{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":404,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":404,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"f1b311f2a257","filters":{"topic":"Early Modern Spanish Literature"}},"results":[{"id":"W2319234401","doi":"10.5860/choice.37-4375","title":"Discourses of poverty: social reform and the picaresque novel in early modern Spain","year":2000,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Vagrancy; Poor relief; Poverty; History; Sociology; Poorhouse; Begging; Gender studies; Literature; Law; Political science; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0347745121581555,"gpt":0.2787381152565437,"spread":0.2439636030983882,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003800728,0.0005484481,0.0006734899,0.001812094,0.01055766,0.00787601,0.001285409,0.002429296,0.002441069],"category_scores_gemma":[0.003925974,0.0001859938,0.0002384837,0.002062096,0.0268643,0.00321408,0.006269603,0.003572618,0.0001835196],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01736099,"about_ca_system_score_gemma":0.003965618,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02761736,"about_ca_topic_score_gemma":0.02840041,"domain_scores_codex":[0.9977065,0.001576852,0.00003820729,0.00009530482,0.0002123841,0.0003706805],"domain_scores_gemma":[0.9987625,0.0006420632,0.0002098706,0.00008934934,0.0001581501,0.0001381075],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001260445,0.0000875614,0.001264664,0.000188032,0.00001504386,0.0006520833,0.4991617,0.00037277,0.0001814065,0.447154,0.02369944,0.0270972],"study_design_scores_gemma":[0.00005228005,0.00006985877,0.007127483,0.0007809938,0.00002020342,0.0002581435,0.2907859,0.0002117746,0.0003233167,0.04972461,0.6506129,0.0000326298],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3433437,0.08460043,0.001181725,0.1188301,0.001552122,0.0000371849,0.00007214925,0.00007383277,0.4503087],"genre_scores_gemma":[0.9741606,0.004683932,0.0001505061,0.002014566,0.0003707803,0.00002341535,0.00001872178,0.00002477911,0.0185527],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02761736,"threshold_uncertainty_score":0.1259634,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2504021410","doi":"10.1075/btl.81.02bas","title":"Francisco de Miranda, intercultural forerunner","year":2009,"lang":"en","type":"book-chapter","venue":"Benjamins translation library","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Emancipation; Honour; Identity (music); Period (music); Newspaper; History; Latin Americans; Humanities; Political science; Sociology; Media studies; Art; Law; Aesthetics; Politics; Archaeology","authors":[{"name":"Georges Bastin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02877742194103175,"gpt":0.2008427336697058,"spread":0.172065311728674,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008081687,0.0005616385,0.000238418,0.001032659,0.002992177,0.00355808,0.000326859,0.0009793213,0.01247555],"category_scores_gemma":[0.001506566,0.00013952,0.0001133341,0.0008447563,0.002760192,0.002072307,0.001250574,0.002003574,0.002587956],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002746905,"about_ca_system_score_gemma":0.001934185,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01632527,"about_ca_topic_score_gemma":0.01742896,"domain_scores_codex":[0.9995494,0.0001716033,0.00001482694,0.0001209046,0.00009576721,0.00004740567],"domain_scores_gemma":[0.9994553,0.000236039,0.00005653447,0.00004399601,0.0001366979,0.00007141761],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000140234,0.00003980711,0.002330486,0.0005652598,0.00001318622,0.001022207,0.07068992,0.0001271951,0.00119112,0.2263021,0.5044186,0.1931599],"study_design_scores_gemma":[0.000002492264,0.000002672968,0.0005920765,0.0001169397,0.00000132729,0.0001136011,0.002250462,0.00001172455,0.0001140302,0.001554247,0.9952374,0.000003075065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03342853,0.2362242,0.002284855,0.1474741,0.01402933,0.00003636145,0.0004199973,0.0003781657,0.5657244],"genre_scores_gemma":[0.4391832,0.07240865,0.001960242,0.01151675,0.006341657,0.00006071257,0.0002330636,0.0003560901,0.4679396],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01632527,"threshold_uncertainty_score":0.04173487,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W313008338","doi":"10.7203/celestinesca.36.20149","title":"Calisto, Leriano, Oliveros: tres dolientes y un mismo grabado","year":2012,"lang":"es","type":"article","venue":"Celestinesca","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Art","authors":[{"name":"Enrique Fernández Rivera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01833932538463548,"gpt":0.2192162865803903,"spread":0.2008769611957548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008141172,0.0003952461,0.0002727346,0.0009081924,0.008346787,0.00675594,0.0005698962,0.002048178,0.004687367],"category_scores_gemma":[0.001771735,0.0001798552,0.0001444556,0.001367806,0.01457281,0.003217734,0.002290942,0.002631627,0.0006485648],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008163426,"about_ca_system_score_gemma":0.003379788,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07350367,"about_ca_topic_score_gemma":0.1345254,"domain_scores_codex":[0.9993238,0.0003169883,0.00001223247,0.00008616935,0.0001057542,0.0001550146],"domain_scores_gemma":[0.999684,0.0001118359,0.00004827654,0.00002573514,0.00007146659,0.00005864543],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001490311,0.00002084298,0.002031639,0.0001460954,0.000006601506,0.0009693782,0.2228536,0.00007124917,0.0003219936,0.6864459,0.06454405,0.02243959],"study_design_scores_gemma":[0.00001986319,0.00001733939,0.003982085,0.0003314718,0.000007820294,0.0002871307,0.09481885,0.0000447585,0.0001866251,0.02387347,0.8764186,0.00001203819],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1118847,0.0818012,0.001467127,0.0691058,0.001805279,0.00002230359,0.000136877,0.00003274125,0.733744],"genre_scores_gemma":[0.8646311,0.01592428,0.0006312996,0.004745026,0.0007064858,0.00002934879,0.00006844851,0.00006861863,0.1131954],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07350367,"threshold_uncertainty_score":0.1461517,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2651110363","doi":"10.18192/rceh.v41i1.2048","title":"Representación del delito social en La Celestina a través de su iconografía más temprana: 1499 y 1514","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art","authors":[{"name":"Yolanda Iglesias","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01546537048363547,"gpt":0.24255242943019,"spread":0.2270870589465545,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001340326,0.0003219761,0.0003116546,0.00230634,0.006251234,0.009720013,0.0005372461,0.001030981,0.009409931],"category_scores_gemma":[0.002853998,0.0001565235,0.000199061,0.003344107,0.01321418,0.003224405,0.003132399,0.001636264,0.0007870372],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007460431,"about_ca_system_score_gemma":0.002823164,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07252079,"about_ca_topic_score_gemma":0.0860759,"domain_scores_codex":[0.9990758,0.0004777618,0.0000296356,0.0001115386,0.0001506459,0.0001545963],"domain_scores_gemma":[0.9988668,0.0005394618,0.0001917883,0.00008521625,0.0001575982,0.0001590865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001378038,0.00002428298,0.01174243,0.0001711183,0.00001008648,0.0007420726,0.8387162,0.00005372744,0.0007989149,0.1196751,0.003265487,0.02466271],"study_design_scores_gemma":[0.00001692518,0.00003731804,0.04272021,0.0005646333,0.00001951219,0.0004824589,0.6636934,0.0001404729,0.0004600433,0.01128458,0.2805506,0.00002986511],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5532179,0.007882635,0.001357363,0.005661037,0.0002982151,0.00002769297,0.000119658,0.00002347694,0.431412],"genre_scores_gemma":[0.9790984,0.002043523,0.0002026946,0.0002307545,0.00007836036,0.0000149398,0.00003818309,0.00002184932,0.01827137],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07252079,"threshold_uncertainty_score":0.1441973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2781109459","doi":"10.18192/rceh.v41i2.2152","title":"The Gendered Gaze: Torrellas’ Sadistic “Martyrdom” in Grisel y Mirabella","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Gaze; Humanities; Art; Voyeurism; Queen (butterfly); Narrative; Psychoanalysis; Philosophy; Art history; Psychology; Literature","authors":[{"name":"Luis F. López González","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02226120392470741,"gpt":0.2444920313496312,"spread":0.2222308274249238,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001125127,0.0004310338,0.0002226264,0.0006874272,0.00855543,0.004058935,0.0005415577,0.001568184,0.004763711],"category_scores_gemma":[0.00270024,0.0002325367,0.0001970153,0.0003637147,0.01557965,0.002546878,0.003693276,0.003115167,0.0003794463],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004689437,"about_ca_system_score_gemma":0.001203064,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03340862,"about_ca_topic_score_gemma":0.07324142,"domain_scores_codex":[0.9990168,0.0005500254,0.000009753929,0.0001068706,0.0001253652,0.0001911666],"domain_scores_gemma":[0.999131,0.0004483934,0.0001414705,0.00005775449,0.00009233138,0.0001290564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004544,0.00001314149,0.001208153,0.00005041702,0.000004240714,0.0007517071,0.8958645,0.00004525594,0.0008389298,0.09131343,0.005902401,0.003962427],"study_design_scores_gemma":[0.00001612924,0.00004546905,0.006993764,0.0002491654,0.00001625869,0.001006715,0.7456567,0.0001902815,0.0008885186,0.009148547,0.2357445,0.00004395238],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.622499,0.004088354,0.002098438,0.02050385,0.0005094579,0.00002145942,0.0000679663,0.00007597889,0.3501354],"genre_scores_gemma":[0.9877952,0.0003421699,0.0001185734,0.0005329428,0.00004575791,0.000006043256,0.000006853315,0.00002408519,0.01112826],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03340862,"threshold_uncertainty_score":0.0664283,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2164155134","doi":"10.33137/rr.v30i3.11513","title":"Cervantes and the Turks: Historical Reality versus Literary Fiction in \"La gran sultana\" and \"El amante liberal\"","year":2009,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Literature","authors":[{"name":"Ottmar Hegyi","is_ca":false},{"name":"Anthony J. Farrell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01733531483286863,"gpt":0.2276819729024514,"spread":0.2103466580695828,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001074253,0.0004567981,0.0002366603,0.001515757,0.005456932,0.005275758,0.0006575737,0.001523305,0.002181722],"category_scores_gemma":[0.00171345,0.0001585242,0.0001367983,0.001399804,0.01444863,0.001921006,0.001977886,0.001649606,0.0002156819],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00636674,"about_ca_system_score_gemma":0.001641356,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03594436,"about_ca_topic_score_gemma":0.07954079,"domain_scores_codex":[0.9992772,0.0004878684,0.00001254297,0.0000561018,0.00007917939,0.00008710414],"domain_scores_gemma":[0.9992899,0.000466867,0.00009038977,0.00003383332,0.0000713706,0.00004765205],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009743689,0.00002695749,0.002546006,0.0001389814,0.000009203842,0.0009285043,0.4317671,0.0001098535,0.0003977376,0.5374305,0.0130595,0.0134882],"study_design_scores_gemma":[0.00003211194,0.00003862815,0.006531906,0.0005558142,0.00002393084,0.0005147435,0.4219723,0.0002297351,0.0008203716,0.04129736,0.5279511,0.0000319887],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.3486248,0.04411282,0.001183407,0.05306383,0.001006879,0.00002737001,0.00007234298,0.00004617291,0.5518623],"genre_scores_gemma":[0.9800504,0.003290662,0.0001871635,0.001196823,0.0002085777,0.00001424493,0.00001958372,0.00002083994,0.01501172],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.03594436,"threshold_uncertainty_score":0.07147032,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2403470002","doi":"","title":"Antonio de Guevara y Europa","year":2009,"lang":"es","type":"book-chapter","venue":"Ediciones Universidad de Salamanca eBooks","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Simón Anselmus Vosters","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01364063731908874,"gpt":0.2180247218826071,"spread":0.2043840845635184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001180836,0.001010751,0.0006667284,0.001052812,0.004505252,0.008106671,0.0007714428,0.003161382,0.03157285],"category_scores_gemma":[0.002323945,0.0003467668,0.0004392082,0.001702488,0.002872618,0.003504083,0.004950585,0.003520632,0.01121761],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004151516,"about_ca_system_score_gemma":0.004089621,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02294822,"about_ca_topic_score_gemma":0.02497767,"domain_scores_codex":[0.9985144,0.0004509496,0.00005952662,0.0003520013,0.0003231088,0.0003001108],"domain_scores_gemma":[0.9993451,0.0001492487,0.00009917666,0.00007471097,0.0001771367,0.0001546443],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002740354,0.00006057428,0.004017527,0.0008248176,0.00004274205,0.001603582,0.01265097,0.0003046642,0.001204274,0.4304957,0.4219847,0.1265364],"study_design_scores_gemma":[0.000002465392,0.000003532626,0.0006978434,0.0001804561,0.000002352799,0.0001374206,0.0009511359,0.000009864222,0.0001026219,0.001951031,0.9959568,0.000004387126],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01564851,0.1547678,0.001177814,0.06388448,0.01048428,0.00002983,0.0008895323,0.000188074,0.7529297],"genre_scores_gemma":[0.1426625,0.07518834,0.001833193,0.01827754,0.001907792,0.00007475801,0.0007545426,0.0004674324,0.7588339],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03157285,"threshold_uncertainty_score":0.1056217,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2733644682","doi":"10.18192/rceh.v41i1.2039","title":"Dar la palabra al texto de La vida de Lazarillo de Tormes","year":2016,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Rosa María Félix-Navarro","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01271271957309698,"gpt":0.2468429686863831,"spread":0.2341302491132861,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001187924,0.0006831901,0.0003446051,0.001218738,0.004855118,0.006745363,0.0007047135,0.001375756,0.02115558],"category_scores_gemma":[0.003365786,0.0002681293,0.0003028709,0.001029411,0.009269275,0.004996691,0.002389001,0.003447224,0.003747499],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006384067,"about_ca_system_score_gemma":0.002716995,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01232825,"about_ca_topic_score_gemma":0.01953228,"domain_scores_codex":[0.9986597,0.0007366235,0.00003819536,0.0001949776,0.00021568,0.0001547607],"domain_scores_gemma":[0.9988909,0.000526584,0.00009054122,0.0001283324,0.0002675909,0.00009605615],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001163812,0.00001076079,0.0004678741,0.0002624416,0.000008034288,0.000301322,0.076345,0.0001413962,0.0008950408,0.8186461,0.08258311,0.02022257],"study_design_scores_gemma":[0.000007191893,0.00001719618,0.0007244582,0.0002279511,0.000007627898,0.0001703944,0.01772013,0.0001223889,0.0003791748,0.02044838,0.9601583,0.00001700344],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04069655,0.0107001,0.01353055,0.05824308,0.005667453,0.00008731238,0.0007796144,0.0006168652,0.8696786],"genre_scores_gemma":[0.5938061,0.004866558,0.005431138,0.004433901,0.001911092,0.0001222024,0.0004973143,0.000978134,0.3879537],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02115558,"threshold_uncertainty_score":0.07077241,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2088739312","doi":"10.3989/revliteratura.2004.v66.i132.127","title":"Difusión y cronología de la poesía burlesca de Quevedo: una revisión","year":2004,"lang":"es","type":"article","venue":"Revista de Literatura","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; Philosophy","authors":[{"name":"Rodrigo Cacho Casal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006828669340320776,"gpt":0.2518320431095346,"spread":0.2450033737692138,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002485408,0.0004511545,0.0005613974,0.00343773,0.003710861,0.008008202,0.001105977,0.002183755,0.004849164],"category_scores_gemma":[0.005501713,0.000202579,0.0002333801,0.003275434,0.01794642,0.005354383,0.002488288,0.003143667,0.0005458869],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006107065,"about_ca_system_score_gemma":0.004906816,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.018893,"about_ca_topic_score_gemma":0.02879222,"domain_scores_codex":[0.9987954,0.0004356558,0.00007677524,0.0002056851,0.0003559058,0.0001305945],"domain_scores_gemma":[0.9975427,0.00104001,0.0003421262,0.0002434571,0.0007203056,0.0001114],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000116296,0.00003060667,0.003716733,0.001177839,0.00002737026,0.0009764599,0.09446257,0.0001405093,0.0009659249,0.7508767,0.02481486,0.1226941],"study_design_scores_gemma":[0.00001354256,0.00003970072,0.01080525,0.002526777,0.00003760556,0.001337828,0.04755582,0.0001963708,0.0006871393,0.05618208,0.8805816,0.00003627531],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.1420195,0.4341916,0.007906251,0.07369804,0.01213102,0.00004279254,0.0002763878,0.00009807938,0.3296363],"genre_scores_gemma":[0.8507273,0.09436035,0.001639768,0.004233084,0.003930132,0.00003388719,0.0001173583,0.00009699028,0.04486116],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.018893,"threshold_uncertainty_score":0.04431003,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2302743250","doi":"10.33137/rr.v31i2.11610","title":"The Development of &lt;i&gt;Hispanitas&lt;/i&gt; in Spanish Sixteenth-Century Versions of the Fall of Numancia","year":2009,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Topos theory; Period (music); Humanities; Art; History; Identity (music); Literature; Ancient history; Aesthetics","authors":[{"name":"Rachel Schmidt","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01112788553938453,"gpt":0.204176329120215,"spread":0.1930484435808305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00164592,0.0003860119,0.0002858592,0.0009166298,0.007405443,0.006752012,0.0006829671,0.0006532808,0.002133059],"category_scores_gemma":[0.001480718,0.0001844542,0.0001132989,0.001000473,0.02321611,0.001713609,0.004063515,0.002436124,0.0001798607],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01327111,"about_ca_system_score_gemma":0.002778559,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03588021,"about_ca_topic_score_gemma":0.0569041,"domain_scores_codex":[0.9991071,0.0004040283,0.00002187009,0.0001005841,0.0001088755,0.0002574749],"domain_scores_gemma":[0.9996142,0.0001076298,0.00009873352,0.00004456937,0.0000674643,0.00006730769],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001026502,0.00002298083,0.002701932,0.00009558612,0.000008466243,0.0009682766,0.5798079,0.00009170239,0.0005994801,0.3968791,0.004627262,0.01409471],"study_design_scores_gemma":[0.00003748972,0.00004648501,0.01572013,0.0004061935,0.00001948569,0.0006644825,0.2148121,0.0001828143,0.001035328,0.02042808,0.7466182,0.00002914745],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5016839,0.00883994,0.001064608,0.00656098,0.0003416711,0.00001771901,0.00005036502,0.00004052848,0.4814003],"genre_scores_gemma":[0.9848173,0.0005330684,0.00009742909,0.0001695364,0.00004157906,0.000006170776,0.000008834037,0.00001959752,0.01430652],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03588021,"threshold_uncertainty_score":0.0962891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W22206304","doi":"10.1021/ja209915n","title":"\"La gitanilla\": A Model of Cervantes's Subversion of Romance","year":2001,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"Agence Nationale de la Recherche","keywords":"Humanities; Art; Romance; Philosophy; Literature","authors":[{"name":"Jonathan Burgoyne","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0201006351835792,"gpt":0.2141124295905921,"spread":0.1940117944070129,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003683897,0.0003984939,0.0002677068,0.0007951724,0.002679263,0.002428533,0.0007639305,0.0009389052,0.01384702],"category_scores_gemma":[0.0008075933,0.0001293142,0.0002526941,0.0006530237,0.006102471,0.002281409,0.001641112,0.001498519,0.001949273],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002652883,"about_ca_system_score_gemma":0.0008218114,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01060591,"about_ca_topic_score_gemma":0.0193743,"domain_scores_codex":[0.9996506,0.0001758233,0.000005611957,0.00007073848,0.00003850902,0.00005880454],"domain_scores_gemma":[0.9999002,0.00002784413,0.00001203871,0.00002138914,0.00001492609,0.00002356814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000050963,0.00001028705,0.0003035845,0.00003900235,0.000003279208,0.0003494618,0.006379887,0.0001411418,0.0002994722,0.9782747,0.004196366,0.009951752],"study_design_scores_gemma":[0.00003028297,0.00004215874,0.001039529,0.0001850915,0.000008345284,0.0008583007,0.005168136,0.0007962056,0.0004362106,0.1084623,0.8829527,0.00002068231],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04225941,0.002614881,0.004098565,0.003729557,0.0006219042,0.00006423597,0.0001412087,0.0001935387,0.9462767],"genre_scores_gemma":[0.774211,0.002706247,0.007687551,0.001490583,0.0002563574,0.0001366698,0.0002682956,0.0003108991,0.2129322],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01384702,"threshold_uncertainty_score":0.04632288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4230258463","doi":"10.12745/et.13.1.833","title":"A lost Jacobean tragedy: Henry the Una (c.1619)","year":2010,"lang":"it","type":"article","venue":"Early Theatre","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Tragedy (event); History; Art; Literature","authors":[{"name":"Matthew Steggle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01089750744447539,"gpt":0.2165105985981829,"spread":0.2056130911537075,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005245908,0.0003009301,0.0001750907,0.0006144356,0.006025952,0.002734027,0.0002847994,0.0005805676,0.02002087],"category_scores_gemma":[0.0009973282,0.0001200652,0.00008665734,0.0005661913,0.002847889,0.0009784227,0.00131384,0.001526495,0.003453322],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004362001,"about_ca_system_score_gemma":0.001767934,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08029503,"about_ca_topic_score_gemma":0.1302605,"domain_scores_codex":[0.9997169,0.00006368741,0.000006151583,0.00005028105,0.00006856219,0.00009440445],"domain_scores_gemma":[0.9998674,0.00003326231,0.0000103493,0.000006355237,0.00004263224,0.00003984714],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000253987,0.00003268037,0.001954401,0.000266484,0.000009033574,0.001803745,0.06944206,0.0001362029,0.0005674532,0.2109286,0.5660439,0.1485615],"study_design_scores_gemma":[0.00000241548,0.000009856242,0.0007508274,0.0001043698,0.000001567355,0.0001890391,0.005067119,0.00001326572,0.0001339116,0.001146008,0.9925779,0.000003819787],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03912266,0.04424646,0.0007581315,0.03002836,0.01159379,0.00003297813,0.0003092986,0.0001117445,0.8737966],"genre_scores_gemma":[0.228682,0.009892073,0.0002740276,0.002818925,0.001646529,0.0000129183,0.00007749046,0.0001376529,0.7564583],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08029503,"threshold_uncertainty_score":0.1596553,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3118074723","doi":"","title":"Breaking the silence: Women and the word in the \"Comedia\"","year":2004,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Silence; Word (group theory); Art; Linguistics; Sociology; Aesthetics; Philosophy","authors":[{"name":"Melveena McKendrick","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01193143718800867,"gpt":0.2089117175297286,"spread":0.19698028034172,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004566378,0.000534364,0.0005963163,0.001421259,0.01868972,0.01414875,0.001405049,0.003684049,0.007600491],"category_scores_gemma":[0.008424732,0.0002199534,0.0003055609,0.001796521,0.04306433,0.006317872,0.00661423,0.006708097,0.0007608584],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006935521,"about_ca_system_score_gemma":0.006821205,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03160192,"about_ca_topic_score_gemma":0.03047004,"domain_scores_codex":[0.996121,0.002542387,0.00006252866,0.0002865707,0.0003357646,0.000651644],"domain_scores_gemma":[0.9965566,0.00201041,0.0003123083,0.0002160655,0.0004543641,0.0004502217],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004723611,0.00002268706,0.0008031308,0.00009655043,0.000006295254,0.0002622597,0.7060623,0.00001138743,0.0001351607,0.2743427,0.01142283,0.006787428],"study_design_scores_gemma":[0.0000194879,0.00002026104,0.001189741,0.0004648963,0.00001586315,0.0001696802,0.6805088,0.00002820542,0.0002878669,0.02030572,0.2969761,0.00001340216],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2280706,0.03529132,0.002224491,0.1461527,0.003241096,0.0000499812,0.0001237461,0.00005173579,0.5847944],"genre_scores_gemma":[0.9530686,0.003924332,0.0002188117,0.01070615,0.0006859449,0.00003500677,0.00002404262,0.00009169329,0.03124535],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03160192,"threshold_uncertainty_score":0.06283599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2996672864","doi":"10.7202/1065100ar","title":"THE MANAGEMENT OF PRIVATIZATION","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"The Imaginary; Constitution; Subject (documents); Sociology; Collective memory; Aesthetics; Political science; History; Epistemology; Economic system; Computer science; Art; Law; Philosophy; Economics; Psychology; Psychoanalysis; World Wide Web","authors":[{"name":"Wlad Godzich","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0114842057169375,"gpt":0.2037660528534177,"spread":0.1922818471364802,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004838377,0.0002135951,0.0002742054,0.001059115,0.006392663,0.01050275,0.0008154518,0.002557673,0.01422404],"category_scores_gemma":[0.01035993,0.0002385865,0.0002818357,0.001484711,0.01681887,0.00987329,0.006949828,0.002989895,0.0008739604],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01240215,"about_ca_system_score_gemma":0.01456126,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00731861,"about_ca_topic_score_gemma":0.008297274,"domain_scores_codex":[0.9958571,0.00149284,0.00009463933,0.0005892112,0.0007301582,0.001236109],"domain_scores_gemma":[0.9966058,0.001252339,0.0004578313,0.0005913317,0.0006282618,0.0004645178],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008861443,0.00001372212,0.0002761949,0.00001832707,0.000003964784,0.00004840909,0.002958808,0.0002681464,0.0001081285,0.9856799,0.00432721,0.006288321],"study_design_scores_gemma":[0.0000248411,0.00003948535,0.002179059,0.0001794851,0.00001335792,0.00008219619,0.006775158,0.001114725,0.0004880589,0.60496,0.3841199,0.00002378651],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1026452,0.007697096,0.01431488,0.0645732,0.0005426512,0.0001117643,0.0001412737,0.0001664707,0.8098075],"genre_scores_gemma":[0.9412922,0.001154497,0.001004258,0.001633831,0.0002068106,0.00007532333,0.00003457632,0.00007075371,0.05452768],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01422404,"threshold_uncertainty_score":0.0899843,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312944895","doi":"10.15581/017.8.28068","title":"Sobre prisiones y sonetos: Francisco de Quevedo y Tommaso Campanella. El mundo de los libros y el libro del mundo","year":2018,"lang":"es","type":"article","venue":"La Perinola","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Camosun College","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"D. Gareth Walters","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01310533181576703,"gpt":0.254642466912067,"spread":0.2415371350963,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007146162,0.0004655418,0.0002109567,0.0008102603,0.005265473,0.004295997,0.0004973102,0.001649298,0.00740484],"category_scores_gemma":[0.001650263,0.0002324363,0.0001697926,0.0007854257,0.009859338,0.005448983,0.001800503,0.003109326,0.0007631246],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00739839,"about_ca_system_score_gemma":0.002084576,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08447347,"about_ca_topic_score_gemma":0.1230752,"domain_scores_codex":[0.9995441,0.0001822727,0.0000130077,0.0001090792,0.0001047774,0.00004676808],"domain_scores_gemma":[0.9994717,0.0002837208,0.00006477415,0.00004245085,0.00009314677,0.00004416346],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007078327,0.00001925527,0.001116411,0.0001756919,0.000005769892,0.0003572844,0.1454506,0.00007327938,0.0002986905,0.7587872,0.05881917,0.03482585],"study_design_scores_gemma":[0.00001638315,0.00002554058,0.003048218,0.000336793,0.00001064458,0.0003636015,0.02938231,0.00007069016,0.0002489635,0.04157997,0.9248993,0.00001764433],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05542368,0.06642388,0.003216364,0.05182658,0.002395422,0.00003471562,0.0002175034,0.00009573504,0.8203661],"genre_scores_gemma":[0.7636844,0.01799003,0.00145986,0.005688311,0.000663701,0.00005792117,0.0001461946,0.0001131372,0.2101965],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08447347,"threshold_uncertainty_score":0.1679636,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3127700652","doi":"","title":"Economies of the Early Modern Spanish stage","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Stage (stratigraphy); Economics; Economy; Geology","authors":[{"name":"Margaret Rich Greer","is_ca":false},{"name":"Andrea Junguito","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01432585297043642,"gpt":0.2101465795063159,"spread":0.1958207265358794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009293424,0.000203825,0.0002898735,0.001494667,0.001624853,0.003873494,0.000435072,0.0005789084,0.009184751],"category_scores_gemma":[0.001662759,0.0001038905,0.0002039537,0.002198219,0.00416293,0.002379106,0.00183376,0.0011382,0.0004699798],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006317995,"about_ca_system_score_gemma":0.003083982,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02699974,"about_ca_topic_score_gemma":0.02952866,"domain_scores_codex":[0.9996339,0.0001125758,0.00000761311,0.00004502193,0.00005414402,0.0001466965],"domain_scores_gemma":[0.999305,0.0001979358,0.00008907305,0.00007696707,0.0002099492,0.000121071],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006613774,0.00004398654,0.003816214,0.00004722867,0.000009471296,0.0002273161,0.004328952,0.0002639706,0.0002198199,0.9671307,0.003062695,0.02078352],"study_design_scores_gemma":[0.00008050366,0.00007219468,0.08770575,0.0005497577,0.00003504449,0.0004056296,0.02160904,0.0006616864,0.0008537414,0.3709416,0.5170556,0.00002935307],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4323269,0.02256968,0.001224367,0.01145949,0.0001118057,0.00001938884,0.0003184938,0.00001971276,0.5319502],"genre_scores_gemma":[0.9614431,0.006532128,0.0003844656,0.0003660669,0.0001631122,0.00001587601,0.00008513688,0.00001810708,0.03099211],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02699974,"threshold_uncertainty_score":0.05368519,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1984545932","doi":"10.1177/0952695111410929","title":"A systematic archival inquiry on Juan Huarte de San Juan (1529–88)","year":2011,"lang":"en","type":"article","venue":"History of the Human Sciences","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba; St.Amant","funders":"","keywords":"The Renaissance; Behaviorism; Biography; Politics; History of psychology; Neuropsychology; Psychology; History; Art history; Library science; Classics; Psychoanalysis; Epistemology; Philosophy; Cognition; Political science; Law; Psychiatry","authors":[{"name":"Javier Virúes‐Ortega","is_ca":true},{"name":"Gualberto Buela‐Casal","is_ca":false},{"name":"María Teresa Carrasco Lazareno","is_ca":false},{"name":"Pamela D. Rivero-Dávila","is_ca":false},{"name":"Raúl Quevedo-Blasco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1543734626669234,"gpt":0.2552547404704516,"spread":0.1008812778035282,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002895675,0.0003493107,0.0002811036,0.002035361,0.00717958,0.003833971,0.0006328374,0.0006538352,0.002220509],"category_scores_gemma":[0.006328994,0.0002371281,0.00009857671,0.003609232,0.006911538,0.002076726,0.001948254,0.001581312,0.0002662188],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007238296,"about_ca_system_score_gemma":0.003955813,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04755491,"about_ca_topic_score_gemma":0.08573361,"domain_scores_codex":[0.9980039,0.001322307,0.00004955387,0.0001538362,0.0003417203,0.0001286645],"domain_scores_gemma":[0.9977393,0.001230717,0.0002094753,0.0001744829,0.0005473109,0.00009867783],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003962751,0.00002364651,0.00242902,0.0002666341,0.000009813472,0.000912116,0.8276066,0.00006821496,0.0006443276,0.0732401,0.05365197,0.04110795],"study_design_scores_gemma":[0.000001987534,0.00000880821,0.0042728,0.0004498242,0.000004623244,0.00022817,0.2526297,0.00002451632,0.0003648307,0.001706398,0.740298,0.00001043529],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5276642,0.0751714,0.005096004,0.03326911,0.00290196,0.0003316743,0.0019838,0.0001003573,0.3534816],"genre_scores_gemma":[0.9047952,0.02681927,0.002929462,0.002050476,0.0006256455,0.000231505,0.0007868627,0.0001493276,0.06161217],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04755491,"threshold_uncertainty_score":0.09455621,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2021400560","doi":"10.3989/rfe.2001.v81.i1/2.169","title":"La enfermedad de Melibea: dos perspectivas médicas de la ægritudo amoris en Celestina","year":2001,"lang":"es","type":"article","venue":"Revista de Filología Española","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Consejo Superior de Investigaciones Científicas","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Marcelino V. Amasuno","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01102744419428925,"gpt":0.2726498967724422,"spread":0.261622452578153,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00184088,0.0003460677,0.0004339975,0.001269857,0.005230831,0.006678611,0.0005815776,0.005168984,0.005560828],"category_scores_gemma":[0.003256892,0.0002020337,0.0002912051,0.00103562,0.01493445,0.001970326,0.003357977,0.003036657,0.0005572166],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005045043,"about_ca_system_score_gemma":0.002632216,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007712919,"about_ca_topic_score_gemma":0.01447753,"domain_scores_codex":[0.9988218,0.0006892625,0.00004186136,0.0001025463,0.0001359188,0.0002084731],"domain_scores_gemma":[0.998796,0.0006896852,0.0002271562,0.00005544956,0.00008654688,0.0001451015],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0004455067,0.0001666775,0.01249327,0.001128941,0.00004797648,0.007316164,0.2604268,0.0001405462,0.001605009,0.5226796,0.04221726,0.1513323],"study_design_scores_gemma":[0.00008252502,0.0002116769,0.01495214,0.002210246,0.00005082101,0.007383631,0.09600989,0.0001019891,0.0008672389,0.06482806,0.8132553,0.00004649263],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1588322,0.313582,0.001658063,0.2425799,0.003106181,0.00003293137,0.00007565816,0.00006505611,0.2800681],"genre_scores_gemma":[0.8675832,0.0691125,0.0005227731,0.01705694,0.00279253,0.00004669523,0.00002824155,0.00002653352,0.04283051],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007712919,"threshold_uncertainty_score":0.03660452,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2003600063","doi":"10.12745/et.15.1.902","title":"The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s &lt;em&gt;El vergonzoso en palacio&lt;/em&gt;","year":2012,"lang":"en","type":"article","venue":"Early Theatre","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Transvestism; Drama; Improvisation; Art; Negotiation; Performance art; Literature; Visual arts; Humanities; Art history; Sociology; Gender studies","authors":[{"name":"Amy L. Tigner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01007292759502903,"gpt":0.2147764456800814,"spread":0.2047035180850524,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001625965,0.0004773799,0.0002270382,0.0005245481,0.007211768,0.005486256,0.0006594031,0.001240474,0.003993957],"category_scores_gemma":[0.001646149,0.0001511883,0.0001977135,0.0004668074,0.01601845,0.001334643,0.003413919,0.002606483,0.0005520018],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00564124,"about_ca_system_score_gemma":0.001554652,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02267169,"about_ca_topic_score_gemma":0.03942078,"domain_scores_codex":[0.9989302,0.0005597075,0.00001381996,0.00008741285,0.0002199551,0.0001889251],"domain_scores_gemma":[0.9994543,0.0002467137,0.00005172505,0.00006564959,0.00009049436,0.00009101469],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001296237,0.00005536305,0.001647774,0.00009390971,0.000008451962,0.001356529,0.7476904,0.0001657034,0.001819414,0.2126689,0.01335308,0.0210108],"study_design_scores_gemma":[0.00002236483,0.00006672786,0.005208711,0.0001856402,0.00001128759,0.0007789861,0.3560081,0.0002123981,0.001368918,0.007488851,0.6286241,0.00002403869],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3507357,0.004186718,0.003260057,0.007672515,0.0006774494,0.00002677086,0.0000391725,0.00005342754,0.6333482],"genre_scores_gemma":[0.9524693,0.0007040533,0.0003434608,0.0005683221,0.0001388799,0.00001171541,0.00001743588,0.00006928284,0.04567764],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02267169,"threshold_uncertainty_score":0.04507947,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2916610712","doi":"10.4000/e-spania.29497","title":"“Las fineças de buscar sienpre occasiones para que los ingenios de aca soliçiten su amistad y doctrina”. Juan Francisco Andrés de Uztarroz, José Pellicer y la construcción de una reputación en los círculos letrados españoles de los años 1640","year":2019,"lang":"es","type":"article","venue":"e-Spania","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Humanities; Art; Philosophy; Persona","authors":[{"name":"Guy Lazure","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009289536592368738,"gpt":0.258936938619896,"spread":0.2496474020275273,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001939691,0.0005133085,0.0002997609,0.001295313,0.01071038,0.00935391,0.0006930313,0.003081263,0.008695376],"category_scores_gemma":[0.004128573,0.0002675948,0.000355221,0.001420362,0.0206434,0.005759684,0.003609697,0.005552207,0.00132391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007349969,"about_ca_system_score_gemma":0.00526087,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04135497,"about_ca_topic_score_gemma":0.07761126,"domain_scores_codex":[0.9972733,0.001359505,0.00006645134,0.0003147373,0.0005666076,0.0004194122],"domain_scores_gemma":[0.9987894,0.0004427835,0.00014325,0.0001699539,0.0003358784,0.0001187647],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002261918,0.000007913553,0.0004458522,0.00005084406,0.000003970947,0.00009311172,0.02679396,0.00004664944,0.0001776105,0.9386915,0.02495978,0.008706229],"study_design_scores_gemma":[0.00001035951,0.00001363117,0.001591788,0.0003070579,0.00001019394,0.0001430579,0.02080706,0.0001213716,0.0003792954,0.06648589,0.9101125,0.00001782589],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03802953,0.0281666,0.007799365,0.08552504,0.002399165,0.00006753721,0.0001295351,0.0001257807,0.8377575],"genre_scores_gemma":[0.7857392,0.009040977,0.002124418,0.01225356,0.001247076,0.00007768471,0.00007922922,0.0001587344,0.1892792],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04135497,"threshold_uncertainty_score":0.08222854,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1601409949","doi":"10.24201/nrfh.v59i1.1034","title":"La imagen del monarca en la comedia \"El villano en su rincón\"","year":2011,"lang":"es","type":"article","venue":"Nueva Revista de Filología Hispánica (NRFH)","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","authors":[{"name":"Jesús Gómez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01790207637533388,"gpt":0.2432899084269993,"spread":0.2253878320516654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009028375,0.0002782553,0.0002255415,0.0006993125,0.009250201,0.00534905,0.000544358,0.001491765,0.008513794],"category_scores_gemma":[0.0009113602,0.0001262986,0.0001659397,0.0009568303,0.01107901,0.00161243,0.002466454,0.002309597,0.0005532955],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01135377,"about_ca_system_score_gemma":0.005227713,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1847533,"about_ca_topic_score_gemma":0.4082419,"domain_scores_codex":[0.9993634,0.0002459795,0.00001041083,0.00007905507,0.000104243,0.0001969826],"domain_scores_gemma":[0.9997117,0.00008021716,0.00003936596,0.00002854821,0.00007703491,0.00006317079],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000121407,0.0000209592,0.003071968,0.0001576074,0.000008644748,0.0009049934,0.2302789,0.0001001884,0.0004899978,0.6889715,0.04332327,0.03255054],"study_design_scores_gemma":[0.000009766872,0.00002014517,0.006622098,0.0002533823,0.000009890071,0.0002733591,0.1327205,0.00005963817,0.0004035138,0.005657054,0.8539565,0.00001404301],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2187918,0.02976776,0.0008331794,0.04989796,0.0007502863,0.00002139201,0.0001535763,0.00006842552,0.6997156],"genre_scores_gemma":[0.8830201,0.003442752,0.0001895408,0.001678121,0.0001123317,0.000009532922,0.0000326505,0.00003748653,0.1114775],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1847533,"threshold_uncertainty_score":0.3673558,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2883127018","doi":"10.1007/978-3-319-72772-1_5","title":"Spain in Translation: Peritextual Representations of Cultural Difference, 1614–1625","year":2018,"lang":"en","type":"book-chapter","venue":"Early modern literature in history","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Woodcut; Negotiation; History; Ethnic group; Politics; Literature; Art; Art history; Sociology; Anthropology; Political science; Law; Social science","authors":[{"name":"Joyce Boro","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04004944181404865,"gpt":0.2328661314390697,"spread":0.192816689625021,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001843509,0.0006693202,0.0004714311,0.002104265,0.00351185,0.008561714,0.0007836519,0.001896599,0.01514543],"category_scores_gemma":[0.004225357,0.0002067299,0.0002020537,0.003596477,0.008207298,0.003413423,0.002925082,0.002997395,0.002093571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01127931,"about_ca_system_score_gemma":0.004893951,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0384594,"about_ca_topic_score_gemma":0.04386815,"domain_scores_codex":[0.9989045,0.0005067569,0.00005139349,0.0001464844,0.0002208554,0.0001699514],"domain_scores_gemma":[0.9989769,0.0004731251,0.00009216029,0.0001283443,0.0002667474,0.00006264632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002887921,0.00006776403,0.00150382,0.0004844118,0.0000145647,0.0006645181,0.1574931,0.0002059875,0.0004620919,0.626987,0.1063654,0.1054626],"study_design_scores_gemma":[0.0000353945,0.00002422837,0.00563313,0.0009056486,0.00001072958,0.0001802724,0.02753255,0.00006964238,0.0002593304,0.02251842,0.942817,0.00001361748],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02561957,0.03434796,0.0005277403,0.01099752,0.00198303,0.00001755149,0.0002237704,0.00004098575,0.9262419],"genre_scores_gemma":[0.61173,0.02149861,0.0008536509,0.002922018,0.001904727,0.0000603699,0.0004324578,0.000314699,0.3602835],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0384594,"threshold_uncertainty_score":0.08183742,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W619567926","doi":"10.33137/rr.v39i1.26561","title":"The Spanish Tragedy: Authoritative Text, Sources and Context, Criticism","year":2016,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Tragedy (event); Criticism; Context (archaeology); Literature; Textual criticism; Philosophy; History; Art; Archaeology","authors":[{"name":"Thomas Kyd","is_ca":false},{"name":"Michael Neill","is_ca":false},{"name":"Peter Paolucci","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01591849482490481,"gpt":0.2224860995580055,"spread":0.2065676047331007,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01380944,0.001287161,0.001597018,0.008335833,0.01035992,0.0218956,0.00313182,0.00610333,0.008676166],"category_scores_gemma":[0.03597289,0.000620133,0.0004547407,0.01681691,0.02224666,0.01324621,0.004902372,0.006501475,0.002499631],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0160142,"about_ca_system_score_gemma":0.01394696,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03964461,"about_ca_topic_score_gemma":0.04528258,"domain_scores_codex":[0.9903917,0.005749724,0.0003793356,0.0004796058,0.002493835,0.0005057337],"domain_scores_gemma":[0.9716693,0.01790304,0.001984762,0.001554382,0.006321451,0.0005670207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003943908,0.00001684661,0.0004139241,0.0005690925,0.00001645215,0.0004186093,0.07228445,0.0001417086,0.0001029813,0.1901946,0.7060349,0.029767],"study_design_scores_gemma":[0.0000177889,0.000007639975,0.001131739,0.003122414,0.00001300084,0.0002265644,0.03813167,0.0001063969,0.0001713342,0.02847671,0.9285675,0.00002726319],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.009736875,0.3850429,0.002392906,0.4048342,0.02116572,0.00002714881,0.0006464281,0.0001956744,0.1759581],"genre_scores_gemma":[0.5904811,0.2100719,0.002901211,0.04576762,0.03427792,0.0001736891,0.001178453,0.001824213,0.1133239],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03964461,"threshold_uncertainty_score":0.1161917,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2111081406","doi":"10.3828/bhs.2010.38","title":"Court, Market and the Fashioning of the <i>Galateo español</i>","year":2010,"lang":"en","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"History; Art; Political science","authors":[{"name":"Felipe E. Rúan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0111778261949084,"gpt":0.2070927458328009,"spread":0.1959149196378925,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008076256,0.0002419245,0.0001854856,0.0009113885,0.003009064,0.007029787,0.0003905335,0.001470655,0.004551868],"category_scores_gemma":[0.001104804,0.00009648385,0.0001202574,0.0009822695,0.007212334,0.001926571,0.001239628,0.001691276,0.0003959709],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006652699,"about_ca_system_score_gemma":0.001880662,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02347996,"about_ca_topic_score_gemma":0.03798191,"domain_scores_codex":[0.9995562,0.0001963966,0.00001144513,0.0000565733,0.00009553069,0.00008372441],"domain_scores_gemma":[0.9995197,0.0002320449,0.0000622274,0.00002784256,0.0001071868,0.00005100904],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001159731,0.00003519524,0.002174315,0.0003093012,0.00001302543,0.0008641744,0.06270286,0.0002067161,0.000455995,0.6976499,0.1785836,0.05688896],"study_design_scores_gemma":[0.00001223168,0.000014423,0.003732979,0.0003901317,0.000005399741,0.0001640348,0.01938061,0.00006012067,0.000172539,0.0173794,0.9586784,0.000009736557],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1057295,0.1881104,0.0004935903,0.09688327,0.007415192,0.00001240718,0.00007640004,0.00003486335,0.6012444],"genre_scores_gemma":[0.798134,0.02818128,0.0002196748,0.006690549,0.003071625,0.000009296697,0.00003787271,0.00004808956,0.1636076],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02347996,"threshold_uncertainty_score":0.04826891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W190995026","doi":"","title":"Diez notas sobre \"El perro del hortelano\", de Lope de Vega","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Isaac Rubio","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01284156180322815,"gpt":0.225737835730841,"spread":0.2128962739276128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001335081,0.000705508,0.0003510441,0.0008093987,0.006701638,0.00816157,0.0008638666,0.003318939,0.02506836],"category_scores_gemma":[0.003954434,0.0002482095,0.0003934546,0.0006831198,0.01380529,0.005826751,0.00422014,0.006247621,0.004281403],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003916494,"about_ca_system_score_gemma":0.002287235,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01021854,"about_ca_topic_score_gemma":0.02168503,"domain_scores_codex":[0.9982381,0.0007706208,0.00004055524,0.0002664035,0.0003979748,0.0002863871],"domain_scores_gemma":[0.9985997,0.0005240984,0.000147874,0.0002002456,0.0003145295,0.000213641],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003796447,0.00001300251,0.0003968585,0.0001066615,0.000008275513,0.0001446441,0.01618584,0.00005181512,0.0003779279,0.9173488,0.05033223,0.01499595],"study_design_scores_gemma":[0.000006602484,0.00001947609,0.001057649,0.0002116858,0.000007991277,0.000208901,0.01020321,0.00009663514,0.0003527102,0.04514186,0.9426725,0.00002067737],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01341418,0.01055334,0.005170168,0.05111483,0.0035697,0.00003193249,0.0001222841,0.0001430943,0.9158805],"genre_scores_gemma":[0.3641171,0.00712383,0.002297839,0.01774361,0.002137577,0.00009948723,0.0001723555,0.0003020824,0.606006],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02506836,"threshold_uncertainty_score":0.08386207,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2810645385","doi":"10.24201/nrfh.v66i2.3426","title":"Ars memorativa, abejas y miel en La Celestina","year":2018,"lang":"es","type":"article","venue":"Nueva Revista de Filología Hispánica (NRFH)","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Adam Vázquez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01511088114094379,"gpt":0.2560124114651071,"spread":0.2409015303241633,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009503121,0.0003928785,0.0002783177,0.001400855,0.002911933,0.005311739,0.0004981701,0.0009174267,0.009524379],"category_scores_gemma":[0.003001562,0.00008637222,0.000192791,0.00161913,0.009059694,0.002347915,0.001900554,0.001829475,0.0008565619],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003318696,"about_ca_system_score_gemma":0.00189198,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01132048,"about_ca_topic_score_gemma":0.0195309,"domain_scores_codex":[0.9993493,0.0003066641,0.00002182661,0.0000792049,0.0001503152,0.00009272707],"domain_scores_gemma":[0.999111,0.0005051871,0.00009851512,0.00007561524,0.0001506607,0.00005907421],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001225704,0.00001927272,0.002141831,0.0004486487,0.000006911313,0.0008571687,0.1153656,0.0001781967,0.0007951376,0.8118407,0.01999018,0.04823393],"study_design_scores_gemma":[0.00001107555,0.00002671118,0.004137355,0.0005008845,0.000009577941,0.0004222656,0.05061117,0.0001179586,0.0004777805,0.02516508,0.9185057,0.00001443898],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1192307,0.03025208,0.004704794,0.03035892,0.00367158,0.00004063661,0.0002051846,0.0001028761,0.8114332],"genre_scores_gemma":[0.8942127,0.009771591,0.001161227,0.00162361,0.001849904,0.000030053,0.00007707947,0.00008066373,0.09119311],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01132048,"threshold_uncertainty_score":0.0318622,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W32961787","doi":"10.3390/ijerph17186859","title":"Teresa de Cartagena: Agent of Her Own Salvation","year":2007,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Raquel Trillia","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01960360025833884,"gpt":0.2326465721999754,"spread":0.2130429719416366,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007585666,0.0001918133,0.0001742219,0.0003507407,0.003686679,0.001916757,0.0003089778,0.0004999731,0.006744076],"category_scores_gemma":[0.001447033,0.00007300406,0.0001402397,0.0003271065,0.003387151,0.001023786,0.001536821,0.001151391,0.0009344839],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009721123,"about_ca_system_score_gemma":0.001887819,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.012522,"about_ca_topic_score_gemma":0.02443173,"domain_scores_codex":[0.9996369,0.0001841008,0.0000085179,0.00002720036,0.0000598552,0.00008353854],"domain_scores_gemma":[0.9995776,0.0001336163,0.00007075787,0.00003282272,0.00007641671,0.0001087966],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001312518,0.0001248029,0.02586081,0.0003645679,0.00002499518,0.007035689,0.6979859,0.00008287332,0.00259373,0.1284366,0.02628175,0.111077],"study_design_scores_gemma":[0.000007956997,0.00007465522,0.009534335,0.0003178145,0.00001436766,0.002726395,0.3759918,0.00006266194,0.0005321495,0.003554164,0.6071656,0.00001797723],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5793331,0.01166004,0.002242528,0.01883725,0.001493623,0.0000618614,0.0001072043,0.00007912058,0.3861854],"genre_scores_gemma":[0.9376855,0.004011136,0.0006572694,0.00119124,0.0001450635,0.00001840357,0.00002914167,0.00002401778,0.05623811],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.012522,"threshold_uncertainty_score":0.02489823,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W48244278","doi":"","title":"Exemplarity gone awry in Baroque fantasy: the case of Cervantes","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Baroque; Art; Humanities; Fantasy; Art history; Literature","authors":[{"name":"David R. Castillo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02136342750561638,"gpt":0.2325069789570406,"spread":0.2111435514514242,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00436447,0.0007668966,0.0005979522,0.00146791,0.01811776,0.01281225,0.001682416,0.006443421,0.009303009],"category_scores_gemma":[0.01003832,0.0005246029,0.0004325173,0.001051993,0.05223964,0.01018047,0.009715993,0.007946613,0.0009308817],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006580844,"about_ca_system_score_gemma":0.002239841,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0174469,"about_ca_topic_score_gemma":0.02481489,"domain_scores_codex":[0.994278,0.004278961,0.00007661181,0.0003670556,0.0003911896,0.0006082754],"domain_scores_gemma":[0.9957265,0.003031402,0.0003010216,0.0002935287,0.0002009501,0.000446696],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002815586,0.000009835137,0.0003558491,0.00004985353,0.000004253222,0.001348697,0.4494279,0.00004847843,0.0001061304,0.5428096,0.003157237,0.002653987],"study_design_scores_gemma":[0.00002194388,0.00003002463,0.0009757751,0.0006447851,0.00001210581,0.002994812,0.6313841,0.0003334555,0.0003105443,0.08566179,0.2775846,0.00004616749],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2001315,0.007774782,0.00356988,0.03315914,0.0006300142,0.00004385059,0.00004774594,0.00004023181,0.7546028],"genre_scores_gemma":[0.9544653,0.002028402,0.0005244834,0.002075404,0.0001771862,0.00003948569,0.00001741681,0.0000538599,0.04061837],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01811776,"threshold_uncertainty_score":0.04774761,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2994818965","doi":"10.7202/1066394ar","title":"The Golden Age of Spanish Drama","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Drama; Art; History; Visual arts","authors":[{"name":"Céline Fournial","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01161727988493657,"gpt":0.2049683566090382,"spread":0.1933510767241016,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003199045,0.0004555317,0.0004775292,0.001802272,0.006450541,0.01243769,0.0007943719,0.001813889,0.01394615],"category_scores_gemma":[0.004205959,0.0001870927,0.0001988888,0.001511096,0.01593062,0.004476743,0.003346774,0.003115251,0.001094297],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01262814,"about_ca_system_score_gemma":0.004391561,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0231357,"about_ca_topic_score_gemma":0.03100181,"domain_scores_codex":[0.9983975,0.000779029,0.00002540491,0.0001878668,0.0002130412,0.0003971973],"domain_scores_gemma":[0.9987208,0.0004627494,0.0001137214,0.000184032,0.000327861,0.0001907329],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005238206,0.00002128015,0.0004610463,0.00005029853,0.000003932279,0.0001307186,0.04479864,0.0000524628,0.0001423079,0.9299136,0.01179795,0.01257547],"study_design_scores_gemma":[0.00002250424,0.00001799245,0.003974651,0.0002725347,0.000008097022,0.0001256128,0.03066086,0.0001021796,0.0002652543,0.06561136,0.8989232,0.00001583561],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07940532,0.01834139,0.001095813,0.02405283,0.0008558288,0.00001826515,0.0001258386,0.00005770862,0.8760471],"genre_scores_gemma":[0.9132248,0.003493874,0.0003480172,0.00163344,0.0009286847,0.00001796528,0.00005913836,0.0001233356,0.08017067],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0231357,"threshold_uncertainty_score":0.09162396,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3114446361","doi":"","title":"Poética y monstruosidad: homoerotismo en \"La prueba de los ingenios\", de Lope de Vega","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Julio González Ruiz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009060939441207776,"gpt":0.2260793146833307,"spread":0.2170183752421229,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001543371,0.0002882229,0.0002760497,0.0009977306,0.006560693,0.004803744,0.0005601889,0.001098861,0.004273089],"category_scores_gemma":[0.002139227,0.0001226144,0.0001500105,0.001251043,0.02040463,0.002704811,0.002930344,0.00236887,0.0002987723],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003442212,"about_ca_system_score_gemma":0.002984557,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01362254,"about_ca_topic_score_gemma":0.02505461,"domain_scores_codex":[0.9993581,0.0003563798,0.00001338361,0.00006176414,0.00006658626,0.0001438351],"domain_scores_gemma":[0.9995257,0.0001983028,0.00007567744,0.00006331686,0.00006402907,0.00007311067],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003680864,0.000029435,0.00117901,0.00004571861,0.000002852061,0.0001464108,0.1666062,0.00002237986,0.0001285397,0.815703,0.004632594,0.01146692],"study_design_scores_gemma":[0.00004133286,0.00005397425,0.008761643,0.0004447972,0.0000200736,0.0006125587,0.3327917,0.0001333216,0.0006272212,0.08725668,0.5692354,0.00002124875],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3120181,0.02499351,0.001769746,0.02981922,0.001100202,0.00002683631,0.00007083682,0.00003768953,0.6301639],"genre_scores_gemma":[0.9582363,0.00319075,0.000197732,0.0011067,0.0002177272,0.00001327031,0.00001575957,0.00002204925,0.03699966],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01362254,"threshold_uncertainty_score":0.0270865,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3190593627","doi":"10.7203/diablotexto.9.20679","title":"Sincretismo apuleyano-lucianesco para un cambio de paradigma hacia la novela moderna (con calas en el pensamiento estético de Cervantes y Quevedo)","year":2021,"lang":"es","type":"article","venue":"Diablotexto Digital","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"Universidad de Cantabria; Universidad Nacional de Educación a Distancia; Svenska Forskningsrådet Formas; Universitat de València; Universidad de Sevilla","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Francisco Javier Escobar Borrego","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01389418133903214,"gpt":0.2556777050221468,"spread":0.2417835236831147,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002763,0.0004599973,0.0003322028,0.0007116687,0.004598307,0.005826337,0.000722216,0.001522197,0.00641717],"category_scores_gemma":[0.003062421,0.000168533,0.000233203,0.0006324102,0.0237625,0.005083007,0.003344771,0.003245316,0.0006596454],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004355096,"about_ca_system_score_gemma":0.002613383,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004035356,"about_ca_topic_score_gemma":0.006616092,"domain_scores_codex":[0.997507,0.001624657,0.00004287115,0.0003027823,0.0003236218,0.0001989233],"domain_scores_gemma":[0.9985936,0.0007244958,0.0001706616,0.0002003766,0.0001934169,0.0001173882],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003969708,0.00001226971,0.0005630136,0.00009093584,0.000004696046,0.0001577013,0.05401978,0.00007644176,0.000337789,0.9351473,0.003233624,0.006316727],"study_design_scores_gemma":[0.0000223071,0.00007677465,0.002495047,0.000539006,0.00001508497,0.0005469568,0.06352781,0.0003089454,0.001155894,0.1639134,0.7673719,0.00002681011],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1393316,0.01069184,0.01713914,0.0264752,0.001476903,0.00006676392,0.0001196051,0.00005701457,0.804642],"genre_scores_gemma":[0.9422064,0.003241758,0.00214752,0.001831197,0.0004823642,0.00007738427,0.00004675803,0.00008264439,0.04988394],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00641717,"threshold_uncertainty_score":0.03159863,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W258866948","doi":"10.4000/criticon.2576","title":"El Persiles como novela épica","year":2011,"lang":"es","type":"article","venue":"Criticón","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; EPIC; Art; Literature","authors":[{"name":"P. Nevoux","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04911664796564314,"gpt":0.2473556784267365,"spread":0.1982390304610934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001146314,0.0005219556,0.0002502464,0.000715469,0.005034276,0.004772184,0.0004753155,0.001015523,0.01126058],"category_scores_gemma":[0.002143284,0.0001538252,0.0001637063,0.0007143017,0.008236998,0.001899869,0.002458171,0.00285709,0.001172831],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004472586,"about_ca_system_score_gemma":0.001903954,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01240634,"about_ca_topic_score_gemma":0.03392075,"domain_scores_codex":[0.9992047,0.0004132143,0.00001678138,0.00009882323,0.0001407697,0.0001257091],"domain_scores_gemma":[0.9993557,0.000291248,0.00005589434,0.00006826351,0.0001323787,0.00009647256],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001119754,0.00001682809,0.0006316479,0.0002078735,0.000007089323,0.001083018,0.1177967,0.0001284365,0.0005991636,0.7448679,0.112783,0.02176636],"study_design_scores_gemma":[0.000006284301,0.00001691233,0.0006407045,0.000222342,0.000003319404,0.0003021871,0.01918907,0.00002702709,0.0002829576,0.006979213,0.9723229,0.000006962153],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05005067,0.0173476,0.001365521,0.0301807,0.004616498,0.00001926394,0.0001596136,0.00006795325,0.8961922],"genre_scores_gemma":[0.6002197,0.01006928,0.000560735,0.005753958,0.002511796,0.00003868607,0.0001112245,0.000157725,0.380577],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01240634,"threshold_uncertainty_score":0.03767037,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130891512","doi":"10.15581/017.9.28029","title":"Entre alabanza y parodia: bizcas, tuertas y ciegas en la poesía amorosa de Quevedo","year":2018,"lang":"es","type":"article","venue":"La Perinola","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Art; Humanities","authors":[{"name":"Rodrigo Cacho Casal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007765219045950525,"gpt":0.230005723545681,"spread":0.2222405044997304,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001636464,0.000377734,0.0002925288,0.001161367,0.006772282,0.008355458,0.0004121969,0.001418998,0.006245945],"category_scores_gemma":[0.002565359,0.0001623903,0.0001644452,0.00146204,0.01581941,0.003130818,0.002962628,0.003335494,0.0007978966],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006731936,"about_ca_system_score_gemma":0.004539722,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02226547,"about_ca_topic_score_gemma":0.04710487,"domain_scores_codex":[0.9989148,0.0005311238,0.00002242925,0.0001263563,0.0002107891,0.0001945723],"domain_scores_gemma":[0.9992394,0.0003308926,0.00009019173,0.00006551497,0.0001554565,0.0001185239],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009253193,0.00002249221,0.001400203,0.000155919,0.000004627218,0.0003533384,0.1680138,0.00006299439,0.0003997014,0.778395,0.02238212,0.02871725],"study_design_scores_gemma":[0.0000155861,0.00002724212,0.003742853,0.000481838,0.00000907279,0.000235934,0.07828507,0.00008383086,0.0002905181,0.03475368,0.8820601,0.00001440615],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1076329,0.04921265,0.002705075,0.05267706,0.002032715,0.00003602476,0.00009708883,0.00008976663,0.7855165],"genre_scores_gemma":[0.8637177,0.0087892,0.0006907131,0.00247922,0.0006499884,0.00002563655,0.00003197374,0.00008277159,0.1235327],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02226547,"threshold_uncertainty_score":0.04884386,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1515807651","doi":"10.24201/nrfh.v60i1.1093","title":"“A propósito de un estudio de Antonio Alatorre (un nuevo poemario de y documentación adicional sobre Abraham Gómez Silveira, Arévalo, España, 1656-Amsterdam 1741)\"","year":2012,"lang":"es","type":"article","venue":"Nueva Revista de Filología Hispánica (NRFH)","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Kenneth Brown","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01306152932176899,"gpt":0.2463285641300043,"spread":0.2332670348082353,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003957995,0.0006700634,0.0003886931,0.002288478,0.01368344,0.009238763,0.001373692,0.00450488,0.004983409],"category_scores_gemma":[0.006798189,0.000305399,0.0003072863,0.002442091,0.01150422,0.00619888,0.004114933,0.007221384,0.000923988],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005680076,"about_ca_system_score_gemma":0.004953382,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04568227,"about_ca_topic_score_gemma":0.1203919,"domain_scores_codex":[0.996727,0.001903469,0.00007406431,0.0003297118,0.0005846268,0.0003811716],"domain_scores_gemma":[0.996702,0.002031832,0.000250942,0.0001241116,0.0006229865,0.0002681871],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004606317,0.00002739573,0.001468827,0.0002852487,0.000008064774,0.001369801,0.6033977,0.00004728774,0.0004181246,0.2151069,0.1586121,0.01921233],"study_design_scores_gemma":[0.000003631391,0.00001086403,0.001844995,0.0004917271,0.000005407704,0.0003824729,0.1334661,0.00002484518,0.0002107447,0.004201727,0.8593399,0.00001773121],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.104439,0.08580916,0.003140304,0.3322414,0.008607875,0.0001084294,0.0004797352,0.00006319652,0.4651109],"genre_scores_gemma":[0.6486553,0.04635228,0.001802032,0.06730916,0.004805371,0.0001790451,0.0002031717,0.0002226978,0.2304709],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04568227,"threshold_uncertainty_score":0.09083277,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3036514705","doi":"10.33137/rr.v41i2.29845","title":"The Life of Lazarillo de Tormes, His Fortunes and Adversities","year":2018,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; History","authors":[{"name":"­ Anonymous","is_ca":false},{"name":"Ilán Stavans","is_ca":false},{"name":"Mary Beth Morse","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01304754858908368,"gpt":0.2083521458046405,"spread":0.1953045972155568,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001976845,0.0008304596,0.0005062239,0.001010465,0.006899622,0.005894463,0.0008821309,0.002064533,0.009120314],"category_scores_gemma":[0.003903583,0.0003748498,0.0002241798,0.001305539,0.008784367,0.005342904,0.001943758,0.003995562,0.002692363],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005826097,"about_ca_system_score_gemma":0.004073682,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0591188,"about_ca_topic_score_gemma":0.1123926,"domain_scores_codex":[0.9987048,0.0007382701,0.00002196438,0.0001172935,0.000247199,0.000170555],"domain_scores_gemma":[0.9988349,0.0004239339,0.0001501509,0.00007297915,0.0003320121,0.000186067],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001009522,0.00001382805,0.0004966206,0.0001720075,0.00001202931,0.0003322656,0.02880019,0.00009509279,0.0001206126,0.1330201,0.7970619,0.03977434],"study_design_scores_gemma":[0.000004990796,0.000006108632,0.0008450414,0.0002390155,0.00000404086,0.0001202817,0.009011428,0.00001634178,0.00005944466,0.007499068,0.9821851,0.000009286001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.007554275,0.5326478,0.001030538,0.2925844,0.00876921,0.0000135854,0.0002506948,0.00009881453,0.1570506],"genre_scores_gemma":[0.4236561,0.2033949,0.001420722,0.04842832,0.00882209,0.00009181294,0.0002430107,0.0004491131,0.313494],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0591188,"threshold_uncertainty_score":0.1175494,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2739404853","doi":"10.33137/rr.v40i1.28449","title":"The Reception of Fernando de Roja’s &lt;i&gt;Celestina&lt;/i&gt; in Italy: A Polyphonic Discourse","year":2017,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Polyphony; Comedy; Comics; Art; Humanities; Tragicomedy; Literature; Humanism; Philosophy; Theology","authors":[{"name":"Enrica Maria Ferrara","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01629645965109407,"gpt":0.2449451159567657,"spread":0.2286486563056716,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001791787,0.0006446344,0.0005337343,0.001522433,0.00891997,0.009373408,0.0009539738,0.002675416,0.003316211],"category_scores_gemma":[0.002872437,0.0003014918,0.0002978826,0.001334715,0.01466241,0.001819161,0.002725368,0.002700409,0.0007013913],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01061125,"about_ca_system_score_gemma":0.002102363,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02959143,"about_ca_topic_score_gemma":0.0484551,"domain_scores_codex":[0.9987144,0.0005970398,0.00002179175,0.0001791072,0.0001896094,0.0002979521],"domain_scores_gemma":[0.9992691,0.0004004565,0.0001004103,0.00004918473,0.00006905376,0.0001117633],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003499226,0.00006886068,0.002624557,0.0003158138,0.00001465262,0.004297481,0.6431617,0.0001275229,0.002569852,0.2685519,0.04373989,0.03417781],"study_design_scores_gemma":[0.00003225822,0.00006671188,0.007566811,0.0006733254,0.00001458237,0.0009624057,0.1316142,0.0001086372,0.0005881147,0.002511664,0.8558268,0.00003441705],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2380145,0.02113998,0.0009883684,0.03452015,0.002484028,0.00003188381,0.00008045511,0.0001065591,0.7026341],"genre_scores_gemma":[0.9510284,0.003006017,0.0002191458,0.001528705,0.000870306,0.00002212018,0.00002913152,0.00006034015,0.04323582],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02959143,"threshold_uncertainty_score":0.07699037,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W98190340","doi":"10.2307/44791615","title":"Reading and Contextualising Quevedo: The Case of “Flota de Cuantos Rayos y Centellas”","year":2000,"lang":"es","type":"article","venue":"Calíope","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Monsanto (Canada)","funders":"","keywords":"Icon; Citation; Reading (process); Information retrieval; Publishing; World Wide Web; Download; Computer science; Search engine; Library science; Art; Philosophy; Programming language; Literature","authors":[{"name":"Bernard P. E. Bentley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01803124704870246,"gpt":0.2455809232293877,"spread":0.2275496761806852,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002714338,0.0005480839,0.0005691051,0.00155545,0.02211705,0.01096802,0.00186869,0.005014867,0.006995222],"category_scores_gemma":[0.007372135,0.0003146947,0.0003613933,0.001676522,0.03131079,0.007715825,0.006040275,0.005754747,0.0004855229],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009933482,"about_ca_system_score_gemma":0.005652539,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08727295,"about_ca_topic_score_gemma":0.1607514,"domain_scores_codex":[0.9984787,0.0008717031,0.00002623119,0.0001873111,0.0001217937,0.0003143676],"domain_scores_gemma":[0.9978386,0.00136298,0.000139206,0.0002198971,0.0002687635,0.0001706596],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000354716,0.00001985522,0.000507136,0.00003622157,0.000003560019,0.001324345,0.7095508,0.00005290723,0.0001528037,0.2786995,0.003835527,0.005781886],"study_design_scores_gemma":[0.00002590037,0.00001913898,0.001309307,0.000285637,0.00002048228,0.000506368,0.6363407,0.0001463326,0.0003831472,0.05778978,0.3031528,0.00002037999],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2350714,0.003769469,0.004122267,0.02571159,0.0004473247,0.00005834177,0.00007192406,0.00008493942,0.7306626],"genre_scores_gemma":[0.9656462,0.0007487282,0.0007502009,0.00165402,0.0001011994,0.00002431808,0.00003925748,0.00009758461,0.03093855],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08727295,"threshold_uncertainty_score":0.1735299,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1983508454","doi":"10.1353/bhs.0.0089","title":"La prostituta y la prostitución en <i>Don Quijote:</i> modelos de 'mujeres libres'","year":2009,"lang":"es","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trent University","funders":"","keywords":"Art; Philosophy","authors":[{"name":"Enriqueta Zafra","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01623479705351637,"gpt":0.2645529140520928,"spread":0.2483181169985764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001095388,0.0002798329,0.0002141247,0.001302164,0.002576936,0.007056862,0.0007463839,0.00123741,0.0097001],"category_scores_gemma":[0.001499158,0.0001457855,0.0002446785,0.002204283,0.01341282,0.003356419,0.001821102,0.00147861,0.0009486357],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005287468,"about_ca_system_score_gemma":0.005773509,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03204371,"about_ca_topic_score_gemma":0.03331688,"domain_scores_codex":[0.9993995,0.0003273624,0.000011995,0.00006160798,0.00009016998,0.0001093117],"domain_scores_gemma":[0.9993456,0.0002121838,0.0001167094,0.00008530101,0.0001455158,0.00009467335],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008685176,0.00001776646,0.001179471,0.00006775762,0.000003182696,0.0000691829,0.02014998,0.00009229971,0.0000332867,0.9636477,0.004766209,0.009964562],"study_design_scores_gemma":[0.00001698354,0.00004191952,0.006411666,0.0009329751,0.00002280395,0.0003524077,0.06030957,0.0005178684,0.0001532468,0.1905103,0.7407035,0.00002682461],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0583389,0.06437937,0.004977164,0.04475922,0.0005363591,0.00002981218,0.0001914504,0.00007522845,0.8267125],"genre_scores_gemma":[0.8668799,0.02930673,0.001313239,0.003190578,0.0004490261,0.00004478472,0.0001159558,0.00004276797,0.098657],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03204371,"threshold_uncertainty_score":0.06371439,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2905467659","doi":"10.30687/978-88-6969-304-5/002","title":"La edición de las acotaciones","year":2018,"lang":"en","type":"book-chapter","venue":"Biblioteca di rassegna iberistica/Biblioteca di Rassegna iberistica","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Aside; Autograph; Meaning (existential); Art; Humanities; Literature; Philosophy; Linguistics; Epistemology","authors":[{"name":"Javier Rubiera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02396718762374533,"gpt":0.2449429583845525,"spread":0.2209757707608072,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001423757,0.001126359,0.0007878063,0.002068819,0.002825571,0.00777131,0.000934017,0.001696214,0.03094457],"category_scores_gemma":[0.002299576,0.0002478739,0.0006638479,0.001894492,0.005291125,0.002801843,0.002000649,0.004502533,0.007309955],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006609051,"about_ca_system_score_gemma":0.002545147,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02760814,"about_ca_topic_score_gemma":0.02227548,"domain_scores_codex":[0.9988779,0.0003560027,0.00003022,0.0002284405,0.0003336818,0.0001736885],"domain_scores_gemma":[0.9991559,0.0002575877,0.00007369996,0.0001638769,0.0002888226,0.00006010915],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001365674,0.00007140069,0.000693368,0.0006033832,0.00001620658,0.0005476818,0.0116118,0.0002902395,0.001021987,0.7207073,0.08425973,0.1800403],"study_design_scores_gemma":[0.00001114586,0.000009419342,0.000618765,0.0002498814,0.000005768658,0.0001683448,0.001303431,0.00005932295,0.0001475734,0.00765389,0.9897656,0.000006829433],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009936963,0.03352667,0.003086456,0.005225379,0.004629439,0.00003916699,0.0003175728,0.0004567591,0.9427817],"genre_scores_gemma":[0.2684067,0.06515643,0.004935746,0.00358173,0.007603269,0.0002209158,0.001015737,0.000863556,0.6482158],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03094457,"threshold_uncertainty_score":0.1035199,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2979645950","doi":"10.7202/1065150ar","title":"Christopher Marlowe, Theatrical Commerce, and the Book Trade","year":2019,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Yi Zhu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008477401445598219,"gpt":0.1936040462082134,"spread":0.1851266447626152,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009657306,0.0006758989,0.0003080616,0.001966822,0.006215098,0.00626399,0.001291199,0.004511521,0.02355832],"category_scores_gemma":[0.003410132,0.0004712112,0.000216348,0.003763411,0.004562479,0.009638039,0.00178118,0.004102243,0.004332082],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006397147,"about_ca_system_score_gemma":0.005291547,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09807757,"about_ca_topic_score_gemma":0.2719511,"domain_scores_codex":[0.9989821,0.0003208908,0.00003815351,0.0001147197,0.0003986828,0.0001454496],"domain_scores_gemma":[0.9986498,0.0006257083,0.0001407152,0.000049411,0.0004075007,0.0001268603],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002299313,0.00001716001,0.0002939538,0.0001762339,0.000004565398,0.00008462981,0.002606302,0.00004006889,0.00005295008,0.1260257,0.8519814,0.01869405],"study_design_scores_gemma":[0.00001027931,0.000004078372,0.00109984,0.0004826345,0.000003322536,0.00009563677,0.003526958,0.00003089347,0.00007840128,0.02345591,0.9711988,0.00001318744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.002020628,0.5754413,0.0005135679,0.2118326,0.004543988,0.00001905327,0.0002390851,0.00003734368,0.2053525],"genre_scores_gemma":[0.1049984,0.3880548,0.001433493,0.05022277,0.008532754,0.0001251355,0.0002921575,0.0001674414,0.4461731],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09807757,"threshold_uncertainty_score":0.1950134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1150198011","doi":"10.3989/revliteratura.2015.01.004","title":"Descripción y análisis de capas superpuestas en El castillo de Lindabridis de Calderón","year":2015,"lang":"es","type":"article","venue":"Revista de Literatura","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Juan Manuel Escudero Baztán","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02264044860792281,"gpt":0.2727046650086588,"spread":0.250064216400736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001512997,0.0004953655,0.000425917,0.005977233,0.005427417,0.00397501,0.0009880122,0.0007699171,0.01101406],"category_scores_gemma":[0.003698647,0.0002104642,0.0001763448,0.006571679,0.004256367,0.001675878,0.003028941,0.001189759,0.0009795023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006734858,"about_ca_system_score_gemma":0.004772447,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09118557,"about_ca_topic_score_gemma":0.2585657,"domain_scores_codex":[0.9990593,0.0002474868,0.00004343033,0.0001383691,0.0003346533,0.0001767273],"domain_scores_gemma":[0.9983816,0.0006793806,0.0003102494,0.000114143,0.0003871854,0.0001274844],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000144519,0.00003857759,0.01946951,0.001369734,0.00002045943,0.003673703,0.62695,0.0001387871,0.002314741,0.1165474,0.01718033,0.2121522],"study_design_scores_gemma":[0.000006407586,0.00003299993,0.05473334,0.001829716,0.00002759589,0.001104122,0.2355085,0.00009135823,0.0005410881,0.003234143,0.7028676,0.00002310074],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.508902,0.04416324,0.002626695,0.004094379,0.0007918656,0.0001432632,0.0006934197,0.00006672747,0.4385185],"genre_scores_gemma":[0.9155387,0.01770791,0.00206379,0.0005592896,0.0002148527,0.0001030387,0.0004402091,0.00007524782,0.06329681],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09118557,"threshold_uncertainty_score":0.1813096,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083625825","doi":"10.3989/rfe.2006.v86.i2.12","title":"La autoría y el género de Celestina comentada","year":2006,"lang":"es","type":"article","venue":"Revista de Filología Española","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Art; Humanities","authors":[{"name":"Enrique Fernández Rivera","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009181773977486343,"gpt":0.2363339492829455,"spread":0.2271521753054591,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081156,0.0002966419,0.0002931908,0.001903091,0.005198605,0.005389575,0.0003986719,0.001360163,0.009387623],"category_scores_gemma":[0.001630153,0.000145051,0.0001721755,0.002726979,0.01001807,0.001835041,0.002039599,0.001621295,0.001125744],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00707868,"about_ca_system_score_gemma":0.003258936,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03848204,"about_ca_topic_score_gemma":0.09199373,"domain_scores_codex":[0.9992968,0.0001848757,0.00002454151,0.0001224203,0.0001886958,0.0001826798],"domain_scores_gemma":[0.9994228,0.0001878136,0.0000965072,0.00008561519,0.0001394307,0.00006789495],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000943804,0.00001368328,0.003609443,0.0002073313,0.000008473781,0.0007323436,0.06128114,0.00006924121,0.0005349814,0.8620942,0.02560406,0.04575071],"study_design_scores_gemma":[0.00001040935,0.00002281014,0.009065945,0.0003608791,0.000007478456,0.0004503697,0.01606645,0.0000357027,0.0002893225,0.0147423,0.9589356,0.00001287487],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09580685,0.03963356,0.0007164389,0.01203742,0.001227092,0.00001420305,0.0001524387,0.00002883154,0.8503832],"genre_scores_gemma":[0.8055025,0.01271096,0.0004366523,0.001492716,0.0007695766,0.00001646229,0.0001082854,0.00003856014,0.1789243],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03848204,"threshold_uncertainty_score":0.07651609,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2118510069","doi":"10.18002/ehf.v0i28.2807","title":"Tradición clasica y ecos literarios de Grecia y Roma en La Celestina","year":2006,"lang":"es","type":"article","venue":"Estudios Humanísticos Filología","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Celiac Association","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Mónica Marcos Celestino","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008385237549588065,"gpt":0.2182032916334808,"spread":0.2098180540838928,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001684891,0.0003416712,0.0003565508,0.004634916,0.005537909,0.007436692,0.0006561352,0.001049301,0.006415884],"category_scores_gemma":[0.003028789,0.0001446253,0.000146874,0.006129563,0.01119174,0.002550608,0.003929292,0.001650735,0.0003770949],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.010214,"about_ca_system_score_gemma":0.004598116,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06042107,"about_ca_topic_score_gemma":0.1263817,"domain_scores_codex":[0.9991954,0.0003643555,0.00003199863,0.00009022259,0.0001216367,0.0001963954],"domain_scores_gemma":[0.9988973,0.0005657192,0.0001841997,0.0001036533,0.0001263388,0.000122788],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002039426,0.00006658224,0.0138753,0.0002984903,0.000008385422,0.001366233,0.5966631,0.00008401419,0.000875357,0.3252878,0.002494444,0.05877631],"study_design_scores_gemma":[0.00003615457,0.00007010665,0.06903167,0.0009841694,0.00002170204,0.0007567643,0.4649065,0.0001050388,0.0005767804,0.01874167,0.4447482,0.00002123019],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6114158,0.02060757,0.0005090811,0.006603192,0.0002866175,0.00002306291,0.0000978482,0.00002301497,0.3604339],"genre_scores_gemma":[0.9735504,0.003629433,0.0002290731,0.0002711804,0.0001083221,0.00001050968,0.00003712856,0.00002026824,0.02214371],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06042107,"threshold_uncertainty_score":0.1201388,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W105543304","doi":"","title":"El bailarín fantasma: Escarramán y otros pensamientos escondidos en el teatro de Cervantes","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Dawn L. Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01062357219947269,"gpt":0.2395901820951226,"spread":0.22896660989565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003451569,0.0006035952,0.0003521073,0.001692745,0.01083502,0.007829327,0.0012642,0.002174574,0.008608985],"category_scores_gemma":[0.008188545,0.0002595393,0.0002631121,0.002021163,0.02264402,0.006323922,0.006629051,0.005345456,0.0007583213],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006626828,"about_ca_system_score_gemma":0.00565851,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02947564,"about_ca_topic_score_gemma":0.04767831,"domain_scores_codex":[0.9983872,0.0009182056,0.00003152675,0.0001184268,0.000252726,0.0002920018],"domain_scores_gemma":[0.9978451,0.001129305,0.0002655859,0.0001733413,0.0002863328,0.0003003937],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000698789,0.00004812408,0.003633502,0.0001352916,0.000007323487,0.0007281087,0.7001079,0.00003094367,0.0002355671,0.2656678,0.007181725,0.0221538],"study_design_scores_gemma":[0.00001585066,0.00002415413,0.003793185,0.0005665772,0.00001627233,0.0007440644,0.7321074,0.00004578003,0.0003980032,0.01467004,0.2476049,0.00001380085],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.438421,0.03223713,0.00241557,0.03942844,0.001368158,0.00005523108,0.0001182302,0.00003748841,0.4859186],"genre_scores_gemma":[0.9474308,0.009180169,0.0003492798,0.002616118,0.0002492833,0.00003598367,0.00003583388,0.00005783557,0.04004463],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02947564,"threshold_uncertainty_score":0.05860811,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W82868372","doi":"","title":"Celestina y su retórica de seducción: comida, vino y amor en el texto de la \"Tragicomedia\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Eloísa Palafox","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01333859323492565,"gpt":0.2633490182066203,"spread":0.2500104249716947,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003843148,0.0006681386,0.0006436457,0.001738528,0.008375362,0.008631188,0.001644679,0.002996434,0.005015898],"category_scores_gemma":[0.007766509,0.0001742312,0.0003436032,0.002659443,0.03362235,0.005335481,0.004786037,0.006789016,0.0006809988],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007884461,"about_ca_system_score_gemma":0.007034718,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03234526,"about_ca_topic_score_gemma":0.05123881,"domain_scores_codex":[0.9983992,0.0008550863,0.00004873252,0.0001699134,0.0002682982,0.0002588551],"domain_scores_gemma":[0.9979399,0.001106867,0.0002119811,0.0001585208,0.0004011982,0.0001816005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005728758,0.00001431316,0.0005771298,0.0001958893,0.000006497328,0.0001730551,0.0954592,0.00003701549,0.0001132656,0.853005,0.03853486,0.01182648],"study_design_scores_gemma":[0.00002080234,0.00001273611,0.0008698787,0.0006790314,0.00001326424,0.0002113957,0.06434786,0.00007749836,0.0002170424,0.05720348,0.8763336,0.00001333432],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05662124,0.1198427,0.004976571,0.3363346,0.0154938,0.0000451921,0.0001915733,0.00009457394,0.4663996],"genre_scores_gemma":[0.8073136,0.03909327,0.001502634,0.04081188,0.01170019,0.0001074525,0.0001235269,0.0003081023,0.09903924],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03234526,"threshold_uncertainty_score":0.06431401,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2460674665","doi":"10.33137/rr.v40i1.8943","title":"Juana of Austria: Courtly Spain and Devotional Expression","year":2004,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Rosa Helena Chinchilla","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01557687730420809,"gpt":0.2216189900222955,"spread":0.2060421127180874,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001215869,0.0002260213,0.0001970129,0.0005217256,0.003429816,0.005476498,0.0003873033,0.0009350374,0.003067631],"category_scores_gemma":[0.001395694,0.00009133944,0.0001062746,0.0005808193,0.008067564,0.001271434,0.002688305,0.001298328,0.0003127028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00488104,"about_ca_system_score_gemma":0.001701446,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0201429,"about_ca_topic_score_gemma":0.04033517,"domain_scores_codex":[0.9994574,0.0002572704,0.0000117541,0.00005827947,0.00005370519,0.0001615024],"domain_scores_gemma":[0.9997212,0.00009549162,0.00006356347,0.00003244077,0.00004238062,0.00004482796],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000179083,0.00004679065,0.005041018,0.0001035842,0.00001316739,0.0007692461,0.1424618,0.0003004656,0.000613173,0.8002385,0.00982294,0.04041022],"study_design_scores_gemma":[0.00006506804,0.00004100199,0.01944213,0.0007871672,0.00002418746,0.0003843672,0.1582351,0.0002119858,0.0006368231,0.05086291,0.7692817,0.00002751315],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2974372,0.01524427,0.0006028135,0.009582027,0.0002913502,0.00000719954,0.00002670314,0.0000182655,0.6767901],"genre_scores_gemma":[0.9714636,0.002106425,0.0001073611,0.0005409269,0.00005041996,0.000004946929,0.00001028311,0.0000129617,0.0257031],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0201429,"threshold_uncertainty_score":0.04005128,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W142145830","doi":"","title":"Cuerpo, deseo y lenguaje en \"La Celestina\" y \"Sirena Selena vestida de pena\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Elizabeth Montes Garcés","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01227933688810833,"gpt":0.2344564525551458,"spread":0.2221771156670375,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001271044,0.0003451112,0.0002917406,0.001837415,0.006430091,0.006232925,0.0005478528,0.001384953,0.006929963],"category_scores_gemma":[0.002649471,0.0001167505,0.0001532498,0.004062172,0.009267948,0.002937375,0.002836833,0.002299212,0.0005124159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004826372,"about_ca_system_score_gemma":0.004765345,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06334502,"about_ca_topic_score_gemma":0.1094067,"domain_scores_codex":[0.9994917,0.000222712,0.00002035094,0.00006097714,0.00007980147,0.0001243591],"domain_scores_gemma":[0.9992893,0.000335802,0.0001103902,0.00005475245,0.0001331268,0.00007651942],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002088801,0.0000705446,0.009052995,0.0005122848,0.00001165133,0.0007143647,0.3463425,0.00005420528,0.0004473988,0.5630952,0.02086148,0.05862856],"study_design_scores_gemma":[0.00002438201,0.00003741251,0.01251183,0.001072626,0.00003018383,0.0003641395,0.3246576,0.00003587572,0.0005128592,0.0145848,0.6461542,0.00001406707],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3320848,0.08256841,0.0007893175,0.04764329,0.002188616,0.00002991248,0.0002283399,0.00003285879,0.5344344],"genre_scores_gemma":[0.9226459,0.02402163,0.000311925,0.002718738,0.0007028299,0.00001762313,0.00007066928,0.00004028634,0.04947033],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06334502,"threshold_uncertainty_score":0.1259526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2810875246","doi":"10.18192/rceh.v42i1.2355","title":"Un canto sibilino americano (sobre el Discurso en loor de la poesía)","year":2018,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Canto; Literature","authors":[{"name":"Cristina Beatríz Fernández","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008365806179964169,"gpt":0.2441400037925238,"spread":0.2357741976125596,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000588964,0.0002273822,0.0001502969,0.0009661443,0.004493797,0.002109041,0.0002375272,0.0005192598,0.005689162],"category_scores_gemma":[0.001027302,0.0000979235,0.0000819105,0.001945941,0.005089385,0.00127238,0.001954436,0.001057021,0.0004452806],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002135905,"about_ca_system_score_gemma":0.001790124,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02896664,"about_ca_topic_score_gemma":0.05266351,"domain_scores_codex":[0.9997192,0.0001393283,0.000006455333,0.00002839336,0.00003718945,0.00006945804],"domain_scores_gemma":[0.999676,0.0001519747,0.00004897681,0.00002002808,0.00006473471,0.00003834765],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000117677,0.00003971034,0.03111644,0.0005283687,0.00002152963,0.002045536,0.4930043,0.0001240043,0.002210758,0.3548687,0.01550139,0.1004215],"study_design_scores_gemma":[0.00001041774,0.00007392862,0.07371081,0.0009247509,0.0000341591,0.0008552874,0.2159411,0.000130118,0.000771112,0.01799585,0.6895331,0.00001946877],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.522736,0.03110792,0.0009740897,0.01850455,0.0003466612,0.00002025946,0.000101717,0.00002793149,0.4261809],"genre_scores_gemma":[0.9676505,0.009938085,0.0001701755,0.0007105169,0.00008090235,0.0000156009,0.00002372347,0.000009998967,0.02140051],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02896664,"threshold_uncertainty_score":0.05759609,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4300697250","doi":"10.33137/rr.v36i4.21005","title":"The Renaissance Epic and the Oral Past","year":2014,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"EPIC; The Renaissance; Art; History; Literature; Art history","authors":[{"name":"Anthony Welch","is_ca":false},{"name":"Andrew Wadoski","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0114246835547367,"gpt":0.2034462904819296,"spread":0.1920216069271929,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001727456,0.0003601086,0.0002049442,0.001287364,0.004046937,0.007515734,0.000471008,0.0009096335,0.006487375],"category_scores_gemma":[0.002871765,0.0001580495,0.0001443719,0.001012334,0.02199735,0.003309467,0.002277275,0.001800177,0.0004860541],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004274578,"about_ca_system_score_gemma":0.001572831,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009157391,"about_ca_topic_score_gemma":0.01329528,"domain_scores_codex":[0.9987721,0.000716138,0.00002504544,0.0001239019,0.0001771941,0.0001856967],"domain_scores_gemma":[0.99858,0.0007467165,0.0001326633,0.0002102116,0.000198105,0.0001324001],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003002751,0.00001924072,0.0006537103,0.00007869944,0.000003828723,0.000277025,0.1195756,0.00009186378,0.0001942901,0.8520111,0.008534707,0.01853009],"study_design_scores_gemma":[0.00001302036,0.00004066903,0.00331198,0.0003665478,0.00000783305,0.0003162207,0.04890725,0.00007478167,0.0002838478,0.03504637,0.9116163,0.00001504094],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08893038,0.01468984,0.0009671013,0.01057276,0.00071639,0.0000113653,0.00003764786,0.00003223993,0.8840423],"genre_scores_gemma":[0.9291875,0.003585949,0.0002968931,0.0006763596,0.0005477761,0.000008949787,0.00001477492,0.00002578174,0.06565601],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009157391,"threshold_uncertainty_score":0.03101438,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1041842476","doi":"","title":"The Legend of the Christian Arab Madonna in Cervantes' \"Don Quijote\"","year":2007,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Early Modern Spanish Literature","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Legend; Humanities; Art; Cartography; Art history; Geography","authors":[{"name":"Christina H. Lee","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01245902084544173,"gpt":0.224098576710149,"spread":0.2116395558647072,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006834532,0.0002952233,0.000143127,0.0007814141,0.007767347,0.003578617,0.0003047943,0.000789971,0.00803965],"category_scores_gemma":[0.001824977,0.00009553682,0.00007772243,0.0008684749,0.008419866,0.001229004,0.002079298,0.001419736,0.0006519682],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0034334,"about_ca_system_score_gemma":0.001244713,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03127239,"about_ca_topic_score_gemma":0.08191156,"domain_scores_codex":[0.9996025,0.0002314673,0.000006844442,0.00003492146,0.00005238473,0.0000718923],"domain_scores_gemma":[0.9995466,0.0002174715,0.00006525713,0.00004086363,0.00006814208,0.00006155372],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007667609,0.00001217178,0.002678245,0.0001577656,0.000005077315,0.0008899856,0.4546216,0.00007765099,0.0005936039,0.4766807,0.03748088,0.02672564],"study_design_scores_gemma":[0.000003589155,0.0000163908,0.004646176,0.0004601227,0.000006152521,0.0004756767,0.1844176,0.00006654006,0.0004989132,0.007832392,0.8015648,0.00001172414],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2177392,0.01357762,0.0007977385,0.02182687,0.001051064,0.00001712778,0.00009410177,0.00003890901,0.7448574],"genre_scores_gemma":[0.9026116,0.004340697,0.0002151358,0.001455791,0.0002210056,0.000008472697,0.00002376095,0.00003325909,0.09109031],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03127239,"threshold_uncertainty_score":0.0621807,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}