{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":120,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":120,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"6169eb2439db","filters":{"topic":"Ethics, Aesthetics, and Art"}},"results":[{"id":"W4365149060","doi":"10.1017/apa.2022.53","title":"Universalism and the Problem of Aesthetic Diversity","year":2023,"lang":"en","type":"article","venue":"Journal of the American Philosophical Association","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Universalism; Diversity (politics); Aesthetics; Identity (music); Epistemology; Aesthetic experience; Sociology; Psychology; Personality; Social psychology; Philosophy; Political science; Law","authors":[{"name":"Alex King","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02313683066529088,"gpt":0.2206831839851296,"spread":0.1975463533198388,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001219661,0.00006813618,0.0002471645,0.00005937963,0.0004332011,0.00003696095,0.0002626224,0.00002714712,0.00001097643],"category_scores_gemma":[0.0001347855,0.00003673083,0.0001767655,0.00009883519,0.001013116,0.0000988354,0.0001756461,0.000333797,0.000005983035],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006417514,"about_ca_system_score_gemma":0.00002989721,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001122351,"about_ca_topic_score_gemma":0.00004827451,"domain_scores_codex":[0.9988286,0.0002864812,0.0002617027,0.00006039373,0.0004501299,0.0001127034],"domain_scores_gemma":[0.9981725,0.0003180886,0.00109902,0.00009416603,0.0002818884,0.00003435998],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002005448,0.00008138662,0.01164456,0.0000182174,0.0001465504,0.000004557784,0.048287,0.00005888685,0.00002537462,0.932757,0.004536011,0.002239898],"study_design_scores_gemma":[0.001198969,0.0002380823,0.00896325,0.00006165693,0.0001850813,0.00001086546,0.003330152,0.0001090949,0.00001557719,0.9691942,0.01658764,0.0001054424],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7406588,0.00003698832,0.00000233847,0.2556783,0.000190798,0.00008037122,0.000008919023,0.00001272386,0.003330749],"genre_scores_gemma":[0.9978132,0.0002158267,0.000017652,0.0009182275,0.0003271409,3.786836e-7,3.861085e-7,0.00000629622,0.0007008819],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2571544,"threshold_uncertainty_score":0.373287,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044065845","doi":"10.1111/j.0031-806x.2004.00165.x","title":"Ethics versus Aesthetics in Architecture","year":2004,"lang":"en","type":"article","venue":"The Philosophical Forum","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Citation; Architecture; Aesthetics; Sociology; Philosophy; Computer science; Art; Library science; Visual arts","authors":[{"name":"Maurice Lagueux","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09850317545358045,"gpt":0.2986910542553181,"spread":0.2001878788017377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005652052,0.0002073694,0.0002050022,0.00007666619,0.000578399,0.0001134219,0.0004649381,0.0002002116,0.0001424251],"category_scores_gemma":[0.0002064039,0.0001386725,0.0001349356,0.00005178035,0.001392024,0.00007477228,0.0001182223,0.002114198,0.0002936126],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004923919,"about_ca_system_score_gemma":0.00009089326,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001462173,"about_ca_topic_score_gemma":0.005131042,"domain_scores_codex":[0.9984916,0.0001170069,0.0002897083,0.0002442908,0.000392762,0.0004646534],"domain_scores_gemma":[0.9989965,0.0003367703,0.00005934036,0.0004363138,0.0000788536,0.00009223567],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000937542,0.00009817332,0.00001409035,0.00001086213,0.000009231744,0.00001255272,0.0285103,0.0003640521,0.000006391529,0.9703477,0.00007239341,0.0004604967],"study_design_scores_gemma":[0.0009693152,0.0002138308,0.00001192556,0.00005000667,0.00001354777,0.000007358061,0.001194495,0.0000130058,0.00003089936,0.8768188,0.1204915,0.0001853187],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.05546692,0.0002291051,0.00008597716,0.8810362,0.001238764,0.0002349187,0.00002104549,0.0001244472,0.0615626],"genre_scores_gemma":[0.9900053,0.00008433817,0.00009017859,0.00847096,0.0009580944,0.00001329166,0.00000789796,0.00003561877,0.0003343514],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9345384,"threshold_uncertainty_score":0.9185254,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2474006186","doi":"10.1093/aesthj/ayv053","title":"The Trouble with Poetic Licence","year":2016,"lang":"en","type":"article","venue":"The British Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Poetry; Contradiction; Philosophy; Constraint (computer-aided design); License; Position (finance); Epistemology; Literature; Law; Art; Mathematics; Economics; Political science; Linguistics","authors":[{"name":"Michel‐Antoine Xhignesse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02201319565797265,"gpt":0.2112320353681502,"spread":0.1892188397101775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001051139,0.0001234574,0.0001794127,0.00002221164,0.001686706,0.0009772762,0.0006534735,0.00003600274,0.0001212814],"category_scores_gemma":[0.00008339224,0.00005437223,0.000119093,0.00002676444,0.001815535,0.0002110869,0.00003825995,0.0003982584,0.00006361584],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002445575,"about_ca_system_score_gemma":0.00009829204,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005119561,"about_ca_topic_score_gemma":0.001761932,"domain_scores_codex":[0.9986162,0.0001377101,0.000397156,0.00009625954,0.0004478893,0.0003047913],"domain_scores_gemma":[0.9984897,0.0003014383,0.0003443993,0.0002596675,0.0005158507,0.00008897555],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003371159,0.0003172502,0.00038812,0.00002045157,0.0001547469,0.0005095344,0.03870925,0.00002387117,0.00008908739,0.5745625,0.06136703,0.323521],"study_design_scores_gemma":[0.0009204689,0.0007839499,0.0001425117,0.0006974305,0.00007144797,0.004739169,0.004965678,0.00000527972,0.0001690263,0.03250785,0.9547951,0.0002021058],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7540442,0.009307591,0.0007321567,0.1624009,0.00241803,0.0004054101,0.00002340954,0.00008637699,0.07058185],"genre_scores_gemma":[0.9752644,0.004779985,0.00008608512,0.0009720944,0.0007463366,0.000002449515,1.884055e-7,0.00003321554,0.01811528],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.893428,"threshold_uncertainty_score":0.999613,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1508300462","doi":"","title":"Thinking Through Film: Doing Philosophy, Watching Movies","year":2011,"lang":"en","type":"book","venue":"Bond University Research Portal (Bond University)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"McGill University; Harvard University; Princeton University","keywords":"Spectacle; Philosophy; Consequentialism; Metaphysics; Virtue; Epistemology; Aesthetics; Psychology; Law; Political science","authors":[{"name":"Damian Cox","is_ca":false},{"name":"Michael P. Levine","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1229137755671351,"gpt":0.2675417053077042,"spread":0.1446279297405691,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.001059544,0.0007000688,0.0008201441,0.001544881,0.004425508,0.0003966474,0.002255113,0.0007339672,0.003333539],"category_scores_gemma":[0.00004959584,0.0008232119,0.0006362098,0.0002243617,0.003429001,0.001797519,0.001666736,0.003616846,0.0005602592],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005398364,"about_ca_system_score_gemma":0.001454005,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001590251,"about_ca_topic_score_gemma":0.007620072,"domain_scores_codex":[0.9952166,0.0003115318,0.0003685596,0.001170788,0.001668846,0.001263664],"domain_scores_gemma":[0.9968145,0.0004119357,0.0003693377,0.0009379075,0.001056591,0.0004097044],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001164913,0.0001023555,0.00002272647,0.0002191572,0.0002082661,0.002974872,0.03715428,0.00000264163,0.000002643207,0.809321,0.1497263,0.0001492942],"study_design_scores_gemma":[0.0005933706,0.0002167571,0.000002923944,0.0006456141,0.0001485388,0.00001082258,0.03031495,0.000004155718,0.00001282596,0.1362333,0.8310478,0.0007688641],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0004345081,0.0003154942,0.00003978326,0.000865666,0.0006240582,0.0005373346,0.0004070777,0.0003279691,0.9964481],"genre_scores_gemma":[0.004173208,0.001471767,0.0003969875,0.0002061117,0.001086275,2.464253e-7,0.0003007132,0.0001123354,0.9922523],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6813216,"threshold_uncertainty_score":0.9994219,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3103312344","doi":"10.1017/can.2020.39","title":"Failures of Intention and Failed-Art","year":2020,"lang":"en","type":"article","venue":"Canadian Journal of Philosophy","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Capilano University","funders":"","keywords":"Performative utterance; Aesthetics; Luck; Accidental; Focus (optics); Epistemology; Art; Philosophy; Psychology","authors":[{"name":"Michel‐Antoine Xhignesse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05893295163836881,"gpt":0.2086846860974425,"spread":0.1497517344590737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001285766,0.00007496993,0.0001726435,0.000121096,0.000112198,0.00007042782,0.000118411,0.00003368768,0.0005218848],"category_scores_gemma":[0.00008532497,0.00006616928,0.00008384487,0.0000186013,0.0004140359,0.0001827138,0.000007152216,0.0002099732,0.00002520157],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000123363,"about_ca_system_score_gemma":0.0001573009,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005192095,"about_ca_topic_score_gemma":0.01655312,"domain_scores_codex":[0.9994116,0.00002786084,0.0002765264,0.0000679674,0.0001042484,0.00011181],"domain_scores_gemma":[0.9991432,0.00002089323,0.0001656417,0.0000561556,0.0002490476,0.0003650819],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001927303,0.00001098147,0.001954158,0.00009420019,0.00005392141,0.00005414452,0.04252671,0.000004283301,0.00008067123,0.93556,0.01881266,0.0008289354],"study_design_scores_gemma":[0.0004839846,0.0006254273,0.0003327556,0.0001978827,0.00005468652,0.00002343871,0.003943096,0.00002281408,0.0001738478,0.1521622,0.8418068,0.0001729832],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3911209,0.004515492,0.0001471591,0.3394849,0.002519826,0.0002741947,0.0001842507,0.00002724923,0.261726],"genre_scores_gemma":[0.9971039,0.00003149703,0.00005306863,0.001657933,0.0008949096,2.521631e-7,0.000001799716,0.00001008957,0.0002465042],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8229942,"threshold_uncertainty_score":0.9237031,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390616472","doi":"10.1093/aesthj/ayad019","title":"Bolzano on aesthetic normativity","year":2023,"lang":"en","type":"article","venue":"The British Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Pleasure; Argument (complex analysis); Interpretation (philosophy); Philosophy; Virtue; Perspective (graphical); Aesthetics; Epistemology; Aesthetic theory; Philosophy of mind; Psychology; Art; Metaphysics","authors":[{"name":"Dominic McIver Lopes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04361843013941836,"gpt":0.2453373996339141,"spread":0.2017189694944957,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001811047,0.0001811337,0.0003184178,0.0001225078,0.001326595,0.0009254674,0.0006098928,0.0000709816,0.0001965123],"category_scores_gemma":[0.0001125712,0.0001448279,0.0002738,0.00009409035,0.0008899899,0.0002181512,0.00006465226,0.0009156619,0.0007336113],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000030851,"about_ca_system_score_gemma":0.0000781618,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000622184,"about_ca_topic_score_gemma":0.0004122293,"domain_scores_codex":[0.9979834,0.0002557482,0.0005949923,0.0001310277,0.0006493625,0.0003854992],"domain_scores_gemma":[0.998648,0.0001608072,0.0003925945,0.0002948272,0.0003791536,0.0001245811],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001376967,0.0006974753,0.0001457106,0.00007301749,0.0000851814,0.001611254,0.06842645,0.000768805,0.00002684369,0.3079808,0.3231521,0.2968947],"study_design_scores_gemma":[0.0008103456,0.0008900648,0.0002986127,0.000567547,0.0000668267,0.004116924,0.004848882,0.0001529649,0.0001186067,0.06224459,0.9255371,0.00034751],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.919946,0.0007158036,0.00002453307,0.02638006,0.00209511,0.0001834331,0.00003435706,0.0001389239,0.05048181],"genre_scores_gemma":[0.9868327,0.002043251,0.00003116384,0.002191139,0.0007484989,0.000002933893,0.000003979351,0.00005231097,0.008094001],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.602385,"threshold_uncertainty_score":0.9999735,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200071367","doi":"10.1111/phc3.12807","title":"Reasons, normativity, and value in aesthetics","year":2021,"lang":"en","type":"article","venue":"Philosophy Compass","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Normative; Value (mathematics); Aesthetic value; Aesthetics; Space (punctuation); Epistemology; Sociology; Psychology; Philosophy; Computer science; Linguistics","authors":[{"name":"Alex King","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06102788345180162,"gpt":0.2534889896499076,"spread":0.192461106198106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000225319,0.0001507273,0.0002406071,0.00007366861,0.0002119693,0.0001782359,0.0001185772,0.0000512269,0.0001255711],"category_scores_gemma":[0.0000388776,0.0001502922,0.00005717438,0.00003604112,0.0003688647,0.0001765791,0.0001039868,0.0003137058,0.00009089391],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002040089,"about_ca_system_score_gemma":0.00004182052,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009439396,"about_ca_topic_score_gemma":0.0008076924,"domain_scores_codex":[0.9989908,0.0001353586,0.000237947,0.0002255136,0.0001932842,0.0002171179],"domain_scores_gemma":[0.9993914,0.0001064451,0.00005839654,0.0002576884,0.0001066677,0.00007938322],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000005881509,0.000144659,0.0008869254,0.0000485967,0.000007906805,0.00004116331,0.0131777,0.00001013871,0.000006817461,0.9836929,0.001006103,0.0009712311],"study_design_scores_gemma":[0.0006161734,0.0000636026,0.0006713293,0.0001558024,0.000016729,0.00003624297,0.001122101,0.0005214629,0.0001418865,0.7288154,0.2675181,0.0003212372],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3178807,0.001862985,0.00003788623,0.0661884,0.0009608945,0.0001968722,0.00006105947,0.000145795,0.6126654],"genre_scores_gemma":[0.9969607,0.0002521804,0.0001642507,0.001499979,0.0004408791,0.000006929093,0.00001464396,0.00001932829,0.000641114],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6790799,"threshold_uncertainty_score":0.6128738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2766498207","doi":"10.33134/eeja.162","title":"Aesthetic Experience, Aesthetic Value","year":2017,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Winnipeg","funders":"","keywords":"Aesthetic experience; Aesthetic value; Aesthetics; Value (mathematics); Relation (database); Core (optical fiber); Art; Mathematics; Computer science","authors":[{"name":"Jane Forsey","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05649935374045353,"gpt":0.2652197323300446,"spread":0.2087203785895911,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.003634567,0.0004490612,0.000516249,0.0001647647,0.002741718,0.001649004,0.003184863,0.00005862915,0.0001958658],"category_scores_gemma":[0.0002251233,0.0002942967,0.0005052626,0.00003429515,0.003763702,0.0005732725,0.0003074893,0.001080394,0.0005621696],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004361407,"about_ca_system_score_gemma":0.0001150073,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001720592,"about_ca_topic_score_gemma":0.00003785601,"domain_scores_codex":[0.9959397,0.001086432,0.001177687,0.0003137163,0.0008780078,0.00060448],"domain_scores_gemma":[0.9955446,0.00006398456,0.001708457,0.001752788,0.0006302118,0.000300018],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001383506,0.0006271327,0.0009527819,0.00004345143,0.00005131067,0.001506691,0.2234492,0.000296102,0.00005167773,0.6104479,0.01749114,0.1449442],"study_design_scores_gemma":[0.001141082,0.0009108134,0.0004871454,0.0003147345,0.0001121578,0.002357635,0.006496748,0.0000574043,0.00009492337,0.01176577,0.9757612,0.0005003472],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5808751,0.001607075,0.0002359866,0.03751626,0.006002542,0.0003438998,0.00001200736,0.0001065315,0.3733006],"genre_scores_gemma":[0.9898566,0.0005681633,0.0003341156,0.001723307,0.001351653,0.000002389388,0.000001011854,0.0001404061,0.006022382],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9582701,"threshold_uncertainty_score":0.9999509,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1979839881","doi":"10.1353/utq.0.0281","title":"Ethics, Knowledge, and the Need for Beauty: Zadie Smith's On Beauty and Ian McEwan's Saturday","year":2008,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Beauty; Postmodernism; Happiness; Art; Art history; Aesthetics; Philosophy; History; Literature; Law; Political science","authors":[{"name":"Kathleen Wall","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02995682614582363,"gpt":0.2221560871112184,"spread":0.1921992609653948,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004380036,0.0001533674,0.0002582761,0.00003001713,0.001197866,0.00005423305,0.0001804786,0.000125155,0.0001271443],"category_scores_gemma":[0.00003785345,0.0001287912,0.0001065197,0.000006065381,0.002069433,0.0003080408,0.00002515821,0.0002547581,0.000009685205],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006336911,"about_ca_system_score_gemma":0.00009323733,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01043095,"about_ca_topic_score_gemma":0.08565097,"domain_scores_codex":[0.9991658,0.0001119932,0.0001259336,0.0002298227,0.0001411154,0.0002253502],"domain_scores_gemma":[0.9990157,0.0003803594,0.00009687663,0.000212826,0.0001905966,0.000103606],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002739706,0.00006188118,0.0000685412,0.00005346283,0.00004654804,0.000003828931,0.5589654,1.956595e-7,0.00000450047,0.4323927,0.004846415,0.003282477],"study_design_scores_gemma":[0.003647459,0.001704799,0.00118799,0.00009805543,0.00010161,0.000008937076,0.1197655,0.00009525277,0.00001408374,0.01001591,0.8630617,0.0002987719],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.713102,0.008533744,0.0002309371,0.02258251,0.00160127,0.001304516,0.0002181616,0.0001830301,0.2522438],"genre_scores_gemma":[0.970407,0.0006629112,0.0001508915,0.0004448031,0.00026343,7.14565e-7,0.000006711368,0.00001467792,0.02804883],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8582153,"threshold_uncertainty_score":0.9961587,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047746948","doi":"10.1093/aesthj/ayaa027","title":"What Makes a Kind an <i>Art</i>-kind?","year":2020,"lang":"en","type":"article","venue":"The British Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Premise; Work of art; Convention; Epistemology; The arts; Focus (optics); Root (linguistics); Art methodology; Sociology; Aesthetics; Philosophy; Contemporary art; Art; Visual arts; Linguistics; Social science; Art history; Performance art","authors":[{"name":"Michel‐Antoine Xhignesse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05611268075592996,"gpt":0.2440808158129459,"spread":0.187968135057016,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000770318,0.0001825374,0.0003372502,0.00003597032,0.000875161,0.00320177,0.0006903443,0.00007761962,0.0004733203],"category_scores_gemma":[0.00008097463,0.0001536888,0.0002272086,0.00004104513,0.0008504821,0.0009184915,0.00005850051,0.0009015918,0.0001482224],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001550125,"about_ca_system_score_gemma":0.0000906129,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002742975,"about_ca_topic_score_gemma":0.0006182549,"domain_scores_codex":[0.9981687,0.000215313,0.0006038161,0.0001653407,0.0005325411,0.0003142929],"domain_scores_gemma":[0.998592,0.00007425309,0.0003909494,0.0002175911,0.0004642273,0.0002609833],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003094973,0.0009322862,0.0001817439,0.0001332854,0.000214292,0.002476035,0.3667378,0.0003484406,0.0001476966,0.1292875,0.239858,0.2593734],"study_design_scores_gemma":[0.0006289366,0.0009152645,0.00002849668,0.0003631054,0.00008717886,0.002330357,0.02050227,0.00008106956,0.0001185388,0.01350006,0.9611874,0.0002573851],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8065924,0.01171994,0.0001403492,0.1470969,0.004376633,0.0003621973,0.00005201656,0.0001268382,0.02953271],"genre_scores_gemma":[0.9624298,0.00820664,0.0002232052,0.02081779,0.003638877,0.000002101942,0.000007855776,0.00008605495,0.004587622],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7213293,"threshold_uncertainty_score":0.997833,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4282824495","doi":"10.3366/film.2022.0195","title":"Hegel and Hitchcock’s <i>Vertigo</i>: On Reconciliation","year":2022,"lang":"en","type":"article","venue":"Film-Philosophy","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Hegelianism; Negation; Interpretation (philosophy); Reading (process); Philosophy; Order (exchange); Vertigo; Relation (database); Literature; Epistemology; Aesthetics; Art; Linguistics; Computer science; Medicine","authors":[{"name":"Dylan Shaul","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05454513062038602,"gpt":0.221548100957156,"spread":0.16700297033677,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002533947,0.0001673782,0.0001773833,0.0001057808,0.001018791,0.0000991535,0.0001617441,0.00004327058,0.002175033],"category_scores_gemma":[0.00003615202,0.000168024,0.00008222914,0.00002972465,0.0002095151,0.0001482145,0.00010419,0.0004218013,0.0002718609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004673133,"about_ca_system_score_gemma":0.00003353506,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003492578,"about_ca_topic_score_gemma":0.00009152801,"domain_scores_codex":[0.9987971,0.00009794118,0.0002403708,0.0003154365,0.0003308934,0.0002182685],"domain_scores_gemma":[0.9994047,0.00008736151,0.00009714223,0.0002663712,0.00006675386,0.00007763619],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004984782,0.0001117398,0.0002388941,0.00003763497,0.00001760629,0.000008881329,0.02001354,0.00004217258,0.00001936791,0.9555284,0.02333161,0.0006003472],"study_design_scores_gemma":[0.0004282356,0.0004689226,0.00009961478,0.00002829977,0.00001451723,0.000005545363,0.00104052,0.0001420326,0.00005482738,0.2811562,0.7163044,0.0002568902],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2781818,0.0006488044,0.000004860812,0.03220645,0.003027305,0.0004085733,0.0004043837,0.0002926974,0.6848251],"genre_scores_gemma":[0.9820195,0.00005343958,0.00002900079,0.006909078,0.001142556,0.00005271545,0.00008705791,0.00003299973,0.009673673],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7038377,"threshold_uncertainty_score":0.9987371,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2054822222","doi":"10.1353/hjr.2013.0007","title":"Henry James’s Syntax of Surprise","year":2013,"lang":"en","type":"article","venue":"The Henry James review","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Surprise; Syntax; Modernism (music); Consciousness; Literature; Philosophy; Focus (optics); Shock (circulatory); Grammar; History; Key (lock); Art; Epistemology; Linguistics; Sociology; Computer science","authors":[{"name":"Kate Stanley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03654271794784129,"gpt":0.2544912545469783,"spread":0.217948536599137,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000799183,0.0002890826,0.0006589176,0.00005415335,0.0003023295,0.000136974,0.0005850738,0.00007796712,0.008287692],"category_scores_gemma":[0.00008866904,0.0001859979,0.0003719316,0.00005561575,0.0008614496,0.0002576679,0.0001274904,0.0004181733,0.002594769],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000222638,"about_ca_system_score_gemma":0.00006961222,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006670262,"about_ca_topic_score_gemma":0.0004291997,"domain_scores_codex":[0.9979408,0.0002735611,0.0007416273,0.0002963713,0.0003724065,0.0003752341],"domain_scores_gemma":[0.9980857,0.0002771079,0.0003374898,0.0008365641,0.0003524995,0.0001106857],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008525346,0.000261444,0.0002896016,0.007350683,0.0001604461,0.000008662731,0.02372436,0.000001525675,0.00002504173,0.1787683,0.6550046,0.1343968],"study_design_scores_gemma":[0.0001291154,0.00006782385,0.00006114523,0.002318179,0.0001339132,0.00001026327,0.001683807,0.00001380412,0.00001803108,0.007620054,0.9876793,0.0002645886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0202777,0.6719045,0.00004142843,0.03203002,0.002076584,0.002515141,0.00008420965,0.0002710322,0.2707994],"genre_scores_gemma":[0.5191515,0.3651029,0.0001854973,0.03235199,0.001582187,0.0003239069,0.00004443409,0.0001480612,0.08110955],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.4988738,"threshold_uncertainty_score":0.9981818,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2525711495","doi":"10.1093/oxfordhb/9780199668779.013.11","title":"Aesthetics and Philosophy of Art","year":2016,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Aesthetics; The arts; Everyday Aesthetics; Order (exchange); Contemporary philosophy; Analytic philosophy; Art methodology; Philosophy education; Philosophy; Art; Contemporary art; Epistemology; Art history; Visual arts; Performance art","authors":[{"name":"Dominic McIver Lopes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04678922974839562,"gpt":0.1950093099036924,"spread":0.1482200801552968,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007722511,0.0002587233,0.0003463539,0.000124877,0.0002375448,0.00003672389,0.0002496219,0.000228473,0.0001833706],"category_scores_gemma":[0.000002943153,0.0002412669,0.0001518746,7.721528e-7,0.001596239,0.00007430625,0.0001836942,0.0002889106,0.000005540393],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002349514,"about_ca_system_score_gemma":0.00003850213,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007874386,"about_ca_topic_score_gemma":0.000073943,"domain_scores_codex":[0.9991618,0.00001826724,0.0001812456,0.0002713278,0.0001991855,0.0001681423],"domain_scores_gemma":[0.9991168,0.00005294972,0.0002258724,0.0003363313,0.0001768587,0.00009120597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003742625,0.00000878497,0.000001835523,0.00009811296,0.00005540648,0.00002089789,0.003161841,1.052163e-7,9.877291e-7,0.9924198,0.002221886,0.001972937],"study_design_scores_gemma":[0.0003111613,0.0001153577,1.629434e-7,0.0003101965,0.0001024105,0.000003187348,0.00008362552,0.000001525966,0.0000166338,0.1006766,0.8981158,0.0002632881],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00004035602,0.0001059365,0.00001717162,0.0002170209,0.0002241577,0.0001595856,0.0002606037,0.00005597912,0.9989192],"genre_scores_gemma":[0.002611276,0.0008606784,0.00002875918,0.0001112037,0.0002619692,2.012007e-7,0.000009434586,0.00004013119,0.9960763],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8958939,"threshold_uncertainty_score":0.983858,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2089784413","doi":"10.1080/09672550903164392","title":"The Matter of Fact in Literature","year":2009,"lang":"en","type":"article","venue":"International Journal of Philosophical Studies","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Acknowledgement; Philosophy; Criticism; ROWE; Epistemology; Value (mathematics); Poetry; Skepticism; Face (sociological concept); Literature; Linguistics; Art; Computer science","authors":[{"name":"Christopher Mole","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0654230267257346,"gpt":0.3338711939228501,"spread":0.2684481671971155,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003520438,0.00008510357,0.0001899705,0.00009502043,0.00009042758,0.0000904159,0.0003310592,0.00003197656,0.00006025034],"category_scores_gemma":[0.0001856812,0.00004749724,0.0001302944,0.00001877175,0.0003595425,0.0001547247,0.00003382088,0.0003579011,0.00001146316],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002983482,"about_ca_system_score_gemma":0.00001458774,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002472587,"about_ca_topic_score_gemma":0.00004792524,"domain_scores_codex":[0.9989163,0.00004632597,0.0004777025,0.0000626164,0.0004023385,0.00009467295],"domain_scores_gemma":[0.9985843,0.0002346939,0.0002389776,0.00006153415,0.0008562026,0.00002427478],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001695792,0.0001868228,0.001708602,0.00001017967,0.0002383976,0.00008138835,0.03162016,0.00001518442,0.00005422532,0.958569,0.004231737,0.003114739],"study_design_scores_gemma":[0.0004214854,0.0002223352,0.003618573,0.0003395351,0.00001234747,0.00003240721,0.00124636,0.000003895851,0.00007966247,0.9441377,0.04980766,0.00007803044],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.3179433,0.01415234,0.000006994268,0.6364211,0.003197891,0.00008742149,0.00002432869,0.000008611745,0.02815794],"genre_scores_gemma":[0.9944845,0.001594012,0.00002205735,0.001909817,0.001651403,5.276526e-7,6.070634e-7,0.000003918291,0.0003331708],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6765411,"threshold_uncertainty_score":0.1936881,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385937806","doi":"10.1093/oxfordhb/9780197539798.013.19","title":"Autonomism","year":2023,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Value (mathematics); Strengths and weaknesses; Space (punctuation); Aesthetics; Quarter (Canadian coin); Epistemology; Sociology; Art; Philosophy; History; Mathematics; Archaeology; Linguistics; Statistics","authors":[{"name":"Nils-Hennes Stear","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07766441472655114,"gpt":0.2031908058557566,"spread":0.1255263911292054,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001054355,0.0003120611,0.0003299663,0.0001601702,0.0005101556,0.0001337323,0.000446928,0.0003035024,0.0004296967],"category_scores_gemma":[0.000004330298,0.0003563514,0.0002619174,0.000001123788,0.0007113748,0.0000855251,0.0002698131,0.0006130683,0.00006524393],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007557704,"about_ca_system_score_gemma":0.00008920347,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001114898,"about_ca_topic_score_gemma":0.0008144071,"domain_scores_codex":[0.9989504,0.00001776502,0.0001748806,0.0003754176,0.0002119733,0.0002695438],"domain_scores_gemma":[0.9990931,0.00007310309,0.0001649786,0.0004242524,0.0001303338,0.0001142473],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001757042,0.00000510023,2.403722e-7,0.00005052508,0.00008783183,0.00008997879,0.005956513,0.000001440267,3.140336e-7,0.9773898,0.01450541,0.001895259],"study_design_scores_gemma":[0.000242373,0.00004894719,4.40182e-7,0.0001239981,0.0001144189,0.000001423062,0.000344576,0.00001295748,0.000005126506,0.02561037,0.9730921,0.0004031995],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00001877354,0.00002773194,0.000007132362,0.0001349373,0.001036274,0.0001992191,0.0002468091,0.0004371958,0.9978919],"genre_scores_gemma":[0.0002013431,0.0003000073,0.00002086394,0.0001637077,0.0006190958,5.026136e-7,0.00004831545,0.00008278326,0.9985634],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9585868,"threshold_uncertainty_score":0.9998888,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2081392642","doi":"10.1080/00144940009595978","title":"Wallace's INFINITE JEST","year":2000,"lang":"pl","type":"article","venue":"The Explicator","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Psychology; Philosophy","authors":[{"name":"Timothy Jacobs","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03444084506857528,"gpt":0.2377569451022222,"spread":0.2033161000336469,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005836525,0.0003788561,0.0003514756,0.00005811339,0.00135894,0.0005644845,0.000824631,0.0001769736,0.02913035],"category_scores_gemma":[0.00003332778,0.0002686711,0.000244357,0.00006102524,0.0009609077,0.0001898102,0.00009603568,0.0007364672,0.0259598],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005412184,"about_ca_system_score_gemma":0.00009033169,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003313703,"about_ca_topic_score_gemma":0.0006062438,"domain_scores_codex":[0.997874,0.0001885698,0.0004987839,0.0004400613,0.000376811,0.0006217851],"domain_scores_gemma":[0.998071,0.0002993463,0.0001327431,0.001200363,0.0001016421,0.0001949159],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001175986,0.0003784051,0.0002279089,0.00008383497,0.0001238652,0.00001513026,0.1512187,0.00001447446,0.0000550087,0.6872986,0.1285776,0.03188891],"study_design_scores_gemma":[0.0003550831,0.0001426567,0.0001703928,0.00007996044,0.00007077976,0.000009775938,0.002675586,0.00006346261,0.0001287578,0.00925824,0.9866431,0.0004021754],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4057348,0.004836782,0.000005142475,0.05471808,0.001422804,0.0006966778,0.0002061341,0.0003240989,0.5320554],"genre_scores_gemma":[0.6819571,0.002823588,0.00001902152,0.006151192,0.003311891,0.00005430101,0.00001946033,0.00008050885,0.3055829],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8580655,"threshold_uncertainty_score":0.9999766,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2098983733","doi":"10.7202/1072433ar","title":"Notes on saying and showing, beauty, and other ideas of interest to art and education, with reference to Ludwig Wittgenstein","year":2020,"lang":"en","type":"article","venue":"Paideusis","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"The arts; Beauty; Aesthetics; Epistemology; Sociology; Philosophy; Art; Visual arts","authors":[{"name":"Stuart Richmond","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1547533871606377,"gpt":0.2831577386029103,"spread":0.1284043514422725,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001366111,0.0001201216,0.0001684794,0.00006061653,0.0001269424,0.0001157278,0.00006021677,0.00002725842,0.0000964881],"category_scores_gemma":[0.0001380192,0.00009446833,0.00001211163,0.00002526675,0.0001722607,0.00006984889,0.00005947775,0.0000939736,0.0000223456],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007302948,"about_ca_system_score_gemma":0.00002756224,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003018273,"about_ca_topic_score_gemma":0.00434357,"domain_scores_codex":[0.9993806,0.00002835208,0.0001497166,0.0002348371,0.00008562824,0.0001208246],"domain_scores_gemma":[0.9994999,0.0001040338,0.00004380894,0.0001141209,0.00007971907,0.0001584618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001837594,0.0001101602,0.04630484,0.0003519659,0.00006476587,0.000002476554,0.2412725,0.000007030242,0.001475956,0.6829154,0.006346197,0.02096498],"study_design_scores_gemma":[0.0005478607,0.002047302,0.006906392,0.001208327,0.00009494281,0.000007864776,0.02397033,0.00003704183,0.002894667,0.009049807,0.9525551,0.0006803891],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.967329,0.0001972943,0.00003969104,0.01264116,0.00004479868,0.000165447,0.0000181452,0.00002461649,0.01953989],"genre_scores_gemma":[0.9885738,0.00002620742,0.0004664608,0.009950284,0.0001130946,0.000009502221,0.00000166558,0.0000176494,0.000841282],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9462089,"threshold_uncertainty_score":0.3852307,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2430019867","doi":"10.1353/mos.2016.a621126","title":"Epistemic Injustice and The Rape of Lucrece","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Injustice; Credibility; Relation (database); Politics; Representation (politics); Inequality; Epistemology; Sociology; Political science; Philosophy; Social psychology; Psychology; Law; Computer science; Mathematics","authors":[{"name":"Mary Janell Metzger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02023838326908772,"gpt":0.2040453281211813,"spread":0.1838069448520936,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003338542,0.00006623285,0.0001215904,0.00001974271,0.0001454421,0.00003008385,0.0001054763,0.00002576256,0.0003349058],"category_scores_gemma":[0.00008589515,0.00003150117,0.00003821775,0.000008420524,0.001216501,0.00006530993,0.00003424556,0.00006982091,0.00006175485],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004955466,"about_ca_system_score_gemma":0.00001177511,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001106788,"about_ca_topic_score_gemma":0.0004039815,"domain_scores_codex":[0.9994912,0.00006459071,0.0001500077,0.00009404483,0.00009412396,0.0001060188],"domain_scores_gemma":[0.9993522,0.0003319328,0.00006399561,0.000165375,0.00006270081,0.00002378026],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004579415,0.00001613444,0.0002061377,0.00004168319,0.00001479647,6.831231e-7,0.03191457,1.485883e-7,0.0002343496,0.9554018,0.003099194,0.009024658],"study_design_scores_gemma":[0.00196875,0.0001112372,0.0001913932,0.0001848342,0.0000759091,0.000007206818,0.005028792,0.00003055615,0.0009455131,0.1798021,0.8114604,0.0001933199],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7932968,0.003563083,0.000224662,0.05695274,0.00143236,0.0004077877,0.0001037076,0.0001125986,0.1439062],"genre_scores_gemma":[0.9813769,0.0003745731,0.00002013421,0.0006179622,0.0002060967,0.000005308226,9.937229e-7,0.000008772005,0.01738926],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8083612,"threshold_uncertainty_score":0.448225,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3023687945","doi":"10.18276/aie.2020.49-02","title":"The Postphenomenological Corporeity Artistic Practices on the Borderline between Art and Science","year":2020,"lang":"en","type":"article","venue":"Analiza i Egzystencja","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ambivalence; Political radicalism; Gesture; Aesthetics; Art; Epistemology; Philosophy; Psychology; Psychoanalysis; Linguistics; Politics; Political science; Law","authors":[{"name":"Monika Murawska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1765027229087318,"gpt":0.3036460451618113,"spread":0.1271433222530794,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001083771,0.0001555939,0.0001780201,0.00002834124,0.002114363,0.000693443,0.00048593,0.00003962224,0.0002487037],"category_scores_gemma":[0.001459508,0.00007805051,0.00004606411,0.00008604577,0.003260429,0.0001924043,0.0001353516,0.0003809482,0.0002599442],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000137454,"about_ca_system_score_gemma":0.00007863256,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005097766,"about_ca_topic_score_gemma":0.00030712,"domain_scores_codex":[0.9985524,0.0001445609,0.0002731401,0.0003376539,0.0003676804,0.0003245316],"domain_scores_gemma":[0.9980827,0.0009933286,0.0002994839,0.0002923419,0.0001897219,0.0001424171],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002172616,0.00002545676,0.003809815,0.00001223463,0.00002197251,0.00000643424,0.008410347,0.000001734175,0.00001631547,0.9821782,0.004545119,0.0009506691],"study_design_scores_gemma":[0.0002135866,0.0008841229,0.004831576,0.00003689256,0.00007348627,0.000006946672,0.01058518,0.0006369886,0.00004454749,0.04133171,0.9410765,0.0002784167],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5586799,0.0009151261,0.0001048033,0.2360656,0.0004952805,0.0006125291,0.00006260871,0.0001905943,0.2028735],"genre_scores_gemma":[0.9909214,0.0001981668,0.0000185808,0.006598179,0.0006406925,0.000009308386,0.00000491087,0.00001116357,0.001597618],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9408464,"threshold_uncertainty_score":0.9994521,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1500720621","doi":"","title":"Still Two Problematic Theses in Carroll's Account of Horror: A Response to \"Monsters and the Moving Image\"","year":2009,"lang":"en","type":"article","venue":"","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Disgust; Variety (cybernetics); Psychology; Epistemology; Psychoanalysis; Aesthetics; Philosophy; Social psychology; Computer science; Artificial intelligence","authors":[{"name":"Brian Laetz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02461157281485449,"gpt":0.2622739609204685,"spread":0.237662388105614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001375151,0.0001220551,0.0002446647,0.0001187322,0.00009604297,0.0001649067,0.0001555323,0.00002363433,0.0001044258],"category_scores_gemma":[0.0002540999,0.00007181471,0.00005150181,0.00003131793,0.0004876005,0.0001658782,0.0000420089,0.0001395986,0.00001273381],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001539875,"about_ca_system_score_gemma":0.00003572453,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004639264,"about_ca_topic_score_gemma":0.003111315,"domain_scores_codex":[0.9989814,0.0001954282,0.0003086217,0.0001530542,0.0001745155,0.0001870252],"domain_scores_gemma":[0.9990628,0.0005046636,0.00007077792,0.000229968,0.00009041327,0.000041413],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.001261445,0.0001360063,0.0002029938,0.00007270934,0.00001518714,0.000008107412,0.5424803,0.00008517142,0.002222133,0.4516364,0.0006091981,0.001270309],"study_design_scores_gemma":[0.01829796,0.003539653,0.01125685,0.002803214,0.0002512985,0.00005799429,0.409292,0.006193642,0.005816748,0.4398375,0.1003129,0.002340279],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9495545,0.0001843772,0.00002184992,0.02115178,0.00006773179,0.0004750167,0.000005462478,0.00003363386,0.02850564],"genre_scores_gemma":[0.9953989,0.00001691544,0.0003221399,0.002197209,0.00004258657,0.00001323501,2.887058e-7,0.000009259371,0.001999483],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1331883,"threshold_uncertainty_score":0.2928519,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2943377455","doi":"10.33134/eeja.174","title":"Interpretation, Intentions, and Responsibility","year":2018,"lang":"en","type":"article","venue":"Estetika The European Journal of Aesthetics","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Interpretation (philosophy); Epistemology; Accidental; Psychology; Sociology; Social psychology; Philosophy; Linguistics","authors":[{"name":"Peter Alward","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0352264312220519,"gpt":0.2544991580743188,"spread":0.2192727268522669,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003963452,0.000129346,0.0001601821,0.00009041972,0.000457746,0.0002609869,0.0003618007,0.00001673594,0.0001217871],"category_scores_gemma":[0.000416049,0.00008176359,0.0001079888,0.00003053567,0.002003249,0.0001770228,0.00008576427,0.0003802416,0.00009919245],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001467147,"about_ca_system_score_gemma":0.00004835386,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001783993,"about_ca_topic_score_gemma":0.0000617259,"domain_scores_codex":[0.9978432,0.001023923,0.0005694188,0.0001214163,0.0002869363,0.0001550789],"domain_scores_gemma":[0.9982498,0.0001536598,0.0003605192,0.0002966573,0.0008511332,0.00008818545],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005103141,0.0003327652,0.001218159,0.00004986737,0.0001264441,0.0001292995,0.3902797,0.00001217483,0.0002073496,0.469901,0.02649607,0.1107369],"study_design_scores_gemma":[0.0006156165,0.001679781,0.002036984,0.0002480643,0.00009355892,0.0004606238,0.01096123,0.00008003129,0.0001722925,0.02532648,0.9581012,0.0002241856],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7750143,0.001014166,0.001641075,0.02578032,0.003166863,0.0001856946,0.000009675621,0.00005751251,0.1931304],"genre_scores_gemma":[0.9954379,0.0001507631,0.0003540732,0.001350935,0.0009931944,2.443558e-7,4.071538e-7,0.00002843903,0.001684038],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9316051,"threshold_uncertainty_score":0.7381055,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3045718997","doi":"10.58519/aesthinv.v3i2.11934","title":"Inaugurating Philosophy of Film Without Theory","year":2020,"lang":"en","type":"article","venue":"Aesthetic Investigations","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Film theory; Epistemology; Western philosophy; Contemporary philosophy; Philosophy education; Philosophy of design; Philosophy of sport; Philosophy; Art history; Art; Movie theater","authors":[{"name":"Craig Fox","is_ca":false},{"name":"Britt Harrison","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08068697899312548,"gpt":0.2449752154594284,"spread":0.1642882364663029,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002515631,0.0001556374,0.0002131174,0.00005797116,0.0003866015,0.00007663939,0.0002249776,0.00005570329,0.0005396121],"category_scores_gemma":[0.0002589576,0.0001432058,0.00009722517,0.00006093356,0.001592306,0.0001994783,0.00004416292,0.0002635575,0.000210192],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008193955,"about_ca_system_score_gemma":0.0001190236,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003554369,"about_ca_topic_score_gemma":0.00006555266,"domain_scores_codex":[0.9988722,0.000130844,0.0003843654,0.0002121184,0.0002147549,0.0001857574],"domain_scores_gemma":[0.9991358,0.00008467827,0.0001786304,0.0002356672,0.0002111865,0.0001540457],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000004191017,0.00002809475,0.0004341618,0.00003650792,0.000008003523,0.000001310986,0.07506118,0.00005221599,0.0001001731,0.9226548,0.001124442,0.0004948911],"study_design_scores_gemma":[0.000460681,0.0003287351,0.00006175975,0.0001898866,0.00007322174,0.00001102436,0.007770064,0.001101566,0.001715901,0.864107,0.1237811,0.000399094],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4151133,0.000308445,0.0005364913,0.07729793,0.0004846302,0.000489422,0.00008426771,0.0003562022,0.5053294],"genre_scores_gemma":[0.9912558,0.0000104549,0.001206903,0.005996238,0.0003235513,0.00001811059,0.00002246199,0.00003132437,0.001135147],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5761425,"threshold_uncertainty_score":0.5908375,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2794676662","doi":"10.32873/uno.dc.jrf.22.01.34","title":"Fake It Until You Make It: A Reflection on Film, Hypocrisy, and Christian Ethics","year":2018,"lang":"en","type":"article","venue":"Journal of Religion & Film","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Hypocrisy; Reflection (computer programming); Christian ethics; Environmental ethics; Aesthetics; Psychology; Philosophy; Political science; Religious studies; Computer science; Law","authors":[{"name":"William Warren Bartley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08531087742285275,"gpt":0.3202883264250853,"spread":0.2349774490022325,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001098517,0.0002003876,0.0002953639,0.0002314477,0.0006765776,0.000312637,0.0001804733,0.0002192495,0.0003917004],"category_scores_gemma":[0.0003822029,0.0001620244,0.0001591023,0.00004549396,0.0005632867,0.0001902898,0.00003774998,0.001275089,0.0001472156],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004556144,"about_ca_system_score_gemma":0.0001253145,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002589885,"about_ca_topic_score_gemma":0.00312544,"domain_scores_codex":[0.9982789,0.0001391541,0.0005917019,0.0002028991,0.0005290212,0.0002583173],"domain_scores_gemma":[0.9981732,0.0001915273,0.0004769169,0.0002167918,0.0007897897,0.000151729],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000300423,0.0001501392,0.0001209337,0.00007489731,0.00006796117,0.00005534344,0.07967272,0.00001484531,0.0001548028,0.07271691,0.8444263,0.002244747],"study_design_scores_gemma":[0.0005384492,0.001639829,0.00007713489,0.0003950806,0.00005472211,0.0001534708,0.004134122,0.00008667643,0.0003421823,0.01395949,0.97842,0.0001988275],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4332309,0.002310346,0.0003706178,0.2043724,0.01087588,0.000372977,0.00006728165,0.0001444141,0.3482552],"genre_scores_gemma":[0.952634,0.005035524,0.0002877164,0.01562596,0.004329382,0.000002049707,0.000005126331,0.00004489481,0.02203537],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5194031,"threshold_uncertainty_score":0.6607165,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4408468966","doi":"10.17742/image29723","title":"(What We Do) For The Love Of Knowledge And For The Love Of Art","year":2025,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Aesthetics; Sociology; Psychology; Art","authors":[{"name":"Agata Mergler","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08074455250674134,"gpt":0.4320310149606055,"spread":0.3512864624538642,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006770838,0.0001464937,0.0003339689,0.00008206949,0.0005532344,0.001061462,0.0002565563,0.00002477296,0.00003149918],"category_scores_gemma":[0.001192272,0.00007070496,0.0002598361,0.0000483884,0.007865609,0.002488323,0.00007962582,0.0001822993,0.00000461595],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002454953,"about_ca_system_score_gemma":0.00005779214,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003412161,"about_ca_topic_score_gemma":0.0001361228,"domain_scores_codex":[0.9990157,0.00003076152,0.0005441869,0.0001032112,0.0001521078,0.0001540621],"domain_scores_gemma":[0.9853054,0.001796426,0.0004216142,0.0001382399,0.01231915,0.00001918919],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001056698,0.0001566024,0.0002065819,0.0005025331,0.0009704323,7.014006e-7,0.1847701,0.00001846384,0.0005650478,0.6703156,0.1351726,0.00721567],"study_design_scores_gemma":[0.001177485,0.0001817451,0.0004619735,0.0004221415,0.0004149202,0.000009750564,0.1104943,0.0001186518,0.002169876,0.1146708,0.7697573,0.0001210501],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0254541,0.4504383,0.003226649,0.3869619,0.008830693,0.002176938,0.0005271215,0.00002320721,0.1223611],"genre_scores_gemma":[0.9102955,0.02189155,0.0009231302,0.0003264651,0.0005696801,0.00001735757,0.000002290133,0.00001614091,0.06595781],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8848414,"threshold_uncertainty_score":0.9999755,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2008993354","doi":"10.1353/phl.2013.0024","title":"Not Moderately Moral: Why Hume Is Not a “Moderate Moralist”","year":2013,"lang":"en","type":"article","venue":"Philosophy and literature","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Morality; Argument (complex analysis); Kinship; Philosophy; Epistemology; Moral psychology; Moral reasoning; Sociology; Anthropology","authors":[{"name":"E. M. Dadlez","is_ca":true},{"name":"Jeanette Bicknell","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07712758656414262,"gpt":0.2401921485409288,"spread":0.1630645619767862,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001405719,0.0003864827,0.0003696259,0.0001200959,0.0007239,0.002038552,0.0002112733,0.0002118055,0.001130177],"category_scores_gemma":[0.00001666642,0.0003117463,0.000147022,0.0000486916,0.000474414,0.001057286,0.00007329843,0.0006881872,0.0002453195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001132318,"about_ca_system_score_gemma":0.00002027843,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001316582,"about_ca_topic_score_gemma":0.00004017922,"domain_scores_codex":[0.9983786,0.00008159968,0.0003426779,0.0005108842,0.0002829795,0.0004032709],"domain_scores_gemma":[0.9988785,0.00004991204,0.0001042866,0.0003839157,0.0003879593,0.0001954012],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007876354,0.00007666337,0.00001972154,0.0001307919,0.00003803023,0.00002331679,0.08320916,0.000003636429,0.00008783001,0.8877042,0.02826274,0.0003651465],"study_design_scores_gemma":[0.0006468117,0.0001679538,0.00005537722,0.0002489487,0.00003673305,0.00002424164,0.0004129531,0.001155014,0.0005722003,0.7222094,0.2738205,0.000649823],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2844587,0.007108046,0.00004638586,0.3315326,0.003029132,0.001448119,0.001134722,0.0007469873,0.3704953],"genre_scores_gemma":[0.9334277,0.0002178945,0.0001486447,0.05136089,0.002092822,0.0000506541,0.00007921918,0.00005059919,0.01257158],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6489689,"threshold_uncertainty_score":0.9999335,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2606602709","doi":"10.26522/br.v13i1.831","title":"\"The Gad; or, Prolegomena to a double bill\"","year":2017,"lang":"en","type":"article","venue":"The Brock Review","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"McMaster University","funders":"","keywords":"Conformist; Relation (database); Politics; Relevance (law); Wife; History; Sociology; Art history; Literature; Media studies; Epistemology; Art; Philosophy; Law; Political science; Theology; Computer science","authors":[{"name":"Zdravko Planinc","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1537883548818308,"gpt":0.3422684335980777,"spread":0.1884800787162469,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005709441,0.000146812,0.0002457612,0.00001168993,0.00309462,0.0006115361,0.0009981506,0.00002318367,0.0004903511],"category_scores_gemma":[0.0001732003,0.00005403577,0.0001176466,0.00001366136,0.0003688858,0.0001232153,0.0001932327,0.0002118792,0.002004314],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001269471,"about_ca_system_score_gemma":0.00004810218,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001652412,"about_ca_topic_score_gemma":0.00366059,"domain_scores_codex":[0.9989904,0.00006801762,0.0002737557,0.0001720804,0.0002152307,0.0002805568],"domain_scores_gemma":[0.998354,0.00009668097,0.0001665767,0.001175789,0.0001321049,0.00007487187],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006455061,0.00005401043,0.00002331072,0.001042333,0.00004630945,0.000004166785,0.009695853,4.909987e-7,0.000005084599,0.3565392,0.5682516,0.06427308],"study_design_scores_gemma":[0.0001400153,0.0000679729,0.00001272783,0.001389066,0.000041509,0.000006146112,0.0002584604,0.000001136367,0.00001169745,0.006083977,0.9918636,0.0001236978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002236017,0.1715776,0.00001016196,0.3211905,0.002770848,0.003527959,0.00002118978,0.000220801,0.4984449],"genre_scores_gemma":[0.03786312,0.168197,0.00002903753,0.02478642,0.002055788,0.0003450114,0.000003079416,0.00006146699,0.7666591],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.423612,"threshold_uncertainty_score":0.9987727,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2970268848","doi":"10.15353/kinema.vi.1235","title":"Moral Luck in the Films of Woody Allen","year":2011,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Luck; Aunt; Moral psychology; Philosophy; Sociology; Epistemology; Environmental ethics; Anthropology","authors":[{"name":"Ewa Mazierska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1338725533667482,"gpt":0.2889212461408437,"spread":0.1550486927740956,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007893518,0.0001412678,0.0002589296,0.0001061165,0.0002436053,0.0000797142,0.0002374434,0.00006317371,0.0007538734],"category_scores_gemma":[0.0001748543,0.00008781106,0.0001300104,0.00002058432,0.0004026035,0.0001644456,0.00002784277,0.0003298784,0.000008742592],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004441848,"about_ca_system_score_gemma":0.0000380747,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005536456,"about_ca_topic_score_gemma":0.0008875177,"domain_scores_codex":[0.9989206,0.00007409813,0.0003896622,0.0001252289,0.0002304666,0.0002599784],"domain_scores_gemma":[0.9992517,0.0002422372,0.0001735361,0.0001191345,0.0001312658,0.00008213169],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002193512,0.0004394859,0.002351419,0.0001464133,0.0000739574,0.00006333765,0.613291,0.000003137647,0.00008283956,0.3420289,0.03736392,0.003936242],"study_design_scores_gemma":[0.007699232,0.004649364,0.01822903,0.0009458389,0.0003503081,0.0006569903,0.2195182,0.0005720725,0.001276308,0.3289258,0.4158739,0.001302954],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9510163,0.00185468,0.00004694675,0.002387189,0.002485039,0.0004147451,0.00009827395,0.00002399888,0.04167285],"genre_scores_gemma":[0.9966521,0.0003475988,0.0003138165,0.0005202589,0.0007851598,0.00001316366,0.000006680876,0.00001756747,0.001343671],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3937728,"threshold_uncertainty_score":0.8254386,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3116900285","doi":"10.21638/2226-5260-2020-9-2-495-512","title":"EMPATHY AND THE EMOTIONAL COEXPERIENCING IN THE AESTHETIC EXPERIENCE","year":2020,"lang":"en","type":"article","venue":"HORIZON / Fenomenologicheskie issledovanija/ STUDIEN ZUR PHÄNOMENOLOGIE / STUDIES IN PHENOMENOLOGY / ÉTUDES PHÉNOMÉNOLOGIQUES","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Guelph","funders":"","keywords":"Empathy; Feeling; Psychology; Aesthetics; Simulation theory of empathy; Work of art; Psychoanalysis; Cognition; Value (mathematics); Social psychology; Epistemology; Cognitive psychology; Philosophy; Computer science","authors":[{"name":"Jeff Mitscherling","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2129878517093897,"gpt":0.3421211018403842,"spread":0.1291332501309945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.003329471,0.001345375,0.002276108,0.0005103183,0.001860827,0.0003351584,0.002851443,0.0005268537,0.00015679],"category_scores_gemma":[0.002406518,0.0008268825,0.0002722776,0.0007114039,0.01704569,0.0006561296,0.002243141,0.002634572,0.0001086713],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005701469,"about_ca_system_score_gemma":0.0001509165,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001257352,"about_ca_topic_score_gemma":0.001346365,"domain_scores_codex":[0.9909484,0.002027613,0.002082077,0.002116775,0.0006937474,0.002131407],"domain_scores_gemma":[0.9949214,0.00252267,0.0007739159,0.001176743,0.000439488,0.0001657083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004463176,0.0004024638,0.002225919,0.00007659438,0.0002384189,0.0002044025,0.5095242,0.0000689598,0.0000227327,0.4828368,0.0003371796,0.003615988],"study_design_scores_gemma":[0.005117834,0.004823698,0.000963951,0.0001252386,0.0001079353,0.0001217097,0.8741884,0.0001350908,0.00004160009,0.08211709,0.03090784,0.00134957],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8771982,0.04019916,0.00004691252,0.04749375,0.001379561,0.002420207,0.00003328657,0.0006232575,0.03060568],"genre_scores_gemma":[0.9673429,0.02272273,0.0005752581,0.006674001,0.0006068545,0.001833345,0.00001520729,0.0000813851,0.0001482988],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4007197,"threshold_uncertainty_score":0.9999297,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2325620002","doi":"10.15291/sic/2.1.lc.6","title":"Postmodern Philosophy and the Impact of the Other in Jim Jarmusch's Films","year":2011,"lang":"en","type":"article","venue":"[sic] - a journal of literature culture and literary translation","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Oxford; York University; Harvard University","keywords":"Postmodernism; Philosophy; Psychoanalysis; Sociology; Epistemology; Psychology","authors":[{"name":"Rajko Petković","is_ca":false},{"name":"Krešimir Vuković","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0388356794368844,"gpt":0.2441715651226884,"spread":0.205335885685804,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004204018,0.0001723653,0.0002638181,0.00008367905,0.0001536738,0.0001924853,0.0001490991,0.0001105335,0.00009703558],"category_scores_gemma":[0.0000105266,0.00007523548,0.0002314841,0.00006379758,0.0004030986,0.0006696242,0.00001058004,0.0005983163,3.74465e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000004410615,"about_ca_system_score_gemma":0.00002414774,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003188605,"about_ca_topic_score_gemma":0.00005308289,"domain_scores_codex":[0.9989603,0.0002048321,0.0004307494,0.0001123197,0.0001713541,0.0001204833],"domain_scores_gemma":[0.9993115,0.00005843899,0.0002662198,0.0001311137,0.0001864328,0.00004627482],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0005742187,0.00009922873,0.00193264,0.00007171441,0.00007882406,0.000006716968,0.9024816,0.000003555931,0.0001724102,0.09195729,0.0002221058,0.002399711],"study_design_scores_gemma":[0.01142508,0.001794586,0.01835224,0.004480797,0.0003686463,0.0005370502,0.00541066,0.0005895473,0.000277124,0.7910019,0.1649592,0.0008031271],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8154011,0.1074166,0.00005913026,0.005855125,0.0007753527,0.0006644205,0.0002442043,0.00001887414,0.06956519],"genre_scores_gemma":[0.9979453,0.00042265,0.0001332888,0.0005983131,0.0004534666,0.000001494196,0.00000592076,0.00001299771,0.0004265886],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8970709,"threshold_uncertainty_score":0.3068014,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6925919054","doi":"10.18739/a2ng4gt6v","title":"Metal Concentrations in Tundra Seep, Tributary and River Waters of the Western Brooks Range, Alaska, 2022-2023","year":2024,"lang":"en","type":"dataset","venue":"UC Santa Barbara","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"STREAMS; Tributary; Tundra; Ecosystem; Habitat; Watershed; Thermokarst; Aquatic ecosystem; Subsistence agriculture","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02376449204015769,"gpt":0.2415158869509811,"spread":0.2177513949108233,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002816959,0.0003288979,0.000484272,0.0001473959,0.0002159816,0.0001978534,0.0003969056,0.0002163657,0.0007485315],"category_scores_gemma":[0.00002924064,0.0002344591,0.0001842968,0.00004357177,0.001295809,0.0001455302,0.0002388883,0.0008572495,0.0004747511],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003867919,"about_ca_system_score_gemma":0.0001244966,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002144274,"about_ca_topic_score_gemma":0.02810398,"domain_scores_codex":[0.998289,0.0001560491,0.0005014265,0.0003964197,0.0003372168,0.0003199035],"domain_scores_gemma":[0.9991053,0.0001382303,0.0001359037,0.0004869931,0.00006644951,0.00006715886],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000174012,0.00005629061,0.0006803307,0.0002828562,0.0001237453,0.00003113194,0.01295749,0.000001733029,0.000008051778,0.0008504277,0.9849214,0.00006916172],"study_design_scores_gemma":[0.0004196808,0.00005743194,0.0005017788,0.0003220944,0.000290412,0.00001157268,0.001419949,0.00001159712,0.00003357468,0.001047447,0.9955902,0.0002942274],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"dataset","genre_gemma":"dataset","genre_scores_codex":[0.01725313,0.002943608,3.619038e-7,0.001010813,0.002554551,0.0004293181,0.9744854,0.00002730725,0.001295501],"genre_scores_gemma":[0.1009338,0.005188133,0.000007716723,0.003405496,0.002112407,0.0001054204,0.8615484,0.0001229899,0.02657564],"genre_candidate":"dataset","genre_consensus":"dataset","teacher_disagreement_score":0.112937,"threshold_uncertainty_score":0.9896306,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7037520380","doi":"","title":"Efectos de la especialización en hortalizas de exportación en México: Aspectos institucionales ante las ventajas comparativas reveladas y la sostenibilidad productiva.","year":2024,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Comparative advantage; Agriculture; Sustainability; Agricultural productivity; Production (economics); Index (typography)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02073482634779683,"gpt":0.2806288854904219,"spread":0.2598940591426251,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001571128,0.0004472077,0.0005017467,0.0004009047,0.0005890807,0.0008245005,0.0005116964,0.0003816086,0.001061729],"category_scores_gemma":[0.0002588786,0.0004644274,0.0003242044,0.0001733663,0.001284807,0.0006461769,0.0001570296,0.001013721,0.0002241821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003689362,"about_ca_system_score_gemma":0.0008343745,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004882272,"about_ca_topic_score_gemma":0.003003122,"domain_scores_codex":[0.9965062,0.001346683,0.0003622992,0.0006978414,0.0004453193,0.0006417258],"domain_scores_gemma":[0.9977313,0.001295341,0.0001339926,0.0004720002,0.0001138802,0.0002535199],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007351582,0.0002411795,0.003373833,0.0001967993,0.0002130249,0.001163807,0.1217613,0.0000798125,0.001029309,0.8568856,0.01415087,0.0008309753],"study_design_scores_gemma":[0.000800957,0.0001697694,0.005992732,0.0004862202,0.0002187366,0.0003075977,0.01223877,0.0002522573,0.001460172,0.04554771,0.9317898,0.0007353207],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7505497,0.001538226,0.0003046582,0.001853974,0.0008392447,0.0004800828,0.0001631453,0.0005049811,0.243766],"genre_scores_gemma":[0.9841427,0.0005628594,0.0003836171,0.0002749099,0.002071197,0.00002691634,0.00008853767,0.00009763265,0.01235162],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9176389,"threshold_uncertainty_score":0.9998515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7111213893","doi":"10.5325/ecumenica.18.2.0207","title":"Blasphemous Art? Religion, Gender and Sexuality in Arts and Popular Culture","year":2025,"lang":"en","type":"article","venue":"Ecumenica","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Blasphemy; Human sexuality; The arts; Popular culture; Serbian; Adornment; Politics; Secularization","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03903754495179835,"gpt":0.2748335488422998,"spread":0.2357960038905014,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002387404,0.0001233796,0.0001731791,0.00005012181,0.0001996075,0.0001487259,0.00006861256,0.00008409619,0.00007355607],"category_scores_gemma":[0.00004569983,0.0001072901,0.00002615754,0.00002198984,0.0002940506,0.0001092768,0.000070644,0.0002307543,0.00002649231],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001418933,"about_ca_system_score_gemma":0.00002241084,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006442061,"about_ca_topic_score_gemma":0.001729291,"domain_scores_codex":[0.9992076,0.0000477136,0.0002166202,0.0002567692,0.00009395468,0.0001773691],"domain_scores_gemma":[0.9996527,0.00002647627,0.00003785772,0.0001873868,0.000044699,0.00005089213],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001625099,0.00006908024,0.001639572,0.00008156181,0.00001929928,0.00001124057,0.04276308,0.00000133066,0.00006146009,0.8584453,0.09638683,0.0005049597],"study_design_scores_gemma":[0.0003372348,0.00003551393,0.000459323,0.00003800213,0.00001505895,0.00000277774,0.001810154,0.00002157578,0.00004605152,0.1210864,0.8760093,0.000138601],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6513861,0.006309105,0.00002121813,0.009744002,0.0006070309,0.000332499,0.00001958795,0.0001290476,0.3314514],"genre_scores_gemma":[0.9273912,0.00116039,0.0001188308,0.003261304,0.0001379271,0.000009502533,0.00001167806,0.00001107976,0.06789813],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7796224,"threshold_uncertainty_score":0.4375162,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7105000370","doi":"10.1525/jrpc.10.1.006d","title":"Review: Faith and Film: Theological Themes at the Cinema, by Bryan P. Stone","year":2005,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Taylor College and Seminary; University of Alberta","funders":"","keywords":"Faith; Christianity; Period (music); Work (physics)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02018410531322353,"gpt":0.258061878250034,"spread":0.2378777729368105,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003711755,0.0001313797,0.000242831,0.00001837581,0.0003690227,0.0001041339,0.0001135986,0.00007595768,0.0001955088],"category_scores_gemma":[0.00005333485,0.00005968051,0.0001042898,0.00001360479,0.000306736,0.0001307163,0.00004001286,0.0003932484,0.00001010842],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009407743,"about_ca_system_score_gemma":0.000006495889,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001713501,"about_ca_topic_score_gemma":0.0002793937,"domain_scores_codex":[0.9992038,0.00009278829,0.0002957912,0.0001026672,0.0001810918,0.0001238685],"domain_scores_gemma":[0.999424,0.00002157606,0.0002270952,0.0001054572,0.0001373528,0.00008448665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002146622,0.00002650293,0.00015669,0.00005162902,0.0000196493,0.000004816797,0.006998338,5.415461e-7,0.00004105955,0.05497291,0.9366052,0.001101245],"study_design_scores_gemma":[0.0002436578,0.0002007578,0.000008132307,0.0003187026,0.00006076871,0.0002474079,0.0008292218,0.000003593617,0.00003032354,0.002190754,0.9957693,0.00009736259],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.1210565,0.8180904,0.00000631493,0.05006339,0.0002355148,0.00017062,0.00002086696,0.00001861262,0.01033778],"genre_scores_gemma":[0.06807265,0.8169598,0.00006913804,0.02262921,0.001006844,0.000001686734,0.00001117466,0.0000139583,0.0912355],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.08089773,"threshold_uncertainty_score":0.2838262,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4367156971","doi":"10.7202/1094006ar","title":"Noël Carroll, \"Philosophy and the Moving Image\"","year":2022,"lang":"en","type":"article","venue":"Philosophy in Review","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Epistemology","authors":[{"name":"Clotilde Torregrossa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05643519002667355,"gpt":0.2623618882936847,"spread":0.2059266982670111,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001396351,0.000200941,0.0004697418,0.00007485798,0.0007955718,0.00009744814,0.0003641114,0.00002115848,0.001157488],"category_scores_gemma":[0.0001118908,0.0001434278,0.0001743251,0.00007067099,0.0008577732,0.0001609438,0.000262934,0.0006396739,0.00007427713],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003318505,"about_ca_system_score_gemma":0.00003161986,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008118743,"about_ca_topic_score_gemma":0.00006620134,"domain_scores_codex":[0.9982464,0.0004248881,0.0004628102,0.0002971615,0.0003320421,0.0002367112],"domain_scores_gemma":[0.9991009,0.0002181481,0.0001538376,0.0004063454,0.00006750185,0.00005329307],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001675657,0.0000459287,0.00005120548,0.001038243,0.00001428217,0.00001401579,0.006678273,0.000001805514,8.443905e-7,0.9892225,0.001811293,0.001104885],"study_design_scores_gemma":[0.0006347972,0.00005406357,0.000008103363,0.0007701117,0.00005300567,0.0000163451,0.0002922484,0.0000285798,5.942665e-7,0.4843881,0.5135468,0.0002073542],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.001480128,0.3281251,0.000001361178,0.189906,0.0007674614,0.001082023,0.00006486056,0.00008478983,0.4784882],"genre_scores_gemma":[0.8739013,0.08218887,0.00005483674,0.0409059,0.001493592,0.0004317113,0.0000209628,0.00005797437,0.0009448688],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8724211,"threshold_uncertainty_score":0.9997556,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4205334118","doi":"10.5281/zenodo.4415645","title":"Inaugurating Philosophy of Film Without Theory","year":2020,"lang":"en","type":"article","venue":"Aesthetic Investigations (Dutch Association of Aesthetics)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Epistemology; Philosophy","authors":[{"name":"Craig Fox","is_ca":false},{"name":"Britt Harrison","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04292241673603773,"gpt":0.2379742094172264,"spread":0.1950517926811886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001200603,0.0003268801,0.0006059611,0.0001873271,0.0004072733,0.000106532,0.0004677488,0.0002061418,0.0004362061],"category_scores_gemma":[0.001150234,0.0003302541,0.0002820254,0.0002117871,0.001184244,0.0003553751,0.00008248264,0.0004848061,0.0001533887],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008475591,"about_ca_system_score_gemma":0.0002975741,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005517037,"about_ca_topic_score_gemma":0.00009023486,"domain_scores_codex":[0.9967991,0.0004423778,0.001178406,0.000387986,0.0008007206,0.0003913981],"domain_scores_gemma":[0.9965088,0.0002804004,0.001385018,0.0004244549,0.001166887,0.0002343982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002009129,0.0001490291,0.007126544,0.00009961051,0.00004489769,0.000001342458,0.06447679,0.0002388293,0.0002117963,0.9238747,0.002693979,0.001062333],"study_design_scores_gemma":[0.003075934,0.001781133,0.0006055668,0.0007275763,0.0005196238,0.00002034179,0.01543593,0.003367373,0.0121255,0.7542725,0.2065241,0.0015444],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6825427,0.0003520938,0.000653915,0.1327356,0.0008205135,0.00108528,0.0002764979,0.0004116102,0.1811218],"genre_scores_gemma":[0.9925617,0.00005255841,0.001646434,0.003211978,0.0002573982,0.00002867556,0.00006170577,0.00006777517,0.0021118],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3100189,"threshold_uncertainty_score":0.9999149,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366809401","doi":"10.1353/rss.2011.0016","title":"The Wit and Humour of Principia Mathematica","year":2011,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Subject matter; Subject (documents); Feature (linguistics); Work (physics); Philosophy; Computer science; Art; Calculus (dental); Psychology; Linguistics; Physics; Medicine; World Wide Web","authors":[{"name":"Kenneth Blackwell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09900269662687833,"gpt":0.2685865391307942,"spread":0.1695838425039159,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001996846,0.0001956366,0.0004533349,0.00005505844,0.0009587317,0.00005741682,0.0003673586,0.00004325684,0.00009409874],"category_scores_gemma":[0.0001069737,0.00008447211,0.0001606463,0.00003049393,0.001797687,0.000136576,0.00007138886,0.0003540945,0.00001306431],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009878106,"about_ca_system_score_gemma":0.00003401271,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003168709,"about_ca_topic_score_gemma":0.0004311164,"domain_scores_codex":[0.9984392,0.0001551215,0.0007416103,0.00009135709,0.0003284554,0.0002442886],"domain_scores_gemma":[0.9978746,0.0008399774,0.0006009178,0.0002327442,0.0003903872,0.00006144333],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003312704,0.0002376533,0.0003302342,0.0002740139,0.001002453,0.00001094343,0.5955614,0.000002762467,0.0002119214,0.3957068,0.005175792,0.001154715],"study_design_scores_gemma":[0.00253492,0.002118101,0.001896119,0.001194346,0.001965469,0.0003970065,0.2371708,0.00003707919,0.009840733,0.3984703,0.3436254,0.000749771],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8781015,0.04547317,0.00004809858,0.005045934,0.001236333,0.000362463,0.000008498563,0.00002506416,0.06969891],"genre_scores_gemma":[0.9631602,0.0319665,0.0001410791,0.000131761,0.000338369,0.000001914773,9.512149e-8,0.00002108943,0.004239037],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3583907,"threshold_uncertainty_score":0.7373887,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2794056516","doi":"10.1007/978-3-319-72658-8_1","title":"Suboptimality and Pretence","year":2018,"lang":"en","type":"book-chapter","venue":"Synthese Library/Synthese library","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Creatures; Subject (documents); Representation (politics); Literature; Fiction theory; Aesthetics; Art; Transition (genetics); History; Literary fiction; Literary criticism; Political science; Law; Politics; Natural (archaeology); Computer science","authors":[{"name":"John Woods","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03498390425177244,"gpt":0.1957749282423639,"spread":0.1607910239905914,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00033766,0.001349978,0.001341233,0.0004784636,0.0007571206,0.001841435,0.001432029,0.0009402756,0.0899775],"category_scores_gemma":[0.0001189875,0.001197643,0.0005518612,0.00003648498,0.004935727,0.005482721,0.001194412,0.001489907,0.002647343],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001769375,"about_ca_system_score_gemma":0.000324094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001484694,"about_ca_topic_score_gemma":0.00002482844,"domain_scores_codex":[0.9953712,0.0002112207,0.001130959,0.001608894,0.0007245105,0.0009532751],"domain_scores_gemma":[0.9957982,0.001191335,0.0006218971,0.001724019,0.00007252652,0.0005919943],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001517258,0.00007459761,0.0001209617,0.0004625754,0.000211953,0.0001198821,0.01190008,2.091382e-7,0.000006836338,0.8997976,0.08342974,0.003723878],"study_design_scores_gemma":[0.0001285341,0.0001760424,0.00001336114,0.001165636,0.0001100862,0.00002409334,0.0003742002,0.00002901731,0.0004482027,0.2982119,0.6982233,0.001095656],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001780044,0.004027123,0.000003474087,0.00738693,0.001304148,0.0007518783,0.001479891,0.001465669,0.9818009],"genre_scores_gemma":[0.01880737,0.00380885,0.001136262,0.003370165,0.005544986,0.00005388239,0.0002689291,0.0007376663,0.9662719],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6147936,"threshold_uncertainty_score":0.9999251,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4385363700","doi":"10.1515/9780773568358-001","title":"Preface and Acknowledgments","year":2000,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Alberta","keywords":"History","authors":[{"name":"Lesley D. Clement","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03089386692881307,"gpt":0.2035223642854047,"spread":0.1726284973565917,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009051847,0.0004727849,0.0004504751,0.0001747131,0.0009259835,0.0001256567,0.0003695383,0.0003728915,0.0009346948],"category_scores_gemma":[0.000004436571,0.0005173149,0.0001827282,0.000001916719,0.0008996758,0.0001619578,0.0002993974,0.0006945218,0.000146219],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009357362,"about_ca_system_score_gemma":0.00003455117,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00039304,"about_ca_topic_score_gemma":0.00002228569,"domain_scores_codex":[0.9985099,0.00004764916,0.0002296462,0.0005763649,0.0002959968,0.0003403714],"domain_scores_gemma":[0.9989212,0.00006333598,0.00017693,0.0004624213,0.0001854908,0.0001906431],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005632132,0.00001966695,7.691973e-7,0.00009555653,0.0001284373,0.00006862696,0.003270872,0.000001032339,4.644749e-7,0.9881141,0.006372605,0.001871507],"study_design_scores_gemma":[0.0005141672,0.00009738078,9.544779e-7,0.0002742522,0.0001995257,0.000001791578,0.0002139342,0.000002617426,0.0000337337,0.01027134,0.987822,0.0005682946],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00002873391,0.00001151647,0.000001343594,0.0001573092,0.0003850829,0.0003479944,0.0006229689,0.0001961009,0.9982489],"genre_scores_gemma":[0.001778959,0.0008429978,0.00002750299,0.0002436172,0.000292945,8.850446e-7,0.00003944664,0.00007539748,0.9966983],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9814494,"threshold_uncertainty_score":0.9999786,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4376880740","doi":"10.7202/1098279ar","title":"Martin Roussouw, \"Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate\"","year":2023,"lang":"en","type":"article","venue":"Philosophy in Review","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Transformational leadership; Epistemology; Psychology; Social psychology","authors":[{"name":"Shawn Loht","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.146908476325587,"gpt":0.3217455166983306,"spread":0.1748370403727435,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004434276,0.0002332141,0.0004291106,0.0001431015,0.0003810143,0.00008373329,0.0006975528,0.0001068718,0.0004487819],"category_scores_gemma":[0.0003981986,0.0001362594,0.0002321891,0.0002856093,0.0005069359,0.0002381561,0.00006968216,0.001220365,0.0003298785],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002205664,"about_ca_system_score_gemma":0.00007640988,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006596904,"about_ca_topic_score_gemma":0.0006706452,"domain_scores_codex":[0.9971998,0.0006047031,0.0009041852,0.0002299039,0.0007476716,0.0003137488],"domain_scores_gemma":[0.9980908,0.001017782,0.0002285762,0.0004793003,0.0001527979,0.00003074597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000005656629,0.00006897379,0.0001883348,0.002498309,0.00001379225,0.00001036788,0.06145622,0.00008365304,6.793614e-7,0.9312696,0.004112026,0.0002923213],"study_design_scores_gemma":[0.0003126736,0.00006461838,0.0002627053,0.00607188,0.0000453422,0.000007419847,0.001054757,0.0002813872,0.000003222457,0.7751499,0.2164991,0.0002469257],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.007686634,0.04073115,0.000009619525,0.6298478,0.0008534397,0.001968345,0.0001530823,0.0001432787,0.3186066],"genre_scores_gemma":[0.9251856,0.03879945,0.00002216678,0.03458392,0.0007610036,0.0001675714,0.0001169494,0.00003979428,0.0003235131],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.917499,"threshold_uncertainty_score":0.5556497,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2283547805","doi":"10.5840/symposium201115232","title":"A Philosophy that Imitates Art?","year":2011,"lang":"en","type":"article","venue":"Symposium","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Aesthetics; Epistemology; Art; Philosophy","authors":[{"name":"Xander Selene","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1119481793459215,"gpt":0.2259323294427687,"spread":0.1139841500968473,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001405925,0.0001474806,0.0001433877,0.00006241509,0.0002617782,0.0000968704,0.0001891472,0.00005334483,0.004178326],"category_scores_gemma":[0.000007256597,0.0001242528,0.0001041043,0.0000115497,0.0004511364,0.0002178945,0.00004262475,0.0001729232,0.002461833],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000009707315,"about_ca_system_score_gemma":0.00001808795,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005717968,"about_ca_topic_score_gemma":0.0002971675,"domain_scores_codex":[0.9992085,0.00003298555,0.0001537647,0.0002020117,0.0001522399,0.0002505517],"domain_scores_gemma":[0.9994935,0.00003317645,0.00005972424,0.0002598115,0.00007617688,0.0000775447],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001471605,0.00009508667,0.0005050929,0.00002741345,0.0000214322,0.00001042366,0.08619737,2.14698e-7,0.00008420261,0.8931717,0.01978958,0.00008274389],"study_design_scores_gemma":[0.0002583067,0.0001844008,0.00009086788,0.00004935253,0.00003015658,0.000005714969,0.002319365,0.000009205465,0.001986153,0.227873,0.7668831,0.0003103863],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01195964,0.0001345308,0.000005910783,0.004030747,0.001249889,0.0001052195,0.00001586921,0.0001369093,0.9823613],"genre_scores_gemma":[0.9610171,0.0001022472,0.00009088915,0.001682044,0.0008764616,0.00001539717,0.00001716008,0.00003021953,0.03616852],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9490574,"threshold_uncertainty_score":0.9983149,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2947773285","doi":"","title":"The Weight of Thoughts and Beauty","year":2018,"lang":"en","type":"article","venue":"MacEwan University Student Research Proceedings","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"MacEwan University","funders":"","keywords":"Beauty; Aesthetics; Art","authors":[{"name":"Amelie Dufresne","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1332223356748589,"gpt":0.350283211716188,"spread":0.217060876041329,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001438609,0.00009229632,0.0001176822,0.0001355373,0.002362637,0.0002373551,0.0005027945,0.00004501548,0.00009420198],"category_scores_gemma":[0.00006946379,0.00006778228,0.00004032566,0.00008306988,0.003936771,0.0002077702,0.0004450901,0.0003541659,0.0000346596],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004899513,"about_ca_system_score_gemma":0.00004822318,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001438833,"about_ca_topic_score_gemma":0.00186944,"domain_scores_codex":[0.998586,0.00004611056,0.0001119548,0.0002233125,0.0006443843,0.0003882154],"domain_scores_gemma":[0.9984577,0.0001448081,0.00005564584,0.0001145531,0.00112298,0.0001042745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006810694,0.00006853957,0.007127998,0.00003948312,0.00003856812,0.000003500124,0.1296852,7.108988e-9,0.0001544027,0.841166,0.02079973,0.0008484728],"study_design_scores_gemma":[0.0002805455,0.0003448399,0.002370998,0.00003929839,0.00001063077,0.000001179342,0.0851467,0.000008000613,0.0007579463,0.005676976,0.9052747,0.00008810307],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7054801,0.00009869113,0.000001292735,0.003880828,0.0001744984,0.0002443434,0.000006588162,0.00003530863,0.2900783],"genre_scores_gemma":[0.9487447,0.0004572365,0.00002501922,0.00003829059,0.000705833,8.138105e-7,5.355594e-7,0.000008728525,0.05001887],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8844751,"threshold_uncertainty_score":0.9989362,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1479759404","doi":"","title":"Imagining the World Anew: The Arts and the Beauty of Impasse","year":2013,"lang":"en","type":"article","venue":"Proceedings of the Catholic Theological Society of America (Catholic Theological Society of America)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Beauty; Aesthetics; The arts; Art; Visual arts","authors":[{"name":"Maureen O’Connell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02134457059579815,"gpt":0.2353108875354051,"spread":0.213966316939607,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002708897,0.0006238119,0.001506693,0.00003299903,0.001240269,0.0001389118,0.002507413,0.0002515926,0.0006346501],"category_scores_gemma":[0.0007656088,0.0002496081,0.002119645,0.0004944571,0.05481295,0.000270863,0.001437402,0.001479137,0.000009359635],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004031288,"about_ca_system_score_gemma":0.00006801098,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001089336,"about_ca_topic_score_gemma":0.000007749816,"domain_scores_codex":[0.9959176,0.0002893537,0.001337263,0.0006485426,0.0009257542,0.0008814559],"domain_scores_gemma":[0.9930689,0.002828863,0.002339542,0.0007194902,0.0008895496,0.0001536631],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002715597,0.000905899,0.003389972,0.0004213457,0.0007075674,2.684133e-7,0.4886633,0.00005670473,0.007463462,0.4505586,0.03384931,0.01371197],"study_design_scores_gemma":[0.003380171,0.001781843,0.02211397,0.0004693386,0.001098092,0.00008600832,0.2974991,0.00398052,0.004611245,0.3649409,0.2984815,0.001557398],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.802297,0.002436849,0.0001452758,0.1706459,0.0002412035,0.00174581,0.00006588904,0.0001418439,0.02228025],"genre_scores_gemma":[0.9798824,0.002566723,0.003887805,0.01096,0.0003389687,0.0001583467,0.000003106824,0.000041436,0.002161173],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2646321,"threshold_uncertainty_score":0.9999956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7026529927","doi":"","title":"Anxiety and Family Functioning: An Examination of Factors Associated with Mental Health Service Complexity for Clinically Referred Children and Youth","year":2025,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mental health; Psychosocial; Anxiety; Mental health service; Interpersonal communication; Interpersonal relationship","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.2326037229538613,"gpt":0.3312968684643436,"spread":0.09869314551048239,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006452427,0.0002028584,0.00032829,0.0002003555,0.0006757762,0.0002142107,0.0001894177,0.0001174586,0.000003969662],"category_scores_gemma":[0.00003016017,0.0001993584,0.00004751638,0.00008718444,0.0004113559,0.0008288419,0.0001036788,0.000291011,5.16219e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007577562,"about_ca_system_score_gemma":0.00008923936,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006617753,"about_ca_topic_score_gemma":0.02413197,"domain_scores_codex":[0.9986404,0.0002685013,0.0002872315,0.0003934777,0.0001827322,0.0002277075],"domain_scores_gemma":[0.9989727,0.00009393216,0.0002890895,0.0002008452,0.0003164758,0.0001269932],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001591236,0.0001639946,0.9635181,0.00005822247,0.0001109068,2.58062e-7,0.03146902,0.000001306831,0.00001512863,0.003967119,7.140198e-7,0.0005361231],"study_design_scores_gemma":[0.001784865,0.0005559535,0.9822875,0.0002418905,0.00009659837,6.564564e-7,0.01433465,0.000001581958,0.00002526852,0.0002392318,0.0002323568,0.0001994696],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.998032,0.00004946999,0.0000837169,0.000345753,0.0001355315,0.000431529,0.0005302599,0.00008002052,0.0003117592],"genre_scores_gemma":[0.9975756,0.00005302755,0.00001897455,0.0006046728,0.00003197864,5.290693e-7,0.000603259,0.00001848278,0.001093483],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02406579,"threshold_uncertainty_score":0.9936751,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7034049319","doi":"","title":"Semibalanus and the Pacific Northwest Heat Dome","year":2022,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Intertidal zone; Foundation species; Barnacle; Habitat; Rocky shore; Intertidal ecology; Shading; Disturbance (geology); Ecosystem; Canopy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01604050251462939,"gpt":0.2228190913130711,"spread":0.2067785887984417,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.003523796,0.0005471014,0.000725142,0.0002137041,0.0008020074,0.0004758607,0.001194403,0.000287053,0.8989252],"category_scores_gemma":[0.0004509736,0.0004480086,0.0003086517,0.00004903587,0.002161912,0.0001021753,0.001601559,0.001358118,0.393724],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001041124,"about_ca_system_score_gemma":0.0001122043,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003897,"about_ca_topic_score_gemma":0.01016111,"domain_scores_codex":[0.9957194,0.0008321357,0.0005480148,0.001833108,0.0005669302,0.0005003939],"domain_scores_gemma":[0.9953596,0.0005854406,0.0002945918,0.00350329,0.00008053093,0.0001765516],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001114484,0.0002017319,0.00267426,0.0002401252,0.0003340489,0.00004379751,0.03903186,0.00001872428,0.000004401444,0.1607649,0.7941219,0.002452748],"study_design_scores_gemma":[0.0009355326,0.000001593776,0.0001106542,0.00009830883,0.0001230094,0.00003707294,0.002842156,0.00002324741,0.000006565047,0.008878192,0.9864401,0.0005036314],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0005762083,0.00005488776,0.000007544366,0.001624282,0.001274568,0.001073682,0.0002198678,0.0003317402,0.9948372],"genre_scores_gemma":[0.008790697,0.001523099,0.00003508829,0.0005867966,0.0007847557,0.0003226905,0.0001237392,0.0003713475,0.9874618],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5052012,"threshold_uncertainty_score":0.9997972,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4240355250","doi":"10.4324/9781315626048","title":"Aesthetics","year":2016,"lang":"en","type":"book","venue":"","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Aesthetics; Art","authors":[{"name":"W. Charlton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04861944623823621,"gpt":0.2296302738673299,"spread":0.1810108276290937,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001545163,0.0002820509,0.0002971497,0.00008800842,0.0002720623,0.0001719166,0.0002806689,0.0002487965,0.02070832],"category_scores_gemma":[0.00001140453,0.0001884527,0.0001967714,0.000002129981,0.0008903662,0.00007240623,0.00006375868,0.0003779672,0.00972465],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005259607,"about_ca_system_score_gemma":0.0002029583,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009826198,"about_ca_topic_score_gemma":0.0008354808,"domain_scores_codex":[0.9988948,0.00001931488,0.0002801873,0.0002722671,0.0002710879,0.0002623363],"domain_scores_gemma":[0.999102,0.00007541636,0.0001187742,0.0004296292,0.0001900241,0.00008418651],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001036797,0.00000741052,3.241001e-7,0.00001603069,0.000009268862,0.000004034282,0.002696385,1.748485e-8,4.536697e-8,0.5487041,0.4464424,0.002118938],"study_design_scores_gemma":[0.00008385671,0.00005042307,3.441788e-8,0.0001206984,0.00002032602,0.000002488812,0.00008359442,6.184177e-7,0.000002643454,0.2875066,0.711879,0.0002497486],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.000001192043,0.0003047687,0.00002806391,0.004159764,0.001677498,0.0001196958,0.00007328613,0.0002076737,0.9934281],"genre_scores_gemma":[0.0000860368,0.0004175073,0.00002046914,0.003698131,0.003323483,0.00000527724,0.00003288472,0.00008360885,0.9923326],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2654366,"threshold_uncertainty_score":0.9910464,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7037213143","doi":"","title":"Development of the best-practice guidelines for the prevention of postpartum depression","year":2012,"lang":"en","type":"other","venue":"UVic’s Research and Learning Repository (University of Victoria)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary; University of Waterloo","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Diafiltration; Hyporeflexia; Proteogenomics; Articular cartilage damage; Tubulopathy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.110273072708085,"gpt":0.337122035948341,"spread":0.2268489632402561,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001474672,0.000115902,0.0002249137,0.0001180281,0.001101225,0.00003376207,0.0003683615,0.0001549975,0.0002161091],"category_scores_gemma":[0.0005405887,0.00008454812,0.000108148,0.00004262698,0.0007747425,0.0001096252,0.000212282,0.000535586,0.000004980222],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002481465,"about_ca_system_score_gemma":0.0002137972,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007227507,"about_ca_topic_score_gemma":0.0008296741,"domain_scores_codex":[0.9985071,0.0003186691,0.0002261346,0.0001813276,0.0005677188,0.0001990366],"domain_scores_gemma":[0.9970691,0.0005485793,0.0005020048,0.0002772923,0.001549345,0.00005373767],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00170194,0.001919433,0.004614143,0.006131652,0.002125575,0.000009040719,0.3926889,0.00004772562,0.005468068,0.0467554,0.4933523,0.04518588],"study_design_scores_gemma":[0.0002387994,0.0001687058,0.00008368382,0.0007692191,0.00008251853,0.000001680547,0.03543937,0.00002541282,0.000257838,0.00009149008,0.9627544,0.00008686047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02794303,0.02483719,0.0007553512,0.004285709,0.005637919,0.002757899,0.00006324514,0.00011693,0.9336028],"genre_scores_gemma":[0.04923227,0.001123149,0.002426198,0.00001223102,0.001169807,0.000002824883,0.00001376984,0.00008155625,0.9459382],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4694021,"threshold_uncertainty_score":0.8469843,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6949856569","doi":"10.5281/zenodo.4165753","title":"PutlockerS!![HD]-WaTcH S#!%head: Jordan Cantwell's Epic Quest (2020) Online Full For Free at 123Movie'S ztg","year":2020,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"EPIC; Download; Sign (mathematics); Action (physics); Making-of; Quarter (Canadian coin)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.08061936468429837,"gpt":0.2552673334468644,"spread":0.1746479687625661,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005742196,0.0002805227,0.0003170734,0.00008166666,0.005275382,0.001588085,0.001336904,0.0001000201,0.01842093],"category_scores_gemma":[0.0009329868,0.0002859945,0.0001449831,0.0001389719,0.0005793282,0.0002929053,0.001212401,0.0004771301,0.00646115],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001466316,"about_ca_system_score_gemma":0.00001340356,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001470983,"about_ca_topic_score_gemma":0.0004009138,"domain_scores_codex":[0.9975314,0.000252776,0.0004755567,0.0006465979,0.0004791992,0.0006144303],"domain_scores_gemma":[0.9978873,0.00005995244,0.0001765297,0.0006082749,0.0008623742,0.0004056141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002371972,0.0002444536,0.000006444582,0.000286075,0.00007634186,0.00003339543,0.02627487,0.00002638942,0.0007518869,0.08982123,0.8693799,0.01286183],"study_design_scores_gemma":[0.0009547257,0.000761088,0.00002142113,0.00005108514,0.0000344583,0.00003459507,0.002344149,0.0004707385,0.0002349313,0.002193508,0.9925538,0.0003454814],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2495667,0.001565227,0.002341769,0.2272247,0.002424768,0.004457278,0.01028353,0.005840092,0.4962959],"genre_scores_gemma":[0.9358995,0.0007848258,0.0009504707,0.00737548,0.005972739,5.939221e-7,0.00758611,0.004399506,0.03703076],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6863328,"threshold_uncertainty_score":0.9999592,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7125925654","doi":"10.1525/jrpc.25.2.302a","title":"Review: Screening the Afterlife: Theology, Eschatology and Film, by Christopher Deacy","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Eschatology; Ridiculous; Interpretation (philosophy); Subject (documents)","authors":[{"name":"Tim Allen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01608183303299678,"gpt":0.2450588268982347,"spread":0.2289769938652379,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003308785,0.0001254142,0.0002520167,0.0000245088,0.0002810903,0.0001279111,0.0001223247,0.00009459238,0.000111806],"category_scores_gemma":[0.00006258944,0.0000649894,0.00008827831,0.00001347521,0.0003455991,0.000184307,0.00003226719,0.0004730726,0.00001323165],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003652178,"about_ca_system_score_gemma":0.000007330135,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001258529,"about_ca_topic_score_gemma":0.0001176,"domain_scores_codex":[0.9992108,0.0001297198,0.0003093201,0.00009925791,0.0001129776,0.0001378853],"domain_scores_gemma":[0.999344,0.00002380561,0.0002524359,0.0001057418,0.0001899948,0.00008404547],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001098507,0.00001400978,0.000797159,0.00008090146,0.00002786007,0.000006209238,0.006161923,1.069948e-7,0.00003318808,0.06001613,0.9312947,0.001556808],"study_design_scores_gemma":[0.0002108388,0.0001538776,0.00002719895,0.0003710397,0.00005336971,0.000292068,0.0007198759,0.000005840561,0.000007507048,0.007253837,0.9908114,0.00009311453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.1458482,0.8063339,0.00007310254,0.04245808,0.0005913954,0.0003086119,0.000008749971,0.00002204702,0.004355971],"genre_scores_gemma":[0.1940791,0.7265065,0.0003934099,0.05069551,0.001037752,0.000009551075,0.00001087299,0.00003011295,0.0272372],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.07982737,"threshold_uncertainty_score":0.2650191,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7125923663","doi":"10.1525/jrpc.25.2.302b","title":"Review: Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery, edited by Regina Hansen","year":2013,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Period (music); Christianity; Ridiculous; Subject (documents)","authors":[{"name":"Virginia Langum","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01319215227554862,"gpt":0.2393079886798944,"spread":0.2261158364043458,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003097021,0.000194621,0.0003793306,0.0001081292,0.0001865219,0.0002130273,0.0001141234,0.0001092332,0.00003850547],"category_scores_gemma":[0.0001044161,0.0001341366,0.00009072365,0.00003588029,0.0001866,0.0002784335,0.00002481383,0.0006417579,0.00002256917],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001846017,"about_ca_system_score_gemma":0.00001377086,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001718468,"about_ca_topic_score_gemma":0.0002727445,"domain_scores_codex":[0.9989081,0.00009867387,0.0003925867,0.000164747,0.000239648,0.0001962292],"domain_scores_gemma":[0.9992474,0.00002366691,0.0002741225,0.0001271768,0.0001845798,0.0001430112],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000194226,0.00007005814,0.0001714158,0.0001821492,0.00001344226,0.00004350196,0.01044734,4.451422e-7,0.0001551252,0.02234448,0.9660491,0.0005035055],"study_design_scores_gemma":[0.0005623661,0.0004252756,0.00005303929,0.001881334,0.00004737529,0.0002420736,0.0007004141,0.00001285735,0.00002371758,0.004956824,0.9908989,0.0001958394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"review","genre_scores_codex":[0.5894806,0.324819,0.00002248032,0.06036704,0.002044912,0.0009271362,0.00009340008,0.00007148278,0.02217388],"genre_scores_gemma":[0.2242596,0.7197077,0.0002493208,0.02054369,0.002466817,0.00001166164,0.00007203594,0.00006684295,0.03262241],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.3948886,"threshold_uncertainty_score":0.546993,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7029334852","doi":"","title":"Insulin modulates the effects of early life adversity on executive functioning skills","year":2023,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Ethics, Aesthetics, and Art","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research; University of Toronto; McGill University; Harvard University","keywords":"Insulin; Quality of life (healthcare); Cognition; Cognitive skill","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01868253925343722,"gpt":0.224524583030363,"spread":0.2058420437769258,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008169581,0.0006632239,0.0007383918,0.0003731384,0.002697347,0.0001731784,0.0006470068,0.0005560296,0.0001843124],"category_scores_gemma":[0.001809227,0.0005576804,0.0005214079,0.0001674963,0.0003525878,0.0004493002,0.0001263317,0.002098331,0.0007552982],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000176618,"about_ca_system_score_gemma":0.00006545515,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001018787,"about_ca_topic_score_gemma":0.004394371,"domain_scores_codex":[0.9965963,0.0004303675,0.0007361132,0.0007834802,0.0008857225,0.000568047],"domain_scores_gemma":[0.9961994,0.001507526,0.0007138703,0.0006946694,0.0006815455,0.0002029552],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005901176,0.0005972853,0.00006954485,0.001385115,0.0008288171,0.00005492316,0.00653604,0.0001043406,0.001189567,0.9638382,0.0001630265,0.02464308],"study_design_scores_gemma":[0.007376986,0.007575949,0.02847517,0.01389659,0.002963689,0.00001097797,0.05267761,0.00007033164,0.0853724,0.3707321,0.4237738,0.007074362],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8872093,0.0002387122,2.789677e-8,0.00004080839,0.004900264,0.0006725344,0.0004769604,0.0002861271,0.1061753],"genre_scores_gemma":[0.941157,0.0004379968,0.00001066032,0.0004620487,0.0002626032,0.00006742995,0.0003720367,0.0001757343,0.05705443],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.593106,"threshold_uncertainty_score":0.9996875,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}