{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":5,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":5,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"63201ea2b658","filters":{"venue":"Almanac Culture and Contemporaneity"}},"results":[{"id":"W3007782562","doi":"10.32461/2226-0285.1.2019.180631","title":"David Burliuk’s artistic legacy as an object of theoretical analysis","year":2019,"lang":"en","type":"article","venue":"Almanac Culture and Contemporaneity","topic":"Diverse Scientific Research in Ukraine","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Ukrainian; Memoir; Novelty; Object (grammar); Phenomenon; Sociology; Aesthetics; Quarter (Canadian coin); Period (music); Identity (music); Set (abstract data type); Epistemology; Art; Literature; History; Computer science; Philosophy","authors":[{"name":"Svitlana Kholodynska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.009640443566011488,"gpt":0.2676224407879709,"spread":0.2579819972219594,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001823538,0.0002405647,0.0002745856,0.002018072,0.003945229,0.005411146,0.0005663273,0.000864359,0.001933221],"category_scores_gemma":[0.002178612,0.0001387626,0.0001878898,0.001616489,0.0137099,0.002599365,0.001948203,0.001579923,0.0002464452],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005353204,"about_ca_system_score_gemma":0.002257991,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003693292,"about_ca_topic_score_gemma":0.003773438,"domain_scores_codex":[0.9986281,0.0008513895,0.00003798832,0.0001747709,0.0001764945,0.0001312206],"domain_scores_gemma":[0.9986344,0.0009656174,0.0001187263,0.0001059537,0.0001086137,0.00006674223],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00001361785,0.00001238022,0.0009811816,0.00009705772,0.00000685747,0.00022522,0.03246081,0.0002990301,0.0001178442,0.9541131,0.003138209,0.008534753],"study_design_scores_gemma":[0.00001483467,0.00005123519,0.005367308,0.0007578352,0.0000231023,0.0009615183,0.03503109,0.001654482,0.0008536382,0.431935,0.523313,0.00003683118],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.282855,0.05389677,0.02216987,0.03714175,0.001616831,0.00009398575,0.0001883535,0.00008773796,0.6019496],"genre_scores_gemma":[0.9829259,0.003797517,0.001574054,0.0006276525,0.0001804136,0.00002897095,0.00002769546,0.00001836507,0.01081935],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.005411146,"threshold_uncertainty_score":0.03884035,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3197582294","doi":"10.32461/2226-0285.1.2021.238612","title":"The problem of social and anthropological crises in the painting of Vasyl Kurylyk","year":2021,"lang":"en","type":"article","venue":"Almanac Culture and Contemporaneity","topic":"Diverse Scientific Research in Ukraine","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Painting; Sociology; Ukrainian; Oppression; Context (archaeology); Aesthetics; Art; Law; History; Political science; Visual arts; Philosophy; Politics; Linguistics","authors":[{"name":"Khrystyna O. Beregovska","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0382533409983947,"gpt":0.305247447714266,"spread":0.2669941067158713,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001811943,0.0004918118,0.0003910644,0.001446015,0.01426194,0.006149278,0.0009163853,0.0010866,0.002259398],"category_scores_gemma":[0.002382664,0.000271683,0.0002370926,0.001909711,0.0245415,0.002233276,0.004000193,0.002295595,0.0001532865],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01115181,"about_ca_system_score_gemma":0.006485608,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0931029,"about_ca_topic_score_gemma":0.1358583,"domain_scores_codex":[0.9984755,0.0007597466,0.00003645894,0.0001706745,0.0002705057,0.0002871067],"domain_scores_gemma":[0.9994689,0.0002837052,0.00007924739,0.00005768164,0.0000663335,0.0000441294],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001423394,0.0000188961,0.002312567,0.0003058575,0.00002644187,0.002491818,0.7098638,0.001093613,0.001346317,0.2471128,0.007489452,0.02779613],"study_design_scores_gemma":[0.00001357842,0.00003344731,0.01499143,0.0004256702,0.00003752414,0.002233748,0.5225824,0.0005137195,0.001685181,0.03740767,0.4200154,0.00006021124],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7595586,0.02060837,0.004406804,0.01418108,0.0004364199,0.00009787417,0.0001620512,0.00009002234,0.2004587],"genre_scores_gemma":[0.9932129,0.001215833,0.0006202727,0.0001750731,0.00002923208,0.0000116684,0.00001898119,0.00002100806,0.00469502],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0931029,"threshold_uncertainty_score":0.185122,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4406371176","doi":"10.63009/cac/2.2024.39","title":"Stage costume in the cultural space of Transcarpathia in the 20th and first quarter of the 21st century","year":2024,"lang":"en","type":"article","venue":"Almanac Culture and Contemporaneity","topic":"Diverse Scientific Research in Ukraine","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Dialectic; Quarter (Canadian coin); Costume design; Space (punctuation); Visual arts; Art; Element (criminal law); Aesthetics; History; Archaeology; Linguistics; Philosophy","authors":[{"name":"Олег Зайцев","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01598746472246123,"gpt":0.2525445793986847,"spread":0.2365571146762235,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001444604,0.0004408787,0.0003002786,0.001454744,0.006196208,0.005979845,0.0006649364,0.0008741924,0.003620588],"category_scores_gemma":[0.002102477,0.0001965354,0.0002607668,0.002584539,0.01167777,0.003085174,0.003480488,0.001387083,0.0003252107],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004996222,"about_ca_system_score_gemma":0.002349248,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00810773,"about_ca_topic_score_gemma":0.01935528,"domain_scores_codex":[0.9984854,0.000740037,0.00006811019,0.0001611832,0.0002717067,0.0002735898],"domain_scores_gemma":[0.9992639,0.0003199004,0.0001169388,0.0001037952,0.0001124482,0.00008292661],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001021505,0.00002165013,0.003711228,0.000350199,0.0000205596,0.001649201,0.647831,0.0001786557,0.002486633,0.2770286,0.00223518,0.06438486],"study_design_scores_gemma":[0.00001775575,0.0001977857,0.03698493,0.001112275,0.00006570547,0.00638102,0.373286,0.0003537056,0.002565113,0.03356788,0.5453309,0.0001368848],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7021092,0.01781561,0.004104584,0.003460181,0.0006096798,0.00005782876,0.00007226803,0.00003237545,0.2717383],"genre_scores_gemma":[0.9898461,0.002252242,0.0006822512,0.0001514046,0.00005283328,0.00001575998,0.00001443765,0.00001527886,0.006969722],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.00810773,"threshold_uncertainty_score":0.03625029,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4403196420","doi":"10.63009/cac/1.2024.31","title":"Historiography of the study of theatrical and decorative art in the theatrical culture of Transcarpathia in the 20th – first quarter of the 21st century","year":2024,"lang":"en","type":"article","venue":"Almanac Culture and Contemporaneity","topic":"Education and Social Development in Ukraine","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Historiography; Art; Literature; Visual arts; History; Archaeology","authors":[{"name":"Svіtlana Sadovenko","is_ca":false},{"name":"Олег Зайцев","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0162300427767814,"gpt":0.2846741666936376,"spread":0.2684441239168562,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001848462,0.0004013123,0.0003174446,0.002861101,0.002934624,0.005105897,0.0005166659,0.0009875387,0.00599874],"category_scores_gemma":[0.00345897,0.0001839806,0.0002011833,0.006691378,0.01086036,0.003092396,0.001793775,0.002075564,0.0003973313],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005574821,"about_ca_system_score_gemma":0.003875873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008677208,"about_ca_topic_score_gemma":0.008673423,"domain_scores_codex":[0.9983698,0.0009062373,0.00008319096,0.0002075531,0.0003070114,0.000126231],"domain_scores_gemma":[0.9971155,0.001982749,0.0002563373,0.0002301576,0.0003133725,0.0001018899],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001019408,0.00004919,0.003238295,0.002891853,0.00004773918,0.001497321,0.2844006,0.0005111842,0.001447771,0.5476244,0.0188471,0.1393427],"study_design_scores_gemma":[0.000006884585,0.00005020079,0.012265,0.002746598,0.00002895413,0.001374611,0.06082203,0.0001323408,0.0008194679,0.01841404,0.9033068,0.00003306842],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1406905,0.3880219,0.004281751,0.02317729,0.003891513,0.00008080723,0.0003267252,0.00004728874,0.4394822],"genre_scores_gemma":[0.8060943,0.1603562,0.001344021,0.001843321,0.00148545,0.00006230052,0.00009077597,0.00006768226,0.0286561],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.008677208,"threshold_uncertainty_score":0.04044837,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4313266703","doi":"10.32461/2226-0285.2.2022.270571","title":"Language of Ukrainian Apocrypha as a Cultural Code","year":2022,"lang":"en","type":"article","venue":"Almanac Culture and Contemporaneity","topic":"Military, Security, and Education Studies","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Ukrainian; Apocrypha; Reinterpretation; Chronotope; Sociology; Linguistics; Literature; Philosophy; Aesthetics; Art","authors":[{"name":"Solomiia Y. Pavlovska","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03276849737908512,"gpt":0.337136831728907,"spread":0.3043683343498219,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001390431,0.0002839096,0.0002585943,0.001352217,0.003310205,0.004145401,0.0005415698,0.0005367909,0.001644672],"category_scores_gemma":[0.00406881,0.0001423895,0.0001628598,0.001373965,0.009999347,0.003417948,0.002429042,0.001270068,0.0002858044],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004557407,"about_ca_system_score_gemma":0.004159016,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0099993,"about_ca_topic_score_gemma":0.007142914,"domain_scores_codex":[0.9976442,0.001415231,0.0001414069,0.000270719,0.0003509557,0.0001774038],"domain_scores_gemma":[0.9982317,0.0007513555,0.0003187172,0.0002911272,0.0003260103,0.00008114156],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006696907,0.00001786904,0.006645258,0.0002724455,0.0000190657,0.001876931,0.3205577,0.0007869043,0.002811285,0.6120501,0.002029838,0.05286567],"study_design_scores_gemma":[0.00002513424,0.0001392528,0.04328838,0.0009742679,0.00006006714,0.005706841,0.2578717,0.005058484,0.005995637,0.2110998,0.4696577,0.0001226996],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.7932781,0.005549951,0.0265115,0.004615968,0.0002475305,0.00009855139,0.0001961013,0.0001992082,0.1693032],"genre_scores_gemma":[0.9952187,0.0002937306,0.001647985,0.0000635128,0.00001200712,0.00001545256,0.00002487014,0.0000212164,0.002702571],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.0099993,"threshold_uncertainty_score":0.03306639,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}