{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":473,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":473,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"380c624a6d6b","filters":{"topic":"Public Spaces through Art"}},"results":[{"id":"W1688132643","doi":"10.22230/cjc.2006v31n2a1755","title":"Placing Words: Symbols, Space and the City","year":2006,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":92,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Concordia University","funders":"","keywords":"Space (punctuation); Linguistics; Philosophy","authors":[{"name":"Karmen Franinović","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01788481280839629,"gpt":0.2694708825473974,"spread":0.2515860697390011,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000903932,0.0005326599,0.0003864366,0.002224235,0.007560167,0.02023692,0.0009505602,0.002197879,0.02059081],"category_scores_gemma":[0.004662911,0.0003086275,0.0002748247,0.005584584,0.02701569,0.008295614,0.004235546,0.00195477,0.001877995],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0060047,"about_ca_system_score_gemma":0.006973583,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08159386,"about_ca_topic_score_gemma":0.1268257,"domain_scores_codex":[0.9987189,0.0006317961,0.00004370775,0.0001172228,0.0002618646,0.0002266228],"domain_scores_gemma":[0.9982754,0.0007441638,0.0002657937,0.0001588759,0.0002885161,0.0002673185],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001080876,0.00002404672,0.002787831,0.0001233113,0.00001152716,0.0001984394,0.1117219,0.0003838511,0.0007627802,0.8371869,0.01072962,0.03596182],"study_design_scores_gemma":[0.00004308807,0.0000655472,0.009650805,0.0003092866,0.00003672971,0.000343549,0.2457201,0.0006338615,0.0007254621,0.3770548,0.3653303,0.00008650018],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2104217,0.009827986,0.0142802,0.02812994,0.0008274736,0.00004145943,0.0004610858,0.0002057544,0.7358044],"genre_scores_gemma":[0.97493,0.002105823,0.001980562,0.0004476268,0.0001305213,0.00001568924,0.00007717583,0.00008647868,0.02022617],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08159386,"threshold_uncertainty_score":0.1622379,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2029725339","doi":"10.1080/10584600903297117","title":"Know Me, Love Me, Fear Me: The Anatomy of Candidate Poster Designs in the 2007 French Legislative Elections","year":2010,"lang":"en","type":"article","venue":"Political Communication","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":82,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Legislature; Nothing; Nonverbal communication; Voting; Political science; Public relations; Politics; Psychology; Law; Communication; Epistemology","authors":[{"name":"Delia Dumitrescu","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03293040254278635,"gpt":0.3746412174635433,"spread":0.3417108149207569,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002031347,0.0002619385,0.0001159654,0.002843571,0.00188466,0.003324072,0.0002494315,0.0005412966,0.005743838],"category_scores_gemma":[0.006299261,0.0002860904,0.0002458231,0.001201048,0.002356246,0.001065509,0.0007493729,0.000379748,0.0007418236],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001415176,"about_ca_system_score_gemma":0.0006501671,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003055572,"about_ca_topic_score_gemma":0.008893986,"domain_scores_codex":[0.9978281,0.001565935,0.00004825608,0.0001190543,0.0002623081,0.0001762956],"domain_scores_gemma":[0.9956638,0.002917882,0.0006329907,0.0002197378,0.0003598203,0.0002057271],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.000901224,0.0002741238,0.1332503,0.0006844636,0.00006792666,0.002423127,0.1584494,0.001562131,0.03039472,0.05955406,0.007873637,0.604565],"study_design_scores_gemma":[0.00006936727,0.0008755371,0.7070124,0.0006032136,0.0001310035,0.00617792,0.101026,0.004072629,0.009404171,0.01383753,0.1566289,0.0001613279],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9143658,0.001237399,0.007381415,0.0009417196,0.00005376263,0.00008138626,0.0001097806,0.0000915396,0.07573726],"genre_scores_gemma":[0.988514,0.0003833027,0.004841696,0.00006442628,0.00004001403,0.0000382691,0.00007076214,0.00003666711,0.006010806],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005743838,"threshold_uncertainty_score":0.01921505,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2162216687","doi":"10.1177/1206331204265991","title":"Social Control and the Management of “Personal” Space in Shopping Malls","year":2004,"lang":"en","type":"article","venue":"Space and Culture","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":72,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Control (management); Space (punctuation); Sociology; Public relations; Focus (optics); Business; Computer science; Political science","authors":[{"name":"John Manzo","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009588841539127986,"gpt":0.2791215673123046,"spread":0.2695327257731766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001388078,0.0002435352,0.000156801,0.001227284,0.003352806,0.004351481,0.0006107489,0.0004907292,0.001884021],"category_scores_gemma":[0.003156578,0.0001585077,0.000246008,0.0005063841,0.01164009,0.001763979,0.002469707,0.000502735,0.00009527953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001950174,"about_ca_system_score_gemma":0.001120027,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005912543,"about_ca_topic_score_gemma":0.01031028,"domain_scores_codex":[0.9975939,0.001594277,0.00007352127,0.0001706533,0.0002834485,0.0002841913],"domain_scores_gemma":[0.9972554,0.001005673,0.0006860273,0.0002105634,0.0002451887,0.0005971401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003764033,0.0006504115,0.1775298,0.0002304753,0.0001555767,0.001012516,0.552183,0.00210047,0.006083247,0.1574502,0.001679698,0.1005481],"study_design_scores_gemma":[0.00008748048,0.0007913825,0.2643982,0.0002464255,0.0001184971,0.001117159,0.5697504,0.005352664,0.003671818,0.07717534,0.07714269,0.0001478344],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.963037,0.0002915706,0.002753987,0.0005903396,0.00001162045,0.00001521068,0.000006813857,0.00001842242,0.03327506],"genre_scores_gemma":[0.999343,0.00003093691,0.0001542377,0.00001303449,0.000003372852,0.000002561884,0.000001899735,0.000002243697,0.0004487151],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.005912543,"threshold_uncertainty_score":0.01414955,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1972620248","doi":"10.1177/1206331206298545","title":"Framing [Con]text","year":2007,"lang":"en","type":"article","venue":"Space and Culture","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":63,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Graffiti; Foregrounding; Framing (construction); Reading (process); Sociology; Locale (computer software); Context (archaeology); Linguistics; Visual arts; Space (punctuation); Aesthetics; History; Art; Computer science; Philosophy; Archaeology","authors":[{"name":"Ella Chmielewska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01097946593042821,"gpt":0.3073102084729352,"spread":0.296330742542507,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001470657,0.0007609606,0.0003489283,0.001736614,0.003663952,0.007349274,0.001116016,0.001580102,0.09386969],"category_scores_gemma":[0.004330739,0.0002705078,0.0003278427,0.001692249,0.004632584,0.005858672,0.003425706,0.002322085,0.02690697],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002969375,"about_ca_system_score_gemma":0.002346679,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006003004,"about_ca_topic_score_gemma":0.007714653,"domain_scores_codex":[0.9981695,0.0006967498,0.00008587394,0.0003420224,0.0004733141,0.0002323615],"domain_scores_gemma":[0.9983902,0.0004519168,0.0001756244,0.0004408425,0.0004391823,0.000102259],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003958258,0.00001529028,0.0002690761,0.0001594095,0.000007727499,0.0003694242,0.02166312,0.00009882561,0.001037244,0.8218969,0.0964604,0.05798305],"study_design_scores_gemma":[0.000005441549,0.00001050839,0.0002374969,0.0001099052,0.000005737164,0.0001380734,0.002742011,0.00009552771,0.0004427223,0.01702623,0.9791769,0.000009331574],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004876889,0.0005001929,0.007698521,0.004876819,0.002070622,0.0000921855,0.0003046702,0.0003327279,0.9792474],"genre_scores_gemma":[0.3069567,0.001322743,0.008162908,0.003467604,0.00273618,0.0002502895,0.001143424,0.001317115,0.6746431],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09386969,"threshold_uncertainty_score":0.3140254,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2793724622","doi":"10.1177/0002764218759582","title":"From Wall 1.0 to Wall 2.0: Graffiti, Social Media, and Ideological Acts of Resistance and Recognition Among Palestinian Refugees","year":2018,"lang":"en","type":"article","venue":"American Behavioral Scientist","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":50,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Royal Roads University; University of British Columbia, Okanagan Campus; Kelowna General Hospital; University of British Columbia","funders":"Canada Research Chairs; University of New South Wales","keywords":"Ideology; Resistance (ecology); Sociology; Politics; CONTEST; Consolidation (business); Selfie; Inscribed figure; Graffiti; Media studies; Gender studies; Aesthetics; Political science; Law; Visual arts; Art","authors":[{"name":"Eric Ping Hung Li","is_ca":true},{"name":"Ajnesh Prasad","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04111924318151058,"gpt":0.3516856000355408,"spread":0.3105663568540303,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003785013,0.0005072124,0.0003297221,0.002950578,0.01074548,0.01365228,0.0009475428,0.002306071,0.005191432],"category_scores_gemma":[0.006869755,0.0005092478,0.000211237,0.001759989,0.02528878,0.01004209,0.008348508,0.004239193,0.0003777738],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002855164,"about_ca_system_score_gemma":0.001408117,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01077421,"about_ca_topic_score_gemma":0.01823259,"domain_scores_codex":[0.9982893,0.0009964781,0.00006196131,0.0001364607,0.000153518,0.0003622725],"domain_scores_gemma":[0.9972441,0.00150232,0.0006106372,0.0001690268,0.0001530731,0.0003207825],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005003895,0.00005967857,0.009639503,0.00004595954,0.000004714298,0.0004689579,0.9651316,0.00001935954,0.0004182589,0.01562423,0.0006764709,0.007861252],"study_design_scores_gemma":[0.000004070044,0.00002917832,0.01214642,0.0001459299,0.000004649045,0.0001831083,0.9766272,0.00002790127,0.0001488179,0.002083741,0.008587673,0.00001121388],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9666371,0.0009746979,0.0002689067,0.004628199,0.000091682,0.00001192154,0.00003153824,0.000007714831,0.02734826],"genre_scores_gemma":[0.9981419,0.0003376704,0.00008140926,0.0003464559,0.00004580363,0.00001172857,0.00001521928,0.000007589302,0.001012184],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01365228,"threshold_uncertainty_score":0.02142304,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1984561511","doi":"10.1111/j.1548-1425.2008.00045.x","title":"Slogans and graffiti: Postmemory among youth in the Italo–Slovenian borderland","year":2008,"lang":"en","type":"article","venue":"American Ethnologist","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":49,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Graffiti; Banner; Politics; The Symbolic; Sociology; History; Media studies; Visual arts; Law; Political science; Art; Archaeology; Psychology","authors":[{"name":"Alessandra Miklavcic","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03703315477275967,"gpt":0.3042593226862504,"spread":0.2672261679134907,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001266627,0.0004627163,0.0004967364,0.002067514,0.00446932,0.004872254,0.0006632746,0.0006756538,0.003351048],"category_scores_gemma":[0.001443753,0.0003389699,0.0001801564,0.001878301,0.009895222,0.001475003,0.004338131,0.001220043,0.0002240392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002039389,"about_ca_system_score_gemma":0.001124575,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0301135,"about_ca_topic_score_gemma":0.05892085,"domain_scores_codex":[0.999046,0.00037978,0.00003671956,0.00007120315,0.00008772768,0.0003785293],"domain_scores_gemma":[0.9994241,0.0001692319,0.000206995,0.00004076063,0.00004564965,0.0001133526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006296576,0.00003305051,0.03794049,0.00009076855,0.00001269517,0.001151296,0.948101,0.00003829581,0.0004235515,0.003549644,0.001014747,0.007581563],"study_design_scores_gemma":[0.000005091061,0.00003186307,0.04662998,0.00009669991,0.000007587048,0.0004660918,0.9407672,0.00001658495,0.00009175861,0.0001670665,0.011712,0.000008213983],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9906965,0.0007736037,0.00006204801,0.0002245207,0.00001542945,0.000005290998,0.00002506949,0.000004449241,0.008192963],"genre_scores_gemma":[0.9989292,0.0002612774,0.00002317361,0.00003272744,0.000004743894,0.000003581777,0.00001459547,0.000003014367,0.0007276656],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0301135,"threshold_uncertainty_score":0.05987644,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2346527232","doi":"10.14506/ca31.2.06","title":"Incidental Activism: Graffiti and Political Possibility in Athens, Greece","year":2016,"lang":"en","type":"article","venue":"Cultural Anthropology","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"York University","funders":"","keywords":"Austerity; Governmentality; Politics; Sociology; Resistance (ecology); Political economy; Law; Political science","authors":[{"name":"Othon Alexandrakis","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03366697730097922,"gpt":0.3751249190589742,"spread":0.341457941757995,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00283593,0.0006071493,0.0005160887,0.003536106,0.01505289,0.008153306,0.001282455,0.00333351,0.003017213],"category_scores_gemma":[0.003687846,0.0004708354,0.0002918883,0.001372347,0.0463029,0.003602461,0.006236336,0.002881625,0.000254976],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004293228,"about_ca_system_score_gemma":0.001577078,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004799659,"about_ca_topic_score_gemma":0.009979164,"domain_scores_codex":[0.997051,0.001681003,0.00008166971,0.0004563027,0.0003027536,0.0004272805],"domain_scores_gemma":[0.9980528,0.001168045,0.0003177381,0.0001445388,0.00007099493,0.0002457398],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001816439,0.00002941292,0.002521138,0.00005039663,0.000004915181,0.001552386,0.9544322,0.00003272105,0.0005170773,0.03411712,0.0005495524,0.006174919],"study_design_scores_gemma":[0.000009758671,0.00005986925,0.007564308,0.0001533698,0.000005453848,0.001726825,0.9276943,0.00008725382,0.0003418694,0.00575989,0.05657094,0.00002613492],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9491937,0.001314732,0.0006433412,0.001826802,0.0001178448,0.00003236084,0.00001531358,0.00001490294,0.0468412],"genre_scores_gemma":[0.9964452,0.0002233891,0.0001594442,0.0001384258,0.00002137987,0.000009694026,0.000005654303,0.00001010248,0.00298664],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01505289,"threshold_uncertainty_score":0.03114974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2563410095","doi":"10.7202/1040597ar","title":"The right to write the city: Lefebvre and graffiti","year":2017,"lang":"en","type":"article","venue":"Environnement urbain","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Graffiti; Commodification; Semiotics; Aesthetics; Politics; Sociology; Public space; Space (punctuation); Phenomenon; Urban space; Media studies; Visual arts; Art; Political science; Law; Epistemology; Economy; Linguistics; Philosophy; Engineering; Architectural engineering","authors":[{"name":"Andrzej Zieleniec","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01980852037385208,"gpt":0.3013866438180304,"spread":0.2815781234441783,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001524192,0.0003161848,0.0002374772,0.0007168733,0.00666065,0.005980243,0.0003497502,0.001797688,0.002731585],"category_scores_gemma":[0.002739682,0.000189074,0.0001188106,0.000581961,0.01626771,0.002949777,0.001817445,0.002098323,0.0004991567],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00251041,"about_ca_system_score_gemma":0.0008916516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02092488,"about_ca_topic_score_gemma":0.03284135,"domain_scores_codex":[0.9984007,0.001177182,0.00002190937,0.00009458682,0.0001463636,0.0001591907],"domain_scores_gemma":[0.999096,0.0005679973,0.00007545585,0.000074695,0.0001022257,0.00008355978],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006642616,0.00002514572,0.001253101,0.0001059887,0.000006345883,0.0006874695,0.3390548,0.000111343,0.0006240943,0.5880219,0.03728162,0.03276177],"study_design_scores_gemma":[0.00001115025,0.00004287157,0.002599148,0.0004013324,0.000004984263,0.001144308,0.1379098,0.0001433341,0.0005411371,0.0458968,0.8112732,0.00003210041],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1829716,0.06174944,0.006517715,0.09598991,0.003891976,0.00003555993,0.00008959893,0.0001146249,0.6486396],"genre_scores_gemma":[0.9470163,0.00406551,0.0006565672,0.002480794,0.0003838943,0.00001228402,0.00001532672,0.00006115637,0.04530806],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02092488,"threshold_uncertainty_score":0.04160613,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2984642302","doi":"10.1177/0010414019879949","title":"The Co-optation of Dissent in Hybrid States: Post-Soviet Graffiti in Moscow","year":2019,"lang":"en","type":"article","venue":"Comparative Political Studies","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto; Cosmos Club Foundation; Georgetown University","keywords":"Dissent; Graffiti; Legitimacy; Political dissent; Politics; Accountability; State (computer science); Political science; Power (physics); Public administration; Sociology; Media studies; Law; Political economy; Visual arts","authors":[{"name":"Alexis Lerner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08291856439580814,"gpt":0.4511432201334813,"spread":0.3682246557376732,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001312408,0.0001765888,0.0002303577,0.001300158,0.006470478,0.002996813,0.0003402967,0.0007624806,0.002485092],"category_scores_gemma":[0.001279312,0.000185022,0.000160193,0.0008282129,0.009466659,0.001164077,0.002681453,0.001101448,0.0002084184],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002182228,"about_ca_system_score_gemma":0.0007623556,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007180634,"about_ca_topic_score_gemma":0.02145853,"domain_scores_codex":[0.9992892,0.0003389745,0.00002211458,0.00007944735,0.00006033042,0.0002099741],"domain_scores_gemma":[0.9994985,0.0002342215,0.0001065868,0.00004857453,0.00003233879,0.00007972784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002325436,0.00006955389,0.04585452,0.00009719892,0.00001809925,0.002105575,0.9099371,0.0001410874,0.002182641,0.02343347,0.001933066,0.01399525],"study_design_scores_gemma":[0.00001089433,0.00007900025,0.102427,0.00007115684,0.00001087363,0.0005070476,0.871955,0.0001445154,0.0008054138,0.001961808,0.02200452,0.00002280725],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9914386,0.0001143217,0.0001086948,0.0002665588,0.00002100821,0.000003678564,0.00001588018,0.000004073967,0.008027091],"genre_scores_gemma":[0.9991292,0.00002348592,0.00002619141,0.00001707353,0.000004259746,0.000001836331,0.000009326438,0.000002555524,0.0007861509],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.007180634,"threshold_uncertainty_score":0.01583326,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2142144005","doi":"10.1177/1368431006063342","title":"Boundary-Thinking in Theories of the Present","year":2006,"lang":"en","type":"article","venue":"European Journal of Social Theory","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":35,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Reflexivity; Epistemology; Spatialization; Sociology; Historicity (philosophy); Ontology; Modernity; Praxis; Virtuality (gaming); Schema (genetic algorithms); Lifeworld; Semiotics; Focus (optics); Boundary (topology); Social science; Anthropology; Philosophy; Computer science; Political science","authors":[{"name":"Rob Shields","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01159806557744275,"gpt":0.2734040297445718,"spread":0.261805964167129,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004948249,0.0006511574,0.0005598566,0.003055425,0.005678678,0.00850652,0.001937932,0.003920021,0.007566276],"category_scores_gemma":[0.004998128,0.0003227791,0.0009124494,0.002398758,0.0511914,0.01578355,0.005273031,0.005202638,0.0008588859],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00740436,"about_ca_system_score_gemma":0.003394324,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003428255,"about_ca_topic_score_gemma":0.002726782,"domain_scores_codex":[0.9967768,0.001947563,0.00009299099,0.0004442518,0.0004942599,0.0002440649],"domain_scores_gemma":[0.9973027,0.001707553,0.0002014003,0.0003394672,0.000235213,0.0002137281],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[7.744926e-7,0.000001482296,0.00001177907,0.000006227803,4.001587e-7,0.000005489679,0.0009710104,0.00005611725,0.000003420864,0.9983788,0.0001551955,0.0004094392],"study_design_scores_gemma":[0.000002994566,0.000002038181,0.00002460672,0.00003234635,0.00000118042,0.00001738526,0.0008715849,0.000227047,0.00001467114,0.9873086,0.01149559,0.000001981008],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01934283,0.01239015,0.09043813,0.03311553,0.0006483181,0.00006745043,0.0000608002,0.0001305098,0.8438063],"genre_scores_gemma":[0.9413887,0.004369013,0.02142235,0.002759787,0.0005107005,0.000201346,0.00008034104,0.0001116556,0.0291561],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00850652,"threshold_uncertainty_score":0.05372262,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2116460651","doi":"10.1525/si.2004.27.3.309","title":"To Die For: The Semiotic Seductive Power of the Tanned Body","year":2004,"lang":"en","type":"article","venue":"Symbolic Interaction","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":34,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Semiotics; Embodied cognition; Meaning (existential); Sign (mathematics); Aesthetics; Interpretation (philosophy); Power (physics); Order (exchange); Art; Psychology; Philosophy; Epistemology; Linguistics","authors":[{"name":"Phillip Vannini","is_ca":true},{"name":"Aaron M. McCright","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01741463934853818,"gpt":0.3423251656799052,"spread":0.3249105263313671,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001242812,0.0002229286,0.0001314355,0.0005045285,0.002855282,0.003182482,0.0002495887,0.0006372401,0.002533684],"category_scores_gemma":[0.003510436,0.00008841634,0.000210695,0.0003349932,0.01619927,0.002387749,0.00276377,0.001244515,0.0002590411],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008055238,"about_ca_system_score_gemma":0.000719831,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0009410743,"about_ca_topic_score_gemma":0.001559719,"domain_scores_codex":[0.9985362,0.001056566,0.00003278577,0.00007032831,0.0002031978,0.0001009585],"domain_scores_gemma":[0.9986752,0.000743131,0.0002185617,0.0001806531,0.00008734755,0.00009507229],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00008889215,0.00003516811,0.004772469,0.0001788762,0.00002034155,0.0006287077,0.8478786,0.0001930494,0.009525279,0.1017016,0.00172966,0.03324741],"study_design_scores_gemma":[0.00002082244,0.0002118352,0.01676499,0.0003455101,0.00004463063,0.002846384,0.7096216,0.0006713805,0.008320566,0.05909417,0.2019915,0.00006660564],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8584418,0.002827802,0.01594694,0.006584255,0.0002238379,0.00002810573,0.00003126714,0.00007909134,0.1158369],"genre_scores_gemma":[0.9955612,0.0002059495,0.000785586,0.0001246995,0.00001472856,0.000004710645,0.00000449754,0.00001045977,0.003288204],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.003182482,"threshold_uncertainty_score":0.008475959,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2611746332","doi":"10.1093/cdj/bsx015","title":"Re-approaching community development through the arts: a ‘critical mixed methods’ study of social circus in Quebec","year":2017,"lang":"en","type":"article","venue":"Community Development Journal","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of British Columbia; Concordia University; Simon Fraser University","funders":"Simon Fraser University; Concordia University","keywords":"The arts; Community development; Sociology; Visual arts; Social science; Media studies; Political science; Art; Law","authors":[{"name":"Jennifer Beth Spiegel","is_ca":true},{"name":"Stéphanie Parent","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1903138084682011,"gpt":0.4571221174916603,"spread":0.2668083090234592,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01413178,0.0007950788,0.0006885208,0.002304495,0.0196312,0.004582881,0.003388472,0.001561794,0.004548676],"category_scores_gemma":[0.01117945,0.000523237,0.0004114429,0.003131769,0.00955972,0.001777704,0.004770056,0.002189402,0.0002200448],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07003862,"about_ca_system_score_gemma":0.06150072,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9410519,"about_ca_topic_score_gemma":0.98062,"domain_scores_codex":[0.989001,0.007585443,0.0001643639,0.0008796607,0.0008234599,0.001545957],"domain_scores_gemma":[0.9872204,0.00791436,0.0006205019,0.0006224274,0.002699707,0.0009226236],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002030013,0.0008344525,0.02336091,0.0003907153,0.00005710243,0.0006884122,0.9011861,0.0005498759,0.001331994,0.006537708,0.002745953,0.06211375],"study_design_scores_gemma":[0.00005700008,0.0004654161,0.04955093,0.0004235852,0.00006260294,0.00009116251,0.9121106,0.00141224,0.001141124,0.001580094,0.03302421,0.00008102673],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.978839,0.000857842,0.004402299,0.001667863,0.00004198786,0.001563909,0.0003141771,0.0000236809,0.01228917],"genre_scores_gemma":[0.98701,0.000431763,0.004333289,0.000720398,0.00001350784,0.00099736,0.0001375591,0.00002691036,0.006329074],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07003862,"threshold_uncertainty_score":0.5081681,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2334170956","doi":"10.1177/1741659016631609","title":"Urban interventionism as a challenge to aesthetic order: Towards an aesthetic criminology","year":2016,"lang":"en","type":"article","venue":"Crime Media Culture An International Journal","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":31,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"University of Toronto; International Council for Canadian Studies","keywords":"Order (exchange); Sociology; Scope (computer science); Interventionism (politics); Face (sociological concept); Green criminology; Relevance (law); Aesthetics; Criminology; Politics; Social science; Law; Political science; Art; International relations; Criminal justice","authors":[{"name":"Andrew Millie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06652327780830801,"gpt":0.3794016593050754,"spread":0.3128783814967673,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007711324,0.0008415683,0.0006210597,0.002700032,0.01434283,0.01964507,0.002108654,0.005194163,0.003729183],"category_scores_gemma":[0.004859898,0.000465026,0.0005929795,0.001724405,0.1662094,0.01150001,0.01265674,0.007615323,0.0003492221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01123254,"about_ca_system_score_gemma":0.006947472,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009551989,"about_ca_topic_score_gemma":0.01588543,"domain_scores_codex":[0.9908399,0.006172745,0.0001509375,0.0006298278,0.001242194,0.0009643039],"domain_scores_gemma":[0.9946415,0.002624549,0.0008055082,0.0007780573,0.0005855892,0.0005647718],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000005522316,0.00001277767,0.0004280397,0.00003073076,0.00000217463,0.00007906737,0.02928822,0.0001253646,0.00005583712,0.9665114,0.0007838386,0.00267703],"study_design_scores_gemma":[0.00001127882,0.00004023654,0.001388271,0.0003548647,0.00001091219,0.0004222061,0.1143892,0.0009057511,0.0004261736,0.7292656,0.1527533,0.00003208005],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1114719,0.006949722,0.05093819,0.1022197,0.001133545,0.0001221518,0.00003362126,0.00009541312,0.7270357],"genre_scores_gemma":[0.9849313,0.001063489,0.003565446,0.00158966,0.0001764249,0.00005181656,0.000007502639,0.00005589396,0.008558373],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01964507,"threshold_uncertainty_score":0.08149815,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2127702253","doi":"10.1111/ciso.12014","title":"Introduction to Special Issue: Figuring the Transforming City","year":2013,"lang":"en","type":"article","venue":"City & Society","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":28,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Citation; Modernity; History; Sociology; Art history; Media studies; Library science; Political science; Law","authors":[{"name":"Joshua Barker","is_ca":true},{"name":"Erik Harms","is_ca":false},{"name":"Johan Lindquist","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01980873303489103,"gpt":0.287294588196031,"spread":0.26748585516114,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001828461,0.002540599,0.001907911,0.003534704,0.004329179,0.008340584,0.0020632,0.00761599,0.1095387],"category_scores_gemma":[0.004990491,0.0005134025,0.001525361,0.001861021,0.001882567,0.005127186,0.004621781,0.007403378,0.03614407],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00194091,"about_ca_system_score_gemma":0.002646819,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003648881,"about_ca_topic_score_gemma":0.009794382,"domain_scores_codex":[0.9987489,0.000193157,0.0001288378,0.0002335216,0.0004954234,0.0002001339],"domain_scores_gemma":[0.9955928,0.001150757,0.0002901809,0.0002810157,0.001461812,0.0012234],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009185772,0.00001169348,0.00006341139,0.000105545,0.000001795927,0.00004898315,0.0000351678,0.00001684319,0.00006267747,0.0007791349,0.991118,0.007747537],"study_design_scores_gemma":[0.000004044545,0.000020987,0.0005237791,0.0002002598,0.000005061572,0.0001275364,0.0001735683,0.00004172207,0.00004516918,0.0007860524,0.9980649,0.000006978437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.0002583608,0.01396724,0.0005543848,0.05246366,0.9079478,0.00006496165,0.000299666,0.000133988,0.02430984],"genre_scores_gemma":[0.002672887,0.01541186,0.0005131828,0.02930189,0.8224093,0.00009400361,0.0005566676,0.0002785219,0.1287617],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.1095387,"threshold_uncertainty_score":0.3664436,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2050030846","doi":"10.1080/00330124.2014.970843","title":"The Pen or the Sword: A Situated Spatial Analysis of Graffiti and Violent Injury in Vancouver, British Columbia","year":2014,"lang":"en","type":"article","venue":"The Professional Geographer","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":26,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Simon Fraser University","funders":"","keywords":"Graffiti; Situated; Context (archaeology); Interpersonal violence; Geography; Public space; Sociology; Poison control; Criminology; Human factors and ergonomics; Archaeology; Visual arts; Art; Medicine; Engineering; Computer science","authors":[{"name":"Blake Byron Walker","is_ca":true},{"name":"Nadine Schuurman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008185754641740177,"gpt":0.2900626862128203,"spread":0.2818769315710802,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004176371,0.0002430458,0.0003739193,0.002893229,0.004215736,0.002569956,0.000978365,0.0004218368,0.002456502],"category_scores_gemma":[0.002239029,0.0002575846,0.0002000751,0.007623388,0.001534995,0.0003815666,0.002160097,0.0006251518,0.0002575259],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009425901,"about_ca_system_score_gemma":0.008756188,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9647115,"about_ca_topic_score_gemma":0.9906343,"domain_scores_codex":[0.9994338,0.0001387522,0.00003071122,0.00007739193,0.0001488801,0.000170385],"domain_scores_gemma":[0.9988319,0.0002169971,0.0001527185,0.00006410434,0.000504614,0.0002296344],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0001279406,0.0001322409,0.861476,0.0002054723,0.00007889402,0.002308215,0.08267367,0.0006963983,0.0008103652,0.001054159,0.005129399,0.04530734],"study_design_scores_gemma":[0.000002877461,0.0000291901,0.8204278,0.0001075232,0.00001672245,0.0002024923,0.1748219,0.0004725429,0.00006958935,0.0001656036,0.003663021,0.0000206988],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9948514,0.0003506659,0.0002047803,0.0002204406,0.000008663896,0.0000445242,0.0007044927,0.000006790999,0.003608315],"genre_scores_gemma":[0.9964965,0.0003794816,0.0003852519,0.00005455867,0.000003739226,0.00003267833,0.0005901757,0.000008908676,0.002048744],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03528845,"threshold_uncertainty_score":0.07099247,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1520331644","doi":"10.1111/j.1541-0064.2006.00155.x","title":"Resisting the creation of forgotten places: artistic production in Toronto neighbourhoods","year":2006,"lang":"en","type":"article","venue":"Canadian Geographies / Géographies canadiennes","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":24,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Downtown; Neighbourhood (mathematics); Narrative; Vernacular; Aesthetics; Sociology; Visual arts; Collective memory; Media studies; History; Art; Political science; Archaeology; Literature; Law","authors":[{"name":"Alison L. Bain","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008271937116379914,"gpt":0.2368835578764574,"spread":0.2286116207600775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00242594,0.0006596769,0.0005582976,0.00213216,0.01998823,0.008323529,0.002004642,0.001293191,0.004199296],"category_scores_gemma":[0.006682642,0.0004360635,0.0003208457,0.002578548,0.0227877,0.001802332,0.007426253,0.001760718,0.0001772124],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02429546,"about_ca_system_score_gemma":0.01398839,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5816304,"about_ca_topic_score_gemma":0.8263788,"domain_scores_codex":[0.9968442,0.001310476,0.00007704189,0.0002590313,0.0006878663,0.0008213633],"domain_scores_gemma":[0.9964367,0.001776217,0.0004742982,0.000335232,0.0002935426,0.0006840138],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001809351,0.000003023244,0.001525705,0.00004376853,0.000004170147,0.0005339794,0.991759,0.00008393957,0.0003422743,0.002272445,0.0006059904,0.002807618],"study_design_scores_gemma":[0.000002882837,0.000008901146,0.004463397,0.00008049415,0.000008298846,0.0001617091,0.973129,0.00005880009,0.0001728422,0.000346347,0.02155502,0.00001232795],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9502347,0.001578376,0.0008253037,0.001411875,0.0001078969,0.00003766034,0.00009857063,0.00002510091,0.04568045],"genre_scores_gemma":[0.9961035,0.0003186315,0.0001574088,0.00004042092,0.000009015188,0.000008104238,0.00002159935,0.00001129563,0.003329983],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4183696,"threshold_uncertainty_score":0.8416669,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3048922112","doi":"10.1080/01436597.2020.1810009","title":"Reading socio-political and spatial dynamics through graffiti in conflict-affected societies","year":2020,"lang":"en","type":"article","venue":"Third World Quarterly","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"Università degli Studi di Trento","keywords":"Graffiti; Reading (process); Politics; Dynamics (music); Political science; Political economy; Sociology; Visual arts; Art; Law; Pedagogy","authors":[{"name":"Birte Vogel","is_ca":false},{"name":"Catherine Arthur","is_ca":false},{"name":"Eric Lepp","is_ca":true},{"name":"Dylan O’Driscoll","is_ca":false},{"name":"Billy Tusker Haworth","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0288558210318882,"gpt":0.3079559409486539,"spread":0.2791001199167656,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004784639,0.0007127812,0.000462444,0.005956132,0.01520288,0.01233432,0.001304608,0.002593757,0.006010748],"category_scores_gemma":[0.008494905,0.0002804438,0.0003311116,0.004459719,0.033538,0.00989441,0.005978491,0.002921337,0.000580731],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006355058,"about_ca_system_score_gemma":0.002709384,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009447114,"about_ca_topic_score_gemma":0.02022424,"domain_scores_codex":[0.9975283,0.001748547,0.00006799696,0.000149737,0.0002330346,0.0002724027],"domain_scores_gemma":[0.9927992,0.005725553,0.0006366357,0.0003461089,0.0002605117,0.0002320218],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003776397,0.00001533499,0.001966841,0.0001574356,0.000005160224,0.0007037952,0.7953342,0.0001661239,0.0002365504,0.1816644,0.005350787,0.01436152],"study_design_scores_gemma":[0.000005901567,0.00003399912,0.003636984,0.000664313,0.0000092011,0.0007314778,0.7717055,0.000236495,0.0004518381,0.03936489,0.18313,0.00002938548],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.475177,0.01185747,0.01640083,0.03527103,0.001627603,0.0001169653,0.0003790276,0.0001728088,0.4589973],"genre_scores_gemma":[0.9860692,0.001725374,0.00156886,0.0005504595,0.0002013613,0.00003714491,0.00006372717,0.00006262948,0.009721095],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01520288,"threshold_uncertainty_score":0.04610944,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2096980197","doi":"10.3390/su2113339","title":"The Story of My Face: How Environmental Stewards Perceive Stigmatization (Re)produced By Discourse","year":2010,"lang":"en","type":"article","venue":"Sustainability","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":20,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Victoria","funders":"University of Victoria","keywords":"Sociology; Context (archaeology); Citizen journalism; Perception; Face (sociological concept); Discourse analysis; Meaning (existential); Public relations; Social media; Stigma (botany); Media studies; Government (linguistics); Semiotics; Psychology; Social science; Political science; Linguistics; History","authors":[{"name":"Jutta Gutberlet","is_ca":true},{"name":"Bruno de Oliveira Jayme","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005126628515656204,"gpt":0.289254744652965,"spread":0.2841281161373088,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008180123,0.000880639,0.0008515019,0.00190497,0.0255003,0.0146691,0.002340161,0.005318442,0.003724885],"category_scores_gemma":[0.01669618,0.0008520895,0.0007123435,0.00128774,0.0419825,0.01372051,0.01619336,0.006725136,0.0006279264],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00839277,"about_ca_system_score_gemma":0.004633756,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03445692,"about_ca_topic_score_gemma":0.03405651,"domain_scores_codex":[0.9872013,0.009517662,0.0001868286,0.0006298124,0.001147662,0.001316729],"domain_scores_gemma":[0.9909998,0.006204111,0.0007848387,0.0004717314,0.0006715246,0.000868083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001121466,0.000008310154,0.000579918,0.00003048542,0.000002701447,0.0004610573,0.9941142,0.00001768522,0.0002812347,0.002847865,0.0005877034,0.001057541],"study_design_scores_gemma":[0.0000029885,0.00001239591,0.0004957955,0.0001199164,0.00000642797,0.0003281906,0.9786248,0.00008371737,0.0002536447,0.001444462,0.01861318,0.00001455896],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9061797,0.003441114,0.00451248,0.02663728,0.0004379201,0.0000930546,0.00009619443,0.00007613758,0.05852616],"genre_scores_gemma":[0.9915364,0.0007589785,0.0007256026,0.001905019,0.00005876652,0.00004229412,0.00002918719,0.00006187632,0.004881909],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03445692,"threshold_uncertainty_score":0.06851268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3198970458","doi":"10.3167/cja.2021.390209","title":"Afterword","year":2021,"lang":"en","type":"article","venue":"The Cambridge Journal of Anthropology","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":18,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Concordia University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Foregrounding; Aesthetics; Politics; Scholarship; Immediacy; Sociology; Dissent; Agency (philosophy); Media studies; Political science; Epistemology; Social science; Art; Literature; Law; Philosophy","authors":[{"name":"David Howes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02233380637320577,"gpt":0.3502511489951154,"spread":0.3279173426219097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001167782,0.0009147998,0.0008318492,0.001324188,0.00260073,0.005535154,0.001573244,0.003322463,0.4987148],"category_scores_gemma":[0.0086147,0.0003012464,0.0006859632,0.0009347733,0.001168496,0.005088682,0.002609024,0.005370981,0.4349006],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001834881,"about_ca_system_score_gemma":0.00169177,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003086545,"about_ca_topic_score_gemma":0.003937292,"domain_scores_codex":[0.9988701,0.0001878792,0.00008794473,0.0002113545,0.0005205668,0.0001220294],"domain_scores_gemma":[0.9956771,0.0009814971,0.0001737235,0.0003466834,0.002252846,0.0005682149],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001151171,0.000004099126,0.00001742669,0.00004506045,6.796019e-7,0.00002001213,0.0000416929,0.000007390046,0.00004897146,0.002805779,0.98532,0.01167734],"study_design_scores_gemma":[0.000002117508,0.000006547464,0.00006444642,0.00006264384,7.354567e-7,0.00003845579,0.00009476797,0.0000128375,0.00004226266,0.0009388223,0.9987335,0.000002958782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0004671873,0.006584642,0.002030436,0.1152866,0.4200622,0.0002970544,0.002392242,0.00121094,0.4516687],"genre_scores_gemma":[0.003957435,0.003090557,0.000745944,0.03350695,0.04953262,0.0001630069,0.001644123,0.001002223,0.9063572],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4987148,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2441985892","doi":"10.15695/amqst.v2i1.46","title":"The Contested Gallery: street art, ethnography and the search for urban understandings","year":2006,"lang":"en","type":"article","venue":"AmeriQuests","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Cityscape; Graffiti; Aesthetics; Visual arts; Inscribed figure; Public space; Ideology; Sociology; Space (punctuation); Art; Work of art; Ethnography; Urban culture; Politics; Law; Anthropology; Computer science","authors":[{"name":"Justin Armstrong","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02688323091566608,"gpt":0.322641923948017,"spread":0.2957586930323509,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007426503,0.0005080304,0.0007019336,0.003831901,0.01523126,0.01303373,0.001517936,0.002128974,0.005463185],"category_scores_gemma":[0.007054667,0.000519672,0.000395571,0.00346833,0.03635347,0.01141117,0.01224,0.00287857,0.0004547356],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003497542,"about_ca_system_score_gemma":0.001599516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007514876,"about_ca_topic_score_gemma":0.0151603,"domain_scores_codex":[0.9889714,0.009137805,0.0001798099,0.000435715,0.0004771153,0.0007981259],"domain_scores_gemma":[0.9925759,0.005933767,0.0003706055,0.000563673,0.0001598912,0.0003962491],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001196187,0.00001000121,0.000565401,0.00004395772,0.000001896775,0.0002605438,0.9646994,0.00003177592,0.0001272325,0.02960173,0.001116969,0.003529118],"study_design_scores_gemma":[0.000002543184,0.00001027753,0.0008492323,0.0001514679,0.000002255935,0.0002403754,0.9557,0.00008113456,0.0001395799,0.005307914,0.03750535,0.000009932896],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8923705,0.004245942,0.004841011,0.009483076,0.0003017238,0.0001266257,0.0002362667,0.00005582857,0.08833909],"genre_scores_gemma":[0.9889432,0.001141081,0.0008914147,0.0004745198,0.00009791241,0.00008897368,0.00005388329,0.00006939018,0.008239647],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01523126,"threshold_uncertainty_score":0.03927559,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2101278238","doi":"10.1177/1206331212451679","title":"The Architectures of Media Power","year":2013,"lang":"en","type":"article","venue":"Space and Culture","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Situated; Relation (database); Sociology; Reflexivity; Power (physics); Ethnography; Media studies; Anticipation (artificial intelligence); New media; Epistemology; Aesthetics; Political science; Social science; Computer science; Law; Art","authors":[{"name":"Scott Rodgers","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005969487386537083,"gpt":0.2554814317896919,"spread":0.2495119444031548,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004015765,0.0005851628,0.0003369645,0.00425077,0.007223696,0.02210744,0.001442992,0.001717651,0.009420925],"category_scores_gemma":[0.007749744,0.0005380317,0.0003491626,0.002967587,0.05884713,0.01921575,0.009772629,0.002270763,0.001280746],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005664209,"about_ca_system_score_gemma":0.002892409,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003197113,"about_ca_topic_score_gemma":0.00237781,"domain_scores_codex":[0.9951608,0.002460469,0.0001575652,0.0007902064,0.0009272984,0.0005036516],"domain_scores_gemma":[0.9947805,0.002749393,0.0004087679,0.001151275,0.0004570559,0.0004529838],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000008728201,0.000002989489,0.0001829396,0.0000159545,0.000002581078,0.0000387085,0.01372627,0.0001523263,0.00008787455,0.980927,0.000491656,0.004363031],"study_design_scores_gemma":[0.00002178713,0.00003053729,0.0007450258,0.00013408,0.00001473069,0.00012104,0.02122937,0.0006602143,0.0005221122,0.8116561,0.164842,0.00002309714],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06551272,0.003838861,0.03543547,0.01002346,0.000351452,0.000062708,0.0001101388,0.0002359119,0.8844293],"genre_scores_gemma":[0.9742094,0.001093704,0.002871475,0.0002947229,0.0002842543,0.00008408145,0.00004117743,0.0001154363,0.02100581],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02210744,"threshold_uncertainty_score":0.04109693,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4229678413","doi":"10.1177/1359183504044372","title":"Circulating Aboriginality","year":2004,"lang":"en","type":"article","venue":"Journal of Material Culture","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Ephemeral key; Sovereignty; Subject (documents); Power (physics); Circulation (fluid dynamics); Aesthetics; Sociology; History; Political science; Law; Philosophy; Politics; Ecology","authors":[{"name":"Charlotte Townsend‐Gault","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01755714470738632,"gpt":0.3378582681901129,"spread":0.3203011234827265,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001342079,0.0003878751,0.000300443,0.0009629169,0.01773684,0.007267868,0.0007520205,0.001120164,0.01433477],"category_scores_gemma":[0.002567303,0.0002346351,0.0001746347,0.0009356207,0.009197539,0.00176917,0.004920981,0.001995015,0.001213614],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00713765,"about_ca_system_score_gemma":0.007935445,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2216535,"about_ca_topic_score_gemma":0.3588892,"domain_scores_codex":[0.9985545,0.0004775367,0.00003931739,0.0002018351,0.0003143339,0.0004123914],"domain_scores_gemma":[0.9988616,0.0002004537,0.0001348704,0.0001586563,0.0003418871,0.0003026255],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002801653,0.00001447849,0.004189052,0.0001335264,0.00001114449,0.001032004,0.8576365,0.00005356438,0.002053776,0.1006973,0.007092522,0.02705814],"study_design_scores_gemma":[0.000004586855,0.0000791611,0.01187981,0.0003099079,0.00003123204,0.001353768,0.5076898,0.0001242855,0.0008704558,0.009855987,0.4677624,0.00003867563],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4448399,0.002839123,0.002186583,0.009028102,0.0004820572,0.00007432421,0.0001283988,0.0001023612,0.5403192],"genre_scores_gemma":[0.8889304,0.001025997,0.001341637,0.0005887796,0.00006001441,0.000023705,0.00005370512,0.00005549113,0.1079202],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2216535,"threshold_uncertainty_score":0.4407266,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3182915408","doi":"10.21428/88de04a1.6642b3cd","title":"Conducting a Systematic Social Observation of Body-Camera Footage: Methodological and Practical Insights","year":2021,"lang":"en","type":"article","venue":"","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Computer science; Psychology","authors":[{"name":"Vijay F. Chillar","is_ca":false},{"name":"Eric L. Piza","is_ca":false},{"name":"Victoria A. Sytsma","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4903565129567884,"gpt":0.4724963361691999,"spread":0.01786017678758856,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.06554037,0.0008420713,0.0007052906,0.004998845,0.007050681,0.006828607,0.002202734,0.001772401,0.002390767],"category_scores_gemma":[0.07975065,0.000911619,0.0004857169,0.005042782,0.01588313,0.006819096,0.008926275,0.001635384,0.0004270856],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005684465,"about_ca_system_score_gemma":0.01252281,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01413851,"about_ca_topic_score_gemma":0.03760808,"domain_scores_codex":[0.88653,0.1026757,0.002670371,0.002897018,0.003789239,0.001437709],"domain_scores_gemma":[0.8905761,0.08333392,0.007325119,0.007753517,0.009612539,0.001398803],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001011303,0.0003175806,0.0357735,0.002698686,0.00006573037,0.001267059,0.7999597,0.0007516103,0.003486682,0.04474319,0.003291212,0.107544],"study_design_scores_gemma":[0.00004250251,0.0002329031,0.01866739,0.002746521,0.00005375465,0.0005347984,0.9073812,0.002350162,0.00194342,0.02935392,0.03662059,0.0000728204],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"methods","genre_scores_codex":[0.4974351,0.004301718,0.4255452,0.01794201,0.0003775742,0.009355864,0.001231391,0.0001745707,0.04363657],"genre_scores_gemma":[0.8415033,0.002027033,0.1470539,0.000833069,0.00009305764,0.006117977,0.0001585587,0.00006429571,0.002148791],"genre_candidate":"methods","genre_consensus":null,"teacher_disagreement_score":0.06554037,"threshold_uncertainty_score":0.3466148,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136376105","doi":"10.1007/978-3-030-66073-4_17","title":"After/Lives: Insights from the COVID-19 Pandemic for Gay Neighborhoods","year":2021,"lang":"en","type":"book-chapter","venue":"˜The œurban book series","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Grassroots; Pandemic; Globe; Coronavirus disease 2019 (COVID-19); Political science; Face (sociological concept); Sociology; Population; Geography; Public relations; Psychology; Politics; Social science; Law; Medicine","authors":[{"name":"Sam Miles","is_ca":false},{"name":"Jack Coffin","is_ca":false},{"name":"Amin Ghaziani","is_ca":true},{"name":"Daniel Baldwin Hess","is_ca":false},{"name":"Alex Bitterman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05124113363305313,"gpt":0.3001691607658509,"spread":0.2489280271327978,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00331175,0.0008714977,0.0006844195,0.001395431,0.01827528,0.01061163,0.001770297,0.003240223,0.00667633],"category_scores_gemma":[0.003803565,0.0004611735,0.0005745789,0.00159676,0.01036429,0.007723455,0.008470128,0.007202866,0.0008824121],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005082944,"about_ca_system_score_gemma":0.002880252,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01719678,"about_ca_topic_score_gemma":0.06024686,"domain_scores_codex":[0.9971456,0.002121073,0.00003889724,0.0001173436,0.0002219203,0.0003552118],"domain_scores_gemma":[0.9974171,0.001661976,0.0001221104,0.00009524755,0.0001631934,0.0005402562],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001888099,0.00004511438,0.0009067156,0.00009894188,0.000003755548,0.00132062,0.9726926,0.00006776928,0.0001728451,0.01299684,0.006881595,0.004794273],"study_design_scores_gemma":[0.000001410723,0.00001879782,0.0006286533,0.0001298596,0.000002510584,0.000173649,0.9542372,0.00005383368,0.00005629355,0.001519521,0.04317064,0.000007644164],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7490891,0.009595816,0.003818172,0.04775297,0.001731082,0.0002314753,0.0005537262,0.0001318328,0.1870959],"genre_scores_gemma":[0.9474058,0.007850041,0.002137172,0.005211959,0.0003230366,0.0001680306,0.0002424463,0.0002252386,0.03643632],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01827528,"threshold_uncertainty_score":0.03687954,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2970736967","doi":"10.37693/pjos.2018.8.19872","title":"Stories of resistance in Greek street Art: A cognitive-semiotic approach","year":2019,"lang":"en","type":"article","venue":"Public Journal of Semiotics","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Narrativity; Semiotics; Narrative; Multimodality; Metaphor; Deixis; Sociology; Linguistics; Aesthetics; Psychology; Visual arts; Literature; Art; Philosophy","authors":[{"name":"Georgios Stampoulidis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03844988768880156,"gpt":0.3108829065855293,"spread":0.2724330188967277,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002237685,0.0007980448,0.0003156445,0.003149624,0.004474901,0.00988027,0.001142743,0.001985603,0.002911987],"category_scores_gemma":[0.005715158,0.000338375,0.0004464775,0.00163896,0.02688181,0.008171855,0.005478726,0.001689123,0.0003443829],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003275645,"about_ca_system_score_gemma":0.000709161,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001160454,"about_ca_topic_score_gemma":0.0011552,"domain_scores_codex":[0.996043,0.003192845,0.00008603245,0.0001973834,0.0003003286,0.0001804672],"domain_scores_gemma":[0.9966042,0.002623258,0.0002815076,0.0002209494,0.0001320043,0.0001380183],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003905773,0.0000208887,0.0006685355,0.0001758313,0.00001108343,0.001309355,0.7178366,0.0004354853,0.0008013162,0.2697825,0.0007920045,0.008127252],"study_design_scores_gemma":[0.00002024754,0.00005474964,0.002456763,0.0006107135,0.0000208251,0.002427327,0.6594792,0.001680348,0.001215041,0.1427563,0.1892367,0.00004164156],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5599313,0.006739357,0.0366337,0.00687032,0.0003044203,0.0001975831,0.000193246,0.0001198788,0.3890102],"genre_scores_gemma":[0.9927286,0.0007204742,0.002440057,0.000127742,0.00003609021,0.00004609383,0.00003978936,0.00002753523,0.003833585],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00988027,"threshold_uncertainty_score":0.02376658,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1999806928","doi":"10.3138/cjccj.2014.es06","title":"Why Steal Cars? A Study of Young Offenders Involved in Auto Theft","year":2014,"lang":"en","type":"article","venue":"Canadian Journal of Criminology and Criminal Justice/La Revue canadienne de criminologie et de justice pénale","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":15,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"University of Manitoba; Government of Alberta","funders":"","keywords":"Context (archaeology); Criminology; Psychology; Juvenile delinquency; Work (physics); Computer security; Social psychology; Engineering; History; Computer science","authors":[{"name":"Jeff Anderson","is_ca":true},{"name":"Rick Linden","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1077191252185223,"gpt":0.3263637919113782,"spread":0.2186446666928559,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001501646,0.000441531,0.0005146262,0.001533118,0.009240313,0.003209054,0.0009819074,0.00124536,0.001565752],"category_scores_gemma":[0.003094413,0.0008703881,0.0002886549,0.001315372,0.003426947,0.001522006,0.001833378,0.002307753,0.0002658333],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003539899,"about_ca_system_score_gemma":0.003338484,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.137309,"about_ca_topic_score_gemma":0.2877745,"domain_scores_codex":[0.9984552,0.0005803297,0.00006815667,0.00009768636,0.0001786475,0.0006199185],"domain_scores_gemma":[0.9980259,0.0006077711,0.0004580859,0.00004322673,0.000256221,0.0006087665],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004703383,0.0003391025,0.1048253,0.00007406267,0.00000721063,0.003859606,0.8828406,0.00001362631,0.000553392,0.0005781692,0.0004554914,0.006406415],"study_design_scores_gemma":[0.000002523198,0.00009049308,0.03779584,0.00003224833,0.000004779684,0.0005620475,0.9600932,0.00001856,0.00006403031,0.00003250696,0.00129876,0.000004967948],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9988303,0.0001328404,0.00002743152,0.0001577765,0.000006145652,0.00002744049,0.00001070897,0.000001024637,0.0008063022],"genre_scores_gemma":[0.9978083,0.0004958406,0.00009089366,0.0002115963,0.000006713506,0.00002857716,0.00001908683,0.00000291105,0.001336121],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.862691,"threshold_uncertainty_score":0.2730194,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2009727530","doi":"10.1108/ijlbe-01-2014-0005","title":"Legal orderings of waste in built spaces","year":2015,"lang":"en","type":"article","venue":"International Journal of Law in the Built Environment","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Memorial University of Newfoundland; University of Guelph","funders":"","keywords":"Jurisdiction; Built environment; Context (archaeology); Materiality (auditing); Originality; Business; Law; Law and economics; Sociology; Political science; Engineering; Civil engineering","authors":[{"name":"Kate Parizeau","is_ca":true},{"name":"Josh Lepawsky","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04031678967738783,"gpt":0.328528580912967,"spread":0.2882117912355792,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006528379,0.0003447318,0.0004541035,0.003993714,0.01229991,0.01277021,0.002624294,0.002095923,0.006163948],"category_scores_gemma":[0.01708059,0.0005159496,0.000696297,0.004438012,0.06213903,0.006459984,0.007047446,0.003231626,0.0004096598],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03007049,"about_ca_system_score_gemma":0.04276108,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3187447,"about_ca_topic_score_gemma":0.4256733,"domain_scores_codex":[0.9811794,0.005232729,0.0009252003,0.001339553,0.00873195,0.002591132],"domain_scores_gemma":[0.9853122,0.006393243,0.002359742,0.002445471,0.002932443,0.0005569552],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001911795,0.00001798685,0.003628717,0.00008337532,0.000009205675,0.0005647806,0.01903625,0.000880503,0.0004500608,0.9640169,0.001026214,0.01026682],"study_design_scores_gemma":[0.00003128476,0.00005192716,0.01469708,0.001414151,0.00006720937,0.0008697851,0.09782176,0.002727537,0.003844452,0.631006,0.2473369,0.0001318956],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3593853,0.00308819,0.06433336,0.01254284,0.0002197169,0.000388577,0.0003790344,0.0001757335,0.5594872],"genre_scores_gemma":[0.9833772,0.0005424303,0.005849561,0.0005043932,0.00002407526,0.00006669656,0.00008660066,0.00004678006,0.009502252],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3187447,"threshold_uncertainty_score":0.6337789,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3201414690","doi":"10.3167/cja.2021.390203","title":"Vandalism as Symbolic Reparation","year":2021,"lang":"en","type":"article","venue":"The Cambridge Journal of Anthropology","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University College London; University of the Arts London; York University; Wellesley College","keywords":"Gesture; Materiality (auditing); Politics; TRACE (psycholinguistics); Documentation; Aesthetics; Everyday life; Media studies; Sociology; Visual arts; History; Art; Political science; Law; Computer science; Linguistics","authors":[{"name":"Ileana L. Selejan","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0200703676882868,"gpt":0.3719073860463974,"spread":0.3518370183581107,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002665873,0.0005982133,0.0004049076,0.002124015,0.01569917,0.01281114,0.001803668,0.002738357,0.00399712],"category_scores_gemma":[0.006577846,0.0003877259,0.0003081544,0.001705767,0.07677494,0.006506288,0.01274631,0.003407951,0.0003751111],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007655826,"about_ca_system_score_gemma":0.002743067,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01322553,"about_ca_topic_score_gemma":0.01499187,"domain_scores_codex":[0.9943292,0.003680021,0.0001283137,0.0004730486,0.0006902083,0.0006991873],"domain_scores_gemma":[0.996673,0.00142712,0.0007242762,0.0007577671,0.0002791567,0.0001385629],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002517496,0.00001665022,0.001258771,0.00009699829,0.000009419808,0.0006822027,0.6261176,0.0001611209,0.0009443609,0.3606012,0.001340743,0.008745612],"study_design_scores_gemma":[0.00001607779,0.00007633326,0.006423135,0.0007594381,0.00004117058,0.001965156,0.5124128,0.0007703991,0.002760295,0.1263307,0.3483585,0.00008586554],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3584038,0.003417451,0.006814098,0.007694025,0.0002579198,0.00005727515,0.00005623043,0.000135335,0.6231638],"genre_scores_gemma":[0.9944869,0.0002261418,0.0002775026,0.0001268838,0.00002995214,0.00001652538,0.000008743427,0.00002520641,0.004802066],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01569917,"threshold_uncertainty_score":0.05554718,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2043208770","doi":"10.1386/public.23.45.128_1","title":"Spectacular infrastructure: The mediatic space of Montreal’s ‘Quartier des spectacles’","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Downtown; Public space; Plan (archaeology); Space (punctuation); Public art; Urban space; Aesthetics; Urban planning; Sociology; Architectural engineering; Art; Visual arts; Geography; Civil engineering; Economic geography; Engineering; Archaeology; Computer science","authors":[{"name":"Joel McKim","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02062468342189733,"gpt":0.2808514115104158,"spread":0.2602267280885184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005093903,0.000263457,0.0001052227,0.0007079901,0.008460023,0.006505234,0.0007724572,0.0006786599,0.02117824],"category_scores_gemma":[0.001120945,0.0002039517,0.0001836661,0.001079637,0.008939256,0.001891053,0.002594199,0.001092128,0.0004701176],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01612424,"about_ca_system_score_gemma":0.009493284,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6958002,"about_ca_topic_score_gemma":0.8829855,"domain_scores_codex":[0.999501,0.0001486383,0.000003464897,0.00005744228,0.0001288566,0.0001606046],"domain_scores_gemma":[0.9996288,0.00007834047,0.00003562837,0.00004110394,0.00008659384,0.0001295144],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001193542,0.00004393253,0.006027704,0.0001500567,0.00002062842,0.001244613,0.10342,0.001365488,0.002593786,0.7313718,0.07395709,0.07968547],"study_design_scores_gemma":[0.00001749087,0.00004795998,0.02497098,0.0001377336,0.00001586722,0.0002384151,0.0538592,0.000707229,0.0007460188,0.01410554,0.9051056,0.00004813777],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1885711,0.003001166,0.008654638,0.01827463,0.000361569,0.00007154489,0.000629737,0.0002985245,0.7801371],"genre_scores_gemma":[0.9500467,0.0005379922,0.001160166,0.0004145305,0.00005704099,0.00002562151,0.00007998767,0.00006836561,0.04760961],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3041998,"threshold_uncertainty_score":0.6119825,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4224286877","doi":"10.1177/00420980221087035","title":"Art in transit: Mobility, aesthetics and urban development","year":2022,"lang":"en","type":"article","venue":"Urban Studies","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"The arts; Urbanization; Architecture; Politics; Transit (satellite); Elite; Public transport; Political science; Aesthetics; Urban planning; Transit system; Sociology; Political economy; Economic geography; Economic growth; Visual arts; Art; Engineering; Civil engineering; Geography; Economics; Law","authors":[{"name":"Theresa Enright","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04743020895517499,"gpt":0.32211540426688,"spread":0.274685195311705,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006754923,0.0003131133,0.0001503817,0.001197355,0.004229928,0.007474812,0.0004516246,0.001137874,0.009175768],"category_scores_gemma":[0.0008152149,0.00009441606,0.0002348146,0.001411888,0.01502899,0.00297703,0.003199285,0.0009616337,0.0005090815],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001946165,"about_ca_system_score_gemma":0.0008918402,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002927886,"about_ca_topic_score_gemma":0.006003169,"domain_scores_codex":[0.9995253,0.0002680862,0.00001401441,0.00004506665,0.00007579962,0.00007169983],"domain_scores_gemma":[0.9997182,0.0001404185,0.00003436891,0.00004777115,0.00002205341,0.00003722564],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006275036,0.00002879542,0.002279887,0.0002749444,0.00001074888,0.000482122,0.102903,0.0009150683,0.001107259,0.8090648,0.008306333,0.07456425],"study_design_scores_gemma":[0.00001527384,0.0001044691,0.007636776,0.0008016602,0.00002073556,0.001621257,0.154304,0.001443941,0.0009202092,0.2365751,0.5965248,0.00003176484],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2189446,0.01361462,0.01281602,0.01486071,0.0005576687,0.00004190409,0.00009107026,0.0001198433,0.7389536],"genre_scores_gemma":[0.9565848,0.00316493,0.001533264,0.0003857919,0.0002084942,0.00002021662,0.00002305342,0.00004476351,0.03803476],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.009175768,"threshold_uncertainty_score":0.03069603,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2189317459","doi":"","title":"A Rough Aging out: Graffiti Writers and Subcultural Drift","year":2012,"lang":"en","type":"article","venue":"International Journal of Criminal Justice Sciences","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":13,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Ontario Tech University","funders":"","keywords":"Graffiti; Deviance (statistics); Subculture (biology); Ethnography; Sociology; Masculinity; Resistance (ecology); Criminology; Aesthetics; Gender studies; Media studies; Social psychology; Psychology; Visual arts; Anthropology; Art","authors":[{"name":"Laura MacDiarmid","is_ca":false},{"name":"Steven M. Downing","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07649582539775664,"gpt":0.4132851634329231,"spread":0.3367893380351665,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003162371,0.0004490846,0.0005848751,0.003219664,0.01876679,0.007795138,0.001130215,0.0009562005,0.001834478],"category_scores_gemma":[0.006668745,0.0003568432,0.0002247058,0.001862312,0.0176127,0.002925164,0.005721698,0.001983292,0.0001872726],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005759935,"about_ca_system_score_gemma":0.005299343,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1645299,"about_ca_topic_score_gemma":0.3195196,"domain_scores_codex":[0.9979485,0.0007273988,0.00009169739,0.0002519535,0.0005143853,0.000466123],"domain_scores_gemma":[0.9960025,0.001170736,0.00110988,0.0002616236,0.0006392699,0.00081602],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001508036,0.000009112346,0.02319604,0.00001325035,0.00000312561,0.0004907112,0.9717122,0.000007570801,0.0001601163,0.0007015683,0.0001981053,0.00349315],"study_design_scores_gemma":[0.000001913509,0.00001245829,0.01802471,0.00003563721,0.000003615441,0.0003009511,0.9770165,0.0000188901,0.0000624084,0.0003194806,0.004194476,0.000008900871],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9948736,0.0003117443,0.0001133999,0.0006051446,0.00001909539,0.000009670606,0.00001448667,0.000004124536,0.004048771],"genre_scores_gemma":[0.9980453,0.0002377487,0.000116808,0.0001130141,0.0000105542,0.000005829398,0.00001398555,0.000006936135,0.001449852],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1645299,"threshold_uncertainty_score":0.3271444,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2803378553","doi":"10.1086/696799","title":"Trace, Revelation, and Interpretant in Archaeological Research: The Graffiti of Huaca Colorada, Peru","year":2018,"lang":"en","type":"article","venue":"Signs and Society","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Graffiti; Semiotics; TRACE (psycholinguistics); Interpretation (philosophy); Affordance; Archaeology; Revelation; Assemblage (archaeology); Art; Aesthetics; History; Visual arts; Epistemology; Literature; Philosophy; Linguistics; Psychology","authors":[{"name":"Edward Swenson","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09733832130644725,"gpt":0.4029886382370236,"spread":0.3056503169305764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00260356,0.0003562795,0.000280802,0.003695826,0.005418428,0.00410633,0.0009836382,0.001061412,0.002439378],"category_scores_gemma":[0.008862681,0.0002843143,0.0001200849,0.003362407,0.01462306,0.002172001,0.004549931,0.0009751088,0.0000920353],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002711942,"about_ca_system_score_gemma":0.001213041,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02172306,"about_ca_topic_score_gemma":0.0623106,"domain_scores_codex":[0.9985136,0.00107803,0.00003043215,0.0001416134,0.0001062759,0.000129957],"domain_scores_gemma":[0.9952898,0.003399868,0.0004458988,0.0003914259,0.0003246839,0.0001482362],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009793371,0.00003177553,0.02173109,0.0002574713,0.00001582929,0.002293724,0.9333323,0.0001084227,0.001790202,0.01585003,0.0006665792,0.02382465],"study_design_scores_gemma":[0.00001075919,0.0001233663,0.07489989,0.0004247652,0.00002775613,0.001966792,0.8713261,0.0002732525,0.001283862,0.005145954,0.044477,0.00004061516],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.975888,0.002345671,0.001676868,0.001277082,0.00002579643,0.0000397555,0.00007626083,0.00002211537,0.01864843],"genre_scores_gemma":[0.9983078,0.0002669368,0.000459218,0.00003181958,0.00001057928,0.00002065026,0.00001915652,0.000007174042,0.0008766214],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02172306,"threshold_uncertainty_score":0.04319322,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138650881","doi":"10.1007/978-3-030-66073-4_5","title":"The Rainbow Connection: A Time-Series Study of Rainbow Flag Display Across Nine Toronto Neighborhoods","year":2021,"lang":"en","type":"book-chapter","venue":"˜The œurban book series","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Rainbow; Pride; Flag (linear algebra); FLAGS register; Motif (music); Geography; Gender studies; Cartography; Sociology; Political science; Art; Aesthetics; Computer science","authors":[{"name":"Alex Bitterman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01425096169102241,"gpt":0.2788925448678257,"spread":0.2646415831768033,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005494553,0.0002343636,0.0003226511,0.001158193,0.002383624,0.001593651,0.0007980388,0.0004650614,0.002660389],"category_scores_gemma":[0.002723109,0.0002570853,0.0003663343,0.003825328,0.0006464491,0.0006923721,0.001389191,0.0007478441,0.000293777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01178041,"about_ca_system_score_gemma":0.007133239,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.94231,"about_ca_topic_score_gemma":0.9777471,"domain_scores_codex":[0.9994049,0.0000962762,0.00004397533,0.0001005851,0.0001838879,0.0001704434],"domain_scores_gemma":[0.9975036,0.0002094956,0.0006670834,0.0001317933,0.000789488,0.0006985792],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00006197929,0.00004305325,0.980491,0.00003161508,0.00003297615,0.0001626239,0.01435385,0.00009195087,0.0002453818,0.0001798771,0.001231716,0.003074002],"study_design_scores_gemma":[9.845235e-7,0.00001670041,0.9838282,0.00001554423,0.000006876428,0.00001240661,0.01535243,0.0001560667,0.00002339865,0.00001106653,0.0005709174,0.000005394283],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9971482,0.000106164,0.00008283678,0.0001440606,0.000008199958,0.00002902708,0.001583094,0.000003555907,0.0008948019],"genre_scores_gemma":[0.9973308,0.0001465285,0.0001100844,0.00002736613,0.000004716673,0.00003339575,0.001268616,0.000003640868,0.001074869],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05768996,"threshold_uncertainty_score":0.1160594,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2789776375","doi":"10.1111/ciso.12155","title":"Putting the Public in Public Art: An Ethnographic Approach to Two Temporary Art Installations","year":2018,"lang":"en","type":"article","venue":"City & Society","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"Dalhousie University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Situated; Ethnography; Movie theater; Sociology; Dialectic; Visual arts; Government (linguistics); Architecture; Media studies; Public relations; Aesthetics; Political science; Art; Anthropology","authors":[{"name":"Martha Radice","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1014145281927664,"gpt":0.3508879742669768,"spread":0.2494734460742103,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009610754,0.001163378,0.0009562479,0.004746878,0.02027703,0.008712417,0.00312285,0.002857223,0.005411146],"category_scores_gemma":[0.01167923,0.001217338,0.0006006998,0.003969177,0.02151166,0.008304661,0.01076837,0.005388136,0.0006196109],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006392756,"about_ca_system_score_gemma":0.003390504,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01549868,"about_ca_topic_score_gemma":0.04891245,"domain_scores_codex":[0.9884682,0.008471757,0.000263225,0.0007451958,0.0005662672,0.001485218],"domain_scores_gemma":[0.9849485,0.01177687,0.0007036024,0.000839184,0.0006633031,0.001068629],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001440031,0.00006246536,0.0008700809,0.00004444525,0.000002371819,0.0006008547,0.9940472,0.00002891027,0.0003569331,0.001513915,0.0004810396,0.001977392],"study_design_scores_gemma":[0.000002610138,0.00002627722,0.0008313037,0.00008635078,0.000002870199,0.000134285,0.9914728,0.00005470505,0.0001697887,0.0002709903,0.006939791,0.000008215],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9650361,0.000745311,0.005533555,0.002411489,0.0001424497,0.0007480875,0.0003371848,0.00005615053,0.02498967],"genre_scores_gemma":[0.9865042,0.001009825,0.003667081,0.0006466712,0.00008832632,0.0007900797,0.0001726214,0.00009129954,0.007030018],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02027703,"threshold_uncertainty_score":0.05082715,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4376956726","doi":"10.1080/07352166.2023.2192938","title":"Rainbow infrastruggles: The infrapolitics of LGBTQ2S surplus visibility in suburban infrastructure","year":2023,"lang":"en","type":"article","venue":"Journal of Urban Affairs","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"John Abbott College","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Queer; Realm; Inclusion (mineral); Sociology; Politics; Legitimacy; Performative utterance; Empowerment; Political science; Gender studies; Aesthetics; Law","authors":[{"name":"Alison L. Bain","is_ca":false},{"name":"Julie A. Podmore","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01540629987875999,"gpt":0.2989770523230915,"spread":0.2835707524443315,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001390868,0.0003268057,0.0001849448,0.001187069,0.01235181,0.00896203,0.0007810657,0.001222032,0.007282435],"category_scores_gemma":[0.001834398,0.0002704982,0.0002585837,0.001184723,0.03614292,0.003969109,0.00845088,0.002537893,0.0003950847],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01086992,"about_ca_system_score_gemma":0.003629394,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06912117,"about_ca_topic_score_gemma":0.1837066,"domain_scores_codex":[0.9984832,0.0007826838,0.00002014172,0.0001298534,0.0002243316,0.0003597579],"domain_scores_gemma":[0.9993235,0.0002690136,0.00006946612,0.0001244168,0.00007921501,0.0001344039],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002156924,0.00001328468,0.002123092,0.00003264835,0.000003373344,0.0004277654,0.3340276,0.0002155574,0.0005802442,0.6511964,0.002508608,0.008849975],"study_design_scores_gemma":[0.00001572908,0.00004396846,0.00905737,0.0001690306,0.00001739513,0.0006027033,0.6136205,0.00108971,0.001350145,0.1277417,0.2462492,0.00004256607],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5426039,0.0006973337,0.01530977,0.008981599,0.0001189028,0.00005120521,0.00006307708,0.0001514853,0.4320227],"genre_scores_gemma":[0.9845013,0.0001132901,0.0006457384,0.0001880571,0.00001022484,0.00001433711,0.0000111993,0.00005575725,0.01445999],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06912117,"threshold_uncertainty_score":0.1374377,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2085001354","doi":"10.1680/warm.13.00004","title":"Towards inclusive waste management: participatory video as a communication tool","year":2013,"lang":"en","type":"article","venue":"Proceedings of the Institution of Civil Engineers - Waste and Resource Management","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"General partnership; Participatory action research; Citizen journalism; Metropolitan area; Government (linguistics); Business; Public relations; Environmental planning; Economic growth; Political science; Economics; Geography","authors":[{"name":"Crystal Tremblay","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01082039222063065,"gpt":0.2489814974669596,"spread":0.238161105246329,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01510935,0.0005925812,0.00031349,0.002154092,0.004334633,0.004834861,0.001442619,0.001684706,0.005587259],"category_scores_gemma":[0.02075518,0.0002970944,0.0002862317,0.00188192,0.004691046,0.005048625,0.007725516,0.001584394,0.000685266],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0016823,"about_ca_system_score_gemma":0.002507663,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002458115,"about_ca_topic_score_gemma":0.004628071,"domain_scores_codex":[0.9802471,0.01691316,0.000227111,0.0004869144,0.001433893,0.0006916946],"domain_scores_gemma":[0.9797744,0.01597972,0.0009789724,0.001122218,0.001217443,0.0009272862],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.000462649,0.0007978138,0.006608979,0.001483759,0.00004475912,0.001871287,0.565502,0.002608013,0.01666145,0.04535248,0.01018961,0.3484172],"study_design_scores_gemma":[0.0003214414,0.001708777,0.009073272,0.002232943,0.00009203464,0.001673119,0.4897256,0.007414226,0.01498408,0.03700552,0.4355614,0.000207679],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6524457,0.001440574,0.1593754,0.01221954,0.0005766288,0.002970098,0.0005655346,0.0005090967,0.1698974],"genre_scores_gemma":[0.9222998,0.0008446673,0.06323144,0.0007942755,0.0001379488,0.001981274,0.000240611,0.0001206676,0.01034931],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01510935,"threshold_uncertainty_score":0.07990682,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1955381677","doi":"10.1177/0920203x15588170","title":"Migrant workers and the imaging of human infrastructure in Chinese contemporary art","year":2015,"lang":"en","type":"article","venue":"China Information","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Beijing; Context (archaeology); Sociology; Citizenship; Public relations; Media studies; Political science; History; China; Politics; Law","authors":[{"name":"Elizabeth Parke","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01076558597999815,"gpt":0.2818333835678247,"spread":0.2710677975878266,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008704247,0.0005333605,0.0001816722,0.001404026,0.006429899,0.003721668,0.0006081272,0.0007301136,0.006242666],"category_scores_gemma":[0.0007203532,0.0002555914,0.0002752111,0.001498716,0.01022406,0.001582802,0.002585592,0.0008300008,0.0002358707],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003547041,"about_ca_system_score_gemma":0.001741927,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01946827,"about_ca_topic_score_gemma":0.05013588,"domain_scores_codex":[0.999658,0.0001208902,0.00001298936,0.0000483148,0.0000665743,0.00009325703],"domain_scores_gemma":[0.9997782,0.00008224004,0.00002617852,0.00005679319,0.00001737814,0.00003920447],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00007540717,0.00002430198,0.01178691,0.0002946812,0.00002105696,0.002295564,0.8501641,0.0004120586,0.003780795,0.09235924,0.004588642,0.03419731],"study_design_scores_gemma":[0.0000290143,0.0001457745,0.08973499,0.0004568289,0.0001219812,0.00352533,0.6035284,0.002577523,0.002875136,0.01655802,0.2803569,0.00009011054],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8102549,0.002300645,0.001872535,0.002399086,0.0001263329,0.00004380979,0.0000582602,0.00006980351,0.1828745],"genre_scores_gemma":[0.9902142,0.0002951286,0.0003292367,0.00008027827,0.00002225857,0.000009393562,0.00001396992,0.00001598092,0.009019528],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01946827,"threshold_uncertainty_score":0.03870994,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2611412246","doi":"10.1177/1206331217707473","title":"The Production of Public Space in a Small Canadian City: An Analysis of Spatial Practices in the Revitalizing of Galt Gardens","year":2017,"lang":"en","type":"article","venue":"Space and Culture","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Alberta","funders":"","keywords":"Downtown; Public space; Space (punctuation); Recreation; Production (economics); Public park; Sociology; Geography; Political science; Law; Archaeology; Engineering; Architectural engineering; Environmental planning","authors":[{"name":"Michael Granzow","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07091196744489052,"gpt":0.3529177511459698,"spread":0.2820057837010793,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001319539,0.0003548086,0.0003196315,0.002543682,0.01668653,0.006802037,0.002097031,0.0007791834,0.003472091],"category_scores_gemma":[0.003047579,0.0002368084,0.0002783068,0.0041254,0.01606146,0.001913022,0.004882947,0.001264482,0.0001540179],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.07624573,"about_ca_system_score_gemma":0.04236216,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9631477,"about_ca_topic_score_gemma":0.9894103,"domain_scores_codex":[0.998317,0.0002636231,0.00002355725,0.0001400669,0.0005684423,0.0006874054],"domain_scores_gemma":[0.9982522,0.0003352389,0.0002143817,0.0001748355,0.0006133286,0.0004099577],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001282462,0.0000842115,0.0619456,0.0001413962,0.00002353405,0.001603363,0.8461339,0.0009231236,0.002653859,0.04001853,0.003769551,0.04257464],"study_design_scores_gemma":[0.000003836631,0.00003460002,0.1028353,0.00006623445,0.00001447026,0.0001249841,0.8359496,0.0003289606,0.0005139623,0.0007381222,0.05935349,0.00003645027],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9650036,0.0002571669,0.0003935338,0.0007707459,0.0000134036,0.0000375454,0.0001056648,0.00001426865,0.03340408],"genre_scores_gemma":[0.9937308,0.0002345193,0.0003449639,0.00005562852,0.00000395807,0.00001193821,0.0000538855,0.00001455109,0.005549865],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07624573,"threshold_uncertainty_score":0.5532041,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379521010","doi":"10.1108/ijtc-05-2022-0146","title":"Street art and creative place-making: urban tourism regeneration in Toronto, Canada","year":2023,"lang":"en","type":"article","venue":"International Journal of Tourism Cities","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Tourism; Context (archaeology); Originality; Tourism geography; Creative city; Urban regeneration; Documentation; Creative Cities; Urban design; Urban planning; Sociology; Public relations; Advertising; Regional science; Political science; Geography; Business; Civil engineering; Creativity; Engineering; Environmental planning; Social science; Qualitative research","authors":[{"name":"Kelley A. McClinchey","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01602654946124144,"gpt":0.3073512541368106,"spread":0.2913247046755691,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009727436,0.0003213011,0.0002785637,0.002054701,0.01870827,0.006838095,0.0009598415,0.0004719455,0.01211672],"category_scores_gemma":[0.001751759,0.0001971157,0.0003206521,0.005718433,0.008534855,0.001245605,0.003435225,0.001091427,0.0003288155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.08331653,"about_ca_system_score_gemma":0.1054194,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9881925,"about_ca_topic_score_gemma":0.9981642,"domain_scores_codex":[0.9988675,0.0002418443,0.00003071432,0.00009131918,0.000345785,0.0004228303],"domain_scores_gemma":[0.9981358,0.0003775592,0.0002014717,0.00008714225,0.0004794678,0.0007185069],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003356279,0.0001195294,0.08766221,0.002151192,0.00009292533,0.006427401,0.5312946,0.002093964,0.001491505,0.1265261,0.05798208,0.1838229],"study_design_scores_gemma":[0.00001245729,0.00003835927,0.1505738,0.001009907,0.00005271067,0.0006662806,0.583256,0.0006676624,0.000573448,0.003313665,0.2597631,0.00007254058],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6985281,0.01247052,0.001930097,0.0102853,0.0002902617,0.0001979543,0.001875836,0.00009442848,0.2743275],"genre_scores_gemma":[0.9737734,0.003264175,0.001037407,0.0002842407,0.00001727472,0.00003155054,0.0002201252,0.00002721819,0.02134462],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08331653,"threshold_uncertainty_score":0.6045066,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2605612066","doi":"10.1111/ciso.12115","title":"Graphic Identity in the Scriptorial Landscape of Lebanon","year":2017,"lang":"en","type":"article","venue":"City & Society","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Politics; Graffiti; Ideology; Rhetoric; Semiotics; Identity (music); Populism; Aesthetics; Sociology; Media studies; Linguistics; Political science; Law; Art; Visual arts; Philosophy","authors":[{"name":"Diane Riskedahl","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0414204154415326,"gpt":0.3539045366328273,"spread":0.3124841211912947,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008407892,0.0003777065,0.0001248306,0.001806109,0.007110352,0.005668666,0.0003038458,0.0004462256,0.009744139],"category_scores_gemma":[0.001025124,0.0001047755,0.00007598667,0.001303989,0.006835091,0.001263053,0.001346982,0.0006328296,0.0004512308],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004380028,"about_ca_system_score_gemma":0.0009205083,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008897156,"about_ca_topic_score_gemma":0.01093454,"domain_scores_codex":[0.9994394,0.0003397626,0.00001470805,0.00004267842,0.00006181236,0.0001016874],"domain_scores_gemma":[0.9995763,0.0001782926,0.0000936625,0.0000329563,0.00005761889,0.0000611418],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001525567,0.0000764189,0.005866786,0.000139265,0.000006986922,0.002974837,0.5995679,0.000274009,0.004197997,0.3172548,0.007598473,0.06188987],"study_design_scores_gemma":[0.00002071052,0.000156374,0.02938338,0.0004636496,0.00001349497,0.002005186,0.4629911,0.0008189812,0.002711304,0.0131966,0.4881936,0.00004568623],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6501574,0.001855491,0.0009629686,0.002468771,0.0002291175,0.00002832509,0.00007234859,0.00005588544,0.3441697],"genre_scores_gemma":[0.9901769,0.000170641,0.0001814473,0.000074526,0.00003810502,0.000005869661,0.00001528583,0.00001279859,0.00932439],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009744139,"threshold_uncertainty_score":0.03259736,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2338270148","doi":"","title":"The Murals of Moose Jaw: Commodification or Articulation of the Past?","year":2000,"lang":"en","type":"article","venue":"Historical geography","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Population; Commodification; Economic growth; Geography; Economics; Economy; Political science; Sociology; Demography","authors":[{"name":"Randy William Widdis","is_ca":false}],"retraction":null,"screen_n_in":0,"score":{"opus":0.02346876023559812,"gpt":0.2768229861754596,"spread":0.2533542259398615,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002883275,0.0005275566,0.0006033783,0.001248099,0.01205932,0.01267935,0.001287301,0.002780072,0.007978743],"category_scores_gemma":[0.00413113,0.0004041434,0.0002199718,0.001673196,0.04361118,0.01708776,0.00660076,0.005699805,0.0006217273],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006800224,"about_ca_system_score_gemma":0.002967206,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03671825,"about_ca_topic_score_gemma":0.0744443,"domain_scores_codex":[0.9980643,0.0008634893,0.00005715108,0.0002826157,0.0002714344,0.0004610979],"domain_scores_gemma":[0.9981184,0.0004709876,0.0003222853,0.0003381768,0.0002589079,0.0004912592],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001185025,0.00006218685,0.007117753,0.0002911823,0.00003271406,0.001302317,0.5128609,0.00004627464,0.0006622796,0.4003001,0.03812541,0.03908042],"study_design_scores_gemma":[0.000005802633,0.00004543812,0.006897763,0.0008851393,0.00001341269,0.001171347,0.3732409,0.0001117776,0.000310277,0.02589409,0.5913772,0.00004680351],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.408861,0.06141673,0.002511904,0.2668741,0.005646765,0.00003403845,0.0002008765,0.00006753305,0.254387],"genre_scores_gemma":[0.9435525,0.01262293,0.0007919654,0.01339339,0.001272677,0.00001609604,0.00006074129,0.0000858066,0.02820388],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9632818,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125173853","doi":"10.5539/jsd.v5n5p101","title":"The Practice of Urban Renewal Based on Creative Industry: Experience from the Huangjueping Creative Industries in Chongqing - China","year":2012,"lang":"en","type":"article","venue":"Journal of Sustainable Development","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Optimal distinctiveness theory; Economic geography; Creativity; China; Urbanization; The arts; Industrialisation; Business; Creative industries; Sustainability; Sociology; Economic growth; Political science; Economics","authors":[{"name":"Dong Liu","is_ca":false},{"name":"Mustapha Haruna","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02153843675828572,"gpt":0.3172645992427478,"spread":0.2957261624844621,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002496077,0.0005344585,0.0004917406,0.0009900116,0.01763653,0.002976978,0.001933422,0.001105192,0.003637741],"category_scores_gemma":[0.002021229,0.0004223482,0.0004379322,0.001628176,0.009805959,0.002040657,0.007095646,0.00184598,0.0002479342],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008627591,"about_ca_system_score_gemma":0.006929816,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04586466,"about_ca_topic_score_gemma":0.162963,"domain_scores_codex":[0.9978389,0.001009564,0.00004165962,0.0001451649,0.0001987646,0.0007659898],"domain_scores_gemma":[0.9986489,0.0003717673,0.0001509035,0.00009387093,0.00008563657,0.000648868],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003353685,0.0001355336,0.009159782,0.00007356399,0.000007319809,0.00192757,0.9735467,0.0001112537,0.0006241411,0.002321997,0.0009781704,0.01108042],"study_design_scores_gemma":[0.00001009179,0.000105641,0.0118817,0.00005882182,0.000009193676,0.0004380509,0.9640412,0.0002222681,0.0002909375,0.0003375855,0.02258272,0.00002185849],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.994701,0.0001780949,0.0002137524,0.0006462478,0.00001585999,0.00003407939,0.00001235828,0.000006589897,0.004191956],"genre_scores_gemma":[0.9954105,0.0002282029,0.0002429467,0.0001324579,0.000008186643,0.00001793731,0.00001197359,0.00000974583,0.003938081],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.04586466,"threshold_uncertainty_score":0.0911954,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2921436957","doi":"10.1177/0011392118823830","title":"‘Stop calling it graffiti’: The visual rhetoric of contamination, consumption and colonization","year":2019,"lang":"en","type":"article","venue":"Current Sociology","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Graffiti; Criminalization; Rhetoric; Ethnography; Sociology; Consumption (sociology); State (computer science); Style (visual arts); Criminology; Media studies; Aesthetics; Visual arts; Social science; Anthropology; Art","authors":[{"name":"Deborah Landry","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04134894656170777,"gpt":0.3830386658042516,"spread":0.3416897192425438,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002720574,0.0007075482,0.0003467995,0.00243909,0.01719835,0.011212,0.001106698,0.001899669,0.003793274],"category_scores_gemma":[0.005236253,0.0003271645,0.000216541,0.002654503,0.06850526,0.00429231,0.003392588,0.00242206,0.0002878766],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01289653,"about_ca_system_score_gemma":0.004952263,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1256186,"about_ca_topic_score_gemma":0.250375,"domain_scores_codex":[0.9976093,0.001581993,0.00003469059,0.0001847262,0.0002945893,0.0002947573],"domain_scores_gemma":[0.9962585,0.00247276,0.0003217372,0.0003406738,0.0003440579,0.0002622537],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004402239,0.00001311467,0.001827895,0.00009495488,0.000006560052,0.0003281794,0.8542678,0.0001078383,0.0004176929,0.1257208,0.006723213,0.01044791],"study_design_scores_gemma":[0.000009802544,0.0000366809,0.004752032,0.0004041074,0.00001716459,0.0005494221,0.7141914,0.0002658821,0.0005421322,0.01330864,0.2658965,0.00002627373],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5460994,0.007803557,0.006804773,0.02869367,0.0008734597,0.00004426692,0.0001475261,0.0002299732,0.4093034],"genre_scores_gemma":[0.9913838,0.000581703,0.0004926398,0.0004289577,0.00008039938,0.00001233062,0.00001632003,0.0000640078,0.00693974],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1256186,"threshold_uncertainty_score":0.2497748,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2071846670","doi":"10.5153/sro.2573","title":"Looking for Africville - Complementary Visual Constructions of a Contended Space","year":2012,"lang":"en","type":"article","venue":"Sociological Research Online","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Narrative; Argument (complex analysis); Sociology; Ethnography; Identity (music); Aesthetics; Space (punctuation); Visual culture; Intersection (aeronautics); Visual arts; Media studies; History; Anthropology; Linguistics; Literature; Art; Cartography; Geography","authors":[{"name":"Stephen Spencer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.3582566144530867,"gpt":0.5701866646285285,"spread":0.2119300501754418,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010326,0.0004206045,0.000217537,0.002321479,0.008813838,0.008870257,0.0006211438,0.0009725773,0.003194023],"category_scores_gemma":[0.002712376,0.0002105064,0.000148528,0.001871942,0.02119442,0.0032813,0.004247637,0.001428277,0.0001474859],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005141215,"about_ca_system_score_gemma":0.002564545,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06317599,"about_ca_topic_score_gemma":0.1535809,"domain_scores_codex":[0.999108,0.0004893652,0.00001396145,0.00008414149,0.0001472753,0.0001572354],"domain_scores_gemma":[0.9985827,0.0008680992,0.000130873,0.0001386106,0.0001385702,0.0001411588],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004456658,0.000007593066,0.002270361,0.00006122805,0.000005302523,0.001484018,0.8804657,0.0001047421,0.001802946,0.1053427,0.0009333306,0.007477467],"study_design_scores_gemma":[0.000004768774,0.00002280361,0.004852393,0.0001714427,0.00001115406,0.0008168458,0.9170108,0.0002133684,0.0007355746,0.008221995,0.06792054,0.00001828998],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7816809,0.0009750657,0.005221418,0.003269431,0.0001630767,0.00002703916,0.00007742394,0.00004078702,0.2085448],"genre_scores_gemma":[0.9945297,0.0001286666,0.0004072398,0.00005704276,0.00001351627,0.000006875616,0.0000129895,0.00001492435,0.004829117],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.936824,"threshold_uncertainty_score":0.1256165,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1618215686","doi":"10.55016/ojs/ajer.v48i3.54937","title":"Subversive Materials: Quilts as Social Text","year":2002,"lang":"en","type":"article","venue":"Alberta Journal of Educational Research","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Psychology; Sociology","authors":[{"name":"Helen Ball","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1523169108494555,"gpt":0.4675651006778599,"spread":0.3152481898284044,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006653298,0.0003949551,0.0003622437,0.001926491,0.005425327,0.007400509,0.0009745497,0.0009197167,0.009302921],"category_scores_gemma":[0.01807007,0.000233057,0.0001789621,0.001763982,0.01068009,0.005760181,0.004257082,0.001238083,0.0007972661],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002125266,"about_ca_system_score_gemma":0.001609226,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007791871,"about_ca_topic_score_gemma":0.001461929,"domain_scores_codex":[0.9919226,0.006623101,0.000173219,0.0003003163,0.0007424832,0.0002382729],"domain_scores_gemma":[0.9799099,0.01640543,0.0008903493,0.001445502,0.0007183816,0.0006303986],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001142989,0.0001290037,0.001229928,0.0003755981,0.000004392963,0.0006659061,0.8706139,0.0001997905,0.003298879,0.07139656,0.002165921,0.04980587],"study_design_scores_gemma":[0.00006732258,0.0004761569,0.00658789,0.0008167254,0.00001899759,0.001146063,0.6389507,0.00134855,0.01138684,0.0547567,0.2843767,0.00006744057],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.768119,0.001228745,0.03796608,0.004050797,0.0003175334,0.001007588,0.0005402564,0.0003809567,0.186389],"genre_scores_gemma":[0.9758984,0.0002464408,0.007811517,0.0002340516,0.00004196385,0.0004930013,0.00009047378,0.00008688348,0.01509713],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009302921,"threshold_uncertainty_score":0.03518641,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2330954844","doi":"10.1177/1750698014558659","title":"A home for loss: Doris Salcedo’s melancholic archives","year":2014,"lang":"en","type":"article","venue":"Memory Studies","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"Ontario College of Art and Design","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Witness; Politics; Sculpture; Doris (gastropod); Closure (psychology); History; Art; Visual arts; Art history; Law; Political science","authors":[{"name":"Claudette Lauzon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04892122618200407,"gpt":0.366232477731573,"spread":0.3173112515495689,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001070028,0.0002561515,0.0002546024,0.0008858754,0.0122916,0.006201721,0.0007984331,0.001067062,0.004813534],"category_scores_gemma":[0.00216798,0.0001562667,0.0001163594,0.0007960068,0.009507992,0.002758328,0.006847003,0.001840222,0.0002333002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00533492,"about_ca_system_score_gemma":0.003138047,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02638292,"about_ca_topic_score_gemma":0.09368224,"domain_scores_codex":[0.9992746,0.000343563,0.00001891194,0.00005869721,0.0001167016,0.0001875048],"domain_scores_gemma":[0.9994746,0.0002016092,0.00006879429,0.00007979196,0.00005298599,0.0001222527],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001115383,0.00004365349,0.003183344,0.0002675822,0.000008957365,0.003016021,0.7823763,0.0001296283,0.001296941,0.1422637,0.02049708,0.04680511],"study_design_scores_gemma":[0.000008888464,0.0000262013,0.003430857,0.0003198035,0.000007295835,0.001320318,0.5121549,0.00008341093,0.0005340507,0.005782053,0.4763128,0.00001945571],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6619656,0.01436802,0.001996885,0.03281838,0.0008667866,0.0000924329,0.0001495978,0.0001320172,0.2876103],"genre_scores_gemma":[0.9819109,0.001444832,0.0004792386,0.0009873508,0.00007941312,0.00002154118,0.00002180643,0.00003710964,0.01501783],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02638292,"threshold_uncertainty_score":0.0524587,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1127114336","doi":"","title":"Meaning, Media and Dwellings: The Public Image of the High-rise Toronto Condo","year":2012,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Newspaper; Context (archaeology); Meaning (existential); Section (typography); Entertainment; Real estate; Urbanity; Advertising; History; Media studies; Visual arts; Engineering; Art; Sociology; Political science; Law; Psychology; Business; Civil engineering; Archaeology","authors":[{"name":"Paul Langlois","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.004286487469133259,"gpt":0.1781538243319172,"spread":0.1738673368627839,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008608859,0.0003778992,0.000177094,0.001575021,0.009351096,0.006748396,0.0006390205,0.0008630008,0.005502376],"category_scores_gemma":[0.001490982,0.0002771388,0.0001761995,0.002164438,0.0095073,0.002493335,0.002671277,0.001550016,0.0002869476],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01921263,"about_ca_system_score_gemma":0.005816674,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6034068,"about_ca_topic_score_gemma":0.8096908,"domain_scores_codex":[0.9993842,0.0001800671,0.00001282735,0.00006150969,0.0001898278,0.0001715762],"domain_scores_gemma":[0.9987628,0.0003269714,0.0002821927,0.00008927801,0.0002254508,0.0003131944],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004208782,0.00001331192,0.01702133,0.00005504048,0.000006310359,0.0007364736,0.9581627,0.00005156501,0.0006197597,0.01013655,0.004693971,0.008460896],"study_design_scores_gemma":[0.000003212415,0.00003219747,0.04630611,0.00009981185,0.00001420329,0.0002720863,0.8561594,0.00007797054,0.0003526419,0.0002877304,0.09637221,0.00002240636],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9266528,0.001538307,0.000255837,0.003884654,0.0001648222,0.00001167949,0.0002893737,0.00002625117,0.06717628],"genre_scores_gemma":[0.9886696,0.0006716338,0.00009044084,0.0001424049,0.00004382109,0.000004816894,0.00007312091,0.00002109504,0.01028302],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3965932,"threshold_uncertainty_score":0.7978575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4376106746","doi":"10.1177/23996544231172122","title":"Ghostly murals: Tracing the politics of public art in Vancouver’s Hogan’s Alley","year":2023,"lang":"en","type":"article","venue":"Environment and Planning C Politics and Space","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Hogan; Politics; Realm; Public space; Sociology; Aesthetics; Mural; Indigenous; Media studies; Visual arts; History; Painting; Art; Political science; Law; Anthropology; Archaeology","authors":[{"name":"Friederike Landau‐Donnelly","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03870201158404764,"gpt":0.2893898337281064,"spread":0.2506878221440588,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001716119,0.0003989725,0.0003102737,0.002280682,0.02843799,0.01338015,0.001417234,0.002062249,0.004982927],"category_scores_gemma":[0.004590572,0.0004698174,0.0001305825,0.002053536,0.01737233,0.002606042,0.007470377,0.003208393,0.0003516457],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01990186,"about_ca_system_score_gemma":0.008060394,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5336505,"about_ca_topic_score_gemma":0.8576862,"domain_scores_codex":[0.9977466,0.0009958325,0.0000387256,0.0001948025,0.0005141572,0.0005097233],"domain_scores_gemma":[0.997153,0.001488488,0.0002766933,0.0002019078,0.0003983675,0.000481497],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003121059,0.00001574083,0.004606423,0.00004542764,0.000004991422,0.000727069,0.9737331,0.00003941259,0.0003081092,0.006980554,0.002594887,0.01091307],"study_design_scores_gemma":[0.000002104965,0.00000948078,0.005887121,0.00009723616,0.000003397052,0.000135062,0.9416763,0.00004473339,0.0001531947,0.0007010889,0.05128013,0.00001013501],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9046353,0.001619598,0.0005209242,0.004148567,0.0001406766,0.00003139245,0.00006776909,0.00001982712,0.08881599],"genre_scores_gemma":[0.9856454,0.0004491229,0.0001981583,0.000273005,0.00002410278,0.00001307232,0.00002745005,0.00002939702,0.01334033],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4663495,"threshold_uncertainty_score":0.938192,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1579757623","doi":"10.29173/cons18871","title":"Drawings We Have Lived: Mapping Desire Lines in Edmonton","year":2013,"lang":"en","type":"article","venue":"Constellations","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Space (punctuation); Aesthetics; Sociology; Gender studies; History; Art; Computer science; Archaeology","authors":[{"name":"Erika Luckert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06626471368033011,"gpt":0.3198387912009922,"spread":0.2535740775206621,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001004475,0.0003117604,0.000123451,0.002531047,0.003242926,0.002948929,0.0007187627,0.0005963595,0.006263251],"category_scores_gemma":[0.002649088,0.0002771676,0.0001417001,0.00267347,0.003405105,0.001959382,0.00319452,0.000905076,0.0002361013],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006876037,"about_ca_system_score_gemma":0.002698276,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2666039,"about_ca_topic_score_gemma":0.6717389,"domain_scores_codex":[0.999345,0.0003118264,0.0000116101,0.00009118953,0.0001218675,0.0001184948],"domain_scores_gemma":[0.9992053,0.0003730296,0.0000989591,0.0000797478,0.0001349505,0.0001080618],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004591315,0.00002263385,0.01406585,0.00008488111,0.00001074404,0.0006962823,0.9090693,0.0004545698,0.001149598,0.02531928,0.003629493,0.04545148],"study_design_scores_gemma":[0.000003996882,0.00001982095,0.06069497,0.0003242175,0.00001197103,0.0002906701,0.7894301,0.0005127465,0.0006095058,0.002729306,0.1453428,0.00002978685],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9117825,0.0007021088,0.003368376,0.001240551,0.00003510363,0.00005362484,0.0004575917,0.00003952299,0.08232061],"genre_scores_gemma":[0.9776866,0.0005025653,0.004501417,0.00008269859,0.000004837603,0.00005256207,0.000286175,0.00003752324,0.01684546],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7333962,"threshold_uncertainty_score":0.5301041,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2281406640","doi":"10.1177/0042098015625034","title":"Governing youth as an aesthetic and spatial practice","year":2016,"lang":"en","type":"article","venue":"Urban Studies","topic":"Public Spaces through Art","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Graffiti; Sociology; Politics; Scholarship; Aesthetics; Ethnography; Scope (computer science); Political science; Visual arts; Law; Art","authors":[{"name":"Rory Crath","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0513065019283555,"gpt":0.3645072238845273,"spread":0.3132007219561718,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00562246,0.0004780144,0.0002762227,0.001080265,0.01822195,0.01378507,0.001179872,0.002064752,0.003694016],"category_scores_gemma":[0.003089334,0.0003056373,0.0002920225,0.001217621,0.08409873,0.003664318,0.007062788,0.00259495,0.0002183518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02399513,"about_ca_system_score_gemma":0.01245634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1554339,"about_ca_topic_score_gemma":0.2542673,"domain_scores_codex":[0.995358,0.002554342,0.00009551763,0.0003466602,0.0006031718,0.001042316],"domain_scores_gemma":[0.9982496,0.000592376,0.0001941092,0.0002407605,0.0002862113,0.0004369328],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00001198676,0.00001518424,0.00287725,0.0000407973,0.00000504635,0.0002566785,0.5391288,0.0002626808,0.0002911379,0.4460264,0.00404115,0.007042832],"study_design_scores_gemma":[0.00001213411,0.00003160876,0.003545402,0.0002279823,0.00001616288,0.000251936,0.5940462,0.0004651083,0.0007896872,0.05411011,0.3464791,0.00002461791],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4234485,0.003256495,0.01229701,0.03363588,0.0003781008,0.0001079135,0.00007695155,0.0001479989,0.5266512],"genre_scores_gemma":[0.9852599,0.0003382605,0.0006484486,0.0003807583,0.00003486737,0.00001835385,0.000007800779,0.00003134744,0.01328035],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1554339,"threshold_uncertainty_score":0.3090584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}