{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":77,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":77,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"335998cdab02","filters":{"topic":"Vladimir Nabokov Literary Studies"}},"results":[{"id":"W2089720749","doi":"10.1353/mos.2013.0006","title":"Nabokov's Aesthetic Bergsonism: An Intuitive, Reperceptualized Time","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Intuition; Philosophy; Layering; Aesthetics; Epistemology; Space (punctuation); Art; Linguistics","authors":[{"name":"Laci Mattison","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01363990484880899,"gpt":0.2847228939671588,"spread":0.2710829891183498,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004553781,0.0001877958,0.0002746071,0.00009228551,0.0007384927,0.0002185718,0.0003956821,0.0001245715,0.006008504],"category_scores_gemma":[0.0001641523,0.0001759873,0.00008884699,0.0003776017,0.0005303881,0.0008767637,0.00008542227,0.0001489958,0.004397598],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001186296,"about_ca_system_score_gemma":0.00009624361,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004264129,"about_ca_topic_score_gemma":0.0003586398,"domain_scores_codex":[0.9978312,0.0005025626,0.0002652593,0.0003976898,0.000434374,0.0005688639],"domain_scores_gemma":[0.9990305,0.00008175956,0.00008293828,0.0003768214,0.0001766113,0.0002513407],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005659269,0.0006764451,0.01059058,0.00002856713,0.0001189812,0.00006756409,0.414815,0.00000811846,0.002412399,0.03907321,0.358713,0.1734396],"study_design_scores_gemma":[0.0008186912,0.0002662438,0.009644333,0.00004443374,0.0000356784,0.00001021982,0.01300464,0.0001759486,0.0001264533,0.01399977,0.9611769,0.0006967263],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8984546,0.0003958917,0.00002104487,0.006333526,0.0003142462,0.0007417172,0.00001574575,0.0004835011,0.09323971],"genre_scores_gemma":[0.9436619,0.0001131337,0.001203974,0.001701503,0.0002924601,0.0001943405,0.00003643928,0.00004371608,0.05275253],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6024639,"threshold_uncertainty_score":0.9963776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2136130327","doi":"10.7202/010718ar","title":"Les migrations linguistiques de Vladimir Nabokov","year":2005,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art","authors":[{"name":"Natalia Teplova","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0934449739881179,"gpt":0.3775016779853476,"spread":0.2840567039972297,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006382603,0.0004284955,0.0004016501,0.0003304227,0.001615683,0.0001996538,0.0003367371,0.0006368912,0.0006985199],"category_scores_gemma":[0.0006188225,0.0004877575,0.0002771438,0.0007032165,0.001084731,0.001406533,0.00004749512,0.0006908915,0.0004324571],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002321241,"about_ca_system_score_gemma":0.0002976386,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00548079,"about_ca_topic_score_gemma":0.003438491,"domain_scores_codex":[0.9966004,0.0007061175,0.0006717961,0.0006677366,0.0004128287,0.0009411486],"domain_scores_gemma":[0.9984704,0.0002509888,0.0003755575,0.0003861907,0.0002968125,0.0002200948],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005252743,0.0005411357,0.004620096,0.00008810953,0.0001634172,0.00002042248,0.03260399,0.0003831917,0.0008260665,0.02341501,0.02857438,0.9087117],"study_design_scores_gemma":[0.0003371689,0.0001943503,0.02233385,0.000104617,0.0001763979,0.0001027656,0.004948251,0.0004807861,0.003608899,0.003210512,0.963979,0.0005234077],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7872196,0.03543936,0.002959818,0.1214579,0.0118178,0.001005685,0.00007990823,0.00203285,0.03798702],"genre_scores_gemma":[0.895757,0.01230077,0.006152222,0.0004332917,0.008173198,0.0001253012,0.00003360889,0.00005193513,0.07697273],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.9354046,"threshold_uncertainty_score":0.9997574,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W148921959","doi":"10.3138/cjfs.12.1.57","title":"“Thou, The Player of the Game, Art God”: Nabokovian Game-playing in Cronenberg’s <i>eXistenZ</i>","year":2003,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Thou; Art; Philosophy; Literature; Humanities; Theology","authors":[{"name":"Mark Browning","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04448164653575638,"gpt":0.2941611857994795,"spread":0.2496795392637231,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002715826,0.0004194487,0.0009672286,0.0003217579,0.001202408,0.0001183028,0.001027691,0.0001931003,0.000278374],"category_scores_gemma":[0.003196002,0.0002762316,0.0004800206,0.001669633,0.003507921,0.0005198349,0.00007983749,0.0009834501,0.00003634809],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008806005,"about_ca_system_score_gemma":0.002670671,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.01013594,"about_ca_topic_score_gemma":0.4020009,"domain_scores_codex":[0.9950537,0.001466393,0.001320772,0.0002956849,0.0007007415,0.001162721],"domain_scores_gemma":[0.9963833,0.0009518235,0.00101799,0.0004351587,0.0007365256,0.0004752146],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000459641,0.0001147494,0.237131,0.0002674426,0.001687206,0.0005327432,0.3701062,0.0008598579,0.00003809283,0.04159465,0.3435296,0.004092537],"study_design_scores_gemma":[0.0006765498,0.0001304468,0.03980284,0.001046258,0.0002035628,0.0001129714,0.06953392,0.000006869682,0.00006993519,0.002589498,0.8854995,0.0003276535],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4326529,0.407657,0.00000698549,0.07995463,0.01345191,0.0007398346,0.0001533198,0.000008660835,0.06537478],"genre_scores_gemma":[0.9644698,0.006135043,0.0001383177,0.002151295,0.0004730846,0.00001314779,3.498439e-7,0.00003672998,0.02658225],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.54197,"threshold_uncertainty_score":0.999969,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2329530061","doi":"10.1093/aesthj/ayr025","title":"Nabokov and the Art of Play","year":2011,"lang":"en","type":"article","venue":"The British Journal of Aesthetics","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Art; Art history","authors":[{"name":"P. Benedict Grant","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02105993194390528,"gpt":0.2484031365896379,"spread":0.2273432046457326,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002278408,0.0000583682,0.0002076386,0.00002291157,0.0006356095,0.0001021423,0.0004045804,0.00003582632,0.00003840225],"category_scores_gemma":[0.0002715193,0.00003673336,0.00009277452,0.0001271868,0.001745943,0.0001381746,0.00005332633,0.0002183558,0.000003663163],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001109075,"about_ca_system_score_gemma":0.00006702531,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004062431,"about_ca_topic_score_gemma":0.0003385674,"domain_scores_codex":[0.9987384,0.0003823944,0.0003282928,0.00005017862,0.000345514,0.000155212],"domain_scores_gemma":[0.9990972,0.0001941685,0.0003286219,0.00009921566,0.0002273969,0.00005334926],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007554789,0.0003885728,0.01091551,0.00003616825,0.0004424971,0.0004659875,0.5311316,0.000009555406,0.00002582435,0.1591357,0.07058485,0.2261083],"study_design_scores_gemma":[0.005694354,0.0007804385,0.05273304,0.0008967878,0.0004722616,0.006369457,0.04844752,0.00001513962,0.0003443414,0.1473395,0.7364391,0.0004680034],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9112226,0.01361172,0.00005795453,0.007957013,0.0004382938,0.000221968,0.000006535173,0.00001077668,0.06647315],"genre_scores_gemma":[0.9904166,0.007618122,0.00042646,0.0002808045,0.0001269422,0.000001021104,7.433282e-8,0.000007446607,0.001122539],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6658543,"threshold_uncertainty_score":0.6432998,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2480195849","doi":"10.1017/ccol0521829577.003","title":"Nabokov as storyteller","year":2005,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Metaphysics; Quarter (Canadian coin); Philosophy; Literature; Epistemology; Art; Aesthetics; History; Archaeology","authors":[{"name":"Brian Boyd","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02577459067772557,"gpt":0.23326676995142,"spread":0.2074921792736945,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002480637,0.0004524262,0.0005207001,0.0002638611,0.00106452,0.00008815528,0.0008795726,0.000598366,0.0001236069],"category_scores_gemma":[0.0000420241,0.0005710948,0.0003326178,0.00001632709,0.001032815,0.0002446789,0.000424621,0.0006193242,0.0003001599],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006948343,"about_ca_system_score_gemma":0.0004535648,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001157985,"about_ca_topic_score_gemma":0.0000947995,"domain_scores_codex":[0.9977564,0.0001279711,0.0002240353,0.0006572963,0.0006821877,0.0005520959],"domain_scores_gemma":[0.9984079,0.0001541079,0.0002594066,0.000550512,0.0002889955,0.000339095],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004605975,0.000008668517,0.000003056999,0.00001983303,0.0001633955,0.0002287307,0.002256399,5.791849e-7,0.000001384019,0.820684,0.1735854,0.003002495],"study_design_scores_gemma":[0.0003632092,0.0000356937,0.00001133998,0.0001043889,0.0001684288,0.000003570941,0.0006003043,0.000001184897,0.00001152975,0.00002684711,0.9980865,0.0005869978],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0001316864,0.0009725065,0.00001280647,0.0002072116,0.0006319365,0.0005949662,0.0001591355,0.0003517038,0.996938],"genre_scores_gemma":[0.0008781686,0.0009734536,0.00007974848,0.0003158094,0.0009999529,0.00000108948,0.00002110828,0.00006204002,0.9966686],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8245011,"threshold_uncertainty_score":0.999674,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4381952949","doi":"10.33806/ijaes.v23i2.459","title":"Contextualizing the Medieval Tradition of Courtly Love in Nabokov's Lolita","year":2023,"lang":"en","type":"article","venue":"International Journal of Arabic-English Studies","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Toronto","keywords":"Morality; Human sexuality; Narrative; Literature; Immorality; Girl; Philosophy; Psychoanalysis; Art; Psychology; Sociology; Gender studies; Epistemology; Developmental psychology","authors":[{"name":"Malek J. Zuraikat","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0679638165931007,"gpt":0.3928741738151005,"spread":0.3249103572219998,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00305139,0.000148856,0.0004329789,0.0004451322,0.0001648548,0.00006694571,0.000751936,0.0000593863,0.00003318371],"category_scores_gemma":[0.00661898,0.0001069506,0.0002030411,0.0005604722,0.0007312152,0.0007198019,0.0001289663,0.0003123454,0.00001427705],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000293389,"about_ca_system_score_gemma":0.0001940844,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001263882,"about_ca_topic_score_gemma":0.000486689,"domain_scores_codex":[0.9968968,0.0003836624,0.0008923427,0.0001504964,0.001399949,0.0002767401],"domain_scores_gemma":[0.9944911,0.001874264,0.0006570009,0.0001028395,0.002816659,0.00005811056],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003642184,0.0002143386,0.03508444,0.0000466694,0.002017074,0.0002942321,0.8502999,0.0003216534,0.0001622373,0.04641409,0.06124241,0.003538752],"study_design_scores_gemma":[0.002385091,0.0002706455,0.09003061,0.0009184555,0.0001020393,0.00002023712,0.7826977,0.00004916323,0.0002136944,0.0231625,0.09983923,0.0003106276],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9429613,0.006687175,0.00001527523,0.02690727,0.007467061,0.0002554755,0.00005545755,0.00003963945,0.01561136],"genre_scores_gemma":[0.9922265,0.005263796,0.00005122622,0.0002639727,0.001792096,0.000005090649,0.000002382567,0.00001116489,0.0003838181],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06760217,"threshold_uncertainty_score":0.7924016,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2258617359","doi":"","title":"Afterlife Beyond Translation: Joseph Brodsky","year":2013,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Poetics; Afterlife; Poetry; Literature; Art; Philosophy; History; Linguistics","authors":[{"name":"Alexandra Berlina","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02929012506991303,"gpt":0.3220582767027239,"spread":0.2927681516328108,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003715196,0.000214603,0.0005908856,0.0001728717,0.0003346421,0.0001491965,0.0003603001,0.0001125627,0.00162594],"category_scores_gemma":[0.00007348551,0.0001881732,0.0001721925,0.0009878733,0.0003017762,0.0007390752,0.00001157731,0.0002458877,0.000171058],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001200264,"about_ca_system_score_gemma":0.000539497,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.007316139,"about_ca_topic_score_gemma":0.04731305,"domain_scores_codex":[0.9980512,0.000464079,0.0004508867,0.0002680391,0.0003373303,0.0004284144],"domain_scores_gemma":[0.9982128,0.000145638,0.0001533213,0.00028959,0.0006820813,0.0005165683],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006829522,0.00003864826,0.002609085,0.003290178,0.0001573903,0.00002086332,0.1273266,8.396215e-7,0.0000316625,0.08102312,0.7679196,0.01757517],"study_design_scores_gemma":[0.0001158078,0.00002773004,0.003672311,0.004061926,0.00002406403,0.000001956897,0.0006545144,0.000002746056,0.00001045252,0.001358387,0.989863,0.0002071002],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.006366227,0.6650635,0.00001046748,0.02367166,0.0004052683,0.001730442,0.0002141969,0.00003931837,0.3024989],"genre_scores_gemma":[0.9048786,0.05159432,0.002969119,0.02711183,0.0009118606,0.0003791179,0.0002411258,0.00003410353,0.01187996],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8985124,"threshold_uncertainty_score":0.9992942,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6958083790","doi":"10.6075/j0cn72bc","title":"Cars Overhead with Context (COWC). In Lawrence Livermore National Laboratory (LLNL) Open Data Initiative","year":2015,"lang":"en","type":"dataset","venue":"Open MIND","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Context (archaeology); Overhead (engineering); Set (abstract data type); Data set; Pixel; Artificial neural network; Image (mathematics)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.2788480922486762,"gpt":0.4463855272977456,"spread":0.1675374350490694,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002967359,0.0003585129,0.0007028356,0.0001653667,0.0004339949,0.00116404,0.007559448,0.0002843169,0.001956147],"category_scores_gemma":[0.001097286,0.0003291573,0.00002036275,0.0007884541,0.0007566328,0.003431414,0.005331208,0.0005514552,0.0006318751],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005265152,"about_ca_system_score_gemma":0.00763819,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02108458,"about_ca_topic_score_gemma":0.344042,"domain_scores_codex":[0.9960573,0.000777062,0.0004403655,0.001070815,0.001195857,0.0004585403],"domain_scores_gemma":[0.9970948,0.0004487685,0.0004613797,0.0009688438,0.0008193348,0.0002068989],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001048761,0.0001221582,0.0004776092,0.000009496364,0.0001026256,0.0001397532,0.008246755,0.000001219607,8.421216e-8,0.00005977207,0.9876986,0.003037101],"study_design_scores_gemma":[0.001013059,0.00009407922,0.0004268763,0.0003408734,0.00004459841,0.000001202768,0.009380274,0.000002836211,0.000001193285,0.00007534624,0.9881933,0.0004264153],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"dataset","genre_gemma":"dataset","genre_scores_codex":[0.0002990863,0.0008364667,1.694659e-7,0.0006113708,0.0002768163,0.001745129,0.9593783,0.000002339867,0.03685034],"genre_scores_gemma":[0.0009737411,0.0003527088,0.0006226312,0.0007355845,0.0002882514,0.0001380429,0.9954243,0.00002194855,0.001442826],"genre_candidate":"dataset","genre_consensus":"dataset","teacher_disagreement_score":0.3229574,"threshold_uncertainty_score":0.9999161,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1931640233","doi":"10.29173/pandpr19837","title":"Rhetorical Caricature: An Educational Reading of Nabokov's Treatment of Freud","year":2011,"lang":"en","type":"article","venue":"Phenomenology & Practice","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Rhetorical question; Reading (process); Literature; Psychoanalysis; Philosophy; Psychology; Art; Linguistics","authors":[{"name":"Herner Sæverot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1043453145793534,"gpt":0.3899684305989717,"spread":0.2856231160196183,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004458817,0.0001295048,0.0003069635,0.0001273245,0.0002416383,0.000008609732,0.0002690954,0.0001249584,0.0003525076],"category_scores_gemma":[0.0009763772,0.0001213635,0.00005673648,0.0003685656,0.0005134454,0.0006696281,0.0000401846,0.0001056619,0.00002263069],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002293436,"about_ca_system_score_gemma":0.0003568126,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004384792,"about_ca_topic_score_gemma":0.0001798927,"domain_scores_codex":[0.9982968,0.0005540866,0.0003342112,0.0002809568,0.0002350293,0.0002989055],"domain_scores_gemma":[0.9979247,0.0009169228,0.0004169157,0.0003158,0.0003209169,0.0001047886],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003056691,0.002948734,0.04102176,0.00001378025,0.0004507486,0.000007535872,0.3582898,0.000001248008,0.0004426345,0.5902489,0.0004263746,0.005842789],"study_design_scores_gemma":[0.001479909,0.003876667,0.07728826,0.00002373069,0.0008126271,0.00003398113,0.08682489,0.000006303166,0.001328357,0.04240856,0.7852864,0.0006302997],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4126019,0.006203764,0.0001037445,0.01550126,0.001512662,0.0006875141,0.00003686011,0.00009765874,0.5632547],"genre_scores_gemma":[0.987782,0.0007854584,0.00998064,0.0001318149,0.0002845603,0.00004517827,0.000008012633,0.00001231673,0.000970013],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7848601,"threshold_uncertainty_score":0.6628523,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2587300337","doi":"10.2307/2697554","title":"Joseph Brodsky and the Soviet Muse. By David MacFadyen Montreal: McGill-Queen's University Press, 2000. 216 pp. Appendix. Bibliography. Index. Illustrations. $49.95, hard bound.","year":2001,"lang":"en","type":"article","venue":"Slavic Review","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Index (typography); Bibliography; History; Media studies; Art history; Library science; Sociology; Computer science; World Wide Web","authors":[{"name":"Sonia I. Ketchian","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0166943093975902,"gpt":0.2689945743098588,"spread":0.2523002649122686,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001420412,0.0003361775,0.0006779102,0.0003130703,0.001735301,0.0002113699,0.0006739538,0.0001439171,0.0003474883],"category_scores_gemma":[0.0001353784,0.0002525225,0.0002946501,0.004704689,0.001181119,0.0008812039,0.0001833691,0.0003200411,0.0000828133],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006472255,"about_ca_system_score_gemma":0.0001079954,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02237822,"about_ca_topic_score_gemma":0.001376418,"domain_scores_codex":[0.9966024,0.001134471,0.0004699853,0.000576605,0.000617079,0.0005994803],"domain_scores_gemma":[0.9983894,0.0003052392,0.0003209969,0.0005738849,0.0001859397,0.0002245332],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004608021,0.00007149867,0.005921489,0.0003305279,0.0001807132,0.00002638539,0.001071282,7.132908e-7,9.132256e-7,0.006782637,0.974517,0.01105069],"study_design_scores_gemma":[0.0008203301,0.000028196,0.004159483,0.0005426345,0.0002553817,0.000006125231,0.0006068129,0.000003894552,6.187547e-7,0.0005479808,0.992736,0.0002925406],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.002165861,0.6824651,0.00003415808,0.06497335,0.0005669047,0.005243607,0.0006635027,0.0004624179,0.2434252],"genre_scores_gemma":[0.01016571,0.9798328,0.00006734858,0.002247823,0.0001336914,0.00004215871,0.0000610356,0.00002385395,0.007425543],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2973678,"threshold_uncertainty_score":0.9999927,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6911732927","doi":"10.5281/zenodo.14509695","title":"Revolution and Russian avant-garde (first quarter of the 20th century): historical and philosophical aspect.","year":2024,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Period (music); Russian revolution; State (computer science); Work (physics); Russian history","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02481259219312991,"gpt":0.2481190120397736,"spread":0.2233064198466437,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005552911,0.00008549658,0.0001141818,0.0001039406,0.002224772,0.0003227983,0.0003191022,0.00005676739,0.001059561],"category_scores_gemma":[0.0004145573,0.00006838251,0.00003789685,0.0002054152,0.0004380675,0.0002123654,0.0004676487,0.0002053949,0.0002016858],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002679559,"about_ca_system_score_gemma":0.000006395735,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008917072,"about_ca_topic_score_gemma":0.0000124903,"domain_scores_codex":[0.9986371,0.0003532386,0.0001713876,0.000275196,0.0003448195,0.0002182207],"domain_scores_gemma":[0.9995152,0.00004532938,0.00004518769,0.0001755068,0.0001095417,0.0001092113],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001033457,0.0001874793,0.0005274185,0.0004118399,0.0001466675,0.00002954144,0.1137315,0.000002604399,0.0004384743,0.4843259,0.3602176,0.0398776],"study_design_scores_gemma":[0.0001246068,0.0000799061,0.007008928,0.00006091556,0.00001680527,0.00001813845,0.0004935476,0.00005970013,0.000006145887,0.002342594,0.989707,0.00008169479],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07444429,0.01231185,0.0005058427,0.1856002,0.001766818,0.001701776,0.0002630072,0.001610093,0.7217961],"genre_scores_gemma":[0.9973168,0.0009108253,0.00003944082,0.00005846225,0.0002492045,3.384121e-8,0.00001644236,0.0001879139,0.001220889],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9228725,"threshold_uncertainty_score":0.9998536,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4408319809","doi":"10.1111/russ.70013","title":"Nabokov’s Secret Trees by Stephen H.Blackwell. Toronto: University of Toronto Press, 2024. 302 pp. $80.00. ISBN 978‐1‐4875‐5444‐6","year":2025,"lang":"en","type":"article","venue":"The Russian Review","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; Art history; Art","authors":[{"name":"Erik Eklund","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01238824276309631,"gpt":0.280017029782762,"spread":0.2676287870196657,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00122787,0.0003087564,0.000797487,0.000006643895,0.0007235999,0.00006113994,0.001362029,0.0001333516,0.004002051],"category_scores_gemma":[0.0001306408,0.0002384431,0.0003122504,0.0002192575,0.0005936172,0.0006440645,0.0003395305,0.0001755139,0.00006209905],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005013,"about_ca_system_score_gemma":0.0002745292,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.07837308,"about_ca_topic_score_gemma":0.08462107,"domain_scores_codex":[0.996998,0.001029434,0.0004777023,0.0004579199,0.0005096805,0.0005272535],"domain_scores_gemma":[0.9983203,0.0002644572,0.0003261219,0.000852733,0.00008440269,0.0001519341],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003127654,0.00008010811,0.0003575921,0.001042067,0.0002440161,0.000004730324,0.006402961,3.674506e-7,0.00000637982,0.05409993,0.9220154,0.01571519],"study_design_scores_gemma":[0.0002532364,0.00003970561,0.001167067,0.001912214,0.0002762681,4.660587e-7,0.002290189,0.000004627628,0.000007833954,0.0004950498,0.9933138,0.0002395087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.00007323511,0.6495738,0.00001738128,0.009688288,0.0003137761,0.0009066119,0.00009309996,0.00007725567,0.3392566],"genre_scores_gemma":[0.006154025,0.8995929,0.0001518071,0.001076732,0.0001461003,0.00001626591,0.00001708172,0.00001953272,0.0928256],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2500191,"threshold_uncertainty_score":0.9969084,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379434112","doi":"10.1353/see.2014.0023","title":"Morris, Paul D. Vladimir Nabokov: Poetry and the Lyric Voice (review)","year":2014,"lang":"en","type":"article","venue":"The Slavonic and East European Review","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Narrative; Style (visual arts); Art; Modernism (music); Period (music); Sensibility; Ingenuity; Value (mathematics); Art history; Philosophy; Aesthetics","authors":[{"name":"Alexandra Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01263857413121709,"gpt":0.2617172291630607,"spread":0.2490786550318436,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007135363,0.0002548126,0.0005788416,0.00002155821,0.001152598,0.00008388307,0.0006222787,0.00002565607,0.0001097243],"category_scores_gemma":[0.0008603536,0.000126452,0.0001504404,0.0003916344,0.001145691,0.000156156,0.000308274,0.0002901014,0.0005325562],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000185308,"about_ca_system_score_gemma":0.00003789055,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006307784,"about_ca_topic_score_gemma":0.00005164214,"domain_scores_codex":[0.9943272,0.004124571,0.0004430734,0.0003451827,0.0003399732,0.0004200417],"domain_scores_gemma":[0.998518,0.0004580633,0.0002393684,0.00055699,0.00008311874,0.0001444347],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002825598,0.00004670489,0.0005178837,0.006527122,0.000200072,0.00001511874,0.007481528,3.107337e-7,0.000001227106,0.03514548,0.4269359,0.5231004],"study_design_scores_gemma":[0.0003439957,0.0000232245,0.002239609,0.00431792,0.0002781346,0.00002546814,0.0002760427,0.00000841388,7.064696e-8,0.0003417336,0.9919643,0.0001810353],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0005807043,0.8097343,0.00001317348,0.04763834,0.0001532825,0.0008597351,0.000005590997,0.00006787089,0.140947],"genre_scores_gemma":[0.03994942,0.928158,0.00003123972,0.02468507,0.000375961,0.00002804631,0.000003258064,0.00002910052,0.006739877],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.5650285,"threshold_uncertainty_score":0.8864968,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4379421883","doi":"10.1353/see.2002.0247","title":"Joseph Brodsky and the Soviet Muse by David s&gt; MacFadyen (review)","year":2002,"lang":"en","type":"article","venue":"The Slavonic and East European Review","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Fyodor; Character (mathematics); Ideal (ethics); Philosophy; Queen (butterfly); Romance; Literature; Nothing; Art; Reading (process); Art history; Paragraph; Law; Epistemology; Political science","authors":[{"name":"George S. Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02496053005988048,"gpt":0.2563429333853816,"spread":0.2313824033255011,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003850767,0.0002314393,0.0005111756,0.00001539081,0.0009994422,0.00008848772,0.0005657089,0.0000212025,0.0007144447],"category_scores_gemma":[0.0003918984,0.0001163137,0.0001388597,0.0003176657,0.001116319,0.0001665259,0.0002680925,0.0002388984,0.0005265025],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001287759,"about_ca_system_score_gemma":0.00001440268,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00005471658,"about_ca_topic_score_gemma":0.00003677912,"domain_scores_codex":[0.9958557,0.002717803,0.0004105135,0.0003179889,0.0003133204,0.0003846295],"domain_scores_gemma":[0.998917,0.0002259912,0.0001929209,0.0004866237,0.00005191879,0.000125554],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006233003,0.00002804438,0.00005399866,0.001590289,0.00007995633,0.000008915124,0.007398489,2.757013e-8,0.000001099037,0.005858995,0.7270358,0.2579381],"study_design_scores_gemma":[0.0003526605,0.00001945369,0.000191841,0.00319207,0.0002353352,0.0000176661,0.0002252536,0.000004585674,7.328169e-8,0.00008527379,0.9955149,0.000160869],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0002229872,0.772319,0.000002225741,0.05898838,0.00008038989,0.0008259473,0.00001375611,0.00004825803,0.1674991],"genre_scores_gemma":[0.01352437,0.9548548,0.0000170133,0.01954892,0.0001782225,0.00002407763,0.000003388684,0.00002441284,0.01182483],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.2684791,"threshold_uncertainty_score":0.7822668,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2018064307","doi":"10.5539/gjhs.v7n1p240","title":"Analysis of Developmental Level of Counties of Fars in Terms of Health Infrastructure Indicators Using Standardized Scores Pattern Approach and Factor Analysis","year":2014,"lang":"en","type":"article","venue":"Global Journal of Health Science","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Ranking (information retrieval); Descriptive statistics; Health care; Data collection; Identification (biology); Statistics; Geography; Operations management; Computer science; Mathematics; Economic growth; Engineering; Economics; Artificial intelligence","authors":[{"name":"Hassan Zahmatkesh","is_ca":false},{"name":"Aziz Rezapoor","is_ca":false},{"name":"Farshad Faghisolouk","is_ca":false},{"name":"Amir Hossein Eskandari","is_ca":false},{"name":"Amin Akbari","is_ca":false},{"name":"Mehdi Raadabadi","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05249121343404053,"gpt":0.3707656615615716,"spread":0.318274448127531,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005639342,0.0001418098,0.001493525,0.001808846,0.0002736911,0.00002687855,0.0005544962,0.00005427302,0.000008012421],"category_scores_gemma":[0.0003030038,0.0001134754,0.000176743,0.007585093,0.001901137,0.0004325765,0.0001198794,0.0001217311,1.25776e-8],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005717347,"about_ca_system_score_gemma":0.002243276,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005749927,"about_ca_topic_score_gemma":0.001321309,"domain_scores_codex":[0.995488,0.0003960036,0.001785668,0.0002316421,0.001689847,0.0004087768],"domain_scores_gemma":[0.9957008,0.0000907675,0.003523855,0.0001341941,0.0003741051,0.0001762506],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00002823851,0.00004583444,0.9694368,0.0001373753,0.000354331,2.488725e-7,0.01173615,0.0008402679,0.00005996833,0.0001286254,0.000005948243,0.01722626],"study_design_scores_gemma":[0.0003582119,0.0001271336,0.9921409,0.0001224952,0.0001450869,0.000002390702,0.006292426,0.0005041756,0.00009440317,0.0001189779,0.0000161426,0.00007762562],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9913746,0.0006296685,0.007275512,0.0001255484,0.00007975278,0.0001472375,0.0002957759,0.000002067266,0.00006984559],"genre_scores_gemma":[0.9930388,0.0002531839,0.006637558,0.00005692248,0.000008592046,3.550752e-7,0.000001399792,0.00000255135,6.818158e-7],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02270418,"threshold_uncertainty_score":0.8692208,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2978346055","doi":"10.1080/14781700.2019.1590857","title":"Drastic literalism: The translation extremes of Nabokov and Zukofsky","year":2019,"lang":"en","type":"article","venue":"Translation Studies","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Paraphrase; Pound (networking); Poetics; Opposition (politics); Poetry; Literature; Literal translation; Reflexive pronoun; Philosophy; Literal (mathematical logic); Nonsense; Art; Linguistics; Computer science; Politics; Law; Source text","authors":[{"name":"Tim Conley","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1167434735862842,"gpt":0.3783977528392692,"spread":0.261654279252985,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006162294,0.0001328489,0.0002791034,0.00008353802,0.0004216509,0.00003933917,0.0001144265,0.00005201282,0.000049145],"category_scores_gemma":[0.00006757557,0.00009490238,0.00006978952,0.0003450734,0.0004643048,0.0004140794,0.00001418215,0.00008415221,0.00001200661],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002037909,"about_ca_system_score_gemma":0.00003060069,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00013892,"about_ca_topic_score_gemma":0.0004965544,"domain_scores_codex":[0.9986759,0.00022845,0.0003216566,0.0002048943,0.0003652769,0.000203868],"domain_scores_gemma":[0.9986458,0.0009027903,0.0001084359,0.0001387373,0.0001734803,0.00003072669],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009801015,0.00004621344,0.05489658,0.0002417263,0.0003942559,0.000001062254,0.7970019,0.00005427645,0.0007700521,0.02466402,0.0004674426,0.1213645],"study_design_scores_gemma":[0.004374834,0.0004036686,0.2079129,0.0006387397,0.0006401733,0.000004510691,0.1466583,0.000837705,0.0005179868,0.03545422,0.6013704,0.001186581],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.870017,0.09107677,0.0003704041,0.01740504,0.0006557975,0.001252637,0.00002886668,0.0001330256,0.01906047],"genre_scores_gemma":[0.9952554,0.003254227,0.0005082779,0.0001218373,0.00009316869,0.00001991267,0.000002971532,0.000009565356,0.0007347005],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6503436,"threshold_uncertainty_score":0.3870007,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235753966","doi":"10.1057/9781137292025_7","title":"Late Nabokov","year":2012,"lang":"sk","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Depiction; Destiny (ISS module); Literature; Distancing; Art; Assertion; Identity (music); Aesthetics; History","authors":[{"name":"David S. Rampton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03059005777719376,"gpt":0.2689255152231497,"spread":0.2383354574459559,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001441698,0.001828273,0.001972533,0.0005889334,0.001900639,0.0003399377,0.001576431,0.00144548,0.006206177],"category_scores_gemma":[0.0001557525,0.001810869,0.001141253,0.0001226776,0.002274599,0.000005251833,0.0009044604,0.001287709,0.005958115],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004119913,"about_ca_system_score_gemma":0.0003098498,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001002912,"about_ca_topic_score_gemma":0.001102149,"domain_scores_codex":[0.9920218,0.000405795,0.00154732,0.001587792,0.001870733,0.002566586],"domain_scores_gemma":[0.9951224,0.0006116694,0.001122292,0.001526282,0.0005025176,0.001114786],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00007223916,0.000001598141,0.002159574,0.0001486632,0.0008334894,0.0001356982,0.02438077,5.137735e-7,0.00005730344,0.9253469,0.000102208,0.0467611],"study_design_scores_gemma":[0.0008334203,0.0001943741,0.002406212,0.0005499263,0.0006772663,0.00002232193,0.001070309,0.000005245711,0.00008024118,0.7646124,0.2270666,0.002481667],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.001808023,0.0207445,0.0000130827,0.0005192786,0.003724187,0.001744378,0.0005297529,0.0004033204,0.9705135],"genre_scores_gemma":[0.9366298,0.004113534,0.0002825758,0.0008475074,0.004378045,0.00008679042,0.00007415358,0.0002970031,0.05329055],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9348218,"threshold_uncertainty_score":0.9998509,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6996071424","doi":"","title":"Reflexe Povídek malostranských ve filmu a u čtenářů","year":2017,"lang":"en","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Czech; Biography; Bachelor; Quarter (Canadian coin); Reflection (computer programming)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01448740585855794,"gpt":0.306670542166298,"spread":0.2921831363077401,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004897692,0.0008413295,0.001045804,0.0006164418,0.002700776,0.003343763,0.001473524,0.001162823,0.00002559643],"category_scores_gemma":[0.001504127,0.0008766883,0.0008669564,0.0004419218,0.0007730711,0.003528751,0.00007086853,0.0009627019,0.00002916845],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000538092,"about_ca_system_score_gemma":0.002144376,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001408396,"about_ca_topic_score_gemma":0.00007553802,"domain_scores_codex":[0.9928485,0.0003023616,0.001509652,0.001238279,0.003357445,0.0007437619],"domain_scores_gemma":[0.9918622,0.0004994217,0.001917916,0.0009013434,0.004426288,0.000392854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.009990471,0.005697203,0.05848601,0.01192593,0.01023401,0.008578561,0.4732446,0.00007230922,0.03820425,0.1395496,0.20614,0.03787707],"study_design_scores_gemma":[0.001846162,0.0007186038,0.05691539,0.00736129,0.0005710752,0.0003313813,0.007018463,0.00001448582,0.01638429,0.0109444,0.8943166,0.003577883],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07603405,0.00709947,0.000002277588,0.000198155,0.006832958,0.0008581009,0.0006165293,0.0002247275,0.9081337],"genre_scores_gemma":[0.5895417,0.0001188255,0.000106201,0.00004944416,0.00201857,0.00009300621,0.001521547,0.00008806801,0.4064627],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6881766,"threshold_uncertainty_score":0.9993684,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3036847749","doi":"10.31857/s032120680006090-3","title":"Alexandra Semenovna Terentieva","year":2019,"lang":"en","type":"article","venue":"USA & Canada Economics – Politics – Culture","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Institute for Christian Studies","funders":"","keywords":"Geology","authors":[{"name":"Editors journal","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008457805084918748,"gpt":0.2263573473975388,"spread":0.2178995423126201,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001928573,0.0002421808,0.0003405738,0.00005479499,0.0005496577,0.0001899389,0.0004643366,0.0001496925,0.001226786],"category_scores_gemma":[0.00005866028,0.0002456152,0.00008896133,0.0001179737,0.0001573771,0.0003332495,0.0001047329,0.0002161134,0.000152156],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001166688,"about_ca_system_score_gemma":0.001771101,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.6269243,"about_ca_topic_score_gemma":0.9454068,"domain_scores_codex":[0.9981354,0.00007484568,0.000345877,0.000388741,0.0002220801,0.000833078],"domain_scores_gemma":[0.9989404,0.00007477056,0.0001548721,0.0003668712,0.0001302723,0.0003328144],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00000691124,0.00003534041,0.07431777,0.00005289906,0.0002096719,0.00001302187,0.01471339,0.00007962881,0.00002088909,0.5974801,0.3128194,0.0002510106],"study_design_scores_gemma":[0.000272791,0.00002260522,0.003346446,0.00001386345,0.00002030881,0.000002564667,0.004783863,0.00001922212,0.00005968347,0.002303488,0.988818,0.0003370861],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6716356,0.0003337067,0.000001980486,0.003190474,0.002174875,0.0003592114,0.0003698576,0.00004294315,0.3218913],"genre_scores_gemma":[0.8647943,0.0002080422,0.0001614969,0.004249381,0.0007770799,0.00001078254,0.00005627452,0.00002660044,0.1297161],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6759987,"threshold_uncertainty_score":0.9999996,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6980497285","doi":"","title":"1902 Chap. 0207. An Act To Authorize The New Bedford And Onset Street Railway Company To Exercise Its Corporate Powers In The Town Of Fairhaven And In The City Of New Bedford.","year":2011,"lang":"en","type":"other","venue":"State Library's electronic repository (State Library of Massachusetts)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Legislation; Work (physics); Corporation; Government (linguistics); Redevelopment; Power (physics); Quarter (Canadian coin); Plan (archaeology)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.02170198691840867,"gpt":0.2508913779050078,"spread":0.2291893909865991,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.001162279,0.0008023922,0.001395915,0.0007412877,0.0002926137,0.0003035726,0.002646149,0.0003096623,0.000340425],"category_scores_gemma":[0.00005132705,0.0005294462,0.0002006435,0.001713065,0.0007820387,0.002112808,0.0005452267,0.0009219665,0.00000280649],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000498612,"about_ca_system_score_gemma":0.001593187,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004648074,"about_ca_topic_score_gemma":0.002995564,"domain_scores_codex":[0.9936001,0.001818376,0.001338204,0.0009941004,0.0009807503,0.00126841],"domain_scores_gemma":[0.9963754,0.0005691188,0.001387615,0.001197927,0.00003391804,0.0004360415],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002796156,0.0004860571,0.1049853,0.0004374736,0.0004863459,0.0001382858,0.2116595,0.00003449406,0.0001329852,0.005321284,0.6663834,0.007138756],"study_design_scores_gemma":[0.002533846,0.002638102,0.1092733,0.001513331,0.0002600034,0.00002367209,0.01487463,0.00001897018,0.002035039,0.01906149,0.846131,0.001636587],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8109867,0.01402587,0.00002290449,0.0180853,0.0005551907,0.008240891,0.00129694,0.0003118988,0.1464743],"genre_scores_gemma":[0.7610507,0.007634109,0.0009058383,0.00131522,0.0003620605,0.0001379728,0.0002021725,0.0004796187,0.2279123],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1967849,"threshold_uncertainty_score":0.9997157,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7015201383","doi":"","title":"Reviving the vanishing subject: the subject as abject in postmodern memoir","year":2017,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Postmodernism; Subjectivity; Biography; Subject (documents); Deconstruction (building); Rhetorical question; Memoir; Dialectic; Self","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0206736730764918,"gpt":0.2642354614198976,"spread":0.2435617883434058,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001820906,0.0002894404,0.0004888764,0.0001896881,0.003858924,0.0002465458,0.002185623,0.0003096208,0.00003187606],"category_scores_gemma":[0.0007655593,0.0002524766,0.0002760344,0.0003679295,0.0005107862,0.0007130148,0.0001816801,0.0007396326,0.00006003878],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003266647,"about_ca_system_score_gemma":0.0004801408,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.1279976,"about_ca_topic_score_gemma":0.973435,"domain_scores_codex":[0.9973602,0.0007045775,0.0001711884,0.0004485774,0.0008131093,0.0005023198],"domain_scores_gemma":[0.9976491,0.000682039,0.0006540354,0.0007151234,0.000234102,0.00006556388],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0006546473,0.000181058,0.1620707,0.0005926515,0.000677204,0.0003918312,0.7859988,0.00005009929,0.0002139967,0.009322608,0.01597242,0.02387404],"study_design_scores_gemma":[0.000319966,0.00005350895,0.3724242,0.0005925807,0.0001743349,0.00000232681,0.5322855,0.00002888208,0.0000218143,0.0012031,0.09250875,0.0003850576],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8012758,0.002025536,0.000006453096,0.00828805,0.0009999743,0.000910288,0.00001815918,0.00007405927,0.1864017],"genre_scores_gemma":[0.9763973,0.001844244,0.0000415713,0.00009237784,0.0002662278,0.000001975573,0.00003465234,0.00003276161,0.0212889],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8454374,"threshold_uncertainty_score":0.9999927,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7011171071","doi":"","title":"Life and Work of Anhelina Zhdanova - Master of Porcelain Painting of the Second Half of the 20th Century","year":2022,"lang":"uk","type":"article","venue":"Borys Grinchenko Kyiv University Institutional repository (Borys Grinchenko Kyiv University)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sculpture; Painting; Portrait; Quarter (Canadian coin); Ukrainian; Craft","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0129840897818859,"gpt":0.1768347815880403,"spread":0.1638506918061544,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001300927,0.0006114904,0.001113527,0.0007393508,0.003937595,0.00003133411,0.002694069,0.0003853907,0.0003146342],"category_scores_gemma":[0.0003679136,0.0005978901,0.0009151445,0.003744466,0.006475141,0.0008022258,0.004199143,0.001111393,0.000001888873],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001221251,"about_ca_system_score_gemma":0.004053952,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002396292,"about_ca_topic_score_gemma":0.0006530085,"domain_scores_codex":[0.9930564,0.002306764,0.0011194,0.0009287103,0.001868856,0.0007198972],"domain_scores_gemma":[0.9942796,0.0006767745,0.00260209,0.001129688,0.000943878,0.0003679291],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00191023,0.001496933,0.6959654,0.001544237,0.002248315,0.0002941122,0.03044442,0.003076496,0.005214763,0.2556203,0.001824773,0.0003599996],"study_design_scores_gemma":[0.00472757,0.0004578613,0.4214038,0.001009887,0.00142069,0.00005905987,0.09470238,0.00008912911,0.0034555,0.0003102692,0.4710902,0.001273666],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9377123,0.001411686,0.00003535687,0.0008882345,0.001678947,0.00100129,0.0008246958,0.00004224957,0.05640531],"genre_scores_gemma":[0.977717,0.0001872405,0.0001472712,0.000080625,0.000153654,9.627998e-7,0.00001656565,0.00002739684,0.02166932],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4692655,"threshold_uncertainty_score":0.9996473,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7016384892","doi":"","title":"The writer and the holy fool","year":2022,"lang":"en","type":"dissertation","venue":"The Sydney eScholarship Repository (The University of Sydney)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exegesis; Veneration; Gospel; SAINT; Depiction; Narrative; Asceticism; Character (mathematics); Archetype; Parchment","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.00968986830515649,"gpt":0.2358264661892459,"spread":0.2261365978840894,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.004292685,0.0003555455,0.0004647379,0.00009863869,0.01679562,0.0004391312,0.003031187,0.0002620364,0.0001267615],"category_scores_gemma":[0.0007141665,0.0001946414,0.0004317118,0.0005773425,0.003233178,0.0004448202,0.0004499665,0.001706195,0.00002125413],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002472538,"about_ca_system_score_gemma":0.0004603311,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002937605,"about_ca_topic_score_gemma":0.001573521,"domain_scores_codex":[0.9936979,0.003693578,0.0003933107,0.0004753097,0.001237583,0.0005022907],"domain_scores_gemma":[0.995226,0.002453655,0.0007441892,0.001121131,0.0003239556,0.0001310912],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.004284608,0.0001741592,0.003612858,0.0002831854,0.002537712,0.000137425,0.794308,0.00001539085,0.0007771433,0.1564487,0.02796004,0.009460763],"study_design_scores_gemma":[0.001070188,0.00007584659,0.02721985,0.0001576566,0.0008420937,0.00001582419,0.3014285,0.000008729548,0.00008652058,0.004064862,0.6646101,0.000419873],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7730766,0.01563896,0.000002713918,0.01434766,0.003559179,0.002291321,0.00004085199,0.0001461486,0.1908966],"genre_scores_gemma":[0.818856,0.003004144,0.00001826579,0.0004079023,0.0004108666,0.00001578816,0.00003265758,0.00004593778,0.1772084],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.63665,"threshold_uncertainty_score":0.9994795,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7113180602","doi":"","title":"Absolutist idea and representation of the image of Peter the Great in the works of artists of the French Quarter in St.-Petersburg","year":2020,"lang":"","type":"article","venue":"Электронный архив ЮУрГУ (South Ural State University)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Representation (politics); Quarter (Canadian coin); State (computer science); Image (mathematics); Photography","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01716928016920888,"gpt":0.2245667255631971,"spread":0.2073974453939882,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007474931,0.0003134877,0.0006632346,0.0001952882,0.0003652557,0.00005542688,0.001505154,0.0001257836,0.00006785981],"category_scores_gemma":[0.0002706431,0.0001798814,0.000346786,0.003293866,0.00322055,0.0006188462,0.0006529811,0.0005153044,0.000001288642],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001041763,"about_ca_system_score_gemma":0.0001507631,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005574891,"about_ca_topic_score_gemma":0.007578385,"domain_scores_codex":[0.9954656,0.001836314,0.0008832086,0.0004754377,0.0008517654,0.0004876471],"domain_scores_gemma":[0.9972463,0.0006883687,0.001117671,0.0006220608,0.0002460074,0.00007958697],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.0005127667,0.0001535009,0.3803129,0.0002643431,0.0002181684,0.00003599546,0.6124911,0.0002637105,0.0009252064,0.002430024,0.0007694706,0.001622727],"study_design_scores_gemma":[0.001700019,0.0002277371,0.8486084,0.0004792458,0.0002097978,0.000001774046,0.1460084,0.0002768394,0.0005785299,0.0006755984,0.0009805406,0.000253093],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9882632,0.0004009391,0.00003582197,0.005390812,0.0001986528,0.001111939,0.0002988628,0.000007095588,0.004292634],"genre_scores_gemma":[0.9990941,0.0002575662,0.00003826218,0.0001297633,0.00003321016,0.000001942311,0.000002848784,0.00001226415,0.0004300813],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4682955,"threshold_uncertainty_score":0.9994921,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7071151017","doi":"","title":"Sculpted in time : heterotopic space in Andrei Tarkovsky's Solaris","year":2003,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Space (punctuation); Object (grammar); Perspective (graphical)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01111896009392943,"gpt":0.226934976820585,"spread":0.2158160167266556,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004960238,0.0002385961,0.0005475998,0.0006304331,0.0003166716,0.00004037328,0.000545233,0.0004384361,0.00008733835],"category_scores_gemma":[0.0001054291,0.0003424294,0.000138964,0.000817969,0.000173756,0.0004071914,0.0000648378,0.0004269517,0.00008201685],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004248363,"about_ca_system_score_gemma":0.0002091117,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02543554,"about_ca_topic_score_gemma":0.9136245,"domain_scores_codex":[0.9980326,0.0004075504,0.0001650416,0.0004239433,0.0005341644,0.0004366587],"domain_scores_gemma":[0.9992123,0.00009104537,0.0002467066,0.0002437834,0.0001190917,0.00008707901],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0004399819,0.0004960081,0.8990275,0.0004632582,0.0002015939,0.0005205455,0.0816357,0.00003903559,0.0003326133,0.001685862,0.01319092,0.001966938],"study_design_scores_gemma":[0.001469018,0.00008808895,0.7739716,0.0005070198,0.00006435801,6.06125e-7,0.1319574,0.00002961705,0.00005909968,0.0002852003,0.09097554,0.000592558],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9459645,0.0005636446,0.000004187702,0.0009956906,0.0003075262,0.0006971263,0.00001568945,0.00004554372,0.05140616],"genre_scores_gemma":[0.8477921,0.001894704,0.001398084,0.00008756766,0.000147881,0.000006270455,0.0002788189,0.00007907253,0.1483155],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.888189,"threshold_uncertainty_score":0.9999028,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7020456225","doi":"","title":"The land wants me around : power, authority and their negations in traditional hunting knowledge at Wemindji (James Bay, QuÃ©bec)","year":2007,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Subsistence agriculture; Identity (music); Negation; Assertion; Traditional knowledge; Relation (database); Cultural identity","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.009636070871794054,"gpt":0.1960853262136249,"spread":0.1864492553418308,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007905912,0.000250333,0.0003197889,0.00007049347,0.0009023029,0.00006660105,0.0002721876,0.00008098202,0.0001152006],"category_scores_gemma":[0.00002161891,0.0001988628,0.00003381346,0.0001566374,0.000470797,0.000229535,0.0001659947,0.0002311155,1.020001e-8],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0000401829,"about_ca_system_score_gemma":0.001577024,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02060409,"about_ca_topic_score_gemma":0.7926779,"domain_scores_codex":[0.9977752,0.0001868094,0.0002988494,0.0003003329,0.001007301,0.0004315204],"domain_scores_gemma":[0.9981815,0.001279865,0.000174673,0.0001491677,0.000001059096,0.0002137339],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003174174,0.0001150054,0.3812789,0.0003582818,0.0005337827,0.0001010483,0.01344573,0.000003012935,0.0001235652,0.3828128,0.2021018,0.01880863],"study_design_scores_gemma":[0.0002594239,0.00002141396,0.07151394,0.0002438959,0.00001257859,0.000002239253,0.01205849,0.00003947011,0.0000963944,0.002377687,0.9131022,0.0002722532],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01053036,0.006051028,0.00000379101,0.004918107,0.0004508758,0.0002922595,0.0007677448,0.00001805497,0.9769678],"genre_scores_gemma":[0.4862281,0.001969668,0.0001795695,0.0004430575,0.0004286804,0.00001993601,0.00002644436,0.0000928469,0.5106117],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.7720739,"threshold_uncertainty_score":0.9859178,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7110801584","doi":"10.14529/ssh220108","title":"Manuscript Marginal Ornaments by the Scribe and Icon Painter Fyodor Basov (the Last Quarter of the 16th – the First Third of the 17th Century)","year":2022,"lang":"","type":"article","venue":"Электронный архив ЮУрГУ (South Ural State University)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Quarter (Canadian coin); Painting; Ornaments; Center (category theory); Fyodor","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.008820251388764962,"gpt":0.1794291183548812,"spread":0.1706088669661163,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.001828501,0.000650274,0.0006551563,0.0001579526,0.008051908,0.0002586202,0.004328306,0.0001211535,0.0008501592],"category_scores_gemma":[0.0001221075,0.0003119407,0.0006890243,0.002437683,0.004720605,0.0005472327,0.003479948,0.001299902,0.00001576785],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0005256994,"about_ca_system_score_gemma":0.0002722304,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002762743,"about_ca_topic_score_gemma":0.002729496,"domain_scores_codex":[0.9922974,0.003188757,0.0007562882,0.0007933239,0.001809267,0.00115493],"domain_scores_gemma":[0.9962947,0.0007102059,0.001280048,0.001253395,0.0002936838,0.0001679769],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001625371,0.0006659916,0.1934596,0.00022936,0.002087182,0.00004517813,0.6245443,0.0002369656,0.0001668651,0.01696889,0.1569159,0.003054415],"study_design_scores_gemma":[0.00157882,0.0003385881,0.06447162,0.000142233,0.0005505119,0.000006964543,0.2561524,0.0001541741,0.00007725988,0.0003232442,0.675746,0.0004582527],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9243252,0.001322884,0.0000189776,0.05224869,0.002812468,0.002879581,0.001777973,0.0000469094,0.01456728],"genre_scores_gemma":[0.9748939,0.0004182418,0.000005714239,0.002041594,0.0001075229,0.00001095555,0.000007435939,0.0000363018,0.02247831],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5188301,"threshold_uncertainty_score":0.9999332,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6980898510","doi":"","title":"Death of the author (?) in Viktor Pelevin's novels: Power, conspiracy, and disappointment","year":2017,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"McGill University","keywords":"Disappointment; Theme (computing); Contradiction; Meaning (existential); Focus (optics); Postmodernism","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03128408043300582,"gpt":0.3116936576238456,"spread":0.2804095771908398,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.002026628,0.0006302332,0.0009659168,0.0002846612,0.002830473,0.0001745261,0.001331522,0.000672697,0.0001660379],"category_scores_gemma":[0.003629589,0.0005315418,0.0003409059,0.0003580477,0.0005011957,0.0008906608,0.0002805582,0.001111086,0.00003097159],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000661759,"about_ca_system_score_gemma":0.0002379704,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003900764,"about_ca_topic_score_gemma":0.01734534,"domain_scores_codex":[0.9953649,0.00080213,0.0009571073,0.0009340151,0.001157918,0.000783928],"domain_scores_gemma":[0.9966906,0.0005102529,0.001195175,0.0009683768,0.0003759103,0.0002596301],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003084068,0.0007248318,0.01624987,0.0007458675,0.0005290084,0.00007080145,0.002705683,0.000002115251,0.002764265,0.8876971,0.00006576678,0.08813627],"study_design_scores_gemma":[0.002120693,0.0002970389,0.2535447,0.002406158,0.0003716618,0.000007883238,0.008246706,0.000002134833,0.005507552,0.04864294,0.6771491,0.001703401],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7653987,0.001054671,1.098539e-8,0.0002539355,0.00170759,0.001241709,0.0008387229,0.00006666352,0.229438],"genre_scores_gemma":[0.9682754,0.0005719918,0.0001006374,0.0001542247,0.00005144254,0.0001397486,0.00005544216,0.00008490754,0.0305662],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.8390542,"threshold_uncertainty_score":0.9997136,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2973269952","doi":"10.4000/books.pus.5315","title":"Do you mind cutting out the French? Nabokov’s disinvention of Europe","year":2017,"lang":"en","type":"book-chapter","venue":"Presses universitaires de Strasbourg eBooks","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Future Earth","funders":"","keywords":"History; Art","authors":[{"name":"Michael Wood","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03222677640569086,"gpt":0.2728436684384563,"spread":0.2406168920327654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0005924856,0.0004119995,0.0004976119,0.0002107422,0.001768746,0.0002859326,0.001489551,0.000339128,0.0004144624],"category_scores_gemma":[0.0002886067,0.000369013,0.000353019,0.00002132491,0.00171708,0.0003133741,0.0004818047,0.0005021144,0.00003320124],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001649858,"about_ca_system_score_gemma":0.000534883,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007634456,"about_ca_topic_score_gemma":0.001620744,"domain_scores_codex":[0.9976866,0.0001896695,0.000352837,0.0005190312,0.0007123484,0.000539535],"domain_scores_gemma":[0.9973842,0.000342826,0.00088805,0.0007831955,0.0004339628,0.0001677606],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001101437,0.0000598796,0.002764426,0.0003985177,0.001615028,0.0004408315,0.07116763,0.00001658916,0.0001063602,0.6288698,0.02807817,0.2663726],"study_design_scores_gemma":[0.0002827634,0.00006680538,0.0006215591,0.0007314508,0.0004662244,0.000003590609,0.002168633,0.000002970882,0.00007978422,0.03063069,0.9644982,0.0004473395],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001506983,0.00212393,0.00005070615,0.001174384,0.0005369323,0.0005479484,0.0001906319,0.00007259261,0.9937959],"genre_scores_gemma":[0.4628166,0.000514124,0.000115722,0.00002587407,0.0004473449,0.000002950947,0.00001731343,0.00004228849,0.5360178],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.93642,"threshold_uncertainty_score":0.9998762,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6958621893","doi":"10.6084/m9.figshare.c.5022650.v1","title":"Medical exercise therapy alone versus arthroscopic partial meniscectomy followed by medical exercise therapy for degenerative meniscal tear: a systematic review and meta-analysis of randomized controlled trials","year":2020,"lang":"en","type":"other","venue":"Figshare","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Osteoarthritis; Randomized controlled trial; Visual analogue scale; Exercise therapy; Meta-analysis; Knee pain; Meniscus","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.1061141570494488,"gpt":0.3928393089167431,"spread":0.2867251518672942,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","metaepi_narrow","metaepi_broad","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.008689422,0.0009694562,0.03593281,0.0003745192,0.0003046964,0.0001617578,0.0009125751,0.0009111577,0.332444],"category_scores_gemma":[0.04844391,0.0005529833,0.007664997,0.0008732161,0.0003225952,0.0001134272,0.0001276167,0.0003568038,0.00005191849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004844703,"about_ca_system_score_gemma":0.0007770444,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001743797,"about_ca_topic_score_gemma":0.0004088849,"domain_scores_codex":[0.9837539,0.008180466,0.00343157,0.0009921436,0.00304168,0.0006003082],"domain_scores_gemma":[0.9824882,0.0122024,0.003611203,0.0006248656,0.0003528042,0.0007205301],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"meta_analysis","study_design_scores_codex":[0.01692134,0.000126546,1.411859e-7,0.01197671,0.2261094,0.00001092759,0.001483836,7.139393e-8,7.255629e-7,0.00003078431,0.7432772,0.00006233973],"study_design_scores_gemma":[0.2585441,0.0002168255,8.246162e-8,0.02539945,0.6156676,3.900167e-7,0.0002183409,0.00007783776,0.00003890083,0.00001390355,0.09903936,0.0007831592],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.000001458535,0.8641959,0.00001595607,0.005431077,0.000218405,0.03641806,0.08950335,0.0001823359,0.0040335],"genre_scores_gemma":[0.0009616493,0.5975859,0.0005349205,0.005492783,0.001409448,0.203508,0.06892087,0.001015101,0.1205713],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.6442378,"threshold_uncertainty_score":0.9996921,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7020338303","doi":"","title":"Le monastère de la Metanoia","year":2004,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Fusible alloy","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01323386656508376,"gpt":0.253476692947131,"spread":0.2402428263820472,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.01405371,0.0006329363,0.0007852552,0.0002234014,0.001920056,0.0008395677,0.002465285,0.0007580625,0.000397358],"category_scores_gemma":[0.003351705,0.0007508197,0.0005669229,0.001087033,0.002671259,0.000478527,0.001854729,0.001298624,0.0002517903],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007500306,"about_ca_system_score_gemma":0.002759261,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02611737,"about_ca_topic_score_gemma":0.01262159,"domain_scores_codex":[0.97224,0.02379081,0.0008575157,0.001223303,0.0009008718,0.0009874926],"domain_scores_gemma":[0.9903795,0.004202147,0.000769762,0.002084458,0.002080866,0.0004832547],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009990491,0.0007778477,0.002668084,0.0001332106,0.0002359058,0.00001757859,0.0837118,0.0002474488,0.0004853088,0.8947713,0.001309766,0.01563178],"study_design_scores_gemma":[0.001252331,8.942386e-7,0.01884774,0.003222567,0.0002485396,0.00002840861,0.003198726,0.001354826,0.009840578,0.1162953,0.8444133,0.001296793],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08317997,0.01412136,0.04480344,0.09152499,0.0008731681,0.0009553115,0.0001561881,0.0005216823,0.7638639],"genre_scores_gemma":[0.8614013,0.004304597,0.04753028,0.0003291711,0.0001289796,0.000150236,0.0001591361,0.00009091016,0.08590541],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8431035,"threshold_uncertainty_score":0.9994943,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6958550061","doi":"10.6084/m9.figshare.28975118","title":"Additional file 1 of The most bothersome symptoms in neuromuscular diseases: the ERN EURO NMD Survey","year":2025,"lang":"en","type":"article","venue":"Figshare","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Children's Hospital of Eastern Ontario","funders":"","keywords":"MEDLINE; Population; Quality of life (healthcare); Risk assessment","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01968191338262829,"gpt":0.263470203256514,"spread":0.2437882898738858,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaresearch","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008475158,0.00009107802,0.0001197295,0.00004260949,0.0003483703,0.00005021285,0.0006058661,0.00004232366,0.906485],"category_scores_gemma":[0.01397722,0.00005856892,0.00009101828,0.0009353387,0.00008366143,0.0001155586,0.0001966926,0.0001266457,0.0002505861],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004086968,"about_ca_system_score_gemma":0.000297297,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002443143,"about_ca_topic_score_gemma":0.002008139,"domain_scores_codex":[0.9985695,0.0005841565,0.0001541672,0.0001738898,0.0003186183,0.0001995944],"domain_scores_gemma":[0.995279,0.004227127,0.00008661672,0.0002636747,0.0001129598,0.0000306695],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000003065652,0.00002347184,0.001568286,0.00001606617,0.00001592295,0.000001623829,0.0005774936,0.000005126221,1.030448e-7,0.00004146581,0.9974236,0.0003237767],"study_design_scores_gemma":[0.00004439519,0.00000327933,0.4026394,0.0004330869,0.000002301519,4.964482e-8,0.0001411305,0.00001040684,3.601485e-7,0.00006609707,0.5966215,0.00003799415],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"dataset","genre_gemma":"dataset","genre_scores_codex":[0.0002132771,0.0002158309,1.607151e-8,0.0006681464,0.00006540762,0.0002911513,0.9845355,0.00002488443,0.01398576],"genre_scores_gemma":[0.05751114,0.000007635805,0.000006238432,0.003363132,0.0002308717,0.001624811,0.9162488,0.00002728636,0.02098006],"genre_candidate":"dataset","genre_consensus":"dataset","teacher_disagreement_score":0.9062344,"threshold_uncertainty_score":0.9943285,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6958502641","doi":"10.6084/m9.figshare.c.6737430","title":"Identifying important microbial and genomic biomarkers for differentiating right- versus left-sided colorectal cancer using random forest models","year":2024,"lang":"en","type":"other","venue":"Figshare","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canada's Michael Smith Genome Sciences Centre","funders":"","keywords":"Random forest; Ruminococcus; Colorectal cancer; Feature (linguistics); Cancer; Area under curve; Gene; DNA microarray; Coding (social sciences)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07953483246887767,"gpt":0.3407906541044736,"spread":0.2612558216355959,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000138925,0.0003878947,0.0005423775,0.0002614262,0.0004856943,0.000428345,0.0002682313,0.0003453769,0.0244706],"category_scores_gemma":[0.0003681823,0.0003727572,0.0002363349,0.0001498413,0.00006091212,0.0001842583,0.0002290352,0.0001820829,0.00004669946],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003057042,"about_ca_system_score_gemma":0.0002898683,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001971164,"about_ca_topic_score_gemma":0.03180778,"domain_scores_codex":[0.99808,0.00008646116,0.0003771556,0.0006352994,0.0002504312,0.0005706961],"domain_scores_gemma":[0.9989918,0.0003033191,0.0003834032,0.0001339732,0.0000683891,0.0001191337],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002837732,0.00001432388,0.0001318075,0.001363507,0.00127411,0.00003208927,0.007666764,0.00001245589,0.000353814,0.00005987897,0.9885054,0.0003020445],"study_design_scores_gemma":[0.009841274,0.00009864124,0.0002725463,0.02917502,0.001369435,0.00001015692,0.002513238,0.008995561,0.0002099311,0.001834688,0.9429603,0.002719243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"dataset","genre_gemma":"other","genre_scores_codex":[0.01203142,0.08024162,0.00004931986,0.0001860785,0.006805025,0.007013622,0.8134184,0.001031151,0.07922341],"genre_scores_gemma":[0.2789069,0.004038183,0.007543654,0.0004444002,0.02597647,0.00604357,0.1975957,0.007970153,0.471481],"genre_candidate":"dataset","genre_consensus":null,"teacher_disagreement_score":0.6158227,"threshold_uncertainty_score":0.9998724,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2973835859","doi":"10.4000/books.pus.5357","title":"Monsieur Nabokov and Mademoiselle O","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Strasbourg eBooks","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art","authors":[{"name":"Samuel Schuman","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0249255312402523,"gpt":0.2528101281682104,"spread":0.2278845969279581,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0003957766,0.0008579709,0.0009009067,0.0003003243,0.003500663,0.0004040044,0.001244929,0.0008486719,0.0008381757],"category_scores_gemma":[0.0001522176,0.001011844,0.0003588296,0.00002690757,0.004759049,0.0006495971,0.0008896613,0.0008522862,0.0001052882],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000336781,"about_ca_system_score_gemma":0.0005270316,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001826735,"about_ca_topic_score_gemma":0.001248944,"domain_scores_codex":[0.9965414,0.0002383627,0.0004349487,0.00101555,0.0006546758,0.001115017],"domain_scores_gemma":[0.9970073,0.000585518,0.0006544883,0.0008119254,0.0002720414,0.0006687074],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001184857,0.00003561584,0.002575312,0.000374471,0.0009399374,0.00148345,0.009838711,0.000009621558,0.00006682326,0.837128,0.005513794,0.1419158],"study_design_scores_gemma":[0.0006723074,0.000160138,0.001891154,0.0007643022,0.0007439413,0.00006394446,0.002207775,0.00002899376,0.00006496642,0.07753095,0.9147983,0.001073249],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01085851,0.01138781,0.0000523935,0.005153211,0.000788247,0.000730338,0.0003021921,0.000211066,0.9705162],"genre_scores_gemma":[0.616428,0.004555891,0.0004459405,0.0001388084,0.0005257944,0.000005438066,0.00001418717,0.00006895378,0.3778171],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9092845,"threshold_uncertainty_score":0.9992332,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6902854986","doi":"10.7916/d8-r05g-2y63","title":"The Music of Elliot Carter (#20)","year":2020,"lang":"en","type":"article","venue":"Columbia Academic Commons (Columbia University)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Piano; Quarter (Canadian coin); String (physics); Ridiculous; Style (visual arts)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.03816649365500287,"gpt":0.2393125173514856,"spread":0.2011460236964827,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005218048,0.00014548,0.0003842529,0.00007761473,0.002291751,0.0001866766,0.001642719,0.0002842987,0.0004663687],"category_scores_gemma":[0.0004473497,0.0002234076,0.0002165167,0.001932104,0.001399748,0.000416778,0.0005092752,0.0007925372,0.00005344517],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002060339,"about_ca_system_score_gemma":0.0003695021,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.02226926,"about_ca_topic_score_gemma":0.470161,"domain_scores_codex":[0.9974421,0.0006227221,0.0003649735,0.0004203797,0.0005240045,0.0006258189],"domain_scores_gemma":[0.997965,0.0007746289,0.0002720586,0.000390785,0.0002336512,0.0003638697],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007292936,0.00005960025,0.3062232,0.00004468072,0.0002130526,0.00005750742,0.02872539,0.000009614679,0.0003605563,0.0070465,0.6475298,0.009657209],"study_design_scores_gemma":[0.0004996951,0.0000827133,0.02855865,0.00003440453,0.00008747323,8.001265e-7,0.01008504,0.00003279057,0.000006223333,0.0005767101,0.9597903,0.0002451343],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7590147,0.0008541148,0.00003038924,0.01313239,0.0006082191,0.001069149,0.0001084739,0.0003195622,0.2248631],"genre_scores_gemma":[0.9404919,0.0005029804,0.00005279822,0.0005667576,0.0002713797,0.000003675391,0.000004249921,0.00002252935,0.0580838],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4478918,"threshold_uncertainty_score":0.9990071,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7133004729","doi":"","title":"Viacheslav Ivanov&apos;s Eros, a critical study","year":2000,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"","authors":[{"name":"Mark Knighton","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06171043919668258,"gpt":0.4870542503811351,"spread":0.4253438111844526,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005118807,0.0003628917,0.0005381165,0.0001729656,0.0009827671,0.0002305012,0.0004878708,0.000347782,0.001825193],"category_scores_gemma":[0.0007114274,0.0003753318,0.0001624333,0.0004852242,0.0002093859,0.0002086036,0.00003284777,0.0004932075,0.000601463],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00018281,"about_ca_system_score_gemma":0.0004138958,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004653385,"about_ca_topic_score_gemma":0.02604894,"domain_scores_codex":[0.9970492,0.0004609158,0.0003333565,0.0006038623,0.0009064195,0.0006462717],"domain_scores_gemma":[0.9987044,0.0004122166,0.000103166,0.0003865586,0.0001941608,0.0001994888],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002565474,0.0007625072,0.001828035,0.0000970266,0.0001908208,0.0001420132,0.9597498,6.645483e-7,0.00002067935,0.004548753,0.02461047,0.007792682],"study_design_scores_gemma":[0.000510309,0.000323499,0.01899322,0.0001666893,0.0002884034,0.00000120677,0.5983609,0.000001332833,0.00003596521,0.001250628,0.3792406,0.0008272381],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.529119,0.002261506,0.000001247986,0.001969209,0.001581781,0.001030341,0.00001130726,0.0003152346,0.4637104],"genre_scores_gemma":[0.725333,0.000258054,0.0001223598,0.0001530117,0.0007933923,0.0001334715,0.00008064912,0.0000601316,0.273066],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3613889,"threshold_uncertainty_score":0.9998699,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7017692780","doi":"","title":"AUTHORITY AND CULTURE IN RUSSIA IN THE FIRST QUARTER OF THE XIX CENTURY: Review of the book by OB Ostrovsky \"Alexander I and Russian art culture.\" (Moscow; Berlin: Direct Media, 2019.- 624 p.)","year":2021,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Period (music); Government (linguistics); Subject (documents)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.07384816106713826,"gpt":0.4704644587284664,"spread":0.3966162976613281,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002921132,0.0003195255,0.0009756123,0.0001180237,0.000575677,0.0004528063,0.00209827,0.000174822,0.001052489],"category_scores_gemma":[0.0008979559,0.00016638,0.000224355,0.001531404,0.0007961206,0.001350603,0.0007423823,0.0007011459,0.0000011633],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008283836,"about_ca_system_score_gemma":0.0002174499,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001249254,"about_ca_topic_score_gemma":0.005107261,"domain_scores_codex":[0.9953259,0.001784127,0.0009884661,0.00043592,0.001059569,0.0004059716],"domain_scores_gemma":[0.997858,0.0005192272,0.0007493856,0.0005500712,0.0001964428,0.0001268874],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00003864564,0.0002214822,0.5569002,0.0006424061,0.0001155108,0.000009914893,0.02724211,9.232879e-7,0.0004751112,0.0005007939,0.4129674,0.0008854928],"study_design_scores_gemma":[0.0004373943,0.000009132885,0.614552,0.004714557,0.000105256,0.00000667102,0.002546612,0.000001478181,0.0005803839,0.001191752,0.3756242,0.0002305247],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1060866,0.8335683,0.000001139782,0.022679,0.0008055809,0.001631501,0.0002235987,0.0000126448,0.03499162],"genre_scores_gemma":[0.5598276,0.4358065,0.00002901153,0.002308674,0.0001425019,0.00004979494,0.000009882745,0.00002131265,0.001804827],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.453741,"threshold_uncertainty_score":0.9998607,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W23415309","doi":"10.4000/transatlantica.6314","title":"René Alladaye, The Darker Shades of Pale Fire. An Investigation into a Literary Mystery","year":2013,"lang":"en","type":"article","venue":"Transatlantica","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Pride; Realm; Art; Aesthetics; Literature; History; Philosophy; Theology; Archaeology","authors":[{"name":"David Rampton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02012650828967402,"gpt":0.2729434088532727,"spread":0.2528169005635987,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005304213,0.0001388969,0.0002145603,0.00005182383,0.000411434,0.0001291592,0.0004012185,0.00008856339,0.0002955212],"category_scores_gemma":[0.00006387841,0.00009718593,0.00007868433,0.0003268624,0.0006966241,0.0007621811,0.0000213672,0.000128447,0.00004725572],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001948201,"about_ca_system_score_gemma":0.0000923608,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005028475,"about_ca_topic_score_gemma":0.001175339,"domain_scores_codex":[0.9983094,0.0004342296,0.0003360535,0.0002369388,0.000388261,0.0002951565],"domain_scores_gemma":[0.9990667,0.0002944576,0.00008331309,0.0003093613,0.000121824,0.000124317],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.00005191306,0.0001591616,0.1288443,0.0002172848,0.0001727598,0.000008188331,0.8131869,0.000004521163,0.004608088,0.01096052,0.01140632,0.03037998],"study_design_scores_gemma":[0.001392592,0.0005465104,0.7759541,0.0006646394,0.0002470257,0.000008095651,0.03063938,0.001271789,0.002101836,0.1000604,0.08594657,0.001167042],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9816616,0.0008611412,0.00004695193,0.01234504,0.0001449534,0.0005421948,0.000007234515,0.00009370044,0.004297174],"genre_scores_gemma":[0.9971643,0.0002007828,0.0008458127,0.0006164063,0.0001761138,0.00005501463,0.00001353622,0.00001397782,0.0009140594],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7825476,"threshold_uncertainty_score":0.7601584,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7028725026","doi":"","title":"Free Black North. ART GALLERY OF ONTARIO","year":2017,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art gallery; Photography; Exhibition; Painting; Clothing","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01712934357553782,"gpt":0.2457508191812045,"spread":0.2286214756056667,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009506899,0.000171919,0.0004234229,0.0005994876,0.001100217,0.0001145205,0.001264203,0.00007406914,0.0001946149],"category_scores_gemma":[0.002498674,0.0002014484,0.000195738,0.0002182224,0.0006105166,0.0003612819,0.0001647935,0.0002640643,0.00006087798],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00106887,"about_ca_system_score_gemma":0.004365591,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8809207,"about_ca_topic_score_gemma":0.9981473,"domain_scores_codex":[0.9975511,0.0002694922,0.0005154955,0.0002865536,0.0007171846,0.0006601113],"domain_scores_gemma":[0.9971218,0.0004723007,0.0008939651,0.000860234,0.0002119449,0.000439775],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.00002463114,0.00005060111,0.7169737,0.00002608148,0.0002459779,0.000008721012,0.08417957,0.0000101139,0.00001933216,0.1161158,0.0811193,0.001226175],"study_design_scores_gemma":[0.0003038309,0.00002432762,0.6236076,0.00002758812,0.00002355271,1.03713e-7,0.00009969286,0.000005918422,0.000006260162,0.01578029,0.3599956,0.0001251378],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1872009,0.000006656845,0.00002174633,0.009414029,0.0003715196,0.0003098889,0.000391046,0.00002210169,0.8022621],"genre_scores_gemma":[0.9439116,0.00007263167,0.001687697,0.0002857134,0.0002190596,0.00001183168,0.000045052,0.00002070864,0.05374577],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7567106,"threshold_uncertainty_score":0.846209,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7135710473","doi":"","title":"Reflection of Povídky malostranské in the film and by readers","year":2017,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Bachelor; Biography; Quarter (Canadian coin); Czech","authors":[{"name":"Anh Mai Trang","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0134917288268284,"gpt":0.2925113401113331,"spread":0.2790196112845046,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0007961076,0.0006553376,0.0008900249,0.0004790343,0.001365016,0.001572985,0.0009910553,0.0008356283,0.000003764274],"category_scores_gemma":[0.0009523928,0.0005720652,0.0004203913,0.00063735,0.00125782,0.002759998,0.00005065566,0.0008387119,0.000001629937],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002427787,"about_ca_system_score_gemma":0.0006695579,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004065337,"about_ca_topic_score_gemma":0.0001013502,"domain_scores_codex":[0.9938748,0.0005521433,0.001662563,0.0009508363,0.002483293,0.0004763348],"domain_scores_gemma":[0.9943556,0.0008722125,0.002125112,0.0005957964,0.00190513,0.0001461743],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"observational","study_design_scores_codex":[0.004344525,0.003671552,0.2021896,0.006865704,0.002568509,0.0007081095,0.6683736,0.00007366373,0.04958178,0.01932677,0.03329876,0.008997415],"study_design_scores_gemma":[0.005694876,0.003590112,0.5965995,0.02031872,0.001271882,0.001087545,0.09977693,0.0001992267,0.05375735,0.01056259,0.2018236,0.005317701],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5737157,0.01465773,0.000003827519,0.0004769901,0.002879666,0.001254415,0.0006782954,0.00004215335,0.4062912],"genre_scores_gemma":[0.9523614,0.0003903605,0.00003319875,0.00005447806,0.0005330721,0.00006333385,0.000868851,0.00004538813,0.04564989],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5685967,"threshold_uncertainty_score":0.9999351,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3105158827","doi":"","title":"EXPEDITION “IN THE FOOTSTEPS OF L.A. ZAGOSKIN. YUKON–2009. ALASKA–2010.”","year":2011,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Archaeology; Geography; Oceanography; Physical geography; Geology","authors":[{"name":"Mikhail Malakhov","is_ca":false},{"name":"Viktor Shlyakhin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.4050957328479639,"gpt":0.5649890438372209,"spread":0.1598933109892571,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003827772,0.0002873126,0.0007130274,0.0007277082,0.0005491842,0.0005051106,0.003944784,0.0001538136,0.00736288],"category_scores_gemma":[0.0009006375,0.0002229674,0.0002368463,0.001643224,0.0006276377,0.003361969,0.0005355259,0.0004157247,0.00002230611],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00009671432,"about_ca_system_score_gemma":0.0002493121,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007770585,"about_ca_topic_score_gemma":0.001367453,"domain_scores_codex":[0.9956444,0.001147027,0.001033936,0.0003930195,0.001225967,0.0005556435],"domain_scores_gemma":[0.9972753,0.0005589064,0.001040683,0.0005346925,0.0003864046,0.0002040149],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.000234577,0.0007552382,0.7341138,0.00008863186,0.0001992079,0.00006773412,0.06176784,0.000008057765,0.002270486,0.0034307,0.1884928,0.008571022],"study_design_scores_gemma":[0.0005292093,0.00002564575,0.926266,0.0003754049,0.00007103274,0.000005240785,0.007772864,0.000003725177,0.002978078,0.02113291,0.04047256,0.0003673718],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8386662,0.01287933,0.00008004574,0.001247567,0.001995636,0.001200591,0.00009078932,0.00005068453,0.1437892],"genre_scores_gemma":[0.9911903,0.006726411,0.0001872044,0.0005087188,0.0003942968,0.00007368926,0.000005732516,0.00003042233,0.0008832939],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1921522,"threshold_uncertainty_score":0.9988368,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4391334566","doi":"","title":"(Un pique-nique, la foudre): les singulières incidentes de Nabokov","year":2023,"lang":"en","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Canadian Heritage","funders":"","keywords":"Physics","authors":[{"name":"Yannicke Chupin","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0185665198618276,"gpt":0.2536241415792873,"spread":0.2350576217174597,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.009344942,0.0005261074,0.0006035209,0.0004085234,0.001763288,0.0006657928,0.001593118,0.0006721208,0.0005869713],"category_scores_gemma":[0.004423766,0.0005940688,0.0003800937,0.0003537285,0.001330761,0.0003218367,0.0008283189,0.000844198,0.0002445823],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003512759,"about_ca_system_score_gemma":0.0006490203,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006326958,"about_ca_topic_score_gemma":0.02834172,"domain_scores_codex":[0.9917098,0.005120585,0.0006784042,0.0008573731,0.0009208669,0.0007129651],"domain_scores_gemma":[0.9902214,0.005452906,0.0006320356,0.001299312,0.002072406,0.0003219545],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008871675,0.00008937933,0.001008295,0.00007009415,0.0001507992,0.00004342839,0.03714251,0.000001098771,0.00007335015,0.9121268,0.00821056,0.04107476],"study_design_scores_gemma":[0.0003469493,9.166813e-7,0.001643328,0.002206697,0.0001015495,0.00001164916,0.0008558275,0.00007374209,0.0011648,0.09613827,0.8966722,0.0007840761],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001893806,0.003033937,0.002918544,0.01706121,0.0002783235,0.0006087491,0.0001082763,0.001017984,0.9730791],"genre_scores_gemma":[0.04694284,0.006372975,0.01054819,0.0002664657,0.0001757328,0.00008557738,0.0002037636,0.0001887248,0.9352157],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8884616,"threshold_uncertainty_score":0.9996511,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2970806182","doi":"10.15353/kinema.vi.1298","title":"Nabokov's Cinematic Afterlife","year":2013,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Afterlife; Ninth; Art; Literature; Table (database); Art history; History; Computer science","authors":[{"name":"Żaneta Jamrozik","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02340077802520148,"gpt":0.3272500634431919,"spread":0.3038492854179904,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007944671,0.0001946332,0.0003762645,0.000160226,0.001013588,0.0003623785,0.0002262184,0.0001008383,0.0008949905],"category_scores_gemma":[0.001805527,0.0001523317,0.0001476465,0.0002267921,0.0002721227,0.0006463543,0.00005233745,0.0002106688,0.00008336185],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004157212,"about_ca_system_score_gemma":0.0001149356,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001013203,"about_ca_topic_score_gemma":0.0001236532,"domain_scores_codex":[0.9981722,0.0001471766,0.0004282841,0.0002121418,0.0004631788,0.000577057],"domain_scores_gemma":[0.9981971,0.0007213185,0.0001981206,0.0001095209,0.0003118029,0.0004621804],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001507822,0.0003452071,0.01908952,0.000480744,0.000478366,0.0001188842,0.1768124,0.000008584877,0.0009132699,0.01469261,0.7063737,0.08053592],"study_design_scores_gemma":[0.005101091,0.001026188,0.08089229,0.0008120407,0.0002980946,0.0003384592,0.0519282,0.0003951121,0.0001788573,0.05107995,0.8065168,0.001432978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.965308,0.004623871,0.0006887316,0.01749421,0.00341692,0.001210461,0.00003044282,0.0001179473,0.007109421],"genre_scores_gemma":[0.986832,0.0008515214,0.002612128,0.001130515,0.002833494,0.0001513079,0.000005281731,0.00003133927,0.005552453],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1248842,"threshold_uncertainty_score":0.9799519,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4417156301","doi":"10.51678/2658-543x-2024-1-93-111","title":"The wall painting of the altar of the Nativity Cathedral at the Savvino-Storozhevsky Monastery: the reflection of the ancient program in the painting of the 19th century","year":2025,"lang":"","type":"article","venue":"Bulletin of the Russian Medieval Art Department","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Altar; Painting; SAINT; Praise; Fresco; Quarter (Canadian coin)","authors":[{"name":"A.I. Gribkova","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01070769046680065,"gpt":0.2742029657139131,"spread":0.2634952752471124,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","open_science"],"consensus_categories":["sts"],"category_scores_codex":[0.01903414,0.0008165147,0.001072957,0.0000846316,0.005735928,0.0001452446,0.007157255,0.000277072,0.00008467561],"category_scores_gemma":[0.003785406,0.0002518009,0.001897045,0.002557486,0.007798139,0.00009378341,0.004403266,0.001480385,0.000005938384],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007389054,"about_ca_system_score_gemma":0.0008309248,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002122328,"about_ca_topic_score_gemma":0.008409105,"domain_scores_codex":[0.9779595,0.01317455,0.002606279,0.0008448806,0.004001487,0.001413259],"domain_scores_gemma":[0.9867691,0.005025063,0.004214057,0.003513546,0.0003901574,0.00008809502],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.002361082,0.007096956,0.2901058,0.002220496,0.004722856,0.000005028047,0.5013789,0.002529794,0.003084818,0.0627058,0.07004344,0.053745],"study_design_scores_gemma":[0.001344475,0.0004246545,0.2973482,0.0026459,0.001004662,0.00001028025,0.03840054,0.0006547227,0.01032879,0.00258568,0.6447726,0.0004795079],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7407494,0.005743521,0.000003797924,0.2265593,0.004245601,0.009268034,0.0001275357,0.00002916069,0.01327371],"genre_scores_gemma":[0.9934993,0.000771461,0.00004111173,0.00207086,0.0002731588,0.0004202951,0.000002213899,0.0000453104,0.002876287],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5747291,"threshold_uncertainty_score":0.9999934,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W6958270366","doi":"10.6084/m9.figshare.22599064","title":"Additional file 1 of Allele-specific quantitation of ATXN3 and HTT transcripts in polyQ disease models","year":2023,"lang":"en","type":"other","venue":"Figshare","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Plasmid; Real-time polymerase chain reaction; Mutation; Digital polymerase chain reaction; Transcriptome","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.0855700477015343,"gpt":0.287185681252269,"spread":0.2016156335507347,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000286835,0.0001208821,0.0002367735,0.0002203506,0.00004443548,0.00001269301,0.0001367145,0.0001214232,0.9670678],"category_scores_gemma":[0.0008024079,0.0001297011,0.0000712144,0.0002719054,0.00005194579,0.0001357813,0.00002661027,0.00007571399,0.0002079257],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002539665,"about_ca_system_score_gemma":0.000133181,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002072681,"about_ca_topic_score_gemma":0.003101756,"domain_scores_codex":[0.9990448,0.00007057302,0.0001966713,0.00021182,0.0003250997,0.0001510776],"domain_scores_gemma":[0.9989346,0.0006579349,0.0001741269,0.0001058235,0.00006309908,0.00006445951],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000008459501,0.00002242037,0.000003003549,0.0002005873,0.00001752599,0.000005418989,0.001786724,0.000003631233,1.128502e-7,0.000271562,0.9972371,0.0004434543],"study_design_scores_gemma":[0.00009545765,0.00001030966,0.00177966,0.004483012,0.000003853881,3.800385e-8,0.0003225892,0.00002947976,1.275976e-7,0.0002743767,0.9928856,0.0001154233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"dataset","genre_gemma":"dataset","genre_scores_codex":[9.269868e-7,0.001682538,1.197435e-7,0.00005195359,0.00002514696,0.0002401492,0.891622,0.00006712793,0.10631],"genre_scores_gemma":[0.0002487034,0.0001860847,0.0001109863,0.0000180824,0.0001435177,0.0005206401,0.8739929,0.0001399027,0.1246392],"genre_candidate":"dataset","genre_consensus":"dataset","teacher_disagreement_score":0.9668599,"threshold_uncertainty_score":0.5289056,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7036176129","doi":"","title":"BioLineRx to Report Second Quarter 2022 Results on August 16, 2022","year":2022,"lang":"en","type":"other","venue":"","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Work (physics); Table (database); Section (typography)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01872438036232914,"gpt":0.3051330201997313,"spread":0.2864086398374022,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001338668,0.0004161319,0.0005712468,0.0006154298,0.0005932011,0.0001120366,0.0007102713,0.0002889069,0.3335091],"category_scores_gemma":[0.000484197,0.00038296,0.0002081849,0.0009002248,0.0001537446,0.00008304924,0.0003352022,0.0005097719,0.001244168],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004863211,"about_ca_system_score_gemma":0.0002840333,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006611446,"about_ca_topic_score_gemma":0.0509523,"domain_scores_codex":[0.9961046,0.0004078215,0.000611719,0.001104546,0.001103173,0.0006681645],"domain_scores_gemma":[0.9982671,0.0001999659,0.0003943142,0.0008072527,0.00006091741,0.0002704759],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004217757,0.00007087579,0.0001406142,0.00001390749,0.0001058258,0.0002536899,0.00301605,3.993731e-7,0.00000228795,0.002376324,0.9932077,0.0007701426],"study_design_scores_gemma":[0.0003079519,0.0001775242,0.0001556307,0.00003125413,0.0000183517,0.000005737396,0.004453461,1.905517e-7,0.000002524934,0.0001080591,0.9942383,0.0005009815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0001028309,0.0004870394,0.000003343914,0.006566426,0.0026332,0.0009972301,0.0008919951,0.0005732176,0.9877447],"genre_scores_gemma":[0.0003604999,0.0001171648,0.0001347273,0.003444311,0.002169349,0.0002157812,0.0003186033,0.0002723861,0.9929672],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.332265,"threshold_uncertainty_score":0.9998623,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4417426026","doi":"10.31166/voprosyistorii202512statyi01","title":"NOVEL AS AN AESTHETIC CULTURAL PHENOMENON","year":2025,"lang":"","type":"article","venue":"OOO Zhurnal Voprosy Istorii","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Theme (computing); Phenomenon; Period (music); Quarter (Canadian coin); Feature (linguistics); Natural (archaeology)","authors":[{"name":"Dzhul’etta Chavchanidze","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02362997496103203,"gpt":0.3354411316754697,"spread":0.3118111567144377,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.001334257,0.0008055395,0.0009581503,0.0003728875,0.003536063,0.0009039225,0.001513637,0.0004550387,0.0008296737],"category_scores_gemma":[0.0002739817,0.0007765699,0.0004347051,0.002033371,0.001328929,0.001943877,0.0003617701,0.0009768804,0.0005549059],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001593762,"about_ca_system_score_gemma":0.001037923,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002789283,"about_ca_topic_score_gemma":0.0007721393,"domain_scores_codex":[0.9942418,0.0004309961,0.001142472,0.001283367,0.00135111,0.001550236],"domain_scores_gemma":[0.9971675,0.0001196593,0.0005190158,0.0008170576,0.0007371802,0.0006395621],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001087729,0.004206199,0.008488916,0.0004249953,0.0009370736,0.0002369708,0.2951043,0.00006991358,0.006078635,0.5283156,0.05707445,0.09797515],"study_design_scores_gemma":[0.00171221,0.0007658025,0.002243765,0.0003386553,0.0002510877,0.00005172095,0.01337182,0.00007857032,0.0001240357,0.007366869,0.9727201,0.0009753206],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3528162,0.01713155,0.0002762493,0.01683169,0.01883895,0.001725019,0.0001168958,0.0003915433,0.5918719],"genre_scores_gemma":[0.8085345,0.001161576,0.0007004193,0.001722488,0.001773685,0.00007054296,0.00001672943,0.00005654761,0.1859635],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9156457,"threshold_uncertainty_score":0.9994685,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4392845810","doi":"10.18778/1427-9681.16.11","title":"Молчание автора и тишина в Степи и Чайке Антона Чехова","year":2023,"lang":"ru","type":"article","venue":"Acta Universitatis Lodziensis Folia Litteraria Rossica","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Ottawa","funders":"","keywords":"Philosophy","authors":[{"name":"J. Douglas Clayton","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02462619047311172,"gpt":0.279478244226659,"spread":0.2548520537535472,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.001475811,0.00135261,0.00170288,0.001406429,0.004881639,0.001352231,0.00246931,0.0008917289,0.002173548],"category_scores_gemma":[0.0009654239,0.001535558,0.0009538797,0.007059169,0.002237295,0.003387961,0.001616552,0.001152829,0.006553777],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001077186,"about_ca_system_score_gemma":0.001015396,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002096851,"about_ca_topic_score_gemma":0.000962937,"domain_scores_codex":[0.9894117,0.001574614,0.001276572,0.002298187,0.002167396,0.003271607],"domain_scores_gemma":[0.9930379,0.002421048,0.0008262977,0.001744278,0.0007950603,0.001175427],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002782823,0.0003086255,0.006748071,0.000161188,0.001398516,0.001258849,0.1472743,0.00002334955,0.0005413413,0.01978476,0.8138901,0.008332595],"study_design_scores_gemma":[0.002800381,0.0005006921,0.05436133,0.0004312187,0.0008332468,0.00001794464,0.0376014,0.0005161705,0.0001298611,0.005557939,0.8951016,0.002148219],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6855419,0.002717103,0.0001211379,0.09489533,0.01420553,0.003123326,0.002256323,0.003129856,0.1940095],"genre_scores_gemma":[0.9099843,0.002588005,0.00103296,0.002176713,0.001716207,0.00003105738,0.0002413956,0.0001917987,0.08203757],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2244424,"threshold_uncertainty_score":0.9999225,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7095411140","doi":"","title":"INFX 2600 – Text Matching, Statistics, Web Services, and Swine Flu","year":2009,"lang":"en","type":"article","venue":"","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Focus (optics); Relevance (law); Vetting; Cover (algebra); Informatics; Web page; Domain (mathematical analysis)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.008299215150869633,"gpt":0.2806629003738252,"spread":0.2723636852229556,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002769312,0.0001139362,0.0001612894,0.00005677108,0.0004499438,0.0001473546,0.0001607358,0.00005431034,0.0005037612],"category_scores_gemma":[0.00003672461,0.00009940052,0.00001823134,0.0001712675,0.0001238486,0.0003200785,0.0000488655,0.00008408307,0.00009465058],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003031174,"about_ca_system_score_gemma":0.00005538172,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002084686,"about_ca_topic_score_gemma":0.006433259,"domain_scores_codex":[0.9989892,0.00007276052,0.0001735239,0.000202047,0.0002644874,0.000297937],"domain_scores_gemma":[0.9995304,0.00009943882,0.00004992158,0.0001221663,0.00007377653,0.0001242353],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000399888,0.0001916132,0.04362723,0.0001007014,0.00008942941,0.00005279829,0.1144788,0.000004742714,0.0003822032,0.6176247,0.1309707,0.09243707],"study_design_scores_gemma":[0.0005610149,0.0001272524,0.09039582,0.00004135002,0.00002625625,0.000002498568,0.008653184,0.0001305586,0.00001948757,0.05334584,0.846319,0.0003777534],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4366996,0.002396384,0.0004849063,0.0211021,0.0005629506,0.0005612317,0.0001354303,0.0005460014,0.5375114],"genre_scores_gemma":[0.9680202,0.0005377273,0.007333944,0.003926051,0.0002894366,0.000003182345,0.00001087168,0.00000814593,0.01987047],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7153483,"threshold_uncertainty_score":0.5515832,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7135073502","doi":"10.37313/2413-9645-2025-27-105-103-116","title":"EXPRESSIONIST PALETTE IN FINE ARTS ON THE THEME OF WORLD WAR II AND THE GREAT PATRIOTIC WAR","year":2025,"lang":"","type":"article","venue":"Izvestiya of the Samara Science Centre of the Russian Academy of Sciences Social Humanitarian Medicobiological Sciences","topic":"Vladimir Nabokov Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Teva Pharmaceutical Industries","keywords":"Exhibition; Theme (computing); Painting; World War II; First world war; German; Palette (painting); Sculpture","authors":[{"name":"E. A. Radaeva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04099872404989027,"gpt":0.3069511549761276,"spread":0.2659524309262373,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","open_science"],"consensus_categories":["sts"],"category_scores_codex":[0.02168962,0.000618664,0.001443704,0.0005571835,0.01261299,0.0001520728,0.01272285,0.0003421423,0.0001547482],"category_scores_gemma":[0.006809993,0.0002414072,0.0006273863,0.01113862,0.2195312,0.0006982573,0.003879152,0.001228579,0.000001698828],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002042724,"about_ca_system_score_gemma":0.001317306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000946915,"about_ca_topic_score_gemma":0.0007183765,"domain_scores_codex":[0.9882007,0.002887195,0.002125232,0.001375365,0.003868148,0.001543398],"domain_scores_gemma":[0.9909,0.005520468,0.002726317,0.0005345926,0.0001277716,0.000190875],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","study_design_scores_codex":[0.0001751686,0.000322674,0.03585033,0.0001027189,0.00005747004,6.232801e-7,0.03907898,0.000139082,0.00120305,0.9196303,0.0008191125,0.002620475],"study_design_scores_gemma":[0.002616641,0.0007988044,0.5142364,0.005418462,0.0003622174,0.000004124608,0.04704162,0.00103818,0.006011629,0.4180822,0.003512563,0.0008771863],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6960409,0.003459954,0.00000188117,0.2800038,0.001133719,0.001686484,0.00006115534,0.00001510116,0.01759708],"genre_scores_gemma":[0.9966822,0.0007656289,0.0001090583,0.00156081,0.0002063057,0.0000173353,2.20229e-7,0.000006986374,0.0006514959],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5015481,"threshold_uncertainty_score":0.9926188,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}