{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":1398,"total_is_capped":false,"direct_labels_cover":2,"predictions_cover":1398,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"715aab84651c","filters":{"topic":"Music Technology and Sound Studies"}},"results":[{"id":"W2154393540","doi":"","title":"Proceedings of the International Conference on New Interfaces for Musical Expression","year":2011,"lang":"en","type":"article","venue":"Duo Research Archive (University of Oslo)","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":444,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical expression; Computer science; Expression (computer science); Musical; Programming language; Art; Visual arts","authors":[{"name":"Alexander Refsum Jensenius","is_ca":false},{"name":"Ståle Andreas van Dorp Skogstad","is_ca":false},{"name":"Kristian Nymoen","is_ca":false},{"name":"Anders Tveit","is_ca":false},{"name":"Rolf Inge Godøy","is_ca":false},{"name":"Daniel Overholt","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.106987114123579,"gpt":0.2896886176209003,"spread":0.1827015034973213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001868509,0.00175347,0.002140932,0.001035934,0.0007456022,0.005846579,0.002175667,0.002327069,0.1518143],"category_scores_gemma":[0.003078035,0.000472055,0.0009828485,0.001145405,0.001003447,0.00456096,0.002083989,0.003281632,0.0928671],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005427932,"about_ca_system_score_gemma":0.0009898819,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001930115,"about_ca_topic_score_gemma":0.00199201,"domain_scores_codex":[0.9987478,0.0001809099,0.0001335843,0.000261548,0.0005623066,0.0001137843],"domain_scores_gemma":[0.9985467,0.000445882,0.00005871854,0.0001870126,0.0006047218,0.0001569978],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003068369,0.0001724483,0.0002034898,0.0008835966,0.00005687111,0.0001695699,0.000320219,0.0002142654,0.007404906,0.009899107,0.5641057,0.416263],"study_design_scores_gemma":[0.00003032434,0.00006529121,0.0005389698,0.000282183,0.00002710927,0.0001867305,0.0001077304,0.00078516,0.0005862859,0.001951836,0.9954204,0.00001786192],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007258891,0.2333535,0.1313979,0.009777267,0.1416007,0.0009781072,0.002858256,0.007508504,0.465267],"genre_scores_gemma":[0.01372859,0.05842435,0.04070706,0.00365769,0.0108421,0.0007529033,0.003895697,0.001315383,0.8666763],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1518143,"threshold_uncertainty_score":0.5078694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2078118823","doi":"10.1145/383259.383322","title":"FoleyAutomatic","year":2001,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":295,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science; Animation; Modal; Graphics; Frame rate; Computer graphics (images); Frame (networking); Computer graphics; Computer animation; Computer vision","authors":[{"name":"Kees van den Doel","is_ca":true},{"name":"Paul G. Kry","is_ca":true},{"name":"Dinesh K. Pai","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01465395714248258,"gpt":0.2333003309984561,"spread":0.2186463738559735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008944052,0.001183701,0.0006704413,0.001779089,0.001592781,0.00277735,0.002603853,0.001173974,0.05237952],"category_scores_gemma":[0.004269444,0.0007768365,0.001304506,0.001005162,0.001530011,0.003411792,0.00320105,0.001579707,0.02170202],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001182775,"about_ca_system_score_gemma":0.001655571,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00456009,"about_ca_topic_score_gemma":0.007079203,"domain_scores_codex":[0.9982762,0.0002173372,0.0001301104,0.0005566301,0.0006616428,0.0001580342],"domain_scores_gemma":[0.9986613,0.000318965,0.00008829288,0.0005425157,0.0003295392,0.00005933869],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002810353,0.0001949356,0.001511249,0.0004615973,0.00006897211,0.0002339341,0.0004654122,0.02585953,0.01222501,0.1791915,0.04460598,0.7349008],"study_design_scores_gemma":[0.0001249505,0.000129616,0.0006924568,0.000140743,0.00006191384,0.0007069883,0.0001975914,0.3388425,0.02388242,0.1845339,0.4506035,0.00008346226],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"software","genre_scores_codex":[0.001802337,0.0001777401,0.9713283,0.0001558482,0.0001051515,0.0001463838,0.0003098099,0.01017502,0.01579927],"genre_scores_gemma":[0.05768627,0.0002578246,0.8992999,0.0003032021,0.00006240797,0.000425924,0.002235656,0.003092884,0.03663606],"genre_candidate":"software","genre_consensus":null,"teacher_disagreement_score":0.05237952,"threshold_uncertainty_score":0.1752269,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2971350153","doi":"10.1093/oxfordhb/9780199660773.001.0001","title":"The Oxford Handbook of Singing","year":2014,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":186,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Library science; Publishing; Table of contents; Table (database); History; Computer science; World Wide Web; Art; Literature; Data mining","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01417193064824602,"gpt":0.1904581680153772,"spread":0.1762862373671312,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007263487,0.001181716,0.0007680485,0.00326633,0.0008729218,0.003840493,0.0009904768,0.001167001,0.1453324],"category_scores_gemma":[0.003536016,0.0005350772,0.0003393985,0.003153868,0.001269088,0.003465618,0.00167902,0.002154486,0.09448284],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001111505,"about_ca_system_score_gemma":0.002763757,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002144133,"about_ca_topic_score_gemma":0.005962179,"domain_scores_codex":[0.9990946,0.0001695014,0.00009766329,0.0001196163,0.0004600206,0.00005868038],"domain_scores_gemma":[0.9989484,0.000381201,0.00006682233,0.0001469876,0.0002851767,0.0001714797],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001967466,0.00001826884,0.0001415687,0.0006638811,0.000003866603,0.000057762,0.0004500705,0.0001131666,0.0002541727,0.02801268,0.6493937,0.3208711],"study_design_scores_gemma":[7.427423e-7,0.00000399663,0.0001313142,0.0002390957,6.950614e-7,0.00008077831,0.00006273838,0.000008742213,0.00002666485,0.002636133,0.9968069,0.000002302802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0005872621,0.2493292,0.006235665,0.005349911,0.007700525,0.00008102018,0.001850434,0.0008311354,0.7280349],"genre_scores_gemma":[0.004565757,0.116083,0.005600261,0.001718409,0.001996662,0.0001041702,0.001404885,0.0005205658,0.8680062],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1453324,"threshold_uncertainty_score":0.4861852,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134079826","doi":"10.1017/s1355771802002030","title":"Mapping performer parameters to synthesis engines","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":155,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Performing arts; Interface (matter); Human–computer interaction; Work (physics); Multimedia; Software engineering; Visual arts; Operating system; Mechanical engineering","authors":[{"name":"Andy Hunt","is_ca":false},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02573031410718164,"gpt":0.2086408236053687,"spread":0.182910509498187,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001128143,0.001016887,0.000765619,0.001204927,0.0006478429,0.004056774,0.00133079,0.001028006,0.0204039],"category_scores_gemma":[0.004922562,0.0006925374,0.0004603013,0.0006402657,0.0009903876,0.003877205,0.001587338,0.0008120261,0.007291752],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005836452,"about_ca_system_score_gemma":0.0005278408,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008561772,"about_ca_topic_score_gemma":0.0009428675,"domain_scores_codex":[0.9991615,0.0001894627,0.00006649853,0.0002494255,0.0002548158,0.00007841415],"domain_scores_gemma":[0.9992981,0.0002845123,0.00006500856,0.0001935149,0.0001266621,0.00003221652],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0007856684,0.0001306854,0.003202063,0.0006779098,0.00008629303,0.0004024414,0.001568177,0.1181389,0.1135462,0.1664455,0.003957586,0.5910586],"study_design_scores_gemma":[0.0001780029,0.0004276723,0.003553526,0.0003320074,0.0002160112,0.000873109,0.001435068,0.3384376,0.2215239,0.2211885,0.211584,0.0002506317],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.03242797,0.0004306027,0.931927,0.0001275339,0.00009629748,0.0001343724,0.0001806045,0.003609744,0.03106583],"genre_scores_gemma":[0.6151084,0.001192383,0.3516018,0.0001512757,0.00008464373,0.0002144688,0.000582404,0.002221431,0.02884315],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0204039,"threshold_uncertainty_score":0.06825781,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W185137750","doi":"","title":"Proceedings of the 2004 conference on New interfaces for musical expression","year":2004,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":142,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; New Interfaces for Musical Expression; Expression (computer science); Musical expression; Event (particle physics); Visual arts; Media studies; Art history; Library science; Art; History; Sociology; Computer science; Musical composition","authors":[{"name":"Yoichi Nagashima","is_ca":false},{"name":"Michael J. Lyons","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03456358874945244,"gpt":0.2599053365738585,"spread":0.2253417478244061,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002579173,0.0009892408,0.001026989,0.0007766422,0.001055931,0.006431018,0.001308877,0.002020572,0.1266564],"category_scores_gemma":[0.004418506,0.0003480313,0.0005638242,0.0005954562,0.001257572,0.003548794,0.002257422,0.002583632,0.04067576],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00111232,"about_ca_system_score_gemma":0.001270791,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002083794,"about_ca_topic_score_gemma":0.004102691,"domain_scores_codex":[0.9983609,0.00037527,0.0001129491,0.0002285449,0.0007996591,0.0001226532],"domain_scores_gemma":[0.9975418,0.0005347053,0.00006092862,0.0003190541,0.00121038,0.0003332275],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006315548,0.0002612852,0.0005731647,0.0005722275,0.00006274247,0.0003268051,0.001315232,0.0003682755,0.01774674,0.02413417,0.6244748,0.329533],"study_design_scores_gemma":[0.00002470332,0.00004727424,0.000639866,0.0001175178,0.0000214612,0.0002233263,0.0001868308,0.0009540615,0.001639786,0.002716205,0.9934111,0.00001774557],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01935818,0.05010603,0.1686905,0.02671227,0.07394648,0.0010692,0.001280359,0.004237467,0.6545997],"genre_scores_gemma":[0.03864546,0.01685786,0.05641093,0.003501979,0.006477464,0.0005732438,0.002378526,0.0009656516,0.8741889],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1266564,"threshold_uncertainty_score":0.4237079,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2058002801","doi":"10.1017/s1355771802001024","title":"Genres and techniques of soundscape composition as developed at Simon Fraser University","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":138,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Soundscape; Computer science; Perspective (graphical); Sound (geography); Active listening; Representation (politics); Acoustics; Composition (language); Range (aeronautics); Cognitive science; Visual arts; Communication; Artificial intelligence; Art; Psychology; Engineering; Literature","authors":[{"name":"Barry Truax","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01444495618592699,"gpt":0.2075058266770982,"spread":0.1930608704911713,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001770371,0.000991122,0.0004336617,0.005470144,0.005121824,0.008677196,0.0007882062,0.001764172,0.01565393],"category_scores_gemma":[0.003182667,0.0002761316,0.0003340842,0.00380356,0.01023459,0.003585612,0.002373089,0.002217351,0.002319764],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004083679,"about_ca_system_score_gemma":0.001513831,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00664578,"about_ca_topic_score_gemma":0.009967507,"domain_scores_codex":[0.9986153,0.0006124057,0.00007914716,0.0001607967,0.0004029684,0.0001294006],"domain_scores_gemma":[0.9989362,0.0005189363,0.00006550021,0.0001656639,0.0001413066,0.00017228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005857097,0.00001887999,0.0002747805,0.0002280029,0.000005993687,0.0002467871,0.02403126,0.0004010199,0.002032926,0.8383659,0.02013999,0.1141959],"study_design_scores_gemma":[0.00001154691,0.00005836872,0.001038728,0.0003239497,0.000006657426,0.0006795701,0.005135436,0.0005183553,0.00140638,0.06736986,0.9234178,0.00003344002],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02582179,0.0231244,0.06293511,0.009931032,0.002988639,0.0002202982,0.00018674,0.0008127725,0.8739792],"genre_scores_gemma":[0.5229589,0.02266681,0.06148556,0.001109317,0.001736161,0.0004370983,0.0001863948,0.0005808719,0.3888388],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01565393,"threshold_uncertainty_score":0.05236763,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1912282481","doi":"10.1007/978-3-319-47214-0_6","title":"2003: Contexts of Collaborative Musical Experiences","year":2017,"lang":"en","type":"book-chapter","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":117,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Variety (cybernetics); Musical; Human–computer interaction; New Interfaces for Musical Expression; Interface (matter); Computer science; Key (lock); Collaborative design; Interface design; Multimedia; Musical composition; Visual arts; Art; Systems design; Software engineering; Computer security; Artificial intelligence","authors":[{"name":"Tina Blaine","is_ca":false},{"name":"Sidney Fels","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1630378329873441,"gpt":0.4115065635976857,"spread":0.2484687306103416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002045983,0.0004639412,0.000411645,0.0009574444,0.005475399,0.01120891,0.001875354,0.003030303,0.009290414],"category_scores_gemma":[0.006545938,0.0006450409,0.0003658709,0.002828842,0.01548252,0.01324217,0.004739562,0.002979303,0.001427075],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003098502,"about_ca_system_score_gemma":0.002791921,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006708739,"about_ca_topic_score_gemma":0.009491176,"domain_scores_codex":[0.9981492,0.001031028,0.0000744257,0.0002209019,0.0003256136,0.0001988499],"domain_scores_gemma":[0.9977571,0.001455249,0.0001836852,0.0002779671,0.0001297283,0.0001962177],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004299941,0.00002539594,0.0007051913,0.000113066,0.000004797899,0.0003120558,0.2244794,0.0001241434,0.0004480389,0.7426304,0.006485347,0.02462912],"study_design_scores_gemma":[0.00003820089,0.00003403259,0.004971015,0.0007150833,0.00002290774,0.001408722,0.2509031,0.0004793561,0.0008003732,0.4742596,0.2663308,0.00003684094],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08668776,0.008812387,0.03449399,0.007103855,0.0002715411,0.00008924057,0.0001107208,0.0001265125,0.862304],"genre_scores_gemma":[0.9530839,0.002630605,0.007965269,0.0005394173,0.0000653001,0.0002148463,0.00009637631,0.0001605969,0.03524365],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01120891,"threshold_uncertainty_score":0.03107959,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1494026234","doi":"10.1007/3-540-47873-6_26","title":"Quantitative Analysis of Non-obvious Performer Gestures","year":2002,"lang":"en","type":"book-chapter","venue":"Lecture notes in computer science","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":112,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Gesture; Movement (music); Consistency (knowledge bases); Computer science; Performing arts; Human–computer interaction; Artificial intelligence; Visual arts; Aesthetics; Art","authors":[{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.021095809176141,"gpt":0.2625027131520634,"spread":0.2414069039759224,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004971756,0.0003707059,0.0004706413,0.002380362,0.0004045802,0.0008092687,0.0003336314,0.0004437831,0.008982245],"category_scores_gemma":[0.002639524,0.0002002039,0.0003011487,0.001530212,0.0004639916,0.0006104259,0.0005311916,0.0003296438,0.002237199],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001991529,"about_ca_system_score_gemma":0.0002379413,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001044596,"about_ca_topic_score_gemma":0.001891287,"domain_scores_codex":[0.9993029,0.00008629065,0.00003797435,0.0001553836,0.0003295802,0.00008782917],"domain_scores_gemma":[0.9973104,0.001517712,0.0001849038,0.0001766377,0.0006708589,0.0001394916],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.001762055,0.0001553761,0.01965032,0.001194545,0.0001013307,0.0003185399,0.0009671043,0.004280364,0.6209046,0.001305727,0.001687143,0.3476728],"study_design_scores_gemma":[0.00005700125,0.001143957,0.7410766,0.0001507094,0.0002007057,0.002792822,0.001738781,0.09211382,0.151839,0.001868389,0.006880295,0.0001380176],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.868828,0.001381433,0.1126411,0.00005835271,0.00006184694,0.0001226428,0.003991706,0.001200674,0.0117142],"genre_scores_gemma":[0.9666394,0.0003238057,0.02460548,0.00001540768,0.00003868771,0.00009990209,0.002362754,0.0002152262,0.005699368],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.008982245,"threshold_uncertainty_score":0.03004861,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2128141288","doi":"10.1109/msp.2007.323264","title":"Acoustic Modeling Using the Digital Waveguide Mesh","year":2007,"lang":"en","type":"article","venue":"IEEE Signal Processing Magazine","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":91,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Computer science; Reverberation; Acoustics; Parallels; Finite-difference time-domain method; Waveguide; Room acoustics; Field (mathematics); Modeling and simulation; Simulation; Engineering; Mechanical engineering; Optics; Physics","authors":[{"name":"Damian Murphy","is_ca":true},{"name":"Antti Kelloniemi","is_ca":false},{"name":"J. William Mullen","is_ca":false},{"name":"Simon Shelley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03281870464447965,"gpt":0.2716853847585156,"spread":0.2388666801140359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002694344,0.0003054322,0.0003047722,0.0006053792,0.0002581846,0.001034697,0.0006365466,0.0005788609,0.004640714],"category_scores_gemma":[0.0008504936,0.0002158574,0.0005385192,0.0006048855,0.0004086017,0.001180936,0.0008463758,0.0004702187,0.001206743],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003139659,"about_ca_system_score_gemma":0.0004359176,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001551496,"about_ca_topic_score_gemma":0.001079859,"domain_scores_codex":[0.9998565,0.0000366235,0.00001087898,0.00002183428,0.00006317572,0.00001105033],"domain_scores_gemma":[0.9998202,0.00007548361,0.00001556509,0.00003485888,0.00004289641,0.00001098623],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00006453197,0.00002513257,0.0008351866,0.0001309981,0.00002701265,0.000212653,0.000168195,0.6948857,0.01489427,0.20401,0.002530277,0.08221602],"study_design_scores_gemma":[0.000007205219,0.00001832574,0.0001024138,0.00001432776,0.000004904642,0.00007644398,0.00003020356,0.962746,0.00190596,0.01902827,0.0160579,0.000008091632],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.004757238,0.0001564226,0.9850559,0.00008789269,0.00006091296,0.00001840111,0.0000948969,0.0001890334,0.009579341],"genre_scores_gemma":[0.3670513,0.002291123,0.5898883,0.0001749055,0.0001392302,0.0002543943,0.0005265599,0.000278279,0.03939592],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.004640714,"threshold_uncertainty_score":0.0155248,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2146187185","doi":"10.1145/1101530.1101554","title":"Physically based models for liquid sounds","year":2005,"lang":"en","type":"article","venue":"ACM Transactions on Applied Perception","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":86,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Natural Sciences and Engineering Research Council of Canada; University of British Columbia","keywords":"Acoustics; Sound (geography); Bubble; Computer science; Sound production; Physics","authors":[{"name":"Kees van den Doel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02704694412111252,"gpt":0.2579090410855402,"spread":0.2308620969644277,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000471061,0.0008908899,0.0007979114,0.0008484437,0.0006010096,0.001948425,0.002012069,0.002260743,0.007917818],"category_scores_gemma":[0.001616129,0.0006614623,0.001088064,0.000535277,0.001268312,0.001926336,0.001736334,0.00174748,0.002461184],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008127461,"about_ca_system_score_gemma":0.0008173925,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002229028,"about_ca_topic_score_gemma":0.00129771,"domain_scores_codex":[0.9995506,0.00009655673,0.00002411942,0.00007037089,0.000218401,0.000039928],"domain_scores_gemma":[0.9995524,0.0002059743,0.00005777753,0.00004917349,0.0001016667,0.00003302227],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00003665711,0.00006781094,0.0002561536,0.0002006923,0.00002614811,0.0002643978,0.0002649971,0.5643713,0.0139037,0.4012166,0.001884292,0.01750718],"study_design_scores_gemma":[0.00001665857,0.00003730776,0.00008863141,0.00001949575,0.000008416108,0.00009606408,0.00003398173,0.9284056,0.0008222448,0.06165587,0.008791602,0.0000241586],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.00444726,0.000553298,0.9809063,0.0002906936,0.0001222123,0.00007076828,0.0001243726,0.0002767972,0.01320823],"genre_scores_gemma":[0.5671935,0.004295322,0.3437979,0.0006368293,0.0004838112,0.001437951,0.0007373849,0.0005142158,0.08090311],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007917818,"threshold_uncertainty_score":0.02648777,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2055149472","doi":"10.1121/1.1645855","title":"The psychomechanics of simulated sound sources: Material properties of impacted bars","year":2004,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":85,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Acoustics; Viscoelasticity; Resonator; Loudness; Bar (unit); Physics; Mathematics; Mathematical analysis; Optics","authors":[{"name":"Stephen McAdams","is_ca":true},{"name":"Antoine Chaigne","is_ca":false},{"name":"Vincent Roussarie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01515676623778286,"gpt":0.2354293721516759,"spread":0.2202726059138931,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002512948,0.000249437,0.000130938,0.0001767249,0.00009502565,0.0004036978,0.0002861892,0.0003227847,0.001517607],"category_scores_gemma":[0.002743692,0.000169916,0.0002116709,0.00007337684,0.0002548414,0.0002607265,0.0004066481,0.0002554067,0.0001328214],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000225691,"about_ca_system_score_gemma":0.0001500338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004127426,"about_ca_topic_score_gemma":0.0003822147,"domain_scores_codex":[0.9998542,0.00004198379,0.00001071903,0.00003513327,0.00004327075,0.00001465224],"domain_scores_gemma":[0.9994103,0.0003913815,0.0000562659,0.00005260628,0.00004835145,0.00004114742],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.001538421,0.0002574191,0.003572469,0.0001765908,0.00004349527,0.0002073115,0.0004925177,0.03420145,0.9409283,0.001900985,0.0001770088,0.01650416],"study_design_scores_gemma":[0.0003899709,0.005390004,0.1103842,0.00007259416,0.0001646943,0.0007719896,0.0005647428,0.6497279,0.2250118,0.005736076,0.001648844,0.0001372675],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9871157,0.00001739155,0.01179926,0.00002764907,0.00001444829,0.00004060172,0.00006591642,0.00005660721,0.0008623942],"genre_scores_gemma":[0.9949684,0.00001469791,0.004663202,0.00001393467,0.000002124672,0.00002564865,0.00004935804,0.00001337107,0.0002493533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.001517607,"threshold_uncertainty_score":0.005076885,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015876774","doi":"10.1371/journal.pone.0020518","title":"Rate Effects on Timing, Key Velocity, and Finger Kinematics in Piano Performance","year":2011,"lang":"en","type":"article","venue":"PLoS ONE","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":81,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Natural Sciences and Engineering Research Council of Canada; European Commission; Ohio State University","keywords":"Kinematics; Key (lock); Piano; Physics; Computer science; Physical medicine and rehabilitation; Medicine; Acoustics; Classical mechanics","authors":[{"name":"Simone Dalla Bella","is_ca":false},{"name":"Caroline Palmėr","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06291072156258078,"gpt":0.2140357200020286,"spread":0.1511249984394479,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007768117,0.0005356495,0.0003362124,0.0004315877,0.0001663559,0.0005309003,0.0002176865,0.0004504611,0.002444081],"category_scores_gemma":[0.01170405,0.0002926702,0.0002151756,0.0002040628,0.0003600804,0.0003205699,0.0004560591,0.0003708526,0.0004465699],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001630271,"about_ca_system_score_gemma":0.0001826104,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007445489,"about_ca_topic_score_gemma":0.0008166563,"domain_scores_codex":[0.999379,0.0001548008,0.00005226659,0.0001674213,0.0001748757,0.00007151747],"domain_scores_gemma":[0.9957508,0.002347476,0.0008445053,0.0003585914,0.0002594099,0.0004393726],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","study_design_scores_codex":[0.007677176,0.0005397709,0.1651483,0.0002514917,0.0001943281,0.0004079851,0.001039534,0.002170701,0.7595859,0.0001860874,0.0001712453,0.06262754],"study_design_scores_gemma":[0.00004061685,0.00187963,0.9750971,0.0000102652,0.00006309788,0.0002346883,0.00009357582,0.001911438,0.02031972,0.0001203356,0.0002074501,0.00002202984],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9977338,0.0001319743,0.001167046,0.0000156707,0.000008615199,0.00002629068,0.00007845998,0.00002030207,0.000817842],"genre_scores_gemma":[0.9981585,0.00006956662,0.001172652,0.00001444562,0.000008070387,0.00003360649,0.00007153995,0.00002083345,0.0004507046],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.002444081,"threshold_uncertainty_score":0.008176267,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1973931174","doi":"10.1159/000275593","title":"A Critical Review of Experimental Observations on Ear-Drum Structure and Function","year":2010,"lang":"en","type":"review","venue":"ORL","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":77,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Medical Research Council; Medical Research Council Canada","keywords":"Drum; Engineering; Mechanical engineering","authors":[{"name":"W. Robert","is_ca":true},{"name":"J. Funnell","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07605250767898712,"gpt":0.3403715675792141,"spread":0.2643190599002269,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001208029,0.0009993203,0.001607202,0.0044382,0.0004144704,0.001039809,0.001236224,0.001092147,0.005496956],"category_scores_gemma":[0.002272976,0.0004916347,0.0004802997,0.003945866,0.0007491483,0.002225416,0.0007889983,0.001239425,0.00444627],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009479062,"about_ca_system_score_gemma":0.001842508,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001734366,"about_ca_topic_score_gemma":0.002091537,"domain_scores_codex":[0.9995452,0.00006033891,0.00009624225,0.0001046773,0.0001674938,0.00002594021],"domain_scores_gemma":[0.998556,0.0006357893,0.0001188568,0.0000487577,0.00057149,0.00006919446],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009670515,0.00006135906,0.0002606173,0.03455318,0.00006824098,0.0002646038,0.0001457862,0.0003480076,0.004301143,0.003624415,0.03667501,0.919601],"study_design_scores_gemma":[0.000007229693,0.00009340678,0.001170698,0.005298119,0.0001052281,0.001228162,0.0001363117,0.00005275053,0.001484862,0.001353829,0.9890387,0.00003070122],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0002142583,0.9971477,0.0004291155,0.0002937568,0.0003002287,0.000007047417,0.00005974888,0.00001289727,0.00153518],"genre_scores_gemma":[0.0008460016,0.9975108,0.0004117045,0.0002245587,0.0002154709,0.00001113078,0.0000854814,0.000003635987,0.0006911772],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.005496956,"threshold_uncertainty_score":0.01838911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2156366082","doi":"10.1017/s1355771811000380","title":"Sound, Listening and Place: The aesthetic dilemma","year":2012,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":76,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Soundscape; Active listening; Dilemma; Situated; Extension (predicate logic); Composition (language); Space (punctuation); Aesthetics; Work (physics); Computer science; The Imaginary; Sound (geography); Sociology; Epistemology; Acoustics; Art; Psychology; Communication; Engineering; Artificial intelligence; Philosophy; Literature","authors":[{"name":"Barry Truax","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01413705618970312,"gpt":0.2290427899565601,"spread":0.214905733766857,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006083986,0.0006764415,0.0006304982,0.001330556,0.007936522,0.01737064,0.002462132,0.008150206,0.008277652],"category_scores_gemma":[0.009206055,0.0003421222,0.0004050647,0.001243953,0.06864765,0.01830268,0.009607369,0.00749044,0.00167658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002334748,"about_ca_system_score_gemma":0.003158801,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002113281,"about_ca_topic_score_gemma":0.003455088,"domain_scores_codex":[0.9951112,0.002939676,0.0001871684,0.000364524,0.001084274,0.0003131651],"domain_scores_gemma":[0.9946963,0.003638889,0.0001822148,0.0004965603,0.0004345644,0.0005514784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00003438384,0.00002105494,0.0002072716,0.0002135386,0.000007595211,0.0003712815,0.03335353,0.0001686252,0.0002770404,0.8982494,0.01493958,0.05215671],"study_design_scores_gemma":[0.00001762183,0.00005346425,0.0003642253,0.0004355838,0.00001008192,0.001271801,0.06614297,0.0002271014,0.000186852,0.701093,0.2301656,0.00003172465],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02385523,0.04031839,0.02836896,0.3152755,0.00896773,0.00003651283,0.00003606068,0.000227776,0.582914],"genre_scores_gemma":[0.8652064,0.01786029,0.01214527,0.02545558,0.008836647,0.0001271828,0.00002358214,0.0002808344,0.07006419],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01737064,"threshold_uncertainty_score":0.03217554,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2034795213","doi":"10.1155/2008/178923","title":"Audio Interaction in Computer Mediated Games","year":2007,"lang":"en","type":"article","venue":"International Journal of Computer Games Technology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":73,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science; Sound (geography); Human–computer interaction; Computer game; Multimedia; Computer graphics; Graphics; Game design; State (computer science); Computer graphics (images); Acoustics","authors":[{"name":"J. R. Parker","is_ca":true},{"name":"John Heerema","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01013567941160293,"gpt":0.2755655308818267,"spread":0.2654298514702238,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009119491,0.000564594,0.0003322978,0.001029475,0.001579479,0.005928765,0.0008047375,0.001693041,0.01127681],"category_scores_gemma":[0.004600715,0.0002610711,0.0002754721,0.0006808005,0.003052774,0.002997518,0.002357855,0.0008576697,0.0009374365],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001415277,"about_ca_system_score_gemma":0.0007514306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003793088,"about_ca_topic_score_gemma":0.003204706,"domain_scores_codex":[0.9979575,0.001190303,0.00005224274,0.0001252216,0.0004862484,0.0001885671],"domain_scores_gemma":[0.9984036,0.001210379,0.00007786467,0.00007301543,0.0001359739,0.00009919005],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003004565,0.0001402183,0.001436976,0.0008388286,0.00004790807,0.0009990581,0.01999494,0.004615876,0.00624094,0.8167716,0.009076896,0.1395363],"study_design_scores_gemma":[0.0002069836,0.0005398069,0.006003452,0.001240826,0.0001372994,0.002377225,0.02076183,0.02292116,0.00655771,0.5474691,0.3916252,0.0001593043],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1026166,0.02906339,0.120972,0.005515446,0.00121411,0.0002373884,0.00008903737,0.0004879388,0.7398041],"genre_scores_gemma":[0.9383994,0.00495109,0.009697803,0.0003802125,0.0003794057,0.0002064716,0.00003489468,0.0000525538,0.04589825],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01127681,"threshold_uncertainty_score":0.03772467,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2145970641","doi":"10.5281/zenodo.1176972","title":"Vibrotactile Feedback In Digital Musical Instruments","year":2006,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":67,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Musical instrument; Musical; Audio feedback; Human–computer interaction; Haptic technology; Acoustics; Simulation","authors":[{"name":"Mark T. Marshall","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007926293902109834,"gpt":0.2067288246621296,"spread":0.1988025307600198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005068371,0.0006133821,0.0004455937,0.0009578692,0.0006096965,0.00193313,0.001180347,0.001113593,0.04467919],"category_scores_gemma":[0.0006814789,0.0002262706,0.0005577658,0.0006855635,0.0004116101,0.001173565,0.001049916,0.0007407286,0.01692624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000924301,"about_ca_system_score_gemma":0.00103214,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001970878,"about_ca_topic_score_gemma":0.002158042,"domain_scores_codex":[0.9994628,0.00004263775,0.00005377195,0.00007442662,0.00027382,0.00009259902],"domain_scores_gemma":[0.9997346,0.0000556747,0.00001594499,0.0000302906,0.0001118513,0.00005156843],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0007332485,0.0002619025,0.001014223,0.004203043,0.00001886466,0.0008014521,0.0001692326,0.001890879,0.04675798,0.06100867,0.07404268,0.8090978],"study_design_scores_gemma":[0.00005074569,0.0006013079,0.0026725,0.0004085134,0.0000246442,0.002789886,0.00009205838,0.002209768,0.03142321,0.004514373,0.9551558,0.00005729051],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03252131,0.07080965,0.2640479,0.004335218,0.007280779,0.003033238,0.01011781,0.004930581,0.6029236],"genre_scores_gemma":[0.1376156,0.04511841,0.05355365,0.002414552,0.002248758,0.002992589,0.007356821,0.000631725,0.7480679],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04467919,"threshold_uncertainty_score":0.1494668,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4249531654","doi":"10.1007/978-3-030-14832-4","title":"Timbre: Acoustics, Perception, and Cognition","year":2019,"lang":"en","type":"book","venue":"Springer handbook of auditory research","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":66,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Agence Nationale de la Recherche","keywords":"Timbre; Perception; Cognition; Cognitive science; Psychology; Acoustics; Cognitive psychology; Art; Visual arts; Neuroscience; Musical","authors":[{"name":"Kai Siedenburg","is_ca":false},{"name":"Charalampos Saitis","is_ca":false},{"name":"Stephen McAdams","is_ca":true},{"name":"Arthur N. Popper","is_ca":false},{"name":"Richard R. Fay","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04696891629078313,"gpt":0.3090269686936769,"spread":0.2620580524028938,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004877313,0.001610787,0.00144226,0.002086927,0.0005016333,0.005001898,0.001320159,0.001796215,0.05155109],"category_scores_gemma":[0.001773688,0.0004542189,0.0004575858,0.00321688,0.001201127,0.004620823,0.001527567,0.001819495,0.02328401],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005165245,"about_ca_system_score_gemma":0.000873863,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001150132,"about_ca_topic_score_gemma":0.001621876,"domain_scores_codex":[0.9996394,0.00004531812,0.00002408643,0.00005599783,0.0002155486,0.00001967089],"domain_scores_gemma":[0.999432,0.0002686623,0.00003240833,0.0000528854,0.0001578096,0.00005607855],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007476573,0.00004739853,0.0001586222,0.001160003,0.00002818836,0.0000741873,0.0003610966,0.0004587278,0.003683262,0.03201422,0.1716879,0.7902517],"study_design_scores_gemma":[0.00001578721,0.00008273473,0.00146537,0.001040084,0.00002470671,0.0009336467,0.0004462574,0.0008541138,0.0007123877,0.06030165,0.9340824,0.00004088127],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001823611,0.7651769,0.0506164,0.003962336,0.00848059,0.0000820633,0.0009033754,0.001313121,0.1676416],"genre_scores_gemma":[0.02794013,0.4596854,0.02724306,0.002614377,0.00968887,0.0002603786,0.001213185,0.0007970656,0.4705575],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05155109,"threshold_uncertainty_score":0.1724555,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402727180","doi":"10.1109/cvpr52733.2024.00891","title":"Disco: Disentangled Control for Realistic Human Dance Generation","year":2024,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":65,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Advanced Micro Devices (Canada)","funders":"","keywords":"Dance; Computer science; Control (management); Artificial intelligence; Art; Visual arts","authors":[{"name":"Tan Wang","is_ca":false},{"name":"Linjie Li","is_ca":false},{"name":"Kevin Lin","is_ca":false},{"name":"Yuanhao Zhai","is_ca":false},{"name":"Chung-Ching Lin","is_ca":false},{"name":"Zhengyuan Yang","is_ca":false},{"name":"Hanwang Zhang","is_ca":false},{"name":"Zicheng Liu","is_ca":true},{"name":"Lijuan Wang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03032936992085799,"gpt":0.2945839066565099,"spread":0.2642545367356519,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006138348,0.0008235148,0.0004584685,0.0002649053,0.0003176278,0.000961391,0.00100195,0.0006787025,0.004582069],"category_scores_gemma":[0.00159131,0.0004117813,0.0005993798,0.000117847,0.0008860421,0.0006512022,0.002006607,0.001289181,0.000658517],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005574937,"about_ca_system_score_gemma":0.0005851146,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002933241,"about_ca_topic_score_gemma":0.004306268,"domain_scores_codex":[0.9997728,0.00004010019,0.000008609595,0.00008047147,0.00007283225,0.00002516108],"domain_scores_gemma":[0.9996976,0.0001505135,0.00002708263,0.00005441572,0.00003785034,0.00003261898],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0002078475,0.00007930072,0.0006419682,0.0001782793,0.00005200653,0.0001227262,0.0001804317,0.8694486,0.02694041,0.01975227,0.002355779,0.08004037],"study_design_scores_gemma":[0.00001258996,0.00002719533,0.00005870383,0.000007618959,0.000005562753,0.00001249959,0.000006342813,0.993181,0.001757685,0.003224339,0.001701161,0.000005118465],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.0161369,0.0003376724,0.9737718,0.000195504,0.0001161781,0.00006941282,0.0001291329,0.001772517,0.007470963],"genre_scores_gemma":[0.8280626,0.0003389779,0.1606259,0.0002594695,0.00006408994,0.0003529495,0.0004391024,0.0006443285,0.009212657],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.004582069,"threshold_uncertainty_score":0.01532859,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2139879587","doi":"10.1109/jproc.2004.825887","title":"Designing for Intimacy: Creating New Interfaces for Musical Expression","year":2004,"lang":"en","type":"article","venue":"Proceedings of the IEEE","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":64,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Musical expression; Musical; Expression (computer science); Gesture; Human–computer interaction; Computer science; New Interfaces for Musical Expression; Sound (geography); Musical instrument; Aesthetics; Musical composition; Art; Acoustics; Visual arts; Artificial intelligence; Programming language","authors":[{"name":"Sidney Fels","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02859384138289577,"gpt":0.2658362719267846,"spread":0.2372424305438888,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002633794,0.0009035871,0.000400085,0.000974197,0.00148706,0.005124159,0.001496923,0.001476505,0.005981478],"category_scores_gemma":[0.006355962,0.0006339949,0.0007199823,0.0004010962,0.004292249,0.008703293,0.005754605,0.001774385,0.00133428],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005063354,"about_ca_system_score_gemma":0.0004843446,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002370713,"about_ca_topic_score_gemma":0.0003404415,"domain_scores_codex":[0.9982004,0.000824073,0.0001025224,0.0002049716,0.0005175477,0.0001504502],"domain_scores_gemma":[0.9982035,0.001044624,0.0001111622,0.0003236937,0.0001503823,0.0001665988],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0002180317,0.0001707777,0.003111721,0.001122636,0.00007329964,0.001403052,0.07410446,0.002678077,0.07490166,0.3450391,0.005979007,0.4911982],"study_design_scores_gemma":[0.0001716222,0.000682949,0.003418651,0.0008594362,0.0002334623,0.005290595,0.01831349,0.02301732,0.05333932,0.2704482,0.6239437,0.0002812861],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.066893,0.001729453,0.8680407,0.001282471,0.0002360977,0.0002504117,0.0000309517,0.001582592,0.05995432],"genre_scores_gemma":[0.351317,0.001392826,0.6215785,0.0005127435,0.00008401907,0.0004721124,0.00006839104,0.0004881955,0.02408617],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005981478,"threshold_uncertainty_score":0.02001005,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2132184901","doi":"10.1017/s135577180200208x","title":"Control parameters for musical instruments: a foundation for new mappings of gesture to sound","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":63,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Musical; Piano; Computer science; Context (archaeology); Computer music; Metaphor; Control (management); Gesture; Human–computer interaction; Domain (mathematical analysis); Sound (geography); Speech recognition; Cognitive science; Acoustics; Visual arts; Art; Artificial intelligence; Psychology; Linguistics; History; Mathematics; Philosophy","authors":[{"name":"Daniel J. Levitin","is_ca":true},{"name":"Stephen McAdams","is_ca":false},{"name":"Robert Adams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02853148540028311,"gpt":0.2440283570527023,"spread":0.2154968716524192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002340332,0.0009916367,0.0008413526,0.001783106,0.00166035,0.005655286,0.002659811,0.002604892,0.01263062],"category_scores_gemma":[0.009654731,0.001058219,0.001444392,0.0008042453,0.0162583,0.019435,0.004345166,0.004977624,0.001952261],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001134784,"about_ca_system_score_gemma":0.001221269,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00123155,"about_ca_topic_score_gemma":0.000857075,"domain_scores_codex":[0.9982064,0.0004507451,0.0001563542,0.0006884241,0.0003501169,0.000147981],"domain_scores_gemma":[0.9967083,0.001390861,0.0002454916,0.001008929,0.0004348035,0.0002117104],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001555688,0.000009706543,0.0001626862,0.00005557277,0.000007130314,0.00007188127,0.0008287512,0.001773636,0.001186952,0.9810522,0.0003089572,0.01452702],"study_design_scores_gemma":[0.00001304447,0.00002703591,0.0002198139,0.00005536743,0.000006818624,0.00008126059,0.0002271885,0.01117831,0.0006482523,0.9770589,0.01045626,0.00002762101],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01189804,0.0009518806,0.9393167,0.002211566,0.0002910171,0.00008610049,0.0001079336,0.0004326282,0.04470408],"genre_scores_gemma":[0.3373781,0.001409621,0.6493978,0.0006528272,0.0004102492,0.0003612221,0.0001992379,0.0005167645,0.009674244],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01263062,"threshold_uncertainty_score":0.04225361,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2007483568","doi":"10.1121/1.3227640","title":"Extraction of bowing parameters from violin performance combining motion capture and sensors","year":2009,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":63,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Bowing; Violin; Tilt (camera); String (physics); Acoustics; Physics; Structural engineering; Engineering","authors":[{"name":"Erwin Schoonderwaldt","is_ca":true},{"name":"Matthias Demoucron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.012015680250751,"gpt":0.2345872979970625,"spread":0.2225716177463115,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002964779,0.0006590377,0.0004926463,0.001709339,0.0003117366,0.0005887665,0.0004502666,0.0005172791,0.001501242],"category_scores_gemma":[0.0006867151,0.0002737668,0.0001603769,0.00123792,0.0002301088,0.0004101625,0.00061564,0.0003402022,0.0005526891],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002302021,"about_ca_system_score_gemma":0.0002826664,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001399816,"about_ca_topic_score_gemma":0.002621098,"domain_scores_codex":[0.9995785,0.00003247515,0.00001846595,0.00009876183,0.0002274239,0.00004427107],"domain_scores_gemma":[0.9997522,0.00005867186,0.00004846228,0.00003378637,0.00008316612,0.00002365528],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0001163874,0.00005740626,0.008063619,0.0002579553,0.00003086843,0.0001912263,0.0001147012,0.002246226,0.7842423,0.0004766234,0.0008184977,0.2033843],"study_design_scores_gemma":[0.0000798073,0.001222146,0.2740236,0.0002191793,0.0001915252,0.003339872,0.0005487664,0.09569337,0.5916304,0.002091991,0.03070635,0.0002529804],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.3800226,0.000934235,0.6055883,0.00009761508,0.00008727824,0.0005581944,0.002489006,0.002401773,0.007821009],"genre_scores_gemma":[0.7207503,0.0009672469,0.2688498,0.0001183333,0.0000767217,0.0005222018,0.002444123,0.0002211296,0.00605007],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.001709339,"threshold_uncertainty_score":0.005022109,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2057945014","doi":"10.1145/1358628.1358969","title":"Sonic interaction design","year":2008,"lang":"en","type":"preprint","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":62,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Human–computer interaction; Context (archaeology); Intersection (aeronautics); Ubiquitous computing; Field (mathematics); Domain (mathematical analysis); Sound art; Modality (human–computer interaction); Interaction design; Multimedia; Sound (geography); Engineering","authors":[{"name":"Davide Rocchesso","is_ca":false},{"name":"Stefania Serafin","is_ca":false},{"name":"Frauke Behrendt","is_ca":false},{"name":"Nicola Bernardini","is_ca":false},{"name":"Roberto Bresin","is_ca":false},{"name":"Gerhard Eckel","is_ca":false},{"name":"Karmen Franinović","is_ca":false},{"name":"Thomas Hermann","is_ca":false},{"name":"Sandra Pauletto","is_ca":false},{"name":"Patrick Susini","is_ca":false},{"name":"Yon Visell","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06592757512107553,"gpt":0.2806982996714067,"spread":0.2147707245503312,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002430016,0.001216993,0.0005529457,0.001203557,0.001973153,0.005367546,0.002042638,0.002228681,0.04631893],"category_scores_gemma":[0.004891344,0.0006193636,0.0009115613,0.0008963476,0.002347128,0.003920417,0.004563788,0.001590668,0.01105427],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001469151,"about_ca_system_score_gemma":0.001117182,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008421696,"about_ca_topic_score_gemma":0.00106392,"domain_scores_codex":[0.9968566,0.001141533,0.000210126,0.0004660501,0.001104257,0.0002215564],"domain_scores_gemma":[0.9986658,0.0004661272,0.00005589188,0.0002492711,0.0004441793,0.0001187321],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001824302,0.00009090111,0.0006116345,0.001268497,0.00005264075,0.000373989,0.003736072,0.004600176,0.01619703,0.6342486,0.04438705,0.2942511],"study_design_scores_gemma":[0.00007102369,0.0001906038,0.0004443398,0.0004237531,0.00005296765,0.001176426,0.00118525,0.01060659,0.006147836,0.1370631,0.8425775,0.00006063581],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"other","genre_scores_codex":[0.005308863,0.003774088,0.7059161,0.002126438,0.00101951,0.0005722952,0.000390867,0.001528303,0.2793635],"genre_scores_gemma":[0.2025467,0.005788665,0.5398738,0.001957933,0.0004579499,0.002439585,0.00118502,0.001245149,0.2445052],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04631893,"threshold_uncertainty_score":0.1549522,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1978615060","doi":"10.3390/s140813556","title":"A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression","year":2014,"lang":"en","type":"review","venue":"Sensors","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":58,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"Natural Sciences and Engineering Research Council of Canada; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Instrumentation (computer programming); Computer science; Signal conditioning; Human–computer interaction; Musical expression; Musical instrument; Task (project management); SIGNAL (programming language); New Interfaces for Musical Expression; Expression (computer science); Musical; Systems engineering; Engineering; Musical composition","authors":[{"name":"Carolina Brum Medeiros","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07592104227759539,"gpt":0.4138358901796347,"spread":0.3379148479020393,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001670314,0.001636404,0.00176417,0.003772662,0.0006280096,0.002203779,0.001977452,0.002439382,0.01032205],"category_scores_gemma":[0.002473818,0.0009801072,0.001192892,0.004804253,0.0009573956,0.00368132,0.001230752,0.002327422,0.006947657],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007620894,"about_ca_system_score_gemma":0.001409246,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001022973,"about_ca_topic_score_gemma":0.001146571,"domain_scores_codex":[0.9979028,0.0003141089,0.0003133463,0.0003945101,0.0009781558,0.00009713637],"domain_scores_gemma":[0.9978244,0.001291838,0.0001807236,0.0001270064,0.0005261653,0.00004990984],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007937833,0.0001021021,0.0004206476,0.02755421,0.00009375039,0.0003083293,0.0001959304,0.0008352878,0.01133561,0.01212298,0.03785134,0.9091005],"study_design_scores_gemma":[0.000004420064,0.0001049315,0.0006055593,0.003258861,0.0000717436,0.001128755,0.00007777281,0.000378489,0.003264945,0.00267873,0.9883741,0.00005156461],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0003518551,0.9858818,0.006201222,0.0004449002,0.0009703207,0.00003093552,0.00008642957,0.00006074975,0.005971887],"genre_scores_gemma":[0.00338982,0.9792197,0.008494548,0.0008353233,0.00119281,0.00008168719,0.0002174442,0.00005696706,0.00651169],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.01032205,"threshold_uncertainty_score":0.03453064,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2048338869","doi":"10.1007/s10710-008-9074-x","title":"Incorporating characteristics of human creativity into an evolutionary art algorithm","year":2008,"lang":"en","type":"article","venue":"Genetic Programming and Evolvable Machines","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":55,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia; Simon Fraser University","funders":"","keywords":"Fitness function; Creativity; Evolutionary algorithm; Process (computing); Function (biology); Darwin (ADL); Computational creativity; Associative property","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01544792161054853,"gpt":0.2488859365734192,"spread":0.2334380149628707,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004592,0.0001798026,0.0002566144,0.0003177056,0.0002849958,0.0007947122,0.0004415205,0.0004920473,0.001397394],"category_scores_gemma":[0.002454085,0.00015721,0.000276478,0.0003627491,0.0007529035,0.001215397,0.0007026959,0.000473907,0.0001535497],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001884087,"about_ca_system_score_gemma":0.000294902,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00040435,"about_ca_topic_score_gemma":0.0006319589,"domain_scores_codex":[0.9998507,0.000052539,0.000006858231,0.00002151283,0.00005616634,0.00001209371],"domain_scores_gemma":[0.9994264,0.0003520657,0.00003550256,0.0000821643,0.00007426977,0.00002970622],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0001316648,0.0001183844,0.004831774,0.0001372839,0.0000923656,0.0002721296,0.0007156367,0.5384706,0.02395329,0.2243755,0.000927115,0.2059743],"study_design_scores_gemma":[0.00002541696,0.0001012796,0.001023087,0.0000138438,0.00002792731,0.0002009839,0.00007368822,0.9245273,0.002847988,0.06840164,0.002736239,0.00002069314],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1031611,0.0001394074,0.8806757,0.0001858578,0.0000375329,0.00005132978,0.00001479515,0.0001366712,0.01559762],"genre_scores_gemma":[0.7706903,0.0001135867,0.2263886,0.00004673376,0.00002309428,0.00007011306,0.00001456252,0.00004134415,0.00261171],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.001397394,"threshold_uncertainty_score":0.004674792,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1855207168","doi":"10.1007/978-3-319-47214-0_14","title":"2005: Towards a Dimension Space for Musical Devices","year":2017,"lang":"en","type":"article","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":54,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; McGill University","funders":"","keywords":"Dimension (graph theory); Computer science; Musical; Space (punctuation); Human–computer interaction; Representation (politics); Visual arts; Mathematics","authors":[{"name":"David Birnbaum","is_ca":true},{"name":"Rebecca Fiebrink","is_ca":true},{"name":"Joseph Malloch","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2377322595566731,"gpt":0.4500995725933934,"spread":0.2123673130367204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001894579,0.0008329068,0.000750127,0.002125818,0.002518031,0.006634878,0.001602425,0.002087751,0.01138558],"category_scores_gemma":[0.005323283,0.0007375108,0.001065948,0.001902859,0.004210613,0.01025938,0.004411596,0.002916793,0.002575792],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002385734,"about_ca_system_score_gemma":0.002426249,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009137995,"about_ca_topic_score_gemma":0.006333856,"domain_scores_codex":[0.9983924,0.0004950318,0.0001776589,0.0003980173,0.000388906,0.0001478198],"domain_scores_gemma":[0.9980446,0.0005433137,0.0001388232,0.0005361887,0.0005060803,0.0002308691],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00009070959,0.00003327143,0.001022584,0.0001014154,0.00001913095,0.00003126641,0.001326691,0.001769827,0.0009845677,0.8914875,0.01501448,0.08811859],"study_design_scores_gemma":[0.00002853813,0.00006543616,0.002154898,0.0001880924,0.00003646672,0.0001208012,0.001626158,0.01090532,0.001997307,0.8329378,0.1498813,0.00005785271],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.03038986,0.002028046,0.8772082,0.006314904,0.0007670904,0.0001599802,0.0016877,0.001161769,0.08028248],"genre_scores_gemma":[0.26297,0.001013579,0.7113435,0.00115744,0.0001938358,0.0002267982,0.001958257,0.0003860203,0.02075055],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.01138558,"threshold_uncertainty_score":0.03808862,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3211570179","doi":"10.1049/cit2.12065","title":"A transformer generative adversarial network for multi‐track music generation","year":2021,"lang":"en","type":"article","venue":"CAAI Transactions on Intelligence Technology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":54,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Transformer; Generative adversarial network; Computer science; Artificial neural network; Artificial intelligence; Speech recognition; Deep learning; Engineering; Electrical engineering","authors":[{"name":"Cong Jin","is_ca":false},{"name":"Tao Wang","is_ca":false},{"name":"Xiaobing Li","is_ca":false},{"name":"Chu Jie Jiessie Tie","is_ca":true},{"name":"Yun Tie","is_ca":false},{"name":"Shan Liu","is_ca":false},{"name":"Ming Yan","is_ca":false},{"name":"Yongzhi Li","is_ca":false},{"name":"Junxian Wang","is_ca":false},{"name":"Shenze Huang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06836119008236424,"gpt":0.2980363492522372,"spread":0.2296751591698729,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009217098,0.0006754002,0.0005665286,0.0004125701,0.0003065855,0.0005139798,0.001068665,0.0007628934,0.002653597],"category_scores_gemma":[0.001689879,0.0003493966,0.0005205882,0.000349315,0.0006783178,0.0008735154,0.0009884367,0.001191472,0.0004123916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006820195,"about_ca_system_score_gemma":0.0004915593,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002471941,"about_ca_topic_score_gemma":0.002065592,"domain_scores_codex":[0.9996746,0.00009752475,0.00001204386,0.00009547696,0.00007489028,0.00004553038],"domain_scores_gemma":[0.9994797,0.0003056019,0.00004911592,0.00004633168,0.00008270763,0.00003665152],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00009254712,0.00003928866,0.000437981,0.00002856461,0.00002596646,0.0000741434,0.00003862963,0.9327949,0.003072389,0.01122947,0.0009943977,0.05117165],"study_design_scores_gemma":[0.000002551558,0.000009484213,0.0000225734,0.00000123366,0.000002686519,0.000006850826,0.00000112297,0.9985293,0.0003111543,0.0009956978,0.0001156527,0.000001665589],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.02220639,0.000337559,0.9728262,0.0002360575,0.00007180945,0.00004904167,0.00004966832,0.0004411511,0.003782228],"genre_scores_gemma":[0.9066034,0.0002516323,0.08444502,0.0002197394,0.00004833165,0.0001068865,0.0001442289,0.00008094577,0.00809996],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.002653597,"threshold_uncertainty_score":0.008877158,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W281240564","doi":"10.1093/oxfordhb/9780195388947.013.0115","title":"The Recording That Never Wanted to Be Heard and Other Stories of Sonification","year":2011,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":54,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Sonification; Art; Computer science; Psychology; Human–computer interaction","authors":[{"name":"Jonathan Sterne","is_ca":true},{"name":"Mitchell Akiyama","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05395190060336591,"gpt":0.2193332221196606,"spread":0.1653813215162946,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001344536,0.000865508,0.0006543407,0.001417879,0.005056605,0.008774193,0.0009428976,0.00370435,0.01892195],"category_scores_gemma":[0.004978125,0.0004524918,0.0002915373,0.001182771,0.01495173,0.01000946,0.003153865,0.005991554,0.004426091],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002094481,"about_ca_system_score_gemma":0.001072581,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003513193,"about_ca_topic_score_gemma":0.008643826,"domain_scores_codex":[0.9989741,0.0004267448,0.00003873296,0.000104826,0.0003588038,0.00009685499],"domain_scores_gemma":[0.9980653,0.001341883,0.0000682682,0.0001691666,0.0002079492,0.0001473477],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009247375,0.00002904825,0.0001425197,0.0004579029,0.0000122267,0.000592911,0.08164386,0.0001030377,0.001162353,0.5702998,0.2580186,0.08744525],"study_design_scores_gemma":[0.00000520817,0.00001787415,0.0002225516,0.0004085106,0.00000419388,0.001005145,0.00874294,0.00004718101,0.0003127673,0.01815241,0.9710683,0.00001294455],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005303086,0.04225198,0.004368525,0.01701284,0.006215055,0.00003427419,0.00008442959,0.0001433469,0.9245864],"genre_scores_gemma":[0.1275336,0.02485267,0.002670203,0.008388912,0.004038646,0.00008393361,0.0001519608,0.0008143512,0.8314657],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01892195,"threshold_uncertainty_score":0.06330019,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2569330962","doi":"10.1145/2930672","title":"An Introduction to Musical Metacreation","year":2016,"lang":"en","type":"article","venue":"Computers in entertainment","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":53,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computational creativity; Musical; Creativity; Musical composition; Computer science; Improvisation; Terminology; Generative grammar; Context (archaeology); Computer music; Field (mathematics); Domain (mathematical analysis); Composition (language); Variety (cybernetics); New Interfaces for Musical Expression; Human–computer interaction; Cognitive science; Artificial intelligence; Visual arts; Linguistics; Art; Mathematics; Psychology","authors":[{"name":"Philippe Pasquier","is_ca":true},{"name":"Arne Eigenfeldt","is_ca":true},{"name":"Oliver Bown","is_ca":false},{"name":"Shlomo Dubnov","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009299333464377989,"gpt":0.245853338524748,"spread":0.23655400506037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006344098,0.001007189,0.0005517319,0.001714411,0.001799961,0.00469901,0.001298506,0.002442279,0.03201424],"category_scores_gemma":[0.002233745,0.0004259786,0.0007592718,0.00210376,0.004256678,0.006144961,0.002444966,0.004596402,0.01038358],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001241524,"about_ca_system_score_gemma":0.0006933876,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001212309,"about_ca_topic_score_gemma":0.001361409,"domain_scores_codex":[0.9992602,0.0002216469,0.00005958597,0.0001811097,0.0002018811,0.00007555697],"domain_scores_gemma":[0.9987559,0.0009062966,0.00005298805,0.00008828046,0.0001086899,0.00008778906],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002830127,0.00003858469,0.000229513,0.0005083046,0.000007400797,0.0002490891,0.001972669,0.0003704998,0.0008469,0.8391607,0.0636765,0.09291148],"study_design_scores_gemma":[0.000003508644,0.00002243193,0.0003204954,0.0003303507,0.000003251281,0.0005209568,0.0002639439,0.000445673,0.0001553867,0.1494523,0.8484655,0.00001609845],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004022809,0.1055604,0.1396445,0.01332075,0.01135713,0.0001606278,0.0007706273,0.0009152761,0.7242479],"genre_scores_gemma":[0.1543628,0.2160521,0.1707357,0.01806885,0.03769337,0.000843468,0.001860505,0.001786163,0.398597],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03201424,"threshold_uncertainty_score":0.1070983,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2404738441","doi":"10.1007/978-3-319-47214-0_28","title":"2013: The Web Browser as Synthesizer and Interface","year":2017,"lang":"en","type":"article","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":53,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Computer science; JavaScript; World Wide Web; Interface (matter); Client-side scripting; Web API; Web-based simulation; User interface; Web browser; Web page; Web service; Web application; Multimedia; Web navigation; Human–computer interaction; Operating system; The Internet","authors":[{"name":"Charles Roberts","is_ca":false},{"name":"Graham Wakefield","is_ca":true},{"name":"Matthew Wright","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1724198295060499,"gpt":0.4311492311899397,"spread":0.2587294016838898,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00304509,0.0007527364,0.0006242201,0.001060671,0.0009597369,0.003655732,0.00221274,0.002246642,0.04122982],"category_scores_gemma":[0.009552323,0.001795013,0.0004394098,0.001066205,0.001517854,0.006938652,0.002471567,0.00257213,0.02647453],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00095484,"about_ca_system_score_gemma":0.002561488,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02058427,"about_ca_topic_score_gemma":0.03575141,"domain_scores_codex":[0.9987887,0.0002820211,0.0001281142,0.0001783572,0.0005122165,0.0001106111],"domain_scores_gemma":[0.9962405,0.001255454,0.0001258356,0.0009058686,0.0009623455,0.0005099269],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008748981,0.0002168269,0.003870144,0.0003205412,0.00004929506,0.0001606526,0.0007694383,0.001447583,0.02223704,0.03625416,0.3427797,0.5910197],"study_design_scores_gemma":[0.0003458797,0.000155837,0.01184028,0.000440494,0.0001759261,0.0006231598,0.0007905428,0.01947488,0.04132194,0.04684392,0.877666,0.0003210714],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"other","genre_scores_codex":[0.02255344,0.00159276,0.6401157,0.005091732,0.001323611,0.0005294918,0.01253942,0.1905567,0.1256972],"genre_scores_gemma":[0.1353645,0.001271568,0.6041421,0.002600343,0.0004508767,0.0005723942,0.01689066,0.06357121,0.1751363],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04122982,"threshold_uncertainty_score":0.1379275,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2117699556","doi":"","title":"TOWARDS A NEW CONCEPTUAL FRAMEWORK FOR DIGITAL MUSICAL INSTRUMENTS","year":2006,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":52,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Categorization; Computer science; Adaptation (eye); Context (archaeology); Human–computer interaction; Musical; Visualization; Conceptual framework; Information visualization; Data science; Artificial intelligence; Psychology","authors":[{"name":"Joseph Malloch","is_ca":true},{"name":"David Birnbaum","is_ca":true},{"name":"Elliot Sinyor","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02189588955258357,"gpt":0.2552976026407288,"spread":0.2334017130881453,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005485096,0.001182535,0.0009504175,0.004048381,0.002905471,0.01394395,0.003469624,0.003507329,0.007580444],"category_scores_gemma":[0.005385924,0.0006393492,0.00146624,0.002672575,0.0169008,0.02069629,0.00559115,0.00559732,0.001536854],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003469217,"about_ca_system_score_gemma":0.00321951,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004592163,"about_ca_topic_score_gemma":0.003618846,"domain_scores_codex":[0.9971932,0.001227757,0.0002038752,0.0005732919,0.000606714,0.0001951806],"domain_scores_gemma":[0.9974848,0.001090588,0.0002378213,0.0003511186,0.0004545169,0.0003811753],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00000540995,0.000006191061,0.00006511493,0.00003932406,0.000002469914,0.00003195024,0.001969098,0.0003060081,0.0001972457,0.99105,0.0006048026,0.005722491],"study_design_scores_gemma":[0.0000183746,0.00003238712,0.0002155935,0.0001839365,0.000009629635,0.0001939282,0.002727444,0.006945244,0.0002354669,0.8204496,0.1689582,0.0000301525],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"methods","genre_scores_codex":[0.006574693,0.002252215,0.9287202,0.006823845,0.000470343,0.000159478,0.0001304241,0.0005538247,0.05431487],"genre_scores_gemma":[0.1490605,0.002218544,0.8345037,0.001554333,0.0005432598,0.0008058101,0.000278344,0.0002692128,0.01076632],"genre_candidate":"methods","genre_consensus":"methods","teacher_disagreement_score":0.01394395,"threshold_uncertainty_score":0.02900833,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1993494790","doi":"10.1121/1.2904465","title":"Evaluating the maximum playback sound levels from portable digital audio players","year":2008,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Health Canada","funders":"","keywords":"Digital audio; Sound (geography); Computer science; Acoustics; Sound recording and reproduction; Speech recognition; Audio signal; Physics; Speech coding","authors":[{"name":"Stephen E. Keith","is_ca":true},{"name":"David S. Michaud","is_ca":true},{"name":"Vincent Chiu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05469886403846157,"gpt":0.2928456791749091,"spread":0.2381468151364475,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008064585,0.0005822123,0.0002723103,0.001227434,0.0005398719,0.0008779433,0.0006225656,0.0005582556,0.002540724],"category_scores_gemma":[0.004905741,0.0003307702,0.0002643394,0.0004214875,0.0004248579,0.000477215,0.0009099455,0.0003209845,0.0006688553],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004747409,"about_ca_system_score_gemma":0.0004485063,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01031439,"about_ca_topic_score_gemma":0.02487293,"domain_scores_codex":[0.999186,0.0001123959,0.00005899049,0.00009724904,0.0004372713,0.0001081365],"domain_scores_gemma":[0.9975228,0.00090624,0.0002743882,0.00008785225,0.0008745581,0.0003341928],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.001851938,0.0005089094,0.7191676,0.0006729137,0.0001268886,0.002331066,0.01020441,0.0008661713,0.1600106,0.0002191483,0.0004248064,0.1036156],"study_design_scores_gemma":[0.00001794094,0.002491995,0.9541326,0.00005579573,0.0001012867,0.002071006,0.005344367,0.0006387938,0.03375075,0.00007621769,0.001267131,0.00005223998],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9971208,0.00007271433,0.00107055,0.00001288139,0.000003501235,0.00002831622,0.0001237788,0.0000236668,0.001543886],"genre_scores_gemma":[0.9971163,0.0001065033,0.001470233,0.00001725097,0.000007287398,0.00002303452,0.0001348709,0.000007542403,0.001116952],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01031439,"threshold_uncertainty_score":0.02050871,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2338290034","doi":"","title":"CORRECTIVE SONIC FEEDBACK FOR SPEED SKATING: A CASE STUDY","year":2010,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science; SIGNAL (programming language); Instrumentation (computer programming); Motion (physics); Speech recognition; Computer vision; Simulation; Control theory (sociology); Artificial intelligence; Control (management)","authors":[{"name":"Andrew Godbout","is_ca":true},{"name":"Jeffrey E. Boyd","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02407455186305234,"gpt":0.2870912267248166,"spread":0.2630166748617642,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001456095,0.00120016,0.0005675274,0.001899735,0.003929298,0.001699738,0.001975077,0.006623608,0.004370222],"category_scores_gemma":[0.00814604,0.0004791273,0.0007394929,0.001099338,0.001948841,0.001112971,0.001402148,0.001579162,0.001162768],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001091105,"about_ca_system_score_gemma":0.0009362565,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005451637,"about_ca_topic_score_gemma":0.01444554,"domain_scores_codex":[0.9977432,0.0008366218,0.0001719614,0.0001870872,0.0006581808,0.0004028297],"domain_scores_gemma":[0.9966545,0.002028829,0.0002974115,0.0002397025,0.0002954009,0.0004841796],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"case_report","study_design_gemma":"case_report","study_design_scores_codex":[0.0009815269,0.004153291,0.06014038,0.002943532,0.0002500826,0.6065943,0.06174,0.01562384,0.0219414,0.0161517,0.01509704,0.1943829],"study_design_scores_gemma":[0.0003206577,0.003758896,0.03883807,0.0008906556,0.0003230697,0.6595069,0.07521039,0.03269931,0.04916074,0.007955262,0.1309358,0.0004003515],"study_design_candidate":"case_report","study_design_consensus":"case_report","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9483587,0.001002184,0.02625808,0.003289905,0.0002192207,0.0004267113,0.0002023981,0.0003414373,0.01990147],"genre_scores_gemma":[0.970606,0.001013083,0.01947471,0.0003810007,0.0001103444,0.0001489377,0.00007570261,0.00008770107,0.008102515],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.006623608,"threshold_uncertainty_score":0.01461983,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029642338","doi":"10.1145/1279740.1279751","title":"The T-Stick","year":2007,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"Natural Sciences and Engineering Research Council of Canada; McGill University","keywords":"Timbre; Context (archaeology); Musical; Computer science; Software; Range (aeronautics); Multimedia; Human–computer interaction; Visual arts; Engineering; Art; Programming language","authors":[{"name":"Joseph Malloch","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01171826340371366,"gpt":0.2402411368330545,"spread":0.2285228734293409,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008367203,0.0006610772,0.0004510595,0.000835833,0.002686253,0.003969464,0.001460478,0.001525922,0.04676456],"category_scores_gemma":[0.002038516,0.000327643,0.0007710037,0.0009801418,0.001648419,0.004350017,0.004636163,0.001460679,0.0132187],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006787148,"about_ca_system_score_gemma":0.001427005,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002173781,"about_ca_topic_score_gemma":0.00232874,"domain_scores_codex":[0.9988418,0.0001042733,0.00005754236,0.000270735,0.0005784775,0.0001472365],"domain_scores_gemma":[0.999272,0.00008532337,0.0000422869,0.0001573256,0.000151417,0.0002915988],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0008343622,0.0001566647,0.003652692,0.0006393935,0.00005248401,0.001647496,0.004027039,0.002003718,0.03622735,0.2393714,0.119655,0.5917325],"study_design_scores_gemma":[0.0000458453,0.0003295058,0.001447322,0.0001647192,0.00002550325,0.001810641,0.001062838,0.002321923,0.005033561,0.01550952,0.9721931,0.00005549762],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.06485087,0.005439985,0.2590028,0.003784662,0.00611775,0.0007119916,0.001504807,0.007706736,0.6508805],"genre_scores_gemma":[0.332343,0.004435229,0.250589,0.00217429,0.001183593,0.0006776025,0.001925493,0.001902133,0.4047696],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04676456,"threshold_uncertainty_score":0.156443,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2152310241","doi":"10.1145/985692.985734","title":"Manipulating music","year":2004,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":49,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Groove (engineering); Computer science; Digital audio; Context (archaeology); Domain (mathematical analysis); Multimedia; Field (mathematics); Digital media; Human–computer interaction; Audio signal; Digital signal processing; World Wide Web; Engineering; Computer hardware; Mechanical engineering; Mathematics","authors":[{"name":"Timothy Beamish","is_ca":true},{"name":"Karon E. MacLean","is_ca":true},{"name":"Sidney Fels","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03504959014952838,"gpt":0.2390075841252766,"spread":0.2039579939757482,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005149181,0.000489693,0.000250131,0.0007468619,0.001612063,0.002652496,0.0007748588,0.000880181,0.0116323],"category_scores_gemma":[0.002132566,0.0001627744,0.0002715057,0.0003975036,0.002440563,0.002230995,0.002883951,0.0004929493,0.001865018],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000404098,"about_ca_system_score_gemma":0.0003902346,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009951902,"about_ca_topic_score_gemma":0.001805496,"domain_scores_codex":[0.9993709,0.0001178799,0.00002824845,0.0001826061,0.0002200286,0.00008041411],"domain_scores_gemma":[0.999422,0.0002839157,0.00007614186,0.00009653869,0.0000589049,0.00006263635],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004605566,0.0002620361,0.009034084,0.002063307,0.00008163394,0.001389279,0.03481511,0.001522842,0.2668592,0.1443503,0.006164116,0.5329976],"study_design_scores_gemma":[0.0001576563,0.002011228,0.02781726,0.000641016,0.0001539969,0.005969191,0.04375387,0.006085335,0.08872885,0.04074534,0.7837612,0.0001750383],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.520471,0.00622516,0.09888738,0.002444452,0.0008387187,0.0002765648,0.000149703,0.0007784679,0.3699286],"genre_scores_gemma":[0.8973073,0.003580681,0.04669343,0.0008484335,0.000187905,0.0001403716,0.0001306007,0.0001235772,0.05098772],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0116323,"threshold_uncertainty_score":0.03891391,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158098787","doi":"10.1145/1290144.1290156","title":"Effective use of multimedia for computer-assisted musical instrument tutoring","year":2007,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":45,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science; Multimedia; Musical; Work (physics); Human–computer interaction; Engineering","authors":[{"name":"Graham Percival","is_ca":true},{"name":"Ye Wang","is_ca":false},{"name":"George Tzanetakis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.035190972802483,"gpt":0.2677603710367552,"spread":0.2325693982342722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008988493,0.000377368,0.0002943268,0.0009650945,0.000291098,0.001200211,0.000723285,0.0004921805,0.00288204],"category_scores_gemma":[0.00636795,0.0001193445,0.0001513458,0.0003783119,0.0002119211,0.001389912,0.0009803771,0.0002871326,0.0006023883],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002075272,"about_ca_system_score_gemma":0.0002939768,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002511188,"about_ca_topic_score_gemma":0.0007291019,"domain_scores_codex":[0.9992379,0.0003894421,0.0000428311,0.00007324914,0.0002025998,0.00005390745],"domain_scores_gemma":[0.9979651,0.001430009,0.000159894,0.0001104358,0.0001940039,0.0001405379],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0002519479,0.0004605934,0.002754299,0.0005197784,0.0000331056,0.0002776697,0.000730054,0.001512325,0.02606097,0.001727273,0.001695961,0.9639761],"study_design_scores_gemma":[0.001600017,0.0171437,0.08541562,0.003081044,0.0015335,0.009626891,0.00840972,0.1772799,0.256332,0.03532369,0.403794,0.0004599281],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5805677,0.01591569,0.3443472,0.002276122,0.0003268941,0.0009984722,0.0001520924,0.005112982,0.0503029],"genre_scores_gemma":[0.8610203,0.003867822,0.1310136,0.0002471346,0.0001996068,0.0003219004,0.0000767537,0.00009427083,0.003158545],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00288204,"threshold_uncertainty_score":0.009641349,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044392073","doi":"10.1121/1.2839900","title":"Measurement of vocal-tract influence during saxophone performance","year":2008,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":44,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Vocal tract; Acoustics; Speech recognition; Computer science; Physics","authors":[{"name":"Gary Scavone","is_ca":true},{"name":"Antoine Lefebvre","is_ca":true},{"name":"Andrey R. da Silva","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01621377075329112,"gpt":0.2210806725046579,"spread":0.2048669017513668,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006525049,0.0008447519,0.0004859405,0.0005014887,0.0004731263,0.0007257299,0.0004481201,0.0005006171,0.002342203],"category_scores_gemma":[0.003836368,0.0003174322,0.0002748223,0.0002330185,0.0007447231,0.0004028461,0.0009745535,0.000480605,0.0005277679],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003006,"about_ca_system_score_gemma":0.0002329004,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000927354,"about_ca_topic_score_gemma":0.001708419,"domain_scores_codex":[0.9987777,0.0002456574,0.00007532786,0.0002317745,0.0005136573,0.0001558704],"domain_scores_gemma":[0.9974948,0.001263039,0.00034049,0.0001850827,0.0004210935,0.0002955668],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","study_design_scores_codex":[0.001168534,0.0000983453,0.003926578,0.0001348732,0.0000258429,0.0001193103,0.0005345812,0.0002346602,0.9827725,0.00003691718,0.00003485741,0.01091299],"study_design_scores_gemma":[0.00009305797,0.006883631,0.2509074,0.0000644311,0.0002068333,0.0006258347,0.0006581091,0.002953916,0.7357169,0.0001258361,0.001695536,0.00006847845],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9928795,0.000192858,0.005097482,0.00001728043,0.00001757537,0.00008456388,0.0001420786,0.00006810429,0.001500734],"genre_scores_gemma":[0.9936277,0.0002080451,0.004353515,0.00003351356,0.00001631149,0.00008047991,0.0002351339,0.00004764495,0.001397723],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.002342203,"threshold_uncertainty_score":0.007835448,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2047524107","doi":"10.1121/1.4896461","title":"Perception of touch quality in piano tones","year":2014,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":42,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Vetenskapsrådet; Austrian Science Fund; Centre for Interdisciplinary Research in Music Media and Technology","keywords":"Piano; Timbre; Key (lock); Perception; Computer science; Acoustics; Speech recognition; Musical expression; Hammer; Dynamics (music); Communication; Musical; Psychology; Art; Engineering; Visual arts; Physics; Neuroscience","authors":[{"name":"Werner Goebl","is_ca":false},{"name":"Roberto Bresin","is_ca":false},{"name":"Ichiro Fujinaga","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01694437794085047,"gpt":0.279374402077754,"spread":0.2624300241369036,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003244213,0.0002021404,0.0002462711,0.0004776571,0.000177179,0.0009444908,0.000176833,0.0004784063,0.002689678],"category_scores_gemma":[0.00468694,0.0002207842,0.0001654829,0.0001790157,0.0004808085,0.0006155276,0.0007162287,0.0003161848,0.0002547464],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001294832,"about_ca_system_score_gemma":0.00007037852,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004578269,"about_ca_topic_score_gemma":0.0003650688,"domain_scores_codex":[0.9997141,0.00005627651,0.00001710749,0.0000617694,0.0001135668,0.00003708051],"domain_scores_gemma":[0.9986804,0.0005988614,0.00020312,0.00006844245,0.0002047127,0.000244382],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","study_design_scores_codex":[0.00356056,0.00008588989,0.04915639,0.0002898784,0.00008344016,0.0004884843,0.002230208,0.0002438166,0.9086518,0.000262594,0.0001255914,0.03482134],"study_design_scores_gemma":[0.000110871,0.001248135,0.964218,0.00004034124,0.00007676382,0.0008547285,0.00197961,0.001405741,0.02898536,0.000505109,0.0005341556,0.00004126432],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9970744,0.000144443,0.001109053,0.00002210932,0.000009847575,0.00001604016,0.00002309318,0.0000121746,0.001588763],"genre_scores_gemma":[0.9990628,0.00007391855,0.0004679122,0.00001976553,0.000007596818,0.000006366507,0.00002358997,0.000006405056,0.0003316267],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.002689678,"threshold_uncertainty_score":0.008997917,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2101748228","doi":"10.1007/978-3-319-47214-0_10","title":"2004: The Electronic Sitar Controller","year":2017,"lang":"en","type":"article","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":40,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"MIDI; Computer science; Electronic music; Controller (irrigation); Microprocessor; Computer graphics (images); Graphics; Multimedia; Computer hardware; Art; Visual arts; Operating system","authors":[{"name":"Ajay Kapur","is_ca":true},{"name":"Ariel J. Lazier","is_ca":false},{"name":"Philip Davidson","is_ca":false},{"name":"R. Scott Wilson","is_ca":false},{"name":"Perry R. Cook","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1548281234259539,"gpt":0.4170087076510482,"spread":0.2621805842250943,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009404119,0.0005245911,0.0002563298,0.001148449,0.001420513,0.002236922,0.001350332,0.001524332,0.04230221],"category_scores_gemma":[0.002622823,0.000342244,0.0002355765,0.001182209,0.001102018,0.002681307,0.001087679,0.0009742178,0.0160001],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009744968,"about_ca_system_score_gemma":0.001554534,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00772329,"about_ca_topic_score_gemma":0.01209204,"domain_scores_codex":[0.9995433,0.00008042101,0.00003439897,0.00009129543,0.0002081034,0.00004253843],"domain_scores_gemma":[0.9993082,0.0001273287,0.00004964439,0.0001751674,0.0002739529,0.00006561058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0006289822,0.0001329993,0.007607565,0.0003005058,0.00003577266,0.0001821057,0.001678783,0.001998969,0.01527545,0.08795615,0.1447614,0.7394413],"study_design_scores_gemma":[0.00008707287,0.0003696028,0.02265538,0.0003217622,0.0001201281,0.0007437364,0.003169886,0.007005629,0.02423823,0.02446177,0.9167168,0.0001099389],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1448347,0.002977633,0.1236086,0.007078464,0.002775224,0.0004717596,0.004018511,0.00933686,0.7048982],"genre_scores_gemma":[0.5131811,0.001886133,0.1011538,0.002156059,0.0003475344,0.0002360174,0.004793777,0.002100401,0.3741452],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04230221,"threshold_uncertainty_score":0.141515,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1138973138","doi":"10.21313/hawaii/9780824840945.001.0001","title":"Javaphilia","year":2015,"lang":"sv","type":"book","venue":"University of Hawaii Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; The arts; Musical; Ethnomusicology; Visual arts; Mainstream; Art; History; Sociology; Art history; Political science","authors":[{"name":"Henry Spiller","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03562262885417435,"gpt":0.2077704623187465,"spread":0.1721478334645722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001612752,0.0004082933,0.0002181243,0.0009148961,0.002218795,0.002137941,0.0004344437,0.0005133853,0.1366341],"category_scores_gemma":[0.0003508621,0.0001512878,0.0001857939,0.0006427976,0.0005696608,0.001095461,0.001710966,0.000790948,0.04214908],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009535885,"about_ca_system_score_gemma":0.0007812376,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006859174,"about_ca_topic_score_gemma":0.02422269,"domain_scores_codex":[0.9998026,0.00002296169,0.00001248665,0.00006329008,0.00004017714,0.00005838897],"domain_scores_gemma":[0.9998878,0.00001025762,0.00002199874,0.00001440182,0.00002760482,0.00003775842],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004022506,0.0002140473,0.0111736,0.001066609,0.00003324077,0.00233008,0.009711455,0.00007773336,0.0185906,0.1049351,0.2246336,0.6268316],"study_design_scores_gemma":[0.000009277469,0.00001410407,0.007022081,0.00008563019,0.000006726054,0.0007022312,0.00146585,0.00002093647,0.0004748852,0.001057169,0.9891335,0.000007533111],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0312775,0.003028317,0.0009106159,0.002083333,0.00117972,0.0001015022,0.001199753,0.0004322162,0.959787],"genre_scores_gemma":[0.2007079,0.002830612,0.002272933,0.002790928,0.0002251836,0.0001139884,0.001201549,0.0003603871,0.7894965],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1366341,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1996566165","doi":"10.1017/s1355771803001134","title":"Homoeroticism and electroacoustic music: absence and personal voice","year":2003,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Electroacoustic music; Context (archaeology); Human sexuality; Work (physics); Aesthetics; Visual arts; Art; Computer science; Sociology; History; Gender studies; Musical; Engineering","authors":[{"name":"Barry Truax","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01173801229573953,"gpt":0.2089611138830721,"spread":0.1972231015873326,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002470239,0.000232474,0.0003931634,0.001061133,0.003014782,0.007431052,0.0006046883,0.001717085,0.003201675],"category_scores_gemma":[0.006047757,0.0001770704,0.0002338471,0.0007191361,0.02236513,0.003529924,0.005109251,0.002399535,0.000210984],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007482012,"about_ca_system_score_gemma":0.0008298837,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008707519,"about_ca_topic_score_gemma":0.001746632,"domain_scores_codex":[0.9978498,0.001496993,0.00007209841,0.0001102542,0.0003037556,0.0001670443],"domain_scores_gemma":[0.994028,0.003928183,0.0008633344,0.0002777428,0.0002615098,0.0006412428],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001598522,0.0001398404,0.02556399,0.000232681,0.00002720961,0.002507417,0.5051939,0.00006542122,0.0009532999,0.43098,0.001149537,0.0330268],"study_design_scores_gemma":[0.0000395703,0.000318997,0.04651531,0.0008563021,0.00006086614,0.01516475,0.7626984,0.0004246178,0.0009906908,0.118256,0.05459334,0.00008114034],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7669727,0.01510831,0.003189734,0.01089853,0.0002935696,0.00001539426,0.00001988141,0.00001698236,0.2034848],"genre_scores_gemma":[0.9954422,0.001322007,0.0001507822,0.0002678274,0.0000587981,0.000004555877,0.000003689771,0.000004299868,0.002745986],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007431052,"threshold_uncertainty_score":0.01306403,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1602546179","doi":"10.1093/oxfordhb/9780199298457.013.0007","title":"The perception of musical timbre","year":2012,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Perception; Sonority hierarchy; Musical; Pitch (Music); Speech recognition; Computer science; Expression (computer science); Musical tone; Representation (politics); Acoustics; Communication; Psychology; Linguistics; Art; Physics; Visual arts; Neuroscience","authors":[{"name":"Stephen McAdams","is_ca":true},{"name":"Bruno L. Giordano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01879780985008034,"gpt":0.2004878705442975,"spread":0.1816900606942172,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002468687,0.0004053813,0.0003059373,0.0007388956,0.0004851572,0.003228854,0.0004844899,0.0009604197,0.01432289],"category_scores_gemma":[0.0007799656,0.0001656322,0.0002218763,0.0006228333,0.001887246,0.002826291,0.0009935185,0.001229495,0.005555149],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004547065,"about_ca_system_score_gemma":0.0001960867,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007267105,"about_ca_topic_score_gemma":0.0006047705,"domain_scores_codex":[0.9998366,0.00002389386,0.000005681798,0.00003481852,0.00008518257,0.00001376917],"domain_scores_gemma":[0.9998695,0.00007363467,0.000007212224,0.00001253836,0.00002549765,0.00001157861],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001037965,0.00003747714,0.0004376771,0.0007786516,0.00002454744,0.0002652285,0.00341822,0.000635443,0.01743427,0.3952859,0.0479169,0.5336618],"study_design_scores_gemma":[0.00001124921,0.00007930685,0.003384389,0.0005315305,0.00001701943,0.001521101,0.000679368,0.0009032115,0.00314947,0.1166549,0.8730313,0.00003704926],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.008062341,0.1309728,0.02625796,0.003645628,0.002690236,0.00002495102,0.0001514051,0.0003185008,0.8278762],"genre_scores_gemma":[0.2332242,0.1452059,0.01597912,0.003763576,0.004802743,0.00006247623,0.0003138643,0.0004621005,0.596186],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01432289,"threshold_uncertainty_score":0.0479148,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2031845433","doi":"10.1121/1.3123403","title":"Modeling the dynamics of a vibrating string with a finite distributed unilateral constraint: Application to the sitar","year":2009,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"String (physics); Boundary value problem; Partial differential equation; Mathematical analysis; Mathematics; Boundary (topology); Ordinary differential equation; Galerkin method; Obstacle; Nonlinear system; Physics; Differential equation","authors":[{"name":"C. P. Vyasarayani","is_ca":true},{"name":"Stephen Birkett","is_ca":true},{"name":"John McPhee","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008103539522238756,"gpt":0.2232423244066938,"spread":0.2151387848844551,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002140975,0.0003163247,0.000578633,0.0002373887,0.0003678453,0.0005519849,0.0007451454,0.001344024,0.001997897],"category_scores_gemma":[0.0005564881,0.0002244493,0.0003950886,0.0002167738,0.0007074755,0.0004794449,0.0005887019,0.0005086879,0.0001856936],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002462059,"about_ca_system_score_gemma":0.0004557367,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00329768,"about_ca_topic_score_gemma":0.001761852,"domain_scores_codex":[0.9999363,0.00002005746,0.000003227556,0.0000116067,0.00001723465,0.00001152564],"domain_scores_gemma":[0.999746,0.0001418882,0.00004029051,0.000022753,0.0000217055,0.00002731811],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00003858619,0.00003764956,0.0006029168,0.00002730691,0.000009689135,0.0002231606,0.00007160981,0.9869959,0.007195511,0.002807664,0.00006821037,0.001921778],"study_design_scores_gemma":[0.000003864574,0.00002442318,0.0001139787,0.000001529166,0.000001645244,0.00001688767,0.00001560581,0.9992452,0.0002947138,0.0002072795,0.0000717892,0.000003136242],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6892586,0.0001414306,0.3018126,0.0002375761,0.00002690689,0.00004379351,0.00006709393,0.0002111366,0.008200875],"genre_scores_gemma":[0.9865524,0.00009376992,0.01072395,0.0000229395,0.000006598271,0.00003743258,0.00003104911,0.00001934668,0.002512533],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00329768,"threshold_uncertainty_score":0.006683588,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4250882815","doi":"10.1353/pnm.2013.0018","title":"Conceiving Musical Photorealism: An Interview with Richard Beaudoin","year":2013,"lang":"en","type":"article","venue":"Perspectives of New Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; Art; Composition (language); Notation; Period (music); Art history; History; Literature; Philosophy; Linguistics; Aesthetics","authors":[{"name":"Richard L. Beaudoin","is_ca":false},{"name":"Danick Trottier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03129762204872756,"gpt":0.2565731722559655,"spread":0.225275550207238,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01529471,0.0009435756,0.001029922,0.001379623,0.01982493,0.0064639,0.003362,0.008406639,0.005246473],"category_scores_gemma":[0.02008561,0.0009411493,0.0007894221,0.00109037,0.01979793,0.008675858,0.005465912,0.02166103,0.001633035],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01172354,"about_ca_system_score_gemma":0.004794746,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06127937,"about_ca_topic_score_gemma":0.0688893,"domain_scores_codex":[0.9810386,0.01085122,0.0003130703,0.00168592,0.004723918,0.001387253],"domain_scores_gemma":[0.9896644,0.004834604,0.0005181505,0.0003294027,0.002163548,0.00248988],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005526848,0.0001023625,0.000816167,0.0001602159,0.00001331041,0.002502519,0.5227668,0.0002213133,0.002081605,0.04737912,0.3924074,0.03149392],"study_design_scores_gemma":[0.000006966536,0.0000559947,0.0005789339,0.0002866007,0.000004500319,0.001572037,0.1585403,0.0001188504,0.0001703265,0.002767765,0.8358287,0.00006902595],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.03394424,0.06792373,0.005452096,0.7812561,0.01346416,0.0001209438,0.00005985317,0.0002287559,0.09755011],"genre_scores_gemma":[0.469555,0.04112387,0.01176577,0.298523,0.008375539,0.0003075212,0.00008758279,0.0009105724,0.1693512],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06127937,"threshold_uncertainty_score":0.1218454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2132623271","doi":"","title":"RTMIDI, RTAUDIO, AND A SYNTHESIS TOOLKIT (STK) UPDATE","year":2005,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"MIDI; Computer science; Operating system; Interface (matter); Set (abstract data type); Software; Audio signal processing; Open source; Programming language; Application programming interface; Computer architecture; Embedded system; Audio signal; Software engineering; Computer hardware; Digital signal processing","authors":[{"name":"Gary Scavone","is_ca":true},{"name":"Perry R. Cook","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009171490698906543,"gpt":0.2101292245975038,"spread":0.2009577338985973,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001955137,0.001189589,0.0006885286,0.001667494,0.0005497086,0.002659278,0.002849543,0.00108438,0.03320292],"category_scores_gemma":[0.005150638,0.001069546,0.00100297,0.001375139,0.0005145665,0.003378093,0.002184951,0.002270485,0.03245916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001267818,"about_ca_system_score_gemma":0.002060478,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004021477,"about_ca_topic_score_gemma":0.003859107,"domain_scores_codex":[0.9977134,0.0001738266,0.0002071354,0.0003259523,0.001398826,0.0001807733],"domain_scores_gemma":[0.9973533,0.0003468148,0.0001098546,0.0005960016,0.001303234,0.0002908627],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000583778,0.0001112052,0.0009030614,0.0007809444,0.00005521991,0.0002784495,0.0004605161,0.004533632,0.02569188,0.0175886,0.1707383,0.7782743],"study_design_scores_gemma":[0.00004924852,0.00007304321,0.0009182047,0.00006921867,0.00002827711,0.0005989214,0.00003527325,0.008002544,0.009520018,0.002323557,0.9783067,0.00007511108],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"software","genre_scores_codex":[0.009408731,0.004917734,0.6359659,0.001669951,0.002392095,0.000389839,0.009454614,0.2270969,0.1087044],"genre_scores_gemma":[0.039892,0.003728781,0.617796,0.0009777757,0.0005937564,0.0007498057,0.05308084,0.05182276,0.2313583],"genre_candidate":"software","genre_consensus":null,"teacher_disagreement_score":0.03320292,"threshold_uncertainty_score":0.1110748,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2575129390","doi":"","title":"Realtime Generation of Harmonic Progressions Using Constrained Markov Selection.","year":2010,"lang":"en","type":"article","venue":"ICCC","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Chord (peer-to-peer); Computer science; Markov chain; Algorithm; Coherence (philosophical gambling strategy); Generative grammar; Hidden Markov model; Markov process; Ergodic theory; Theoretical computer science; Artificial intelligence; Mathematics; Machine learning; Distributed computing; Statistics","authors":[{"name":"Arne Eigenfeldt","is_ca":false},{"name":"Philippe Pasquier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03633338109547315,"gpt":0.2857817865595689,"spread":0.2494484054640958,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001162812,0.0004307055,0.0003505333,0.0006605923,0.0003791627,0.000601918,0.001014654,0.0004417883,0.006854225],"category_scores_gemma":[0.004859718,0.0003410389,0.0005233782,0.0005352012,0.0004361098,0.0007049126,0.0009111784,0.0004740025,0.001292601],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000396897,"about_ca_system_score_gemma":0.0005573988,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00207372,"about_ca_topic_score_gemma":0.003442336,"domain_scores_codex":[0.9992385,0.000203114,0.00003049324,0.0001596921,0.0003251853,0.00004301442],"domain_scores_gemma":[0.9978459,0.001490019,0.000125578,0.0003009686,0.0001629658,0.00007451641],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0006741211,0.0002307513,0.00311353,0.0002866482,0.0001120013,0.0005527897,0.0007239274,0.2454776,0.08097712,0.06006259,0.006098642,0.6016903],"study_design_scores_gemma":[0.00003952941,0.0000617812,0.0003796859,0.00001036998,0.00001258709,0.0001822043,0.00003736439,0.9722275,0.01238313,0.01064435,0.004003012,0.00001854225],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.009660332,0.00005099191,0.9868944,0.00003413407,0.00001712835,0.00007829769,0.00009379294,0.00153522,0.001635771],"genre_scores_gemma":[0.4008531,0.000102569,0.594939,0.00005040905,0.00002853241,0.0002376739,0.0005639758,0.0003475058,0.002877245],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006854225,"threshold_uncertainty_score":0.02292973,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2120103442","doi":"10.1017/s1355771805000956","title":"Interactive Network Performance: a dream worth dreaming?","year":2005,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"McGill University","keywords":"MIDI; Computer science; Visualization; Software; Controller (irrigation); Human–computer interaction; Multimedia; Artificial intelligence; Operating system","authors":[{"name":"Ajay Kapur","is_ca":true},{"name":"Ge Wang","is_ca":false},{"name":"Philip Davidson","is_ca":false},{"name":"Perry R. Cook","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007777733980144676,"gpt":0.2187315590341644,"spread":0.2109538250540197,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02184646,0.0009124259,0.001041043,0.001421059,0.006548937,0.01903916,0.003881415,0.00497468,0.01326231],"category_scores_gemma":[0.04330886,0.0004296846,0.000633215,0.001416141,0.05382854,0.04884563,0.01030718,0.008426728,0.004117122],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003903101,"about_ca_system_score_gemma":0.004356631,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004557126,"about_ca_topic_score_gemma":0.003326811,"domain_scores_codex":[0.9874982,0.007876859,0.0002767334,0.001143413,0.002335614,0.0008690534],"domain_scores_gemma":[0.9522237,0.0298166,0.001672225,0.006701698,0.005929451,0.00365642],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001591835,0.00005650587,0.002027884,0.0006264256,0.00003632518,0.0001250825,0.009944228,0.0005740871,0.0002260194,0.8553422,0.02787178,0.1030102],"study_design_scores_gemma":[0.00002558096,0.000141715,0.001167545,0.002140781,0.00002655797,0.0004604642,0.03359431,0.001177789,0.0003377288,0.5707073,0.3901127,0.0001075179],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.0217017,0.08713035,0.03981555,0.5233447,0.01027489,0.00007507354,0.0002298837,0.0005685741,0.3168592],"genre_scores_gemma":[0.7893962,0.08529992,0.027067,0.03883418,0.01388037,0.0004208465,0.0003718795,0.0007470898,0.0439826],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02184646,"threshold_uncertainty_score":0.1155365,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2135573740","doi":"10.5072/zenodo.205117","title":"Tooka: explorations of two person instruments","year":2002,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"String (physics); Tension (geology); Musical; Musical instrument; Point (geometry); Position (finance); Strain gauge; Computer science; Torque; Acoustics; Expression (computer science); Acceleration; Engineering; Physics; Structural engineering; Mathematics; Art; Visual arts; Theoretical physics; Geometry","authors":[{"name":"Sidney Fels","is_ca":true},{"name":"Florian Vogt","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0652805119432588,"gpt":0.2494671248522116,"spread":0.1841866129089528,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001381784,0.0008869692,0.0006068583,0.0008822898,0.002425189,0.003761793,0.001567681,0.001792435,0.01297521],"category_scores_gemma":[0.003835784,0.0005522938,0.0009675781,0.0006173769,0.00292323,0.004831961,0.005410617,0.001582175,0.001255519],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00104307,"about_ca_system_score_gemma":0.0004490975,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009963338,"about_ca_topic_score_gemma":0.001708933,"domain_scores_codex":[0.9983889,0.0009001382,0.00003508078,0.000242277,0.0002756881,0.0001579368],"domain_scores_gemma":[0.998801,0.0007927683,0.00003977307,0.0001497729,0.00005035671,0.0001662922],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.003112904,0.0008143637,0.01574668,0.002000247,0.0002935846,0.01651251,0.3838332,0.01349413,0.06974676,0.2170958,0.0138933,0.2634565],"study_design_scores_gemma":[0.0004298074,0.001464694,0.01575833,0.001022707,0.0002013645,0.01648219,0.1558615,0.08245704,0.02377342,0.1488077,0.5531655,0.0005757978],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6239913,0.002297733,0.2440806,0.002315192,0.0002071391,0.0003882936,0.0005390885,0.001435188,0.1247455],"genre_scores_gemma":[0.8516924,0.0007283524,0.1283991,0.0003095208,0.00003942354,0.000296083,0.0002860594,0.000401901,0.01784716],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01297521,"threshold_uncertainty_score":0.04340643,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2909242004","doi":"10.3389/fpsyg.2018.02725","title":"Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches","year":2019,"lang":"en","type":"article","venue":"Frontiers in Psychology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Psychology; Piano; Motion capture; Motion (physics); Musical; Expression (computer science); Cognitive psychology; Dynamics (music); Romance; Duration (music); Movement (music); Musical form; Musical instrument; Performing arts; Kinematics; Computer science; Aesthetics; Acoustics; Art; Visual arts; Artificial intelligence; Literature","authors":[{"name":"Catherine Massie-Laberge","is_ca":true},{"name":"Isabelle Cossette","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05189922193042751,"gpt":0.3270445788609204,"spread":0.2751453569304929,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007723362,0.0006465517,0.0004791622,0.002589924,0.0002102005,0.0008504875,0.0004507244,0.0005198122,0.003292192],"category_scores_gemma":[0.003168716,0.0002694301,0.0003787699,0.00201341,0.0003347796,0.0005766428,0.0006073925,0.0003058326,0.0005290028],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002089223,"about_ca_system_score_gemma":0.0003075929,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001106811,"about_ca_topic_score_gemma":0.002078617,"domain_scores_codex":[0.9995596,0.0001205611,0.00003545238,0.000148615,0.00009772785,0.0000380609],"domain_scores_gemma":[0.9992029,0.0003383941,0.000168883,0.00006290634,0.0001595707,0.00006729898],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.000800975,0.0002437925,0.04108318,0.001206022,0.0001389564,0.0005335183,0.002502781,0.004975416,0.1642222,0.001415033,0.001003366,0.781875],"study_design_scores_gemma":[0.0001202296,0.001269602,0.7948335,0.0006130752,0.0003563701,0.00177462,0.005080885,0.1380498,0.03981756,0.003740787,0.01413615,0.0002073863],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6889326,0.004950125,0.2937444,0.000554466,0.0001556751,0.000418473,0.001357512,0.001494989,0.008391655],"genre_scores_gemma":[0.8291244,0.002667004,0.1648538,0.00005232693,0.0001448895,0.0002855893,0.0007727282,0.00009501805,0.002004287],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003292192,"threshold_uncertainty_score":0.01101351,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237454264","doi":"10.1162/leon.2007.40.3.248","title":"<i>SwarmArt</i>: Interactive Art from Swarm Intelligence","year":2007,"lang":"en","type":"article","venue":"Leonardo","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Swarm behaviour; Multitude; Context (archaeology); Exhibition; Computer science; Swarm intelligence; Human–computer interaction; Swarm robotics; Collective intelligence; Variety (cybernetics); Multimedia; Data science; Artificial intelligence; Visual arts; Biology; Art; Particle swarm optimization; Epistemology","authors":[{"name":"Christian Jacob","is_ca":true},{"name":"Gerald Hushlak","is_ca":true},{"name":"Jeffrey E. Boyd","is_ca":true},{"name":"Paul Nuytten","is_ca":true},{"name":"Maxwell Sayles","is_ca":true},{"name":"Marcin L. Pilat","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01364954114588492,"gpt":0.2583442915746306,"spread":0.2446947504287456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002777398,0.0006269296,0.0002664497,0.0008259569,0.0008219755,0.002398666,0.000794674,0.0007190231,0.02574668],"category_scores_gemma":[0.0009859195,0.0002388246,0.000501899,0.0007303092,0.001759259,0.001690309,0.002090109,0.00131298,0.003244071],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003901688,"about_ca_system_score_gemma":0.0002349659,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001025435,"about_ca_topic_score_gemma":0.002375081,"domain_scores_codex":[0.9998216,0.00004620066,0.000009583673,0.00002020283,0.00008937043,0.0000131043],"domain_scores_gemma":[0.9997622,0.0001045243,0.00001223462,0.00005830059,0.00002402025,0.00003859274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0001266134,0.0000378689,0.0006482938,0.001312107,0.00005091081,0.0006387598,0.004502882,0.004701151,0.01686408,0.3017127,0.2788008,0.3906038],"study_design_scores_gemma":[0.00001567365,0.00003878968,0.0007383956,0.0002189699,0.00001787281,0.0007949584,0.0002670193,0.005390458,0.004082641,0.03813334,0.9502729,0.00002898251],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01468926,0.01305266,0.3427908,0.005547521,0.002503342,0.000248724,0.0006806253,0.009900147,0.6105869],"genre_scores_gemma":[0.2720858,0.01943864,0.3271632,0.00301132,0.003406085,0.0006841285,0.002302885,0.007396014,0.3645119],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02574668,"threshold_uncertainty_score":0.08613122,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2126721227","doi":"10.5281/zenodo.1176566","title":"Indirect Acquisition Of Instrumental Gesture Based On Signal , Physical And Perceptual Information","year":2003,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Université de Montréal","funders":"","keywords":"Timbre; Gesture; Guitar; Computer science; Microphone; Gesture recognition; Perception; SIGNAL (programming language); Speech recognition; Point (geometry); Artificial intelligence; Human–computer interaction; Acoustics; Mathematics; Psychology; Musical","authors":[{"name":"Caroline Traube","is_ca":true},{"name":"Philippe Depalle","is_ca":true},{"name":"Marcelo M. Wanderley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007354861787931164,"gpt":0.2067712011979374,"spread":0.1994163394100062,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002022738,0.0006027397,0.0004281768,0.0005377021,0.0004371327,0.001466949,0.001398418,0.000724006,0.02343239],"category_scores_gemma":[0.0005136822,0.0002496056,0.0006148958,0.0004803815,0.000957818,0.0009292194,0.0010554,0.0008015514,0.005954791],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003683678,"about_ca_system_score_gemma":0.0006929725,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001216745,"about_ca_topic_score_gemma":0.001725114,"domain_scores_codex":[0.9996911,0.00001882711,0.00002852675,0.00006722254,0.0001506636,0.00004373491],"domain_scores_gemma":[0.999754,0.00006263833,0.00001583685,0.00007204137,0.00006967715,0.00002572055],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0005816026,0.0002111937,0.002325594,0.001931168,0.00004103162,0.001189734,0.0003993227,0.002373949,0.5484809,0.07821026,0.003958516,0.3602968],"study_design_scores_gemma":[0.0001039686,0.001677064,0.01534553,0.0002476491,0.0001649528,0.008791115,0.0004784718,0.04722289,0.7165462,0.02297994,0.1862635,0.0001789216],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.06206845,0.003955339,0.8424177,0.0004112965,0.0004406508,0.0009272679,0.002504576,0.002606724,0.084668],"genre_scores_gemma":[0.5187897,0.005535875,0.3257071,0.0003614039,0.0003212393,0.002175999,0.004243985,0.0006059117,0.1422588],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02343239,"threshold_uncertainty_score":0.07838911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}