{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":22,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":22,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"f65f75cf315d","filters":{"venue":"Applied Theatre Research"}},"results":[{"id":"W3047700158","doi":"10.1386/atr_00022_2","title":"Applied puppetry: Communities, identities, transgressions","year":2020,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Arts and Humanities Research Council; University of the Western Cape; Queen's University; Bath Spa University; Ulster University; University of Toronto; University of Exeter; University of Cape Town; University of Portsmouth; Queen Mary University of London","keywords":"Puppetry; Scope (computer science); Field (mathematics); Sociology; Set (abstract data type); Power (physics); Aesthetics; Visual arts; Computer science; Art","authors":[{"name":"Laura Purcell-Gates","is_ca":false},{"name":"Matt Smith","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1619588364111229,"gpt":0.3248512811973069,"spread":0.162892444786184,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005442203,0.0002621455,0.0003724179,0.0001923357,0.002168037,0.0003355544,0.0007164082,0.00007923436,0.005697747],"category_scores_gemma":[0.000003131301,0.0002114739,0.000101282,0.0002332934,0.001100555,0.000152518,0.0003117159,0.0009657732,0.001587498],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00004533555,"about_ca_system_score_gemma":0.00009388415,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0004406651,"about_ca_topic_score_gemma":0.0009453775,"domain_scores_codex":[0.9976923,0.0001119198,0.0003214848,0.0002939318,0.0007655661,0.0008148197],"domain_scores_gemma":[0.998834,0.0003349135,0.00004110897,0.0004587941,0.0001017049,0.0002294537],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003120696,0.0001319826,0.0001472376,0.000221538,0.0001823071,0.000008813316,0.186186,0.00001085693,0.0007071899,0.6812163,0.0867438,0.04413186],"study_design_scores_gemma":[0.000623807,0.0001194215,0.00002692375,0.00003334294,0.00002409295,0.00000140338,0.114578,0.00002954049,0.0005858467,0.007817078,0.8758688,0.000291708],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02259743,0.0006387683,0.00001774106,0.003264922,0.0001610998,0.0005298811,0.0001226511,0.0002602319,0.9724073],"genre_scores_gemma":[0.9948134,0.0005530441,0.00003318013,0.0007693446,0.001539556,0.0002221169,0.00009343874,0.0000592285,0.001916677],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.972216,"threshold_uncertainty_score":0.9991899,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2765152112","doi":"10.1386/atr.5.2.67_1","title":"Theatre and participation: Towards a holistic notion of participation","year":2017,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Drama; The arts; Sociology; Theatre studies; Audience participation; Aesthetics; Media studies; Visual arts; Art","authors":[{"name":"Taiwo Afolabi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2260018766992944,"gpt":0.4117107050328468,"spread":0.1857088283335524,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007586184,0.0001240706,0.0002231575,0.0001147543,0.001574139,0.000241132,0.0002175861,0.00004700858,0.0002629367],"category_scores_gemma":[0.00002191908,0.00009444042,0.00004065791,0.00003501199,0.001028516,0.0002156058,0.000168548,0.0001878997,0.0000909176],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002221505,"about_ca_system_score_gemma":0.00004151988,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0008283083,"about_ca_topic_score_gemma":0.001127187,"domain_scores_codex":[0.9987069,0.00006095386,0.000232442,0.0002232501,0.0004021696,0.0003743155],"domain_scores_gemma":[0.999054,0.0001339107,0.0000924099,0.0004829784,0.0001623545,0.0000743107],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000261308,0.0001840658,0.003546727,0.0002242363,0.0001020511,0.000002441946,0.03650789,0.000009121147,0.0007210873,0.3462528,0.0008370169,0.6113513],"study_design_scores_gemma":[0.005480492,0.002059279,0.2302399,0.0005879254,0.0004691122,0.000005999958,0.03968124,0.001750363,0.02109463,0.177615,0.5194091,0.001607053],"study_design_candidate":"design_other","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.4438268,0.0001696858,0.00001055098,0.0007871937,0.0001145964,0.0002587711,0.00002203086,0.00002513823,0.5547853],"genre_scores_gemma":[0.9984248,0.0001879631,0.00002147479,0.00001837022,0.0005786598,0.0001409421,0.00000993332,0.00001571626,0.0006021704],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.6097443,"threshold_uncertainty_score":0.9997257,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2810227050","doi":"10.1386/atr.6.1.37_1","title":"Intergenerational dialogue: Connecting youth and older adults in urban spaces through community-based forum theatre","year":2017,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Aging and Gerontology Research","field":"Psychology","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Waterloo","funders":"","keywords":"Oppression; Sociology; The arts; Gender studies; Cohesion (chemistry); Pedagogy; Qualitative research; Social science; Political science","authors":[{"name":"Christina Parker","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1109477358578657,"gpt":0.4113678656571669,"spread":0.3004201297993012,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002952061,0.0002211543,0.0003321901,0.0002510299,0.002252784,0.0002623972,0.0009038671,0.0002776105,0.000257525],"category_scores_gemma":[0.00007071689,0.0001911994,0.00005485338,0.0001636161,0.0008785627,0.0001202384,0.0005251992,0.001978857,0.0001302456],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006873099,"about_ca_system_score_gemma":0.00009431665,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01171427,"about_ca_topic_score_gemma":0.00504003,"domain_scores_codex":[0.9964828,0.001244382,0.0002760772,0.0005322797,0.000444918,0.001019521],"domain_scores_gemma":[0.9970107,0.001375588,0.00008114527,0.001291621,0.000103079,0.0001378772],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"observational","study_design_gemma":"qualitative","study_design_scores_codex":[0.004379671,0.002118982,0.3906744,0.0003106952,0.0003755204,0.0001443575,0.321076,0.00002215383,0.0005409651,0.0647071,0.01231085,0.2033393],"study_design_scores_gemma":[0.02562505,0.001587793,0.1058121,0.001062299,0.00006522078,0.00007127116,0.8184584,0.00118239,0.003517906,0.02452661,0.0162205,0.001870436],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8280965,0.0004375284,0.0001770594,0.003884121,0.0001559995,0.000595344,0.00003886867,0.00005238337,0.1665622],"genre_scores_gemma":[0.998843,0.0000116077,0.0001935216,0.0001580284,0.0001998721,0.0001987717,0.0001129289,0.00004323846,0.0002390983],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.4973824,"threshold_uncertainty_score":0.9990461,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3194452944","doi":"10.1386/atr_00048_1","title":"Research-based theatre across disciplines: A relational approach to inquiry","year":2021,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba; University of British Columbia","funders":"","keywords":"Rehearsing; Field (mathematics); Embodied cognition; Sociology; Computer science; Visual arts; Art","authors":[{"name":"Tetsuro Shigematsu","is_ca":true},{"name":"Chris Cook","is_ca":true},{"name":"George Belliveau","is_ca":true},{"name":"Graham W. Lea","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2538919846064249,"gpt":0.4150403733150226,"spread":0.1611483887085978,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00357651,0.0002845142,0.0003819368,0.0004066676,0.003541919,0.0005233972,0.0005718879,0.0001317946,0.0009946068],"category_scores_gemma":[0.00002685999,0.0002216103,0.0001466941,0.0008883239,0.002089177,0.0001866294,0.0007998179,0.001279318,0.001709951],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001730105,"about_ca_system_score_gemma":0.0004409397,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001962286,"about_ca_topic_score_gemma":0.0008433636,"domain_scores_codex":[0.9949029,0.0004218821,0.0004053544,0.0008406641,0.001878367,0.001550852],"domain_scores_gemma":[0.9969874,0.0009630977,0.00003222411,0.0009045979,0.0008295088,0.00028317],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0006096279,0.001034784,0.0007336804,0.0003048931,0.0002030034,0.00003159293,0.1715048,0.0007482671,0.0006103798,0.7020017,0.06874492,0.05347235],"study_design_scores_gemma":[0.0008522271,0.0001623633,0.0005230813,0.00009808676,0.00001240363,0.000005403003,0.1794661,0.0001931087,0.0009864701,0.02173329,0.79555,0.0004174697],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07257283,0.0006354664,0.0001339411,0.005142358,0.0002970066,0.0007968242,0.000137854,0.0001400652,0.9201437],"genre_scores_gemma":[0.9883549,0.00005896462,0.0005107106,0.0002345695,0.003088051,0.000656137,0.0001747445,0.00007128471,0.00685059],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9157821,"threshold_uncertainty_score":0.9999186,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2375885242","doi":"10.1386/atr.3.3.237_1","title":"Theatre for Development in the slums of Cairo: The impact on a disempowered community","year":2015,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Middle East Politics and Society","field":"Social Sciences","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Brock University","funders":"","keywords":"Livelihood; Context (archaeology); Sustainability; Stigma (botany); Work (physics); Community development; Sociology; Economic growth; Political science; Gender studies; Public relations; Social science; Psychology; Geography; Engineering; Law; Agriculture","authors":[{"name":"Yasmine Kandil","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.2496176941231808,"gpt":0.4718677780064904,"spread":0.2222500838833096,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01456892,0.000110992,0.0001766724,0.00006262009,0.00117811,0.00008655694,0.001107073,0.00009859229,0.00001665223],"category_scores_gemma":[0.0001067687,0.00005451429,0.000101616,0.0005054008,0.0006813073,0.00002989236,0.0001277731,0.0006663599,0.00002126378],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0003020616,"about_ca_system_score_gemma":0.0009261071,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01208494,"about_ca_topic_score_gemma":0.004397824,"domain_scores_codex":[0.9965433,0.001422182,0.0002128425,0.0001366738,0.001038916,0.0006460497],"domain_scores_gemma":[0.9966424,0.002483214,0.00004322265,0.0005346469,0.0001510557,0.0001454216],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002637068,0.0007403317,0.002060874,0.00003188353,0.00006577296,0.000001015043,0.5630611,0.00006340301,0.00007932723,0.3963792,0.006314329,0.0309391],"study_design_scores_gemma":[0.001529091,0.0003619541,0.005564243,0.00006031885,0.000009911579,6.891947e-7,0.6247913,0.0001237627,0.0004894172,0.1271614,0.2396545,0.0002533837],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6445894,0.00008559677,0.00002142275,0.002399241,0.00003340264,0.001447847,0.00002173275,0.0000124071,0.3513889],"genre_scores_gemma":[0.9992741,0.00002005403,0.00005046565,0.00008167568,0.0001138947,0.0002638059,0.00001003733,0.00001218078,0.0001737951],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.3546847,"threshold_uncertainty_score":0.9944937,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4200601536","doi":"10.1386/atr_00051_1","title":"Theorizing ethical questioning for applied theatre practice","year":2021,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Reflexivity; Sociology; Morality; Construct (python library); Resistance (ecology); Individualism; Action (physics); Politics; Pedagogy; Epistemology; Political science; Social science; Law; Philosophy","authors":[{"name":"Taiwo Afolabi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0894236831791237,"gpt":0.378151492530355,"spread":0.2887278093512313,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002872183,0.0002570728,0.0003663287,0.000162673,0.002416346,0.000489842,0.0003164069,0.0002091881,0.0007242003],"category_scores_gemma":[0.00009371537,0.0002088645,0.0001311986,0.0002051758,0.0006323155,0.0001665718,0.0002627972,0.001432151,0.0003968708],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008956222,"about_ca_system_score_gemma":0.0002532695,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001245704,"about_ca_topic_score_gemma":0.0003998667,"domain_scores_codex":[0.9971944,0.00022977,0.0003512049,0.0005759937,0.0007373317,0.0009112827],"domain_scores_gemma":[0.9955134,0.003224566,0.00006519865,0.0005226586,0.0005472992,0.0001269083],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003323159,0.0001059246,0.00001029458,0.0001119999,0.0001434026,0.000008554068,0.01833211,0.00001169437,0.001206449,0.8735413,0.007013253,0.09918269],"study_design_scores_gemma":[0.0006358956,0.0000935325,0.000005453651,0.0000579617,0.0000534122,0.000009830761,0.05315895,0.00002991597,0.003121222,0.07158933,0.8709787,0.000265875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.002088421,0.001021951,0.0002673888,0.01056712,0.0003286369,0.000706769,0.0000393335,0.0001759136,0.9848045],"genre_scores_gemma":[0.9910133,0.0004139099,0.001184955,0.001133792,0.002960808,0.0006162919,0.00007131343,0.00007268825,0.002532918],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9889249,"threshold_uncertainty_score":0.9988824,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3047746914","doi":"10.1386/atr_00023_1","title":"‘Objects with Objectives’: Applied puppetry from practice into theory","year":2020,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Arts and Humanities Research Council; Queen's University; Coordenação de Aperfeiçoamento de Pessoal de Nível Superior; Queen's University Belfast","keywords":"Puppetry; Drama; Context (archaeology); Visual arts; Aesthetics; Sociology; Art; History; Archaeology","authors":[{"name":"David Grant","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04432505082497221,"gpt":0.2992831802570717,"spread":0.2549581294320994,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008676895,0.0003064552,0.0003813248,0.0001433372,0.001253634,0.0003125812,0.0004684797,0.00008260061,0.001550829],"category_scores_gemma":[0.00003277905,0.0002156502,0.00006216783,0.0002664453,0.0009460745,0.0002849906,0.0003072595,0.0009516065,0.001745636],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00006799647,"about_ca_system_score_gemma":0.0001546377,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006313856,"about_ca_topic_score_gemma":0.0005709326,"domain_scores_codex":[0.9973258,0.0002066853,0.0002490681,0.0006409583,0.0008714062,0.0007060502],"domain_scores_gemma":[0.9975498,0.001510276,0.00007330623,0.0004546229,0.0001964505,0.0002155492],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.004693806,0.0002193283,0.00008503636,0.0001207038,0.0006505693,0.00003397062,0.3166001,0.00001364501,0.002402183,0.5739021,0.005643445,0.09563511],"study_design_scores_gemma":[0.001333285,0.0005393724,0.00007864434,0.00004331077,0.00009382361,0.000002416374,0.3122488,0.00001431763,0.004149788,0.04507773,0.6359045,0.0005139944],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02239108,0.0007515419,0.00007125516,0.003146367,0.00008730603,0.0006879814,0.00003551536,0.0002182946,0.9726107],"genre_scores_gemma":[0.9950463,0.0001786296,0.0003623747,0.001344066,0.002194854,0.0002281536,0.00003724027,0.00007236136,0.0005360669],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9726552,"threshold_uncertainty_score":0.9993619,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1970488817","doi":"10.1386/atr.3.1.85_1","title":"Knowing how to play or being playful? The playful/ontic approach and intergenerational theatre in Canada and India","year":2015,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Victoria","funders":"","keywords":"Ontic; Sociology; Focus (optics); Tamil; Aesthetics; Epistemology; Art; Philosophy; Literature","authors":[{"name":"Matthew Gusul","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.07414621404994436,"gpt":0.2773238316354047,"spread":0.2031776175854604,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001029947,0.0001988754,0.0002552744,0.0001982276,0.0007082699,0.0003197178,0.0002419529,0.00004162956,0.00006358993],"category_scores_gemma":[0.00001488396,0.0001156353,0.00001842506,0.0001602029,0.0002652703,0.0001444499,0.0003074883,0.0004471603,0.00001017982],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001939223,"about_ca_system_score_gemma":0.0005229902,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2233025,"about_ca_topic_score_gemma":0.8811686,"domain_scores_codex":[0.9982314,0.0001166835,0.0001974528,0.0003446541,0.0005470265,0.000562775],"domain_scores_gemma":[0.9990242,0.0004794123,0.00002403805,0.0002243132,0.00007259743,0.0001754937],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.001647666,0.0001908927,0.04491598,0.0003397438,0.0004616045,0.00009376762,0.4580006,0.0004035168,0.0003210241,0.1812961,0.08487743,0.2274517],"study_design_scores_gemma":[0.002339663,0.0004829314,0.006261861,0.0002388328,0.00005213999,0.00006296794,0.3641137,0.00123917,0.0005794241,0.00453355,0.6190796,0.00101608],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7183222,0.0006015503,0.000008607953,0.002821831,0.0001660512,0.0007095597,0.00003617448,0.00002089405,0.2773132],"genre_scores_gemma":[0.9975549,0.00008924695,0.00005975799,0.0002051423,0.0006154324,0.0001941003,0.00001263325,0.00002430928,0.001244456],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.6578661,"threshold_uncertainty_score":0.7818696,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2326485279","doi":"10.1386/atr.2.1.61_1","title":"Explorations with affective engagement: Combining process drama with the Canadian history curriculum","year":2014,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Educator Training and Historical Pedagogy","field":"Social Sciences","cited_by":4,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"Brock University","funders":"","keywords":"Drama; Facilitator; Process (computing); Psychology; Curriculum; Relevance (law); Expression (computer science); Pedagogy; Social psychology; Visual arts; Art; Computer science; Political science","authors":[{"name":"Jennifer K.M. Cogswell","is_ca":true},{"name":"Debra McLauchlan","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1382327310038198,"gpt":0.3943693323108166,"spread":0.2561366013069968,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003296044,0.00011508,0.0001373613,0.0001966037,0.003743038,0.0001184718,0.0004474457,0.00007990019,0.0001372869],"category_scores_gemma":[0.00006462891,0.00007320016,0.00002037244,0.0005090089,0.001276791,0.00009219529,0.00002147913,0.0008244264,0.00009044723],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001547185,"about_ca_system_score_gemma":0.003031767,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_topic_score_codex":0.2349145,"about_ca_topic_score_gemma":0.7498124,"domain_scores_codex":[0.9972589,0.0007036367,0.00008464348,0.0003188836,0.0009109605,0.0007229864],"domain_scores_gemma":[0.9983637,0.0006884236,0.00003831662,0.0002850397,0.0002536136,0.0003708928],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003633728,0.000153635,0.002578808,0.00002184503,0.0000506711,0.000004901625,0.2819799,0.00006274195,0.00001382476,0.6863862,0.01535997,0.01335127],"study_design_scores_gemma":[0.0003051083,0.0002090781,0.0002230686,0.00002458753,0.00001627409,7.081208e-7,0.2141071,0.00002298435,0.000008942366,0.002294479,0.7826113,0.0001762921],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0438195,0.00009504516,0.0001014815,0.007454442,0.0001062711,0.0006180372,0.000001166599,0.00008062327,0.9477234],"genre_scores_gemma":[0.9980662,0.000006033449,0.00007955788,0.0001471284,0.0003310141,0.0004650071,0.000005183538,0.00002446721,0.0008753646],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9542468,"threshold_uncertainty_score":0.9975539,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2559884986","doi":"10.1386/atr.4.3.205_1","title":"Theatre and participation: A critical examination of Sherry Arnstein’s ladder of participation in the Kamiriithu theatre experience","year":2016,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Empowerment; Sociology; Tokenism; Citizenship; Framing (construction); Blessing; Public relations; Political science; Politics; Law; Engineering","authors":[{"name":"Taiwo Afolabi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1069681554373036,"gpt":0.3815577956660523,"spread":0.2745896402287487,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001496646,0.0001495585,0.0002597162,0.0001909567,0.0002965676,0.00004994995,0.0002357389,0.0000621336,0.0003859392],"category_scores_gemma":[0.00003249277,0.00007903559,0.00004530187,0.0001786648,0.001542119,0.0002436084,0.00009426726,0.0001738578,0.00002235548],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002675478,"about_ca_system_score_gemma":0.00003730433,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0002169544,"about_ca_topic_score_gemma":0.0009271521,"domain_scores_codex":[0.9979396,0.0003358613,0.0004149922,0.0002654202,0.0006152274,0.0004289025],"domain_scores_gemma":[0.9978309,0.001535911,0.00006064751,0.0003561241,0.0001676038,0.00004880822],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"qualitative","study_design_scores_codex":[0.0002669345,0.0004912867,0.006854544,0.0002232043,0.00004794032,0.000003350487,0.2639763,0.000003277931,0.004606307,0.3085542,0.0002390732,0.4147336],"study_design_scores_gemma":[0.006079197,0.00313487,0.2333684,0.001636053,0.000246137,0.00001373346,0.5394197,0.0004633236,0.04021141,0.07632237,0.09761935,0.001485544],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7659599,0.0003458064,0.00001561354,0.001446632,0.00005098976,0.0003932342,0.00001956271,0.0000154697,0.2317528],"genre_scores_gemma":[0.9990469,0.0001968123,0.00001714957,0.00003415055,0.0002019493,0.0003583551,0.000003142481,0.00001471048,0.0001267821],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.413248,"threshold_uncertainty_score":0.5682001,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4214829868","doi":"10.1386/atr.2.1.77_1","title":"Misperformance ethnography","year":2014,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria","funders":"","keywords":"Ethnography; Performing arts; Relation (database); Aesthetics; Contingency; Sociology; Affect (linguistics); Value (mathematics); Poetics; Epistemology; Visual arts; Art; Computer science; Communication; Anthropology; Philosophy; Literature","authors":[{"name":"Monica Prendergast","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08082933976843121,"gpt":0.3201804743601204,"spread":0.2393511345916892,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001216682,0.0001554975,0.0001971708,0.0002843299,0.001228399,0.0001549803,0.0003406222,0.00004840056,0.00126838],"category_scores_gemma":[0.000004344925,0.0001151696,0.00007715312,0.0001703013,0.0007892774,0.0001185246,0.0001243048,0.0004536145,0.001891322],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00001817884,"about_ca_system_score_gemma":0.00002008458,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0001616611,"about_ca_topic_score_gemma":0.0003971255,"domain_scores_codex":[0.9983119,0.00007218047,0.0001819552,0.0002706532,0.0005086845,0.0006546228],"domain_scores_gemma":[0.9991222,0.0002431681,0.00002493373,0.0004094581,0.0001103936,0.00008983989],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008346189,0.00007492031,0.0005813071,0.00007940995,0.00006205417,7.821768e-7,0.02211519,0.000004739635,0.0002859061,0.640142,0.02673641,0.3098339],"study_design_scores_gemma":[0.0002730531,0.0001153669,0.0001277719,0.00001860283,0.000006485796,7.156438e-7,0.004341774,0.00006258473,0.0007411224,0.01358262,0.9805637,0.0001662155],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07543295,0.0002624837,0.00001194156,0.0006271183,0.0002010435,0.0002061582,0.000005850777,0.0001211218,0.9231313],"genre_scores_gemma":[0.9951819,0.0001864962,0.0000489003,0.0001879494,0.001619974,0.00009571618,0.000008176039,0.00002661481,0.002644296],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9538273,"threshold_uncertainty_score":0.9996446,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384704053","doi":"10.1386/atr_00074_1","title":"Youth mental health performance: How young people respond to portrayals of mental health, resilience and well-being in and through drama and performance creation","year":2023,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Art Therapy and Mental Health","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Victoria","funders":"","keywords":"Drama; Mental health; Scripting language; The arts; Psychology; Psychological resilience; Drama therapy; Resilience (materials science); Applied psychology; Social psychology; Visual arts; Art; Psychiatry; Computer science","authors":[{"name":"Trudy Pauluth-Penner","is_ca":true},{"name":"Monica Prendergast","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04269692665897485,"gpt":0.3347117447615217,"spread":0.2920148181025468,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002161318,0.0001591648,0.000312942,0.0003242254,0.001308356,0.00009813779,0.0001069499,0.00004340896,0.00003552845],"category_scores_gemma":[0.000003055227,0.000140567,0.00001507667,0.0002836119,0.0003617508,0.0002946795,0.0001671786,0.0002623201,0.000009588867],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001235032,"about_ca_system_score_gemma":0.0001428015,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001869947,"about_ca_topic_score_gemma":0.002949503,"domain_scores_codex":[0.997974,0.0001460872,0.0003260916,0.0003972974,0.0004945892,0.0006619808],"domain_scores_gemma":[0.9994334,0.00008800433,0.00007767406,0.0001769646,0.00003052822,0.0001934021],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"qualitative","study_design_scores_codex":[0.001228678,0.00009229178,0.02723327,0.001006715,0.00001746104,7.135935e-7,0.8779942,0.000003977559,0.0004959216,0.0136554,0.0008064336,0.07746491],"study_design_scores_gemma":[0.00513502,0.006772365,0.1319524,0.001804552,0.000009891482,0.00004093268,0.8063681,0.001723307,0.003188448,0.002481445,0.03969059,0.0008328707],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.9708639,0.0005693093,0.000001071018,0.004941385,0.00006421514,0.001234402,0.0000479025,0.00003325022,0.02224456],"genre_scores_gemma":[0.9875298,0.01093509,0.00004861728,0.0001827122,0.00007543235,0.00005699466,0.00006616167,0.00002264049,0.001082589],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1047192,"threshold_uncertainty_score":0.9999918,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2999740080","doi":"10.1386/atr_00013_1","title":"Return to the Nile: Celebratory theatre as cultural resistance","year":2019,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Victoria; Brock University","funders":"","keywords":"Resistance (ecology); Narrative; Citizen journalism; Sociology; Refugee; Gender studies; Aesthetics; Political science; Law; Art; Literature; Ecology","authors":[{"name":"Yasmine Kandil","is_ca":true},{"name":"Hannah te Bokkel","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04116672626753456,"gpt":0.3049007905300717,"spread":0.2637340642625372,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001128331,0.0002573054,0.0002885411,0.0001484903,0.001475678,0.0003701376,0.0007823128,0.00007134784,0.003624699],"category_scores_gemma":[0.000006912989,0.0001441086,0.0001075974,0.0002519604,0.0004687441,0.0001742802,0.0003162017,0.0007222336,0.01164242],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008777905,"about_ca_system_score_gemma":0.00009806433,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000398386,"about_ca_topic_score_gemma":0.004069981,"domain_scores_codex":[0.9973487,0.0001460292,0.0002602507,0.0004792617,0.0008865595,0.0008791664],"domain_scores_gemma":[0.9984195,0.0003416813,0.00003949013,0.0008563948,0.0002070759,0.0001358953],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000606709,0.00008910101,0.0005874634,0.0001391002,0.0001607265,0.000007874119,0.0898023,0.000009281051,0.001356934,0.3728626,0.498739,0.03563894],"study_design_scores_gemma":[0.0002574338,0.0001142564,0.00008038698,0.00004729484,0.000009911564,0.000001539225,0.03847064,0.000003126155,0.0009672466,0.004548637,0.9552799,0.0002195925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.160609,0.00100998,3.76893e-7,0.00540433,0.0003806832,0.000951243,0.00003252978,0.00009438667,0.8315175],"genre_scores_gemma":[0.9395247,0.0002087564,0.00001477584,0.0007716111,0.001691767,0.0002300063,0.00001328903,0.00004276597,0.05750235],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7789157,"threshold_uncertainty_score":0.9998243,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4249215388","doi":"10.1386/atr.1.2.231_5","title":"Book Reviews","year":2014,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of British Columbia","funders":"","keywords":"Drama; Distancing; Sociology; Media studies; Political science; Coronavirus disease 2019 (COVID-19); Art; Literature; Medicine","authors":[{"name":"Michael Balfour","is_ca":false},{"name":"George Belliveau","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0908031485656012,"gpt":0.3316665575089114,"spread":0.2408634089433102,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001536312,0.0001317204,0.0002446775,0.0001303326,0.0008460849,0.0001225381,0.0002659469,0.00003323706,0.005731344],"category_scores_gemma":[0.000008192757,0.00009004789,0.00006925209,0.00006906458,0.0004417505,0.00009754422,0.0001195754,0.0003256269,0.006421834],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002311718,"about_ca_system_score_gemma":0.00001665134,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00008851218,"about_ca_topic_score_gemma":0.0001882059,"domain_scores_codex":[0.9986,0.0001230768,0.0002018635,0.0002342816,0.0003374884,0.0005032543],"domain_scores_gemma":[0.9992365,0.0002090045,0.00002613362,0.0003921116,0.00006235753,0.00007391378],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002309325,0.00002998013,0.000017787,0.00005686756,0.00001623128,3.684165e-7,0.006714052,3.222236e-7,0.00008402917,0.2868639,0.486718,0.2194754],"study_design_scores_gemma":[0.00015574,0.00007033256,0.00000970076,0.00002485855,0.000005824883,5.148193e-7,0.0009666599,0.000008237448,0.0001964379,0.006400568,0.9920457,0.0001154246],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0006884029,0.01000827,0.000009278044,0.001150477,0.0001485425,0.000360166,0.000003593886,0.00007198142,0.9875593],"genre_scores_gemma":[0.9096646,0.00825757,0.00005671823,0.002738131,0.00499272,0.0004138951,0.00001693401,0.00005498482,0.07380448],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9137548,"threshold_uncertainty_score":0.9951776,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4384703760","doi":"10.1386/atr_00072_2","title":"Editorial","year":2023,"lang":"en","type":"editorial","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Variety (cybernetics); Sociology; Poverty; Diversity (politics); Revels; Stigma (botany); Field (mathematics); Mental health; Public relations; Media studies; Social science; Pedagogy; Political science; Psychology; History; Anthropology","authors":[{"name":"Peter O’Connor","is_ca":false},{"name":"Kelly Freebody","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05874174459422803,"gpt":0.3418191172550591,"spread":0.2830773726608311,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002360448,0.0004298689,0.0006104897,0.0005242311,0.001572249,0.0005707666,0.0009029799,0.0007073879,0.001206874],"category_scores_gemma":[0.0001187589,0.0003397441,0.0001835037,0.0002089024,0.0009461746,0.00009942474,0.000583104,0.003124635,0.01437011],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0001597585,"about_ca_system_score_gemma":0.0004751695,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001290258,"about_ca_topic_score_gemma":0.002364932,"domain_scores_codex":[0.9943292,0.0001224811,0.0003914055,0.0006886279,0.003202624,0.001265626],"domain_scores_gemma":[0.9942583,0.004130508,0.00007727,0.0007332191,0.0006583361,0.0001424117],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001372423,0.00003887876,2.291073e-7,0.0001771384,0.0001589976,0.000004421151,0.006117674,4.39599e-7,0.000004366922,0.01043835,0.9728382,0.01008406],"study_design_scores_gemma":[0.0003614445,0.0001280088,7.500461e-8,0.00008287014,0.00003292095,4.318266e-8,0.003114108,6.02183e-7,0.000009379072,0.006369047,0.9895387,0.0003627785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"editorial","genre_gemma":"editorial","genre_scores_codex":[0.000002926982,0.0001513644,7.349386e-8,0.00009878175,0.5693163,0.0002571647,0.000315995,0.0002332109,0.4296242],"genre_scores_gemma":[0.0002945841,0.001350401,0.000002565292,0.000005821521,0.9657394,0.0004228195,0.0005567279,0.000182861,0.0314448],"genre_candidate":"editorial","genre_consensus":"editorial","teacher_disagreement_score":0.3981794,"threshold_uncertainty_score":0.9999055,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7129237672","doi":"10.1386/atr_00103_2","title":"The perceptive, remembering and located body","year":2025,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Posthumanist Ethics and Activism","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Context (archaeology); Agency (philosophy); Embodied cognition; Perception; Point (geometry); Order (exchange); Key (lock); Situated","authors":[{"name":"Claire French","is_ca":false},{"name":"Taiwo Afolabi","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06069562264454809,"gpt":0.4214361692099327,"spread":0.3607405465653846,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003838635,0.00006071506,0.00007663492,0.00007418836,0.003376513,0.000295746,0.0003253559,0.00008730662,0.00003794446],"category_scores_gemma":[0.00006772761,0.00004268304,0.00001881654,0.00044019,0.001171739,0.00004102747,0.0001960543,0.0005248519,0.00004264364],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00008761634,"about_ca_system_score_gemma":0.0002448963,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001803157,"about_ca_topic_score_gemma":0.001553991,"domain_scores_codex":[0.9985314,0.0002502856,0.0000883481,0.000205225,0.000467009,0.0004577107],"domain_scores_gemma":[0.9985436,0.001070141,0.00001260413,0.0002066164,0.00009884171,0.00006818754],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000243858,0.0000160091,0.000109997,0.000007846798,0.00001643722,0.000001222571,0.003708547,3.008143e-7,0.004087433,0.9189552,0.001204833,0.07186779],"study_design_scores_gemma":[0.0001904897,0.00001739756,0.001744799,0.00003070053,0.000004986071,2.582497e-7,0.02321515,0.00004712648,0.0009461603,0.2567316,0.7169755,0.00009583265],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.0726494,0.0002773125,0.0000300457,0.008399853,0.00005142409,0.0003053293,7.178976e-7,0.00004184192,0.9182441],"genre_scores_gemma":[0.9927596,0.0009444068,0.00001587967,0.00007459146,0.00008222431,0.00004283297,6.469344e-7,0.000006878355,0.006072981],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9201102,"threshold_uncertainty_score":0.9979209,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W3107627648","doi":"10.1386/atr_00043_5","title":"Theatre and (Im)migration, edited by Yana Meerzon (2019)","year":2020,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Art","authors":[{"name":"Ella Parry-Davies","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05361538796951969,"gpt":0.2847017034787366,"spread":0.2310863155092169,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004604479,0.0002152128,0.0002754194,0.0001126294,0.001104552,0.0002678365,0.0002554698,0.0000721137,0.0008858103],"category_scores_gemma":[0.000006569576,0.0001621372,0.0000513725,0.0001648847,0.0006311073,0.0001717926,0.000180469,0.0004518937,0.0006271784],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00002431892,"about_ca_system_score_gemma":0.00004160206,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0006474177,"about_ca_topic_score_gemma":0.0007504607,"domain_scores_codex":[0.9981564,0.0000811104,0.0002392985,0.0004124561,0.0005477073,0.0005630681],"domain_scores_gemma":[0.9991736,0.0002243024,0.00003465567,0.0002505195,0.0001216647,0.0001952669],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002416015,0.00008158232,0.0004583937,0.0001222145,0.0001479743,0.000004288384,0.05292636,0.000001838027,0.002526644,0.06566767,0.7754568,0.1023647],"study_design_scores_gemma":[0.0004270384,0.0002008133,0.0000345906,0.00001550845,0.00001867388,0.000001032653,0.01282968,0.00007418117,0.00116129,0.002344471,0.9826824,0.0002103064],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.07964913,0.003633216,0.00001480396,0.02686574,0.0001989956,0.0007384219,0.000204255,0.0002386662,0.8884568],"genre_scores_gemma":[0.9938737,0.001340157,0.0000190235,0.0006120615,0.002017588,0.00007644881,0.00009125047,0.00003945117,0.001930381],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.9142245,"threshold_uncertainty_score":0.9699001,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W7101425488","doi":"10.1386/atr_00099_2","title":"Moving the centre of socially engaged performance","year":2025,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Regina","funders":"","keywords":"Cognitive reframing; Mentorship; Dominance (genetics); Publishing; Project commissioning; Social responsibility; Point (geometry)","authors":[],"retraction":null,"screen_n_in":null,"score":{"opus":0.05786142029699621,"gpt":0.3044722562886775,"spread":0.2466108359916813,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002076615,0.0001162173,0.0001902271,0.000148237,0.002592178,0.00008039542,0.0004034013,0.00003892995,0.0005300666],"category_scores_gemma":[0.00001630018,0.00007128678,0.00006774738,0.0001775293,0.0007941653,0.0000688462,0.000211784,0.0008044417,0.0001074472],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003590692,"about_ca_system_score_gemma":0.0001497873,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.000188808,"about_ca_topic_score_gemma":0.0006869754,"domain_scores_codex":[0.9985853,0.0002202058,0.0002138941,0.0001733028,0.0003791232,0.0004281366],"domain_scores_gemma":[0.9985979,0.0008724891,0.00003547938,0.0003180936,0.0001518283,0.00002426044],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001629013,0.0000855942,0.001357751,0.0002485134,0.000175962,6.439695e-7,0.08583707,0.00001212192,0.000798777,0.6788946,0.01897642,0.2134497],"study_design_scores_gemma":[0.0005418477,0.00006557398,0.00142002,0.0001338313,0.00003603717,2.826424e-7,0.1180224,0.00008486459,0.005371362,0.01420435,0.8599391,0.0001803544],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1944232,0.0003939162,0.000001763931,0.002421265,0.0001412035,0.0002886353,0.000008671026,0.00003506781,0.8022863],"genre_scores_gemma":[0.98773,0.0003595058,0.00001230843,0.00009819207,0.0003759999,0.00004017899,0.000003501321,0.00001162622,0.01136864],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8409626,"threshold_uncertainty_score":0.9987063,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4234324802","doi":"10.1386/atr.4.2.175_5","title":"Reviews","year":2016,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Philosophy","authors":[{"name":"Peter Duffy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1571678961329873,"gpt":0.3505924964556535,"spread":0.1934246003226663,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001063112,0.0001124269,0.0001909432,0.0001232445,0.0005949251,0.0000664862,0.0002408698,0.00002770264,0.005244082],"category_scores_gemma":[0.000007472045,0.00005437005,0.00006116048,0.00006518472,0.000534393,0.00009818699,0.0001151029,0.0001501852,0.009182182],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003450223,"about_ca_system_score_gemma":0.00002269467,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00006287887,"about_ca_topic_score_gemma":0.0002947961,"domain_scores_codex":[0.9987453,0.00007197549,0.0001798916,0.0002164999,0.0003036803,0.0004826644],"domain_scores_gemma":[0.9992698,0.0002358969,0.00002181108,0.0003425012,0.00006475704,0.00006522957],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003051793,0.00002489567,0.00006396927,0.00002366751,0.00001700753,0.000001004602,0.004319233,1.18319e-8,0.0009414695,0.3309099,0.07861332,0.585055],"study_design_scores_gemma":[0.0001969969,0.00004757091,0.00002056521,0.00004745596,0.000003801798,5.863446e-7,0.001089259,1.530147e-7,0.0006702167,0.01464193,0.9831839,0.00009760834],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.00564805,0.001522662,0.000007810832,0.002244206,0.0001514527,0.0003334121,0.00001106179,0.00006672656,0.9900146],"genre_scores_gemma":[0.9691169,0.003269625,0.00002122129,0.0001148682,0.001551008,0.0001825715,0.0000017925,0.00001999713,0.02572202],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.9642926,"threshold_uncertainty_score":0.9956653,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4414065813","doi":"10.1386/atr_00094_5","title":"Assessment in the Drama Classroom: A Culturally Responsive and Student-Centered Approach, Jonathan P. Jones (2023)","year":2025,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Educator Training and Historical Pedagogy","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Manitoba","funders":"","keywords":"Drama; Narrative","authors":[{"name":"Jeremy Roberts","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.142153745570163,"gpt":0.4821645775306168,"spread":0.3400108319604538,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00502541,0.000127658,0.0002146428,0.0003068828,0.001100598,0.0002743412,0.0007205117,0.0001433173,0.00003254428],"category_scores_gemma":[0.0001006765,0.00008948571,0.00004671109,0.001169131,0.0007437011,0.00005926462,0.0001632881,0.0009367406,0.00001339166],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.000410347,"about_ca_system_score_gemma":0.0008105855,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.002463843,"about_ca_topic_score_gemma":0.002135818,"domain_scores_codex":[0.9963152,0.001355189,0.0002236949,0.0004374174,0.001010624,0.0006579171],"domain_scores_gemma":[0.9980242,0.001399872,0.00003249513,0.0003143426,0.0001125326,0.000116579],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","study_design_scores_codex":[0.0001559608,0.0008713721,0.01396114,0.0000554164,0.00007039012,0.00001757396,0.1481609,0.000002507395,0.0006647012,0.7896531,0.01310889,0.03327801],"study_design_scores_gemma":[0.0008111803,0.00008408527,0.03905825,0.00004321187,0.00001479978,0.000001247376,0.6293913,0.00001345859,0.000005354244,0.017406,0.3130011,0.0001700963],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2135304,0.0009323711,0.00002941755,0.01476023,0.0001597857,0.000907186,0.000003728132,0.00003900495,0.7696378],"genre_scores_gemma":[0.9953358,0.0003553582,0.0002724448,0.0002367864,0.0001787686,0.0002912483,0.000006037876,0.000008633356,0.003314904],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.7818054,"threshold_uncertainty_score":0.8465018,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4401184860","doi":"10.1386/atr_00088_1","title":"In the dead time: The unfacilitated encounters among participants of the Oberammergau Passion Play","year":2024,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Toronto","funders":"","keywords":"Passion; Psychology; Social psychology","authors":[{"name":"Elliot Leffler","is_ca":true},{"name":"William Ohm","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06455639549210986,"gpt":0.3252912137165436,"spread":0.2607348182244337,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002334275,0.0001466731,0.000166759,0.0001075232,0.0007938619,0.0001889678,0.0006456097,0.00004491483,0.0007236573],"category_scores_gemma":[0.00001371439,0.00005575543,0.00009554929,0.0003440323,0.001271268,0.0001196771,0.0001865792,0.0006415585,0.0003341952],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00003664961,"about_ca_system_score_gemma":0.00007531387,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001416537,"about_ca_topic_score_gemma":0.003074188,"domain_scores_codex":[0.9979193,0.000328231,0.0002682757,0.0002217772,0.0006813012,0.0005811289],"domain_scores_gemma":[0.998318,0.001086944,0.00002611865,0.0004798167,0.0000593764,0.00002980993],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000262657,0.0002234833,0.002021615,0.0002711063,0.0003223115,0.00001846263,0.6066276,0.00009060081,0.001636841,0.1668788,0.1707759,0.05087071],"study_design_scores_gemma":[0.0003733265,0.0001553208,0.003840781,0.0003295966,0.00005237434,0.000002636422,0.0926622,0.0006505855,0.002554897,0.01789435,0.8812342,0.0002497199],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.6956223,0.0009461397,5.7313e-7,0.007563279,0.0002922092,0.0006988484,0.00004150523,0.00003209652,0.2948031],"genre_scores_gemma":[0.9958819,0.0001686312,6.412599e-7,0.0001701125,0.0003036341,0.0001950431,0.000003738568,0.00001629718,0.003259992],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.7104583,"threshold_uncertainty_score":0.792354,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2320888603","doi":"10.1386/atr.2.1.49_1","title":"Finding a place beyond place in the Rouge Park Project","year":2014,"lang":"en","type":"article","venue":"Applied Theatre Research","topic":"Theatre and Performance Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"University of Toronto","funders":"","keywords":"National park; Community project; Place making; Sociology; Political science; Geography; Public administration; Archaeology; Social science; Engineering","authors":[{"name":"Barry Freeman","is_ca":true},{"name":"Natalie Frijia","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08675221686258053,"gpt":0.3372194242639933,"spread":0.2504672074014128,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"codex-gemma-dda1882f352a","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003139564,0.0001775288,0.000223682,0.0002595527,0.001048774,0.0002720523,0.0005173566,0.00005466787,0.0002674298],"category_scores_gemma":[0.00001621626,0.0001068469,0.00005571255,0.0002309532,0.0004156059,0.0001169943,0.0001520583,0.0006643751,0.0004017602],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00005242787,"about_ca_system_score_gemma":0.00006647782,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0007999453,"about_ca_topic_score_gemma":0.004469219,"domain_scores_codex":[0.9978446,0.0002911934,0.0002156837,0.0003060771,0.0006136927,0.0007287811],"domain_scores_gemma":[0.9983199,0.001148047,0.00003234314,0.0004188194,0.00004628934,0.00003456232],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003179134,0.0001787147,0.0007522685,0.0001346995,0.00005719988,0.000007792983,0.2198872,0.00002741941,0.00008892384,0.6497952,0.06723247,0.0615202],"study_design_scores_gemma":[0.0005284921,0.0001524099,0.0001355065,0.00003689031,0.000008063672,0.000002831686,0.04463714,0.0001238988,0.0000934021,0.008038591,0.9460617,0.0001811254],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1656412,0.0002223921,0.000002355797,0.001338857,0.00009149875,0.0006206722,0.00001106463,0.00004497377,0.832027],"genre_scores_gemma":[0.9950839,0.0001088488,0.00001998887,0.0002142813,0.001041582,0.0003332406,0.00001154765,0.00002469653,0.003161898],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.8788292,"threshold_uncertainty_score":0.8066428,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}