{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":578,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":578,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"08c0fbc8ae78","filters":{"topic":"Crafts, Textile, and Design"}},"results":[{"id":"W3136166860","doi":"10.1007/978-3-662-53120-4_300754","title":"World Class Manufacturing","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":500,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Class (philosophy); World class; Computer science; Business; Manufacturing engineering; Engineering; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.04922477808693056,"gpt":0.2097170528089601,"spread":0.1604922747220295,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006341284,0.0003428484,0.0003663456,0.0002356257,0.0001469368,0.0002812143,0.0002004497,0.0001187858,0.1765564],"category_scores_gemma":[0.000001146302,0.0002773446,0.000233291,0.000001854918,0.0001283092,0.0001091354,0.00006359207,0.0003311452,0.01492841],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004737309,"about_ca_system_score_gemma":0.00004298314,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006622999,"about_ca_topic_score_gemma":0.004476745,"domain_scores_codex":[0.9989225,0.000004844399,0.0002687246,0.0003362012,0.0002290504,0.0002387331],"domain_scores_gemma":[0.9992866,0.00008066921,0.0001116656,0.0004141837,0.00004080756,0.00006608779],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007014197,0.000004578226,2.033676e-7,0.00003906511,0.00004408863,0.000009843271,0.000743257,7.579491e-7,4.668953e-7,0.7875451,0.2081498,0.003455742],"study_design_scores_gemma":[0.0001280406,0.00002784188,0.00000160897,0.00008220608,0.0000421571,0.000001540763,0.0001174306,0.000005955184,0.00003808503,0.03101333,0.9681404,0.0004013917],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00001371866,0.0002494711,0.000014914,0.0001335868,0.001578209,0.000233554,0.00004107351,0.0002106202,0.9975249],"genre_scores_gemma":[0.004549293,0.00003912229,0.00002020069,0.0009945877,0.002070168,0.000003191459,0.0000433788,0.00008550672,0.9921945],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7599906,"threshold_uncertainty_score":0.9999679,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4220823346","doi":"10.3390/textiles2010010","title":"A Review on Textile Recycling Practices and Challenges","year":2022,"lang":"en","type":"review","venue":"Textiles","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":358,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"Natural Sciences and Engineering Research Council of Canada; University of Manitoba","keywords":"Reuse; Textile; Waste management; Textile industry; Municipal solid waste; Business; Engineering; Environmental science","retraction":null,"screen_n_in":null,"score":{"opus":0.4959259394832549,"gpt":0.3920548672112622,"spread":0.1038710722719927,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009621499,0.0006932759,0.002071441,0.0002765676,0.0006430278,0.0002915792,0.0004907572,0.0001454636,0.01770814],"category_scores_gemma":[0.0005740205,0.0005293313,0.0004925376,0.00007553096,0.0002238229,0.0002510307,0.0002062792,0.0008019269,0.000764547],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007676075,"about_ca_system_score_gemma":0.0001466329,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005581754,"about_ca_topic_score_gemma":0.000155191,"domain_scores_codex":[0.9969942,0.0005307771,0.000807364,0.0008587725,0.0003879853,0.0004209104],"domain_scores_gemma":[0.9955966,0.002052637,0.001443903,0.0007347122,0.00004158679,0.0001305793],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000527776,0.00008556589,7.1008e-9,0.0750802,0.0001066901,0.0000226103,0.002224884,4.365154e-8,4.724982e-9,0.02033119,0.02476794,0.8773756],"study_design_scores_gemma":[0.00007668847,0.0001814773,1.030916e-7,0.04410533,0.0009076713,0.00004996962,0.001452369,0.000001223749,1.262217e-8,0.0002270103,0.952422,0.0005761948],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[2.858829e-7,0.8355922,1.317572e-7,0.0002585489,0.0005640272,0.0009826655,0.0001114797,0.0001969551,0.1622937],"genre_scores_gemma":[0.000001478426,0.989457,0.00001146972,0.0008237258,0.001263467,0.0005798047,0.0001248004,0.0001290656,0.007609205],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.927654,"threshold_uncertainty_score":0.9997158,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1583077160","doi":"10.3998/dcbooks.9380304.0001.001","title":"Digital Rubbish","year":2011,"lang":"en","type":"book","venue":"University of Michigan Press eBooks","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":206,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"McGill University; Andrew W. Mellon Foundation","keywords":"Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.04060781748965239,"gpt":0.1626741670775938,"spread":0.1220663495879414,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004485318,0.0002740878,0.0004026695,0.000135561,0.0002387508,0.00009285603,0.000544939,0.0001935051,0.001552391],"category_scores_gemma":[0.000003560975,0.0003171665,0.0002744545,0.00000182627,0.0008532613,0.0001446911,0.00018641,0.0002695878,0.0001325104],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002663632,"about_ca_system_score_gemma":0.0001521036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000326563,"about_ca_topic_score_gemma":0.001640331,"domain_scores_codex":[0.9990817,0.00001775878,0.0001727809,0.0003086064,0.0002007951,0.0002183618],"domain_scores_gemma":[0.9990664,0.00004896084,0.0002493015,0.0003929882,0.0001419661,0.0001004164],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001500103,0.00006704503,9.685108e-7,0.0002041142,0.0003122413,0.00009425033,0.1097244,3.366133e-7,0.000007238634,0.6379299,0.2439509,0.007558696],"study_design_scores_gemma":[0.0003523187,0.00008462442,0.000001225471,0.0001401133,0.0001508842,0.00000241047,0.001552407,0.00000214016,0.00003751148,0.004713538,0.9926225,0.000340326],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0002473133,0.0001801184,0.00003099828,0.000002947101,0.0003121897,0.0002187621,0.0005326157,0.0001257587,0.9983493],"genre_scores_gemma":[0.002226105,0.00002279551,0.00002536055,0.00003033295,0.000311186,1.407885e-7,0.00009722971,0.00003832876,0.9972485],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7486717,"threshold_uncertainty_score":0.9999281,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044624458","doi":"10.1177/1469540507073509","title":"Condensing Practices","year":2007,"lang":"en","type":"article","venue":"Journal of Consumer Culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":173,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Performative utterance; Normalization (sociology); Sociotechnical system; Sociology; Ideology; Consumption (sociology); Aesthetics; Social science; Political science; Economics; Politics; Management; Law; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.06558727240594225,"gpt":0.3061622993593637,"spread":0.2405750269534215,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005949085,0.0001026731,0.0001917951,0.0000837739,0.0001868701,0.0002408786,0.0001153736,0.0000551225,0.0009574129],"category_scores_gemma":[0.0002065914,0.00006781629,0.0001218625,0.00002738186,0.000140197,0.0004999791,0.000009796411,0.0003223393,0.00007488358],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002007739,"about_ca_system_score_gemma":0.00005550634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001604942,"about_ca_topic_score_gemma":0.0002646125,"domain_scores_codex":[0.999095,0.00003367357,0.0003720175,0.00007106932,0.0002612979,0.0001669198],"domain_scores_gemma":[0.9982714,0.000137353,0.0008944936,0.00008546467,0.0005158483,0.00009540597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004672235,0.0002744221,0.002021713,0.00006465833,0.0004961338,0.0007399482,0.1143046,0.000002866977,0.008501458,0.06833939,0.7827369,0.0220507],"study_design_scores_gemma":[0.0003916245,0.0000816135,0.0002558809,0.00004649657,0.00009115285,0.0002879528,0.01212578,0.000001963409,0.0005544042,0.0007497623,0.9853107,0.0001026637],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5186468,0.02732491,0.0007637985,0.001566226,0.005314654,0.0002266632,0.00001363329,0.00008064104,0.4460626],"genre_scores_gemma":[0.9866862,0.0001925582,0.000555958,0.0008155879,0.001711382,1.546289e-7,0.00000100071,0.00001204723,0.01002513],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4680393,"threshold_uncertainty_score":0.9999558,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3132851250","doi":"10.1177/2631787721991141","title":"Craft Imaginaries – Past, Present and Future","year":2021,"lang":"en","type":"article","venue":"Organization Theory","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":87,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Craft; The Imaginary; Consumption (sociology); Sociology; Aesthetics; Visual arts; Social science; Art; Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.00785230494473837,"gpt":0.1907098959734095,"spread":0.1828575910286711,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009044749,0.00009192507,0.00009302033,0.00003331218,0.0003102196,0.0003139493,0.0000532334,0.00003008998,0.014362],"category_scores_gemma":[0.00002411407,0.00008110358,0.00001622253,0.0000658857,0.0001592056,0.0002012449,0.00004476304,0.00005602943,0.0001207793],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009639558,"about_ca_system_score_gemma":0.00003770897,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003828146,"about_ca_topic_score_gemma":0.000009687593,"domain_scores_codex":[0.9994532,0.00007999498,0.0001037516,0.0001608086,0.00009363013,0.0001085471],"domain_scores_gemma":[0.9994407,0.00005826699,0.00003444412,0.0001530409,0.0002710279,0.00004252308],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007389247,0.00004604155,0.0003832213,0.00002225095,0.0000196239,0.00001318208,0.02332639,9.314866e-7,0.0003322063,0.9002095,0.07048205,0.005157149],"study_design_scores_gemma":[0.0001735196,0.00001338588,0.0009056499,0.000005976105,0.0000243438,0.00001471684,0.01198823,0.00000611638,0.001760318,0.03783659,0.9471423,0.000128827],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1191418,0.02078156,0.02366004,0.1289553,0.009093963,0.001108662,0.0002489223,0.00208884,0.6949208],"genre_scores_gemma":[0.8444102,0.0003171144,0.0002027983,0.0020255,0.01250007,0.000006582294,0.0001758008,0.00007944304,0.1402824],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8766603,"threshold_uncertainty_score":0.986539,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2128480430","doi":"10.3138/cras.2014.s06","title":"Joy in Labour: The Politicization of Craft from the Arts and Crafts Movement to Etsy","year":2014,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":67,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Craft; Handicraft; Politics; The arts; Movement (music); Art; Aesthetics; Individualism; Consumption (sociology); Sociology; Visual arts; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.03286555173139272,"gpt":0.2756825181503144,"spread":0.2428169664189217,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003319467,0.0001113762,0.0004021938,0.00005861326,0.0001450471,0.00002098798,0.0001395662,0.000007232607,0.0001345684],"category_scores_gemma":[0.0003011809,0.00006337883,0.00004378145,0.00009998326,0.0006113281,0.00003182859,0.00003329469,0.00005120074,0.000006877116],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004607575,"about_ca_system_score_gemma":0.00006805323,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1951211,"about_ca_topic_score_gemma":0.4833043,"domain_scores_codex":[0.9991323,0.000111736,0.0003119013,0.0001333605,0.0001229163,0.0001878159],"domain_scores_gemma":[0.9990554,0.0003179446,0.0001450715,0.0002435902,0.0001557001,0.0000822967],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001618286,0.00006396258,0.01319348,0.002394675,0.0004334834,0.000005938348,0.1252024,0.00001442073,0.00003363713,0.4583575,0.2427491,0.1575352],"study_design_scores_gemma":[0.0001013214,0.0001100185,0.03656786,0.001836559,0.0000661294,2.673088e-7,0.02274964,0.000006724355,0.0000130757,0.001787569,0.9366293,0.0001315661],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5054242,0.3264409,0.00005250685,0.1290456,0.0006222348,0.002434512,0.0007290476,0.0000324204,0.03521861],"genre_scores_gemma":[0.9390122,0.02240802,0.00003973649,0.03767727,0.0001876998,0.00004930768,0.00000504679,0.00001169057,0.00060902],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6938802,"threshold_uncertainty_score":0.8102387,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2139378737","doi":"10.1177/1468794108093898","title":"Dynamics of the `field': multiple standpoints, narrative and shifting positionality in multisited research","year":2008,"lang":"en","type":"article","venue":"Qualitative Research","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":46,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Reflexivity; Sociology; Gender studies; Narrative; Subjectivity; CONTEST; Power (physics); Social science; Political science; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.3627527784733803,"gpt":0.511294056283965,"spread":0.1485412778105846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.008319243,0.0001192913,0.0002416454,0.0003823596,0.001347188,0.00007864958,0.0002748336,0.00007282809,0.0004430159],"category_scores_gemma":[0.003862513,0.00008767423,0.0000607586,0.0004186054,0.002685127,0.0002178795,0.0002102147,0.0009204011,0.00001474206],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001990593,"about_ca_system_score_gemma":0.0001845745,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006555199,"about_ca_topic_score_gemma":0.01266771,"domain_scores_codex":[0.9922917,0.005290669,0.0004049988,0.0003303389,0.001194549,0.000487691],"domain_scores_gemma":[0.9846032,0.01362608,0.0000716567,0.0002719856,0.001348601,0.0000784834],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002426457,0.0001627194,0.002545255,0.00006433481,0.00002253794,0.00001030752,0.7161304,0.000003561361,0.0002508753,0.2780932,0.002166153,0.0003080391],"study_design_scores_gemma":[0.001350359,0.0004789405,0.01627322,0.0002439513,0.00000270905,0.000003527376,0.8980019,0.003549149,0.0008348824,0.07730217,0.001743238,0.000215924],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9834189,0.0002419158,0.00009861582,0.00392127,0.00005036866,0.000632151,0.0001354328,0.00001476683,0.01148655],"genre_scores_gemma":[0.9966524,0.0000475508,0.0002395898,0.00005481368,0.00007858032,0.00005401985,0.00001818599,0.00001551453,0.002839327],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.200791,"threshold_uncertainty_score":0.9999529,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4296764273","doi":"10.1177/00405175221123067","title":"The role of resources in repair practice: Engagement with self, paid and unpaid clothing repair by young consumers","year":2022,"lang":"en","type":"article","venue":"Textile Research Journal","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University; University of Alberta","funders":"","keywords":"Clothing; Sustainability; Business; Consumption (sociology); Marketing; Sociology; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.03663583414554052,"gpt":0.3059363847728337,"spread":0.2693005506272932,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.01191079,0.0001541433,0.000225725,0.0003093567,0.003648061,0.000495651,0.0003485351,0.00002966423,0.001159677],"category_scores_gemma":[0.0005566179,0.0001063926,0.00009624589,0.0001865594,0.0006469977,0.0004263136,0.0002800441,0.001884962,0.000006773494],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002229307,"about_ca_system_score_gemma":0.0002699202,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00121408,"about_ca_topic_score_gemma":0.0005899802,"domain_scores_codex":[0.9945576,0.002546871,0.0004969892,0.0002860949,0.001490129,0.0006223373],"domain_scores_gemma":[0.9968088,0.002119568,0.0002461,0.0003146027,0.000351021,0.000159909],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.003835799,0.001684327,0.01933059,0.0001902343,0.001130621,0.0008146569,0.619164,0.0001766731,0.0009490578,0.05991781,0.255477,0.0373292],"study_design_scores_gemma":[0.0005497892,0.0006320213,0.0002304361,0.0000393835,0.00002161397,0.0001667648,0.2708691,0.0007503563,0.0000234187,0.000678818,0.7259268,0.0001115876],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8273151,0.02994038,0.000007534652,0.002402939,0.000276505,0.00113086,0.0000520869,0.0002753327,0.1385993],"genre_scores_gemma":[0.9934945,0.001821704,0.00018096,0.00009502505,0.0001886024,0.00007974285,0.000002770401,0.00003709942,0.004099663],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4704497,"threshold_uncertainty_score":0.9997534,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4241190001","doi":"10.3138/cras.40.2.259","title":"“Join the Knitting Revolution”: Third-Wave Feminist Magazines and the Politics of Domesticity","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Complicity; Nexus (standard); Politics; Feminism; Craft; Privilege (computing); Conversation; Sociology; Third wave; Gender studies; Media studies; Aesthetics; Political science; Law; Visual arts; Art; Engineering; Political economy","retraction":null,"screen_n_in":null,"score":{"opus":0.03803107668483687,"gpt":0.2721493901827396,"spread":0.2341183134979027,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006747218,0.0001478458,0.0006023042,0.00005495197,0.0005907025,0.00002765833,0.0001602047,0.00001286338,0.0001144743],"category_scores_gemma":[0.00120856,0.00007683958,0.0001143348,0.00009687647,0.006627601,0.00003350332,0.00004777365,0.0001722858,0.000007335201],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002473107,"about_ca_system_score_gemma":0.0001864727,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03282705,"about_ca_topic_score_gemma":0.1083217,"domain_scores_codex":[0.9989519,0.0001164452,0.0004212308,0.0001359322,0.0001358883,0.0002386458],"domain_scores_gemma":[0.9981239,0.0007853318,0.0003469225,0.00031595,0.000333426,0.0000944636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001061649,0.00002012381,0.0007902916,0.003440016,0.0003180078,0.000007874229,0.0329539,1.569146e-7,0.0000104278,0.8205173,0.1217758,0.02015551],"study_design_scores_gemma":[0.0002012618,0.00007039607,0.001853972,0.001301,0.000287036,0.00002242035,0.0298063,0.00001050174,0.000005170761,0.00215466,0.9641179,0.0001693682],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1008703,0.5944014,0.000008875764,0.03557057,0.001217265,0.002050539,0.0006005877,0.00005988679,0.2652206],"genre_scores_gemma":[0.9376358,0.05131957,0.0001745356,0.006785121,0.0005424116,0.00004611942,0.000003207016,0.00001884547,0.003474406],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8423421,"threshold_uncertainty_score":0.9960758,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1570189102","doi":"","title":"Feminism, Activism, and Knitting: Are the Fibre Arts a Viable Mode for Feminist Political Action?","year":2008,"lang":"en","type":"article","venue":"Thirdspace","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Feminism; Politics; The arts; Sociology; Hobby; Mode (computer interface); Visual arts; Gender studies; Political science; Art; Computer science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1033479749542426,"gpt":0.3016576325066476,"spread":0.198309657552405,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001575074,0.0002034807,0.0002415918,0.00004955888,0.001327983,0.0002074743,0.0001369486,0.00007460391,0.000218302],"category_scores_gemma":[0.00006304954,0.0001464069,0.00009745107,0.00003153369,0.000515267,0.0001740969,0.00004764891,0.000194878,0.00006078742],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003670301,"about_ca_system_score_gemma":0.00007158158,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001994073,"about_ca_topic_score_gemma":0.0002063931,"domain_scores_codex":[0.9988465,0.00003729808,0.0001737689,0.0002827154,0.0001885631,0.0004711483],"domain_scores_gemma":[0.9988836,0.0005011322,0.00009937098,0.0002907636,0.0000845078,0.0001406312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002000147,0.0001773378,0.0002905622,0.0001183924,0.00007341346,0.00001899398,0.0618725,0.00001040438,0.0002605811,0.7921562,0.1440665,0.0007551752],"study_design_scores_gemma":[0.000632657,0.0001960668,0.000264141,0.00004927389,0.00005895541,0.00009885657,0.05236273,0.0009953142,0.001083159,0.008779136,0.9351412,0.0003384797],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4454434,0.0004653425,0.001410342,0.01608496,0.001008439,0.001416233,0.0002903012,0.0006327034,0.5332483],"genre_scores_gemma":[0.952873,0.00001685028,0.0001394288,0.001191054,0.001027899,0.0000756458,0.000007169824,0.00003725292,0.04463173],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7910748,"threshold_uncertainty_score":0.9999722,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2304111597","doi":"","title":"Independent Game Development as Craft","year":2012,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Craft; Mainstream; Indie film; Sociology; Game design; Public relations; Aesthetics; Media studies; Political science; Visual arts; Art; Multimedia; Computer science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.1313977167787653,"gpt":0.294447877793836,"spread":0.1630501610150707,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001142429,0.0003154802,0.0003751109,0.0008103224,0.003165281,0.0006515051,0.001895484,0.0002058305,0.0001847238],"category_scores_gemma":[0.00003809306,0.0003587771,0.0001596741,0.0003849487,0.0008835353,0.002568566,0.000959167,0.0008006734,0.001209777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001213024,"about_ca_system_score_gemma":0.0009189582,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003691833,"about_ca_topic_score_gemma":0.001516703,"domain_scores_codex":[0.9961973,0.0007460634,0.0002342866,0.0006214188,0.001055087,0.001145882],"domain_scores_gemma":[0.9976078,0.0001909433,0.0001392891,0.0006384918,0.0006678404,0.0007556402],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004341344,0.0004155924,0.002258087,0.00003016641,0.0001580945,0.0005980753,0.0197287,0.000004383929,0.0003304865,0.9686096,0.006506827,0.0009258275],"study_design_scores_gemma":[0.001226546,0.0001760723,0.002904129,0.00005834117,0.00004978956,0.00002594565,0.02822469,0.00001360105,0.0009968721,0.00009895005,0.9657576,0.0004674571],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2103992,0.00008718829,0.00006685979,0.0002325323,0.0004614445,0.000591042,0.00001174874,0.0001122545,0.7880377],"genre_scores_gemma":[0.5192099,0.00003168316,0.00008242293,0.00003828054,0.0002273553,5.715479e-7,0.00001325455,0.00001939874,0.4803772],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9685107,"threshold_uncertainty_score":0.9998864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3004281808","doi":"10.1016/j.apergo.2020.103058","title":"The role of clothing on participation of persons with a physical disability: A scoping review","year":2020,"lang":"en","type":"review","venue":"Applied Ergonomics","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Montreal Biodome; University of British Columbia; McGill University; Concordia University; Centre intégré de santé et de services sociaux de la Montérégie-Centre; Kéroul; Centre intégré de santé et de services sociaux de Chaudière-Appalaches; Centre Intégré de Santé et de Services Sociaux des Laurentides; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Santé Montérégie; Université de Montréal; Shriners Hospitals for Children - Canada; Centre for Interdisciplinary Research in Rehabilitation","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research; Réseau Provincial de Recherche en Adaptation-Réadaptation; Fonds de Recherche en Santé Respiratoire; Centre for Interdisciplinary Research in Rehabilitation","keywords":"Clothing; Grey literature; Variety (cybernetics); International Classification of Functioning, Disability and Health; Stakeholder; Health care; Psychology; Applied psychology; Public relations; Medicine; Medical education; MEDLINE; Political science; Computer science; Physical therapy; Rehabilitation","retraction":null,"screen_n_in":null,"score":{"opus":0.06181149609869572,"gpt":0.3076459766741766,"spread":0.2458344805754809,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002053771,0.0002469023,0.001324745,0.00001800578,0.0001539649,0.00004885184,0.0002099318,0.0000448653,0.00002832517],"category_scores_gemma":[0.00002911997,0.0001487672,0.0002908627,0.00004735799,0.0003606621,0.00003662653,0.0000414199,0.0002081505,0.00002296925],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005545803,"about_ca_system_score_gemma":0.0001631085,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000278646,"about_ca_topic_score_gemma":0.0001178341,"domain_scores_codex":[0.9988201,0.00006030265,0.0005612653,0.0002608694,0.0001333025,0.0001641853],"domain_scores_gemma":[0.9983854,0.0005877562,0.000585111,0.0003683254,0.00002583827,0.00004751874],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004351167,0.00007994418,1.720007e-7,0.02858418,0.0001016692,1.288405e-7,0.003541099,0.000002703269,3.151279e-7,0.1704641,0.00007033382,0.7971119],"study_design_scores_gemma":[0.00009177748,0.0001328155,3.652484e-7,0.06396182,0.0008741067,3.514998e-7,0.0007563314,0.00004418581,0.000005185881,0.0003168274,0.9335963,0.0002199043],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001265225,0.9900705,0.000006996181,0.00002538389,0.00004429631,0.001476756,0.00004608425,0.00002654621,0.008176965],"genre_scores_gemma":[0.003725371,0.9954432,0.00002374685,0.00005805551,0.0003160949,0.0003310772,0.0000259227,0.00004208108,0.00003450089],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.933526,"threshold_uncertainty_score":0.606655,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2889002437","doi":"","title":"The Organization of Craft Work: Identities, Meanings, and Materiality","year":2018,"lang":"en","type":"book","venue":"Open Research Online (The Open University)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Materiality (auditing); Work (physics); Consumption (sociology); Sociology; Public relations; Political science; Social science; Engineering; Visual arts; Aesthetics; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1571751562829445,"gpt":0.3287720527218443,"spread":0.1715968964388999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002504546,0.0002236432,0.0003980055,0.0002222543,0.002816111,0.003872975,0.004430367,0.0001379134,0.006639235],"category_scores_gemma":[0.0001644784,0.0001526158,0.00005163064,0.0002412292,0.002286576,0.0007614204,0.005515708,0.000467303,0.0001425871],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000207886,"about_ca_system_score_gemma":0.001035453,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00343679,"about_ca_topic_score_gemma":0.00889583,"domain_scores_codex":[0.9976543,0.0006434215,0.0002988624,0.0004449525,0.0005784661,0.0003799604],"domain_scores_gemma":[0.9968689,0.000509001,0.0002755854,0.0008137001,0.001431095,0.0001016954],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002107823,0.00006448682,0.00002122063,0.0000503239,0.0001346344,0.00002056389,0.004684446,1.740635e-7,0.000007473169,0.4553513,0.5383137,0.001140825],"study_design_scores_gemma":[0.0004247297,0.0001148598,0.0000577211,0.0002056117,0.00005777397,0.000001795446,0.006738034,0.000002956685,0.00001976054,0.008386143,0.9838006,0.0001899887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001314102,0.00009056934,0.000007558755,0.001335165,0.000340044,0.00190968,0.000323847,0.00001988387,0.9946591],"genre_scores_gemma":[0.00134595,0.0008802995,0.0000482653,0.00004888377,0.0005324283,0.000002119265,0.0003204991,0.00004874762,0.9967728],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4469652,"threshold_uncertainty_score":0.9984821,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2956840582","doi":"10.1177/1077800419863456","title":"Artisanal Ethnography: Notes on the Making of Ethnographic Craft","year":2019,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Royal Roads University","funders":"","keywords":"Ethnography; Craft; Sociology; The arts; Aesthetics; Knowledge production; Anthropology; Visual arts; Art; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.2507796005955416,"gpt":0.3929846119887879,"spread":0.1422050113932463,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001165773,0.0002186024,0.0003112082,0.0002740664,0.0002524421,0.00008988159,0.0002595935,0.00006486254,0.003540684],"category_scores_gemma":[0.0001778439,0.000139979,0.0002800808,0.0001627861,0.001351582,0.0001741731,0.00003713243,0.0002866046,0.0003743756],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001147279,"about_ca_system_score_gemma":0.000024971,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001066266,"about_ca_topic_score_gemma":0.000216733,"domain_scores_codex":[0.9980373,0.0005971222,0.0004089011,0.0002727535,0.0003962546,0.0002877122],"domain_scores_gemma":[0.9968284,0.00233879,0.0002359779,0.0003935381,0.0001762453,0.00002701294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006715999,0.00007444726,0.0003101137,0.00004410793,0.00009303402,0.000001324421,0.6019242,0.00001012349,0.0003161004,0.3887745,0.007631754,0.000753162],"study_design_scores_gemma":[0.0006041133,0.0009865079,0.001418353,0.0003927259,0.00005240702,9.601732e-7,0.8412327,0.0001121461,0.0008482527,0.06992146,0.08388255,0.0005478209],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.963127,0.0003845028,0.0003518945,0.002240487,0.0009702531,0.000394305,0.00005259605,0.00008968369,0.03238934],"genre_scores_gemma":[0.9966365,0.000006882103,0.00009154837,0.001922167,0.0003337801,0.00002824686,0.000007628365,0.00002541548,0.000947873],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.318853,"threshold_uncertainty_score":0.9973702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2921361705","doi":"10.1177/0008417419831401","title":"“I just love it”: Avid knitters describe health and well-being through occupation","year":2019,"lang":"en","type":"article","venue":"Canadian Journal of Occupational Therapy","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"University of British Columbia","keywords":"Craft; Hobby; Guild; Identity (music); Psychology; Phenomenology (philosophy); Interdependence; Social psychology; Mental health; Personality; Aesthetics; Sociology; Visual arts; Social science; Psychotherapist; Art; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.1407677330453807,"gpt":0.3295336366074925,"spread":0.1887659035621118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003183955,0.0001568639,0.0002407791,0.0002382859,0.0002693155,0.0002588365,0.0001419669,0.00004538643,0.005639068],"category_scores_gemma":[0.00002161156,0.0001378283,0.00009915424,0.00005354442,0.0001380263,0.0006015718,0.000003900015,0.0001828987,0.0001967159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001730698,"about_ca_system_score_gemma":0.001361412,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003760189,"about_ca_topic_score_gemma":0.009407061,"domain_scores_codex":[0.9988179,0.00008303177,0.0004298389,0.0001446145,0.0002424743,0.0002822057],"domain_scores_gemma":[0.9988167,0.0001094057,0.0003094908,0.0001184433,0.0002734177,0.0003725352],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001123304,0.0001052992,0.08223188,0.0001053069,0.0003405335,0.00006101172,0.4171322,0.0002218675,0.00008921132,0.1865678,0.2909901,0.0210315],"study_design_scores_gemma":[0.001543797,0.0006779156,0.01409682,0.0001591782,0.00001223592,0.00006686444,0.01332631,0.00007957031,0.00003582312,0.004734206,0.9649658,0.0003014551],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9517994,0.00279582,0.0006446263,0.006467724,0.002016673,0.0004123952,0.00006682146,0.00001370217,0.03578284],"genre_scores_gemma":[0.9855766,0.0002592878,0.0002759511,0.01025348,0.0007952925,0.000001255726,0.00002938273,0.00002317795,0.002785583],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6739758,"threshold_uncertainty_score":0.9952699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2935342198","doi":"10.1080/09540253.2019.1594708","title":"Quiltmaking among African-American women as a pedagogy of care, empowerment, and sisterhood","year":2019,"lang":"en","type":"article","venue":"Gender and Education","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Gender studies; Sociology; Oppression; Solidarity; Patriarchy; Racism; Empowerment; Politics; Feminism; Resistance (ecology); Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.01854127780627401,"gpt":0.2789663081846509,"spread":0.2604250303783769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006309001,0.00008705403,0.0001422588,0.00008553472,0.00008769088,0.00007810339,0.00004187398,0.00001709176,0.0005976825],"category_scores_gemma":[0.000005881053,0.00008010933,0.0000217432,0.00002539115,0.0001352795,0.0001200289,0.00002126073,0.00004113386,0.00001533254],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003015774,"about_ca_system_score_gemma":0.0001003853,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007112559,"about_ca_topic_score_gemma":0.0001247954,"domain_scores_codex":[0.9994469,0.00002285837,0.0001290795,0.0001706062,0.00008084609,0.0001496928],"domain_scores_gemma":[0.9996422,0.00002514853,0.00008805319,0.0001272979,0.00005680759,0.00006049138],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004043839,0.0001028499,0.02886426,0.000201882,0.00003933254,2.443089e-7,0.9112159,6.001318e-7,0.0001782056,0.01622979,0.001091853,0.04203464],"study_design_scores_gemma":[0.0002420116,0.000321789,0.1053021,0.00002262843,0.0000277496,0.000003886814,0.8276371,0.000008836955,0.00004123619,0.002180683,0.06402957,0.0001824632],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8443801,0.000562942,0.000003778809,0.0000335697,0.0002877322,0.0001315394,0.000004073556,0.00001341446,0.1545829],"genre_scores_gemma":[0.9951192,0.00004611351,0.0000204227,0.0001483781,0.0001676814,0.00002414127,0.00001028186,0.00001010145,0.00445374],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1507391,"threshold_uncertainty_score":0.6544204,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992745245","doi":"10.2307/4127376","title":"Traditional Industry in the New Market Economy: The Cotton Handlooms of Andhra Pradesh.","year":2002,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Business; Agricultural economics; Market economy; Economy; Commerce; Economics","retraction":null,"screen_n_in":null,"score":{"opus":0.05786885957386705,"gpt":0.2032751372662257,"spread":0.1454062776923587,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003353285,0.000138537,0.0001656051,0.00006752701,0.0002025734,0.0001574035,0.0002559816,0.0001200392,0.01849164],"category_scores_gemma":[0.00002045807,0.0000819286,0.00008975116,0.00005938769,0.0003658343,0.0001757053,0.00001239255,0.0004504925,0.00007730615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002340246,"about_ca_system_score_gemma":0.0000368399,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006660962,"about_ca_topic_score_gemma":0.0002428209,"domain_scores_codex":[0.9991139,0.000106506,0.0002615412,0.0001681092,0.0001422767,0.0002076724],"domain_scores_gemma":[0.9992262,0.0003363747,0.0001000308,0.0002674662,0.00002270799,0.00004720783],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002142977,0.0001615321,0.000129388,0.00001725869,0.00002751554,0.000004993017,0.09341876,0.000007518529,0.000004815452,0.1950889,0.7086307,0.002487132],"study_design_scores_gemma":[0.0005781989,0.0001066949,0.0004408625,0.00003413905,0.00002556717,0.00001119304,0.4046138,0.0006364795,0.00002255958,0.01346445,0.5798861,0.000179966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004104084,0.0005613208,0.0000181836,0.00262188,0.0002501449,0.0002503346,0.00005507012,0.00002575939,0.9921132],"genre_scores_gemma":[0.9778726,0.00004395556,0.00001072723,0.0001104002,0.0006442112,0.00002484991,0.00001070268,0.00001205169,0.02127057],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9737685,"threshold_uncertainty_score":0.9824056,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029364548","doi":"10.1177/0266355407082760","title":"Introduction: Domesticity, Design and the Shaping of the Social","year":2007,"lang":"en","type":"article","venue":"German History","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Sociology; Political science; Architectural engineering; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.05477879867899141,"gpt":0.2463468955969298,"spread":0.1915680969179384,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007540187,0.00007218673,0.0001267932,0.00003716605,0.0004559358,0.00001977309,0.0001262323,0.00002552741,0.0009664897],"category_scores_gemma":[0.00002664184,0.00004308233,0.00006255937,0.00001660245,0.001210775,0.00006144882,0.00003490734,0.0001122803,0.00001629571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008929855,"about_ca_system_score_gemma":0.00003535839,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005520612,"about_ca_topic_score_gemma":0.00006793264,"domain_scores_codex":[0.9993864,0.00008545048,0.0001620031,0.0001037161,0.0001348275,0.0001276494],"domain_scores_gemma":[0.9995533,0.0001439328,0.00009306388,0.0001415617,0.0000508391,0.00001728882],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001080275,0.00002163681,0.000005942001,0.0000236523,0.00001945649,0.00000136416,0.1206668,0.000002929768,0.0001874088,0.4883104,0.3882168,0.002435571],"study_design_scores_gemma":[0.0004262649,0.00001452799,0.0006581962,0.000005436203,0.00003725923,0.000005709095,0.001067468,0.00004039631,0.00005039453,0.002783401,0.994836,0.00007493288],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3199826,0.02721048,0.01999652,0.02487665,0.0240953,0.002849661,0.00002137189,0.0005346321,0.5804328],"genre_scores_gemma":[0.9777887,0.00001384196,0.0000548341,0.0007454802,0.00458927,0.000005776923,6.765741e-7,0.00001189459,0.01678951],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6578061,"threshold_uncertainty_score":0.9999468,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4281960794","doi":"10.1145/3532106.3533488","title":"Learning with Stitch Samplers: Exploring Stitch Samplers as Contextual Instructions for E-textile Tutorials","year":2022,"lang":"en","type":"article","venue":"Designing Interactive Systems Conference","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"Natural Sciences and Engineering Research Council of Canada; Mitacs","keywords":"Craft; Image stitching; Textile; Computer science; Clothing; Human–computer interaction; Artifact (error); Leverage (statistics); Wearable computer; Artificial intelligence; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.1605793504689806,"gpt":0.2798466789402057,"spread":0.1192673284712251,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007248864,0.0004414405,0.000662316,0.0003394334,0.002246083,0.00105879,0.0004121196,0.00005520178,0.002656772],"category_scores_gemma":[0.0004857752,0.0004217889,0.0001583023,0.0001302911,0.000248521,0.001144904,0.0001257101,0.0006848889,0.00007449929],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003777223,"about_ca_system_score_gemma":0.000381187,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00379448,"about_ca_topic_score_gemma":0.0003798118,"domain_scores_codex":[0.9968895,0.0005444003,0.0006467841,0.0007340538,0.0005734378,0.0006118611],"domain_scores_gemma":[0.9962593,0.00192098,0.0005469425,0.0003322718,0.0007802772,0.0001602589],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002584144,0.0003292223,0.0005001715,0.0003177954,0.001133896,0.00006258336,0.3628524,0.01370015,0.009797653,0.5868014,0.01092235,0.01099828],"study_design_scores_gemma":[0.001737321,0.002220175,0.00003624872,0.0003934807,0.0001328146,0.0000915868,0.423575,0.003601262,0.0006699733,0.0006708648,0.5660008,0.0008704002],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5584828,0.0004124582,0.3141481,0.0002789479,0.03707676,0.007675938,0.001371242,0.001834673,0.07871905],"genre_scores_gemma":[0.985724,0.000007224842,0.0005275409,0.00005849845,0.001287046,0.002925169,0.0001187325,0.00008696504,0.009264774],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5861306,"threshold_uncertainty_score":0.9999782,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2038054969","doi":"10.1080/14927713.2008.9651417","title":"Knit one, stitch two, protest three! Examining the historical and contemporary politics of crafting","year":2008,"lang":"en","type":"article","venue":"Leisure/Loisir","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Quilt; Craft; Politics; Resistance (ecology); Sociology; Action (physics); Order (exchange); Aesthetics; Everyday life; Expression (computer science); Mutual aid; Political action; Political science; Visual arts; Law; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.1470715096654071,"gpt":0.24301136350338,"spread":0.09593985383797296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003310545,0.000208899,0.000378362,0.00008163854,0.0007001775,0.00008032672,0.0002008282,0.00006507149,0.0005157758],"category_scores_gemma":[0.0001059378,0.0001551694,0.00007250935,0.00005511764,0.0004700467,0.0002024934,0.00007307185,0.0002725402,0.0000498884],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007674569,"about_ca_system_score_gemma":0.0001317148,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002102296,"about_ca_topic_score_gemma":0.0003628159,"domain_scores_codex":[0.9985729,0.00008026755,0.0004414005,0.0002681839,0.0003258354,0.0003114214],"domain_scores_gemma":[0.9988026,0.0004312339,0.0001900931,0.0003162001,0.0001649162,0.00009494599],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000254895,0.001356293,0.254303,0.0007356241,0.0004532619,0.0002607021,0.1112547,0.0000326801,0.002274829,0.5480611,0.06509935,0.01591354],"study_design_scores_gemma":[0.0017787,0.000685283,0.03308559,0.0002287512,0.00009275425,0.00007770826,0.00232747,0.0003912679,0.0005342702,0.00445235,0.9556347,0.000711202],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8615721,0.002553678,0.0002378702,0.0005488568,0.0003277669,0.000678981,0.0000316126,0.0001564947,0.1338926],"genre_scores_gemma":[0.9816097,0.00001415439,0.0001617807,0.0001158565,0.0009678464,0.00003220518,0.000006340621,0.00003464803,0.01705745],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8905353,"threshold_uncertainty_score":0.6327624,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3107478804","doi":"10.1177/1367877920970962","title":"Llamas are the new unicorns: Craft as competition television","year":2020,"lang":"en","type":"article","venue":"International Journal of Cultural Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University; Women's and Gender Studies et Recherches Féministes; Sheridan College","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Craft; Reality television; Competition (biology); Context (archaeology); Sociology; Politics; Nexus (standard); Media studies; Aesthetics; Visual arts; Advertising; Political science; Art; History; Law; Business; Engineering; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.1049019607585824,"gpt":0.3202756691555075,"spread":0.215373708396925,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001076301,0.0001216117,0.0002041367,0.00003480272,0.0002163605,0.0002819762,0.0003581524,0.00001825455,0.0007500666],"category_scores_gemma":[0.0002917338,0.00006230707,0.0001718527,0.00002650478,0.0001697543,0.0003969689,0.00007590736,0.0001767858,0.0001323327],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005338452,"about_ca_system_score_gemma":0.0000307466,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003486042,"about_ca_topic_score_gemma":0.0001116128,"domain_scores_codex":[0.9988953,0.00004399554,0.0003653843,0.00009030683,0.0005085623,0.00009637805],"domain_scores_gemma":[0.998307,0.0001327605,0.0003692777,0.00004603109,0.001077881,0.00006703532],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003638236,0.00007122724,0.0002393375,0.00001861283,0.001156282,0.0001349683,0.1155632,0.0001871549,0.0003440913,0.1502034,0.7195977,0.01212025],"study_design_scores_gemma":[0.0005099041,0.0001904791,0.0002852955,0.0001484292,0.00004694068,0.00005671474,0.07024456,0.00002639135,0.0001415625,0.004368959,0.9238799,0.0001008784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.3373486,0.03105105,0.0004352696,0.5737023,0.01169555,0.000409054,0.00004845345,0.000135489,0.04517426],"genre_scores_gemma":[0.9846206,0.001770678,0.00004582856,0.003716333,0.006037949,0.000001205363,0.000003405306,0.000007647635,0.003796383],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.647272,"threshold_uncertainty_score":0.8212703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4242441081","doi":"10.21606/pluriversal.2021.0018","title":"Insurgent Design Coalitions: The history of the Design &amp; Oppression network","year":2021,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Oppression; Sociology; Active listening; Public relations; Political science; Politics; Law; Communication","retraction":null,"screen_n_in":null,"score":{"opus":0.1823087661231416,"gpt":0.2408927497940189,"spread":0.0585839836708773,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006411833,0.0001351202,0.0001713197,0.00002105195,0.0004255215,0.00006613154,0.0002559136,0.0000453202,0.0130065],"category_scores_gemma":[0.00009889439,0.0000692761,0.000157737,0.00004963839,0.0003398606,0.00009272449,0.00008377415,0.0001359588,0.00007842188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009209465,"about_ca_system_score_gemma":0.000340423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001354539,"about_ca_topic_score_gemma":0.0003242259,"domain_scores_codex":[0.9983755,0.0006626114,0.0003013475,0.0001820907,0.0002603816,0.0002181074],"domain_scores_gemma":[0.9983794,0.0007164043,0.0001208156,0.0005602853,0.0001781174,0.00004495135],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002440747,0.00008601377,0.00001735447,0.00001095937,0.00003090225,0.000001786386,0.009502401,0.00131121,0.0002447405,0.1328134,0.8552541,0.0007026636],"study_design_scores_gemma":[0.0001486122,0.00002081183,0.00009677178,0.00006045321,0.00004302994,0.000004229915,0.001380411,0.0003459704,0.0003567187,0.01083521,0.9865869,0.0001208569],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002490854,0.03434776,0.3455762,0.005746069,0.01921326,0.00242786,0.00004958121,0.0004354636,0.589713],"genre_scores_gemma":[0.3445426,0.0005060859,0.003885834,0.005142129,0.001627874,0.0001517845,0.00001934506,0.00005717369,0.6440672],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3420517,"threshold_uncertainty_score":0.9878957,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2133272902","doi":"10.24377/dteij.article2281","title":"Design and Craft Education in Iceland, Pedagogical Background and Development: A literature review","year":2024,"lang":"en","type":"review","venue":"Liverpool John Moores University","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Craft; Curriculum; Subject (documents); Icelandic; Literacy; Design and Technology; Curriculum development; Pedagogy; Sociology; Mathematics education; Engineering; Engineering ethics; Visual arts; Computer science; Psychology; Art; Library science","retraction":null,"screen_n_in":null,"score":{"opus":0.1345360862787826,"gpt":0.3225011708222729,"spread":0.1879650845434902,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002728185,0.0004598997,0.0009810565,0.0004621767,0.0002700369,0.0003608404,0.0002227205,0.0002332276,0.0004151439],"category_scores_gemma":[0.00001192869,0.0003729313,0.0001335941,0.0001674993,0.0001979253,0.0003393689,0.0001910172,0.0005521509,0.0001340524],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001675483,"about_ca_system_score_gemma":0.0006989855,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001049092,"about_ca_topic_score_gemma":0.0004369778,"domain_scores_codex":[0.9983256,0.0003172988,0.0003286267,0.0006047271,0.0001693029,0.0002544524],"domain_scores_gemma":[0.9992393,0.0001879029,0.0001453974,0.0002093075,0.00007724101,0.0001408378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003661268,0.0001326668,0.000004238466,0.08279945,0.000179571,0.0005191302,0.01640613,8.368323e-8,3.119235e-8,0.01694151,0.03839639,0.8445842],"study_design_scores_gemma":[0.0001374493,0.00003797255,0.000009499269,0.05735924,0.0006645735,0.00006091621,0.001022088,0.000003675759,1.341593e-8,0.0001019026,0.9401964,0.000406283],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0000234636,0.9930326,0.00004739272,0.00005044873,0.0002257847,0.000964246,0.00004873436,0.00006197065,0.005545325],"genre_scores_gemma":[0.000007607311,0.966684,0.0003910302,0.0001079429,0.0001909654,0.000008316439,0.0001561192,0.00002774961,0.03242625],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9018,"threshold_uncertainty_score":0.9998723,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3214945227","doi":"10.1080/17543266.2021.2004243","title":"Fashion industry perceptions of clothing design for persons with a physical disability: the need for building partnerships for future innovation","year":2021,"lang":"en","type":"article","venue":"International Journal of Fashion Design Technology and Education","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Kéroul; Centre Intégré Universitaire de Santé et de Services Sociaux du Centre-Sud-de-l'Île-de-Montréal; Centre de réadaptation Lethbridge-Layton-Mackay; Jewish Rehabilitation Hospital; McGill University; Centre Intégré Universitaire de Santé et de Services Sociaux du Saguenay–Lac-Saint-Jean; Centre for Interdisciplinary Research in Rehabilitation; Shriners Hospitals for Children - Canada; Université de Montréal","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research; Réseau Provincial de Recherche en Adaptation-Réadaptation; Université de Montréal; Centre for Interdisciplinary Research in Rehabilitation","keywords":"Clothing; Credibility; Bridge (graph theory); Perception; Clothing industry; Process (computing); Public relations; Business; Marketing; Psychology; Medicine; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.07600830905282867,"gpt":0.3258337462602968,"spread":0.2498254372074681,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005853696,0.0001261102,0.0001994581,0.0003271285,0.0003154392,0.000113436,0.0002048805,0.0001744586,0.00002023565],"category_scores_gemma":[0.0004319663,0.00009149001,0.00009601741,0.0001704772,0.0002888675,0.0003262305,0.00001441289,0.0002785673,2.105585e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008344371,"about_ca_system_score_gemma":0.0003546121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":9.291608e-7,"about_ca_topic_score_gemma":0.000009196382,"domain_scores_codex":[0.9990748,0.00006935231,0.0003807179,0.0001660003,0.0001722143,0.0001369078],"domain_scores_gemma":[0.9970021,0.0006831718,0.000444225,0.0001118416,0.00173201,0.00002670662],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0009598592,0.0007945769,0.002127288,0.00009419832,0.0003374025,7.778595e-7,0.01641072,0.0003225949,0.0165403,0.891018,0.006635471,0.06475881],"study_design_scores_gemma":[0.005346488,0.003295693,0.002186431,0.0007019091,0.0008791512,0.0004073279,0.7163542,0.009217634,0.0192027,0.2047502,0.03688215,0.0007761549],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6286058,0.00006393887,0.3562599,0.0138899,0.0006459616,0.0004759674,0.00002116396,0.00001866497,0.0000186092],"genre_scores_gemma":[0.9791095,0.00001380786,0.01856961,0.0001987651,0.001542629,0.0001992993,0.00002487154,0.00001616662,0.0003253206],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6999434,"threshold_uncertainty_score":0.3730854,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3167218556","doi":"10.1080/13549839.2021.1939289","title":"Reimagining craft for community development","year":2021,"lang":"en","type":"article","venue":"Local Environment","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Craft; Corporate governance; Sociology; Work (physics); Space (punctuation); Public relations; Political science; Management; Visual arts; Economics; Engineering; Computer science; Art; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.05598137038569968,"gpt":0.2238407912970646,"spread":0.1678594209113649,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002055574,0.0001266852,0.0001484775,0.00001998151,0.0005987981,0.0000790753,0.0001078203,0.00002976753,0.003475569],"category_scores_gemma":[0.00001136799,0.000106478,0.00006715303,0.000008155777,0.0001936527,0.00006965822,0.00008653979,0.0001858537,0.000291311],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001004352,"about_ca_system_score_gemma":0.00004404713,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006087596,"about_ca_topic_score_gemma":0.0002380886,"domain_scores_codex":[0.9991861,0.00006638683,0.000210442,0.0001610098,0.0001516816,0.0002243762],"domain_scores_gemma":[0.9994995,0.0001162378,0.00003738762,0.0002615831,0.00001423354,0.00007108425],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001546907,0.002094947,0.0002440384,0.0002839209,0.0003057908,0.00007463238,0.1758747,0.001439621,0.001542193,0.1302454,0.0685197,0.6192203],"study_design_scores_gemma":[0.0004052992,0.00005259137,0.0003169396,0.00001666932,0.00001678078,0.000002527876,0.007685636,0.0003112139,0.002868197,0.001469823,0.9866759,0.0001783861],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1517597,0.002097012,0.5640391,0.008835956,0.002773273,0.001692005,0.0001624808,0.0005434167,0.2680971],"genre_scores_gemma":[0.9511623,0.00002341934,0.003589017,0.001246494,0.0002627124,0.0001055278,0.00009653725,0.00002930226,0.04348471],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9181563,"threshold_uncertainty_score":0.9974354,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2086214076","doi":"10.1177/0741713607310151","title":"Women Learning in Garment Work: Solidarity and Sociality","year":2008,"lang":"en","type":"article","venue":"Adult Education Quarterly","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of British Columbia","funders":"Edmonton Community Foundation","keywords":"Sociality; Solidarity; Sociology; Dehumanization; Negotiation; Reproduction; Social learning; Interdependence; Argument (complex analysis); Everyday life; Resistance (ecology); Social psychology; Gender studies; Epistemology; Psychology; Social science; Pedagogy; Political science; Law; Anthropology","retraction":null,"screen_n_in":null,"score":{"opus":0.02776628885625355,"gpt":0.2448018822906329,"spread":0.2170355934343794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001574212,0.0001018649,0.0001321761,0.0000778185,0.0003718337,0.0001078746,0.00005520719,0.00003649075,0.0007231483],"category_scores_gemma":[0.00001744188,0.0001030414,0.00002668604,0.0000412711,0.0001652812,0.0002051151,0.000005038551,0.0001459186,0.00008237782],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000968642,"about_ca_system_score_gemma":0.000173769,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005553278,"about_ca_topic_score_gemma":0.0005476107,"domain_scores_codex":[0.9991861,0.00008154999,0.000207139,0.000185382,0.0001147433,0.0002250846],"domain_scores_gemma":[0.9996092,0.0000449994,0.00006955465,0.0001004044,0.0001001441,0.00007568591],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003349804,0.0004162789,0.01159096,0.00002676313,0.00001117962,0.000001795929,0.8645005,8.312633e-7,0.000008893629,0.03112763,0.009219953,0.08306167],"study_design_scores_gemma":[0.001407965,0.0007952336,0.2392618,0.00009812817,0.00001834455,0.00001336672,0.4521671,0.00008703044,0.00001363373,0.02394135,0.2814235,0.0007725522],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9779372,0.00008879402,0.00001794006,0.0006834365,0.0004144101,0.0001397211,0.000001780794,0.00005844557,0.02065833],"genre_scores_gemma":[0.9863499,0.00001710985,0.00002540388,0.0005471496,0.0004141292,0.00008287928,0.00001084478,0.00000950721,0.01254312],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4123335,"threshold_uncertainty_score":0.7917967,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382601395","doi":"10.7551/mitpress/14666.001.0001","title":"Autographic Design","year":2023,"lang":"en","type":"book","venue":"The MIT Press eBooks","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Oxford; McGill University","keywords":"Premise; Computer science; Representation (politics); Law; Political science; Politics; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.1381241395325082,"gpt":0.2436029127009581,"spread":0.1054787731684499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004688623,0.0004549588,0.0004446608,0.0001690793,0.0006082754,0.0005174342,0.0008235206,0.000216025,0.0007464939],"category_scores_gemma":[0.00001600344,0.0003073363,0.0003481584,0.000006326918,0.0007729406,0.00004575032,0.0001604807,0.0005799503,0.000838135],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003790134,"about_ca_system_score_gemma":0.0001704459,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002472693,"about_ca_topic_score_gemma":0.0003179198,"domain_scores_codex":[0.9982005,0.0001622436,0.0003763409,0.0004082035,0.0004078776,0.0004448717],"domain_scores_gemma":[0.9981671,0.0005604958,0.0002087371,0.000879325,0.0001018348,0.00008250564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002483645,0.000007778796,2.026313e-8,0.00006242593,0.0001887978,0.0000225476,0.01280785,0.000006398215,0.000002811979,0.4570988,0.5261288,0.003649018],"study_design_scores_gemma":[0.0001656487,0.00006886732,6.566051e-7,0.0001528405,0.00027004,0.000003212542,0.0001119336,0.00006354034,0.00002276183,0.08471204,0.9140454,0.0003830495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.000002683506,0.001357972,0.0002108256,0.00003968533,0.001427424,0.0008403384,0.0001112655,0.0007705874,0.9952392],"genre_scores_gemma":[0.0002318987,0.00007867707,0.00001797824,0.0003008312,0.002498814,0.0001864415,0.00003312775,0.0001765032,0.9964758],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3879167,"threshold_uncertainty_score":0.9999398,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2280513794","doi":"","title":"Weaving Cloths: Research Design in Contexts of Transformation","year":2002,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Weaving; Textile; Thread (computing); Clothing; Variety (cybernetics); Architectural engineering; Textile design; Textile industry; Sociology; Visual arts; Engineering; Computer science; Mechanical engineering; History; Art; Archaeology; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.09139517432139543,"gpt":0.2688421154711964,"spread":0.177446941149801,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005317912,0.00006184572,0.0001078911,0.0004627632,0.0001337597,0.000052395,0.0001097024,0.00003218442,0.005376822],"category_scores_gemma":[0.00003270229,0.00006160722,0.00004148598,0.00004157855,0.0002058597,0.0003948729,0.000001734786,0.0001702062,0.00004260521],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00033625,"about_ca_system_score_gemma":0.0002412704,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002552836,"about_ca_topic_score_gemma":0.01094286,"domain_scores_codex":[0.9991303,0.0001206443,0.0003433367,0.00006074976,0.0001725469,0.0001723926],"domain_scores_gemma":[0.9995494,0.00006741718,0.0001113791,0.00007332329,0.00003235026,0.0001661302],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006662834,0.0007471598,0.003404239,0.00007896184,0.00004336021,0.00002178716,0.5808899,0.000286087,0.004147506,0.02397135,0.03521574,0.3511273],"study_design_scores_gemma":[0.00295676,0.001947506,0.06368855,0.001057239,0.00008589176,0.0001879828,0.3183951,0.001007282,0.005629775,0.01012212,0.5940782,0.0008436175],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9624587,0.00369397,0.0001449285,0.0007798816,0.0007724877,0.0003251316,0.0000224254,0.000002431658,0.0318],"genre_scores_gemma":[0.9982575,0.000114151,0.00007112791,0.00006776902,0.0001910218,0.000004063233,0.000002859138,0.000008853078,0.001282613],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5588624,"threshold_uncertainty_score":0.9955324,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4400142547","doi":"10.1145/3643834.3660717","title":"Hand Spinning E-textile Yarns: Understanding the Craft Practices of Hand Spinners and Workshop Explorations with E-textile Fibers and Materials","year":2024,"lang":"en","type":"article","venue":"Designing Interactive Systems Conference","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Textile; Craft; Spinning; Yarn; Polymer science; Clothing; Weaving; Pulp and paper industry; Materials science; Composite material; Engineering; Art; Visual arts; History","retraction":null,"screen_n_in":null,"score":{"opus":0.1436394831899717,"gpt":0.3066849209621691,"spread":0.1630454377721974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005988695,0.0003083091,0.0004176657,0.0002246547,0.0008047082,0.004545907,0.0001571313,0.00006903969,0.0002642247],"category_scores_gemma":[0.0001807516,0.0002068067,0.00003925848,0.000102296,0.001003094,0.001459686,0.00006627326,0.0002621089,0.00001269387],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007296204,"about_ca_system_score_gemma":0.0001272278,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007388348,"about_ca_topic_score_gemma":0.0004687611,"domain_scores_codex":[0.9982455,0.0002819998,0.0004493278,0.0004789221,0.0002571751,0.0002870825],"domain_scores_gemma":[0.9974455,0.001498677,0.0005103768,0.000230319,0.0002354312,0.00007973436],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0005544442,0.00009282466,0.00009570507,0.001435312,0.0010046,0.00009063989,0.610706,0.0002838203,0.06380053,0.3150587,0.005407619,0.001469799],"study_design_scores_gemma":[0.001117894,0.001146557,0.0001323242,0.0101724,0.0005959804,0.0002246109,0.9144725,0.01966491,0.01490237,0.003291991,0.03308616,0.001192334],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.540743,0.005958967,0.4196544,0.00173615,0.004440278,0.00300758,0.000228279,0.000376516,0.02385482],"genre_scores_gemma":[0.9968487,0.00006276822,0.0001324039,0.00003201686,0.0002535511,0.0001303111,0.00001353515,0.00004054158,0.002486195],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4561057,"threshold_uncertainty_score":0.9964875,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W622818787","doi":"","title":"PDC 2004 : artful integration : interweaving media, materials, and practices : proceedings of the eighth Participatory Design Conference 2004, July 27-31, 2004, Toronto, Canada","year":2004,"lang":"en","type":"book","venue":"Association for Computing Machinery eBooks","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Citizen journalism; Media studies; Sociology; Library science; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.04902561301692864,"gpt":0.2510302067813844,"spread":0.2020045937644557,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001356404,0.0004783409,0.0006747628,0.000079602,0.0006090195,0.0005863318,0.0003544433,0.0002664331,0.000110149],"category_scores_gemma":[0.0005933254,0.0003869901,0.0001303503,0.00001604757,0.0001519903,0.0003023949,0.0001055015,0.000392127,0.00000333494],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002560312,"about_ca_system_score_gemma":0.002607309,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.06521518,"about_ca_topic_score_gemma":0.3582467,"domain_scores_codex":[0.9974363,0.0001084885,0.000938315,0.0004755497,0.0005888557,0.0004524746],"domain_scores_gemma":[0.9945469,0.0009107616,0.003387459,0.0001836646,0.0008743589,0.0000968438],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003002279,0.0001789689,0.0002965078,0.001489622,0.001094416,0.000005508764,0.1237461,0.0002109319,0.001137069,0.125144,0.7362276,0.01016906],"study_design_scores_gemma":[0.00278691,0.0005188789,0.0004649413,0.004537772,0.00176624,0.0000158682,0.005694955,0.003686357,0.003592858,0.03745316,0.9370763,0.002405745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02295623,0.003391671,0.004119045,0.0008642399,0.0153411,0.007168945,0.002371386,0.0006121665,0.9431752],"genre_scores_gemma":[0.5525389,0.00001412833,0.000305623,0.0003501237,0.001885486,0.00006038714,0.0001996709,0.0001028411,0.4445429],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5295827,"threshold_uncertainty_score":0.9998582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3157862891","doi":"10.1177/02690942211013532","title":"Manufacturing space for inclusive innovation? A study of makerspaces in southern Ontario","year":2021,"lang":"en","type":"article","venue":"Local Economy The Journal of the Local Economy Policy Unit","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Waterloo; University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Redress; Popularity; Sustainability; Context (archaeology); Inclusion (mineral); Business; Sustainable development; Economic growth; Sociology; Economics; Political science; Social science; Geography","retraction":null,"screen_n_in":null,"score":{"opus":0.03333901225566024,"gpt":0.2571354861480881,"spread":0.2237964738924278,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008158091,0.0002433061,0.0005554075,0.0003498396,0.000336404,0.0001486216,0.0006050462,0.00006866259,0.0005895873],"category_scores_gemma":[0.00006052047,0.0001592905,0.0002123575,0.0001402354,0.0003982727,0.0003272353,0.0002001878,0.0004672145,0.00001347043],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004586283,"about_ca_system_score_gemma":0.0008887788,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02531139,"about_ca_topic_score_gemma":0.3383773,"domain_scores_codex":[0.9981934,0.0002003371,0.001019085,0.0001695505,0.00009287898,0.0003247024],"domain_scores_gemma":[0.9978622,0.0004611785,0.000881293,0.0003887414,0.0003368059,0.00006976046],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.001449946,0.001640565,0.002481616,0.0001885769,0.001318739,0.00002700639,0.6233364,0.06319609,0.00001936503,0.2881777,0.004161217,0.01400274],"study_design_scores_gemma":[0.005140051,0.0008159316,0.000627714,0.000127754,0.000200096,0.00008571488,0.4790303,0.001312927,0.001809405,0.08930779,0.4211259,0.0004163485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9497725,0.00009276441,0.002421395,0.008477069,0.000310901,0.0006728955,0.00002508735,0.000009204394,0.03821823],"genre_scores_gemma":[0.9892223,0.00000297628,0.00002606594,0.001628534,0.0006038487,0.00001512278,0.000001570523,0.00002671508,0.00847284],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4169647,"threshold_uncertainty_score":0.9811791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2903455735","doi":"10.1007/978-3-319-95300-7_11","title":"Digital Dilemmas Through Networked Assemblages: Reshaping the Gendered Contours of Our Future","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Sociotechnical system; Materialism; Sociology; Online and offline; Power (physics); Gender studies; Focus (optics); Aesthetics; Epistemology; Political science; Computer science; Knowledge management; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.08198074651524068,"gpt":0.251076975748268,"spread":0.1690962292330273,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000188616,0.0005221798,0.0006386426,0.0000696869,0.0004244058,0.0005885809,0.0005088822,0.0003133571,0.008161462],"category_scores_gemma":[0.00001381588,0.0003244665,0.0004573889,0.00001172531,0.0003933972,0.0003587072,0.0001265679,0.0003988221,0.0003887457],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000383039,"about_ca_system_score_gemma":0.0000888716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007684308,"about_ca_topic_score_gemma":0.001211099,"domain_scores_codex":[0.9980955,0.00002618206,0.0005998778,0.0004396853,0.000454025,0.0003847644],"domain_scores_gemma":[0.9983524,0.0001214321,0.0004503273,0.0006917312,0.0003140676,0.00007006231],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000377854,0.00001295249,6.212414e-7,0.0000328664,0.0001955402,0.00000810286,0.009782486,0.000001059562,0.00000115997,0.5179463,0.470213,0.001768088],"study_design_scores_gemma":[0.0002778312,0.0001383957,0.000001509426,0.00017158,0.0001144085,0.000005409133,0.01817885,0.0000198324,0.000007278914,0.04089673,0.9397653,0.0004228664],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00005513424,0.002061702,0.0002222971,0.0007708054,0.002022419,0.0004681867,0.0001631574,0.0001584537,0.9940779],"genre_scores_gemma":[0.03967099,0.0001787502,0.0000312684,0.0009407616,0.0153048,0.00001040186,0.0001214167,0.0001114879,0.9436301],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4770496,"threshold_uncertainty_score":0.9999207,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W800146391","doi":"","title":"Creating Digital Materiality: Third-Wave Feminism, Public Art, and Yarn Bombing","year":2015,"lang":"en","type":"article","venue":"Material culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Feminism; Scholarship; Sociology; Craft; Materiality (auditing); Realm; Empowerment; Politics; Gender studies; Media studies; Aesthetics; Political science; Visual arts; Law; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0774389246576672,"gpt":0.2300841337824897,"spread":0.1526452091248225,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002048826,0.0002357269,0.0002782933,0.00004243405,0.0003369646,0.004647694,0.0001057356,0.0001083387,0.001118362],"category_scores_gemma":[0.00006046303,0.0001785044,0.00004907378,0.00002297526,0.0001843125,0.0007912258,0.0001149489,0.00008893089,0.0002180857],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003158264,"about_ca_system_score_gemma":0.00003400745,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006869253,"about_ca_topic_score_gemma":0.00005646563,"domain_scores_codex":[0.998835,0.00004659704,0.000279655,0.0002883867,0.0002161265,0.0003342228],"domain_scores_gemma":[0.9993911,0.00001411916,0.0001064022,0.0001828747,0.0001212263,0.0001842222],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004001702,0.0002266885,0.0003065307,0.0002592625,0.00014128,0.0001322494,0.2633283,6.435983e-7,0.01224837,0.3636963,0.3558743,0.003385839],"study_design_scores_gemma":[0.000645785,0.0001678859,0.00004223592,0.00004431801,0.00002640776,0.00004648646,0.01727196,0.00001247161,0.001435226,0.006066674,0.9738753,0.0003652122],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6335421,0.00006510438,0.00001251102,0.0002629306,0.00233078,0.0002091321,0.0003282668,0.0002967791,0.3629524],"genre_scores_gemma":[0.9708139,0.000005026304,0.00007236233,0.0002727939,0.002555454,0.00001833836,0.0002451201,0.00002759645,0.02598938],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.618001,"threshold_uncertainty_score":0.9997947,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3103364378","doi":"10.1007/s10606-020-09387-9","title":"A Historical View of Studies of Women’s Work","year":2020,"lang":"en","type":"article","venue":"Computer Supported Cooperative Work (CSCW)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"Technische Universität Wien","keywords":"Work (physics); Perspective (graphical); Context (archaeology); Value (mathematics); Historiography; Sociology; Gender studies; Visibility; Social science; Epistemology; History; Geography; Engineering; Visual arts; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.09246341607097633,"gpt":0.2600477879617631,"spread":0.1675843718907868,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002191822,0.0003034783,0.0009820537,0.00009445546,0.0001759046,0.00005571271,0.0003107169,0.00006009,0.002197368],"category_scores_gemma":[0.00006295469,0.0002474679,0.0001769877,0.0003081324,0.0003998969,0.000144357,0.0001610296,0.0002143872,0.00008175756],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002440203,"about_ca_system_score_gemma":0.0001176002,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001640355,"about_ca_topic_score_gemma":0.0000117414,"domain_scores_codex":[0.9980147,0.0001673754,0.0007567247,0.0003971312,0.0002772373,0.0003868379],"domain_scores_gemma":[0.9984292,0.000244251,0.0002488408,0.0002807119,0.0006012882,0.0001957028],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004262712,0.0004900873,0.00132294,0.0004132578,0.0009514342,0.00007029346,0.4561964,0.0001879703,0.00007307946,0.02681674,0.4846941,0.02835739],"study_design_scores_gemma":[0.001096004,0.001448795,0.0005345987,0.0003728166,0.00009454915,0.000002082425,0.006270531,0.0002057552,0.000241686,0.0002331617,0.9889548,0.0005451773],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8967543,0.04197476,0.0262586,0.007564232,0.00683456,0.002511044,0.0001005101,0.0008090497,0.01719291],"genre_scores_gemma":[0.994042,0.0001604262,0.0008080252,0.001213702,0.0009241602,0.00005851824,0.00001127583,0.00003493981,0.002746895],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5042607,"threshold_uncertainty_score":0.9999977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3030282763","doi":"10.1080/13636820.2020.1765844","title":"Introducing participatory action research to vocational fashion education: theories, practices, and implications","year":2020,"lang":"en","type":"article","venue":"Journal of Vocational Education and Training","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Vocational education; Action (physics); Creativity; Citizen journalism; Pedagogy; Sociology; Participatory action research; Work (physics); Engineering ethics; Psychology; Political science; Engineering; Social psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.4074461341498869,"gpt":0.4575490474493931,"spread":0.05010291329950622,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001326599,0.0001175879,0.0001640924,0.0003024808,0.0006485079,0.0003821003,0.0001318534,0.00004319756,0.0003491188],"category_scores_gemma":[0.001761062,0.0001119816,0.00003667258,0.0001971869,0.0001912722,0.0008089076,0.00002746975,0.0003336211,0.00002278215],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008686849,"about_ca_system_score_gemma":0.002584935,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003062409,"about_ca_topic_score_gemma":0.00004368813,"domain_scores_codex":[0.9985244,0.0001896592,0.0004870596,0.0002462981,0.0003768304,0.0001757098],"domain_scores_gemma":[0.9969944,0.000512975,0.000500105,0.0001199706,0.0015329,0.0003396789],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005818459,0.000246638,0.0005291098,0.00004783773,0.00003562161,1.684623e-7,0.1106494,0.00001277643,0.0007180532,0.626703,0.01969397,0.2413053],"study_design_scores_gemma":[0.0004001104,0.0003828026,0.06159773,0.0001336787,0.00008628653,0.0001317226,0.2404101,0.0001016492,0.00007496707,0.02753804,0.6688601,0.0002828284],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6494517,0.003621198,0.004570682,0.2946255,0.003185584,0.0008371607,0.00002934227,0.00007122149,0.04360764],"genre_scores_gemma":[0.9887414,0.0001281985,0.002392388,0.003078908,0.004887347,0.00005834904,0.00002939669,0.00001604187,0.0006679804],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6491661,"threshold_uncertainty_score":0.4987864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4323055029","doi":"10.7764/disena.22.article.7","title":"Design Processes and Tools as Oppression? Rethinking our Design Practice for more Just Design Outcomes","year":2023,"lang":"en","type":"article","venue":"Revista Diseña","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Oppression; Reflexivity; Sociology; Engineering ethics; Design thinking; Context (archaeology); Epistemology; Computer science; Political science; Engineering; Social science; Politics; Human–computer interaction","retraction":null,"screen_n_in":null,"score":{"opus":0.2331149054045041,"gpt":0.3682266377908094,"spread":0.1351117323863053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.001747655,0.0004285321,0.0005699151,0.0001509357,0.001040736,0.002284596,0.0003598639,0.0001245219,0.0001389918],"category_scores_gemma":[0.004399544,0.0003358815,0.0001307349,0.0001814555,0.0001268562,0.001457422,0.0000978342,0.0002131488,0.0001765725],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004827861,"about_ca_system_score_gemma":0.0003124245,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002327411,"about_ca_topic_score_gemma":0.000003476919,"domain_scores_codex":[0.9973774,0.0004035517,0.0005421282,0.0006362873,0.000455545,0.0005850754],"domain_scores_gemma":[0.9941919,0.004388927,0.000324697,0.0004499421,0.0004470792,0.0001974103],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002798535,0.0008438074,0.00020552,0.00566927,0.0007890886,0.0003399377,0.1702682,0.0018707,0.0008768255,0.1723398,0.60862,0.03537838],"study_design_scores_gemma":[0.004730465,0.002076584,0.0003961944,0.0026153,0.002115272,0.0001026248,0.132993,0.008563459,0.001727032,0.03941505,0.801728,0.003537078],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01297509,0.01542125,0.9075502,0.02451365,0.002362107,0.01958133,0.0003759381,0.004558076,0.01266235],"genre_scores_gemma":[0.8930299,0.002715943,0.05160708,0.004711586,0.002110652,0.002425754,0.0001813421,0.0004759356,0.04274186],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.8800548,"threshold_uncertainty_score":0.9999093,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3093547246","doi":"10.1145/3415170","title":"Understanding the Homepreneurship Opportunities Afforded by Social Networking and Personal Fabrication Technologies","year":2020,"lang":"en","type":"article","venue":"Proceedings of the ACM on Human-Computer Interaction","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Rheumatology Association","funders":"","keywords":"Usability; Plotter; Workflow; Emerging technologies; World Wide Web; Computer science; Business; Internet privacy; Human–computer interaction","retraction":null,"screen_n_in":null,"score":{"opus":0.3741614487745971,"gpt":0.2987849330879478,"spread":0.07537651568664927,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000147985,0.0001602511,0.0001620675,0.00006759033,0.0008893838,0.0004536409,0.0005542976,0.00005318561,0.00003957989],"category_scores_gemma":[0.00005567975,0.0001060533,0.00008886591,0.00005600395,0.0003192196,0.0003790017,0.0002770016,0.000273435,0.00000230994],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006774761,"about_ca_system_score_gemma":0.000006671386,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001161373,"about_ca_topic_score_gemma":0.000004563096,"domain_scores_codex":[0.9991525,0.00001405752,0.0002215411,0.000230049,0.0002172244,0.0001645765],"domain_scores_gemma":[0.9993548,0.0001166595,0.0002997092,0.00009864759,0.0001087973,0.00002133668],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002917208,0.000132623,0.0007303139,0.0002737908,0.0002092649,6.653418e-7,0.2319776,0.00000968077,0.006584527,0.287653,0.4349354,0.03720146],"study_design_scores_gemma":[0.001947577,0.001783946,0.001406387,0.0008518178,0.0003904478,0.00003526744,0.5527351,0.02187684,0.010895,0.1561943,0.2503607,0.001522624],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9254916,0.000205737,0.0008096744,0.0530529,0.00167082,0.0007043013,0.00002130486,0.0006485672,0.01739503],"genre_scores_gemma":[0.9978842,0.00002714522,0.00003072295,0.0006140408,0.001160692,0.00001664106,0.000004158583,0.00001775093,0.0002446081],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3207575,"threshold_uncertainty_score":0.6840512,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2143122198","doi":"10.5539/ach.v3n1p105","title":"Knitting Practice in Korea: A Geography of Everyday Experiences","year":2011,"lang":"en","type":"article","venue":"Asian Culture and History","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Social practice; Consumption (sociology); Socialization; Object (grammar); Sociology; Subject (documents); Production (economics); Aesthetics; Epistemology; Social science; Computer science; History; Economics; Artificial intelligence; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03110308625692158,"gpt":0.2102630920780641,"spread":0.1791600058211426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001261083,0.0000977575,0.0001469809,0.0001040603,0.00009703967,0.00001571243,0.00007743693,0.00004546264,0.001315179],"category_scores_gemma":[0.00003526568,0.00007830724,0.00005121119,0.00002594656,0.000356488,0.0003604736,0.00001338696,0.0001035381,0.00001103819],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002089893,"about_ca_system_score_gemma":0.00002675067,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008899434,"about_ca_topic_score_gemma":0.0006839475,"domain_scores_codex":[0.9993992,0.00004174258,0.0001773515,0.0001572298,0.00009715196,0.0001273517],"domain_scores_gemma":[0.9996599,0.00002785324,0.0001093386,0.0001022904,0.00005955679,0.00004104838],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003216833,0.0001011774,0.0002743038,0.00002259226,0.00001499115,0.00001619619,0.9471197,1.251685e-8,0.00002791484,0.03105579,0.01625541,0.005079727],"study_design_scores_gemma":[0.0001372702,0.0000920158,0.0006643987,0.00002801463,0.00001779025,0.00000495824,0.2058892,6.391982e-7,0.00002359672,0.0002770388,0.792764,0.0001010833],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01707429,0.01175492,0.000004720813,0.00003268965,0.0003110692,0.00009052844,0.000002348438,0.00002992228,0.9706995],"genre_scores_gemma":[0.9914579,0.0001541452,0.0003282861,0.0003070807,0.0001685106,0.00002561662,0.000002560282,0.000008927495,0.007546917],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9743837,"threshold_uncertainty_score":0.9995977,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407942159","doi":"10.1145/3689050.3704957","title":"Interactive Bobbin Lace: Metal Thread History, Interviews with Lacemakers, and Material Explorations with E-textiles","year":2025,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Bobbin; Thread (computing); Computer science; Visual arts; Human–computer interaction; Engineering; Art; Programming language; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.03688785102302249,"gpt":0.2350480213723039,"spread":0.1981601703492814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009760643,0.0002189972,0.0002843689,0.0001394941,0.0001891237,0.0002664837,0.0000949023,0.0000330997,0.006354195],"category_scores_gemma":[0.000007360135,0.0001380484,0.00004110715,0.00003136681,0.0003627634,0.0005905953,0.00005106996,0.0001062059,0.00004961188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009013477,"about_ca_system_score_gemma":0.00008886759,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004716592,"about_ca_topic_score_gemma":0.01224032,"domain_scores_codex":[0.9991444,0.00006332839,0.0002078666,0.0002908827,0.0001152034,0.0001783319],"domain_scores_gemma":[0.9994844,0.00006908824,0.00008024663,0.000210817,0.0001054542,0.00005000777],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001318624,0.0002750979,0.00006779983,0.0001166388,0.0004111798,0.00002575767,0.07529871,0.000004209182,0.0002964007,0.6501351,0.2690262,0.003024241],"study_design_scores_gemma":[0.000928254,0.0005157967,0.00006652633,0.0001580285,0.0001656192,0.00001082611,0.03657609,0.00007965483,0.000492087,0.001325807,0.9593722,0.0003090674],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2011723,0.001288419,0.004119564,0.002551682,0.002363766,0.001315927,0.0001016166,0.000507137,0.7865795],"genre_scores_gemma":[0.8560864,0.0000433473,0.0004369903,0.000705438,0.0002086856,0.0001516972,0.0000457577,0.00002770481,0.1422939],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.690346,"threshold_uncertainty_score":0.9945541,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4407941965","doi":"10.1145/3689050.3704428","title":"E-Serging: Exploring the Use of Overlockers (Sergers) in Creating E-Textile Seams and Interactive Yarns for Garment Making, Embroidery, and Weaving","year":2025,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Weaving; Textile; Computer science; Clothing; Yarn; Engineering drawing; Engineering; Materials science; Mechanical engineering; Composite material","retraction":null,"screen_n_in":null,"score":{"opus":0.1212898238169291,"gpt":0.2887300862257475,"spread":0.1674402624088184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001865143,0.0001390109,0.0002048922,0.0001442182,0.000269684,0.0002698138,0.00006801597,0.00002144592,0.0001474686],"category_scores_gemma":[0.00009994055,0.0001020702,0.00005135622,0.00004001683,0.0001187179,0.000454046,0.00009151479,0.00009976498,5.805484e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003688533,"about_ca_system_score_gemma":0.00002279693,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008002563,"about_ca_topic_score_gemma":0.002174725,"domain_scores_codex":[0.9991781,0.00003639235,0.0002738981,0.0002237656,0.00008443456,0.0002034213],"domain_scores_gemma":[0.9988654,0.0008346192,0.00008607724,0.0001340813,0.00005556887,0.00002426287],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0007984044,0.0003258924,0.01431172,0.0008125781,0.000444285,0.00001316363,0.4562386,0.0007260088,0.002185122,0.4212631,0.01714742,0.08573373],"study_design_scores_gemma":[0.00298754,0.0004475675,0.01266138,0.002212912,0.0002223916,0.000006948626,0.5037981,0.05151247,0.003379144,0.004710261,0.4171962,0.0008650303],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.981095,0.000198743,0.001095526,0.0002588528,0.0003105582,0.0005254241,0.000013661,0.00004129849,0.016461],"genre_scores_gemma":[0.9901249,0.00005252533,0.0003580163,0.0002309401,0.0000634547,0.00009242831,0.000002111474,0.00001329898,0.009062279],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4165528,"threshold_uncertainty_score":0.4162302,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3095420240","doi":"10.1386/crre_00027_1","title":"Translational craft: Handmade and gestural knowledge in analogue–digital material practice","year":2020,"lang":"en","type":"article","venue":"Craft Research","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Craft; Computer science; Workflow; Meaning (existential); Process (computing); Human–computer interaction; Gesture; Multimedia; Visual arts; Artificial intelligence; Psychology; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.2058976127986593,"gpt":0.3717928213923304,"spread":0.1658952085936711,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005844214,0.0001492867,0.0002023226,0.0001865787,0.0003379544,0.001094963,0.0001931348,0.00007336208,0.001958777],"category_scores_gemma":[0.0002872773,0.0001313651,0.00004778234,0.0001393853,0.0005285285,0.0008735995,0.00008871859,0.0004320608,0.0004007997],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003098047,"about_ca_system_score_gemma":0.0001472398,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001797374,"about_ca_topic_score_gemma":0.000713333,"domain_scores_codex":[0.9982668,0.0002074939,0.0002708156,0.0003647156,0.0004355063,0.0004547083],"domain_scores_gemma":[0.9988805,0.0005150628,0.00002981313,0.0001261915,0.0002517439,0.0001966722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.004266757,0.001375902,0.003857872,0.0007425745,0.000216735,0.000690441,0.4317602,0.00002288236,0.006728491,0.2004386,0.2967341,0.05316535],"study_design_scores_gemma":[0.00108104,0.0003309908,0.002573577,0.00003569444,0.00001108623,0.00001569694,0.009079617,0.0008518597,0.0001780566,0.002070606,0.9835167,0.0002550909],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.738408,0.002207859,0.00006991783,0.04668947,0.0005381408,0.0009589149,0.0003997622,0.0001850935,0.2105428],"genre_scores_gemma":[0.9931679,0.0000469273,0.00004605276,0.0002074728,0.001397655,0.00002864726,0.00007693374,0.00002310114,0.005005291],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6867825,"threshold_uncertainty_score":0.999942,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2916631202","doi":"10.18432/ari29399","title":"Woven Narratives: A Craft Encounter with Tapestry Weaving in a Residential Aged Care Facility","year":2019,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Australian Government","keywords":"Craft; Weaving; Narrative; Studio; Creativity; Visual arts; Ethnography; Reminiscence; Citizen journalism; Toileting; Sociology; The arts; Psychology; Aesthetics; Pedagogy; Art; Engineering; Activities of daily living; Social psychology; Computer science; Anthropology","retraction":null,"screen_n_in":null,"score":{"opus":0.04738202555065698,"gpt":0.325189788768079,"spread":0.2778077632174221,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001318614,0.0002528773,0.0002948523,0.0006627833,0.0007080516,0.0009061724,0.0007088795,0.00007932793,0.01509128],"category_scores_gemma":[0.0000325095,0.0001982586,0.0001786615,0.0001295617,0.0004788558,0.00135377,0.000111395,0.001492246,0.0006307179],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003345219,"about_ca_system_score_gemma":0.000376594,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007152554,"about_ca_topic_score_gemma":0.006327488,"domain_scores_codex":[0.9964008,0.0003930044,0.0005504978,0.0004669596,0.001545544,0.0006431669],"domain_scores_gemma":[0.9985319,0.0002403718,0.0001081874,0.0002467837,0.00067,0.0002027929],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.002855544,0.0005871296,0.01089802,0.0001283957,0.0002506749,0.001007337,0.9624193,0.0004756905,0.001582591,0.003581583,0.01535907,0.0008546372],"study_design_scores_gemma":[0.007275044,0.002336529,0.02827702,0.001318102,0.00002675271,0.000582769,0.827872,0.0006050977,0.000225675,0.0142865,0.1162571,0.0009373835],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9428741,0.0002078834,0.000182941,0.003642057,0.0007430547,0.0004502776,0.0001280158,0.00003477976,0.05173692],"genre_scores_gemma":[0.982221,0.00002914167,0.0001098063,0.00007433828,0.0008547063,0.00003270612,0.00005261869,0.00002548848,0.01660017],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1345473,"threshold_uncertainty_score":0.985809,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2984530322","doi":"10.3167/ghs.2019.120307","title":"Red Ribbon Skirts and Cultural Resurgence","year":2019,"lang":"en","type":"article","venue":"Girlhood Studies","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Indigenous; Resistance (ecology); Colonialism; Gender studies; Embodied cognition; Sociology; Futures contract; Psychological resilience; Aesthetics; Psychology; Political science; Art; Social psychology; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.0726048335168454,"gpt":0.2812358663452374,"spread":0.208631032828392,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000134914,0.0001526486,0.0002569007,0.00004237399,0.0003191935,0.0001076837,0.00007546412,0.00002595078,0.0003990949],"category_scores_gemma":[0.00004749331,0.000109319,0.0000493739,0.00002517402,0.0001959167,0.0002093137,0.00008009079,0.00008079902,0.0002483515],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001569787,"about_ca_system_score_gemma":0.000008833579,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005800733,"about_ca_topic_score_gemma":0.0002590438,"domain_scores_codex":[0.9991665,0.0000317216,0.0001789562,0.0002474049,0.0001483685,0.0002270352],"domain_scores_gemma":[0.9995129,0.00008813323,0.00005763645,0.0001719618,0.0001294749,0.00003990457],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001508618,0.000130378,0.00671781,0.0002572555,0.0005592138,0.00003216852,0.3877144,0.000007192944,0.0008785506,0.1447655,0.446146,0.01264069],"study_design_scores_gemma":[0.0008873591,0.0003408136,0.005742765,0.0001251641,0.00007065506,0.000009478993,0.09332879,0.0000428747,0.0002410882,0.006878871,0.8917823,0.0005498418],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8435098,0.008366099,0.000002534337,0.001401751,0.001630438,0.0003193844,0.00001843377,0.0001693896,0.1445822],"genre_scores_gemma":[0.9657282,0.0007659682,0.00003786603,0.0002365682,0.0003460198,0.00001564782,0.000003621625,0.00001092222,0.03285515],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4456363,"threshold_uncertainty_score":0.4457899,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2783005224","doi":"","title":"O MOVIMENTO MAKER: ENFOQUE NOS FABLABS BRASILEIROS","year":2018,"lang":"pt","type":"article","venue":"Revista Livre de Sustentabilidade e Empreendedorismo","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.03009388813872094,"gpt":0.2744440866797327,"spread":0.2443501985410118,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001451002,0.001641255,0.001697802,0.0005588015,0.00183195,0.003366612,0.001550491,0.0008446025,0.02993531],"category_scores_gemma":[0.0003029123,0.001645018,0.001226411,0.0004820077,0.001677923,0.000966846,0.0005879349,0.001346349,0.004784045],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001055983,"about_ca_system_score_gemma":0.0008271142,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001751111,"about_ca_topic_score_gemma":0.0006285671,"domain_scores_codex":[0.9909491,0.0008884325,0.00215722,0.002075326,0.001328417,0.002601485],"domain_scores_gemma":[0.9939508,0.0006197054,0.0008489076,0.002590413,0.0008752646,0.001114851],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001455856,0.003681796,0.029869,0.003677988,0.001650232,0.000641889,0.1252523,0.00001711077,0.001782111,0.2625469,0.5541769,0.01524802],"study_design_scores_gemma":[0.002587413,0.002306325,0.007042971,0.0008938093,0.000870508,0.0001673734,0.04143229,0.0006992675,0.00111541,0.0007874016,0.9396842,0.002413059],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7039114,0.01972925,0.0027017,0.002962073,0.01096073,0.008591825,0.002354407,0.002014874,0.2467737],"genre_scores_gemma":[0.8601273,0.0005033489,0.0001981154,0.001426421,0.00904715,0.0001749539,0.0001663127,0.0003376969,0.1280187],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3855073,"threshold_uncertainty_score":0.9996335,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2915514296","doi":"10.18432/ari29420","title":"Interweaving Contemporary Art and “Traditional” Crafts in Ethnographic Research","year":2019,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"University of Kent","keywords":"Weaving; Craft; Studio; Handicraft; Ethnography; Abandonment (legal); Visual arts; Interpretation (philosophy); Sociology; The arts; Art; Anthropology; Engineering; Political science; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.3360298808519497,"gpt":0.3994708254474338,"spread":0.0634409445954841,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.006677353,0.0002372641,0.0003137352,0.002412811,0.0009500223,0.001071725,0.0007816789,0.0001103291,0.009173396],"category_scores_gemma":[0.0001158279,0.0002110468,0.0001824739,0.0003080757,0.001176454,0.001569211,0.0002108247,0.00266098,0.001207159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001893774,"about_ca_system_score_gemma":0.0003108995,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004049212,"about_ca_topic_score_gemma":0.0007298285,"domain_scores_codex":[0.9950765,0.0007572833,0.0007153998,0.0005301482,0.002114931,0.0008057003],"domain_scores_gemma":[0.9971317,0.001274096,0.00008849693,0.0002476588,0.0009257621,0.0003323082],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00196692,0.002299149,0.0219977,0.0002186642,0.0004736686,0.0016428,0.2594462,0.0001089698,0.003405432,0.3770885,0.3272472,0.004104772],"study_design_scores_gemma":[0.005923313,0.002201561,0.03276395,0.00188881,0.00001385636,0.0009672338,0.1066578,0.004549838,0.0001445007,0.3047304,0.5392132,0.000945462],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7267448,0.0006781589,0.00005907854,0.01164505,0.001292472,0.0005160313,0.00006760354,0.00004053485,0.2589562],"genre_scores_gemma":[0.9741457,0.0003001815,0.00008262544,0.0001422396,0.001184852,0.00005771421,0.00005783311,0.0000414689,0.02398736],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2474009,"threshold_uncertainty_score":0.9999653,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6936382886","doi":"10.57698/v16i3.05","title":"Exploring the Composite Intentionality of 3D Printers and Makers in Digital Fabrication","year":2022,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design; Simon Fraser University; University of Victoria","funders":"","keywords":"Intentionality; Work (physics); Key (lock); Component (thermodynamics); Composite number","retraction":null,"screen_n_in":null,"score":{"opus":0.2083956545497314,"gpt":0.2748622799641419,"spread":0.06646662541441042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006743715,0.0001122474,0.0001788731,0.0004681068,0.001824257,0.0002728828,0.0009238689,0.00002304029,0.00001405328],"category_scores_gemma":[0.00002422132,0.0001180099,0.00007234048,0.0003647525,0.000893703,0.001434979,0.0009783084,0.0004693589,0.000003884541],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005173857,"about_ca_system_score_gemma":0.0001486506,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003204055,"about_ca_topic_score_gemma":0.0005174187,"domain_scores_codex":[0.9982814,0.0004732581,0.0001562867,0.0003489387,0.0004741682,0.0002659282],"domain_scores_gemma":[0.9989728,0.000225025,0.0001052628,0.00030992,0.0002961892,0.00009085365],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000547352,0.0001621283,0.005538061,0.00002274621,0.00005713023,0.0001193126,0.01003394,0.00006872079,0.0002590179,0.9817918,0.0002648668,0.001134912],"study_design_scores_gemma":[0.001831562,0.0003720817,0.03281391,0.00007532795,0.00004370895,0.00001824018,0.1685029,0.0004830157,0.0001676165,0.0003847764,0.7949759,0.0003308721],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5751243,0.00001450342,0.00003388873,0.0002135621,0.0001158147,0.0003373525,0.00003549486,0.00001658969,0.4241086],"genre_scores_gemma":[0.9245405,0.00003013964,0.00002044966,0.00001222395,0.00002890339,0.000001422037,0.00001698949,0.000007789929,0.07534154],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.981407,"threshold_uncertainty_score":0.9994752,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2322770628","doi":"10.7202/1035392ar","title":"A Design History of Design: Complexity, Criticality, and Cultural Competence","year":2016,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science; Sociology","retraction":null,"screen_n_in":null,"score":{"opus":0.1347386220177954,"gpt":0.2458018477802114,"spread":0.111063225762416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008107749,0.0003886468,0.0006807083,0.0001423811,0.0003047986,0.00008383516,0.0003159976,0.0001542125,0.004128052],"category_scores_gemma":[0.0002459301,0.0003234558,0.0001565966,0.00005318725,0.003757109,0.0004655495,0.0001071633,0.0002030458,0.0002132659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009491363,"about_ca_system_score_gemma":0.0003411071,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.009258385,"about_ca_topic_score_gemma":0.01998143,"domain_scores_codex":[0.9972423,0.0004845448,0.0006444442,0.0005467103,0.0001812624,0.0009007888],"domain_scores_gemma":[0.997417,0.000961489,0.0002036546,0.0004523195,0.0003878438,0.0005777222],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001125095,0.0001487665,0.00005521951,0.0004552884,0.00009173749,0.000150274,0.01451853,0.000008768297,0.001852477,0.8479028,0.119518,0.01518566],"study_design_scores_gemma":[0.0008026563,0.0005788647,0.0002649312,0.000914911,0.0001802984,0.000209631,0.001277711,0.0009353179,0.0001544248,0.01597694,0.9781117,0.0005925782],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.245053,0.177195,0.1812039,0.09801566,0.03631604,0.008137786,0.004806961,0.0009184962,0.2483531],"genre_scores_gemma":[0.6570768,0.001479849,0.005694586,0.0008634976,0.001472016,0.00004707916,0.00001990336,0.00008714179,0.3332592],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8585938,"threshold_uncertainty_score":0.9999217,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2325075741","doi":"10.1177/1206331212445949","title":"{Im}materiality","year":2012,"lang":"en","type":"article","venue":"Space and Culture","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Materiality (auditing); Embodied cognition; Sociology; Architecture; Epistemology; Aesthetics; Product (mathematics); Visual arts; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.03024132520248839,"gpt":0.2258038496835121,"spread":0.1955625244810237,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007032757,0.00008287137,0.00008740192,0.000009219086,0.0002190487,0.0001391542,0.00003556539,0.00004002819,0.002446962],"category_scores_gemma":[0.000003603872,0.00005516821,0.00002913799,0.000006513409,0.00009028241,0.0002060377,0.00001578408,0.00004939644,0.0002643904],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006372905,"about_ca_system_score_gemma":0.000004745097,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001099496,"about_ca_topic_score_gemma":0.0002072427,"domain_scores_codex":[0.9996115,0.00001676352,0.00005686019,0.00008047657,0.00006443455,0.0001699476],"domain_scores_gemma":[0.9997996,0.000004667405,0.00002152899,0.00008686841,0.00001720306,0.00007009486],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001269468,0.00003106689,0.0005792059,0.00002344785,0.0000131165,9.347092e-7,0.09075306,5.424575e-8,0.000768277,0.553616,0.3537094,0.000492784],"study_design_scores_gemma":[0.0001087415,0.00002129838,0.000405273,0.000006697082,0.00001436085,0.000002851499,0.007138593,7.596819e-7,0.0003650428,0.001835553,0.9899994,0.0001014025],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3268766,0.004392558,0.00002831893,0.001751377,0.002651016,0.0002042797,0.00008830806,0.0002117402,0.6637958],"genre_scores_gemma":[0.9276196,0.00006012879,0.00003289493,0.0002891914,0.002077205,0.000005002134,0.00001123686,0.000006746728,0.06989797],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6362901,"threshold_uncertainty_score":0.9984649,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4393323202","doi":"10.1051/e3sconf/202450701065","title":"Innovations and Opportunities in Sustainable Textile Recycling","year":2024,"lang":"en","type":"article","venue":"E3S Web of Conferences","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Horizon College and Seminary","funders":"","keywords":"Textile; Business; Architectural engineering; Environmental planning; Engineering; Environmental science; Geography; Archaeology","retraction":null,"screen_n_in":null,"score":{"opus":0.1035058403601481,"gpt":0.278614921677879,"spread":0.175109081317731,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002705215,0.00009011223,0.000156927,0.0003296889,0.0001049704,0.0003203273,0.00007818799,0.00003120177,0.00254614],"category_scores_gemma":[0.00003468755,0.00007637358,0.00002275327,0.00006959137,0.0002824023,0.0003201398,0.00002872928,0.00009591274,0.00000869563],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009519037,"about_ca_system_score_gemma":0.0005850431,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000592994,"about_ca_topic_score_gemma":0.0008447641,"domain_scores_codex":[0.99932,0.0000251007,0.000253877,0.0001366272,0.0001030592,0.000161286],"domain_scores_gemma":[0.9995507,0.0001717265,0.00003912493,0.00007998311,0.000132794,0.00002569186],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004682593,0.00001635792,0.0002476084,0.0001261937,0.00001112379,0.00001630008,0.01064402,0.00000111817,0.00002862017,0.9755729,0.003525246,0.009805781],"study_design_scores_gemma":[0.0001089041,0.00006555938,0.0002640667,0.0001557802,0.00001060428,0.000001603936,0.0629399,0.0008476715,0.00007294266,0.04620067,0.8892082,0.0001241111],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2387918,0.002072443,0.00003178645,0.001087657,0.00028036,0.0001301783,0.00001996414,0.00008010556,0.7575057],"genre_scores_gemma":[0.9516822,0.0003274365,0.00001555411,0.00006378638,0.0001302498,0.00001537843,0.000009584305,0.000006964312,0.04774889],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9293723,"threshold_uncertainty_score":0.9983656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4291803091","doi":"10.1145/3537797.3537880","title":"Justice-oriented Participatory Electronic Textile Making","year":2022,"lang":"en","type":"article","venue":"","topic":"Crafts, Textile, and Design","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Participatory design; Citizen journalism; Solidarity; Work (physics); Engineering ethics; Sociology; Process (computing); Participatory GIS; Economic Justice; Focus (optics); Textile; Knowledge management; Public relations; Engineering; Political science; Computer science; World Wide Web; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.09791298741833417,"gpt":0.2942571172677487,"spread":0.1963441298494146,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002555265,0.0001299262,0.0001407337,0.00009120263,0.001110608,0.00009508426,0.0001630966,0.00001530455,0.0713821],"category_scores_gemma":[0.00001647276,0.0001222164,0.0000836197,0.00005633483,0.00009363756,0.0001255543,0.0001027587,0.0002380478,0.0003520132],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001198117,"about_ca_system_score_gemma":0.00009417583,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006916691,"about_ca_topic_score_gemma":0.0004415064,"domain_scores_codex":[0.9986919,0.00008148926,0.0002134257,0.0002372442,0.0002703817,0.0005055412],"domain_scores_gemma":[0.9995423,0.00007304193,0.00006023215,0.0002305819,0.00004230606,0.00005153578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003674066,0.0001265036,0.00003782225,0.00001588607,0.00002623915,0.00001122066,0.01728764,0.00008398732,0.00006629952,0.9086447,0.07200474,0.001658156],"study_design_scores_gemma":[0.0002555388,0.0001828614,0.00003488128,0.00000286894,0.00007062424,0.00000486632,0.02270867,0.001596327,0.00003492903,0.002583491,0.9723308,0.0001941072],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1589742,0.0007084374,0.0007080579,0.0004019937,0.001997553,0.0003818641,0.00004395058,0.0006378138,0.8361461],"genre_scores_gemma":[0.9407744,0.000004445185,0.00001747558,0.00147643,0.0004448774,0.0001232197,0.00001291826,0.00002486234,0.05712133],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9060613,"threshold_uncertainty_score":0.9294668,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}