{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":324,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":324,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"302ef03f024c","filters":{"topic":"Spanish Literature and Culture Studies"}},"results":[{"id":"W2915285463","doi":"10.26530/oapen_393075","title":"Los Invisibles","year":2007,"lang":"en","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Homosexuality; Femininity; License; Politics; Quarter (Canadian coin); Gender studies; Sociology; History; Political science; Law","authors":[{"name":"Richard Cleminson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1168670827318834,"gpt":0.334063864907929,"spread":0.2171967821760456,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003809077,0.0007327435,0.0004518687,0.002072664,0.002868807,0.005941168,0.0007868793,0.001429009,0.06590916],"category_scores_gemma":[0.001168793,0.0002302592,0.0005006921,0.001480166,0.002302885,0.002748284,0.002869271,0.00272439,0.01827744],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004389162,"about_ca_system_score_gemma":0.002489363,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01102651,"about_ca_topic_score_gemma":0.01664793,"domain_scores_codex":[0.9993823,0.000107066,0.00002125842,0.0001010157,0.000257781,0.0001305901],"domain_scores_gemma":[0.999651,0.0000804615,0.00003793711,0.00004321581,0.0001128228,0.00007457059],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006933719,0.00006491364,0.000927576,0.000436953,0.000006678183,0.0005351338,0.007829013,0.0001473241,0.0005244962,0.3540654,0.4215795,0.2138138],"study_design_scores_gemma":[0.000002935483,0.000004366647,0.0002231418,0.0001585696,0.000001542837,0.0001248648,0.0006630521,0.00001333252,0.00004043967,0.003048338,0.9957172,0.000002236949],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001908395,0.01647599,0.0006281809,0.004232317,0.002909846,0.00002108158,0.0001645454,0.0001741873,0.9734855],"genre_scores_gemma":[0.02931143,0.01296975,0.0006787854,0.002264086,0.001242874,0.00004513181,0.0002862485,0.0002143828,0.9529873],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.06590916,"threshold_uncertainty_score":0.2204881,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4387478082","doi":"10.1515/9780887553028","title":"Families, Lovers, and their Letters","year":2010,"lang":"en","type":"book","venue":"University of Manitoba Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology; Art","authors":[{"name":"Sonia Cancian","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01550996997577464,"gpt":0.1497935849635408,"spread":0.1342836149877661,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000601497,0.0002615746,0.0001937676,0.0005444561,0.007217444,0.004370346,0.0004375884,0.0007038413,0.0119393],"category_scores_gemma":[0.001703144,0.0001635448,0.00009838185,0.0009165088,0.00405183,0.002537191,0.001149101,0.001146768,0.002848834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003566155,"about_ca_system_score_gemma":0.002923098,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01714677,"about_ca_topic_score_gemma":0.03016747,"domain_scores_codex":[0.9990959,0.0005657354,0.00001608499,0.00005192611,0.0001308349,0.0001394757],"domain_scores_gemma":[0.9994648,0.0001576007,0.00005927191,0.00004878532,0.0001177408,0.0001519294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006612016,0.00007631519,0.004046083,0.0001440545,0.000008185773,0.001438862,0.2315407,0.000117379,0.0003320606,0.2024104,0.3881622,0.1716577],"study_design_scores_gemma":[0.000003865141,0.0000133883,0.001974868,0.000117512,0.000001693936,0.0003722057,0.04608686,0.00001632868,0.00005167626,0.003525619,0.94783,0.000006022185],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05582734,0.02843638,0.00059224,0.02496101,0.001338394,0.00003821257,0.0001313658,0.00007220583,0.8886029],"genre_scores_gemma":[0.4392,0.01289471,0.0004178124,0.00380665,0.0006297451,0.00005122156,0.0000887697,0.00004929275,0.5428619],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01714677,"threshold_uncertainty_score":0.03994089,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W653475016","doi":"10.33137/rr.v36i2.8618","title":"Female and Male Voices in Early Modern England: An Anthology of Renaissance Writing","year":2000,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Montreal Police Service; Brock University","funders":"","keywords":"The Renaissance; Art; Performance art; Art history; History; Literature; Visual arts","authors":[{"name":"Betty S. Travitsky","is_ca":false},{"name":"Anne Lake Prescott","is_ca":false},{"name":"Elizabeth Sauer","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01599300864772858,"gpt":0.2346699736639747,"spread":0.2186769650162461,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002427921,0.0004937027,0.0005493255,0.001157353,0.007855963,0.006001442,0.0009138432,0.002179393,0.006031021],"category_scores_gemma":[0.004473461,0.0002408304,0.0001672422,0.001333025,0.01118551,0.003328541,0.002943046,0.003138927,0.0005316231],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008948957,"about_ca_system_score_gemma":0.003056325,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04091522,"about_ca_topic_score_gemma":0.1073844,"domain_scores_codex":[0.9979501,0.001282232,0.00005627002,0.0001530052,0.0002954474,0.0002629602],"domain_scores_gemma":[0.9973189,0.0019729,0.000184837,0.00007300047,0.0002711076,0.0001792134],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006351586,0.00001541303,0.0004960134,0.000393143,0.000007151923,0.0007230537,0.7930654,0.00004231,0.0004243647,0.1467216,0.04046126,0.01758681],"study_design_scores_gemma":[0.00001018962,0.00002829179,0.003404593,0.0005961143,0.000006118752,0.0003442463,0.1577447,0.00002673168,0.000190664,0.004451239,0.8331823,0.00001484769],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1775901,0.297586,0.001501147,0.1011438,0.009561707,0.00005919396,0.0001666867,0.0000614013,0.41233],"genre_scores_gemma":[0.8505849,0.02502053,0.0004471471,0.004996243,0.00348337,0.00005150822,0.00003121559,0.0000783626,0.1153066],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04091522,"threshold_uncertainty_score":0.08135414,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1503905117","doi":"","title":"Books between Europe and the Americas Connections and Communities, 1620-1860","year":2011,"lang":"en","type":"book","venue":"Palgrave Macmillan eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Latin Americans; Civility; Colonialism; Power (physics); Atlantic World; Classics; Humanities; Art; Ancient history; Archaeology; Political science; Law; Politics","authors":[{"name":"James Raven","is_ca":false},{"name":"Leslie Howsam","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0382341499432763,"gpt":0.2270674303487822,"spread":0.1888332804055059,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003560436,0.0007405201,0.0003286388,0.002891929,0.003313648,0.004581689,0.00046373,0.0008462359,0.03596256],"category_scores_gemma":[0.001373703,0.0002311983,0.0001536872,0.006599049,0.002888775,0.002923993,0.001638036,0.001451367,0.004673069],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004921095,"about_ca_system_score_gemma":0.003984612,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02418293,"about_ca_topic_score_gemma":0.03945827,"domain_scores_codex":[0.9995901,0.00008324071,0.00002014623,0.00009095226,0.0001361927,0.00007935472],"domain_scores_gemma":[0.9997043,0.00006805274,0.00002847195,0.00001744034,0.00009691701,0.00008481894],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004569182,0.00004298908,0.001119831,0.0002621865,0.000006695584,0.0001730342,0.01865768,0.0001347652,0.0001588308,0.3176317,0.5687612,0.09300548],"study_design_scores_gemma":[0.000002294733,0.000002667225,0.001067244,0.0001975116,9.43901e-7,0.00002376528,0.001499402,0.000005719289,0.00001097631,0.00343903,0.993749,0.000001425959],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004916949,0.1617518,0.0002418836,0.006705247,0.004407645,0.00002596164,0.0007065538,0.00005622392,0.8211879],"genre_scores_gemma":[0.1098576,0.06750419,0.0005292195,0.002150173,0.002790718,0.00007620676,0.0006980303,0.0001310229,0.8162628],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03596256,"threshold_uncertainty_score":0.1203067,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2575297761","doi":"10.3138/md.0831","title":"Dramatizing Queer Visibility in <i>El público</i>: Federico García Lorca in Search of a Modern Theatre","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Queer; Drama; Garcia; Visibility; Poetry; Art; Representation (politics); Closet; Literature; Reading (process); History; Art history; Sociology; Humanities; Gender studies; Political science; Law; Politics; Geography","authors":[{"name":"Ben De Witte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03328339303877855,"gpt":0.277063146763776,"spread":0.2437797537249974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001286784,0.0003661404,0.0002278497,0.0004988544,0.005698375,0.006144341,0.0005603397,0.001367485,0.003210346],"category_scores_gemma":[0.001967854,0.0001157197,0.0001992527,0.0004493805,0.01080426,0.002138106,0.002670207,0.003168987,0.0003923315],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005972478,"about_ca_system_score_gemma":0.00159194,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02804273,"about_ca_topic_score_gemma":0.03636606,"domain_scores_codex":[0.9992166,0.0004310962,0.000005358853,0.00004674674,0.00009024017,0.000209965],"domain_scores_gemma":[0.9996015,0.0001861225,0.00004699365,0.00003337107,0.00006808399,0.00006403387],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002109712,0.00007674353,0.001266347,0.0001616143,0.00001734747,0.00106573,0.3092824,0.0004708521,0.001294307,0.5156181,0.1443145,0.02622106],"study_design_scores_gemma":[0.00002124165,0.00003177335,0.001904296,0.0002587264,0.00001271992,0.0004081482,0.1250515,0.000277003,0.0007423818,0.01334781,0.8579152,0.00002926323],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1871486,0.008796284,0.00369775,0.0756639,0.002382579,0.0000291349,0.00008625605,0.0002037496,0.7219918],"genre_scores_gemma":[0.9553613,0.002053556,0.0003292331,0.002208533,0.0004521131,0.00001703218,0.00001940878,0.0001120836,0.0394468],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02804273,"threshold_uncertainty_score":0.05575901,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W142134697","doi":"","title":"Similaridad y evolución en la rítmica del flamenco: una incursión de la matemática computacional","year":2005,"lang":"es","type":"article","venue":"idUS (Universidad de Sevilla)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"José Miguel Díaz-Báñez","is_ca":false},{"name":"Giovanna Farigu","is_ca":false},{"name":"Godfried Toussaint","is_ca":false},{"name":"Francisco Gómez Ruiz","is_ca":false},{"name":"David Rappaport","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005042202824006576,"gpt":0.2453927723220589,"spread":0.2403505694980523,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001341045,0.0005847031,0.0006916279,0.0009973319,0.001566889,0.00391721,0.001711254,0.002342047,0.008624513],"category_scores_gemma":[0.00645538,0.0004636368,0.001291112,0.0009092878,0.004126302,0.005787535,0.003033292,0.003441957,0.001852392],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001722493,"about_ca_system_score_gemma":0.0009115735,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00331548,"about_ca_topic_score_gemma":0.002773527,"domain_scores_codex":[0.9990156,0.0002103278,0.00003650736,0.0003337526,0.0003117762,0.00009193202],"domain_scores_gemma":[0.9984913,0.0006708492,0.0001199772,0.0003438276,0.000261045,0.0001130327],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","study_design_scores_codex":[0.00003823921,0.00001474462,0.0006684819,0.0001383249,0.0000219929,0.0001740948,0.0005168185,0.01281411,0.002192769,0.9462285,0.007145457,0.03004656],"study_design_scores_gemma":[0.00001828891,0.00004673659,0.0008647708,0.0001625986,0.00003257927,0.0005537216,0.0002797219,0.09514508,0.002863382,0.7509325,0.1490233,0.00007721856],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"genre_codex":"methods","genre_gemma":"empirical","genre_scores_codex":[0.0487902,0.02497935,0.77733,0.01447654,0.006174849,0.00006384574,0.0002617101,0.0008704249,0.1270531],"genre_scores_gemma":[0.6312519,0.02199984,0.2400163,0.004010465,0.00584849,0.0002282344,0.0004440524,0.001545043,0.09465557],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008624513,"threshold_uncertainty_score":0.02885193,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W21303667","doi":"10.1016/j.brainres.2011.01.116","title":"Los republicanos del ochocientos y la memoria de su tiempo","year":2005,"lang":"en","type":"article","venue":"Ayer","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; Canadian Institutes of Health Research; Michael Smith Health Research BC; University of Victoria","keywords":"Humanities; Art; Political science","authors":[{"name":"Àngel Duarte Montserrat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01453745558178702,"gpt":0.2368512383666039,"spread":0.2223137827848169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000445053,0.0003183775,0.0002334713,0.001088015,0.000711669,0.001456131,0.0003518961,0.0006630925,0.01336334],"category_scores_gemma":[0.0008956131,0.00009083885,0.0002045032,0.001348919,0.0009117746,0.0007312121,0.0006744514,0.0007461669,0.003499743],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001100518,"about_ca_system_score_gemma":0.001292073,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01448636,"about_ca_topic_score_gemma":0.02079447,"domain_scores_codex":[0.9998087,0.0000521258,0.00001815112,0.00003849466,0.00005862048,0.00002396325],"domain_scores_gemma":[0.9995914,0.0001094359,0.0001170687,0.00005349896,0.0001047321,0.00002391266],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000443761,0.0001556557,0.01411299,0.00304604,0.00005562292,0.00285005,0.005060856,0.0006339141,0.007935445,0.09420586,0.05359766,0.8179021],"study_design_scores_gemma":[0.000009964754,0.00005759993,0.01578436,0.001216983,0.00003888311,0.0008435954,0.001741874,0.0001080316,0.001659673,0.003639214,0.9748848,0.0000150359],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1050116,0.3176817,0.005931814,0.01812479,0.005309528,0.00006814994,0.002461785,0.0004110597,0.5449995],"genre_scores_gemma":[0.3654707,0.4163607,0.00440958,0.001825289,0.002819882,0.00007739601,0.001691407,0.000110102,0.207235],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01448636,"threshold_uncertainty_score":0.04470479,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3117152851","doi":"","title":"Redressing the Trickster: \"El burlador de Sevilla\" and critical transitions","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Trickster; Art; Literature","authors":[{"name":"Edward Friedman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01470525315663168,"gpt":0.2497055613771502,"spread":0.2350003082205185,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004710997,0.0004868999,0.0004047841,0.001516258,0.01411198,0.009242793,0.001441455,0.00403958,0.004518201],"category_scores_gemma":[0.009467031,0.0002291407,0.0003592288,0.001609574,0.03403452,0.007830538,0.009753056,0.006958775,0.0002440338],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00993899,"about_ca_system_score_gemma":0.01191197,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04940924,"about_ca_topic_score_gemma":0.08252393,"domain_scores_codex":[0.9971168,0.00178286,0.00004074471,0.0002094978,0.000169764,0.0006803669],"domain_scores_gemma":[0.9975017,0.001381705,0.0002956844,0.0002089813,0.0003198477,0.0002920955],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004483379,0.00002000921,0.000779168,0.00006056029,0.000003620173,0.0001958795,0.2261673,0.00004330865,0.00009011718,0.7561546,0.009556801,0.006883877],"study_design_scores_gemma":[0.00002876222,0.0000193156,0.002930557,0.0005316571,0.0000220015,0.0001741961,0.6018266,0.0001116982,0.000313108,0.1425788,0.2514311,0.00003226963],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3606998,0.01082291,0.002281652,0.1786061,0.00121018,0.00004422843,0.00009216099,0.00006693604,0.4461761],"genre_scores_gemma":[0.9831786,0.0008023606,0.0002270012,0.004509289,0.0000907396,0.00003274913,0.00001659642,0.0000406599,0.01110212],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04940924,"threshold_uncertainty_score":0.0982433,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W40339623","doi":"","title":"Vistas del vecino en \"El hombre de al lado\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Gabriela Copertari","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0128307176963488,"gpt":0.2436851092376963,"spread":0.2308543915413475,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002524764,0.0006468753,0.000410811,0.001909139,0.009582723,0.006018302,0.0009276775,0.002465038,0.00956645],"category_scores_gemma":[0.006695051,0.0001761563,0.0003188575,0.002494606,0.01136901,0.004142575,0.005803267,0.00330982,0.0009652688],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003081967,"about_ca_system_score_gemma":0.003230621,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04025816,"about_ca_topic_score_gemma":0.04942152,"domain_scores_codex":[0.9986318,0.000707477,0.00003395684,0.0001239711,0.0001754297,0.0003273023],"domain_scores_gemma":[0.9984687,0.0006398794,0.0002897948,0.0001197863,0.0003186436,0.0001631097],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001625108,0.0001169537,0.01762845,0.0003808865,0.00002598241,0.001118572,0.7218309,0.0000398705,0.0004821422,0.1914722,0.02511753,0.04162399],"study_design_scores_gemma":[0.000009895894,0.00002223139,0.009732459,0.0007777481,0.00003028199,0.0003981039,0.795331,0.00002169432,0.0003686912,0.0054318,0.1878635,0.00001266366],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5652534,0.0145445,0.001045839,0.0382338,0.002498183,0.00004472132,0.0003055168,0.00003237154,0.3780416],"genre_scores_gemma":[0.9522361,0.007140418,0.0002109296,0.004156622,0.0004900272,0.00004266459,0.0001006194,0.00004012167,0.03558242],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.04025816,"threshold_uncertainty_score":0.08004767,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2313073931","doi":"10.1212/wnl.0000000000002575","title":"Flamenco dancer posture","year":2016,"lang":"en","type":"article","venue":"Neurology","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Toronto Western Hospital","funders":"National Institute of Mental Health","keywords":"Deep brain stimulation; Neurology; Levodopa; Dystonia; Medicine; Physical medicine and rehabilitation; Parkinson's disease; Complication; Physical therapy; Anesthesia; Psychology; Disease; Surgery; Internal medicine; Psychiatry","authors":[{"name":"Lilia Lovera","is_ca":true},{"name":"Federico Rodríguez‐Porcel","is_ca":true},{"name":"Enrique Urrea‐Mendoza","is_ca":true},{"name":"Alfonso Fasano","is_ca":true},{"name":"Alberto J. Espay","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01253196209003029,"gpt":0.2024252591801588,"spread":0.1898932970901285,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001076424,0.0004880544,0.0001632264,0.0007277147,0.001382778,0.0003071741,0.0003266347,0.0005401565,0.01245068],"category_scores_gemma":[0.0004429097,0.0000734851,0.0001710475,0.0003375314,0.0005522788,0.000232802,0.0004459416,0.0004893769,0.00114013],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005750481,"about_ca_system_score_gemma":0.0003313178,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01859625,"about_ca_topic_score_gemma":0.03282609,"domain_scores_codex":[0.9999014,0.00001140686,0.000004858477,0.00002844,0.00002813178,0.00002566441],"domain_scores_gemma":[0.9999486,0.000008302478,0.00001398837,0.000005354551,0.000009612416,0.00001405787],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"case_report","study_design_gemma":"observational","study_design_scores_codex":[0.0005140812,0.0005648579,0.1099905,0.0006454467,0.00007707284,0.5273892,0.0293816,0.0002332949,0.01433202,0.01199162,0.08190091,0.2229795],"study_design_scores_gemma":[0.00005583576,0.0005071031,0.2575364,0.0006497524,0.00004888732,0.5215422,0.0137349,0.0002113807,0.002289836,0.001723285,0.2016307,0.00006976289],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5659112,0.007302129,0.0009210394,0.005836396,0.001674001,0.0001535427,0.001136749,0.0001102668,0.4169547],"genre_scores_gemma":[0.9229751,0.001665977,0.0005214284,0.002421891,0.00022977,0.00002631969,0.0002833608,0.00001815356,0.07185806],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01859625,"threshold_uncertainty_score":0.04165161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W165857266","doi":"10.24310/trans.2004.v0i8.2961","title":"Las tribulaciones de la Carmañola (y de la Marsellesa) en América Latina","year":2017,"lang":"es","type":"article","venue":"TRANS Revista de Traductología","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Georges Bastin","is_ca":true},{"name":"Adriana L. Díaz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01325901388972931,"gpt":0.2881718132427268,"spread":0.2749127993529975,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000591032,0.0002713069,0.0001850785,0.0008730636,0.004229233,0.002399682,0.000331009,0.0005326053,0.009230112],"category_scores_gemma":[0.0009264912,0.0001135148,0.0001294062,0.00120799,0.003275965,0.0009600843,0.001231049,0.0008282737,0.0004408938],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004476873,"about_ca_system_score_gemma":0.001821623,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1160729,"about_ca_topic_score_gemma":0.2714134,"domain_scores_codex":[0.9996887,0.0001231255,0.00000848082,0.00004985158,0.00004113519,0.0000886821],"domain_scores_gemma":[0.9997754,0.00008982608,0.00004653103,0.00001797659,0.00004925946,0.00002113687],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003891504,0.00003964877,0.03533941,0.0007524492,0.00003425782,0.001753066,0.3415201,0.0003510033,0.007097818,0.4444146,0.01645387,0.1518546],"study_design_scores_gemma":[0.00002301543,0.00004798041,0.06006735,0.0005456535,0.00002231313,0.000359763,0.08740225,0.0001258904,0.0006542337,0.004523321,0.8461963,0.00003191244],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5586376,0.02336698,0.00165766,0.00826419,0.0004058449,0.00006179444,0.0003800575,0.00008807269,0.4071378],"genre_scores_gemma":[0.9546448,0.002500868,0.0004708363,0.0003106979,0.00004853398,0.00002932264,0.00007417231,0.00002581135,0.04189505],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1160729,"threshold_uncertainty_score":0.2307945,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3153637193","doi":"10.16922/bloodlandpower","title":"Blood, Land and Power: The Rise and Fall of the Spanish Nobility and Lineages in the Early Modern Period","year":2021,"lang":"en","type":"book","venue":"University of Wales Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Centre for Global Health Research","funders":"Ministerio de Economía y Competitividad; Junta de Andalucía; European Commission; University of Leeds","keywords":"Nobility; Honour; Period (music); Chronology; Rivalry; History; Power (physics); Politics; Middle Ages; Genealogy; Estate; Ancient history; Geography; Archaeology; Political science; Law; Art; Aesthetics","authors":[{"name":"Manuel Pérez-García","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01291543882299169,"gpt":0.1665197895744029,"spread":0.1536043507514112,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006107029,0.0001612468,0.0002149851,0.0009228609,0.002827416,0.003233569,0.0005551256,0.0005170023,0.001725919],"category_scores_gemma":[0.001152337,0.0001017289,0.00007486007,0.001730279,0.008431219,0.001789254,0.001382125,0.0007905192,0.0001606953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006218342,"about_ca_system_score_gemma":0.001711509,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03821293,"about_ca_topic_score_gemma":0.08883808,"domain_scores_codex":[0.999622,0.0001689914,0.000007860617,0.00004348273,0.00007372351,0.00008383547],"domain_scores_gemma":[0.9997402,0.000100972,0.00004855959,0.00001660412,0.00004374018,0.00004996848],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006639968,0.00003853414,0.01633949,0.0001285043,0.000008079623,0.001771534,0.6400186,0.0001427078,0.0007827904,0.2556802,0.006122807,0.07890049],"study_design_scores_gemma":[0.00001517084,0.00008008027,0.1060924,0.000376228,0.00001163044,0.001274777,0.3031846,0.0001525337,0.0003105994,0.02848073,0.5600024,0.00001876972],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7105805,0.02576095,0.0004339577,0.005150206,0.0001345624,0.00001431316,0.00005080537,0.00001096597,0.2578636],"genre_scores_gemma":[0.9696816,0.004104758,0.0001654661,0.0002431876,0.0000476133,0.000006587912,0.00002484399,0.00001149715,0.02571442],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.03821293,"threshold_uncertainty_score":0.07598102,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2989764896","doi":"10.1080/14636204.2019.1692923","title":"Disabled bodies in early modern Spanish literature: prostitutes, aging women and saints","year":2019,"lang":"en","type":"article","venue":"Journal of Spanish Cultural Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bishop's University","funders":"","keywords":"Reinterpretation; Gender studies; History; Sociology; Aesthetics; Art","authors":[{"name":"Cristian Berco","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02002080137098375,"gpt":0.2475783011981643,"spread":0.2275574998271805,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002444547,0.0003753076,0.0003678558,0.00197343,0.006795939,0.005392817,0.0005069487,0.001909955,0.003111715],"category_scores_gemma":[0.002491799,0.000126726,0.0001537511,0.002228624,0.01628526,0.002740243,0.00319761,0.001728222,0.0002875726],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00525466,"about_ca_system_score_gemma":0.004445503,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02670976,"about_ca_topic_score_gemma":0.04467199,"domain_scores_codex":[0.999157,0.0004830222,0.0000277902,0.00004784045,0.0001228659,0.0001615723],"domain_scores_gemma":[0.9984789,0.0009262833,0.0001704288,0.00004881722,0.0002073576,0.0001681547],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005820298,0.00004658046,0.003745205,0.0004159441,0.000008593492,0.001007022,0.6841566,0.00007345305,0.0001862861,0.250378,0.02631816,0.03360601],"study_design_scores_gemma":[0.00001855984,0.00003274459,0.01094671,0.001752819,0.00001432593,0.0007062273,0.4257652,0.00005907521,0.0001805296,0.01375241,0.5467495,0.00002190188],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.3925425,0.2604935,0.0008002308,0.1205436,0.003327461,0.00001858931,0.0001070783,0.00002898863,0.222138],"genre_scores_gemma":[0.9242129,0.04315373,0.0002217494,0.006831447,0.001362785,0.00001363848,0.00002929911,0.00002761531,0.0241469],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02670976,"threshold_uncertainty_score":0.05310857,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2780474260","doi":"10.18192/rceh.v41i2.2159","title":"Imagining Andalusia: Race, Translation, and the Early Critical Reception of Federico García Lorca in the U.S.","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Garcia; Humanities; Art; Arabic; Poetry; Literature; Philosophy; Linguistics","authors":[{"name":"Evelyn Scaramella","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02062668281040209,"gpt":0.2614846806435014,"spread":0.2408579978330994,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003081226,0.0003975588,0.0002712712,0.001215825,0.01113384,0.005856978,0.0004413762,0.001482888,0.001660086],"category_scores_gemma":[0.005399945,0.0001588722,0.0001377925,0.0008488359,0.01550773,0.002122571,0.002897888,0.00273616,0.0001519977],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01145733,"about_ca_system_score_gemma":0.004906823,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07186016,"about_ca_topic_score_gemma":0.1102628,"domain_scores_codex":[0.9983789,0.001091868,0.00002884124,0.00009696276,0.0001586262,0.0002448057],"domain_scores_gemma":[0.9974825,0.001707694,0.0002588812,0.00006508792,0.0003219105,0.0001639784],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006887788,0.00001342237,0.001637795,0.00007067931,0.000004425106,0.00106513,0.9165725,0.00003902236,0.0004164091,0.05822919,0.01086329,0.01101919],"study_design_scores_gemma":[0.00001153836,0.00003835762,0.008357534,0.0004946858,0.0000136074,0.000372353,0.5911878,0.00007063253,0.0007205761,0.003677822,0.3950253,0.0000298247],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6279991,0.02928386,0.0004733115,0.0699635,0.00141813,0.0000236257,0.00004218511,0.00003208447,0.2707641],"genre_scores_gemma":[0.9876629,0.001981304,0.00004490187,0.001409228,0.0001276419,0.000007267523,0.000003813933,0.00001226259,0.008750732],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.07186016,"threshold_uncertainty_score":0.1428838,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W97868482","doi":"","title":"Challenging global masculinities in Jaime Bayly's \"El cojo y el loco\"","year":2013,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; History; Art","authors":[{"name":"Vinodh Venkatesh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01324156008068653,"gpt":0.2315753721765088,"spread":0.2183338120958223,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003985059,0.0004762927,0.0003589807,0.001459812,0.02190294,0.009896367,0.001012087,0.002222128,0.005882055],"category_scores_gemma":[0.005293828,0.0002548919,0.0001845798,0.001629015,0.02154045,0.004904798,0.00955665,0.005793313,0.0004849432],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006890219,"about_ca_system_score_gemma":0.006631277,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06639247,"about_ca_topic_score_gemma":0.1750083,"domain_scores_codex":[0.9979205,0.001109887,0.0000441748,0.0001921008,0.0002824908,0.000450966],"domain_scores_gemma":[0.9970632,0.001443236,0.0004145003,0.0001242205,0.0004421515,0.0005126725],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000031064,0.0000338334,0.003493352,0.00006135668,0.000004807051,0.0004072546,0.8482953,0.00001727685,0.0001837725,0.1238948,0.01321494,0.0103622],"study_design_scores_gemma":[0.000003297682,0.000008658192,0.002640729,0.0001203675,0.00000439653,0.00009700799,0.9198059,0.00001016643,0.0001644554,0.003036045,0.074102,0.000006978303],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6444354,0.007874371,0.0006713185,0.08939184,0.001164939,0.00003086095,0.00007909472,0.00001541807,0.2563368],"genre_scores_gemma":[0.9707342,0.001562077,0.0001461829,0.00477918,0.0001327447,0.00001844709,0.00001464865,0.00003331105,0.02257924],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06639247,"threshold_uncertainty_score":0.1320121,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W36149405","doi":"10.1021/acs.chemrestox.2c00284","title":"\"Viaje a la luna\": Federico García Lorca y el problema de la expresión","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"National Institute of Environmental Health Sciences","keywords":"Art; Philosophy; Humanities","authors":[{"name":"Miguel Dennis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008324167270021955,"gpt":0.2292318237224164,"spread":0.2209076564523944,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004976231,0.0007360493,0.0006220106,0.001971144,0.01024059,0.0112856,0.001212784,0.004184224,0.006418306],"category_scores_gemma":[0.01002286,0.000325672,0.0004166613,0.002197666,0.01925055,0.008514874,0.005647023,0.006363827,0.0009989709],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00823331,"about_ca_system_score_gemma":0.007194493,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06446667,"about_ca_topic_score_gemma":0.05875792,"domain_scores_codex":[0.9974475,0.001675751,0.00004085006,0.0001865757,0.0003223191,0.000326983],"domain_scores_gemma":[0.997732,0.001179594,0.0002542232,0.0001279411,0.0005319072,0.0001742654],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007505919,0.00004300928,0.001061921,0.0002407549,0.00001156206,0.0002707618,0.1415486,0.00006509362,0.0001111502,0.6612559,0.1697131,0.02560303],"study_design_scores_gemma":[0.00001751496,0.00001239291,0.001428506,0.0008411294,0.00002170797,0.0002045447,0.1186073,0.00005301795,0.0001444378,0.03394168,0.8447068,0.00002101623],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.04501352,0.1136183,0.001448686,0.5059436,0.009553161,0.00003149343,0.0001458236,0.00007633445,0.324169],"genre_scores_gemma":[0.7537246,0.07142323,0.0008920027,0.03871689,0.006397759,0.00009523392,0.00009119666,0.0002733403,0.1283856],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06446667,"threshold_uncertainty_score":0.1281828,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1034293277","doi":"","title":"From cross gender to generic clousure: Sor Juana Inés de la Cruz's \"Los empeños de una casa\"","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Sidney Donnell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02447377785628391,"gpt":0.2656772184437641,"spread":0.2412034405874802,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003017281,0.0005365307,0.0004261991,0.002180586,0.00829501,0.007444676,0.001058744,0.002475479,0.007662654],"category_scores_gemma":[0.006224943,0.0002341474,0.0002998961,0.002811123,0.01658514,0.00992303,0.006496528,0.003834528,0.0004566268],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005155836,"about_ca_system_score_gemma":0.004365757,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04519802,"about_ca_topic_score_gemma":0.08897623,"domain_scores_codex":[0.9983298,0.0009843833,0.00003847377,0.0001620043,0.0001873549,0.0002980638],"domain_scores_gemma":[0.9979572,0.0009908162,0.000230815,0.0001554254,0.0003764864,0.0002891454],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004062535,0.00003853836,0.003916185,0.0001038452,0.000006928617,0.0004077341,0.3717402,0.00002059238,0.00008431973,0.5807505,0.02701967,0.01587081],"study_design_scores_gemma":[0.00001821116,0.00001681429,0.007320915,0.0007784445,0.00002081208,0.0005686783,0.6825842,0.00005558426,0.0002140319,0.05424812,0.2541506,0.00002354125],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2422249,0.03269837,0.003587976,0.1721766,0.002834925,0.00005515442,0.0002814572,0.00004124844,0.5460994],"genre_scores_gemma":[0.9582021,0.005596754,0.0005253671,0.008519666,0.0004142708,0.00003793586,0.00007918155,0.00008032162,0.02654429],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04519802,"threshold_uncertainty_score":0.08986986,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4211048992","doi":"10.15645/alabe.2015.12.9","title":"Relaciones peligrosas. Un epistolario","year":2015,"lang":"es","type":"article","venue":"Alabe Revista de Investigación sobre Lectura y Escritura","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Alchemy; Theme (computing); Literal and figurative language; Literature; Poetry; Criticism; Art; Philosophy; Art history; Humanities; Computer science; Linguistics","authors":[{"name":"Luis A. Branda","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02908451843270079,"gpt":0.2428307377222851,"spread":0.2137462192895843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007807029,0.001076217,0.0004687539,0.001487294,0.004185578,0.00503885,0.0006989397,0.001126243,0.03848364],"category_scores_gemma":[0.001810884,0.0002328397,0.0004079634,0.001728389,0.002796651,0.002068349,0.003088492,0.00332682,0.005505009],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002909231,"about_ca_system_score_gemma":0.001444199,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01060719,"about_ca_topic_score_gemma":0.01081298,"domain_scores_codex":[0.9994501,0.0001953826,0.00002092269,0.0001023667,0.0001476856,0.00008340528],"domain_scores_gemma":[0.9994913,0.0001187358,0.00007721657,0.00005622883,0.0001745269,0.00008195514],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000302653,0.0001654456,0.001771236,0.0007909936,0.00002536829,0.002772377,0.02545429,0.0001269453,0.001270866,0.4368834,0.3187969,0.2116394],"study_design_scores_gemma":[0.00000750337,0.00001150901,0.0006747511,0.0001051555,0.000004010975,0.00035822,0.002273682,0.00002208346,0.00008768436,0.002699839,0.9937515,0.000004079691],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01657816,0.04894707,0.002228871,0.01533256,0.01248018,0.000151821,0.0007854956,0.0002993468,0.9031965],"genre_scores_gemma":[0.3354819,0.04508531,0.002333568,0.005563939,0.01236451,0.0003549117,0.001215752,0.0003798259,0.5972202],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03848364,"threshold_uncertainty_score":0.1287406,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W41934407","doi":"","title":"Evil Women and Feminist Sentiment: Baroque Contradictions in María de Zayas's \"El prevenido engañado\" and \"Estragos que causa el vicio\"","year":2004,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Baroque; Humanities; Philosophy; Art; Art history","authors":[{"name":"Nancy LaGreca","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007695807509150544,"gpt":0.2226295770467111,"spread":0.2149337695375605,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007936023,0.0006384,0.0005319856,0.002278454,0.01578812,0.01226567,0.001297425,0.004287839,0.004833312],"category_scores_gemma":[0.01108634,0.0003502589,0.0002592512,0.002611239,0.04487843,0.006832864,0.007258227,0.006353999,0.0003577002],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007529475,"about_ca_system_score_gemma":0.004471121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01568476,"about_ca_topic_score_gemma":0.02961616,"domain_scores_codex":[0.9956996,0.002886265,0.0000772362,0.0003025512,0.0004736492,0.0005606905],"domain_scores_gemma":[0.9938052,0.004326055,0.0007414375,0.000249463,0.0005670107,0.0003108831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003501343,0.00002839305,0.001204423,0.00007994005,0.000008922213,0.0001861537,0.5493299,0.00002259658,0.0001343902,0.4369428,0.007663717,0.004363792],"study_design_scores_gemma":[0.00003155614,0.00001222423,0.003292908,0.0004029445,0.00002239579,0.0001248283,0.7682994,0.00005098339,0.0003793169,0.05867371,0.1686942,0.00001552587],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3746965,0.01377859,0.002241071,0.1985735,0.001270639,0.00004796959,0.0001461985,0.00003434341,0.4092112],"genre_scores_gemma":[0.9795396,0.001579921,0.0001959741,0.007102317,0.0003600458,0.00003668974,0.00002073678,0.00006880789,0.01109585],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01578812,"threshold_uncertainty_score":0.05463046,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W10282183","doi":"","title":"Francisco Umbral's \"Lady\" Tourists: A fictional View of Early Female Visitors to Spain","year":2006,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Shelley Godsland","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0103165692130222,"gpt":0.2133988199090361,"spread":0.2030822506960139,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001019515,0.0004977977,0.0003488408,0.0009781772,0.009015878,0.008837375,0.0009583124,0.002306879,0.005810526],"category_scores_gemma":[0.001299713,0.0001862551,0.0002731867,0.000805276,0.007380693,0.001980268,0.003506683,0.003083726,0.0007872608],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008126415,"about_ca_system_score_gemma":0.001833655,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05342529,"about_ca_topic_score_gemma":0.09536843,"domain_scores_codex":[0.9993539,0.0003166199,0.000006999635,0.00004954251,0.00006870377,0.0002041378],"domain_scores_gemma":[0.9993752,0.0002217768,0.00007271897,0.00003013826,0.00007873277,0.0002215198],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002862288,0.00007259187,0.007337801,0.0002262938,0.0000167872,0.003598832,0.7185497,0.0003890617,0.0004586919,0.129458,0.1130906,0.0265155],"study_design_scores_gemma":[0.00001285969,0.00002745293,0.005206372,0.0003777792,0.000006397706,0.0005210721,0.4036116,0.0001273709,0.0001009646,0.00228737,0.5876997,0.00002106045],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.296918,0.02277895,0.0009029899,0.06134754,0.002076484,0.00002645322,0.0001949375,0.00008318237,0.6156716],"genre_scores_gemma":[0.8323801,0.004821767,0.0001592284,0.006488121,0.0005293581,0.00001916315,0.00006613693,0.00008993669,0.1554462],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05342529,"threshold_uncertainty_score":0.1062286,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2557976071","doi":"10.1080/14753820.2016.1253172","title":"<i>Para usted soy siempre yo</i>: A Picaresque Double Act in Ángeles Vicente’s <i>Zezé</i> (1909)","year":2016,"lang":"es","type":"article","venue":"Bulletin of Spanish Studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Queen's University; Queen's University Belfast","keywords":"Novella; Depiction; Narrative; Art; Literature; Presentation (obstetrics); Philosophy; Art history","authors":[{"name":"Anne Holloway","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03724259860019373,"gpt":0.2726317365154496,"spread":0.2353891379152559,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007599866,0.0003079902,0.0002434581,0.0003036793,0.005625844,0.003165603,0.0003766474,0.0009194958,0.002634675],"category_scores_gemma":[0.001085936,0.0001447922,0.0001050845,0.0002232894,0.006863014,0.001097398,0.001785407,0.002063591,0.0003846777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003614953,"about_ca_system_score_gemma":0.001024536,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02310188,"about_ca_topic_score_gemma":0.04456308,"domain_scores_codex":[0.9996661,0.0001579676,0.00000476828,0.00004212162,0.00004916576,0.00007981624],"domain_scores_gemma":[0.9998022,0.00006262505,0.00003439895,0.00001531013,0.00003839589,0.00004706104],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002625266,0.00008251965,0.003347432,0.0002216399,0.00001311071,0.004063917,0.5534774,0.0001922344,0.002173176,0.3187928,0.08427867,0.03309441],"study_design_scores_gemma":[0.00001527893,0.00003512983,0.004365198,0.0001631532,0.000008523639,0.0008756474,0.1323912,0.0000823573,0.0009146073,0.002551718,0.8585771,0.00002004384],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4348583,0.008507391,0.0008851468,0.02356309,0.001017926,0.00003640983,0.00007228376,0.00004804728,0.5310115],"genre_scores_gemma":[0.9263461,0.001488556,0.0001921367,0.001107501,0.0001871879,0.0000175411,0.00002194954,0.00004534758,0.07059366],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02310188,"threshold_uncertainty_score":0.0459348,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W71958180","doi":"","title":"Melancolía y desencanto en \"Pedro Páramo\"","year":2006,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Geography","authors":[{"name":"Laura García-Moreno","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009116504700923513,"gpt":0.219385077846857,"spread":0.2102685731459335,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002412732,0.00104152,0.000564834,0.001905097,0.00622185,0.005709596,0.001299027,0.002676703,0.01202277],"category_scores_gemma":[0.007662117,0.0002641945,0.000496179,0.002250616,0.003236428,0.004397659,0.004552411,0.004346338,0.002120266],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003826643,"about_ca_system_score_gemma":0.004268477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04729669,"about_ca_topic_score_gemma":0.05564491,"domain_scores_codex":[0.9990292,0.0004343368,0.00002720021,0.0001264928,0.0002237259,0.0001590365],"domain_scores_gemma":[0.9980431,0.0006903184,0.0002134707,0.0001090986,0.0006867391,0.0002573116],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002620866,0.0001641598,0.008532984,0.000824411,0.00004004491,0.001100061,0.06458585,0.00009353679,0.0007451166,0.1772215,0.6426013,0.103829],"study_design_scores_gemma":[0.00001841948,0.00001337141,0.005160173,0.0007102557,0.0000294578,0.0003157672,0.04263187,0.00004600662,0.0004742845,0.00565259,0.944927,0.00002072394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.06978176,0.1299365,0.002908034,0.5821776,0.02953226,0.0001262638,0.0007916465,0.0002641998,0.1844818],"genre_scores_gemma":[0.4205546,0.1164746,0.002675991,0.09700398,0.01254625,0.0003463738,0.0004791713,0.0005964165,0.3493226],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04729669,"threshold_uncertainty_score":0.09404284,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2037633435","doi":"10.3989/anacervantinos.2014.014","title":"Cervantes: estatua en Madrid, monumento de la nación","year":2014,"lang":"es","type":"article","venue":"Anales Cervantinos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Art; Humanities","authors":[{"name":"Jesús Pérez-Magallón","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.005445100322730509,"gpt":0.236429268967099,"spread":0.2309841686443684,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008614648,0.0003599817,0.0002577414,0.001459781,0.003352343,0.00289516,0.0007716994,0.0008670316,0.01173595],"category_scores_gemma":[0.001538185,0.0001251943,0.0001382169,0.001880772,0.003723143,0.0008940508,0.002481305,0.001084873,0.0008360405],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006742007,"about_ca_system_score_gemma":0.004173957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07590511,"about_ca_topic_score_gemma":0.1649556,"domain_scores_codex":[0.9995776,0.0001177269,0.00001214199,0.00006081111,0.0001340949,0.00009766885],"domain_scores_gemma":[0.9996393,0.0001128886,0.0000825055,0.00002115214,0.00006555486,0.00007866651],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000391996,0.000084524,0.02255099,0.001488034,0.00003786834,0.006975,0.2560837,0.0009891281,0.002053292,0.2927456,0.1022865,0.3143134],"study_design_scores_gemma":[0.00001221251,0.0000323182,0.03516954,0.0008826433,0.00001153174,0.0004824782,0.04289935,0.00003996486,0.0003374076,0.002798257,0.9173227,0.0000115544],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2566121,0.08866289,0.0007464894,0.01260597,0.001273207,0.00004899125,0.0005313026,0.00007515966,0.6394439],"genre_scores_gemma":[0.7711467,0.02902583,0.0006853753,0.001092373,0.0003678827,0.0000420882,0.0003414674,0.00005373068,0.1972447],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07590511,"threshold_uncertainty_score":0.1509266,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W980920147","doi":"","title":"\"If these beds could talk\": Narrating Lesbian Sex Acts in Early Modern Spain","year":2010,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Lesbian; Gender studies; History; Sociology","authors":[{"name":"Sherry Velasco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01531488751618699,"gpt":0.2235827509098148,"spread":0.2082678633936279,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001682201,0.0007676025,0.000498286,0.001091882,0.008541577,0.006314361,0.001062005,0.003240276,0.003102785],"category_scores_gemma":[0.00520605,0.0003279668,0.0002369037,0.0009340566,0.006831071,0.002521218,0.004919338,0.004875975,0.0006066317],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004194027,"about_ca_system_score_gemma":0.001553203,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02728103,"about_ca_topic_score_gemma":0.03767772,"domain_scores_codex":[0.9990467,0.0006551254,0.00001844008,0.00005378269,0.0000801456,0.0001457263],"domain_scores_gemma":[0.9985537,0.0008003805,0.0001912009,0.00006705186,0.00017905,0.0002086643],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005561596,0.00001245997,0.001386861,0.00003329879,0.000003736581,0.0005818958,0.9914874,0.0000207452,0.000304352,0.002977409,0.001234547,0.001901716],"study_design_scores_gemma":[0.000004522291,0.000009261908,0.002143803,0.0001111027,0.000007421875,0.0002104064,0.9729416,0.0000333628,0.0001577626,0.0003295872,0.02404277,0.000008389098],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9216654,0.003115905,0.001343972,0.01059183,0.0006500604,0.00002558103,0.0001276743,0.00004099299,0.06243848],"genre_scores_gemma":[0.9877179,0.0006777665,0.000222685,0.0007988346,0.0000930899,0.00001753207,0.0000434267,0.00005787883,0.01037085],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02728103,"threshold_uncertainty_score":0.05424452,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3108710421","doi":"10.18192/rceh.v43i3.4878","title":"Rocambor, Malilla, and Matrimony: Gambling in Mercedes Cabello de Carbonera’s Naturalist Novels","year":2020,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Naturalism; Representation (politics); Workforce; Inequality; Sociology; Aesthetics; Art; Philosophy; Epistemology; Political science; Mathematics; Law","authors":[{"name":"Emily Joy Clark","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02627440890835896,"gpt":0.2337291536340635,"spread":0.2074547447257045,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007527956,0.0003198226,0.0001795715,0.0004835028,0.0053959,0.002699856,0.0004276626,0.0008317331,0.003804946],"category_scores_gemma":[0.001303625,0.0001100175,0.0001344506,0.0005195185,0.006626881,0.001189976,0.001677748,0.001610778,0.0002017038],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003020994,"about_ca_system_score_gemma":0.0007614009,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00933961,"about_ca_topic_score_gemma":0.01964728,"domain_scores_codex":[0.9997107,0.0001783921,0.000003467244,0.00002841176,0.00003056695,0.00004850142],"domain_scores_gemma":[0.9996023,0.0002264878,0.00006340691,0.00002149137,0.00004110657,0.00004530732],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001315234,0.0001076062,0.002722113,0.0002785248,0.00001817223,0.002524694,0.5048195,0.000171038,0.0007723773,0.3985296,0.0697864,0.02013849],"study_design_scores_gemma":[0.00001731943,0.00004302404,0.006507515,0.0003622081,0.00001024112,0.0007129821,0.1761677,0.000119844,0.0004307732,0.01256608,0.8030496,0.000012708],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4388677,0.02327125,0.001195754,0.08853088,0.001216512,0.00002955075,0.000142881,0.00004876121,0.4466966],"genre_scores_gemma":[0.9564498,0.005295365,0.0002683361,0.002755098,0.0005376472,0.0000348371,0.0000342777,0.00002959571,0.03459508],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00933961,"threshold_uncertainty_score":0.02191889,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W53097000","doi":"","title":"\"Don Quijote de la Mancha\" y la verdad de Dulcinea del Toboso","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Mario J. Valdés","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0078355024430279,"gpt":0.2250896081001949,"spread":0.217254105657167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00146051,0.0004141862,0.0004747853,0.001230949,0.007849461,0.005436771,0.0007506186,0.001443407,0.009205477],"category_scores_gemma":[0.00425777,0.0001751823,0.0002402834,0.001790902,0.01019912,0.003352768,0.004319055,0.002525294,0.0004469691],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01012092,"about_ca_system_score_gemma":0.008525725,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1620283,"about_ca_topic_score_gemma":0.3231456,"domain_scores_codex":[0.999015,0.0004126798,0.00002505376,0.00008318766,0.0001169525,0.000347132],"domain_scores_gemma":[0.9991983,0.0002810478,0.0001733337,0.00005167828,0.0001654197,0.0001302683],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0002309551,0.00008696895,0.0167767,0.0004853696,0.00001620583,0.001393993,0.4138851,0.00007578034,0.0006890215,0.5081649,0.0191449,0.03905012],"study_design_scores_gemma":[0.00003735952,0.00003355308,0.02033751,0.001400472,0.00004017341,0.0004171631,0.5702198,0.0000510498,0.0003621006,0.01311693,0.3939624,0.00002152125],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.519981,0.02123457,0.0009698766,0.06000131,0.001440058,0.00005442694,0.0003172338,0.0000438217,0.3959578],"genre_scores_gemma":[0.9633831,0.005252681,0.000213692,0.001701805,0.0001251709,0.00002735521,0.00006194216,0.00003163253,0.0292027],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1620283,"threshold_uncertainty_score":0.3221704,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W175405748","doi":"","title":"Interarte vanguardista y algunas cuestiones teórico-críticas a considerar","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Rosa Sarabia","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01412190169089938,"gpt":0.2388468444242769,"spread":0.2247249427333775,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006323487,0.0006695212,0.0005693652,0.002006934,0.008012111,0.01101179,0.00170111,0.003600394,0.008124055],"category_scores_gemma":[0.01657277,0.0002867825,0.0004179456,0.003603606,0.01395208,0.006525024,0.00503184,0.007748986,0.001191099],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00822709,"about_ca_system_score_gemma":0.01123702,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06188576,"about_ca_topic_score_gemma":0.08221757,"domain_scores_codex":[0.9963207,0.002027265,0.0001026791,0.0003592925,0.0006984336,0.0004915214],"domain_scores_gemma":[0.9944886,0.002624993,0.0003678662,0.0005909053,0.00152949,0.0003981962],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006982659,0.00004089662,0.002426994,0.0002482118,0.00001791893,0.000322934,0.08604128,0.000074323,0.0002708752,0.8181264,0.06176943,0.03059094],"study_design_scores_gemma":[0.00001820981,0.0000116297,0.001574127,0.0008382953,0.00002441778,0.0002014546,0.0921808,0.00008996273,0.0004319273,0.03161319,0.8730022,0.00001381647],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.09246349,0.06830726,0.006189025,0.4100493,0.01274962,0.00005305945,0.000247809,0.0001639286,0.4097765],"genre_scores_gemma":[0.8114393,0.0313265,0.002131527,0.02955509,0.003146836,0.0001041253,0.0002261471,0.0004179852,0.1216525],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06188576,"threshold_uncertainty_score":0.1230511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2998433008","doi":"10.32621/acotaciones.2019.43.06","title":"LOS MATACHINES: EL PERSONAJE Y SUS ACCIONES","year":2019,"lang":"es","type":"article","venue":"Acotaciones Revista de Investigación y Creación Teatral","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0109412791339146,"gpt":0.2521397072944834,"spread":0.2411984281605688,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002907728,0.0003711508,0.0003608761,0.001331714,0.005451658,0.00719418,0.0006167737,0.001322227,0.01051539],"category_scores_gemma":[0.006207366,0.000200538,0.0001781653,0.002378073,0.00972341,0.005494846,0.003245174,0.002382345,0.00109577],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003976874,"about_ca_system_score_gemma":0.003181978,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01890185,"about_ca_topic_score_gemma":0.02851667,"domain_scores_codex":[0.9970697,0.001536925,0.0001043919,0.0003444496,0.0005535845,0.0003910064],"domain_scores_gemma":[0.9983412,0.0007020325,0.000325738,0.0001200004,0.0003045319,0.0002065013],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00005675874,0.00002720241,0.009891616,0.0002310929,0.0000121816,0.001133081,0.7503926,0.00006322036,0.0004895521,0.17644,0.02035302,0.04090972],"study_design_scores_gemma":[0.000006207469,0.00003214447,0.01116985,0.0005942848,0.000008745523,0.0006837146,0.4802478,0.00006319842,0.0002520472,0.009868656,0.4970475,0.00002588301],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4930392,0.04757667,0.002643437,0.06340572,0.001762924,0.00005130625,0.0004670242,0.000080283,0.3909734],"genre_scores_gemma":[0.9437288,0.01202674,0.0004775094,0.002034174,0.0003802947,0.00002909536,0.00007022914,0.00004295601,0.04121025],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01890185,"threshold_uncertainty_score":0.03758365,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3031083788","doi":"10.5206/entrehojas.v10i1.10261","title":"Las caras del andrógino.De Benito Pérez Galdós a Luis Landero","year":2020,"lang":"es","type":"article","venue":"Entrehojas Revista de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Elizabeth Dumpierrés Otero","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01745205663602438,"gpt":0.2317078386916485,"spread":0.2142557820556241,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001040613,0.0004776888,0.0001803545,0.000802662,0.005512724,0.004699605,0.000442201,0.001087272,0.01662283],"category_scores_gemma":[0.002429954,0.0001817365,0.000199376,0.0007583169,0.009902068,0.002746917,0.002239186,0.00314208,0.002844203],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003041605,"about_ca_system_score_gemma":0.002405211,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0111292,"about_ca_topic_score_gemma":0.0279602,"domain_scores_codex":[0.9989671,0.0005012371,0.00001758565,0.0001470282,0.0002396214,0.0001275086],"domain_scores_gemma":[0.9992687,0.000259176,0.0001346114,0.00007167672,0.0001278924,0.0001379294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008296112,0.00003468368,0.002239746,0.0002265712,0.000008162918,0.0006135928,0.1057833,0.00007951874,0.0006637969,0.7584463,0.08373778,0.04808354],"study_design_scores_gemma":[0.000005861128,0.0000135928,0.001715168,0.0002143745,0.000003422386,0.0002227948,0.02392952,0.00002309938,0.000209113,0.01026975,0.9633854,0.000007839391],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03724775,0.03958747,0.001268396,0.0670988,0.002560799,0.00002270086,0.0001024859,0.00006590574,0.8520456],"genre_scores_gemma":[0.6138779,0.01681283,0.0007406428,0.006356247,0.001320773,0.0000271111,0.00004342915,0.0001415199,0.3606796],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01662283,"threshold_uncertainty_score":0.05560887,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W157076464","doi":"","title":"La popularidad de la \"Dama boba\" y su recepción americana en el siglo XX","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Susana Hernández Araico","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007227165109749524,"gpt":0.2421082998618469,"spread":0.2348811347520974,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001388136,0.0002269347,0.0002012991,0.001253937,0.003214339,0.00369059,0.0003840575,0.0008296184,0.008858589],"category_scores_gemma":[0.002790721,0.0001424329,0.0001285282,0.003082773,0.002396043,0.00173472,0.001684948,0.002083853,0.0008980454],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003287994,"about_ca_system_score_gemma":0.003146376,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08920711,"about_ca_topic_score_gemma":0.1322367,"domain_scores_codex":[0.9995713,0.0001247097,0.00001227783,0.0000439921,0.000122687,0.0001249998],"domain_scores_gemma":[0.9988505,0.0003737166,0.0002166066,0.00005390572,0.0003486606,0.0001566461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006309297,0.0003330981,0.07548211,0.0008670375,0.00003334935,0.001179658,0.3491618,0.0001313285,0.002717994,0.2398006,0.1042394,0.2254227],"study_design_scores_gemma":[0.0000174703,0.00004057511,0.09121022,0.0005246775,0.00002098783,0.0002137195,0.1536559,0.00004585886,0.0006611578,0.001813614,0.7517788,0.00001700861],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7242345,0.02452726,0.0003189162,0.028436,0.001521413,0.00002155336,0.0006674091,0.00003709675,0.2202359],"genre_scores_gemma":[0.8760639,0.0232811,0.0002196391,0.002170287,0.0007753689,0.00003493452,0.0002671536,0.00005336101,0.09713437],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08920711,"threshold_uncertainty_score":0.1773757,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2205383945","doi":"10.3989/aearte.2015.09","title":"“Que las riquezas del mundo parecian estar alli cifradas: los festejos de boda de Catalina de Braganza en el contexto de la Restauración portuguesa (1661-1662)","year":2015,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"European Social Fund; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Portuguese; Context (archaeology); Humanities; Political science; Art; Sociology; Geography; Philosophy; Archaeology","authors":[{"name":"Susana Varela Flor","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02583196941685297,"gpt":0.3169952387630358,"spread":0.2911632693461829,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002019667,0.0003527724,0.000187541,0.000618939,0.00904482,0.006889035,0.0006677473,0.001429153,0.004780433],"category_scores_gemma":[0.001237634,0.0002260549,0.0001836033,0.00109715,0.01052959,0.001943956,0.003466002,0.001850734,0.0004306585],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00651401,"about_ca_system_score_gemma":0.004222004,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1191525,"about_ca_topic_score_gemma":0.2468167,"domain_scores_codex":[0.9992441,0.0003082244,0.00001767286,0.0001055776,0.00009011418,0.0002343131],"domain_scores_gemma":[0.9994841,0.0001483225,0.00009449107,0.0000525003,0.00009400104,0.000126576],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002708523,0.00004392006,0.02348016,0.0003472023,0.00002288338,0.001018976,0.8140532,0.000194508,0.001600467,0.1064745,0.01232368,0.0401698],"study_design_scores_gemma":[0.00002125773,0.00008047166,0.08053598,0.0003846731,0.00001927141,0.0003465315,0.6319216,0.00006964667,0.0004592053,0.00281229,0.2833148,0.00003417606],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8215678,0.006862001,0.0007105916,0.01109098,0.0004437648,0.00001825489,0.0001064781,0.00001639816,0.1591837],"genre_scores_gemma":[0.9802325,0.001104261,0.0002330838,0.0005599413,0.0000336436,0.000006742916,0.00003503596,0.000008529032,0.01778613],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1191525,"threshold_uncertainty_score":0.2369179,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W189409820","doi":"","title":"Women Writers and \"modernismo\": strategies of expression in the Cuban poet Nieves Xenes","year":2002,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Catharina Vallejo","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0246589174159435,"gpt":0.2168980113185037,"spread":0.1922390939025602,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002764025,0.0004662821,0.0002821656,0.001467605,0.01200842,0.01126616,0.00057218,0.00101045,0.002308336],"category_scores_gemma":[0.002787965,0.0002434317,0.000103303,0.001830379,0.01692266,0.002753803,0.00324337,0.001841426,0.0002452575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01007861,"about_ca_system_score_gemma":0.006303143,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06520807,"about_ca_topic_score_gemma":0.09424398,"domain_scores_codex":[0.9974824,0.001951755,0.00003404797,0.000100991,0.0001391669,0.0002918356],"domain_scores_gemma":[0.9986291,0.0005965136,0.0002812914,0.00007648944,0.0002009923,0.000215695],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004337045,0.00001961103,0.002220288,0.00007308618,0.00000439325,0.0004078794,0.841953,0.00004028192,0.0002299837,0.1400017,0.003661377,0.01134505],"study_design_scores_gemma":[0.00001072433,0.00002015554,0.003681095,0.0003505815,0.00001029134,0.0002244061,0.7917788,0.00009009161,0.0004080497,0.007724233,0.1956863,0.00001526928],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5959373,0.02318575,0.0009112284,0.0241245,0.0004894277,0.0000361418,0.00003687551,0.0000260101,0.3552528],"genre_scores_gemma":[0.9736435,0.002296898,0.000123084,0.0004456225,0.00005717774,0.00001539127,0.000006901147,0.00002013562,0.02339118],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.06520807,"threshold_uncertainty_score":0.129657,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137254736","doi":"10.7202/1075879ar","title":"Mechaphony Amidst the Roaring Silence","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Silence; Political science; Art; Aesthetics","authors":[{"name":"Yogi Hale Hendlin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01794447040187455,"gpt":0.1856700002414345,"spread":0.1677255298395599,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004759051,0.0003659501,0.0005995721,0.0007708204,0.01005766,0.008793902,0.001061988,0.006629474,0.01089705],"category_scores_gemma":[0.01268446,0.0001954953,0.000339226,0.0008603476,0.01984501,0.005184108,0.004081092,0.0125211,0.002287025],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007277566,"about_ca_system_score_gemma":0.004748712,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02300944,"about_ca_topic_score_gemma":0.0232142,"domain_scores_codex":[0.9958583,0.002002166,0.00007763239,0.0004724674,0.0007848935,0.0008045388],"domain_scores_gemma":[0.9960206,0.001965574,0.0002357474,0.000430452,0.0008944338,0.0004532675],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000483827,0.00001212009,0.0002547257,0.00005077233,0.000006860562,0.0002754063,0.03568101,0.00004342005,0.0002955586,0.8058816,0.1472655,0.01018472],"study_design_scores_gemma":[0.00001198203,0.000009295757,0.0004296579,0.0001433906,0.000004692145,0.00009418451,0.01786972,0.00004799517,0.0002019946,0.05541774,0.9257545,0.00001494869],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.0196962,0.01447718,0.001303498,0.6132771,0.01075199,0.00001586465,0.00009284196,0.00006358095,0.3403217],"genre_scores_gemma":[0.5503141,0.004130324,0.0007071865,0.1818842,0.009101344,0.00007634758,0.00006177105,0.0004185099,0.2533062],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.02300944,"threshold_uncertainty_score":0.05280268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2079215237","doi":"10.5195/reviberoamer.2012.6915","title":"Sirena Pellarolo. <i>Sainetes, cabaret, minas y tangos. Una antología</i>","year":2012,"lang":"es","type":"article","venue":"Revista Iberoamericana","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Art","authors":[{"name":"Richard Young","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01347670339094877,"gpt":0.2427282478573256,"spread":0.2292515444663769,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001213765,0.0009815959,0.0004537105,0.002226652,0.002828255,0.004083801,0.00148692,0.002964742,0.0226463],"category_scores_gemma":[0.004156629,0.0003919216,0.0003307844,0.002608805,0.001152866,0.003580056,0.00165774,0.005290992,0.01102469],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002440523,"about_ca_system_score_gemma":0.003058023,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05007853,"about_ca_topic_score_gemma":0.1042639,"domain_scores_codex":[0.9993961,0.0001710369,0.00003793073,0.0001042915,0.0002089077,0.00008168283],"domain_scores_gemma":[0.9972597,0.0009152703,0.0002250626,0.00009534975,0.001158054,0.0003465188],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003086361,0.00001024768,0.0002915568,0.0002771065,0.000004865134,0.00005836426,0.001036255,0.000008507404,0.00006953822,0.00548353,0.9708349,0.02189427],"study_design_scores_gemma":[0.000006371484,0.000003741072,0.001399108,0.0004875547,0.000006657698,0.00006919627,0.001475298,0.00001073645,0.000120882,0.0009097782,0.9955052,0.000005376678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001349528,0.4497076,0.0003732542,0.4126002,0.05277676,0.00002697601,0.001049492,0.0001648755,0.08195128],"genre_scores_gemma":[0.04626586,0.422768,0.001619929,0.1270818,0.04416467,0.0001433679,0.001344886,0.0005098278,0.3561018],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05007853,"threshold_uncertainty_score":0.09957409,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W66102027","doi":"","title":"\"Tis Pity She's a Corpse: Modernism, Remembering, and Dismemberment in Valle-Inclán's Sonatas","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Dandy; Literature","authors":[{"name":"Leora Lev","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0124539400189677,"gpt":0.2272759520959449,"spread":0.2148220120769772,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001265186,0.0002622906,0.0002271637,0.0007152174,0.01019587,0.006735502,0.0006662643,0.001331178,0.00509339],"category_scores_gemma":[0.002161108,0.0001706505,0.0001158073,0.0005563287,0.01946019,0.004689847,0.002944943,0.002228493,0.000406856],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004605046,"about_ca_system_score_gemma":0.002319563,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02827057,"about_ca_topic_score_gemma":0.06524529,"domain_scores_codex":[0.9992095,0.0004721351,0.00001322405,0.00007950271,0.0000798591,0.0001458255],"domain_scores_gemma":[0.9990993,0.0003809953,0.0001293613,0.00009064685,0.0001185788,0.0001812032],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004458816,0.00001804344,0.001487055,0.00004226912,0.000002801704,0.0004158189,0.591227,0.00003353618,0.0001397245,0.3762381,0.01639168,0.01395931],"study_design_scores_gemma":[0.00001114102,0.00004076569,0.002841225,0.0002794765,0.000008326258,0.0004980868,0.2944139,0.0001181188,0.000233024,0.03945578,0.6620815,0.00001873701],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3450941,0.01936816,0.001677206,0.03609708,0.0009475284,0.00001976258,0.00005111807,0.00006399756,0.5966811],"genre_scores_gemma":[0.9315791,0.001776753,0.0001958594,0.0007641249,0.0002055609,0.00001061642,0.00001266107,0.00002153047,0.06543379],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02827057,"threshold_uncertainty_score":0.05621207,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W26998739","doi":"10.1111/ajt.13796","title":"La palabra viva de Carmen Martín de Gaite","year":2001,"lang":"en","type":"article","venue":"Insula-revista De Letras Y Ciencias Humanas","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Montserrat Escartín Gual","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01740812843770478,"gpt":0.2391947652029366,"spread":0.2217866367652318,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001420323,0.0006419081,0.0004946947,0.001367011,0.001399759,0.001556404,0.0006325418,0.001341973,0.03019217],"category_scores_gemma":[0.00620307,0.0001756883,0.0003431425,0.0007205894,0.0008798162,0.001271836,0.001050585,0.001586737,0.005822148],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001179654,"about_ca_system_score_gemma":0.001243268,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01430275,"about_ca_topic_score_gemma":0.01650123,"domain_scores_codex":[0.999511,0.000192739,0.00001346438,0.00009259731,0.0001166881,0.00007351967],"domain_scores_gemma":[0.9979614,0.000792363,0.0002047615,0.00008745293,0.0007232724,0.0002307766],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000259299,0.00008092114,0.005886154,0.0007971328,0.00003864117,0.001404146,0.001805299,0.00015031,0.0005678306,0.01607218,0.7905341,0.1824039],"study_design_scores_gemma":[0.00002268302,0.00003762177,0.008511977,0.001097645,0.00001787662,0.0017997,0.001307721,0.00008501953,0.000326851,0.002803379,0.983963,0.00002662065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.02744637,0.3637401,0.002308065,0.4006197,0.05516343,0.00007934577,0.001377115,0.0003325734,0.1489332],"genre_scores_gemma":[0.2554838,0.3222834,0.003420561,0.07025649,0.0327587,0.0001240518,0.0009973828,0.0003944633,0.3142812],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03019217,"threshold_uncertainty_score":0.1010029,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2478785","doi":"10.30827/arenal.v8i2.16553","title":"Del precio de la novia a la dote en la Europa mediterránea","year":2002,"lang":"es","type":"article","venue":"Arenal Revista de historia de las mujeres","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Political science; Philosophy","authors":[{"name":"Diane Owen Hughes","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01113214007245787,"gpt":0.2316130599573631,"spread":0.2204809198849053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001031863,0.0002444516,0.0002677859,0.0005563115,0.001413878,0.002665719,0.0002511937,0.000461106,0.003378545],"category_scores_gemma":[0.00107518,0.0001088988,0.0002902538,0.001107064,0.001126438,0.0009540383,0.00191937,0.0005473502,0.0003643627],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001745127,"about_ca_system_score_gemma":0.001759552,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03405993,"about_ca_topic_score_gemma":0.06966287,"domain_scores_codex":[0.9994186,0.0001300763,0.00002842497,0.0001370338,0.0001162877,0.0001695232],"domain_scores_gemma":[0.9991766,0.0001575647,0.0002384817,0.00007459906,0.0002305414,0.000122173],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006481592,0.0001327848,0.6551867,0.001600601,0.0003202504,0.00565803,0.05011619,0.002128294,0.02652128,0.07757307,0.00567239,0.1744422],"study_design_scores_gemma":[0.000008133688,0.0001125557,0.7235581,0.0004785937,0.00009739991,0.001125005,0.04603323,0.0003461576,0.003637213,0.002933006,0.2216335,0.00003699959],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.888916,0.005442941,0.001516501,0.002362981,0.000104938,0.00001715885,0.0004657439,0.00001541121,0.1011584],"genre_scores_gemma":[0.9749918,0.003964927,0.0009073195,0.0004649119,0.00002624595,0.000007604413,0.0002681144,0.00001861347,0.01935048],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.03405993,"threshold_uncertainty_score":0.06772339,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404819964","doi":"10.15210/rps.v8i01.22580","title":"ENTREGADORES CANTANDO DE GALO","year":2022,"lang":"pt","type":"article","venue":"Perspectivas Sociais","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Bhryan Gama Barbosa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01472697365979876,"gpt":0.2355714266471437,"spread":0.2208444529873449,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002893184,0.0005057356,0.000357058,0.002027954,0.01141695,0.008671328,0.001376569,0.002039192,0.02331224],"category_scores_gemma":[0.006011158,0.0003602998,0.0003937811,0.002326944,0.007374889,0.00451697,0.008241938,0.002126579,0.002300402],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006964607,"about_ca_system_score_gemma":0.007402247,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06253095,"about_ca_topic_score_gemma":0.1090938,"domain_scores_codex":[0.996548,0.001397528,0.00007219894,0.000588831,0.0006807376,0.0007126895],"domain_scores_gemma":[0.9960951,0.001043186,0.0003849765,0.0006117243,0.0008406992,0.001024263],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001581926,0.00008829156,0.02265172,0.0004123442,0.00004196299,0.002665699,0.4051445,0.000203573,0.00241656,0.3838349,0.04827065,0.1341116],"study_design_scores_gemma":[0.00001063723,0.00004628375,0.0110422,0.000305425,0.00003110282,0.000379609,0.1079326,0.0001747912,0.0004332932,0.0106657,0.8689492,0.00002916328],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3195027,0.005399203,0.005281052,0.02629389,0.001058678,0.0001648054,0.0002362221,0.0003616279,0.6417018],"genre_scores_gemma":[0.8695003,0.001861028,0.002028463,0.002226685,0.0001172562,0.00007734777,0.00009040354,0.0001087462,0.1239898],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.06253095,"threshold_uncertainty_score":0.1243339,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3125259412","doi":"10.15304/qui.19.6044","title":"El toro por los cuernos. Símbolos de lo español en un videoclip de Rosalía","year":2021,"lang":"es","type":"article","venue":"Quintana revista do Departamento de Historia da Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Asier Aranzubía","is_ca":false},{"name":"Nieves Limón Serrano","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009988458250194277,"gpt":0.2542660231706742,"spread":0.2442775649204799,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007205822,0.0005930112,0.0001789218,0.0008549201,0.006830363,0.004771713,0.000684085,0.001446155,0.01759135],"category_scores_gemma":[0.002184846,0.0001749027,0.0002032193,0.0007943889,0.006098828,0.00375637,0.003000259,0.002538269,0.003105521],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00409482,"about_ca_system_score_gemma":0.002084572,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05618796,"about_ca_topic_score_gemma":0.1095786,"domain_scores_codex":[0.9992124,0.0003708613,0.00001400219,0.0001030899,0.0001766633,0.0001228976],"domain_scores_gemma":[0.9993374,0.0002100891,0.00008539244,0.00006213695,0.0001857152,0.0001192171],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002291745,0.00003642372,0.003083633,0.0005191692,0.00001884538,0.00184956,0.4148359,0.0001990249,0.003510902,0.2924672,0.1879573,0.09529293],"study_design_scores_gemma":[0.000005975917,0.00001823921,0.002788643,0.0003547646,0.000008451596,0.0004453771,0.09294275,0.00008337959,0.0006606258,0.004122685,0.8985519,0.00001721086],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0929977,0.009967525,0.005637813,0.03777011,0.002374648,0.00007130601,0.000626564,0.0003132242,0.850241],"genre_scores_gemma":[0.6860107,0.00556567,0.002418381,0.003469018,0.0006894292,0.00007362079,0.0003124457,0.0004676089,0.3009933],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.05618796,"threshold_uncertainty_score":0.1117218,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W175432870","doi":"","title":"Mezquinas preocupaciones coloniales: race, gender, affect, and the anticolonial intellectual in Alejandro Tapia y Rivera's \"La cuarterona\"","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Race (biology); Humanities; Art; Political science; Gender studies; Sociology","authors":[{"name":"Kahlil Chaar Pérez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01523799418395795,"gpt":0.2409806159514777,"spread":0.2257426217675198,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001076852,0.0002119064,0.0001887156,0.000552624,0.006057118,0.003519062,0.0003895519,0.0005505557,0.002913718],"category_scores_gemma":[0.00328963,0.00008683543,0.00008743427,0.0007775053,0.007631304,0.001591675,0.002614859,0.001924194,0.0001370117],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003060485,"about_ca_system_score_gemma":0.002470883,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08274645,"about_ca_topic_score_gemma":0.177214,"domain_scores_codex":[0.9995112,0.0002192486,0.00001409592,0.00004189005,0.00005402416,0.000159599],"domain_scores_gemma":[0.9989303,0.0004507815,0.0002226421,0.00005168601,0.0001462629,0.0001983285],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000127837,0.0001443204,0.03467263,0.00007696141,0.00001056252,0.000903423,0.8122625,0.0000312569,0.0004025162,0.1081355,0.00800994,0.03522271],"study_design_scores_gemma":[0.00002232755,0.00004729696,0.07410406,0.0002949108,0.00002758704,0.0004315566,0.755518,0.00004355937,0.0005703016,0.004771208,0.1641527,0.00001656665],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8826844,0.00380341,0.0001059861,0.01025079,0.0002126205,0.000009869594,0.00002767561,0.00000396545,0.1029012],"genre_scores_gemma":[0.9888839,0.001079362,0.00003064996,0.0005092325,0.00004416884,0.000005468605,0.000008168053,0.00000514322,0.009433871],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08274645,"threshold_uncertainty_score":0.1645296,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W142438518","doi":"","title":"Gohic Machinery in the Región Novels","year":2005,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"History","authors":[{"name":"John B. Margenot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01512735805820061,"gpt":0.2327748933683964,"spread":0.2176475353101958,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001280435,0.0003055755,0.0003948723,0.001857623,0.009908747,0.009545292,0.0007569375,0.00119458,0.01289275],"category_scores_gemma":[0.002938695,0.0001564745,0.000195078,0.002458693,0.01534712,0.00281828,0.003574556,0.002037377,0.0007973094],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006094384,"about_ca_system_score_gemma":0.002453323,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01599037,"about_ca_topic_score_gemma":0.02885311,"domain_scores_codex":[0.9986975,0.000664862,0.00002457231,0.0001515173,0.000161438,0.0003001055],"domain_scores_gemma":[0.9989801,0.0004480265,0.0001457566,0.0001473569,0.0001283431,0.0001503114],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007081719,0.00001773835,0.0005946104,0.00006191989,0.000005777028,0.000406364,0.1379797,0.00006311503,0.0002567598,0.8440717,0.008211613,0.008259967],"study_design_scores_gemma":[0.00002987643,0.00002639761,0.003875342,0.0002933778,0.00001844749,0.0004072594,0.2002088,0.0001047208,0.0005545332,0.06344962,0.731014,0.00001767856],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1455546,0.004104991,0.0006754394,0.007759746,0.0002998439,0.00001691718,0.0001109469,0.00003847472,0.8414391],"genre_scores_gemma":[0.9519377,0.0008850186,0.0002099435,0.0006238201,0.0001860534,0.00001388324,0.00003796866,0.00008005758,0.04602549],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01599037,"threshold_uncertainty_score":0.04421806,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W26504628","doi":"10.1364/boe.6.003765","title":"Vino viejo en odres nuevos","year":2011,"lang":"en","type":"article","venue":"Revista de libros","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"National Cancer Institute; Canadian Institutes of Health Research; National Institutes of Health","keywords":"Geology","authors":[{"name":"Julius Ruiz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02788062106000433,"gpt":0.2078022843303065,"spread":0.1799216632703022,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002151592,0.0005818956,0.0006426041,0.002285572,0.00374257,0.005994994,0.0007349685,0.00164115,0.01928109],"category_scores_gemma":[0.006345238,0.0001786058,0.0004144698,0.002413387,0.005713292,0.004661924,0.002782694,0.002688493,0.004052706],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00274644,"about_ca_system_score_gemma":0.002581189,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007259574,"about_ca_topic_score_gemma":0.01350373,"domain_scores_codex":[0.9985846,0.0006481197,0.00008335755,0.0001929096,0.0003442674,0.0001467536],"domain_scores_gemma":[0.9976872,0.001151,0.0003017311,0.0002218099,0.0004715026,0.0001667674],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002141596,0.00009108884,0.003930237,0.001952392,0.00003412797,0.001664096,0.05116545,0.0001883063,0.0009348959,0.3855429,0.1119735,0.4423089],"study_design_scores_gemma":[0.000004476879,0.00002049236,0.001174703,0.001205823,0.00001091949,0.0005921871,0.01401149,0.00002511883,0.000185214,0.008821072,0.9739342,0.00001429089],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"commentary","genre_scores_codex":[0.03935378,0.3403119,0.004076059,0.0567702,0.01191785,0.00003832766,0.0003192055,0.0003132121,0.5468994],"genre_scores_gemma":[0.3967274,0.2966819,0.00861001,0.02174244,0.007371837,0.0001077518,0.0004242367,0.0005962651,0.2677382],"genre_candidate":"commentary","genre_consensus":null,"teacher_disagreement_score":0.01928109,"threshold_uncertainty_score":0.06450164,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4365385409","doi":"10.1007/978-3-031-14816-3_4","title":"Elena Ferrante’s Women Intellectuals: Writing and the Paradoxical Relationship to the Mother","year":2023,"lang":"en","type":"book-chapter","venue":"Italian and Italian American studies","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo; St. Jerome's University","funders":"","keywords":"Psychology; Gender studies; Sociology","authors":[{"name":"Roberta Cauchi-Santoro","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06126191116231033,"gpt":0.2714798624779831,"spread":0.2102179513156727,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001505483,0.0004674945,0.0002667415,0.0009439195,0.005813783,0.004652117,0.0007751398,0.001819475,0.005799821],"category_scores_gemma":[0.003858086,0.0001913853,0.0001360934,0.0008286629,0.01208581,0.0033391,0.001758576,0.003496216,0.0009285587],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004013902,"about_ca_system_score_gemma":0.002515432,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01048702,"about_ca_topic_score_gemma":0.01787457,"domain_scores_codex":[0.9989601,0.0006736726,0.00001350579,0.00009472405,0.000130374,0.000127618],"domain_scores_gemma":[0.9984481,0.001096477,0.000113347,0.00007993139,0.0001185795,0.000143568],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000392223,0.00004147855,0.0005177618,0.00008164945,0.000004333424,0.0005915493,0.1344777,0.00003406835,0.0001252381,0.674944,0.1674411,0.02170186],"study_design_scores_gemma":[0.00001763141,0.00001778468,0.001283825,0.0002865134,0.000004545198,0.0006149201,0.03839137,0.0000509961,0.0001815646,0.06059737,0.8985451,0.000008372273],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01890145,0.02888008,0.0004664953,0.09994233,0.002383577,0.00001671157,0.00003482178,0.00003556327,0.8493389],"genre_scores_gemma":[0.6693119,0.01332466,0.0005429288,0.01664469,0.003369554,0.00006271505,0.00003873188,0.0001415985,0.2965632],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01048702,"threshold_uncertainty_score":0.02912301,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2499213798","doi":"10.1017/ccol9780521801928.003","title":"Flamenco guitar: history, style, status","year":2003,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Guitar; Sophistication; Style (visual arts); Art; Literature; Visual arts; Dance; Aesthetics; Acoustics","authors":[{"name":"Peter Manuel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0281854141851408,"gpt":0.1744376300428239,"spread":0.1462522158576831,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005282187,0.0003639109,0.0002020526,0.001319077,0.002202956,0.004628536,0.0007357506,0.0007678234,0.006562005],"category_scores_gemma":[0.0008493518,0.0001119202,0.0001004169,0.001979144,0.004095407,0.001649665,0.001004592,0.001104133,0.0008274099],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003823755,"about_ca_system_score_gemma":0.001288514,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01490405,"about_ca_topic_score_gemma":0.02095595,"domain_scores_codex":[0.9997552,0.00006717622,0.000007931248,0.00004902195,0.00007769381,0.00004285634],"domain_scores_gemma":[0.9998329,0.00005798763,0.00001730167,0.00001909714,0.00004486123,0.00002792048],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001333981,0.000062461,0.00250716,0.0005012428,0.000007878732,0.0009339867,0.0648255,0.0001182805,0.001199357,0.5766098,0.05894142,0.2941594],"study_design_scores_gemma":[0.00001065808,0.0000302022,0.004509921,0.0003784476,0.000004243444,0.0004255929,0.009859535,0.0000623239,0.0002003097,0.011191,0.9733181,0.000009635847],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02898642,0.0739314,0.0007195811,0.003743994,0.0006643819,0.00001562725,0.00005434499,0.00005363937,0.8918306],"genre_scores_gemma":[0.5679432,0.05947115,0.001520799,0.002112136,0.001516261,0.00005911703,0.0002067083,0.000190119,0.3669805],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01490405,"threshold_uncertainty_score":0.02963459,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W176042391","doi":"","title":"\"La gran América Ibérica\": humanismo y utopía en los años veinte. El caso de Xul Solar","year":2012,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Geography; Art","authors":[{"name":"Eleni Kefala","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0136825557488627,"gpt":0.244449083710326,"spread":0.2307665279614633,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001026033,0.0003385,0.0002182997,0.001299196,0.004360214,0.005608193,0.000478917,0.00108686,0.006347584],"category_scores_gemma":[0.001765721,0.0001053731,0.0001539427,0.003632304,0.005679514,0.002643614,0.002476576,0.002034037,0.0003745786],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006556815,"about_ca_system_score_gemma":0.005347667,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.161043,"about_ca_topic_score_gemma":0.2830928,"domain_scores_codex":[0.9995794,0.0002024222,0.000008927293,0.00004459409,0.00004971643,0.0001149428],"domain_scores_gemma":[0.9994699,0.0001928889,0.0001087726,0.00004913492,0.0001081687,0.00007104274],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002573303,0.00009949147,0.02105065,0.0008702209,0.00003033329,0.001280449,0.1711832,0.0003044215,0.0007247204,0.5550647,0.09759894,0.1515354],"study_design_scores_gemma":[0.00002445652,0.00002010011,0.0255934,0.001293053,0.00002301673,0.0003058511,0.1514838,0.00006080466,0.0002138465,0.01861897,0.8023447,0.00001807929],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.211159,0.102123,0.0007484287,0.0683326,0.001914082,0.00002601479,0.0003498937,0.00006612668,0.6152809],"genre_scores_gemma":[0.9268996,0.03316717,0.0003769587,0.004276501,0.0004190946,0.00002532992,0.0001128843,0.00003647772,0.03468603],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.161043,"threshold_uncertainty_score":0.3202113,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2396400154","doi":"","title":"Vida de Isidro labrador 1592","year":2015,"lang":"es","type":"article","venue":"Lemir: Revista de Literatura Española Medieval y del Renacimiento","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geography","authors":[{"name":"Alonso de Villegas","is_ca":false},{"name":"Chad Leahy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02092716033402774,"gpt":0.264463936843805,"spread":0.2435367765097773,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002744081,0.001336264,0.001128737,0.002994993,0.002389948,0.005417431,0.001227068,0.003866339,0.03050982],"category_scores_gemma":[0.006360532,0.0002547631,0.0006124515,0.001603253,0.001653937,0.003714001,0.004194481,0.004249386,0.01402615],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002698489,"about_ca_system_score_gemma":0.00229615,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005038427,"about_ca_topic_score_gemma":0.004215452,"domain_scores_codex":[0.9985917,0.0004619739,0.00005944568,0.0002865052,0.0004015545,0.0001988982],"domain_scores_gemma":[0.9979421,0.0005273548,0.0001536236,0.0001540851,0.0008657732,0.0003570238],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001204802,0.00003761525,0.00031296,0.0004976155,0.00001793236,0.0002370493,0.00109992,0.00006055208,0.0004516964,0.02096442,0.9312052,0.04499471],"study_design_scores_gemma":[0.000005153759,0.000005177588,0.0002230402,0.000301282,0.000005074554,0.00009310219,0.0003888375,0.00002028995,0.00008866133,0.000844106,0.9980211,0.000004228259],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.003009026,0.4240313,0.0007510654,0.2624798,0.1989152,0.0000252869,0.0005459505,0.0002559314,0.1099865],"genre_scores_gemma":[0.0631246,0.1970808,0.001513951,0.1069204,0.1655076,0.0001172688,0.0008141478,0.0006926565,0.4642285],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03050982,"threshold_uncertainty_score":0.1020656,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W184207302","doi":"","title":"Espacios sonoros y escalas de silencio en la poesía de Luis de Góngora y sor Juana Inés de la Cruz","year":2000,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Elena del Río Parra","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007008149335063677,"gpt":0.2272276884546068,"spread":0.2202195391195431,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002668743,0.0002947426,0.0003578511,0.00178408,0.007163107,0.004210357,0.0007629032,0.001231754,0.007103804],"category_scores_gemma":[0.007842097,0.0002130382,0.0002225006,0.002522875,0.006337363,0.002493349,0.004286169,0.002972287,0.0003143463],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009103769,"about_ca_system_score_gemma":0.008523553,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1172364,"about_ca_topic_score_gemma":0.2196756,"domain_scores_codex":[0.998811,0.0004993659,0.00003491681,0.0001067502,0.0002041466,0.0003437754],"domain_scores_gemma":[0.9978089,0.000838401,0.0003762295,0.0001049695,0.0004826075,0.0003889308],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003425881,0.0001671588,0.04288359,0.00034712,0.00002853261,0.001091983,0.74054,0.0001289449,0.0006583192,0.1311787,0.01403226,0.06860077],"study_design_scores_gemma":[0.00002446765,0.00005199747,0.04994585,0.0008954401,0.0000472817,0.0002570922,0.784165,0.00006727214,0.0004497738,0.005385943,0.1586878,0.00002209875],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8250573,0.01510148,0.0003077492,0.02366584,0.00031394,0.0000359863,0.0001080602,0.00001508899,0.1353945],"genre_scores_gemma":[0.9795145,0.005232026,0.0001791176,0.0009078915,0.00006864129,0.00002601831,0.00003362889,0.00001780986,0.01402039],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1172364,"threshold_uncertainty_score":0.2331081,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W9679259","doi":"","title":"Entre la lámpara y el espejo: la imaginación modernista de Manuel Gutiérrez Nájera","year":2008,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"José María Martínez","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01381171189064886,"gpt":0.2386998524848991,"spread":0.2248881405942502,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004327504,0.0005495088,0.0006184422,0.001416094,0.006978158,0.008414151,0.000927506,0.002804775,0.003861002],"category_scores_gemma":[0.003229362,0.0002321194,0.0002407989,0.001726322,0.01424019,0.008113058,0.003728123,0.005775192,0.0004541217],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005793418,"about_ca_system_score_gemma":0.004645771,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01908675,"about_ca_topic_score_gemma":0.02489135,"domain_scores_codex":[0.9985951,0.0009311617,0.00002073412,0.0001062071,0.0001629811,0.0001838311],"domain_scores_gemma":[0.9985227,0.0007767173,0.0001236514,0.00008190671,0.0003174345,0.0001775518],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008606661,0.00005008533,0.0009605283,0.0001789761,0.00001263932,0.0002373992,0.121542,0.00006093493,0.0002237404,0.791945,0.06274771,0.02195477],"study_design_scores_gemma":[0.00001595904,0.00001683962,0.001092268,0.000537922,0.00001229124,0.000183753,0.107645,0.00006367498,0.0001695648,0.05693356,0.8333138,0.00001541934],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.08990289,0.1708929,0.001475478,0.4869065,0.005032297,0.0000164901,0.0001042594,0.00004628567,0.2456229],"genre_scores_gemma":[0.8064225,0.0771855,0.0008560608,0.02684169,0.00464321,0.00004294463,0.00006231323,0.0001649079,0.08378088],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01908675,"threshold_uncertainty_score":0.04203445,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W298722533","doi":"","title":"Gossiping And Hysterical Manolo Infante: Traditional Gender Role Crossing As Political Metaphor In Galdós's La Incógnita","year":2007,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Gossip; Politics; Metaphor; Literature; Sociology; Aesthetics; Gender studies; Psychoanalysis; Art; History; Psychology; Philosophy; Law; Political science; Social psychology; Linguistics","authors":[{"name":"Mark Harpring","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02906490747789223,"gpt":0.2308539915812488,"spread":0.2017890841033566,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00161949,0.0005478045,0.0002919468,0.0007256431,0.004235881,0.004475149,0.0007185123,0.001521585,0.001381818],"category_scores_gemma":[0.002833038,0.000161116,0.0001637927,0.0003382372,0.02209387,0.001947972,0.002666192,0.002422598,0.0002557118],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003937469,"about_ca_system_score_gemma":0.001047805,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006048884,"about_ca_topic_score_gemma":0.006978947,"domain_scores_codex":[0.9985208,0.001017786,0.00001467448,0.00009254325,0.0001810403,0.0001731508],"domain_scores_gemma":[0.9992549,0.0004160606,0.0001158494,0.00005214132,0.00009528946,0.00006574581],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009968254,0.00003872249,0.001342945,0.0000795584,0.00000603237,0.001623727,0.3973966,0.00008562536,0.001054578,0.5717114,0.01386485,0.0126963],"study_design_scores_gemma":[0.00005672795,0.0001027928,0.002961565,0.0002761465,0.0000183074,0.001680428,0.2871021,0.0004258615,0.001565158,0.05048719,0.6552834,0.00004031535],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3508455,0.006275215,0.006305691,0.04686979,0.0009599719,0.00005788088,0.00005461441,0.0001253319,0.5885061],"genre_scores_gemma":[0.9817497,0.0008020948,0.0005784808,0.002028496,0.0001693114,0.00003532084,0.000008313517,0.00003339999,0.01459492],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.006048884,"threshold_uncertainty_score":0.02856845,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4255554720","doi":"10.4000/belphegor.166","title":"Santa, Àngels, La literatura popular francesa: folletines y melodramas","year":2013,"lang":"ca","type":"article","venue":"Belphégor","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Carme Figuerola","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0105514296882939,"gpt":0.2180267817690386,"spread":0.2074753520807447,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001249317,0.0004193494,0.0002755464,0.001538486,0.007215654,0.007034557,0.0004477606,0.001903215,0.009681858],"category_scores_gemma":[0.002082712,0.0001701795,0.0001535469,0.00158904,0.01058477,0.004222259,0.001475106,0.002486801,0.001491106],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005313979,"about_ca_system_score_gemma":0.002767071,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02764652,"about_ca_topic_score_gemma":0.07083263,"domain_scores_codex":[0.9991344,0.000459461,0.00002073705,0.00009656531,0.0001734096,0.000115481],"domain_scores_gemma":[0.999002,0.0004756774,0.0001367634,0.00006511624,0.0002050401,0.0001154078],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005371619,0.00002437668,0.001765004,0.0002372854,0.000007669935,0.0003073025,0.09610049,0.00004114751,0.0002029686,0.7192418,0.1523902,0.02962805],"study_design_scores_gemma":[0.000007705408,0.00001251609,0.002063528,0.000305474,0.00000530723,0.0001646798,0.02313809,0.0000325093,0.0001051825,0.01057623,0.9635819,0.000006920455],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03406243,0.09375537,0.0009273177,0.1403813,0.003418572,0.00001796972,0.0001719009,0.00007895509,0.7271861],"genre_scores_gemma":[0.7034143,0.02935499,0.0005263578,0.009845603,0.002597938,0.00003357214,0.00008745202,0.0001295841,0.2540102],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02764652,"threshold_uncertainty_score":0.05497116,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}