{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":1242,"total_is_capped":false,"direct_labels_cover":3,"predictions_cover":1242,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"e8dc291026e6","filters":{"topic":"Fashion and Cultural Textiles"}},"results":[{"id":"W2126607325","doi":"10.2752/175174112x13340749707123","title":"Fast Fashion, Sustainability, and the Ethical Appeal of Luxury Brands","year":2012,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":898,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Hong Kong Polytechnic University; University of Hong Kong","keywords":"Sustainability; Clothing; Yesterday; Fast fashion; Quality (philosophy); Aesthetics; Fashion design; Marketing; Advertising; Business; Law; Political science; Art","authors":[{"name":"Annamma Joy","is_ca":false},{"name":"John F. Sherry","is_ca":false},{"name":"Alladi Venkatesh","is_ca":false},{"name":"Jeff Jianfeng Wang","is_ca":false},{"name":"Ricky Y. K. Chan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01544651407876789,"gpt":0.2458771659941584,"spread":0.2304306519153905,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054297,0.0002141671,0.0001221233,0.0006595187,0.005683654,0.007020902,0.000319272,0.00399828,0.002363395],"category_scores_gemma":[0.006845814,0.0001460297,0.0002243413,0.0004249109,0.03675404,0.003499836,0.002632287,0.002792748,0.0002171375],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002446896,"about_ca_system_score_gemma":0.001463216,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001728284,"about_ca_topic_score_gemma":0.003029034,"domain_scores_codex":[0.9954761,0.003208239,0.00006852809,0.0002166398,0.0006265094,0.0004041309],"domain_scores_gemma":[0.9954125,0.003011551,0.0004861752,0.0003398816,0.0003849546,0.0003649379],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001441715,0.00001915447,0.00155985,0.00001783094,0.000003650929,0.0001323479,0.0205475,0.00007614317,0.000197165,0.9703596,0.001778763,0.005293646],"study_design_scores_gemma":[0.00001802574,0.00005001809,0.004042197,0.0001806304,0.000009963866,0.0005030216,0.04791465,0.0004540423,0.0004898614,0.775618,0.1706896,0.00003006687],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2084559,0.005282817,0.008576646,0.06688266,0.0006945595,0.00002385526,0.00001508918,0.00003145995,0.7100369],"genre_scores_gemma":[0.9889529,0.0004372782,0.0005063763,0.003418525,0.0001432234,0.000009950446,0.00000268171,0.00001345176,0.006515511],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007020902,"threshold_uncertainty_score":0.02871531,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4229016428","doi":"10.1002/jsc.2502","title":"Digital future of luxury brands: Metaverse, digital fashion, and non‐fungible tokens","year":2022,"lang":"en","type":"article","venue":"Strategic Change","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":339,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa; University of British Columbia","funders":"","keywords":"Fashion industry; Business; Metaverse; Emerging technologies; Emerging markets; Marketing; Advertising; Digital transformation; Digital marketing; Computer science; Virtual reality; World Wide Web; Clothing; Human–computer interaction; Political science","authors":[{"name":"Annamma Joy","is_ca":true},{"name":"Ying Zhu","is_ca":true},{"name":"Camilo Peña","is_ca":true},{"name":"Myriam Brouard","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05501698007275658,"gpt":0.2202804998809967,"spread":0.1652635198082401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001040079,0.0001528967,0.0001144254,0.001012868,0.002430286,0.009954321,0.0003615654,0.001603702,0.01271447],"category_scores_gemma":[0.00110866,0.0001207017,0.0002344383,0.0008579481,0.008896185,0.01126099,0.003199483,0.001538688,0.0007977358],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002516852,"about_ca_system_score_gemma":0.0008320668,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001132312,"about_ca_topic_score_gemma":0.001981139,"domain_scores_codex":[0.9996371,0.0001378138,0.000009592895,0.00004784697,0.00008347349,0.00008414263],"domain_scores_gemma":[0.9993095,0.0002564365,0.0000887901,0.0001291002,0.000078362,0.0001377597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002528867,0.00002157805,0.001107313,0.00003546555,0.000002122933,0.0002500667,0.005459836,0.0001550964,0.0004378457,0.9785242,0.001090465,0.01289075],"study_design_scores_gemma":[0.00001722711,0.0001299519,0.006260092,0.0005313474,0.00001657107,0.001416919,0.0513626,0.002610777,0.003001715,0.5879703,0.3466337,0.00004888479],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3447498,0.004876481,0.009175225,0.01792966,0.0002691664,0.00002437842,0.00007783341,0.00008278207,0.6228147],"genre_scores_gemma":[0.9848055,0.0008775406,0.00100757,0.0003101496,0.0000489925,0.000007015593,0.00001312875,0.00001381438,0.01291636],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01271447,"threshold_uncertainty_score":0.04253417,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2108016905","doi":"10.5153/sro.1100","title":"Explaining Showering: A Discussion of the Material, Conventional, and Temporal Dimensions of Practice","year":2005,"lang":"en","type":"article","venue":"Sociological Research Online","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":266,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Popularity; Rhetorical question; Sociology; Resource (disambiguation); Consumption (sociology); Epistemology; Everyday life; Mobilities; Social science; Computer science; Psychology; Social psychology; Linguistics","authors":[{"name":"Martin Hand","is_ca":true},{"name":"Elizabeth Shove","is_ca":true},{"name":"Dale Southerton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2113592760425906,"gpt":0.4175154450140953,"spread":0.2061561689715048,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006758946,0.0008476066,0.0005522933,0.004525907,0.007729915,0.0127406,0.002884667,0.006616364,0.0069021],"category_scores_gemma":[0.01049054,0.0005240768,0.0009771191,0.006715698,0.06214849,0.02195151,0.004993997,0.00377496,0.0005023537],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008746711,"about_ca_system_score_gemma":0.002847285,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01349602,"about_ca_topic_score_gemma":0.009131594,"domain_scores_codex":[0.9946746,0.003717078,0.0002263716,0.0003189466,0.0005398786,0.0005231425],"domain_scores_gemma":[0.9888253,0.00915399,0.0009147375,0.0006038191,0.0003214113,0.0001807435],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000009517305,0.00001190908,0.000648527,0.0001051362,0.000002901449,0.0003069867,0.0862528,0.0002891287,0.0001325734,0.9081924,0.0006270872,0.003420995],"study_design_scores_gemma":[0.00001777419,0.00004935612,0.003438039,0.0009056908,0.00001129098,0.0009590897,0.1622651,0.001966077,0.0003913735,0.6646802,0.1652777,0.00003827391],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1930684,0.03518873,0.2101174,0.131007,0.001079238,0.0003585829,0.0003044229,0.0002901752,0.428586],"genre_scores_gemma":[0.9644741,0.008021122,0.01902366,0.001447072,0.0003469407,0.0002962768,0.00008701371,0.0000929986,0.006210775],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01349602,"threshold_uncertainty_score":0.06346214,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2043934060","doi":"10.1016/j.jretai.2014.01.002","title":"M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions","year":2014,"lang":"en","type":"article","venue":"Journal of Retailing","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":184,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Okanagan University College; University of British Columbia, Okanagan Campus; University of British Columbia","funders":"","keywords":"Luxury goods; Architecture; Context (archaeology); Business; Rendering (computer graphics); Advertising; Marketing; Perception; Ethnography; Function (biology); Visual arts; Sociology; Art; Computer science; History; Psychology","authors":[{"name":"Annamma Joy","is_ca":true},{"name":"Jeff Jianfeng Wang","is_ca":false},{"name":"Tsang-Sing Chan","is_ca":false},{"name":"John F. Sherry","is_ca":false},{"name":"Geng Cui","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04476951733284817,"gpt":0.2602255593163206,"spread":0.2154560419834724,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001088725,0.0001600045,0.00007814798,0.0006343842,0.001905447,0.005705266,0.0003066667,0.00118718,0.01666552],"category_scores_gemma":[0.00314349,0.0002427493,0.0002868749,0.000400386,0.001723732,0.004274182,0.00199233,0.001034213,0.0006152364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009009088,"about_ca_system_score_gemma":0.0004357159,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007368831,"about_ca_topic_score_gemma":0.01720671,"domain_scores_codex":[0.9995215,0.000206135,0.00001765197,0.0000438652,0.00008786004,0.0001230957],"domain_scores_gemma":[0.9980862,0.000598722,0.0003710522,0.00009355428,0.0002729064,0.0005774879],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.001834222,0.001416061,0.4938148,0.0001832162,0.0001039975,0.00140292,0.4035532,0.0003670012,0.006582222,0.03401811,0.008705353,0.04801886],"study_design_scores_gemma":[0.00006204651,0.0003981584,0.3309796,0.0001129673,0.00006588554,0.0004005131,0.6340231,0.0008874057,0.0009248235,0.00320791,0.02887399,0.00006357601],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9698191,0.00005953738,0.0001756016,0.0005315637,0.00001452439,0.00001320072,0.00004084194,0.000006743275,0.02933893],"genre_scores_gemma":[0.9983417,0.00002759909,0.0001028158,0.0001025503,0.000004595888,0.000004390131,0.0000161498,0.000004711608,0.001395412],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01666552,"threshold_uncertainty_score":0.05575174,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2169090813","doi":"10.1016/j.jcps.2010.06.011","title":"The aesthetics of luxury fashion, body and identify formation","year":2010,"lang":"en","type":"article","venue":"Journal of Consumer Psychology","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":150,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"HEC Montréal","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Aesthetics; Identity (music); Perception; Everyday Aesthetics; Focus (optics); Psychology; Sociology; Art","authors":[{"name":"Alladi Venkatesh","is_ca":false},{"name":"Annamma Joy","is_ca":false},{"name":"John F. Sherry","is_ca":false},{"name":"Jonathan Deschênes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02680102603593597,"gpt":0.3073534162930194,"spread":0.2805523902570834,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070312,0.0001528438,0.0001155148,0.0004913326,0.0007756382,0.003329141,0.0001744488,0.0002927981,0.003980286],"category_scores_gemma":[0.001354064,0.0001288838,0.0001776758,0.0003405925,0.00445974,0.001025111,0.001166189,0.0005667304,0.0001625723],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004820688,"about_ca_system_score_gemma":0.0001907992,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005175408,"about_ca_topic_score_gemma":0.0006942019,"domain_scores_codex":[0.9996114,0.0002145823,0.000009968348,0.00003487384,0.00009023099,0.00003894679],"domain_scores_gemma":[0.9994567,0.0002180288,0.0001438693,0.00007341822,0.00006264073,0.00004519982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004679589,0.0001482875,0.09936522,0.0003971884,0.00006060642,0.001555023,0.1048214,0.00269911,0.02716548,0.6526935,0.001948148,0.1086781],"study_design_scores_gemma":[0.00005180294,0.0004549536,0.416456,0.0004889228,0.0001064143,0.003769767,0.176716,0.01118045,0.009307506,0.297574,0.08379007,0.0001040586],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8295869,0.0005656665,0.01438809,0.0009935697,0.00004906765,0.00001395598,0.00001820529,0.00002501216,0.1543595],"genre_scores_gemma":[0.9966536,0.00007512187,0.0008279083,0.00002596761,0.000006422007,0.000003330267,0.000003047852,0.000004352203,0.002400265],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003980286,"threshold_uncertainty_score":0.01331538,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2811066556","doi":"10.3390/su10072270","title":"Key Issues in Slow Fashion: Current Challenges and Future Perspectives","year":2018,"lang":"en","type":"article","venue":"Sustainability","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":121,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Clothing; Fast fashion; Sustainability; Key (lock); Fashion industry; Competition (biology); Position (finance); Current (fluid); Business; Marketing; Computer science; Process management; Engineering; Political science; Computer security","authors":[{"name":"Róbert Štefko","is_ca":false},{"name":"Vladimira Steffek","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02696877943714929,"gpt":0.2851922288655358,"spread":0.2582234494283865,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008908816,0.0007453028,0.001194989,0.002647552,0.004223239,0.01496286,0.002130337,0.006703394,0.01705855],"category_scores_gemma":[0.008811059,0.0003219199,0.0008354585,0.00492685,0.01327275,0.02079786,0.005866562,0.007564977,0.002586127],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005019582,"about_ca_system_score_gemma":0.01292133,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004293432,"about_ca_topic_score_gemma":0.007660642,"domain_scores_codex":[0.9964694,0.001609328,0.0002138813,0.0004785819,0.0006607357,0.0005680372],"domain_scores_gemma":[0.9867601,0.008709771,0.0008299741,0.0003549234,0.002171664,0.001173433],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001277615,0.0002185247,0.002466714,0.008100859,0.00003126464,0.0009716548,0.01295367,0.0007285782,0.0004648723,0.5090263,0.05213035,0.4127794],"study_design_scores_gemma":[0.000007515944,0.00009060674,0.001442082,0.009404245,0.00002721416,0.0008844747,0.06613921,0.0003809353,0.0002588392,0.2161652,0.7051389,0.00006081865],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.006563309,0.6644398,0.005205383,0.2725379,0.006155442,0.00005372689,0.0001046996,0.00006064811,0.04487908],"genre_scores_gemma":[0.1319772,0.8153495,0.007395687,0.0265209,0.006286807,0.0001469815,0.0001620647,0.00006593794,0.01209502],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01705855,"threshold_uncertainty_score":0.05706656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2018907730","doi":"10.1017/s0714980800001744","title":"Beauty in Later Life: Older Women's Perceptions of Physical Attractiveness","year":2002,"lang":"en","type":"article","venue":"Canadian Journal on Aging / La Revue canadienne du vieillissement","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":103,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Beauty; Physical attractiveness; Attractiveness; Embodied cognition; Honour; Preference; Perception; Aesthetics; Psychology; Social psychology; Human physical appearance; Gender studies; Sociology; Art; Philosophy; Political science; Epistemology","authors":[{"name":"Laura Hurd Clarke","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01876847157470855,"gpt":0.2089480025137902,"spread":0.1901795309390817,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001054287,0.000185336,0.0002696131,0.0006642792,0.001016631,0.001138335,0.000147115,0.0004165036,0.002598201],"category_scores_gemma":[0.003672897,0.0001577049,0.000209263,0.0003594665,0.0009969296,0.0007334376,0.001057062,0.0006540923,0.0002078427],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003653651,"about_ca_system_score_gemma":0.0002717792,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007073524,"about_ca_topic_score_gemma":0.01163341,"domain_scores_codex":[0.9996507,0.0001582302,0.00002195553,0.00003080193,0.00006644948,0.00007179265],"domain_scores_gemma":[0.9985282,0.00059018,0.0004057683,0.00004123039,0.0001787192,0.0002559246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003620196,0.0001104131,0.522882,0.0001685098,0.0000373513,0.00121582,0.4474597,0.00006348806,0.004748979,0.000603912,0.0008327737,0.02151505],"study_design_scores_gemma":[0.000008476834,0.0002929921,0.5971163,0.00007977133,0.00002119561,0.000784356,0.3948438,0.00008277552,0.0003457065,0.0001751591,0.006223639,0.00002571096],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9978012,0.0002683636,0.00004904878,0.00008755028,0.000009807191,0.00000444361,0.0000288814,9.15921e-7,0.00174985],"genre_scores_gemma":[0.9991546,0.0001788701,0.00003425931,0.00003483823,0.000006096066,0.00000628067,0.00001636762,7.358531e-7,0.0005680255],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007073524,"threshold_uncertainty_score":0.01406467,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2103392084","doi":"10.1017/s0144686x08008283","title":"Bat wings, bunions, and turkey wattles: body transgressions and older women's strategic clothing choices","year":2009,"lang":"en","type":"article","venue":"Ageing and Society","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":97,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Michael Smith Health Research BC","keywords":"Clothing; Beauty; Psychology; Social psychology; Perception; Preference; Stigma (botany); Lower body; Human physical appearance; Gender studies; Sociology; Aesthetics; Medicine; Political science; Art","authors":[{"name":"Laura Hurd Clarke","is_ca":true},{"name":"Meridith Griffin","is_ca":true},{"name":"Katherine Maliha","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02069308423529121,"gpt":0.2333387266274954,"spread":0.2126456423922042,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001573564,0.0002602006,0.0002236627,0.0005042949,0.001773419,0.002102511,0.0002533259,0.0005954567,0.001916505],"category_scores_gemma":[0.002773416,0.0002090252,0.0001894963,0.0003690128,0.00391007,0.001106529,0.001941167,0.0007420471,0.000150372],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005558,"about_ca_system_score_gemma":0.000384879,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004789289,"about_ca_topic_score_gemma":0.01068119,"domain_scores_codex":[0.9992629,0.0004278385,0.00004333756,0.00005221209,0.00009990997,0.0001138106],"domain_scores_gemma":[0.9986818,0.0005742891,0.0003867895,0.00006620691,0.0001134435,0.0001773757],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001030886,0.00003327075,0.05577155,0.0001217782,0.00001650287,0.001135547,0.9268763,0.00004041806,0.002775616,0.002046951,0.0004071988,0.01067169],"study_design_scores_gemma":[0.000004599339,0.0001110524,0.04573397,0.0001083493,0.0000103414,0.001030244,0.9439974,0.0000421768,0.0003317867,0.0003844443,0.008225305,0.00002038949],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9956253,0.0003926825,0.0001120398,0.0002570092,0.00001213807,0.000002768013,0.0000090667,0.000001964742,0.003587066],"genre_scores_gemma":[0.998896,0.0002032519,0.0000485785,0.00005729976,0.000003857605,0.000001761575,0.000004473142,0.000001622978,0.0007830253],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004789289,"threshold_uncertainty_score":0.009522855,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1991866981","doi":"10.1353/jsh.0.0019","title":"East &amp; West: Textiles and Fashion in Early Modern Europe","year":2008,"lang":"en","type":"article","venue":"Journal of Social History","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":97,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Social history (medicine); History; Media studies; Art history; Classics; Library science; Sociology; Medicine; Computer science","authors":[{"name":"Beverly Lemire","is_ca":true},{"name":"Giorgio Riello","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06657559575952067,"gpt":0.2208462212593719,"spread":0.1542706254998512,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006787637,0.0005043727,0.0002933933,0.002151775,0.001813082,0.005720787,0.0002952559,0.002012213,0.01088321],"category_scores_gemma":[0.0005822498,0.000241664,0.0001454006,0.003914572,0.002162623,0.0088004,0.001561033,0.001562296,0.001020663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00107884,"about_ca_system_score_gemma":0.0006684701,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008375287,"about_ca_topic_score_gemma":0.0242996,"domain_scores_codex":[0.9997593,0.0000837161,0.00001346617,0.00002779664,0.00005865186,0.00005711431],"domain_scores_gemma":[0.9997945,0.00008134621,0.00002828717,0.00001503722,0.00004215878,0.0000386991],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001567692,0.000145023,0.008097367,0.0006445252,0.00004098143,0.0006619406,0.07152177,0.0001778976,0.001252763,0.2750291,0.3381709,0.3041011],"study_design_scores_gemma":[0.000006708473,0.00002677285,0.03533977,0.0007682949,0.00002534979,0.0003911794,0.03272223,0.00005400395,0.0004363951,0.01880059,0.9114129,0.00001579794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0517804,0.5775404,0.001004256,0.08127401,0.005350804,0.00001446624,0.0002517972,0.00004395995,0.2827399],"genre_scores_gemma":[0.4022413,0.3057708,0.001624518,0.01760958,0.005172394,0.00002885037,0.0002167386,0.0001271791,0.2672086],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01088321,"threshold_uncertainty_score":0.03640795,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3111780172","doi":"10.1080/15487733.2020.1829848","title":"Will COVID-19 support the transition to a more sustainable fashion industry?","year":2020,"lang":"en","type":"article","venue":"Sustainability Science Practice and Policy","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":91,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Kwantlen Polytechnic University; Thompson Rivers University","funders":"Vetenskapsrådet","keywords":"Sustainability; Coronavirus disease 2019 (COVID-19); Transition (genetics); Consumption (sociology); Business; Social sustainability; Socioeconomic status; Supply chain; Sustainable development; Fast fashion; Economics; Marketing; Sociology; Political science; Clothing; Social science","authors":[{"name":"Taylor Brydges","is_ca":false},{"name":"Monique Retamal","is_ca":false},{"name":"Mary Hanlon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03604278501860281,"gpt":0.3460226271679292,"spread":0.3099798421493264,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01740587,0.0005013009,0.0004167529,0.0014013,0.005030292,0.01136063,0.003645433,0.01164329,0.04434708],"category_scores_gemma":[0.02481026,0.0004920386,0.001273845,0.001070257,0.003210936,0.007624017,0.01403288,0.009181133,0.00531086],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01017002,"about_ca_system_score_gemma":0.03416004,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02803007,"about_ca_topic_score_gemma":0.05017505,"domain_scores_codex":[0.9888577,0.002472788,0.0003796737,0.0007747041,0.002352044,0.005163017],"domain_scores_gemma":[0.9808796,0.005192884,0.00187815,0.0007317597,0.003691353,0.007626307],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0004597895,0.0009751007,0.01452442,0.001411844,0.00005142177,0.0009738963,0.002518967,0.001857543,0.002883562,0.6437986,0.2271419,0.1034029],"study_design_scores_gemma":[0.0001530861,0.0004542831,0.009666575,0.001490419,0.00003431482,0.0002507902,0.004840647,0.0007611229,0.001507467,0.02722297,0.9535125,0.0001057126],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.04403966,0.007228977,0.006874483,0.4681696,0.007730435,0.0009662449,0.002355372,0.0002998187,0.4623354],"genre_scores_gemma":[0.36345,0.007643753,0.01657916,0.4699124,0.001826788,0.002655498,0.002050048,0.0002046836,0.1356777],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04434708,"threshold_uncertainty_score":0.1483558,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3005608164","doi":"10.1111/ijcs.12572","title":"Fashion sensitive young consumers and fashion garment repair: Emotional connections to garments as a sustainability strategy","year":2020,"lang":"en","type":"article","venue":"International Journal of Consumer Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":83,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Clothing; Dispose pattern; Sustainability; Context (archaeology); Business; Fast fashion; Marketing; Advertising; Engineering; Waste management","authors":[{"name":"Lisa S. McNeill","is_ca":false},{"name":"Robert P. Hamlin","is_ca":false},{"name":"Rachel H. McQueen","is_ca":true},{"name":"Lauren M. Degenstein","is_ca":true},{"name":"Tony C. Garrett","is_ca":false},{"name":"Linda Dunn","is_ca":false},{"name":"Sarah Wakes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05520719783135874,"gpt":0.322552884436296,"spread":0.2673456866049373,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001001157,0.0001590483,0.0001557768,0.0003858009,0.001008455,0.001926693,0.0001677428,0.0005685236,0.003944305],"category_scores_gemma":[0.002442032,0.0001849139,0.0002006847,0.0003084945,0.001635426,0.0008057583,0.0008422674,0.0008676577,0.000189727],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003802461,"about_ca_system_score_gemma":0.0004421873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002289926,"about_ca_topic_score_gemma":0.004655545,"domain_scores_codex":[0.9996172,0.0002115749,0.0000140524,0.00003268592,0.00006402773,0.00006042204],"domain_scores_gemma":[0.9978175,0.0008028182,0.0007134742,0.00006392691,0.0001845024,0.0004178084],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.000120264,0.0004404217,0.6411615,0.0002481592,0.0000915429,0.002173939,0.325833,0.00007531521,0.003250075,0.003711964,0.001267196,0.02162678],"study_design_scores_gemma":[0.000007684514,0.0001882615,0.5208043,0.0001547563,0.00004834027,0.0006939707,0.4682496,0.0001769968,0.0003719736,0.001026452,0.008244745,0.00003290144],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9953662,0.0002908291,0.0001263396,0.0003695589,0.00001432946,0.00000574353,0.00001097216,0.000001653714,0.003814355],"genre_scores_gemma":[0.9988212,0.0002307975,0.00008594345,0.0001175728,0.000004832238,0.000003563932,0.000006119529,0.000001218077,0.0007287533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003944305,"threshold_uncertainty_score":0.01319504,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2807569296","doi":"10.1177/0891243218774495","title":"(Re)Fashioning Masculinity: Social Identity and Context in Men’s Hybrid Masculinities through Dress","year":2018,"lang":"en","type":"article","venue":"Gender & Society","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":74,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Masculinity; Gender studies; Hegemonic masculinity; Sociology; Hegemony; Privilege (computing); Situated; Clothing; Identity (music); Doing gender; Context (archaeology); Social psychology; Psychology; Aesthetics; Politics; Political science; Art","authors":[{"name":"Ben Barry","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.111886259073828,"gpt":0.2972099594391243,"spread":0.1853237003652963,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002240245,0.0003288042,0.0002198175,0.0008650335,0.01305802,0.00540049,0.0004529348,0.000680652,0.002544275],"category_scores_gemma":[0.001337153,0.0002706399,0.0001708319,0.0006226259,0.03040389,0.001760741,0.003620841,0.001151073,0.0001508335],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003573522,"about_ca_system_score_gemma":0.002507395,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05470558,"about_ca_topic_score_gemma":0.1100822,"domain_scores_codex":[0.9981837,0.001087234,0.00002795629,0.000138202,0.0002086662,0.0003541876],"domain_scores_gemma":[0.9994346,0.0002357156,0.00008089207,0.00005498009,0.00005659625,0.000137188],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001795136,0.00001564996,0.005145468,0.00001896971,0.000004385427,0.0003630997,0.9358851,0.0000406729,0.0008348977,0.05208751,0.0002442125,0.005342086],"study_design_scores_gemma":[0.000004422395,0.00005576525,0.01234057,0.00006759621,0.000009898976,0.0004490033,0.934862,0.00012088,0.0005790117,0.00666257,0.04482618,0.00002210139],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9156649,0.0004683428,0.001807886,0.0009541336,0.000046707,0.0000151791,0.00001198868,0.00001462117,0.08101622],"genre_scores_gemma":[0.9965454,0.00007658723,0.0002305564,0.00005700839,0.000004716268,0.000002816013,0.000002392168,0.000005395514,0.003075097],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05470558,"threshold_uncertainty_score":0.1087744,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044731821","doi":"10.2752/146069210x12766130824894","title":"Evaluative Criteria of Denim Jeans: A Cross-national Study of Functional and Aesthetic Aspects","year":2010,"lang":"en","type":"article","venue":"The Design Journal","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":73,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Denim; Context (archaeology); Purchasing; Conformity; Marketing; Product (mathematics); Advertising; China; Consumption (sociology); Perception; Psychology; Order (exchange); Appeal; Consumer behaviour; Sociology; Business; Social psychology; Social science; Political science; Geography","authors":[{"name":"Osmud Rahman","is_ca":true},{"name":"Jiang Yan","is_ca":false},{"name":"Wing‐sun Liu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1266147565796139,"gpt":0.3316390823672635,"spread":0.2050243257876495,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003169525,0.0002093534,0.000248254,0.001374235,0.001934997,0.001286999,0.0002447041,0.0002398816,0.001172324],"category_scores_gemma":[0.004690603,0.0001297551,0.0001996044,0.0008225204,0.001189607,0.000663661,0.001199079,0.0004564514,0.00008890915],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001315193,"about_ca_system_score_gemma":0.0009320306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02062749,"about_ca_topic_score_gemma":0.05036708,"domain_scores_codex":[0.9992086,0.0002955107,0.00005396497,0.00006946005,0.0002434294,0.0001290487],"domain_scores_gemma":[0.9977944,0.0004940271,0.0005519468,0.0001239657,0.0007820928,0.0002536283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001805402,0.0001533365,0.62396,0.0001722769,0.00003114774,0.0007572027,0.3371147,0.00006725044,0.007331099,0.001516854,0.0005126952,0.02820294],"study_design_scores_gemma":[0.000004300535,0.0001475733,0.6936584,0.00006114499,0.00001395666,0.0006233239,0.2968758,0.0001946463,0.001007134,0.0001958757,0.007193217,0.0000247519],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9970447,0.00004014636,0.00006730584,0.00002349499,0.000003132011,0.0000139259,0.00000965204,5.922902e-7,0.002797061],"genre_scores_gemma":[0.9986325,0.00006691252,0.0002061086,0.00002904487,0.000003276807,0.00001901112,0.00002761832,0.000002907315,0.001012661],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02062749,"threshold_uncertainty_score":0.04101485,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1680278106","doi":"10.1177/0891243215591598","title":"Embodied Motherhood","year":2015,"lang":"en","type":"article","venue":"Gender & Society","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":71,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McMaster University; University of Toronto","funders":"","keywords":"Embodied cognition; Feeling; Affect (linguistics); Psychology; Ideology; Developmental psychology; Gender studies; Psychology of self; Social psychology; Sociology; Political science","authors":[{"name":"Bonnie Fox","is_ca":true},{"name":"Elena Neiterman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1630990440988625,"gpt":0.2610935642932782,"spread":0.09799452019441565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001400135,0.0003912251,0.0002107393,0.000561074,0.008973548,0.00286113,0.000647514,0.0006082241,0.004681547],"category_scores_gemma":[0.002073528,0.0001865793,0.0001634817,0.0004895254,0.006362772,0.001674928,0.003338898,0.0009909015,0.0002589051],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006877248,"about_ca_system_score_gemma":0.008400584,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2576262,"about_ca_topic_score_gemma":0.4060994,"domain_scores_codex":[0.9989401,0.0003886705,0.00002383581,0.0001166808,0.0002412691,0.0002895359],"domain_scores_gemma":[0.9993843,0.0002355121,0.00007525826,0.00005367059,0.0001310162,0.0001202222],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000364032,0.00001669979,0.003960556,0.0000732433,0.00000445214,0.0005666484,0.9395546,0.00006415482,0.001728281,0.02862207,0.001263503,0.02410952],"study_design_scores_gemma":[0.000005330925,0.00003965514,0.01051224,0.0001891514,0.00001244492,0.0006207706,0.7937783,0.0001237616,0.001241146,0.003169699,0.1902833,0.00002417301],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8214743,0.002427848,0.007033262,0.002914592,0.0002252143,0.0001351408,0.0001938661,0.00003695939,0.1655587],"genre_scores_gemma":[0.9708486,0.0009665517,0.00153995,0.000278094,0.00000873327,0.0000282198,0.00003061837,0.00001308688,0.02628621],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2576262,"threshold_uncertainty_score":0.5122533,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2103114798","doi":"10.1177/0891243214563327","title":"The Glass Runway","year":2015,"lang":"en","type":"article","venue":"Gender & Society","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":60,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Legitimation; Consecration; Sociology; Ideal (ethics); Legitimacy; Essentialism; Aesthetics; Value (mathematics); Gender studies; Praise; Runway; Social psychology; Psychology; Art; Political science; Law; History","authors":[{"name":"Allyson Stokes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1397947419539583,"gpt":0.2566895211609155,"spread":0.1168947792069572,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001355218,0.0005249903,0.0002542606,0.001299651,0.006613707,0.009131603,0.0006942062,0.001242249,0.03884815],"category_scores_gemma":[0.002174984,0.0003695815,0.0005437531,0.001011922,0.009890099,0.004682142,0.005184971,0.00147619,0.00439378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003225722,"about_ca_system_score_gemma":0.002255904,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007265023,"about_ca_topic_score_gemma":0.01563044,"domain_scores_codex":[0.9976872,0.0007469797,0.00007336082,0.0004086791,0.0006272098,0.0004565308],"domain_scores_gemma":[0.9986217,0.0003649713,0.0001122691,0.0003928985,0.0001634059,0.0003447665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0006998795,0.0001176765,0.01152727,0.0003514857,0.00004580864,0.0007747105,0.07271723,0.0004470178,0.005757266,0.5753039,0.06521574,0.2670421],"study_design_scores_gemma":[0.00001968618,0.0001930712,0.008069024,0.000273494,0.00002110118,0.000435472,0.0372832,0.0002795312,0.001863613,0.03837488,0.9131457,0.00004119792],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1751627,0.001908049,0.01546689,0.007289209,0.0008310173,0.00009940835,0.0003223095,0.0006505729,0.7982699],"genre_scores_gemma":[0.8354036,0.0006944133,0.006384552,0.001347942,0.0001428014,0.00007332183,0.0001448815,0.0004001074,0.1554083],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03884815,"threshold_uncertainty_score":0.1299599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4252462486","doi":"10.2752/9781474235303","title":"Islamic Fashion and Anti-Fashion","year":2013,"lang":"en","type":"book","venue":"","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":60,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Islam; Multiculturalism; Perspective (graphical); Fashion industry; Sociology; Media studies; Gender studies; Political science; Geography; Visual arts; Art; Law; Clothing; Archaeology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02635375588893049,"gpt":0.2096552196719775,"spread":0.183301463783047,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000314482,0.0002631502,0.000126719,0.000537262,0.002493108,0.00422665,0.0002045044,0.0007934917,0.008775706],"category_scores_gemma":[0.0005158304,0.0001331927,0.0001404136,0.000753243,0.004388543,0.001993393,0.001016637,0.001820714,0.001943549],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001196575,"about_ca_system_score_gemma":0.000719452,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002254909,"about_ca_topic_score_gemma":0.006605577,"domain_scores_codex":[0.9997424,0.00009655592,0.000006976168,0.0000262344,0.0000972686,0.00003046225],"domain_scores_gemma":[0.9998338,0.00006708904,0.00001832392,0.0000251381,0.00003628998,0.00001933377],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001881554,0.00002131177,0.0003743118,0.0000915906,0.000003215778,0.0001180561,0.01134901,0.00007904402,0.0003118599,0.8219217,0.1231286,0.0425824],"study_design_scores_gemma":[0.000002399026,0.00001094811,0.000901268,0.0001339917,0.000002332093,0.000159112,0.002444859,0.00004902249,0.0001293918,0.01985804,0.9763041,0.00000452248],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004507389,0.0124767,0.0003707135,0.004122633,0.001792157,0.000007600462,0.00001861069,0.00002313369,0.9766811],"genre_scores_gemma":[0.1558686,0.01475359,0.0008120723,0.003822312,0.001718866,0.00002204512,0.00004257627,0.0000753099,0.8228847],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.008775706,"threshold_uncertainty_score":0.02935767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3022639051","doi":"10.1111/ijcs.12590","title":"Impact of physical condition on disposal and end‐of‐life extension of clothing","year":2020,"lang":"en","type":"article","venue":"International Journal of Consumer Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":57,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Clothing; Dispose pattern; Business; Quality (philosophy); Investment (military); Extension (predicate logic); Operations management; Waste management; Engineering; Computer science","authors":[{"name":"Lauren M. Degenstein","is_ca":true},{"name":"Rachel H. McQueen","is_ca":true},{"name":"Lisa S. McNeill","is_ca":false},{"name":"Robert P. Hamlin","is_ca":false},{"name":"Sarah Wakes","is_ca":false},{"name":"Linda Dunn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07639561753388648,"gpt":0.3503629432298547,"spread":0.2739673256959683,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007201332,0.0001717524,0.0001396795,0.000290323,0.0004627727,0.0007728883,0.0003348032,0.000232947,0.004436431],"category_scores_gemma":[0.002963467,0.0001348168,0.0002440133,0.000235688,0.000460807,0.0001958705,0.0004053108,0.0003622161,0.0002401565],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00142785,"about_ca_system_score_gemma":0.001451104,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1033563,"about_ca_topic_score_gemma":0.2243956,"domain_scores_codex":[0.9993827,0.0001698808,0.00003225995,0.0000604248,0.0002244955,0.0001302317],"domain_scores_gemma":[0.9968199,0.001044348,0.0008951456,0.0001618967,0.0005385586,0.0005402062],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.001257381,0.001566024,0.974043,0.00006105835,0.00006069984,0.0001782189,0.001605623,0.0003728806,0.005118869,0.0001014279,0.0001738462,0.01546104],"study_design_scores_gemma":[0.000003574552,0.0005202307,0.9975913,0.000009876095,0.000009886254,0.00002353402,0.001056323,0.0001296951,0.0004277122,0.0000113582,0.0002125243,0.000004085838],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9992718,0.00002773583,0.00002313591,0.00001045188,0.000001246684,0.000009160641,0.00003930581,9.662696e-7,0.0006162516],"genre_scores_gemma":[0.9984592,0.00003936759,0.0001211613,0.000007526546,8.390909e-7,0.000005910996,0.00005762622,6.583211e-7,0.001307728],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1033563,"threshold_uncertainty_score":0.2055095,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1979910996","doi":"10.1111/j.0004-0894.2003.00192.x","title":"Fashioning furniture: restructuring the furniture commodity chain","year":2003,"lang":"en","type":"article","venue":"Area","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":56,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"Economic and Social Research Council","keywords":"Commodity chain; Restructuring; Temporality; Commodity; Furniture industry; Business; Commerce; Industrial organization; Economics; Production (economics); Finance","authors":[{"name":"Deborah Leslie","is_ca":true},{"name":"Suzanne Reimer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04443841638293378,"gpt":0.2137354853792503,"spread":0.1692970689963165,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000891978,0.0002113219,0.0001149997,0.0009902281,0.002520386,0.005769772,0.0008286988,0.0009715419,0.008688696],"category_scores_gemma":[0.002595293,0.0002052573,0.0002365349,0.002371431,0.004860288,0.004191795,0.002253853,0.0008123217,0.001298307],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003962645,"about_ca_system_score_gemma":0.003493969,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02174657,"about_ca_topic_score_gemma":0.03782668,"domain_scores_codex":[0.9992853,0.0002655924,0.00002633492,0.00009420257,0.0001273936,0.0002012601],"domain_scores_gemma":[0.9989765,0.0002297217,0.0001803328,0.0002711728,0.0001698621,0.0001725902],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001897241,0.0001717065,0.02376808,0.0003246752,0.00001770316,0.001796712,0.06747963,0.006434108,0.01828987,0.4609753,0.004890821,0.4156616],"study_design_scores_gemma":[0.00004205626,0.0004577562,0.07328793,0.0005781602,0.00007297059,0.002022681,0.150098,0.007109732,0.007854221,0.2018635,0.5565113,0.000101769],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6382347,0.001946581,0.03398258,0.005511545,0.0001371789,0.0001029191,0.00006299597,0.0001972833,0.3198242],"genre_scores_gemma":[0.9788384,0.0009488062,0.008938164,0.0003163766,0.00003094525,0.00001678003,0.0000430434,0.00003412955,0.01083325],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02174657,"threshold_uncertainty_score":0.04324001,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1483009455","doi":"10.4324/9780203831977","title":"Global Design History","year":2011,"lang":"en","type":"book","venue":"","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":55,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1517767133910024,"gpt":0.2094459736566837,"spread":0.05766926026568128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004196194,0.001056942,0.0007391034,0.003445272,0.004553659,0.01543439,0.001469618,0.002037459,0.1518505],"category_scores_gemma":[0.009744047,0.0006629883,0.0007185031,0.006097391,0.006345193,0.008447273,0.006334811,0.003103163,0.02679858],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007519771,"about_ca_system_score_gemma":0.008390893,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004525956,"about_ca_topic_score_gemma":0.00912103,"domain_scores_codex":[0.9958871,0.001740882,0.0002022299,0.0005874837,0.001295738,0.0002866493],"domain_scores_gemma":[0.9951304,0.001742837,0.000161978,0.00161984,0.0009087309,0.0004363061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002721253,0.00001448631,0.0002573669,0.0004813606,0.00001037831,0.00009237645,0.01050584,0.0004023341,0.0002476699,0.289081,0.5380072,0.1608727],"study_design_scores_gemma":[8.030658e-7,0.000002921194,0.00005914833,0.0001152547,9.867765e-7,0.00002489429,0.0004989465,0.00001664644,0.00002439266,0.004965655,0.9942877,0.000002583404],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002042468,0.01844431,0.01000412,0.01862183,0.008281515,0.0001312164,0.001071766,0.0006193705,0.9407835],"genre_scores_gemma":[0.04591654,0.02042097,0.00956473,0.005232322,0.001704556,0.0002826645,0.001825494,0.001954677,0.9130979],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1518505,"threshold_uncertainty_score":0.5079905,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992547546","doi":"10.1017/s0144686x05004010","title":"Older women's relations to bodily appearance: the embodiment of social and biological conditions of existence","year":2005,"lang":"en","type":"article","venue":"Ageing and Society","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":55,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University; Université de Montréal","funders":"","keywords":"Habitus; Beauty; Context (archaeology); Sociology; Gender studies; Qualitative research; Psychology; Social psychology; Diversity (politics); Social class; Social capital; Cultural capital; Developmental psychology; Social science; Aesthetics; Geography; Anthropology","authors":[{"name":"Alex Dumas","is_ca":false},{"name":"Suzanne Laberge","is_ca":true},{"name":"Silvia Straka","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03395535682937465,"gpt":0.2596755275408557,"spread":0.2257201707114811,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001437836,0.0002083768,0.0002027508,0.0007147045,0.002714732,0.002427144,0.0003284011,0.0004936628,0.001479274],"category_scores_gemma":[0.001700416,0.0001315792,0.0001593413,0.0004739851,0.006940442,0.0009274551,0.002295405,0.0005618047,0.00006816829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001833492,"about_ca_system_score_gemma":0.001185093,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07024217,"about_ca_topic_score_gemma":0.1275488,"domain_scores_codex":[0.9993961,0.0002904964,0.00002186086,0.00004553854,0.00009099351,0.0001550544],"domain_scores_gemma":[0.9991738,0.0003114009,0.0002257306,0.00004996781,0.0001050215,0.0001340689],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006687266,0.00001963341,0.073923,0.0001092997,0.00001535147,0.001786146,0.8885233,0.0000522721,0.003148261,0.005865469,0.0003660481,0.02612436],"study_design_scores_gemma":[0.000005118575,0.0001258729,0.2610187,0.0001578397,0.00003117902,0.001822735,0.7111107,0.00006255833,0.0004368614,0.001287554,0.02390569,0.00003521834],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9856523,0.001248962,0.0003598828,0.0007510394,0.0000207516,0.000004870431,0.00001569824,0.000004572773,0.01194189],"genre_scores_gemma":[0.9987223,0.0003138657,0.00009559975,0.00005158996,0.000006208665,0.000001460837,0.000004112559,0.000001345804,0.0008034924],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07024217,"threshold_uncertainty_score":0.1396666,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2141017796","doi":"10.1017/s0144686x1000036x","title":"Shades of grey: to dye or not to dye one's hair in later life","year":2010,"lang":"en","type":"article","venue":"Ageing and Society","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":54,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Michael Smith Health Research BC","keywords":"Hair dyes; Attractiveness; Disengagement theory; Psychology; Invisibility; Perception; Gender studies; Social psychology; Sociology; Dyeing; Medicine; Gerontology; Chemistry; Psychoanalysis","authors":[{"name":"Laura Hurd Clarke","is_ca":true},{"name":"Alexandra Korotchenko","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04348187472644374,"gpt":0.2598668991536169,"spread":0.2163850244271731,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002360632,0.0001303619,0.0001517696,0.0002858434,0.0009529677,0.001192407,0.0001256241,0.0005087642,0.001646499],"category_scores_gemma":[0.004048016,0.0001179797,0.0001929827,0.0001701595,0.002144719,0.0008478061,0.000721173,0.0006173489,0.0000996727],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000438764,"about_ca_system_score_gemma":0.0002627203,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002143905,"about_ca_topic_score_gemma":0.006386659,"domain_scores_codex":[0.9990863,0.0006045048,0.00002568406,0.00003069984,0.0001584593,0.00009441555],"domain_scores_gemma":[0.998705,0.0006725561,0.0002404737,0.00005950371,0.0001572269,0.0001651025],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0008505927,0.0002313274,0.1124656,0.000852828,0.0001010913,0.002034442,0.7034303,0.0001829397,0.03636266,0.009800187,0.003957931,0.1297302],"study_design_scores_gemma":[0.00003166455,0.0008153811,0.1406674,0.0006572591,0.00006855273,0.002961103,0.7963809,0.0001823299,0.004005817,0.00217767,0.05199869,0.00005312689],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9889114,0.001359114,0.000452424,0.001066973,0.00006691448,0.000008663454,0.00001034459,0.000005027813,0.008118968],"genre_scores_gemma":[0.9982142,0.0004796461,0.0002183219,0.000190372,0.00001050291,0.000002558827,0.000002194734,0.000002808388,0.0008793403],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.002360632,"threshold_uncertainty_score":0.01248431,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2145350431","doi":"10.1111/j.2041-5370.2006.tb00676.x","title":"THE COSTUMES OF OLD AND MIDDLE COMEDY","year":2006,"lang":"en","type":"article","venue":"Bulletin of the Institute of Classical Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":53,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Comedy; Art; Art history; History; Literature","authors":[{"name":"Alan Hughes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04743330979309634,"gpt":0.2325443883907194,"spread":0.1851110785976231,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001387102,0.000384572,0.0003518079,0.001742844,0.009009681,0.01107706,0.0004891453,0.00127037,0.05124313],"category_scores_gemma":[0.002537097,0.0002161398,0.0001798621,0.001328413,0.007725409,0.00723274,0.006330718,0.001705867,0.003560134],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002982207,"about_ca_system_score_gemma":0.0007989161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01254617,"about_ca_topic_score_gemma":0.03782154,"domain_scores_codex":[0.9988095,0.0004637536,0.0000290786,0.00009188186,0.0002915052,0.0003143521],"domain_scores_gemma":[0.9989512,0.0002296662,0.00006632388,0.000107195,0.0001768392,0.0004687192],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003632214,0.00007261815,0.003395216,0.0002781348,0.00003072648,0.0009012043,0.1776487,0.00004694737,0.0008069703,0.5104096,0.2229242,0.08312252],"study_design_scores_gemma":[0.000006590099,0.00002934762,0.005903979,0.0001813768,0.000007733891,0.0002938911,0.05279469,0.00001997821,0.0001285183,0.01092661,0.9296923,0.00001498183],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09375481,0.01376887,0.0005467357,0.022616,0.001398585,0.0000152813,0.0001613154,0.00007163506,0.8676668],"genre_scores_gemma":[0.7485885,0.003748118,0.0003829318,0.003387468,0.0006149973,0.0000173887,0.00008629118,0.0001621659,0.2430121],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05124313,"threshold_uncertainty_score":0.1714253,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4312213568","doi":"10.1016/j.resconrec.2022.106835","title":"Textile waste in Ontario, Canada: Opportunities for reuse and recycling","year":2022,"lang":"en","type":"article","venue":"Resources Conservation and Recycling","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":53,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Waterloo; Seneca Polytechnic","funders":"","keywords":"Reuse; Textile; Waste management; Grading (engineering); Waste stream; Engineering; Business; Environmental science; Civil engineering; Geography","authors":[{"name":"Sabine Weber","is_ca":true},{"name":"Olaf Weber","is_ca":true},{"name":"Komal Habib","is_ca":true},{"name":"Goretty Maria Dias","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1033329285605183,"gpt":0.2172662682643094,"spread":0.1139333397037911,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004234371,0.000338628,0.0003384083,0.001748051,0.0097163,0.004526626,0.0008816175,0.0009469024,0.00800947],"category_scores_gemma":[0.0008996114,0.0003766246,0.0005677287,0.006217046,0.001793642,0.0009758031,0.001559127,0.0008279466,0.0004709903],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07077392,"about_ca_system_score_gemma":0.1303934,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9980629,"about_ca_topic_score_gemma":0.9996897,"domain_scores_codex":[0.999102,0.00004452516,0.00003335236,0.00005990459,0.000352401,0.0004078213],"domain_scores_gemma":[0.9990344,0.00006355325,0.0001204794,0.00001627976,0.0005361896,0.0002290581],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0007447105,0.000302411,0.6607193,0.001771017,0.0001407805,0.005969932,0.08197967,0.00158373,0.005128222,0.01500712,0.03823107,0.1884221],"study_design_scores_gemma":[0.00001894477,0.00006659362,0.7489701,0.0004570025,0.00006719103,0.0006288044,0.1403004,0.0008797058,0.0008042892,0.0007412632,0.1070027,0.00006299494],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.935407,0.004742632,0.0005011552,0.005986113,0.00007337416,0.0001079867,0.002955912,0.00004313017,0.05018262],"genre_scores_gemma":[0.9324331,0.005281396,0.00125792,0.0007247926,0.00001498865,0.00002882826,0.0007324584,0.00003209569,0.05949447],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07077392,"threshold_uncertainty_score":0.5135031,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1752388803","doi":"","title":"Famine And Fashion: Needlewomen In The Nineteenth Century","year":2005,"lang":"en","type":"book","venue":"","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":51,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Famine; Scholarship; Appeal; Icon; Clothing; History; Period (music); Criticism; Labor history; Cultural history; Economic history; Literature; Art; Political science; Aesthetics; Law; Labor relations","authors":[{"name":"Beth Harris","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02450744641182517,"gpt":0.2046333879404803,"spread":0.1801259415286551,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005922235,0.0001565336,0.0001512875,0.0007020687,0.009044424,0.003817303,0.0002963312,0.001371152,0.004330688],"category_scores_gemma":[0.0009251777,0.0001393569,0.00009738722,0.0008467883,0.01017766,0.002848949,0.002258845,0.001601316,0.0003200227],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003113726,"about_ca_system_score_gemma":0.001256602,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01714399,"about_ca_topic_score_gemma":0.061598,"domain_scores_codex":[0.999504,0.0002080391,0.00001012321,0.0000391728,0.00008177519,0.0001569341],"domain_scores_gemma":[0.9997999,0.00009464595,0.00002302985,0.00001027571,0.00002074685,0.00005139259],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004904137,0.00002741302,0.002204934,0.00005631346,0.000002133334,0.001130944,0.678281,0.00002769596,0.0003050182,0.270284,0.007239344,0.04039204],"study_design_scores_gemma":[0.000008039329,0.00005627044,0.00460918,0.0004076128,0.000004292466,0.0005809845,0.379638,0.00005145806,0.0001637275,0.01462718,0.5998425,0.00001076587],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.4486367,0.02571032,0.001359357,0.02156561,0.0009847059,0.0000254434,0.0000353644,0.00002929962,0.5016532],"genre_scores_gemma":[0.9310361,0.005011199,0.0002926397,0.001399968,0.0001301369,0.00000831061,0.00001117496,0.0000168487,0.06209364],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01714399,"threshold_uncertainty_score":0.03408843,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015541069","doi":"10.1068/d337","title":"Gender, Modern Design, and Home Consumption","year":2003,"lang":"en","type":"article","venue":"Environment and Planning D Society and Space","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":51,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Craft; Modernism (music); Consumption (sociology); Aesthetics; Masculinity; Post modernism; Opposition (politics); Sociology; Context (archaeology); Gender studies; Art; History; Visual arts; Literature; Postmodernism; Political science; Law; Politics","authors":[{"name":"Deborah Leslie","is_ca":true},{"name":"Suzanne Reimer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06789456799644843,"gpt":0.2194317211589505,"spread":0.151537153162502,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001119372,0.0001785581,0.0001233785,0.0006182442,0.001360909,0.002807612,0.000222747,0.000452118,0.005017527],"category_scores_gemma":[0.000900366,0.00009774364,0.0001097575,0.0007033451,0.00894905,0.00160151,0.00125947,0.0003437336,0.0001375126],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002181788,"about_ca_system_score_gemma":0.000411219,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002827596,"about_ca_topic_score_gemma":0.007398244,"domain_scores_codex":[0.999553,0.0002525334,0.00001200243,0.00004826336,0.00006129234,0.0000728614],"domain_scores_gemma":[0.9996911,0.0001227285,0.00007302812,0.00003657644,0.00002880219,0.00004771658],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001919335,0.0001090364,0.0509763,0.0001318263,0.00002326544,0.000483065,0.1545765,0.0003213233,0.001381357,0.6985317,0.003063988,0.09020976],"study_design_scores_gemma":[0.0000357627,0.0002583122,0.1382179,0.0004328775,0.00003843923,0.001584744,0.2007739,0.0005810666,0.001549487,0.2624577,0.394022,0.00004782348],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7283735,0.007832525,0.00217946,0.004622671,0.00009587388,0.000007817447,0.00003395142,0.00001829059,0.2568359],"genre_scores_gemma":[0.991564,0.0008553176,0.0002774779,0.0001602101,0.00002172157,0.000003126499,0.000004937261,0.000007367759,0.007105803],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005017527,"threshold_uncertainty_score":0.01678526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2050422637","doi":"10.1177/0896920513501355","title":"A Corporation in Feminist Clothing? Young Women Discuss the Dove ‘Real Beauty’ Campaign","year":2014,"lang":"en","type":"article","venue":"Critical Sociology","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Royal University; University of Toronto","funders":"","keywords":"Feminism; Sociology; Corporation; Beauty; Capitalism; Consumption (sociology); Sensibility; Politics; Gender studies; Political science; Law; Social science","authors":[{"name":"Judith Taylor","is_ca":true},{"name":"Josée Johnston","is_ca":true},{"name":"Krista Whitehead","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02663123202278487,"gpt":0.2682760182835496,"spread":0.2416447862607647,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002869694,0.0004268049,0.0003246772,0.0006413409,0.01221492,0.005984649,0.0004356131,0.003136815,0.005799056],"category_scores_gemma":[0.003879334,0.0004935356,0.000244539,0.0004852772,0.007473475,0.0038366,0.002743923,0.003653759,0.0009407802],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002549013,"about_ca_system_score_gemma":0.001477112,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009287087,"about_ca_topic_score_gemma":0.015758,"domain_scores_codex":[0.9986539,0.000753367,0.00002028488,0.00007639001,0.0001173486,0.0003787598],"domain_scores_gemma":[0.9980259,0.001281653,0.000158121,0.00003602489,0.0001161662,0.000382171],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004024994,0.00005327904,0.003269711,0.00005242157,0.00000335063,0.0009985012,0.9716907,0.00001502602,0.0008716082,0.01072929,0.005912937,0.006362847],"study_design_scores_gemma":[0.000004938162,0.00004728433,0.001771392,0.00008922593,0.000003355119,0.0003048593,0.9061083,0.00002665513,0.0003715314,0.0007088218,0.09055344,0.00001021169],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8731741,0.003871266,0.001012403,0.05097883,0.00111322,0.0001001934,0.00006903573,0.00004424777,0.06963667],"genre_scores_gemma":[0.9551542,0.001389414,0.0003268947,0.0097754,0.0002395538,0.00006273917,0.0000242743,0.00004974326,0.03297782],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01221492,"threshold_uncertainty_score":0.01939976,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4236045281","doi":"10.7551/mitpress/5614.001.0001","title":"Profiling Machines","year":2003,"lang":"en","type":"book","venue":"The MIT Press eBooks","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":46,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Profiling (computer programming); Warranty; Indigenous; Politics; Data science; World Wide Web; Computer science; Political science; Law","authors":[{"name":"Greg Elmer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06921454023359264,"gpt":0.2378449387785521,"spread":0.1686303985449595,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001971026,0.001100415,0.0005739833,0.001753633,0.002682784,0.006554912,0.001925332,0.002560471,0.1114574],"category_scores_gemma":[0.008076984,0.0006532572,0.0005709045,0.002028124,0.002214476,0.01125346,0.004682163,0.002148247,0.0781539],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009915252,"about_ca_system_score_gemma":0.001000714,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001530248,"about_ca_topic_score_gemma":0.001337513,"domain_scores_codex":[0.9972371,0.000669595,0.0001471568,0.0007060488,0.0008780453,0.0003619718],"domain_scores_gemma":[0.9971614,0.0006800704,0.0001924918,0.001056435,0.0006675058,0.000242207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001970499,0.00007624095,0.001145603,0.0002391824,0.00001784058,0.000218569,0.001671819,0.001093457,0.002944499,0.3088433,0.2968656,0.3866867],"study_design_scores_gemma":[0.000009804253,0.00002758346,0.000393849,0.0001042709,0.000007624529,0.0002001868,0.0003864557,0.001926692,0.001622803,0.03237826,0.9629182,0.0000242289],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008524588,0.004215129,0.148523,0.01484525,0.006869345,0.0003836661,0.0016513,0.01033664,0.8046511],"genre_scores_gemma":[0.1706734,0.005938034,0.09917497,0.009300929,0.002953696,0.00058565,0.003923311,0.002500751,0.7049493],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1114574,"threshold_uncertainty_score":0.3728622,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2055685119","doi":"10.1108/13612020810874890","title":"A study of the pyjamas purchasing behaviour of Chinese consumers in Hangzhou, China","year":2008,"lang":"en","type":"article","venue":"Journal of Fashion Marketing and Management","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":45,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Purchasing; Originality; Product (mathematics); Marketing; China; Business; Clothing; Quality (philosophy); Perception; Advertising; Country of origin; Value (mathematics); Sample (material); Consumer behaviour; Qualitative research; Psychology; Sociology; Geography","authors":[{"name":"Osmud Rahman","is_ca":true},{"name":"Wing‐sun Liu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02644448536888457,"gpt":0.2430267523192789,"spread":0.2165822669503943,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006350526,0.0002748671,0.0002715202,0.0008764104,0.001887439,0.0004928877,0.000272096,0.0003051432,0.001683339],"category_scores_gemma":[0.0008943114,0.0002677004,0.0002613607,0.001646558,0.0006663983,0.0004933169,0.000387221,0.0002850947,0.0001253648],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001677361,"about_ca_system_score_gemma":0.001602494,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07997833,"about_ca_topic_score_gemma":0.1151508,"domain_scores_codex":[0.9997277,0.00006884768,0.00002452051,0.0000447447,0.00006702354,0.00006715182],"domain_scores_gemma":[0.9992591,0.000226626,0.0001590659,0.00005173093,0.0001229705,0.0001806417],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001117929,0.0002060514,0.9148885,0.0001192905,0.00003337173,0.001115586,0.06590837,0.0001281769,0.003568446,0.0002103179,0.0003012271,0.01340881],"study_design_scores_gemma":[0.000006964993,0.0001989372,0.9663258,0.00001150202,0.00001484426,0.0001503624,0.03216556,0.000203062,0.0002657219,0.00004028748,0.000607676,0.000009208119],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9997625,0.0000124378,0.0000153364,0.00001829293,5.090483e-7,0.000007129504,0.00001615812,6.111924e-7,0.000167124],"genre_scores_gemma":[0.9994838,0.00003781947,0.00007846264,0.0000230923,0.000001447067,0.0000125345,0.00003797706,5.230768e-7,0.0003243661],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07997833,"threshold_uncertainty_score":0.1590257,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2068869871","doi":"10.1525/rac.2004.14.1.39","title":"The Robes of Womanhood: Dress and Authenticity among African American Methodist Women in the Nineteenth Century","year":2004,"lang":"en","type":"article","venue":"Religion and American Culture A Journal of Interpretation","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":44,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Legitimacy; Clothing; Ambivalence; Politics; Soul; Identity (music); Gender studies; Sociology; Culture of the United States; History; Religious studies; Art; Aesthetics; Literature; Law; Theology; Political science; Philosophy; Psychology","authors":[{"name":"Pamela E. Klassen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006275329021174114,"gpt":0.2359731570135594,"spread":0.2296978279923853,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004198991,0.0003571097,0.0003791002,0.001674607,0.01853296,0.005542524,0.000595503,0.001574102,0.003009035],"category_scores_gemma":[0.004206274,0.0005157308,0.000130364,0.0009924216,0.01689393,0.003582501,0.004206751,0.003204608,0.0001767554],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00258906,"about_ca_system_score_gemma":0.001666102,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01654713,"about_ca_topic_score_gemma":0.03093675,"domain_scores_codex":[0.9981328,0.001100704,0.00003631943,0.00009355651,0.0002162952,0.0004204239],"domain_scores_gemma":[0.9978136,0.001140798,0.00036659,0.00008868137,0.0002170278,0.0003732456],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000156507,0.00002227296,0.002504653,0.00001833662,0.000001402991,0.0002418377,0.9859753,0.000003773977,0.0004449155,0.007327114,0.0004330133,0.003011796],"study_design_scores_gemma":[0.000002773947,0.00003237967,0.004211445,0.00009962725,0.000003080802,0.0002105098,0.9623634,0.00003067695,0.0001958374,0.0006139075,0.03222625,0.00001006776],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9749535,0.001274152,0.0002272804,0.004730787,0.0001023328,0.00001483323,0.00001083543,0.000005873426,0.01868044],"genre_scores_gemma":[0.9950258,0.0005670321,0.00008834762,0.0004349207,0.0000329971,0.000009802397,0.000002923857,0.000005823601,0.003832429],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01853296,"threshold_uncertainty_score":0.03290164,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2090053792","doi":"10.1108/13612020610651132","title":"Variations in Canadian women's ready‐to‐wear standard sizes","year":2006,"lang":"en","type":"article","venue":"Journal of Fashion Marketing and Management","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Polytechnique Montréal; Université du Québec à Montréal","funders":"","keywords":"Standardization; Product (mathematics); Originality; Obsolescence; Marketing; Order (exchange); Operations management; Sample (material); Business; Merge (version control); Computer science; Economics; Mathematics; Psychology","authors":[{"name":"Marie‐Eve Faust","is_ca":true},{"name":"Serge Carrier","is_ca":true},{"name":"Pierre Baptist","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01112716993154784,"gpt":0.216500300986404,"spread":0.2053731310548562,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005174622,0.0003817223,0.0003463528,0.003043889,0.003364724,0.001777138,0.001757498,0.0003176102,0.0076595],"category_scores_gemma":[0.01620261,0.0002868541,0.0003826882,0.005623307,0.001460362,0.0004396327,0.001156679,0.0004184303,0.0005903867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.042627,"about_ca_system_score_gemma":0.03384393,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9828966,"about_ca_topic_score_gemma":0.9921989,"domain_scores_codex":[0.9942762,0.0005596385,0.0002421229,0.0007782273,0.003256363,0.0008873717],"domain_scores_gemma":[0.9879481,0.001344807,0.00107452,0.0007687974,0.0079879,0.0008758091],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0007366523,0.00007479043,0.6302001,0.0005565525,0.0001461877,0.00053993,0.05189484,0.0007002635,0.004098858,0.01483295,0.03707924,0.2591396],"study_design_scores_gemma":[0.000009855049,0.00004904833,0.9467425,0.0001484641,0.00002226744,0.00008555371,0.01424623,0.0002902413,0.0008300565,0.0002687669,0.03724296,0.0000640791],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9120027,0.002142355,0.002074823,0.002056176,0.0001566082,0.0001909998,0.005860776,0.0001339929,0.07538167],"genre_scores_gemma":[0.9863406,0.0006121253,0.001449849,0.000182556,0.000007324517,0.00004915397,0.0009404589,0.00004731868,0.01037068],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.042627,"threshold_uncertainty_score":0.3092819,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2333963830","doi":"10.1386/csmf.1.3.275_1","title":"Expanding the male ideal: The need for diversity in men’s fashion advertisements","year":2014,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Perception; Diversity (politics); Masculinity; Advertising; Psychology; Symbol (formal); Similarity (geometry); Scholarship; Order (exchange); Ideal (ethics); Social psychology; Sociology; Computer science","authors":[{"name":"Ben Barry","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1028759357754403,"gpt":0.3340876297156072,"spread":0.231211693940167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004360842,0.0002189933,0.0002201414,0.0006930838,0.004035581,0.00445404,0.000315003,0.0006371087,0.003346057],"category_scores_gemma":[0.007572263,0.000235826,0.0002026174,0.0003395859,0.005345467,0.001912272,0.002498544,0.001269477,0.0001911849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001032267,"about_ca_system_score_gemma":0.0007659077,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00211698,"about_ca_topic_score_gemma":0.003245695,"domain_scores_codex":[0.9957132,0.003159893,0.00007199489,0.0001749592,0.0006015717,0.0002783556],"domain_scores_gemma":[0.993939,0.00367694,0.0009709453,0.0003374445,0.0004483964,0.0006271728],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003215886,0.0001699478,0.06890669,0.0002252216,0.00004043689,0.001977452,0.8059189,0.0001615254,0.006330264,0.05296599,0.003834214,0.05914788],"study_design_scores_gemma":[0.00003535755,0.0004083951,0.08789194,0.00043842,0.00005326651,0.003085262,0.7938294,0.0008155429,0.002295984,0.01139023,0.09967007,0.00008615077],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9341158,0.000918968,0.002183623,0.006502746,0.0001193822,0.00002150594,0.0000192048,0.00001856721,0.05610026],"genre_scores_gemma":[0.9982493,0.0001077741,0.0002817156,0.0002320651,0.00002955003,0.000003189024,0.000003660896,0.000004060637,0.001088704],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00445404,"threshold_uncertainty_score":0.02306259,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2043656798","doi":"10.1145/2460625.2460679","title":"Wo.Defy","year":2013,"lang":"en","type":"article","venue":"","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Combing; Wearable computer; Embodied cognition; Fashion design; Process (computing); Human–computer interaction; Computer science; Aesthetics; Visual arts; Architectural engineering; Multimedia; Engineering; Art; Clothing; History; Materials science; Artificial intelligence","authors":[{"name":"Thecla Schiphorst","is_ca":true},{"name":"Wynnie Chung","is_ca":true},{"name":"Emily Ip","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02905761222299619,"gpt":0.1807416757276862,"spread":0.15168406350469,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005721843,0.0005817832,0.0001980444,0.0008851695,0.001934228,0.00191433,0.000426643,0.000737522,0.1146781],"category_scores_gemma":[0.001530006,0.0002493392,0.0002800043,0.0004687195,0.000838785,0.002231862,0.003076583,0.0006780574,0.0178814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006101959,"about_ca_system_score_gemma":0.0006694832,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002589076,"about_ca_topic_score_gemma":0.006105772,"domain_scores_codex":[0.9996285,0.00005985859,0.00001388361,0.00007091888,0.0001564469,0.00007030668],"domain_scores_gemma":[0.9997101,0.00006249633,0.00001979889,0.00006559122,0.00008416459,0.00005784156],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003664838,0.0001169099,0.003525541,0.0007695131,0.00001246005,0.001563189,0.01853162,0.0005488562,0.01789557,0.09586075,0.3003433,0.5604658],"study_design_scores_gemma":[0.000007249053,0.00002912861,0.0008276871,0.00005486946,0.00000236672,0.0002351227,0.0007285464,0.0002394708,0.001150223,0.001231973,0.9954849,0.000008423929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04201037,0.001468503,0.03212185,0.004932587,0.001744401,0.0006652147,0.001583092,0.003559823,0.9119142],"genre_scores_gemma":[0.1377266,0.001178877,0.03237251,0.002043957,0.0002659331,0.0005418465,0.001473221,0.001952444,0.8224447],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1146781,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1930362800","doi":"10.5860/choice.51-4512","title":"Islamic fashion and anti-fashion: new perspectives from Europe and North America","year":2014,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Islam; History; Ancient history; Geography; Art; Archaeology","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04605562714185484,"gpt":0.2664558519781912,"spread":0.2204002248363364,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002203702,0.0005547418,0.0007074454,0.002510685,0.007335722,0.01082976,0.0005669803,0.002951054,0.003003366],"category_scores_gemma":[0.00133592,0.0002442813,0.0003278327,0.005883235,0.01082588,0.006531092,0.004579236,0.003244932,0.0002668786],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003102588,"about_ca_system_score_gemma":0.001789089,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01173568,"about_ca_topic_score_gemma":0.03678954,"domain_scores_codex":[0.9986115,0.0008382731,0.00005005268,0.0001056835,0.0001531542,0.0002413946],"domain_scores_gemma":[0.9977862,0.00158161,0.0001784676,0.0000791234,0.0001376825,0.0002369232],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001447916,0.000207079,0.007196428,0.0007678167,0.00004524861,0.002243414,0.5966699,0.0001517382,0.0007058486,0.2594861,0.03440048,0.09798126],"study_design_scores_gemma":[0.00001528335,0.0000541972,0.01548231,0.001810165,0.00002676414,0.0009435665,0.4002956,0.00007998149,0.0001477961,0.01497587,0.5661465,0.00002197474],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2328815,0.2733448,0.0009993928,0.04805455,0.003035602,0.00001753691,0.00006402933,0.00002559824,0.4415769],"genre_scores_gemma":[0.8262035,0.1250447,0.0008364807,0.01453364,0.001719113,0.0000558873,0.00006205765,0.00004610871,0.03149843],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01173568,"threshold_uncertainty_score":0.02333474,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1903031942","doi":"10.1111/j.1755-618x.2011.01261.x","title":"Masculinity, Consumerism, and Appearance: A Look at Men's Hair","year":2011,"lang":"en","type":"article","venue":"Canadian Review of Sociology/Revue canadienne de sociologie","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Masculinity; Humanities; Consumerism; Psychology; Sociology; Ethnology; Art; Gender studies; Political science","authors":[{"name":"Rosemary Ricciardelli","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08724169301068609,"gpt":0.2398130690264657,"spread":0.1525713760157796,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009883238,0.0002197127,0.0002600458,0.001403046,0.006800314,0.003918434,0.0004220741,0.0009106316,0.006642088],"category_scores_gemma":[0.0009224201,0.0002279879,0.000252403,0.002244676,0.006436458,0.00140015,0.001368589,0.0007416716,0.0001953455],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006244478,"about_ca_system_score_gemma":0.004720114,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4438065,"about_ca_topic_score_gemma":0.5963423,"domain_scores_codex":[0.9993926,0.0002185467,0.000007211006,0.00003625246,0.000150541,0.000194693],"domain_scores_gemma":[0.9994579,0.0002606847,0.00005402839,0.00001241472,0.00008893991,0.0001261692],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000856308,0.00008901698,0.05279784,0.0002658035,0.00002489298,0.001545074,0.8474594,0.00005834659,0.0009059458,0.04452475,0.00593748,0.04630574],"study_design_scores_gemma":[0.000006444428,0.00007079329,0.1622551,0.0002481017,0.0000177384,0.0005260146,0.7354708,0.00006252332,0.0001339654,0.001997054,0.09919166,0.00001994356],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8418044,0.02655925,0.0003000007,0.01077967,0.0002431274,0.00003749775,0.00008208731,0.000007581427,0.1201863],"genre_scores_gemma":[0.9766223,0.007129883,0.0001174457,0.0008531294,0.00007707055,0.000009776262,0.00001661281,0.000006674077,0.01516705],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4438065,"threshold_uncertainty_score":0.8824465,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W619313612","doi":"","title":"Fashion : a Canadian perspective","year":2004,"lang":"en","type":"book","venue":"Project Muse (Johns Hopkins University)","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art history; Salon; Prestige; Journalism; Art; Newspaper; History; Clothing; Media studies; Sociology","authors":[{"name":"Alexandra Palmer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02746022587611776,"gpt":0.2060839337220992,"spread":0.1786237078459814,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007719455,0.0007714321,0.0004257163,0.00367009,0.01847905,0.01063489,0.001110956,0.002356722,0.04883314],"category_scores_gemma":[0.001080053,0.0002766059,0.0003446272,0.009097306,0.01149062,0.003035543,0.001902925,0.002869313,0.004548814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.08925656,"about_ca_system_score_gemma":0.07462929,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9692918,"about_ca_topic_score_gemma":0.983809,"domain_scores_codex":[0.9983941,0.0001942514,0.00003296048,0.0002106229,0.0005381136,0.0006300341],"domain_scores_gemma":[0.9991221,0.00008809075,0.00003292951,0.00003058206,0.0004574521,0.0002688476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002750308,0.00002245181,0.001263316,0.0002482228,0.000005483353,0.0001826643,0.0142804,0.0001264204,0.0001344655,0.4247178,0.5117205,0.04727081],"study_design_scores_gemma":[0.00000111734,0.000002331143,0.001228853,0.0001955575,0.000002470716,0.00003933636,0.005805282,0.00001357241,0.00001229451,0.002103816,0.9905887,0.000006798498],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002986029,0.0639782,0.0001585082,0.05833006,0.002467325,0.00001251157,0.00069297,0.00003070546,0.8713438],"genre_scores_gemma":[0.1659687,0.1424792,0.0007792516,0.02977713,0.002103529,0.00004034379,0.0005881466,0.0001053858,0.6581583],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08925656,"threshold_uncertainty_score":0.6476047,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992553928","doi":"10.1111/j.1470-6431.2007.00593.x","title":"Understanding gay consumers’ clothing involvement and fashion consciousness","year":2007,"lang":"en","type":"article","venue":"International Journal of Consumer Studies","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Guelph","funders":"","keywords":"Clothing; Consciousness; Psychology; Value (mathematics); Scale (ratio); Social psychology; Advertising; Business; Political science","authors":[{"name":"Ou Sha","is_ca":false},{"name":"May Aung","is_ca":true},{"name":"Jane Londerville","is_ca":true},{"name":"Catherine E. Ralston","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2516617655165234,"gpt":0.3480943121935598,"spread":0.09643254667703638,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001295838,0.0001544052,0.0001512677,0.0009264448,0.001183024,0.003044837,0.0001962292,0.0004590105,0.002211697],"category_scores_gemma":[0.002136842,0.0001854162,0.0001933206,0.0004115657,0.001629158,0.001139253,0.001255763,0.0007920702,0.0001125579],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008715695,"about_ca_system_score_gemma":0.0005787376,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01021905,"about_ca_topic_score_gemma":0.01285888,"domain_scores_codex":[0.9995919,0.0001966589,0.0000173037,0.00002671985,0.0000900761,0.00007741517],"domain_scores_gemma":[0.9984453,0.0006287945,0.0004284213,0.00005853647,0.0001890433,0.0002500016],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001467103,0.0002977662,0.5945001,0.00008746071,0.00003509608,0.0008374692,0.37928,0.00005221447,0.002489602,0.002698062,0.0002588824,0.01931664],"study_design_scores_gemma":[0.000006372721,0.0001294808,0.4757529,0.0001017382,0.00003480906,0.0006140468,0.5180248,0.0003378415,0.0006120438,0.0009119043,0.003454736,0.00001929717],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9959896,0.0001141985,0.00007090712,0.0001015293,0.000001960087,0.000001855846,0.0000032286,7.395165e-7,0.003715985],"genre_scores_gemma":[0.9996306,0.00009005485,0.0000272503,0.00002448824,0.000002088993,8.857509e-7,0.000003571687,2.958962e-7,0.0002207065],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01021905,"threshold_uncertainty_score":0.0203191,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2745453030","doi":"10.1111/cag.12400","title":"“Made in Canada”: Local production networks in the Canadian fashion industry","year":2017,"lang":"en","type":"article","venue":"Canadian Geographies / Géographies canadiennes","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"Uppsala Universitet; Vedecká Grantová Agentúra MŠVVaŠ SR a SAV","keywords":"Clothing; Production (economics); Context (archaeology); Marketing; Order (exchange); Business; Creativity; Fashion industry; Work (physics); Quality (philosophy); Space (punctuation); Consumption (sociology); Key (lock); Industrial organization; Fashion design; Economics; Sociology; Computer science; Engineering; Microeconomics; Political science","authors":[{"name":"Taylor Brydges","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01890379499014207,"gpt":0.1924592076124352,"spread":0.1735554126222931,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001892111,0.0003597185,0.0002447769,0.001716977,0.02868607,0.00689079,0.001384689,0.0009372427,0.009307788],"category_scores_gemma":[0.003730715,0.0003628104,0.000267208,0.003174298,0.01039803,0.001695099,0.003645824,0.001486431,0.0003947393],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07614831,"about_ca_system_score_gemma":0.08006237,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9835634,"about_ca_topic_score_gemma":0.9959959,"domain_scores_codex":[0.9978934,0.0005112423,0.00003292768,0.0002654129,0.0004725353,0.0008244774],"domain_scores_gemma":[0.9974407,0.0005583884,0.000205544,0.000128505,0.000755072,0.0009117488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001305402,0.00007283271,0.04433168,0.0001594791,0.00001542816,0.002320531,0.8626159,0.0007603839,0.001628601,0.03337663,0.009945434,0.04464262],"study_design_scores_gemma":[0.000005962977,0.00003214327,0.02682712,0.0001151753,0.00001653206,0.000216003,0.8666758,0.0003608153,0.0004779389,0.0008508842,0.1043774,0.00004417601],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8681168,0.0008291763,0.001467334,0.004145698,0.00006716658,0.00009228996,0.0002384032,0.00004176606,0.1250013],"genre_scores_gemma":[0.9841034,0.0003624592,0.00045073,0.0002509396,0.000004063336,0.00001379189,0.00006569622,0.00001664321,0.01473219],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07614831,"threshold_uncertainty_score":0.5524973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2108770247","doi":"10.1177/0040517508099394","title":"A Proposal for a New Size Label to Assist Consumers in Finding Well-fitting Women’s Clothing, Especially Pants: An Analysis of Size USA Female Data and Women’s Ready-to-wear Pants for North American Companies","year":2009,"lang":"en","type":"article","venue":"Textile Research Journal","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Clothing; Marketing; Standardization; Business; Portion size; Order (exchange); Point (geometry); Sizing; Population; Advertising; Computer science; Mathematics; Medicine; Law","authors":[{"name":"Marie‐Eve Faust","is_ca":false},{"name":"Serge Carrier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1780827933708856,"gpt":0.4099145496735362,"spread":0.2318317563026506,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01399001,0.000557313,0.0005161994,0.004245853,0.001870304,0.004234733,0.001916138,0.00160392,0.006550439],"category_scores_gemma":[0.02809277,0.0005947764,0.001715095,0.006800395,0.001541099,0.004382182,0.002064303,0.002064789,0.002175292],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003045568,"about_ca_system_score_gemma":0.006968502,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02875375,"about_ca_topic_score_gemma":0.04093778,"domain_scores_codex":[0.9926796,0.002771006,0.0006652733,0.0007530727,0.00265067,0.0004804899],"domain_scores_gemma":[0.9683111,0.0122897,0.003124357,0.002643449,0.01246977,0.00116158],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0007045342,0.001427269,0.612094,0.0005880348,0.0001472882,0.0005314874,0.01678985,0.001576651,0.007936449,0.02694257,0.09290017,0.2383616],"study_design_scores_gemma":[0.0001643748,0.0009398199,0.6925874,0.0003757498,0.0001381504,0.0003505689,0.03194987,0.009578537,0.003440675,0.005925702,0.2543662,0.0001829068],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7276141,0.0009705994,0.1014046,0.06455304,0.001792877,0.004126757,0.01965645,0.002324,0.07755752],"genre_scores_gemma":[0.620532,0.000646593,0.3088617,0.008292698,0.0005027783,0.003938004,0.02193858,0.0006227102,0.03466495],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02875375,"threshold_uncertainty_score":0.07398713,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2085097451","doi":"10.1080/08952840903054757","title":"From ‘The Thing to Do’ to ‘Defying the Ravages of Age’: Older Women Reflect on the Use of Lipstick","year":2009,"lang":"en","type":"article","venue":"Journal of Women & Aging","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Beauty; Lipstick; Psychology; Gender studies; Presentation (obstetrics); Sociology; Medicine; Art; Aesthetics","authors":[{"name":"Laura Hurd Clarke","is_ca":true},{"name":"Andrea Bundon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08711635955323938,"gpt":0.2803019592830743,"spread":0.193185599729835,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002919569,0.0004325212,0.0004599013,0.00089844,0.003369119,0.002968295,0.0005345226,0.001390929,0.001504981],"category_scores_gemma":[0.007625676,0.0004963221,0.0002707839,0.0005703594,0.004743137,0.003530412,0.002561077,0.002072415,0.0002648184],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007557801,"about_ca_system_score_gemma":0.0008186513,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00838647,"about_ca_topic_score_gemma":0.01563853,"domain_scores_codex":[0.9985716,0.00078125,0.00009015948,0.0001027581,0.0001741622,0.0002800464],"domain_scores_gemma":[0.9971455,0.001536727,0.0005500799,0.0001108029,0.0003421124,0.0003147314],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002703369,0.00001139058,0.007789583,0.00003786563,0.000003965532,0.0004255679,0.9866153,0.000006076745,0.0009265161,0.0002897763,0.0001945758,0.003672356],"study_design_scores_gemma":[0.000001513783,0.00004804248,0.008957688,0.00004830877,0.000006245287,0.0005388403,0.98589,0.00001494459,0.0002686185,0.0001197142,0.004095398,0.00001063463],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9959614,0.0005507285,0.0002183708,0.0008237299,0.00003136607,0.000009218758,0.00002268306,0.000004521099,0.002378141],"genre_scores_gemma":[0.9971937,0.0006805365,0.0001688222,0.0004364829,0.00002224874,0.000009192304,0.00001424427,0.000007218012,0.001467548],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00838647,"threshold_uncertainty_score":0.01667529,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W595084185","doi":"","title":"Couture & commerce : the transatlantic fashion trade in the 1950s","year":2001,"lang":"en","type":"book","venue":"UBC Press eBooks","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Advertising; Index (typography); Taste; Value (mathematics); Commerce; Business; Economic history; Art; History; Psychology","authors":[{"name":"Alexandra Palmer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06248106820359946,"gpt":0.2355693898796609,"spread":0.1730883216760614,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002778796,0.000374991,0.0001361212,0.002459418,0.002732873,0.005559953,0.000262517,0.0009118588,0.03351762],"category_scores_gemma":[0.0007555122,0.0002222135,0.0001480944,0.009081758,0.00270448,0.002613355,0.00108246,0.001031061,0.005873799],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009766927,"about_ca_system_score_gemma":0.004044851,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.137647,"about_ca_topic_score_gemma":0.2991548,"domain_scores_codex":[0.9996858,0.00004084867,0.00001148486,0.00005821896,0.0001189889,0.00008481309],"domain_scores_gemma":[0.9997084,0.00006692127,0.00002762301,0.00002652894,0.00009553757,0.00007491532],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000845254,0.00002403462,0.005755414,0.0003753073,0.000007969007,0.0007411325,0.01890547,0.0002494232,0.0003649236,0.5003831,0.2892574,0.1838513],"study_design_scores_gemma":[0.000001058068,0.000005146082,0.004258142,0.0001247088,0.000001209172,0.00009374177,0.001476481,0.00002201325,0.00003531772,0.001686212,0.9922934,0.000002530878],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01452334,0.07385512,0.000254607,0.006264096,0.001111494,0.00001370638,0.0006311043,0.00005805974,0.9032885],"genre_scores_gemma":[0.1964367,0.06204159,0.0005292557,0.001129515,0.0008570199,0.00002145259,0.0005589473,0.00006276648,0.7383628],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.137647,"threshold_uncertainty_score":0.2736915,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2239441608","doi":"10.2752/175174113x13718320331035","title":"In Patagonia (Clothing): A Complicated Greenness","year":2013,"lang":"en","type":"article","venue":"Fashion Theory","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Clothing; Casual; Wilderness; Mainstream; Consumption (sociology); Greenwashing; Sustainability; Marketing; Sublime; Aesthetics; Rhetorical question; Sociology; Business; Environmental ethics; Public relations; Political science; Corporate social responsibility; Law; Art","authors":[{"name":"Sharon J. Hepburn","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02511601834068209,"gpt":0.2229896658347328,"spread":0.1978736474940507,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005883928,0.0003833394,0.0001884645,0.0003784813,0.009861847,0.007906528,0.0005515145,0.002412997,0.00481039],"category_scores_gemma":[0.0007899356,0.0003213762,0.0002476958,0.0007418756,0.01592207,0.004907065,0.00381884,0.003966096,0.0007211987],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002425272,"about_ca_system_score_gemma":0.0008700466,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009860348,"about_ca_topic_score_gemma":0.02351091,"domain_scores_codex":[0.9990127,0.0004507908,0.00001310117,0.0001902206,0.0001526107,0.0001806459],"domain_scores_gemma":[0.9996248,0.0001329756,0.0000548209,0.00004542412,0.00004688195,0.00009514174],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000189184,0.00005167324,0.004908953,0.0001675232,0.00002553843,0.00695928,0.6380114,0.0002404585,0.002963852,0.2808645,0.03945649,0.02616108],"study_design_scores_gemma":[0.000006997874,0.00007743329,0.004253756,0.0001510108,0.00001095382,0.003481476,0.2570925,0.0001356555,0.001030187,0.01252623,0.7211978,0.00003595074],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4582992,0.007083701,0.006476368,0.0311601,0.001163652,0.00004899638,0.0001217807,0.0001709476,0.4954752],"genre_scores_gemma":[0.9350377,0.001425497,0.001360299,0.003457493,0.0001116264,0.00002041175,0.00004149433,0.000125247,0.05842037],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009861847,"threshold_uncertainty_score":0.01960588,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2808267789","doi":"10.1108/jfmm-09-2017-0100","title":"A study of Canadian female baby boomers","year":2018,"lang":"en","type":"article","venue":"Journal of Fashion Marketing and Management","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Clothing; Baby boomers; Gratification; Originality; Consumption (sociology); Product (mathematics); Psychology; Attractiveness; Advertising; Population; Marketing; Value (mathematics); Business; Social psychology; Sociology; Political science; Social science; Economics","authors":[{"name":"Osmud Rahman","is_ca":true},{"name":"Hong Yu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04208046357621451,"gpt":0.2452587208036022,"spread":0.2031782572273877,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001734226,0.0006881744,0.0008262522,0.001935747,0.01224741,0.00236788,0.001097111,0.0008837715,0.008147266],"category_scores_gemma":[0.002464685,0.0006889153,0.0004223587,0.002308228,0.002837945,0.00108269,0.001453854,0.001630732,0.0006649176],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01485215,"about_ca_system_score_gemma":0.01702648,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8625316,"about_ca_topic_score_gemma":0.9187,"domain_scores_codex":[0.9987453,0.0002013647,0.00003561067,0.0001448577,0.0002724639,0.0006004473],"domain_scores_gemma":[0.9983546,0.0002360417,0.0001627977,0.00003824389,0.0005307514,0.0006774488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0001478159,0.0003878085,0.119074,0.0002555747,0.00001125398,0.003798464,0.8526023,0.00002423986,0.001471915,0.0009829488,0.003081281,0.01816241],"study_design_scores_gemma":[0.000009177557,0.0002790726,0.1102934,0.0001505191,0.00001237687,0.0008557541,0.8707276,0.00004185644,0.0001500964,0.0000545635,0.01738841,0.00003721578],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9919058,0.0006567244,0.0001021873,0.0007092864,0.0000548814,0.0001673964,0.0001899638,0.000005997911,0.006207682],"genre_scores_gemma":[0.9877228,0.001942188,0.0003842507,0.001248906,0.00003041464,0.0001326891,0.0001476505,0.00001304078,0.008378161],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1374684,"threshold_uncertainty_score":0.2765559,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2091729868","doi":"10.1353/jowh.0.0024","title":"Feminine Modernity in Interwar Britain and North America: Corsets, Cars, and Cigarettes","year":2008,"lang":"en","type":"article","venue":"Journal of women's history","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernity; Interwar period; Consumption (sociology); Gender studies; History; Art; Art history; Sociology; Aesthetics; Political science; Archaeology; Law; World War II","authors":[{"name":"Penny Tinkler","is_ca":false},{"name":"Cheryl Krasnick Warsh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03214806675623699,"gpt":0.1862422750164641,"spread":0.1540942082602271,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007597049,0.0002304399,0.0001940986,0.0008091643,0.009739447,0.004429008,0.0003009849,0.001056737,0.002909207],"category_scores_gemma":[0.0008107654,0.0002051567,0.00007871258,0.001369414,0.01383157,0.001984951,0.002498625,0.001773168,0.0001812621],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008315369,"about_ca_system_score_gemma":0.002828033,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2023869,"about_ca_topic_score_gemma":0.4734508,"domain_scores_codex":[0.9993315,0.0003114417,0.000007966576,0.00005238676,0.0001219592,0.0001747283],"domain_scores_gemma":[0.9995486,0.0002134932,0.00006386576,0.00002694577,0.00006428017,0.00008283837],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004015819,0.00002601958,0.00416517,0.00004909855,0.000003620772,0.000441063,0.892934,0.0000304227,0.0007143747,0.08185779,0.003861497,0.01587678],"study_design_scores_gemma":[0.000005451873,0.00002439365,0.03184322,0.0002729183,0.000004953191,0.0002728716,0.5341638,0.00005779047,0.0003084481,0.004469225,0.4285561,0.0000208364],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6994787,0.01808941,0.00036693,0.01243371,0.00024779,0.000009719131,0.00003308211,0.00001494346,0.2693257],"genre_scores_gemma":[0.9759743,0.003694535,0.00009124987,0.0008091321,0.0000520246,0.000005721072,0.00001032305,0.00001663452,0.01934607],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2023869,"threshold_uncertainty_score":0.4024177,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W642080750","doi":"","title":"Women and things, 1750-1950 : gendered material strategies","year":2009,"lang":"en","type":"book","venue":"","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Identity (music); Sculpture; Art history; Art; Vernacular; Portrait; Bricolage; History; Gender studies; Sociology; Visual arts; Literature; Aesthetics","authors":[{"name":"Maureen Daly Goggin","is_ca":false},{"name":"Beth Fowkes Tobin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03453281088345071,"gpt":0.2116416408958273,"spread":0.1771088300123766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001580265,0.0007242047,0.0003751701,0.003557857,0.01580878,0.008815462,0.0007945025,0.001866286,0.01353419],"category_scores_gemma":[0.001945608,0.0003270859,0.0002096271,0.004085213,0.02305108,0.005065314,0.004898093,0.001634332,0.001491261],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01494794,"about_ca_system_score_gemma":0.004058015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05509968,"about_ca_topic_score_gemma":0.09643817,"domain_scores_codex":[0.9989173,0.0004616704,0.00003391004,0.0001356211,0.0001811875,0.0002702519],"domain_scores_gemma":[0.9994242,0.0003013119,0.00005521613,0.00002827367,0.00006960801,0.0001215192],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002377149,0.00001912028,0.0008536909,0.0001355655,0.000003819209,0.0002292369,0.5325559,0.00002939067,0.0001169305,0.4132966,0.02951772,0.0232183],"study_design_scores_gemma":[0.000003941363,0.000009742749,0.001612206,0.0002440193,0.000002727104,0.00007252079,0.1272634,0.000007072983,0.00007421077,0.0113019,0.8594017,0.00000657171],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07311331,0.08939685,0.0005602492,0.01890336,0.001365357,0.00006980754,0.0003082221,0.0000525365,0.8162303],"genre_scores_gemma":[0.6877582,0.03235424,0.0004970682,0.004503819,0.0007750934,0.0001606179,0.0001774861,0.00009848091,0.273675],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05509968,"threshold_uncertainty_score":0.109558,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391953812","doi":"10.1007/s10462-024-10703-8","title":"Fashion intelligence in the Metaverse: promise and future prospects","year":2024,"lang":"en","type":"article","venue":"Artificial Intelligence Review","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Western University","funders":"","keywords":"Metaverse; Extant taxon; Computer science; Possible world; Data science; Virtual reality; Human–computer interaction; Epistemology; Philosophy","authors":[{"name":"Xiangyu Mu","is_ca":false},{"name":"Haijun Zhang","is_ca":false},{"name":"Jianyang Shi","is_ca":false},{"name":"Jie Hou","is_ca":false},{"name":"Jianghong Ma","is_ca":false},{"name":"Yimin Yang","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08534012757455763,"gpt":0.3168193937447195,"spread":0.2314792661701618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002512541,0.0003552602,0.0005228088,0.002477029,0.0008400201,0.008720852,0.001008943,0.002347418,0.01077648],"category_scores_gemma":[0.002172989,0.0001593948,0.0004906253,0.003146555,0.002721925,0.008674071,0.001961023,0.002524829,0.002361834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001219143,"about_ca_system_score_gemma":0.001894644,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007803871,"about_ca_topic_score_gemma":0.001657997,"domain_scores_codex":[0.9992272,0.0003838805,0.00004633039,0.00007309957,0.0001748406,0.00009463613],"domain_scores_gemma":[0.9977042,0.001288183,0.0001842745,0.0001336214,0.0004772902,0.0002124523],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000929886,0.0001529319,0.001324417,0.006962652,0.00006394208,0.0003585835,0.002795277,0.0004651922,0.0009522668,0.3836438,0.03206149,0.5711265],"study_design_scores_gemma":[0.000008131105,0.00008333648,0.001518197,0.007316181,0.00003561187,0.0005282435,0.003890274,0.0002789994,0.000359825,0.07155847,0.914399,0.00002371697],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.005343509,0.8704405,0.002036111,0.02247673,0.00143919,0.00001690512,0.00003643866,0.00004802748,0.09816242],"genre_scores_gemma":[0.09084107,0.8850673,0.003657534,0.007781998,0.002256659,0.00004375872,0.0000798278,0.00003708226,0.01023474],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01077648,"threshold_uncertainty_score":0.03605098,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2082537777","doi":"10.1177/0146107910375547","title":"Clothing and Adornment","year":2010,"lang":"en","type":"article","venue":"Biblical Theology Bulletin Journal of Bible and Culture","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Sudbury","funders":"","keywords":"Adornment; Clothing; Honor; Scrutiny; Christianity; Aesthetics; Power (physics); Function (biology); Sociology; Art; Epistemology; Gender studies; History; Philosophy; Archaeology; Theology; Computer science","authors":[{"name":"Alicia J. Batten","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01215082426387167,"gpt":0.2159791474740396,"spread":0.2038283232101679,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004448156,0.0004038916,0.0001794872,0.001118706,0.002327642,0.003980288,0.000376945,0.001169333,0.02462629],"category_scores_gemma":[0.001207243,0.000112774,0.0001659938,0.000953992,0.004736212,0.002898034,0.001461773,0.001120322,0.0024504],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001217213,"about_ca_system_score_gemma":0.0004356335,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00219925,"about_ca_topic_score_gemma":0.003634118,"domain_scores_codex":[0.9994181,0.0002563372,0.00003609875,0.00006717817,0.0001320874,0.00009016666],"domain_scores_gemma":[0.9997188,0.0001080594,0.00004096343,0.00003647378,0.00005285352,0.00004285662],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003132282,0.00003519506,0.001286504,0.0002134883,0.000004744776,0.0003831892,0.01237404,0.00007871656,0.0003656806,0.8535563,0.04803063,0.08364017],"study_design_scores_gemma":[0.000001339886,0.00001792977,0.001825007,0.0004218173,0.000001580658,0.0005721505,0.00581198,0.0000298192,0.000153405,0.02977495,0.9613851,0.000004929254],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01522575,0.0662062,0.001492749,0.009328026,0.001942317,0.00001783374,0.0000734099,0.00002857253,0.9056852],"genre_scores_gemma":[0.4080973,0.0646545,0.002092284,0.005705559,0.002335857,0.00004232478,0.0001419258,0.00009057195,0.5168397],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02462629,"threshold_uncertainty_score":0.08238316,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4251743269","doi":"10.3138/ecf.23.2.347","title":"Clothes without Bodies: Objects, Humans, and the Marketplace in Eighteenth-Century It-Narratives and Trade Cards","year":2010,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Narrative; Agency (philosophy); Clothing; Object (grammar); Aesthetics; Sociology; Subject (documents); Nexus (standard); Commodity; History; Literature; Law; Art; Political science; Business; Computer science; Social science; World Wide Web; Philosophy; Linguistics","authors":[{"name":"Chloe Wigston Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01214415416331931,"gpt":0.2215841325184333,"spread":0.209439978355114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001675785,0.0004609726,0.0002169113,0.001205455,0.006798711,0.008782798,0.0005232291,0.00120685,0.002323054],"category_scores_gemma":[0.001718932,0.0002301284,0.00017736,0.001345629,0.02805516,0.007508449,0.002864399,0.001648773,0.0001560195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004730384,"about_ca_system_score_gemma":0.0008149151,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004773024,"about_ca_topic_score_gemma":0.006415877,"domain_scores_codex":[0.9989479,0.0007034789,0.00003485106,0.00006698959,0.0001115498,0.000135121],"domain_scores_gemma":[0.9987317,0.0008591153,0.0001513222,0.0001017921,0.00005293429,0.000103061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003878049,0.00001300147,0.001180998,0.00005181268,0.000003414853,0.0004323022,0.6665055,0.00007767145,0.0002176466,0.3257917,0.0009931702,0.004694058],"study_design_scores_gemma":[0.00001809145,0.00005409126,0.003538843,0.0003687793,0.00001399603,0.0007558035,0.6321746,0.0002882756,0.0008864962,0.04335956,0.3185151,0.00002645652],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7234929,0.005223988,0.00303983,0.005275161,0.0001488321,0.00001948005,0.00004789124,0.00002060419,0.2627313],"genre_scores_gemma":[0.9904031,0.0007797101,0.0002244779,0.0001327686,0.00002180077,0.000007816861,0.00001041139,0.00001278331,0.008407148],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008782798,"threshold_uncertainty_score":0.03432155,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2153752329","doi":"10.1504/ijsmm.2008.015964","title":"Celebrity athletes and athletic clothing design: branding female tennis players","year":2007,"lang":"en","type":"article","venue":"International Journal of Sport Management and Marketing","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":25,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University; Laurentian University","funders":"","keywords":"Clothing; Athletes; Advertising; Sports marketing; Product (mathematics); Competition (biology); Marketing; Psychology; Business; Political science; Physical therapy; Medicine; Marketing management; Relationship marketing","authors":[{"name":"Norm O’Reilly","is_ca":true},{"name":"L. Anne Braedley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02631845797097175,"gpt":0.2435365340862273,"spread":0.2172180761152555,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001131531,0.0002323018,0.0001235349,0.0005678245,0.00150116,0.002126824,0.0002513828,0.0004810645,0.004382686],"category_scores_gemma":[0.002453587,0.0001872028,0.00007593053,0.0003547663,0.001357072,0.000679714,0.0008344129,0.0003004803,0.0002947215],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007663589,"about_ca_system_score_gemma":0.000586374,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004377284,"about_ca_topic_score_gemma":0.01260788,"domain_scores_codex":[0.9994486,0.0003119581,0.00001711359,0.00006442925,0.00008990203,0.00006787469],"domain_scores_gemma":[0.9990625,0.00048828,0.0002377912,0.00004032998,0.00007591874,0.00009523796],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002989735,0.0005483557,0.4188788,0.0003219039,0.000025294,0.001361214,0.4621374,0.0001788474,0.01080887,0.004280064,0.001175798,0.09998442],"study_design_scores_gemma":[0.00001445091,0.0006056607,0.4398191,0.0001666272,0.00003403528,0.002746186,0.5282469,0.0005950778,0.003434183,0.0007773457,0.02353003,0.00003045527],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9890217,0.0001172895,0.0004078125,0.0001392909,0.000006643057,0.00001745823,0.00001113197,0.000002436042,0.01027637],"genre_scores_gemma":[0.9937488,0.0001772677,0.0005006309,0.00006027246,0.000007126897,0.00001430566,0.00001416699,0.000002834087,0.005474634],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.004382686,"threshold_uncertainty_score":0.01466161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1504284654","doi":"10.3983/twc.2014.0495","title":"pragmatics of things: Materiality and constraint in fan practices","year":2014,"lang":"en","type":"article","venue":"Transformative Works and Cultures","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Materiality (auditing); Pragmatics; Aesthetics; Meaning (existential); Sociology; Action (physics); Epistemology; Linguistics; Computer science; Art; Philosophy","authors":[{"name":"Benjamin Woo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02363219453433232,"gpt":0.2621487737601286,"spread":0.2385165792257963,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01557153,0.0005510024,0.0007916994,0.002336694,0.007356655,0.009765266,0.001408363,0.001823982,0.004909241],"category_scores_gemma":[0.02533711,0.0009402802,0.000744689,0.001786552,0.03434344,0.01311096,0.006023544,0.00243386,0.0002699297],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003536562,"about_ca_system_score_gemma":0.003951316,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00668747,"about_ca_topic_score_gemma":0.006636292,"domain_scores_codex":[0.9750523,0.01830922,0.001011309,0.001968368,0.002629282,0.001029474],"domain_scores_gemma":[0.9793162,0.01484617,0.001483002,0.001968185,0.001480091,0.0009063427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001127511,0.0000722982,0.006718634,0.0004063179,0.00003768623,0.0008627933,0.439818,0.0004592666,0.002096337,0.5296548,0.001134561,0.0186265],"study_design_scores_gemma":[0.0001040837,0.0001493683,0.01239887,0.0007206814,0.00007646607,0.00139173,0.3695859,0.002952919,0.001277087,0.5017993,0.1094264,0.0001171592],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4989352,0.002418006,0.1198835,0.01241496,0.0002029668,0.0003110632,0.0002330179,0.0002024757,0.3653989],"genre_scores_gemma":[0.9909182,0.0002083128,0.006757513,0.0001732013,0.00001973882,0.00006742719,0.00005035366,0.00006246149,0.001742868],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01557153,"threshold_uncertainty_score":0.08235115,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2332421448","doi":"10.1386/csmf.2.1.5_1","title":"Dapper dudes: Young men’s fashion consumption and expressions of masculinity","year":2015,"lang":"en","type":"article","venue":"Critical Studies in Men’s Fashion","topic":"Fashion and Cultural Textiles","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Clothing; Masculinity; Mainstream; Consumption (sociology); Style (visual arts); Creativity; Sociology; Consumer Culture; Gender studies; Media consumption; Identity (music); Psychology; Advertising; Social psychology; Aesthetics; Art; Political science; Visual arts; Business; Social science","authors":[{"name":"Ben Barry","is_ca":true},{"name":"Dylan Martin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1804360318883723,"gpt":0.3654533211845167,"spread":0.1850172892961444,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006260062,0.0001520509,0.00009795442,0.0004740043,0.001900996,0.001656281,0.0001329845,0.0002192641,0.004065664],"category_scores_gemma":[0.001404491,0.0001191028,0.0001261305,0.0004224461,0.001228331,0.0004180795,0.0006250464,0.0003214433,0.0002221661],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001021625,"about_ca_system_score_gemma":0.0008174863,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04778526,"about_ca_topic_score_gemma":0.1015805,"domain_scores_codex":[0.9997897,0.00006911589,0.000007204081,0.00002410575,0.00005894737,0.00005104409],"domain_scores_gemma":[0.9994,0.0001790398,0.0001716268,0.0000309053,0.0001204208,0.00009788731],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003109286,0.0001040053,0.3670095,0.0001417866,0.00003283614,0.001998615,0.5788713,0.00004699632,0.006173837,0.0050364,0.002302264,0.03797154],"study_design_scores_gemma":[0.000005520835,0.0001443532,0.4881536,0.00007931732,0.00002538376,0.0009776767,0.4912635,0.00007711636,0.001357895,0.0004389282,0.01745576,0.00002091865],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9878365,0.0002598039,0.00007961497,0.0001747944,0.00001506028,0.000004399921,0.00003097629,0.000003322337,0.01159551],"genre_scores_gemma":[0.9965624,0.0001392116,0.00006066909,0.00004561102,0.000003675559,0.000002049797,0.0000135927,0.000002149456,0.003170666],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04778526,"threshold_uncertainty_score":0.09501421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}