{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":4,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":4,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"8fa499015f4c","filters":{"venue":"Anàlisi"}},"results":[{"id":"W1945382059","doi":"","title":"Jean-Luc Godard y el documental","year":2001,"lang":"ca","type":"article","venue":"Anàlisi","topic":"Cinema History and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Domènec Font","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01943997786714208,"gpt":0.2535548622500374,"spread":0.2341148843828953,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001099927,0.0004167133,0.0002581632,0.001896705,0.004013075,0.007155136,0.0004482442,0.001945603,0.02371401],"category_scores_gemma":[0.005249712,0.0002476585,0.0001670795,0.001465512,0.004060895,0.003189098,0.001759841,0.002566258,0.004743023],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004732947,"about_ca_system_score_gemma":0.002898887,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.04065042,"about_ca_topic_score_gemma":0.03923891,"domain_scores_codex":[0.9984922,0.0005218763,0.00003621807,0.0002156994,0.0006117605,0.0001222056],"domain_scores_gemma":[0.9979182,0.0007171291,0.0001725626,0.0001497652,0.0007772049,0.0002651594],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00006417045,0.00001654864,0.001058583,0.0001919734,0.000007171136,0.0004235017,0.0137185,0.00009652474,0.0006184495,0.4857974,0.4336266,0.06438066],"study_design_scores_gemma":[0.000001567903,0.000002328466,0.0004185891,0.00006289506,0.000001019499,0.0001209065,0.00103809,0.00002719374,0.0001131035,0.002303312,0.9959066,0.000004467401],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01613174,0.07106344,0.002861402,0.09825061,0.008035633,0.00004111535,0.0002591371,0.0003087209,0.8030482],"genre_scores_gemma":[0.1083144,0.02388477,0.001278476,0.006211698,0.00271352,0.00003130288,0.0001384139,0.0003249801,0.8571025],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.04065042,"threshold_uncertainty_score":0.08082765,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1507315652","doi":"","title":"Documental y nación.com. Políticas públicas e identidad: Québec-Canadá","year":2001,"lang":"es","type":"article","venue":"Anàlisi","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Art history","authors":[{"name":"Margarita Ledo Andión","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02742387470602145,"gpt":0.275233193232698,"spread":0.2478093185266766,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004178717,0.0003844619,0.0002205679,0.001253746,0.009956037,0.007698168,0.000889151,0.001720404,0.1947751],"category_scores_gemma":[0.001361939,0.000248188,0.000168655,0.003151309,0.001764326,0.001621048,0.001586243,0.001443739,0.01586003],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.05522906,"about_ca_system_score_gemma":0.06584787,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9941802,"about_ca_topic_score_gemma":0.9982861,"domain_scores_codex":[0.9994,0.00004443522,0.00001490081,0.00006270556,0.0002342741,0.0002437664],"domain_scores_gemma":[0.9987969,0.00009875069,0.00005432311,0.00003892652,0.0004969123,0.0005142537],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00004899505,0.00004239723,0.008060515,0.0002292681,0.000007492154,0.0003679392,0.003993591,0.0001410428,0.0003340555,0.04346456,0.8321887,0.1111216],"study_design_scores_gemma":[0.000005118041,0.000003779772,0.01067583,0.00008981941,0.000003625824,0.00004701937,0.002925226,0.0000783868,0.00007614592,0.0002841071,0.9857992,0.00001185425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0199816,0.01394558,0.000351664,0.03532601,0.001206435,0.00009673171,0.009402942,0.000237019,0.919452],"genre_scores_gemma":[0.07073662,0.003302305,0.0002944104,0.002537642,0.00008147796,0.00003840669,0.001303655,0.00009556157,0.9216099],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1947751,"threshold_uncertainty_score":0.6515875,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2802095715","doi":"","title":"Documental y nación.com : Québec-Canadá","year":2001,"lang":"es","type":"article","venue":"Anàlisi","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Art history","authors":[{"name":"Margarita Ledo Andión","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0262319098668383,"gpt":0.2459459953564528,"spread":0.2197140854896145,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002516933,0.0007491094,0.0003698818,0.001214508,0.00635132,0.006215001,0.0008980896,0.001848583,0.7359605],"category_scores_gemma":[0.001016577,0.0003244062,0.0002559217,0.002581178,0.0008342965,0.001948289,0.001714475,0.001290557,0.2564394],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01624685,"about_ca_system_score_gemma":0.01512572,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.9293292,"about_ca_topic_score_gemma":0.9803402,"domain_scores_codex":[0.9996738,0.00001935544,0.000009772833,0.00005220493,0.0001338256,0.0001110649],"domain_scores_gemma":[0.999138,0.00005610602,0.00003121817,0.00005096424,0.0004168756,0.0003068201],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003726419,0.00001697175,0.0007768232,0.0001506136,0.000003117172,0.0001658964,0.0004068328,0.00005221677,0.0002769138,0.005715003,0.9204956,0.07190268],"study_design_scores_gemma":[0.000003556157,0.000002249421,0.001588645,0.00009168766,0.000001398911,0.00003692682,0.0003906269,0.00002802453,0.00006447329,0.0001254007,0.9976598,0.000007071616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.001615925,0.003488764,0.0001297608,0.003187365,0.0007084502,0.00005357031,0.00973656,0.0003117489,0.9807679],"genre_scores_gemma":[0.005406654,0.0009937802,0.00009123409,0.0005753695,0.00003689346,0.0000142473,0.001338534,0.0001403453,0.9914029],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7359605,"threshold_uncertainty_score":0.3766202,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1935964071","doi":"","title":"Documental y nación.com","year":2001,"lang":"es","type":"article","venue":"Anàlisi","topic":"Media, Journalism, and Communication History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art; Movie theater; Art history","authors":[{"name":"Margarita Ledo Andión","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0320458247711663,"gpt":0.2614422157016284,"spread":0.2293963909304621,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004532879,0.0008014326,0.0004220327,0.001586545,0.001952869,0.008313463,0.000954789,0.001687004,0.8380322],"category_scores_gemma":[0.001753135,0.0003319907,0.0003860752,0.001742621,0.0006243903,0.00518927,0.003871952,0.001462852,0.7391931],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001332309,"about_ca_system_score_gemma":0.001158933,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.004713944,"about_ca_topic_score_gemma":0.009279263,"domain_scores_codex":[0.9994612,0.00007669707,0.0000325704,0.0001028139,0.0002360663,0.0000907637],"domain_scores_gemma":[0.9993369,0.00009340327,0.00004623511,0.0001403372,0.0001960443,0.0001870628],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00005776998,0.00003085329,0.0002239817,0.0003094634,0.000003882199,0.0001246007,0.0003655678,0.00001982456,0.0004901161,0.01571484,0.8046495,0.1780096],"study_design_scores_gemma":[0.000002715494,0.000003480949,0.0001113945,0.00005361509,7.622523e-7,0.00004948877,0.0000820068,0.000007768169,0.00006285641,0.0003753358,0.9992481,0.000002455327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0003177145,0.001169841,0.0002621324,0.0009556743,0.001718797,0.00003688902,0.002311678,0.000843563,0.9923838],"genre_scores_gemma":[0.002769795,0.0008921472,0.0003241405,0.0008235892,0.000345757,0.00002774392,0.001668687,0.0006114838,0.9925368],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8380322,"threshold_uncertainty_score":0.2310272,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}