{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"4257f10f3979","filters":{"venue":"The Beethoven newsletter"}},"results":[{"id":"W2055538623","doi":"","title":"Recent Beethoven and Beethoven-Related Publications (2005-2007)","year":2003,"lang":"en","type":"article","venue":"The Beethoven newsletter","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Appeal; Performing arts; Piano; Concerto; Biography; Art history; Art; Order (exchange); Musical; Visual arts; History; Literature; Classics; Law","authors":[{"name":"Patricia Stroh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03262893587955135,"gpt":0.2358257181043993,"spread":0.2031967822248479,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001081169,0.0003354455,0.0004052384,0.0001836572,0.001001091,0.0003355123,0.0003749135,0.0002184216,0.02710555],"category_scores_gemma":[0.0001420107,0.0002406213,0.0002071534,0.0002013396,0.0007165693,0.000283855,0.0001103811,0.0006461883,0.0006601107],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005712296,"about_ca_system_score_gemma":0.00007011144,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001315751,"about_ca_topic_score_gemma":0.001540536,"domain_scores_codex":[0.9973224,0.0005795241,0.0005643648,0.0005712233,0.0002920021,0.000670433],"domain_scores_gemma":[0.9982517,0.0004390109,0.0002250811,0.0006909595,0.0001784534,0.0002148454],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002490112,0.0002479255,0.0003633719,0.00001781458,0.0004081345,0.00001232385,0.007998775,0.00001826081,0.0003554873,0.3944211,0.5725546,0.02357729],"study_design_scores_gemma":[0.0004753278,0.00004406304,0.0008036508,0.00001130287,0.0002229275,0.00002035782,0.0004709661,0.00009358358,0.00003578937,0.01515353,0.9823393,0.0003292321],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06001957,0.003763364,0.001205889,0.1844154,0.00333851,0.001308354,0.00009979735,0.0004907921,0.7453583],"genre_scores_gemma":[0.5671673,0.0007291774,0.001443743,0.1615947,0.003290046,0.0004673353,0.0001789669,0.0001900002,0.2649387],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5071477,"threshold_uncertainty_score":0.9812252,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W345070641","doi":"","title":"CONFERENCE REPORT: \"Perspectives on Beethoven's 'Tempest' Sonata\"","year":2007,"lang":"en","type":"article","venue":"The Beethoven newsletter","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Concerto; Piano; Opera; Piano sonata; Art; MOZART; Subject (documents); Art history; Performance art; Literature; Humanities; History; Library science","authors":[{"name":"Patricia Stroh","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03808083123433068,"gpt":0.2616046105313924,"spread":0.2235237792970617,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00115848,0.0002992615,0.000361568,0.0001448514,0.0006692766,0.0001984822,0.0004392681,0.0001466859,0.008724963],"category_scores_gemma":[0.00007502887,0.0001975975,0.000290109,0.0001037064,0.000752343,0.0001577726,0.0001072701,0.0006311517,0.0007153561],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005762429,"about_ca_system_score_gemma":0.00004027479,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0003636103,"about_ca_topic_score_gemma":0.003434403,"domain_scores_codex":[0.9978248,0.0001794004,0.0004786071,0.0005754892,0.00038506,0.0005566831],"domain_scores_gemma":[0.9981943,0.0005436877,0.0002409492,0.0007075977,0.0001886416,0.0001247859],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002771196,0.0004818962,0.0003747306,0.00002770041,0.0004704243,0.001271141,0.07480384,0.00001503979,0.001450095,0.6513541,0.2491118,0.02036209],"study_design_scores_gemma":[0.000327909,0.0001204945,0.001863836,0.00002415033,0.0001179217,0.00004309474,0.006394228,0.00003589208,0.000215667,0.007531708,0.9829721,0.0003529913],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2971045,0.0002701903,0.004560944,0.05710202,0.002168122,0.0006393229,0.0000417265,0.0003076359,0.6378056],"genre_scores_gemma":[0.9269692,0.000006252297,0.0001771853,0.03115808,0.003005803,0.00002751975,0.00002037917,0.00003213882,0.03860341],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7338603,"threshold_uncertainty_score":0.9921812,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2618842035","doi":"","title":"The Sixth New Beethoven Research Conference November 2-3,2016, Vancouver, Canada","year":2016,"lang":"en","type":"article","venue":"The Beethoven newsletter","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"MOZART; Art history; Downtown; Attendance; Art; History; Visual arts; Political science; Archaeology; Law","authors":[{"name":"William Meredith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06867867967981234,"gpt":0.2728479335618368,"spread":0.2041692538820245,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001200921,0.000265038,0.0003027232,0.0000615817,0.001708619,0.0002852186,0.001008073,0.0001142379,0.0115944],"category_scores_gemma":[0.0001371841,0.0001133641,0.0001649858,0.0001211515,0.001051027,0.0001750791,0.0002987641,0.00061922,0.0005153965],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001592129,"about_ca_system_score_gemma":0.0008095494,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.3461953,"about_ca_topic_score_gemma":0.9843873,"domain_scores_codex":[0.9968874,0.0006091995,0.0004092238,0.0004648491,0.0007270185,0.0009022987],"domain_scores_gemma":[0.9960657,0.002379211,0.0001357031,0.000880027,0.0003296748,0.0002096988],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005247179,0.00002336512,0.00005557766,0.000004469809,0.0001182694,0.00001667132,0.001645109,0.00000110024,0.0004598183,0.0409346,0.929517,0.02717153],"study_design_scores_gemma":[0.0003949172,0.0000451515,0.0002389129,0.00003113765,0.00004898809,0.000001994285,0.0005964096,0.00002345941,0.0001056777,0.01572215,0.98257,0.0002212351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.03776152,0.0006543253,0.001681085,0.4851094,0.01065487,0.001221859,0.0001435807,0.0001694011,0.4626039],"genre_scores_gemma":[0.4771231,0.00003190328,0.00003815032,0.02960628,0.003750564,0.0000593217,0.000003504545,0.00003597805,0.4893512],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.638192,"threshold_uncertainty_score":0.999591,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W178242943","doi":"","title":"Malcolm Bilson Plays Dussek, Cramer, Haydn/John Field: The Piano Concertos","year":2009,"lang":"en","type":"article","venue":"The Beethoven newsletter","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Concerto; Piano; Flute; Harpsichord; MOZART; Art; Art history; Violin; Literature","authors":[{"name":"William Meredith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02752186606396556,"gpt":0.2407317135402233,"spread":0.2132098474762577,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000338968,0.000271648,0.0003212228,0.0000686258,0.0009309816,0.0002978742,0.0006298519,0.0001505414,0.01527787],"category_scores_gemma":[0.0000345127,0.0001412678,0.0003182071,0.0001007288,0.0004085385,0.0001532152,0.00008318931,0.0006179986,0.0008073814],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002367802,"about_ca_system_score_gemma":0.00002833433,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004050046,"about_ca_topic_score_gemma":0.001795005,"domain_scores_codex":[0.9982821,0.0002450485,0.0003523959,0.0003647829,0.0002625117,0.0004932032],"domain_scores_gemma":[0.9984918,0.0005626957,0.0001440572,0.0006529432,0.00006709634,0.00008135792],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009655068,0.000103276,0.00006603067,0.000008486179,0.0001729373,0.00004291689,0.01003117,0.00001770381,0.001146157,0.06476675,0.8975181,0.02602992],"study_design_scores_gemma":[0.0003421857,0.0001778171,0.0007986074,0.00001480531,0.0001761926,0.000009100063,0.0004757357,0.0001911198,0.0003033085,0.007374039,0.9898828,0.0002542447],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.1072076,0.0003874949,0.00135748,0.5129476,0.001971267,0.0008856865,0.0000348201,0.0002320706,0.374976],"genre_scores_gemma":[0.6885121,0.00001097217,0.00005247861,0.2783086,0.002757599,0.00004273737,0.000009904718,0.00001632638,0.0302892],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5813046,"threshold_uncertainty_score":0.9999706,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W340119475","doi":"","title":"Beethoven Beaten Annually in Edmonton","year":2003,"lang":"en","type":"article","venue":"The Beethoven newsletter","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Ingrid Schwaegermann","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02434815985768713,"gpt":0.2211251265566527,"spread":0.1967769666989656,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006875541,0.0002388427,0.0003377874,0.0001336456,0.0003261988,0.0001397144,0.0003453361,0.0001295788,0.008130547],"category_scores_gemma":[0.00004319936,0.0001616419,0.0002057598,0.0001197291,0.0003215955,0.0001899258,0.00006237568,0.0004563609,0.0005371785],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004297564,"about_ca_system_score_gemma":0.00003294905,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000735802,"about_ca_topic_score_gemma":0.01059451,"domain_scores_codex":[0.9981004,0.0004247703,0.0003853818,0.0003724967,0.0002225786,0.0004943719],"domain_scores_gemma":[0.9990766,0.0002331487,0.0001057426,0.0004397619,0.00006549036,0.00007923231],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001360724,0.0006037824,0.003665573,0.00005079469,0.0004066699,0.0002249089,0.05994271,0.0001791714,0.001734053,0.4424233,0.4739772,0.0166558],"study_design_scores_gemma":[0.0004422647,0.00005391453,0.002657807,0.00001367458,0.00007342519,0.000005660311,0.0007632288,0.00005345061,0.0000840733,0.01106934,0.9845191,0.0002640915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3056346,0.0004162411,0.0003503277,0.03033359,0.001315329,0.0005869874,0.0000302172,0.0001339297,0.6611988],"genre_scores_gemma":[0.9061272,0.000007634896,0.0002074408,0.05307613,0.001030263,0.00007975709,0.00001395012,0.00003573598,0.03942186],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6217769,"threshold_uncertainty_score":0.9927762,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}