{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":93,"total_is_capped":false,"direct_labels_cover":1,"predictions_cover":93,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"40bf3f831352","filters":{"topic":"Thomas Hardy Literature Studies"}},"results":[{"id":"W4247962776","doi":"10.1017/9781107110267","title":"The Woodlanders","year":2019,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Appeal; TRACE (psycholinguistics); Quarter (Canadian coin); Literature; History; Composition (language); Performance art; Classics; Art; Art history; Philosophy; Linguistics; Law; Political science","authors":[{"name":"Thomas Hardy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01910297405452079,"gpt":0.1747116103686769,"spread":0.1556086363141561,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008834416,0.0003367621,0.0003308322,0.0000788559,0.001001962,0.0003375027,0.0006335897,0.0001534884,0.000009302371],"category_scores_gemma":[0.000009210096,0.0002606834,0.000247265,0.000002866866,0.0007417996,0.00008412142,0.0003534163,0.0005197059,0.00008744215],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001959632,"about_ca_system_score_gemma":0.0001705612,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00002220417,"about_ca_topic_score_gemma":0.00004364736,"domain_scores_codex":[0.9988687,0.00006285236,0.0001411405,0.0003487545,0.0002486795,0.0003298943],"domain_scores_gemma":[0.9987935,0.0001994124,0.0001766549,0.0005755278,0.0001900637,0.00006480454],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002881534,0.00000191656,2.183245e-7,0.00003675246,0.0001561393,0.0000245114,0.001074613,7.138611e-8,2.237105e-7,0.5596438,0.4389834,0.000049529],"study_design_scores_gemma":[0.0003166564,0.00003276445,0.000001613968,0.0001005335,0.0001673296,0.00000224113,0.0008194771,0.000001966118,0.000002674719,0.00001530736,0.9982126,0.0003268404],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.000003487471,0.0008682629,0.000003309657,0.00005874319,0.001764269,0.0004137239,0.0004002717,0.0001513238,0.9963366],"genre_scores_gemma":[0.0004039849,0.0001010494,0.000002682213,0.00008903508,0.0009287896,0.000001075293,0.00006133079,0.00004389964,0.9983681],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5596285,"threshold_uncertainty_score":0.9999846,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2630805780","doi":"10.1093/oxfordhb/9780199533145.013.0009","title":"The Novel and Censorship in Late-Victorian England","year":2013,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Carleton University","funders":"","keywords":"Censorship; Interrogation; Law; Literature; History; Art; Political science","authors":[{"name":"Barbara Leckie","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02150289307073669,"gpt":0.1758283672185766,"spread":0.1543254741478399,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001101078,0.0002878224,0.0002964803,0.0001025372,0.000594514,0.0003337027,0.0003208607,0.0001787188,0.00002645322],"category_scores_gemma":[0.00001238853,0.0002234348,0.00007383274,0.000003907346,0.0005011319,0.0001173789,0.0002850069,0.000488515,0.000001186281],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000102409,"about_ca_system_score_gemma":0.00005275449,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005560496,"about_ca_topic_score_gemma":0.002299135,"domain_scores_codex":[0.9990566,0.00005372184,0.0001462909,0.0002931885,0.0001560935,0.0002940592],"domain_scores_gemma":[0.999198,0.0002272302,0.0001252096,0.0002771773,0.0001058948,0.00006654459],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005320409,0.000006411809,0.000007036629,0.00005468598,0.00009004357,0.00002025317,0.02690604,2.775985e-7,0.000001348902,0.969017,0.003674241,0.0001694585],"study_design_scores_gemma":[0.0006650383,0.00003051332,0.00003743725,0.0001174056,0.00005974507,9.438462e-7,0.0003614793,0.000005222395,0.000001475673,0.0009427669,0.9975126,0.000265415],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0003379477,0.000381866,7.692532e-7,0.00005218498,0.000592163,0.0003641681,0.0002016214,0.00005981399,0.9980094],"genre_scores_gemma":[0.004332742,0.0002270224,0.00001429772,0.00002607702,0.0006311571,0.000002173566,0.00002149635,0.0000287408,0.9947163],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9938383,"threshold_uncertainty_score":0.9111406,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1596295696","doi":"10.1353/vcr.2008.0033","title":"From Pygmalion to Persephone: Love, Art, Myth in Thomas Hardy’s The Well-Beloved","year":2008,"lang":"en","type":"article","venue":"Victorian review","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sculpture; Art; Painting; Mythology; Uncanny; Art history; Fresco; Apollo; The arts; Roman art; Literature; Visual arts","authors":[{"name":"Patricia Pulham","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02356115192796703,"gpt":0.2398788026832306,"spread":0.2163176507552636,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002845774,0.000308012,0.0005826848,0.00008489573,0.0002553419,0.0001238186,0.000349094,0.00004927994,0.003588047],"category_scores_gemma":[0.0001123131,0.0001949284,0.0001930573,0.0001960144,0.000148531,0.0001942667,0.0001113104,0.0002648572,0.005207377],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007651446,"about_ca_system_score_gemma":0.00004603035,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006055275,"about_ca_topic_score_gemma":0.0007535882,"domain_scores_codex":[0.9982433,0.0002010519,0.0004818056,0.0003989027,0.000317957,0.0003569623],"domain_scores_gemma":[0.9989715,0.0001151809,0.0001188984,0.0005841695,0.0001123308,0.00009794804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003460045,0.00009287097,0.0002729096,0.0004751383,0.0001043453,0.00009551191,0.1238142,7.814631e-7,0.00005878181,0.1268363,0.7479662,0.0002484216],"study_design_scores_gemma":[0.0002278081,0.00003779458,0.000662536,0.001836955,0.00005280661,0.000006442906,0.0006593938,9.604294e-7,0.00001206103,0.0002141208,0.996026,0.0002631403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.001216198,0.1923689,0.00001209261,0.02669564,0.004831363,0.001503773,0.0001602341,0.0001357512,0.7730761],"genre_scores_gemma":[0.4401672,0.1836167,0.0009134167,0.05702007,0.02567416,0.0004410842,0.0003041141,0.0003207054,0.2915425],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.4815336,"threshold_uncertainty_score":0.9973228,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4285391911","doi":"10.4000/glad.4607","title":"Introduction","year":2022,"lang":"en","type":"article","venue":"GLAD!","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Political science; Library science; Humanities; Philosophy; Computer science","authors":[{"name":"Aurore Turbiau","is_ca":false},{"name":"Mathilde Leïchlé","is_ca":false},{"name":"Camille Islert","is_ca":false},{"name":"Marys Renné Hertiman","is_ca":false},{"name":"Vicky Gauthier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01026070691691099,"gpt":0.1827235209116738,"spread":0.1724628139947628,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006489384,0.00004140744,0.00004990048,0.00003281522,0.0005606276,0.00004777872,0.00005547573,0.000002484534,0.01598361],"category_scores_gemma":[0.000008131003,0.00003775897,0.00002524768,0.00001943872,0.00004160728,0.00006100519,0.00006997422,0.00008644051,0.0001221906],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002281475,"about_ca_system_score_gemma":0.000004536235,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004553048,"about_ca_topic_score_gemma":0.00002804614,"domain_scores_codex":[0.9996474,0.00002532921,0.00005654879,0.00009457637,0.00009420716,0.00008187229],"domain_scores_gemma":[0.9998511,0.000006566294,0.00001830043,0.00009405454,0.00002047764,0.000009465614],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005696225,0.00001216104,0.00001805806,0.000002060279,0.000009180737,0.000002195033,0.01423125,0.000002456398,0.00002777236,0.7886854,0.1968159,0.0001878913],"study_design_scores_gemma":[0.00005937168,0.0000334147,0.00005727532,3.310295e-7,0.000004736452,0.000004800666,0.003307702,0.000001825357,0.00001524234,0.00150907,0.994957,0.00004924129],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01039211,0.0007490366,0.000004374174,0.01338817,0.00609117,0.0001035902,0.00006798869,0.0002026135,0.9690009],"genre_scores_gemma":[0.9162929,0.000001548225,0.00002703379,0.000287716,0.004289322,0.00003632973,0.00002061619,0.000006778163,0.07903775],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9059008,"threshold_uncertainty_score":0.9849159,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1506141067","doi":"10.1002/9781444324211.ch5","title":"“The Hard Case of the Would‐be‐Religious”: Hardy and the Church from Early Life to Later Years","year":2009,"lang":"en","type":"other","venue":"","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"History; Genealogy","authors":[{"name":"Pamela Dalziel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01278500353218533,"gpt":0.2124393074038756,"spread":0.1996543038716903,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001895314,0.000296364,0.0004003244,0.00007142743,0.0003517504,0.0006441388,0.0003745877,0.00018315,0.002039549],"category_scores_gemma":[0.0000516054,0.0001195862,0.0001835052,0.00004202815,0.0007101714,0.00003937997,0.0001743521,0.0004434499,0.00006068675],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001090536,"about_ca_system_score_gemma":0.0000304957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001922797,"about_ca_topic_score_gemma":0.006862879,"domain_scores_codex":[0.9988081,0.0001361641,0.000265039,0.000298718,0.00024454,0.0002473726],"domain_scores_gemma":[0.9989163,0.0002319404,0.0001142307,0.0006259356,0.00005398976,0.00005763001],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004242883,0.000007559089,0.00001354306,0.0000121433,0.0003055195,0.00004523376,0.03881414,4.727484e-8,0.000003115352,0.1342936,0.8260475,0.0004151626],"study_design_scores_gemma":[0.0003441724,0.00002886514,0.0005075239,0.0001217021,0.0001003322,0.00001162619,0.001177769,7.449123e-7,0.000003689522,0.000563939,0.9969576,0.0001820652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001605281,0.01458675,0.00000265062,0.007727985,0.001138128,0.0008185286,0.0005934618,0.0001321725,0.973395],"genre_scores_gemma":[0.06008812,0.0004772805,0.00005745422,0.002493496,0.001579716,0.00003579001,0.000006091423,0.0001592382,0.9351028],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1709101,"threshold_uncertainty_score":0.9988727,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2751937381","doi":"10.5539/ells.v7n3p94","title":"Elizabeth Jane—An Independent Woman","year":2017,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Destiny (ISS module); Passion; Reading (process); Perspective (graphical); Literature; History; Sociology; Art; Philosophy; Psychology; Visual arts","authors":[{"name":"Qin Liu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01752553238140431,"gpt":0.2762633994395046,"spread":0.2587378670581003,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002695408,0.0003707261,0.0004565391,0.000110156,0.002227167,0.002365733,0.0003651177,0.00009101519,0.0001200409],"category_scores_gemma":[0.0005298101,0.000265602,0.00009203413,0.00002562002,0.0006116458,0.001210726,0.0003456851,0.000406798,0.000009838387],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001977509,"about_ca_system_score_gemma":0.000009838441,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001769953,"about_ca_topic_score_gemma":0.0008974611,"domain_scores_codex":[0.9985455,0.00007818911,0.00024244,0.0004932829,0.0002501964,0.0003903635],"domain_scores_gemma":[0.9984961,0.00006540261,0.0001649478,0.0007330562,0.0004280935,0.0001124616],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002455153,0.00003619716,0.0003725578,0.00008179674,0.0002256918,0.0002173023,0.799306,5.405633e-8,0.00002855136,0.1951229,0.003715359,0.000869044],"study_design_scores_gemma":[0.0005646874,0.0001384171,0.001016424,0.0002767931,0.00007138633,0.000009323804,0.3295184,0.000001097061,0.00007087293,0.0008339004,0.6670889,0.0004097791],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5729525,0.1175013,9.702064e-7,0.0007788366,0.004168843,0.0003595529,0.0003011704,0.0003900742,0.3035468],"genre_scores_gemma":[0.9762159,0.0006599146,0.0001077491,0.0003177103,0.005597088,0.00004070392,0.00005083316,0.00003578372,0.01697431],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6633735,"threshold_uncertainty_score":0.9999796,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2615774577","doi":"10.4000/lisa.3504","title":"Emily and Charlotte Brontë’s Re-reading of the Byronic hero La réécriture du héros byronien par Emily et Charlotte Brontë","year":2010,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Literature; HERO; Psyche; Narrative; Passion; Relation (database); Mythology; Meaning (existential); Reading (process); Appropriation; Intertextuality; History; Philosophy; Art; Psychology; Linguistics","authors":[{"name":"Cristina Cerón","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09933581550938896,"gpt":0.4537439449843267,"spread":0.3544081294749378,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001778657,0.0006142074,0.001159702,0.0003791824,0.001000845,0.002502702,0.002604112,0.0002151999,0.004009999],"category_scores_gemma":[0.000415075,0.0004366757,0.0003469952,0.0002364249,0.0009921858,0.002666463,0.001492731,0.001417055,0.000009800426],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005464469,"about_ca_system_score_gemma":0.0001648306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006887436,"about_ca_topic_score_gemma":0.002471773,"domain_scores_codex":[0.9964017,0.0004711648,0.001058686,0.0006321419,0.0007926866,0.0006436053],"domain_scores_gemma":[0.9967893,0.0005127994,0.001113491,0.0008464276,0.0005054386,0.0002325831],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005441029,0.0006446287,0.3808447,0.000775268,0.001457052,0.00007676339,0.07382984,0.00001558519,0.1772366,0.1206774,0.2402585,0.00363961],"study_design_scores_gemma":[0.0009338195,0.00002421398,0.3142639,0.0008266905,0.0002034719,0.00003408848,0.001243466,0.00000860779,0.004664848,0.002982762,0.6741958,0.0006184006],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.863429,0.03208769,0.000009057315,0.002458783,0.003030244,0.001088628,0.0005024282,0.000105042,0.09728916],"genre_scores_gemma":[0.9893894,0.004967886,0.00007221776,0.001007429,0.0009897701,0.00006145028,0.0000127941,0.0001129406,0.003386171],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4339373,"threshold_uncertainty_score":0.9998085,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1971110708","doi":"10.1093/res/hgm014","title":"The Early Life and Later Years of Thomas Hardy: An Argument for a New Edition","year":2007,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Argument (complex analysis); Biography; Subject (documents); Life writing; Composition (language); Classics; History; Epistemology; Literature; Sociology; Philosophy; Art history; Art; Computer science; Medicine","authors":[{"name":"Tim Dolin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03626555172482814,"gpt":0.2917981050574847,"spread":0.2555325533326565,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001210641,0.0001249851,0.0003974896,0.00002332944,0.0002878301,0.00004011188,0.0001422085,0.00001577107,0.000009560211],"category_scores_gemma":[0.00116584,0.00006256784,0.0001079536,0.00003402244,0.0004369316,0.0001267091,0.00008549549,0.00006964586,7.909257e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000924506,"about_ca_system_score_gemma":0.00001445905,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000005630264,"about_ca_topic_score_gemma":0.0001178473,"domain_scores_codex":[0.9990853,0.00005971279,0.0003927431,0.0001223632,0.0001700283,0.00016983],"domain_scores_gemma":[0.9983315,0.0005819733,0.0002151116,0.0002258227,0.0006123337,0.00003323471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000106872,0.00005640533,0.0001161181,0.004507751,0.0009860722,7.462115e-7,0.2576365,1.051586e-7,0.00001474995,0.6358939,0.08907904,0.01160181],"study_design_scores_gemma":[0.0002020433,0.0001759746,0.001365329,0.001524972,0.0001744974,1.720472e-7,0.007759709,1.206237e-7,0.00004013827,0.001761168,0.9869165,0.00007941466],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01377444,0.9605746,0.000009100278,0.001825021,0.001750574,0.00128347,0.00008276798,0.00004461416,0.02065547],"genre_scores_gemma":[0.6085242,0.3780058,0.0003796149,0.00114256,0.007889383,0.0001429551,0.00001282467,0.00004616415,0.003856488],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.8978374,"threshold_uncertainty_score":0.2551442,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3042923503","doi":"10.3968/11707","title":"An Ecological Interpretation of The Return of the Native","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Ecocriticism; Alienation; Value (mathematics); Interpretation (philosophy); Perspective (graphical); Intrinsic value (animal ethics); Natural (archaeology); Ecology; Epistemology; Anthropocentrism; Ecological crisis; Environmental ethics; Sociology; Philosophy; History; Linguistics; Political science; Law; Archaeology; Biology","authors":[{"name":"Dongxia Zheng","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01918210149751421,"gpt":0.2825311476005209,"spread":0.2633490461030067,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009939634,0.0001022469,0.0002180629,0.00002132362,0.0001130735,0.00002983969,0.0001658247,0.00003350522,0.00002153804],"category_scores_gemma":[0.0002602914,0.00004468671,0.0000633313,0.0001082124,0.0005967605,0.000109276,0.0001487605,0.0002056509,1.331242e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00000800435,"about_ca_system_score_gemma":0.000006155155,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00000253739,"about_ca_topic_score_gemma":0.0002577444,"domain_scores_codex":[0.9993384,0.0001498173,0.0001900198,0.0001339369,0.0001042801,0.00008356989],"domain_scores_gemma":[0.9995286,0.0001067414,0.000106942,0.000134609,0.0001105993,0.00001250511],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003557482,0.00002752997,0.001013984,0.0001228728,0.00005839975,0.000002841258,0.8839641,9.977035e-7,0.0003027009,0.1138999,0.0004312551,0.000139889],"study_design_scores_gemma":[0.001625861,0.001117979,0.04361708,0.002396339,0.000210044,0.000009305717,0.8170738,0.0002468776,0.004515411,0.009834999,0.1187771,0.0005752193],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9139323,0.03624842,0.000001126867,0.002938591,0.0008043933,0.0003959037,0.0002140958,0.00002242906,0.04544274],"genre_scores_gemma":[0.998643,0.00006145886,0.00002202345,0.0007781068,0.0002131467,0.000008598325,0.000002641808,0.000004680121,0.000266345],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1183459,"threshold_uncertainty_score":0.2198789,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2199261553","doi":"10.1080/0013838x.2014.962316","title":"The Collected Letters of Thomas Hardy. Volume 8: Further Letters 1861–1927","year":2014,"lang":"en","type":"article","venue":"English Studies","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Mount Allison University","funders":"","keywords":"Volume (thermodynamics); History; Thermodynamics; Physics","authors":[{"name":"Michael Thorpe","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01316202014811785,"gpt":0.2111702121450566,"spread":0.1980081919969388,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004774302,0.0003281512,0.0005421122,0.0000952554,0.001216598,0.0002137266,0.0003488865,0.00003349255,0.00008281032],"category_scores_gemma":[0.001194637,0.0002088507,0.0001971675,0.0001132889,0.001409527,0.0001903918,0.0002068469,0.0002191037,0.00003117162],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004773417,"about_ca_system_score_gemma":0.00001200121,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000165582,"about_ca_topic_score_gemma":0.0005202025,"domain_scores_codex":[0.9981781,0.0002218351,0.0004476346,0.0003286348,0.0003629302,0.0004608658],"domain_scores_gemma":[0.9979526,0.0007606588,0.0002229467,0.0004353627,0.0005867436,0.00004171336],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006128896,0.00004266604,0.001338298,0.00009921804,0.001105248,0.000003949703,0.3412191,0.00001210862,0.0005685565,0.1981422,0.4572131,0.0001942109],"study_design_scores_gemma":[0.0004366244,0.00007023547,0.001563725,0.00006786345,0.00009061923,3.972411e-7,0.01998595,0.000006870354,0.0001486317,0.0002446464,0.9771246,0.0002598636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2895256,0.02774506,0.0000936848,0.0447386,0.02271622,0.001684442,0.0002722924,0.001261203,0.6119629],"genre_scores_gemma":[0.972971,0.0002598646,0.000116928,0.001444149,0.003181492,0.0001053859,0.000006942998,0.00005362443,0.02186065],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6834453,"threshold_uncertainty_score":0.9357213,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2009543334","doi":"10.5539/ass.v4n4p149","title":"The Character Development of Angel Clare in Tess of the D'urbervilles","year":2009,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Character (mathematics); Character development; Literature; Sociology; Art; Mathematics","authors":[{"name":"Yongliang Huang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01593932490942209,"gpt":0.2422329331233834,"spread":0.2262936082139613,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003115287,0.00005528144,0.0000907229,0.00002668275,0.0008449618,0.0000613615,0.0003837866,0.00001509112,0.00001527288],"category_scores_gemma":[0.00003687426,0.00002841073,0.00003229092,0.0001532906,0.0009797035,0.000121469,0.00006707122,0.00006907155,0.000001283808],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002706366,"about_ca_system_score_gemma":0.00008249846,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003367601,"about_ca_topic_score_gemma":0.0005990634,"domain_scores_codex":[0.9992974,0.00002384652,0.0001651696,0.00009194459,0.0002603891,0.0001611805],"domain_scores_gemma":[0.9996814,0.00001862862,0.00009523283,0.00009192061,0.0001017161,0.00001117427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.000003416628,0.00002211948,0.0006374788,0.000004017413,0.000003039735,1.858323e-7,0.2155815,4.8663e-9,0.0008675597,0.7441748,0.0001314167,0.0385744],"study_design_scores_gemma":[0.00007098797,0.00001094916,0.6465867,0.00003462898,0.000002438196,1.335337e-7,0.01682105,2.160691e-7,0.001646813,0.002121825,0.3326431,0.00006113442],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1015121,0.0002148193,5.959208e-7,0.004872232,0.0003163426,0.0001498297,0.00001128309,0.000009131941,0.8929136],"genre_scores_gemma":[0.9992211,0.000002129572,0.0000343156,0.0001070548,0.0001099311,0.000003176904,2.504493e-7,0.000001711409,0.0005203421],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.897709,"threshold_uncertainty_score":0.6498849,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2807511784","doi":"10.5539/elt.v11n7p71","title":"An Analysis of Tragedy of Tess of the D’ Urbervilles","year":2018,"lang":"en","type":"article","venue":"English Language Teaching","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Tragedy (event); Psychology; Character (mathematics); Personality psychology; Literature; Realism; Independence (probability theory); Capitalism; Psychoanalysis; Law; Personality; Art; Political science","authors":[{"name":"Peng Yuan-yuan","is_ca":false},{"name":"Yan Rao","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007827605524196164,"gpt":0.2468044794965522,"spread":0.2389768739723561,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004275831,0.0001011283,0.0003301281,0.0001630066,0.0001555828,0.00003282172,0.0002964442,0.00002753847,0.0003657937],"category_scores_gemma":[0.000306163,0.00006420844,0.0001843493,0.0001118691,0.0003463969,0.00017691,0.00005841038,0.0001560269,3.133318e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000007686842,"about_ca_system_score_gemma":0.00000841472,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000298434,"about_ca_topic_score_gemma":0.002665274,"domain_scores_codex":[0.9990994,0.0001875166,0.0002834324,0.0001274674,0.000188944,0.0001132627],"domain_scores_gemma":[0.9990863,0.0001098711,0.0002194713,0.0004225882,0.0001437327,0.00001806293],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.000007627652,0.00007265349,0.002726981,0.00003303425,0.0003963742,5.23537e-7,0.8349208,0.000008711971,0.002697923,0.1586871,0.00003509739,0.0004132438],"study_design_scores_gemma":[0.0004274286,0.0002394275,0.01102157,0.0002250733,0.001664057,3.632827e-7,0.9356048,0.0002504097,0.0203351,0.0001275261,0.02981624,0.0002880693],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8802305,0.000528142,0.00001334504,0.00001209615,0.0002545639,0.00006257492,0.000118183,0.00003169215,0.1187489],"genre_scores_gemma":[0.9989117,0.000001098309,0.0001689215,0.00002303998,0.0005241715,0.000001967917,0.00001103479,0.00001125904,0.0003468509],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1585596,"threshold_uncertainty_score":0.4005184,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2614186640","doi":"10.4000/books.psn.482","title":"Splendeurs et misères de la confession au féminin au xxie siècle","year":2013,"lang":"fr","type":"book-chapter","venue":"Presses Sorbonne Nouvelle eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Art","authors":[{"name":"Barbara Havercroft","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02342388091785856,"gpt":0.2484627811432416,"spread":0.225038900225383,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0006904052,0.001522255,0.001387532,0.0003128004,0.002217731,0.0009563247,0.0008080658,0.001006164,0.007967168],"category_scores_gemma":[0.0002042978,0.001380228,0.0006088506,0.00001403805,0.003848503,0.0002895744,0.0008817988,0.001596433,0.0009023086],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003874734,"about_ca_system_score_gemma":0.0009859811,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002929282,"about_ca_topic_score_gemma":0.003573127,"domain_scores_codex":[0.9951119,0.0005242657,0.001081576,0.001195371,0.0006716228,0.001415217],"domain_scores_gemma":[0.9956284,0.001767512,0.0007515504,0.0009713475,0.0004317572,0.0004493998],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001304073,0.0001454454,0.0001901028,0.0009212192,0.0006379483,0.0001333706,0.06563449,0.000008335489,0.000711792,0.9220098,0.006644316,0.002832748],"study_design_scores_gemma":[0.001038955,0.0003039569,0.0004382362,0.00227354,0.000498669,0.00005459821,0.005000152,0.00003524582,0.001567986,0.03187952,0.9554216,0.001487572],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.004831252,0.004353194,0.00005923378,0.001311336,0.003412384,0.001107594,0.0008818153,0.0003365975,0.9837066],"genre_scores_gemma":[0.5311704,0.0004739373,0.0004986635,0.0003311173,0.002914291,0.0001593907,0.0001165508,0.0002632162,0.4640724],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9487773,"threshold_uncertainty_score":0.9998756,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1503534491","doi":"","title":"Thomas Hardy’s Feminist Consciousness in Jude the Obscure","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sympathy; Criticism; Ideology; Sensibility; Consciousness; Institution; Sociology; Gender studies; Psychoanalysis; Feminism; Psychology; Philosophy; Literature; Law; Social psychology; Politics; Epistemology; Art; Political science; Social science","authors":[{"name":"Fang Li-qing","is_ca":false},{"name":"Jiang Wei-qing","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04424708045098511,"gpt":0.3068145718246835,"spread":0.2625674913736983,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007051779,0.0002774126,0.0004579597,0.0001366183,0.0002426382,0.0003299954,0.0002042968,0.00007890323,0.00001711657],"category_scores_gemma":[0.0002904594,0.0001592486,0.00006449144,0.0001777291,0.0009536456,0.0001985097,0.0002136467,0.0004997319,0.0000073519],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000410005,"about_ca_system_score_gemma":0.00002640634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0000336443,"about_ca_topic_score_gemma":0.005727408,"domain_scores_codex":[0.9985605,0.0002087837,0.0003556643,0.0003431999,0.0001905397,0.0003412965],"domain_scores_gemma":[0.9992036,0.0002278471,0.0000784864,0.0002987903,0.0001342627,0.00005703828],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004105603,0.00003586329,0.006178498,0.00007842093,0.00007071152,0.0002867673,0.7273891,3.231325e-7,0.000002990142,0.2433206,0.02235981,0.0002358827],"study_design_scores_gemma":[0.0007131649,0.00005658386,0.001181727,0.0003481283,0.0000198608,0.0000223358,0.2340057,0.000001625228,0.000005198789,0.001971613,0.7614684,0.0002056733],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1317771,0.4291195,4.121097e-7,0.002804301,0.003653818,0.0005876569,0.0002066633,0.000110338,0.4317402],"genre_scores_gemma":[0.9863449,0.0006187503,0.00005211338,0.001201661,0.001299687,0.00007007162,0.00001858454,0.00002080464,0.01037344],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8545678,"threshold_uncertainty_score":0.6493971,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2066631133","doi":"10.1353/mos.2014.0012","title":"Love’s Shadow: The Unconscious Underside of Romance in Hardy’s The Woodlanders","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Romance; Passion; Unconscious mind; Shadow (psychology); Fantasy; Psychoanalysis; Psychoanalytic theory; Literature; Psychology; Art; Social psychology","authors":[{"name":"Barbara Schapiro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01331889578149496,"gpt":0.1980586043401144,"spread":0.1847397085586194,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002895583,0.0001228795,0.0001728636,0.00003923183,0.000174427,0.00008834522,0.000286236,0.00002535854,0.0001965066],"category_scores_gemma":[0.00005664026,0.00006221127,0.00006853603,0.00004905908,0.0004883128,0.00007711668,0.00006574813,0.000167937,0.00007084353],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002374278,"about_ca_system_score_gemma":0.00001711561,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001744475,"about_ca_topic_score_gemma":0.01671983,"domain_scores_codex":[0.9991971,0.0001052352,0.0001881599,0.0001468425,0.000159306,0.0002033502],"domain_scores_gemma":[0.9993013,0.0002421092,0.00008073757,0.0003204913,0.00003910095,0.00001632654],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002537934,0.00003097888,0.002641659,0.00004152978,0.00006820601,0.00000267333,0.1001777,0.00005765675,0.00004491527,0.8631176,0.03345613,0.0003355654],"study_design_scores_gemma":[0.0003531932,0.00004560412,0.003871441,0.0000462965,0.00002138866,0.000001750755,0.01003397,0.00008520897,0.00004286046,0.01720908,0.9681741,0.0001150837],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06897973,0.003095055,0.00005271611,0.02669065,0.001449453,0.0005503658,0.0000578202,0.00007552728,0.8990487],"genre_scores_gemma":[0.990194,0.00001621459,0.00001246866,0.0009278839,0.0002463676,0.000008923573,0.000003607882,0.00001191043,0.008578662],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.934718,"threshold_uncertainty_score":0.9330058,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2022775862","doi":"10.1080/00144940209597661","title":"Hardy's Jude the Obscure","year":2002,"lang":"en","type":"article","venue":"The Explicator","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"History","authors":[{"name":"Michelle Faubert","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05156755254172594,"gpt":0.1904396579494524,"spread":0.1388721054077265,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001834353,0.0001333849,0.0001314496,0.00001674625,0.0008450176,0.0002253297,0.0004770058,0.0000230484,0.002746207],"category_scores_gemma":[0.00003197798,0.00005740255,0.0001149073,0.00003707169,0.0004041715,0.00009117796,0.00009778508,0.0002080719,0.001812399],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001014062,"about_ca_system_score_gemma":0.000003301683,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004725455,"about_ca_topic_score_gemma":0.00004926082,"domain_scores_codex":[0.9992287,0.00008058423,0.0001597983,0.0001642786,0.0001519091,0.0002147911],"domain_scores_gemma":[0.9991143,0.0001259293,0.00005999356,0.0006185111,0.00004817173,0.00003303243],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000002423181,0.00001947029,0.00005242059,0.000002800282,0.00004111402,9.347984e-7,0.04310633,7.12488e-8,0.00001404347,0.6851059,0.2710778,0.000576678],"study_design_scores_gemma":[0.00009229122,0.00001676052,0.0004138148,0.000006604363,0.00002403992,0.000002744704,0.002911446,0.000009352884,0.0000396871,0.001528208,0.9948616,0.00009343345],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007552046,0.009997748,0.000007047686,0.04192111,0.001657234,0.0004714298,0.00006403081,0.0002813301,0.938048],"genre_scores_gemma":[0.9326267,0.0001184387,0.0000141651,0.00199135,0.002898231,0.00009793588,0.000001785542,0.00002101326,0.06223038],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9250746,"threshold_uncertainty_score":0.9989648,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379616612","doi":"10.1353/mos.2017.a663696","title":"\"Qui est l�?\" : Negative Personhood in Jean Rhys's Wide Sargasso Sea","year":2017,"lang":"fr","type":"article","venue":"Mosaic","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Sargasso sea; Emancipation; Personhood; History; Art history; Art; Philosophy; Law; Politics; Political science; Oceanography; Epistemology; Geology","authors":[{"name":"Alexandra Neel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01963269588317385,"gpt":0.24848399143996,"spread":0.2288512955567862,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000282926,0.0004588438,0.0005547878,0.0001174071,0.0022329,0.001356865,0.0005529168,0.0001677625,0.001501082],"category_scores_gemma":[0.000651011,0.0004428806,0.0001964581,0.00004340399,0.001309824,0.0008540906,0.0003256685,0.0005979,0.0007023895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002080161,"about_ca_system_score_gemma":0.00007860245,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003128789,"about_ca_topic_score_gemma":0.0349799,"domain_scores_codex":[0.9978582,0.0001622072,0.000369012,0.0005434224,0.0002884849,0.0007786991],"domain_scores_gemma":[0.9983301,0.0002962735,0.0002925358,0.0007947308,0.0001475609,0.0001388132],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009450185,0.000402695,0.03592351,0.0002764842,0.0003549264,0.0005025831,0.2229661,0.000008663394,0.00002020187,0.6580671,0.07894972,0.002433544],"study_design_scores_gemma":[0.001000806,0.0001546877,0.01702436,0.0005300812,0.00008806444,0.000005179629,0.01504949,0.00008946613,0.0000898632,0.003975558,0.9614846,0.0005078278],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1123928,0.04879786,0.000006230921,0.06978519,0.008011068,0.0008969727,0.002640487,0.000164032,0.7573053],"genre_scores_gemma":[0.8809528,0.0007833484,0.0001148509,0.0003830206,0.001938756,0.00003765363,0.00004243542,0.00005979231,0.1156873],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8825349,"threshold_uncertainty_score":0.9998023,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2060574362","doi":"10.1111/j.1467-9213.2008.581_6.x","title":"The One and the Many: Reading Isaiah Berlin - George Crowder and Henry Hardy","year":2008,"lang":"en","type":"article","venue":"The Philosophical Quarterly","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Université de Montréal","funders":"","keywords":"George (robot); Reading (process); Classics; Philosophy; History; Art; Art history; Linguistics","authors":[{"name":"Charles Blattberg","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02844015425974968,"gpt":0.21713304845973,"spread":0.1886928941999803,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0005886248,0.0002519654,0.0003190392,0.00003064656,0.003391338,0.0004526123,0.0003111043,0.00005888801,0.0000692098],"category_scores_gemma":[0.00005364126,0.000108937,0.00009920724,0.0000416532,0.003630795,0.0001781823,0.00009058494,0.0005000911,0.00004870784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001176011,"about_ca_system_score_gemma":0.00001129423,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003960856,"about_ca_topic_score_gemma":0.0001041329,"domain_scores_codex":[0.998475,0.0002656014,0.0003208015,0.0002878641,0.0002866633,0.0003641207],"domain_scores_gemma":[0.9983711,0.0009140543,0.00009586834,0.0004613293,0.00008184524,0.00007584385],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0001644781,0.0000257537,0.00002685288,0.00001084038,0.0001209773,0.000008967514,0.0807125,4.308973e-8,0.00001891086,0.917634,0.0007952173,0.0004814557],"study_design_scores_gemma":[0.001217904,0.00025465,0.001354487,0.00004331495,0.0001192717,0.00008469733,0.003315157,0.00005222762,0.000006087698,0.697992,0.2953055,0.0002547073],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1988736,0.01206598,0.00002155025,0.6420668,0.0009129273,0.001088395,0.00008039377,0.0002400883,0.1446503],"genre_scores_gemma":[0.9917607,0.0002493452,0.00001697682,0.001689221,0.002278591,0.00005449119,0.00000320974,0.00002905309,0.003918388],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7928872,"threshold_uncertainty_score":0.9990808,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7104448805","doi":"10.71781/14889","title":"La représentation de la folie dans l'écriture féminine contemporaine des amériques","year":2000,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Conscience; Memoir; Relation (database); Power (physics); Theme (computing)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.005970160102028632,"gpt":0.198756025601329,"spread":0.1927858654993004,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003888477,0.0007258586,0.0006380771,0.0003563519,0.01182806,0.0004090914,0.000384976,0.000722196,0.000235616],"category_scores_gemma":[0.0001150347,0.0007935135,0.0004735031,0.0001629181,0.002112285,0.0007138982,0.0001032275,0.0008250751,0.00004318027],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004005134,"about_ca_system_score_gemma":0.00119194,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02378557,"about_ca_topic_score_gemma":0.02704894,"domain_scores_codex":[0.9968245,0.0007270732,0.0005871485,0.0007453217,0.0005530578,0.0005628963],"domain_scores_gemma":[0.9980021,0.0004231906,0.000452475,0.0003894568,0.0004408211,0.0002919814],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001225036,0.0002933696,0.004971928,0.0003605987,0.0006018651,0.003487125,0.5224901,0.000150523,0.003321988,0.4607945,0.001404598,0.0008983631],"study_design_scores_gemma":[0.001167385,0.0001502143,0.02334285,0.0008955742,0.0004966591,0.001034973,0.2810609,0.00007617753,0.002263812,0.001937581,0.6869038,0.0006700886],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3020734,0.03884295,0.00005298085,0.000327574,0.0008338394,0.0003716394,0.0004161223,0.0002017459,0.6568798],"genre_scores_gemma":[0.7192143,0.002738085,0.0005354985,0.00008757084,0.0008005667,0.00004797083,0.001156037,0.0000617749,0.2753582],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6854992,"threshold_uncertainty_score":0.9998183,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7104480083","doi":"10.71781/9137","title":"Tracer l'absence : les représentations contemporaines d'identités abjectes sur la scène artistique canadienne","year":2023,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"ESPACE; The Imaginary; Subjectivity; History of literature","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.009515424147286533,"gpt":0.2014255940006551,"spread":0.1919101698533685,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0002815872,0.0007214635,0.0006845669,0.0005488389,0.01625973,0.0004488091,0.0004463645,0.0004775139,0.0002372771],"category_scores_gemma":[0.000399444,0.0008181771,0.0004765889,0.0003105706,0.00111606,0.0007757434,0.0001602953,0.0007004596,0.0001331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003116513,"about_ca_system_score_gemma":0.001591559,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.4365781,"about_ca_topic_score_gemma":0.7833208,"domain_scores_codex":[0.9967484,0.0003150169,0.0007295363,0.0009252864,0.0005573675,0.0007243254],"domain_scores_gemma":[0.9968584,0.0006731652,0.000604803,0.0004577301,0.00103726,0.0003687075],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002914866,0.0001691277,0.006015928,0.0004187862,0.000819569,0.004459581,0.3225604,0.0002771317,0.002881135,0.6582178,0.003467493,0.00042159],"study_design_scores_gemma":[0.0008035372,0.00008847257,0.0759122,0.00101777,0.0005148823,0.000423081,0.2434089,0.0001702801,0.00092567,0.0009067926,0.6749331,0.0008953222],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6694232,0.03509204,0.00003659294,0.002011443,0.00610418,0.0008388714,0.001470896,0.0004828614,0.2845398],"genre_scores_gemma":[0.5674777,0.0009173629,0.0001095815,0.00003574876,0.0005960313,0.00007329458,0.0008883043,0.00006224504,0.4298397],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6714656,"threshold_uncertainty_score":0.9994269,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7104466061","doi":"10.71781/22236","title":"La ruse au féminin face aux stratégies dans la littérature contemporaine : La servante écarlate de Margaret Atwood, Barbe bleue de Amélie Nothomb, Incendies de Wajdi Mouawad et Peau d’Homme de Hubert et Zanzim","year":2023,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Private life","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.009045647421078162,"gpt":0.2081572768364537,"spread":0.1991116294153755,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00143756,0.001320272,0.001156856,0.0004890145,0.008328479,0.0008996439,0.000915723,0.001340456,0.00004531212],"category_scores_gemma":[0.0003621007,0.00145105,0.0007124001,0.0003495781,0.001631282,0.001041159,0.0004937532,0.002192708,0.00004236203],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.00687429,"about_ca_system_score_gemma":0.007317753,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04836983,"about_ca_topic_score_gemma":0.194072,"domain_scores_codex":[0.9939425,0.001841674,0.0008334393,0.001113852,0.0008307827,0.001437736],"domain_scores_gemma":[0.9962178,0.001259926,0.0007089725,0.0006481826,0.0005781573,0.000586979],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009045902,0.0002494265,0.009806588,0.0006379675,0.001195336,0.007912971,0.4463681,0.001102274,0.003381865,0.5263662,0.001982357,0.00009240617],"study_design_scores_gemma":[0.001854755,0.0002045076,0.06956039,0.002016084,0.0008737344,0.00149633,0.3595372,0.0006114231,0.0009724853,0.001855242,0.5597009,0.001316945],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.536336,0.02533329,0.0002977769,0.005208034,0.00135481,0.0008620263,0.003308464,0.0007233183,0.4265763],"genre_scores_gemma":[0.8205967,0.004491641,0.0008730721,0.0004430957,0.000557715,0.0001091775,0.001608661,0.0001805088,0.1711394],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5577185,"threshold_uncertainty_score":0.999956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404588471","doi":"10.4000/12q95","title":"Introduction","year":2024,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Rennes eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Virginie Adane","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.013013528301099,"gpt":0.195093345982048,"spread":0.182079817680949,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001195323,0.0007910184,0.0006191291,0.0004813373,0.0009934165,0.0006141871,0.0004299685,0.0004039267,0.004115674],"category_scores_gemma":[0.00002423408,0.0008079327,0.0004965102,0.00001670818,0.001547087,0.000282853,0.0005501774,0.0008605623,0.0009648195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003807475,"about_ca_system_score_gemma":0.00009723681,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00007514881,"about_ca_topic_score_gemma":0.0006932585,"domain_scores_codex":[0.9977848,0.00005224852,0.0003886999,0.0008607894,0.0003100462,0.0006034464],"domain_scores_gemma":[0.9985794,0.0001649444,0.000215257,0.0005573012,0.0003120976,0.0001710141],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009965045,0.00001930412,0.00000508901,0.001105882,0.001300957,0.0005034339,0.006973191,0.00001234994,0.00008585871,0.93955,0.0463669,0.003977357],"study_design_scores_gemma":[0.0001698594,0.000144953,0.00000397731,0.0008850056,0.001268575,0.00008180135,0.001249764,0.00001813901,0.000100679,0.146618,0.8487836,0.0006756265],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00007427003,0.02285896,0.00002254507,0.008584184,0.004289282,0.000377387,0.0006480021,0.0004543073,0.9626911],"genre_scores_gemma":[0.1472676,0.001480227,0.0001230845,0.00004680942,0.01111446,0.000008135618,0.0001223462,0.0001535974,0.8396837],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8024167,"threshold_uncertainty_score":0.999813,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416959987","doi":"10.7202/1121743ar","title":"Highway, Tomson. Rire avec le Trickster. Du sexe, de la mort et des accordéons. Essai. Traduit de l’anglais par Jonathan Lamy, Sudbury, Éditions Prise de parole, « Catal », 2024, 169 p. Isbn 9782897444556","year":2025,"lang":"fr","type":"article","venue":"Rabaska Revue d ethnologie de l Amérique française","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université Laval","funders":"","keywords":"Context (archaeology); Shadow (psychology); Object (grammar)","authors":[{"name":"Aurélien Boivin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01471356500720579,"gpt":0.2700542839345449,"spread":0.2553407189273391,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.002427426,0.001342073,0.001539585,0.0007553421,0.002411623,0.001060165,0.001435953,0.001634694,0.0003945397],"category_scores_gemma":[0.001927677,0.001413091,0.0008821536,0.0009055605,0.003844816,0.001000974,0.0007033142,0.003153491,0.00008746708],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001101361,"about_ca_system_score_gemma":0.002064518,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01119102,"about_ca_topic_score_gemma":0.03779143,"domain_scores_codex":[0.9925435,0.001882026,0.001281093,0.001407448,0.0003758594,0.002510047],"domain_scores_gemma":[0.9949938,0.002069042,0.0004633526,0.00135163,0.0005935558,0.0005285923],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004813154,0.001994393,0.04299434,0.002483267,0.001119816,0.003841905,0.08733507,0.0002876552,0.000412382,0.390493,0.4614646,0.007092251],"study_design_scores_gemma":[0.002472649,0.0003136558,0.02155882,0.001923609,0.0005778215,0.0005447525,0.01287125,0.0005234786,0.001994277,0.01738952,0.9384766,0.001353575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.190321,0.1485675,0.006231476,0.26177,0.00435156,0.002811296,0.006410521,0.002680925,0.3768557],"genre_scores_gemma":[0.8160599,0.01437188,0.003069693,0.001765342,0.001562461,0.001083727,0.0002902695,0.0002148776,0.1615818],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.625739,"threshold_uncertainty_score":0.9999768,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2015480775","doi":"10.5539/elt.v2n2p92","title":"Hardy’s View on Love and Marriage","year":2009,"lang":"en","type":"article","venue":"English Language Teaching","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Psychology; Social psychology; Psychoanalysis; Linguistics; Philosophy","authors":[{"name":"Xiang Xu","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008474943540106023,"gpt":0.2298656640051702,"spread":0.2213907204650642,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002863197,0.0001829745,0.0002075485,0.00007587249,0.0002429076,0.0004450294,0.0001071578,0.00003416184,0.0005605516],"category_scores_gemma":[0.0002911539,0.0001454672,0.00005608564,0.00001442721,0.00005656818,0.0003097367,0.00003470828,0.0004193606,0.00007008921],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000222525,"about_ca_system_score_gemma":0.000004246663,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000009281487,"about_ca_topic_score_gemma":0.00005627449,"domain_scores_codex":[0.9991428,0.00009564481,0.0001480994,0.0002379859,0.0001446707,0.0002308208],"domain_scores_gemma":[0.9995756,0.00008718706,0.00004767519,0.0002115388,0.00002179493,0.00005616408],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008004001,0.00002695297,0.00001063085,0.00001244848,0.00001575594,0.00003428135,0.5559393,2.471958e-7,0.00007039777,0.4350954,0.001892135,0.006894435],"study_design_scores_gemma":[0.0003355468,0.0001405289,0.000141057,0.0001694465,0.00002400972,0.000002741569,0.08154888,0.000004192057,0.00007229992,0.0006904573,0.9166139,0.0002569574],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1215738,0.003782627,0.00000580236,0.0005114781,0.0006415503,0.0001333023,0.00002718514,0.0002391286,0.8730851],"genre_scores_gemma":[0.985537,0.00001709366,0.0001903645,0.001378431,0.002472714,0.000002099098,0.00001232167,0.00001791379,0.01037208],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9147217,"threshold_uncertainty_score":0.6137648,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4395040308","doi":"10.1353/vcr.2023.a925213","title":"Staying the Course","year":2023,"lang":"en","type":"article","venue":"Victorian review","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Course (navigation); History; Astronomy; Physics","authors":[{"name":"Rohan Maitzen","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04060818933759067,"gpt":0.2828980631251418,"spread":0.2422898737875512,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003484621,0.0001066092,0.0001915467,0.00001986834,0.0003903764,0.0001221574,0.0001792823,0.00001170079,0.001105932],"category_scores_gemma":[0.00006366097,0.00005770335,0.00009331149,0.0001158059,0.00008901412,0.00008160844,0.00005888971,0.0001029148,0.001735553],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001093721,"about_ca_system_score_gemma":0.00001704264,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000001583148,"about_ca_topic_score_gemma":0.0000547078,"domain_scores_codex":[0.9992949,0.0000638697,0.0001716178,0.0001243728,0.0001577148,0.0001874929],"domain_scores_gemma":[0.9994875,0.0000827611,0.00005273505,0.0002756265,0.0000740637,0.00002734688],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[5.505971e-7,0.000004857251,0.00002293556,0.0005758622,0.00003642859,0.000006322024,0.01273943,3.315077e-8,0.000001348758,0.8195916,0.1658372,0.001183493],"study_design_scores_gemma":[0.00003839763,0.000008486008,0.00009085928,0.0009845144,0.00005588642,8.86886e-7,0.000509313,5.142573e-7,6.601808e-7,0.0004956433,0.9977334,0.00008144185],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.00008432198,0.3827615,0.000001942597,0.02426375,0.005892444,0.0006562016,0.00006790509,0.0005302959,0.5857416],"genre_scores_gemma":[0.4956556,0.3138674,0.00005074111,0.01625573,0.02136859,0.00058501,0.0001299782,0.0001620485,0.1519249],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8318962,"threshold_uncertainty_score":0.9998072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7100168760","doi":"","title":"89 Copyright © Canadian Academy of Oriental and Occidental Culture Thomas Hardy’s Feminist Consciousness in Jude the Obscure","year":2015,"lang":"en","type":"article","venue":"","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Consciousness","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03189169372202126,"gpt":0.2538844372867721,"spread":0.2219927435647508,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002812367,0.000192831,0.0002832267,0.00008882044,0.0002979201,0.0001894882,0.0002171372,0.0000976932,0.0002322322],"category_scores_gemma":[0.00003807405,0.0001105217,0.00005622679,0.00006507634,0.0008578757,0.0001847957,0.00008551266,0.0002978315,0.00001735464],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007023395,"about_ca_system_score_gemma":0.0001109415,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.008638639,"about_ca_topic_score_gemma":0.4674985,"domain_scores_codex":[0.9988934,0.00008086763,0.0002988103,0.0002332176,0.0002049593,0.0002887376],"domain_scores_gemma":[0.999498,0.00004446169,0.00007847553,0.0001153258,0.00007452798,0.0001891753],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000211738,0.00002271589,0.04003384,0.00001407183,0.000044678,0.00001463251,0.1165205,1.367447e-7,0.000007993771,0.7225285,0.1207702,0.00002155956],"study_design_scores_gemma":[0.0005265753,0.00004124468,0.005693602,0.00003474533,0.00002332304,0.00002125568,0.05277769,0.000003705732,0.00008447831,0.0009448293,0.939687,0.0001615911],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1107924,0.003671739,3.58382e-7,0.003607773,0.001155348,0.0004835138,0.0004497313,0.00005068138,0.8797885],"genre_scores_gemma":[0.9808438,0.00002594667,0.00003305707,0.0009911729,0.0004212354,0.00001443633,0.00001634774,0.00001394515,0.01764006],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8700514,"threshold_uncertainty_score":0.9979629,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4366388928","doi":"","title":"Calligraphie caminale","year":2016,"lang":"es","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Environmental science","authors":[{"name":"Philippe Ragel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01385880258050783,"gpt":0.2159739698900843,"spread":0.2021151673095765,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003859778,0.0007851009,0.0008146817,0.0004155964,0.001516743,0.002052803,0.001663156,0.0003955646,0.001155497],"category_scores_gemma":[0.00121292,0.0006752496,0.0006064135,0.0001601762,0.00149356,0.0002860438,0.001863228,0.0008704829,0.0004404636],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001436168,"about_ca_system_score_gemma":0.0002223841,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0005093688,"about_ca_topic_score_gemma":0.004992153,"domain_scores_codex":[0.991145,0.005271533,0.0008969154,0.001273558,0.0006698137,0.0007432134],"domain_scores_gemma":[0.9896624,0.002307643,0.0008015512,0.002850994,0.004103867,0.0002735546],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001491828,0.0003424462,0.0008999623,0.000315756,0.0002750412,0.00001300608,0.0537659,4.119297e-7,0.0004322886,0.9309362,0.003997599,0.009006505],"study_design_scores_gemma":[0.0005300213,7.200718e-7,0.002055325,0.005642949,0.0001488467,0.000009620868,0.0006953775,0.00006618656,0.003899823,0.01269163,0.9734345,0.0008249807],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0132182,0.006678591,0.005358553,0.02744823,0.001339975,0.0007724906,0.001072121,0.0004713102,0.9436405],"genre_scores_gemma":[0.7916574,0.003655345,0.003776648,0.0001656836,0.0003988815,0.0001624886,0.0004046779,0.0001293749,0.1996495],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9694369,"threshold_uncertainty_score":0.9997832,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6996405499","doi":"","title":"Self-making: Acts of performance in the Victorian novel","year":2020,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Identity (music); Narrative; Character (mathematics); Perspective (graphical); Working class; Democracy; Optimal distinctiveness theory","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02280579503637522,"gpt":0.231244289948304,"spread":0.2084384949119288,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0005840206,0.0007028494,0.0008218617,0.0003202934,0.001042264,0.0002132542,0.0009994454,0.0003423037,0.0001881261],"category_scores_gemma":[0.0003500299,0.0005549908,0.0003003329,0.000303834,0.0001002977,0.0007265897,0.0001171135,0.001613401,0.0001022023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002097056,"about_ca_system_score_gemma":0.00005205939,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000004194741,"about_ca_topic_score_gemma":0.002553754,"domain_scores_codex":[0.9968069,0.0001969851,0.0009106424,0.0006990267,0.000830219,0.0005561791],"domain_scores_gemma":[0.9980108,0.0002490421,0.0006481483,0.00059005,0.0004157705,0.00008620348],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001349468,0.0001957017,0.0000198617,0.0009695261,0.0001899822,0.00001999441,0.006518538,0.000001374707,0.0008748118,0.9909428,9.721509e-7,0.0001314809],"study_design_scores_gemma":[0.0005263992,0.0001693447,0.0005639922,0.0006247124,0.0001633156,0.000004990901,0.003185615,0.000005922094,0.001840468,0.001322282,0.9910038,0.0005891814],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02831736,0.0004285894,1.186428e-8,0.00006171969,0.002516521,0.0006972985,0.0008868523,0.0001751688,0.9669165],"genre_scores_gemma":[0.9955994,0.0001346105,0.0002002004,0.0002053504,0.0003882185,0.0001215862,0.0004085084,0.0001302242,0.00281193],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9910028,"threshold_uncertainty_score":0.9996902,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W7006675546","doi":"","title":"The writing of violence in a french and english novels (contemporary writings by women)","year":2010,"lang":"fr","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Criticism; Order (exchange); History of literature; French","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01204084547638137,"gpt":0.2359898076811278,"spread":0.2239489622047464,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.005298259,0.0005391237,0.0006339604,0.0005581159,0.0009846385,0.002159828,0.0008086192,0.0005018568,0.0006455226],"category_scores_gemma":[0.001189075,0.0004501826,0.000113332,0.0003184676,0.002022807,0.002976237,0.0004521461,0.001347736,0.00002572916],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002299672,"about_ca_system_score_gemma":0.000493178,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007227258,"about_ca_topic_score_gemma":0.002828001,"domain_scores_codex":[0.9966728,0.0002330236,0.001434222,0.0004484825,0.0005267136,0.0006847638],"domain_scores_gemma":[0.9970357,0.0003622222,0.001061875,0.0005867797,0.000798701,0.00015476],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003164785,0.00009964726,0.0007012281,0.00174733,0.00006018691,0.00000807843,0.1047735,0.000001609482,0.001422412,0.8326156,0.02231852,0.03622019],"study_design_scores_gemma":[0.0004352566,0.000044359,0.0002228927,0.006126605,0.00001109748,0.000008374767,0.004650508,0.00004844797,0.002011351,0.001083365,0.9848619,0.0004958246],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.006998613,0.002793323,0.002005485,0.0006811097,0.001453141,0.006486889,0.001157855,0.0001871151,0.9782365],"genre_scores_gemma":[0.8389539,0.003489296,0.006653688,0.001247835,0.0007153092,0.005419482,0.0003449307,0.0001930621,0.1429825],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9625434,"threshold_uncertainty_score":0.999795,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7020465900","doi":"","title":"Les représentations de l'hystérie dans quatre films de fiction français et québécois du XXIe siècle : regards féminins sur des femmes psychiatrisées","year":2025,"lang":"fr","type":"other","venue":"Archipelago (University of Quebec in Montreal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernism (music); Metafiction; The Imaginary","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01363649079539812,"gpt":0.2314556689601854,"spread":0.2178191781647873,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003004219,0.0005428874,0.0007863323,0.0007285646,0.001346135,0.0001116543,0.0005287187,0.0004738278,0.002280091],"category_scores_gemma":[0.0001440991,0.0006541446,0.0004855158,0.0002441402,0.001477428,0.0003468868,0.0002126422,0.0007711936,0.00002491961],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003347268,"about_ca_system_score_gemma":0.0007011045,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9629027,"about_ca_topic_score_gemma":0.9992303,"domain_scores_codex":[0.9974314,0.0006058778,0.0004212286,0.0006620689,0.0002755831,0.0006038573],"domain_scores_gemma":[0.9981319,0.0005671588,0.0004124784,0.0005374088,0.0002109915,0.0001400321],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0001971839,0.000432913,0.06899633,0.0005086912,0.0004708986,0.0001119178,0.5703925,0.000209519,0.00002600652,0.3306628,0.01512247,0.01286874],"study_design_scores_gemma":[0.001108786,0.0001250731,0.6357716,0.001015692,0.0004282553,0.000007605934,0.2685196,0.0002028593,0.000007088927,0.007767443,0.08457293,0.0004730192],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3440401,0.002936132,0.0009934454,0.002883681,0.0004234551,0.0004393517,0.001329869,0.00011574,0.6468382],"genre_scores_gemma":[0.7090434,0.002224448,0.003463403,0.0001038968,0.0002610885,0.000005776902,0.0002397444,0.00008448443,0.2845737],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5667753,"threshold_uncertainty_score":0.999954,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7042872215","doi":"","title":"Ralph Barnes Grindrod's <em>Slaves of the Needle</em>: An Electronic Scholarly Edition","year":2007,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Blackberry (Canada)","funders":"","keywords":"Depiction; Reading (process); Order (exchange); Close reading; Power (physics); Empiricism","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.009077944426308179,"gpt":0.1992334135101525,"spread":0.1901554690838443,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000369054,0.0004899005,0.0006905028,0.0005425651,0.000974314,0.0002665276,0.0008433536,0.0003786706,0.0007264078],"category_scores_gemma":[0.00003696389,0.0004379533,0.0004397153,0.0001921586,0.0003789978,0.001698278,0.0001250781,0.0007343937,0.00003863347],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001495867,"about_ca_system_score_gemma":0.0001411475,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002034176,"about_ca_topic_score_gemma":0.3084572,"domain_scores_codex":[0.9977024,0.0001647212,0.000295908,0.0005342381,0.0007150932,0.0005876005],"domain_scores_gemma":[0.9977456,0.0000536227,0.0006217677,0.0006190711,0.0008630412,0.00009694578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004202439,0.000198622,0.0001693584,0.0004694873,0.0004995849,0.00001724306,0.8574026,0.000006461097,0.005607169,0.1312342,0.00333293,0.0006420178],"study_design_scores_gemma":[0.001216419,0.0006688667,0.01766671,0.0007421493,0.0007958556,0.000005849138,0.7806451,0.00001148896,0.003224989,0.002105851,0.1919976,0.0009190965],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9815197,0.001256107,0.000001860386,0.0004355329,0.001664999,0.0004876142,0.0002656961,0.0001101305,0.01425839],"genre_scores_gemma":[0.6737235,0.0001601493,0.00008824674,0.00002663428,0.0005829723,0.000001217167,0.0007095275,0.00004982213,0.3246579],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3103995,"threshold_uncertainty_score":0.9998072,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2902212341","doi":"10.4000/books.psn.6659","title":"Postface : Gender Politics et genre de questions littéraires","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses Sorbonne Nouvelle eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Politics; History; Art; Sociology; Political science; Law","authors":[{"name":"Andrea Oberhuber","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04774692566839333,"gpt":0.2454859824939736,"spread":0.1977390568255802,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0003420752,0.001449077,0.001129428,0.0003401634,0.001926994,0.0006243098,0.0007754745,0.0008270887,0.004980596],"category_scores_gemma":[0.0001797658,0.001426951,0.0006622255,0.00001493869,0.002178225,0.000225669,0.0008011667,0.001498017,0.0005807612],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002641429,"about_ca_system_score_gemma":0.0006152846,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001312118,"about_ca_topic_score_gemma":0.001995543,"domain_scores_codex":[0.9956868,0.0002589468,0.001030246,0.001092206,0.000529257,0.00140258],"domain_scores_gemma":[0.9965224,0.0005880573,0.0005482455,0.001136772,0.0007371902,0.0004672884],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005190967,0.0001257934,0.00005045344,0.0007835558,0.000984265,0.0001348506,0.09223015,0.000005974308,0.00009083772,0.9029678,0.002025099,0.0005492896],"study_design_scores_gemma":[0.0003820227,0.0002033439,0.0001699651,0.0008566863,0.0007813567,0.00008853244,0.002441799,0.000009303594,0.0002555155,0.1707486,0.8227676,0.001295253],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0003953547,0.02605812,0.000278573,0.001159978,0.002196781,0.0009132718,0.002430892,0.0004667737,0.9661003],"genre_scores_gemma":[0.3018072,0.001739343,0.001343807,0.0008663452,0.003419542,0.0001212835,0.0001561551,0.0003586514,0.6901877],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8207425,"threshold_uncertainty_score":0.9998259,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7001742042","doi":"","title":"L’erreur N’nours : \\n Levac sur les pas de Stephen King. Roger Levac, L’Affaire Pluche, roman, Sudbury, Prise de parole, 2005, 251 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Gloom; Natural (archaeology)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01102374120473534,"gpt":0.1686797750519601,"spread":0.1576560338472247,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006471289,0.001013227,0.0009643455,0.0004055347,0.00325717,0.0003608509,0.0009072938,0.0006266722,0.001902832],"category_scores_gemma":[0.0001022366,0.001152143,0.0006776528,0.0002276745,0.0006967291,0.001041305,0.0006596372,0.001028675,0.000341733],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009354545,"about_ca_system_score_gemma":0.0002262896,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01709117,"about_ca_topic_score_gemma":0.4693821,"domain_scores_codex":[0.9950439,0.0004398072,0.0005929021,0.0009919517,0.0006390417,0.002292403],"domain_scores_gemma":[0.9972565,0.0003039075,0.0004676462,0.0008884635,0.0003673454,0.000716095],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004984226,0.000592833,0.003346986,0.0003255506,0.00124291,0.003358083,0.03239283,0.0005540791,0.0002307231,0.4031568,0.5289427,0.02535812],"study_design_scores_gemma":[0.002150907,0.0001741767,0.004115024,0.0004475442,0.0009135137,0.0004141428,0.009860482,0.0009880131,0.0001562944,0.0006973038,0.9788941,0.001188518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.1710228,0.5728431,0.0002081844,0.1712579,0.001272316,0.001003115,0.001013172,0.0006758329,0.08070356],"genre_scores_gemma":[0.4862105,0.0169876,0.001246417,0.00101128,0.003093651,0.00003264425,0.00009969133,0.0002085705,0.4911096],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5558555,"threshold_uncertainty_score":0.9990929,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2765586640","doi":"10.4000/books.pulg.2377","title":"La misère des riches","year":2014,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Liège eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"History; Political science","authors":[{"name":"Marie-Pier Luneau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01715679314347931,"gpt":0.1947668276121036,"spread":0.1776100344686243,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0002266951,0.0009750208,0.000853285,0.0003577076,0.001755778,0.0006106631,0.0007882086,0.0006350616,0.001905195],"category_scores_gemma":[0.00004292796,0.001005935,0.0005272095,0.00001419728,0.004358122,0.0002317293,0.0006538371,0.0009210996,0.000290221],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002954191,"about_ca_system_score_gemma":0.0001335699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002334712,"about_ca_topic_score_gemma":0.0009830932,"domain_scores_codex":[0.9974144,0.0002461954,0.0004214678,0.0007424593,0.0003715406,0.0008039158],"domain_scores_gemma":[0.9975474,0.0008721178,0.0003595293,0.0005944466,0.0003882636,0.0002382225],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00012813,0.0000309436,0.000163216,0.001076268,0.001048111,0.0005355206,0.01735931,0.000006825754,0.00004518454,0.9598382,0.005173882,0.01459442],"study_design_scores_gemma":[0.0005042937,0.0001987717,0.000131061,0.001561058,0.0009583698,0.00006431793,0.00171123,0.00001099633,0.0001084802,0.0603916,0.9333857,0.0009740914],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0004228714,0.01182944,0.0002201281,0.001951664,0.0006605962,0.0003751007,0.0004866848,0.0003324647,0.9837211],"genre_scores_gemma":[0.6009403,0.000468328,0.0004154617,0.0001290322,0.001182341,0.000006630974,0.00004027488,0.0001231903,0.3966945],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9282119,"threshold_uncertainty_score":0.9995438,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7018441698","doi":"","title":"Desires for childhood (the body and its metamorphoses in Lewis Carroll and James Matthew Barrie)","year":2005,"lang":"fr","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Alice (programming language); Coker unit; Fantasy; Biography","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01561181671876523,"gpt":0.250001086745727,"spread":0.2343892700269618,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002639769,0.0007063866,0.0007778846,0.0007991295,0.001301487,0.002695949,0.000569547,0.0003982953,0.00146024],"category_scores_gemma":[0.0005714217,0.0005466717,0.0001762034,0.0002365678,0.0009444022,0.002955069,0.0003485836,0.000601502,0.00007439282],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001865884,"about_ca_system_score_gemma":0.0003391176,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001763581,"about_ca_topic_score_gemma":0.003014556,"domain_scores_codex":[0.9971744,0.000245761,0.0009592858,0.0005509999,0.0004027274,0.0006667979],"domain_scores_gemma":[0.9981134,0.0002784848,0.0005609588,0.0004874305,0.0003898954,0.0001698347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004424677,0.00007008136,0.00007103141,0.001226705,0.0001444638,0.000005819551,0.04366636,0.0000192326,0.0001633014,0.9201478,0.01799055,0.01645039],"study_design_scores_gemma":[0.0007207302,0.00005687611,0.0008555094,0.001755467,0.0001400343,0.00004737002,0.001367853,0.0001919496,0.00249157,0.0009482993,0.9907682,0.0006561301],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.003053211,0.02308889,0.00595165,0.01037092,0.001777634,0.03085033,0.002741066,0.0004322813,0.921734],"genre_scores_gemma":[0.3444815,0.01080587,0.02253154,0.006837397,0.001731494,0.01563694,0.0007818076,0.0004632141,0.5967302],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9727777,"threshold_uncertainty_score":0.9999987,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6991127333","doi":"","title":"Faillite de la plénitude hollywoodienne dans les remontages de Martin Arnold (2010-2020) : béance du fond, étoilement de la figure","year":2024,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Bronze; Quarter (Canadian coin); Gloom","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0162303086997407,"gpt":0.2353784629546163,"spread":0.2191481542548756,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00145241,0.0008957695,0.0007037474,0.00033211,0.001651059,0.002475641,0.0008550079,0.001212924,0.001998805],"category_scores_gemma":[0.0004880408,0.0009006971,0.0005364638,0.0005168244,0.001679513,0.001029128,0.0004028449,0.00257433,0.0001431728],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001932783,"about_ca_system_score_gemma":0.000639068,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002271306,"about_ca_topic_score_gemma":0.002853263,"domain_scores_codex":[0.9949102,0.001406276,0.0005623671,0.0009747532,0.0004851977,0.001661215],"domain_scores_gemma":[0.997333,0.001103322,0.0002753754,0.0005458003,0.0002293345,0.0005130924],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001525209,0.0002615256,0.00464565,0.0004618786,0.001069061,0.004968963,0.148086,0.0002093064,0.0049097,0.5470874,0.2846117,0.003536268],"study_design_scores_gemma":[0.001311306,0.0001926462,0.0363742,0.001577997,0.0006776725,0.0005317747,0.06137884,0.0003354217,0.0007464316,0.001026236,0.8949217,0.0009258213],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2971914,0.04539666,0.0004667963,0.09343912,0.002672726,0.001073021,0.003202706,0.001051664,0.5555059],"genre_scores_gemma":[0.7424952,0.002592623,0.0008431054,0.0003828463,0.003040897,0.00005399883,0.0001449698,0.00012791,0.2503184],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6103099,"threshold_uncertainty_score":0.9997268,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7115042655","doi":"","title":"Victorian Afterlives: Comedy and the Woman-Authored Middlebrow Novel, 1919-48","year":2025,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; McGill University","keywords":"Middlebrow; Comedy; Closure (psychology); Power (physics)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01608903253452214,"gpt":0.2208657661466727,"spread":0.2047767336121506,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0008935269,0.00125181,0.00142849,0.0005361935,0.003875382,0.0009430788,0.0009559667,0.0005927376,0.0005424363],"category_scores_gemma":[0.0006890353,0.0009453111,0.0005445419,0.0002679274,0.000573419,0.0009352263,0.0003092737,0.001993418,0.0001510274],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002813344,"about_ca_system_score_gemma":0.00006077833,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001510819,"about_ca_topic_score_gemma":0.01410279,"domain_scores_codex":[0.9953938,0.0004546337,0.00112521,0.001297,0.0008406031,0.0008887458],"domain_scores_gemma":[0.9966975,0.0007037186,0.0006428538,0.00100884,0.0007064856,0.0002406286],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007374573,0.0001285217,0.000005292609,0.000682472,0.0008153535,0.00002625796,0.003058042,3.434497e-7,0.0003919558,0.9920141,0.00005779833,0.002082406],"study_design_scores_gemma":[0.002562406,0.00008452372,0.0002138279,0.001031456,0.0006298461,0.000008651346,0.006531974,0.000003346848,0.0004408376,0.02461423,0.962845,0.001033902],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07817225,0.004981342,9.354035e-8,0.0002487797,0.00993276,0.001735769,0.005120213,0.0004931372,0.8993157],"genre_scores_gemma":[0.8137343,0.0004133668,0.000146246,0.0007320243,0.0006160748,0.0005372738,0.001188106,0.0001945005,0.1824381],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9673999,"threshold_uncertainty_score":0.9992998,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4321234087","doi":"10.4000/books.enseditions.44000","title":"Bashing","year":2023,"lang":"fr","type":"book-chapter","venue":"ENS Éditions eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Trois-Rivières; Ministry of Labour, Employment and Social Solidarity","funders":"","keywords":"Geography","authors":[{"name":"Geneviève Bernard Barbeau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04955886584619364,"gpt":0.2346040482410396,"spread":0.1850451823948459,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001864843,0.0006898426,0.0006095609,0.0004201982,0.004125455,0.0005916465,0.000285103,0.000339973,0.006833945],"category_scores_gemma":[0.00005621428,0.0007121342,0.0005306074,0.00001228503,0.002079726,0.0001269833,0.0002507924,0.0009971857,0.007439984],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001255354,"about_ca_system_score_gemma":0.00007400476,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00003286751,"about_ca_topic_score_gemma":0.0007994805,"domain_scores_codex":[0.9977812,0.00005408515,0.0006042493,0.0006089263,0.0003825618,0.0005690106],"domain_scores_gemma":[0.9982902,0.0004223145,0.0002431689,0.0006068342,0.0002894582,0.0001479822],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005416062,0.00001322745,0.000001095299,0.0001238717,0.0003948262,0.0001938426,0.007922595,0.000001678393,0.000009929458,0.9664335,0.02429716,0.0006028946],"study_design_scores_gemma":[0.000168648,0.00007164736,0.00002255674,0.00100825,0.0002847608,0.00002202885,0.0007444103,0.000003463513,0.000009580997,0.1099161,0.8871024,0.0006461866],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00001709674,0.0005891419,0.00002239327,0.001634149,0.005577261,0.0004133955,0.005691526,0.0006359646,0.9854191],"genre_scores_gemma":[0.0163952,0.0001219878,0.0002492625,0.0003338098,0.007056055,0.0000989941,0.0004410875,0.0002471339,0.9750565],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8628052,"threshold_uncertainty_score":0.999533,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4253660871","doi":"10.4000/books.pum.10976","title":"Introduction","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science","authors":[{"name":"Eftihia Mihelakis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01039047580230569,"gpt":0.1721737105932154,"spread":0.1617832347909097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001752566,0.0007291565,0.0006806341,0.0002015583,0.003572936,0.0005333225,0.0006838371,0.0004814007,0.01720153],"category_scores_gemma":[0.00005471485,0.0007903684,0.0004360232,0.000003212295,0.001256914,0.0002502148,0.0008554885,0.00077088,0.0005857856],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0009358056,"about_ca_system_score_gemma":0.00006860129,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001299967,"about_ca_topic_score_gemma":0.009749352,"domain_scores_codex":[0.9978377,0.00008009966,0.0003322993,0.0007120883,0.0003232241,0.0007146501],"domain_scores_gemma":[0.9978549,0.0001127668,0.0005246085,0.0009565973,0.0003036673,0.0002474461],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003410383,0.00002481611,0.00006843336,0.0002625253,0.0007745389,0.0006183896,0.02362855,0.00001568645,0.000212638,0.8936893,0.07558391,0.004780131],"study_design_scores_gemma":[0.0005638393,0.0001420345,0.0005351229,0.000311617,0.0009006707,0.0001615258,0.0006123002,0.00002518091,0.0002633349,0.01558823,0.9801676,0.0007285905],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0001843784,0.02048548,0.00004113041,0.004007661,0.001563391,0.0003876553,0.0005252828,0.00018712,0.9726179],"genre_scores_gemma":[0.02198008,0.002357669,0.0002523192,0.0001186036,0.006780754,0.000010787,0.00008026276,0.0001201047,0.9682994],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9045836,"threshold_uncertainty_score":0.9994547,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7135054091","doi":"10.1353/vcr.2025.a985011","title":"Victorian Literary Culture and Ancient Egypt ed. by Eleanor Dobson (review)","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Ancient egypt; Literary criticism; History of literature","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.005456179642049834,"gpt":0.2385489599382976,"spread":0.2330927802962477,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0003726516,0.0004342683,0.0009288666,0.00007068792,0.0003766422,0.0002237791,0.0002946653,0.00006036308,0.0007073453],"category_scores_gemma":[0.0001501113,0.0003099421,0.0002120928,0.0002314212,0.0001882689,0.0002806281,0.0001494474,0.0002997336,0.0001298686],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00007189626,"about_ca_system_score_gemma":0.0000483195,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000003050987,"about_ca_topic_score_gemma":0.00004178216,"domain_scores_codex":[0.9979898,0.0001733677,0.000612054,0.0005471293,0.0002715068,0.0004060808],"domain_scores_gemma":[0.9988286,0.00006307389,0.0001998173,0.0005152306,0.0002596645,0.000133597],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000501499,0.00004217074,0.00006829131,0.01364808,0.00009376494,0.000005600732,0.002955592,1.123843e-9,0.00002488106,0.2594417,0.7194445,0.004270385],"study_design_scores_gemma":[0.0001954489,0.00006178446,0.0000468101,0.02669799,0.0002509288,0.000003173405,0.00004283728,1.535587e-7,0.00000908397,0.0002134553,0.9721573,0.0003210616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00001514054,0.8510888,0.000004518471,0.003590542,0.002725025,0.0008468024,0.0001980497,0.0001288093,0.1414024],"genre_scores_gemma":[0.001841901,0.9520358,0.00009855423,0.01593278,0.001688085,0.0001731018,0.0001473853,0.00003253827,0.02804983],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2592283,"threshold_uncertainty_score":0.9999353,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6945444697","doi":"10.2307/90008149","title":"Modes of Intersubjective Address in The Central Character (1977) and Our Marilyn (1987)","year":2016,"lang":"fr","type":"article","venue":"UWSpace (University of Waterloo)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Character (mathematics); Subjectivity; Subject (documents); Field (mathematics); ESPACE","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01482409740758469,"gpt":0.1926018620153217,"spread":0.177777764607737,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001844201,0.0002117711,0.0003778062,0.0001669409,0.0002165514,0.00004474591,0.0002991432,0.0001017612,0.0001692691],"category_scores_gemma":[0.00001557453,0.0001468746,0.0001263768,0.00006050017,0.0008181885,0.0005704506,0.0002109948,0.0001615908,0.00001248609],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006475327,"about_ca_system_score_gemma":0.00002287106,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01554144,"about_ca_topic_score_gemma":0.05884425,"domain_scores_codex":[0.9988313,0.0002063399,0.000141855,0.0002663349,0.0001811803,0.0003729822],"domain_scores_gemma":[0.9993122,0.0001025821,0.0001682954,0.0002279762,0.0001357962,0.00005312159],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0004403437,0.0001733173,0.00973093,0.0002593726,0.0002356918,0.0000610608,0.8382525,5.74024e-7,0.002406122,0.1452268,0.002004535,0.001208725],"study_design_scores_gemma":[0.001859629,0.0003663476,0.09659244,0.001130932,0.0001695117,0.00001030861,0.7987003,0.00001393316,0.0006634553,0.0007314792,0.09942678,0.0003349026],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.960483,0.00154814,0.000005017046,0.03107729,0.0005151532,0.0002761834,0.0006004325,0.00001359278,0.005481203],"genre_scores_gemma":[0.8277489,0.0004857378,0.00006644232,0.00003127398,0.0001489727,3.729077e-7,0.000004196528,0.00001010337,0.171504],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1660228,"threshold_uncertainty_score":0.9910141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7020053719","doi":"","title":"La ruse au féminin face aux stratégies dans la littérature contemporaine : La servante écarlate de Margaret Atwood, Barbe bleue de Amélie Nothomb, Incendies de Wajdi Mouawad et Peau d’Homme de Hubert et Zanzim","year":2023,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Private life","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.009045647421078162,"gpt":0.2081572768364537,"spread":0.1991116294153755,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00143756,0.001320272,0.001156856,0.0004890145,0.008328479,0.0008996439,0.000915723,0.001340456,0.00004531212],"category_scores_gemma":[0.0003621007,0.00145105,0.0007124001,0.0003495781,0.001631282,0.001041159,0.0004937532,0.002192708,0.00004236203],"about_ca_system_candidate":true,"about_ca_system_consensus":true,"about_ca_system_score_codex":0.00687429,"about_ca_system_score_gemma":0.007317753,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.04836983,"about_ca_topic_score_gemma":0.194072,"domain_scores_codex":[0.9939425,0.001841674,0.0008334393,0.001113852,0.0008307827,0.001437736],"domain_scores_gemma":[0.9962178,0.001259926,0.0007089725,0.0006481826,0.0005781573,0.000586979],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009045902,0.0002494265,0.009806588,0.0006379675,0.001195336,0.007912971,0.4463681,0.001102274,0.003381865,0.5263662,0.001982357,0.00009240617],"study_design_scores_gemma":[0.001854755,0.0002045076,0.06956039,0.002016084,0.0008737344,0.00149633,0.3595372,0.0006114231,0.0009724853,0.001855242,0.5597009,0.001316945],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.536336,0.02533329,0.0002977769,0.005208034,0.00135481,0.0008620263,0.003308464,0.0007233183,0.4265763],"genre_scores_gemma":[0.8205967,0.004491641,0.0008730721,0.0004430957,0.000557715,0.0001091775,0.001608661,0.0001805088,0.1711394],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5577185,"threshold_uncertainty_score":0.999956,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7132953497","doi":"","title":"Theology and the Narrative Form of the Victorian Realist Novel","year":2020,"lang":"","type":"dissertation","venue":"TSpace","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Faculty of Arts and Sciences; University of Toronto","keywords":"Narrative; Parallels; Protestantism; Faith; Realm; Novella; Apostasy; Verisimilitude; Confession (law)","authors":[{"name":"Amy Coté","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01775345762989795,"gpt":0.2783260243697673,"spread":0.2605725667398694,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0002753037,0.000478397,0.0008134852,0.00004736345,0.001551646,0.0002101601,0.0004760963,0.000201195,0.0003609164],"category_scores_gemma":[0.0003174026,0.000233519,0.0002845603,0.0001078041,0.002252243,0.00009281855,0.0002114364,0.0006626322,0.000004194656],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002914999,"about_ca_system_score_gemma":0.0001169557,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002528341,"about_ca_topic_score_gemma":0.007414572,"domain_scores_codex":[0.9982801,0.0002376555,0.0004834428,0.0004104982,0.0003054552,0.0002828316],"domain_scores_gemma":[0.9978239,0.0005035964,0.0007746977,0.0004560894,0.0003933252,0.00004842698],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004174365,0.00001518876,0.000008931842,0.0001279977,0.0002497322,4.844648e-7,0.4924954,1.222294e-7,0.00008770748,0.5063191,0.000271757,0.000006142865],"study_design_scores_gemma":[0.001344878,0.000116896,0.0007600322,0.0002368422,0.0003501546,0.000003488312,0.3476671,0.000018487,0.0001910153,0.01397653,0.6350918,0.0002426835],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007235726,0.006246624,0.00001596107,0.02792342,0.005207997,0.001587354,0.0002934801,0.000035184,0.9514542],"genre_scores_gemma":[0.9415377,0.000330398,0.00002805291,0.0003675606,0.001155615,0.00006904105,0.00009738713,0.00004292718,0.05637136],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9343019,"threshold_uncertainty_score":0.9997482,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7068930150","doi":"","title":"Contributors","year":2017,"lang":"en","type":"book-chapter","venue":"OpenEdition (OpenEdition)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Government (linguistics); Exposition (narrative); Period (music); Subject (documents)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02676475240594258,"gpt":0.2325379128563823,"spread":0.2057731604504397,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003481598,0.0009034596,0.001067009,0.0003093725,0.002444706,0.001955225,0.0008649069,0.0004517949,0.0533164],"category_scores_gemma":[0.0001382535,0.0008495623,0.0005046771,0.000009177536,0.001048329,0.008744736,0.0003469104,0.0007862393,0.009953245],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002100368,"about_ca_system_score_gemma":0.000149552,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00001573149,"about_ca_topic_score_gemma":0.003640119,"domain_scores_codex":[0.9968591,0.00004986798,0.0007989775,0.0009024579,0.0008253625,0.0005642825],"domain_scores_gemma":[0.9964489,0.0001613333,0.001006037,0.001160832,0.0009851817,0.0002377393],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000463804,0.00003174469,9.281724e-7,0.00006471968,0.0002663581,0.0001011499,0.0005727357,3.555404e-7,0.000002427372,0.8707555,0.1276004,0.0005573353],"study_design_scores_gemma":[0.0007465211,0.0001531688,0.00007383429,0.0006736839,0.0002637217,0.00002104337,0.00009223417,9.090234e-7,0.00002755321,0.0561788,0.9408146,0.0009539995],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.000001705452,0.001775773,0.0000192556,0.01332593,0.008322063,0.0008740393,0.005973995,0.0002876641,0.9694196],"genre_scores_gemma":[0.01472669,0.0003740939,0.00006374079,0.009004823,0.009641274,0.0002279878,0.005215599,0.0001599596,0.9605858],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8145767,"threshold_uncertainty_score":0.9993955,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7018047159","doi":"","title":"Création d'un contre-monument urbain par l'exploration du potentiel émancipateur de l'érotisme dans une pratique artistique micropolitique","year":2023,"lang":"fr","type":"other","venue":"Archipelago (Université du Québec à Montréal)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Identity (music); Private life; Colonial period","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.005422745303594508,"gpt":0.1703277948523225,"spread":0.164905049548728,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004790451,0.001169429,0.001091256,0.0006159717,0.002222108,0.0004143047,0.0006475451,0.0005650875,0.002092122],"category_scores_gemma":[0.000175249,0.00126847,0.0005467673,0.0002944595,0.00103752,0.0008106506,0.0004083462,0.0009550401,0.0009656136],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001850915,"about_ca_system_score_gemma":0.0007782406,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3640191,"about_ca_topic_score_gemma":0.9368926,"domain_scores_codex":[0.9954348,0.0009309566,0.0008447242,0.001131859,0.0004947814,0.001162846],"domain_scores_gemma":[0.9971234,0.0004566304,0.0008375237,0.0007790134,0.0003872674,0.0004161375],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001488353,0.0002837904,0.0009503256,0.000216139,0.0007886548,0.0008753476,0.3977219,0.0001713203,0.0004703121,0.582028,0.014251,0.002094407],"study_design_scores_gemma":[0.001859139,0.0004482504,0.01501319,0.0008321937,0.0007458074,0.00007057952,0.08936709,0.001097493,0.0002394168,0.01436408,0.8745276,0.001435152],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2712515,0.0257428,0.08121312,0.1368032,0.005851003,0.008349139,0.004662069,0.004128267,0.4619989],"genre_scores_gemma":[0.7288764,0.00326739,0.0009182657,0.0006057429,0.001944042,0.0002112244,0.0003726386,0.0008491934,0.2629551],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8602766,"threshold_uncertainty_score":0.9998122,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7023722542","doi":"","title":"‘Oh God that I Were a Writer !’ : Ellen Terry ou l’incarnation du style selon Virginia Woolf","year":2005,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Style (visual arts); Writing style; George (robot); Criticism","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01220676088975109,"gpt":0.2047270630232693,"spread":0.1925203021335182,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001775856,0.0002878592,0.0002749112,0.0001819968,0.0008510683,0.0008300389,0.000616157,0.0000973857,0.001549031],"category_scores_gemma":[0.000250118,0.0002689863,0.0001621829,0.0001016116,0.0002850019,0.0006400759,0.0003068502,0.0002931544,0.000263138],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001000565,"about_ca_system_score_gemma":0.00004050685,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001988831,"about_ca_topic_score_gemma":0.008559072,"domain_scores_codex":[0.997048,0.001327215,0.0003793708,0.0004801712,0.000396487,0.0003687288],"domain_scores_gemma":[0.9972196,0.0004965847,0.0002559684,0.0009294624,0.0009834524,0.0001149568],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000202238,0.0004171692,0.001629881,0.00004384418,0.00009748076,0.000004428428,0.1443689,0.000002675316,0.0009253855,0.8273891,0.007232132,0.01786878],"study_design_scores_gemma":[0.0005612511,8.132855e-7,0.003405515,0.0002866931,0.0000342714,0.000007006181,0.001567524,0.0006564839,0.004021461,0.0006115357,0.9885324,0.0003150092],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08617683,0.001939042,0.001587732,0.05119309,0.0004465805,0.0004694405,0.0001672653,0.0005371278,0.8574829],"genre_scores_gemma":[0.9413356,0.0002334768,0.003347675,0.0003577333,0.0002737362,0.00004989166,0.000217305,0.00004531408,0.0541393],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9813003,"threshold_uncertainty_score":0.9999762,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4416244103","doi":"","title":"Représenter les jeunes femmes psychiatrisées, une représentation genrée : l’exemple de Town of Light, Alice : Madness Return et Fran Bow","year":2022,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Alice (programming language); Subject (documents); Field (mathematics); Latin Americans","authors":[{"name":"Elisa Vial","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01822170473881781,"gpt":0.2560753093237845,"spread":0.2378536045849667,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004703297,0.0004028454,0.0005100241,0.0002621793,0.001968295,0.0004745277,0.0008518214,0.0001325415,0.001795849],"category_scores_gemma":[0.0004971936,0.0004375126,0.000348498,0.0004737188,0.0005612688,0.0003792851,0.0007481115,0.0006494704,0.00001088403],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001576207,"about_ca_system_score_gemma":0.000192627,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01259679,"about_ca_topic_score_gemma":0.01485835,"domain_scores_codex":[0.9903862,0.006783434,0.0009017657,0.0007788479,0.0006066996,0.0005430859],"domain_scores_gemma":[0.9950779,0.000894153,0.0008015575,0.001542634,0.001540754,0.0001430081],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007037156,0.000875292,0.0100804,0.0002493227,0.0002029035,0.00001113527,0.272593,0.00001338351,0.001846742,0.6792632,0.03245257,0.002341656],"study_design_scores_gemma":[0.0007755551,0.000004454625,0.004274381,0.0006190714,0.0001554906,0.00003962318,0.02169773,0.0003199975,0.008294407,0.005939046,0.9574295,0.0004507569],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2641577,0.04557632,0.002427959,0.2844897,0.003528202,0.001111101,0.001493464,0.0003701543,0.3968453],"genre_scores_gemma":[0.8507105,0.001440954,0.005892219,0.000422138,0.0002171798,0.0001321903,0.0005332409,0.00008045149,0.1405712],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9249769,"threshold_uncertainty_score":0.9998077,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4226067217","doi":"","title":"\"La déesse H : une voie d'intercession\"","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Chemistry","authors":[{"name":"Claude Coste","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01461890561331467,"gpt":0.2277703063256357,"spread":0.213151400712321,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004626642,0.0008059507,0.0009019463,0.0002360771,0.001715189,0.002971886,0.001623196,0.0005402723,0.002726561],"category_scores_gemma":[0.001613679,0.0008152493,0.000619168,0.0003295011,0.002033923,0.0004142695,0.002987399,0.001726447,0.000212451],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002294373,"about_ca_system_score_gemma":0.0003973338,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002016564,"about_ca_topic_score_gemma":0.01518698,"domain_scores_codex":[0.9852611,0.01103476,0.001015251,0.001352478,0.0006478842,0.0006885385],"domain_scores_gemma":[0.9889544,0.002790753,0.0007583027,0.002774537,0.004420035,0.0003020343],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001568544,0.0007243165,0.000278567,0.0004392891,0.0002655121,0.00005488881,0.1790099,0.000006887265,0.0004549724,0.8029661,0.003268966,0.01251497],"study_design_scores_gemma":[0.0005760816,5.67044e-7,0.001979773,0.009348893,0.0001758116,0.00003340612,0.007322541,0.0005376045,0.003995181,0.003856485,0.9713585,0.0008151691],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03217064,0.02205417,0.01083361,0.05256626,0.002271944,0.000573283,0.0004250372,0.0004002997,0.8787048],"genre_scores_gemma":[0.7405534,0.003297658,0.009983434,0.0002057413,0.0002640309,0.0001231715,0.000959065,0.0001176799,0.2444959],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9680895,"threshold_uncertainty_score":0.9995844,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7067153452","doi":"","title":"Les ‘regles’ du jeu d’Autolycus : kairos, metis et mimicry dans The Winter’s Tale","year":2021,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Identity (music); Narrative; Subject (documents); Context (archaeology)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0146396434616898,"gpt":0.2198983554462607,"spread":0.2052587119845709,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002839219,0.0004326679,0.0004288762,0.00009203437,0.002100708,0.001573829,0.0009529513,0.0001686505,0.0019084],"category_scores_gemma":[0.001191621,0.0003734604,0.0003850828,0.0002644263,0.001551005,0.0003725002,0.0009204102,0.0006466118,0.0001523846],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001427145,"about_ca_system_score_gemma":0.0001993399,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001845817,"about_ca_topic_score_gemma":0.04109406,"domain_scores_codex":[0.9902841,0.007502452,0.0005783302,0.0006820685,0.0004142815,0.0005387531],"domain_scores_gemma":[0.9934037,0.002143845,0.0003322525,0.001720941,0.002253903,0.0001452995],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006281829,0.0004309764,0.0006653501,0.00009425944,0.0001808106,0.00003526437,0.1532529,0.000002523578,0.001209894,0.8265291,0.01065794,0.006934655],"study_design_scores_gemma":[0.0004061132,8.592499e-7,0.00291195,0.001359979,0.0001394229,0.00007930883,0.009338943,0.0002248031,0.0127346,0.002048901,0.9703632,0.0003919364],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01444424,0.05324304,0.004432311,0.1841757,0.001537778,0.0003321675,0.0005818456,0.0002176587,0.7410353],"genre_scores_gemma":[0.621534,0.003541806,0.003898825,0.0006172907,0.000221877,0.00005214972,0.0002958893,0.00007353025,0.3697646],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9597052,"threshold_uncertainty_score":0.9998717,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4220845412","doi":"10.1177/09526951211066251","title":"Reply to my commentators – Thinking with Forrester: Dreams, true crimes, and histories of change","year":2022,"lang":"en","type":"article","venue":"History of the Human Sciences","topic":"Thomas Hardy Literature Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Queen's University","funders":"","keywords":"Psychoanalysis; Criminology; Psychology; Philosophy; Epistemology","authors":[{"name":"Laura Cameron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0983520791963517,"gpt":0.2570953892599084,"spread":0.1587433100635567,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004462412,0.0001076402,0.0002013622,0.0001307845,0.00148095,0.00003062042,0.0004932752,0.00000669602,0.0002179652],"category_scores_gemma":[0.00001251005,0.00007076951,0.00004433194,0.00006402915,0.001966386,0.000200083,0.0003245508,0.0000882981,2.374439e-7],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002229328,"about_ca_system_score_gemma":0.00005930477,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000499242,"about_ca_topic_score_gemma":0.0009977539,"domain_scores_codex":[0.9989265,0.0000846657,0.0001909765,0.0002098016,0.0004477286,0.0001403355],"domain_scores_gemma":[0.9994363,0.00004292417,0.0002155665,0.0002285744,0.00004947801,0.00002719481],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001543043,0.00002499969,0.003229462,0.0000368782,0.00001364977,7.606628e-7,0.5060689,0.000001160717,0.00007402641,0.4540248,0.03646873,0.00004115436],"study_design_scores_gemma":[0.0001147918,0.0003299252,0.001456283,0.00003377596,0.00002229314,0.000002531023,0.02170794,4.598348e-7,0.0000321003,0.0007673917,0.9754332,0.00009932469],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6495652,0.0168112,0.000001849047,0.007598701,0.006965321,0.001001159,0.0001256824,0.0001070149,0.3178239],"genre_scores_gemma":[0.9834657,0.000002025802,0.0001058163,0.001620493,0.0000990721,0.00004458991,9.162947e-7,0.000008604079,0.01465281],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9389644,"threshold_uncertainty_score":0.999819,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}