{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":1346,"total_is_capped":false,"direct_labels_cover":2,"predictions_cover":1346,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"aef3ad8f9819","filters":{"topic":"Historical and Literary Analyses"}},"results":[{"id":"W4399938722","doi":"10.4000/11vsr","title":"L’exégèse straussienne de Xénophon :","year":2001,"lang":"fr","type":"article","venue":"Philosophie antique","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":41,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"Louis-André Dorion","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04044750415914322,"gpt":0.2584359243688819,"spread":0.2179884202097386,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009957867,0.0003408566,0.0002021474,0.000556047,0.002823634,0.003986649,0.000371633,0.001248398,0.005391651],"category_scores_gemma":[0.001719745,0.0001200588,0.0001682624,0.0005475312,0.01172096,0.003022156,0.002553616,0.002943092,0.0005685062],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00236654,"about_ca_system_score_gemma":0.001530306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006596686,"about_ca_topic_score_gemma":0.01366233,"domain_scores_codex":[0.9991221,0.0003816102,0.0000263569,0.0001204618,0.0001876774,0.0001618388],"domain_scores_gemma":[0.9995517,0.0002144208,0.00006730014,0.00006707152,0.00006548982,0.00003392723],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002876362,0.000005197356,0.0003859718,0.00003929111,0.000002093117,0.0001450308,0.0309518,0.00003194929,0.0003788534,0.9599797,0.001983006,0.0060684],"study_design_scores_gemma":[0.00002148282,0.00008449714,0.005639918,0.0003830438,0.00001729702,0.0007131476,0.03563354,0.0003164791,0.003159517,0.1728362,0.7811595,0.00003548176],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1653517,0.009434965,0.01021828,0.01890897,0.0007459633,0.00004256413,0.00007038886,0.00004714912,0.79518],"genre_scores_gemma":[0.8657535,0.002323503,0.000982468,0.001853506,0.0002318025,0.00004020264,0.00002233962,0.00004939844,0.1287432],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006596686,"threshold_uncertainty_score":0.0180369,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2119748692","doi":"10.1093/res/hgm052","title":"Symbolic Spatial Form in The Rime of the Ancient Mariner and the problem of god","year":2007,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Windsor","funders":"","keywords":"Blessing; Poetry; Philosophy; Paganism; Metaphysics; Literature; Focus (optics); Object (grammar); Aesthetics; Epistemology; Art; Christianity; Theology; Linguistics","authors":[{"name":"T. G. Dilworth","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02742579587325059,"gpt":0.2622268135743846,"spread":0.234801017701134,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167394,0.0001950029,0.0002966557,0.001006507,0.004011558,0.004893073,0.0005068557,0.000934499,0.002935954],"category_scores_gemma":[0.002495441,0.0001725107,0.0001197322,0.001276126,0.03506686,0.00390246,0.002262013,0.001264017,0.0002964756],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002908589,"about_ca_system_score_gemma":0.001233537,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006602332,"about_ca_topic_score_gemma":0.0117997,"domain_scores_codex":[0.9988558,0.0008721351,0.00002378949,0.00008252957,0.0001015554,0.00006413707],"domain_scores_gemma":[0.9991129,0.0005501814,0.0001185202,0.0001052282,0.0000671866,0.00004602307],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002398142,0.000007825935,0.000306692,0.0001511548,0.000004390601,0.000398867,0.1328483,0.00008308897,0.0001305634,0.8539377,0.003533176,0.00857433],"study_design_scores_gemma":[0.00003414823,0.0000620776,0.005001081,0.0006638843,0.00002187428,0.001784316,0.21405,0.0003686374,0.0004251456,0.2323282,0.5452321,0.00002851377],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2751258,0.05082266,0.003352959,0.02823566,0.0005180529,0.00002231564,0.00005292703,0.00004298688,0.6418266],"genre_scores_gemma":[0.9863389,0.003065523,0.0003246044,0.0003201567,0.0001069992,0.000005784178,0.000007038709,0.00001224096,0.009818681],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006602332,"threshold_uncertainty_score":0.02110338,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4245532024","doi":"10.1075/chlel.xvii","title":"Romantic Poetry","year":2002,"lang":"en","type":"book","venue":"A comparative history of literatures in European languages","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Romance; Poetry; Literature; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.05082385639643919,"gpt":0.2472894538571939,"spread":0.1964655974607548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005468039,0.0004836976,0.0003412793,0.001410254,0.002455175,0.004079692,0.0004001349,0.0006041204,0.01997196],"category_scores_gemma":[0.001968276,0.0001410096,0.0001876465,0.001877345,0.003063324,0.002831313,0.001363202,0.001423682,0.00771093],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009648136,"about_ca_system_score_gemma":0.001036482,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005128789,"about_ca_topic_score_gemma":0.001294138,"domain_scores_codex":[0.9993057,0.0002550672,0.00003291654,0.0001004397,0.0002368445,0.00006904983],"domain_scores_gemma":[0.9994947,0.0001571838,0.00004738364,0.0000885417,0.0001373527,0.00007474297],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000214309,0.0000400037,0.0006778855,0.0002963331,0.000007600273,0.000324302,0.01436238,0.0001369699,0.0005738564,0.513546,0.2818676,0.1881457],"study_design_scores_gemma":[8.429059e-7,0.000007021447,0.0003065358,0.0001213348,6.762084e-7,0.0002242927,0.00104384,0.00001797921,0.00007892909,0.006708895,0.9914875,0.000002078987],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004555481,0.0192417,0.001717304,0.002122781,0.001492043,0.00002937047,0.0001080996,0.00009556229,0.9706377],"genre_scores_gemma":[0.1674578,0.01993493,0.002575273,0.001840728,0.001625907,0.00008505622,0.0004101024,0.0002561057,0.8058141],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01997196,"threshold_uncertainty_score":0.06681287,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1596221754","doi":"10.1017/cbo9780511708831","title":"The Voyage of François Pyrard of Laval to the East Indies, the Maldives, the Moluccas and Brazil","year":2010,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Portuguese; China; History; SAINT; Geography; Ancient history; West indies; Flora (microbiology); Archaeology; Ethnology; Art history","authors":[{"name":"François Pyrard","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01675748329568275,"gpt":0.1792710791788086,"spread":0.1625135958831259,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002442146,0.0004699687,0.0001924611,0.0007669612,0.004072321,0.002591981,0.0003208475,0.0004801569,0.006702003],"category_scores_gemma":[0.0005834111,0.0001632224,0.0001938864,0.0007647969,0.002050743,0.0009790895,0.001428177,0.001069879,0.0007640015],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003376228,"about_ca_system_score_gemma":0.003193095,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1155625,"about_ca_topic_score_gemma":0.2131687,"domain_scores_codex":[0.9998568,0.00002958297,0.00000333454,0.00002455997,0.00004407367,0.0000415891],"domain_scores_gemma":[0.9999073,0.00002915039,0.00001262429,0.000008601191,0.00001789912,0.0000245294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001348306,0.0000644386,0.006988721,0.0007439706,0.00004009411,0.003155831,0.07439668,0.0004397695,0.003983965,0.2531056,0.3091046,0.3478414],"study_design_scores_gemma":[0.000001608472,0.000007155331,0.00300416,0.0001114724,0.000001883163,0.0003761257,0.00145128,0.00002055117,0.0001277264,0.000738522,0.9941565,0.00000303536],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06738108,0.2097839,0.0008181793,0.0220488,0.002164874,0.00005165354,0.0002823691,0.0001970344,0.6972722],"genre_scores_gemma":[0.3871852,0.05708706,0.0009694254,0.002258699,0.0008716504,0.00005371939,0.000135683,0.0001294742,0.551309],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1155625,"threshold_uncertainty_score":0.2297798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W580667505","doi":"","title":"Le plateau de l'albatros : introduction à la géopoétique","year":2018,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Kenneth White","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01318101866181854,"gpt":0.211642791511962,"spread":0.1984617728501435,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002598969,0.0006307804,0.0002724976,0.001462113,0.002830376,0.00299987,0.000608507,0.001055085,0.01006857],"category_scores_gemma":[0.0003406149,0.0001776077,0.0002302216,0.002228709,0.002194612,0.001686882,0.001490242,0.001540303,0.00103839],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005863779,"about_ca_system_score_gemma":0.001829713,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.197238,"about_ca_topic_score_gemma":0.2834409,"domain_scores_codex":[0.9998381,0.0000476228,0.000009859768,0.00003194034,0.00003289192,0.00003946364],"domain_scores_gemma":[0.9998634,0.00004103634,0.00002649252,0.00000660045,0.00003750145,0.00002489521],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001747469,0.0002496784,0.03080825,0.001872507,0.00005308149,0.005862801,0.03599435,0.002269686,0.005793821,0.3515015,0.1924197,0.3729998],"study_design_scores_gemma":[0.000004831226,0.00003503759,0.0237083,0.0005109351,0.000008332197,0.0003951561,0.00993492,0.0002090951,0.000218037,0.008329969,0.9566337,0.00001178579],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.08553424,0.3427269,0.002119198,0.05570061,0.005110309,0.00008808753,0.0008873164,0.00006836822,0.5077649],"genre_scores_gemma":[0.5425875,0.1925319,0.001487184,0.004141055,0.004193246,0.00009049735,0.0005288906,0.0001032262,0.2543366],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.197238,"threshold_uncertainty_score":0.3921798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2309035870","doi":"10.33137/rr.v30i3.9102","title":"Filippino Lippi and Music","year":2006,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Portrait; Art history","authors":[{"name":"Timothy J. McGee","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01753435673682003,"gpt":0.2039187193703875,"spread":0.1863843626335674,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003554457,0.0004937003,0.0001886601,0.001697553,0.00430844,0.002820679,0.0003091195,0.0008708104,0.01226015],"category_scores_gemma":[0.001104254,0.0001455237,0.0001431575,0.001267197,0.00437729,0.001717283,0.001622671,0.001467399,0.001768359],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002415062,"about_ca_system_score_gemma":0.0008155587,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00488145,"about_ca_topic_score_gemma":0.009807172,"domain_scores_codex":[0.9997261,0.00008236464,0.000007962642,0.00004736362,0.00007138317,0.00006476833],"domain_scores_gemma":[0.9998178,0.000101788,0.0000240899,0.00001512124,0.00002020568,0.00002104227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007589761,0.00001612502,0.0009677356,0.0002477873,0.000008111541,0.0007086296,0.02268757,0.0002244538,0.001168891,0.8163029,0.09303786,0.06455401],"study_design_scores_gemma":[0.000004784672,0.00001391026,0.003256669,0.0002318594,0.000006208305,0.0003425215,0.005069749,0.0001291245,0.0006486853,0.02988309,0.9604006,0.00001277253],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.026631,0.03870437,0.001922156,0.01854666,0.001503606,0.00002805198,0.00008551339,0.0001107174,0.912468],"genre_scores_gemma":[0.5534751,0.0246318,0.001807,0.002263417,0.002049344,0.00008810553,0.00007552008,0.0001917488,0.4154181],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01226015,"threshold_uncertainty_score":0.04101437,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2061941297","doi":"10.3138/md.43.4.529","title":"Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Drama; Modernity; Naturalism; Art; Gaze; Literature; Theatre director; Tribute; Aesthetics; Visual arts; Art history; History; Philosophy; Epistemology; Psychology; Psychoanalysis","authors":[{"name":"Stanton B. Garner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03305208736334179,"gpt":0.2475314733067223,"spread":0.2144793859433805,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.001690289,0.0001953451,0.0002655722,0.0006034154,0.001132031,0.002594638,0.0004504409,0.001123555,0.003523567],"category_scores_gemma":[0.001846097,0.00009725349,0.0001921846,0.0002769806,0.02126144,0.002514691,0.001761844,0.002286229,0.0002975505],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001834077,"about_ca_system_score_gemma":0.001234872,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001128033,"about_ca_topic_score_gemma":0.001487905,"domain_scores_codex":[0.9995248,0.0003105733,0.0000142617,0.00004936515,0.00007117909,0.00002980575],"domain_scores_gemma":[0.9993962,0.0004679237,0.00003509629,0.00004522943,0.00002338452,0.00003212279],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004906583,0.00004937183,0.0001422541,0.0001607773,0.00000458518,0.00004480073,0.001989117,0.00009957227,0.000630119,0.9770433,0.00793223,0.01185477],"study_design_scores_gemma":[0.00003976723,0.0001370539,0.001379592,0.0003630067,0.000009798695,0.0002451644,0.002833476,0.0003539905,0.0009703858,0.6313998,0.3622513,0.00001671229],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04305251,0.2636934,0.01379633,0.2984346,0.007483866,0.00007278594,0.0001324224,0.0001311303,0.3732029],"genre_scores_gemma":[0.7463655,0.1222645,0.008296884,0.05433574,0.007009645,0.0002586048,0.00005725513,0.00006835305,0.06134352],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.998868,"threshold_uncertainty_score":0.01330721,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3039471026","doi":"10.12745/et.23.1.4165","title":"Living by Others’ Pleasure: Marston, The Dutch Courtesan, and Theatrical Profit","year":2020,"lang":"en","type":"article","venue":"Early Theatre","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Choir; Revels; Pleasure; Chapel; Art; Visual arts; Sociology; Aesthetics; Literature; Psychology; Art history","authors":[{"name":"Lucy Munro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02380765360054495,"gpt":0.1950705958823039,"spread":0.171262942281759,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002040958,0.0003105501,0.0002357819,0.0007805076,0.01132104,0.01015826,0.0008010276,0.001694485,0.005858352],"category_scores_gemma":[0.002547491,0.0002334368,0.0001541969,0.0008229649,0.01864711,0.005079924,0.004328649,0.002818274,0.0004727715],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006472318,"about_ca_system_score_gemma":0.001930464,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03443576,"about_ca_topic_score_gemma":0.09419556,"domain_scores_codex":[0.9977388,0.001287361,0.00003156591,0.0001678042,0.0004491811,0.0003252656],"domain_scores_gemma":[0.9990453,0.0004818586,0.0001326108,0.00005999638,0.00008059525,0.0001996699],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005037174,0.00002950133,0.0005936674,0.00006339035,0.000007809092,0.001003175,0.604049,0.00006742547,0.0004897238,0.369899,0.0161777,0.00756927],"study_design_scores_gemma":[0.00001048727,0.00002017538,0.002148834,0.0003095763,0.000006246644,0.0007303251,0.4078916,0.0001247516,0.0004039769,0.01166751,0.5766604,0.00002607996],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3290276,0.009981181,0.001149569,0.02012334,0.0007688437,0.00001700089,0.00003571481,0.00001852489,0.6388782],"genre_scores_gemma":[0.9523533,0.001467197,0.0001561958,0.000567063,0.0001289239,0.000009113344,0.000009881146,0.00003653638,0.04527173],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03443576,"threshold_uncertainty_score":0.0684706,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2505349285","doi":"10.4000/books.septentrion.6081","title":"Les archives de la mise en scène. Hypermédialités du théâtre","year":2014,"lang":"fr","type":"book","venue":"Presses universitaires du Septentrion eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01432834987581735,"gpt":0.2034567915483409,"spread":0.1891284416725235,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001424828,0.0005384414,0.0002378214,0.004001968,0.004689584,0.01777865,0.001046023,0.001984173,0.05339678],"category_scores_gemma":[0.00479148,0.0004476117,0.0003443801,0.00480379,0.005927514,0.01328065,0.00501129,0.002020425,0.01209466],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004259717,"about_ca_system_score_gemma":0.00330878,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01850927,"about_ca_topic_score_gemma":0.02213063,"domain_scores_codex":[0.9982058,0.0006742554,0.0000920134,0.0002604505,0.0006147594,0.0001527676],"domain_scores_gemma":[0.9971288,0.0009727653,0.0003479796,0.0006553392,0.0006129306,0.0002823798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001368643,0.00004912805,0.002714115,0.000918837,0.00002411211,0.0008266351,0.09248022,0.0004822405,0.002416632,0.6096113,0.06365422,0.2266858],"study_design_scores_gemma":[0.000004431803,0.00001107762,0.001986282,0.0004408173,0.000009222465,0.0004659463,0.01494316,0.0001048299,0.0006818229,0.01385545,0.9674805,0.00001644782],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03219509,0.01903142,0.01901272,0.01003739,0.001353529,0.0001039516,0.00182605,0.0009860073,0.9154538],"genre_scores_gemma":[0.4538313,0.01623632,0.01713487,0.001546253,0.0009496853,0.0001446351,0.002022636,0.001010564,0.5071236],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05339678,"threshold_uncertainty_score":0.17863,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2034577703","doi":"10.7202/1005756ar","title":"La migration de l’aura ou comment explorer un original par le biais de ses fac-similés","year":2011,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Aura; Philosophy","authors":[{"name":"Bruno Latour","is_ca":false},{"name":"Adam Lowe","is_ca":false},{"name":"Eduardo Ralickas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06554061544098871,"gpt":0.2879264257188981,"spread":0.2223858102779094,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001861488,0.0008973099,0.0003175702,0.001935105,0.005449339,0.006377938,0.001177987,0.001467594,0.01724656],"category_scores_gemma":[0.004585642,0.0002975205,0.000555386,0.002238988,0.01390071,0.00461243,0.003792162,0.003476831,0.002630131],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00541933,"about_ca_system_score_gemma":0.003697851,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02855164,"about_ca_topic_score_gemma":0.08811871,"domain_scores_codex":[0.9981574,0.0004877509,0.000063008,0.0003792843,0.0007014028,0.000210965],"domain_scores_gemma":[0.9975279,0.000622952,0.0002062725,0.000907542,0.0005239802,0.0002113257],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001726952,0.00004472698,0.005292602,0.0005620053,0.00003868753,0.001799839,0.0990628,0.0009330098,0.008364344,0.745271,0.00930355,0.1291547],"study_design_scores_gemma":[0.00001299226,0.00007661666,0.004731072,0.0003403333,0.00004094815,0.001344821,0.02165823,0.0003750316,0.003064224,0.04659422,0.9217011,0.00006046311],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1044798,0.006718211,0.03506711,0.01090138,0.00203327,0.0001415855,0.0002235843,0.0003225865,0.8401125],"genre_scores_gemma":[0.5403005,0.003515091,0.01700622,0.001402386,0.0003379395,0.0001145346,0.0001727629,0.0005629036,0.4365876],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02855164,"threshold_uncertainty_score":0.05769557,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2767794353","doi":"10.7202/1041075ar","title":"Introduction. Le reenactment ou le répertoire en régime intermédial","year":2016,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","authors":[{"name":"Anne Bénichou","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02691345143085171,"gpt":0.2681056508002856,"spread":0.2411921993694339,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001376742,0.0003838518,0.0002954761,0.0009136647,0.00225641,0.00384456,0.000849769,0.001927513,0.03094623],"category_scores_gemma":[0.003346369,0.0001637012,0.0002512711,0.001283453,0.006374095,0.00403144,0.002079286,0.004157695,0.005618174],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002687129,"about_ca_system_score_gemma":0.001318141,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003238728,"about_ca_topic_score_gemma":0.002339987,"domain_scores_codex":[0.9978928,0.0008445506,0.00009891906,0.000375395,0.0005841262,0.0002041954],"domain_scores_gemma":[0.9985799,0.0007053643,0.000150489,0.0001456343,0.0003254393,0.00009324142],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004499491,0.00001556763,0.0002037772,0.0001995991,0.000003214493,0.00009726829,0.009697454,0.00008587351,0.0004947112,0.8984531,0.05654752,0.03415701],"study_design_scores_gemma":[0.000004220792,0.00001733095,0.0005422867,0.0003768859,0.000002726861,0.0001525771,0.001864128,0.00007733501,0.0002597997,0.03986537,0.9568253,0.00001206542],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01301401,0.02663186,0.006782572,0.05365004,0.008438922,0.00005778394,0.0006181783,0.0001652013,0.8906415],"genre_scores_gemma":[0.3815418,0.02173918,0.006804362,0.01464752,0.0112191,0.00029519,0.001054086,0.0004582296,0.5622405],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03094623,"threshold_uncertainty_score":0.1035255,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4244234754","doi":"10.7202/203272ar","title":"Pour une histoire de l’interprétation : les étapes de l’herméneutique","year":2007,"lang":"fr","type":"article","venue":"Philosophiques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Jean Molino","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1248321366552924,"gpt":0.3263247386731949,"spread":0.2014926020179025,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008299299,0.0009551798,0.000597492,0.001657716,0.007024995,0.01568689,0.001519826,0.004225257,0.01031347],"category_scores_gemma":[0.01232962,0.0003981622,0.0007697036,0.001730813,0.04540396,0.01376809,0.004272553,0.009498428,0.002211525],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006909624,"about_ca_system_score_gemma":0.00546825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008003717,"about_ca_topic_score_gemma":0.008776823,"domain_scores_codex":[0.9918956,0.00568862,0.000188442,0.0007061029,0.001104736,0.0004163898],"domain_scores_gemma":[0.9940514,0.003674044,0.0003319498,0.0008106431,0.0008845993,0.0002473947],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002175135,0.000009753194,0.0001313184,0.00008385538,0.000007107798,0.00009695691,0.02261541,0.00008110871,0.0002838869,0.9611245,0.01101332,0.004531175],"study_design_scores_gemma":[0.00001260761,0.00002511505,0.0005351407,0.0003671916,0.00001230301,0.0002229951,0.02273791,0.0003310819,0.0007730372,0.4962648,0.4786899,0.00002795067],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02004516,0.03763997,0.09984271,0.2249522,0.01216213,0.000191261,0.0003545744,0.0002740926,0.6045378],"genre_scores_gemma":[0.6379831,0.01348106,0.03622703,0.03733322,0.007526739,0.0004685876,0.0002677574,0.0007635377,0.265949],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01568689,"threshold_uncertainty_score":0.05013305,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2969878800","doi":"10.3917/comla1.196.0009","title":"Verón entre les mondes","year":2018,"lang":"fr","type":"article","venue":"Communication & langages","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bibliothèque et Archives nationales du Québec; Musée de la Civilisation","funders":"","keywords":"Art","authors":[{"name":"Gustavo Gómez-Mejía","is_ca":false},{"name":"Joëlle Le Marec","is_ca":true},{"name":"Emmanuël Souchier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0628737111220262,"gpt":0.2745236568414202,"spread":0.211649945719394,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00110523,0.001518685,0.0007299599,0.001609323,0.007559172,0.01136591,0.0006260602,0.002930809,0.2036849],"category_scores_gemma":[0.003173524,0.0003734986,0.0007178981,0.00128911,0.002455426,0.004316626,0.003890561,0.007423677,0.03063815],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004017045,"about_ca_system_score_gemma":0.001181719,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01049794,"about_ca_topic_score_gemma":0.01396761,"domain_scores_codex":[0.9987586,0.0004778931,0.00002639296,0.00022723,0.000283132,0.0002268104],"domain_scores_gemma":[0.9992946,0.0002259422,0.00004960278,0.00009616557,0.0001861491,0.0001474542],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003608004,0.00004760389,0.0005764546,0.0002254436,0.00003118252,0.0008622939,0.008195914,0.000203104,0.001621529,0.5105112,0.403852,0.07351246],"study_design_scores_gemma":[0.000004531059,0.000006781243,0.0002188398,0.00004883385,0.000001799397,0.00005434235,0.0008253045,0.00002206478,0.00007193537,0.001890029,0.9968513,0.000004222574],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007816704,0.01626767,0.001620793,0.01905916,0.0275583,0.00002494126,0.0004111455,0.0003247036,0.9269166],"genre_scores_gemma":[0.06477726,0.004398705,0.0004696455,0.001650732,0.007030669,0.00003338666,0.0001872873,0.000414695,0.9210376],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2036849,"threshold_uncertainty_score":0.6813938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2018580626","doi":"10.7202/041458ar","title":"Les manuscrits de la mise en scène","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean-Marie Thomasseau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02162899744334443,"gpt":0.2555668841528292,"spread":0.2339378867094848,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002711668,0.0005526288,0.0003305763,0.00191272,0.01176217,0.007312831,0.001093765,0.001477969,0.01100513],"category_scores_gemma":[0.004978139,0.0002553081,0.0002446462,0.002106314,0.02087843,0.003653004,0.002813949,0.002870661,0.001057864],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01636918,"about_ca_system_score_gemma":0.008689895,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1615606,"about_ca_topic_score_gemma":0.3462411,"domain_scores_codex":[0.9979573,0.0009971367,0.00004042391,0.0002653383,0.0004976764,0.0002420792],"domain_scores_gemma":[0.9976174,0.0009554538,0.0002993575,0.0003019541,0.0005525617,0.0002732487],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005048818,0.00001487344,0.00210242,0.0001414068,0.000009438376,0.0007092828,0.396643,0.000170796,0.001730118,0.566151,0.007403444,0.02487383],"study_design_scores_gemma":[0.000007026043,0.0000342676,0.008600541,0.0004014925,0.00001533878,0.0007227255,0.3058059,0.000350099,0.001716475,0.02461317,0.6576918,0.00004108843],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4068389,0.007094013,0.01568172,0.02528885,0.001177402,0.00007637616,0.0002936953,0.0001164629,0.5434327],"genre_scores_gemma":[0.9130779,0.00155984,0.001770954,0.0005214738,0.0001280702,0.00002915331,0.00005884595,0.00009970713,0.08275406],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1615606,"threshold_uncertainty_score":0.3212404,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3090010829","doi":"10.5281/zenodo.2587481","title":"How to Facilitate Cooperation between Humanities Researchers and Cultural Heritage Institutions. Guidelines","year":2019,"lang":"en","type":"article","venue":"Lirias (KU Leuven)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canarie","funders":"","keywords":"Digital humanities; Cultural heritage; Political science; Sociology; Public relations; Humanities; Engineering ethics; Engineering; Law; Art","authors":[{"name":"Georgia Angelaki","is_ca":false},{"name":"Karolina Badzmierowska","is_ca":true},{"name":"Vera Chiquet","is_ca":false},{"name":"Joris Colla","is_ca":false},{"name":"Judith Finlay-McAlester","is_ca":false},{"name":"Klaudia Grabowska","is_ca":false},{"name":"Vanessa Hannesschläger","is_ca":false},{"name":"Natalie Harrower","is_ca":false},{"name":"Freja Howat-Maxted","is_ca":false},{"name":"Maria Ilvanidou","is_ca":false},{"name":"Wojciech Kordyzon","is_ca":false},{"name":"Magdalena M. Krol","is_ca":false},{"name":"Antonio Gabriel Losada Gómez","is_ca":false},{"name":"Maciej Maryl","is_ca":false},{"name":"Sanita Reinsone","is_ca":false},{"name":"Natalia Suslova","is_ca":false},{"name":"Mark S. Sweetnam","is_ca":false},{"name":"Kamil Śliwowski","is_ca":false},{"name":"Marcin Werla","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.395575926023396,"gpt":0.3401584702166026,"spread":0.05541745580679341,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.134406,0.001834598,0.001390604,0.005083721,0.01081589,0.01747224,0.009655473,0.03434709,0.03350622],"category_scores_gemma":[0.2096178,0.003724664,0.002824966,0.005482958,0.00965478,0.02062641,0.01971051,0.01482298,0.03540085],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009946443,"about_ca_system_score_gemma":0.0870012,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03909468,"about_ca_topic_score_gemma":0.09814128,"domain_scores_codex":[0.8239681,0.1143982,0.02043102,0.005428605,0.02288361,0.01289049],"domain_scores_gemma":[0.6923096,0.1083488,0.0187657,0.03455027,0.1132466,0.03277913],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004389259,0.0002936357,0.001031612,0.00343361,0.0000352625,0.001464566,0.01484833,0.0004781477,0.00120469,0.05183126,0.7925262,0.1328088],"study_design_scores_gemma":[0.00009577429,0.00003862655,0.0009672851,0.006307193,0.00001858785,0.000552654,0.006005079,0.0001853507,0.0003486845,0.01561045,0.9697907,0.00007968459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"methods","genre_scores_codex":[0.004057189,0.008518126,0.07349951,0.4791396,0.01207816,0.0282613,0.002602101,0.004797101,0.387047],"genre_scores_gemma":[0.03844858,0.01122403,0.4136045,0.2420902,0.001983335,0.05004675,0.003031379,0.003049766,0.2365214],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.134406,"threshold_uncertainty_score":0.7108156,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2094934197","doi":"10.4000/contextes.4369","title":"L’orgie bohème","year":2009,"lang":"fr","type":"article","venue":"Contextes","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Persona; Philosophy","authors":[{"name":"Anthony Glinoer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03058249703974051,"gpt":0.2442794144060632,"spread":0.2136969173663227,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008917077,0.0003925135,0.0002113736,0.0008402723,0.005412016,0.004844906,0.0004008093,0.001654592,0.012454],"category_scores_gemma":[0.001646617,0.0001830092,0.0002145372,0.0006831361,0.01011008,0.004060421,0.00247277,0.003148627,0.002171943],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003245512,"about_ca_system_score_gemma":0.002602436,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01454551,"about_ca_topic_score_gemma":0.02459279,"domain_scores_codex":[0.9988629,0.0005157264,0.00002115442,0.0001396002,0.0002822611,0.0001784356],"domain_scores_gemma":[0.9996955,0.0001363201,0.00002825342,0.0000379821,0.00006093544,0.00004103238],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001994829,0.000003636147,0.0001027758,0.00004598277,0.000001700838,0.00005732923,0.00956283,0.00002758349,0.0002022686,0.9579521,0.02513829,0.00688552],"study_design_scores_gemma":[0.000003887575,0.00001154847,0.0004826759,0.00009919317,0.000001766487,0.00009349189,0.003098554,0.00003270276,0.0002184485,0.03262758,0.9633206,0.000009729645],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0125202,0.02121776,0.003798615,0.02361465,0.002520409,0.00002532331,0.0001402595,0.00008020998,0.9360826],"genre_scores_gemma":[0.4847921,0.005808834,0.002066592,0.007575938,0.0008576867,0.00007524354,0.00009475207,0.0001655973,0.4985633],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01454551,"threshold_uncertainty_score":0.04166281,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1504368990","doi":"","title":"Pierre Nora — Realms of Memory: The Construction of the French Past, vol. III, Symbols","year":2000,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"History; Art; Art history; Cognitive science; Archaeology; Psychology","authors":[{"name":"Alan Gordon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01438104372068456,"gpt":0.1951616586773753,"spread":0.1807806149566907,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001408436,0.0006353554,0.0003032948,0.00204455,0.005943615,0.009549143,0.0006758154,0.00149197,0.004916525],"category_scores_gemma":[0.002198347,0.0001917371,0.0002758548,0.001451065,0.01703183,0.0051626,0.001113063,0.001636683,0.0006054187],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01056041,"about_ca_system_score_gemma":0.003826577,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08789604,"about_ca_topic_score_gemma":0.09511187,"domain_scores_codex":[0.9991769,0.0005209026,0.00001802771,0.00007431329,0.0001207082,0.0000892555],"domain_scores_gemma":[0.9992658,0.0004418764,0.00005637259,0.00006364901,0.0001219632,0.00005033025],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003315929,0.000004845644,0.000390171,0.0001018369,0.00000620638,0.0001585324,0.03198344,0.0001341345,0.0002166121,0.9162335,0.03263748,0.01810013],"study_design_scores_gemma":[0.000005068992,0.0000130375,0.001393859,0.0003091171,0.000006934995,0.0002504833,0.02135696,0.0001726364,0.0003477423,0.1264525,0.8496761,0.00001556355],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0294859,0.2870153,0.007014508,0.08474193,0.002781077,0.00002511801,0.0001981177,0.0001293668,0.5886087],"genre_scores_gemma":[0.8150061,0.04177391,0.002239717,0.003412223,0.002059562,0.00004372592,0.0000772697,0.0001436504,0.1352438],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08789604,"threshold_uncertainty_score":0.1747689,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2539511743","doi":"10.33137/rr.v35i1.19076","title":"Mind the Map: Fancy, Matter, and World Construction in Margaret Cavendish’s &lt;i&gt;Blazing World&lt;/i&gt;","year":2012,"lang":"fr","type":"article","venue":"Renaissance and Reformation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Art history","authors":[{"name":"Marina Leslie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01678535088954966,"gpt":0.2209553999537232,"spread":0.2041700490641736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001666201,0.0003451808,0.0002198435,0.0008748102,0.01518391,0.005202004,0.0006613769,0.001720659,0.006016322],"category_scores_gemma":[0.001741589,0.000249422,0.0001744988,0.0007210328,0.02896098,0.003253829,0.003593015,0.003102102,0.000457862],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007390935,"about_ca_system_score_gemma":0.00300432,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07196365,"about_ca_topic_score_gemma":0.2128633,"domain_scores_codex":[0.9990978,0.0005221107,0.000009899191,0.000110211,0.0001382196,0.0001216943],"domain_scores_gemma":[0.9992448,0.0004719305,0.00004859667,0.00004428475,0.00007276616,0.0001175912],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003224601,0.00001551572,0.0006382737,0.00005247068,0.000003352813,0.0004002198,0.3062243,0.0001185348,0.0002680506,0.6397883,0.04131766,0.01114107],"study_design_scores_gemma":[0.000009461342,0.0000243301,0.001808488,0.0001657515,0.000006180272,0.0004002129,0.09111358,0.0002065023,0.0003723582,0.07161297,0.8342495,0.00003076944],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1817849,0.0133383,0.004073692,0.1024591,0.001116173,0.00004584085,0.00008059719,0.00009144092,0.69701],"genre_scores_gemma":[0.8973073,0.001804,0.001246409,0.003967806,0.0001727017,0.00003092711,0.0000167938,0.00008656304,0.09536755],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07196365,"threshold_uncertainty_score":0.1430895,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2074300257","doi":"10.7202/007561ar","title":"« Sçavoir la carte »","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Delphine Denis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02453399656133996,"gpt":0.2353043081052619,"spread":0.2107703115439219,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009041762,0.0005132973,0.0002027003,0.001399388,0.006164749,0.00734209,0.0004431234,0.001476524,0.01584309],"category_scores_gemma":[0.00164019,0.0001743516,0.000291429,0.001245076,0.0130249,0.003207148,0.002495347,0.002528481,0.002930034],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003699935,"about_ca_system_score_gemma":0.002067265,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01579836,"about_ca_topic_score_gemma":0.03018965,"domain_scores_codex":[0.9992579,0.0003646064,0.00001138075,0.0001085155,0.0001385551,0.0001190486],"domain_scores_gemma":[0.9993736,0.0002385017,0.0000476247,0.0001216824,0.0001146206,0.0001040142],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003115972,0.000006179154,0.0005825914,0.00006056885,0.000004618572,0.0001881259,0.05372771,0.0001244009,0.0005694068,0.9037784,0.01974515,0.02118175],"study_design_scores_gemma":[0.000004236594,0.00001966794,0.0009245285,0.00011666,0.00000414745,0.0001525679,0.00985963,0.000112922,0.0002617164,0.02427865,0.9642565,0.000008881734],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03440688,0.005548104,0.007064084,0.01496218,0.0009702085,0.00003716831,0.000106331,0.0001933446,0.9367115],"genre_scores_gemma":[0.5363739,0.003485122,0.003536151,0.002372656,0.0005863997,0.00004661642,0.00008719001,0.0003314377,0.4531806],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01584309,"threshold_uncertainty_score":0.05300045,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2014986150","doi":"10.7202/007039ar","title":"La motivation des styles chez Marguerite Duras : cris et silence dans Moderato cantabile et La douleur","year":2003,"lang":"fr","type":"article","venue":"Études françaises","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Silence; Humanities; Art; Philosophy","authors":[{"name":"Pascal Michelucci","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02748029116670503,"gpt":0.2506548877547001,"spread":0.2231745965879951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002518187,0.0005137855,0.0003004095,0.0007180158,0.005690618,0.00479339,0.0005693582,0.001222594,0.00520935],"category_scores_gemma":[0.00438631,0.0002074504,0.0001875587,0.0007084338,0.0129683,0.002526336,0.003318869,0.002639101,0.0006680154],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005303117,"about_ca_system_score_gemma":0.002638662,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01342474,"about_ca_topic_score_gemma":0.02558384,"domain_scores_codex":[0.9976172,0.001399258,0.0000459259,0.000211919,0.0003967434,0.0003290104],"domain_scores_gemma":[0.9979618,0.0008935463,0.0003716628,0.0001593926,0.0002494908,0.0003641529],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000880477,0.00002343866,0.003705455,0.00009655643,0.000007091689,0.0003051186,0.5767827,0.00007070204,0.001901737,0.3961061,0.002063059,0.01884994],"study_design_scores_gemma":[0.00004766848,0.0001884527,0.02014227,0.0004107315,0.00002951927,0.0007830326,0.447771,0.00052421,0.002076821,0.04420752,0.4837314,0.0000873336],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6422884,0.003175182,0.006176441,0.01237952,0.0003583973,0.00004352336,0.00005118107,0.00005814523,0.3354692],"genre_scores_gemma":[0.9839554,0.0003341722,0.0003393267,0.0002585945,0.00004368041,0.00001779265,0.000008830146,0.00002953313,0.01501274],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01342474,"threshold_uncertainty_score":0.03847694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1592392443","doi":"10.7202/011245ar","title":"Quand la biographie se « dramatise »","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Art; Humanities","authors":[{"name":"Frances Fortier","is_ca":true},{"name":"Caroline Dupont","is_ca":true},{"name":"Robin Servant","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03684016938736581,"gpt":0.267939316654148,"spread":0.2310991472667822,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001650346,0.0007694744,0.0003126927,0.001400481,0.007582299,0.01328485,0.0007067008,0.003208593,0.01206401],"category_scores_gemma":[0.004909264,0.0002028268,0.0003555473,0.001337398,0.0168487,0.009841684,0.003658652,0.00720023,0.003860526],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003776165,"about_ca_system_score_gemma":0.00268473,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01020105,"about_ca_topic_score_gemma":0.01917584,"domain_scores_codex":[0.9982291,0.0008748419,0.00004099161,0.0002343777,0.0004115967,0.0002092017],"domain_scores_gemma":[0.9985523,0.0006687025,0.0001789657,0.0002162574,0.0002575458,0.0001263064],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002288341,0.0000112837,0.0003104937,0.00008384753,0.000005873792,0.0002245041,0.05103926,0.00007145433,0.0005248419,0.8711244,0.06293026,0.01365085],"study_design_scores_gemma":[0.000002063353,0.000009690668,0.0002710809,0.0001385633,0.000003155781,0.000259944,0.01322535,0.00005174277,0.0003227016,0.01976072,0.9659433,0.00001170712],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01895676,0.02633652,0.01608953,0.1569548,0.01998811,0.00005042199,0.0001366275,0.0001994997,0.7612878],"genre_scores_gemma":[0.3947826,0.01465434,0.005460195,0.0253888,0.008068133,0.0001400058,0.0001719462,0.0005730574,0.550761],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01328485,"threshold_uncertainty_score":0.04035813,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1969426536","doi":"10.3138/md.0517","title":"Things That No One Can Say: The Unspeakable Act in Artaud’s <i>Les Cenci</i>","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Cruelty; Personhood; Ideal (ethics); TRACE (psycholinguistics); Aesthetics; Reading (process); Expression (computer science); Literature; Psychoanalysis; Sociology; Art; Philosophy; Epistemology; Psychology; Criminology; Linguistics","authors":[{"name":"Robert Vork","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03306092869802637,"gpt":0.200449818208873,"spread":0.1673888895108466,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002806282,0.0007901042,0.0004013027,0.001235163,0.0139786,0.01485902,0.001403808,0.00280279,0.002611394],"category_scores_gemma":[0.006264981,0.0003795546,0.0002959074,0.0009152436,0.0464676,0.003655763,0.005447205,0.008345315,0.0004912398],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01222295,"about_ca_system_score_gemma":0.003232091,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03216727,"about_ca_topic_score_gemma":0.03184227,"domain_scores_codex":[0.9958959,0.002597317,0.00005049756,0.0002699517,0.0007123841,0.0004740259],"domain_scores_gemma":[0.9985462,0.000788925,0.0001763533,0.0001514854,0.0001687147,0.0001683255],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007944265,0.00002071761,0.0005518764,0.00007971092,0.000007345307,0.0009959652,0.299518,0.0002869369,0.0003418032,0.6776493,0.01398837,0.006480703],"study_design_scores_gemma":[0.00002547662,0.00004262667,0.001667617,0.0004363571,0.00001924792,0.00135802,0.2273623,0.0005744509,0.00157442,0.05245283,0.7144088,0.00007783521],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.183536,0.0121342,0.007563737,0.05515347,0.002129377,0.00007278176,0.00009143577,0.0002308577,0.7390882],"genre_scores_gemma":[0.9590085,0.001249295,0.0007117097,0.002586922,0.0003025654,0.00003981692,0.00002112117,0.00009772042,0.03598237],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03216727,"threshold_uncertainty_score":0.08868408,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2031046943","doi":"10.3917/commu.083.0141","title":"Théâtre et intermédialité : des œuvres scéniques protéiformes","year":2008,"lang":"fr","type":"article","venue":"Communications","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marie-Christine Lesage","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1495000162572332,"gpt":0.322185912720382,"spread":0.1726858964631488,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008203841,0.0003468847,0.0002057734,0.00133716,0.003544652,0.005203223,0.0002825252,0.0004817877,0.007276997],"category_scores_gemma":[0.001512425,0.000140259,0.0002258326,0.001729051,0.009360037,0.002655087,0.002376403,0.001752091,0.0005950678],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002471139,"about_ca_system_score_gemma":0.00138724,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01251326,"about_ca_topic_score_gemma":0.01855966,"domain_scores_codex":[0.9993523,0.000253432,0.00001269964,0.0000922024,0.0001785893,0.0001107908],"domain_scores_gemma":[0.999161,0.0003862169,0.000135603,0.00009792168,0.000125185,0.00009413822],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001311168,0.00003319569,0.004929333,0.0002170417,0.00001959194,0.0008258169,0.3431999,0.0003992938,0.003402495,0.5837561,0.004466055,0.05861999],"study_design_scores_gemma":[0.00001354128,0.00006063842,0.01440451,0.0002763896,0.00001811326,0.00135945,0.1123086,0.0003186244,0.00163331,0.02281187,0.8467624,0.00003254761],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3248677,0.004947015,0.008840283,0.002979764,0.0003740119,0.00003474039,0.0001814356,0.00007368469,0.6577014],"genre_scores_gemma":[0.947794,0.001619662,0.001423346,0.0001164233,0.0001365522,0.00001558652,0.00004741082,0.00005499557,0.04879201],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01251326,"threshold_uncertainty_score":0.02488083,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1827181366","doi":"10.4000/edso.1431","title":"Réflexions sur l’étonnement et l’enseignement de la philosophie au pré-universitaire","year":2015,"lang":"fr","type":"article","venue":"Éducation et socialisation","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Chiara Cavalli","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1042823347986947,"gpt":0.326443937093944,"spread":0.2221616022952493,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01227369,0.00043713,0.000506078,0.003198107,0.01054489,0.01688591,0.001325003,0.002979711,0.01631921],"category_scores_gemma":[0.01903797,0.0003619969,0.0004739444,0.004892235,0.03605438,0.01453983,0.008048009,0.008321073,0.001404591],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01721796,"about_ca_system_score_gemma":0.01075174,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01042561,"about_ca_topic_score_gemma":0.01475997,"domain_scores_codex":[0.9849653,0.009942424,0.0004423754,0.0009573287,0.00258596,0.001106535],"domain_scores_gemma":[0.9806208,0.01251077,0.001786705,0.001523573,0.002361789,0.001196283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002225307,0.00001346554,0.0006241751,0.00007819392,0.000005365624,0.00005843963,0.07155107,0.0001244574,0.0001072335,0.9190189,0.001430974,0.006965474],"study_design_scores_gemma":[0.00001915805,0.00004745879,0.007548074,0.001142388,0.00002256649,0.000212781,0.1207348,0.0004668054,0.00101676,0.4016529,0.4670788,0.00005753049],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2103698,0.02568959,0.03025382,0.09468208,0.001488001,0.00006838323,0.0001825956,0.0001074639,0.6371583],"genre_scores_gemma":[0.9526021,0.005059076,0.002829221,0.001994149,0.0003426567,0.00006864266,0.00003748817,0.00009168102,0.036975],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01721796,"threshold_uncertainty_score":0.1249256,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W288922926","doi":"10.4000/feeries.138","title":"Le pouvoir féerique","year":2006,"lang":"fr","type":"article","venue":"Féeries","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Political science","authors":[{"name":"Éric Méchoulan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01125071203334386,"gpt":0.187431632310442,"spread":0.1761809202770981,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001184773,0.0004164078,0.0002872895,0.001304542,0.0101307,0.007844491,0.0006519004,0.002249649,0.01595658],"category_scores_gemma":[0.004534358,0.0002099926,0.0002790063,0.001453001,0.01766563,0.006856589,0.00340702,0.003426538,0.001117794],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006944785,"about_ca_system_score_gemma":0.002976191,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03226907,"about_ca_topic_score_gemma":0.05692578,"domain_scores_codex":[0.9980653,0.0006955909,0.00003835091,0.0003494816,0.0005337346,0.0003175806],"domain_scores_gemma":[0.9987281,0.0005462665,0.0001345687,0.0001818861,0.0002484766,0.0001607811],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001138146,0.000003509677,0.0004194361,0.0000254617,0.000002435728,0.0001540468,0.02288834,0.00003460332,0.0002210937,0.9626666,0.0065028,0.00707031],"study_design_scores_gemma":[0.000007770046,0.00002329022,0.002522982,0.0001642916,0.000009738054,0.0007355593,0.02552176,0.0001794064,0.0005518865,0.08602059,0.8842421,0.00002055578],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04717894,0.003407105,0.007256478,0.02304181,0.0006909459,0.00003292686,0.00009469873,0.00006200978,0.9182352],"genre_scores_gemma":[0.7733855,0.001619203,0.001999425,0.00297531,0.0003762027,0.00003844821,0.00004495745,0.0001454352,0.2194155],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03226907,"threshold_uncertainty_score":0.06416249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2497194257","doi":"10.7202/1036453ar","title":"Le théâtre immersif est-il interactif ? L’engagement du spectateur entre immersion et interactivité","year":2016,"lang":"fr","type":"article","venue":"Tangence","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Catherine Bouko","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02337905699501878,"gpt":0.2407541917460065,"spread":0.2173751347509877,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003266527,0.0008950231,0.0005319364,0.0009895194,0.005578904,0.01438457,0.001216599,0.003218432,0.0161758],"category_scores_gemma":[0.005975456,0.0003599661,0.0008038346,0.0007694909,0.02462509,0.01599598,0.01178847,0.005177487,0.002210545],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003419553,"about_ca_system_score_gemma":0.002398189,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006410068,"about_ca_topic_score_gemma":0.004839421,"domain_scores_codex":[0.9937319,0.004039054,0.0001186563,0.0005806812,0.0007999665,0.000729609],"domain_scores_gemma":[0.9969945,0.001526414,0.0002771387,0.0002694746,0.0004180919,0.0005143405],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001086822,0.00003820631,0.001332226,0.0002897396,0.00001960101,0.0003735461,0.1650345,0.0002811105,0.002213798,0.7990769,0.005834337,0.02539751],"study_design_scores_gemma":[0.00003344038,0.0002027372,0.00382592,0.0009660912,0.00004210512,0.00116082,0.1794272,0.001252125,0.002683276,0.1895452,0.620724,0.0001370264],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1187124,0.01180246,0.08802982,0.05063391,0.002374232,0.0001063693,0.0001588121,0.0003266697,0.7278554],"genre_scores_gemma":[0.9318656,0.003554349,0.00483622,0.00247963,0.0004338425,0.0001218927,0.00007446119,0.000262588,0.05637149],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0161758,"threshold_uncertainty_score":0.05411345,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2088847997","doi":"10.7202/500993ar","title":"Un problème cornélien. La Maxime","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Dominique Maingueneau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02089691694437174,"gpt":0.2252320685810033,"spread":0.2043351516366316,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006511564,0.000535392,0.0006048466,0.001334696,0.00630423,0.00640478,0.001492549,0.004536775,0.01185521],"category_scores_gemma":[0.02098598,0.0003887535,0.0003911214,0.001216285,0.02403825,0.01264034,0.005641853,0.008822636,0.001721808],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004315921,"about_ca_system_score_gemma":0.003558768,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007215753,"about_ca_topic_score_gemma":0.01008474,"domain_scores_codex":[0.992395,0.003750145,0.0002455171,0.001485365,0.001577829,0.0005461733],"domain_scores_gemma":[0.9922122,0.004996598,0.0003544676,0.0009581859,0.001167159,0.0003114317],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000141487,0.00000435253,0.0002092053,0.00004652392,0.00000340466,0.00004184357,0.008259238,0.00002655261,0.00006193102,0.9735819,0.009680997,0.008069852],"study_design_scores_gemma":[0.00001383328,0.0000252433,0.001003903,0.0004791155,0.000008952435,0.0004641584,0.01264487,0.0003182927,0.0003838252,0.4527313,0.5319008,0.00002573308],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03361798,0.02035218,0.02473577,0.1935399,0.004268557,0.00005637876,0.0002255647,0.0001551667,0.7230484],"genre_scores_gemma":[0.8313249,0.005404207,0.008100472,0.01942997,0.002006992,0.0001190182,0.0001159438,0.0003629,0.1331355],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01185521,"threshold_uncertainty_score":0.03965962,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2299194021","doi":"","title":"La voix et la main : la lettre intime dans Chéréas et Callirhoé","year":2007,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Art","authors":[{"name":"Patrick Robiano","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01930930774791471,"gpt":0.2445384451986575,"spread":0.2252291374507428,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002906285,0.0009562862,0.0007088381,0.001827275,0.02815708,0.01595616,0.001239798,0.005783311,0.01994123],"category_scores_gemma":[0.006575076,0.0005761237,0.0005253452,0.001575393,0.02071259,0.007438009,0.006538868,0.01375078,0.002505281],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01021599,"about_ca_system_score_gemma":0.005078148,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02789479,"about_ca_topic_score_gemma":0.05254998,"domain_scores_codex":[0.9970254,0.001438941,0.00004271817,0.0003873263,0.0004378151,0.0006677577],"domain_scores_gemma":[0.9979275,0.001155986,0.0001211943,0.0001855319,0.0003050965,0.0003045108],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005136594,0.00001160634,0.0002296538,0.00003322506,0.000004854571,0.000394744,0.2147288,0.00002151402,0.0003056072,0.7635949,0.01518382,0.005439867],"study_design_scores_gemma":[0.00001822226,0.00002580326,0.001028044,0.0002036553,0.00001262071,0.0004886701,0.0845222,0.0001087637,0.0004327593,0.03972749,0.8734027,0.00002896582],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06884816,0.01376935,0.003962086,0.04953613,0.003923951,0.00005490356,0.00009210088,0.0001497675,0.8596635],"genre_scores_gemma":[0.6560776,0.001848948,0.0008949383,0.00359587,0.001066725,0.00006301251,0.00003287702,0.0004722285,0.3359478],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02815708,"threshold_uncertainty_score":0.07412261,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2070527536","doi":"10.3406/reg.2008.7891","title":"Les Erotica pathémata de Parthénios de Nicée : des esquisses de poétique accentuelle signées d'acrostiches numériques","year":2008,"lang":"en","type":"article","venue":"Revue des Études Grecques","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Rhythm; Repetition (rhetorical device); Poetry; Stress (linguistics); Art; Linguistics; Sign (mathematics); Literature; Mathematics; Philosophy","authors":[{"name":"Michèle Biraud","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1216134302714406,"gpt":0.2770672978913782,"spread":0.1554538676199376,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001350976,0.0006368273,0.0004872608,0.001619676,0.002419776,0.005107581,0.0003974091,0.001067702,0.006971146],"category_scores_gemma":[0.004979609,0.0002318572,0.000317399,0.001570781,0.008168752,0.003297867,0.002446954,0.003183493,0.00210106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002501423,"about_ca_system_score_gemma":0.001302661,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002674903,"about_ca_topic_score_gemma":0.003636084,"domain_scores_codex":[0.998195,0.0007996392,0.00005754036,0.000208004,0.0005949349,0.0001448392],"domain_scores_gemma":[0.9985537,0.0006874742,0.0002011743,0.0002087071,0.0002564132,0.00009255425],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001614073,0.00002025101,0.001175304,0.0002064142,0.00001223005,0.0005395222,0.02944381,0.0002348317,0.002312262,0.8799962,0.01209947,0.07379825],"study_design_scores_gemma":[0.00002865092,0.00004384633,0.00567473,0.0001964567,0.00001046729,0.001879202,0.004445032,0.0003200716,0.001757224,0.05036148,0.935245,0.00003788935],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1244562,0.01600468,0.03522259,0.01122542,0.002122284,0.00008068523,0.0003307278,0.0007284199,0.8098289],"genre_scores_gemma":[0.8177338,0.004526285,0.01267929,0.0009093531,0.0008768643,0.0001794991,0.0001442368,0.000493053,0.1624577],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006971146,"threshold_uncertainty_score":0.02332079,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234843951","doi":"10.3406/ahrf.2000.2316","title":"Consigner l'événement : les journaux du Voyage de Marchand (1790-1792) et les Isles de la Révolution","year":2000,"lang":"fr","type":"article","venue":"Annales historiques de la Révolution française","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Odile Gannier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01839341578182338,"gpt":0.2488035083725929,"spread":0.2304100925907695,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009486733,0.0003788789,0.0001873271,0.0006889753,0.007308519,0.006692467,0.0005635596,0.001321807,0.01328246],"category_scores_gemma":[0.001543501,0.0001781094,0.0001590659,0.001828008,0.005173642,0.001647247,0.003145532,0.002301974,0.001534691],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009079119,"about_ca_system_score_gemma":0.007803685,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1889449,"about_ca_topic_score_gemma":0.4031778,"domain_scores_codex":[0.9993498,0.0001553062,0.00001440024,0.00008158273,0.000168585,0.0002303097],"domain_scores_gemma":[0.9995566,0.00009376148,0.00008305348,0.00001803738,0.00006972055,0.0001787976],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004881235,0.00008760189,0.0235275,0.0006686316,0.00003632682,0.004477567,0.312598,0.0003065475,0.001956373,0.2389844,0.2410587,0.1758103],"study_design_scores_gemma":[0.000005371275,0.00001169032,0.0145249,0.0001155978,0.000002919682,0.0001141478,0.02131252,0.000008032323,0.00009396799,0.0009289201,0.9628726,0.00000927421],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2969998,0.08062597,0.0003800711,0.08792906,0.004083419,0.00004350546,0.000688042,0.00006636701,0.5291836],"genre_scores_gemma":[0.6786991,0.01315297,0.0004451774,0.004226911,0.000889153,0.000032979,0.0002716435,0.00008761769,0.3021943],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1889449,"threshold_uncertainty_score":0.3756902,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4397027329","doi":"10.1515/9782763714660","title":"La philosophie de l’histoire","year":2007,"lang":"fr","type":"book","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Christian Nadeau","is_ca":false},{"name":"Alexis Lapointe","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03871893028520036,"gpt":0.2386193670325101,"spread":0.1999004367473098,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004523409,0.0006302824,0.0005007025,0.001222593,0.005697867,0.01139302,0.001385407,0.002781447,0.01158142],"category_scores_gemma":[0.005714614,0.0005222343,0.0006048797,0.001700419,0.02764065,0.005446916,0.002956611,0.007204384,0.003305754],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02415277,"about_ca_system_score_gemma":0.01642834,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1354639,"about_ca_topic_score_gemma":0.1282978,"domain_scores_codex":[0.9952064,0.002567787,0.0001293153,0.0006830122,0.0009882778,0.0004252188],"domain_scores_gemma":[0.9971173,0.001204404,0.0001830008,0.0004841619,0.0007636705,0.000247423],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001691448,0.000005536319,0.0002385576,0.0001045626,0.00001033575,0.00005183889,0.005123339,0.0001976713,0.0001752288,0.947068,0.03716294,0.009845192],"study_design_scores_gemma":[0.000008093983,0.00000679144,0.0004211701,0.0002298302,0.000005972701,0.00004867936,0.001427627,0.0001307907,0.0001585172,0.1031639,0.8943871,0.00001149118],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008121722,0.1053963,0.02547197,0.1969934,0.009553187,0.0000922303,0.000497368,0.0002595423,0.6536143],"genre_scores_gemma":[0.3411899,0.04790368,0.01334918,0.03064906,0.005123825,0.0002232402,0.000413458,0.0003954506,0.5607523],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1354639,"threshold_uncertainty_score":0.2693508,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2061821862","doi":"10.7202/501292ar","title":"Le petit prince de Saint-Exupéry : du conte au mythe","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Anne-Isabelle Mourier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01784797612511562,"gpt":0.2214653484749558,"spread":0.2036173723498401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001150677,0.000302922,0.0002325928,0.0005366538,0.007484441,0.005946132,0.0003021291,0.001511928,0.003878216],"category_scores_gemma":[0.002442854,0.0002498726,0.0001789073,0.000617808,0.016264,0.003545639,0.002486745,0.003888589,0.0007414733],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003438959,"about_ca_system_score_gemma":0.001892924,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005660858,"about_ca_topic_score_gemma":0.01426809,"domain_scores_codex":[0.9989583,0.0006563907,0.00001743837,0.00009937501,0.0001546414,0.0001138365],"domain_scores_gemma":[0.9991651,0.0003914133,0.00009060182,0.0001213919,0.0001325394,0.00009892567],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003307278,0.000007589545,0.0003566697,0.00005015199,0.000003518846,0.0003364884,0.1506908,0.00005254776,0.0002941298,0.8254218,0.01734792,0.005405313],"study_design_scores_gemma":[0.000008046251,0.0000463621,0.001457818,0.000320928,0.000007646993,0.0006454139,0.06358578,0.0002107537,0.000543675,0.04984846,0.8833091,0.00001600875],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.13502,0.01407748,0.004049049,0.04775177,0.0013253,0.00002789334,0.00007336606,0.00006118691,0.797614],"genre_scores_gemma":[0.8717505,0.002363697,0.0007545627,0.001570463,0.0004753918,0.00002291566,0.00002187703,0.00007437932,0.1229661],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007484441,"threshold_uncertainty_score":0.02495158,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W574301646","doi":"10.1522/cla.loa.egl","title":"eglise et la guerre","year":2006,"lang":"fr","type":"book","venue":"Classiques des sciences sociales.","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"André. Lorulot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1374485897838462,"gpt":0.3268484025937107,"spread":0.1893998128098646,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167927,0.0006689245,0.0004837626,0.001082759,0.006559052,0.004834147,0.0005238708,0.002592798,0.01293008],"category_scores_gemma":[0.002275965,0.0002527471,0.0003140781,0.0008437362,0.01137419,0.00431729,0.002752362,0.004039685,0.004531339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005809752,"about_ca_system_score_gemma":0.003083554,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04878053,"about_ca_topic_score_gemma":0.07991942,"domain_scores_codex":[0.9990362,0.0004321604,0.00002032911,0.000178145,0.0001863089,0.0001469177],"domain_scores_gemma":[0.999535,0.0001656927,0.00003949131,0.00007092483,0.0001234541,0.00006551609],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004052111,0.000009599509,0.0001980685,0.00008024114,0.000003651887,0.0001675031,0.01966394,0.00004211074,0.0001773634,0.8302422,0.1153899,0.03398502],"study_design_scores_gemma":[0.000001995798,0.000004461715,0.0002212048,0.0001037119,0.000001746258,0.0001021839,0.001396815,0.00001723566,0.00006276119,0.010704,0.9873798,0.00000411276],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.006649097,0.07371994,0.00121141,0.03829258,0.003729158,0.00001509954,0.0000814321,0.00008796165,0.8762133],"genre_scores_gemma":[0.1125604,0.01581328,0.001107581,0.009646207,0.000969887,0.00004029293,0.00005146089,0.0002061891,0.8596047],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04878053,"threshold_uncertainty_score":0.09699321,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2025730226","doi":"10.3917/rhlf.113.0695","title":"La littérature française contemporaine à l'épreuve du fichier central des thèses","year":2011,"lang":"fr","type":"article","venue":"Revue d histoire littéraire de la France","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art","authors":[{"name":"Marie-Odile André","is_ca":false},{"name":"Mathilde Barraband","is_ca":true},{"name":"Sabrinelle Bédrane","is_ca":false},{"name":"Audrey Lasserre","is_ca":false},{"name":"Aline Marchand","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02034520917340017,"gpt":0.2022336987914206,"spread":0.1818884896180204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.003166929,0.0006004579,0.0005098974,0.007237182,0.01057848,0.009746734,0.000505677,0.001486869,0.03187458],"category_scores_gemma":[0.008523634,0.0002960599,0.0003010764,0.01123295,0.004834977,0.002910469,0.002051162,0.002185199,0.00283429],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01197326,"about_ca_system_score_gemma":0.01014131,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.235475,"about_ca_topic_score_gemma":0.3134245,"domain_scores_codex":[0.9969048,0.001132433,0.0001577635,0.0003623735,0.0008501963,0.0005924006],"domain_scores_gemma":[0.9932936,0.003320634,0.000721517,0.0004563593,0.001729592,0.0004783489],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001670339,0.00008225482,0.01056886,0.001032787,0.00006676634,0.001577555,0.2210681,0.0002760064,0.001194634,0.3976109,0.1691582,0.197197],"study_design_scores_gemma":[0.000001564828,0.000005352199,0.006927678,0.000199029,0.000004365269,0.0002385571,0.007283216,0.00001525216,0.00008994549,0.0007181808,0.98451,0.000006851034],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1493667,0.185014,0.00216186,0.03225301,0.003640627,0.00004003918,0.00197068,0.0001584017,0.6253946],"genre_scores_gemma":[0.6187122,0.0613433,0.0010919,0.002545462,0.002554036,0.00007713064,0.001271239,0.0003798752,0.3120248],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9927628,"threshold_uncertainty_score":0.4682088,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4399844867","doi":"10.1515/9782763713151-006","title":"La communauté des autres. La polynarration de l'Histoire chez Volodine","year":2002,"lang":"fr","type":"book-chapter","venue":"","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","authors":[{"name":"Pierre Ouellet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03528903957768498,"gpt":0.2170427642078068,"spread":0.1817537246301218,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004222303,0.0004173235,0.0002867977,0.001168995,0.006676175,0.004335874,0.0004196231,0.0009037197,0.01051698],"category_scores_gemma":[0.0009707064,0.0002559069,0.0001542832,0.002381239,0.006891612,0.001132418,0.002473583,0.001811122,0.001097499],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005404257,"about_ca_system_score_gemma":0.003487116,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1160555,"about_ca_topic_score_gemma":0.247081,"domain_scores_codex":[0.9996517,0.0001222927,0.00001470576,0.00006508554,0.00004639492,0.00009995523],"domain_scores_gemma":[0.9997455,0.0001055545,0.00003503511,0.00001829777,0.00003994211,0.00005566836],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002294215,0.00004956362,0.007008913,0.0005075615,0.00001865569,0.002714884,0.2610976,0.000239715,0.003791458,0.6029855,0.01826633,0.1030904],"study_design_scores_gemma":[0.00001416308,0.0000485701,0.01449641,0.0002455869,0.00001115874,0.001150436,0.0339535,0.00006593059,0.000568966,0.007361068,0.942069,0.00001524681],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2088004,0.05884609,0.001683504,0.006380084,0.001399731,0.00004314622,0.0001878856,0.00007785355,0.7225813],"genre_scores_gemma":[0.5965282,0.008002558,0.0006246981,0.0005531629,0.0001790941,0.00003675383,0.00006888124,0.0001285567,0.3938781],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1160555,"threshold_uncertainty_score":0.2307599,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2784951456","doi":"10.4000/books.pum.5342","title":"1. Pierre Mercure. Aborder la modernité","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Brian Cherney","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01182631031631098,"gpt":0.1763242473559699,"spread":0.164497937039659,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009089239,0.001072145,0.0004071754,0.001682625,0.00460522,0.00403144,0.00097918,0.003666616,0.01976555],"category_scores_gemma":[0.002144399,0.0003820147,0.0002868538,0.001938699,0.005412637,0.005694773,0.002270761,0.005310744,0.008810256],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004510394,"about_ca_system_score_gemma":0.002760631,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05037296,"about_ca_topic_score_gemma":0.0847724,"domain_scores_codex":[0.9989783,0.0003088721,0.0000321074,0.0002219045,0.0003238368,0.000135092],"domain_scores_gemma":[0.9994513,0.0002406479,0.00004789103,0.00004324143,0.0001566672,0.00006023074],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003877948,0.00001107451,0.0002369291,0.0001868513,0.000004466797,0.0001217946,0.008434147,0.00003691158,0.00009835891,0.2642751,0.6867044,0.0398512],"study_design_scores_gemma":[0.000002644193,0.000005963203,0.0004668887,0.0001743934,0.000001389959,0.00007767791,0.0007490991,0.00001464483,0.00006808357,0.00711624,0.9913182,0.000004800661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002557039,0.3942586,0.001714557,0.1120853,0.01141114,0.00004219095,0.0007069732,0.0002410565,0.4769832],"genre_scores_gemma":[0.08440891,0.1038612,0.001976606,0.02582233,0.01052777,0.0001275399,0.0004550864,0.0005191836,0.7723013],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05037296,"threshold_uncertainty_score":0.1001595,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W566939121","doi":"","title":"La littérature engagée","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Computer science","authors":[{"name":"Judith Emery Bruneau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00734581471070114,"gpt":0.1507990633455133,"spread":0.1434532486348122,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004121844,0.001942655,0.001335117,0.005931356,0.006042889,0.01307763,0.002164277,0.00376001,0.1905969],"category_scores_gemma":[0.01012357,0.0006380684,0.001472154,0.006560553,0.003793679,0.004272507,0.00314289,0.005272489,0.07008525],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009152487,"about_ca_system_score_gemma":0.01088874,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1189933,"about_ca_topic_score_gemma":0.1205875,"domain_scores_codex":[0.9950218,0.001413106,0.0002493008,0.0007470809,0.002028877,0.0005397978],"domain_scores_gemma":[0.9942239,0.002055324,0.0003431919,0.0009290067,0.002096162,0.0003523594],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001448994,0.0001445026,0.001422786,0.00134177,0.00009719821,0.0005090824,0.001717075,0.0003367409,0.001305627,0.1421549,0.5286462,0.3221793],"study_design_scores_gemma":[0.000005096952,0.000007187547,0.0007554041,0.0002429132,0.00001073673,0.0001349311,0.000223073,0.00003567579,0.0001624182,0.001123348,0.9972906,0.000008716104],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007998428,0.2135862,0.01097063,0.04319052,0.03017877,0.0001885075,0.00490287,0.001591486,0.6873927],"genre_scores_gemma":[0.05215954,0.125446,0.006865685,0.01220316,0.0180734,0.0004792675,0.006595351,0.00156121,0.7766164],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1905969,"threshold_uncertainty_score":0.6376102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W589289805","doi":"","title":"L'écrivain imaginaire : essai sur le roman québécois, 1960-1995","year":2004,"lang":"fr","type":"book","venue":"Hurtubise HMH eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Roseline Tremblay","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02489532625664133,"gpt":0.2106461154037586,"spread":0.1857507891471173,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001060345,0.0007263442,0.0005409987,0.001754541,0.01391475,0.006421014,0.001054053,0.001854182,0.03068784],"category_scores_gemma":[0.002778149,0.0004178928,0.0004060549,0.00451581,0.006067365,0.002513856,0.00181613,0.003887637,0.001540464],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.08723956,"about_ca_system_score_gemma":0.04917753,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9853486,"about_ca_topic_score_gemma":0.992276,"domain_scores_codex":[0.9987847,0.0003348502,0.00002969301,0.000160559,0.0002784766,0.0004117156],"domain_scores_gemma":[0.999092,0.0002775226,0.00007795931,0.00003515708,0.0002776494,0.0002396674],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003132591,0.0001405664,0.01357242,0.0003932216,0.00006218086,0.001649867,0.09536118,0.00082181,0.0006293253,0.5317603,0.1814743,0.1738216],"study_design_scores_gemma":[0.0000219687,0.00001636493,0.03034997,0.0003834464,0.00001319167,0.0001930997,0.02027037,0.0001553708,0.0002169272,0.002467818,0.9458844,0.00002705351],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2046667,0.1241203,0.001722437,0.04248008,0.00166711,0.00006663473,0.002438193,0.0001318719,0.6227067],"genre_scores_gemma":[0.5191116,0.0154287,0.0007534938,0.001316932,0.0001579766,0.0000573086,0.0003518266,0.00009207647,0.4627301],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08723956,"threshold_uncertainty_score":0.6329703,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2528444254","doi":"10.4000/books.pur.41332","title":"Le livre pour enfants","year":2006,"lang":"fr","type":"book","venue":"Presses universitaires de Rennes eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01625420884850451,"gpt":0.1987447769145928,"spread":0.1824905680660883,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002394798,0.0006495806,0.0004235949,0.001457792,0.00583272,0.00670858,0.0007311869,0.001859974,0.03414202],"category_scores_gemma":[0.008066348,0.000188731,0.0003887835,0.001205273,0.003659217,0.004910268,0.003958711,0.002817196,0.007974],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00375923,"about_ca_system_score_gemma":0.004742617,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009525707,"about_ca_topic_score_gemma":0.01758968,"domain_scores_codex":[0.9970865,0.001345594,0.0001085486,0.0003068203,0.0007613433,0.000391266],"domain_scores_gemma":[0.9965496,0.001231165,0.000335129,0.0002137095,0.001021533,0.00064882],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001027996,0.00003384497,0.003006886,0.0007553556,0.00001534811,0.001404719,0.09059912,0.00009574564,0.0008541858,0.2542006,0.4502332,0.1986982],"study_design_scores_gemma":[0.000001380238,0.00001487622,0.0006409767,0.0002330291,0.000003086386,0.0003269248,0.006706247,0.000009465927,0.000105596,0.002080101,0.9898714,0.000006825058],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04936377,0.09027334,0.004840449,0.1062982,0.02787263,0.00009048113,0.0005914776,0.0005366173,0.7201331],"genre_scores_gemma":[0.2714395,0.04717199,0.003940863,0.018196,0.007975409,0.0001400045,0.0006579916,0.0006969575,0.6497813],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03414202,"threshold_uncertainty_score":0.1142164,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4253838771","doi":"10.2307/j.ctv16td5.12","title":"THE INUIT OF SOUTHERN LABRADOR AND THE DEVELOPMENT OF FRENCH SEDENTARY FISHERIES (1700-1760)","year":2018,"lang":"en","type":"book-chapter","venue":"Canadian Museum of History eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geography; Fishery; Biology","authors":[{"name":"François Trudel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02516712353294955,"gpt":0.1658817750423347,"spread":0.1407146515093851,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003678924,0.0005351196,0.0002319028,0.001661074,0.006182651,0.003150428,0.0005920954,0.0008607284,0.007343247],"category_scores_gemma":[0.0006044708,0.0002439298,0.0002375712,0.002698678,0.003237471,0.001165127,0.001389115,0.0010228,0.0005233717],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01733055,"about_ca_system_score_gemma":0.0106701,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8162161,"about_ca_topic_score_gemma":0.9348049,"domain_scores_codex":[0.9996581,0.00006503508,0.00001118605,0.00005104838,0.00006213153,0.0001524666],"domain_scores_gemma":[0.9998538,0.00003871336,0.00003033585,0.000005620329,0.0000371375,0.00003423278],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001984843,0.00007548954,0.02139013,0.0007348076,0.00006610507,0.00294076,0.3445263,0.0003545379,0.001364489,0.353458,0.03992467,0.2349663],"study_design_scores_gemma":[0.000007508105,0.00005049337,0.05766029,0.0006364218,0.00002649088,0.0006404947,0.03530441,0.00007452601,0.0003080289,0.00263784,0.9026306,0.00002283413],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3337353,0.1145211,0.000495054,0.009091259,0.0005347289,0.00003969471,0.0005295288,0.00005081089,0.5410026],"genre_scores_gemma":[0.7779297,0.02289414,0.000458179,0.001023627,0.0001625596,0.00003471337,0.0001798007,0.0000467185,0.1972706],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1837839,"threshold_uncertainty_score":0.3697326,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2344556770","doi":"","title":"La guerre en latin. Claude Simon et la bataille de Pharsale.","year":2013,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean-Yves Laurichesse","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01936061356445348,"gpt":0.2394325396600102,"spread":0.2200719260955567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00125883,0.001983782,0.0009502124,0.002335627,0.005218234,0.004228778,0.000671641,0.004209943,0.01524626],"category_scores_gemma":[0.002208706,0.0005499187,0.0004009228,0.002494775,0.007054367,0.004206684,0.001864078,0.004331128,0.003399438],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003960202,"about_ca_system_score_gemma":0.001433321,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04202856,"about_ca_topic_score_gemma":0.06220983,"domain_scores_codex":[0.9989414,0.0006599183,0.00002856599,0.0001632027,0.0001116174,0.00009542395],"domain_scores_gemma":[0.9993638,0.0003696435,0.00006882971,0.00004794414,0.00009168909,0.00005802812],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001847954,0.00004806519,0.0008267539,0.0006123738,0.0000482523,0.0004860564,0.02525778,0.0001441095,0.0006081218,0.6461751,0.2775878,0.04802076],"study_design_scores_gemma":[0.00001555683,0.00001279657,0.001463496,0.000332757,0.000009811962,0.0003464538,0.002751565,0.00004424954,0.0001691746,0.01414878,0.9806935,0.00001194085],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.005365994,0.7073069,0.0008091,0.07769744,0.007757958,0.00001293893,0.0002277527,0.00009064113,0.2007313],"genre_scores_gemma":[0.3226475,0.2616971,0.001977818,0.01466414,0.01271413,0.0001011447,0.0002820058,0.0007122085,0.385204],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04202856,"threshold_uncertainty_score":0.0835678,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2466407106","doi":"10.3406/dhs.2001.2400","title":"Le philosophe et la morue. Histoire philosophique et politique de la pêche et du commerce de la morue de la Terre-Neuve","year":2001,"lang":"en","type":"article","venue":"Dix-huitième siècle","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fishing; Geography; Enlightenment; Humanities; Ethnology; Economy; Political science; History; Art; Economics; Philosophy","authors":[{"name":"Jacques Gury","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02477159680959023,"gpt":0.2839152483151877,"spread":0.2591436515055975,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005623413,0.0003593676,0.0001488728,0.0009578815,0.004420231,0.004478826,0.000306124,0.001112151,0.004990375],"category_scores_gemma":[0.0009062177,0.0001527201,0.0001382097,0.001132915,0.01383194,0.001656705,0.001024967,0.001821474,0.0005477222],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01026837,"about_ca_system_score_gemma":0.004316817,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1369177,"about_ca_topic_score_gemma":0.2273658,"domain_scores_codex":[0.9995483,0.0001999147,0.000009047753,0.00005389612,0.00009743322,0.00009133951],"domain_scores_gemma":[0.9997924,0.00008945676,0.00003455387,0.00001816619,0.00003482707,0.00003062524],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002805798,0.000008701429,0.00106539,0.00009019559,0.000006100655,0.0001827301,0.02338475,0.0001262599,0.000270661,0.9139886,0.0411542,0.01969429],"study_design_scores_gemma":[0.000007904204,0.000009774435,0.007032116,0.0003010665,0.000005269535,0.0002068008,0.008202745,0.00007940731,0.00009046089,0.03992104,0.9441371,0.000006249484],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03352818,0.2242932,0.001770121,0.07696065,0.001755183,0.00001400855,0.000129326,0.00004023973,0.6615091],"genre_scores_gemma":[0.6970466,0.04151769,0.0007419692,0.005108336,0.001242754,0.00004036135,0.0000514874,0.00005393857,0.2541968],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8630823,"threshold_uncertainty_score":0.2722415,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2093641383","doi":"10.7202/041456ar","title":"Le temps et le rythme au théâtre","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Manuel García Martínez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01953821685744438,"gpt":0.233378135814814,"spread":0.2138399189573696,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001501203,0.0004007879,0.0003584614,0.001144711,0.0088771,0.007894572,0.0008220859,0.001107294,0.01818765],"category_scores_gemma":[0.003142879,0.0003076618,0.0003115542,0.0013554,0.01484169,0.004835021,0.003757385,0.003092798,0.001742629],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00553506,"about_ca_system_score_gemma":0.002660627,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03960768,"about_ca_topic_score_gemma":0.093549,"domain_scores_codex":[0.998046,0.0009465791,0.00003943455,0.0002365245,0.0003789952,0.0003524958],"domain_scores_gemma":[0.9988711,0.0004863716,0.0001240202,0.000183948,0.0001881139,0.0001462748],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007950838,0.00001441218,0.001886412,0.0001358469,0.000009461426,0.0004030414,0.2598501,0.0001647258,0.001463025,0.713137,0.003287172,0.01956929],"study_design_scores_gemma":[0.00001966782,0.00007546422,0.01751096,0.0006298892,0.00002349233,0.000770733,0.2941333,0.0003472189,0.001640108,0.04800474,0.6367733,0.00007106496],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2745584,0.004184298,0.0101998,0.006716796,0.0006956944,0.00003933237,0.0001925355,0.0000900216,0.7033232],"genre_scores_gemma":[0.9284719,0.001027425,0.001502145,0.0001942473,0.00007878605,0.00001744091,0.00003792813,0.0001314216,0.06853871],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03960768,"threshold_uncertainty_score":0.07875425,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1544518298","doi":"","title":"Les meilleurs contes fantastiques québécois du XIXe siècle","year":2001,"lang":"fr","type":"book","venue":"Fides eBooks","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Political science","authors":[{"name":"Aurélien Boivin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04340466348723611,"gpt":0.2377055136918464,"spread":0.1943008502046103,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007301157,0.001276671,0.0005744512,0.001684182,0.01701355,0.007103808,0.000721172,0.002782553,0.04138795],"category_scores_gemma":[0.002845801,0.0005204528,0.0005432325,0.002116079,0.004811956,0.002121369,0.001525818,0.006779726,0.003118926],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.031811,"about_ca_system_score_gemma":0.01323285,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8816581,"about_ca_topic_score_gemma":0.9481868,"domain_scores_codex":[0.9989337,0.0002750581,0.00002103983,0.0001509539,0.0003460741,0.0002731069],"domain_scores_gemma":[0.9993727,0.0002203009,0.0000339343,0.00002686667,0.0001863891,0.0001597605],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004439997,0.0001177789,0.007346512,0.0002941297,0.00006586521,0.003404707,0.08693243,0.0008423745,0.002980135,0.4998734,0.2527066,0.1449921],"study_design_scores_gemma":[0.0000205172,0.00001864505,0.007546528,0.0001615385,0.000008200929,0.0003964153,0.01151659,0.0001603325,0.0004153572,0.00186216,0.9778656,0.00002818531],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1324575,0.02744717,0.002141346,0.01781294,0.003880082,0.000081944,0.00131033,0.000191743,0.8146769],"genre_scores_gemma":[0.1971954,0.005489192,0.000890078,0.00144292,0.0003225375,0.00006921031,0.0002245817,0.0001404943,0.7942256],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1183419,"threshold_uncertainty_score":0.2380777,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2944289721","doi":"10.4000/belphegor.1953","title":"Le Voyage aux Ruines de Paris : un topos érudit, fantaisiste et satirique dans la fiction d’anticipation aux XIXème et XXème siècles","year":2019,"lang":"fr","type":"article","venue":"Belphégor","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Topos theory; Literature","authors":[{"name":"Marianne Roussier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02405660462133002,"gpt":0.2657293856080453,"spread":0.2416727809867153,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001837686,0.0009222676,0.0003605068,0.002117511,0.009620954,0.01059257,0.0009075074,0.00283017,0.007747828],"category_scores_gemma":[0.00373163,0.0002777316,0.0003975042,0.001665872,0.01489258,0.003631596,0.002207817,0.004614016,0.001214823],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01275154,"about_ca_system_score_gemma":0.003987607,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02407243,"about_ca_topic_score_gemma":0.03707583,"domain_scores_codex":[0.9980744,0.0009395248,0.00003897218,0.0002349918,0.0003717945,0.0003402643],"domain_scores_gemma":[0.9982078,0.001134873,0.000197134,0.00009306589,0.0002131694,0.0001540071],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008030808,0.00001553937,0.0008064236,0.0002897696,0.00001540285,0.001169248,0.2127884,0.0003726634,0.0003960785,0.6770661,0.08610535,0.0208947],"study_design_scores_gemma":[0.00000616453,0.0000293262,0.001149374,0.000217175,0.000007341031,0.0002211608,0.01944378,0.00007278552,0.000245097,0.006398002,0.9721918,0.00001815229],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1025987,0.07753608,0.008046359,0.112149,0.0159685,0.00008808727,0.000405093,0.0004927157,0.6827155],"genre_scores_gemma":[0.729561,0.01548486,0.001328839,0.006812465,0.006164487,0.00009218723,0.0001103798,0.0002765819,0.2401693],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02407243,"threshold_uncertainty_score":0.0925194,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1486878526","doi":"10.7202/1009313ar","title":"CHÉNETIER-ALEV, Marion, L’oralité dans le théâtre contemporain : Herbert Achternbusch, Pierre Guyotat, Valère Novarina, Jon Fosse, Daniel Danis, Sarah Kane, Saarbrücken, Allemagne, Éditions universitaires européennes, 2010, 576 p.","year":2011,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Mathematics","authors":[{"name":"Marie-Christine Busque","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03557367938957456,"gpt":0.212667468883366,"spread":0.1770937894937914,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001025808,0.001155418,0.0005443463,0.003399766,0.005289476,0.005698759,0.001655586,0.003419558,0.01505399],"category_scores_gemma":[0.002764193,0.0004821247,0.0003454675,0.006172411,0.004586996,0.006425493,0.002361095,0.003709041,0.004057705],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00712327,"about_ca_system_score_gemma":0.00624612,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1294099,"about_ca_topic_score_gemma":0.2891728,"domain_scores_codex":[0.9992867,0.0002274725,0.00003403677,0.00007930787,0.0002772571,0.00009524397],"domain_scores_gemma":[0.9981845,0.001070248,0.0001477172,0.00006213041,0.0004099176,0.0001254806],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005634802,0.00002895877,0.001200035,0.0007244022,0.00001883382,0.0002099616,0.0264852,0.00006651334,0.000218841,0.07330835,0.8417575,0.055925],"study_design_scores_gemma":[0.00001071943,0.000006095004,0.006411225,0.001180668,0.00001247591,0.0001318292,0.01043196,0.00003502552,0.000178688,0.007856489,0.9737306,0.0000143068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002976544,0.81949,0.0006680019,0.07780395,0.005340174,0.00002329993,0.000468584,0.00005019847,0.09317928],"genre_scores_gemma":[0.1212581,0.6488679,0.001861878,0.02240845,0.00729882,0.0001827076,0.0006311734,0.0002680147,0.1972229],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1294099,"threshold_uncertainty_score":0.2573133,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4240345737","doi":"10.3138/tric.41.1.149","title":"Ô Kanata","year":2020,"lang":"fr","type":"article","venue":"Theatre Research in Canada","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Spectacle; Humanities; Art; Philosophy; Political science; Law","authors":[{"name":"Yves Sioui Durand","is_ca":false},{"name":"Catherine Joncas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.174170113650827,"gpt":0.3195975120875019,"spread":0.1454273984366749,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008219911,0.0005871259,0.0005599126,0.001004629,0.008500582,0.005564603,0.0008608162,0.001450781,0.1367714],"category_scores_gemma":[0.002869952,0.0004088,0.0003667369,0.001106473,0.002357679,0.003423612,0.004258287,0.003033973,0.04959529],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005877459,"about_ca_system_score_gemma":0.01000117,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05950502,"about_ca_topic_score_gemma":0.122372,"domain_scores_codex":[0.9989697,0.0001186258,0.00004165047,0.0002607885,0.0003561336,0.0002531087],"domain_scores_gemma":[0.998552,0.0001378342,0.00009543217,0.0001123441,0.0007025462,0.0003997322],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003559748,0.00005912288,0.002853887,0.0009058552,0.00002285727,0.0008240137,0.01759014,0.0001447069,0.003049249,0.1796286,0.6176769,0.1768887],"study_design_scores_gemma":[0.000004013094,0.000007413959,0.0005071232,0.00007226213,0.000004667986,0.0001509655,0.002015951,0.00002202332,0.0001809979,0.001595753,0.9954302,0.000008520201],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01207509,0.01792455,0.003247589,0.03724702,0.01373662,0.0001113432,0.000804361,0.0005848986,0.9142687],"genre_scores_gemma":[0.04753298,0.005486473,0.001167402,0.003768686,0.0005416741,0.0000414382,0.0001741523,0.0002705042,0.9410167],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.940495,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2014686421","doi":"10.7202/009888ar","title":"Travestissement littéraire et trajectoire intellectuelle d’Henri-Raymond Casgrain","year":2005,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Manon Brunet","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0223571172940998,"gpt":0.2592166124266227,"spread":0.2368594951325229,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00149561,0.0004654624,0.0002484837,0.00286563,0.006782585,0.006498159,0.0004377745,0.001241526,0.01593308],"category_scores_gemma":[0.004290538,0.0002898443,0.0001823896,0.002083973,0.006694059,0.003761238,0.001751431,0.001853813,0.002351573],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007059265,"about_ca_system_score_gemma":0.003692167,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05431795,"about_ca_topic_score_gemma":0.08590516,"domain_scores_codex":[0.9984371,0.0007598435,0.00004853831,0.0002242256,0.0003815646,0.000148679],"domain_scores_gemma":[0.9973895,0.001688404,0.0001696776,0.0002049141,0.0004106348,0.0001369227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005146701,0.00002213526,0.001357848,0.0002194984,0.000007741295,0.001252834,0.1491709,0.0001764056,0.0008476412,0.6471499,0.1359857,0.06375793],"study_design_scores_gemma":[0.000001401761,0.000005678745,0.0009452267,0.0001358371,0.000001969296,0.000481427,0.007369002,0.00008235931,0.0003748894,0.003856828,0.9867353,0.000009943125],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06020364,0.03044192,0.007194184,0.02284914,0.00280648,0.00007596568,0.0003376447,0.0002756764,0.8758153],"genre_scores_gemma":[0.4389561,0.01774235,0.005258435,0.002281146,0.001382103,0.0001011777,0.000239353,0.0005288744,0.5335105],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.945682,"threshold_uncertainty_score":0.1080036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1984477417","doi":"10.7202/016135ar","title":"Sympathy in Translation: Paul et Virginie on the London Stage1","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sympathy; Opera; Comics; Art; Colonialism; Creole language; Media studies; Sociology; History; Aesthetics; Humanities; Literature; Philosophy; Psychology; Linguistics","authors":[{"name":"Luisa Calè","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04944858867066725,"gpt":0.2510388420926624,"spread":0.2015902534219951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005029757,0.0006336255,0.0002482564,0.0008237981,0.004592403,0.005082812,0.000459657,0.001684767,0.01816311],"category_scores_gemma":[0.002181358,0.0002063607,0.0001633042,0.0009916513,0.006906379,0.00243337,0.002050015,0.002674925,0.003017352],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005469368,"about_ca_system_score_gemma":0.002131242,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03855996,"about_ca_topic_score_gemma":0.08013128,"domain_scores_codex":[0.999177,0.0004069535,0.00002153632,0.0001125469,0.0001801387,0.0001017367],"domain_scores_gemma":[0.9994439,0.0003011836,0.00005358705,0.00003605262,0.00009602724,0.00006919697],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005703428,0.00001377791,0.0005244695,0.0003957654,0.00000908853,0.001013138,0.1493286,0.00008936987,0.0006733018,0.3643673,0.4530151,0.03051289],"study_design_scores_gemma":[0.000002430801,0.000007044396,0.0004247679,0.0001870214,0.000001297742,0.0001404369,0.01185658,0.00001127344,0.0001381835,0.002530997,0.9846949,0.00000498525],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01595179,0.05775007,0.001128,0.05758404,0.01257955,0.00003035139,0.0003071557,0.00007575848,0.8545933],"genre_scores_gemma":[0.3695562,0.02261473,0.0006063003,0.006968572,0.002660682,0.00005010101,0.0001684251,0.0003029926,0.597072],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03855996,"threshold_uncertainty_score":0.07667106,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1589595202","doi":"10.26522/vp.v10i2.863","title":"Les Don Juan français contemporains : de la crise du héros à celle de l’écriture","year":2013,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Aurélia Gournay","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01486336578022793,"gpt":0.2242688150992088,"spread":0.2094054493189808,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001095804,0.0003986626,0.0001754564,0.0005855319,0.008725181,0.004276027,0.0003104474,0.0009656975,0.00463775],"category_scores_gemma":[0.001766656,0.0001610324,0.0001018122,0.0008595945,0.01350829,0.001609417,0.001578448,0.001901991,0.0004462686],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009329565,"about_ca_system_score_gemma":0.004199954,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1739006,"about_ca_topic_score_gemma":0.3248734,"domain_scores_codex":[0.9991544,0.0004724708,0.000009633651,0.00009973302,0.00009152889,0.000172234],"domain_scores_gemma":[0.9994299,0.0002425636,0.00008609873,0.00005823309,0.0001006678,0.00008245865],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006713266,0.000009482994,0.003147864,0.00007132589,0.000007348387,0.0007304224,0.3537052,0.0001243169,0.0002929531,0.610863,0.01792452,0.01305647],"study_design_scores_gemma":[0.00000610513,0.00001865947,0.006571835,0.0002810194,0.000009038049,0.0003958966,0.1313512,0.0001040852,0.0003156261,0.01075068,0.8501803,0.00001557044],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.2212516,0.01110251,0.0009871208,0.01378541,0.0004900066,0.00001284213,0.00007314984,0.00002465984,0.7522727],"genre_scores_gemma":[0.9037845,0.002523431,0.0002444853,0.0005951617,0.0000899334,0.00001092176,0.00002133416,0.0000350929,0.09269518],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1739006,"threshold_uncertainty_score":0.3457768,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}