{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":235,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":235,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"126007d00ec9","filters":{"topic":"Literature, Culture, and Criticism"}},"results":[{"id":"W2907010782","doi":"10.4324/9781351325929-21","title":"Two Decades of Luso-American Literature","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.01939477803838374,"gpt":0.2411197609132436,"spread":0.2217249828748598,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007480451,0.0004706874,0.000619673,0.0001728114,0.0001668535,0.0004292425,0.000325053,0.0002004095,0.02532777],"category_scores_gemma":[0.000009337145,0.0003256197,0.0003357635,0.00001765412,0.001114917,0.0001959698,0.0000668795,0.0004608424,0.0003387339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000200268,"about_ca_system_score_gemma":0.00003701811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005099988,"about_ca_topic_score_gemma":0.0004003668,"domain_scores_codex":[0.998554,0.00001534398,0.0004242657,0.0004076501,0.0003286833,0.0002700823],"domain_scores_gemma":[0.9985831,0.00004388068,0.0002416578,0.0004482264,0.0005772997,0.0001057853],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001591103,0.00001659738,6.704649e-7,0.00009306538,0.0001108188,0.00001367828,0.02121007,1.338426e-8,0.000007620884,0.8577967,0.1199139,0.0008209985],"study_design_scores_gemma":[0.0001835812,0.0001642483,7.151422e-7,0.0004895564,0.0001022609,0.000009431393,0.0008977509,6.788304e-7,0.00007429078,0.09356025,0.9041197,0.0003975957],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0001019673,0.003953149,0.000003143959,0.0001200486,0.0007862838,0.0001699087,0.0005259344,0.0001034065,0.9942362],"genre_scores_gemma":[0.008198806,0.0001765966,0.0002673917,0.001998632,0.004719722,0.000006313188,0.000284869,0.00007515797,0.9842725],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7842057,"threshold_uncertainty_score":0.9999196,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2108888292","doi":"10.4000/rccs.950","title":"Da construção identitária a uma trama de diferenças – Um olhar sobre as literaturas de língua portuguesa","year":2005,"lang":"pt","type":"article","venue":"Revista crítica de ciências sociais/Revista crítica de ciências sociais","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Humanities; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02393531364690674,"gpt":0.2796649401122824,"spread":0.2557296264653756,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.004464354,0.003423209,0.00418348,0.000775737,0.004960585,0.01702887,0.003072664,0.002891942,0.01088425],"category_scores_gemma":[0.004591902,0.00359084,0.003720099,0.001199638,0.003244733,0.001816706,0.000627527,0.005171618,0.00186185],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006222078,"about_ca_system_score_gemma":0.005535608,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004010928,"about_ca_topic_score_gemma":0.0003011608,"domain_scores_codex":[0.9805974,0.002831428,0.003990991,0.003216722,0.002558697,0.006804704],"domain_scores_gemma":[0.9880003,0.001965334,0.001770217,0.002691065,0.002286248,0.003286825],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003551785,0.001772542,0.001224658,0.002418619,0.001424826,0.001274531,0.10031,0.000005120275,0.0007235871,0.6811266,0.2025179,0.006846451],"study_design_scores_gemma":[0.004158075,0.0008403739,0.002963467,0.004547112,0.004512034,0.0007622386,0.03698979,0.0005709923,0.0003224536,0.01643402,0.9229816,0.004917825],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5265018,0.102705,0.001537357,0.02301425,0.00325442,0.007064963,0.008989336,0.003192685,0.3237402],"genre_scores_gemma":[0.8992745,0.004105499,0.001150077,0.03127677,0.01168894,0.0004390274,0.0007821563,0.0007840319,0.05049901],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7204637,"threshold_uncertainty_score":0.9994678,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1965846814","doi":"10.7202/007987ar","title":"Indices de statut de roman traduit — 1. Paratexte","year":2004,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0353356118492777,"gpt":0.2603661587714932,"spread":0.2250305469222155,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001020055,0.0006196112,0.0007515344,0.0002197533,0.001853511,0.003075546,0.0005902207,0.0002667687,0.003169839],"category_scores_gemma":[0.00007188861,0.0004939144,0.0008356043,0.0001599529,0.001232429,0.001682925,0.00002436428,0.001567654,0.000171757],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003743308,"about_ca_system_score_gemma":0.000547041,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004950128,"about_ca_topic_score_gemma":0.0005038402,"domain_scores_codex":[0.9963319,0.0005148176,0.0007752751,0.0004017118,0.0005276477,0.001448644],"domain_scores_gemma":[0.9982959,0.00008888524,0.000301752,0.000279821,0.0002404782,0.0007931589],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009237273,0.0007012297,0.000100529,0.0003301621,0.002486359,0.001601714,0.06221203,0.0003183972,0.0005460516,0.9048684,0.01107339,0.01566934],"study_design_scores_gemma":[0.001063742,0.0004055439,0.0009651103,0.0002923282,0.002598328,0.003909744,0.002355528,0.000004440028,0.001057366,0.2433355,0.7434983,0.0005140264],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.3542353,0.6173359,0.001161096,0.004845879,0.003242348,0.0002140908,0.0002811913,0.00007658093,0.01860768],"genre_scores_gemma":[0.7169012,0.1372547,0.005607904,0.006120192,0.01284328,0.00004514282,0.00005598904,0.0002532544,0.1209183],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7324249,"threshold_uncertainty_score":0.9997513,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2504382429","doi":"10.4000/cultura.2585","title":"Os condenados da terra, de Frantz Fanon","year":2015,"lang":"pt","type":"article","venue":"Cultura","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Adidas (Canada)","funders":"","keywords":"Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.06873014472951663,"gpt":0.2750460517318108,"spread":0.2063159070022942,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002444888,0.0005088948,0.0004752369,0.00006542036,0.0006148033,0.002100769,0.0004507617,0.0003595205,0.004294027],"category_scores_gemma":[0.00008392492,0.0003661615,0.0002503054,0.00008407305,0.0003850208,0.000670811,0.00008612323,0.0006186794,0.001583478],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001303356,"about_ca_system_score_gemma":0.0001558655,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002738479,"about_ca_topic_score_gemma":0.0001374026,"domain_scores_codex":[0.9977207,0.0001441552,0.0004640163,0.0004288859,0.0004600328,0.0007822605],"domain_scores_gemma":[0.9983284,0.00003626313,0.000133477,0.0004365699,0.0005532551,0.0005120746],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005976356,0.0001847038,0.00008279362,0.0001490605,0.0001288784,0.0001001471,0.3184183,0.00000184992,0.0005567194,0.158556,0.5208436,0.000918187],"study_design_scores_gemma":[0.001388021,0.0001897408,0.00008699903,0.0002224543,0.000163798,0.00007099245,0.08826921,0.00005833756,0.0005362139,0.002310593,0.9060758,0.00062783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2095483,0.02497803,0.00007492952,0.002857245,0.007899351,0.0009488045,0.0007356001,0.0004169096,0.7525408],"genre_scores_gemma":[0.7323335,0.00003601367,0.00002521099,0.003780559,0.003171401,0.00003193874,0.0001988419,0.00004268096,0.2603799],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5227851,"threshold_uncertainty_score":0.9998791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2978702473","doi":"10.11606/issn.2178-0447.ars.2019.158811","title":"Em estado bruto","year":2019,"lang":"pt","type":"article","venue":"ARS (São Paulo)","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Philosophy; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.0152022487169435,"gpt":0.2267289033198105,"spread":0.211526654602867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002130841,0.0005224075,0.0005347364,0.0001180618,0.0005165386,0.00130347,0.0004492801,0.000291555,0.01716497],"category_scores_gemma":[0.00002361187,0.0004316141,0.000343778,0.00009420289,0.00013753,0.0006431194,0.0001262074,0.0006167381,0.01134801],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000531733,"about_ca_system_score_gemma":0.00006727695,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006753406,"about_ca_topic_score_gemma":0.0005942071,"domain_scores_codex":[0.997424,0.0001148711,0.0005151802,0.0006455303,0.0004744591,0.0008259466],"domain_scores_gemma":[0.9985356,0.0000882311,0.0001362732,0.0007713332,0.0002411158,0.0002274304],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008919213,0.0003937993,0.0005421726,0.0004898171,0.0002582453,0.0001510488,0.2443772,0.000004885737,0.0001648577,0.5023735,0.2480891,0.00306621],"study_design_scores_gemma":[0.001089269,0.0003472016,0.000582308,0.0003033775,0.0001585459,0.00002574009,0.05180532,0.00008004582,0.0001668236,0.007610831,0.937031,0.000799491],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6194261,0.007275138,0.00000563762,0.0008221025,0.006606689,0.00069476,0.0003933179,0.0002049602,0.3645714],"genre_scores_gemma":[0.6557484,0.00007579799,0.00001707713,0.004968685,0.0009839244,0.00001390354,0.0001037295,0.00005808963,0.3380304],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.688942,"threshold_uncertainty_score":0.9998136,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2917318652","doi":"10.11606/issn.1982-7547.hd.2019.154274","title":"O pacto narcísico da casa-grande: a representação das mulheres negras a partir de Lélia Gonzalez e Gilberto Freyre","year":2019,"lang":"pt","type":"article","venue":"Humanidades em diálogo","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Anglo American (Canada)","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03737223440975189,"gpt":0.2895517016395854,"spread":0.2521794672298335,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0004974927,0.001398928,0.001433222,0.0003147173,0.001836828,0.006396265,0.001215629,0.0007795356,0.02470557],"category_scores_gemma":[0.0001432539,0.001200899,0.0009382135,0.0002411626,0.0009125746,0.00120437,0.0003973662,0.001574163,0.002973734],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002685467,"about_ca_system_score_gemma":0.000228068,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002398274,"about_ca_topic_score_gemma":0.008713884,"domain_scores_codex":[0.9931905,0.000571041,0.001310249,0.001751938,0.0009881119,0.00218818],"domain_scores_gemma":[0.9960661,0.0003500539,0.0004789654,0.001956187,0.0004594701,0.0006892156],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005011083,0.001242779,0.008341067,0.001322862,0.0008883424,0.0006519605,0.3669798,0.00001198539,0.003384006,0.4149989,0.2006262,0.001051011],"study_design_scores_gemma":[0.004261628,0.001102081,0.006304478,0.001334506,0.0008795171,0.0001967145,0.08615394,0.0001686962,0.001989162,0.01448472,0.880502,0.002622551],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8625283,0.01024051,0.00001995571,0.00114799,0.002906632,0.001750083,0.0006691906,0.0003981523,0.1203392],"genre_scores_gemma":[0.7868374,0.0001279947,0.00005473689,0.003538361,0.002649518,0.0001323285,0.0003094611,0.0002068031,0.2061434],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6798759,"threshold_uncertainty_score":0.9998761,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1480213921","doi":"10.1353/mos.2012.a468709","title":"Lyric Fever: Erin Mouré and the Queer Anatomy of Lyric Life","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Dream; Queer; Criticism; Literature; Art; Psychoanalysis; Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.01422659964908289,"gpt":0.2261321404964134,"spread":0.2119055408473305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001938475,0.0001276008,0.0001948219,0.00003692614,0.0001980296,0.0001192292,0.0001182376,0.00004756421,0.0008510071],"category_scores_gemma":[0.00002902145,0.00007214577,0.00007215042,0.0000424805,0.0003342866,0.0002539242,0.00004021548,0.0001288104,0.00004412475],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008405118,"about_ca_system_score_gemma":0.0000142327,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001787856,"about_ca_topic_score_gemma":0.00004756978,"domain_scores_codex":[0.9992598,0.00006301028,0.0001777033,0.0001073593,0.0001550732,0.0002370403],"domain_scores_gemma":[0.9995551,0.00006111008,0.00005303868,0.0001817699,0.00006189848,0.00008715266],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002663192,0.00005888418,0.0007192945,0.00006155152,0.00005341254,0.000001176592,0.0518561,3.222064e-7,0.0000300915,0.8921218,0.05443501,0.0006357087],"study_design_scores_gemma":[0.0009701634,0.00002215558,0.001783599,0.00002118663,0.00006847687,0.00000639835,0.003861319,0.00002775384,0.0001027058,0.004473573,0.9885036,0.0001590604],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7965022,0.03525671,0.00001531006,0.001743492,0.00145912,0.0004294594,0.0001372323,0.000102322,0.1643541],"genre_scores_gemma":[0.9859235,0.00006530256,0.00001894488,0.00172986,0.0007853127,0.00001832783,0.00001433093,0.00001341021,0.01143098],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9340686,"threshold_uncertainty_score":0.9317931,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2594412020","doi":"10.22409/rcj.v3i5.223","title":"RESENHA DO LIVRO A NOVA RAZÃO DO MUNDO, DE PIERRE DARDOT E CHRISTIAN LAVAL","year":2016,"lang":"pt","type":"article","venue":"Revista Culturas Jurídicas","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nova (rocket); Philosophy; Art; Humanities; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.0310937470753258,"gpt":0.2831774903925928,"spread":0.252083743317267,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009048144,0.001239401,0.001365088,0.0002026686,0.001566174,0.004976144,0.001171993,0.0006987876,0.01884013],"category_scores_gemma":[0.000615565,0.0007487275,0.0009235368,0.000296384,0.001212326,0.0009563424,0.0003190776,0.001093379,0.002598553],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003990335,"about_ca_system_score_gemma":0.0003624306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000376876,"about_ca_topic_score_gemma":0.0003135388,"domain_scores_codex":[0.9935255,0.0006017095,0.001404003,0.001469334,0.001156885,0.001842556],"domain_scores_gemma":[0.9959474,0.0003132171,0.0005106307,0.001484646,0.0008338215,0.0009102703],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002082745,0.000439975,0.0001882648,0.0009068725,0.0004405657,0.0005468038,0.0496165,1.897173e-7,0.001979796,0.3388501,0.5982516,0.008570956],"study_design_scores_gemma":[0.001972486,0.0003530213,0.0003712008,0.00363883,0.0005458839,0.0003285974,0.01291514,0.000004380058,0.0003281015,0.000896329,0.9772503,0.001395749],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1761618,0.2612808,0.000296291,0.01576952,0.007658954,0.004062136,0.006232131,0.0013836,0.5271549],"genre_scores_gemma":[0.8176179,0.00408109,0.00009161184,0.001636199,0.006539358,0.00007010149,0.0001588393,0.000166534,0.1696384],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6414562,"threshold_uncertainty_score":0.9997336,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4210608966","doi":"10.20396/modos.v6i1.8667204","title":"Histórias entrelaçadas","year":2022,"lang":"pt","type":"article","venue":"MODOS Revista de História da Arte","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.02511654296335523,"gpt":0.2314874047981892,"spread":0.2063708618348339,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008254936,0.0008410026,0.0009749256,0.0002695717,0.003641073,0.002305797,0.001060895,0.0002000733,0.04390252],"category_scores_gemma":[0.00008332657,0.0008621446,0.000707444,0.0002678661,0.0004228175,0.000442923,0.0005200183,0.001502608,0.0009918497],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001129311,"about_ca_system_score_gemma":0.0003350555,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002152994,"about_ca_topic_score_gemma":0.00006109045,"domain_scores_codex":[0.9945341,0.0008394365,0.001135287,0.00111074,0.001053708,0.00132676],"domain_scores_gemma":[0.9974583,0.000139217,0.0004384008,0.001241119,0.0002534413,0.0004695544],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001387883,0.0004068508,0.00003682647,0.000254854,0.0001745791,0.000373407,0.04570036,0.00002369569,0.0001918084,0.511378,0.4403992,0.0009215805],"study_design_scores_gemma":[0.001389222,0.0003420497,0.00003616686,0.0001407734,0.0004806514,0.0001542489,0.009011859,0.0006867454,0.00001916946,0.003138491,0.983556,0.001044637],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09603829,0.2101146,0.0007767707,0.01390295,0.02264305,0.005372086,0.01386506,0.001707522,0.6355796],"genre_scores_gemma":[0.5927845,0.0001626342,0.00006068148,0.006265983,0.002616194,0.0003259966,0.0007438543,0.0001776228,0.3968625],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5431567,"threshold_uncertainty_score":0.999786,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2094260683","doi":"10.1590/s0104-026x2003000100003","title":"O corpo perigoso","year":2003,"lang":"pt","type":"article","venue":"Revista Estudos Feministas","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.03020518950466398,"gpt":0.2590884194704045,"spread":0.2288832299657405,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005310054,0.0008617965,0.0009725412,0.0001212833,0.001459068,0.00314851,0.00051892,0.0003122622,0.01197291],"category_scores_gemma":[0.0002127233,0.0007439501,0.000529785,0.0001937843,0.0006518517,0.0003476318,0.0000857519,0.0007749126,0.001977586],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000126871,"about_ca_system_score_gemma":0.0002521977,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002398832,"about_ca_topic_score_gemma":0.00002054609,"domain_scores_codex":[0.9959928,0.0003816286,0.0009815152,0.0009462902,0.0006675096,0.001030286],"domain_scores_gemma":[0.9976541,0.0001798422,0.000320887,0.001026903,0.0003796203,0.0004386691],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003781925,0.0004422965,0.0003956573,0.0006908026,0.000183133,0.0002043738,0.02585285,1.962609e-7,0.00007007015,0.8730231,0.09866834,0.0004313949],"study_design_scores_gemma":[0.0008634123,0.0003302174,0.0001188877,0.0005228819,0.0004158145,0.00009673669,0.01652394,0.000005578294,0.0001439235,0.0009539596,0.9790421,0.0009825256],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02387019,0.05170265,0.00002924589,0.000490239,0.00326148,0.001210877,0.0009350273,0.0002733186,0.918227],"genre_scores_gemma":[0.7511861,0.0005417702,0.00006492269,0.002026802,0.001225599,0.00005331465,0.0001444013,0.0001076085,0.2446495],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8803738,"threshold_uncertainty_score":0.9998409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3123356284","doi":"10.36517/argumentos..25.61496","title":"A evolução cética da filosofia na ficção de Machado de Assis ao longo de quatro encontros na Rua do Ouvidor","year":2020,"lang":"pt","type":"article","venue":"Argumentos - Revista de Filosofia","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Romance; Humanities; Philosophy; Physics; Art; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.02901793263558329,"gpt":0.2586728183900253,"spread":0.229654885754442,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001144178,0.001568862,0.001756478,0.0002459504,0.001547383,0.006029564,0.001659527,0.0008183839,0.01493478],"category_scores_gemma":[0.0009144911,0.00150696,0.001239613,0.0003962232,0.000560511,0.0009375503,0.0004052665,0.001840449,0.001176217],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00111613,"about_ca_system_score_gemma":0.0008876061,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000618482,"about_ca_topic_score_gemma":0.00007670052,"domain_scores_codex":[0.9912459,0.001102046,0.001711013,0.001718318,0.001133621,0.003089084],"domain_scores_gemma":[0.9950159,0.0005283072,0.0006506925,0.001379781,0.0004554975,0.001969821],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001076166,0.001768535,0.00848627,0.003994364,0.00204545,0.001377964,0.1610912,0.00002510543,0.008443451,0.4146912,0.3935882,0.003412065],"study_design_scores_gemma":[0.006004714,0.002306314,0.001219215,0.002601882,0.003502418,0.0003106917,0.01628025,0.007822732,0.001903161,0.009661887,0.9445614,0.003825305],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6041681,0.1518986,0.01229486,0.05475175,0.004683152,0.01233882,0.02284919,0.003570217,0.1334453],"genre_scores_gemma":[0.9494353,0.0005306343,0.00159309,0.02036551,0.004362335,0.0003771081,0.0005608909,0.000302379,0.02247278],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5509732,"threshold_uncertainty_score":0.9997525,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1967450746","doi":"10.7771/1481-4374.1199","title":"Postcolonial African Consciousness and the Poetry of Agostinho Neto","year":2003,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Politics; Consciousness; Literature; Art; MAGIC (telescope); Philosophy; History; Political science; Law; Physics; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.01674244240055891,"gpt":0.2405955383590288,"spread":0.2238530959584699,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001865319,0.0003404692,0.00055909,0.00004846546,0.0005897469,0.0006713095,0.0001583491,0.0001565955,0.0001633254],"category_scores_gemma":[0.0000451121,0.0001780252,0.0001170031,0.0001342235,0.001525656,0.0003077599,0.0000321145,0.0004938135,0.000004383845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007424343,"about_ca_system_score_gemma":0.00002957466,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001281698,"about_ca_topic_score_gemma":0.0001190554,"domain_scores_codex":[0.9985681,0.0002893707,0.0003195545,0.0003480648,0.0001978238,0.0002771138],"domain_scores_gemma":[0.9989713,0.0001329327,0.0001424475,0.0002196768,0.0004224623,0.0001111932],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001521248,0.00004340539,0.00005253941,0.00005542716,0.00006528298,0.000006159577,0.3300253,2.197639e-7,0.0001895422,0.6457098,0.02365923,0.00004102017],"study_design_scores_gemma":[0.002099856,0.0001779335,0.0001187304,0.0001795061,0.0001187471,0.00008683184,0.02825937,0.000007420831,0.000482173,0.02986768,0.938278,0.0003237659],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3289042,0.1234078,0.00001567034,0.002867882,0.001350313,0.001233267,0.0006257296,0.0001072895,0.5414878],"genre_scores_gemma":[0.9820976,0.0001367087,0.0000770101,0.001956194,0.000474446,0.00003055091,0.00006511526,0.00001246324,0.01514987],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9146187,"threshold_uncertainty_score":0.7259657,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2160303580","doi":"10.7202/024804ar","title":"I Lost It at the Movies : Parodic Spectatorship in Hector Babenco’s Kiss of the Spider Woman","year":2007,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"KISS (TNC); Art; Movie theater; Subversion; Icon; Filmmaking; Politics; Visual arts; Art history; Political science; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.0287578073242322,"gpt":0.2452792687313053,"spread":0.2165214614070732,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007990127,0.0004333916,0.0005293073,0.0002742023,0.0004758391,0.0002146379,0.0007539797,0.0001640598,0.001094218],"category_scores_gemma":[0.0001207388,0.0002496284,0.0004471791,0.0004138266,0.001119667,0.0002984747,0.0001800627,0.0005139513,0.00003671027],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007571808,"about_ca_system_score_gemma":0.00003869266,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003088286,"about_ca_topic_score_gemma":0.03452531,"domain_scores_codex":[0.9974439,0.0001978842,0.000843727,0.0004636173,0.0003997829,0.0006511126],"domain_scores_gemma":[0.9982106,0.0003117509,0.0002900158,0.0008254726,0.0002375732,0.0001245517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008172632,0.000268469,0.03600585,0.0003535471,0.0001008827,0.00003651832,0.05575308,0.000002468105,0.0004897098,0.8919107,0.01484181,0.0001552109],"study_design_scores_gemma":[0.0005607305,0.0001793186,0.04976541,0.0008181019,0.0001115179,0.00004899602,0.02097041,0.000005164121,0.007814893,0.005521666,0.913599,0.0006048596],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7758267,0.003522515,0.000003169344,0.002667549,0.0007694485,0.0006328603,0.00005632605,0.00008535157,0.2164361],"genre_scores_gemma":[0.9880236,0.0002201617,0.00002983607,0.002987714,0.0008373971,0.00003683948,0.00001994374,0.00005214714,0.007792374],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8987571,"threshold_uncertainty_score":0.9999956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7029603895","doi":"","title":"Katherine Vaz e a reinscrição de Mariana Alcoforado na História Literária","year":2006,"lang":"en","type":"book","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Portuguese; Subject (documents); Kingdom; Metis","retraction":null,"screen_n_in":null,"score":{"opus":0.06043607083781747,"gpt":0.3363551179351147,"spread":0.2759190470972972,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00433727,0.0005725201,0.0005956209,0.003836963,0.002632432,0.0009815721,0.001448862,0.0007350781,0.0003064839],"category_scores_gemma":[0.00110747,0.0004919957,0.0001886749,0.001041868,0.004823928,0.000779642,0.0004155127,0.00148589,0.00003348585],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001050802,"about_ca_system_score_gemma":0.003514372,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001762411,"about_ca_topic_score_gemma":0.0001537447,"domain_scores_codex":[0.9939768,0.00007034955,0.0007446372,0.00139857,0.002045352,0.001764277],"domain_scores_gemma":[0.9955524,0.0002987601,0.0002751147,0.0005030782,0.00311914,0.0002515392],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003672868,0.0001198599,0.00002296792,0.0001920586,0.00005533845,0.00003072745,0.0009641328,4.740775e-8,0.0003686288,0.6333162,0.3598232,0.005070209],"study_design_scores_gemma":[0.000414904,0.0004625656,0.00001164114,0.0001892102,0.00002526359,0.00005196173,0.0002453198,0.0001107622,0.0000865039,0.3308729,0.6671154,0.0004135069],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0010583,0.01130627,0.00008171377,0.001537123,0.0008621137,0.002228107,0.002355557,0.0004657925,0.980105],"genre_scores_gemma":[0.0243422,0.0004686261,0.0006900992,0.0001929031,0.001364565,0.0007855779,0.001444688,0.00009514215,0.9706162],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3072923,"threshold_uncertainty_score":0.9997532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2085825897","doi":"10.7202/501056ar","title":"Le Néo-picaresque brésilien au XXe siècle. L’Exemple de Macunaíma de Mário de Andrade","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.013524754706366,"gpt":0.2358715725248926,"spread":0.2223468178185266,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004528404,0.0006187733,0.0005654912,0.0001338438,0.001670087,0.001198616,0.0006702444,0.000505366,0.001301441],"category_scores_gemma":[0.0001394675,0.0006043431,0.0004214379,0.0001253738,0.001019525,0.0008446272,0.0001586749,0.0007681996,0.00016779],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007490768,"about_ca_system_score_gemma":0.001327991,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01340685,"about_ca_topic_score_gemma":0.02843593,"domain_scores_codex":[0.9961849,0.0003224086,0.000624146,0.0006607724,0.000400942,0.001806872],"domain_scores_gemma":[0.9982611,0.0002070852,0.0001412252,0.0005796556,0.0001955863,0.0006153696],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000745343,0.0005652707,0.001053512,0.0003827614,0.000178501,0.0001552626,0.06708689,0.00009262518,0.0005429487,0.8781961,0.04466665,0.007004897],"study_design_scores_gemma":[0.000972744,0.0002210559,0.003371447,0.0003748604,0.0001743772,0.0002407924,0.007562156,0.0003194084,0.002160983,0.02022577,0.9636168,0.0007595937],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3444996,0.05084426,0.0001771061,0.05553589,0.001486724,0.0006977577,0.001415099,0.0005340795,0.5448095],"genre_scores_gemma":[0.9052649,0.0005569739,0.001116121,0.007603461,0.009226206,0.00008044046,0.00008964077,0.000112034,0.07595026],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9189501,"threshold_uncertainty_score":0.9998382,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4320911610","doi":"10.1017/9781846155253.009","title":"American Dream, Jeitinho Brasileiro: On the Crossroads of Cultural Identities in Brazilian-American Literature","year":2007,"lang":"en","type":"other","venue":"","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Cartoonist; Dream; Irony; Politics; History; Narrative; Media studies; Sociology; Humanities; Political science; Art; Law; Psychology; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01689516302106883,"gpt":0.2742298092704206,"spread":0.2573346462493518,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000187204,0.0006395401,0.0008349461,0.0005066645,0.0001889667,0.0009492594,0.0006116616,0.0001949819,0.01155126],"category_scores_gemma":[0.00005104868,0.0003599243,0.0003383228,0.0003367541,0.002675386,0.0001918341,0.00006529272,0.0008352436,0.0001420947],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004579462,"about_ca_system_score_gemma":0.00003547936,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003151,"about_ca_topic_score_gemma":0.009720054,"domain_scores_codex":[0.9976882,0.0001258958,0.0005368911,0.0005151794,0.000549584,0.0005842449],"domain_scores_gemma":[0.9985679,0.0001432095,0.0004332441,0.0005848905,0.0001753213,0.00009539504],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002989536,0.0001075373,0.0001004839,0.00009773555,0.00008003013,0.00003248894,0.03119352,1.628634e-7,0.000009626529,0.3791156,0.5882894,0.0009435439],"study_design_scores_gemma":[0.0002777999,0.0002125834,0.0002622799,0.0008536379,0.00003945189,0.00000860187,0.03465352,0.000001208818,0.00009461716,0.0007024471,0.962329,0.000564896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007096632,0.002026886,0.000001530358,0.0002738356,0.0007434844,0.0003964482,0.0006786979,0.0001810184,0.9886014],"genre_scores_gemma":[0.1157803,0.0002493608,0.00004037547,0.004026513,0.002062159,0.00003242316,0.0002519478,0.0002432718,0.8773136],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3784131,"threshold_uncertainty_score":0.9998853,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2806710409","doi":"10.11606/d.100.2018.tde-07052018-113350","title":"Traje interior no século XIX: construção passo a passo de cinco estruturas","year":2018,"lang":"pt","type":"dissertation","venue":"","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Art; Visual arts; Art history; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01314025115444193,"gpt":0.251756786197418,"spread":0.2386165350429761,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0003165248,0.001380991,0.001293793,0.0002779649,0.001371787,0.00307987,0.0007921494,0.001254254,0.03074707],"category_scores_gemma":[0.0001658877,0.001093735,0.000870356,0.0001184257,0.0006790335,0.0006547244,0.00007744696,0.001272397,0.002823668],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001890637,"about_ca_system_score_gemma":0.0004507283,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005906304,"about_ca_topic_score_gemma":0.003014863,"domain_scores_codex":[0.9952177,0.0002276113,0.001329185,0.00119304,0.0006910795,0.001341345],"domain_scores_gemma":[0.9964902,0.0001600243,0.0005454913,0.0007622567,0.001542482,0.0004994798],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000655472,0.0004759477,0.0002402446,0.001776558,0.00118251,0.0002021278,0.2137216,1.041905e-7,0.001356587,0.5439718,0.2306851,0.005731947],"study_design_scores_gemma":[0.00173961,0.0008908254,0.0003742134,0.002079213,0.0009335311,0.0001063335,0.09201218,0.0001251433,0.002082527,0.003368057,0.8941434,0.00214494],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2292709,0.00186242,0.00005703013,0.0004417529,0.01473626,0.00114439,0.001375879,0.0004443655,0.750667],"genre_scores_gemma":[0.5078199,0.0001872701,0.0003423062,0.003078142,0.005670812,0.0001404551,0.003403075,0.0001642547,0.4791938],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6634583,"threshold_uncertainty_score":0.9999283,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3157690650","doi":"10.4000/books.pub.42982","title":"Le chemin des cousins : exils et savoirs dans Pelourinho","year":2008,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02027585958514766,"gpt":0.207134603946924,"spread":0.1868587443617764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0001402512,0.001096611,0.000853292,0.0002774495,0.002703636,0.0006224974,0.0009118018,0.0007417587,0.001412482],"category_scores_gemma":[0.00003529183,0.001193524,0.0006255134,0.00002325225,0.004366709,0.0006034128,0.0004081252,0.001098102,0.0001132753],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003799518,"about_ca_system_score_gemma":0.0009849599,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002515135,"about_ca_topic_score_gemma":0.004490552,"domain_scores_codex":[0.9968349,0.0001151652,0.0005516397,0.0009080998,0.0005467157,0.001043491],"domain_scores_gemma":[0.9976126,0.0002294113,0.0003309352,0.0007415708,0.0006301387,0.0004553691],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001471638,0.000145288,0.0000250541,0.0006017486,0.0005588626,0.001339107,0.0514901,0.00003452521,0.0002433694,0.9255559,0.01625116,0.003607677],"study_design_scores_gemma":[0.001028467,0.0002059659,0.0000535615,0.001099668,0.0006024689,0.0002531254,0.009575663,0.00001964965,0.000908586,0.03837871,0.9465576,0.001316525],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004664841,0.01133577,0.0001133538,0.0008237395,0.000494831,0.0005426707,0.001402791,0.0003119881,0.98031],"genre_scores_gemma":[0.4921373,0.00379771,0.0003530957,0.0006891871,0.0009260959,0.00001261672,0.0002862252,0.0001957363,0.501602],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9303064,"threshold_uncertainty_score":0.9995003,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2084204442","doi":"10.3828/bhs.84.4.6","title":"A Rosary of Disbelief: Unity beyond the Nation in <i>O Fio das Missangas</i>","year":2007,"lang":"en","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Guelph","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.03802133692838072,"gpt":0.2765028643083472,"spread":0.2384815273799665,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005716469,0.000144607,0.0002902766,0.00006425723,0.0002088147,0.00002159388,0.0001806083,0.00004547253,0.0003927062],"category_scores_gemma":[0.0001850604,0.00009121773,0.00008995672,0.00005798158,0.0004977827,0.00004078081,0.00007397294,0.0001690156,0.00001136506],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002523463,"about_ca_system_score_gemma":0.00001422101,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002854081,"about_ca_topic_score_gemma":0.001230418,"domain_scores_codex":[0.9989295,0.00006104386,0.000410053,0.0001500535,0.0002432357,0.0002060885],"domain_scores_gemma":[0.9990257,0.0003494243,0.000141898,0.0001881561,0.000272835,0.00002198863],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009731372,0.0003029496,0.0002792227,0.0002976193,0.0001530126,0.00001145048,0.158795,0.000001676173,0.0003286031,0.5739568,0.2646443,0.001131994],"study_design_scores_gemma":[0.0004817232,0.000133825,0.0009863157,0.0001353878,0.00004684917,0.000002614433,0.0457265,8.762026e-7,0.0009077846,0.005555545,0.9458851,0.0001374373],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5447716,0.0802776,0.00000845845,0.01155135,0.00160841,0.000708447,0.0001891023,0.00007490662,0.3608101],"genre_scores_gemma":[0.9850044,0.0003580013,0.0000406107,0.001325195,0.0003260536,0.00001186675,0.00001183142,0.00001191678,0.01291016],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6812409,"threshold_uncertainty_score":0.4299857,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2618320290","doi":"10.26512/belasinfieis.v3.n1.2014.11272","title":"Growing Agency:","year":2014,"lang":"pt","type":"article","venue":"Belas Infiéis","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Agency (philosophy); Art; Portuguese; Movie theater; Resistance (ecology); Politics; Sociology; Political science; Art history; Linguistics; Philosophy; Social science","retraction":null,"screen_n_in":null,"score":{"opus":0.02143176601592046,"gpt":0.2367809113771235,"spread":0.215349145361203,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003078622,0.0004311989,0.0004266292,0.0001181767,0.0009889244,0.0009814327,0.0003776233,0.0002635455,0.005357085],"category_scores_gemma":[0.00009698861,0.0003708445,0.0003129166,0.00008746479,0.0002552137,0.0007426204,0.00007486169,0.0005067289,0.001941355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000381236,"about_ca_system_score_gemma":0.00004293576,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001198601,"about_ca_topic_score_gemma":0.00009461461,"domain_scores_codex":[0.9978441,0.0001244638,0.0004992202,0.0004760591,0.0003886672,0.0006675003],"domain_scores_gemma":[0.9988312,0.000111892,0.0001235751,0.0005275006,0.0001947234,0.0002111744],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001430454,0.00009433655,0.0000836789,0.0001727813,0.0000955552,0.00001825516,0.06083517,0.000001669319,0.000120018,0.8381006,0.09241816,0.008045433],"study_design_scores_gemma":[0.0005376005,0.0001704795,0.0002587243,0.0002576209,0.0001570426,0.00001320017,0.003940673,0.0001089462,0.0001888277,0.009472577,0.9843386,0.000555648],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06837334,0.006039361,0.00009233404,0.001465848,0.006743539,0.0002854305,0.0001576814,0.0002503765,0.9165921],"genre_scores_gemma":[0.8064938,0.00007524178,0.00005253204,0.006391394,0.005592192,0.00001988663,0.0000648935,0.00006213247,0.181248],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8919205,"threshold_uncertainty_score":0.9998744,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1949946963","doi":"10.15210/interfaces.v14i1.6792","title":"Kamouraska, de Anne Hébert, em tradução brasileira: o tema da maternidade","year":2014,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02535986138469469,"gpt":0.2409457223937423,"spread":0.2155858610090476,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.001158879,0.00134013,0.001270875,0.0005103212,0.002539752,0.003420457,0.001420008,0.001263854,0.0006916184],"category_scores_gemma":[0.0005260759,0.001228551,0.0007475694,0.0004422528,0.0001191162,0.001303017,0.0003028517,0.001716744,0.0001807937],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008399861,"about_ca_system_score_gemma":0.0005495063,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001022525,"about_ca_topic_score_gemma":0.000580795,"domain_scores_codex":[0.9922979,0.001117329,0.00158708,0.001571781,0.001388031,0.002037887],"domain_scores_gemma":[0.9955519,0.0004098526,0.0006996945,0.001249476,0.000858373,0.00123067],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002818916,0.001104469,0.0004597971,0.0006168211,0.0004190289,0.0003126466,0.03564734,0.00002357525,0.001233918,0.9419916,0.01647077,0.001438114],"study_design_scores_gemma":[0.002202584,0.0002875437,0.00468683,0.0007161769,0.0004141551,0.001709533,0.00611026,0.0007042887,0.0009250186,0.00147173,0.9792551,0.001516767],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3660476,0.006094657,0.002147842,0.02111328,0.009023661,0.001989844,0.001247425,0.00163456,0.5907011],"genre_scores_gemma":[0.9753251,0.0001205118,0.0004740865,0.002018885,0.005586855,0.0002414182,0.0006103209,0.0002003324,0.01542251],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9627843,"threshold_uncertainty_score":0.999935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3110881708","doi":"10.18309/anp.v51iesp.1524","title":"O último sopro de Clarice: Um sopro de vida como Ars Poetica","year":2020,"lang":"pt","type":"article","venue":"Revista da Anpoll","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Humanities; Art; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.03406122893541018,"gpt":0.2630069877834252,"spread":0.228945758848015,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004222943,0.0007385978,0.0009226658,0.00008824965,0.001002501,0.003560212,0.000768017,0.0004625716,0.003454701],"category_scores_gemma":[0.0001985902,0.0006565808,0.0005555382,0.0002180543,0.000498282,0.0004298009,0.0002036125,0.001254323,0.0008092572],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001798822,"about_ca_system_score_gemma":0.0003333212,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001688957,"about_ca_topic_score_gemma":0.00004152382,"domain_scores_codex":[0.9960906,0.0003538412,0.000834504,0.0008595347,0.000534729,0.001326821],"domain_scores_gemma":[0.9978382,0.0001329494,0.000248196,0.0006753994,0.0002817132,0.0008235193],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001523968,0.0003254956,0.000295802,0.002390082,0.0002763124,0.000489337,0.05762662,0.000002771066,0.0005725595,0.6767142,0.2598429,0.001311503],"study_design_scores_gemma":[0.000953008,0.0003810937,0.0001586531,0.0006119885,0.0005484814,0.00006648186,0.007157566,0.0005016373,0.000242938,0.002670983,0.985813,0.0008941398],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1461757,0.1887961,0.001230546,0.09940357,0.004060981,0.004992713,0.007566794,0.001787727,0.5459858],"genre_scores_gemma":[0.9216414,0.0009745703,0.00036618,0.03481429,0.004300634,0.00005348707,0.0003038647,0.0001664205,0.03737917],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7754657,"threshold_uncertainty_score":0.9999687,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1543445405","doi":"10.21083/csieci.v7i1.1250","title":"“Writing by Ear”: Clarice Lispector, Machado de Assis, and Guimarães Rosa and the Mimesis of Improvisation","year":2011,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Orality; Improvisation; Art; Comedy; Literature; Bass (fish); Humanities; Visual arts; Sociology; Literacy; Biology","retraction":null,"screen_n_in":null,"score":{"opus":0.05755954997594129,"gpt":0.3125882120781576,"spread":0.2550286621022163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.002069624,0.0004288394,0.00062137,0.0001820229,0.0006311017,0.000413641,0.0002281311,0.000244268,0.00008125726],"category_scores_gemma":[0.002926793,0.0003303241,0.0001162914,0.0001204038,0.002671837,0.001256158,0.0001911638,0.0004849267,0.000001757821],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002397173,"about_ca_system_score_gemma":0.00008079704,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001591254,"about_ca_topic_score_gemma":0.0006016952,"domain_scores_codex":[0.9967098,0.0005879943,0.001014468,0.000604896,0.00040552,0.0006773002],"domain_scores_gemma":[0.9971695,0.001475168,0.0002137151,0.0002862685,0.0007033267,0.0001520475],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002013697,0.0002013477,0.001006026,0.00097022,0.0001065815,0.000004723272,0.1411109,1.666368e-7,0.002760946,0.8421149,0.0008889974,0.01063389],"study_design_scores_gemma":[0.01232038,0.002656206,0.02211563,0.001701216,0.001818806,0.000127921,0.5281957,0.005254306,0.03270074,0.3687469,0.0209362,0.003425968],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9211238,0.02809962,0.002613755,0.01400607,0.001871894,0.003612826,0.000627225,0.000624252,0.02742054],"genre_scores_gemma":[0.9943045,0.001276269,0.001505199,0.001852357,0.0005004489,0.0002848051,0.00005554976,0.00004679645,0.0001740157],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4733679,"threshold_uncertainty_score":0.9999149,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2767886662","doi":"10.3828/bhs.2017.69","title":"‘Memórias emprestadas’: From the Post-national State to the End of Socialist Internationalism in Ondjaki’s <i>AvóDeznove e o segredo do Soviético</i> and <i>Sonhos azuis pelas esquinas</i>","year":2017,"lang":"en","type":"article","venue":"Bulletin of Hispanic Studies","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Guelph","funders":"","keywords":"Ideology; National identity; Humanities; Political science; State (computer science); History; Politics; Art; Economic history; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.03576922365377095,"gpt":0.2808430593557274,"spread":0.2450738357019565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003952629,0.0002269643,0.0003845431,0.00004261481,0.0007247371,0.0003129159,0.0005829904,0.00004759282,0.0007186794],"category_scores_gemma":[0.0006258773,0.0001340256,0.0001072829,0.00001982531,0.001072201,0.0001056373,0.0003791768,0.0001983542,0.00002069246],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003643936,"about_ca_system_score_gemma":0.00005498021,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003569371,"about_ca_topic_score_gemma":0.006221586,"domain_scores_codex":[0.9984103,0.0001019437,0.0004578783,0.0002914733,0.0005145897,0.0002238567],"domain_scores_gemma":[0.9980988,0.0005609796,0.0003302908,0.0003467963,0.0006263732,0.00003678476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001673873,0.0001410211,0.0004546046,0.0000679809,0.0004076699,0.000008217073,0.2079541,0.000003118091,0.0002229349,0.4884543,0.3010803,0.001038342],"study_design_scores_gemma":[0.001002629,0.0001359023,0.007110914,0.0002445392,0.00008071575,0.000003031661,0.02924111,0.000002732457,0.000261585,0.01644419,0.9452341,0.0002385278],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7419896,0.02704688,0.000005837765,0.1412128,0.003064993,0.001308645,0.008143632,0.00004743839,0.07718018],"genre_scores_gemma":[0.9872034,0.0004421563,0.0000710812,0.004602217,0.0007818838,0.00005466549,0.00003069762,0.00002012265,0.006793813],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6441538,"threshold_uncertainty_score":0.7869036,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2291558227","doi":"10.22456/2594-8962.55658","title":"Benjamin Péret: um surrealista No Brasil (1929-1931)","year":2015,"lang":"pt","type":"article","venue":"Revista Conexão Letras","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Association of Nurses in Oncology","funders":"","keywords":"Philosophy; Humanities; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.04933064911616848,"gpt":0.2684134569803785,"spread":0.21908280786421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009536901,0.001046323,0.001304016,0.000219454,0.0007766067,0.004215994,0.0008931794,0.0005381373,0.005453703],"category_scores_gemma":[0.0004566089,0.0009286937,0.0005821892,0.0002461535,0.0007768689,0.0008953735,0.0001885247,0.001103252,0.003617756],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002539339,"about_ca_system_score_gemma":0.000351893,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000680431,"about_ca_topic_score_gemma":0.0003381077,"domain_scores_codex":[0.9947228,0.0004377206,0.001301789,0.001132646,0.001081136,0.001323939],"domain_scores_gemma":[0.9959255,0.0001900573,0.0004272582,0.00127825,0.001391797,0.0007871665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009406848,0.0002788587,0.0003081381,0.0007715785,0.0001929135,0.0001968272,0.01434841,7.212625e-7,0.00006732744,0.4436941,0.5391183,0.0009287566],"study_design_scores_gemma":[0.00166315,0.0004311989,0.0001624558,0.0007846326,0.000382135,0.00004476434,0.006176073,0.00008294682,0.00004684494,0.00057343,0.9883913,0.001261072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05979212,0.1083778,0.0000940836,0.004182015,0.0111122,0.00206616,0.004729869,0.0007308464,0.8089148],"genre_scores_gemma":[0.7240532,0.0005073412,0.00004606463,0.007071299,0.007820069,0.00004939092,0.001043476,0.0002024323,0.2592067],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6642611,"threshold_uncertainty_score":0.9993163,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W54280594","doi":"","title":"Clarice Lispector y la economía andrógina de \"Agua viva\"","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01382408935497446,"gpt":0.2282165237565974,"spread":0.2143924344016229,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007443143,0.000788147,0.0009763035,0.0002450396,0.001127651,0.002742448,0.0006151804,0.0004338111,0.001803564],"category_scores_gemma":[0.0002313642,0.0007577688,0.0004574164,0.0001817938,0.0004833821,0.0004444327,0.0001118019,0.0009776129,0.0002574338],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001020361,"about_ca_system_score_gemma":0.0007261226,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001206029,"about_ca_topic_score_gemma":0.005726442,"domain_scores_codex":[0.9959602,0.0004608489,0.0007468088,0.0008871995,0.0003171556,0.001627754],"domain_scores_gemma":[0.9973233,0.0003169072,0.000277923,0.0008839107,0.0003372075,0.0008607181],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007826327,0.0002378692,0.003270077,0.0004746629,0.0002938274,0.002026203,0.01385368,0.000003433488,0.00007437758,0.926275,0.05214779,0.001264796],"study_design_scores_gemma":[0.0009146575,0.0002337133,0.003930402,0.0005777918,0.0005273984,0.0008669201,0.002257509,0.0001022056,0.0000229755,0.0002521081,0.9893609,0.0009534744],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.938961,0.02162828,0.00002536833,0.000782668,0.0007027155,0.000608805,0.0006410817,0.0001697835,0.03648034],"genre_scores_gemma":[0.978607,0.004137158,0.00009343694,0.003857758,0.003201201,0.00008719172,0.00006918283,0.0001342519,0.009812797],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9372131,"threshold_uncertainty_score":0.9994873,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2793429180","doi":"10.1093/obo/9780195399301-0313","title":"Luís de Camões","year":2015,"lang":"en","type":"reference-entry","venue":"Renaissance and Reformation","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Portuguese; Sonnet; Poetry; History; Literature; Colonialism; Empire; Politics; Classics; Art; Ancient history; Philosophy; Political science; Linguistics; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.03217425336694971,"gpt":0.2463491410655361,"spread":0.2141748876985864,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001551825,0.000243261,0.0002887459,0.00009167426,0.0003160212,0.0004206192,0.0001216111,0.0002746299,0.0001827782],"category_scores_gemma":[0.00001805211,0.0001540874,0.00006660114,0.000026751,0.0001516562,0.0005987306,0.00003095101,0.000373234,0.00008110073],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000833694,"about_ca_system_score_gemma":0.0000972252,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009430076,"about_ca_topic_score_gemma":0.0001317243,"domain_scores_codex":[0.9989818,0.00004032357,0.0002717763,0.0001817541,0.000253428,0.0002709023],"domain_scores_gemma":[0.9993349,0.00001083525,0.0001511195,0.000175639,0.000218904,0.0001086225],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001075735,0.00001771541,0.000003966145,0.0006035606,0.00002908929,0.000003594325,0.02559534,2.498815e-7,4.585817e-7,0.06108146,0.8985617,0.01409214],"study_design_scores_gemma":[0.0002155609,0.0000466579,0.00001265728,0.0007128487,0.00005097768,0.0000196271,0.002375167,0.00001814668,0.00001348728,0.005856601,0.9904255,0.0002527537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0009373231,0.03721385,0.00000927967,0.0002145382,0.001326233,0.000156739,0.0002412343,0.00009149426,0.9598093],"genre_scores_gemma":[0.1737645,0.07578419,0.0001153067,0.001856093,0.01327338,0.000104492,0.004454757,0.00008618152,0.7305611],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.2292482,"threshold_uncertainty_score":0.6283503,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2281734953","doi":"10.21992/t9kk8f","title":"Just How Marginal Was Machado de Assis? The Early Translations and the Borges Connection","year":2014,"lang":"en","type":"article","venue":"TranscUlturAl A Journal of Translation and Cultural Studies","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Latin Americans; History of literature; History; Latin American literature; Literature; Humanities; Art; Art history; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.06478909463431318,"gpt":0.2719646904215371,"spread":0.207175595787224,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004863525,0.0002260256,0.0003464988,0.00003210422,0.001555797,0.0007775129,0.0001223705,0.0000564239,0.00003666489],"category_scores_gemma":[0.00003245155,0.00008749213,0.0002370474,0.00005702253,0.001089353,0.0007290263,0.000004202414,0.0003458794,8.785953e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001243813,"about_ca_system_score_gemma":0.000008442937,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005546884,"about_ca_topic_score_gemma":0.0007231894,"domain_scores_codex":[0.9987888,0.0002633026,0.0003405019,0.0001343437,0.000264227,0.0002087805],"domain_scores_gemma":[0.9991374,0.0001913861,0.0001454803,0.00006159599,0.0003942699,0.00006986938],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004382393,0.0000351078,0.000195287,0.0001142421,0.0006493735,0.000002345661,0.7556375,0.00001067219,0.0006727843,0.2224169,0.002198399,0.01762919],"study_design_scores_gemma":[0.01224993,0.0007372175,0.01966227,0.0004314431,0.002695799,0.0007514984,0.2845643,0.0006211406,0.0003077669,0.01568869,0.6614674,0.0008225527],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.735223,0.08764268,0.0005238371,0.1698276,0.001058683,0.0005894278,0.00004273998,0.0000615321,0.005030546],"genre_scores_gemma":[0.9949776,0.002506535,0.00009110278,0.0005792568,0.0007809093,0.00001277757,0.000005222346,0.000008402164,0.001038174],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.659269,"threshold_uncertainty_score":0.9997441,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395089904","doi":"10.33662/ctp.v14i02.20817","title":"“Eu Tinha Tanto Pra Dizer, Metade Eu Tive Que Esquecer”","year":2024,"lang":"pt","type":"article","venue":"Cadernos do Tempo Presente","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Chemistry","retraction":null,"screen_n_in":null,"score":{"opus":0.02893802639690301,"gpt":0.2790836020919936,"spread":0.2501455756950905,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000508001,0.001089805,0.0009928924,0.0003421436,0.0009479569,0.005597437,0.0009053376,0.0006794845,0.005595367],"category_scores_gemma":[0.0001911662,0.0008684434,0.0008489125,0.0002746971,0.0007159967,0.001595584,0.0003868312,0.00206743,0.002431236],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001857724,"about_ca_system_score_gemma":0.000283205,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000602401,"about_ca_topic_score_gemma":0.0002223807,"domain_scores_codex":[0.9945124,0.0005026943,0.001068827,0.001538327,0.001027767,0.001349997],"domain_scores_gemma":[0.9974215,0.0004321069,0.0002094097,0.0009655724,0.0004389828,0.0005323982],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007564417,0.0002312038,0.00003099722,0.001134849,0.0009338288,0.0004612963,0.07367391,0.000002076502,0.0004683548,0.4657708,0.4568241,0.0003929467],"study_design_scores_gemma":[0.0007236262,0.0002087342,0.00003797642,0.00164053,0.0007638074,0.00007695828,0.01503362,0.000365613,0.001534269,0.003753948,0.9747722,0.001088786],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01253922,0.3118421,0.0001111635,0.02097723,0.0168625,0.002972533,0.004358066,0.001423648,0.6289136],"genre_scores_gemma":[0.5565838,0.0009927369,0.00002287662,0.002617934,0.006158004,0.0001669699,0.0001997369,0.000185694,0.4330722],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5440446,"threshold_uncertainty_score":0.9993767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2334019527","doi":"10.17771/pucrio.ateo.24975","title":"POR UMA HERMENÊUTICA BÍBLICA PNEUMÁTICA: CLODOVIS BOFF E A HERMENÊUTICA DA LIBERTAÇÃO","year":2015,"lang":"pt","type":"article","venue":"Atualidade Teológica","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Cégep de l'Outaouais","funders":"","keywords":"Philosophy; Theology; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.06477170498594817,"gpt":0.2794852972931939,"spread":0.2147135923072457,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0009357018,0.001845727,0.001912949,0.0004206716,0.001554094,0.004758743,0.001722443,0.001179622,0.0110718],"category_scores_gemma":[0.0005464109,0.001577888,0.0009437733,0.0006062835,0.001611628,0.001301962,0.0006954345,0.002056651,0.005834748],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003635933,"about_ca_system_score_gemma":0.0006531525,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002651491,"about_ca_topic_score_gemma":0.0001416597,"domain_scores_codex":[0.9902481,0.0007754723,0.00203569,0.002110431,0.00196612,0.002864167],"domain_scores_gemma":[0.9933496,0.0004758076,0.0005631931,0.002228879,0.001124436,0.002258057],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004548258,0.001424337,0.00005626418,0.0003414493,0.0006311183,0.0005840596,0.1211737,0.00000214645,0.0002606819,0.4998673,0.3723894,0.002814766],"study_design_scores_gemma":[0.00346298,0.001436098,0.0001425159,0.0004971843,0.0009260662,0.0002454127,0.03434926,0.0002934801,0.0002588785,0.009845454,0.9462844,0.002258316],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06665383,0.01306687,0.00003269866,0.0214514,0.006567896,0.002346312,0.001581576,0.001389333,0.8869101],"genre_scores_gemma":[0.7321926,0.0001785171,0.0002501222,0.01207644,0.004291262,0.0001772081,0.0004870858,0.0002986604,0.2500481],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6655388,"threshold_uncertainty_score":0.9997457,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2442269757","doi":"10.1590/2237-101x011021012","title":"Peronismo e cultura: o Primeiro Congresso de Bibliotecas Populares da Província de Buenos Aires (1949)","year":2010,"lang":"pt","type":"article","venue":"Topoi (Rio de Janeiro)","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre Jeunesse de Quebec","funders":"","keywords":"Humanities; Political science; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02067178651447356,"gpt":0.266260313430029,"spread":0.2455885269155555,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007950609,0.001021107,0.0009322167,0.0007383715,0.002203517,0.005790174,0.001143123,0.001126221,0.004911226],"category_scores_gemma":[0.0003919906,0.0008742138,0.0005532415,0.0004150122,0.001089189,0.0009840435,0.0002563638,0.002564759,0.0004430028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003461211,"about_ca_system_score_gemma":0.000751266,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006653411,"about_ca_topic_score_gemma":0.00919247,"domain_scores_codex":[0.9948087,0.0003717733,0.0009198569,0.001033948,0.0007508128,0.002114936],"domain_scores_gemma":[0.9970039,0.0001851725,0.0003632899,0.001081435,0.00058454,0.0007817346],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003673799,0.001043818,0.00473543,0.001203978,0.0006037686,0.001160258,0.2580094,0.0000105351,0.03111097,0.4690662,0.2256956,0.006992712],"study_design_scores_gemma":[0.001684667,0.0003930202,0.008575973,0.0003969796,0.0005121197,0.0005670757,0.01048994,0.0001702004,0.0088084,0.00725138,0.9596148,0.001535465],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9103903,0.009707049,0.0000478317,0.0040452,0.003677972,0.001253068,0.0008211778,0.0005365068,0.06952089],"genre_scores_gemma":[0.8757977,0.000361517,0.0005489475,0.004311833,0.004926329,0.0001325341,0.0002241085,0.0001663377,0.1135307],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7339192,"threshold_uncertainty_score":0.9999614,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2093430628","doi":"10.4000/trans.239","title":"(Miscege)nación en O Cortiço","year":2008,"lang":"fr","type":"article","venue":"TRANS-","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.0233200328444102,"gpt":0.2227632003457425,"spread":0.1994431675013323,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009499672,0.0003197317,0.0003287632,0.00005161827,0.000787501,0.0001858028,0.0002352311,0.0002399118,0.01176232],"category_scores_gemma":[0.00000776553,0.0002858766,0.0002705313,0.00005295427,0.0006995526,0.0003495143,0.00001018815,0.000463342,0.0008218355],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003552232,"about_ca_system_score_gemma":0.00006287293,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003951206,"about_ca_topic_score_gemma":0.0002667771,"domain_scores_codex":[0.9983745,0.0001028889,0.0003574673,0.0003285707,0.0002864826,0.0005501515],"domain_scores_gemma":[0.9993117,0.00006198712,0.00003946813,0.0002770321,0.000126984,0.000182779],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003591907,0.0002965584,0.00006260694,0.0002454612,0.00009290124,0.0003388661,0.1387957,0.000002575361,0.0001700393,0.7755657,0.08151929,0.00287445],"study_design_scores_gemma":[0.0005826978,0.000153248,0.0003391598,0.000148234,0.0001334228,0.0001619985,0.002277174,0.00001556597,0.0005674543,0.003627894,0.9915817,0.0004113863],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1194891,0.09278215,0.0001178794,0.008695142,0.00566661,0.0003885706,0.0007147034,0.0002187288,0.7719271],"genre_scores_gemma":[0.59359,0.002188178,0.00006539384,0.001479644,0.002902689,0.00001305021,0.00005589819,0.00003632495,0.3996688],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9100625,"threshold_uncertainty_score":0.9999593,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4310251680","doi":"10.5752/p.2358-3428.2022v26n56p329-342","title":"Metaficção Historiográfica em Desmundo, de Ana Miranda","year":2022,"lang":"pt","type":"article","venue":"Scripta","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"WSP (Canada)","funders":"","keywords":"Humanities; Philosophy; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.03318095706814738,"gpt":0.2321665856651253,"spread":0.1989856285969779,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000570787,0.0004725868,0.0005562974,0.0002092597,0.00298372,0.0009946846,0.0007354533,0.0001321471,0.02549055],"category_scores_gemma":[0.00003985321,0.0004560897,0.0005109721,0.000170696,0.0002228893,0.0003604181,0.0002557103,0.001034319,0.0002272696],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004481844,"about_ca_system_score_gemma":0.0002026302,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005306596,"about_ca_topic_score_gemma":0.0006486208,"domain_scores_codex":[0.9968246,0.0004198653,0.0005448077,0.0006319891,0.0006735256,0.0009052771],"domain_scores_gemma":[0.9986842,0.00002953099,0.0001598439,0.0006843603,0.0001647411,0.0002773266],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001123429,0.0003220025,0.00005179498,0.0001011211,0.0002097559,0.0001609224,0.1318438,0.000001925099,0.0001504733,0.1987252,0.6672477,0.001072973],"study_design_scores_gemma":[0.0009384656,0.0003320885,0.00008368734,0.00003501768,0.0003746184,0.00005422871,0.05083216,0.00008242544,0.00004278826,0.002981101,0.9436731,0.0005702651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08155298,0.2637154,0.0001122883,0.005620407,0.09582382,0.001905653,0.005287231,0.0009473489,0.5450348],"genre_scores_gemma":[0.520904,0.00007959503,0.00005340581,0.005368586,0.001623821,0.0001020401,0.0001778523,0.00007112822,0.4716196],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.439351,"threshold_uncertainty_score":0.9997891,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2187193243","doi":"10.64729/an.acervo.v28i2.636","title":"Entrevista com Luciana Duranti","year":2015,"lang":"en","type":"article","venue":"Acervo","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science; Environmental science","retraction":null,"screen_n_in":null,"score":{"opus":0.04708439291669189,"gpt":0.2357750109643656,"spread":0.1886906180476737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008736675,0.000122055,0.0001409322,0.00002811356,0.0001514236,0.0004568874,0.0001572416,0.00004190551,0.001773195],"category_scores_gemma":[0.00002598558,0.0000911866,0.00006964443,0.00002287275,0.000105121,0.0002479468,0.00003104365,0.0001139345,0.0007973826],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001706587,"about_ca_system_score_gemma":0.00002239008,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00009553919,"about_ca_topic_score_gemma":0.0001171317,"domain_scores_codex":[0.999289,0.00002951405,0.0001438875,0.0001533707,0.0001745262,0.000209717],"domain_scores_gemma":[0.9994797,0.0000162919,0.0000325759,0.0002127268,0.0001429277,0.0001157785],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007581218,0.00002916941,0.00006779844,0.00001505699,0.00001560271,0.00001530756,0.01900993,1.78818e-7,0.000009194663,0.4205041,0.5599663,0.0003598186],"study_design_scores_gemma":[0.0003634308,0.00003312156,0.00003847056,0.00002410783,0.00002419302,0.000005496812,0.003766823,0.00001074365,0.00006010213,0.005282323,0.9902461,0.0001451489],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02519307,0.005864202,0.00001569084,0.01152507,0.002054423,0.0002136411,0.00009652848,0.0002332961,0.9548041],"genre_scores_gemma":[0.7234318,0.00001439572,0.00001053265,0.003246034,0.001365742,0.00000709604,0.00005419137,0.00001694896,0.2718532],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6982388,"threshold_uncertainty_score":0.9999806,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2525722475","doi":"10.5007/1807-9288.2016v12n1p200","title":"Carta da personagem dum poema ao seu autor","year":2016,"lang":"pt","type":"article","venue":"Texto Digital","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Emissions Reduction Alberta","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.04377873558732785,"gpt":0.2572337763875099,"spread":0.213455040800182,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009547089,0.0005707068,0.0004799931,0.0001064609,0.0006581108,0.004032953,0.0004478766,0.0002311703,0.007886425],"category_scores_gemma":[0.00007516469,0.0003654301,0.000407384,0.00006731689,0.0005830275,0.002127615,0.0001650902,0.000258003,0.005024112],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000966612,"about_ca_system_score_gemma":0.00008463507,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000356827,"about_ca_topic_score_gemma":0.00004850728,"domain_scores_codex":[0.9974456,0.00004171526,0.0004585358,0.0006784702,0.0004956702,0.0008799696],"domain_scores_gemma":[0.998626,0.0001174343,0.0001184655,0.0005799722,0.0002363364,0.0003217722],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007508951,0.0003555463,0.0002424562,0.0001813576,0.0002404459,0.0002195579,0.0533942,7.999508e-8,0.0001619684,0.5913911,0.337411,0.01632716],"study_design_scores_gemma":[0.0009989832,0.0002365259,0.0002767957,0.0003593673,0.00009678693,0.00004066135,0.008348537,0.000008177719,0.00007063016,0.00298261,0.9858401,0.0007408457],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1067994,0.003622096,0.00002995877,0.002934454,0.003636136,0.0004811352,0.00530607,0.0004366933,0.876754],"genre_scores_gemma":[0.5665162,0.00001364361,0.000003060272,0.0007989267,0.002093896,0.0000127384,0.00007442074,0.00005120513,0.4304359],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.648429,"threshold_uncertainty_score":0.9998798,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2293235178","doi":"","title":"A tradução da identidade migrante em Le pavillon des miroirs / A casa dos Espelhos de Sérgio Kokis","year":2004,"lang":"pt","type":"article","venue":"Encontro Nacional de Professores de Letras e Artes","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Portuguese; Art; Sociology; History; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.02121746030063514,"gpt":0.2577887884909401,"spread":0.236571328190305,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000868893,0.0009844474,0.000954236,0.0003568388,0.001994259,0.001835141,0.0008426983,0.0006371159,0.0006921405],"category_scores_gemma":[0.0003114542,0.0008941205,0.0008827964,0.0002404364,0.0009835199,0.001123119,0.0001083303,0.001512625,0.0002396255],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006227064,"about_ca_system_score_gemma":0.0007978109,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001711974,"about_ca_topic_score_gemma":0.007375119,"domain_scores_codex":[0.9943871,0.0005892944,0.001053809,0.0009399827,0.0008304373,0.002199324],"domain_scores_gemma":[0.9975886,0.0005006004,0.0003260571,0.0005554007,0.0004004846,0.0006288429],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0007583402,0.001489897,0.003519417,0.0009013737,0.0007997452,0.001300603,0.3730545,0.0001172576,0.008151684,0.6011348,0.008024575,0.0007477223],"study_design_scores_gemma":[0.02581756,0.00178977,0.04301918,0.006717182,0.002084446,0.003124719,0.2666437,0.001147681,0.02355737,0.4915113,0.1290472,0.00553982],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9614627,0.02458056,0.000829252,0.007368329,0.0009533237,0.001074505,0.000786344,0.0002815437,0.002663406],"genre_scores_gemma":[0.9816909,0.000414723,0.0006411002,0.004861599,0.002173172,0.0002823826,0.0001689041,0.0001422572,0.009624986],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1210226,"threshold_uncertainty_score":0.999351,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2586088950","doi":"10.1484/m.ipm-eb.5.112155","title":"Tendenda Vela","year":2007,"lang":"fr","type":"book","venue":"Instrumenta patristica et mediaevalia","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Vela; Physics; Astrophysics","retraction":null,"screen_n_in":null,"score":{"opus":0.03456566753320605,"gpt":0.2845277669822491,"spread":0.249962099449043,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.001517674,0.00155431,0.001430204,0.0004674548,0.001136876,0.001294956,0.001018945,0.001412822,0.02431078],"category_scores_gemma":[0.0004115111,0.001410451,0.000769342,0.0001253023,0.00299874,0.0005480851,0.0003143136,0.002727428,0.004295339],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008080111,"about_ca_system_score_gemma":0.0008573678,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005714546,"about_ca_topic_score_gemma":0.0005750683,"domain_scores_codex":[0.9928093,0.000511923,0.001762957,0.001359601,0.001863746,0.001692489],"domain_scores_gemma":[0.995998,0.0008716055,0.0005928145,0.001031963,0.0005864835,0.0009191376],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008309414,0.0002793264,0.00008020597,0.00069144,0.0003908945,0.0006900381,0.006050552,2.125192e-7,0.00001460287,0.7141112,0.2693148,0.008293642],"study_design_scores_gemma":[0.001498892,0.000411769,0.00009538393,0.001226187,0.001248912,0.0001642614,0.002606546,0.00001851828,0.0000936604,0.02967025,0.9613907,0.001574907],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.000708147,0.006415272,0.00009984275,0.002060906,0.02430842,0.001070446,0.008770234,0.0002668165,0.9562999],"genre_scores_gemma":[0.06509246,0.002083356,0.0009605514,0.007419255,0.01919724,0.00009491,0.005906173,0.0003393346,0.8989067],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6920759,"threshold_uncertainty_score":0.9998835,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2091434816","doi":"10.5380/rel.v42i0.19114","title":"TRANSPONDO A DOR EM COR, A LETRA EM PALCO: TEXTOS DE LYGIA BOJUNGA NUNES","year":2010,"lang":"pt","type":"article","venue":"Revista Letras","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01654329185324436,"gpt":0.2467899101850188,"spread":0.2302466183317745,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006038959,0.000932162,0.001034957,0.0002249713,0.001158477,0.004194553,0.0008061936,0.0006574023,0.008354551],"category_scores_gemma":[0.000128553,0.0007904096,0.0008404845,0.0002370555,0.0004885766,0.0005837331,0.00004995668,0.002051976,0.0007857837],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007968795,"about_ca_system_score_gemma":0.0002049143,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001193769,"about_ca_topic_score_gemma":0.001515231,"domain_scores_codex":[0.9958332,0.0002351017,0.00100614,0.0009422326,0.0006246085,0.001358696],"domain_scores_gemma":[0.9977757,0.0001795183,0.000250723,0.0009732808,0.0003402893,0.0004805091],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002131952,0.0007695861,0.0003757351,0.002503959,0.0003835416,0.0005260066,0.1452599,6.038484e-7,0.0112782,0.7217195,0.1096439,0.007325802],"study_design_scores_gemma":[0.001406946,0.000272001,0.001014766,0.0007363425,0.0005696143,0.0001743827,0.01204445,0.00003563884,0.0005191744,0.001117869,0.9809248,0.001183993],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9147511,0.02312479,0.00008348217,0.001447113,0.003787759,0.001372411,0.001496427,0.0004427305,0.05349423],"genre_scores_gemma":[0.9095298,0.0003907546,0.0001169946,0.003843193,0.004363199,0.00007213419,0.0002050811,0.0001553187,0.08132352],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8712809,"threshold_uncertainty_score":0.9999922,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4388272496","doi":"10.1201/9781003260554-57","title":"Time and space configurations in Luís Cardoso's O Plantador de Abóboras","year":2023,"lang":"en","type":"book-chapter","venue":"Time and space","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Space (punctuation); Art; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.01682595495197084,"gpt":0.2071741549537635,"spread":0.1903482000017926,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001125294,0.000324548,0.0004179848,0.0001343325,0.0002321528,0.0003849387,0.00008570065,0.0002596866,0.002768551],"category_scores_gemma":[0.00001119887,0.000281665,0.00006973733,0.00001361106,0.0002854424,0.0001467375,0.00004160426,0.0003750242,0.0009940502],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002398399,"about_ca_system_score_gemma":0.00005054182,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002344861,"about_ca_topic_score_gemma":0.0009284331,"domain_scores_codex":[0.9990081,0.00002124504,0.0001961917,0.0003398247,0.0001563235,0.0002782675],"domain_scores_gemma":[0.9994695,0.00009207921,0.00006666837,0.0001833615,0.00006926841,0.0001191345],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002813365,0.0000127548,0.000002180999,0.00008099823,0.00008061288,0.000143571,0.02129919,0.000001148372,0.0001402544,0.8652471,0.1127692,0.0001948242],"study_design_scores_gemma":[0.0003583468,0.00007700833,0.00002270025,0.0003251545,0.000113451,0.00003126739,0.0006080718,0.00008658272,0.0000201921,0.01071051,0.9872084,0.0004383206],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001419494,0.002674761,4.788025e-7,0.001223509,0.000152674,0.0002659112,0.0009735525,0.0001178112,0.9931718],"genre_scores_gemma":[0.002753484,0.0005260456,0.00001504329,0.0004334744,0.0007290057,0.000009484355,0.000379718,0.00005858796,0.9950951],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8744392,"threshold_uncertainty_score":0.9999635,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1560729321","doi":"10.15210/interfaces.v1i1.6289","title":"PROMISED LAND/CURSED LAND: THE PECULIAR CANADA OF MATHIAS CARVALHO.","year":2012,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Metis; Humanities; Art; History; Cartography; Art history; Geography; Computer science","retraction":null,"screen_n_in":null,"score":{"opus":0.0220381336793627,"gpt":0.2283240710186945,"spread":0.2062859373393318,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008153708,0.0007505761,0.0008185494,0.0002030345,0.001554283,0.0005499252,0.0009382143,0.0005406244,0.000332692],"category_scores_gemma":[0.0003203515,0.0005393707,0.0004048682,0.0003238537,0.000119615,0.0006654933,0.0002209887,0.00107474,0.00001921747],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005831702,"about_ca_system_score_gemma":0.001574463,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001833962,"about_ca_topic_score_gemma":0.1042114,"domain_scores_codex":[0.994997,0.0006304866,0.001097692,0.0006290176,0.001343985,0.001301836],"domain_scores_gemma":[0.996644,0.0003284716,0.0006240777,0.0008699953,0.0008640356,0.0006694489],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002279389,0.0006901555,0.001408824,0.0004027477,0.0004060564,0.00007483912,0.02933062,0.00001096601,0.0002031226,0.9521927,0.01483731,0.000214688],"study_design_scores_gemma":[0.001456331,0.00008155078,0.002944239,0.0002950035,0.0003583611,0.0004253654,0.006328334,0.00008427187,0.0005465305,0.0002287004,0.9865667,0.0006845685],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.225045,0.0187656,0.0002118637,0.05722426,0.0169721,0.003471398,0.00285092,0.0005648109,0.674894],"genre_scores_gemma":[0.9886482,0.0001275708,0.00009510632,0.0008851168,0.00340235,0.0001694817,0.000354086,0.00008210971,0.006235963],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9717295,"threshold_uncertainty_score":0.9997455,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1573499511","doi":"10.21083/csieci.v7i1.1359","title":"Improvisations of a Tropical Cartesianism","year":2011,"lang":"en","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Enlightenment; Dialectic; Improvisation; Cartesianism; Relation (database); Sketch; Criticism; Situated; Negotiation; Aesthetics; Epistemology; History; Sociology; Political science; Philosophy; Law; Social science; Art; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.1281023656445663,"gpt":0.3429839670024624,"spread":0.214881601357896,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0006210489,0.0004783276,0.0007010085,0.0003625183,0.0003993534,0.000172642,0.0003573379,0.0002640891,0.0005117183],"category_scores_gemma":[0.002410953,0.000431067,0.0002352009,0.0001836871,0.001814104,0.001410226,0.0001377777,0.0005006479,0.00002214251],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003446636,"about_ca_system_score_gemma":0.0001567913,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005343787,"about_ca_topic_score_gemma":0.001026508,"domain_scores_codex":[0.9963262,0.0003527598,0.001326243,0.0006777566,0.0005335347,0.0007834825],"domain_scores_gemma":[0.9973148,0.0006742078,0.0001864038,0.0004437125,0.001187391,0.0001935347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007015715,0.000433984,0.0004384151,0.000571868,0.00006863829,0.00001315233,0.1247501,4.383305e-7,0.001367615,0.8675972,0.0003752412,0.004313199],"study_design_scores_gemma":[0.005581882,0.004977811,0.02067725,0.00135813,0.0010106,0.00007935804,0.3493872,0.00146348,0.03302834,0.54161,0.03725606,0.00356993],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7194517,0.006413485,0.007563857,0.008135047,0.01045128,0.005747382,0.0008702086,0.001839703,0.2395273],"genre_scores_gemma":[0.9941754,0.0001466964,0.002744462,0.001165621,0.0009011858,0.0003859166,0.00005822748,0.00005782907,0.0003647051],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3259872,"threshold_uncertainty_score":0.9998141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2913149627","doi":"10.7202/1067402ar","title":"Un siècle de poésie brésilienne","year":2019,"lang":"fr","type":"article","venue":"Sens public","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","retraction":null,"screen_n_in":null,"score":{"opus":0.01225949859637622,"gpt":0.2078175350537083,"spread":0.1955580364573321,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002696864,0.0003166704,0.0003089882,0.000102227,0.0005790956,0.001488288,0.0002909758,0.0002682933,0.01854771],"category_scores_gemma":[0.00005686989,0.0002891792,0.0002075517,0.0001101078,0.0004021317,0.0007531663,0.00008115023,0.0004897552,0.00425981],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009389856,"about_ca_system_score_gemma":0.0001172965,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003390452,"about_ca_topic_score_gemma":0.0001704008,"domain_scores_codex":[0.9978474,0.0001381034,0.0003106873,0.0004183772,0.0002668304,0.001018557],"domain_scores_gemma":[0.9987468,0.00008045119,0.00007994097,0.0004962924,0.0002893425,0.0003072439],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007995147,0.0002285535,0.0003265901,0.0001387331,0.0000860877,0.00005024268,0.008954905,0.000001506372,0.0002007447,0.8956013,0.08944456,0.00495875],"study_design_scores_gemma":[0.000599812,0.0001355277,0.0008512409,0.00007969639,0.00005890597,0.00009906498,0.005040077,0.0001190575,0.00021227,0.01662306,0.9757729,0.0004084284],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2249111,0.01445118,0.000006212544,0.02418249,0.004760395,0.0002584317,0.0002866117,0.0001518525,0.7309917],"genre_scores_gemma":[0.6399592,0.00009874501,0.00007299044,0.003740022,0.002686029,0.0000055348,0.00007953276,0.0000407983,0.3533172],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8863283,"threshold_uncertainty_score":0.999956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1519477030","doi":"10.17851/1982-0739.15.0.6-11","title":"O TRAÇO, A LETRA E A BOSSA: ARTE E DIPLOMACIA EM CABRAL, ROSA E VINICIUS","year":2009,"lang":"pt","type":"article","venue":"Em Tese","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"inVentiv Health Clinical","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.02339811912357993,"gpt":0.2591486596070827,"spread":0.2357505404835028,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002511187,0.0007764638,0.0007795483,0.0001764724,0.001069592,0.002577855,0.0005525546,0.0003963979,0.005045359],"category_scores_gemma":[0.00008467153,0.0006506341,0.0005700618,0.0001953065,0.0002273684,0.0007823916,0.00004680273,0.0009566554,0.001054407],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008047233,"about_ca_system_score_gemma":0.00009298886,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005955171,"about_ca_topic_score_gemma":0.0006326705,"domain_scores_codex":[0.9965125,0.0001564381,0.0007889484,0.0008199275,0.0005494347,0.001172765],"domain_scores_gemma":[0.9982312,0.00009064201,0.0001893777,0.000783338,0.0002787957,0.0004266133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001772465,0.001415438,0.00004927338,0.0001853456,0.0002339713,0.0006539199,0.3120191,0.000001988586,0.0005321219,0.27589,0.3999318,0.008909806],"study_design_scores_gemma":[0.002339429,0.001463904,0.003067293,0.0005442595,0.0003903176,0.0001210638,0.02706155,0.0001431406,0.0003103591,0.01437085,0.9486096,0.001578221],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6440345,0.04454845,0.00004756985,0.005666775,0.005849408,0.001683429,0.002525956,0.00113421,0.2945097],"genre_scores_gemma":[0.8704661,0.0001019656,0.00003800543,0.00821556,0.003764902,0.00002724353,0.0001693944,0.00006800662,0.1171489],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5486779,"threshold_uncertainty_score":0.9997234,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2143150903","doi":"10.1386/shci.5.1-2.57_1","title":"Border-crossings and textual gaps: a globalized mode of production in<i>Profundo carmes and Terra estrangeira</i>","year":2009,"lang":"en","type":"article","venue":"Studies in Hispanic Cinemas","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Mode (computer interface); Production (economics); Mode of production; Computer science; Economics; Human–computer interaction; Microeconomics","retraction":null,"screen_n_in":null,"score":{"opus":0.03013006447101884,"gpt":0.3203488754068622,"spread":0.2902188109358433,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001353734,0.0002055133,0.00042897,0.00009408702,0.000175964,0.00007513936,0.00006485762,0.00005468837,0.00002348872],"category_scores_gemma":[0.00009770305,0.0001602718,0.00003688256,0.00008317878,0.0005966917,0.0002336845,0.0000368158,0.0001526003,4.545873e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003483575,"about_ca_system_score_gemma":0.00001810798,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002985225,"about_ca_topic_score_gemma":0.003359118,"domain_scores_codex":[0.9988819,0.00003719895,0.0003558068,0.0003304746,0.0001405453,0.0002541023],"domain_scores_gemma":[0.9996039,0.00003340317,0.00007465525,0.0001435246,0.0001127998,0.00003171671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003983312,0.0004555611,0.00283537,0.001086427,0.0001518486,0.00004870751,0.7659826,0.000007122236,0.002837176,0.1969904,0.01519882,0.01400756],"study_design_scores_gemma":[0.0150661,0.00269642,0.02100172,0.004948106,0.0005138544,0.0002137863,0.5093037,0.0001289489,0.002031607,0.07824574,0.3634186,0.002431371],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9426787,0.03699708,7.325467e-7,0.001200967,0.0004877961,0.0003505558,0.00003083479,0.00003681138,0.01821647],"genre_scores_gemma":[0.9959828,0.001482148,0.00007584095,0.0003174912,0.0002958278,0.00001822164,0.000006832105,0.000008821763,0.001811964],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3482198,"threshold_uncertainty_score":0.6535694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2538727687","doi":"","title":"La femme qui boit : Sobre éthylisme La femme qui boit, Canada [Québec] 2001, 92 minutes La femme qui boit, Canada [Québec] 2001, 92 minutes","year":2001,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01652813385670414,"gpt":0.2192676026902217,"spread":0.2027394688335175,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.001547924,0.002200602,0.002184218,0.0003703306,0.002163485,0.00226631,0.002286531,0.001407126,0.003851306],"category_scores_gemma":[0.0007286721,0.002133168,0.0007684933,0.000705887,0.002213556,0.001443709,0.0003739789,0.003069018,0.0001331221],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002265202,"about_ca_system_score_gemma":0.01347341,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9975885,"about_ca_topic_score_gemma":0.9998759,"domain_scores_codex":[0.9886024,0.001627067,0.00212773,0.002144398,0.001559583,0.003938851],"domain_scores_gemma":[0.9922506,0.002458456,0.0008788218,0.001612076,0.0009611041,0.001838988],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000154179,0.0004569934,0.005093573,0.001362141,0.0005661037,0.007521847,0.01572951,0.00007063395,0.0001541533,0.04795652,0.9188169,0.002117509],"study_design_scores_gemma":[0.001585028,0.000293717,0.001823585,0.002245285,0.000697125,0.002708683,0.02666646,0.0002142279,0.0002189035,0.002498284,0.9584118,0.002636895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.07845461,0.1396796,0.00001293845,0.2925954,0.005774173,0.001476599,0.005131125,0.0004211291,0.4764544],"genre_scores_gemma":[0.4550537,0.006106331,0.0003022422,0.01038173,0.006791636,0.0003141909,0.0006228494,0.000350715,0.5200766],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.3765991,"threshold_uncertainty_score":0.9998893,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W843211979","doi":"","title":"Memória, culpa e angústia nas narrativas de Alice Munro e Clarice Lispector","year":2010,"lang":"en","type":"article","venue":"UNESP Institutional Repository (São Paulo State University)","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Alice (programming language); Art; Humanities; Art history","retraction":null,"screen_n_in":null,"score":{"opus":0.00925512246046315,"gpt":0.1865857972783468,"spread":0.1773306748178836,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0001306652,0.0003153067,0.0002440197,0.0002629906,0.002088799,0.0004174002,0.0004351031,0.0001806469,0.000620941],"category_scores_gemma":[0.00004776787,0.0002969261,0.0001924605,0.00017,0.0006755599,0.001089499,0.00009215985,0.0007165034,0.00006267287],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001981131,"about_ca_system_score_gemma":0.0004475876,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006659385,"about_ca_topic_score_gemma":0.00353497,"domain_scores_codex":[0.9983375,0.0001132809,0.0002651661,0.0004562509,0.0003897672,0.0004380061],"domain_scores_gemma":[0.9986905,0.00007700592,0.0001259289,0.0003427065,0.0004993867,0.0002644602],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001483041,0.0002249089,0.000176114,0.00004779123,0.0001368739,0.00140299,0.03149109,0.00004316353,0.01333233,0.9435965,0.009332435,0.000067501],"study_design_scores_gemma":[0.0007017723,0.00007581893,0.0002865655,0.00004497507,0.00008974571,0.0002038457,0.007517327,0.00005113626,0.003345532,0.001879765,0.985366,0.0004375591],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4090386,0.0001372275,0.000211848,0.000195195,0.003832199,0.000264931,0.0003112906,0.0002712219,0.5857375],"genre_scores_gemma":[0.8609812,0.00001207515,0.0003195593,0.0006161652,0.001439194,0.000002932783,0.0001013009,0.00002139934,0.1365062],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9760335,"threshold_uncertainty_score":0.9999483,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1913952839","doi":"10.4025/actascilangcult.v37i1.24579","title":"&lt;b&gt;Abjection and violence in &lt;i&gt;Monoceros&lt;/i&gt;, by Suzette Mayr","year":2015,"lang":"en","type":"article","venue":"Acta Scientiarum Language and Culture","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Narrative; Feeling; Psychology; Norm (philosophy); Identity (music); Gender studies; Social psychology; Psychoanalysis; Sociology; Aesthetics; Art; Political science; Literature; Law","retraction":null,"screen_n_in":null,"score":{"opus":0.009496135001380942,"gpt":0.217047164953864,"spread":0.207551029952483,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0003518852,0.0003381031,0.0003027537,0.000113268,0.0004854729,0.001098426,0.0002503258,0.0002091534,0.0003187259],"category_scores_gemma":[0.00005754284,0.0002469825,0.0000746201,0.0001759049,0.0003847115,0.0009725761,0.0001092878,0.0002952625,0.0000348788],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003741124,"about_ca_system_score_gemma":0.00003264882,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007944078,"about_ca_topic_score_gemma":0.002355645,"domain_scores_codex":[0.9980636,0.00008199723,0.0002932677,0.0006135603,0.0004149003,0.000532739],"domain_scores_gemma":[0.9991519,0.00002052455,0.00009787147,0.0002885795,0.0001721806,0.0002689427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007087773,0.0002274292,0.0002776848,0.0001226667,0.00005608491,0.00008959722,0.260052,9.086152e-7,0.1354651,0.03793232,0.5622721,0.003433308],"study_design_scores_gemma":[0.00121145,0.000152477,0.0003654263,0.0002152245,0.00007152163,0.00005738552,0.01311393,0.00005791779,0.002424705,0.001884329,0.9798781,0.0005674915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9213859,0.03068545,0.0000096507,0.000854311,0.001114151,0.0003402385,0.000283963,0.0001338607,0.04519252],"genre_scores_gemma":[0.9597198,0.0004191548,0.00004888142,0.001506752,0.0006426543,0.00002422563,0.0002330504,0.00002484147,0.03738064],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4176061,"threshold_uncertainty_score":0.9999983,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W84024032","doi":"","title":"El reconocimiento de la identidad corporoal femenina en \"La pasión según G. H.\" de Clarice Lispector","year":2001,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.01318135763363518,"gpt":0.2492772194541971,"spread":0.2360958618205619,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001859641,0.0008616921,0.00100495,0.0002920866,0.001175666,0.003322317,0.0007616165,0.0006338974,0.001146709],"category_scores_gemma":[0.0005017159,0.0008646007,0.0005354774,0.0002333988,0.0005942414,0.0004911794,0.0001581175,0.001337338,0.0001437193],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001909577,"about_ca_system_score_gemma":0.001048699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002474978,"about_ca_topic_score_gemma":0.005992575,"domain_scores_codex":[0.9944208,0.001423455,0.0009116626,0.0009627765,0.0004521604,0.001829102],"domain_scores_gemma":[0.9966696,0.0007514217,0.0004078315,0.0008427526,0.0003640454,0.0009643804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001160216,0.0003195636,0.009022911,0.000509328,0.0004254432,0.003100703,0.03130916,0.000004944276,0.0002248713,0.9053985,0.04803608,0.00153247],"study_design_scores_gemma":[0.001228715,0.0002498655,0.01344732,0.0007483145,0.000786762,0.001688328,0.004710488,0.0001055396,0.00004555328,0.0009122514,0.9750333,0.001043611],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9634405,0.01322871,0.00006089108,0.0006911711,0.000557088,0.0006873117,0.0005285246,0.0001787448,0.02062702],"genre_scores_gemma":[0.981036,0.004546105,0.0002010814,0.002745048,0.002907156,0.0001422134,0.00009116333,0.0001627305,0.008168506],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9269972,"threshold_uncertainty_score":0.9997663,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1480469869","doi":"","title":"Robert Moser, and António Luciano de Andrade Testa. Eds. Luso-American Literature: Writings by Portuguese-Speaking Authors in North America. New Brunswick, NJ: Rutgers University Press, 2011. Pp. 375.","year":2012,"lang":"en","type":"article","venue":"Interdisciplinary journal of Portuguese diaspora studies (Online)/Interdisciplinary journal of Portuguese diaspora studies","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Portuguese; Philosophy; Linguistics","retraction":null,"screen_n_in":null,"score":{"opus":0.0242090629891204,"gpt":0.2936432932500317,"spread":0.2694342302609113,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00246876,0.002021356,0.004507194,0.001574287,0.0011867,0.0003117805,0.001768968,0.0003832781,0.0000816418],"category_scores_gemma":[0.0005970661,0.001608493,0.00162954,0.0009479819,0.003160285,0.005863803,0.003225801,0.003393664,0.000008606861],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009024202,"about_ca_system_score_gemma":0.0007494166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000549909,"about_ca_topic_score_gemma":0.001508901,"domain_scores_codex":[0.9890178,0.0007512804,0.004965013,0.001138701,0.001775683,0.002351498],"domain_scores_gemma":[0.9866619,0.0009146021,0.006616402,0.0008262159,0.003160727,0.001820227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.003167934,0.004048835,0.01904305,0.0008885064,0.005693668,0.01507165,0.6817597,0.0000739035,0.0003606282,0.0003849735,0.2415908,0.02791645],"study_design_scores_gemma":[0.004584382,0.004074284,0.06387272,0.006000685,0.002185728,0.004758266,0.8947664,0.00005565944,0.0001393065,0.001280866,0.01564237,0.002639318],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5927177,0.3989133,0.00003590859,0.003735699,0.002964305,0.0004583065,0.0005930627,0.00007658413,0.0005051349],"genre_scores_gemma":[0.8542321,0.1355216,0.001286376,0.0006532556,0.006083977,0.000006887454,0.0002894634,0.0002317643,0.001694619],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2633917,"threshold_uncertainty_score":0.9995525,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1507151798","doi":"","title":"Gogmagog’s Leap and other poems","year":2011,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Literature, Culture, and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art; Geology","retraction":null,"screen_n_in":null,"score":{"opus":0.05783024187191282,"gpt":0.2481981313359677,"spread":0.1903678894640549,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007153043,0.0001481329,0.0001487703,0.00003775325,0.0002544184,0.000196132,0.0001171785,0.0000686519,0.005715413],"category_scores_gemma":[0.00001385195,0.0001117561,0.00005506633,0.00001813407,0.0002402799,0.0002010211,0.00003651274,0.0001336132,0.0004049209],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000008837828,"about_ca_system_score_gemma":0.00001353241,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000625291,"about_ca_topic_score_gemma":0.00105367,"domain_scores_codex":[0.999273,0.00002799582,0.0001474446,0.0001991045,0.0001034754,0.000249001],"domain_scores_gemma":[0.999659,0.00001813692,0.00003551191,0.0001435791,0.00006187399,0.00008191829],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004415092,0.000076041,0.0003438576,0.00001817634,0.00002591729,0.00001350553,0.122827,9.668377e-9,0.00009279854,0.8630731,0.01129388,0.002191629],"study_design_scores_gemma":[0.0003566338,0.0001633504,0.001045885,0.00001864057,0.00002905501,0.00001415354,0.002028615,0.000002956091,0.0002645184,0.01357907,0.9822884,0.0002087169],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1883807,0.00105505,0.000002710686,0.0006458933,0.001078651,0.0001968807,0.00009044954,0.0001268325,0.8084228],"genre_scores_gemma":[0.9559807,0.000008361134,0.00009265145,0.004432764,0.001134638,0.00001613068,0.000005609937,0.00002439027,0.03830481],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9709945,"threshold_uncertainty_score":0.9951935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}