{"meta":{"page":1,"per_page":50,"max_per_page":100,"total":7,"total_is_capped":false,"direct_labels_cover":0,"predictions_cover":7,"direct_label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline (scores rank; they never assert a category)","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12","author_layer_release":"2026-06-26"},"query_hash":"0a2cbe742ef3","filters":{"venue":"Archivo Español de Arte"}},"results":[{"id":"W2205383945","doi":"10.3989/aearte.2015.09","title":"“Que las riquezas del mundo parecian estar alli cifradas: los festejos de boda de Catalina de Braganza en el contexto de la Restauración portuguesa (1661-1662)","year":2015,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Spanish Literature and Culture Studies","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"European Social Fund; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Portuguese; Context (archaeology); Humanities; Political science; Art; Sociology; Geography; Philosophy; Archaeology","authors":[{"name":"Susana Varela Flor","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.02583196941685297,"gpt":0.3169952387630358,"spread":0.2911632693461829,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002019667,0.0003527724,0.000187541,0.000618939,0.00904482,0.006889035,0.0006677473,0.001429153,0.004780433],"category_scores_gemma":[0.001237634,0.0002260549,0.0001836033,0.00109715,0.01052959,0.001943956,0.003466002,0.001850734,0.0004306585],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.00651401,"about_ca_system_score_gemma":0.004222004,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.1191525,"about_ca_topic_score_gemma":0.2468167,"domain_scores_codex":[0.9992441,0.0003082244,0.00001767286,0.0001055776,0.00009011418,0.0002343131],"domain_scores_gemma":[0.9994841,0.0001483225,0.00009449107,0.0000525003,0.00009400104,0.000126576],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0002708523,0.00004392006,0.02348016,0.0003472023,0.00002288338,0.001018976,0.8140532,0.000194508,0.001600467,0.1064745,0.01232368,0.0401698],"study_design_scores_gemma":[0.00002125773,0.00008047166,0.08053598,0.0003846731,0.00001927141,0.0003465315,0.6319216,0.00006964667,0.0004592053,0.00281229,0.2833148,0.00003417606],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8215678,0.006862001,0.0007105916,0.01109098,0.0004437648,0.00001825489,0.0001064781,0.00001639816,0.1591837],"genre_scores_gemma":[0.9802325,0.001104261,0.0002330838,0.0005599413,0.0000336436,0.000006742916,0.00003503596,0.000008529032,0.01778613],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.1191525,"threshold_uncertainty_score":0.2369179,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W2091190174","doi":"10.3989/aearte.2004.v77.i305.259","title":"La urna donada a San Isidro por la reina doña Mariana de Neoburgo","year":2004,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Gloria Martínez Leiva","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.007757449822244175,"gpt":0.2121551598574197,"spread":0.2043977100351755,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003038983,0.0003859545,0.0001858846,0.0004607181,0.002869603,0.002249861,0.0003817464,0.0009745929,0.02267495],"category_scores_gemma":[0.0007017874,0.0002129716,0.0001707011,0.0004031903,0.001908643,0.0006975447,0.002295987,0.001947132,0.004035856],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003821186,"about_ca_system_score_gemma":0.002872622,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03021299,"about_ca_topic_score_gemma":0.09584024,"domain_scores_codex":[0.9997404,0.00004510034,0.00000588622,0.00006111394,0.00006041715,0.00008711627],"domain_scores_gemma":[0.999916,0.00001412904,0.00001525689,0.00001015541,0.00001681939,0.00002767635],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0004383209,0.00007787441,0.0103039,0.0004647551,0.00002268649,0.003134192,0.04721393,0.0003645894,0.005796887,0.5897474,0.1723067,0.1701287],"study_design_scores_gemma":[0.00000416486,0.00001223963,0.002514505,0.00009900413,0.000002673802,0.0001698113,0.0009743506,0.000017361,0.0003245694,0.001618308,0.9942596,0.000003382363],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.08594605,0.0183789,0.0009022207,0.01302093,0.00310875,0.00006828298,0.000321875,0.0001180364,0.878135],"genre_scores_gemma":[0.1544787,0.003273079,0.0004470642,0.0009680926,0.0001987931,0.00002595308,0.00009938153,0.00004766823,0.8404613],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03021299,"threshold_uncertainty_score":0.07585526,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4313409692","doi":"10.3989/aearte.2022.21","title":"“Con arquitectura noble y suntuosa”. La fachada triunfal del palacio de la inquisición de Lisboa con motivo de los dobles matrimonios reales de 1785","year":2022,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":true,"ca_venue":false,"about_ca":false},"ca_institutions":"","funders":"Universidade Nova de Lisboa; Universidad de Burgos; Universidade dos Açores; Fundação para a Ciência e a Tecnologia; Federation for the Humanities and Social Sciences","keywords":"Humanities; Art","authors":[{"name":"Milton Pedro Dias Pacheco","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.0099637447913929,"gpt":0.2470573093523688,"spread":0.2370935645609759,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001507113,0.0007123493,0.0002744599,0.001421968,0.01418342,0.008626865,0.0007996541,0.002156193,0.01292013],"category_scores_gemma":[0.001973878,0.0004348073,0.0004267579,0.00170247,0.01926805,0.002933091,0.005870003,0.003189751,0.003128353],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.01644609,"about_ca_system_score_gemma":0.0113644,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.07728269,"about_ca_topic_score_gemma":0.2462318,"domain_scores_codex":[0.9981828,0.0007072645,0.00004446783,0.000228505,0.0003656675,0.000471186],"domain_scores_gemma":[0.9992384,0.0001552567,0.00009432759,0.0001043558,0.0001385517,0.0002691721],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001643892,0.00002585397,0.002939111,0.0004456729,0.00001449133,0.0006047,0.1630089,0.0001906618,0.0008266381,0.6949533,0.08335372,0.05347254],"study_design_scores_gemma":[0.000007032219,0.0000223194,0.00403039,0.0002611351,0.000003808558,0.0001619161,0.01650148,0.00004043229,0.0002563988,0.0107631,0.9679375,0.0000144489],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.05536395,0.04114663,0.003980929,0.04814439,0.003691916,0.00007431371,0.0003431502,0.00026169,0.846993],"genre_scores_gemma":[0.4393787,0.006241006,0.001438856,0.004242704,0.0004472733,0.00006670587,0.0001803262,0.0001480053,0.5478564],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.07728269,"threshold_uncertainty_score":0.1536657,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4313360756","doi":"10.3989/aearte.2022.22","title":"José Villegas Cordero (1844-1921) y Estados Unidos: retratos, murales y un libro de viaje","year":2022,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"University of Alberta","funders":"","keywords":"Persona; Humanities; Shadow (psychology); Art; Psychology","authors":[{"name":"Victoria Sánchez Mellado","is_ca":false},{"name":"M. Elizabeth Boone","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.008576719408455816,"gpt":0.2029208198777799,"spread":0.1943441004693241,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008086328,0.0003745329,0.0003060613,0.001065066,0.01260937,0.003232667,0.0006042597,0.0008639523,0.01571804],"category_scores_gemma":[0.001809305,0.0001978419,0.0001362708,0.001829507,0.003738808,0.002048575,0.003186134,0.001327913,0.0008256732],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.009933159,"about_ca_system_score_gemma":0.004326218,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.348137,"about_ca_topic_score_gemma":0.6867042,"domain_scores_codex":[0.9995865,0.00009852892,0.000009727461,0.00007551313,0.00008755358,0.0001421125],"domain_scores_gemma":[0.9995585,0.00008541167,0.00008554111,0.00003207988,0.00008716839,0.0001511551],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001346991,0.00006892881,0.03084136,0.0001584261,0.000009768178,0.002975571,0.7388667,0.00009928531,0.0009348833,0.09239412,0.02729852,0.1062177],"study_design_scores_gemma":[0.000006259554,0.00004106594,0.04117279,0.0003041166,0.000008024055,0.0006012532,0.2168035,0.00004130132,0.0002495784,0.001167368,0.7395856,0.00001923994],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7169803,0.01587873,0.0004201028,0.00668725,0.0004970463,0.00004550211,0.0002236056,0.00005681276,0.2592107],"genre_scores_gemma":[0.8558052,0.004118296,0.0002400714,0.0004085883,0.00008974646,0.00002581899,0.00006916087,0.00003285531,0.1392103],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.348137,"threshold_uncertainty_score":0.6922212,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W1981023849","doi":"10.3989/aearte.2011.v84.i335.476","title":"Un diseño de Isidro González Velázquez para la Casa del Labrador de Aranjuez en una mesa de escayola intarsiada","year":2011,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"","keywords":"Humanities; Art","authors":[{"name":"Ismael Gutiérrez Pastor","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01491703950134106,"gpt":0.224908740223227,"spread":0.209991700721886,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001568316,0.0005111573,0.0002628122,0.001143281,0.004269152,0.003570718,0.0008757118,0.001679959,0.006873663],"category_scores_gemma":[0.003207971,0.0002036317,0.0002132524,0.001104378,0.005175137,0.003239552,0.002209006,0.00220861,0.0008584768],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.002767964,"about_ca_system_score_gemma":0.002503229,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.03634927,"about_ca_topic_score_gemma":0.1080018,"domain_scores_codex":[0.9993505,0.0002774131,0.00001365702,0.0001356852,0.0001205556,0.0001021784],"domain_scores_gemma":[0.999281,0.0003343,0.00009203699,0.00006760234,0.0001573193,0.0000677303],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001662573,0.00003930179,0.01167627,0.0002556955,0.00002385735,0.001410391,0.1080955,0.0005477465,0.0007811926,0.6386325,0.1746238,0.0637475],"study_design_scores_gemma":[0.00001281511,0.00002085503,0.007925213,0.0003541871,0.00002499434,0.0004588827,0.04763055,0.0001949897,0.0004503559,0.03944441,0.9034494,0.00003333667],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"other","genre_gemma":"empirical","genre_scores_codex":[0.2081264,0.04854653,0.007513493,0.2206602,0.00384887,0.00006441717,0.000522632,0.0002464716,0.510471],"genre_scores_gemma":[0.8129666,0.01981062,0.004161812,0.01294718,0.0009400732,0.0000504154,0.0002202218,0.0002497044,0.1486534],"genre_candidate":"empirical","genre_consensus":null,"teacher_disagreement_score":0.03634927,"threshold_uncertainty_score":0.0722754,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4235306139","doi":"10.3989/aearte.2013.v86.i341.529","title":"Un retrato desconocido de Isabel la Católica","year":2013,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Medieval and Early Modern Iberia","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":true,"ca_fund":false,"ca_venue":false,"about_ca":false},"ca_institutions":"Nexen (Canada)","funders":"","keywords":"Art","authors":[{"name":"Pedro Flor","is_ca":true}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01345601634885788,"gpt":0.2138847153792315,"spread":0.2004286990303736,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001143719,0.0003513487,0.0002538425,0.001044904,0.005991191,0.002678196,0.0005735464,0.0009244908,0.01150392],"category_scores_gemma":[0.001567059,0.0001572513,0.0001894074,0.001483954,0.003181389,0.001262135,0.002877734,0.001472891,0.001152941],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.003135055,"about_ca_system_score_gemma":0.003360829,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.05764106,"about_ca_topic_score_gemma":0.2050765,"domain_scores_codex":[0.999097,0.0002271676,0.0000256352,0.0001396666,0.0001844538,0.0003261069],"domain_scores_gemma":[0.9993049,0.0001218876,0.0001752619,0.0001041079,0.0001558648,0.0001380465],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0003510658,0.00008167812,0.06622933,0.0005566558,0.00003243773,0.002801557,0.5799342,0.0002181863,0.006244136,0.1338047,0.0305336,0.1792125],"study_design_scores_gemma":[0.000005113565,0.0001117045,0.1033235,0.0005220703,0.00001855616,0.001178082,0.2296217,0.00008160315,0.0009880956,0.001692952,0.66243,0.00002664057],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.7549725,0.005105922,0.0006294326,0.005400411,0.0003761106,0.00002011481,0.0001273673,0.00003505393,0.2333331],"genre_scores_gemma":[0.8736102,0.001937162,0.0005271785,0.0006078565,0.00009622192,0.00001431154,0.0001113195,0.00004230344,0.1230535],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.05764106,"threshold_uncertainty_score":0.1146111,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null},{"id":"W4381739904","doi":"10.3989/aearte.2023.20","title":"La defensa de las mujeres en la España ilustrada: la pieza grande de Jappelli en la Real Casa del Labrador de Aranjuez","year":2023,"lang":"es","type":"article","venue":"Archivo Español de Arte","topic":"Historical Art and Architecture Studies","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"routes":{"ca_aff":false,"ca_fund":false,"ca_venue":false,"about_ca":true},"ca_institutions":"","funders":"Ministerio de Universidades; Ministerio de Ciencia e Innovación; Universidad Nacional de Educación a Distancia; Universidad Autónoma de Madrid; Agencia Estatal de Investigación; Moderna","keywords":"Humanities; Art; Philosophy","authors":[{"name":"Gemma Cobo Delgado","is_ca":false}],"retraction":null,"screen_n_in":null,"score":{"opus":0.01224578847410262,"gpt":0.2424751187557664,"spread":0.2302293302816638,"validation_status":"score_only:v0-immature-baseline"},"prediction":{"model_version":"metacan-v3-hybrid-931329e0061c","candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006328153,0.0003196884,0.000151386,0.0005211371,0.005668083,0.002267732,0.0005276519,0.001047845,0.004432149],"category_scores_gemma":[0.000583433,0.0001996421,0.0001248318,0.0009506549,0.006141679,0.0009639403,0.002498947,0.001448821,0.0002369717],"about_ca_system_candidate":false,"about_ca_system_consensus":false,"about_ca_system_score_codex":0.004201197,"about_ca_system_score_gemma":0.001926633,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_topic_score_codex":0.08073991,"about_ca_topic_score_gemma":0.2989869,"domain_scores_codex":[0.9997488,0.00006938092,0.000006064583,0.00003872867,0.00004139512,0.00009570386],"domain_scores_gemma":[0.9998327,0.00006326622,0.00002772365,0.00001965084,0.00002474424,0.00003179242],"domain_codex":null,"domain_gemma":null,"domain_candidate":null,"domain_consensus":null,"study_design_codex":"qualitative","study_design_gemma":"not_applicable","study_design_scores_codex":[0.0001635951,0.00002755249,0.01935983,0.000235094,0.00002207385,0.004550934,0.8154503,0.0003292712,0.004761746,0.1066229,0.004437236,0.04403953],"study_design_scores_gemma":[0.00001126081,0.000106859,0.1049775,0.0002779793,0.00002335162,0.0008866329,0.5863515,0.0001323308,0.0009021711,0.003877591,0.3024201,0.00003278589],"study_design_candidate":"not_applicable","study_design_consensus":null,"genre_codex":"empirical","genre_gemma":"empirical","genre_scores_codex":[0.8949471,0.001655346,0.0002867098,0.002385094,0.00004777576,0.000007309413,0.00003198544,0.00001047631,0.1006283],"genre_scores_gemma":[0.9860666,0.0005076811,0.0001345867,0.0001484326,0.00000984831,0.000004424518,0.00001376301,0.000005771122,0.0131089],"genre_candidate":"empirical","genre_consensus":"empirical","teacher_disagreement_score":0.08073991,"threshold_uncertainty_score":0.1605399,"prediction_status":"machine_predicted_unvalidated"},"labels":[],"label_agreement":null}]}