{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":22,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":22,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"9f783cac5ac8","filters":{"venue":"Architectural Research Quarterly"}},"results":[{"id":"W2136377634","doi":"10.1017/s1359135503001787","title":"Morality and Architecture Revisited","year":2002,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":36,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Historicism; Architecture; Morality; Quarter (Canadian coin); Aesthetics; Demolition; Philosophy; History; Art; Epistemology; Visual arts; Archaeology","authors":[{"name":"Frank Arneil Walker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05633346896579278,"gpt":0.2949425294938244,"spread":0.2386090605280317,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004054629,0.0004829974,0.0004331898,0.00158405,0.009183219,0.01248749,0.001116755,0.005105549,0.006745776],"category_scores_gemma":[0.004763263,0.0003387844,0.0005372236,0.001459094,0.04547065,0.008881407,0.005870292,0.009983636,0.0009904716],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01250978,"about_ca_system_score_gemma":0.005930271,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.009190288,"about_ca_topic_score_gemma":0.008555114,"domain_scores_codex":[0.9950396,0.00305826,0.00007894565,0.0003718611,0.0007983252,0.0006528887],"domain_scores_gemma":[0.9984033,0.0007723906,0.0001367045,0.0001290493,0.0003041534,0.0002543697],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.0000021102,0.000002840798,0.00006018769,0.000008979951,0.000001029481,0.00002196062,0.001502955,0.00007512535,0.00001314082,0.9943073,0.002380532,0.001623781],"study_design_scores_gemma":[0.000009764443,0.00001034298,0.0003273218,0.0001332822,0.00000318291,0.00008361938,0.003118686,0.0003019825,0.000062623,0.7748317,0.2211084,0.000009157829],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.03099206,0.03984603,0.008443972,0.1984465,0.002554902,0.00001746326,0.00003130922,0.00008993933,0.7195779],"genre_scores_gemma":[0.8980417,0.01035212,0.001959954,0.02007526,0.00163038,0.00005145189,0.0000302338,0.0001130381,0.06774593],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01250978,"threshold_uncertainty_score":0.09076524,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2140697571","doi":"10.1017/s1359135505000278","title":"Questions of representation: the poetic origin of architecture","year":2005,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"McGill University","funders":"","keywords":"Representation (politics); Poetry; Architecture; Computer science; Aesthetics; Art; Cognitive science; Literature; Psychology; Visual arts; Political science; Law","authors":[{"name":"Alberto Pérez-Gómez","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.09194368764916638,"gpt":0.3534886281094085,"spread":0.2615449404602421,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002994619,0.0005081013,0.0003871813,0.001406156,0.005521004,0.01431795,0.001137589,0.002838488,0.005535987],"category_scores_gemma":[0.0062466,0.0002983035,0.0004556876,0.00169244,0.0579611,0.01668373,0.004128003,0.004043147,0.000861139],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004394412,"about_ca_system_score_gemma":0.001716981,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.003907682,"about_ca_topic_score_gemma":0.002768319,"domain_scores_codex":[0.9974438,0.001774869,0.00004560406,0.0002447717,0.000288681,0.0002021644],"domain_scores_gemma":[0.9977156,0.001332138,0.0001074768,0.000507515,0.0002175905,0.0001197206],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000005472573,0.000001911795,0.00003842844,0.000006507064,9.042142e-7,0.00001420618,0.004102285,0.00006991238,0.00002943847,0.9934102,0.0008950309,0.001425678],"study_design_scores_gemma":[0.000006632895,0.000007063192,0.00009502738,0.00004079016,0.000002093127,0.00005766956,0.003760129,0.0003838022,0.00007784185,0.9293238,0.06623969,0.000005334211],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05521134,0.0166163,0.06036704,0.06900569,0.00129768,0.00002759707,0.0001242894,0.0002112756,0.7971388],"genre_scores_gemma":[0.9692215,0.002285407,0.003978502,0.001051137,0.0005179467,0.00003223531,0.00004501035,0.0001460562,0.02272225],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01431795,"threshold_uncertainty_score":0.03188384,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2132809623","doi":"10.1017/s1359135511000819","title":"Assemblage theory, gardens and the legacy of the early Garden City movement","year":2011,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Landscape and Cultural Studies","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Calgary","funders":"","keywords":"Assemblage (archaeology); Movement (music); Urban theory; Industrial city; Garden design; History; Sociology; Archaeology; Geography; Aesthetics; Visual arts; Art; Economic geography; Civil engineering; Engineering","authors":[{"name":"Graham Livesey","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08080857891905517,"gpt":0.2722275673389597,"spread":0.1914189884199045,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002022266,0.0003453508,0.0003329691,0.002141376,0.007527423,0.004729305,0.0008996624,0.001322437,0.006383038],"category_scores_gemma":[0.002449348,0.0002485458,0.0002332359,0.002506172,0.03949783,0.008006531,0.004101126,0.001601616,0.0003847976],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.005382244,"about_ca_system_score_gemma":0.00156276,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01280223,"about_ca_topic_score_gemma":0.02660492,"domain_scores_codex":[0.9987582,0.0007466973,0.00003005056,0.0001696878,0.0001524243,0.0001430513],"domain_scores_gemma":[0.9986065,0.0007453205,0.0001679783,0.0001661274,0.0001181497,0.0001959907],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.00000466407,0.000003742707,0.000408964,0.00001591174,8.748181e-7,0.00004082795,0.01243667,0.00007840219,0.0000176556,0.9828373,0.0008957561,0.0032593],"study_design_scores_gemma":[0.00001157607,0.00002057498,0.002421822,0.0001595654,0.000006876131,0.0001555518,0.02572134,0.0003650567,0.00006749708,0.7814902,0.1895699,0.000009969529],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1724364,0.02157146,0.04653254,0.02474636,0.0006376843,0.00007307211,0.0001380606,0.00007480282,0.7337897],"genre_scores_gemma":[0.9710488,0.004090665,0.005152184,0.0004400754,0.0002057848,0.00005162568,0.00004479691,0.00004887164,0.01891718],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01280223,"threshold_uncertainty_score":0.03905106,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2606817542","doi":"10.1017/s1359135515000196","title":"This is not a mountain!: simulation, imitation, and representation in the Mountain Dwellings project, Copenhagen","year":2015,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture and Computational Design","field":"Engineering","cited_by":3,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Facade; Geography; Rainwater harvesting; Parliament; Environmental planning; Architectural engineering; Urban planning; Quarter (Canadian coin); Architecture; Civil engineering; Engineering; Archaeology; Political science","authors":[{"name":"Deniz Balık","is_ca":false},{"name":"Açalya Allmer","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1150161110327778,"gpt":0.3758256639076885,"spread":0.2608095528749108,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003548014,0.0003631674,0.0002987279,0.0004338196,0.002579005,0.005437844,0.001244214,0.001297212,0.00413878],"category_scores_gemma":[0.007504001,0.0003379213,0.0003856726,0.0005054308,0.007398369,0.002895188,0.004791323,0.001131515,0.0003538233],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00400637,"about_ca_system_score_gemma":0.002382211,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.0339671,"about_ca_topic_score_gemma":0.04146459,"domain_scores_codex":[0.9964805,0.002784511,0.00005003732,0.0002149889,0.0002482444,0.0002217461],"domain_scores_gemma":[0.9975287,0.001759799,0.0001097512,0.0002231267,0.0001219499,0.0002566018],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000742966,0.0007686216,0.02883887,0.0003032721,0.0001017269,0.001089303,0.3740746,0.07754835,0.001200114,0.4241689,0.01653879,0.07462443],"study_design_scores_gemma":[0.0002010597,0.0008056336,0.0273117,0.0007361981,0.000124286,0.0006106214,0.3506047,0.2039495,0.002335411,0.234612,0.1784077,0.0003011619],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.870833,0.001015524,0.01798939,0.003846498,0.0000834654,0.00007531486,0.0001168131,0.00008822162,0.1059518],"genre_scores_gemma":[0.9907666,0.0002148915,0.003554192,0.0000533805,0.000003367104,0.00002706495,0.00004681585,0.00003835434,0.005295282],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.0339671,"threshold_uncertainty_score":0.0675388,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2321197506","doi":"10.1017/s1359135515000561","title":"Nigel Coates on teaching with Bernard Tschumi in the 1980s Regarding and remixing Mies’s courtyard houses","year":2015,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Musicology and Musical Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Vancouver Biotech (Canada)","funders":"","keywords":"Art; Content (measure theory); Visual arts; Art history; Mathematics","authors":[{"name":"Nigel Coates","is_ca":false},{"name":"Leslie Van Duzer","is_ca":true},{"name":"Jan Frohburg","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1609124983880509,"gpt":0.3381643589358124,"spread":0.1772518605477615,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002064444,0.0005366384,0.0002941321,0.0009864951,0.009338913,0.002834498,0.0007839507,0.002094872,0.04442482],"category_scores_gemma":[0.004773183,0.0003474441,0.0001635271,0.0005529433,0.003378984,0.003494555,0.002926818,0.004696689,0.01206592],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004282385,"about_ca_system_score_gemma":0.003029357,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01881883,"about_ca_topic_score_gemma":0.09625451,"domain_scores_codex":[0.9988397,0.0004088124,0.00002638093,0.0002059494,0.0003727565,0.0001463313],"domain_scores_gemma":[0.9976256,0.000550888,0.00009792276,0.00006867666,0.0004965729,0.001160399],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001803501,0.00002848271,0.0001674135,0.00006783441,0.000001532825,0.0001847563,0.00774589,0.00006134922,0.0003594216,0.01966093,0.9438538,0.02785061],"study_design_scores_gemma":[0.000001277932,0.000006931992,0.0002118964,0.00008773633,5.225089e-7,0.00008062486,0.003254397,0.00001315964,0.0001391685,0.001201049,0.9949988,0.00000451688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01221937,0.07751636,0.003953363,0.4199902,0.03514862,0.0001025698,0.000205492,0.0004299349,0.4504341],"genre_scores_gemma":[0.04171388,0.01850712,0.001548465,0.01640765,0.002067945,0.00003449424,0.00003992566,0.0003428424,0.9193378],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.04442482,"threshold_uncertainty_score":0.1486159,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2125740744","doi":"10.1017/s1359135502001471","title":"Wren and the development of structural carpentry 1660–1710","year":2002,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture and Art History Studies","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Acadia University","funders":"","keywords":"Carpentry; Craft; Visual arts; History; Art history; Art; Engineering; Archaeology","authors":[{"name":"J. Campbell","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08955096624353658,"gpt":0.2901885649995403,"spread":0.2006375987560037,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011382,0.000472984,0.0002094449,0.003036428,0.00660419,0.004692618,0.0006597262,0.001151378,0.01741592],"category_scores_gemma":[0.002867625,0.0005438866,0.0001291263,0.002616597,0.01165045,0.00325547,0.003268773,0.002347633,0.001523572],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.008450156,"about_ca_system_score_gemma":0.003300089,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05945894,"about_ca_topic_score_gemma":0.2228744,"domain_scores_codex":[0.9986957,0.0003061463,0.00006342636,0.0002654176,0.0003097728,0.0003595043],"domain_scores_gemma":[0.9991522,0.0002349476,0.0002036797,0.00005869635,0.0001841099,0.000166383],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.000154387,0.00009412481,0.005970594,0.0003547335,0.00001489402,0.001546793,0.228068,0.0006972944,0.0006946543,0.655225,0.009285557,0.097894],"study_design_scores_gemma":[0.00001535976,0.0001269847,0.04361882,0.000666391,0.000008230439,0.0007434937,0.04105958,0.0001330138,0.0004638797,0.01385836,0.8992497,0.00005627886],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2370629,0.01096707,0.0003723067,0.002405906,0.0001485078,0.00002174588,0.00006833452,0.00001392126,0.7489393],"genre_scores_gemma":[0.8605798,0.005209205,0.0003724313,0.0002956831,0.00009692372,0.00001249323,0.00006555529,0.0000323734,0.1333355],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.05945894,"threshold_uncertainty_score":0.1182257,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2901488663","doi":"10.1017/s1359135518000611","title":"Drawing Glasgow School of Art: the graphics of reconstruction","year":2018,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"3D Surveying and Cultural Heritage","field":"Earth and Planetary Sciences","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Janeway Children's Health and Rehabilitation Centre","funders":"","keywords":"Architecture; Visual arts; Institution; Work (physics); Presentation (obstetrics); Building design; Sociology; Art; Architectural engineering; Engineering; Social science","authors":[{"name":"Johnny Rodger","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04478687474751984,"gpt":0.3002987973716049,"spread":0.2555119226240851,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001864427,0.001230535,0.0004616309,0.003378105,0.005109917,0.01547932,0.001845764,0.002884226,0.0706628],"category_scores_gemma":[0.006366179,0.0005765062,0.0006279692,0.002901658,0.01854314,0.006056793,0.007062722,0.003754117,0.01208381],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007478726,"about_ca_system_score_gemma":0.003517746,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03531544,"about_ca_topic_score_gemma":0.06671837,"domain_scores_codex":[0.9978645,0.001101257,0.00005511445,0.0002064496,0.000540313,0.0002323419],"domain_scores_gemma":[0.9987218,0.0003804785,0.0000633533,0.0003538548,0.0002562363,0.0002243646],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000316741,0.000008382097,0.0002910197,0.000116898,0.000007924575,0.0001779141,0.00857372,0.0005596951,0.0001464249,0.6080937,0.3152893,0.06670332],"study_design_scores_gemma":[0.000005467229,0.000007121321,0.0002494377,0.00009321402,0.00000432082,0.0001144603,0.001319537,0.0001783146,0.00005259551,0.02465514,0.9733077,0.0000126355],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.005024379,0.02583891,0.02782791,0.04700262,0.00709878,0.00009511808,0.0006514936,0.002903023,0.8835578],"genre_scores_gemma":[0.3101183,0.02925667,0.04043601,0.009055519,0.004408216,0.0002837557,0.0009485841,0.005178019,0.6003149],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.0706628,"threshold_uncertainty_score":0.2363906,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2010951221","doi":"10.1017/s1359135510000126","title":"Britain's first steps in Modernism: Cressing Road and the Clockhouse Way estate 1918–20","year":2009,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":1,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Modernism (music); Architecture; Quarter (Canadian coin); Period (music); Maturity (psychological); Estate; Interpretation (philosophy); History; Art history; Aesthetics; Art; Visual arts; Law; Philosophy; Political science; Archaeology; Linguistics","authors":[{"name":"Finn Jensen","is_ca":false},{"name":"Ellen Thorogood-Page","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03076526572034302,"gpt":0.2850828930162853,"spread":0.2543176272959423,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000714289,0.0002351446,0.0001876471,0.0007623741,0.006711078,0.004363975,0.0004179958,0.001481365,0.01062724],"category_scores_gemma":[0.001056799,0.0003557864,0.0001281687,0.001449523,0.009519864,0.002132146,0.002601013,0.002311157,0.0009119375],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01409011,"about_ca_system_score_gemma":0.003806322,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.2085492,"about_ca_topic_score_gemma":0.5805088,"domain_scores_codex":[0.9990694,0.0002253607,0.0000167886,0.0001040337,0.0002153869,0.0003690827],"domain_scores_gemma":[0.9997003,0.00006827212,0.00003670176,0.00003829171,0.00006018895,0.00009629272],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001399965,0.00004338404,0.005768692,0.0001237224,0.00001027155,0.002286174,0.1984866,0.0003038196,0.0007173439,0.7006797,0.04575422,0.04568617],"study_design_scores_gemma":[0.00002016187,0.00003810989,0.02392995,0.0001357544,0.000005496694,0.0003585541,0.03294966,0.00004819733,0.00025268,0.01030372,0.9319289,0.00002876855],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.360302,0.008308626,0.000562779,0.01093276,0.000436568,0.00002124647,0.0001127084,0.00002029476,0.619303],"genre_scores_gemma":[0.8652602,0.001613608,0.0002343597,0.0009500662,0.00007042562,0.00001045084,0.0000434803,0.00003560053,0.1317817],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.2085492,"threshold_uncertainty_score":0.4146706,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4327798238","doi":"10.1017/s1359135522000604","title":"Visualising St Brendan’s: mapping a conservation management plan for Birr Community School","year":2022,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Cultural Heritage Management and Preservation","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University College Cork; Queen's University; University College Dublin; Queen's University Belfast","keywords":"Modernity; Plan (archaeology); Sociology; Irish; Cultural heritage; Action (physics); Pedagogy; Engineering; Architectural engineering; Political science; History; Law; Archaeology","authors":[{"name":"Gary Boyd","is_ca":false},{"name":"Aoibheann Ní Mhearáin","is_ca":false},{"name":"John McLaughlin","is_ca":false},{"name":"Tara Kennedy","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.343885275099256,"gpt":0.3547427612240543,"spread":0.01085748612479831,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008918318,0.0002847261,0.0001994802,0.001737003,0.004100817,0.003156637,0.00100516,0.0007713024,0.01115635],"category_scores_gemma":[0.001303324,0.0003279149,0.0002423571,0.002137575,0.002084446,0.001224619,0.002395415,0.0008008185,0.0009775884],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006558133,"about_ca_system_score_gemma":0.009683916,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3116337,"about_ca_topic_score_gemma":0.7599118,"domain_scores_codex":[0.9994294,0.0001415209,0.0000127816,0.00008562997,0.0001953487,0.0001353287],"domain_scores_gemma":[0.9995921,0.00006381016,0.00004258955,0.00003490345,0.0001365659,0.0001300249],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003353525,0.0002336055,0.05693648,0.001749725,0.00006047745,0.008086748,0.2873551,0.006828331,0.01341983,0.0425613,0.2108461,0.3715869],"study_design_scores_gemma":[0.00001606851,0.0001128509,0.06165417,0.0006864775,0.00001657632,0.0008454542,0.3313527,0.001118133,0.0009615519,0.001774514,0.6014023,0.00005923743],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.6168121,0.002755254,0.007017139,0.00903317,0.0006001713,0.0007849539,0.002322714,0.0004737005,0.360201],"genre_scores_gemma":[0.8871847,0.001565748,0.02755615,0.0004657838,0.00005582717,0.0002613944,0.001577353,0.0003619224,0.0809712],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.3116337,"threshold_uncertainty_score":0.6196395,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2048394601","doi":"10.1017/s1359135502261448","title":"… mute on areas of design …","year":2002,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Design Education and Practice","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Knight; George (robot); Quarter (Canadian coin); Computation; Computer science; Artificial intelligence; Data science; Mathematical economics; History; Algorithm; Mathematics","authors":[{"name":"Richard Coyne","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1466988545724466,"gpt":0.3484308585767082,"spread":0.2017320040042616,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.005433111,0.000766776,0.0005404282,0.001606273,0.003056112,0.007138898,0.001262695,0.002603814,0.02153764],"category_scores_gemma":[0.009431454,0.0004771208,0.0008200188,0.001327752,0.02586734,0.01447998,0.005407934,0.006260394,0.005842863],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003828601,"about_ca_system_score_gemma":0.002186851,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00185282,"about_ca_topic_score_gemma":0.00209701,"domain_scores_codex":[0.9947762,0.002794139,0.0001596662,0.0008324866,0.00108913,0.0003484095],"domain_scores_gemma":[0.9924893,0.003508644,0.0003532227,0.002279501,0.0009527264,0.0004166283],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001223009,0.000007990096,0.0001188974,0.00004905734,0.000006607051,0.00002041779,0.001086181,0.0002324761,0.0001310578,0.9638234,0.01152236,0.02298932],"study_design_scores_gemma":[0.000006997492,0.00001997381,0.0001315497,0.0001246746,0.000004374043,0.00007443299,0.000739234,0.000380634,0.000217901,0.6310195,0.3672727,0.000008079312],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.01005481,0.03991971,0.1559493,0.1166905,0.00507136,0.00005725275,0.0001052688,0.0005792843,0.6715726],"genre_scores_gemma":[0.5216151,0.03507693,0.06507348,0.03148725,0.006068571,0.0004327552,0.0002173856,0.0009284575,0.3391],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.9784623,"threshold_uncertainty_score":0.07205057,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4232553409","doi":"10.1017/s135913551500038x","title":"Expanding surfaces","year":2015,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture and Computational Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Exhibition; Context (archaeology); Architecture; Visual arts; Metis; Action (physics); Space (punctuation); Erasure; Art history; Art; Computer science; Archaeology; History; World Wide Web","authors":[{"name":"Claudia Carbone","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.08314851969992715,"gpt":0.3415802755180372,"spread":0.2584317558181101,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005319062,0.0005110014,0.0002820975,0.0009453119,0.002049587,0.00414788,0.0006366331,0.0009068478,0.03017524],"category_scores_gemma":[0.001938653,0.0003120762,0.0004504628,0.0008323531,0.003316725,0.005462444,0.004831301,0.001275181,0.004280827],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.0008167077,"about_ca_system_score_gemma":0.000422547,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.001491132,"about_ca_topic_score_gemma":0.00207852,"domain_scores_codex":[0.9994561,0.0001278709,0.00001529351,0.0001170571,0.0001908553,0.00009279023],"domain_scores_gemma":[0.9994332,0.0001497608,0.00002559184,0.0001843474,0.0001180058,0.00008910309],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00007533656,0.0000139023,0.0006642955,0.0001107366,0.000007892256,0.0004475916,0.0125554,0.002304456,0.007759424,0.864216,0.01317392,0.09867107],"study_design_scores_gemma":[0.00001169157,0.00005684657,0.001651258,0.0001181637,0.0000110333,0.0008687369,0.008543342,0.003416449,0.001712445,0.2125859,0.7710003,0.0000238985],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.1030167,0.004303375,0.09293641,0.002375731,0.000587704,0.0000742228,0.0003031025,0.0009977246,0.7954051],"genre_scores_gemma":[0.8009673,0.003078429,0.03983362,0.0004227365,0.0002718214,0.00007199858,0.0005334561,0.000848852,0.1539718],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03017524,"threshold_uncertainty_score":0.1009462,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2092390174","doi":"10.1017/s1359135505000242","title":"Questioning models and drawings Representing space in drawing, film and writing","year":2005,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"3D Surveying and Cultural Heritage","field":"Earth and Planetary Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Architecture; Event (particle physics); Theme (computing); Visual arts; Interpretation (philosophy); Architectural drawing; Set (abstract data type); Sociology; Computer science; Art","authors":[{"name":"Igea Troiani","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.04926160787184642,"gpt":0.3136547446518705,"spread":0.2643931367800241,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01181675,0.0007330792,0.0005802908,0.002086823,0.008896925,0.02151022,0.002335174,0.005413299,0.01194062],"category_scores_gemma":[0.04648053,0.0005693259,0.0004740888,0.002665774,0.03055014,0.0167503,0.005491303,0.007492858,0.001885597],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006737467,"about_ca_system_score_gemma":0.002327263,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01230488,"about_ca_topic_score_gemma":0.01673974,"domain_scores_codex":[0.9779428,0.01544505,0.0007286325,0.001091398,0.003998593,0.0007936523],"domain_scores_gemma":[0.9573408,0.03350027,0.002144665,0.002677724,0.003557903,0.0007786272],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00008684261,0.00005176271,0.0007596819,0.0005057875,0.00001867135,0.0004398887,0.4829567,0.0002777348,0.0007707133,0.3178861,0.1592877,0.03695838],"study_design_scores_gemma":[0.00001619406,0.00004220399,0.001722953,0.0005869133,0.000008838013,0.0003248504,0.1457597,0.000248762,0.0004498845,0.0211622,0.8296306,0.00004695035],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08156943,0.04232052,0.01830357,0.2609586,0.03095691,0.0001661205,0.0003920324,0.0003960393,0.5649368],"genre_scores_gemma":[0.8562796,0.01250636,0.005221921,0.01556678,0.01792716,0.0002180264,0.0003262019,0.001011277,0.09094256],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.02151022,"threshold_uncertainty_score":0.06249374,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2169082919","doi":"10.1017/s1359135501001051","title":"Architecture at a threshold: three houses by Brian MacKay-Lyons","year":2001,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Architecture; Simplicity; Nova scotia; Vernacular architecture; Architectural engineering; Work (physics); Geography; History; Environmental ethics; Archaeology; Engineering; Philosophy; Epistemology","authors":[{"name":"Brian S. Carter","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06630720595925982,"gpt":0.2974247685809046,"spread":0.2311175626216447,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001340101,0.0003971919,0.0002526738,0.0006571255,0.009777516,0.004638091,0.0006754578,0.001974987,0.01064443],"category_scores_gemma":[0.001540624,0.0003686478,0.0002088032,0.0005485885,0.00582039,0.005763642,0.003799689,0.004926315,0.003061092],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004898939,"about_ca_system_score_gemma":0.002976036,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05691273,"about_ca_topic_score_gemma":0.1949684,"domain_scores_codex":[0.9989304,0.0003845162,0.00002571495,0.0001092824,0.000314745,0.0002353248],"domain_scores_gemma":[0.999164,0.0001579786,0.00003093282,0.0000465751,0.0002000268,0.0004005278],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00002331763,0.00002149089,0.0004036166,0.00005389212,0.000003276492,0.0003315842,0.01565226,0.0000947744,0.000186962,0.07917818,0.8728573,0.03119338],"study_design_scores_gemma":[0.000002098054,0.000007715431,0.0002679939,0.00008935085,0.000001664115,0.0002084996,0.006515936,0.00003094067,0.00005682492,0.004854889,0.9879568,0.000007240695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"commentary","genre_gemma":"other","genre_scores_codex":[0.02264909,0.08472475,0.002698192,0.5331308,0.01406102,0.00002792349,0.0000641624,0.0002868635,0.3423572],"genre_scores_gemma":[0.3541843,0.05570404,0.004767992,0.08405486,0.004532219,0.0000651852,0.00007546401,0.0005474641,0.4960685],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.05691273,"threshold_uncertainty_score":0.1131629,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247318435","doi":"10.1017/s1359135514000645","title":"…Toronto","year":2014,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Legal case studies and regulations","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Computer science; Information retrieval; World Wide Web","authors":[{"name":"Hans Ibelings","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05535738648509414,"gpt":0.4334911555416312,"spread":0.3781337690565371,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003089725,0.0008751558,0.0005498072,0.001018931,0.004355819,0.004776956,0.0006933513,0.001298923,0.6469088],"category_scores_gemma":[0.001171826,0.0005700203,0.0003805656,0.00230406,0.0008944286,0.001265408,0.001149883,0.001404536,0.3015606],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.007306139,"about_ca_system_score_gemma":0.007821667,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.3695443,"about_ca_topic_score_gemma":0.6754557,"domain_scores_codex":[0.9994302,0.00003326178,0.00002252445,0.0001713374,0.0002470522,0.00009556438],"domain_scores_gemma":[0.998871,0.00009793996,0.00005984826,0.00009347511,0.0006276151,0.0002500526],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001088968,0.00001603248,0.001275059,0.0003117809,0.00001090094,0.0005047261,0.0006669294,0.0002430299,0.0009697808,0.01146009,0.8997592,0.08467354],"study_design_scores_gemma":[0.000004511908,0.000005469556,0.00175152,0.00006455117,0.000003119117,0.00005718508,0.0003028268,0.00004289697,0.0002159645,0.0003268586,0.9972181,0.000006962602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.002818289,0.007314275,0.0008385679,0.005021168,0.002127838,0.00005536987,0.0122394,0.0006729503,0.9689122],"genre_scores_gemma":[0.004553355,0.001746676,0.0003338328,0.0001690952,0.00005569111,0.00000953088,0.0009698795,0.0001192963,0.9920426],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.6469088,"threshold_uncertainty_score":0,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4415788055","doi":"10.1017/s1359135525101073","title":"Deafness, Disability, and Neurodiversity in Architecture: An introduction","year":2024,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Disability Rights and Representation","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"University of Pittsburgh; University of Toronto; York University; University of Minnesota","keywords":"Feature (linguistics); Component (thermodynamics); Context (archaeology); Sequence (biology)","authors":[{"name":"Stylianos Giamarelos","is_ca":false},{"name":"Nina Vollenbröker","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05803452746089625,"gpt":0.4216164042909882,"spread":0.3635818768300919,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007476464,0.0006015801,0.0005024354,0.002718052,0.001554353,0.002932189,0.0005040246,0.001876453,0.01174533],"category_scores_gemma":[0.0009703702,0.0003774463,0.0005366075,0.002300978,0.002301677,0.003248583,0.001854498,0.002068346,0.0005968175],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002050652,"about_ca_system_score_gemma":0.001621709,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01227277,"about_ca_topic_score_gemma":0.02048622,"domain_scores_codex":[0.9997856,0.00007951055,0.00002517273,0.00002711944,0.00004689941,0.00003569311],"domain_scores_gemma":[0.9992952,0.0005149322,0.00004255903,0.000008661437,0.00007615747,0.00006247647],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"design_other","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00009791672,0.001177311,0.03923894,0.005301929,0.00008834993,0.002543292,0.03784602,0.001631016,0.001775317,0.2697709,0.09163099,0.5488981],"study_design_scores_gemma":[0.00002535902,0.0005128874,0.09386793,0.0119696,0.00009109196,0.005433033,0.05433748,0.001130626,0.0004152993,0.09626873,0.7357785,0.0001695228],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"review","genre_gemma":"empirical","genre_scores_codex":[0.07525972,0.7435573,0.005438403,0.06430453,0.002287103,0.0003094523,0.0008273604,0.00005320261,0.107963],"genre_scores_gemma":[0.2273729,0.7236435,0.007575163,0.008104599,0.003703326,0.0003675597,0.0004288492,0.00002895624,0.02877515],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01227277,"threshold_uncertainty_score":0.03929204,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2896807935","doi":"10.1017/s1359135518000404","title":"<i>The University is Now on Air: Broadcasting Modern Architecture</i> 15 November 2017 until 1 April 2018 CCA (Canadian Centre for Architecture), Montreal, Canada The University is Now on Air: Broadcasting Modern Architecture 15 November 2017 until 1 April 2018CCA (Canadian Centre for Architecture), Montreal, Canada","year":2018,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture and Computational Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Architecture; Broadcasting (networking); Telecommunications; Media studies; History; Engineering; Sociology; Computer science; Archaeology; Computer network","authors":[{"name":"Fabrizio Gallanti","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0168395307258526,"gpt":0.2222856282023738,"spread":0.2054460974765212,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001380469,0.0005340931,0.0006309268,0.001475186,0.007258385,0.008293625,0.001288353,0.003236014,0.6568939],"category_scores_gemma":[0.004294045,0.0005203203,0.0004931377,0.001947556,0.001978667,0.002490302,0.003258879,0.003980721,0.3326663],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01285601,"about_ca_system_score_gemma":0.02219596,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.332991,"about_ca_topic_score_gemma":0.6393535,"domain_scores_codex":[0.9982437,0.00008825798,0.00004255522,0.0001618751,0.000918663,0.000544945],"domain_scores_gemma":[0.9936311,0.0001832452,0.0001245352,0.0003045662,0.003971754,0.001784897],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00001505406,0.000007982198,0.0001208904,0.00002045037,0.000001233233,0.00001631963,0.00008253832,0.00002018679,0.0002069999,0.002472115,0.9908183,0.006218134],"study_design_scores_gemma":[0.000002415799,0.000003984529,0.000583191,0.00002416448,0.00000111538,0.000007504041,0.0001239687,0.00001345271,0.00009560054,0.0001142578,0.9990249,0.000005520746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"other","genre_scores_codex":[0.001794213,0.001531758,0.0007419561,0.01868504,0.01250392,0.0001456841,0.004275783,0.001451372,0.9588702],"genre_scores_gemma":[0.00460161,0.0004230246,0.0003186626,0.001052779,0.0006436498,0.00003451515,0.001140798,0.000589789,0.9911952],"genre_candidate":"other","genre_consensus":"other","teacher_disagreement_score":0.667009,"threshold_uncertainty_score":0.6621056,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1967489322","doi":"10.1017/s1359135502231425","title":"<b>Anxious Modernisms: Experimentation in Postwar Architectural Culture</b> edited by Sarah Williams Goldhagen and Réjean Legault The MIT Press, Cambridge, Mass., with the Canadian Centre for Architecture, Montréal, 2001 335pp., 96 mono illus. <scp>ISBN</scp> 0-262-07208-4 Price £23.95 or $34.95 (hb)","year":2001,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Architecture; Art history; Mass culture; History; Art; Sociology; Visual arts; Anthropology","authors":[{"name":"John M. Dixon","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02395258662188017,"gpt":0.2604762736873669,"spread":0.2365236870654867,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001211262,0.0009305745,0.0004037274,0.001036951,0.001988155,0.004913151,0.0005766563,0.001784649,0.03494342],"category_scores_gemma":[0.001804916,0.0005300508,0.0002799447,0.002265746,0.005155561,0.006015371,0.00248079,0.002799779,0.008723347],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002459219,"about_ca_system_score_gemma":0.003185662,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01018007,"about_ca_topic_score_gemma":0.03073876,"domain_scores_codex":[0.9991811,0.0004487337,0.00002854708,0.00007122188,0.0001933583,0.00007705257],"domain_scores_gemma":[0.9992379,0.0003656803,0.00008530557,0.00005863592,0.0001273919,0.0001252314],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0000301578,0.00002937257,0.0004079804,0.0005198072,0.000008377235,0.0001087829,0.01489973,0.00009677684,0.000389665,0.0736092,0.7786273,0.1312729],"study_design_scores_gemma":[0.00000367664,0.00001305729,0.00110478,0.0004834279,0.000003283233,0.0001316292,0.005667927,0.0000244505,0.00007402639,0.009992958,0.9824935,0.000007372579],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"review","genre_gemma":"review","genre_scores_codex":[0.004787153,0.5747231,0.002220705,0.05924605,0.003989692,0.00003889497,0.0001452107,0.0001504855,0.3546987],"genre_scores_gemma":[0.08374068,0.4172933,0.002990106,0.008930022,0.002247716,0.0001355273,0.0002147835,0.0002560205,0.484192],"genre_candidate":"review","genre_consensus":"review","teacher_disagreement_score":0.9898199,"threshold_uncertainty_score":0.1168974,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1990045795","doi":"10.1017/s1359135503002239","title":"‘Do we need a canopy for rain?’: interior-exterior relationships in the Kunsthal","year":2003,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Urban Development and Cultural Heritage","field":"Social Sciences","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Héma-Québec","funders":"","keywords":"Openness to experience; Relation (database); Identity (music); Architectural engineering; Sociology; Aesthetics; Civil engineering; Computer science; Social psychology; Engineering; Psychology; Art","authors":[{"name":"Michel Moussette","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.1435012786039997,"gpt":0.3913860115512203,"spread":0.2478847329472206,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002519931,0.0003328428,0.00043421,0.001079698,0.01092167,0.01119513,0.00114966,0.001607094,0.003952788],"category_scores_gemma":[0.004927961,0.0004448199,0.0002458118,0.001294343,0.03397319,0.008981659,0.00953293,0.00371267,0.0005292998],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004997715,"about_ca_system_score_gemma":0.00208648,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.01751059,"about_ca_topic_score_gemma":0.02747471,"domain_scores_codex":[0.9962125,0.002364904,0.00007372945,0.0003569523,0.0003704097,0.0006215482],"domain_scores_gemma":[0.998435,0.0006748452,0.0003211698,0.00009418777,0.0001501323,0.0003248231],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003972929,0.00003189563,0.003695226,0.00007232306,0.000009939675,0.001282547,0.763337,0.0001124729,0.0003309841,0.2130241,0.006209905,0.01185391],"study_design_scores_gemma":[0.00002238749,0.00004677314,0.01431374,0.000257886,0.00002576607,0.001992635,0.5953419,0.0002832238,0.0003185333,0.05614322,0.3311881,0.00006584688],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"other","genre_scores_codex":[0.5854588,0.009287757,0.004705895,0.02942878,0.0004662925,0.00003636077,0.00005505979,0.00006573932,0.3704953],"genre_scores_gemma":[0.993462,0.0007373194,0.0005366715,0.0008505438,0.00004716133,0.0000112464,0.00001212469,0.00003241444,0.004310638],"genre_candidate":"other","genre_consensus":null,"teacher_disagreement_score":0.01751059,"threshold_uncertainty_score":0.03626114,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2790910858","doi":"10.1017/s1359135517000288","title":"Representing Korean architecture in the modern West: two Korean Pavilions from 1960s international expositions","year":2017,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Stichting Wetenschappelijk Onderzoek Oogziekenhuis; Korea University","keywords":"Pavilion; Architecture; Exposition (narrative); Style (visual arts); Art history; Meaning (existential); Art; Argument (complex analysis); History; Aesthetics; Literature; Philosophy; Visual arts; Archaeology; Epistemology","authors":[{"name":"Hyon-Sob Kim","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05197552973086727,"gpt":0.3356320342926824,"spread":0.2836565045618151,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002121191,0.001001284,0.0002379223,0.001468749,0.009083583,0.006858872,0.0006448277,0.001114587,0.006416023],"category_scores_gemma":[0.0008246735,0.0005388277,0.0003157652,0.001784076,0.006710046,0.00682148,0.004405355,0.00349677,0.0007332209],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.006360152,"about_ca_system_score_gemma":0.001629579,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.007850959,"about_ca_topic_score_gemma":0.04357838,"domain_scores_codex":[0.9993051,0.0003277113,0.00002918106,0.00008776197,0.00009107213,0.0001591513],"domain_scores_gemma":[0.9994772,0.0001367041,0.000053002,0.00007457321,0.0001167389,0.0001417569],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001383524,0.00006761077,0.003402539,0.0001383689,0.00001266394,0.001344144,0.8612161,0.0001647989,0.001950309,0.09597377,0.01193107,0.02366026],"study_design_scores_gemma":[0.00001459254,0.00008436662,0.006951345,0.0002082767,0.00002380478,0.0008039851,0.5069088,0.0002929254,0.000966961,0.005651175,0.4780461,0.00004766851],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7775925,0.006428267,0.002927607,0.007559474,0.0008301305,0.000075624,0.000102001,0.00006961875,0.2044148],"genre_scores_gemma":[0.9512284,0.00254525,0.001656054,0.0008610674,0.00009080267,0.0000349068,0.0000842269,0.0001409587,0.04335828],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.009083583,"threshold_uncertainty_score":0.04614639,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4247603844","doi":"10.1017/s1359135503002021","title":"Home, sweet home","year":2003,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Design, and Social History","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Accommodation; Officer; Quarter (Canadian coin); Cold war; Home front; Geography; Political science; World War II; Archaeology; Psychology; Law","authors":[{"name":"Hildi Hawkins","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.06767130624678747,"gpt":0.3024287377468797,"spread":0.2347574315000923,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000891746,0.0006627884,0.00053605,0.000729397,0.01620667,0.007369707,0.001071795,0.002888352,0.1502159],"category_scores_gemma":[0.002397831,0.0004071688,0.0004919509,0.000633435,0.003635766,0.008820609,0.007389994,0.005500346,0.06101854],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.001655706,"about_ca_system_score_gemma":0.002392044,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.008494789,"about_ca_topic_score_gemma":0.03343223,"domain_scores_codex":[0.9993162,0.0001397375,0.0000190709,0.00009199951,0.000180217,0.0002527198],"domain_scores_gemma":[0.9990482,0.00004081518,0.00003453401,0.00008435355,0.0002021004,0.0005900596],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"qualitative","study_design_scores_codex":[0.0000306458,0.00006228837,0.0004685905,0.00005379157,0.000006374157,0.0005259139,0.01070551,0.00002252571,0.0002809929,0.02150828,0.9216757,0.04465947],"study_design_scores_gemma":[0.000002829177,0.0000116949,0.0002648048,0.00006368706,0.000002245797,0.0002432077,0.01053476,0.000006025053,0.00004895552,0.001478598,0.9873355,0.000007560339],"study_design_candidate":"qualitative","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.01324487,0.01002194,0.002850492,0.07054025,0.01561786,0.0000843198,0.0006277909,0.001428019,0.8855843],"genre_scores_gemma":[0.03459327,0.002713664,0.001709912,0.02252665,0.0005598151,0.00004536585,0.0001734814,0.000338492,0.9373394],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1502159,"threshold_uncertainty_score":0.5025223,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2129025235","doi":"10.1017/s1359135506000042","title":"From the Personal to the Public – Cadbury-Brown's Public Sector work","year":2006,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Architecture, Modernity, and Design","field":"Engineering","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"PricewaterhouseCoopers (Canada)","funders":"","keywords":"Public sector; Work (physics); Context (archaeology); Architecture; Sociology; Political science; History; Engineering; Law; Archaeology","authors":[{"name":"Elain Harwood","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.05107672578352124,"gpt":0.2745274036379164,"spread":0.2234506778543952,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005131929,0.0004313761,0.0004291641,0.001432708,0.02177804,0.01384403,0.0009233609,0.003273753,0.03231696],"category_scores_gemma":[0.006387382,0.000530854,0.0002481768,0.002949003,0.0244947,0.00533114,0.004565425,0.006481922,0.003849085],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01810521,"about_ca_system_score_gemma":0.01714935,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1155981,"about_ca_topic_score_gemma":0.2110881,"domain_scores_codex":[0.9947252,0.002295705,0.0001238741,0.0005446299,0.001494355,0.0008161821],"domain_scores_gemma":[0.9915866,0.002841918,0.0002324183,0.000817787,0.00154309,0.002978259],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","study_design_scores_codex":[0.00003425917,0.00005024282,0.0008192054,0.00009564438,0.000006535677,0.000228365,0.04056601,0.00009157462,0.0003181586,0.3450476,0.5597803,0.05296211],"study_design_scores_gemma":[0.000002652907,0.000009941331,0.0005869958,0.0001187652,0.000001403908,0.00007299114,0.007825539,0.00002703806,0.00006986643,0.006563623,0.9847131,0.000008041864],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.02028947,0.03504964,0.002877869,0.3162985,0.01160021,0.00003107469,0.00009507674,0.0001995824,0.6135586],"genre_scores_gemma":[0.395334,0.01951881,0.001304384,0.02487594,0.002857159,0.00003933802,0.0000521236,0.0002479541,0.5557702],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.1155981,"threshold_uncertainty_score":0.2298506,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4327798234","doi":"10.1017/s1359135522000549","title":"Civil landscapes","year":2022,"lang":"en","type":"article","venue":"Architectural Research Quarterly","topic":"Environmental Philosophy and Ethics","field":"Environmental Science","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Geist; Hegelianism; Enlightenment; Politics; Humanism; Aesthetics; Argument (complex analysis); Spanish Civil War; Sociology; Art; Art history; Philosophy; Epistemology; History; Law; Political science; Archaeology","authors":[{"name":"Rita Elizabeth Risser","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.03880315119961265,"gpt":0.3072500265457552,"spread":0.2684468753461426,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001000094,0.000459328,0.000194529,0.001086426,0.004917699,0.006902574,0.000729094,0.001652714,0.01716374],"category_scores_gemma":[0.001431477,0.0001812255,0.0002530007,0.001152804,0.0149177,0.003740801,0.003968259,0.002099758,0.002253434],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004328262,"about_ca_system_score_gemma":0.002006387,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.00670173,"about_ca_topic_score_gemma":0.01648655,"domain_scores_codex":[0.9985505,0.00077857,0.00004254435,0.0002050241,0.0002416693,0.0001817796],"domain_scores_gemma":[0.9995223,0.000160622,0.00005155,0.000104563,0.00009149468,0.00006935396],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","study_design_scores_codex":[0.000001838063,0.000003128906,0.00008501401,0.00001988957,0.000001067785,0.00002796482,0.003559199,0.00006642749,0.00004323101,0.981338,0.007643848,0.007210341],"study_design_scores_gemma":[0.000001485517,0.000005372302,0.000279227,0.00009140341,0.000001328161,0.00009932095,0.004280927,0.00004718872,0.00007494908,0.1019051,0.8932099,0.000003832237],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.007458255,0.006339029,0.007032244,0.008496629,0.0004569111,0.00002278075,0.00005794004,0.00004130762,0.970095],"genre_scores_gemma":[0.6552572,0.01117538,0.008399742,0.006417247,0.0006643853,0.0001620994,0.0002271049,0.0001849564,0.317512],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.01716374,"threshold_uncertainty_score":0.05741835,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}