","venue":"University of Michigan Press eBooks","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":206,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"McGill University; Andrew W. Mellon Foundation","keywords":"Computer science","authors":[{"name":"Jennifer Gabrys","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04060781748965239,"gpt":0.1626741670775938,"spread":0.1220663495879414,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003716358,0.0008773688,0.0003963487,0.00336816,0.004015031,0.006919289,0.001220931,0.001458743,0.4971245],"category_scores_gemma":[0.002243982,0.0003034709,0.000467769,0.003575483,0.001527107,0.006544794,0.004586759,0.002557966,0.2198911],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002098332,"about_ca_system_score_gemma":0.001419587,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005432217,"about_ca_topic_score_gemma":0.01047388,"domain_scores_codex":[0.9992445,0.00009286273,0.00003141788,0.0001168789,0.0004177124,0.00009667769],"domain_scores_gemma":[0.999408,0.00008350921,0.000031949,0.0001223929,0.0002237213,0.0001304605],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002397499,0.00002260751,0.0002081847,0.000169992,0.000003091473,0.0001946024,0.0007406492,0.00006239705,0.0002183659,0.07049133,0.8228766,0.1049883],"study_design_scores_gemma":[9.511558e-7,0.000003083233,0.00009424786,0.00003237892,3.514129e-7,0.0000626946,0.0001540174,0.00001006463,0.0000342127,0.0008895152,0.9987166,0.000001836218],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0007246498,0.002006852,0.0004898412,0.002155307,0.002546448,0.00004541416,0.0008307109,0.0003532665,0.9908475],"genre_scores_gemma":[0.008571247,0.001865454,0.0006076063,0.001472841,0.0008056362,0.00004406998,0.0009110859,0.0003405236,0.9853815],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4971245,"threshold_uncertainty_score":0.7172909,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044624458","doi":"10.1177/1469540507073509","title":"Condensing Practices","year":2007,"lang":"en","type":"article","venue":"Journal of Consumer Culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":173,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Performative utterance; Normalization (sociology); Sociotechnical system; Sociology; Ideology; Consumption (sociology); Aesthetics; Social science; Political science; Economics; Politics; Management; Law; Art","authors":[{"name":"Martin Hand","is_ca":true},{"name":"Elizabeth Shove","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06558727240594225,"gpt":0.3061622993593637,"spread":0.2405750269534215,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005806459,0.0007446635,0.0005873182,0.003098592,0.00763647,0.006595627,0.001816655,0.001331641,0.02021678],"category_scores_gemma":[0.01289341,0.0005239677,0.0007096836,0.003818949,0.01473112,0.008489609,0.01315152,0.00186854,0.003056854],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006095375,"about_ca_system_score_gemma":0.003770698,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01071759,"about_ca_topic_score_gemma":0.01244826,"domain_scores_codex":[0.9917504,0.002573985,0.0006239683,0.001758838,0.002157289,0.001135451],"domain_scores_gemma":[0.9939522,0.001630119,0.0009007574,0.00194464,0.0009292566,0.0006429618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009834867,0.000056084,0.00961819,0.0003475807,0.0000253835,0.0008029913,0.5147786,0.0003510834,0.00567954,0.3053523,0.006042501,0.1568474],"study_design_scores_gemma":[0.00002073494,0.0001393304,0.01070945,0.000632752,0.00003436802,0.0008106187,0.1833838,0.0004801955,0.003074341,0.0693005,0.7313459,0.0000681055],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4149159,0.004012512,0.06696987,0.004970404,0.000405589,0.0009713777,0.0004928917,0.0007532585,0.5065082],"genre_scores_gemma":[0.9069259,0.001610646,0.009186144,0.0004266644,0.00009432226,0.0002341553,0.0003135411,0.0003411146,0.08086769],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02021678,"threshold_uncertainty_score":0.0676319,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3132851250","doi":"10.1177/2631787721991141","title":"Craft Imaginaries – Past, Present and Future","year":2021,"lang":"en","type":"article","venue":"Organization Theory","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":87,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Craft; The Imaginary; Consumption (sociology); Sociology; Aesthetics; Visual arts; Social science; Art; Psychology","authors":[{"name":"Emma Bell","is_ca":false},{"name":"M. Tina Dacin","is_ca":true},{"name":"Maria Laura Toraldo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00785230494473837,"gpt":0.1907098959734095,"spread":0.1828575910286711,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007619155,0.0006049236,0.0004290855,0.002574346,0.005431048,0.01522959,0.001350723,0.002875543,0.005817279],"category_scores_gemma":[0.009634435,0.000333226,0.0004673973,0.0012357,0.05602686,0.02046393,0.008615674,0.004760827,0.0006023183],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002966955,"about_ca_system_score_gemma":0.002028267,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001094077,"about_ca_topic_score_gemma":0.001464182,"domain_scores_codex":[0.99582,0.002445566,0.0001442509,0.0004292622,0.000812978,0.0003479567],"domain_scores_gemma":[0.992219,0.004470404,0.0007532421,0.001467659,0.000513911,0.0005758741],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002204944,0.00001447774,0.0005347469,0.00006389132,0.000003083805,0.0001522127,0.06409603,0.0001681488,0.0001691464,0.9237066,0.000649326,0.01042048],"study_design_scores_gemma":[0.00001158929,0.00006498388,0.0012801,0.0006628211,0.00001144695,0.00124388,0.1332916,0.0009293508,0.0007793137,0.6444917,0.217192,0.00004124326],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2009305,0.01288316,0.09036163,0.02656964,0.0008245021,0.00004226092,0.00004665592,0.0001237138,0.6682179],"genre_scores_gemma":[0.9871125,0.001643929,0.003590618,0.0003386881,0.0001263752,0.00001278088,0.00001777184,0.00004516154,0.007112189],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01522959,"threshold_uncertainty_score":0.04029441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2128480430","doi":"10.3138/cras.2014.s06","title":"Joy in Labour: The Politicization of Craft from the Arts and Crafts Movement to Etsy","year":2014,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":67,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Craft; Handicraft; Politics; The arts; Movement (music); Art; Aesthetics; Individualism; Consumption (sociology); Sociology; Visual arts; Political science; Law","authors":[{"name":"Michele Krugh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03286555173139272,"gpt":0.2756825181503144,"spread":0.2428169664189217,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003146739,0.0001905497,0.0003697531,0.00228975,0.007290002,0.008752753,0.0005661104,0.001310605,0.006264884],"category_scores_gemma":[0.0038039,0.0001927708,0.000152469,0.005343005,0.02347197,0.00516405,0.00404811,0.003109784,0.0003878178],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009466485,"about_ca_system_score_gemma":0.007627048,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03878531,"about_ca_topic_score_gemma":0.07038911,"domain_scores_codex":[0.9968748,0.001883566,0.00005442289,0.0001605021,0.0005778738,0.0004488116],"domain_scores_gemma":[0.997227,0.001898179,0.0002822047,0.00008557713,0.0002537214,0.0002533193],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001143716,0.00009019847,0.004936634,0.0008289483,0.00001399965,0.0005984692,0.3350075,0.0001194068,0.0001934276,0.555328,0.01759636,0.0851727],"study_design_scores_gemma":[0.00001416255,0.00004059129,0.01976454,0.002638752,0.00001606208,0.0003837754,0.431929,0.00008458202,0.0002332079,0.02939214,0.5154779,0.00002533434],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2437443,0.1564226,0.001015622,0.05241486,0.000955012,0.00002995075,0.00006019392,0.00001956989,0.5453379],"genre_scores_gemma":[0.9402492,0.04724332,0.0001302057,0.002867978,0.0002798773,0.00001818377,0.00001621024,0.00001981204,0.009175293],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03878531,"threshold_uncertainty_score":0.07711911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2139378737","doi":"10.1177/1468794108093898","title":"Dynamics of the `field': multiple standpoints, narrative and shifting positionality in multisited research","year":2008,"lang":"en","type":"article","venue":"Qualitative Research","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":46,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Reflexivity; Sociology; Gender studies; Narrative; Subjectivity; CONTEST; Power (physics); Social science; Political science; Epistemology","authors":[{"name":"Urvashi Soni‐Sinha","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3627527784733803,"gpt":0.511294056283965,"spread":0.1485412778105846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.02306912,0.0006165295,0.0007757195,0.004750206,0.02078217,0.01848822,0.002636873,0.002711593,0.003650969],"category_scores_gemma":[0.01835968,0.0008352765,0.0004238296,0.004298316,0.08820149,0.01650409,0.01564125,0.004064231,0.0002583013],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007683367,"about_ca_system_score_gemma":0.004147069,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003989022,"about_ca_topic_score_gemma":0.007567179,"domain_scores_codex":[0.9707654,0.02517015,0.000340137,0.00106551,0.001494075,0.001164724],"domain_scores_gemma":[0.9694505,0.02520015,0.001210916,0.00190616,0.0009605279,0.001271722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001773747,0.00001203717,0.0007757873,0.0000577366,0.00000369278,0.0003422079,0.9290528,0.00004597332,0.0002357888,0.06523832,0.0003425037,0.003875498],"study_design_scores_gemma":[0.000007496271,0.00002295743,0.0007490322,0.0001497163,0.000006323815,0.0003100723,0.9541947,0.0001449661,0.0002591168,0.019828,0.02431063,0.00001701161],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8058122,0.003714086,0.03176664,0.02040306,0.0003325231,0.0002292683,0.0001147405,0.0001101669,0.1375173],"genre_scores_gemma":[0.9940148,0.0003599641,0.001933306,0.0003084697,0.00003344358,0.00007157544,0.0000150859,0.0000295287,0.00323392],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9792178,"threshold_uncertainty_score":0.1220026,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4296764273","doi":"10.1177/00405175221123067","title":"The role of resources in repair practice: Engagement with self, paid and unpaid clothing repair by young consumers","year":2022,"lang":"en","type":"article","venue":"Textile Research Journal","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University; University of Alberta","funders":"","keywords":"Clothing; Sustainability; Business; Consumption (sociology); Marketing; Sociology; Political science","authors":[{"name":"Rachel H. McQueen","is_ca":true},{"name":"Ayesha Jain","is_ca":true},{"name":"Lisa S. McNeill","is_ca":false},{"name":"Anika Kozlowski","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03663583414554052,"gpt":0.3059363847728337,"spread":0.2693005506272932,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001240144,0.0001700995,0.0002223072,0.0005904718,0.001294937,0.0017627,0.0004758672,0.0005842558,0.002239987],"category_scores_gemma":[0.004094767,0.0002388319,0.0003394099,0.0005702219,0.0008839466,0.0007166823,0.0007726229,0.0006286207,0.0001728993],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002065254,"about_ca_system_score_gemma":0.003125168,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3791879,"about_ca_topic_score_gemma":0.5791997,"domain_scores_codex":[0.9994009,0.0001203644,0.00003723221,0.00005759224,0.0002001351,0.0001837292],"domain_scores_gemma":[0.9972689,0.0007496608,0.0007690815,0.000100807,0.0004845436,0.0006269785],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008696227,0.0001803502,0.9557271,0.00004345553,0.00002180662,0.0002003816,0.0334384,0.00003795815,0.000485096,0.0001440911,0.0001832026,0.009451133],"study_design_scores_gemma":[0.000002169629,0.00005354116,0.9483826,0.00002964809,0.00001394911,0.00007381643,0.05029491,0.0001316631,0.00009390549,0.00004711541,0.0008658498,0.00001080084],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9992204,0.00007823143,0.00001952737,0.00005013204,0.000001320981,0.000005269074,0.0000246638,8.769789e-7,0.0005996224],"genre_scores_gemma":[0.9992342,0.00007913046,0.00006788394,0.00001881497,9.080462e-7,0.000003551505,0.0000373711,0.00000126251,0.0005567622],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3791879,"threshold_uncertainty_score":0.7539616,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4241190001","doi":"10.3138/cras.40.2.259","title":"“Join the Knitting Revolution”: Third-Wave Feminist Magazines and the Politics of Domesticity","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Complicity; Nexus (standard); Politics; Feminism; Craft; Privilege (computing); Conversation; Sociology; Third wave; Gender studies; Media studies; Aesthetics; Political science; Law; Visual arts; Art; Engineering; Political economy","authors":[{"name":"Elizabeth Groeneveld","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03803107668483687,"gpt":0.2721493901827396,"spread":0.2341183134979027,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004893835,0.0002252653,0.0002427405,0.003205698,0.008482392,0.01348709,0.0005946426,0.001786971,0.003845131],"category_scores_gemma":[0.004678366,0.0001933602,0.0001492599,0.00342254,0.02770922,0.004140467,0.002365961,0.001970662,0.0002915829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01445954,"about_ca_system_score_gemma":0.009885039,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06083039,"about_ca_topic_score_gemma":0.1145073,"domain_scores_codex":[0.9972149,0.001550862,0.0000328753,0.000141139,0.0005961275,0.0004641069],"domain_scores_gemma":[0.9924312,0.004776397,0.0007298937,0.0003126111,0.0009850971,0.0007647936],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007898692,0.00008739904,0.006026544,0.0003950359,0.00001095303,0.0006730133,0.317058,0.00008890127,0.0006178014,0.561116,0.04270622,0.07114111],"study_design_scores_gemma":[0.00001083227,0.00002916301,0.01120927,0.0007767859,0.00001062264,0.0003332543,0.1856451,0.0000768988,0.0005622524,0.01419548,0.7871281,0.00002217361],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2706118,0.09086412,0.0008286345,0.1050284,0.001733594,0.00002451922,0.0000536012,0.00006741349,0.5307879],"genre_scores_gemma":[0.9655792,0.01311162,0.0001903661,0.004320059,0.0006487696,0.00001046921,0.00001499981,0.00002288125,0.01610171],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06083039,"threshold_uncertainty_score":0.1209526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1570189102","doi":"","title":"Feminism, Activism, and Knitting: Are the Fibre Arts a Viable Mode for Feminist Political Action?","year":2008,"lang":"en","type":"article","venue":"Thirdspace","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Feminism; Politics; The arts; Sociology; Hobby; Mode (computer interface); Visual arts; Gender studies; Political science; Art; Computer science; Law","authors":[{"name":"Beth Pentney","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1033479749542426,"gpt":0.3016576325066476,"spread":0.198309657552405,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002526172,0.0003544423,0.0002438284,0.0009119792,0.007475594,0.007881243,0.0005012512,0.00189838,0.008821909],"category_scores_gemma":[0.003113791,0.000192345,0.0002094095,0.000917985,0.03117945,0.004118475,0.00412738,0.001570212,0.0006821635],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003196598,"about_ca_system_score_gemma":0.001615847,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004746583,"about_ca_topic_score_gemma":0.01166457,"domain_scores_codex":[0.9975879,0.001375216,0.00002819738,0.0001393037,0.0003530026,0.0005164326],"domain_scores_gemma":[0.9977653,0.001429599,0.0002382223,0.000214535,0.00007431382,0.0002779572],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001590522,0.00005092215,0.003898622,0.0002550377,0.00001021125,0.0004915702,0.2497406,0.0002741186,0.002100889,0.6298953,0.008580041,0.1045436],"study_design_scores_gemma":[0.00001243996,0.0001135881,0.006208465,0.0007345094,0.000008625566,0.0007610954,0.2602734,0.0002663935,0.002469283,0.08698301,0.6421361,0.00003309814],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2260378,0.007982592,0.007961415,0.02422084,0.0002916632,0.00003212247,0.00002521456,0.00006752935,0.7333809],"genre_scores_gemma":[0.9627457,0.001860001,0.000908447,0.001070358,0.0001118503,0.00002537047,0.000008331275,0.00004038422,0.03322956],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008821909,"threshold_uncertainty_score":0.02951223,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2304111597","doi":"","title":"Independent Game Development as Craft","year":2012,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Craft; Mainstream; Indie film; Sociology; Game design; Public relations; Aesthetics; Media studies; Political science; Visual arts; Art; Multimedia; Computer science; Law","authors":[{"name":"Emma Westecott","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1313977167787653,"gpt":0.294447877793836,"spread":0.1630501610150707,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003673434,0.0008280204,0.0003709585,0.002145825,0.004550979,0.01095147,0.001636402,0.001344834,0.01003407],"category_scores_gemma":[0.005764935,0.000420574,0.0003420395,0.00130233,0.02491811,0.006797393,0.008809614,0.002928308,0.001327907],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00411996,"about_ca_system_score_gemma":0.003263751,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00376335,"about_ca_topic_score_gemma":0.006546896,"domain_scores_codex":[0.9960592,0.002187428,0.00009207341,0.0004453685,0.0008358755,0.0003801237],"domain_scores_gemma":[0.9955755,0.002290821,0.0002617841,0.0008082797,0.0004079523,0.0006556394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000444145,0.00008675552,0.001571155,0.0001728263,0.000009370257,0.0004452082,0.0668526,0.0007450184,0.0009326449,0.8509279,0.005068644,0.07314348],"study_design_scores_gemma":[0.00002608275,0.0001200381,0.001855166,0.0007082839,0.00001491032,0.001238037,0.06327228,0.002466124,0.002518116,0.2570263,0.6707097,0.00004491522],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.11067,0.002723438,0.08612059,0.005205941,0.0003027965,0.0002392888,0.00006488871,0.0002248157,0.7944483],"genre_scores_gemma":[0.8665081,0.001799374,0.01993409,0.0006292613,0.00005792718,0.0002011512,0.00005159501,0.0001949133,0.1106235],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01095147,"threshold_uncertainty_score":0.03356725,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3004281808","doi":"10.1016/j.apergo.2020.103058","title":"The role of clothing on participation of persons with a physical disability: A scoping review","year":2020,"lang":"en","type":"review","venue":"Applied Ergonomics","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Montreal Biodome; University of British Columbia; McGill University; Concordia University; Centre intégré de santé et de services sociaux de la Montérégie-Centre; Kéroul; Centre intégré de santé et de services sociaux de Chaudière-Appalaches; Centre Intégré de Santé et de Services Sociaux des Laurentides; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Santé Montérégie; Université de Montréal; Shriners Hospitals for Children - Canada; Centre for Interdisciplinary Research in Rehabilitation","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research; Réseau Provincial de Recherche en Adaptation-Réadaptation; Fonds de Recherche en Santé Respiratoire; Centre for Interdisciplinary Research in Rehabilitation","keywords":"Clothing; Grey literature; Variety (cybernetics); International Classification of Functioning, Disability and Health; Stakeholder; Health care; Psychology; Applied psychology; Public relations; Medicine; Medical education; MEDLINE; Political science; Computer science; Physical therapy; Rehabilitation","authors":[{"name":"Alida Esmail","is_ca":true},{"name":"Frédérique Poncet","is_ca":true},{"name":"Claudine Auger","is_ca":true},{"name":"Annie Rochette","is_ca":true},{"name":"Noémi Dahan‐Oliel","is_ca":true},{"name":"Delphine Labbé","is_ca":true},{"name":"Eva Kehayia","is_ca":true},{"name":"Christophe Billebaud","is_ca":true},{"name":"Élaine de Guise","is_ca":true},{"name":"Isabelle Lessard","is_ca":false},{"name":"Isabelle Ducharme","is_ca":true},{"name":"Olivier Vermeersch","is_ca":false},{"name":"Bonnie Swaine","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06181149609869572,"gpt":0.3076459766741766,"spread":0.2458344805754809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002951821,0.001111202,0.003532988,0.00547662,0.0004529728,0.002886399,0.001167988,0.002728486,0.003905151],"category_scores_gemma":[0.009446627,0.0006935592,0.003969633,0.006171907,0.0008255962,0.001602837,0.001647103,0.001222831,0.0003248565],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001091261,"about_ca_system_score_gemma":0.004048096,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01096457,"about_ca_topic_score_gemma":0.03231183,"domain_scores_codex":[0.9981653,0.0005232506,0.0005569352,0.0002710232,0.0003680216,0.0001155324],"domain_scores_gemma":[0.9940994,0.004662876,0.0007242858,0.00006237572,0.0003746184,0.00007648105],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"systematic_review","study_design_gemma":"systematic_review","study_design_scores_codex":[0.0001936095,0.0000761963,0.001835575,0.7240493,0.00369754,0.0001553036,0.0006130553,0.0001285963,0.0002587007,0.000716222,0.003028203,0.2652476],"study_design_scores_gemma":[0.00008466779,0.0001921672,0.009356479,0.8929724,0.02269283,0.0005611406,0.001422178,0.00007188568,0.000165325,0.0005462714,0.07188077,0.00005391743],"study_design_candidate":"systematic_review","study_design_consensus":"systematic_review","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0003627956,0.9993312,0.00001966756,0.00006444424,0.00004686773,0.000013049,0.00004238481,7.503547e-7,0.0001188274],"genre_scores_gemma":[0.002637376,0.9970497,0.00008545721,0.0000992261,0.00002620339,0.0000216924,0.00002817652,7.620629e-7,0.00005138018],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01096457,"threshold_uncertainty_score":0.02180153,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2889002437","doi":"","title":"The Organization of Craft Work: Identities, Meanings, and Materiality","year":2018,"lang":"en","type":"book","venue":"Open Research Online (The Open University)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Materiality (auditing); Work (physics); Consumption (sociology); Sociology; Public relations; Political science; Social science; Engineering; Visual arts; Aesthetics; Art","authors":[{"name":"Emma Bell","is_ca":false},{"name":"Gianluigi Mangia","is_ca":false},{"name":"Scott Taylor","is_ca":false},{"name":"Maria Laura Toraldo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1571751562829445,"gpt":0.3287720527218443,"spread":0.1715968964388999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003559976,0.0004501707,0.0003469746,0.001023953,0.002819696,0.009637034,0.0006754514,0.0009477689,0.01446935],"category_scores_gemma":[0.000767401,0.0002523238,0.0002120638,0.001814709,0.005695966,0.004707718,0.002332397,0.002001391,0.003540112],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002881371,"about_ca_system_score_gemma":0.002310225,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002731195,"about_ca_topic_score_gemma":0.005937564,"domain_scores_codex":[0.9995075,0.0001238899,0.00001337133,0.00006274771,0.0002269004,0.00006556918],"domain_scores_gemma":[0.9997136,0.0001143632,0.0000237907,0.0000382017,0.00004749166,0.00006239529],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000187047,0.00003535987,0.0003147248,0.0002513732,0.000003656976,0.0001654995,0.02693455,0.0001920575,0.0004394893,0.6933793,0.1578549,0.1204105],"study_design_scores_gemma":[0.000001618193,0.00000743233,0.0004894093,0.0002625933,0.000001161927,0.0001261249,0.005325774,0.00006075862,0.00007514073,0.02520677,0.968439,0.000004261899],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.005096694,0.02640236,0.004514032,0.003686593,0.001414882,0.00004298701,0.00007240716,0.0001160989,0.9586539],"genre_scores_gemma":[0.0796616,0.02271872,0.005445793,0.001119113,0.0006887312,0.0001235373,0.0002267481,0.0002722796,0.8897436],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01446935,"threshold_uncertainty_score":0.04840481,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2956840582","doi":"10.1177/1077800419863456","title":"Artisanal Ethnography: Notes on the Making of Ethnographic Craft","year":2019,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Royal Roads University","funders":"","keywords":"Ethnography; Craft; Sociology; The arts; Aesthetics; Knowledge production; Anthropology; Visual arts; Art; Computer science","authors":[{"name":"Phillip Vannini","is_ca":true},{"name":"April Vannini","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2507796005955416,"gpt":0.3929846119887879,"spread":0.1422050113932463,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.07069726,0.001172645,0.0007810913,0.007182436,0.02154699,0.01522545,0.003125463,0.003230488,0.004198919],"category_scores_gemma":[0.07710109,0.001097729,0.0006903076,0.005605415,0.07771511,0.01343993,0.01534303,0.006669484,0.0005393336],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008994902,"about_ca_system_score_gemma":0.005563727,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01241752,"about_ca_topic_score_gemma":0.02492767,"domain_scores_codex":[0.9097677,0.08087868,0.001643967,0.002101975,0.003743584,0.001864158],"domain_scores_gemma":[0.8665233,0.116164,0.002836528,0.008715327,0.003864784,0.001896021],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001953937,0.00001973993,0.0005231119,0.00015959,0.000007514758,0.0005432736,0.9165422,0.0001063402,0.0004242079,0.07162534,0.001900989,0.008128144],"study_design_scores_gemma":[0.00001161935,0.00003137406,0.001332172,0.00103491,0.00001037362,0.0008250823,0.8077951,0.0003647299,0.0007955667,0.04707174,0.1406873,0.00003996915],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2946702,0.01355428,0.2259917,0.04726915,0.002950163,0.002823231,0.0005225695,0.0005248039,0.4116938],"genre_scores_gemma":[0.940842,0.003566799,0.03509949,0.001963419,0.0004251654,0.001099007,0.00009105309,0.0003441402,0.01656884],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07069726,"threshold_uncertainty_score":0.3738873,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2921361705","doi":"10.1177/0008417419831401","title":"“I just love it”: Avid knitters describe health and well-being through occupation","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Occupational Therapy","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"University of British Columbia","keywords":"Craft; Hobby; Guild; Identity (music); Psychology; Phenomenology (philosophy); Interdependence; Social psychology; Mental health; Personality; Aesthetics; Sociology; Visual arts; Social science; Psychotherapist; Art; Epistemology","authors":[{"name":"Laura R. Brooks","is_ca":false},{"name":"Kim-Huong Ngan Ta","is_ca":false},{"name":"Anne Townsend","is_ca":false},{"name":"Catherine L. Backman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1407677330453807,"gpt":0.3295336366074925,"spread":0.1887659035621118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002788204,0.0006268432,0.0005132398,0.001637631,0.006100025,0.003460329,0.001016306,0.00180922,0.003812396],"category_scores_gemma":[0.00686436,0.0004149038,0.0003864519,0.0008048337,0.01012165,0.00332438,0.004891058,0.00238533,0.0005288238],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002317125,"about_ca_system_score_gemma":0.001595545,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01646278,"about_ca_topic_score_gemma":0.03212129,"domain_scores_codex":[0.9978679,0.001233174,0.00007959983,0.0001366526,0.0003981689,0.0002844816],"domain_scores_gemma":[0.9974043,0.0009368588,0.0008037256,0.0001297154,0.0002649597,0.0004604061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003153308,0.00002179391,0.01366797,0.00008000151,0.000009697901,0.001323589,0.9773876,0.00003037073,0.0005602246,0.001159757,0.001598757,0.004128717],"study_design_scores_gemma":[0.000001740575,0.0000471333,0.009613062,0.0001074782,0.000006305566,0.001976461,0.9789385,0.00006156242,0.00008137212,0.0005501892,0.00859525,0.00002090148],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9828374,0.001904682,0.0007609801,0.004554128,0.0001032542,0.00003374356,0.00003685415,0.0000165277,0.009752301],"genre_scores_gemma":[0.995777,0.0005924639,0.0003161441,0.000709518,0.00003340703,0.00001909408,0.00002486075,0.00001314271,0.002514269],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01646278,"threshold_uncertainty_score":0.03273392,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2935342198","doi":"10.1080/09540253.2019.1594708","title":"Quiltmaking among African-American women as a pedagogy of care, empowerment, and sisterhood","year":2019,"lang":"en","type":"article","venue":"Gender and Education","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Gender studies; Sociology; Oppression; Solidarity; Patriarchy; Racism; Empowerment; Politics; Feminism; Resistance (ecology); Political science; Law","authors":[{"name":"Alana Butler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01854127780627401,"gpt":0.2789663081846509,"spread":0.2604250303783769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004426394,0.0003595566,0.0002832634,0.0008284296,0.01423112,0.003554077,0.0005371873,0.001334384,0.005576704],"category_scores_gemma":[0.003691046,0.0001762235,0.0002339671,0.0006936702,0.00827249,0.002919829,0.00534941,0.002452952,0.0002502197],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002368493,"about_ca_system_score_gemma":0.003791344,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004415948,"about_ca_topic_score_gemma":0.01822029,"domain_scores_codex":[0.9981255,0.001222743,0.00002721713,0.00008920759,0.0001827421,0.0003525837],"domain_scores_gemma":[0.998831,0.0006518306,0.000105346,0.00004657557,0.00007251246,0.0002927284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000362292,0.000230221,0.002717077,0.000151026,0.000003207059,0.0003320413,0.8514307,0.00003096017,0.001718529,0.05621549,0.005604106,0.08153057],"study_design_scores_gemma":[0.00001656201,0.0001884519,0.004916262,0.0006117529,0.00001095185,0.0004606867,0.7506704,0.0001286832,0.0009993518,0.01126252,0.2307173,0.00001706466],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8087092,0.007997531,0.003487382,0.03920091,0.0008889413,0.0001135958,0.00001278824,0.00004338428,0.1395462],"genre_scores_gemma":[0.9710366,0.003612758,0.002004286,0.002795617,0.000121413,0.00005813583,0.000005704539,0.0000167277,0.02034869],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01423112,"threshold_uncertainty_score":0.02340925,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992745245","doi":"10.2307/4127376","title":"Traditional Industry in the New Market Economy: The Cotton Handlooms of Andhra Pradesh.","year":2002,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Business; Agricultural economics; Market economy; Economy; Commerce; Economics","authors":[{"name":"Tirthankar Roy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05786885957386705,"gpt":0.2032751372662257,"spread":0.1454062776923587,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002159451,0.0002532237,0.0001588462,0.001239015,0.002280081,0.002377514,0.0005136814,0.0005683239,0.007580979],"category_scores_gemma":[0.0004680103,0.0002470898,0.0001329055,0.005760373,0.001445647,0.001715743,0.001392777,0.001144926,0.000429079],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00311334,"about_ca_system_score_gemma":0.005060932,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09571186,"about_ca_topic_score_gemma":0.2635606,"domain_scores_codex":[0.9997346,0.00004320686,0.00001256981,0.00003340544,0.00008754134,0.00008870952],"domain_scores_gemma":[0.9997323,0.0001229268,0.00005677039,0.00001352534,0.00003080683,0.00004380207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.000175395,0.0003202634,0.04942831,0.005701654,0.00008097597,0.009245757,0.1183461,0.001042392,0.00892807,0.0953047,0.05075033,0.6606761],"study_design_scores_gemma":[0.00001627448,0.000202337,0.3037807,0.001428223,0.00005114835,0.003147732,0.129893,0.0001533806,0.0007384258,0.007269491,0.5532535,0.00006572967],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4759238,0.2782042,0.0005140363,0.03364591,0.0007144628,0.000160926,0.0006380384,0.00005137617,0.2101473],"genre_scores_gemma":[0.8028128,0.1581952,0.0005915046,0.002426449,0.0002289833,0.00003687935,0.0002090758,0.000009081018,0.03548997],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09571186,"threshold_uncertainty_score":0.1903095,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029364548","doi":"10.1177/0266355407082760","title":"Introduction: Domesticity, Design and the Shaping of the Social","year":2007,"lang":"en","type":"article","venue":"German History","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Sociology; Political science; Architectural engineering; Engineering","authors":[{"name":"James L. Jenkins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05477879867899141,"gpt":0.2463468955969298,"spread":0.1915680969179384,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006871183,0.0008189471,0.0004131144,0.001108714,0.002226257,0.004576759,0.0006320318,0.003297037,0.03077475],"category_scores_gemma":[0.001253395,0.0002284413,0.0003018271,0.001988815,0.006299951,0.003341179,0.001516586,0.003275898,0.003700814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001782938,"about_ca_system_score_gemma":0.0009955135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005615979,"about_ca_topic_score_gemma":0.007629187,"domain_scores_codex":[0.9995889,0.0001570529,0.00001570517,0.0001117462,0.00007583432,0.00005076158],"domain_scores_gemma":[0.9988499,0.0008910252,0.00005400016,0.00006039281,0.00008505161,0.00005965837],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003427974,0.00002657369,0.000670641,0.0004749655,0.000008470568,0.0000927366,0.006066528,0.0002336539,0.0003094498,0.7559679,0.1980496,0.03806508],"study_design_scores_gemma":[0.000004075344,0.00001421236,0.001105518,0.0004404316,0.000005551303,0.0001734089,0.002232059,0.00007685733,0.0001261474,0.05472199,0.9410887,0.00001106325],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"editorial","genre_scores_codex":[0.01677793,0.3186316,0.01139015,0.1805774,0.02384733,0.00005660602,0.001582718,0.0002023292,0.4469339],"genre_scores_gemma":[0.3706799,0.1633498,0.006995846,0.07789009,0.03606924,0.0001913559,0.001166168,0.0004088864,0.3432488],"genre_candidate":"editorial","genre_consensus":null,"teacher_disagreement_score":0.03077475,"threshold_uncertainty_score":0.1029518,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4281960794","doi":"10.1145/3532106.3533488","title":"Learning with Stitch Samplers: Exploring Stitch Samplers as Contextual Instructions for E-textile Tutorials","year":2022,"lang":"en","type":"article","venue":"Designing Interactive Systems Conference","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"Natural Sciences and Engineering Research Council of Canada; Mitacs","keywords":"Craft; Image stitching; Textile; Computer science; Clothing; Human–computer interaction; Artifact (error); Leverage (statistics); Wearable computer; Artificial intelligence; Visual arts","authors":[{"name":"Lee Jones","is_ca":true},{"name":"Audrey Girouard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1605793504689806,"gpt":0.2798466789402057,"spread":0.1192673284712251,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003421205,0.0006306545,0.0003130339,0.001026559,0.001498554,0.002568232,0.001411069,0.001444176,0.004490998],"category_scores_gemma":[0.01479858,0.0003534952,0.0003443159,0.0005704641,0.002580117,0.002985906,0.002617695,0.00116703,0.0006380283],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001287597,"about_ca_system_score_gemma":0.001141309,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001155721,"about_ca_topic_score_gemma":0.003862837,"domain_scores_codex":[0.9972739,0.001931349,0.00007143974,0.0002425924,0.0002545501,0.0002262142],"domain_scores_gemma":[0.9904141,0.007813489,0.0003656628,0.0006074808,0.0003503605,0.000449024],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003615557,0.001701989,0.02139214,0.0009756741,0.00002811945,0.002431958,0.692753,0.004137168,0.02726939,0.02386956,0.004373156,0.2207063],"study_design_scores_gemma":[0.0002435832,0.003547978,0.03687046,0.002183587,0.0001395119,0.003115231,0.5294671,0.02977867,0.03786037,0.02979141,0.3267399,0.0002622664],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9129041,0.0001936566,0.06151737,0.0006844338,0.00003360763,0.0004341942,0.00009189695,0.0005470261,0.02359376],"genre_scores_gemma":[0.9318094,0.0002291631,0.06136173,0.0002027295,0.00001462397,0.0002622674,0.0001167819,0.0001166995,0.00588645],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004490998,"threshold_uncertainty_score":0.01809329,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2038054969","doi":"10.1080/14927713.2008.9651417","title":"Knit one, stitch two, protest three! Examining the historical and contemporary politics of crafting","year":2008,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Quilt; Craft; Politics; Resistance (ecology); Sociology; Action (physics); Order (exchange); Aesthetics; Everyday life; Expression (computer science); Mutual aid; Political action; Political science; Visual arts; Law; Art","authors":[{"name":"Trent Newmeyer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1470715096654071,"gpt":0.24301136350338,"spread":0.09593985383797296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001519739,0.0002208941,0.0001404217,0.001452214,0.01068558,0.006359182,0.0003661729,0.001433884,0.007302377],"category_scores_gemma":[0.001716277,0.0001992559,0.0001366982,0.00111546,0.01934755,0.004373869,0.00250948,0.002122483,0.000649127],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004902648,"about_ca_system_score_gemma":0.001317621,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01275732,"about_ca_topic_score_gemma":0.03816157,"domain_scores_codex":[0.998847,0.0007131665,0.000009413812,0.00008417874,0.00009827611,0.0002480338],"domain_scores_gemma":[0.9993404,0.0003601677,0.00007522525,0.00005792414,0.00004792304,0.0001184317],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009484646,0.00008841472,0.004046273,0.0001330953,0.000006452007,0.0008315448,0.5118341,0.0001673773,0.0007397722,0.3923953,0.02895443,0.06070839],"study_design_scores_gemma":[0.000006091141,0.00006379252,0.005598817,0.0003590907,0.000006187309,0.000537002,0.4177071,0.0001524965,0.0007121672,0.0172404,0.557594,0.00002289245],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4457769,0.01248259,0.002758869,0.02719041,0.0005721739,0.000031553,0.00003518696,0.00006742589,0.5110849],"genre_scores_gemma":[0.9576445,0.00223587,0.0003726019,0.001503692,0.00008445549,0.00001461567,0.000009383148,0.00004843488,0.03808641],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01275732,"threshold_uncertainty_score":0.03557134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3107478804","doi":"10.1177/1367877920970962","title":"Llamas are the new unicorns: Craft as competition television","year":2020,"lang":"en","type":"article","venue":"International Journal of Cultural Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University; Women's and Gender Studies et Recherches Féministes; Sheridan College","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Craft; Reality television; Competition (biology); Context (archaeology); Sociology; Politics; Nexus (standard); Media studies; Aesthetics; Visual arts; Advertising; Political science; Art; History; Law; Business; Engineering; Archaeology","authors":[{"name":"Jennifer Hambleton","is_ca":true},{"name":"Christine Quail","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1049019607585824,"gpt":0.3202756691555075,"spread":0.215373708396925,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001482578,0.0003166645,0.0002465636,0.0008885637,0.009824743,0.012001,0.0006824418,0.001483868,0.02129116],"category_scores_gemma":[0.002616685,0.0002275177,0.0001628089,0.0009942898,0.01416341,0.005196961,0.006662736,0.002372135,0.001154373],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005026579,"about_ca_system_score_gemma":0.001578501,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01777505,"about_ca_topic_score_gemma":0.05614454,"domain_scores_codex":[0.9982105,0.0009397833,0.00002433585,0.0001605111,0.0002178687,0.0004468909],"domain_scores_gemma":[0.9987308,0.0005032499,0.0001114014,0.0001593413,0.000119847,0.000375248],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002292571,0.0001142812,0.005712443,0.0001534355,0.000008391292,0.0009770117,0.2095079,0.0001833109,0.001066026,0.6594456,0.03175496,0.09084743],"study_design_scores_gemma":[0.00001428259,0.0001059133,0.003665543,0.0003146286,0.000008850689,0.0005647623,0.1533357,0.0002453062,0.000468555,0.02071744,0.820522,0.00003694564],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2017812,0.002271574,0.001072549,0.01025557,0.0001818848,0.00001920826,0.00003267303,0.00006609677,0.7843193],"genre_scores_gemma":[0.8884143,0.0007088741,0.0007341666,0.001073258,0.00005580163,0.00002890625,0.00002913774,0.00009506899,0.1088605],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02129116,"threshold_uncertainty_score":0.07122606,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242441081","doi":"10.21606/pluriversal.2021.0018","title":"Insurgent Design Coalitions: The history of the Design & Oppression network","year":2021,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Oppression; Sociology; Active listening; Public relations; Political science; Politics; Law; Communication","authors":[{"name":"Frederick M. C. van Amstel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1823087661231416,"gpt":0.2408927497940189,"spread":0.0585839836708773,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01664338,0.0006559585,0.0005204419,0.003803824,0.019083,0.01760601,0.002425645,0.004425028,0.01344582],"category_scores_gemma":[0.01659427,0.0008981678,0.0005058431,0.003354322,0.06230324,0.01103842,0.0143754,0.005447038,0.001075394],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02610762,"about_ca_system_score_gemma":0.01183343,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02020414,"about_ca_topic_score_gemma":0.02559124,"domain_scores_codex":[0.9836192,0.01042859,0.0004497269,0.001659264,0.002543548,0.001299826],"domain_scores_gemma":[0.9838428,0.01022917,0.0009208913,0.002359478,0.001160423,0.001487194],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001311984,0.00002007559,0.0004973851,0.00009036245,0.00000472236,0.0001536352,0.05536107,0.0002620948,0.00007922714,0.914088,0.003819639,0.0256107],"study_design_scores_gemma":[0.00001066674,0.00003481488,0.0006708632,0.000543042,0.000007373202,0.0002938602,0.03290305,0.0007938556,0.0003807,0.1125581,0.8517792,0.00002457432],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07393876,0.02163222,0.03670226,0.05070412,0.0009338867,0.0001427649,0.00007971447,0.0002425054,0.8156238],"genre_scores_gemma":[0.9294261,0.005255305,0.005383195,0.002434038,0.0001711391,0.0001919793,0.00004400223,0.0002062907,0.05688787],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02610762,"threshold_uncertainty_score":0.1894249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2133272902","doi":"10.24377/dteij.article2281","title":"Design and Craft Education in Iceland, Pedagogical Background and Development: A literature review","year":2024,"lang":"en","type":"review","venue":"Liverpool John Moores University","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Curriculum; Subject (documents); Icelandic; Literacy; Design and Technology; Curriculum development; Pedagogy; Sociology; Mathematics education; Engineering; Engineering ethics; Visual arts; Computer science; Psychology; Art; Library science","authors":[{"name":"Brynjar Ólafsson","is_ca":false},{"name":"Gísli Þorsteinsson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1345360862787826,"gpt":0.3225011708222729,"spread":0.1879650845434902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001625806,0.0009124876,0.001876764,0.007157602,0.0005743809,0.002122137,0.0009006737,0.001170066,0.004125986],"category_scores_gemma":[0.003327772,0.0005772799,0.0008627718,0.009832688,0.001002236,0.002037887,0.0009631173,0.001012385,0.0005736842],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002156117,"about_ca_system_score_gemma":0.006982941,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01131842,"about_ca_topic_score_gemma":0.02108162,"domain_scores_codex":[0.9993052,0.0001465991,0.0001812682,0.0001079803,0.0002104435,0.00004831973],"domain_scores_gemma":[0.9971849,0.001900465,0.0004090175,0.0000450151,0.0003807355,0.00007982759],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008324278,0.0001207577,0.00104685,0.2260303,0.0002597205,0.0002603623,0.0006303665,0.0004037101,0.0003094877,0.004495957,0.01449974,0.7518596],"study_design_scores_gemma":[0.00002372825,0.0001326085,0.01058261,0.3132904,0.001220419,0.001677184,0.001390289,0.0001124499,0.0003542012,0.001351242,0.6698203,0.00004446807],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001195635,0.9994254,0.00001632712,0.00006029119,0.00002974103,0.000003294763,0.00001384022,0.000001103153,0.0003304537],"genre_scores_gemma":[0.0009930201,0.9987568,0.00006413254,0.00006565596,0.0000215336,0.000006188656,0.00001808417,6.350445e-7,0.00007401559],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01131842,"threshold_uncertainty_score":0.02250504,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3214945227","doi":"10.1080/17543266.2021.2004243","title":"Fashion industry perceptions of clothing design for persons with a physical disability: the need for building partnerships for future innovation","year":2021,"lang":"en","type":"article","venue":"International Journal of Fashion Design Technology and Education","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Kéroul; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Centre de réadaptation Lethbridge-Layton-Mackay; Jewish Rehabilitation Hospital; McGill University; Centre Intégré Universitaire de Santé et de Services Sociaux du Saguenay–Lac-Saint-Jean; Centre for Interdisciplinary Research in Rehabilitation; Shriners Hospitals for Children - Canada; Université de Montréal","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research; Réseau Provincial de Recherche en Adaptation-Réadaptation; Université de Montréal; Centre for Interdisciplinary Research in Rehabilitation","keywords":"Clothing; Credibility; Bridge (graph theory); Perception; Clothing industry; Process (computing); Public relations; Business; Marketing; Psychology; Medicine; Political science; Computer science","authors":[{"name":"Alida Esmail","is_ca":true},{"name":"Noémi Dahan‐Oliel","is_ca":true},{"name":"Frédérique Poncet","is_ca":true},{"name":"Delphine Labbé","is_ca":false},{"name":"Annie Rochette","is_ca":true},{"name":"Eva Kehayia","is_ca":true},{"name":"Claudine Auger","is_ca":true},{"name":"Isabelle Ducharme","is_ca":true},{"name":"Bonnie Swaine","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07600830905282867,"gpt":0.3258337462602968,"spread":0.2498254372074681,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01318597,0.0002680348,0.000295617,0.0009333934,0.006314711,0.007321274,0.0009388394,0.002218005,0.007258062],"category_scores_gemma":[0.01483766,0.0003453215,0.0004940138,0.0005896059,0.005582582,0.005342348,0.006630931,0.002849593,0.0004829377],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002560954,"about_ca_system_score_gemma":0.005659675,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003969149,"about_ca_topic_score_gemma":0.005251111,"domain_scores_codex":[0.988586,0.008230237,0.0003902344,0.0003819778,0.001221158,0.001190396],"domain_scores_gemma":[0.9830875,0.008002175,0.00190754,0.0007186527,0.001900924,0.004383259],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008057775,0.000363596,0.04772915,0.0007073954,0.00002883668,0.002126028,0.8699367,0.0001636132,0.001390407,0.01543716,0.006784707,0.05525192],"study_design_scores_gemma":[0.00001453148,0.0001714556,0.01142707,0.0006649629,0.00001126988,0.001170299,0.9375206,0.0002116492,0.0001680539,0.003808547,0.04480556,0.00002597775],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9071873,0.002527253,0.004028511,0.0351412,0.0002099724,0.0001263184,0.00003516931,0.00004509464,0.0506991],"genre_scores_gemma":[0.9951285,0.0008195732,0.00123413,0.001165684,0.00001770922,0.00004090617,0.00001484278,0.000006897389,0.001571832],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01318597,"threshold_uncertainty_score":0.06973493,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3167218556","doi":"10.1080/13549839.2021.1939289","title":"Reimagining craft for community development","year":2021,"lang":"en","type":"article","venue":"Local Environment","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Craft; Corporate governance; Sociology; Work (physics); Space (punctuation); Public relations; Political science; Management; Visual arts; Economics; Engineering; Computer science; Art; Mechanical engineering","authors":[{"name":"Kevin Jones","is_ca":true},{"name":"Kristof Van Assche","is_ca":true},{"name":"John R. Parkins","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05598137038569968,"gpt":0.2238407912970646,"spread":0.1678594209113649,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00683312,0.0005968442,0.0003807563,0.002209867,0.0105302,0.01228131,0.00155712,0.002755248,0.01069134],"category_scores_gemma":[0.005269903,0.000272054,0.0003227588,0.001676883,0.05238495,0.01145951,0.01486267,0.003893433,0.0006958088],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006519184,"about_ca_system_score_gemma":0.005156049,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004580267,"about_ca_topic_score_gemma":0.01025435,"domain_scores_codex":[0.9944246,0.003632453,0.0001060758,0.0005505018,0.0006874045,0.0005989104],"domain_scores_gemma":[0.9963621,0.001842181,0.0002275067,0.0006973973,0.0003198914,0.0005509608],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002588893,0.00003495943,0.0006843538,0.0001492671,0.00000441714,0.0003428094,0.08941343,0.0003831998,0.0004467303,0.8640968,0.00315034,0.04126795],"study_design_scores_gemma":[0.00001464297,0.00007686797,0.000752666,0.0006463645,0.000008477758,0.0006247335,0.1360341,0.0008436231,0.000684125,0.3448068,0.515478,0.00002963513],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1780847,0.009824695,0.09163363,0.0466355,0.0006991461,0.0001839446,0.00004465917,0.0002662062,0.6726276],"genre_scores_gemma":[0.9612776,0.001908498,0.01030184,0.001109599,0.00009468274,0.00006419716,0.00001604897,0.0001023895,0.02512528],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01228131,"threshold_uncertainty_score":0.04730022,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2086214076","doi":"10.1177/0741713607310151","title":"Women Learning in Garment Work: Solidarity and Sociality","year":2008,"lang":"en","type":"article","venue":"Adult Education Quarterly","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of British Columbia","funders":"Edmonton Community Foundation","keywords":"Sociality; Solidarity; Sociology; Dehumanization; Negotiation; Reproduction; Social learning; Interdependence; Argument (complex analysis); Everyday life; Resistance (ecology); Social psychology; Gender studies; Epistemology; Psychology; Social science; Pedagogy; Political science; Law; Anthropology","authors":[{"name":"Tara Fenwick","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02776628885625355,"gpt":0.2448018822906329,"spread":0.2170355934343794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005072242,0.0004959489,0.0004215373,0.001708398,0.01845145,0.01263257,0.001146768,0.001885203,0.005552991],"category_scores_gemma":[0.005685675,0.0003089215,0.0002834036,0.0010431,0.05230571,0.007547102,0.01479399,0.002354798,0.0005086389],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00347438,"about_ca_system_score_gemma":0.002885295,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003196943,"about_ca_topic_score_gemma":0.004535815,"domain_scores_codex":[0.9951808,0.003295535,0.00006610771,0.0003322236,0.0004376119,0.0006877023],"domain_scores_gemma":[0.9967856,0.00171081,0.0004657726,0.0002220015,0.0001566938,0.0006590018],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002237835,0.00003225827,0.001814989,0.00004708404,0.000005715762,0.0003909891,0.9197929,0.00006562614,0.0004529663,0.06010935,0.0008675989,0.0163982],"study_design_scores_gemma":[0.000008707732,0.00007334048,0.002430587,0.000154432,0.000007465434,0.0003906003,0.8767301,0.00006976155,0.0003603791,0.0334737,0.08627999,0.0000209734],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.740941,0.00453685,0.006818278,0.02272343,0.0002195766,0.00007814991,0.00002117586,0.0000670771,0.2245945],"genre_scores_gemma":[0.9894332,0.0007397932,0.0005715604,0.0003979642,0.00005554171,0.00002080081,0.000006522683,0.00001994683,0.008754541],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01845145,"threshold_uncertainty_score":0.02682489,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382601395","doi":"10.7551/mitpress/14666.001.0001","title":"Autographic Design","year":2023,"lang":"en","type":"book","venue":"The MIT Press eBooks","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Oxford; McGill University","keywords":"Premise; Computer science; Representation (politics); Law; Political science; Politics; Linguistics","authors":[{"name":"Dietmar Offenhuber","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1381241395325082,"gpt":0.2436029127009581,"spread":0.1054787731684499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008905903,0.001494267,0.0005632339,0.002320143,0.00285144,0.01235425,0.003506658,0.003451498,0.06702738],"category_scores_gemma":[0.01591846,0.001034858,0.00178042,0.001837611,0.008425537,0.01240473,0.007641541,0.0035291,0.0145655],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003193392,"about_ca_system_score_gemma":0.003833929,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001827856,"about_ca_topic_score_gemma":0.002091203,"domain_scores_codex":[0.9918318,0.004001596,0.0005011647,0.001224708,0.00209682,0.000343834],"domain_scores_gemma":[0.9910308,0.002619695,0.0003352105,0.003553228,0.001839502,0.0006215023],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004228697,0.00003489043,0.0002758061,0.0003275038,0.0000206744,0.00008358706,0.002551005,0.001186295,0.0006408546,0.8642237,0.0539246,0.07668872],"study_design_scores_gemma":[0.00001600304,0.00003178168,0.0000794016,0.0002071916,0.00001458918,0.0002854563,0.0005778217,0.001705341,0.0007371549,0.1352797,0.8610436,0.00002187602],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"other","genre_scores_codex":[0.002602084,0.001831844,0.7263399,0.007194472,0.00192067,0.0004530789,0.0006694506,0.00453073,0.2544577],"genre_scores_gemma":[0.09567358,0.003355813,0.6096498,0.005634647,0.0007909225,0.002203547,0.002050901,0.004741735,0.2758991],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06702738,"threshold_uncertainty_score":0.2242289,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2280513794","doi":"","title":"Weaving Cloths: Research Design in Contexts of Transformation","year":2002,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Weaving; Textile; Thread (computing); Clothing; Variety (cybernetics); Architectural engineering; Textile design; Textile industry; Sociology; Visual arts; Engineering; Computer science; Mechanical engineering; History; Art; Archaeology; Artificial intelligence","authors":[{"name":"Heila Lotz‐Sisitka","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09139517432139543,"gpt":0.2688421154711964,"spread":0.177446941149801,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.09842385,0.0009949039,0.001148243,0.004690465,0.01181369,0.01849531,0.003048686,0.002452181,0.006034944],"category_scores_gemma":[0.058812,0.0009898188,0.0009480913,0.006364482,0.02973852,0.01289003,0.01074387,0.003595037,0.0004686357],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01716502,"about_ca_system_score_gemma":0.01976308,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005006278,"about_ca_topic_score_gemma":0.0109676,"domain_scores_codex":[0.8561582,0.136037,0.001443789,0.002457815,0.001605201,0.002297945],"domain_scores_gemma":[0.9291176,0.06108906,0.002088979,0.002646647,0.003029867,0.002027842],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002149013,0.0004497339,0.00759729,0.001276494,0.00006357911,0.0004280434,0.740313,0.0007414434,0.0005291416,0.1915064,0.001897556,0.05498242],"study_design_scores_gemma":[0.0001509564,0.0003764074,0.002976689,0.001127014,0.0000679644,0.0001377631,0.898376,0.001178421,0.0005176133,0.06504411,0.03001765,0.00002940877],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6593986,0.01431551,0.1352533,0.023411,0.0008305693,0.009793743,0.0003864451,0.0002061252,0.1564048],"genre_scores_gemma":[0.9113886,0.002766109,0.07325105,0.0009373447,0.00004075149,0.008068382,0.00006328181,0.00006110714,0.003423295],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9881863,"threshold_uncertainty_score":0.5205213,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400142547","doi":"10.1145/3643834.3660717","title":"Hand Spinning E-textile Yarns: Understanding the Craft Practices of Hand Spinners and Workshop Explorations with E-textile Fibers and Materials","year":2024,"lang":"en","type":"article","venue":"Designing Interactive Systems Conference","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Textile; Craft; Spinning; Yarn; Polymer science; Clothing; Weaving; Pulp and paper industry; Materials science; Composite material; Engineering; Art; Visual arts; History","authors":[{"name":"Lee Jones","is_ca":true},{"name":"Ahmed Awad","is_ca":true},{"name":"Marion Koelle","is_ca":false},{"name":"Sara Nabil","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1436394831899717,"gpt":0.3066849209621691,"spread":0.1630454377721974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004382809,0.0005909258,0.0002644037,0.001346137,0.003160542,0.003964919,0.001038539,0.001276669,0.003552722],"category_scores_gemma":[0.007472241,0.0004143359,0.0003375195,0.0007651286,0.006506254,0.005667465,0.003392836,0.001170005,0.0004316262],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008204034,"about_ca_system_score_gemma":0.0007337445,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00142398,"about_ca_topic_score_gemma":0.003691024,"domain_scores_codex":[0.9975915,0.001548479,0.00007912449,0.0002299313,0.0002695537,0.000281491],"domain_scores_gemma":[0.9940206,0.004526925,0.000446017,0.0004175407,0.0002502788,0.0003385654],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001705766,0.0001459915,0.0125437,0.0003720674,0.00001648816,0.001786344,0.9160784,0.0005270932,0.01148909,0.006123895,0.0006142998,0.05013198],"study_design_scores_gemma":[0.0000129919,0.000192525,0.01231583,0.0004121188,0.00001905791,0.001035244,0.9494685,0.001383014,0.004328675,0.005052452,0.02573329,0.00004632805],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.975446,0.0004375085,0.009629223,0.0005890786,0.00002096749,0.000040533,0.00001579384,0.00003870579,0.01378227],"genre_scores_gemma":[0.9897204,0.0004147926,0.005656276,0.0001042065,0.000007481876,0.00003370451,0.00001908171,0.00004257265,0.004001536],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004382809,"threshold_uncertainty_score":0.02317876,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W622818787","doi":"","title":"PDC 2004 : artful integration : interweaving media, materials, and practices : proceedings of the eighth Participatory Design Conference 2004, July 27-31, 2004, Toronto, Canada","year":2004,"lang":"en","type":"book","venue":"Association for Computing Machinery eBooks","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Citizen journalism; Media studies; Sociology; Library science; Political science; Computer science","authors":[{"name":"Andrew Clement","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04902561301692864,"gpt":0.2510302067813844,"spread":0.2020045937644557,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003403185,0.000823536,0.000656558,0.0008248833,0.00316912,0.007614545,0.001355734,0.001510167,0.03164742],"category_scores_gemma":[0.002431795,0.0007432966,0.0003451877,0.001700414,0.004485286,0.002583095,0.003744869,0.002283985,0.003281945],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006834938,"about_ca_system_score_gemma":0.009740542,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0851239,"about_ca_topic_score_gemma":0.1963368,"domain_scores_codex":[0.9984131,0.0005165986,0.00002862343,0.0001887117,0.000702491,0.0001506017],"domain_scores_gemma":[0.9983935,0.0005927926,0.00002848032,0.0002595269,0.0004891791,0.0002365748],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001615823,0.0001764365,0.0007765085,0.0008565066,0.00002033974,0.0002590237,0.03969435,0.002151625,0.009039303,0.1214091,0.2694252,0.5560299],"study_design_scores_gemma":[0.0000324168,0.00003942418,0.001474964,0.0002735159,0.00001459864,0.0002255971,0.005699445,0.001456079,0.003881389,0.01402389,0.9728497,0.00002887326],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02374061,0.008408813,0.3410277,0.01103726,0.002179954,0.002195735,0.002482344,0.003569066,0.6053584],"genre_scores_gemma":[0.0984979,0.006009601,0.1786498,0.001007995,0.000142264,0.002068308,0.002729677,0.001652817,0.7092416],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0851239,"threshold_uncertainty_score":0.1692569,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3157862891","doi":"10.1177/02690942211013532","title":"Manufacturing space for inclusive innovation? A study of makerspaces in southern Ontario","year":2021,"lang":"en","type":"article","venue":"Local Economy The Journal of the Local Economy Policy Unit","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Waterloo; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Redress; Popularity; Sustainability; Context (archaeology); Inclusion (mineral); Business; Sustainable development; Economic growth; Sociology; Economics; Political science; Social science; Geography","authors":[{"name":"Tara Vinodrai","is_ca":true},{"name":"Brenton Nader","is_ca":true},{"name":"Christian Zavarella","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03333901225566024,"gpt":0.2571354861480881,"spread":0.2237964738924278,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001372452,0.0002818459,0.0004059331,0.001316821,0.02292148,0.005422262,0.001133795,0.0009533486,0.005175827],"category_scores_gemma":[0.003306363,0.0004539317,0.0002302673,0.003079725,0.006891005,0.002054698,0.00319194,0.001185229,0.0002959628],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04850001,"about_ca_system_score_gemma":0.07193121,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9702008,"about_ca_topic_score_gemma":0.9938108,"domain_scores_codex":[0.9983984,0.0002984717,0.00004157674,0.0001831302,0.0003962877,0.0006821473],"domain_scores_gemma":[0.9973447,0.0007182678,0.0003553153,0.0001103484,0.0005227681,0.0009485806],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003906874,0.00008177901,0.04213014,0.00008236721,0.000005859777,0.00078719,0.9420548,0.00005292007,0.0006975351,0.003722203,0.001694222,0.008651897],"study_design_scores_gemma":[0.000002908692,0.00002116206,0.03522953,0.00005764884,0.000004372131,0.00005397777,0.9452288,0.00005287951,0.00008704101,0.0002308801,0.01901913,0.00001158229],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9862563,0.0002294072,0.00006368494,0.001263772,0.00001005057,0.00003392426,0.000079099,0.000003806832,0.0120601],"genre_scores_gemma":[0.992828,0.0004352134,0.0001276574,0.0002750259,0.000003319908,0.00002585085,0.00003964667,0.000006089358,0.006259197],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04850001,"threshold_uncertainty_score":0.3518938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2903455735","doi":"10.1007/978-3-319-95300-7_11","title":"Digital Dilemmas Through Networked Assemblages: Reshaping the Gendered Contours of Our Future","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Sociotechnical system; Materialism; Sociology; Online and offline; Power (physics); Gender studies; Focus (optics); Aesthetics; Epistemology; Political science; Computer science; Knowledge management; Art","authors":[{"name":"Simone Fullagar","is_ca":false},{"name":"Diana C. Parry","is_ca":true},{"name":"Corey W. Johnson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08198074651524068,"gpt":0.251076975748268,"spread":0.1690962292330273,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005317184,0.0007072954,0.0004888736,0.002181548,0.01315783,0.0248621,0.002095499,0.004203807,0.02615563],"category_scores_gemma":[0.009048159,0.0004522831,0.0003888197,0.001855663,0.06421536,0.02888891,0.01382251,0.005169325,0.002110996],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004384154,"about_ca_system_score_gemma":0.00373815,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002202014,"about_ca_topic_score_gemma":0.004606834,"domain_scores_codex":[0.9956453,0.00267689,0.00007233227,0.0004398236,0.0007455725,0.0004201672],"domain_scores_gemma":[0.9953223,0.003009433,0.0002845255,0.0006418455,0.000268242,0.0004736252],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001081238,0.000008139286,0.0001362947,0.00002869836,0.000001483725,0.00007529472,0.05207388,0.00007697276,0.0001037013,0.9369376,0.002986511,0.007560482],"study_design_scores_gemma":[0.00001327,0.00001784568,0.0003521077,0.0003152875,0.000005314052,0.0002537517,0.1093991,0.000450541,0.0002308382,0.6336082,0.255337,0.00001680701],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04210373,0.003598626,0.01477931,0.0180181,0.0005269339,0.00004008329,0.00003541152,0.00007997388,0.9208179],"genre_scores_gemma":[0.9004847,0.002557192,0.00531874,0.001513778,0.0003366208,0.0001310682,0.00003967564,0.0002744648,0.08934363],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02615563,"threshold_uncertainty_score":0.08749926,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W800146391","doi":"","title":"Creating Digital Materiality: Third-Wave Feminism, Public Art, and Yarn Bombing","year":2015,"lang":"en","type":"article","venue":"Material culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Feminism; Scholarship; Sociology; Craft; Materiality (auditing); Realm; Empowerment; Politics; Gender studies; Media studies; Aesthetics; Political science; Visual arts; Law; Art","authors":[{"name":"Alla Myzelev","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0774389246576672,"gpt":0.2300841337824897,"spread":0.1526452091248225,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006685598,0.0004363167,0.0002262447,0.002305445,0.01134165,0.01327299,0.0009213081,0.002124919,0.007241294],"category_scores_gemma":[0.004078068,0.0002571594,0.0003073657,0.001346555,0.04647308,0.009532602,0.01223223,0.002482206,0.0004807844],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005059586,"about_ca_system_score_gemma":0.002135352,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001556847,"about_ca_topic_score_gemma":0.00311606,"domain_scores_codex":[0.995673,0.00318288,0.00005789879,0.0002449618,0.0004747485,0.0003664659],"domain_scores_gemma":[0.9925298,0.005524183,0.0005653675,0.0005974846,0.0002422346,0.0005410025],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003223011,0.00008158603,0.002313225,0.0001566258,0.000006121485,0.0005468259,0.3529722,0.0001364693,0.0005945569,0.6049606,0.00409861,0.03410096],"study_design_scores_gemma":[0.00001822459,0.00007188391,0.002484446,0.0007109744,0.00001058418,0.000783663,0.4553035,0.0004195106,0.00166818,0.08788901,0.4506176,0.0000223827],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3517236,0.005189071,0.01460214,0.04020855,0.0004892806,0.00009993168,0.00006470961,0.0001040516,0.5875186],"genre_scores_gemma":[0.9820031,0.001146993,0.001497004,0.0009349779,0.0001166938,0.00005278652,0.00001486106,0.00004437121,0.0141892],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01327299,"threshold_uncertainty_score":0.03671002,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3103364378","doi":"10.1007/s10606-020-09387-9","title":"A Historical View of Studies of Women’s Work","year":2020,"lang":"en","type":"article","venue":"Computer Supported Cooperative Work (CSCW)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"Technische Universität Wien","keywords":"Work (physics); Perspective (graphical); Context (archaeology); Value (mathematics); Historiography; Sociology; Gender studies; Visibility; Social science; Epistemology; History; Geography; Engineering; Visual arts; Computer science","authors":[{"name":"Ellen Balka","is_ca":true},{"name":"Ina Wagner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09246341607097633,"gpt":0.2600477879617631,"spread":0.1675843718907868,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01254436,0.0005646734,0.0004757688,0.007293039,0.01088475,0.01218468,0.001234214,0.002082837,0.004868202],"category_scores_gemma":[0.01146676,0.0004663103,0.0002219239,0.006612166,0.0462507,0.01195606,0.004733933,0.003881633,0.0003367017],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01203437,"about_ca_system_score_gemma":0.003246698,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008708116,"about_ca_topic_score_gemma":0.007583892,"domain_scores_codex":[0.9908058,0.006825988,0.0003003217,0.000850117,0.0006759636,0.0005417604],"domain_scores_gemma":[0.9826349,0.01363778,0.001070159,0.0007820094,0.001136486,0.0007385701],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005528417,0.00003482202,0.002203244,0.0003693748,0.000009642488,0.0002529114,0.4448708,0.0001195206,0.0003021851,0.5256331,0.003750053,0.02239911],"study_design_scores_gemma":[0.000008706073,0.00009468923,0.003654092,0.002244398,0.000009124843,0.0003293052,0.2867382,0.000118212,0.0005273924,0.04515088,0.6610993,0.00002578946],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2326252,0.2060984,0.01672826,0.1195613,0.00580474,0.0001858034,0.0005193489,0.00009775435,0.4183792],"genre_scores_gemma":[0.9454199,0.0402039,0.001946104,0.002858101,0.001847153,0.000114621,0.00005717147,0.00005411813,0.007498834],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01254436,"threshold_uncertainty_score":0.08731586,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3030282763","doi":"10.1080/13636820.2020.1765844","title":"Introducing participatory action research to vocational fashion education: theories, practices, and implications","year":2020,"lang":"en","type":"article","venue":"Journal of Vocational Education and Training","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Vocational education; Action (physics); Creativity; Citizen journalism; Pedagogy; Sociology; Participatory action research; Work (physics); Engineering ethics; Psychology; Political science; Engineering; Social psychology","authors":[{"name":"Magnum Lam","is_ca":true},{"name":"Eric Ping Hung Li","is_ca":true},{"name":"Wing‐sun Liu","is_ca":false},{"name":"Elita Lam","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4074461341498869,"gpt":0.4575490474493931,"spread":0.05010291329950622,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.1226908,0.0009270364,0.001047697,0.005126544,0.01344377,0.01964409,0.003681294,0.004677507,0.003848616],"category_scores_gemma":[0.06771203,0.0009951299,0.0009505652,0.004413556,0.0684185,0.01370718,0.01462549,0.006834372,0.0004882663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01072744,"about_ca_system_score_gemma":0.01909956,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0032949,"about_ca_topic_score_gemma":0.005344039,"domain_scores_codex":[0.8576731,0.1312354,0.001396402,0.003174813,0.004337291,0.002182941],"domain_scores_gemma":[0.7922707,0.1904546,0.004239932,0.006735998,0.003537547,0.002761186],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004358011,0.000421295,0.003753497,0.0008766205,0.00002841253,0.0004168435,0.3749243,0.0006477846,0.0003077518,0.5518603,0.00150518,0.06521456],"study_design_scores_gemma":[0.0001121085,0.0002221535,0.001349562,0.003264507,0.00002740974,0.0003526642,0.3714143,0.00233823,0.0005781892,0.554817,0.06547144,0.00005253988],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1764219,0.01087454,0.4221373,0.13764,0.001360885,0.003723146,0.0001198792,0.0002241545,0.2474982],"genre_scores_gemma":[0.8817381,0.003977471,0.1017078,0.00445385,0.0001328215,0.003153199,0.00003232104,0.00005586849,0.004748498],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1226908,"threshold_uncertainty_score":0.6488587,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4323055029","doi":"10.7764/disena.22.article.7","title":"Design Processes and Tools as Oppression? Rethinking our Design Practice for more Just Design Outcomes","year":2023,"lang":"en","type":"article","venue":"Revista Diseña","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Oppression; Reflexivity; Sociology; Engineering ethics; Design thinking; Context (archaeology); Epistemology; Computer science; Political science; Engineering; Social science; Politics; Human–computer interaction","authors":[{"name":"Manuhuia Barcham","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2331149054045041,"gpt":0.3682266377908094,"spread":0.1351117323863053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.08622039,0.002153995,0.001279571,0.004310095,0.01366939,0.04117173,0.003928619,0.006446538,0.006322466],"category_scores_gemma":[0.06774254,0.001305405,0.00131347,0.002911818,0.1347547,0.04534946,0.01928395,0.01184688,0.001517709],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0127393,"about_ca_system_score_gemma":0.01486766,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003736181,"about_ca_topic_score_gemma":0.002903917,"domain_scores_codex":[0.850571,0.1252699,0.003857147,0.005293285,0.01139645,0.003612185],"domain_scores_gemma":[0.933292,0.04112759,0.003220213,0.01490617,0.005374185,0.002079838],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002289686,0.00006597229,0.0005573108,0.0002742556,0.0000176526,0.0001458597,0.2126797,0.0004267749,0.0004900038,0.7634202,0.001709842,0.02018955],"study_design_scores_gemma":[0.00005933116,0.0001145087,0.0004443854,0.001838046,0.00004377201,0.0003405434,0.1692733,0.001221204,0.00154745,0.5646484,0.2603935,0.00007545546],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.09710728,0.0109418,0.3756941,0.1662266,0.002607193,0.0005961613,0.00007043699,0.0007950204,0.3459614],"genre_scores_gemma":[0.9012026,0.003311994,0.07186608,0.004418308,0.0002693451,0.0007008869,0.00003909185,0.0006136521,0.01757809],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9863306,"threshold_uncertainty_score":0.4559824,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3093547246","doi":"10.1145/3415170","title":"Understanding the Homepreneurship Opportunities Afforded by Social Networking and Personal Fabrication Technologies","year":2020,"lang":"en","type":"article","venue":"Proceedings of the ACM on Human-Computer Interaction","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Rheumatology Association","funders":"","keywords":"Usability; Plotter; Workflow; Emerging technologies; World Wide Web; Computer science; Business; Internet privacy; Human–computer interaction","authors":[{"name":"Michelle Annett","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3741614487745971,"gpt":0.2987849330879478,"spread":0.07537651568664927,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001309535,0.0003027136,0.0001221273,0.001113623,0.00316278,0.003989577,0.0004147038,0.001204494,0.004224003],"category_scores_gemma":[0.001774712,0.0002314259,0.0001749737,0.0006764547,0.00565133,0.007404928,0.003103493,0.0009921787,0.0002736502],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001117152,"about_ca_system_score_gemma":0.0009644346,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00475164,"about_ca_topic_score_gemma":0.0133776,"domain_scores_codex":[0.9989905,0.000581466,0.00001766891,0.00008471079,0.0001167194,0.0002089508],"domain_scores_gemma":[0.9986997,0.0007271537,0.0002131555,0.00007952127,0.00008971326,0.0001907633],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007376078,0.0001874096,0.03886219,0.0002571989,0.00001571466,0.002599948,0.6477939,0.0003843991,0.002042685,0.1981116,0.003278032,0.1063932],"study_design_scores_gemma":[0.000009658574,0.0001057901,0.03447364,0.0006217879,0.00001811817,0.002082771,0.7471313,0.001342119,0.000595684,0.03593496,0.1776527,0.0000314026],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7940505,0.002042996,0.00598119,0.007233983,0.00005317342,0.00003060409,0.00002960713,0.00002185862,0.1905561],"genre_scores_gemma":[0.9924361,0.001179432,0.001544618,0.0002829617,0.00001440105,0.00002126386,0.000009208837,0.000004940256,0.004507],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00475164,"threshold_uncertainty_score":0.01413071,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2143122198","doi":"10.5539/ach.v3n1p105","title":"Knitting Practice in Korea: A Geography of Everyday Experiences","year":2011,"lang":"en","type":"article","venue":"Asian Culture and History","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Social practice; Consumption (sociology); Socialization; Object (grammar); Sociology; Subject (documents); Production (economics); Aesthetics; Epistemology; Social science; Computer science; History; Economics; Artificial intelligence; Art","authors":[{"name":"Hye Young Shin","is_ca":false},{"name":"Jisoo Ha","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03110308625692158,"gpt":0.2102630920780641,"spread":0.1791600058211426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009195345,0.0004491585,0.0004240193,0.001890951,0.004462211,0.004260668,0.0005009734,0.0007928393,0.002913898],"category_scores_gemma":[0.00123476,0.0004156451,0.0002615412,0.003503089,0.005744914,0.004700571,0.004372758,0.0009232716,0.0002217576],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002434782,"about_ca_system_score_gemma":0.001307717,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01210024,"about_ca_topic_score_gemma":0.02614521,"domain_scores_codex":[0.9991037,0.0004024982,0.00006015407,0.0001081241,0.00007634007,0.0002491715],"domain_scores_gemma":[0.9989169,0.0003456919,0.0003068622,0.00006661344,0.00008559454,0.0002783836],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000393722,0.00003064483,0.02218767,0.0001618459,0.000008957723,0.001217895,0.9665536,0.00003968048,0.001675303,0.002117255,0.0003530637,0.005614736],"study_design_scores_gemma":[9.288335e-7,0.00002279269,0.01637933,0.00003328938,0.000002552623,0.0002457174,0.979564,0.00001724695,0.00007704172,0.0001158361,0.003530343,0.00001085285],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9945135,0.0005041527,0.0001364526,0.0003162257,0.000009148724,0.00001240357,0.00003698773,0.000005364784,0.004465722],"genre_scores_gemma":[0.9987,0.0004583505,0.00007432984,0.00007325497,0.000003380324,0.000008195952,0.00002646892,0.000005417121,0.0006505091],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01210024,"threshold_uncertainty_score":0.02405965,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407942159","doi":"10.1145/3689050.3704957","title":"Interactive Bobbin Lace: Metal Thread History, Interviews with Lacemakers, and Material Explorations with E-textiles","year":2025,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Bobbin; Thread (computing); Computer science; Visual arts; Human–computer interaction; Engineering; Art; Programming language; Mechanical engineering","authors":[{"name":"Lee Jones","is_ca":true},{"name":"M A Stewart","is_ca":true},{"name":"Sydney Alana Shereck","is_ca":true},{"name":"Joelle Lintag","is_ca":true},{"name":"Darren Doherty","is_ca":true},{"name":"Bianca Bucchino","is_ca":true},{"name":"Sara Nabil","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03688785102302249,"gpt":0.2350480213723039,"spread":0.1981601703492814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002233025,0.0006370212,0.0004300964,0.001692859,0.02103265,0.00722011,0.001153218,0.002497912,0.05378561],"category_scores_gemma":[0.006535418,0.0004442766,0.0002233269,0.002487043,0.008257763,0.006046837,0.006490279,0.002313361,0.003810915],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003738891,"about_ca_system_score_gemma":0.001902051,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02559421,"about_ca_topic_score_gemma":0.1242725,"domain_scores_codex":[0.9986115,0.0007423356,0.00002490889,0.000140213,0.0001925599,0.0002884864],"domain_scores_gemma":[0.9967594,0.002071662,0.0001341157,0.0001824899,0.0002466241,0.0006056906],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001035123,0.00006913856,0.001488651,0.0001152469,0.00000285545,0.001059007,0.9352736,0.00004768298,0.001250486,0.01219404,0.03345898,0.01493675],"study_design_scores_gemma":[0.000003892037,0.00001703045,0.001676874,0.0001253003,0.000002352998,0.0002042898,0.6877952,0.0000582274,0.0003427712,0.001062905,0.3086967,0.00001452774],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.496392,0.0024698,0.004742987,0.0153116,0.0007089985,0.0001328364,0.0008237734,0.0004483426,0.4789697],"genre_scores_gemma":[0.7355035,0.0007504567,0.001482212,0.001296234,0.0001019019,0.00007782619,0.000193071,0.0003498291,0.2602449],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05378561,"threshold_uncertainty_score":0.1799308,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407941965","doi":"10.1145/3689050.3704428","title":"E-Serging: Exploring the Use of Overlockers (Sergers) in Creating E-Textile Seams and Interactive Yarns for Garment Making, Embroidery, and Weaving","year":2025,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Weaving; Textile; Computer science; Clothing; Yarn; Engineering drawing; Engineering; Materials science; Mechanical engineering; Composite material","authors":[{"name":"Salma Ibrahim","is_ca":true},{"name":"Sara Nabil","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1212898238169291,"gpt":0.2887300862257475,"spread":0.1674402624088184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001110433,0.0006593997,0.0001782762,0.000664108,0.001187668,0.002288204,0.0009307878,0.001034434,0.004707179],"category_scores_gemma":[0.00189005,0.0003002838,0.0004000022,0.0004737502,0.002689164,0.002882174,0.002290852,0.0007424948,0.0007421432],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003068156,"about_ca_system_score_gemma":0.0003228068,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004358661,"about_ca_topic_score_gemma":0.002400854,"domain_scores_codex":[0.9994804,0.0002643228,0.00001495665,0.00007456897,0.00009716477,0.0000684882],"domain_scores_gemma":[0.9990937,0.000585577,0.00005635739,0.0001532632,0.00004744727,0.00006375504],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0007703785,0.0009580469,0.01858772,0.00325363,0.00006531375,0.004653291,0.1802083,0.005202853,0.2166617,0.06322739,0.009520015,0.4968913],"study_design_scores_gemma":[0.0001707895,0.002961649,0.0512695,0.001965507,0.0002270422,0.01262465,0.2148817,0.02538768,0.1392123,0.03658321,0.5143439,0.0003721164],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8239256,0.0009787519,0.1061586,0.000624819,0.00009754328,0.0002449594,0.0001042418,0.0005512965,0.0673143],"genre_scores_gemma":[0.8506867,0.0008429407,0.1259906,0.0002638819,0.00001501127,0.0001417722,0.00007000721,0.0002268156,0.02176219],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004707179,"threshold_uncertainty_score":0.01574713,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3095420240","doi":"10.1386/crre_00027_1","title":"Translational craft: Handmade and gestural knowledge in analogue–digital material practice","year":2020,"lang":"en","type":"article","venue":"Craft Research","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Craft; Computer science; Workflow; Meaning (existential); Process (computing); Human–computer interaction; Gesture; Multimedia; Visual arts; Artificial intelligence; Psychology; Art","authors":[{"name":"Nithikul Nimkulrat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2058976127986593,"gpt":0.3717928213923304,"spread":0.1658952085936711,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006015324,0.0003414104,0.000278229,0.00224802,0.002527531,0.007011637,0.001196902,0.001650555,0.008143872],"category_scores_gemma":[0.01343389,0.0003390433,0.0003622223,0.001227773,0.03239281,0.005820511,0.006278869,0.001906305,0.0004638061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002620033,"about_ca_system_score_gemma":0.002574239,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00253942,"about_ca_topic_score_gemma":0.002547393,"domain_scores_codex":[0.9942923,0.003654989,0.0001688788,0.0005058331,0.0009902348,0.0003877956],"domain_scores_gemma":[0.9894047,0.007741298,0.0005597396,0.001472502,0.0004566684,0.0003650756],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001181238,0.0002681998,0.006825876,0.0003615243,0.00001662688,0.001758317,0.7124985,0.0009852757,0.004307548,0.1702487,0.0007266731,0.1018848],"study_design_scores_gemma":[0.00008635056,0.0006259084,0.02059715,0.00158357,0.00004377628,0.003927555,0.6879651,0.004061073,0.008582714,0.148853,0.123541,0.0001327942],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7998624,0.0008743255,0.0308153,0.001928667,0.00005194192,0.0001100093,0.00002028768,0.00006631578,0.1662707],"genre_scores_gemma":[0.9917374,0.0001713243,0.004245274,0.000064579,0.000005937793,0.00001716793,0.000006936901,0.000009837787,0.003741542],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008143872,"threshold_uncertainty_score":0.03181249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2916631202","doi":"10.18432/ari29399","title":"Woven Narratives: A Craft Encounter with Tapestry Weaving in a Residential Aged Care Facility","year":2019,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Australian Government","keywords":"Craft; Weaving; Narrative; Studio; Creativity; Visual arts; Ethnography; Reminiscence; Citizen journalism; Toileting; Sociology; The arts; Psychology; Aesthetics; Pedagogy; Art; Engineering; Activities of daily living; Social psychology; Computer science; Anthropology","authors":[{"name":"Ilona Pappne Demecs","is_ca":false},{"name":"Evonne Miller","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04738202555065698,"gpt":0.325189788768079,"spread":0.2778077632174221,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006002966,0.001239822,0.0008725084,0.00169285,0.01794037,0.005988834,0.002285385,0.003367709,0.005641968],"category_scores_gemma":[0.01142083,0.0008354202,0.000867028,0.001345646,0.01501769,0.004902348,0.01097961,0.004721568,0.0007012145],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003481822,"about_ca_system_score_gemma":0.002802135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006852849,"about_ca_topic_score_gemma":0.01796944,"domain_scores_codex":[0.9932115,0.004629706,0.0001874563,0.0004859315,0.0005950193,0.0008904307],"domain_scores_gemma":[0.9938831,0.003824751,0.0003919481,0.0004692288,0.0002648904,0.001166024],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004520513,0.00003782899,0.000586752,0.00008096192,0.000007134029,0.00301967,0.9894221,0.0000869673,0.000560544,0.001660765,0.0009971702,0.003494862],"study_design_scores_gemma":[0.000009252173,0.0001020122,0.0007905841,0.0002089716,0.00001460344,0.002655939,0.9637973,0.0002436776,0.0006224127,0.0008636311,0.03066524,0.0000264316],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9724473,0.0009607874,0.006030149,0.003753336,0.0001964933,0.0001463315,0.0001169213,0.0001044018,0.01624431],"genre_scores_gemma":[0.9891851,0.0005701021,0.00302292,0.0005615793,0.00005430401,0.00005740221,0.00003711057,0.00009411058,0.006417368],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01794037,"threshold_uncertainty_score":0.0317471,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2984530322","doi":"10.3167/ghs.2019.120307","title":"Red Ribbon Skirts and Cultural Resurgence","year":2019,"lang":"en","type":"article","venue":"Girlhood Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Indigenous; Resistance (ecology); Colonialism; Gender studies; Embodied cognition; Sociology; Futures contract; Psychological resilience; Aesthetics; Psychology; Political science; Art; Social psychology; Law","authors":[{"name":"Kari Dawn Wuttunee","is_ca":false},{"name":"Jennifer Altenberg","is_ca":false},{"name":"Sarah Flicker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0726048335168454,"gpt":0.2812358663452374,"spread":0.208631032828392,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002548687,0.0004432225,0.0002892792,0.0007503776,0.01132501,0.003847265,0.0008487869,0.001215213,0.006775612],"category_scores_gemma":[0.002453636,0.0002214031,0.0002588173,0.0005933478,0.019995,0.001901897,0.007114988,0.001571055,0.0005311177],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002079849,"about_ca_system_score_gemma":0.001403285,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00553078,"about_ca_topic_score_gemma":0.01360651,"domain_scores_codex":[0.9976892,0.001485576,0.00003820251,0.0001837094,0.0002245126,0.0003787099],"domain_scores_gemma":[0.9988537,0.000455498,0.0001570031,0.000229543,0.00007445678,0.0002298394],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004917153,0.00003630982,0.003602826,0.0001064167,0.000007716371,0.00269951,0.9342409,0.00008480657,0.001525887,0.04330584,0.001458517,0.01288212],"study_design_scores_gemma":[0.000006604038,0.0001076766,0.004850981,0.0001757487,0.00001141798,0.001876438,0.8821052,0.0001010165,0.001431718,0.005144814,0.1041688,0.00001954651],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8795653,0.000777076,0.001903496,0.002347419,0.0001079149,0.0000353186,0.00002014081,0.00005047864,0.1151929],"genre_scores_gemma":[0.9843856,0.0002038661,0.0006377762,0.0001095163,0.00001277408,0.00001237274,0.000004749291,0.00003368434,0.01459971],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01132501,"threshold_uncertainty_score":0.02266669,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2783005224","doi":"","title":"O MOVIMENTO MAKER: ENFOQUE NOS FABLABS BRASILEIROS","year":2018,"lang":"pt","type":"article","venue":"Revista Livre de Sustentabilidade e Empreendedorismo","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Sofia Lorena Urrutia Pinto","is_ca":false},{"name":"Ingrid Santos Cirio de Azevedo","is_ca":false},{"name":"Clarissa Stefani Teixeira","is_ca":false},{"name":"Gabriel Sant’Ana Palma Santos Brasil","is_ca":false},{"name":"Aldrwin Farias Hamad","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03009388813872094,"gpt":0.2744440866797327,"spread":0.2443501985410118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001846276,0.0004179275,0.000347409,0.004068719,0.00377785,0.003203208,0.0007342803,0.0009146921,0.003980795],"category_scores_gemma":[0.002430477,0.0003468736,0.0002744884,0.005524293,0.002373947,0.001307892,0.001665412,0.0004129225,0.0005300915],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003450515,"about_ca_system_score_gemma":0.003276967,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1675042,"about_ca_topic_score_gemma":0.3288347,"domain_scores_codex":[0.9983063,0.0003095561,0.0000704066,0.0002731973,0.0005980046,0.0004424487],"domain_scores_gemma":[0.998044,0.0004830447,0.0003341146,0.0002038543,0.0005934977,0.0003415705],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005893594,0.0002649387,0.3153549,0.001034896,0.00005790368,0.01139908,0.1969315,0.0005817887,0.0163204,0.0213434,0.009318632,0.4268032],"study_design_scores_gemma":[0.00001560729,0.0003487999,0.5551407,0.0006397351,0.00006773107,0.003909676,0.1544435,0.0004821795,0.003029966,0.002308959,0.279532,0.00008114888],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9377438,0.005699385,0.00139862,0.001669748,0.00003909008,0.0001207725,0.0004683398,0.00007479668,0.05278545],"genre_scores_gemma":[0.9801877,0.003933885,0.002196645,0.000263364,0.00001667917,0.0000263833,0.0002446878,0.00003020156,0.01310045],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1675042,"threshold_uncertainty_score":0.3330584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2915514296","doi":"10.18432/ari29420","title":"Interweaving Contemporary Art and “Traditional” Crafts in Ethnographic Research","year":2019,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"University of Kent","keywords":"Weaving; Craft; Studio; Handicraft; Ethnography; Abandonment (legal); Visual arts; Interpretation (philosophy); Sociology; The arts; Art; Anthropology; Engineering; Political science; Computer science","authors":[{"name":"Katerina Konstantinou","is_ca":false},{"name":"Aris Anagnostopoulos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3360298808519497,"gpt":0.3994708254474338,"spread":0.0634409445954841,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0212984,0.0008270264,0.0007353643,0.00571067,0.009530287,0.009484463,0.001558041,0.002083922,0.004017804],"category_scores_gemma":[0.01825782,0.0006943528,0.0004271397,0.005308201,0.03839958,0.01052365,0.01083246,0.002109787,0.0003500935],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003167132,"about_ca_system_score_gemma":0.002382887,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00437258,"about_ca_topic_score_gemma":0.01322098,"domain_scores_codex":[0.9664942,0.02882679,0.0007038619,0.001485458,0.001426885,0.001062745],"domain_scores_gemma":[0.971218,0.02493553,0.0009450808,0.00187247,0.0005613202,0.0004675599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002099303,0.00003524792,0.002272946,0.0001866045,0.00001063359,0.0004646033,0.9727904,0.00007354612,0.0005758413,0.01529705,0.000377411,0.007894773],"study_design_scores_gemma":[0.000007420769,0.00003310739,0.002738734,0.0005704676,0.00001257279,0.0008974859,0.9602298,0.0001378165,0.0004612299,0.007342321,0.0275505,0.00001849916],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8571169,0.008622762,0.04713693,0.005524288,0.0004313242,0.0007574759,0.0001828102,0.00008293022,0.08014468],"genre_scores_gemma":[0.9833525,0.002150472,0.009245841,0.0008381476,0.0001072938,0.000497424,0.00005470049,0.00006175697,0.003691886],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0212984,"threshold_uncertainty_score":0.112638,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6936382886","doi":"10.57698/v16i3.05","title":"Exploring the Composite Intentionality of 3D Printers and Makers in Digital Fabrication","year":2022,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design; Simon Fraser University; University of Victoria","funders":"","keywords":"Intentionality; Work (physics); Key (lock); Component (thermodynamics); Composite number","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.2083956545497314,"gpt":0.2748622799641419,"spread":0.06646662541441042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006188748,0.0005323793,0.00030566,0.001803595,0.004533478,0.008050008,0.001108871,0.001813724,0.003376017],"category_scores_gemma":[0.0120878,0.0005212496,0.0005909739,0.0009078541,0.02702337,0.008381349,0.008918663,0.001880262,0.0001960445],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002149768,"about_ca_system_score_gemma":0.001512341,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002001172,"about_ca_topic_score_gemma":0.002724379,"domain_scores_codex":[0.9935673,0.003880574,0.0002165246,0.0007267643,0.001083805,0.0005251833],"domain_scores_gemma":[0.9919742,0.005220862,0.001195471,0.000912191,0.0003127882,0.0003845239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001183638,0.00008502429,0.01875052,0.000215129,0.00003771103,0.001205753,0.6773469,0.001295978,0.006167124,0.2655668,0.000282554,0.02892816],"study_design_scores_gemma":[0.00004284131,0.0002526126,0.02570683,0.0004909334,0.000126919,0.002227263,0.6458145,0.005127028,0.008483935,0.2232254,0.08832229,0.0001793773],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.854763,0.0007284605,0.06136493,0.001853978,0.00006915356,0.00004994939,0.00001933612,0.0000702204,0.08108096],"genre_scores_gemma":[0.9938655,0.0001130234,0.004365106,0.00007634451,0.00000505584,0.00001831361,0.000004840081,0.00001763763,0.001534003],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008050008,"threshold_uncertainty_score":0.03272963,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2322770628","doi":"10.7202/1035392ar","title":"A Design History of Design: Complexity, Criticality, and Cultural Competence","year":2016,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Sociology","authors":[{"name":"Wayne A. Williams","is_ca":false},{"name":"Janice Rieger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1347386220177954,"gpt":0.2458018477802114,"spread":0.111063225762416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02030771,0.0010854,0.0007267662,0.005078232,0.007449233,0.01936439,0.001711531,0.003064309,0.01043432],"category_scores_gemma":[0.0273532,0.0009756167,0.0006978691,0.002900599,0.06788655,0.01856824,0.006817081,0.004733852,0.0008563881],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01559554,"about_ca_system_score_gemma":0.008538431,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007232394,"about_ca_topic_score_gemma":0.008590622,"domain_scores_codex":[0.9789184,0.01548977,0.000678662,0.001444913,0.002697142,0.0007710207],"domain_scores_gemma":[0.9609686,0.03026829,0.001236791,0.003969798,0.002382597,0.00117401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003822504,0.00002489271,0.0008342264,0.0002807548,0.00001509256,0.0001082789,0.05553925,0.001153801,0.0003156919,0.9089196,0.002816554,0.0299536],"study_design_scores_gemma":[0.00003274326,0.00009794115,0.001289804,0.001360134,0.00002035848,0.0004238236,0.03763574,0.002017046,0.0008710942,0.6016857,0.3544946,0.000071033],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07238491,0.03552246,0.2313949,0.04913097,0.001096098,0.0003656373,0.0001269013,0.0002628604,0.6097153],"genre_scores_gemma":[0.8933868,0.009719665,0.04986045,0.002457687,0.0003062948,0.00038656,0.00006678559,0.0003854152,0.04343037],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9927676,"threshold_uncertainty_score":0.1131541,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2325075741","doi":"10.1177/1206331212445949","title":"{Im}materiality","year":2012,"lang":"en","type":"article","venue":"Space and Culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Materiality (auditing); Embodied cognition; Sociology; Architecture; Epistemology; Aesthetics; Product (mathematics); Visual arts; Art; Philosophy","authors":[{"name":"Ann Heylighen","is_ca":false},{"name":"Megan Strickfaden","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03024132520248839,"gpt":0.2258038496835121,"spread":0.1955625244810237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00120866,0.0008979668,0.0004350475,0.001956224,0.002845433,0.008956551,0.001123684,0.001955394,0.0406153],"category_scores_gemma":[0.004871333,0.0002918338,0.0006024181,0.001356723,0.005072223,0.006543488,0.003813957,0.002984328,0.01063541],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001511773,"about_ca_system_score_gemma":0.001460567,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001189728,"about_ca_topic_score_gemma":0.00178903,"domain_scores_codex":[0.9982107,0.0007073538,0.0001220615,0.0002324546,0.0005862485,0.0001411881],"domain_scores_gemma":[0.9975859,0.001142217,0.0001182847,0.0004159022,0.0005148029,0.0002228328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006077083,0.00003627204,0.00022036,0.000894451,0.0000151879,0.0001859062,0.008361802,0.0001729066,0.001399307,0.2116295,0.6031523,0.1738711],"study_design_scores_gemma":[0.000001422882,0.000008654409,0.0001254002,0.0001867561,0.000002989144,0.0001035544,0.0006897035,0.00004971945,0.0002780275,0.005739699,0.9928091,0.000005001146],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004562319,0.02212351,0.03055661,0.02619601,0.03735945,0.0001784369,0.0003354827,0.00112535,0.8775629],"genre_scores_gemma":[0.1355147,0.0252629,0.0254055,0.02062263,0.02702701,0.0005466637,0.0008645256,0.003537163,0.7612189],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0406153,"threshold_uncertainty_score":0.1358717,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393323202","doi":"10.1051/e3sconf/202450701065","title":"Innovations and Opportunities in Sustainable Textile Recycling","year":2024,"lang":"en","type":"article","venue":"E3S Web of Conferences","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Horizon College and Seminary","funders":"","keywords":"Textile; Business; Architectural engineering; Environmental planning; Engineering; Environmental science; Geography; Archaeology","authors":[{"name":"Shaik Anjimoon","is_ca":false},{"name":"V Asha","is_ca":true},{"name":"Jaicky Gurnani","is_ca":false},{"name":"Irfan Khan","is_ca":false},{"name":"Surovi Paul","is_ca":false},{"name":"Hassan M. Al‐Jawahry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1035058403601481,"gpt":0.278614921677879,"spread":0.175109081317731,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00350537,0.0004395623,0.0002859244,0.00135008,0.001911948,0.006155156,0.001020653,0.003369548,0.009012338],"category_scores_gemma":[0.002075136,0.000196393,0.0006115026,0.001582736,0.009320926,0.006080135,0.003586672,0.002144119,0.002098463],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003493859,"about_ca_system_score_gemma":0.004197502,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008844563,"about_ca_topic_score_gemma":0.001272191,"domain_scores_codex":[0.9980148,0.0007800924,0.00008041513,0.0002415653,0.0005939964,0.0002890766],"domain_scores_gemma":[0.9984073,0.0007276882,0.0001275388,0.0002145811,0.0003005266,0.0002223675],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001625547,0.00007087894,0.0003718767,0.0003466695,0.000006052218,0.00024024,0.002082894,0.0007704482,0.0008100061,0.9089276,0.004811464,0.08154567],"study_design_scores_gemma":[0.000007871418,0.00009019158,0.0005723609,0.0006485381,0.000005944016,0.0004383687,0.003769129,0.001084437,0.001376212,0.458801,0.5331815,0.00002454547],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04205928,0.08075385,0.03620958,0.08497886,0.002038394,0.0001084994,0.0000452329,0.0001893975,0.7536169],"genre_scores_gemma":[0.7253652,0.102959,0.03022708,0.00844293,0.001603948,0.0001754343,0.00005613157,0.0001168895,0.1310534],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009012338,"threshold_uncertainty_score":0.03014928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4291803091","doi":"10.1145/3537797.3537880","title":"Justice-oriented Participatory Electronic Textile Making","year":2022,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Participatory design; Citizen journalism; Solidarity; Work (physics); Engineering ethics; Sociology; Process (computing); Participatory GIS; Economic Justice; Focus (optics); Textile; Knowledge management; Public relations; Engineering; Political science; Computer science; World Wide Web; Law","authors":[{"name":"Angelika Strohmayer","is_ca":false},{"name":"Laura Cortés-Rico","is_ca":false},{"name":"Tania Pérez-Bustos","is_ca":false},{"name":"Afroditi Psarra","is_ca":false},{"name":"Daniela K. Rosner","is_ca":false},{"name":"Özge Subaşı","is_ca":false},{"name":"Irene Posch","is_ca":false},{"name":"Sara Nabil","is_ca":true},{"name":"Jihan Sherman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09791298741833417,"gpt":0.2942571172677487,"spread":0.1963441298494146,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.04771435,0.0007409461,0.0006145434,0.00163217,0.0110839,0.01141473,0.002932419,0.002825168,0.01160448],"category_scores_gemma":[0.03173433,0.0004639324,0.0008635502,0.001470533,0.02129955,0.008459927,0.01925219,0.002947024,0.001410445],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003602261,"about_ca_system_score_gemma":0.007354848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001184468,"about_ca_topic_score_gemma":0.002627278,"domain_scores_codex":[0.9574746,0.03169269,0.0008938937,0.002929926,0.004694523,0.002314165],"domain_scores_gemma":[0.9692397,0.01746736,0.001198366,0.007089647,0.003303385,0.001701473],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000991132,0.0002410638,0.001279774,0.0003258194,0.00003322147,0.0005432357,0.07802816,0.004333699,0.002560702,0.8464532,0.007137043,0.05896492],"study_design_scores_gemma":[0.00007471392,0.0001231829,0.0009814092,0.0003337106,0.00002381485,0.0002546284,0.04964411,0.005098486,0.003716636,0.7290896,0.2106011,0.000058523],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.09499487,0.0005301246,0.5004284,0.01597903,0.000723063,0.001652521,0.0001443472,0.000436838,0.3851107],"genre_scores_gemma":[0.8401905,0.0002843873,0.104105,0.001162745,0.0001058968,0.001058514,0.00009534214,0.0001963448,0.05280135],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04771435,"threshold_uncertainty_score":0.2523406,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}