{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":975,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":975,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"0f57aec5aa7d","filters":{"venue":"Études littéraires"}},"results":[{"id":"W2075904314","doi":"10.7202/501084ar","title":"Les femmes et la politique du néo-platonisme – les Enjeux à la Renaissance d’un baiser de Platon","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":47,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; The Renaissance; Art history","authors":[{"name":"Élisabeth Caron","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03753260664525127,"gpt":0.3054710720197416,"spread":0.2679384653744903,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002008842,0.0003168001,0.0001858169,0.0006336485,0.006324413,0.002929382,0.0002247258,0.00107233,0.004680689],"category_scores_gemma":[0.001646573,0.0001453873,0.0001395658,0.0006509204,0.02094807,0.002265092,0.001471969,0.002104276,0.0003829112],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00594821,"about_ca_system_score_gemma":0.003396412,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04505892,"about_ca_topic_score_gemma":0.07315127,"domain_scores_codex":[0.998481,0.0009014949,0.00001899494,0.0001389163,0.0001596772,0.0002998999],"domain_scores_gemma":[0.9993955,0.0003007371,0.00008347107,0.00004307291,0.00009144984,0.00008565246],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002044654,0.000006148345,0.001162657,0.00002679089,0.000002566152,0.0001018444,0.08079467,0.00004942556,0.0001733595,0.9047682,0.002973623,0.00992023],"study_design_scores_gemma":[0.00002257333,0.0000643911,0.01188745,0.0003656325,0.00001145487,0.0002966907,0.03890694,0.000224323,0.0004051469,0.1589359,0.7888521,0.00002748326],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2255106,0.01432724,0.003667651,0.06877498,0.0004701009,0.00002009492,0.00004459534,0.00003163951,0.6871531],"genre_scores_gemma":[0.9420221,0.001927118,0.0004397789,0.001898497,0.0001114845,0.00001363078,0.000006361137,0.00001387094,0.05356705],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04505892,"threshold_uncertainty_score":0.08959329,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125226701","doi":"10.7202/501111ar","title":"Relire le Fou d’Elsa de Louis Aragon","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":38,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Paul Perron","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02552034602827734,"gpt":0.2614289578312957,"spread":0.2359086118030183,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002874832,0.0003065066,0.0001379304,0.000268171,0.002789965,0.001933968,0.0002211366,0.0006319432,0.004315265],"category_scores_gemma":[0.0005152681,0.0001298278,0.000106546,0.0002468996,0.002479917,0.0006058167,0.001345741,0.001116606,0.0009192536],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002049955,"about_ca_system_score_gemma":0.0009326142,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02023571,"about_ca_topic_score_gemma":0.06971064,"domain_scores_codex":[0.9998357,0.00008370454,0.000002926137,0.0000201204,0.00002417632,0.00003329911],"domain_scores_gemma":[0.9999173,0.00003337728,0.00001058791,0.000006590164,0.00001847667,0.00001369337],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004365744,0.00009889025,0.01066493,0.0005886444,0.00003196602,0.005357619,0.5683905,0.0007502121,0.01069902,0.2195057,0.0264076,0.1570682],"study_design_scores_gemma":[0.00001098474,0.000065907,0.007061305,0.0002884531,0.00001175123,0.0006904225,0.1042962,0.0002249181,0.00103972,0.004299724,0.8819855,0.0000251669],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.633271,0.004848275,0.002729947,0.005269184,0.0005819392,0.00004242523,0.00008689681,0.0001164329,0.3530539],"genre_scores_gemma":[0.8623545,0.001238772,0.0007565244,0.000542656,0.00006459277,0.00001546864,0.00004274708,0.0000866144,0.1348983],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02023571,"threshold_uncertainty_score":0.04023588,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W606617346","doi":"10.7202/501036ar","title":"Jacques Dubois, Le Roman policier ou la Modernité","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Crime and Detective Fiction Studies","field":"Arts and Humanities","cited_by":33,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Paul Bléton","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03416879178509196,"gpt":0.268356022759441,"spread":0.234187230974349,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002271977,0.0006774269,0.0005690107,0.001520721,0.01063374,0.007383013,0.0009820533,0.00634764,0.007325445],"category_scores_gemma":[0.007451532,0.0003452537,0.0002485775,0.001867802,0.008045991,0.005392794,0.002035585,0.005620122,0.001194537],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003810803,"about_ca_system_score_gemma":0.003143882,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0430508,"about_ca_topic_score_gemma":0.07088132,"domain_scores_codex":[0.997923,0.001079248,0.00007039419,0.0002705892,0.0004457514,0.0002110156],"domain_scores_gemma":[0.9969972,0.002036102,0.0002180152,0.0001045575,0.0004474955,0.0001966559],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003909271,0.00003857783,0.001248549,0.000189123,0.00002011658,0.000151867,0.01582106,0.00009765979,0.0001043467,0.5962383,0.3656753,0.02037601],"study_design_scores_gemma":[0.00001411662,0.0000103373,0.002456421,0.0001675457,0.000007579203,0.00013473,0.006531532,0.00007138165,0.0001821088,0.03536521,0.9550384,0.00002064509],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.01197527,0.2889751,0.001254331,0.5666308,0.00698713,0.00002629705,0.0002492036,0.00005149725,0.1238504],"genre_scores_gemma":[0.4356965,0.1530261,0.002665965,0.1169577,0.02041113,0.0001541344,0.000201798,0.0002623995,0.2706243],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0430508,"threshold_uncertainty_score":0.08560044,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2026050023","doi":"10.7202/039243ar","title":"Baudelaire, artiste moderne de la « poésie-journal »","year":2010,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Poetry","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Alain Vaillant","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01050720992928423,"gpt":0.2340043438212608,"spread":0.2234971338919766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001413695,0.0003774166,0.0002271555,0.00161803,0.008813808,0.008813029,0.0005866141,0.001653735,0.0140893],"category_scores_gemma":[0.002543271,0.000246498,0.0001527726,0.001908765,0.01229843,0.003933294,0.001510511,0.002810816,0.001989559],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007327092,"about_ca_system_score_gemma":0.004636331,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02308103,"about_ca_topic_score_gemma":0.03771488,"domain_scores_codex":[0.9985749,0.0006875691,0.00003940885,0.000206454,0.0002831501,0.0002084804],"domain_scores_gemma":[0.9986225,0.0007410968,0.0001585766,0.0001237998,0.0001972833,0.000156745],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005754577,0.00002933443,0.00135701,0.0003113484,0.000007612485,0.0004092491,0.09798276,0.00005816427,0.0004637895,0.8290608,0.02758226,0.04268013],"study_design_scores_gemma":[0.000005874712,0.00002580883,0.003877776,0.0002367223,0.000005099936,0.0003391819,0.01138818,0.00004204933,0.0002475254,0.007677265,0.9761429,0.00001164785],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07571987,0.1040313,0.003003038,0.03175986,0.002658473,0.00004739089,0.000198492,0.0001355678,0.7824459],"genre_scores_gemma":[0.7862213,0.01957749,0.0008905701,0.002516875,0.001296589,0.00004272067,0.00007386814,0.00009767833,0.189283],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02308103,"threshold_uncertainty_score":0.05316204,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1972497647","doi":"10.7202/501291ar","title":"Le dialogue avec l’enfance dans Le petit prince","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Psychoanalysis and Psychopathology Research","field":"Psychology","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Nicole Biagioli","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0223468403636498,"gpt":0.3364923096498939,"spread":0.314145469286244,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00177727,0.0002457516,0.0002076491,0.000350843,0.003122069,0.003106839,0.0004880978,0.001442626,0.005765202],"category_scores_gemma":[0.004443656,0.0001964747,0.0001779647,0.0003158422,0.005579698,0.002916319,0.001747913,0.002046574,0.0009427287],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001474456,"about_ca_system_score_gemma":0.001167352,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01031317,"about_ca_topic_score_gemma":0.01300352,"domain_scores_codex":[0.9986682,0.0009971102,0.00002620131,0.00007828251,0.0001026802,0.0001276479],"domain_scores_gemma":[0.9978289,0.001103669,0.0003708235,0.0001288211,0.0002727039,0.0002950289],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009481328,0.00002818516,0.008441405,0.000229406,0.00001158871,0.002506459,0.878858,0.00004499052,0.001933609,0.05619254,0.006856897,0.04480201],"study_design_scores_gemma":[0.000007711238,0.0001774573,0.0296353,0.0006124136,0.00001894275,0.006337233,0.6051205,0.000179125,0.001567703,0.008077934,0.3482104,0.00005528537],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7863749,0.02690833,0.005725897,0.05084049,0.00065351,0.00005094867,0.000155072,0.00009651758,0.1291943],"genre_scores_gemma":[0.9668451,0.004739395,0.001262982,0.001350186,0.000138483,0.00002093481,0.00003397837,0.00003030573,0.02557858],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.01031317,"threshold_uncertainty_score":0.02050632,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2077355299","doi":"10.7202/500895ar","title":"Hégémonie, dissidence et contre-discours : réflexions sur les périphéries du discours social en 1889","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":22,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"Marc Angenot","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08225892444046053,"gpt":0.3806832762535435,"spread":0.298424351813083,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001833948,0.0003617773,0.0003420264,0.001323176,0.01103459,0.00430334,0.0003275515,0.001578597,0.004649044],"category_scores_gemma":[0.002501146,0.0001957516,0.0001944856,0.00158958,0.02527329,0.002617128,0.002914482,0.003105223,0.0002580559],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01371032,"about_ca_system_score_gemma":0.005117469,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1280833,"about_ca_topic_score_gemma":0.2012131,"domain_scores_codex":[0.9980075,0.001053793,0.00004158766,0.0001971185,0.0002762066,0.0004237324],"domain_scores_gemma":[0.9986406,0.0008192362,0.0002021504,0.00006248146,0.0001598778,0.0001156422],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00005038859,0.00001092506,0.003668204,0.00008471448,0.000006544676,0.0003119069,0.2672379,0.0001531162,0.000396832,0.714352,0.00221876,0.01150862],"study_design_scores_gemma":[0.00003325603,0.00007032342,0.02971951,0.000789214,0.00002577315,0.0005372264,0.1757197,0.0002637726,0.0008787885,0.06080747,0.7310911,0.00006374257],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5534491,0.0159479,0.003213192,0.02452372,0.0003317029,0.00002794584,0.0001298853,0.00002395243,0.4023526],"genre_scores_gemma":[0.9794427,0.001479936,0.0001640178,0.0003988683,0.00004073018,0.00001260496,0.00001176847,0.0000100878,0.01843926],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1280833,"threshold_uncertainty_score":0.2546755,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1997828967","doi":"10.7202/044572ar","title":"Pour une lecture politique de l’Antigone de Jean Anouilh","year":2010,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Political and Social Issues","field":"Social Sciences","cited_by":17,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Jeanyves Guérin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02347983609597731,"gpt":0.3145990225190995,"spread":0.2911191864231222,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001884008,0.0005334266,0.0002850379,0.0005584195,0.006163224,0.004174179,0.0003246147,0.002513952,0.01021348],"category_scores_gemma":[0.003050248,0.0002493832,0.0002316736,0.000568234,0.004027511,0.003283954,0.001279019,0.00580718,0.001248098],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005534367,"about_ca_system_score_gemma":0.00343015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02048174,"about_ca_topic_score_gemma":0.02966601,"domain_scores_codex":[0.9985003,0.0007627908,0.00003022696,0.0001586582,0.0003542418,0.0001937202],"domain_scores_gemma":[0.9988713,0.0007501675,0.00006888271,0.00002528858,0.0001790149,0.0001054149],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001223202,0.00005650386,0.0006834761,0.0002668617,0.00001396468,0.0005015152,0.03270875,0.0002098404,0.001009395,0.5440966,0.3867682,0.03356263],"study_design_scores_gemma":[0.000004938868,0.00001416395,0.0005328463,0.000127243,0.000001942592,0.00008423372,0.002320344,0.00008065095,0.0001839374,0.008669659,0.9879688,0.00001134752],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"commentary","genre_gemma":"empirical","genre_scores_codex":[0.01850707,0.1702663,0.004351503,0.4558041,0.02914402,0.00005220478,0.0001189229,0.00009515329,0.3216608],"genre_scores_gemma":[0.2853574,0.04199569,0.001963477,0.06669397,0.01066797,0.0000883449,0.00006972074,0.0002710435,0.5928924],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02048174,"threshold_uncertainty_score":0.04072505,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2153963689","doi":"10.7202/007566ar","title":"L’espace dans la littérature de voyages","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Travel Writing and Literature","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; ESPACE; Art; Philosophy","authors":[{"name":"Sylvie Requemora-Gros","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009976344291778566,"gpt":0.2220863532311164,"spread":0.2121100089393378,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008990827,0.0006345453,0.0004624321,0.002906037,0.003537484,0.006104287,0.0007249266,0.001205397,0.04701311],"category_scores_gemma":[0.004359204,0.0002680859,0.0005660868,0.005667296,0.002845325,0.005822021,0.002297686,0.00268617,0.008228331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001805554,"about_ca_system_score_gemma":0.002356256,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00702427,"about_ca_topic_score_gemma":0.009987638,"domain_scores_codex":[0.9986675,0.0004840225,0.0001294577,0.0002403023,0.0003317102,0.0001471462],"domain_scores_gemma":[0.9982943,0.0008167215,0.0001746226,0.0003139782,0.0003235781,0.00007689884],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009643408,0.00005639646,0.005055014,0.002049298,0.0000512614,0.000848325,0.0404626,0.0006225546,0.002053839,0.4756529,0.1019269,0.3711245],"study_design_scores_gemma":[0.000001230627,0.00001137856,0.001844311,0.0005676725,0.00000568097,0.0005027352,0.003268433,0.00004405871,0.000219279,0.006138319,0.9873885,0.000008301691],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.05903831,0.1395863,0.01779501,0.01010873,0.009360199,0.0001040937,0.001878677,0.0003294054,0.7617994],"genre_scores_gemma":[0.2830677,0.1055709,0.01103358,0.002580386,0.003001979,0.0002073873,0.003582345,0.001013833,0.5899419],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04701311,"threshold_uncertainty_score":0.1572745,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2028450249","doi":"10.7202/039248ar","title":"LA chronique et LE reportage : du « genre » (gender) des genres journalistiques","year":2010,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Marie-Ève Thérenty","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02455390141391151,"gpt":0.2636706464157867,"spread":0.2391167450018752,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008184325,0.0005315398,0.0003456108,0.006715692,0.006539525,0.01007976,0.0007597647,0.001288346,0.01094332],"category_scores_gemma":[0.02450201,0.0004218374,0.0002877295,0.007249234,0.007216809,0.00901376,0.003715467,0.003244201,0.002167388],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004735304,"about_ca_system_score_gemma":0.005719615,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0154908,"about_ca_topic_score_gemma":0.02266084,"domain_scores_codex":[0.9919748,0.003710987,0.0005988999,0.0008364683,0.002146184,0.0007326163],"domain_scores_gemma":[0.9726342,0.01519984,0.00403824,0.001587824,0.005083089,0.001456866],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000150891,0.00003700357,0.01563725,0.0007261411,0.00001679286,0.0004765141,0.4435986,0.00005276234,0.002329453,0.4231082,0.03335366,0.08051271],"study_design_scores_gemma":[0.00001265043,0.00008083683,0.02032105,0.0008362647,0.00001308049,0.0004735614,0.08288726,0.00004892986,0.0009551317,0.008009783,0.8863225,0.00003896563],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2723429,0.04661285,0.01273669,0.05664309,0.01051182,0.0002554896,0.003634197,0.0003274672,0.5969355],"genre_scores_gemma":[0.8270132,0.03065378,0.007625358,0.004860021,0.004833288,0.0006329562,0.00123914,0.000462121,0.1226802],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0154908,"threshold_uncertainty_score":0.0432834,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2805188427","doi":"10.7202/1045749ar","title":"Être Oulipienne : contraintes de style, contraintes de genre ?","year":2018,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","authors":[{"name":"Christelle Reggiani","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02284667687007979,"gpt":0.2690459520383995,"spread":0.2461992751683197,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006961448,0.0008828149,0.0007144596,0.001858936,0.00493241,0.01045866,0.001550211,0.002467009,0.01055061],"category_scores_gemma":[0.02129813,0.0007175533,0.0004921319,0.001853797,0.01728456,0.01417041,0.004453973,0.004631116,0.00228443],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003675826,"about_ca_system_score_gemma":0.002173838,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006066132,"about_ca_topic_score_gemma":0.008738909,"domain_scores_codex":[0.9903381,0.005470713,0.0005411945,0.001445353,0.001650905,0.0005536789],"domain_scores_gemma":[0.9874654,0.007115855,0.001046116,0.001995933,0.001690935,0.0006855963],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001244699,0.00002390933,0.002496468,0.000186368,0.00001886057,0.0004245701,0.0681615,0.0001124099,0.001769064,0.8932523,0.004661324,0.02876879],"study_design_scores_gemma":[0.00007727611,0.00009361723,0.008538063,0.001084952,0.00005847838,0.001715584,0.08334874,0.001708292,0.002352896,0.4286402,0.4722605,0.0001213909],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1508226,0.005211143,0.08584158,0.03278851,0.001713085,0.0001442064,0.0003843465,0.0002389648,0.7228556],"genre_scores_gemma":[0.922545,0.0019852,0.02443807,0.002869865,0.0009047922,0.0002081014,0.0002866445,0.0005553066,0.04620701],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.01055061,"threshold_uncertainty_score":0.03681612,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2076051372","doi":"10.7202/501184ar","title":"La naissance de la culture médiatique à la Belle-Époque : mise en place des structures de diffusion de masse","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Jean‐Yves Mollier","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009314775850571957,"gpt":0.247486572741651,"spread":0.238171796891079,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005933569,0.0004950296,0.0003321176,0.003316509,0.01006705,0.0181516,0.0009464762,0.002390918,0.009001204],"category_scores_gemma":[0.01070513,0.0003033942,0.0002886315,0.003025061,0.02283008,0.008974642,0.003846297,0.003163566,0.0008250122],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0153029,"about_ca_system_score_gemma":0.006795166,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02864647,"about_ca_topic_score_gemma":0.03666183,"domain_scores_codex":[0.9968268,0.00161483,0.00009782084,0.0003743683,0.0006886439,0.0003974636],"domain_scores_gemma":[0.9931906,0.00440608,0.00063139,0.0004543336,0.0009634483,0.0003541374],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003675853,0.00001455503,0.001249894,0.0001134753,0.000008756615,0.0001541877,0.05458317,0.0001249801,0.0003327982,0.9002033,0.004460504,0.03871753],"study_design_scores_gemma":[0.00003116746,0.0001003607,0.0097845,0.0008885202,0.0000239303,0.000245123,0.05505438,0.0004360593,0.001763549,0.109161,0.822459,0.00005246056],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1363726,0.03134779,0.01517253,0.0858363,0.0009026288,0.00006238006,0.0001445192,0.0001073031,0.730054],"genre_scores_gemma":[0.9167351,0.007818541,0.003077794,0.002715656,0.0005865886,0.0000716807,0.0000322181,0.00008821762,0.0688742],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02864647,"threshold_uncertainty_score":0.1110308,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2162431434","doi":"10.7202/501236ar","title":"Mélancolie et nostalgie : affects de la Spätzeit","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural, Social, and Media Studies","field":"Social Sciences","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Walter Moser","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02716701565809732,"gpt":0.3323429769554402,"spread":0.3051759612973429,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007197984,0.0003067536,0.0001999587,0.000788657,0.002749793,0.003537683,0.0003487271,0.0009821451,0.003958053],"category_scores_gemma":[0.00150479,0.0001526954,0.0002194063,0.0006954452,0.00910583,0.002377247,0.002893219,0.001681426,0.0002036591],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002219567,"about_ca_system_score_gemma":0.001281646,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01044759,"about_ca_topic_score_gemma":0.02262983,"domain_scores_codex":[0.9994867,0.0002292729,0.00001461813,0.00005386573,0.0001156307,0.00009990481],"domain_scores_gemma":[0.9993537,0.0002706475,0.0001585712,0.00004434596,0.00007310645,0.000099554],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001400134,0.00009620842,0.02549127,0.0002666748,0.00003382939,0.002242652,0.5443315,0.0002051937,0.00406218,0.3671682,0.002873274,0.05308888],"study_design_scores_gemma":[0.00003921986,0.0001873594,0.1709473,0.0007285085,0.00008630431,0.004054971,0.4343277,0.0003448948,0.001757607,0.05481966,0.3325984,0.0001081249],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7240705,0.01352019,0.003250747,0.01077587,0.0003175619,0.00004062,0.00006029398,0.00003752625,0.2479267],"genre_scores_gemma":[0.986384,0.002856554,0.0003783484,0.0003121145,0.00004848541,0.0000165916,0.00001040998,0.000009846934,0.009983737],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01044759,"threshold_uncertainty_score":0.02077353,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2169398189","doi":"10.7202/501244ar","title":"Le tournant éthique dans la théorie littéraire : impasse ou ouverture ?","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Hermeneutics and Narrative Identity","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","authors":[{"name":"Liesbeth Korthals Altes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01310323360648475,"gpt":0.23753426966894,"spread":0.2244310360624552,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007755563,0.0007962123,0.0009843967,0.002777816,0.005721244,0.008921181,0.002678873,0.00357016,0.01383365],"category_scores_gemma":[0.009499675,0.0004503055,0.0008570885,0.002567526,0.02798759,0.01998303,0.005245958,0.00674117,0.00160351],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007339553,"about_ca_system_score_gemma":0.004563544,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005323929,"about_ca_topic_score_gemma":0.006020168,"domain_scores_codex":[0.9938468,0.004029646,0.0001679912,0.0007634365,0.0007766279,0.0004155008],"domain_scores_gemma":[0.9940586,0.004255277,0.0003946446,0.0006697354,0.0004229027,0.0001988341],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00000334964,0.000004348797,0.00008538865,0.00002786527,0.000002648997,0.00001887126,0.002015723,0.00005435071,0.00001803735,0.9941126,0.001194729,0.002462144],"study_design_scores_gemma":[0.000008550161,0.00001585376,0.0002520522,0.0002823596,0.000009507154,0.00008063304,0.00421055,0.0006220256,0.0001286542,0.8926944,0.1016834,0.00001197047],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03916727,0.0556577,0.1134784,0.2351516,0.003346763,0.00007070617,0.0001658794,0.0002642045,0.5526975],"genre_scores_gemma":[0.847123,0.02874289,0.02303562,0.01668362,0.003136186,0.0003465246,0.0001616425,0.000538378,0.0802321],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01383365,"threshold_uncertainty_score":0.0532524,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2753473109","doi":"10.7202/1040888ar","title":"Charlevoix, lecteur de Sagard","year":2017,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":10,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Guy Poirier","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03648429485243043,"gpt":0.2926871624227516,"spread":0.2562028675703212,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001668607,0.0005137349,0.0003840542,0.001075051,0.00697828,0.004999383,0.0005309185,0.002257134,0.00980803],"category_scores_gemma":[0.003974944,0.0002863398,0.0002235557,0.0008080498,0.005532787,0.002337961,0.001629476,0.004644856,0.002236844],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004041516,"about_ca_system_score_gemma":0.002810005,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04759669,"about_ca_topic_score_gemma":0.04738536,"domain_scores_codex":[0.9981477,0.001000005,0.00003551809,0.000236067,0.000418606,0.0001620065],"domain_scores_gemma":[0.9982948,0.0009681637,0.0001405106,0.00004921063,0.0003601422,0.0001871909],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001888415,0.0000535374,0.005418489,0.0003448418,0.00003648156,0.002193265,0.1059326,0.0002792992,0.001030919,0.5058612,0.300387,0.07827339],"study_design_scores_gemma":[0.000004759805,0.00001560189,0.001737106,0.000179337,0.000004170281,0.0004727739,0.00764574,0.00006184235,0.000328905,0.006767997,0.9827654,0.00001642763],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.09094668,0.1688686,0.007675406,0.269915,0.01714394,0.00006198122,0.0002284176,0.0003620562,0.4447979],"genre_scores_gemma":[0.5938798,0.02744592,0.002423764,0.02279726,0.002772432,0.00007081557,0.00008972028,0.000423335,0.3500969],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04759669,"threshold_uncertainty_score":0.0946393,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2087690832","doi":"10.7202/501017ar","title":"« Métissage ». Contours et enjeux d’un concept carrefour dans l’aire francophone","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"African history and culture studies","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Hans-Jürgen Lűsebrink","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02200145780508068,"gpt":0.2789213083485818,"spread":0.2569198505435011,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002728131,0.0003530559,0.0002396556,0.001473005,0.008114056,0.005209709,0.0005256915,0.001807408,0.003842212],"category_scores_gemma":[0.003947075,0.0001943358,0.000227854,0.002048213,0.02369111,0.005321114,0.002288398,0.001951052,0.0002926401],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007748737,"about_ca_system_score_gemma":0.00372015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09670166,"about_ca_topic_score_gemma":0.09825686,"domain_scores_codex":[0.9971476,0.001668797,0.0001004985,0.0002902524,0.0003819655,0.0004109644],"domain_scores_gemma":[0.9973073,0.001386202,0.0004356428,0.0001853386,0.0003877068,0.0002978778],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000458731,0.00001109367,0.003394936,0.00008877557,0.000005364928,0.0002322395,0.3180206,0.0000767989,0.000689671,0.6535522,0.001963779,0.02191875],"study_design_scores_gemma":[0.00001790276,0.0001304931,0.02474417,0.0006717968,0.0000167994,0.0008260484,0.2195062,0.0003500587,0.0006918196,0.05774463,0.6952276,0.00007247557],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4839734,0.02493449,0.01015984,0.03403687,0.0006385564,0.000057134,0.0001548496,0.00006375818,0.4459811],"genre_scores_gemma":[0.9857943,0.001234083,0.0005880928,0.0003480657,0.00005074815,0.0000144212,0.00001265434,0.00001148471,0.01194604],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.09670166,"threshold_uncertainty_score":0.1922776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1994463395","doi":"10.7202/501097ar","title":"Le Terrain socio-musical populaire au Québec : « Et dire qu’on ne comprend pas toujours les paroles… »","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Line Grenier","is_ca":false},{"name":"Val Morrison","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0236635272902536,"gpt":0.2588901893045868,"spread":0.2352266620143332,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005653444,0.0002774119,0.0002164157,0.001018292,0.02038651,0.004650247,0.0006574324,0.000762056,0.009382972],"category_scores_gemma":[0.001206175,0.0001512726,0.0001219195,0.00168499,0.01007368,0.001192938,0.001757263,0.001356062,0.000424982],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0539954,"about_ca_system_score_gemma":0.0508898,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.987004,"about_ca_topic_score_gemma":0.9959192,"domain_scores_codex":[0.9994288,0.0001194249,0.000009465626,0.00007111668,0.0001310686,0.0002401136],"domain_scores_gemma":[0.9993343,0.0001307397,0.00006666644,0.00003184489,0.0002291431,0.0002072757],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001221794,0.0000378513,0.03967564,0.0003015524,0.00003282274,0.001458897,0.3883492,0.0007451069,0.002900332,0.4318413,0.03493368,0.09960151],"study_design_scores_gemma":[0.00001503701,0.00003935706,0.1174528,0.0004707633,0.00003153205,0.0003227232,0.2935149,0.0005357231,0.0006552984,0.008302171,0.5785877,0.00007202424],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5764856,0.008000442,0.00237779,0.02771588,0.0003004273,0.00004931421,0.0005042056,0.00006132104,0.3845049],"genre_scores_gemma":[0.9626297,0.00115362,0.0003408459,0.0005804374,0.00001754977,0.00001428539,0.00004761763,0.00001563058,0.03520036],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0539954,"threshold_uncertainty_score":0.3917659,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2149692556","doi":"10.7202/007568ar","title":"Les hypertextes en questions","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Frank Wagner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1592032765235865,"gpt":0.3130722709822598,"spread":0.1538689944586732,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005122856,0.0006176776,0.0004249684,0.002402436,0.00443347,0.01274471,0.0009178726,0.003128971,0.02007166],"category_scores_gemma":[0.02010191,0.0003299076,0.0006202626,0.002742083,0.01356426,0.01689285,0.005475475,0.003761404,0.002523784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003503602,"about_ca_system_score_gemma":0.001750373,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002244059,"about_ca_topic_score_gemma":0.001603,"domain_scores_codex":[0.9919505,0.005715628,0.0002950816,0.0006620619,0.001041361,0.0003354227],"domain_scores_gemma":[0.987089,0.009289641,0.0007850535,0.001247218,0.001196291,0.0003927801],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00005021295,0.00002014923,0.0008918603,0.0002411196,0.00001130818,0.0004798524,0.124273,0.0002879293,0.00102432,0.8333891,0.005125914,0.03420518],"study_design_scores_gemma":[0.00001074956,0.00002320908,0.0009232091,0.0003463157,0.00000768928,0.0006635689,0.04617222,0.000396336,0.001138366,0.1425259,0.8077699,0.00002258469],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1443094,0.03719613,0.08654948,0.04893632,0.002401561,0.0002374571,0.0006119739,0.000360894,0.6793967],"genre_scores_gemma":[0.8101372,0.01513487,0.02300121,0.00334997,0.001265223,0.0003563815,0.0006338988,0.000333996,0.1457872],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02007166,"threshold_uncertainty_score":0.06714636,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2156535184","doi":"10.7202/010526ar","title":"Espace colonial et vérité historique dans Indiana","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","authors":[{"name":"Pratima Prasad","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01130998922034241,"gpt":0.2202710700808927,"spread":0.2089610808605503,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007639811,0.0001787793,0.0001406627,0.0008558644,0.005606056,0.006724011,0.0002856546,0.00061933,0.004510769],"category_scores_gemma":[0.0008268834,0.0002397214,0.00008287722,0.001925643,0.00575708,0.00160816,0.00189359,0.001734727,0.0003011654],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02111785,"about_ca_system_score_gemma":0.007773991,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3826244,"about_ca_topic_score_gemma":0.6154869,"domain_scores_codex":[0.999488,0.0002039852,0.00002151818,0.00006508072,0.00007738749,0.000143876],"domain_scores_gemma":[0.9995034,0.0002448576,0.00009091523,0.00003111484,0.00005172626,0.00007801447],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00009255522,0.00002502992,0.0252223,0.0001377174,0.00001062862,0.001601263,0.2380062,0.0006141435,0.0009512807,0.6826041,0.01509353,0.03564125],"study_design_scores_gemma":[0.000005774929,0.0000219744,0.02071961,0.0004654352,0.00001071747,0.000430223,0.07970528,0.0002488375,0.001173608,0.006401605,0.8907924,0.00002454582],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5312709,0.01972286,0.001052849,0.01659572,0.0002326817,0.0000275191,0.0004753499,0.00005001353,0.4305722],"genre_scores_gemma":[0.8837176,0.009213751,0.0004752939,0.0008673858,0.00005998419,0.00001575793,0.0001179933,0.00002488791,0.1055074],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3826244,"threshold_uncertainty_score":0.7607946,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2076151699","doi":"10.7202/500852ar","title":"Le centre de sociologie de la littérature de l'Université de Bruxelles","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Sociology; Philosophy","authors":[{"name":"Ralph Heyndels","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01567568185788034,"gpt":0.243041738316522,"spread":0.2273660564586417,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003607997,0.0009137553,0.001242856,0.004397674,0.004161534,0.007591773,0.001018043,0.002543542,0.08780167],"category_scores_gemma":[0.009323216,0.0009443221,0.0005850003,0.00336255,0.00180586,0.002358424,0.003616219,0.002651276,0.02408195],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01318914,"about_ca_system_score_gemma":0.0180978,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07865225,"about_ca_topic_score_gemma":0.06567197,"domain_scores_codex":[0.9915819,0.002748203,0.0004728641,0.001853233,0.002196939,0.001146874],"domain_scores_gemma":[0.9904522,0.003243201,0.0007815706,0.0006637682,0.002803376,0.002055964],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007244311,0.000208388,0.01903412,0.001691338,0.0001476155,0.00185318,0.008516658,0.002575014,0.008586229,0.1235921,0.4062431,0.4268277],"study_design_scores_gemma":[0.00001817641,0.00002837958,0.01233902,0.0003097745,0.0000112965,0.0003529075,0.0009986244,0.0002555836,0.001479267,0.001538048,0.9826357,0.0000332109],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1197298,0.1581467,0.0336122,0.1462995,0.02126181,0.0004308634,0.0163006,0.003107739,0.5011108],"genre_scores_gemma":[0.1771134,0.01911159,0.01405429,0.003311049,0.001812386,0.0002566334,0.00334718,0.0008200738,0.7801735],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.08780167,"threshold_uncertainty_score":0.2937258,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2016124330","doi":"10.7202/012901ar","title":"L’Exposition universelle de Paris (1900) et son influence sur les réseaux des femmes de lettres canadiennes1","year":2006,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":8,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Chantal Savoie","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01794015081392753,"gpt":0.2311215191722926,"spread":0.2131813683583651,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001907005,0.0003687782,0.0002954246,0.002799537,0.01309365,0.003397145,0.0008368172,0.001012969,0.0189234],"category_scores_gemma":[0.003033437,0.0002536792,0.000265636,0.00388344,0.006975505,0.001115586,0.002235467,0.001541345,0.0008865733],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03509166,"about_ca_system_score_gemma":0.02209698,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9307156,"about_ca_topic_score_gemma":0.972492,"domain_scores_codex":[0.9979856,0.0004931191,0.00003271156,0.0001773048,0.0003748344,0.0009363344],"domain_scores_gemma":[0.997378,0.0005674848,0.0004534115,0.00008516783,0.0007074356,0.0008085779],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002662793,0.00009840883,0.1395711,0.000302715,0.00007237469,0.0017399,0.614562,0.0004931428,0.001221701,0.131071,0.03484083,0.07576071],"study_design_scores_gemma":[0.000009195093,0.00007521881,0.454155,0.0003669503,0.00001801517,0.0001674778,0.1243376,0.00007065406,0.0003160012,0.001180219,0.4192329,0.00007074427],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7959785,0.01178555,0.0004570224,0.01518341,0.00036231,0.00003690434,0.001085267,0.00003423502,0.1750768],"genre_scores_gemma":[0.9449061,0.003367515,0.0002099302,0.0006932519,0.00006946427,0.00001915793,0.0001420253,0.0000229659,0.05056951],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.06928438,"threshold_uncertainty_score":0.254609,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2088451773","doi":"10.7202/501206ar","title":"Espace et narration : théorie et pratique","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; ESPACE; Art; Narrative; Literature","authors":[{"name":"Fernando Lambert","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01230014545891508,"gpt":0.2392710043561619,"spread":0.2269708588972468,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004225309,0.0009176715,0.0006486653,0.002761598,0.006431651,0.01535801,0.002023929,0.0041293,0.008546278],"category_scores_gemma":[0.008483238,0.0003795329,0.0004698108,0.004068485,0.04476684,0.01809398,0.004731453,0.004747759,0.0009398602],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006033285,"about_ca_system_score_gemma":0.003194189,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01117587,"about_ca_topic_score_gemma":0.006246283,"domain_scores_codex":[0.9949197,0.003925463,0.0001116627,0.0004288764,0.0003735226,0.0002407856],"domain_scores_gemma":[0.9947607,0.003998063,0.0003385028,0.0003919131,0.0003411664,0.0001696305],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000007990388,0.000003651637,0.0001714242,0.0001017867,0.000003497273,0.00009128195,0.04504813,0.0001047636,0.00004587608,0.9487615,0.00143595,0.004224163],"study_design_scores_gemma":[0.00001329738,0.00002577904,0.0005012722,0.0008000996,0.00001481512,0.0004959999,0.106022,0.0007740345,0.0003273064,0.6375825,0.2534167,0.0000261806],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05662472,0.05893143,0.07156102,0.05958661,0.001308826,0.00009920568,0.0001914327,0.0001478659,0.751549],"genre_scores_gemma":[0.9350771,0.01898156,0.007336574,0.002251281,0.0007150749,0.0001759285,0.000114569,0.0001243447,0.03522373],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01535801,"threshold_uncertainty_score":0.04377478,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2100418199","doi":"10.7202/501277ar","title":"L’ironie : stratégie de discours et pouvoir argumentatif","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Danielle Forget","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02946471001524198,"gpt":0.3008925202987058,"spread":0.2714278102834639,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008868161,0.0009798313,0.0006626333,0.002060908,0.005612104,0.008515364,0.001438891,0.003325867,0.01114947],"category_scores_gemma":[0.01912181,0.0006919206,0.000468512,0.00117175,0.01581461,0.01020275,0.003898371,0.004906293,0.00250614],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004866983,"about_ca_system_score_gemma":0.003569213,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004147628,"about_ca_topic_score_gemma":0.005961439,"domain_scores_codex":[0.9916379,0.005571203,0.0002155729,0.0007772931,0.001363847,0.0004341452],"domain_scores_gemma":[0.991221,0.006031751,0.0005634353,0.0007846007,0.00112097,0.0002782632],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006654819,0.00003502565,0.001095217,0.0001488507,0.00001652257,0.0003342454,0.04357701,0.0002842064,0.001254643,0.9199895,0.008814682,0.02438364],"study_design_scores_gemma":[0.0000658229,0.00007219255,0.001506322,0.0006313797,0.0000415689,0.0004882748,0.02917167,0.003077803,0.002500071,0.5180452,0.4443552,0.00004447527],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0759616,0.003484342,0.1941065,0.04475036,0.001091412,0.0002511891,0.0001241037,0.0004698012,0.6797606],"genre_scores_gemma":[0.8562379,0.001486001,0.0493279,0.00298181,0.0004884727,0.0002755962,0.0001167213,0.0006100362,0.08847549],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01114947,"threshold_uncertainty_score":0.04689986,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2090080350","doi":"10.7202/501200ar","title":"Le recueil comme condition, ou déclaration, de littéralité : Paul Valéry et Robert Musil","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Literature and Culture Studies","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Irène Langlet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0312268694389504,"gpt":0.2693584240567459,"spread":0.2381315546177955,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005020752,0.0002914117,0.0002524078,0.001088236,0.006423959,0.00967498,0.0008236278,0.002187992,0.003335868],"category_scores_gemma":[0.01129082,0.0002803652,0.0001834622,0.0008937543,0.01389618,0.006435867,0.003567572,0.003906009,0.0007552037],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005453326,"about_ca_system_score_gemma":0.004670009,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007111073,"about_ca_topic_score_gemma":0.0101626,"domain_scores_codex":[0.9938403,0.004654428,0.0001122227,0.0003795899,0.0007009701,0.0003124581],"domain_scores_gemma":[0.9939857,0.004097485,0.0006178366,0.0003189076,0.0006506515,0.000329471],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003619806,0.00001265626,0.0004896869,0.0000993849,0.000004993644,0.0001814798,0.1488745,0.00008311992,0.0001972479,0.7832777,0.04362474,0.02311818],"study_design_scores_gemma":[0.000009279241,0.00003159876,0.0009775289,0.0004108456,0.000008066681,0.000328423,0.04165086,0.0001326674,0.0005195388,0.04372306,0.9121857,0.00002241444],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1178215,0.07701664,0.01022073,0.3016951,0.005855548,0.00006785879,0.00007234611,0.0001418516,0.4871083],"genre_scores_gemma":[0.8193647,0.01175406,0.002202687,0.01163031,0.001287212,0.00008283006,0.00002966919,0.000154646,0.1534938],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.00967498,"threshold_uncertainty_score":0.03956687,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2133692430","doi":"10.7202/501047ar","title":"Scénario de bande dessinée. La Différence par le média","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Comics and Graphic Narratives","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Philippe Marion","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01976562609962624,"gpt":0.2360441144167602,"spread":0.216278488317134,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009524045,0.0005443738,0.000156918,0.0006258144,0.004030874,0.005246884,0.0006121047,0.001930831,0.02169184],"category_scores_gemma":[0.002792169,0.0001899017,0.0002711205,0.000522244,0.003377198,0.004246488,0.003628852,0.001813845,0.001797438],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001088766,"about_ca_system_score_gemma":0.0005817528,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003356926,"about_ca_topic_score_gemma":0.004227334,"domain_scores_codex":[0.9990319,0.0006255908,0.000019764,0.00009514245,0.0001293288,0.00009828831],"domain_scores_gemma":[0.9991089,0.0004370548,0.00007930721,0.00008490929,0.00006573682,0.0002240578],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.000416856,0.0001160356,0.002186232,0.0004275767,0.00002010612,0.004595187,0.1455956,0.001900419,0.007098372,0.770416,0.0256202,0.04160746],"study_design_scores_gemma":[0.00002624,0.0001594223,0.002354674,0.0003652652,0.00001238155,0.001824006,0.1051077,0.001195205,0.002519633,0.03804748,0.8483456,0.00004235634],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2411311,0.002622205,0.03211337,0.02247662,0.001465347,0.0002287336,0.0007012489,0.0002674341,0.698994],"genre_scores_gemma":[0.9091102,0.001430377,0.006705237,0.0005783308,0.0002101134,0.0001171661,0.0002386908,0.00007808459,0.0815317],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02169184,"threshold_uncertainty_score":0.07256639,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2956195198","doi":"10.7202/1061861ar","title":"Bleuets et abricots : la femme-territoire de Natasha Kanapé Fontaine","year":2019,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"McMaster University","funders":"","keywords":"Art; Humanities","authors":[{"name":"Joëlle Papillon","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02512328447336722,"gpt":0.2752683978985515,"spread":0.2501451134251843,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005684334,0.0002813565,0.0002580999,0.0006405352,0.009187393,0.002188403,0.00058023,0.000813722,0.00845225],"category_scores_gemma":[0.001119719,0.0002387485,0.0001325587,0.001014244,0.003352021,0.001372095,0.002617732,0.001344376,0.0005864657],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002961602,"about_ca_system_score_gemma":0.002521404,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1301858,"about_ca_topic_score_gemma":0.3519855,"domain_scores_codex":[0.9995535,0.0001801952,0.00001355155,0.00006625054,0.00005866025,0.0001277947],"domain_scores_gemma":[0.9995652,0.0001670012,0.00009101281,0.00001842827,0.00006197616,0.00009637203],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007077022,0.00002711797,0.02733167,0.000223225,0.00001171354,0.003487642,0.9361238,0.00004160216,0.001992815,0.006915351,0.001853852,0.02192034],"study_design_scores_gemma":[0.000002276184,0.00006449316,0.06794772,0.0002418555,0.000009980094,0.001350182,0.8367764,0.0000250398,0.0002862764,0.0004880675,0.09278663,0.0000211226],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.9712406,0.002654369,0.000319538,0.002040609,0.0001207855,0.0000224377,0.0001060453,0.00000594946,0.02348959],"genre_scores_gemma":[0.9780545,0.001662914,0.0003142137,0.0003570893,0.00002526265,0.00002467848,0.00005586674,0.00001002875,0.01949539],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.1301858,"threshold_uncertainty_score":0.258856,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2083670452","doi":"10.7202/500969ar","title":"Le discours préfaciel : instance de légitimation littéraire","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"André-Patient Bokiba","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02057245372162875,"gpt":0.2625760738960004,"spread":0.2420036201743716,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004282908,0.0004311725,0.00061064,0.002809372,0.00598472,0.006613791,0.001216692,0.002399723,0.01348088],"category_scores_gemma":[0.01794776,0.0005072876,0.0004028428,0.004092975,0.008518618,0.01078268,0.004158194,0.003090939,0.001651575],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00462553,"about_ca_system_score_gemma":0.003539601,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01395231,"about_ca_topic_score_gemma":0.02448008,"domain_scores_codex":[0.9939179,0.003204536,0.0003511051,0.0007314376,0.001403996,0.0003909237],"domain_scores_gemma":[0.9822673,0.01188064,0.001101817,0.002590246,0.001791558,0.0003684219],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001293808,0.000043881,0.00751406,0.0002940926,0.00001871217,0.0009810055,0.1481355,0.0004534839,0.002672042,0.7859119,0.01257275,0.04127318],"study_design_scores_gemma":[0.0000379456,0.00006089814,0.01552232,0.0008583114,0.00003643802,0.00230839,0.08560663,0.003538626,0.005099071,0.1256257,0.7611986,0.0001070654],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3544816,0.001791858,0.1128267,0.009720974,0.0004706275,0.0003162438,0.001904201,0.0008239378,0.517664],"genre_scores_gemma":[0.9098964,0.000734896,0.03206268,0.0004331332,0.0001303085,0.000312441,0.001448636,0.0006067593,0.05437469],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01395231,"threshold_uncertainty_score":0.04509801,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1578463341","doi":"10.7202/008639ar","title":"Ilboudo, Monique, Murekatete, Bamako, Le Figuier, 2000.","year":2003,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Agriculture and Rural Development Research","field":"Agricultural and Biological Sciences","cited_by":6,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; History","authors":[{"name":"Monique Gasengayire","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0210791394399933,"gpt":0.2390527006501075,"spread":0.2179735612101142,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007404901,0.0008483402,0.0005489141,0.001646888,0.001166077,0.001743059,0.0007310114,0.0005325807,0.09382129],"category_scores_gemma":[0.00142528,0.0003403434,0.0001708863,0.003305624,0.0005346636,0.001287047,0.0006330286,0.0014394,0.01942362],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002155546,"about_ca_system_score_gemma":0.002096027,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.09795655,"about_ca_topic_score_gemma":0.1681337,"domain_scores_codex":[0.9998153,0.00002910033,0.00001473055,0.0000445434,0.00005674478,0.00003957577],"domain_scores_gemma":[0.9993218,0.0001713301,0.00009069178,0.00005438961,0.0002667334,0.00009505794],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005791007,0.0001010896,0.01084946,0.002931582,0.0000650513,0.0008863076,0.003088888,0.0004571655,0.005211979,0.01098935,0.2975756,0.6672645],"study_design_scores_gemma":[0.00003031633,0.00003918169,0.05864006,0.0004879512,0.00003262131,0.0004851317,0.001403158,0.0001499733,0.0005686266,0.0008570135,0.9372901,0.00001582805],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"other","genre_scores_codex":[0.04722601,0.4950262,0.00737992,0.02085012,0.007162714,0.0004198611,0.06421579,0.001482468,0.356237],"genre_scores_gemma":[0.166385,0.1619374,0.01716339,0.0009066701,0.0009922236,0.0005263955,0.02051216,0.0004759636,0.6311008],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9061787,"threshold_uncertainty_score":0.3138635,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2073771188","doi":"10.7202/500988ar","title":"Le pseudo-sublime de Longin","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Studies","field":"Social Sciences","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Sublime; Art; Art history","authors":[{"name":"Francis Goyet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01955731101967603,"gpt":0.2608832738218857,"spread":0.2413259628022097,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001373489,0.0003466349,0.0002336777,0.0005829764,0.004996255,0.00476167,0.0003993479,0.001162877,0.006841039],"category_scores_gemma":[0.001831414,0.0001368367,0.0001509386,0.0004088883,0.009110158,0.004860223,0.002303771,0.002124847,0.000776155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003306612,"about_ca_system_score_gemma":0.0012825,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002257919,"about_ca_topic_score_gemma":0.005339286,"domain_scores_codex":[0.9987848,0.0007063692,0.00002449504,0.0001960016,0.0001659063,0.0001224338],"domain_scores_gemma":[0.998582,0.0007420158,0.0001795164,0.0001494433,0.0002163775,0.0001306392],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008572225,0.00001348288,0.000809685,0.00009951753,0.000003326917,0.0002455668,0.06634247,0.00004096994,0.001067763,0.9154007,0.005880153,0.01001054],"study_design_scores_gemma":[0.0000215417,0.0001133222,0.005392608,0.000282893,0.00001151503,0.0008341684,0.03201279,0.0002967392,0.001533946,0.06926268,0.890205,0.00003278205],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1281441,0.00790334,0.006961386,0.01472883,0.0007276947,0.0000219398,0.00009562106,0.0001088589,0.8413082],"genre_scores_gemma":[0.8971442,0.001022494,0.000966282,0.001370445,0.0002830752,0.00004134105,0.00002979195,0.0001217372,0.09902053],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.006841039,"threshold_uncertainty_score":0.02399129,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2089612448","doi":"10.7202/012823ar","title":"Figures de savoir et tempo de l’essai","year":2007,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Marielle Macé","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.167730664079889,"gpt":0.3286104076564282,"spread":0.1608797435765392,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003924747,0.0007016095,0.000355541,0.002015759,0.009887107,0.01690428,0.000899518,0.002263009,0.01534566],"category_scores_gemma":[0.009208696,0.0003267979,0.0003319615,0.001966653,0.02150592,0.009151674,0.004705296,0.005224136,0.002438564],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008240886,"about_ca_system_score_gemma":0.003709957,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01295565,"about_ca_topic_score_gemma":0.01913147,"domain_scores_codex":[0.9956933,0.002375042,0.0001231855,0.0004631235,0.0008865752,0.0004588774],"domain_scores_gemma":[0.995384,0.002296554,0.0004647685,0.0005935954,0.0007407947,0.0005201939],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002413638,0.000007603966,0.0004523116,0.00004263939,0.000003689124,0.0001123569,0.1297607,0.00005360443,0.0002941288,0.8489317,0.009847844,0.01046936],"study_design_scores_gemma":[0.000006955623,0.00002247072,0.001132606,0.0001778935,0.000005662674,0.0001913462,0.05091725,0.0001145357,0.0003811836,0.04118881,0.9058397,0.0000213787],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07215933,0.007428091,0.01244756,0.04061656,0.003038598,0.0000411142,0.0001466163,0.0002110441,0.863911],"genre_scores_gemma":[0.7827828,0.00289301,0.002420547,0.001766757,0.0008905099,0.00006069522,0.00007755097,0.0003597391,0.2087485],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01690428,"threshold_uncertainty_score":0.05979216,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2073935592","doi":"10.7202/012827ar","title":"La rencontre du savoir et du soi dans l’essai","year":2007,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Pascal Riendeau","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02441932636571854,"gpt":0.2627275069975279,"spread":0.2383081806318094,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008400464,0.0009457569,0.0007873905,0.002997454,0.0105382,0.01531845,0.001383266,0.006141304,0.008195092],"category_scores_gemma":[0.01839757,0.0004872281,0.0009912598,0.002803657,0.01798315,0.01261949,0.007712298,0.007108716,0.001176757],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006486247,"about_ca_system_score_gemma":0.004204599,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009102073,"about_ca_topic_score_gemma":0.01502253,"domain_scores_codex":[0.9879323,0.007530743,0.0003509995,0.001206972,0.002240139,0.0007389365],"domain_scores_gemma":[0.9787328,0.0150387,0.00120666,0.001687284,0.002451678,0.0008828837],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006408848,0.00002651654,0.001931135,0.0002951209,0.00002678187,0.0006767546,0.1656913,0.00015785,0.001284748,0.7946165,0.008034637,0.02719463],"study_design_scores_gemma":[0.0000144737,0.00005470084,0.004596406,0.001176476,0.00003586524,0.001125375,0.1053391,0.000606894,0.002403167,0.1238684,0.7607015,0.00007756331],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.160646,0.04195042,0.06501598,0.09832668,0.009414156,0.0001378537,0.000233398,0.0002109183,0.6240646],"genre_scores_gemma":[0.8466753,0.01142704,0.009110875,0.003822733,0.001508843,0.0001373067,0.0001121209,0.0003058444,0.1268998],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01531845,"threshold_uncertainty_score":0.04706126,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1939446590","doi":"10.7202/1025480ar","title":"Esthétique relationnelle","year":2014,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Education, sociology, and vocational training","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Elisabeth Spettel","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1234801054159451,"gpt":0.3976413656904251,"spread":0.2741612602744801,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002901287,0.0005896091,0.0005019942,0.001959565,0.008442872,0.01163032,0.0009699935,0.002430992,0.02207479],"category_scores_gemma":[0.004461771,0.0003509453,0.000525221,0.002515644,0.03395593,0.009184082,0.006692033,0.006707442,0.002512155],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0101501,"about_ca_system_score_gemma":0.005630713,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01404856,"about_ca_topic_score_gemma":0.01302324,"domain_scores_codex":[0.9938367,0.002599461,0.0002282712,0.001379495,0.00123498,0.0007210948],"domain_scores_gemma":[0.9973547,0.0009866911,0.0003010231,0.0006325213,0.0005658395,0.0001592145],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000005474668,0.000003531915,0.0001358068,0.00001840639,0.000001919119,0.0000508724,0.008430747,0.00002566724,0.00007250934,0.9883709,0.001013159,0.001871069],"study_design_scores_gemma":[0.00001746185,0.00002058341,0.001310588,0.0001999541,0.000009825843,0.0003684632,0.01684008,0.0002072797,0.0003682522,0.4360908,0.5445469,0.00001984576],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.02008289,0.003013514,0.01553736,0.01212766,0.001041739,0.00005872437,0.0001199276,0.00009489921,0.9479231],"genre_scores_gemma":[0.7949263,0.002720451,0.004928424,0.00275927,0.0007338472,0.0001518519,0.0001841357,0.0002531593,0.1933425],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.02207479,"threshold_uncertainty_score":0.07384753,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2028547956","doi":"10.7202/501002ar","title":"Si hypothétique et l’imparfait. Une approche linguistique de la fictionalité","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art; Linguistics","authors":[{"name":"Jean‐Michel Adam","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02357347281974203,"gpt":0.3049067500770981,"spread":0.281333277257356,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00650427,0.0008860771,0.0006216416,0.002959187,0.003925733,0.008190384,0.001379365,0.003461273,0.01550351],"category_scores_gemma":[0.01630367,0.0006151695,0.00112909,0.001739567,0.02181158,0.0134223,0.003988815,0.00441121,0.003121895],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004024725,"about_ca_system_score_gemma":0.00318336,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006157376,"about_ca_topic_score_gemma":0.006187108,"domain_scores_codex":[0.9924736,0.003550337,0.0004020683,0.00183871,0.001409156,0.0003261748],"domain_scores_gemma":[0.9883002,0.007411201,0.0007035969,0.002004768,0.001405028,0.000175215],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00002761884,0.00001439076,0.0009157718,0.0001655401,0.00002446749,0.0002728928,0.01308722,0.000241846,0.0005299578,0.9723699,0.002887839,0.00946255],"study_design_scores_gemma":[0.00002234791,0.00003074832,0.002733214,0.0005666817,0.00006427413,0.0008715281,0.01704816,0.001861723,0.001781442,0.7395108,0.2354651,0.00004396263],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04648431,0.00858157,0.1860394,0.0554338,0.00146286,0.0002140794,0.001000833,0.0005016252,0.7002816],"genre_scores_gemma":[0.9208348,0.003832751,0.03188717,0.003327679,0.0006628735,0.0002536451,0.0008336246,0.0002669131,0.03810056],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01550351,"threshold_uncertainty_score":0.05186439,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2127011692","doi":"10.7202/014821ar","title":"La littérature au temps de la post-mémoire : écriture et résilience chez Andreï Makine","year":2007,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Identity and Heritage","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Stéphanie Bellemare-Page","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0156663133091634,"gpt":0.2657728415079647,"spread":0.2501065281988012,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001627176,0.000430773,0.0004677385,0.0007906412,0.01038505,0.003306796,0.0007735961,0.001370398,0.005016326],"category_scores_gemma":[0.004251146,0.0002927369,0.0001703222,0.000868729,0.006143633,0.002608328,0.003557998,0.002512827,0.0007262332],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00202021,"about_ca_system_score_gemma":0.002892187,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02187262,"about_ca_topic_score_gemma":0.05607629,"domain_scores_codex":[0.9990201,0.0004551776,0.0000434898,0.0001009409,0.0001662654,0.0002140074],"domain_scores_gemma":[0.9985883,0.0005592062,0.0003621093,0.00007602322,0.0001452818,0.0002690983],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003017978,0.00003167117,0.007329369,0.000140018,0.000004237124,0.001901321,0.951418,0.00002348087,0.001379466,0.01438358,0.002413285,0.02094531],"study_design_scores_gemma":[0.000002412381,0.0001081631,0.0258534,0.0004593564,0.0000145038,0.004877116,0.7511687,0.00004814498,0.0009860181,0.00218086,0.2142551,0.00004621049],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9183673,0.01346804,0.001217653,0.01320654,0.0004787753,0.0000437431,0.00007631195,0.00003009104,0.05311167],"genre_scores_gemma":[0.9662418,0.00547409,0.0006431657,0.0007190657,0.00008593127,0.00003773082,0.00002435558,0.00002639528,0.02674744],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.02187262,"threshold_uncertainty_score":0.04349059,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1977510575","doi":"10.7202/045164ar","title":"L’invention du lecteur au coeur de la construction auctoriale contemporaine","year":2011,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Sylvie Ducas","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1503722442015568,"gpt":0.2802344223422297,"spread":0.1298621781406729,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001983833,0.000584687,0.0002963846,0.001156144,0.006404152,0.007825598,0.0007463888,0.001592729,0.01457612],"category_scores_gemma":[0.00416225,0.0002498161,0.0003579757,0.001140058,0.01494242,0.004974158,0.003620435,0.004096584,0.002518477],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005239182,"about_ca_system_score_gemma":0.004277469,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01283248,"about_ca_topic_score_gemma":0.02405641,"domain_scores_codex":[0.9977036,0.001214244,0.00005002025,0.000320983,0.0004843307,0.0002267898],"domain_scores_gemma":[0.9981977,0.0009053202,0.0001372901,0.0002539759,0.0003272898,0.0001784098],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00002236187,0.000006860522,0.0006347612,0.0000553201,0.000003601511,0.0002340285,0.0406888,0.00006693726,0.0003549362,0.9414846,0.005769285,0.01067854],"study_design_scores_gemma":[0.00001110891,0.00003233803,0.001912999,0.0002428822,0.000008569558,0.0005793064,0.01608201,0.0002546037,0.001032083,0.08195203,0.8978669,0.00002519649],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.04726486,0.005646912,0.0200036,0.01809508,0.001426515,0.00004912077,0.0001076267,0.0001195685,0.9072867],"genre_scores_gemma":[0.6634091,0.003386565,0.007327389,0.002037892,0.0008788134,0.00008311083,0.000103775,0.0003284092,0.3224449],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01457612,"threshold_uncertainty_score":0.04876196,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2922929552","doi":"10.7202/1057998ar","title":"Penser les carnets numériques d’écrivain : écritures médiatisées et réinvestissement de l’idée de publication","year":2019,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","authors":[{"name":"René Audet","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.121727686775702,"gpt":0.3152448236162766,"spread":0.1935171368405746,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007438516,0.0005225535,0.0004394274,0.004081106,0.009252881,0.0206427,0.001206815,0.002656111,0.01518085],"category_scores_gemma":[0.02362238,0.0004633415,0.00035329,0.004287669,0.02691164,0.02118383,0.008275589,0.00325001,0.001458914],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00547094,"about_ca_system_score_gemma":0.004794505,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004988514,"about_ca_topic_score_gemma":0.01072117,"domain_scores_codex":[0.9931172,0.00406284,0.0002822543,0.000610981,0.001523244,0.0004034629],"domain_scores_gemma":[0.9710857,0.01958635,0.00278856,0.002796972,0.00241688,0.001325513],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007833318,0.00002279617,0.002570561,0.0002023717,0.00001187916,0.0004266786,0.1461447,0.0001412348,0.0008299015,0.8191449,0.002928481,0.02749829],"study_design_scores_gemma":[0.00003522963,0.00008229861,0.005394353,0.0009624073,0.0000364567,0.0009271857,0.1472912,0.0004658447,0.001853221,0.1698307,0.6730529,0.00006819367],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.216328,0.00862054,0.03368256,0.03861276,0.001255615,0.00006189543,0.0001417265,0.0001905257,0.7011064],"genre_scores_gemma":[0.9367294,0.003233109,0.007651233,0.001169777,0.0004685549,0.00008862973,0.0000529036,0.0002276253,0.05037882],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.0206427,"threshold_uncertainty_score":0.05078501,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4248948907","doi":"10.7202/1061856ar","title":"Présentation","year":2019,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Multiculturalism, Politics, Migration, Gender","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":false,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Art","authors":[{"name":"Julien Defraeye","is_ca":true},{"name":"Élise Lepage","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0882354170466831,"gpt":0.3821364431031151,"spread":0.293901026056432,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001973903,0.0005456596,0.0005136328,0.000984528,0.002154232,0.004466041,0.001204913,0.002939648,0.4672005],"category_scores_gemma":[0.009699413,0.0001945393,0.0005871063,0.0006039031,0.0007030469,0.001948984,0.00282087,0.003499687,0.2129503],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001979482,"about_ca_system_score_gemma":0.003191955,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002035602,"about_ca_topic_score_gemma":0.002947163,"domain_scores_codex":[0.9986718,0.0002918049,0.0000694634,0.0002191985,0.0005154366,0.0002323718],"domain_scores_gemma":[0.9960122,0.0005805876,0.0001471999,0.0002937711,0.001810289,0.001155858],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004871729,0.00001634772,0.0001448501,0.00005744665,0.000002595683,0.0001257171,0.00005510236,0.00001808699,0.0001105636,0.003717718,0.9708016,0.02490124],"study_design_scores_gemma":[0.000009333382,0.000008025891,0.0001795938,0.00005536276,0.000001565642,0.0001161417,0.00007824111,0.00001305277,0.00008652759,0.0009442708,0.9985048,0.000003185651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002093156,0.006340245,0.0022139,0.1562962,0.2768829,0.0004161057,0.004278195,0.0008047647,0.5506744],"genre_scores_gemma":[0.007331475,0.00232291,0.0006193015,0.02350363,0.03348883,0.0002572087,0.001441681,0.0002573691,0.9307775],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.5327995,"threshold_uncertainty_score":0.7599738,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2091293609","doi":"10.7202/500966ar","title":"L'écriture féminine en Afrique noire francophone : le temps du miroir","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Migration, Identity, and Health","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Irène Assiba d’Almeida","is_ca":false},{"name":"Sion Hamou","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01345346851033856,"gpt":0.2733916762830416,"spread":0.259938207772703,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002453088,0.0003148768,0.0002475747,0.0009368985,0.0080704,0.004583681,0.0005964993,0.0014513,0.005675613],"category_scores_gemma":[0.002066119,0.0001291308,0.0001849187,0.0009976941,0.01628618,0.003434947,0.002487928,0.001522967,0.000235141],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008425812,"about_ca_system_score_gemma":0.006932626,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2552275,"about_ca_topic_score_gemma":0.339363,"domain_scores_codex":[0.9986529,0.0005381656,0.00002561042,0.0001254347,0.000123546,0.000534278],"domain_scores_gemma":[0.998794,0.0004755332,0.0002332984,0.00006810494,0.0002006321,0.0002284989],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00006751608,0.00002412621,0.007360634,0.00011322,0.000007227613,0.0007314415,0.6553915,0.0000839311,0.0008719259,0.3071152,0.00318571,0.02504751],"study_design_scores_gemma":[0.00001237045,0.0001272459,0.0400498,0.0006149124,0.00001982486,0.0009995239,0.573144,0.0001142763,0.0005196799,0.01756734,0.3667712,0.00005984927],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6956334,0.01943254,0.003369658,0.04203581,0.0004642413,0.00004203373,0.0001511739,0.00002047412,0.2388506],"genre_scores_gemma":[0.9804288,0.002046676,0.000390339,0.0008043674,0.0000533536,0.00001595735,0.00001487627,0.000006927127,0.01623867],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.2552275,"threshold_uncertainty_score":0.5074838,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1527567590","doi":"10.7202/1025488ar","title":"Les âges d’or du manifeste artistique et littéraire en France","year":2014,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Camille Bloomfield","is_ca":false},{"name":"Mette Tjell","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02985537406419392,"gpt":0.2799726209652469,"spread":0.250117246901053,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006011059,0.0005408932,0.0006025031,0.009467197,0.003544642,0.00705439,0.0005351272,0.0006771745,0.01296711],"category_scores_gemma":[0.01288102,0.0002164673,0.000432079,0.008843639,0.003946151,0.003647222,0.001877265,0.001273052,0.0009837872],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01076196,"about_ca_system_score_gemma":0.004463701,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1730926,"about_ca_topic_score_gemma":0.1819049,"domain_scores_codex":[0.9946825,0.001995966,0.0003217225,0.0006951877,0.001430847,0.0008737895],"domain_scores_gemma":[0.9861145,0.006392304,0.002957587,0.0009615863,0.002902529,0.0006715787],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003898654,0.00007043307,0.1717763,0.001017812,0.0001696849,0.001374827,0.3185583,0.0006334588,0.001460601,0.2561253,0.01734686,0.2310765],"study_design_scores_gemma":[0.00001641274,0.0001323799,0.3607979,0.0006205394,0.00006068503,0.0008769638,0.08919881,0.0002294644,0.0005967587,0.007729815,0.539661,0.00007915793],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7292073,0.0241323,0.005246761,0.0048144,0.0004208665,0.000125785,0.005115585,0.0001347408,0.2308021],"genre_scores_gemma":[0.9663273,0.004792461,0.001538705,0.0002322918,0.000211019,0.00006349172,0.0009406945,0.0000815075,0.02581262],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1730926,"threshold_uncertainty_score":0.3441702,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2051807228","doi":"10.7202/501285ar","title":"Leçon 12 : Anatomie d’une révolution post-exotique","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Frank Wagner","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1198048305612346,"gpt":0.2904986990415488,"spread":0.1706938684803143,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009675043,0.0004843405,0.0002099251,0.001943409,0.006546084,0.00892,0.0008653739,0.002729259,0.03315641],"category_scores_gemma":[0.001747544,0.0002433449,0.0003259764,0.001486237,0.01270308,0.005611076,0.003399315,0.003348055,0.00742942],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008890124,"about_ca_system_score_gemma":0.003149256,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02250453,"about_ca_topic_score_gemma":0.03855811,"domain_scores_codex":[0.9989086,0.0004308107,0.00002392828,0.0002061163,0.0002072959,0.0002231615],"domain_scores_gemma":[0.9994304,0.0001883535,0.00005848312,0.0001162382,0.0001195415,0.00008708294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008593729,0.00001276385,0.0004695824,0.00007914868,0.000005971286,0.001512138,0.05092721,0.0001238124,0.0008900993,0.8928595,0.02697639,0.02605742],"study_design_scores_gemma":[0.000004097089,0.00001297518,0.0007134188,0.0001135559,0.000002472656,0.0004220498,0.006339596,0.00006900854,0.000282103,0.01792024,0.9741089,0.00001155142],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01900853,0.004654833,0.003550891,0.007403438,0.0006505821,0.00003229345,0.0001451981,0.0001702467,0.964384],"genre_scores_gemma":[0.3222586,0.003284354,0.002376368,0.002114452,0.0003479802,0.00007422498,0.0001706664,0.0003081328,0.6690652],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.03315641,"threshold_uncertainty_score":0.1109192,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1992517269","doi":"10.7202/500964ar","title":"Sur l'histoire littéraire de l'Afrique subsaharienne francophone","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Caribbean and African Literature and Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; French; Art; Philosophy","authors":[{"name":"Mohamadou Kane","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008792740768792705,"gpt":0.1972913012414393,"spread":0.1884985604726465,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001844051,0.0002846777,0.0001546693,0.001907142,0.006916771,0.002845311,0.0003484074,0.0004611067,0.0103123],"category_scores_gemma":[0.002683738,0.0001039948,0.0001003068,0.00362162,0.003275675,0.001070936,0.001181075,0.0005529375,0.0005370017],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01017489,"about_ca_system_score_gemma":0.009996973,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.5205161,"about_ca_topic_score_gemma":0.7685333,"domain_scores_codex":[0.9992635,0.0003032292,0.00003184287,0.00006847398,0.0001410626,0.000191984],"domain_scores_gemma":[0.9981121,0.0008805367,0.0002600181,0.00009591099,0.0004805878,0.000170962],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009599811,0.00002989628,0.03601282,0.001038596,0.00003078927,0.002250974,0.5081593,0.0004487375,0.004043428,0.1728276,0.04679137,0.2282704],"study_design_scores_gemma":[0.000002987943,0.00003069857,0.06775764,0.00121975,0.00001819686,0.0006034983,0.1666059,0.000109379,0.000659215,0.002510575,0.7604634,0.00001885874],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6084915,0.07369495,0.00352403,0.0322773,0.0007543677,0.0001319296,0.0009366897,0.00004894217,0.2801403],"genre_scores_gemma":[0.8843583,0.02325972,0.001513726,0.001272871,0.00010619,0.00007099636,0.0002246921,0.00002844444,0.08916505],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.5205161,"threshold_uncertainty_score":0.9646153,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2049745345","doi":"10.7202/501091ar","title":"La Chanson comme discours","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Cultural Insights and Digital Impacts","field":"Computer Science","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"André Gaulin","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2122783403656467,"gpt":0.3293536391330507,"spread":0.117075298767404,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009766644,0.000546682,0.0003002243,0.0006700516,0.006812325,0.004436847,0.0005509256,0.001769053,0.03846414],"category_scores_gemma":[0.002886868,0.0003000311,0.0002348224,0.0006218016,0.005069417,0.003191859,0.003043341,0.003978455,0.0102409],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004192392,"about_ca_system_score_gemma":0.006162634,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03472135,"about_ca_topic_score_gemma":0.07253048,"domain_scores_codex":[0.9986394,0.0004219254,0.00003772599,0.0002359235,0.0003866031,0.0002784109],"domain_scores_gemma":[0.9986815,0.0002687275,0.0001061245,0.0001042711,0.000537327,0.0003021891],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001194549,0.00004066574,0.002538652,0.0003214838,0.00001432187,0.001639513,0.1144868,0.0001087066,0.003221482,0.7019151,0.1282427,0.04735121],"study_design_scores_gemma":[0.000005847011,0.00002163337,0.0006357399,0.000114986,0.00000345534,0.0002572034,0.008248759,0.0000416092,0.0002115181,0.003127588,0.9873216,0.00001018986],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02668153,0.002818617,0.003140313,0.01414935,0.00163148,0.0001034661,0.0001389172,0.0002357054,0.9511008],"genre_scores_gemma":[0.2663962,0.0016858,0.001140647,0.002527921,0.0003479891,0.0000997439,0.0001197885,0.0002070452,0.7274748],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03846414,"threshold_uncertainty_score":0.1286754,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2074300257","doi":"10.7202/007561ar","title":"« Sçavoir la carte »","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Historical and Literary Analyses","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","authors":[{"name":"Delphine Denis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02453399656133996,"gpt":0.2353043081052619,"spread":0.2107703115439219,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009041762,0.0005132973,0.0002027003,0.001399388,0.006164749,0.00734209,0.0004431234,0.001476524,0.01584309],"category_scores_gemma":[0.00164019,0.0001743516,0.000291429,0.001245076,0.0130249,0.003207148,0.002495347,0.002528481,0.002930034],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003699935,"about_ca_system_score_gemma":0.002067265,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01579836,"about_ca_topic_score_gemma":0.03018965,"domain_scores_codex":[0.9992579,0.0003646064,0.00001138075,0.0001085155,0.0001385551,0.0001190486],"domain_scores_gemma":[0.9993736,0.0002385017,0.0000476247,0.0001216824,0.0001146206,0.0001040142],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003115972,0.000006179154,0.0005825914,0.00006056885,0.000004618572,0.0001881259,0.05372771,0.0001244009,0.0005694068,0.9037784,0.01974515,0.02118175],"study_design_scores_gemma":[0.000004236594,0.00001966794,0.0009245285,0.00011666,0.00000414745,0.0001525679,0.00985963,0.000112922,0.0002617164,0.02427865,0.9642565,0.000008881734],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03440688,0.005548104,0.007064084,0.01496218,0.0009702085,0.00003716831,0.000106331,0.0001933446,0.9367115],"genre_scores_gemma":[0.5363739,0.003485122,0.003536151,0.002372656,0.0005863997,0.00004661642,0.00008719001,0.0003314377,0.4531806],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01584309,"threshold_uncertainty_score":0.05300045,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2021603176","doi":"10.7202/007754ar","title":"Émile Ollivier : enracinerrant de Notre-Dame-de-Grâce","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Canadian Identity and History","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Thomas Spear","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01551624427023397,"gpt":0.2457512887233703,"spread":0.2302350444531364,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00182146,0.0004940346,0.000332964,0.001132479,0.02540711,0.005474695,0.0009843473,0.002249089,0.007229162],"category_scores_gemma":[0.003567228,0.0002859642,0.000216542,0.001316579,0.01132146,0.002704249,0.002615318,0.004293599,0.0007624791],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.03521647,"about_ca_system_score_gemma":0.02867492,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8806227,"about_ca_topic_score_gemma":0.9502411,"domain_scores_codex":[0.9982643,0.000500125,0.00002274104,0.0001828665,0.0005074392,0.0005226695],"domain_scores_gemma":[0.998536,0.0004139623,0.0001155901,0.00004997993,0.0004148814,0.0004696969],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006425183,0.00003562523,0.005251043,0.0001247845,0.00001107771,0.001432792,0.2959523,0.0001438415,0.0005132911,0.3793065,0.2830023,0.03416222],"study_design_scores_gemma":[0.000002861973,0.000008334526,0.003335506,0.0001326345,0.000003989084,0.0003052744,0.05116279,0.00003550969,0.0001966874,0.002934299,0.9418555,0.00002650167],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.1079877,0.06858534,0.002472625,0.4006031,0.005391667,0.00008399899,0.0003797265,0.0001209739,0.4143748],"genre_scores_gemma":[0.5995846,0.02503296,0.001283386,0.03017341,0.0006803752,0.00005411662,0.00009066649,0.0001465624,0.342954],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.1193773,"threshold_uncertainty_score":0.2555146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2124537597","doi":"10.7202/501245ar","title":"Littérature de l’holocauste et éthique de la lecture","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Philosophy, Ethics, and Existentialism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","authors":[{"name":"Colin Davis","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02575542851455349,"gpt":0.2788605629467676,"spread":0.2531051344322141,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002995276,0.0003824312,0.0004897829,0.001310241,0.003309738,0.005407128,0.0006279587,0.001570062,0.01096202],"category_scores_gemma":[0.004624566,0.0002289752,0.0003789298,0.001524242,0.009627944,0.00524732,0.002716069,0.005746747,0.00182376],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007061719,"about_ca_system_score_gemma":0.004623348,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009488232,"about_ca_topic_score_gemma":0.007537839,"domain_scores_codex":[0.9973565,0.001400076,0.0001089603,0.0002353352,0.0006372464,0.000261961],"domain_scores_gemma":[0.9977604,0.001314135,0.0001708532,0.000254768,0.0003513332,0.0001485646],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001858453,0.00002232957,0.0002929411,0.0002257075,0.000006323093,0.0001029218,0.00735211,0.0002950517,0.0003167123,0.9077256,0.03207915,0.0515627],"study_design_scores_gemma":[0.000003898183,0.00002046932,0.001186105,0.0006584876,0.000005035184,0.0002333925,0.002277075,0.0002018965,0.0003806441,0.09066962,0.9043455,0.00001786398],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0280676,0.2861445,0.02463089,0.1354108,0.01422198,0.00004936686,0.0001755019,0.0002394651,0.51106],"genre_scores_gemma":[0.5324125,0.1595165,0.006417186,0.0163249,0.009027037,0.0001651448,0.0002416819,0.000293781,0.2756013],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01096202,"threshold_uncertainty_score":0.05123663,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2751230787","doi":"10.7202/1040886ar","title":"« Qui harangue le mieux est le mieux obey ». La parole « sauvage » dans l’Histoire du Canada de Gabriel Sagard","year":2017,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Linguistics and Discourse Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"York University","funders":"","keywords":"Humanities; Political science; Philosophy","authors":[{"name":"Peter Murvai","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01548171225137682,"gpt":0.2297115913005454,"spread":0.2142298790491685,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001118553,0.0003907556,0.0002041858,0.0007803694,0.01272597,0.004006503,0.0005503194,0.001496185,0.005848341],"category_scores_gemma":[0.002010851,0.0002089861,0.0001803921,0.00113999,0.01172071,0.001573788,0.001660394,0.002857672,0.0006261527],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0224969,"about_ca_system_score_gemma":0.01965245,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.8432962,"about_ca_topic_score_gemma":0.9486992,"domain_scores_codex":[0.9989547,0.0003488719,0.00001816785,0.0001309175,0.0002825315,0.0002647189],"domain_scores_gemma":[0.9992205,0.0002664928,0.00006866774,0.00004717012,0.0002539938,0.000143292],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007117093,0.000009137313,0.005027735,0.0001277813,0.00001172232,0.0007287146,0.2650299,0.0001577855,0.001353364,0.6729776,0.03196739,0.02253779],"study_design_scores_gemma":[0.000007684567,0.00001425501,0.01017234,0.000256012,0.00001719066,0.00043751,0.1043642,0.0001944342,0.0008881916,0.01639989,0.8672003,0.0000480237],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2763583,0.02482909,0.008252501,0.09844396,0.001597042,0.0001153944,0.0004629637,0.0001469703,0.5897937],"genre_scores_gemma":[0.8518476,0.003333546,0.001619542,0.003333122,0.00006278446,0.00002159678,0.00005951347,0.00009088717,0.1396314],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1567038,"threshold_uncertainty_score":0.3152532,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2064889601","doi":"10.7202/501231ar","title":"Fin de l’avant-garde ?","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Literature and Critical Theory","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Avant garde; Art history; Philosophy","authors":[{"name":"J.P. Burger","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01903732932476921,"gpt":0.2381205899255892,"spread":0.21908326060082,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00450159,0.0004913539,0.0003890659,0.001293281,0.009232555,0.009731475,0.0009292025,0.002752863,0.01155455],"category_scores_gemma":[0.005239242,0.0001681005,0.0003407946,0.001082934,0.0346294,0.008678697,0.003349377,0.004530333,0.001889396],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009188856,"about_ca_system_score_gemma":0.007054117,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02694684,"about_ca_topic_score_gemma":0.02485535,"domain_scores_codex":[0.9960354,0.002166416,0.00006753215,0.0004706171,0.0005334156,0.0007267124],"domain_scores_gemma":[0.997708,0.0009460162,0.0001952787,0.0003078101,0.0005248976,0.0003180533],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000006059875,0.000004379997,0.0001349006,0.00002377363,0.000001360875,0.00004408134,0.01310211,0.00001409709,0.00005148394,0.9788086,0.002195957,0.005613073],"study_design_scores_gemma":[0.00001070692,0.00003938707,0.001107961,0.0003828255,0.000007443057,0.0002608211,0.02764928,0.0001010201,0.0002888018,0.2938935,0.6762389,0.00001933219],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02299362,0.01108186,0.006944424,0.04625082,0.0008285528,0.00002625235,0.00003547809,0.000059047,0.9117799],"genre_scores_gemma":[0.8771641,0.003318721,0.001838948,0.00506079,0.0004375158,0.00004045309,0.00002943364,0.00006790685,0.1120422],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02694684,"threshold_uncertainty_score":0.06667018,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2009615390","doi":"10.7202/501233ar","title":"Nostalgies tropicales. Bernardin de Saint-Pierre et les littératures francophones de l’océan Indien","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"African history and culture studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Art; Humanities","authors":[{"name":"Hans-Jürgen Lűsebrink","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01678881901565569,"gpt":0.2713948973517985,"spread":0.2546060783361428,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009701359,0.0004379496,0.0001906119,0.0006230975,0.008821121,0.003478885,0.0002777311,0.0009120278,0.005915747],"category_scores_gemma":[0.001600661,0.0001639177,0.0001245862,0.0009237596,0.007811612,0.001209542,0.002025173,0.001925981,0.0004860031],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007544381,"about_ca_system_score_gemma":0.005432603,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1555222,"about_ca_topic_score_gemma":0.273524,"domain_scores_codex":[0.9992059,0.0004297663,0.00001555664,0.00007194065,0.0001328382,0.0001440289],"domain_scores_gemma":[0.9991999,0.0003841401,0.0001234773,0.0000410343,0.0001039013,0.0001475353],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00006815908,0.00002316716,0.009366758,0.0002183438,0.000009142615,0.001365102,0.7582768,0.0001148206,0.001207743,0.184685,0.01900002,0.02566501],"study_design_scores_gemma":[0.000004849022,0.00002892476,0.01742985,0.0003799662,0.000005864587,0.0004293775,0.1191405,0.00004638556,0.0003551835,0.002326821,0.8598362,0.00001594829],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.479231,0.03787787,0.001269066,0.03219387,0.0010908,0.00004763357,0.0002048814,0.00005566715,0.4480292],"genre_scores_gemma":[0.895503,0.008376925,0.0003749502,0.001057235,0.0001745558,0.00003006271,0.0000393462,0.00003753348,0.0944064],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1555222,"threshold_uncertainty_score":0.309234,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2168373402","doi":"10.7202/008633ar","title":"Penser une guerre de libération et (ré)écrire l’histoire","year":2004,"lang":"fr","type":"article","venue":"Études littéraires","topic":"African history and culture studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Armelle Cressent","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02292827295689943,"gpt":0.2763067146990797,"spread":0.2533784417421803,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002930881,0.0006030541,0.0002110056,0.001135785,0.006469212,0.003883539,0.0004816894,0.001323008,0.005208397],"category_scores_gemma":[0.003579943,0.0001794373,0.0001774449,0.001305555,0.02022596,0.004478603,0.001980346,0.002861919,0.0003414749],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006196595,"about_ca_system_score_gemma":0.004060251,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.02806056,"about_ca_topic_score_gemma":0.04828031,"domain_scores_codex":[0.9980253,0.001423343,0.00002767039,0.0001200326,0.0001085442,0.0002951801],"domain_scores_gemma":[0.9988588,0.0006535758,0.000139675,0.000132692,0.000112813,0.0001025296],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.00004306855,0.000008752083,0.001624697,0.00009344329,0.000004897129,0.0003713617,0.1134078,0.0001277647,0.0005742243,0.8644979,0.007355344,0.01189074],"study_design_scores_gemma":[0.00001399072,0.00004978737,0.005517686,0.0007243906,0.00001232901,0.0005700265,0.09876174,0.0002464831,0.001347465,0.07643789,0.8162953,0.00002286462],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.3300316,0.08598933,0.01321298,0.1444584,0.002847103,0.0000988069,0.000140048,0.00004548337,0.4231761],"genre_scores_gemma":[0.9332671,0.009200242,0.002479112,0.003525645,0.0002264205,0.00005557411,0.0000240586,0.00003409667,0.05118766],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02806056,"threshold_uncertainty_score":0.05579448,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1982706646","doi":"10.7202/500881ar","title":"La traduction dans les systèmes sémiotiques","year":2005,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Translation Studies and Practices","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":true,"about_ca":false},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Janice Deledalle-Rhodes","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04206149878915712,"gpt":0.2765365415483241,"spread":0.234475042759167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0081248,0.0008825963,0.0005409401,0.001977482,0.003246667,0.008612831,0.001154988,0.001502994,0.01447996],"category_scores_gemma":[0.01685493,0.0006835737,0.0007100137,0.003173647,0.00976351,0.00852269,0.003994941,0.002456506,0.005500141],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002728342,"about_ca_system_score_gemma":0.003465832,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004772821,"about_ca_topic_score_gemma":0.004717785,"domain_scores_codex":[0.9889964,0.00630556,0.00104564,0.00118867,0.002048952,0.0004148045],"domain_scores_gemma":[0.9882718,0.005223082,0.0008240393,0.003501761,0.001974021,0.0002052832],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002830811,0.00009356597,0.005065307,0.001972416,0.00007927576,0.00113084,0.1307418,0.001245488,0.02770755,0.555649,0.00725771,0.268774],"study_design_scores_gemma":[0.00006914212,0.0003686675,0.006500617,0.001439836,0.0001431092,0.002289983,0.03230925,0.005644013,0.02898991,0.1323359,0.7897599,0.000149759],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1370531,0.004881145,0.3629997,0.007676868,0.001017691,0.0005054568,0.0007316277,0.003192871,0.4819414],"genre_scores_gemma":[0.7949749,0.002270348,0.1038011,0.0008865815,0.000244404,0.0003158157,0.000747539,0.001415883,0.0953435],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01447996,"threshold_uncertainty_score":0.04844034,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2959835913","doi":"10.7202/1061859ar","title":"« Cette grâce entière, insaisissable et mystérieuse1 » : formes et enjeux de l’éco-épiphanie dans trois romans québécois contemporains","year":2019,"lang":"fr","type":"article","venue":"Études littéraires","topic":"French Urban and Social Studies","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":true,"about_ca":true},"ca_institutions":"Université de Moncton","funders":"","keywords":"Humanities; Philosophy; Art","authors":[{"name":"Julien Desrochers","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03940568162301231,"gpt":0.2847493515048057,"spread":0.2453436698817934,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001465005,0.000329708,0.0002719025,0.001095594,0.0157388,0.005204794,0.0007911288,0.001062942,0.0058041],"category_scores_gemma":[0.001900009,0.0002172505,0.0001460053,0.001866614,0.02675744,0.002098636,0.002847566,0.002188578,0.0003166436],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.02044436,"about_ca_system_score_gemma":0.01555333,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.746617,"about_ca_topic_score_gemma":0.8935989,"domain_scores_codex":[0.9988143,0.0004711672,0.0000191917,0.0001103271,0.0002176488,0.0003673659],"domain_scores_gemma":[0.9990289,0.0003062254,0.0001757347,0.00007941097,0.0002024613,0.0002072107],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.00003882771,0.00002058664,0.0111482,0.00007534611,0.00001028385,0.0009037529,0.7242456,0.0001033105,0.000599478,0.2402101,0.003983804,0.01866072],"study_design_scores_gemma":[0.00001168488,0.00004353727,0.06218203,0.000298445,0.00001721052,0.0006835088,0.4829591,0.0001865966,0.0004568508,0.007608,0.4454905,0.000062552],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.715924,0.005476269,0.001423613,0.008273763,0.0001657343,0.00003065426,0.00007790305,0.00002204308,0.268606],"genre_scores_gemma":[0.9758928,0.001058982,0.0001848066,0.0002825202,0.00002092609,0.000008336317,0.00001598891,0.00001369253,0.02252182],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.253383,"threshold_uncertainty_score":0.5097504,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}