{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":1398,"total_is_capped":false,"direct_labels_cover":2,"predictions_cover":1398,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"query_hash":"715aab84651c","filters":{"topic":"Music Technology and Sound Studies"}},"results":[{"id":"W2154393540","doi":"","title":"Proceedings of the International Conference on New Interfaces for Musical Expression","year":2011,"lang":"en","type":"article","venue":"Duo Research Archive (University of Oslo)","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":444,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical expression; Computer science; Expression (computer science); Musical; Programming language; Art; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.106987114123579,"gpt":0.2896886176209003,"spread":0.1827015034973213,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002924988,0.0000514496,0.00009971603,0.000158443,0.0002175924,0.00001037016,0.001895355,0.00003796294,0.00005833022],"category_scores_gemma":[0.0001369785,0.00004103787,0.00005565516,0.0001541077,0.0005553131,0.0001614109,0.001293213,0.0002106531,0.000004732954],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000015407,"about_ca_system_score_gemma":0.0000735065,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001197484,"about_ca_topic_score_gemma":0.00007409381,"domain_scores_codex":[0.999244,0.0000244606,0.00006263875,0.0002088619,0.0003031699,0.0001568763],"domain_scores_gemma":[0.9993522,0.0001341812,0.00006412971,0.0001725399,0.0002356588,0.00004127443],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002305413,0.0001253475,0.0009981154,0.0000254,0.00004033096,0.000001698056,0.02834722,2.460801e-7,0.04340137,0.8842075,0.03389508,0.008727115],"study_design_scores_gemma":[0.001866938,0.001505276,0.06764529,0.0004768567,0.00001112205,0.000005056054,0.01929623,0.008173527,0.07073829,0.8107201,0.01929935,0.0002619008],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7876408,0.00001207239,0.12628,0.006177444,0.0002102085,0.0004644345,0.00002446698,0.00005493089,0.07913563],"genre_scores_gemma":[0.9729788,0.00001867339,0.02599186,0.00001677665,0.0000122925,7.710046e-7,4.256977e-7,0.00000172774,0.0009786845],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1853379,"threshold_uncertainty_score":0.3522072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2078118823","doi":"10.1145/383259.383322","title":"FoleyAutomatic","year":2001,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":295,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science; Animation; Modal; Graphics; Frame rate; Computer graphics (images); Frame (networking); Computer graphics; Computer animation; Computer vision","retraction":null,"screen_n_in":null,"score":{"opus":0.01465395714248258,"gpt":0.2333003309984561,"spread":0.2186463738559735,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004581804,0.00003011967,0.00004233203,0.00002900601,0.00006703652,0.0000164949,0.0002895393,0.00002099574,0.00004463579],"category_scores_gemma":[0.00001211348,0.00002236544,0.00001492586,0.0001392679,0.00001999205,0.00008624449,0.0001032321,0.00002771295,0.0002026795],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003713465,"about_ca_system_score_gemma":0.000004319179,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004016629,"about_ca_topic_score_gemma":0.000008378084,"domain_scores_codex":[0.9997323,0.000005079722,0.00004605275,0.00008402334,0.00004385927,0.00008866539],"domain_scores_gemma":[0.9997346,0.00001872725,0.000008114246,0.0002186111,0.000008448385,0.00001148353],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[1.953708e-7,0.00001148985,0.0009652347,7.964264e-7,0.000006771045,0.00001338411,0.0001966859,7.622083e-7,0.0000120157,0.9111045,0.008161442,0.07952674],"study_design_scores_gemma":[0.000332814,0.0001052235,0.02699805,0.000007198329,0.000003940487,0.0001487564,0.0001165839,0.02322154,0.0002452937,0.6752413,0.2733139,0.0002654343],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.0328104,0.00007292868,0.7808831,0.003342162,0.0001174346,0.00002280136,1.356501e-8,0.0006774438,0.1820737],"genre_scores_gemma":[0.9543169,0.00001519589,0.0391246,0.0008901365,0.00001061262,0.000005006542,3.388431e-8,9.43239e-7,0.005636568],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9215065,"threshold_uncertainty_score":0.2605102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2971350153","doi":"10.1093/oxfordhb/9780199660773.001.0001","title":"The Oxford Handbook of Singing","year":2014,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":186,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Library science; Publishing; Table of contents; Table (database); History; Computer science; World Wide Web; Art; Literature; Data mining","retraction":null,"screen_n_in":null,"score":{"opus":0.01417193064824602,"gpt":0.1904581680153772,"spread":0.1762862373671312,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002180282,0.0002469023,0.0003690282,0.0001255034,0.0007361637,0.00005419032,0.002199978,0.0003348613,0.000001204839],"category_scores_gemma":[0.00001789404,0.0002077896,0.0001867374,0.00002223421,0.0005698648,0.00007990932,0.001393495,0.0004373089,4.199304e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009802818,"about_ca_system_score_gemma":0.0001663963,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007927476,"about_ca_topic_score_gemma":0.00002974943,"domain_scores_codex":[0.9988101,0.00006240087,0.000192074,0.0003753338,0.0002424097,0.0003176942],"domain_scores_gemma":[0.998229,0.0002990905,0.0003122952,0.0009951148,0.0001155054,0.00004903342],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001396637,0.000005015587,0.000004973947,0.00004327366,0.0001329261,0.00001743932,0.0004633413,0.000002716817,0.000003516891,0.9495531,0.0223726,0.02738713],"study_design_scores_gemma":[0.0002235915,0.00005344243,0.000004786131,0.0001574679,0.00004849775,0.000004777039,0.00002218834,0.0003125719,0.00009015018,0.008252348,0.9906216,0.0002085307],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00002313923,0.0005005947,0.09439019,0.00005919085,0.0003327345,0.0001814659,0.000006811607,0.0002067024,0.9042991],"genre_scores_gemma":[0.0002746446,0.0004702389,0.001962808,0.00004960365,0.00005278079,9.634376e-7,0.000002101197,0.00001211932,0.9971747],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.968249,"threshold_uncertainty_score":0.8473415,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2134079826","doi":"10.1017/s1355771802002030","title":"Mapping performer parameters to synthesis engines","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":155,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Performing arts; Interface (matter); Human–computer interaction; Work (physics); Multimedia; Software engineering; Visual arts; Operating system; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.02573031410718164,"gpt":0.2086408236053687,"spread":0.182910509498187,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001236024,0.0001424538,0.0001748831,0.0001583553,0.0003307559,0.0001023751,0.0006340483,0.00008320313,0.000267313],"category_scores_gemma":[0.0001906263,0.0001284476,0.00004926992,0.0005360827,0.00006045295,0.0001757501,0.0002007016,0.0001160686,0.0009913332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003694793,"about_ca_system_score_gemma":0.000006746629,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00000610081,"about_ca_topic_score_gemma":0.00000580096,"domain_scores_codex":[0.9990324,0.00002281252,0.0001456658,0.0003281504,0.0001496832,0.0003212684],"domain_scores_gemma":[0.9991903,0.0001685856,0.0000319664,0.0005013887,0.00003478519,0.00007291917],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002322639,0.000842714,0.0518087,0.0002157814,0.001166236,0.0003117801,0.1719487,0.0002711009,0.01615706,0.2149549,0.2032826,0.3390172],"study_design_scores_gemma":[0.002929473,0.001003906,0.08769595,0.0003542917,0.0001831991,0.0005184312,0.01108502,0.02799206,0.04706164,0.1156596,0.6982881,0.007228319],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7548822,0.0001893858,0.2280286,0.005418018,0.0005035748,0.0001680553,0.000001648338,0.0005699114,0.01023858],"genre_scores_gemma":[0.9650189,0.00001828122,0.03302114,0.000902349,0.0000364839,0.00002899534,1.277768e-7,0.000009657398,0.0009640976],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4950055,"threshold_uncertainty_score":0.9997865,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W185137750","doi":"","title":"Proceedings of the 2004 conference on New interfaces for musical expression","year":2004,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":142,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; New Interfaces for Musical Expression; Expression (computer science); Musical expression; Event (particle physics); Visual arts; Media studies; Art history; Library science; Art; History; Sociology; Computer science; Musical composition","retraction":null,"screen_n_in":null,"score":{"opus":0.03456358874945244,"gpt":0.2599053365738585,"spread":0.2253417478244061,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00005538207,0.00006178995,0.00008805562,0.0000223733,0.00009231561,0.00002190655,0.0006084164,0.00005268619,0.000006878758],"category_scores_gemma":[0.00005223198,0.00003314712,0.00003325543,0.00009764589,0.00008521423,0.00009587414,0.0002157118,0.00007225163,0.000003249845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001122326,"about_ca_system_score_gemma":0.00003815765,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001080324,"about_ca_topic_score_gemma":0.00001012764,"domain_scores_codex":[0.9995449,0.000001604498,0.00009300721,0.0001654437,0.00009038406,0.0001046621],"domain_scores_gemma":[0.999721,0.00002396103,0.00004559456,0.0001357662,0.00005600907,0.00001769168],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000007384523,0.00003385633,0.00005472793,0.000007280416,0.000004565787,6.157777e-8,0.001642529,0.000004976666,0.009404174,0.9750817,0.01056978,0.00318894],"study_design_scores_gemma":[0.0008026581,0.0003448077,0.001474202,0.0001708045,0.000004503028,0.000003276837,0.0004253467,0.0002933176,0.4882579,0.502402,0.0056836,0.0001376197],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6530864,0.0000416762,0.3092079,0.01905093,0.0004013392,0.0003650881,8.901584e-7,0.0002041621,0.01764154],"genre_scores_gemma":[0.9807336,0.000002230855,0.01782713,0.0003030394,0.00001876292,0.000009703998,2.68912e-8,0.00000156066,0.001103903],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4788537,"threshold_uncertainty_score":0.13517,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2058002801","doi":"10.1017/s1355771802001024","title":"Genres and techniques of soundscape composition as developed at Simon Fraser University","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":138,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Soundscape; Computer science; Perspective (graphical); Sound (geography); Active listening; Representation (politics); Acoustics; Composition (language); Range (aeronautics); Cognitive science; Visual arts; Communication; Artificial intelligence; Art; Psychology; Engineering; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01444495618592699,"gpt":0.2075058266770982,"spread":0.1930608704911713,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008205519,0.0001100296,0.0001607406,0.00009956597,0.0003713806,0.00002697578,0.0003267573,0.0001216476,0.0001076117],"category_scores_gemma":[0.00001781206,0.0001112276,0.00002643497,0.000274495,0.0002042362,0.0001948016,0.0003787941,0.00009086802,0.00003960264],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005380189,"about_ca_system_score_gemma":0.00001217489,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001802876,"about_ca_topic_score_gemma":0.0000972104,"domain_scores_codex":[0.9993206,0.00004062013,0.0001153195,0.0002493246,0.0001224106,0.0001517327],"domain_scores_gemma":[0.9994779,0.00007337666,0.00007454224,0.000272425,0.00006387971,0.00003788338],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0001961139,0.0009744206,0.2495098,0.0002697175,0.0007169564,0.0004333546,0.02377644,0.000005333894,0.09192724,0.5277181,0.05631299,0.04815956],"study_design_scores_gemma":[0.006570518,0.001967147,0.08210946,0.0002194641,0.0003124056,0.000144914,0.007689057,0.002329366,0.4738056,0.1993302,0.2217823,0.003739595],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9718577,0.0002084981,0.02078898,0.0005270041,0.00005172969,0.0001060085,0.00000316885,0.0002880953,0.006168815],"genre_scores_gemma":[0.98974,0.0001068541,0.009360561,0.0001538706,0.00001149626,8.940813e-7,0.000001571776,0.000005681319,0.0006191268],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3818783,"threshold_uncertainty_score":0.4535729,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1912282481","doi":"10.1007/978-3-319-47214-0_6","title":"2003: Contexts of Collaborative Musical Experiences","year":2017,"lang":"en","type":"book-chapter","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":117,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Variety (cybernetics); Musical; Human–computer interaction; New Interfaces for Musical Expression; Interface (matter); Computer science; Key (lock); Collaborative design; Interface design; Multimedia; Musical composition; Visual arts; Art; Systems design; Software engineering; Computer security; Artificial intelligence","retraction":null,"screen_n_in":null,"score":{"opus":0.1630378329873441,"gpt":0.4115065635976857,"spread":0.2484687306103416,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.003936829,0.0004201737,0.002068817,0.001089585,0.0004255543,0.0001440736,0.003546541,0.0006967631,0.0001379281],"category_scores_gemma":[0.002386395,0.0003344089,0.0001313689,0.0003124816,0.00281199,0.0002228402,0.001815263,0.001425932,0.0001556534],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002515581,"about_ca_system_score_gemma":0.001053758,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001434774,"about_ca_topic_score_gemma":0.000189464,"domain_scores_codex":[0.9950132,0.0008221567,0.001305624,0.0009736042,0.001134326,0.000751078],"domain_scores_gemma":[0.9933944,0.001481552,0.0009470159,0.002119842,0.001930023,0.0001271745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001307373,0.0001054352,0.00002284191,0.01095939,0.0001002336,0.0001174563,0.01833798,2.124138e-7,0.00000349272,0.9450133,0.02211204,0.003214575],"study_design_scores_gemma":[0.003028998,0.002258933,0.0002895912,0.08516043,0.0001136601,0.0001323684,0.007419966,0.001088403,0.00005664065,0.3949302,0.5034075,0.002113258],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.003066358,0.04620038,0.003965354,0.002333206,0.01325267,0.0112902,0.00006012745,0.0002541596,0.9195775],"genre_scores_gemma":[0.7896107,0.002553615,0.00183655,0.000162019,0.0008678075,0.006979376,0.00002350096,0.0001038704,0.1978625],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.7865444,"threshold_uncertainty_score":0.9999108,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1494026234","doi":"10.1007/3-540-47873-6_26","title":"Quantitative Analysis of Non-obvious Performer Gestures","year":2002,"lang":"en","type":"book-chapter","venue":"Lecture notes in computer science","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":112,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Gesture; Movement (music); Consistency (knowledge bases); Computer science; Performing arts; Human–computer interaction; Artificial intelligence; Visual arts; Aesthetics; Art","retraction":null,"screen_n_in":null,"score":{"opus":0.021095809176141,"gpt":0.2625027131520634,"spread":0.2414069039759224,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000562568,0.0004550361,0.0009863968,0.002323396,0.0002813814,0.0001191311,0.002876042,0.0004046574,0.00004236758],"category_scores_gemma":[0.0001044913,0.0003801,0.0002918031,0.001981565,0.001534667,0.000293474,0.001123944,0.0007410363,0.00002284628],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001158673,"about_ca_system_score_gemma":0.0001412797,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003626152,"about_ca_topic_score_gemma":0.0001575216,"domain_scores_codex":[0.9969208,0.00002317924,0.0005496235,0.001231898,0.0007630293,0.0005115047],"domain_scores_gemma":[0.9973107,0.0005657822,0.000384019,0.001365998,0.0002991471,0.00007432636],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00002184363,0.0001779602,0.002355118,0.000112136,0.001645359,0.0002076903,0.02231113,0.06047917,0.0002113269,0.2030505,0.0004022125,0.7090256],"study_design_scores_gemma":[0.0002395603,0.0004835464,0.004256708,0.0001777018,0.000245633,0.00001818684,0.000001546205,0.9114972,0.0003138943,0.08084978,0.001109982,0.0008062315],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.001637833,0.0008694476,0.988121,0.0004395206,0.0007880339,0.0002015308,0.000007008452,0.00009401987,0.007841595],"genre_scores_gemma":[0.6154774,0.0002366003,0.3823765,0.0007543336,0.0001243398,0.00001049751,0.00000379622,0.00002032916,0.0009961713],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.8510181,"threshold_uncertainty_score":0.9998651,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2128141288","doi":"10.1109/msp.2007.323264","title":"Acoustic Modeling Using the Digital Waveguide Mesh","year":2007,"lang":"en","type":"article","venue":"IEEE Signal Processing Magazine","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":91,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Computer science; Reverberation; Acoustics; Parallels; Finite-difference time-domain method; Waveguide; Room acoustics; Field (mathematics); Modeling and simulation; Simulation; Engineering; Mechanical engineering; Optics; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.03281870464447965,"gpt":0.2716853847585156,"spread":0.2388666801140359,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005982837,0.0001874194,0.0001804278,0.0001109606,0.0006558367,0.0003294945,0.0007762818,0.00009763361,0.000004736546],"category_scores_gemma":[0.00004863368,0.0001299545,0.000059668,0.0005122324,0.0001777271,0.0005427742,0.0001933879,0.0002992247,0.00002574275],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004654028,"about_ca_system_score_gemma":0.0001216388,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003144455,"about_ca_topic_score_gemma":0.00001116313,"domain_scores_codex":[0.9985288,0.00001452236,0.0003190952,0.0003563479,0.0003119279,0.0004692841],"domain_scores_gemma":[0.9992821,0.00009697778,0.0001023706,0.0003135334,0.000149781,0.0000551864],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00006712026,0.0002313891,0.0004315306,0.0001822315,0.0001440316,0.0003429594,0.005839432,0.07898262,0.05557478,0.009335351,0.002402658,0.8464659],"study_design_scores_gemma":[0.000153992,0.00002807796,0.00003011756,0.00005157089,0.00001564157,0.00009588269,0.00009941917,0.990491,0.0007562226,0.007263069,0.0008167998,0.0001982276],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.05217943,0.0005997549,0.9403459,0.0003290965,0.0002210668,0.00008875682,9.312886e-7,0.0003385318,0.005896488],"genre_scores_gemma":[0.9874085,0.000003945084,0.01160624,0.0003636849,0.0002006369,0.000002187675,5.077708e-7,0.00001285627,0.0004014008],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9352291,"threshold_uncertainty_score":0.5299392,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2146187185","doi":"10.1145/1101530.1101554","title":"Physically based models for liquid sounds","year":2005,"lang":"en","type":"article","venue":"ACM Transactions on Applied Perception","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":86,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"Natural Sciences and Engineering Research Council of Canada; University of British Columbia","keywords":"Acoustics; Sound (geography); Bubble; Computer science; Sound production; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.02704694412111252,"gpt":0.2579090410855402,"spread":0.2308620969644277,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001197494,0.0001496442,0.0001470786,0.0001241361,0.0004547682,0.00004231193,0.0005512281,0.0001370088,0.00005204543],"category_scores_gemma":[0.00000405329,0.0001451265,0.0001152575,0.0001970329,0.00007285367,0.0002381084,0.000009287471,0.0001788417,0.0001108174],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007851684,"about_ca_system_score_gemma":0.00002844884,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002988308,"about_ca_topic_score_gemma":0.00002571489,"domain_scores_codex":[0.9990564,0.00001262832,0.0001626576,0.0003818065,0.0001530028,0.0002335124],"domain_scores_gemma":[0.9990935,0.0001004075,0.00003657408,0.0006818216,0.00004642197,0.00004129908],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0002852956,0.000711023,6.092441e-7,0.00002454343,0.00006302151,3.014576e-7,0.00375593,0.07778062,0.01806249,0.1042028,0.001180121,0.7939332],"study_design_scores_gemma":[0.003093567,0.001067163,0.0002993733,0.00002619199,0.0000897684,0.000005420435,0.0005700769,0.8089833,0.00788735,0.1377137,0.0392919,0.0009721682],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.01528359,0.000004645068,0.9769557,0.00471354,0.0001076272,0.0003008269,0.000007361212,0.0005345726,0.002092163],"genre_scores_gemma":[0.8194345,0.00001001556,0.1786131,0.001295018,0.00007052853,0.0003488414,0.000004540007,0.000009625952,0.0002137517],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.8041509,"threshold_uncertainty_score":0.5918086,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2055149472","doi":"10.1121/1.1645855","title":"The psychomechanics of simulated sound sources: Material properties of impacted bars","year":2004,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":85,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Acoustics; Viscoelasticity; Resonator; Loudness; Bar (unit); Physics; Mathematics; Mathematical analysis; Optics","retraction":null,"screen_n_in":null,"score":{"opus":0.01515676623778286,"gpt":0.2354293721516759,"spread":0.2202726059138931,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007074107,0.0001272024,0.0003740957,0.00001767109,0.0003320625,0.00002038976,0.001789555,0.00009303327,0.000005038031],"category_scores_gemma":[0.0002806028,0.00005152295,0.000328234,0.0003849452,0.00156671,0.00008497178,0.0004011473,0.0003385343,5.57184e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003658138,"about_ca_system_score_gemma":0.000113074,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005369201,"about_ca_topic_score_gemma":8.083561e-7,"domain_scores_codex":[0.9985252,0.0001278198,0.0005803591,0.00008142103,0.0004556279,0.0002295912],"domain_scores_gemma":[0.9980412,0.0003075918,0.0008142193,0.0005064241,0.0002952876,0.00003534055],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.002436666,0.001739472,0.0003182149,0.0004757667,0.005289521,0.000004012721,0.08421527,0.1626902,0.6965455,0.005742889,0.01242847,0.028114],"study_design_scores_gemma":[0.007062351,0.006499621,0.00406375,0.001474174,0.001777309,0.0004229464,0.04382687,0.2900511,0.2383193,0.4018305,0.003533873,0.001138211],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6863095,0.0006189189,0.3063479,0.006130805,0.0004133769,0.0001336304,0.000005198359,0.00001934157,0.00002137914],"genre_scores_gemma":[0.9906971,0.0004453651,0.008499261,0.0002897772,0.00004680315,4.147925e-7,4.171497e-8,0.000006408753,0.00001485386],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4582263,"threshold_uncertainty_score":0.5772608,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015876774","doi":"10.1371/journal.pone.0020518","title":"Rate Effects on Timing, Key Velocity, and Finger Kinematics in Piano Performance","year":2011,"lang":"en","type":"article","venue":"PLoS ONE","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":81,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Natural Sciences and Engineering Research Council of Canada; European Commission; Ohio State University","keywords":"Kinematics; Key (lock); Piano; Physics; Computer science; Physical medicine and rehabilitation; Medicine; Acoustics; Classical mechanics","retraction":null,"screen_n_in":null,"score":{"opus":0.06291072156258078,"gpt":0.2140357200020286,"spread":0.1511249984394479,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001747824,0.00008357349,0.0001565377,0.00008295201,0.00008395297,0.0000153335,0.0002379539,0.00005998364,0.000006014749],"category_scores_gemma":[0.00008238942,0.00007260667,0.000009264885,0.000132994,0.00005240802,0.0001052793,0.000190888,0.000143943,0.00004269031],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001087866,"about_ca_system_score_gemma":0.000007372015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005797834,"about_ca_topic_score_gemma":0.000009874432,"domain_scores_codex":[0.9994442,0.00002724519,0.0001004009,0.0001732126,0.00009384641,0.0001610529],"domain_scores_gemma":[0.9995907,0.00009159923,0.00003646749,0.0002409117,0.00001885864,0.0000214672],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001792571,0.008389242,0.4143883,0.005217212,0.001009649,0.0003913925,0.1567162,0.00001455393,0.01087371,0.2527986,0.00344042,0.1465815],"study_design_scores_gemma":[0.001541866,0.001286386,0.8064416,0.001497322,0.00005802091,0.000006051756,0.00005259261,0.04923897,0.1165865,0.02242218,0.0001692543,0.0006992983],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9942487,0.00006964497,0.0007799668,0.0003074465,0.00004443215,0.0001130421,1.716472e-7,0.00009414161,0.004342473],"genre_scores_gemma":[0.9774384,0.00007185654,0.02186151,0.0003525458,0.00001469846,0.00002096952,1.435178e-7,0.000003683618,0.0002361672],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3920533,"threshold_uncertainty_score":0.2960814,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1973931174","doi":"10.1159/000275593","title":"A Critical Review of Experimental Observations on Ear-Drum Structure and Function","year":2010,"lang":"en","type":"review","venue":"ORL","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":77,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Medical Research Council; Medical Research Council Canada","keywords":"Drum; Engineering; Mechanical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.07605250767898712,"gpt":0.3403715675792141,"spread":0.2643190599002269,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009231827,0.0001560458,0.0005914225,0.00005843823,0.0001066895,0.00001819703,0.0002891804,0.0002252029,0.00003680501],"category_scores_gemma":[0.0001703074,0.0001132971,0.00009853052,0.0001889041,0.0001332994,0.00007830429,0.0001839415,0.0003830833,0.000007595469],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001248381,"about_ca_system_score_gemma":0.00004958716,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001246096,"about_ca_topic_score_gemma":0.000001745321,"domain_scores_codex":[0.9992208,0.0000497883,0.0002373976,0.0002683922,0.0001148456,0.0001087326],"domain_scores_gemma":[0.9992756,0.000131408,0.00009250865,0.0004287887,0.00004568414,0.00002598692],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[3.9463e-7,0.00002605051,0.000001282987,0.01282356,0.00003044215,0.000001591011,0.00003956315,2.031782e-9,0.000002796937,0.2285615,0.003064024,0.7554488],"study_design_scores_gemma":[0.00002556436,0.00006520934,0.00001608747,0.0136451,0.00007900298,0.00001537943,0.000002366945,0.000001871515,0.000004876388,0.001106579,0.9849379,0.0001000789],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.000006682119,0.9975662,0.0007622634,0.0003631381,0.0005406877,0.0001989883,0.00001347647,0.00005201937,0.0004965763],"genre_scores_gemma":[0.00003579952,0.9973658,0.00214537,0.0002643334,0.00005130723,0.00003316182,0.000006054238,0.000005683476,0.00009254434],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9818739,"threshold_uncertainty_score":0.4620121,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2156366082","doi":"10.1017/s1355771811000380","title":"Sound, Listening and Place: The aesthetic dilemma","year":2012,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":76,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Soundscape; Active listening; Dilemma; Situated; Extension (predicate logic); Composition (language); Space (punctuation); Aesthetics; Work (physics); Computer science; The Imaginary; Sound (geography); Sociology; Epistemology; Acoustics; Art; Psychology; Communication; Engineering; Artificial intelligence; Philosophy; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.01413705618970312,"gpt":0.2290427899565601,"spread":0.214905733766857,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000378828,0.0001409207,0.0001391512,0.00004320352,0.0007828028,0.0001762773,0.0005380758,0.00009366927,0.00002556952],"category_scores_gemma":[0.00006512613,0.00009518916,0.00003282295,0.0002330483,0.0002850476,0.0003218135,0.0004142115,0.0002152023,0.00009962548],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002524394,"about_ca_system_score_gemma":0.00001748103,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007386306,"about_ca_topic_score_gemma":0.00001598069,"domain_scores_codex":[0.9990483,0.0000598993,0.0001323101,0.0002171153,0.0001554515,0.0003869524],"domain_scores_gemma":[0.9992059,0.000133658,0.00005732998,0.0005035016,0.00003075795,0.00006883304],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001081194,0.0001062836,0.06044381,0.0000205075,0.00007435939,0.00001466442,0.03785708,0.000004755806,0.0001994863,0.8858118,0.006074637,0.009381784],"study_design_scores_gemma":[0.003071296,0.0004231108,0.1006752,0.00005605881,0.0001803032,0.002405548,0.007163099,0.001638221,0.0005721245,0.4519856,0.4296941,0.002135329],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.958912,0.001400754,0.03245783,0.003278434,0.000496665,0.0001362238,9.329135e-7,0.0003071812,0.003009947],"genre_scores_gemma":[0.99665,0.00001975397,0.002101106,0.0006571632,0.00009042589,0.00001234712,4.590674e-7,0.0000104434,0.0004583086],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4338262,"threshold_uncertainty_score":0.6020765,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2034795213","doi":"10.1155/2008/178923","title":"Audio Interaction in Computer Mediated Games","year":2007,"lang":"en","type":"article","venue":"International Journal of Computer Games Technology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":73,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science; Sound (geography); Human–computer interaction; Computer game; Multimedia; Computer graphics; Graphics; Game design; State (computer science); Computer graphics (images); Acoustics","retraction":null,"screen_n_in":null,"score":{"opus":0.01013567941160293,"gpt":0.2755655308818267,"spread":0.2654298514702238,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007663261,0.0001967403,0.0003899765,0.002376245,0.00004237451,0.00007945413,0.00223809,0.0002784686,0.0000136481],"category_scores_gemma":[0.0001016023,0.0001757248,0.0001293709,0.0006637272,0.0002037105,0.0005404695,0.0006945633,0.000742044,0.00002722287],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001991632,"about_ca_system_score_gemma":0.00006680855,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007147041,"about_ca_topic_score_gemma":0.00004615838,"domain_scores_codex":[0.9979923,0.00004510254,0.0008954716,0.0002929915,0.0004383203,0.0003357609],"domain_scores_gemma":[0.9981716,0.0003209421,0.0005635644,0.0003124708,0.0005766187,0.00005482359],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009414883,0.0003388032,0.02084902,0.000006513825,0.0003860211,0.001653901,0.001291548,0.0003715324,0.0004276455,0.06854358,0.004630527,0.9014068],"study_design_scores_gemma":[0.01141961,0.003489218,0.1958069,0.001188463,0.00005894891,0.0174586,0.0007661058,0.1223804,0.01178559,0.182518,0.451137,0.001991094],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2404158,0.0002704982,0.7464469,0.00821651,0.004185092,0.00006013334,7.256538e-7,0.0001730756,0.0002313061],"genre_scores_gemma":[0.8887728,0.0001104367,0.1097595,0.0008493477,0.0004718021,0.000002293654,0.000001157062,0.00000850884,0.00002420318],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8994157,"threshold_uncertainty_score":0.7165849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2145970641","doi":"10.5281/zenodo.1176972","title":"Vibrotactile Feedback In Digital Musical Instruments","year":2006,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":67,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Musical instrument; Musical; Audio feedback; Human–computer interaction; Haptic technology; Acoustics; Simulation","retraction":null,"screen_n_in":null,"score":{"opus":0.007926293902109834,"gpt":0.2067288246621296,"spread":0.1988025307600198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003454058,0.0000707517,0.00009201866,0.00007040574,0.00005417334,0.00008263695,0.0003440581,0.00005735043,0.00003355784],"category_scores_gemma":[0.00001324679,0.00005866495,0.00002431518,0.0002375268,0.00005618339,0.0004211505,0.0002618443,0.00009220894,0.00012925],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002143282,"about_ca_system_score_gemma":0.00001153559,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006898299,"about_ca_topic_score_gemma":0.0001060685,"domain_scores_codex":[0.9993842,0.000004299599,0.0001226379,0.0002055403,0.00009654382,0.0001867799],"domain_scores_gemma":[0.9997042,0.00002185655,0.00001795326,0.0002290185,0.00001140626,0.00001552529],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.000004496228,0.0002713257,0.09097614,0.00000408084,0.00001013835,0.00003255602,0.0002131417,0.000005864968,0.00008156693,0.7856354,0.01961611,0.1031492],"study_design_scores_gemma":[0.001479469,0.0001245341,0.5643353,0.00001825046,0.000002160461,0.00003954035,0.0001104744,0.005267449,0.0007802496,0.3233437,0.1039819,0.0005169607],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8174791,0.00001061165,0.01509687,0.0007485289,0.0001630806,0.00006045584,6.75889e-7,0.0002265865,0.1662141],"genre_scores_gemma":[0.994246,8.424118e-7,0.002788587,0.0001540398,0.00002331781,0.000007293361,7.74983e-7,0.000001998277,0.002777138],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4733592,"threshold_uncertainty_score":0.2392287,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4249531654","doi":"10.1007/978-3-030-14832-4","title":"Timbre: Acoustics, Perception, and Cognition","year":2019,"lang":"en","type":"book","venue":"Springer handbook of auditory research","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":66,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Agence Nationale de la Recherche","keywords":"Timbre; Perception; Cognition; Cognitive science; Psychology; Acoustics; Cognitive psychology; Art; Visual arts; Neuroscience; Musical","retraction":null,"screen_n_in":null,"score":{"opus":0.04696891629078313,"gpt":0.3090269686936769,"spread":0.2620580524028938,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001104525,0.0002332254,0.0004401927,0.0005545389,0.0003244438,0.0000758063,0.000888421,0.0005714893,0.0001133691],"category_scores_gemma":[0.0001667309,0.0002264226,0.00008467366,0.0001247819,0.001037237,0.0001646558,0.001231531,0.001169198,0.000474575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001482001,"about_ca_system_score_gemma":0.0005591856,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005292152,"about_ca_topic_score_gemma":0.000005521514,"domain_scores_codex":[0.9976405,0.0001151475,0.0003107668,0.0006508739,0.0008512927,0.0004314109],"domain_scores_gemma":[0.997805,0.0004304636,0.0001469336,0.0008312571,0.0007077667,0.00007856372],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002860165,0.00006243943,0.0000796716,0.0007490407,0.0002076471,0.00002899604,0.00134988,0.00000238192,0.003975808,0.01020672,0.9632287,0.02008013],"study_design_scores_gemma":[0.001154857,0.0009039617,0.00433043,0.002932889,0.00009091089,0.00003075143,0.0001755254,0.000722978,0.0004862083,0.08596722,0.9022436,0.0009606361],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002230328,0.02223905,0.08764692,0.001285346,0.006951142,0.002555942,0.00008517772,0.0007522863,0.8762538],"genre_scores_gemma":[0.008521943,0.004986795,0.004949852,0.0000711379,0.001611698,0.00005312348,0.00001565505,0.00004560772,0.9797442],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1034904,"threshold_uncertainty_score":0.9233247,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4402727180","doi":"10.1109/cvpr52733.2024.00891","title":"Disco: Disentangled Control for Realistic Human Dance Generation","year":2024,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":65,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Advanced Micro Devices (Canada)","funders":"","keywords":"Dance; Computer science; Control (management); Artificial intelligence; Art; Visual arts","retraction":null,"screen_n_in":null,"score":{"opus":0.03032936992085799,"gpt":0.2945839066565099,"spread":0.2642545367356519,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000124163,0.00006245759,0.00008317078,0.00003659208,0.0002041215,0.0001188687,0.0002127958,0.00003339408,0.00000845756],"category_scores_gemma":[0.00002977564,0.00004630052,0.00003935296,0.00009333109,0.00004219502,0.0001390094,0.00004384948,0.00004122836,0.00001004295],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002410962,"about_ca_system_score_gemma":0.0000171159,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001834543,"about_ca_topic_score_gemma":0.0002128206,"domain_scores_codex":[0.9994692,0.00001121445,0.0001005482,0.0002267513,0.00007387299,0.0001184494],"domain_scores_gemma":[0.9996679,0.00006530285,0.00001213832,0.0002103721,0.0000285936,0.00001566515],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[6.923727e-7,0.00000826196,0.00008776852,0.00001057944,0.00002020757,0.000002873268,0.0001753878,0.000005508707,0.001625278,0.9758754,0.01869168,0.003496344],"study_design_scores_gemma":[0.0008863411,0.0002053062,0.002445147,0.0000366771,0.00005176275,0.00001270044,0.00006302448,0.6299481,0.001424392,0.3077905,0.05674297,0.0003930609],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.007575477,0.0002758807,0.9824502,0.003444962,0.0005368127,0.0001724407,0.000006450431,0.000463516,0.005074223],"genre_scores_gemma":[0.9916357,0.000004426021,0.004510386,0.0002323624,0.0001494684,0.00009399233,0.00000429583,0.000003378009,0.003365959],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9840602,"threshold_uncertainty_score":0.188808,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2139879587","doi":"10.1109/jproc.2004.825887","title":"Designing for Intimacy: Creating New Interfaces for Musical Expression","year":2004,"lang":"en","type":"article","venue":"Proceedings of the IEEE","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":64,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Musical expression; Musical; Expression (computer science); Gesture; Human–computer interaction; Computer science; New Interfaces for Musical Expression; Sound (geography); Musical instrument; Aesthetics; Musical composition; Art; Acoustics; Visual arts; Artificial intelligence; Programming language","retraction":null,"screen_n_in":null,"score":{"opus":0.02859384138289577,"gpt":0.2658362719267846,"spread":0.2372424305438888,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002115367,0.00009107715,0.0001470763,0.00004046685,0.0002789014,0.00004967768,0.0008077298,0.00006370337,4.753398e-7],"category_scores_gemma":[0.0003719949,0.00006077946,0.00007627522,0.0001253792,0.00007067616,0.0002376834,0.0002216411,0.000083288,4.81878e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002290136,"about_ca_system_score_gemma":0.00003185749,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000007520696,"about_ca_topic_score_gemma":0.000001324851,"domain_scores_codex":[0.9993459,0.000001300773,0.0001616615,0.0002162142,0.00009475499,0.0001801856],"domain_scores_gemma":[0.9995182,0.0001061682,0.0001417025,0.00009387095,0.0001170238,0.00002298917],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.0000766408,0.00007703597,0.0005462509,0.0002232095,0.00005659221,1.046979e-7,0.01737933,0.0000859143,0.7976345,0.1497222,0.01759897,0.01659915],"study_design_scores_gemma":[0.0005361028,0.0001213094,0.00008864854,0.0002036633,0.0000115931,0.000002849193,0.0003082353,0.0006799516,0.8331755,0.1638347,0.0009458738,0.00009157036],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.4044793,0.00005829447,0.5921353,0.002066629,0.0003289474,0.0003626671,7.159143e-7,0.0001165528,0.0004516183],"genre_scores_gemma":[0.7124825,0.000001694628,0.2871433,0.00009155061,0.00007808689,0.00004378984,3.494195e-8,0.000004833477,0.0001542764],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3080032,"threshold_uncertainty_score":0.2478514,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2132184901","doi":"10.1017/s135577180200208x","title":"Control parameters for musical instruments: a foundation for new mappings of gesture to sound","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":63,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Musical; Piano; Computer science; Context (archaeology); Computer music; Metaphor; Control (management); Gesture; Human–computer interaction; Domain (mathematical analysis); Sound (geography); Speech recognition; Cognitive science; Acoustics; Visual arts; Art; Artificial intelligence; Psychology; Linguistics; History; Mathematics; Philosophy","retraction":null,"screen_n_in":null,"score":{"opus":0.02853148540028311,"gpt":0.2440283570527023,"spread":0.2154968716524192,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001740281,0.0001750756,0.0003138588,0.0001236352,0.0002705271,0.0001045014,0.0005598969,0.0001511347,0.00003401695],"category_scores_gemma":[0.000377158,0.0001642469,0.0001093025,0.0003072147,0.00009372106,0.0002222826,0.00009535595,0.00009206247,0.00002924609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006364581,"about_ca_system_score_gemma":0.00003369402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001289484,"about_ca_topic_score_gemma":0.00003309343,"domain_scores_codex":[0.9987751,0.00001953666,0.0002897013,0.0004110547,0.0001677734,0.0003367974],"domain_scores_gemma":[0.9989436,0.0002786613,0.0001317948,0.0004257115,0.0001261075,0.00009408392],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0003112664,0.0006375927,0.004348342,0.0002408734,0.0009265254,0.000004328166,0.02889337,0.00008617686,0.008861342,0.7735704,0.08744209,0.09467772],"study_design_scores_gemma":[0.01260362,0.002395003,0.003817689,0.00006905005,0.0002078931,0.0000270311,0.0007418775,0.01124765,0.002020191,0.8116711,0.1540703,0.001128477],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2523714,0.00002496235,0.7417789,0.004361193,0.0003667273,0.000836637,0.000009960808,0.0001243131,0.0001258954],"genre_scores_gemma":[0.9113549,0.000002459199,0.08633615,0.001709207,0.00008873249,0.0001094655,0.000003557935,0.00001410215,0.0003814199],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6589835,"threshold_uncertainty_score":0.6697796,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2007483568","doi":"10.1121/1.3227640","title":"Extraction of bowing parameters from violin performance combining motion capture and sensors","year":2009,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":63,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"","keywords":"Bowing; Violin; Tilt (camera); String (physics); Acoustics; Physics; Structural engineering; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.012015680250751,"gpt":0.2345872979970625,"spread":0.2225716177463115,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003531349,0.00007033685,0.0002043378,0.00001295702,0.0001657696,0.000008507261,0.0003840041,0.0000607294,0.000001388281],"category_scores_gemma":[0.00009619504,0.00003810053,0.0001207889,0.0001475815,0.0003656628,0.0001289943,0.00008464019,0.0003563394,1.944376e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001752384,"about_ca_system_score_gemma":0.00001453732,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002588178,"about_ca_topic_score_gemma":9.363454e-8,"domain_scores_codex":[0.9992919,0.0000763031,0.0002522719,0.00006397956,0.0002095534,0.0001059746],"domain_scores_gemma":[0.9989802,0.0003624945,0.0003814352,0.000183638,0.00007047017,0.00002172831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0004062815,0.0006552426,0.00539661,0.0001097869,0.001085092,0.000005556506,0.06550327,0.08430319,0.1821318,0.0005049115,0.01175658,0.6481417],"study_design_scores_gemma":[0.0006539398,0.0005835415,0.09459795,0.0002291328,0.0002672267,0.0001168682,0.006758186,0.8787581,0.006660269,0.01102328,0.0001750341,0.0001764952],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6446506,0.0002097887,0.3518411,0.003142036,0.00009912319,0.00002762442,6.116373e-7,0.000007241702,0.00002183224],"genre_scores_gemma":[0.9385714,0.0004188347,0.06050118,0.0004795765,0.00002188622,1.087834e-7,4.471929e-8,0.000001680987,0.000005282294],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7944549,"threshold_uncertainty_score":0.1553694,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2057945014","doi":"10.1145/1358628.1358969","title":"Sonic interaction design","year":2008,"lang":"en","type":"preprint","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":62,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Computer science; Human–computer interaction; Context (archaeology); Intersection (aeronautics); Ubiquitous computing; Field (mathematics); Domain (mathematical analysis); Sound art; Modality (human–computer interaction); Interaction design; Multimedia; Sound (geography); Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.06592757512107553,"gpt":0.2806982996714067,"spread":0.2147707245503312,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001217362,0.0001421539,0.0001788871,0.0001115691,0.0001371547,0.00005530073,0.0008887554,0.000254253,0.00002087391],"category_scores_gemma":[0.00003269419,0.0001206147,0.00007330639,0.0000832913,0.00005691032,0.0001023071,0.001702114,0.0005318826,0.0001429134],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005163691,"about_ca_system_score_gemma":0.00008250099,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003350524,"about_ca_topic_score_gemma":0.000008247845,"domain_scores_codex":[0.9991394,0.00004809338,0.0001483605,0.0003976767,0.0001062066,0.0001602371],"domain_scores_gemma":[0.9990983,0.0000757796,0.00007762866,0.0006829396,0.00004477475,0.00002060472],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001601249,0.0002305399,0.0002155677,0.00007827108,0.000443735,0.0001822175,0.008089014,0.004541477,0.00004872659,0.5152466,0.2668059,0.2041019],"study_design_scores_gemma":[0.0005028052,0.0002206124,0.001874771,0.0001669596,0.00003441707,0.0003242402,0.0001978782,0.3061716,0.002455248,0.5463658,0.1401535,0.001532221],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.001521578,0.0002443907,0.9668838,0.001232141,0.001587878,0.0001330458,2.423208e-7,0.0007992741,0.02759763],"genre_scores_gemma":[0.7232407,0.001114503,0.2710156,0.0005988837,0.000108339,0.00008329602,0.000001547097,0.000008076721,0.003829081],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.7217191,"threshold_uncertainty_score":0.4918525,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1978615060","doi":"10.3390/s140813556","title":"A Comprehensive Review of Sensors and Instrumentation Methods in Devices for Musical Expression","year":2014,"lang":"en","type":"review","venue":"Sensors","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":58,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"Natural Sciences and Engineering Research Council of Canada; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior","keywords":"Instrumentation (computer programming); Computer science; Signal conditioning; Human–computer interaction; Musical expression; Musical instrument; Task (project management); SIGNAL (programming language); New Interfaces for Musical Expression; Expression (computer science); Musical; Systems engineering; Engineering; Musical composition","retraction":null,"screen_n_in":null,"score":{"opus":0.07592104227759539,"gpt":0.4138358901796347,"spread":0.3379148479020393,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000588508,0.00027265,0.001714262,0.0002249714,0.00006870007,0.00001480771,0.0003550046,0.0002519213,0.000002174568],"category_scores_gemma":[0.0002355242,0.0002046836,0.0002076466,0.0003015558,0.0001351792,0.00006529888,0.0002615446,0.0002175825,0.000001770471],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000262079,"about_ca_system_score_gemma":0.000039927,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006251687,"about_ca_topic_score_gemma":0.000003962781,"domain_scores_codex":[0.9978781,0.0006306255,0.0006818107,0.0004869174,0.0001263571,0.0001961603],"domain_scores_gemma":[0.9978226,0.001146401,0.0004824065,0.0004286219,0.0000850955,0.00003487693],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001121058,0.00001059248,0.00000121155,0.08453415,0.00002870407,0.000001769544,0.0001739783,3.22985e-7,0.000001634863,0.001677681,0.000198478,0.9133704],"study_design_scores_gemma":[0.0001451269,0.0000507435,0.00001321507,0.0502589,0.00009923039,0.0000202763,0.00005541261,0.0001950957,0.000008732301,0.0003807394,0.9485767,0.0001958264],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.000196409,0.9916335,0.006748067,0.0001635441,0.0002035016,0.0008977486,0.000006810405,0.00005028235,0.0001001817],"genre_scores_gemma":[0.000007098356,0.8854693,0.1142087,0.0001672239,0.00002407535,0.00008526372,0.000007375746,0.00001031365,0.00002071282],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9483782,"threshold_uncertainty_score":0.8346755,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2048338869","doi":"10.1007/s10710-008-9074-x","title":"Incorporating characteristics of human creativity into an evolutionary art algorithm","year":2008,"lang":"en","type":"article","venue":"Genetic Programming and Evolvable Machines","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":55,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia; Simon Fraser University","funders":"","keywords":"Fitness function; Creativity; Evolutionary algorithm; Process (computing); Function (biology); Darwin (ADL); Computational creativity; Associative property","retraction":null,"screen_n_in":null,"score":{"opus":0.01544792161054853,"gpt":0.2488859365734192,"spread":0.2334380149628707,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001940522,0.0001536386,0.0002618094,0.0000983298,0.0006962353,0.00003327739,0.0003086639,0.00008402819,0.000003393357],"category_scores_gemma":[0.00003754333,0.0001379221,0.00003443726,0.0002297623,0.0003745527,0.0001729392,0.0002761012,0.000127989,0.000002764568],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001315939,"about_ca_system_score_gemma":0.00003758866,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002250744,"about_ca_topic_score_gemma":0.000024263,"domain_scores_codex":[0.9989711,0.0000595844,0.0002718197,0.0003272216,0.0001529036,0.0002173524],"domain_scores_gemma":[0.9993019,0.0000376921,0.0001457706,0.0003538904,0.0000965685,0.00006422649],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.00000359645,0.0001976158,0.2720413,0.00005793416,0.00003675384,0.00002970782,0.002347565,0.000005206769,0.0004412071,0.002930212,0.000204819,0.7217041],"study_design_scores_gemma":[0.0006704211,0.001281037,0.8183719,0.00007831275,0.00003983734,0.0003271973,0.000201103,0.1289211,0.0002480054,0.04507666,0.00409767,0.0006866986],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8004076,0.0008678029,0.1978859,0.0001131959,0.0001152598,0.0001344258,0.000002801007,0.000229457,0.000243579],"genre_scores_gemma":[0.6418949,0.00003159103,0.3578399,0.00001913288,0.00004651387,0.00002036704,0.000007475139,0.000005024106,0.0001351378],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7210174,"threshold_uncertainty_score":0.5624299,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1855207168","doi":"10.1007/978-3-319-47214-0_14","title":"2005: Towards a Dimension Space for Musical Devices","year":2017,"lang":"en","type":"article","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":54,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; McGill University","funders":"","keywords":"Dimension (graph theory); Computer science; Musical; Space (punctuation); Human–computer interaction; Representation (politics); Visual arts; Mathematics","retraction":null,"screen_n_in":null,"score":{"opus":0.2377322595566731,"gpt":0.4500995725933934,"spread":0.2123673130367204,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006194139,0.0002009103,0.0007560651,0.0004817795,0.001150317,0.0003606835,0.002709253,0.0002222538,0.00001503739],"category_scores_gemma":[0.003142313,0.0001529956,0.0001107296,0.000236819,0.0006174749,0.0003532441,0.001811974,0.0005650444,0.00009137586],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001787342,"about_ca_system_score_gemma":0.0002480816,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005199785,"about_ca_topic_score_gemma":0.0004981055,"domain_scores_codex":[0.9964505,0.0007031026,0.0005642098,0.0007052523,0.0005603715,0.001016494],"domain_scores_gemma":[0.9961082,0.001304978,0.0002741237,0.001822917,0.0003606979,0.0001290957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00004007224,0.0005330779,0.002764628,0.02734236,0.00008898622,0.0000804013,0.004343295,0.000003390028,0.0001355861,0.9056165,0.04519843,0.01385329],"study_design_scores_gemma":[0.01094868,0.002568459,0.0965886,0.03824881,0.000140945,0.0002706852,0.00302456,0.1129876,0.0004247496,0.3801642,0.3519518,0.002680899],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6386268,0.01093075,0.1872793,0.1124992,0.01811729,0.0177238,0.00001954293,0.000742731,0.01406057],"genre_scores_gemma":[0.994721,0.00005196781,0.003094624,0.00009472138,0.0001889143,0.001539413,0.000001366111,0.00001013475,0.000297844],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5254523,"threshold_uncertainty_score":0.8847421,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3211570179","doi":"10.1049/cit2.12065","title":"A transformer generative adversarial network for multi‐track music generation","year":2021,"lang":"en","type":"article","venue":"CAAI Transactions on Intelligence Technology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":54,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Transformer; Generative adversarial network; Computer science; Artificial neural network; Artificial intelligence; Speech recognition; Deep learning; Engineering; Electrical engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.06836119008236424,"gpt":0.2980363492522372,"spread":0.2296751591698729,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001810794,0.0002617772,0.0003229108,0.0002842949,0.0008060988,0.00005517791,0.0006154997,0.0005177308,0.00009911248],"category_scores_gemma":[0.00005663524,0.0002630718,0.000187114,0.001220545,0.0003155427,0.0002346831,0.00001233738,0.0004922637,0.00005160409],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000926327,"about_ca_system_score_gemma":0.0001603564,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005559815,"about_ca_topic_score_gemma":0.0004867276,"domain_scores_codex":[0.99815,0.00005070763,0.0003963309,0.0007501703,0.0001385546,0.0005142262],"domain_scores_gemma":[0.9987844,0.0001113146,0.00007709174,0.0006765074,0.0002981763,0.00005251536],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"bench_or_experimental","study_design_scores_codex":[0.00003811202,0.0004877158,0.0000179243,0.00002141295,0.0002803493,0.00003854314,0.00185496,0.01365744,0.006979953,0.4759043,0.002295888,0.4984235],"study_design_scores_gemma":[0.00106566,0.0008547711,0.00002385924,0.00005382723,0.0001197461,0.0001847858,0.001249159,0.2379985,0.6203374,0.09542579,0.0417311,0.0009554377],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.002935198,0.0005184141,0.9890348,0.004193815,0.001880384,0.0004552547,0.00002217647,0.000732943,0.0002269881],"genre_scores_gemma":[0.5724609,0.0003449443,0.4242334,0.0009598412,0.0002029029,0.0006956149,0.00001368059,0.00002261371,0.001066028],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.6133574,"threshold_uncertainty_score":0.9999822,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W281240564","doi":"10.1093/oxfordhb/9780195388947.013.0115","title":"The Recording That Never Wanted to Be Heard and Other Stories of Sonification","year":2011,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":54,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Sonification; Art; Computer science; Psychology; Human–computer interaction","retraction":null,"screen_n_in":null,"score":{"opus":0.05395190060336591,"gpt":0.2193332221196606,"spread":0.1653813215162946,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001461195,0.0001456606,0.0002056784,0.00008841289,0.000414881,0.0000316629,0.0007728207,0.0001927142,0.000001460805],"category_scores_gemma":[0.00001158279,0.0001222699,0.00005263704,0.00001921313,0.0002818076,0.0001073012,0.0006881141,0.0001966959,1.866167e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005892376,"about_ca_system_score_gemma":0.00006821805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001223738,"about_ca_topic_score_gemma":0.0001296778,"domain_scores_codex":[0.9992934,0.00004133144,0.00009404943,0.0002816514,0.0001267067,0.000162872],"domain_scores_gemma":[0.9991135,0.0001023856,0.0001483372,0.000522983,0.00007513032,0.00003767279],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003369797,0.000004028857,0.00004375112,0.00002164351,0.00009247982,0.000003663119,0.004596401,1.584645e-7,0.000005364825,0.9700205,0.01438789,0.01079043],"study_design_scores_gemma":[0.000102591,0.00004494283,0.00007435145,0.00004126949,0.00002616753,0.000001904019,0.0002524747,0.00001755084,0.0001110649,0.00256353,0.9966341,0.0001300835],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0006964639,0.0001805928,0.01999841,0.0004347019,0.0003511448,0.0003334146,0.0000236791,0.0001576408,0.977824],"genre_scores_gemma":[0.00201244,0.0001645342,0.001758263,0.00013459,0.00002036955,0.000001632154,8.282819e-7,0.000009296346,0.9958981],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9822462,"threshold_uncertainty_score":0.4986021,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2569330962","doi":"10.1145/2930672","title":"An Introduction to Musical Metacreation","year":2016,"lang":"en","type":"article","venue":"Computers in entertainment","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":53,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computational creativity; Musical; Creativity; Musical composition; Computer science; Improvisation; Terminology; Generative grammar; Context (archaeology); Computer music; Field (mathematics); Domain (mathematical analysis); Composition (language); Variety (cybernetics); New Interfaces for Musical Expression; Human–computer interaction; Cognitive science; Artificial intelligence; Visual arts; Linguistics; Art; Mathematics; Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.009299333464377989,"gpt":0.245853338524748,"spread":0.23655400506037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002238435,0.00009890171,0.0001259572,0.0001703151,0.00005961507,0.00003336481,0.0005251826,0.00004152605,0.000009020059],"category_scores_gemma":[0.00002070713,0.00006896596,0.00002759766,0.000192839,0.00003738951,0.0002490229,0.0002275811,0.00005035289,0.00002971029],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001400956,"about_ca_system_score_gemma":0.000009561665,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000006024906,"about_ca_topic_score_gemma":0.00001994403,"domain_scores_codex":[0.9989877,0.00006605758,0.0001683807,0.0004300592,0.0001420508,0.0002057954],"domain_scores_gemma":[0.999317,0.00004362923,0.00002875747,0.0005315783,0.00002035838,0.0000586214],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003334815,0.0003881354,0.007680709,0.000005767025,0.00004060126,0.00002551132,0.004468821,0.0001822728,0.005772849,0.3552141,0.01148396,0.614704],"study_design_scores_gemma":[0.006830086,0.004449552,0.3234164,0.0003152299,0.00003930786,0.0001235274,0.0007847159,0.05250259,0.01394733,0.1140987,0.4810712,0.0024214],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2271883,0.000007549953,0.7499577,0.02172177,0.0008051331,0.0001141069,3.145744e-7,0.0001271591,0.00007793871],"genre_scores_gemma":[0.940146,0.000005384626,0.05875278,0.0008055458,0.0001997909,0.00003497475,7.2136e-7,0.000003468817,0.00005131616],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7129577,"threshold_uncertainty_score":0.281235,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2404738441","doi":"10.1007/978-3-319-47214-0_28","title":"2013: The Web Browser as Synthesizer and Interface","year":2017,"lang":"en","type":"article","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":53,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Computer science; JavaScript; World Wide Web; Interface (matter); Client-side scripting; Web API; Web-based simulation; User interface; Web browser; Web page; Web service; Web application; Multimedia; Web navigation; Human–computer interaction; Operating system; The Internet","retraction":null,"screen_n_in":null,"score":{"opus":0.1724198295060499,"gpt":0.4311492311899397,"spread":0.2587294016838898,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005273639,0.0001538134,0.0004691384,0.000252307,0.001072427,0.0004594714,0.002860435,0.0001385204,0.00002963874],"category_scores_gemma":[0.002514229,0.00009206674,0.00004462621,0.0001901898,0.001226157,0.0002715291,0.002501887,0.0007314546,0.0002714932],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006783136,"about_ca_system_score_gemma":0.0001067919,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008808631,"about_ca_topic_score_gemma":0.0003385281,"domain_scores_codex":[0.9969555,0.001165427,0.0004098402,0.0004749094,0.0004074686,0.000586841],"domain_scores_gemma":[0.9958829,0.001865193,0.0001839886,0.001829581,0.0001683899,0.00006999831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002294807,0.0002688375,0.006198563,0.0130074,0.0001296108,0.00008446033,0.01132945,0.000002267332,0.0002140505,0.9027779,0.05681738,0.009147179],"study_design_scores_gemma":[0.005128062,0.001429961,0.07306805,0.03541317,0.000110214,0.001010159,0.007358865,0.05010766,0.0004380785,0.5885645,0.2353005,0.002070792],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8645658,0.01640739,0.003790818,0.0891616,0.004419134,0.004017951,0.000002306715,0.0001943668,0.01744062],"genre_scores_gemma":[0.9984835,0.0003013895,0.0001177022,0.00008529675,0.00006475964,0.0004927302,7.564538e-8,0.00000604462,0.0004484398],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3142133,"threshold_uncertainty_score":0.8248348,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2117699556","doi":"","title":"TOWARDS A NEW CONCEPTUAL FRAMEWORK FOR DIGITAL MUSICAL INSTRUMENTS","year":2006,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":52,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Categorization; Computer science; Adaptation (eye); Context (archaeology); Human–computer interaction; Musical; Visualization; Conceptual framework; Information visualization; Data science; Artificial intelligence; Psychology","retraction":null,"screen_n_in":null,"score":{"opus":0.02189588955258357,"gpt":0.2552976026407288,"spread":0.2334017130881453,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003663101,0.0000975444,0.000129224,0.00003458279,0.0001214729,0.0001182247,0.0004697437,0.0001203416,0.00003357886],"category_scores_gemma":[0.00007857644,0.00007821849,0.00006293139,0.0001434437,0.0001388741,0.0002573598,0.0002445279,0.00009632482,0.00003553917],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001680152,"about_ca_system_score_gemma":0.00005373429,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000387279,"about_ca_topic_score_gemma":0.00001314951,"domain_scores_codex":[0.9992492,0.000004098328,0.0001342751,0.0002570543,0.0001189472,0.0002364728],"domain_scores_gemma":[0.9995725,0.00007089505,0.00002876042,0.0002619597,0.00002585042,0.00004008715],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00000239901,0.00002718679,0.0004512693,9.507987e-7,0.000009621678,0.000001127506,0.0002037918,4.82717e-7,0.000002090404,0.9007482,0.02061131,0.07794156],"study_design_scores_gemma":[0.0003741282,0.0001025066,0.002177062,0.000005974492,0.000002769623,0.000004860628,0.00007618908,0.000518177,0.0001338773,0.8796879,0.1167745,0.0001420852],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.05633793,0.00003174904,0.9227707,0.002973125,0.0003766789,0.0001225794,0.00000330744,0.0003592382,0.0170247],"genre_scores_gemma":[0.8203,7.664915e-7,0.1760766,0.0005969379,0.0001640063,0.00001396636,0.000001849138,0.000003340266,0.002842529],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.7639621,"threshold_uncertainty_score":0.3189658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1993494790","doi":"10.1121/1.2904465","title":"Evaluating the maximum playback sound levels from portable digital audio players","year":2008,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Health Canada","funders":"","keywords":"Digital audio; Sound (geography); Computer science; Acoustics; Sound recording and reproduction; Speech recognition; Audio signal; Physics; Speech coding","retraction":null,"screen_n_in":null,"score":{"opus":0.05469886403846157,"gpt":0.2928456791749091,"spread":0.2381468151364475,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007587685,0.0001516017,0.0003363176,0.00001173146,0.0008917335,0.00004594274,0.002207586,0.00008066027,0.00003018225],"category_scores_gemma":[0.0004570386,0.00006619978,0.0003887293,0.0003332348,0.001585543,0.0002352376,0.0006936664,0.000663628,0.000008906168],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000502628,"about_ca_system_score_gemma":0.000151848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004225317,"about_ca_topic_score_gemma":6.033069e-7,"domain_scores_codex":[0.9982578,0.0001255117,0.0004651771,0.0001352533,0.0007181298,0.0002981566],"domain_scores_gemma":[0.9971117,0.001446533,0.0006046446,0.0006170664,0.0001703773,0.00004969446],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.0005956948,0.001205232,0.01164939,0.00007445883,0.006680605,0.00005629631,0.1058247,0.09279516,0.01719953,0.001287331,0.5476494,0.2149822],"study_design_scores_gemma":[0.002714412,0.002211197,0.04811778,0.0002177215,0.0009514117,0.001424885,0.0182854,0.6717741,0.001243667,0.2423538,0.009763291,0.0009423995],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.3315766,0.0005447502,0.6569663,0.01004935,0.0003691451,0.0001043645,0.00001305126,0.00002623261,0.000350163],"genre_scores_gemma":[0.9605474,0.0001241545,0.0370833,0.001877466,0.0001486883,0.00000110275,1.452356e-7,0.000007375079,0.0002103713],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6289708,"threshold_uncertainty_score":0.6858583,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2338290034","doi":"","title":"CORRECTIVE SONIC FEEDBACK FOR SPEED SKATING: A CASE STUDY","year":2010,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Computer science; SIGNAL (programming language); Instrumentation (computer programming); Motion (physics); Speech recognition; Computer vision; Simulation; Control theory (sociology); Artificial intelligence; Control (management)","retraction":null,"screen_n_in":null,"score":{"opus":0.02407455186305234,"gpt":0.2870912267248166,"spread":0.2630166748617642,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002683311,0.00009821659,0.0001401786,0.00005631096,0.0003474309,0.00005584034,0.0003875336,0.00006808109,0.00002043244],"category_scores_gemma":[0.0001487749,0.00007704146,0.00004442974,0.0001790034,0.00006603172,0.0001212683,0.0002371834,0.0002014242,0.00002374197],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001001726,"about_ca_system_score_gemma":0.00003444848,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001790982,"about_ca_topic_score_gemma":0.003084284,"domain_scores_codex":[0.9992663,0.00001661033,0.0001245987,0.0003093316,0.00007401635,0.0002091527],"domain_scores_gemma":[0.9991935,0.0002096758,0.00004389502,0.0004269347,0.00009312823,0.00003286873],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005311253,0.002709625,0.05849256,0.00003333058,0.0005792739,0.00251398,0.1288338,0.00001025382,0.001640321,0.4894675,0.0383632,0.277303],"study_design_scores_gemma":[0.02300524,0.01154718,0.0548233,0.00003864635,0.0003302454,0.02183499,0.3492016,0.2699933,0.008680079,0.195167,0.06046966,0.004908688],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8991376,0.000007632659,0.09424589,0.0004407286,0.0009853789,0.0005035177,6.830032e-7,0.000345092,0.004333451],"genre_scores_gemma":[0.9775105,2.07882e-7,0.02042265,0.0001571388,0.00005032891,0.0000418271,1.11715e-7,0.000004007799,0.001813199],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2943005,"threshold_uncertainty_score":0.314166,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029642338","doi":"10.1145/1279740.1279751","title":"The T-Stick","year":2007,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"McGill University","funders":"Natural Sciences and Engineering Research Council of Canada; McGill University","keywords":"Timbre; Context (archaeology); Musical; Computer science; Software; Range (aeronautics); Multimedia; Human–computer interaction; Visual arts; Engineering; Art; Programming language","retraction":null,"screen_n_in":null,"score":{"opus":0.01171826340371366,"gpt":0.2402411368330545,"spread":0.2285228734293409,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002970558,0.00002322126,0.00002232136,0.00001081761,0.000272055,0.00002318987,0.0003855405,0.00001867452,0.000003345366],"category_scores_gemma":[0.00003801513,0.00001188228,0.00001096634,0.0000919862,0.00006074411,0.00003383584,0.0001265286,0.00004318357,0.00006388658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000003770866,"about_ca_system_score_gemma":0.000004301056,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003802224,"about_ca_topic_score_gemma":0.00007746663,"domain_scores_codex":[0.9997185,0.00000335321,0.00004774101,0.00006303003,0.00004810927,0.0001192702],"domain_scores_gemma":[0.99959,0.000159248,0.000008177341,0.0002188337,0.00001337616,0.0000103057],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[2.617649e-7,0.000001922408,0.000271861,1.060363e-7,0.000002468278,0.000001983236,0.0001060764,4.307651e-8,0.000006691305,0.927871,0.006200444,0.06553718],"study_design_scores_gemma":[0.00007025904,0.00002221806,0.01886586,7.485452e-7,8.810816e-7,0.000009362302,0.0001645538,0.000485973,0.0006451728,0.1680261,0.8116427,0.00006615031],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.004754504,0.0001424744,0.8405799,0.003857207,0.0002639212,0.00001866573,1.231959e-8,0.0001944846,0.1501888],"genre_scores_gemma":[0.9796351,0.00001288648,0.01323579,0.0006538827,0.00002250226,0.000001149858,1.167182e-8,6.978457e-7,0.006437975],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9748806,"threshold_uncertainty_score":0.2092454,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2152310241","doi":"10.1145/985692.985734","title":"Manipulating music","year":2004,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":49,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Groove (engineering); Computer science; Digital audio; Context (archaeology); Domain (mathematical analysis); Multimedia; Field (mathematics); Digital media; Human–computer interaction; Audio signal; Digital signal processing; World Wide Web; Engineering; Computer hardware; Mechanical engineering; Mathematics","retraction":null,"screen_n_in":null,"score":{"opus":0.03504959014952838,"gpt":0.2390075841252766,"spread":0.2039579939757482,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004623682,0.00003764648,0.00004482911,0.00002770787,0.0001139621,0.00001930715,0.0002591822,0.00002668942,0.00001751009],"category_scores_gemma":[0.00001134917,0.0000299167,0.00001628206,0.0001231452,0.00002213006,0.0001036565,0.0001523203,0.00004778188,0.00008752069],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001083493,"about_ca_system_score_gemma":0.000008606385,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002437127,"about_ca_topic_score_gemma":0.00004309699,"domain_scores_codex":[0.9996716,0.00000290542,0.000055186,0.0001163008,0.00005024202,0.0001037656],"domain_scores_gemma":[0.9997565,0.000009629594,0.00001157309,0.0002004003,0.00001004311,0.00001185503],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[7.913236e-8,0.000006650122,0.0003231592,7.829374e-7,0.00000314526,0.000006050754,0.0003637386,0.0000248001,0.00004299134,0.990487,0.0003024309,0.008439166],"study_design_scores_gemma":[0.0007143837,0.00008589647,0.03037921,0.00001551277,0.000003546182,0.00006190086,0.0002456822,0.002113378,0.001839811,0.9468193,0.01738671,0.000334631],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.09747837,0.0000427251,0.8288639,0.001923077,0.0001890074,0.00002846682,2.723067e-8,0.0005187908,0.07095561],"genre_scores_gemma":[0.9215126,0.000001141621,0.07741382,0.0006692364,0.0000155852,0.000002430367,4.77448e-8,0.00000106475,0.0003840899],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8240342,"threshold_uncertainty_score":0.1219968,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2158098787","doi":"10.1145/1290144.1290156","title":"Effective use of multimedia for computer-assisted musical instrument tutoring","year":2007,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":45,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science; Multimedia; Musical; Work (physics); Human–computer interaction; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.035190972802483,"gpt":0.2677603710367552,"spread":0.2325693982342722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002951293,0.0000957832,0.0001881766,0.00009807195,0.00009639082,0.00002216674,0.0002740204,0.00008336169,0.000001927659],"category_scores_gemma":[0.00008348362,0.00007754804,0.00006941702,0.0001814019,0.00009781093,0.0001580783,0.0002665067,0.00007947029,0.000002510899],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003530181,"about_ca_system_score_gemma":0.00001175812,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003210709,"about_ca_topic_score_gemma":0.0000530455,"domain_scores_codex":[0.9991989,0.0000161204,0.0002022279,0.0002440528,0.0001139531,0.0002247105],"domain_scores_gemma":[0.9987684,0.0007687409,0.00006185564,0.0002784187,0.000082852,0.00003975797],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.00002578736,0.0001749322,0.003331744,0.00002389332,0.00008624084,0.00000736263,0.001794779,0.00001027261,0.0008510441,0.09275191,0.0007138753,0.9002281],"study_design_scores_gemma":[0.003558206,0.001586203,0.7506745,0.00009622813,0.00004081338,0.00003342702,0.0001860568,0.1525225,0.03621254,0.003928645,0.05046649,0.0006944286],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.301423,0.000007557882,0.6973472,0.0001087187,0.000510474,0.0002520579,8.972859e-7,0.0001448578,0.0002052518],"genre_scores_gemma":[0.6186791,7.962425e-7,0.3811136,0.000091592,0.00004620693,0.00001596769,4.620654e-7,0.000002331957,0.00004997981],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.8995337,"threshold_uncertainty_score":0.3162318,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2044392073","doi":"10.1121/1.2839900","title":"Measurement of vocal-tract influence during saxophone performance","year":2008,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":44,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Centre for Interdisciplinary Research in Music Media and Technology","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Vocal tract; Acoustics; Speech recognition; Computer science; Physics","retraction":null,"screen_n_in":null,"score":{"opus":0.01621377075329112,"gpt":0.2210806725046579,"spread":0.2048669017513668,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000639257,0.00009694177,0.0002829386,0.00001672859,0.0003358616,0.000004024089,0.001318194,0.00005113229,0.000003910412],"category_scores_gemma":[0.0002076567,0.00004964508,0.0002296076,0.0003395856,0.001139707,0.0001351292,0.0003612576,0.0004074191,0.000001605002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004951297,"about_ca_system_score_gemma":0.00009899739,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001669195,"about_ca_topic_score_gemma":1.512395e-7,"domain_scores_codex":[0.9985526,0.00007090324,0.0004148737,0.0000754588,0.0006991066,0.0001870999],"domain_scores_gemma":[0.9985769,0.0001477843,0.0005154944,0.0004006658,0.0003238626,0.0000352308],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","study_design_scores_codex":[0.00068841,0.002666464,0.05381418,0.001043641,0.002581397,0.00003078068,0.05856247,0.1130761,0.663673,0.0002456373,0.03849497,0.06512298],"study_design_scores_gemma":[0.001450816,0.001157361,0.8649852,0.0005856684,0.0002579599,0.001058595,0.001884222,0.07206442,0.05354217,0.001495471,0.00112904,0.0003890322],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8299252,0.0005386901,0.1668513,0.0024264,0.0001314071,0.00005370602,4.815562e-7,0.00001223345,0.00006057156],"genre_scores_gemma":[0.978877,0.001198971,0.01954739,0.0003196771,0.00003568626,5.635419e-7,5.016243e-9,0.000003231363,0.00001749337],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8111711,"threshold_uncertainty_score":0.41993,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2047524107","doi":"10.1121/1.4896461","title":"Perception of touch quality in piano tones","year":2014,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":42,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"Vetenskapsrådet; Austrian Science Fund; Centre for Interdisciplinary Research in Music Media and Technology","keywords":"Piano; Timbre; Key (lock); Perception; Computer science; Acoustics; Speech recognition; Musical expression; Hammer; Dynamics (music); Communication; Musical; Psychology; Art; Engineering; Visual arts; Physics; Neuroscience","retraction":null,"screen_n_in":null,"score":{"opus":0.01694437794085047,"gpt":0.279374402077754,"spread":0.2624300241369036,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009491916,0.00006574998,0.0002721021,0.00001522988,0.00009379268,0.000005056916,0.0009800886,0.00005773387,0.000009946097],"category_scores_gemma":[0.0003187049,0.00003291734,0.0002023982,0.0002556148,0.0006912017,0.00007038988,0.0002793888,0.000289395,0.00000108361],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002565567,"about_ca_system_score_gemma":0.00002974147,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007234373,"about_ca_topic_score_gemma":0.00000149446,"domain_scores_codex":[0.9989074,0.0002276749,0.0003899823,0.00006307493,0.0002863083,0.0001255875],"domain_scores_gemma":[0.9985843,0.0005676169,0.0003887813,0.0003268692,0.0001127051,0.00001972612],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"observational","study_design_scores_codex":[0.0004111994,0.001665192,0.02671463,0.0004020681,0.0007784643,0.000001643726,0.07762343,0.01016484,0.1491896,0.01342666,0.07176806,0.6478542],"study_design_scores_gemma":[0.002347169,0.001925411,0.4923498,0.0003838925,0.0003017374,0.0001150862,0.03073621,0.3180602,0.003042623,0.1425704,0.007590308,0.0005771982],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.2460823,0.00006050987,0.7422287,0.01120911,0.0001428751,0.00004156909,6.053527e-7,0.000007688313,0.0002265336],"genre_scores_gemma":[0.9558414,0.0001511282,0.04316282,0.0007689099,0.00004100088,3.444226e-7,1.796552e-8,0.000001934616,0.00003248311],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.709759,"threshold_uncertainty_score":0.2546761,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2101748228","doi":"10.1007/978-3-319-47214-0_10","title":"2004: The Electronic Sitar Controller","year":2017,"lang":"en","type":"article","venue":"Current research in systematic musicology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":40,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"MIDI; Computer science; Electronic music; Controller (irrigation); Microprocessor; Computer graphics (images); Graphics; Multimedia; Computer hardware; Art; Visual arts; Operating system","retraction":null,"screen_n_in":null,"score":{"opus":0.1548281234259539,"gpt":0.4170087076510482,"spread":0.2621805842250943,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.007600098,0.0001608715,0.0005794992,0.0002887757,0.001546869,0.0003633166,0.004298529,0.0001415068,0.00002129484],"category_scores_gemma":[0.002196618,0.00009573784,0.00008808124,0.0002974504,0.0008475413,0.0002429152,0.001351823,0.001086171,0.0002888681],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002101712,"about_ca_system_score_gemma":0.0002275561,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00004962508,"about_ca_topic_score_gemma":0.0003214478,"domain_scores_codex":[0.9960332,0.001377534,0.0004953446,0.0004767923,0.0005406515,0.001076501],"domain_scores_gemma":[0.9959592,0.001496932,0.0002280141,0.002010748,0.000245611,0.00005950284],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001126534,0.0001467757,0.002039514,0.002648784,0.00007357063,0.00002870513,0.001992585,0.00000462606,0.00002389117,0.9720358,0.01765788,0.00333662],"study_design_scores_gemma":[0.005271728,0.0008518749,0.02672271,0.006100798,0.00005374122,0.0001703278,0.001446997,0.03197346,0.00003921558,0.8195497,0.1069267,0.0008928002],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4178733,0.09458719,0.141805,0.2355566,0.017426,0.02571187,0.000008989862,0.001027233,0.06600384],"genre_scores_gemma":[0.9982697,0.0001114124,0.00004567853,0.0001269232,0.0001156096,0.0009422196,2.71819e-7,0.000005870395,0.0003822712],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5803964,"threshold_uncertainty_score":0.999753,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1138973138","doi":"10.21313/hawaii/9780824840945.001.0001","title":"Javaphilia","year":2015,"lang":"sv","type":"book","venue":"University of Hawaii Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":40,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; The arts; Musical; Ethnomusicology; Visual arts; Mainstream; Art; History; Sociology; Art history; Political science","retraction":null,"screen_n_in":null,"score":{"opus":0.03562262885417435,"gpt":0.2077704623187465,"spread":0.1721478334645722,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003850984,0.0004544439,0.0008666029,0.0002848191,0.0004860232,0.00003615565,0.00291124,0.0008642394,0.00004888534],"category_scores_gemma":[0.00002714932,0.0005456571,0.0003042218,0.00003997959,0.00183445,0.0001530739,0.002606602,0.0007450384,0.00007321195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001651744,"about_ca_system_score_gemma":0.0006496932,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007333765,"about_ca_topic_score_gemma":0.0003649683,"domain_scores_codex":[0.997681,0.0001393424,0.0003014805,0.000823105,0.0005686659,0.0004863659],"domain_scores_gemma":[0.9972461,0.0001280865,0.0005047725,0.001420186,0.0005209218,0.0001799557],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006678004,0.00006595747,0.00002998442,0.0001948304,0.0005044585,0.0003116044,0.01189383,0.000008639933,0.00001003743,0.7455813,0.2302302,0.01110244],"study_design_scores_gemma":[0.0008443758,0.0002147195,0.00006597767,0.0002361318,0.0001973521,0.00001673145,0.0007153848,0.0001590954,0.00003186072,0.01069175,0.986313,0.0005136558],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0003224051,0.001114453,0.005921788,0.0001543058,0.0007892999,0.0003694508,0.00008595846,0.0002691725,0.9909732],"genre_scores_gemma":[0.01137058,0.0001887402,0.002878067,0.00006042637,0.00009771012,3.855001e-7,0.00001070841,0.00002029256,0.9853731],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7560828,"threshold_uncertainty_score":0.9996995,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1996566165","doi":"10.1017/s1355771803001134","title":"Homoeroticism and electroacoustic music: absence and personal voice","year":2003,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Electroacoustic music; Context (archaeology); Human sexuality; Work (physics); Aesthetics; Visual arts; Art; Computer science; Sociology; History; Gender studies; Musical; Engineering","retraction":null,"screen_n_in":null,"score":{"opus":0.01173801229573953,"gpt":0.2089611138830721,"spread":0.1972231015873326,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001826652,0.0001436367,0.0001588446,0.00006332842,0.0004435872,0.0001236868,0.000198843,0.0000936436,0.00002788746],"category_scores_gemma":[0.0001406698,0.0001319011,0.00001732572,0.0002396717,0.0002553696,0.0001681298,0.0001162271,0.0001834633,0.00002357956],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002005371,"about_ca_system_score_gemma":0.00004165486,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005205145,"about_ca_topic_score_gemma":0.00002089043,"domain_scores_codex":[0.9990413,0.00004197265,0.0001094218,0.0003808257,0.000132169,0.0002943025],"domain_scores_gemma":[0.9994895,0.0001332028,0.00003858588,0.0002288926,0.00003926355,0.00007056881],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001030823,0.0001549958,0.02586584,0.00008947076,0.0001641062,0.0001365374,0.02518596,0.000001701129,0.01196788,0.9271159,0.003241824,0.00606548],"study_design_scores_gemma":[0.003796646,0.0008931226,0.122993,0.00006584457,0.0001604097,0.002349586,0.004036464,0.004874239,0.00302761,0.8208966,0.03482797,0.002078448],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8488361,0.001150226,0.1458957,0.0004213182,0.0001884516,0.0001245819,0.000001258297,0.000204618,0.003177755],"genre_scores_gemma":[0.9919788,0.0000465872,0.006918482,0.0006931153,0.0000225121,0.000006385815,2.096344e-7,0.000008063356,0.0003258067],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1431427,"threshold_uncertainty_score":0.5378771,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1602546179","doi":"10.1093/oxfordhb/9780199298457.013.0007","title":"The perception of musical timbre","year":2012,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Timbre; Perception; Sonority hierarchy; Musical; Pitch (Music); Speech recognition; Computer science; Expression (computer science); Musical tone; Representation (politics); Acoustics; Communication; Psychology; Linguistics; Art; Physics; Visual arts; Neuroscience","retraction":null,"screen_n_in":null,"score":{"opus":0.01879780985008034,"gpt":0.2004878705442975,"spread":0.1816900606942172,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001379698,0.0001585501,0.0002167925,0.00006553488,0.0004098691,0.00002204487,0.001346955,0.0003285979,0.00000415753],"category_scores_gemma":[0.000007734433,0.000127594,0.0001334229,0.00001449195,0.0004519386,0.00008822543,0.001025121,0.0003663,0.000001302775],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009090933,"about_ca_system_score_gemma":0.0000957585,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009365885,"about_ca_topic_score_gemma":0.00001128177,"domain_scores_codex":[0.9991855,0.00004942575,0.0001144774,0.0002366776,0.000188551,0.000225355],"domain_scores_gemma":[0.9989281,0.0001186967,0.0001551073,0.000676489,0.00007923973,0.00004231677],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001127914,0.000009245225,0.000003832539,0.00002125508,0.00007061215,0.000006843693,0.000942523,3.506237e-7,0.000003874973,0.9263104,0.03634705,0.03627268],"study_design_scores_gemma":[0.0001209473,0.00003273549,0.000105049,0.00002406919,0.00004256257,0.000004182136,0.00006925298,0.00007889214,0.000003659278,0.002128646,0.9972605,0.0001294939],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0001482959,0.0001098652,0.009840574,0.00007190914,0.0002866568,0.0001519432,0.000009287751,0.0001384573,0.989243],"genre_scores_gemma":[0.00205439,0.0001641716,0.0007967513,0.00002792749,0.00008351906,6.957653e-7,0.000002891461,0.000006538581,0.9968631],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9609135,"threshold_uncertainty_score":0.5203134,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2031845433","doi":"10.1121/1.3123403","title":"Modeling the dynamics of a vibrating string with a finite distributed unilateral constraint: Application to the sitar","year":2009,"lang":"en","type":"article","venue":"The Journal of the Acoustical Society of America","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"String (physics); Boundary value problem; Partial differential equation; Mathematical analysis; Mathematics; Boundary (topology); Ordinary differential equation; Galerkin method; Obstacle; Nonlinear system; Physics; Differential equation","retraction":null,"screen_n_in":null,"score":{"opus":0.008103539522238756,"gpt":0.2232423244066938,"spread":0.2151387848844551,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006168716,0.00009703657,0.0002065244,0.00001046071,0.000417224,0.000021974,0.001336672,0.00004058216,7.971477e-7],"category_scores_gemma":[0.0001339298,0.00003642843,0.000141032,0.0004534851,0.0004952892,0.0000676341,0.0002360209,0.000421647,2.447516e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003809596,"about_ca_system_score_gemma":0.00005653677,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002459135,"about_ca_topic_score_gemma":0.000003469202,"domain_scores_codex":[0.9990211,0.00009122523,0.0003322785,0.0000812217,0.0003026054,0.0001715707],"domain_scores_gemma":[0.9985696,0.0004860435,0.0003321615,0.0004108731,0.0001742282,0.00002706392],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00005490559,0.00006470164,0.00008124808,0.00001001012,0.0001737121,4.745216e-7,0.006573978,0.9547073,0.001308442,0.004316917,0.0003832282,0.03232511],"study_design_scores_gemma":[0.0001178396,0.0001856824,0.0003213599,0.00004394221,0.0000674246,0.00002655627,0.003107105,0.9908485,0.00007300825,0.005124855,0.00003494789,0.00004879324],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.04181113,0.00005378971,0.9160564,0.0418844,0.00002874965,0.0001293364,0.000006359244,0.00001207437,0.00001778147],"genre_scores_gemma":[0.953684,0.00003168073,0.04498134,0.001262995,0.00003255494,0.000001166421,2.486616e-7,0.000002725249,0.000003315483],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9118729,"threshold_uncertainty_score":0.3208992,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4250882815","doi":"10.1353/pnm.2013.0018","title":"Conceiving Musical Photorealism: An Interview with Richard Beaudoin","year":2013,"lang":"en","type":"article","venue":"Perspectives of New Music","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Musical; Art; Composition (language); Notation; Period (music); Art history; History; Literature; Philosophy; Linguistics; Aesthetics","retraction":null,"screen_n_in":null,"score":{"opus":0.03129762204872756,"gpt":0.2565731722559655,"spread":0.225275550207238,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001435821,0.0001891762,0.0003368957,0.0001260756,0.0001246931,0.00007043334,0.0008649549,0.00007674521,0.0002271484],"category_scores_gemma":[0.00006554516,0.0001443118,0.00006462447,0.0004571941,0.000332666,0.0006591366,0.0002840397,0.0002004992,0.00003071653],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000460464,"about_ca_system_score_gemma":0.00008127429,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007278642,"about_ca_topic_score_gemma":0.0002564064,"domain_scores_codex":[0.9987294,0.00007229352,0.0001973599,0.0005041133,0.0002120944,0.0002847049],"domain_scores_gemma":[0.9987997,0.00007781597,0.0001194053,0.0006732977,0.0002168136,0.0001130061],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.00003409539,0.0007926266,0.001944151,0.0000959563,0.0004840822,0.00005048119,0.4228724,0.00001609435,0.00477052,0.3376479,0.06950116,0.1617905],"study_design_scores_gemma":[0.007102352,0.007148446,0.5761498,0.0009387874,0.0002433747,0.0004326002,0.1682718,0.01312202,0.00391147,0.163422,0.05550408,0.003753154],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8926913,0.001579027,0.09262108,0.004847591,0.0002374907,0.0004394554,0.000002191234,0.0004362179,0.007145665],"genre_scores_gemma":[0.9811705,0.00004074928,0.01780518,0.0005157506,0.0001119654,0.00003182724,8.253696e-7,0.0000105714,0.0003126169],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5742057,"threshold_uncertainty_score":0.5884864,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2132623271","doi":"","title":"RTMIDI, RTAUDIO, AND A SYNTHESIS TOOLKIT (STK) UPDATE","year":2005,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"MIDI; Computer science; Operating system; Interface (matter); Set (abstract data type); Software; Audio signal processing; Open source; Programming language; Application programming interface; Computer architecture; Embedded system; Audio signal; Software engineering; Computer hardware; Digital signal processing","retraction":null,"screen_n_in":null,"score":{"opus":0.009171490698906543,"gpt":0.2101292245975038,"spread":0.2009577338985973,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001391082,0.00008613169,0.0001228016,0.00005667359,0.0001644116,0.00005625696,0.0003629272,0.00006161915,0.00008100076],"category_scores_gemma":[0.00005546218,0.00006724981,0.00002480214,0.0001270848,0.00008638107,0.0002442705,0.0003066829,0.00007485644,0.0001526085],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001029971,"about_ca_system_score_gemma":0.0000103852,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009002753,"about_ca_topic_score_gemma":0.0000648006,"domain_scores_codex":[0.9993705,0.00001602698,0.0001042056,0.0002460339,0.00007973138,0.0001835297],"domain_scores_gemma":[0.9995052,0.00008877527,0.00002298065,0.0003305491,0.00001835336,0.00003417105],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000001954949,0.00003804158,0.00098039,0.000004758704,0.00003523421,0.00000727323,0.0004592754,0.000001527526,0.00005003394,0.6436521,0.02560651,0.329163],"study_design_scores_gemma":[0.0003880108,0.00005379981,0.009041554,0.00001734232,0.00001960765,0.00007614518,0.000139571,0.006502479,0.004749812,0.03119832,0.9473298,0.0004835933],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.3169301,0.002829417,0.4383652,0.09179446,0.000386322,0.0002447756,0.00000297154,0.001990415,0.1474564],"genre_scores_gemma":[0.9417221,0.0001837363,0.05431371,0.001859057,0.00004332934,0.00001703372,8.806633e-8,0.000002982237,0.001857994],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9217232,"threshold_uncertainty_score":0.2742367,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2575129390","doi":"","title":"Realtime Generation of Harmonic Progressions Using Constrained Markov Selection.","year":2010,"lang":"en","type":"article","venue":"ICCC","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":37,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Chord (peer-to-peer); Computer science; Markov chain; Algorithm; Coherence (philosophical gambling strategy); Generative grammar; Hidden Markov model; Markov process; Ergodic theory; Theoretical computer science; Artificial intelligence; Mathematics; Machine learning; Distributed computing; Statistics","retraction":null,"screen_n_in":null,"score":{"opus":0.03633338109547315,"gpt":0.2857817865595689,"spread":0.2494484054640958,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001382038,0.00005521602,0.00008554608,0.00006288609,0.0001934503,0.00001807408,0.0001887772,0.00008007517,0.00002734393],"category_scores_gemma":[0.00004641298,0.00004759571,0.00002471773,0.0002028608,0.0001217795,0.0001068009,0.00007315855,0.0001465624,0.000003757295],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007754146,"about_ca_system_score_gemma":0.0000714714,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001914146,"about_ca_topic_score_gemma":0.0000554885,"domain_scores_codex":[0.9995181,0.0000201477,0.000123037,0.0001474907,0.00007694451,0.0001142776],"domain_scores_gemma":[0.9996238,0.00002315515,0.00006979871,0.0001938511,0.00006836129,0.00002106188],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"bench_or_experimental","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.000009803299,0.0001574505,0.009114035,0.00002066163,0.00007579009,0.000007698823,0.001356367,0.00002255407,0.5820021,0.2945471,0.003804482,0.108882],"study_design_scores_gemma":[0.002473188,0.000319717,0.02310916,0.00007390089,0.00006189353,0.0003395969,0.0001135415,0.6734046,0.2541471,0.02808406,0.01709903,0.0007741507],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8668839,0.00008383714,0.1300843,0.0008242737,0.0005343091,0.000116815,0.0000015396,0.0001759293,0.001295083],"genre_scores_gemma":[0.8796005,0.000003436184,0.1201787,0.00003927342,0.00005448175,0.000006427579,6.569724e-7,0.000002174196,0.0001144162],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6733821,"threshold_uncertainty_score":0.1940897,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2120103442","doi":"10.1017/s1355771805000956","title":"Interactive Network Performance: a dream worth dreaming?","year":2005,"lang":"en","type":"article","venue":"Organised Sound","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"McGill University","keywords":"MIDI; Computer science; Visualization; Software; Controller (irrigation); Human–computer interaction; Multimedia; Artificial intelligence; Operating system","retraction":null,"screen_n_in":null,"score":{"opus":0.007777733980144676,"gpt":0.2187315590341644,"spread":0.2109538250540197,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001911312,0.0001800112,0.0002059857,0.0000749168,0.0005108158,0.0001201387,0.0007380324,0.000114918,0.0001138433],"category_scores_gemma":[0.00003656967,0.0001630195,0.00005291772,0.0004793548,0.0001236102,0.0005334715,0.0003768984,0.000302161,0.0004111213],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008861196,"about_ca_system_score_gemma":0.00005137508,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003707904,"about_ca_topic_score_gemma":0.00004700464,"domain_scores_codex":[0.9987875,0.00003118526,0.000199952,0.0003738121,0.0001768584,0.0004306754],"domain_scores_gemma":[0.9991441,0.000097091,0.00008609602,0.0005470678,0.00006395271,0.00006163762],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000136892,0.0008700368,0.1363485,0.00007042831,0.0008607901,0.0001065043,0.05685666,0.001111408,0.0005617397,0.3060327,0.1151336,0.3819108],"study_design_scores_gemma":[0.004654468,0.001185724,0.1930838,0.0002231143,0.0001412566,0.0004625914,0.002078617,0.03153285,0.004658306,0.1100698,0.6486399,0.003269586],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8734882,0.0003156381,0.09088351,0.001945914,0.000777384,0.0002000831,0.000001217987,0.0008785985,0.03150945],"genre_scores_gemma":[0.9840083,0.00004031593,0.01309196,0.0009663745,0.0003785028,0.00001592259,0.00000160881,0.00001259717,0.001484481],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5335063,"threshold_uncertainty_score":0.6647743,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2135573740","doi":"10.5072/zenodo.205117","title":"Tooka: explorations of two person instruments","year":2002,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"String (physics); Tension (geology); Musical; Musical instrument; Point (geometry); Position (finance); Strain gauge; Computer science; Torque; Acoustics; Expression (computer science); Acceleration; Engineering; Physics; Structural engineering; Mathematics; Art; Visual arts; Theoretical physics; Geometry","retraction":null,"screen_n_in":null,"score":{"opus":0.0652805119432588,"gpt":0.2494671248522116,"spread":0.1841866129089528,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00003310635,0.00003867137,0.00006301498,0.00004506166,0.00008371425,0.00001035606,0.0002438878,0.00002081235,0.000147098],"category_scores_gemma":[0.00001111415,0.00003165242,0.00002031419,0.0001481205,0.00004786551,0.0001935771,0.00007296306,0.00003777246,0.00006213666],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000006001928,"about_ca_system_score_gemma":0.000002838849,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001135184,"about_ca_topic_score_gemma":0.0000182856,"domain_scores_codex":[0.9996754,0.000008236489,0.0000683438,0.0001002786,0.00006882828,0.00007891259],"domain_scores_gemma":[0.9997195,0.00001222184,0.00002254124,0.0002126644,0.00002133607,0.00001171203],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[2.316883e-7,0.00006048406,0.002427953,0.000002445038,0.00001944214,0.000001197978,0.004011658,0.000002188047,0.0001611666,0.9206203,0.01176266,0.06093034],"study_design_scores_gemma":[0.009154244,0.001900748,0.0381574,0.0001352244,0.00009149687,0.0001118698,0.01085796,0.3490196,0.05014218,0.354315,0.1835095,0.002604828],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4472949,0.0002179385,0.2725767,0.007755037,0.0004496663,0.0001277902,0.000001136907,0.0004385891,0.2711383],"genre_scores_gemma":[0.9807583,0.0000144611,0.01558782,0.0001582184,0.000007478211,0.000006456646,1.033658e-7,9.412875e-7,0.003466208],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5663053,"threshold_uncertainty_score":0.161062,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2909242004","doi":"10.3389/fpsyg.2018.02725","title":"Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches","year":2019,"lang":"en","type":"article","venue":"Frontiers in Psychology","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Interdisciplinary Research in Music Media and Technology; McGill University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Psychology; Piano; Motion capture; Motion (physics); Musical; Expression (computer science); Cognitive psychology; Dynamics (music); Romance; Duration (music); Movement (music); Musical form; Musical instrument; Performing arts; Kinematics; Computer science; Aesthetics; Acoustics; Art; Visual arts; Artificial intelligence; Literature","retraction":null,"screen_n_in":null,"score":{"opus":0.05189922193042751,"gpt":0.3270445788609204,"spread":0.2751453569304929,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002238293,0.0001038736,0.0005610247,0.0005036073,0.0000375421,0.000004742565,0.0007294755,0.0001353704,0.00001288862],"category_scores_gemma":[0.00002422648,0.00008948979,0.0001260405,0.0008899094,0.0002296232,0.00008727526,0.00008419315,0.00009482574,0.000002227503],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001025398,"about_ca_system_score_gemma":0.00001472351,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002092093,"about_ca_topic_score_gemma":0.000005483544,"domain_scores_codex":[0.9989235,0.0000446657,0.0003866679,0.000363802,0.00009249137,0.0001888042],"domain_scores_gemma":[0.9989845,0.0000953032,0.0002483769,0.0006087192,0.00004639101,0.00001675837],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0004549141,0.002532522,0.2763634,0.001582031,0.005916215,0.000003530816,0.04540545,0.001895226,0.009263867,0.4214652,0.007652671,0.227465],"study_design_scores_gemma":[0.007740875,0.002276013,0.3234257,0.0002036313,0.001479686,0.00001245194,0.01551874,0.2409367,0.005412932,0.3865786,0.0148094,0.001605335],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.1789848,0.0004321506,0.8176174,0.0001579626,0.0002653787,0.0004071616,0.000004814599,0.00002466285,0.002105681],"genre_scores_gemma":[0.8561062,0.00005746406,0.1434499,0.00004964665,0.000008816036,0.0002479846,0.000004814447,0.000003183926,0.0000719566],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6771214,"threshold_uncertainty_score":0.3649288,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4237454264","doi":"10.1162/leon.2007.40.3.248","title":"<i>SwarmArt</i>: Interactive Art from Swarm Intelligence","year":2007,"lang":"en","type":"article","venue":"Leonardo","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Swarm behaviour; Multitude; Context (archaeology); Exhibition; Computer science; Swarm intelligence; Human–computer interaction; Swarm robotics; Collective intelligence; Variety (cybernetics); Multimedia; Data science; Artificial intelligence; Visual arts; Biology; Art; Particle swarm optimization; Epistemology","retraction":null,"screen_n_in":null,"score":{"opus":0.01364954114588492,"gpt":0.2583442915746306,"spread":0.2446947504287456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002632999,0.0001398062,0.000166326,0.00009228509,0.000152431,0.00004412389,0.0008073168,0.00009944401,0.00005390184],"category_scores_gemma":[0.0000694816,0.0001265814,0.00006610952,0.0002724659,0.0001241539,0.0002774677,0.0003909631,0.0002871334,0.0008119775],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003652844,"about_ca_system_score_gemma":0.00001912045,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003942602,"about_ca_topic_score_gemma":0.0001142892,"domain_scores_codex":[0.9988862,0.00002332078,0.0002161672,0.0003815499,0.0001771781,0.0003155877],"domain_scores_gemma":[0.9989893,0.0003225768,0.00006805145,0.0005020832,0.0000577296,0.00006029954],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008148767,0.0002765507,0.007495881,0.00001028463,0.0002457226,0.000471024,0.0161948,0.00003124441,0.001296987,0.3646981,0.03510281,0.5740951],"study_design_scores_gemma":[0.0003836381,0.0002081788,0.01997397,0.00006591697,0.00002214852,0.00005741546,0.003309053,0.001516086,0.06943191,0.1523676,0.7518871,0.0007769829],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.03427526,0.0003558383,0.932504,0.004491262,0.001075496,0.0000867246,0.00000278309,0.0004217491,0.02678686],"genre_scores_gemma":[0.9725034,0.00003968842,0.02445378,0.00183721,0.0001138778,0.000007751021,0.00000245221,0.000006013073,0.001035875],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9382281,"threshold_uncertainty_score":0.999966,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2126721227","doi":"10.5281/zenodo.1176566","title":"Indirect Acquisition Of Instrumental Gesture Based On Signal , Physical And Perceptual Information","year":2003,"lang":"en","type":"article","venue":"","topic":"Music Technology and Sound Studies","field":"Computer Science","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University; Université de Montréal","funders":"","keywords":"Timbre; Gesture; Guitar; Computer science; Microphone; Gesture recognition; Perception; SIGNAL (programming language); Speech recognition; Point (geometry); Artificial intelligence; Human–computer interaction; Acoustics; Mathematics; Psychology; Musical","retraction":null,"screen_n_in":null,"score":{"opus":0.007354861787931164,"gpt":0.2067712011979374,"spread":0.1994163394100062,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006913845,0.00005726999,0.00008071311,0.00006791132,0.00007429263,0.00001697568,0.00008266412,0.00004585968,0.00002038256],"category_scores_gemma":[0.00001047472,0.00004442459,0.0000189596,0.0001053713,0.00007087387,0.0002838926,0.00003003973,0.00006705045,0.000006615769],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001074109,"about_ca_system_score_gemma":0.00001343662,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000002323957,"about_ca_topic_score_gemma":0.000001283008,"domain_scores_codex":[0.9996377,0.0000247036,0.00007433309,0.00007951201,0.0001105471,0.00007315225],"domain_scores_gemma":[0.9998052,0.00003435895,0.00003083228,0.00009690299,0.00001775993,0.0000149243],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.00003259021,0.0002305899,0.01502853,0.00003275915,0.00003683061,0.000002173364,0.01426709,0.0001020146,0.001031941,0.8489085,0.001395624,0.1189314],"study_design_scores_gemma":[0.006207566,0.00452302,0.6265079,0.0001185466,0.00005038697,0.00006154253,0.006223196,0.2112147,0.08860035,0.0432665,0.01195884,0.001267421],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9497341,0.000004688937,0.03818398,0.000285976,0.00004529631,0.00006227449,0.000001354806,0.00007149706,0.01161086],"genre_scores_gemma":[0.9962354,9.685609e-7,0.003342676,0.0003958864,0.000007292162,0.000003616184,0.000001578814,7.915699e-7,0.00001179117],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8056419,"threshold_uncertainty_score":0.1811582,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}