{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":223,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":223,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"da45e0628bc6","filters":{"topic":"Cultural, Media, and Literary Studies"}},"results":[{"id":"W2901204265","doi":"10.36311/0102-5864.2015.v52n2.8271","title":"Culturas do passado-presente: modernismos, artes visuais, políticas da memória (Andreas Huyssen)","year":2015,"lang":"pt","type":"article","venue":"Revista Novos Rumos","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Art; Humanities","authors":[{"name":"Graziela Naclério Forte","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1017941512039451,"gpt":0.312298582221711,"spread":0.2105044310177659,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005745972,0.001234164,0.00159982,0.0001821143,0.001321157,0.003818796,0.0008520869,0.0003053315,0.003250863],"category_scores_gemma":[0.000485711,0.0009349861,0.0006514408,0.0002266929,0.0009259691,0.001307206,0.0005261355,0.000809457,0.002737202],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002453292,"about_ca_system_score_gemma":0.0002555282,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007207253,"about_ca_topic_score_gemma":0.0002224785,"domain_scores_codex":[0.9942117,0.0004334292,0.001397761,0.001243385,0.001285045,0.001428652],"domain_scores_gemma":[0.9961339,0.0002985579,0.000555668,0.001167945,0.0009172523,0.0009266854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003080686,0.0007806437,0.001932417,0.0009214889,0.001073643,0.0002834187,0.1570473,0.000007601007,0.0001320355,0.175895,0.6581638,0.003454521],"study_design_scores_gemma":[0.001918157,0.0003842614,0.0003084116,0.0008785034,0.0005777786,0.00009172726,0.04389716,0.0003385691,0.00005597468,0.0009547396,0.9492785,0.001316241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4266677,0.2837599,0.0001707024,0.03069218,0.01247618,0.006682544,0.004188016,0.001614633,0.2337482],"genre_scores_gemma":[0.8634664,0.002996048,0.0000598236,0.001026448,0.005584623,0.0001106022,0.0005099312,0.0001493651,0.1260967],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4367988,"threshold_uncertainty_score":0.999979,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1584519169","doi":"10.1590/s1517-75992011000100002","title":"Análise musical para \"não-musos\": a percepção popular como base para a compreensão de estruturas e significados","year":2011,"lang":"pt","type":"article","venue":"Per Musi","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Philip Tagg","is_ca":true},{"name":"Fausto Borém","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.129044220526784,"gpt":0.2693323008120829,"spread":0.1402880802852988,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000332808,0.0009443682,0.001069224,0.0001983584,0.001453408,0.0005502278,0.0006191133,0.0003060127,0.02105055],"category_scores_gemma":[0.00009425805,0.0007668916,0.0006432934,0.0001285914,0.001063463,0.000639647,0.0002994765,0.0008978157,0.001162137],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001171193,"about_ca_system_score_gemma":0.00009945753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002408869,"about_ca_topic_score_gemma":0.001301659,"domain_scores_codex":[0.9957491,0.0004084398,0.000884922,0.001023632,0.0006007842,0.00133318],"domain_scores_gemma":[0.9978054,0.0001718718,0.0002530368,0.0008483138,0.0002850759,0.0006363317],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004140461,0.001298433,0.006599824,0.0004364104,0.0004843598,0.0006483262,0.9282457,0.000001777939,0.0005614547,0.008410269,0.04963335,0.003266062],"study_design_scores_gemma":[0.002908497,0.001004481,0.07788906,0.0005545208,0.001079436,0.0001821849,0.1735259,0.001186084,0.00009105495,0.0008069948,0.7383509,0.002420936],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9746107,0.004216968,0.00003966906,0.001361796,0.001819821,0.0009176129,0.0005980763,0.0002881899,0.01614715],"genre_scores_gemma":[0.98107,0.0004534734,0.0003792218,0.002800092,0.002990091,0.0001367245,0.0002091241,0.0001028401,0.01185845],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7547198,"threshold_uncertainty_score":0.9998466,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2943910066","doi":"10.14244/198271993350","title":"A formação da subjetividade na Idade Mídia (The formation of subjectivity in the Media Age)","year":2019,"lang":"en","type":"article","venue":"Revista Eletrônica de Educação","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Subjectivity; Omnipresence; Context (archaeology); Sociology; Movie theater; Humanities; Aesthetics; Art; Media studies; Epistemology; Philosophy; Art history; History","authors":[{"name":"Antônio Álvaro Soares Zuin","is_ca":false},{"name":"Luiz Roberto Gomes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03590095347827787,"gpt":0.250558235949802,"spread":0.2146572824715241,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009926707,0.0002230708,0.0003898569,0.00009994673,0.0002447312,0.0003839379,0.0005023612,0.00005628016,0.0003716611],"category_scores_gemma":[0.0002565916,0.0001230618,0.0001976217,0.0001830838,0.0002679013,0.0005569591,0.00007155449,0.0003931379,0.00009554664],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008143204,"about_ca_system_score_gemma":0.00007395526,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002361111,"about_ca_topic_score_gemma":0.0006703792,"domain_scores_codex":[0.9982798,0.0002684261,0.000480598,0.0002093621,0.0003571613,0.0004046787],"domain_scores_gemma":[0.9982783,0.0008637911,0.0002319681,0.0004912558,0.00008664221,0.00004803194],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007321715,0.0002801765,0.006076755,0.0005399075,0.00006766457,0.000009553762,0.7259322,0.000001655385,0.0002388847,0.2430408,0.01267296,0.01106622],"study_design_scores_gemma":[0.0009798227,0.0002154585,0.04061094,0.0004417452,0.0001189964,0.00003856964,0.1292768,0.0001655356,0.0001737097,0.002375064,0.8250585,0.0005448806],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9816108,0.002546292,0.00001662056,0.001491785,0.0004392129,0.0006519211,0.00003686432,0.00003118296,0.01317536],"genre_scores_gemma":[0.9974163,0.0002072636,0.00001832695,0.0006808378,0.0005515268,0.00006792824,0.00004707095,0.00001576599,0.0009949822],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8123855,"threshold_uncertainty_score":0.5018316,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2956192560","doi":"","title":"Para um novo paradigma: um mundo assente no cuidado.: Antologia de textos de Maria de Lourdes Pintasilgo","year":2011,"lang":"pt","type":"article","venue":"","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Art; Humanities","authors":[{"name":"Paula Borges Santos","is_ca":false},{"name":"Maria Antónia Coutinho","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08099602398456257,"gpt":0.2725069500537478,"spread":0.1915109260691852,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005515647,0.0008057976,0.0008888164,0.0001725936,0.001202831,0.0006348259,0.0006247054,0.0003234133,0.01344879],"category_scores_gemma":[0.0001920995,0.0006120764,0.0004505555,0.0001032485,0.0008683876,0.0006563466,0.0002526815,0.0007018443,0.001257319],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002128992,"about_ca_system_score_gemma":0.0002331519,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005880157,"about_ca_topic_score_gemma":0.006154561,"domain_scores_codex":[0.9960656,0.0003457156,0.0008133211,0.0007054133,0.0003268907,0.001743022],"domain_scores_gemma":[0.9981862,0.000300789,0.0002898958,0.0005847993,0.000255234,0.0003830413],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006228595,0.001425593,0.1320394,0.0005819815,0.001642878,0.0007799654,0.4303624,0.000001800957,0.0004411874,0.1796041,0.2499731,0.002524758],"study_design_scores_gemma":[0.002568405,0.001270556,0.1152623,0.0005131768,0.0008355145,0.0004231969,0.07571733,0.0007017063,0.0008721644,0.005710615,0.7940236,0.00210144],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.667437,0.007820476,0.000300853,0.001617606,0.002662256,0.0008211493,0.0002396564,0.0004910483,0.31861],"genre_scores_gemma":[0.844294,0.001957492,0.00129949,0.002557751,0.002100102,0.00008502432,0.00005623613,0.00007361663,0.1475763],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5440505,"threshold_uncertainty_score":0.9996331,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2729075342","doi":"","title":"#impeachment ou #naovaitergolpe: uma análise sobre a folksonomia na indexação de imagens fotográficas em redes sociais da Web 2.0","year":2017,"lang":"pt","type":"article","venue":"Biblionline","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Isabella de Oliveira e Nóbrega","is_ca":false},{"name":"Míriam Paula Manini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07886206075669416,"gpt":0.3230360568832581,"spread":0.244173996126564,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006703024,0.0008819526,0.00100255,0.001783955,0.004559116,0.00462728,0.001130896,0.0003139734,0.003526463],"category_scores_gemma":[0.0002524669,0.0007459656,0.0006778634,0.0004941857,0.0008436135,0.001521873,0.0007898161,0.0006931765,0.0003033496],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001934869,"about_ca_system_score_gemma":0.0002830867,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006356625,"about_ca_topic_score_gemma":0.004117598,"domain_scores_codex":[0.9959481,0.0001836805,0.001020351,0.0009487811,0.000633452,0.001265688],"domain_scores_gemma":[0.9967563,0.0001649373,0.0008268541,0.001323374,0.0004672347,0.0004613269],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004968784,0.001364477,0.0208884,0.0005984339,0.001345215,0.0004568746,0.1871759,0.000002734567,0.0002781095,0.0047068,0.6877773,0.09490888],"study_design_scores_gemma":[0.003148584,0.0004909419,0.0619801,0.0004561055,0.0004745383,0.00004530025,0.03063276,0.0009954708,0.0000812561,0.0004986023,0.8999534,0.001242957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9308586,0.02058542,0.00002150789,0.01187751,0.004408277,0.001280166,0.003829688,0.0003656078,0.02677325],"genre_scores_gemma":[0.9152715,0.01027277,0.0002689464,0.001428219,0.006589113,0.000130834,0.0004763814,0.0001064195,0.06545578],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2121761,"threshold_uncertainty_score":0.9994991,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2244305425","doi":"10.5151/designpro-cidi2015-cidi_50","title":"Beijo da rua, um jornal com a voz das prostitutas","year":2015,"lang":"pt","type":"article","venue":"","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Humanities; Physics; Political science; Art","authors":[{"name":"Flavio César","is_ca":true},{"name":"Ana Beatriz Pereira de Andrade","is_ca":true},{"name":"Henrique Perazzi de Aquino","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09462837168523704,"gpt":0.2866004952446382,"spread":0.1919721235594011,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002715348,0.0004710074,0.0005580223,0.00009901173,0.0008662866,0.001092925,0.0003095983,0.0001112218,0.005198407],"category_scores_gemma":[0.0000926611,0.0003262574,0.0002062569,0.00007428273,0.0006833474,0.0007624532,0.000236254,0.0003665774,0.001861361],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007682293,"about_ca_system_score_gemma":0.0001124809,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001171038,"about_ca_topic_score_gemma":0.001935433,"domain_scores_codex":[0.9977325,0.00009362955,0.0005443445,0.0004537036,0.0005376354,0.000638201],"domain_scores_gemma":[0.998623,0.00008462578,0.0001498053,0.0003551409,0.0003950541,0.0003923806],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008221347,0.0002208089,0.001200143,0.00009566427,0.0002477407,0.00006235472,0.2278052,0.000001446107,0.000003718673,0.1178804,0.6505485,0.001851784],"study_design_scores_gemma":[0.001140399,0.0004143263,0.0004475453,0.0001300739,0.0001456667,0.00002331935,0.06619088,0.0001021687,0.00002074378,0.0008591695,0.9300132,0.0005125448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1574377,0.0206601,0.00002903121,0.01324632,0.01041492,0.001191428,0.0006502042,0.0003885555,0.7959818],"genre_scores_gemma":[0.4896089,0.0001392452,0.00004386478,0.001590431,0.003198053,0.00003074924,0.000132103,0.00002725716,0.5052294],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3321712,"threshold_uncertainty_score":0.999944,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2226449489","doi":"","title":"OS PERCURSOS DA MEMÓRIA: a exposição virtual cartes postales du Québec d'antan como fonte de informação histórica","year":2007,"lang":"pt","type":"article","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Lídia Eugênia Cavalcante","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07182886709393925,"gpt":0.3478364496317266,"spread":0.2760075825377873,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.006768509,0.0005428444,0.0005899201,0.003401422,0.00594162,0.0007429279,0.001233315,0.0003513853,0.0001909358],"category_scores_gemma":[0.003417646,0.0004509919,0.0001784653,0.002016336,0.00747299,0.001641491,0.0006479382,0.001049368,0.00003012157],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001193783,"about_ca_system_score_gemma":0.003668848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003784803,"about_ca_topic_score_gemma":0.007050146,"domain_scores_codex":[0.9934573,0.00008549925,0.000964975,0.001071926,0.002128148,0.002292161],"domain_scores_gemma":[0.994877,0.001075682,0.0003074668,0.0003582319,0.002974608,0.0004069485],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007595855,0.001309611,0.02372913,0.0006436824,0.0005637481,0.0001984541,0.1654383,8.186111e-7,0.004114395,0.5425727,0.1388518,0.1218178],"study_design_scores_gemma":[0.003718142,0.008732419,0.006497331,0.0007014781,0.0001602051,0.0007609011,0.1885753,0.002632268,0.003326921,0.01150953,0.7711669,0.002218551],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8864888,0.0410795,0.0002886465,0.009320722,0.001459546,0.004149551,0.001939286,0.0005968849,0.05467707],"genre_scores_gemma":[0.9687473,0.002439392,0.0001692008,0.000149369,0.0005895359,0.0003882048,0.0001831601,0.00004091258,0.02729291],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6323151,"threshold_uncertainty_score":0.9997942,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2300898293","doi":"10.11606/t.8.2013.tde-13022014-102229","title":"Imagens de Roland Barthes no Brasil","year":2013,"lang":"es","type":"dissertation","venue":"","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Universidade de São Paulo; Université de Montréal","keywords":"Criticism; Newspaper; Literary criticism; Context (archaeology); Art; Proposition; Literature; Subject (documents); Humanities; Art history; History; Philosophy; Sociology; Media studies; Epistemology","authors":[{"name":"Laura Taddei Brandini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01647814110599595,"gpt":0.2327011615172402,"spread":0.2162230204112442,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008454099,0.000526413,0.0005419005,0.0001079327,0.0008392662,0.001274279,0.0002189806,0.0001876383,0.03756477],"category_scores_gemma":[0.00008553897,0.0003607098,0.0002819121,0.00002129656,0.0001883373,0.0004853417,0.00003317189,0.0002955872,0.005277828],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002864714,"about_ca_system_score_gemma":0.000062828,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002506823,"about_ca_topic_score_gemma":0.00338845,"domain_scores_codex":[0.9983596,0.00006559333,0.0004293634,0.0003989165,0.0002454548,0.0005010756],"domain_scores_gemma":[0.9988237,0.0002033432,0.0001735485,0.000235782,0.0004237461,0.0001399022],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009681899,0.0001790733,0.006009877,0.0009364422,0.0006974295,0.00002031777,0.4654908,4.501257e-7,0.0004726039,0.04391713,0.4788208,0.00335827],"study_design_scores_gemma":[0.0003504282,0.0001484565,0.01725293,0.0002558029,0.0001929743,0.000004413136,0.07652801,0.00003853954,0.0001568825,0.0002366803,0.9041929,0.0006420519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.53467,0.003909543,5.182298e-7,0.0001644755,0.001654531,0.0003039657,0.0001125969,0.00007736705,0.459107],"genre_scores_gemma":[0.2526647,0.002310069,0.00006100794,0.0005987419,0.003484251,0.00008418024,0.001163349,0.00004756121,0.7395861],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4253721,"threshold_uncertainty_score":0.9998845,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1699714550","doi":"10.11606/issn.1982-8160.v4i1p193-202","title":"The public manifestations of the audience","year":2011,"lang":"en","type":"article","venue":"Matrizes","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Roger de la Garde","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07935828003660589,"gpt":0.2013821427109146,"spread":0.1220238626743087,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000759303,0.00005105,0.00005459331,0.00001198612,0.0006970167,0.00006596508,0.0002007837,0.000007305104,0.0004301982],"category_scores_gemma":[0.000055113,0.00002116632,0.00005213727,0.00002745303,0.0004229232,0.0001290709,0.00004998763,0.00004293859,0.00003284118],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003756985,"about_ca_system_score_gemma":0.0000104145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009281919,"about_ca_topic_score_gemma":0.001237284,"domain_scores_codex":[0.9996061,0.00002540253,0.0001136012,0.00005642035,0.00009197125,0.0001064873],"domain_scores_gemma":[0.999628,0.00008456313,0.00005933486,0.0001404504,0.00007441394,0.00001320942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003942881,0.00002222881,0.001688172,0.00001265848,0.00002923344,0.000001203642,0.2146673,2.113277e-8,0.00001067421,0.7614622,0.02064416,0.001458183],"study_design_scores_gemma":[0.00008114131,0.00002597297,0.01479077,0.00001153692,0.00001780248,0.000004056291,0.0395708,0.00000305953,0.00007414632,0.009875038,0.9354816,0.00006407266],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5810197,0.002114196,0.00000228496,0.004313724,0.001790091,0.0002046914,0.00003576287,0.00005266364,0.4104669],"genre_scores_gemma":[0.9773862,0.0001110056,0.00001806338,0.00009879038,0.0001488893,0.00001359627,8.755672e-7,0.000003060424,0.02221956],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9148375,"threshold_uncertainty_score":0.5360959,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W144818325","doi":"","title":"\"Gente da nossa\": uma construção mediática da ideia de \"comunidade portuguesa\".","year":2013,"lang":"pt","type":"article","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Filomena Silvano","is_ca":false},{"name":"Marta Vilar Rosales","is_ca":false},{"name":"Sónia Ferreira","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09899510758232279,"gpt":0.3676447831858082,"spread":0.2686496756034855,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.005428752,0.0006476185,0.0007333792,0.003728049,0.005461326,0.001596043,0.001729844,0.0004727441,0.0009166049],"category_scores_gemma":[0.00438987,0.0005399264,0.000188216,0.002618068,0.01320922,0.001950391,0.0009617449,0.001460836,0.0001188174],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005536433,"about_ca_system_score_gemma":0.002471898,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008108065,"about_ca_topic_score_gemma":0.0001558058,"domain_scores_codex":[0.991736,0.0001680997,0.001085938,0.001564759,0.002668619,0.002776613],"domain_scores_gemma":[0.9931653,0.001021077,0.0003781425,0.0005705361,0.004279128,0.0005857951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001102837,0.0008255759,0.01108809,0.0005353558,0.0004716026,0.00006396916,0.02150785,3.185012e-7,0.004989407,0.5804206,0.3110293,0.06895766],"study_design_scores_gemma":[0.00361333,0.004093433,0.006498798,0.001012267,0.0001695821,0.0004137478,0.07540271,0.004410488,0.002435623,0.1754087,0.7240081,0.002533134],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8011245,0.04043952,0.0001121225,0.02333526,0.002950855,0.007583998,0.002543942,0.0008162516,0.1210936],"genre_scores_gemma":[0.9317093,0.004344972,0.0005830248,0.0002369165,0.0007255387,0.00132688,0.0003354664,0.00005921322,0.06067863],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4129788,"threshold_uncertainty_score":0.9999967,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1799609560","doi":"10.9771/2317-1219rf.v8i7.2797","title":"Ser e Parecer “Patricinha”: família, amigos e identidade na adolescência","year":2007,"lang":"pt","type":"article","venue":"Revista entreideias educação cultura e sociedade","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Humanities; Psychology; Art","authors":[{"name":"Cláudia da Silva Pereira","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02989611429513048,"gpt":0.2783666401278703,"spread":0.2484705258327398,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001357177,0.001865247,0.001967677,0.000344982,0.002847471,0.003112531,0.001156476,0.0006467425,0.008356528],"category_scores_gemma":[0.0004752029,0.001490645,0.001791161,0.0007581922,0.001085802,0.001489697,0.0004610567,0.001814851,0.003037191],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008842184,"about_ca_system_score_gemma":0.0002803607,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006182548,"about_ca_topic_score_gemma":0.0007463216,"domain_scores_codex":[0.9906227,0.0004061262,0.002703503,0.001812122,0.001657331,0.002798235],"domain_scores_gemma":[0.9950353,0.0005468858,0.001263456,0.00111823,0.001016161,0.001019976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001876682,0.0009335061,0.007694885,0.001772387,0.001386996,0.0002291902,0.4708765,0.000004325581,0.0004405688,0.02375097,0.4829422,0.009780807],"study_design_scores_gemma":[0.001184291,0.0001549515,0.01176619,0.001154381,0.0007981097,0.00005928669,0.2687984,0.00001143211,0.0001983489,0.0001020652,0.7140304,0.001742142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8223463,0.1172229,0.0001153058,0.004145232,0.01152273,0.003257281,0.001049105,0.0008435745,0.0394976],"genre_scores_gemma":[0.7410262,0.005685881,0.00007469187,0.002836418,0.009429861,0.000055039,0.0005384714,0.0001820165,0.2401714],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2310882,"threshold_uncertainty_score":0.9994092,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3017511111","doi":"10.5433/1981-8920.2020v25n1p66","title":"Redes Sociais como Lugares Enviesados de Memória: um discurso coletivo da paralização dos caminhoneiros de 2018","year":2020,"lang":"pt","type":"article","venue":"Informação & Informação","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Tartu Ülikool; Concordia University; Eesti Teadusagentuur; Universidad Nacional Autónoma de México; Australian Government; University of Missouri","keywords":"Humanities; Philosophy","authors":[{"name":"Denise Braga Sampaio","is_ca":false},{"name":"Izabel França de Lima","is_ca":false},{"name":"María Rosa","is_ca":false},{"name":"Bernardina Maria Juvenal Freire de Oliveira","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05499664674477561,"gpt":0.26293885855034,"spread":0.2079422118055644,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0006757569,0.001616694,0.001763603,0.0003030705,0.002542553,0.002364221,0.001455954,0.0006788558,0.005872563],"category_scores_gemma":[0.0003539948,0.001372559,0.001021899,0.0004155127,0.001703791,0.004891024,0.0008840215,0.001539745,0.002941794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005488394,"about_ca_system_score_gemma":0.0006047144,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001334387,"about_ca_topic_score_gemma":0.001027609,"domain_scores_codex":[0.9926161,0.0001866712,0.002504127,0.0006903683,0.001214892,0.002787837],"domain_scores_gemma":[0.9959615,0.0003509886,0.001160764,0.0008347901,0.0004366591,0.001255223],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004202866,0.0001325555,0.002817696,0.001057945,0.0007696325,0.00006176209,0.5725313,0.00006322839,0.00002520159,0.005551056,0.4084426,0.008126786],"study_design_scores_gemma":[0.002478233,0.0008284,0.001131904,0.0004654504,0.0004181754,0.00006189439,0.1849923,0.002156898,0.0003538847,0.0001321656,0.8053117,0.001669004],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5085772,0.03678012,0.000901174,0.03892708,0.01333468,0.009587724,0.01008352,0.005492157,0.3763163],"genre_scores_gemma":[0.9219073,0.005334569,0.0002083174,0.02595948,0.004375649,0.0005001278,0.001011505,0.0003423726,0.04036067],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4133301,"threshold_uncertainty_score":0.999658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2260994807","doi":"10.17851/2358-9787.24.1.61-76","title":"descrição do mundo de Verônica Stigger ou uma antropofagia desidratada","year":2015,"lang":"pt","type":"article","venue":"O Eixo e a Roda Revista de Literatura Brasileira","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Ângela Maria Dias","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05700299064534942,"gpt":0.274191372422479,"spread":0.2171883817771296,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001328447,0.001458688,0.001651672,0.0003549071,0.001378602,0.0107032,0.001175019,0.0004651594,0.002061266],"category_scores_gemma":[0.0009923342,0.001221656,0.0007327084,0.0004855251,0.0008511422,0.002254193,0.0004523959,0.001473058,0.0007115167],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008131399,"about_ca_system_score_gemma":0.0007742629,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004549017,"about_ca_topic_score_gemma":0.0001741441,"domain_scores_codex":[0.9928461,0.00104713,0.001572092,0.001461125,0.0009526359,0.002120913],"domain_scores_gemma":[0.9949961,0.0005570947,0.0006302689,0.001556505,0.0009897505,0.001270338],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008862217,0.0005838236,0.01912681,0.001134048,0.0009329839,0.001167285,0.3083556,0.000009800107,0.0002528912,0.1219664,0.5404652,0.005118885],"study_design_scores_gemma":[0.002669355,0.0006711175,0.004929954,0.001929351,0.0006019113,0.0003188022,0.02003936,0.0002990357,0.00004373508,0.0005466579,0.9661373,0.001813373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7617127,0.1878733,0.0001388188,0.002420062,0.004182502,0.00188592,0.001870053,0.0005964288,0.03932017],"genre_scores_gemma":[0.9342036,0.0009718405,0.0008056647,0.003032577,0.005540041,0.0001237333,0.0005539761,0.000201282,0.05456731],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4256721,"threshold_uncertainty_score":0.9999214,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1535786203","doi":"10.25200/slj.v1.n1.2012.17","title":"A entrevista de pesquisa com jornalistas. Introducao","year":2012,"lang":"es","type":"article","venue":"Sur le journalisme About journalism Sobre jornalismo","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","authors":[{"name":"Nadège Broustau","is_ca":true},{"name":"Valérie Jeanne-Perrier","is_ca":false},{"name":"Florence Le Cam","is_ca":false},{"name":"Fábio Henrique Pereira","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02615707803672702,"gpt":0.2459380399222305,"spread":0.2197809618855034,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.006038482,0.002457699,0.003170617,0.001242858,0.005057671,0.009347191,0.002239479,0.0007943664,0.009441216],"category_scores_gemma":[0.0009311769,0.002095151,0.002543527,0.0006248102,0.001635872,0.005990433,0.0006796601,0.00487106,0.000634073],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001194135,"about_ca_system_score_gemma":0.001318725,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003476586,"about_ca_topic_score_gemma":0.0002261651,"domain_scores_codex":[0.9840913,0.002582031,0.004186173,0.001236118,0.002846451,0.005057933],"domain_scores_gemma":[0.9888607,0.0009198365,0.00340316,0.001541944,0.002031175,0.003243241],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000466021,0.001867826,0.01552496,0.0008616284,0.002872908,0.0006574942,0.2043725,0.000034982,0.000450695,0.2155557,0.5534891,0.003846061],"study_design_scores_gemma":[0.004266123,0.000266766,0.0107687,0.002534985,0.00161816,0.003869046,0.0160768,0.00008128928,0.0002263282,0.003289599,0.9545164,0.002485876],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5223148,0.2534214,0.0003328612,0.1715976,0.02149747,0.001597646,0.002199123,0.0005693528,0.02646965],"genre_scores_gemma":[0.8454948,0.03832289,0.0002483015,0.009828815,0.05489695,0.00007605448,0.0002462866,0.0005036076,0.05038231],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4010272,"threshold_uncertainty_score":0.998816,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1789974868","doi":"10.55442/tomauno.n3.2014.9307","title":"LECTURAS NÓMADES DE LOS PAISAJES CINEMATOGRÁFICOS CONTEMPORÁNEOS. Reseña del libro No coração do mundo. Paisagens transculturais. Denilson Lopes, Editorial Rocco, Río de Janeiro, 2012.","year":2014,"lang":"es","type":"article","venue":"TOMA UNO","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Association of Nurses in Oncology","funders":"","keywords":"LOPES; Humanities; Art; Physics","authors":[{"name":"Julia Kratje","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01677485710221641,"gpt":0.2462026432179983,"spread":0.2294277861157819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009073431,0.001244032,0.001472214,0.0002401668,0.001655314,0.002338205,0.0008608018,0.0006313643,0.003297125],"category_scores_gemma":[0.0007160542,0.0009493676,0.0007401402,0.0001629282,0.0009295161,0.001239686,0.00016055,0.001034012,0.0007040313],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001786817,"about_ca_system_score_gemma":0.0002409037,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001687276,"about_ca_topic_score_gemma":0.001801513,"domain_scores_codex":[0.9941892,0.0007985605,0.001250942,0.001055371,0.0009765838,0.001729362],"domain_scores_gemma":[0.9961945,0.001188161,0.0004750254,0.0007630934,0.0007638974,0.0006152663],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009410526,0.0004368801,0.00325794,0.001250634,0.0008164836,0.0001016928,0.09832532,0.00001223609,0.001956436,0.01186541,0.8779702,0.00306577],"study_design_scores_gemma":[0.0030761,0.000878293,0.002714849,0.001118065,0.0004794543,0.00007272031,0.007067472,0.0001825139,0.0006636994,0.0004799,0.9818908,0.001376163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.780893,0.05234218,0.0001611516,0.002707494,0.05628218,0.002608638,0.001370479,0.001325229,0.1023097],"genre_scores_gemma":[0.8781086,0.002001243,0.0001719496,0.0008976612,0.09562066,0.0001564353,0.0003028164,0.0001623881,0.02257826],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1039206,"threshold_uncertainty_score":0.9996444,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399059456","doi":"10.26512/rhla.v22i1.46945","title":"Brincadeira, engajamento e multiletramento para produção do inédito viável em um ambiente multilíngue","year":2023,"lang":"pt","type":"article","venue":"Revista Horizontes de Linguistica Aplicada","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Saint Mary's University","funders":"","keywords":"Humanities; Sociology; Philosophy","authors":[{"name":"Fernanda Coelho Liberali","is_ca":false},{"name":"Rayssa Mesquita de Andrade","is_ca":false},{"name":"Sandra V. André Borges","is_ca":true},{"name":"Luciana Kool Modesto-Sarra","is_ca":false},{"name":"Marina Daniela Ribeiro Tiso","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04572335445682141,"gpt":0.2954184830612969,"spread":0.2496951286044755,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001032794,0.001460295,0.001711937,0.0004583454,0.001759676,0.002949047,0.001133571,0.0004040927,0.0008819102],"category_scores_gemma":[0.003731225,0.001293269,0.000797698,0.0006734679,0.0007135334,0.0002958858,0.0007390718,0.001456011,0.001777851],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004991334,"about_ca_system_score_gemma":0.0002076593,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001048313,"about_ca_topic_score_gemma":0.0004420081,"domain_scores_codex":[0.9923124,0.0004040757,0.001836926,0.001945327,0.001182071,0.002319237],"domain_scores_gemma":[0.9950933,0.001092369,0.0006493064,0.001450156,0.0008707449,0.0008441369],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005970998,0.001703022,0.003899539,0.005359944,0.002127511,0.001281323,0.3389007,0.00001491025,0.0009075711,0.1407722,0.4574468,0.0469895],"study_design_scores_gemma":[0.001358721,0.0006426464,0.002586007,0.001711398,0.0005240847,0.0000192871,0.0291984,0.001030209,0.0001435145,0.0002671496,0.9610291,0.001489533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8787774,0.05388603,0.0002071624,0.005013362,0.01495473,0.008335804,0.005340273,0.003591302,0.02989388],"genre_scores_gemma":[0.8969518,0.003701233,0.0002923732,0.0008665282,0.01875812,0.0005645294,0.0006418765,0.0002767817,0.07794675],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5035823,"threshold_uncertainty_score":0.9998147,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4318040235","doi":"10.5216/v.v20.71383","title":"A/r/tógrafo Viajante: um Conceito em Construção","year":2023,"lang":"pt","type":"article","venue":"Visualidades","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Community Based Research Centre","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Bruno de Oliveira da Silva","is_ca":false},{"name":"Yára Christina Cesário Pereira","is_ca":true},{"name":"Luciano Torres Tricárico","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0641639893258899,"gpt":0.3130786691925311,"spread":0.2489146798666412,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003352577,0.0006324294,0.0007947526,0.0003138925,0.001384015,0.001551336,0.000390033,0.0001909376,0.003558385],"category_scores_gemma":[0.0001400553,0.0005154731,0.0003839064,0.0003722785,0.0009211676,0.0005064587,0.0002684386,0.0004007058,0.004960761],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004907383,"about_ca_system_score_gemma":0.00007938055,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001486887,"about_ca_topic_score_gemma":0.0002975086,"domain_scores_codex":[0.9968004,0.0001999152,0.0007458066,0.0006832572,0.0005643388,0.00100633],"domain_scores_gemma":[0.998423,0.0004442474,0.0002354886,0.0004034018,0.000243578,0.0002502265],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007077566,0.0001664714,0.002006753,0.0004883444,0.0005954576,0.0002144295,0.5132343,0.000001529741,0.0002696899,0.0840584,0.3905196,0.008374254],"study_design_scores_gemma":[0.0007070538,0.0002882566,0.001286108,0.0003152178,0.0001391499,0.00001356226,0.2762341,0.0001550445,0.0003972656,0.0004162598,0.7193865,0.0006614777],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9533165,0.008617787,0.000003521984,0.001917789,0.007079786,0.000640231,0.001080536,0.0009769695,0.02636688],"genre_scores_gemma":[0.8242984,0.001178453,0.000007452652,0.0008659094,0.003505272,0.00005892216,0.0002781342,0.00006925307,0.1697382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3288669,"threshold_uncertainty_score":0.9999161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2925920650","doi":"","title":"Novos repertórios de ação e a invisibilidade dos movimentos sociais pela mídia, por Cristiana Losekann","year":2019,"lang":"pt","type":"article","venue":"Parágrafo","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec","funders":"","keywords":"Humanities; Sociology; Philosophy","authors":[{"name":"Dione Oliveira Moura","is_ca":false},{"name":"Liziane Guazina","is_ca":false},{"name":"Luana Mellody V. Brasil","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02266140901621002,"gpt":0.2489643787751951,"spread":0.2263029697589851,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006033905,0.0008336694,0.00105905,0.0002227346,0.0009505852,0.0008634687,0.000575753,0.0003028905,0.009713128],"category_scores_gemma":[0.0002089795,0.000708564,0.0006886408,0.0001781594,0.0004193616,0.0006093214,0.0002787002,0.0007171103,0.004216082],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002469877,"about_ca_system_score_gemma":0.0002010608,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001739637,"about_ca_topic_score_gemma":0.001343574,"domain_scores_codex":[0.9955491,0.0003206449,0.0009833712,0.001082803,0.000706484,0.001357533],"domain_scores_gemma":[0.9975697,0.0004124481,0.0004148639,0.0008940968,0.000295286,0.0004136146],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002148275,0.0007536997,0.02036154,0.0008722013,0.001321091,0.0001909503,0.6665007,0.000009642947,0.0003776624,0.008317696,0.2957734,0.005306627],"study_design_scores_gemma":[0.002471532,0.000622922,0.007267527,0.0005501642,0.0005955053,0.00003966624,0.1142022,0.0007161656,0.0002636388,0.001015955,0.8706295,0.001625103],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9009148,0.02156839,0.00001962772,0.004720293,0.003970442,0.002009483,0.0006937213,0.0003516341,0.06575154],"genre_scores_gemma":[0.8025059,0.0007157881,0.00003995284,0.003077809,0.002267586,0.0001036416,0.0001334727,0.00008948011,0.1910664],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5748562,"threshold_uncertainty_score":0.9995366,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2920184411","doi":"10.11606/t.27.2018.tde-27122018-101749","title":"Feminismo em pauta: um estudo sobre mulheres e jornalismo alternativo","year":2018,"lang":"pt","type":"dissertation","venue":"","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Journalism; Theme (computing); Sketch; Feminism; Emancipation; Gender studies; Sociology; Politics; Humanities; Political science; Media studies; Art; Law","authors":[{"name":"Anna Flávia Feldmann","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03270673587016473,"gpt":0.2755924232465533,"spread":0.2428856873763886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.000251831,0.001308744,0.001310214,0.0002955684,0.002098484,0.001664453,0.0007663141,0.0004394197,0.02031153],"category_scores_gemma":[0.00009701362,0.0009632212,0.0006641672,0.0001119983,0.0005005946,0.0007178565,0.0001727563,0.0007357363,0.001756282],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008613056,"about_ca_system_score_gemma":0.0001242247,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001795055,"about_ca_topic_score_gemma":0.01336537,"domain_scores_codex":[0.9955726,0.0001496382,0.001230965,0.001137216,0.0009506585,0.0009588769],"domain_scores_gemma":[0.9972518,0.0002457407,0.0007240949,0.0006081121,0.0008967158,0.0002735452],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000181344,0.0003315235,0.0003217048,0.0006893013,0.001393859,0.00009137257,0.7249466,3.46715e-7,0.00001774999,0.02431356,0.231008,0.01670466],"study_design_scores_gemma":[0.0007365856,0.0004415249,0.001253756,0.0006588549,0.0003980717,0.000009157554,0.3425575,0.00004189085,0.0002158254,0.0008150872,0.6517925,0.001079251],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5504093,0.007795419,0.000007205402,0.0005856135,0.01674224,0.00107488,0.0006657565,0.0003547716,0.4223649],"genre_scores_gemma":[0.3418002,0.002331667,0.0000829334,0.001091596,0.007610522,0.0001290542,0.002239224,0.0001230609,0.6445917],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4207845,"threshold_uncertainty_score":0.9999664,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2374018077","doi":"10.15687/rec.2016.v9i1.024038","title":"ENTRE CINEFORMAÇÃO DOCENTE E O CINEMA DE UM CORPO SENSÍVEL:  o que os jovens esperam da escola e de nós professores? ","year":2016,"lang":"pt","type":"article","venue":"Revista Espaço do Currículo","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Nortel (Canada)","funders":"","keywords":"Humanities; Art; Movie theater; Art history","authors":[{"name":"GOMES L.F.R.","is_ca":false},{"name":"CARVALHO J.M.","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02798690462168844,"gpt":0.2708795248013983,"spread":0.2428926201797098,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007732504,0.001189943,0.001390599,0.0002573922,0.001296188,0.001535656,0.0007207536,0.0003538463,0.005659354],"category_scores_gemma":[0.000332419,0.0007747007,0.000741336,0.0002003159,0.0007016532,0.0009593707,0.0004134499,0.0007694124,0.001109081],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007290468,"about_ca_system_score_gemma":0.000448208,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003564809,"about_ca_topic_score_gemma":0.0006976056,"domain_scores_codex":[0.9942691,0.0005671402,0.001332889,0.00107016,0.0007490314,0.002011703],"domain_scores_gemma":[0.9966689,0.0004027101,0.0007290257,0.00104207,0.0004705058,0.0006867751],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007473697,0.0009493628,0.04048041,0.004307795,0.001432202,0.0006489047,0.2284371,0.00000830273,0.000797138,0.2313156,0.4690332,0.02184269],"study_design_scores_gemma":[0.00254899,0.0003798532,0.002536588,0.004043363,0.0004946532,0.0001441215,0.01531347,0.0002061325,0.0001546857,0.0002600849,0.9726042,0.001313848],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8813512,0.04847395,0.0002042857,0.01803531,0.00598977,0.004215387,0.003866983,0.0008400015,0.03702312],"genre_scores_gemma":[0.8608607,0.007820145,0.00007230825,0.001148061,0.005341493,0.0001327943,0.0001386313,0.0001678739,0.124318],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.503571,"threshold_uncertainty_score":0.9996687,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W370961962","doi":"","title":"Ace Ventura: king of the quarter","year":2008,"lang":"en","type":"article","venue":"Sight & sound/Sight and sound","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Art; Visual arts; Art history; Geography; Archaeology","authors":[{"name":"Kieron Corless","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03884676881257587,"gpt":0.2105364463171771,"spread":0.1716896775046012,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008227403,0.0002223647,0.0002996287,0.00004352411,0.00121822,0.0001374142,0.0001905098,0.0000541109,0.0006963414],"category_scores_gemma":[0.00001979185,0.0001245903,0.0001683512,0.0000561788,0.0008704498,0.0003276189,0.0000779055,0.0001812238,0.00003270707],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001798999,"about_ca_system_score_gemma":0.0000160477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009719512,"about_ca_topic_score_gemma":0.0007164336,"domain_scores_codex":[0.998859,0.00006152505,0.0002945015,0.0002400776,0.0002694601,0.000275422],"domain_scores_gemma":[0.9993332,0.0001355643,0.0001256649,0.0002452152,0.0001007051,0.00005966486],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005526998,0.0001262379,0.01997383,0.0001218557,0.0002461653,0.0000237918,0.8706232,8.178295e-7,0.0001696545,0.08199272,0.02636744,0.0002989664],"study_design_scores_gemma":[0.0007141415,0.000129291,0.01179361,0.00007066417,0.00009294173,0.00004331406,0.02041303,0.00001055303,0.0001440375,0.02348446,0.9427151,0.0003888576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.936276,0.005867216,0.000005486496,0.0007234091,0.001449897,0.0001905794,0.00002190975,0.0000451084,0.05542036],"genre_scores_gemma":[0.9817817,0.0001800733,0.000011216,0.0003115739,0.001141719,0.00001277124,0.000009519694,0.00001501698,0.01653641],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9163476,"threshold_uncertainty_score":0.9369688,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1586678474","doi":"10.7202/1005807ar","title":"From City of God to City of Men: The Representation of Violence in Brazilian Cinema and Television","year":2011,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Movie theater; Drama; Representation (politics); Context (archaeology); Narrative; Poverty; Sociology; Media studies; Film industry; Aesthetics; History; Art; Visual arts; Literature; Art history; Political science; Law; Politics","authors":[{"name":"Gabriela Borges","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06399874240992694,"gpt":0.2651810365017219,"spread":0.201182294091795,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002399576,0.0001870012,0.0005351759,0.0002323765,0.00008283121,0.00001893433,0.0002446515,0.00005401304,0.0002390209],"category_scores_gemma":[0.0001101759,0.0001289151,0.00012989,0.0002374883,0.0005202667,0.0002520568,0.000119344,0.0001141728,6.170174e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007592987,"about_ca_system_score_gemma":0.00001115936,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007177824,"about_ca_topic_score_gemma":0.005378762,"domain_scores_codex":[0.9986068,0.0001083847,0.0006575407,0.0002912607,0.0001756703,0.0001603235],"domain_scores_gemma":[0.9988143,0.0002102632,0.0003208471,0.0003629784,0.0002368616,0.00005478621],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0002441488,0.0002938564,0.559135,0.000399824,0.0001640156,0.000004556047,0.3529958,8.880129e-7,0.002310683,0.07800773,0.0006629304,0.005780576],"study_design_scores_gemma":[0.0006255871,0.0004981128,0.9139732,0.00226609,0.0001050136,0.000002874776,0.03959615,0.00002399967,0.02596309,0.006828,0.009790261,0.0003276807],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.980397,0.00110118,0.000009597565,0.000265811,0.0001023932,0.0004234804,0.00007559831,0.0000251819,0.01759975],"genre_scores_gemma":[0.9977458,0.001610797,0.000319385,0.00007293575,0.0001217054,0.0000263368,0.00001537504,0.00001111692,0.00007661648],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3548381,"threshold_uncertainty_score":0.9994335,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1781693229","doi":"10.5944/rduned.11.2012.11162","title":"RESEÑA de: Varios Autores ; Grudsinzka, Grazyna y Díaz-Szmidt, Renata (org.). Identidades revisitadas, identidades reinventadas : transformações dos espaços sociais, políticos e culturais nos países de língua oficial portuguesa. Varsóvia : Muzeum Historii Polskiego Ruchu Ludowego , 2012.","year":2012,"lang":"es","type":"article","venue":"Revista de Derecho de la UNED (RDUNED)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Optech (Canada)","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Encarnación Abad Arenas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01889407593604838,"gpt":0.2867802267330709,"spread":0.2678861507970225,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.00381307,0.002288202,0.002762691,0.0007881743,0.003373129,0.005058554,0.001963765,0.001381914,0.003287392],"category_scores_gemma":[0.00150366,0.002087415,0.001839638,0.0006277835,0.001737291,0.004363703,0.0004816949,0.002438563,0.0002724273],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0024331,"about_ca_system_score_gemma":0.001201094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006058714,"about_ca_topic_score_gemma":0.001018308,"domain_scores_codex":[0.9866481,0.002674923,0.002976247,0.001637689,0.001778016,0.004285061],"domain_scores_gemma":[0.9929999,0.001524012,0.001580197,0.001522903,0.000759866,0.001613107],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001049055,0.002347416,0.0473892,0.007088967,0.004005914,0.000937011,0.2913366,0.00000946314,0.006635019,0.3024854,0.3243644,0.01235157],"study_design_scores_gemma":[0.002266282,0.000351551,0.04732177,0.003410007,0.002873601,0.0005481123,0.02189618,0.00006561029,0.001105373,0.002977255,0.9143595,0.00282481],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.553166,0.3827551,0.001098228,0.006586894,0.004145909,0.005279818,0.003064964,0.002023023,0.04188007],"genre_scores_gemma":[0.9358323,0.03042725,0.0009926605,0.001767247,0.008250791,0.0003589323,0.0007650396,0.0003963208,0.02120944],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5899951,"threshold_uncertainty_score":0.9999145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2935112880","doi":"10.19132/1807-858320190.5-15","title":"A crise não é do jornalismo, mas do seu financiamento: entrevista com Jean Charron","year":2019,"lang":"pt","type":"article","venue":"Intexto","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Lívia Guilhermano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02939461274098458,"gpt":0.2616236626317586,"spread":0.2322290498907741,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002478997,0.0006255674,0.0008038942,0.0001420124,0.0005245918,0.001225846,0.0004835682,0.0001463807,0.03811389],"category_scores_gemma":[0.00008621961,0.0004967476,0.0004341565,0.0000934566,0.0002962763,0.0005358467,0.0002767245,0.0005218327,0.006581043],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000151344,"about_ca_system_score_gemma":0.00005816456,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005765109,"about_ca_topic_score_gemma":0.000405884,"domain_scores_codex":[0.9971685,0.0001385435,0.0007311853,0.0006913551,0.000498947,0.0007715152],"domain_scores_gemma":[0.9983355,0.0002203145,0.0003085741,0.0006546436,0.0002742227,0.0002067398],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001545099,0.0002605964,0.002262525,0.000477782,0.0002398363,0.00007424469,0.3084674,0.00000142897,0.00004802025,0.04863954,0.6308919,0.008482226],"study_design_scores_gemma":[0.0009657466,0.0003614276,0.0004996831,0.001092364,0.0001397039,0.000008758753,0.03635132,0.00004785436,0.00005109912,0.0004332142,0.9594018,0.000646972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6697422,0.1355766,0.00002393695,0.02638739,0.01735528,0.002616385,0.001736747,0.0003611174,0.1462004],"genre_scores_gemma":[0.5589858,0.001567408,0.000003759676,0.001347592,0.001470366,0.00003087853,0.00008044561,0.00004623893,0.4364675],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.32851,"threshold_uncertainty_score":0.999811,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4382400812","doi":"10.25200/slj.v12.n1.2023.525","title":"Enquadramentos em análises de dinâmicas interacionais: aproximações entre Goffman e Butler","year":2023,"lang":"pt","type":"article","venue":"Sur le journalisme About journalism Sobre jornalismo","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Vanessa Neme Spirandeo","is_ca":false},{"name":"Luís Mauro Sá Martino","is_ca":false},{"name":"Ângela Cristina Salgueiro Marques","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03859240679488787,"gpt":0.26065843734463,"spread":0.2220660305497421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.003253619,0.002256446,0.002673835,0.001935688,0.004955606,0.007328997,0.002244988,0.0007638547,0.008299442],"category_scores_gemma":[0.0007428484,0.00191457,0.002442653,0.001215515,0.0009849108,0.004083336,0.0008805373,0.004103988,0.001291836],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008562679,"about_ca_system_score_gemma":0.001055967,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001796493,"about_ca_topic_score_gemma":0.001881821,"domain_scores_codex":[0.9863501,0.001675061,0.003870858,0.00155865,0.002759642,0.003785678],"domain_scores_gemma":[0.9915004,0.0009828755,0.002586813,0.001220561,0.001787797,0.001921536],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004600802,0.0008636364,0.002399809,0.0006651906,0.00284139,0.002936171,0.491059,0.0001537036,0.0005595532,0.01866662,0.4732466,0.006148288],"study_design_scores_gemma":[0.005111259,0.0004331863,0.006911685,0.004325614,0.001120388,0.002026131,0.1695033,0.0008641533,0.000446425,0.01168955,0.7948736,0.002694763],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8908296,0.0319979,0.0001044315,0.04979864,0.01355505,0.001440316,0.002022497,0.001028327,0.009223267],"genre_scores_gemma":[0.8564635,0.0292394,0.0001045446,0.006099761,0.01356049,0.0001408258,0.0003998077,0.0004669406,0.09352475],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.321627,"threshold_uncertainty_score":0.9994858,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2020874058","doi":"10.1590/s0102-46982008000100014","title":"Memórias sobre a história de uma cidade: a História como labirinto","year":2008,"lang":"pt","type":"article","venue":"Educação em Revista","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Lana Mara de Castro Siman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05269579857818715,"gpt":0.263749367349388,"spread":0.2110535687712009,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005256941,0.0009881768,0.00136746,0.0002211266,0.002348985,0.0009958145,0.000774328,0.000283738,0.01062582],"category_scores_gemma":[0.0003425687,0.0008618869,0.0006930236,0.0002475596,0.0008727499,0.0005459522,0.0003100985,0.0009310861,0.00161993],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000584369,"about_ca_system_score_gemma":0.0005541138,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009685725,"about_ca_topic_score_gemma":0.001181213,"domain_scores_codex":[0.9953812,0.0004362089,0.001188108,0.001008164,0.0006514031,0.001334922],"domain_scores_gemma":[0.9971773,0.0003074616,0.0004839087,0.001025753,0.0004376173,0.000567931],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001037718,0.0004291752,0.001774393,0.0006678991,0.0003186437,0.0002436259,0.3819101,4.279881e-7,0.00002190113,0.01485396,0.5963033,0.003372834],"study_design_scores_gemma":[0.001048493,0.0002788511,0.003081135,0.0006692111,0.0003014296,0.0002533367,0.04669111,0.00002494859,0.0000169802,0.0002516223,0.9463222,0.001060699],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8346086,0.09092353,0.00001614541,0.007835651,0.008901277,0.00150201,0.000590856,0.0004998543,0.05512207],"genre_scores_gemma":[0.584253,0.004673227,0.0001254523,0.00248575,0.008366714,0.0001414047,0.0001875276,0.0001408324,0.3996261],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3500189,"threshold_uncertainty_score":0.9993832,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2595032189","doi":"10.22409/gragoata.v18i35.32952","title":"A alteridade ameríndia na ficção contemporânea das Américas: Brasil, Argentina, Quebec","year":2013,"lang":"pt","type":"article","venue":"Gragoatá","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Political science; Geography; Humanities","authors":[{"name":"Eloína Prati dos Santos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03713958456189419,"gpt":0.2571014387549177,"spread":0.2199618541930235,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001986377,0.0008437312,0.001003093,0.0002206802,0.001259565,0.002168783,0.0005965512,0.0001892107,0.01183879],"category_scores_gemma":[0.00008999373,0.0006796493,0.0005649243,0.0001689452,0.00084469,0.002052861,0.0002770121,0.0005564893,0.005129952],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001044064,"about_ca_system_score_gemma":0.0001075,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.03147714,"about_ca_topic_score_gemma":0.0181503,"domain_scores_codex":[0.9961426,0.0002131882,0.001014639,0.0008935426,0.0005467468,0.001189337],"domain_scores_gemma":[0.9978009,0.0002113941,0.0004488398,0.0007448337,0.0003665621,0.000427474],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006421877,0.0004731743,0.005492792,0.0004227522,0.0006805565,0.0001204997,0.2641874,5.754627e-7,0.0002426586,0.02113965,0.6978818,0.009293981],"study_design_scores_gemma":[0.00104263,0.0002875195,0.01467284,0.0002984565,0.0001713064,0.00002242514,0.07310473,0.00008202034,0.000105413,0.0002753569,0.9089013,0.001035966],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9169043,0.01780818,0.00002813202,0.005410441,0.006566455,0.001768288,0.0006653103,0.0003857903,0.05046313],"genre_scores_gemma":[0.7226905,0.0006386249,0.00001770033,0.001948779,0.002197762,0.0001964202,0.0002592204,0.00006902751,0.271982],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2215188,"threshold_uncertainty_score":0.9997659,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2532829976","doi":"10.17771/pucrio.tradrev.22590","title":"TRADUZIR AS METÁFORAS DO FUNDO DO CORAÇÃO (AMOR CORTÊS, METÁFORA E TRADUÇÃO)","year":2014,"lang":"pt","type":"article","venue":"TRADUÇÃO EM REVISTA","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Art; Humanities","authors":[{"name":"INES OSEKI DEPRE","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04383284887745223,"gpt":0.2630179786250727,"spread":0.2191851297476205,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001385138,0.001950487,0.002904075,0.0004586466,0.002112998,0.004121067,0.001440453,0.0004431345,0.01059381],"category_scores_gemma":[0.0003987305,0.001584647,0.001530021,0.0005087157,0.001150103,0.001313744,0.0002093648,0.001348085,0.002455484],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002348292,"about_ca_system_score_gemma":0.000202347,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003369411,"about_ca_topic_score_gemma":0.0004275774,"domain_scores_codex":[0.991321,0.0008076178,0.002358891,0.001941601,0.001555241,0.002015683],"domain_scores_gemma":[0.9948935,0.0008420588,0.0009956486,0.001815054,0.0005028357,0.0009509267],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006379113,0.001099022,0.0008627564,0.002596661,0.001897326,0.0002529424,0.2373365,0.00000415338,0.00008164686,0.4595481,0.2239957,0.0716873],"study_design_scores_gemma":[0.002751076,0.001447586,0.001388267,0.001220663,0.001424555,0.0001258737,0.03678363,0.000135357,0.00006656053,0.002218392,0.9503035,0.00213457],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6424766,0.1527421,0.000242068,0.005542025,0.01051975,0.00502645,0.002532566,0.001483191,0.1794352],"genre_scores_gemma":[0.8970089,0.005175047,0.00009832467,0.002101197,0.004565903,0.0001647581,0.0004429294,0.0002708214,0.0901721],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7263077,"threshold_uncertainty_score":0.9993238,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1879463292","doi":"10.3917/telev.003.0119","title":"Anthropophagie et intermédialité : l'essor des telenovelas brésiliennes","year":2012,"lang":"fr","type":"article","venue":"Télévision","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Adalberto Müller","is_ca":false},{"name":"Philippe Lavat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05557313067866652,"gpt":0.3100454954378438,"spread":0.2544723647591772,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004306387,0.0004331932,0.000450348,0.0001055712,0.001155893,0.0003468887,0.0002167146,0.0001410572,0.007022101],"category_scores_gemma":[0.0001366207,0.0003347966,0.0002362222,0.00008657094,0.001590728,0.001865288,0.0002234938,0.0003266853,0.00122187],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009628054,"about_ca_system_score_gemma":0.00003118385,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001752062,"about_ca_topic_score_gemma":0.00068993,"domain_scores_codex":[0.9978039,0.0001974885,0.0004829401,0.0003341864,0.00030132,0.0008801267],"domain_scores_gemma":[0.9988495,0.000258612,0.0001552267,0.000305322,0.0001740054,0.0002574112],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009788352,0.001035446,0.005687852,0.0005356889,0.0002056884,0.00002210758,0.4324599,0.000001388705,0.0001902467,0.2716903,0.1059156,0.1821579],"study_design_scores_gemma":[0.0005024527,0.0002807177,0.01287567,0.0005876468,0.0001136057,0.00003158918,0.0299647,0.00001752086,0.0003381326,0.001564326,0.9532557,0.0004679091],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7256682,0.1644529,0.00002447764,0.003892891,0.01095088,0.0002898799,0.0002363048,0.0001469369,0.09433751],"genre_scores_gemma":[0.8776809,0.008993781,0.0001691128,0.000739581,0.005461167,0.00001812308,0.00006630342,0.0000491785,0.1068218],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8473401,"threshold_uncertainty_score":0.9999104,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2145720987","doi":"10.1590/s0102-69922004000100010","title":"Dogville: um conto urbano","year":2004,"lang":"pt","type":"article","venue":"Sociedade e Estado","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","authors":[{"name":"Astrid Tirel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02810250963389753,"gpt":0.2421413364653014,"spread":0.2140388268314039,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000209682,0.0005760129,0.0006371333,0.00007711794,0.001503717,0.0006888406,0.0003695063,0.0002235148,0.003891095],"category_scores_gemma":[0.00007040924,0.000477201,0.000487688,0.0001139765,0.0009203803,0.0005939202,0.0001524333,0.0005488883,0.001177066],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002403309,"about_ca_system_score_gemma":0.0001425398,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007691544,"about_ca_topic_score_gemma":0.000811481,"domain_scores_codex":[0.9973595,0.00008155593,0.0005653192,0.0005900453,0.0005107453,0.0008928697],"domain_scores_gemma":[0.9987725,0.0001286664,0.0002097471,0.0004118264,0.0002187678,0.000258463],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003764736,0.0002724548,0.0003616127,0.0002016233,0.0003769701,0.0000700556,0.5716734,0.000005587362,0.000038541,0.2285545,0.196857,0.001550636],"study_design_scores_gemma":[0.001724144,0.0002591744,0.0007944609,0.0002397524,0.0001616757,0.000009240589,0.1397955,0.000003829625,0.00006353192,0.002947256,0.8533251,0.0006762989],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4770484,0.09307771,0.00004040224,0.02602279,0.01690347,0.001728939,0.00118895,0.0008779582,0.3831114],"genre_scores_gemma":[0.775391,0.001322177,0.00005121759,0.002494962,0.004406211,0.00004049542,0.0001003962,0.00006344167,0.2161301],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6564681,"threshold_uncertainty_score":0.9997962,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404467494","doi":"10.19092/reed.v11.760","title":"Entre vozes e silêncios","year":2024,"lang":"en","type":"article","venue":"Revista de Estudos Empíricos em Direito","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science","authors":[{"name":"Edwin Rubio Medina","is_ca":false},{"name":"Luisa Fernanda Castaneda Quintana","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02153509156186703,"gpt":0.2425283566608964,"spread":0.2209932650990294,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000207177,0.0003569558,0.0004104419,0.0001316103,0.0004390498,0.001459887,0.000263962,0.00005886399,0.002215953],"category_scores_gemma":[0.00008811003,0.0002621102,0.0002757156,0.0001282555,0.0001650884,0.0004010696,0.0001065304,0.0002650067,0.0009737177],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001075395,"about_ca_system_score_gemma":0.00006742778,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006850589,"about_ca_topic_score_gemma":0.0001228091,"domain_scores_codex":[0.9982166,0.00008586574,0.0003939806,0.000465695,0.0003328768,0.0005050337],"domain_scores_gemma":[0.999159,0.0002168728,0.00005714927,0.0003088119,0.00009775889,0.0001604165],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002501667,0.000190846,0.002834069,0.0009204185,0.0004766301,0.0003906274,0.2513565,0.00000164945,0.0001297162,0.4399505,0.2711022,0.0326218],"study_design_scores_gemma":[0.00015415,0.00007869005,0.001064816,0.0003767688,0.0001387778,0.00001990615,0.00920089,0.00008168261,0.00003689611,0.000385311,0.98809,0.0003721408],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7611097,0.08428174,0.00002732159,0.001984169,0.003083548,0.0008399694,0.0002094989,0.001388248,0.1470758],"genre_scores_gemma":[0.9531249,0.0008487305,0.00004365479,0.0005774694,0.003716218,0.00009723964,0.00005040473,0.00005252886,0.0414889],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7169877,"threshold_uncertainty_score":0.9999831,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1573833872","doi":"10.29173/irie210","title":"Secreto, lenguaje y memoria en la sociedad de la información","year":2012,"lang":"en","type":"article","venue":"The International Review of Information Ethics","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Rafael Capurro","is_ca":false},{"name":"Raquel Capurro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03524121982452558,"gpt":0.3295748047541878,"spread":0.2943335849296622,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00332655,0.0001011658,0.0001441944,0.00004269823,0.0001763788,0.0001066838,0.0003144735,0.00006374859,0.001153171],"category_scores_gemma":[0.001512679,0.00006061203,0.0001133544,0.00003069317,0.0002711301,0.001711898,0.00008115598,0.0004709043,0.0001306882],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004956039,"about_ca_system_score_gemma":0.00009007771,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004891034,"about_ca_topic_score_gemma":0.000008666825,"domain_scores_codex":[0.9987571,0.0001709193,0.0004516221,0.00002942853,0.0004652944,0.0001256775],"domain_scores_gemma":[0.9979109,0.001286463,0.000282009,0.0001074512,0.0003783114,0.00003492579],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004406284,0.00001070227,0.00006277514,0.0009714732,0.00006373513,6.701151e-8,0.2925362,0.000002290414,0.000001196041,0.6727036,0.02697137,0.006672193],"study_design_scores_gemma":[0.0001122801,0.000008010794,0.0003502982,0.0008471116,0.00002799796,0.00001246344,0.009644966,0.00005484256,0.00002922088,0.001301375,0.9875342,0.00007722945],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01347359,0.0148309,0.0001454454,0.01702783,0.001939858,0.0003391589,0.0001260612,0.00006880555,0.9520484],"genre_scores_gemma":[0.7994903,0.1561718,0.000365625,0.03682593,0.002463298,0.00008062996,0.0003899405,0.00001409186,0.00419842],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9605628,"threshold_uncertainty_score":0.9997599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4386595492","doi":"10.4000/books.psn.9225","title":"Forces et faiblesses de Porto dos Milagres, adaptation télévisée de Mar Morto","year":2005,"lang":"fr","type":"book-chapter","venue":"Presses Sorbonne Nouvelle eBooks","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Lícia Soares de Souza","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0406418492810222,"gpt":0.2386741225012996,"spread":0.1980322732202774,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0004442066,0.001345716,0.001195004,0.0003126939,0.001470495,0.0007349238,0.0006446228,0.0005960132,0.006253278],"category_scores_gemma":[0.0001051548,0.001224322,0.0006136111,0.00002357157,0.00123353,0.0005293511,0.0003542628,0.0009166537,0.000202962],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002481586,"about_ca_system_score_gemma":0.0004476028,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004146404,"about_ca_topic_score_gemma":0.01549147,"domain_scores_codex":[0.9956281,0.0001780176,0.001201399,0.001035969,0.0006961583,0.001260342],"domain_scores_gemma":[0.997099,0.0006486408,0.0007560246,0.000647768,0.0004404629,0.0004080566],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000320011,0.0002127848,0.0002549528,0.001757513,0.001313924,0.0002829524,0.2738997,0.0002977777,0.0001785582,0.6597449,0.01576639,0.04597049],"study_design_scores_gemma":[0.0008844532,0.0003077114,0.0001718414,0.001399724,0.0007702986,0.00007834911,0.02257138,0.0005188548,0.0004997763,0.01281604,0.9584853,0.001496272],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02324538,0.04336499,0.0002740177,0.002037055,0.001706812,0.001449057,0.001053842,0.0004104572,0.9264584],"genre_scores_gemma":[0.3305204,0.01581367,0.001483217,0.001469448,0.006071137,0.0002492057,0.0005600959,0.0002509832,0.6435818],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9427189,"threshold_uncertainty_score":0.9999294,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1963883311","doi":"10.11606/issn.2316-9125.v18i2p83-88","title":"Giselle Beiguelman, uma pensadora da contemporaneidade","year":2013,"lang":"pt","type":"article","venue":"Comunicação & Educação","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Cláudia Nonato","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07662478922510804,"gpt":0.2746538850533071,"spread":0.198029095828199,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003850358,0.001133523,0.001433847,0.0002662516,0.002211859,0.002163972,0.001553092,0.000323985,0.03672423],"category_scores_gemma":[0.0002128738,0.0009570512,0.0006788309,0.0002263832,0.001547959,0.00143402,0.0007275888,0.001125432,0.009037328],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001461865,"about_ca_system_score_gemma":0.0002670061,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004513618,"about_ca_topic_score_gemma":0.002072562,"domain_scores_codex":[0.9949321,0.0004437242,0.001380328,0.00109668,0.0006929033,0.001454278],"domain_scores_gemma":[0.9954056,0.0007209511,0.0005313281,0.001902521,0.000745998,0.0006936562],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005916032,0.0008417534,0.001261778,0.0004107903,0.0005919027,0.00003738464,0.2450043,0.000001212841,0.00007658994,0.02823954,0.71694,0.006535544],"study_design_scores_gemma":[0.001398321,0.0003546736,0.001995402,0.0005596359,0.0002512667,0.00003083274,0.1318653,0.0001466166,0.00003782106,0.001075107,0.8610297,0.001255387],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6090988,0.07264112,0.000007421241,0.02412838,0.01209636,0.002826357,0.00042278,0.0005440818,0.2782347],"genre_scores_gemma":[0.7198716,0.002518537,0.00007306971,0.001975368,0.002382335,0.0002171148,0.0002565899,0.0001137709,0.2725916],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1440897,"threshold_uncertainty_score":0.999288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7030108706","doi":"","title":"Media and Cultural Consumption by Young Students in the City of São Paulo, Brazil: Evidences of Digital Divide, Possibilities of Cosmopolitanism","year":2016,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cosmopolitanism; Globalization; Context (archaeology); Consumption (sociology); Exploratory research; Perspective (graphical); Digital media","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.2797270886172965,"gpt":0.5133525755011616,"spread":0.2336254868838651,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008895943,0.0002344336,0.0007468098,0.0002056422,0.0001652607,0.0006308949,0.001234249,0.00004818233,0.001498235],"category_scores_gemma":[0.0004988417,0.0001204189,0.0001392915,0.0001078421,0.001220934,0.003794298,0.0004200593,0.0001352683,0.000001090746],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002977211,"about_ca_system_score_gemma":0.00002739617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001038635,"about_ca_topic_score_gemma":0.001532648,"domain_scores_codex":[0.9975049,0.000220146,0.001000708,0.0002352442,0.0008127843,0.0002262145],"domain_scores_gemma":[0.9973103,0.001159768,0.0008574962,0.0002185636,0.0003827828,0.00007108976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001108491,0.0002072092,0.9059261,0.0001766297,0.0001628374,0.000002712245,0.08041412,6.464048e-8,0.002067534,0.0007335572,0.008655737,0.001542663],"study_design_scores_gemma":[0.0007442723,0.00004509045,0.9532979,0.001178665,0.00008443646,0.000005117776,0.02853068,3.822079e-7,0.0024428,0.01208437,0.00135783,0.000228438],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9686168,0.02863696,0.00000157482,0.0001348132,0.0003344666,0.0003435276,0.0006584188,0.000007536916,0.001265929],"genre_scores_gemma":[0.9862788,0.01281372,0.000003381231,0.00004670738,0.0001164119,0.00001562622,0.00001278192,0.00000995643,0.0007025672],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05188344,"threshold_uncertainty_score":0.9994145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1512035273","doi":"10.18617/liinc.v3i2.228","title":"Políticas de comunicação, governo Lula e TV digital","year":2017,"lang":"pt","type":"article","venue":"Liinc em Revista","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Presidency; Humanities; Political science; Political communication; Politics; Art","authors":[{"name":"César Ricardo Siqueira Bolaño","is_ca":true},{"name":"Valérío Cruz Brittos","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04082335847340139,"gpt":0.2828043123057313,"spread":0.2419809538323299,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002175926,0.0004936776,0.0007048936,0.00004290607,0.002802951,0.008590785,0.001096147,0.0001330243,0.002077928],"category_scores_gemma":[0.0004445602,0.0003996064,0.0004108145,0.00002495212,0.0008223213,0.001176515,0.0006974472,0.0004321217,0.0009045076],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000115079,"about_ca_system_score_gemma":0.0000699798,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004067174,"about_ca_topic_score_gemma":0.0004229936,"domain_scores_codex":[0.9977441,0.00007782465,0.0005648156,0.0004947058,0.0003910236,0.0007274784],"domain_scores_gemma":[0.9974445,0.0001772653,0.0004552405,0.00149309,0.0001478128,0.0002820765],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001355154,0.0004268101,0.01585487,0.000897954,0.0007116813,0.0003395438,0.1826667,3.940384e-7,0.00001099177,0.382531,0.4005006,0.01592395],"study_design_scores_gemma":[0.0005645344,0.0001498608,0.009574007,0.0005765627,0.0001774075,0.00002303481,0.01355361,0.00004864201,0.000003355446,0.0004877543,0.9742809,0.0005603636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3985142,0.03146607,0.000009476713,0.008825301,0.002542138,0.0007504654,0.002297446,0.0002189535,0.5553759],"genre_scores_gemma":[0.7207369,0.0009821181,0.00001245375,0.0005396481,0.002144603,0.00001125667,0.00008131461,0.00004110995,0.2754506],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5737803,"threshold_uncertainty_score":0.9998734,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390672724","doi":"10.54033/cadpedv21n1-029","title":"O impacto das redes sociais no comportamento das pessoas","year":2024,"lang":"pt","type":"article","venue":"Caderno Pedagógico","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Nortel (Canada)","funders":"","keywords":"Humanities; Psychology; Philosophy","authors":[{"name":"Cynthia Souza Oliveira","is_ca":true},{"name":"Marlise Geller","is_ca":true},{"name":"Albano Dias Pereira Filho","is_ca":true},{"name":"Lilissanne Marcelly De Sousa","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06182125527110489,"gpt":0.3363528481655852,"spread":0.2745315928944803,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003386991,0.0008711657,0.0009149485,0.0002316253,0.001377873,0.002609418,0.0004871505,0.0002980489,0.01656922],"category_scores_gemma":[0.00008310546,0.0006922022,0.0006765513,0.0001588257,0.0007623679,0.0009643768,0.0002679082,0.0009262398,0.003989683],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002425816,"about_ca_system_score_gemma":0.000213295,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009055258,"about_ca_topic_score_gemma":0.0007699614,"domain_scores_codex":[0.9961067,0.0001506923,0.0008945673,0.000981211,0.0007440887,0.001122737],"domain_scores_gemma":[0.9982942,0.000308853,0.0002060652,0.000515143,0.0002852505,0.0003905049],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005321247,0.0001762342,0.001315654,0.00112006,0.0008927127,0.0003279809,0.3459118,8.41153e-7,0.0001008996,0.02840219,0.6175271,0.00417131],"study_design_scores_gemma":[0.0003943899,0.0002780428,0.001487911,0.00110135,0.0004588342,0.00003055199,0.04775492,0.000156337,0.00005154223,0.0008003631,0.94657,0.0009157369],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3327011,0.2634596,0.00000748871,0.01198816,0.01712948,0.001097393,0.002053899,0.001060293,0.3705026],"genre_scores_gemma":[0.5999189,0.00457152,0.000009568124,0.001077292,0.006634315,0.00004845181,0.0003437389,0.00009887515,0.3872974],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3290429,"threshold_uncertainty_score":0.9999222,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210560456","doi":"10.15603/2176-0934/aum.v24n24p211-225","title":"Midiatização da sexualidade: a emergência da narrativa contra-hegemônica da assexualidade no ciberespaço","year":2020,"lang":"pt","type":"article","venue":"Anuário Unesco/Metodista de Comunicação Regional","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Narrative; Art; Humanities; Literature","authors":[{"name":"Vitória Carvalho Rocho da SILVA","is_ca":false},{"name":"Demétrio de Azeredo Soster","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1281594644449461,"gpt":0.29850977668902,"spread":0.170350312244074,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0008081089,0.001931584,0.002481391,0.0003058345,0.002672279,0.003431578,0.002559033,0.0006758756,0.006153047],"category_scores_gemma":[0.0009020215,0.001769249,0.00106993,0.0007054959,0.002232747,0.001344739,0.001095707,0.002154487,0.001296278],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002939939,"about_ca_system_score_gemma":0.0009214851,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001031994,"about_ca_topic_score_gemma":0.001345747,"domain_scores_codex":[0.9898919,0.001474003,0.002457174,0.002152837,0.001775513,0.002248598],"domain_scores_gemma":[0.9927912,0.001502712,0.001214769,0.001892175,0.001056853,0.001542312],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001214882,0.0009558319,0.0016974,0.0007841915,0.002094974,0.0004698528,0.2787994,0.00002431498,0.0005928726,0.1054322,0.6056113,0.002322799],"study_design_scores_gemma":[0.003184383,0.001043295,0.0005812279,0.0004344842,0.0005438151,0.00006940083,0.06749369,0.001179224,0.00003878951,0.0004301748,0.9228736,0.002127955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4431162,0.1442037,0.0007893427,0.2255514,0.01164471,0.008076311,0.01063289,0.002657827,0.1533275],"genre_scores_gemma":[0.8997382,0.002792616,0.0003354037,0.02267097,0.006188117,0.0002441512,0.002467085,0.0003106923,0.0652528],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4566219,"threshold_uncertainty_score":0.9994813,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312369869","doi":"10.34019/2236-6296.2021.v24.36633","title":"A poética do imaginar","year":2022,"lang":"pt","type":"article","venue":"Numen","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Tellabs (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Angélica Tostes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02380550102949586,"gpt":0.2312226356094466,"spread":0.2074171345799508,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001551896,0.0002285401,0.0002783849,0.00007007171,0.001783748,0.000406891,0.0002677742,0.00002149912,0.04783054],"category_scores_gemma":[0.00001471087,0.000198206,0.0001505483,0.00006346296,0.0001945137,0.0002262857,0.000342866,0.0003440503,0.0005500182],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008715051,"about_ca_system_score_gemma":0.00003825208,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001643574,"about_ca_topic_score_gemma":0.00003031234,"domain_scores_codex":[0.9985439,0.0001130339,0.0002508558,0.0003172186,0.0003688921,0.0004061697],"domain_scores_gemma":[0.9994698,0.00006095411,0.00008268548,0.0002356959,0.00006285793,0.00008799857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004216935,0.0001587252,0.0004201221,0.00004821978,0.0001390354,0.00005920866,0.3988956,0.000001443671,0.000008557735,0.04956107,0.5483161,0.002349749],"study_design_scores_gemma":[0.0004029357,0.0002328314,0.0002626098,0.00001493679,0.00006549885,0.00001328106,0.1167955,0.00003031523,0.000002616998,0.001279108,0.8806454,0.0002549675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1663755,0.03304923,0.000001644444,0.02242717,0.007275669,0.0007088505,0.001183914,0.0002402307,0.7687378],"genre_scores_gemma":[0.706935,0.0001399637,0.000007871112,0.001595368,0.001236688,0.00008489163,0.00005753065,0.00002327361,0.2899194],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5405595,"threshold_uncertainty_score":0.9995158,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2900793210","doi":"10.22478/ufpb.2359-375x.2018v5n2.42862","title":"O IMPEACHMENT DO JORNALISMO: clima de opinião e manipulação ideológica no golpe contra Dilma Rousseff","year":2018,"lang":"pt","type":"article","venue":"ÂNCORA - Revista Latino-americana de Jornalismo","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Hotel Dieu Hospital","funders":"","keywords":"Impeachment; Political science; Humanities; Philosophy; Law; Politics","authors":[{"name":"Alfredo Vizeu","is_ca":false},{"name":"Heitor Costa Lima da Rocha","is_ca":true},{"name":"Laís Cristine Ferreira Cardoso","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0269279907959972,"gpt":0.2791237499374565,"spread":0.2521957591414593,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00139977,0.001715554,0.002457378,0.0003569506,0.002399577,0.002907167,0.001406504,0.0003774398,0.01051113],"category_scores_gemma":[0.0005229373,0.001459671,0.001096039,0.0005581019,0.002402016,0.0008896719,0.0005583145,0.001332434,0.001279338],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000965865,"about_ca_system_score_gemma":0.0005145614,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00724063,"about_ca_topic_score_gemma":0.0006737032,"domain_scores_codex":[0.9906554,0.001055893,0.002503018,0.001660475,0.001333182,0.002792055],"domain_scores_gemma":[0.9935804,0.0006242202,0.001795525,0.001567084,0.001203661,0.00122911],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001280862,0.001230177,0.03961927,0.001804958,0.002833609,0.001147871,0.2175741,0.00001344737,0.0004443725,0.1363419,0.5783383,0.01937111],"study_design_scores_gemma":[0.001947168,0.001890523,0.01231781,0.001391596,0.0008743225,0.0001885884,0.01579295,0.0007483704,0.00003648618,0.000499957,0.9623746,0.001937626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7441949,0.04256225,0.0007851198,0.008470243,0.008337947,0.004229605,0.003454265,0.001049837,0.1869158],"genre_scores_gemma":[0.9346402,0.003682625,0.0008327439,0.0118592,0.01293688,0.0001966247,0.0003053553,0.000269607,0.03527675],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3840363,"threshold_uncertainty_score":0.9995591,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2340001496","doi":"10.5216/c&i.v8i2.25089","title":"Sr. K. no país jornalistas. A queda da justiça social na esfera pública","year":2013,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Philosophy; Ethnology; Sociology","authors":[{"name":"Jean Pichette","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03339799549819323,"gpt":0.2453430329251695,"spread":0.2119450374269762,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0007069287,0.001387893,0.001411605,0.0006376691,0.004628364,0.002994753,0.001245452,0.0009146819,0.003354701],"category_scores_gemma":[0.0006705907,0.001231902,0.0008863657,0.0005821387,0.0002236775,0.001991866,0.0006297172,0.001684854,0.0007649552],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009431774,"about_ca_system_score_gemma":0.0007363407,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004536282,"about_ca_topic_score_gemma":0.000745815,"domain_scores_codex":[0.9921103,0.0007938912,0.001976966,0.001551914,0.001642576,0.001924324],"domain_scores_gemma":[0.9946469,0.0004336766,0.0009648747,0.0008766302,0.002102289,0.0009756348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002470603,0.0009404066,0.0001946957,0.0004579259,0.000744279,0.0001731196,0.06129453,0.000002451143,0.0003469943,0.7982143,0.1351201,0.002264174],"study_design_scores_gemma":[0.001899618,0.0002260025,0.00284853,0.0003416721,0.0003620583,0.0003761286,0.0103918,0.0002020634,0.00006521303,0.0005680626,0.9812526,0.001466263],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1054166,0.008490839,0.0002797215,0.1286312,0.01465298,0.003831445,0.001806773,0.001710335,0.7351801],"genre_scores_gemma":[0.9634346,0.0006207175,0.000321175,0.001561987,0.008736304,0.0007147068,0.0008279411,0.0001535451,0.02362896],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.858018,"threshold_uncertainty_score":0.9998872,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3212227584","doi":"","title":"A IMAGEM LITERÁRIA REPRESENTÁVEL E TOLERÁVEL NO DISCURSO DA VISIBILIDADE POLÍTICA DE ANTENOR LAVAL EM DOIS IRMÃOS","year":2019,"lang":"pt","type":"article","venue":"e-scrita","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Cristiane de Mesquita Alves","is_ca":false},{"name":"Leandro Rodrigues Lage","is_ca":false},{"name":"José Mariano Klautau de Araújo Filho","is_ca":false},{"name":"Jorge Eiró","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02048868616050742,"gpt":0.2592478646011026,"spread":0.2387591784405951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004504069,0.0008599427,0.00107106,0.0002065768,0.0008257211,0.002174613,0.0008460426,0.0002312814,0.01085784],"category_scores_gemma":[0.0003006051,0.00066677,0.0006480363,0.0001713047,0.0004614548,0.001258624,0.0006617695,0.0007624797,0.005196784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001458551,"about_ca_system_score_gemma":0.0001388932,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001145573,"about_ca_topic_score_gemma":0.0007081225,"domain_scores_codex":[0.99534,0.0002376701,0.0009765719,0.001269716,0.000705215,0.001470775],"domain_scores_gemma":[0.99728,0.000254422,0.0002584805,0.001339368,0.0004389096,0.0004288093],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004442391,0.0007883491,0.005197039,0.0008445799,0.0006870112,0.0002318261,0.5033577,0.000001206365,0.001444642,0.008565078,0.476298,0.002140276],"study_design_scores_gemma":[0.002242168,0.0006532287,0.008406548,0.0008764483,0.0003558773,0.0000489414,0.1133804,0.0005138957,0.0001409466,0.0006352882,0.8714052,0.001341103],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8371143,0.0147515,0.00001901962,0.01268658,0.009777113,0.002006702,0.001887514,0.0004295455,0.1213278],"genre_scores_gemma":[0.5764932,0.000470032,0.000180798,0.001391519,0.003890656,0.00005344953,0.0001802503,0.0001026499,0.4172375],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3951072,"threshold_uncertainty_score":0.9995784,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1539153164","doi":"10.15210/interfaces.v13i2.7255","title":"POÉTICAS DA ORALIDADE SERTÃO/QUEBEC: CINEMA E TRANSCULTURALIDADE AMERICANA","year":2013,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Cláudio Cledson Novaes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0308679363527843,"gpt":0.2437018095252758,"spread":0.2128338731724915,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.000412342,0.001423329,0.001469592,0.0005735938,0.002743004,0.00322151,0.00119327,0.0006970565,0.002561271],"category_scores_gemma":[0.0003534829,0.00116079,0.0008560991,0.0007064283,0.000227982,0.002185551,0.0003104006,0.001383589,0.000383612],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000830995,"about_ca_system_score_gemma":0.000553088,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004264959,"about_ca_topic_score_gemma":0.006916499,"domain_scores_codex":[0.9927396,0.0007439255,0.00169928,0.001526184,0.001399508,0.00189155],"domain_scores_gemma":[0.9954265,0.0004240573,0.0007451225,0.001025398,0.00119563,0.001183346],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001855527,0.0009447341,0.0003261516,0.000430859,0.0009891314,0.0002413923,0.1038645,0.00001959314,0.001260731,0.8385456,0.04983849,0.003353347],"study_design_scores_gemma":[0.001704469,0.0002233051,0.005064739,0.0004179424,0.0004205592,0.0005608895,0.03680327,0.0002112233,0.00020554,0.0002574244,0.9526473,0.001483377],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3988576,0.007771045,0.000263298,0.2010946,0.006190972,0.003894168,0.0008790105,0.001646139,0.3794032],"genre_scores_gemma":[0.9602861,0.0005431319,0.0003709977,0.001504152,0.003449254,0.0005773515,0.0006834191,0.0001363764,0.0324492],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9028088,"threshold_uncertainty_score":0.9998517,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W905889537","doi":"","title":"O Cirque du Soleil e a trangressão natural do medo","year":2008,"lang":"en","type":"article","venue":"UNESP Institutional Repository (São Paulo State University)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cirque; Natural (archaeology); Geology; Geography; Geomorphology; Archaeology","authors":[{"name":"Natalia Oliveira Bertolini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01382686792501442,"gpt":0.1614598970605761,"spread":0.1476330291355617,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00005795228,0.0002771956,0.0002691437,0.0002727627,0.00344872,0.0001333533,0.0002773797,0.00005749636,0.0002226739],"category_scores_gemma":[0.00002468442,0.0002405935,0.0002094665,0.0001315091,0.001427895,0.000983586,0.00008320135,0.0002733801,0.00007492406],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001790513,"about_ca_system_score_gemma":0.0002467145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002372624,"about_ca_topic_score_gemma":0.000786606,"domain_scores_codex":[0.998561,0.00008215661,0.0002512757,0.0003768443,0.0003968202,0.0003319306],"domain_scores_gemma":[0.9991267,0.00007653205,0.0001127291,0.0001894696,0.0003506393,0.0001439648],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001136795,0.0007871107,0.005588127,0.0001994022,0.001071483,0.0209846,0.557065,0.0003923966,0.001062819,0.3522736,0.05800642,0.001432322],"study_design_scores_gemma":[0.001020469,0.00008416053,0.002168288,0.00006464294,0.00005596836,0.0003552423,0.01197856,0.00004735313,0.000262267,0.0001880332,0.9833687,0.0004063527],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8336082,0.0009234701,0.00003762209,0.0002622482,0.002813961,0.0002051065,0.0001115123,0.0001839642,0.161854],"genre_scores_gemma":[0.9059146,0.000211609,0.00003607388,0.000185862,0.0008319717,0.000002121403,0.00006480982,0.00001164055,0.09274133],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9253622,"threshold_uncertainty_score":0.9978486,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2610101981","doi":"","title":"Os discursos da mestiçagem: interseções com outros discursos, críticas, ressematizações","year":2007,"lang":"pt","type":"article","venue":"Gragoatá","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Diaspora; Historicity (philosophy); Creolization; Ethnic group; Reading (process); Immigration; Sociology; Ethnology; Humanities; Anthropology; Geography; Gender studies; Political science; Politics; Art","authors":[{"name":"Eurídice Figueiredo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04578268155367404,"gpt":0.2831249178826579,"spread":0.2373422363289838,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007588801,0.0009930547,0.001173231,0.0003211296,0.001644214,0.001712587,0.0008228741,0.0002295918,0.002482077],"category_scores_gemma":[0.000286475,0.0007102015,0.0005890911,0.0002154811,0.001443551,0.001558245,0.0004315528,0.0007651451,0.0006322676],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001191178,"about_ca_system_score_gemma":0.00005177893,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004782093,"about_ca_topic_score_gemma":0.004545009,"domain_scores_codex":[0.9952632,0.0002041229,0.001295133,0.0009629417,0.0008211106,0.00145348],"domain_scores_gemma":[0.9973021,0.0005825998,0.0004552278,0.0009056628,0.0002949412,0.0004595226],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002536324,0.000622689,0.005003163,0.0008911676,0.000746618,0.0003372948,0.4438917,0.000001979143,0.00005883622,0.1202987,0.4242238,0.003670411],"study_design_scores_gemma":[0.001248603,0.000441902,0.005239872,0.001136145,0.0005088372,0.00003838976,0.2138785,0.00005432465,0.0001549938,0.001479974,0.7745538,0.001264702],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6089415,0.07506496,0.002092046,0.03650817,0.03840128,0.006175791,0.006150048,0.002074,0.2245922],"genre_scores_gemma":[0.8260645,0.0006525365,0.00005817046,0.0008827245,0.002986579,0.00005931096,0.0003586211,0.0001002197,0.1688373],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3503299,"threshold_uncertainty_score":0.9996555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W654672454","doi":"","title":"Civic journalism no Brasil: a construção de um plano de referência para um jornalismo público","year":2008,"lang":"pt","type":"article","venue":"Comunicação e Cidadania. Actas do 5º Congresso da SOPCOM","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Journalism; Art; Law","authors":[{"name":"Márcio Fernandes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06893036850350544,"gpt":0.2839369386638653,"spread":0.2150065701603598,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.001243827,0.001850048,0.002477046,0.000569882,0.004994811,0.002774053,0.002871501,0.0008234261,0.007805522],"category_scores_gemma":[0.0007718399,0.001672849,0.001085794,0.0004221928,0.00346725,0.001623658,0.00120584,0.003055769,0.0008821392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006475361,"about_ca_system_score_gemma":0.001056188,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001166127,"about_ca_topic_score_gemma":0.001443057,"domain_scores_codex":[0.9904222,0.001469505,0.002283302,0.00144293,0.00148053,0.002901494],"domain_scores_gemma":[0.9920377,0.00151948,0.00148791,0.002293471,0.001229924,0.001431504],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001177948,0.001472836,0.03935951,0.0006680596,0.003518993,0.004127724,0.2520328,0.00001294207,0.0008205137,0.04347832,0.6499654,0.003364981],"study_design_scores_gemma":[0.004541206,0.0005700819,0.01064598,0.001580617,0.000745415,0.002393956,0.01801849,0.0004200078,0.0002162043,0.001023198,0.9575483,0.002296533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8889009,0.04650318,0.00002345041,0.007097348,0.005138348,0.001262397,0.002366642,0.0006056818,0.048102],"genre_scores_gemma":[0.9473939,0.01364591,0.0003631746,0.005301734,0.003732542,0.0001160003,0.0004157695,0.0002649072,0.02876606],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3075829,"threshold_uncertainty_score":0.9998958,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2898501501","doi":"","title":"“AME SEU VIZINHO”: UMA ANALISE SEMIOTICA DO CURTA-METRAGEM NEIGHBOURS","year":2018,"lang":"pt","type":"article","venue":"Revista Triades","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Rafael Martins Alves","is_ca":false},{"name":"Gustavo Cossio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04959975195830883,"gpt":0.2898284457886926,"spread":0.2402286938303838,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007639403,0.0008365448,0.001353911,0.0003017895,0.001628675,0.002775526,0.0006256535,0.0002371641,0.01318713],"category_scores_gemma":[0.0005347443,0.0006406792,0.0006760467,0.0003677886,0.001497187,0.0007411457,0.0002236439,0.0006125862,0.001518898],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001271738,"about_ca_system_score_gemma":0.0001126103,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001757765,"about_ca_topic_score_gemma":0.0002097488,"domain_scores_codex":[0.9957459,0.0004406261,0.001156745,0.0009348234,0.0006562041,0.001065731],"domain_scores_gemma":[0.9971524,0.0005679271,0.0004876066,0.0008600095,0.0005345845,0.0003974206],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004528028,0.0005067384,0.002126498,0.001522884,0.00148401,0.0001410455,0.2513917,5.883484e-7,0.000083608,0.2621515,0.463753,0.0163856],"study_design_scores_gemma":[0.001275132,0.0006293868,0.001359595,0.001121258,0.000679753,0.00001752112,0.02478319,0.00006370466,0.00005263192,0.0004207515,0.9686897,0.0009073491],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6291592,0.1772389,0.00004587961,0.006505721,0.007565893,0.002239643,0.001893095,0.0006394078,0.1747123],"genre_scores_gemma":[0.8957143,0.004543278,0.00006999807,0.001039509,0.0116095,0.00002739917,0.0001023272,0.00008963871,0.08680402],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5049367,"threshold_uncertainty_score":0.999671,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2747774393","doi":"","title":"Poesia Concreta e Poesia Digital","year":2017,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Poetry; Literature","authors":[{"name":"Revista Fronteiraz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3529836805564619,"gpt":0.5337071117452148,"spread":0.1807234311887529,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0009201489,0.0009654865,0.002010921,0.0005837231,0.004232916,0.03422044,0.006850605,0.0002230859,0.04475737],"category_scores_gemma":[0.0006896256,0.0007711332,0.0007657434,0.0001639184,0.001595665,0.01461523,0.00291201,0.000902875,0.0002771451],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001111834,"about_ca_system_score_gemma":0.0002026348,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001745608,"about_ca_topic_score_gemma":0.000349938,"domain_scores_codex":[0.9949641,0.0002327078,0.001684344,0.0008988097,0.001214798,0.001005237],"domain_scores_gemma":[0.9939725,0.0004228867,0.002645873,0.001508175,0.0008450843,0.0006054692],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004895093,0.0004251863,0.3467355,0.0004478144,0.001961964,0.00037821,0.0300505,0.000002679494,0.0008916165,0.00444096,0.5979497,0.01622638],"study_design_scores_gemma":[0.001215649,0.0000443311,0.3899449,0.00141697,0.0003943446,0.0000331104,0.005112784,0.00001915396,0.0004332167,0.003533277,0.5966809,0.001171435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6858109,0.1008944,0.000008834997,0.001721621,0.005679027,0.0009906712,0.001231701,0.00008256656,0.2035803],"genre_scores_gemma":[0.917447,0.02091835,0.000008845731,0.0006093817,0.002907411,0.00003438321,0.00007617107,0.0001069898,0.05789151],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.231636,"threshold_uncertainty_score":0.999474,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2752352761","doi":"","title":"História da poesia digital: derivações","year":2017,"lang":"pt","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Poetry; Literature","authors":[{"name":"Revista Fronteiraz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4024071119043179,"gpt":0.5382834444526162,"spread":0.1358763325482983,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0007699949,0.0009212113,0.001835887,0.000596198,0.004316147,0.03724048,0.006688665,0.0001974065,0.03894548],"category_scores_gemma":[0.0007282961,0.0007396016,0.0006755401,0.0001619416,0.001419741,0.0140245,0.003044645,0.0007596568,0.0002205557],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001380353,"about_ca_system_score_gemma":0.000176185,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002025811,"about_ca_topic_score_gemma":0.0006240404,"domain_scores_codex":[0.995313,0.0002003645,0.001605543,0.0008624464,0.001090246,0.0009284262],"domain_scores_gemma":[0.9942333,0.0003856039,0.002561873,0.00152602,0.0007626111,0.00053065],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003701716,0.0006381663,0.2553584,0.0005051252,0.001531209,0.0002550616,0.0318214,0.000003429109,0.001075841,0.00376405,0.6749573,0.02971985],"study_design_scores_gemma":[0.0008142682,0.00002968445,0.2986718,0.001237844,0.0002847163,0.00002246072,0.00413943,0.00001230368,0.0003088754,0.004762339,0.6887523,0.000963972],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6839864,0.1279757,0.00001422092,0.001989556,0.007987263,0.001046674,0.001001657,0.0001069976,0.1758915],"genre_scores_gemma":[0.911465,0.02545322,0.0000165144,0.0005242018,0.002755204,0.00004485025,0.00006656867,0.0001157578,0.05955869],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2274786,"threshold_uncertainty_score":0.9997658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4300145504","doi":"","title":"Corpus de Textes Linguistiques Fondamentaux. Grammaires amérindiennes [4781]. Ed. Bernard Colombat. Pedro Dias. Arte da lingua de Angola","year":2017,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Cultural, Media, and Literary Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Philosophy; Humanities; Art","authors":[{"name":"Justin Case","is_ca":true},{"name":"Otto Zwartjes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01927019391035586,"gpt":0.2480464209276206,"spread":0.2287762270172647,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.004935639,0.0009282757,0.001008451,0.000220912,0.003759081,0.003424665,0.002122523,0.0004551226,0.0005400059],"category_scores_gemma":[0.004616474,0.0009217219,0.0006406068,0.00009359458,0.002385525,0.0003812892,0.001703712,0.001260047,0.0001244717],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004325054,"about_ca_system_score_gemma":0.00054643,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02864701,"about_ca_topic_score_gemma":0.0523773,"domain_scores_codex":[0.9917517,0.004253229,0.001008398,0.001218369,0.0005551397,0.001213119],"domain_scores_gemma":[0.9904202,0.002473791,0.00134064,0.002304521,0.002937428,0.0005233718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005685551,0.001008598,0.0240385,0.0005631208,0.0005337765,0.00009247464,0.4101354,0.00001038349,0.0003187387,0.5042994,0.01561971,0.04332306],"study_design_scores_gemma":[0.0007810285,0.000005898152,0.01284457,0.004240825,0.0002541513,0.00005243631,0.009836463,0.001005734,0.003912013,0.01517712,0.9507012,0.001188579],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6996046,0.04452098,0.0007368565,0.01892738,0.003030316,0.001277561,0.001081311,0.0006366398,0.2301843],"genre_scores_gemma":[0.7916949,0.02330619,0.006613144,0.000337121,0.001257589,0.0002739798,0.00108708,0.0001298291,0.1753001],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9350815,"threshold_uncertainty_score":0.9993233,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}