{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":151,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":151,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"15d6ab8fe078","filters":{"topic":"Literary Analysis and Cultural Studies"}},"results":[{"id":"W3136177262","doi":"10.25145/j.cedille.2021.19.01","title":"Presentación","year":2021,"lang":"es","type":"article","venue":"Çédille","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Universidad de Salamanca; Universidad de Córdoba; Universidad de Zaragoza; Université de Genève; Universidad de Alcalá; Universitat de Barcelona; Universidad Complutense de Madrid; Università degli Studi di Firenze; Universidad Nacional de Córdoba; Universitat Jaume I; Universidad Internacional de La Rioja; Centre National de la Recherche Scientifique; Euskal Herriko Unibertsitatea; Universidad Autónoma de Madrid; Universitat Pompeu Fabra; Universidad de Valladolid; McGill University","keywords":"Humanities; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02308191941088568,"gpt":0.237995965548248,"spread":0.2149140461373624,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00365448,0.0007892757,0.001072163,0.003756206,0.001792852,0.008167215,0.00187141,0.002245245,0.2259783],"category_scores_gemma":[0.01144781,0.0003133672,0.0009482941,0.002459639,0.001214024,0.003239789,0.002609109,0.002068865,0.09160373],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00343921,"about_ca_system_score_gemma":0.0048836,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006413798,"about_ca_topic_score_gemma":0.006443677,"domain_scores_codex":[0.9975343,0.0005999777,0.0002344685,0.000540562,0.0008337098,0.0002569086],"domain_scores_gemma":[0.9957883,0.0008913023,0.000271879,0.0006893661,0.00192525,0.0004340564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004767524,0.0001611864,0.002594457,0.002567149,0.00008242918,0.001309571,0.002249616,0.0002123421,0.0006809282,0.03201812,0.5263287,0.4313187],"study_design_scores_gemma":[0.000009780682,0.00002140358,0.0005629573,0.0008948858,0.0000185802,0.0005163474,0.0003889415,0.00002382219,0.0001217142,0.001892681,0.9955408,0.000008007121],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01437955,0.168108,0.009121871,0.05177395,0.06308259,0.0008004449,0.01679859,0.001488274,0.6744468],"genre_scores_gemma":[0.08539172,0.1512073,0.01256044,0.0244776,0.02953564,0.001219242,0.02230383,0.00137229,0.671932],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7740217,"threshold_uncertainty_score":0.7559727,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4390488750","doi":"10.1016/j.ijft.2023.100558","title":"Investigation of Hybrid Renewable Energy Green House for Reducing Residential Carbon Emissions","year":2024,"lang":"en","type":"article","venue":"International Journal of Thermofluids","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Yalova Üniversitesi; Toronto Metropolitan University","keywords":"Renewable energy; Greenhouse gas; Fossil fuel; Environmental science; Climate change mitigation; Electricity; Climate change; Unit (ring theory); Natural gas; Energy security; Primary energy; Energy development; Waste management; Environmental engineering; Environmental economics; Engineering; Ecology","authors":[{"name":"Ezgi Bayrakdar Ateş","is_ca":false},{"name":"N. Karaarslan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03134955513156309,"gpt":0.2511961604894233,"spread":0.2198466053578602,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001719292,0.0002937949,0.0004132741,0.0003191485,0.0002552455,0.0004928567,0.0004664424,0.0003164987,0.003157081],"category_scores_gemma":[0.0001654633,0.0001462403,0.0004558527,0.0002190526,0.0001702772,0.0005416429,0.0003121021,0.0001176382,0.0003334501],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002256675,"about_ca_system_score_gemma":0.0001934654,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007803741,"about_ca_topic_score_gemma":0.001666001,"domain_scores_codex":[0.9998751,0.0000246522,0.000003773762,0.00002500662,0.00004893767,0.00002249241],"domain_scores_gemma":[0.9999533,0.00001311677,0.000005514726,0.000006222504,0.00001549902,0.000006456099],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0008526883,0.0008214727,0.007800705,0.0013555,0.0002284392,0.001397038,0.000289095,0.4779145,0.3222949,0.01624091,0.004553733,0.166251],"study_design_scores_gemma":[0.00006552385,0.001732169,0.005060979,0.00004321106,0.0001531401,0.0002921238,0.0003795541,0.8476339,0.128992,0.002720463,0.01288239,0.00004454787],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8659897,0.001487487,0.1064549,0.0002195323,0.0001457355,0.0001190162,0.0002795678,0.0004599918,0.02484411],"genre_scores_gemma":[0.981854,0.0003224293,0.01368036,0.00002465139,0.00000674585,0.00004880371,0.00006279982,0.00001905263,0.003981107],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003157081,"threshold_uncertainty_score":0.01056147,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2095161908","doi":"10.1215/02705346-18-3_54-41","title":"What Is That and between Arab Women and Video? The Case of Beirut","year":2003,"lang":"en","type":"article","venue":"Camera Obscura Feminism Culture and Media Studies","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Gender studies; Political science; Sociology","authors":[{"name":"Laura U. Marks","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04735906879020946,"gpt":0.2650308823733406,"spread":0.2176718135831311,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004267568,0.000578192,0.000375694,0.001674101,0.0266984,0.01091249,0.001178636,0.004591453,0.007908436],"category_scores_gemma":[0.007792513,0.0004227742,0.0002549342,0.001833547,0.01424251,0.009087566,0.004842323,0.004825648,0.001027448],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005611244,"about_ca_system_score_gemma":0.002587327,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03537092,"about_ca_topic_score_gemma":0.03883881,"domain_scores_codex":[0.9953133,0.003366743,0.00006146583,0.000190221,0.0002101741,0.0008580974],"domain_scores_gemma":[0.9968817,0.001960555,0.0002550029,0.0001053375,0.0003175872,0.0004799043],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007979912,0.00005621685,0.002499747,0.00009612081,0.00001037094,0.00377922,0.8859044,0.0000304608,0.0002927902,0.07810064,0.01347766,0.01567256],"study_design_scores_gemma":[0.00000605119,0.00001727889,0.001078222,0.0002493249,0.000007561269,0.0008741801,0.9245979,0.0000461471,0.0001380845,0.002724145,0.07024971,0.00001147736],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5385423,0.01652635,0.00117663,0.1101817,0.001899613,0.00005275198,0.00008837412,0.0000320558,0.3315003],"genre_scores_gemma":[0.9733192,0.003352196,0.0002734944,0.006036482,0.0002700291,0.00003164717,0.0000221251,0.00003050813,0.01666425],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03537092,"threshold_uncertainty_score":0.07033008,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1972766997","doi":"10.7202/022899ar","title":"Les dragons de la crue","year":2005,"lang":"fr","type":"article","venue":"Cahiers de géographie du Québec","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Philippe Reyt","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008559514370069781,"gpt":0.2105908577994069,"spread":0.2020313434293372,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006692829,0.0006791655,0.0002484517,0.001676375,0.01356133,0.006026589,0.0005870638,0.001151965,0.01185895],"category_scores_gemma":[0.001531605,0.0001867126,0.0002035341,0.001667554,0.01487091,0.001743909,0.002243249,0.002229705,0.0007506033],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01124789,"about_ca_system_score_gemma":0.005470294,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3558613,"about_ca_topic_score_gemma":0.699434,"domain_scores_codex":[0.9995239,0.000133031,0.000005935458,0.00006313766,0.0001115535,0.0001624377],"domain_scores_gemma":[0.999498,0.0001557735,0.00005822957,0.00005955163,0.0001161772,0.0001122183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001032425,0.00001774282,0.003337304,0.0001723484,0.00001037087,0.0009813407,0.3421712,0.0002500937,0.001083422,0.5801947,0.03709112,0.03458722],"study_design_scores_gemma":[0.000007652861,0.00002778994,0.008491773,0.0002304811,0.00001380872,0.0003722135,0.1061545,0.0001902359,0.0007171921,0.009308177,0.8744559,0.00003035331],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.238676,0.005819795,0.003814972,0.01229282,0.001630132,0.00003972008,0.000248139,0.0001759883,0.7373024],"genre_scores_gemma":[0.7826034,0.001706785,0.001187949,0.0006638122,0.0001678703,0.00001684008,0.00005728761,0.00007310208,0.2135231],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3558613,"threshold_uncertainty_score":0.7075799,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2971027914","doi":"10.1051/shsconf/20196403003","title":"AMBIANTAL ARCHITECTURE − Defining the role of water in the aesthetic experience of sensitive architectural ambiances","year":2019,"lang":"en","type":"article","venue":"SHS Web of Conferences","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Architecture; Visitor pattern; Aesthetics; Architectural engineering; Perception; Space (punctuation); Atmosphere (unit); Visual arts; Sociology; Art; Psychology; Computer science; Epistemology; Philosophy; Engineering; Linguistics; Geography","authors":[{"name":"Gregory Brais Sioui","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01111673670441819,"gpt":0.2094169980943766,"spread":0.1983002613899584,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002558841,0.0004447315,0.0002289854,0.001347827,0.004112178,0.008776084,0.0007503426,0.001289731,0.003407195],"category_scores_gemma":[0.0026531,0.0003412284,0.0004113453,0.0007652948,0.02385885,0.005303334,0.00633821,0.001646111,0.0002502822],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002265201,"about_ca_system_score_gemma":0.001447188,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001548466,"about_ca_topic_score_gemma":0.002535301,"domain_scores_codex":[0.9968185,0.002384221,0.00005519641,0.0001961533,0.0003147477,0.0002311741],"domain_scores_gemma":[0.9987711,0.0007763484,0.00008988685,0.0001524302,0.00009139541,0.0001186961],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004398487,0.00004415483,0.002394141,0.0001837939,0.000007593959,0.000545421,0.4932918,0.0003881886,0.004209349,0.4812087,0.0007076007,0.01697526],"study_design_scores_gemma":[0.00003048582,0.0002307722,0.01096116,0.0005361398,0.00002915499,0.001773355,0.5566602,0.002220427,0.005039373,0.2201566,0.2022879,0.00007436457],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5400918,0.002174975,0.05051247,0.004324217,0.0001895291,0.0001909581,0.00005935844,0.00008926918,0.4023673],"genre_scores_gemma":[0.9900246,0.0002188747,0.003921452,0.000120369,0.00001229947,0.00006704048,0.00001007815,0.00002858496,0.005596792],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008776084,"threshold_uncertainty_score":0.01643527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1656606495","doi":"10.18055/finis1629","title":"L'art du paysage et le géographe","year":2012,"lang":"en","type":"article","venue":"Finisterra","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Style (visual arts); Art; Geography; Visual arts; Art history","authors":[{"name":"André Hufty","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03687572153914405,"gpt":0.2269265669558216,"spread":0.1900508454166776,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002609849,0.0007887318,0.0005369526,0.002300268,0.005892449,0.01612204,0.0007882144,0.002669732,0.01629508],"category_scores_gemma":[0.005267547,0.0003658126,0.0004617728,0.002898678,0.02249268,0.007754752,0.003167175,0.005358356,0.001818562],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005206263,"about_ca_system_score_gemma":0.003088974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03750906,"about_ca_topic_score_gemma":0.03131106,"domain_scores_codex":[0.995713,0.002789848,0.00007886508,0.0003318729,0.0007982851,0.0002882518],"domain_scores_gemma":[0.9974286,0.001551177,0.0001765929,0.0004321382,0.0002436894,0.0001678716],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009717211,0.000004893983,0.0002513277,0.00004251032,0.0000032249,0.00007742092,0.009820618,0.00008752399,0.0001020085,0.9686093,0.01011395,0.01087741],"study_design_scores_gemma":[0.000005943572,0.00000820781,0.001123114,0.0001794027,0.000002700435,0.0004167692,0.005160338,0.0001648718,0.0001112578,0.0850112,0.9078053,0.00001102475],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01726155,0.03558239,0.01307187,0.04182413,0.002429649,0.00002413716,0.0002208084,0.0001943209,0.8893912],"genre_scores_gemma":[0.6829229,0.02571825,0.007916719,0.00434652,0.003954414,0.0001239776,0.0001557506,0.0004639417,0.2743975],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03750906,"threshold_uncertainty_score":0.07458144,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7034704187","doi":"","title":"A user's perspective on connection admission control, integrating traffic shaping, effective bandwidths and pricing","year":2000,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Connection (principal bundle); Key (lock); Bandwidth (computing); Scheme (mathematics)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.003928844143206667,"gpt":0.1558783113668173,"spread":0.1519494672236107,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002557745,0.0009188259,0.0005737008,0.003090182,0.007463356,0.01586295,0.002356804,0.008383529,0.01725765],"category_scores_gemma":[0.005182397,0.000686521,0.0003952077,0.006494869,0.01393892,0.0074326,0.001870239,0.005313375,0.001385659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02486311,"about_ca_system_score_gemma":0.01977883,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5555987,"about_ca_topic_score_gemma":0.6361759,"domain_scores_codex":[0.9971427,0.001108848,0.00008638129,0.0002033364,0.001016221,0.000442423],"domain_scores_gemma":[0.9958082,0.002093665,0.00007498624,0.0002140503,0.001455316,0.000353696],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0000130885,0.0000239144,0.000262908,0.00003688565,0.000002663668,0.0001650844,0.001968411,0.001222688,0.0001780413,0.9532239,0.02681425,0.01608812],"study_design_scores_gemma":[0.00001484274,0.00003690473,0.001946993,0.0004506631,0.00003142635,0.000436629,0.00714023,0.01069827,0.0006817473,0.4768474,0.5016407,0.00007426874],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"other","genre_gemma":"methods","genre_scores_codex":[0.007932051,0.01779074,0.04083933,0.0561938,0.0008707952,0.0000695272,0.0002884577,0.000185656,0.8758296],"genre_scores_gemma":[0.5076438,0.02940055,0.02566336,0.01581269,0.002168396,0.0002158548,0.0001436467,0.0004073288,0.4185445],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.5555987,"threshold_uncertainty_score":0.8940369,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2099458346","doi":"10.7202/802948ar","title":"La photographie fille de l’alchimie","year":2000,"lang":"fr","type":"article","venue":"Horizons philosophiques","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Jean Lauzon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03927697340744894,"gpt":0.2635737912813768,"spread":0.2242968178739278,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000359565,0.0006316861,0.0002908893,0.001353281,0.002298315,0.002320175,0.0004780653,0.001172718,0.05895876],"category_scores_gemma":[0.0008528108,0.0003645805,0.0004920672,0.001130719,0.001202097,0.001869523,0.001728689,0.002883704,0.01044095],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001599199,"about_ca_system_score_gemma":0.00161816,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02264439,"about_ca_topic_score_gemma":0.05194721,"domain_scores_codex":[0.999553,0.00004536008,0.000008504298,0.00008387007,0.0002247881,0.00008446139],"domain_scores_gemma":[0.9996945,0.00006757589,0.0000149815,0.00006646583,0.0001126197,0.00004387387],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0008339369,0.00007942973,0.002339929,0.001040031,0.00005947469,0.003258951,0.009328828,0.003194066,0.1573821,0.1337179,0.4079384,0.2808269],"study_design_scores_gemma":[0.0000131225,0.0000373066,0.003112508,0.000110054,0.000008014611,0.0008474349,0.0006414429,0.0004512779,0.007039655,0.001322632,0.9863809,0.00003570493],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04364491,0.005999289,0.02276944,0.005337545,0.003009771,0.0002308604,0.002090406,0.001743084,0.9151747],"genre_scores_gemma":[0.2096723,0.003589801,0.02537363,0.001755696,0.0007414746,0.0001531714,0.001461715,0.001165822,0.7560865],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05895876,"threshold_uncertainty_score":0.1972367,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4405056672","doi":"10.1080/26907240.2024.2408869","title":"Home Is Where the Art Is: The Transformative Roles of Place and Art Making in Personal Mythology (Chez soi là où l’art mène : les rôles transformateurs du lieu et de la création artistique dans la mythologie personnelle)","year":2024,"lang":"fr","type":"article","venue":"Canadian Journal of Art Therapy","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Northern British Columbia","funders":"","keywords":"Transformative learning; Mythology; Art; Aesthetics; Humanities; Visual arts; Sociology; Art history; Literature; Pedagogy","authors":[{"name":"Sherry L. Beaumont","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01440348043303686,"gpt":0.2474171536039509,"spread":0.2330136731709141,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004161477,0.0003052957,0.0002524391,0.00117301,0.009731788,0.009147122,0.0008268488,0.001428876,0.002606662],"category_scores_gemma":[0.003663876,0.0002113126,0.0002937034,0.0007284633,0.04757981,0.007210174,0.006613165,0.002818563,0.0002620074],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00385477,"about_ca_system_score_gemma":0.003061366,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005411543,"about_ca_topic_score_gemma":0.007684186,"domain_scores_codex":[0.9966977,0.002440659,0.00004499242,0.0001968118,0.0003044675,0.0003153639],"domain_scores_gemma":[0.9979685,0.00116097,0.0001825557,0.0002377837,0.0001245253,0.0003255509],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001064998,0.00001565789,0.0006962938,0.00003520882,0.000003083674,0.0002918584,0.8740185,0.00005669973,0.000241466,0.1157094,0.001107657,0.007813541],"study_design_scores_gemma":[0.000008561368,0.0000441179,0.002315059,0.000256002,0.000007460254,0.0006998002,0.8379888,0.0001772633,0.0006408189,0.02680503,0.1310321,0.00002506585],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6628355,0.007979074,0.01702288,0.01983048,0.0006908691,0.00009149195,0.000044478,0.00009533193,0.2914099],"genre_scores_gemma":[0.9918291,0.0006573964,0.0008291483,0.0003046782,0.00004069449,0.00002013513,0.000005658991,0.00002514384,0.006287999],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009731788,"threshold_uncertainty_score":0.02796841,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1679028075","doi":"10.3917/aco.041.70","title":"La Grande Peur dans la montagne de C. F. Ramuz ou la naissance d'une légende","year":2006,"lang":"fr","type":"article","venue":"A contrario","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Jérôme Berney","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01079448124013573,"gpt":0.2109261948616631,"spread":0.2001317136215274,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003640353,0.0004657346,0.0002066882,0.0003871389,0.003875317,0.001967552,0.0003311312,0.001024485,0.01140227],"category_scores_gemma":[0.0008214288,0.0001460858,0.0001892908,0.0003318929,0.003679082,0.001015818,0.0009083801,0.001973615,0.001584672],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003173485,"about_ca_system_score_gemma":0.001053716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02883585,"about_ca_topic_score_gemma":0.08001094,"domain_scores_codex":[0.9997676,0.00008483387,0.000003394193,0.00004778171,0.00005258109,0.00004394626],"domain_scores_gemma":[0.9998899,0.00003951924,0.00001404942,0.0000133936,0.00002666859,0.00001641949],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003025355,0.00001787747,0.001158702,0.0002537725,0.00001697754,0.001120817,0.05517668,0.0002490051,0.003104986,0.6370554,0.2224208,0.07912251],"study_design_scores_gemma":[0.000005806809,0.0000186461,0.001972866,0.0001204358,0.000003752094,0.0004133116,0.002994569,0.00006635839,0.0003695044,0.003315592,0.9907091,0.00001006116],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07075348,0.06545314,0.002518086,0.05042698,0.01167109,0.00002279217,0.0002246244,0.0002234126,0.7987064],"genre_scores_gemma":[0.5398069,0.008979269,0.001263887,0.003581514,0.001762306,0.00001792441,0.00008638601,0.0002866015,0.4442153],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02883585,"threshold_uncertainty_score":0.05733603,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1526155168","doi":"","title":"La mort comme espace d'écriture dans Œuvre de la première mort de J.R. Léveillé","year":2005,"lang":"fr","type":"article","venue":"Studies in Canadian Literature","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Lydia Lamontagne","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01824229490378703,"gpt":0.2988567490897124,"spread":0.2806144541859254,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001679544,0.0004194881,0.0003356708,0.001113335,0.01016901,0.004915291,0.0005745435,0.001922518,0.004502806],"category_scores_gemma":[0.003769219,0.00028128,0.0002617989,0.0008495608,0.01725279,0.002977764,0.001537896,0.003519846,0.0006487042],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01303149,"about_ca_system_score_gemma":0.009617401,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2329512,"about_ca_topic_score_gemma":0.4309399,"domain_scores_codex":[0.9987707,0.0003924223,0.00002825734,0.0001635061,0.0004147308,0.0002304669],"domain_scores_gemma":[0.9984333,0.0006687031,0.0001512971,0.00008872036,0.0004732084,0.0001847595],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006002532,0.00001135157,0.0004890768,0.00009832709,0.000006469956,0.0005844187,0.09293009,0.0001290712,0.0006332158,0.8191004,0.06697338,0.01898425],"study_design_scores_gemma":[0.00000535455,0.00001857223,0.001511422,0.0001976392,0.000007367732,0.0004879427,0.01368053,0.00007679345,0.0005356047,0.0214548,0.9619895,0.00003454845],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08773608,0.08967601,0.008936732,0.198674,0.008190841,0.00006160843,0.0002247122,0.0002400662,0.6062599],"genre_scores_gemma":[0.6966526,0.01493963,0.002086124,0.007130007,0.001510244,0.00002877081,0.0000427638,0.0001945039,0.2774153],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7670488,"threshold_uncertainty_score":0.4631905,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2097014395","doi":"10.3968/j.css.1923669720100606.012","title":"Delving into the Mysteries of Dickinson's \"'Nature' Is What We See\"/ETUDES APPROFONDIES SUR LES MYSTÈRES DE \"'NATURE' EST CE QUE NOUS VOYONS\" DE DICKINSON","year":2010,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetry; Humanities; Meaning (existential); Reading (process); Philosophy; Literature; Nous; Natural (archaeology); Art; Ethnology; History; Linguistics; Epistemology","authors":[{"name":"Ahmad M. Baker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01102396173150755,"gpt":0.2313308685459809,"spread":0.2203069068144733,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002337249,0.000317271,0.0002415619,0.0006152091,0.004085533,0.004747729,0.0006695977,0.001950375,0.003321876],"category_scores_gemma":[0.003950068,0.0001990225,0.000167766,0.0004716359,0.02256621,0.006847301,0.002781662,0.005225457,0.0006366795],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001893768,"about_ca_system_score_gemma":0.001290127,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001953044,"about_ca_topic_score_gemma":0.004856793,"domain_scores_codex":[0.9983424,0.0009677963,0.00003392796,0.0002111657,0.0003137077,0.0001309923],"domain_scores_gemma":[0.9981482,0.001165032,0.0001399873,0.0001183141,0.0002575447,0.0001710426],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003656078,0.00001201341,0.0009427008,0.00007242458,0.000005356886,0.0001509018,0.038353,0.00009032644,0.0005489116,0.9175572,0.02866025,0.01357028],"study_design_scores_gemma":[0.00001190976,0.00002864469,0.001329126,0.0002346282,0.000006600133,0.0004655587,0.02816344,0.0003674116,0.0008382646,0.2305923,0.7379315,0.00003065317],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1197746,0.02446074,0.03245607,0.2812304,0.004629122,0.0000554681,0.0001072996,0.0001967427,0.5370896],"genre_scores_gemma":[0.9046436,0.005556136,0.007176029,0.01955912,0.0007302954,0.00006763226,0.0000404922,0.0001094034,0.0621173],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004747729,"threshold_uncertainty_score":0.01374036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237823346","doi":"10.1503/cmaj.1041719","title":"Le conte de la grenouille ebouillantee","year":2004,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.006062169665271504,"gpt":0.1921706780943258,"spread":0.1861085084290543,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001250962,0.0006310729,0.0003493334,0.001203703,0.009068259,0.007199375,0.0005286794,0.00312052,0.01133157],"category_scores_gemma":[0.004280039,0.0002146453,0.0002888638,0.001258644,0.01188708,0.00209848,0.002279692,0.004435611,0.002549519],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007440249,"about_ca_system_score_gemma":0.005057214,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1174187,"about_ca_topic_score_gemma":0.2946023,"domain_scores_codex":[0.9986614,0.0005456888,0.00002365288,0.0001302609,0.0003552613,0.0002837348],"domain_scores_gemma":[0.9990672,0.0003936056,0.00009018075,0.00009510445,0.0002291966,0.0001247241],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001056291,0.00001109086,0.001075468,0.0001223567,0.00001278482,0.0007252692,0.07823996,0.0001255701,0.001444117,0.8174803,0.07299425,0.02766315],"study_design_scores_gemma":[0.000004745993,0.00000975337,0.001358738,0.000146275,0.000004684916,0.0003079398,0.009348822,0.00005310743,0.0004698872,0.007799003,0.9804838,0.00001305449],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.04948782,0.02704386,0.004106444,0.09444679,0.005336514,0.00003130265,0.000184541,0.0002011108,0.8191616],"genre_scores_gemma":[0.4978006,0.005684223,0.002126845,0.007103971,0.0007468863,0.00002342856,0.00006845724,0.000244192,0.4862015],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.1174187,"threshold_uncertainty_score":0.2334706,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2788102464","doi":"10.7202/1043147ar","title":"ÉCRIRE LA PAROLE","year":2017,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Art; Humanities; Psychology","authors":[{"name":"Laurance Ouellet Tremblay","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02660727953932944,"gpt":0.2801327953584087,"spread":0.2535255158190792,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00105968,0.0006217423,0.0003553715,0.0009305723,0.00471234,0.006786907,0.0007145171,0.002540568,0.1241427],"category_scores_gemma":[0.004067475,0.0003911205,0.0005285174,0.000582755,0.004122204,0.005929908,0.004013326,0.003996699,0.05148308],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002471546,"about_ca_system_score_gemma":0.002424295,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00856413,"about_ca_topic_score_gemma":0.01449166,"domain_scores_codex":[0.9983215,0.0005127357,0.00005363991,0.0002690054,0.0006339425,0.0002091632],"domain_scores_gemma":[0.998686,0.0003409312,0.00009418576,0.0002612218,0.0004166453,0.0002009635],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001174957,0.00004460543,0.001285831,0.000264949,0.00001430027,0.001425003,0.02500589,0.0001108367,0.00972914,0.5040979,0.3203132,0.1375909],"study_design_scores_gemma":[0.000003364677,0.00001848243,0.0006191374,0.0001023578,0.000003262255,0.0005619421,0.002888788,0.00007327928,0.0008629137,0.005715013,0.9891389,0.00001256741],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006760358,0.002915079,0.006421504,0.01341601,0.002301246,0.00006742587,0.0002690053,0.0007406755,0.9671086],"genre_scores_gemma":[0.09279802,0.002103483,0.0045704,0.004013522,0.001018268,0.00005761006,0.0002558906,0.0006981512,0.8944847],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1241427,"threshold_uncertainty_score":0.4152987,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2045823751","doi":"10.7202/045121ar","title":"Le pastiche à l’épreuve du manuscrit Paris, BnF fr. 146 : le dépit amoureux de Fauvel","year":2010,"lang":"fr","type":"article","venue":"Études françaises","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Armand Strubel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02359321301000087,"gpt":0.2192448073055499,"spread":0.195651594295549,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009742652,0.0007549116,0.0002943313,0.00111381,0.00789023,0.006503022,0.0006079279,0.002303358,0.01793876],"category_scores_gemma":[0.002165966,0.0003590743,0.0002592751,0.001215973,0.01021153,0.003514518,0.001568832,0.004204271,0.003208061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01355088,"about_ca_system_score_gemma":0.004403975,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09515078,"about_ca_topic_score_gemma":0.1533373,"domain_scores_codex":[0.998709,0.0005718311,0.00002135095,0.000184804,0.0003343328,0.0001787436],"domain_scores_gemma":[0.9995214,0.0001884454,0.00006280869,0.00005416953,0.000101226,0.00007192726],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001067382,0.00001255848,0.000794895,0.0001154592,0.000008086403,0.0005522447,0.0602248,0.0001964252,0.0004649267,0.7878774,0.1192876,0.03035879],"study_design_scores_gemma":[0.000007829827,0.0000199594,0.004041365,0.0001637711,0.000003476215,0.0003065108,0.009462521,0.00007679684,0.0002800723,0.01195618,0.9736637,0.00001792183],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04687027,0.03895445,0.003763964,0.04971698,0.003175794,0.00003548842,0.0005959218,0.0001951849,0.856692],"genre_scores_gemma":[0.5191176,0.006634816,0.00156992,0.00390873,0.001045119,0.00005134215,0.0002057943,0.0002956035,0.4671711],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09515078,"threshold_uncertainty_score":0.1891938,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1518613782","doi":"","title":"The Problem of Eros in Tahar Ben Jelloun's The Sand Child","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Impossibility; Freudian slip; Narrative; Subjectivity; Surprise; Order (exchange); Psychoanalysis; Plural; Literature; Pseudonym; Philosophy; Sociology; Aesthetics; Psychology; Art; Epistemology; Linguistics; Law; Theology; Social psychology","authors":[{"name":"Aparna Halpé","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03677905586603757,"gpt":0.2322299818455423,"spread":0.1954509259795048,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001265932,0.0003624547,0.0004434802,0.0008037129,0.01139522,0.004773587,0.0007819791,0.001808419,0.003310992],"category_scores_gemma":[0.001801807,0.0002977563,0.0001307693,0.001086723,0.01680496,0.002511356,0.003845548,0.003184835,0.0004275984],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006393638,"about_ca_system_score_gemma":0.003073071,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01808893,"about_ca_topic_score_gemma":0.05832846,"domain_scores_codex":[0.9989987,0.0006061061,0.0000253183,0.00007374777,0.0001401952,0.0001559166],"domain_scores_gemma":[0.9994677,0.0003033768,0.00009167746,0.0000286004,0.00005054207,0.00005821636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005376111,0.00002340472,0.001274627,0.0002169968,0.000006206581,0.004192388,0.7232874,0.00004687285,0.0005619427,0.2497273,0.00717701,0.01343201],"study_design_scores_gemma":[0.000008376921,0.00002038451,0.001906754,0.0003789002,0.000009932947,0.003289675,0.722429,0.00004217875,0.000481015,0.007911115,0.2635062,0.00001642856],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6163101,0.02592571,0.001160344,0.02583826,0.0007694253,0.00004289566,0.00007517602,0.00004474763,0.3298334],"genre_scores_gemma":[0.9835752,0.003012324,0.0003197798,0.001026211,0.00005509363,0.00001629606,0.00001264827,0.00002624357,0.01195621],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01808893,"threshold_uncertainty_score":0.04638934,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2395454664","doi":"","title":"La haine à plusieurs visages dans les „Chroniques du Plateau Mont Royal” de Michel Tremblay","year":2006,"lang":"fr","type":"article","venue":"Romanica Silesiana (University of Silesia Press)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Karolina Kapołka","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01007908176243872,"gpt":0.178358201706806,"spread":0.1682791199443673,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006928139,0.0004575619,0.0002889175,0.0005126052,0.008517543,0.002380277,0.0004537502,0.001165798,0.005659326],"category_scores_gemma":[0.001015733,0.0002686972,0.0001710837,0.0006031684,0.005129719,0.001124163,0.0009814898,0.00219564,0.0003544017],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009926263,"about_ca_system_score_gemma":0.003454523,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4510568,"about_ca_topic_score_gemma":0.689047,"domain_scores_codex":[0.9995173,0.0002509981,0.000006756718,0.00004931415,0.00006797348,0.0001076066],"domain_scores_gemma":[0.9995257,0.0002094357,0.00006977546,0.00002142555,0.00007338128,0.0001002511],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000393826,0.00005464038,0.007886234,0.0001566619,0.0000293706,0.00787007,0.7305378,0.0005594396,0.004868809,0.1988915,0.01191179,0.03683983],"study_design_scores_gemma":[0.00002772969,0.0001458471,0.03972898,0.0001962389,0.00001781279,0.004255336,0.1978379,0.0005893045,0.001798549,0.00232819,0.7530068,0.00006728667],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8275957,0.008447748,0.002250769,0.007838092,0.0003064204,0.0000353107,0.0001021997,0.00006258115,0.1533612],"genre_scores_gemma":[0.9303814,0.001511101,0.0004794895,0.0002849058,0.00008408397,0.00001337547,0.00001905663,0.00004099829,0.06718558],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4510568,"threshold_uncertainty_score":0.8968627,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3131332888","doi":"","title":"arbre de Maxine, L’","year":2004,"lang":"fr","type":"book","venue":"Editions des Plaines eBooks","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Ethnology; Geography; History","authors":[{"name":"Diane Carmel Léger","is_ca":false},{"name":"Dar Churcher","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02765059162565712,"gpt":0.2198497889727384,"spread":0.1921991973470813,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00142305,0.0008580838,0.0004087733,0.0009213792,0.007229673,0.007653392,0.0009921654,0.002873938,0.03164257],"category_scores_gemma":[0.003180719,0.0005227572,0.0003902235,0.0005799112,0.01059477,0.008737918,0.003316727,0.005066011,0.008768016],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005586396,"about_ca_system_score_gemma":0.003879113,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01695082,"about_ca_topic_score_gemma":0.04167742,"domain_scores_codex":[0.9985001,0.0004708843,0.00004229681,0.0003487494,0.0004030818,0.0002349723],"domain_scores_gemma":[0.9991559,0.0003316209,0.00006933673,0.0001070954,0.000195719,0.0001404447],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005619546,0.0000167851,0.0002887627,0.0001694716,0.000006453981,0.000168499,0.02694278,0.00005957205,0.0005852737,0.7097008,0.233798,0.02820734],"study_design_scores_gemma":[0.000002055601,0.000007366446,0.0001641272,0.00006991143,0.000001560639,0.00009239889,0.001744374,0.00002973657,0.0002333608,0.008000394,0.9896473,0.000007411573],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003828985,0.007991089,0.003883551,0.02892113,0.00296105,0.00004366769,0.0001373121,0.0002070312,0.9520262],"genre_scores_gemma":[0.07485352,0.002582209,0.001987762,0.007163983,0.0009586135,0.0000810415,0.00005789764,0.0003356592,0.9119793],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03164257,"threshold_uncertainty_score":0.105855,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W81891900","doi":"","title":"Comment Anne Robillard a écrit Les Chevaliers d’Émeraude","year":2009,"lang":"fr","type":"article","venue":"Québec français/Québec-français","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Philosophy","authors":[{"name":"Monique Noël-Gaudreault","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01583380566309411,"gpt":0.2167573838659122,"spread":0.2009235782028181,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005473154,0.001646731,0.001734633,0.001473963,0.0239179,0.007151617,0.003566913,0.04096346,0.02266109],"category_scores_gemma":[0.02610867,0.001187784,0.001665598,0.002121523,0.006170617,0.005334156,0.003986558,0.03712292,0.006976988],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01966483,"about_ca_system_score_gemma":0.0259177,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.7990601,"about_ca_topic_score_gemma":0.8425238,"domain_scores_codex":[0.9932116,0.001285401,0.0004047415,0.0009902298,0.002491606,0.001616366],"domain_scores_gemma":[0.9847051,0.006654297,0.0009162699,0.0004339601,0.004963688,0.002326708],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000324679,0.00001011501,0.0005565388,0.0000722207,0.00001705414,0.0004990102,0.00361682,0.00005390819,0.0001889118,0.003641487,0.9893737,0.001937647],"study_design_scores_gemma":[0.00001602143,0.000009141767,0.003752442,0.0002053543,0.00001626082,0.0002431915,0.007949346,0.00005433751,0.0001888554,0.0006623488,0.9868339,0.00006877656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.003497394,0.008499136,0.0001772845,0.9389811,0.03526014,0.00003426331,0.0002268022,0.00008414354,0.01323971],"genre_scores_gemma":[0.01788268,0.002634711,0.0001915414,0.8065094,0.0093894,0.0001111306,0.00009649025,0.0001897312,0.162995],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7990601,"threshold_uncertainty_score":0.4042465,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3168597114","doi":"","title":"L’écrivain, maître du temps / André Carpentier, Le cri du poisson et autres esquisses, Montréal, Leméac, 2020, 137 p.","year":2021,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"David Dorais","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005516915877717841,"gpt":0.156601524425344,"spread":0.1510846085476261,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001377648,0.001760099,0.0007907773,0.003082172,0.004712005,0.004521254,0.001925741,0.003217983,0.0294269],"category_scores_gemma":[0.003387297,0.0008574688,0.0005022948,0.004984135,0.004081978,0.005410104,0.001780389,0.003637754,0.01113882],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01604744,"about_ca_system_score_gemma":0.01168935,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5288708,"about_ca_topic_score_gemma":0.6777955,"domain_scores_codex":[0.9986238,0.0003927791,0.00005676934,0.0001899401,0.000570192,0.00016645],"domain_scores_gemma":[0.9981742,0.0005694428,0.0001486004,0.00005743807,0.0008177953,0.0002325042],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003378892,0.000009403036,0.000267507,0.0005614681,0.000009303223,0.0001317168,0.004159649,0.00006614313,0.0001648452,0.02162248,0.9285254,0.04444818],"study_design_scores_gemma":[0.000005821039,0.000004201403,0.001963625,0.0006431568,0.000007054233,0.0001383672,0.001916319,0.00002734522,0.0001256191,0.001845316,0.9933073,0.00001578345],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.000519742,0.9070822,0.000523311,0.04578054,0.004507002,0.00001627127,0.0003999406,0.00007133361,0.0410997],"genre_scores_gemma":[0.03404846,0.655031,0.001697161,0.01096812,0.007097611,0.0001168657,0.0005477115,0.0004930022,0.29],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5288708,"threshold_uncertainty_score":0.9478075,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3175975332","doi":"","title":"Sur la terre comme au ciel","year":2020,"lang":"fr","type":"article","venue":"","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Christian Signol","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07990557314363349,"gpt":0.2366113739396437,"spread":0.1567058007960102,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009799551,0.0007484754,0.0004069562,0.00127015,0.01861088,0.009711168,0.0009348886,0.002452741,0.03707743],"category_scores_gemma":[0.002352671,0.0002840339,0.0003480341,0.001218855,0.01366119,0.003658616,0.005506518,0.0066275,0.006372924],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01163508,"about_ca_system_score_gemma":0.01726447,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3031109,"about_ca_topic_score_gemma":0.5547793,"domain_scores_codex":[0.9981574,0.0003975363,0.00002884931,0.0002547246,0.0006374954,0.0005239005],"domain_scores_gemma":[0.9989059,0.0001205076,0.00005629255,0.00009400654,0.0004906172,0.0003326429],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006882992,0.00002414462,0.00141739,0.0001667942,0.00001178042,0.0009334031,0.06048681,0.0001306646,0.0007715488,0.6522868,0.2439249,0.039777],"study_design_scores_gemma":[0.000003542521,0.00001196051,0.0008053472,0.000148009,0.000002926754,0.0001328183,0.01280601,0.00002294609,0.0001654954,0.003900787,0.9819859,0.00001418443],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01356977,0.0089098,0.0009790728,0.02644446,0.00301582,0.00002938486,0.0001758808,0.0001237544,0.9467521],"genre_scores_gemma":[0.1383429,0.003739627,0.000536744,0.005705511,0.0004504791,0.00002510437,0.000129336,0.0001562788,0.8509141],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3031109,"threshold_uncertainty_score":0.6026933,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2208391886","doi":"10.25071/0843-4182.29286","title":"Jean-Michel Maulpoix: Ranimer la lumière, Raminer le paysage","year":2008,"lang":"fr","type":"article","venue":"LittéRéalité","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Monique W. Labidoire","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02042171518404625,"gpt":0.2087031006106406,"spread":0.1882813854265944,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00221635,0.0016462,0.0008721137,0.00286222,0.005074873,0.008120906,0.001000293,0.003624669,0.09216928],"category_scores_gemma":[0.006872905,0.0005101527,0.0002954823,0.002133334,0.001832217,0.004966501,0.002509015,0.003361208,0.03948751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002096887,"about_ca_system_score_gemma":0.002190732,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01427888,"about_ca_topic_score_gemma":0.01423079,"domain_scores_codex":[0.9985005,0.0005702132,0.00006616397,0.0002463098,0.0004956463,0.0001212517],"domain_scores_gemma":[0.997655,0.0008524678,0.0002049653,0.0001263747,0.000841486,0.0003197514],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004806441,0.000032036,0.0004173502,0.0002986763,0.00001047875,0.0002056562,0.002399138,0.00008587509,0.0004118496,0.04498424,0.8644742,0.08663228],"study_design_scores_gemma":[0.000003484895,0.000004540399,0.0006139022,0.0001501529,0.00000280807,0.0001924669,0.0007799199,0.00004688458,0.0001413149,0.001369925,0.9966881,0.000006617522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.005687397,0.3770144,0.005522164,0.2736307,0.07100798,0.00008742361,0.0006905885,0.001221573,0.2651378],"genre_scores_gemma":[0.04199517,0.07088184,0.001909724,0.008455486,0.02769199,0.00009481415,0.0002904001,0.0008951472,0.8477854],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09216928,"threshold_uncertainty_score":0.308337,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W600752528","doi":"","title":"Entre deux eaux. Carcasses de Denis Côté Carcasses de Denis Côté","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Zoé Protat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01682880162187641,"gpt":0.2383579445633565,"spread":0.22152914294148,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005333213,0.0009563427,0.0004137146,0.001299978,0.006691101,0.002232725,0.000523736,0.001343574,0.01792517],"category_scores_gemma":[0.001892321,0.0005613115,0.0002852173,0.001346253,0.002369336,0.0007749271,0.001304315,0.001755621,0.001229751],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004207969,"about_ca_system_score_gemma":0.001636343,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3205694,"about_ca_topic_score_gemma":0.6442578,"domain_scores_codex":[0.9994487,0.000121749,0.00002449899,0.0001434541,0.00012395,0.0001375881],"domain_scores_gemma":[0.999256,0.0002874205,0.00009192547,0.00002792284,0.0001990007,0.0001377024],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001634805,0.0003821318,0.09583815,0.00146508,0.0001558043,0.03484045,0.6601511,0.0003458598,0.0686503,0.0183965,0.01209452,0.1060453],"study_design_scores_gemma":[0.00002123332,0.0001947805,0.3982171,0.0004538459,0.0000563474,0.003862014,0.3765955,0.00009165733,0.003771143,0.0003436584,0.216351,0.00004175102],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9512573,0.004849824,0.0005817029,0.001613086,0.0006057966,0.00005380721,0.0007300378,0.00001620676,0.04029223],"genre_scores_gemma":[0.8767242,0.00184039,0.0008495954,0.0004017677,0.0001153703,0.00003885845,0.0004297538,0.00005581818,0.1195442],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3205694,"threshold_uncertainty_score":0.637407,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2756548327","doi":"","title":"Entre deux eaux / Carcasses de Denis Côté","year":2009,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Geography; Environmental science","authors":[{"name":"Zoé Protat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01652936552995603,"gpt":0.2288556025833231,"spread":0.2123262370533671,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006290748,0.001117384,0.0005219521,0.001144937,0.009585085,0.003450943,0.0007348669,0.003002768,0.02786485],"category_scores_gemma":[0.002911663,0.0005348639,0.0005319527,0.0008989007,0.003522302,0.001407175,0.002197006,0.00376317,0.001597986],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004846145,"about_ca_system_score_gemma":0.001911692,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1899856,"about_ca_topic_score_gemma":0.3476411,"domain_scores_codex":[0.9991447,0.0002391503,0.00002689453,0.0002217889,0.0001972554,0.0001702436],"domain_scores_gemma":[0.9990873,0.0004273352,0.00006742481,0.00004277823,0.0001523038,0.0002228515],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002361082,0.0007842449,0.03332602,0.001152897,0.000261815,0.1112537,0.6077907,0.0009387534,0.05022769,0.06818707,0.0158393,0.1078768],"study_design_scores_gemma":[0.00008259751,0.0003688931,0.1226899,0.0006594534,0.00008359172,0.0109528,0.4165737,0.0003825377,0.006028507,0.001316672,0.4407736,0.00008778929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9118093,0.00316729,0.001997247,0.003019843,0.001178456,0.0001131451,0.0004191119,0.00005679722,0.07823887],"genre_scores_gemma":[0.8226541,0.001031447,0.001677983,0.0005540006,0.0002154884,0.00004876556,0.000192916,0.0001071861,0.1735181],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1899856,"threshold_uncertainty_score":0.3777596,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6917922722","doi":"10.58079/11nx2","title":"A l'eau [Heejin Park]","year":2024,"lang":"it","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Power (physics); Adaptation (eye); Quarter (Canadian coin)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03865466971233897,"gpt":0.2400362071094226,"spread":0.2013815373970836,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003282912,0.0006725069,0.0003563894,0.0005032533,0.002465619,0.004629151,0.0006193733,0.00202853,0.4338383],"category_scores_gemma":[0.001455811,0.0003440554,0.0002167411,0.0009821324,0.0008422991,0.003618875,0.002193063,0.002422521,0.1629411],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001252541,"about_ca_system_score_gemma":0.001388885,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009913282,"about_ca_topic_score_gemma":0.02535104,"domain_scores_codex":[0.9996651,0.00005140262,0.00001795611,0.00009641209,0.0001245175,0.00004450478],"domain_scores_gemma":[0.9996513,0.00006220497,0.00002940982,0.00003731439,0.0001263008,0.00009336488],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001900577,0.00001071076,0.00009931834,0.0001238745,0.000002014217,0.00007110944,0.0003304209,0.00001971638,0.000280751,0.00590915,0.9558005,0.03733331],"study_design_scores_gemma":[8.875012e-7,0.000002571835,0.0002113221,0.00005018659,3.759716e-7,0.00002433456,0.000112725,0.000003678506,0.00002727632,0.0001043863,0.9994609,0.000001281936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.001830799,0.03349558,0.0005556073,0.01709494,0.02335963,0.0001309376,0.0008275655,0.0003058905,0.922399],"genre_scores_gemma":[0.003842272,0.004205501,0.0001982598,0.001194949,0.000820322,0.00004180786,0.0001154251,0.0001642901,0.9894171],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4338383,"threshold_uncertainty_score":0.8075609,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2464634162","doi":"","title":"Cathédrale Saint-Germain de Rimouski : un avenir en perspective","year":2016,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Nicolas Beaudry","is_ca":false},{"name":"Jean-René Thuot","is_ca":false},{"name":"Kurt Vignola","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004738366291786718,"gpt":0.1542442112370336,"spread":0.1495058449452469,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003557086,0.001063175,0.0006892591,0.001285306,0.01162393,0.008727355,0.001848258,0.004744601,0.01241122],"category_scores_gemma":[0.004813216,0.0003549063,0.0003250479,0.001283635,0.009403715,0.005074682,0.003545021,0.007319573,0.002173451],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0120765,"about_ca_system_score_gemma":0.0104662,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2242805,"about_ca_topic_score_gemma":0.2742628,"domain_scores_codex":[0.9969573,0.001708674,0.00005151362,0.0003351464,0.0005504048,0.0003970407],"domain_scores_gemma":[0.9978337,0.0007327351,0.0001336462,0.0001107951,0.0006670789,0.0005220237],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00008444933,0.00002862137,0.0003447927,0.0001939161,0.0000151575,0.0006914619,0.02508979,0.0001378591,0.0003982545,0.3677649,0.5763555,0.02889545],"study_design_scores_gemma":[0.000003819615,0.000003943694,0.0003493069,0.0001096115,0.000002259004,0.0001302287,0.004201092,0.00003308744,0.0001375367,0.002488674,0.9925293,0.00001099954],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.01012406,0.2496226,0.002746719,0.4969034,0.03094426,0.00003345954,0.0002047599,0.0002195323,0.2092013],"genre_scores_gemma":[0.2781838,0.0869078,0.002409243,0.05338885,0.02005705,0.00009437164,0.0001577357,0.0008255672,0.5579756],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7757195,"threshold_uncertainty_score":0.44595,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3161664895","doi":"","title":"David K. Ross, Children of Kaos — Sometimes a Name Is Just a Name / David K. Ross, Children of Kaos — Parfois, un nom n’est qu’un nom","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Psychology; Philosophy","authors":[{"name":"Jeanne Randolph","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01578646300401295,"gpt":0.224766293107166,"spread":0.2089798301031531,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001348556,0.0004762872,0.0003514575,0.001334577,0.00647973,0.003376094,0.0008648175,0.003085528,0.02042835],"category_scores_gemma":[0.002790648,0.000328361,0.0002166238,0.001137989,0.003240673,0.007139327,0.00157211,0.004296229,0.005712222],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003184631,"about_ca_system_score_gemma":0.003023475,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09627303,"about_ca_topic_score_gemma":0.2420118,"domain_scores_codex":[0.999185,0.0003530189,0.00003885073,0.00009124599,0.0002325111,0.00009939302],"domain_scores_gemma":[0.9986145,0.0005143734,0.0001334704,0.00003608294,0.0004339422,0.0002676175],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001581005,0.000008271562,0.0002997376,0.000112885,0.000003618106,0.00008290252,0.004973817,0.00001052808,0.00006958578,0.01742259,0.9633495,0.01365071],"study_design_scores_gemma":[0.000005275625,0.000004592152,0.001645755,0.0002187921,0.000004334969,0.0001873423,0.01293974,0.000008363725,0.00009253999,0.002741532,0.9821398,0.00001202594],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.004501662,0.2481914,0.0004132464,0.6123852,0.01656963,0.0000247527,0.0003735212,0.00007241628,0.1174681],"genre_scores_gemma":[0.1401024,0.2655284,0.001421991,0.143942,0.01085787,0.0001412393,0.0003734715,0.0003721501,0.4372605],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.09627303,"threshold_uncertainty_score":0.1914253,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6891403618","doi":"10.4224/23001385","title":"Comprendre la chimie de l'espace","year":2017,"lang":"ca","type":"article","venue":"NPARC","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Herzberg Institute of Astrophysics","funders":"","keywords":"","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02757581268495215,"gpt":0.257272466340528,"spread":0.2296966536555759,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0261162,0.0007281704,0.001420589,0.00358977,0.008844575,0.01674029,0.003120446,0.008357648,0.09993371],"category_scores_gemma":[0.1727126,0.000673305,0.0006866562,0.001682898,0.007784115,0.008245459,0.006477493,0.008816954,0.06965061],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005573404,"about_ca_system_score_gemma":0.02225351,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005794725,"about_ca_topic_score_gemma":0.009666436,"domain_scores_codex":[0.9569909,0.01251405,0.002462956,0.003231392,0.02224373,0.002557022],"domain_scores_gemma":[0.7496386,0.03491755,0.005371499,0.02351445,0.1707086,0.01584929],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001139373,0.00006373277,0.0009169558,0.0004841702,0.00003097184,0.0006329777,0.002247958,0.0001063097,0.002492402,0.05164352,0.8746935,0.06657351],"study_design_scores_gemma":[0.00001868405,0.00002041777,0.00111819,0.0003258387,0.00001154881,0.0003508196,0.0009018144,0.0002432983,0.0008094265,0.00514339,0.9910282,0.00002839348],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009445255,0.005417946,0.009091849,0.3334382,0.2467887,0.0007643659,0.000988988,0.001263267,0.3928015],"genre_scores_gemma":[0.07412473,0.003006313,0.005457124,0.02592887,0.04309482,0.0005281232,0.0005746237,0.001143557,0.8461419],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.09993371,"threshold_uncertainty_score":0.3343116,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4283157138","doi":"10.3138/ecf.34.4.514","title":"<i>Trois récits utopiques classiques: Gabriel de Foigny, La Terre Australe connue, Denis Veiras, Histoire des Sévarambes, Bernard de Fontenelle, Histoire des Ajaoïens</i>, éd. Jean-Michel Racault","year":2022,"lang":"fr","type":"article","venue":"Eighteenth-Century Fiction","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"The Renaissance; Humanities; Publishing; Art; Art history; Sociology","authors":[{"name":"Grégoire Holtz","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01887263689630115,"gpt":0.2260908718018012,"spread":0.2072182349055,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001042002,0.001537306,0.0007522259,0.005251565,0.006635573,0.008524153,0.002246092,0.003668317,0.05111379],"category_scores_gemma":[0.003439501,0.000577229,0.0004491831,0.009430884,0.004735551,0.007453111,0.002546944,0.00416274,0.01548895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009717071,"about_ca_system_score_gemma":0.008080434,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3111137,"about_ca_topic_score_gemma":0.5511406,"domain_scores_codex":[0.9990995,0.0002169859,0.00005049614,0.0001094272,0.0003932345,0.000130388],"domain_scores_gemma":[0.9983183,0.0006193507,0.0001462395,0.00007679069,0.000673118,0.0001662105],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009301184,0.000007211552,0.0002996676,0.0002429348,0.000004322685,0.00006498827,0.002327282,0.00001495968,0.00005646919,0.01075866,0.9674281,0.01878608],"study_design_scores_gemma":[0.000002015609,0.000001767682,0.001304806,0.0004441985,0.000002284883,0.00008300644,0.002116423,0.00001195463,0.00005865272,0.001341792,0.9946271,0.000005920636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001797243,0.6488355,0.0007767057,0.1617054,0.02253177,0.00005136589,0.00128876,0.0001856486,0.1628276],"genre_scores_gemma":[0.03257433,0.4143074,0.002292798,0.04450265,0.01704,0.0001530464,0.001607349,0.0006901369,0.4868324],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3111137,"threshold_uncertainty_score":0.6186057,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1831361115","doi":"","title":"Le Lien cosmique. Canada [Québec], 2000, 52 minutesCanada [Québec], 2000, 52 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Lien; Computer science; Computer network; Political science","authors":[{"name":"Carlo Mandolini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01269175406420939,"gpt":0.1952949748892101,"spread":0.1826032208250007,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005121127,0.001468365,0.0005433635,0.001675334,0.00608232,0.00464113,0.0009598557,0.001933892,0.4125281],"category_scores_gemma":[0.001482695,0.0006919041,0.000347122,0.004084592,0.0007192122,0.00129222,0.0009635464,0.001764288,0.07978859],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02818013,"about_ca_system_score_gemma":0.0227899,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9680194,"about_ca_topic_score_gemma":0.9922298,"domain_scores_codex":[0.9996468,0.00002582456,0.00001193795,0.00006779983,0.0001533419,0.00009429111],"domain_scores_gemma":[0.9990546,0.00005188248,0.00003347473,0.00002712619,0.0005971708,0.0002358072],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003833258,0.000008987391,0.0003283148,0.00007051544,0.000002569009,0.00004060239,0.0001583215,0.0001104272,0.0001302143,0.000546265,0.9861825,0.01238281],"study_design_scores_gemma":[0.00001143328,0.000005312022,0.007079171,0.0001129871,0.000003348142,0.00001727124,0.0004098339,0.00007765692,0.00008535999,0.0001015322,0.9920877,0.000008458654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007585505,0.04514905,0.0008810941,0.01825807,0.01373472,0.0003525771,0.09107929,0.001455353,0.8215043],"genre_scores_gemma":[0.008922513,0.004221048,0.0002754956,0.0004910556,0.0002204038,0.0000614794,0.005645728,0.0002605511,0.9799016],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4125281,"threshold_uncertainty_score":0.8379574,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6893298381","doi":"10.5281/zenodo.16095421","title":"Tinnyea undetermined","year":2025,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Royal Tyrrell Museum","funders":"","keywords":"Event (particle physics); Context (archaeology); Terminal (telecommunication); Term (time)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03697704101656867,"gpt":0.2418547306678151,"spread":0.2048776896512464,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004892801,0.001090271,0.001083447,0.00220478,0.005567073,0.002515553,0.001083698,0.002400863,0.09103452],"category_scores_gemma":[0.001461231,0.0005267034,0.0005431322,0.001854243,0.003129494,0.002647203,0.002833994,0.002565244,0.04214408],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001349163,"about_ca_system_score_gemma":0.001247732,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01330477,"about_ca_topic_score_gemma":0.02166226,"domain_scores_codex":[0.9988654,0.0001321347,0.00007874584,0.0005245232,0.0002286521,0.0001707105],"domain_scores_gemma":[0.9992228,0.0001738693,0.0001428277,0.0001885984,0.0001901216,0.00008182925],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001806002,0.000227613,0.01637185,0.002756392,0.0001596846,0.01994599,0.01105446,0.0006812304,0.0235028,0.07162704,0.1351466,0.7167205],"study_design_scores_gemma":[0.00002256242,0.00007052617,0.01486137,0.0003035314,0.00005170795,0.005484348,0.001659618,0.00011158,0.001763446,0.001855556,0.9737859,0.00002975126],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08124391,0.01650966,0.008156507,0.004656146,0.005339148,0.0004064683,0.00771455,0.001385233,0.8745884],"genre_scores_gemma":[0.4876326,0.005209775,0.008012933,0.00200659,0.0009784729,0.0002122388,0.006260005,0.0007218447,0.4889655],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09103452,"threshold_uncertainty_score":0.3045408,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1759047442","doi":"","title":"Une jeune fille à la fenêtre : Le souffle au coeur Une jeune fille à la fenêtre, Canada [Québec] 2001, 90 minutes Une jeune fille à la fenêtre, Canada [Québec] 2001, 90 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Élie Castiel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01445474017711893,"gpt":0.2077031968237883,"spread":0.1932484566466694,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004473125,0.0006176917,0.0002419988,0.0008671287,0.01410542,0.003406865,0.0006689035,0.00227151,0.0306356],"category_scores_gemma":[0.002692978,0.0003360845,0.0002718818,0.001112379,0.001742936,0.001029501,0.001041573,0.002523934,0.002629293],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02152704,"about_ca_system_score_gemma":0.01708498,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9477893,"about_ca_topic_score_gemma":0.9891436,"domain_scores_codex":[0.9995968,0.00005162174,0.000009224866,0.00005055844,0.000154101,0.000137767],"domain_scores_gemma":[0.9988534,0.0001192487,0.00003978275,0.00002336126,0.0004518282,0.0005122893],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003384818,0.00007420836,0.007238966,0.0002995296,0.00002319231,0.00236102,0.0750521,0.0004939955,0.003010705,0.006941451,0.8457465,0.05841995],"study_design_scores_gemma":[0.00001284291,0.00002938578,0.03949956,0.0003716707,0.00001002774,0.000466248,0.05332337,0.0001204941,0.0005545112,0.0003332884,0.9052434,0.00003532618],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.3385052,0.03118932,0.00258485,0.07540488,0.01144707,0.0003666669,0.008148821,0.0007164571,0.5316368],"genre_scores_gemma":[0.4616591,0.007223566,0.002423928,0.002813535,0.0006061703,0.00008641721,0.00162571,0.0003829187,0.5231786],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05221075,"threshold_uncertainty_score":0.1561903,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2757337314","doi":"","title":"Les mots peuvent-ils empêcher la dérive? / Patrick Brisebois, Chant pour enfants morts, Montréal, l’Effet pourpre, 2003, 132 p. / Pan Bouyoucas, Anna pourquoi, Montréal, Les Allusifs, 2003, 112 p. / Joël Pourbaix, Labyrinthe 5, Montréal, le Noroît, 2003, 152 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Philosophy","authors":[{"name":"Yvon Paré","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01147747397452416,"gpt":0.1867987742947954,"spread":0.1753213003202712,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009866721,0.001474258,0.0004634641,0.001762127,0.00712644,0.005680995,0.001218351,0.002317997,0.04013994],"category_scores_gemma":[0.00271989,0.0007286574,0.0004419349,0.002610181,0.00563418,0.005533409,0.001751843,0.003278895,0.01103723],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0138897,"about_ca_system_score_gemma":0.009086506,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.702868,"about_ca_topic_score_gemma":0.8940695,"domain_scores_codex":[0.9994185,0.0001957669,0.00002159173,0.00005347868,0.0002292225,0.00008143816],"domain_scores_gemma":[0.9991104,0.00024907,0.00005446623,0.00003960467,0.0004351466,0.0001113001],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003927789,0.000009329779,0.0007105917,0.0003657928,0.00001291567,0.0001972584,0.01666591,0.00005655639,0.0002963272,0.04289665,0.8913248,0.0474246],"study_design_scores_gemma":[0.000005990976,0.000003776213,0.002489775,0.0003860851,0.000005610055,0.0001451384,0.008682373,0.0000286657,0.0001970677,0.002530728,0.9855138,0.00001086111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.00352877,0.5746889,0.002020343,0.1736814,0.006716775,0.00003798946,0.001512381,0.0002270395,0.2375865],"genre_scores_gemma":[0.1060356,0.282997,0.00399402,0.01898714,0.003860769,0.0001080433,0.001027696,0.001082302,0.5819074],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.702868,"threshold_uncertainty_score":0.5977638,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4289738032","doi":"10.26171/tropics_0903","title":"Entre conservation et mise à mort : le sort de la senefiance dans Claris et Laris","year":2020,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Camilia Gélinas","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02114339762408002,"gpt":0.2415743839405493,"spread":0.2204309863164693,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005358862,0.0006388072,0.0007197881,0.002054983,0.01589829,0.01216222,0.001346476,0.003687853,0.014574],"category_scores_gemma":[0.008138466,0.0004565814,0.00021981,0.001912564,0.0250886,0.005023931,0.006332434,0.008132305,0.0008729513],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01701901,"about_ca_system_score_gemma":0.008627363,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07111666,"about_ca_topic_score_gemma":0.126183,"domain_scores_codex":[0.9959846,0.001873129,0.000135179,0.0005614235,0.0006616889,0.0007839958],"domain_scores_gemma":[0.9963332,0.002140067,0.0003881074,0.0002548252,0.0005300919,0.0003536059],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001099214,0.00002575164,0.002102083,0.0002626177,0.00001788588,0.0007675182,0.3864039,0.000115298,0.001137548,0.5447757,0.01463924,0.04964261],"study_design_scores_gemma":[0.00001079952,0.00005850663,0.006917174,0.0007803422,0.00002030449,0.0005560858,0.1601229,0.0001110307,0.001150221,0.01549643,0.8147344,0.0000418038],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.212951,0.03759696,0.004700203,0.1229614,0.002155822,0.00006600152,0.0001409384,0.000112712,0.619315],"genre_scores_gemma":[0.8991866,0.002599272,0.0008027916,0.002219034,0.0003540179,0.00003706817,0.00002557174,0.0001207551,0.09465485],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07111666,"threshold_uncertainty_score":0.1414054,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7011102088","doi":"","title":"Le perroquet aveugle","year":2019,"lang":"fr","type":"book-chapter","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Pretext; Identification (biology); Metis","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04069452544427099,"gpt":0.2182145621544625,"spread":0.1775200367101915,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009575078,0.0009699464,0.0005055376,0.0009954529,0.00704877,0.004052322,0.0006501212,0.001773671,0.142213],"category_scores_gemma":[0.001937847,0.0005218635,0.0003579976,0.0006291404,0.001619216,0.00219701,0.003003225,0.002995881,0.05305133],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004395292,"about_ca_system_score_gemma":0.003496999,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02215783,"about_ca_topic_score_gemma":0.06232896,"domain_scores_codex":[0.9988807,0.0002535862,0.00002132222,0.000204591,0.000424443,0.0002154411],"domain_scores_gemma":[0.9990653,0.0001352928,0.00006196443,0.00006817147,0.0003901689,0.0002791279],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000099284,0.00003659951,0.000550787,0.0001366059,0.000004414758,0.0004576499,0.008745912,0.00008771782,0.001039481,0.09218162,0.8272958,0.06936397],"study_design_scores_gemma":[7.506979e-7,0.000005266622,0.0001692089,0.00002541251,3.47484e-7,0.00007134629,0.0003626906,0.00001003641,0.000040075,0.0001855005,0.9991269,0.000002455065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.008437328,0.01740292,0.002251015,0.02162375,0.0109031,0.0000787925,0.0002943207,0.0004887747,0.93852],"genre_scores_gemma":[0.01023188,0.001212337,0.0002998214,0.0006198045,0.0003668947,0.00001712855,0.00003979948,0.0001737989,0.9870386],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.142213,"threshold_uncertainty_score":0.4757499,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1493630981","doi":"","title":"Vers une lecture mythocritique des textes littéraires","year":2012,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"Art","authors":[{"name":"Camille Deslauriers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008171231430489747,"gpt":0.1656673529842776,"spread":0.1574961215537878,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002383454,0.001326153,0.0008529384,0.003063645,0.004945963,0.00915949,0.001149162,0.002347654,0.03762902],"category_scores_gemma":[0.007151315,0.000552261,0.001267984,0.002292399,0.006804856,0.003810061,0.003782069,0.01000432,0.008143028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01325041,"about_ca_system_score_gemma":0.005899074,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08602179,"about_ca_topic_score_gemma":0.06075853,"domain_scores_codex":[0.9964823,0.001394721,0.0001224612,0.0003695582,0.001254925,0.000376028],"domain_scores_gemma":[0.997196,0.001341796,0.0001681673,0.000195628,0.0008834484,0.0002149393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001513615,0.0000903539,0.0003170561,0.0008253287,0.00007547221,0.0009405611,0.008039773,0.0006879527,0.003829161,0.5012018,0.3916244,0.09221683],"study_design_scores_gemma":[0.0000121159,0.000008724443,0.000446161,0.000174124,0.000008928597,0.0002297416,0.0005279719,0.0001340227,0.000492311,0.006626986,0.9913231,0.00001583407],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01276434,0.290291,0.02559118,0.1724565,0.1046884,0.0001511766,0.001245621,0.001035399,0.3917764],"genre_scores_gemma":[0.1150842,0.09898891,0.008801343,0.01730331,0.06782164,0.0004850928,0.0008377018,0.001017603,0.6896603],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08602179,"threshold_uncertainty_score":0.1710421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2739094714","doi":"","title":"Silk : les signes éthérés du regard / Soie/Seta — Canada / Japan / Italie / France / Grande-Bretagne 2007, 110 minutes","year":2007,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Élie Castiel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01136963549109136,"gpt":0.2019875219681519,"spread":0.1906178864770605,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006385691,0.001295152,0.000569261,0.001428567,0.008315559,0.006604629,0.0005845811,0.00233227,0.128781],"category_scores_gemma":[0.002033113,0.0004630856,0.0004185945,0.002068582,0.001605789,0.002720344,0.00243211,0.003315998,0.03080596],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006436821,"about_ca_system_score_gemma":0.005026725,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1377391,"about_ca_topic_score_gemma":0.3584812,"domain_scores_codex":[0.9995334,0.00007614243,0.0000129898,0.00008260951,0.000184928,0.000109897],"domain_scores_gemma":[0.9993914,0.000138051,0.00002992437,0.00002961241,0.0001893295,0.0002216938],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003874929,0.000006368206,0.0001242166,0.00006157981,0.000002913154,0.00004782527,0.000958591,0.00002739356,0.0002456729,0.007729085,0.9803634,0.0103942],"study_design_scores_gemma":[0.000003217437,0.000002780973,0.0009230023,0.00008521117,0.000001545446,0.00001410792,0.0007507229,0.00001104359,0.00007194974,0.0002727868,0.9978599,0.000003788949],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007732435,0.08780576,0.00114546,0.05980851,0.06620137,0.0001779687,0.005596007,0.0007655001,0.7707669],"genre_scores_gemma":[0.02219178,0.01103891,0.0005363512,0.001954862,0.008206624,0.0001172824,0.001248889,0.0005783149,0.954127],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8622609,"threshold_uncertainty_score":0.4308153,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2619450826","doi":"","title":"Esprit de sel : finesse et sagesse de Maurice Henrie / Maurice Henrie, Esprit de sel, carnets littéraires, Les Éditions Prise de parole, Sudbury, 2008, 230 pages","year":2009,"lang":"fr","type":"article","venue":"Liaison","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Claude Rochon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02010746955979336,"gpt":0.2490906669359989,"spread":0.2289831973762056,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002733151,0.00106606,0.0007077216,0.002342078,0.00623602,0.008438586,0.0007522847,0.003100727,0.01473299],"category_scores_gemma":[0.004441429,0.0004486054,0.0002443222,0.002292655,0.007491475,0.007430423,0.004691857,0.004381896,0.003505673],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004827522,"about_ca_system_score_gemma":0.00556975,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03899555,"about_ca_topic_score_gemma":0.07384435,"domain_scores_codex":[0.9984452,0.0006637952,0.0000611496,0.0001848079,0.0004946464,0.0001503906],"domain_scores_gemma":[0.9982378,0.0007038818,0.00009716955,0.0001125661,0.0005273877,0.0003210764],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004657713,0.00003476563,0.0004127731,0.0002780911,0.000008919735,0.0002527653,0.04345373,0.00007136934,0.0004074066,0.1497396,0.7132588,0.09203519],"study_design_scores_gemma":[0.000002554295,0.000005593808,0.0004355523,0.000296352,0.000001797154,0.000156955,0.007003579,0.00001286122,0.0001373915,0.003526684,0.9884145,0.000006054546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.007937605,0.5696235,0.001870979,0.1919405,0.01955529,0.00002534053,0.0002106061,0.0001274338,0.2087087],"genre_scores_gemma":[0.1257299,0.1903465,0.001600541,0.01827056,0.01081141,0.00007475914,0.0001660701,0.0004472917,0.652553],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03899555,"threshold_uncertainty_score":0.07753718,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2804277822","doi":"","title":"La table de chevet","year":2017,"lang":"fr","type":"article","venue":"XYZ. La revue de la nouvelle","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Table (database); Geology; Computer science; Data mining","authors":[{"name":"Sylvie Massicotte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01633905644724127,"gpt":0.2379226057857383,"spread":0.221583549338497,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001122348,0.0009325173,0.0009888116,0.003656784,0.003553563,0.008471274,0.0009270334,0.001349276,0.4621676],"category_scores_gemma":[0.005266705,0.0005235765,0.0006024471,0.005987186,0.001047014,0.00406332,0.002238049,0.003253804,0.2545705],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001964035,"about_ca_system_score_gemma":0.003222373,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01349553,"about_ca_topic_score_gemma":0.01490842,"domain_scores_codex":[0.9985327,0.0002825499,0.0000875914,0.0002537487,0.0006588838,0.0001846227],"domain_scores_gemma":[0.9979711,0.0004949704,0.0001041588,0.0002776044,0.0009777006,0.0001744475],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009511934,0.00002216363,0.0003785703,0.0002592992,0.000009886964,0.00009974821,0.0003517615,0.0000751631,0.0002385965,0.02774577,0.8496937,0.1210303],"study_design_scores_gemma":[0.00000310685,0.00000446104,0.0002955045,0.00009360153,0.000001074366,0.00005780526,0.0001396104,0.00001369019,0.00004867552,0.0007402733,0.9985979,0.000004279108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003586451,0.04009816,0.002568813,0.01598311,0.02250321,0.0001144866,0.02093745,0.001869575,0.8923388],"genre_scores_gemma":[0.01746825,0.01736499,0.002394696,0.003318026,0.002977878,0.0001414622,0.01217517,0.001852296,0.9423072],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4621676,"threshold_uncertainty_score":0.7671527,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2289708699","doi":"","title":"Georges Mounin.. . Bruxelles, Les Éditions du Haz/sard, collection Traductologie, 2003, 112 pages, plus un CD.","year":2004,"lang":"fr","type":"article","venue":"TTR : traduction, terminologie, rédaction","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Art","authors":[{"name":"Claude Tatilon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04397770582921585,"gpt":0.2376672099382848,"spread":0.193689504109069,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008745023,0.0009693414,0.0006976305,0.004747245,0.002165897,0.003880332,0.0007245156,0.001177396,0.06677915],"category_scores_gemma":[0.002763821,0.0005209764,0.0004097385,0.004338094,0.001340071,0.004347463,0.001180016,0.002026245,0.04577011],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003223559,"about_ca_system_score_gemma":0.001967964,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06023778,"about_ca_topic_score_gemma":0.09608002,"domain_scores_codex":[0.9992155,0.0001611615,0.00004754329,0.0001178215,0.0004044056,0.0000535791],"domain_scores_gemma":[0.9990662,0.0003327449,0.00008057088,0.00005143781,0.0004151278,0.00005380862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003302345,0.000008643038,0.0001847015,0.0003380514,0.000007191509,0.0000458927,0.001238389,0.0000392039,0.0002876657,0.01337818,0.9220043,0.06243489],"study_design_scores_gemma":[0.000002688909,0.000002700111,0.0007289066,0.0001976921,0.000002215368,0.00008346322,0.0003374529,0.00001316864,0.0001404476,0.001162854,0.997324,0.000004395152],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002601387,0.6572636,0.003508843,0.04254153,0.02433116,0.00004444799,0.004708072,0.0007930527,0.264208],"genre_scores_gemma":[0.02549306,0.2403437,0.004861071,0.006451448,0.006493437,0.00009459935,0.00353467,0.001367862,0.7113602],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.06677915,"threshold_uncertainty_score":0.2233985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2256863306","doi":"","title":"Le mirage et l’oasis / Jean Perron, Un Valentin à la fête des Morts, Ottawa, Les Éditions L’Interligne, 2003, 196 p.","year":2003,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Claude Rochon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007291997538893641,"gpt":0.1607654098674765,"spread":0.1534734123285829,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001348441,0.001760957,0.0006595128,0.002006297,0.006458106,0.00669915,0.001142447,0.003350175,0.01505986],"category_scores_gemma":[0.003312288,0.0007982179,0.0004226057,0.002639657,0.007572692,0.008305482,0.001724543,0.003597771,0.007097501],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00815839,"about_ca_system_score_gemma":0.006753924,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2453738,"about_ca_topic_score_gemma":0.4988179,"domain_scores_codex":[0.9988812,0.0004263172,0.00005228351,0.0001371355,0.0003647244,0.0001383861],"domain_scores_gemma":[0.9988604,0.0004816618,0.0001174576,0.000069462,0.0003672168,0.0001039475],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008168972,0.00001794543,0.0004244304,0.0004756595,0.00001615174,0.0001696254,0.01519152,0.000069843,0.0002241281,0.07558122,0.8667428,0.04100493],"study_design_scores_gemma":[0.000006554584,0.000006434646,0.001423039,0.0004498748,0.000007281097,0.0001480727,0.003935719,0.00002097155,0.0001371962,0.003869592,0.9899862,0.000009024457],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001678676,0.8592544,0.0007721968,0.06999806,0.005520576,0.000009326897,0.0002618612,0.00009555735,0.06240941],"genre_scores_gemma":[0.1032298,0.4472138,0.001920502,0.01464568,0.007243181,0.00006252283,0.0003275352,0.0004935999,0.4248633],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2453738,"threshold_uncertainty_score":0.4878911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4253068723","doi":"10.1162/00240940252940469","title":"<i>THE LIBRARY</i>","year":2002,"lang":"he","type":"article","venue":"Leonardo","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"North Toronto Eye Care","funders":"","keywords":"Icon; Citation; World Wide Web; Search engine optimization; Download; Computer science; Web site; Library science; Special collections; Web page; Information retrieval; Search engine; The Internet","authors":[{"name":"Nancy Paterson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02186978795640912,"gpt":0.1684205559416695,"spread":0.1465507679852604,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004584973,0.00108394,0.0009831538,0.002433444,0.002509052,0.009842846,0.001382934,0.002006618,0.8740581],"category_scores_gemma":[0.003245101,0.0005220685,0.0006463779,0.004573624,0.000694604,0.003556642,0.003050602,0.001748105,0.8284575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002399599,"about_ca_system_score_gemma":0.002197711,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01431072,"about_ca_topic_score_gemma":0.03843466,"domain_scores_codex":[0.9994838,0.00004076773,0.0000311624,0.00009734002,0.0002516325,0.00009519647],"domain_scores_gemma":[0.9985203,0.00009660661,0.00007199111,0.0002189267,0.0005990001,0.0004931504],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000089419,0.000004747957,0.00007459564,0.00007029092,0.000001437534,0.00002085416,0.00002613207,0.000005369754,0.00005285277,0.0004192356,0.9768398,0.02247573],"study_design_scores_gemma":[0.00000187327,0.000004154422,0.0002409804,0.00007210283,0.000001218773,0.00001660256,0.0000334019,0.000004336368,0.00002714271,0.00003586564,0.9995598,0.000002592796],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.000226897,0.00170434,0.000161754,0.00191745,0.002666511,0.00009696786,0.003717025,0.00191809,0.9875911],"genre_scores_gemma":[0.0006545794,0.001045752,0.0001160159,0.000572717,0.0003298804,0.00003330422,0.001890839,0.0004598449,0.9948972],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8740581,"threshold_uncertainty_score":0.1796409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2741639747","doi":"","title":"La rétine, la parole, le sensible / Daniel Dugas, La limite élastique, Moncton, Perce-Neige, 1998, 84 p., 9,95 $. / Pierre Perrault, Le visage humain d’un fleuve sans estuaire, Trois-Rivières, Écrits des Forges, 1998, 60 p., 10 $. / Gatien Lapointe, Corps et graphies, Trois-Rivières, Écrits des Forges / l’Orange bleue, 1999, 98 p., 10 $.","year":2000,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jacques Paquin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009741068681249554,"gpt":0.1848468313392238,"spread":0.1751057626579743,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008901848,0.001424064,0.0005211318,0.0018672,0.00433954,0.004810878,0.001170761,0.003489091,0.02674625],"category_scores_gemma":[0.001901621,0.0005101181,0.0003715713,0.001712087,0.006061218,0.006172515,0.001377942,0.003774015,0.009891547],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006319297,"about_ca_system_score_gemma":0.002494845,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07057277,"about_ca_topic_score_gemma":0.1844879,"domain_scores_codex":[0.9993223,0.0002499882,0.00003346997,0.0001191784,0.0002089704,0.00006609123],"domain_scores_gemma":[0.9993646,0.0003328042,0.00005524396,0.00004272197,0.0001606084,0.00004403362],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008614389,0.00002720956,0.000457021,0.0005622047,0.00001126738,0.0001839214,0.005392354,0.0001272467,0.0004683435,0.2876677,0.6248251,0.0801916],"study_design_scores_gemma":[0.000008546201,0.00001276504,0.001233868,0.0004615946,0.000005973959,0.0002415883,0.002456895,0.0000390893,0.000287055,0.02461254,0.9706284,0.00001164199],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001573858,0.8083118,0.001508706,0.03620346,0.002039821,0.00001462443,0.0002647472,0.00008735691,0.1499956],"genre_scores_gemma":[0.103064,0.429293,0.003977198,0.01300476,0.003894371,0.0001193082,0.0002977733,0.0004554882,0.4458941],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9294272,"threshold_uncertainty_score":0.140324,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2612383168","doi":"","title":"Entre ombre et lumière / Manderlay de Lars von Trier","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Catherine Ouellet-Cummings","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009665796294333206,"gpt":0.2107362365557832,"spread":0.20107044026145,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00126201,0.0009490367,0.0005007479,0.001805159,0.004653606,0.006423402,0.0004839752,0.002424196,0.02270324],"category_scores_gemma":[0.002569455,0.0003205546,0.0002496135,0.0009981219,0.004429736,0.003888353,0.00264822,0.003834388,0.005037184],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002911976,"about_ca_system_score_gemma":0.001369147,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007578955,"about_ca_topic_score_gemma":0.01206949,"domain_scores_codex":[0.9991525,0.0004507204,0.00002368849,0.0001500201,0.0001324635,0.00009057279],"domain_scores_gemma":[0.9991978,0.0004828432,0.00006899281,0.00004353563,0.0001011275,0.0001057929],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002015796,0.00008706145,0.0004288525,0.0004283685,0.00002604446,0.0004229882,0.02820578,0.0001212045,0.0009105869,0.5640814,0.3417505,0.06333566],"study_design_scores_gemma":[0.00000793158,0.00001147829,0.0005291491,0.0003234859,0.000005843624,0.0002030694,0.003408901,0.00003920118,0.0003412231,0.009200403,0.9859191,0.00001033207],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02116655,0.3966812,0.002511193,0.1180244,0.03822598,0.00002765567,0.0003037796,0.0001712008,0.422888],"genre_scores_gemma":[0.3113661,0.06643236,0.00115794,0.01146502,0.0236668,0.00006198024,0.0001463845,0.0006194991,0.5850839],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02270324,"threshold_uncertainty_score":0.07594985,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W93976378","doi":"","title":"Vauvert, Lac Saint-Jean","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Society for the History of Medicine","funders":"","keywords":"SAINT; Art; Art history","authors":[{"name":"Michel Gagné","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.00848078311411633,"gpt":0.1509885247997242,"spread":0.1425077416856078,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007100942,0.002478065,0.001041665,0.002216832,0.009791039,0.006880232,0.001307218,0.002264144,0.2069689],"category_scores_gemma":[0.002207392,0.0006561843,0.0009897707,0.002099073,0.001412006,0.001976313,0.001747773,0.00352218,0.0280515],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01153091,"about_ca_system_score_gemma":0.007842817,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5518371,"about_ca_topic_score_gemma":0.6993784,"domain_scores_codex":[0.9989737,0.0002063309,0.00003293316,0.0002596538,0.0003383342,0.0001890108],"domain_scores_gemma":[0.9992925,0.0001870697,0.00005476516,0.00004127076,0.0002697101,0.0001546042],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007026485,0.0002172613,0.004076216,0.0008297751,0.0001707781,0.00529296,0.004956425,0.001625858,0.00377909,0.1540718,0.5382446,0.2860326],"study_design_scores_gemma":[0.00002250701,0.00001959509,0.005527387,0.000138098,0.00001642379,0.0005304121,0.0009465128,0.0001438535,0.0007148467,0.001007246,0.9909107,0.00002250841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03218956,0.1034702,0.003595376,0.02111194,0.00674581,0.0001696342,0.004216915,0.001698392,0.8268022],"genre_scores_gemma":[0.03457305,0.00775191,0.001014782,0.0005635992,0.000539352,0.00005589122,0.0004287708,0.0002872341,0.9547853],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4481629,"threshold_uncertainty_score":0.9016044,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6891674262","doi":"10.4224/23002099","title":"L'éclipse du 21 août 2017","year":2017,"lang":"fr","type":"article","venue":"NPARC","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Herzberg Institute of Astrophysics","funders":"","keywords":"","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.04124408905000338,"gpt":0.2499714439998895,"spread":0.2087273549498862,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.01364269,0.001246148,0.002482185,0.005631117,0.008431989,0.0272711,0.003624202,0.00674762,0.3861518],"category_scores_gemma":[0.0383567,0.001250276,0.002321187,0.002564675,0.004635591,0.005930974,0.007445415,0.007364037,0.2653047],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01302855,"about_ca_system_score_gemma":0.01926698,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03361847,"about_ca_topic_score_gemma":0.05407409,"domain_scores_codex":[0.9762881,0.004492946,0.0008193808,0.00178703,0.01350878,0.003103822],"domain_scores_gemma":[0.9618551,0.004988348,0.0009664952,0.004682979,0.02316706,0.004340119],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002660619,0.0001083068,0.0006259151,0.0004747488,0.00004617866,0.0004202655,0.0005142646,0.0001691062,0.0008495958,0.01733843,0.9280715,0.05111567],"study_design_scores_gemma":[0.00002803392,0.00002383735,0.001062933,0.0002429597,0.000007218098,0.00008871857,0.0002229774,0.000115306,0.0004818793,0.0005232891,0.9971865,0.00001626661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007613874,0.01357124,0.003475395,0.06077005,0.2808814,0.0009832429,0.005540022,0.003962108,0.6232027],"genre_scores_gemma":[0.01098001,0.00273,0.0006828516,0.001787445,0.006172999,0.000189313,0.001202495,0.0008658613,0.9753891],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3861518,"threshold_uncertainty_score":0.87558,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6966677705","doi":"10.4224/40000367","title":"L'eau, source de vie","year":2019,"lang":"fr","type":"article","venue":"NPARC","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Herzberg Institute of Astrophysics","funders":"","keywords":"","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01302045666894244,"gpt":0.2049099381140652,"spread":0.1918894814451228,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003802978,0.0007025342,0.001166108,0.006635183,0.005590251,0.01156362,0.001586328,0.002467104,0.3880691],"category_scores_gemma":[0.03192926,0.0005020974,0.0006908265,0.003227877,0.001313856,0.00302538,0.004129332,0.003069635,0.1998366],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00498049,"about_ca_system_score_gemma":0.01209259,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02037232,"about_ca_topic_score_gemma":0.03369027,"domain_scores_codex":[0.993673,0.0009030387,0.0002517556,0.000528633,0.004111856,0.0005318021],"domain_scores_gemma":[0.9733704,0.002055574,0.0004683151,0.001956168,0.02014044,0.002009154],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003487375,0.00002206061,0.000247661,0.0001999731,0.000008344873,0.00009991618,0.0002282766,0.00003269447,0.0003416043,0.00277717,0.9647549,0.03125249],"study_design_scores_gemma":[0.000007226321,0.000008492078,0.0009526381,0.0001578197,0.000004425669,0.00005955272,0.0002725346,0.00005103636,0.0003217658,0.0003783413,0.9977762,0.00001007217],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004776283,0.005557907,0.001245151,0.03049546,0.09029094,0.0005470829,0.01296458,0.002209537,0.851913],"genre_scores_gemma":[0.009924079,0.001627763,0.0007221702,0.001350194,0.003265129,0.0001481759,0.002783467,0.0007674957,0.9794114],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3880691,"threshold_uncertainty_score":0.8728451,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3090324426","doi":"10.33137/rr.v43i2.34820","title":"Zecher, Carla, project dir. French Renaissance Paleography. Other","year":2020,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Palaeography; The Renaissance; Art; Classics; Art history","authors":[{"name":"Elizabeth K. Hebbard","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03873097153210169,"gpt":0.2329385158657009,"spread":0.1942075443335992,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001437577,0.001249571,0.0008389893,0.006257955,0.003436795,0.004015237,0.0008807593,0.00201304,0.284643],"category_scores_gemma":[0.003765596,0.0004549339,0.000465414,0.0103744,0.0007002275,0.003401801,0.002020639,0.001595851,0.09661812],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005663686,"about_ca_system_score_gemma":0.006055154,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2274422,"about_ca_topic_score_gemma":0.2842744,"domain_scores_codex":[0.9991804,0.0001955289,0.00002551577,0.0001186776,0.0003329737,0.0001469508],"domain_scores_gemma":[0.9966263,0.0005354515,0.0001762543,0.0001493142,0.002022718,0.0004900038],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002412836,0.000006301575,0.0002280526,0.0001304664,0.000003489033,0.0000250577,0.0002220526,0.00001507615,0.00005024905,0.002852478,0.9631258,0.03331697],"study_design_scores_gemma":[0.000009430189,0.000003520647,0.003294698,0.000208156,0.000003686986,0.00004373832,0.0007024694,0.00002009072,0.00007506314,0.0008279071,0.9948046,0.000006534407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003240531,0.261444,0.001794518,0.1625397,0.008429765,0.0002495558,0.1032932,0.001757771,0.457251],"genre_scores_gemma":[0.02293112,0.05674858,0.002762161,0.003672249,0.001531398,0.000310891,0.02526658,0.001333153,0.8854439],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.284643,"threshold_uncertainty_score":0.9522257,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4396754350","doi":"10.7202/1111008ar","title":"Nive Voisine (1928-2023)","year":2024,"lang":"fr","type":"article","venue":"Études d histoire religieuse","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Philosophy","authors":[{"name":"Brigitte Caulier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01699126953440288,"gpt":0.2265277947816563,"spread":0.2095365252472534,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004571181,0.000440377,0.0002690532,0.003066538,0.00214665,0.001950822,0.0003230611,0.000911802,0.03849744],"category_scores_gemma":[0.001609415,0.0002137705,0.0003381541,0.002808784,0.0009869853,0.0009718053,0.00103649,0.001394627,0.005442647],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003738964,"about_ca_system_score_gemma":0.001745971,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07174771,"about_ca_topic_score_gemma":0.1131339,"domain_scores_codex":[0.999656,0.00006077048,0.00001978906,0.00008085136,0.000105497,0.00007721633],"domain_scores_gemma":[0.9997346,0.00008960766,0.00003718134,0.00002420908,0.00007646911,0.00003795023],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001748451,0.0001844789,0.01985611,0.001578015,0.0001162288,0.002912495,0.01979474,0.0008043931,0.007210802,0.1258117,0.4198332,0.4001496],"study_design_scores_gemma":[0.00001539262,0.00002432672,0.02228794,0.000208377,0.00000554765,0.0003377642,0.0005636187,0.00001854837,0.0007450066,0.000988236,0.9747975,0.000007832092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1374984,0.08385558,0.001270297,0.006383022,0.01327046,0.0001525047,0.02176339,0.0002680258,0.7355382],"genre_scores_gemma":[0.2789873,0.01090667,0.001076161,0.0008126425,0.001740567,0.0001330559,0.004309728,0.0002459791,0.7017878],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07174771,"threshold_uncertainty_score":0.1426602,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2512158348","doi":"","title":"REVUE DE DROIT D'OTTAWA","year":2013,"lang":"fr","type":"article","venue":"SSRN Electronic Journal","topic":"Literary Analysis and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Political science; Humanities; Law and economics; Economics; Philosophy","authors":[{"name":"Michał Bohaczewski","is_ca":false},{"name":"Karine McLaren","is_ca":false},{"name":"Myles Frederick McLellan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007015856573737074,"gpt":0.1908827830006279,"spread":0.1838669264268908,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002438045,0.001142881,0.001179778,0.004726913,0.008176746,0.01260429,0.001771543,0.003886073,0.1090855],"category_scores_gemma":[0.006762861,0.0009238392,0.0008891124,0.004627903,0.006629383,0.00425511,0.005511168,0.004637525,0.02232003],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02682282,"about_ca_system_score_gemma":0.04705409,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.6497679,"about_ca_topic_score_gemma":0.6924779,"domain_scores_codex":[0.9958673,0.0006772044,0.0003582947,0.0006702415,0.001546685,0.0008804146],"domain_scores_gemma":[0.9964599,0.0008133341,0.0002288366,0.0006772676,0.00130468,0.0005160838],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002036715,0.00003984153,0.001067631,0.0008952525,0.00004243763,0.000425524,0.00582936,0.0003348759,0.0006248243,0.275333,0.60746,0.1077436],"study_design_scores_gemma":[0.000004842308,0.000005573016,0.0008673798,0.0003253165,0.000007714245,0.00005058501,0.000685785,0.00002206698,0.0001564192,0.002421172,0.9954367,0.00001645324],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.009741473,0.1858583,0.001781216,0.09553333,0.02442161,0.0001165859,0.006354795,0.0005875754,0.6756052],"genre_scores_gemma":[0.05079467,0.04868281,0.001502883,0.003645932,0.001186456,0.00008724268,0.0009796333,0.0004165558,0.8927038],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8909145,"threshold_uncertainty_score":0.7045892,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}