{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"a0f465aa1bec","filters":{"venue":"Волинь філологічна текст і контекст"}},"results":[{"id":"W4404954892","doi":"10.29038/2304-9383.2024-37.mya","title":"Часопис «Нові Дні» як історико-літературне джерело: творчість Івана Багряного (на матеріалі 1950-1960-х років)","year":2024,"lang":"en","type":"article","venue":"Волинь філологічна текст і контекст","topic":"Education and Social Development in Ukraine","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Politics; Literary criticism; Poetry; Communism; Expression (computer science); Diaspora; Sociology; Cultural studies; Consciousness; Aesthetics; Criticism; Literature; Biography; History; Art; Law; Epistemology; Gender studies; Political science; Philosophy; Anthropology","authors":[{"name":"Максим Яблонський","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03581829081868316,"gpt":0.3971825238484938,"spread":0.3613642330298106,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005857956,0.0003331075,0.0001225847,0.001329539,0.002875012,0.004121394,0.000268328,0.0005232233,0.008080572],"category_scores_gemma":[0.000904277,0.0001724607,0.0001152299,0.001719131,0.005753393,0.001180865,0.0009659933,0.0009992118,0.001762331],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007841556,"about_ca_system_score_gemma":0.003498528,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05927212,"about_ca_topic_score_gemma":0.09547082,"domain_scores_codex":[0.9995956,0.0001206721,0.0000173843,0.00008031277,0.0001046167,0.00008142291],"domain_scores_gemma":[0.9997532,0.00008419438,0.00004326357,0.00002649385,0.00005125598,0.00004163133],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001036463,0.00003517671,0.007907484,0.0004063221,0.00001363155,0.001852839,0.1520388,0.0003562583,0.001763876,0.7026027,0.03129334,0.1016259],"study_design_scores_gemma":[0.000008665875,0.00003528961,0.0176296,0.0002040799,0.000009965841,0.0005369175,0.01437288,0.00009777452,0.001122184,0.01067908,0.9552873,0.00001619947],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1293281,0.03460727,0.003639455,0.005329742,0.001046468,0.00009890677,0.0004773844,0.0001158332,0.8253567],"genre_scores_gemma":[0.8064179,0.009131918,0.001418334,0.0002472816,0.0002524266,0.00004206629,0.0001976122,0.00006396042,0.1822284],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05927212,"threshold_uncertainty_score":0.1178542,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7081909935","doi":"10.29038/2304-9383.2025-39.mak","title":"Від критичної рецепції до новин культури: творчість Лесі Українки та Олени Пчілки на сторінках часопису «Нові Дні»","year":2025,"lang":"uk","type":"article","venue":"Волинь філологічна текст і контекст","topic":"Geochemistry and Geologic Mapping","field":"Computer Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Memoir; Centennial; Relevance (law); Ideology; Poetry; Identification (biology); TRACE (psycholinguistics); Portrait","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.01091900248425001,"gpt":0.2367561401303576,"spread":0.2258371376461076,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00114161,0.0002940704,0.0001914067,0.001709194,0.002352053,0.005752303,0.0003147523,0.0005173156,0.007933722],"category_scores_gemma":[0.002524823,0.0002578006,0.0001900341,0.002229494,0.003611366,0.001928636,0.001241753,0.001049091,0.00271825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002519632,"about_ca_system_score_gemma":0.00316516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004418718,"about_ca_topic_score_gemma":0.007396825,"domain_scores_codex":[0.9988623,0.0003427348,0.00005649446,0.0001733896,0.0004475428,0.0001175529],"domain_scores_gemma":[0.9990584,0.0003860272,0.000144147,0.0001086601,0.0002249217,0.00007784228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002082324,0.0001220347,0.01569989,0.0007119419,0.00003194687,0.002153539,0.103402,0.000800025,0.008213437,0.4806771,0.01067505,0.3773048],"study_design_scores_gemma":[0.00001876118,0.000146811,0.03821654,0.0006401472,0.00006117846,0.00240977,0.04478565,0.0007545404,0.00991585,0.05370422,0.849272,0.00007461137],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2812246,0.01268591,0.03300149,0.003612752,0.0008809213,0.0002185167,0.0003198732,0.0001911205,0.6678648],"genre_scores_gemma":[0.9131531,0.005181602,0.01472577,0.0002435753,0.0002041457,0.0001535476,0.0001389293,0.0001290645,0.06607041],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007933722,"threshold_uncertainty_score":0.02654099,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7135022085","doi":"10.29038/2304-9383.2025-39.yab","title":"Від критичної рецепції до новин культури: творчість Лесі Українки та Олени Пчілки на сторінках часопису «Нові Дні»","year":2025,"lang":"","type":"article","venue":"Волинь філологічна текст і контекст","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Memoir; Centennial; Relevance (law); Ideology; Poetry; Identification (biology); TRACE (psycholinguistics); Portrait","authors":[{"name":"Максим Яблонський","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03524610837482388,"gpt":0.3653246648810009,"spread":0.330078556506177,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00114161,0.0002940704,0.0001914067,0.001709194,0.002352053,0.005752303,0.0003147523,0.0005173156,0.007933722],"category_scores_gemma":[0.002524823,0.0002578006,0.0001900341,0.002229494,0.003611366,0.001928636,0.001241753,0.001049091,0.00271825],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002519632,"about_ca_system_score_gemma":0.00316516,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004418718,"about_ca_topic_score_gemma":0.007396825,"domain_scores_codex":[0.9988623,0.0003427348,0.00005649446,0.0001733896,0.0004475428,0.0001175529],"domain_scores_gemma":[0.9990584,0.0003860272,0.000144147,0.0001086601,0.0002249217,0.00007784228],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002082324,0.0001220347,0.01569989,0.0007119419,0.00003194687,0.002153539,0.103402,0.000800025,0.008213437,0.4806771,0.01067505,0.3773048],"study_design_scores_gemma":[0.00001876118,0.000146811,0.03821654,0.0006401472,0.00006117846,0.00240977,0.04478565,0.0007545404,0.00991585,0.05370422,0.849272,0.00007461137],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2812246,0.01268591,0.03300149,0.003612752,0.0008809213,0.0002185167,0.0003198732,0.0001911205,0.6678648],"genre_scores_gemma":[0.9131531,0.005181602,0.01472577,0.0002435753,0.0002041457,0.0001535476,0.0001389293,0.0001290645,0.06607041],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.007933722,"threshold_uncertainty_score":0.02654099,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4404955962","doi":"10.29038/2304-9383.2024-37/lev","title":"Пророкувати зі сцени: огляд сценічних адаптацій драматичної поеми Лесі Українки «Кассандра»","year":2024,"lang":"en","type":"article","venue":"Волинь філологічна текст і контекст","topic":"Diverse Scientific Research in Ukraine","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Mythology; Drama; Modernity; Ukrainian; Criticism; History; Art; The arts; Visual arts; Philosophy; Linguistics","authors":[{"name":"Оksana Levytska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01245251143368302,"gpt":0.2722238158802484,"spread":0.2597713044465654,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001257919,0.0003294594,0.0002263366,0.001497239,0.001730262,0.005524115,0.0003235127,0.0006837822,0.01762389],"category_scores_gemma":[0.002225766,0.0003913109,0.0003196366,0.001856136,0.002620792,0.001483167,0.001484621,0.001688054,0.006750586],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001989004,"about_ca_system_score_gemma":0.003235533,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006481535,"about_ca_topic_score_gemma":0.007044834,"domain_scores_codex":[0.99889,0.000253386,0.00007551206,0.0001607796,0.0005041139,0.0001161633],"domain_scores_gemma":[0.9993074,0.0002095996,0.0001106362,0.0001197115,0.0001865083,0.00006606567],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001288394,0.00006395402,0.003729108,0.0005576283,0.00003219563,0.001199436,0.01082927,0.001017176,0.01143008,0.6830209,0.01515152,0.27284],"study_design_scores_gemma":[0.0000184913,0.0000677207,0.008694164,0.0002855317,0.0000340348,0.001009519,0.003181448,0.0005631809,0.007010925,0.04045481,0.9386215,0.00005870864],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"review","genre_scores_codex":[0.1108151,0.01694373,0.06336264,0.006608715,0.001461781,0.0002413449,0.0008059582,0.000664739,0.7990959],"genre_scores_gemma":[0.8234556,0.01111734,0.03728095,0.0004715159,0.0003791328,0.0002620457,0.0003532899,0.000425502,0.1262547],"genre_candidate":"review","genre_consensus":null,"teacher_disagreement_score":0.01762389,"threshold_uncertainty_score":0.0589577,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}