{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":11,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":11,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"dc0b43103d7e","filters":{"venue":"Конференция Актуальные проблемы теории и истории искусства"}},"results":[{"id":"W2529907799","doi":"","title":"Образ воды в портрете петровского времени","year":2012,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Marine and environmental studies","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Heaven; Symbol (formal); Portrait; Quarter (Canadian coin); Universe; Natural (archaeology); Sign (mathematics); Element (criminal law); Connection (principal bundle); Philosophy; Art history; History; Literature; Art; Physics; Mathematics; Astronomy; Archaeology; Linguistics; Geometry; Law","authors":[{"name":"Aygul M. Berdyeva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01746580219716051,"gpt":0.1809013836407556,"spread":0.1634355814435951,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00206075,0.002191269,0.00212404,0.0005858827,0.002019177,0.0005155565,0.001898933,0.00106186,0.04744867],"category_scores_gemma":[0.0002740867,0.002027203,0.001034144,0.001527879,0.001322581,0.002244143,0.0009335638,0.001804786,0.03634555],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0002244846,"about_ca_system_score_gemma":0.0001999642,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008575062,"about_ca_topic_score_gemma":0.002612416,"domain_scores_codex":[0.9877219,0.0006316549,0.002229479,0.002015938,0.002270011,0.00513104],"domain_scores_gemma":[0.9938965,0.0005564406,0.0009474104,0.002070812,0.0001190003,0.002409823],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002674046,0.0009645676,0.7133222,0.0003588557,0.0005768555,0.0001439431,0.002699264,0.0003205606,0.0001735837,0.0007832499,0.1135253,0.1668642],"study_design_scores_gemma":[0.001842562,0.0005144947,0.3918675,0.0002289228,0.0005249815,0.0002889756,0.002091771,0.0009105779,0.0005513408,0.0005894634,0.598071,0.002518451],"study_design_candidate":"observational","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.564855,0.0642322,0.0001377133,0.003806312,0.01067237,0.001828517,0.001210456,0.0006725265,0.3525849],"genre_scores_gemma":[0.9478259,0.01071612,0.001023384,0.002783643,0.003636413,0.00005135811,0.0007162421,0.0001580647,0.03308886],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4845456,"threshold_uncertainty_score":0.99928,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2251729651","doi":"","title":"Икона «Спас Эммануил» из собрания ГИМ — микромозаика раннепалеологовской эпохи","year":2013,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Byzantine Studies and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Icon; Byzantine architecture; Style (visual arts); Context (archaeology); Parallels; Object (grammar); Quarter (Canadian coin); Order (exchange); History; Art; Visual arts; Classics; Computer science; Engineering; Archaeology; Artificial intelligence; Business","authors":[{"name":"M. Iakovleva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01788285065455257,"gpt":0.1764530613689732,"spread":0.1585702107144206,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.001485097,0.00404397,0.004285046,0.001617425,0.006355322,0.003173341,0.003632873,0.001582081,0.08802616],"category_scores_gemma":[0.0005574839,0.00395011,0.002624759,0.001128438,0.004552497,0.002820915,0.002205098,0.003682775,0.05147849],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0004486362,"about_ca_system_score_gemma":0.0009904815,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01554482,"about_ca_topic_score_gemma":0.005890577,"domain_scores_codex":[0.9816092,0.0007849338,0.004578541,0.004166315,0.002947632,0.005913416],"domain_scores_gemma":[0.9880226,0.0008789059,0.002301579,0.004483344,0.002196544,0.002117009],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002223136,0.001677033,0.001387416,0.001041623,0.001586693,0.0002358324,0.02022965,0.0000240849,0.0005879407,0.240864,0.7101088,0.02203462],"study_design_scores_gemma":[0.004466608,0.001230608,0.00503216,0.0009170139,0.001183654,0.0001171429,0.0139519,0.0005427052,0.0003062114,0.002362389,0.965035,0.004854574],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.06349777,0.03855558,0.00009793159,0.01357025,0.02130016,0.004788148,0.001411363,0.002065703,0.8547131],"genre_scores_gemma":[0.7156217,0.005214305,0.0006722461,0.005693243,0.01244542,0.0009303736,0.0005220411,0.001019654,0.2578811],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6521239,"threshold_uncertainty_score":0.9997141,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2292761643","doi":"","title":"Икона «Воскрешение Лазаря» из ГРМ в контексте развития поздневизантийской живописи","year":2012,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Historical and Religious Studies of Rome","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Mural; Icon; Painting; Art; Quarter (Canadian coin); Visual arts; Art history; History; Archaeology; Computer science","authors":[{"name":"Vera A. Khanko","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02554843565352722,"gpt":0.2123458124579853,"spread":0.1867973768044581,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002339446,0.004008212,0.004453152,0.001438212,0.006897915,0.001437317,0.003342197,0.001982726,0.01839143],"category_scores_gemma":[0.0006962089,0.003581268,0.002863141,0.001397451,0.003584116,0.002360923,0.00214574,0.003825179,0.0347229],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002003704,"about_ca_system_score_gemma":0.0006585199,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004748477,"about_ca_topic_score_gemma":0.001583665,"domain_scores_codex":[0.9802409,0.0008522175,0.004306243,0.003133361,0.003487073,0.007980233],"domain_scores_gemma":[0.9884219,0.001112691,0.002024152,0.003680923,0.001300443,0.003459854],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0005329954,0.004116472,0.005461026,0.001277778,0.002383071,0.0002846789,0.04744695,0.00002707593,0.0004320423,0.1452676,0.779286,0.0134843],"study_design_scores_gemma":[0.003677499,0.001208348,0.00235801,0.0007443629,0.001641063,0.0002201607,0.008192235,0.00008429875,0.000404049,0.003372229,0.9731663,0.004931479],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.09706565,0.1380868,0.0001696573,0.009629929,0.04230528,0.003732964,0.001935065,0.002606669,0.704468],"genre_scores_gemma":[0.7589209,0.01096597,0.0005384143,0.003816054,0.01989028,0.0003888056,0.0004469448,0.000824844,0.2042078],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6618552,"threshold_uncertainty_score":0.9995993,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2901395661","doi":"","title":"Об одном портрете юноши из собрания Государственного Эрмитажа. К проблеме осмысления римского скульптурного портрета раннеимператорского времени.","year":2017,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Ancient and Medieval Archaeology Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Sculpture; Portrait; Emperor; Art; Inscribed figure; KISS (TNC); Art history; Ancient history; History; Classics; Computer science","authors":[{"name":"Б Д Зашляпин","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06877559302966825,"gpt":0.2857227583225328,"spread":0.2169471652928646,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.004546227,0.005940972,0.006839607,0.002145502,0.02116619,0.004280115,0.009777095,0.002779792,0.01709145],"category_scores_gemma":[0.003578191,0.005692087,0.003848067,0.000770845,0.01865947,0.004638986,0.007884789,0.005821081,0.01825551],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001286369,"about_ca_system_score_gemma":0.00179967,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.005395412,"about_ca_topic_score_gemma":0.01391728,"domain_scores_codex":[0.9724282,0.001254869,0.00596264,0.006530724,0.004676446,0.009147091],"domain_scores_gemma":[0.9769512,0.001608738,0.005773491,0.009789162,0.002619051,0.003258401],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.003859433,0.005718264,0.07259969,0.003714142,0.008853147,0.00420284,0.1113686,0.00008608781,0.001881608,0.2924178,0.4208646,0.07443387],"study_design_scores_gemma":[0.01024133,0.002438862,0.03921177,0.002678566,0.003052924,0.0003203934,0.01799919,0.0005768241,0.001812311,0.01236619,0.9015904,0.007711233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4647873,0.0396459,0.0002678281,0.02182698,0.04144267,0.005950097,0.003172901,0.002490592,0.4204157],"genre_scores_gemma":[0.7589447,0.01266275,0.0006530685,0.004469947,0.01392715,0.0006885014,0.0006204577,0.00100625,0.2070271],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4807258,"threshold_uncertainty_score":0.9985148,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2972687078","doi":"","title":"Мастер Тишины: новое «имя» в истории вазописи керченского стиля","year":2017,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Ancient Mediterranean Archaeology and History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Painting; Silence; Style (visual arts); Quarter (Canadian coin); Art; Visual arts; Art history; Ancient history; History; Archaeology; Aesthetics","authors":[{"name":"Д С Васько","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06684125971947844,"gpt":0.2633319245460659,"spread":0.1964906648265874,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003061465,0.003407603,0.003737221,0.001649796,0.01646866,0.002578037,0.007544454,0.002180832,0.03600039],"category_scores_gemma":[0.001498746,0.003557333,0.002339117,0.0003307514,0.01991097,0.003356847,0.003097671,0.004603561,0.0211068],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001018049,"about_ca_system_score_gemma":0.001486505,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002408737,"about_ca_topic_score_gemma":0.007779195,"domain_scores_codex":[0.9827853,0.0009359139,0.003696823,0.004284985,0.0028879,0.005409029],"domain_scores_gemma":[0.9834497,0.0008499988,0.003849187,0.008317478,0.001213669,0.002319941],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001333919,0.002081203,0.008689051,0.001307284,0.001747667,0.002154063,0.0766931,0.0000310043,0.0004524582,0.2620417,0.617134,0.02633455],"study_design_scores_gemma":[0.006222661,0.001296673,0.01518876,0.001251446,0.001355646,0.0002832674,0.006252066,0.000647155,0.000522303,0.009933101,0.9526567,0.004390175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1985066,0.02355221,0.0004543138,0.01688701,0.05650389,0.004210219,0.004711621,0.00205764,0.6931165],"genre_scores_gemma":[0.7816859,0.002107324,0.0004718048,0.003792876,0.01217777,0.0002592823,0.0008752396,0.0006357277,0.1979941],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.5831793,"threshold_uncertainty_score":0.9991146,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2264231449","doi":"","title":"К вопросу о псковских зодчих в Москве в последней четверти XV в. Историографический аспект","year":2011,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Medieval European History and Architecture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Archaeology","authors":[{"name":"И Л Федотова","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0903472031570342,"gpt":0.1938397816805698,"spread":0.1034925785235355,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002572851,0.004173622,0.003897992,0.001887207,0.004386411,0.001263806,0.004897121,0.001500855,0.07702114],"category_scores_gemma":[0.0006067512,0.003609109,0.002487672,0.001117225,0.004505728,0.00184393,0.001803317,0.004950284,0.02579966],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0007568873,"about_ca_system_score_gemma":0.0009543396,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001699773,"about_ca_topic_score_gemma":0.001757331,"domain_scores_codex":[0.9809946,0.001867595,0.004373762,0.004529684,0.00299449,0.005239827],"domain_scores_gemma":[0.9880362,0.0007416743,0.002247172,0.005006804,0.001096633,0.002871492],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.003523487,0.005902231,0.001531518,0.003205045,0.003143484,0.004011509,0.2795772,0.00008030848,0.002077338,0.2590758,0.3890888,0.04878332],"study_design_scores_gemma":[0.004390806,0.002122597,0.001915446,0.001470245,0.001508845,0.0003616855,0.009372901,0.000273847,0.002359332,0.0050873,0.9659069,0.005230106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1589528,0.01351065,0.0002077568,0.001393758,0.01985802,0.003275848,0.002209017,0.002344172,0.798248],"genre_scores_gemma":[0.7640913,0.001874183,0.001376814,0.005371352,0.009701041,0.0002405434,0.0007029399,0.001116198,0.2155256],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6051385,"threshold_uncertainty_score":0.9997954,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2980370787","doi":"","title":"Оптические виды XVIII — первой четверти XIX века: от надписи к датировке","year":2018,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Renaissance Literature and Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Woodcut; Period (music); Quarter (Canadian coin); Subject (documents); Publishing; History; Art history; Art; Printmaking; Visual arts; Classics; Literature; Archaeology; Painting; Library science; Computer science","authors":[{"name":"I︠u︡. B. Demidenko","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01827486219098504,"gpt":0.2337711044128974,"spread":0.2154962422219123,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.001569167,0.003968514,0.00359194,0.001171466,0.005517113,0.005093483,0.003941581,0.00246496,0.02935436],"category_scores_gemma":[0.0004314576,0.003514079,0.002195169,0.001640184,0.005251647,0.00311233,0.001264803,0.003886828,0.02515208],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0006169242,"about_ca_system_score_gemma":0.0008633974,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001190032,"about_ca_topic_score_gemma":0.003446804,"domain_scores_codex":[0.9825317,0.0008953023,0.003862836,0.00437343,0.003030516,0.005306176],"domain_scores_gemma":[0.9882756,0.0004678215,0.002023531,0.004778095,0.002462789,0.001992088],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0007637198,0.001367346,0.0006601532,0.0006183185,0.001323136,0.0004440468,0.06339397,0.000009355722,0.002067229,0.2324036,0.6860103,0.01093888],"study_design_scores_gemma":[0.00421701,0.002140675,0.001051167,0.001482026,0.001160808,0.0002472759,0.01076028,0.0002312268,0.004267114,0.008123985,0.9618118,0.004506635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1089448,0.04445406,0.0001387639,0.00861422,0.02452272,0.003630597,0.0029876,0.002330966,0.8043762],"genre_scores_gemma":[0.7405443,0.001527458,0.0005794653,0.008089622,0.02800277,0.0002784661,0.001047921,0.0007419024,0.2191881],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.6315995,"threshold_uncertainty_score":0.99883,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2971051805","doi":"","title":"Образы архитектуры в миниатюрах новгородской Симоновской Псалтири второй четверти XIV века (ГИМ, Хлуд. 3). Некоторые наблюдения","year":2017,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Historical and Archaeological Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Architecture; Art; Byzantine architecture; Art history; State (computer science); Visual arts; History; Ancient history; Archaeology; Classics; Computer science","authors":[{"name":"Э.С. Смирнова","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09485014336140762,"gpt":0.2605908446805842,"spread":0.1657407013191766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002309522,0.00450507,0.005437437,0.001027264,0.01975194,0.004006804,0.008217669,0.00209028,0.02961661],"category_scores_gemma":[0.002676292,0.003898156,0.003034565,0.0006549767,0.01144643,0.002888166,0.00629235,0.004534006,0.02149041],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001390711,"about_ca_system_score_gemma":0.0007123778,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.006217043,"about_ca_topic_score_gemma":0.01048076,"domain_scores_codex":[0.9790437,0.001007894,0.004580538,0.005145244,0.003635795,0.006586797],"domain_scores_gemma":[0.9833722,0.001426013,0.003753316,0.006952574,0.001634993,0.002860894],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001610569,0.005871376,0.00839178,0.0019083,0.003332037,0.002810564,0.03882055,0.00007156503,0.001032666,0.4304793,0.4324051,0.07326624],"study_design_scores_gemma":[0.006022157,0.001656326,0.006988401,0.001039531,0.001215803,0.0001163919,0.004270229,0.0004103494,0.0006057272,0.02285331,0.9494603,0.005361465],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1886401,0.03417757,0.0002859009,0.03843749,0.02773283,0.004569895,0.003217748,0.002680094,0.7002583],"genre_scores_gemma":[0.7285296,0.007050502,0.0006101051,0.003125817,0.01082076,0.0004810664,0.0003223931,0.0006019853,0.2484578],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.5398895,"threshold_uncertainty_score":0.9992052,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3005448327","doi":"","title":"От Ионического моря до Мааса: границы распространения традиции Генезиса лорда Коттона в западноевропейской иконографии Сотворения мира в VIII–XII веках","year":2019,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Ancient and Medieval Archaeology Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Iconography; Fresco; Quarter (Canadian coin); Ancient history; Period (music); Art; History; Geography; Archaeology; Art history; Painting","authors":[{"name":"Anna V. Pozhidaeva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02666742558944734,"gpt":0.2365031129949264,"spread":0.209835687405479,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003325283,0.005393268,0.006479666,0.002393775,0.005120046,0.001358027,0.005019239,0.002473382,0.03173069],"category_scores_gemma":[0.001040402,0.004669702,0.003312694,0.001735686,0.007681549,0.002605545,0.004592159,0.005055334,0.04701978],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001370096,"about_ca_system_score_gemma":0.001624343,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003038774,"about_ca_topic_score_gemma":0.005868291,"domain_scores_codex":[0.9741407,0.001328553,0.005508908,0.006122331,0.004341525,0.008557994],"domain_scores_gemma":[0.9849579,0.001915166,0.003000743,0.005432332,0.002010893,0.002683001],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.003652817,0.005416047,0.04539714,0.004443367,0.007428443,0.001687674,0.1129635,0.00021996,0.003622854,0.2623543,0.4958705,0.05694339],"study_design_scores_gemma":[0.008980316,0.003088276,0.008196563,0.001828514,0.002074652,0.0002527701,0.02262876,0.001132318,0.001874945,0.00709957,0.9364002,0.006443165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.5226038,0.03053965,0.0002058199,0.01698901,0.04106833,0.007448274,0.002457288,0.002769275,0.3759185],"genre_scores_gemma":[0.6600792,0.006757046,0.0004416145,0.00761144,0.008947713,0.0005007185,0.0008932711,0.0009207518,0.3138483],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4405297,"threshold_uncertainty_score":0.9996787,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2253621322","doi":"","title":"Архитектура Йозефа Хоффмана в зарубежной историографии 1990–2010 гг.","year":2011,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Urbanization and City Planning","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Historiography; Context (archaeology); Architecture; Quarter (Canadian coin); History; Epistemology; Sociology; Philosophy; Archaeology","authors":[{"name":"Н Л Данилова","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.091181125131331,"gpt":0.2763961496558839,"spread":0.1852150245245529,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.003851233,0.002718877,0.00275471,0.001497552,0.004198726,0.001330348,0.004855808,0.00285191,0.02839895],"category_scores_gemma":[0.001723227,0.002964108,0.001497555,0.005534513,0.002934643,0.002757618,0.001283262,0.003205367,0.01783419],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001011557,"about_ca_system_score_gemma":0.001889007,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01109126,"about_ca_topic_score_gemma":0.003601685,"domain_scores_codex":[0.9816356,0.001805797,0.003601726,0.003752753,0.0039556,0.005248535],"domain_scores_gemma":[0.9891331,0.0007964314,0.002294551,0.003322607,0.001455505,0.00299783],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0009177722,0.005398585,0.09611899,0.0008241541,0.00215651,0.001261264,0.17969,0.0001139662,0.002011556,0.1334728,0.5376435,0.04039098],"study_design_scores_gemma":[0.005335103,0.001194851,0.03658918,0.001089864,0.001408181,0.000161389,0.02423627,0.001057278,0.003323924,0.009452374,0.9095836,0.00656803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1963609,0.008149491,0.001641462,0.006464281,0.02842786,0.004512873,0.0009821224,0.003964394,0.7494966],"genre_scores_gemma":[0.8771166,0.003505465,0.002588692,0.004362692,0.004366162,0.0001233695,0.0004692907,0.0006295675,0.1068382],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6807557,"threshold_uncertainty_score":0.9997788,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2263265986","doi":"","title":"Французское часовое искусство XVI–XVII веков. Школа Блуа","year":2014,"lang":"ru","type":"article","venue":"Конференция Актуальные проблемы теории и истории искусства","topic":"Historical Studies and Socio-cultural Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Prosperity; Quarter (Canadian coin); Emigration; Art; Object (grammar); Art history; History; Political science; Philosophy; Law; Archaeology","authors":[{"name":"Polina V. Fedotova","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01827085703435172,"gpt":0.1974568612602684,"spread":0.1791860042259167,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.002156957,0.003395385,0.004689209,0.0008534604,0.01639283,0.002152562,0.003175439,0.001550381,0.01679307],"category_scores_gemma":[0.001114097,0.002896115,0.003552004,0.001549962,0.002888636,0.00146341,0.00154323,0.002928064,0.01248185],"about_ca_system_candidate":true,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004967414,"about_ca_system_score_gemma":0.0003424413,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008075592,"about_ca_topic_score_gemma":0.0101575,"domain_scores_codex":[0.9829667,0.001226395,0.004117793,0.003754141,0.003227836,0.004707159],"domain_scores_gemma":[0.9899226,0.001160522,0.001990397,0.003095814,0.001699536,0.002131165],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004607103,0.002461731,0.00247868,0.001190194,0.004039138,0.0002378708,0.1040326,0.000195486,0.0005238113,0.2491439,0.5946686,0.04056737],"study_design_scores_gemma":[0.003112905,0.001168548,0.0007471484,0.0004925478,0.002315602,0.00003708911,0.009576657,0.001262874,0.0001652572,0.01117699,0.9657156,0.004228705],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.4809155,0.03194927,0.0008885715,0.1675276,0.02426258,0.004464354,0.001925954,0.003605566,0.2844607],"genre_scores_gemma":[0.7562708,0.007639848,0.0004084498,0.004870072,0.01183209,0.0003165206,0.0005475804,0.0005516626,0.2175629],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3710471,"threshold_uncertainty_score":0.9998249,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}