{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":225,"total_is_capped":false,"direct_labels_cover":2,"predictions_cover":225,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"02da49cb54db","filters":{"venue":"The French review"}},"results":[{"id":"W3137434330","doi":"10.1353/tfr.2013.0267","title":"Intonation of Ontario French in a Minority Setting: A Study Comparing Two Age Groups","year":2013,"lang":"en","type":"article","venue":"The French review","topic":"Phonetics and Phonology Research","field":"Psychology","cited_by":45,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Intonation (linguistics); Melody; Realization (probability); Linguistics; Psychology; Age groups; Pitch contour; History; Mathematics; Demography; Sociology; Art; Statistics; Musical; Literature; Philosophy","authors":[{"name":"Svetlana Kaminskaïa","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06996365135908264,"gpt":0.3667767004631244,"spread":0.2968130491040418,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000660468,0.0003422652,0.0003352766,0.0008115782,0.002098252,0.001092824,0.0003510221,0.0003470247,0.001699827],"category_scores_gemma":[0.001655384,0.0001437894,0.000238762,0.0006146714,0.0007980543,0.0003465313,0.0005284079,0.0002018684,0.0003034041],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004356893,"about_ca_system_score_gemma":0.002176279,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.5875781,"about_ca_topic_score_gemma":0.7573134,"domain_scores_codex":[0.9994524,0.0001057302,0.00002182175,0.0001048102,0.0001864043,0.0001288387],"domain_scores_gemma":[0.999339,0.000102571,0.0001578114,0.00001884846,0.0002689978,0.0001126849],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"observational","study_design_scores_codex":[0.0006670841,0.0002169552,0.653217,0.0001127124,0.00005440152,0.001737507,0.2814272,0.00003840045,0.01365357,0.0004896632,0.0006055275,0.04778006],"study_design_scores_gemma":[0.000006894077,0.0003896384,0.9211709,0.00002126953,0.00001959185,0.0006296756,0.07094567,0.00005401764,0.0004872807,0.00002876167,0.006230062,0.00001612015],"study_design_candidate":"observational","study_design_consensus":"observational","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9984236,0.0002902831,0.00003860264,0.00003558298,0.00000425502,0.000005675106,0.00002309897,9.435427e-7,0.001178107],"genre_scores_gemma":[0.9964909,0.0003664006,0.00007850301,0.00003467716,0.000004899546,0.000008108658,0.00005090071,0.000002088044,0.00296359],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4124219,"threshold_uncertainty_score":0.8297014,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133921570","doi":"10.1353/tfr.2020.0286","title":"Antigone réal. par Sophie Deraspe","year":2020,"lang":"fr","type":"article","venue":"The French review","topic":"African history and culture studies","field":"Social Sciences","cited_by":21,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Brother; Sister; Tragedy (event); Art; Film director; Art history; Movie theater; Humanities; Literature; Sociology","authors":[{"name":"Miléna Santoro","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05510844738673273,"gpt":0.2878961585942047,"spread":0.232787711207472,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002838484,0.0006443949,0.0002817368,0.0004212639,0.001773565,0.001854569,0.0004247046,0.0009644061,0.4269464],"category_scores_gemma":[0.001048248,0.000201774,0.0001514108,0.0003620756,0.0004550044,0.001006658,0.00155225,0.001807705,0.2005632],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001483057,"about_ca_system_score_gemma":0.0009763579,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01787969,"about_ca_topic_score_gemma":0.06252892,"domain_scores_codex":[0.9997299,0.00004557704,0.000009159939,0.00005838594,0.0001043265,0.00005267703],"domain_scores_gemma":[0.9996669,0.00002364623,0.00002331678,0.00001392156,0.000154058,0.0001180223],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000156044,0.000006581672,0.0001331489,0.00009727309,0.000001675612,0.00009166223,0.0004091618,0.000009395373,0.0001982997,0.0008463956,0.9768736,0.02131721],"study_design_scores_gemma":[6.573514e-7,0.000001689438,0.0003077727,0.00002982505,3.419397e-7,0.00004374239,0.0001683349,0.000003087835,0.00001898826,0.00001236541,0.9994122,0.000001040478],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004735839,0.03504482,0.0003360995,0.03283188,0.04120588,0.0001569512,0.001668771,0.0004187588,0.883601],"genre_scores_gemma":[0.00846073,0.003821102,0.000135589,0.002525558,0.00176317,0.00003301106,0.0002470504,0.0001274684,0.9828863],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4269464,"threshold_uncertainty_score":0.8173915,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138933415","doi":"10.1353/tfr.2012.0253","title":"Les petits by Christine Angot","year":2012,"lang":"en","type":"article","venue":"The French review","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Cécile Hanania","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0617387678515705,"gpt":0.2673231286743242,"spread":0.2055843608227537,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008523937,0.0008197106,0.0003543576,0.0007640841,0.01037089,0.007381559,0.0005890563,0.001704708,0.03154076],"category_scores_gemma":[0.002169207,0.0004545862,0.0002243287,0.0006770887,0.007557627,0.00458252,0.003517644,0.004647344,0.009562352],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005376516,"about_ca_system_score_gemma":0.003985396,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03566432,"about_ca_topic_score_gemma":0.09698958,"domain_scores_codex":[0.9990557,0.0003952227,0.00002055922,0.0001667973,0.0002299444,0.0001316726],"domain_scores_gemma":[0.9995102,0.0001773165,0.00004704729,0.00004782301,0.0001057884,0.0001117703],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005956464,0.00001494997,0.000362859,0.000101325,0.00000582612,0.000483442,0.05374009,0.00009773002,0.0003976985,0.3134843,0.5799294,0.05132275],"study_design_scores_gemma":[9.95811e-7,0.000003555765,0.00009497991,0.00006389104,9.188165e-7,0.0001312353,0.004563567,0.00001708707,0.00007995624,0.002212855,0.9928271,0.000003690171],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00732431,0.02851264,0.00206582,0.03705992,0.00706809,0.00003202323,0.000099873,0.0002087566,0.9176286],"genre_scores_gemma":[0.07903934,0.00557403,0.0009166166,0.005061739,0.0006054535,0.00002770436,0.00004315403,0.0002452479,0.9084867],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03566432,"threshold_uncertainty_score":0.1055143,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136468025","doi":"10.1353/tfr.2017.0002","title":"Québécois French: Testing the Limits of Monocentricity","year":2017,"lang":"en","type":"article","venue":"The French review","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Prestige; Stress (linguistics); French; Reputation; Linguistics; Sociology; History; Political science; Philosophy; Social science","authors":[{"name":"Edward Dawley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1500995507975528,"gpt":0.3592613055669198,"spread":0.209161754769367,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00417611,0.0003983017,0.0006467843,0.003527132,0.001520919,0.002637645,0.0007486637,0.0006209452,0.003413955],"category_scores_gemma":[0.006100406,0.0001148339,0.0003620514,0.006196533,0.002351285,0.001416745,0.0006478081,0.0004607736,0.0001616971],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01382052,"about_ca_system_score_gemma":0.01959319,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7688173,"about_ca_topic_score_gemma":0.8686225,"domain_scores_codex":[0.9982811,0.0006891673,0.00008220207,0.0002435931,0.000536601,0.0001672833],"domain_scores_gemma":[0.9947227,0.002495899,0.0005132857,0.0001171074,0.002013407,0.0001375399],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0003868366,0.00005377323,0.04164774,0.02764118,0.001657104,0.001593085,0.0207145,0.0008162851,0.001397498,0.1219762,0.03341001,0.7487059],"study_design_scores_gemma":[0.00004928961,0.0001667382,0.1748618,0.0356096,0.001667803,0.001260703,0.02901208,0.0005612586,0.0009284468,0.01055221,0.7452369,0.00009318187],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.02098622,0.9541901,0.0003126831,0.00341416,0.0001800581,0.00001671727,0.0002099415,0.000004997247,0.0206851],"genre_scores_gemma":[0.4445971,0.548325,0.0007058692,0.00221303,0.00019041,0.00003292795,0.0003501009,0.000008968504,0.00357653],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2311827,"threshold_uncertainty_score":0.4650883,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4214544412","doi":"10.1353/tfr.2022.0050","title":"Lexical Cleansing: Anglicisms and Francophone Québécois Identity","year":2022,"lang":"en","type":"article","venue":"The French review","topic":"Linguistics, Language Diversity, and Identity","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"French; Hegemony; Identity (music); Politics; French revolution; Linguistics; Sociology; Political science; Media studies; Art; Law; Philosophy; Aesthetics","authors":[{"name":"Edward Dawley","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02812759796138747,"gpt":0.2394897369914217,"spread":0.2113621390300342,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001834924,0.0003587669,0.0004702754,0.003090621,0.002528628,0.004282542,0.0005177041,0.0007535783,0.005140198],"category_scores_gemma":[0.002632585,0.00008737634,0.0002494631,0.003966729,0.003230159,0.001801058,0.0009239492,0.0007397601,0.0002553653],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01066404,"about_ca_system_score_gemma":0.01563215,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.7249526,"about_ca_topic_score_gemma":0.8412867,"domain_scores_codex":[0.999151,0.0003044561,0.00004014459,0.0001128775,0.0002420426,0.0001495491],"domain_scores_gemma":[0.9985867,0.00053442,0.0001949436,0.00003326046,0.0005445552,0.0001060899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002775016,0.00006959693,0.0299741,0.00953337,0.0004391933,0.001605178,0.04385513,0.0002744661,0.00209661,0.06700304,0.04760666,0.797265],"study_design_scores_gemma":[0.00003344363,0.00008299495,0.1578081,0.0171808,0.000401606,0.001335706,0.04852897,0.0001796893,0.0007139804,0.005424518,0.7682327,0.00007749597],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.05491944,0.9039816,0.0002526572,0.009872993,0.0004205582,0.00001204504,0.0001904669,0.00001126495,0.030339],"genre_scores_gemma":[0.5372654,0.4478679,0.000423156,0.004678627,0.0004616915,0.00002147511,0.00030909,0.00001375376,0.008958983],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2750474,"threshold_uncertainty_score":0.5533345,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2474262080","doi":"","title":"Boxes and Bridges: Robert Lepage's Le Confessionnal and La Face cachée de la lune","year":2008,"lang":"fr","type":"article","venue":"The French review","topic":"Contemporary Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Revelation; Confessional; Counterpoint; Ignorance; Identity (music); Face (sociological concept); Art; Confession (law); Art history; Philosophy; Literature; History; Sociology; Aesthetics; Epistemology; Linguistics; Law; Political science; Archaeology","authors":[{"name":"Nathalie G. Cornelius","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02112434056547146,"gpt":0.2531797221028003,"spread":0.2320553815373289,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001731263,0.0004038336,0.0003966622,0.001435732,0.006577877,0.006724276,0.0005998528,0.002812402,0.004802105],"category_scores_gemma":[0.003700821,0.0001583734,0.0002232022,0.001928319,0.008484437,0.00329851,0.001038057,0.002233922,0.0004778402],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01506125,"about_ca_system_score_gemma":0.007697187,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3699806,"about_ca_topic_score_gemma":0.4221816,"domain_scores_codex":[0.9977319,0.001496907,0.00003169156,0.0001216026,0.0004058772,0.0002121948],"domain_scores_gemma":[0.9987047,0.0007416113,0.0001306054,0.00003886914,0.0002925982,0.0000916046],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001480447,0.00002796237,0.001525295,0.001144938,0.00004168217,0.001666339,0.150571,0.0001748895,0.0004154098,0.4388532,0.3130488,0.09238235],"study_design_scores_gemma":[0.00000869675,0.00001415364,0.001948535,0.001040222,0.00001225821,0.0003957353,0.03647822,0.00002063615,0.0001148645,0.003901721,0.9560504,0.00001459905],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01886891,0.6977716,0.0003978018,0.1141067,0.003047352,0.0000136092,0.00004470881,0.00002276577,0.1657266],"genre_scores_gemma":[0.6098038,0.2696443,0.0004791492,0.029394,0.002554755,0.00003986613,0.00005554216,0.00005039459,0.08797824],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3699806,"threshold_uncertainty_score":0.7356542,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2518082650","doi":"","title":"From film to reading and writing : L'Histoire d'Adèle H.","year":2000,"lang":"fr","type":"article","venue":"The French review","topic":"African history and culture studies","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Adventure; Reading (process); Biography; Nova scotia; Poetry; Literature; Officer; Art; Point (geometry); Creative writing; Queen (butterfly); Love story; Visual arts; History; Art history; Philosophy; Linguistics; Archaeology","authors":[{"name":"Lois Vines","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02952945348129716,"gpt":0.2808154224879373,"spread":0.2512859690066402,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001289072,0.0005499547,0.0002482341,0.001395455,0.004117875,0.005309306,0.0004095165,0.001580187,0.005394882],"category_scores_gemma":[0.002884984,0.0002027191,0.0001611853,0.001183763,0.004515334,0.002904454,0.0009391095,0.001833726,0.0006550274],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006184045,"about_ca_system_score_gemma":0.002278942,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05848109,"about_ca_topic_score_gemma":0.0697985,"domain_scores_codex":[0.998782,0.0008406071,0.00003220473,0.00007808427,0.0001342293,0.0001329899],"domain_scores_gemma":[0.9990213,0.0006638714,0.00008179622,0.00002477585,0.0001175385,0.000090669],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001491698,0.00006073264,0.001497029,0.002204444,0.00004371497,0.002539869,0.1764701,0.0001804156,0.002047036,0.1540116,0.3664351,0.2943607],"study_design_scores_gemma":[0.000004077552,0.00001863525,0.001379975,0.00073213,0.000005348404,0.0003991119,0.01733311,0.00001096967,0.0002822408,0.001489463,0.9783375,0.000007535255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.009965944,0.8045824,0.0004860949,0.07244948,0.006989359,0.00002086721,0.00004147539,0.00002785671,0.1054364],"genre_scores_gemma":[0.3779684,0.4564549,0.001040219,0.01387629,0.004114769,0.0000820625,0.0000475603,0.00006958008,0.1463462],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05848109,"threshold_uncertainty_score":0.1162814,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2500382404","doi":"","title":"Anglophone Presence in the Early Novels of Anne H~bert","year":2000,"lang":"en","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Griffin; French; George (robot); Art; Sociology; Humanities; Art history; History; Literature; Classics","authors":[{"name":"Douglas L. Boudreau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0211245067242011,"gpt":0.2626895473340313,"spread":0.2415650406098302,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00197613,0.0002884158,0.0003456015,0.00230082,0.006895755,0.004718423,0.0004881167,0.0007999525,0.002593637],"category_scores_gemma":[0.002795551,0.0001676814,0.0001238444,0.002387467,0.003666153,0.001462136,0.0009738968,0.0008863084,0.0002892452],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01583935,"about_ca_system_score_gemma":0.01069699,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4761068,"about_ca_topic_score_gemma":0.7655488,"domain_scores_codex":[0.9987924,0.0005279183,0.00003094958,0.00009542456,0.0003190638,0.0002341757],"domain_scores_gemma":[0.9977968,0.0009194312,0.0003020922,0.00005480693,0.0007103445,0.0002165088],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004463028,0.00009358401,0.008804183,0.003956714,0.0001308311,0.007626958,0.5341241,0.0002771962,0.003146209,0.1028445,0.129912,0.2086374],"study_design_scores_gemma":[0.000006387393,0.00003756217,0.01506746,0.001297222,0.00003385123,0.0009886734,0.07744547,0.00001790791,0.0005541451,0.0007096484,0.9038049,0.0000367931],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.1983136,0.5422469,0.0004120445,0.03485842,0.003562138,0.00003487652,0.0003593316,0.00004166061,0.220171],"genre_scores_gemma":[0.8213006,0.130171,0.0002507656,0.004100098,0.0008047114,0.0000235615,0.0001552718,0.0000345618,0.04315948],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5238932,"threshold_uncertainty_score":0.9466711,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137556849","doi":"10.1353/tfr.2011.0222","title":"Nowhere is Perfect: French and Francophone Utopias/Dystopias ed. by John West-Sooby","year":2011,"lang":"en","type":"article","venue":"The French review","topic":"Island Studies and Pacific Affairs","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dystopia; French; Colonialism; Prison; Utopia; Politics; The Imaginary; History; Art history; Canadian literature; French literature; Classics; Sociology; Literature; Art; Law; Archaeology; Political science; Psychoanalysis; Psychology","authors":[{"name":"Annabelle M. Rea","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02240804072373911,"gpt":0.2604616473225846,"spread":0.2380536065988455,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001173983,0.001593318,0.0006712593,0.002439341,0.0050442,0.006542868,0.0006411026,0.003168839,0.01929323],"category_scores_gemma":[0.001216791,0.0005198712,0.0004616796,0.002422388,0.003973957,0.006013209,0.001443068,0.002238504,0.003832345],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007993415,"about_ca_system_score_gemma":0.005045173,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1405971,"about_ca_topic_score_gemma":0.2030869,"domain_scores_codex":[0.9994141,0.0001932515,0.00002395048,0.00008105806,0.0001341634,0.0001534768],"domain_scores_gemma":[0.999513,0.0002007069,0.00006875017,0.00001663169,0.00009976034,0.0001011811],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006255096,0.00003653339,0.0007788651,0.0006198981,0.00001527901,0.0003685619,0.02114878,0.0000891926,0.0001849053,0.02981438,0.7511287,0.1957523],"study_design_scores_gemma":[0.000003622564,0.00000832564,0.001654511,0.0008601255,0.00000378407,0.0003333604,0.00527366,0.00001887616,0.0000302216,0.002763625,0.9890383,0.00001156496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.001371017,0.9415398,0.0001276543,0.02892615,0.002012551,0.000004712464,0.00006523372,0.00002364191,0.02592922],"genre_scores_gemma":[0.09385347,0.7180178,0.0007835397,0.01306993,0.005832788,0.00004684169,0.0001917345,0.00010354,0.1681003],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.1405971,"threshold_uncertainty_score":0.2795575,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136919910","doi":"10.1353/tfr.2016.0192","title":"Les coqs cubains chantent à minuit par Tierno Monénembo","year":2016,"lang":"fr","type":"article","venue":"The French review","topic":"Migration, Identity, and Health","field":"Social Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Suzanne Gasster-Carrierre","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0829898020672051,"gpt":0.3483295403409593,"spread":0.2653397382737542,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004952335,0.0007404996,0.0003774693,0.0006776065,0.01309556,0.003345083,0.0006820084,0.001265961,0.0403785],"category_scores_gemma":[0.001187534,0.0003763039,0.00020301,0.0006015624,0.002242609,0.001535797,0.002401055,0.002511308,0.005364802],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007153724,"about_ca_system_score_gemma":0.005085796,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3119626,"about_ca_topic_score_gemma":0.5851966,"domain_scores_codex":[0.999589,0.0001395387,0.000007491327,0.00006439948,0.00008768474,0.0001118078],"domain_scores_gemma":[0.9995921,0.00005859911,0.00004614744,0.0000144491,0.0001322327,0.0001565058],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000269984,0.00005955945,0.006630167,0.0003678428,0.00001924546,0.003569475,0.1425849,0.0001530884,0.0022409,0.06239913,0.6931854,0.08852033],"study_design_scores_gemma":[0.000002231993,0.000008239363,0.002716234,0.0001332788,0.000002497859,0.0002945014,0.03229106,0.00003319324,0.0002209737,0.0003890202,0.9638973,0.00001134864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1542587,0.07960422,0.00292919,0.2248361,0.01455805,0.0002374508,0.001333093,0.0005268569,0.5217164],"genre_scores_gemma":[0.1840257,0.006012349,0.0009925567,0.006939522,0.0003109547,0.00007087779,0.0001877957,0.0002510972,0.8012091],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3119626,"threshold_uncertainty_score":0.6202935,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138907495","doi":"10.1353/tfr.2016.0292","title":"Henri Henri par Martin Talbot","year":2016,"lang":"fr","type":"article","venue":"The French review","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","authors":[{"name":"Sarah Jourdain","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04783644967384949,"gpt":0.2847949261424747,"spread":0.2369584764686252,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008527771,0.0006336452,0.0003683729,0.0008971991,0.003254471,0.004139675,0.0007675739,0.002275505,0.07355291],"category_scores_gemma":[0.004429247,0.0002762364,0.0002356435,0.0005002657,0.001824577,0.003400687,0.00246133,0.00357435,0.02799383],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002877188,"about_ca_system_score_gemma":0.002292133,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01336409,"about_ca_topic_score_gemma":0.01533631,"domain_scores_codex":[0.9988528,0.0002746364,0.00002875489,0.0002744534,0.0004450041,0.0001243385],"domain_scores_gemma":[0.9989161,0.0002881833,0.0000620873,0.00005767471,0.0004251113,0.000250839],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003064831,0.00001234169,0.0001938336,0.0001051075,0.000002802136,0.0001446354,0.001684412,0.00006390679,0.0003317429,0.05813427,0.8946042,0.04469199],"study_design_scores_gemma":[0.000001335979,0.000003619168,0.0001260958,0.00006920708,8.312242e-7,0.000100446,0.0003972446,0.00004898338,0.0001214013,0.001911505,0.9972154,0.000003841263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.004302885,0.07403482,0.005342326,0.274829,0.04608044,0.00005964166,0.0003381974,0.0006473841,0.5943653],"genre_scores_gemma":[0.03058362,0.01215952,0.001192584,0.01402428,0.003455283,0.00004267134,0.0001037149,0.0003349036,0.9381034],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07355291,"threshold_uncertainty_score":0.246059,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138862719","doi":"10.1353/tfr.2016.0181","title":"Un été en famille by Arnaud Delrue","year":2016,"lang":"fr","type":"article","venue":"The French review","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Character (mathematics); Paragraph; Sentence; Tone (literature); Faith; Literature; History; Art; Humanities; Art history; Philosophy; Linguistics; Theology; Law","authors":[{"name":"Ann Williams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03054042457280396,"gpt":0.3601158153728807,"spread":0.3295753908000768,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001345395,0.0009822957,0.0005382326,0.001544142,0.002483377,0.004847942,0.0006620264,0.002061299,0.02317007],"category_scores_gemma":[0.003418195,0.0004233749,0.0002611559,0.0008573369,0.001857562,0.003055,0.001555315,0.003378449,0.01496706],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004134418,"about_ca_system_score_gemma":0.003201036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01206016,"about_ca_topic_score_gemma":0.01508423,"domain_scores_codex":[0.998442,0.0005117731,0.00005906372,0.0002807636,0.0005642608,0.0001421491],"domain_scores_gemma":[0.9984303,0.0005819877,0.0001249932,0.00006698976,0.0005276977,0.0002679207],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001944364,0.00001819317,0.00009512423,0.0004823416,0.000006041112,0.000201075,0.001624627,0.00004728035,0.0001641028,0.01228283,0.9203787,0.06468025],"study_design_scores_gemma":[5.772326e-7,0.000002127989,0.00007991924,0.0001948606,6.783156e-7,0.00009316121,0.000192879,0.000003803375,0.00001745286,0.0001868695,0.9992262,0.000001449823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0008645399,0.8078718,0.0003786449,0.06784566,0.04307508,0.00001564651,0.0001049924,0.0001175806,0.0797261],"genre_scores_gemma":[0.03033476,0.5039098,0.001091509,0.0265526,0.04444634,0.00006194318,0.0002685985,0.0004005294,0.392934],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.02317007,"threshold_uncertainty_score":0.07751167,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136470108","doi":"10.1353/tfr.2012.0062","title":"et pourtant by Robert Giroux","year":2012,"lang":"en","type":"article","venue":"The French review","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Silence; Poetry; Persona; Art; Drama; Anecdote; Humanities; Literature; Art history; Philosophy; Aesthetics","authors":[{"name":"Van Kelly","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04390843635605336,"gpt":0.2947225002416033,"spread":0.2508140638855499,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007616128,0.0006895317,0.0003836636,0.0005704571,0.00251491,0.003428657,0.0005011354,0.001072436,0.04287466],"category_scores_gemma":[0.001611152,0.0003442207,0.0002832899,0.0004582083,0.001528206,0.002994352,0.001837749,0.00364249,0.02442718],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001770788,"about_ca_system_score_gemma":0.001781993,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0113797,"about_ca_topic_score_gemma":0.02363758,"domain_scores_codex":[0.999535,0.0001432617,0.00001551621,0.00009427949,0.0001582163,0.00005383869],"domain_scores_gemma":[0.9997154,0.00007606013,0.00002258338,0.00001605482,0.00008547911,0.00008446915],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001023891,0.000007172677,0.00008901535,0.00005807555,0.000001596952,0.00007111394,0.00105642,0.00002063593,0.00009937011,0.01171015,0.9553015,0.03157454],"study_design_scores_gemma":[6.34547e-7,0.000002888629,0.00006767382,0.00004190038,5.740226e-7,0.00008241037,0.0003456638,0.000004745298,0.00002629376,0.0003087227,0.9991172,0.000001357243],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.003877196,0.2771932,0.002123278,0.2077169,0.06056406,0.00008290643,0.0004776791,0.0005861204,0.4473786],"genre_scores_gemma":[0.01272235,0.03172376,0.0007908792,0.01354728,0.002837477,0.00003042098,0.0001064858,0.0002265254,0.9380149],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.04287466,"threshold_uncertainty_score":0.1434301,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137081814","doi":"10.1353/tfr.2014.0353","title":"Un garçon maladroit by Marc-Alain Wolf","year":2014,"lang":"fr","type":"article","venue":"The French review","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wife; Humanity; Silence; Art history; Art; Pseudonym; Order (exchange); Adventure; Genius; History; Literature; Humanities; Philosophy; Theology; Aesthetics","authors":[{"name":"Eileen M. Angelini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0990769203517358,"gpt":0.2826695787819084,"spread":0.1835926584301726,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006259537,0.001082935,0.0007955904,0.002041472,0.001183374,0.00434075,0.0008199766,0.003054005,0.1385177],"category_scores_gemma":[0.002527632,0.0005572782,0.0003858564,0.00154996,0.001010052,0.003539354,0.00260339,0.002765199,0.122603],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001420508,"about_ca_system_score_gemma":0.00157802,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003167328,"about_ca_topic_score_gemma":0.005637135,"domain_scores_codex":[0.9991134,0.0001442716,0.00005313562,0.0002228155,0.0003716594,0.00009481505],"domain_scores_gemma":[0.9986895,0.0004024056,0.0001090429,0.0001063119,0.0003933409,0.0002993662],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000157916,0.00001401666,0.00007987722,0.0004159114,0.000005105747,0.00007610751,0.0001321196,0.00002299973,0.0001720835,0.003265314,0.92373,0.07207066],"study_design_scores_gemma":[8.488502e-7,0.000001819572,0.00009019184,0.0002279293,0.000001090153,0.00004401472,0.00003518123,0.000004505469,0.00001887688,0.0001342754,0.9994398,0.000001534354],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0003815099,0.7477387,0.0004546716,0.03034812,0.06271079,0.00003023904,0.0003583751,0.0003230073,0.1576546],"genre_scores_gemma":[0.004613115,0.2993949,0.000497375,0.01975815,0.03214725,0.00006531884,0.0004643926,0.0003323653,0.6427271],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1385177,"threshold_uncertainty_score":0.4633878,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4310272345","doi":"10.1353/tfr.2022.0279","title":"French St. Louis: Landscape, Contexts, and Legacy ed. by Jay Gitlin, Robert Michael Morrissey and Peter J. Kastor","year":2022,"lang":"en","type":"article","venue":"The French review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Indigenous; Elite; Population; History; Sociology; Art history; Classics; Anthropology; Politics; Law; Demography; Political science","authors":[{"name":"Alice J. Strange","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01270137056159987,"gpt":0.2139796375353114,"spread":0.2012782669737116,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004178797,0.001244834,0.0004143572,0.001044653,0.003767684,0.006261055,0.0005068265,0.001638118,0.06946152],"category_scores_gemma":[0.0006389439,0.0003545043,0.0002529479,0.002346225,0.002837614,0.003141747,0.001578405,0.002179312,0.01280109],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01236344,"about_ca_system_score_gemma":0.0082306,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3682,"about_ca_topic_score_gemma":0.6724512,"domain_scores_codex":[0.9997203,0.00007757537,0.000009168869,0.00005637962,0.00007597639,0.00006052441],"domain_scores_gemma":[0.9996569,0.00004758735,0.0000378301,0.00001417909,0.0001552378,0.00008830525],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001905028,0.00001569854,0.001022256,0.0003201747,0.00000873124,0.00019901,0.004676232,0.0001057176,0.0002769644,0.01228864,0.8716105,0.1094571],"study_design_scores_gemma":[7.631964e-7,0.000002440745,0.001246359,0.0003482563,0.000001428456,0.00005057856,0.001987121,0.000006331301,0.00002012728,0.0004203971,0.9959117,0.000004455459],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.006215538,0.705303,0.0004151672,0.07673281,0.005373373,0.00002469102,0.000773786,0.0001234178,0.2050382],"genre_scores_gemma":[0.06918622,0.2874509,0.0006557453,0.008564394,0.00169911,0.0000454369,0.0006822197,0.0001912567,0.6315248],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3682,"threshold_uncertainty_score":0.7321137,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3118342327","doi":"10.1353/tfr.2018.0042","title":"Par ici: méthode de français by Nancy Desjardins","year":2018,"lang":"fr","type":"article","venue":"The French review","topic":"French Language Learning Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Signage; Context (archaeology); Humanities; Character (mathematics); Verb; Linguistics; Art; Sociology; Psychology; Visual arts; History; Philosophy","authors":[{"name":"Clarissa Eagle","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05216859508123192,"gpt":0.355257301931162,"spread":0.3030887068499301,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002377037,0.001291059,0.000695148,0.001600731,0.002083584,0.004167845,0.001245267,0.001573586,0.2878551],"category_scores_gemma":[0.0062983,0.0005098753,0.0007213125,0.001681604,0.001625536,0.002955173,0.00215006,0.002515556,0.1021452],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006210929,"about_ca_system_score_gemma":0.008272349,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1005433,"about_ca_topic_score_gemma":0.1322239,"domain_scores_codex":[0.9979725,0.0006098804,0.0001290071,0.0003682374,0.0007513672,0.000168967],"domain_scores_gemma":[0.9970516,0.0006240025,0.0001295007,0.0002409329,0.001630326,0.0003234741],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001638629,0.00001436652,0.00007606349,0.0002980845,0.000003825447,0.00005395876,0.0005287109,0.00005477927,0.0002837271,0.003815096,0.9224424,0.07241264],"study_design_scores_gemma":[9.83179e-7,0.00000224507,0.0001003124,0.0001086305,4.961286e-7,0.00002214873,0.00007562533,0.000006494604,0.00002465394,0.00007492933,0.9995816,0.000001847366],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.00159261,0.09187987,0.01091538,0.03416543,0.04893875,0.0009238367,0.003381829,0.00372652,0.8044757],"genre_scores_gemma":[0.00784465,0.02049511,0.006043246,0.00627907,0.001620351,0.0004222349,0.001587916,0.002152589,0.9535547],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.2878551,"threshold_uncertainty_score":0.9629714,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136086757","doi":"10.1353/tfr.2014.0133","title":"L’orient des langues au XXe siècle: Aragon, Ollier, Barthes, Macé par Ridha Boulaâbi","year":2014,"lang":"fr","type":"article","venue":"The French review","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Painting; Poetry; Identity (music); Literature; Resistance (ecology); Sacrifice; Humanities; Art history; History; Aesthetics; Archaeology","authors":[{"name":"Blandine Mitaut","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04501409132550876,"gpt":0.2773619723287196,"spread":0.2323478810032109,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004841328,0.0007650178,0.0003218468,0.00107214,0.004005363,0.00450822,0.0005238047,0.001425537,0.01383648],"category_scores_gemma":[0.0007658299,0.0002218278,0.0002738355,0.001045993,0.002555016,0.001190501,0.001169277,0.002048803,0.002091895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01136935,"about_ca_system_score_gemma":0.003180699,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3007433,"about_ca_topic_score_gemma":0.3391178,"domain_scores_codex":[0.9995585,0.0001739526,0.000009501741,0.00006194229,0.00008639862,0.0001096948],"domain_scores_gemma":[0.9998705,0.00003544231,0.00002042539,0.000008260833,0.00003490325,0.00003044655],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002855987,0.0001145503,0.002730178,0.0006179461,0.00005623912,0.001037118,0.05284537,0.0003043229,0.001112546,0.4359538,0.3341513,0.170791],"study_design_scores_gemma":[0.000005700529,0.00000669078,0.002603214,0.000121766,0.000002955467,0.0001029516,0.002723034,0.00002327012,0.00008411834,0.001072754,0.9932476,0.000005807232],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0443605,0.4326314,0.001616196,0.06302862,0.006188751,0.00004014627,0.0005182509,0.0002360414,0.4513801],"genre_scores_gemma":[0.540854,0.05220124,0.001573257,0.005520743,0.001929457,0.00005937416,0.0002785629,0.0002962856,0.3972871],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.3007433,"threshold_uncertainty_score":0.5979856,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136267908","doi":"10.1353/tfr.2013.0291","title":"Monsieur Électrique by Jean-Marc Beausoleil","year":2013,"lang":"fr","type":"article","venue":"The French review","topic":"Nutrition, Health, and Society Studies","field":"Agricultural and Biological Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Psychology; French fries","authors":[{"name":"Ritt Deitz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02187854259142985,"gpt":0.2482203309557827,"spread":0.2263417883643529,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009896311,0.0009555526,0.0005249787,0.0008959365,0.001240152,0.003146411,0.0006613642,0.001975331,0.08176079],"category_scores_gemma":[0.003671039,0.0002448651,0.0003209909,0.000341163,0.001145511,0.001650619,0.001359738,0.003379441,0.05375012],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001290621,"about_ca_system_score_gemma":0.001700417,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005359479,"about_ca_topic_score_gemma":0.005738411,"domain_scores_codex":[0.9989248,0.0001958347,0.00003168706,0.0002820323,0.0004653068,0.0001003785],"domain_scores_gemma":[0.9987563,0.0004116674,0.00007095654,0.00004853642,0.0003833316,0.0003291958],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004906507,0.00001875246,0.0002907327,0.0001962041,0.0000070222,0.0004302606,0.0002670519,0.0001500479,0.0005607172,0.01305289,0.8789777,0.1059994],"study_design_scores_gemma":[0.000001869906,0.000006032771,0.0001618167,0.00006743422,9.063186e-7,0.0004258017,0.00006903726,0.00005096959,0.0001241825,0.0004317476,0.998656,0.000004218317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.003669972,0.2706327,0.009505248,0.2390563,0.15863,0.00008111944,0.0005355145,0.001407519,0.3164818],"genre_scores_gemma":[0.03715961,0.06505229,0.003064884,0.03726754,0.02314329,0.0001025918,0.0001938278,0.0006369066,0.8333791],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.08176079,"threshold_uncertainty_score":0.2735171,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136785479","doi":"10.1353/tfr.2011.0185","title":"Quinze secondes de célébrité par François Leblanc","year":2011,"lang":"fr","type":"article","venue":"The French review","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Ritt Deitz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0814383724076714,"gpt":0.2757515581016538,"spread":0.1943131856939824,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009216141,0.0008054821,0.0002939269,0.000698072,0.01001327,0.002797069,0.0005285031,0.001447267,0.0472197],"category_scores_gemma":[0.00104092,0.0002076212,0.0003266973,0.0005475015,0.001718038,0.0009818891,0.002696633,0.002469779,0.005236288],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007550224,"about_ca_system_score_gemma":0.0056524,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.279594,"about_ca_topic_score_gemma":0.4637193,"domain_scores_codex":[0.9992618,0.0001304713,0.00001367835,0.00006357056,0.0001218647,0.0004085591],"domain_scores_gemma":[0.9993132,0.00005364253,0.00006026861,0.00002675161,0.0001625604,0.0003835295],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005890456,0.0002563956,0.03812397,0.0004833206,0.00007074164,0.005902239,0.1051929,0.0002093884,0.00224373,0.1485413,0.5628953,0.1354917],"study_design_scores_gemma":[0.000009349438,0.00005636309,0.01419225,0.0001487338,0.000004804749,0.000372843,0.01993238,0.00004539656,0.0001792407,0.0003599336,0.964678,0.00002071111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3669187,0.02095968,0.000914278,0.04213066,0.01272017,0.0001915429,0.0023343,0.0001939061,0.5536368],"genre_scores_gemma":[0.3905731,0.003854306,0.0003933723,0.004366152,0.001035452,0.0000641971,0.000361329,0.00007895738,0.5992732],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.279594,"threshold_uncertainty_score":0.5559332,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137326557","doi":"10.1353/tfr.2012.0401","title":"Nagasaki by Éric Faye","year":2012,"lang":"en","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dozen; Dream; Sociology; Identity (music); Sign (mathematics); History; Art history; Psychology; Art; Aesthetics","authors":[{"name":"Chris Reyns-Chikuma","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02337422770303101,"gpt":0.2722543847861219,"spread":0.2488801570830909,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004777304,0.0007738356,0.0005041548,0.0009960529,0.002448676,0.004731202,0.0006820552,0.002023025,0.4769845],"category_scores_gemma":[0.002291469,0.0002691998,0.0002776209,0.0006131232,0.0006452533,0.002715278,0.002908518,0.002371844,0.3053626],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001243644,"about_ca_system_score_gemma":0.001623305,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003343739,"about_ca_topic_score_gemma":0.006938261,"domain_scores_codex":[0.9995523,0.00005671012,0.00001873866,0.0001343022,0.0001701238,0.00006775612],"domain_scores_gemma":[0.9993098,0.00009386642,0.00003379749,0.00005894055,0.0002682746,0.0002352981],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000136145,0.00001222053,0.0001337501,0.00007655318,0.000001884623,0.0001667085,0.0002357552,0.00002603811,0.0001800185,0.00811209,0.9167708,0.07427064],"study_design_scores_gemma":[6.302981e-7,0.000001515678,0.00005624645,0.00003539707,3.660707e-7,0.00006735505,0.00007975743,0.000006739459,0.00001802979,0.0002144159,0.9995185,0.000001058725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001043578,0.03329042,0.001124391,0.03028888,0.04180234,0.0000575052,0.0004995889,0.0006895033,0.8912038],"genre_scores_gemma":[0.003374932,0.005792317,0.0003202574,0.002769798,0.001399269,0.00002225681,0.0001431342,0.0001382826,0.9860398],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4769845,"threshold_uncertainty_score":0.7460181,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136419273","doi":"10.1353/tfr.2011.0228","title":"Por s’onor croistre’: mélanges de langue et de littérature médiévales offerts à Pierre Kunstmann ed. by Yvan G. Lepage, Christian Milat","year":2011,"lang":"fr","type":"article","venue":"The French review","topic":"Medieval European Literature and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Miracle; Humanities; Art history; Classics; History; Philosophy; Theology","authors":[{"name":"Michelle Bolduc","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02957582333383399,"gpt":0.246841137453616,"spread":0.2172653141197821,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008992004,0.001169021,0.0006760925,0.001609045,0.003416256,0.004862233,0.0007488054,0.001621409,0.009558881],"category_scores_gemma":[0.001335338,0.0005303841,0.0002542996,0.002020074,0.003693951,0.00473996,0.002298462,0.003459216,0.004291734],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004982019,"about_ca_system_score_gemma":0.0038021,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04343679,"about_ca_topic_score_gemma":0.07771949,"domain_scores_codex":[0.9994236,0.0001942187,0.00001919447,0.00009053716,0.0002040734,0.00006834717],"domain_scores_gemma":[0.999585,0.0001521891,0.00004544578,0.00002225985,0.0000844454,0.0001106551],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000397306,0.00002417856,0.0002454341,0.0003376828,0.00001164032,0.0002001488,0.01696798,0.00007011433,0.000214992,0.03584693,0.8373201,0.108721],"study_design_scores_gemma":[0.000001156599,0.000002602447,0.0005232695,0.0002856213,0.000001444958,0.0001202023,0.001588954,0.000008609066,0.00003215855,0.001397789,0.9960333,0.00000490643],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.002063704,0.8826969,0.0002370802,0.059108,0.0063379,0.000008127739,0.00007005137,0.00004508803,0.04943319],"genre_scores_gemma":[0.06792941,0.5787697,0.001090003,0.01179032,0.01030887,0.00005815155,0.0002424581,0.000260152,0.3295508],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04343679,"threshold_uncertainty_score":0.08636791,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3139114331","doi":"10.1353/tfr.2017.0078","title":"Passion Haïti par Rodney Saint-Éloi","year":2017,"lang":"fr","type":"article","venue":"The French review","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Passion; Homeland; SAINT; Depiction; Movie theater; Art history; Poetry; Narrative; History; Sociology; Art; Law; Literature; Political science; Psychology","authors":[{"name":"Linda Alcott","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02902227446761178,"gpt":0.2534890935707315,"spread":0.2244668191031197,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006669582,0.0006417662,0.0004588582,0.001155081,0.001805762,0.003150034,0.0007200786,0.001667313,0.04759623],"category_scores_gemma":[0.001533586,0.0002811168,0.0002185992,0.001200308,0.00117582,0.001504713,0.001133743,0.002259069,0.01225925],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004119878,"about_ca_system_score_gemma":0.007053669,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1281414,"about_ca_topic_score_gemma":0.2089526,"domain_scores_codex":[0.9995298,0.0001085492,0.0000301684,0.00006781627,0.0001923631,0.00007134098],"domain_scores_gemma":[0.9993744,0.0001473967,0.00005019786,0.00003262841,0.0002871268,0.0001082926],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002139146,0.00003018625,0.0003833768,0.001629286,0.0000120692,0.000361835,0.001850757,0.00004464596,0.0001634693,0.009650452,0.848299,0.1375536],"study_design_scores_gemma":[7.157999e-7,0.00000331249,0.000455756,0.0009087268,0.000002447425,0.0001489132,0.0004157829,0.000005012833,0.00002522401,0.00008452528,0.997947,0.000002531833],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.00124436,0.8061476,0.0001160485,0.0165927,0.01469507,0.00003030584,0.0001781134,0.00007270721,0.1609232],"genre_scores_gemma":[0.02171348,0.5842581,0.0004099042,0.0100852,0.006263315,0.00005719899,0.0004885261,0.0001233273,0.376601],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1281414,"threshold_uncertainty_score":0.2547911,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136552815","doi":"10.1353/tfr.2011.0280","title":"Bronzes to Bullets. Vichy and the Destruction of French Public Statuary, 1941–1944 by Kirrily Freeman","year":2011,"lang":"en","type":"article","venue":"The French review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Derk Visser","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03716199733144089,"gpt":0.2139041003439542,"spread":0.1767421030125133,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001325973,0.0008937449,0.0004545349,0.002065758,0.01031887,0.004615288,0.0005859676,0.002152335,0.01653542],"category_scores_gemma":[0.002114763,0.000404651,0.0003923364,0.001817767,0.006632157,0.003173229,0.002110432,0.002952151,0.002947477],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02447766,"about_ca_system_score_gemma":0.008022961,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4061348,"about_ca_topic_score_gemma":0.6387911,"domain_scores_codex":[0.999045,0.0003397427,0.00002692251,0.000151917,0.0001673099,0.0002691182],"domain_scores_gemma":[0.999403,0.0002146436,0.00007971795,0.0000272883,0.0001438121,0.0001315818],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006433048,0.00002045424,0.001806614,0.0001840985,0.00001558091,0.0003462447,0.0350593,0.0001104535,0.00007310756,0.1335153,0.7840688,0.0447357],"study_design_scores_gemma":[0.000001650307,0.00000495722,0.001788674,0.0002055872,0.000001476756,0.00004442558,0.003410325,0.000008215767,0.00001650347,0.001121266,0.9933902,0.000006803294],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01258324,0.5494826,0.0002703799,0.2115294,0.0106167,0.00001602841,0.0004617294,0.00006085338,0.2149791],"genre_scores_gemma":[0.1718766,0.08364451,0.0002206998,0.02117098,0.003965985,0.0000267373,0.0001902446,0.0001753643,0.7187288],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.4061348,"threshold_uncertainty_score":0.8075417,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3139248926","doi":"10.1353/tfr.2014.0185","title":"La première pierre par Pierre Jourde","year":2014,"lang":"fr","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dance; Humanities; Representation (politics); History; Sociology; Art; Art history; Literature; Law; Political science","authors":[{"name":"Zoe Petropoulou","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01866403985826474,"gpt":0.2596755703330905,"spread":0.2410115304748257,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005240733,0.001271081,0.00044009,0.0009104368,0.003591075,0.004223793,0.0005725019,0.001878765,0.133548],"category_scores_gemma":[0.001440305,0.000356487,0.0004110632,0.0005407899,0.001345286,0.001889844,0.001781761,0.003007896,0.04625518],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002834424,"about_ca_system_score_gemma":0.001937529,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02114246,"about_ca_topic_score_gemma":0.03265271,"domain_scores_codex":[0.999216,0.0001859396,0.00002214686,0.0002275989,0.000248708,0.00009961615],"domain_scores_gemma":[0.9996834,0.00009683035,0.00003761353,0.00002783873,0.00008635809,0.00006791641],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001594358,0.00004103629,0.0005721809,0.0002691615,0.00001320082,0.00124729,0.004733959,0.0001600027,0.001297483,0.1098065,0.7543226,0.1273771],"study_design_scores_gemma":[0.000001896808,0.000003614597,0.0002329928,0.00003758194,6.829089e-7,0.0001940098,0.0002169245,0.00001645682,0.0001170246,0.0004655252,0.9987104,0.000002916598],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.007614499,0.07626323,0.002926774,0.02779363,0.02705026,0.00008082332,0.001060159,0.001088889,0.8561218],"genre_scores_gemma":[0.03346782,0.007098473,0.0009761504,0.002564773,0.002679273,0.00005683343,0.0002002211,0.0003600782,0.9525964],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9788575,"threshold_uncertainty_score":0.4467625,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136471581","doi":"10.1353/tfr.2010.0014","title":"Strands of Utopia: Spaces of Poetic Work in Twentieth-Century France by Michael G. Kelly","year":2010,"lang":"en","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sociology; Context (archaeology); Linguistics; Subject (documents); Poetry; Allusion; Identity (music); History; Aesthetics; Philosophy","authors":[{"name":"James Petterson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008137794161222546,"gpt":0.2400606670796599,"spread":0.2319228729184374,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002018642,0.0005817048,0.000490232,0.001300351,0.01565524,0.01046868,0.00111744,0.002460055,0.003496204],"category_scores_gemma":[0.003237774,0.0002901437,0.0003734459,0.001016957,0.02418155,0.005270528,0.004424585,0.004297151,0.0007438613],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01065848,"about_ca_system_score_gemma":0.003391018,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03352955,"about_ca_topic_score_gemma":0.06545249,"domain_scores_codex":[0.9972206,0.001979031,0.00003302583,0.0001709236,0.0002729143,0.0003233725],"domain_scores_gemma":[0.9981276,0.001173665,0.0001463731,0.00009544984,0.0001495008,0.0003074326],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005056483,0.00003014657,0.0004652654,0.00008654843,0.00001047552,0.001254922,0.6627008,0.0002608964,0.0003646961,0.2818629,0.04030273,0.01261007],"study_design_scores_gemma":[0.000006285538,0.00002337883,0.000598404,0.0002288127,0.000003815645,0.0006629649,0.1543459,0.0001248265,0.0001932117,0.01361105,0.8301744,0.00002696539],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.2245514,0.07564052,0.00512065,0.1821011,0.003845186,0.00005793004,0.0001176608,0.0003692764,0.5081962],"genre_scores_gemma":[0.9041419,0.009769291,0.001185336,0.005592601,0.0005425611,0.00004765192,0.00002105673,0.0001998944,0.0784997],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.03352955,"threshold_uncertainty_score":0.07733309,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3120636779","doi":"10.1353/tfr.2018.0152","title":"They Spoke French: A Book about French Heritage in Minnesota ed. Mark Labine","year":2018,"lang":"en","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"History; French revolution; French; Ethnology; Genealogy; Art history; Archaeology; Law; Politics; Political science","authors":[{"name":"Eileen M. Angelini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01605303954424617,"gpt":0.2596729443240137,"spread":0.2436199047797676,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003903946,0.001167383,0.0005473687,0.001219584,0.002708607,0.004359978,0.0005388401,0.00104589,0.06988019],"category_scores_gemma":[0.0007761314,0.0003918342,0.0003390116,0.001508472,0.000896765,0.003449935,0.001017362,0.0013322,0.0266535],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006088472,"about_ca_system_score_gemma":0.004890708,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1200227,"about_ca_topic_score_gemma":0.3346646,"domain_scores_codex":[0.9996405,0.00006417631,0.00001442749,0.00007048429,0.0001491231,0.00006133822],"domain_scores_gemma":[0.999685,0.00005363005,0.00002047828,0.00001078182,0.0001361084,0.00009391233],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001120168,0.000007180062,0.0001754302,0.0001067141,0.000002823067,0.000074908,0.001935986,0.00004110695,0.0001603438,0.005092585,0.9312119,0.06117982],"study_design_scores_gemma":[3.657804e-7,0.000001529351,0.0002283406,0.00009611955,8.004646e-7,0.00004177841,0.0003136446,0.000004880655,0.0000121982,0.0001713134,0.999127,0.000002169103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002298225,0.4038267,0.001474089,0.03789704,0.01393596,0.00004629357,0.001156602,0.0005176643,0.5388474],"genre_scores_gemma":[0.009487742,0.07388042,0.001121533,0.004778285,0.001230856,0.00002908615,0.000675067,0.0003048493,0.9084922],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8799773,"threshold_uncertainty_score":0.2386483,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137314973","doi":"10.1353/tfr.2014.0358","title":"Québec cherche Québécois pour relation à long terme et plus: comprendre les enjeux de l’immigration by Tania Longpré","year":2014,"lang":"fr","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Immigration; Newspaper; Relation (database); Sociology; Humanities; Political science; Law; Media studies; Philosophy","authors":[{"name":"Hélène Ossipov","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03266962623322848,"gpt":0.2767602529882335,"spread":0.244090626755005,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001906133,0.0008149337,0.0007999818,0.002859026,0.006168954,0.006329965,0.001050373,0.002975518,0.01700407],"category_scores_gemma":[0.003828902,0.0003591049,0.0004668136,0.004884771,0.002804467,0.003969912,0.001428671,0.00431597,0.00302111],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03575258,"about_ca_system_score_gemma":0.07257423,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9029135,"about_ca_topic_score_gemma":0.9504055,"domain_scores_codex":[0.9982386,0.0003264425,0.00006063497,0.0001973587,0.0008538096,0.0003230732],"domain_scores_gemma":[0.9947351,0.0006919614,0.0001719335,0.00007516119,0.003619801,0.0007060474],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001917277,0.00001693015,0.0005113632,0.0008753901,0.00001564583,0.0001238653,0.002124619,0.00007451035,0.0001211018,0.009488267,0.9115889,0.07504015],"study_design_scores_gemma":[0.00000204742,0.000005856386,0.001457261,0.001479707,0.000009640678,0.00007109822,0.001479952,0.00001646022,0.00003231948,0.000393329,0.9950386,0.00001378904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.0007009572,0.9146249,0.00008796246,0.05787898,0.00824846,0.00001461744,0.0001453364,0.00002376621,0.01827512],"genre_scores_gemma":[0.02096614,0.8417741,0.0003818728,0.0310076,0.004957275,0.00004504952,0.0003219696,0.00007605969,0.1004699],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.09708649,"threshold_uncertainty_score":0.2594044,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3139385312","doi":"10.1353/tfr.2013.0196","title":"Utop by Marie-Christine Arbour","year":2013,"lang":"en","type":"article","venue":"The French review","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Happening; Order (exchange); Art; Humanities; Independence (probability theory); Art history; Everyday life; Performance art; Sociology; Philosophy; Mathematics","authors":[{"name":"Davida Brautman","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03160039669821928,"gpt":0.2745396301433279,"spread":0.2429392334451086,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003628996,0.001530354,0.0007038869,0.001291347,0.001953426,0.00298248,0.0009673398,0.001300809,0.4150465],"category_scores_gemma":[0.001025199,0.0007479186,0.0002777885,0.001904042,0.0006102956,0.003108304,0.002859423,0.002093706,0.2916754],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00216132,"about_ca_system_score_gemma":0.002261982,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06485251,"about_ca_topic_score_gemma":0.09696943,"domain_scores_codex":[0.9997103,0.00002441608,0.00001179403,0.00009425215,0.0001113478,0.00004789321],"domain_scores_gemma":[0.9996141,0.00004800767,0.00003224687,0.0000262358,0.0001559448,0.0001234532],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001096835,0.000006183804,0.00005029994,0.0001367456,0.000001813406,0.00006037012,0.0001584553,0.00005041943,0.0001918156,0.00138274,0.92822,0.06973014],"study_design_scores_gemma":[0.000001017751,0.000002050443,0.0001783263,0.0001040202,8.156059e-7,0.0001010303,0.0001066532,0.00001647686,0.00003292808,0.00009785732,0.9993559,0.000003002621],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.00130107,0.2689351,0.002962859,0.01911913,0.0185166,0.0001306022,0.002634068,0.002170952,0.6842296],"genre_scores_gemma":[0.002406996,0.02690034,0.0006225596,0.00101815,0.0006154369,0.00004201294,0.0002968753,0.0003737676,0.9677239],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4150465,"threshold_uncertainty_score":0.8343651,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137929139","doi":"10.1353/tfr.2014.0079","title":"La désolation par Jérémie Leduc-Leblanc","year":2014,"lang":"fr","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wonder; Art; Art history; Sister; Humanities; Psychoanalysis; History; Philosophy; Law; Psychology; Political science","authors":[{"name":"Eileen M. Angelini","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01949255118779652,"gpt":0.2594528476119964,"spread":0.2399602964241999,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001201363,0.00124379,0.0005508224,0.0007703265,0.004178504,0.00514324,0.000594559,0.001496135,0.01871189],"category_scores_gemma":[0.002524693,0.0002858641,0.0002870675,0.0004917936,0.003217191,0.001687058,0.001735456,0.005551409,0.004894487],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009167756,"about_ca_system_score_gemma":0.00299838,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07026867,"about_ca_topic_score_gemma":0.06151346,"domain_scores_codex":[0.9988257,0.0004792484,0.0000175124,0.0001660124,0.0003621795,0.0001493125],"domain_scores_gemma":[0.9995359,0.0001061254,0.00004224353,0.00002544009,0.0001597959,0.0001304515],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002599683,0.00009096838,0.0007402049,0.0003319912,0.00002786337,0.002696737,0.02071849,0.0005407087,0.002068149,0.1763672,0.6955897,0.100568],"study_design_scores_gemma":[0.000003862432,0.000008134798,0.0003116822,0.00005977869,0.000001324139,0.0003826183,0.001341328,0.00004258044,0.0002517773,0.0005218617,0.9970669,0.000008204021],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.04579511,0.1866556,0.003759107,0.08556602,0.03340134,0.0000852939,0.0006272601,0.0008825335,0.6432278],"genre_scores_gemma":[0.3482409,0.03137865,0.001629356,0.006429574,0.004966543,0.00008395146,0.0001901071,0.0006395575,0.6064413],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9297313,"threshold_uncertainty_score":0.1397193,"prediction_status":"machine_predicted_unvalidated"},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"agree"},{"id":"W3138842722","doi":"10.1353/tfr.2018.0334","title":"L’île aux géants + audio en ligne par Alexandra Potier, and: Mystère au zoo de Karapo + audio en ligne par Alexandra Potier, and: Une baleine dans la Seine + audio en ligne par Alexandra Potier, and: Un fantôme à l’école! + audio en ligne par Alexandra Potier","year":2018,"lang":"fr","type":"article","venue":"The French review","topic":"French Language Learning Methods","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ligne; Study abroad; Humanities; Sociology; Art; Pedagogy","authors":[{"name":"Frédérique Grim","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01247523666985851,"gpt":0.2941888388384531,"spread":0.2817136021685946,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002072075,0.0005165078,0.0002132608,0.0006469428,0.001194604,0.002192245,0.0003850862,0.0006813844,0.1163237],"category_scores_gemma":[0.0007147882,0.0002388259,0.0001844545,0.0004754845,0.0003650636,0.001347872,0.0008672423,0.001464194,0.05206633],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001901414,"about_ca_system_score_gemma":0.001686466,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008778562,"about_ca_topic_score_gemma":0.03344342,"domain_scores_codex":[0.9998133,0.00001999596,0.000008616178,0.00004572477,0.00008993122,0.00002243321],"domain_scores_gemma":[0.9997228,0.00005471741,0.0000170914,0.00001836601,0.00009769804,0.00008933671],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001822749,0.00002336277,0.000260078,0.0002281727,0.000001884084,0.0001638691,0.0008112669,0.000079634,0.001401242,0.01151146,0.8343265,0.1511743],"study_design_scores_gemma":[4.656456e-7,0.000003567103,0.0004529833,0.00004766059,7.991143e-7,0.00009288623,0.0001533977,0.00001120661,0.0001020507,0.0001582075,0.9989752,0.000001538903],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005020407,0.03252544,0.002049154,0.01455913,0.01154904,0.00006835753,0.0003740006,0.0006129929,0.9332415],"genre_scores_gemma":[0.007183342,0.006243746,0.0005171562,0.0007000337,0.0005492233,0.00001890769,0.0001043232,0.0001554445,0.9845278],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.8836764,"threshold_uncertainty_score":0.3891415,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4238911105","doi":"10.1353/tfr.2014.0225","title":"35e Festival International de Films de Femmes","year":2014,"lang":"en","type":"article","venue":"The French review","topic":"French Historical and Cultural Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Lesbian; Film director; Art history; Movie theater; Documentary film; Ballroom; Sociology; Humanities; Art; Gender studies; Media studies; Performance art","authors":[{"name":"Ruth A. Hottell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05813376507288582,"gpt":0.2559153131891385,"spread":0.1977815481162526,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001139167,0.0009430598,0.0004211277,0.001310975,0.004410898,0.002969351,0.0004533006,0.00110585,0.1666023],"category_scores_gemma":[0.001712683,0.0003306592,0.0003598114,0.0006439639,0.0008882302,0.00122515,0.003325627,0.002485254,0.0186383],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002745283,"about_ca_system_score_gemma":0.002086664,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03206611,"about_ca_topic_score_gemma":0.05394882,"domain_scores_codex":[0.9992651,0.0002017283,0.00001568634,0.0001096605,0.0002188147,0.000188956],"domain_scores_gemma":[0.9995732,0.00005677791,0.00002497274,0.00002305321,0.0001658752,0.0001560767],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007153637,0.00002035025,0.0002822705,0.0001415013,0.000005718187,0.0002604316,0.003575939,0.0000297818,0.000937366,0.008463887,0.9471194,0.0390919],"study_design_scores_gemma":[0.000001680617,0.000004813673,0.001064974,0.00007159037,5.563692e-7,0.00009827233,0.0006839858,0.000004260377,0.00005732503,0.00007843162,0.9979317,0.000002291534],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0133519,0.05652733,0.001147735,0.02052623,0.0318612,0.0002452105,0.003102947,0.0004668693,0.8727707],"genre_scores_gemma":[0.04043664,0.009577127,0.00105154,0.00211846,0.001811716,0.00009786316,0.001081457,0.0004458004,0.9433794],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1666023,"threshold_uncertainty_score":0.5573401,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4214522745","doi":"10.1353/tfr.2022.0026","title":"Grande forme by Renaud Jean","year":2022,"lang":"en","type":"article","venue":"The French review","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Order (exchange); Dehumanization; Human being; Dystopia; Psychic; Apathy; Art history; Humanities; History; Sociology; Art; Psychology; Humanity; Law; Literature; Political science; Business","authors":[{"name":"Ann Williams","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03853061647666207,"gpt":0.2823011728977464,"spread":0.2437705564210844,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009040345,0.0015163,0.0009226596,0.0009910756,0.002507668,0.004880278,0.001021462,0.002142047,0.4211918],"category_scores_gemma":[0.003976024,0.0004442298,0.000381047,0.0009560128,0.000907442,0.002251223,0.002316621,0.002908712,0.2831147],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003445937,"about_ca_system_score_gemma":0.003884065,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06442785,"about_ca_topic_score_gemma":0.09965961,"domain_scores_codex":[0.9990879,0.000112062,0.00003107018,0.0002131983,0.0004481796,0.0001075979],"domain_scores_gemma":[0.9981244,0.0001719667,0.00008911057,0.00009183022,0.001123164,0.0003994946],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000007444649,0.000006387544,0.00006332032,0.00007787738,0.000001609372,0.0000656647,0.0001101204,0.00003278646,0.0001456554,0.001163308,0.965217,0.03310888],"study_design_scores_gemma":[6.022055e-7,0.00000202233,0.00007823933,0.00004230899,4.242252e-7,0.00006967256,0.00005080305,0.000009957484,0.00001928971,0.00003967132,0.9996845,0.000002648883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001399443,0.09672274,0.00152925,0.05260467,0.06687197,0.000211735,0.001078387,0.00172057,0.7778613],"genre_scores_gemma":[0.002349886,0.005579629,0.0002674946,0.003388172,0.001289879,0.00003513018,0.0001302757,0.0002809724,0.9866787],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.4211918,"threshold_uncertainty_score":0.8255997,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3139313698","doi":"10.1353/tfr.2010.0013","title":"Between Languages and Cultures: Colonial and Postcolonial Readings of Gabrielle Roy by Rosemary Chapman","year":2010,"lang":"en","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","authors":[{"name":"Émile J. Talbot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007460453271053076,"gpt":0.2775435583576807,"spread":0.2700831050866276,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003873757,0.001037937,0.0007062292,0.001605117,0.01488315,0.009490664,0.001347868,0.003430652,0.004951361],"category_scores_gemma":[0.004809259,0.0004615566,0.0002654856,0.002337653,0.02131585,0.008250487,0.004433805,0.007221207,0.0008690507],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01483771,"about_ca_system_score_gemma":0.005214961,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1509553,"about_ca_topic_score_gemma":0.1791796,"domain_scores_codex":[0.9962958,0.002798031,0.0000573157,0.0002089653,0.0002899531,0.0003500114],"domain_scores_gemma":[0.9964179,0.002602622,0.0002308849,0.0001319491,0.0002814813,0.0003351307],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008133344,0.00003226298,0.0008337961,0.0002708577,0.00001158151,0.001214415,0.554718,0.0001066538,0.0002637351,0.3002883,0.1247832,0.01739584],"study_design_scores_gemma":[0.00001047885,0.00001488758,0.002065446,0.0009068224,0.000006812604,0.0003550136,0.146426,0.00006151808,0.0001082642,0.01190868,0.8381082,0.00002778523],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.03998265,0.3855655,0.0004635616,0.3257127,0.004297291,0.00001814642,0.00009056981,0.00003975834,0.2438298],"genre_scores_gemma":[0.7238305,0.1156737,0.0005300918,0.03918129,0.002203318,0.00007911058,0.00004766265,0.000209489,0.1182449],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.8490447,"threshold_uncertainty_score":0.3001532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136270790","doi":"10.1353/tfr.2013.0087","title":"Remparts fissurés by Najib Redouane","year":2013,"lang":"en","type":"article","venue":"The French review","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Humanities; Art; Lament; History; Literature; Philosophy","authors":[{"name":"Aaron Prevots","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01792974345314212,"gpt":0.2150258131653304,"spread":0.1970960697121883,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004906958,0.000983925,0.0004009435,0.001059608,0.003238619,0.002339081,0.0006415313,0.001020216,0.08451131],"category_scores_gemma":[0.0007088613,0.0004365801,0.0002281051,0.001357071,0.001002824,0.002546722,0.001736003,0.002015558,0.02710371],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001882019,"about_ca_system_score_gemma":0.001573688,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03002687,"about_ca_topic_score_gemma":0.06700465,"domain_scores_codex":[0.9997948,0.00004348142,0.00001034318,0.0000384074,0.00007060881,0.00004244328],"domain_scores_gemma":[0.9997805,0.00004219825,0.00002547713,0.00001824674,0.00006303503,0.00007056136],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003196268,0.00001188522,0.0001956354,0.0002821055,0.000004458123,0.0002269431,0.002610426,0.00004501033,0.0004174609,0.006022159,0.8871134,0.1030387],"study_design_scores_gemma":[8.881832e-7,0.000002255762,0.0003318938,0.00007118868,8.680935e-7,0.0001353846,0.0005132749,0.000008308902,0.00004021612,0.0001288923,0.9987649,0.00000183321],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0044916,0.6847998,0.0007855857,0.04459311,0.02803732,0.00004434232,0.0006211802,0.0005046036,0.2361224],"genre_scores_gemma":[0.0291374,0.08737456,0.001402539,0.006935926,0.003254278,0.00004915788,0.000295031,0.00033177,0.8712194],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.08451131,"threshold_uncertainty_score":0.2827185,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3120706639","doi":"10.1353/tfr.2011.0198","title":"Seattle Sightings: The Seattle International Film Festival, 2010","year":2011,"lang":"en","type":"article","venue":"The French review","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Joan M. West","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2260540482389188,"gpt":0.3028462094639123,"spread":0.0767921612249935,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005561365,0.001112629,0.0001722552,0.001530216,0.004087276,0.005115551,0.0005175072,0.0008772555,0.1490289],"category_scores_gemma":[0.001286797,0.0003697014,0.0001803016,0.001855384,0.0005142929,0.002218562,0.002167139,0.00166268,0.02412658],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002933306,"about_ca_system_score_gemma":0.001811703,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0697093,"about_ca_topic_score_gemma":0.3189045,"domain_scores_codex":[0.9997585,0.00004462153,0.00001034807,0.00004488477,0.00007317486,0.00006839589],"domain_scores_gemma":[0.999453,0.00006849599,0.0000409947,0.0000413745,0.000175274,0.0002208319],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004185056,0.0000126313,0.0004706739,0.00009542643,0.000004399476,0.00008087799,0.001887675,0.00002588731,0.0003459606,0.001338564,0.9764228,0.01927316],"study_design_scores_gemma":[0.000003443485,0.000005744598,0.002705504,0.0002020132,0.000003979706,0.00002762223,0.002519004,0.00001989688,0.0001403582,0.0001347798,0.9942324,0.00000526012],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01629275,0.02768704,0.0007602889,0.02131133,0.01673364,0.0001666693,0.02170101,0.0008467848,0.8945004],"genre_scores_gemma":[0.06269498,0.00957384,0.0007184513,0.001273179,0.00187396,0.000119138,0.008474097,0.0005846359,0.9146878],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1490289,"threshold_uncertainty_score":0.4985512,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138332212","doi":"10.1353/tfr.2013.0154","title":"Le roman vietnamien francophone: orientalisme, occidentalisme et hybridité by Ching Selao","year":2013,"lang":"fr","type":"article","venue":"The French review","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy; Indeterminacy (philosophy); Comedy; Power (physics); Humanity; Perversion; Literature; Psychoanalysis; Sociology; Psychology; Epistemology; Theology; Art","authors":[{"name":"Catherine Slawy-Sutton","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01559925650352466,"gpt":0.3258182032367035,"spread":0.3102189467331788,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003809556,0.0003514281,0.0001827808,0.0002963145,0.004699831,0.002393542,0.0002779795,0.0007059443,0.005002574],"category_scores_gemma":[0.0003928958,0.0001474803,0.0001137787,0.0005703274,0.00417215,0.001177808,0.000865268,0.001767261,0.0003931659],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00617363,"about_ca_system_score_gemma":0.002501016,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1539081,"about_ca_topic_score_gemma":0.2159562,"domain_scores_codex":[0.9997891,0.00008288494,0.000003189913,0.00003428986,0.00002787254,0.00006270916],"domain_scores_gemma":[0.9998988,0.00003362215,0.000009540639,0.000006962622,0.00001892321,0.00003214569],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001148752,0.00006973022,0.00755645,0.0002552426,0.00002175792,0.002012072,0.2529792,0.0002725023,0.001366212,0.6022414,0.07630435,0.05680629],"study_design_scores_gemma":[0.00001479206,0.00005195785,0.009883644,0.0002075753,0.000007136901,0.0006661066,0.06333464,0.0002894206,0.0004096221,0.0116051,0.9135017,0.00002811008],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3262861,0.06573101,0.001125111,0.04393929,0.003113491,0.00005685088,0.0001753288,0.0000432823,0.5595296],"genre_scores_gemma":[0.8692403,0.004898019,0.0003006185,0.001545574,0.0001994601,0.00002442968,0.00004350304,0.00003999113,0.123708],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1539081,"threshold_uncertainty_score":0.3060246,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3135929721","doi":"10.1353/tfr.2013.0080","title":"Quelques jours à vivre by François Leblanc","year":2013,"lang":"fr","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art; Adventure; Art history; Wife; Character (mathematics); Humanities; Philosophy; Theology","authors":[{"name":"Ritt Deitz","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0143272379428879,"gpt":0.244585892132938,"spread":0.2302586541900501,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001284918,0.001628781,0.0009510598,0.002274924,0.002884637,0.005308475,0.001376336,0.003259629,0.07634542],"category_scores_gemma":[0.003299972,0.0005724137,0.0004143936,0.002411478,0.001980494,0.00388386,0.001657969,0.0036535,0.02930744],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009444847,"about_ca_system_score_gemma":0.007564898,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1852983,"about_ca_topic_score_gemma":0.1996258,"domain_scores_codex":[0.998822,0.0002471978,0.00004865307,0.0002098875,0.0004744795,0.0001976214],"domain_scores_gemma":[0.9974483,0.0004627686,0.0001767888,0.0001049638,0.0012822,0.0005250288],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009953994,0.000009266285,0.000050556,0.0003519231,0.000003839137,0.00006769355,0.0003263097,0.0000204171,0.00007622751,0.001890747,0.9616609,0.03553232],"study_design_scores_gemma":[7.010516e-7,0.00000211578,0.0001349616,0.0003090629,0.000001033771,0.00004417389,0.0001434547,0.000003011233,0.00001153106,0.00008630874,0.9992608,0.000002825416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.0002037417,0.9245498,0.0001012884,0.02581071,0.01515816,0.00001129234,0.0001645811,0.00007321061,0.03392727],"genre_scores_gemma":[0.008965569,0.6046672,0.0003681413,0.02532413,0.0201508,0.00005589377,0.0004763924,0.0002218295,0.3397701],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.8147017,"threshold_uncertainty_score":0.3684396,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138834001","doi":"10.1353/tfr.2013.0290","title":"Français.com: méthode de français professionnel et des affaires—niveau débutant by Jean-Luc Penfornis","year":2013,"lang":"fr","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; French","authors":[{"name":"E. Nicole Meyer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04495944290590945,"gpt":0.2822180694779937,"spread":0.2372586265720843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.02084988,0.001449571,0.00116551,0.01192695,0.002564223,0.008937612,0.001878397,0.001870753,0.0479018],"category_scores_gemma":[0.03532758,0.0009766825,0.001211223,0.02024216,0.003894495,0.007897467,0.002652738,0.002563669,0.0125467],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01813975,"about_ca_system_score_gemma":0.02455574,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1654248,"about_ca_topic_score_gemma":0.2031472,"domain_scores_codex":[0.9803996,0.01248277,0.001458756,0.001311181,0.003902688,0.0004449477],"domain_scores_gemma":[0.9642451,0.02098051,0.001957488,0.001667818,0.0105491,0.0006000283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005824268,0.00004482086,0.001684965,0.01387247,0.0001418909,0.0000934778,0.00951051,0.0001616138,0.0002974599,0.06986359,0.3241904,0.5800805],"study_design_scores_gemma":[0.000006220517,0.00001214913,0.002090102,0.008454381,0.0000220354,0.00006167652,0.002144861,0.00005233734,0.00008533433,0.002082251,0.9849717,0.00001691166],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.002152301,0.7919727,0.02015361,0.03879341,0.008408267,0.0009260576,0.003362359,0.0004568597,0.1337744],"genre_scores_gemma":[0.03726715,0.6767712,0.04782274,0.01338359,0.00264163,0.005178943,0.00355364,0.001414454,0.2119667],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1654248,"threshold_uncertainty_score":0.3289239,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136639103","doi":"10.1353/tfr.2012.0065","title":"Tu ne seras jamais seule by Karima Perrin","year":2012,"lang":"fr","type":"article","venue":"The French review","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","authors":[{"name":"Rabia Redouane","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05165713846218116,"gpt":0.2942263034716576,"spread":0.2425691650094764,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002478448,0.0004671098,0.0002122542,0.0005056978,0.002462184,0.001512068,0.0003380358,0.00058537,0.08086534],"category_scores_gemma":[0.000400279,0.0001581211,0.0001618403,0.0005422026,0.0009029627,0.001044916,0.001181198,0.0009787757,0.01587624],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002326949,"about_ca_system_score_gemma":0.00216412,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.06119667,"about_ca_topic_score_gemma":0.1382525,"domain_scores_codex":[0.9998471,0.00002252999,0.000006877548,0.00003730547,0.00004915661,0.0000370515],"domain_scores_gemma":[0.9998634,0.00001960996,0.00001697681,0.000007883614,0.00004541988,0.00004679592],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005136688,0.00002840701,0.002087749,0.0003587534,0.000005661114,0.0006596962,0.006890312,0.00007626873,0.0008773095,0.01462199,0.8263244,0.1480182],"study_design_scores_gemma":[8.045932e-7,0.000002557362,0.0009328894,0.00005029626,6.070562e-7,0.0001169551,0.0009551019,0.000006034869,0.00002855205,0.0001402474,0.9977647,0.000001232638],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01880021,0.1555561,0.0006316574,0.06339549,0.02356702,0.00007251548,0.001042904,0.000318747,0.7366153],"genre_scores_gemma":[0.03450884,0.01734505,0.0004479667,0.004108471,0.001229777,0.00001959974,0.0002175181,0.0000711133,0.9420516],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.08086534,"threshold_uncertainty_score":0.2705215,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3133858798","doi":"10.1353/tfr.2021.0047","title":"L'état des fédérations, Tome 1: l'unité dans la diversité par Christophe Parent","year":2021,"lang":"fr","type":"article","venue":"The French review","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Politics; Nationality; Federalism; Federalist; Monarchy; Humanities; Political science; Constitution; Immigration; Ethnology; Sociology; Law; Philosophy","authors":[{"name":"Gavin M. Furrey","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0289236791093061,"gpt":0.2557701679190946,"spread":0.2268464888097885,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001307094,0.0009980068,0.000584209,0.00107585,0.004279633,0.005108543,0.001050702,0.002293206,0.05487934],"category_scores_gemma":[0.002862204,0.0004012484,0.0002717281,0.003089043,0.002947907,0.003613614,0.001613695,0.004229796,0.01259953],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01730062,"about_ca_system_score_gemma":0.01969201,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.4721186,"about_ca_topic_score_gemma":0.5623145,"domain_scores_codex":[0.9985917,0.0002629122,0.00003844113,0.0002571616,0.0006602019,0.0001895586],"domain_scores_gemma":[0.9986407,0.0002557402,0.00008896487,0.00005828947,0.0006806121,0.0002756762],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000009917875,0.000005530562,0.0001024779,0.0001271761,0.000001718223,0.00002998097,0.0003635159,0.00006410138,0.0000541966,0.01037416,0.9628118,0.02605528],"study_design_scores_gemma":[8.436099e-7,0.000001356744,0.0003360032,0.0001189678,5.840139e-7,0.00002541513,0.0001922456,0.00001492168,0.00001541988,0.0003937354,0.9988973,0.000003225863],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.001577547,0.6158521,0.001424523,0.1344865,0.0437815,0.00005368227,0.0004126655,0.000167176,0.2022443],"genre_scores_gemma":[0.02545158,0.1588585,0.0007566034,0.01490795,0.007496291,0.00005989488,0.0003714752,0.0002371088,0.7918606],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5278814,"threshold_uncertainty_score":0.938741,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4229334192","doi":"10.1353/tfr.2022.0100","title":"Le territoire sauvage de l'âme by Jean-François Létourneau","year":2022,"lang":"fr","type":"article","venue":"The French review","topic":"Indigenous Studies and Ecology","field":"Health Professions","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Wife; Meaning (existential); Conversation; Storytelling; Narrative; History; Humanities; Art; Sociology; Literature; Psychology; Philosophy; Theology; Communication","authors":[{"name":"Joseph A. Reiter","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02715339192600691,"gpt":0.3251521222426494,"spread":0.2979987303166425,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006819447,0.001408279,0.0007527012,0.001107331,0.002455826,0.003825074,0.0007235835,0.001552681,0.1252662],"category_scores_gemma":[0.001407644,0.0004402135,0.0003360089,0.001347209,0.001128901,0.002913119,0.001699511,0.002720054,0.05472235],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002359047,"about_ca_system_score_gemma":0.002982948,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05342944,"about_ca_topic_score_gemma":0.08537034,"domain_scores_codex":[0.9994957,0.000077184,0.0000248159,0.0001240509,0.0002216175,0.00005662946],"domain_scores_gemma":[0.9992488,0.0001457182,0.00005436127,0.00002359274,0.0003362865,0.0001912785],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001097589,0.00000730448,0.0001186442,0.0002512098,0.000003350808,0.00009412987,0.0006303748,0.0000642767,0.0001599163,0.002310671,0.9502019,0.04614727],"study_design_scores_gemma":[4.529956e-7,0.000001803502,0.0001775448,0.0001301249,6.45555e-7,0.00008305984,0.0002397645,0.000007376073,0.00001229988,0.00006328835,0.9992815,0.00000222573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.00158149,0.6888131,0.0008792162,0.04126894,0.06111933,0.00005433703,0.0003978473,0.0002743911,0.2056114],"genre_scores_gemma":[0.01172588,0.1347638,0.0006180003,0.004153086,0.007051902,0.0000410658,0.0002852297,0.0003035385,0.8410575],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1252662,"threshold_uncertainty_score":0.4190572,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4248024162","doi":"10.1353/tfr.2018.0345","title":"Jean-Jacques Schuhl: du dandysme en littérature par Guillaume Basquin","year":2018,"lang":"fr","type":"article","venue":"The French review","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Champion; Battle; Relation (database); Art history; Art; Philosophy; Literature; Psychoanalysis; History; Psychology","authors":[{"name":"Warren Motte","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01976437487057665,"gpt":0.2345968282587698,"spread":0.2148324533881932,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008090594,0.0008524542,0.0004023454,0.001260478,0.004687415,0.00391227,0.0006079284,0.002006777,0.01618922],"category_scores_gemma":[0.001945494,0.0002654446,0.0002033382,0.0008340413,0.003560446,0.002088396,0.001305488,0.003390463,0.003534737],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006216533,"about_ca_system_score_gemma":0.003492322,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05314011,"about_ca_topic_score_gemma":0.06012744,"domain_scores_codex":[0.9991374,0.000292514,0.00001432492,0.00009168712,0.0003655082,0.00009858116],"domain_scores_gemma":[0.9994256,0.0002413344,0.00004453963,0.00001660217,0.0001739094,0.00009792838],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000337577,0.00002428093,0.0003887294,0.0001584184,0.000006593204,0.0005886322,0.01394985,0.00009319982,0.0002618179,0.07224519,0.8382856,0.07396392],"study_design_scores_gemma":[0.000001542308,0.000004351293,0.0003590474,0.0001259203,9.575575e-7,0.0002868464,0.001581463,0.00002535502,0.0000742587,0.001381848,0.9961527,0.000005670541],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.0110188,0.4211666,0.001838919,0.1741052,0.02314578,0.0000329978,0.0002103611,0.0002981386,0.3681831],"genre_scores_gemma":[0.199259,0.07910644,0.002036644,0.02538802,0.009646305,0.0001152718,0.0001972354,0.0005415754,0.6837096],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05314011,"threshold_uncertainty_score":0.1056616,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136113988","doi":"10.1353/tfr.2018.0231","title":"Pas de deux by Anne Guilbault","year":2018,"lang":"fr","type":"article","venue":"The French review","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Joseph-Vincent H. Morrissette","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05817019669788135,"gpt":0.3999526335150682,"spread":0.3417824368171868,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001287331,0.001206656,0.0005970633,0.0006092957,0.007674451,0.006272571,0.0009678971,0.004016604,0.07144569],"category_scores_gemma":[0.006039247,0.0005566821,0.0004953222,0.0005377383,0.003865056,0.005477643,0.004399478,0.0101287,0.03259213],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003694201,"about_ca_system_score_gemma":0.003848755,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01600209,"about_ca_topic_score_gemma":0.03041342,"domain_scores_codex":[0.9984393,0.0005021312,0.00005516734,0.0003557154,0.0004148282,0.0002328625],"domain_scores_gemma":[0.9986635,0.000351959,0.000105753,0.0001363993,0.0004227651,0.0003195945],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007550434,0.00003474132,0.000555174,0.0001520897,0.00001136837,0.0003756087,0.01072853,0.0000443217,0.0005540269,0.07943046,0.8775322,0.03050593],"study_design_scores_gemma":[0.000001429985,0.000003384482,0.0001382418,0.00005732722,0.000001012369,0.00007701166,0.001157325,0.00001190978,0.00004937614,0.0009281689,0.9975703,0.000004457099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.0095181,0.06259843,0.003090139,0.3712344,0.07051804,0.00007797013,0.0005667851,0.0005126494,0.4818835],"genre_scores_gemma":[0.03918165,0.006707199,0.0008626351,0.05052658,0.003430001,0.000065281,0.0001662083,0.0004399368,0.8986205],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.07144569,"threshold_uncertainty_score":0.2390096,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137973950","doi":"10.1353/tfr.2012.0027","title":"La poétique romanesque de Joris-Karl Huysmans par Stéphanie Guérin-Marmigère","year":2012,"lang":"fr","type":"article","venue":"The French review","topic":"Diverse Cultural and Historical Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Comics; Art; Mysticism; Humanities; Naturalism; Consolation; Art history; Literature; Philosophy","authors":[{"name":"Juliana Starr","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04475301167645136,"gpt":0.3011665129263238,"spread":0.2564135012498725,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008500163,0.000937257,0.000404298,0.000936224,0.003802733,0.004333487,0.0006134234,0.001559038,0.01234209],"category_scores_gemma":[0.002075412,0.0003560555,0.0002021424,0.001110639,0.003822333,0.004023544,0.001839244,0.004035597,0.002757098],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003884399,"about_ca_system_score_gemma":0.003280845,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03597948,"about_ca_topic_score_gemma":0.05810099,"domain_scores_codex":[0.9992034,0.0003323332,0.00002258159,0.0001389865,0.0002007571,0.0001020243],"domain_scores_gemma":[0.9994568,0.0002481613,0.00007458599,0.00003047054,0.0001124285,0.0000774595],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009172157,0.00005542732,0.0006750196,0.0004411057,0.00001675751,0.0007046885,0.04710362,0.0001084695,0.0005003944,0.1844935,0.6952874,0.0705218],"study_design_scores_gemma":[0.00000503588,0.000007453665,0.0008967562,0.0002367705,0.000002561963,0.0002976879,0.004839236,0.00002757511,0.0001945967,0.003309893,0.9901752,0.000007266205],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.02024092,0.6184821,0.002209371,0.1352703,0.01343809,0.00006213901,0.0003313147,0.0001271305,0.2098386],"genre_scores_gemma":[0.3216605,0.1189696,0.001880532,0.01769231,0.006589467,0.000132773,0.0002275554,0.0004078724,0.5324394],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.03597948,"threshold_uncertainty_score":0.07154012,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3203255290","doi":"10.1353/tfr.2021.0199","title":"Remnants of the Franco-Algerian Rupture: Archiving Postcolonial Minorities by Mona El Khoury","year":2021,"lang":"en","type":"article","venue":"The French review","topic":"North African History and Literature","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Narrative; Colonialism; Context (archaeology); Collective memory; History; Film director; Sociology; Art history; Law; Literature; Art; Movie theater; Political science; Archaeology","authors":[{"name":"Benjamin Sparks","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01191745753085246,"gpt":0.2138784846011552,"spread":0.2019610270703027,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001922814,0.0005888689,0.000403094,0.0009293318,0.005239599,0.005549588,0.0008902107,0.001768189,0.01203093],"category_scores_gemma":[0.001703617,0.0002374446,0.0002232218,0.001908975,0.003033794,0.003878223,0.002765972,0.001678322,0.002466835],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003662717,"about_ca_system_score_gemma":0.00380071,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0391266,"about_ca_topic_score_gemma":0.0606084,"domain_scores_codex":[0.9993493,0.0002036573,0.00004298024,0.00006669816,0.0002316226,0.0001058006],"domain_scores_gemma":[0.9991174,0.0003090037,0.0001016021,0.00003930019,0.0002848862,0.0001477656],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009751062,0.00005202664,0.001807197,0.001446675,0.0000228798,0.001130762,0.08249002,0.0001481238,0.0007678051,0.01347036,0.6546305,0.2439361],"study_design_scores_gemma":[0.000002979165,0.00001338748,0.003481149,0.001042682,0.000007024858,0.0005122758,0.03018955,0.00002167929,0.0001353311,0.0004541923,0.9641269,0.00001275339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.03418851,0.751905,0.0005874764,0.08543991,0.01797778,0.00006914279,0.0002344424,0.0001025218,0.1094953],"genre_scores_gemma":[0.2931184,0.4852901,0.001590086,0.01337675,0.009217421,0.0001037114,0.0002687297,0.0002317297,0.1968029],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0391266,"threshold_uncertainty_score":0.07779771,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2393896677","doi":"","title":"L'Economie quebecoise: etat des lieux","year":2005,"lang":"fr","type":"article","venue":"The French review","topic":"Social Sciences and Governance","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Art","authors":[{"name":"S. Pascale Vergereau-Dewey","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05239809628308055,"gpt":0.3273296784179358,"spread":0.2749315821348552,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001555688,0.0004030126,0.0005526343,0.002636314,0.004954173,0.005352273,0.0006717293,0.001035074,0.01048519],"category_scores_gemma":[0.003691081,0.0002131648,0.0002777925,0.006270084,0.004541705,0.002423178,0.00116333,0.001502716,0.0004551593],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05069308,"about_ca_system_score_gemma":0.05194806,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9619127,"about_ca_topic_score_gemma":0.9732916,"domain_scores_codex":[0.9986026,0.0003449641,0.00003265368,0.0002091206,0.0004886614,0.0003220974],"domain_scores_gemma":[0.997724,0.0004081872,0.000193099,0.0001165223,0.001241607,0.000316517],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007632363,0.00003087131,0.01488986,0.001206404,0.000151202,0.0004566004,0.01294848,0.001310541,0.0007128903,0.6322681,0.1153738,0.2205749],"study_design_scores_gemma":[0.00001393423,0.0000197302,0.03910733,0.001227879,0.00005105672,0.0001548181,0.008221819,0.0003978173,0.0002392297,0.02497195,0.9255571,0.00003727841],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.08783238,0.4440915,0.006187506,0.1247852,0.002039423,0.0000718631,0.001527848,0.00009699497,0.3333674],"genre_scores_gemma":[0.7270935,0.1580641,0.002123385,0.006175223,0.0003356292,0.00006413022,0.0005100009,0.00004699161,0.1055871],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05069308,"threshold_uncertainty_score":0.3678058,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3137628344","doi":"10.1353/tfr.2013.0366","title":"Visages de La Fontaine by Jean-Pierre Collinet","year":2013,"lang":"en","type":"article","venue":"The French review","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Ambivalence; Philosophy; Art; Psychoanalysis; Psychology","authors":[{"name":"Roland Racevskis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01487858984728207,"gpt":0.2938461476116702,"spread":0.2789675577643881,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004558073,0.0005564826,0.000165633,0.0005277208,0.005281873,0.003761904,0.0002968781,0.001323387,0.01198428],"category_scores_gemma":[0.001662475,0.0001647012,0.0001126943,0.0004306149,0.002372266,0.001831794,0.001230474,0.002441679,0.002770723],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002160777,"about_ca_system_score_gemma":0.001512543,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02439895,"about_ca_topic_score_gemma":0.05281247,"domain_scores_codex":[0.9995629,0.0001810029,0.000006926539,0.00009713258,0.0001059728,0.00004605504],"domain_scores_gemma":[0.9995874,0.0002108922,0.00003784284,0.00001812311,0.00007367964,0.00007211424],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001287601,0.00002323995,0.001693292,0.0001684972,0.000007603285,0.001726999,0.0398384,0.0002440141,0.0008740893,0.4151398,0.4812276,0.0589278],"study_design_scores_gemma":[0.000002033074,0.000004975822,0.0003637225,0.00009066668,7.630118e-7,0.000268438,0.002622486,0.00006957107,0.0001102713,0.003118448,0.9933432,0.000005350485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.03508167,0.08189353,0.003294949,0.09829809,0.008964637,0.00002348646,0.0001848139,0.0002773634,0.7719814],"genre_scores_gemma":[0.3725223,0.0174506,0.001844694,0.008969453,0.002886865,0.00003411193,0.00007397855,0.000306521,0.5959114],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02439895,"threshold_uncertainty_score":0.04851389,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3120978005","doi":"10.1353/tfr.2018.0068","title":"La variation pluridimensionnelle: une analyse de la négation en français by Charlotte Meisner","year":2018,"lang":"fr","type":"article","venue":"The French review","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Variation (astronomy); French; Linguistics; Aside; Negation; Immediacy; Sociolinguistics; Sociology; Humanities; History; Philosophy; Epistemology","authors":[{"name":"Bryan Donaldson","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01398358938200181,"gpt":0.2751719974279914,"spread":0.2611884080459895,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001546304,0.0009095347,0.0005974658,0.0029279,0.003954645,0.003745492,0.0005492113,0.001802647,0.01088378],"category_scores_gemma":[0.003412538,0.0002833088,0.0003258487,0.004258914,0.003233631,0.003306999,0.001106154,0.002547847,0.001533616],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01000422,"about_ca_system_score_gemma":0.004624344,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1561689,"about_ca_topic_score_gemma":0.1491471,"domain_scores_codex":[0.998723,0.0004559977,0.00006517371,0.0001979247,0.0004567757,0.0001010932],"domain_scores_gemma":[0.9968369,0.001455224,0.0001799646,0.00004376549,0.001373954,0.0001102143],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009693088,0.0000366976,0.001322122,0.001873849,0.00003857446,0.000845233,0.02587458,0.0003951581,0.0008403591,0.1076233,0.6584104,0.2026428],"study_design_scores_gemma":[0.000003867119,0.00001215636,0.004054347,0.001451029,0.000007837046,0.0004494287,0.00491072,0.00008478503,0.0001230846,0.003142358,0.9857342,0.00002615599],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.01026041,0.8294452,0.001258799,0.07998013,0.00822238,0.00002298774,0.0002854225,0.00002995769,0.0704947],"genre_scores_gemma":[0.3457905,0.5167612,0.001675279,0.01880995,0.0104739,0.0001229358,0.0007355671,0.0001986627,0.105432],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1561689,"threshold_uncertainty_score":0.3105198,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3136553818","doi":"10.1353/tfr.2013.0363","title":"Filiations: folie, masque et rédemption dans l’œuvre de Michel Tremblay by Jacques Cardinal","year":2013,"lang":"fr","type":"article","venue":"The French review","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Tragedy (event); Emperor; Art; HERO; Philosophy; Humanities; Art history; Literature; History","authors":[{"name":"Olivia Jones Choplin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02355290089415702,"gpt":0.2931517885285131,"spread":0.2695988876343561,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006559598,0.0005316348,0.0002424091,0.0008477282,0.006002455,0.005102299,0.0004725701,0.001465908,0.009523147],"category_scores_gemma":[0.001427333,0.0001737125,0.0001659986,0.0006271647,0.004581432,0.002243677,0.001306091,0.002877877,0.001760657],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005797478,"about_ca_system_score_gemma":0.001476173,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04087157,"about_ca_topic_score_gemma":0.0705185,"domain_scores_codex":[0.9994467,0.0002522697,0.000009517862,0.00007650579,0.0001251722,0.00008979192],"domain_scores_gemma":[0.9997172,0.0001257696,0.00002556235,0.00001560687,0.00005694532,0.00005898083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001409416,0.00003992183,0.001361059,0.0001598607,0.000009622774,0.0006391758,0.08295897,0.0001351472,0.0007683331,0.5051533,0.3603092,0.04832442],"study_design_scores_gemma":[0.000002417146,0.000007067787,0.0005488999,0.00009090155,0.00000140157,0.0001096476,0.005278339,0.00004075489,0.0001218661,0.002660982,0.9911316,0.000006097178],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05000032,0.1181513,0.002835546,0.1187903,0.01130434,0.00003882305,0.0002012776,0.0002315845,0.6984466],"genre_scores_gemma":[0.4382412,0.01180024,0.001274346,0.00541686,0.003401452,0.00003699137,0.00006633905,0.000220884,0.5395416],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04087157,"threshold_uncertainty_score":0.0812673,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3138682530","doi":"10.1353/tfr.2017.0338","title":"S’approprier le français: pour une langue conviviale—actes du colloque de Bruxelles (2013) éd. par Françoise Hekkers, et al","year":2017,"lang":"fr","type":"article","venue":"The French review","topic":"Linguistic and Sociocultural Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"French; Appropriation; Soul; Humanities; Art; Art history; History; Literature; Linguistics; Philosophy; Theology","authors":[{"name":"Tamara Lindner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03518004207570576,"gpt":0.3112986822805174,"spread":0.2761186402048117,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001098717,0.0007471663,0.0002728166,0.000647626,0.004941592,0.00613155,0.0005522649,0.001928539,0.01254218],"category_scores_gemma":[0.001322572,0.0002559659,0.0002153211,0.0008302642,0.005468525,0.004323405,0.00232375,0.003083156,0.003642225],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007557338,"about_ca_system_score_gemma":0.006131783,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1746304,"about_ca_topic_score_gemma":0.2344953,"domain_scores_codex":[0.9989949,0.0004605459,0.00003897191,0.0001062595,0.0002071379,0.0001923153],"domain_scores_gemma":[0.9996694,0.0001019157,0.00003694975,0.00002002107,0.00008065375,0.00009099341],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005513984,0.00003082332,0.000874437,0.0003014884,0.00001013572,0.0006013231,0.09186128,0.00008265363,0.0008352299,0.2382544,0.5392417,0.1278514],"study_design_scores_gemma":[0.000001387104,0.000002962863,0.0005094447,0.0002428709,7.77414e-7,0.0001150458,0.007379977,0.000008347331,0.00005463394,0.001599313,0.9900803,0.000004953049],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01868872,0.3674133,0.002432422,0.1179087,0.0107988,0.00004963595,0.0002606562,0.0001386072,0.4823092],"genre_scores_gemma":[0.354651,0.09562688,0.002092775,0.01128063,0.001351627,0.0001057683,0.0002773255,0.0003450977,0.5342689],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1746304,"threshold_uncertainty_score":0.3472278,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}