{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":781,"total_is_capped":false,"direct_labels_cover":2,"predictions_cover":781,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"66858c2e38fe","filters":{"topic":"French Literature and Critical Theory"}},"results":[{"id":"W2070650883","doi":"10.1001/jama.2009.1212","title":"Experiments and Observations","year":2009,"lang":"en","type":"article","venue":"JAMA","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Medicine","authors":[{"name":"Howard Markel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04684831137923175,"gpt":0.2544379237972457,"spread":0.207589612418014,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003170527,0.00162267,0.002153526,0.0009884834,0.003761194,0.002246502,0.002550139,0.002899103,0.06589203],"category_scores_gemma":[0.004302524,0.0008739292,0.001095806,0.001228266,0.001449417,0.001629628,0.001969191,0.003885617,0.02964598],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001398049,"about_ca_system_score_gemma":0.002341937,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005529013,"about_ca_topic_score_gemma":0.006057017,"domain_scores_codex":[0.9965334,0.0004784876,0.0002867538,0.001294391,0.0008142726,0.000592688],"domain_scores_gemma":[0.9969021,0.0005008986,0.0002135131,0.0009898263,0.0009782212,0.0004155022],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"not_applicable","study_design_scores_codex":[0.02754505,0.01747968,0.02632913,0.004651383,0.0005649908,0.002639895,0.005153731,0.006335395,0.4652586,0.02819154,0.188269,0.2275816],"study_design_scores_gemma":[0.003469363,0.01809712,0.02791235,0.0006193338,0.0005793665,0.001585318,0.002280792,0.006350708,0.1127881,0.01874946,0.8070937,0.000474296],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.4255363,0.00564748,0.1224862,0.004458451,0.007146948,0.03981125,0.09685763,0.009170897,0.2888849],"genre_scores_gemma":[0.5037892,0.005541966,0.1334743,0.01175449,0.001149664,0.06175574,0.06779118,0.003419298,0.2113242],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06589203,"threshold_uncertainty_score":0.2204308,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2978326829","doi":"10.4000/contextes.8489","title":"Lucien Goldmann au Québec ","year":2019,"lang":"fr","type":"article","venue":"Contextes","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Physics; Art","authors":[{"name":"Rachel Nadon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01247707276827394,"gpt":0.2192084142347332,"spread":0.2067313414664592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007393158,0.0006380614,0.0003979818,0.001594419,0.01005858,0.004469307,0.0007168216,0.001732012,0.06903955],"category_scores_gemma":[0.002174298,0.0002892006,0.0002767143,0.002317508,0.002619264,0.002010588,0.001229115,0.00235948,0.004775968],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.04949391,"about_ca_system_score_gemma":0.03684095,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9727761,"about_ca_topic_score_gemma":0.9821055,"domain_scores_codex":[0.9990175,0.0001999095,0.00002521016,0.0002223369,0.0002872335,0.0002478172],"domain_scores_gemma":[0.9987507,0.0002378716,0.00005384403,0.0000562838,0.0007022967,0.0001989821],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008015786,0.00003449243,0.00288533,0.0003022887,0.00002054576,0.0008153357,0.006644804,0.0004627061,0.0005565162,0.2409101,0.6467962,0.1004915],"study_design_scores_gemma":[0.000005093918,0.00000548123,0.00269319,0.0001929144,0.000004002726,0.00006177167,0.001618231,0.00008323845,0.0001439664,0.002055526,0.9931236,0.00001289767],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01868387,0.1058566,0.001925698,0.1278128,0.006469901,0.00007292558,0.002119665,0.0002478126,0.7368108],"genre_scores_gemma":[0.1067843,0.01849264,0.001261008,0.01018854,0.0003564419,0.00005352045,0.0004426416,0.0001262913,0.8622944],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06903955,"threshold_uncertainty_score":0.3591051,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130802985","doi":"10.1093/fs/knn125","title":"Spaces of Belonging: Home, Culture and Identity in 20th-Century French Autobiography Spaces of Belonging: Home, Culture and Identity in 20th-Century French Autobiography. By E <scp>lizabeth</scp> H. J <scp>ones</scp> . Amsterdam, Rodopi, 2007. 316 pp. Pb €63.00.","year":2008,"lang":"en","type":"article","venue":"French Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Postmodernism; Biography; Originality; Identity (music); Postmodernity; Space (punctuation); Relation (database); Aesthetics; Sociology; Value (mathematics); Literature; History; Art; Philosophy; Anthropology; Linguistics","authors":[{"name":"Claire Boyle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01145936836081647,"gpt":0.2452502238334812,"spread":0.2337908554726648,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00115847,0.0006859178,0.0002898177,0.001287723,0.005576206,0.005413625,0.000428749,0.001481981,0.007787895],"category_scores_gemma":[0.001198078,0.0002135582,0.0001939729,0.001446895,0.009282749,0.003864632,0.002016106,0.001506223,0.0005315598],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008487519,"about_ca_system_score_gemma":0.002458252,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1258297,"about_ca_topic_score_gemma":0.1870336,"domain_scores_codex":[0.9992402,0.000472605,0.0000186882,0.0000684464,0.00008975103,0.0001104282],"domain_scores_gemma":[0.9993511,0.0003783866,0.00008671538,0.00002618137,0.00005462211,0.0001029364],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004686354,0.00003539841,0.001774124,0.000305001,0.00001378178,0.000741632,0.6538767,0.0001320202,0.0003194285,0.2314365,0.04477281,0.06654578],"study_design_scores_gemma":[0.000005608862,0.0000308017,0.009442632,0.0005487854,0.000007892402,0.0008795001,0.2183701,0.00009287889,0.0002488844,0.01046004,0.7598876,0.00002529367],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.1779872,0.4404745,0.002325096,0.04994246,0.001780966,0.00003558155,0.0001922431,0.0001015448,0.3271603],"genre_scores_gemma":[0.885067,0.0424905,0.0005298329,0.001584469,0.0004786836,0.00002496748,0.0000584476,0.00004966172,0.06971633],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1258297,"threshold_uncertainty_score":0.2501945,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1973479328","doi":"10.7202/012318ar","title":"Jean-Luc Godard, Witz et invention formelle (notes préparatoires sur les rapports entre critique et pouvoir symbolique)","year":2005,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Nicole Brénez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02920479104982932,"gpt":0.2690492507337415,"spread":0.2398444596839122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001247702,0.0004546436,0.0002639495,0.001148062,0.005793632,0.006242891,0.0005728097,0.00303221,0.005859169],"category_scores_gemma":[0.003143641,0.000251126,0.0002456476,0.001313764,0.014138,0.006098909,0.001861782,0.003819182,0.000841772],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004269675,"about_ca_system_score_gemma":0.002039068,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02145798,"about_ca_topic_score_gemma":0.03858926,"domain_scores_codex":[0.9990032,0.000543141,0.00001761066,0.0001414486,0.0001772761,0.000117241],"domain_scores_gemma":[0.9990433,0.000688904,0.00006817952,0.00004503388,0.00009493344,0.00005967778],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002550163,0.000009813696,0.0003181687,0.00009376997,0.000006079612,0.0002204678,0.03661275,0.00006322807,0.0002827994,0.9066649,0.04367817,0.01202422],"study_design_scores_gemma":[0.00001403277,0.00001799117,0.001562886,0.0002159407,0.000007127853,0.0003189872,0.01485149,0.0001151601,0.0007236981,0.1218031,0.8603498,0.00001983656],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04137673,0.2032598,0.01365029,0.22139,0.004255745,0.00007324784,0.0001769211,0.0001651796,0.5156521],"genre_scores_gemma":[0.6793926,0.05209969,0.004081811,0.01476849,0.002120061,0.0001056318,0.00005721221,0.0002596622,0.247115],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02145798,"threshold_uncertainty_score":0.04266614,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2039682314","doi":"10.3828/qs.30.1.44","title":"Narrative Cross-Dressing and Men \"Doing\" Motherhood: The Case of Marie Auger/Mario G.'s <i>Le ventre en tête</i>","year":2000,"lang":"en","type":"article","venue":"Quebec Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Narrative; Art; Humanities; Auger; Physics; Atomic physics; Literature","authors":[{"name":"Lori Saint-Martin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01562491259920364,"gpt":0.2679661443748737,"spread":0.2523412317756701,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003643561,0.0007359115,0.000532597,0.0007687723,0.04421255,0.007011434,0.002068024,0.005412991,0.007281457],"category_scores_gemma":[0.005883132,0.0004551669,0.0003776925,0.0009154401,0.02417726,0.003564436,0.006723753,0.007503117,0.0006156153],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02077349,"about_ca_system_score_gemma":0.01568138,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4265558,"about_ca_topic_score_gemma":0.6824941,"domain_scores_codex":[0.9960246,0.002669876,0.00003849682,0.000170438,0.0002737959,0.0008228094],"domain_scores_gemma":[0.9962387,0.00147967,0.0003913918,0.0001179491,0.0002991204,0.001473098],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002348012,0.00002989084,0.0008016875,0.00003312358,0.000004810281,0.003599391,0.9557301,0.00005381412,0.0001383528,0.02546773,0.009583495,0.004534049],"study_design_scores_gemma":[0.000006442203,0.00001587408,0.001059777,0.0001990718,0.000006323236,0.001450952,0.8860562,0.00006667896,0.0001624124,0.00212868,0.1088298,0.00001778184],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6284184,0.01170366,0.003082866,0.1558292,0.001709479,0.0001488206,0.0001243529,0.00009259642,0.1988906],"genre_scores_gemma":[0.9433186,0.001843745,0.0005543994,0.006347722,0.0000939415,0.00005081934,0.00001845391,0.00004053844,0.04773189],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4265558,"threshold_uncertainty_score":0.848146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1496395911","doi":"10.1111/j.1600-0730.2011.01022.x","title":"Sentinelles de l’oubli et reflets furtifs. Permanence, rupture et régimes d’historicité dans<i>Dora Bruder</i>","year":2011,"lang":"fr","type":"article","venue":"Orbis Litterarum","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Nicolas Xanthos","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02998502870960339,"gpt":0.2476333726082785,"spread":0.2176483438986751,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167344,0.0004296188,0.0003081007,0.0008261537,0.008425167,0.004083219,0.0006463517,0.001924793,0.008762697],"category_scores_gemma":[0.002280616,0.0002703309,0.0002098577,0.0007319305,0.01507863,0.004447628,0.003097243,0.003641503,0.00105253],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00580158,"about_ca_system_score_gemma":0.002500432,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02205131,"about_ca_topic_score_gemma":0.05599504,"domain_scores_codex":[0.9989336,0.0004806569,0.00002835212,0.0001719698,0.0001809414,0.0002044731],"domain_scores_gemma":[0.9993712,0.0002868005,0.00008977736,0.00008428222,0.0001042298,0.00006365245],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004951772,0.000009764213,0.0008956878,0.00008644482,0.000003208144,0.0004073463,0.1406715,0.00007147947,0.0007157249,0.8368651,0.007719276,0.0125051],"study_design_scores_gemma":[0.00001078817,0.00004030923,0.002289596,0.0003084702,0.00001016519,0.000541123,0.06413245,0.00020547,0.0008680372,0.03828041,0.893287,0.00002625535],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1137935,0.009464236,0.01003197,0.02351937,0.001380954,0.00009050046,0.000148835,0.0001242088,0.8414465],"genre_scores_gemma":[0.8160409,0.001770701,0.001927936,0.001563094,0.0002369049,0.00007312375,0.00005957314,0.0001183507,0.1782095],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02205131,"threshold_uncertainty_score":0.04384589,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1990623530","doi":"10.7202/037341ar","title":"La traduction mélancolique (sur Paul Celan)","year":2007,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Alexis Nouss","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04199665169133307,"gpt":0.2778856926433591,"spread":0.235889040952026,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009320363,0.0003864058,0.0001634928,0.0007925844,0.007765958,0.00454784,0.0003884077,0.001343833,0.005405608],"category_scores_gemma":[0.001513456,0.0001455908,0.0001598339,0.0007262878,0.01505407,0.001893307,0.002181264,0.002698567,0.0004475833],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01018976,"about_ca_system_score_gemma":0.00502921,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07539432,"about_ca_topic_score_gemma":0.1100482,"domain_scores_codex":[0.9989113,0.000560532,0.00002213871,0.0001562481,0.000172142,0.0001776389],"domain_scores_gemma":[0.9994165,0.0002746209,0.00006932717,0.00005087198,0.0001287449,0.00005992961],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003476113,0.000005696787,0.0005729024,0.00007624688,0.000002996555,0.0004777185,0.1259584,0.00006628084,0.0007714797,0.8510711,0.007588526,0.01337387],"study_design_scores_gemma":[0.000008003602,0.00003332513,0.002385169,0.0002217196,0.000004176109,0.0003960031,0.0296932,0.0000796137,0.0006632044,0.01814236,0.9483567,0.00001645975],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1044155,0.008464861,0.003121086,0.01889949,0.0008458406,0.00005095239,0.00007422563,0.00005432323,0.8640737],"genre_scores_gemma":[0.8728319,0.002043096,0.0009165221,0.001549412,0.0001875098,0.00004026332,0.00002404437,0.00004938743,0.1223578],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07539432,"threshold_uncertainty_score":0.149911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2613607836","doi":"","title":"Le fantasme de François Paré / François Paré, Le fantasme d’Escanaba, essai, Les Éditions Nota Bene, Québec, 2007","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Fantasy; Literature","authors":[{"name":"Benoît Doyon-Gosselin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006394160184503925,"gpt":0.15125648992057,"spread":0.1448623297360661,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001360191,0.001369597,0.0004968572,0.002358061,0.008063922,0.006710077,0.001135687,0.002431638,0.01678091],"category_scores_gemma":[0.002500809,0.0004667515,0.0003123036,0.00360713,0.006658698,0.003387421,0.001130173,0.00309059,0.001970063],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02814142,"about_ca_system_score_gemma":0.02308491,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.872914,"about_ca_topic_score_gemma":0.9255725,"domain_scores_codex":[0.9989999,0.0003244795,0.00003275455,0.00009952093,0.0003499888,0.0001933153],"domain_scores_gemma":[0.9990785,0.0002516214,0.00005055744,0.00005035927,0.0004617885,0.000107299],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008148149,0.00004976533,0.001275087,0.0004315749,0.00002251862,0.0002540075,0.02612126,0.0002098058,0.0004092775,0.2222288,0.6816975,0.06721896],"study_design_scores_gemma":[0.00001078226,0.000006738417,0.0062287,0.000378432,0.000005866718,0.0001566924,0.008094586,0.00005284021,0.0001777375,0.004367956,0.9804992,0.00002044624],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.01348943,0.5832059,0.001457273,0.0958261,0.00618658,0.00003947711,0.001152893,0.00008562047,0.2985567],"genre_scores_gemma":[0.2913803,0.1416236,0.001608434,0.007965277,0.00142978,0.00009385765,0.0007355258,0.0002346798,0.5549286],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.127086,"threshold_uncertainty_score":0.2556689,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4292063135","doi":"10.1111/jola.12377","title":"Flânerie in Text and City: The Heterogeneous Urban Publics of the Georgian Feuilleton","year":2022,"lang":"en","type":"article","venue":"Journal of Linguistic Anthropology","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Trent University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Georgian; Newspaper; Narrative; Media studies; Sociology; Heteroglossia; Public sphere; History; Public history; Crowds; Literature; Art; Political science; Law; Linguistics","authors":[{"name":"Paul Manning","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01881365370336254,"gpt":0.2484123205724389,"spread":0.2295986668690763,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001775158,0.0003534498,0.0003155741,0.002737055,0.01700287,0.01293312,0.0007089505,0.001834393,0.004537738],"category_scores_gemma":[0.002443784,0.0003391239,0.000162812,0.002549181,0.0204042,0.005990305,0.006845522,0.002154503,0.0006410296],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01255907,"about_ca_system_score_gemma":0.00229221,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0425531,"about_ca_topic_score_gemma":0.1210867,"domain_scores_codex":[0.9985073,0.0007824262,0.00002628122,0.0001953867,0.0001855079,0.0003030642],"domain_scores_gemma":[0.9984712,0.0008824536,0.0001757296,0.0001214237,0.0001532528,0.0001958969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004011654,0.00001609473,0.002721845,0.00004664112,0.000004245942,0.001185009,0.8734344,0.00005224186,0.0003398494,0.1009931,0.009591765,0.01157475],"study_design_scores_gemma":[0.000008502334,0.0000204697,0.01293465,0.0002021842,0.0000116724,0.0006502294,0.6662028,0.0001716436,0.0003592603,0.01130777,0.3080981,0.00003279923],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6375154,0.00392437,0.0009906103,0.03020199,0.0003144952,0.00003287436,0.0001701157,0.00008780277,0.3267624],"genre_scores_gemma":[0.9803531,0.0004524069,0.000188857,0.0009547119,0.00009311896,0.00001564477,0.00004152481,0.00006582632,0.01783492],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0425531,"threshold_uncertainty_score":0.09112287,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064889601","doi":"10.7202/501231ar","title":"Fin de l’avant-garde ?","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Avant garde; Art history; Philosophy","authors":[{"name":"J.P. Burger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01903732932476921,"gpt":0.2381205899255892,"spread":0.21908326060082,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00450159,0.0004913539,0.0003890659,0.001293281,0.009232555,0.009731475,0.0009292025,0.002752863,0.01155455],"category_scores_gemma":[0.005239242,0.0001681005,0.0003407946,0.001082934,0.0346294,0.008678697,0.003349377,0.004530333,0.001889396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009188856,"about_ca_system_score_gemma":0.007054117,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02694684,"about_ca_topic_score_gemma":0.02485535,"domain_scores_codex":[0.9960354,0.002166416,0.00006753215,0.0004706171,0.0005334156,0.0007267124],"domain_scores_gemma":[0.997708,0.0009460162,0.0001952787,0.0003078101,0.0005248976,0.0003180533],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006059875,0.000004379997,0.0001349006,0.00002377363,0.000001360875,0.00004408134,0.01310211,0.00001409709,0.00005148394,0.9788086,0.002195957,0.005613073],"study_design_scores_gemma":[0.00001070692,0.00003938707,0.001107961,0.0003828255,0.000007443057,0.0002608211,0.02764928,0.0001010201,0.0002888018,0.2938935,0.6762389,0.00001933219],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02299362,0.01108186,0.006944424,0.04625082,0.0008285528,0.00002625235,0.00003547809,0.000059047,0.9117799],"genre_scores_gemma":[0.8771641,0.003318721,0.001838948,0.00506079,0.0004375158,0.00004045309,0.00002943364,0.00006790685,0.1120422],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02694684,"threshold_uncertainty_score":0.06667018,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W809697066","doi":"10.1093/fs/knu269","title":"Michel Houellebecq and the Literature of Despair <i>Michel Houellebecq and the Literature of Despair</i> . By <scp>Carole Sweeney</scp> . (Continuum Literary Studies.) New York: Bloomsbury Academic, 2013. xx + 215 pp.","year":2015,"lang":"en","type":"article","venue":"French Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Capitalism; Biopower; Shadow (psychology); Subject (documents); Michel foucault; Neoliberalism (international relations); Aesthetics; Identity (music); Sociology; Psychoanalysis; Art history; Philosophy; History; Art; Political science; Political economy; Law; Politics; Psychology","authors":[{"name":"Stéphanie Posthumus","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02962527706859866,"gpt":0.2503290344819055,"spread":0.2207037574133068,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001289065,0.0007367634,0.0003897158,0.001275526,0.006770043,0.004439235,0.001059598,0.00317476,0.004552322],"category_scores_gemma":[0.003787843,0.0002603135,0.0002603217,0.00160609,0.01094257,0.004421731,0.002536367,0.003964736,0.0008939941],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006923335,"about_ca_system_score_gemma":0.002989681,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05147869,"about_ca_topic_score_gemma":0.06339366,"domain_scores_codex":[0.9982758,0.001006417,0.00002567728,0.0001289563,0.0003595837,0.00020349],"domain_scores_gemma":[0.9987904,0.0007019136,0.0001413356,0.00003148605,0.0001894628,0.0001454253],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008678213,0.00003537484,0.0005595981,0.000432526,0.00001601977,0.0009841411,0.1090339,0.0001575105,0.000436887,0.3655154,0.4884416,0.03430024],"study_design_scores_gemma":[0.000007826417,0.00001686358,0.001666239,0.0007219302,0.000002745757,0.0003916724,0.02210856,0.00008203497,0.0001446889,0.03057915,0.9442565,0.00002162937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.009437363,0.5456089,0.000696865,0.3436846,0.00459326,0.00002192585,0.00005626599,0.00002786474,0.09587294],"genre_scores_gemma":[0.5736743,0.1799466,0.001117996,0.07044023,0.01179621,0.000171075,0.00009297524,0.000191315,0.1625693],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.05147869,"threshold_uncertainty_score":0.1023581,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2003190566","doi":"10.7202/008479ar","title":"Réécrire à l’ère du soupçon insidieux : Amélie Nothomb et le récit postmoderne","year":2004,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Andrea Oberhuber","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01557532681343584,"gpt":0.2237489190224958,"spread":0.20817359220906,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001739601,0.0003263132,0.0002527813,0.0004391933,0.008509425,0.006370859,0.0006917547,0.002764012,0.008277526],"category_scores_gemma":[0.002873324,0.0002618019,0.0001311812,0.000665356,0.01502959,0.005322788,0.003191688,0.004726808,0.001002209],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006688358,"about_ca_system_score_gemma":0.004465263,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0198482,"about_ca_topic_score_gemma":0.04029037,"domain_scores_codex":[0.9983942,0.0008656294,0.00001943751,0.0001663042,0.0003283895,0.000226123],"domain_scores_gemma":[0.9987459,0.0007261891,0.0001245423,0.0001229202,0.0001625168,0.0001178825],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003216643,0.00001611637,0.0005290733,0.0000323988,0.000002573423,0.0003285765,0.1231663,0.00007480594,0.0002796114,0.8559149,0.007974214,0.0116493],"study_design_scores_gemma":[0.00001774172,0.00003441175,0.00198199,0.0003830367,0.00001040498,0.0006316919,0.09796351,0.0004553541,0.001153052,0.1438888,0.7534376,0.00004249081],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2114745,0.008225483,0.007188042,0.08974837,0.0006839508,0.00003989706,0.0000496508,0.00005616861,0.682534],"genre_scores_gemma":[0.8696892,0.001990764,0.001183888,0.003339972,0.000126478,0.00004987065,0.00001542647,0.0001036905,0.1235007],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0198482,"threshold_uncertainty_score":0.04852766,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2621694216","doi":"","title":"Nostalgie de la beauté / André, Major, Le Sourire d'Anton ou l'adieu au roman, Montréal, Presses de l'Université de Montréal, 2001","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Étienne Beaulieu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00522833441722674,"gpt":0.1604584600802568,"spread":0.15523012566303,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002751287,0.001441322,0.0005616072,0.003522198,0.007285349,0.007266123,0.001839003,0.003683071,0.0188374],"category_scores_gemma":[0.004666369,0.0005666423,0.0003869844,0.004567288,0.007703473,0.005781652,0.001823344,0.003740141,0.002636395],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02302401,"about_ca_system_score_gemma":0.02582472,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6883691,"about_ca_topic_score_gemma":0.8250611,"domain_scores_codex":[0.9987925,0.0005222877,0.00003877156,0.0001400135,0.0003077574,0.0001985728],"domain_scores_gemma":[0.9981895,0.0006416223,0.00009933935,0.000108616,0.0007800951,0.0001807808],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002483738,0.00002743546,0.0004168634,0.0002781166,0.00001097007,0.00009461916,0.008506599,0.00006803773,0.0001280549,0.1835445,0.7788568,0.02804315],"study_design_scores_gemma":[0.000009431155,0.000004178497,0.001899599,0.0004021138,0.000008544588,0.00006439471,0.003200551,0.00003278094,0.0001314662,0.007088064,0.9871489,0.000009944391],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.003076264,0.6634289,0.001293073,0.2176953,0.01244033,0.00003177573,0.0007195359,0.00006617902,0.1012486],"genre_scores_gemma":[0.1321815,0.3331514,0.001933862,0.0274133,0.008559222,0.0001263408,0.000566025,0.000283825,0.4957846],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6883691,"threshold_uncertainty_score":0.6269323,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2087429994","doi":"10.1080/17409292.2011.535265","title":"Rewriting America/Dany Laferrière's Rewriting","year":2011,"lang":"en","type":"article","venue":"Contemporary French and Francophone Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Rewriting; Art; Art history; Literature; History; Computer science","authors":[{"name":"Rachel Douglas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08604311237400394,"gpt":0.2447045370048022,"spread":0.1586614246307983,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008918564,0.0007840093,0.0003217054,0.001208366,0.004167285,0.00334383,0.0007554672,0.001262904,0.06311031],"category_scores_gemma":[0.005070892,0.0002157922,0.0004810392,0.0005462343,0.001796357,0.002067369,0.001947373,0.00287316,0.02353932],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004695058,"about_ca_system_score_gemma":0.001490645,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03600421,"about_ca_topic_score_gemma":0.04368034,"domain_scores_codex":[0.998605,0.0003495903,0.00005433676,0.0002169933,0.0006056584,0.0001684539],"domain_scores_gemma":[0.9989461,0.0002190731,0.0000432682,0.0001218194,0.0005719106,0.00009783996],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002253436,0.00001078281,0.0000850292,0.00005617633,0.000003215242,0.000324134,0.002956549,0.00003791587,0.0006727592,0.06677935,0.900969,0.02808249],"study_design_scores_gemma":[0.000001299623,0.000001900192,0.00005225055,0.00002194576,6.68338e-7,0.00008580313,0.0002336982,0.00001943879,0.0001391742,0.0005791415,0.9988618,0.000002888376],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003144353,0.006329801,0.004026779,0.03369725,0.037827,0.00006787421,0.0004593223,0.0007375772,0.91371],"genre_scores_gemma":[0.06061818,0.003677285,0.003461113,0.00898173,0.005490303,0.00008731897,0.0003342129,0.001272405,0.9160775],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06311031,"threshold_uncertainty_score":0.211125,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2130342980","doi":"10.7202/1007155ar","title":"Architecture médiévale et art de la mémoire dans À la recherche du temps perdu, de Marcel Proust","year":2011,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Guillaume Perrier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08077312334333919,"gpt":0.2848537249385855,"spread":0.2040806015952463,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001513041,0.0005360464,0.0002330807,0.0008860539,0.00418012,0.004380733,0.0003192307,0.001068519,0.00367119],"category_scores_gemma":[0.001984391,0.0001714258,0.0001738519,0.0006906761,0.01204928,0.003549742,0.001373543,0.002421655,0.0004500592],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007013224,"about_ca_system_score_gemma":0.002359384,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01627442,"about_ca_topic_score_gemma":0.01692768,"domain_scores_codex":[0.9988126,0.0007964123,0.00001860177,0.0001284074,0.00014984,0.00009426761],"domain_scores_gemma":[0.9992884,0.0004422844,0.00007785664,0.00005632711,0.00008892737,0.00004597854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001918096,0.000004346843,0.0002207468,0.00005457742,0.000002727843,0.00007910318,0.0156049,0.0001583507,0.0001488257,0.9613853,0.01075669,0.01156524],"study_design_scores_gemma":[0.000006300568,0.00002246431,0.001091844,0.000223607,0.000005507631,0.0003507634,0.007073877,0.0002598451,0.0005567151,0.09528793,0.895106,0.00001523671],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07572769,0.1474832,0.01243064,0.1025489,0.002742407,0.00002141694,0.00009530106,0.0001580163,0.6587924],"genre_scores_gemma":[0.8793656,0.01836473,0.002182231,0.002370741,0.001117872,0.00002374845,0.00002402983,0.00009765813,0.09645335],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01627442,"threshold_uncertainty_score":0.05088466,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1977770471","doi":"10.7202/008403ar","title":"La voix voilée","year":2002,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Ginette Michaud","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02202644836497059,"gpt":0.2207146744203846,"spread":0.198688226055414,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006826571,0.0005805123,0.0002690425,0.0006280022,0.004156583,0.006717012,0.0005086113,0.001296439,0.03673368],"category_scores_gemma":[0.001907819,0.0002146003,0.0003073698,0.0006955718,0.00528838,0.004968387,0.003523122,0.003710805,0.006009543],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002815765,"about_ca_system_score_gemma":0.001856676,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009070047,"about_ca_topic_score_gemma":0.01428123,"domain_scores_codex":[0.9991597,0.0002477083,0.00002428692,0.0001972046,0.0002271903,0.0001439297],"domain_scores_gemma":[0.9997035,0.00008987729,0.00002518641,0.00006159804,0.00007809009,0.00004177498],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007192748,0.000009655386,0.0005331962,0.0001081809,0.00001031524,0.0002695734,0.01836046,0.0001288832,0.001342815,0.9108717,0.03222561,0.03606763],"study_design_scores_gemma":[0.000008744994,0.00002325542,0.0007620023,0.0001276816,0.000005213306,0.0003387811,0.004570569,0.0001187028,0.0005635915,0.019943,0.9735213,0.00001709576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01774841,0.003447721,0.007762605,0.008171853,0.003175909,0.00004958938,0.0002615668,0.0003142396,0.9590682],"genre_scores_gemma":[0.3687162,0.002613516,0.002483323,0.001924116,0.001201983,0.0000651365,0.0003142348,0.0005100574,0.6221715],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03673368,"threshold_uncertainty_score":0.1228864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2157342711","doi":"10.7202/030633ar","title":"L’idole au regard de la philosophie des images","year":2005,"lang":"fr","type":"article","venue":"Protée","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Jean-Jacques Wunenburger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01893696893170859,"gpt":0.2571604763845782,"spread":0.2382235074528696,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003518301,0.0005161397,0.0003782509,0.001916404,0.008337528,0.01188485,0.0007608217,0.004104624,0.005126705],"category_scores_gemma":[0.004329144,0.0001780055,0.00040292,0.001249939,0.05395988,0.007612888,0.003040015,0.006276653,0.0007294401],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01106334,"about_ca_system_score_gemma":0.005327845,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01524643,"about_ca_topic_score_gemma":0.01713243,"domain_scores_codex":[0.9959943,0.00251353,0.00006774946,0.000426837,0.0005823636,0.0004151155],"domain_scores_gemma":[0.9970746,0.001764927,0.0001936113,0.000309347,0.0004490548,0.0002084198],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000004173143,0.000001979074,0.00005229288,0.00001660829,9.638002e-7,0.00001516877,0.00558476,0.00001890097,0.00003524855,0.9915708,0.001300736,0.001398369],"study_design_scores_gemma":[0.00001581124,0.00002198287,0.000505699,0.0002511532,0.000008669052,0.0001780133,0.01659269,0.0001898943,0.0003367699,0.657465,0.3244156,0.0000187199],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02992968,0.0164044,0.01603551,0.09218462,0.001126577,0.00002240822,0.00006209453,0.000061498,0.8441733],"genre_scores_gemma":[0.94312,0.003796174,0.002897624,0.009363365,0.0006675012,0.00003790527,0.00002547639,0.0000720274,0.04001989],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01524643,"threshold_uncertainty_score":0.08027053,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2010715525","doi":"10.7202/019538ar","title":"Le temps contemporain ou le Jadis chez Pascal Quignard","year":2008,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Simon Saint-Onge","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0263567574490082,"gpt":0.2212895264513488,"spread":0.1949327690023406,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009257742,0.0002429554,0.0001715737,0.0008402618,0.01068616,0.00335401,0.0004259189,0.001020881,0.003912838],"category_scores_gemma":[0.001456807,0.0001451494,0.0001288548,0.0007620789,0.008489805,0.001553631,0.001442135,0.001399433,0.000227942],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01142143,"about_ca_system_score_gemma":0.003563977,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2535519,"about_ca_topic_score_gemma":0.3880549,"domain_scores_codex":[0.999115,0.0004217517,0.00001391304,0.0001120056,0.0001347006,0.0002025719],"domain_scores_gemma":[0.9993886,0.0003038728,0.00009684243,0.00003244725,0.0001058498,0.00007243983],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007584471,0.00001722038,0.004120408,0.0001135144,0.000008002723,0.001464223,0.2921854,0.0001968184,0.0008258325,0.662251,0.006747802,0.0319939],"study_design_scores_gemma":[0.000008278556,0.00003934542,0.02370009,0.0001906572,0.00001123554,0.0009259104,0.1018221,0.0001713755,0.0006510189,0.007911046,0.8645349,0.00003405543],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5440952,0.01474521,0.00212802,0.0204218,0.0006812218,0.00002709899,0.00008917148,0.00003945769,0.4177727],"genre_scores_gemma":[0.9746699,0.0009548958,0.0002088885,0.0003474485,0.000060092,0.000005069931,0.000007198367,0.00001159375,0.02373484],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2535519,"threshold_uncertainty_score":0.5041522,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1558489395","doi":"10.26522/vp.v10i2.880","title":"Riendeau, Pascal. Méditation et vision de l’essai : Roland Barthes, Milan Kundera et Jacques Brault","year":2013,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Philosophy","authors":[{"name":"Jorge Calderón","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01139026580725064,"gpt":0.2480315158718323,"spread":0.2366412500645816,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001734881,0.002558844,0.001103226,0.005418146,0.008608236,0.00648657,0.001890992,0.007797602,0.01755791],"category_scores_gemma":[0.003701431,0.0006241344,0.0004228419,0.006451057,0.005065527,0.006786737,0.002213341,0.005591871,0.003743197],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005797566,"about_ca_system_score_gemma":0.003971017,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1157736,"about_ca_topic_score_gemma":0.1276745,"domain_scores_codex":[0.9985508,0.0007703712,0.00005235852,0.0002152269,0.0002263475,0.000184847],"domain_scores_gemma":[0.9981319,0.001184751,0.0001410475,0.00005595168,0.0003486868,0.0001377151],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001087027,0.00006080182,0.0005027865,0.001075967,0.00004499852,0.0003385983,0.03548782,0.0001632175,0.0002043859,0.1787943,0.698464,0.08475434],"study_design_scores_gemma":[0.00001634841,0.00001491849,0.001659823,0.0006773003,0.00001977346,0.0001845856,0.006943384,0.00004136695,0.0001546456,0.009577,0.9806938,0.00001701738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.001183408,0.8991937,0.0004094789,0.0708629,0.006820465,0.00001045761,0.0001321045,0.0000395865,0.02134781],"genre_scores_gemma":[0.1645297,0.6692805,0.001184804,0.02120543,0.01721137,0.0001833488,0.0002376558,0.0003706421,0.1257966],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1157736,"threshold_uncertainty_score":0.2301995,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2036881283","doi":"10.7202/035997ar","title":"La politique imaginaire de Joseph Roth","year":2006,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Régine Robin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008463469503894505,"gpt":0.2262532717344191,"spread":0.2177898022305246,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002056133,0.0004428565,0.000289304,0.001137827,0.005261796,0.005588929,0.0005646263,0.002388821,0.00459454],"category_scores_gemma":[0.002670635,0.0002172165,0.0002690419,0.000968775,0.01352101,0.004329056,0.001341862,0.003238371,0.000532841],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008746625,"about_ca_system_score_gemma":0.004956821,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03067106,"about_ca_topic_score_gemma":0.03732783,"domain_scores_codex":[0.9985936,0.0007219101,0.00002624677,0.0001953231,0.0002054847,0.0002574685],"domain_scores_gemma":[0.9988279,0.0007579808,0.0001661361,0.00005969906,0.0001103388,0.00007801046],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000006644918,0.000002447295,0.000114726,0.00002637019,0.000001531757,0.00005940484,0.004750185,0.00004599341,0.0000858392,0.9839188,0.007842337,0.003145833],"study_design_scores_gemma":[0.000009945141,0.00003135255,0.001150701,0.000249074,0.00001117509,0.0003679215,0.01093876,0.0002431898,0.0005725993,0.1411438,0.8452526,0.00002887002],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04927936,0.0933741,0.01261168,0.24699,0.002396116,0.00004369276,0.0001203707,0.0001550608,0.5950297],"genre_scores_gemma":[0.8177381,0.01866244,0.00307472,0.0163409,0.0009286461,0.00005507475,0.00002520505,0.00009135376,0.1430836],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03067106,"threshold_uncertainty_score":0.06346148,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1481264630","doi":"10.15210/interfaces.v8i2.7038","title":"OUELLETTE-MICHALSKA, Madelaine. Autofiction et dévoilement de soi. Montréal: XYZ, 2007.","year":2012,"lang":"es","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Kelley Baptista Duarte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02111823188437141,"gpt":0.2440747336246297,"spread":0.2229565017402583,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001406007,0.002218544,0.001163968,0.007980093,0.006133198,0.004927589,0.002235783,0.003739404,0.05245738],"category_scores_gemma":[0.003509016,0.001126992,0.000563711,0.01170828,0.005592788,0.008607918,0.001723108,0.003785756,0.01170824],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0145948,"about_ca_system_score_gemma":0.01031964,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4720924,"about_ca_topic_score_gemma":0.6223284,"domain_scores_codex":[0.9988961,0.0003006972,0.00008061919,0.0001422191,0.0004091035,0.0001711464],"domain_scores_gemma":[0.9972978,0.0009743551,0.0002770229,0.0001155167,0.001135433,0.0001998282],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004571071,0.00002188312,0.0007332707,0.0010871,0.00002445906,0.0003127568,0.007772441,0.000166954,0.0001764901,0.09391654,0.7980269,0.09771553],"study_design_scores_gemma":[0.000009433817,0.000007900491,0.004818724,0.001336202,0.00001682939,0.0001916457,0.003041921,0.00004023623,0.0001550731,0.009593731,0.980765,0.00002323302],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0004896956,0.9296376,0.0008218771,0.0214621,0.001471061,0.00001471366,0.0005998297,0.0001018715,0.04540127],"genre_scores_gemma":[0.04887183,0.8155933,0.002525472,0.002463041,0.00160691,0.0001227221,0.000652313,0.0002566298,0.1279077],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4720924,"threshold_uncertainty_score":0.938689,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2105879020","doi":"10.4000/books.enseditions.2443","title":"L’autofiction québécoise. Pastiche et mise en abyme chez Catherine Mavrikakis et Nelly Arcan","year":2013,"lang":"fr","type":"book-chapter","venue":"ENS Éditions eBooks","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","authors":[{"name":"Mélikah Abdelmoumen","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02026741455449118,"gpt":0.2255784485897829,"spread":0.2053110340352917,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001003375,0.0007175304,0.0003028602,0.00110184,0.01140968,0.006104284,0.0007593604,0.002085162,0.01895875],"category_scores_gemma":[0.001966925,0.0002631957,0.0002420493,0.001455751,0.01198004,0.003136313,0.001359761,0.003122998,0.002094375],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02377657,"about_ca_system_score_gemma":0.01683313,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6711684,"about_ca_topic_score_gemma":0.8391429,"domain_scores_codex":[0.9991302,0.0002940583,0.0000145393,0.0001449205,0.0002606795,0.0001555614],"domain_scores_gemma":[0.9993025,0.000203315,0.00004435599,0.00007142549,0.0002772115,0.0001012614],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000030518,0.00001269189,0.0005934825,0.00009316325,0.000006772843,0.000290868,0.03359102,0.00009756824,0.0003033223,0.618942,0.3054589,0.04057965],"study_design_scores_gemma":[0.000002636992,0.000005270496,0.0009429532,0.0001463709,0.00000265348,0.00009375587,0.00462273,0.00006388219,0.0001264867,0.007211872,0.9867724,0.00000906183],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0163167,0.07412833,0.002343068,0.09487519,0.007170473,0.00002851761,0.0002912502,0.00009046972,0.8047559],"genre_scores_gemma":[0.2062864,0.01194365,0.000665298,0.004752204,0.0007716425,0.00002881556,0.00009686793,0.0001338763,0.7753213],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6711684,"threshold_uncertainty_score":0.6615362,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2987643090","doi":"10.4000/books.pul.4224","title":"Un Cheval de Troie nommé dé-marquage : la neutralisation des catégories de sexe dans l’œuvre de Monique Wittig","year":2012,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Lyon eBooks","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art","authors":[{"name":"Dominique Bourque","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01533918667470075,"gpt":0.2010258512214525,"spread":0.1856866645467518,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001696615,0.0003537111,0.0002861024,0.0007832458,0.007407132,0.004083033,0.0005679687,0.001283354,0.007099672],"category_scores_gemma":[0.003838213,0.0002546291,0.0001629881,0.0008294118,0.02179617,0.00674791,0.002479702,0.002759905,0.0008624758],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004545762,"about_ca_system_score_gemma":0.002256806,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02710675,"about_ca_topic_score_gemma":0.06374713,"domain_scores_codex":[0.9985953,0.0008250129,0.00002016086,0.0001642071,0.0002007698,0.0001945],"domain_scores_gemma":[0.9989983,0.0005662096,0.0001118029,0.0001024073,0.00013209,0.00008914284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006583292,0.00001017885,0.00080313,0.00006151848,0.000004076927,0.000237121,0.2669964,0.00002624883,0.0004948644,0.7005861,0.01272704,0.01798755],"study_design_scores_gemma":[0.00002624521,0.00005618646,0.006577667,0.0003075103,0.000017189,0.0008432894,0.1848002,0.0002576132,0.001262736,0.1417822,0.6640201,0.00004903106],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1774007,0.01405013,0.007156137,0.04029801,0.001171815,0.00004515002,0.0001386037,0.00007048753,0.7596689],"genre_scores_gemma":[0.9295624,0.00137221,0.0006850264,0.001442997,0.0001725869,0.00002660511,0.00003187366,0.0001122164,0.06659422],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02710675,"threshold_uncertainty_score":0.05389792,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2082998223","doi":"10.1215/10407391-12-2-70","title":"Delirium and Desire in Nicole Brossard's <i>Le Desert Mauve/Mauve Desert</i>","year":2001,"lang":"en","type":"article","venue":"differences","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Desert (philosophy); Windsor; Poetry; Art; Psychoanalysis; Art history; History; Sociology; Literature; Psychology; Philosophy; Epistemology; Ecology","authors":[{"name":"Susan Holbrook","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03081368143359982,"gpt":0.220305135740026,"spread":0.1894914543064262,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001559528,0.0003444939,0.0003079497,0.0006288463,0.01360715,0.005913821,0.0005394079,0.003275915,0.002643392],"category_scores_gemma":[0.002800018,0.0002413954,0.0001869746,0.0004677677,0.01841997,0.003580794,0.003068503,0.005756725,0.0004606626],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008394945,"about_ca_system_score_gemma":0.004249033,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09172008,"about_ca_topic_score_gemma":0.2510677,"domain_scores_codex":[0.9986533,0.0008757213,0.00002047527,0.0001008063,0.0001723148,0.0001773616],"domain_scores_gemma":[0.9992507,0.0003865362,0.00006322649,0.00002866162,0.00009583962,0.0001749274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002982249,0.00001942301,0.0004614742,0.00005678117,0.000004625502,0.00074313,0.2489659,0.00004499683,0.0001125611,0.5498049,0.1855512,0.01420525],"study_design_scores_gemma":[0.000009590313,0.00001181607,0.0009594825,0.0003306917,0.000003568105,0.0007759063,0.08824372,0.00004842283,0.0001228328,0.04845521,0.8610188,0.00001985837],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.0382291,0.126957,0.001129523,0.4185083,0.00529827,0.00002530612,0.00003938012,0.00004812619,0.4097651],"genre_scores_gemma":[0.7065676,0.0186265,0.0006010834,0.06427909,0.001605073,0.00004884952,0.00001638385,0.0001192273,0.2081361],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09172008,"threshold_uncertainty_score":0.1823724,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2213764808","doi":"10.26522/vp.v11i2.1095","title":"L’inachevé dans la modernité : littérature, art et musique","year":2014,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Adina Balint-Babos","is_ca":false},{"name":"Antonio Viselli","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01022143663450303,"gpt":0.2163294284245336,"spread":0.2061079917900305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005374949,0.0008736327,0.001359421,0.008335317,0.006840233,0.01253697,0.001104993,0.004116373,0.01072538],"category_scores_gemma":[0.006168264,0.0003935221,0.0005752863,0.009546112,0.01812007,0.009221804,0.002973113,0.005572607,0.001097353],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01142802,"about_ca_system_score_gemma":0.008685666,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03638911,"about_ca_topic_score_gemma":0.0285927,"domain_scores_codex":[0.9960098,0.002102621,0.0002460187,0.0004880831,0.0007396769,0.0004137059],"domain_scores_gemma":[0.9929523,0.005671508,0.0004158293,0.0002427939,0.0005365816,0.0001810161],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001629417,0.00002330168,0.0005491145,0.001084307,0.00001544298,0.000152707,0.02101603,0.0001940741,0.0001795985,0.8815898,0.04511325,0.05006611],"study_design_scores_gemma":[0.00000206563,0.00001369838,0.001121112,0.001473901,0.000006939127,0.0003338234,0.00476451,0.0000986033,0.0001023802,0.04627187,0.9457932,0.00001780733],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.008014921,0.7777424,0.004469577,0.06527805,0.002899231,0.00002193334,0.0002814332,0.00008123578,0.1412111],"genre_scores_gemma":[0.314977,0.5443965,0.004790323,0.02231511,0.0202933,0.0002311086,0.0006913677,0.0003261787,0.09197904],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03638911,"threshold_uncertainty_score":0.08291656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1997009994","doi":"10.7202/011023ar","title":"Le mouvement de la mémoire dans l’oeuvre de Nadia Myre","year":2004,"lang":"fr","type":"article","venue":"Protée","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie Fraser","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007343460015805187,"gpt":0.2194871320663648,"spread":0.2121436720505596,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002196348,0.0004782763,0.0004342861,0.0008540057,0.01323784,0.005120672,0.0006659955,0.002498261,0.004982094],"category_scores_gemma":[0.002800163,0.0003191366,0.0002542359,0.0006047025,0.007117091,0.00220159,0.002403338,0.003748933,0.0006340905],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01417109,"about_ca_system_score_gemma":0.006680388,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08778045,"about_ca_topic_score_gemma":0.1743434,"domain_scores_codex":[0.9986231,0.000764837,0.00003287611,0.0001418877,0.0001429608,0.0002943441],"domain_scores_gemma":[0.9993193,0.0003646602,0.00006857263,0.00002772908,0.0001069722,0.000112699],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002113721,0.00004341689,0.003331225,0.0004249051,0.00002202266,0.002491649,0.2630872,0.0002408782,0.001461252,0.6524085,0.02973406,0.0465436],"study_design_scores_gemma":[0.000008798663,0.00002329686,0.002796217,0.0001767308,0.000004674017,0.0005022276,0.02962784,0.00004939094,0.0003812371,0.004757856,0.9616534,0.00001836741],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3065184,0.07707961,0.003224312,0.1223584,0.007641408,0.00006166673,0.0001597688,0.00007854209,0.482878],"genre_scores_gemma":[0.8295974,0.005117285,0.0007983765,0.003947581,0.0003936391,0.00002306527,0.00001924769,0.00005109606,0.1600523],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08778045,"threshold_uncertainty_score":0.174539,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2094839803","doi":"10.7202/008712ar","title":"Accords et faux raccords entre les conceptions du cinéma de Jean-Luc Godard et de Gilles Deleuze","year":2004,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Alain Beaulieu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02133598301843445,"gpt":0.2687920110819115,"spread":0.247456028063477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005131102,0.0005856859,0.0003129778,0.00249984,0.006156407,0.01040271,0.0006644619,0.002520574,0.003500457],"category_scores_gemma":[0.007362786,0.0002802649,0.0002418046,0.001559216,0.03203701,0.005154718,0.002746482,0.003650502,0.0002344226],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01271372,"about_ca_system_score_gemma":0.003558281,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04442978,"about_ca_topic_score_gemma":0.04671755,"domain_scores_codex":[0.9948807,0.00380032,0.00006397943,0.000475626,0.0004843505,0.0002950985],"domain_scores_gemma":[0.9956188,0.003058412,0.0003449846,0.000248045,0.0004624763,0.0002671754],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002048863,0.000004402226,0.0004159226,0.00004635065,0.000004288138,0.00009236795,0.1074075,0.00005628157,0.0001789599,0.8840692,0.001909229,0.00579507],"study_design_scores_gemma":[0.00002581723,0.00005430867,0.009250917,0.0008350018,0.0000362084,0.0006983771,0.1192612,0.00058145,0.0008835894,0.1521047,0.7161879,0.00008053744],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2178608,0.08134693,0.0250414,0.06937564,0.001488656,0.00006491973,0.000091804,0.0001246716,0.6046052],"genre_scores_gemma":[0.9665385,0.005978469,0.001687599,0.001598783,0.0003344317,0.00003082665,0.00001444419,0.00005404453,0.02376277],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04442978,"threshold_uncertainty_score":0.09224492,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2088730208","doi":"10.3828/qs.38.1.59","title":"\"Toi qui me vois mondaine.\" Poésie, mondanité, et écriture des femmes: <i>Les tentations</i> de Simone Routier","year":2004,"lang":"fr","type":"article","venue":"Quebec Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art","authors":[{"name":"Michel Lacroix","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04930427478808974,"gpt":0.304393857079934,"spread":0.2550895822918443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000709764,0.0003730953,0.0001222294,0.0003323355,0.007626242,0.003127599,0.0002469443,0.001125281,0.009538379],"category_scores_gemma":[0.001332902,0.0001497004,0.0001208942,0.0003969128,0.01006575,0.002815426,0.00192437,0.002659521,0.00139128],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003619074,"about_ca_system_score_gemma":0.002355941,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0597126,"about_ca_topic_score_gemma":0.1270024,"domain_scores_codex":[0.9994554,0.0003027425,0.000008431475,0.00006131289,0.00007207942,0.0001000454],"domain_scores_gemma":[0.9997616,0.00006364502,0.00003340252,0.00001681937,0.00005421972,0.00007035596],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000038727,0.00001141134,0.001727578,0.00006570556,0.000004118183,0.000324733,0.4234597,0.00002426106,0.000555651,0.5057114,0.04782468,0.02025201],"study_design_scores_gemma":[0.000005711106,0.00002491803,0.004698798,0.0001362792,0.000004779053,0.0003103121,0.1154914,0.00004762281,0.0002944037,0.01127807,0.8676901,0.00001751666],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1370636,0.01416936,0.003690325,0.07168192,0.001938918,0.00004461049,0.0002173469,0.0001084683,0.7710856],"genre_scores_gemma":[0.7595835,0.002623223,0.0008333187,0.003557308,0.0001403432,0.00003527153,0.00003400172,0.00004631511,0.2331468],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0597126,"threshold_uncertainty_score":0.1187301,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2140555931","doi":"10.7202/024869ar","title":"Certains paysages d’Herzog sous la loupe du système des attractions","year":2007,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Viva Paci","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02401207036455688,"gpt":0.2503555538490778,"spread":0.2263434834845209,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009661876,0.0002623063,0.0001662067,0.00119339,0.004877794,0.00407987,0.00030815,0.001069388,0.005802648],"category_scores_gemma":[0.001279326,0.0001420033,0.0001803993,0.0008535779,0.006963202,0.003334329,0.001372047,0.001220341,0.0003592488],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005050118,"about_ca_system_score_gemma":0.001641299,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02089796,"about_ca_topic_score_gemma":0.02819912,"domain_scores_codex":[0.9990872,0.0003806097,0.00001745059,0.0001045381,0.0001263758,0.0002837894],"domain_scores_gemma":[0.9996105,0.000206942,0.00006456296,0.00002154005,0.00005063837,0.00004581755],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001832934,0.000004002578,0.0006658176,0.00002485747,0.000002119381,0.0001366421,0.03330413,0.00006517096,0.0001774023,0.958506,0.001520174,0.005575347],"study_design_scores_gemma":[0.00002090478,0.00005021549,0.01044802,0.0002825106,0.00002072164,0.0005410318,0.05282045,0.000801488,0.000975255,0.2903394,0.6436629,0.00003706029],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.256936,0.01019743,0.007765242,0.01160705,0.0004163117,0.00003213691,0.00006584689,0.00003897432,0.7129411],"genre_scores_gemma":[0.9697908,0.001503476,0.0006523141,0.0002789793,0.00008601888,0.00001033779,0.00001220347,0.00001108114,0.02765488],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02089796,"threshold_uncertainty_score":0.0415526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2089066817","doi":"10.7202/500876ar","title":"Espaces du cinéma et labyrinthes de l'histoire","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; ESPACE; Art; Philosophy","authors":[{"name":"Régine-Michal Friedman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01290534646157413,"gpt":0.2269815793723427,"spread":0.2140762329107686,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009749969,0.0006474905,0.0001968429,0.001558526,0.006214845,0.006054038,0.0004231157,0.001279937,0.01077068],"category_scores_gemma":[0.001816958,0.0001625384,0.000172033,0.00133347,0.01153789,0.003549668,0.001703026,0.001962674,0.0006514266],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00653553,"about_ca_system_score_gemma":0.001960758,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02932702,"about_ca_topic_score_gemma":0.04081367,"domain_scores_codex":[0.9990456,0.0006506206,0.00001235278,0.00007459,0.0001058749,0.0001109827],"domain_scores_gemma":[0.9992744,0.0004423539,0.00006266026,0.00005085651,0.0001056382,0.00006407863],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000281328,0.000008175362,0.0004095995,0.0001279606,0.000003915242,0.0003145796,0.1173303,0.0001083163,0.0004985679,0.8359128,0.02810095,0.01715671],"study_design_scores_gemma":[0.000004377502,0.00001064692,0.001692349,0.0002463399,0.000005315526,0.000279168,0.049467,0.00009043985,0.0003950827,0.02129606,0.9265031,0.00001004915],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07112601,0.08260625,0.007486226,0.05458034,0.001953784,0.00003964243,0.0002704283,0.00008901548,0.7818483],"genre_scores_gemma":[0.8510649,0.01271999,0.001396381,0.002237905,0.0005744687,0.00004585724,0.00006645048,0.00009160997,0.1318025],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02932702,"threshold_uncertainty_score":0.05831259,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3094688990","doi":"10.7202/1072482ar","title":"Usages de l’image cinématographique dans Les grandes blondes de Jean Echenoz","year":2020,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Sara Bédard-Goulet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02752571214485161,"gpt":0.2422441120382324,"spread":0.2147183998933808,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00149607,0.0003817416,0.0001808545,0.001642207,0.007045295,0.005158353,0.0002828891,0.001267904,0.005507751],"category_scores_gemma":[0.003478485,0.0002024369,0.0001531435,0.001275261,0.008865139,0.00246477,0.001355409,0.001733007,0.0002780606],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006210938,"about_ca_system_score_gemma":0.001893899,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06795648,"about_ca_topic_score_gemma":0.09598792,"domain_scores_codex":[0.9991456,0.0004978434,0.00001719718,0.00008597169,0.0001316593,0.000121765],"domain_scores_gemma":[0.9979684,0.001322656,0.0001979621,0.00008128711,0.0002826939,0.0001470735],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005988595,0.00001387202,0.001876165,0.0001099362,0.000005440463,0.0008393127,0.6033241,0.0001049832,0.002198258,0.355513,0.01333246,0.02262266],"study_design_scores_gemma":[0.00000739049,0.00003672781,0.007986085,0.0003090639,0.00001022422,0.0008982161,0.1268791,0.0002262035,0.001293423,0.007860357,0.8544581,0.00003518533],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4286928,0.01628944,0.005498584,0.04217848,0.0009614315,0.00003969102,0.0001914277,0.0001723029,0.5059759],"genre_scores_gemma":[0.9568844,0.002474514,0.000891984,0.0008313562,0.000209502,0.00001301681,0.00002364201,0.00007519816,0.03859621],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06795648,"threshold_uncertainty_score":0.1351219,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2067840884","doi":"10.4000/belphegor.126","title":"Fantômas ou le mythe de « l’homme moderne » chez les poètes des années 1910 et 1920","year":2013,"lang":"fr","type":"article","venue":"Belphégor","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Nadja Cohen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03529608960922461,"gpt":0.2445328390926078,"spread":0.2092367494833832,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001547333,0.0005057019,0.000218967,0.001103142,0.005104977,0.004604873,0.000362016,0.001778013,0.005779383],"category_scores_gemma":[0.00214985,0.0001628915,0.0001669879,0.0008027672,0.0151192,0.003288294,0.001882457,0.002751782,0.0005815474],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006114917,"about_ca_system_score_gemma":0.001979818,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02032189,"about_ca_topic_score_gemma":0.03708503,"domain_scores_codex":[0.9988343,0.0006950694,0.00001961176,0.0001062056,0.0001135032,0.0002313455],"domain_scores_gemma":[0.9989722,0.0006818764,0.0001508111,0.0000489035,0.00005819332,0.00008811005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003905018,0.000007143827,0.0006162688,0.0000833844,0.000002841949,0.0002800443,0.1416125,0.000038183,0.0002166557,0.8378441,0.00627391,0.01298589],"study_design_scores_gemma":[0.000009565225,0.00004168609,0.003195971,0.0003338018,0.000004123563,0.0003841286,0.05001402,0.00004041581,0.000341023,0.01570935,0.9299054,0.00002043444],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1741846,0.0588823,0.003428359,0.03515831,0.002126717,0.00003387708,0.0001588504,0.00005531856,0.7259717],"genre_scores_gemma":[0.9112546,0.007341107,0.00029319,0.001559358,0.0003919899,0.00002555509,0.00002646308,0.00002843176,0.07907923],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02032189,"threshold_uncertainty_score":0.04436702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1485571278","doi":"10.7202/1000901ar","title":"Cinéma, littérature et esthétique dans Neige noire de Hubert Aquin","year":2011,"lang":"fr","type":"article","venue":"Globe Revue internationale d’études québécoises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Francis Guévremont","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02625340233921638,"gpt":0.2374712243030723,"spread":0.2112178219638559,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001030592,0.0004350808,0.0002620291,0.0009774189,0.009081084,0.004573196,0.0004348655,0.001043036,0.007329454],"category_scores_gemma":[0.001524073,0.0001576581,0.0001213324,0.001005922,0.00755777,0.00190728,0.001327144,0.001889903,0.0003464285],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01614752,"about_ca_system_score_gemma":0.008438071,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5939187,"about_ca_topic_score_gemma":0.7419196,"domain_scores_codex":[0.9993748,0.0003185033,0.000008253833,0.0000639468,0.0001131653,0.0001213775],"domain_scores_gemma":[0.9994032,0.0002162149,0.00004549901,0.00003772828,0.0001930676,0.0001041638],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004893197,0.00002285465,0.001456502,0.0001564145,0.00001039827,0.001387529,0.3452228,0.0003252225,0.001597334,0.4969932,0.1153594,0.03741935],"study_design_scores_gemma":[0.000002054346,0.0000083134,0.003370466,0.0002261842,0.000006457629,0.0003628032,0.04983813,0.0001803401,0.0003656133,0.005595065,0.9400265,0.0000180825],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2102143,0.05668605,0.005812621,0.09445414,0.003344025,0.00006443281,0.0004196821,0.0001723368,0.6288324],"genre_scores_gemma":[0.7780071,0.01084788,0.001363817,0.002134737,0.0004168629,0.00002791556,0.00007201821,0.00008289815,0.2070466],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5939187,"threshold_uncertainty_score":0.8169456,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2100472242","doi":"10.7202/008813ar","title":"Pluralité des voix et repentirs autobiographiques : une lecture d’Enfance de Nathalie Sarraute","year":2004,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Keling Wei","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01598858810379504,"gpt":0.2670137199483726,"spread":0.2510251318445776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001110802,0.0006485822,0.0002381283,0.0003964234,0.007481972,0.004376482,0.0005645714,0.001673799,0.004920972],"category_scores_gemma":[0.002039392,0.0001983551,0.0002694149,0.0003303882,0.009570544,0.003796794,0.002719652,0.005406426,0.0009108971],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005148696,"about_ca_system_score_gemma":0.00209739,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.013336,"about_ca_topic_score_gemma":0.02704604,"domain_scores_codex":[0.9987903,0.0007649197,0.00001887786,0.0001384691,0.0001672266,0.0001202341],"domain_scores_gemma":[0.9995189,0.0002826569,0.00003976671,0.00003301921,0.00006428047,0.00006144363],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008063896,0.00003137473,0.0005159348,0.0001460818,0.000007722106,0.001481731,0.5288106,0.0001093439,0.001725562,0.4005497,0.04790214,0.01863926],"study_design_scores_gemma":[0.000004206957,0.0000316288,0.0009839721,0.0002555034,0.000006032514,0.0008208601,0.06006982,0.0001039151,0.0008330333,0.01244121,0.9244327,0.00001725177],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1571844,0.04987299,0.01255961,0.1253648,0.01147013,0.00008023818,0.0002235544,0.0001776705,0.6430667],"genre_scores_gemma":[0.7287899,0.009437453,0.001697671,0.007817975,0.001356203,0.00007491718,0.00009866243,0.0001779554,0.2505494],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.013336,"threshold_uncertainty_score":0.03735656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2058845538","doi":"10.7202/013866ar","title":"Che cos’è la pittura ?","year":2006,"lang":"fr","type":"article","venue":"Études françaises","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Chose; Humanities; Art; Art history","authors":[{"name":"Ginette Michaud","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01162423405909167,"gpt":0.2145401882262978,"spread":0.2029159541672061,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002463132,0.000678537,0.0005161758,0.0007175626,0.01011256,0.01019402,0.001212125,0.003388873,0.03594069],"category_scores_gemma":[0.006515412,0.0003579263,0.0004141051,0.001237181,0.01796701,0.01086736,0.005344485,0.0071157,0.008316141],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005057433,"about_ca_system_score_gemma":0.003891184,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01540265,"about_ca_topic_score_gemma":0.02650268,"domain_scores_codex":[0.99731,0.001285388,0.00004920046,0.0004906291,0.0004672967,0.000397388],"domain_scores_gemma":[0.9985188,0.0005465146,0.0001415078,0.0002320529,0.0003254594,0.0002357542],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003859138,0.00002160212,0.0008720445,0.0001124113,0.000011088,0.0005367065,0.05848636,0.00006506227,0.0002245189,0.8140476,0.1020213,0.02356271],"study_design_scores_gemma":[0.00000764616,0.00001369578,0.0005319783,0.0001764596,0.000006799034,0.0003728729,0.03344353,0.000115925,0.0001721785,0.04268578,0.9224558,0.00001731508],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01867742,0.007539211,0.0108366,0.1382494,0.005805682,0.00006414401,0.0002110772,0.0002712711,0.8183453],"genre_scores_gemma":[0.5094088,0.00696497,0.004264814,0.03250532,0.001440106,0.0001341815,0.000221567,0.0006606677,0.4443995],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03594069,"threshold_uncertainty_score":0.1202335,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384169845","doi":"10.1515/9780773570269","title":"Mothers of Invention","year":2002,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology","authors":[{"name":"Miléna Santoro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02044828807823154,"gpt":0.1879395628970922,"spread":0.1674912748188607,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001905691,0.0004811321,0.0003385016,0.001458751,0.01123565,0.007094168,0.0008280259,0.002016609,0.01195768],"category_scores_gemma":[0.00391652,0.0002497801,0.0002336991,0.0007119689,0.0116277,0.004012092,0.002674693,0.001855248,0.001410166],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01814127,"about_ca_system_score_gemma":0.01066436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07673308,"about_ca_topic_score_gemma":0.1475292,"domain_scores_codex":[0.998476,0.0006387493,0.00001978545,0.0001966979,0.0002659057,0.0004029333],"domain_scores_gemma":[0.9980262,0.000989528,0.0001473867,0.0001623758,0.0004498453,0.0002246582],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003539353,0.00001799187,0.001746437,0.0000725143,0.000004328117,0.001247626,0.1551716,0.00005553674,0.0003769022,0.7735881,0.02860808,0.03907541],"study_design_scores_gemma":[0.000006125617,0.00002207873,0.001433602,0.0002654054,0.000008353042,0.000561045,0.03356213,0.00007881084,0.0005231894,0.01551644,0.9480131,0.00000958805],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05325539,0.01265334,0.002762891,0.02161123,0.00109345,0.00005992657,0.00009847165,0.0001408941,0.9083245],"genre_scores_gemma":[0.641334,0.004644903,0.0008669699,0.001962076,0.0002755416,0.00005433371,0.00003684451,0.00007749956,0.3507479],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07673308,"threshold_uncertainty_score":0.1525729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2164397517","doi":"10.7202/018623ar","title":"Écrire Dostoïevski : Miomandre et Bove au tournant de 1930","year":2008,"lang":"fr","type":"article","venue":"Tangence","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"François Ouellet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02926338844652068,"gpt":0.2492104303558391,"spread":0.2199470419093184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009321532,0.0003079344,0.0002516801,0.0008512042,0.007686161,0.00399433,0.0003365611,0.001824182,0.006669011],"category_scores_gemma":[0.001823436,0.0001788761,0.0001818039,0.0008988514,0.01164946,0.003331496,0.001902128,0.002951214,0.0005731283],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008820301,"about_ca_system_score_gemma":0.003055121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05507633,"about_ca_topic_score_gemma":0.1031572,"domain_scores_codex":[0.9991859,0.0003220057,0.00001866396,0.0001447371,0.0001403908,0.0001882629],"domain_scores_gemma":[0.9997463,0.0001193091,0.00003773533,0.00001732077,0.00003692886,0.00004240181],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003879677,0.000009144757,0.0008087584,0.00003710772,0.000003149131,0.0001762682,0.07305983,0.00005136561,0.0002249754,0.9121004,0.004955316,0.008534855],"study_design_scores_gemma":[0.00002054275,0.00004387401,0.006317785,0.0002407954,0.000009176561,0.0003521983,0.0381874,0.00007769244,0.0005810331,0.05817103,0.8959711,0.00002733717],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2783255,0.03445408,0.002485828,0.03682481,0.001163017,0.00003007307,0.0001133788,0.00003219764,0.6465711],"genre_scores_gemma":[0.8830448,0.003326887,0.0003978712,0.001649228,0.0001217327,0.00001571479,0.00002314265,0.00002877789,0.1113919],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05507633,"threshold_uncertainty_score":0.1095115,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2904478691","doi":"10.15122/isbn.978-2-406-06477-0","title":"Les Premiers Livres de Claude Simon (1945-1954)","year":2017,"lang":"fr","type":"book","venue":"Classiques GARNIER","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Michel Bertrand","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03499367523842746,"gpt":0.2763905949517478,"spread":0.2413969197133204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007068069,0.001067056,0.0002854613,0.004546699,0.005003438,0.004015166,0.0005326802,0.001820471,0.0226015],"category_scores_gemma":[0.002136237,0.0003290043,0.0003123626,0.003243447,0.004921105,0.002500509,0.001372295,0.001889884,0.005438566],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01097342,"about_ca_system_score_gemma":0.005990086,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04712387,"about_ca_topic_score_gemma":0.07659915,"domain_scores_codex":[0.9992427,0.00016357,0.00002547923,0.000146836,0.0002102366,0.0002111696],"domain_scores_gemma":[0.9991667,0.0003254169,0.0001201394,0.00003034867,0.0001972914,0.0001600493],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001697266,0.00002787818,0.001606271,0.0005030357,0.00002028415,0.00066324,0.01828249,0.0003628634,0.0008511396,0.5032092,0.3729734,0.1013304],"study_design_scores_gemma":[0.000003597472,0.00001627282,0.0008479525,0.0001125496,0.000003420889,0.000112776,0.0005874102,0.0000265026,0.000212393,0.003157451,0.9949121,0.000007478217],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02788604,0.1524963,0.001887218,0.02251756,0.006854533,0.00006337962,0.0004475566,0.0002343149,0.7876132],"genre_scores_gemma":[0.163747,0.03552786,0.0007479099,0.00207079,0.002142658,0.00005498816,0.0001429768,0.0001244769,0.7954414],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04712387,"threshold_uncertainty_score":0.09369916,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2040087434","doi":"10.7202/1001066ar","title":"Le Cinéma holographique : les expérimentations de Claudine Eizykman et Guy Fihman","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"René Prédal","is_ca":false},{"name":"Claudine Eizykman","is_ca":false},{"name":"Guy Fihman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05036207300364199,"gpt":0.2633264475332674,"spread":0.2129643745296254,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004548972,0.0006123471,0.0003790346,0.001175914,0.005578767,0.006078231,0.0006287229,0.002839125,0.005314622],"category_scores_gemma":[0.007105061,0.0003679535,0.0002239013,0.0008048041,0.01274815,0.006887339,0.001956424,0.00509468,0.0006228277],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004806706,"about_ca_system_score_gemma":0.002050665,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01647578,"about_ca_topic_score_gemma":0.02250228,"domain_scores_codex":[0.9969633,0.002168297,0.00004017728,0.0002349333,0.0004069524,0.0001863219],"domain_scores_gemma":[0.9960264,0.003083329,0.0001511215,0.0001210841,0.000368212,0.0002497951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001275448,0.00005083207,0.0005139877,0.0002983011,0.00001178259,0.0009481463,0.2051014,0.0001724697,0.001401485,0.5567716,0.1883858,0.04621659],"study_design_scores_gemma":[0.00001062419,0.00003275478,0.0007511832,0.0002866769,0.000004014403,0.0006045335,0.02642459,0.0001271552,0.0006461742,0.01191333,0.9591692,0.00002973561],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.0785416,0.2154556,0.01173395,0.4388164,0.009227706,0.0001083181,0.0001659129,0.0001607007,0.2457897],"genre_scores_gemma":[0.6269234,0.0735407,0.008099868,0.04342837,0.005938556,0.0001752707,0.00005563955,0.0004397313,0.2413984],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01647578,"threshold_uncertainty_score":0.03487527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3021810190","doi":"10.26522/vp.v17i1.2480","title":"Sérotonine ou la quête du bonheur selon Michel Houellebecq","year":2020,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Ruth Amar","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0144345970604219,"gpt":0.2170562794297924,"spread":0.2026216823693705,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007837994,0.0004077258,0.0002928321,0.0005208724,0.004287227,0.002637213,0.000366938,0.001717776,0.009492449],"category_scores_gemma":[0.00113965,0.0001387722,0.0001576075,0.0006112133,0.006892493,0.00185189,0.0008326886,0.002406113,0.0009069148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01222572,"about_ca_system_score_gemma":0.006554623,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3112982,"about_ca_topic_score_gemma":0.3982255,"domain_scores_codex":[0.9994423,0.0001952127,0.00000773092,0.00008677111,0.0001419039,0.0001260281],"domain_scores_gemma":[0.9996318,0.0001408919,0.00003964018,0.00001453068,0.0001106631,0.00006240691],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001160788,0.00001547796,0.002079839,0.0001457822,0.00001308255,0.0006931549,0.04055335,0.0002175949,0.001563052,0.8992534,0.02029875,0.03505048],"study_design_scores_gemma":[0.00002008274,0.00005199224,0.01402612,0.0004461441,0.00001599341,0.0005735235,0.01782549,0.0003649572,0.001170614,0.06122463,0.9042057,0.00007460169],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1851061,0.06761477,0.005930266,0.1126755,0.001892609,0.00006652327,0.00026772,0.00007356836,0.626373],"genre_scores_gemma":[0.7770704,0.0108687,0.001211686,0.008832871,0.0003342149,0.00004275034,0.00006534757,0.00006130306,0.2015127],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3112982,"threshold_uncertainty_score":0.6189725,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1964491084","doi":"10.7202/501235ar","title":"La nostalgie postmoderne : Marie-Claire Blais, Dante et la relecture littéraire dans Soifs","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Postmodernism; Literature","authors":[{"name":"Karen Gould","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0104914021105208,"gpt":0.2397031688912984,"spread":0.2292117667807776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003784911,0.0005446004,0.0004162762,0.002249059,0.01377191,0.008259988,0.0007273784,0.002739592,0.004977887],"category_scores_gemma":[0.004024857,0.0002236178,0.0002234385,0.00309347,0.03729199,0.00490013,0.002991421,0.003712745,0.0004846878],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01524046,"about_ca_system_score_gemma":0.00920753,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1023675,"about_ca_topic_score_gemma":0.1478105,"domain_scores_codex":[0.9975707,0.001498306,0.00004244549,0.0001569165,0.0003560971,0.0003755596],"domain_scores_gemma":[0.9975587,0.001517271,0.0002610386,0.0001548117,0.0003564844,0.0001515896],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001807882,0.000008885878,0.0004350924,0.00008010878,0.000002300314,0.0002131844,0.2375823,0.00004659865,0.0001784252,0.7478884,0.004566699,0.008979861],"study_design_scores_gemma":[0.000008467445,0.00002529619,0.002626683,0.0008132698,0.000006015373,0.0004266606,0.1295911,0.00009106278,0.0003467329,0.07348245,0.7925599,0.00002243993],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1814149,0.08467752,0.00407929,0.07527427,0.0009226013,0.00003073193,0.00009571484,0.0000501824,0.6534548],"genre_scores_gemma":[0.9351811,0.01202088,0.0006402618,0.002319692,0.000370087,0.00003802518,0.00002696019,0.00004633518,0.04935668],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1023675,"threshold_uncertainty_score":0.2035434,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2541107715","doi":"","title":"Amélie’s Horse : writing as Jouissance in Nothomb","year":2011,"lang":"en","type":"preprint","venue":"Lancaster EPrints (Lancaster University)","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Horse; Art; Literature; Geology; Paleontology","authors":[{"name":"Erika Fülöp","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04031617369231167,"gpt":0.2172328689148265,"spread":0.1769166952225149,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003438767,0.0008342278,0.0005993393,0.001707137,0.02524327,0.01707702,0.0006951543,0.004412285,0.02846874],"category_scores_gemma":[0.008507819,0.0002995175,0.0002200797,0.001779836,0.01354188,0.007614822,0.004192955,0.006086631,0.002270014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01339263,"about_ca_system_score_gemma":0.00535343,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05654339,"about_ca_topic_score_gemma":0.09652848,"domain_scores_codex":[0.9953126,0.003314598,0.00006321114,0.000318558,0.0003328616,0.0006582319],"domain_scores_gemma":[0.9958056,0.002517255,0.000214064,0.000230436,0.0006198604,0.0006127317],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004611699,0.00002570913,0.000331797,0.00007626842,0.000007164731,0.0006736008,0.6007556,0.00003307833,0.0003329873,0.3161872,0.07181618,0.009714269],"study_design_scores_gemma":[0.000008828304,0.00001263327,0.0007171836,0.0002361555,0.000005604498,0.0002264042,0.211008,0.0000678538,0.0002294486,0.01501447,0.7724593,0.0000141346],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06955449,0.01279988,0.001543446,0.09523813,0.003085883,0.00003195944,0.0001403944,0.0001094165,0.8174965],"genre_scores_gemma":[0.7778758,0.001922799,0.0004381783,0.005666232,0.0005761486,0.0000261293,0.00005371113,0.0003472314,0.2130937],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05654339,"threshold_uncertainty_score":0.1124285,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1862252467","doi":"10.7202/041462ar","title":"UBERSFELD, Anne, Bernard-Marie Koltès, Arles, Actes Sud–Papiers, 1999 (Coll. « Apprendre »)","year":2001,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Art","authors":[{"name":"Sylvain Schryburt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01841359086560913,"gpt":0.2264064557940214,"spread":0.2079928649284123,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001484253,0.001424686,0.0006123342,0.003453256,0.007533788,0.006143555,0.001240151,0.003760979,0.03197649],"category_scores_gemma":[0.003445362,0.0006889898,0.000354142,0.005884022,0.001626369,0.006503823,0.001883784,0.003295809,0.0105729],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00683988,"about_ca_system_score_gemma":0.003932154,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1764378,"about_ca_topic_score_gemma":0.3686912,"domain_scores_codex":[0.9992309,0.0002987089,0.00005467589,0.0001192199,0.0001666885,0.0001299447],"domain_scores_gemma":[0.9987588,0.0005980146,0.0001133619,0.00003865407,0.0003902433,0.0001008668],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004028934,0.0000153628,0.0004463804,0.0002646558,0.000008912435,0.0001007194,0.002960337,0.00004921649,0.0000617269,0.01756589,0.945932,0.0325544],"study_design_scores_gemma":[0.000006880729,0.000005179152,0.002777749,0.0007904324,0.000006986912,0.00007234138,0.003287436,0.00002255951,0.0001063812,0.003372196,0.9895433,0.000008620661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.002071379,0.811397,0.0005611025,0.1050879,0.01395568,0.00003968093,0.001136,0.0000845114,0.06566664],"genre_scores_gemma":[0.0545941,0.5352783,0.001236018,0.01831438,0.009396056,0.0001997639,0.001015134,0.0002532265,0.3797131],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1764378,"threshold_uncertainty_score":0.3508215,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2274387235","doi":"10.4000/books.pum.4768","title":"Procédés toponymiques chez Michon, Millet et Bergounioux","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Montreal Police Service","funders":"","keywords":"Computer science","authors":[{"name":"Élisabeth Nardout-Lafarge","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01283176594833712,"gpt":0.175100686892108,"spread":0.1622689209437709,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002148132,0.0008338657,0.0004256175,0.002445775,0.006509223,0.004617313,0.0008716484,0.001919333,0.009869263],"category_scores_gemma":[0.004099764,0.000330739,0.0002711215,0.002566,0.01126096,0.006747984,0.003057971,0.002977831,0.001150811],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01073434,"about_ca_system_score_gemma":0.003384094,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03377709,"about_ca_topic_score_gemma":0.05750133,"domain_scores_codex":[0.9977562,0.001481808,0.00006497663,0.0002439408,0.0002938581,0.0001592768],"domain_scores_gemma":[0.9990421,0.0005814135,0.00008991004,0.00008627257,0.0001549344,0.00004535008],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004088651,0.000008249159,0.0002698379,0.0001230546,0.000005068998,0.0002681706,0.06625129,0.00006148114,0.0003870154,0.898535,0.01577201,0.01827793],"study_design_scores_gemma":[0.00001819151,0.00002265458,0.001411712,0.0003014507,0.00001573049,0.0004322041,0.02855477,0.0001840372,0.0007922534,0.06885267,0.8993862,0.00002823778],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09207894,0.04969851,0.03650489,0.0446002,0.004537759,0.0001437553,0.0004528389,0.0002968125,0.7716863],"genre_scores_gemma":[0.724402,0.01142068,0.01189523,0.005135806,0.0009190477,0.0002263511,0.0002289895,0.0003919336,0.2453799],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03377709,"threshold_uncertainty_score":0.07788342,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1671080124","doi":"10.7202/1011521ar","title":"Roland Barthes enquête : La chambre claire ou la mélancolie policière","year":2012,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Sophie Létourneau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0173975537636408,"gpt":0.2453191016346752,"spread":0.2279215478710344,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001381311,0.0004097708,0.0002523628,0.0009831266,0.01136851,0.004727467,0.0004395914,0.002438066,0.006449434],"category_scores_gemma":[0.003352811,0.0002263254,0.0001831293,0.0008958798,0.01692642,0.002733215,0.00204222,0.002976594,0.0009917014],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008409903,"about_ca_system_score_gemma":0.003756404,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09116364,"about_ca_topic_score_gemma":0.1313348,"domain_scores_codex":[0.997524,0.001617576,0.00002658411,0.0001516608,0.0002977925,0.0003824188],"domain_scores_gemma":[0.9989554,0.0005598188,0.0001663434,0.0000544065,0.0001580071,0.0001059969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004100406,0.00001215054,0.0006884622,0.00006335384,0.00000387427,0.0004027451,0.1498257,0.00008528036,0.0001718148,0.7603999,0.07556285,0.01274299],"study_design_scores_gemma":[0.000005261381,0.00002026845,0.001376619,0.0002415742,0.000004298135,0.0002206689,0.05407947,0.00007452077,0.0002519916,0.01821428,0.9254939,0.00001718335],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08394187,0.04214629,0.002240777,0.2160365,0.003869827,0.00002933776,0.00008673967,0.00007126837,0.6515775],"genre_scores_gemma":[0.825827,0.006883663,0.000530849,0.009441273,0.0008946454,0.00002702471,0.0000153545,0.00007163586,0.1563085],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09116364,"threshold_uncertainty_score":0.181266,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2112642754","doi":"10.5195/jffp.2015.682","title":"The Question of Re-turning: Toward or Away from the Virtual?","year":2015,"lang":"en","type":"article","venue":"Journal of French and Francophone Philosophy","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Trent University","funders":"","keywords":"Event (particle physics); Verb; Epistemology; Function (biology); Philosophy; Aesthetics; Computer science; Sociology; Linguistics; Physics","authors":[{"name":"Sanja Dejanovic","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04219663951558993,"gpt":0.2513637807937292,"spread":0.2091671412781393,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005540601,0.0006557073,0.0005656891,0.0008781503,0.009408398,0.02135505,0.002039033,0.005595163,0.01005962],"category_scores_gemma":[0.00918183,0.0003408494,0.0005627748,0.000712754,0.06551819,0.02627125,0.00772636,0.01136588,0.002973493],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005764249,"about_ca_system_score_gemma":0.004270229,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009011528,"about_ca_topic_score_gemma":0.007311843,"domain_scores_codex":[0.9930338,0.003989381,0.0001240897,0.001070921,0.0009541977,0.0008276444],"domain_scores_gemma":[0.9969423,0.001015058,0.0001870779,0.0007616442,0.0005045201,0.000589336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000008020163,0.000004409817,0.00008091052,0.00001733628,0.000001730898,0.0000393393,0.009874626,0.00002955256,0.00006109537,0.9776189,0.007684667,0.00457938],"study_design_scores_gemma":[0.000009032161,0.00001493615,0.0002050193,0.0001833959,0.000004593259,0.0001741432,0.027947,0.0001291448,0.0002190551,0.5478354,0.4232574,0.00002079822],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01656847,0.009620197,0.01705507,0.2218076,0.005988417,0.00003062549,0.00005973658,0.0002352054,0.7286347],"genre_scores_gemma":[0.8404243,0.004874332,0.005125821,0.03469924,0.001949746,0.0000855367,0.00008706917,0.0007531125,0.1120008],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02135505,"threshold_uncertainty_score":0.04182273,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3212911246","doi":"10.32725/eer.2013.009","title":"Trauma and the fight against fate: L'île de la demoiselle and La cage by Anne Hebert","year":2013,"lang":"fr","type":"article","venue":"Écho des études romanes","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Dora Leontaridou","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.006361659056923858,"gpt":0.2034669758671105,"spread":0.1971053168101867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001181764,0.0004053836,0.0002525884,0.000573773,0.01041782,0.00437856,0.0006621248,0.003247136,0.002352711],"category_scores_gemma":[0.002467836,0.000192063,0.0001540458,0.0004102488,0.01373775,0.002343311,0.002578082,0.003582482,0.0004596686],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00582299,"about_ca_system_score_gemma":0.002353619,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04152227,"about_ca_topic_score_gemma":0.06288408,"domain_scores_codex":[0.9984888,0.001080663,0.00001095808,0.00005680173,0.0001521822,0.0002104961],"domain_scores_gemma":[0.9989754,0.0006842001,0.00009057184,0.00002608056,0.0001006036,0.0001231216],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009619218,0.00006909117,0.001243093,0.000227791,0.00001646885,0.00336397,0.3881691,0.0004661664,0.0003998452,0.4046575,0.1705678,0.03072295],"study_design_scores_gemma":[0.000005723361,0.00004295051,0.001361027,0.0005320421,0.000005514395,0.001291451,0.1757049,0.00008081372,0.0002504886,0.01282862,0.80787,0.00002648137],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1470355,0.1537118,0.001661939,0.3268499,0.005844264,0.00005321595,0.00004796519,0.0000833047,0.3647121],"genre_scores_gemma":[0.8471674,0.03060962,0.0003983384,0.02167598,0.001392487,0.00004460849,0.00001330297,0.00006056856,0.09863766],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04152227,"threshold_uncertainty_score":0.08256114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2003031363","doi":"10.3828/qs.46.1.71","title":"L'espace urbain rédempteur dans <i>La Kermesse</i> de Daniel Poliquin","year":2008,"lang":"fr","type":"article","venue":"Quebec Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Art","authors":[{"name":"Kathleen Kellett-Betsos","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02482738947536922,"gpt":0.2606312692123953,"spread":0.235803879737026,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002700448,0.00195828,0.001222475,0.002546752,0.01572871,0.01103718,0.001688504,0.005154435,0.03373466],"category_scores_gemma":[0.005664716,0.0005556713,0.0007474461,0.002961625,0.006951586,0.004130467,0.002172374,0.00880478,0.003473352],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0500875,"about_ca_system_score_gemma":0.02005292,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.8380105,"about_ca_topic_score_gemma":0.8236369,"domain_scores_codex":[0.9968358,0.001327299,0.00006060187,0.0004443682,0.0007468357,0.0005850777],"domain_scores_gemma":[0.9970502,0.001328583,0.0001462805,0.0001529411,0.0009721934,0.0003498658],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001100387,0.00003882352,0.0007918652,0.0002548723,0.0000397259,0.0004156159,0.007627558,0.0003748394,0.0004457441,0.4960645,0.4615529,0.03228353],"study_design_scores_gemma":[0.00001133196,0.000005592716,0.001183735,0.0001673416,0.000007956526,0.00009135527,0.001836414,0.0001544066,0.0003042166,0.006522601,0.9896901,0.00002513603],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.01487895,0.2166792,0.005952036,0.4045739,0.03039998,0.00007591731,0.0008628089,0.0005057759,0.3260714],"genre_scores_gemma":[0.1943823,0.03298757,0.001999764,0.03015522,0.006098038,0.0001258519,0.0002335106,0.0006298381,0.7333879],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8380105,"threshold_uncertainty_score":0.3634119,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1977199135","doi":"10.1007/s11059-010-0062-9","title":"Réinscriptions du sujet écrivant : le paratexte aux mémoires de Simone de Beauvoir","year":2010,"lang":"fr","type":"article","venue":"Neohelicon","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto; The Scarborough Hospital","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Jeri English","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01449908277153021,"gpt":0.2397368680956773,"spread":0.2252377853241471,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007427723,0.001038822,0.0007336382,0.002055273,0.01118415,0.009319016,0.001171319,0.00397975,0.008545761],"category_scores_gemma":[0.01589285,0.0004659938,0.0005659916,0.00128806,0.01780416,0.008226207,0.003872697,0.009085573,0.001231118],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01291115,"about_ca_system_score_gemma":0.005438197,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03829976,"about_ca_topic_score_gemma":0.03027738,"domain_scores_codex":[0.9903643,0.00683507,0.0001821397,0.0007061298,0.001220296,0.000692068],"domain_scores_gemma":[0.9926702,0.005139836,0.0002715912,0.0006734922,0.001040871,0.0002039941],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002122659,0.000006591665,0.00008671536,0.00003519051,0.000004959253,0.0001298223,0.01868069,0.00007645295,0.0001541105,0.9615302,0.01275911,0.006514876],"study_design_scores_gemma":[0.00002019471,0.00002046061,0.0003099841,0.0002240034,0.00001492717,0.0003081972,0.008377748,0.0003215811,0.001038961,0.08714423,0.9021862,0.00003353887],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05172168,0.02961768,0.0225823,0.1330185,0.01186037,0.00006209059,0.0001565745,0.0003353829,0.7506454],"genre_scores_gemma":[0.8030521,0.004935716,0.003882536,0.007631853,0.002718728,0.00007769222,0.00004531186,0.0004452849,0.1772107],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03829976,"threshold_uncertainty_score":0.0936774,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1983383937","doi":"10.3828/qs.39.1.5","title":"Why Montreal? Régine Robin's Rewriting of the City in <i>L'Immense fatigue des pierres</i>","year":2005,"lang":"en","type":"article","venue":"Quebec Studies","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Rewriting; Humanities; Art; Computer science; Programming language","authors":[{"name":"Mary Green","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05050414804241957,"gpt":0.2684581088193868,"spread":0.2179539607769672,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002349975,0.001023186,0.000612813,0.001699358,0.02451702,0.01047748,0.002292134,0.006855533,0.01449762],"category_scores_gemma":[0.005233216,0.0005196948,0.0006255661,0.002443058,0.0162844,0.004603022,0.002344233,0.008447696,0.001024757],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.08450795,"about_ca_system_score_gemma":0.03470533,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9786971,"about_ca_topic_score_gemma":0.9869372,"domain_scores_codex":[0.9974866,0.001019547,0.00004608551,0.0003234168,0.0003814192,0.0007427964],"domain_scores_gemma":[0.9982857,0.000614303,0.00008983699,0.00008231086,0.000587068,0.0003407986],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003322413,0.00001119616,0.0004032894,0.00006249721,0.00001473075,0.0003188478,0.02093249,0.0002675412,0.0001219121,0.6816033,0.2897713,0.006459779],"study_design_scores_gemma":[0.00001480195,0.000005631934,0.00111418,0.0001310368,0.00001374983,0.00009796938,0.0110893,0.0001453658,0.0001874454,0.0186613,0.9684742,0.00006492955],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.01441738,0.05167416,0.002199487,0.5501169,0.009500063,0.00005837401,0.000448251,0.0001934419,0.371392],"genre_scores_gemma":[0.4180027,0.01420345,0.001962537,0.0820769,0.002879298,0.00009897649,0.0001087956,0.0004760082,0.4801914],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08450795,"threshold_uncertainty_score":0.613151,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}