{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":309,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":309,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"404750497a89","filters":{"topic":"Cultural Studies and Interdisciplinary Research"}},"results":[{"id":"W14812591","doi":"10.51644/bcnl4759","title":"Harriet Tubman: the road to freedom","year":2005,"lang":"en","type":"article","venue":"Consensus","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":83,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Underground Railroad; Forensic engineering; Engineering; Transport engineering; Political science; Law","authors":[{"name":"Oscar Cole-Arnal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07461524102871621,"gpt":0.3017177510319108,"spread":0.2271025100031946,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00242093,0.0009619454,0.0006721161,0.001671476,0.004001065,0.007796016,0.001387688,0.007339842,0.06581298],"category_scores_gemma":[0.008616354,0.0004927386,0.0003330949,0.003354153,0.003266046,0.01109588,0.003632499,0.006149001,0.02779447],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00414548,"about_ca_system_score_gemma":0.005428243,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01670559,"about_ca_topic_score_gemma":0.02360719,"domain_scores_codex":[0.9975902,0.000816055,0.00009807703,0.0002912593,0.001032069,0.0001722563],"domain_scores_gemma":[0.9968919,0.001200322,0.0002922888,0.0001341255,0.0008911285,0.00059017],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000004292479,0.000005089504,0.00002077653,0.00005599664,0.000001103912,0.00002249217,0.0003269142,0.00001762264,0.000013533,0.01744086,0.9716409,0.01045056],"study_design_scores_gemma":[0.000003363612,0.00000286961,0.0001238123,0.0003426275,0.000001135991,0.00007596319,0.0004477586,0.00002125153,0.00003558398,0.005501026,0.9934377,0.000006997645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0005098255,0.3499387,0.001124383,0.3675333,0.04948288,0.00007073769,0.0002452113,0.0001566686,0.2309382],"genre_scores_gemma":[0.02011706,0.1492578,0.001353508,0.05188261,0.01520163,0.0001268459,0.0001998038,0.0003295658,0.7615312],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06581298,"threshold_uncertainty_score":0.2201663,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2327477519","doi":"10.1093/escrit/cgu011","title":"Tying the Knot in Othello","year":2014,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Dalhousie University","funders":"","keywords":"Tying; Knot (papermaking); Philosophy; Analogy; Action (physics); Art; Epistemology; Computer science; Physics","authors":[{"name":"James Baxter","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05400443425873641,"gpt":0.2969622455268499,"spread":0.2429578112681135,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000578561,0.0003273979,0.0002893603,0.0006272048,0.005904303,0.004694548,0.0004090425,0.001460305,0.01152244],"category_scores_gemma":[0.002432649,0.0002403881,0.0002157876,0.0004702185,0.007962232,0.00392298,0.005209818,0.002416304,0.001538436],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002235624,"about_ca_system_score_gemma":0.0009524227,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009826459,"about_ca_topic_score_gemma":0.02456512,"domain_scores_codex":[0.9993473,0.0001501068,0.00001754614,0.00009740137,0.0001298179,0.0002578268],"domain_scores_gemma":[0.9997306,0.00008745329,0.00002898426,0.00004148455,0.00003269297,0.00007882458],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00021875,0.00005575363,0.00189079,0.0001307376,0.00000700823,0.001109053,0.05731765,0.0001628046,0.001850341,0.8742467,0.02034242,0.04266804],"study_design_scores_gemma":[0.00004975142,0.0000590075,0.003744578,0.0004375243,0.00001661289,0.0005302512,0.01376067,0.0005090956,0.000944311,0.1203246,0.85958,0.00004355856],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0719301,0.002100945,0.006955775,0.00703729,0.001671618,0.00007793527,0.00006074168,0.0001447962,0.9100208],"genre_scores_gemma":[0.8189147,0.0009654809,0.002213912,0.002039705,0.0005241462,0.00006884866,0.0000569791,0.0002913625,0.1749249],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01152244,"threshold_uncertainty_score":0.03854638,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2055197537","doi":"10.3138/md.47.1.44","title":"Sex, Lies, and Revisions: Historicizing Hellman's <i>The Children's Hour</i>","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Reputation; Lesbian; Character (mathematics); Narrative; Sociology; Aesthetics; History; Literature; Gender studies; Art; Social science","authors":[{"name":"J. T. Spencer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03277563062334531,"gpt":0.2536018024930369,"spread":0.2208261718696916,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003249478,0.0005528058,0.0003198445,0.001962577,0.01174252,0.010451,0.001491416,0.001895383,0.004322791],"category_scores_gemma":[0.005338248,0.0005191559,0.0002172203,0.001287166,0.02952356,0.005165373,0.005206586,0.005262981,0.0005130434],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0129041,"about_ca_system_score_gemma":0.005584314,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04785236,"about_ca_topic_score_gemma":0.131977,"domain_scores_codex":[0.9969958,0.001798152,0.00006246207,0.0002448791,0.0004456177,0.0004530705],"domain_scores_gemma":[0.9980081,0.001054914,0.0002831014,0.000152307,0.0002098481,0.0002916858],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003924338,0.00001403387,0.001444714,0.0001202643,0.000007508754,0.00078685,0.759,0.00006875071,0.0002244559,0.2051264,0.02128235,0.01188543],"study_design_scores_gemma":[0.00000869108,0.00003291253,0.002383129,0.0006197824,0.00001307251,0.0006797714,0.2873181,0.00006880251,0.000591583,0.007463206,0.7007929,0.00002816686],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2935981,0.04057026,0.004053158,0.03983134,0.003300752,0.0001275135,0.0002880621,0.0002439918,0.6179869],"genre_scores_gemma":[0.9415035,0.00547178,0.0009122192,0.002089719,0.0005197797,0.00007204471,0.00005981895,0.0002739431,0.04909712],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04785236,"threshold_uncertainty_score":0.09514767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015942681","doi":"10.1353/ecf.2001.0047","title":"Spectacle, Theatre, and Sympathy in Caleb Williams","year":2001,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sympathy; Spectacle; Affection; Admiration; Heaven; Pleasure; Literature; Art; Aesthetics; Philosophy; Psychology; Epistemology; Social psychology","authors":[{"name":"Monika Fludernik","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02490448124723375,"gpt":0.2451898017466884,"spread":0.2202853204994547,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009273399,0.00045359,0.0002610668,0.0007737804,0.01235718,0.006745824,0.0007613497,0.001782922,0.009839542],"category_scores_gemma":[0.002529596,0.0002481494,0.0001028976,0.0005362135,0.01650056,0.00356149,0.004267562,0.004083444,0.0007365843],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008355525,"about_ca_system_score_gemma":0.002305811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03410006,"about_ca_topic_score_gemma":0.06234761,"domain_scores_codex":[0.998765,0.0006242792,0.00001622423,0.0001206168,0.0002347656,0.0002391429],"domain_scores_gemma":[0.9994606,0.0002198246,0.00005577847,0.00001791659,0.00006830473,0.0001775609],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007925297,0.00006853784,0.0002930999,0.000101711,0.000005701372,0.001281083,0.2157523,0.00008562599,0.00071849,0.5543689,0.1997805,0.02746495],"study_design_scores_gemma":[0.00001175547,0.00002606215,0.0009313968,0.0002492964,0.000002982791,0.0004095605,0.05546227,0.00007370566,0.0002296619,0.02206722,0.9205104,0.00002565156],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.111753,0.03874387,0.001562192,0.1161978,0.006189649,0.00008531701,0.00004562394,0.00009961621,0.725323],"genre_scores_gemma":[0.7564256,0.007263259,0.0007254457,0.0127744,0.001425347,0.00007574194,0.00001580017,0.0001159466,0.2211786],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03410006,"threshold_uncertainty_score":0.06780314,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1936773327","doi":"10.3968/j.css.1923669720080403.013","title":"Blanche’s Destruction: Feminist Analysis on A Streetcar Named Desire","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Menagerie; Humanities; Feminism; Drama; Sociology; Art history; Art; Gender studies; Literature","authors":[{"name":"Wei Fang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04408507009235303,"gpt":0.2987409064726686,"spread":0.2546558363803156,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001409558,0.0003231615,0.0002050362,0.001377508,0.008825864,0.003861406,0.0005501044,0.001395819,0.004914277],"category_scores_gemma":[0.001518329,0.0002320056,0.0001675316,0.0009235233,0.01748356,0.00223769,0.002476066,0.002048606,0.0002513705],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003878212,"about_ca_system_score_gemma":0.001179975,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007798654,"about_ca_topic_score_gemma":0.01766746,"domain_scores_codex":[0.9986854,0.0008586468,0.00001476042,0.00009667098,0.0001403204,0.000204147],"domain_scores_gemma":[0.9985252,0.001139141,0.0001226235,0.00003822865,0.00007955395,0.00009534063],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003792232,0.00002696952,0.001554875,0.00005835101,0.000003689361,0.0009650372,0.843208,0.00004550249,0.0007175124,0.1462429,0.002483768,0.00465541],"study_design_scores_gemma":[0.000006210296,0.00004214379,0.007254541,0.000170782,0.000005567128,0.0008677253,0.789904,0.0001896329,0.00101198,0.007371847,0.1931602,0.00001543232],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7046697,0.002573555,0.001991617,0.008865218,0.000149026,0.00005313026,0.0001071322,0.00001965409,0.281571],"genre_scores_gemma":[0.9849297,0.0004550588,0.0002075005,0.0004183598,0.00004923697,0.00002350339,0.00002193416,0.00001414146,0.01388066],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008825864,"threshold_uncertainty_score":0.02813846,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2084852039","doi":"10.3138/md.48.1.1","title":"Ibsen and Darwin: A Reading of <i>The Wild Duck</i>","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Darwin (ADL); Modernity; Reading (process); Subject (documents); Scholarship; Norwegian; Literature; Modernization theory; History; Art; Epistemology; Philosophy; Political science; Law; Linguistics; Computer science","authors":[{"name":"Asbjørn Aarseth","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03929989233214004,"gpt":0.2659619894260087,"spread":0.2266620970938687,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001148959,0.0005013059,0.0003216855,0.001242151,0.006058616,0.004629835,0.0006510383,0.002491642,0.003394058],"category_scores_gemma":[0.001455817,0.0001909753,0.0001844724,0.0008271655,0.01793046,0.004260971,0.001989712,0.003153159,0.0003881695],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004070741,"about_ca_system_score_gemma":0.001276557,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01476081,"about_ca_topic_score_gemma":0.02479017,"domain_scores_codex":[0.9992062,0.0004614885,0.00001709955,0.00008088345,0.0001191799,0.0001150345],"domain_scores_gemma":[0.9994951,0.0002904733,0.00004401312,0.00002709972,0.00006801172,0.00007529238],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008851841,0.00002493997,0.000793133,0.0001949347,0.00001286311,0.0003721595,0.1570769,0.0001387416,0.0007375764,0.7028141,0.1195907,0.0181553],"study_design_scores_gemma":[0.00000642806,0.00002856378,0.001951854,0.0003376626,0.000008164825,0.0003521071,0.06177306,0.000105357,0.0002953913,0.04774904,0.887375,0.0000174516],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06677382,0.1028366,0.00288631,0.2170173,0.008666812,0.00002585916,0.00010206,0.00007765584,0.6016136],"genre_scores_gemma":[0.8205787,0.01760798,0.001756017,0.02699053,0.003191788,0.00003780351,0.00005523486,0.0001149617,0.129667],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01476081,"threshold_uncertainty_score":0.02953547,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029503259","doi":"10.3138/md.43.1.48","title":"Shame, Guilt, Empathy, and the Search for Identity in Arthur Miller's <i>Death of A Salesman</i>","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Shame; Tragedy (event); Miller; Feeling; Identity (music); Psychoanalysis; Empathy; Greeks; Argument (complex analysis); Witness; Psychology; Social psychology; Philosophy; Aesthetics; Law; History; Political science; Classics","authors":[{"name":"Fred Ribkoff","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05866890590287564,"gpt":0.3096899914278475,"spread":0.2510210855249718,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001175819,0.0004671114,0.0002453889,0.0006659825,0.01341851,0.004392069,0.000784324,0.003875448,0.002181093],"category_scores_gemma":[0.00223082,0.0002147157,0.0002057157,0.0003399003,0.02849238,0.003510252,0.003922035,0.005842212,0.0002674216],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004818111,"about_ca_system_score_gemma":0.001862121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01367696,"about_ca_topic_score_gemma":0.02412139,"domain_scores_codex":[0.9987215,0.0008556104,0.00001529297,0.00006001229,0.0001565521,0.0001910509],"domain_scores_gemma":[0.9992033,0.000429494,0.0001514616,0.00003009815,0.00005836409,0.0001273304],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004961767,0.00007052656,0.0009776859,0.0000901119,0.000008905957,0.001852715,0.6358386,0.0002050915,0.0005054008,0.3263093,0.02621373,0.007878349],"study_design_scores_gemma":[0.00002909465,0.00008839131,0.005869618,0.0004239274,0.00001506036,0.002411305,0.5380484,0.000373796,0.0005710715,0.09565512,0.3564496,0.00006458667],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4472296,0.01475856,0.001632694,0.1525709,0.001090741,0.000046826,0.0000270934,0.00004564541,0.382598],"genre_scores_gemma":[0.9679112,0.001994152,0.0003720257,0.005426712,0.0002834417,0.00002810377,0.000006467023,0.00001627898,0.02396158],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01367696,"threshold_uncertainty_score":0.034958,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W587725569","doi":"10.4324/9781315601748","title":"Post-World War II Masculinities in British and American Literature and Culture: Towards Comparative Masculinity Studies","year":2013,"lang":"en","type":"book","venue":"","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Masculinity; Mythology; History; Art; Art history; Gender studies; Religious studies; Sociology; Literature; Philosophy","authors":[{"name":"Stefan Horlacher","is_ca":false},{"name":"Kevin Floyd","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07308530248320688,"gpt":0.3242623922709709,"spread":0.251177089787764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003868722,0.0004076957,0.0003923184,0.01028049,0.01916644,0.01054557,0.0009138467,0.001244968,0.006299829],"category_scores_gemma":[0.004830668,0.0002135921,0.0001314396,0.01837358,0.01212829,0.003865765,0.003051562,0.001427926,0.0004202201],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01323264,"about_ca_system_score_gemma":0.008651483,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2173584,"about_ca_topic_score_gemma":0.3706234,"domain_scores_codex":[0.9976847,0.001304122,0.00008006123,0.0001143274,0.0003491325,0.0004675539],"domain_scores_gemma":[0.995599,0.002394997,0.0002826541,0.0001412941,0.001120067,0.0004619329],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006932217,0.0001341823,0.008796079,0.0004157768,0.00001474086,0.0004294543,0.8537401,0.00003391515,0.0008216889,0.07970838,0.007938649,0.04789766],"study_design_scores_gemma":[0.000002510885,0.00004648531,0.05855994,0.0007759656,0.000009248221,0.0001763023,0.7751163,0.00002684561,0.0001918387,0.002816522,0.1622648,0.000013271],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5452248,0.09383698,0.0005651587,0.01219961,0.001076763,0.00006806156,0.0002843952,0.00003037203,0.3467139],"genre_scores_gemma":[0.9456902,0.03289852,0.0004836302,0.00129005,0.0003008844,0.0001351777,0.000189746,0.00003465201,0.01897713],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.2173584,"threshold_uncertainty_score":0.4321865,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2157335702","doi":"10.3138/md.50.1.77","title":"The Money Shot: Economies of Sex, Guns, and Language in <i>Topdog/Underdog</i>","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Brother; Shot (pellet); Wife; Metaphor; Black women; Sociology; White (mutation); Gender studies; Art; History; Law; Political science; Theology; Philosophy","authors":[{"name":"Myka Tuker-Abramson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04059056882098096,"gpt":0.2889488273806058,"spread":0.2483582585596248,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001456765,0.0003587479,0.0002556786,0.000914233,0.008641098,0.01159003,0.0008657508,0.001507871,0.01280207],"category_scores_gemma":[0.00347233,0.0002374627,0.0001467336,0.0007109502,0.01749917,0.00739004,0.006996073,0.003268015,0.000681986],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004234468,"about_ca_system_score_gemma":0.001701224,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01582636,"about_ca_topic_score_gemma":0.02198808,"domain_scores_codex":[0.9984062,0.0009191974,0.00001956965,0.0001331544,0.0002269588,0.0002949691],"domain_scores_gemma":[0.9984433,0.0008073915,0.0002057361,0.00007424018,0.0001730144,0.0002962179],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006663344,0.00005288698,0.003404737,0.00005204077,0.0000090986,0.0007784449,0.4910638,0.00006849534,0.000285113,0.4782704,0.01014048,0.0158077],"study_design_scores_gemma":[0.00002214449,0.00005442157,0.007404175,0.000354034,0.00001882089,0.0006968186,0.694019,0.0003477071,0.0005233344,0.07720746,0.2193111,0.00004092435],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4252723,0.00276797,0.001637269,0.02252791,0.0002021092,0.00001725443,0.00006050411,0.00003001599,0.5474846],"genre_scores_gemma":[0.9760394,0.0004296724,0.000263523,0.001528051,0.00004288484,0.00001711421,0.00001018233,0.00005941385,0.02160982],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01582636,"threshold_uncertainty_score":0.04282719,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1975586767","doi":"10.3138/md.51.1.60","title":"Homosexual Panic in <i>Cat on a Hot Tin Roof</i>","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Panic; Character (mathematics); Brick; Psychoanalysis; Sociology; Jungle; Art; Psychology; Art history; Aesthetics; History; Archaeology","authors":[{"name":"Douglas Arrell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09028255364928771,"gpt":0.2860013541869822,"spread":0.1957188005376945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007885529,0.0003331717,0.0001915308,0.0004435192,0.01030945,0.004242748,0.0005391715,0.001724689,0.007499336],"category_scores_gemma":[0.001327058,0.0002534401,0.0001543348,0.0003054258,0.009650605,0.001808921,0.002040106,0.002950557,0.0007245481],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004542009,"about_ca_system_score_gemma":0.001077523,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1041132,"about_ca_topic_score_gemma":0.2122442,"domain_scores_codex":[0.9992106,0.0003669632,0.0000106526,0.00007704969,0.0001318538,0.0002029215],"domain_scores_gemma":[0.9996852,0.00008281912,0.00005444438,0.00001433,0.00004030158,0.0001229765],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006721722,0.00006761836,0.002910184,0.0000607301,0.00001474005,0.002620845,0.8788337,0.00007104817,0.003045779,0.05223772,0.04963722,0.01043324],"study_design_scores_gemma":[0.00001205886,0.00008825515,0.01369924,0.0001976945,0.000011177,0.00217351,0.7032036,0.0001516835,0.0009000634,0.00266298,0.2768357,0.00006407877],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7548152,0.00188552,0.00099602,0.02225007,0.0005219203,0.00004617613,0.00004495135,0.00008845426,0.2193517],"genre_scores_gemma":[0.9299895,0.0005270686,0.0004005281,0.003670043,0.00005424305,0.00002549277,0.00001809698,0.0000741967,0.06524073],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1041132,"threshold_uncertainty_score":0.2070143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1989038701","doi":"10.3138/md.43.1.13","title":"Postmodernism and Violence in Mamet's <i>Oleanna</i>","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Postmodernism; Ideology; Persona; Power (physics); Blame; Sociology; Harassment; Witch; Psychoanalysis; Irony; HERO; Aesthetics; Criminology; Literature; Psychology; Art; Law; Social psychology; Politics; Political science; Humanities","authors":[{"name":"Thomas Porter","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03286544257140176,"gpt":0.2656905752861631,"spread":0.2328251327147614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001922745,0.0002476167,0.0001667005,0.0006804016,0.01063413,0.006945463,0.0007023993,0.001820758,0.004765162],"category_scores_gemma":[0.002524779,0.0002160565,0.0001642995,0.0005037774,0.01479437,0.002568205,0.003559993,0.004075776,0.0004766903],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004824105,"about_ca_system_score_gemma":0.001748184,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005460246,"about_ca_topic_score_gemma":0.01642717,"domain_scores_codex":[0.998615,0.0008514519,0.00002043004,0.00008138511,0.0002214706,0.0002102542],"domain_scores_gemma":[0.9990068,0.0005668736,0.0001243476,0.00005592222,0.00009201577,0.0001540539],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006402338,0.00001868171,0.0007701521,0.00007512368,0.000003358276,0.0003846862,0.1823977,0.00006680268,0.000611185,0.7819991,0.02614023,0.007468927],"study_design_scores_gemma":[0.00001024231,0.00005251287,0.003110392,0.0004040975,0.000005472686,0.0006896642,0.08037052,0.0002954183,0.0008259587,0.03249064,0.8817127,0.00003237372],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1694599,0.01006804,0.003228048,0.06239795,0.002399616,0.00003624486,0.00004917393,0.00009057305,0.7522705],"genre_scores_gemma":[0.8985758,0.001137848,0.0005210839,0.00413648,0.000433887,0.00004378273,0.00001738299,0.00008869846,0.09504497],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01063413,"threshold_uncertainty_score":0.03500146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2097073125","doi":"10.3138/md.49.3.256","title":"‘‘First and Foremost a Human Being’’: Idealism, Theatre, and Gender in <i>A Doll’s House</i>","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Idealism; Beauty; Aesthetics; Opposition (politics); Romance; Philosophy; Realism; Romanticism; Literature; Art; Epistemology; Law; Political science; Politics","authors":[{"name":"Toril Moi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04824866445226994,"gpt":0.2748474574842639,"spread":0.2265987930319939,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002770024,0.0004425955,0.0002681275,0.0006120306,0.007955192,0.008442349,0.0005978186,0.001237146,0.005181796],"category_scores_gemma":[0.002042887,0.0002307266,0.0002595776,0.000528716,0.03922785,0.00414435,0.00499869,0.002253337,0.0004903596],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003876617,"about_ca_system_score_gemma":0.001220342,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009763164,"about_ca_topic_score_gemma":0.01406647,"domain_scores_codex":[0.9959608,0.00291048,0.00004543033,0.0001979027,0.0003917148,0.000493707],"domain_scores_gemma":[0.9990997,0.000429626,0.0001001283,0.00006932463,0.00007640663,0.0002246684],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005873377,0.00001965306,0.00106181,0.0000782441,0.000006287944,0.0003070281,0.3545323,0.00009315718,0.0003458401,0.625904,0.007826817,0.009766197],"study_design_scores_gemma":[0.00001591614,0.00009383047,0.004034433,0.0004329947,0.00001335772,0.0009460488,0.4094581,0.0003011577,0.0007628033,0.06828193,0.5155997,0.00005969731],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2820561,0.01282231,0.00823248,0.02412245,0.0014542,0.00002932435,0.00006649219,0.00004845324,0.6711681],"genre_scores_gemma":[0.9760686,0.001181118,0.0006639088,0.0008028874,0.0001111889,0.0000152687,0.00001186996,0.00004524406,0.02109988],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009763164,"threshold_uncertainty_score":0.0281269,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2059529665","doi":"10.3138/md.46.2.241","title":"Sarah Daniels’ Hysteria Plays: Re-presentations of Madness in <i>Ripen Our Darkness</i> and <i>Head-Rot Holiday</i>","year":2003,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Hysteria; Metaphor; Psychoanalysis; Literature; Subject (documents); Mental illness; Aesthetics; History; Psychology; Art; Philosophy; Mental health; Psychiatry","authors":[{"name":"Carina Bartleet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08959191489091825,"gpt":0.3248143551726474,"spread":0.2352224402817291,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001497214,0.0007254729,0.0003417027,0.0009881896,0.01325404,0.006159994,0.001240146,0.002800666,0.005854355],"category_scores_gemma":[0.004401866,0.0003165642,0.0003206062,0.000414981,0.0141477,0.003926652,0.004544351,0.007274903,0.001003249],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007796223,"about_ca_system_score_gemma":0.003164333,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0253494,"about_ca_topic_score_gemma":0.06664658,"domain_scores_codex":[0.9982319,0.0009651091,0.0000386853,0.0001280663,0.0003239463,0.0003123286],"domain_scores_gemma":[0.9983083,0.0008372437,0.000131455,0.00007726918,0.0002256243,0.0004200766],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006335944,0.00003767106,0.001083759,0.0001867835,0.00001134063,0.002797542,0.7529304,0.00006300706,0.001073951,0.04475263,0.1863003,0.01069918],"study_design_scores_gemma":[0.000008721459,0.00003435714,0.001181198,0.0002545155,0.000005391085,0.002230965,0.4422712,0.00007655502,0.0006958519,0.002864582,0.5503529,0.00002380285],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3109468,0.02115428,0.002316143,0.3086236,0.009670133,0.000123129,0.0003391484,0.0002506235,0.3465762],"genre_scores_gemma":[0.8497001,0.005412902,0.001099756,0.02549628,0.001387999,0.00008375826,0.0001019565,0.0001966928,0.1165205],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0253494,"threshold_uncertainty_score":0.05656588,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2791205008","doi":"10.5539/ells.v8n1p109","title":"Materialist Society in Albee’s Who’s Afraid of Virginia Woolf","year":2018,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Materialism; Dream; Hypocrisy; Environmental ethics; Humanity; Harmony (color); Culture of the United States; Sociology; Aesthetics; Psychoanalysis; Psychology; Political science; Law; Art; Philosophy; Theology; Psychotherapist","authors":[{"name":"Kadhim Hatem Kaibr","is_ca":false},{"name":"Jingjing Guo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01964644907056478,"gpt":0.2997736753000922,"spread":0.2801272262295275,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007572059,0.0001442214,0.0001179292,0.0006804353,0.02509197,0.005199764,0.0004634618,0.0008689529,0.006458375],"category_scores_gemma":[0.001198848,0.0001050059,0.0000769539,0.000453512,0.00671648,0.00171997,0.002273273,0.00202252,0.0002971859],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007318693,"about_ca_system_score_gemma":0.004239018,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1695793,"about_ca_topic_score_gemma":0.3048802,"domain_scores_codex":[0.9992323,0.0003373023,0.000009911321,0.0000569619,0.0001204395,0.000243144],"domain_scores_gemma":[0.9993505,0.0001728454,0.00007415698,0.00001841171,0.0001009542,0.0002831985],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004061683,0.0001351279,0.006135924,0.00005789807,0.000009240353,0.002942069,0.6397864,0.00006080758,0.001144299,0.189245,0.1110876,0.04935496],"study_design_scores_gemma":[0.000004207154,0.0000272214,0.008765347,0.0001235034,0.0000045171,0.0004293701,0.327131,0.00006444458,0.0002825306,0.004850838,0.6582993,0.00001779008],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5984344,0.004652369,0.0004240539,0.08940523,0.001200305,0.00002784459,0.00003135439,0.00003306564,0.3057914],"genre_scores_gemma":[0.9479106,0.0009479832,0.0001096804,0.003086167,0.0001727283,0.000009532785,0.000006424445,0.00001134106,0.04774557],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1695793,"threshold_uncertainty_score":0.3371844,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1976189887","doi":"10.1017/s0040557406320303","title":"Arthur Miller: A Critical Study","year":2006,"lang":"en","type":"article","venue":"Theatre Survey","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Miller; Content (measure theory); Computer science; History; Computer security; Biology; Ecology; Mathematics","authors":[{"name":"Alan Ackerman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09299216640549907,"gpt":0.3314621416959608,"spread":0.2384699752904618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03736014,0.0009565587,0.000822102,0.003489222,0.01470821,0.006597862,0.00280866,0.005945315,0.0157943],"category_scores_gemma":[0.1782285,0.0004878157,0.0005968533,0.002051514,0.01871662,0.01220085,0.004359024,0.01240841,0.002488468],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01254998,"about_ca_system_score_gemma":0.01588785,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01465411,"about_ca_topic_score_gemma":0.02102532,"domain_scores_codex":[0.9554759,0.03321331,0.0007528766,0.00284579,0.006582796,0.001129345],"domain_scores_gemma":[0.8631927,0.07113571,0.003916615,0.004762247,0.04900105,0.007991681],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006259017,0.0000392764,0.0003593263,0.0005219047,0.0000159806,0.0006336969,0.04032535,0.0000552866,0.0003276291,0.07348601,0.8672144,0.01695849],"study_design_scores_gemma":[0.00002480924,0.00003782467,0.0007180487,0.001786187,0.00002068667,0.0004045419,0.05532466,0.0001395515,0.0006163003,0.0339293,0.9069394,0.00005875845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.00411063,0.01469621,0.003997247,0.9302192,0.02794028,0.0004204437,0.0001085752,0.00007860319,0.01842882],"genre_scores_gemma":[0.249661,0.02573496,0.013051,0.5080293,0.02801956,0.00265044,0.0001002056,0.0007368805,0.1720167],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03736014,"threshold_uncertainty_score":0.1975817,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2146369999","doi":"10.3138/md.56.2.186","title":"What Is and What Aint:<i>Topdog/Underdog</i>and the American Hustle","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Brother; Miller; Kinship; Drama; Performance art; Genealogy; Art history; Sociology; History; Art; Visual arts; Anthropology","authors":[{"name":"Patrick Maley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0395359565963841,"gpt":0.279748928934262,"spread":0.2402129723378779,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009001159,0.0002494955,0.0001408543,0.0005105644,0.01025551,0.005364822,0.0005708677,0.0008633083,0.007968841],"category_scores_gemma":[0.001452189,0.0001308891,0.0001025899,0.0003784636,0.01264607,0.003490519,0.003238827,0.003427121,0.0005976958],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00328509,"about_ca_system_score_gemma":0.001788149,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03056374,"about_ca_topic_score_gemma":0.07110621,"domain_scores_codex":[0.9992051,0.0004384851,0.000006694779,0.00006039828,0.00009648829,0.0001928988],"domain_scores_gemma":[0.9993343,0.0001977665,0.00006207634,0.00004587877,0.0001034498,0.0002565382],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001011981,0.00009475493,0.00347066,0.00007910422,0.00001012786,0.0005716814,0.5548121,0.00006051478,0.0009679798,0.2913812,0.112078,0.03637261],"study_design_scores_gemma":[0.000005719922,0.00002703881,0.002844038,0.0001451165,0.000009132132,0.0002724632,0.5201331,0.0001359619,0.0007333988,0.01080788,0.4648659,0.00002013505],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3527044,0.003965271,0.002092042,0.07908455,0.001253638,0.00002294264,0.00005411799,0.0001024126,0.5607207],"genre_scores_gemma":[0.9612392,0.0007643736,0.0002820304,0.002992957,0.0001033872,0.000009950437,0.00001252764,0.00004654725,0.03454889],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03056374,"threshold_uncertainty_score":0.0607717,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234799523","doi":"10.1353/mdr.2005.0002","title":"Ibsen and Darwin: A Reading of The Wild Duck","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Darwin (ADL); Modernity; Reading (process); Scholarship; Subject (documents); Literature; Norwegian; History; Modernization theory; Relation (database); Art; Philosophy; Epistemology; Political science; Law; Linguistics","authors":[{"name":"Asbjørn Aarseth","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04786801993271878,"gpt":0.2747940210320726,"spread":0.2269260010993538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001145793,0.0005270218,0.0003582698,0.001413815,0.005203994,0.003856959,0.0006023546,0.002590026,0.003617538],"category_scores_gemma":[0.001782862,0.0001811612,0.0001785358,0.0008149706,0.0162898,0.0037215,0.001839006,0.003233428,0.0003558075],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003901885,"about_ca_system_score_gemma":0.001091855,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00978979,"about_ca_topic_score_gemma":0.01865961,"domain_scores_codex":[0.9991592,0.0005329847,0.00001598445,0.000074428,0.0001174231,0.0001000295],"domain_scores_gemma":[0.9994013,0.0003988197,0.00003744857,0.00003011118,0.00006756317,0.00006473841],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006439917,0.00002247461,0.0005347677,0.0001495973,0.000009826244,0.0003995406,0.1197231,0.0001877655,0.0004939495,0.7973737,0.06629086,0.01475018],"study_design_scores_gemma":[0.000007665842,0.00003094671,0.001561293,0.0003555453,0.000006938984,0.0003431635,0.05598353,0.0001514463,0.0002538304,0.07360809,0.8676806,0.00001706662],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06957541,0.09390685,0.003621842,0.1309903,0.008596466,0.00002934019,0.0001119758,0.00006975533,0.6930979],"genre_scores_gemma":[0.8440741,0.01582648,0.002004335,0.01630207,0.002773619,0.00003683272,0.00005270576,0.0001076098,0.1188223],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00978979,"threshold_uncertainty_score":0.0283103,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2992398812","doi":"","title":"A Comparison of Tennessee Williams and Anton Chekhov","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Key (lock); Literature; Russian literature; Art history; Art; History","authors":[{"name":"Juan Zhao","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05408321397658458,"gpt":0.4020994266846041,"spread":0.3480162127080195,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003172497,0.0002767763,0.0003243375,0.004629903,0.008102639,0.00535936,0.0007594845,0.0009140252,0.0077438],"category_scores_gemma":[0.007734418,0.0001999004,0.0001518983,0.005419945,0.006588561,0.003901626,0.004192054,0.001295661,0.0003744747],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009003459,"about_ca_system_score_gemma":0.005476957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07753776,"about_ca_topic_score_gemma":0.1282582,"domain_scores_codex":[0.9954264,0.002033558,0.0001588694,0.0003517584,0.001117088,0.0009123317],"domain_scores_gemma":[0.9975967,0.001041532,0.0003134971,0.00008656967,0.0005756994,0.0003860171],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002444359,0.00006307554,0.01041419,0.0001913329,0.00002619476,0.002426661,0.3036207,0.0001263143,0.001601241,0.5739946,0.03908529,0.06820595],"study_design_scores_gemma":[0.00001226382,0.00009462924,0.03261365,0.0003724284,0.00001832961,0.0008680873,0.2844136,0.0001032313,0.0007293239,0.01340992,0.6673117,0.00005290284],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6261156,0.01129875,0.0009095625,0.02408679,0.0006222448,0.00007052494,0.0001120726,0.00003115678,0.3367532],"genre_scores_gemma":[0.9541048,0.004098297,0.0004808375,0.002742172,0.00009265455,0.00006853146,0.00008480287,0.00004324864,0.03828465],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07753776,"threshold_uncertainty_score":0.1541729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1970345726","doi":"10.3138/utq.69.3.634","title":"Tennessee Williams and the Legends of St Sebastian","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Legend; Liturgy; Formative assessment; Art; History; Art history; Literature; Philosophy; Theology; Sociology","authors":[{"name":"Brian Parker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01504658034135956,"gpt":0.2082456847036937,"spread":0.1931991043623342,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006176276,0.0002201292,0.0001247552,0.0004675461,0.009864734,0.003935863,0.0003273208,0.001063703,0.01511466],"category_scores_gemma":[0.001882085,0.000114688,0.00005821349,0.000746381,0.006960548,0.001488964,0.002084864,0.002660823,0.0008261997],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005952762,"about_ca_system_score_gemma":0.002962813,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.107018,"about_ca_topic_score_gemma":0.3335294,"domain_scores_codex":[0.9995704,0.0001784181,0.00000850881,0.00004323463,0.00007604518,0.0001234254],"domain_scores_gemma":[0.9995391,0.0001531964,0.00006076333,0.00003226789,0.00009588977,0.0001187387],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007085248,0.00002733555,0.001403933,0.00005448974,0.00000553743,0.001602575,0.106575,0.00008781112,0.0006710229,0.4200113,0.4255131,0.04397704],"study_design_scores_gemma":[0.000004722474,0.000009895932,0.001899666,0.0001292531,0.000001580707,0.0002200532,0.03211247,0.00002719331,0.000137986,0.008970878,0.9564782,0.000008026836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1094501,0.02357818,0.0005050237,0.205652,0.007437714,0.0000175295,0.00007329917,0.0001038433,0.6531823],"genre_scores_gemma":[0.6540301,0.00768746,0.0004208204,0.01269043,0.001082236,0.00002434808,0.00003670949,0.0001009177,0.323927],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.107018,"threshold_uncertainty_score":0.2127903,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1859653080","doi":"10.3968/j.css.1923669720090501.007","title":"Gender Struggle over Ideological Power in Ibsen’s A Doll’s House","year":2009,"lang":"en","type":"article","venue":"Canadian social science","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Ideology; Power (physics); Gender relations; Humanities; Mythology; Ethnology; Gender studies; Sociology; Political science; Politics; Philosophy; Art; Law; Literature","authors":[{"name":"Yue-hua Guo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07670293387200232,"gpt":0.3161463041685973,"spread":0.239443370296595,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00282117,0.0005495431,0.0003650963,0.001325435,0.01415973,0.00600213,0.0005610192,0.002219646,0.006220311],"category_scores_gemma":[0.002533801,0.0003871536,0.0002566736,0.0009088581,0.02695347,0.004006726,0.006219771,0.002648604,0.0005586301],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004199487,"about_ca_system_score_gemma":0.001462166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01109023,"about_ca_topic_score_gemma":0.02865201,"domain_scores_codex":[0.9966306,0.002235533,0.00005173903,0.0002101456,0.0003005677,0.0005713816],"domain_scores_gemma":[0.9988979,0.0006606644,0.00009945546,0.00005639463,0.00007521955,0.0002102733],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008397233,0.00002527301,0.001116884,0.00005206745,0.000006654592,0.001423649,0.5528637,0.00007599881,0.0004488108,0.4264135,0.007740233,0.009749273],"study_design_scores_gemma":[0.0000158738,0.00006937014,0.002546299,0.000284984,0.000007769454,0.0009131391,0.5649271,0.0001620709,0.0007766365,0.02725045,0.4030083,0.00003807265],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.4431404,0.004753522,0.003327217,0.01731753,0.001345441,0.00005688174,0.00005593838,0.00003594266,0.5299672],"genre_scores_gemma":[0.9428583,0.0008897687,0.0006414205,0.001209739,0.0001102738,0.0000332567,0.00001520931,0.0000404318,0.05420168],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01415973,"threshold_uncertainty_score":0.0304696,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2062247372","doi":"10.3138/md.45.1.1","title":"Reading, Writing, and Authority in Ibsen's \"Women's Plays\"","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Drama; Literature; Reading (process); Hegemony; Criticism; History; Art; Philosophy; Law; Linguistics","authors":[{"name":"Penny Farfan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05829167596640061,"gpt":0.2802561452949827,"spread":0.2219644693285821,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001859184,0.000688893,0.0003186317,0.001914938,0.01134713,0.008945793,0.0008003397,0.002194537,0.00420012],"category_scores_gemma":[0.003412931,0.0002658731,0.0001446104,0.001317389,0.02813402,0.004373701,0.004790782,0.002656566,0.000385834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00441071,"about_ca_system_score_gemma":0.001901973,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00540184,"about_ca_topic_score_gemma":0.0147677,"domain_scores_codex":[0.9978264,0.001363727,0.00004876168,0.0001267919,0.0002927666,0.0003415862],"domain_scores_gemma":[0.9984198,0.001135286,0.0001361311,0.00005528956,0.00008830007,0.0001652008],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006967865,0.00003363824,0.0004797945,0.00009791635,0.000003419742,0.0003819254,0.5536075,0.00005818955,0.0004053924,0.4252608,0.008599138,0.01100261],"study_design_scores_gemma":[0.0000204423,0.0000657215,0.001803586,0.0005216732,0.000009257134,0.0004252736,0.3819771,0.0001107708,0.0009784368,0.05104614,0.5630204,0.00002120281],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1832993,0.01211394,0.002637543,0.02171015,0.001056126,0.00005631567,0.00006364081,0.00007601504,0.7789871],"genre_scores_gemma":[0.9377384,0.002257687,0.0008662568,0.001669545,0.0002031769,0.00007398281,0.00002089746,0.00005505338,0.05711494],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01134713,"threshold_uncertainty_score":0.03200209,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2106025908","doi":"10.3138/md.50.4.545","title":"Opening the Windshield: <i>Death of a Salesman</i> and Theatrical Liberalism","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Realism; Character (mathematics); Popularity; Aesthetics; Literature; Art; Spectacle; Musical; Style (visual arts); Reading (process); Miller; Social realism; Sociology; Philosophy; Psychology; Law; Social psychology; Political science","authors":[{"name":"Andrea Most","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06010293731782669,"gpt":0.2970048929495219,"spread":0.2369019556316952,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001018347,0.0002230035,0.0001696413,0.0004161149,0.009709549,0.006230518,0.0004526577,0.001301301,0.002835055],"category_scores_gemma":[0.001353875,0.0001222437,0.0001150046,0.000363078,0.02021405,0.002738351,0.002383231,0.003558657,0.0003687928],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004725599,"about_ca_system_score_gemma":0.001644029,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01575718,"about_ca_topic_score_gemma":0.0391143,"domain_scores_codex":[0.9991853,0.0004856382,0.000009009232,0.00004827409,0.0001034729,0.0001682126],"domain_scores_gemma":[0.9993386,0.0003248155,0.00008577028,0.00003503527,0.00006302171,0.0001528131],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001137596,0.00006106499,0.001815246,0.00008154257,0.00001052666,0.0009116841,0.347457,0.00009316832,0.001097283,0.5616705,0.06790136,0.01878683],"study_design_scores_gemma":[0.00001986109,0.00005463919,0.003498974,0.0003059799,0.00001011781,0.0006038685,0.3051665,0.0001853624,0.0007820465,0.05097865,0.6383646,0.00002928767],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3469691,0.006325789,0.001033564,0.06231316,0.001209745,0.00001445155,0.00001984794,0.00004240794,0.582072],"genre_scores_gemma":[0.9650918,0.0009876139,0.0001151322,0.001930643,0.0002110444,0.000007724706,0.000004737688,0.00002370948,0.03162764],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01575718,"threshold_uncertainty_score":0.0342868,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2620219822","doi":"10.5539/ells.v7n2p139","title":"Misogyny or Feminism? A Probe into Hawthorne and His The Scarlet Letter","year":2017,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Patriarchy; Character (mathematics); Wife; Feminism; Literature; Psychoanalysis; Sociology; Gender studies; Philosophy; Art; Psychology; Theology","authors":[{"name":"Yueming Wang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03791118121148807,"gpt":0.3234968558201457,"spread":0.2855856746086576,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002303468,0.0003674302,0.0003559223,0.000491914,0.009749486,0.00671353,0.0006073386,0.003167692,0.003431182],"category_scores_gemma":[0.005775998,0.0002395589,0.0001295563,0.0003611214,0.02148102,0.005329149,0.002816123,0.005857192,0.0004061861],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003905476,"about_ca_system_score_gemma":0.001611947,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00523133,"about_ca_topic_score_gemma":0.0104476,"domain_scores_codex":[0.9974666,0.001615154,0.00004123277,0.0002671523,0.0003691693,0.0002406772],"domain_scores_gemma":[0.9973944,0.001867763,0.000190727,0.0001014408,0.0002234461,0.0002222214],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005057022,0.00002502553,0.0004741275,0.0000816536,0.000004446321,0.0008644362,0.1794502,0.00005122271,0.0002993677,0.7276656,0.07556753,0.01546585],"study_design_scores_gemma":[0.00001227986,0.00004443639,0.0009034037,0.0003479373,0.000003823917,0.0007660612,0.1163859,0.0001147355,0.0004533519,0.06646546,0.8144798,0.00002283227],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08883628,0.02884744,0.002492244,0.3550805,0.007128845,0.00003069363,0.00003684146,0.00003610174,0.5175111],"genre_scores_gemma":[0.8731101,0.004508182,0.0005862515,0.0336995,0.00213777,0.00003480518,0.000009763844,0.000086447,0.08582722],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009749486,"threshold_uncertainty_score":0.02833635,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138749479","doi":"10.3138/md.64.1.1122","title":"“Heredity, Heredity!”: Recovering Henry James’s <i>The Reprobate</i> in Its Scientific and Theatrical Contexts","year":2021,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Drama; Heredity; Context (archaeology); Character (mathematics); Literature; George (robot); Period (music); Reading (process); History; Art; Sociology; Aesthetics; Philosophy; Art history; Linguistics","authors":[{"name":"Daniel Ibrahim Abdalla","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05774735286006186,"gpt":0.284104873640166,"spread":0.2263575207801042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001736644,0.0003534241,0.0001719415,0.0005560645,0.007624893,0.005242078,0.0006465156,0.001142905,0.0030141],"category_scores_gemma":[0.003083166,0.0001821784,0.0001180616,0.0003329444,0.01839683,0.002874371,0.003054689,0.002869701,0.0005957357],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003483425,"about_ca_system_score_gemma":0.001571627,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01258385,"about_ca_topic_score_gemma":0.02493157,"domain_scores_codex":[0.9989721,0.0005945327,0.0000132238,0.00008452798,0.0001275311,0.0002081822],"domain_scores_gemma":[0.9991787,0.0004299149,0.00007823503,0.000079545,0.00006325354,0.0001702603],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001111535,0.00003661137,0.0009990025,0.0001462078,0.00001034968,0.0009111639,0.433758,0.0001294403,0.002280078,0.4782498,0.05315363,0.03021461],"study_design_scores_gemma":[0.000008217457,0.00004751251,0.001563354,0.0001668792,0.000007346004,0.0006810986,0.1151424,0.0001058643,0.001768288,0.01870845,0.8617678,0.00003288272],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3204655,0.02013106,0.006971138,0.06760263,0.004412555,0.00005652496,0.00009086707,0.000220289,0.5800494],"genre_scores_gemma":[0.9180686,0.003115675,0.001064865,0.003355016,0.0006216784,0.00001930236,0.00001827266,0.0001025914,0.07363404],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01258385,"threshold_uncertainty_score":0.02527416,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2017982798","doi":"10.3138/md.53.4.471","title":"AIDS = Purgatory: Prior Walter's Prophecy and <i>Angels in America</i>","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Purgatory; Liminality; Humanity; Realm; Metaphor; Vision; Art; Pessimism; Space (punctuation); Philosophy; Literature; Art history; History; Theology; Aesthetics","authors":[{"name":"Claudia Barnett","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02985103008514696,"gpt":0.2707186910412017,"spread":0.2408676609560547,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006559661,0.0003106478,0.0001173762,0.0003542593,0.005238417,0.003913987,0.0003240068,0.001266795,0.005344493],"category_scores_gemma":[0.001268103,0.0001534237,0.0001311778,0.0002479635,0.01244301,0.003279275,0.002426137,0.004784341,0.0005031892],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002087046,"about_ca_system_score_gemma":0.00142891,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01307297,"about_ca_topic_score_gemma":0.03302243,"domain_scores_codex":[0.9995465,0.0002414137,0.000005974186,0.0000313194,0.00006664182,0.0001082599],"domain_scores_gemma":[0.9995871,0.0001633826,0.00005431085,0.00002287531,0.0000275255,0.0001447976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007269267,0.00006828571,0.0009792425,0.0001099562,0.000006425934,0.0009835571,0.3242507,0.00008133168,0.0005844308,0.522954,0.1230041,0.02690514],"study_design_scores_gemma":[0.00001648967,0.00004344251,0.001107625,0.0002301207,0.0000072426,0.001417946,0.1205838,0.00007481721,0.0005079445,0.01423014,0.8617654,0.00001512866],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1322711,0.01520346,0.003074791,0.1078798,0.003017081,0.0000455889,0.00009960227,0.00009818816,0.7383103],"genre_scores_gemma":[0.8566317,0.004526711,0.0007831878,0.009568444,0.0005073634,0.00002719605,0.00003778675,0.00005894739,0.1278588],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01307297,"threshold_uncertainty_score":0.02599376,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4320729446","doi":"10.5430/wjel.v13n2p232","title":"Attachment Anxiety and Covert Narcissistic Pangs as Reflected in Tennessee William’s The Glass Menagerie","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Narcissism; Covert; Psychology; Abandonment (legal); Psychoanalysis; Anxiety; Social psychology; Psychiatry; Political science","authors":[{"name":"M. Ramesh Kumar","is_ca":false},{"name":"G. Christopher","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0252496654356408,"gpt":0.3034148759814062,"spread":0.2781652105457654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001245607,0.0003478714,0.000226186,0.0006785858,0.007543316,0.002333229,0.0005763535,0.001147387,0.001917558],"category_scores_gemma":[0.003475033,0.000283,0.0001589734,0.0004829298,0.006954214,0.001501874,0.002921768,0.003718983,0.0001263604],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004944064,"about_ca_system_score_gemma":0.002770531,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08193848,"about_ca_topic_score_gemma":0.2316163,"domain_scores_codex":[0.9990525,0.0003801235,0.00002695794,0.00009454363,0.0002499851,0.0001960238],"domain_scores_gemma":[0.9990407,0.0002334625,0.0003067888,0.00003879174,0.0001019164,0.0002783809],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005066127,0.00004321332,0.01319443,0.00004435973,0.00001361838,0.008630245,0.9469594,0.00004371025,0.003988869,0.009281835,0.00482876,0.01292084],"study_design_scores_gemma":[0.000004325768,0.0001312785,0.03803196,0.0001047648,0.000009955433,0.005778529,0.9078753,0.0001280699,0.0005554492,0.002288807,0.04503936,0.0000522125],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9854282,0.0005020631,0.0003070339,0.006184316,0.000111134,0.0000197166,0.00001290356,0.00001039205,0.007424276],"genre_scores_gemma":[0.9915167,0.0004116855,0.0002671423,0.001134537,0.00002669226,0.00001491338,0.000009795627,0.000009177311,0.006609417],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08193848,"threshold_uncertainty_score":0.1629231,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2531543776","doi":"","title":"Sharing A Doll’s House with Islamic Neighbours","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Film director; Islam; Arabic; Art; Art history; History; Philosophy; Movie theater; Archaeology; Linguistics","authors":[{"name":"Julie Holledge","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09999960406944217,"gpt":0.2990455207587979,"spread":0.1990459166893558,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002081418,0.0006339662,0.000275986,0.0009601283,0.01188238,0.003881712,0.0009932389,0.001085839,0.01605954],"category_scores_gemma":[0.003759133,0.0003214378,0.0002609981,0.0007595001,0.01338892,0.002532677,0.005891826,0.00157726,0.00138255],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003433798,"about_ca_system_score_gemma":0.001497335,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02157993,"about_ca_topic_score_gemma":0.06465685,"domain_scores_codex":[0.9973647,0.001621229,0.00004049546,0.0002048998,0.0004222201,0.0003464128],"domain_scores_gemma":[0.9988276,0.0005031613,0.0001566232,0.0001396178,0.0001227452,0.0002502541],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008421014,0.00005441165,0.004282476,0.0001432243,0.00001556645,0.002942325,0.8458451,0.0001885399,0.001189678,0.09633277,0.01510404,0.03381767],"study_design_scores_gemma":[0.000006327533,0.00005793088,0.003585925,0.0003048413,0.000009373022,0.001650815,0.6087049,0.00008732974,0.0005559225,0.001659876,0.3833565,0.00002020135],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4225976,0.002261584,0.002532639,0.005235532,0.0006699059,0.00004608934,0.00008882563,0.00004299351,0.5665249],"genre_scores_gemma":[0.9432335,0.001029888,0.001077053,0.0003432865,0.00006990196,0.00001779427,0.00004442756,0.00003652971,0.0541476],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02157993,"threshold_uncertainty_score":0.05372453,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1537610444","doi":"","title":"Representations of Rural Women in Susan Glaspell’s Trifles","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Politics; Drama; Gender studies; Feminism; Theme (computing); Sociology; Mainstream; Representation (politics); New Woman; Patriarchy; History; Law; Literature; Political science; Art","authors":[{"name":"Raja Khaleel Al-Khalili","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03187622410186047,"gpt":0.3416081750484068,"spread":0.3097319509465464,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008318096,0.0005144341,0.0001949125,0.001001613,0.01810391,0.00443458,0.0005276333,0.001776994,0.004403636],"category_scores_gemma":[0.001152492,0.0002419653,0.0001124224,0.0006387399,0.01389543,0.003031254,0.003347984,0.002875506,0.0005685098],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004646426,"about_ca_system_score_gemma":0.001160719,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01605425,"about_ca_topic_score_gemma":0.04297472,"domain_scores_codex":[0.9991294,0.0005721204,0.000007980317,0.00005112264,0.00008599662,0.0001534622],"domain_scores_gemma":[0.9995027,0.0002696228,0.00006410972,0.00001605235,0.00004186006,0.0001057749],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003587509,0.00002038438,0.0006041585,0.00003636481,0.000001857782,0.0007609209,0.8128342,0.00004377282,0.0007530175,0.1617803,0.018432,0.004697204],"study_design_scores_gemma":[0.000005291441,0.00003286178,0.0009349548,0.0001154628,0.000002577827,0.0005090525,0.5168233,0.00009301354,0.0004225869,0.008750129,0.4722933,0.00001743697],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5048334,0.008624742,0.002279753,0.06302505,0.001195122,0.00003774103,0.00008605605,0.0001296722,0.4197884],"genre_scores_gemma":[0.9312751,0.001694581,0.0003236125,0.003725338,0.0001806483,0.00002889931,0.00001473048,0.00005643514,0.06270066],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01810391,"threshold_uncertainty_score":0.03371233,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1994982278","doi":"10.3138/md.54.1.004","title":"Impossible Representation: Edward Albee and the End of Liberal Tragedy","year":2011,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Politics; Tragedy (event); HERO; Aesthetics; Legitimacy; Liberalism; Literature; Miller; Classical liberalism; Perversion; Philosophy; Psychoanalysis; Sociology; Law; Art; Political science; Gender studies; Psychology","authors":[{"name":"Michelle Robinson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08446540031410965,"gpt":0.2874730439064152,"spread":0.2030076435923056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002074767,0.0003563549,0.0002011622,0.0008100994,0.01510479,0.009290721,0.000658527,0.002799626,0.005189415],"category_scores_gemma":[0.005446748,0.0001544582,0.0001258977,0.0005034009,0.02567974,0.007424004,0.003973887,0.005726841,0.000574913],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0060288,"about_ca_system_score_gemma":0.002842056,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02153076,"about_ca_topic_score_gemma":0.03105674,"domain_scores_codex":[0.9981889,0.001078975,0.00001885552,0.0001087283,0.0003010689,0.0003034861],"domain_scores_gemma":[0.9983265,0.001131854,0.00008387146,0.000086846,0.0001847711,0.0001860756],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002177994,0.00001511542,0.0001866102,0.00002127207,0.000001674688,0.0002702609,0.07406987,0.00007543602,0.0001340908,0.8631094,0.05230536,0.009789127],"study_design_scores_gemma":[0.000009414985,0.00001931962,0.0003144942,0.0001501962,0.000003232102,0.0002824556,0.06211329,0.0001651135,0.0002905103,0.1551336,0.7814986,0.00001981017],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06020501,0.01246295,0.00338598,0.2435365,0.002408299,0.00001967339,0.00002146687,0.00007915856,0.677881],"genre_scores_gemma":[0.8414977,0.003960491,0.000792142,0.01669545,0.0009257237,0.0000279199,0.00001078021,0.00007216392,0.1360177],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02153076,"threshold_uncertainty_score":0.04374224,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1776736466","doi":"","title":"Eugene O'Neill's Concern with Sexuality and the Behavioral Disorders","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Human sexuality; Pleasure; Psychology; Sexual arousal; Orgasm; Context (archaeology); Sexology; Affection; Instinct; Psychoanalysis; Developmental psychology; Social psychology; Gender studies; Sociology; Sexual behavior; Psychotherapist; History","authors":[{"name":"Asim Karim","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03816232917837988,"gpt":0.3590367172651214,"spread":0.3208743880867415,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009244587,0.0003891122,0.000346662,0.0008398488,0.003610045,0.002829683,0.0007019647,0.002692799,0.006960436],"category_scores_gemma":[0.003923185,0.0002423964,0.0002525448,0.0005420612,0.006443562,0.003551213,0.002704197,0.008559897,0.0007111182],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00280853,"about_ca_system_score_gemma":0.002618899,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02331831,"about_ca_topic_score_gemma":0.04334916,"domain_scores_codex":[0.9990983,0.000282452,0.00003474791,0.0001354283,0.0003213293,0.0001277709],"domain_scores_gemma":[0.9982541,0.001030728,0.000133026,0.00003856069,0.0001768842,0.0003667435],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002774127,0.0000494559,0.001650537,0.0002617615,0.00001417466,0.001078931,0.01984863,0.00006301668,0.0005944318,0.09364806,0.8227051,0.06005826],"study_design_scores_gemma":[0.000003387815,0.00001687816,0.001635184,0.0004089965,0.000004346524,0.002443604,0.004908522,0.0000281063,0.00007465572,0.009026544,0.9814341,0.0000156638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.008306634,0.1718268,0.0006950371,0.6642849,0.02671447,0.00002805381,0.00009297586,0.0000360525,0.128015],"genre_scores_gemma":[0.1681116,0.1586643,0.001408871,0.3942848,0.01644776,0.00009140969,0.00005881962,0.0001047891,0.2608275],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02331831,"threshold_uncertainty_score":0.0463652,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2017509603","doi":"10.7202/009263ar","title":"Southey the Epic-Headed","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Literature; Narrative; Romance; Virtue; Poetry; History; Chivalry; CONTEST; Skepticism; EPIC; Art; Philosophy; Theology","authors":[{"name":"Herbert F. Tucker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08039638631220387,"gpt":0.2660793318133285,"spread":0.1856829455011247,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005612078,0.0004327039,0.0002665295,0.0004631116,0.005250342,0.004894441,0.0002827376,0.0007997013,0.03327787],"category_scores_gemma":[0.001838322,0.000221955,0.0001350762,0.0005276268,0.003515793,0.003141849,0.00301153,0.00234651,0.005206275],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001766239,"about_ca_system_score_gemma":0.001186274,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005406484,"about_ca_topic_score_gemma":0.01178279,"domain_scores_codex":[0.9995717,0.0001558315,0.00001375951,0.00009930535,0.0001012315,0.00005814308],"domain_scores_gemma":[0.9996065,0.00007101722,0.00003204307,0.00005372965,0.0001304716,0.0001061865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002158584,0.00002907227,0.00198397,0.000287624,0.00001088157,0.001377532,0.1117807,0.00006868198,0.003287516,0.4351079,0.3780515,0.06779878],"study_design_scores_gemma":[0.000003020437,0.00001030323,0.0005777178,0.0000797035,0.00000208155,0.0002983928,0.005446874,0.00001401053,0.0002548873,0.002536031,0.9907711,0.000006045384],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04217889,0.009414215,0.002159783,0.02571682,0.005026031,0.00004388651,0.0001970751,0.0002843977,0.9149789],"genre_scores_gemma":[0.2568438,0.003131583,0.001011059,0.004438011,0.0006894498,0.00003128512,0.00009980179,0.000412637,0.7333423],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03327787,"threshold_uncertainty_score":0.1113256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2031231047","doi":"10.1007/s10912-011-9154-4","title":"On the Dialectics of Trauma in Tennessee Williams’ A Streetcar Named Desire","year":2011,"lang":"en","type":"article","venue":"Journal of Medical Humanities","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Psychic; Shame; Denial; Dialectic; Psychoanalysis; Psychology; Traumatic memories; Traumatic stress; Relation (database); Social psychology; Philosophy; Epistemology; Cognitive psychology; Medicine; Psychiatry","authors":[{"name":"Fred Ribkoff","is_ca":true},{"name":"Paul Tyndall","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2416118266441589,"gpt":0.3060283425466692,"spread":0.06441651590251027,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006255598,0.0004444731,0.0004778138,0.001451722,0.04034118,0.01487176,0.00208296,0.006470825,0.009757694],"category_scores_gemma":[0.01000165,0.0005560634,0.0003667488,0.001573523,0.0424965,0.007380057,0.01179189,0.01277155,0.000565179],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0197419,"about_ca_system_score_gemma":0.01584048,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1422252,"about_ca_topic_score_gemma":0.2902045,"domain_scores_codex":[0.9939107,0.003880255,0.0001159398,0.0003502035,0.0004799186,0.001262942],"domain_scores_gemma":[0.9965762,0.001969667,0.0002117803,0.00009470353,0.0003505824,0.0007969822],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001515022,0.00002687938,0.0005140018,0.00002631849,0.000005484447,0.001480557,0.7544552,0.00007775953,0.0002064389,0.2276424,0.01084788,0.004701904],"study_design_scores_gemma":[0.00000369526,0.00001172683,0.0004841466,0.0001766076,0.000004096073,0.0005704847,0.8476169,0.00006178964,0.0001293879,0.02081986,0.1300928,0.00002854012],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3957843,0.007060261,0.004129201,0.2315028,0.001891916,0.0001283677,0.00009419944,0.00007568893,0.3593333],"genre_scores_gemma":[0.9427396,0.001338202,0.0007792613,0.0162765,0.0001264092,0.00006934943,0.00001774138,0.00009425919,0.03855877],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1422252,"threshold_uncertainty_score":0.2827946,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2100631334","doi":"","title":"Illusion and Reality in Edward Albee's The Zoo Story","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Alienation; Action (physics); Order (exchange); Illusion; Value (mathematics); Aesthetics; Psychoanalysis; Sociology; Contemplation; Philosophy; Epistemology; Psychology; Law; Computer science; Political science","authors":[{"name":"Hossein Aliakbari Harehdasht","is_ca":false},{"name":"Leila Hajjari","is_ca":false},{"name":"Zahra Sheikhi Shahidzadeh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09758699884403398,"gpt":0.3674201406604706,"spread":0.2698331418164366,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009400602,0.0004564394,0.0002835701,0.001050034,0.01033601,0.005835063,0.0006432894,0.002004669,0.004383647],"category_scores_gemma":[0.003009186,0.0002545233,0.0001786562,0.0007172443,0.02585107,0.004821716,0.004104579,0.003625401,0.0003740683],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005640435,"about_ca_system_score_gemma":0.001340342,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04084539,"about_ca_topic_score_gemma":0.08087638,"domain_scores_codex":[0.9985278,0.0009672793,0.00002444152,0.0000893212,0.0001735633,0.0002176142],"domain_scores_gemma":[0.9989235,0.0006940524,0.00009420241,0.00003434768,0.00006079566,0.0001930307],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004813714,0.00001588036,0.0005035076,0.00004957735,0.000003719354,0.002353535,0.8776887,0.00006181838,0.0005080532,0.1094285,0.006124306,0.00321441],"study_design_scores_gemma":[0.00001031606,0.00003630128,0.001462172,0.0001726252,0.000006567525,0.001680127,0.7707582,0.000101008,0.000322779,0.008891266,0.2165301,0.0000285958],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5640225,0.0068382,0.00250302,0.02575224,0.0005255312,0.00004222258,0.00008575817,0.0000520846,0.4001785],"genre_scores_gemma":[0.9786669,0.001004244,0.0002424784,0.0007004031,0.00006602568,0.00001135635,0.00001649957,0.00001822804,0.01927384],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04084539,"threshold_uncertainty_score":0.08121532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2095594495","doi":"10.5539/ass.v6n9p156","title":"Trauma of Subjective Memory in Strange Interlude and Long Day’s Journey into Night","year":2010,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Psychology; Persona; Psychoanalysis; Anxiety; Id, ego and super-ego; Cognitive psychology; Autobiographical memory; Social psychology; Aesthetics; Art; Recall; Humanities","authors":[{"name":"Asim Karim","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03892988946984517,"gpt":0.324433809689852,"spread":0.2855039202200069,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008145669,0.0002768782,0.0002602475,0.0004655027,0.004245077,0.004644735,0.0005055165,0.0009360268,0.002873046],"category_scores_gemma":[0.00196114,0.0001797747,0.0002410155,0.000416706,0.01280506,0.002528647,0.004638124,0.001803479,0.0002528515],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001770245,"about_ca_system_score_gemma":0.0008431808,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003486143,"about_ca_topic_score_gemma":0.00597059,"domain_scores_codex":[0.9991154,0.0004311409,0.00002950496,0.00007284561,0.000184215,0.0001667724],"domain_scores_gemma":[0.9992296,0.0002527073,0.000152656,0.0001056052,0.00007064787,0.000188779],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002507044,0.0000706913,0.006035314,0.0002909418,0.0000296207,0.006227112,0.8287739,0.0001449984,0.004397422,0.1216794,0.009203149,0.02289675],"study_design_scores_gemma":[0.00002006981,0.0003403822,0.02455075,0.0004517064,0.00003087767,0.01282137,0.7068591,0.0001866511,0.002264723,0.02133267,0.2310387,0.000103044],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8085032,0.005276415,0.003377186,0.006201669,0.0008685341,0.00003373915,0.00009998534,0.00005635354,0.175583],"genre_scores_gemma":[0.9919969,0.0006535706,0.0001530077,0.0003614887,0.00006699306,0.000005908106,0.00001904316,0.00001577487,0.006727172],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004644735,"threshold_uncertainty_score":0.01284409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2102734832","doi":"10.1353/crv.2006.0019","title":"Sam Shepard's Anti-Western Silent Tongue as Cultural Critique","year":2005,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"White (mutation); Mainstream; Perspective (graphical); Aesthetics; History; Literature; Sociology; Art; Media studies; Law; Visual arts; Political science","authors":[{"name":"Sandra Wynands","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07510299284941446,"gpt":0.3937057966404131,"spread":0.3186028037909986,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001912477,0.0005187051,0.0002120216,0.0006711025,0.00728055,0.006870845,0.0007803381,0.003343283,0.00695075],"category_scores_gemma":[0.003311312,0.0001687712,0.0001602146,0.0005294487,0.01006053,0.003028167,0.00355468,0.006655183,0.000944359],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004098821,"about_ca_system_score_gemma":0.002365961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007585504,"about_ca_topic_score_gemma":0.008849204,"domain_scores_codex":[0.9984964,0.0008810803,0.00002766258,0.0001386068,0.0003143878,0.0001419298],"domain_scores_gemma":[0.9986734,0.0007684992,0.00007473228,0.0000787863,0.0001975893,0.0002068881],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003712309,0.0000307982,0.0002866683,0.0001141106,0.000007566147,0.0004954482,0.06821461,0.0000602388,0.00112721,0.4115473,0.4934455,0.02463352],"study_design_scores_gemma":[0.000004759464,0.000008932714,0.0002876999,0.0001336105,0.000002731645,0.0001201114,0.01618273,0.00005183813,0.0002587219,0.008463726,0.9744795,0.000005534692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02288317,0.03875559,0.001147856,0.4797392,0.02776195,0.0000203493,0.00004906102,0.00009784829,0.429545],"genre_scores_gemma":[0.6206285,0.02024107,0.0008678038,0.1028717,0.01367497,0.00008280796,0.00003964917,0.0002419483,0.2413517],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.007585504,"threshold_uncertainty_score":0.02973914,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W647360902","doi":"10.1353/mdr.2001.0017","title":"The Selected Letters of Tennessee Williams. Volume 1 — 1920-1945 ed. by Albert J. Devlin and Nancy M. Tischler (review)","year":2001,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01670072035149059,"gpt":0.2450295782494457,"spread":0.2283288578979551,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001036779,0.001719281,0.001211538,0.003459405,0.001556289,0.002931339,0.001121751,0.001801287,0.1179739],"category_scores_gemma":[0.003926958,0.0005923926,0.0005252535,0.003935669,0.0009215829,0.003578604,0.001922761,0.002029548,0.05929004],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002999288,"about_ca_system_score_gemma":0.003377096,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03115957,"about_ca_topic_score_gemma":0.07654764,"domain_scores_codex":[0.9994649,0.0001124565,0.00003897333,0.00009972891,0.0002251794,0.0000587266],"domain_scores_gemma":[0.9991429,0.0002310194,0.00009283947,0.00003049018,0.0003544117,0.0001483557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002155164,0.000008115833,0.0000683078,0.000343362,0.000005593773,0.00003567886,0.00008877736,0.00003367363,0.00007448711,0.0008024659,0.9208228,0.07769519],"study_design_scores_gemma":[0.000002473905,0.000005597514,0.000274534,0.0004895949,0.000003493487,0.00007019327,0.00007646778,0.000007043517,0.00002303042,0.0003033158,0.9987395,0.000004659065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0001879017,0.9202105,0.0002626147,0.01525364,0.02696085,0.00002869515,0.0004742313,0.00005363476,0.03656786],"genre_scores_gemma":[0.001807657,0.5581037,0.0003681219,0.0101098,0.009572526,0.00006619742,0.0006503227,0.00007953106,0.4192423],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1179739,"threshold_uncertainty_score":0.3946622,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2792945052","doi":"10.5539/elt.v11n4p70","title":"Albee’s Plays in the Light of Psychological Theories","year":2018,"lang":"en","type":"article","venue":"English Language Teaching","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Psychology; Dream; Insanity; Anxiety; Illusion; Social psychology; Face (sociological concept); Psychoanalysis; Psychotherapist; Cognitive psychology; Sociology; Social science","authors":[{"name":"Kadhim Hatem Kaibr","is_ca":false},{"name":"Guo Jingjing","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03504905243229028,"gpt":0.3365431021313129,"spread":0.3014940496990227,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001111574,0.0003453393,0.0001450978,0.001110988,0.007599613,0.005412044,0.0006358269,0.001917649,0.002347276],"category_scores_gemma":[0.002107078,0.000126112,0.0001706115,0.0004414393,0.02500353,0.004414734,0.001557446,0.004387124,0.0002032618],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004561041,"about_ca_system_score_gemma":0.001254682,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02177909,"about_ca_topic_score_gemma":0.0250154,"domain_scores_codex":[0.9991405,0.0004646228,0.00001742838,0.00007079576,0.0001476622,0.000158993],"domain_scores_gemma":[0.998603,0.0009081732,0.0001329998,0.00004070233,0.0001326408,0.0001824528],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002589057,0.00004385769,0.000658342,0.00005960124,0.000003902887,0.000615232,0.09467392,0.0001128334,0.0002602672,0.8718502,0.02559387,0.006102003],"study_design_scores_gemma":[0.00001723147,0.0000426289,0.003728175,0.0003582102,0.00001127672,0.000742816,0.1693917,0.0006817885,0.0005434817,0.2217224,0.6027254,0.00003488146],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1507297,0.01818769,0.003695886,0.2188769,0.002539378,0.00004642975,0.00005657114,0.00005373765,0.6058136],"genre_scores_gemma":[0.9544387,0.003922135,0.0009078371,0.006634512,0.000966129,0.00003437582,0.00001043535,0.00001579336,0.03306999],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02177909,"threshold_uncertainty_score":0.04330462,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2463547405","doi":"10.33137/rr.v40i2.9015","title":"John Webster and the Dead: Reading the &lt;i&gt;Duchess of Malfi&lt;/i&gt;'s Eschatology","year":2004,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Eschatology; Philosophy; Literature","authors":[{"name":"Stephen Marche","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02550827039040742,"gpt":0.2612370510734652,"spread":0.2357287806830578,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009348454,0.0006084203,0.0002177073,0.001313797,0.007884275,0.005047416,0.0006582742,0.001958472,0.004387304],"category_scores_gemma":[0.002239306,0.0002059524,0.0001587368,0.0007107408,0.01531277,0.003025533,0.002136485,0.002706022,0.0004811631],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005907195,"about_ca_system_score_gemma":0.001423022,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04076004,"about_ca_topic_score_gemma":0.09490128,"domain_scores_codex":[0.9994629,0.0002908801,0.00001127618,0.00005289686,0.00007781634,0.0001042541],"domain_scores_gemma":[0.9993947,0.0003623031,0.00007373319,0.00004489052,0.00006429136,0.00006000746],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006760792,0.00001278765,0.001511048,0.0001235714,0.000008587328,0.001336627,0.3295167,0.0001250324,0.0004729379,0.5701711,0.06973755,0.02691644],"study_design_scores_gemma":[0.00001060301,0.00004683699,0.007187209,0.0006006512,0.00001566875,0.0006195052,0.1702592,0.0001789258,0.001075714,0.06307445,0.7568916,0.00003953756],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2389135,0.05416907,0.002535367,0.09963712,0.003404172,0.00003229029,0.0001601049,0.00008788484,0.6010605],"genre_scores_gemma":[0.8901384,0.005675608,0.0003637863,0.002543608,0.0004509107,0.00002154348,0.00002882853,0.00004157743,0.1007358],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04076004,"threshold_uncertainty_score":0.08104557,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2114444667","doi":"10.3968/j.css.1923669720110701.008","title":"A Postmodernist Reading of Sam Shepard's Buried Child","year":2011,"lang":"en","type":"article","venue":"Canadian social science","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Postmodernism; Perversion; Philosophy; Simulacrum; Art; Humanities; Postmodernity; Deconstruction (building); Intertextuality; Metanarrative; Art history; Literature; Narrative; Sociology; Aesthetics","authors":[{"name":"Noorbakhsh Hooti","is_ca":false},{"name":"Samaneh Shooshtarian","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08939753328678281,"gpt":0.2835842534596552,"spread":0.1941867201728724,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001048867,0.0004563535,0.0002117783,0.0008384814,0.005758608,0.002719997,0.0007558096,0.001412557,0.006618957],"category_scores_gemma":[0.001757288,0.0001967315,0.0001428491,0.0005990989,0.01220766,0.002553037,0.002783699,0.002994066,0.00052706],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004803772,"about_ca_system_score_gemma":0.001480526,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009942406,"about_ca_topic_score_gemma":0.01688779,"domain_scores_codex":[0.9990759,0.0006200924,0.00001799195,0.00006273761,0.0001157038,0.0001075941],"domain_scores_gemma":[0.9992957,0.0004708275,0.00007127382,0.00003787801,0.000058557,0.00006575952],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006621378,0.00002221391,0.0007851855,0.0001117687,0.00000322047,0.002110956,0.6110368,0.00009601019,0.0009675227,0.3640024,0.01072246,0.01007533],"study_design_scores_gemma":[0.000007976027,0.00007747307,0.002053635,0.0003288786,0.000004199217,0.001796451,0.3330262,0.0001743154,0.001104675,0.01384041,0.6475669,0.00001896057],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4447788,0.008985737,0.007918988,0.03964003,0.002138313,0.0000686878,0.0002428602,0.0001470358,0.4960797],"genre_scores_gemma":[0.9562726,0.001369474,0.0008000642,0.001176572,0.0001706796,0.00003041125,0.00003211578,0.00005167063,0.04009644],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009942406,"threshold_uncertainty_score":0.03485399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2061811665","doi":"10.3138/md.52.1.1","title":"“Biting the Sour Apple”: The Nietzschean Undertow in <i>Little Eyolf</i>","year":2009,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Dialectic; Fantasy; Literature; Existentialism; Poetics; Aesthetics; Rhetorical question; Philosophy; Consciousness; Political radicalism; Identity (music); Psychoanalysis; Art; Epistemology; Psychology; Politics","authors":[{"name":"John McKellor Reid","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05789573535531219,"gpt":0.2837180011986094,"spread":0.2258222658432972,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009262118,0.0003314938,0.0001993425,0.0006290828,0.005484102,0.004638866,0.0004018086,0.001704158,0.003692523],"category_scores_gemma":[0.002217927,0.0001459927,0.0001289091,0.0003993298,0.01218001,0.003832731,0.002596417,0.002008389,0.0004456957],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002634056,"about_ca_system_score_gemma":0.0008626053,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007022843,"about_ca_topic_score_gemma":0.0152295,"domain_scores_codex":[0.9992866,0.0003870891,0.000008569906,0.00005775373,0.0001204587,0.0001395441],"domain_scores_gemma":[0.9996163,0.0002482904,0.00002446097,0.00002052545,0.0000449738,0.00004557364],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001190836,0.00002271476,0.0007406331,0.00008517698,0.000006207655,0.0004873446,0.1708657,0.0001173228,0.001373048,0.7911887,0.01531817,0.01967594],"study_design_scores_gemma":[0.00001325832,0.00005376808,0.001428888,0.0003407966,0.00001131493,0.000528899,0.1389182,0.0003390132,0.001603496,0.07104605,0.7856797,0.00003652376],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2693381,0.009052836,0.007748786,0.03447381,0.00105605,0.00003214341,0.00004931428,0.00007656198,0.6781723],"genre_scores_gemma":[0.9334483,0.001100139,0.0009774097,0.001966833,0.00009485113,0.00002217721,0.00001630614,0.00006378878,0.06231033],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007022843,"threshold_uncertainty_score":0.01911145,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1675150140","doi":"","title":"Journey Into Freedom: One Family's Real-Life Drama","year":2005,"lang":"en","type":"article","venue":"Journal of Mennonite studies","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Drama; Sociology; Aesthetics; Art; Literature","authors":[{"name":"Al Reimer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1721430957264314,"gpt":0.3705468879736745,"spread":0.198403792247243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001340127,0.0007602844,0.0005101818,0.0006865701,0.03129368,0.006962622,0.001542822,0.003511513,0.01376492],"category_scores_gemma":[0.003332826,0.0002657543,0.000540258,0.0006106453,0.0108348,0.004349934,0.008092544,0.006974319,0.0009303715],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003584136,"about_ca_system_score_gemma":0.002274853,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01659401,"about_ca_topic_score_gemma":0.0497551,"domain_scores_codex":[0.9988662,0.0006179956,0.00001410992,0.00009396803,0.00009150441,0.0003163377],"domain_scores_gemma":[0.9987112,0.000381823,0.00006855399,0.00006498947,0.00006602809,0.0007073286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009284133,0.0001271624,0.001669171,0.00004926596,0.00001671212,0.003252215,0.9269387,0.0001137425,0.000349138,0.02650975,0.03322257,0.007658742],"study_design_scores_gemma":[0.000009737549,0.00003694538,0.001304174,0.0000857002,0.000007882775,0.001365422,0.8355195,0.00009300123,0.0001290312,0.002315735,0.1591093,0.00002363564],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6290376,0.002585709,0.002583535,0.05417951,0.003457542,0.00008366239,0.0001997423,0.0001702952,0.3077025],"genre_scores_gemma":[0.9455265,0.0006030266,0.0004600221,0.002007441,0.0001474717,0.0000328713,0.00005768432,0.0001193179,0.05104569],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03129368,"threshold_uncertainty_score":0.04604822,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W49093251","doi":"10.22329/p.v1i2.226","title":"The Tragic Double Bind of Heidegger’s &lt;i&gt;Techne&lt;/i&gt;","year":2007,"lang":"en","type":"article","venue":"PhaenEx","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Techne; Confusion; Civilization; Politics; Face (sociological concept); Philosophy; Epistemology; Aesthetics; Psychology; Psychoanalysis; Law; Political science; Linguistics","authors":[{"name":"David Tabachnick","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06505595645970341,"gpt":0.3083427255500285,"spread":0.243286769090325,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009077027,0.0006595015,0.0005628078,0.00127832,0.009038293,0.009677192,0.001182133,0.007507422,0.006363088],"category_scores_gemma":[0.01829215,0.0004174914,0.000374819,0.001113004,0.04931007,0.01113498,0.006806833,0.01652095,0.001882895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005884373,"about_ca_system_score_gemma":0.004005712,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007043403,"about_ca_topic_score_gemma":0.008466933,"domain_scores_codex":[0.9912747,0.004152006,0.0002534255,0.001488328,0.002215447,0.000615984],"domain_scores_gemma":[0.992007,0.004229363,0.0004691762,0.001533327,0.001100742,0.0006604564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001341097,0.000007340746,0.0000837747,0.00001541404,0.000003181402,0.00004205003,0.002378774,0.00005952731,0.00007366066,0.9626092,0.03035023,0.004363434],"study_design_scores_gemma":[0.00001004134,0.00002217574,0.0001967432,0.000149374,0.000005778094,0.0002192998,0.002245488,0.0003925083,0.0006853201,0.5427405,0.4532946,0.00003808821],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01551544,0.01192724,0.04307747,0.4223685,0.009004464,0.00005728915,0.0001030539,0.0003687231,0.4975779],"genre_scores_gemma":[0.6221371,0.006864575,0.01905961,0.1375971,0.005689527,0.0003149163,0.0000657401,0.0008158036,0.2074557],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.009677192,"threshold_uncertainty_score":0.04800451,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2066697613","doi":"10.3138/md.46.3.424","title":"Clay and Clara: Baraka's <i>Dutchman, </i>Kennedy's <i>The Owl Answers, </i>and the Black Arts Movement","year":2003,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Drama; Racism; Movement (music); The arts; Oppression; Politics; Gender studies; White (mutation); Art; History; Sociology; Visual arts; Political science; Aesthetics; Law","authors":[{"name":"Lotta Lofgren","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03200320016670291,"gpt":0.2506162375941994,"spread":0.2186130374274965,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006264491,0.000447393,0.0001760713,0.0006114662,0.009835083,0.006637817,0.0005155946,0.001617576,0.02401333],"category_scores_gemma":[0.002672508,0.0002045488,0.0001609979,0.0004801325,0.006200857,0.003851708,0.003055313,0.003581929,0.002484534],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003845166,"about_ca_system_score_gemma":0.002257612,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05911548,"about_ca_topic_score_gemma":0.2199963,"domain_scores_codex":[0.9994543,0.0001919892,0.000008426138,0.00007371677,0.0001424683,0.000129021],"domain_scores_gemma":[0.999303,0.0002059671,0.00007996077,0.00003154321,0.00008947873,0.0002900585],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001615739,0.00006491967,0.001298378,0.0002275065,0.00001202374,0.00053865,0.1235255,0.0000432842,0.001698305,0.1721623,0.6485533,0.05171422],"study_design_scores_gemma":[0.000006303406,0.00001362769,0.001337485,0.0002352264,0.000003712419,0.000129628,0.03903739,0.00002243941,0.0003377605,0.002473272,0.9563943,0.000008932542],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03693904,0.02059954,0.001174169,0.100227,0.004594222,0.00004274177,0.000179326,0.00009479863,0.8361493],"genre_scores_gemma":[0.3253062,0.005315332,0.0008587866,0.01448709,0.0005745972,0.00005967895,0.00006685491,0.0001649537,0.6531664],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05911548,"threshold_uncertainty_score":0.1175427,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2796815509","doi":"10.3138/md.0584r1.1","title":"Messianism and the Third Kingdom: Intimations of the Twentieth Century in Ibsen’s <i>An Enemy of the People</i>","year":2015,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Emperor; Fanaticism; Romance; Messiah; Literature; Uncanny; Theme (computing); History; Hatred; Messianism; HERO; Adversary; Art; Ancient history; Politics; Judaism; Law; Political science","authors":[{"name":"Matthew Yde","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05858940821606512,"gpt":0.285413345532347,"spread":0.2268239373162819,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00154331,0.0003311485,0.0002877141,0.001192042,0.008218317,0.006454955,0.0004939879,0.001411916,0.005180745],"category_scores_gemma":[0.001916796,0.000249089,0.0001603437,0.0008366737,0.01711346,0.003796706,0.007069557,0.002854743,0.0004498205],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007897639,"about_ca_system_score_gemma":0.001616753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01737493,"about_ca_topic_score_gemma":0.04212792,"domain_scores_codex":[0.9986999,0.0006337514,0.00003749509,0.0001051274,0.0001314054,0.0003923126],"domain_scores_gemma":[0.9994061,0.0002476617,0.000117003,0.00004751184,0.00003860328,0.0001431092],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009212702,0.0000198408,0.001256248,0.00005900624,0.000006515193,0.00050493,0.6047725,0.00005131173,0.000461965,0.381363,0.003077361,0.008335149],"study_design_scores_gemma":[0.00003333484,0.00009074251,0.009840477,0.0005720098,0.00001285344,0.0005087658,0.3532711,0.0001924523,0.000845051,0.02447945,0.6101015,0.00005235891],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5800086,0.01272321,0.0008731908,0.01102437,0.0004532401,0.00002205225,0.00004049977,0.00003454047,0.3948203],"genre_scores_gemma":[0.9890676,0.0006128586,0.00007487785,0.0003896934,0.00002736485,0.000005632009,0.000005752848,0.00001792007,0.00979819],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01737493,"threshold_uncertainty_score":0.0573017,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4255040948","doi":"10.1353/mdr.2006.0084","title":"John Gabriel Borkman's Avant-Garde Continuity","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Literature; Avant garde; Art; Film director; Meaning (existential); Dialectic; Art history; Surprise; Movie theater; History; Philosophy; Sociology","authors":[{"name":"Mark B. Sandberg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03519498605072824,"gpt":0.2693106441790508,"spread":0.2341156581283226,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001198732,0.0003183126,0.0002160334,0.000667123,0.003822978,0.005612221,0.0006696791,0.001919204,0.01531337],"category_scores_gemma":[0.002930477,0.0002086766,0.0001166308,0.0004279865,0.005028238,0.004587107,0.0028314,0.003254975,0.004581071],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003910193,"about_ca_system_score_gemma":0.00283603,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01551155,"about_ca_topic_score_gemma":0.01993668,"domain_scores_codex":[0.9992581,0.0002132757,0.00001952937,0.0001398688,0.000272885,0.00009624242],"domain_scores_gemma":[0.9990616,0.0002602766,0.00005097104,0.00006482221,0.0002240742,0.0003382271],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002329434,0.00001446936,0.0001605843,0.00006971006,0.000002146357,0.0001614447,0.004276653,0.0000662581,0.0003151723,0.3425094,0.6167166,0.03568436],"study_design_scores_gemma":[0.000001145034,0.000001702131,0.00007233821,0.00009205947,5.129983e-7,0.00007772623,0.0005550049,0.00001831403,0.00006473944,0.007500594,0.9916133,0.000002508103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.003361899,0.107267,0.003061449,0.2801903,0.01511947,0.00003516545,0.00009069656,0.0001703494,0.5907038],"genre_scores_gemma":[0.1555424,0.05471132,0.00341326,0.03838533,0.004287824,0.00006985482,0.00008031275,0.0003271438,0.7431827],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01551155,"threshold_uncertainty_score":0.05122828,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W124792524","doi":"10.26522/br.v10i1.36","title":"\"Within small compass\": Hawthorne's Expansive Urban Garden in &lt;i&gt;The House of the Seven Gables&lt;/i&gt;","year":2008,"lang":"en","type":"article","venue":"The Brock Review","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Expansive; Compass; Negotiation; Art; Sociology; Art history; Geography; Cartography; Social science","authors":[{"name":"Rita Bode","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0809442119280941,"gpt":0.2716422322124486,"spread":0.1906980202843545,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00142504,0.0003321508,0.0003221609,0.0008473643,0.003562462,0.004421635,0.000705288,0.001523706,0.003160512],"category_scores_gemma":[0.001346405,0.0002086269,0.0001364162,0.00137385,0.003399684,0.003144723,0.002297968,0.001644327,0.0005146968],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005229196,"about_ca_system_score_gemma":0.004245595,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05512628,"about_ca_topic_score_gemma":0.2136663,"domain_scores_codex":[0.9989943,0.0005546124,0.00002281535,0.0001044113,0.0002330359,0.00009074795],"domain_scores_gemma":[0.9994811,0.0002284102,0.00005605473,0.00002304871,0.0001231054,0.00008831027],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006991457,0.00004055227,0.001083872,0.001695711,0.00002108822,0.002502515,0.1160029,0.0001858035,0.001088799,0.1310251,0.5305918,0.2156919],"study_design_scores_gemma":[0.000002878818,0.00001216778,0.0007639979,0.0004921231,0.000005760653,0.0003221412,0.01719522,0.0000122135,0.0001937451,0.00112246,0.9798695,0.000007717683],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.03539851,0.6542776,0.002472133,0.1086907,0.008515811,0.00009823751,0.00007618141,0.00006691489,0.190404],"genre_scores_gemma":[0.3308357,0.3397161,0.003115347,0.04563928,0.002079576,0.0001388058,0.0001126667,0.0001590347,0.2782034],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05512628,"threshold_uncertainty_score":0.1096108,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1861558451","doi":"10.47678/cjhe.v44i1.182431","title":"Power play: The dynamics of power and interpersonal communication in higher education as reflected in David Mamet’s Oleanna","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Higher Education","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Power (physics); Harassment; Sociology; Constructive; Interpersonal communication; Dynamics (music); Spectacle; Power structure; Psychology; Law; Social psychology; Social science; Political science; Pedagogy; Ethnography; Anthropology","authors":[{"name":"Peter Chiaramonte","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03487070522185388,"gpt":0.3117005981284657,"spread":0.2768298929066119,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004208738,0.0003752584,0.0002992546,0.001295319,0.02257457,0.01148509,0.001092463,0.002795492,0.003073382],"category_scores_gemma":[0.005644726,0.0002697187,0.0002070935,0.0008795824,0.05416083,0.006479884,0.006726177,0.006974415,0.0004662546],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01179603,"about_ca_system_score_gemma":0.004839679,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02963501,"about_ca_topic_score_gemma":0.03239993,"domain_scores_codex":[0.9929535,0.005090924,0.00005416705,0.0002681485,0.0008169319,0.0008162828],"domain_scores_gemma":[0.9953815,0.002925055,0.0003466504,0.0001504006,0.0003246407,0.0008718165],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004440248,0.00002369863,0.0005501244,0.00004786132,0.000005143246,0.000527332,0.3552513,0.0001694121,0.0003046854,0.6140091,0.02133808,0.00772885],"study_design_scores_gemma":[0.00002382364,0.00004891241,0.00183965,0.0003347247,0.00000616169,0.0007515181,0.2404835,0.0007124873,0.0004432636,0.1430522,0.612246,0.00005776034],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.175989,0.0139329,0.00790846,0.2217056,0.002391679,0.00004854939,0.00003722183,0.00007809926,0.5779085],"genre_scores_gemma":[0.9552782,0.001673438,0.0005249256,0.006462499,0.0004087271,0.0000269738,0.000006129141,0.00003776142,0.03558142],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02963501,"threshold_uncertainty_score":0.08558655,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2528447314","doi":"","title":"Nneora: An African Doll’s House: A Study of the Virtues of Womanhood","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Character (mathematics); Element (criminal law); Relevance (law); Literature; Colonialism; Human culture; History; Aesthetics; Quality (philosophy); Art; Sociology; Philosophy; Anthropology; Epistemology; Law; Political science","authors":[{"name":"Awo Mana Asiedu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1241953591133963,"gpt":0.3197789916432156,"spread":0.1955836325298193,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003206014,0.0004318863,0.0004039819,0.001633026,0.01459057,0.004049904,0.0005581619,0.001401311,0.003438403],"category_scores_gemma":[0.003552165,0.0003082599,0.0001246974,0.001931938,0.02233532,0.005258525,0.002983989,0.002113456,0.0001860676],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005722455,"about_ca_system_score_gemma":0.003522441,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03851061,"about_ca_topic_score_gemma":0.1094927,"domain_scores_codex":[0.9979158,0.001605598,0.00002857626,0.00008447179,0.0001330316,0.0002326103],"domain_scores_gemma":[0.997614,0.001793457,0.0002476485,0.00006086333,0.0001106119,0.0001734378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002425017,0.0000204035,0.00177757,0.0001546574,0.000002719979,0.0005531543,0.8301191,0.00002727888,0.000272911,0.1548868,0.001777777,0.0103834],"study_design_scores_gemma":[0.000003029902,0.0000299637,0.004523805,0.0006922653,0.0000046564,0.0006142019,0.8945697,0.00004364085,0.0002619502,0.00562654,0.09362234,0.000007986315],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5948182,0.04488198,0.002077087,0.0165848,0.000399124,0.00006709107,0.00004136093,0.00000736178,0.341123],"genre_scores_gemma":[0.9751502,0.01117487,0.0004843044,0.0005831047,0.0000374351,0.00003707936,0.000006580558,0.000007676141,0.0125186],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03851061,"threshold_uncertainty_score":0.07657295,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2033667214","doi":"10.3138/md.53.3.297","title":"Gossip Girls: Lady Teazle, Nora Helmer, and Invisible-Hand Drama","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Gossip; Drama; Bourgeoisie; Period (music); Order (exchange); Literature; Value (mathematics); Art; Subject (documents); Aesthetics; Sociology; History; Psychology; Law; Social psychology; Computer science; Political science; Economics","authors":[{"name":"Joseph Roach","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04148720140776491,"gpt":0.2830617439770115,"spread":0.2415745425692466,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001293831,0.0005597136,0.0002799365,0.0006906349,0.00993594,0.00505965,0.0004941664,0.001710215,0.007816754],"category_scores_gemma":[0.002677034,0.0001942447,0.0001529088,0.0003693256,0.01151387,0.003800414,0.003350049,0.003860771,0.0008822465],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002329918,"about_ca_system_score_gemma":0.0008536872,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008799984,"about_ca_topic_score_gemma":0.02354703,"domain_scores_codex":[0.9991212,0.0005557021,0.00001016575,0.00006827241,0.0001137948,0.0001309495],"domain_scores_gemma":[0.9990729,0.000433194,0.00009171399,0.00004466149,0.00005576758,0.0003017315],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001612031,0.00009549218,0.001804087,0.0001507822,0.00002386569,0.00126322,0.5201535,0.00009806654,0.0006632379,0.2339881,0.2185272,0.02307126],"study_design_scores_gemma":[0.00002559612,0.00005642976,0.002637745,0.0002711866,0.000009402136,0.0009383232,0.2555682,0.00007013026,0.0004575329,0.01327597,0.7266646,0.00002492037],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2711042,0.03945038,0.001351527,0.1776135,0.004219704,0.00004529568,0.0001583971,0.0001992957,0.5058578],"genre_scores_gemma":[0.8921965,0.005125395,0.0004175979,0.008282648,0.001036329,0.00003447678,0.000029225,0.0001190446,0.09275877],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00993594,"threshold_uncertainty_score":0.02614969,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071197717","doi":"10.3138/md.50.4.620","title":"Teaching <i>A Doll House, Rachel</i>, and <i>Marisol</i>: Domestic Ideals, Possessive Individuals, and Modern Drama","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Cultural Studies and Interdisciplinary Research","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Possessive; Drama; Individualism; Race (biology); Art; Gender studies; Sociology; Psychology; Literature; Philosophy; Linguistics; Law; Political science","authors":[{"name":"Josephine Lee","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03493465843191595,"gpt":0.3014286232442377,"spread":0.2664939648123218,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007230751,0.0002324383,0.0001213877,0.0004761007,0.005028808,0.003222496,0.0005437331,0.0008856425,0.004644136],"category_scores_gemma":[0.001240195,0.000110671,0.0001246869,0.0004347022,0.01009822,0.001829694,0.002360962,0.001875421,0.0003622946],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002691817,"about_ca_system_score_gemma":0.001128053,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01489772,"about_ca_topic_score_gemma":0.04575621,"domain_scores_codex":[0.9994837,0.0003152716,0.000008491485,0.00002555294,0.00007987644,0.00008712016],"domain_scores_gemma":[0.9993937,0.0002414482,0.0001241373,0.00002445394,0.00004276185,0.0001735234],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003745172,0.0001174397,0.004042925,0.0001337816,0.000008548484,0.0005490767,0.4057735,0.0001664398,0.0006541194,0.4639669,0.08415473,0.04039517],"study_design_scores_gemma":[0.000008940194,0.00005063105,0.005953256,0.0002171214,0.000008217451,0.000510984,0.3235408,0.0001089078,0.0006172521,0.01819729,0.6507677,0.00001892899],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.274658,0.02452037,0.00238139,0.132739,0.001537487,0.00004633484,0.00004483469,0.00008077882,0.5639917],"genre_scores_gemma":[0.9432364,0.005246252,0.0004832332,0.003158465,0.0002963746,0.00002974249,0.00001006452,0.00002299749,0.04751641],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01489772,"threshold_uncertainty_score":0.02962202,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}